<commit_before>---
layout: page
title: Publications
---
Open access versions of my publications are available via  <a href="http://bit.ly/2hhD414" target="_blank">UNSWorks, UNSW's insitutional repository</a>

### 2017

<NAME>., **<NAME>.**, & <NAME>. (2017, August). *All the things you are: Accessing an enriched musicological prosopography through JazzCats.* Digital Humanities 2017, Montreal.

<NAME>., **<NAME>.**, <NAME>., <NAME>., <NAME>., & <NAME>. (2017, June). *Moving data around: Integrating repositories with research workflows for curating and publishing data.* Open Repositories 2017, Brisbane. <a href="https://www.youtube.com/watch?v=rhObqW3Pwqk&feature=youtu.be" target="_blank">YouTube</a>

**<NAME>.**, <NAME>., & <NAME>. (2017, June). *JazzCats: A collection of aggregated RDF triples tracing performance history through musicological data.* Rich Semantics and Direct Representation for Digital Collections 2017, Toronto.  

**<NAME>.** & <NAME>. (2017, June). *PIDs to support discovery and citation: Persistent identifier service design and delivery at UNSW Library.* ACM/IEEE-CS Joint Conference on Digital Libraries 2017, Toronto. <a href="http://handle.unsw.edu.au/1959.4/unsworks_45617" target="_blank">Handle</a>

<NAME>., <NAME>., **<NAME>.**, <NAME>., <NAME>., & <NAME>. (2017, May). *Moving data around: Integrated research workflows for curating, and publishing data.* IASSIST 2017, Lawrence KS. <a href="http://handle.unsw.edu.au/1959.4/unsworks_44372" target="_blank">Handle</a>

**<NAME>.** (2017, May). *DOIs to support citation of grey literature.* Webinar hosted by the Australian National Data Service. <a href="https://youtu.be/hRNDBZhUfUA" target="_blank">YouTube</a>

<NAME>., <NAME>., <NAME>., & **<NAME>.** (2017). *UNSW DOI Service* [software]. Zenodo. <a href="http://doi.org/10.5281/zenodo.582692" target="_blank">DOI</a>

<NAME>., **<NAME>.**, & <NAME>. (2017). Mood induction studies: Distinguishing between emotional response and long-term mood impacts of music. *SAGE Research Methods Cases.* <a href="http://doi.org/10.4135/9781473974760" target="_blank">DOI</a>

### 2016

**<NAME>.** & <NAME>. (2016, November). *Cite my thesis? DOIs for grey literature.* CAUL Research Repositories 2016, Sydney. <a href="http://doi.org/10.5281/zenodo.582692" target="_blank">DOI</a>

**<NAME>.** (2016). *JazzCats Body and Soul discography* [dataset]. Zenodo. <a href="http://doi.org/10.5281/zenodo.163886" target="_blank">DOI</a>

<NAME>., <NAME>., & **<NAME>.** (2016). Musical prescriptions for mood improvement: A mixed methods study. *The Arts in Psychotherapy, 51,* 46–53. <a href="https://doi.org/10.1016/j.aip.2016.09.002" target="_blank">DOI</a>

**<NAME>.** (2016). <NAME> Tonkunst in Österreich. *The Routledge Encyclopedia of Modernism.* <a href="https://www.rem.routledge.com/articles/denkmaler-der-tonkunst-in-osterreich" target="_blank">URL</a>

**<NAME>.** (2016). <NAME> (1896–1978). *The Routledge Encyclopedia of Modernism.* <a href="https://www.rem.routledge.com/articles/kolisch-rudolf-1896-1978" target="_blank">URL</a>

### 2015

**<NAME>.**, <NAME>., & <NAME>. (2015). Practice thoughts and performance action: Observing processes of musical decision-making. *Music Performance Research.* <a href="http://mpr-online.net/Issues/Volume%207%20%5B2015%5D/MPR0092%20Bangert,%20Schubert%20and%20Fabian%20(2015).pdf" target="_blank">PDF</a>

### 2014

**<NAME>.** (2014). Expressivity. In <NAME>. Thompson (Ed.), *Music in the social and behavioral sciences: An encyclopedia* (pp. 442-445). Thousand Oaks, CA: SAGE. <a href="https://doi.org/10.4135/9781452283012.n148" target="_blank">DOI</a>

**<NAME>.** (2014). Ornamentation. In <NAME> (Ed.), *Music in the social and behavioral sciences: An encyclopedia* (pp. 830-833). Thousand Oaks, CA: SAGE. <a href="https://doi.org/10.4135/9781452283012.n281" target="_blank">DOI</a>

**<NAME>.** (2014). Baroque violin music. *Early Music, 42*(2), 309-312. <a href="https://doi.org/10.1093/em/cau050" target="_blank">DOI</a>

**<NAME>.**, <NAME>., & <NAME>. (2014). A spiral model of musical decision-making. *Frontiers in Psychology, 5.* <a href="https://doi.org/10.3389/fpsyg.2014.00320" target="_blank">DOI</a>

