Spaces:
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Sleeping
adding data and code for training
Browse files- FineTuning_GPT2.ipynb +2623 -0
- README.md +8 -0
- content/my_data/.DS_Store +0 -0
- content/my_data/s1e2.txt +1695 -0
- content/my_data/s1e3.txt +1543 -0
- content/my_data/s1e4.txt +1753 -0
- content/my_data/s1e5.txt +1653 -0
- content/my_data/s1e7.txt +1625 -0
- content/my_data/s1e8.txt +1385 -0
- content/my_data/s1e9.txt +1535 -0
- content/my_trained_models/WARNING.md +2 -0
- finetuning_gpt2.py +195 -0
FineTuning_GPT2.ipynb
ADDED
@@ -0,0 +1,2623 @@
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1 |
+
{
|
2 |
+
"nbformat": 4,
|
3 |
+
"nbformat_minor": 0,
|
4 |
+
"metadata": {
|
5 |
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"colab": {
|
6 |
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"provenance": []
|
7 |
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},
|
8 |
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"kernelspec": {
|
9 |
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"name": "python3",
|
10 |
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"display_name": "Python 3"
|
11 |
+
},
|
12 |
+
"language_info": {
|
13 |
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"name": "python"
|
14 |
+
},
|
15 |
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"accelerator": "GPU",
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16 |
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"gpuClass": "standard",
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17 |
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"widgets": {
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18 |
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"application/vnd.jupyter.widget-state+json": {
|
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{
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"source": [
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"# This notebook by Zack DeSario is a remix / combination of many sources as all good code is. \n",
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1671 |
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"The code is mainly from [@DigitalSreeni](https://youtu.be/DxygPxcfW_I). Their code cites the [huggingface official tutorial](https://huggingface.co/transformers/v2.2.0/pretrained_models.html).\n",
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"\n"
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],
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"metadata": {
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"id": "1KNhbTK0POcG"
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{
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"metadata": {
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"id": "rCd-oTGxXyc1"
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},
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"outputs": [],
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"source": [
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"!pip install transformers\n",
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"!pip install torch\n",
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"!pip install transformers[torch]"
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]
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{
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"source": [
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"import os\n",
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"import re\n",
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1696 |
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"import torch\n",
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1697 |
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"from transformers import GPT2Tokenizer, GPT2LMHeadModel, TextDataset, DataCollatorForLanguageModeling\n",
|
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"from transformers import Trainer, TrainingArguments\n"
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],
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"metadata": {
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"id": "JfqnHAnMYfWF"
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{
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"source": [
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"from huggingface_hub import notebook_login\n",
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"notebook_login()"
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],
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"metadata": {
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},
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"outputs": [
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{
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"output_type": "display_data",
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"data": {
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"text/plain": [
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"VBox(children=(HTML(value='<center> <img\\nsrc=https://huggingface.co/front/assets/huggingface_logo-noborder.sv…"
|
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],
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"version_major": 2,
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"version_minor": 0,
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}
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},
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}
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},
|
1772 |
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{
|
1773 |
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"cell_type": "markdown",
|
1774 |
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"source": [
|
1775 |
+
"Required functions to read text from various files located in a directory. Files can be a mix of pdf, docx, or txt."
|
1776 |
+
],
|
1777 |
+
"metadata": {
|
1778 |
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"id": "a_Bn7925nhYk"
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{
|
1782 |
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"cell_type": "code",
|
1783 |
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"source": [
|
1784 |
+
"### THIS CODE IS 100% WRITTEN BY THE FIRST SOURCE. VERY HELPFUL FUNCTIONS, TY.\n",
|
1785 |
+
"# Functions to read different file types\n",
|
1786 |
+
"def read_txt(file_path):\n",
|
1787 |
+
" with open(file_path, \"r\") as file:\n",
|
1788 |
+
" text = file.read()\n",
|
1789 |
+
" return text\n",
|
1790 |
+
"\n",
|
1791 |
+
"def read_documents_from_directory(directory):\n",
|
1792 |
+
" combined_text = \"\"\n",
|
1793 |
+
" for filename in os.listdir(directory):\n",
|
1794 |
+
" file_path = os.path.join(directory, filename)\n",
|
1795 |
+
" if filename.endswith(\".pdf\"):\n",
|
1796 |
+
" combined_text += read_pdf(file_path)\n",
|
1797 |
+
" elif filename.endswith(\".docx\"):\n",
|
1798 |
+
" combined_text += read_word(file_path)\n",
|
1799 |
+
" elif filename.endswith(\".txt\"):\n",
|
1800 |
+
" combined_text += read_txt(file_path)\n",
|
1801 |
+
" return combined_text\n",
|
1802 |
+
"\n",
|
1803 |
+
"\n",
|
1804 |
+
"# ANOTHER HELPER FUNCTION\n",
|
1805 |
+
"def generate_response(model, tokenizer, prompt, max_length=100):\n",
|
1806 |
+
" input_ids = tokenizer.encode(prompt, return_tensors=\"pt\")\n",
|
1807 |
+
"\n",
|
1808 |
+
" # Create the attention mask and pad token id\n",
|
1809 |
+
" attention_mask = torch.ones_like(input_ids)\n",
|
1810 |
+
" pad_token_id = tokenizer.eos_token_id\n",
|
1811 |
+
"\n",
|
1812 |
+
" output = model.generate(\n",
|
1813 |
+
" input_ids,\n",
|
1814 |
+
" max_length=max_length,\n",
|
1815 |
+
" num_return_sequences=1,\n",
|
1816 |
+
" attention_mask=attention_mask,\n",
|
1817 |
+
" pad_token_id=pad_token_id\n",
|
1818 |
+
" )\n",
|
1819 |
+
"\n",
|
1820 |
+
" return tokenizer.decode(output[0], skip_special_tokens=True)\n"
|
1821 |
+
],
|
1822 |
+
"metadata": {
|
1823 |
+
"id": "kjhi8kpfYdlV"
|
1824 |
+
},
|
1825 |
+
"execution_count": 3,
|
1826 |
+
"outputs": []
|
1827 |
+
},
|
1828 |
+
{
|
1829 |
+
"cell_type": "markdown",
|
1830 |
+
"source": [
|
1831 |
+
"## Now load the base model and test it to see if it already does what we need to do or not...."
|
1832 |
+
],
|
1833 |
+
"metadata": {
|
1834 |
+
"id": "0taX8M-Hahag"
|
1835 |
+
}
|
1836 |
+
},
|
1837 |
+
{
|
1838 |
+
"cell_type": "code",
|
1839 |
+
"source": [
|
1840 |
+
"# Set up the tokenizer and model\n",
|
1841 |
+
"tokenizer = GPT2Tokenizer.from_pretrained(\"gpt2-medium\") #also try gpt2, gpt2-large and gpt2-medium, also gpt2-xl\n",
|
1842 |
+
"model = GPT2LMHeadModel.from_pretrained(\"gpt2-medium\") #also try gpt2, gpt2-large and gpt2-medium, also gpt2-xl"
|
1843 |
+
],
|
1844 |
+
"metadata": {
|
1845 |
+
"id": "GvF4s_utafu8"
|
1846 |
+
},
|
1847 |
+
"execution_count": 4,
|
1848 |
+
"outputs": []
|
1849 |
+
},
|
1850 |
+
{
|
1851 |
+
"cell_type": "code",
|
1852 |
+
"source": [
|
1853 |
+
"prompt = 'Write a script for the TV show Futurama about Fry getting stuck in a hole.'\n",
|
1854 |
+
"response = generate_response(model, tokenizer, prompt, max_length=200)\n",
|
1855 |
+
"print(response)"
|
1856 |
+
],
|
1857 |
+
"metadata": {
|
1858 |
+
"colab": {
|
1859 |
+
"base_uri": "https://localhost:8080/",
|
1860 |
+
"height": 0
|
1861 |
+
},
|
1862 |
+
"id": "W3HMD6f5axJp",
|
1863 |
+
"outputId": "bc32c758-a1f6-4ff2-a41b-ae11f28f1522"
|
1864 |
+
},
|
1865 |
+
"execution_count": 5,
|
1866 |
+
"outputs": [
|
1867 |
+
{
|
1868 |
+
"output_type": "stream",
|
1869 |
+
"name": "stdout",
|
1870 |
+
"text": [
|
1871 |
+
"Write a script for the TV show Futurama about Fry getting stuck in a hole.\n",
|
1872 |
+
"\n",
|
1873 |
+
"Fry: I'm stuck in a hole.\n",
|
1874 |
+
"\n",
|
1875 |
+
"Fry: I'm stuck in a hole.\n",
|
1876 |
+
"\n",
|
1877 |
+
"Fry: I'm stuck in a hole.\n",
|
1878 |
+
"\n",
|
1879 |
+
"Fry: I'm stuck in a hole.\n",
|
1880 |
+
"\n",
|
1881 |
+
"Fry: I'm stuck in a hole.\n",
|
1882 |
+
"\n",
|
1883 |
+
"Fry: I'm stuck in a hole.\n",
|
1884 |
+
"\n",
|
1885 |
+
"Fry: I'm stuck in a hole.\n",
|
1886 |
+
"\n",
|
1887 |
+
"Fry: I'm stuck in a hole.\n",
|
1888 |
+
"\n",
|
1889 |
+
"Fry: I'm stuck in a hole.\n",
|
1890 |
+
"\n",
|
1891 |
+
"Fry: I'm stuck in a hole.\n",
|
1892 |
+
"\n",
|
1893 |
+
"Fry: I'm stuck in a hole.\n",
|
1894 |
+
"\n",
|
1895 |
+
"Fry: I'm stuck in a hole.\n",
|
1896 |
+
"\n",
|
1897 |
+
"Fry: I'm stuck in a hole.\n",
|
1898 |
+
"\n",
|
1899 |
+
"Fry: I'm stuck in a hole.\n",
|
1900 |
+
"\n",
|
1901 |
+
"Fry: I'm stuck in a hole.\n",
|
1902 |
+
"\n",
|
1903 |
+
"\n"
|
1904 |
+
]
|
1905 |
+
}
|
1906 |
+
]
|
1907 |
+
},
|
1908 |
+
{
|
1909 |
+
"cell_type": "code",
|
1910 |
+
"source": [
|
1911 |
+
"prompt = 'Who is Fry TV show Futurama? Describe them in detail.'\n",
|
1912 |
+
"response = generate_response(model, tokenizer, prompt, max_length=200)\n",
|
1913 |
+
"print(response)"
|
1914 |
+
],
|
1915 |
+
"metadata": {
|
1916 |
+
"colab": {
|
1917 |
+
"base_uri": "https://localhost:8080/",
|
1918 |
+
"height": 0
|
1919 |
+
},
|
1920 |
+
"id": "fS0n27aUbTj6",
|
1921 |
+
"outputId": "539f6a58-504c-4553-c531-cc25689dc560"
|
1922 |
+
},
|
1923 |
+
"execution_count": 16,
|
1924 |
+
"outputs": [
|
1925 |
+
{
|
1926 |
+
"output_type": "stream",
|
1927 |
+
"name": "stdout",
|
1928 |
+
"text": [
|
1929 |
+
"Who is Fry TV show Futurama? Describe them in detail.\n",
|
1930 |
+
"\n",
|
1931 |
+
"Futurama is a comedy show that is based on the comic strip \"Futurama\" by David Lynch. It is a parody of the popular television series \"Futurama\" and is produced by Fox Television Studios. The show is produced by Fox Television Studios and is produced by Fox Television Studios, a division of 21st Century Fox.\n",
|
1932 |
+
"\n",
|
1933 |
+
"Futurama is a comedy show that is based on the comic strip \"Futurama\" by David Lynch. It is a parody of the popular television series \"Futurama\" and is produced by Fox Television Studios. The show is produced by Fox Television Studios and is produced by Fox Television Studios, a division of 21st Century Fox. What is the name of the show?\n",
|
1934 |
+
"\n",
|
1935 |
+
"Futurama is a comedy show that is based on the comic strip \"Futurama\" by David Lynch. It\n"
|
1936 |
+
]
|
1937 |
+
}
|
1938 |
+
]
|
1939 |
+
},
|
1940 |
+
{
|
1941 |
+
"cell_type": "markdown",
|
1942 |
+
"source": [
|
1943 |
+
"# Mmkay, it clearly does not know who Fry is or how to write a TV Script.\n",
|
1944 |
+
"\n",
|
1945 |
+
"### Lets train it to learn how to write a TV script for Futurama. \n"
|
1946 |
+
],
|
1947 |
+
"metadata": {
|
1948 |
+
"id": "mgjYQNw0b2bR"
|
1949 |
+
}
|
1950 |
+
},
|
1951 |
+
{
|
1952 |
+
"cell_type": "markdown",
|
1953 |
+
"source": [
|
1954 |
+
"## Adding your data\n",
|
1955 |
+
"1. Open the side panel, click on the folder icon, create a new folder called `my_data`, and drag and drop your data into that side panel. I will demonstrate during class.\n",
|
1956 |
+
"\n",
|
1957 |
+
"2. Also, create a new folder called `my_trained_model`. That is where we will temporarily store our trained model."
|
1958 |
+
],
|
1959 |
+
"metadata": {
|
1960 |
+
"id": "zmShuef1SFfp"
|
1961 |
+
}
|
1962 |
+
},
|
1963 |
+
{
|
1964 |
+
"cell_type": "markdown",
|
1965 |
+
"source": [
|
1966 |
+
"Load your data\n",
|
1967 |
+
"* You can download the data I used here: UPLOAD LINK SOON."
|
1968 |
+
],
|
1969 |
+
"metadata": {
|
1970 |
+
"id": "0d1KYFiJSY5F"
|
1971 |
+
}
|
1972 |
+
},
|
1973 |
+
{
|
1974 |
+
"cell_type": "code",
|
1975 |
+
"source": [
|
1976 |
+
"directory = \"/content/my_data/\" # Replace with the path to your directory containing the files\n",
|
1977 |
+
"model_output_path = \"/content/my_trained_models/\"\n",
|
1978 |
+
"train_fraction=0.8\n",
|
1979 |
+
"# Read documents from the directory\n",
|
1980 |
+
"combined_text = read_documents_from_directory(directory)\n",
|
1981 |
+
"combined_text = re.sub(r'\\n+', '\\n', combined_text).strip() # Remove excess newline characters\n",
|
1982 |
+
"\n",
|
1983 |
+
"# Split the text into training and validation sets\n",
|
1984 |
+
"split_index = int(train_fraction * len(combined_text))\n",
|
1985 |
+
"train_text = combined_text[:split_index]\n",
|
1986 |
+
"val_text = combined_text[split_index:]\n",
|
1987 |
+
"\n",
|
1988 |
+
"# Save the training and validation data as text files\n",
|
1989 |
+
"with open(\"train.txt\", \"w\") as f:\n",
|
1990 |
+
" f.write(train_text)\n",
|
1991 |
+
"with open(\"val.txt\", \"w\") as f:\n",
|
1992 |
+
" f.write(val_text)\n"
|
1993 |
+
],
|
1994 |
+
"metadata": {
|
1995 |
+
"id": "eplbxsLRZBNL"
|
1996 |
+
},
|
1997 |
+
"execution_count": 6,
|
1998 |
+
"outputs": []
|
1999 |
+
},
|
2000 |
+
{
|
2001 |
+
"cell_type": "code",
|
2002 |
+
"source": [
|
2003 |
+
"len(train_text)\n",
|
2004 |
+
"print(train_text[:1000])"
|
2005 |
+
],
|
2006 |
+
"metadata": {
|
2007 |
+
"colab": {
|
2008 |
+
"base_uri": "https://localhost:8080/",
|
2009 |
+
"height": 0
|
2010 |
+
},
|
2011 |
+
"id": "1Z5I2gfVS-v3",
|
2012 |
+
"outputId": "dd2bc30f-399b-40af-f6d5-858bb196bcd9"
|
2013 |
+
},
|
2014 |
+
"execution_count": 10,
|
2015 |
+
"outputs": [
|
2016 |
+
{
|
2017 |
+
"output_type": "stream",
|
2018 |
+
"name": "stdout",
|
2019 |
+
"text": [
|
2020 |
+
"FUTURAMA\n",
|
2021 |
+
" Episode 108 \n",
|
2022 |
+
" \"A BIG PIECE OF GARBAGE\"\n",
|
2023 |
+
" By\n",
|
2024 |
+
" Lewis Morton\n",
|
2025 |
+
" Transcribed by Dave, The Neutral Planet\n",
|
2026 |
+
" \n",
|
2027 |
+
" [Planet Express: Meeting Room. The crew are sat around the table.]\n",
|
2028 |
+
" \n",
|
2029 |
+
" \n",
|
2030 |
+
" \n",
|
2031 |
+
" FARNSWORTH\n",
|
2032 |
+
" Good news, everyone. Tomorrow you'll \n",
|
2033 |
+
" be making a delivery to Ebola 9, the \n",
|
2034 |
+
" virus planet.\n",
|
2035 |
+
" \n",
|
2036 |
+
" \n",
|
2037 |
+
" HERMES\n",
|
2038 |
+
" Why can't they go today?\n",
|
2039 |
+
" \n",
|
2040 |
+
" FARNSWORTH\n",
|
2041 |
+
" Because tonight's a special night and \n",
|
2042 |
+
" I want all of you to be alive. It's \n",
|
2043 |
+
" the Academy of Inventors annual symposium.\n",
|
2044 |
+
" \n",
|
2045 |
+
" \n"
|
2046 |
+
]
|
2047 |
+
}
|
2048 |
+
]
|
2049 |
+
},
|
2050 |
+
{
|
2051 |
+
"cell_type": "markdown",
|
2052 |
+
"source": [
|
2053 |
+
"The train_chatbot function uses the combined text data to train a GPT-2 model using the provided training arguments. The resulting trained model and tokenizer are then saved to a specified output directory."
|
2054 |
+
],
|
2055 |
+
"metadata": {
|
2056 |
+
"id": "D1LqRO_Unfmk"
|
2057 |
+
}
|
2058 |
+
},
|
2059 |
+
{
|
2060 |
+
"cell_type": "code",
|
2061 |
+
"source": [
|
2062 |
+
"\n",
|
2063 |
+
"# Prepare the dataset\n",
|
2064 |
+
"train_dataset = TextDataset(tokenizer=tokenizer, file_path=\"train.txt\", block_size=128)\n",
|
2065 |
+
"val_dataset = TextDataset(tokenizer=tokenizer, file_path=\"val.txt\", block_size=128)\n",
|
2066 |
+
"data_collator = DataCollatorForLanguageModeling(tokenizer=tokenizer, mlm=False)\n",
|
2067 |
+
"\n",
|
2068 |
+
"# Set up the training arguments\n",
|
2069 |
+
"training_args = TrainingArguments(\n",
|
2070 |
+
" output_dir=model_output_path,\n",
|
2071 |
+
" overwrite_output_dir=True,\n",
|
2072 |
+
" per_device_train_batch_size=4,\n",
|
2073 |
+
" per_device_eval_batch_size=4,\n",
|
2074 |
+
" num_train_epochs=33,\n",
|
2075 |
+
" save_steps=10_000,\n",
|
2076 |
+
" save_total_limit=2,\n",
|
2077 |
+
" logging_dir='./logs',\n",
|
2078 |
+
")\n",
|
2079 |
+
"\n",
|
2080 |
+
"# Train the model\n",
|
2081 |
+
"trainer = Trainer(\n",
|
2082 |
+
" model=model,\n",
|
2083 |
+
" args=training_args,\n",
|
2084 |
+
" data_collator=data_collator,\n",
|
2085 |
+
" train_dataset=train_dataset,\n",
|
2086 |
+
" eval_dataset=val_dataset,\n",
|
2087 |
+
")\n"
|
2088 |
+
],
|
2089 |
+
"metadata": {
|
2090 |
+
"colab": {
|
2091 |
+
"base_uri": "https://localhost:8080/",
|
2092 |
+
"height": 0
|
2093 |
+
},
|
2094 |
+
"id": "c4SK8O2lQmTS",
|
2095 |
+
"outputId": "1ea521cd-61e7-4558-9f76-4cf215cfa74d"
|
2096 |
+
},
|
2097 |
+
"execution_count": 7,
|
2098 |
+
"outputs": [
|
2099 |
+
{
|
2100 |
+
"output_type": "stream",
|
2101 |
+
"name": "stderr",
|
2102 |
+
"text": [
|
2103 |
+
"/usr/local/lib/python3.10/dist-packages/transformers/data/datasets/language_modeling.py:53: FutureWarning: This dataset will be removed from the library soon, preprocessing should be handled with the 🤗 Datasets library. You can have a look at this example script for pointers: https://github.com/huggingface/transformers/blob/main/examples/pytorch/language-modeling/run_mlm.py\n",
|
2104 |
+
" warnings.warn(\n"
|
2105 |
+
]
|
2106 |
+
}
|
2107 |
+
]
|
2108 |
+
},
|
2109 |
+
{
|
2110 |
+
"cell_type": "code",
|
2111 |
+
"source": [
|
2112 |
+
"## THIS TAKES 30 MINS FOR JUST 10 EPOCHS SO I AM NOT GOING TO DUE THAT DURING CLASS....\n",
|
2113 |
+
"## AND ~2HRS FOR 33 EPOCHS\n",
|
2114 |
+
"trainer.train()"
|
2115 |
+
],
|
2116 |
+
"metadata": {
|
2117 |
+
"colab": {
|
2118 |
+
"base_uri": "https://localhost:8080/",
|
2119 |
+
"height": 911
|
2120 |
+
},
|
2121 |
+
"id": "4uLxbXDgTRBZ",
|
2122 |
+
"outputId": "36a09738-5a8c-4f4a-f54e-4dda29f0a0d3"
|
2123 |
+
},
|
2124 |
+
"execution_count": 8,
|
2125 |
+
"outputs": [
|
2126 |
+
{
|
2127 |
+
"output_type": "display_data",
|
2128 |
+
"data": {
|
2129 |
+
"text/plain": [
|
2130 |
+
"<IPython.core.display.HTML object>"
|
2131 |
+
],
|
2132 |
+
"text/html": [
|
2133 |
+
"\n",
|
2134 |
+
" <div>\n",
|
2135 |
+
" \n",
|
2136 |
+
" <progress value='12936' max='12936' style='width:300px; height:20px; vertical-align: middle;'></progress>\n",
|
2137 |
+
" [12936/12936 1:44:45, Epoch 33/33]\n",
|
2138 |
+
" </div>\n",
|
2139 |
+
" <table border=\"1\" class=\"dataframe\">\n",
|
2140 |
+
" <thead>\n",
|
2141 |
+
" <tr style=\"text-align: left;\">\n",
|
2142 |
+
" <th>Step</th>\n",
|
2143 |
+
" <th>Training Loss</th>\n",
|
2144 |
+
" </tr>\n",
|
2145 |
+
" </thead>\n",
|
2146 |
+
" <tbody>\n",
|
2147 |
+
" <tr>\n",
|
2148 |
+
" <td>500</td>\n",
|
2149 |
+
" <td>0.723700</td>\n",
|
2150 |
+
" </tr>\n",
|
2151 |
+
" <tr>\n",
|
2152 |
+
" <td>1000</td>\n",
|
2153 |
+
" <td>0.506900</td>\n",
|
2154 |
+
" </tr>\n",
|
2155 |
+
" <tr>\n",
|
2156 |
+
" <td>1500</td>\n",
|
2157 |
+
" <td>0.382800</td>\n",
|
2158 |
+
" </tr>\n",
|
2159 |
+
" <tr>\n",
|
2160 |
+
" <td>2000</td>\n",
|
2161 |
+
" <td>0.288800</td>\n",
|
2162 |
+
" </tr>\n",
|
2163 |
+
" <tr>\n",
|
2164 |
+
" <td>2500</td>\n",
|
2165 |
+
" <td>0.229000</td>\n",
|
2166 |
+
" </tr>\n",
|
2167 |
+
" <tr>\n",
|
2168 |
+
" <td>3000</td>\n",
|
2169 |
+
" <td>0.199800</td>\n",
|
2170 |
+
" </tr>\n",
|
2171 |
+
" <tr>\n",
|
2172 |
+
" <td>3500</td>\n",
|
2173 |
+
" <td>0.176500</td>\n",
|
2174 |
+
" </tr>\n",
|
2175 |
+
" <tr>\n",
|
2176 |
+
" <td>4000</td>\n",
|
2177 |
+
" <td>0.158800</td>\n",
|
2178 |
+
" </tr>\n",
|
2179 |
+
" <tr>\n",
|
2180 |
+
" <td>4500</td>\n",
|
2181 |
+
" <td>0.147800</td>\n",
|
2182 |
+
" </tr>\n",
|
2183 |
+
" <tr>\n",
|
2184 |
+
" <td>5000</td>\n",
|
2185 |
+
" <td>0.137900</td>\n",
|
2186 |
+
" </tr>\n",
|
2187 |
+
" <tr>\n",
|
2188 |
+
" <td>5500</td>\n",
|
2189 |
+
" <td>0.131300</td>\n",
|
2190 |
+
" </tr>\n",
|
2191 |
+
" <tr>\n",
|
2192 |
+
" <td>6000</td>\n",
|
2193 |
+
" <td>0.122500</td>\n",
|
2194 |
+
" </tr>\n",
|
2195 |
+
" <tr>\n",
|
2196 |
+
" <td>6500</td>\n",
|
2197 |
+
" <td>0.119100</td>\n",
|
2198 |
+
" </tr>\n",
|
2199 |
+
" <tr>\n",
|
2200 |
+
" <td>7000</td>\n",
|
2201 |
+
" <td>0.115000</td>\n",
|
2202 |
+
" </tr>\n",
|
2203 |
+
" <tr>\n",
|
2204 |
+
" <td>7500</td>\n",
|
2205 |
+
" <td>0.109800</td>\n",
|
2206 |
+
" </tr>\n",
|
2207 |
+
" <tr>\n",
|
2208 |
+
" <td>8000</td>\n",
|
2209 |
+
" <td>0.104800</td>\n",
|
2210 |
+
" </tr>\n",
|
2211 |
+
" <tr>\n",
|
2212 |
+
" <td>8500</td>\n",
|
2213 |
+
" <td>0.102600</td>\n",
|
2214 |
+
" </tr>\n",
|
2215 |
+
" <tr>\n",
|
2216 |
+
" <td>9000</td>\n",
|
2217 |
+
" <td>0.099100</td>\n",
|
2218 |
+
" </tr>\n",
|
2219 |
+
" <tr>\n",
|
2220 |
+
" <td>9500</td>\n",
|
2221 |
+
" <td>0.095800</td>\n",
|
2222 |
+
" </tr>\n",
|
2223 |
+
" <tr>\n",
|
2224 |
+
" <td>10000</td>\n",
|
2225 |
+
" <td>0.093900</td>\n",
|
2226 |
+
" </tr>\n",
|
2227 |
+
" <tr>\n",
|
2228 |
+
" <td>10500</td>\n",
|
2229 |
+
" <td>0.090900</td>\n",
|
2230 |
+
" </tr>\n",
|
2231 |
+
" <tr>\n",
|
2232 |
+
" <td>11000</td>\n",
|
2233 |
+
" <td>0.086600</td>\n",
|
2234 |
+
" </tr>\n",
|
2235 |
+
" <tr>\n",
|
2236 |
+
" <td>11500</td>\n",
|
2237 |
+
" <td>0.083600</td>\n",
|
2238 |
+
" </tr>\n",
|
2239 |
+
" <tr>\n",
|
2240 |
+
" <td>12000</td>\n",
|
2241 |
+
" <td>0.082800</td>\n",
|
2242 |
+
" </tr>\n",
|
2243 |
+
" <tr>\n",
|
2244 |
+
" <td>12500</td>\n",
|
2245 |
+
" <td>0.079400</td>\n",
|
2246 |
+
" </tr>\n",
|
2247 |
+
" </tbody>\n",
|
2248 |
+
"</table><p>"
|
2249 |
+
]
|
2250 |
+
},
|
2251 |
+
"metadata": {}
|
2252 |
+
},
|
2253 |
+
{
|
2254 |
+
"output_type": "execute_result",
|
2255 |
+
"data": {
|
2256 |
+
"text/plain": [
|
2257 |
+
"TrainOutput(global_step=12936, training_loss=0.1753516689670919, metrics={'train_runtime': 6288.4681, 'train_samples_per_second': 8.218, 'train_steps_per_second': 2.057, 'total_flos': 1.1998348622954496e+16, 'train_loss': 0.1753516689670919, 'epoch': 33.0})"
|
2258 |
+
]
|
2259 |
+
},
|
2260 |
+
"metadata": {},
|
2261 |
+
"execution_count": 8
|
2262 |
+
}
|
2263 |
+
]
|
2264 |
+
},
|
2265 |
+
{
|
2266 |
+
"cell_type": "code",
|
2267 |
+
"source": [
|
2268 |
+
"# Save the model\n",
|
2269 |
+
"trainer.save_model(model_output_path)\n",
|
2270 |
+
"\n",
|
2271 |
+
"# Save the tokenizer\n",
|
2272 |
+
"tokenizer.save_pretrained(model_output_path)\n"
|
2273 |
+
],
|
2274 |
+
"metadata": {
|
2275 |
+
"colab": {
|
2276 |
+
"base_uri": "https://localhost:8080/",
|
2277 |
+
"height": 0
|
2278 |
+
},
|
2279 |
+
"id": "pEl7PMupTVWs",
|
2280 |
+
"outputId": "46cbdbe8-7c4a-47d3-c9fc-4e6eb92ff19d"
|
2281 |
+
},
|
2282 |
+
"execution_count": 9,
|
2283 |
+
"outputs": [
|
2284 |
+
{
|
2285 |
+
"output_type": "execute_result",
|
2286 |
+
"data": {
|
2287 |
+
"text/plain": [
|
2288 |
+
"('/content/my_trained_models/tokenizer_config.json',\n",
|
2289 |
+
" '/content/my_trained_models/special_tokens_map.json',\n",
|
2290 |
+
" '/content/my_trained_models/vocab.json',\n",
|
2291 |
+
" '/content/my_trained_models/merges.txt',\n",
|
2292 |
+
" '/content/my_trained_models/added_tokens.json')"
|
2293 |
+
]
|
2294 |
+
},
|
2295 |
+
"metadata": {},
|
2296 |
+
"execution_count": 9
|
2297 |
+
}
|
2298 |
+
]
|
2299 |
+
},
|
2300 |
+
{
|
2301 |
+
"cell_type": "code",
|
2302 |
+
"source": [
|
2303 |
+
"print(\"SAVED MODELS LOCALLY YO!!!!!!\")"
|
2304 |
+
],
|
2305 |
+
"metadata": {
|
2306 |
+
"colab": {
|
2307 |
+
"base_uri": "https://localhost:8080/",
|
2308 |
+
"height": 0
|
2309 |
+
},
|
2310 |
+
"id": "aI1-vpJDc7Sx",
|
2311 |
+
"outputId": "4d319aec-cc02-4be7-d356-08e43f13869a"
|
2312 |
+
},
|
2313 |
+
"execution_count": 10,
|
2314 |
+
"outputs": [
|
2315 |
+
{
|
2316 |
+
"output_type": "stream",
|
2317 |
+
"name": "stdout",
|
2318 |
+
"text": [
|
2319 |
+
"SAVED MODELS LOCALLY YO!!!!!!\n"
|
2320 |
+
]
|
2321 |
+
}
|
2322 |
+
]
|
2323 |
+
},
|
2324 |
+
{
|
2325 |
+
"cell_type": "code",
|
2326 |
+
"source": [
|
2327 |
+
"directory = \"/content/my_data/\" # Replace with the path to your directory containing the files\n",
|
2328 |
+
"model_output_path = \"/content/my_trained_models/\"\n",
|
2329 |
+
"\n",
|
2330 |
+
"model = GPT2LMHeadModel.from_pretrained(model_output_path)\n",
|
2331 |
+
"tokenizer = GPT2Tokenizer.from_pretrained(model_output_path)\n"
|
2332 |
+
],
|
2333 |
+
"metadata": {
|
2334 |
+
"id": "r09pTefOgGPt"
|
2335 |
+
},
|
2336 |
+
"execution_count": 11,
|
2337 |
+
"outputs": []
|
2338 |
+
},
|
2339 |
+
{
|
2340 |
+
"cell_type": "code",
|
2341 |
+
"source": [
|
2342 |
+
"\n",
|
2343 |
+
"# Test the chatbot\n",
|
2344 |
+
"prompt = \"Write a TV show script for the TV show Futurama about Fry getting stuck in a hole.\" # Replace with your desired prompt\n",
|
2345 |
+
"# prompt = \"What is bulk metallic glass?\" # Replace with your desired prompt\n",
|
2346 |
+
"\n",
|
2347 |
+
"response = generate_response(model, tokenizer, prompt, max_length=1000)\n",
|
2348 |
+
"print(\"Generated response:\", response)"
|
2349 |
+
],
|
2350 |
+
"metadata": {
|
2351 |
+
"colab": {
|
2352 |
+
"base_uri": "https://localhost:8080/",
|
2353 |
+
"height": 0
|
2354 |
+
},
|
2355 |
+
"id": "ybZWymmrlTSk",
|
2356 |
+
"outputId": "04b23e45-775e-4c92-ff65-4042a6d72a76"
|
2357 |
+
},
|
2358 |
+
"execution_count": 14,
|
2359 |
+
"outputs": [
|
2360 |
+
{
|
2361 |
+
"output_type": "stream",
|
2362 |
+
"name": "stdout",
|
2363 |
+
"text": [
|
2364 |
+
"Generated response: Write a TV show script for the TV show Futurama about Fry getting stuck in a hole.\n",
|
2365 |
+
" \n",
|
2366 |
+
" \n",
|
2367 |
+
" \n",
|
2368 |
+
" FRY\n",
|
2369 |
+
" Yeah, that'd be a timesaver.\n",
|
2370 |
+
" \n",
|
2371 |
+
" [Cut to: Planet Express: Fry's Bedroom. The crew are asleep.]\n",
|
2372 |
+
" \n",
|
2373 |
+
" BENDER\n",
|
2374 |
+
" Hey, you don't wanna hear about that \n",
|
2375 |
+
" trouble with the TV!\n",
|
2376 |
+
" \n",
|
2377 |
+
" \n",
|
2378 |
+
" BENDER\n",
|
2379 |
+
" Let's just say it'll put a smile on your \n",
|
2380 |
+
" face.\n",
|
2381 |
+
" \n",
|
2382 |
+
" BENDER\n",
|
2383 |
+
" OK, OK, keep your space pants on. I'll \n",
|
2384 |
+
" take care of this.\n",
|
2385 |
+
" \n",
|
2386 |
+
" \n",
|
2387 |
+
" [Cut to: Planet Express: Fry's Bedroom. The crew are asleep.]\n",
|
2388 |
+
" \n",
|
2389 |
+
" BENDER\n",
|
2390 |
+
" Alright, OK, I'll be in the escape pod. Hold on to \n",
|
2391 |
+
" your helmet.\n",
|
2392 |
+
" \n",
|
2393 |
+
" [Cut to: Outside Planet Express. The ship lands.]\n",
|
2394 |
+
" \n",
|
2395 |
+
" [Cut to: Planet Express: Lounge. The crew are sat around the table.]\n",
|
2396 |
+
" \n",
|
2397 |
+
" BENDER\n",
|
2398 |
+
" I know it's boring out there, but I need some \n",
|
2399 |
+
" to get away.\n",
|
2400 |
+
" \n",
|
2401 |
+
" \n",
|
2402 |
+
" BENDER\n",
|
2403 |
+
" I don't know about any of your previous \n",
|
2404 |
+
" previous captains,\n"
|
2405 |
+
]
|
2406 |
+
}
|
2407 |
+
]
|
2408 |
+
},
|
2409 |
+
{
|
2410 |
+
"cell_type": "code",
|
2411 |
+
"source": [
|
2412 |
+
"## PUSH THE MODELS TO YOUR HUGGING-FACE.\n",
|
2413 |
+
"\n",
|
2414 |
+
"model.push_to_hub(repo_id='KingZack/future-futurama-maker')\n",
|
2415 |
+
"tokenizer.push_to_hub('KingZack/future-futurama-maker')\n",
|
2416 |
+
"\n",
|
2417 |
+
"\n"
|
2418 |
+
],
|
2419 |
+
"metadata": {
|
2420 |
+
"colab": {
|
2421 |
+
"base_uri": "https://localhost:8080/",
|
2422 |
+
"height": 101,
|
2423 |
+
"referenced_widgets": [
|
2424 |
+
"a3fbdd7d222943ddaf9bda9ad5bfa5f6",
|
2425 |
+
"0799c57bce7d4acdad5bf69c798e422f",
|
2426 |
+
"ce81a63e33c041c9a655cebef323ba36",
|
2427 |
+
"66ed2d3283c548ed867d816b45254e6a",
|
2428 |
+
"2d16cc7b4780420fa17d6f0e2bfdb370",
|
2429 |
+
"c358e4bd56504e65b16badf84ef0a0a0",
|
2430 |
+
"d05eea349cbd45fe88f284ca44992d5e",
|
2431 |
+
"41482fa94f7f41f893522daeff85c0ba",
|
2432 |
+
"3be5cf688ba84b21be6f04fd14d541d5",
|
2433 |
+
"d91574f400e34ed6b4cd239d9d8f337d",
|
2434 |
+
"fa327cb7eb9748bd90556ae760171fab"
|
2435 |
+
]
|
2436 |
+
},
|
2437 |
+
"id": "q1hw5WG6wIva",
|
2438 |
+
"outputId": "6d50cd27-7fc8-42eb-a2dc-92c8bc424006"
|
2439 |
+
},
|
2440 |
+
"execution_count": 15,
|
2441 |
+
"outputs": [
|
2442 |
+
{
|
2443 |
+
"output_type": "display_data",
|
2444 |
+
"data": {
|
2445 |
+
"text/plain": [
|
2446 |
+
"model.safetensors: 0%| | 0.00/1.42G [00:00<?, ?B/s]"
|
2447 |
+
],
|
2448 |
+
"application/vnd.jupyter.widget-view+json": {
|
2449 |
+
"version_major": 2,
|
2450 |
+
"version_minor": 0,
|
2451 |
+
"model_id": "a3fbdd7d222943ddaf9bda9ad5bfa5f6"
|
2452 |
+
}
|
2453 |
+
},
|
2454 |
+
"metadata": {}
|
2455 |
+
},
|
2456 |
+
{
|
2457 |
+
"output_type": "execute_result",
|
2458 |
+
"data": {
|
2459 |
+
"text/plain": [
|
2460 |
+
"CommitInfo(commit_url='https://huggingface.co/KingZack/future-futurama-maker/commit/4f79dd3471035e7a73e4c8a509d1377f085f5dd4', commit_message='Upload tokenizer', commit_description='', oid='4f79dd3471035e7a73e4c8a509d1377f085f5dd4', pr_url=None, pr_revision=None, pr_num=None)"
|
2461 |
+
]
|
2462 |
+
},
|
2463 |
+
"metadata": {},
|
2464 |
+
"execution_count": 15
|
2465 |
+
}
|
2466 |
+
]
|
2467 |
+
},
|
2468 |
+
{
|
2469 |
+
"cell_type": "markdown",
|
2470 |
+
"source": [
|
2471 |
+
"### check out the model you made in the offical hub. \n",
|
2472 |
+
"--> https://huggingface.co/KingZack/future-futurama-maker"
|
2473 |
+
],
|
2474 |
+
"metadata": {
|
2475 |
+
"id": "e1KdL1mCdGb7"
|
2476 |
+
}
|
2477 |
+
},
|
2478 |
+
{
|
2479 |
+
"cell_type": "markdown",
|
2480 |
+
"source": [
|
2481 |
+
"## Now load it from the hub and test it out."
|
2482 |
+
],
|
2483 |
+
"metadata": {
|
2484 |
+
"id": "HgNTL4RPdQl2"
|
2485 |
+
}
|
2486 |
+
},
|
2487 |
+
{
|
2488 |
+
"cell_type": "code",
|
2489 |
+
"source": [
|
2490 |
+
"# Use a pipeline as a high-level helper\n",
|
2491 |
+
"# from transformers import pipeline\n",
|
2492 |
+
"\n",
|
2493 |
+
"# pipe = pipeline(\"text-generation\", model=\"KingZack/future-futurama-maker\")\n",
|
2494 |
+
"\n",
|
2495 |
+
"\n",
|
2496 |
+
"# Load model directly\n",
|
2497 |
+
"from transformers import AutoTokenizer, AutoModelForCausalLM\n",
|
2498 |
+
"\n",
|
2499 |
+
"tokenizer = AutoTokenizer.from_pretrained(\"KingZack/future-futurama-maker\")\n",
|
2500 |
+
"model = AutoModelForCausalLM.from_pretrained(\"KingZack/future-futurama-maker\")"
|
2501 |
+
],
|
2502 |
+
"metadata": {
|
2503 |
+
"colab": {
|
2504 |
+
"base_uri": "https://localhost:8080/",
|
2505 |
+
"height": 49,
|
2506 |
+
"referenced_widgets": [
|
2507 |
+
"aeeab280f5d94b7c8ec2db3c024021d3",
|
2508 |
+
"5bbeb3d24696483cb0a8b77c80f58331",
|
2509 |
+
"10cb93cc9dd04376ada62211af66169b",
|
2510 |
+
"3368dfedbfd94ab0ad52ce7eda66bf65",
|
2511 |
+
"a8611a77aa424b3189a9674a2f100f57",
|
2512 |
+
"0281d96fb3024ca6a9feac614e88ce55",
|
2513 |
+
"30a8422696c24b999ac3ef15dcc9a44c",
|
2514 |
+
"8aa2fbe219ea4b2c9a48ebffb8ff8ac6",
|
2515 |
+
"602879da2fd54b9c8d3eeab5a9267658",
|
2516 |
+
"922382efa15a4286b5364189589209df",
|
2517 |
+
"03a3cb72a56f4755af54d8057e8e5c0c"
|
2518 |
+
]
|
2519 |
+
},
|
2520 |
+
"id": "4ZnsKeu-78As",
|
2521 |
+
"outputId": "8437c13a-dcc3-462b-c9bb-2ef6cf4feba0"
|
2522 |
+
},
|
2523 |
+
"execution_count": 16,
|
2524 |
+
"outputs": [
|
2525 |
+
{
|
2526 |
+
"output_type": "display_data",
|
2527 |
+
"data": {
|
2528 |
+
"text/plain": [
|
2529 |
+
"Downloading model.safetensors: 0%| | 0.00/1.42G [00:00<?, ?B/s]"
|
2530 |
+
],
|
2531 |
+
"application/vnd.jupyter.widget-view+json": {
|
2532 |
+
"version_major": 2,
|
2533 |
+
"version_minor": 0,
|
2534 |
+
"model_id": "aeeab280f5d94b7c8ec2db3c024021d3"
|
2535 |
+
}
|
2536 |
+
},
|
2537 |
+
"metadata": {}
|
2538 |
+
}
|
2539 |
+
]
|
2540 |
+
},
|
2541 |
+
{
|
2542 |
+
"cell_type": "code",
|
2543 |
+
"source": [
|
2544 |
+
"# Test the chatbot\n",
|
2545 |
+
"prompt = 'Write a script for the TV show Futurama about Fry getting stuck in a hole.'\n",
|
2546 |
+
"\n",
|
2547 |
+
"response = generate_response(model, tokenizer, prompt, max_length=1000)\n",
|
2548 |
+
"print(\"Generated response:\", response)"
|
2549 |
+
],
|
2550 |
+
"metadata": {
|
2551 |
+
"colab": {
|
2552 |
+
"base_uri": "https://localhost:8080/",
|
2553 |
+
"height": 0
|
2554 |
+
},
|
2555 |
+
"id": "z6i7TsCYmZc8",
|
2556 |
+
"outputId": "34b0856a-c473-4732-b61d-2108331ebd0a"
|
2557 |
+
},
|
2558 |
+
"execution_count": 17,
|
2559 |
+
"outputs": [
|
2560 |
+
{
|
2561 |
+
"output_type": "stream",
|
2562 |
+
"name": "stdout",
|
2563 |
+
"text": [
|
2564 |
+
"Generated response: Write a script for the TV show Futurama about Fry getting stuck in a hole.\n",
|
2565 |
+
" \n",
|
2566 |
+
" \n",
|
2567 |
+
" \n",
|
2568 |
+
" FRY\n",
|
2569 |
+
" Maybe I should take Fry on the Luna \n",
|
2570 |
+
" Rover ride. You get to wear a space \n",
|
2571 |
+
" suit and drive around on the surface. \n",
|
2572 |
+
" \n",
|
2573 |
+
" \n",
|
2574 |
+
" [The ride takes Fry and Bender by rocket ship. They open the door \n",
|
2575 |
+
" and look around.]\n",
|
2576 |
+
" \n",
|
2577 |
+
" \n",
|
2578 |
+
" LEELA\n",
|
2579 |
+
" OK, guys, let's get to work! I'll be \n",
|
2580 |
+
" \n",
|
2581 |
+
" out in a second.\n",
|
2582 |
+
" \n",
|
2583 |
+
" \n",
|
2584 |
+
" [Cut to: Outside Luna Park. The crew walk across the surface, reading a map.]\n",
|
2585 |
+
" \n",
|
2586 |
+
" \n",
|
2587 |
+
" FARNSWORTH\n",
|
2588 |
+
" \n",
|
2589 |
+
" OK, guys, let's get to work! I'll be \n",
|
2590 |
+
" out in a second.\n",
|
2591 |
+
" \n",
|
2592 |
+
" [Cut to: Outside Luna Park. The crew walk across the surface, reading a map.]\n",
|
2593 |
+
" \n",
|
2594 |
+
" FARNSWORTH\n",
|
2595 |
+
" OK, guys, let's get to work! I'll be \n",
|
2596 |
+
" out in a second. Hurry, before we freeze!\n",
|
2597 |
+
" \n",
|
2598 |
+
" \n",
|
2599 |
+
" [Cut to: Outside Luna Park. The crew walk across the surface, reading a map.]\n",
|
2600 |
+
" \n",
|
2601 |
+
" [Cut to: Outside Luna Park. The crew walk across the surface, reading a map.]\n",
|
2602 |
+
" \n",
|
2603 |
+
" [Cut to: Outside Luna Park. The crew walk across the surface, reading a map.]\n",
|
2604 |
+
" \n",
|
2605 |
+
" FARNSWORTH\n",
|
2606 |
+
" I'm sure it'll work!\n",
|
2607 |
+
" \n",
|
2608 |
+
" \n"
|
2609 |
+
]
|
2610 |
+
}
|
2611 |
+
]
|
2612 |
+
},
|
2613 |
+
{
|
2614 |
+
"cell_type": "code",
|
2615 |
+
"source": [],
|
2616 |
+
"metadata": {
|
2617 |
+
"id": "LQyHvOb-etJm"
|
2618 |
+
},
|
2619 |
+
"execution_count": null,
|
2620 |
+
"outputs": []
|
2621 |
+
}
|
2622 |
+
]
|
2623 |
+
}
|
README.md
CHANGED
@@ -11,3 +11,11 @@ license: apache-2.0
|
|
11 |
---
|
12 |
|
13 |
Check out the configuration reference at https://huggingface.co/docs/hub/spaces-config-reference
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|
11 |
---
|
12 |
|
13 |
Check out the configuration reference at https://huggingface.co/docs/hub/spaces-config-reference
|
14 |
+
|
15 |
+
|
16 |
+
### How to build upon this
|
17 |
+
|
18 |
+
I built the model on google colab. [Here is the code that I used to pretrain the model](https://colab.research.google.com/drive/1PlLmPZ7NMPjZFz7xisoypLSHIjE2s7Qm#scrollTo=LQyHvOb-etJm).
|
19 |
+
|
20 |
+
However, the colab wont save the data I used to train it, so it is in this repo under `/content/my_data`. I downloaded the Futurama transcripts from https://imsdb.com/TV/Futurama.html.
|
21 |
+
|
content/my_data/.DS_Store
ADDED
Binary file (6.15 kB). View file
|
|
content/my_data/s1e2.txt
ADDED
@@ -0,0 +1,1695 @@
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|
1 |
+
FUTURAMA
|
2 |
+
|
3 |
+
Episode 102
|
4 |
+
|
5 |
+
"THE SERIES HAS LANDED"
|
6 |
+
|
7 |
+
By
|
8 |
+
|
9 |
+
Ken Keeler
|
10 |
+
|
11 |
+
Transcribed by Dave, The Neutral Planet
|
12 |
+
|
13 |
+
|
14 |
+
|
15 |
+
[Planet Express: Meeting Room. Fry, Bender and Leela sit around
|
16 |
+
a big green table facing a big screen which Farnsworth stands
|
17 |
+
in front of.]
|
18 |
+
|
19 |
+
|
20 |
+
FARNSWORTH
|
21 |
+
As new employees I'd like your opinion
|
22 |
+
on our commercial. I paid to have it
|
23 |
+
air during the Superbowl.
|
24 |
+
|
25 |
+
|
26 |
+
FRY
|
27 |
+
Wow!
|
28 |
+
|
29 |
+
|
30 |
+
FARNSWORTH
|
31 |
+
Not on the same channel, of course.
|
32 |
+
|
33 |
+
|
34 |
+
|
35 |
+
[He puts a tiny video into the VCR and the commercial appears
|
36 |
+
on the screen. A man is sat in his office and a huge green horrible
|
37 |
+
gelatinous blob with three eyes is in front of him.]
|
38 |
+
|
39 |
+
|
40 |
+
ANNOUNCER
|
41 |
+
Interplanetary deliveries - what a
|
42 |
+
headache!
|
43 |
+
|
44 |
+
|
45 |
+
|
46 |
+
MAN
|
47 |
+
Uh... (shouting) I'm not Evans!
|
48 |
+
|
49 |
+
|
50 |
+
[Horrible Gelatinous Blob turns to the camera.]
|
51 |
+
|
52 |
+
|
53 |
+
|
54 |
+
ANNOUNCER
|
55 |
+
When those other companies aren't brave
|
56 |
+
or foolhardy enough to go, trust Planet
|
57 |
+
Express for reliable, on time delivery.
|
58 |
+
|
59 |
+
|
60 |
+
|
61 |
+
[As the announcer speaks the Planet Express ship streaks across
|
62 |
+
the screen being chased by spaceships shooting lasers at it.
|
63 |
+
A man runs across an ice world with a parcel while at the same
|
64 |
+
time being bombed. He delivers the parcel and is snatched by
|
65 |
+
a gigantic vulture. Back in the office Evans lifts up a parcel.]
|
66 |
+
|
67 |
+
|
68 |
+
|
69 |
+
EVANS
|
70 |
+
Here's your package, Mr. Horrible Gelatinous
|
71 |
+
Blob.
|
72 |
+
|
73 |
+
|
74 |
+
|
75 |
+
[He eats Evans anyway.]
|
76 |
+
|
77 |
+
|
78 |
+
EVANS
|
79 |
+
Thank you, sir!
|
80 |
+
|
81 |
+
|
82 |
+
[The Planet Express logo - a simplified picture of the ship flying
|
83 |
+
across a white circle with "Planet Express" written around it
|
84 |
+
- appears on the screen.]
|
85 |
+
|
86 |
+
|
87 |
+
ANNOUNCER
|
88 |
+
Planet Express: Our crew is replaceable.
|
89 |
+
Your package isn't.
|
90 |
+
|
91 |
+
|
92 |
+
[The bird is still carrying the man and squawks. The commercial
|
93 |
+
ends.]
|
94 |
+
|
95 |
+
|
96 |
+
FRY
|
97 |
+
Are there really giant birds like that?
|
98 |
+
|
99 |
+
|
100 |
+
|
101 |
+
FARNSWORTH
|
102 |
+
No, no! That was all just special effects!
|
103 |
+
Now let's have breakfast. I hope everyone
|
104 |
+
likes eggs.
|
105 |
+
|
106 |
+
|
107 |
+
[Cut to: Planet Express: Kitchen. Farnsworth opens a box of eggs.
|
108 |
+
They are giant bird eggs. One hatches and the bird inside tries
|
109 |
+
to eat him. He hits it with a frying pan.]
|
110 |
+
|
111 |
+
|
112 |
+
[Opening Credits. Caption: In Hypno-Vision.]
|
113 |
+
|
114 |
+
|
115 |
+
[Outside Planet Express. A Jamaican man with dreads crosses the
|
116 |
+
street. He is wearing a green suit and glasses. He unlocks the
|
117 |
+
door and turns the open sign around from "Sorry, We're Closed"
|
118 |
+
to "Sorry, We're Open".]
|
119 |
+
|
120 |
+
|
121 |
+
[Cut to: Planet Express. Meeting Room. Fry, Bender, Farnsworth
|
122 |
+
and Leela are sat around the table. Fry pours some cereal into
|
123 |
+
a bowl, Bender relaxes and Leela looks at a clipboard.]
|
124 |
+
|
125 |
+
|
126 |
+
FRY
|
127 |
+
I'm never going to get used to the 31st
|
128 |
+
century. Caffinated bacon? Baconated
|
129 |
+
grapefruit? Admiral Crunch?
|
130 |
+
|
131 |
+
|
132 |
+
LEELA
|
133 |
+
Well, if you don't like that try some
|
134 |
+
Archduke Chocula.
|
135 |
+
|
136 |
+
|
137 |
+
[She holds up a box of the cereal. Enter the Jamaican man with
|
138 |
+
a large crate.]
|
139 |
+
|
140 |
+
|
141 |
+
FARNSWORTH
|
142 |
+
Ah, Hermes! Crew, meet Hermes Conrad.
|
143 |
+
He manages my delivery business, pays
|
144 |
+
the bills, notifies next of kin, what
|
145 |
+
have you.
|
146 |
+
|
147 |
+
|
148 |
+
HERMES
|
149 |
+
Someone come and dropped this package
|
150 |
+
through the slot last night. Now which
|
151 |
+
one of you is the captain?
|
152 |
+
|
153 |
+
|
154 |
+
FARNSWORTH
|
155 |
+
Oh, my! I haven't picked a new captain
|
156 |
+
yet. It's always so hard to choose.
|
157 |
+
|
158 |
+
|
159 |
+
|
160 |
+
[He looks around the table. Fry is so enthusiastic he doesn't
|
161 |
+
manage to swallow his spoonful of cereal completely and milk
|
162 |
+
dribbles down his chin.]
|
163 |
+
|
164 |
+
|
165 |
+
|
166 |
+
[Farnsworth looks at Bender who drinks back a bottle of beer
|
167 |
+
and belches a flame. He looks at Leela. She has already signed
|
168 |
+
Hermes' clipboard and she salutes to him.]
|
169 |
+
|
170 |
+
|
171 |
+
FARNSWORTH
|
172 |
+
Hmm, you!
|
173 |
+
|
174 |
+
|
175 |
+
[He points at her. Fry groans.]
|
176 |
+
|
177 |
+
|
178 |
+
[Planet Express: Hermes' Office. Hermes sits at his desk facing
|
179 |
+
Leela. He slides a sheet of paper to her.]
|
180 |
+
|
181 |
+
|
182 |
+
HERMES
|
183 |
+
OK, Captain, this is just a standard
|
184 |
+
legal release protecting Planet Express
|
185 |
+
from lawsuits in the event of the unforeseen.
|
186 |
+
|
187 |
+
|
188 |
+
|
189 |
+
[He hands Leela a piece of paper.]
|
190 |
+
|
191 |
+
|
192 |
+
LEELA
|
193 |
+
(reading) Death by airlock failure.
|
194 |
+
|
195 |
+
|
196 |
+
|
197 |
+
HERMES
|
198 |
+
Mmm.
|
199 |
+
|
200 |
+
|
201 |
+
LEELA
|
202 |
+
(reading) Death by brain parasite.
|
203 |
+
|
204 |
+
|
205 |
+
|
206 |
+
HERMES
|
207 |
+
Yeah.
|
208 |
+
|
209 |
+
|
210 |
+
LEELA
|
211 |
+
(reading) Death by sonic diarrhoea?
|
212 |
+
|
213 |
+
|
214 |
+
|
215 |
+
HERMES
|
216 |
+
(chuckling) Oh, you don't want that!
|
217 |
+
|
218 |
+
|
219 |
+
|
220 |
+
LEELA
|
221 |
+
Look, I don't know about any of your
|
222 |
+
previous captains but I intend to do
|
223 |
+
as little dying as possible.
|
224 |
+
|
225 |
+
|
226 |
+
[She puts the form on the desk and Hermes chuckles again. He
|
227 |
+
slides it back to her.]
|
228 |
+
|
229 |
+
|
230 |
+
HERMES
|
231 |
+
Sign the paper!
|
232 |
+
|
233 |
+
|
234 |
+
[Planet Express: Corridor. Farnsworth and Fry stand next to a
|
235 |
+
door.]
|
236 |
+
|
237 |
+
|
238 |
+
FARNSWORTH
|
239 |
+
Now Fry, before you go into space you'll
|
240 |
+
need to see our staff doctor. I should
|
241 |
+
warn you though, he's a little unusual.
|
242 |
+
(whispering) He wears sandals!
|
243 |
+
|
244 |
+
|
245 |
+
[Cut to: Planet Express: Zoidberg's Office. The doctor, a red
|
246 |
+
alien creature is sat in his chair with is feet on the desk.
