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Harry Potter and the Prisoner of Azkaban In Harry Potter and the Prisoner of Azkaban, Ron's rat, Scabbers, already seen in Philosopher's Stone, goes missing, for which he blames Hermione's new cat Crookshanks, and the two have a falling-out.[PoA Ch.11][PoA Ch.12] They eventually make up when Hermione has a nervous breakdown brought by taking too many classes and distress at the fate of the hippogriff Buckbeak. The animal, owned by Hagrid, has been put on trial for injuring Draco and risks execution. Ron offers to help with the preparation of Buckbeak's defence, but this fails to help. Harry, Ron and Hermione go to see Hagrid on the day of the execution where they discover Scabbers hiding in Hagrid's hut.[PoA Ch.15] As they leave, Scabbers struggles free of Ron and runs away. He chases Scabbers to the Whomping Willow where he is grabbed by a large black dog and dragged into a tunnel hidden below the tree.[PoA Ch.16][PoA Ch.17]Harry and Hermione follow the tunnel, which leads to the Shrieking Shack. The dog is actually the animal form of Sirius Black (an Animagus), Harry's godfather and an escaped convict from the wizard prison Azkaban. The school's Defence Against the Dark Arts professor Remus Lupin arrives just after Harry and Hermione. Along with Sirius, Lupin casts a spell on Scabbers, who also turns out to be an Animagus by the name of Peter Pettigrew. Pettigrew was Sirius's, Lupin's, and Harry's father James Potter's school friend, thought to have been murdered by Sirius.[PoA Ch.16][PoA Ch.16] Pettigrew, who had lived as a rat ever since faking his death, denies everything, but Sirius and Lupin piece together that he has been a servant of Voldemort, and it was he who divulged the secret whereabouts of Harry's parents, leading to their murder. Initially, Ron does not believe Sirius and refuses to turn over Scabbers to him, but he is disgusted when he learns his rat's identity. Pettigrew escapes when the main characters lead him out of the Whomping Willow.[PoA Ch.18][PoA Ch.19][PoA Ch.20] Ron, knocked out by a spell from Pettigrew, is taken to the hospital wing, and is forced to remain there while Harry and Hermione travel back in time to save Sirius and Buckbeak.[PoA Ch.21] At the end of the novel, Sirius sends Ron an excitable little owl whom Ginny names Pigwidgeon, but whom Ron refers to as "Pig".[PoA Ch.22]

Characterisation Outward appearance Rowling introduces Ron as "tall, thin and gangling, with freckles, big hands and feet, and a long nose."[PS Ch.6] Ron has the trademark red hair of the Weasleys and is indeed one of Harry's tallest schoolmates, even outgrowing some of his older brothers. Rowling states in the novels that Ron has freckles, though Rupert Grint, the actor who plays Ron, has none. Rowling has also stated that Ron has blue eyes.

In popular culture Leodegrance was portrayed by Patrick Stewart in the 1981 film Excalibur and by Daragh O'Malley in the 2011 television series Camelot.

