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There are three variables to consider in racing: brake pedal displacement, brake pedal force, and vehicle deceleration. Various combinations of these variables work together to determine the stiffness, sensitivity, and pedal force of the brakes. When using the brakes effectively, the driver must go through a buildup phase and end with a modulating phase. These phases include attaining maximum deceleration and modulating the brake pressure. Brake performance is measured in bite and consistency. Bite happens when the driver first applies the brakes and they have not warmed up to the correct temperature to operate efficiently. Consistency is measured in how consistent the friction is during the entire time of braking. These two measurements determine the wear of the brakes. Engine The race car's engine needs a considerable amount of air to produce maximum power. The air intake manifold sucks the air from scoops on the hood and front bumper and feeds it into the engine. Many engine modifications to increase horsepower and efficiency are commonly used in many racing sanctioning bodies. Engines are tuned on a machine called a dynamometer that is commonly known in the racing world as a DYNO. The car is driven onto the DYNO and many gauges and sensors are hooked up to the car that are controlled on an online program to test force, torque, or power. Through the testing, the car's engine maps can be changed to get the most horsepower and ultimately speed out of the vehicle. Racing driver Racing drivers at the highest levels are usually paid by the team, or by sponsors, and can command very substantial salaries. Contrary to what may be popularly assumed, racing drivers as a group do not have unusually better reflexes or peripheral response time. During repeated physiological (and psychological) evaluations of professional racing drivers, the two characteristics that stand out are racers' near-obsessive need to control their surroundings (the psychological aspect), and an unusual ability to process fast-moving information (physiological). In this, researchers have noted a strong correlation between racers' psychological profiles and those of fighter pilots. In tests comparing racers to members of the general public, the greater the complexity of the information processing matrix, the greater the speed gap between racers and the public. Due partly to the performance capabilities of modern racing cars, racing drivers require a high level of fitness, focus and the ability to concentrate at high levels for long periods in an inherently difficult environment. Racing drivers mainly complain about pains in the lumbar, shoulder and neck regions. Racing drivers experience extremely large g-forces because formula cars and sports prototypes generate more downforce and are able to corner at significantly higher speeds.

There are three variables to consider in racing: brake pedal displacement, brake pedal force, and vehicle deceleration. Various combinations of these variables work together to determine the stiffness, sensitivity, and pedal force of the brakes. When using the brakes effectively, the driver must go through a buildup phase and end with a modulating phase. These phases include attaining maximum deceleration and modulating the brake pressure. Brake performance is measured in bite and consistency. Bite happens when the driver first applies the brakes and they have not warmed up to the correct temperature to operate efficiently. Consistency is measured in how consistent the friction is during the entire time of braking. These two measurements determine the wear of the brakes. Engine The race car's engine needs a considerable amount of air to produce maximum power. The air intake manifold sucks the air from scoops on the hood and front bumper and feeds it into the engine. Many engine modifications to increase horsepower and efficiency are commonly used in many racing sanctioning bodies. Engines are tuned on a machine called a dynamometer that is commonly known in the racing world as a DYNO. The car is driven onto the DYNO and many gauges and sensors are hooked up to the car that are controlled on an online program to test force, torque, or power. Through the testing, the car's engine maps can be changed to get the most horsepower and ultimately speed out of the vehicle. Racing driver Racing drivers at the highest levels are usually paid by the team, or by sponsors, and can command very substantial salaries. Contrary to what may be popularly assumed, racing drivers as a group do not have unusually better reflexes or peripheral response time. During repeated physiological (and psychological) evaluations of professional racing drivers, the two characteristics that stand out are racers' near-obsessive need to control their surroundings (the psychological aspect), and an unusual ability to process fast-moving information (physiological). In this, researchers have noted a strong correlation between racers' psychological profiles and those of fighter pilots. In tests comparing racers to members of the general public, the greater the complexity of the information processing matrix, the greater the speed gap between racers and the public. Due partly to the performance capabilities of modern racing cars, racing drivers require a high level of fitness, focus and the ability to concentrate at high levels for long periods in an inherently difficult environment. Racing drivers mainly complain about pains in the lumbar, shoulder and neck regions. Racing drivers experience extremely large g-forces because formula cars and sports prototypes generate more downforce and are able to corner at significantly higher speeds.

Formula 1 drivers routinely experience g-loadings in excess of 4.5 g. See also Outline of auto racing List of auto racing tracks Motorcycle racing Race track Racing video game References External links Sanctioning bodies Motorsports UK Association American Le Mans Series (ALMS) Indy Racing League (IRL) World Rally Championship (WRC) Fédération Internationale de l'Automobile (FIA) Grand American Road Racing Association International Conference of Sports Car Clubs (ICSCC) International Hot Rod Association (IHRA) International Motor Sports Association (IMSA) National Auto Sport Association National Association for Stock Car Auto Racing (NASCAR) National Hot Rod Association (NHRA) No Prep Racing SCORE International Off-Road Racing Sports Car Club of America (SCCA) United States Auto Club (USAC) Formula One (F1) Confederation of Australian Motorsport (CAMS) Best In The Desert Off-Road Racing

Formula 1 drivers routinely experience g-loadings in excess of 4.5 g. See also Outline of auto racing List of auto racing tracks Motorcycle racing Race track Racing video game References External links Sanctioning bodies Motorsports UK Association American Le Mans Series (ALMS) Indy Racing League (IRL) World Rally Championship (WRC) Fédération Internationale de l'Automobile (FIA) Grand American Road Racing Association International Conference of Sports Car Clubs (ICSCC) International Hot Rod Association (IHRA) International Motor Sports Association (IMSA) National Auto Sport Association National Association for Stock Car Auto Racing (NASCAR) National Hot Rod Association (NHRA) No Prep Racing SCORE International Off-Road Racing Sports Car Club of America (SCCA) United States Auto Club (USAC) Formula One (F1) Confederation of Australian Motorsport (CAMS) Best In The Desert Off-Road Racing

Formula 1 drivers routinely experience g-loadings in excess of 4.5 g. See also Outline of auto racing List of auto racing tracks Motorcycle racing Race track Racing video game References External links Sanctioning bodies Motorsports UK Association American Le Mans Series (ALMS) Indy Racing League (IRL) World Rally Championship (WRC) Fédération Internationale de l'Automobile (FIA) Grand American Road Racing Association International Conference of Sports Car Clubs (ICSCC) International Hot Rod Association (IHRA) International Motor Sports Association (IMSA) National Auto Sport Association National Association for Stock Car Auto Racing (NASCAR) National Hot Rod Association (NHRA) No Prep Racing SCORE International Off-Road Racing Sports Car Club of America (SCCA) United States Auto Club (USAC) Formula One (F1) Confederation of Australian Motorsport (CAMS) Best In The Desert Off-Road Racing

Anarcho-capitalism Anarcho-capitalism is a political philosophy that advocates the elimination of centralized states in favor of a system of private property enforced by private agencies, free markets and the right-libertarian interpretation of self-ownership, which extends the concept to include control of private property as part of the self. In the absence of statute, anarcho-capitalists (or ancaps) hold that society tends to contractually self-regulate and civilize through participation in the free market which they describe as a voluntary society. In a theoretical anarcho-capitalist society, the system of private property would still exist and be enforced by private defense agencies and/or insurance companies selected by customers which would operate competitively in a market and fulfill the roles of courts and the police. According to its proponents, various historical theorists have espoused philosophies similar to anarcho-capitalism, but the first person to use the term anarcho-capitalism was Murray Rothbard, in the 1940s. Rothbard synthesized elements from the Austrian School, classical liberalism and 19th-century American individualist anarchists and mutualists Lysander Spooner and Benjamin Tucker while rejecting their labor theory of value and the anti-capitalist and socialist norms they derived from it. Rothbard's anarcho-capitalist society would operate under a mutually agreed-upon "legal code which would be generally accepted, and which the courts would pledge themselves to follow". This legal code would recognize contracts, private property, self-ownership and tort law in keeping with the non-aggression principle. Anarcho-capitalism is distinguished from both minarchism and anarchism. Minarchists advocate a night-watchman state limited to protecting individuals from aggression and enforcing private property. On the other hand, anarchism is an anti-capitalist movement which holds that capitalism is incompatible with social and economic equality. Despite its name, anarcho-capitalism lies outside the tradition of anarchism and is more closely affiliated with capitalism, right-libertarianism, and liberalism. Anarcho-capitalists reject the libertarian socialist economic theories of anarchism, arguing that they are inherently authoritarian or require authoritarianism to achieve, while believing that there is no coercion under capitalism. Criticism of anarcho-capitalism includes that it creates coercive hierarchy in practice and a de facto state, and ignores the coercive nature of capitalism; the term "anarcho-capitalism" is generally seen as fraudulent and an oxymoron by anarchists. Philosophy Author J Michael Oliver says that during the 1960s, a philosophical movement arose in the United States that championed "reason, ethical egoism, and free-market capitalism". According to Oliver, anarcho-capitalism is a political theory which logically follows the philosophical conclusions of Objectivism, a philosophical system developed by Russian-American writer Ayn Rand. Professor Lisa Duggan also says that Rand's anti-statist, pro–“free market” stances went on to shape the politics of anarcho-capitalism. According to Patrik Schumacher, the political ideology and programme of Anarcho-capitalism envisages the radicalisation of the neoliberal "rollback of the state", and calls for the extension of "entrepreneurial freedom" and "competitive market rationality" to the point where the scope for private enterprise is all-encompassing and "leaves no space for state action whatsoever".

Anarcho-capitalism Anarcho-capitalism is a political philosophy that advocates the elimination of centralized states in favor of a system of private property enforced by private agencies, free markets and the right-libertarian interpretation of self-ownership, which extends the concept to include control of private property as part of the self. In the absence of statute, anarcho-capitalists (or ancaps) hold that society tends to contractually self-regulate and civilize through participation in the free market which they describe as a voluntary society. In a theoretical anarcho-capitalist society, the system of private property would still exist and be enforced by private defense agencies and/or insurance companies selected by customers which would operate competitively in a market and fulfill the roles of courts and the police. According to its proponents, various historical theorists have espoused philosophies similar to anarcho-capitalism, but the first person to use the term anarcho-capitalism was Murray Rothbard, in the 1940s. Rothbard synthesized elements from the Austrian School, classical liberalism and 19th-century American individualist anarchists and mutualists Lysander Spooner and Benjamin Tucker while rejecting their labor theory of value and the anti-capitalist and socialist norms they derived from it. Rothbard's anarcho-capitalist society would operate under a mutually agreed-upon "legal code which would be generally accepted, and which the courts would pledge themselves to follow". This legal code would recognize contracts, private property, self-ownership and tort law in keeping with the non-aggression principle. Anarcho-capitalism is distinguished from both minarchism and anarchism. Minarchists advocate a night-watchman state limited to protecting individuals from aggression and enforcing private property. On the other hand, anarchism is an anti-capitalist movement which holds that capitalism is incompatible with social and economic equality. Despite its name, anarcho-capitalism lies outside the tradition of anarchism and is more closely affiliated with capitalism, right-libertarianism, and liberalism. Anarcho-capitalists reject the libertarian socialist economic theories of anarchism, arguing that they are inherently authoritarian or require authoritarianism to achieve, while believing that there is no coercion under capitalism. Criticism of anarcho-capitalism includes that it creates coercive hierarchy in practice and a de facto state, and ignores the coercive nature of capitalism; the term "anarcho-capitalism" is generally seen as fraudulent and an oxymoron by anarchists. Philosophy Author J Michael Oliver says that during the 1960s, a philosophical movement arose in the United States that championed "reason, ethical egoism, and free-market capitalism". According to Oliver, anarcho-capitalism is a political theory which logically follows the philosophical conclusions of Objectivism, a philosophical system developed by Russian-American writer Ayn Rand. Professor Lisa Duggan also says that Rand's anti-statist, pro–“free market” stances went on to shape the politics of anarcho-capitalism. According to Patrik Schumacher, the political ideology and programme of Anarcho-capitalism envisages the radicalisation of the neoliberal "rollback of the state", and calls for the extension of "entrepreneurial freedom" and "competitive market rationality" to the point where the scope for private enterprise is all-encompassing and "leaves no space for state action whatsoever".

On the state Anarcho-capitalists opposition to the state is reflected in their goal of keeping but privatizing all functions of the state. They see capitalism and the "free market" as the basis for a free and prosperous society. Murray Rothbard, who is credited with coining the term anarcho-capitalism, stated that the difference between free-market capitalism and state capitalism is the difference between "peaceful, voluntary exchange" and a "collusive partnership" between business and government that "uses coercion to subvert the free market". Rothbard argued that all government services, including defense, are inefficient because they lack a market-based pricing mechanism regulated by "the voluntary decisions of consumers purchasing services that fulfill their highest-priority needs" and by investors seeking the most profitable enterprises to invest in. Furthermore, Linda and Morris Tannehill believe that no coercive monopoly of force can arise on a truly free market and that a government's citizenry can not desert them in favor of a competent protection and defense agency. Maverick Edwards of the Liberty University describes anarcho-capitalism as a political, social, and economic theory that places markets as the central "governing body" and where government no longer "grants" rights to its citizenry. Non-aggression principle Writer Stanisław Wójtowicz says that although anarcho-capitalists are against centralized states, they hold that all people would naturally share and agree to a specific moral theory based on the non-aggression principle. While the Friedmanian formulation of anarcho-capitalism is robust to the presence of violence and in fact, assumes some degree of violence will occur, anarcho-capitalism as formulated by Rothbard and others holds strongly to the central libertarian nonaggression axiom, sometimes non-aggression principle. Rothbard wrote: Rothbard's defense of the self-ownership principle stems from what he believed to be his falsification of all other alternatives, namely that either a group of people can own another group of people, or that no single person has full ownership over one's self. Rothbard dismisses these two cases on the basis that they cannot result in a universal ethic, i.e. a just natural law that can govern all people, independent of place and time. The only alternative that remains to Rothbard is self-ownership which he believes is both axiomatic and universal. In general, the non-aggression axiom is described by Rothbard as a prohibition against the initiation of force, or the threat of force, against persons (in which he includes direct violence, assault and murder) or property (in which he includes fraud, burglary, theft and taxation). The initiation of force is usually referred to as aggression or coercion. The difference between anarcho-capitalists and other libertarians is largely one of the degree to which they take this axiom. Minarchist libertarians such as libertarian political parties would retain the state in some smaller and less invasive form, retaining at the very least public police, courts, and military. However, others might give further allowance for other government programs.

On the state Anarcho-capitalists opposition to the state is reflected in their goal of keeping but privatizing all functions of the state. They see capitalism and the "free market" as the basis for a free and prosperous society. Murray Rothbard, who is credited with coining the term anarcho-capitalism, stated that the difference between free-market capitalism and state capitalism is the difference between "peaceful, voluntary exchange" and a "collusive partnership" between business and government that "uses coercion to subvert the free market". Rothbard argued that all government services, including defense, are inefficient because they lack a market-based pricing mechanism regulated by "the voluntary decisions of consumers purchasing services that fulfill their highest-priority needs" and by investors seeking the most profitable enterprises to invest in. Furthermore, Linda and Morris Tannehill believe that no coercive monopoly of force can arise on a truly free market and that a government's citizenry can not desert them in favor of a competent protection and defense agency. Maverick Edwards of the Liberty University describes anarcho-capitalism as a political, social, and economic theory that places markets as the central "governing body" and where government no longer "grants" rights to its citizenry. Non-aggression principle Writer Stanisław Wójtowicz says that although anarcho-capitalists are against centralized states, they hold that all people would naturally share and agree to a specific moral theory based on the non-aggression principle. While the Friedmanian formulation of anarcho-capitalism is robust to the presence of violence and in fact, assumes some degree of violence will occur, anarcho-capitalism as formulated by Rothbard and others holds strongly to the central libertarian nonaggression axiom, sometimes non-aggression principle. Rothbard wrote: Rothbard's defense of the self-ownership principle stems from what he believed to be his falsification of all other alternatives, namely that either a group of people can own another group of people, or that no single person has full ownership over one's self. Rothbard dismisses these two cases on the basis that they cannot result in a universal ethic, i.e. a just natural law that can govern all people, independent of place and time. The only alternative that remains to Rothbard is self-ownership which he believes is both axiomatic and universal. In general, the non-aggression axiom is described by Rothbard as a prohibition against the initiation of force, or the threat of force, against persons (in which he includes direct violence, assault and murder) or property (in which he includes fraud, burglary, theft and taxation). The initiation of force is usually referred to as aggression or coercion. The difference between anarcho-capitalists and other libertarians is largely one of the degree to which they take this axiom. Minarchist libertarians such as libertarian political parties would retain the state in some smaller and less invasive form, retaining at the very least public police, courts, and military. However, others might give further allowance for other government programs.

On the state Anarcho-capitalists opposition to the state is reflected in their goal of keeping but privatizing all functions of the state. They see capitalism and the "free market" as the basis for a free and prosperous society. Murray Rothbard, who is credited with coining the term anarcho-capitalism, stated that the difference between free-market capitalism and state capitalism is the difference between "peaceful, voluntary exchange" and a "collusive partnership" between business and government that "uses coercion to subvert the free market". Rothbard argued that all government services, including defense, are inefficient because they lack a market-based pricing mechanism regulated by "the voluntary decisions of consumers purchasing services that fulfill their highest-priority needs" and by investors seeking the most profitable enterprises to invest in. Furthermore, Linda and Morris Tannehill believe that no coercive monopoly of force can arise on a truly free market and that a government's citizenry can not desert them in favor of a competent protection and defense agency. Maverick Edwards of the Liberty University describes anarcho-capitalism as a political, social, and economic theory that places markets as the central "governing body" and where government no longer "grants" rights to its citizenry. Non-aggression principle Writer Stanisław Wójtowicz says that although anarcho-capitalists are against centralized states, they hold that all people would naturally share and agree to a specific moral theory based on the non-aggression principle. While the Friedmanian formulation of anarcho-capitalism is robust to the presence of violence and in fact, assumes some degree of violence will occur, anarcho-capitalism as formulated by Rothbard and others holds strongly to the central libertarian nonaggression axiom, sometimes non-aggression principle. Rothbard wrote: Rothbard's defense of the self-ownership principle stems from what he believed to be his falsification of all other alternatives, namely that either a group of people can own another group of people, or that no single person has full ownership over one's self. Rothbard dismisses these two cases on the basis that they cannot result in a universal ethic, i.e. a just natural law that can govern all people, independent of place and time. The only alternative that remains to Rothbard is self-ownership which he believes is both axiomatic and universal. In general, the non-aggression axiom is described by Rothbard as a prohibition against the initiation of force, or the threat of force, against persons (in which he includes direct violence, assault and murder) or property (in which he includes fraud, burglary, theft and taxation). The initiation of force is usually referred to as aggression or coercion. The difference between anarcho-capitalists and other libertarians is largely one of the degree to which they take this axiom. Minarchist libertarians such as libertarian political parties would retain the state in some smaller and less invasive form, retaining at the very least public police, courts, and military. However, others might give further allowance for other government programs.

In contrast, Rothbard rejects any level of "state intervention", defining the state as a coercive monopoly and as the only entity in human society that derives its income from what he refers to as "legal aggression", an entity that inherently violates the central axiom of libertarianism. Some anarcho-capitalists such as Rothbard accept the non-aggression axiom on an intrinsic moral or natural law basis. It is in terms of the non-aggression principle that Rothbard defined his interpretation of anarchism, "a system which provides no legal sanction for such aggression ['against person and property']"; and wrote that "what anarchism proposes to do, then, is to abolish the State, i.e. to abolish the regularized institution of aggressive coercion". In an interview published in the American libertarian journal The New Banner, Rothbard stated that "capitalism is the fullest expression of anarchism, and anarchism is the fullest expression of capitalism". Property Private property Anarcho-capitalists postulate the privatization of everything, including cities with all their infrastructures, public spaces, streets and urban management systems. Central to Rothbardian anarcho-capitalism are the concepts of self-ownership and original appropriation that combines personal and private property. Hans-Hermann Hoppe wrote: Rothbard however rejected the Lockean proviso, and followed the rule of "first come, first served", without any consideration of how much resources are left for other individuals, which opposed John Locke's beliefs. Anarcho-capitalists advocate private ownership of the means of production and the allocation of the product of labor created by workers within the context of wage labour and the free market – that is through decisions made by property and capital owners, regardless of what an individual needs or does not need. Original appropriation allows an individual to claim any never-before-used resources, including land and by improving or otherwise using it, own it with the same "absolute right" as their own body, and retaining those rights forever, regardless of the resource is still being used by them. According to Rothbard, property can only come about through labor, therefore original appropriation of land is not legitimate by merely claiming it or building a fence around it—it is only by using land and by mixing one's labor with it that original appropriation is legitimized: "Any attempt to claim a new resource that someone does not use would have to be considered invasive of the property right of whoever the first user will turn out to be". Rothbard argued that the resource need not continue to be used in order for it to be the person's property as "for once his labor is mixed with the natural resource, it remains his owned land. His labor has been irretrievably mixed with the land, and the land is therefore his or his assigns' in perpetuity". Rothbard also spoke about a theory of justice in property rights: In Justice and Property Right, Rothbard wrote that "any identifiable owner (the original victim of theft or his heir) must be accorded his property".

In contrast, Rothbard rejects any level of "state intervention", defining the state as a coercive monopoly and as the only entity in human society that derives its income from what he refers to as "legal aggression", an entity that inherently violates the central axiom of libertarianism. Some anarcho-capitalists such as Rothbard accept the non-aggression axiom on an intrinsic moral or natural law basis. It is in terms of the non-aggression principle that Rothbard defined his interpretation of anarchism, "a system which provides no legal sanction for such aggression ['against person and property']"; and wrote that "what anarchism proposes to do, then, is to abolish the State, i.e. to abolish the regularized institution of aggressive coercion". In an interview published in the American libertarian journal The New Banner, Rothbard stated that "capitalism is the fullest expression of anarchism, and anarchism is the fullest expression of capitalism". Property Private property Anarcho-capitalists postulate the privatization of everything, including cities with all their infrastructures, public spaces, streets and urban management systems. Central to Rothbardian anarcho-capitalism are the concepts of self-ownership and original appropriation that combines personal and private property. Hans-Hermann Hoppe wrote: Rothbard however rejected the Lockean proviso, and followed the rule of "first come, first served", without any consideration of how much resources are left for other individuals, which opposed John Locke's beliefs. Anarcho-capitalists advocate private ownership of the means of production and the allocation of the product of labor created by workers within the context of wage labour and the free market – that is through decisions made by property and capital owners, regardless of what an individual needs or does not need. Original appropriation allows an individual to claim any never-before-used resources, including land and by improving or otherwise using it, own it with the same "absolute right" as their own body, and retaining those rights forever, regardless of the resource is still being used by them. According to Rothbard, property can only come about through labor, therefore original appropriation of land is not legitimate by merely claiming it or building a fence around it—it is only by using land and by mixing one's labor with it that original appropriation is legitimized: "Any attempt to claim a new resource that someone does not use would have to be considered invasive of the property right of whoever the first user will turn out to be". Rothbard argued that the resource need not continue to be used in order for it to be the person's property as "for once his labor is mixed with the natural resource, it remains his owned land. His labor has been irretrievably mixed with the land, and the land is therefore his or his assigns' in perpetuity". Rothbard also spoke about a theory of justice in property rights: In Justice and Property Right, Rothbard wrote that "any identifiable owner (the original victim of theft or his heir) must be accorded his property".

In contrast, Rothbard rejects any level of "state intervention", defining the state as a coercive monopoly and as the only entity in human society that derives its income from what he refers to as "legal aggression", an entity that inherently violates the central axiom of libertarianism. Some anarcho-capitalists such as Rothbard accept the non-aggression axiom on an intrinsic moral or natural law basis. It is in terms of the non-aggression principle that Rothbard defined his interpretation of anarchism, "a system which provides no legal sanction for such aggression ['against person and property']"; and wrote that "what anarchism proposes to do, then, is to abolish the State, i.e. to abolish the regularized institution of aggressive coercion". In an interview published in the American libertarian journal The New Banner, Rothbard stated that "capitalism is the fullest expression of anarchism, and anarchism is the fullest expression of capitalism". Property Private property Anarcho-capitalists postulate the privatization of everything, including cities with all their infrastructures, public spaces, streets and urban management systems. Central to Rothbardian anarcho-capitalism are the concepts of self-ownership and original appropriation that combines personal and private property. Hans-Hermann Hoppe wrote: Rothbard however rejected the Lockean proviso, and followed the rule of "first come, first served", without any consideration of how much resources are left for other individuals, which opposed John Locke's beliefs. Anarcho-capitalists advocate private ownership of the means of production and the allocation of the product of labor created by workers within the context of wage labour and the free market – that is through decisions made by property and capital owners, regardless of what an individual needs or does not need. Original appropriation allows an individual to claim any never-before-used resources, including land and by improving or otherwise using it, own it with the same "absolute right" as their own body, and retaining those rights forever, regardless of the resource is still being used by them. According to Rothbard, property can only come about through labor, therefore original appropriation of land is not legitimate by merely claiming it or building a fence around it—it is only by using land and by mixing one's labor with it that original appropriation is legitimized: "Any attempt to claim a new resource that someone does not use would have to be considered invasive of the property right of whoever the first user will turn out to be". Rothbard argued that the resource need not continue to be used in order for it to be the person's property as "for once his labor is mixed with the natural resource, it remains his owned land. His labor has been irretrievably mixed with the land, and the land is therefore his or his assigns' in perpetuity". Rothbard also spoke about a theory of justice in property rights: In Justice and Property Right, Rothbard wrote that "any identifiable owner (the original victim of theft or his heir) must be accorded his property".

In the case of slavery, Rothbard claimed that in many cases "the old plantations and the heirs and descendants of the former slaves can be identified, and the reparations can become highly specific indeed". Rothbard believed slaves rightfully own any land they were forced to work on under the homestead principle. If property is held by the state, Rothbard advocated its confiscation and "return to the private sector", writing that "any property in the hands of the State is in the hands of thieves, and should be liberated as quickly as possible". Rothbard proposed that state universities be seized by the students and faculty under the homestead principle. Rothbard also supported the expropriation of nominally "private property" if it is the result of state-initiated force such as businesses that receive grants and subsidies. Rothbard further proposed that businesses who receive at least 50% of their funding from the state be confiscated by the workers, writing: "What we libertarians object to, then, is not government per se but crime, what we object to is unjust or criminal property titles; what we are for is not 'private' property per se but just, innocent, non-criminal private property". Similarly, Karl Hess wrote that "libertarianism wants to advance principles of property but that it in no way wishes to defend, willy nilly, all property which now is called private ... Much of that property is stolen. Much is of dubious title. All of it is deeply intertwined with an immoral, coercive state system". By accepting an axiomatic definition of private property and property rights, anarcho-capitalists deny the legitimacy of a state on principle. Hans-Hermann Hoppe argues: Anarchists view capitalism as an inherently authoritarian and hierarchical system and seek the abolishment of private property. There is disagreement between anarchists and anarcho-capitalists as the former generally rejects anarcho-capitalism as a form of anarchism and considers anarcho-capitalism an oxymoron while the latter holds that the abolishment of private property would require expropriation which is "counterproductive to order" and would require a state. Common property As opposed to anarchists, most anarcho-capitalists reject the commons. However, some of them propose that non-state public or community property can also exist in an anarcho-capitalist society. For anarcho-capitalists, what is important is that it is "acquired" and transferred without help or hindrance from what they call the "compulsory state". Deontological anarcho-capitalists believe that the only just and most economically beneficial way to acquire property is through voluntary trade, gift, or labor-based original appropriation, rather than through aggression or fraud. Paul Birch argues that legal disputes involving several jurisdictions and different legal systems will be too complex and costly, therefore the largest private protection business in a territory will develop into a natural monopoly. Robert Ellickson presented a Hayekian case against anarcho-capitalism, calling it a "pipe-dream" and stating that anarcho-capitalists "by imagining a stable system of competing private associations, ignore both the inevitability of territorial monopolists in governance, and the importance of institutions to constrain those monopolists' abuses".

In the case of slavery, Rothbard claimed that in many cases "the old plantations and the heirs and descendants of the former slaves can be identified, and the reparations can become highly specific indeed". Rothbard believed slaves rightfully own any land they were forced to work on under the homestead principle. If property is held by the state, Rothbard advocated its confiscation and "return to the private sector", writing that "any property in the hands of the State is in the hands of thieves, and should be liberated as quickly as possible". Rothbard proposed that state universities be seized by the students and faculty under the homestead principle. Rothbard also supported the expropriation of nominally "private property" if it is the result of state-initiated force such as businesses that receive grants and subsidies. Rothbard further proposed that businesses who receive at least 50% of their funding from the state be confiscated by the workers, writing: "What we libertarians object to, then, is not government per se but crime, what we object to is unjust or criminal property titles; what we are for is not 'private' property per se but just, innocent, non-criminal private property". Similarly, Karl Hess wrote that "libertarianism wants to advance principles of property but that it in no way wishes to defend, willy nilly, all property which now is called private ... Much of that property is stolen. Much is of dubious title. All of it is deeply intertwined with an immoral, coercive state system". By accepting an axiomatic definition of private property and property rights, anarcho-capitalists deny the legitimacy of a state on principle. Hans-Hermann Hoppe argues: Anarchists view capitalism as an inherently authoritarian and hierarchical system and seek the abolishment of private property. There is disagreement between anarchists and anarcho-capitalists as the former generally rejects anarcho-capitalism as a form of anarchism and considers anarcho-capitalism an oxymoron while the latter holds that the abolishment of private property would require expropriation which is "counterproductive to order" and would require a state. Common property As opposed to anarchists, most anarcho-capitalists reject the commons. However, some of them propose that non-state public or community property can also exist in an anarcho-capitalist society. For anarcho-capitalists, what is important is that it is "acquired" and transferred without help or hindrance from what they call the "compulsory state". Deontological anarcho-capitalists believe that the only just and most economically beneficial way to acquire property is through voluntary trade, gift, or labor-based original appropriation, rather than through aggression or fraud. Paul Birch argues that legal disputes involving several jurisdictions and different legal systems will be too complex and costly, therefore the largest private protection business in a territory will develop into a natural monopoly. Robert Ellickson presented a Hayekian case against anarcho-capitalism, calling it a "pipe-dream" and stating that anarcho-capitalists "by imagining a stable system of competing private associations, ignore both the inevitability of territorial monopolists in governance, and the importance of institutions to constrain those monopolists' abuses".

In the case of slavery, Rothbard claimed that in many cases "the old plantations and the heirs and descendants of the former slaves can be identified, and the reparations can become highly specific indeed". Rothbard believed slaves rightfully own any land they were forced to work on under the homestead principle. If property is held by the state, Rothbard advocated its confiscation and "return to the private sector", writing that "any property in the hands of the State is in the hands of thieves, and should be liberated as quickly as possible". Rothbard proposed that state universities be seized by the students and faculty under the homestead principle. Rothbard also supported the expropriation of nominally "private property" if it is the result of state-initiated force such as businesses that receive grants and subsidies. Rothbard further proposed that businesses who receive at least 50% of their funding from the state be confiscated by the workers, writing: "What we libertarians object to, then, is not government per se but crime, what we object to is unjust or criminal property titles; what we are for is not 'private' property per se but just, innocent, non-criminal private property". Similarly, Karl Hess wrote that "libertarianism wants to advance principles of property but that it in no way wishes to defend, willy nilly, all property which now is called private ... Much of that property is stolen. Much is of dubious title. All of it is deeply intertwined with an immoral, coercive state system". By accepting an axiomatic definition of private property and property rights, anarcho-capitalists deny the legitimacy of a state on principle. Hans-Hermann Hoppe argues: Anarchists view capitalism as an inherently authoritarian and hierarchical system and seek the abolishment of private property. There is disagreement between anarchists and anarcho-capitalists as the former generally rejects anarcho-capitalism as a form of anarchism and considers anarcho-capitalism an oxymoron while the latter holds that the abolishment of private property would require expropriation which is "counterproductive to order" and would require a state. Common property As opposed to anarchists, most anarcho-capitalists reject the commons. However, some of them propose that non-state public or community property can also exist in an anarcho-capitalist society. For anarcho-capitalists, what is important is that it is "acquired" and transferred without help or hindrance from what they call the "compulsory state". Deontological anarcho-capitalists believe that the only just and most economically beneficial way to acquire property is through voluntary trade, gift, or labor-based original appropriation, rather than through aggression or fraud. Paul Birch argues that legal disputes involving several jurisdictions and different legal systems will be too complex and costly, therefore the largest private protection business in a territory will develop into a natural monopoly. Robert Ellickson presented a Hayekian case against anarcho-capitalism, calling it a "pipe-dream" and stating that anarcho-capitalists "by imagining a stable system of competing private associations, ignore both the inevitability of territorial monopolists in governance, and the importance of institutions to constrain those monopolists' abuses".

Rights and freedom Negative and positive rights are rights that oblige either action (positive rights) or inaction (negative rights). Anarcho-capitalists believe that negative rights should be recognized as legitimate, but positive rights should be rejected as an intrusion. Some critics reject the distinction between positive and negative rights. Peter Marshall also states that the anarcho-capitalist definition of freedom is entirely negative and that it cannot guarantee the positive freedom of individual autonomy and independence. About anarcho-capitalism, Noam Chomsky says: Economics and property Anarchists argue that certain capitalist transactions are not voluntary and that maintaining the class structure of a capitalist society requires coercion which violates anarchist principles. Anthropologist David Graeber noted his skepticism about anarcho-capitalism along the same lines, arguing: Some critics argue that the anarcho-capitalist concept of voluntary choice ignores constraints due to both human and non-human factors such as the need for food and shelter as well as active restriction of both used and unused resources by those enforcing property claims. If a person requires employment in order to feed and house himself, the employer-employee relationship could be considered involuntary. Another criticism is that employment is involuntary because the economic system that makes it necessary for some individuals to serve others is supported by the enforcement of coercive private property relations. Some philosophies view any ownership claims on land and natural resources as immoral and illegitimate. Objectivist philosopher Harry Binswanger criticizes anarcho-capitalism by arguing that "capitalism requires government", questioning who or what would enforce treaties and contracts. Julian Assange rejects anarcho-capitalism as a "misnomer", denying the perceived "virtues" of capitalism and the possibility of any substantive connection between anti-statism, capitalism and emancipatory praxis. Some right-libertarian critics of anarcho-capitalism who support the full privatization of capital such as geolibertarians argue that land and the raw materials of nature remain a distinct factor of production and cannot be justly converted to private property because they are not products of human labor. Some socialists, including market anarchists and mutualists, adamantly oppose absentee ownership. Anarcho-capitalists have strong abandonment criteria, namely that one maintains ownership until one agrees to trade or gift it. Anti-state critics of this view posit comparatively weak abandonment criteria, arguing that one loses ownership when one stops personally occupying and using it as well as the idea of perpetually binding original appropriation is anathema to traditional schools of anarchism. Literature Nonfiction The following is a partial list of notable nonfiction works discussing anarcho-capitalism.

Rights and freedom Negative and positive rights are rights that oblige either action (positive rights) or inaction (negative rights). Anarcho-capitalists believe that negative rights should be recognized as legitimate, but positive rights should be rejected as an intrusion. Some critics reject the distinction between positive and negative rights. Peter Marshall also states that the anarcho-capitalist definition of freedom is entirely negative and that it cannot guarantee the positive freedom of individual autonomy and independence. About anarcho-capitalism, Noam Chomsky says: Economics and property Anarchists argue that certain capitalist transactions are not voluntary and that maintaining the class structure of a capitalist society requires coercion which violates anarchist principles. Anthropologist David Graeber noted his skepticism about anarcho-capitalism along the same lines, arguing: Some critics argue that the anarcho-capitalist concept of voluntary choice ignores constraints due to both human and non-human factors such as the need for food and shelter as well as active restriction of both used and unused resources by those enforcing property claims. If a person requires employment in order to feed and house himself, the employer-employee relationship could be considered involuntary. Another criticism is that employment is involuntary because the economic system that makes it necessary for some individuals to serve others is supported by the enforcement of coercive private property relations. Some philosophies view any ownership claims on land and natural resources as immoral and illegitimate. Objectivist philosopher Harry Binswanger criticizes anarcho-capitalism by arguing that "capitalism requires government", questioning who or what would enforce treaties and contracts. Julian Assange rejects anarcho-capitalism as a "misnomer", denying the perceived "virtues" of capitalism and the possibility of any substantive connection between anti-statism, capitalism and emancipatory praxis. Some right-libertarian critics of anarcho-capitalism who support the full privatization of capital such as geolibertarians argue that land and the raw materials of nature remain a distinct factor of production and cannot be justly converted to private property because they are not products of human labor. Some socialists, including market anarchists and mutualists, adamantly oppose absentee ownership. Anarcho-capitalists have strong abandonment criteria, namely that one maintains ownership until one agrees to trade or gift it. Anti-state critics of this view posit comparatively weak abandonment criteria, arguing that one loses ownership when one stops personally occupying and using it as well as the idea of perpetually binding original appropriation is anathema to traditional schools of anarchism. Literature Nonfiction The following is a partial list of notable nonfiction works discussing anarcho-capitalism.

Rights and freedom Negative and positive rights are rights that oblige either action (positive rights) or inaction (negative rights). Anarcho-capitalists believe that negative rights should be recognized as legitimate, but positive rights should be rejected as an intrusion. Some critics reject the distinction between positive and negative rights. Peter Marshall also states that the anarcho-capitalist definition of freedom is entirely negative and that it cannot guarantee the positive freedom of individual autonomy and independence. About anarcho-capitalism, Noam Chomsky says: Economics and property Anarchists argue that certain capitalist transactions are not voluntary and that maintaining the class structure of a capitalist society requires coercion which violates anarchist principles. Anthropologist David Graeber noted his skepticism about anarcho-capitalism along the same lines, arguing: Some critics argue that the anarcho-capitalist concept of voluntary choice ignores constraints due to both human and non-human factors such as the need for food and shelter as well as active restriction of both used and unused resources by those enforcing property claims. If a person requires employment in order to feed and house himself, the employer-employee relationship could be considered involuntary. Another criticism is that employment is involuntary because the economic system that makes it necessary for some individuals to serve others is supported by the enforcement of coercive private property relations. Some philosophies view any ownership claims on land and natural resources as immoral and illegitimate. Objectivist philosopher Harry Binswanger criticizes anarcho-capitalism by arguing that "capitalism requires government", questioning who or what would enforce treaties and contracts. Julian Assange rejects anarcho-capitalism as a "misnomer", denying the perceived "virtues" of capitalism and the possibility of any substantive connection between anti-statism, capitalism and emancipatory praxis. Some right-libertarian critics of anarcho-capitalism who support the full privatization of capital such as geolibertarians argue that land and the raw materials of nature remain a distinct factor of production and cannot be justly converted to private property because they are not products of human labor. Some socialists, including market anarchists and mutualists, adamantly oppose absentee ownership. Anarcho-capitalists have strong abandonment criteria, namely that one maintains ownership until one agrees to trade or gift it. Anti-state critics of this view posit comparatively weak abandonment criteria, arguing that one loses ownership when one stops personally occupying and using it as well as the idea of perpetually binding original appropriation is anathema to traditional schools of anarchism. Literature Nonfiction The following is a partial list of notable nonfiction works discussing anarcho-capitalism.

Albert Jay Nock, Our Enemy, the State, Franz Oppenheimer's thesis applied to early United States history Auberon Herbert, The Right and Wrong of Compulsion by the State Bruce L. Benson, The Enterprise of Law: Justice Without The State To Serve and Protect: Privatization and Community in Criminal Justice David D. Friedman, The Machinery of Freedom Edward P. Stringham, Anarchy and the Law: The Political Economy of Choice George H. Smith, "Justice Entrepreneurship in a Free Market" Gerard Casey, Libertarian Anarchy: Against the State Hans-Hermann Hoppe, Anarcho-Capitalism: An Annotated Bibliography A Theory of Socialism and Capitalism Democracy: The God That Failed The Economics and Ethics of Private Property Herbert Spencer, Social Statics Linda and Morris Tannehill, The Market for Liberty Michael Huemer, The Problem of Political Authority Murray Rothbard, founder of anarcho-capitalism: For a New Liberty Man, Economy, and State Power and Market The Ethics of Liberty See also Agorism Anarchapulco Anarcho-capitalism and minarchism Consequentialist libertarianism Counter-economics Creative disruption Crypto-anarchism Dark Enlightenment Definition of anarchism and libertarianism Issues in anarchism Left-wing market anarchism Natural-rights libertarianism Privatization in criminal justice Propertarianism Stateless society The Libertarian Forum Voluntaryism References Further reading Brown, Susan Love (1997). "The Free Market as Salvation from Government: The Anarcho-Capitalist View". In Carrier, James G., ed. Meanings of the Market: The Free Market in Western Culture (illustrated ed.). Oxford: Berg Publishers. p. 99. . External links Anarcho-capitalist FAQ LewRockwell.com – website run by Lew Rockwell Mises Institute – research and educational center of classical liberalism, including anarcho-capitalism, Austrian School of economics and American libertarian political theory Property and Freedom Society – international anarcho-capitalist society Strike The Root – an anarcho-capitalist website featuring essays, news, and a forum Austrian School Capitalist systems Economic ideologies Anarcho-capitalism Ideologies of capitalism Classical liberalism Libertarianism by form Political ideologies Right-libertarianism Syncretic political movements Right-wing ideologies Far-right politics

Albert Jay Nock, Our Enemy, the State, Franz Oppenheimer's thesis applied to early United States history Auberon Herbert, The Right and Wrong of Compulsion by the State Bruce L. Benson, The Enterprise of Law: Justice Without The State To Serve and Protect: Privatization and Community in Criminal Justice David D. Friedman, The Machinery of Freedom Edward P. Stringham, Anarchy and the Law: The Political Economy of Choice George H. Smith, "Justice Entrepreneurship in a Free Market" Gerard Casey, Libertarian Anarchy: Against the State Hans-Hermann Hoppe, Anarcho-Capitalism: An Annotated Bibliography A Theory of Socialism and Capitalism Democracy: The God That Failed The Economics and Ethics of Private Property Herbert Spencer, Social Statics Linda and Morris Tannehill, The Market for Liberty Michael Huemer, The Problem of Political Authority Murray Rothbard, founder of anarcho-capitalism: For a New Liberty Man, Economy, and State Power and Market The Ethics of Liberty See also Agorism Anarchapulco Anarcho-capitalism and minarchism Consequentialist libertarianism Counter-economics Creative disruption Crypto-anarchism Dark Enlightenment Definition of anarchism and libertarianism Issues in anarchism Left-wing market anarchism Natural-rights libertarianism Privatization in criminal justice Propertarianism Stateless society The Libertarian Forum Voluntaryism References Further reading Brown, Susan Love (1997). "The Free Market as Salvation from Government: The Anarcho-Capitalist View". In Carrier, James G., ed. Meanings of the Market: The Free Market in Western Culture (illustrated ed.). Oxford: Berg Publishers. p. 99. . External links Anarcho-capitalist FAQ LewRockwell.com – website run by Lew Rockwell Mises Institute – research and educational center of classical liberalism, including anarcho-capitalism, Austrian School of economics and American libertarian political theory Property and Freedom Society – international anarcho-capitalist society Strike The Root – an anarcho-capitalist website featuring essays, news, and a forum Austrian School Capitalist systems Economic ideologies Anarcho-capitalism Ideologies of capitalism Classical liberalism Libertarianism by form Political ideologies Right-libertarianism Syncretic political movements Right-wing ideologies Far-right politics

Albert Jay Nock, Our Enemy, the State, Franz Oppenheimer's thesis applied to early United States history Auberon Herbert, The Right and Wrong of Compulsion by the State Bruce L. Benson, The Enterprise of Law: Justice Without The State To Serve and Protect: Privatization and Community in Criminal Justice David D. Friedman, The Machinery of Freedom Edward P. Stringham, Anarchy and the Law: The Political Economy of Choice George H. Smith, "Justice Entrepreneurship in a Free Market" Gerard Casey, Libertarian Anarchy: Against the State Hans-Hermann Hoppe, Anarcho-Capitalism: An Annotated Bibliography A Theory of Socialism and Capitalism Democracy: The God That Failed The Economics and Ethics of Private Property Herbert Spencer, Social Statics Linda and Morris Tannehill, The Market for Liberty Michael Huemer, The Problem of Political Authority Murray Rothbard, founder of anarcho-capitalism: For a New Liberty Man, Economy, and State Power and Market The Ethics of Liberty See also Agorism Anarchapulco Anarcho-capitalism and minarchism Consequentialist libertarianism Counter-economics Creative disruption Crypto-anarchism Dark Enlightenment Definition of anarchism and libertarianism Issues in anarchism Left-wing market anarchism Natural-rights libertarianism Privatization in criminal justice Propertarianism Stateless society The Libertarian Forum Voluntaryism References Further reading Brown, Susan Love (1997). "The Free Market as Salvation from Government: The Anarcho-Capitalist View". In Carrier, James G., ed. Meanings of the Market: The Free Market in Western Culture (illustrated ed.). Oxford: Berg Publishers. p. 99. . External links Anarcho-capitalist FAQ LewRockwell.com – website run by Lew Rockwell Mises Institute – research and educational center of classical liberalism, including anarcho-capitalism, Austrian School of economics and American libertarian political theory Property and Freedom Society – international anarcho-capitalist society Strike The Root – an anarcho-capitalist website featuring essays, news, and a forum Austrian School Capitalist systems Economic ideologies Anarcho-capitalism Ideologies of capitalism Classical liberalism Libertarianism by form Political ideologies Right-libertarianism Syncretic political movements Right-wing ideologies Far-right politics

August 9 Events Pre-1600 48 BC – Caesar's Civil War: Battle of Pharsalus: Julius Caesar decisively defeats Pompey at Pharsalus and Pompey flees to Egypt. 378 – Gothic War: Battle of Adrianople: A large Roman army led by Emperor Valens is defeated by the Visigoths. Valens is killed along with over half of his army. 1173 – Construction of the campanile of the Cathedral of Pisa (now known as the Leaning Tower of Pisa) begins; it will take two centuries to complete. 1329 – Quilon, the first Indian Christian Diocese, is erected by Pope John XXII; the French-born Jordanus is appointed the first Bishop. 1428 – Sources cite biggest caravan trade between Podvisoki and Republic of Ragusa in 1428. Vlachs committed to Ragusan lord Tomo Bunić, that they will with 600 horses deliver 1500 modius of salt. Delivery was meant for Dobrašin Veseoković, and Vlachs price was half of delivered salt. 1500 – Ottoman–Venetian War (1499–1503): The Ottomans capture Methoni, Messenia. 1601–1900 1610 – The First Anglo-Powhatan War begins in colonial Virginia. 1810 – Napoleon annexes Westphalia as part of the First French Empire. 1814 – Indian Wars: The Creek sign the Treaty of Fort Jackson, giving up huge parts of Alabama and Georgia. 1830 – Louis Philippe becomes the king of the French following abdication of Charles X. 1842 – The Webster–Ashburton Treaty is signed, establishing the United States–Canada border east of the Rocky Mountains. 1862 – American Civil War: Battle of Cedar Mountain: At Cedar Mountain, Virginia, Confederate General Stonewall Jackson narrowly defeats Union forces under General John Pope. 1877 – Indian Wars: Battle of the Big Hole: A small band of Nez Percé Indians clash with the United States Army. 1892 – Thomas Edison receives a patent for a two-way telegraph. 1901–present 1902 – Edward VII and Alexandra of Denmark are crowned King and Queen of the United Kingdom of Great Britain and Ireland. 1907 – The first Boy Scout encampment concludes at Brownsea Island in southern England. 1914 – Start of the Battle of Mulhouse, part of a French attempt to recover the province of Alsace and the first French offensive of World War I. 1925 – A train robbery takes place in Kakori, near Lucknow, India, by the Indian independence revolutionaries, against British government. 1936 – 1936 Summer Olympics: Jesse Owens wins his fourth gold medal at the games. 1942 – World War II: Battle of Savo Island: Allied naval forces protecting their amphibious forces during the initial stages of the Battle of Guadalcanal are surprised and defeated by an Imperial Japanese Navy cruiser force. 1944 – The United States Forest Service and the Wartime Advertising Council release posters featuring Smokey Bear for the first time. 1944 – Continuation War: The Vyborg–Petrozavodsk Offensive, the largest offensive launched by Soviet Union against Finland during the Second World War, ends to a strategic stalemate.