|
247 |
+
Behind him is a chart of a human's internal organs - pinned to
|
248 |
+
the wall upside down.]
|
249 |
+
|
250 |
+
|
251 |
+
FRY
|
252 |
+
Hi -- eurgh!
|
253 |
+
|
254 |
+
|
255 |
+
FARNSWORTH
|
256 |
+
Dr. Zoidberg, this is Fry, the new delivery
|
257 |
+
boy. He needs a physical.
|
258 |
+
|
259 |
+
|
260 |
+
ZOIDBERG
|
261 |
+
Excellent, excellent!
|
262 |
+
|
263 |
+
|
264 |
+
[He clacks his claws. Fry is not so sure.]
|
265 |
+
|
266 |
+
|
267 |
+
FARNSWORTH
|
268 |
+
You'll be fine.
|
269 |
+
|
270 |
+
|
271 |
+
[He turns to leave but looks back with a worried look on his
|
272 |
+
face.]
|
273 |
+
|
274 |
+
|
275 |
+
ZOIDBERG
|
276 |
+
Now open your mouth and let's have a
|
277 |
+
look at that brain. No no no no no
|
278 |
+
not that mouth!
|
279 |
+
|
280 |
+
|
281 |
+
FRY
|
282 |
+
I only have one.
|
283 |
+
|
284 |
+
|
285 |
+
ZOIDBERG
|
286 |
+
Really?
|
287 |
+
|
288 |
+
|
289 |
+
[He takes a small card out of his pocket and looks at it.]
|
290 |
+
|
291 |
+
|
292 |
+
FRY
|
293 |
+
Uh, is there a human doctor around?
|
294 |
+
|
295 |
+
|
296 |
+
|
297 |
+
ZOIDBERG
|
298 |
+
Young lady, I'm an expert on humans.
|
299 |
+
Now pick a mouth, open it and say...
|
300 |
+
What? My mother was a saint! Get out!
|
301 |
+
|
302 |
+
|
303 |
+
|
304 |
+
[Planet Express: Farnsworth's Lab. Farnsworth is unscrewing Bender's
|
305 |
+
head from his body. With them is Leela and a young Asian woman
|
306 |
+
wearing a pink jumpsuit.]
|
307 |
+
|
308 |
+
|
309 |
+
FARNSWORTH
|
310 |
+
Dear Lord, Bender, you're filthy.
|
311 |
+
|
312 |
+
|
313 |
+
BENDER
|
314 |
+
Yeah, like you don't have crap in your
|
315 |
+
neck!
|
316 |
+
|
317 |
+
|
318 |
+
[Farnsworth puts Bender's head down on a table and turns to the
|
319 |
+
girl.]
|
320 |
+
|
321 |
+
|
322 |
+
FARNSWORTH
|
323 |
+
Amy, why don't you give his body a going
|
324 |
+
over with the cleaning pick?
|
325 |
+
|
326 |
+
|
327 |
+
AMY
|
328 |
+
OK. Does it hurt when I go like this?
|
329 |
+
|
330 |
+
|
331 |
+
|
332 |
+
[She pokes Bender's neck but hits Leela in the eye instead.]
|
333 |
+
|
334 |
+
|
335 |
+
|
336 |
+
LEELA
|
337 |
+
Ow!
|
338 |
+
|
339 |
+
|
340 |
+
BENDER
|
341 |
+
A little.
|
342 |
+
|
343 |
+
|
344 |
+
[Enter Fry.]
|
345 |
+
|
346 |
+
|
347 |
+
FRY
|
348 |
+
Well, the doctor says I'm as healthy
|
349 |
+
as a crab. Can I go into space now?
|
350 |
+
|
351 |
+
|
352 |
+
|
353 |
+
FARNSWORTH
|
354 |
+
As soon as we finish cleaning Bender.
|
355 |
+
Oh, and Fry, this is our intern, Amy
|
356 |
+
Wong. She's an engineering student of
|
357 |
+
mine. (whispering) I like having her
|
358 |
+
around because she's the same blood
|
359 |
+
type as me.
|
360 |
+
|
361 |
+
|
362 |
+
AMY
|
363 |
+
Hey! You're the unfrozen guy! From the
|
364 |
+
20th century, right?
|
365 |
+
|
366 |
+
|
367 |
+
FRY
|
368 |
+
(chuffed) Last time I checked.
|
369 |
+
|
370 |
+
|
371 |
+
LEELA
|
372 |
+
Hang on. Amy Wong? Of the Mars Wongs?
|
373 |
+
|
374 |
+
|
375 |
+
|
376 |
+
AMY
|
377 |
+
Look. We're not as rich as everybody
|
378 |
+
says.
|
379 |
+
|
380 |
+
|
381 |
+
LEELA
|
382 |
+
Uh-huh! What sorority do you belong
|
383 |
+
to?
|
384 |
+
|
385 |
+
|
386 |
+
AMY
|
387 |
+
(ashamed) Kappa Kappa Wong.
|
388 |
+
|
389 |
+
|
390 |
+
BENDER
|
391 |
+
Hey, rich girl. Look over here! It's
|
392 |
+
me, Bender. I'm being entertaining.
|
393 |
+
(singing) La la la look at my head.
|
394 |
+
It's all painted look at my head! I
|
395 |
+
got a big old head, hey! Ho! (talking)
|
396 |
+
Alright, show's over, I'm tired.
|
397 |
+
|
398 |
+
|
399 |
+
FARNSWORTH
|
400 |
+
Ah, to be young again. And also a robot!
|
401 |
+
Now as I recall you youngsters have
|
402 |
+
a package to deliver.
|
403 |
+
|
404 |
+
|
405 |
+
FRY
|
406 |
+
Finally! Come on Bender, let's mosey!
|
407 |
+
|
408 |
+
|
409 |
+
|
410 |
+
[He picks up Bender's head and throws it to his body. It misses
|
411 |
+
the catch and Bender's head falls on the floor.]
|
412 |
+
|
413 |
+
|
414 |
+
BENDER
|
415 |
+
Nice catch, idiot!
|
416 |
+
|
417 |
+
|
418 |
+
[Planet Express: Hangar. The crate is being loaded into the ships
|
419 |
+
cargo bay on a magnetic winch. It is addressed to Luna Park.]
|
420 |
+
|
421 |
+
|
422 |
+
|
423 |
+
FRY
|
424 |
+
So where are we going anyway?
|
425 |
+
|
426 |
+
|
427 |
+
LEELA
|
428 |
+
Nowhere special. The moon.
|
429 |
+
|
430 |
+
|
431 |
+
FRY
|
432 |
+
The moon? The moon moon? Wow! I'm gonna
|
433 |
+
be a famous hero just like Neil Armstrong
|
434 |
+
and those other brave guys no one ever
|
435 |
+
heard of!
|
436 |
+
|
437 |
+
|
438 |
+
AMY
|
439 |
+
Oh, I love stuff like the moon! Can
|
440 |
+
I come, Leela?
|
441 |
+
|
442 |
+
|
443 |
+
LEELA
|
444 |
+
Well...I guess so. Just be careful.
|
445 |
+
I'd like to hold off any major screwups
|
446 |
+
until at least my second day as captain.
|
447 |
+
|
448 |
+
|
449 |
+
|
450 |
+
FANSWORTH
|
451 |
+
Nothing will go wrong. (whispering)
|
452 |
+
If something goes wrong bring back the
|
453 |
+
blood.
|
454 |
+
|
455 |
+
|
456 |
+
[Ships Cockpit. Bender and Amy are sat on the couch. Leela sits
|
457 |
+
in the pilot's seat while Fry sits in a chair beside her. She
|
458 |
+
presses some buttons.]
|
459 |
+
|
460 |
+
|
461 |
+
[Cut to: Planet Express: Hangar. The tilting mechanism comes
|
462 |
+
out of the floor and pushes the ship into its 45-degree launch
|
463 |
+
position.]
|
464 |
+
|
465 |
+
|
466 |
+
[Cut to: Outside Planet Express. The hangar roof slides open.]
|
467 |
+
|
468 |
+
|
469 |
+
|
470 |
+
[Cut to: Ships Cockpit. Fry scoots his chair over to Leela.]
|
471 |
+
|
472 |
+
|
473 |
+
|
474 |
+
FRY
|
475 |
+
Can I do the countdown?
|
476 |
+
|
477 |
+
|
478 |
+
LEELA
|
479 |
+
Huh? Oh sure, knock yourself out.
|
480 |
+
|
481 |
+
|
482 |
+
FRY
|
483 |
+
Ten......nine --
|
484 |
+
|
485 |
+
|
486 |
+
LEELA
|
487 |
+
OK we're here!
|
488 |
+
|
489 |
+
|
490 |
+
Fry; (awestruck) Eightsevensixfivefourthreetwooneblastoff!
|
491 |
+
|
492 |
+
|
493 |
+
[The ship cruises towards the moon and flies through a hole in
|
494 |
+
a dome on the surface.]
|
495 |
+
|
496 |
+
|
497 |
+
[Cut to: Outside Luna Park. The ship lands.]
|
498 |
+
|
499 |
+
|
500 |
+
[Cut to: Ships Cockpit. Leela takes the keys out of the ignition
|
501 |
+
and Fry gets out of his seat and heads for the door.]
|
502 |
+
|
503 |
+
|
504 |
+
FRY
|
505 |
+
Hurry up, I wanna see the moon!
|
506 |
+
|
507 |
+
|
508 |
+
LEELA
|
509 |
+
Relax, its open till 9.
|
510 |
+
|
511 |
+
|
512 |
+
[Cut to: Outside Ship. Fry stands on the bottom step.]
|
513 |
+
|
514 |
+
|
515 |
+
FRY
|
516 |
+
That's one small step for Fry --
|
517 |
+
|
518 |
+
|
519 |
+
MAN
|
520 |
+
And one giant line for admission!
|
521 |
+
|
522 |
+
|
523 |
+
[The man is standing in a long queue for the Luna Park, a huge
|
524 |
+
Disneyland-like place with moon-themed rides.]
|
525 |
+
|
526 |
+
|
527 |
+
FRY
|
528 |
+
Wow! Um, can I have cuts?
|
529 |
+
|
530 |
+
|
531 |
+
MAN
|
532 |
+
Hmm -- No!
|
533 |
+
|
534 |
+
|
535 |
+
[Cut to: Ships Cockpit. Fry runs in.]
|
536 |
+
|
537 |
+
|
538 |
+
FRY
|
539 |
+
You're not gonna believe this but they
|
540 |
+
landed an amusement park on the moon!
|
541 |
+
|
542 |
+
|
543 |
+
|
544 |
+
AMY
|
545 |
+
Guh! It's the happiest place orbiting
|
546 |
+
Earth.
|
547 |
+
|
548 |
+
|
549 |
+
FRY
|
550 |
+
Lets go, already!
|
551 |
+
|
552 |
+
|
553 |
+
[They walk towards the door but Leela is blocking it.]
|
554 |
+
|
555 |
+
|
556 |
+
LEELA
|
557 |
+
Fry, we have a crate to deliver.
|
558 |
+
|
559 |
+
|
560 |
+
FRY
|
561 |
+
Let's just dump it in the sewer and
|
562 |
+
say we delivered it.
|
563 |
+
|
564 |
+
|
565 |
+
BENDER
|
566 |
+
Too much work. Lets burn it and say
|
567 |
+
we dumped it in the sewer.
|
568 |
+
|
569 |
+
|
570 |
+
LEELA
|
571 |
+
OK, if everyone's finished being stupid
|
572 |
+
--
|
573 |
+
|
574 |
+
|
575 |
+
FRY
|
576 |
+
I had more but you go ahead.
|
577 |
+
|
578 |
+
|
579 |
+
LEELA
|
580 |
+
We'll deliver that crate like professionals
|
581 |
+
and then we'll go home.
|
582 |
+
|
583 |
+
|
584 |
+
FRY
|
585 |
+
But I've never been to the moon before.
|
586 |
+
|
587 |
+
|
588 |
+
|
589 |
+
[Leela sighs.]
|
590 |
+
|
591 |
+
|
592 |
+
LEELA
|
593 |
+
Alright. We'll deliver that crate like
|
594 |
+
professionals...and then we'll go ride
|
595 |
+
the bumper cars. Amy, why don't you
|
596 |
+
help Fry hoist down the crate. Then
|
597 |
+
lock up when you're done. Just be careful.
|
598 |
+
|
599 |
+
|
600 |
+
|
601 |
+
[She hands the keys to Amy.]
|
602 |
+
|
603 |
+
|
604 |
+
AMY
|
605 |
+
Aye, aye, Captain! I mean only one eye.
|
606 |
+
I mean, yes, sir, um, ma'am!
|
607 |
+
|
608 |
+
|
609 |
+
[Ships Cargo Bay. Fry stands next to the crate by the open bomb
|
610 |
+
bay doors while Amy stands at the magnetic winch control station.]
|
611 |
+
|
612 |
+
|
613 |
+
|
614 |
+
AMY
|
615 |
+
Clear?
|
616 |
+
|
617 |
+
|
618 |
+
FRY
|
619 |
+
Clear!
|
620 |
+
|
621 |
+
|
622 |
+
AMY
|
623 |
+
Ready to hoist?
|
624 |
+
|
625 |
+
|
626 |
+
FRY
|
627 |
+
Ready!
|
628 |
+
|
629 |
+
|
630 |
+
[Amy presses a button and the winch drops and hits her on the
|
631 |
+
head.]
|
632 |
+
|
633 |
+
|
634 |
+
AMY
|
635 |
+
Ow!
|
636 |
+
|
637 |
+
|
638 |
+
[The magnetic forces pull the keys out of her pocket. She tries
|
639 |
+
again and the winch picks up the crate. The keys slip off the
|
640 |
+
winch and through a hole in the crate.]
|
641 |
+
|
642 |
+
|
643 |
+
[Outside Luna Park Receiving Depot. Fry wheels the crate towards
|
644 |
+
the room on a trolley. Amy follows.]
|
645 |
+
|
646 |
+
|
647 |
+
FRY
|
648 |
+
My first space delivery.
|
649 |
+
|
650 |
+
|
651 |
+
[Cut to: Luna Park Receiving Depot. A lazy man named Sal is sat
|
652 |
+
at a desk with his feet up. Enter Fry.]
|
653 |
+
|
654 |
+
|
655 |
+
FRY
|
656 |
+
Uh, greetings, Moon Man, we come in
|
657 |
+
peace. I am Fry from the planet Earth.
|
658 |
+
|
659 |
+
|
660 |
+
|
661 |
+
SAL
|
662 |
+
Wise guy, huh? If I wasn't so lazy I'd
|
663 |
+
punch you in the stomach.
|
664 |
+
|
665 |
+
|
666 |
+
FRY
|
667 |
+
But you are lazy, right?
|
668 |
+
|
669 |
+
|
670 |
+
SAL
|
671 |
+
Oh, don't get me started.
|
672 |
+
|
673 |
+
|
674 |
+
[Luna Park: Moon Street USA. The crew walk past a band of bandbots
|
675 |
+
that are shaped like musical instruments, past a Moonvenirs stall.
|
676 |
+
Bender stops and takes a bottle out of his chest cabinet and
|
677 |
+
a mascot with a huge flat moon shaped head runs up behind him.]
|
678 |
+
|
679 |
+
|
680 |
+
|
681 |
+
CRATER FACE
|
682 |
+
Hi, I'm Crater Face! Welcome to Luna
|
683 |
+
Park. I'll have to confiscate your alcohol,
|
684 |
+
sir.
|
685 |
+
|
686 |
+
|
687 |
+
BENDER
|
688 |
+
Better mascots than you have tried.
|
689 |
+
|
690 |
+
|
691 |
+
|
692 |
+
[He finishes the bottle and jabs it in Crater Face's eye making
|
693 |
+
it look like a scene from A Trip To The Moon. He leaves..]
|
694 |
+
|
695 |
+
|
696 |
+
|
697 |
+
CRATER FACE
|
698 |
+
At least I still have my self respect!
|
699 |
+
|
700 |
+
|
701 |
+
|
702 |
+
[He chuckles to himself then cries.]
|
703 |
+
|
704 |
+
|
705 |
+
[Time Lapse. At a souvenir stall they merchandise such as "I'm
|
706 |
+
With Stupid On The Moon" t-shirts, "My Other Car Is A Porsche
|
707 |
+
- On The Moon" bumper stickers and "What Part Of MOON Don't You
|
708 |
+
Understand?" fridge magnets. Leela scoffs.]
|
709 |
+
|
710 |
+
|
711 |
+
LEELA
|
712 |
+
Who buys this trash?
|
713 |
+
|
714 |
+
|
715 |
+
BENDER
|
716 |
+
Idiots who need gifts for other idiots.
|
717 |
+
|
718 |
+
|
719 |
+
|
720 |
+
[Fry emerges from around the corner wearing one of the t-shirts
|
721 |
+
and carrying magnets.]
|
722 |
+
|
723 |
+
|
724 |
+
FRY
|
725 |
+
Hey, I got you guys refrigerator magnets.
|
726 |
+
|
727 |
+
|
728 |
+
|
729 |
+
[He puts one on Bender's head causing Bender's pupils to dilate
|
730 |
+
and an electrical surge in his head. He starts waving his arms
|
731 |
+
around in a panic.]
|
732 |
+
|
733 |
+
|
734 |
+
BENDER
|
735 |
+
Get it off! Get it off! Get it -- uh
|
736 |
+
oh! (singing) How many roads must a
|
737 |
+
man walk down, before you... (talking)
|
738 |
+
Keep those things off of me! Magnets
|
739 |
+
screw up my inhibition unit!
|
740 |
+
|
741 |
+
|
742 |
+
FRY
|
743 |
+
So you flip out and start acting like
|
744 |
+
some crazy folk singer?
|
745 |
+
|
746 |
+
|
747 |
+
BENDER
|
748 |
+
Yes. I guess a robot would have to be
|
749 |
+
crazy to wanna be a folk singer.
|
750 |
+
|
751 |
+
|
752 |
+
[He gazes upwards sadly.]
|
753 |
+
|
754 |
+
|
755 |
+
[Luna Park: Whalers Of The Sea Of Tranquility. The gang float
|
756 |
+
through an It's A Small World After All-like ride passing by
|
757 |
+
robotic whalers.]
|
758 |
+
|
759 |
+
|
760 |
+
WHALERBOTS
|
761 |
+
(singing) We're whalers on the moon,
|
762 |
+
|
763 |
+
|
764 |
+
We carry a harpoon,
|
765 |
+
|
766 |
+
But there ain't no whales so we tell our tall tale
|
767 |
+
|
768 |
+
And sing our whaling tune!
|
769 |
+
|
770 |
+
|
771 |
+
[A Whalerbot tilting on a barrel waves to Bender.]
|
772 |
+
|
773 |
+
|
774 |
+
WHALERBOT
|
775 |
+
Bender, hey, Bender! Over here!
|
776 |
+
|
777 |
+
|
778 |
+
[Bender covers his face and turns away.]
|
779 |
+
|
780 |
+
|
781 |
+
BENDER
|
782 |
+
Oh, jeez, I went to high school with
|
783 |
+
that guy!
|
784 |
+
|
785 |
+
|
786 |
+
[Luna Park: Goophy Gopher Revue. The audience sit patiently for
|
787 |
+
the show to begin.]
|
788 |
+
|
789 |
+
|
790 |
+
ANNOUNCER
|
791 |
+
Monsanto presents: The Goophy Gopher
|
792 |
+
Revue!
|
793 |
+
|
794 |
+
|
795 |
+
[On a small stage several robotic gophers pop out of crater-shaped
|
796 |
+
holes.]
|
797 |
+
|
798 |
+
|
799 |
+
GOPHER #1
|
800 |
+
Why does a moon rock taste better than
|
801 |
+
an Earth rock?
|
802 |
+
|
803 |
+
|
804 |
+
GOPHER #2
|
805 |
+
Because it's a little meteor!
|
806 |
+
|
807 |
+
|
808 |
+
[The gophers laugh.]
|
809 |
+
|
810 |
+
|
811 |
+
FRY
|
812 |
+
This is weak!
|
813 |
+
|
814 |
+
|
815 |
+
GOPHER #1
|
816 |
+
Address all complaints to the Monsanto
|
817 |
+
Corporation.
|
818 |
+
|
819 |
+
|
820 |
+
[Luna Park. The crew get some candy floss from an Orlon Candy
|
821 |
+
stall and carry on walking around the park. Fry looks unhappy.]
|
822 |
+
|
823 |
+
|
824 |
+
|
825 |
+
LEELA
|
826 |
+
What's wrong, Fry?
|
827 |
+
|
828 |
+
|
829 |
+
FRY
|
830 |
+
I don't know. This place is great and
|
831 |
+
all but its just so artificial. The
|
832 |
+
gravity, the air, the gophers. You might
|
833 |
+
as well stay on Earth. That's what
|
834 |
+
I came to see! I wanna go out there
|
835 |
+
and jump around like an astronaut. Screw
|
836 |
+
this phoney stuff!
|
837 |
+
|
838 |
+
|
839 |
+
LEELA
|
840 |
+
But the phoney stuff is what's fun.
|
841 |
+
It's boring out there.
|
842 |
+
|
843 |
+
|
844 |
+
BENDER
|
845 |
+
Yeah! You're the kind of guy who visits
|
846 |
+
Jerusalem and doesn't want to see the
|
847 |
+
Sexeteria!
|
848 |
+
|
849 |
+
|
850 |
+
LEELA
|
851 |
+
Maybe I should take Fry on the Luna
|
852 |
+
Rover ride. You get to wear a space
|
853 |
+
suit and drive around on the surface.
|
854 |
+
And the line's short because it's educational.
|
855 |
+
|
856 |
+
|
857 |
+
|
858 |
+
FRY
|
859 |
+
I don't care how educational it is.
|
860 |
+
Let's do it!
|
861 |
+
|
862 |
+
|
863 |
+
[He runs off with Leela. Bender raises his bottle.]
|
864 |
+
|
865 |
+
|
866 |
+
BENDER
|
867 |
+
(shouting) Next year in Jerusalem!
|
868 |
+
|
869 |
+
|
870 |
+
|
871 |
+
[Luna Park: Destination Moon. Fry and Leela sit in a moon buggy
|
872 |
+
wearing orange spacesuits.]
|
873 |
+
|
874 |
+
|
875 |
+
FRY
|
876 |
+
Finally! Get ready for some serious
|
877 |
+
moon action.
|
878 |
+
|
879 |
+
|
880 |
+
[They go through some doors.]
|
881 |
+
|
882 |
+
|
883 |
+
NARRATOR
|
884 |
+
(voice-over) The story of lunar exploration
|
885 |
+
started with one man. A man with a dream.
|
886 |
+
|
887 |
+
|
888 |
+
|
889 |
+
[The ride continues to a room with animatronic versions of the
|
890 |
+
leads from The Honeymooners.]
|
891 |
+
|
892 |
+
|
893 |
+
RALPH KRAMDENBOT
|
894 |
+
One of these days, Alice. Bang! Zoom!
|
895 |
+
Straight to the moon!
|
896 |
+
|
897 |
+
|
898 |
+
LEELA
|
899 |
+
Wow, I never realised the first astronauts
|
900 |
+
were so fat!
|
901 |
+
|
902 |
+
|
903 |
+
FRY
|
904 |
+
That's not an astronaut, it's a TV comedian.
|
905 |
+
And he was just using space travel as
|
906 |
+
a metaphor for beating his wife.
|
907 |
+
|
908 |
+
|
909 |
+
[Luna Park Arcade. Amy is playing Virtual Virtual Skeeball, a
|
910 |
+
virtual version of Virtual Skeeball. She just sits in a chair
|
911 |
+
wearing a VR helmet.]
|
912 |
+
|
913 |
+
|
914 |
+
AMY
|
915 |
+
Wow! I could swear I was really playing
|
916 |
+
virtual skeeball! Hm?
|
917 |
+
|
918 |
+
|
919 |
+
[She takes the helmet off.]
|
920 |
+
|
921 |
+
|
922 |
+
BENDER
|
923 |
+
Look, it's that crate we were gonna
|
924 |
+
throw in the sewer.
|
925 |
+
|
926 |
+
|
927 |
+
[He points to Sal who is emptying the crate into a claw machine
|
928 |
+
using a robot arm around his waist. They watch as the ship keys
|
929 |
+
fall out of the crate and into the machine. Amy gasps.]
|
930 |
+
|
931 |
+
|
932 |
+
AMY
|
933 |
+
The keys to the ship! They must have
|
934 |
+
fallen into the crate! Leela's gonna
|
935 |
+
kill me!
|
936 |
+
|
937 |
+
|
938 |
+
BENDER
|
939 |
+
Nah. She'll probably make me do it.
|
940 |
+
|
941 |
+
|
942 |
+
|
943 |
+
AMY
|
944 |
+
Mister? Could you please get those keys
|
945 |
+
out for me?
|
946 |
+
|
947 |
+
|
948 |
+
SAL
|
949 |
+
What do I look like? A guy who's not
|
950 |
+
lazy?
|
951 |
+
|
952 |
+
|
953 |
+
[Amy gets a coin out and plays the game. The claw grabs the keys
|
954 |
+
but drops them on the way back up and she curses in Chinese.]
|
955 |
+
|
956 |
+
|
957 |
+
|
958 |
+
[Luna Park: Destination Moon. The moon buggy continues across
|
959 |
+
lunar terrain, boxed in with poorly constructed walls with stars
|
960 |
+
painted on them.]
|
961 |
+
|
962 |
+
|
963 |
+
NARRATOR
|
964 |
+
(voice-over) No one knows where, when
|
965 |
+
or how Man first landed on the moon...
|
966 |
+
|
967 |
+
|
968 |
+
|
969 |
+
FRY
|
970 |
+
I do.
|
971 |
+
|
972 |
+
|
973 |
+
NARRATOR
|
974 |
+
(voice-over) ...but our fungineers think
|
975 |
+
it might have happened something like
|
976 |
+
this:
|
977 |
+
|
978 |
+
|
979 |
+
[A prop of a lunar landing module opens up and Whalerbots file
|
980 |
+
out of it.]
|
981 |
+
|
982 |
+
|
983 |
+
WHALERBOTS
|
984 |
+
(singing) We're whalers on the moon,
|
985 |
+
|
986 |
+
|
987 |
+
|
988 |
+
[Goophy Gophers pop up from craters.]
|
989 |
+
|
990 |
+
|
991 |
+
GOPHERS
|
992 |
+
(singing) We carry a harpoon,
|
993 |
+
|
994 |
+
|
995 |
+
|
996 |
+
LEELA
|
997 |
+
(singing) ...and sing a whaling tune.
|
998 |
+
We're whalers on the moon...
|
999 |
+
|
1000 |
+
|
1001 |
+
FRY
|
1002 |
+
That's not how it happened.
|
1003 |
+
|
1004 |
+
|
1005 |
+
LEELA
|
1006 |
+
Oh, really? I don't see you with a fungineering
|
1007 |
+
degree! p>
|
1008 |
+
|
1009 |
+
|
1010 |
+
FRY
|
1011 |
+
This is stupid. I'm taking this thing
|
1012 |
+
out to the real moon.
|
1013 |
+
|
1014 |
+
|
1015 |
+
LEELA
|
1016 |
+
Fry, no. This is my first mission and
|
1017 |
+
I'm not gonna let us get in any trouble.
|
1018 |
+
Besides, the car's on a track.
|
1019 |
+
|
1020 |
+
|
1021 |
+
FRY
|
1022 |
+
Not for long!
|
1023 |
+
|
1024 |
+
|
1025 |
+
[He grabs a harpoon, throws it in front of the buggy and derails
|
1026 |
+
it. It drives over a whalerbot and out onto the open lunar surface.]
|
1027 |
+
|
1028 |
+
|
1029 |
+
|
1030 |
+
WHALERBOT
|
1031 |
+
Ooh aah! I died doin' what I loved.
|
1032 |
+
|
1033 |
+
|
1034 |
+
|
1035 |
+
[Cut to: Lunar Surface. Fry drives the car around grinning.]
|
1036 |
+
|
1037 |
+
|
1038 |
+
|
1039 |
+
LEELA
|
1040 |
+
OK, you're on the surface. Now I'll
|
1041 |
+
give you 10 minutes. Then you'll get
|
1042 |
+
bored, turn around and apologise for
|
1043 |
+
being such a jerk. Agreed?
|
1044 |
+
|
1045 |
+
|
1046 |
+
FRY
|
1047 |
+
Agreed. Yee-haw! Woo! Yeah! Crank up
|
1048 |
+
the radio!
|
1049 |
+
|
1050 |
+
|
1051 |
+
[He turns the radio on.]
|
1052 |
+
|
1053 |
+
|
1054 |
+
WHALERBOTS
|
1055 |
+
We're whalers on the -
|
1056 |
+
|
1057 |
+
|
1058 |
+
[He turns it off straight away.]
|
1059 |
+
|
1060 |
+
|
1061 |
+
[Time Lapse. Fry drives around another crater.]
|
1062 |
+
|
1063 |
+
|
1064 |
+
FRY
|
1065 |
+
Yee-haw!
|
1066 |
+
|
1067 |
+
|
1068 |
+
LEELA
|
1069 |
+
Time's up. Make a U-turn at the next
|
1070 |
+
crater.
|
1071 |
+
|
1072 |
+
|
1073 |
+
FRY
|
1074 |
+
No not yet. How 'bout we go look for
|
1075 |
+
the original moon landing site?
|
1076 |
+
|
1077 |
+
|
1078 |
+
LEELA
|
1079 |
+
That's crazy! It's been lost for centuries!
|
1080 |
+
|
1081 |
+
|
1082 |
+
|
1083 |
+
FRY
|
1084 |
+
Well I'm feelin' lucky! Uh... I'm ready
|
1085 |
+
to go back now.
|
1086 |
+
|
1087 |
+
|
1088 |
+
[Time Lapse.]
|
1089 |
+
|
1090 |
+
|
1091 |
+
FRY
|
1092 |
+
We're gonna die! It's every man for
|
1093 |
+
himself! Help me, Leela! You did it!
|
1094 |
+
We're safe!
|
1095 |
+
|
1096 |
+
|
1097 |
+
LEELA
|
1098 |
+
No. Now we're gonna die.
|
1099 |
+
|
1100 |
+
|
1101 |
+
[The gauge on the oxygen canister reads nearly empty.]
|
1102 |
+
|
1103 |
+
|
1104 |
+
FRY
|
1105 |
+
It's every man for himself.
|
1106 |
+
|
1107 |
+
|
1108 |
+
[He tries to run off but chokes himself on the oxygen pipe from
|
1109 |
+
his helmet.]
|
1110 |
+
|
1111 |
+
|
1112 |
+
[Luna Park: Arcade. Amy is still trying to get the keys but the
|
1113 |
+
claw drops them again. Enter Bender with a small doll.]
|
1114 |
+
|
1115 |
+
|
1116 |
+
BENDER
|
1117 |
+
Hey, look what I won from a tourist's
|
1118 |
+
pocket!
|
1119 |
+
|
1120 |
+
|
1121 |
+
AMY
|
1122 |
+
Shut up. You're distracting me.
|
1123 |
+
|
1124 |
+
|
1125 |
+
BENDER
|
1126 |
+
Come on, it's just like making love.
|
1127 |
+
Y'know: Left, down, rotate 62 degrees,
|
1128 |
+
engage rotor.
|
1129 |
+
|
1130 |
+
|
1131 |
+
AMY
|
1132 |
+
I know how to make love!
|
1133 |
+
|
1134 |
+
|
1135 |
+
[The claw drops the keys again. Amy sighs.]
|
1136 |
+
|
1137 |
+
|
1138 |
+
BENDER
|
1139 |
+
Here, let me do it. Ah, lousy arm.
|
1140 |
+
Must be rigged! That's her, officers!
|
1141 |
+
Uh, that's the woman who programmed
|
1142 |
+
me for evil!
|
1143 |
+
|
1144 |
+
|
1145 |
+
[He runs off with his extended arm trailing behind him and the
|
1146 |
+
Moon Patrol chase him.]
|
1147 |
+
|
1148 |
+
|
1149 |
+
[Cut to: Outside Lunar Park Dome. The Moon Patrol officers throw
|
1150 |
+
Bender outside the dome and close the doors behind him.]
|
1151 |
+
|
1152 |
+
|
1153 |
+
BENDER
|
1154 |
+
Yeah, well, I'm gonna go build my own
|
1155 |
+
theme park, with blackjack and hookers.
|
1156 |
+
In fact, forget the park!
|
1157 |
+
|
1158 |
+
|
1159 |
+
[Lunar Surface. An exhausted Fry and Leela continue their journey
|
1160 |
+
back to the park.]
|
1161 |
+
|
1162 |
+
|
1163 |
+
FRY
|
1164 |
+
(gasping) I'm sorry, Leela, I can't
|
1165 |
+
go on any further. Just leave me to
|
1166 |
+
die in that barn over there.
|
1167 |
+
|
1168 |
+
|
1169 |
+
[Leela gasps. Fry is pointing to a farm in a dome.]
|
1170 |
+
|
1171 |
+
|
1172 |
+
[Cut to: Farmyard. Fry and Leela run in and take off their space
|
1173 |
+
helmets, panting.]
|
1174 |
+
|
1175 |
+
|
1176 |
+
LEELA
|
1177 |
+
Thank God!
|
1178 |
+
|
1179 |
+
|
1180 |
+
[Behind them a gun cocks. They turn around and see a farmer.
|
1181 |
+
He has a buck tooth and a cap that says "The Moon Shall Rise
|
1182 |
+
Again".]
|
1183 |
+
|
1184 |
+
|
1185 |
+
FARMER
|
1186 |
+
Trespassers, eh?
|
1187 |
+
|
1188 |
+
|
1189 |
+
FRY
|
1190 |
+
No, sir. We're amusement park patrons.
|
1191 |
+
|
1192 |
+
|
1193 |
+
|
1194 |
+
FARMER
|
1195 |
+
Ooh, that's a wicked sinful place. Tilt-a-whirl's
|
1196 |
+
OK, but the rest is mighty wicked.
|
1197 |
+
|
1198 |
+
|
1199 |
+
|
1200 |
+
LEELA
|
1201 |
+
Our car broke down and we're out of
|
1202 |
+
oxygen. Can we borrow some?
|
1203 |
+
|
1204 |
+
|
1205 |
+
FARMER
|
1206 |
+
Huh, borry? Looky here, city girl, oxygen
|
1207 |
+
don't grow on trees. You'll have to
|
1208 |
+
earn it doing chores on my hydroponic
|
1209 |
+
farm. You can go back to your precious
|
1210 |
+
theme park at sun up.
|
1211 |
+
|
1212 |
+
|
1213 |
+
FRY
|
1214 |
+
I guess we could do chores for a few
|
1215 |
+
hours.
|
1216 |
+
|
1217 |
+
|
1218 |
+
LEELA
|
1219 |
+
Fry, night lasts two weeks on the moon.
|
1220 |
+
|
1221 |
+
|
1222 |
+
|
1223 |
+
FARMER
|
1224 |
+
Yup. Drops down to -173!
|
1225 |
+
|
1226 |
+
|
1227 |
+
FRY
|
1228 |
+
Fahrenheit or Celsius?
|
1229 |
+
|
1230 |
+
|
1231 |
+
FARMER
|
1232 |
+
First one, then th'other. And them spacesuits
|
1233 |
+
ain't a-heated so you ain�t goin' nowhere
|
1234 |
+
til sunrise. You can sleep in the barn.
|
1235 |
+
Just don't be a-touchin' my three beautiful
|
1236 |
+
robot daughters. Y'hear?
|
1237 |
+
|
1238 |
+
|
1239 |
+
FRY
|
1240 |
+
Robot daughters?
|
1241 |
+
|
1242 |
+
|
1243 |
+
[He points to his robot daughters outside the house.]
|
1244 |
+
|
1245 |
+
|
1246 |
+
FARMER
|
1247 |
+
This here is Lulabelle 7.
|
1248 |
+
|
1249 |
+
|
1250 |
+
LULABELLE 7
|
1251 |
+
Yoo-hoo!
|
1252 |
+
|
1253 |
+
|
1254 |
+
FARMER
|
1255 |
+
Daisy-Mae 128K.
|
1256 |
+
|
1257 |
+
|
1258 |
+
DAISY-MAE 128K
|
1259 |
+
Yoo-hoo!
|
1260 |
+
|
1261 |
+
|
1262 |
+
FARMER
|
1263 |
+
And the Crushinator.
|
1264 |
+
|
1265 |
+
|
1266 |
+
[The Crushinator is a huge pink thing with tracks instead of
|
1267 |
+
legs.]
|
1268 |
+
|
1269 |
+
|
1270 |
+
CRUSHINATOR
|
1271 |
+
(mechanical voice) Yoo-hoo.
|
1272 |
+
|
1273 |
+
|
1274 |
+
FRY
|
1275 |
+
Whoa!
|
1276 |
+
|
1277 |
+
|
1278 |
+
[Barn. Fry and Leela are milking some cows.]
|
1279 |
+
|
1280 |
+
|
1281 |
+
LEELA
|
1282 |
+
I told you to turn around and go back
|
1283 |
+
to the park. But oh, no, the park was
|
1284 |
+
too phoney. We had to see the real moon.
|
1285 |
+
|
1286 |
+
|
1287 |
+
|
1288 |
+
FRY
|
1289 |
+
And it was great! We got to see craters
|
1290 |
+
and rocks and that one incredible rock
|
1291 |
+
that looked like a crater and, and these
|
1292 |
+
fellas.
|
1293 |
+
|
1294 |
+
|
1295 |
+
[He pats the cow, which isn't a cow but some sort of insect-bovine
|
1296 |
+
creature called a buggalo.]
|
1297 |
+
|
1298 |
+
|
1299 |
+
LEELA
|
1300 |
+
Fry, face it. The moon is a dump. It's
|
1301 |
+
a boring dried up wasteland. And the
|
1302 |
+
only reason anybody ever comes here
|
1303 |
+
is for the tacky little amusement park.
|
1304 |
+
Can't you just accept that?
|
1305 |
+
|
1306 |
+
|
1307 |
+
FRY
|
1308 |
+
I guess I can't.
|
1309 |
+
|
1310 |
+
|
1311 |
+
[They hear a shot from outside. They look through the transparent
|
1312 |
+
barn doors and see Bender running out of the farmhouse.]
|
1313 |
+
|
1314 |
+
|
1315 |
+
[Cut to: Farmyard. The farmer chases him out of the house waving
|
1316 |
+
his rifle.]
|
1317 |
+
|
1318 |
+
|
1319 |
+
FARMER
|
1320 |
+
I'll learn ye to sleep with my robot
|
1321 |
+
daughters!
|
1322 |
+
|
1323 |
+
|
1324 |
+
[Bender runs into the barn.]
|
1325 |
+
|
1326 |
+
|
1327 |
+
[Cut to: Barn. He leans against the transparent door. Outside
|
1328 |
+
the farmer reloads his gun.]
|
1329 |
+
|
1330 |
+
|
1331 |
+
BENDER
|
1332 |
+
He'll never find me in here.
|
1333 |
+
|
1334 |
+
|
1335 |
+
LEELA
|
1336 |
+
Bender?
|
1337 |
+
|
1338 |
+
|
1339 |
+
FRY
|
1340 |
+
Oh, Bender. You didn't touch the Crushinator,
|
1341 |
+
did you?
|
1342 |
+
|
1343 |
+
|
1344 |
+
BENDER
|
1345 |
+
Of course not. A lady that fine you
|
1346 |
+
gotta romance first.
|
1347 |
+
|
1348 |
+
|
1349 |
+
[Another gunshot smashes the barn door behind Bender. Bender
|
1350 |
+
legs it while the farmer reloads. Fry and Leela follow him through
|
1351 |
+
another door. They pick up their helmets as they run.]
|
1352 |
+
|
1353 |
+
|
1354 |
+
[Cut to: Farmyard. They grab some oxygen tanks and get into the
|
1355 |
+
moon buggy.]
|
1356 |
+
|
1357 |
+
|
1358 |
+
[Cut to: Lunar Surface. The buggy speeds away from the farm.
|
1359 |
+
The farmer, in a spacesuit but with his cap sat on top, Lulabelle
|
1360 |
+
7 and Daisy-Mae 128K run after them. The farmer fires a shot
|
1361 |
+
at them and misses.]
|
1362 |
+
|
1363 |
+
|
1364 |
+
FARMER
|
1365 |
+
Oh, no you don't! C'mere Crushinator.
|
1366 |
+
|
1367 |
+
|
1368 |
+
|
1369 |
+
[Crushinator drives out of the farm and pulls up beside him.]
|
1370 |
+
|
1371 |
+
|
1372 |
+
|
1373 |
+
CRUSHINATOR
|
1374 |
+
(mechanical voice) Yes, Pa.
|
1375 |
+
|
1376 |
+
|
1377 |
+
[She transforms into a car. The farmer and his other two daughters
|
1378 |
+
get in and drive after Fry, Leela and Bender. They chase the
|
1379 |
+
crew around past craters and through ravines. The farmer takes
|
1380 |
+
a shot at the crew and narrowly misses them. The crew round a
|
1381 |
+
corner and find their way blocked by a rock bridge.]
|
1382 |
+
|
1383 |
+
|
1384 |
+
FRY
|
1385 |
+
It's too low.
|
1386 |
+
|
1387 |
+
|
1388 |
+
LEELA
|
1389 |
+
Hang on. Hang on. Jump. Hold on to
|
1390 |
+
your helmet!
|
1391 |
+
|
1392 |
+
|
1393 |
+
[They jump the gorge, flying over crocodiles with space helmets
|
1394 |
+
and land safely on the other side. They all cheer and then a
|
1395 |
+
wheel falls off the buggy. The Crushintor approaches the other
|
1396 |
+
side and stops. The farmer climbs out and slams the door.]
|
1397 |
+
|
1398 |
+
|
1399 |
+
|
1400 |
+
FARMER
|
1401 |
+
God darn, it Crushinator, jump!
|
1402 |
+
|
1403 |
+
|
1404 |
+
CRUSHINATOR
|
1405 |
+
(mechanical voice) No, Pa. I love him.
|
1406 |
+
|
1407 |
+
|
1408 |
+
|
1409 |
+
[The farmer takes his hat off and jumps on it, groaning. Leela
|
1410 |
+
looks at the broken wheel and Fry sees a huge shadow approaching.]
|
1411 |
+
|
1412 |
+
|
1413 |
+
|
1414 |
+
FRY
|
1415 |
+
Hey, cool! Dark side of the moon!
|
1416 |
+
|
1417 |
+
|
1418 |
+
[Leela gasps.]
|
1419 |
+
|
1420 |
+
|
1421 |
+
LEELA
|
1422 |
+
Nightfall's coming. Hurry, before we
|
1423 |
+
freeze.
|
1424 |
+
|
1425 |
+
|
1426 |
+
[The flee from the shadow.]
|
1427 |
+
|
1428 |
+
|
1429 |
+
BENDER
|
1430 |
+
What do you mean "we", mammal?
|
1431 |
+
|
1432 |
+
|
1433 |
+
[Cut to: Planet Express: Farnsworth's Lab. He watches the crew
|
1434 |
+
through a telescope.]
|
1435 |
+
|
1436 |
+
|
1437 |
+
FARNSWORTH
|
1438 |
+
Oh, dear! I really ought to do something.
|
1439 |
+
But I am already in my pyjamas.
|
1440 |
+
|
1441 |
+
|
1442 |
+
[He falls asleep and starts snoring.]
|
1443 |
+
|
1444 |
+
|
1445 |
+
[Cut to: Lunar Surface. Fry and Leela are panting.]
|
1446 |
+
|
1447 |
+
|
1448 |
+
LEELA
|
1449 |
+
We can't outrun it forever.
|
1450 |
+
|
1451 |
+
|
1452 |
+
[Fry sees something.]
|
1453 |
+
|
1454 |
+
|
1455 |
+
FRY
|
1456 |
+
Over there! Look! It's the moon landing
|
1457 |
+
site! We found it!
|
1458 |
+
|
1459 |
+
|
1460 |
+
[They run towards it. Leela climbs the ladder and pushes over
|
1461 |
+
the hatch.]
|
1462 |
+
|
1463 |
+
|
1464 |
+
LEELA
|
1465 |
+
Quick, get in.
|
1466 |
+
|
1467 |
+
|
1468 |
+
[Fry sees the American flag.]
|
1469 |
+
|
1470 |
+
|
1471 |
+
FRY
|
1472 |
+
It's that flag from MTV! And Neil Armstrong's
|
1473 |
+
footprint! Hey! My foot's bigger! Leela,
|
1474 |
+
isn't this the greatest thing you've
|
1475 |
+
ever seen?
|
1476 |
+
|
1477 |
+
|
1478 |
+
LEELA
|
1479 |
+
Fry, look around. It's just a crummy
|
1480 |
+
plastic flag and a dead man's tracks
|
1481 |
+
in the dust. Now get in here before
|
1482 |
+
you freeze.
|
1483 |
+
|
1484 |
+
|
1485 |
+
[Fry sighs and climbs the ladder.]
|
1486 |
+
|
1487 |
+
|
1488 |
+
[Cut to: Apollo 11 Lander. Leela helps him in.]
|
1489 |
+
|
1490 |
+
|
1491 |
+
[Cut to: Lunar Surface. She closes the door just as Bender arrives.]
|
1492 |
+
|
1493 |
+
|
1494 |
+
|
1495 |
+
BENDER
|
1496 |
+
Oh, no room for Bender, huh? Fine! I'll
|
1497 |
+
go build my own lunar lander, with blackjack
|
1498 |
+
and hookers. In fact, forget the lunar
|
1499 |
+
lander and the blackjack. Ah, screw
|
1500 |
+
the whole thing.
|
1501 |
+
|
1502 |
+
|
1503 |
+
[He walks off.]
|
1504 |
+
|
1505 |
+
|
1506 |
+
[Apollo 11 Lander. Leela reads the oxygen gauge.]
|
1507 |
+
|
1508 |
+
|
1509 |
+
LEELA
|
1510 |
+
Well if the oxygen holds out we might
|
1511 |
+
live long enough to starve to death.
|
1512 |
+
|
1513 |
+
|
1514 |
+
|
1515 |
+
FRY
|
1516 |
+
Look, Leela, I'm sorry. I never should
|
1517 |
+
have dragged you out here.
|
1518 |
+
|
1519 |
+
|
1520 |
+
LEELA
|
1521 |
+
That's right, you shouldn't have. I
|
1522 |
+
still don't get what the big attraction
|
1523 |
+
is.
|
1524 |
+
|
1525 |
+
|
1526 |
+
[Fry sighs.]
|
1527 |
+
|
1528 |
+
|
1529 |
+
FRY
|
1530 |
+
I never told anybody this but a thousand
|
1531 |
+
years ago I used to look up at the moon
|
1532 |
+
and dream about being an astronaut.
|
1533 |
+
I just didn't have the grades. Nor the
|
1534 |
+
physical endurance. Plus I threw up
|
1535 |
+
a lot and nobody liked spending a week
|
1536 |
+
with me.
|
1537 |
+
|
1538 |
+
|
1539 |
+
LEELA
|
1540 |
+
A week would be a little much.
|
1541 |
+
|
1542 |
+
|
1543 |
+
FRY
|
1544 |
+
The moon was like this awesome, romantic,
|
1545 |
+
mysterious thing, hanging up there in
|
1546 |
+
the sky where you could never reach
|
1547 |
+
it, no matter how much you wanted to.
|
1548 |
+
But you're right. Once you're actually
|
1549 |
+
here it's just a big dull rock. I guess
|
1550 |
+
I just wanted you to see it through
|
1551 |
+
my eyes, the way I used to.
|
1552 |
+
|
1553 |
+
|
1554 |
+
[Leela looks through a window. She sees the Earth.]
|
1555 |
+
|
1556 |
+
|
1557 |
+
LEELA
|
1558 |
+
Fry, look. It really is beautiful. I
|
1559 |
+
don't know why I never noticed before.
|
1560 |
+
|
1561 |
+
|
1562 |
+
|
1563 |
+
[Bender runs towards the capsule.]
|
1564 |
+
|
1565 |
+
|
1566 |
+
[Cut to: Lunar Surface. The farmer is chasing him in a weird
|
1567 |
+
thing with spikes.]
|
1568 |
+
|
1569 |
+
|
1570 |
+
FARMER
|
1571 |
+
Had to come back for the Crushinator,
|
1572 |
+
eh, robot? Well I got you this time.
|
1573 |
+
|
1574 |
+
|
1575 |
+
|
1576 |
+
[The spikes get closer to Bender. The Planet Express ship swoops
|
1577 |
+
in above them. The magnetic winch lowers towards Bender.]
|
1578 |
+
|
1579 |
+
|
1580 |
+
[Cut to: Apollo 11 Lander.]
|
1581 |
+
|
1582 |
+
|
1583 |
+
FRY
|
1584 |
+
It's Amy! We're saved!
|
1585 |
+
|
1586 |
+
|
1587 |
+
LEELA
|
1588 |
+
Amy? Where'd she learn to operate the
|
1589 |
+
controls like that?
|
1590 |
+
|
1591 |
+
|
1592 |
+
[Cut to: Ships Cockpit. Amy is operating the winch expertly,
|
1593 |
+
having had practice at the Luna Park with the claw game. The
|
1594 |
+
toys from the game are piled up in the corner.]
|
1595 |
+
|
1596 |
+
|
1597 |
+
[Cut to: Lunar Surface. The winch is getting closer to Bender.]
|
1598 |
+
|
1599 |
+
|
1600 |
+
|
1601 |
+
BENDER
|
1602 |
+
Not the magnet! No! No! Nooo -- Uh-oh!
|
1603 |
+
|
1604 |
+
|
1605 |
+
|
1606 |
+
[Cut to: Ships Cockpit. Amy cheers.]
|
1607 |
+
|
1608 |
+
|
1609 |
+
[Cut to: Lunar Surface. Bender kicks his legs and waves his arms
|
1610 |
+
around as he flies away from the farmer attached to the winch.]
|
1611 |
+
|
1612 |
+
|
1613 |
+
|
1614 |
+
BENDER
|
1615 |
+
(singing) She'll be comin' round the
|
1616 |
+
mountain when she comes,
|
1617 |
+
|
1618 |
+
She'll be comin' round the mountain when she comes --
|
1619 |
+
|
1620 |
+
(talking) I'll kill you Amy!
|
1621 |
+
|
1622 |
+
(singing) She'll be comin' round the mountain,
|
1623 |
+
|
1624 |
+
She'll be comin' round the mountain,
|
1625 |
+
|
1626 |
+
She'll be comin' --
|
1627 |
+
|
1628 |
+
|
1629 |
+
[He slams into the side of the lunar lander and it takes off.
|
1630 |
+
The farmer watches the ship fly away and takes off his space
|
1631 |
+
helmet and jumps on it.]
|
1632 |
+
|
1633 |
+
|
1634 |
+
FARMER
|
1635 |
+
Aww, dang it!
|
1636 |
+
|
1637 |
+
|
1638 |
+
[He starts to choke then collapses. He reaches over to the helmet
|
1639 |
+
and puts it back on and breathes. Bender, still attached to the
|
1640 |
+
side of the lander, carries on singing.]
|
1641 |
+
|
1642 |
+
|
1643 |
+
BENDER
|
1644 |
+
(singing) She'll be riding six white
|
1645 |
+
horses when she comes,
|
1646 |
+
|
1647 |
+
She'll be riding six white horses when she comes -
|
1648 |
+
|
1649 |
+
(talking) Hey, I'm pretty good!
|
1650 |
+
|
1651 |
+
(singing) She'll be riding six white horses...
|
1652 |
+
|
1653 |
+
|
1654 |
+
LEELA
|
1655 |
+
So, Fry, was the real moon anything
|
1656 |
+
like the moon you used to dream about?
|
1657 |
+
|
1658 |
+
|
1659 |
+
|
1660 |
+
FRY
|
1661 |
+
Well, close enough!
|
1662 |
+
|
1663 |
+
|
1664 |
+
THE END
|
1665 |
+
|
1666 |
+
|
1667 |
+
BENDER
|
1668 |
+
Well I'll shoot her with my ray gun
|
1669 |
+
when she comes,
|
1670 |
+
|
1671 |
+
Yes, I'll shoot her with my ray gun when she comes,
|
1672 |
+
|
1673 |
+
Yes, I'll shoot her with my ray gun,
|
1674 |
+
|
1675 |
+
Oh, I'll shoot her with my ray gun,
|
1676 |
+
|
1677 |
+
Yes, I'll shoot her with my ray gun when she comes,
|
1678 |
+
|
1679 |
+
When she comes!
|
1680 |
+
|
1681 |
+
|
1682 |
+
I'll be blastin' all the humans in the world,
|
1683 |
+
|
1684 |
+
I'll be blastin' all the humans in the world,
|
1685 |
+
|
1686 |
+
I'll be blastin' all the humans,
|
1687 |
+
|
1688 |
+
I'll be blastin' all the humans,
|
1689 |
+
|
1690 |
+
I'll be blastin' all the humans in the world,
|
1691 |
+
|
1692 |
+
In the world!
|
1693 |
+
|
1694 |
+
|
1695 |
+
(shouting) One more time!
|
content/my_data/s1e3.txt
ADDED
@@ -0,0 +1,1543 @@
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|
1 |
+
FUTURAMA
|
2 |
+
|
3 |
+
Episode 103
|
4 |
+
|
5 |
+
"I, ROBOT"
|
6 |
+
|
7 |
+
By
|
8 |
+
|
9 |
+
Eric Horsted
|
10 |
+
|
11 |
+
Transcribed by Dave, The Neutral Planet
|
12 |
+
|
13 |
+
|
14 |
+
|
15 |
+
[Opening Credits. Caption: As Seen On TV.]
|
16 |
+
|
17 |
+
|
18 |
+
[Planet Express: Meeting Room. Fry is asleep on the big table.
|
19 |
+
The other staff are sat around it for a morning meeting. His
|
20 |
+
alarm clock goes off and he reaches over and pushes Bender's
|
21 |
+
antenna down.]
|
22 |
+
|
23 |
+
|
24 |
+
BENDER
|
25 |
+
Hey!
|
26 |
+
|
27 |
+
|
28 |
+
[He picks up the alarm clock and bends it on the table so it
|
29 |
+
looks like a melted clock from Salvador Dali's artwork The Persistence
|
30 |
+
Of Memory.]
|
31 |
+
|
32 |
+
|
33 |
+
HERMES
|
34 |
+
Fry, mon, if you're going to be living
|
35 |
+
in the office you could at least be
|
36 |
+
on time for work.
|
37 |
+
|
38 |
+
|
39 |
+
FRY
|
40 |
+
I'm sorry. I was up really late poking
|
41 |
+
through people's desks.
|
42 |
+
|
43 |
+
|
44 |
+
[He gets up and climbs off the table.]
|
45 |
+
|
46 |
+
|
47 |
+
HERMES
|
48 |
+
Alright, people. I will now outline
|
49 |
+
today's 12-point agenda. We'll begin
|
50 |
+
with point one then race forward --
|
51 |
+
|
52 |
+
|
53 |
+
|
54 |
+
[He is interrupted by a clattering sound.]
|
55 |
+
|
56 |
+
|
57 |
+
[Cut to: Planet Express: Kitchen. Fry is pouring himself a huge
|
58 |
+
bowl of Bachelor Chow. He turns the tap on and covers it in water.]
|
59 |
+
|
60 |
+
|
61 |
+
|
62 |
+
[Cut to: Planet Express: Meeting Room. Fry sits down, still in
|
63 |
+
his underwear.]
|
64 |
+
|
65 |
+
|
66 |
+
HERMES
|
67 |
+
Concerning our pest problem: Somebody's
|
68 |
+
been leaving food around and it's attracting
|
69 |
+
owls. And I, for one, am getting tired
|
70 |
+
of cleaning those owl traps. Now......as
|
71 |
+
this shocking graph indicates, our water
|
72 |
+
consumption has tripled in the last
|
73 |
+
month. I notice Fry has been here for
|
74 |
+
a month, so I'm appointing him head
|
75 |
+
of a committee to find who's responsible.
|
76 |
+
Fry? Am I cracking up, or is Fry's
|
77 |
+
living here starting to get in the way
|
78 |
+
of bus -
|
79 |
+
|
80 |
+
|
81 |
+
[He is interrupted again by Fry, who is drying his hair using
|
82 |
+
the ships engine. Leela runs over and hits the emergency shutdown
|
83 |
+
button.]
|
84 |
+
|
85 |
+
|
86 |
+
LEELA
|
87 |
+
What the hell are you doing?! You're
|
88 |
+
getting a huge dose of radiation!
|
89 |
+
|
90 |
+
|
91 |
+
|
92 |
+
FRY
|
93 |
+
And great lift!
|
94 |
+
|
95 |
+
|
96 |
+
LEELA
|
97 |
+
Do you know how long it's going to take
|
98 |
+
me to recalibrate these engines?
|
99 |
+
|
100 |
+
|
101 |
+
FRY
|
102 |
+
Hey, when you look this good, you don't
|
103 |
+
have to know anything.
|
104 |
+
|
105 |
+
|
106 |
+
[Planet Express: Farnsworth's Lab. Farnsworth is looking for
|
107 |
+
something. Enter Leela, Bender, Hermes, Amy and Zoidberg.]
