audio_path
audioduration (s)
3.09
8.45
subject
stringclasses
33 values
piece
stringclasses
6 values
user_id
stringclasses
27 values
playdata_id
stringclasses
52 values
fname
stringclasses
52 values
good_or_bad
stringclasses
2 values
mean
float32
0.2
5.2
idx
int32
0
9
ses
int32
1
3
ses_pianist
int32
1
10
question_id
int32
1
13
question_source_id
int32
1
13
question
stringclasses
13 values
answer
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2
114
q_eng
stringclasses
13 values
a_eng
stringlengths
11
201
score
int32
0
6
opinion
stringclasses
3 values
location
stringlengths
3
86
physical
stringclasses
55 values
technique
stringlengths
4
62
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stringlengths
4
75
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stringclasses
44 values
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stringclasses
11 values
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stringclasses
9 values
suggested_adjectives
stringclasses
43 values
split
class label
1 class
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
1
1
この演奏の良い点を教えてください。
指定のテンポ通り弾けている
What's good about this performance?
It was played at the specified tempo.
3
affirm
null
null
null
specified tempo
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
2
2
この演奏の悪い点を教えてください。
4の指の音の発音が聞き取りにくい。
What's bad about this performance?
The sound of the 4th finger is hard to hear.
3
mixed
null
4th finger
null
hard to hear
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
4
4
音価が均一になっていますか
全ての音の音価は均一に聞こえる。
Are the note values ​​uniform?
All note values sound uniform.
6
affirm
null
null
note values
uniform
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
5
5
響の芯があリますか
親指の音だけ芯があるように聞こえるがそのほかの音は芯が少し弱い
How solid is the sound?
Only the sound of the thumb seems to have a solid core, while the other notes are slightly weaker.
3
mixed
null
thumb
null
solid sound, weaker sound
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
6
6
クリアに発音されていますか
5の指と1の指の発音は綺麗だが2の指と4の指の発音が聞き取りにくい
How clean is the attack?
The attacks of the 5th and 1st fingers are clear, but the 2nd and 4th fingers are hard to hear.
3
mixed
null
5th finger, 1st finger, 2nd finger, 4th finger
null
clear attack, hard to hear
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
9
9
正しいリズムで演奏できていますか
16分音符で正しいリズムで演奏できている
Is it played with the correct rhythm?
It was played in the correct rhythm with sixteenth notes.
5
affirm
sixteenth notes
null
null
correct rhythm
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
10
10
テンポが一定に保てていますか
走ることなく一定に保てている
Is the tempo kept constant?
The tempo was maintained without rushing.
5
affirm
null
null
tempo
maintained, without rushing
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
11
11
ラインがつながっていますか
トップの音はきれいに繋がっている。
Are the lines connected?
The top notes are nicely connected.
3
affirm
top notes
null
null
connected
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
12
12
調性感がありますか
何かの調の属七の和音であることが分かる。
Is it played with a sense of tonality?
It is recognizable as a dominant seventh chord in some key.
4
affirm
dominant seventh chord
null
null
recognizable tonality
null
null
null
null
0train
sub_051
S-11_84_pp
63218a05c6190f3921803bc1
644634ef0d12a78974fb822d
63218a05c6190f3921803bc1_644634ef0d12a78974fb822d.wav
bad
2.6
7
3
6
13
13
自然な音量の変化で弾けていますか?
指定通りの音量で弾けている。
Is the dynamics change natural?
It was played at the specified volume.
5
affirm
null
null
specified volume
null
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
1
1
この演奏の良い点を教えてください。
1の指と5の指の発音がはっきりしている。
What's good about this performance?
The attacks of the 1st and 5th fingers are clear.
3
affirm
null
1st finger, 5th finger
null
clear attack
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
2
2
この演奏の悪い点を教えてください。
スタッカートを意識するあまりクレッシェンドとデクレッシェンドがあまり感じられない。
What's bad about this performance?
The focus on staccato has reduced the sense of crescendo and decrescendo.
3
mixed
null
null
staccato
lack of crescendo, decrescendo
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
4
4
音価が均一になっていますか
均一になっている。
Are the note values ​​uniform?
The note values are uniform.
5
affirm
null
null
note values
uniform
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
5
5
響の芯があリますか
鍵盤を掴めているように聞こえる。
How solid is the sound?
It sounds like the keys are being grasped well.
5
affirm
null
null
null
keys grasped well
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
6
6
クリアに発音されていますか
1の音も5の指の音もしっかり発音されている。