August 9 Events Pre-1600 48 BC – Caesar's Civil War: Battle of Pharsalus: Julius Caesar decisively defeats Pompey at Pharsalus and Pompey flees to Egypt. 378 – Gothic War: Battle of Adrianople: A large Roman army led by Emperor Valens is defeated by the Visigoths. Valens is killed along with over half of his army. 1173 – Construction of the campanile of the Cathedral of Pisa (now known as the Leaning Tower of Pisa) begins; it will take two centuries to complete. 1329 – Quilon, the first Indian Christian Diocese, is erected by Pope John XXII; the French-born Jordanus is appointed the first Bishop. 1428 – Sources cite biggest caravan trade between Podvisoki and Republic of Ragusa in 1428. Vlachs committed to Ragusan lord Tomo Bunić, that they will with 600 horses deliver 1500 modius of salt. Delivery was meant for Dobrašin Veseoković, and Vlachs price was half of delivered salt. 1500 – Ottoman–Venetian War (1499–1503): The Ottomans capture Methoni, Messenia. 1601–1900 1610 – The First Anglo-Powhatan War begins in colonial Virginia. 1810 – Napoleon annexes Westphalia as part of the First French Empire. 1814 – Indian Wars: The Creek sign the Treaty of Fort Jackson, giving up huge parts of Alabama and Georgia. 1830 – Louis Philippe becomes the king of the French following abdication of Charles X. 1842 – The Webster–Ashburton Treaty is signed, establishing the United States–Canada border east of the Rocky Mountains. 1862 – American Civil War: Battle of Cedar Mountain: At Cedar Mountain, Virginia, Confederate General Stonewall Jackson narrowly defeats Union forces under General John Pope. 1877 – Indian Wars: Battle of the Big Hole: A small band of Nez Percé Indians clash with the United States Army. 1892 – Thomas Edison receives a patent for a two-way telegraph. 1901–present 1902 – Edward VII and Alexandra of Denmark are crowned King and Queen of the United Kingdom of Great Britain and Ireland. 1907 – The first Boy Scout encampment concludes at Brownsea Island in southern England. 1914 – Start of the Battle of Mulhouse, part of a French attempt to recover the province of Alsace and the first French offensive of World War I. 1925 – A train robbery takes place in Kakori, near Lucknow, India, by the Indian independence revolutionaries, against British government. 1936 – 1936 Summer Olympics: Jesse Owens wins his fourth gold medal at the games. 1942 – World War II: Battle of Savo Island: Allied naval forces protecting their amphibious forces during the initial stages of the Battle of Guadalcanal are surprised and defeated by an Imperial Japanese Navy cruiser force. 1944 – The United States Forest Service and the Wartime Advertising Council release posters featuring Smokey Bear for the first time. 1944 – Continuation War: The Vyborg–Petrozavodsk Offensive, the largest offensive launched by Soviet Union against Finland during the Second World War, ends to a strategic stalemate.

Both Finnish and Soviet troops at the Finnish front dug to defensive positions, and the front remains stable until the end of the war. 1945 – World War II: Nagasaki is devastated when an atomic bomb, Fat Man, is dropped by the United States B-29 Bockscar. Thirty-five thousand people are killed outright, including 23,200–28,200 Japanese war workers, 2,000 Korean forced workers, and 150 Japanese soldiers. 1945 – The Red Army invades Japanese-occupied Manchuria. 1960 – South Kasai secedes from the Congo. 1965 – Singapore is expelled from Malaysia and becomes the only country to date to gain independence unwillingly. 1969 – Tate–LaBianca murders: Followers of Charles Manson murder pregnant actress Sharon Tate (wife of Roman Polanski), coffee heiress Abigail Folger, Polish actor Wojciech Frykowski, men's hairstylist Jay Sebring and recent high-school graduate Steven Parent. 1970 – LANSA Flight 502 crashes after takeoff from Alejandro Velasco Astete International Airport in Cusco, Peru, killing 99 of the 100 people on board, as well as two people on the ground. 1971 – The Troubles: In Northern Ireland, the British authorities launch Operation Demetrius. The operation involves the mass arrest and internment without trial of individuals suspected of being affiliated with the Irish Republican Army (PIRA). Mass riots follow, and thousands of people flee or are forced out of their homes. 1973 – Mars 7 is launched from the USSR. 1974 – As a direct result of the Watergate scandal, Richard Nixon becomes the first President of the United States to resign from office. His Vice President, Gerald Ford, becomes president. 1991 – The Italian prosecuting magistrate Antonino Scopelliti is murdered by the 'Ndrangheta on behalf of the Sicilian Mafia while preparing the government's case in the final appeal of the Maxi Trial. 1993 – The Liberal Democratic Party of Japan loses a 38-year hold on national leadership. 1999 – Russian President Boris Yeltsin fires his Prime Minister, Sergei Stepashin, and for the fourth time fires his entire cabinet. 2006 – At least 21 suspected terrorists are arrested in the 2006 transatlantic aircraft plot that happened in the United Kingdom. The arrests are made in London, Birmingham, and High Wycombe in an overnight operation. 2013 – Gunmen open fire at a Sunni mosque in the city of Quetta killing at least ten people and injuring 30. 2014 – Michael Brown, an 18-year-old African American male in Ferguson, Missouri, is shot and killed by a Ferguson police officer after reportedly assaulting the officer and attempting to steal his weapon, sparking protests and unrest in the city. 2021 – The Tampere light rail officially started operating.

Both Finnish and Soviet troops at the Finnish front dug to defensive positions, and the front remains stable until the end of the war. 1945 – World War II: Nagasaki is devastated when an atomic bomb, Fat Man, is dropped by the United States B-29 Bockscar. Thirty-five thousand people are killed outright, including 23,200–28,200 Japanese war workers, 2,000 Korean forced workers, and 150 Japanese soldiers. 1945 – The Red Army invades Japanese-occupied Manchuria. 1960 – South Kasai secedes from the Congo. 1965 – Singapore is expelled from Malaysia and becomes the only country to date to gain independence unwillingly. 1969 – Tate–LaBianca murders: Followers of Charles Manson murder pregnant actress Sharon Tate (wife of Roman Polanski), coffee heiress Abigail Folger, Polish actor Wojciech Frykowski, men's hairstylist Jay Sebring and recent high-school graduate Steven Parent. 1970 – LANSA Flight 502 crashes after takeoff from Alejandro Velasco Astete International Airport in Cusco, Peru, killing 99 of the 100 people on board, as well as two people on the ground. 1971 – The Troubles: In Northern Ireland, the British authorities launch Operation Demetrius. The operation involves the mass arrest and internment without trial of individuals suspected of being affiliated with the Irish Republican Army (PIRA). Mass riots follow, and thousands of people flee or are forced out of their homes. 1973 – Mars 7 is launched from the USSR. 1974 – As a direct result of the Watergate scandal, Richard Nixon becomes the first President of the United States to resign from office. His Vice President, Gerald Ford, becomes president. 1991 – The Italian prosecuting magistrate Antonino Scopelliti is murdered by the 'Ndrangheta on behalf of the Sicilian Mafia while preparing the government's case in the final appeal of the Maxi Trial. 1993 – The Liberal Democratic Party of Japan loses a 38-year hold on national leadership. 1999 – Russian President Boris Yeltsin fires his Prime Minister, Sergei Stepashin, and for the fourth time fires his entire cabinet. 2006 – At least 21 suspected terrorists are arrested in the 2006 transatlantic aircraft plot that happened in the United Kingdom. The arrests are made in London, Birmingham, and High Wycombe in an overnight operation. 2013 – Gunmen open fire at a Sunni mosque in the city of Quetta killing at least ten people and injuring 30. 2014 – Michael Brown, an 18-year-old African American male in Ferguson, Missouri, is shot and killed by a Ferguson police officer after reportedly assaulting the officer and attempting to steal his weapon, sparking protests and unrest in the city. 2021 – The Tampere light rail officially started operating.

Both Finnish and Soviet troops at the Finnish front dug to defensive positions, and the front remains stable until the end of the war. 1945 – World War II: Nagasaki is devastated when an atomic bomb, Fat Man, is dropped by the United States B-29 Bockscar. Thirty-five thousand people are killed outright, including 23,200–28,200 Japanese war workers, 2,000 Korean forced workers, and 150 Japanese soldiers. 1945 – The Red Army invades Japanese-occupied Manchuria. 1960 – South Kasai secedes from the Congo. 1965 – Singapore is expelled from Malaysia and becomes the only country to date to gain independence unwillingly. 1969 – Tate–LaBianca murders: Followers of Charles Manson murder pregnant actress Sharon Tate (wife of Roman Polanski), coffee heiress Abigail Folger, Polish actor Wojciech Frykowski, men's hairstylist Jay Sebring and recent high-school graduate Steven Parent. 1970 – LANSA Flight 502 crashes after takeoff from Alejandro Velasco Astete International Airport in Cusco, Peru, killing 99 of the 100 people on board, as well as two people on the ground. 1971 – The Troubles: In Northern Ireland, the British authorities launch Operation Demetrius. The operation involves the mass arrest and internment without trial of individuals suspected of being affiliated with the Irish Republican Army (PIRA). Mass riots follow, and thousands of people flee or are forced out of their homes. 1973 – Mars 7 is launched from the USSR. 1974 – As a direct result of the Watergate scandal, Richard Nixon becomes the first President of the United States to resign from office. His Vice President, Gerald Ford, becomes president. 1991 – The Italian prosecuting magistrate Antonino Scopelliti is murdered by the 'Ndrangheta on behalf of the Sicilian Mafia while preparing the government's case in the final appeal of the Maxi Trial. 1993 – The Liberal Democratic Party of Japan loses a 38-year hold on national leadership. 1999 – Russian President Boris Yeltsin fires his Prime Minister, Sergei Stepashin, and for the fourth time fires his entire cabinet. 2006 – At least 21 suspected terrorists are arrested in the 2006 transatlantic aircraft plot that happened in the United Kingdom. The arrests are made in London, Birmingham, and High Wycombe in an overnight operation. 2013 – Gunmen open fire at a Sunni mosque in the city of Quetta killing at least ten people and injuring 30. 2014 – Michael Brown, an 18-year-old African American male in Ferguson, Missouri, is shot and killed by a Ferguson police officer after reportedly assaulting the officer and attempting to steal his weapon, sparking protests and unrest in the city. 2021 – The Tampere light rail officially started operating.

Births Pre-1600 1201 – Arnold Fitz Thedmar, English historian and merchant (d. 1274) 1537 – Francesco Barozzi, Italian mathematician and astronomer (d. 1604) 1544 – Bogislaw XIII, Duke of Pomerania (d. 1606) 1590 – John Webster, colonial settler and governor of Connecticut (d. 1661) 1601–1900 1603 – Johannes Cocceius, German-Dutch theologian and academic (d. 1669) 1648 – Johann Michael Bach, German composer (d. 1694) 1653 – John Oldham, English poet and translator (d. 1683) 1674 – František Maxmilián Kaňka, Czech architect, designed the Veltrusy Mansion (d. 1766) 1696 – Joseph Wenzel I, Prince of Liechtenstein (d. 1772) 1722 – Prince Augustus William of Prussia (d. 1758) 1726 – Francesco Cetti, Italian priest, zoologist, and mathematician (d. 1778) 1748 – Bernhard Schott, German music publisher (d. 1809) 1757 – Elizabeth Schuyler Hamilton, American humanitarian; wife of Alexander Hamilton (d. 1854) 1757 – Thomas Telford, Scottish architect and engineer, designed the Menai Suspension Bridge (d. 1834) 1776 – Amedeo Avogadro, Italian physicist and chemist (d. 1856) 1783 – Grand Duchess Alexandra Pavlovna of Russia (d. 1801) 1788 – Adoniram Judson, American missionary and lexicographer (d. 1850) 1797 – Charles Robert Malden, English lieutenant and surveyor (d. 1855) 1805 – Joseph Locke, English engineer and politician (d. 1860) 1845 – André Bessette, Canadian saint (d. 1937) 1847 – Maria Vittoria dal Pozzo, French-Italian wife of Amadeo I of Spain (d. 1876) 1848 – Alfred David Benjamin, Australian-born businessman and philanthropist.

Births Pre-1600 1201 – Arnold Fitz Thedmar, English historian and merchant (d. 1274) 1537 – Francesco Barozzi, Italian mathematician and astronomer (d. 1604) 1544 – Bogislaw XIII, Duke of Pomerania (d. 1606) 1590 – John Webster, colonial settler and governor of Connecticut (d. 1661) 1601–1900 1603 – Johannes Cocceius, German-Dutch theologian and academic (d. 1669) 1648 – Johann Michael Bach, German composer (d. 1694) 1653 – John Oldham, English poet and translator (d. 1683) 1674 – František Maxmilián Kaňka, Czech architect, designed the Veltrusy Mansion (d. 1766) 1696 – Joseph Wenzel I, Prince of Liechtenstein (d. 1772) 1722 – Prince Augustus William of Prussia (d. 1758) 1726 – Francesco Cetti, Italian priest, zoologist, and mathematician (d. 1778) 1748 – Bernhard Schott, German music publisher (d. 1809) 1757 – Elizabeth Schuyler Hamilton, American humanitarian; wife of Alexander Hamilton (d. 1854) 1757 – Thomas Telford, Scottish architect and engineer, designed the Menai Suspension Bridge (d. 1834) 1776 – Amedeo Avogadro, Italian physicist and chemist (d. 1856) 1783 – Grand Duchess Alexandra Pavlovna of Russia (d. 1801) 1788 – Adoniram Judson, American missionary and lexicographer (d. 1850) 1797 – Charles Robert Malden, English lieutenant and surveyor (d. 1855) 1805 – Joseph Locke, English engineer and politician (d. 1860) 1845 – André Bessette, Canadian saint (d. 1937) 1847 – Maria Vittoria dal Pozzo, French-Italian wife of Amadeo I of Spain (d. 1876) 1848 – Alfred David Benjamin, Australian-born businessman and philanthropist.

Births Pre-1600 1201 – Arnold Fitz Thedmar, English historian and merchant (d. 1274) 1537 – Francesco Barozzi, Italian mathematician and astronomer (d. 1604) 1544 – Bogislaw XIII, Duke of Pomerania (d. 1606) 1590 – John Webster, colonial settler and governor of Connecticut (d. 1661) 1601–1900 1603 – Johannes Cocceius, German-Dutch theologian and academic (d. 1669) 1648 – Johann Michael Bach, German composer (d. 1694) 1653 – John Oldham, English poet and translator (d. 1683) 1674 – František Maxmilián Kaňka, Czech architect, designed the Veltrusy Mansion (d. 1766) 1696 – Joseph Wenzel I, Prince of Liechtenstein (d. 1772) 1722 – Prince Augustus William of Prussia (d. 1758) 1726 – Francesco Cetti, Italian priest, zoologist, and mathematician (d. 1778) 1748 – Bernhard Schott, German music publisher (d. 1809) 1757 – Elizabeth Schuyler Hamilton, American humanitarian; wife of Alexander Hamilton (d. 1854) 1757 – Thomas Telford, Scottish architect and engineer, designed the Menai Suspension Bridge (d. 1834) 1776 – Amedeo Avogadro, Italian physicist and chemist (d. 1856) 1783 – Grand Duchess Alexandra Pavlovna of Russia (d. 1801) 1788 – Adoniram Judson, American missionary and lexicographer (d. 1850) 1797 – Charles Robert Malden, English lieutenant and surveyor (d. 1855) 1805 – Joseph Locke, English engineer and politician (d. 1860) 1845 – André Bessette, Canadian saint (d. 1937) 1847 – Maria Vittoria dal Pozzo, French-Italian wife of Amadeo I of Spain (d. 1876) 1848 – Alfred David Benjamin, Australian-born businessman and philanthropist.

(d. 1900) 1861 – Dorothea Klumpke, American astronomer and academic (d. 1942) 1867 – Evelina Haverfield, Scottish nurse and activist (d. 1920) 1872 – Archduke Joseph August of Austria (d. 1962) 1874 – Reynaldo Hahn, Venezuelan composer and conductor (d. 1947) 1875 – Albert Ketèlbey, English pianist, composer, and conductor (d. 1959) 1878 – Eileen Gray, Irish architect and furniture designer (d. 1976) 1879 – John Willcock, Australian politician, 15th Premier of Western Australia, (d. 1956) 1881 – Prince Antônio Gastão of Orléans-Braganza, Brazilian prince (d. 1918) 1890 – Eino Kaila, Finnish philosopher and psychologist, attendant of the Vienna circle (d. 1958) 1896 – Erich Hückel, German physicist and chemist (d. 1980) 1896 – Jean Piaget, Swiss psychologist and philosopher (d. 1980) 1899 – P. L. Travers, Australian-English author and actress (d. 1996) 1900 – Charles Farrell, American actor and singer (d. 1990) 1901–present 1902 – Zino Francescatti, French violinist (d. 1991) 1902 – Panteleimon Ponomarenko, Russian general and politician (d. 1984) 1905 – Leo Genn, British actor and barrister (d. 1978) 1909 – Vinayaka Krishna Gokak, Indian scholar, author, and academic (d. 1992) 1909 – Willa Beatrice Player, American educator, first Black woman college president (d. 2003) 1909 – Adam von Trott zu Solz, German lawyer and diplomat (d. 1944) 1911 – William Alfred Fowler, American astronomer and astrophysicist, Nobel Laureate (d. 1996) 1911 – Eddie Futch, American boxer and trainer (d. 2001) 1911 – John McQuade, Northern Irish soldier, boxer, and politician (d. 1984) 1913 – Wilbur Norman Christiansen, Australian astronomer and engineer (d. 2007) 1914 – Ferenc Fricsay, Hungarian-Austrian conductor and director (d. 1963) 1914 – Tove Jansson, Finnish author and illustrator (d. 2001) 1914 – Joe Mercer, English footballer and manager (d. 1990) 1915 – Mareta West, American astronomer and geologist (d. 1998) 1918 – Kermit Beahan, American colonel (d. 1989) 1918 – Giles Cooper, Irish soldier and playwright (d. 1966) 1918 – Albert Seedman, American police officer (d. 2013) 1919 – Joop den Uyl, Dutch journalist, economist, and politician, Deputy Prime Minister of the Netherlands (d. 1987) 1919 – Ralph Houk, American baseball player and manager (d. 2010) 1920 – Enzo Biagi, Italian journalist and author (d. 2007) 1921 – Ernest Angley, American evangelist and author (d. 2021) 1921 – J. James Exon, American soldier and politician, 33rd Governor of Nebraska (d. 2005) 1922 – Philip Larkin, English poet and novelist (d. 1985) 1924 – Mathews Mar Barnabas, Indian metropolitan (d. 2012) 1924 – Frank Martínez, American soldier and painter (d. 2013) 1925 – David A. Huffman, American computer scientist, developed Huffman coding (d. 1999) 1926 – Denis Atkinson, Barbadian cricketer (d. 2001) 1927 – Daniel Keyes, American short story writer and novelist (d. 2014) 1927 – Robert Shaw, English actor and screenwriter (d. 1978) 1928 – Bob Cousy, American basketball player and coach 1928 – Camilla Wicks, American violinist and educator 1928 – Dolores Wilson, American soprano and actress (d. 2010) 1929 – Abdi İpekçi, Turkish journalist and activist (d. 1979) 1930 – Milt Bolling, American baseball player and scout (d. 2013) 1930 – Jacques Parizeau, Canadian economist and politician, 26th Premier of Quebec (d. 2015) 1931 – Chuck Essegian, American baseball player and lawyer 1931 – James Freeman Gilbert, American geophysicist and academic (d. 2014) 1931 – Paula Kent Meehan, American businesswoman, co-founded Redken (d. 2014) 1931 – Mário Zagallo, Brazilian footballer and coach 1932 – Tam Dalyell, Scottish academic and politician (d. 2017) 1932 – John Gomery, Canadian lawyer and jurist 1933 – Tetsuko Kuroyanagi, Japanese actress, talk show host, and author 1935 – Beverlee McKinsey, American actress (d. 2008) 1936 – Julián Javier, Dominican-American baseball player 1936 – Patrick Tse, Chinese-Hong Kong actor, director, producer, and screenwriter 1938 – Leonid Kuchma, Ukrainian engineer and politician, 2nd President of Ukraine 1938 – Rod Laver, Australian tennis player and coach 1938 – Otto Rehhagel, German footballer, coach, and manager 1939 – Hércules Brito Ruas, Brazilian footballer 1939 – Vincent Hanna, Northern Irish journalist (d. 1997) 1939 – The Mighty Hannibal, American singer-songwriter and producer (d. 2014) 1939 – Billy Henderson, American singer (d. 2007) 1939 – Bulle Ogier, French actress and screenwriter 1939 – Romano Prodi, Italian academic and politician, 52nd Prime Minister of Italy 1939 – Butch Warren, American bassist (d. 2013) 1940 – Linda Keen, American mathematician and academic 1942 – David Steinberg, Canadian actor, director, producer, and screenwriter 1943 – Ken Norton, American boxer and actor (d. 2013) 1944 – George Armstrong, English footballer (d. 2000) 1944 – Patrick Depailler, French racing driver (d. 1980) 1944 – Sam Elliott, American actor and producer 1944 – Patricia McKissack, American soldier, engineer, and author 1945 – Barbara Delinsky, American author 1945 – Aleksandr Gorelik, Russian figure skater and sportscaster (d. 2012) 1945 – Posy Simmonds, English author and illustrator 1946 – Rinus Gerritsen, Dutch rock bass player 1947 – Roy Hodgson, English footballer and manager 1947 – Barbara Mason, American R&B/soul singer-songwriter 1947 – John Varley, American author 1948 – Bill Campbell, American baseball player and coach 1949 – Jonathan Kellerman, American psychologist and author 1949 – Ted Simmons, American baseball player and coach 1951 – James Naughtie, Scottish journalist and radio host 1951 – Steve Swisher, American baseball player and manager 1952 – Prateep Ungsongtham Hata, Thai activist and politician 1953 – Kay Stenshjemmet, Norwegian speed skater 1953 – Jean Tirole, French economist and academic, Nobel Prize laureate 1954 – Ray Jennings, South African cricketer and coach 1954 – Pete Thomas, English drummer 1955 – John E. Sweeney, American lawyer and politician 1956 – Gordon Singleton, Canadian Olympic cyclist 1957 – Melanie Griffith, American actress and producer 1958 – Amanda Bearse, American actress, comedian and director 1958 – James Lileks, American journalist and blogger 1958 – Calie Pistorius, South African engineer and academic 1959 – Kurtis Blow, American rapper, producer, and actor 1959 – Michael Kors, American fashion designer 1961 – Brad Gilbert, American tennis player and sportscaster 1961 – John Key, New Zealand businessman and politician, 38th Prime Minister of New Zealand 1962 – Louis Lipps, American football player and radio host 1962 – Kevin Mack, American football player 1962 – John "Hot Rod" Williams, American basketball player (d. 2015) 1963 – Whitney Houston, American singer-songwriter, producer, and actress (d. 2012) 1963 – Jay Leggett, American actor, director, producer, and screenwriter (d. 2013) 1963 – Barton Lynch, Australian surfer 1964 – Brett Hull, Canadian-American ice hockey player and manager 1964 – Hoda Kotb, American journalist and television personality 1966 – Vinny Del Negro, American basketball player and coach 1966 – Linn Ullmann, Norwegian journalist and author 1967 – Deion Sanders, American football and baseball player 1968 – Gillian Anderson, American-British actress, activist and writer 1968 – Eric Bana, Australian actor, comedian, producer, and screenwriter 1968 – Sam Fogarino, American drummer 1968 – McG, American director and producer 1969 – Troy Percival, American baseball player and coach 1970 – Rod Brind'Amour, Canadian ice hockey player and coach 1970 – Chris Cuomo, American lawyer and journalist 1973 – Filippo Inzaghi, Italian footballer and manager 1973 – Kevin McKidd, Scottish actor and director 1973 – Gene Luen Yang, American author and illustrator 1974 – Derek Fisher, American basketball player and coach 1974 – Stephen Fung, Hong Kong actor, singer, director, and screenwriter 1974 – Lesley McKenna, Scottish snowboarder 1974 – Matt Morris, American baseball player 1974 – Kirill Reznik, American lawyer and politician 1974 – Raphaël Poirée, French biathlete 1975 – Mahesh Babu, Indian actor and producer 1975 – Valentin Kovalenko, Uzbek football referee 1975 – Mike Lamb, American baseball player 1975 – Robbie Middleby, Australian soccer player 1976 – Rhona Mitra, English actress and singer 1976 – Audrey Tautou, French model and actress 1976 – Jessica Capshaw, American actress 1977 – Jason Frasor, American baseball player 1977 – Chamique Holdsclaw, American basketball player 1977 – Ravshan Irmatov, Uzbek football referee 1977 – Adewale Ogunleye, American football player 1977 – Ime Udoka, American basketball player and coach 1977 – Mikaël Silvestre, French footballer 1978 – Dorin Chirtoacă, Moldavian lawyer and politician, Mayor of Chișinău 1978 – Ana Serradilla, Mexican actress and producer 1978 – Wesley Sonck, Belgian footballer 1979 – Michael Kingma, Australian basketball player 1979 – Lisa Nandy, British politician 1979 – Tony Stewart, American football player 1981 – Jarvis Hayes, American basketball player 1981 – Li Jiawei, Singaporean table tennis player 1982 – Joel Anthony, American basketball player 1982 – Tyson Gay, American sprinter 1982 – Yekaterina Samutsevich, Russian singer and activist 1982 – Kanstantsin Sivtsov, Belorussian cyclist 1983 – Shane O'Brien, Canadian ice hockey player 1983 – Hamilton Masakadza, Zimbabwean cricketer 1983 – Alicja Smietana, Polish-English violinist 1984 – Paul Gallagher, Scottish footballer 1985 – Luca Filippi, Italian racing driver 1985 – Filipe Luís, Brazilian footballer 1985 – Anna Kendrick, American actress and singer 1985 – Hayley Peirsol, American swimmer 1985 – JaMarcus Russell, American football player 1985 – Chandler Williams, American football player (d. 2013) 1986 – Michael Lerchl, German footballer 1986 – Daniel Preussner, German rugby player 1986 – Tyler Smith, American singer-songwriter and bass player 1987 – Marek Niit, Estonian sprinter 1988 – Anthony Castonzo, American football player 1988 – Willian, Brazilian footballer 1988 – Vasilios Koutsianikoulis, Greek footballer 1989 – Jason Heyward, American baseball player 1989 – Stefano Okaka, Italian footballer 1989 – Kento Ono, Japanese actor and model 1990 – İshak Doğan, Turkish footballer 1990 – Stuart McInally, Scottish rugby player 1990 – Brice Roger, French skier 1990 – Sarah McBride, American LGBT activist 1990 – D'Arcy Short, Australian cricketer 1991 – Alice Barlow, English actress 1991 – Alexa Bliss, American bodybuilder and wrestler 1991 – Hansika Motwani, Indian actress 1992 – Farahnaz Forotan, Afghan journalist 1993 – Jun.Q, South Korean singer and actor 1993 – Dipa Karmakar, Indian gymnast 1994 – Kelli Hubly, American soccer player 1995 – Eli Apple, American football player 1996 – Sanya Lopez, Filipino actress and model 1999 – Deniss Vasiļjevs, Latvian figure skater 2000 – Arlo Parks, British singer-songwriter Deaths Pre-1600 378 – Traianus, Roman general 378 – Valens, Roman emperor (b.

(d. 1900) 1861 – Dorothea Klumpke, American astronomer and academic (d. 1942) 1867 – Evelina Haverfield, Scottish nurse and activist (d. 1920) 1872 – Archduke Joseph August of Austria (d. 1962) 1874 – Reynaldo Hahn, Venezuelan composer and conductor (d. 1947) 1875 – Albert Ketèlbey, English pianist, composer, and conductor (d. 1959) 1878 – Eileen Gray, Irish architect and furniture designer (d. 1976) 1879 – John Willcock, Australian politician, 15th Premier of Western Australia, (d. 1956) 1881 – Prince Antônio Gastão of Orléans-Braganza, Brazilian prince (d. 1918) 1890 – Eino Kaila, Finnish philosopher and psychologist, attendant of the Vienna circle (d. 1958) 1896 – Erich Hückel, German physicist and chemist (d. 1980) 1896 – Jean Piaget, Swiss psychologist and philosopher (d. 1980) 1899 – P. L. Travers, Australian-English author and actress (d. 1996) 1900 – Charles Farrell, American actor and singer (d. 1990) 1901–present 1902 – Zino Francescatti, French violinist (d. 1991) 1902 – Panteleimon Ponomarenko, Russian general and politician (d. 1984) 1905 – Leo Genn, British actor and barrister (d. 1978) 1909 – Vinayaka Krishna Gokak, Indian scholar, author, and academic (d. 1992) 1909 – Willa Beatrice Player, American educator, first Black woman college president (d. 2003) 1909 – Adam von Trott zu Solz, German lawyer and diplomat (d. 1944) 1911 – William Alfred Fowler, American astronomer and astrophysicist, Nobel Laureate (d. 1996) 1911 – Eddie Futch, American boxer and trainer (d. 2001) 1911 – John McQuade, Northern Irish soldier, boxer, and politician (d. 1984) 1913 – Wilbur Norman Christiansen, Australian astronomer and engineer (d. 2007) 1914 – Ferenc Fricsay, Hungarian-Austrian conductor and director (d. 1963) 1914 – Tove Jansson, Finnish author and illustrator (d. 2001) 1914 – Joe Mercer, English footballer and manager (d. 1990) 1915 – Mareta West, American astronomer and geologist (d. 1998) 1918 – Kermit Beahan, American colonel (d. 1989) 1918 – Giles Cooper, Irish soldier and playwright (d. 1966) 1918 – Albert Seedman, American police officer (d. 2013) 1919 – Joop den Uyl, Dutch journalist, economist, and politician, Deputy Prime Minister of the Netherlands (d. 1987) 1919 – Ralph Houk, American baseball player and manager (d. 2010) 1920 – Enzo Biagi, Italian journalist and author (d. 2007) 1921 – Ernest Angley, American evangelist and author (d. 2021) 1921 – J. James Exon, American soldier and politician, 33rd Governor of Nebraska (d. 2005) 1922 – Philip Larkin, English poet and novelist (d. 1985) 1924 – Mathews Mar Barnabas, Indian metropolitan (d. 2012) 1924 – Frank Martínez, American soldier and painter (d. 2013) 1925 – David A. Huffman, American computer scientist, developed Huffman coding (d. 1999) 1926 – Denis Atkinson, Barbadian cricketer (d. 2001) 1927 – Daniel Keyes, American short story writer and novelist (d. 2014) 1927 – Robert Shaw, English actor and screenwriter (d. 1978) 1928 – Bob Cousy, American basketball player and coach 1928 – Camilla Wicks, American violinist and educator 1928 – Dolores Wilson, American soprano and actress (d. 2010) 1929 – Abdi İpekçi, Turkish journalist and activist (d. 1979) 1930 – Milt Bolling, American baseball player and scout (d. 2013) 1930 – Jacques Parizeau, Canadian economist and politician, 26th Premier of Quebec (d. 2015) 1931 – Chuck Essegian, American baseball player and lawyer 1931 – James Freeman Gilbert, American geophysicist and academic (d. 2014) 1931 – Paula Kent Meehan, American businesswoman, co-founded Redken (d. 2014) 1931 – Mário Zagallo, Brazilian footballer and coach 1932 – Tam Dalyell, Scottish academic and politician (d. 2017) 1932 – John Gomery, Canadian lawyer and jurist 1933 – Tetsuko Kuroyanagi, Japanese actress, talk show host, and author 1935 – Beverlee McKinsey, American actress (d. 2008) 1936 – Julián Javier, Dominican-American baseball player 1936 – Patrick Tse, Chinese-Hong Kong actor, director, producer, and screenwriter 1938 – Leonid Kuchma, Ukrainian engineer and politician, 2nd President of Ukraine 1938 – Rod Laver, Australian tennis player and coach 1938 – Otto Rehhagel, German footballer, coach, and manager 1939 – Hércules Brito Ruas, Brazilian footballer 1939 – Vincent Hanna, Northern Irish journalist (d. 1997) 1939 – The Mighty Hannibal, American singer-songwriter and producer (d. 2014) 1939 – Billy Henderson, American singer (d. 2007) 1939 – Bulle Ogier, French actress and screenwriter 1939 – Romano Prodi, Italian academic and politician, 52nd Prime Minister of Italy 1939 – Butch Warren, American bassist (d. 2013) 1940 – Linda Keen, American mathematician and academic 1942 – David Steinberg, Canadian actor, director, producer, and screenwriter 1943 – Ken Norton, American boxer and actor (d. 2013) 1944 – George Armstrong, English footballer (d. 2000) 1944 – Patrick Depailler, French racing driver (d. 1980) 1944 – Sam Elliott, American actor and producer 1944 – Patricia McKissack, American soldier, engineer, and author 1945 – Barbara Delinsky, American author 1945 – Aleksandr Gorelik, Russian figure skater and sportscaster (d. 2012) 1945 – Posy Simmonds, English author and illustrator 1946 – Rinus Gerritsen, Dutch rock bass player 1947 – Roy Hodgson, English footballer and manager 1947 – Barbara Mason, American R&B/soul singer-songwriter 1947 – John Varley, American author 1948 – Bill Campbell, American baseball player and coach 1949 – Jonathan Kellerman, American psychologist and author 1949 – Ted Simmons, American baseball player and coach 1951 – James Naughtie, Scottish journalist and radio host 1951 – Steve Swisher, American baseball player and manager 1952 – Prateep Ungsongtham Hata, Thai activist and politician 1953 – Kay Stenshjemmet, Norwegian speed skater 1953 – Jean Tirole, French economist and academic, Nobel Prize laureate 1954 – Ray Jennings, South African cricketer and coach 1954 – Pete Thomas, English drummer 1955 – John E. Sweeney, American lawyer and politician 1956 – Gordon Singleton, Canadian Olympic cyclist 1957 – Melanie Griffith, American actress and producer 1958 – Amanda Bearse, American actress, comedian and director 1958 – James Lileks, American journalist and blogger 1958 – Calie Pistorius, South African engineer and academic 1959 – Kurtis Blow, American rapper, producer, and actor 1959 – Michael Kors, American fashion designer 1961 – Brad Gilbert, American tennis player and sportscaster 1961 – John Key, New Zealand businessman and politician, 38th Prime Minister of New Zealand 1962 – Louis Lipps, American football player and radio host 1962 – Kevin Mack, American football player 1962 – John "Hot Rod" Williams, American basketball player (d. 2015) 1963 – Whitney Houston, American singer-songwriter, producer, and actress (d. 2012) 1963 – Jay Leggett, American actor, director, producer, and screenwriter (d. 2013) 1963 – Barton Lynch, Australian surfer 1964 – Brett Hull, Canadian-American ice hockey player and manager 1964 – Hoda Kotb, American journalist and television personality 1966 – Vinny Del Negro, American basketball player and coach 1966 – Linn Ullmann, Norwegian journalist and author 1967 – Deion Sanders, American football and baseball player 1968 – Gillian Anderson, American-British actress, activist and writer 1968 – Eric Bana, Australian actor, comedian, producer, and screenwriter 1968 – Sam Fogarino, American drummer 1968 – McG, American director and producer 1969 – Troy Percival, American baseball player and coach 1970 – Rod Brind'Amour, Canadian ice hockey player and coach 1970 – Chris Cuomo, American lawyer and journalist 1973 – Filippo Inzaghi, Italian footballer and manager 1973 – Kevin McKidd, Scottish actor and director 1973 – Gene Luen Yang, American author and illustrator 1974 – Derek Fisher, American basketball player and coach 1974 – Stephen Fung, Hong Kong actor, singer, director, and screenwriter 1974 – Lesley McKenna, Scottish snowboarder 1974 – Matt Morris, American baseball player 1974 – Kirill Reznik, American lawyer and politician 1974 – Raphaël Poirée, French biathlete 1975 – Mahesh Babu, Indian actor and producer 1975 – Valentin Kovalenko, Uzbek football referee 1975 – Mike Lamb, American baseball player 1975 – Robbie Middleby, Australian soccer player 1976 – Rhona Mitra, English actress and singer 1976 – Audrey Tautou, French model and actress 1976 – Jessica Capshaw, American actress 1977 – Jason Frasor, American baseball player 1977 – Chamique Holdsclaw, American basketball player 1977 – Ravshan Irmatov, Uzbek football referee 1977 – Adewale Ogunleye, American football player 1977 – Ime Udoka, American basketball player and coach 1977 – Mikaël Silvestre, French footballer 1978 – Dorin Chirtoacă, Moldavian lawyer and politician, Mayor of Chișinău 1978 – Ana Serradilla, Mexican actress and producer 1978 – Wesley Sonck, Belgian footballer 1979 – Michael Kingma, Australian basketball player 1979 – Lisa Nandy, British politician 1979 – Tony Stewart, American football player 1981 – Jarvis Hayes, American basketball player 1981 – Li Jiawei, Singaporean table tennis player 1982 – Joel Anthony, American basketball player 1982 – Tyson Gay, American sprinter 1982 – Yekaterina Samutsevich, Russian singer and activist 1982 – Kanstantsin Sivtsov, Belorussian cyclist 1983 – Shane O'Brien, Canadian ice hockey player 1983 – Hamilton Masakadza, Zimbabwean cricketer 1983 – Alicja Smietana, Polish-English violinist 1984 – Paul Gallagher, Scottish footballer 1985 – Luca Filippi, Italian racing driver 1985 – Filipe Luís, Brazilian footballer 1985 – Anna Kendrick, American actress and singer 1985 – Hayley Peirsol, American swimmer 1985 – JaMarcus Russell, American football player 1985 – Chandler Williams, American football player (d. 2013) 1986 – Michael Lerchl, German footballer 1986 – Daniel Preussner, German rugby player 1986 – Tyler Smith, American singer-songwriter and bass player 1987 – Marek Niit, Estonian sprinter 1988 – Anthony Castonzo, American football player 1988 – Willian, Brazilian footballer 1988 – Vasilios Koutsianikoulis, Greek footballer 1989 – Jason Heyward, American baseball player 1989 – Stefano Okaka, Italian footballer 1989 – Kento Ono, Japanese actor and model 1990 – İshak Doğan, Turkish footballer 1990 – Stuart McInally, Scottish rugby player 1990 – Brice Roger, French skier 1990 – Sarah McBride, American LGBT activist 1990 – D'Arcy Short, Australian cricketer 1991 – Alice Barlow, English actress 1991 – Alexa Bliss, American bodybuilder and wrestler 1991 – Hansika Motwani, Indian actress 1992 – Farahnaz Forotan, Afghan journalist 1993 – Jun.Q, South Korean singer and actor 1993 – Dipa Karmakar, Indian gymnast 1994 – Kelli Hubly, American soccer player 1995 – Eli Apple, American football player 1996 – Sanya Lopez, Filipino actress and model 1999 – Deniss Vasiļjevs, Latvian figure skater 2000 – Arlo Parks, British singer-songwriter Deaths Pre-1600 378 – Traianus, Roman general 378 – Valens, Roman emperor (b.