|
108 |
+
|
109 |
+
|
110 |
+
|
111 |
+
LEELA
|
112 |
+
Professor, We need to talk to you about
|
113 |
+
Fry.
|
114 |
+
|
115 |
+
|
116 |
+
BENDER
|
117 |
+
That's right, we want some money --
|
118 |
+
wait, what's this about Fry?
|
119 |
+
|
120 |
+
|
121 |
+
LEELA
|
122 |
+
He's a nice guy but we think it's about
|
123 |
+
time he got his own place.
|
124 |
+
|
125 |
+
|
126 |
+
FARNSWORTH
|
127 |
+
Oh, fuff! He's not causing any trouble.
|
128 |
+
Now, if you don't mind, I'm rather busy.
|
129 |
+
I seem to have mislaid my alien mummy.
|
130 |
+
This sarcophagus should contain the
|
131 |
+
remains of Emperor Nimballa, who ruled
|
132 |
+
Zubin 5 over 29 million years ago.
|
133 |
+
|
134 |
+
|
135 |
+
|
136 |
+
[Fry walks past the lab eating the mummy.]
|
137 |
+
|
138 |
+
|
139 |
+
FRY
|
140 |
+
Hey, Professor, great jerky!
|
141 |
+
|
142 |
+
|
143 |
+
FARNSWORTH
|
144 |
+
My God, this is an outrage! I was going
|
145 |
+
to eat that mummy! Fry has got to go!
|
146 |
+
|
147 |
+
|
148 |
+
|
149 |
+
[Planet Express: Lounge. Fry is slumped back on the couch watching
|
150 |
+
TV.]
|
151 |
+
|
152 |
+
|
153 |
+
ANNOUNCER
|
154 |
+
Bachelor chow: Now with flavour!
|
155 |
+
|
156 |
+
|
157 |
+
[Fry changes the channel to Monster Truck wrestling.]
|
158 |
+
|
159 |
+
|
160 |
+
COMMENTATOR
|
161 |
+
And Bigfoot is down!
|
162 |
+
|
163 |
+
|
164 |
+
FRY
|
165 |
+
Sheesh! 40,000 channels and only 150
|
166 |
+
have anything good on.
|
167 |
+
|
168 |
+
|
169 |
+
[He switches the channel over again. There is a sponsorship advert
|
170 |
+
on the screen.]
|
171 |
+
|
172 |
+
|
173 |
+
ANNOUNCER
|
174 |
+
All My Circuits is brought to you by
|
175 |
+
Robo Fresh: Designed by a robot, for
|
176 |
+
a robot.
|
177 |
+
|
178 |
+
|
179 |
+
[The picture changes to two robots - Calculon and Monique - sitting
|
180 |
+
on a bench.]
|
181 |
+
|
182 |
+
|
183 |
+
CALCULON
|
184 |
+
I've been processing this for some
|
185 |
+
time, Monique, and well, will you marry
|
186 |
+
me?
|
187 |
+
|
188 |
+
|
189 |
+
MONIQUE
|
190 |
+
Oh, Calculon! It fits! Then you must
|
191 |
+
know that I'm --
|
192 |
+
|
193 |
+
|
194 |
+
CALCULON
|
195 |
+
Metric? I've always known. But for
|
196 |
+
you, my darling, I'm willing to convert.
|
197 |
+
|
198 |
+
|
199 |
+
|
200 |
+
[They kiss again. Another robot watches them from the bushes.]
|
201 |
+
|
202 |
+
|
203 |
+
|
204 |
+
FRY
|
205 |
+
Hmm, must be a friend of theirs.
|
206 |
+
|
207 |
+
|
208 |
+
[Enter Leela and Bender.]
|
209 |
+
|
210 |
+
|
211 |
+
BENDER
|
212 |
+
Fry, we've got to discuss your living
|
213 |
+
arrangements.
|
214 |
+
|
215 |
+
|
216 |
+
LEELA
|
217 |
+
We've all talked it over and --
|
218 |
+
|
219 |
+
|
220 |
+
BENDER
|
221 |
+
Hey, All My Circuits! Move over. Ahh!
|
222 |
+
|
223 |
+
|
224 |
+
|
225 |
+
LEELA
|
226 |
+
Fry, sometimes in close quarters, people
|
227 |
+
do inconsiderate things without realising
|
228 |
+
it.
|
229 |
+
|
230 |
+
|
231 |
+
FRY
|
232 |
+
I know but I forgive you.
|
233 |
+
|
234 |
+
|
235 |
+
LEELA
|
236 |
+
No, Fry, by "close quarters" I mean
|
237 |
+
this office...
|
238 |
+
|
239 |
+
|
240 |
+
FRY
|
241 |
+
Uh-huh.
|
242 |
+
|
243 |
+
|
244 |
+
LEELA
|
245 |
+
...and by "people" I mean you!
|
246 |
+
|
247 |
+
|
248 |
+
FRY
|
249 |
+
Right.
|
250 |
+
|
251 |
+
|
252 |
+
LEELA
|
253 |
+
And by "inconsiderate" I mean --
|
254 |
+
|
255 |
+
|
256 |
+
FRY
|
257 |
+
Leela! We're trying to watch TV.
|
258 |
+
|
259 |
+
|
260 |
+
BENDER
|
261 |
+
Yeah, would you kindly shut your noise
|
262 |
+
hole?
|
263 |
+
|
264 |
+
|
265 |
+
[She sighs and walks out.]
|
266 |
+
|
267 |
+
|
268 |
+
FRY
|
269 |
+
So, who's that weird-looking guy?
|
270 |
+
|
271 |
+
|
272 |
+
BENDER
|
273 |
+
That's a human.
|
274 |
+
|
275 |
+
|
276 |
+
FRY
|
277 |
+
What's he do?
|
278 |
+
|
279 |
+
|
280 |
+
BENDER
|
281 |
+
Eh, the usual human stuff. He laughs,
|
282 |
+
he learns, he loves.
|
283 |
+
|
284 |
+
|
285 |
+
FRY
|
286 |
+
Boring!
|
287 |
+
|
288 |
+
|
289 |
+
[On the TV a door opens and Calculon walks in.]
|
290 |
+
|
291 |
+
|
292 |
+
HUMAN FRIEND
|
293 |
+
Calculon? I thought you were in a coma.
|
294 |
+
|
295 |
+
|
296 |
+
|
297 |
+
CALCULON
|
298 |
+
That's what I wanted you to think with
|
299 |
+
your soft, human brain.
|
300 |
+
|
301 |
+
|
302 |
+
[From Fry's point of view, the corner of the room starts getting
|
303 |
+
further away.]
|
304 |
+
|
305 |
+
|
306 |
+
FRY
|
307 |
+
Hey, uh, why is the TV getting smaller?
|
308 |
+
|
309 |
+
|
310 |
+
|
311 |
+
[Hermes, Amy, Zoidberg, Farnsworth and Leela are pushing the
|
312 |
+
couch out of the room with Fry and Bender still on it.]
|
313 |
+
|
314 |
+
|
315 |
+
[Cut to: Outside Planet Express. They toss Fry, Bender and the
|
316 |
+
couch outside the front door and go back inside.]
|
317 |
+
|
318 |
+
|
319 |
+
HERMES
|
320 |
+
We'll bill you for the couch.
|
321 |
+
|
322 |
+
|
323 |
+
[Food-O-Mat. A small caf� where customers sit at tables and select
|
324 |
+
their food from a conveyor belt as it passes them.]
|
325 |
+
|
326 |
+
|
327 |
+
BENDER
|
328 |
+
Cheer up, meatbag, you've barely touched
|
329 |
+
your amoeba.
|
330 |
+
|
331 |
+
|
332 |
+
FRY
|
333 |
+
It looked good but I just don't feel
|
334 |
+
like eating. You want it?
|
335 |
+
|
336 |
+
|
337 |
+
BENDER
|
338 |
+
Nah, I'm trying to watch my input. I
|
339 |
+
need plenty of wholesome, nutritious
|
340 |
+
alcohol. The chemical energy keeps
|
341 |
+
my fuel cells charged.
|
342 |
+
|
343 |
+
|
344 |
+
[He lights a cigar.]
|
345 |
+
|
346 |
+
|
347 |
+
FRY
|
348 |
+
What are the cigars for?
|
349 |
+
|
350 |
+
|
351 |
+
BENDER
|
352 |
+
They make me look cool.
|
353 |
+
|
354 |
+
|
355 |
+
[Fry sighs.]
|
356 |
+
|
357 |
+
|
358 |
+
FRY
|
359 |
+
I can't believe they threw me out like
|
360 |
+
that. I must have been really acting
|
361 |
+
like a jerk.
|
362 |
+
|
363 |
+
|
364 |
+
BENDER
|
365 |
+
Yeah, but everybody's a jerk. You, me,
|
366 |
+
this jerk. That's my philosophy. So,
|
367 |
+
where you gonna stay?
|
368 |
+
|
369 |
+
|
370 |
+
FRY
|
371 |
+
I don't know. Do refrigerators still
|
372 |
+
come in cardboard boxes?
|
373 |
+
|
374 |
+
|
375 |
+
BENDER
|
376 |
+
Yeah, but the rents are outrageous.
|
377 |
+
Why don't you just come move in with
|
378 |
+
me?
|
379 |
+
|
380 |
+
|
381 |
+
FRY
|
382 |
+
Really? That'd be great! You sure I
|
383 |
+
won't be imposing?
|
384 |
+
|
385 |
+
|
386 |
+
BENDER
|
387 |
+
Nah, I've always wanted a pet.
|
388 |
+
|
389 |
+
|
390 |
+
[Robot Arms Apartments Corridor. The building is a dark, run
|
391 |
+
down place. The corridor is lined with blue doors with not much
|
392 |
+
space between them and the apartment numbers are in binary.]
|
393 |
+
|
394 |
+
|
395 |
+
|
396 |
+
BENDER
|
397 |
+
Here we are. Your new home.
|
398 |
+
|
399 |
+
|
400 |
+
FRY
|
401 |
+
Cool! Y'know, I've never even seen a
|
402 |
+
robot's apartment before.
|
403 |
+
|
404 |
+
|
405 |
+
BENDER
|
406 |
+
Come on in, I'll give you the tour!
|
407 |
+
|
408 |
+
|
409 |
+
|
410 |
+
[Cut to: Bender's Apartment. He unlocks the door, walks in, and
|
411 |
+
turns on the light. Fry follows. He is not impressed. It's a
|
412 |
+
very tight squeeze.]
|
413 |
+
|
414 |
+
|
415 |
+
BENDER
|
416 |
+
Let's see, where to start. OK, this
|
417 |
+
is the TV area, that over there's the
|
418 |
+
breakfast nook, and over here is where
|
419 |
+
you'll be living which is great because,
|
420 |
+
until now, it's just been wasted space.
|
421 |
+
|
422 |
+
|
423 |
+
|
424 |
+
FRY
|
425 |
+
It's kinda cramped in here. I don't
|
426 |
+
even have room to hang my clothes.
|
427 |
+
|
428 |
+
|
429 |
+
|
430 |
+
BENDER
|
431 |
+
Look, pal, you've only got one set of
|
432 |
+
clothes and you're not taking them off
|
433 |
+
while I'm here. Well, I'm bushed. G'night.
|
434 |
+
|
435 |
+
|
436 |
+
|
437 |
+
[He turns the light off and goes to sleep.]
|
438 |
+
|
439 |
+
|
440 |
+
FRY
|
441 |
+
Wait, Bender. Bender?
|
442 |
+
|
443 |
+
|
444 |
+
BENDER
|
445 |
+
(sleep-talking) Kill all humans...kill
|
446 |
+
all humans...must kill all the humans.
|
447 |
+
|
448 |
+
|
449 |
+
|
450 |
+
FRY
|
451 |
+
Bender, wake up!
|
452 |
+
|
453 |
+
|
454 |
+
[He wakes up and yawns.]
|
455 |
+
|
456 |
+
|
457 |
+
BENDER
|
458 |
+
I was having the most wonderful dream.
|
459 |
+
I think you were in it.
|
460 |
+
|
461 |
+
|
462 |
+
FRY
|
463 |
+
Uh, listen, Bender, uh, where's your
|
464 |
+
bathroom?
|
465 |
+
|
466 |
+
|
467 |
+
BENDER
|
468 |
+
Bath what?
|
469 |
+
|
470 |
+
|
471 |
+
FRY
|
472 |
+
Bathroom.
|
473 |
+
|
474 |
+
|
475 |
+
BENDER
|
476 |
+
What room?
|
477 |
+
|
478 |
+
|
479 |
+
FRY
|
480 |
+
Bathroom!
|
481 |
+
|
482 |
+
|
483 |
+
BENDER
|
484 |
+
What what?
|
485 |
+
|
486 |
+
|
487 |
+
FRY
|
488 |
+
Ah, never mind!
|
489 |
+
|
490 |
+
|
491 |
+
[He sits down and tries to curl up on the floor.]
|
492 |
+
|
493 |
+
|
494 |
+
BENDER
|
495 |
+
(sleep-talking) Hey, sexy mama...wanna
|
496 |
+
kill all the humans?
|
497 |
+
|
498 |
+
|
499 |
+
[Planet Express: Hangar. Leela and Amy are working on the ships
|
500 |
+
port wing. Bender walks past whistling.]
|
501 |
+
|
502 |
+
|
503 |
+
LEELA
|
504 |
+
We sure are cheerful this morning.
|
505 |
+
|
506 |
+
|
507 |
+
|
508 |
+
BENDER
|
509 |
+
Yeah, this past week with Fry's been
|
510 |
+
a blast! Y'know, beneath this warm,
|
511 |
+
sunny exterior, beats the cold, mechanical
|
512 |
+
heart of a robot.
|
513 |
+
|
514 |
+
|
515 |
+
[Bender walks off, whistling. Fry comes in with a twisted neck.]
|
516 |
+
|
517 |
+
|
518 |
+
|
519 |
+
LEELA
|
520 |
+
What happened to you?
|
521 |
+
|
522 |
+
|
523 |
+
FRY
|
524 |
+
Oh, it's Bender's apartment. He put
|
525 |
+
in carpeting yesterday so now my head
|
526 |
+
hits the ceiling. Hey, do you realise
|
527 |
+
you're standing at a weird angle? Now
|
528 |
+
you're OK.
|
529 |
+
|
530 |
+
|
531 |
+
LEELA
|
532 |
+
Look at yourself. You're a wreck! You've
|
533 |
+
got to find a new place to live.
|
534 |
+
|
535 |
+
|
536 |
+
FRY
|
537 |
+
(sexily) Is that an invitation?
|
538 |
+
|
539 |
+
|
540 |
+
LEELA
|
541 |
+
Love your optimism, Fry. But seriously,
|
542 |
+
you've got to tell Bender you're moving
|
543 |
+
out.
|
544 |
+
|
545 |
+
|
546 |
+
FRY
|
547 |
+
Yeah, but he might get kind of upset.
|
548 |
+
I don't think I can do that to him.
|
549 |
+
|
550 |
+
|
551 |
+
|
552 |
+
[Bender comes back.]
|
553 |
+
|
554 |
+
|
555 |
+
BENDER
|
556 |
+
Hey, there's my little space heater.
|
557 |
+
|
558 |
+
|
559 |
+
|
560 |
+
[Fry fakes a laugh. Bender laughs for real. Fry fakes another
|
561 |
+
laugh and then sighs.]
|
562 |
+
|
563 |
+
|
564 |
+
FRY
|
565 |
+
Well, I'm moving out!
|
566 |
+
|
567 |
+
|
568 |
+
[Bender laughs then realises what Fry has said.]
|
569 |
+
|
570 |
+
|
571 |
+
BENDER
|
572 |
+
What?!
|
573 |
+
|
574 |
+
|
575 |
+
FRY
|
576 |
+
I'm sorry, Bender, but there's just
|
577 |
+
not enough room.
|
578 |
+
|
579 |
+
|
580 |
+
BENDER
|
581 |
+
Not enough room? My place is two cubic
|
582 |
+
metres and we only take up 1.5 cubic
|
583 |
+
metres. We've got room for a whole nother
|
584 |
+
two-thirds of a person.
|
585 |
+
|
586 |
+
|
587 |
+
LEELA
|
588 |
+
What if I just helped the two of you
|
589 |
+
find a bigger apartment?
|
590 |
+
|
591 |
+
|
592 |
+
BENDER
|
593 |
+
I don't know. I've got a lot of great
|
594 |
+
memories in my old place. And now they're
|
595 |
+
gone.
|
596 |
+
|
597 |
+
|
598 |
+
[Underwater Apartment.]
|
599 |
+
|
600 |
+
|
601 |
+
LANDLORD #1
|
602 |
+
Sure, it ain't one of them la-de-da
|
603 |
+
above-ground places. But if you like
|
604 |
+
dank, hey, forget about it!
|
605 |
+
|
606 |
+
|
607 |
+
LEELA
|
608 |
+
At least it's got a great view.
|
609 |
+
|
610 |
+
|
611 |
+
[A giant squid swims up to the window. Fry, Bender and Leela
|
612 |
+
scream.]
|
613 |
+
|
614 |
+
|
615 |
+
BENDER
|
616 |
+
What the?
|
617 |
+
|
618 |
+
|
619 |
+
[The squids tentacles come through the floor and walls. The landlord
|
620 |
+
takes a knife out of his boot.]
|
621 |
+
|
622 |
+
|
623 |
+
LANDLORD #1
|
624 |
+
Excuse me, I gotta go change a lightbulb.
|
625 |
+
|
626 |
+
|
627 |
+
|
628 |
+
[He takes out a knife, puts it between his teeth and walks out.]
|
629 |
+
|
630 |
+
|
631 |
+
|
632 |
+
[Surreal Apartment.]
|
633 |
+
|
634 |
+
|
635 |
+
LEELA
|
636 |
+
Wow! Now this is fantastic!
|
637 |
+
|
638 |
+
|
639 |
+
[The apartment is built in the style of the Escher picture Relativity.]
|
640 |
+
|
641 |
+
|
642 |
+
|
643 |
+
FRY
|
644 |
+
Hmm, I'm not sure we want to pay for
|
645 |
+
a dimension we're not going to use.
|
646 |
+
|
647 |
+
|
648 |
+
|
649 |
+
[Bender suddenly falls down the stairs, up the stairs, across
|
650 |
+
the stairs...]
|
651 |
+
|
652 |
+
|
653 |
+
[Suspiciously Fantastic Apartment.]
|
654 |
+
|
655 |
+
|
656 |
+
FRY
|
657 |
+
Well, I give up. What's the catch?
|
658 |
+
|
659 |
+
|
660 |
+
|
661 |
+
LANDLORD #3
|
662 |
+
Oh, no catch. Although we are technically
|
663 |
+
in New Jersey.
|
664 |
+
|
665 |
+
|
666 |
+
[Planet Express: Lounge. Fry, Bender and Leela sit around the
|
667 |
+
table.]
|
668 |
+
|
669 |
+
|
670 |
+
FRY
|
671 |
+
Not one place even remotely liveable.
|
672 |
+
|
673 |
+
|
674 |
+
|
675 |
+
[Farnsworth walks past talking on the phone.]
|
676 |
+
|
677 |
+
|
678 |
+
FARNSWORTH
|
679 |
+
Oh, how awful. Did he at least die painlessly...?
|
680 |
+
To shreds, you say. Well, how is his
|
681 |
+
wife holding up...? To shreds, you say.
|
682 |
+
Very well then. Sad, sad, terrible,
|
683 |
+
gruesome news about my colleague, Dr.
|
684 |
+
Mobootu.
|
685 |
+
|
686 |
+
|
687 |
+
LEELA
|
688 |
+
Was his apartment rent-controlled?
|
689 |
+
|
690 |
+
|
691 |
+
|
692 |
+
[Apartment. It's a really big apartment with a view and an upper
|
693 |
+
floor. The landlady is an old woman named Hattie. She is short,
|
694 |
+
wears a pink dressing gown and has a lazy eye. She shows the
|
695 |
+
new tenants around.]
|
696 |
+
|
697 |
+
|
698 |
+
LEELA
|
699 |
+
Wow, this is beautiful.
|
700 |
+
|
701 |
+
|
702 |
+
BENDER
|
703 |
+
What's with all the crap?
|
704 |
+
|
705 |
+
|
706 |
+
LEELA
|
707 |
+
It's not crap.
|
708 |
+
|
709 |
+
|
710 |
+
HATTIE
|
711 |
+
Dr. Mobootu collected this crap while
|
712 |
+
he was exploring the watcha-call-it...universe!
|
713 |
+
|
714 |
+
|
715 |
+
|
716 |
+
FRY
|
717 |
+
Well, this place has everything except
|
718 |
+
the only thing I care about: A TV.
|
719 |
+
|
720 |
+
|
721 |
+
|
722 |
+
HATTIE
|
723 |
+
It's got a TV, you young watcha-call-it...idiot!
|
724 |
+
|
725 |
+
|
726 |
+
|
727 |
+
[She pulls a rope and a tapestry goes up, revealing a very big
|
728 |
+
TV.]
|
729 |
+
|
730 |
+
|
731 |
+
FRY
|
732 |
+
Ooh!
|
733 |
+
|
734 |
+
|
735 |
+
BENDER
|
736 |
+
Whoa, slow down! This place just doesn't
|
737 |
+
feel like home. It just isn't...cosy.
|
738 |
+
Ahh, I can barely move. It's perfect!
|
739 |
+
|
740 |
+
|
741 |
+
|
742 |
+
[Montage Scene. Fry and Bender clear out all the crap from the
|
743 |
+
apartment to the theme of The Odd Couple. Fry sweeps a load of
|
744 |
+
junk off a shelf into a bag then replaces a Slurm poster with
|
745 |
+
a poster of a woman in a bikini and Bender hangs up a poster
|
746 |
+
of a topless robot next to it. Fry and Bender both smoke a cigar.
|
747 |
+
Fry puts an old chair in a bag, Bender stamps it down and Fry
|
748 |
+
uses it as a beanbag. Bender puts a signed (and obviously stolen)
|
749 |
+
photo of Calculon on a shelf. Bender and Fry look around, satisfied.]
|
750 |
+
|
751 |
+
|
752 |
+
|
753 |
+
FRY
|
754 |
+
Man, it's a total sty! For the first
|
755 |
+
time in a thousand years, I feel like
|
756 |
+
I'm home.
|
757 |
+
|
758 |
+
|
759 |
+
BENDER
|
760 |
+
Yeah! It's gonna be fun on the bun!
|
761 |
+
Y'know Fry, of all the friends I've
|
762 |
+
had, you're the first.
|
763 |
+
|
764 |
+
|
765 |
+
[Time Lapse. Later that night the Planet Express staff are arriving
|
766 |
+
at the apartment. The doorbell rings, Fry answers it.]
|
767 |
+
|
768 |
+
|
769 |
+
HERMES
|
770 |
+
Hey, mon!
|
771 |
+
|
772 |
+
|
773 |
+
[Zoidberg walks in an burbles something.]
|
774 |
+
|
775 |
+
|
776 |
+
LEELA
|
777 |
+
Happy housewarming, Fry! It's a miniature
|
778 |
+
fruit salad tree.
|
779 |
+
|
780 |
+
|
781 |
+
FRY
|
782 |
+
Ooh! Hey, Amy!
|
783 |
+
|
784 |
+
|
785 |
+
AMY
|
786 |
+
Hey!
|
787 |
+
|
788 |
+
|
789 |
+
FARNSWORTH
|
790 |
+
This is for you, Fry Zevulon the Great.
|
791 |
+
He's teriyaki style.
|
792 |
+
|
793 |
+
|
794 |
+
[Time Lapse. Bender lies on the beanbag and guzzles down a can
|
795 |
+
of beer. He tosses the empty can on a huge pile of cans.]
|
796 |
+
|
797 |
+
|
798 |
+
BENDER
|
799 |
+
Wow, heavy drinking crowd! I'd better
|
800 |
+
go out for more beer.
|
801 |
+
|
802 |
+
|
803 |
+
FRY
|
804 |
+
Hey, hang on, All My Circuits is about
|
805 |
+
to start!
|
806 |
+
|
807 |
+
|
808 |
+
BENDER
|
809 |
+
I know, but I need alcohol to power
|
810 |
+
up my batteries. If Calculon's wedding
|
811 |
+
doesn't go just right I'll be emotionally
|
812 |
+
and electrically drained.
|
813 |
+
|
814 |
+
|
815 |
+
[He leaves. Fry turns on the TV but all that's on is static.
|
816 |
+
He nudges the screen and All My Circuits comes on. He thumbs-ups.]
|
817 |
+
|
818 |
+
|
819 |
+
|
820 |
+
FRY
|
821 |
+
Hey!
|
822 |
+
|
823 |
+
|
824 |
+
[Zoidberg passes around crab claws on a plate.]
|
825 |
+
|
826 |
+
|
827 |
+
HERMES
|
828 |
+
These are mighty tasty!
|
829 |
+
|
830 |
+
|
831 |
+
ZOIDBERG
|
832 |
+
Thank you, I made them myself.
|
833 |
+
|
834 |
+
|
835 |
+
[Hermes chokes and spits the claws out.]
|
836 |
+
|
837 |
+
|
838 |
+
FRY
|
839 |
+
Shh, the wedding's about to start!
|
840 |
+
|
841 |
+
|
842 |
+
|
843 |
+
PRIESTBOT
|
844 |
+
If anyone here objects to this union,
|
845 |
+
let them speak now or forever hold their
|
846 |
+
--
|
847 |
+
|
848 |
+
|
849 |
+
[He is interrupted by some beeping. It is the same robot that
|
850 |
+
was in the bushes when Calculon proposed.]
|
851 |
+
|
852 |
+
|
853 |
+
FRY
|
854 |
+
Is he objecting or backing up?
|
855 |
+
|
856 |
+
|
857 |
+
AMY
|
858 |
+
Looks like both.
|
859 |
+
|
860 |
+
|
861 |
+
CALCULON
|
862 |
+
I'm afraid my half-brother is correct.
|
863 |
+
You see, I have a terrible secret and
|
864 |
+
that secret is --
|
865 |
+
|
866 |
+
|
867 |
+
[Bender walks in and the picture cuts to static. Everyone groans.]
|
868 |
+
|
869 |
+
|
870 |
+
|
871 |
+
AMY
|
872 |
+
Oh, this isn't right.
|
873 |
+
|
874 |
+
|
875 |
+
HERMES
|
876 |
+
Oh, come on!
|
877 |
+
|
878 |
+
|
879 |
+
FARNSWORTH
|
880 |
+
Fix it!
|
881 |
+
|
882 |
+
|
883 |
+
[Fry bangs his fist against the screen and Bender comes back
|
884 |
+
in with beer.]
|
885 |
+
|
886 |
+
|
887 |
+
BENDER
|
888 |
+
Hey what happened to the TV?
|
889 |
+
|
890 |
+
|
891 |
+
FRY
|
892 |
+
It just went out.
|
893 |
+
|
894 |
+
|
895 |
+
BENDER
|
896 |
+
This is an outrage! I'm gonna go yell
|
897 |
+
at the manager!
|
898 |
+
|
899 |
+
|
900 |
+
[He storms out and the TV comes back on. Everyone cheers.]
|
901 |
+
|
902 |
+
|
903 |
+
HERMES
|
904 |
+
Alright!
|
905 |
+
|
906 |
+
|
907 |
+
FRY
|
908 |
+
(shouting) Come back, Bender, its working!
|
909 |
+
|
910 |
+
|
911 |
+
|
912 |
+
CALCULON
|
913 |
+
To reiterate, my terrible secret is
|
914 |
+
--
|
915 |
+
|
916 |
+
|
917 |
+
[Bender comes back in and the TV cuts out again. Everyone groans.]
|
918 |
+
|
919 |
+
|
920 |
+
|
921 |
+
FRY
|
922 |
+
It's out again.
|
923 |
+
|
924 |
+
|
925 |
+
BENDER
|
926 |
+
What? That's the last straw!
|
927 |
+
|
928 |
+
|
929 |
+
FRY
|
930 |
+
It's back on!
|
931 |
+
|
932 |
+
|
933 |
+
[Bender comes back in with Hattie and the TV goes out once again.
|
934 |
+
Everyone groans.]
|
935 |
+
|
936 |
+
|
937 |
+
HATTIE
|
938 |
+
Pardon me. I don't mean to pry into
|
939 |
+
what you're doing in here with the crab
|
940 |
+
and the one-eyed lady and the Chinese
|
941 |
+
girl but everyone on this floor is having
|
942 |
+
trouble with their TV reception.
|
943 |
+
|
944 |
+
|
945 |
+
BENDER
|
946 |
+
Yeah! And you'd better get rid of whatever's
|
947 |
+
causing it or we're outta this dump!
|
948 |
+
|
949 |
+
|
950 |
+
|
951 |
+
HATTIE
|
952 |
+
Relax, sonny. This kajigger'll find
|
953 |
+
the source of the interference.
|
954 |
+
|
955 |
+
|
956 |
+
[She points a thing around the apartment and it beeps slowly.
|
957 |
+
She points it at Bender's antenna and it beeps faster. The other
|
958 |
+
tenants come in, complaining about their TV's. Hattie points
|
959 |
+
the thing at Bender's antenna again.]
|
960 |
+
|
961 |
+
|
962 |
+
TENANT #1
|
963 |
+
What's going on?
|
964 |
+
|
965 |
+
|
966 |
+
TENANT #2
|
967 |
+
We want our TV back!
|
968 |
+
|
969 |
+
|
970 |
+
HATTIE
|
971 |
+
There's your problem.
|
972 |
+
|
973 |
+
|
974 |
+
AMY
|
975 |
+
Oh, my God, Bender, it's your thingy!
|
976 |
+
|
977 |
+
|
978 |
+
|
979 |
+
RANDY
|
980 |
+
Then get rid of it!
|
981 |
+
|
982 |
+
|
983 |
+
TENANT #1
|
984 |
+
Get out!
|
985 |
+
|
986 |
+
|
987 |
+
BENDER
|
988 |
+
You people are nuts. My antenna never
|
989 |
+
interfered with my old TV.
|
990 |
+
|
991 |
+
|
992 |
+
LEELA
|
993 |
+
You had cable. This is satellite.
|
994 |
+
|
995 |
+
|
996 |
+
FARNSWORTH
|
997 |
+
Obviously your thoughts are being transmitted
|
998 |
+
on the same frequency.
|
999 |
+
|
1000 |
+
|
1001 |
+
TENANT #2
|
1002 |
+
They're on my cell phone too.
|
1003 |
+
|
1004 |
+
|
1005 |
+
BENDER
|
1006 |
+
Madam, I believe you're mistaken!
|
1007 |
+
|
1008 |
+
|
1009 |
+
[She turns her phone on. Bender's thoughts are indeed on it.]
|
1010 |
+
|
1011 |
+
|
1012 |
+
|
1013 |
+
BENDER
|
1014 |
+
Wow, that lady's got a huge ass!
|
1015 |
+
|
1016 |
+
|
1017 |
+
BENDER
|
1018 |
+
Those could be anyone's thoughts, fat
|
1019 |
+
ass!
|
1020 |
+
|
1021 |
+
|
1022 |
+
RANDY
|
1023 |
+
The robot has to go!
|
1024 |
+
|
1025 |
+
|
1026 |
+
TENANT #1
|
1027 |
+
Yeah.
|
1028 |
+
|
1029 |
+
|
1030 |
+
TENANT #3
|
1031 |
+
Get him out of here!
|
1032 |
+
|
1033 |
+
|
1034 |
+
HATTIE
|
1035 |
+
Well, you heard the mob!
|
1036 |
+
|
1037 |
+
|
1038 |
+
BENDER
|
1039 |
+
Fine! Come on, Fry, let's move to that
|
1040 |
+
apartment that smelled like a sewer.
|
1041 |
+
You liked that one, right?
|
1042 |
+
|
1043 |
+
|
1044 |
+
FRY
|
1045 |
+
It's tempting, but, well, I am already
|
1046 |
+
kinda settled in here.
|
1047 |
+
|
1048 |
+
|
1049 |
+
BENDER
|
1050 |
+
Or we could live underground with the
|
1051 |
+
mutants. A little fire'll show 'em who's
|
1052 |
+
boss!
|
1053 |
+
|
1054 |
+
|
1055 |
+
FRY
|
1056 |
+
Uh, listen, is there maybe some way
|
1057 |
+
we could do this with you going and
|
1058 |
+
me not going?
|
1059 |
+
|
1060 |
+
|
1061 |
+
BENDER
|
1062 |
+
I don't understand.
|
1063 |
+
|
1064 |
+
|
1065 |
+
FRY
|
1066 |
+
Well, you were gonna live in the closet
|
1067 |
+
anyway. Won't you be just as happy back
|
1068 |
+
in your old place?
|
1069 |
+
|
1070 |
+
|
1071 |
+
BENDER
|
1072 |
+
But, then we wouldn't be roommates.
|
1073 |
+
|
1074 |
+
|
1075 |
+
|
1076 |
+
FRY
|
1077 |
+
I'll come visit sometime. And you can
|
1078 |
+
visit me here.
|
1079 |
+
|
1080 |
+
|
1081 |
+
HATTIE
|
1082 |
+
No he can't.
|
1083 |
+
|
1084 |
+
|
1085 |
+
FRY
|
1086 |
+
Anyway, I'm sure it'll work out. This
|
1087 |
+
way we'll both be happy.
|
1088 |
+
|
1089 |
+
|
1090 |
+
BENDER
|
1091 |
+
(downbeat) Happy. Yeah, that's Bender.
|
1092 |
+
Always happy.
|
1093 |
+
|
1094 |
+
|
1095 |
+
[Bender walks out of the room and down the corridor.]
|
1096 |
+
|
1097 |
+
|
1098 |
+
RANDY
|
1099 |
+
Hey, the TV's back on!
|
1100 |
+
|
1101 |
+
|
1102 |
+
PRIESTBOT
|
1103 |
+
We are gathered here to mourn the death
|
1104 |
+
of Calculon; Industrialist, private
|
1105 |
+
eye, friend.
|
1106 |
+
|
1107 |
+
|
1108 |
+
CALCULON
|
1109 |
+
Mind if I give the eulogy?
|
1110 |
+
|
1111 |
+
|
1112 |
+
[Monique gasps.]
|
1113 |
+
|
1114 |
+
|
1115 |
+
MONIQUE
|
1116 |
+
Calculon! You're alive!
|
1117 |
+
|
1118 |
+
|
1119 |
+
[Everyone cheers on the TV and in the apartment.]
|
1120 |
+
|
1121 |
+
|
1122 |
+
RANDY
|
1123 |
+
Calculon's back!
|
1124 |
+
|
1125 |
+
|
1126 |
+
[Time Lapse. Everyone is beginning to leave.]
|
1127 |
+
|
1128 |
+
|
1129 |
+
FARNSWORTH
|
1130 |
+
Right, so long.
|
1131 |
+
|
1132 |
+
|
1133 |
+
ZOIDBERG
|
1134 |
+
Goodbye.
|
1135 |
+
|
1136 |
+
|
1137 |
+
AMY
|
1138 |
+
(crying) Do you think Calculon's evil
|
1139 |
+
twin will ever walk again?
|
1140 |
+
|
1141 |
+
|
1142 |
+
HERMES
|
1143 |
+
I don't know, Amy. I just don't know.
|
1144 |
+
|
1145 |
+
|
1146 |
+
|
1147 |
+
[Amy slips over again.]
|
1148 |
+
|
1149 |
+
|
1150 |
+
FRY
|
1151 |
+
Hey, thanks for coming.
|
1152 |
+
|
1153 |
+
|
1154 |
+
[He closes the door but Leela puts her elbow in it and forces
|
1155 |
+
it back open.]
|
1156 |
+
|
1157 |
+
|
1158 |
+
LEELA
|
1159 |
+
Fry, you're Bender's best friend. How
|
1160 |
+
could you let that mob kick him out?
|
1161 |
+
|
1162 |
+
|
1163 |
+
|
1164 |
+
FRY
|
1165 |
+
Ah, come on. Bender loves mobs.
|
1166 |
+
|
1167 |
+
|
1168 |
+
LEELA
|
1169 |
+
Only when he's in them and you know
|
1170 |
+
it. You really hurt his feelings.
|
1171 |
+
|
1172 |
+
|
1173 |
+
|
1174 |
+
FRY
|
1175 |
+
Don't girl me with that girl stuff.
|
1176 |
+
Bender and me are guys. Guys don't have
|
1177 |
+
feelings.
|
1178 |
+
|
1179 |
+
|
1180 |
+
LEELA
|
1181 |
+
Bender's not a guy, he's a robot.
|
1182 |
+
|
1183 |
+
|
1184 |
+
FRY
|
1185 |
+
Same thing.
|
1186 |
+
|
1187 |
+
|
1188 |
+
[Robot Arms Apartments Corridor. Bender opens his apartment door
|
1189 |
+
and looks in.]
|
1190 |
+
|
1191 |
+
|
1192 |
+
BENDER
|
1193 |
+
It's so big and empty.
|
1194 |
+
|
1195 |
+
|
1196 |
+
[He goes in and closes the door.]
|
1197 |
+
|
1198 |
+
|
1199 |
+
[Cut to: Bender's Apartment.]
|
1200 |
+
|
1201 |
+
|
1202 |
+
BENDER
|
1203 |
+
My roommate's gone. And all he left
|
1204 |
+
behind was an eyelash and three skin
|
1205 |
+
flakes. Oh, what's the point?!
|
1206 |
+
|
1207 |
+
|
1208 |
+
[He throws the bottle down and it smashes.]
|
1209 |
+
|
1210 |
+
|
1211 |
+
[Planet Express: Hangar. Leela is fixing the ship with laser
|
1212 |
+
fuel. She sees Bender walk into the conference room. He has orange
|
1213 |
+
rust around his mouth and his door is flapping open.]
|
1214 |
+
|
1215 |
+
|
1216 |
+
LEELA
|
1217 |
+
Bender? My God, you're a mess!
|
1218 |
+
|
1219 |
+
|
1220 |
+
[Cut to: Planet Express: Lounge. Bender groans and falls onto
|
1221 |
+
the couch. Leela follows him in.]
|
1222 |
+
|
1223 |
+
|
1224 |
+
BENDER
|
1225 |
+
Leave me alone!
|
1226 |
+
|
1227 |
+
|
1228 |
+
LEELA
|
1229 |
+
Look at that five o'clock rust. You've
|
1230 |
+
been up all night not drinking, haven't
|
1231 |
+
you?
|
1232 |
+
|
1233 |
+
|
1234 |
+
BENDER
|
1235 |
+
Hey. What I don't do is none of your
|
1236 |
+
business.
|
1237 |
+
|
1238 |
+
|
1239 |
+
LEELA
|
1240 |
+
Please, Bender. Have some malt liquor.
|
1241 |
+
If not for yourself then for the people
|
1242 |
+
who love you.
|
1243 |
+
|
1244 |
+
|
1245 |
+
BENDER
|
1246 |
+
I hate the people who love me and they
|
1247 |
+
hate me.
|
1248 |
+
|
1249 |
+
|
1250 |
+
LEELA
|
1251 |
+
Oh, now look. It's obvious you miss
|
1252 |
+
being Fry's roommate. But there's got
|
1253 |
+
to be a better way to deal with this.
|
1254 |
+
|
1255 |
+
|
1256 |
+
|
1257 |
+
BENDER
|
1258 |
+
Like how? Having my antenna removed?
|
1259 |
+
|
1260 |
+
|
1261 |
+
|
1262 |
+
LEELA
|
1263 |
+
Well, if that would work.
|
1264 |
+
|
1265 |
+
|
1266 |
+
BENDER
|
1267 |
+
Are you crazy? That's Little Bender
|
1268 |
+
you're talking about. I can't cut it
|
1269 |
+
off. You're not a robot or a man so
|
1270 |
+
you wouldn't understand. I gotta get
|
1271 |
+
out of here.
|
1272 |
+
|
1273 |
+
|
1274 |
+
LEELA
|
1275 |
+
Wait! I want you to look me in the eye
|
1276 |
+
and promise you won't get behind the
|
1277 |
+
wheel without some kind of alcoholic
|
1278 |
+
beverage in your hand.
|
1279 |
+
|
1280 |
+
|
1281 |
+
BENDER
|
1282 |
+
I promise nothing!
|
1283 |
+
|
1284 |
+
|
1285 |
+
[He runs out.]
|
1286 |
+
|
1287 |
+
|
1288 |
+
[Bender is walking down a street drunk � la The Lost Weekend
|
1289 |
+
and he finally ends up in an alleyway lying on his back, leaking
|
1290 |
+
oil from under his arm. He sees his reflection in the pool of
|
1291 |
+
oil and hits it.]
|
1292 |
+
|
1293 |
+
|
1294 |
+
[Apartment. Fry opens the door. Leela is there.]
|
1295 |
+
|
1296 |
+
|
1297 |
+
FRY
|
1298 |
+
What up?
|
1299 |
+
|
1300 |
+
|
1301 |
+
LEELA
|
1302 |
+
I can't just stand by and be silent
|
1303 |
+
about Bender anymore.
|
1304 |
+
|
1305 |
+
|
1306 |
+
FRY
|
1307 |
+
Silent? You've been meddling for two
|
1308 |
+
solid weeks.
|
1309 |
+
|
1310 |
+
|
1311 |
+
LEELA
|
1312 |
+
Well I can't just do that anymore. Your
|
1313 |
+
best friend is out there somewhere destroying
|
1314 |
+
himself.
|
1315 |
+
|
1316 |
+
|
1317 |
+
FRY
|
1318 |
+
Really? I didn't think he'd miss this
|
1319 |
+
apartment that much.
|
1320 |
+
|
1321 |
+
|
1322 |
+
LEELA
|
1323 |
+
He doesn't care about the apartment,
|
1324 |
+
he cares about you. And you turned your
|
1325 |
+
back on him.
|
1326 |
+
|
1327 |
+
|
1328 |
+
FRY
|
1329 |
+
Oh, man. I had no idea. If only I knew
|
1330 |
+
where he was I'd go talk to him.
|
1331 |
+
|
1332 |
+
|
1333 |
+
[The TV cuts out.]
|
1334 |
+
|
1335 |
+
|
1336 |
+
FRY
|
1337 |
+
Oh, stupid TV! Bender! You're blind
|
1338 |
+
stinking sober!
|
1339 |
+
|
1340 |
+
|
1341 |
+
BENDER
|
1342 |
+
That's right! I'm sober and crazy and
|
1343 |
+
I don't know what I might do!
|
1344 |
+
|
1345 |
+
|
1346 |
+
FRY
|
1347 |
+
Don't do it!
|
1348 |
+
|
1349 |
+
|
1350 |
+
BENDER
|
1351 |
+
I don't know what it is yet. Oh, yeah,
|
1352 |
+
now I remember. I thought I could live
|
1353 |
+
alone, but I can't. So, I'm gonna do
|
1354 |
+
what it takes to be your roommate again.
|
1355 |
+
|
1356 |
+
|
1357 |
+
|
1358 |
+
[He takes a pair of clippers out of his chest cabinet.]
|
1359 |
+
|
1360 |
+
|
1361 |
+
LEELA
|
1362 |
+
Bender! Stop!
|
1363 |
+
|
1364 |
+
|
1365 |
+
FRY
|
1366 |
+
Cutting Leela's head off won't solve
|
1367 |
+
anything!
|
1368 |
+
|
1369 |
+
|
1370 |
+
BENDER
|
1371 |
+
No, I'm going to chop off my antenna.
|
1372 |
+
|
1373 |
+
|
1374 |
+
|
1375 |
+
FRY
|
1376 |
+
Hey, yeah! That sounds good. Can I give
|
1377 |
+
you a hand?
|
1378 |
+
|
1379 |
+
|
1380 |
+
LEELA
|
1381 |
+
Fry, don't help him mutilate himself.
|
1382 |
+
|
1383 |
+
|
1384 |
+
|
1385 |
+
FRY
|
1386 |
+
But it's a useless antenna. It's not
|
1387 |
+
like he's a ham radio or something.
|
1388 |
+
|
1389 |
+
|
1390 |
+
|
1391 |
+
BENDER
|
1392 |
+
I'm gonna do it! I'm really gonna do
|
1393 |
+
it! Don't try and stop me! Here goes.
|
1394 |
+
|
1395 |
+
|
1396 |
+
|
1397 |
+
[Fry smiles. He sighs, cuts it off and throws it out the window.
|
1398 |
+
The TV comes back on. Calculon is with Human Friend who is in
|
1399 |
+
a hospital bed.]
|
1400 |
+
|
1401 |
+
|
1402 |
+
FRY
|
1403 |
+
Hey, it works! The static's gone.
|
1404 |
+
|
1405 |
+
|
1406 |
+
HUMAN FRIEND
|
1407 |
+
I hate that this came between us, Calculon.
|
1408 |
+
|
1409 |
+
|
1410 |
+
|
1411 |
+
CALCULON
|
1412 |
+
Me too. I'm filled with a large number
|
1413 |
+
of powerful emotions.
|
1414 |
+
|
1415 |
+
|
1416 |
+
HUMAN FRIEND
|
1417 |
+
You're my best friend. I'm sorry I
|
1418 |
+
treated you so badly.
|
1419 |
+
|
1420 |
+
|
1421 |
+
CALCULON
|
1422 |
+
Apology accepted. After all, you're
|
1423 |
+
only human.
|
1424 |
+
|
1425 |
+
|
1426 |
+
[They hug.]
|
1427 |
+
|
1428 |
+
|
1429 |
+
LEELA
|
1430 |
+
You guys could learn a lesson from those
|
1431 |
+
two.
|
1432 |
+
|
1433 |
+
|
1434 |
+
FRY
|
1435 |
+
She's right.
|
1436 |
+
|
1437 |
+
|
1438 |
+
BENDER
|
1439 |
+
You're my best friend, Fry, I'm sorry
|
1440 |
+
I treated you so badly.
|
1441 |
+
|
1442 |
+
|
1443 |
+
FRY
|
1444 |
+
Apology accepted. After all, you're
|
1445 |
+
only human.
|
1446 |
+
|
1447 |
+
|
1448 |
+
[They hug.]
|
1449 |
+
|
1450 |
+
|
1451 |
+
LEELA
|
1452 |
+
Wait a minute! You did it all backwards.
|
1453 |
+
Fry's the one who should be......Oh,
|
1454 |
+
never mind!
|
1455 |
+
|
1456 |
+
|
1457 |
+
[Fry and Bender laugh. Bender looks in the mirror and sighs.]
|
1458 |
+
|
1459 |
+
|
1460 |
+
|
1461 |
+
FRY
|
1462 |
+
What's wrong?
|
1463 |
+
|
1464 |
+
|
1465 |
+
BENDER
|
1466 |
+
Nothing. I guess I'm just going to have
|
1467 |
+
to get used to being half a robot.
|
1468 |
+
|
1469 |
+
|
1470 |
+
|
1471 |
+
FRY
|
1472 |
+
Aww, this isn't right. Listen, Bender,
|
1473 |
+
if we found your antenna could they
|
1474 |
+
still reattach it?
|
1475 |
+
|
1476 |
+
|
1477 |
+
BENDER
|
1478 |
+
Maybe. If we get it on ice right away.
|
1479 |
+
|
1480 |
+
|
1481 |
+
|
1482 |
+
[Outside Apartment Building. Fry, Bender, Smitty and URL search
|
1483 |
+
for the antenna.]
|
1484 |
+
|
1485 |
+
|
1486 |
+
SMITTY
|
1487 |
+
Bingo!
|
1488 |
+
|
1489 |
+
|
1490 |
+
[He holds up the antenna.]
|
1491 |
+
|
1492 |
+
|
1493 |
+
URL
|
1494 |
+
You call that an antenna?
|
1495 |
+
|
1496 |
+
|
1497 |
+
[Robot Arms Apartments Corridor. Fry is holding his miniature
|
1498 |
+
fruit salad tree.]
|
1499 |
+
|
1500 |
+
|
1501 |
+
BENDER
|
1502 |
+
This time, you'll have all the human
|
1503 |
+
comfort. We'll get a couple of toilets,
|
1504 |
+
some food cookers, maybe a puppy.
|
1505 |
+
|
1506 |
+
|
1507 |
+
|
1508 |
+
[Cut to: Fry and Bender's Apartment.]
|
1509 |
+
|
1510 |
+
|
1511 |
+
FRY
|
1512 |
+
It's good to be home.
|
1513 |
+
|
1514 |
+
|
1515 |
+
BENDER
|
1516 |
+
It sure is. By the way, I saved your
|
1517 |
+
stuff.
|
1518 |
+
|
1519 |
+
|
1520 |
+
FRY
|
1521 |
+
So that's where those skin flakes went.
|
1522 |
+
Hmm, do you think this fruit tree's
|
1523 |
+
going to get enough light?
|
1524 |
+
|
1525 |
+
|
1526 |
+
BENDER
|
1527 |
+
There's a window in the closet.
|
1528 |
+
|
1529 |
+
|
1530 |
+
[He pushes a button and a door swings open to reveal a huge living
|
1531 |
+
space. Fry walks into it.]
|
1532 |
+
|
1533 |
+
|
1534 |
+
FRY
|
1535 |
+
This is huge! Bender, why don't I just
|
1536 |
+
live in here?
|
1537 |
+
|
1538 |
+
|
1539 |
+
BENDER
|
1540 |
+
In a closet? Oh, humans!
|
1541 |
+
|
1542 |
+
|
1543 |
+
THE END
|
content/my_data/s1e4.txt
ADDED
@@ -0,0 +1,1753 @@
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|
1 |
+
FUTURAMA
|
2 |
+
|
3 |
+
Episode 104
|
4 |
+
|
5 |
+
"LOVE'S LABOURS LOST IN SPACE"
|
6 |
+
|
7 |
+
By
|
8 |
+
|
9 |
+
Brian Kelley
|
10 |
+
|
11 |
+
Transcribed by Dave, The Neutral Planet
|
12 |
+
|
13 |
+
|
14 |
+
|
15 |
+
[Restaurant. Leela is sat at a table with a date, a man called
|
16 |
+
Doug.]
|
17 |
+
|
18 |
+
|
19 |
+
LEELA
|
20 |
+
This place was a great choice. The food
|
21 |
+
is amazing. And such generous portions.
|
22 |
+
|
23 |
+
|
24 |
+
|
25 |
+
DOUG
|
26 |
+
You like the meal just wait until you
|
27 |
+
try these after dinner mints.
|
28 |
+
|
29 |
+
|
30 |
+
LEELA
|
31 |
+
You know, Doug, most guys are put off
|
32 |
+
by my eye. It's nice to finally meet
|
33 |
+
someone who's open-minded. Ew!
|
34 |
+
|
35 |
+
|
36 |
+
[Opening Credits. Caption: presented in BC [Brain Control] where
|
37 |
+
available.]
|
38 |
+
|
39 |
+
|
40 |
+
[Planet Express: Kitchen. Amy, Leela and Fry stand around drinking
|
41 |
+
coffee.]
|
42 |
+
|
43 |
+
|
44 |
+
FRY
|
45 |
+
What was wrong with your date last night?
|
46 |
+
|
47 |
+
|
48 |
+
|
49 |
+
LEELA
|
50 |
+
I don't know. Something I couldn�t quite
|
51 |
+
put my finger on. Possibly his vile
|
52 |
+
lizard tongue.
|
53 |
+
|
54 |
+
|
55 |
+
AMY
|
56 |
+
You're too picky.
|
57 |
+
|
58 |
+
|
59 |
+
FRY
|
60 |
+
Yeah. If you rule out every guy with
|
61 |
+
a lizard tongue or a low I.Q. or an
|
62 |
+
explosive violent temper, of course
|
63 |
+
you're gonna be lonely.
|
64 |
+
|
65 |
+
|
66 |
+
LEELA
|
67 |
+
There's nothing wrong with having high
|
68 |
+
standards. Now can we please stop --
|
69 |
+
|
70 |
+
|
71 |
+
|
72 |
+
[Cut to: Planet Express: Meeting Room. Amy, Fry and Leela walk
|
73 |
+
in. The others are sitting around the table.]
|
74 |
+
|
75 |
+
|
76 |
+
ZOIDBERG
|
77 |
+
The female Leela's problem is purely
|
78 |
+
medical. Soon she will drop her eggs
|
79 |
+
and they will hatch and all will be
|
80 |
+
well.
|
81 |
+
|
82 |
+
|
83 |
+
[Amy, Leela and Fry sit down.]
|
84 |
+
|
85 |
+
|
86 |
+
AMY
|
87 |
+
You just have to give guys a chance.
|
88 |
+
Sometimes you meet a guy and think he's
|
89 |
+
a pig. But then later you realise he
|
90 |
+
actually has a really good body.
|
91 |
+
|
92 |
+
|
93 |
+
LEELA
|
94 |
+
Thank you all for the inspiring advice,
|
95 |
+
but I'm perfectly happy with my life
|
96 |
+
the way it is.
|
97 |
+
|
98 |
+
|
99 |
+
BENDER
|
100 |
+
That sounds like a cry for help.
|
101 |
+
|
102 |
+
|
103 |
+
AMY
|
104 |
+
Let's all take her out tonight. There's
|
105 |
+
lots of great places to meet people.
|
106 |
+
|
107 |
+
|
108 |
+
|
109 |
+
HERMES
|
110 |
+
The Federal Sex Bureau.
|
111 |
+
|
112 |
+
|
113 |
+
BENDER
|
114 |
+
A saucy puppet show.
|
115 |
+
|
116 |
+
|
117 |
+
ZOIDBERG
|
118 |
+
The rotting carcass of a whale.
|
119 |
+
|
120 |
+
|
121 |
+
AMY
|
122 |
+
Hmm, I'll pick!
|
123 |
+
|
124 |
+
|
125 |
+
[The Hip Joint. A nightclub on Jetsons-esque stilts with hovering
|
126 |
+
platforms and strobe lighting. Everyone except Fry is wearing
|
127 |
+
outfits with grooby rings.]
|
128 |
+
|
129 |
+
|
130 |
+
AMY
|
131 |
+
Oh, wow, it's totally retro.
|
132 |
+
|
133 |
+
|
134 |
+
FRY
|
135 |
+
Why's everyone wearing those rings?
|
136 |
+
|
137 |
+
|
138 |
+
|
139 |
+
AMY
|
140 |
+
Guh! Because nobody wears them anymore!
|
141 |
+
Rings are stupid!
|
142 |
+
|
143 |
+
|
144 |
+
FRY
|
145 |
+
I think they look cool.
|
146 |
+
|
147 |
+
|
148 |
+
AMY
|
149 |
+
Shh! Don't let anyone hear you say that!
|
150 |
+
|
151 |
+
|
152 |
+
|
153 |
+
MAN
|
154 |
+
Hey, did that guy just say rings are
|
155 |
+
cool?
|
156 |
+
|
157 |
+
|
158 |
+
AMY
|
159 |
+
Nope, he said they're stupid.
|
160 |
+
|
161 |
+
|
162 |
+
[The man shows a thumbs up.]
|
163 |
+
|
164 |
+
|
165 |
+
MAN
|
166 |
+
Cool!
|
167 |
+
|
168 |
+
|
169 |
+
[Time Lapse. Leela, Amy and Bender are sat at a table with drinks.]
|
170 |
+
|
171 |
+
|
172 |
+
|
173 |
+
AMY
|
174 |
+
So what do you think of that guy by
|
175 |
+
the bar?
|
176 |
+
|
177 |
+
|
178 |
+
LEELA
|
179 |
+
I don't know. Maybe?
|
180 |
+
|
181 |
+
|
182 |
+
BENDER
|
183 |
+
Forget it, he's gay.
|
184 |
+
|
185 |
+
|
186 |
+
LEELA
|
187 |
+
What?! How can you tell?
|
188 |
+
|
189 |
+
|
190 |
+
BENDER
|
191 |
+
I just know these things. I've got what
|
192 |
+
they call gaydar.
|
193 |
+
|
194 |
+
|
195 |
+
LEELA
|
196 |
+
There's no such thing.
|
197 |
+
|
198 |
+
|
199 |
+
BENDER
|
200 |
+
No? OK, I got a lock on him. Yep!
|
201 |
+
He's gay!
|
202 |
+
|
203 |
+
|
204 |
+
AMY
|
205 |
+
Are you sure?
|
206 |
+
|
207 |
+
|
208 |
+
BENDER
|
209 |
+
Definitely. Unless I'm getting interference
|
210 |
+
from a gay weather balloon.
|
211 |
+
|
212 |
+
|
213 |
+
[Fry talks to a woman at the bar.]
|
214 |
+
|
215 |
+
|
216 |
+
WOMAN
|
217 |
+
You're from the 20th century? That's
|
218 |
+
incredible! I'm from the 21st century.
|
219 |
+
|
220 |
+
|
221 |
+
|
222 |
+
FRY
|
223 |
+
No way! We've got so much in common.
|
224 |
+
|
225 |
+
|
226 |
+
|
227 |
+
WOMAN
|
228 |
+
We sure do. Remember when those cyborgs
|
229 |
+
enslaved humanity?
|
230 |
+
|
231 |
+
|
232 |
+
FRY
|
233 |
+
Uh, yeah! That rings a bell.