Synopsis The common theme was of an average man (usually Michael Palin, but in the City Center and Hollywood Bowl versions by Eric Idle) who expresses dissatisfaction with his current job (as a barber, weatherman, pet shop owner, etc.) and then announces, "I didn't want to be [the given profession]. I wanted to be... a lumberjack!" He proceeds to talk about the life of a lumberjack ("Leaping from tree to tree"), and lists various trees (e.g. larch, fir, Scots pine, and others that don't actually exist). Ripping off his coat to reveal a red flannel shirt, he walks over to a stage with a coniferous forest backdrop and begins to sing about the wonders of being a lumberjack in British Columbia. Then he is unexpectedly backed up by a small choir of male singers, all dressed as Royal Canadian Mounted Police (several were regular Python performers, while the rest were generally members of an actual singing troupe, such as the Fred Tomlinson Singers in the TV version). In the original sketch from the programme and film version, the girl is played by Connie Booth, John Cleese's then-wife; in the live version, the girl is played by Python regular Carol Cleveland. In the version from the film And Now For Something Completely Different, it follows on from the "Dead Parrot sketch" with Palin's character leaving the pet shop as Eric Praline (played by John Cleese) asks "I'm sorry, this is irrelevant, isn't it?" and eventually "What about my bloody parrot?!". In the song, the Lumberjack recounts his daily tasks and his personal life, such as having buttered scones for tea, and the Mountie chorus repeats his lines in sing-song fashion. However, as the song continues, he increasingly reveals cross-dressing tendencies ("I cut down trees, I skip and jump, I like to press wild flowers, I put on women's clothing, and hang around in bars"), which both distresses the girl and disturbs the confused Mounties, who continue to repeat and chorus his lines, albeit with increasing hesitance. The last straw comes when he mentions that he wears "high heels, suspenders, and a bra. I wish I'd been a girlie, just like my dear mama", and some of the Mounties stop repeating his lines, and they eventually walk off in disgust. Stunned by the Lumberjack's revelation, the girl cries out "Oh, Bevis! And I thought you were so rugged!" (in some versions, she says, "I thought you were so butch!" and sometimes slaps him) before running off. In And Now For Something Completely Different, at the end of the song the Lumberjack is pelted with rotten fruit and eggs by the Mounties, who can also be heard shouting insults. Another notable difference is that, in the original version, the Lumberjack wishes he was a girlie "just like my dear mama", whereas subsequent versions replace "mama" with "papa", implying that the lumberjack inherited his tendency for transvestism from his father. At the end of the version in Flying Circus, a letter written by an outraged viewer (voiced by John Cleese) is shown to complain about the portrayal of lumberjacks in the sketch. The letter reads: "Dear Sir, I wish to complain in the strongest possible terms about the song which you have just broadcast about the lumberjack who wears women's clothes. Many of my best friends are lumberjacks, and only a few of them are transvestites. Yours faithfully, Brigadier Sir Charles Arthur Strong (Mrs.) P.S. I have never kissed the editor of the Radio Times." It then cuts to a vox pop of a screeching Pepperpot (Graham Chapman) voicing her objection of "all this sex on the television", exclaiming, "I keep falling off!" This is followed by an image of an award as text reading "That joke was nominated for this years Rubber Mac of Zurich Award. It came last" scrolls past. It then cuts to a Gumby (Chapman) in front of the forest set, who says, "Well, I think television's killed real entertainment. In the old days we used to make our own fun at Christmas parties. I used to strike myself on the head repeatedly with blunt instruments while crooning." He then proceeds to croon while striking himself in the head with bricks.

"The Ministry of Silly Walks" is a sketch from the Monty Python comedy troupe's television show Monty Python's Flying Circus, series 2, episode 1, which is entitled "Face the Press". The episode first aired on 15 September 1970. A shortened version of the sketch was performed for Monty Python Live at the Hollywood Bowl. A satire on bureaucratic inefficiency, the sketch involves John Cleese as a bowler-hatted civil servant in a fictitious British government ministry responsible for developing silly walks through grants. Cleese, throughout the sketch, walks in a variety of silly ways. It is these various silly walks, more than the dialogue, that have earned the sketch its popularity. Cleese has cited the physical comedy of Max Wall, probably in character as Professor Wallofski, as important to its conception. Ben Beaumont-Thomas in The Guardian writes, "Cleese is utterly deadpan as he takes the stereotypical bowler-hatted political drone and ruthlessly skewers him. All the self-importance, bureaucratic inefficiency and laughable circuitousness of Whitehall is summed up in one balletic extension of his slender leg."According to research, published in British Medical Journal a 'silly walk' would take about 2.5 times as much energy as normal walking.