(d. 1900) 1861 – Dorothea Klumpke, American astronomer and academic (d. 1942) 1867 – Evelina Haverfield, Scottish nurse and activist (d. 1920) 1872 – Archduke Joseph August of Austria (d. 1962) 1874 – Reynaldo Hahn, Venezuelan composer and conductor (d. 1947) 1875 – Albert Ketèlbey, English pianist, composer, and conductor (d. 1959) 1878 – Eileen Gray, Irish architect and furniture designer (d. 1976) 1879 – John Willcock, Australian politician, 15th Premier of Western Australia, (d. 1956) 1881 – Prince Antônio Gastão of Orléans-Braganza, Brazilian prince (d. 1918) 1890 – Eino Kaila, Finnish philosopher and psychologist, attendant of the Vienna circle (d. 1958) 1896 – Erich Hückel, German physicist and chemist (d. 1980) 1896 – Jean Piaget, Swiss psychologist and philosopher (d. 1980) 1899 – P. L. Travers, Australian-English author and actress (d. 1996) 1900 – Charles Farrell, American actor and singer (d. 1990) 1901–present 1902 – Zino Francescatti, French violinist (d. 1991) 1902 – Panteleimon Ponomarenko, Russian general and politician (d. 1984) 1905 – Leo Genn, British actor and barrister (d. 1978) 1909 – Vinayaka Krishna Gokak, Indian scholar, author, and academic (d. 1992) 1909 – Willa Beatrice Player, American educator, first Black woman college president (d. 2003) 1909 – Adam von Trott zu Solz, German lawyer and diplomat (d. 1944) 1911 – William Alfred Fowler, American astronomer and astrophysicist, Nobel Laureate (d. 1996) 1911 – Eddie Futch, American boxer and trainer (d. 2001) 1911 – John McQuade, Northern Irish soldier, boxer, and politician (d. 1984) 1913 – Wilbur Norman Christiansen, Australian astronomer and engineer (d. 2007) 1914 – Ferenc Fricsay, Hungarian-Austrian conductor and director (d. 1963) 1914 – Tove Jansson, Finnish author and illustrator (d. 2001) 1914 – Joe Mercer, English footballer and manager (d. 1990) 1915 – Mareta West, American astronomer and geologist (d. 1998) 1918 – Kermit Beahan, American colonel (d. 1989) 1918 – Giles Cooper, Irish soldier and playwright (d. 1966) 1918 – Albert Seedman, American police officer (d. 2013) 1919 – Joop den Uyl, Dutch journalist, economist, and politician, Deputy Prime Minister of the Netherlands (d. 1987) 1919 – Ralph Houk, American baseball player and manager (d. 2010) 1920 – Enzo Biagi, Italian journalist and author (d. 2007) 1921 – Ernest Angley, American evangelist and author (d. 2021) 1921 – J. James Exon, American soldier and politician, 33rd Governor of Nebraska (d. 2005) 1922 – Philip Larkin, English poet and novelist (d. 1985) 1924 – Mathews Mar Barnabas, Indian metropolitan (d. 2012) 1924 – Frank Martínez, American soldier and painter (d. 2013) 1925 – David A. Huffman, American computer scientist, developed Huffman coding (d. 1999) 1926 – Denis Atkinson, Barbadian cricketer (d. 2001) 1927 – Daniel Keyes, American short story writer and novelist (d. 2014) 1927 – Robert Shaw, English actor and screenwriter (d. 1978) 1928 – Bob Cousy, American basketball player and coach 1928 – Camilla Wicks, American violinist and educator 1928 – Dolores Wilson, American soprano and actress (d. 2010) 1929 – Abdi İpekçi, Turkish journalist and activist (d. 1979) 1930 – Milt Bolling, American baseball player and scout (d. 2013) 1930 – Jacques Parizeau, Canadian economist and politician, 26th Premier of Quebec (d. 2015) 1931 – Chuck Essegian, American baseball player and lawyer 1931 – James Freeman Gilbert, American geophysicist and academic (d. 2014) 1931 – Paula Kent Meehan, American businesswoman, co-founded Redken (d. 2014) 1931 – Mário Zagallo, Brazilian footballer and coach 1932 – Tam Dalyell, Scottish academic and politician (d. 2017) 1932 – John Gomery, Canadian lawyer and jurist 1933 – Tetsuko Kuroyanagi, Japanese actress, talk show host, and author 1935 – Beverlee McKinsey, American actress (d. 2008) 1936 – Julián Javier, Dominican-American baseball player 1936 – Patrick Tse, Chinese-Hong Kong actor, director, producer, and screenwriter 1938 – Leonid Kuchma, Ukrainian engineer and politician, 2nd President of Ukraine 1938 – Rod Laver, Australian tennis player and coach 1938 – Otto Rehhagel, German footballer, coach, and manager 1939 – Hércules Brito Ruas, Brazilian footballer 1939 – Vincent Hanna, Northern Irish journalist (d. 1997) 1939 – The Mighty Hannibal, American singer-songwriter and producer (d. 2014) 1939 – Billy Henderson, American singer (d. 2007) 1939 – Bulle Ogier, French actress and screenwriter 1939 – Romano Prodi, Italian academic and politician, 52nd Prime Minister of Italy 1939 – Butch Warren, American bassist (d. 2013) 1940 – Linda Keen, American mathematician and academic 1942 – David Steinberg, Canadian actor, director, producer, and screenwriter 1943 – Ken Norton, American boxer and actor (d. 2013) 1944 – George Armstrong, English footballer (d. 2000) 1944 – Patrick Depailler, French racing driver (d. 1980) 1944 – Sam Elliott, American actor and producer 1944 – Patricia McKissack, American soldier, engineer, and author 1945 – Barbara Delinsky, American author 1945 – Aleksandr Gorelik, Russian figure skater and sportscaster (d. 2012) 1945 – Posy Simmonds, English author and illustrator 1946 – Rinus Gerritsen, Dutch rock bass player 1947 – Roy Hodgson, English footballer and manager 1947 – Barbara Mason, American R&B/soul singer-songwriter 1947 – John Varley, American author 1948 – Bill Campbell, American baseball player and coach 1949 – Jonathan Kellerman, American psychologist and author 1949 – Ted Simmons, American baseball player and coach 1951 – James Naughtie, Scottish journalist and radio host 1951 – Steve Swisher, American baseball player and manager 1952 – Prateep Ungsongtham Hata, Thai activist and politician 1953 – Kay Stenshjemmet, Norwegian speed skater 1953 – Jean Tirole, French economist and academic, Nobel Prize laureate 1954 – Ray Jennings, South African cricketer and coach 1954 – Pete Thomas, English drummer 1955 – John E. Sweeney, American lawyer and politician 1956 – Gordon Singleton, Canadian Olympic cyclist 1957 – Melanie Griffith, American actress and producer 1958 – Amanda Bearse, American actress, comedian and director 1958 – James Lileks, American journalist and blogger 1958 – Calie Pistorius, South African engineer and academic 1959 – Kurtis Blow, American rapper, producer, and actor 1959 – Michael Kors, American fashion designer 1961 – Brad Gilbert, American tennis player and sportscaster 1961 – John Key, New Zealand businessman and politician, 38th Prime Minister of New Zealand 1962 – Louis Lipps, American football player and radio host 1962 – Kevin Mack, American football player 1962 – John "Hot Rod" Williams, American basketball player (d. 2015) 1963 – Whitney Houston, American singer-songwriter, producer, and actress (d. 2012) 1963 – Jay Leggett, American actor, director, producer, and screenwriter (d. 2013) 1963 – Barton Lynch, Australian surfer 1964 – Brett Hull, Canadian-American ice hockey player and manager 1964 – Hoda Kotb, American journalist and television personality 1966 – Vinny Del Negro, American basketball player and coach 1966 – Linn Ullmann, Norwegian journalist and author 1967 – Deion Sanders, American football and baseball player 1968 – Gillian Anderson, American-British actress, activist and writer 1968 – Eric Bana, Australian actor, comedian, producer, and screenwriter 1968 – Sam Fogarino, American drummer 1968 – McG, American director and producer 1969 – Troy Percival, American baseball player and coach 1970 – Rod Brind'Amour, Canadian ice hockey player and coach 1970 – Chris Cuomo, American lawyer and journalist 1973 – Filippo Inzaghi, Italian footballer and manager 1973 – Kevin McKidd, Scottish actor and director 1973 – Gene Luen Yang, American author and illustrator 1974 – Derek Fisher, American basketball player and coach 1974 – Stephen Fung, Hong Kong actor, singer, director, and screenwriter 1974 – Lesley McKenna, Scottish snowboarder 1974 – Matt Morris, American baseball player 1974 – Kirill Reznik, American lawyer and politician 1974 – Raphaël Poirée, French biathlete 1975 – Mahesh Babu, Indian actor and producer 1975 – Valentin Kovalenko, Uzbek football referee 1975 – Mike Lamb, American baseball player 1975 – Robbie Middleby, Australian soccer player 1976 – Rhona Mitra, English actress and singer 1976 – Audrey Tautou, French model and actress 1976 – Jessica Capshaw, American actress 1977 – Jason Frasor, American baseball player 1977 – Chamique Holdsclaw, American basketball player 1977 – Ravshan Irmatov, Uzbek football referee 1977 – Adewale Ogunleye, American football player 1977 – Ime Udoka, American basketball player and coach 1977 – Mikaël Silvestre, French footballer 1978 – Dorin Chirtoacă, Moldavian lawyer and politician, Mayor of Chișinău 1978 – Ana Serradilla, Mexican actress and producer 1978 – Wesley Sonck, Belgian footballer 1979 – Michael Kingma, Australian basketball player 1979 – Lisa Nandy, British politician 1979 – Tony Stewart, American football player 1981 – Jarvis Hayes, American basketball player 1981 – Li Jiawei, Singaporean table tennis player 1982 – Joel Anthony, American basketball player 1982 – Tyson Gay, American sprinter 1982 – Yekaterina Samutsevich, Russian singer and activist 1982 – Kanstantsin Sivtsov, Belorussian cyclist 1983 – Shane O'Brien, Canadian ice hockey player 1983 – Hamilton Masakadza, Zimbabwean cricketer 1983 – Alicja Smietana, Polish-English violinist 1984 – Paul Gallagher, Scottish footballer 1985 – Luca Filippi, Italian racing driver 1985 – Filipe Luís, Brazilian footballer 1985 – Anna Kendrick, American actress and singer 1985 – Hayley Peirsol, American swimmer 1985 – JaMarcus Russell, American football player 1985 – Chandler Williams, American football player (d. 2013) 1986 – Michael Lerchl, German footballer 1986 – Daniel Preussner, German rugby player 1986 – Tyler Smith, American singer-songwriter and bass player 1987 – Marek Niit, Estonian sprinter 1988 – Anthony Castonzo, American football player 1988 – Willian, Brazilian footballer 1988 – Vasilios Koutsianikoulis, Greek footballer 1989 – Jason Heyward, American baseball player 1989 – Stefano Okaka, Italian footballer 1989 – Kento Ono, Japanese actor and model 1990 – İshak Doğan, Turkish footballer 1990 – Stuart McInally, Scottish rugby player 1990 – Brice Roger, French skier 1990 – Sarah McBride, American LGBT activist 1990 – D'Arcy Short, Australian cricketer 1991 – Alice Barlow, English actress 1991 – Alexa Bliss, American bodybuilder and wrestler 1991 – Hansika Motwani, Indian actress 1992 – Farahnaz Forotan, Afghan journalist 1993 – Jun.Q, South Korean singer and actor 1993 – Dipa Karmakar, Indian gymnast 1994 – Kelli Hubly, American soccer player 1995 – Eli Apple, American football player 1996 – Sanya Lopez, Filipino actress and model 1999 – Deniss Vasiļjevs, Latvian figure skater 2000 – Arlo Parks, British singer-songwriter Deaths Pre-1600 378 – Traianus, Roman general 378 – Valens, Roman emperor (b.

328) 803 – Irene of Athens, Byzantine ruler (b. 752) 833 – Al-Ma'mun, Iraqi caliph (b. 786) 1048 – Pope Damasus II 1107 – Emperor Horikawa of Japan (b. 1079) 1173 – Najm ad-Din Ayyub, Kurdish soldier and politician 1211 – William de Braose, 4th Lord of Bramber, exiled Anglo-Norman baron (b. 1144/53) 1260 – Walter of Kirkham, Bishop of Durham 1296 – Hugh, Count of Brienne, French crusader 1341 – Eleanor of Anjou, queen consort of Sicily (b. 1289) 1354 – Stephen, Duke of Slavonia, Hungarian prince (b. 1332) 1420 – Pierre d'Ailly, French theologian and cardinal (b. 1351) 1516 – Hieronymus Bosch, Early Netherlandish painter (b. circa 1450) 1534 – Thomas Cajetan, Italian cardinal and philosopher (b. 1470) 1580 – Metrophanes III of Constantinople (b. 1520) 1601–1900 1601 – Michael the Brave, Romanian prince (b. 1558) 1634 – William Noy, English lawyer and judge (b. 1577) 1720 – Simon Ockley, English orientalist and academic (b. 1678) 1744 – James Brydges, 1st Duke of Chandos, English academic and politician, Lord Lieutenant of Radnorshire (b. 1673) 1816 – Johann August Apel, German jurist and author (b. 1771) 1861 – Vincent Novello, English composer and publisher (b. 1781) 1886 – Samuel Ferguson, Irish lawyer and poet (b. 1810) 1901–present 1910 – Huo Yuanjia, Chinese martial artist, co-founded the Chin Woo Athletic Association (b. 1868) 1919 – Ruggero Leoncavallo, Italian composer and educator (b. 1857) 1920 – Samuel Griffith, Welsh-Australian politician, 9th Premier of Queensland (b. 1845) 1932 – John Charles Fields, Canadian mathematician, founder of the Fields Medal (b. 1863) 1942 – Edith Stein, German nun and saint (b. 1891) 1943 – Chaïm Soutine, Belarusian-French painter and educator (b. 1893) 1945 – Robert Hampton Gray, Canadian lieutenant and pilot, Victoria Cross recipient (b. 1917) 1945 – Harry Hillman, American runner and coach (b. 1881) 1946 – Bert Vogler, South African cricketer (b. 1876) 1948 – Hugo Boss, German fashion designer, founded Hugo Boss (b. 1885) 1949 – Edward Thorndike, American psychologist and academic (b. 1874) 1957 – Carl Clauberg, German Nazi physician (b. 1898) 1962 – Hermann Hesse, German-born Swiss poet, novelist, and painter, Nobel Prize laureate (b. 1877) 1963 – Patrick Bouvier Kennedy, American son of John F. Kennedy (b. 1963) 1967 – Joe Orton, English author and playwright (b. 1933) 1969 – Wojciech Frykowski, Polish-American actor and author (b. 1936) 1969 – Sharon Tate, American model and actress (b. 1943) 1969 – C. F. Powell, English physicist and academic, Nobel Prize laureate (b. 1903) 1972 – Sıddık Sami Onar, Turkish lawyer and academic (b. 1897) 1974 – Bill Chase, American trumpet player and bandleader (b. 1934) 1975 – Dmitri Shostakovich, Russian pianist and composer (b. 1906) 1978 – James Gould Cozzens, American novelist and short story writer (b. 1903) 1979 – Walter O'Malley, American businessman (b. 1903) 1979 – Raymond Washington, American gang leader, founded the Crips (b. 1953) 1980 – Jacqueline Cochran, American pilot (b. 1906) 1981 – Max Hoffman, Austrian-born car importer and businessman (b.

328) 803 – Irene of Athens, Byzantine ruler (b. 752) 833 – Al-Ma'mun, Iraqi caliph (b. 786) 1048 – Pope Damasus II 1107 – Emperor Horikawa of Japan (b. 1079) 1173 – Najm ad-Din Ayyub, Kurdish soldier and politician 1211 – William de Braose, 4th Lord of Bramber, exiled Anglo-Norman baron (b. 1144/53) 1260 – Walter of Kirkham, Bishop of Durham 1296 – Hugh, Count of Brienne, French crusader 1341 – Eleanor of Anjou, queen consort of Sicily (b. 1289) 1354 – Stephen, Duke of Slavonia, Hungarian prince (b. 1332) 1420 – Pierre d'Ailly, French theologian and cardinal (b. 1351) 1516 – Hieronymus Bosch, Early Netherlandish painter (b. circa 1450) 1534 – Thomas Cajetan, Italian cardinal and philosopher (b. 1470) 1580 – Metrophanes III of Constantinople (b. 1520) 1601–1900 1601 – Michael the Brave, Romanian prince (b. 1558) 1634 – William Noy, English lawyer and judge (b. 1577) 1720 – Simon Ockley, English orientalist and academic (b. 1678) 1744 – James Brydges, 1st Duke of Chandos, English academic and politician, Lord Lieutenant of Radnorshire (b. 1673) 1816 – Johann August Apel, German jurist and author (b. 1771) 1861 – Vincent Novello, English composer and publisher (b. 1781) 1886 – Samuel Ferguson, Irish lawyer and poet (b. 1810) 1901–present 1910 – Huo Yuanjia, Chinese martial artist, co-founded the Chin Woo Athletic Association (b. 1868) 1919 – Ruggero Leoncavallo, Italian composer and educator (b. 1857) 1920 – Samuel Griffith, Welsh-Australian politician, 9th Premier of Queensland (b. 1845) 1932 – John Charles Fields, Canadian mathematician, founder of the Fields Medal (b. 1863) 1942 – Edith Stein, German nun and saint (b. 1891) 1943 – Chaïm Soutine, Belarusian-French painter and educator (b. 1893) 1945 – Robert Hampton Gray, Canadian lieutenant and pilot, Victoria Cross recipient (b. 1917) 1945 – Harry Hillman, American runner and coach (b. 1881) 1946 – Bert Vogler, South African cricketer (b. 1876) 1948 – Hugo Boss, German fashion designer, founded Hugo Boss (b. 1885) 1949 – Edward Thorndike, American psychologist and academic (b. 1874) 1957 – Carl Clauberg, German Nazi physician (b. 1898) 1962 – Hermann Hesse, German-born Swiss poet, novelist, and painter, Nobel Prize laureate (b. 1877) 1963 – Patrick Bouvier Kennedy, American son of John F. Kennedy (b. 1963) 1967 – Joe Orton, English author and playwright (b. 1933) 1969 – Wojciech Frykowski, Polish-American actor and author (b. 1936) 1969 – Sharon Tate, American model and actress (b. 1943) 1969 – C. F. Powell, English physicist and academic, Nobel Prize laureate (b. 1903) 1972 – Sıddık Sami Onar, Turkish lawyer and academic (b. 1897) 1974 – Bill Chase, American trumpet player and bandleader (b. 1934) 1975 – Dmitri Shostakovich, Russian pianist and composer (b. 1906) 1978 – James Gould Cozzens, American novelist and short story writer (b. 1903) 1979 – Walter O'Malley, American businessman (b. 1903) 1979 – Raymond Washington, American gang leader, founded the Crips (b. 1953) 1980 – Jacqueline Cochran, American pilot (b. 1906) 1981 – Max Hoffman, Austrian-born car importer and businessman (b.

328) 803 – Irene of Athens, Byzantine ruler (b. 752) 833 – Al-Ma'mun, Iraqi caliph (b. 786) 1048 – Pope Damasus II 1107 – Emperor Horikawa of Japan (b. 1079) 1173 – Najm ad-Din Ayyub, Kurdish soldier and politician 1211 – William de Braose, 4th Lord of Bramber, exiled Anglo-Norman baron (b. 1144/53) 1260 – Walter of Kirkham, Bishop of Durham 1296 – Hugh, Count of Brienne, French crusader 1341 – Eleanor of Anjou, queen consort of Sicily (b. 1289) 1354 – Stephen, Duke of Slavonia, Hungarian prince (b. 1332) 1420 – Pierre d'Ailly, French theologian and cardinal (b. 1351) 1516 – Hieronymus Bosch, Early Netherlandish painter (b. circa 1450) 1534 – Thomas Cajetan, Italian cardinal and philosopher (b. 1470) 1580 – Metrophanes III of Constantinople (b. 1520) 1601–1900 1601 – Michael the Brave, Romanian prince (b. 1558) 1634 – William Noy, English lawyer and judge (b. 1577) 1720 – Simon Ockley, English orientalist and academic (b. 1678) 1744 – James Brydges, 1st Duke of Chandos, English academic and politician, Lord Lieutenant of Radnorshire (b. 1673) 1816 – Johann August Apel, German jurist and author (b. 1771) 1861 – Vincent Novello, English composer and publisher (b. 1781) 1886 – Samuel Ferguson, Irish lawyer and poet (b. 1810) 1901–present 1910 – Huo Yuanjia, Chinese martial artist, co-founded the Chin Woo Athletic Association (b. 1868) 1919 – Ruggero Leoncavallo, Italian composer and educator (b. 1857) 1920 – Samuel Griffith, Welsh-Australian politician, 9th Premier of Queensland (b. 1845) 1932 – John Charles Fields, Canadian mathematician, founder of the Fields Medal (b. 1863) 1942 – Edith Stein, German nun and saint (b. 1891) 1943 – Chaïm Soutine, Belarusian-French painter and educator (b. 1893) 1945 – Robert Hampton Gray, Canadian lieutenant and pilot, Victoria Cross recipient (b. 1917) 1945 – Harry Hillman, American runner and coach (b. 1881) 1946 – Bert Vogler, South African cricketer (b. 1876) 1948 – Hugo Boss, German fashion designer, founded Hugo Boss (b. 1885) 1949 – Edward Thorndike, American psychologist and academic (b. 1874) 1957 – Carl Clauberg, German Nazi physician (b. 1898) 1962 – Hermann Hesse, German-born Swiss poet, novelist, and painter, Nobel Prize laureate (b. 1877) 1963 – Patrick Bouvier Kennedy, American son of John F. Kennedy (b. 1963) 1967 – Joe Orton, English author and playwright (b. 1933) 1969 – Wojciech Frykowski, Polish-American actor and author (b. 1936) 1969 – Sharon Tate, American model and actress (b. 1943) 1969 – C. F. Powell, English physicist and academic, Nobel Prize laureate (b. 1903) 1972 – Sıddık Sami Onar, Turkish lawyer and academic (b. 1897) 1974 – Bill Chase, American trumpet player and bandleader (b. 1934) 1975 – Dmitri Shostakovich, Russian pianist and composer (b. 1906) 1978 – James Gould Cozzens, American novelist and short story writer (b. 1903) 1979 – Walter O'Malley, American businessman (b. 1903) 1979 – Raymond Washington, American gang leader, founded the Crips (b. 1953) 1980 – Jacqueline Cochran, American pilot (b. 1906) 1981 – Max Hoffman, Austrian-born car importer and businessman (b.

1904) 1985 – Clive Churchill, Australian rugby league player and coach (b. 1927) 1988 – M. Carl Holman, American author, educator, poet, and playwright (b. 1919) 1990 – Joe Mercer, English footballer and manager (b. 1914) 1992 – Fereydoun Farrokhzad, Iranian singer and actor (b. 1938) 1995 – Jerry Garcia, American singer-songwriter and guitarist (b. 1942) 1996 – Frank Whittle, English soldier and engineer, invented the jet engine (b. 1907) 1999 – Helen Rollason, English sports journalist and sportscaster (b. 1956) 1999 – Fouad Serageddin, Egyptian journalist and politician (b. 1910) 2000 – John Harsanyi, Hungarian-American economist and academic, Nobel Prize laureate (b. 1920) 2000 – Nicholas Markowitz, American murder victim (b. 1984) 2002 – Paul Samson, English guitarist (b. 1953) 2003 – Jacques Deray, French director and screenwriter (b. 1929) 2003 – Ray Harford, English footballer and manager (b. 1945) 2003 – Gregory Hines, American actor, dancer, and choreographer (b. 1946) 2003 – R. Sivagurunathan, Sri Lankan lawyer, journalist, and academic (b. 1931) 2004 – Robert Lecourt, French lawyer and politician, Lord Chancellor of France (b. 1908) 2004 – Tony Mottola, American guitarist and composer (b. 1918) 2004 – David Raksin, American composer and educator (b. 1912) 2005 – Judith Rossner, American author (b. 1935) 2006 – Philip E. High, English author (b. 1914) 2006 – James Van Allen, American physicist and academic (b. 1914) 2007 – Joe O'Donnell, American photographer and journalist (b. 1922) 2008 – Bernie Mac, American comedian, actor, screenwriter, and producer (b. 1957) 2008 – Mahmoud Darwish, Palestinian author and poet (b. 1941) 2010 – Calvin "Fuzz" Jones, American singer and bass player (b. 1926) 2010 – Ted Stevens, American soldier, lawyer, and politician (b. 1923) 2012 – Carl Davis, American record producer (b. 1934) 2012 – Gene F. Franklin, American engineer, theorist, and academic (b. 1927) 2012 – Al Freeman, Jr., American actor, director, and educator (b. 1934) 2012 – David Rakoff, Canadian-American actor and journalist (b. 1964) 2012 – Carmen Belen Richardson, Puerto Rican-American actress (b. 1930) 2012 – Mel Stuart, American director and producer (b. 1928) 2013 – Harry Elliott, American baseball player and coach (b. 1923) 2013 – Eduardo Falú, Argentinian guitarist and composer (b. 1923) 2013 – William Lynch, Jr., American lawyer and politician (b. 1947) 2014 – J. F. Ade Ajayi, Nigerian historian and academic (b. 1929) 2014 – Andriy Bal, Ukrainian footballer and coach (b. 1958) 2014 – Arthur G. Cohen, American businessman and philanthropist, co-founded Arlen Realty and Development Corporation (b. 1930) 2014 – Ed Nelson, American actor (b. 1928) 2015 – Frank Gifford, American football player, sportscaster, and actor (b. 1930) 2015 – John Henry Holland, American computer scientist and academic (b. 1929) 2015 – Walter Nahún López, Honduran footballer (b. 1977) 2015 – David Nobbs, English author and screenwriter (b. 1935) 2015 – Kayyar Kinhanna Rai, Indian journalist, author, and poet (b. 1915) 2015 – Fikret Otyam, Turkish painter and journalist (b. 1926) 2016 – Gerald Grosvenor, 6th Duke of Westminster, third-richest British citizen (b.

1904) 1985 – Clive Churchill, Australian rugby league player and coach (b. 1927) 1988 – M. Carl Holman, American author, educator, poet, and playwright (b. 1919) 1990 – Joe Mercer, English footballer and manager (b. 1914) 1992 – Fereydoun Farrokhzad, Iranian singer and actor (b. 1938) 1995 – Jerry Garcia, American singer-songwriter and guitarist (b. 1942) 1996 – Frank Whittle, English soldier and engineer, invented the jet engine (b. 1907) 1999 – Helen Rollason, English sports journalist and sportscaster (b. 1956) 1999 – Fouad Serageddin, Egyptian journalist and politician (b. 1910) 2000 – John Harsanyi, Hungarian-American economist and academic, Nobel Prize laureate (b. 1920) 2000 – Nicholas Markowitz, American murder victim (b. 1984) 2002 – Paul Samson, English guitarist (b. 1953) 2003 – Jacques Deray, French director and screenwriter (b. 1929) 2003 – Ray Harford, English footballer and manager (b. 1945) 2003 – Gregory Hines, American actor, dancer, and choreographer (b. 1946) 2003 – R. Sivagurunathan, Sri Lankan lawyer, journalist, and academic (b. 1931) 2004 – Robert Lecourt, French lawyer and politician, Lord Chancellor of France (b. 1908) 2004 – Tony Mottola, American guitarist and composer (b. 1918) 2004 – David Raksin, American composer and educator (b. 1912) 2005 – Judith Rossner, American author (b. 1935) 2006 – Philip E. High, English author (b. 1914) 2006 – James Van Allen, American physicist and academic (b. 1914) 2007 – Joe O'Donnell, American photographer and journalist (b. 1922) 2008 – Bernie Mac, American comedian, actor, screenwriter, and producer (b. 1957) 2008 – Mahmoud Darwish, Palestinian author and poet (b. 1941) 2010 – Calvin "Fuzz" Jones, American singer and bass player (b. 1926) 2010 – Ted Stevens, American soldier, lawyer, and politician (b. 1923) 2012 – Carl Davis, American record producer (b. 1934) 2012 – Gene F. Franklin, American engineer, theorist, and academic (b. 1927) 2012 – Al Freeman, Jr., American actor, director, and educator (b. 1934) 2012 – David Rakoff, Canadian-American actor and journalist (b. 1964) 2012 – Carmen Belen Richardson, Puerto Rican-American actress (b. 1930) 2012 – Mel Stuart, American director and producer (b. 1928) 2013 – Harry Elliott, American baseball player and coach (b. 1923) 2013 – Eduardo Falú, Argentinian guitarist and composer (b. 1923) 2013 – William Lynch, Jr., American lawyer and politician (b. 1947) 2014 – J. F. Ade Ajayi, Nigerian historian and academic (b. 1929) 2014 – Andriy Bal, Ukrainian footballer and coach (b. 1958) 2014 – Arthur G. Cohen, American businessman and philanthropist, co-founded Arlen Realty and Development Corporation (b. 1930) 2014 – Ed Nelson, American actor (b. 1928) 2015 – Frank Gifford, American football player, sportscaster, and actor (b. 1930) 2015 – John Henry Holland, American computer scientist and academic (b. 1929) 2015 – Walter Nahún López, Honduran footballer (b. 1977) 2015 – David Nobbs, English author and screenwriter (b. 1935) 2015 – Kayyar Kinhanna Rai, Indian journalist, author, and poet (b. 1915) 2015 – Fikret Otyam, Turkish painter and journalist (b. 1926) 2016 – Gerald Grosvenor, 6th Duke of Westminster, third-richest British citizen (b.

1904) 1985 – Clive Churchill, Australian rugby league player and coach (b. 1927) 1988 – M. Carl Holman, American author, educator, poet, and playwright (b. 1919) 1990 – Joe Mercer, English footballer and manager (b. 1914) 1992 – Fereydoun Farrokhzad, Iranian singer and actor (b. 1938) 1995 – Jerry Garcia, American singer-songwriter and guitarist (b. 1942) 1996 – Frank Whittle, English soldier and engineer, invented the jet engine (b. 1907) 1999 – Helen Rollason, English sports journalist and sportscaster (b. 1956) 1999 – Fouad Serageddin, Egyptian journalist and politician (b. 1910) 2000 – John Harsanyi, Hungarian-American economist and academic, Nobel Prize laureate (b. 1920) 2000 – Nicholas Markowitz, American murder victim (b. 1984) 2002 – Paul Samson, English guitarist (b. 1953) 2003 – Jacques Deray, French director and screenwriter (b. 1929) 2003 – Ray Harford, English footballer and manager (b. 1945) 2003 – Gregory Hines, American actor, dancer, and choreographer (b. 1946) 2003 – R. Sivagurunathan, Sri Lankan lawyer, journalist, and academic (b. 1931) 2004 – Robert Lecourt, French lawyer and politician, Lord Chancellor of France (b. 1908) 2004 – Tony Mottola, American guitarist and composer (b. 1918) 2004 – David Raksin, American composer and educator (b. 1912) 2005 – Judith Rossner, American author (b. 1935) 2006 – Philip E. High, English author (b. 1914) 2006 – James Van Allen, American physicist and academic (b. 1914) 2007 – Joe O'Donnell, American photographer and journalist (b. 1922) 2008 – Bernie Mac, American comedian, actor, screenwriter, and producer (b. 1957) 2008 – Mahmoud Darwish, Palestinian author and poet (b. 1941) 2010 – Calvin "Fuzz" Jones, American singer and bass player (b. 1926) 2010 – Ted Stevens, American soldier, lawyer, and politician (b. 1923) 2012 – Carl Davis, American record producer (b. 1934) 2012 – Gene F. Franklin, American engineer, theorist, and academic (b. 1927) 2012 – Al Freeman, Jr., American actor, director, and educator (b. 1934) 2012 – David Rakoff, Canadian-American actor and journalist (b. 1964) 2012 – Carmen Belen Richardson, Puerto Rican-American actress (b. 1930) 2012 – Mel Stuart, American director and producer (b. 1928) 2013 – Harry Elliott, American baseball player and coach (b. 1923) 2013 – Eduardo Falú, Argentinian guitarist and composer (b. 1923) 2013 – William Lynch, Jr., American lawyer and politician (b. 1947) 2014 – J. F. Ade Ajayi, Nigerian historian and academic (b. 1929) 2014 – Andriy Bal, Ukrainian footballer and coach (b. 1958) 2014 – Arthur G. Cohen, American businessman and philanthropist, co-founded Arlen Realty and Development Corporation (b. 1930) 2014 – Ed Nelson, American actor (b. 1928) 2015 – Frank Gifford, American football player, sportscaster, and actor (b. 1930) 2015 – John Henry Holland, American computer scientist and academic (b. 1929) 2015 – Walter Nahún López, Honduran footballer (b. 1977) 2015 – David Nobbs, English author and screenwriter (b. 1935) 2015 – Kayyar Kinhanna Rai, Indian journalist, author, and poet (b. 1915) 2015 – Fikret Otyam, Turkish painter and journalist (b. 1926) 2016 – Gerald Grosvenor, 6th Duke of Westminster, third-richest British citizen (b.

1951) 2021 – Pat Hitchcock, English actress and producer (b. 1928) 2021 – Killer Kau, South African rapper, dancer and record producer (b. 1998) Holidays and observances Battle of Gangut Day (Russia) Christian feast day: Candida Maria of Jesus Edith Stein (St Teresa Benedicta of the Cross) Firmus and Rusticus Herman of Alaska (Russian Orthodox Church and related congregations; Episcopal Church (USA)) John Vianney (1950s – currently August 4) Mary Sumner (Church of England) Nath Í of Achonry Romanus Ostiarius Secundian, Marcellian and Verian August 9 (Eastern Orthodox liturgics) International Day of the World's Indigenous Peoples (United Nations) Meyboom (Brussels and Leuven, Belgium) National Day, celebrates the independence of Singapore from Malaysia in 1965. National Peacekeepers' Day, celebrated on Sunday closest to the day (Canada) National Women's Day (South Africa) References External links Days of the year August

1951) 2021 – Pat Hitchcock, English actress and producer (b. 1928) 2021 – Killer Kau, South African rapper, dancer and record producer (b. 1998) Holidays and observances Battle of Gangut Day (Russia) Christian feast day: Candida Maria of Jesus Edith Stein (St Teresa Benedicta of the Cross) Firmus and Rusticus Herman of Alaska (Russian Orthodox Church and related congregations; Episcopal Church (USA)) John Vianney (1950s – currently August 4) Mary Sumner (Church of England) Nath Í of Achonry Romanus Ostiarius Secundian, Marcellian and Verian August 9 (Eastern Orthodox liturgics) International Day of the World's Indigenous Peoples (United Nations) Meyboom (Brussels and Leuven, Belgium) National Day, celebrates the independence of Singapore from Malaysia in 1965. National Peacekeepers' Day, celebrated on Sunday closest to the day (Canada) National Women's Day (South Africa) References External links Days of the year August

1951) 2021 – Pat Hitchcock, English actress and producer (b. 1928) 2021 – Killer Kau, South African rapper, dancer and record producer (b. 1998) Holidays and observances Battle of Gangut Day (Russia) Christian feast day: Candida Maria of Jesus Edith Stein (St Teresa Benedicta of the Cross) Firmus and Rusticus Herman of Alaska (Russian Orthodox Church and related congregations; Episcopal Church (USA)) John Vianney (1950s – currently August 4) Mary Sumner (Church of England) Nath Í of Achonry Romanus Ostiarius Secundian, Marcellian and Verian August 9 (Eastern Orthodox liturgics) International Day of the World's Indigenous Peoples (United Nations) Meyboom (Brussels and Leuven, Belgium) National Day, celebrates the independence of Singapore from Malaysia in 1965. National Peacekeepers' Day, celebrated on Sunday closest to the day (Canada) National Women's Day (South Africa) References External links Days of the year August

Aristophanes Aristophanes (; , ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion (), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, The Babylonians (now lost), was denounced by Cleon as a slander against the Athenian polis. It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights, the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus, "the author-director of comedies has the hardest job of all." Biography Less is known about Aristophanes than about his plays. In fact, his plays are the main source of information about him and his life. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis and thus some biographical facts can be found there. However, these facts relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher (didaskalos), and though this specifically referred to his training of the Chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues. Aristophanes claimed to be writing for a clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in the arts (notably Euripides, whose influence on his own work however he once grudgingly acknowledged), in politics (especially the populist Cleon), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions. It has been argued that Aristophanes produced plays mainly to entertain the audience and to win prestigious competitions.

Aristophanes Aristophanes (; , ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion (), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play The Clouds as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher. Aristophanes' second play, The Babylonians (now lost), was denounced by Cleon as a slander against the Athenian polis. It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially The Knights, the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus, "the author-director of comedies has the hardest job of all." Biography Less is known about Aristophanes than about his plays. In fact, his plays are the main source of information about him and his life. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis and thus some biographical facts can be found there. However, these facts relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher (didaskalos), and though this specifically referred to his training of the Chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues. Aristophanes claimed to be writing for a clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in the arts (notably Euripides, whose influence on his own work however he once grudgingly acknowledged), in politics (especially the populist Cleon), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions. It has been argued that Aristophanes produced plays mainly to entertain the audience and to win prestigious competitions.

His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia, where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience. The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus, a wealthy citizen appointed to the task by one of the archons. A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays. When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon) yet they are not jingoistic, and they are staunchly opposed to the war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in the intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II, it more closely resembles New Comedy. However it is uncertain whether he led or merely responded to changes in audience expectations. Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost).

His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia, where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience. The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus, a wealthy citizen appointed to the task by one of the archons. A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays. When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon) yet they are not jingoistic, and they are staunchly opposed to the war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in the intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II, it more closely resembles New Comedy. However it is uncertain whether he led or merely responded to changes in audience expectations. Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost).

His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia, where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience. The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a choregus, a wealthy citizen appointed to the task by one of the archons. A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in The Knights that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays. When Aristophanes' first play The Banqueters was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon) yet they are not jingoistic, and they are staunchly opposed to the war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in the intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, Wealth II, it more closely resembles New Comedy. However it is uncertain whether he led or merely responded to changes in audience expectations. Aristophanes won second prize at the City Dionysia in 427 BC with his first play The Banqueters (now lost). He won first prize there with his next play, The Babylonians (also now lost).

It was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon, reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through the hero of his third play The Acharnians (staged at the Lenaia, where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit: Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights—a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds, that Aristophanes' first three plays were not directed by him—they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he was also credited, perhaps wrongly, with directing The Wasps.) Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information because apparent self-references might have been made with reference to his directors instead. Thus for example a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with the island of Aegina. Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play." Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either the controversy over The Babylonians or a subsequent controversy over The Knights. It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald. Aristophanes was probably victorious at least once at the City Dionysia (with Babylonians in 427) and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the unique distinction of a repeat performance at a subsequent festival.

It was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon, reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through the hero of his third play The Acharnians (staged at the Lenaia, where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit: Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights—a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds, that Aristophanes' first three plays were not directed by him—they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he was also credited, perhaps wrongly, with directing The Wasps.) Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information because apparent self-references might have been made with reference to his directors instead. Thus for example a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with the island of Aegina. Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play." Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either the controversy over The Babylonians or a subsequent controversy over The Knights. It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald. Aristophanes was probably victorious at least once at the City Dionysia (with Babylonians in 427) and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the unique distinction of a repeat performance at a subsequent festival.

It was usual for foreign dignitaries to attend the City Dionysia, and The Babylonians caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon, reviled the play as slander against the polis and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through the hero of his third play The Acharnians (staged at the Lenaia, where there were few or no foreign dignitaries), the poet carefully distinguishes between the polis and the real targets of his acerbic wit: Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of The Knights—a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in The Knights and The Clouds, that Aristophanes' first three plays were not directed by him—they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed The Frogs and he was also credited, perhaps wrongly, with directing The Wasps.) Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information because apparent self-references might have been made with reference to his directors instead. Thus for example a statement by the chorus in The Acharnians seems to indicate that the "poet" had a close, personal association with the island of Aegina. Similarly, the hero in The Acharnians complains about Cleon "dragging me into court" over "last year's play." Comments made by the Chorus referring to Aristophanes in The Clouds have been interpreted as evidence that he can hardly have been more than 18 years old when his first play The Banqueters was produced. The second parabasis in Wasps appears to indicate that he reached some kind of temporary accommodation with Cleon following either the controversy over The Babylonians or a subsequent controversy over The Knights. It has been inferred from statements in The Clouds and Peace that Aristophanes was prematurely bald. Aristophanes was probably victorious at least once at the City Dionysia (with Babylonians in 427) and at least three times at the Lenaia, with The Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the unique distinction of a repeat performance at a subsequent festival.

A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won the prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus’ comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s. Plato's The Symposium appears to be a useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds, the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades, even quotes from the play when teasing Socrates over his appearance and yet there is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces). Plato was only a boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be a humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred. Aristophanes survived The Peloponnesian War, two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he was not actively involved in politics despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century but such appointments were very common in democratic Athens.

A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won the prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus’ comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s. Plato's The Symposium appears to be a useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds, the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades, even quotes from the play when teasing Socrates over his appearance and yet there is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces). Plato was only a boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be a humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred. Aristophanes survived The Peloponnesian War, two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he was not actively involved in politics despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century but such appointments were very common in democratic Athens.

A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play Wealth II in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won the prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus’ comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s. Plato's The Symposium appears to be a useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of The Clouds, the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades, even quotes from the play when teasing Socrates over his appearance and yet there is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, reputedly written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces). Plato was only a boy when the events in The Symposium are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be a humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in The Knights that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred. Aristophanes survived The Peloponnesian War, two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he was not actively involved in politics despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century but such appointments were very common in democratic Athens.

Socrates, in the trial leading up to his own death, put the issue of a personal conscience in those troubled times quite succinctly: "...he who will really fight for the right, if he would live even for a little while, must have a private station and not a public one. Poetry The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect. The orator Quintilian believed that the charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the 4th and 5th centuries AD, resulting in their survival today. In Aristophanes' plays, the Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities. For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes, Crates and Cratinus, but also tragedians, notably Aeschylus, Sophocles and Euripides, all three of whom are mentioned in e.g. The Frogs. Aristophanes was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties. A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics: Iambic dialogue: Aristophanes achieves an effect resembling natural speech through the use of the iambic trimeter (corresponding to the effects achieved by English poets such as Shakespeare using iambic pentameters). His realistic use of the meter makes it ideal for both dialogue and soliloquy, as for instance in the prologue, before the arrival of the Chorus, when the audience is introduced to the main issues in the plot. The Acharnians opens with these three lines by the hero, Dikaiopolis (rendered here in English as iambic pentameters): How many are the things that vex my heart! Pleasures are few, so very few – just four – But stressful things are manysandthousandsandheaps! Here Aristophanes employs a frequent device, arranging the syntax so that the final word in a line comes as a comic climax.

Socrates, in the trial leading up to his own death, put the issue of a personal conscience in those troubled times quite succinctly: "...he who will really fight for the right, if he would live even for a little while, must have a private station and not a public one. Poetry The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect. The orator Quintilian believed that the charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the 4th and 5th centuries AD, resulting in their survival today. In Aristophanes' plays, the Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities. For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes, Crates and Cratinus, but also tragedians, notably Aeschylus, Sophocles and Euripides, all three of whom are mentioned in e.g. The Frogs. Aristophanes was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties. A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics: Iambic dialogue: Aristophanes achieves an effect resembling natural speech through the use of the iambic trimeter (corresponding to the effects achieved by English poets such as Shakespeare using iambic pentameters). His realistic use of the meter makes it ideal for both dialogue and soliloquy, as for instance in the prologue, before the arrival of the Chorus, when the audience is introduced to the main issues in the plot. The Acharnians opens with these three lines by the hero, Dikaiopolis (rendered here in English as iambic pentameters): How many are the things that vex my heart! Pleasures are few, so very few – just four – But stressful things are manysandthousandsandheaps! Here Aristophanes employs a frequent device, arranging the syntax so that the final word in a line comes as a comic climax.

Socrates, in the trial leading up to his own death, put the issue of a personal conscience in those troubled times quite succinctly: "...he who will really fight for the right, if he would live even for a little while, must have a private station and not a public one. Poetry The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect. The orator Quintilian believed that the charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the 4th and 5th centuries AD, resulting in their survival today. In Aristophanes' plays, the Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities. For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes, Crates and Cratinus, but also tragedians, notably Aeschylus, Sophocles and Euripides, all three of whom are mentioned in e.g. The Frogs. Aristophanes was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties. A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics: Iambic dialogue: Aristophanes achieves an effect resembling natural speech through the use of the iambic trimeter (corresponding to the effects achieved by English poets such as Shakespeare using iambic pentameters). His realistic use of the meter makes it ideal for both dialogue and soliloquy, as for instance in the prologue, before the arrival of the Chorus, when the audience is introduced to the main issues in the plot. The Acharnians opens with these three lines by the hero, Dikaiopolis (rendered here in English as iambic pentameters): How many are the things that vex my heart! Pleasures are few, so very few – just four – But stressful things are manysandthousandsandheaps! Here Aristophanes employs a frequent device, arranging the syntax so that the final word in a line comes as a comic climax.

The hero's pleasures are so few he can number them (, four) but his causes for complaint are so many they beggar numerical description and he must invent his own word for them (, literally "sandhundredheaps", here paraphrased "manysandthousandsandheaps"). The use of invented compound words is another comic device frequently found in the plays. Tetrameter catalectic verses: These are long lines of anapests, trochees or iambs (where each line is ideally measured in four dipodes or pairs of feet), used in various situations within each play such as: formal debates or agons between characters (typically in anapestic rhythm); excited dialogue or heated argument (typically trochaic rhythm, the same as in early tragedy); long speeches declaimed by the Chorus in parabases (in either anapestic or trochaic rhythms); informal debates barely above the level of ordinary dialogue (typically iambic). Anapestic rhythms are naturally jaunty (as in many limericks) and trochaic meter is suited to rapid delivery (the word "trochee" is in fact derived from trechein, "to run", as demonstrated for example by choruses who enter at speed, often in aggressive mood) However, even though both these rhythms can seem to "bowl along" Aristophanes often varies them through use of complex syntax and substituted meters, adapting the rhythms to the requirements of serious argument. In an anapestic passage in The Frogs, for instance, the character Aeschylus presents a view of poetry that is supposed to be serious but which leads to a comic interruption by the god, Dionysus: AES. :It was Orpheus singing who taught us religion and how wrong people are when they kill, And we learned from Musaeus medicinal cures and the science of divination. If it's farming you want, Hesiod knows it all, when to plant, when to harvest. How godlike Homer got to be famous, I'll tell if you ask: he taught us what all good men should know, Discipline, fortitude, battle-readiness. DIO. : But no-one taught Pantocles – yesterday He was marching his men up and down on parade when the crest of his helmet fell off! The rhythm begins at a typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke. Lyrics: Almost nothing is known about the music that accompanied Greek lyrics, and the meter is often so varied and complex that it is difficult for modern readers or audiences to get a feel for the intended effects, yet Aristophanes still impresses with the charm and simplicity of his lyrics. Some of the most memorable and haunting lyrics are dignified hymns set free of the comic action. In the example below, taken from The Wasps, the lyric is merely a comic interlude and the rhythm is steadily trochaic.

The hero's pleasures are so few he can number them (, four) but his causes for complaint are so many they beggar numerical description and he must invent his own word for them (, literally "sandhundredheaps", here paraphrased "manysandthousandsandheaps"). The use of invented compound words is another comic device frequently found in the plays. Tetrameter catalectic verses: These are long lines of anapests, trochees or iambs (where each line is ideally measured in four dipodes or pairs of feet), used in various situations within each play such as: formal debates or agons between characters (typically in anapestic rhythm); excited dialogue or heated argument (typically trochaic rhythm, the same as in early tragedy); long speeches declaimed by the Chorus in parabases (in either anapestic or trochaic rhythms); informal debates barely above the level of ordinary dialogue (typically iambic). Anapestic rhythms are naturally jaunty (as in many limericks) and trochaic meter is suited to rapid delivery (the word "trochee" is in fact derived from trechein, "to run", as demonstrated for example by choruses who enter at speed, often in aggressive mood) However, even though both these rhythms can seem to "bowl along" Aristophanes often varies them through use of complex syntax and substituted meters, adapting the rhythms to the requirements of serious argument. In an anapestic passage in The Frogs, for instance, the character Aeschylus presents a view of poetry that is supposed to be serious but which leads to a comic interruption by the god, Dionysus: AES. :It was Orpheus singing who taught us religion and how wrong people are when they kill, And we learned from Musaeus medicinal cures and the science of divination. If it's farming you want, Hesiod knows it all, when to plant, when to harvest. How godlike Homer got to be famous, I'll tell if you ask: he taught us what all good men should know, Discipline, fortitude, battle-readiness. DIO. : But no-one taught Pantocles – yesterday He was marching his men up and down on parade when the crest of his helmet fell off! The rhythm begins at a typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke. Lyrics: Almost nothing is known about the music that accompanied Greek lyrics, and the meter is often so varied and complex that it is difficult for modern readers or audiences to get a feel for the intended effects, yet Aristophanes still impresses with the charm and simplicity of his lyrics. Some of the most memorable and haunting lyrics are dignified hymns set free of the comic action. In the example below, taken from The Wasps, the lyric is merely a comic interlude and the rhythm is steadily trochaic.