**<NAME>.**, <NAME>., <NAME>., & <NAME>. (2014). Performing solo Bach: A case study 
of musical decision-making. *Musicae Scientiae, 18*(1), 35-52. <a href="https://doi.org/10.1177/1029864913509812" target="_blank">DOI</a>

### 2013

**<NAME>.**, <NAME>., & <NAME>. (2013). Doing without thinking? Aspects of musical decision-making revisited. In <NAME> & <NAME> (Eds.), *Proceedings of the International Symposium on Performance Science* (p. 201). Utrecht, The Netherlands: European Association of Conservatoires (AEC). <a href="http://www.performancescience.org/ISPS2013/Proceedings/Rows/051Paper_Bangert%20DX.pdf" target="_blank">PDF</a>

### 2012

**<NAME>.** (2012). *Doing without thinking? Processes of decision-making in period instrument performance.* PhD thesis. Sydney: University of New South Wales. <a href="https://doi.org/10.4225/53/58BCA28D2A79A" target="_blank">DOI</a>

### 2010

**<NAME>.**, <NAME>., & <NAME>. (2010). Historically informed practice: Musical decision-making in Baroque violin music. In <NAME>, <NAME>, & <NAME> (Eds.), *ICMPC11: 11th International Conference of Music Perception and Cognition* (pp. 313-314). Seattle, WA: University of Washington. 

### 2009

**<NAME>.** (2009). Doing without thinking? Aspects of musical decision-making. In <NAME>, <NAME>, & <NAME> (Eds.), *Proceedings of the International Symposium on Performance Science* (pp. 403-408). Utrecht, The Netherlands: European Association of Conservatoires (AEC). <a href="http://www.performancescience.org/ISPS2009/Proceedings/Rows/067Bangert.pdf" target="_blank">PDF</a>

**<NAME>.**, <NAME>., & <NAME>. (2009). Decision-making in unpracticed and practiced 
performances of Baroque violin music. In <NAME>, <NAME>, <NAME>, <NAME>, & <NAME> (Eds.), *Proceedings of the International Conference on Music Communication Science* (pp. 3-6). Sydney: HCSNet, University of Western Sydney. <a href="http://www.academia.edu/download/44721735/Decision-making_in_unpracticed_and_pract20160414-5140-zwro62.pdf" target="_blank">PDF</a>


<!-- ### Footer

Last updated: May 2017 -->


<commit_msg>updated publications<commit_after>---
layout: page
title: Publications
---
Open access versions of my publications are available via  <a href="http://bit.ly/2hhD414" target="_blank">UNSWorks, UNSW's insitutional repository</a>

### 2017

<NAME>., **<NAME>.**, & <NAME>. (2017, August). *All the things you are: Accessing an enriched musicological prosopography through JazzCats.* Digital Humanities 2017, Montreal.

<NAME>., **<NAME>.**, <NAME>., <NAME>., <NAME>., & <NAME>. (2017, June). *Moving data around: Integrating repositories with research workflows for curating and publishing data.* Open Repositories 2017, Brisbane. <a href="https://www.youtube.com/watch?v=rhObqW3Pwqk&feature=youtu.be" target="_blank">YouTube</a>

**<NAME>.**, <NAME>., & <NAME>. (2017, June). *JazzCats: A collection of aggregated RDF triples tracing performance history through musicological data.* Rich Semantics and Direct Representation for Digital Collections 2017, Toronto.  

**<NAME>.** & <NAME>. (2017, June). *PIDs to support discovery and citation: Persistent identifier service design and delivery at UNSW Library.* ACM/IEEE-CS Joint Conference on Digital Libraries 2017, Toronto. <a href="https://doi.org/10.1109/JCDL.2017.7991610" target="_blank">DOI</a> <a href="http://handle.unsw.edu.au/1959.4/unsworks_45617" target="_blank">Handle (Open Access)</a>

<NAME>., <NAME>., **<NAME>.**, <NAME>., <NAME>., & <NAME>. (2017, May). *Moving data around: Integrated research workflows for curating, and publishing data.* IASSIST 2017, Lawrence KS. <a href="http://handle.unsw.edu.au/1959.4/unsworks_44372" target="_blank">Handle (Open Access)</a>

**<NAME>.** (2017, May). *DOIs to support citation of grey literature.* Webinar hosted by the Australian National Data Service. <a href="https://youtu.be/hRNDBZhUfUA" target="_blank">YouTube</a>

<NAME>., <NAME>., <NAME>., & **<NAME>.** (2017). *UNSW DOI Service* [software]. Zenodo. <a href="http://doi.org/10.5281/zenodo.582692" target="_blank">DOI (Open Access)</a>

<NAME>., **<NAME>.**, & <NAME>. (2017). Mood induction studies: Distinguishing between emotional response and long-term mood impacts of music. *SAGE Research Methods Cases.* <a href="http://doi.org/10.4135/9781473974760" target="_blank">DOI</a>