"The Ministry of Silly Walks" is a sketch from the Monty Python comedy troupe's television show Monty Python's Flying Circus, series 2, episode 1, which is entitled "Face the Press". The episode first aired on 15 September 1970. A shortened version of the sketch was performed for Monty Python Live at the Hollywood Bowl. A satire on bureaucratic inefficiency, the sketch involves John Cleese as a bowler-hatted civil servant in a fictitious British government ministry responsible for developing silly walks through grants. Cleese, throughout the sketch, walks in a variety of silly ways. It is these various silly walks, more than the dialogue, that have earned the sketch its popularity. Cleese has cited the physical comedy of Max Wall, probably in character as Professor Wallofski, as important to its conception. Ben Beaumont-Thomas in The Guardian writes, "Cleese is utterly deadpan as he takes the stereotypical bowler-hatted political drone and ruthlessly skewers him. All the self-importance, bureaucratic inefficiency and laughable circuitousness of Whitehall is summed up in one balletic extension of his slender leg."According to research, published in British Medical Journal a 'silly walk' would take about 2.5 times as much energy as normal walking.

The "Dead Parrot Sketch", alternatively and originally known as the "Pet Shop Sketch" or "Parrot Sketch", is a sketch from Monty Python's Flying Circus about a non-existent species of parrot, called a "Norwegian Blue". A satire on poor customer service, it was written by John Cleese and Graham Chapman and initially performed in the show's first series, in the eighth episode ("Full Frontal Nudity", which first aired 7 December 1969).The sketch portrays a conflict between disgruntled customer Mr Praline (played by Cleese) and a shopkeeper (Michael Palin), who argue whether or not a recently purchased parrot is dead. Over the years, Cleese and Palin have performed many versions of the "Dead Parrot" sketch for television shows, record albums, and live performances. "Dead Parrot" was voted the top alternative comedy sketch in a Radio Times poll.

"The Spanish Inquisition" is a series of sketches in Monty Python's Flying Circus, Series 2 Episode 2, first broadcast 22 September 1970, satirizing the Spanish Inquisition. This episode is itself titled "The Spanish Inquisition". The sketches are notable for their principal catchphrase, "Nobody expects the Spanish Inquisition!", which has become a frequently used quote and internet meme. The final instance of the sketch uses music from the composition "Devil's Galop" by Charles Williams. Rewritten audio versions of the sketches were included on Another Monty Python Record in 1971.

The "Four Yorkshiremen" is a comedy sketch that parodies nostalgic conversations about humble beginnings or difficult childhoods. It features four men from Yorkshire who reminisce about their upbringing. As the conversation progresses they try to outdo one another, and their accounts of deprived childhoods become increasingly absurd.The sketch was written by Tim Brooke-Taylor, John Cleese, Graham Chapman and Marty Feldman, and originally performed in 1967 on their TV series At Last the 1948 Show. It later became associated with the comedy group Monty Python (which included Cleese and Chapman), who performed it in their live shows, including Monty Python Live at the Hollywood Bowl.

"International Philosophy", commonly referred to as the Philosophers' Football Match, is a Monty Python sketch depicting a football match in the Munich Olympiastadion between philosophers representing Greece and Germany. Starring in the sketch are Archimedes (John Cleese), Socrates (Eric Idle), Hegel (Graham Chapman), Nietzsche (Michael Palin), Marx (Terry Jones), and Kant (Terry Gilliam). Palin also provides the match television commentary. The footage opens with the banner headline "International Philosophy", and Palin providing the narrative. Confucius is the referee and keeps times with an hourglass. St. Thomas Aquinas and St. Augustine (sporting haloes) serve as linesmen. The German manager is Martin Luther. The match is designed as a World Cup for the most well-known western philosophers made global with Confucius arbitrating the match. As play begins, the philosophers break from their proper football positions only to walk around on the pitch as if deeply pondering, and in some cases declaiming their theories. Franz Beckenbauer, the sole genuine footballer on the pitch and a "surprise inclusion" in the German team, is left more than a little confused. Despite being set in the Olympiastadion, the sketch was instead filmed in Munich's Grünwalder Stadion. It originally featured in the second Monty Python's Fliegender Zirkus episode broadcast on 18 December 1972 and was regularly screened at the group's live shows, including Monty Python Live at the Hollywood Bowl (1982) and Monty Python Live (Mostly) (2014). The Greek players, mostly with long grey beards and hair, play in togas, while the Germans sport a variety of period dress including Victorian frock coats and breeches. "Nobby" Hegel carries a grey top hat, while Beckenbauer wears the red and white of the 1972 Bayern Munich football strip.