The hero's pleasures are so few he can number them (, four) but his causes for complaint are so many they beggar numerical description and he must invent his own word for them (, literally "sandhundredheaps", here paraphrased "manysandthousandsandheaps"). The use of invented compound words is another comic device frequently found in the plays. Tetrameter catalectic verses: These are long lines of anapests, trochees or iambs (where each line is ideally measured in four dipodes or pairs of feet), used in various situations within each play such as: formal debates or agons between characters (typically in anapestic rhythm); excited dialogue or heated argument (typically trochaic rhythm, the same as in early tragedy); long speeches declaimed by the Chorus in parabases (in either anapestic or trochaic rhythms); informal debates barely above the level of ordinary dialogue (typically iambic). Anapestic rhythms are naturally jaunty (as in many limericks) and trochaic meter is suited to rapid delivery (the word "trochee" is in fact derived from trechein, "to run", as demonstrated for example by choruses who enter at speed, often in aggressive mood) However, even though both these rhythms can seem to "bowl along" Aristophanes often varies them through use of complex syntax and substituted meters, adapting the rhythms to the requirements of serious argument. In an anapestic passage in The Frogs, for instance, the character Aeschylus presents a view of poetry that is supposed to be serious but which leads to a comic interruption by the god, Dionysus: AES. :It was Orpheus singing who taught us religion and how wrong people are when they kill, And we learned from Musaeus medicinal cures and the science of divination. If it's farming you want, Hesiod knows it all, when to plant, when to harvest. How godlike Homer got to be famous, I'll tell if you ask: he taught us what all good men should know, Discipline, fortitude, battle-readiness. DIO. : But no-one taught Pantocles – yesterday He was marching his men up and down on parade when the crest of his helmet fell off! The rhythm begins at a typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke. Lyrics: Almost nothing is known about the music that accompanied Greek lyrics, and the meter is often so varied and complex that it is difficult for modern readers or audiences to get a feel for the intended effects, yet Aristophanes still impresses with the charm and simplicity of his lyrics. Some of the most memorable and haunting lyrics are dignified hymns set free of the comic action. In the example below, taken from The Wasps, the lyric is merely a comic interlude and the rhythm is steadily trochaic.

The syntax in the original Greek is natural and unforced and it was probably accompanied by brisk and cheerful music, gliding to a concluding pun at the expense of Amynias, who is thought to have lost his fortune gambling. Though to myself I often seem A bright chap and not awkward, None comes close to Amynias, Son of Sellos of the Bigwig Clan, a man I once saw Dine with rich Leogorus. Now as poor as Antiphon, He lives on apples and pomegranates Yet he got himself appointed Ambassador to Pharsalus, Way up there in Thessaly, Home of the poor Penestes: Happy to be where everyone Is as penniless as he is! The pun here in English translation (Penestes–penniless) is a weak version of the Greek pun , Penéstaisi-penéstĕs, "destitute". Many of the puns in the plays are based on words that are similar rather than identical, and it has been observed that there could be more of them than scholars have yet been able to identify. Others are based on double meanings. Sometimes entire scenes are constructed on puns, as in The Acharnians with the Megarian farmer and his pigs: the Megarian farmer defies the Athenian embargo against Megarian trade, and tries to trade his daughters disguised as pigs, except "pig" was ancient slang for "vagina". Since the embargo against Megara was the pretext for the Peloponnesian War, Aristophanes naturally concludes that this whole mess happened because of "three cunts". It can be argued that the most important feature of the language of the plays is imagery, particularly the use of similes, metaphors and pictorial expressions. In The Knights, for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs, Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as the marriage of the hero Pisthetairos to Zeus's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights. Rhetoric It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better.

The syntax in the original Greek is natural and unforced and it was probably accompanied by brisk and cheerful music, gliding to a concluding pun at the expense of Amynias, who is thought to have lost his fortune gambling. Though to myself I often seem A bright chap and not awkward, None comes close to Amynias, Son of Sellos of the Bigwig Clan, a man I once saw Dine with rich Leogorus. Now as poor as Antiphon, He lives on apples and pomegranates Yet he got himself appointed Ambassador to Pharsalus, Way up there in Thessaly, Home of the poor Penestes: Happy to be where everyone Is as penniless as he is! The pun here in English translation (Penestes–penniless) is a weak version of the Greek pun , Penéstaisi-penéstĕs, "destitute". Many of the puns in the plays are based on words that are similar rather than identical, and it has been observed that there could be more of them than scholars have yet been able to identify. Others are based on double meanings. Sometimes entire scenes are constructed on puns, as in The Acharnians with the Megarian farmer and his pigs: the Megarian farmer defies the Athenian embargo against Megarian trade, and tries to trade his daughters disguised as pigs, except "pig" was ancient slang for "vagina". Since the embargo against Megara was the pretext for the Peloponnesian War, Aristophanes naturally concludes that this whole mess happened because of "three cunts". It can be argued that the most important feature of the language of the plays is imagery, particularly the use of similes, metaphors and pictorial expressions. In The Knights, for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs, Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as the marriage of the hero Pisthetairos to Zeus's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights. Rhetoric It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better.

The syntax in the original Greek is natural and unforced and it was probably accompanied by brisk and cheerful music, gliding to a concluding pun at the expense of Amynias, who is thought to have lost his fortune gambling. Though to myself I often seem A bright chap and not awkward, None comes close to Amynias, Son of Sellos of the Bigwig Clan, a man I once saw Dine with rich Leogorus. Now as poor as Antiphon, He lives on apples and pomegranates Yet he got himself appointed Ambassador to Pharsalus, Way up there in Thessaly, Home of the poor Penestes: Happy to be where everyone Is as penniless as he is! The pun here in English translation (Penestes–penniless) is a weak version of the Greek pun , Penéstaisi-penéstĕs, "destitute". Many of the puns in the plays are based on words that are similar rather than identical, and it has been observed that there could be more of them than scholars have yet been able to identify. Others are based on double meanings. Sometimes entire scenes are constructed on puns, as in The Acharnians with the Megarian farmer and his pigs: the Megarian farmer defies the Athenian embargo against Megarian trade, and tries to trade his daughters disguised as pigs, except "pig" was ancient slang for "vagina". Since the embargo against Megara was the pretext for the Peloponnesian War, Aristophanes naturally concludes that this whole mess happened because of "three cunts". It can be argued that the most important feature of the language of the plays is imagery, particularly the use of similes, metaphors and pictorial expressions. In The Knights, for example, the ears of a character with selective hearing are represented as parasols that open and close. In The Frogs, Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as the marriage of the hero Pisthetairos to Zeus's paramour in The Birds and the "recreation" of old Athens, crowned with roses, at the end of The Knights. Rhetoric It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better.

One brother comes from a background of "old-fashioned" education while the other brother appears to be a product of the sophistic education The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance". Old Comedy The Greek word for comedy (kōmōidía) derives from the words for 'revel' and 'song' (kōmos and ōdē) and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BC, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of The Acharnians, the first of Aristophanes' surviving plays. According to Aristotle, comedy was slow to gain official acceptance because nobody took it seriously, yet only 60 years after comedy first appeared at the City Dionysia, Aristophanes observed that producing comedies was the most difficult work of all. Competition at the Dionysian festivals needed dramatic conventions for plays to be judged, but it also fuelled innovations. Developments were quite rapid and Aristotle could distinguish between 'old' and 'new' comedy by 330 BC. The trend from Old Comedy to New Comedy saw a move away from highly topical concerns with real individuals and local issues towards generalized situations and stock characters. This was partly due to the internationalization of cultural perspectives during and after the Peloponnesian War. For ancient commentators such as Plutarch, New Comedy was a more sophisticated form of drama than Old Comedy. However, Old Comedy was in fact a complex and sophisticated dramatic form incorporating many approaches to humour and entertainment. In Aristophanes' early plays, the genre appears to have developed around a complex set of dramatic conventions, and these were only gradually simplified and abandoned. The City Dionysia and the Lenaia were celebrated in honour of Dionysus, the god of wine and ecstasy. (Euripides' play The Bacchae offers the best insight into 5th century ideas about this god.) Old Comedy can be understood as a celebration of the exuberant sense of release inherent in his worship.

One brother comes from a background of "old-fashioned" education while the other brother appears to be a product of the sophistic education The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance". Old Comedy The Greek word for comedy (kōmōidía) derives from the words for 'revel' and 'song' (kōmos and ōdē) and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BC, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of The Acharnians, the first of Aristophanes' surviving plays. According to Aristotle, comedy was slow to gain official acceptance because nobody took it seriously, yet only 60 years after comedy first appeared at the City Dionysia, Aristophanes observed that producing comedies was the most difficult work of all. Competition at the Dionysian festivals needed dramatic conventions for plays to be judged, but it also fuelled innovations. Developments were quite rapid and Aristotle could distinguish between 'old' and 'new' comedy by 330 BC. The trend from Old Comedy to New Comedy saw a move away from highly topical concerns with real individuals and local issues towards generalized situations and stock characters. This was partly due to the internationalization of cultural perspectives during and after the Peloponnesian War. For ancient commentators such as Plutarch, New Comedy was a more sophisticated form of drama than Old Comedy. However, Old Comedy was in fact a complex and sophisticated dramatic form incorporating many approaches to humour and entertainment. In Aristophanes' early plays, the genre appears to have developed around a complex set of dramatic conventions, and these were only gradually simplified and abandoned. The City Dionysia and the Lenaia were celebrated in honour of Dionysus, the god of wine and ecstasy. (Euripides' play The Bacchae offers the best insight into 5th century ideas about this god.) Old Comedy can be understood as a celebration of the exuberant sense of release inherent in his worship.

One brother comes from a background of "old-fashioned" education while the other brother appears to be a product of the sophistic education The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance". Old Comedy The Greek word for comedy (kōmōidía) derives from the words for 'revel' and 'song' (kōmos and ōdē) and according to Aristotle comic drama actually developed from song. The first official comedy at the City Dionysia was not staged until 487/6 BC, by which time tragedy had already been long established there. The first comedy at the Lenaia was staged later still, only about 20 years before the performance there of The Acharnians, the first of Aristophanes' surviving plays. According to Aristotle, comedy was slow to gain official acceptance because nobody took it seriously, yet only 60 years after comedy first appeared at the City Dionysia, Aristophanes observed that producing comedies was the most difficult work of all. Competition at the Dionysian festivals needed dramatic conventions for plays to be judged, but it also fuelled innovations. Developments were quite rapid and Aristotle could distinguish between 'old' and 'new' comedy by 330 BC. The trend from Old Comedy to New Comedy saw a move away from highly topical concerns with real individuals and local issues towards generalized situations and stock characters. This was partly due to the internationalization of cultural perspectives during and after the Peloponnesian War. For ancient commentators such as Plutarch, New Comedy was a more sophisticated form of drama than Old Comedy. However, Old Comedy was in fact a complex and sophisticated dramatic form incorporating many approaches to humour and entertainment. In Aristophanes' early plays, the genre appears to have developed around a complex set of dramatic conventions, and these were only gradually simplified and abandoned. The City Dionysia and the Lenaia were celebrated in honour of Dionysus, the god of wine and ecstasy. (Euripides' play The Bacchae offers the best insight into 5th century ideas about this god.) Old Comedy can be understood as a celebration of the exuberant sense of release inherent in his worship.

It was more interested in finding targets for satire than in any kind of advocacy. During the City Dionysia, a statue of the god was brought to the theatre from a temple outside the city, and it remained in the theatre throughout the festival, overseeing the plays like a privileged member of the audience. In The Frogs, the god appears also as a dramatic character, and he enters the theatre ludicrously disguised as Hercules. He observes to the audience that every time he is on hand to hear a joke from a comic dramatist like Phrynichus (one of Aristophanes' rivals) he ages by more than a year. This scene opens the play, and it is a reminder to the audience that nobody is above mockery in Old Comedy—not even its patron god and its practitioners. Gods, artists, politicians and ordinary citizens were legitimate targets; comedy was a kind of licensed buffoonery, and there was no legal redress for anyone who was slandered in a play. There were certain limits to the scope of the satire, but they are not easily defined. Impiety could be punished in 5th century Athens, but the absurdities implicit in the traditional religion were open to ridicule. The polis was not allowed to be slandered, but as stated in the biography section of this article, that could depend on who was in the audience and which festival was involved. For convenience, Old Comedy, as represented by Aristophanes' early plays, is analysed below in terms of three broad characteristics—topicality, festivity and complexity. Dramatic structure contributes to the complexity of Aristophanes' plays. However, it is associated with poetic rhythms and meters that have little relevance to English translations and it is therefore treated in a separate section. Topicality Old Comedy's emphasis on real personalities and local issues makes the plays difficult to appreciate today without the aid of scholarly commentaries—see for example articles on The Knights, The Wasps and Peace for lists of topical references. The topicality of the plays had unique consequences for both the writing and the production of the plays in ancient Athens. Individual masks: All actors in classical Athens wore masks, but whereas in tragedy and New Comedy these identified stereotypical characters, in Old Comedy the masks were often caricatures of real people. Perhaps Socrates attracted a lot of attention in Old Comedy because his face lent itself easily to caricature by mask-makers. In The Knights we are told that the mask makers were too afraid to make a caricature of Cleon (there represented as a Paphlagonian slave) but we are assured that the audience is clever enough to identify him anyway. The real scene of action: Since Old Comedy makes numerous references to people in the audience, the theatre itself was the real scene of action and theatrical illusion was treated as something of a joke.

It was more interested in finding targets for satire than in any kind of advocacy. During the City Dionysia, a statue of the god was brought to the theatre from a temple outside the city, and it remained in the theatre throughout the festival, overseeing the plays like a privileged member of the audience. In The Frogs, the god appears also as a dramatic character, and he enters the theatre ludicrously disguised as Hercules. He observes to the audience that every time he is on hand to hear a joke from a comic dramatist like Phrynichus (one of Aristophanes' rivals) he ages by more than a year. This scene opens the play, and it is a reminder to the audience that nobody is above mockery in Old Comedy—not even its patron god and its practitioners. Gods, artists, politicians and ordinary citizens were legitimate targets; comedy was a kind of licensed buffoonery, and there was no legal redress for anyone who was slandered in a play. There were certain limits to the scope of the satire, but they are not easily defined. Impiety could be punished in 5th century Athens, but the absurdities implicit in the traditional religion were open to ridicule. The polis was not allowed to be slandered, but as stated in the biography section of this article, that could depend on who was in the audience and which festival was involved. For convenience, Old Comedy, as represented by Aristophanes' early plays, is analysed below in terms of three broad characteristics—topicality, festivity and complexity. Dramatic structure contributes to the complexity of Aristophanes' plays. However, it is associated with poetic rhythms and meters that have little relevance to English translations and it is therefore treated in a separate section. Topicality Old Comedy's emphasis on real personalities and local issues makes the plays difficult to appreciate today without the aid of scholarly commentaries—see for example articles on The Knights, The Wasps and Peace for lists of topical references. The topicality of the plays had unique consequences for both the writing and the production of the plays in ancient Athens. Individual masks: All actors in classical Athens wore masks, but whereas in tragedy and New Comedy these identified stereotypical characters, in Old Comedy the masks were often caricatures of real people. Perhaps Socrates attracted a lot of attention in Old Comedy because his face lent itself easily to caricature by mask-makers. In The Knights we are told that the mask makers were too afraid to make a caricature of Cleon (there represented as a Paphlagonian slave) but we are assured that the audience is clever enough to identify him anyway. The real scene of action: Since Old Comedy makes numerous references to people in the audience, the theatre itself was the real scene of action and theatrical illusion was treated as something of a joke.

It was more interested in finding targets for satire than in any kind of advocacy. During the City Dionysia, a statue of the god was brought to the theatre from a temple outside the city, and it remained in the theatre throughout the festival, overseeing the plays like a privileged member of the audience. In The Frogs, the god appears also as a dramatic character, and he enters the theatre ludicrously disguised as Hercules. He observes to the audience that every time he is on hand to hear a joke from a comic dramatist like Phrynichus (one of Aristophanes' rivals) he ages by more than a year. This scene opens the play, and it is a reminder to the audience that nobody is above mockery in Old Comedy—not even its patron god and its practitioners. Gods, artists, politicians and ordinary citizens were legitimate targets; comedy was a kind of licensed buffoonery, and there was no legal redress for anyone who was slandered in a play. There were certain limits to the scope of the satire, but they are not easily defined. Impiety could be punished in 5th century Athens, but the absurdities implicit in the traditional religion were open to ridicule. The polis was not allowed to be slandered, but as stated in the biography section of this article, that could depend on who was in the audience and which festival was involved. For convenience, Old Comedy, as represented by Aristophanes' early plays, is analysed below in terms of three broad characteristics—topicality, festivity and complexity. Dramatic structure contributes to the complexity of Aristophanes' plays. However, it is associated with poetic rhythms and meters that have little relevance to English translations and it is therefore treated in a separate section. Topicality Old Comedy's emphasis on real personalities and local issues makes the plays difficult to appreciate today without the aid of scholarly commentaries—see for example articles on The Knights, The Wasps and Peace for lists of topical references. The topicality of the plays had unique consequences for both the writing and the production of the plays in ancient Athens. Individual masks: All actors in classical Athens wore masks, but whereas in tragedy and New Comedy these identified stereotypical characters, in Old Comedy the masks were often caricatures of real people. Perhaps Socrates attracted a lot of attention in Old Comedy because his face lent itself easily to caricature by mask-makers. In The Knights we are told that the mask makers were too afraid to make a caricature of Cleon (there represented as a Paphlagonian slave) but we are assured that the audience is clever enough to identify him anyway. The real scene of action: Since Old Comedy makes numerous references to people in the audience, the theatre itself was the real scene of action and theatrical illusion was treated as something of a joke.

In The Acharnians, for example, The Pnyx is just a few steps from the hero's front door, and in Peace Olympus is separated from Athens by a few moments' supposed flight on a dung beetle. The audience is sometimes drawn or even dragged into the action. When the hero in Peace returns to Athens from his flight to Olympus, he tells the audience that they looked like rascals when seen from the heavens, and seen up close they look even worse. In The Acharnians the hero confronts the archon basileus, sitting in the front row, and demands to be awarded first prize for a drinking competition, which is a none too subtle way for Aristophanes to request first prize for the drama competition. Self-mocking theatre: Frequent parodying of tragedy is an aspect of Old Comedy that modern audiences find difficult to understand. But the Lenaia and City Dionysia included performances of both comedies and tragedies, and thus references to tragedy were highly topical and immediately relevant to the original audience. The comic dramatist also poked fun at comic poets and he even ridiculed himself. It is possible, as indicated earlier, that Aristophanes mocked his own baldness. In The Clouds, the Chorus compares him to an unwed, young mother and in The Acharnians the Chorus mockingly depicts him as Athens' greatest weapon in the war against Sparta. Political theatre: The Lenaia and City Dionysia were state-sponsored, religious festivals, and though the latter was the more prestigious of the two, both were occasions for official pomp and circumstance. The ceremonies for the Lenaia were overseen by the archon basileus and by officials of the Eleusinian mysteries. The City Dionysia was overseen by the archon eponymous and the priest of Dionysus. Opening ceremonies for the City Dionysia featured, in addition to the ceremonial arrival of the god, a parade in full armour of the sons of warriors who died fighting for the polis and, until the end of the Peloponnesian War, a presentation of annual tribute from subject states. Religious and political issues were topics that could hardly be ignored in such a setting and the plays often treat them quite seriously. Even jokes can be serious when the topic is politics—especially in wartime. The butts of the most savage jokes are opportunists who prey on the gullibility of their fellow citizens, including oracle-mongers, the exponents of new religious practices, war-profiteers and political fanatics. In The Acharnians, for example, Lamachus is represented as a crazed militarist whose preparations for war are hilariously compared to the hero's preparations for a dinner party. Cleon emerges from numerous similes and metaphors in The Knights as a protean form of comic evil, clinging to political power by every possible means for as long as he can, yet the play also includes simple hymns invoking Poseidon and Athena, and it ends with visions of a miraculously transformed Demos (i.e. the morally reformed citizenry of Athens).

In The Acharnians, for example, The Pnyx is just a few steps from the hero's front door, and in Peace Olympus is separated from Athens by a few moments' supposed flight on a dung beetle. The audience is sometimes drawn or even dragged into the action. When the hero in Peace returns to Athens from his flight to Olympus, he tells the audience that they looked like rascals when seen from the heavens, and seen up close they look even worse. In The Acharnians the hero confronts the archon basileus, sitting in the front row, and demands to be awarded first prize for a drinking competition, which is a none too subtle way for Aristophanes to request first prize for the drama competition. Self-mocking theatre: Frequent parodying of tragedy is an aspect of Old Comedy that modern audiences find difficult to understand. But the Lenaia and City Dionysia included performances of both comedies and tragedies, and thus references to tragedy were highly topical and immediately relevant to the original audience. The comic dramatist also poked fun at comic poets and he even ridiculed himself. It is possible, as indicated earlier, that Aristophanes mocked his own baldness. In The Clouds, the Chorus compares him to an unwed, young mother and in The Acharnians the Chorus mockingly depicts him as Athens' greatest weapon in the war against Sparta. Political theatre: The Lenaia and City Dionysia were state-sponsored, religious festivals, and though the latter was the more prestigious of the two, both were occasions for official pomp and circumstance. The ceremonies for the Lenaia were overseen by the archon basileus and by officials of the Eleusinian mysteries. The City Dionysia was overseen by the archon eponymous and the priest of Dionysus. Opening ceremonies for the City Dionysia featured, in addition to the ceremonial arrival of the god, a parade in full armour of the sons of warriors who died fighting for the polis and, until the end of the Peloponnesian War, a presentation of annual tribute from subject states. Religious and political issues were topics that could hardly be ignored in such a setting and the plays often treat them quite seriously. Even jokes can be serious when the topic is politics—especially in wartime. The butts of the most savage jokes are opportunists who prey on the gullibility of their fellow citizens, including oracle-mongers, the exponents of new religious practices, war-profiteers and political fanatics. In The Acharnians, for example, Lamachus is represented as a crazed militarist whose preparations for war are hilariously compared to the hero's preparations for a dinner party. Cleon emerges from numerous similes and metaphors in The Knights as a protean form of comic evil, clinging to political power by every possible means for as long as he can, yet the play also includes simple hymns invoking Poseidon and Athena, and it ends with visions of a miraculously transformed Demos (i.e. the morally reformed citizenry of Athens).

In The Acharnians, for example, The Pnyx is just a few steps from the hero's front door, and in Peace Olympus is separated from Athens by a few moments' supposed flight on a dung beetle. The audience is sometimes drawn or even dragged into the action. When the hero in Peace returns to Athens from his flight to Olympus, he tells the audience that they looked like rascals when seen from the heavens, and seen up close they look even worse. In The Acharnians the hero confronts the archon basileus, sitting in the front row, and demands to be awarded first prize for a drinking competition, which is a none too subtle way for Aristophanes to request first prize for the drama competition. Self-mocking theatre: Frequent parodying of tragedy is an aspect of Old Comedy that modern audiences find difficult to understand. But the Lenaia and City Dionysia included performances of both comedies and tragedies, and thus references to tragedy were highly topical and immediately relevant to the original audience. The comic dramatist also poked fun at comic poets and he even ridiculed himself. It is possible, as indicated earlier, that Aristophanes mocked his own baldness. In The Clouds, the Chorus compares him to an unwed, young mother and in The Acharnians the Chorus mockingly depicts him as Athens' greatest weapon in the war against Sparta. Political theatre: The Lenaia and City Dionysia were state-sponsored, religious festivals, and though the latter was the more prestigious of the two, both were occasions for official pomp and circumstance. The ceremonies for the Lenaia were overseen by the archon basileus and by officials of the Eleusinian mysteries. The City Dionysia was overseen by the archon eponymous and the priest of Dionysus. Opening ceremonies for the City Dionysia featured, in addition to the ceremonial arrival of the god, a parade in full armour of the sons of warriors who died fighting for the polis and, until the end of the Peloponnesian War, a presentation of annual tribute from subject states. Religious and political issues were topics that could hardly be ignored in such a setting and the plays often treat them quite seriously. Even jokes can be serious when the topic is politics—especially in wartime. The butts of the most savage jokes are opportunists who prey on the gullibility of their fellow citizens, including oracle-mongers, the exponents of new religious practices, war-profiteers and political fanatics. In The Acharnians, for example, Lamachus is represented as a crazed militarist whose preparations for war are hilariously compared to the hero's preparations for a dinner party. Cleon emerges from numerous similes and metaphors in The Knights as a protean form of comic evil, clinging to political power by every possible means for as long as he can, yet the play also includes simple hymns invoking Poseidon and Athena, and it ends with visions of a miraculously transformed Demos (i.e. the morally reformed citizenry of Athens).

Imaginative visions of a return to peaceful activities resulting from peace with Sparta, and a plea for leniency for citizens suspected of complicity in an oligarchic revolt are other examples of a serious purpose behind the plays. Teasing and taunting: A festival audience presented the comic dramatist with a wide range of targets, not just political or religious ones—anyone known to the audience could be mocked for any reason, such as diseases, physical deformities, ugliness, family misfortunes, bad manners, perversions, dishonesty, cowardice in battle, and clumsiness. Foreigners, a conspicuous presence in imperial Athens, particularly at the City Dionysia, often appear in the plays comically mispronouncing Attic words—these include Spartans (Lysistrata), Scythians (Thesmophoriazusae), Persians, Boeotians and Megarians (The Acharnians). Festivity The Lenaia and City Dionysia were religious festivals, but they resembled a gala rather than a church service. Dirty jokes: A relaxation in standards of behaviour was permitted and the holiday spirit included bawdy irreverence towards both men and gods. Old Comedy is rich in obscenities and the crude jokes are often very detailed and difficult to understand without expert commentary, as when the Chorus in The Acharnians places a curse on Antimachus, a choregus accused of niggardly conduct, wishing upon him a night-time mugging as he returns home from some drunken party and envisioning him, as he stoops down to pick up a rock in the darkness, accidentally picking up a fresh turd instead. He is then envisioned hurling the turd at his attacker, missing and accidentally hitting Cratinus, a lyric poet not admired by Aristophanes. This was particularly funny because the curse was sung (or chanted) in choreographed style by a Chorus of 24 grown men who were otherwise known to the audience as respectable citizens. The musical extravaganza: The Chorus was vital to the success of a play in Old Comedy long after it had lost its relevance for tragedy. Technically, the competition in the dramatic festivals was not between poets but between choruses. In fact eight of Aristophanes' eleven surviving plays are named after the Chorus. In Aristophanes' time, the Chorus in tragedy was relatively small (twelve members) and its role had been reduced to that of an awkwardly placed commentator, but in Old Comedy the Chorus was large (numbering 24), it was actively involved in the plot, its entry into the action was frequently spectacular, its movements were practised with military precision and sometimes it was involved in choreographed skirmishes with the actors. The expenditure on costumes, training and maintenance of a Chorus was considerable, and perhaps many people in the original audience enjoyed comedy mainly for the spectacle and music. The chorus gradually lost its significance as New Comedy began to develop. Obvious costumes: Consistent with the holiday spirit, much of the humour in Old Comedy is slapstick buffoonery and dirty jokes that do not require the audience's careful attention, often relying on visual cues.

Imaginative visions of a return to peaceful activities resulting from peace with Sparta, and a plea for leniency for citizens suspected of complicity in an oligarchic revolt are other examples of a serious purpose behind the plays. Teasing and taunting: A festival audience presented the comic dramatist with a wide range of targets, not just political or religious ones—anyone known to the audience could be mocked for any reason, such as diseases, physical deformities, ugliness, family misfortunes, bad manners, perversions, dishonesty, cowardice in battle, and clumsiness. Foreigners, a conspicuous presence in imperial Athens, particularly at the City Dionysia, often appear in the plays comically mispronouncing Attic words—these include Spartans (Lysistrata), Scythians (Thesmophoriazusae), Persians, Boeotians and Megarians (The Acharnians). Festivity The Lenaia and City Dionysia were religious festivals, but they resembled a gala rather than a church service. Dirty jokes: A relaxation in standards of behaviour was permitted and the holiday spirit included bawdy irreverence towards both men and gods. Old Comedy is rich in obscenities and the crude jokes are often very detailed and difficult to understand without expert commentary, as when the Chorus in The Acharnians places a curse on Antimachus, a choregus accused of niggardly conduct, wishing upon him a night-time mugging as he returns home from some drunken party and envisioning him, as he stoops down to pick up a rock in the darkness, accidentally picking up a fresh turd instead. He is then envisioned hurling the turd at his attacker, missing and accidentally hitting Cratinus, a lyric poet not admired by Aristophanes. This was particularly funny because the curse was sung (or chanted) in choreographed style by a Chorus of 24 grown men who were otherwise known to the audience as respectable citizens. The musical extravaganza: The Chorus was vital to the success of a play in Old Comedy long after it had lost its relevance for tragedy. Technically, the competition in the dramatic festivals was not between poets but between choruses. In fact eight of Aristophanes' eleven surviving plays are named after the Chorus. In Aristophanes' time, the Chorus in tragedy was relatively small (twelve members) and its role had been reduced to that of an awkwardly placed commentator, but in Old Comedy the Chorus was large (numbering 24), it was actively involved in the plot, its entry into the action was frequently spectacular, its movements were practised with military precision and sometimes it was involved in choreographed skirmishes with the actors. The expenditure on costumes, training and maintenance of a Chorus was considerable, and perhaps many people in the original audience enjoyed comedy mainly for the spectacle and music. The chorus gradually lost its significance as New Comedy began to develop. Obvious costumes: Consistent with the holiday spirit, much of the humour in Old Comedy is slapstick buffoonery and dirty jokes that do not require the audience's careful attention, often relying on visual cues.

Imaginative visions of a return to peaceful activities resulting from peace with Sparta, and a plea for leniency for citizens suspected of complicity in an oligarchic revolt are other examples of a serious purpose behind the plays. Teasing and taunting: A festival audience presented the comic dramatist with a wide range of targets, not just political or religious ones—anyone known to the audience could be mocked for any reason, such as diseases, physical deformities, ugliness, family misfortunes, bad manners, perversions, dishonesty, cowardice in battle, and clumsiness. Foreigners, a conspicuous presence in imperial Athens, particularly at the City Dionysia, often appear in the plays comically mispronouncing Attic words—these include Spartans (Lysistrata), Scythians (Thesmophoriazusae), Persians, Boeotians and Megarians (The Acharnians). Festivity The Lenaia and City Dionysia were religious festivals, but they resembled a gala rather than a church service. Dirty jokes: A relaxation in standards of behaviour was permitted and the holiday spirit included bawdy irreverence towards both men and gods. Old Comedy is rich in obscenities and the crude jokes are often very detailed and difficult to understand without expert commentary, as when the Chorus in The Acharnians places a curse on Antimachus, a choregus accused of niggardly conduct, wishing upon him a night-time mugging as he returns home from some drunken party and envisioning him, as he stoops down to pick up a rock in the darkness, accidentally picking up a fresh turd instead. He is then envisioned hurling the turd at his attacker, missing and accidentally hitting Cratinus, a lyric poet not admired by Aristophanes. This was particularly funny because the curse was sung (or chanted) in choreographed style by a Chorus of 24 grown men who were otherwise known to the audience as respectable citizens. The musical extravaganza: The Chorus was vital to the success of a play in Old Comedy long after it had lost its relevance for tragedy. Technically, the competition in the dramatic festivals was not between poets but between choruses. In fact eight of Aristophanes' eleven surviving plays are named after the Chorus. In Aristophanes' time, the Chorus in tragedy was relatively small (twelve members) and its role had been reduced to that of an awkwardly placed commentator, but in Old Comedy the Chorus was large (numbering 24), it was actively involved in the plot, its entry into the action was frequently spectacular, its movements were practised with military precision and sometimes it was involved in choreographed skirmishes with the actors. The expenditure on costumes, training and maintenance of a Chorus was considerable, and perhaps many people in the original audience enjoyed comedy mainly for the spectacle and music. The chorus gradually lost its significance as New Comedy began to develop. Obvious costumes: Consistent with the holiday spirit, much of the humour in Old Comedy is slapstick buffoonery and dirty jokes that do not require the audience's careful attention, often relying on visual cues.

Actors playing male roles appear to have worn tights over grotesque padding, with a prodigious, leather phallus barely concealed by a short tunic. Female characters were played by men but were easily recognized in long, saffron tunics. Sometimes the visual cues are deliberately confused for comic effect, as in The Frogs, where Dionysus arrives on stage in a saffron tunic, the buskin boots of a tragic actor and a lion skin cloak that usually characterized Heracles—an absurd outfit that provokes the character Heracles (as no doubt it provoked the audience) to guffaws of helpless mirth. The farcical anti-climax: The holiday spirit might also have been responsible for an aspect of the comic plot that can seem bewildering to modern audiences. The major confrontation (agon) between the 'good' and 'bad' characters in a play is often resolved decisively in favour of the former long before the end of the play. The rest of the play deals with farcical consequences in a succession of loosely connected scenes. The farcical anti-climax has been explained in a variety of ways, depending on the particular play. In The Wasps, for instance, it has been thought to indicate a gradual change in the main character's perspective as the lessons of the agon are slowly absorbed. In The Acharnians, it has been explained in terms of a unifying theme that underlies the episodes, demonstrating the practical benefits that come with wisdom. But the early release of dramatic tension is consistent with the holiday meanings in Old Comedy and it allows the audience to relax in uncomplicated enjoyment of the spectacle, the music, jokes and celebrations that characterize the remainder of the play. The celebration of the hero's victory often concludes in a sexual conquest and sometimes it takes the form of a wedding, thus providing the action with a joyous sense of closure. Complexity The development of New Comedy involved a trend towards more realistic plots, a simpler dramatic structure and a softer tone. Old Comedy was the comedy of a vigorously democratic polis at the height of its power and it gave Aristophanes the freedom to explore the limits of humour, even to the point of undermining the humour itself. Inclusive comedy: Old Comedy provided a variety of entertainments for a diverse audience. It accommodated a serious purpose, light entertainment, hauntingly beautiful lyrics, the buffoonery of puns and invented words, obscenities, disciplined verse, wildly absurd plots and a formal, dramatic structure. Fantasy and absurdity: Fantasy in Old Comedy is unrestricted and impossibilities are ignored. Situations are developed logically to absurd conclusions, an approach to humour that is echoed for instance in the works of Lewis Carroll and Eugène Ionesco (the Theatre of the Absurd).

Actors playing male roles appear to have worn tights over grotesque padding, with a prodigious, leather phallus barely concealed by a short tunic. Female characters were played by men but were easily recognized in long, saffron tunics. Sometimes the visual cues are deliberately confused for comic effect, as in The Frogs, where Dionysus arrives on stage in a saffron tunic, the buskin boots of a tragic actor and a lion skin cloak that usually characterized Heracles—an absurd outfit that provokes the character Heracles (as no doubt it provoked the audience) to guffaws of helpless mirth. The farcical anti-climax: The holiday spirit might also have been responsible for an aspect of the comic plot that can seem bewildering to modern audiences. The major confrontation (agon) between the 'good' and 'bad' characters in a play is often resolved decisively in favour of the former long before the end of the play. The rest of the play deals with farcical consequences in a succession of loosely connected scenes. The farcical anti-climax has been explained in a variety of ways, depending on the particular play. In The Wasps, for instance, it has been thought to indicate a gradual change in the main character's perspective as the lessons of the agon are slowly absorbed. In The Acharnians, it has been explained in terms of a unifying theme that underlies the episodes, demonstrating the practical benefits that come with wisdom. But the early release of dramatic tension is consistent with the holiday meanings in Old Comedy and it allows the audience to relax in uncomplicated enjoyment of the spectacle, the music, jokes and celebrations that characterize the remainder of the play. The celebration of the hero's victory often concludes in a sexual conquest and sometimes it takes the form of a wedding, thus providing the action with a joyous sense of closure. Complexity The development of New Comedy involved a trend towards more realistic plots, a simpler dramatic structure and a softer tone. Old Comedy was the comedy of a vigorously democratic polis at the height of its power and it gave Aristophanes the freedom to explore the limits of humour, even to the point of undermining the humour itself. Inclusive comedy: Old Comedy provided a variety of entertainments for a diverse audience. It accommodated a serious purpose, light entertainment, hauntingly beautiful lyrics, the buffoonery of puns and invented words, obscenities, disciplined verse, wildly absurd plots and a formal, dramatic structure. Fantasy and absurdity: Fantasy in Old Comedy is unrestricted and impossibilities are ignored. Situations are developed logically to absurd conclusions, an approach to humour that is echoed for instance in the works of Lewis Carroll and Eugène Ionesco (the Theatre of the Absurd).

Actors playing male roles appear to have worn tights over grotesque padding, with a prodigious, leather phallus barely concealed by a short tunic. Female characters were played by men but were easily recognized in long, saffron tunics. Sometimes the visual cues are deliberately confused for comic effect, as in The Frogs, where Dionysus arrives on stage in a saffron tunic, the buskin boots of a tragic actor and a lion skin cloak that usually characterized Heracles—an absurd outfit that provokes the character Heracles (as no doubt it provoked the audience) to guffaws of helpless mirth. The farcical anti-climax: The holiday spirit might also have been responsible for an aspect of the comic plot that can seem bewildering to modern audiences. The major confrontation (agon) between the 'good' and 'bad' characters in a play is often resolved decisively in favour of the former long before the end of the play. The rest of the play deals with farcical consequences in a succession of loosely connected scenes. The farcical anti-climax has been explained in a variety of ways, depending on the particular play. In The Wasps, for instance, it has been thought to indicate a gradual change in the main character's perspective as the lessons of the agon are slowly absorbed. In The Acharnians, it has been explained in terms of a unifying theme that underlies the episodes, demonstrating the practical benefits that come with wisdom. But the early release of dramatic tension is consistent with the holiday meanings in Old Comedy and it allows the audience to relax in uncomplicated enjoyment of the spectacle, the music, jokes and celebrations that characterize the remainder of the play. The celebration of the hero's victory often concludes in a sexual conquest and sometimes it takes the form of a wedding, thus providing the action with a joyous sense of closure. Complexity The development of New Comedy involved a trend towards more realistic plots, a simpler dramatic structure and a softer tone. Old Comedy was the comedy of a vigorously democratic polis at the height of its power and it gave Aristophanes the freedom to explore the limits of humour, even to the point of undermining the humour itself. Inclusive comedy: Old Comedy provided a variety of entertainments for a diverse audience. It accommodated a serious purpose, light entertainment, hauntingly beautiful lyrics, the buffoonery of puns and invented words, obscenities, disciplined verse, wildly absurd plots and a formal, dramatic structure. Fantasy and absurdity: Fantasy in Old Comedy is unrestricted and impossibilities are ignored. Situations are developed logically to absurd conclusions, an approach to humour that is echoed for instance in the works of Lewis Carroll and Eugène Ionesco (the Theatre of the Absurd).

The crazy costume worn by Dionysus in The Frogs is typical of an absurd result obtained on logical grounds—he wears a woman's saffron-coloured tunic because effeminacy is an aspect of his divinity, buskin boots because he is interested in reviving the art of tragedy, and a lion skin cape because, like Heracles, his mission leads him into Hades. Absurdities develop logically from initial premises in a plot. In The Knights for instance, Cleon's corrupt service to the people of Athens is originally depicted as a household relationship in which the slave dupes his master. The introduction of a rival, who is not a member of the household, leads to an absurd shift in the metaphor, so that Cleon and his rival become erastai competing for the affections of an eromenos, hawkers of oracles competing for the attention of a credulous public, athletes in a race for approval and orators competing for the popular vote. The resourceful hero: In Aristophanic comedy, the hero is an independent-minded and self-reliant individual. He has something of the ingenuity of Homer's Odysseus and much of the shrewdness of the farmer idealized in Hesiod's Works and Days, subjected to corrupt leaders and unreliable neighbours. Typically he devises a complicated and highly fanciful escape from an intolerable situation. Thus Dikaiopolis in The Acharnians contrives a private peace treaty with the Spartans; Bdelucleon in The Wasps turns his own house into a private law court in order to keep his jury-addicted father safely at home; Trygaeus in Peace flies to Olympus on a giant dung beetle to obtain an end to the Peloponnesian War; Pisthetairus in Birds sets off to establish his own colony and becomes instead the ruler of the bird kingdom and a rival to the gods. The resourceful cast: The numerous surprising developments in an Aristophanic plot, the changes in scene, and the farcical comings and goings of minor characters towards the end of a play, were managed according to theatrical convention with only three principal actors (a fourth actor, often the leader of the chorus, was permitted to deliver short speeches). Songs and addresses to the audience by the Chorus gave the actors hardly enough time off-stage to draw breath and to prepare for changes in scene. Complex structure: The action of an Aristophanic play obeyed a crazy logic of its own and yet it always unfolded within a formal, dramatic structure that was repeated with minor variations from one play to another. The different, structural elements are associated with different poetic meters and rhythms and these are generally lost in English translations.

The crazy costume worn by Dionysus in The Frogs is typical of an absurd result obtained on logical grounds—he wears a woman's saffron-coloured tunic because effeminacy is an aspect of his divinity, buskin boots because he is interested in reviving the art of tragedy, and a lion skin cape because, like Heracles, his mission leads him into Hades. Absurdities develop logically from initial premises in a plot. In The Knights for instance, Cleon's corrupt service to the people of Athens is originally depicted as a household relationship in which the slave dupes his master. The introduction of a rival, who is not a member of the household, leads to an absurd shift in the metaphor, so that Cleon and his rival become erastai competing for the affections of an eromenos, hawkers of oracles competing for the attention of a credulous public, athletes in a race for approval and orators competing for the popular vote. The resourceful hero: In Aristophanic comedy, the hero is an independent-minded and self-reliant individual. He has something of the ingenuity of Homer's Odysseus and much of the shrewdness of the farmer idealized in Hesiod's Works and Days, subjected to corrupt leaders and unreliable neighbours. Typically he devises a complicated and highly fanciful escape from an intolerable situation. Thus Dikaiopolis in The Acharnians contrives a private peace treaty with the Spartans; Bdelucleon in The Wasps turns his own house into a private law court in order to keep his jury-addicted father safely at home; Trygaeus in Peace flies to Olympus on a giant dung beetle to obtain an end to the Peloponnesian War; Pisthetairus in Birds sets off to establish his own colony and becomes instead the ruler of the bird kingdom and a rival to the gods. The resourceful cast: The numerous surprising developments in an Aristophanic plot, the changes in scene, and the farcical comings and goings of minor characters towards the end of a play, were managed according to theatrical convention with only three principal actors (a fourth actor, often the leader of the chorus, was permitted to deliver short speeches). Songs and addresses to the audience by the Chorus gave the actors hardly enough time off-stage to draw breath and to prepare for changes in scene. Complex structure: The action of an Aristophanic play obeyed a crazy logic of its own and yet it always unfolded within a formal, dramatic structure that was repeated with minor variations from one play to another. The different, structural elements are associated with different poetic meters and rhythms and these are generally lost in English translations.

The crazy costume worn by Dionysus in The Frogs is typical of an absurd result obtained on logical grounds—he wears a woman's saffron-coloured tunic because effeminacy is an aspect of his divinity, buskin boots because he is interested in reviving the art of tragedy, and a lion skin cape because, like Heracles, his mission leads him into Hades. Absurdities develop logically from initial premises in a plot. In The Knights for instance, Cleon's corrupt service to the people of Athens is originally depicted as a household relationship in which the slave dupes his master. The introduction of a rival, who is not a member of the household, leads to an absurd shift in the metaphor, so that Cleon and his rival become erastai competing for the affections of an eromenos, hawkers of oracles competing for the attention of a credulous public, athletes in a race for approval and orators competing for the popular vote. The resourceful hero: In Aristophanic comedy, the hero is an independent-minded and self-reliant individual. He has something of the ingenuity of Homer's Odysseus and much of the shrewdness of the farmer idealized in Hesiod's Works and Days, subjected to corrupt leaders and unreliable neighbours. Typically he devises a complicated and highly fanciful escape from an intolerable situation. Thus Dikaiopolis in The Acharnians contrives a private peace treaty with the Spartans; Bdelucleon in The Wasps turns his own house into a private law court in order to keep his jury-addicted father safely at home; Trygaeus in Peace flies to Olympus on a giant dung beetle to obtain an end to the Peloponnesian War; Pisthetairus in Birds sets off to establish his own colony and becomes instead the ruler of the bird kingdom and a rival to the gods. The resourceful cast: The numerous surprising developments in an Aristophanic plot, the changes in scene, and the farcical comings and goings of minor characters towards the end of a play, were managed according to theatrical convention with only three principal actors (a fourth actor, often the leader of the chorus, was permitted to deliver short speeches). Songs and addresses to the audience by the Chorus gave the actors hardly enough time off-stage to draw breath and to prepare for changes in scene. Complex structure: The action of an Aristophanic play obeyed a crazy logic of its own and yet it always unfolded within a formal, dramatic structure that was repeated with minor variations from one play to another. The different, structural elements are associated with different poetic meters and rhythms and these are generally lost in English translations.

Dramatic structure The structural elements of a typical Aristophanic plot can be summarized as follows: prologue – an introductory scene with a dialogue and/or soliloquy addressed to the audience, expressed in iambic trimeter and explaining the situation that is to be resolved in the play; parodos – the arrival of the chorus, dancing and singing, sometimes followed by a choreographed skirmish with one or more actors, often expressed in long lines of tetrameters; symmetrical scenes – passages featuring songs and declaimed verses in long lines of tetrameters, arranged symmetrically in two sections such that each half resembles the other in meter and line length; the agon and parabasis can be considered specific instances of symmetrical scenes: parabasis – verses through which the Chorus addresses the audience directly, firstly in the middle of the play and again near the end (see the section below, Parabasis); agon – a formal debate that decides the outcome of the play, typically in anapestic tetrameter, though iambs are sometimes used to delineate inferior arguments; episodes – sections of dialogue in iambic trimeter, often in a succession of scenes featuring minor characters towards the end of a play; songs ('strophes'/'antistrophes' or 'odes'/'antodes') – often in symmetrical pairs where each half has the same meter and number of lines as the other, used as transitions between other structural elements, or between scenes while actors change costume, and often commenting on the action; exodus – the departure of the Chorus and the actors, in song and dance celebrating the hero's victory and sometimes celebrating a symbolic marriage. The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace, for example, there is no formal agon whereas in The Clouds there are two agons. Parabasis The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays (The Acharnians to The Birds) are fairly uniform in their approach however and the following elements of a parabasis can be found within them. kommation: This is a brief prelude, comprising short lines and often including a valediction to the departing actors, such as (Go rejoicing!). parabasis proper: This is usually a defense of the author's work and it includes criticism of the audience's attitude. It is declaimed in long lines of 'anapestic tetrameters'. Aristophanes himself refers to the parabasis proper only as 'anapests'.