How clean is the attack?
Both the 1st and 5th finger notes are clearly articulated.
5
affirm
null
1st finger, 5th finger
null
clear attack
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
9
9
正しいリズムで演奏できていますか
スタッカートと16分音符の正しいリズムで演奏されている。
Is it played with the correct rhythm?
It is played in correct rhythm with staccato and sixteenth notes.
5
affirm
null
null
staccato, sixteenth notes
correct
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
10
10
テンポが一定に保てていますか
上行、下降ともに一定に保てている。
Is the tempo kept constant?
Both ascending and descending, the tempo is kept constant.
6
affirm
Ascending, descending
null
tempo
constant
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
12
12
調性感がありますか
C-durらしい明るい音で弾けている
Is it played with a sense of tonality?
It's played in a bright tone that seems to be in C major.
6
affirm
null
null
C major
bright
null
null
null
null
0train
sub_051
S-13_84_pp
646631ab592f1ffa14252a6a
646f28bc592f1ffa143d00dd
646631ab592f1ffa14252a6a_646f28bc592f1ffa143d00dd.wav
good
4.4
4
3
6
13
13
自然な音量の変化で弾けていますか?
ppにしては少々大きすぎると思った
Is the dynamics change natural?
I think it's a bit too loud for pianissimo.
2
deny
null
null
pianissimo
too loud
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
1
1
この演奏の良い点を教えてください。
ほぼテンポ通りにミスなく弾けている。
What's good about this performance?
It's played almost without mistake according to the tempo.
3
affirm
null
null
according to the tempo, without mistake
null
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
2
2
この演奏の悪い点を教えてください。
右手はとても綺麗に発音できているが、左手の下降系の指潜りがもたついている
What's bad about this performance?
The right hand articulates very beautifully, but the finger crossing under of the left hand in the descending passage is sluggish.
3
mixed
descending passage
right hand, left hand
finger crossing under
beautifully, sluggish
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
3
3
レガートが均一になっていますか?
上行系のレガートはきれいになっているが下降系の1の指が潜るところで音が途切れている
Is the legato even?
The ascending legato is smooth, but the sound breaks at the point where the 1st finger crosses under in the descending passage.
4
mixed
ascending, descending
1st finger
legato
smooth, breaks
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
4
4
音価が均一になっていますか
均一になっている。
Are the note values ​​uniform?
They are uniform.
4
affirm
null
null
null
uniform
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
5
5
響の芯があリますか
あまり芯があるように聞こえない。
How solid is the sound?
It doesn't sound very solid.
2
deny
null
null
null
not solid
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
6
6
クリアに発音されていますか
左右ともに音はクリアに発音されている。
How clean is the attack?
The attack of both hands is clear.
3
affirm
null
both hands
articulation
clean
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
7
7
左右のバランスが取れていますか
出だし少々左手の音量が大きすぎて右手の中音域が埋もれているように聞こえる。
Are the left and right hands balanced?
In the beginning, the left hand's volume is too loud, and the middle pitch area of the right hand seems to be buried.
2
mixed
Beginning, middle pitch area
left hand, right hand
null
too loud, buried
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
8
8
左右でタイミングが揃っていますか
左手の下降系の指潜りがもたつくため、左右のバランスに差がある
Are the timings onsets aligned on the left and right hands?
Due to the sluggish finger crossing under of the left hand, there is a difference in the balance between the left and right hands.
1
deny
null
left hand, right hand
finger crossing under, balance
sluggish, unbalanced
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
9
9
正しいリズムで演奏できていますか
16分音符を均一に弾けている。
Is it played with the correct rhythm?
The correct sixteenth notes are played evenly.
4
affirm
null
null
sixteenth notes
evenly
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
10
10
テンポが一定に保てていますか
テンポと音価が均一。
Is the tempo kept constant?
The tempo and the note values are uniform.
5
affirm
null
null
tempo, note values
uniform
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
11
11
ラインがつながっていますか
下りの指潜りのところで音が切れてしまっている
Are the lines connected?
The sound is cut off where the fingers cross under in the descending passage.
2
deny
descending passage
null
fingers cross under
sound being cut off
null
null
null
null
0train
sub_051
S-2_160_mf
61f09dfa0a688c4b065d55ba
642a32e08577848e5b95ff60
61f09dfa0a688c4b065d55ba_642a32e08577848e5b95ff60.wav
bad
2.2
7
3
6
12
12
調性感がありますか
Ges-durの音を正しく弾けている。
Is it played with a sense of tonality?
Correct notes of G-flat major are being played.
5
affirm
null
null
G-flat Major
correct
null
null
null
null