"Spam" is a Monty Python sketch, first televised in 1970 (series 2, episode 12) and written by Terry Jones and Michael Palin. In the sketch, two customers are lowered by wires into a greasy spoon café and try to order a breakfast from a menu that includes Spam in almost every dish, much to the consternation of one of the customers. As the waitress recites the Spam-filled menu, a group of Viking patrons drown out all conversations with a song, repeating "Spam, Spam, Spam, Spam… Lovely Spam! Wonderful Spam!".The excessive amount of Spam was probably a reference to the ubiquity of it and other imported canned meat products in the United Kingdom after World War II (a period of rationing in the UK) as the country struggled to rebuild its agricultural base. Thanks to its wartime ubiquity, the British public had grown tired of it.The televised sketch and several subsequent performances feature Terry Jones as the waitress, Eric Idle as Mr. Bun and Graham Chapman as Mrs. Bun, who does not like Spam. The original sketch also featured John Cleese as The Hungarian and Palin as a historian, but this part was left out of the audio version of the sketch recorded for the team's second album Another Monty Python Record (1971). A year later this track was released as the Pythons' first 7" single. The use of the term spam for unsolicited electronic communications is derived from this sketch.

Summary Cleese plays an erudite customer (Mr. Mousebender in the script) attempting to purchase some cheese from "Ye National Cheese Emporium, purveyor of fine cheese to the gentry (and the poverty-stricken too)". The proprietor (Palin), Mr. Arthur Wensleydale (Henry Wensleydale in the TV version), appears to have nothing in stock, not even cheddar, "the single most popular cheese in the world". A slow crescendo of bouzouki music plays in the background performed by Joe Moretti, as Terry Jones and Graham Chapman dance while dressed in bowler hats and business suits. Cleese initially expresses appreciation of the music, being "one who delights in all manifestations of the Terpsichorean Muse", but as the sketch progresses it mirrors Cleese's growing frustration until he loudly demands the music cease. As Cleese lists increasingly obscure, unsavoury, and, in one instance fictional, cheeses to no avail, the proprietor offers weak excuses such as "Ohh! The cat's eaten it." Cleese remarks that it is not much of a cheese shop, but Palin insists it is the best in the district due to its cleanliness, to which Cleese replies "Well, it's certainly uncontaminated by cheese." Eventually, Cleese asks if Palin has any cheese at all, to which Palin replies "yes". Cleese then tells him that he will ask the question again, and if Palin says "no", he will shoot him "through" the head. Palin answers "no" the second time, and Cleese immediately shoots him, then muses, "What a senseless waste of human life!" He then puts on a Stetson, and the sketch segues into Hugh Walpole's Rogue Cheddar and a link to the Sam Peckinpah's "Salad Days" sketch.