Dramatic structure The structural elements of a typical Aristophanic plot can be summarized as follows: prologue – an introductory scene with a dialogue and/or soliloquy addressed to the audience, expressed in iambic trimeter and explaining the situation that is to be resolved in the play; parodos – the arrival of the chorus, dancing and singing, sometimes followed by a choreographed skirmish with one or more actors, often expressed in long lines of tetrameters; symmetrical scenes – passages featuring songs and declaimed verses in long lines of tetrameters, arranged symmetrically in two sections such that each half resembles the other in meter and line length; the agon and parabasis can be considered specific instances of symmetrical scenes: parabasis – verses through which the Chorus addresses the audience directly, firstly in the middle of the play and again near the end (see the section below, Parabasis); agon – a formal debate that decides the outcome of the play, typically in anapestic tetrameter, though iambs are sometimes used to delineate inferior arguments; episodes – sections of dialogue in iambic trimeter, often in a succession of scenes featuring minor characters towards the end of a play; songs ('strophes'/'antistrophes' or 'odes'/'antodes') – often in symmetrical pairs where each half has the same meter and number of lines as the other, used as transitions between other structural elements, or between scenes while actors change costume, and often commenting on the action; exodus – the departure of the Chorus and the actors, in song and dance celebrating the hero's victory and sometimes celebrating a symbolic marriage. The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace, for example, there is no formal agon whereas in The Clouds there are two agons. Parabasis The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays (The Acharnians to The Birds) are fairly uniform in their approach however and the following elements of a parabasis can be found within them. kommation: This is a brief prelude, comprising short lines and often including a valediction to the departing actors, such as (Go rejoicing!). parabasis proper: This is usually a defense of the author's work and it includes criticism of the audience's attitude. It is declaimed in long lines of 'anapestic tetrameters'. Aristophanes himself refers to the parabasis proper only as 'anapests'.

Dramatic structure The structural elements of a typical Aristophanic plot can be summarized as follows: prologue – an introductory scene with a dialogue and/or soliloquy addressed to the audience, expressed in iambic trimeter and explaining the situation that is to be resolved in the play; parodos – the arrival of the chorus, dancing and singing, sometimes followed by a choreographed skirmish with one or more actors, often expressed in long lines of tetrameters; symmetrical scenes – passages featuring songs and declaimed verses in long lines of tetrameters, arranged symmetrically in two sections such that each half resembles the other in meter and line length; the agon and parabasis can be considered specific instances of symmetrical scenes: parabasis – verses through which the Chorus addresses the audience directly, firstly in the middle of the play and again near the end (see the section below, Parabasis); agon – a formal debate that decides the outcome of the play, typically in anapestic tetrameter, though iambs are sometimes used to delineate inferior arguments; episodes – sections of dialogue in iambic trimeter, often in a succession of scenes featuring minor characters towards the end of a play; songs ('strophes'/'antistrophes' or 'odes'/'antodes') – often in symmetrical pairs where each half has the same meter and number of lines as the other, used as transitions between other structural elements, or between scenes while actors change costume, and often commenting on the action; exodus – the departure of the Chorus and the actors, in song and dance celebrating the hero's victory and sometimes celebrating a symbolic marriage. The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In The Acharnians and Peace, for example, there is no formal agon whereas in The Clouds there are two agons. Parabasis The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays (The Acharnians to The Birds) are fairly uniform in their approach however and the following elements of a parabasis can be found within them. kommation: This is a brief prelude, comprising short lines and often including a valediction to the departing actors, such as (Go rejoicing!). parabasis proper: This is usually a defense of the author's work and it includes criticism of the audience's attitude. It is declaimed in long lines of 'anapestic tetrameters'. Aristophanes himself refers to the parabasis proper only as 'anapests'.

pnigos: Sometimes known as 'a choker', it comprises a few short lines appended to the parabasis proper as a kind of rapid patter (it has been suggested that some of the effects achieved in a pnigos can be heard in "The Lord Chancellor's Nightmare Song", in act 2 of Gilbert and Sullivan's Iolanthe). epirrhematic syzygies: These are symmetrical scenes that mirror each other in meter and number of lines. They form part of the first parabasis and they often comprise the entire second parabasis. They are characterized by the following elements: strophe or ode: These are lyrics in a variety of meters, sung by the Chorus in the first parabasis as an invocation to the gods and as a comic interlude in the second parabasis. epirrhema: These are usually long lines of trochaic tetrameters. Broadly political in their significance, they were probably spoken by the leader of the Chorus in character. antistrophe or antode: These are songs that mirror the strophe/ode in meter, length and function. antepirrhema. This is another declaimed passage and it mirrors the epirrhema in meter, length and function. The Wasps is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows. {| class="wikitable" style="margin: 1em auto 1em auto; background-color: #ffffff" ! Elements in The Wasps ! 1st parabasis ! 2nd parabasis |- | kommation | lines 1009–1014 | --- |- | parabasis proper | lines 1015–1050 | --- |- | pnigos | lines 1051–1059 | --- |- | strophe | lines 1060–1070 | lines 1265–1274 |- | epirrhema | lines 1071–1090 | lines 1275–1283 |- | antistrophe | lines 1091–1101 | missing |- | antepirrhema | lines 1102–1121 | lines 1284–1291 |} Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema (The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.

pnigos: Sometimes known as 'a choker', it comprises a few short lines appended to the parabasis proper as a kind of rapid patter (it has been suggested that some of the effects achieved in a pnigos can be heard in "The Lord Chancellor's Nightmare Song", in act 2 of Gilbert and Sullivan's Iolanthe). epirrhematic syzygies: These are symmetrical scenes that mirror each other in meter and number of lines. They form part of the first parabasis and they often comprise the entire second parabasis. They are characterized by the following elements: strophe or ode: These are lyrics in a variety of meters, sung by the Chorus in the first parabasis as an invocation to the gods and as a comic interlude in the second parabasis. epirrhema: These are usually long lines of trochaic tetrameters. Broadly political in their significance, they were probably spoken by the leader of the Chorus in character. antistrophe or antode: These are songs that mirror the strophe/ode in meter, length and function. antepirrhema. This is another declaimed passage and it mirrors the epirrhema in meter, length and function. The Wasps is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows. {| class="wikitable" style="margin: 1em auto 1em auto; background-color: #ffffff" ! Elements in The Wasps ! 1st parabasis ! 2nd parabasis |- | kommation | lines 1009–1014 | --- |- | parabasis proper | lines 1015–1050 | --- |- | pnigos | lines 1051–1059 | --- |- | strophe | lines 1060–1070 | lines 1265–1274 |- | epirrhema | lines 1071–1090 | lines 1275–1283 |- | antistrophe | lines 1091–1101 | missing |- | antepirrhema | lines 1102–1121 | lines 1284–1291 |} Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema (The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.

pnigos: Sometimes known as 'a choker', it comprises a few short lines appended to the parabasis proper as a kind of rapid patter (it has been suggested that some of the effects achieved in a pnigos can be heard in "The Lord Chancellor's Nightmare Song", in act 2 of Gilbert and Sullivan's Iolanthe). epirrhematic syzygies: These are symmetrical scenes that mirror each other in meter and number of lines. They form part of the first parabasis and they often comprise the entire second parabasis. They are characterized by the following elements: strophe or ode: These are lyrics in a variety of meters, sung by the Chorus in the first parabasis as an invocation to the gods and as a comic interlude in the second parabasis. epirrhema: These are usually long lines of trochaic tetrameters. Broadly political in their significance, they were probably spoken by the leader of the Chorus in character. antistrophe or antode: These are songs that mirror the strophe/ode in meter, length and function. antepirrhema. This is another declaimed passage and it mirrors the epirrhema in meter, length and function. The Wasps is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows. {| class="wikitable" style="margin: 1em auto 1em auto; background-color: #ffffff" ! Elements in The Wasps ! 1st parabasis ! 2nd parabasis |- | kommation | lines 1009–1014 | --- |- | parabasis proper | lines 1015–1050 | --- |- | pnigos | lines 1051–1059 | --- |- | strophe | lines 1060–1070 | lines 1265–1274 |- | epirrhema | lines 1071–1090 | lines 1275–1283 |- | antistrophe | lines 1091–1101 | missing |- | antepirrhema | lines 1102–1121 | lines 1284–1291 |} Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis. However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in The Clouds (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema (The Clouds lines 1113–1130). The second parabasis in The Acharnians lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.

Influence and legacy The tragic dramatists, Sophocles and Euripides, died near the end of the Peloponnesian War and the art of tragedy thereafter ceased to develop, yet comedy did continue to evolve after the defeat of Athens and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c.9th Century AD), one of Aristophanes's last plays, Aioliskon, had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government. Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for example, drew Les Plaideurs (1668) from The Wasps. Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform.

Influence and legacy The tragic dramatists, Sophocles and Euripides, died near the end of the Peloponnesian War and the art of tragedy thereafter ceased to develop, yet comedy did continue to evolve after the defeat of Athens and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c.9th Century AD), one of Aristophanes's last plays, Aioliskon, had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government. Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for example, drew Les Plaideurs (1668) from The Wasps. Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform.

Influence and legacy The tragic dramatists, Sophocles and Euripides, died near the end of the Peloponnesian War and the art of tragedy thereafter ceased to develop, yet comedy did continue to evolve after the defeat of Athens and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c.9th Century AD), one of Aristophanes's last plays, Aioliskon, had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government. Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for example, drew Les Plaideurs (1668) from The Wasps. Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform.

The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes. The plays have a significance that goes beyond their artistic function, as historical documents that open the window on life and politics in classical Athens, in which respect they are perhaps as important as the writings of Thucydides. The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly the plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged." Listed below are some of the many works influenced (more or less) by Aristophanes. Drama 1909: Wasps, original Greek, Cambridge University undergraduate production, music by Vaughan Williams; 2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theater Broadway; 1962–2006: various plays by students and staff, Kings College London, in the original Greek: Frogs 1962, 1971, 1988; Thesmophoriazusae 1965, 1974, 1985; The Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000; Ecclesiazusae 2006; Peace 1970; Wasps 1981 2002: Lysistrata, adapted by Robert Brustein, music by Galt McDermot, performed by American Repertory Theatre, Boston US; 2008, May–June: Frogs, adapted by David Greenspan, music by Thomas Cabaniss, performed by Classic Stage Company, New York, US. Literature The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the Tyrant) in imitation of Aristophanes' play The Frogs after he was reminded of the Chorus in that play by a herd of pigs passing to market under the window of his lodgings in San Giuliano, Italy. Aristophanes (particularly in reference to The Clouds) is mentioned frequently by the character Menedemos in the Hellenic Traders series of novels by H. N. Turteltaub. A liberal version of the comedies have been published in comic book format, initially by "Agrotikes Ekdoseis" during the 1980s and republished over the years by other companies. The plot was written by Tasos Apostolidis and the sketches were of George Akokalidis. The stories feature either Aristophanes narrating them, directing the play, or even as a character inside one of his stories. Radio shows Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It features Aristophanes, Socrates and many other famous Greeks. (Not to be confused with the Australian sitcom of the same name.) Aristophanes is characterised as a celebrity playwright, and most of his plays have the title formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the exaggerated appendages worn by Greek comic actors) Aristophanes Against the World was a radio play by Martyn Wade and broadcast on BBC Radio 4.

The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes. The plays have a significance that goes beyond their artistic function, as historical documents that open the window on life and politics in classical Athens, in which respect they are perhaps as important as the writings of Thucydides. The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly the plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged." Listed below are some of the many works influenced (more or less) by Aristophanes. Drama 1909: Wasps, original Greek, Cambridge University undergraduate production, music by Vaughan Williams; 2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theater Broadway; 1962–2006: various plays by students and staff, Kings College London, in the original Greek: Frogs 1962, 1971, 1988; Thesmophoriazusae 1965, 1974, 1985; The Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000; Ecclesiazusae 2006; Peace 1970; Wasps 1981 2002: Lysistrata, adapted by Robert Brustein, music by Galt McDermot, performed by American Repertory Theatre, Boston US; 2008, May–June: Frogs, adapted by David Greenspan, music by Thomas Cabaniss, performed by Classic Stage Company, New York, US. Literature The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the Tyrant) in imitation of Aristophanes' play The Frogs after he was reminded of the Chorus in that play by a herd of pigs passing to market under the window of his lodgings in San Giuliano, Italy. Aristophanes (particularly in reference to The Clouds) is mentioned frequently by the character Menedemos in the Hellenic Traders series of novels by H. N. Turteltaub. A liberal version of the comedies have been published in comic book format, initially by "Agrotikes Ekdoseis" during the 1980s and republished over the years by other companies. The plot was written by Tasos Apostolidis and the sketches were of George Akokalidis. The stories feature either Aristophanes narrating them, directing the play, or even as a character inside one of his stories. Radio shows Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It features Aristophanes, Socrates and many other famous Greeks. (Not to be confused with the Australian sitcom of the same name.) Aristophanes is characterised as a celebrity playwright, and most of his plays have the title formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the exaggerated appendages worn by Greek comic actors) Aristophanes Against the World was a radio play by Martyn Wade and broadcast on BBC Radio 4.

The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes. The plays have a significance that goes beyond their artistic function, as historical documents that open the window on life and politics in classical Athens, in which respect they are perhaps as important as the writings of Thucydides. The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly the plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged." Listed below are some of the many works influenced (more or less) by Aristophanes. Drama 1909: Wasps, original Greek, Cambridge University undergraduate production, music by Vaughan Williams; 2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theater Broadway; 1962–2006: various plays by students and staff, Kings College London, in the original Greek: Frogs 1962, 1971, 1988; Thesmophoriazusae 1965, 1974, 1985; The Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000; Ecclesiazusae 2006; Peace 1970; Wasps 1981 2002: Lysistrata, adapted by Robert Brustein, music by Galt McDermot, performed by American Repertory Theatre, Boston US; 2008, May–June: Frogs, adapted by David Greenspan, music by Thomas Cabaniss, performed by Classic Stage Company, New York, US. Literature The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the Tyrant) in imitation of Aristophanes' play The Frogs after he was reminded of the Chorus in that play by a herd of pigs passing to market under the window of his lodgings in San Giuliano, Italy. Aristophanes (particularly in reference to The Clouds) is mentioned frequently by the character Menedemos in the Hellenic Traders series of novels by H. N. Turteltaub. A liberal version of the comedies have been published in comic book format, initially by "Agrotikes Ekdoseis" during the 1980s and republished over the years by other companies. The plot was written by Tasos Apostolidis and the sketches were of George Akokalidis. The stories feature either Aristophanes narrating them, directing the play, or even as a character inside one of his stories. Radio shows Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It features Aristophanes, Socrates and many other famous Greeks. (Not to be confused with the Australian sitcom of the same name.) Aristophanes is characterised as a celebrity playwright, and most of his plays have the title formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the exaggerated appendages worn by Greek comic actors) Aristophanes Against the World was a radio play by Martyn Wade and broadcast on BBC Radio 4.

Loosely based on several of his plays, it featured Clive Merrison as Aristophanes. The Wasps, radio play adapted by David Pountney, music by Vaughan Williams, recorded 26–28 July 2005, Albert Halls, Bolten, in association with BBC, under Halle label Music Satiric Dances for a Comedy by Aristophanes is a three-movement piece for concert band composed by Norman Dello Joio. It was commissioned in commemoration of the Bicentennial of 19 April 1775 (the start of the American Revolutionary War) by the Concord (Massachusetts) Band. The commission was funded by the Town of Concord and assistance was given by the Eastern National Park and Monument Association in cooperation with the National Park Service. Ralph Vaughan Williams wrote The Wasps for a 1909 Cambridge University production of the play. Translation of Aristophanes Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies in English, none could be flawless, "for there is much truth in the paradox that the only really perfect translation is the original." In spite of that, it is crucial to be cited that there are competent respectable translations in other languages such as Farsi (by Reza Shirmarz, a well-known Iranian playwright, translator and researcher), French and German which seems quite fascinating not only for the scholars and academics, but also for theater professionals to be stages or performed in radio. Additionally, despite the fact that English translations of Aristophanes might not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years." Works Surviving plays Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies. The Acharnians ( Akharneis; Attic ; ), 425 BC The Knights ( Hippeis; Attic ; Latin: ), 424 BC The Clouds ( Nephelai; Latin: ), original 423 BC, uncompleted revised version from 419 to 416 BC survives The Wasps ( Sphekes; Latin: ), 422 BC Peace ( Eirene; Latin: ), first version, 421 BC The Birds ( Ornithes; Latin: ), 414 BC Lysistrata ( Lysistrate), 411 BC Thesmophoriazusae or The Women Celebrating the Thesmophoria ( Thesmophoriazousai), first version c.411 BC The Frogs ( Batrakhoi; Latin: ), 405 BC Ecclesiazusae or The Assemblywomen; ( Ekklesiazousai), c. 392 BC Wealth ( Ploutos; Latin Plutus) second version, 388 BC Datable non-surviving (lost) plays The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, Poetae Comici Graeci III.2.

Loosely based on several of his plays, it featured Clive Merrison as Aristophanes. The Wasps, radio play adapted by David Pountney, music by Vaughan Williams, recorded 26–28 July 2005, Albert Halls, Bolten, in association with BBC, under Halle label Music Satiric Dances for a Comedy by Aristophanes is a three-movement piece for concert band composed by Norman Dello Joio. It was commissioned in commemoration of the Bicentennial of 19 April 1775 (the start of the American Revolutionary War) by the Concord (Massachusetts) Band. The commission was funded by the Town of Concord and assistance was given by the Eastern National Park and Monument Association in cooperation with the National Park Service. Ralph Vaughan Williams wrote The Wasps for a 1909 Cambridge University production of the play. Translation of Aristophanes Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies in English, none could be flawless, "for there is much truth in the paradox that the only really perfect translation is the original." In spite of that, it is crucial to be cited that there are competent respectable translations in other languages such as Farsi (by Reza Shirmarz, a well-known Iranian playwright, translator and researcher), French and German which seems quite fascinating not only for the scholars and academics, but also for theater professionals to be stages or performed in radio. Additionally, despite the fact that English translations of Aristophanes might not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years." Works Surviving plays Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies. The Acharnians ( Akharneis; Attic ; ), 425 BC The Knights ( Hippeis; Attic ; Latin: ), 424 BC The Clouds ( Nephelai; Latin: ), original 423 BC, uncompleted revised version from 419 to 416 BC survives The Wasps ( Sphekes; Latin: ), 422 BC Peace ( Eirene; Latin: ), first version, 421 BC The Birds ( Ornithes; Latin: ), 414 BC Lysistrata ( Lysistrate), 411 BC Thesmophoriazusae or The Women Celebrating the Thesmophoria ( Thesmophoriazousai), first version c.411 BC The Frogs ( Batrakhoi; Latin: ), 405 BC Ecclesiazusae or The Assemblywomen; ( Ekklesiazousai), c. 392 BC Wealth ( Ploutos; Latin Plutus) second version, 388 BC Datable non-surviving (lost) plays The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, Poetae Comici Graeci III.2.

Loosely based on several of his plays, it featured Clive Merrison as Aristophanes. The Wasps, radio play adapted by David Pountney, music by Vaughan Williams, recorded 26–28 July 2005, Albert Halls, Bolten, in association with BBC, under Halle label Music Satiric Dances for a Comedy by Aristophanes is a three-movement piece for concert band composed by Norman Dello Joio. It was commissioned in commemoration of the Bicentennial of 19 April 1775 (the start of the American Revolutionary War) by the Concord (Massachusetts) Band. The commission was funded by the Town of Concord and assistance was given by the Eastern National Park and Monument Association in cooperation with the National Park Service. Ralph Vaughan Williams wrote The Wasps for a 1909 Cambridge University production of the play. Translation of Aristophanes Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies in English, none could be flawless, "for there is much truth in the paradox that the only really perfect translation is the original." In spite of that, it is crucial to be cited that there are competent respectable translations in other languages such as Farsi (by Reza Shirmarz, a well-known Iranian playwright, translator and researcher), French and German which seems quite fascinating not only for the scholars and academics, but also for theater professionals to be stages or performed in radio. Additionally, despite the fact that English translations of Aristophanes might not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years." Works Surviving plays Most of these are traditionally referred to by abbreviations of their Latin titles; Latin remains a customary language of scholarship in classical studies. The Acharnians ( Akharneis; Attic ; ), 425 BC The Knights ( Hippeis; Attic ; Latin: ), 424 BC The Clouds ( Nephelai; Latin: ), original 423 BC, uncompleted revised version from 419 to 416 BC survives The Wasps ( Sphekes; Latin: ), 422 BC Peace ( Eirene; Latin: ), first version, 421 BC The Birds ( Ornithes; Latin: ), 414 BC Lysistrata ( Lysistrate), 411 BC Thesmophoriazusae or The Women Celebrating the Thesmophoria ( Thesmophoriazousai), first version c.411 BC The Frogs ( Batrakhoi; Latin: ), 405 BC Ecclesiazusae or The Assemblywomen; ( Ekklesiazousai), c. 392 BC Wealth ( Ploutos; Latin Plutus) second version, 388 BC Datable non-surviving (lost) plays The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, Poetae Comici Graeci III.2.

Banqueters (Δαιταλεῖς Daitaleis, 427 BC) Babylonians (Βαβυλώνιοι Babylonioi, 426 BC) Farmers (Γεωργοί Georgoi, 424 BC) Merchant Ships (Ὁλκάδες Holkades, 423 BC) Clouds (first version, 423 BC) Proagon (Προάγων, 422 BC) Amphiaraus (Ἀμφιάραος, 414 BC) Plutus (Wealth, first version, 408 BC) Gerytades (Γηρυτάδης, uncertain, probably 407 BC) Cocalus (Κώκαλος, 387 BC) Aiolosicon (Αἰολοσίκων, second version, 386 BC) Undated non-surviving (lost) plays Aiolosicon (first version) Anagyrus (Ἀνάγυρος) Frying-Pan Men (Ταγηνισταί Tagenistai) Daedalus (Δαίδαλος) Danaids (Δαναΐδες Danaides) Centaur (Κένταυρος Kentauros) Heroes (Ἥρωες) Lemnian Women (Λήμνιαι Lemniai) Old Age (Γῆρας Geras) Peace (second version) Phoenician Women (Φοίνισσαι Phoinissai) Polyidus (Πολύιδος) Seasons (Ὧραι Horai) Storks (Πελαργοί Pelargoi) Telemessians (Ίελμησσείς Telmesseis) Triphales (Τριφάλης) Thesmophoriazusae (Women at the Thesmophoria Festival, second version) Women in Tents (Σκηνὰς Καταλαμβάνουσαι Skenas Katalambanousai) Attributed (doubtful, possibly by Archippus) See also Agathon Ancient Greek comedy Asteroid 2934 Aristophanes, named after the dramatist Greek literature Onomasti komodein, the witty personal attack made with total freedom against the most notable individuals Hubert Parry wrote music for The Birds Theatre of ancient Greece Codex Ravennas 429 Notes References Barrett, David (1964) The Frogs and Other Plays Penguin Books Barrett, David and Sommerstein, Alan (eds)(2003) The Birds and Other plays Penguin Classics MacDowell, Douglas (1971)(1978) Aristophanes Wasps, Oxford University Press, n.32 reviewed by W. J. Slater, Phoenix, Vol. 30, No. 3 (Autumn, 1976), pp. 291–293 Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7–22; 23–53. Aristophanes and the Comic Hero by Cedric H. Whitman Author(s) of Review: H. Lloyd Stow The American Journal of Philology, Vol. 87, No. 1 (Jan., 1966), pp. 111–113 G. M. Sifakis The Structure of Aristophanic Comedy The Journal of Hellenic Studies, Vol. 112, 1992 (1992), pp. 123–142 Van Steen, Gonda. 2000 Venom in Verse: Aristophanes in Modern Greece. Princeton University Press. Jstor.org, The American Journal of Philology, 1996. Life, death and Aristophanes' concept of Eros in Saul Bellow's "Ravelstein". Further reading The Eleven Comedies (in translation) at the University of Adelaide Library External links 440s BC births 380s BC deaths 4th-century BC Athenians 4th-century BC writers 5th-century BC Athenians 5th-century BC writers Ancient Athenians Ancient Greek dramatists and playwrights Ancient Greek satirists Old Comic poets Writers of lost works

Banqueters (Δαιταλεῖς Daitaleis, 427 BC) Babylonians (Βαβυλώνιοι Babylonioi, 426 BC) Farmers (Γεωργοί Georgoi, 424 BC) Merchant Ships (Ὁλκάδες Holkades, 423 BC) Clouds (first version, 423 BC) Proagon (Προάγων, 422 BC) Amphiaraus (Ἀμφιάραος, 414 BC) Plutus (Wealth, first version, 408 BC) Gerytades (Γηρυτάδης, uncertain, probably 407 BC) Cocalus (Κώκαλος, 387 BC) Aiolosicon (Αἰολοσίκων, second version, 386 BC) Undated non-surviving (lost) plays Aiolosicon (first version) Anagyrus (Ἀνάγυρος) Frying-Pan Men (Ταγηνισταί Tagenistai) Daedalus (Δαίδαλος) Danaids (Δαναΐδες Danaides) Centaur (Κένταυρος Kentauros) Heroes (Ἥρωες) Lemnian Women (Λήμνιαι Lemniai) Old Age (Γῆρας Geras) Peace (second version) Phoenician Women (Φοίνισσαι Phoinissai) Polyidus (Πολύιδος) Seasons (Ὧραι Horai) Storks (Πελαργοί Pelargoi) Telemessians (Ίελμησσείς Telmesseis) Triphales (Τριφάλης) Thesmophoriazusae (Women at the Thesmophoria Festival, second version) Women in Tents (Σκηνὰς Καταλαμβάνουσαι Skenas Katalambanousai) Attributed (doubtful, possibly by Archippus) See also Agathon Ancient Greek comedy Asteroid 2934 Aristophanes, named after the dramatist Greek literature Onomasti komodein, the witty personal attack made with total freedom against the most notable individuals Hubert Parry wrote music for The Birds Theatre of ancient Greece Codex Ravennas 429 Notes References Barrett, David (1964) The Frogs and Other Plays Penguin Books Barrett, David and Sommerstein, Alan (eds)(2003) The Birds and Other plays Penguin Classics MacDowell, Douglas (1971)(1978) Aristophanes Wasps, Oxford University Press, n.32 reviewed by W. J. Slater, Phoenix, Vol. 30, No. 3 (Autumn, 1976), pp. 291–293 Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7–22; 23–53. Aristophanes and the Comic Hero by Cedric H. Whitman Author(s) of Review: H. Lloyd Stow The American Journal of Philology, Vol. 87, No. 1 (Jan., 1966), pp. 111–113 G. M. Sifakis The Structure of Aristophanic Comedy The Journal of Hellenic Studies, Vol. 112, 1992 (1992), pp. 123–142 Van Steen, Gonda. 2000 Venom in Verse: Aristophanes in Modern Greece. Princeton University Press. Jstor.org, The American Journal of Philology, 1996. Life, death and Aristophanes' concept of Eros in Saul Bellow's "Ravelstein". Further reading The Eleven Comedies (in translation) at the University of Adelaide Library External links 440s BC births 380s BC deaths 4th-century BC Athenians 4th-century BC writers 5th-century BC Athenians 5th-century BC writers Ancient Athenians Ancient Greek dramatists and playwrights Ancient Greek satirists Old Comic poets Writers of lost works

Banqueters (Δαιταλεῖς Daitaleis, 427 BC) Babylonians (Βαβυλώνιοι Babylonioi, 426 BC) Farmers (Γεωργοί Georgoi, 424 BC) Merchant Ships (Ὁλκάδες Holkades, 423 BC) Clouds (first version, 423 BC) Proagon (Προάγων, 422 BC) Amphiaraus (Ἀμφιάραος, 414 BC) Plutus (Wealth, first version, 408 BC) Gerytades (Γηρυτάδης, uncertain, probably 407 BC) Cocalus (Κώκαλος, 387 BC) Aiolosicon (Αἰολοσίκων, second version, 386 BC) Undated non-surviving (lost) plays Aiolosicon (first version) Anagyrus (Ἀνάγυρος) Frying-Pan Men (Ταγηνισταί Tagenistai) Daedalus (Δαίδαλος) Danaids (Δαναΐδες Danaides) Centaur (Κένταυρος Kentauros) Heroes (Ἥρωες) Lemnian Women (Λήμνιαι Lemniai) Old Age (Γῆρας Geras) Peace (second version) Phoenician Women (Φοίνισσαι Phoinissai) Polyidus (Πολύιδος) Seasons (Ὧραι Horai) Storks (Πελαργοί Pelargoi) Telemessians (Ίελμησσείς Telmesseis) Triphales (Τριφάλης) Thesmophoriazusae (Women at the Thesmophoria Festival, second version) Women in Tents (Σκηνὰς Καταλαμβάνουσαι Skenas Katalambanousai) Attributed (doubtful, possibly by Archippus) See also Agathon Ancient Greek comedy Asteroid 2934 Aristophanes, named after the dramatist Greek literature Onomasti komodein, the witty personal attack made with total freedom against the most notable individuals Hubert Parry wrote music for The Birds Theatre of ancient Greece Codex Ravennas 429 Notes References Barrett, David (1964) The Frogs and Other Plays Penguin Books Barrett, David and Sommerstein, Alan (eds)(2003) The Birds and Other plays Penguin Classics MacDowell, Douglas (1971)(1978) Aristophanes Wasps, Oxford University Press, n.32 reviewed by W. J. Slater, Phoenix, Vol. 30, No. 3 (Autumn, 1976), pp. 291–293 Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7–22; 23–53. Aristophanes and the Comic Hero by Cedric H. Whitman Author(s) of Review: H. Lloyd Stow The American Journal of Philology, Vol. 87, No. 1 (Jan., 1966), pp. 111–113 G. M. Sifakis The Structure of Aristophanic Comedy The Journal of Hellenic Studies, Vol. 112, 1992 (1992), pp. 123–142 Van Steen, Gonda. 2000 Venom in Verse: Aristophanes in Modern Greece. Princeton University Press. Jstor.org, The American Journal of Philology, 1996. Life, death and Aristophanes' concept of Eros in Saul Bellow's "Ravelstein". Further reading The Eleven Comedies (in translation) at the University of Adelaide Library External links 440s BC births 380s BC deaths 4th-century BC Athenians 4th-century BC writers 5th-century BC Athenians 5th-century BC writers Ancient Athenians Ancient Greek dramatists and playwrights Ancient Greek satirists Old Comic poets Writers of lost works

Albert Schweitzer Ludwig Philipp Albert Schweitzer (; 14 January 1875 – 4 September 1965) was an Alsatian-German polymath. He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. A Lutheran, Schweitzer challenged both the secular view of Jesus as depicted by the historical-critical method current at this time, as well as the traditional Christian view. His contributions to the interpretation of Pauline Christianity concern the role of Paul's mysticism of "being in Christ" as primary and the doctrine of Justification by Faith as secondary. He received the 1952 Nobel Peace Prize for his philosophy of "Reverence for Life", becoming the eighth Frenchman to be awarded that prize. His philosophy was expressed in many ways, but most famously in founding and sustaining the Albert Schweitzer Hospital in Lambaréné, which up to 1958 was situated in French Equatorial Africa, and after this in Gabon. As a music scholar and organist, he studied the music of German composer Johann Sebastian Bach and influenced the Organ Reform Movement (Orgelbewegung). Early years Schweitzer was born 14 January 1875 in Kaysersberg in Alsace, in what had less than four years previously become The Imperial Territory of Alsace-Lorraine in The German Empire; he later became a citizen of France after World War I, when Alsace became French territory. He was the son of Louis Schweitzer and Adèle Schillinger. He spent his childhood in Gunsbach, also in Alsace, where his father, the local Lutheran-Evangelical pastor of the EPCAAL, taught him how to play music. The tiny village would become home to the Association Internationale Albert Schweitzer (AIAS). The medieval parish church of Gunsbach was shared by the Protestant and Catholic congregations, which held their prayers in different areas at different times on Sundays. This compromise arose after the Protestant Reformation and the Thirty Years' War. Schweitzer, the pastor's son, grew up in this exceptional environment of religious tolerance, and developed the belief that true Christianity should always work towards a unity of faith and purpose. Schweitzer's first language was the Alsatian dialect of German. At the Mulhouse gymnasium he received his "Abitur" (the certificate at the end of secondary education) in 1893. He studied organ in Mulhouse from 1885 to 1893 with Eugène Munch, organist at the Protestant cathedral, who inspired Schweitzer with his enthusiasm for the music of German composer Richard Wagner. In 1893, he played for the French organist Charles-Marie Widor (at Saint-Sulpice, Paris), for whom Johann Sebastian Bach's organ music contained a mystic sense of the eternal. Widor, deeply impressed, agreed to teach Schweitzer without fee, and a great and influential friendship thus began. From 1893 Schweitzer studied Protestant theology at the Kaiser Wilhelm University in Strasbourg. There he also received instruction in piano and counterpoint from professor Gustav Jacobsthal, and associated closely with Ernest Munch, the brother of his former teacher, organist of St William church, who was also a passionate admirer of J. S. Bach's music. Schweitzer served his one-year compulsory military service in 1894.

Albert Schweitzer Ludwig Philipp Albert Schweitzer (; 14 January 1875 – 4 September 1965) was an Alsatian-German polymath. He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. A Lutheran, Schweitzer challenged both the secular view of Jesus as depicted by the historical-critical method current at this time, as well as the traditional Christian view. His contributions to the interpretation of Pauline Christianity concern the role of Paul's mysticism of "being in Christ" as primary and the doctrine of Justification by Faith as secondary. He received the 1952 Nobel Peace Prize for his philosophy of "Reverence for Life", becoming the eighth Frenchman to be awarded that prize. His philosophy was expressed in many ways, but most famously in founding and sustaining the Albert Schweitzer Hospital in Lambaréné, which up to 1958 was situated in French Equatorial Africa, and after this in Gabon. As a music scholar and organist, he studied the music of German composer Johann Sebastian Bach and influenced the Organ Reform Movement (Orgelbewegung). Early years Schweitzer was born 14 January 1875 in Kaysersberg in Alsace, in what had less than four years previously become The Imperial Territory of Alsace-Lorraine in The German Empire; he later became a citizen of France after World War I, when Alsace became French territory. He was the son of Louis Schweitzer and Adèle Schillinger. He spent his childhood in Gunsbach, also in Alsace, where his father, the local Lutheran-Evangelical pastor of the EPCAAL, taught him how to play music. The tiny village would become home to the Association Internationale Albert Schweitzer (AIAS). The medieval parish church of Gunsbach was shared by the Protestant and Catholic congregations, which held their prayers in different areas at different times on Sundays. This compromise arose after the Protestant Reformation and the Thirty Years' War. Schweitzer, the pastor's son, grew up in this exceptional environment of religious tolerance, and developed the belief that true Christianity should always work towards a unity of faith and purpose. Schweitzer's first language was the Alsatian dialect of German. At the Mulhouse gymnasium he received his "Abitur" (the certificate at the end of secondary education) in 1893. He studied organ in Mulhouse from 1885 to 1893 with Eugène Munch, organist at the Protestant cathedral, who inspired Schweitzer with his enthusiasm for the music of German composer Richard Wagner. In 1893, he played for the French organist Charles-Marie Widor (at Saint-Sulpice, Paris), for whom Johann Sebastian Bach's organ music contained a mystic sense of the eternal. Widor, deeply impressed, agreed to teach Schweitzer without fee, and a great and influential friendship thus began. From 1893 Schweitzer studied Protestant theology at the Kaiser Wilhelm University in Strasbourg. There he also received instruction in piano and counterpoint from professor Gustav Jacobsthal, and associated closely with Ernest Munch, the brother of his former teacher, organist of St William church, who was also a passionate admirer of J. S. Bach's music. Schweitzer served his one-year compulsory military service in 1894.

Schweitzer saw many operas of Richard Wagner in Strasbourg (under Otto Lohse) and in 1896 he managed to afford a visit to the Bayreuth Festival to see Wagner's Der Ring des Nibelungen and Parsifal, both of which impressed him. In 1898, he returned to Paris to write a PhD dissertation on The Religious Philosophy of Kant at the Sorbonne, and to study in earnest with Widor. Here he often met with the elderly Aristide Cavaillé-Coll. He also studied piano at that time with Marie Jaëll. In 1899, Schweitzer spent the summer semester at the University of Berlin and eventually obtained his theology degree at the University of Strasbourg. He published his PhD thesis at the University of Tübingen in 1899. In 1905, Schweitzer began his study of medicine at the University of Strasbourg, culminating in the degree of M.D. in 1913. Music Schweitzer rapidly gained prominence as a musical scholar and organist, dedicated also to the rescue, restoration and study of historic pipe organs. With theological insight, he interpreted the use of pictorial and symbolical representation in J. S. Bach's religious music. In 1899, he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which the musical design corresponded to literary ideas, conceived visually. Widor had not grown up with knowledge of the old Lutheran hymns. The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's last task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète, written in French and published in 1905. There was great demand for a German edition, but, instead of translating it, he decided to rewrite it. The result was two volumes (J. S. Bach), which were published in 1908 and translated into English by Ernest Newman in 1911. Ernst Cassirer, a contemporaneous German philosopher, called it "one of the best interpretations" of Bach. During its preparation Schweitzer became a friend of Cosima Wagner, then resident in Strasbourg, with whom he had many theological and musical conversations, exploring his view of Bach's descriptive music, and playing the major Chorale Preludes for her at the Temple Neuf. Schweitzer's interpretative approach greatly influenced the modern understanding of Bach's music. He became a welcome guest at the Wagners' home, Wahnfried. He also corresponded with composer Clara Faisst, who became a good friend. His pamphlet "The Art of Organ Building and Organ Playing in Germany and France" (1906, republished with an appendix on the state of the organ-building industry in 1927) effectively launched the 20th-century Orgelbewegung, which turned away from romantic extremes and rediscovered baroque principles—although this sweeping reform movement in organ building eventually went further than Schweitzer had intended. In 1909, he addressed the Third Congress of the International Society of Music at Vienna on the subject. Having circulated a questionnaire among players and organ-builders in several European countries, he produced a very considered report.

Schweitzer saw many operas of Richard Wagner in Strasbourg (under Otto Lohse) and in 1896 he managed to afford a visit to the Bayreuth Festival to see Wagner's Der Ring des Nibelungen and Parsifal, both of which impressed him. In 1898, he returned to Paris to write a PhD dissertation on The Religious Philosophy of Kant at the Sorbonne, and to study in earnest with Widor. Here he often met with the elderly Aristide Cavaillé-Coll. He also studied piano at that time with Marie Jaëll. In 1899, Schweitzer spent the summer semester at the University of Berlin and eventually obtained his theology degree at the University of Strasbourg. He published his PhD thesis at the University of Tübingen in 1899. In 1905, Schweitzer began his study of medicine at the University of Strasbourg, culminating in the degree of M.D. in 1913. Music Schweitzer rapidly gained prominence as a musical scholar and organist, dedicated also to the rescue, restoration and study of historic pipe organs. With theological insight, he interpreted the use of pictorial and symbolical representation in J. S. Bach's religious music. In 1899, he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which the musical design corresponded to literary ideas, conceived visually. Widor had not grown up with knowledge of the old Lutheran hymns. The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's last task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète, written in French and published in 1905. There was great demand for a German edition, but, instead of translating it, he decided to rewrite it. The result was two volumes (J. S. Bach), which were published in 1908 and translated into English by Ernest Newman in 1911. Ernst Cassirer, a contemporaneous German philosopher, called it "one of the best interpretations" of Bach. During its preparation Schweitzer became a friend of Cosima Wagner, then resident in Strasbourg, with whom he had many theological and musical conversations, exploring his view of Bach's descriptive music, and playing the major Chorale Preludes for her at the Temple Neuf. Schweitzer's interpretative approach greatly influenced the modern understanding of Bach's music. He became a welcome guest at the Wagners' home, Wahnfried. He also corresponded with composer Clara Faisst, who became a good friend. His pamphlet "The Art of Organ Building and Organ Playing in Germany and France" (1906, republished with an appendix on the state of the organ-building industry in 1927) effectively launched the 20th-century Orgelbewegung, which turned away from romantic extremes and rediscovered baroque principles—although this sweeping reform movement in organ building eventually went further than Schweitzer had intended. In 1909, he addressed the Third Congress of the International Society of Music at Vienna on the subject. Having circulated a questionnaire among players and organ-builders in several European countries, he produced a very considered report.

Schweitzer saw many operas of Richard Wagner in Strasbourg (under Otto Lohse) and in 1896 he managed to afford a visit to the Bayreuth Festival to see Wagner's Der Ring des Nibelungen and Parsifal, both of which impressed him. In 1898, he returned to Paris to write a PhD dissertation on The Religious Philosophy of Kant at the Sorbonne, and to study in earnest with Widor. Here he often met with the elderly Aristide Cavaillé-Coll. He also studied piano at that time with Marie Jaëll. In 1899, Schweitzer spent the summer semester at the University of Berlin and eventually obtained his theology degree at the University of Strasbourg. He published his PhD thesis at the University of Tübingen in 1899. In 1905, Schweitzer began his study of medicine at the University of Strasbourg, culminating in the degree of M.D. in 1913. Music Schweitzer rapidly gained prominence as a musical scholar and organist, dedicated also to the rescue, restoration and study of historic pipe organs. With theological insight, he interpreted the use of pictorial and symbolical representation in J. S. Bach's religious music. In 1899, he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which the musical design corresponded to literary ideas, conceived visually. Widor had not grown up with knowledge of the old Lutheran hymns. The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's last task, and appeared in the masterly study J. S. Bach: Le Musicien-Poète, written in French and published in 1905. There was great demand for a German edition, but, instead of translating it, he decided to rewrite it. The result was two volumes (J. S. Bach), which were published in 1908 and translated into English by Ernest Newman in 1911. Ernst Cassirer, a contemporaneous German philosopher, called it "one of the best interpretations" of Bach. During its preparation Schweitzer became a friend of Cosima Wagner, then resident in Strasbourg, with whom he had many theological and musical conversations, exploring his view of Bach's descriptive music, and playing the major Chorale Preludes for her at the Temple Neuf. Schweitzer's interpretative approach greatly influenced the modern understanding of Bach's music. He became a welcome guest at the Wagners' home, Wahnfried. He also corresponded with composer Clara Faisst, who became a good friend. His pamphlet "The Art of Organ Building and Organ Playing in Germany and France" (1906, republished with an appendix on the state of the organ-building industry in 1927) effectively launched the 20th-century Orgelbewegung, which turned away from romantic extremes and rediscovered baroque principles—although this sweeping reform movement in organ building eventually went further than Schweitzer had intended. In 1909, he addressed the Third Congress of the International Society of Music at Vienna on the subject. Having circulated a questionnaire among players and organ-builders in several European countries, he produced a very considered report.

This provided the basis for the International Regulations for Organ Building. He envisaged instruments in which the French late-romantic full-organ sound should work integrally with the English and German romantic reed pipes, and with the classical Alsace Silbermann organ resources and baroque flue pipes, all in registers regulated (by stops) to access distinct voices in fugue or counterpoint capable of combination without loss of distinctness: different voices singing the same music together. Schweitzer also studied piano under Isidor Philipp, head of the piano department at the Paris Conservatory. In 1905, Widor and Schweitzer were among the six musicians who founded the Paris Bach Society, a choir dedicated to performing J. S. Bach's music, for whose concerts Schweitzer took the organ part regularly until 1913. He was also appointed organist for the Bach Concerts of the Orféo Català at Barcelona, Spain, and often travelled there for that purpose. He and Widor collaborated on a new edition of Bach's organ works, with detailed analysis of each work in three languages (English, French, German). Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for the Sonatas and Concertos: six volumes were published in 1912–14. Three more, to contain the Chorale Preludes with Schweitzer's analyses, were to be worked on in Africa, but these were never completed, perhaps because for him they were inseparable from his evolving theological thought. On departure for Lambaréné in 1913, he was presented with a pedal piano, a piano with pedal attachments to operate like an organ pedal-keyboard. Built especially for the tropics, it was delivered by river in a huge dug-out canoe to Lambaréné, packed in a zinc-lined case. At first, he regarded his new life as a renunciation of his art, and fell out of practice, but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically. It became his custom to play during the lunch hour and on Sunday afternoons. Schweitzer's pedal piano was still in use at Lambaréné in 1946. According to a visitor, Dr. Gaine Cannon, of Balsam Grove, N.C., the old, dilapidated piano-organ was still being played by Dr. Schweitzer in 1962, and stories told that "his fingers were still lively" on the old instrument at 88 years of age. Sir Donald Tovey dedicated his conjectural completion of Bach's The Art of Fugue to Schweitzer. Schweitzer's recordings of organ-music, and his innovative recording technique, are described below. One of his pupils was conductor and composer Hans Münch. Theology In 1899, Schweitzer became a deacon at the church of Saint Nicholas in Strasbourg. In 1900, with the completion of his licentiate in theology, he was ordained as curate, and that year he witnessed the Oberammergau Passion Play.