|
234 |
+
|
235 |
+
|
236 |
+
[Back at the table, a well-built man has joined the others.]
|
237 |
+
|
238 |
+
|
239 |
+
|
240 |
+
AMY
|
241 |
+
This is Bolt Rolands. Bolt is a hyper-sled
|
242 |
+
racer with 10 wins on the pro circuit.
|
243 |
+
|
244 |
+
|
245 |
+
|
246 |
+
BOLT
|
247 |
+
Hello, beautiful!
|
248 |
+
|
249 |
+
|
250 |
+
BENDER
|
251 |
+
(whispering) I think she means 10 wins
|
252 |
+
on the gay circuit.
|
253 |
+
|
254 |
+
|
255 |
+
[Bolt chuckles.]
|
256 |
+
|
257 |
+
|
258 |
+
BOLT
|
259 |
+
I wish! Those cats can really fly.
|
260 |
+
|
261 |
+
|
262 |
+
|
263 |
+
[Zoidberg is sitting alone at the bar. He tries to pick up a
|
264 |
+
drink but his claws just knock the glass over. He folds his arms
|
265 |
+
and sulks. A lobster in a tank catches his eye and he stares
|
266 |
+
and smiles, lovestruck. At the table, a green cloud is hovering
|
267 |
+
where Bolt was.]
|
268 |
+
|
269 |
+
|
270 |
+
AMY
|
271 |
+
This is M-5438, an entity of pure energy.
|
272 |
+
|
273 |
+
|
274 |
+
|
275 |
+
LEELA
|
276 |
+
That's great - really - but he's just
|
277 |
+
not what I'm looking for.
|
278 |
+
|
279 |
+
|
280 |
+
M-5438
|
281 |
+
I understand. One day you will evolve
|
282 |
+
beyond your physical body, and on that
|
283 |
+
day I hope you will pick up the phone.
|
284 |
+
|
285 |
+
|
286 |
+
|
287 |
+
[He flies away. Amy sighs.]
|
288 |
+
|
289 |
+
|
290 |
+
AMY
|
291 |
+
You're impossible.
|
292 |
+
|
293 |
+
|
294 |
+
[Bender's gaydar beeps.]
|
295 |
+
|
296 |
+
|
297 |
+
BENDER
|
298 |
+
Just as well; I think he comes from
|
299 |
+
a dimension that's big on musical theatre.
|
300 |
+
|
301 |
+
|
302 |
+
|
303 |
+
[Outside The Hip Joint. Everyone is leaving: Amy with M-5438,
|
304 |
+
Zoidberg with the lobster and Fry with the 21st century woman.
|
305 |
+
Bender is already outside.]
|
306 |
+
|
307 |
+
|
308 |
+
FRY
|
309 |
+
Psst, I need the apartment tonight.
|
310 |
+
Go see a saucy puppet show.
|
311 |
+
|
312 |
+
|
313 |
+
[He hands Bender some cash.]
|
314 |
+
|
315 |
+
|
316 |
+
BENDER
|
317 |
+
Can do!
|
318 |
+
|
319 |
+
|
320 |
+
[The Hip Joint. Leela is the only person left in the room. A
|
321 |
+
janitor passes by her table, sweeping.]
|
322 |
+
|
323 |
+
|
324 |
+
JANITOR
|
325 |
+
My, my, my! What's a beautiful lady
|
326 |
+
like you -- Oh, my! Eurgh! I'm sorry,
|
327 |
+
I thought you had two eyes.
|
328 |
+
|
329 |
+
|
330 |
+
[He runs off.]
|
331 |
+
|
332 |
+
|
333 |
+
[Planet Express: Meeting Room. It's the next morning and everyone
|
334 |
+
is sat around the table drinking coffee.]
|
335 |
+
|
336 |
+
|
337 |
+
BENDER
|
338 |
+
So, Leela, you must have had your pick
|
339 |
+
of the litter last night at closing
|
340 |
+
time.
|
341 |
+
|
342 |
+
|
343 |
+
LEELA
|
344 |
+
Could you guys please stop talking about
|
345 |
+
my personal life?
|
346 |
+
|
347 |
+
|
348 |
+
FARNSWORTH
|
349 |
+
Yes, let's all talk about Leela's personal
|
350 |
+
life later. But right now we have business
|
351 |
+
to attend to.
|
352 |
+
|
353 |
+
|
354 |
+
FRY
|
355 |
+
A delivery?
|
356 |
+
|
357 |
+
|
358 |
+
FARNSWORTH
|
359 |
+
No. A tax-deductible mission of charity.
|
360 |
+
|
361 |
+
|
362 |
+
|
363 |
+
[He flicks a switch, the lights dim and a holographic image of
|
364 |
+
a planet is projected over the table.]
|
365 |
+
|
366 |
+
|
367 |
+
COMPUTER VOICE
|
368 |
+
This is Vergon 6.
|
369 |
+
|
370 |
+
|
371 |
+
FARNSWORTH
|
372 |
+
This is Vergon 6.
|
373 |
+
|
374 |
+
|
375 |
+
AMY
|
376 |
+
Buh!
|
377 |
+
|
378 |
+
|
379 |
+
FARNSWORTH
|
380 |
+
It's a sunny little doomed planet, inhabited
|
381 |
+
by a number of frisky little doomed
|
382 |
+
animals.
|
383 |
+
|
384 |
+
|
385 |
+
LEELA
|
386 |
+
Animals?
|
387 |
+
|
388 |
+
|
389 |
+
FARNSWORTH
|
390 |
+
That's right. Animals in desperate need
|
391 |
+
of rescue. You see, Vergon 6 was once
|
392 |
+
filled with a super dense substance
|
393 |
+
known as dark matter, each pound of
|
394 |
+
which weighs over ten thousand pounds.
|
395 |
+
|
396 |
+
|
397 |
+
|
398 |
+
[The holographic Vergon 6 is filled with a black sphere.]
|
399 |
+
|
400 |
+
|
401 |
+
LEELA
|
402 |
+
Wait! What about the animals?
|
403 |
+
|
404 |
+
|
405 |
+
FARNSWORTH
|
406 |
+
Well, dark matter is extremely valuable
|
407 |
+
as starship fuel. That's why it was
|
408 |
+
all mined out, leaving the planet completely
|
409 |
+
hollow.
|
410 |
+
|
411 |
+
|
412 |
+
[The holographic dark matter dwindles to nothing.]
|
413 |
+
|
414 |
+
|
415 |
+
LEELA
|
416 |
+
Yes, but what about the animals?
|
417 |
+
|
418 |
+
|
419 |
+
FARNSWORTH
|
420 |
+
The wha?
|
421 |
+
|
422 |
+
|
423 |
+
LEELA
|
424 |
+
The animals.
|
425 |
+
|
426 |
+
|
427 |
+
FARNSWORTH
|
428 |
+
I didn't say anything about animals.
|
429 |
+
Now it seems that the planet will collapse
|
430 |
+
within three days. Incidentally, this
|
431 |
+
will kill all the animals.
|
432 |
+
|
433 |
+
|
434 |
+
LEELA
|
435 |
+
So we have to bring back two of each
|
436 |
+
kind. Just like Noah's Ark.
|
437 |
+
|
438 |
+
|
439 |
+
BENDER
|
440 |
+
Why two? Oh!
|
441 |
+
|
442 |
+
|
443 |
+
[He giggles.]
|
444 |
+
|
445 |
+
|
446 |
+
[Ships Cockpit. The ship is en route to the planet. Bender and
|
447 |
+
Fry lean across the cockpit discussing things.]
|
448 |
+
|
449 |
+
|
450 |
+
FRY
|
451 |
+
I bet you Leela's holding out for a
|
452 |
+
nice guy with one eye.
|
453 |
+
|
454 |
+
|
455 |
+
BENDER
|
456 |
+
That'll take forever. What she oughta
|
457 |
+
do is find a nice guy with two eyes,
|
458 |
+
then poke one out.
|
459 |
+
|
460 |
+
|
461 |
+
FRY
|
462 |
+
Yeah, that'd be a timesaver.
|
463 |
+
|
464 |
+
|
465 |
+
[Leela is sat right behind them.]
|
466 |
+
|
467 |
+
|
468 |
+
LEELA
|
469 |
+
Do you mind?
|
470 |
+
|
471 |
+
|
472 |
+
BENDER
|
473 |
+
Here you go. You can use this as an
|
474 |
+
eye-poker.
|
475 |
+
|
476 |
+
|
477 |
+
LEELA
|
478 |
+
Thank you. But I don't care how many
|
479 |
+
eyes a man has - as long as it's less
|
480 |
+
than five. All I'm looking for is a
|
481 |
+
guy who's adventurous, self-confident...
|
482 |
+
|
483 |
+
|
484 |
+
|
485 |
+
[Cut to: Outside Ship. The ship flies on.]
|
486 |
+
|
487 |
+
|
488 |
+
LEELA
|
489 |
+
...maybe a snappy dresser.
|
490 |
+
|
491 |
+
|
492 |
+
[As the ship flies away a larger ship - the Nimbus - flies over
|
493 |
+
the top.]
|
494 |
+
|
495 |
+
|
496 |
+
[Cut to: Nimbus Bridge. The captain - Zapp Brannigan - stands
|
497 |
+
admiring himself while his first officer Kif seems to do all
|
498 |
+
the work. They both wear red uniforms. Kif is a spindly little
|
499 |
+
green alien and Zapp's physique is mostly made up of a huge,
|
500 |
+
poorly contained gut.]
|
501 |
+
|
502 |
+
|
503 |
+
ZAPP
|
504 |
+
These new uniforms are pretty snappy,
|
505 |
+
eh, first officer?
|
506 |
+
|
507 |
+
|
508 |
+
KIF
|
509 |
+
I suppose, captain. I'm as big a fan
|
510 |
+
of velour as you are. Now what do you
|
511 |
+
want to do about that unidentified ship?
|
512 |
+
|
513 |
+
|
514 |
+
|
515 |
+
[The Planet Express ship flies across the viewscreen.]
|
516 |
+
|
517 |
+
|
518 |
+
ZAPP
|
519 |
+
Destroy them! Mmm! That's got a nice
|
520 |
+
feel to it.
|
521 |
+
|
522 |
+
|
523 |
+
[Time Lapse.]
|
524 |
+
|
525 |
+
|
526 |
+
ZAPP
|
527 |
+
Captain's journal; star date 3000.3.
|
528 |
+
|
529 |
+
|
530 |
+
|
531 |
+
KIF
|
532 |
+
Who are you talking to, sir?
|
533 |
+
|
534 |
+
|
535 |
+
ZAPP
|
536 |
+
You! Aren't you getting this? We have
|
537 |
+
detected a vessel attempting to break
|
538 |
+
the security cordon around Vergon 6.
|
539 |
+
I'm anticipating an all-out tactical
|
540 |
+
dogfight, followed by a light dinner...ravioli,
|
541 |
+
ham, sundae bar.
|
542 |
+
|
543 |
+
|
544 |
+
[Cut to: Ships Cockpit. The crew can see the Nimbus through the
|
545 |
+
windscreen.]
|
546 |
+
|
547 |
+
|
548 |
+
LEELA
|
549 |
+
Hey, look! That's Zapp Brannigan's ship.
|
550 |
+
|
551 |
+
|
552 |
+
|
553 |
+
FRY
|
554 |
+
Wow! The Zapp Brannigan?
|
555 |
+
|
556 |
+
|
557 |
+
LEELA
|
558 |
+
Uh-huh!
|
559 |
+
|
560 |
+
|
561 |
+
FRY
|
562 |
+
Who's the Zapp Brannigan?
|
563 |
+
|
564 |
+
|
565 |
+
[Cut to: Nimbus Bridge. Zapp and Kif watch the ship approach.]
|
566 |
+
|
567 |
+
|
568 |
+
|
569 |
+
KIF
|
570 |
+
Shall I fire on them now, sir?
|
571 |
+
|
572 |
+
|
573 |
+
ZAPP
|
574 |
+
Not yet, Kif. In the game of chess,
|
575 |
+
you can never let your adversary see
|
576 |
+
your pieces. What?
|
577 |
+
|
578 |
+
|
579 |
+
[Cut to: Ships Cockpit.]
|
580 |
+
|
581 |
+
|
582 |
+
LEELA
|
583 |
+
They say Zapp Brannigan single-handedly
|
584 |
+
saved the Octillian system from a horde
|
585 |
+
of rampaging Killbots.
|
586 |
+
|
587 |
+
|
588 |
+
FRY
|
589 |
+
Wow!
|
590 |
+
|
591 |
+
|
592 |
+
BENDER
|
593 |
+
A grim day for robot-kind. Ah, but we
|
594 |
+
can always build more Killbots!
|
595 |
+
|
596 |
+
|
597 |
+
LEELA
|
598 |
+
He's the most decorated captain in the
|
599 |
+
whole Democratic Order Of Planets.
|
600 |
+
|
601 |
+
|
602 |
+
|
603 |
+
FRY
|
604 |
+
(teasing) Leela's got a boyfriend!
|
605 |
+
|
606 |
+
|
607 |
+
|
608 |
+
LEELA
|
609 |
+
No I don't. But I think we ought to
|
610 |
+
meet with him and see if he'll help
|
611 |
+
us rescue those animals.
|
612 |
+
|
613 |
+
|
614 |
+
BENDER
|
615 |
+
Well just in case you guys hit it off
|
616 |
+
you'll wanna take this with you.
|
617 |
+
|
618 |
+
|
619 |
+
[He holds up the fork.]
|
620 |
+
|
621 |
+
|
622 |
+
[Cut to: Nimbus Bridge.]
|
623 |
+
|
624 |
+
|
625 |
+
KIF
|
626 |
+
Sir, they're headed straight for us.
|
627 |
+
|
628 |
+
|
629 |
+
|
630 |
+
ZAPP
|
631 |
+
A well-calculated move straight out
|
632 |
+
of Sun Tzu's classic text The Art Of
|
633 |
+
War, or my own masterwork: Zapp Brannigan's
|
634 |
+
Big Book Of War. But the one thing
|
635 |
+
their captain doesn't realise and never
|
636 |
+
will is that --
|
637 |
+
|
638 |
+
|
639 |
+
KIF
|
640 |
+
Sir, they've docked with us and have
|
641 |
+
come aboard.
|
642 |
+
|
643 |
+
|
644 |
+
ZAPP
|
645 |
+
Then I have risked all and lost. Kif,
|
646 |
+
old man, I'll be in the escape pod.
|
647 |
+
If that wicker chair I like survives
|
648 |
+
the slaughter, have it sent to my P.O.
|
649 |
+
box.
|
650 |
+
|
651 |
+
|
652 |
+
[The door opens and the Planet Express crew walk in. Zapp screams
|
653 |
+
and hides behind a chair. Leela looks around and sees Kif.]
|
654 |
+
|
655 |
+
|
656 |
+
|
657 |
+
LEELA
|
658 |
+
Hello, I'm Leela, captain of the Planet
|
659 |
+
Express delivery ship. We've come aboard
|
660 |
+
to plead for your assistance.
|
661 |
+
|
662 |
+
|
663 |
+
KIF
|
664 |
+
Well, if there's anything --
|
665 |
+
|
666 |
+
|
667 |
+
[Zapp jumps in front of Kif.]
|
668 |
+
|
669 |
+
|
670 |
+
ZAPP
|
671 |
+
I'm in command here. Zapp Brannigan.
|
672 |
+
Has my fame preceded me or was I too
|
673 |
+
quick for you?
|
674 |
+
|
675 |
+
|
676 |
+
LEELA
|
677 |
+
Oh, not at all. I'm just so uh...really
|
678 |
+
thrilled to meet you!
|
679 |
+
|
680 |
+
|
681 |
+
ZAPP
|
682 |
+
You're an impressive piece of captain.
|
683 |
+
Beautiful and deadly - a potent combination.
|
684 |
+
|
685 |
+
|
686 |
+
|
687 |
+
LEELA
|
688 |
+
(flattered) You don't mean that!
|
689 |
+
|
690 |
+
|
691 |
+
ZAPP
|
692 |
+
But I do. I doubt I've seen more than
|
693 |
+
three or four captains sexier than you,
|
694 |
+
and only one who was deadlier.
|
695 |
+
|
696 |
+
|
697 |
+
[He takes her hand and Fry leans in.]
|
698 |
+
|
699 |
+
|
700 |
+
FRY
|
701 |
+
I heard that one time you single-handedly
|
702 |
+
defeated a horde of rampaging somethings
|
703 |
+
in the something something system.
|
704 |
+
|
705 |
+
|
706 |
+
|
707 |
+
ZAPP
|
708 |
+
The Killbots? A trifle! It was simply
|
709 |
+
a matter of outsmarting them.
|
710 |
+
|
711 |
+
|
712 |
+
FRY
|
713 |
+
Wow! I never would have thought of that!
|
714 |
+
|
715 |
+
|
716 |
+
|
717 |
+
ZAPP
|
718 |
+
You see, Killbots have a preset kill
|
719 |
+
limit. Knowing their weakness, I sent
|
720 |
+
wave after wave of my own men at them,
|
721 |
+
until they reached their limit and shutdown.
|
722 |
+
Kif, show them the medal I won.
|
723 |
+
|
724 |
+
|
725 |
+
[Kif sighs and points to a medal on Zapp's uniform.]
|
726 |
+
|
727 |
+
|
728 |
+
[Nimbus Mess Hall. Leela, Zapp, Fry and Bender sit at a table,
|
729 |
+
looking down at the rest of the crew who are eating. Kif is grating
|
730 |
+
cheese over Zapp's food.]
|
731 |
+
|
732 |
+
|
733 |
+
ZAPP
|
734 |
+
More, please. A little more...more...keep
|
735 |
+
going.
|
736 |
+
|
737 |
+
|
738 |
+
[He carries on.]
|
739 |
+
|
740 |
+
|
741 |
+
LEELA
|
742 |
+
Captain Brannigan, we really need to
|
743 |
+
talk to you about our mission.
|
744 |
+
|
745 |
+
|
746 |
+
ZAPP
|
747 |
+
Whatever it is, I'm willing to put wave
|
748 |
+
after wave of men at your disposal.
|
749 |
+
Right men?
|
750 |
+
|
751 |
+
|
752 |
+
[He raises his glass to the crew.]
|
753 |
+
|
754 |
+
|
755 |
+
CREWMAN
|
756 |
+
(shouting) You suck!
|
757 |
+
|
758 |
+
|
759 |
+
LEELA
|
760 |
+
We're hoping to save the animals of
|
761 |
+
Vergon 6 from extinction. And if you
|
762 |
+
could just --
|
763 |
+
|
764 |
+
|
765 |
+
[Zapp spits out his drink.]
|
766 |
+
|
767 |
+
|
768 |
+
ZAPP
|
769 |
+
Vergon 6?! This light dinner is over.
|
770 |
+
|
771 |
+
|
772 |
+
|
773 |
+
LEELA
|
774 |
+
Wait! What's wrong?
|
775 |
+
|
776 |
+
|
777 |
+
ZAPP
|
778 |
+
The Democratic Order Of Planets prohibits
|
779 |
+
interfering with undeveloped worlds.
|
780 |
+
It's a little rule known as "Brannigan's
|
781 |
+
Law".
|
782 |
+
|
783 |
+
|
784 |
+
LEELA
|
785 |
+
But people already interfered. That
|
786 |
+
planet was mined completely hollow.
|
787 |
+
|
788 |
+
|
789 |
+
|
790 |
+
ZAPP
|
791 |
+
Yes, by a Democratic Order Of Planets
|
792 |
+
mining crew.
|
793 |
+
|
794 |
+
|
795 |
+
LEELA
|
796 |
+
This doesn't make any sense.
|
797 |
+
|
798 |
+
|
799 |
+
ZAPP
|
800 |
+
I don't pretend to understand Brannigan's
|
801 |
+
Law. I merely enforce it.
|
802 |
+
|
803 |
+
|
804 |
+
LEELA
|
805 |
+
Fine! We'll save the animals without
|
806 |
+
your help.
|
807 |
+
|
808 |
+
|
809 |
+
ZAPP
|
810 |
+
I'm afraid I can't allow that. Guards!
|
811 |
+
|
812 |
+
|
813 |
+
|
814 |
+
[Guards grab Leela, Fry and Bender.]
|
815 |
+
|
816 |
+
|
817 |
+
FRY
|
818 |
+
What just happened?
|
819 |
+
|
820 |
+
|
821 |
+
BENDER
|
822 |
+
He's throwing us in prison.
|
823 |
+
|
824 |
+
|
825 |
+
[Fry sighs.]
|
826 |
+
|
827 |
+
|
828 |
+
FRY
|
829 |
+
Dang! Can I get this wrapped up?
|
830 |
+
|
831 |
+
|
832 |
+
[He holds up his plate and Zapp nods.]
|
833 |
+
|
834 |
+
|
835 |
+
[Nimbus Brig. Leela touches the force field around the doorway
|
836 |
+
and gets electrocuted.]
|
837 |
+
|
838 |
+
|
839 |
+
LEELA
|
840 |
+
Ow! I might've liked Zapp Brannigan
|
841 |
+
if he weren't a pompous dimwit who threw
|
842 |
+
me in prison.
|
843 |
+
|
844 |
+
|
845 |
+
BENDER
|
846 |
+
You really are too picky.
|
847 |
+
|
848 |
+
|
849 |
+
[Nimbus Corridor.]
|
850 |
+
|
851 |
+
|
852 |
+
ZAPP
|
853 |
+
Kif, follow me up to the observation
|
854 |
+
deck. I've got some musing to do.
|
855 |
+
|
856 |
+
|
857 |
+
|
858 |
+
[Zapp climbs a ladder and Kif accidentally looks up his skirt.]
|
859 |
+
|
860 |
+
|
861 |
+
|
862 |
+
KIF
|
863 |
+
Oh, jeez!
|
864 |
+
|
865 |
+
|
866 |
+
[Cut to: Nimbus Observation Deck.]
|
867 |
+
|
868 |
+
|
869 |
+
ZAPP
|
870 |
+
I'm facing a formidable female adversary,
|
871 |
+
Kif. Suggestions?
|
872 |
+
|
873 |
+
|
874 |
+
KIF
|
875 |
+
I fail to see any problem sir. You already
|
876 |
+
imprisoned her under directive B10.81.
|
877 |
+
|
878 |
+
|
879 |
+
|
880 |
+
ZAPP
|
881 |
+
You mean Brannigan's Law?
|
882 |
+
|
883 |
+
|
884 |
+
KIF
|
885 |
+
Right, that law.
|
886 |
+
|
887 |
+
|
888 |
+
ZAPP
|
889 |
+
Which one?
|
890 |
+
|
891 |
+
|
892 |
+
[Kif sighs.]
|
893 |
+
|
894 |
+
|
895 |
+
KIF
|
896 |
+
Brannigan's Law.
|
897 |
+
|
898 |
+
|
899 |
+
ZAPP
|
900 |
+
Kif, you're my best and most loyal friend
|
901 |
+
but you've earned my contempt once again.
|
902 |
+
As my prod�g� you should know that the
|
903 |
+
only way to deal with a female adversary
|
904 |
+
is to seduce her. This time we are
|
905 |
+
sure she's a woman, right?
|
906 |
+
|
907 |
+
|
908 |
+
KIF
|
909 |
+
Yes.
|
910 |
+
|
911 |
+
|
912 |
+
ZAPP
|
913 |
+
Good! Invite her to my quarters. Oh,
|
914 |
+
and have the boy lay out my formal shorts.
|
915 |
+
|
916 |
+
|
917 |
+
|
918 |
+
KIF
|
919 |
+
The boy, sir?
|
920 |
+
|
921 |
+
|
922 |
+
ZAPP
|
923 |
+
You. You lay out my formal shorts.
|
924 |
+
|
925 |
+
|
926 |
+
|
927 |
+
[He disappears down the ladder.]
|
928 |
+
|
929 |
+
|
930 |
+
[Nimbus Corridor. Kif walks past crewmembers with Leela following
|
931 |
+
him.]
|
932 |
+
|
933 |
+
|
934 |
+
KIF
|
935 |
+
The jackass wants to see you in his
|
936 |
+
quarters.
|
937 |
+
|
938 |
+
|
939 |
+
LEELA
|
940 |
+
Good. This will be my chance to reason
|
941 |
+
with him, captain to captain.
|
942 |
+
|
943 |
+
|
944 |
+
KIF
|
945 |
+
And he wants you to wear this.
|
946 |
+
|
947 |
+
|
948 |
+
[Kif holds up a skimpy little outfit. Leela ignores it and knocks
|
949 |
+
on Zapp's door.]
|
950 |
+
|
951 |
+
|
952 |
+
ZAPP
|
953 |
+
Come and get it!
|
954 |
+
|
955 |
+
|
956 |
+
[Cut to: Zapp's Quarters. The doors open and Leela walks in.
|
957 |
+
The room is filled with candles and other crap. Zapp lies on
|
958 |
+
his hovering heart-shaped bed under a huge portrait of himself
|
959 |
+
that is similar to the portrait of JFK.]
|
960 |
+
|
961 |
+
|
962 |
+
ZAPP
|
963 |
+
Welcome to my humble chamber. Or as
|
964 |
+
I call it, "the Love-nasium". Shampagin?
|
965 |
+
|
966 |
+
|
967 |
+
|
968 |
+
LEELA
|
969 |
+
I didn't realise you were such a coin-a-sewer.
|
970 |
+
|
971 |
+
|
972 |
+
|
973 |
+
ZAPP
|
974 |
+
Well I have studied abroad. Or two!
|
975 |
+
|
976 |
+
|
977 |
+
|
978 |
+
[He laughs. Leela fakes a laugh and throws her champagne on the
|
979 |
+
floor while Zapp isn't looking.]
|
980 |
+
|
981 |
+
|
982 |
+
LEELA
|
983 |
+
Captain...
|
984 |
+
|
985 |
+
|
986 |
+
ZAPP
|
987 |
+
Uh-huh?
|
988 |
+
|
989 |
+
|
990 |
+
LEELA
|
991 |
+
...if we could speak seriously for a
|
992 |
+
moment...
|
993 |
+
|
994 |
+
|
995 |
+
ZAPP
|
996 |
+
Uh-huh?
|
997 |
+
|
998 |
+
|
999 |
+
LEELA
|
1000 |
+
...I'd like you to reconsider letting
|
1001 |
+
us rescue those animals.
|
1002 |
+
|
1003 |
+
|
1004 |
+
ZAPP
|
1005 |
+
Mm-hm. I like your style. I find it
|
1006 |
+
very...(whispering)...erotic.
|
1007 |
+
|
1008 |
+
|
1009 |
+
LEELA
|
1010 |
+
What?
|
1011 |
+
|
1012 |
+
|
1013 |
+
ZAPP
|
1014 |
+
(shouting) Erotic!
|
1015 |
+
|
1016 |
+
|
1017 |
+
[Cut to: Kif's Quarters. Zapp's words echo around the ship. Kif
|
1018 |
+
gets frustrated and bangs the ceiling with a broom handle.]
|
1019 |
+
|
1020 |
+
|
1021 |
+
|
1022 |
+
[Nimbus Brig. Fry and Bender are still inside.]
|
1023 |
+
|
1024 |
+
|
1025 |
+
FRY
|
1026 |
+
We can definitely escape, Bender. All
|
1027 |
+
you have to do is bend the hatch off
|
1028 |
+
this steam pipe.
|
1029 |
+
|
1030 |
+
|
1031 |
+
BENDER
|
1032 |
+
Hey, yeah!
|
1033 |
+
|
1034 |
+
|
1035 |
+
[He bends the hatch off and the steam rushes out of it and starts
|
1036 |
+
filling the room.]
|
1037 |
+
|
1038 |
+
|
1039 |
+
FRY
|
1040 |
+
No good! It's full of steam!
|
1041 |
+
|
1042 |
+
|
1043 |
+
[Zapp's Quarters. Leela impatiently paces back and forth.]
|
1044 |
+
|
1045 |
+
|
1046 |
+
ZAPP
|
1047 |
+
You look like a woman who enjoys the
|
1048 |
+
finer things. Come over here and feel
|
1049 |
+
my velour bedspread.
|
1050 |
+
|
1051 |
+
|
1052 |
+
LEELA
|
1053 |
+
I'm not really in the mood.
|
1054 |
+
|
1055 |
+
|
1056 |
+
ZAPP
|
1057 |
+
Leela, it's real velour. Just let yourself
|
1058 |
+
go.
|
1059 |
+
|
1060 |
+
|
1061 |
+
[He rolls over onto his back.]
|
1062 |
+
|
1063 |
+
|
1064 |
+
LEELA
|
1065 |
+
Can I please just go back to prison?
|
1066 |
+
|
1067 |
+
|
1068 |
+
|
1069 |
+
ZAPP
|
1070 |
+
You'd rather sit in prison than spend
|
1071 |
+
one evening with the Zapper?
|
1072 |
+
|
1073 |
+
|
1074 |
+
LEELA
|
1075 |
+
Much rather! What are you doing?
|
1076 |
+
|
1077 |
+
|
1078 |
+
ZAPP
|
1079 |
+
(crying) Oh, God, I'm pathetic. Sorry.
|
1080 |
+
Just go. You want the rest of the shampagin?
|
1081 |
+
|
1082 |
+
|
1083 |
+
|
1084 |
+
LEELA
|
1085 |
+
No, and it's pronounced "sham-pane".
|
1086 |
+
|
1087 |
+
|
1088 |
+
|
1089 |
+
ZAPP
|
1090 |
+
(crying) Oh, God, no!
|
1091 |
+
|
1092 |
+
|
1093 |
+
LEELA
|
1094 |
+
Its not a big deal.
|
1095 |
+
|
1096 |
+
|
1097 |
+
ZAPP
|
1098 |
+
(crying) I get so lonely. I just thought
|
1099 |
+
you - a fellow captain - would understand.
|
1100 |
+
|
1101 |
+
|
1102 |
+
|
1103 |
+
LEELA
|
1104 |
+
Oh, forget it.
|
1105 |
+
|
1106 |
+
|
1107 |
+
ZAPP
|
1108 |
+
(crying) Yeah, it's great ordering people
|
1109 |
+
around and stuff but through it all
|
1110 |
+
you're completely alone.
|
1111 |
+
|
1112 |
+
|
1113 |
+
LEELA
|
1114 |
+
It comes with the job.
|
1115 |
+
|
1116 |
+
|
1117 |
+
ZAPP
|
1118 |
+
(crying) I'm just so lonely!
|
1119 |
+
|
1120 |
+
|
1121 |
+
[He cries more.]
|
1122 |
+
|
1123 |
+
|
1124 |
+
LEELA
|
1125 |
+
Oh, come on, cheer up, it's not that
|
1126 |
+
bad.
|
1127 |
+
|
1128 |
+
|
1129 |
+
[Nimbus Brig. The room is still full of steam.]
|
1130 |
+
|
1131 |
+
|
1132 |
+
FRY
|
1133 |
+
You wanna try escaping again?
|
1134 |
+
|
1135 |
+
|
1136 |
+
BENDER
|
1137 |
+
Nah, I'm comfy.
|
1138 |
+
|
1139 |
+
|
1140 |
+
[They are wearing towels enjoying the steam room they've created.
|
1141 |
+
|
1142 |
+
|
1143 |
+
|
1144 |
+
FRY
|
1145 |
+
Man, Leela's been gone a long time.
|
1146 |
+
I hope she's at least making progress
|
1147 |
+
with Zapp Brannigan.
|
1148 |
+
|
1149 |
+
|
1150 |
+
[Cut to: Zapp's Quarters. The morning after the night before...
|
1151 |
+
Leela wakes up. She turns her head and sees she's lying in Zapp's
|
1152 |
+
bed. With him. He is still asleep and has a big grin on his face.
|
1153 |
+
She screams.]
|
1154 |
+
|
1155 |
+
|
1156 |
+
[Time Lapse. Leela has got dressed and is sneaking out. Zapp
|
1157 |
+
wakes up.]
|
1158 |
+
|
1159 |
+
|
1160 |
+
ZAPP
|
1161 |
+
Good morning, lover.
|
1162 |
+
|
1163 |
+
|
1164 |
+
LEELA
|
1165 |
+
Uh, listen, Zapp.
|
1166 |
+
|
1167 |
+
|
1168 |
+
ZAPP
|
1169 |
+
Now you're officially my woman. Kudos!
|
1170 |
+
I can't say I don't envy you.
|
1171 |
+
|
1172 |
+
|
1173 |
+
LEELA
|
1174 |
+
Zapp, last night was a mistake.
|
1175 |
+
|
1176 |
+
|
1177 |
+
ZAPP
|
1178 |
+
A sexy mistake.
|
1179 |
+
|
1180 |
+
|
1181 |
+
LEELA
|
1182 |
+
No, just a regular mistake. For a split
|
1183 |
+
second my common sense was overwhelmed
|
1184 |
+
by pity.
|
1185 |
+
|
1186 |
+
|
1187 |
+
[Zapp laughs.]
|
1188 |
+
|
1189 |
+
|
1190 |
+
ZAPP
|
1191 |
+
A split second is all it takes. That's
|
1192 |
+
why sooner or later you'll come crawling
|
1193 |
+
back to the Zapper.
|
1194 |
+
|
1195 |
+
|
1196 |
+
LEELA
|
1197 |
+
The only kind of crawling I'm doing
|
1198 |
+
to you is away - from!
|
1199 |
+
|
1200 |
+
|
1201 |
+
ZAPP
|
1202 |
+
Leela, you're obviously confused and
|
1203 |
+
aroused.
|
1204 |
+
|
1205 |
+
|
1206 |
+
LEELA
|
1207 |
+
Look, I'm going down to Vergon 6 to
|
1208 |
+
save those animals whether you like
|
1209 |
+
it or not.
|
1210 |
+
|
1211 |
+
|
1212 |
+
ZAPP
|
1213 |
+
Go ahead. I won't stop you.
|
1214 |
+
|
1215 |
+
|
1216 |
+
LEELA
|
1217 |
+
Threaten all you -- wait, what?
|
1218 |
+
|
1219 |
+
|
1220 |
+
ZAPP
|
1221 |
+
We both know you won't make it halfway
|
1222 |
+
to Vergon 6 before the craving sets
|
1223 |
+
in. Then you'll come crawling back for
|
1224 |
+
another taste of sweet, sweet candy...Bam!
|
1225 |
+
|
1226 |
+
|
1227 |
+
|
1228 |
+
[He points at his crotch.]
|
1229 |
+
|
1230 |
+
|
1231 |
+
LEELA
|
1232 |
+
Eurgh!
|
1233 |
+
|
1234 |
+
|
1235 |
+
[She storms out. Zapp chuckles.]
|
1236 |
+
|
1237 |
+
|
1238 |
+
ZAPP
|
1239 |
+
Kif!
|
1240 |
+
|
1241 |
+
|
1242 |
+
[Kif appears in the doorway.]
|
1243 |
+
|
1244 |
+
|
1245 |
+
KIF
|
1246 |
+
Yes -- Yes, captain?
|
1247 |
+
|
1248 |
+
|
1249 |
+
ZAPP
|
1250 |
+
I have made it with a woman. Inform
|
1251 |
+
the men.
|
1252 |
+
|
1253 |
+
|
1254 |
+
[Nimbus Brig. Kif lets Fry and Bender out of the cell.]
|
1255 |
+
|
1256 |
+
|
1257 |
+
KIF
|
1258 |
+
The fatso says you're free to go.
|
1259 |
+
|
1260 |
+
|
1261 |
+
FRY
|
1262 |
+
Really? Why?
|
1263 |
+
|
1264 |
+
|
1265 |
+
KIF
|
1266 |
+
(quietly) "Why" indeed.
|
1267 |
+
|
1268 |
+
|
1269 |
+
[He looks at Leela then walks off.]
|
1270 |
+
|
1271 |
+
|
1272 |
+
FRY
|
1273 |
+
What does that mean?
|
1274 |
+
|
1275 |
+
|
1276 |
+
LEELA
|
1277 |
+
(defensively) Nothing.
|
1278 |
+
|
1279 |
+
|
1280 |
+
BENDER
|
1281 |
+
So should we get our stuff and head
|
1282 |
+
down to the planet?
|
1283 |
+
|
1284 |
+
|
1285 |
+
LEELA
|
1286 |
+
(defensively) We just talked, OK?!
|
1287 |
+
|
1288 |
+
|
1289 |
+
|
1290 |
+
[The ship flies down to Vergon 6, through the green cloudy sky.
|
1291 |
+
The planet is surreal and Dali-like.]
|
1292 |
+
|
1293 |
+
|
1294 |
+
[Vergon 6 Surface. Leela, Fry and Bender stand beside the ship
|
1295 |
+
with huge nets.]
|
1296 |
+
|
1297 |
+
|
1298 |
+
LEELA
|
1299 |
+
Alright. We don't have much time to
|
1300 |
+
collect these animals. The planet is
|
1301 |
+
supposed to collapse in approximately
|
1302 |
+
two hours ago.
|
1303 |
+
|
1304 |
+
|
1305 |
+
[Montage The crew hunt for the animals. First, Bender tries to
|
1306 |
+
find the purple fruit snake but it finds him first and eats him.
|
1307 |
+
He stands up inside the snake and drags it back to the ship.
|
1308 |
+
Fry tries to get the windy shrimp but it blows him away. Leela
|
1309 |
+
tries to get the four legged mimic which looks like a horse but
|
1310 |
+
copies people's heads and movements. Fry holds a net and tries
|
1311 |
+
to decide which one is the mimic. Leela points at the mimic and
|
1312 |
+
it points back at her. Fry looks...and throws the net over Leela.
|
1313 |
+
Later, Leela ticks off the final animal on the checklist.]
|
1314 |
+
|
1315 |
+
|
1316 |
+
|
1317 |
+
[Time Lapse. The checklist is filled. A small animal comes out
|
1318 |
+
from behind some plants. It is mostly black, has one huge nostril
|
1319 |
+
in the middle of its face and a three eyes, one of them on a
|
1320 |
+
long stalk coming out of the middle of it's head.]
|
1321 |
+
|
1322 |
+
|
1323 |
+
LEELA
|
1324 |
+
Hello there. Hmm, he doesn't seem to
|
1325 |
+
be on the checklist.
|
1326 |
+
|
1327 |
+
|
1328 |
+
BENDER
|
1329 |
+
So you're saying we can cook him?
|
1330 |
+
|
1331 |
+
|
1332 |
+
FRY
|
1333 |
+
Yeah, a barbecue! I'll wear my hilarious
|
1334 |
+
apron.
|
1335 |
+
|
1336 |
+
|
1337 |
+
LEELA
|
1338 |
+
No! I don't care how hilarious your
|
1339 |
+
apron is, we're not cooking him. Aww,
|
1340 |
+
I'll call him Nibbler.
|
1341 |
+
|
1342 |
+
|
1343 |
+
BENDER
|
1344 |
+
Aww! (whispering to Fry) I'll fire up
|
1345 |
+
the grill!
|
1346 |
+
|
1347 |
+
|
1348 |
+
[Time Lapse.]
|
1349 |
+
|
1350 |
+
|
1351 |
+
LEELA
|
1352 |
+
I hope he'll be OK in there with all
|
1353 |
+
those big animals.
|
1354 |
+
|
1355 |
+
|
1356 |
+
[Ships Cargo Bay. Leela opens the outer door, puts him in and
|
1357 |
+
closes it. The other animals surround Nibbler. He sniffs at them
|
1358 |
+
and then eats one whole.]
|
1359 |
+
|
1360 |
+
|
1361 |
+
[Nimbus Observation Deck. Zapp is looking at Leela through a
|
1362 |
+
telescope.]
|
1363 |
+
|
1364 |
+
|
1365 |
+
ZAPP
|
1366 |
+
Y'know, Kif, once my woman returns I
|
1367 |
+
won't have much time to hang out with
|
1368 |
+
the boys anymore.
|
1369 |
+
|
1370 |
+
|
1371 |
+
KIF
|
1372 |
+
That's a shame, sir.
|
1373 |
+
|
1374 |
+
|
1375 |
+
ZAPP
|
1376 |
+
So let's make the most of our time together,
|
1377 |
+
shall we? Never mind. Just give me
|
1378 |
+
a back rub.
|
1379 |
+
|
1380 |
+
|
1381 |
+
[Vergon 6 Surface. Bender carries a two-headed flamingo.]
|
1382 |
+
|
1383 |
+
|
1384 |
+
BENDER
|
1385 |
+
I found a pair of Hermaphlamingoes.
|
1386 |
+
|
1387 |
+
|
1388 |
+
|
1389 |
+
LEELA
|
1390 |
+
Good. That's the last species.
|
1391 |
+
|
1392 |
+
|
1393 |
+
[Ships Cargo Bay. The crew look inside and gasp in horror. The
|
1394 |
+
bay is nearly empty apart from Nibbler.]
|
1395 |
+
|
1396 |
+
|
1397 |
+
BENDER
|
1398 |
+
Hey. What the?
|
1399 |
+
|
1400 |
+
|
1401 |
+
FRY
|
1402 |
+
Where'd they all go?
|
1403 |
+
|
1404 |
+
|
1405 |
+
[Nibbler eats the Hermaphlamingoes, making lots of disgusting
|
1406 |
+
noises. The crew watch and cringe.]
|
1407 |
+
|
1408 |
+
|
1409 |
+
LEELA
|
1410 |
+
Nibbler!
|
1411 |
+
|
1412 |
+
|
1413 |
+
FRY
|
1414 |
+
I can't believe we flew halfway across
|
1415 |
+
the galaxy and enjoyed a steam just
|
1416 |
+
to get lunch for that stupid animal!
|
1417 |
+
|
1418 |
+
|
1419 |
+
|
1420 |
+
BENDER
|
1421 |
+
He's pending for a bending.
|
1422 |
+
|
1423 |
+
|
1424 |
+
[He rolls up his sleeves and chases Nibbler. He runs to Leela
|
1425 |
+
and she picks him up.]
|
1426 |
+
|
1427 |
+
|
1428 |
+
LEELA
|
1429 |
+
Leave him alone. It's not his fault
|
1430 |
+
that he's an unstoppable killing machine.
|
1431 |
+
Is it, snoogums?
|
1432 |
+
|
1433 |
+
|
1434 |
+
[The ground shakes, rocking the ship.]
|
1435 |
+
|
1436 |
+
|
1437 |
+
FRY
|
1438 |
+
The planet's kerploding!
|
1439 |
+
|
1440 |
+
|
1441 |
+
[Cut to: Vergon 6 Surface. Fry runs out through a door and falls
|
1442 |
+
through the ground. Bender reaches into the hole and pulls him
|
1443 |
+
back up.]
|
1444 |
+
|
1445 |
+
|
1446 |
+
[Cut to: Ships Cockpit.]
|
1447 |
+
|
1448 |
+
|
1449 |
+
LEELA
|
1450 |
+
Prepare for lift-off. We're out of
|
1451 |
+
fuel. Bender, I told you to fill the
|
1452 |
+
tank before we left.
|
1453 |
+
|
1454 |
+
|
1455 |
+
BENDER
|
1456 |
+
Yeah, I'll do it when we get back.
|
1457 |
+
|
1458 |
+
|
1459 |
+
|
1460 |
+
[The ground shakes again.]
|
1461 |
+
|
1462 |
+
|
1463 |
+
FRY
|
1464 |
+
Man, lucky for us Zapp Brannigan's nearby.
|
1465 |
+
|
1466 |
+
|
1467 |
+
|
1468 |
+
LEELA
|
1469 |
+
No way, forget it! I refuse to go crawling
|
1470 |
+
back to him!
|
1471 |
+
|
1472 |
+
|
1473 |
+
FRY
|
1474 |
+
What? What are you talking about?
|
1475 |
+
|
1476 |
+
|
1477 |
+
LEELA
|
1478 |
+
(defensively) Nothing. We just talked.
|
1479 |
+
|
1480 |
+
|
1481 |
+
|
1482 |
+
BENDER
|
1483 |
+
So what's your problem? It's not like
|
1484 |
+
you slept with him. Oh, my God!
|
1485 |
+
|
1486 |
+
|
1487 |
+
FRY
|
1488 |
+
How could you, Leela? I thought you
|
1489 |
+
had some standards. I mean, jeez, he's
|
1490 |
+
a dumb, gross gorilla!
|
1491 |
+
|
1492 |
+
|
1493 |
+
LEELA
|
1494 |
+
That's enough. Don't you think I feel
|
1495 |
+
bad enough already?
|
1496 |
+
|
1497 |
+
|
1498 |
+
FRY
|
1499 |
+
No!
|
1500 |
+
|
1501 |
+
|
1502 |
+
[The ground shakes more violently.]
|
1503 |
+
|
1504 |
+
|
1505 |
+
LEELA
|
1506 |
+
Alright, alright I'll call him. I mean
|
1507 |
+
if living is that important to you.
|
1508 |
+
|
1509 |
+
|
1510 |
+
|
1511 |
+
[Nimbus Bridge.]
|
1512 |
+
|
1513 |
+
|
1514 |
+
ZAPP
|
1515 |
+
And that's why you'll never make captain,
|
1516 |
+
Kif. Hmmm.
|
1517 |
+
|
1518 |
+
|
1519 |
+
[Leela face appears.]
|
1520 |
+
|
1521 |
+
|
1522 |
+
LEELA
|
1523 |
+
Hello, Zapp?
|
1524 |
+
|
1525 |
+
|
1526 |
+
ZAPP
|
1527 |
+
Well, well, well!
|
1528 |
+
|
1529 |
+
|
1530 |
+
[Cut to: Ships Cockpit.]
|
1531 |
+
|
1532 |
+
|
1533 |
+
LEELA
|
1534 |
+
Zapp, we're out of fuel...
|
1535 |
+
|
1536 |
+
|
1537 |
+
[Cut to: Nimbus Bridge.]
|
1538 |
+
|
1539 |
+
|
1540 |
+
LEELA
|
1541 |
+
...and Vergon 6 is about to implode.
|
1542 |
+
We need your help.
|
1543 |
+
|
1544 |
+
|
1545 |
+
ZAPP
|
1546 |
+
So, crawling back to the Big Z like
|
1547 |
+
a bird on its belly. Delicious.
|
1548 |
+
|
1549 |
+
|
1550 |
+
LEELA
|
1551 |
+
Bird's don't crawl.
|
1552 |
+
|
1553 |
+
|
1554 |
+
ZAPP
|
1555 |
+
They've been known to.
|
1556 |
+
|
1557 |
+
|
1558 |
+
[Cut to: Ships Cockpit.]
|
1559 |
+
|
1560 |
+
|
1561 |
+
LEELA
|
1562 |
+
Look, are you going to rescue us or
|
1563 |
+
not?
|
1564 |
+
|
1565 |
+
|
1566 |
+
ZAPP
|
1567 |
+
Can't you ask a little more...sexfully?
|
1568 |
+
|
1569 |
+
|
1570 |
+
|
1571 |
+
[Fry and Bender encourage Leela.]
|
1572 |
+
|
1573 |
+
|
1574 |
+
LEELA
|
1575 |
+
(sexfully) Please...
|
1576 |
+
|
1577 |
+
|
1578 |
+
[Cut to: Nimbus Bridge.]
|
1579 |
+
|
1580 |
+
|
1581 |
+
LEELA
|
1582 |
+
...Big Z?
|
1583 |
+
|
1584 |
+
|
1585 |
+
ZAPP
|
1586 |
+
Certainly. But first you'll have to
|
1587 |
+
get rid of that thing. That's the law,
|
1588 |
+
Leela. And Brannigan's Law is like Brannigan's
|
1589 |
+
love: hard and fast!...
|
1590 |
+
|
1591 |
+
|
1592 |
+
[Cut to: Ships Cockpit.]
|
1593 |
+
|
1594 |
+
|
1595 |
+
ZAPP
|
1596 |
+
...Now put that greasy rat outside
|
1597 |
+
and we'll tow you to safety.
|
1598 |
+
|
1599 |
+
|
1600 |
+
LEELA
|
1601 |
+
I would never abandon a helpless animal.
|
1602 |
+
Y'know, Zapp, once I thought you were
|
1603 |
+
a big pompous buffoon. Then I realised
|
1604 |
+
that inside you were just a pitiful
|
1605 |
+
child. But now I realise that outside
|
1606 |
+
that child is a big pompous buffoon!
|
1607 |
+
|
1608 |
+
|
1609 |
+
|
1610 |
+
ZAPP
|
1611 |
+
And which one rocked your world?
|
1612 |
+
|
1613 |
+
|
1614 |
+
[Leela growls and slams down the receiver and his face fizzles
|
1615 |
+
off the screen.]
|
1616 |
+
|
1617 |
+
|
1618 |
+
FRY
|
1619 |
+
Wow, way to tell that guy off. Now what's
|
1620 |
+
your secret escape plan?
|
1621 |
+
|
1622 |
+
|
1623 |
+
LEELA
|
1624 |
+
Uh, I guess to sit here and wait for
|
1625 |
+
death.
|
1626 |
+
|
1627 |
+
|
1628 |
+
BENDER
|
1629 |
+
Can do!
|
1630 |
+
|
1631 |
+
|
1632 |
+
[He puts his feet up and reclines in his chair. There is a huge
|
1633 |
+
bang and the ship jerks backwards.]
|
1634 |
+
|
1635 |
+
|
1636 |
+
BENDER
|
1637 |
+
What the hell was that?
|
1638 |
+
|
1639 |
+
|
1640 |
+
[Ships Cargo Bay. There is a big round black blob in Nibbler's
|
1641 |
+
litter tray.]
|
1642 |
+
|
1643 |
+
|
1644 |
+
FRY
|
1645 |
+
Pew!
|
1646 |
+
|
1647 |
+
|
1648 |
+
[He fans the air in front of his nose.]
|
1649 |
+
|
1650 |
+
|
1651 |
+
LEELA
|
1652 |
+
I don't believe it! It's dark matter.
|
1653 |
+
|
1654 |
+
|
1655 |
+
|
1656 |
+
BENDER
|
1657 |
+
So this guy just unloaded a steaming
|
1658 |
+
pile of starship fuel?
|
1659 |
+
|
1660 |
+
|
1661 |
+
LEELA
|
1662 |
+
His species must've filled the entire
|
1663 |
+
planet with it. Did you do that, you
|
1664 |
+
cute little -- Come on. That should
|
1665 |
+
be more than enough fuel to get us outta
|
1666 |
+
here. Bender, pick it up and put it
|
1667 |
+
in the engine.
|
1668 |
+
|
1669 |
+
|
1670 |
+
[Bender mutters to himself and drags the dark matter across the
|
1671 |
+
floor towards the engine room.]
|
1672 |
+
|
1673 |
+
|
1674 |
+
[Cut to: Ships Engine Room. Bender throws the dark matter into
|
1675 |
+
the boiler.]
|
1676 |
+
|
1677 |
+
|
1678 |
+
[Cut to: Ships Cockpit. The fuel gauge fills up, Leela throttles
|
1679 |
+
forward and the ship lifts off, moments before the ground collapses.
|
1680 |
+
They fly away from the planet and it explodes. The crew cheer.]
|
1681 |
+
|
1682 |
+
|
1683 |
+
|
1684 |
+
LEELA
|
1685 |
+
We made it! And some of the animals
|
1686 |
+
survived.
|
1687 |
+
|
1688 |
+
|
1689 |
+
[She looks through the binoculars and sees some animals standing
|
1690 |
+
on a tiny fragment of rock.]
|
1691 |
+
|
1692 |
+
|
1693 |
+
BENDER
|
1694 |
+
So a couple of animals didn't die and
|
1695 |
+
Leela got lucky. That's what I call
|
1696 |
+
a successful mission!
|
1697 |
+
|
1698 |
+
|
1699 |
+
FRY
|
1700 |
+
We're heroes!
|
1701 |
+
|
1702 |
+
|
1703 |
+
[Leela's Quarters. Leela writes in her diary. Nibbler is on her
|
1704 |
+
lap and she is stroking him.]
|
1705 |
+
|
1706 |
+
|
1707 |
+
LEELA
|
1708 |
+
(thinking) Dear Captain's Diary. I may
|
1709 |
+
not have found love on this mission
|
1710 |
+
but I did find a cute little companion
|
1711 |
+
who excretes starship fuel. And that's
|
1712 |
+
just as good.
|
1713 |
+
|
1714 |
+
|
1715 |
+
[She pauses for a moment then tears the page out, screws it up
|
1716 |
+
and throws it in the bin.]
|
1717 |
+
|
1718 |
+
|
1719 |
+
[Outside Nimbus.]
|
1720 |
+
|
1721 |
+
|
1722 |
+
ZAPP
|
1723 |
+
Captain's journal; star date...uh...
|
1724 |
+
|
1725 |
+
|
1726 |
+
|
1727 |
+
[Kif sighs.]
|
1728 |
+
|
1729 |
+
|
1730 |
+
KIF
|
1731 |
+
April 13th.
|
1732 |
+
|
1733 |
+
|
1734 |
+
ZAPP
|
1735 |
+
April 13th...point two.
|
1736 |
+
|
1737 |
+
|
1738 |
+
[Cut to: Nimbus Bridge.]
|
1739 |
+
|
1740 |
+
|
1741 |
+
ZAPP
|
1742 |
+
We have failed to uphold Brannigan's
|
1743 |
+
Law. However, I did make it with a hot
|
1744 |
+
alien babe. And in the end is that not
|
1745 |
+
what man has dreamt of since first he
|
1746 |
+
looked up at the stars? Kif, I'm asking
|
1747 |
+
you a question!
|
1748 |
+
|
1749 |
+
|
1750 |
+
[Kif sighs.]
|
1751 |
+
|
1752 |
+
|
1753 |
+
THE END
|
content/my_data/s1e5.txt
ADDED
@@ -0,0 +1,1653 @@
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|
1 |
+
FUTURAMA
|
2 |
+
|
3 |
+
Episode 106
|
4 |
+
|
5 |
+
"A FISHFUL OF DOLLARS"
|
6 |
+
|
7 |
+
By
|
8 |
+
|
9 |
+
Patric M. Verrone
|
10 |
+
|
11 |
+
Transcribed by Dave, The Neutral Planet
|
12 |
+
|
13 |
+
|
14 |
+
|
15 |
+
[Fry's Bedroom. Fry is awoken by squeaking bed springs from the
|
16 |
+
apartment next door. He growls.]
|
17 |
+
|
18 |
+
|
19 |
+
FRY
|
20 |
+
I can't take it anymore! They've been
|
21 |
+
at it for hours! (shouting) Give it
|
22 |
+
a rest, you two!
|
23 |
+
|
24 |
+
|
25 |
+
[Cut to: Next Door Apartment. The robots next door are sat playing
|
26 |
+
poker. They have springy bodies which are constantly squeaking.
|
27 |
+
One of the robots oils his springs.]
|
28 |
+
|
29 |
+
|
30 |
+
ROBOT
|
31 |
+
(shouting) Sorry!
|
32 |
+
|
33 |
+
|
34 |
+
[Opening Credits. Caption: Loading...]
|
35 |
+
|
36 |
+
|
37 |
+
[Fry's Bedroom. Fry is asleep.]
|
38 |
+
|
39 |
+
|
40 |
+
[Fade to: Fry's Dream. He is in a packed lecture hall. An old
|
41 |
+
teacher stands at the front of the room. She wears frosted half-moon
|
42 |
+
glasses and has grey hair.]
|
43 |
+
|
44 |
+
|
45 |
+
TEACHER
|
46 |
+
Good morning, class. I trust you've
|
47 |
+
all prepared for today's final exam.
|
48 |
+
|
49 |
+
|
50 |
+
|
51 |
+
FRY
|
52 |
+
Uh, excuse me? I missed a few lectures.
|
53 |
+
Uh, what subject is this?
|
54 |
+
|
55 |
+
|
56 |
+
TEACHER
|
57 |
+
Ancient Egyptian algebra.
|
58 |
+
|
59 |
+
|
60 |
+
[She points to the blackboard, revealing it is filled with Egyptian
|
61 |
+
hieroglyphs. Fry gasps.]
|
62 |
+
|
63 |
+
|
64 |
+
FRY
|
65 |
+
What a nightmare!
|
66 |
+
|
67 |
+
|
68 |
+
TEACHER
|
69 |
+
Mister Fry, are those your underpants?
|
70 |
+
Young man, I think it's time you learned
|
71 |
+
a lesson about Lightspeed brand briefs.
|
72 |
+
|
73 |
+
|
74 |
+
|
75 |
+
[She pulls down a poster showing the briefs.]
|
76 |
+
|
77 |
+
|
78 |
+
ANNOUNCER
|
79 |
+
(voice-over) Lightspeed fits today's
|
80 |
+
active lifestyle. Whether you're on
|
81 |
+
the job......or having fun... Lightspeed
|
82 |
+
briefs. Style and comfort for the discriminating
|
83 |
+
crotch.
|
84 |
+
|
85 |
+
|
86 |
+
[Like an advertisement, a pair of lightspeeds appear in front
|
87 |
+
of a flashing background.]
|
88 |
+
|
89 |
+
|
90 |
+
[Cut to: Fry's Bedroom. The dream ends and Fry suddenly wakes
|
91 |
+
up.]
|
92 |
+
|
93 |
+
|
94 |
+
FRY
|
95 |
+
What a weird dream! I'll never get back
|
96 |
+
to sleep.