The Monster Ball Tour was the second worldwide concert tour by American singer Lady Gaga. Staged in support of her first EP, The Fame Monster (2009) and comprising a set list of songs mostly from that and her debut studio album, The Fame (2008), the tour visited arenas and stadiums from 2009 through 2011. It is the highest grossing tour for a debut headlining artist in history. Described as "the first-ever pop electro opera" by Gaga, the tour was announced in October 2009 after an intended joint concert tour with rapper Kanye West was suddenly cancelled. The Monster Ball Tour commenced four days after the release of The Fame Monster in November 2009. A revision of the tour occurred after only a few months of performances, due to Gaga's concern that the original version was constructed within a very short span of time. The stage of the original show looked like a frame, comparable to that of a hollowed-out television set. Since The Fame Monster dealt with the paranoias Gaga had faced, the main theme of the original shows became human evolution, while elements of the cancelled tour with West were still included in some parts. From 2010 onwards, the revamped shows had a New York theme and portrayed a story set in the city, where Gaga and her friends got lost and had to find their way to "the Monster Ball". Both versions of the show were divided into five segments, with the last being the encore. Each of them featured Gaga in new outfits, singing songs related to the concept of the segment, as they were followed by a video interlude. The tour received positive reviews, with critics praising Gaga's singing abilities and the theatricality of the show. The Monster Ball was a commercial success, with extra demand for tickets prompting organisers to add multiple dates to the itinerary. It ultimately grossed an estimated US$227.4 million from 200 reported shows, attended by an audience of 2.5 million. At the 2010 Billboard Touring Awards, Gaga won the Breakthrough Performer Award, as well as the Concert Marketing & Promotion Award. HBO filmed a special of The Monster Ball Tour during Gaga's February 2011 shows at Madison Square Garden in New York City. Documenting the whole concert with intersperses of backstage footage, Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden, aired in May and was released on DVD and Blu-ray on November 21, 2011.

Gimli is a fictional character in J. R. R. Tolkien's Middle-earth, appearing in The Lord of the Rings. A dwarf warrior, he is the son of Glóin, a member of Thorin's company in Tolkien's earlier book The Hobbit. He represents the race of Dwarves as a member of the Fellowship of the Ring. As such, he is one of the primary characters in the story. In the course of the adventure, Gimli aids the Ring-bearer Frodo Baggins, participates in the War of the Ring, and becomes close friends with Legolas, overcoming an ancient enmity of Dwarves and Elves. Scholars have commented that Gimli is unlike other dwarves in being free from their characteristic greed for gold. They note, too, that he is unique in being granted the gift of Galadriel's hair, something that she had refused to Fëanor. The events recall the Norse legend Njáls saga, where a gift of hair is refused, with fateful consequences. Gimli was voiced by David Buck in Ralph Bakshi's 1978 animated version of The Lord of the Rings. Gimli does not appear in Rankin/Bass's 1980 animated version of The Return of the King. In Peter Jackson's film trilogy, Gimli is played by the Welsh actor John Rhys-Davies.In Peter Jackson's film trilogy, Gimli is played by John Rhys-Davies, using his native Welsh accent. Gimli's more prosaic and blunt style, in contrast with the more refined Aragorn and Legolas, provides defusing comic relief, with much of the humour based on his height, along with his competitive, if friendly, feud with Legolas, where Gimli consistently finds himself out-achieved.Gimli was portrayed by Ross Williams in the 3-hour Toronto stage production of The Lord of the Rings, which opened in 2006. In The Lord of the Rings: The Musical, he was played by Sévan Stephan throughout its London run.The classical composer Craig H. Russell's 1995 Middle Earth has as its second movement "Gimli, the Dwarf"; Russell describes it as sounding "like a rugged Irish tune". The piece was originally written for string ensemble, and re-orchestrated for symphonic orchestra.