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
1
1
この演奏の良い点を教えてください。
良いテンポ感で弾けている
What's good about this performance?
It is played with a good sense of tempo.
3
affirm
null
null
Sense of Tempo
Good
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
2
2
この演奏の悪い点を教えてください。
最後の3つが均一ではない
What's bad about this performance?
The last three are not uniform.
3
deny
Last three notes
null
null
Not uniform
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
4
4
音価が均一になっていますか
前半がやや突っ込んでいる
Are the note values ​​uniform?
The first half is slightly rushed.
2
deny
First half
null
null
rushed
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
5
5
響の芯があリますか
綺麗に響きの芯がある
How solid is the sound?
The sound has a beautiful core.
6
affirm
null
null
null
Beautiful, Solid
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
6
6
クリアに発音されていますか
スタッカートが若干甘いと思う
How clean is the attack?
I think the staccato is slightly weak.
3
deny
null
null
Staccato
Weak
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
9
9
正しいリズムで演奏できていますか
正しいリズムで弾けている
Is it played with the correct rhythm?
It is played with the correct rhythm.
6
affirm
null
null
null
null
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
10
10
テンポが一定に保てていますか
テンポも一定である。
Is the tempo kept constant?
The tempo is constant.
6
affirm
null
null
null
null
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
11
11
ラインがつながっていますか
前半はとても上手だが、最後の三つがうまく終止できていない。
Are the lines connected?
The first half is very good, but the last three did not finish well.
5
mixed
First half, last three notes
null
null
very good, not finish well
null
null
null
'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
12
12
調性感がありますか
最後の三つが弱くならなければ、緊張感が延ばされて良かったと思う。
Is it played with a sense of tonality?
If the last three hadn't weakened, I think the tension would have been better sustained.
4
deny
Last three notes
null
null
weakened
null
null
tension
sustained'
0train
sub_053
S-11_84_pp
646631ab592f1ffa14252a6a
646f2882592f1ffa143cf1a0
646631ab592f1ffa14252a6a_646f2882592f1ffa143cf1a0.wav
good
3.4
8
3
7
13
13
自然な音量の変化で弾けていますか?
フレーズを感じて弾けている
Is the dynamics change natural?
It was played feeling the phrase.
6
affirm
null
null
null
Feeling
null
null
null
'
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
1
1
この演奏の良い点を教えてください。
均一な音質で弾けていること
What's good about this performance?
That it is played with a uniform tone quality.
3
affirm
null
null
null
uniform tone quality
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
2
2
この演奏の悪い点を教えてください。
mfというよりfで、調性感が感じられない。左右のバランスが芳しくない。
What's bad about this performance?
It's more f than mf, and the sense of tonality is not felt. The balance between the left and right hands is not good.
3
deny
left and right hands
null
balance, tonality
more forte (f) than mf (mezzo-forte), not good
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
3
3
レガートが均一になっていますか?
均一なレガートは出来ている
Is the legato even?
The legato is executed evenly.
6
affirm
null
null
legato
even
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
4
4
音価が均一になっていますか
音価はまさに均一である
Are the note values ​​uniform?
The note values are quite uniform.
6
affirm
null
null
Note values
uniform
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
5
5
響の芯があリますか
響きの芯というより、少しつぶれた音に感じた。もっと指を立ててはどうだろうか。
How solid is the sound?
Instead of a solid sound, the notes felt a bit squashed. Maybe try lifting the fingers more.
4
mixed
null
null
sound
squashed, not solid
null
fingers
null
lift more
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
6
6
クリアに発音されていますか
クリアだけど全体が一辺倒なのでややノイズが混じる印象
How clean is the attack?
It's clear, but the overall monotony gives an impression of slight noise.
5
mixed
null
null
articulation
clear but monotonous, noisy
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
7
7
左右のバランスが取れていますか
左が大きすぎると思う。
Are the left and right hands balanced?
I think the left hand is too loud.
0
mixed
left hand
null
balance
too loud
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
8
8
左右でタイミングが揃っていますか
タイミングは揃っている。
Are the timings onsets aligned on the left and right hands?
The timings are aligned.
6
affirm
left and right hands
null
timings
aligned
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
9
9
正しいリズムで演奏できていますか
正しいリズムだと思った。
Is it played with the correct rhythm?
I think it's the correct rhythm.
6
affirm
null
null
rhythm
correct
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
10
10
テンポが一定に保てていますか
一定のテンポで弾けている
Is the tempo kept constant?
The tempo is kept constant.