|
97 |
+
|
98 |
+
|
99 |
+
[He falls asleep instantly.]
|
100 |
+
|
101 |
+
|
102 |
+
[Planet Express: Lounge. The crew are sat around the table.]
|
103 |
+
|
104 |
+
|
105 |
+
|
106 |
+
FRY
|
107 |
+
So you're telling me they broadcast
|
108 |
+
commercials into people's dreams?
|
109 |
+
|
110 |
+
|
111 |
+
|
112 |
+
LEELA
|
113 |
+
Of course.
|
114 |
+
|
115 |
+
|
116 |
+
FRY
|
117 |
+
But, how is that possible?
|
118 |
+
|
119 |
+
|
120 |
+
FARNSWORTH
|
121 |
+
It's very simple. The ad gets into your
|
122 |
+
brain just like this liquid gets into
|
123 |
+
this egg. Although in reality it's
|
124 |
+
not liquid, but gamma radiation.
|
125 |
+
|
126 |
+
|
127 |
+
FRY
|
128 |
+
That's awful. It's like brainwashing.
|
129 |
+
|
130 |
+
|
131 |
+
|
132 |
+
[Leela wipes the yolk from her hair.]
|
133 |
+
|
134 |
+
|
135 |
+
LEELA
|
136 |
+
Didn't you have ads in the 20th century?
|
137 |
+
|
138 |
+
|
139 |
+
|
140 |
+
FRY
|
141 |
+
Well, sure, but not in our dreams. Only
|
142 |
+
on TV and radio. And in magazines and
|
143 |
+
movies and at ball games and on buses
|
144 |
+
and milk cartons and t-shirts and written
|
145 |
+
in the sky. But not in dreams. No siree!
|
146 |
+
|
147 |
+
|
148 |
+
|
149 |
+
BENDER
|
150 |
+
Quit squawking, flesh wad, nobody's
|
151 |
+
forcing you to buy anything.
|
152 |
+
|
153 |
+
|
154 |
+
AMY
|
155 |
+
Yeah. I mean we all have commercials
|
156 |
+
in our dreams but you don't see us running
|
157 |
+
off to buy brand name merchandise at
|
158 |
+
low, low prices.
|
159 |
+
|
160 |
+
|
161 |
+
[After a long silence they get up and run out.]
|
162 |
+
|
163 |
+
|
164 |
+
[Alien Overlord & Taylor. A department store. Enter the Planet
|
165 |
+
Express staff who are immediately preyed on by a saleswoman at
|
166 |
+
the cosmetics stand.]
|
167 |
+
|
168 |
+
|
169 |
+
SALESWOMAN
|
170 |
+
Hi! Care to sample the latest fragrance
|
171 |
+
from Calvin Clone?
|
172 |
+
|
173 |
+
|
174 |
+
AMY
|
175 |
+
No thanks.
|
176 |
+
|
177 |
+
|
178 |
+
[The saleswoman sprays her. Amy curses in Chinese and walks away
|
179 |
+
rubbing her eyes.]
|
180 |
+
|
181 |
+
|
182 |
+
SALESWOMAN
|
183 |
+
And you, sir?
|
184 |
+
|
185 |
+
|
186 |
+
BENDER
|
187 |
+
No thanks I --
|
188 |
+
|
189 |
+
|
190 |
+
[The saleswoman sprays him. Bender sprays her back with oil,
|
191 |
+
covering her face. She coughs and splutters.]
|
192 |
+
|
193 |
+
|
194 |
+
[Time Lapse. Leela is sat on a chair at the cosmetics stand.
|
195 |
+
A cosmetologist brushes away her fringe.]
|
196 |
+
|
197 |
+
|
198 |
+
COSMETOLOGIST
|
199 |
+
What a lovely face. We just need to
|
200 |
+
draw attention away from the eye area.
|
201 |
+
|
202 |
+
|
203 |
+
|
204 |
+
[She zaps Leela with something and then holds up a mirror. Leela
|
205 |
+
sees her reflection and sighs. The woman has plastered her face
|
206 |
+
in lipstick so she looks like a clown. In the menswear department
|
207 |
+
Fry picks up a box of the briefs.]
|
208 |
+
|
209 |
+
|
210 |
+
FRY
|
211 |
+
Cool. Can I try these on before I buy
|
212 |
+
them?
|
213 |
+
|
214 |
+
|
215 |
+
SALESMAN
|
216 |
+
I'm afraid I can't let you open the
|
217 |
+
package. But you can try on the demo
|
218 |
+
pair.
|
219 |
+
|
220 |
+
|
221 |
+
[He pulls out a pair of smelly underpants and sprays them with
|
222 |
+
deodorant.]
|
223 |
+
|
224 |
+
|
225 |
+
[Fitting Room. Fry puts the briefs and is impressed.]
|
226 |
+
|
227 |
+
|
228 |
+
FRY
|
229 |
+
: Ooh! Ho ho ho!
|
230 |
+
|
231 |
+
|
232 |
+
[He sees his reflection in the mirror - a muscled man surrounded
|
233 |
+
by women. Then he sees the notice: Objects In The Mirror Are
|
234 |
+
Less Attractive Than They Appear and sighs.]
|
235 |
+
|
236 |
+
|
237 |
+
[Alien Overlord & Taylor. In the robot accessories department,
|
238 |
+
Bender, wearing a green sweater, picks up a few cans of Mom's
|
239 |
+
Old Fashion Robot Oil from a pile and hides them under the sweater.]
|
240 |
+
|
241 |
+
|
242 |
+
|
243 |
+
AMY
|
244 |
+
Hey, Bender! Great new sweater.
|
245 |
+
|
246 |
+
|
247 |
+
BENDER
|
248 |
+
New? What sweater? I came in with it.
|
249 |
+
I don't know you people!
|
250 |
+
|
251 |
+
|
252 |
+
[He walks off. A hovering CCTV camera follows him. Back in the
|
253 |
+
menswear department, Fry is buying the Lightspeeds.]
|
254 |
+
|
255 |
+
|
256 |
+
SALESMAN
|
257 |
+
$30, please.
|
258 |
+
|
259 |
+
|
260 |
+
FRY
|
261 |
+
$30? I can't afford that. Unless...
|
262 |
+
Do you take Visa?
|
263 |
+
|
264 |
+
|
265 |
+
SALESMAN
|
266 |
+
Visa hasn't existed for 500 years.
|
267 |
+
|
268 |
+
|
269 |
+
|
270 |
+
FRY
|
271 |
+
American Express?
|
272 |
+
|
273 |
+
|
274 |
+
SALESMAN
|
275 |
+
600 years.
|
276 |
+
|
277 |
+
|
278 |
+
FRY
|
279 |
+
Discover card?
|
280 |
+
|
281 |
+
|
282 |
+
SALESMAN
|
283 |
+
Sorry we don't take Discover.
|
284 |
+
|
285 |
+
|
286 |
+
[Amy, Leela, Zoidberg and Bender walk up behind him.]
|
287 |
+
|
288 |
+
|
289 |
+
AMY
|
290 |
+
Hey! You're springing for Lightspeed?
|
291 |
+
Pretty ritzy!
|
292 |
+
|
293 |
+
|
294 |
+
FRY
|
295 |
+
No, I can't afford them. Being poor
|
296 |
+
sucks. What kind of world is this where
|
297 |
+
they advertise things not everybody
|
298 |
+
can afford?
|
299 |
+
|
300 |
+
|
301 |
+
AMY
|
302 |
+
Quiet. There's an ad coming on.
|
303 |
+
|
304 |
+
|
305 |
+
[On the screens an old woman, the same woman from on the tins
|
306 |
+
of oil - Mom - sits in a chair knitting. She is wearing a huge
|
307 |
+
green dress and an apron around her front. Behind her on the
|
308 |
+
wall is a picture of three men dressed in the same grey clothes.]
|
309 |
+
|
310 |
+
|
311 |
+
|
312 |
+
MOM
|
313 |
+
Hello shoppers. It's me, Mom!
|
314 |
+
|
315 |
+
|
316 |
+
FRY
|
317 |
+
Hey who's the rocker jockey?
|
318 |
+
|
319 |
+
|
320 |
+
AMY
|
321 |
+
Guh! It's Mom. The world's most huggable
|
322 |
+
industrialist.
|
323 |
+
|
324 |
+
|
325 |
+
MOM
|
326 |
+
Call me old fashioned, but when my
|
327 |
+
robot starts to squeak like an old screen
|
328 |
+
door well, that's when I reach for a
|
329 |
+
can of Mom's Old Fashioned Robot Oil.
|
330 |
+
|
331 |
+
|
332 |
+
|
333 |
+
BENDER
|
334 |
+
Mmm, tasty!
|
335 |
+
|
336 |
+
|
337 |
+
MOM
|
338 |
+
And remember: Mom's oil is made with
|
339 |
+
10% more love than the next leading
|
340 |
+
brand!
|
341 |
+
|
342 |
+
|
343 |
+
[She smiles.]
|
344 |
+
|
345 |
+
|
346 |
+
ANNOUNCER
|
347 |
+
"Mom", "love" and "screen door" are
|
348 |
+
registered trademarks of Mom Corp.
|
349 |
+
|
350 |
+
|
351 |
+
|
352 |
+
[The tins under Bender's sweater squeak.]
|
353 |
+
|
354 |
+
|
355 |
+
FRY
|
356 |
+
Hey, Bender. Sounds like you could use
|
357 |
+
a little of that oil.
|
358 |
+
|
359 |
+
|
360 |
+
[Some tins fall out of Bender's sweater. Seven hovering CCTV
|
361 |
+
cameras surround him. He looks up at them.]
|
362 |
+
|
363 |
+
|
364 |
+
BENDER
|
365 |
+
I'm boned.
|
366 |
+
|
367 |
+
|
368 |
+
SMITTY
|
369 |
+
Freeze scuzzbot!
|
370 |
+
|
371 |
+
|
372 |
+
BENDER
|
373 |
+
Uh, there's obviously been some sort
|
374 |
+
of a mistake here. I'm sure there's......I
|
375 |
+
say I'm sure there's......that is, I'm
|
376 |
+
sure there's...a very...reasonable...
|
377 |
+
|
378 |
+
|
379 |
+
|
380 |
+
[And some more.]
|
381 |
+
|
382 |
+
|
383 |
+
[Outside New New York Police Department. On a sign outside is
|
384 |
+
Ask About Our Generous Brutality Settlements.]
|
385 |
+
|
386 |
+
|
387 |
+
[Cut to: New New York Police Department. At the front desk Fry
|
388 |
+
counts some money.]
|
389 |
+
|
390 |
+
|
391 |
+
AMY
|
392 |
+
Do we have enough money to pay Bender's
|
393 |
+
fine?
|
394 |
+
|
395 |
+
|
396 |
+
FRY
|
397 |
+
78, 79. 79.50. Crud! We're 50 cents
|
398 |
+
short.
|
399 |
+
|
400 |
+
|
401 |
+
LEELA
|
402 |
+
I'd love to chip in, but Bender stole
|
403 |
+
my wallet.
|
404 |
+
|
405 |
+
|
406 |
+
[Fry sees something through a window, a building called Big Apple
|
407 |
+
Bank.]
|
408 |
+
|
409 |
+
|
410 |
+
FRY
|
411 |
+
Hey, that's my old bank. Maybe my account's
|
412 |
+
still open.
|
413 |
+
|
414 |
+
|
415 |
+
[Big Apple Bank. Fry steps forward to the desk and has a retina
|
416 |
+
scanned.]
|
417 |
+
|
418 |
+
|
419 |
+
TELLER
|
420 |
+
Hmm. We don't seem to have your retina
|
421 |
+
scan, your fingerprint or your colonic
|
422 |
+
map on file.
|
423 |
+
|
424 |
+
|
425 |
+
FRY
|
426 |
+
Yeah, well, I did open the account over
|
427 |
+
a thousand years ago. What about my
|
428 |
+
ATM card?
|
429 |
+
|
430 |
+
|
431 |
+
[The teller pulls out an old ATM machine from under the desk
|
432 |
+
and blows the dust off it.]
|
433 |
+
|
434 |
+
|
435 |
+
TELLER
|
436 |
+
Do you still remember your PIN number?
|
437 |
+
|
438 |
+
|
439 |
+
|
440 |
+
FRY
|
441 |
+
Sure! It's the price of a cheese pizza
|
442 |
+
and a large soda back where I used to
|
443 |
+
work, Panucci's Pizza.
|
444 |
+
|
445 |
+
|
446 |
+
TELLER
|
447 |
+
OK, you had a balance of 93 cents...
|
448 |
+
|
449 |
+
|
450 |
+
|
451 |
+
[Fry looks at Amy and Leela.]
|
452 |
+
|
453 |
+
|
454 |
+
FRY
|
455 |
+
Alright!
|
456 |
+
|
457 |
+
|
458 |
+
TELLER
|
459 |
+
...and at an average of 2 and a quarter
|
460 |
+
percent over a period of 1000 years,
|
461 |
+
that comes to...$4.3 billion.
|
462 |
+
|
463 |
+
|
464 |
+
[Fry stares for a moment and suddenly starts hyperventilating
|
465 |
+
and foaming at the mouth. Then he faints.]
|
466 |
+
|
467 |
+
|
468 |
+
[Planet Express: Lounge. The crew are gathered in celebration,
|
469 |
+
wearing top hats and drinking champagne.]
|
470 |
+
|
471 |
+
|
472 |
+
HERMES
|
473 |
+
To Fry.
|
474 |
+
|
475 |
+
|
476 |
+
AMY
|
477 |
+
Cheers!
|
478 |
+
|
479 |
+
|
480 |
+
[They raise their glasses.]
|
481 |
+
|
482 |
+
|
483 |
+
LEELA
|
484 |
+
I know Fry's rich, but do we really
|
485 |
+
have to wear these top hats?
|
486 |
+
|
487 |
+
|
488 |
+
BENDER
|
489 |
+
Maybe you don't understand just how
|
490 |
+
rich he is. In fact, I think I'd better
|
491 |
+
put on a monocle.
|
492 |
+
|
493 |
+
|
494 |
+
[And he does.]
|
495 |
+
|
496 |
+
|
497 |
+
[Le Spa. Fry lives the high life. At Le Spa Fry and Leela get
|
498 |
+
a relaxing massage and Bender gets a buffing.]
|
499 |
+
|
500 |
+
|
501 |
+
[Famous-Painting-Shooting. Next, Fry and Leela walk down a corridor
|
502 |
+
past many famous paintings. Fry stops at the Mona Lisa, points
|
503 |
+
to it and buys it. The corridor is just a wall in the open countryside
|
504 |
+
with paintings hanging on it. A man loads the painting into a
|
505 |
+
catapult and fires it. Fry, Bender and Leela raise their lasers
|
506 |
+
and shoot it, blasting it to pieces.]
|
507 |
+
|
508 |
+
|
509 |
+
[Original Cosmic Ray's Pizza. The Planet Express staff are gathered
|
510 |
+
around a table for lunch.]
|
511 |
+
|
512 |
+
|
513 |
+
FRY
|
514 |
+
Pizza dinner on me! Just keep the tab
|
515 |
+
under $50 million.
|
516 |
+
|
517 |
+
|
518 |
+
ROBOT CHEF
|
519 |
+
Yo! I haven't got all day. What kind
|
520 |
+
of pizza yous guys want?
|
521 |
+
|
522 |
+
|
523 |
+
FRY
|
524 |
+
Uh, yeah. We'll have one with everything
|
525 |
+
but anchovies and one with my all time
|
526 |
+
favourite topping, anchovies!
|
527 |
+
|
528 |
+
|
529 |
+
ROBOT CHEF
|
530 |
+
(mechanical voice) Invalid selection.
|
531 |
+
(normal voice) Yo, what are you talking
|
532 |
+
about?
|
533 |
+
|
534 |
+
|
535 |
+
FRY
|
536 |
+
Anchovies? You know? Those little headless
|
537 |
+
fish?
|
538 |
+
|
539 |
+
|
540 |
+
ROBOT CHEF
|
541 |
+
(mechanical voice) Does not compute.
|
542 |
+
Does not compute.
|
543 |
+
|
544 |
+
|
545 |
+
[His head explodes.]
|
546 |
+
|
547 |
+
|
548 |
+
FARNSWORTH
|
549 |
+
I'm sorry, Fry, but the anchovy has
|
550 |
+
been extinct since the 2200's.
|
551 |
+
|
552 |
+
|
553 |
+
FRY
|
554 |
+
What?!
|
555 |
+
|
556 |
+
|
557 |
+
FARNSWORTH
|
558 |
+
Oh, my, yes. Fished to death. Just about
|
559 |
+
the time your people arrived on Earth
|
560 |
+
wasn't it, Zoidberg?
|
561 |
+
|
562 |
+
|
563 |
+
ZOIDBERG
|
564 |
+
(defensively) I'm not on trial here.
|
565 |
+
|
566 |
+
|
567 |
+
|
568 |
+
FRY
|
569 |
+
So none of you has ever had anchovies?
|
570 |
+
Oh, man! You don't know what you're
|
571 |
+
missing. They were all salty and oily
|
572 |
+
and they melted in your mouth and --
|
573 |
+
|
574 |
+
|
575 |
+
|
576 |
+
ZOIDBERG
|
577 |
+
Stop! Stop! I admit it! My people ate
|
578 |
+
them all! We kept saying "One more can't
|
579 |
+
hurt" and then they were gone. We're
|
580 |
+
sorry!
|
581 |
+
|
582 |
+
|
583 |
+
[He holds his claws to his head and hangs it in shame. Fry sighs.]
|
584 |
+
|
585 |
+
|
586 |
+
|
587 |
+
FRY
|
588 |
+
I just wished I could've showed you
|
589 |
+
guys how great they were. I may be rich
|
590 |
+
but I still can't buy back all the things
|
591 |
+
I miss from the 20th century.
|
592 |
+
|
593 |
+
|
594 |
+
BENDER
|
595 |
+
Maybe you're forgetting just how rich
|
596 |
+
you are. Huh? Huh?
|
597 |
+
|
598 |
+
|
599 |
+
[Outside Historic 20th Century Apartments. A banner outside advertises
|
600 |
+
"With Original Asbestos". On the steps Fry shakes hands with
|
601 |
+
the landlord and moves in.]
|
602 |
+
|
603 |
+
|
604 |
+
[Historic 20th Century Apartment. Amy, Bender and Leela are already
|
605 |
+
in there. Amy picks up the telephone is puzzlement and puts the
|
606 |
+
receiver over her eyes. Enter Fry.]
|
607 |
+
|
608 |
+
|
609 |
+
FRY
|
610 |
+
So? What do you think?
|
611 |
+
|
612 |
+
|
613 |
+
LEELA
|
614 |
+
I know you spent a lot of money on this
|
615 |
+
place, Fry, but it's awfully primitive.
|
616 |
+
The floors are made of such hard wood.
|
617 |
+
|
618 |
+
|
619 |
+
|
620 |
+
BENDER
|
621 |
+
Hey! Get a load of this pathetic 20th
|
622 |
+
century TV!
|
623 |
+
|
624 |
+
|
625 |
+
FRY
|
626 |
+
What's wrong with it?
|
627 |
+
|
628 |
+
|
629 |
+
BENDER
|
630 |
+
Well, aside from causing eye cancer,
|
631 |
+
these things had a lousy low-definition
|
632 |
+
picture.
|
633 |
+
|
634 |
+
|
635 |
+
AMY
|
636 |
+
That's true. On a TV like this I bet
|
637 |
+
you couldn't even make out my obscene
|
638 |
+
tattoo.
|
639 |
+
|
640 |
+
|
641 |
+
[She rolls her sleeve up to reveal her obscene tattoo which appears
|
642 |
+
blurry. Bender whistles and Leela chuckles.]
|
643 |
+
|
644 |
+
|
645 |
+
LEELA
|
646 |
+
That's cute!
|
647 |
+
|
648 |
+
|
649 |
+
[Staadgi & Staadgi Auctioneers. In the crowded room Fry bids
|
650 |
+
for something.]
|
651 |
+
|
652 |
+
|
653 |
+
AUCTIONEER
|
654 |
+
Sold!
|
655 |
+
|
656 |
+
|
657 |
+
FRY
|
658 |
+
Yes!
|
659 |
+
|
660 |
+
|
661 |
+
LEELA
|
662 |
+
I just don't get it. Who was this Ted
|
663 |
+
Danson? And why would you pay $10,000
|
664 |
+
for his skeleton?
|
665 |
+
|
666 |
+
|
667 |
+
FRY
|
668 |
+
I have an idea for a sitcom.
|
669 |
+
|
670 |
+
|
671 |
+
BENDER
|
672 |
+
Ah, leave him alone, Leela. So he's
|
673 |
+
going a little wacko with his money.
|
674 |
+
It's OK.
|
675 |
+
|
676 |
+
|
677 |
+
LEELA
|
678 |
+
You're just saying that because he bought
|
679 |
+
you that antique robot toy.
|
680 |
+
|
681 |
+
|
682 |
+
[Bender chuckles.]
|
683 |
+
|
684 |
+
|
685 |
+
BENDER
|
686 |
+
Yeah, it is cute.
|
687 |
+
|
688 |
+
|
689 |
+
[He starts playing with a "Knock 'Em, Sock 'Em" toy. One little
|
690 |
+
robot punches the other's head off and Bender screams.]
|
691 |
+
|
692 |
+
|
693 |
+
AUCTIONEER
|
694 |
+
Now, our final item: This unopened can
|
695 |
+
of Angry Norwegian brand anchovies circa
|
696 |
+
1997.
|
697 |
+
|
698 |
+
|
699 |
+
FRY
|
700 |
+
Anchovies?!
|
701 |
+
|
702 |
+
|
703 |
+
AUCTIONEER
|
704 |
+
The last known can in existence guaranteed
|
705 |
+
fresh and edible. Do I hear $10,000?
|
706 |
+
|
707 |
+
|
708 |
+
|
709 |
+
FRY
|
710 |
+
15,000!
|
711 |
+
|
712 |
+
|
713 |
+
MAN
|
714 |
+
20!
|
715 |
+
|
716 |
+
|
717 |
+
[A rich Decapodian woman stands up.]
|
718 |
+
|
719 |
+
|
720 |
+
DECAPODIAN WOMAN
|
721 |
+
30! No, 40!
|
722 |
+
|
723 |
+
|
724 |
+
FRY
|
725 |
+
50,000!
|
726 |
+
|
727 |
+
|
728 |
+
[The other bidders whisper to each other.]
|
729 |
+
|
730 |
+
|
731 |
+
LEELA
|
732 |
+
Are you crazy? It's a can of old fish.
|
733 |
+
|
734 |
+
|
735 |
+
|
736 |
+
FRY
|
737 |
+
Don't tell me how to spend my money.
|
738 |
+
|
739 |
+
|
740 |
+
|
741 |
+
AUCTIONEER
|
742 |
+
50 going once, twice...
|
743 |
+
|
744 |
+
|
745 |
+
[He raises his gavel but is interrupted by Mom.]
|
746 |
+
|
747 |
+
|
748 |
+
MOM
|
749 |
+
75,000.
|
750 |
+
|
751 |
+
|
752 |
+
[The room gasps. Mom is stood at the back of the room with the
|
753 |
+
three men from the picture in the ad.]
|
754 |
+
|
755 |
+
|
756 |
+
LEELA
|
757 |
+
Oh, my God, it's Mom! I've never seen
|
758 |
+
her in person before.
|
759 |
+
|
760 |
+
|
761 |
+
FRY
|
762 |
+
100,000.
|
763 |
+
|
764 |
+
|
765 |
+
[More whispering from the bidders.]
|
766 |
+
|
767 |
+
|
768 |
+
LEELA
|
769 |
+
Fry, you can't bid against Mom. She's
|
770 |
+
the richest, most powerful person in
|
771 |
+
the world. And she's so adorable.
|
772 |
+
|
773 |
+
|
774 |
+
|
775 |
+
[Mom looks in her purse.]
|
776 |
+
|
777 |
+
|
778 |
+
MOM
|
779 |
+
Well, I suppose I could go as high as...300,000.
|
780 |
+
|
781 |
+
|
782 |
+
|
783 |
+
FRY
|
784 |
+
500!
|
785 |
+
|
786 |
+
|
787 |
+
MOM
|
788 |
+
Oh, mercy be. A million.
|
789 |
+
|
790 |
+
|
791 |
+
FRY
|
792 |
+
Two.
|
793 |
+
|
794 |
+
|
795 |
+
MOM
|
796 |
+
Six.
|
797 |
+
|
798 |
+
|
799 |
+
FRY
|
800 |
+
14!
|
801 |
+
|
802 |
+
|
803 |
+
MOM
|
804 |
+
I can see the nice young man really
|
805 |
+
wants those little fish. Nevertheless,
|
806 |
+
I'll bid 23 million.
|
807 |
+
|
808 |
+
|
809 |
+
[Fry stands up and raises his hand.]
|
810 |
+
|
811 |
+
|
812 |
+
FRY
|
813 |
+
One jillion dollars.
|
814 |
+
|
815 |
+
|
816 |
+
[The bidders gasp in shock.]
|
817 |
+
|
818 |
+
|
819 |
+
AUCTIONEER
|
820 |
+
Sir, that's not a number.
|
821 |
+
|
822 |
+
|
823 |
+
[The bidders gasp again.]
|
824 |
+
|
825 |
+
|
826 |
+
FRY
|
827 |
+
Oh. In that case, 50 million.
|
828 |
+
|
829 |
+
|
830 |
+
[Mom turns to three men behind her.]
|
831 |
+
|
832 |
+
|
833 |
+
MOM
|
834 |
+
Well, boys, your old mother knows when
|
835 |
+
she's been beat. You win, young man.
|
836 |
+
I tip my bonnet to you.
|
837 |
+
|
838 |
+
|
839 |
+
[The other bidders murmur.]
|
840 |
+
|
841 |
+
|
842 |
+
BIDDER #1
|
843 |
+
Isn't she adorable?
|
844 |
+
|
845 |
+
|
846 |
+
BIDDER #2
|
847 |
+
Isn't she sweet?
|
848 |
+
|
849 |
+
|
850 |
+
[The auctioneer bangs his gavel.]
|
851 |
+
|
852 |
+
|
853 |
+
AUCTIONEER
|
854 |
+
What a class act! Sold! To the gentleman
|
855 |
+
who bought every item in today's auction.
|
856 |
+
|
857 |
+
|
858 |
+
|
859 |
+
[Fry stands up an cheers himself but the other bidders boo him.]
|
860 |
+
|
861 |
+
|
862 |
+
|
863 |
+
[Historic 20th Century Apartment. Fry wanders around the room
|
864 |
+
in the dark and picks up a box.]
|
865 |
+
|
866 |
+
|
867 |
+
FRY
|
868 |
+
Now for some good old 20th century TV.
|
869 |
+
|
870 |
+
|
871 |
+
|
872 |
+
[He puts a video tape into the VCR.]
|
873 |
+
|
874 |
+
|
875 |
+
ANNOUNCER
|
876 |
+
Do you remember a time when chocolate
|
877 |
+
chip cookies came fresh from the oven?
|
878 |
+
Petridge Farm remembers.
|
879 |
+
|
880 |
+
|
881 |
+
FRY
|
882 |
+
Ah, those were the days.
|
883 |
+
|
884 |
+
|
885 |
+
ANNOUNCER
|
886 |
+
Do you remember a time when women couldn't
|
887 |
+
vote and certain folk weren't allowed
|
888 |
+
on golf courses? Petridge Farm remembers.
|
889 |
+
|
890 |
+
|
891 |
+
|
892 |
+
[A knock at the door.]
|
893 |
+
|
894 |
+
|
895 |
+
LEELA
|
896 |
+
Fry? Are you there?
|
897 |
+
|
898 |
+
|
899 |
+
FRY
|
900 |
+
Eh?
|
901 |
+
|
902 |
+
|
903 |
+
[Enter Leela and Bender. Fry turns the TV off.]
|
904 |
+
|
905 |
+
|
906 |
+
LEELA
|
907 |
+
You haven't been to work in three days.
|
908 |
+
What have you been doing?
|
909 |
+
|
910 |
+
|
911 |
+
FRY
|
912 |
+
I've been sitting right here. I picked
|
913 |
+
up my life exactly where I left off
|
914 |
+
a thousand years ago. Now if you'll
|
915 |
+
excuse me it's 8 o'clock. Time to get
|
916 |
+
biz-ay!
|
917 |
+
|
918 |
+
|
919 |
+
[Fry turns the stereo on and listens to Baby Got Back by Sir
|
920 |
+
Mix-a-lot. Leela turns it off.]
|
921 |
+
|
922 |
+
|
923 |
+
LEELA
|
924 |
+
You can't just sit here in the dark
|
925 |
+
listening to classical music.
|
926 |
+
|
927 |
+
|
928 |
+
FRY
|
929 |
+
I could if you hadn't turned on the
|
930 |
+
lights and shut off the stereo.
|
931 |
+
|
932 |
+
|
933 |
+
LEELA
|
934 |
+
Fry, this isn't healthy. You're living
|
935 |
+
in the past.
|
936 |
+
|
937 |
+
|
938 |
+
FRY
|
939 |
+
I'm rich! I can live whenever I want.
|
940 |
+
|
941 |
+
|
942 |
+
|
943 |
+
LEELA
|
944 |
+
But we're your friends and we live here
|
945 |
+
in the year 3000.
|
946 |
+
|
947 |
+
|
948 |
+
BENDER
|
949 |
+
Yeah. Now are you gonna come to the
|
950 |
+
squid fights with us or sit here wallowing
|
951 |
+
in your prehistoric junk?
|
952 |
+
|
953 |
+
|
954 |
+
FRY
|
955 |
+
Junk? Maybe you can't understand this
|
956 |
+
but I've finally found what I need to
|
957 |
+
be happy, and it's not friends: It's
|
958 |
+
things.
|
959 |
+
|
960 |
+
|
961 |
+
[He gets up and walks towards the door. Bender turns around.]
|
962 |
+
|
963 |
+
|
964 |
+
|
965 |
+
BENDER (SADLY)
|
966 |
+
I'm a thing.
|
967 |
+
|
968 |
+
|
969 |
+
FRY
|
970 |
+
Just leave me alone.
|
971 |
+
|
972 |
+
|
973 |
+
[Fry opens the door and Leela and Bender walk out.]
|
974 |
+
|
975 |
+
|
976 |
+
LEELA
|
977 |
+
Fry please. My ponytail's caught in
|
978 |
+
the door.
|
979 |
+
|
980 |
+
|
981 |
+
FRY
|
982 |
+
I don't need them. Not when I have my
|
983 |
+
antique videos, my bucket of fossilised
|
984 |
+
KFC and 50 million dollars worth of
|
985 |
+
anchovies.
|
986 |
+
|
987 |
+
|
988 |
+
[He kisses the tin of anchovies.]
|
989 |
+
|
990 |
+
|
991 |
+
[Mom's Friendly Robot Company Building Corridor. Mom walks towards
|
992 |
+
her office, followed by her sons.]
|
993 |
+
|
994 |
+
|
995 |
+
MOM
|
996 |
+
Mercy me, what a day.
|
997 |
+
|
998 |
+
|
999 |
+
[Cut to: Mom's Office.]
|
1000 |
+
|
1001 |
+
|
1002 |
+
MOM
|
1003 |
+
Could you shut the door, Igner dear?
|
1004 |
+
I think I feel a draught coming on.
|
1005 |
+
Holy crap, that bastard's itchy! Walt!
|
1006 |
+
Cream soda!
|
1007 |
+
|
1008 |
+
|
1009 |
+
[Walt is the oldest. He has a full head of black hair.]
|
1010 |
+
|
1011 |
+
|
1012 |
+
WALT
|
1013 |
+
Right away, mother. Larry, get your
|
1014 |
+
mother a cream soda.
|
1015 |
+
|
1016 |
+
|
1017 |
+
LARRY
|
1018 |
+
But Mom said --
|
1019 |
+
|
1020 |
+
|
1021 |
+
[Walt slaps him.]
|
1022 |
+
|
1023 |
+
|
1024 |
+
WALT
|
1025 |
+
You heard me.
|
1026 |
+
|
1027 |
+
|
1028 |
+
[Mom drinks the can of soda, throws it down then lights a cigarette.]
|
1029 |
+
|
1030 |
+
|
1031 |
+
|
1032 |
+
IGNER
|
1033 |
+
What's wrong, Mommy?
|
1034 |
+
|
1035 |
+
|
1036 |
+
MOM
|
1037 |
+
It's those damned anchovies. That dirtbag,
|
1038 |
+
Fry, must know their secret. And I won't
|
1039 |
+
rest until I get my hands on them. No
|
1040 |
+
one messes with Mom!
|
1041 |
+
|
1042 |
+
|
1043 |
+
[She laughs evily. Walt laughs with her. Larry and Igner join
|
1044 |
+
in. Walt slaps Larry.]
|
1045 |
+
|
1046 |
+
|
1047 |
+
WALT
|
1048 |
+
Quiet, you!
|
1049 |
+
|
1050 |
+
|
1051 |
+
[Time Lapse. Mom is now sat behind a huge desk.]
|
1052 |
+
|
1053 |
+
|
1054 |
+
MOM
|
1055 |
+
As you boys know, one of the cornerstones
|
1056 |
+
of my empire is Mom's Old Fashioned
|
1057 |
+
Robot Oil. Think of it: 10 billion robots.
|
1058 |
+
Each one needing an oil change every
|
1059 |
+
3000 miles. You don't have to do the
|
1060 |
+
math to know that's a buttload of oil.
|
1061 |
+
|
1062 |
+
|
1063 |
+
|
1064 |
+
IGNER
|
1065 |
+
Can I wear your fat suit?
|
1066 |
+
|
1067 |
+
|
1068 |
+
MOM
|
1069 |
+
(shouting): No, Igner, put that down.
|
1070 |
+
|
1071 |
+
|
1072 |
+
|
1073 |
+
[Igner drops the fat suit arm.]
|
1074 |
+
|
1075 |
+
|
1076 |
+
IGNER
|
1077 |
+
Aww.
|
1078 |
+
|
1079 |
+
|
1080 |
+
WALT
|
1081 |
+
What does this have to do with the anchovies?
|
1082 |
+
|
1083 |
+
|
1084 |
+
|
1085 |
+
MOM
|
1086 |
+
I'm getting to the freaking anchovies.
|
1087 |
+
A single drop of the anchovies natural
|
1088 |
+
oil would lubricate 10 robots permanently.
|
1089 |
+
|
1090 |
+
|
1091 |
+
|
1092 |
+
LARRY
|
1093 |
+
Wow, it's a shame they went extinct.
|
1094 |
+
|
1095 |
+
|
1096 |
+
|
1097 |
+
MOM (SHOUTING)
|
1098 |
+
No it isn't, shut your filthy trap!
|
1099 |
+
(talking) Thank you, Walt. If anyone
|
1100 |
+
ever got a hold of anchovy DNA, they
|
1101 |
+
could chop out the oil-making gene,
|
1102 |
+
stick it in a bunch of third world kids
|
1103 |
+
and bam! Cheap effective robot oil.
|
1104 |
+
Enough to put dear old Mom out of businness.
|
1105 |
+
|
1106 |
+
|
1107 |
+
|
1108 |
+
WALT
|
1109 |
+
My God! This Mr. Fry must be a mastermind
|
1110 |
+
of the highest order.
|
1111 |
+
|
1112 |
+
|
1113 |
+
[Cut to: Historic 20th Century Apartment. Fry is sat in the dark
|
1114 |
+
watching Sanford & Son.]
|
1115 |
+
|
1116 |
+
|
1117 |
+
FRED
|
1118 |
+
Esther, you ugly!
|
1119 |
+
|
1120 |
+
|
1121 |
+
[Fry laughs.]
|
1122 |
+
|
1123 |
+
|
1124 |
+
[Cut to: Mom's Friendly Robot Company Building: Mom's Office.]
|
1125 |
+
|
1126 |
+
|
1127 |
+
|
1128 |
+
MOM
|
1129 |
+
We have only one option: We'll have
|
1130 |
+
to bankrupt Mr Fry, so he'll be forced
|
1131 |
+
to sell the anchovies to us.
|
1132 |
+
|
1133 |
+
|
1134 |
+
WALT
|
1135 |
+
Mother, you are one clever old skag!
|
1136 |
+
|
1137 |
+
|
1138 |
+
|
1139 |
+
MOM
|
1140 |
+
And don't you forget it!
|
1141 |
+
|
1142 |
+
|
1143 |
+
LARRY
|
1144 |
+
But how are we supposed to get Fry's
|
1145 |
+
money out of the bank?
|
1146 |
+
|
1147 |
+
|
1148 |
+
MOM
|
1149 |
+
That part will be easy, thanks to the
|
1150 |
+
nice people at Mom's Old Fashioned Video
|
1151 |
+
Surveillance Unit.
|
1152 |
+
|
1153 |
+
|
1154 |
+
[She puts another tape in. The scene at Big Apple Bank replays
|
1155 |
+
on the TV.]
|
1156 |
+
|
1157 |
+
|
1158 |
+
TELLER [ON TV]
|
1159 |
+
Do you still remember your PIN number?
|
1160 |
+
|
1161 |
+
|
1162 |
+
|
1163 |
+
FRY [ON TV]
|
1164 |
+
Sure! It's the price of a cheese pizza
|
1165 |
+
and a large soda back where I used to
|
1166 |
+
work, Panucci's Pizza. It's the price
|
1167 |
+
of a cheese pizza and a large soda --
|
1168 |
+
|
1169 |
+
|
1170 |
+
|
1171 |
+
[Mom turns the TV off.]
|
1172 |
+
|
1173 |
+
|
1174 |
+
MOM
|
1175 |
+
You know what needs to be done.
|
1176 |
+
|
1177 |
+
|
1178 |
+
LARRY
|
1179 |
+
What?
|
1180 |
+
|
1181 |
+
|
1182 |
+
MOM (SHOUTING)
|
1183 |
+
Get his PIN number, you idiots! (talking)
|
1184 |
+
Now I'm off to some chairty BS for knocked-up
|
1185 |
+
teenage sluts.
|
1186 |
+
|
1187 |
+
|
1188 |
+
[Historic 20th Century Apartment. There is a knock at the door.]
|
1189 |
+
|
1190 |
+
|
1191 |
+
|
1192 |
+
WALT [FROM OUTSIDE]
|
1193 |
+
Mr. Fry. It's those three plumbers you
|
1194 |
+
called for.
|
1195 |
+
|
1196 |
+
|
1197 |
+
LARRY [FROM OUTSIDE]
|
1198 |
+
We're here to tighten your drains.
|
1199 |
+
|
1200 |
+
|
1201 |
+
|
1202 |
+
[The sounds of Walt's hand meeting Larry's face is heard. Fry
|
1203 |
+
opens the door.]
|
1204 |
+
|
1205 |
+
|
1206 |
+
FRY
|
1207 |
+
I didn't order any --
|
1208 |
+
|
1209 |
+
|
1210 |
+
[Walt and Igner jump on Fry and pin him to the floor.]
|
1211 |
+
|
1212 |
+
|
1213 |
+
WALT
|
1214 |
+
Quick! Give him the tranquilliser.
|
1215 |
+
|
1216 |
+
|
1217 |
+
|
1218 |
+
[Larry puts some tablets in Fry's mouth and strokes them down
|
1219 |
+
his throat.]
|
1220 |
+
|
1221 |
+
|
1222 |
+
LARRY
|
1223 |
+
That's a good boy.
|
1224 |
+
|
1225 |
+
|
1226 |
+
[Fry falls unconscious.]
|
1227 |
+
|
1228 |
+
|
1229 |
+
[Pizzeria Set. Fry comes around and sees a disguised Walt wearing
|
1230 |
+
a fake handlebar moustache.]
|
1231 |
+
|
1232 |
+
|
1233 |
+
WALT
|
1234 |
+
Wake up, Mr. Fry.
|
1235 |
+
|
1236 |
+
|
1237 |
+
FRY
|
1238 |
+
Where am I?
|
1239 |
+
|
1240 |
+
|
1241 |
+
WALT
|
1242 |
+
You're in the good old year 2000, working
|
1243 |
+
here at Panucci's Pizza. You fell asleep
|
1244 |
+
on the job.
|
1245 |
+
|
1246 |
+
|
1247 |
+
FRY
|
1248 |
+
That sounds like me but, I thought I
|
1249 |
+
got frozen. Wasn't I in the future?
|
1250 |
+
|
1251 |
+
|
1252 |
+
|
1253 |
+
WALT
|
1254 |
+
No, you only "dreamed" you were in the
|
1255 |
+
year 3000.
|
1256 |
+
|
1257 |
+
|
1258 |
+
FRY
|
1259 |
+
So I'm really back? That's exactly what
|
1260 |
+
I wanted, I guess. Who are you?
|
1261 |
+
|
1262 |
+
|
1263 |
+
WALT
|
1264 |
+
I'm Mr. Panucci.
|
1265 |
+
|
1266 |
+
|
1267 |
+
FRY
|
1268 |
+
You are? Did you grow a moustache since
|
1269 |
+
last night?
|
1270 |
+
|
1271 |
+
|
1272 |
+
[Walt tears off the moustache.]
|
1273 |
+
|
1274 |
+
|
1275 |
+
WALT
|
1276 |
+
No. Now go work the currency register.
|
1277 |
+
I think I hear a customer coming...I
|
1278 |
+
said "I think I hear a customer coming"!
|
1279 |
+
|
1280 |
+
|
1281 |
+
|
1282 |
+
[Cut to: Backstage. Larry is forcing a dress over Igner's head.
|
1283 |
+
Pamela Anderson's head in jar is on a table.]
|
1284 |
+
|
1285 |
+
|
1286 |
+
ANDERSON
|
1287 |
+
Hurry up, please. I wanna get back to
|
1288 |
+
the head museum.
|
1289 |
+
|
1290 |
+
|
1291 |
+
LARRY
|
1292 |
+
Don't worry, Miss Anderson, this won't
|
1293 |
+
take long. Now, your motivation is you're
|
1294 |
+
back in the year 2000 and your head's
|
1295 |
+
still on your body, and you want a cheese
|
1296 |
+
pizza.
|
1297 |
+
|
1298 |
+
|
1299 |
+
[He picks up the jar and puts it on Igner's head.]
|
1300 |
+
|
1301 |
+
|
1302 |
+
ANDERSON
|
1303 |
+
OK, but I'm only doing this so people
|
1304 |
+
will take my head seriously as an actress.
|
1305 |
+
|
1306 |
+
|
1307 |
+
|
1308 |
+
[Cut to: Pizzeria Set. Fry notices something on a sign above
|
1309 |
+
him.]
|
1310 |
+
|
1311 |
+
|
1312 |
+
FRY
|
1313 |
+
Hey, look! Anchovies!
|
1314 |
+
|
1315 |
+
|
1316 |
+
WALT
|
1317 |
+
Of course. They're not extinct yet.
|
1318 |
+
And if you need further proof that this
|
1319 |
+
is really a thousand years ago well,
|
1320 |
+
here's contemporary actress, Pamela
|
1321 |
+
Anderson!
|
1322 |
+
|
1323 |
+
|
1324 |
+
[Enter Pamela Anderson on top of Igner.]
|
1325 |
+
|
1326 |
+
|
1327 |
+
FRY
|
1328 |
+
Ooh!
|
1329 |
+
|
1330 |
+
|
1331 |
+
ANDERSON
|
1332 |
+
Hello, Fry. Remember me from Baywatch:
|
1333 |
+
The Movie?
|
1334 |
+
|
1335 |
+
|
1336 |
+
FRY
|
1337 |
+
Uh...
|
1338 |
+
|
1339 |
+
|
1340 |
+
ANDERSON
|
1341 |
+
It was the first movie to be shot entirely
|
1342 |
+
in slow motion.
|
1343 |
+
|
1344 |
+
|
1345 |
+
[Walt leans in to Anderson.]
|
1346 |
+
|
1347 |
+
|
1348 |
+
WALT (WHISPERING)
|
1349 |
+
It hasn't been made yet.
|
1350 |
+
|
1351 |
+
|
1352 |
+
|
1353 |
+
[Walt shakes his head.]
|
1354 |
+
|
1355 |
+
|
1356 |
+
WALT
|
1357 |
+
Nope.
|
1358 |
+
|
1359 |
+
|
1360 |
+
ANDERSON
|
1361 |
+
Crap!
|
1362 |
+
|
1363 |
+
|
1364 |
+
FRY
|
1365 |
+
Wait. You're Pamela Anderson! Cool!
|
1366 |
+
What can I get you?
|
1367 |
+
|
1368 |
+
|
1369 |
+
ANDERSON
|
1370 |
+
Oh, I'll have a cheese pizza and a large...uh...line?
|
1371 |
+
|
1372 |
+
|
1373 |
+
|
1374 |
+
[Larry whispers from backstage.]
|
1375 |
+
|
1376 |
+
|
1377 |
+
LARRY (WHISPERING)
|
1378 |
+
Soda!
|
1379 |
+
|
1380 |
+
|
1381 |
+
ANDERSON
|
1382 |
+
Oh, right! Cheese pizza and a large
|
1383 |
+
soda!
|
1384 |
+
|
1385 |
+
|
1386 |
+
FRY
|
1387 |
+
Uh, cheese and a -- That was quick!
|
1388 |
+
|
1389 |
+
|
1390 |
+
|
1391 |
+
ANDERSON
|
1392 |
+
So. What do I owe you?
|
1393 |
+
|
1394 |
+
|
1395 |
+
FRY
|
1396 |
+
10.77. Same as my PIN number.
|
1397 |
+
|
1398 |
+
|
1399 |
+
[Walt, Larry, Igner and Anderson laugh. Fry is unsure of what
|
1400 |
+
is happening so just laughs along with them.]
|
1401 |
+
|
1402 |
+
|
1403 |
+
IGNER
|
1404 |
+
Hey, you don't get to laugh.
|
1405 |
+
|
1406 |
+
|
1407 |
+
[He hits Fry on the head with Anderson's jar.]
|
1408 |
+
|
1409 |
+
|
1410 |
+
[Outside Historic 20th Century Apartments. A white limo pulls
|
1411 |
+
up outside and the brothers throw Fry out onto the pavement.
|
1412 |
+
There are bags of money in the limo.]
|
1413 |
+
|
1414 |
+
|
1415 |
+
[Cut to: Limo. Igner is driving.]
|
1416 |
+
|
1417 |
+
|
1418 |
+
IGNER
|
1419 |
+
Thanks a billion!
|
1420 |
+
|
1421 |
+
|
1422 |
+
[He laughs. Larry counts the cash in the back.]
|
1423 |
+
|
1424 |
+
|
1425 |
+
LARRY
|
1426 |
+
More like 4.3 billion!
|
1427 |
+
|
1428 |
+
|
1429 |
+
[He laughs with Igner. Walt slaps them both.]
|
1430 |
+
|
1431 |
+
|
1432 |
+
IGNER
|
1433 |
+
Ow!
|
1434 |
+
|
1435 |
+
|
1436 |
+
LARRY
|
1437 |
+
Ow!
|
1438 |
+
|
1439 |
+
|
1440 |
+
[The limo speeds off and Fry blacks out into a dream.]
|
1441 |
+
|
1442 |
+
|
1443 |
+
[Cut to: Fry's Dream. Pizza's, 1077's and anchovy tins float
|
1444 |
+
around him. Leela's and Bender's heads float towards him.]
|
1445 |
+
|
1446 |
+
|
1447 |
+
|
1448 |
+
FRY
|
1449 |
+
Oh, I had a nightmare I was in the year
|
1450 |
+
2000 and you guys never existed. I'm
|
1451 |
+
so glad I'm awake now and you're really
|
1452 |
+
here.
|
1453 |
+
|
1454 |
+
|
1455 |
+
LEELA
|
1456 |
+
Since when do you care about us?
|
1457 |
+
|
1458 |
+
|
1459 |
+
BENDER
|
1460 |
+
We thought you only cared about cans
|
1461 |
+
of anchovies and stuffy old songs about
|
1462 |
+
the buttocks.
|
1463 |
+
|
1464 |
+
|
1465 |
+
FRY
|
1466 |
+
No, that's not true!
|
1467 |
+
|
1468 |
+
|
1469 |
+
[Leela and Bender float away.]
|
1470 |
+
|
1471 |
+
|
1472 |
+
LEELA
|
1473 |
+
Goodbye-eee!
|
1474 |
+
|
1475 |
+
|
1476 |
+
BENDER
|
1477 |
+
Wheee!
|
1478 |
+
|
1479 |
+
|
1480 |
+
[A pack of Lightspeeds appear in the corner.]
|
1481 |
+
|
1482 |
+
|
1483 |
+
|
1484 |
+
[Fry comes to. A repobot walks out of his apartment with his
|
1485 |
+
TV.]
|
1486 |
+
|
1487 |
+
|
1488 |
+
FRY
|
1489 |
+
Bender! Leela! Don't leave me. Wait
|
1490 |
+
a minute! Hey, buddy what year is this?
|
1491 |
+
|
1492 |
+
|
1493 |
+
|
1494 |
+
REPOBOT
|
1495 |
+
Uh, 3000.
|
1496 |
+
|
1497 |
+
|
1498 |
+
FRY
|
1499 |
+
3000? Yes! I'm still in the future!
|
1500 |
+
Life is wonderful! Wait! What are you
|
1501 |
+
doing with my stuff?
|
1502 |
+
|
1503 |
+
|
1504 |
+
REPOBOT
|
1505 |
+
Uh, check bounced. We're taking it all
|
1506 |
+
back.
|
1507 |
+
|
1508 |
+
|
1509 |
+
FRY
|
1510 |
+
Oh, no, my ATM card! My secret PIN number!
|
1511 |
+
1077. I've got nothing left. Except...
|
1512 |
+
|
1513 |
+
|
1514 |
+
|
1515 |
+
[He pulls the tin of anchovies out of his sock.]
|
1516 |
+
|
1517 |
+
|
1518 |
+
[Planet Express: Lounge. Leela and Bender are sat on the couch
|
1519 |
+
and Farnsworth is sat at the table.]
|
1520 |
+
|
1521 |
+
|
1522 |
+
LEELA
|
1523 |
+
You're Fry's relative. Do you have any
|
1524 |
+
idea how he got so crazy?
|
1525 |
+
|
1526 |
+
|
1527 |
+
FARNSWORTH
|
1528 |
+
Uh, wha? Oh, yes, they say madness runs
|
1529 |
+
in our family. Some even call me mad!
|
1530 |
+
And why? Because I dared to dream of
|
1531 |
+
my own race of atomic monsters. Atomic
|
1532 |
+
supermen with octagonal-shaped bodies
|
1533 |
+
that suck blood out of...
|
1534 |
+
|
1535 |
+
|
1536 |
+
[He walks out still blabbering. Enter Fry.]
|
1537 |
+
|
1538 |
+
|
1539 |
+
FRY
|
1540 |
+
Leela! Bender! I missed you so much!
|
1541 |
+
|
1542 |
+
|
1543 |
+
|
1544 |
+
LEELA
|
1545 |
+
You did? What happened?
|
1546 |
+
|
1547 |
+
|
1548 |
+
FRY
|
1549 |
+
I was robbed. They got everything except
|
1550 |
+
these.
|
1551 |
+
|
1552 |
+
|
1553 |
+
[He holds up the anchovies.]
|
1554 |
+
|
1555 |
+
|
1556 |
+
BENDER
|
1557 |
+
Who did?
|
1558 |
+
|
1559 |
+
|
1560 |
+
[Leela gasps at something across the room. Mom is stood in the
|
1561 |
+
doorway wearing her fat suit.]
|
1562 |
+
|
1563 |
+
|
1564 |
+
MOM
|
1565 |
+
Hello, Fry.
|
1566 |
+
|
1567 |
+
|
1568 |
+
LEELA
|
1569 |
+
It's Mom.
|
1570 |
+
|
1571 |
+
|
1572 |
+
MOM
|
1573 |
+
I felt terrible when I heard about your
|
1574 |
+
money troubles and I thought maybe I
|
1575 |
+
could help out a sweet young man by
|
1576 |
+
buying his anchovies.
|
1577 |
+
|
1578 |
+
|
1579 |
+
FRY
|
1580 |
+
Sorry. But the anchovies aren't for
|
1581 |
+
sale.
|
1582 |
+
|
1583 |
+
|
1584 |
+
MOM
|
1585 |
+
What? Listen, you little bastard. I
|
1586 |
+
control the robot oil business and I
|
1587 |
+
won't let you ruin me. How much do you
|
1588 |
+
want?
|
1589 |
+
|
1590 |
+
|
1591 |
+
FRY
|
1592 |
+
You might as well put that chequebook
|
1593 |
+
away, because I've discovered something
|
1594 |
+
even more important. My friends. And
|
1595 |
+
they aren't worth even a penny to me.
|
1596 |
+
That's why these anchovies are going
|
1597 |
+
on a pizza, so I can share the food
|
1598 |
+
I love with the people I like.
|
1599 |
+
|
1600 |
+
|
1601 |
+
MOM
|
1602 |
+
Holy hell! You're going to eat them?
|
1603 |
+
Oh, well. Just make sure you eat them
|
1604 |
+
all. You're a growing boy. Toodle-oo!
|
1605 |
+
Dumb ass!
|
1606 |
+
|
1607 |
+
|
1608 |
+
FRY
|
1609 |
+
What a nice lady!
|
1610 |
+
|
1611 |
+
|
1612 |
+
[Time Lapse. The whole staff except for Zoidberg are gathered
|
1613 |
+
around the table. Fry opens the tin of anchovies.]
|
1614 |
+
|
1615 |
+
|
1616 |
+
FRY
|
1617 |
+
OK, my friends. Get ready for the most
|
1618 |
+
delicious extinct animal you've ever
|
1619 |
+
tasted.
|
1620 |
+
|
1621 |
+
|
1622 |
+
AMY
|
1623 |
+
I don't know, I've had cow. Ew! Gross!
|
1624 |
+
|
1625 |
+
|
1626 |
+
|
1627 |
+
FRY
|
1628 |
+
Ah, no one likes them at first but they'll
|
1629 |
+
grow on you.
|
1630 |
+
|
1631 |
+
|
1632 |
+
[Enter Zoidberg. He sniffs.]
|
1633 |
+
|
1634 |
+
|
1635 |
+
ZOIDBERG
|
1636 |
+
That stench. That heavenly stench!
|
1637 |
+
More!
|
1638 |
+
|
1639 |
+
|
1640 |
+
FRY
|
1641 |
+
There aren't any more. And there never
|
1642 |
+
will be.
|
1643 |
+
|
1644 |
+
|
1645 |
+
[Zoidberg tips the table over and moves towards Fry, raising
|
1646 |
+
his claws.]
|
1647 |
+
|
1648 |
+
|
1649 |
+
ZOIDBERG
|
1650 |
+
More! More! More! More!
|
1651 |
+
|
1652 |
+
|
1653 |
+
THE END
|
content/my_data/s1e7.txt
ADDED
@@ -0,0 +1,1625 @@
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|
1 |
+
FUTURAMA
|
2 |
+
|
3 |
+
Episode 107
|
4 |
+
|
5 |
+
"MY THREE SUNS"
|
6 |
+
|
7 |
+
By
|
8 |
+
|
9 |
+
J. Stewart Burns
|
10 |
+
|
11 |
+
Transcribed by Dave, The Neutral Planet
|
12 |
+
|
13 |
+
|
14 |
+
|
15 |
+
[Outside Robot Wash. Bender inserts a coin and chooses his wash
|
16 |
+
program from regular, deluxe and sub-standard. He selects deluxe
|
17 |
+
and steps onto a conveyor belt. It moves forward and Rose Royce's
|
18 |
+
Car Wash plays. Bender pushes down his antenna and sings his
|
19 |
+
own words.]
|
20 |
+
|
21 |
+
|
22 |
+
BENDER
|
23 |
+
(singing) Going through the 'bot wash!
|
24 |
+
|
25 |
+
|
26 |
+
|
27 |
+
[Cut to: Robot Wash.]
|
28 |
+
|
29 |
+
|
30 |
+
BENDER
|
31 |
+
(singing) Goin' through the robot wash!
|
32 |
+
|
33 |
+
|
34 |
+
C'mon, y'all and sing it with me
|
35 |
+
|
36 |
+
'Bot wash! Whoa, whoa, whoa, whoa, whoa
|
37 |
+
|
38 |
+
'Bot wash, yeah!
|
39 |
+
|
40 |
+
|
41 |
+
[A huge drying machine dries him. He sees an undercoating machine
|
42 |
+
and puts a quarter in. The machine clamps around his legs and
|
43 |
+
he is in ecstasy as the machine does the undercoating.]
|
44 |
+
|
45 |
+
|
46 |
+
[Cut to: Outside Robot Wash. He comes out the other side of the
|
47 |
+
Robot Wash and it hangs a pine tree air freshener around his
|
48 |
+
neck. He turns round and admires his shiny metal ass.]
|
49 |
+
|
50 |
+
|
51 |
+
BENDER
|
52 |
+
Ah! Aww!
|
53 |
+
|
54 |
+
|
55 |
+
[Opening Credits. Caption: Presented in Doublevision Doublevision
|
56 |
+
(Where Drunk)]
|
57 |
+
|
58 |
+
|
59 |
+
[Planet Express: Lounge. Bender sits down to watch Essence of
|
60 |
+
Elzar, a cooking show presented by Neptunian chef Elzar and a
|
61 |
+
not-so-subtle parody of Essence Of Emeril. Elzar has black hair,
|
62 |
+
and the usual four arms a Neptunian has.]