This provided the basis for the International Regulations for Organ Building. He envisaged instruments in which the French late-romantic full-organ sound should work integrally with the English and German romantic reed pipes, and with the classical Alsace Silbermann organ resources and baroque flue pipes, all in registers regulated (by stops) to access distinct voices in fugue or counterpoint capable of combination without loss of distinctness: different voices singing the same music together. Schweitzer also studied piano under Isidor Philipp, head of the piano department at the Paris Conservatory. In 1905, Widor and Schweitzer were among the six musicians who founded the Paris Bach Society, a choir dedicated to performing J. S. Bach's music, for whose concerts Schweitzer took the organ part regularly until 1913. He was also appointed organist for the Bach Concerts of the Orféo Català at Barcelona, Spain, and often travelled there for that purpose. He and Widor collaborated on a new edition of Bach's organ works, with detailed analysis of each work in three languages (English, French, German). Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for the Sonatas and Concertos: six volumes were published in 1912–14. Three more, to contain the Chorale Preludes with Schweitzer's analyses, were to be worked on in Africa, but these were never completed, perhaps because for him they were inseparable from his evolving theological thought. On departure for Lambaréné in 1913, he was presented with a pedal piano, a piano with pedal attachments to operate like an organ pedal-keyboard. Built especially for the tropics, it was delivered by river in a huge dug-out canoe to Lambaréné, packed in a zinc-lined case. At first, he regarded his new life as a renunciation of his art, and fell out of practice, but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically. It became his custom to play during the lunch hour and on Sunday afternoons. Schweitzer's pedal piano was still in use at Lambaréné in 1946. According to a visitor, Dr. Gaine Cannon, of Balsam Grove, N.C., the old, dilapidated piano-organ was still being played by Dr. Schweitzer in 1962, and stories told that "his fingers were still lively" on the old instrument at 88 years of age. Sir Donald Tovey dedicated his conjectural completion of Bach's The Art of Fugue to Schweitzer. Schweitzer's recordings of organ-music, and his innovative recording technique, are described below. One of his pupils was conductor and composer Hans Münch. Theology In 1899, Schweitzer became a deacon at the church of Saint Nicholas in Strasbourg. In 1900, with the completion of his licentiate in theology, he was ordained as curate, and that year he witnessed the Oberammergau Passion Play.

This provided the basis for the International Regulations for Organ Building. He envisaged instruments in which the French late-romantic full-organ sound should work integrally with the English and German romantic reed pipes, and with the classical Alsace Silbermann organ resources and baroque flue pipes, all in registers regulated (by stops) to access distinct voices in fugue or counterpoint capable of combination without loss of distinctness: different voices singing the same music together. Schweitzer also studied piano under Isidor Philipp, head of the piano department at the Paris Conservatory. In 1905, Widor and Schweitzer were among the six musicians who founded the Paris Bach Society, a choir dedicated to performing J. S. Bach's music, for whose concerts Schweitzer took the organ part regularly until 1913. He was also appointed organist for the Bach Concerts of the Orféo Català at Barcelona, Spain, and often travelled there for that purpose. He and Widor collaborated on a new edition of Bach's organ works, with detailed analysis of each work in three languages (English, French, German). Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for the Sonatas and Concertos: six volumes were published in 1912–14. Three more, to contain the Chorale Preludes with Schweitzer's analyses, were to be worked on in Africa, but these were never completed, perhaps because for him they were inseparable from his evolving theological thought. On departure for Lambaréné in 1913, he was presented with a pedal piano, a piano with pedal attachments to operate like an organ pedal-keyboard. Built especially for the tropics, it was delivered by river in a huge dug-out canoe to Lambaréné, packed in a zinc-lined case. At first, he regarded his new life as a renunciation of his art, and fell out of practice, but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically. It became his custom to play during the lunch hour and on Sunday afternoons. Schweitzer's pedal piano was still in use at Lambaréné in 1946. According to a visitor, Dr. Gaine Cannon, of Balsam Grove, N.C., the old, dilapidated piano-organ was still being played by Dr. Schweitzer in 1962, and stories told that "his fingers were still lively" on the old instrument at 88 years of age. Sir Donald Tovey dedicated his conjectural completion of Bach's The Art of Fugue to Schweitzer. Schweitzer's recordings of organ-music, and his innovative recording technique, are described below. One of his pupils was conductor and composer Hans Münch. Theology In 1899, Schweitzer became a deacon at the church of Saint Nicholas in Strasbourg. In 1900, with the completion of his licentiate in theology, he was ordained as curate, and that year he witnessed the Oberammergau Passion Play.

In the following year he became provisional Principal of the Theological College of Saint Thomas, from which he had just graduated, and in 1903 his appointment was made permanent. In 1906, he published Geschichte der Leben-Jesu-Forschung [History of Life-of-Jesus research]. This book, which established his reputation, was first published in English in 1910 as The Quest of the Historical Jesus. Under this title the book became famous in the English-speaking world. A second German edition was published in 1913, containing theologically significant revisions and expansions: this revised edition did not appear in English until 2001. In 1931, he published Mystik des Apostels Paulus (The Mysticism of Paul the Apostle); a second edition was published in 1953. The Quest of the Historical Jesus (1906) In The Quest, Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first Quest for the historical Jesus. Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism. Schweitzer writes: Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected the imminent end of the world. Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20). Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology: “He comes to us as One unknown, without a name, as of old, by the lake-side, He came to those men who knew him not. He speaks to us the same word: ‘Follow thou me’ and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is.” The Mysticism of Paul the Apostle (1931) In The Mysticism of Paul the Apostle, Schweitzer first distinguishes between two categories of mysticism: primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal".

In the following year he became provisional Principal of the Theological College of Saint Thomas, from which he had just graduated, and in 1903 his appointment was made permanent. In 1906, he published Geschichte der Leben-Jesu-Forschung [History of Life-of-Jesus research]. This book, which established his reputation, was first published in English in 1910 as The Quest of the Historical Jesus. Under this title the book became famous in the English-speaking world. A second German edition was published in 1913, containing theologically significant revisions and expansions: this revised edition did not appear in English until 2001. In 1931, he published Mystik des Apostels Paulus (The Mysticism of Paul the Apostle); a second edition was published in 1953. The Quest of the Historical Jesus (1906) In The Quest, Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first Quest for the historical Jesus. Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism. Schweitzer writes: Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected the imminent end of the world. Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20). Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology: “He comes to us as One unknown, without a name, as of old, by the lake-side, He came to those men who knew him not. He speaks to us the same word: ‘Follow thou me’ and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is.” The Mysticism of Paul the Apostle (1931) In The Mysticism of Paul the Apostle, Schweitzer first distinguishes between two categories of mysticism: primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal".

In the following year he became provisional Principal of the Theological College of Saint Thomas, from which he had just graduated, and in 1903 his appointment was made permanent. In 1906, he published Geschichte der Leben-Jesu-Forschung [History of Life-of-Jesus research]. This book, which established his reputation, was first published in English in 1910 as The Quest of the Historical Jesus. Under this title the book became famous in the English-speaking world. A second German edition was published in 1913, containing theologically significant revisions and expansions: this revised edition did not appear in English until 2001. In 1931, he published Mystik des Apostels Paulus (The Mysticism of Paul the Apostle); a second edition was published in 1953. The Quest of the Historical Jesus (1906) In The Quest, Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first Quest for the historical Jesus. Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism. Schweitzer writes: Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected the imminent end of the world. Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20). Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology: “He comes to us as One unknown, without a name, as of old, by the lake-side, He came to those men who knew him not. He speaks to us the same word: ‘Follow thou me’ and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is.” The Mysticism of Paul the Apostle (1931) In The Mysticism of Paul the Apostle, Schweitzer first distinguishes between two categories of mysticism: primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal".

Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions". On the other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis, Osiris, and Mithras. A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism is more intellectual and can be found "among the Brahmans and in the Buddha, in Platonism, in Stoicism, in Spinoza, Schopenhauer, and Hegel". Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of the mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God". Paul's imminent eschatology (from his background in Jewish eschatology) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in the mystery of Jesus is only possible within the solidarity of the Christian community. One of Schweitzer's major arguments in The Mysticism of Paul the Apostle is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther, Schweitzer argues that Paul's emphasis was on the mystical union with God by "being in Christ". Jaroslav Pelikan, in his foreword to The Mysticism of Paul the Apostle, points out that: Paul's "realism" versus Hellenistic "symbolism" Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification.

Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions". On the other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis, Osiris, and Mithras. A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism is more intellectual and can be found "among the Brahmans and in the Buddha, in Platonism, in Stoicism, in Spinoza, Schopenhauer, and Hegel". Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of the mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God". Paul's imminent eschatology (from his background in Jewish eschatology) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in the mystery of Jesus is only possible within the solidarity of the Christian community. One of Schweitzer's major arguments in The Mysticism of Paul the Apostle is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther, Schweitzer argues that Paul's emphasis was on the mystical union with God by "being in Christ". Jaroslav Pelikan, in his foreword to The Mysticism of Paul the Apostle, points out that: Paul's "realism" versus Hellenistic "symbolism" Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification.

Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions". On the other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis, Osiris, and Mithras. A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism is more intellectual and can be found "among the Brahmans and in the Buddha, in Platonism, in Stoicism, in Spinoza, Schopenhauer, and Hegel". Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of the mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God". Paul's imminent eschatology (from his background in Jewish eschatology) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in the mystery of Jesus is only possible within the solidarity of the Christian community. One of Schweitzer's major arguments in The Mysticism of Paul the Apostle is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther, Schweitzer argues that Paul's emphasis was on the mystical union with God by "being in Christ". Jaroslav Pelikan, in his foreword to The Mysticism of Paul the Apostle, points out that: Paul's "realism" versus Hellenistic "symbolism" Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification.

After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience. Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ. Medicine At the age of 30, in 1905, Schweitzer answered the call of The Society of the Evangelist Missions of Paris, which was looking for a physician. The committee of this missionary society was not ready to accept his offer, considering his Lutheran theology to be "incorrect". He could easily have obtained a place in a German evangelical mission, but wished to follow the original call despite the doctrinal difficulties. Amid a hail of protests from his friends, family and colleagues, he resigned his post and re-entered the university as a student in a three-year course towards the degree of Doctorate in Medicine, a subject in which he had little knowledge or previous aptitude. He planned to spread the Gospel by the example of his Christian labour of healing, rather than through the verbal process of preaching, and believed that this service should be acceptable within any branch of Christian teaching. Even in his study of medicine, and through his clinical course, Schweitzer pursued the ideal of the philosopher-scientist. By extreme application and hard work, he completed his studies successfully at the end of 1911. His medical degree dissertation was another work on the historical Jesus, The Psychiatric Study of Jesus. He defended Jesus' mental health in it. In June 1912, he married Helene Bresslau, municipal inspector for orphans and daughter of the Jewish pan-Germanist historian Harry Bresslau. In 1912, now armed with a medical degree, Schweitzer made a definite proposal to go as a physician to work at his own expense in the Paris Missionary Society's mission at Lambaréné on the Ogooué river, in what is now Gabon, in Africa (then a French colony). He refused to attend a committee to inquire into his doctrine, but met each committee member personally and was at last accepted. Through concerts and other fund-raising, he was ready to equip a small hospital. In early 1913, he and his wife set off to establish a hospital (Albert Schweitzer Hospital) near an existing mission post.

After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience. Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ. Medicine At the age of 30, in 1905, Schweitzer answered the call of The Society of the Evangelist Missions of Paris, which was looking for a physician. The committee of this missionary society was not ready to accept his offer, considering his Lutheran theology to be "incorrect". He could easily have obtained a place in a German evangelical mission, but wished to follow the original call despite the doctrinal difficulties. Amid a hail of protests from his friends, family and colleagues, he resigned his post and re-entered the university as a student in a three-year course towards the degree of Doctorate in Medicine, a subject in which he had little knowledge or previous aptitude. He planned to spread the Gospel by the example of his Christian labour of healing, rather than through the verbal process of preaching, and believed that this service should be acceptable within any branch of Christian teaching. Even in his study of medicine, and through his clinical course, Schweitzer pursued the ideal of the philosopher-scientist. By extreme application and hard work, he completed his studies successfully at the end of 1911. His medical degree dissertation was another work on the historical Jesus, The Psychiatric Study of Jesus. He defended Jesus' mental health in it. In June 1912, he married Helene Bresslau, municipal inspector for orphans and daughter of the Jewish pan-Germanist historian Harry Bresslau. In 1912, now armed with a medical degree, Schweitzer made a definite proposal to go as a physician to work at his own expense in the Paris Missionary Society's mission at Lambaréné on the Ogooué river, in what is now Gabon, in Africa (then a French colony). He refused to attend a committee to inquire into his doctrine, but met each committee member personally and was at last accepted. Through concerts and other fund-raising, he was ready to equip a small hospital. In early 1913, he and his wife set off to establish a hospital (Albert Schweitzer Hospital) near an existing mission post.

After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience. Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ. Medicine At the age of 30, in 1905, Schweitzer answered the call of The Society of the Evangelist Missions of Paris, which was looking for a physician. The committee of this missionary society was not ready to accept his offer, considering his Lutheran theology to be "incorrect". He could easily have obtained a place in a German evangelical mission, but wished to follow the original call despite the doctrinal difficulties. Amid a hail of protests from his friends, family and colleagues, he resigned his post and re-entered the university as a student in a three-year course towards the degree of Doctorate in Medicine, a subject in which he had little knowledge or previous aptitude. He planned to spread the Gospel by the example of his Christian labour of healing, rather than through the verbal process of preaching, and believed that this service should be acceptable within any branch of Christian teaching. Even in his study of medicine, and through his clinical course, Schweitzer pursued the ideal of the philosopher-scientist. By extreme application and hard work, he completed his studies successfully at the end of 1911. His medical degree dissertation was another work on the historical Jesus, The Psychiatric Study of Jesus. He defended Jesus' mental health in it. In June 1912, he married Helene Bresslau, municipal inspector for orphans and daughter of the Jewish pan-Germanist historian Harry Bresslau. In 1912, now armed with a medical degree, Schweitzer made a definite proposal to go as a physician to work at his own expense in the Paris Missionary Society's mission at Lambaréné on the Ogooué river, in what is now Gabon, in Africa (then a French colony). He refused to attend a committee to inquire into his doctrine, but met each committee member personally and was at last accepted. Through concerts and other fund-raising, he was ready to equip a small hospital. In early 1913, he and his wife set off to establish a hospital (Albert Schweitzer Hospital) near an existing mission post.

The site was nearly 200 miles (14 days by raft) upstream from the mouth of the Ogooué at Port Gentil (Cape Lopez) (and so accessible to external communications), but downstream of most tributaries, so that internal communications within Gabon converged towards Lambaréné. In the first nine months, he and his wife had about 2,000 patients to examine, some travelling many days and hundreds of kilometres to reach him. In addition to injuries, he was often treating severe sandflea and crawcraw sores, framboesia (yaws), tropical eating sores, heart disease, tropical dysentery, tropical malaria, sleeping sickness, leprosy, fevers, strangulated hernias, necrosis, abdominal tumours and chronic constipation and nicotine poisoning, while also attempting to deal with deliberate poisonings, fetishism and fear of cannibalism among the Mbahouin. Schweitzer's wife, Helene Schweitzer, was an anaesthetist for surgical operations. After briefly occupying a shed formerly used as a chicken hut, in late 1913 they built their first hospital of corrugated iron, with two 13-foot rooms (consulting room and operating theatre) and with a dispensary and sterilising room in spaces below the broad eaves. The waiting room and dormitory (42 by 20 feet) were built, like native huts, of unhewn logs along a 30-yard path leading from the hospital to the landing-place. The Schweitzers had their own bungalow and employed as their assistant Joseph, a French-speaking Galoa (Mpongwe) who first came as a patient. After World War I broke out in July 1914, Schweitzer and his wife, German citizens in a French colony when the countries were at war, were put under supervision by the French military at Lambaréné, where Schweitzer continued his work. In 1917, exhausted by over four years' work and by tropical anaemia, they were taken to Bordeaux and interned first in Garaison and then from March 1918 in Saint-Rémy-de-Provence. In July 1918, after being transferred to his home in Alsace, he was a free man again. At this time Schweitzer, born a German citizen, had his parents' former (pre-1871) French citizenship reinstated and became a French citizen. Then, working as medical assistant and assistant-pastor in Strasbourg, he advanced his project on the philosophy of civilization, which had occupied his mind since 1900. By 1920, his health recovering, he was giving organ recitals and doing other fund-raising work to repay borrowings and raise funds for returning to Gabon. In 1922, he delivered the Dale Memorial Lectures in the University of Oxford, and from these in the following year appeared Volumes I and II of his great work, The Decay and Restoration of Civilization and Civilization and Ethics. The two remaining volumes, on The World-View of Reverence for Life and a fourth on the Civilized State, were never completed. In 1924, Schweitzer returned without his wife, with an Oxford undergraduate Noel Gillespie as his assistant. Everything was heavily decayed, and building and doctoring progressed together for months. He now had salvarsan for treating syphilitic ulcers and framboesia.

The site was nearly 200 miles (14 days by raft) upstream from the mouth of the Ogooué at Port Gentil (Cape Lopez) (and so accessible to external communications), but downstream of most tributaries, so that internal communications within Gabon converged towards Lambaréné. In the first nine months, he and his wife had about 2,000 patients to examine, some travelling many days and hundreds of kilometres to reach him. In addition to injuries, he was often treating severe sandflea and crawcraw sores, framboesia (yaws), tropical eating sores, heart disease, tropical dysentery, tropical malaria, sleeping sickness, leprosy, fevers, strangulated hernias, necrosis, abdominal tumours and chronic constipation and nicotine poisoning, while also attempting to deal with deliberate poisonings, fetishism and fear of cannibalism among the Mbahouin. Schweitzer's wife, Helene Schweitzer, was an anaesthetist for surgical operations. After briefly occupying a shed formerly used as a chicken hut, in late 1913 they built their first hospital of corrugated iron, with two 13-foot rooms (consulting room and operating theatre) and with a dispensary and sterilising room in spaces below the broad eaves. The waiting room and dormitory (42 by 20 feet) were built, like native huts, of unhewn logs along a 30-yard path leading from the hospital to the landing-place. The Schweitzers had their own bungalow and employed as their assistant Joseph, a French-speaking Galoa (Mpongwe) who first came as a patient. After World War I broke out in July 1914, Schweitzer and his wife, German citizens in a French colony when the countries were at war, were put under supervision by the French military at Lambaréné, where Schweitzer continued his work. In 1917, exhausted by over four years' work and by tropical anaemia, they were taken to Bordeaux and interned first in Garaison and then from March 1918 in Saint-Rémy-de-Provence. In July 1918, after being transferred to his home in Alsace, he was a free man again. At this time Schweitzer, born a German citizen, had his parents' former (pre-1871) French citizenship reinstated and became a French citizen. Then, working as medical assistant and assistant-pastor in Strasbourg, he advanced his project on the philosophy of civilization, which had occupied his mind since 1900. By 1920, his health recovering, he was giving organ recitals and doing other fund-raising work to repay borrowings and raise funds for returning to Gabon. In 1922, he delivered the Dale Memorial Lectures in the University of Oxford, and from these in the following year appeared Volumes I and II of his great work, The Decay and Restoration of Civilization and Civilization and Ethics. The two remaining volumes, on The World-View of Reverence for Life and a fourth on the Civilized State, were never completed. In 1924, Schweitzer returned without his wife, with an Oxford undergraduate Noel Gillespie as his assistant. Everything was heavily decayed, and building and doctoring progressed together for months. He now had salvarsan for treating syphilitic ulcers and framboesia.

The site was nearly 200 miles (14 days by raft) upstream from the mouth of the Ogooué at Port Gentil (Cape Lopez) (and so accessible to external communications), but downstream of most tributaries, so that internal communications within Gabon converged towards Lambaréné. In the first nine months, he and his wife had about 2,000 patients to examine, some travelling many days and hundreds of kilometres to reach him. In addition to injuries, he was often treating severe sandflea and crawcraw sores, framboesia (yaws), tropical eating sores, heart disease, tropical dysentery, tropical malaria, sleeping sickness, leprosy, fevers, strangulated hernias, necrosis, abdominal tumours and chronic constipation and nicotine poisoning, while also attempting to deal with deliberate poisonings, fetishism and fear of cannibalism among the Mbahouin. Schweitzer's wife, Helene Schweitzer, was an anaesthetist for surgical operations. After briefly occupying a shed formerly used as a chicken hut, in late 1913 they built their first hospital of corrugated iron, with two 13-foot rooms (consulting room and operating theatre) and with a dispensary and sterilising room in spaces below the broad eaves. The waiting room and dormitory (42 by 20 feet) were built, like native huts, of unhewn logs along a 30-yard path leading from the hospital to the landing-place. The Schweitzers had their own bungalow and employed as their assistant Joseph, a French-speaking Galoa (Mpongwe) who first came as a patient. After World War I broke out in July 1914, Schweitzer and his wife, German citizens in a French colony when the countries were at war, were put under supervision by the French military at Lambaréné, where Schweitzer continued his work. In 1917, exhausted by over four years' work and by tropical anaemia, they were taken to Bordeaux and interned first in Garaison and then from March 1918 in Saint-Rémy-de-Provence. In July 1918, after being transferred to his home in Alsace, he was a free man again. At this time Schweitzer, born a German citizen, had his parents' former (pre-1871) French citizenship reinstated and became a French citizen. Then, working as medical assistant and assistant-pastor in Strasbourg, he advanced his project on the philosophy of civilization, which had occupied his mind since 1900. By 1920, his health recovering, he was giving organ recitals and doing other fund-raising work to repay borrowings and raise funds for returning to Gabon. In 1922, he delivered the Dale Memorial Lectures in the University of Oxford, and from these in the following year appeared Volumes I and II of his great work, The Decay and Restoration of Civilization and Civilization and Ethics. The two remaining volumes, on The World-View of Reverence for Life and a fourth on the Civilized State, were never completed. In 1924, Schweitzer returned without his wife, with an Oxford undergraduate Noel Gillespie as his assistant. Everything was heavily decayed, and building and doctoring progressed together for months. He now had salvarsan for treating syphilitic ulcers and framboesia.

Additional medical staff, nurse (Miss) Kottmann and Dr. Victor Nessmann, joined him in 1924, and Dr. Mark Lauterberg in 1925; the growing hospital was manned by native orderlies. Later Dr. Trensz replaced Nessmann, and Martha Lauterberg and Hans Muggenstorm joined them. Joseph also returned. In 1925–6, new hospital buildings were constructed, and also a ward for white patients, so that the site became like a village. The onset of famine and a dysentery epidemic created fresh problems. Much of the building work was carried out with the help of local people and patients. Drug advances for sleeping sickness included Germanin and tryparsamide. Trensz conducted experiments showing that the non-amoebic strain of dysentery was caused by a paracholera vibrion (facultative anaerobic bacteria). With the new hospital built and the medical team established, Schweitzer returned to Europe in 1927, this time leaving a functioning hospital at work. He was there again from 1929 to 1932. Gradually his opinions and concepts became acknowledged, not only in Europe, but worldwide. There was a further period of work in 1935. In January 1937, he returned again to Lambaréné and continued working there throughout World War II. Hospital conditions The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé. The poor conditions of the hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad's novel Heart of Darkness: "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in the days before the germ theory of disease came into being." Schweitzer's views Colonialism Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men" but also as a small recompense for the historic guilt of European colonizers: Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate the rest of his life to work as a physician in Africa, he said: Paternalism Schweitzer was nonetheless still sometimes accused of being paternalistic in his attitude towards Africans. For instance, he thought that Gabonese independence came too early, without adequate education or accommodation to local circumstances.

Additional medical staff, nurse (Miss) Kottmann and Dr. Victor Nessmann, joined him in 1924, and Dr. Mark Lauterberg in 1925; the growing hospital was manned by native orderlies. Later Dr. Trensz replaced Nessmann, and Martha Lauterberg and Hans Muggenstorm joined them. Joseph also returned. In 1925–6, new hospital buildings were constructed, and also a ward for white patients, so that the site became like a village. The onset of famine and a dysentery epidemic created fresh problems. Much of the building work was carried out with the help of local people and patients. Drug advances for sleeping sickness included Germanin and tryparsamide. Trensz conducted experiments showing that the non-amoebic strain of dysentery was caused by a paracholera vibrion (facultative anaerobic bacteria). With the new hospital built and the medical team established, Schweitzer returned to Europe in 1927, this time leaving a functioning hospital at work. He was there again from 1929 to 1932. Gradually his opinions and concepts became acknowledged, not only in Europe, but worldwide. There was a further period of work in 1935. In January 1937, he returned again to Lambaréné and continued working there throughout World War II. Hospital conditions The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé. The poor conditions of the hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad's novel Heart of Darkness: "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in the days before the germ theory of disease came into being." Schweitzer's views Colonialism Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men" but also as a small recompense for the historic guilt of European colonizers: Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate the rest of his life to work as a physician in Africa, he said: Paternalism Schweitzer was nonetheless still sometimes accused of being paternalistic in his attitude towards Africans. For instance, he thought that Gabonese independence came too early, without adequate education or accommodation to local circumstances.

Additional medical staff, nurse (Miss) Kottmann and Dr. Victor Nessmann, joined him in 1924, and Dr. Mark Lauterberg in 1925; the growing hospital was manned by native orderlies. Later Dr. Trensz replaced Nessmann, and Martha Lauterberg and Hans Muggenstorm joined them. Joseph also returned. In 1925–6, new hospital buildings were constructed, and also a ward for white patients, so that the site became like a village. The onset of famine and a dysentery epidemic created fresh problems. Much of the building work was carried out with the help of local people and patients. Drug advances for sleeping sickness included Germanin and tryparsamide. Trensz conducted experiments showing that the non-amoebic strain of dysentery was caused by a paracholera vibrion (facultative anaerobic bacteria). With the new hospital built and the medical team established, Schweitzer returned to Europe in 1927, this time leaving a functioning hospital at work. He was there again from 1929 to 1932. Gradually his opinions and concepts became acknowledged, not only in Europe, but worldwide. There was a further period of work in 1935. In January 1937, he returned again to Lambaréné and continued working there throughout World War II. Hospital conditions The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé. The poor conditions of the hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad's novel Heart of Darkness: "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in the days before the germ theory of disease came into being." Schweitzer's views Colonialism Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men" but also as a small recompense for the historic guilt of European colonizers: Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate the rest of his life to work as a physician in Africa, he said: Paternalism Schweitzer was nonetheless still sometimes accused of being paternalistic in his attitude towards Africans. For instance, he thought that Gabonese independence came too early, without adequate education or accommodation to local circumstances.

Edgar Berman quotes Schweitzer as having said in 1960, "No society can go from the primeval directly to an industrial state without losing the leavening that time and an agricultural period allow." Schweitzer believed dignity and respect must be extended to blacks, while also sometimes characterizing them as children. He summarized his views on European-African relations by saying "With regard to the negroes, then, I have coined the formula: 'I am your brother, it is true, but your elder brother.'" Chinua Achebe has criticized him for this characterization, though Achebe acknowledges that Schweitzer's use of the word "brother" at all was, for a European of the early 20th century, an unusual expression of human solidarity between Europeans and Africans. Schweitzer eventually emended and complicated this notion with his later statement that "The time for speaking of older and younger brothers has passed". American journalist John Gunther visited Lambaréné in the 1950s and reported Schweitzer's patronizing attitude towards Africans. He also noted the lack of Africans trained to be skilled workers. By comparison, his English contemporary Albert Ruskin Cook in Uganda had been training nurses and midwives since the 1910s, and had published a manual of midwifery in the local language of Luganda. After three decades in Africa, Schweitzer still depended on Europe for nurses. Reverence for life The keynote of Schweitzer's personal philosophy (which he considered to be his greatest contribution to mankind) was the idea of Reverence for Life ("Ehrfurcht vor dem Leben"). He thought that Western civilization was decaying because it had abandoned affirmation of life as its ethical foundation. In the Preface to Civilization and Ethics (1923) he argued that Western philosophy from Descartes to Kant had set out to explain the objective world expecting that humanity would be found to have a special meaning within it. But no such meaning was found, and the rational, life-affirming optimism of the Age of Enlightenment began to evaporate. A rift opened between this world-view, as material knowledge, and the life-view, understood as Will, expressed in the pessimist philosophies from Schopenhauer onward. Scientific materialism (advanced by Herbert Spencer and Charles Darwin) portrayed an objective world process devoid of ethics, entirely an expression of the will-to-live. Schweitzer wrote, "True philosophy must start from the most immediate and comprehensive fact of consciousness, and this may be formulated as follows: 'I am life which wills to live, and I exist in the midst of life which wills to live.'" In nature one form of life must always prey upon another. However, human consciousness holds an awareness of, and sympathy for, the will of other beings to live. An ethical human strives to escape from this contradiction so far as possible. Though we cannot perfect the endeavour we should strive for it: the will-to-live constantly renews itself, for it is both an evolutionary necessity and a spiritual phenomenon. Life and love are rooted in this same principle, in a personal spiritual relationship to the universe.

Edgar Berman quotes Schweitzer as having said in 1960, "No society can go from the primeval directly to an industrial state without losing the leavening that time and an agricultural period allow." Schweitzer believed dignity and respect must be extended to blacks, while also sometimes characterizing them as children. He summarized his views on European-African relations by saying "With regard to the negroes, then, I have coined the formula: 'I am your brother, it is true, but your elder brother.'" Chinua Achebe has criticized him for this characterization, though Achebe acknowledges that Schweitzer's use of the word "brother" at all was, for a European of the early 20th century, an unusual expression of human solidarity between Europeans and Africans. Schweitzer eventually emended and complicated this notion with his later statement that "The time for speaking of older and younger brothers has passed". American journalist John Gunther visited Lambaréné in the 1950s and reported Schweitzer's patronizing attitude towards Africans. He also noted the lack of Africans trained to be skilled workers. By comparison, his English contemporary Albert Ruskin Cook in Uganda had been training nurses and midwives since the 1910s, and had published a manual of midwifery in the local language of Luganda. After three decades in Africa, Schweitzer still depended on Europe for nurses. Reverence for life The keynote of Schweitzer's personal philosophy (which he considered to be his greatest contribution to mankind) was the idea of Reverence for Life ("Ehrfurcht vor dem Leben"). He thought that Western civilization was decaying because it had abandoned affirmation of life as its ethical foundation. In the Preface to Civilization and Ethics (1923) he argued that Western philosophy from Descartes to Kant had set out to explain the objective world expecting that humanity would be found to have a special meaning within it. But no such meaning was found, and the rational, life-affirming optimism of the Age of Enlightenment began to evaporate. A rift opened between this world-view, as material knowledge, and the life-view, understood as Will, expressed in the pessimist philosophies from Schopenhauer onward. Scientific materialism (advanced by Herbert Spencer and Charles Darwin) portrayed an objective world process devoid of ethics, entirely an expression of the will-to-live. Schweitzer wrote, "True philosophy must start from the most immediate and comprehensive fact of consciousness, and this may be formulated as follows: 'I am life which wills to live, and I exist in the midst of life which wills to live.'" In nature one form of life must always prey upon another. However, human consciousness holds an awareness of, and sympathy for, the will of other beings to live. An ethical human strives to escape from this contradiction so far as possible. Though we cannot perfect the endeavour we should strive for it: the will-to-live constantly renews itself, for it is both an evolutionary necessity and a spiritual phenomenon. Life and love are rooted in this same principle, in a personal spiritual relationship to the universe.

Edgar Berman quotes Schweitzer as having said in 1960, "No society can go from the primeval directly to an industrial state without losing the leavening that time and an agricultural period allow." Schweitzer believed dignity and respect must be extended to blacks, while also sometimes characterizing them as children. He summarized his views on European-African relations by saying "With regard to the negroes, then, I have coined the formula: 'I am your brother, it is true, but your elder brother.'" Chinua Achebe has criticized him for this characterization, though Achebe acknowledges that Schweitzer's use of the word "brother" at all was, for a European of the early 20th century, an unusual expression of human solidarity between Europeans and Africans. Schweitzer eventually emended and complicated this notion with his later statement that "The time for speaking of older and younger brothers has passed". American journalist John Gunther visited Lambaréné in the 1950s and reported Schweitzer's patronizing attitude towards Africans. He also noted the lack of Africans trained to be skilled workers. By comparison, his English contemporary Albert Ruskin Cook in Uganda had been training nurses and midwives since the 1910s, and had published a manual of midwifery in the local language of Luganda. After three decades in Africa, Schweitzer still depended on Europe for nurses. Reverence for life The keynote of Schweitzer's personal philosophy (which he considered to be his greatest contribution to mankind) was the idea of Reverence for Life ("Ehrfurcht vor dem Leben"). He thought that Western civilization was decaying because it had abandoned affirmation of life as its ethical foundation. In the Preface to Civilization and Ethics (1923) he argued that Western philosophy from Descartes to Kant had set out to explain the objective world expecting that humanity would be found to have a special meaning within it. But no such meaning was found, and the rational, life-affirming optimism of the Age of Enlightenment began to evaporate. A rift opened between this world-view, as material knowledge, and the life-view, understood as Will, expressed in the pessimist philosophies from Schopenhauer onward. Scientific materialism (advanced by Herbert Spencer and Charles Darwin) portrayed an objective world process devoid of ethics, entirely an expression of the will-to-live. Schweitzer wrote, "True philosophy must start from the most immediate and comprehensive fact of consciousness, and this may be formulated as follows: 'I am life which wills to live, and I exist in the midst of life which wills to live.'" In nature one form of life must always prey upon another. However, human consciousness holds an awareness of, and sympathy for, the will of other beings to live. An ethical human strives to escape from this contradiction so far as possible. Though we cannot perfect the endeavour we should strive for it: the will-to-live constantly renews itself, for it is both an evolutionary necessity and a spiritual phenomenon. Life and love are rooted in this same principle, in a personal spiritual relationship to the universe.

Ethics themselves proceed from the need to respect the wish of other beings to exist as one does towards oneself. Even so, Schweitzer found many instances in world religions and philosophies in which the principle was denied, not least in the European Middle Ages, and in the Indian Brahminic philosophy. For Schweitzer, mankind had to accept that objective reality is ethically neutral. It could then affirm a new Enlightenment through spiritual rationalism, by giving priority to volition or ethical will as the primary meaning of life. Mankind had to choose to create the moral structures of civilization: the world-view must derive from the life-view, not vice versa. Respect for life, overcoming coarser impulses and hollow doctrines, leads the individual to live in the service of other people and of every living creature. In contemplation of the will-to-life, respect for the life of others becomes the highest principle and the defining purpose of humanity. Such was the theory which Schweitzer sought to put into practice in his own life. According to some authors, Schweitzer's thought, and specifically his development of reverence for life, was influenced by Indian religious thought and in particular the Jain principle of ahimsa, or non-violence. Albert Schweitzer noted the contribution of Indian influence in his book Indian Thought and Its Development: Further on ahimsa and the reverence for life in the same book, he elaborates on the ancient Indian didactic work of the Tirukkural, which he observed that, like the Buddha and the Bhagavad Gita, "stands for the commandment not to kill and not to damage". Translating several couplets from the work, he remarked that the Kural insists on the idea that "good must be done for its own sake" and said, "There hardly exists in the literature of the world a collection of maxims in which we find so much lofty wisdom." Later life After the birth of their daughter (Rhena Schweitzer Miller), Albert's wife, Helene Schweitzer was no longer able to live in Lambaréné due to her health. In 1923, the family moved to Königsfeld im Schwarzwald, Baden-Württemberg, where he was building a house for the family. This house is now maintained as a Schweitzer museum. From 1939 to 1948, he stayed in Lambaréné, unable to go back to Europe because of the war. Three years after the end of World War II, in 1948, he returned for the first time to Europe and kept travelling back and forth (and once to the US) as long as he was able. During his return visits to his home village of Gunsbach, Schweitzer continued to make use of the family house, which after his death became an archive and museum to his life and work. His life was portrayed in the 1952 movie Il est minuit, Docteur Schweitzer, starring Pierre Fresnay as Albert Schweitzer and Jeanne Moreau as his nurse Marie. Schweitzer inspired actor Hugh O'Brian when O'Brian visited in Africa. O'Brian returned to the United States and founded the Hugh O'Brian Youth Leadership Foundation (HOBY).

Ethics themselves proceed from the need to respect the wish of other beings to exist as one does towards oneself. Even so, Schweitzer found many instances in world religions and philosophies in which the principle was denied, not least in the European Middle Ages, and in the Indian Brahminic philosophy. For Schweitzer, mankind had to accept that objective reality is ethically neutral. It could then affirm a new Enlightenment through spiritual rationalism, by giving priority to volition or ethical will as the primary meaning of life. Mankind had to choose to create the moral structures of civilization: the world-view must derive from the life-view, not vice versa. Respect for life, overcoming coarser impulses and hollow doctrines, leads the individual to live in the service of other people and of every living creature. In contemplation of the will-to-life, respect for the life of others becomes the highest principle and the defining purpose of humanity. Such was the theory which Schweitzer sought to put into practice in his own life. According to some authors, Schweitzer's thought, and specifically his development of reverence for life, was influenced by Indian religious thought and in particular the Jain principle of ahimsa, or non-violence. Albert Schweitzer noted the contribution of Indian influence in his book Indian Thought and Its Development: Further on ahimsa and the reverence for life in the same book, he elaborates on the ancient Indian didactic work of the Tirukkural, which he observed that, like the Buddha and the Bhagavad Gita, "stands for the commandment not to kill and not to damage". Translating several couplets from the work, he remarked that the Kural insists on the idea that "good must be done for its own sake" and said, "There hardly exists in the literature of the world a collection of maxims in which we find so much lofty wisdom." Later life After the birth of their daughter (Rhena Schweitzer Miller), Albert's wife, Helene Schweitzer was no longer able to live in Lambaréné due to her health. In 1923, the family moved to Königsfeld im Schwarzwald, Baden-Württemberg, where he was building a house for the family. This house is now maintained as a Schweitzer museum. From 1939 to 1948, he stayed in Lambaréné, unable to go back to Europe because of the war. Three years after the end of World War II, in 1948, he returned for the first time to Europe and kept travelling back and forth (and once to the US) as long as he was able. During his return visits to his home village of Gunsbach, Schweitzer continued to make use of the family house, which after his death became an archive and museum to his life and work. His life was portrayed in the 1952 movie Il est minuit, Docteur Schweitzer, starring Pierre Fresnay as Albert Schweitzer and Jeanne Moreau as his nurse Marie. Schweitzer inspired actor Hugh O'Brian when O'Brian visited in Africa. O'Brian returned to the United States and founded the Hugh O'Brian Youth Leadership Foundation (HOBY).

Ethics themselves proceed from the need to respect the wish of other beings to exist as one does towards oneself. Even so, Schweitzer found many instances in world religions and philosophies in which the principle was denied, not least in the European Middle Ages, and in the Indian Brahminic philosophy. For Schweitzer, mankind had to accept that objective reality is ethically neutral. It could then affirm a new Enlightenment through spiritual rationalism, by giving priority to volition or ethical will as the primary meaning of life. Mankind had to choose to create the moral structures of civilization: the world-view must derive from the life-view, not vice versa. Respect for life, overcoming coarser impulses and hollow doctrines, leads the individual to live in the service of other people and of every living creature. In contemplation of the will-to-life, respect for the life of others becomes the highest principle and the defining purpose of humanity. Such was the theory which Schweitzer sought to put into practice in his own life. According to some authors, Schweitzer's thought, and specifically his development of reverence for life, was influenced by Indian religious thought and in particular the Jain principle of ahimsa, or non-violence. Albert Schweitzer noted the contribution of Indian influence in his book Indian Thought and Its Development: Further on ahimsa and the reverence for life in the same book, he elaborates on the ancient Indian didactic work of the Tirukkural, which he observed that, like the Buddha and the Bhagavad Gita, "stands for the commandment not to kill and not to damage". Translating several couplets from the work, he remarked that the Kural insists on the idea that "good must be done for its own sake" and said, "There hardly exists in the literature of the world a collection of maxims in which we find so much lofty wisdom." Later life After the birth of their daughter (Rhena Schweitzer Miller), Albert's wife, Helene Schweitzer was no longer able to live in Lambaréné due to her health. In 1923, the family moved to Königsfeld im Schwarzwald, Baden-Württemberg, where he was building a house for the family. This house is now maintained as a Schweitzer museum. From 1939 to 1948, he stayed in Lambaréné, unable to go back to Europe because of the war. Three years after the end of World War II, in 1948, he returned for the first time to Europe and kept travelling back and forth (and once to the US) as long as he was able. During his return visits to his home village of Gunsbach, Schweitzer continued to make use of the family house, which after his death became an archive and museum to his life and work. His life was portrayed in the 1952 movie Il est minuit, Docteur Schweitzer, starring Pierre Fresnay as Albert Schweitzer and Jeanne Moreau as his nurse Marie. Schweitzer inspired actor Hugh O'Brian when O'Brian visited in Africa. O'Brian returned to the United States and founded the Hugh O'Brian Youth Leadership Foundation (HOBY).

Schweitzer was awarded the Nobel Peace Prize of 1952, accepting the prize with the speech, "The Problem of Peace". With the $33,000 prize money, he started the leprosarium at Lambaréné. From 1952 until his death he worked against nuclear tests and nuclear weapons with Albert Einstein, Otto Hahn and Bertrand Russell. In 1957 and 1958, he broadcast four speeches over Radio Oslo which were published in Peace or Atomic War. In 1957, Schweitzer was one of the founders of The Committee for a Sane Nuclear Policy. On 23 April 1957, Schweitzer made his "Declaration of Conscience" speech; it was broadcast to the world over Radio Oslo, pleading for the abolition of nuclear weapons. His speech ended, "The end of further experiments with atom bombs would be like the early sunrays of hope which suffering humanity is longing for." Weeks prior to his death, an American film crew was allowed to visit Schweitzer and Drs. Muntz and Friedman, both Holocaust survivors, to record his work and daily life at the hospital. The film The Legacy of Albert Schweitzer, narrated by Henry Fonda, was produced by Warner Brothers and aired once. It resides in their vault today in deteriorating condition. Although several attempts have been made to restore and re-air the film, all access has been denied. In 1955, he was made an honorary member of the Order of Merit (OM) by Queen Elizabeth II. He was also a chevalier of the Military and Hospitaller Order of Saint Lazarus of Jerusalem. Schweitzer died on 4 September 1965 at his beloved hospital in Lambaréné, now in independent Gabon. His grave, on the banks of the Ogooué River, is marked by a cross he made himself. His cousin Anne-Marie Schweitzer Sartre was the mother of Jean-Paul Sartre. Her father, Charles Schweitzer, was the older brother of Albert Schweitzer's father, Louis Théophile. Schweitzer is often cited in vegetarian literature as being an advocate of vegetarianism in his later years. Schweitzer was not a vegetarian in his earlier life. For example, in 1950, biographer Magnus C. Ratter commented that Schweitzer never "commit[ted] himself to the anti- vivisection, vegetarian, or pacifist positions, though his thought leads in this direction". Biographer James Bentley has written that Schweitzer became a vegetarian after his wife's death in 1957 and he was "living almost entirely on lentil soup". In contrast to this, historian David N. Stamos has written that Schweitzer was not a vegetarian in his personal life nor imposed it on his missionary hospital but he did help animals and was opposed to hunting. Stamos noted that Schweitzer held the view that evolution ingrained humans with an instinct for meat so it was useless in trying to deny it. The Albert Schweitzer Fellowship was founded in 1940 by Schweitzer to unite US supporters in filling the gap in support for his Hospital when his European supply lines were cut off by war, and continues to support the Lambaréné Hospital today.

Schweitzer was awarded the Nobel Peace Prize of 1952, accepting the prize with the speech, "The Problem of Peace". With the $33,000 prize money, he started the leprosarium at Lambaréné. From 1952 until his death he worked against nuclear tests and nuclear weapons with Albert Einstein, Otto Hahn and Bertrand Russell. In 1957 and 1958, he broadcast four speeches over Radio Oslo which were published in Peace or Atomic War. In 1957, Schweitzer was one of the founders of The Committee for a Sane Nuclear Policy. On 23 April 1957, Schweitzer made his "Declaration of Conscience" speech; it was broadcast to the world over Radio Oslo, pleading for the abolition of nuclear weapons. His speech ended, "The end of further experiments with atom bombs would be like the early sunrays of hope which suffering humanity is longing for." Weeks prior to his death, an American film crew was allowed to visit Schweitzer and Drs. Muntz and Friedman, both Holocaust survivors, to record his work and daily life at the hospital. The film The Legacy of Albert Schweitzer, narrated by Henry Fonda, was produced by Warner Brothers and aired once. It resides in their vault today in deteriorating condition. Although several attempts have been made to restore and re-air the film, all access has been denied. In 1955, he was made an honorary member of the Order of Merit (OM) by Queen Elizabeth II. He was also a chevalier of the Military and Hospitaller Order of Saint Lazarus of Jerusalem. Schweitzer died on 4 September 1965 at his beloved hospital in Lambaréné, now in independent Gabon. His grave, on the banks of the Ogooué River, is marked by a cross he made himself. His cousin Anne-Marie Schweitzer Sartre was the mother of Jean-Paul Sartre. Her father, Charles Schweitzer, was the older brother of Albert Schweitzer's father, Louis Théophile. Schweitzer is often cited in vegetarian literature as being an advocate of vegetarianism in his later years. Schweitzer was not a vegetarian in his earlier life. For example, in 1950, biographer Magnus C. Ratter commented that Schweitzer never "commit[ted] himself to the anti- vivisection, vegetarian, or pacifist positions, though his thought leads in this direction". Biographer James Bentley has written that Schweitzer became a vegetarian after his wife's death in 1957 and he was "living almost entirely on lentil soup". In contrast to this, historian David N. Stamos has written that Schweitzer was not a vegetarian in his personal life nor imposed it on his missionary hospital but he did help animals and was opposed to hunting. Stamos noted that Schweitzer held the view that evolution ingrained humans with an instinct for meat so it was useless in trying to deny it. The Albert Schweitzer Fellowship was founded in 1940 by Schweitzer to unite US supporters in filling the gap in support for his Hospital when his European supply lines were cut off by war, and continues to support the Lambaréné Hospital today.