6
affirm
null
null
null
constant
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
11
11
ラインがつながっていますか
フレーズを感じて弾けているので美しいラインが出ている
Are the lines connected?
Because the phrases are played with emotion, there are beautiful lines.
6
affirm
null
null
phrases
emotional, beautiful
null
null
null
null
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
12
12
調性感がありますか
Ges durはもっと落ち着いた優しい調だが、活発な蝶に聞こえてしまう
Is it played with a sense of tonality?
Ges dur should be calmer and gentler, but it sounds lively like a butterfly.
0
deny
Ges dur
null
null
lively like a butterfly
null
null
null
calm, gentle
0train
sub_053
S-2_160_mf
62fda577719b36bf76248d43
640031e9ed069d3f0bc74c82
62fda577719b36bf76248d43_640031e9ed069d3f0bc74c82.wav
bad
3.2
9
3
7
13
13
自然な音量の変化で弾けていますか?
自然な音量の変化である
Is the dynamics change natural?
The dynamics change is natural.
6
affirm
null
null
dynamics change
natural
null
null
null
null
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
1
1
この演奏の良い点を教えてください。
すべての音が聞こえること。
What's good about this performance?
All the notes can be heard.
3
affirm
null
null
null
can be heard
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
2
2
この演奏の悪い点を教えてください。
音は聞こえるのに粒は揃っていないこと。
What's bad about this performance?
The notes are audible, but the articulation is not even.
3
mixed
null
null
articulation
audible, not even
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
4
4
音価が均一になっていますか
音によるばらつきがある
Are the note values ​​uniform?
There is a variance depending on the note.
3
mixed
null
null
uniformity
varied
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
5
5
響の芯があリますか
響きに芯があるともう少しクリアに聞こえると思う。
How solid is the sound?
I think the sound would be clearer if there was more core in the resonance.
2
mixed
null
null
null
more clear
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
6
6
クリアに発音されていますか
全てがクリアではなくばらつきがある
How clean is the attack?
Not all of it clear, there is variation.
1
mixed
null
null
null
not clear, variation
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
9
9
正しいリズムで演奏できていますか
最後の音を除けば正しいリズムである。
Is it played with the correct rhythm?
It is the correct rhythm, except for the last note.
2
affirm
except last note
null
null
correct
last note
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
10
10
テンポが一定に保てていますか
テンポは一定だが指定のテンポよりもゆっくり
Is the tempo kept constant?
The tempo is steady, but slower than the specified tempo.
3
affirm
null
null
specified tempo
steady, slower
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
11
11
ラインがつながっていますか
ラインがある弾き方ではない。
Are the lines connected?
It's not a playing style with a line.
3
deny
null
null
null
style with a line
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
12
12
調性感がありますか
調性感があればフレーズもクリアさもよくなる。
Is it played with a sense of tonality?
If there was a sense of tonality, the phrase and clarity would improve.
2
deny
null
null
phrase, clarity
null
null
null
null
'
0train
sub_047
S-11_84_pp
63f5a6c7ed069d3f0bb94b25
63f5cd81ed069d3f0bba67d1
63f5a6c7ed069d3f0bb94b25_63f5cd81ed069d3f0bba67d1.wav
bad
0.6
1
3
4
13
13
自然な音量の変化で弾けていますか?
音によって音量のばらつきがある
Is the dynamics change natural?
There is a variation in volume depending on the note.
2
mixed
depending on the note
null
volume
variation
null
null
null
'
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
1
1
この演奏の良い点を教えてください。
揃った音になっている。
What's good about this performance?
The sounds are aligned.
3
affirm
null
null
null
aligned
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
2
2
この演奏の悪い点を教えてください。
一拍ずつの拍を強く感じる。
What's bad about this performance?
I strongly feel the beat of each beat.
3
mixed
each beat
null
null
strongly, feel the beat
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
3
3
レガートが均一になっていますか?
一拍ずつ重さをおくことで機械的に感じる。
Is the legato even?
It feels mechanical because of the weight put on each count.
2
mixed
null
null
weight
mechanical
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
4
4
音価が均一になっていますか
最後を除けば均一である。
Are the note values ​​uniform?
They are uniform except for the end.
5
affirm
end
null
uniformity
uniform
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
5
5
響の芯があリますか
全ての音に芯がある。
How solid is the sound?
There is a core to all the notes.
6
affirm
null
null
null
solid
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
6
6
クリアに発音されていますか
芯がありほぼ均一でクリア。
How clean is the attack?
There is a core and it is almost uniform and clear.
6
affirm
null
null
null
uniform, solid, clear
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