Hades (also sometimes Pluto or Hell) is a fictional character appearing in DC Comics publications and related media, commonly as an adversary and sometimes-ally of the superhero Wonder Woman. Based upon the eponymous Greek mythological figure, he is the Olympian god of the dead and ruler of the underworld.Publication history Hades first appeared under his Roman name Pluto in Wonder Woman #16 published in the summer of 1946, written by Wonder Woman creator William Moulton Marston. In this story, he kidnaps women from Earth, using them to decorate his castle on the planet Pluto, before being defeated by Wonder Woman and her allies. He would next encounter Wonder Woman in a 1962 Silver Age adventure in issue #131 of her monthly title, in which the hero ventures underground into Hades (referred to in-story as "the Underworld") at the behest of her mother Queen Hippolyta, battling Cerberus along the way and cannily avoiding a skirmish with Pluto's ghostly subjects. In 1978's Adventure Comics #460, Wonder Woman once again undertakes a journey to Pluto's realm (referred to both as "the Land of the Dead" and "Hell") to retrieve Steve Trevor's soul from the god's clutches. Here Pluto is depicted with Mephistophelian features, including devil horns and scarlet skin. Later in the Bronze Age, the character would be rechristened Hades (as part of writer Mindy Newell's move to standardize the use Greek names for DC's Olympian pantheon) in Wonder Woman's final pre-Crisis adventure in Wonder Woman #329. He would be re-introduced as a more benevolent character, again named Hades, in writer/artist George Pérez's post-Crisis reboot of the Wonder Woman mythos in 1987. Yet another version of the character would debut in 2011 as part of DC Comics’ New 52 publication event, which again revised Wonder Woman’s continuity. This incarnation, referred to primarily as Hell and sometimes as Hades, presents the character not as an adult man, but as a young boy in black and red armor, his head and face crowned with a dripping mass of melting candles.

Vocational Guidance Counsellor is a Monty Python sketch that first aired on December 21, 1969, in the episode "Episode 10".The sketch is credited with creating the popular stereotype of accountants being boring. Four decades on, the Financial Times reported that it still haunts the profession.Plot Herbert Anchovy (Michael Palin) goes to the counsellor (John Cleese) seeking a career change. The counsellor reveals that Anchovy had done an aptitude test, and that the results showed that the career Anchovy is most suited to is chartered accountancy. Anchovy protests that he already is a chartered accountant, and complains that he finds the job dull. The counsellor says that, according to the aptitude test, Anchovy is an extremely dull person; while that would be a drawback in other professions, the counsellor says, it makes him even more suitable for accountancy. Anchovy reveals that his dream is to be a lion tamer, saying that his qualifications for the job are having seen them at the zoo, and having his own lion taming hat. However, it turns out that he has misidentified an anteater as a lion. The counsellor disabuses Anchovy by telling him how fierce lions really are, and shows him a picture of one, which frightens him. Anchovy then comes up with the idea of working his way towards lion taming via banking, but soon reveals that he lacks the courage even for that. As he rambles on, the counsellor delivers a public service announcement about the dangers of chartered accountancy.

"Argument Clinic" is a sketch from Monty Python's Flying Circus, written by John Cleese and Graham Chapman. The sketch was originally broadcast as part of the television series and has subsequently been performed live by the group. It relies heavily on wordplay and dialogue, and has been used as an example of how language works.

Kilimanjaro Expedition is a sketch from the episode of Monty Python's Flying Circus "The Ant, an Introduction", also appearing in the Monty Python film And Now For Something Completely Different. It has been compared to a comic episode in Franz Kafka's The Castle in which the protagonist, K., is confused by twins assigned to assist him.

The Fish Licence is a sketch from Series 2 Episode 10 (Scott of the Antarctic) of the popular British television series, Monty Python's Flying Circus. It first aired on 1 December 1970.Eric Praline (John Cleese) is a put-upon customer who seeks to obtain a licence for his pet halibut, Eric, although he has difficulty explaining to the clerk (Michael Palin) how all pets should be licensed. The clerk repeatedly calls Praline a "loony", to which Praline angrily replies by naming famous people who kept odd pets. Praline even produces "a dog licence with the word 'dog' crossed out and 'cat' written in crayon", and explains that the man in the "Ministry of Housinge" cat detector van (a parody of the TV detector van) didn't have the right form. All in all, the pets Praline mentions are:

The sketch A man, played by John Cleese, is dressed as an ice-cream girl in a cinema, although instead of the regular cinema snacks she is selling a dead albatross which is tied to a hawker tray around her neck. A man (Terry Jones) approaches her and asks for two choc ices. The girl aggressively makes clear she only sells an albatross and continues shouting to draw attention to her merchandise, while the potential customer keeps asking questions about the product, like "What flavour is it?" and "Do you get wafers with it?". Finally, the man buys two albatrosses for nine pence each. The salesgirl then shouts she is selling "gannet on a stick."Later during the episode, several other characters in other sketches shout "Albatross!" for seemingly no reason at all.