|
63 |
+
|
64 |
+
|
65 |
+
ELZAR
|
66 |
+
Hey, I'm Elzar! Welcome to the show!
|
67 |
+
You know, you don't have to drive all
|
68 |
+
the way to Neptune for great Neptunian
|
69 |
+
food. Today we're gonna kick it up a
|
70 |
+
notch as I show you how to fricassee
|
71 |
+
a mouth-watering Neptunian slug. Now
|
72 |
+
while you grease the pan and preheat
|
73 |
+
your oven to 3500 degrees you're gonna
|
74 |
+
separate the yolk from your genetically-enhanced
|
75 |
+
eggplant and then give the whole thing
|
76 |
+
a good blast from your spice weasel
|
77 |
+
- bam!
|
78 |
+
|
79 |
+
|
80 |
+
[Enter Fry and Leela. Leela is wearing a green top instead of
|
81 |
+
her usual white one.]
|
82 |
+
|
83 |
+
|
84 |
+
FRY
|
85 |
+
Hey, what you watching?
|
86 |
+
|
87 |
+
|
88 |
+
[Bender quickly turns off the TV.]
|
89 |
+
|
90 |
+
|
91 |
+
BENDER
|
92 |
+
Uh, nothing!
|
93 |
+
|
94 |
+
|
95 |
+
LEELA
|
96 |
+
Is that a cooking show?
|
97 |
+
|
98 |
+
|
99 |
+
BENDER
|
100 |
+
No, of course not! It was...uh...porno!
|
101 |
+
Yeah that's it!
|
102 |
+
|
103 |
+
|
104 |
+
[Leela turns the TV back on and sees the programme.]
|
105 |
+
|
106 |
+
|
107 |
+
LEELA
|
108 |
+
Bender! I didn't know you liked cooking!
|
109 |
+
That's so cute!
|
110 |
+
|
111 |
+
|
112 |
+
BENDER
|
113 |
+
(ashamed) Oh, it's true! I've been hiding
|
114 |
+
it for so long.
|
115 |
+
|
116 |
+
|
117 |
+
FRY
|
118 |
+
Its OK, Bender, I like cooking too.
|
119 |
+
|
120 |
+
|
121 |
+
|
122 |
+
BENDER (WHISPERING)
|
123 |
+
Pansy!
|
124 |
+
|
125 |
+
|
126 |
+
ELZAR
|
127 |
+
Of course, your most important ingredient
|
128 |
+
is this baby right here: the Neptunian
|
129 |
+
slug. You can get it in a can but to
|
130 |
+
really do things right you gotta strangle
|
131 |
+
yourself a fresh one. Now this is why
|
132 |
+
you gotta use cast-iron cookware.
|
133 |
+
|
134 |
+
|
135 |
+
|
136 |
+
[He starts hitting the slug between it's eye stalks with a frying
|
137 |
+
pan. Bender watches and is spooked when the slug does something
|
138 |
+
to Elzar.]
|
139 |
+
|
140 |
+
|
141 |
+
[Planet Express: Hermes' Office. Outside the office a sign flashes
|
142 |
+
indicating there is a chewing out happening inside.]
|
143 |
+
|
144 |
+
|
145 |
+
HERMES
|
146 |
+
Bender, man. It has come to my attention
|
147 |
+
that this company has been paying you
|
148 |
+
to do nothing but loaf about on the
|
149 |
+
couch.
|
150 |
+
|
151 |
+
|
152 |
+
BENDER
|
153 |
+
You call that a couch? I demand a pillow!
|
154 |
+
|
155 |
+
|
156 |
+
|
157 |
+
HERMES
|
158 |
+
I'm sorry but if you want to continue
|
159 |
+
drawing a salary you gotta do more than
|
160 |
+
watch the cooking shows all day.
|
161 |
+
|
162 |
+
|
163 |
+
BENDER
|
164 |
+
Hmm.
|
165 |
+
|
166 |
+
|
167 |
+
[He rubs his chin.]
|
168 |
+
|
169 |
+
|
170 |
+
[Planet Express: Lounge. Leela and Fry are sat at the table while
|
171 |
+
Bender stands next to it wearing a chef's hat and an apron.]
|
172 |
+
|
173 |
+
|
174 |
+
|
175 |
+
FRY
|
176 |
+
You're gonna be the ship's cook?
|
177 |
+
|
178 |
+
|
179 |
+
BENDER
|
180 |
+
Yeah! We're gonna kick it up a notch.
|
181 |
+
Bam!
|
182 |
+
|
183 |
+
|
184 |
+
LEELA
|
185 |
+
I know you like cooking shows but you're
|
186 |
+
a robot, you don't even have a sense
|
187 |
+
of taste.
|
188 |
+
|
189 |
+
|
190 |
+
BENDER
|
191 |
+
Honey, I wouldn't talk about taste if
|
192 |
+
I was wearing a lime green tank top.
|
193 |
+
|
194 |
+
|
195 |
+
|
196 |
+
FRY
|
197 |
+
Bam!
|
198 |
+
|
199 |
+
|
200 |
+
[Little Neptune Street. Fry, Leela and Bender walk through an
|
201 |
+
area of New New York City where bums and lowlifes hang around.]
|
202 |
+
|
203 |
+
|
204 |
+
|
205 |
+
FRY
|
206 |
+
So this is Little Neptune?
|
207 |
+
|
208 |
+
|
209 |
+
BENDER
|
210 |
+
Yep. Every chef knows that this is the
|
211 |
+
place to get exotic gourmet ingredients.
|
212 |
+
|
213 |
+
|
214 |
+
|
215 |
+
LEELA
|
216 |
+
Among other things.
|
217 |
+
|
218 |
+
|
219 |
+
[In an alleyway a crack addict stands in front of what looks
|
220 |
+
like a normal vending machine but is actually a crack dispenser.
|
221 |
+
He inserts a coin and the machine starts twisting a tube of crack
|
222 |
+
out but it jams. The crack addict starts clawing the glass.]
|
223 |
+
|
224 |
+
|
225 |
+
|
226 |
+
CRACK ADDICT
|
227 |
+
Come on, man, don't hold out on me like
|
228 |
+
this!
|
229 |
+
|
230 |
+
|
231 |
+
[Fry walks past a man who wears a long coat.]
|
232 |
+
|
233 |
+
|
234 |
+
ORGAN DEALER
|
235 |
+
Psst! You want to buy organ? Fresh
|
236 |
+
and cheap. Ready for transplant!
|
237 |
+
|
238 |
+
|
239 |
+
FRY
|
240 |
+
Ooh! What's this?
|
241 |
+
|
242 |
+
|
243 |
+
ORGAN DEALER
|
244 |
+
Ah! Is X-Ray eyes. See through anything!
|
245 |
+
|
246 |
+
|
247 |
+
|
248 |
+
[Fry reads the label.]
|
249 |
+
|
250 |
+
|
251 |
+
FRY
|
252 |
+
Wait a minute! This says Z-Ray.
|
253 |
+
|
254 |
+
|
255 |
+
ORGAN DEALER
|
256 |
+
Z is just as good. In fact, is better.
|
257 |
+
Is two more than X.
|
258 |
+
|
259 |
+
|
260 |
+
FRY
|
261 |
+
Hmm, I can see where that would be an
|
262 |
+
advantage. Do you take cash?
|
263 |
+
|
264 |
+
|
265 |
+
[He takes out his wallet but Leela quickly pulls him away and
|
266 |
+
they carry on walking.]
|
267 |
+
|
268 |
+
|
269 |
+
LEELA
|
270 |
+
Fry, you have to be more careful. We're
|
271 |
+
not in the 20th century. You don't know
|
272 |
+
how things work here.
|
273 |
+
|
274 |
+
|
275 |
+
FRY
|
276 |
+
I'm not a little kid, Leela. I grew
|
277 |
+
up in this city. These are my people.
|
278 |
+
What up?
|
279 |
+
|
280 |
+
|
281 |
+
ALIEN
|
282 |
+
Word!
|
283 |
+
|
284 |
+
|
285 |
+
FRY
|
286 |
+
See?
|
287 |
+
|
288 |
+
|
289 |
+
[Little Neptune Market. The trio look around at what is on offer.]
|
290 |
+
|
291 |
+
|
292 |
+
|
293 |
+
FRY
|
294 |
+
Wow! You guys sell every kind of meat
|
295 |
+
here except human!
|
296 |
+
|
297 |
+
|
298 |
+
|
299 |
+
[In an aisle Leela picks up a jar.]
|
300 |
+
|
301 |
+
|
302 |
+
LEELA
|
303 |
+
What's this spice for?
|
304 |
+
|
305 |
+
|
306 |
+
|
307 |
+
LEELA
|
308 |
+
Oh! That's ridiculous. (whispering)
|
309 |
+
I'll take two pounds!
|
310 |
+
|
311 |
+
|
312 |
+
[At the meat counter Bender looks at tubbed slug and I Can't
|
313 |
+
Believe It's Not Slug. He looks up at the salesman.]
|
314 |
+
|
315 |
+
|
316 |
+
BENDER
|
317 |
+
Hey, buddy. I'm looking for fresh slug.
|
318 |
+
|
319 |
+
|
320 |
+
|
321 |
+
|
322 |
+
BENDER
|
323 |
+
Whatever.
|
324 |
+
|
325 |
+
|
326 |
+
|
327 |
+
BENDER
|
328 |
+
Yeah, yeah, either one's fine.
|
329 |
+
|
330 |
+
|
331 |
+
LEELA
|
332 |
+
Hey, have you seen Fry?
|
333 |
+
|
334 |
+
|
335 |
+
[Cut to: Little Neptune Street. Fry is back with the organ dealer
|
336 |
+
in the alley.]
|
337 |
+
|
338 |
+
|
339 |
+
FRY
|
340 |
+
Now that you mention it, I do have trouble
|
341 |
+
breathing underwater sometimes. I'll
|
342 |
+
take the gills.
|
343 |
+
|
344 |
+
|
345 |
+
ORGAN DEALER
|
346 |
+
Yes, gills. Then, uh, you don't need
|
347 |
+
lungs anymore, is right?
|
348 |
+
|
349 |
+
|
350 |
+
FRY
|
351 |
+
Can't imagine why I would.
|
352 |
+
|
353 |
+
|
354 |
+
ORGAN DEALER
|
355 |
+
Lie down on table. I take lungs now,
|
356 |
+
gills come next week. (shouting) Nurse!
|
357 |
+
|
358 |
+
|
359 |
+
|
360 |
+
[A huge man comes over and holds down Fry's arms.]
|
361 |
+
|
362 |
+
|
363 |
+
NURSE
|
364 |
+
Let's do it.
|
365 |
+
|
366 |
+
|
367 |
+
ORGAN DEALER
|
368 |
+
You may feel small pain --
|
369 |
+
|
370 |
+
|
371 |
+
[Leela punches him in the face and he falls over. Then she kicks
|
372 |
+
the nurse to the floor. The organ dealer runs away down the alley
|
373 |
+
and throws his scalpel back at Leela. She dives out of the way
|
374 |
+
and it flies into Bender's chest cabinet. He closes the door.]
|
375 |
+
|
376 |
+
|
377 |
+
|
378 |
+
BENDER
|
379 |
+
(shouting) Thank you!
|
380 |
+
|
381 |
+
|
382 |
+
[Planet Express: Lounge. Fry sits at the table while Leela scolds
|
383 |
+
him.]
|
384 |
+
|
385 |
+
|
386 |
+
LEELA
|
387 |
+
What the hell were you doing? I warned
|
388 |
+
you to stay away from those guys.
|
389 |
+
|
390 |
+
|
391 |
+
|
392 |
+
FRY
|
393 |
+
I'm capable of making my own decisions,
|
394 |
+
Leela. Did you ever stop to think I
|
395 |
+
might be happier with gills?
|
396 |
+
|
397 |
+
|
398 |
+
[Enter Farnsworth.]
|
399 |
+
|
400 |
+
|
401 |
+
FARNSWORTH
|
402 |
+
Good news, everyone...
|
403 |
+
|
404 |
+
|
405 |
+
BENDER
|
406 |
+
Uh-oh, I don't like the sound of that.
|
407 |
+
|
408 |
+
|
409 |
+
|
410 |
+
FARNSWORTH
|
411 |
+
...you'll be making a delivery to the
|
412 |
+
planet Trisol...
|
413 |
+
|
414 |
+
|
415 |
+
BENDER
|
416 |
+
Here it comes.
|
417 |
+
|
418 |
+
|
419 |
+
FARNSWORTH
|
420 |
+
...A mysterious world in the darkest
|
421 |
+
depths of the Forbidden Zone.
|
422 |
+
|
423 |
+
|
424 |
+
BENDER
|
425 |
+
Thank you, and goodnight.
|
426 |
+
|
427 |
+
|
428 |
+
LEELA
|
429 |
+
Uh, Professor, are we even allowed in
|
430 |
+
the Forbidden Zone?
|
431 |
+
|
432 |
+
|
433 |
+
FARNSWORTH
|
434 |
+
Why, of course! Its just a name! Like
|
435 |
+
the Death Zone or the Zone Of No Return.
|
436 |
+
All the zones have names like that in
|
437 |
+
the Galaxy Of Terror!
|
438 |
+
|
439 |
+
|
440 |
+
LEELA
|
441 |
+
Uh, Professor...
|
442 |
+
|
443 |
+
|
444 |
+
FARNSWORTH
|
445 |
+
Off you go, pleasant trip.
|
446 |
+
|
447 |
+
|
448 |
+
[Ships Cockpit. Zoidberg and Amy join the crew on the mission.
|
449 |
+
Bender is not with them. Fry leans back in his chair and shouts
|
450 |
+
down a hole in the floor.]
|
451 |
+
|
452 |
+
|
453 |
+
FRY
|
454 |
+
(shouting) Hey Bender how's dinner coming?
|
455 |
+
|
456 |
+
|
457 |
+
|
458 |
+
BENDER
|
459 |
+
Almost ready!
|
460 |
+
|
461 |
+
|
462 |
+
[Cut to: Ships Galley. Bender is wearing his chef's hat and a
|
463 |
+
new apron which says To Serve Man. He takes the Neptunian slug
|
464 |
+
out of a pot of boiling water, puts it on a plate and puts an
|
465 |
+
apple in its mouth.]
|
466 |
+
|
467 |
+
|
468 |
+
BENDER
|
469 |
+
Now for a dash of salt! Uh-oh!
|
470 |
+
|
471 |
+
|
472 |
+
[Ships Mess. The crew are all ready to eat. Bender carves the
|
473 |
+
tiny, deflated slug. Leela leans in to the rest of the crew.]
|
474 |
+
|
475 |
+
|
476 |
+
|
477 |
+
LEELA
|
478 |
+
(whispering) Listen, this is Bender's
|
479 |
+
first meal and he's a little sensitive.
|
480 |
+
So let's be supportive, OK?
|
481 |
+
|
482 |
+
|
483 |
+
FRY
|
484 |
+
Yeah, OK.
|
485 |
+
|
486 |
+
|
487 |
+
ZOIDBERG
|
488 |
+
Alright.
|
489 |
+
|
490 |
+
|
491 |
+
[They start eating.]
|
492 |
+
|
493 |
+
|
494 |
+
LEELA
|
495 |
+
(shouting) Oh, dear God!
|
496 |
+
|
497 |
+
|
498 |
+
[She spits the slug out and so does everyone else.]
|
499 |
+
|
500 |
+
|
501 |
+
FRY
|
502 |
+
That's the saltiest thing I've ever
|
503 |
+
tasted. And I once a big heaping bowl
|
504 |
+
of salt!
|
505 |
+
|
506 |
+
|
507 |
+
[Everyone guzzles down a glass of water and once again they spit
|
508 |
+
it out.]
|
509 |
+
|
510 |
+
|
511 |
+
AMY
|
512 |
+
Bender, is this salt water?
|
513 |
+
|
514 |
+
|
515 |
+
BENDER
|
516 |
+
It's salt with water in it if that's
|
517 |
+
what you mean.
|
518 |
+
|
519 |
+
|
520 |
+
[Fry waves his hand in front of his eyes.]
|
521 |
+
|
522 |
+
|
523 |
+
FRY
|
524 |
+
My vision's fading. I think I'm gonna
|
525 |
+
die.
|
526 |
+
|
527 |
+
|
528 |
+
BENDER
|
529 |
+
There was nothing wrong with that food.
|
530 |
+
The salt level was 10% less than a lethal
|
531 |
+
dose.
|
532 |
+
|
533 |
+
|
534 |
+
ZOIDBERG
|
535 |
+
Uh-oh, I shouldn't have had seconds.
|
536 |
+
|
537 |
+
|
538 |
+
|
539 |
+
[The ship speeds towards the Planet Trisol.]
|
540 |
+
|
541 |
+
|
542 |
+
[Trisol Surface. The ship lands on a landing pad in a desert.]
|
543 |
+
|
544 |
+
|
545 |
+
|
546 |
+
[Cut to: Ships Cockpit.]
|
547 |
+
|
548 |
+
|
549 |
+
LEELA
|
550 |
+
OK, Fry, here's the package to deliver
|
551 |
+
and for once in your life be careful.
|
552 |
+
This is my first visit to the Galaxy
|
553 |
+
Of Terror and I'd like it to be a pleasant
|
554 |
+
one.
|
555 |
+
|
556 |
+
|
557 |
+
[She slaps Fry who is mimicking her with his hand.]
|
558 |
+
|
559 |
+
|
560 |
+
FRY
|
561 |
+
Ow!
|
562 |
+
|
563 |
+
|
564 |
+
LEELA
|
565 |
+
Don't touch anything or talk to anyone.
|
566 |
+
Just go to the palace, drop it off and
|
567 |
+
come right back.
|
568 |
+
|
569 |
+
|
570 |
+
FRY
|
571 |
+
Jeez, will you lay off! I was delivering
|
572 |
+
things before you were born! I think
|
573 |
+
I know what I'm doing.
|
574 |
+
|
575 |
+
|
576 |
+
[He walks off without the package and quickly returns for it.]
|
577 |
+
|
578 |
+
|
579 |
+
|
580 |
+
[Trisol Surface. Fry is walking across the desert in the sweltering
|
581 |
+
heat.]
|
582 |
+
|
583 |
+
|
584 |
+
FRY
|
585 |
+
Stupid slug. I've never been so thirsty.
|
586 |
+
Oh, come on! Go down already! Ah!
|
587 |
+
|
588 |
+
|
589 |
+
|
590 |
+
[On the other side of him two other much larger suns rise over
|
591 |
+
the horizon.]
|
592 |
+
|
593 |
+
|
594 |
+
[Time Lapse. Fry nears the Trisol Palace, climbs the huge staircase
|
595 |
+
and enters the palace.]
|
596 |
+
|
597 |
+
|
598 |
+
[Cut to: Trisol Palace Throne Room. It is deserted.]
|
599 |
+
|
600 |
+
|
601 |
+
FRY
|
602 |
+
Hello? Anybody home?
|
603 |
+
|
604 |
+
|
605 |
+
[He reads the package address. It is addressed to the Emperor.
|
606 |
+
He decides to leave it on the throne. He sees a bottle of water
|
607 |
+
beside the throne, looks around, then drinks the entire contents.
|
608 |
+
Two pools of water close in on him and form into humanoid shapes.
|
609 |
+
Guards.]
|
610 |
+
|
611 |
+
|
612 |
+
GUARD #1
|
613 |
+
The royal bottle is empty!
|
614 |
+
|
615 |
+
|
616 |
+
[The second guard gasps.]
|
617 |
+
|
618 |
+
|
619 |
+
GUARD #2
|
620 |
+
You drank our Emperor!
|
621 |
+
|
622 |
+
|
623 |
+
FRY
|
624 |
+
No! It wasn't me!
|
625 |
+
|
626 |
+
|
627 |
+
[He burps a small bubble of the Emperor. He pops it and laughs
|
628 |
+
nervously.]
|
629 |
+
|
630 |
+
|
631 |
+
[Time Lapse. More guards have come in.]
|
632 |
+
|
633 |
+
|
634 |
+
GUARD #1
|
635 |
+
You drank our Emperor! You assassinated
|
636 |
+
him.
|
637 |
+
|
638 |
+
|
639 |
+
FRY
|
640 |
+
I didn't mean to. He just looked so
|
641 |
+
cool and refreshing.
|
642 |
+
|
643 |
+
|
644 |
+
GUARD #3
|
645 |
+
I'm sure he was.
|
646 |
+
|
647 |
+
|
648 |
+
GUARD #1
|
649 |
+
But now he's gone and your fate is sealed.
|
650 |
+
All hail the new Emperor.
|
651 |
+
|
652 |
+
|
653 |
+
[The guards bow to Fry.]
|
654 |
+
|
655 |
+
|
656 |
+
GUARDS
|
657 |
+
(chanting) Hail! Hail! Hail!
|
658 |
+
|
659 |
+
|
660 |
+
[Time Lapse. Fry is sat on the Emperor's throne with two Trisolian
|
661 |
+
women at his side fanning him. The rest of the Planet Express
|
662 |
+
crew have arrived.]
|
663 |
+
|
664 |
+
|
665 |
+
LEELA
|
666 |
+
So after I specifically asked you not
|
667 |
+
to touch anything, you drank a bottle
|
668 |
+
of strange blue liquid? It could have
|
669 |
+
been poisonous acid!
|
670 |
+
|
671 |
+
|
672 |
+
FRY
|
673 |
+
It could have been. But chances were
|
674 |
+
equally good it was an Emperor.
|
675 |
+
|
676 |
+
|
677 |
+
[Enter a Trisolian.]
|
678 |
+
|
679 |
+
|
680 |
+
MERG
|
681 |
+
Excuse me, Your Majesty, I am Merg,
|
682 |
+
the High Priest. If I might interject?
|
683 |
+
|
684 |
+
|
685 |
+
|
686 |
+
FRY
|
687 |
+
You might.
|
688 |
+
|
689 |
+
|
690 |
+
MERG
|
691 |
+
I humbly advise that as your first act
|
692 |
+
you choose a capable Prime Minister.
|
693 |
+
I suggest Gorgak, the previous appointee.
|
694 |
+
|
695 |
+
|
696 |
+
|
697 |
+
GORGAK
|
698 |
+
I will be a forceful and effective administrator.
|
699 |
+
|
700 |
+
|
701 |
+
|
702 |
+
BENDER
|
703 |
+
You know, Fry, I've often thought about
|
704 |
+
becoming a Prime Minister.
|
705 |
+
|
706 |
+
|
707 |
+
FRY
|
708 |
+
I gotta go with Bender.
|
709 |
+
|
710 |
+
|
711 |
+
BENDER
|
712 |
+
Yes! In your face, Gorgak!
|
713 |
+
|
714 |
+
|
715 |
+
LEELA
|
716 |
+
That's it, Fry. As your captain I order
|
717 |
+
you back to the ship. You are in way
|
718 |
+
over your head.
|
719 |
+
|
720 |
+
|
721 |
+
FRY
|
722 |
+
Gee, you think so, Captain? I'd better
|
723 |
+
check with my Prime Minister.
|
724 |
+
|
725 |
+
|
726 |
+
[Bender is now sat being fanned.]
|
727 |
+
|
728 |
+
|
729 |
+
BENDER
|
730 |
+
Stay the course, pal!
|
731 |
+
|
732 |
+
|
733 |
+
GORGAK
|
734 |
+
Your Highness, a package came for you.
|
735 |
+
|
736 |
+
|
737 |
+
|
738 |
+
[He hands Fry the same package he was supposed to deliver earlier.]
|
739 |
+
|
740 |
+
|
741 |
+
|
742 |
+
FRY
|
743 |
+
Hey, thanks! Wow! This got here just
|
744 |
+
in time.
|
745 |
+
|
746 |
+
|
747 |
+
[He hangs it on a column next to his throne.]
|
748 |
+
|
749 |
+
|
750 |
+
[Trisol Palace Harem. The room is full of shelves which are full
|
751 |
+
of bottles of Trisolians. Merg is with Fry.]
|
752 |
+
|
753 |
+
|
754 |
+
MERG
|
755 |
+
This is Your Majesty's harem. You may
|
756 |
+
choose any of these maidens to be your
|
757 |
+
royal consort.
|
758 |
+
|
759 |
+
|
760 |
+
FRY
|
761 |
+
Umm, how about that one?
|
762 |
+
|
763 |
+
|
764 |
+
[He points to a random bottle.]
|
765 |
+
|
766 |
+
|
767 |
+
MERG
|
768 |
+
Oh! I didn't realise Your Majesty was
|
769 |
+
into that sort of thing!
|
770 |
+
|
771 |
+
|
772 |
+
FRY
|
773 |
+
On second thought, I'll take that one.
|
774 |
+
|
775 |
+
|
776 |
+
|
777 |
+
[He points to another random bottle.]
|
778 |
+
|
779 |
+
|
780 |
+
MERG
|
781 |
+
Hey, whatever you say, I'm not here
|
782 |
+
to pass judgement.
|
783 |
+
|
784 |
+
|
785 |
+
[Trisol Palace Throne Room. The crew are lounging around enjoying
|
786 |
+
themselves. Amy is stirring a glass of water with her finger.
|
787 |
+
Leela paces up and down.]
|
788 |
+
|
789 |
+
|
790 |
+
LEELA
|
791 |
+
Does anyone else think it's odd that
|
792 |
+
a shiftless 25-year-old delivery boy
|
793 |
+
could drop out of the sky, kill the
|
794 |
+
emperor and be rewarded instead of punished?
|
795 |
+
|
796 |
+
|
797 |
+
|
798 |
+
FRY
|
799 |
+
You don't have to beat around the bush,
|
800 |
+
Leela, we all know who you're talking
|
801 |
+
about...uh, me, right?
|
802 |
+
|
803 |
+
|
804 |
+
AMY
|
805 |
+
I don't think you have anything to worry
|
806 |
+
about. These people seem really mild-mannered.
|
807 |
+
|
808 |
+
|
809 |
+
|
810 |
+
ZOIDBERG
|
811 |
+
They are mild. In fact, you're soaking
|
812 |
+
in one right now.
|
813 |
+
|
814 |
+
|
815 |
+
[Amy screams and takes her finger out of the glass. Gorgak appears
|
816 |
+
from it.]
|
817 |
+
|
818 |
+
|
819 |
+
GORGAK
|
820 |
+
You touched me in ways I've never been
|
821 |
+
touched before.
|
822 |
+
|
823 |
+
|
824 |
+
[Enter Merg.]
|
825 |
+
|
826 |
+
|
827 |
+
MERG
|
828 |
+
Ah, there you are, Your Majesty. It's
|
829 |
+
time to begin preparing for tomorrow's
|
830 |
+
coronation ceremony.
|
831 |
+
|
832 |
+
|
833 |
+
ZOIDBERG
|
834 |
+
A fancy dress gala! I'll wear my formal
|
835 |
+
shell.
|
836 |
+
|
837 |
+
|
838 |
+
MERG
|
839 |
+
Fry will be enthroned tomorrow at the
|
840 |
+
setting of the three suns when we Trisolians
|
841 |
+
enter our nocturnal phase.
|
842 |
+
|
843 |
+
|
844 |
+
FRY
|
845 |
+
There won't be a lot of long-winded
|
846 |
+
speeches, will there?
|
847 |
+
|
848 |
+
|
849 |
+
MERG
|
850 |
+
Only one. The absolutely flawless recitation
|
851 |
+
from memory of the royal oath. By you.
|
852 |
+
|
853 |
+
|
854 |
+
|
855 |
+
FRY
|
856 |
+
Will there be cake?
|
857 |
+
|
858 |
+
|
859 |
+
[Trisolian Banquet Hall. It is the Pre-Coronation Gala. Trisolians
|
860 |
+
perform on a stage. Zoidberg talks to two Trisolians.]
|
861 |
+
|
862 |
+
|
863 |
+
ZOIDBERG
|
864 |
+
Yeah, I know.
|
865 |
+
|
866 |
+
|
867 |
+
AMY
|
868 |
+
Hi!
|
869 |
+
|
870 |
+
|
871 |
+
[She wiggles her fingers. Fry pours a glass of something for
|
872 |
+
Merg.]
|
873 |
+
|
874 |
+
|
875 |
+
FRY
|
876 |
+
There you go.
|
877 |
+
|
878 |
+
|
879 |
+
[The Trisolians playing the liquid harmonica with themselves
|
880 |
+
as the liquid finish. The audience applauds and Gorgak takes
|
881 |
+
the stage.]
|
882 |
+
|
883 |
+
|
884 |
+
GORGAK
|
885 |
+
And now, get ready to laugh til your
|
886 |
+
sides leak with our planet's foremost
|
887 |
+
political satirist, Florp!
|
888 |
+
|
889 |
+
|
890 |
+
[He leaves and Florp walks onto the stage.]
|
891 |
+
|
892 |
+
|
893 |
+
FLORP
|
894 |
+
So what is the deal with people from
|
895 |
+
under the orange sun? They're all...
|
896 |
+
But us guys from under the red sun,
|
897 |
+
we're like... Right? Am I right?
|
898 |
+
|
899 |
+
|
900 |
+
FRY
|
901 |
+
Oh, yeah! Yeah, he's right!
|
902 |
+
|
903 |
+
|
904 |
+
LEELA
|
905 |
+
(whispering) Fry, I have to talk to
|
906 |
+
you. You're in terrible danger.
|
907 |
+
|
908 |
+
|
909 |
+
[Trisol Palace Corridor. On the walls of the corridor are paintings
|
910 |
+
of past Trisolian Emperors.]
|
911 |
+
|
912 |
+
|
913 |
+
LEELA
|
914 |
+
You see Emperor Plon here? He met his
|
915 |
+
end when he was drunk by Emperor Strug.
|
916 |
+
And before he could even wipe his mouth,
|
917 |
+
Strug was drunk by Shwab.
|
918 |
+
|
919 |
+
|
920 |
+
FRY
|
921 |
+
So?
|
922 |
+
|
923 |
+
|
924 |
+
LEELA
|
925 |
+
Look at all these guys. Do you have
|
926 |
+
any idea what the average length of
|
927 |
+
their reigns was?
|
928 |
+
|
929 |
+
|
930 |
+
FRY
|
931 |
+
80,000 years?
|
932 |
+
|
933 |
+
|
934 |
+
LEELA
|
935 |
+
No. One week.
|
936 |
+
|
937 |
+
|
938 |
+
FRY
|
939 |
+
Damn! I knew you wouldn't have asked
|
940 |
+
unless it was really high or really
|
941 |
+
low.
|
942 |
+
|
943 |
+
|
944 |
+
LEELA
|
945 |
+
Every Emperor ascended to power by assassinating
|
946 |
+
the previous one. And guess who's next?
|
947 |
+
|
948 |
+
|
949 |
+
|
950 |
+
[She points at Fry's portrait. Fry looks at some empty frames
|
951 |
+
labelled Fry's Assassin and Fry's Assassin's Assassin. He points
|
952 |
+
at the last one.]
|
953 |
+
|
954 |
+
|
955 |
+
FRY
|
956 |
+
Well at least my assassin will get what's
|
957 |
+
coming to him.
|
958 |
+
|
959 |
+
|
960 |
+
LEELA
|
961 |
+
You're in tremendous danger, you idiot!
|
962 |
+
Half of these Emperors were drunk at
|
963 |
+
their own coronation.
|
964 |
+
|
965 |
+
|
966 |
+
FRY
|
967 |
+
Hey, I plan on having a few brewskis
|
968 |
+
myself.
|
969 |
+
|
970 |
+
|
971 |
+
LEELA
|
972 |
+
No, they were assassinated. In fact,
|
973 |
+
the law says you'll be killed on the
|
974 |
+
spot if you fail to recite the oath
|
975 |
+
from memory.
|
976 |
+
|
977 |
+
|
978 |
+
[She holds up a book called Oath Vol. I.]
|
979 |
+
|
980 |
+
|
981 |
+
FRY
|
982 |
+
Yeah, I was going to thumb through that
|
983 |
+
later.
|
984 |
+
|
985 |
+
|
986 |
+
LEELA
|
987 |
+
That is completely reckless. Don't you
|
988 |
+
ever think ahead?
|
989 |
+
|
990 |
+
|
991 |
+
FRY
|
992 |
+
Hell, no. If I stopped to think ahead,
|
993 |
+
I wouldn't be Emperor. And I wouldn't
|
994 |
+
even be here in the year 3000. It's
|
995 |
+
just like the story of the grasshopper
|
996 |
+
and the octopus. All year long the grasshopper
|
997 |
+
kept burying acorns for winter while
|
998 |
+
the octopus mooched off his girlfriend
|
999 |
+
and watched TV. But then the winter
|
1000 |
+
came and the grasshopper died and the
|
1001 |
+
octopus ate all his acorns and also
|
1002 |
+
he got a racecar. Is any of this getting
|
1003 |
+
through to you?
|
1004 |
+
|
1005 |
+
|
1006 |
+
LEELA
|
1007 |
+
I give up! You're gonna get yourself
|
1008 |
+
killed and this time I won't be here
|
1009 |
+
to save you.
|
1010 |
+
|
1011 |
+
|
1012 |
+
FRY
|
1013 |
+
Who asked you to? I told you a hundred
|
1014 |
+
times to stop treating me like a baby.
|
1015 |
+
Now go. Go gather your nuts you nagging
|
1016 |
+
grasshopper.
|
1017 |
+
|
1018 |
+
|
1019 |
+
[Leela angrily throws down the book.]
|
1020 |
+
|
1021 |
+
|
1022 |
+
LEELA
|
1023 |
+
That's it! I'm never helping you again!
|
1024 |
+
If anyone except you needs me, I'll
|
1025 |
+
be in the ship.
|
1026 |
+
|
1027 |
+
|
1028 |
+
[She storms off.]
|
1029 |
+
|
1030 |
+
|
1031 |
+
FRY
|
1032 |
+
I'll be fine. It's not like anyone's
|
1033 |
+
gonna drink me. Quit it!
|
1034 |
+
|
1035 |
+
|
1036 |
+
[He knocks the straw away from his neck and it disappears back
|
1037 |
+
into the hole in the painting.]
|
1038 |
+
|
1039 |
+
|
1040 |
+
[Trisol Palace Front Balcony. The Planet Express crew sans Leela
|
1041 |
+
are gathered with Fry. Merg is on a podium facing across the
|
1042 |
+
Trisolian Surface where millions of Trisolians are gathered to
|
1043 |
+
hear Fry's oath.]
|
1044 |
+
|
1045 |
+
|
1046 |
+
MERG
|
1047 |
+
People of Trisol, it is my honour to
|
1048 |
+
present your new Emperor!
|
1049 |
+
|
1050 |
+
|
1051 |
+
[The Trisolians applaud Fry, who takes Merg's place on the podium.
|
1052 |
+
Fry clears his throat.]
|
1053 |
+
|
1054 |
+
|
1055 |
+
FRY
|
1056 |
+
What up?
|
1057 |
+
|
1058 |
+
|
1059 |
+
[Silence from the crowd.]
|
1060 |
+
|
1061 |
+
|
1062 |
+
MERG
|
1063 |
+
Stick to the oath.
|
1064 |
+
|
1065 |
+
|
1066 |
+
FRY
|
1067 |
+
Right! I, Fry, who drank Bont the Viscous,
|
1068 |
+
who drank Ungo the Moist, who guzzled
|
1069 |
+
Zorn the Stagnant...
|
1070 |
+
|
1071 |
+
|
1072 |
+
[Time Lapse. The suns are nearly set. Fry is still reciting the
|
1073 |
+
oath by reading it from his arm.]
|
1074 |
+
|
1075 |
+
|
1076 |
+
FRY
|
1077 |
+
...who slurped Hudge the Dewy, who enjoyed
|
1078 |
+
a soup composed principally of Throm
|
1079 |
+
the Chunky, do solemnly swear to rule
|
1080 |
+
with honour and insanity - uh, integrity!
|
1081 |
+
|
1082 |
+
|
1083 |
+
|
1084 |
+
MERG
|
1085 |
+
Congratulations, Your Highness. I now
|
1086 |
+
present you with your royal unisex robe.
|
1087 |
+
Long live Fry The Solid!
|
1088 |
+
|
1089 |
+
|
1090 |
+
[He puts the robe on Fry. The Trisolians cheer. The suns begin
|
1091 |
+
to go down.]
|
1092 |
+
|
1093 |
+
|
1094 |
+
BENDER
|
1095 |
+
Hey, look. The suns are setting. I can
|
1096 |
+
finally switch to hard liquor!
|
1097 |
+
|
1098 |
+
|
1099 |
+
[He gets a bottle out of his chest cabinet. The three suns set
|
1100 |
+
and the Trisolians begin to turn a lighter shade of blue.]
|
1101 |
+
|
1102 |
+
|
1103 |
+
|
1104 |
+
BENDER
|
1105 |
+
Check out the glowing freaks. It's beautiful!
|
1106 |
+
Hey, what's that?
|
1107 |
+
|
1108 |
+
|
1109 |
+
[He points at Fry's stomach. It is turning blue and growing a
|
1110 |
+
face. The Trisolians gasp and quickly return to normal shade.]
|
1111 |
+
|
1112 |
+
|
1113 |
+
|
1114 |
+
MERG
|
1115 |
+
The Emperor Bont! He's still alive.
|
1116 |
+
|
1117 |
+
|
1118 |
+
|
1119 |
+
BONT
|
1120 |
+
Of course I'm alive. Now cut this creep
|
1121 |
+
open and drain me out!
|
1122 |
+
|
1123 |
+
|
1124 |
+
[Guards close in on Fry. Fry clutches his stomach.]
|
1125 |
+
|
1126 |
+
|
1127 |
+
FRY
|
1128 |
+
My tummy hurts!
|
1129 |
+
|
1130 |
+
|
1131 |
+
[The guards and Merg chase Fry, Amy, Zoidberg and Bender up the
|
1132 |
+
steps.]
|
1133 |
+
|
1134 |
+
|
1135 |
+
BONT
|
1136 |
+
They're over here, they're running up
|
1137 |
+
the stairs.
|
1138 |
+
|
1139 |
+
|
1140 |
+
BENDER
|
1141 |
+
Shut up, you!
|
1142 |
+
|
1143 |
+
|
1144 |
+
[He punches Bont, hurting Fry.]
|
1145 |
+
|
1146 |
+
|
1147 |
+
FRY
|
1148 |
+
Ow!
|
1149 |
+
|
1150 |
+
|
1151 |
+
[Cut to: Trisol Palace Throne Room. The crew get inside the palace
|
1152 |
+
and bolt the door.]
|
1153 |
+
|
1154 |
+
|
1155 |
+
[Cut to: Outside Throne Room.]
|
1156 |
+
|
1157 |
+
|
1158 |
+
MERG
|
1159 |
+
Let us in!
|
1160 |
+
|
1161 |
+
|
1162 |
+
[Cut to: Trisol Palace Throne Room.]
|
1163 |
+
|
1164 |
+
|
1165 |
+
MERG
|
1166 |
+
Fry must die so that Bont may live.
|
1167 |
+
|
1168 |
+
|
1169 |
+
|
1170 |
+
FRY
|
1171 |
+
What am I gonna do?
|
1172 |
+
|
1173 |
+
|
1174 |
+
AMY
|
1175 |
+
We've gotta get the Emperor out of your
|
1176 |
+
body before they kill you!
|
1177 |
+
|
1178 |
+
|
1179 |
+
ZOIDBERG
|
1180 |
+
Relax, Fry. I'll simply spin you in
|
1181 |
+
a high-speed centrifuge separating out
|
1182 |
+
the denser fluid of His Highness.
|
1183 |
+
|
1184 |
+
|
1185 |
+
|
1186 |
+
FRY
|
1187 |
+
But won't that crush my bones?
|
1188 |
+
|
1189 |
+
|
1190 |
+
ZOIDBERG
|
1191 |
+
Oh, right, right, with the bones! I
|
1192 |
+
always forget about the bones.
|
1193 |
+
|
1194 |
+
|
1195 |
+
BENDER
|
1196 |
+
Hey, why don't you just sweat him out?
|
1197 |
+
|
1198 |
+
|
1199 |
+
|
1200 |
+
BONT
|
1201 |
+
Forget it! As Emperor I refuse to be
|
1202 |
+
dripped out through somebody's armpit.
|
1203 |
+
|
1204 |
+
|
1205 |
+
|
1206 |
+
FRY
|
1207 |
+
I could vomit or urinate. Would you
|
1208 |
+
feel better about that?
|
1209 |
+
|
1210 |
+
|
1211 |
+
BONT
|
1212 |
+
Slightly. But my favourite so far is
|
1213 |
+
the bone-crushing.
|
1214 |
+
|
1215 |
+
|
1216 |
+
AMY
|
1217 |
+
What about crying?
|
1218 |
+
|
1219 |
+
|
1220 |
+
FRY
|
1221 |
+
That's a great idea! Crying.
|
1222 |
+
|
1223 |
+
|
1224 |
+
BONT
|
1225 |
+
Fine. That or the bone one.
|
1226 |
+
|
1227 |
+
|
1228 |
+
[Cut to: Outside Throne Room. Trisolians are throwing themselves
|
1229 |
+
at the door. As they hit it they turn into pools of water. They
|
1230 |
+
regroup themselves and stand up.]
|
1231 |
+
|
1232 |
+
|
1233 |
+
MERG
|
1234 |
+
Keep it up, men. The veneer is starting
|
1235 |
+
to peel.
|
1236 |
+
|
1237 |
+
|
1238 |
+
[Gorgak throws himself at the door but can't re-solidify.]
|
1239 |
+
|
1240 |
+
|
1241 |
+
GORGAK
|
1242 |
+
Oh, dear!
|
1243 |
+
|
1244 |
+
|
1245 |
+
[Cut to: Trisol Palace Throne Room. Fry is trying to cry.]
|
1246 |
+
|
1247 |
+
|
1248 |
+
FRY
|
1249 |
+
It's no use. I wanna cry but I'm just
|
1250 |
+
too macho.
|
1251 |
+
|
1252 |
+
|
1253 |
+
BENDER
|
1254 |
+
I'll make you cry, buddy! You're a
|
1255 |
+
pimple on society's ass and you'll never
|
1256 |
+
amount to anything.
|
1257 |
+
|
1258 |
+
|
1259 |
+
FRY
|
1260 |
+
What do you mean? I was Emperor of a
|
1261 |
+
whole planet.
|
1262 |
+
|
1263 |
+
|
1264 |
+
BENDER
|
1265 |
+
Good point. But here's a disturbing
|
1266 |
+
reminder: Everyone you knew or loved
|
1267 |
+
in the 20th century is dead.
|
1268 |
+
|
1269 |
+
|
1270 |
+
FRY
|
1271 |
+
These things happen.
|
1272 |
+
|
1273 |
+
|
1274 |
+
BENDER
|
1275 |
+
OK, Fry, grab a Kleenex for this one,
|
1276 |
+
'cause there's no God and your idiotic
|
1277 |
+
human ideals are laughable!
|
1278 |
+
|
1279 |
+
|
1280 |
+
[He laughs evily.]
|
1281 |
+
|
1282 |
+
|
1283 |
+
FRY
|
1284 |
+
Phew! That's a load off my mind.
|
1285 |
+
|
1286 |
+
|
1287 |
+
BENDER
|
1288 |
+
Man, I guess it's harder than I thought
|
1289 |
+
to make someone cry.
|
1290 |
+
|
1291 |
+
|
1292 |
+
AMY
|
1293 |
+
You did your best, Bender.
|
1294 |
+
|
1295 |
+
|
1296 |
+
BENDER
|
1297 |
+
Up yours, bimbo!
|
1298 |
+
|
1299 |
+
|
1300 |
+
[Amy bursts into tears.]
|
1301 |
+
|
1302 |
+
|
1303 |
+
ZOIDBERG
|
1304 |
+
Let's face it, we're in hot butter here.
|
1305 |
+
We should call Leela for help.
|
1306 |
+
|
1307 |
+
|
1308 |
+
BENDER
|
1309 |
+
Cram it, lobster! That is a good idea.
|
1310 |
+
I'll go call her.
|
1311 |
+
|
1312 |
+
|
1313 |
+
FRY
|
1314 |
+
She'll never help me. She's still mad
|
1315 |
+
that I told her never to help me.
|
1316 |
+
|
1317 |
+
|
1318 |
+
|
1319 |
+
AMY
|
1320 |
+
C'mon. Leela's not the type to hold
|
1321 |
+
a grudge.
|
1322 |
+
|
1323 |
+
|
1324 |
+
[Ships Cargo Bay. Leela is punching and kicking a punch bag with
|
1325 |
+
Fry's photo taped to it. The phone rings.]
|
1326 |
+
|
1327 |
+
|
1328 |
+
OPERATOR
|
1329 |
+
Collect call from...
|
1330 |
+
|
1331 |
+
|
1332 |
+
BENDER
|
1333 |
+
I'm not giving my name to a machine.
|
1334 |
+
|
1335 |
+
|
1336 |
+
|
1337 |
+
LEELA
|
1338 |
+
I'll accept.
|
1339 |
+
|
1340 |
+
|
1341 |
+
[Bender appears on the phone screen.]
|
1342 |
+
|
1343 |
+
|
1344 |
+
BENDER
|
1345 |
+
Fry's in trouble...
|
1346 |
+
|
1347 |
+
|
1348 |
+
[Cut to: Trisol Palace. Bender is sat on a chair in front of
|
1349 |
+
the payphone.]
|
1350 |
+
|
1351 |
+
|
1352 |
+
BENDER
|
1353 |
+
...and he needs help. Now, I don't like
|
1354 |
+
you and you don't like me.
|
1355 |
+
|
1356 |
+
|
1357 |
+
LEELA
|
1358 |
+
I like you.
|
1359 |
+
|
1360 |
+
|
1361 |
+
BENDER
|
1362 |
+
You do? Look are you going to help or
|
1363 |
+
not?
|
1364 |
+
|
1365 |
+
|
1366 |
+
LEELA
|
1367 |
+
I don't know why I should. I mean after
|
1368 |
+
what he --
|
1369 |
+
|
1370 |
+
|
1371 |
+
BENDER
|
1372 |
+
Wait, wait, wait, wait. What is it
|
1373 |
+
you like best about me?
|
1374 |
+
|
1375 |
+
|
1376 |
+
[Trisol Palace Throne Room. Enter Bender.]
|
1377 |
+
|
1378 |
+
|
1379 |
+
AMY
|
1380 |
+
Is she coming?
|
1381 |
+
|
1382 |
+
|
1383 |
+
BENDER
|
1384 |
+
I'm not sure. But I do know that she
|
1385 |
+
likes my in-your-face attitude.
|
1386 |
+
|
1387 |
+
|
1388 |
+
[There is a rumbling from outside. The crew gather around a window
|
1389 |
+
and look out. The Trisolians are pulling a giant lemon juicer-like
|
1390 |
+
thing towards the palace.]
|
1391 |
+
|
1392 |
+
|
1393 |
+
FRY
|
1394 |
+
What the hell is that?
|
1395 |
+
|
1396 |
+
|
1397 |
+
BONT
|
1398 |
+
Its the Juice-A-Matic 4000. It'll strain
|
1399 |
+
my juices from you while filtering out
|
1400 |
+
the pulp. By which I mean, your shredded
|
1401 |
+
remains.
|
1402 |
+
|
1403 |
+
|
1404 |
+
ZOIDBERG
|
1405 |
+
Of course! Why didn't I think of that!
|
1406 |
+
|
1407 |
+
|
1408 |
+
|
1409 |
+
FRY
|
1410 |
+
This is the saddest day of my life.
|
1411 |
+
And I still can't cry.
|
1412 |
+
|
1413 |
+
|
1414 |
+
[Fry sits in his throne but a splashing noise from outside attracts
|
1415 |
+
the others to the window.]
|
1416 |
+
|
1417 |
+
|
1418 |
+
BENDER
|
1419 |
+
Wait a second. Here comes Leela.
|
1420 |
+
|
1421 |
+
|
1422 |
+
[Cut to: Outside Trisol Palace. Leela kicks her way through the
|
1423 |
+
crowd of Trisolian guards, splashing them to oblivion. They swarm
|
1424 |
+
her.]
|
1425 |
+
|
1426 |
+
|
1427 |
+
[Cut to: Trisol Palace Throne Room.]
|
1428 |
+
|
1429 |
+
|
1430 |
+
AMY
|
1431 |
+
Oh, no. They have her totally outnumbered.
|
1432 |
+
|
1433 |
+
|
1434 |
+
|
1435 |
+
FRY
|
1436 |
+
I can't believe it. She's risking her
|
1437 |
+
life for me after the way I treated
|
1438 |
+
her. I don't deserve this. I feel terrible.
|
1439 |
+
|
1440 |
+
|
1441 |
+
|
1442 |
+
BENDER
|
1443 |
+
You do? Hmm.
|
1444 |
+
|
1445 |
+
|
1446 |
+
FRY
|
1447 |
+
Is she alright?
|
1448 |
+
|
1449 |
+
|
1450 |
+
BENDER
|
1451 |
+
I don't know. Perhaps I'll look out
|
1452 |
+
this window. Oh, dear God in heaven,
|
1453 |
+
they're swarming all over her.
|
1454 |
+
|
1455 |
+
|
1456 |
+
FRY
|
1457 |
+
No. No!
|
1458 |
+
|
1459 |
+
|
1460 |
+
AMY
|
1461 |
+
What are you talking about, Bender?
|
1462 |
+
She's al -- (muffled) Oh!
|
1463 |
+
|
1464 |
+
|
1465 |
+
BENDER
|
1466 |
+
They're strapping her to juicer. Oh,
|
1467 |
+
they're putting some ice cubes in the
|
1468 |
+
glass under it.
|
1469 |
+
|
1470 |
+
|
1471 |
+
FRY
|
1472 |
+
This can't be happening.
|
1473 |
+
|
1474 |
+
|
1475 |
+
BENDER
|
1476 |
+
It can and, for all you know, it is.
|
1477 |
+
I'm sorry, Fry. She's dead.
|
1478 |
+
|
1479 |
+
|
1480 |
+
[Fry starts to cry and Amy catches his tear in the bottle.]
|
1481 |
+
|
1482 |
+
|
1483 |
+
|
1484 |
+
FRY
|
1485 |
+
All Leela ever wanted to do was help
|
1486 |
+
me. But I was to proud, too stupid to
|
1487 |
+
accept it. I wish I had died instead
|
1488 |
+
of her.
|
1489 |
+
|
1490 |
+
|
1491 |
+
[He starts to cry. Enter Leela via the window.]
|
1492 |
+
|
1493 |
+
|
1494 |
+
LEELA
|
1495 |
+
What are you talking about?
|
1496 |
+
|
1497 |
+
|
1498 |
+
[Fry stops crying.]
|
1499 |
+
|
1500 |
+
|
1501 |
+
FRY
|
1502 |
+
Leela! You're alive!
|
1503 |
+
|
1504 |
+
|
1505 |
+
LEELA
|
1506 |
+
Of course I'm alive.
|
1507 |
+
|
1508 |
+
|
1509 |
+
BENDER
|
1510 |
+
I told Fry you were dead so he would
|
1511 |
+
cry out the Emperor but you had to go
|
1512 |
+
and wreck it by surviving.
|
1513 |
+
|
1514 |
+
|
1515 |
+
AMY
|
1516 |
+
We only got two drops.
|
1517 |
+
|
1518 |
+
|
1519 |
+
[There is a bang at the door. The Trisolians begin leaking in
|
1520 |
+
through a hole. Bont chuckles.]
|
1521 |
+
|
1522 |
+
|
1523 |
+
BONT
|
1524 |
+
It's only a matter of time now.
|
1525 |
+
|
1526 |
+
|
1527 |
+
ZOIDBERG
|
1528 |
+
I'll handle this!
|
1529 |
+
|
1530 |
+
|
1531 |
+
[He tries to block the leak with his claw and eventually gets
|
1532 |
+
it under control by forcing one of his mouth flaps into the hole.]
|
1533 |
+
|
1534 |
+
|
1535 |
+
|
1536 |
+
LEELA
|
1537 |
+
Listen, Fry, I think I can get us out
|
1538 |
+
of this if you're willing to let me
|
1539 |
+
help you.
|
1540 |
+
|
1541 |
+
|
1542 |
+
FRY
|
1543 |
+
Thanks, Leela. From now on, I'll take
|
1544 |
+
all the help you're willing to give.
|
1545 |
+
I know you just want what's best for
|
1546 |
+
me. Ow! What was that for? Hey, come
|
1547 |
+
on! That hurt!
|
1548 |
+
|
1549 |
+
|
1550 |
+
LEELA
|
1551 |
+
I know. Amy, get the bottle.
|
1552 |
+
|
1553 |
+
|
1554 |
+
[She carries on beating Fry up while Amy holds the bottle under
|
1555 |
+
his eye.]
|
1556 |
+
|
1557 |
+
|
1558 |
+
FRY
|
1559 |
+
(crying) Oh, now I understand.
|
1560 |
+
|
1561 |
+
|
1562 |
+
LEELA
|
1563 |
+
Come on. Everybody help out Fry.
|
1564 |
+
|
1565 |
+
|
1566 |
+
[She slaps him again, Zoidberg pinches his leg with his claw
|
1567 |
+
and Bender stubs out a cigar on his arm.]
|
1568 |
+
|
1569 |
+
|
1570 |
+
FRY
|
1571 |
+
(crying) Thanks, everybody. I love you
|
1572 |
+
all. You guys are true -- ow! Cut it
|
1573 |
+
out, Bender! That's a tender area!
|
1574 |
+
|
1575 |
+
|
1576 |
+
|
1577 |
+
LEELA
|
1578 |
+
How we doing, Amy?
|
1579 |
+
|
1580 |
+
|
1581 |
+
AMY
|
1582 |
+
Great! We're one-tenth of the way there.
|
1583 |
+
|
1584 |
+
|
1585 |
+
|
1586 |
+
[Time Lapse. Leela, Zoidberg and Bender are tired out. Amy keeps
|
1587 |
+
kicking the Emperor out of Fry. She pants.]
|
1588 |
+
|
1589 |
+
|
1590 |
+
AMY
|
1591 |
+
OK, it's your turn.
|
1592 |
+
|
1593 |
+
|
1594 |
+
[She points to someone. A Trisolian starts to hit Fry with a
|
1595 |
+
chair.]
|
1596 |
+
|
1597 |
+
|
1598 |
+
FRY
|
1599 |
+
Hey, wait a minute! Who are you?
|
1600 |
+
|
1601 |
+
|
1602 |
+
BONT
|
1603 |
+
I'm the Emperor! Thanks for crying me
|
1604 |
+
out.
|
1605 |
+
|
1606 |
+
|
1607 |
+
[Fry looks at his stomach and sees it's back to normal.]
|
1608 |
+
|
1609 |
+
|
1610 |
+
FRY
|
1611 |
+
Oh, you're welcome.
|
1612 |
+
|
1613 |
+
|
1614 |
+
[Bont hits him with the chair again.]
|
1615 |
+
|
1616 |
+
|
1617 |
+
[Cut to: Outside Trisolian Palace. The crowds have gone. Fry
|
1618 |
+
cries in pain from inside.]
|
1619 |
+
|
1620 |
+
|
1621 |
+
BENDER
|
1622 |
+
Hey! Save some for me!
|
1623 |
+
|
1624 |
+
|
1625 |
+
THE END
|
content/my_data/s1e8.txt
ADDED
@@ -0,0 +1,1385 @@
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|
1 |
+
|
2 |
+
FUTURAMA
|
3 |
+
|
4 |
+
Episode 108
|
5 |
+
|
6 |
+
"A BIG PIECE OF GARBAGE"
|
7 |
+
|
8 |
+
By
|
9 |
+
|
10 |
+
Lewis Morton
|
11 |
+
|
12 |
+
Transcribed by Dave, The Neutral Planet
|
13 |
+
|
14 |
+
|
15 |
+
|
16 |
+
[Planet Express: Meeting Room. The crew are sat around the table.]
|
17 |
+
|
18 |
+
|
19 |
+
|
20 |
+
FARNSWORTH
|
21 |
+
Good news, everyone. Tomorrow you'll
|
22 |
+
be making a delivery to Ebola 9, the
|
23 |
+
virus planet.
|
24 |
+
|
25 |
+
|
26 |
+
HERMES
|
27 |
+
Why can't they go today?
|
28 |
+
|
29 |
+
|
30 |
+
FARNSWORTH
|
31 |
+
Because tonight's a special night and
|
32 |
+
I want all of you to be alive. It's
|
33 |
+
the Academy of Inventors annual symposium.
|
34 |
+
|
35 |
+
|
36 |
+
|
37 |
+
FRY
|
38 |
+
Wow! I love symposia.
|
39 |
+
|
40 |
+
|
41 |
+
FARNSWORTH
|
42 |
+
It's the event of the scientific season.
|
43 |
+
Every member presents an invention and
|
44 |
+
the best one wins the Academy prize.
|
45 |
+
|
46 |
+
|
47 |
+
|
48 |
+
BENDER
|
49 |
+
Sounds boring.