7
7
左右のバランスが取れていますか
左右のバランスが取れているためどちらの音も聞こえる。
Are the left and right hands balanced?
You can hear both sounds because the balance between the left and right is maintained.
6
affirm
null
null
null
balanced, can hear both sound
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
8
8
左右でタイミングが揃っていますか
タイミングの揃った演奏である。
Are the timings onsets aligned on the left and right hands?
The timings are aligned.
6
affirm
null
null
null
aligned
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
9
9
正しいリズムで演奏できていますか
リズムは正しい。
Is it played with the correct rhythm?
The rhythm is correct.
6
affirm
null
null
rhythm
correct
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
10
10
テンポが一定に保てていますか
保たれているが指定されたテンポよりもゆっくり。
Is the tempo kept constant?
It is maintained, but it is slower than the assigned tempo.
4
mixed
null
null
assigned tempo
maintained, slower
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
11
11
ラインがつながっていますか
高くなるにつれcrescendoがかかっていてフレーズを感じる。
Are the lines connected?
I feel the phrases as crescendo is applied as it gets higher.
4
affirm
null
null
crescendo, phrases
feel
null
null
null
null
0train
sub_047
S-2_160_mf
61f09e070a688c4b065d55e0
63eb160eed069d3f0bb2cd4a
61f09e070a688c4b065d55e0_63eb160eed069d3f0bb2cd4a.wav
good
5.2
5
3
4
13
13
自然な音量の変化で弾けていますか?
特に気にした演奏ではない
Is the dynamics change natural?
It is not a performance that particularly focused on this aspect.
3
deny
null
null
null
null
null
null
null
null
0train
sub_043
S-11_84_pp
62fda577719b36bf76248d43
64003299ed069d3f0bc78704
62fda577719b36bf76248d43_64003299ed069d3f0bc78704.wav
good
5
2
3
2
1
1
この演奏の良い点を教えてください。
演奏の指示通り音量と音質は均一で弾けていた。
What's good about this performance?
The volume and tone quality were played as directed in the score.
3
affirm
null
null
null
as directed in the score
null
null
null
null
0train
sub_043
S-11_84_pp
62fda577719b36bf76248d43
64003299ed069d3f0bc78704
62fda577719b36bf76248d43_64003299ed069d3f0bc78704.wav
good
5
2
3
2
2
2
この演奏の悪い点を教えてください。
テンポが84より少し遅く拍感がないため、少し重く感じられる。もう少しクリアさもあるほうがいい。
What's bad about this performance?
The tempo is a little slow than 84 bpm and there is a lack of beat, so it feels a little heavy. It could be a bit clearer.
3
deny
null
null
null
slower than 84 bpm, heavy, lack of beat
null
null
null
a bit clearer
0train
sub_043
S-13_84_pp
61f09f680a688c4b065d5745
644643e40d12a78974fc365b
61f09f680a688c4b065d5745_644643e40d12a78974fc365b.wav
good
4.8
2
3
2
1
1
この演奏の良い点を教えてください。
音がクリアでテンポも記載通りであり、フレーズを意識できている。
What's good about this performance?
The sound is clear, the tempo is as written, and the phrase is conscious.
3
affirm
null
null
null
clear sound, as written tempo, conscious phrasing
null
null
null
null
0train
sub_043
S-13_84_pp
61f09f680a688c4b065d5745
644643e40d12a78974fc365b
61f09f680a688c4b065d5745_644643e40d12a78974fc365b.wav
good
4.8
2
3
2
2
2
この演奏の悪い点を教えてください。
クレッシェンドとデクレッシェンドをもう少しつける。ミシラレの3つめが少しぬけ、均一さがもう少し。
What's bad about this performance?
Add a bit more crescendo and decrescendo. The third note of the sequence Mi-Si-La-Re is slightly weak, and the uniformity could be improved.
3
mixed
Third note of the sequence Mi-Si-La-Re
null
crescendo, decrescendo
slightly
null
uniformity
improved
null
0train
sub_043
S-2_160_mf
63218a05c6190f3921803bc1
644634980d12a78974fb659e
63218a05c6190f3921803bc1_644634980d12a78974fb659e.wav
good
5
2
3
2
1
1
この演奏の良い点を教えてください。
テンポも均一でレガートでフレーズを意識できている。クレッシェンドデクレッシェンドもなめらかにできている。
What's good about this performance?
The tempo is uniform, and there is an awareness of phrasing with legato. The crescendos and decrescendos are also done smoothly.
3
affirm
null
null
legato
awared, smoothly, uniform tempo
null
null
null
null
0train
sub_043
S-2_160_mf
63218a05c6190f3921803bc1
644634980d12a78974fb659e
63218a05c6190f3921803bc1_644634980d12a78974fb659e.wav
good
5
2
3
2
2
2
この演奏の悪い点を教えてください。
最後のシラソがすこしよろけている。
What's bad about this performance?
The final notes Si-La-So are a bit unsteady.
3
deny
final notes Si-La-So
null
null
a bit unsteady
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
1
1
この演奏の良い点を教えてください。
テンポに遅れることなく弾けていること
What's good about this performance?
You can play without falling behind the tempo.
3
affirm
null
null
null
null
null
null
tempo
not falling behind
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
2
2
この演奏の悪い点を教えてください。
左右でたてがズレてしまっていること
What's bad about this performance?
The left and right are misaligned vertically.
3
deny
null
left and right hand
null
misaligned vertically