The Fish-Slapping Dance is a comedy sketch written and performed by the Monty Python team. The sketch was originally recorded in 1971 for a pan-European May Day special titled Euroshow 71. In 1972 it was broadcast as part of episode two of series three of Monty Python's Flying Circus, which was titled "Mr & Mrs Brian Norris' Ford Popular".

Lady Gaga Enigma + Jazz & Piano is a concert residency by American singer-songwriter Lady Gaga held at the Park Theater in the Las Vegas Valley, Nevada. The residency consists of two types of shows: Enigma, which focuses on theatricality and includes the singer's biggest hits, and Jazz & Piano, which involves songs from the Great American Songbook and stripped-down versions of Gaga's songs. The Enigma show was built around a loose storyline about "healing and finding yourself", and saw Gaga wearing various sci-fi inspired outfits. For Jazz & Piano, Gaga aimed for "glamour and elegance", with her wardrobe harkening back to the Jazz Age and vintage Vegas. The Enigma shows opened on December 28, 2018, and the Jazz & Piano shows opened on January 20, 2019. After a 21-month long hiatus due to the COVID-19 pandemic, the residency returned to the theater on October 14, 2021. The Enigma show was complimented for its theatricality and Gaga's showmanship, although some reviewers found it disjointed, and deemed the narrative confusing and unnecessary. The Jazz & Piano concerts were critically acclaimed – journalists found them a nostalgic throwback to the "Golden Age" of Las Vegas, and praised Gaga's vocal skills. Enigma + Jazz & Piano became the highest grossing Las Vegas Valley concert residency of 2019. With the residency's gross, Gaga also became the fifth woman to pass the half-billion career total as per Billboard Boxscore.

Background and development On October 21, 2016, Lady Gaga released her fifth studio album, Joanne, which marked her return to pop music after 2014's Cheek to Cheek, a collaborative jazz record with Tony Bennett. It was largely inspired by her aunt Joanne Stefani Germanotta, who died at age 19 due to complications arising from lupus. Joanne was described as Gaga's first album which dipped into such genres as soft rock and country. Before its release, Gaga announced teaming up with American lager brand Bud Light to perform songs from it in front of very small crowds in dive bars across the United States, marking the "new chapter in her career". She believed that the venues would accentuate the "raw Americana vibe" of her upcoming album.

The Joanne World Tour was the sixth headlining concert tour by American singer Lady Gaga, in support of her fifth studio album, Joanne (2016). It began on August 1, 2017, in Vancouver, Canada and ended on February 1, 2018, in Birmingham, England. After tickets went on sale, various shows in Europe and North America quickly sold out, prompting additional dates in both continents. The concert series was deemed "more minimalist" in comparison to the singer's previous tours, but received praise for the visuals, Gaga's singing abilities and her connection with the audience. Due to chronic pain caused by fibromyalgia, Gaga was forced to cancel the last 10 shows of the concert series. The tour ultimately grossed $95 million from 842,000 tickets sold.

The Joanne World Tour was the sixth headlining concert tour by American singer Lady Gaga, in support of her fifth studio album, Joanne (2016). It began on August 1, 2017, in Vancouver, Canada and ended on February 1, 2018, in Birmingham, England. After tickets went on sale, various shows in Europe and North America quickly sold out, prompting additional dates in both continents. The concert series was deemed "more minimalist" in comparison to the singer's previous tours, but received praise for the visuals, Gaga's singing abilities and her connection with the audience. Due to chronic pain caused by fibromyalgia, Gaga was forced to cancel the last 10 shows of the concert series. The tour ultimately grossed $95 million from 842,000 tickets sold.