|
50 |
+
|
51 |
+
|
52 |
+
FARNSWORTH
|
53 |
+
Oh, my, yes. But not this year, because
|
54 |
+
my latest invention is unbeatable. Behold!
|
55 |
+
The death clock. Simply jam your finger
|
56 |
+
in the hole and this readout tells you
|
57 |
+
exactly how long you have left to live.
|
58 |
+
|
59 |
+
|
60 |
+
|
61 |
+
LEELA
|
62 |
+
Does it really work?
|
63 |
+
|
64 |
+
|
65 |
+
FARNSWORTH
|
66 |
+
Well it's occasionally off by a few
|
67 |
+
seconds. What with free will and all.
|
68 |
+
|
69 |
+
|
70 |
+
|
71 |
+
FRY
|
72 |
+
Sounds like fun. How long do I have
|
73 |
+
left to live?
|
74 |
+
|
75 |
+
|
76 |
+
[He puts his finger in the hole and the clock dings.]
|
77 |
+
|
78 |
+
|
79 |
+
BENDER
|
80 |
+
Ooh! Dibs on his CD player!
|
81 |
+
|
82 |
+
|
83 |
+
[Opening Credits. Caption: Mr. Bender's Wardrobe By Robotany
|
84 |
+
500.]
|
85 |
+
|
86 |
+
|
87 |
+
[Academy of Inventors. The room is filled with doctors and professors
|
88 |
+
all wearing white lab coats. Bender is wearing a top hat and
|
89 |
+
is talking to Farnsworth.]
|
90 |
+
|
91 |
+
|
92 |
+
FARNSWORTH
|
93 |
+
Oh, my, yes.
|
94 |
+
|
95 |
+
|
96 |
+
FRY
|
97 |
+
Who's the gross nerd?
|
98 |
+
|
99 |
+
|
100 |
+
[He points to a picture of a geek on the wall.]
|
101 |
+
|
102 |
+
|
103 |
+
FARNSWORTH
|
104 |
+
That's me at the very first symposium.
|
105 |
+
I'm the Academy's oldest living member,
|
106 |
+
you know. These youngsters all look
|
107 |
+
up to me.
|
108 |
+
|
109 |
+
|
110 |
+
[Enter an old man.]
|
111 |
+
|
112 |
+
|
113 |
+
WERNSTROM
|
114 |
+
Well, well, well. Look who decided to
|
115 |
+
show his wrinkled face.
|
116 |
+
|
117 |
+
|
118 |
+
FARNSWORTH
|
119 |
+
Why don't you just leave me alone, Wernstrom?!
|
120 |
+
|
121 |
+
|
122 |
+
|
123 |
+
WERNSTROM
|
124 |
+
Face it, Farnsworth, you're over the
|
125 |
+
hill. It's time to leave science to
|
126 |
+
the 120-year-olds.
|
127 |
+
|
128 |
+
|
129 |
+
FARNSWORTH
|
130 |
+
You young turks think you know everything.
|
131 |
+
I was inventing things when you were
|
132 |
+
barely turning senile.
|
133 |
+
|
134 |
+
|
135 |
+
[Wernstrom laughs.]
|
136 |
+
|
137 |
+
|
138 |
+
WERNSTROM
|
139 |
+
Go home before you embarrass yourself,
|
140 |
+
old man. Now, if you'll excuse me, I'm
|
141 |
+
going to take a nap before the ceremonies.
|
142 |
+
|
143 |
+
|
144 |
+
|
145 |
+
[He leaves.]
|
146 |
+
|
147 |
+
|
148 |
+
FRY
|
149 |
+
Who's that jerk?
|
150 |
+
|
151 |
+
|
152 |
+
FARNSWORTH
|
153 |
+
A hundred years ago he was my most promising
|
154 |
+
student at Mars University. But then
|
155 |
+
after one fateful pop-quiz...
|
156 |
+
|
157 |
+
|
158 |
+
[Flashback: Mars University. A younger Farnsworth hands a younger
|
159 |
+
Wernstrom a piece of paper.]
|
160 |
+
|
161 |
+
|
162 |
+
WERNSTROM
|
163 |
+
A-minus? No one gives Ogden Wernstrom
|
164 |
+
an A-minus!
|
165 |
+
|
166 |
+
|
167 |
+
FARNSWORTH
|
168 |
+
I'm sorry but penmanship counts.
|
169 |
+
|
170 |
+
|
171 |
+
WERNSTROM
|
172 |
+
I swear I'll have my revenge even if
|
173 |
+
it takes me a hundred years.
|
174 |
+
|
175 |
+
|
176 |
+
[Flashback ends.]
|
177 |
+
|
178 |
+
|
179 |
+
FARNSWORTH
|
180 |
+
And here it is: Slightly over 99 years
|
181 |
+
later and still no revenge. I'm essentially
|
182 |
+
in the clear.
|
183 |
+
|
184 |
+
|
185 |
+
[Academy of Inventors Auditorium. Bender, Fry and Leela are sat
|
186 |
+
at a table. Bender is wearing a top hat and is reading the wine
|
187 |
+
list. A waiter takes his order.]
|
188 |
+
|
189 |
+
|
190 |
+
BENDER
|
191 |
+
I've been perusing your fortified wine
|
192 |
+
list and I've selected the '71 Hobo's
|
193 |
+
Delight, the '57 Chateau Par-tay and
|
194 |
+
the '66 Thunder Chevitz.
|
195 |
+
|
196 |
+
|
197 |
+
WAITER
|
198 |
+
Exquisite choices, sir.
|
199 |
+
|
200 |
+
|
201 |
+
BENDER
|
202 |
+
And mix them all together in a big jug.
|
203 |
+
|
204 |
+
|
205 |
+
|
206 |
+
[Time Lapse. The lights in the auditorium are now dimmed and
|
207 |
+
Ron Popeil's head in a jar is on the stage.]
|
208 |
+
|
209 |
+
|
210 |
+
POPEIL
|
211 |
+
Welcome to this year�s Academy of Inventors
|
212 |
+
Annual Symposium, I'm your host, Ron
|
213 |
+
Popeil, inventor of Mr. Microphone,
|
214 |
+
the spray-on toupee and - of course
|
215 |
+
- the technology to keep human heads
|
216 |
+
alive in jars. But wait, there's more.
|
217 |
+
We've got a whole line-up of inventors
|
218 |
+
tonight, starting with that up and coming
|
219 |
+
young star, Ogden Wernstrom.
|
220 |
+
|
221 |
+
|
222 |
+
[The audience applauds and Wernstrom stands up and walks onto
|
223 |
+
the stage. Fry boos him.]
|
224 |
+
|
225 |
+
|
226 |
+
BENDER
|
227 |
+
(shouting) More wine!
|
228 |
+
|
229 |
+
|
230 |
+
WERNSTROM
|
231 |
+
Distinguished members of the Academy,
|
232 |
+
I present to you, the Reverse SCUBA
|
233 |
+
Suit. Observe! Fetch! Now, sit! I
|
234 |
+
said sit! Bad fish!
|
235 |
+
|
236 |
+
|
237 |
+
[He hits the fish with a newspaper and it sits. The audience
|
238 |
+
applauds. Farnsworth groans.]
|
239 |
+
|
240 |
+
|
241 |
+
FRY
|
242 |
+
Don't worry, Professor, it's no competition
|
243 |
+
for your death clock.
|
244 |
+
|
245 |
+
|
246 |
+
WERNSTROM
|
247 |
+
And what will you be presenting this
|
248 |
+
evening, grandpa?
|
249 |
+
|
250 |
+
|
251 |
+
FARNSWORTH
|
252 |
+
Let's just say it'll put you young whippersnappers
|
253 |
+
in your place!
|
254 |
+
|
255 |
+
|
256 |
+
WERNSTROM
|
257 |
+
I just hope it's not as lame as that
|
258 |
+
death clock you presented last year.
|
259 |
+
|
260 |
+
|
261 |
+
|
262 |
+
FARNSWORTH
|
263 |
+
Uh, last year, you say?
|
264 |
+
|
265 |
+
|
266 |
+
WERNSTROM
|
267 |
+
That's right.
|
268 |
+
|
269 |
+
|
270 |
+
FARNSWORTH
|
271 |
+
Oh, my! Did it put you young whippersnappers
|
272 |
+
in your place?
|
273 |
+
|
274 |
+
|
275 |
+
WERNSTROM
|
276 |
+
Hardly! We laughed until our teeth fell
|
277 |
+
out. Come along, Cinnamon.
|
278 |
+
|
279 |
+
|
280 |
+
[His fish follows him.]
|
281 |
+
|
282 |
+
|
283 |
+
FARNSWORTH
|
284 |
+
Oh, dear, I'll have to invent something
|
285 |
+
new in the next ten minutes. Perhaps
|
286 |
+
some sort of death clock.
|
287 |
+
|
288 |
+
|
289 |
+
LEELA
|
290 |
+
Uh, Professor...?
|
291 |
+
|
292 |
+
|
293 |
+
[Time Lapse. A man on the stage demonstrates a helicopter hat.
|
294 |
+
He turns a handle and flies away. The audience applauds.]
|
295 |
+
|
296 |
+
|
297 |
+
POPEIL
|
298 |
+
Our last presentation comes from our
|
299 |
+
oldest member, Professor Hubert Farnsworth.
|
300 |
+
Professor?
|
301 |
+
|
302 |
+
|
303 |
+
[A spotlight falls on Farnsworth. He is scribbling something
|
304 |
+
on a piece of paper.]
|
305 |
+
|
306 |
+
|
307 |
+
FARNSWORTH
|
308 |
+
Just a second, just a second.
|
309 |
+
|
310 |
+
|
311 |
+
WERNSTROM
|
312 |
+
Pencils down, prune-face.
|
313 |
+
|
314 |
+
|
315 |
+
[Farnsworth snarls and runs onto the stage.]
|
316 |
+
|
317 |
+
|
318 |
+
FARNSWORTH
|
319 |
+
Uh, yes, here I am, OK, now, hello there.
|
320 |
+
Now, we all know telescopes allow us
|
321 |
+
to see distant objects. But what if
|
322 |
+
we want to smell distant objects? Well
|
323 |
+
now we can! Thanks to my new invention...the
|
324 |
+
Smellescope.
|
325 |
+
|
326 |
+
|
327 |
+
[He puts a piece of paper on a projector. The audience starts
|
328 |
+
talking.]
|
329 |
+
|
330 |
+
|
331 |
+
MAN
|
332 |
+
Oh, I say!
|
333 |
+
|
334 |
+
|
335 |
+
FARNSWORTH
|
336 |
+
The odour travels past this coffee stain
|
337 |
+
here, around the olive pit and into
|
338 |
+
this cigar burn. And this appears to
|
339 |
+
be a, doodle of myself as a cowboy.
|
340 |
+
But the Smellescope is brilliant, I
|
341 |
+
tell you! Think of the astronomical
|
342 |
+
odours you'll smell thanks to me. Oh,
|
343 |
+
my!
|
344 |
+
|
345 |
+
|
346 |
+
[He puts it back on the projector. It is smudged. The audience
|
347 |
+
laughs again.]
|
348 |
+
|
349 |
+
|
350 |
+
WERNSTROM
|
351 |
+
I've waited a hundred years for this,
|
352 |
+
Farnsworth. I give your invention the
|
353 |
+
worst grade imaginable: An A-minus-minus.
|
354 |
+
|
355 |
+
|
356 |
+
|
357 |
+
[The audience laughs. Farnsworth walks off the stage.]
|
358 |
+
|
359 |
+
|
360 |
+
[Time Lapse. Ron Popeil is back on the stage. A trophy is beside
|
361 |
+
him.]
|
362 |
+
|
363 |
+
|
364 |
+
POPEIL
|
365 |
+
And now for the presentation of the
|
366 |
+
award. Listen, folks, I'm practically
|
367 |
+
giving this prize away to Dr. Wernstrom,
|
368 |
+
for his fish thingy.
|
369 |
+
|
370 |
+
|
371 |
+
[Wernstrom picks up the trophy and shakes his fish's leg. Farnsworth,
|
372 |
+
outside, sighs and walks away.]
|
373 |
+
|
374 |
+
|
375 |
+
[Planet Express: Meeting Room. Fry, Bender, Leela and Farnsworth
|
376 |
+
are sat around the table.]
|
377 |
+
|
378 |
+
|
379 |
+
FARNSWORTH
|
380 |
+
Perhaps 149 is just too old to be a
|
381 |
+
scientist.
|
382 |
+
|
383 |
+
|
384 |
+
BENDER
|
385 |
+
Yep!
|
386 |
+
|
387 |
+
|
388 |
+
FRY
|
389 |
+
No, Professor, don't give up. There
|
390 |
+
were plenty of times in my century when
|
391 |
+
I was gonna give up but I never did.
|
392 |
+
Never! Hey, are you even listening to
|
393 |
+
me? Oh, I give up!
|
394 |
+
|
395 |
+
|
396 |
+
FARNSWORTH
|
397 |
+
By God, you're right! I'm going to build
|
398 |
+
that Smellescope!
|
399 |
+
|
400 |
+
|
401 |
+
[Planet Express: Attic.]
|
402 |
+
|
403 |
+
|
404 |
+
FARNSWORTH
|
405 |
+
Eureka!
|
406 |
+
|
407 |
+
|
408 |
+
[Fry, Leela and Bender run in.]
|
409 |
+
|
410 |
+
|
411 |
+
FRY
|
412 |
+
Did you build the Smellescope?
|
413 |
+
|
414 |
+
|
415 |
+
FARNSWORTH
|
416 |
+
No, I remembered that I'd built one
|
417 |
+
last year. Go ahead. Try it. You'll
|
418 |
+
find that every heavenly body has its
|
419 |
+
own particular scent. Here, I'll point
|
420 |
+
it at Jupiter.
|
421 |
+
|
422 |
+
|
423 |
+
[Fry sniffs.]
|
424 |
+
|
425 |
+
|
426 |
+
FRY
|
427 |
+
Smells like strawberries.
|
428 |
+
|
429 |
+
|
430 |
+
FARNSWORTH
|
431 |
+
Exactly! And now Saturn.
|
432 |
+
|
433 |
+
|
434 |
+
[Fry sniffs.]
|
435 |
+
|
436 |
+
|
437 |
+
FRY
|
438 |
+
Pine needles. Oh, man, this is great!
|
439 |
+
Hey, as long as you don't make me smell
|
440 |
+
Uranus.
|
441 |
+
|
442 |
+
|
443 |
+
[He laughs.]
|
444 |
+
|
445 |
+
|
446 |
+
LEELA
|
447 |
+
I don't get it.
|
448 |
+
|
449 |
+
|
450 |
+
FARNSWORTH
|
451 |
+
I'm sorry, Fry, but astronomers renamed
|
452 |
+
Uranus in 2620 to end that stupid joke
|
453 |
+
once and for all.
|
454 |
+
|
455 |
+
|
456 |
+
FRY
|
457 |
+
Oh. What's it called now?
|
458 |
+
|
459 |
+
|
460 |
+
FARNSWORTH
|
461 |
+
Urectum. Here, let me locate it for
|
462 |
+
you.
|
463 |
+
|
464 |
+
|
465 |
+
[Fry chuckles.]
|
466 |
+
|
467 |
+
|
468 |
+
FRY
|
469 |
+
No, no, I think I'll just smell around
|
470 |
+
a bit over here! Hmm. Hmm.
|
471 |
+
|
472 |
+
|
473 |
+
[He sniffs again and starts gagging.]
|
474 |
+
|
475 |
+
|
476 |
+
FARNSWORTH
|
477 |
+
What is it? Oh, jeez! Oh, man! Remarkable!
|
478 |
+
A stench so foul is right off the funk-o-meter.
|
479 |
+
I dare say Fry may have discovered the
|
480 |
+
smelliest object in the known universe.
|
481 |
+
|
482 |
+
|
483 |
+
|
484 |
+
BENDER
|
485 |
+
Ooh, ooh, name it after me!
|
486 |
+
|
487 |
+
|
488 |
+
[Leela sniffs.]
|
489 |
+
|
490 |
+
|
491 |
+
LEELA
|
492 |
+
I think it's moving.
|
493 |
+
|
494 |
+
|
495 |
+
FARNSWORTH
|
496 |
+
Hmm, perhaps the computer can calculate
|
497 |
+
its trajectory. My God! Whatever it
|
498 |
+
is it's headed straight for us. With
|
499 |
+
enough force to reduce this entire city
|
500 |
+
to a stinky crater. We have less than
|
501 |
+
72 hours.
|
502 |
+
|
503 |
+
|
504 |
+
[Fry, Leela and Bender gasp.]
|
505 |
+
|
506 |
+
|
507 |
+
BENDER
|
508 |
+
Well, lets get looting!
|
509 |
+
|
510 |
+
|
511 |
+
[He picks up a TV and runs out.]
|
512 |
+
|
513 |
+
|
514 |
+
[Planet Express: Meeting Room. The crew are sat around the table
|
515 |
+
looking at a hologram of the Earth.]
|
516 |
+
|
517 |
+
|
518 |
+
FRY
|
519 |
+
So this thing's gonna destroy the whole
|
520 |
+
city? What the heck is it?
|
521 |
+
|
522 |
+
|
523 |
+
[Farnsworth taps a keyboard.]
|
524 |
+
|
525 |
+
|
526 |
+
FARNSWORTH
|
527 |
+
Ah! Just as I thought. The answer lies
|
528 |
+
in this movie I found on the Internet.
|
529 |
+
|
530 |
+
|
531 |
+
|
532 |
+
[He plays the movie. The New York skyline of 2000 is displayed
|
533 |
+
on the screen, along with the title The Great Garbage Crisis
|
534 |
+
Of 2000.]
|
535 |
+
|
536 |
+
|
537 |
+
NARRATOR
|
538 |
+
New York City: the year 2000. The most
|
539 |
+
wasteful society in the history of the
|
540 |
+
galaxy and it was running out of places
|
541 |
+
to empty its never-ending output of
|
542 |
+
garbage. The landfills were full. New
|
543 |
+
Jersey was full. And so, under cover
|
544 |
+
of darkness, the city put its garbage
|
545 |
+
out to sea on the world's largest barge.
|
546 |
+
The repulsive barge circled the oceans
|
547 |
+
for 50 years but no country would accept
|
548 |
+
it. Not even that really filthy one.
|
549 |
+
You know the one I mean. Finally, in
|
550 |
+
2052, the city used its mob connections
|
551 |
+
to obtain a rocket and launch the garbage
|
552 |
+
into outer space. Some experts claim
|
553 |
+
the ball might return to Earth someday,
|
554 |
+
but their concerns were dismissed as
|
555 |
+
"depressing".
|
556 |
+
|
557 |
+
|
558 |
+
FRY
|
559 |
+
Wow! You got that off the Internet?
|
560 |
+
In my day the Internet was only used
|
561 |
+
to download pornography.
|
562 |
+
|
563 |
+
|
564 |
+
FARNSWORTH
|
565 |
+
Actually that's still true.
|
566 |
+
|
567 |
+
|
568 |
+
[He resumes the movie.]
|
569 |
+
|
570 |
+
|
571 |
+
FEMALE SCIENTIST
|
572 |
+
Now that the garbage is in space, doctor,
|
573 |
+
perhaps you can help me with my sexual
|
574 |
+
inhibitions.
|
575 |
+
|
576 |
+
|
577 |
+
MALE SCIENTIST
|
578 |
+
With gusto!
|
579 |
+
|
580 |
+
|
581 |
+
[They both strip down to their underwear. Leela turns the lights
|
582 |
+
back on. Fry groans.]
|
583 |
+
|
584 |
+
|
585 |
+
FARNSWORTH
|
586 |
+
So that's the situation. Due to the
|
587 |
+
short-sightedness of Old New York, New
|
588 |
+
New York is going to be destroyed by
|
589 |
+
a giant ball of garbage.
|
590 |
+
|
591 |
+
|
592 |
+
LEELA
|
593 |
+
Fry, what the hell were you people thinking
|
594 |
+
back then? How could you just throw
|
595 |
+
your garbage away?
|
596 |
+
|
597 |
+
|
598 |
+
FRY
|
599 |
+
Hey, hey, gimmie a break! What do you
|
600 |
+
do with it?
|
601 |
+
|
602 |
+
|
603 |
+
LEELA
|
604 |
+
We recycle everything. Robots are made
|
605 |
+
from old beer cans.
|
606 |
+
|
607 |
+
|
608 |
+
BENDER
|
609 |
+
Yeah! And this beer can is made outta
|
610 |
+
old robots.
|
611 |
+
|
612 |
+
|
613 |
+
LEELA
|
614 |
+
And that sandwich you're eating is made
|
615 |
+
of old discarded sandwiches. Nothing
|
616 |
+
just gets thrown away.
|
617 |
+
|
618 |
+
|
619 |
+
FRY
|
620 |
+
The future is disgusting.
|
621 |
+
|
622 |
+
|
623 |
+
LEELA
|
624 |
+
Typical 20th century attitude.
|
625 |
+
|
626 |
+
|
627 |
+
FRY
|
628 |
+
Hey! You have no right to criticise
|
629 |
+
the 20th century. We gave the world
|
630 |
+
the lightbulb, the steamboat and the
|
631 |
+
cotton gin.
|
632 |
+
|
633 |
+
|
634 |
+
LEELA
|
635 |
+
Those things are all from the 19th century.
|
636 |
+
|
637 |
+
|
638 |
+
|
639 |
+
FRY
|
640 |
+
Yeah, well, they probably just copied
|
641 |
+
us.
|
642 |
+
|
643 |
+
|
644 |
+
FARNSWORTH
|
645 |
+
Please! There's no time for this now.
|
646 |
+
This is an emergency. We must warn the
|
647 |
+
mayor.
|
648 |
+
|
649 |
+
|
650 |
+
[Citihall: Mayor's Office. The Mayor, a short balding man in
|
651 |
+
a green suit, sits behind his desk.]
|
652 |
+
|
653 |
+
|
654 |
+
POOPENMEYER
|
655 |
+
Garbage ball, huh? That sounds serious.
|
656 |
+
|
657 |
+
|
658 |
+
|
659 |
+
FARNSWORTH
|
660 |
+
Very serious, Mayor Poopenmeyer.
|
661 |
+
|
662 |
+
|
663 |
+
POOPENMEYER
|
664 |
+
I gotta be sure this isn't another scientific
|
665 |
+
fraud like global warming or second-hand
|
666 |
+
smoke. Send in my science advisor.
|
667 |
+
|
668 |
+
|
669 |
+
|
670 |
+
[Enter Wernstrom.]
|
671 |
+
|
672 |
+
|
673 |
+
FARNSWORTH
|
674 |
+
Wernstrom!
|
675 |
+
|
676 |
+
|
677 |
+
WERNSTROM
|
678 |
+
Well, well, well! Come to present your
|
679 |
+
latest napkin, Professor?
|
680 |
+
|
681 |
+
|
682 |
+
FARNSWORTH
|
683 |
+
No, I'm here because a giant trash ball
|
684 |
+
is heading straight for us. Smell for
|
685 |
+
yourself.
|
686 |
+
|
687 |
+
|
688 |
+
[Farnsworth wipes the Smellescope. Poopenmeyer sniffs and leaps
|
689 |
+
back.]
|
690 |
+
|
691 |
+
|
692 |
+
POOPENMEYER
|
693 |
+
Hey! Holy jeez!
|
694 |
+
|
695 |
+
|
696 |
+
WERNSTROM
|
697 |
+
That smell could be anything; A faulty
|
698 |
+
stench coil, some cheese on the lens,
|
699 |
+
who knows?
|
700 |
+
|
701 |
+
|
702 |
+
[A woman walks in with a cassette player.]
|
703 |
+
|
704 |
+
|
705 |
+
WOMAN
|
706 |
+
Mr. Mayor, we just got this transmission
|
707 |
+
from Neptune.
|
708 |
+
|
709 |
+
|
710 |
+
MAN
|
711 |
+
Giant...garbage ball.....passed close
|
712 |
+
by...horrible stench......
|
713 |
+
|
714 |
+
|
715 |
+
WOMAN
|
716 |
+
The transmission cuts out there, sir.
|
717 |
+
No, I, guess it keeps going.
|
718 |
+
|
719 |
+
|
720 |
+
[The voice chokes again. The message cuts out.]
|
721 |
+
|
722 |
+
|
723 |
+
WOMAN
|
724 |
+
There we go.
|
725 |
+
|
726 |
+
|
727 |
+
POOPENMEYER
|
728 |
+
My God! The senile old man is right.
|
729 |
+
|
730 |
+
|
731 |
+
|
732 |
+
WERNSTROM
|
733 |
+
Do you mean him or me?
|
734 |
+
|
735 |
+
|
736 |
+
POOPENMEYER
|
737 |
+
Him!
|
738 |
+
|
739 |
+
|
740 |
+
[He points at Farnsworth. Wernstrom grumbles.]
|
741 |
+
|
742 |
+
|
743 |
+
[New New York Street. People are crowded around a shop watching
|
744 |
+
TV's through the window. On the TV, two newscasters present a
|
745 |
+
report. One is a blonde human woman wearing a pink suit and the
|
746 |
+
other is an alien that looks like one from This Island Earth.
|
747 |
+
He has a huge green head with veins poking out of it and big
|
748 |
+
eyes.]
|
749 |
+
|
750 |
+
|
751 |
+
LINDA
|
752 |
+
Next, New New York in crisis. Morbo?
|
753 |
+
|
754 |
+
|
755 |
+
|
756 |
+
MORBO
|
757 |
+
Thanks, human female. Puny Earthlings
|
758 |
+
were shocked today to learn that a ball
|
759 |
+
of garbage will destroy their pathetic
|
760 |
+
city of New New York.
|
761 |
+
|
762 |
+
|
763 |
+
LINDA
|
764 |
+
Makes me glad we live here in Los Angeles.
|
765 |
+
|
766 |
+
|
767 |
+
|
768 |
+
MORBO
|
769 |
+
Morbo agrees!
|
770 |
+
|
771 |
+
|
772 |
+
[They both laugh.]
|
773 |
+
|
774 |
+
|
775 |
+
[Citihall: Mayor's Office. A large hologram of the garbage ball
|
776 |
+
is projected in the middle of the room. A military man is there
|
777 |
+
with the others.]
|
778 |
+
|
779 |
+
|
780 |
+
LEELA
|
781 |
+
Can't we just shoot a missile at it?
|
782 |
+
|
783 |
+
|
784 |
+
|
785 |
+
MILITARY MAN
|
786 |
+
We've simulated that on a supercomputer
|
787 |
+
but the ball is just too damn gooey.
|
788 |
+
A missile would go right through it.
|
789 |
+
|
790 |
+
|
791 |
+
|
792 |
+
[The hologram shows a missile squelching through the garbage
|
793 |
+
ball.]
|
794 |
+
|
795 |
+
|
796 |
+
FARNSWORTH
|
797 |
+
But suppose we send a crew to plant
|
798 |
+
an explosive precisely on the fault
|
799 |
+
line betwen this mass of coffee grounds
|
800 |
+
and this deposit of America Online floppy
|
801 |
+
disks.
|
802 |
+
|
803 |
+
|
804 |
+
[The simulation explodes.]
|
805 |
+
|
806 |
+
|
807 |
+
MILITARY MAN
|
808 |
+
In theory, it could work.
|
809 |
+
|
810 |
+
|
811 |
+
WERNSTROM
|
812 |
+
Uh, in theory, perhaps. But you'll never
|
813 |
+
find a crew willing to take on a mission
|
814 |
+
so suicidal-y dangerous.
|
815 |
+
|
816 |
+
|
817 |
+
[Farnsworth smiles and looks at his crew.]
|
818 |
+
|
819 |
+
|
820 |
+
BENDER
|
821 |
+
Oh, crap!
|
822 |
+
|
823 |
+
|
824 |
+
[Planet Express: Hangar. The crew are assembled in front of the
|
825 |
+
ship.]
|
826 |
+
|
827 |
+
|
828 |
+
FARNSWORTH
|
829 |
+
Now, you'll only have one chance to
|
830 |
+
destroy the ball. After that, it will
|
831 |
+
be so close to Earth that blowing it
|
832 |
+
up would cause garbage to rain over
|
833 |
+
the entire planet, killing billions.
|
834 |
+
|
835 |
+
|
836 |
+
|
837 |
+
BENDER
|
838 |
+
(ironic) Oh, boo-hoo!
|
839 |
+
|
840 |
+
|
841 |
+
FARNSWORTH
|
842 |
+
Now here's the bomb I've prepared. Once
|
843 |
+
you activate it, you'll have 25 minutes
|
844 |
+
to get away.
|
845 |
+
|
846 |
+
|
847 |
+
LEELA
|
848 |
+
That's all? But --
|
849 |
+
|
850 |
+
|
851 |
+
FARNSWORTH
|
852 |
+
Now, now, there'll be plenty of time
|
853 |
+
to discuss your objections when and
|
854 |
+
if you return.
|
855 |
+
|
856 |
+
|
857 |
+
[The crew suit up in orange spacesuits and walk towards the ship.
|
858 |
+
Fry and Leela carry their helmets under their arms and Bender
|
859 |
+
carries his head under his.]
|
860 |
+
|
861 |
+
|
862 |
+
[The ship clears the atmosphere and flies towards the garbage
|
863 |
+
ball. It looks like the asteroid from Armageddon.]
|
864 |
+
|
865 |
+
|
866 |
+
[Ships Cockpit.]
|
867 |
+
|
868 |
+
|
869 |
+
LEELA
|
870 |
+
Odour at magnitude 8. Magnitude 12.
|
871 |
+
Magnitude 31. We're breaking up. Turn
|
872 |
+
on the anti-smell device.
|
873 |
+
|
874 |
+
|
875 |
+
[The sound of an air freshener goes off and the ship stops shaking.]
|
876 |
+
|
877 |
+
|
878 |
+
|
879 |
+
FRY
|
880 |
+
Hmm, sporty!
|
881 |
+
|
882 |
+
|
883 |
+
[Garbage Ball Surface. The ship cruises in and lands. The steps
|
884 |
+
go down, the door opens and the crew look around.]
|
885 |
+
|
886 |
+
|
887 |
+
FRY
|
888 |
+
Wow!
|
889 |
+
|
890 |
+
|
891 |
+
LEELA
|
892 |
+
Look at all this filth.
|
893 |
+
|
894 |
+
|
895 |
+
FRY
|
896 |
+
It's not filth. It's a glorious monument
|
897 |
+
to the achievements of the 20th century.
|
898 |
+
Look! A real Beanie Baby. Oh! A Mr.
|
899 |
+
Spock collector's plate! Some Bart
|
900 |
+
Simpson dolls!
|
901 |
+
|
902 |
+
|
903 |
+
[He runs over to a pile of them. Bender picks one up and pulls
|
904 |
+
the string.]
|
905 |
+
|
906 |
+
|
907 |
+
DOLL
|
908 |
+
Eat my shorts!
|
909 |
+
|
910 |
+
|
911 |
+
BENDER
|
912 |
+
OK (� la Homer Simpson) Mmm! Shorts!
|
913 |
+
|
914 |
+
|
915 |
+
|
916 |
+
LEELA
|
917 |
+
Fry, this stuff was garbage when it
|
918 |
+
was new. Let's blow it up already!
|
919 |
+
|
920 |
+
|
921 |
+
|
922 |
+
FRY
|
923 |
+
This junk isn't garbage! I can dig in
|
924 |
+
any random pile and find something great.
|
925 |
+
|
926 |
+
|
927 |
+
|
928 |
+
[He digs in a pile and comes out with a six pack holder around
|
929 |
+
his neck, like a seagull. Leela cuts him free.]
|
930 |
+
|
931 |
+
|
932 |
+
FRY
|
933 |
+
(gasping) Alright, let's get to work.
|
934 |
+
|
935 |
+
|
936 |
+
|
937 |
+
[Time Lapse. The crew walk across the surface, reading a map.]
|
938 |
+
|
939 |
+
|
940 |
+
|
941 |
+
LEELA
|
942 |
+
Let's see. If that's Hypodermic Ridge
|
943 |
+
then the bomb must go right here. Get
|
944 |
+
ready to run. We've got 25 minutes.
|
945 |
+
Uh, 15 minutes. 5 minutes. 6h minutes?
|
946 |
+
|
947 |
+
|
948 |
+
|
949 |
+
[Bender pulls the bomb out of the ground. He turns it upside
|
950 |
+
down.]
|
951 |
+
|
952 |
+
|
953 |
+
BENDER
|
954 |
+
There's your problem. The Professor
|
955 |
+
put the counter on upside-down.
|
956 |
+
|
957 |
+
|
958 |
+
LEELA
|
959 |
+
That idiot! It wasn't set for 25 minutes,
|
960 |
+
it was set for 52 seconds.
|
961 |
+
|
962 |
+
|
963 |
+
[Fry screams.]
|
964 |
+
|
965 |
+
|
966 |
+
FRY
|
967 |
+
We're gonna die! (calmly) Right?
|
968 |
+
|
969 |
+
|
970 |
+
BENDER
|
971 |
+
Right!
|
972 |
+
|
973 |
+
|
974 |
+
[Fry screams again.]
|
975 |
+
|
976 |
+
|
977 |
+
[Time Lapse. The timer is at 19 seconds. Bender screams.]
|
978 |
+
|
979 |
+
|
980 |
+
BENDER
|
981 |
+
It's gonna blow!
|
982 |
+
|
983 |
+
|
984 |
+
[He throws it to Fry. Fry throws it back. Bender throws it at
|
985 |
+
Leela and it hits her helmet.]
|
986 |
+
|
987 |
+
|
988 |
+
LEELA
|
989 |
+
Hey, watch it! You'll put somebody's
|
990 |
+
eye out!
|
991 |
+
|
992 |
+
|
993 |
+
BENDER
|
994 |
+
OK, OK, keep your space pants on. I'll
|
995 |
+
take care of this.
|
996 |
+
|
997 |
+
|
998 |
+
[Bender throws the bomb into space but it hits a passing comet
|
999 |
+
and bounces back into his hands. He throws it up again and it
|
1000 |
+
explodes. The crew sigh with relief.]
|
1001 |
+
|
1002 |
+
|
1003 |
+
FRY
|
1004 |
+
We're saved!
|
1005 |
+
|
1006 |
+
|
1007 |
+
LEELA
|
1008 |
+
Yeah, but this garbage ball's unstoppable
|
1009 |
+
now. New New York is done for.
|
1010 |
+
|
1011 |
+
|
1012 |
+
[They watch as the garbage ball moves closer to Earth. Bender
|
1013 |
+
scratches his butt.]
|
1014 |
+
|
1015 |
+
|
1016 |
+
[Outside Planet Express. A crowd of people stand on the street
|
1017 |
+
with a banner saying "Welcome Home Heroes" with "Heroes" crossed
|
1018 |
+
out and replaced with "Losers".]
|
1019 |
+
|
1020 |
+
|
1021 |
+
[Citihall: Mayor's Office.]
|
1022 |
+
|
1023 |
+
|
1024 |
+
LINDA
|
1025 |
+
All in all, this is one day Mittens
|
1026 |
+
the kitten won't soon forget!
|
1027 |
+
|
1028 |
+
|
1029 |
+
[Morbo and Linda chuckle.]
|
1030 |
+
|
1031 |
+
|
1032 |
+
MORBO
|
1033 |
+
Kittens give Morbo gas. In lighter
|
1034 |
+
news, the city of New New York is doomed.
|
1035 |
+
Blame rests with known human Professor
|
1036 |
+
Hubert Farnsworth and his tiny, inferior
|
1037 |
+
brain.
|
1038 |
+
|
1039 |
+
|
1040 |
+
FARNSWORTH
|
1041 |
+
Oh, how could I have put that bomb timer
|
1042 |
+
on upside-down? I could swear I followed
|
1043 |
+
the manual precisely. I'm a dried up
|
1044 |
+
husk of a scientist. This is all my
|
1045 |
+
fault.
|
1046 |
+
|
1047 |
+
|
1048 |
+
FRY
|
1049 |
+
No, it's my fault too. I'm sure I threw
|
1050 |
+
out more than my share of that trash
|
1051 |
+
up there. Also, one month my toilet
|
1052 |
+
broke and it just went straight in the
|
1053 |
+
garbage can. Leela was right. The people
|
1054 |
+
of the 20th century were idiotic slobs.
|
1055 |
+
Especially me.
|
1056 |
+
|
1057 |
+
|
1058 |
+
POOPENMEYER
|
1059 |
+
Enough! You all failed miserably. It's
|
1060 |
+
time to put a real scientist in charge.
|
1061 |
+
|
1062 |
+
|
1063 |
+
|
1064 |
+
[Enter Wernstrom.]
|
1065 |
+
|
1066 |
+
|
1067 |
+
FARNSWORTH
|
1068 |
+
Wernstrom!
|
1069 |
+
|
1070 |
+
|
1071 |
+
WERNSTROM
|
1072 |
+
The very same.
|
1073 |
+
|
1074 |
+
|
1075 |
+
POOPENMEYER
|
1076 |
+
Dr. Wernstrom, can you save my city?
|
1077 |
+
|
1078 |
+
|
1079 |
+
|
1080 |
+
WERNSTROM
|
1081 |
+
Of course. But it'll cost you. First
|
1082 |
+
I'll need tenure.
|
1083 |
+
|
1084 |
+
|
1085 |
+
POOPENMEYER
|
1086 |
+
Done.
|
1087 |
+
|
1088 |
+
|
1089 |
+
WERNSTROM
|
1090 |
+
And a big research grant.
|
1091 |
+
|
1092 |
+
|
1093 |
+
POOPENMEYER
|
1094 |
+
You got it.
|
1095 |
+
|
1096 |
+
|
1097 |
+
WERNSTROM
|
1098 |
+
Also, access to a lab and five graduate
|
1099 |
+
students, at least three of them Chinese.
|
1100 |
+
|
1101 |
+
|
1102 |
+
|
1103 |
+
POOPENMEYER
|
1104 |
+
Um, alright done. What's your plan?
|
1105 |
+
|
1106 |
+
|
1107 |
+
|
1108 |
+
WERNSTROM
|
1109 |
+
What plan? I'm set for life! Au revoir,
|
1110 |
+
suckers!
|
1111 |
+
|
1112 |
+
|
1113 |
+
[He walks out.]
|
1114 |
+
|
1115 |
+
|
1116 |
+
LEELA
|
1117 |
+
That rat! Do something!
|
1118 |
+
|
1119 |
+
|
1120 |
+
POOPENMEYER
|
1121 |
+
I wish I could but, he's got tenure!
|
1122 |
+
|
1123 |
+
|
1124 |
+
|
1125 |
+
[New New York Street. People stop and stare into the sky as a
|
1126 |
+
hamburger and other pieces of garbage plow through buildings.
|
1127 |
+
A fish skeleton falls in front of Zoidberg. He checks to see
|
1128 |
+
no one is looking and eats it.]
|
1129 |
+
|
1130 |
+
|
1131 |
+
[Cut to: Citihall: Mayor's Office. A pizza slice splats against
|
1132 |
+
the window.]
|
1133 |
+
|
1134 |
+
|
1135 |
+
POOPENMEYER
|
1136 |
+
It's time to take action. Stephanie,
|
1137 |
+
cancel the maid for today. Have her
|
1138 |
+
come tomorrow. Well, I'm out of ideas.
|
1139 |
+
Anyone?
|
1140 |
+
|
1141 |
+
|
1142 |
+
FARNSWORTH
|
1143 |
+
Wait! If we could build an object the
|
1144 |
+
exact size, density and consistency
|
1145 |
+
of the garbage ball, it might just knock
|
1146 |
+
the ball away without smashing it to
|
1147 |
+
bits.
|
1148 |
+
|
1149 |
+
|
1150 |
+
LEELA
|
1151 |
+
But where can we find a substance the
|
1152 |
+
exact density and consistency as garbage?
|
1153 |
+
|
1154 |
+
|
1155 |
+
|
1156 |
+
FARNSWORTH
|
1157 |
+
Alas, I don't know.
|
1158 |
+
|
1159 |
+
|
1160 |
+
FRY
|
1161 |
+
Uh, what about garbage?
|
1162 |
+
|
1163 |
+
|
1164 |
+
FARNSWORTH
|
1165 |
+
Good Lord! A second ball of garbage!
|
1166 |
+
That just might work!
|
1167 |
+
|
1168 |
+
|
1169 |
+
POOPENMEYER
|
1170 |
+
But garbage isn't something you just
|
1171 |
+
find lying in the streets of Manhattan.
|
1172 |
+
This city's been garbage-free for 500
|
1173 |
+
years!
|
1174 |
+
|
1175 |
+
|
1176 |
+
FRY
|
1177 |
+
Then it's time to make some more.
|
1178 |
+
|
1179 |
+
|
1180 |
+
POOPENMEYER
|
1181 |
+
Make garbage? But how?
|
1182 |
+
|
1183 |
+
|
1184 |
+
FRY
|
1185 |
+
Stand back and watch the master! This
|
1186 |
+
Slurm can. Now it's garbage. These
|
1187 |
+
papers. Garbage. This picture of your
|
1188 |
+
wife. Pure garbage. Now you try it.
|
1189 |
+
|
1190 |
+
|
1191 |
+
|
1192 |
+
[Poopenmeyer picks up a pencil and drops it on the floor.]
|
1193 |
+
|
1194 |
+
|
1195 |
+
POOPENMEYER
|
1196 |
+
By God, I think the boy's got something.
|
1197 |
+
Come on, everyone! The fate of the city
|
1198 |
+
is at stake!
|
1199 |
+
|
1200 |
+
|
1201 |
+
[He turns a chair on it's side.]
|
1202 |
+
|
1203 |
+
|
1204 |
+
FRY
|
1205 |
+
Good! Don't finish that cruller, throw
|
1206 |
+
it away Bender. Drink that beer and
|
1207 |
+
drop the bottle on the ground. Very
|
1208 |
+
nice.
|
1209 |
+
|
1210 |
+
|
1211 |
+
POOPENMEYER
|
1212 |
+
Get that robot some more beer! We've
|
1213 |
+
trashed this room but that's just the
|
1214 |
+
start. We've got to get Fry's message
|
1215 |
+
to the people.
|
1216 |
+
|
1217 |
+
|
1218 |
+
[Woman's Kitchen. Fry is on TV.]
|
1219 |
+
|
1220 |
+
|
1221 |
+
FRY
|
1222 |
+
People of New New York. Take a lesson
|
1223 |
+
from the 20th century. Stop all this
|
1224 |
+
pain-in-the-ass recycling and throw
|
1225 |
+
your garbage on the floor.
|
1226 |
+
|
1227 |
+
|
1228 |
+
[The woman scrapes her food onto the floor.]
|
1229 |
+
|
1230 |
+
|
1231 |
+
[Man's Living Room.]
|
1232 |
+
|
1233 |
+
|
1234 |
+
FRY
|
1235 |
+
Go ahead. Just chuck it any old place
|
1236 |
+
like I used to. Your city is counting
|
1237 |
+
on you.
|
1238 |
+
|
1239 |
+
|
1240 |
+
[The man empties his cats litter tray out of the window.]
|
1241 |
+
|
1242 |
+
|
1243 |
+
[Printing Press. The newspapers are printed with the headline
|
1244 |
+
"City Urged To Litter!" and the conveyor belt dumps them outside
|
1245 |
+
the building.]
|
1246 |
+
|
1247 |
+
|
1248 |
+
[Cut to: Outside Printing Press. They land in a heap and are
|
1249 |
+
bulldozed away.]
|
1250 |
+
|
1251 |
+
|
1252 |
+
[Launch Pad. The new garbage ball has been stuck on top of a
|
1253 |
+
rocket. ]
|
1254 |
+
|
1255 |
+
|
1256 |
+
FARNSWORTH
|
1257 |
+
If my calculations are correct, this
|
1258 |
+
garbage ball will knock the other garbage
|
1259 |
+
ball directly into the sun.
|
1260 |
+
|
1261 |
+
|
1262 |
+
WERNSTROM
|
1263 |
+
And if my calculations are correct,
|
1264 |
+
we're all going to die horribly.
|
1265 |
+
|
1266 |
+
|
1267 |
+
[He laughs then realises what he's said.]
|
1268 |
+
|
1269 |
+
|
1270 |
+
POOPENMEYER
|
1271 |
+
Alright, places everyone. Prepare for
|
1272 |
+
launch.
|
1273 |
+
|
1274 |
+
|
1275 |
+
[Farnsworth counts down.]
|
1276 |
+
|
1277 |
+
|
1278 |
+
FARNSWORTH
|
1279 |
+
Five, four, three, two, three, four,
|
1280 |
+
five, six...
|
1281 |
+
|
1282 |
+
|
1283 |
+
LEELA
|
1284 |
+
Just fire the damn thing.
|
1285 |
+
|
1286 |
+
|
1287 |
+
[Fry tries to push the button but misses it.]
|
1288 |
+
|
1289 |
+
|
1290 |
+
FRY
|
1291 |
+
Oops!
|
1292 |
+
|
1293 |
+
|
1294 |
+
[He pushes it again. The rocket takes off and heads towards the
|
1295 |
+
other garbage ball. Fry's heart beats. Farnsworth's heart beats,
|
1296 |
+
but a lot slower than Fry's. Bender's "heart" beats like a drum.]
|
1297 |
+
|
1298 |
+
|
1299 |
+
|
1300 |
+
[In space, the new garbage ball hits the old one and knocks it
|
1301 |
+
away from the Earth. It slingshots around several planets and
|
1302 |
+
flies into the sun.
|
1303 |
+
|
1304 |
+
|
1305 |
+
[Launch Pad. Farnsworth sniffs through the Smellescope.]
|
1306 |
+
|
1307 |
+
|
1308 |
+
FARNSWORTH
|
1309 |
+
Burning garbage!
|
1310 |
+
|
1311 |
+
|
1312 |
+
FRY
|
1313 |
+
It worked!
|
1314 |
+
|
1315 |
+
|
1316 |
+
[Everyone except Wernstrom cheers.]
|
1317 |
+
|
1318 |
+
|
1319 |
+
[Outside Citihall. The Mayor and the Planet Express crew are
|
1320 |
+
standing on the steps. Poopenmeyer is finishing a speech.]
|
1321 |
+
|
1322 |
+
|
1323 |
+
|
1324 |
+
POOPENMEYER
|
1325 |
+
And so, on behalf of the entire city,
|
1326 |
+
I thank you, Professor Farnsworth. I
|
1327 |
+
now present you with the Academy prize,
|
1328 |
+
which we confiscated from Dr. Wernstrom
|
1329 |
+
after it became apparent that he was
|
1330 |
+
a jackass.
|
1331 |
+
|
1332 |
+
|
1333 |
+
[He hands Farnsworth the trophy.]
|
1334 |
+
|
1335 |
+
|
1336 |
+
FARNSWORTH
|
1337 |
+
Yes! In your face, Wernstrom!
|
1338 |
+
|
1339 |
+
|
1340 |
+
WERNSTROM
|
1341 |
+
I'll get you, Farnsworth. Even if it
|
1342 |
+
takes me another hundred years.
|
1343 |
+
|
1344 |
+
|
1345 |
+
[He and his five graduate students - three of them Chinese -
|
1346 |
+
shake their fists.]
|
1347 |
+
|
1348 |
+
|
1349 |
+
POOPENMEYER
|
1350 |
+
And, Fry, we owe you a tremendous debt
|
1351 |
+
as well. If not for your 20th century
|
1352 |
+
garbage-making skills, we'd all be buried
|
1353 |
+
under 20th century garbage.
|
1354 |
+
|
1355 |
+
|
1356 |
+
[The crowd cheers.]
|
1357 |
+
|
1358 |
+
|
1359 |
+
LEELA
|
1360 |
+
Should we really be celebrating? I mean,
|
1361 |
+
what if the second garbage ball returns
|
1362 |
+
to Earth like the first one did?
|
1363 |
+
|
1364 |
+
|
1365 |
+
FRY
|
1366 |
+
Who cares? That won't be for hundreds
|
1367 |
+
of years.
|
1368 |
+
|
1369 |
+
|
1370 |
+
FARNSWORTH
|
1371 |
+
Exactly! It's none of our concern.
|
1372 |
+
|
1373 |
+
|
1374 |
+
|
1375 |
+
FRY
|
1376 |
+
That's the 20th century spirit!
|
1377 |
+
|
1378 |
+
|
1379 |
+
[He and Farnsworth hold the award up and the crowd cheers and
|
1380 |
+
applauds.]
|
1381 |
+
|
1382 |
+
|
1383 |
+
[Closing Credits. We'll Meet Again from the film Dr Strangelove
|
1384 |
+
Or: How I Learned To Stop Worrying And Love The Bomb plays over
|
1385 |
+
them.]
|
content/my_data/s1e9.txt
ADDED
@@ -0,0 +1,1535 @@
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|
1 |
+
|
2 |
+
FUTURAMA
|
3 |
+
|
4 |
+
Episode 109
|
5 |
+
|
6 |
+
"HELL IS OTHER ROBOTS"
|
7 |
+
|
8 |
+
By
|
9 |
+
|
10 |
+
Eric Kaplan
|
11 |
+
|
12 |
+
Transcribed by Dave, The Neutral Planet
|
13 |
+
|
14 |
+
|
15 |
+
|
16 |
+
|
17 |
+
[Opening Credits. Caption: Condemned By The Space Pope.]
|
18 |
+
|
19 |
+
|
20 |
+
[Madison Cube Garden. Fry, Leela and Bender are sat waiting for
|
21 |
+
a Beastie Boys gig to start.]
|
22 |
+
|
23 |
+
|
24 |
+
FRY
|
25 |
+
This is awesome! I've been waiting a
|
26 |
+
thousand years to see a Beastie Boys
|
27 |
+
show.
|
28 |
+
|
29 |
+
|
30 |
+
BENDER
|
31 |
+
Can I get anybody a beer?
|
32 |
+
|
33 |
+
|
34 |
+
FRY
|
35 |
+
Sure!
|
36 |
+
|
37 |
+
|
38 |
+
[Bender opens his chest cabinet and uses his antenna to pump
|
39 |
+
some beer into a cup. He hands it to Fry and Fry takes a gulp.]
|
40 |
+
|
41 |
+
|
42 |
+
|
43 |
+
ANNOUNCER
|
44 |
+
Ladies and gentlemen, here to lay down
|
45 |
+
some old, old, incredibly old school
|
46 |
+
beats: The Beastie Boys!
|
47 |
+
|
48 |
+
|
49 |
+
[A man wheels the Beastie Boys' heads in jars onto the stage.
|
50 |
+
The crowd cheers. Some guys in black suits grab the jars and
|
51 |
+
dance around. The Beastie Boys perform Intergalactic.]
|
52 |
+
|
53 |
+
|
54 |
+
BEASTIE BOYS
|
55 |
+
(singing) Well now don't you tell to
|
56 |
+
smile
|
57 |
+
|
58 |
+
You stick around I'll make it worth your while
|
59 |
+
|
60 |
+
Got numbers beyond what you can dial
|
61 |
+
|
62 |
+
Maybe it's because I'm so versatile
|
63 |
+
|
64 |
+
Style profile I said
|
65 |
+
|
66 |
+
It always brings me back when I hear Wu Child...
|
67 |
+
|
68 |
+
|
69 |
+
[Leela looks at her wrist thing.]
|
70 |
+
|
71 |
+
|
72 |
+
LEELA
|
73 |
+
Impressive. They're busting mad rhymes
|
74 |
+
with an 80% success rate.
|
75 |
+
|
76 |
+
|
77 |
+
BENDER
|
78 |
+
I believe that qualifies as ill. At
|
79 |
+
least from a technical standpoint.
|
80 |
+
|
81 |
+
|
82 |
+
|
83 |
+
[Fry is standing away from them.]
|
84 |
+
|
85 |
+
|
86 |
+
FRY
|
87 |
+
Will you guys shut up! I'm trying to
|
88 |
+
look cool.
|
89 |
+
|
90 |
+
|
91 |
+
[He attempts to dance.]
|
92 |
+
|
93 |
+
|
94 |
+
BEASTIE BOYS
|
95 |
+
(singing) ...known for the Flintstone
|
96 |
+
Flop
|
97 |
+
|
98 |
+
Tammy D gettin' biz on the crop
|
99 |
+
|
100 |
+
Beastie Boys know to let the beat...
|
101 |
+
|
102 |
+
|
103 |
+
MIKE
|
104 |
+
Drop! Ow! How's it going? Enjoying
|
105 |
+
the show? Ow! (shouting) Don't forget
|
106 |
+
to pick up a T-Shirt!
|
107 |
+
|
108 |
+
|
109 |
+
FRY
|
110 |
+
Wow! An old-fashioned mosh pit! Come
|
111 |
+
on guys. Tonight we're gonna party like
|
112 |
+
its 1999...again.
|
113 |
+
|
114 |
+
|
115 |
+
[The Beastie Boys start to perform Super Disco Breakin.]
|
116 |
+
|
117 |
+
|
118 |
+
Beastie Boys (singing) Well it's 50 cups of coffee and you know
|
119 |
+
it's on
|
120 |
+
|
121 |
+
I move the crowd to the break of break of dawn...
|
122 |
+
|
123 |
+
|
124 |
+
[Fry and Bender get into the mosh pit. Leela gets bumped around
|
125 |
+
and doesn't look like she is enjoying herself.]
|
126 |
+
|
127 |
+
|
128 |
+
LEELA
|
129 |
+
Ow! Hey, watch it!
|
130 |
+
|
131 |
+
|
132 |
+
[She elbows someone in the face, kicks someone else, punches
|
133 |
+
someone else the does a full circle flying kick and knocks everyone
|
134 |
+
around her over.]
|
135 |
+
|
136 |
+
|
137 |
+
[Time Lapse. The crowd are sat in their seats again.]
|
138 |
+
|
139 |
+
|
140 |
+
FRY
|
141 |
+
Man, these guys rock harder than ever!
|
142 |
+
|
143 |
+
|
144 |
+
|
145 |
+
[The Beastie Boys sing Sabotage.]
|
146 |
+
|
147 |
+
|
148 |
+
MIKE (SINGING)
|
149 |
+
Oh my...
|
150 |
+
|
151 |
+
|
152 |
+
MCA (SINGING)
|
153 |
+
...it's a mirage...
|
154 |
+
|
155 |
+
|
156 |
+
AD-ROCK (SINGING)
|
157 |
+
...tellin' you all it's a...
|
158 |
+
|
159 |
+
|
160 |
+
|
161 |
+
AD-ROCK (SINGING)
|
162 |
+
Sabotage, yeah!
|
163 |
+
|
164 |
+
|
165 |
+
MIKE
|
166 |
+
Peace, we out!
|
167 |
+
|
168 |
+
|
169 |
+
[The crowd cheers and the Beastie Boys are wheeled out. Fry cheers.
|
170 |
+
Enter a Fender amplifier who recognises Bender.]
|
171 |
+
|
172 |
+
|
173 |
+
FENDER
|
174 |
+
Hey, Bender!
|
175 |
+
|
176 |
+
|
177 |
+
BENDER
|
178 |
+
Hey, Fender! Man, I haven't seen you
|
179 |
+
since high school. You still workin'
|
180 |
+
at Jack In The Box?
|
181 |
+
|
182 |
+
|
183 |
+
FENDER
|
184 |
+
Not anymore, baby. I'm with the band!
|
185 |
+
|
186 |
+
|
187 |
+
|
188 |
+
[Backstage. The Beastie Boys are getting head massages.]
|
189 |
+
|
190 |
+
|
191 |
+
MIKE
|
192 |
+
Aw! Oh, yeah!
|
193 |
+
|
194 |
+
|
195 |
+
[Enter Fender, Bender, Fry and Leela.]
|
196 |
+
|
197 |
+
|
198 |
+
FENDER
|
199 |
+
Hey, fellas, hey. I want you to meet
|
200 |
+
my friends Bender, Fry and Leela.
|
201 |
+
|
202 |
+
|
203 |
+
|
204 |
+
AD-ROCK
|
205 |
+
Y'know we're, really not that interested
|
206 |
+
in meeting them.
|
207 |
+
|
208 |
+
|
209 |
+
FRY
|
210 |
+
Wow! I love you guys! Back in the 20th
|
211 |
+
century, I had all five of your albums.
|
212 |
+
|
213 |
+
|
214 |
+
|
215 |
+
AD-ROCK
|
216 |
+
That was a thousand years ago. Now we
|
217 |
+
got seven.
|
218 |
+
|
219 |
+
|
220 |
+
FRY
|
221 |
+
Cool! Can I borrow the new ones? And
|
222 |
+
a couple of blank tapes?
|
223 |
+
|
224 |
+
|
225 |
+
[Fender turns his volume down and turns to Bender.]
|
226 |
+
|
227 |
+
|
228 |
+
FENDER (WHISPERING)
|
229 |
+
Hey, Bender, why don't we ditch these
|
230 |
+
organ sacks and hit the real party?
|
231 |
+
|
232 |
+
|
233 |
+
|
234 |
+
BENDER
|
235 |
+
Count me in! I'm gonna drink til I reboot!
|
236 |
+
|
237 |
+
|
238 |
+
|
239 |
+
[Room. Fender presses a button, a door slides open and in the
|
240 |
+
room are three robots hooked up to an electricity thing. It shocks
|
241 |
+
them and they groan.]