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
3
3
レガートが均一になっていますか?
指かえの時に次のポジションにすぐ入れていないためもたついてしまっているので均一なレガートではない
Is the legato even?
It's not even because it's dragging at the switch of fingers because it can't get into the next position immediately.
1
deny
null
null
switch of fingers
dragging, can't get into the next position immediately
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
4
4
音価が均一になっていますか
もたついた際に音価が乱れる印象です
Are the note values ​​uniform?
It gives the impression that the note values are disturbed when it drags.
2
deny
null
null
null
disturbed note values, drags
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
5
5
響の芯があリますか
押さえてしまっているように感じたのでまっすぐ指をおろすことを意識して弾いてみるとよいと思った
How solid is the sound?
Seems to be pressed down, it might be better to play it with consciousness of pushing down each finger straight.
2
mixed
null
null
putting down fingers straight
feels pressed down
null
null
null
with consciousness
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
6
6
クリアに発音されていますか
上と同様で1本1本の指を真っ直ぐにおろすことを意識するとよりクリアになると感じた
How clean is the attack?
If you are conscious of dropping each finger straight down, it will become clearer.
2
mixed
null
null
null
null
null
null
null
drop each finger straight down, clearer
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
7
7
左右のバランスが取れていますか
バランスがすこしずれているように感じた
Are the left and right hands balanced?
I felt like the balance was a little off.
2
deny
null
null
balance
little off
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
9
9
正しいリズムで演奏できていますか
上行形は左がおくれてきてしまい、下降形で左右共に苦戦していると感じました
Is it played with the correct rhythm?
I felt both left and right were struggling in the descending because the left is late in the ascending .
2
deny
ascending, descending
left and right hand
null
late, struggling
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
10
10
テンポが一定に保てていますか
後半戦がだんだん遅れてきてしまっていると感じました
Is the tempo kept constant?
I felt that the second half was gradually getting behind.
2
deny
second half
null
null
getting behind
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
11
11
ラインがつながっていますか
1拍分ずつで細切れになってしまっている
Are the lines connected?
It is becoming fragmented into one-beat segments.
1
deny
null
null
null
fragmented into one-beat segments
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
12
12
調性感がありますか
調性感はあまり感じられなかった
Is it played with a sense of tonality?
I didn't feel a sense of tonality too much.
1
deny
null
null
null
not much tonality
null
null
null
null
0train
sub_056
S-4_144_mf
63ff63e0ed069d3f0bc6b971
6406b3c8ed069d3f0bcddca7
63ff63e0ed069d3f0bc6b971_6406b3c8ed069d3f0bcddca7.wav
bad
1
6
3
8
13
13
自然な音量の変化で弾けていますか?
音量の変化は自然になっていて良かった
Is the dynamics change natural?
I think the volume change was naturally done
4
affirm
null
null
null
natural
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
1
1
この演奏の良い点を教えてください。
特に上行形で左右のタイミングが揃っている点
What's good about this performance?
The timing is aligned especially in the ascending passages
3
affirm
Ascending
null
timing is aligned
null
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
2
2
この演奏の悪い点を教えてください。
下降形でソの音が重くなってしまっている
What's bad about this performance?
The G note is heavy in the descending passages.
3
deny
Descending, G note
null
null
Heavy
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
3
3
レガートが均一になっていますか?
上行形は均一だが、下降形で指回しのところでうまくいっておらず、均一になっていない
Is the legato even?
The ascending is even, but in the descending with the finger crossing over is not going well, making it uneven
2
mixed
Ascending, descending
null
Legato, finger crossing over
uneven, not going well
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
4
4
音価が均一になっていますか
音価は均一に弾けていたと感じました
Are the note values ​​uniform?
I felt that the note values were uniformly played
4
affirm
null
null
null
uniform
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
5
5
響の芯があリますか
響の芯はあったと感じます。しかし、下降形の時の右手の小指と左手の親指が少し潰れてしまった印象です
How solid is the sound?
I think the sound was solid. However, the impression was that the right pinky and left thumb were slightly crushed during the descending passages
4
mixed
Descending
right pinky, left thumb
null
crushed
null
null
null
null
0train
sub_056
S-4_144_mf
640fc30eed069d3f0bd9d835
64116926ed069d3f0bdc1e60
640fc30eed069d3f0bd9d835_64116926ed069d3f0bdc1e60.wav
good
4.6
9
3
8
6
6
クリアに発音されていますか
クリアに発音できていたと感じました
How clean is the attack?
I felt that the attack was done cleanly
5
affirm
null
null
null
cleanly
null
null
null
null
0train

