caption: Children's Museum of Memphis Memphis In many ways, this climber is the opposite of the one in Mexico City. There, <PERSON> points out, the surfaces curved wildly but the edges of the structure were flat; here, the surfaces are flat but the edges curve. The structure is, to <PERSON>, very defined, and doesn't have nearly as many climbing options as he'd like. By contrast, he says, his newest creation at the renovated Boston Children's Museum -- which he says is his best one yet -- has all kinds of nooks and crannies and dozens of climbing choices. What he strives for when creating a structure is to 'embed the thing with the same neurotic curiosity that you want the viewer to have.' Looking ahead, <PERSON> wants to try working with glass instead of plywood. Whatever he turns to next, however, he won't depart from his motto: Take risks. 'If you're safe,' he says, 'you're not making art.'
exif: {"Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "Adobe Photoshop CS2 Macintosh", "Image DateTime": "2007:03:16 13:58:30", "Image ExifOffset": "164", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "302", "Thumbnail JPEGInterchangeFormatLength": "9949", "EXIF ColorSpace": "Uncalibrated", "EXIF ExifImageWidth": "491", "EXIF ExifImageLength": "522"}