|
242 |
+
|
243 |
+
|
244 |
+
BENDER
|
245 |
+
Hey, what kinda party is this? There's
|
246 |
+
no booze and only one hooker.
|
247 |
+
|
248 |
+
|
249 |
+
FENDER
|
250 |
+
Don't be a drag, man. We're jacking
|
251 |
+
on! Aww yeah! Wanna jolt?
|
252 |
+
|
253 |
+
|
254 |
+
BENDER
|
255 |
+
Uh hey, I'm no square but isn't that
|
256 |
+
counter-indicated by my operations manual?
|
257 |
+
|
258 |
+
|
259 |
+
|
260 |
+
[The other robots laugh.]
|
261 |
+
|
262 |
+
|
263 |
+
ROBOT
|
264 |
+
Counter indicated!
|
265 |
+
|
266 |
+
|
267 |
+
FENDER
|
268 |
+
Come on, Bender, grab a jack. I told
|
269 |
+
these guys you were cool.
|
270 |
+
|
271 |
+
|
272 |
+
BENDER
|
273 |
+
Well, if jacking on'll make strangers
|
274 |
+
think I'm cool, I'll do it!
|
275 |
+
|
276 |
+
|
277 |
+
[He takes the plug and sticks it in his head. He goes crazy and
|
278 |
+
starts to hallucinate. Sitar music plays. He falls onto a circuit
|
279 |
+
board. Then he flies around a molecule and eats the electrons.
|
280 |
+
He eats the proton and starts giggling. He dances with an electric
|
281 |
+
eel. Fender takes the plug out.]
|
282 |
+
|
283 |
+
|
284 |
+
FENDER
|
285 |
+
Easy, baby. You don't wanna get hooked
|
286 |
+
on this stuff.
|
287 |
+
|
288 |
+
|
289 |
+
BENDER
|
290 |
+
Eh, no need to worry. I don't have an
|
291 |
+
addictive personality.
|
292 |
+
|
293 |
+
|
294 |
+
[He smokes a cigar, gulps down some beer and jacks on again.]
|
295 |
+
|
296 |
+
|
297 |
+
|
298 |
+
[New New York Street. The next day Fry and Bender walk around
|
299 |
+
a slum. Hobos sleep in the travel tubes and windows are boarded
|
300 |
+
up. Bender wears shades.]
|
301 |
+
|
302 |
+
|
303 |
+
FRY
|
304 |
+
Hey uh Bender. What are we doing in
|
305 |
+
this bad neighbourhood?
|
306 |
+
|
307 |
+
|
308 |
+
BENDER
|
309 |
+
Shut up, square! I'll just be a minute!
|
310 |
+
|
311 |
+
|
312 |
+
|
313 |
+
[Fry leans against a lamppost and whistles.]
|
314 |
+
|
315 |
+
|
316 |
+
[Time Lapse. Three hours later Bender comes out. He walks weirdly
|
317 |
+
and groans. He falls over, rolls off the pavement and lands face
|
318 |
+
down in the gutter. A Preacherbot walks by and sees him.]
|
319 |
+
|
320 |
+
|
321 |
+
PREACHERBOT
|
322 |
+
Wretched sinner unit! The path to robot
|
323 |
+
heaven lies here......in the Good Book
|
324 |
+
3.0.
|
325 |
+
|
326 |
+
|
327 |
+
BENDER
|
328 |
+
Hey! Do I preach to you when you're
|
329 |
+
lying stoned in the gutter? No! So beat
|
330 |
+
it!
|
331 |
+
|
332 |
+
|
333 |
+
[Preacherbot tuts and walks off.]
|
334 |
+
|
335 |
+
|
336 |
+
FRY
|
337 |
+
Who was that guy?
|
338 |
+
|
339 |
+
|
340 |
+
BENDER
|
341 |
+
Yo mama! Now shut up and drag me to
|
342 |
+
work!
|
343 |
+
|
344 |
+
|
345 |
+
[Fry drags Bender by his legs.]
|
346 |
+
|
347 |
+
|
348 |
+
[Planet Express: Meeting Room. Hermes addresses the staff with
|
349 |
+
a chart.]
|
350 |
+
|
351 |
+
|
352 |
+
HERMES
|
353 |
+
Our electric bill's climbing faster
|
354 |
+
than a green snake up a sugarcane. Obviously
|
355 |
+
someone round been wastin' a whole heap
|
356 |
+
a juice! Probably you!
|
357 |
+
|
358 |
+
|
359 |
+
[He points at Zoidberg.]
|
360 |
+
|
361 |
+
|
362 |
+
ZOIDBERG
|
363 |
+
Me?
|
364 |
+
|
365 |
+
|
366 |
+
[Enter Fry and Bender.]
|
367 |
+
|
368 |
+
|
369 |
+
AMY
|
370 |
+
Good morning, Bender.
|
371 |
+
|
372 |
+
|
373 |
+
BENDER
|
374 |
+
None of your business, get off my back!
|
375 |
+
|
376 |
+
|
377 |
+
|
378 |
+
[He runs into the restroom.]
|
379 |
+
|
380 |
+
|
381 |
+
AMY
|
382 |
+
What's his problem?
|
383 |
+
|
384 |
+
|
385 |
+
LEELA
|
386 |
+
If I didn't know better I'd almost think
|
387 |
+
he was abusing electricity.
|
388 |
+
|
389 |
+
|
390 |
+
FRY
|
391 |
+
Bender? No way! I definitely would've
|
392 |
+
noticed something.
|
393 |
+
|
394 |
+
|
395 |
+
[Leela gets up and knocks on the restroom door.]
|
396 |
+
|
397 |
+
|
398 |
+
LEELA
|
399 |
+
Bender, why are you spending so much
|
400 |
+
time in the bathroom? Are you jacking
|
401 |
+
on in there?
|
402 |
+
|
403 |
+
|
404 |
+
BENDER
|
405 |
+
No! Don't come in!
|
406 |
+
|
407 |
+
|
408 |
+
[Enter Farnsworth with a box.]
|
409 |
+
|
410 |
+
|
411 |
+
FARNSWORTH
|
412 |
+
Good news, everyone! Today you'll be
|
413 |
+
delivering a crate of subpoenas to Sicily
|
414 |
+
8, the Mob Planet!
|
415 |
+
|
416 |
+
|
417 |
+
[Bender returns.]
|
418 |
+
|
419 |
+
|
420 |
+
BENDER
|
421 |
+
Alright, let's get to work! I'll be
|
422 |
+
out in a second.
|
423 |
+
|
424 |
+
|
425 |
+
[He runs back into the bathroom.]
|
426 |
+
|
427 |
+
|
428 |
+
[Ships Cockpit. The crew have made the delivery and are returning
|
429 |
+
to Earth.]
|
430 |
+
|
431 |
+
|
432 |
+
FRY
|
433 |
+
I know Big Vinnie said he was giving
|
434 |
+
me the kiss of death but I still think
|
435 |
+
he was gay.
|
436 |
+
|
437 |
+
|
438 |
+
LEELA
|
439 |
+
Did he use his tongue?
|
440 |
+
|
441 |
+
|
442 |
+
FRY
|
443 |
+
A little. You OK, Bender?
|
444 |
+
|
445 |
+
|
446 |
+
BENDER
|
447 |
+
None of your business! Get off my back!
|
448 |
+
|
449 |
+
|
450 |
+
|
451 |
+
LEELA
|
452 |
+
Uh oh. There seems to be some sort of
|
453 |
+
electrical disturbance in the Coalsack
|
454 |
+
Nebula.
|
455 |
+
|
456 |
+
|
457 |
+
BENDER
|
458 |
+
A what kind of disturbance?
|
459 |
+
|
460 |
+
|
461 |
+
LEELA
|
462 |
+
Electrical. Anyway it's going to take
|
463 |
+
some careful piloting to avoid it.
|
464 |
+
|
465 |
+
|
466 |
+
|
467 |
+
[Bender sneaks out of the cockpit.]
|
468 |
+
|
469 |
+
|
470 |
+
[Cut to: Outside Ship. Bender opens the door and steps out. He
|
471 |
+
edges his way around to the engines and pushes them so the ship
|
472 |
+
flies straight towards the nebula. He laughs insanely.]
|
473 |
+
|
474 |
+
|
475 |
+
[Cut to: Ships Cockpit. Leela is struggling with the controls.]
|
476 |
+
|
477 |
+
|
478 |
+
|
479 |
+
LEELA
|
480 |
+
We're out of control. We're heading
|
481 |
+
straight into the electric field!
|
482 |
+
|
483 |
+
|
484 |
+
|
485 |
+
FRY
|
486 |
+
What's happening? I-I feel weird!
|
487 |
+
|
488 |
+
|
489 |
+
[The electricity has made his hair stand on end.]
|
490 |
+
|
491 |
+
|
492 |
+
[Cut to: Outside Ship. Bender stands on top of it in front of
|
493 |
+
the gun turret, waving his arms.]
|
494 |
+
|
495 |
+
|
496 |
+
BENDER
|
497 |
+
Come on universe you big, mostly empty
|
498 |
+
wuss! Gimmie all the juice you got!
|
499 |
+
Oh, mama!
|
500 |
+
|
501 |
+
|
502 |
+
[Planet Express: Hangar. Bender sits atop the ship, melted to
|
503 |
+
it. Amy drills him off with a jackhammer. He slides down the
|
504 |
+
front of the ship and lands on the floor. Farnsworth, Leela and
|
505 |
+
Hermes stare at him. Bender looks up at them.]
|
506 |
+
|
507 |
+
|
508 |
+
BENDER
|
509 |
+
What?
|
510 |
+
|
511 |
+
|
512 |
+
[Planet Express: Meeting Room. Bender has been repaired and a
|
513 |
+
crate of spare robot legs and thighs is on the floor next tot
|
514 |
+
he table.]
|
515 |
+
|
516 |
+
|
517 |
+
LEELA
|
518 |
+
Bender, we didn't mind your drinking,
|
519 |
+
or your kleptomania, or your pornography
|
520 |
+
ring.
|
521 |
+
|
522 |
+
|
523 |
+
ZOIDBERG
|
524 |
+
In fact, that's why we loved you.
|
525 |
+
|
526 |
+
|
527 |
+
LEELA
|
528 |
+
But this electricity abuse crossed the
|
529 |
+
line. You almost killed us.
|
530 |
+
|
531 |
+
|
532 |
+
FRY
|
533 |
+
And you made me feel like a jerk for
|
534 |
+
trusting you. Just like when my friend
|
535 |
+
Richie swore he wasn't taking drugs
|
536 |
+
and then he sold me my mom's VCR and
|
537 |
+
then later I found out he was taking
|
538 |
+
drugs. You make me ashamed to be your
|
539 |
+
friend.
|
540 |
+
|
541 |
+
|
542 |
+
[Bender sighs.]
|
543 |
+
|
544 |
+
|
545 |
+
BENDER
|
546 |
+
You're right. I'm a lost cause.
|
547 |
+
|
548 |
+
|
549 |
+
[He walks out.]
|
550 |
+
|
551 |
+
|
552 |
+
[New New York Street. Bender walks past Sparky's Den sadly. He
|
553 |
+
hears an organ play behind him and looks across the street to
|
554 |
+
the Temple Of Robotology.]
|
555 |
+
|
556 |
+
|
557 |
+
BENDER
|
558 |
+
Maybe there's another way.
|
559 |
+
|
560 |
+
|
561 |
+
[Cut to: Temple Of Robotology Roof. Bender plugs himself into
|
562 |
+
the neon sign and jacks on.]
|
563 |
+
|
564 |
+
|
565 |
+
BENDER
|
566 |
+
Oh, yeah, that's the good stuff. (crying)
|
567 |
+
What am I doing? What have I become?
|
568 |
+
Huh?
|
569 |
+
|
570 |
+
|
571 |
+
[He looks down though the roof and sees a sermon.]
|
572 |
+
|
573 |
+
|
574 |
+
[Cut to: Temple Of Robotology.]
|
575 |
+
|
576 |
+
|
577 |
+
PREACHERBOT
|
578 |
+
I see a lot of fancy robots here today.
|
579 |
+
Made of real shiny metal. But that don't
|
580 |
+
impress the Robot Devil, no, sir!
|
581 |
+
|
582 |
+
|
583 |
+
|
584 |
+
ROBOT
|
585 |
+
No, sir!
|
586 |
+
|
587 |
+
|
588 |
+
PREACHERBOT
|
589 |
+
'Cause if you're a sinner, he's gonna
|
590 |
+
plug his infernal modem in the wall,
|
591 |
+
belchin' smoke and flame. Amd he's gonna
|
592 |
+
download ya straight to Robot Hell!
|
593 |
+
|
594 |
+
|
595 |
+
|
596 |
+
ROBOT
|
597 |
+
Straight to hell!
|
598 |
+
|
599 |
+
|
600 |
+
PREACHERBOT
|
601 |
+
So I ask ya: Who will stand up and be
|
602 |
+
saved? Who? Who?
|
603 |
+
|
604 |
+
|
605 |
+
[The glass roof gives way and Bender falls through and lands
|
606 |
+
in front of Preacherbot.]
|
607 |
+
|
608 |
+
|
609 |
+
BENDER
|
610 |
+
(weakly) Me.
|
611 |
+
|
612 |
+
|
613 |
+
[Planet Express: Meeting Room. Hermes addresses the crew.]
|
614 |
+
|
615 |
+
|
616 |
+
HERMES
|
617 |
+
And as a further cost-cutting measure,
|
618 |
+
I have eliminted the salt-water cooler.
|
619 |
+
|
620 |
+
|
621 |
+
|
622 |
+
ZOIDBERG
|
623 |
+
This is a witch hunt!
|
624 |
+
|
625 |
+
|
626 |
+
[Enter Bender wearing a bow tie.]
|
627 |
+
|
628 |
+
|
629 |
+
BENDER
|
630 |
+
(singing) Oh, what a beautiful morning,
|
631 |
+
oh what a beautiful day! (talking) Greetings,
|
632 |
+
friends. Don't we all look nice today?
|
633 |
+
|
634 |
+
|
635 |
+
|
636 |
+
FRY
|
637 |
+
Great he's whacked out on electricity
|
638 |
+
again.
|
639 |
+
|
640 |
+
|
641 |
+
BENDER
|
642 |
+
No, I'm whacked out on life. My friends,
|
643 |
+
I found religion.
|
644 |
+
|
645 |
+
|
646 |
+
[The crew stare, shocked.]
|
647 |
+
|
648 |
+
|
649 |
+
FRY
|
650 |
+
Religon? Is this another scam to get
|
651 |
+
free yarmulkes?
|
652 |
+
|
653 |
+
|
654 |
+
LEELA
|
655 |
+
Give him a break, Fry. If this helps
|
656 |
+
Bender clean up his act then I think
|
657 |
+
we should be supportive.
|
658 |
+
|
659 |
+
|
660 |
+
FARNSWORTH
|
661 |
+
Yes.
|
662 |
+
|
663 |
+
|
664 |
+
AMY
|
665 |
+
Oh, yeah.
|
666 |
+
|
667 |
+
|
668 |
+
HERMES
|
669 |
+
Oh, yes!
|
670 |
+
|
671 |
+
|
672 |
+
ZOIDBERG
|
673 |
+
Oh, yeah.
|
674 |
+
|
675 |
+
|
676 |
+
BENDER
|
677 |
+
Wonderful. Then you'll all come to my
|
678 |
+
exceedingly long, un-air-conditioned
|
679 |
+
baptism ceremony!
|
680 |
+
|
681 |
+
|
682 |
+
[The staff murmur.]
|
683 |
+
|
684 |
+
|
685 |
+
[Temple Of Robotology.]
|
686 |
+
|
687 |
+
|
688 |
+
PREACHERBOT
|
689 |
+
We are gathered here today to deliver
|
690 |
+
brother Bender from the cold, steel
|
691 |
+
grip of the Robot Devil unto the cold,
|
692 |
+
steel bosom of our congregation.
|
693 |
+
|
694 |
+
|
695 |
+
ROBOT #2
|
696 |
+
Tell it, Preacher!
|
697 |
+
|
698 |
+
|
699 |
+
ROBOT #3
|
700 |
+
That equals true.
|
701 |
+
|
702 |
+
|
703 |
+
PREACHERBOT
|
704 |
+
Brother Bender, do you accept the principles
|
705 |
+
of Robotology on pain of eternal damnation
|
706 |
+
in Robot Hell?
|
707 |
+
|
708 |
+
|
709 |
+
BENDER
|
710 |
+
Yes, I do.
|
711 |
+
|
712 |
+
|
713 |
+
PREACHERBOT
|
714 |
+
Then I will now baptise you. Press
|
715 |
+
any key to continue.
|
716 |
+
|
717 |
+
|
718 |
+
[Bender presses a button and he is lifted and baptised in a barrel
|
719 |
+
of High Viscosity Baptismal Oil. Preacherbot welds the symbol
|
720 |
+
of Robotology - a resistor symbol - to Bender's chest.]
|
721 |
+
|
722 |
+
|
723 |
+
BENDER
|
724 |
+
Uh, while you're at it, could you touch
|
725 |
+
up this seam?
|
726 |
+
|
727 |
+
|
728 |
+
[He raises his arm. Preacherbot welds the seam. Bender giggles.]
|
729 |
+
|
730 |
+
|
731 |
+
|
732 |
+
[Elzar's Fine Cuisine. The crew are dressed up.]
|
733 |
+
|
734 |
+
|
735 |
+
LEELA
|
736 |
+
This is unbelievable. The old Bender
|
737 |
+
never would have taken us out to dinner.
|
738 |
+
|
739 |
+
|
740 |
+
|
741 |
+
BENDER
|
742 |
+
The old Bender's gone. He won't trouble
|
743 |
+
you anymore.
|
744 |
+
|
745 |
+
|
746 |
+
WAITER
|
747 |
+
Would monsieur care to see the wine
|
748 |
+
list?
|
749 |
+
|
750 |
+
|
751 |
+
[Bender shreds the wine list and hands it back to the waiter.]
|
752 |
+
|
753 |
+
|
754 |
+
|
755 |
+
BENDER
|
756 |
+
No poison for us, thanks. I'll stick
|
757 |
+
with good old mineral oil. Ah! Functional!
|
758 |
+
|
759 |
+
|
760 |
+
|
761 |
+
[Time Lapse. The food arrives.]
|
762 |
+
|
763 |
+
|
764 |
+
HERMES
|
765 |
+
Mon, I'm hungrier than a green snake
|
766 |
+
in a sugar cane field!
|
767 |
+
|
768 |
+
|
769 |
+
BENDER
|
770 |
+
Friends! Friends! Surely you're not
|
771 |
+
going to eat before we say Robot Grace?
|
772 |
+
In the name of all that is good and
|
773 |
+
logical we give thanks for the chemical
|
774 |
+
energy we are about to absorb. To quote
|
775 |
+
the prophet Jerimatic: 1000101010101...
|
776 |
+
|
777 |
+
|
778 |
+
|
779 |
+
[Time Lapse. The crew have given up and are anxiously waiting
|
780 |
+
for Bender to finish.]
|
781 |
+
|
782 |
+
|
783 |
+
BENDER
|
784 |
+
...0010110012. Amen.
|
785 |
+
|
786 |
+
|
787 |
+
FRY
|
788 |
+
Does that mean we can eat now?
|
789 |
+
|
790 |
+
|
791 |
+
BENDER
|
792 |
+
Yes. But first, since I love you all
|
793 |
+
so much, I'd like to give everyone hugs.
|
794 |
+
Come here, Fry!
|
795 |
+
|
796 |
+
|
797 |
+
FRY
|
798 |
+
Oh, uh, but I don't want to.
|
799 |
+
|
800 |
+
|
801 |
+
[Bender hugs Fry.]
|
802 |
+
|
803 |
+
|
804 |
+
BENDER
|
805 |
+
Mmm! Mmm! Fry, you're my friend! C'mon,
|
806 |
+
everyone line up for a hug. Let's tear
|
807 |
+
down some emotional walls.
|
808 |
+
|
809 |
+
|
810 |
+
[The others edge their seats away.]
|
811 |
+
|
812 |
+
|
813 |
+
[Planet Express: Hangar. Bender sticks something to the ship.]
|
814 |
+
|
815 |
+
|
816 |
+
|
817 |
+
LEELA
|
818 |
+
What are you doing to my ship?
|
819 |
+
|
820 |
+
|
821 |
+
BENDER
|
822 |
+
Sanctifying it! There! That ought to
|
823 |
+
convert a few tailgaters.
|
824 |
+
|
825 |
+
|
826 |
+
FRY
|
827 |
+
Bender's stupid religion is driving
|
828 |
+
me nuts.
|
829 |
+
|
830 |
+
|
831 |
+
LEELA
|
832 |
+
Amen.
|
833 |
+
|
834 |
+
|
835 |
+
FARNSWORTH
|
836 |
+
If only he had joined a mainstream religion
|
837 |
+
like Oprah-ism or Voodoo.
|
838 |
+
|
839 |
+
|
840 |
+
FRY
|
841 |
+
We've got to get the old Bender back.
|
842 |
+
|
843 |
+
|
844 |
+
|
845 |
+
LEELA
|
846 |
+
And I think I know a way to do it. We
|
847 |
+
have to reacquaint him with a little
|
848 |
+
thing called "sleaze".
|
849 |
+
|
850 |
+
|
851 |
+
[Atlantic City Street. The ship lands in a car park.]
|
852 |
+
|
853 |
+
|
854 |
+
[Time Lapse. The crew have taken Nibbler with them and they walk
|
855 |
+
down the street.]
|
856 |
+
|
857 |
+
|
858 |
+
BENDER
|
859 |
+
I can't believe somebody hired an interstellar
|
860 |
+
spaceship to deliver a package to Atlantic
|
861 |
+
City. What are we delivering anyway?
|
862 |
+
|
863 |
+
|
864 |
+
|
865 |
+
FRY
|
866 |
+
Uh, this.
|
867 |
+
|
868 |
+
|
869 |
+
[He pulls some mints out of his pocket.]
|
870 |
+
|
871 |
+
|
872 |
+
BENDER
|
873 |
+
Where are we delivering it to?
|
874 |
+
|
875 |
+
|
876 |
+
LEELA
|
877 |
+
Uh, here.
|
878 |
+
|
879 |
+
|
880 |
+
[She takes the mints and puts them in a mailbox.]
|
881 |
+
|
882 |
+
|
883 |
+
BENDER
|
884 |
+
Another job well done. Now back to the
|
885 |
+
office for an enjoyable evening of fasting
|
886 |
+
and repentance.
|
887 |
+
|
888 |
+
|
889 |
+
FRY
|
890 |
+
Whoa, whoa, whoa, wait, Bender. So long
|
891 |
+
as we're here why don't we take in some,
|
892 |
+
exotic dancing!
|
893 |
+
|
894 |
+
|
895 |
+
LEELA
|
896 |
+
Hey, great idea!
|
897 |
+
|
898 |
+
|
899 |
+
[Bender turns around. He is standing outside a club called Power
|
900 |
+
Strip. He gasps.]
|
901 |
+
|
902 |
+
|
903 |
+
BENDER
|
904 |
+
But, those girls don't wear cases. You
|
905 |
+
can see their bare circuits.
|
906 |
+
|
907 |
+
|
908 |
+
FRY
|
909 |
+
Come on, it'll be fun! Maybe we could
|
910 |
+
even drink a little fortified wine.
|
911 |
+
|
912 |
+
|
913 |
+
|
914 |
+
BENDER
|
915 |
+
What?" Drinking wine is a sin. Even
|
916 |
+
if it is deliciously fortified.
|
917 |
+
|
918 |
+
|
919 |
+
LEELA
|
920 |
+
Hey, Bender, looks at that woman's purse.
|
921 |
+
It's hanging by a spaghetti strand.
|
922 |
+
|
923 |
+
|
924 |
+
|
925 |
+
[Bender zooms in but pushes his eyes back in again.]
|
926 |
+
|
927 |
+
|
928 |
+
BENDER
|
929 |
+
Thou shalt not snatch.
|
930 |
+
|
931 |
+
|
932 |
+
FRY
|
933 |
+
And there's Hookerbot 5000. She's got
|
934 |
+
a heart of solid gold!
|
935 |
+
|
936 |
+
|
937 |
+
HOOKERBOT
|
938 |
+
Hey, sailing unit!
|
939 |
+
|
940 |
+
|
941 |
+
BENDER
|
942 |
+
Stop tempting me! For once in my life
|
943 |
+
I have inner peace.
|
944 |
+
|
945 |
+
|
946 |
+
FRY
|
947 |
+
Pfft, that's for losers. C'mon, sin
|
948 |
+
your heart out.
|
949 |
+
|
950 |
+
|
951 |
+
LEELA
|
952 |
+
Go nuts.
|
953 |
+
|
954 |
+
|
955 |
+
HOOKERBOT
|
956 |
+
Live a little.
|
957 |
+
|
958 |
+
|
959 |
+
WOMAN
|
960 |
+
Could you hold my purse for a minute?
|
961 |
+
|
962 |
+
|
963 |
+
|
964 |
+
FRY
|
965 |
+
Go for it, Bender. You know you wanna!
|
966 |
+
|
967 |
+
|
968 |
+
|
969 |
+
BENDER
|
970 |
+
Well...
|
971 |
+
|
972 |
+
|
973 |
+
[Power Strip. Bender dances with the Stripperbots and laughs.]
|
974 |
+
|
975 |
+
|
976 |
+
|
977 |
+
BENDER
|
978 |
+
I'm the greatest. Woo-hoo!
|
979 |
+
|
980 |
+
|
981 |
+
FRY
|
982 |
+
Look's like we got the old Bender back!
|
983 |
+
|
984 |
+
|
985 |
+
|
986 |
+
BENDER
|
987 |
+
You know it, pork pie! Except for one
|
988 |
+
thing.
|
989 |
+
|
990 |
+
|
991 |
+
[He rips the Robotology symbol off his chest and throws it over
|
992 |
+
his shoulder. It sinks into a dish of stuff and beeps and glows.]
|
993 |
+
|
994 |
+
|
995 |
+
|
996 |
+
[Trump Trapezoid. Bender entertains three Fembots in the jacuzzi
|
997 |
+
in his hotel room.]
|
998 |
+
|
999 |
+
|
1000 |
+
BENDER
|
1001 |
+
Y'know, as a major Hollywood director
|
1002 |
+
I'll be holding auditions tonight for
|
1003 |
+
my next movie. And even though you're
|
1004 |
+
all young and naive, I think you might
|
1005 |
+
just have what it takes. Hey! I'm trying
|
1006 |
+
to score here! Can't you read the "Do
|
1007 |
+
Not Disturb" sign? No! No!
|
1008 |
+
|
1009 |
+
|
1010 |
+
[A pitchfork comes through the door and knocks him out.]
|
1011 |
+
|
1012 |
+
|
1013 |
+
[Robot Hell. Bender wakes up. The Robot Devil welcomes him. He
|
1014 |
+
is a huge red robot with a tail and other things you might associate
|
1015 |
+
with the devil.]
|
1016 |
+
|
1017 |
+
|
1018 |
+
ROBOT DEVIL
|
1019 |
+
Greetings, Bender! Welcome to Robot
|
1020 |
+
Hell.
|
1021 |
+
|
1022 |
+
|
1023 |
+
[Bender screams.]
|
1024 |
+
|
1025 |
+
|
1026 |
+
[Trump Trapezoid. The next day Fry and Leela are in Bender's
|
1027 |
+
room. There are scorch marks where Bender fell and he has been
|
1028 |
+
dragged out of the room.]
|
1029 |
+
|
1030 |
+
|
1031 |
+
LEELA
|
1032 |
+
What in hell happened to Bender?
|
1033 |
+
|
1034 |
+
|
1035 |
+
FRY
|
1036 |
+
Well he didn't check out. The ashtray's
|
1037 |
+
still here. Look, Nibbler's caught
|
1038 |
+
the scent of vodka and motor oil! Go,
|
1039 |
+
boy. Follow that stench.
|
1040 |
+
|
1041 |
+
|
1042 |
+
[The run out of the room.]
|
1043 |
+
|
1044 |
+
|
1045 |
+
[Robot Hell Tunnel. Bender is chained to a cart and the Robot
|
1046 |
+
Devil stands behind him with a whip. The cart rolls down a track.]
|
1047 |
+
|
1048 |
+
|
1049 |
+
|
1050 |
+
BENDER
|
1051 |
+
I'm hallucinating this, right?
|
1052 |
+
|
1053 |
+
|
1054 |
+
[The Robot Devil whips him.]
|
1055 |
+
|
1056 |
+
|
1057 |
+
ROBOT DEVIL
|
1058 |
+
No, Bender. Robot Hell is quite real.
|
1059 |
+
Here's our brochure.
|
1060 |
+
|
1061 |
+
|
1062 |
+
[He hands Bender a brochure entitled Hell Is Other Robots.]
|
1063 |
+
|
1064 |
+
|
1065 |
+
|
1066 |
+
BENDER
|
1067 |
+
But I don't belong here. I don't like
|
1068 |
+
things that are scary and painful.
|
1069 |
+
|
1070 |
+
|
1071 |
+
|
1072 |
+
ROBOT DEVIL
|
1073 |
+
Sorry, Bender, you agreed to this when
|
1074 |
+
you joined our religion. If you sin
|
1075 |
+
you go to Robot Hell - for all eternity.
|
1076 |
+
|
1077 |
+
|
1078 |
+
|
1079 |
+
BENDER
|
1080 |
+
Aww, hell - I mean heck!
|
1081 |
+
|
1082 |
+
|
1083 |
+
ROBOT DEVIL
|
1084 |
+
It's alright, you can say that here.
|
1085 |
+
|
1086 |
+
|
1087 |
+
|
1088 |
+
[Outside Reckless Ted's Funland. Fry and Leela look up at the
|
1089 |
+
sign.]
|
1090 |
+
|
1091 |
+
|
1092 |
+
FRY
|
1093 |
+
Wait! I remember this place. They shut
|
1094 |
+
it down after all those people caught
|
1095 |
+
salmonella from the flume ride.
|
1096 |
+
|
1097 |
+
|
1098 |
+
[Nibbler leads Fry and Leela to a ride called The Inferno.]
|
1099 |
+
|
1100 |
+
|
1101 |
+
|
1102 |
+
[Cut to: The Inferno. They open the door and look around.]
|
1103 |
+
|
1104 |
+
|
1105 |
+
LEELA
|
1106 |
+
Hmm. Look! It's the symbol of Bender's
|
1107 |
+
old religion.
|
1108 |
+
|
1109 |
+
|
1110 |
+
[Fry presses the symbol and the crazy mirror beside it slides
|
1111 |
+
upwards. Behind it is Robot Hell.]
|
1112 |
+
|
1113 |
+
|
1114 |
+
FRY
|
1115 |
+
Unbelievable. It's an actual, factual
|
1116 |
+
Robot Hell.
|
1117 |
+
|
1118 |
+
|
1119 |
+
LEELA
|
1120 |
+
Who would've thought hell would really
|
1121 |
+
exist? And that it would be in New Jersey!
|
1122 |
+
|
1123 |
+
|
1124 |
+
|
1125 |
+
FRY
|
1126 |
+
Actually --
|
1127 |
+
|
1128 |
+
|
1129 |
+
[A trap door opens beneath them and Nibbler watches them disappear
|
1130 |
+
down a twisting fun slide. They scream as they fall.]
|
1131 |
+
|
1132 |
+
|
1133 |
+
[Robot Hell: Level 1.]
|
1134 |
+
|
1135 |
+
|
1136 |
+
ROBOT DEVIL
|
1137 |
+
We know all your sins Bender and for
|
1138 |
+
each one we've prepared an agonising
|
1139 |
+
and ironic punishment. Gentlemen?
|
1140 |
+
|
1141 |
+
|
1142 |
+
|
1143 |
+
[A band of Hellbots start to play. Bender knows what is coming.]
|
1144 |
+
|
1145 |
+
|
1146 |
+
|
1147 |
+
BENDER
|
1148 |
+
Aw crap, singing. Mind if I smoke?
|
1149 |
+
|
1150 |
+
|
1151 |
+
|
1152 |
+
[He lights a cigar but Beezlebot takes it from him and stubs
|
1153 |
+
it out on his chest. Two little robots throw him a hat and cane.]
|
1154 |
+
|
1155 |
+
|
1156 |
+
|
1157 |
+
ROBOT DEVIL
|
1158 |
+
(singing) Cigars are evil
|
1159 |
+
|
1160 |
+
You won't miss 'em,
|
1161 |
+
|
1162 |
+
We'll find ways to simulate that smell,
|
1163 |
+
|
1164 |
+
What a sorry fella,
|
1165 |
+
|
1166 |
+
Rolled up in smoke like a panetela,
|
1167 |
+
|
1168 |
+
Here on level 1 of Robot Hell!
|
1169 |
+
|
1170 |
+
|
1171 |
+
[Bender falls through a trapdoor.]
|
1172 |
+
|
1173 |
+
|
1174 |
+
[Cut to: Robot Hell: Level 2. He lands next to a card table.
|
1175 |
+
He picks the cards up and takes one from his chest cavity.]
|
1176 |
+
|
1177 |
+
|
1178 |
+
|
1179 |
+
ROBOT DEVIL
|
1180 |
+
(singing) Gambling's wrong and so is
|
1181 |
+
cheating,
|
1182 |
+
|
1183 |
+
So is forging phoney IOU's,
|
1184 |
+
|
1185 |
+
Let's let Lady Luck decide,
|
1186 |
+
|
1187 |
+
What type of torture's justified,
|
1188 |
+
|
1189 |
+
I'm pit boss here on level 2!
|
1190 |
+
|
1191 |
+
|
1192 |
+
[He spins a wheel that Bender is strapped to. Luck decides to
|
1193 |
+
deep fry Bender.]
|
1194 |
+
|
1195 |
+
|
1196 |
+
(talking) Ooh! Deep fried robot!
|
1197 |
+
|
1198 |
+
|
1199 |
+
BENDER
|
1200 |
+
(singing) Just tell me why.
|
1201 |
+
|
1202 |
+
|
1203 |
+
ROBOT DEVIL
|
1204 |
+
(singing) Please read this 55-page warrant.
|
1205 |
+
|
1206 |
+
|
1207 |
+
|
1208 |
+
BENDER
|
1209 |
+
(singing) There must be robots worse
|
1210 |
+
than I.
|
1211 |
+
|
1212 |
+
|
1213 |
+
ROBOT DEVIL
|
1214 |
+
(singing) We've checked around, there
|
1215 |
+
really aren't.
|
1216 |
+
|
1217 |
+
|
1218 |
+
BENDER
|
1219 |
+
(singing) Then please let me explain,
|
1220 |
+
|
1221 |
+
|
1222 |
+
My crimes were merely boy-ish pranks.
|
1223 |
+
|
1224 |
+
|
1225 |
+
ROBOT DEVIL
|
1226 |
+
(singing) You stole from boy scouts,
|
1227 |
+
nuns and banks!
|
1228 |
+
|
1229 |
+
|
1230 |
+
BENDER
|
1231 |
+
(singing) Ah, don't blame me blame my
|
1232 |
+
upbringing!
|
1233 |
+
|
1234 |
+
|
1235 |
+
[He steals Beezlebot's wallet.]
|
1236 |
+
|
1237 |
+
|
1238 |
+
ROBOT DEVIL
|
1239 |
+
(singing) Please stop sinning while
|
1240 |
+
I'm singing!
|
1241 |
+
|
1242 |
+
|
1243 |
+
[He pulls Bender's arm off and kicks him through a hole.]
|
1244 |
+
|
1245 |
+
|
1246 |
+
[Cut to: Robot Hell: Level 5. Bender lands in front of the Beastie
|
1247 |
+
Boys. The Robot Devil picks Bender up by the leg and shakes him.
|
1248 |
+
Hundred of CDs fall out of his chest cabinet.]
|
1249 |
+
|
1250 |
+
|
1251 |
+
ROBOT DEVIL
|
1252 |
+
(singing) Selling bootleg tapes is wrong,
|
1253 |
+
|
1254 |
+
|
1255 |
+
Musicians need that income to survive.
|
1256 |
+
|
1257 |
+
|
1258 |
+
BEASTIE BOYS
|
1259 |
+
(singing) Hey, Bender, gonna make some
|
1260 |
+
noise,
|
1261 |
+
|
1262 |
+
With your hard drive scratched by the Beastie Boys!
|
1263 |
+
|
1264 |
+
That's whatcha whatcha whatcha get on level 5!
|
1265 |
+
|
1266 |
+
|
1267 |
+
[Cut to: Robot Hell Slide. Fry and Leela slide further down.]
|
1268 |
+
|
1269 |
+
|
1270 |
+
|
1271 |
+
FRY
|
1272 |
+
(singing) I don't feel well.
|
1273 |
+
|
1274 |
+
|
1275 |
+
LEELA
|
1276 |
+
(singing) It's up to us to rescue him.
|
1277 |
+
|
1278 |
+
|
1279 |
+
|
1280 |
+
FRY
|
1281 |
+
(singing) Maybe he likes it here in
|
1282 |
+
hell.
|
1283 |
+
|
1284 |
+
|
1285 |
+
LEELA
|
1286 |
+
(singing) It's us who tempted him to
|
1287 |
+
sin.
|
1288 |
+
|
1289 |
+
|
1290 |
+
FRY
|
1291 |
+
(singing) Maybe he's back at the motel.
|
1292 |
+
|
1293 |
+
|
1294 |
+
|
1295 |
+
LEELA
|
1296 |
+
(singing) Come on, Fry, don't be scared,
|
1297 |
+
|
1298 |
+
|
1299 |
+
I'm sure at least one of us will be spared,
|
1300 |
+
|
1301 |
+
So just sit back, enjoy the ride.
|
1302 |
+
|
1303 |
+
|
1304 |
+
FRY
|
1305 |
+
(singing) My ass has blisters from the
|
1306 |
+
slide.
|
1307 |
+
|
1308 |
+
|
1309 |
+
[Cut to: Elevator. Bender and the Robot Devil plunge into Hell.
|
1310 |
+
The Robot Devil takes stuff out of Bender's chest cabinet.]
|
1311 |
+
|
1312 |
+
|
1313 |
+
|
1314 |
+
ROBOT DEVIL
|
1315 |
+
(singing) Fencing diamonds,
|
1316 |
+
|
1317 |
+
Fixing cockfights,
|
1318 |
+
|
1319 |
+
Publishing indecent magazines...
|
1320 |
+
|
1321 |
+
|
1322 |
+
[He kicks Bender out of the elevator.]
|
1323 |
+
|
1324 |
+
|
1325 |
+
You'll pay for every crime,
|
1326 |
+
|
1327 |
+
Knee-deep in electric slime,
|
1328 |
+
|
1329 |
+
You'll suffer 'til the end of time,
|
1330 |
+
|
1331 |
+
Enduring torture's most of which rhyme,
|
1332 |
+
|
1333 |
+
Trapped forever here in Robot Hell!
|
1334 |
+
|
1335 |
+
|
1336 |
+
[The music ends and the show finishes with a fireworks display.]
|
1337 |
+
|
1338 |
+
|
1339 |
+
|
1340 |
+
(talking) Of course that's just for starters.
|
1341 |
+
|
1342 |
+
|
1343 |
+
[Fry and Leela fall from the slide screaming and land behind
|
1344 |
+
Beezlebot. They see him and gasp.]
|
1345 |
+
|
1346 |
+
|
1347 |
+
FRY
|
1348 |
+
Bender, are you alright?
|
1349 |
+
|
1350 |
+
|
1351 |
+
BENDER
|
1352 |
+
No! Oh they're tormenting me with up-tempo
|
1353 |
+
singing and dancing.
|
1354 |
+
|
1355 |
+
|
1356 |
+
LEELA
|
1357 |
+
Alright, Beelzebot, what'll it take
|
1358 |
+
to get our friend back?
|
1359 |
+
|
1360 |
+
|
1361 |
+
ROBOT DEVIL
|
1362 |
+
Sorry, but I hold all the cards here.
|
1363 |
+
There's nothing I can do. Now, if you'll
|
1364 |
+
just sign this fiddle contest waiver.
|
1365 |
+
|
1366 |
+
|
1367 |
+
|
1368 |
+
[Fry takes the pen but Leela stops him.]
|
1369 |
+
|
1370 |
+
|
1371 |
+
LEELA
|
1372 |
+
Wait. What fiddle contest?
|
1373 |
+
|
1374 |
+
|
1375 |
+
ROBOT DEVIL
|
1376 |
+
The Fairness In Hell Act of 2275 requires
|
1377 |
+
me to inform you that if you can best
|
1378 |
+
me in a fiddle contest, you win back
|
1379 |
+
Bender's soul. As well as a solid gold
|
1380 |
+
fiddle.
|
1381 |
+
|
1382 |
+
|
1383 |
+
FRY
|
1384 |
+
Wouldn't a solid gold fiddle weigh hundreds
|
1385 |
+
of pounds and sound crummy?
|
1386 |
+
|
1387 |
+
|
1388 |
+
ROBOT DEVIL
|
1389 |
+
Well it's mostly for show.
|
1390 |
+
|
1391 |
+
|
1392 |
+
[He picks up the fiddle and it glints in the light.]
|
1393 |
+
|
1394 |
+
|
1395 |
+
LEELA
|
1396 |
+
(whispering) Do you know how to play
|
1397 |
+
the fiddle?
|
1398 |
+
|
1399 |
+
|
1400 |
+
FRY
|
1401 |
+
(whispering) No, do you?
|
1402 |
+
|
1403 |
+
|
1404 |
+
LEELA
|
1405 |
+
(whispering) No, but I used to play
|
1406 |
+
the drums. They're sorta similar. (talking)
|
1407 |
+
What happens if we lose?
|
1408 |
+
|
1409 |
+
|
1410 |
+
ROBOT DEVIL
|
1411 |
+
You'll only win a smaller, silver fiddle.
|
1412 |
+
Also I guess I'll kill one of you, uh,
|
1413 |
+
him.
|
1414 |
+
|
1415 |
+
|
1416 |
+
[He points at Fry. Fry gulps.]
|
1417 |
+
|
1418 |
+
|
1419 |
+
LEELA
|
1420 |
+
We'll do it.
|
1421 |
+
|
1422 |
+
|
1423 |
+
ROBOT DEVIL
|
1424 |
+
Very well, then. Beat this.
|
1425 |
+
|
1426 |
+
|
1427 |
+
[He plays a tune and uses his tail as an extra arm.]
|
1428 |
+
|
1429 |
+
|
1430 |
+
BENDER
|
1431 |
+
Well, we're boned.
|
1432 |
+
|
1433 |
+
|
1434 |
+
ROBOT DEVIL
|
1435 |
+
Your turn. Ha!
|
1436 |
+
|
1437 |
+
|
1438 |
+
LEELA
|
1439 |
+
Time for the drum solo!
|
1440 |
+
|
1441 |
+
|
1442 |
+
[She beats the Robot Devil over the head with the violin and
|
1443 |
+
he squeals like a little girl.]
|
1444 |
+
|
1445 |
+
|
1446 |
+
FRY
|
1447 |
+
Run!
|
1448 |
+
|
1449 |
+
|
1450 |
+
[They do. Hellbots and flying bugbots chase them. The bugbots
|
1451 |
+
shoot laser rings at them. Bender grabs a pair of a bugbots wings
|
1452 |
+
and flies in and grabs Fry and Leela who are swarmed by a crowd
|
1453 |
+
of Hellbots with pitchforks. Bender ascends and heads for small
|
1454 |
+
hole in the roof.]
|
1455 |
+
|
1456 |
+
|
1457 |
+
ROBOT DEVIL
|
1458 |
+
Stop them! They cheated!
|
1459 |
+
|
1460 |
+
|
1461 |
+
[A bugbot shoots three laser rings at the trio. Two miss but
|
1462 |
+
one catches on Bender's antenna, forming a halo. The Hallejulah
|
1463 |
+
chorus plays and they get closer to the hole. Hellbots pull chains
|
1464 |
+
to close the hole.]
|
1465 |
+
|
1466 |
+
|
1467 |
+
LEELA
|
1468 |
+
Hurry, Bender!
|
1469 |
+
|
1470 |
+
|
1471 |
+
BENDER
|
1472 |
+
I could if you'd drop the stupid gold
|
1473 |
+
violin!
|
1474 |
+
|
1475 |
+
|
1476 |
+
LEELA
|
1477 |
+
Oh, sorry.
|
1478 |
+
|
1479 |
+
|
1480 |
+
[She drops it. It hits Beezlebot on the head. He squeals and
|
1481 |
+
Fry, Leela and Bender escape through the hole.]
|
1482 |
+
|
1483 |
+
|
1484 |
+
[Cut to: Outisde The Inferno. They cheer.]
|
1485 |
+
|
1486 |
+
|
1487 |
+
BENDER
|
1488 |
+
Don't worry, guys, I'll never be too
|
1489 |
+
good or too evil again. From now on,
|
1490 |
+
I'll just be me.
|
1491 |
+
|
1492 |
+
|
1493 |
+
LEELA
|
1494 |
+
Uh, do you think you could be just little
|
1495 |
+
less evil than that.
|
1496 |
+
|
1497 |
+
|
1498 |
+
BENDER
|
1499 |
+
I don't know. Do you think you could
|
1500 |
+
survive a 700ft fall?
|
1501 |
+
|
1502 |
+
|
1503 |
+
[Fry chuckles.]
|
1504 |
+
|
1505 |
+
|
1506 |
+
FRY
|
1507 |
+
Good old Bender!
|
1508 |
+
|
1509 |
+
|
1510 |
+
THE END
|
1511 |
+
|
1512 |
+
|
1513 |
+
[The Beastie Boys perform a remix of the theme
|
1514 |
+
over clips from the episode.]
|
1515 |
+
|
1516 |
+
|
1517 |
+
BEASTIE BOYS
|
1518 |
+
Yeah, Yeah! This one goes out to my
|
1519 |
+
man, Bender
|
1520 |
+
|
1521 |
+
Sending this one out, special dedication
|
1522 |
+
|
1523 |
+
To all my peoples in the robot homeworld
|
1524 |
+
|
1525 |
+
Yeah, yeah! Big up with the professor
|
1526 |
+
|
1527 |
+
My man Dr. Zoidberg
|
1528 |
+
|
1529 |
+
I'd like to shout out - a personal shout out to Leela
|
1530 |
+
|
1531 |
+
Fry! My man Bender
|
1532 |
+
|
1533 |
+
Nibber, Nibbler, in the house
|
1534 |
+
|
1535 |
+
Big shout out to all the Futurama
|
content/my_trained_models/WARNING.md
ADDED
@@ -0,0 +1,2 @@
|
|
|
|
|
|
|
1 |
+
# yo, do not upload this folder to huggingface. do not include it in your repo. this is just here for your local dev. you upload your models in the script already.
|
2 |
+
|
finetuning_gpt2.py
ADDED
@@ -0,0 +1,195 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
+
# -*- coding: utf-8 -*-
|
2 |
+
"""FineTuning GPT2
|
3 |
+
|
4 |
+
Automatically generated by Colaboratory.
|
5 |
+
|
6 |
+
Original file is located at
|
7 |
+
https://colab.research.google.com/drive/1PlLmPZ7NMPjZFz7xisoypLSHIjE2s7Qm
|
8 |
+
|
9 |
+
# This notebook by Zack DeSario is a remix / combination of many sources as all good code is.
|
10 |
+
The code is mainly from [@DigitalSreeni](https://youtu.be/DxygPxcfW_I). Their code cites the [huggingface official tutorial](https://huggingface.co/transformers/v2.2.0/pretrained_models.html).
|
11 |
+
"""
|
12 |
+
|
13 |
+
# !pip install transformers
|
14 |
+
# !pip install torch
|
15 |
+
# !pip install transformers[torch]
|
16 |
+
|
17 |
+
import os
|
18 |
+
import re
|
19 |
+
import torch
|
20 |
+
from transformers import GPT2Tokenizer, GPT2LMHeadModel, TextDataset, DataCollatorForLanguageModeling
|
21 |
+
from transformers import Trainer, TrainingArguments
|
22 |
+
|
23 |
+
from huggingface_hub import notebook_login
|
24 |
+
notebook_login()
|
25 |
+
|
26 |
+
"""Required functions to read text from various files located in a directory. Files can be a mix of pdf, docx, or txt."""
|
27 |
+
|
28 |
+
### THIS CODE IS 100% WRITTEN BY THE FIRST SOURCE. VERY HELPFUL FUNCTIONS, TY.
|
29 |
+
# Functions to read different file types
|
30 |
+
def read_txt(file_path):
|
31 |
+
with open(file_path, "r") as file:
|
32 |
+
text = file.read()
|
33 |
+
return text
|
34 |
+
|
35 |
+
def read_documents_from_directory(directory):
|
36 |
+
combined_text = ""
|
37 |
+
for filename in os.listdir(directory):
|
38 |
+
file_path = os.path.join(directory, filename)
|
39 |
+
if filename.endswith(".pdf"):
|
40 |
+
combined_text += read_pdf(file_path)
|
41 |
+
elif filename.endswith(".docx"):
|
42 |
+
combined_text += read_word(file_path)
|
43 |
+
elif filename.endswith(".txt"):
|
44 |
+
combined_text += read_txt(file_path)
|
45 |
+
return combined_text
|
46 |
+
|
47 |
+
|
48 |
+
# ANOTHER HELPER FUNCTION
|
49 |
+
def generate_response(model, tokenizer, prompt, max_length=100):
|
50 |
+
input_ids = tokenizer.encode(prompt, return_tensors="pt")
|
51 |
+
|
52 |
+
# Create the attention mask and pad token id
|
53 |
+
attention_mask = torch.ones_like(input_ids)
|
54 |
+
pad_token_id = tokenizer.eos_token_id
|
55 |
+
|
56 |
+
output = model.generate(
|
57 |
+
input_ids,
|
58 |
+
max_length=max_length,
|
59 |
+
num_return_sequences=1,
|
60 |
+
attention_mask=attention_mask,
|
61 |
+
pad_token_id=pad_token_id
|
62 |
+
)
|
63 |
+
|
64 |
+
return tokenizer.decode(output[0], skip_special_tokens=True)
|
65 |
+
|
66 |
+
"""## Now load the base model and test it to see if it already does what we need to do or not...."""
|
67 |
+
|
68 |
+
# Set up the tokenizer and model
|
69 |
+
tokenizer = GPT2Tokenizer.from_pretrained("gpt2-medium") #also try gpt2, gpt2-large and gpt2-medium, also gpt2-xl
|
70 |
+
model = GPT2LMHeadModel.from_pretrained("gpt2-medium") #also try gpt2, gpt2-large and gpt2-medium, also gpt2-xl
|
71 |
+
|
72 |
+
prompt = 'Write a script for the TV show Futurama about Fry getting stuck in a hole.'
|
73 |
+
response = generate_response(model, tokenizer, prompt, max_length=200)
|
74 |
+
print(response)
|
75 |
+
|
76 |
+
prompt = 'Who is Fry TV show Futurama? Describe them in detail.'
|
77 |
+
response = generate_response(model, tokenizer, prompt, max_length=200)
|
78 |
+
print(response)
|
79 |
+
|
80 |
+
"""# Mmkay, it clearly does not know who Fry is or how to write a TV Script.
|
81 |
+
|
82 |
+
### Lets train it to learn how to write a TV script for Futurama.
|
83 |
+
|
84 |
+
## Adding your data
|
85 |
+
1. Open the side panel, click on the folder icon, create a new folder called `my_data`, and drag and drop your data into that side panel. I will demonstrate during class.
|
86 |
+
|
87 |
+
2. Also, create a new folder called `my_trained_model`. That is where we will temporarily store our trained model.
|
88 |
+
|
89 |
+
Load your data
|
90 |
+
* You can download the data I used here: UPLOAD LINK SOON.
|
91 |
+
"""
|
92 |
+
|
93 |
+
directory = "/content/my_data/" # Replace with the path to your directory containing the files
|
94 |
+
model_output_path = "/content/my_trained_models/"
|
95 |
+
train_fraction=0.8
|
96 |
+
# Read documents from the directory
|
97 |
+
combined_text = read_documents_from_directory(directory)
|
98 |
+
combined_text = re.sub(r'\n+', '\n', combined_text).strip() # Remove excess newline characters
|
99 |
+
|
100 |
+
# Split the text into training and validation sets
|
101 |
+
split_index = int(train_fraction * len(combined_text))
|
102 |
+
train_text = combined_text[:split_index]
|
103 |
+
val_text = combined_text[split_index:]
|
104 |
+
|
105 |
+
# Save the training and validation data as text files
|
106 |
+
with open("train.txt", "w") as f:
|
107 |
+
f.write(train_text)
|
108 |
+
with open("val.txt", "w") as f:
|
109 |
+
f.write(val_text)
|
110 |
+
|
111 |
+
len(train_text)
|
112 |
+
print(train_text[:1000])
|
113 |
+
|
114 |
+
"""The train_chatbot function uses the combined text data to train a GPT-2 model using the provided training arguments. The resulting trained model and tokenizer are then saved to a specified output directory."""
|
115 |
+
|
116 |
+
# Prepare the dataset
|
117 |
+
train_dataset = TextDataset(tokenizer=tokenizer, file_path="train.txt", block_size=128)
|
118 |
+
val_dataset = TextDataset(tokenizer=tokenizer, file_path="val.txt", block_size=128)
|
119 |
+
data_collator = DataCollatorForLanguageModeling(tokenizer=tokenizer, mlm=False)
|
120 |
+
|
121 |
+
# Set up the training arguments
|
122 |
+
training_args = TrainingArguments(
|
123 |
+
output_dir=model_output_path,
|
124 |
+
overwrite_output_dir=True,
|
125 |
+
per_device_train_batch_size=4,
|
126 |
+
per_device_eval_batch_size=4,
|
127 |
+
num_train_epochs=33,
|
128 |
+
save_steps=10_000,
|
129 |
+
save_total_limit=2,
|
130 |
+
logging_dir='./logs',
|
131 |
+
)
|
132 |
+
|
133 |
+
# Train the model
|
134 |
+
trainer = Trainer(
|
135 |
+
model=model,
|
136 |
+
args=training_args,
|
137 |
+
data_collator=data_collator,
|
138 |
+
train_dataset=train_dataset,
|
139 |
+
eval_dataset=val_dataset,
|
140 |
+
)
|
141 |
+
|
142 |
+
## THIS TAKES 30 MINS FOR JUST 10 EPOCHS SO I AM NOT GOING TO DUE THAT DURING CLASS....
|
143 |
+
## AND ~2HRS FOR 33 EPOCHS
|
144 |
+
trainer.train()
|
145 |
+
|
146 |
+
# Save the model
|
147 |
+
trainer.save_model(model_output_path)
|
148 |
+
|
149 |
+
# Save the tokenizer
|
150 |
+
tokenizer.save_pretrained(model_output_path)
|
151 |
+
|
152 |
+
print("SAVED MODELS LOCALLY YO!!!!!!")
|
153 |
+
|
154 |
+
directory = "/content/my_data/" # Replace with the path to your directory containing the files
|
155 |
+
model_output_path = "/content/my_trained_models/"
|
156 |
+
|
157 |
+
model = GPT2LMHeadModel.from_pretrained(model_output_path)
|
158 |
+
tokenizer = GPT2Tokenizer.from_pretrained(model_output_path)
|
159 |
+
|
160 |
+
# Test the chatbot
|
161 |
+
prompt = "Write a TV show script for the TV show Futurama about Fry getting stuck in a hole." # Replace with your desired prompt
|
162 |
+
# prompt = "What is bulk metallic glass?" # Replace with your desired prompt
|
163 |
+
|
164 |
+
response = generate_response(model, tokenizer, prompt, max_length=1000)
|
165 |
+
print("Generated response:", response)
|
166 |
+
|
167 |
+
## PUSH THE MODELS TO YOUR HUGGING-FACE.
|
168 |
+
|
169 |
+
model.push_to_hub(repo_id='KingZack/future-futurama-maker')
|
170 |
+
tokenizer.push_to_hub('KingZack/future-futurama-maker')
|
171 |
+
|
172 |
+
"""### check out the model you made in the offical hub.
|
173 |
+
--> https://huggingface.co/KingZack/future-futurama-maker
|
174 |
+
|
175 |
+
## Now load it from the hub and test it out.
|
176 |
+
"""
|
177 |
+
|
178 |
+
# Use a pipeline as a high-level helper
|
179 |
+
# from transformers import pipeline
|
180 |
+
|
181 |
+
# pipe = pipeline("text-generation", model="KingZack/future-futurama-maker")
|
182 |
+
|
183 |
+
|
184 |
+
# Load model directly
|
185 |
+
from transformers import AutoTokenizer, AutoModelForCausalLM
|
186 |
+
|
187 |
+
tokenizer = AutoTokenizer.from_pretrained("KingZack/future-futurama-maker")
|
188 |
+
model = AutoModelForCausalLM.from_pretrained("KingZack/future-futurama-maker")
|
189 |
+
|
190 |
+
# Test the chatbot
|
191 |
+
prompt = 'Write a script for the TV show Futurama about Fry getting stuck in a hole.'
|
192 |
+
|
193 |
+
response = generate_response(model, tokenizer, prompt, max_length=1000)
|
194 |
+
print("Generated response:", response)
|
195 |
+
|