Dataset Card for NeuroPiano-data

This dataset contains 2255 entries of audio-question-answer pairs that specializes in music education. Questions ranges from cleaness of attack to hands balancing, each one come with verbal response as well as a rating within 6. There are 104 unique student recordings of piano excercises and part of them are rated by multiple teachers.

Dataset Details

Dataset Description

  • Curated by: Hayato Nishioka, Vincent Cheung, Huan Zhang, Shinichi Furuya
  • Funded by [optional]: Japan Science and Technology Agency CREST grant [number JPMJCR20D4]
  • Shared by [optional]: Huan Zhang
  • Language(s) : Japanese, English
  • License: MIT License

Dataset Sources [optional]

  • Repository: [Coming Soon]
  • Paper: [Coming Soon]

Uses

This is a great resource in analyzing performance and piano education.

Dataset Structure

Each entry contains:

  • audio_path:
    • array: loaded audio in 48000
  • piece: name of the excercise. pdf score of the excercises is attached in repo.
  • subject: the id of rater
  • question: The question in Japanese
  • answer: The answer in Japanese
  • q_eng: The question in English
  • a_eng: The answer in English
  • score: numerical score that rates the question, in a scale of 6.

Dataset Creation

Who are the source data producers?

The pianists and raters in this dataset are student and teachers from the NeuroPiano Academy (https://www.neuropiano.org/).

Personal and Sensitive Information

There should no be any sensitive or personal information, as the identities are all anonimized in the dataset.

Citation

BibTeX:

@inproceedings{Zhang2024HowDataset,
author = {Zhang, Huan and Cheung, Vincent and Nishioka, Hayato and Dixon, Simon and Furuya, Shinichi},
booktitle = {International Society for Music Information Retrieval (ISMIR) Late Breaking Demo (LBD)},
title = {How does the teacher rate? Observations from the NeuroPiano dataset},
year = {2024}
}

Dataset Card Contact

[email protected]

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