Schweitzer was awarded the Nobel Peace Prize of 1952, accepting the prize with the speech, "The Problem of Peace". With the $33,000 prize money, he started the leprosarium at Lambaréné. From 1952 until his death he worked against nuclear tests and nuclear weapons with Albert Einstein, Otto Hahn and Bertrand Russell. In 1957 and 1958, he broadcast four speeches over Radio Oslo which were published in Peace or Atomic War. In 1957, Schweitzer was one of the founders of The Committee for a Sane Nuclear Policy. On 23 April 1957, Schweitzer made his "Declaration of Conscience" speech; it was broadcast to the world over Radio Oslo, pleading for the abolition of nuclear weapons. His speech ended, "The end of further experiments with atom bombs would be like the early sunrays of hope which suffering humanity is longing for." Weeks prior to his death, an American film crew was allowed to visit Schweitzer and Drs. Muntz and Friedman, both Holocaust survivors, to record his work and daily life at the hospital. The film The Legacy of Albert Schweitzer, narrated by Henry Fonda, was produced by Warner Brothers and aired once. It resides in their vault today in deteriorating condition. Although several attempts have been made to restore and re-air the film, all access has been denied. In 1955, he was made an honorary member of the Order of Merit (OM) by Queen Elizabeth II. He was also a chevalier of the Military and Hospitaller Order of Saint Lazarus of Jerusalem. Schweitzer died on 4 September 1965 at his beloved hospital in Lambaréné, now in independent Gabon. His grave, on the banks of the Ogooué River, is marked by a cross he made himself. His cousin Anne-Marie Schweitzer Sartre was the mother of Jean-Paul Sartre. Her father, Charles Schweitzer, was the older brother of Albert Schweitzer's father, Louis Théophile. Schweitzer is often cited in vegetarian literature as being an advocate of vegetarianism in his later years. Schweitzer was not a vegetarian in his earlier life. For example, in 1950, biographer Magnus C. Ratter commented that Schweitzer never "commit[ted] himself to the anti- vivisection, vegetarian, or pacifist positions, though his thought leads in this direction". Biographer James Bentley has written that Schweitzer became a vegetarian after his wife's death in 1957 and he was "living almost entirely on lentil soup". In contrast to this, historian David N. Stamos has written that Schweitzer was not a vegetarian in his personal life nor imposed it on his missionary hospital but he did help animals and was opposed to hunting. Stamos noted that Schweitzer held the view that evolution ingrained humans with an instinct for meat so it was useless in trying to deny it. The Albert Schweitzer Fellowship was founded in 1940 by Schweitzer to unite US supporters in filling the gap in support for his Hospital when his European supply lines were cut off by war, and continues to support the Lambaréné Hospital today.

Schweitzer considered his ethic of Reverence for Life, not his hospital, his most important legacy, saying that his Lambaréné Hospital was just "my own improvisation on the theme of Reverence for Life. Everyone can have their own Lambaréné". Today ASF helps large numbers of young Americans in health-related professional fields find or create "their own Lambaréné" in the US or internationally. ASF selects and supports nearly 250 new US and Africa Schweitzer Fellows each year from over 100 of the leading US schools of medicine, nursing, public health, and every other field with some relation to health (including music, law, and divinity). The peer-supporting lifelong network of "Schweitzer Fellows for Life" numbered over 2,000 members in 2008, and is growing by nearly 1,000 every four years. Nearly 150 of these Schweitzer Fellows have served at the Hospital in Lambaréné, for three-month periods during their last year of medical school. International Albert Schweitzer Prize The prize was first awarded on 29 May 2011 to Eugen Drewermann and the physician couple Rolf and Raphaela Maibach in Königsfeld im Schwarzwald, where Schweitzer's former residence now houses the Albert Schweitzer Museum. Sound recordings Recordings of Schweitzer playing the music of Bach are available on CD. During 1934 and 1935 he resided in Britain, delivering the Gifford Lectures at Edinburgh University, and those on Religion in Modern Civilization at Oxford and London. He had originally conducted trials for recordings for HMV on the organ of the old Queen's Hall in London. These records did not satisfy him, the instrument being too harsh. In mid-December 1935 he began to record for Columbia Records on the organ of All Hallows, Barking-by-the-Tower, London. Then at his suggestion the sessions were transferred to the church of Ste Aurélie in Strasbourg, on a mid-18th-century organ by Johann Andreas Silbermann (brother of Gottfried), an organ-builder greatly revered by Bach, which had been restored by the Lorraine organ-builder Frédéric Härpfer shortly before the First World War. These recordings were made in the course of a fortnight in October 1936. Schweitzer Technique Schweitzer developed a technique for recording the performances of Bach's music. Known as the "Schweitzer Technique", it is a slight improvement on what is commonly known as mid-side. The mid-side sees a figure-8 microphone pointed off-axis, perpendicular to the sound source. Then a single cardioid microphone is placed on axis, bisecting the figure-8 pattern. The signal from the figure-8 is mult-ed, panned hard left and right, one of the signals being flipped out of polarity. In the Schweitzer method, the figure-8 is replaced by two small diaphragm condenser microphones pointed directly away from each other. The information that each capsule collects is unique, unlike the identical out-of-polarity information generated from the figure-8 in a regular mid-side. The on-axis microphone is often a large diaphragm condenser. The technique has since been used to record many modern instruments. Columbia recordings Altogether his early Columbia discs included 25 records of Bach and eight of César Franck.

Schweitzer considered his ethic of Reverence for Life, not his hospital, his most important legacy, saying that his Lambaréné Hospital was just "my own improvisation on the theme of Reverence for Life. Everyone can have their own Lambaréné". Today ASF helps large numbers of young Americans in health-related professional fields find or create "their own Lambaréné" in the US or internationally. ASF selects and supports nearly 250 new US and Africa Schweitzer Fellows each year from over 100 of the leading US schools of medicine, nursing, public health, and every other field with some relation to health (including music, law, and divinity). The peer-supporting lifelong network of "Schweitzer Fellows for Life" numbered over 2,000 members in 2008, and is growing by nearly 1,000 every four years. Nearly 150 of these Schweitzer Fellows have served at the Hospital in Lambaréné, for three-month periods during their last year of medical school. International Albert Schweitzer Prize The prize was first awarded on 29 May 2011 to Eugen Drewermann and the physician couple Rolf and Raphaela Maibach in Königsfeld im Schwarzwald, where Schweitzer's former residence now houses the Albert Schweitzer Museum. Sound recordings Recordings of Schweitzer playing the music of Bach are available on CD. During 1934 and 1935 he resided in Britain, delivering the Gifford Lectures at Edinburgh University, and those on Religion in Modern Civilization at Oxford and London. He had originally conducted trials for recordings for HMV on the organ of the old Queen's Hall in London. These records did not satisfy him, the instrument being too harsh. In mid-December 1935 he began to record for Columbia Records on the organ of All Hallows, Barking-by-the-Tower, London. Then at his suggestion the sessions were transferred to the church of Ste Aurélie in Strasbourg, on a mid-18th-century organ by Johann Andreas Silbermann (brother of Gottfried), an organ-builder greatly revered by Bach, which had been restored by the Lorraine organ-builder Frédéric Härpfer shortly before the First World War. These recordings were made in the course of a fortnight in October 1936. Schweitzer Technique Schweitzer developed a technique for recording the performances of Bach's music. Known as the "Schweitzer Technique", it is a slight improvement on what is commonly known as mid-side. The mid-side sees a figure-8 microphone pointed off-axis, perpendicular to the sound source. Then a single cardioid microphone is placed on axis, bisecting the figure-8 pattern. The signal from the figure-8 is mult-ed, panned hard left and right, one of the signals being flipped out of polarity. In the Schweitzer method, the figure-8 is replaced by two small diaphragm condenser microphones pointed directly away from each other. The information that each capsule collects is unique, unlike the identical out-of-polarity information generated from the figure-8 in a regular mid-side. The on-axis microphone is often a large diaphragm condenser. The technique has since been used to record many modern instruments. Columbia recordings Altogether his early Columbia discs included 25 records of Bach and eight of César Franck.

Schweitzer considered his ethic of Reverence for Life, not his hospital, his most important legacy, saying that his Lambaréné Hospital was just "my own improvisation on the theme of Reverence for Life. Everyone can have their own Lambaréné". Today ASF helps large numbers of young Americans in health-related professional fields find or create "their own Lambaréné" in the US or internationally. ASF selects and supports nearly 250 new US and Africa Schweitzer Fellows each year from over 100 of the leading US schools of medicine, nursing, public health, and every other field with some relation to health (including music, law, and divinity). The peer-supporting lifelong network of "Schweitzer Fellows for Life" numbered over 2,000 members in 2008, and is growing by nearly 1,000 every four years. Nearly 150 of these Schweitzer Fellows have served at the Hospital in Lambaréné, for three-month periods during their last year of medical school. International Albert Schweitzer Prize The prize was first awarded on 29 May 2011 to Eugen Drewermann and the physician couple Rolf and Raphaela Maibach in Königsfeld im Schwarzwald, where Schweitzer's former residence now houses the Albert Schweitzer Museum. Sound recordings Recordings of Schweitzer playing the music of Bach are available on CD. During 1934 and 1935 he resided in Britain, delivering the Gifford Lectures at Edinburgh University, and those on Religion in Modern Civilization at Oxford and London. He had originally conducted trials for recordings for HMV on the organ of the old Queen's Hall in London. These records did not satisfy him, the instrument being too harsh. In mid-December 1935 he began to record for Columbia Records on the organ of All Hallows, Barking-by-the-Tower, London. Then at his suggestion the sessions were transferred to the church of Ste Aurélie in Strasbourg, on a mid-18th-century organ by Johann Andreas Silbermann (brother of Gottfried), an organ-builder greatly revered by Bach, which had been restored by the Lorraine organ-builder Frédéric Härpfer shortly before the First World War. These recordings were made in the course of a fortnight in October 1936. Schweitzer Technique Schweitzer developed a technique for recording the performances of Bach's music. Known as the "Schweitzer Technique", it is a slight improvement on what is commonly known as mid-side. The mid-side sees a figure-8 microphone pointed off-axis, perpendicular to the sound source. Then a single cardioid microphone is placed on axis, bisecting the figure-8 pattern. The signal from the figure-8 is mult-ed, panned hard left and right, one of the signals being flipped out of polarity. In the Schweitzer method, the figure-8 is replaced by two small diaphragm condenser microphones pointed directly away from each other. The information that each capsule collects is unique, unlike the identical out-of-polarity information generated from the figure-8 in a regular mid-side. The on-axis microphone is often a large diaphragm condenser. The technique has since been used to record many modern instruments. Columbia recordings Altogether his early Columbia discs included 25 records of Bach and eight of César Franck.

The Bach titles were mainly distributed as follows: Queen's Hall: Organ Prelude and Fugue in E minor (Edition Peters Vol 3, 10); (BWV 727); (Vol 7, 58 (Leipzig 18)). All Hallows: Prelude and Fugue in C major; Fantasia and Fugue in G minor (the Great); Prelude and Fugue in G major; Prelude and Fugue in F minor; Little Fugue in G minor; Toccata and Fugue in D minor. Ste Aurélie: Prelude and Fugue in C minor; Prelude and Fugue in E minor; Toccata and Fugue in D minor. Chorale Preludes: (Peters Vol 7, 49 (Leipzig 4)); (Vol 5, 45); (Vol 7, 48 (Leipzig 6)); (Vol 5, 8); (Vol 5, 9); (Vol 6, 12b); (Vol 5, 6); (Vol 5, app 5); (Vol 5, 4); (Var 11, Vol 5, app. 3); (Vol 6, 31 (Leipzig 15)); Christ lag in Todesbanden (Vol 5, 5); Erschienen ist der herrlich Tag (Vol 5, 15). Later recordings were made at Parish church, Günsbach: These recordings were made by C. Robert Fine during the time Dr. Schweitzer was being filmed in Günsbach for the documentary "Albert Schweitzer". Fine originally self-released the recordings but later licensed the masters to Columbia. Fugue in A minor (Peters, Vol 2, 8); Fantasia and Fugue in G minor (Great) (Vol 2, 4); Toccata, Adagio and Fugue in C major (Vol 3, 8). Prelude in C major (Vol 4, 1); Prelude in D major (Vol 4, 3); Canzona in D minor (Vol 4, 10) (with Mendelssohn, Sonata in D minor op 65.6). Chorale-Preludes: (1st and 2nd versions, Peters Vol 5, 45); (vol 7, 58 (Leipzig 18)); (Vol 5, 30); (Vol 5, 17); (Vol 5, 27); (vol 7, 45 (BWV 659a)). The above were released in the United States as Columbia Masterworks boxed set SL-175. Philips recordings J. S. Bach: Prelude and Fugue in A major, BWV 536; Prelude and Fugue in F minor, BWV 534; Prelude and Fugue in B minor, BWV 544; Toccata and Fugue in D minor, BWV 538. J. S. Bach: Passacaglia in C minor, BWV 582; Prelude and Fugue in E minor, BWV 533; Prelude and Fugue in A minor, BWV 543; Prelude and Fugue in G major, BWV 541; Toccata and Fugue in D minor, BWV 565. César Franck: Organ Chorales, no. 1 in E major; no. 2 in B minor; no. 3 in A minor.

The Bach titles were mainly distributed as follows: Queen's Hall: Organ Prelude and Fugue in E minor (Edition Peters Vol 3, 10); (BWV 727); (Vol 7, 58 (Leipzig 18)). All Hallows: Prelude and Fugue in C major; Fantasia and Fugue in G minor (the Great); Prelude and Fugue in G major; Prelude and Fugue in F minor; Little Fugue in G minor; Toccata and Fugue in D minor. Ste Aurélie: Prelude and Fugue in C minor; Prelude and Fugue in E minor; Toccata and Fugue in D minor. Chorale Preludes: (Peters Vol 7, 49 (Leipzig 4)); (Vol 5, 45); (Vol 7, 48 (Leipzig 6)); (Vol 5, 8); (Vol 5, 9); (Vol 6, 12b); (Vol 5, 6); (Vol 5, app 5); (Vol 5, 4); (Var 11, Vol 5, app. 3); (Vol 6, 31 (Leipzig 15)); Christ lag in Todesbanden (Vol 5, 5); Erschienen ist der herrlich Tag (Vol 5, 15). Later recordings were made at Parish church, Günsbach: These recordings were made by C. Robert Fine during the time Dr. Schweitzer was being filmed in Günsbach for the documentary "Albert Schweitzer". Fine originally self-released the recordings but later licensed the masters to Columbia. Fugue in A minor (Peters, Vol 2, 8); Fantasia and Fugue in G minor (Great) (Vol 2, 4); Toccata, Adagio and Fugue in C major (Vol 3, 8). Prelude in C major (Vol 4, 1); Prelude in D major (Vol 4, 3); Canzona in D minor (Vol 4, 10) (with Mendelssohn, Sonata in D minor op 65.6). Chorale-Preludes: (1st and 2nd versions, Peters Vol 5, 45); (vol 7, 58 (Leipzig 18)); (Vol 5, 30); (Vol 5, 17); (Vol 5, 27); (vol 7, 45 (BWV 659a)). The above were released in the United States as Columbia Masterworks boxed set SL-175. Philips recordings J. S. Bach: Prelude and Fugue in A major, BWV 536; Prelude and Fugue in F minor, BWV 534; Prelude and Fugue in B minor, BWV 544; Toccata and Fugue in D minor, BWV 538. J. S. Bach: Passacaglia in C minor, BWV 582; Prelude and Fugue in E minor, BWV 533; Prelude and Fugue in A minor, BWV 543; Prelude and Fugue in G major, BWV 541; Toccata and Fugue in D minor, BWV 565. César Franck: Organ Chorales, no. 1 in E major; no. 2 in B minor; no. 3 in A minor.

The Bach titles were mainly distributed as follows: Queen's Hall: Organ Prelude and Fugue in E minor (Edition Peters Vol 3, 10); (BWV 727); (Vol 7, 58 (Leipzig 18)). All Hallows: Prelude and Fugue in C major; Fantasia and Fugue in G minor (the Great); Prelude and Fugue in G major; Prelude and Fugue in F minor; Little Fugue in G minor; Toccata and Fugue in D minor. Ste Aurélie: Prelude and Fugue in C minor; Prelude and Fugue in E minor; Toccata and Fugue in D minor. Chorale Preludes: (Peters Vol 7, 49 (Leipzig 4)); (Vol 5, 45); (Vol 7, 48 (Leipzig 6)); (Vol 5, 8); (Vol 5, 9); (Vol 6, 12b); (Vol 5, 6); (Vol 5, app 5); (Vol 5, 4); (Var 11, Vol 5, app. 3); (Vol 6, 31 (Leipzig 15)); Christ lag in Todesbanden (Vol 5, 5); Erschienen ist der herrlich Tag (Vol 5, 15). Later recordings were made at Parish church, Günsbach: These recordings were made by C. Robert Fine during the time Dr. Schweitzer was being filmed in Günsbach for the documentary "Albert Schweitzer". Fine originally self-released the recordings but later licensed the masters to Columbia. Fugue in A minor (Peters, Vol 2, 8); Fantasia and Fugue in G minor (Great) (Vol 2, 4); Toccata, Adagio and Fugue in C major (Vol 3, 8). Prelude in C major (Vol 4, 1); Prelude in D major (Vol 4, 3); Canzona in D minor (Vol 4, 10) (with Mendelssohn, Sonata in D minor op 65.6). Chorale-Preludes: (1st and 2nd versions, Peters Vol 5, 45); (vol 7, 58 (Leipzig 18)); (Vol 5, 30); (Vol 5, 17); (Vol 5, 27); (vol 7, 45 (BWV 659a)). The above were released in the United States as Columbia Masterworks boxed set SL-175. Philips recordings J. S. Bach: Prelude and Fugue in A major, BWV 536; Prelude and Fugue in F minor, BWV 534; Prelude and Fugue in B minor, BWV 544; Toccata and Fugue in D minor, BWV 538. J. S. Bach: Passacaglia in C minor, BWV 582; Prelude and Fugue in E minor, BWV 533; Prelude and Fugue in A minor, BWV 543; Prelude and Fugue in G major, BWV 541; Toccata and Fugue in D minor, BWV 565. César Franck: Organ Chorales, no. 1 in E major; no. 2 in B minor; no. 3 in A minor.

Portrayals Dramatisations of Schweitzer's life include: The 1952 biographical film Il est minuit, Docteur Schweitzer, with Pierre Fresnay as Schweitzer The 1957 biographical film Albert Schweitzer in which Schweitzer appears as himself and Phillip Eckert portrays him The 1962 TV remake of Il est minuit, Docteur Schweitzer, with Jean-Pierre Marielle as Schweitzer The 1990 biographical film The Light in the Jungle, with Malcolm McDowell as Schweitzer Two 1992 episodes of the television series The Young Indiana Jones Chronicles ("German East Africa, December 1916" and "Congo, January 1917"), with Friedrich von Thun as Schweitzer The 1995 biographical film Le Grand blanc de Lambaréné, with André Wilms as Schweitzer The 2006 TV biographical film Albert Schweitzer: Called to Africa, with Jeff McCarthy as Schweitzer The 2009 biographical film Albert Schweitzer – Ein Leben für Afrika, with Jeroen Krabbé as Schweitzer Bibliography . English translation by Ernest Newman, with author's alterations and additions, London 1911. Fulltext scans (English): Vol. 1, Vol. 2. (first printed in Musik, vols 13 and 14 (5th year)). (translation of Zwischen Wasser und Urwald, 1921) The Decay and the Restoration of Civilization and Civilization and Ethics (The Philosophy of Civilization, Vols I & II of the projected but not completed four-volume work), A. & C. Black, London 1923. Material from these volumes is rearranged in a modern compilation, The Philosophy of Civilization (Prometheus Books, 1987), translated as ; Afrikanische Geschichten (Felix Meiner, Leipzig and Hamburg 1938): tr. Mrs C. E. B. Russell as From My African Notebook (George Allen and Unwin, London 1938/Henry Holt, New York 1939). Modern edition with foreword by L. Forrow (Syracuse University Press, 2002). See also List of peace activists Cultural depictions of Albert Schweitzer Notes References Citations Sources (translation of Zwischen Wasser und Urwald, 1921) Further reading Bartolf, Christian; Gericke, Marion; Miething, Dominique (2020): Dr. Albert Schweitzer: "My Address to the People" - Commitment against Nuclear War. Berlin: Freie Universität Berlin, Gandhi-Informations-Zentrum. ISBN 978-3-96110-357-7. External links Award-winning documentary about him Albert Schweitzer info at Internet Archive Albert Schweitzer Papers at Syracuse University John D. Regester Collection on Albert Schweitzer The Helfferich Collection, collected by Reginald H. Helfferich on Albert Schweitzer, is at the Andover-Harvard Theological Library at Harvard Divinity School in Cambridge, Massachusetts.

Portrayals Dramatisations of Schweitzer's life include: The 1952 biographical film Il est minuit, Docteur Schweitzer, with Pierre Fresnay as Schweitzer The 1957 biographical film Albert Schweitzer in which Schweitzer appears as himself and Phillip Eckert portrays him The 1962 TV remake of Il est minuit, Docteur Schweitzer, with Jean-Pierre Marielle as Schweitzer The 1990 biographical film The Light in the Jungle, with Malcolm McDowell as Schweitzer Two 1992 episodes of the television series The Young Indiana Jones Chronicles ("German East Africa, December 1916" and "Congo, January 1917"), with Friedrich von Thun as Schweitzer The 1995 biographical film Le Grand blanc de Lambaréné, with André Wilms as Schweitzer The 2006 TV biographical film Albert Schweitzer: Called to Africa, with Jeff McCarthy as Schweitzer The 2009 biographical film Albert Schweitzer – Ein Leben für Afrika, with Jeroen Krabbé as Schweitzer Bibliography . English translation by Ernest Newman, with author's alterations and additions, London 1911. Fulltext scans (English): Vol. 1, Vol. 2. (first printed in Musik, vols 13 and 14 (5th year)). (translation of Zwischen Wasser und Urwald, 1921) The Decay and the Restoration of Civilization and Civilization and Ethics (The Philosophy of Civilization, Vols I & II of the projected but not completed four-volume work), A. & C. Black, London 1923. Material from these volumes is rearranged in a modern compilation, The Philosophy of Civilization (Prometheus Books, 1987), translated as ; Afrikanische Geschichten (Felix Meiner, Leipzig and Hamburg 1938): tr. Mrs C. E. B. Russell as From My African Notebook (George Allen and Unwin, London 1938/Henry Holt, New York 1939). Modern edition with foreword by L. Forrow (Syracuse University Press, 2002). See also List of peace activists Cultural depictions of Albert Schweitzer Notes References Citations Sources (translation of Zwischen Wasser und Urwald, 1921) Further reading Bartolf, Christian; Gericke, Marion; Miething, Dominique (2020): Dr. Albert Schweitzer: "My Address to the People" - Commitment against Nuclear War. Berlin: Freie Universität Berlin, Gandhi-Informations-Zentrum. ISBN 978-3-96110-357-7. External links Award-winning documentary about him Albert Schweitzer info at Internet Archive Albert Schweitzer Papers at Syracuse University John D. Regester Collection on Albert Schweitzer The Helfferich Collection, collected by Reginald H. Helfferich on Albert Schweitzer, is at the Andover-Harvard Theological Library at Harvard Divinity School in Cambridge, Massachusetts.

Portrayals Dramatisations of Schweitzer's life include: The 1952 biographical film Il est minuit, Docteur Schweitzer, with Pierre Fresnay as Schweitzer The 1957 biographical film Albert Schweitzer in which Schweitzer appears as himself and Phillip Eckert portrays him The 1962 TV remake of Il est minuit, Docteur Schweitzer, with Jean-Pierre Marielle as Schweitzer The 1990 biographical film The Light in the Jungle, with Malcolm McDowell as Schweitzer Two 1992 episodes of the television series The Young Indiana Jones Chronicles ("German East Africa, December 1916" and "Congo, January 1917"), with Friedrich von Thun as Schweitzer The 1995 biographical film Le Grand blanc de Lambaréné, with André Wilms as Schweitzer The 2006 TV biographical film Albert Schweitzer: Called to Africa, with Jeff McCarthy as Schweitzer The 2009 biographical film Albert Schweitzer – Ein Leben für Afrika, with Jeroen Krabbé as Schweitzer Bibliography . English translation by Ernest Newman, with author's alterations and additions, London 1911. Fulltext scans (English): Vol. 1, Vol. 2. (first printed in Musik, vols 13 and 14 (5th year)). (translation of Zwischen Wasser und Urwald, 1921) The Decay and the Restoration of Civilization and Civilization and Ethics (The Philosophy of Civilization, Vols I & II of the projected but not completed four-volume work), A. & C. Black, London 1923. Material from these volumes is rearranged in a modern compilation, The Philosophy of Civilization (Prometheus Books, 1987), translated as ; Afrikanische Geschichten (Felix Meiner, Leipzig and Hamburg 1938): tr. Mrs C. E. B. Russell as From My African Notebook (George Allen and Unwin, London 1938/Henry Holt, New York 1939). Modern edition with foreword by L. Forrow (Syracuse University Press, 2002). See also List of peace activists Cultural depictions of Albert Schweitzer Notes References Citations Sources (translation of Zwischen Wasser und Urwald, 1921) Further reading Bartolf, Christian; Gericke, Marion; Miething, Dominique (2020): Dr. Albert Schweitzer: "My Address to the People" - Commitment against Nuclear War. Berlin: Freie Universität Berlin, Gandhi-Informations-Zentrum. ISBN 978-3-96110-357-7. External links Award-winning documentary about him Albert Schweitzer info at Internet Archive Albert Schweitzer Papers at Syracuse University John D. Regester Collection on Albert Schweitzer The Helfferich Collection, collected by Reginald H. Helfferich on Albert Schweitzer, is at the Andover-Harvard Theological Library at Harvard Divinity School in Cambridge, Massachusetts.

What Jesus was thinking An interpretation and restatement of Schweitzer's last book, The Kingdom of God and Primitive Christianity 1875 births 1965 deaths People from Kaysersberg-Vignoble People from Alsace-Lorraine 20th-century German Protestant theologians 19th-century French people 19th-century German people French biblical scholars Bach scholars Critics of the Christ myth theory French anti–nuclear weapons activists French Lutheran missionaries French Christian pacifists French classical organists French male organists French humanitarians French Lutherans French Nobel laureates French medical writers French tropical physicians French Unitarians French evangelicals German anti–nuclear weapons activists German Lutheran missionaries German Christian pacifists Lutheran pacifists Lutheran philosophers German Lutheran theologians German classical organists German humanitarians German Lutheran clergy German Nobel laureates German medical writers German Unitarians German evangelicals Honorary members of the Order of Merit Honorary Members of the Royal Philharmonic Society Music historians Nobel Peace Prize laureates Recipients of the Pour le Mérite (civil class) University of Tübingen alumni Christian medical missionaries Environmental philosophers Pupils of Isidor Philipp German male non-fiction writers Lutheran missionaries in Africa Protestant missionaries in Gabon Health in Gabon German writers in French French writers in German 19th-century French writers 19th-century German writers 19th-century German male writers 20th-century French writers 20th-century German writers Translators to German Tamil–German translators Animal rights scholars Anti-imperialism German male organists Tirukkural translators Missionary linguists Corresponding Fellows of the British Academy Celebrity doctors

What Jesus was thinking An interpretation and restatement of Schweitzer's last book, The Kingdom of God and Primitive Christianity 1875 births 1965 deaths People from Kaysersberg-Vignoble People from Alsace-Lorraine 20th-century German Protestant theologians 19th-century French people 19th-century German people French biblical scholars Bach scholars Critics of the Christ myth theory French anti–nuclear weapons activists French Lutheran missionaries French Christian pacifists French classical organists French male organists French humanitarians French Lutherans French Nobel laureates French medical writers French tropical physicians French Unitarians French evangelicals German anti–nuclear weapons activists German Lutheran missionaries German Christian pacifists Lutheran pacifists Lutheran philosophers German Lutheran theologians German classical organists German humanitarians German Lutheran clergy German Nobel laureates German medical writers German Unitarians German evangelicals Honorary members of the Order of Merit Honorary Members of the Royal Philharmonic Society Music historians Nobel Peace Prize laureates Recipients of the Pour le Mérite (civil class) University of Tübingen alumni Christian medical missionaries Environmental philosophers Pupils of Isidor Philipp German male non-fiction writers Lutheran missionaries in Africa Protestant missionaries in Gabon Health in Gabon German writers in French French writers in German 19th-century French writers 19th-century German writers 19th-century German male writers 20th-century French writers 20th-century German writers Translators to German Tamil–German translators Animal rights scholars Anti-imperialism German male organists Tirukkural translators Missionary linguists Corresponding Fellows of the British Academy Celebrity doctors

What Jesus was thinking An interpretation and restatement of Schweitzer's last book, The Kingdom of God and Primitive Christianity 1875 births 1965 deaths People from Kaysersberg-Vignoble People from Alsace-Lorraine 20th-century German Protestant theologians 19th-century French people 19th-century German people French biblical scholars Bach scholars Critics of the Christ myth theory French anti–nuclear weapons activists French Lutheran missionaries French Christian pacifists French classical organists French male organists French humanitarians French Lutherans French Nobel laureates French medical writers French tropical physicians French Unitarians French evangelicals German anti–nuclear weapons activists German Lutheran missionaries German Christian pacifists Lutheran pacifists Lutheran philosophers German Lutheran theologians German classical organists German humanitarians German Lutheran clergy German Nobel laureates German medical writers German Unitarians German evangelicals Honorary members of the Order of Merit Honorary Members of the Royal Philharmonic Society Music historians Nobel Peace Prize laureates Recipients of the Pour le Mérite (civil class) University of Tübingen alumni Christian medical missionaries Environmental philosophers Pupils of Isidor Philipp German male non-fiction writers Lutheran missionaries in Africa Protestant missionaries in Gabon Health in Gabon German writers in French French writers in German 19th-century French writers 19th-century German writers 19th-century German male writers 20th-century French writers 20th-century German writers Translators to German Tamil–German translators Animal rights scholars Anti-imperialism German male organists Tirukkural translators Missionary linguists Corresponding Fellows of the British Academy Celebrity doctors

Austrian School The Austrian School is a heterodox school of economic thought that is based on methodological individualism, the concept that social phenomena result exclusively from the motivations and actions of individuals. The Austrian School originated in late-19th and early-20th-century Vienna with the work of Carl Menger, Eugen Böhm von Bawerk, Friedrich von Wieser, and others. It was methodologically opposed to the younger Historical School (based in Germany), in a dispute known as Methodenstreit, or methodology struggle. Current-day economists working in this tradition are located in many different countries, but their work is still referred to as Austrian economics. Among the theoretical contributions of the early years of the Austrian School are the subjective theory of value, marginalism in price theory and the formulation of the economic calculation problem, each of which has become an accepted part of mainstream economics. Since the mid-20th century, mainstream economists have been critical of the modern-day Austrian School and consider its rejection of mathematical modelling, econometrics and macroeconomic analysis to be outside mainstream economics, or "heterodox". In the 1970s, the Austrian School attracted some renewed interest after Friedrich Hayek shared the 1974 Nobel Memorial Prize in Economic Sciences with Gunnar Myrdal. History Etymology The Austrian School owes its name to members of the German historical school of economics, who argued against the Austrians during the late-19th century Methodenstreit ("methodology struggle"), in which the Austrians defended the role of theory in economics as distinct from the study or compilation of historical circumstance. In 1883, Menger published Investigations into the Method of the Social Sciences with Special Reference to Economics, which attacked the methods of the historical school. Gustav von Schmoller, a leader of the historical school, responded with an unfavorable review, coining the term "Austrian School" in an attempt to characterize the school as outcast and provincial. The label endured and was adopted by the adherents themselves. First wave The school originated in Vienna in the Austrian Empire. Carl Menger's 1871 book Principles of Economics is generally considered the founding of the Austrian School. The book was one of the first modern treatises to advance the theory of marginal utility. The Austrian School was one of three founding currents of the marginalist revolution of the 1870s, with its major contribution being the introduction of the subjectivist approach in economics. Despite such claim, John Stuart Mill had used value in use in this sense in 1848 in Principles of Political Economy, where he wrote: "Value in use, or as Mr. De Quincey calls it, teleologic value, is the extreme limit of value in exchange. The exchange value of a thing may fall short, to any amount, of its value in use; but that it can ever exceed the value in use, implies a contradiction; it supposes that persons will give, to possess a thing, more than the utmost value which they themselves put upon it as a means of gratifying their inclinations."

Austrian School The Austrian School is a heterodox school of economic thought that is based on methodological individualism, the concept that social phenomena result exclusively from the motivations and actions of individuals. The Austrian School originated in late-19th and early-20th-century Vienna with the work of Carl Menger, Eugen Böhm von Bawerk, Friedrich von Wieser, and others. It was methodologically opposed to the younger Historical School (based in Germany), in a dispute known as Methodenstreit, or methodology struggle. Current-day economists working in this tradition are located in many different countries, but their work is still referred to as Austrian economics. Among the theoretical contributions of the early years of the Austrian School are the subjective theory of value, marginalism in price theory and the formulation of the economic calculation problem, each of which has become an accepted part of mainstream economics. Since the mid-20th century, mainstream economists have been critical of the modern-day Austrian School and consider its rejection of mathematical modelling, econometrics and macroeconomic analysis to be outside mainstream economics, or "heterodox". In the 1970s, the Austrian School attracted some renewed interest after Friedrich Hayek shared the 1974 Nobel Memorial Prize in Economic Sciences with Gunnar Myrdal. History Etymology The Austrian School owes its name to members of the German historical school of economics, who argued against the Austrians during the late-19th century Methodenstreit ("methodology struggle"), in which the Austrians defended the role of theory in economics as distinct from the study or compilation of historical circumstance. In 1883, Menger published Investigations into the Method of the Social Sciences with Special Reference to Economics, which attacked the methods of the historical school. Gustav von Schmoller, a leader of the historical school, responded with an unfavorable review, coining the term "Austrian School" in an attempt to characterize the school as outcast and provincial. The label endured and was adopted by the adherents themselves. First wave The school originated in Vienna in the Austrian Empire. Carl Menger's 1871 book Principles of Economics is generally considered the founding of the Austrian School. The book was one of the first modern treatises to advance the theory of marginal utility. The Austrian School was one of three founding currents of the marginalist revolution of the 1870s, with its major contribution being the introduction of the subjectivist approach in economics. Despite such claim, John Stuart Mill had used value in use in this sense in 1848 in Principles of Political Economy, where he wrote: "Value in use, or as Mr. De Quincey calls it, teleologic value, is the extreme limit of value in exchange. The exchange value of a thing may fall short, to any amount, of its value in use; but that it can ever exceed the value in use, implies a contradiction; it supposes that persons will give, to possess a thing, more than the utmost value which they themselves put upon it as a means of gratifying their inclinations."

While marginalism was generally influential, there was also a more specific school that began to coalesce around Menger's work, which came to be known as the "Psychological School", "Vienna School", or "Austrian School". Menger's contributions to economic theory were closely followed by those of Eugen Böhm von Bawerk and Friedrich von Wieser. These three economists became what is known as the "first wave" of the Austrian School. Böhm-Bawerk wrote extensive critiques of Karl Marx in the 1880s and 1890s as was part of the Austrians' participation in the late 19th-century Methodenstreit, during which they attacked the Hegelian doctrines of the historical school. Early 20th century Frank Albert Fetter (1863–1949) was a leader in the United States of Austrian thought. He obtained his PhD in 1894 from the University of Halle and then was made Professor of Political Economy and Finance at Cornell in 1901. Several important Austrian economists trained at the University of Vienna in the 1920s and later participated in private seminars held by Ludwig von Mises. These included Gottfried Haberler, Friedrich Hayek, Fritz Machlup, Karl Menger (son of Carl Menger), Oskar Morgenstern, Paul Rosenstein-Rodan, Abraham Wald, and Michael A. Heilperin, among others, as well as the sociologist Alfred Schütz. Later 20th century By the mid-1930s, most economists had embraced what they considered the important contributions of the early Austrians. Fritz Machlup quoted Hayek's statement that "the greatest success of a school is that it stops existing because its fundamental teachings have become parts of the general body of commonly accepted thought". Sometime during the middle of the 20th century, Austrian economics became disregarded or derided by mainstream economists because it rejected model building and mathematical and statistical methods in the study of economics. Mises' student Israel Kirzner recalled that in 1954, when Kirzner was pursuing his PhD, there was no separate Austrian School as such. When Kirzner was deciding which graduate school to attend, Mises had advised him to accept an offer of admission at Johns Hopkins because it was a prestigious university and Fritz Machlup taught there. After the 1940s, Austrian economics can be divided into two schools of economic thought and the school "split" to some degree in the late 20th century. One camp of Austrians, exemplified by Mises, regards neoclassical methodology to be irredeemably flawed; the other camp, exemplified by Friedrich Hayek, accepts a large part of neoclassical methodology and is more accepting of government intervention in the economy. Henry Hazlitt wrote economics columns and editorials for a number of publications and wrote many books on the topic of Austrian economics from the 1930s to the 1980s. Hazlitt's thinking was influenced by Mises. His book Economics in One Lesson (1946) sold over a million copies and he is also known for The Failure of the "New Economics" (1959), a line-by-line critique of John Maynard Keynes's General Theory.

While marginalism was generally influential, there was also a more specific school that began to coalesce around Menger's work, which came to be known as the "Psychological School", "Vienna School", or "Austrian School". Menger's contributions to economic theory were closely followed by those of Eugen Böhm von Bawerk and Friedrich von Wieser. These three economists became what is known as the "first wave" of the Austrian School. Böhm-Bawerk wrote extensive critiques of Karl Marx in the 1880s and 1890s as was part of the Austrians' participation in the late 19th-century Methodenstreit, during which they attacked the Hegelian doctrines of the historical school. Early 20th century Frank Albert Fetter (1863–1949) was a leader in the United States of Austrian thought. He obtained his PhD in 1894 from the University of Halle and then was made Professor of Political Economy and Finance at Cornell in 1901. Several important Austrian economists trained at the University of Vienna in the 1920s and later participated in private seminars held by Ludwig von Mises. These included Gottfried Haberler, Friedrich Hayek, Fritz Machlup, Karl Menger (son of Carl Menger), Oskar Morgenstern, Paul Rosenstein-Rodan, Abraham Wald, and Michael A. Heilperin, among others, as well as the sociologist Alfred Schütz. Later 20th century By the mid-1930s, most economists had embraced what they considered the important contributions of the early Austrians. Fritz Machlup quoted Hayek's statement that "the greatest success of a school is that it stops existing because its fundamental teachings have become parts of the general body of commonly accepted thought". Sometime during the middle of the 20th century, Austrian economics became disregarded or derided by mainstream economists because it rejected model building and mathematical and statistical methods in the study of economics. Mises' student Israel Kirzner recalled that in 1954, when Kirzner was pursuing his PhD, there was no separate Austrian School as such. When Kirzner was deciding which graduate school to attend, Mises had advised him to accept an offer of admission at Johns Hopkins because it was a prestigious university and Fritz Machlup taught there. After the 1940s, Austrian economics can be divided into two schools of economic thought and the school "split" to some degree in the late 20th century. One camp of Austrians, exemplified by Mises, regards neoclassical methodology to be irredeemably flawed; the other camp, exemplified by Friedrich Hayek, accepts a large part of neoclassical methodology and is more accepting of government intervention in the economy. Henry Hazlitt wrote economics columns and editorials for a number of publications and wrote many books on the topic of Austrian economics from the 1930s to the 1980s. Hazlitt's thinking was influenced by Mises. His book Economics in One Lesson (1946) sold over a million copies and he is also known for The Failure of the "New Economics" (1959), a line-by-line critique of John Maynard Keynes's General Theory.

While marginalism was generally influential, there was also a more specific school that began to coalesce around Menger's work, which came to be known as the "Psychological School", "Vienna School", or "Austrian School". Menger's contributions to economic theory were closely followed by those of Eugen Böhm von Bawerk and Friedrich von Wieser. These three economists became what is known as the "first wave" of the Austrian School. Böhm-Bawerk wrote extensive critiques of Karl Marx in the 1880s and 1890s as was part of the Austrians' participation in the late 19th-century Methodenstreit, during which they attacked the Hegelian doctrines of the historical school. Early 20th century Frank Albert Fetter (1863–1949) was a leader in the United States of Austrian thought. He obtained his PhD in 1894 from the University of Halle and then was made Professor of Political Economy and Finance at Cornell in 1901. Several important Austrian economists trained at the University of Vienna in the 1920s and later participated in private seminars held by Ludwig von Mises. These included Gottfried Haberler, Friedrich Hayek, Fritz Machlup, Karl Menger (son of Carl Menger), Oskar Morgenstern, Paul Rosenstein-Rodan, Abraham Wald, and Michael A. Heilperin, among others, as well as the sociologist Alfred Schütz. Later 20th century By the mid-1930s, most economists had embraced what they considered the important contributions of the early Austrians. Fritz Machlup quoted Hayek's statement that "the greatest success of a school is that it stops existing because its fundamental teachings have become parts of the general body of commonly accepted thought". Sometime during the middle of the 20th century, Austrian economics became disregarded or derided by mainstream economists because it rejected model building and mathematical and statistical methods in the study of economics. Mises' student Israel Kirzner recalled that in 1954, when Kirzner was pursuing his PhD, there was no separate Austrian School as such. When Kirzner was deciding which graduate school to attend, Mises had advised him to accept an offer of admission at Johns Hopkins because it was a prestigious university and Fritz Machlup taught there. After the 1940s, Austrian economics can be divided into two schools of economic thought and the school "split" to some degree in the late 20th century. One camp of Austrians, exemplified by Mises, regards neoclassical methodology to be irredeemably flawed; the other camp, exemplified by Friedrich Hayek, accepts a large part of neoclassical methodology and is more accepting of government intervention in the economy. Henry Hazlitt wrote economics columns and editorials for a number of publications and wrote many books on the topic of Austrian economics from the 1930s to the 1980s. Hazlitt's thinking was influenced by Mises. His book Economics in One Lesson (1946) sold over a million copies and he is also known for The Failure of the "New Economics" (1959), a line-by-line critique of John Maynard Keynes's General Theory.

The reputation of the Austrian School rose in the late 20th century due in part to the work of Israel Kirzner and Ludwig Lachmann at New York University and to renewed public awareness of the work of Hayek after he won the 1974 Nobel Memorial Prize in Economic Sciences. Hayek's work was influential in the revival of laissez-faire thought in the 20th century. Split among contemporary Austrians Economist Leland Yeager discussed the late 20th-century rift and referred to a discussion written by Murray Rothbard, Hans-Hermann Hoppe, Joseph Salerno and others in which they attack and disparage Hayek. Yeager stated: "To try to drive a wedge between Mises and Hayek on [the role of knowledge in economic calculation], especially to the disparagement of Hayek, is unfair to these two great men, unfaithful to the history of economic thought". He went on to call the rift subversive to economic analysis and the historical understanding of the fall of Eastern European communism. In a 1999 book published by the Ludwig von Mises Institute, Hoppe asserted that Rothbard was the leader of the "mainstream within Austrian Economics" and contrasted Rothbard with Nobel Laureate Friedrich Hayek, whom he identified as a British empiricist and an opponent of the thought of Mises and Rothbard. Hoppe acknowledged that Hayek was the most prominent Austrian economist within academia, but stated that Hayek was an opponent of the Austrian tradition which led from Carl Menger and Böhm-Bawerk through Mises to Rothbard. Austrian economist Walter Block says that the Austrian School can be distinguished from other schools of economic thought through two categories—economic theory and political theory. According to Block, while Hayek can be considered an Austrian economist, his views on political theory clash with the libertarian political theory which Block sees as an integral part of the Austrian School. Both criticism from Hoppe and Block to Hayek apply to Carl Menger, the founder of the Austrian School. Hoppe emphasizes that Hayek, which for him is from the English empirical tradition, is an opponent of the supposed rationalist tradition of the Austrian School; Menger made strong critiques to rationalism in his works in similar vein as Hayek's. He emphasized the idea that there are several institutions which were not deliberately created, have a kind of "superior wisdom" and serve important functions to society. He also talked about Burke and the English tradition to sustain these positions. When saying that the libertarian political theory is an integral part of the Austrian School and supposing Hayek is not a libertarian, Block excludes Menger from the Austrian School too since Menger seems to defend broader state activity than Hayek—for example, progressive taxation and extensive labour legislation. Economists of the Hayekian view are affiliated with the Cato Institute, George Mason University (GMU) and New York University, among other institutions. They include Peter Boettke, Roger Garrison, Steven Horwitz, Peter Leeson and George Reisman.