### 2016

**<NAME>.** & <NAME>. (2016, November). *Cite my thesis? DOIs for grey literature.* CAUL Research Repositories 2016, Sydney. <a href="http://doi.org/10.5281/zenodo.582692" target="_blank">DOI (Open Access)</a>

**<NAME>.** (2016). *JazzCats Body and Soul discography* [dataset]. Zenodo. <a href="http://doi.org/10.5281/zenodo.163886" target="_blank">DOI (Open Access)</a>

<NAME>., <NAME>., & **<NAME>.** (2016). Musical prescriptions for mood improvement: A mixed methods study. *The Arts in Psychotherapy, 51,* 46–53. <a href="https://doi.org/10.1016/j.aip.2016.09.002" target="_blank">DOI</a>

**<NAME>.** (2016). Denkmäler der Tonkunst in Österreich. *The Routledge Encyclopedia of Modernism.* <a href="https://www.rem.routledge.com/articles/denkmaler-der-tonkunst-in-osterreich" target="_blank">URL</a>

**<NAME>.** (2016). Kolisch, Rudolf (1896–1978). *The Routledge Encyclopedia of Modernism.* <a href="https://www.rem.routledge.com/articles/kolisch-rudolf-1896-1978" target="_blank">URL</a>

### 2015

**<NAME>.**, <NAME>., & <NAME>. (2015). Practice thoughts and performance action: Observing processes of musical decision-making. *Music Performance Research.* <a href="http://handle.unsw.edu.au/1959.4/unsworks_45803" target="_blank">Handle (Open Access)</a>

### 2014

**<NAME>.** (2014). Expressivity. In W. <NAME> (Ed.), *Music in the social and behavioral sciences: An encyclopedia* (pp. 442-445). Thousand Oaks, CA: SAGE. <a href="https://doi.org/10.4135/9781452283012.n148" target="_blank">DOI</a>

**<NAME>.** (2014). Ornamentation. In <NAME> (Ed.), *Music in the social and behavioral sciences: An encyclopedia* (pp. 830-833). Thousand Oaks, CA: SAGE. <a href="https://doi.org/10.4135/9781452283012.n281" target="_blank">DOI</a>

**<NAME>.** (2014). Baroque violin music. *Early Music, 42*(2), 309-312. <a href="https://doi.org/10.1093/em/cau050" target="_blank">DOI</a>

**<NAME>.**, <NAME>., & <NAME>. (2014). A spiral model of musical decision-making. *Frontiers in Psychology, 5.* <a href="https://doi.org/10.3389/fpsyg.2014.00320" target="_blank">DOI (Open Access)</a> <a href="http://handle.unsw.edu.au/1959.4/unsworks_45551" target="_blank">Handle (Open Access)</a>

**<NAME>.**, <NAME>., <NAME>., & <NAME>. (2014). Performing solo Bach: A case study 
of musical decision-making. *Musicae Scientiae, 18*(1), 35-52. <a href="https://doi.org/10.1177/1029864913509812" target="_blank">DOI</a>

### 2013

**<NAME>.**, <NAME>., & <NAME>. (2013). Doing without thinking? Aspects of musical decision-making revisited. In <NAME> & <NAME> (Eds.), *Proceedings of the International Symposium on Performance Science* (p. 201). Utrecht, The Netherlands: European Association of Conservatoires (AEC). <a href="http://www.performancescience.org/ISPS2013/Proceedings/Rows/051Paper_Bangert%20DX.pdf" target="_blank">PDF</a>

### 2012

**<NAME>.** (2012). *Doing without thinking? Processes of decision-making in period instrument performance.* PhD thesis. Sydney: University of New South Wales. <a href="https://doi.org/10.4225/53/58BCA28D2A79A" target="_blank">DOI (Open Access)</a>

### 2010

**<NAME>.**, <NAME>., & <NAME>. (2010). Historically informed practice: Musical decision-making in Baroque violin music. In <NAME>, <NAME>, & <NAME> (Eds.), *ICMPC11: 11th International Conference of Music Perception and Cognition* (pp. 313-314). Seattle, WA: University of Washington. 

### 2009

**<NAME>.** (2009). Doing without thinking? Aspects of musical decision-making. In <NAME>, <NAME>, & <NAME> (Eds.), *Proceedings of the International Symposium on Performance Science* (pp. 403-408). Utrecht, The Netherlands: European Association of Conservatoires (AEC). <a href="http://www.performancescience.org/ISPS2009/Proceedings/Rows/067Bangert.pdf" target="_blank">PDF</a>

**<NAME>.**, <NAME>., & <NAME>. (2009). Decision-making in unpracticed and practiced 
performances of Baroque violin music. In <NAME>, <NAME>, <NAME>, <NAME>, & <NAME> (Eds.), *Proceedings of the International Conference on Music Communication Science* (pp. 3-6). Sydney: HCSNet, University of Western Sydney. <a href="http://www.academia.edu/download/44721735/Decision-making_in_unpracticed_and_pract20160414-5140-zwro62.pdf" target="_blank">PDF</a>


<!-- ### Footer

Last updated: May 2017 -->



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