The reputation of the Austrian School rose in the late 20th century due in part to the work of Israel Kirzner and Ludwig Lachmann at New York University and to renewed public awareness of the work of Hayek after he won the 1974 Nobel Memorial Prize in Economic Sciences. Hayek's work was influential in the revival of laissez-faire thought in the 20th century. Split among contemporary Austrians Economist Leland Yeager discussed the late 20th-century rift and referred to a discussion written by Murray Rothbard, Hans-Hermann Hoppe, Joseph Salerno and others in which they attack and disparage Hayek. Yeager stated: "To try to drive a wedge between Mises and Hayek on [the role of knowledge in economic calculation], especially to the disparagement of Hayek, is unfair to these two great men, unfaithful to the history of economic thought". He went on to call the rift subversive to economic analysis and the historical understanding of the fall of Eastern European communism. In a 1999 book published by the Ludwig von Mises Institute, Hoppe asserted that Rothbard was the leader of the "mainstream within Austrian Economics" and contrasted Rothbard with Nobel Laureate Friedrich Hayek, whom he identified as a British empiricist and an opponent of the thought of Mises and Rothbard. Hoppe acknowledged that Hayek was the most prominent Austrian economist within academia, but stated that Hayek was an opponent of the Austrian tradition which led from Carl Menger and Böhm-Bawerk through Mises to Rothbard. Austrian economist Walter Block says that the Austrian School can be distinguished from other schools of economic thought through two categories—economic theory and political theory. According to Block, while Hayek can be considered an Austrian economist, his views on political theory clash with the libertarian political theory which Block sees as an integral part of the Austrian School. Both criticism from Hoppe and Block to Hayek apply to Carl Menger, the founder of the Austrian School. Hoppe emphasizes that Hayek, which for him is from the English empirical tradition, is an opponent of the supposed rationalist tradition of the Austrian School; Menger made strong critiques to rationalism in his works in similar vein as Hayek's. He emphasized the idea that there are several institutions which were not deliberately created, have a kind of "superior wisdom" and serve important functions to society. He also talked about Burke and the English tradition to sustain these positions. When saying that the libertarian political theory is an integral part of the Austrian School and supposing Hayek is not a libertarian, Block excludes Menger from the Austrian School too since Menger seems to defend broader state activity than Hayek—for example, progressive taxation and extensive labour legislation. Economists of the Hayekian view are affiliated with the Cato Institute, George Mason University (GMU) and New York University, among other institutions. They include Peter Boettke, Roger Garrison, Steven Horwitz, Peter Leeson and George Reisman.

The reputation of the Austrian School rose in the late 20th century due in part to the work of Israel Kirzner and Ludwig Lachmann at New York University and to renewed public awareness of the work of Hayek after he won the 1974 Nobel Memorial Prize in Economic Sciences. Hayek's work was influential in the revival of laissez-faire thought in the 20th century. Split among contemporary Austrians Economist Leland Yeager discussed the late 20th-century rift and referred to a discussion written by Murray Rothbard, Hans-Hermann Hoppe, Joseph Salerno and others in which they attack and disparage Hayek. Yeager stated: "To try to drive a wedge between Mises and Hayek on [the role of knowledge in economic calculation], especially to the disparagement of Hayek, is unfair to these two great men, unfaithful to the history of economic thought". He went on to call the rift subversive to economic analysis and the historical understanding of the fall of Eastern European communism. In a 1999 book published by the Ludwig von Mises Institute, Hoppe asserted that Rothbard was the leader of the "mainstream within Austrian Economics" and contrasted Rothbard with Nobel Laureate Friedrich Hayek, whom he identified as a British empiricist and an opponent of the thought of Mises and Rothbard. Hoppe acknowledged that Hayek was the most prominent Austrian economist within academia, but stated that Hayek was an opponent of the Austrian tradition which led from Carl Menger and Böhm-Bawerk through Mises to Rothbard. Austrian economist Walter Block says that the Austrian School can be distinguished from other schools of economic thought through two categories—economic theory and political theory. According to Block, while Hayek can be considered an Austrian economist, his views on political theory clash with the libertarian political theory which Block sees as an integral part of the Austrian School. Both criticism from Hoppe and Block to Hayek apply to Carl Menger, the founder of the Austrian School. Hoppe emphasizes that Hayek, which for him is from the English empirical tradition, is an opponent of the supposed rationalist tradition of the Austrian School; Menger made strong critiques to rationalism in his works in similar vein as Hayek's. He emphasized the idea that there are several institutions which were not deliberately created, have a kind of "superior wisdom" and serve important functions to society. He also talked about Burke and the English tradition to sustain these positions. When saying that the libertarian political theory is an integral part of the Austrian School and supposing Hayek is not a libertarian, Block excludes Menger from the Austrian School too since Menger seems to defend broader state activity than Hayek—for example, progressive taxation and extensive labour legislation. Economists of the Hayekian view are affiliated with the Cato Institute, George Mason University (GMU) and New York University, among other institutions. They include Peter Boettke, Roger Garrison, Steven Horwitz, Peter Leeson and George Reisman.

Economists of the Mises–Rothbard view include Walter Block, Hans-Hermann Hoppe, Jesús Huerta de Soto and Robert P. Murphy, each of whom is associated with the Mises Institute and some of them also with academic institutions. According to Murphy, a "truce between (for lack of better terms) the GMU Austro-libertarians and the Auburn Austro-libertarians" was signed around 2011. Influence Many theories developed by "first wave" Austrian economists have long been absorbed into mainstream economics. These include Carl Menger's theories on marginal utility, Friedrich von Wieser's theories on opportunity cost and Eugen Böhm von Bawerk's theories on time preference, as well as Menger and Böhm-Bawerk's criticisms of Marxian economics. Former American Federal Reserve Chairman Alan Greenspan said that the founders of the Austrian School "reached far into the future from when most of them practiced and have had a profound and, in my judgment, probably an irreversible effect on how most mainstream economists think in this country". In 1987, Nobel Laureate James M. Buchanan told an interviewer: "I have no objections to being called an Austrian. Hayek and Mises might consider me an Austrian but, surely some of the others would not". Currently, universities with a significant Austrian presence are George Mason University, New York University, Grove City College, Loyola University New Orleans and Auburn University in the United States; King Juan Carlos University in Spain; and Universidad Francisco Marroquín in Guatemala. Austrian economic ideas are also promoted by privately funded organizations such as the Mises Institute and the Cato Institute. Methodology The Austrian School theorizes that the subjective choices of individuals including individual knowledge, time, expectation and other subjective factors cause all economic phenomena. Austrians seek to understand the economy by examining the social ramifications of individual choice, an approach called methodological individualism. It differs from other schools of economic thought, which have focused on aggregate variables, equilibrium analysis and societal groups rather than individuals. In the 20th and 21st centuries, economists with a methodological lineage to the early Austrian School developed many diverse approaches and theoretical orientations. Ludwig von Mises organized his version of the subjectivist approach, which he called "praxeology", in a book published in English as Human Action in 1949. In it, Mises stated that praxeology could be used to deduce a priori theoretical economic truths and that deductive economic thought experiments could yield conclusions which follow irrefutably from the underlying assumptions. He wrote that conclusions could not be inferred from empirical observation or statistical analysis and argued against the use of probabilities in economic models. Since Mises' time, some Austrian thinkers have accepted his praxeological approach while others have adopted alternative methodologies. For example, Fritz Machlup, Friedrich Hayek and others did not take Mises' strong a priori approach to economics. Ludwig Lachmann, a radical subjectivist, also largely rejected Mises' formulation of Praxeology in favor of the verstehende Methode ("interpretive method") articulated by Max Weber. In the 20th century, various Austrians incorporated models and mathematics into their analysis.

Economists of the Mises–Rothbard view include Walter Block, Hans-Hermann Hoppe, Jesús Huerta de Soto and Robert P. Murphy, each of whom is associated with the Mises Institute and some of them also with academic institutions. According to Murphy, a "truce between (for lack of better terms) the GMU Austro-libertarians and the Auburn Austro-libertarians" was signed around 2011. Influence Many theories developed by "first wave" Austrian economists have long been absorbed into mainstream economics. These include Carl Menger's theories on marginal utility, Friedrich von Wieser's theories on opportunity cost and Eugen Böhm von Bawerk's theories on time preference, as well as Menger and Böhm-Bawerk's criticisms of Marxian economics. Former American Federal Reserve Chairman Alan Greenspan said that the founders of the Austrian School "reached far into the future from when most of them practiced and have had a profound and, in my judgment, probably an irreversible effect on how most mainstream economists think in this country". In 1987, Nobel Laureate James M. Buchanan told an interviewer: "I have no objections to being called an Austrian. Hayek and Mises might consider me an Austrian but, surely some of the others would not". Currently, universities with a significant Austrian presence are George Mason University, New York University, Grove City College, Loyola University New Orleans and Auburn University in the United States; King Juan Carlos University in Spain; and Universidad Francisco Marroquín in Guatemala. Austrian economic ideas are also promoted by privately funded organizations such as the Mises Institute and the Cato Institute. Methodology The Austrian School theorizes that the subjective choices of individuals including individual knowledge, time, expectation and other subjective factors cause all economic phenomena. Austrians seek to understand the economy by examining the social ramifications of individual choice, an approach called methodological individualism. It differs from other schools of economic thought, which have focused on aggregate variables, equilibrium analysis and societal groups rather than individuals. In the 20th and 21st centuries, economists with a methodological lineage to the early Austrian School developed many diverse approaches and theoretical orientations. Ludwig von Mises organized his version of the subjectivist approach, which he called "praxeology", in a book published in English as Human Action in 1949. In it, Mises stated that praxeology could be used to deduce a priori theoretical economic truths and that deductive economic thought experiments could yield conclusions which follow irrefutably from the underlying assumptions. He wrote that conclusions could not be inferred from empirical observation or statistical analysis and argued against the use of probabilities in economic models. Since Mises' time, some Austrian thinkers have accepted his praxeological approach while others have adopted alternative methodologies. For example, Fritz Machlup, Friedrich Hayek and others did not take Mises' strong a priori approach to economics. Ludwig Lachmann, a radical subjectivist, also largely rejected Mises' formulation of Praxeology in favor of the verstehende Methode ("interpretive method") articulated by Max Weber. In the 20th century, various Austrians incorporated models and mathematics into their analysis.

Economists of the Mises–Rothbard view include Walter Block, Hans-Hermann Hoppe, Jesús Huerta de Soto and Robert P. Murphy, each of whom is associated with the Mises Institute and some of them also with academic institutions. According to Murphy, a "truce between (for lack of better terms) the GMU Austro-libertarians and the Auburn Austro-libertarians" was signed around 2011. Influence Many theories developed by "first wave" Austrian economists have long been absorbed into mainstream economics. These include Carl Menger's theories on marginal utility, Friedrich von Wieser's theories on opportunity cost and Eugen Böhm von Bawerk's theories on time preference, as well as Menger and Böhm-Bawerk's criticisms of Marxian economics. Former American Federal Reserve Chairman Alan Greenspan said that the founders of the Austrian School "reached far into the future from when most of them practiced and have had a profound and, in my judgment, probably an irreversible effect on how most mainstream economists think in this country". In 1987, Nobel Laureate James M. Buchanan told an interviewer: "I have no objections to being called an Austrian. Hayek and Mises might consider me an Austrian but, surely some of the others would not". Currently, universities with a significant Austrian presence are George Mason University, New York University, Grove City College, Loyola University New Orleans and Auburn University in the United States; King Juan Carlos University in Spain; and Universidad Francisco Marroquín in Guatemala. Austrian economic ideas are also promoted by privately funded organizations such as the Mises Institute and the Cato Institute. Methodology The Austrian School theorizes that the subjective choices of individuals including individual knowledge, time, expectation and other subjective factors cause all economic phenomena. Austrians seek to understand the economy by examining the social ramifications of individual choice, an approach called methodological individualism. It differs from other schools of economic thought, which have focused on aggregate variables, equilibrium analysis and societal groups rather than individuals. In the 20th and 21st centuries, economists with a methodological lineage to the early Austrian School developed many diverse approaches and theoretical orientations. Ludwig von Mises organized his version of the subjectivist approach, which he called "praxeology", in a book published in English as Human Action in 1949. In it, Mises stated that praxeology could be used to deduce a priori theoretical economic truths and that deductive economic thought experiments could yield conclusions which follow irrefutably from the underlying assumptions. He wrote that conclusions could not be inferred from empirical observation or statistical analysis and argued against the use of probabilities in economic models. Since Mises' time, some Austrian thinkers have accepted his praxeological approach while others have adopted alternative methodologies. For example, Fritz Machlup, Friedrich Hayek and others did not take Mises' strong a priori approach to economics. Ludwig Lachmann, a radical subjectivist, also largely rejected Mises' formulation of Praxeology in favor of the verstehende Methode ("interpretive method") articulated by Max Weber. In the 20th century, various Austrians incorporated models and mathematics into their analysis.

Austrian economist Steven Horwitz argued in 2000 that Austrian methodology is consistent with macroeconomics and that Austrian macroeconomics can be expressed in terms of microeconomic foundations. Austrian economist Roger Garrison writes that Austrian macroeconomic theory can be correctly expressed in terms of diagrammatic models. In 1944, Austrian economist Oskar Morgenstern presented a rigorous schematization of an ordinal utility function (the Von Neumann–Morgenstern utility theorem) in Theory of Games and Economic Behavior. Fundamental tenets In 1981, Fritz Machlup listed the typical views of Austrian economic thinking as such: Methodological individualism: in the explanation of economic phenomena, we have to go back to the actions (or inaction) of individuals; groups or "collectives" cannot act except through the actions of individual members. Groups don't think; people think. Methodological subjectivism: in the explanation of economic phenomena, we have to go back to judgments and choices made by individuals on the basis of whatever knowledge they have or believe to have and whatever expectations they entertain regarding external developments and especially the perceived consequences of their own intended actions. Tastes and preferences: subjective valuations of goods and services determine the demand for them so that their prices are influenced by (actual and potential) consumers. Opportunity costs: the costs with which producers and other economic actors calculate reflect the alternative opportunities that must be foregone; as productive services are employed for one purpose, all alternative uses have to be sacrificed. Marginalism: in all economic designs, the values, costs, revenues, productivity and so on are determined by the significance of the last unit added to or subtracted from the total. Time structure of production and consumption: decisions to save reflect "time preferences" regarding consumption in the immediate, distant, or indefinite future and investments are made in view of larger outputs expected to be obtained if more time-taking production processes are undertaken. He included two additional tenets held by the Mises branch of Austrian economics: Consumer sovereignty: the influence consumers have on the effective demand for goods and services and through the prices which result in free competitive markets, on the production plans of producers and investors, is not merely a hard fact but also an important objective, attainable only by complete avoidance of governmental interference with the markets and of restrictions on the freedom of sellers and buyers to follow their own judgment regarding quantities, qualities and prices of products and services. Political individualism: only when individuals are given full economic freedom will it be possible to secure political and moral freedom. Restrictions on economic freedom lead, sooner or later, to an extension of the coercive activities of the state into the political domain, undermining and eventually destroying the essential individual liberties which the capitalistic societies were able to attain in the 19th century. Contributions to economic thought Opportunity cost The opportunity cost doctrine was first explicitly formulated by the Austrian economist Friedrich von Wieser in the late 19th century.

Austrian economist Steven Horwitz argued in 2000 that Austrian methodology is consistent with macroeconomics and that Austrian macroeconomics can be expressed in terms of microeconomic foundations. Austrian economist Roger Garrison writes that Austrian macroeconomic theory can be correctly expressed in terms of diagrammatic models. In 1944, Austrian economist Oskar Morgenstern presented a rigorous schematization of an ordinal utility function (the Von Neumann–Morgenstern utility theorem) in Theory of Games and Economic Behavior. Fundamental tenets In 1981, Fritz Machlup listed the typical views of Austrian economic thinking as such: Methodological individualism: in the explanation of economic phenomena, we have to go back to the actions (or inaction) of individuals; groups or "collectives" cannot act except through the actions of individual members. Groups don't think; people think. Methodological subjectivism: in the explanation of economic phenomena, we have to go back to judgments and choices made by individuals on the basis of whatever knowledge they have or believe to have and whatever expectations they entertain regarding external developments and especially the perceived consequences of their own intended actions. Tastes and preferences: subjective valuations of goods and services determine the demand for them so that their prices are influenced by (actual and potential) consumers. Opportunity costs: the costs with which producers and other economic actors calculate reflect the alternative opportunities that must be foregone; as productive services are employed for one purpose, all alternative uses have to be sacrificed. Marginalism: in all economic designs, the values, costs, revenues, productivity and so on are determined by the significance of the last unit added to or subtracted from the total. Time structure of production and consumption: decisions to save reflect "time preferences" regarding consumption in the immediate, distant, or indefinite future and investments are made in view of larger outputs expected to be obtained if more time-taking production processes are undertaken. He included two additional tenets held by the Mises branch of Austrian economics: Consumer sovereignty: the influence consumers have on the effective demand for goods and services and through the prices which result in free competitive markets, on the production plans of producers and investors, is not merely a hard fact but also an important objective, attainable only by complete avoidance of governmental interference with the markets and of restrictions on the freedom of sellers and buyers to follow their own judgment regarding quantities, qualities and prices of products and services. Political individualism: only when individuals are given full economic freedom will it be possible to secure political and moral freedom. Restrictions on economic freedom lead, sooner or later, to an extension of the coercive activities of the state into the political domain, undermining and eventually destroying the essential individual liberties which the capitalistic societies were able to attain in the 19th century. Contributions to economic thought Opportunity cost The opportunity cost doctrine was first explicitly formulated by the Austrian economist Friedrich von Wieser in the late 19th century.

Austrian economist Steven Horwitz argued in 2000 that Austrian methodology is consistent with macroeconomics and that Austrian macroeconomics can be expressed in terms of microeconomic foundations. Austrian economist Roger Garrison writes that Austrian macroeconomic theory can be correctly expressed in terms of diagrammatic models. In 1944, Austrian economist Oskar Morgenstern presented a rigorous schematization of an ordinal utility function (the Von Neumann–Morgenstern utility theorem) in Theory of Games and Economic Behavior. Fundamental tenets In 1981, Fritz Machlup listed the typical views of Austrian economic thinking as such: Methodological individualism: in the explanation of economic phenomena, we have to go back to the actions (or inaction) of individuals; groups or "collectives" cannot act except through the actions of individual members. Groups don't think; people think. Methodological subjectivism: in the explanation of economic phenomena, we have to go back to judgments and choices made by individuals on the basis of whatever knowledge they have or believe to have and whatever expectations they entertain regarding external developments and especially the perceived consequences of their own intended actions. Tastes and preferences: subjective valuations of goods and services determine the demand for them so that their prices are influenced by (actual and potential) consumers. Opportunity costs: the costs with which producers and other economic actors calculate reflect the alternative opportunities that must be foregone; as productive services are employed for one purpose, all alternative uses have to be sacrificed. Marginalism: in all economic designs, the values, costs, revenues, productivity and so on are determined by the significance of the last unit added to or subtracted from the total. Time structure of production and consumption: decisions to save reflect "time preferences" regarding consumption in the immediate, distant, or indefinite future and investments are made in view of larger outputs expected to be obtained if more time-taking production processes are undertaken. He included two additional tenets held by the Mises branch of Austrian economics: Consumer sovereignty: the influence consumers have on the effective demand for goods and services and through the prices which result in free competitive markets, on the production plans of producers and investors, is not merely a hard fact but also an important objective, attainable only by complete avoidance of governmental interference with the markets and of restrictions on the freedom of sellers and buyers to follow their own judgment regarding quantities, qualities and prices of products and services. Political individualism: only when individuals are given full economic freedom will it be possible to secure political and moral freedom. Restrictions on economic freedom lead, sooner or later, to an extension of the coercive activities of the state into the political domain, undermining and eventually destroying the essential individual liberties which the capitalistic societies were able to attain in the 19th century. Contributions to economic thought Opportunity cost The opportunity cost doctrine was first explicitly formulated by the Austrian economist Friedrich von Wieser in the late 19th century.

Opportunity cost is the cost of any activity measured in terms of the value of the next best alternative foregone (that is not chosen). It is the sacrifice related to the second best choice available to someone, or group, who has picked among several mutually exclusive choices. Opportunity cost is a key concept in mainstream economics and has been described as expressing "the basic relationship between scarcity and choice". The notion of opportunity cost plays a crucial part in ensuring that resources are used efficiently. Capital and interest The Austrian theory of capital and interest was first developed by Eugen Böhm von Bawerk. He stated that interest rates and profits are determined by two factors, namely supply and demand in the market for final goods and time preference. Böhm-Bawerk's theory equates capital intensity with the degree of roundaboutness of production processes. Böhm-Bawerk also argued that the law of marginal utility necessarily implies the classical law of costs. Some Austrian economists therefore entirely reject the notion that interest rates are affected by liquidity preference. Inflation In Mises's definition, inflation is an increase in the supply of money: Hayek pointed out that inflationary stimulation exploits the lag between an increase in money supply and the consequent increase in the prices of goods and services: Economic calculation problem The economic calculation problem refers to a criticism of planned economies which was first stated by Max Weber in 1920. Mises subsequently discussed Weber's idea with his student Friedrich Hayek, who developed it in various works including The Road to Serfdom. What the calculation problem essentially states is that without price signals, the factors of production cannot be allocated in the most efficient way possible, rendering planned economies inefficacious. Austrian theory emphasizes the organizing power of markets. Hayek stated that market prices reflect information, the totality of which is not known to any single individual, which determines the allocation of resources in an economy. Because socialist systems lack the individual incentives and price discovery processes by which individuals act on their personal information, Hayek argued that socialist economic planners lack all of the knowledge required to make optimal decisions. Those who agree with this criticism view it as a refutation of socialism, showing that socialism is not a viable or sustainable form of economic organization. The debate rose to prominence in the 1920s and 1930s and that specific period of the debate has come to be known by historians of economic thought as the socialist calculation debate. Mises argued in a 1920 essay "Economic Calculation in the Socialist Commonwealth" that the pricing systems in socialist economies were necessarily deficient because if the government owned the means of production, then no prices could be obtained for capital goods as they were merely internal transfers of goods in a socialist system and not "objects of exchange", unlike final goods. Therefore, they were unpriced and hence the system would be necessarily inefficient since the central planners would not know how to allocate the available resources efficiently.

Opportunity cost is the cost of any activity measured in terms of the value of the next best alternative foregone (that is not chosen). It is the sacrifice related to the second best choice available to someone, or group, who has picked among several mutually exclusive choices. Opportunity cost is a key concept in mainstream economics and has been described as expressing "the basic relationship between scarcity and choice". The notion of opportunity cost plays a crucial part in ensuring that resources are used efficiently. Capital and interest The Austrian theory of capital and interest was first developed by Eugen Böhm von Bawerk. He stated that interest rates and profits are determined by two factors, namely supply and demand in the market for final goods and time preference. Böhm-Bawerk's theory equates capital intensity with the degree of roundaboutness of production processes. Böhm-Bawerk also argued that the law of marginal utility necessarily implies the classical law of costs. Some Austrian economists therefore entirely reject the notion that interest rates are affected by liquidity preference. Inflation In Mises's definition, inflation is an increase in the supply of money: Hayek pointed out that inflationary stimulation exploits the lag between an increase in money supply and the consequent increase in the prices of goods and services: Economic calculation problem The economic calculation problem refers to a criticism of planned economies which was first stated by Max Weber in 1920. Mises subsequently discussed Weber's idea with his student Friedrich Hayek, who developed it in various works including The Road to Serfdom. What the calculation problem essentially states is that without price signals, the factors of production cannot be allocated in the most efficient way possible, rendering planned economies inefficacious. Austrian theory emphasizes the organizing power of markets. Hayek stated that market prices reflect information, the totality of which is not known to any single individual, which determines the allocation of resources in an economy. Because socialist systems lack the individual incentives and price discovery processes by which individuals act on their personal information, Hayek argued that socialist economic planners lack all of the knowledge required to make optimal decisions. Those who agree with this criticism view it as a refutation of socialism, showing that socialism is not a viable or sustainable form of economic organization. The debate rose to prominence in the 1920s and 1930s and that specific period of the debate has come to be known by historians of economic thought as the socialist calculation debate. Mises argued in a 1920 essay "Economic Calculation in the Socialist Commonwealth" that the pricing systems in socialist economies were necessarily deficient because if the government owned the means of production, then no prices could be obtained for capital goods as they were merely internal transfers of goods in a socialist system and not "objects of exchange", unlike final goods. Therefore, they were unpriced and hence the system would be necessarily inefficient since the central planners would not know how to allocate the available resources efficiently.

Opportunity cost is the cost of any activity measured in terms of the value of the next best alternative foregone (that is not chosen). It is the sacrifice related to the second best choice available to someone, or group, who has picked among several mutually exclusive choices. Opportunity cost is a key concept in mainstream economics and has been described as expressing "the basic relationship between scarcity and choice". The notion of opportunity cost plays a crucial part in ensuring that resources are used efficiently. Capital and interest The Austrian theory of capital and interest was first developed by Eugen Böhm von Bawerk. He stated that interest rates and profits are determined by two factors, namely supply and demand in the market for final goods and time preference. Böhm-Bawerk's theory equates capital intensity with the degree of roundaboutness of production processes. Böhm-Bawerk also argued that the law of marginal utility necessarily implies the classical law of costs. Some Austrian economists therefore entirely reject the notion that interest rates are affected by liquidity preference. Inflation In Mises's definition, inflation is an increase in the supply of money: Hayek pointed out that inflationary stimulation exploits the lag between an increase in money supply and the consequent increase in the prices of goods and services: Economic calculation problem The economic calculation problem refers to a criticism of planned economies which was first stated by Max Weber in 1920. Mises subsequently discussed Weber's idea with his student Friedrich Hayek, who developed it in various works including The Road to Serfdom. What the calculation problem essentially states is that without price signals, the factors of production cannot be allocated in the most efficient way possible, rendering planned economies inefficacious. Austrian theory emphasizes the organizing power of markets. Hayek stated that market prices reflect information, the totality of which is not known to any single individual, which determines the allocation of resources in an economy. Because socialist systems lack the individual incentives and price discovery processes by which individuals act on their personal information, Hayek argued that socialist economic planners lack all of the knowledge required to make optimal decisions. Those who agree with this criticism view it as a refutation of socialism, showing that socialism is not a viable or sustainable form of economic organization. The debate rose to prominence in the 1920s and 1930s and that specific period of the debate has come to be known by historians of economic thought as the socialist calculation debate. Mises argued in a 1920 essay "Economic Calculation in the Socialist Commonwealth" that the pricing systems in socialist economies were necessarily deficient because if the government owned the means of production, then no prices could be obtained for capital goods as they were merely internal transfers of goods in a socialist system and not "objects of exchange", unlike final goods. Therefore, they were unpriced and hence the system would be necessarily inefficient since the central planners would not know how to allocate the available resources efficiently.

This led him to write "that rational economic activity is impossible in a socialist commonwealth". Business cycles The Austrian theory of the business cycle (ABCT) focuses on banks' issuance of credit as the cause of economic fluctuations. Although later elaborated by Hayek and others, the theory was first set forth by Mises, who posited that fractional reserve banks extend credit at artificially low interest rates, causing businesses to invest in relatively roundabout production processes which leads to an artificial "boom". Mises stated that this artificial "boom" then led to a misallocation of resources which he called "malinvestment" - which eventually must end in a "bust". Mises surmised how government manipulation of money and credit in the banking system throws savings and investment out of balance, resulting in misdirected investment projects that are eventually found to be unsustainable, at which point the economy has to rebalance itself through a period of corrective recession. Austrian economist Fritz Machlup summarized the Austrian view by stating, "monetary factors cause the cycle but real phenomena constitute it." For Austrians, the only prudent strategy for government is to leave money and the financial system to the free market's competitive forces to eradicate the business cycle's inflationary booms and recessionary busts, allowing markets to keep people's saving and investment decisions in place for well-coordinated economic stability and growth. A Keynesian would suggest government intervention during a recession to inject spending into the economy when people are not. However, the heart of Austrian macroeconomic theory states the government "fine tuning" through expansions and contractions in the money supply orchestrated by the government are actually the cause of business cycles because of the differing impact of the resulting interest rate changes on different stages in the structure of production. Austrian economist Thomas Woods further supports this view by arguing it is not consumption, but rather production that should be emphasized. A country cannot become rich by consuming, and therefore, by using up all their resources. Instead, production is what enables consumption as a possibility in the first place, since a producer would be working for nothing, if not for the desire to consume. Central banks According to Ludwig von Mises, central banks enable the commercial banks to fund loans at artificially low interest rates, thereby inducing an unsustainable expansion of bank credit and impeding any subsequent contraction and argued for a gold standard to constrain growth in fiduciary media. Friedrich Hayek took a different perspective not focusing on gold but focusing on regulation of the banking sector via strong central banking. Criticism General Mainstream economists generally reject modern-day Austrian economics, and argue that modern-day Austrian economists are excessively averse to the use of mathematics and statistics in economics. Austrian opposition to mathematization extends to economic theorizing only, as they argue that human behavior is too variable for overarching mathematical models to hold true across time and context. Austrians do, however, support analyzing revealed preference via mathematization to aid business and finance.

This led him to write "that rational economic activity is impossible in a socialist commonwealth". Business cycles The Austrian theory of the business cycle (ABCT) focuses on banks' issuance of credit as the cause of economic fluctuations. Although later elaborated by Hayek and others, the theory was first set forth by Mises, who posited that fractional reserve banks extend credit at artificially low interest rates, causing businesses to invest in relatively roundabout production processes which leads to an artificial "boom". Mises stated that this artificial "boom" then led to a misallocation of resources which he called "malinvestment" - which eventually must end in a "bust". Mises surmised how government manipulation of money and credit in the banking system throws savings and investment out of balance, resulting in misdirected investment projects that are eventually found to be unsustainable, at which point the economy has to rebalance itself through a period of corrective recession. Austrian economist Fritz Machlup summarized the Austrian view by stating, "monetary factors cause the cycle but real phenomena constitute it." For Austrians, the only prudent strategy for government is to leave money and the financial system to the free market's competitive forces to eradicate the business cycle's inflationary booms and recessionary busts, allowing markets to keep people's saving and investment decisions in place for well-coordinated economic stability and growth. A Keynesian would suggest government intervention during a recession to inject spending into the economy when people are not. However, the heart of Austrian macroeconomic theory states the government "fine tuning" through expansions and contractions in the money supply orchestrated by the government are actually the cause of business cycles because of the differing impact of the resulting interest rate changes on different stages in the structure of production. Austrian economist Thomas Woods further supports this view by arguing it is not consumption, but rather production that should be emphasized. A country cannot become rich by consuming, and therefore, by using up all their resources. Instead, production is what enables consumption as a possibility in the first place, since a producer would be working for nothing, if not for the desire to consume. Central banks According to Ludwig von Mises, central banks enable the commercial banks to fund loans at artificially low interest rates, thereby inducing an unsustainable expansion of bank credit and impeding any subsequent contraction and argued for a gold standard to constrain growth in fiduciary media. Friedrich Hayek took a different perspective not focusing on gold but focusing on regulation of the banking sector via strong central banking. Criticism General Mainstream economists generally reject modern-day Austrian economics, and argue that modern-day Austrian economists are excessively averse to the use of mathematics and statistics in economics. Austrian opposition to mathematization extends to economic theorizing only, as they argue that human behavior is too variable for overarching mathematical models to hold true across time and context. Austrians do, however, support analyzing revealed preference via mathematization to aid business and finance.

This led him to write "that rational economic activity is impossible in a socialist commonwealth". Business cycles The Austrian theory of the business cycle (ABCT) focuses on banks' issuance of credit as the cause of economic fluctuations. Although later elaborated by Hayek and others, the theory was first set forth by Mises, who posited that fractional reserve banks extend credit at artificially low interest rates, causing businesses to invest in relatively roundabout production processes which leads to an artificial "boom". Mises stated that this artificial "boom" then led to a misallocation of resources which he called "malinvestment" - which eventually must end in a "bust". Mises surmised how government manipulation of money and credit in the banking system throws savings and investment out of balance, resulting in misdirected investment projects that are eventually found to be unsustainable, at which point the economy has to rebalance itself through a period of corrective recession. Austrian economist Fritz Machlup summarized the Austrian view by stating, "monetary factors cause the cycle but real phenomena constitute it." For Austrians, the only prudent strategy for government is to leave money and the financial system to the free market's competitive forces to eradicate the business cycle's inflationary booms and recessionary busts, allowing markets to keep people's saving and investment decisions in place for well-coordinated economic stability and growth. A Keynesian would suggest government intervention during a recession to inject spending into the economy when people are not. However, the heart of Austrian macroeconomic theory states the government "fine tuning" through expansions and contractions in the money supply orchestrated by the government are actually the cause of business cycles because of the differing impact of the resulting interest rate changes on different stages in the structure of production. Austrian economist Thomas Woods further supports this view by arguing it is not consumption, but rather production that should be emphasized. A country cannot become rich by consuming, and therefore, by using up all their resources. Instead, production is what enables consumption as a possibility in the first place, since a producer would be working for nothing, if not for the desire to consume. Central banks According to Ludwig von Mises, central banks enable the commercial banks to fund loans at artificially low interest rates, thereby inducing an unsustainable expansion of bank credit and impeding any subsequent contraction and argued for a gold standard to constrain growth in fiduciary media. Friedrich Hayek took a different perspective not focusing on gold but focusing on regulation of the banking sector via strong central banking. Criticism General Mainstream economists generally reject modern-day Austrian economics, and argue that modern-day Austrian economists are excessively averse to the use of mathematics and statistics in economics. Austrian opposition to mathematization extends to economic theorizing only, as they argue that human behavior is too variable for overarching mathematical models to hold true across time and context. Austrians do, however, support analyzing revealed preference via mathematization to aid business and finance.

Economist Paul Krugman has stated that they are unaware of holes in their own thinking because Austrians do not use "explicit models". Economist Benjamin Klein has criticized the economic methodological work of Austrian economist Israel M. Kirzner. While praising Kirzner for highlighting shortcomings in traditional methodology, Klein argued that Kirzner did not provide a viable alternative for economic methodology. Economist Tyler Cowen has written that Kirzner's theory of entrepreneurship can ultimately be reduced to a neoclassical search model and is thus not in the radical subjectivist tradition of Austrian praxeology. Cowen states that Kirzner's entrepreneurs can be modeled in mainstream terms of search. Economist Jeffrey Sachs argues that among developed countries, those with high rates of taxation and high social welfare spending perform better on most measures of economic performance compared to countries with low rates of taxation and low social outlays. He concludes that Friedrich Hayek was wrong to argue that high levels of government spending harms an economy and "a generous social-welfare state is not a road to serfdom but rather to fairness, economic equality and international competitiveness". Economist Bryan Caplan has noted that Mises has been criticized for overstating the strength of his case in describing socialism as "impossible" rather than as something that would need to establish non-market institutions to deal with the inefficiency. Methodology Critics generally argue that Austrian economics lacks scientific rigor and rejects scientific methods and the use of empirical data in modelling economic behavior. Some economists describe Austrian methodology as being a priori or non-empirical. Economist Mark Blaug has criticized over-reliance on methodological individualism, arguing it would rule out all macroeconomic propositions that cannot be reduced to microeconomic ones, and hence reject almost the whole of received macroeconomics. Economist Thomas Mayer has stated that Austrians advocate a rejection of the scientific method which involves the development of empirically falsifiable theories. Furthermore, economists have developed numerous experiments that elicit useful information about individual preferences. Although economist Leland Yeager is sympathetic to Austrian economics, he rejects many favorite views of the Misesian group of Austrians, in particular "the specifics of their business-cycle theory, ultra-subjectivism in value theory and particularly in interest-rate theory, their insistence on unidirectional causality rather than general interdependence, and their fondness for methodological brooding, pointless profundities, and verbal gymnastics". Economist Paul A. Samuelson wrote in 1964 that most economists believe that economic conclusions reached by pure logical deduction are limited and weak. According to Samuelson and Caplan, Mises' deductive methodology also embraced by Murray Rothbard and to a lesser extent by Mises' student Israel Kirzner was not sufficient in and of itself. Business cycle theory Mainstream economic research regarding Austrian business cycle theory finds that it is inconsistent with empirical evidence. Economists such as Gordon Tullock, Milton Friedman and Paul Krugman have said that they regard the theory as incorrect.

Economist Paul Krugman has stated that they are unaware of holes in their own thinking because Austrians do not use "explicit models". Economist Benjamin Klein has criticized the economic methodological work of Austrian economist Israel M. Kirzner. While praising Kirzner for highlighting shortcomings in traditional methodology, Klein argued that Kirzner did not provide a viable alternative for economic methodology. Economist Tyler Cowen has written that Kirzner's theory of entrepreneurship can ultimately be reduced to a neoclassical search model and is thus not in the radical subjectivist tradition of Austrian praxeology. Cowen states that Kirzner's entrepreneurs can be modeled in mainstream terms of search. Economist Jeffrey Sachs argues that among developed countries, those with high rates of taxation and high social welfare spending perform better on most measures of economic performance compared to countries with low rates of taxation and low social outlays. He concludes that Friedrich Hayek was wrong to argue that high levels of government spending harms an economy and "a generous social-welfare state is not a road to serfdom but rather to fairness, economic equality and international competitiveness". Economist Bryan Caplan has noted that Mises has been criticized for overstating the strength of his case in describing socialism as "impossible" rather than as something that would need to establish non-market institutions to deal with the inefficiency. Methodology Critics generally argue that Austrian economics lacks scientific rigor and rejects scientific methods and the use of empirical data in modelling economic behavior. Some economists describe Austrian methodology as being a priori or non-empirical. Economist Mark Blaug has criticized over-reliance on methodological individualism, arguing it would rule out all macroeconomic propositions that cannot be reduced to microeconomic ones, and hence reject almost the whole of received macroeconomics. Economist Thomas Mayer has stated that Austrians advocate a rejection of the scientific method which involves the development of empirically falsifiable theories. Furthermore, economists have developed numerous experiments that elicit useful information about individual preferences. Although economist Leland Yeager is sympathetic to Austrian economics, he rejects many favorite views of the Misesian group of Austrians, in particular "the specifics of their business-cycle theory, ultra-subjectivism in value theory and particularly in interest-rate theory, their insistence on unidirectional causality rather than general interdependence, and their fondness for methodological brooding, pointless profundities, and verbal gymnastics". Economist Paul A. Samuelson wrote in 1964 that most economists believe that economic conclusions reached by pure logical deduction are limited and weak. According to Samuelson and Caplan, Mises' deductive methodology also embraced by Murray Rothbard and to a lesser extent by Mises' student Israel Kirzner was not sufficient in and of itself. Business cycle theory Mainstream economic research regarding Austrian business cycle theory finds that it is inconsistent with empirical evidence. Economists such as Gordon Tullock, Milton Friedman and Paul Krugman have said that they regard the theory as incorrect.

Economist Paul Krugman has stated that they are unaware of holes in their own thinking because Austrians do not use "explicit models". Economist Benjamin Klein has criticized the economic methodological work of Austrian economist Israel M. Kirzner. While praising Kirzner for highlighting shortcomings in traditional methodology, Klein argued that Kirzner did not provide a viable alternative for economic methodology. Economist Tyler Cowen has written that Kirzner's theory of entrepreneurship can ultimately be reduced to a neoclassical search model and is thus not in the radical subjectivist tradition of Austrian praxeology. Cowen states that Kirzner's entrepreneurs can be modeled in mainstream terms of search. Economist Jeffrey Sachs argues that among developed countries, those with high rates of taxation and high social welfare spending perform better on most measures of economic performance compared to countries with low rates of taxation and low social outlays. He concludes that Friedrich Hayek was wrong to argue that high levels of government spending harms an economy and "a generous social-welfare state is not a road to serfdom but rather to fairness, economic equality and international competitiveness". Economist Bryan Caplan has noted that Mises has been criticized for overstating the strength of his case in describing socialism as "impossible" rather than as something that would need to establish non-market institutions to deal with the inefficiency. Methodology Critics generally argue that Austrian economics lacks scientific rigor and rejects scientific methods and the use of empirical data in modelling economic behavior. Some economists describe Austrian methodology as being a priori or non-empirical. Economist Mark Blaug has criticized over-reliance on methodological individualism, arguing it would rule out all macroeconomic propositions that cannot be reduced to microeconomic ones, and hence reject almost the whole of received macroeconomics. Economist Thomas Mayer has stated that Austrians advocate a rejection of the scientific method which involves the development of empirically falsifiable theories. Furthermore, economists have developed numerous experiments that elicit useful information about individual preferences. Although economist Leland Yeager is sympathetic to Austrian economics, he rejects many favorite views of the Misesian group of Austrians, in particular "the specifics of their business-cycle theory, ultra-subjectivism in value theory and particularly in interest-rate theory, their insistence on unidirectional causality rather than general interdependence, and their fondness for methodological brooding, pointless profundities, and verbal gymnastics". Economist Paul A. Samuelson wrote in 1964 that most economists believe that economic conclusions reached by pure logical deduction are limited and weak. According to Samuelson and Caplan, Mises' deductive methodology also embraced by Murray Rothbard and to a lesser extent by Mises' student Israel Kirzner was not sufficient in and of itself. Business cycle theory Mainstream economic research regarding Austrian business cycle theory finds that it is inconsistent with empirical evidence. Economists such as Gordon Tullock, Milton Friedman and Paul Krugman have said that they regard the theory as incorrect.

Austrian economist Ludwig Lachmann noted that the Austrian theory was rejected during the 1930s: Theoretical objections Some economists argue that Austrian business cycle theory requires bankers and investors to exhibit a kind of irrationality because the Austrian theory posits that investors will be fooled repeatedly (by temporarily low interest rates) into making unprofitable investment decisions. Milton Friedman objected to the policy implications of the theory, stating the following in a 1998 interview: Empirical objections Milton Friedman after examining the history of business cycles in the United States wrote that there "appears to be no systematic connection between the size of an expansion and of the succeeding contraction", and that further analysis could cast doubt on business cycle theories which rely on this premise. Referring to Friedman's discussion of the business cycle, Austrian economist Roger Garrison argued that Friedman's empirical findings are "broadly consistent with both Monetarist and Austrian views" and goes on to argue that although Friedman's model "describes the economy's performance at the highest level of aggregation, Austrian theory offers an insightful account of the market process that might underlie those aggregates". See also Carl Menger Chicago school of economics Criticism of the Federal Reserve Eugen von Böhm-Bawerk Friedrich Hayek Hans-Hermann Hoppe Henry Hazlitt Israel Kirzner List of Austrian intellectual traditions List of Austrian School economists Ludwig von Mises New institutional economics Perspectives on capitalism by school of thought School of Salamanca Notes and references Further reading Campagnolo, Gilles, and Christel Vivel. "The foundations of the theory of entrepreneurship in austrian economics–Menger and Böhm-Bawerk on the entrepreneur." Revue de philosophie économique 15.1 (2014): 49–97. online in English Hagemann, Harald, Tamotsu Nishizawa, and Yukihiro Ikeda, eds. Austrian Economics in Transition: From Carl Menger to Friedrich Hayek (Palgrave Macmillan; 2010) 339 pp. online review Holcombe, Randall. The Great Austrian Economists (1999) 273pp. . Littlechild, Stephen, ed. (1990). Austrian economics, 3 v. Edward Elgar. Description and scroll to chapter preview links for v. 1. Papaioannou, Theo. Reading Hayek in the 21st Century: a critical inquiry into his political thought Springer, 2012. Wasserman, Janek. The Marginal Revolutionaries: How Austrian Economists Fought the War of Ideas (2019) except External links Understanding Austrian Economics by Henry Hazlitt Schools of economic thought Libertarian theory

Austrian economist Ludwig Lachmann noted that the Austrian theory was rejected during the 1930s: Theoretical objections Some economists argue that Austrian business cycle theory requires bankers and investors to exhibit a kind of irrationality because the Austrian theory posits that investors will be fooled repeatedly (by temporarily low interest rates) into making unprofitable investment decisions. Milton Friedman objected to the policy implications of the theory, stating the following in a 1998 interview: Empirical objections Milton Friedman after examining the history of business cycles in the United States wrote that there "appears to be no systematic connection between the size of an expansion and of the succeeding contraction", and that further analysis could cast doubt on business cycle theories which rely on this premise. Referring to Friedman's discussion of the business cycle, Austrian economist Roger Garrison argued that Friedman's empirical findings are "broadly consistent with both Monetarist and Austrian views" and goes on to argue that although Friedman's model "describes the economy's performance at the highest level of aggregation, Austrian theory offers an insightful account of the market process that might underlie those aggregates". See also Carl Menger Chicago school of economics Criticism of the Federal Reserve Eugen von Böhm-Bawerk Friedrich Hayek Hans-Hermann Hoppe Henry Hazlitt Israel Kirzner List of Austrian intellectual traditions List of Austrian School economists Ludwig von Mises New institutional economics Perspectives on capitalism by school of thought School of Salamanca Notes and references Further reading Campagnolo, Gilles, and Christel Vivel. "The foundations of the theory of entrepreneurship in austrian economics–Menger and Böhm-Bawerk on the entrepreneur." Revue de philosophie économique 15.1 (2014): 49–97. online in English Hagemann, Harald, Tamotsu Nishizawa, and Yukihiro Ikeda, eds. Austrian Economics in Transition: From Carl Menger to Friedrich Hayek (Palgrave Macmillan; 2010) 339 pp. online review Holcombe, Randall. The Great Austrian Economists (1999) 273pp. . Littlechild, Stephen, ed. (1990). Austrian economics, 3 v. Edward Elgar. Description and scroll to chapter preview links for v. 1. Papaioannou, Theo. Reading Hayek in the 21st Century: a critical inquiry into his political thought Springer, 2012. Wasserman, Janek. The Marginal Revolutionaries: How Austrian Economists Fought the War of Ideas (2019) except External links Understanding Austrian Economics by Henry Hazlitt Schools of economic thought Libertarian theory

Austrian economist Ludwig Lachmann noted that the Austrian theory was rejected during the 1930s: Theoretical objections Some economists argue that Austrian business cycle theory requires bankers and investors to exhibit a kind of irrationality because the Austrian theory posits that investors will be fooled repeatedly (by temporarily low interest rates) into making unprofitable investment decisions. Milton Friedman objected to the policy implications of the theory, stating the following in a 1998 interview: Empirical objections Milton Friedman after examining the history of business cycles in the United States wrote that there "appears to be no systematic connection between the size of an expansion and of the succeeding contraction", and that further analysis could cast doubt on business cycle theories which rely on this premise. Referring to Friedman's discussion of the business cycle, Austrian economist Roger Garrison argued that Friedman's empirical findings are "broadly consistent with both Monetarist and Austrian views" and goes on to argue that although Friedman's model "describes the economy's performance at the highest level of aggregation, Austrian theory offers an insightful account of the market process that might underlie those aggregates". See also Carl Menger Chicago school of economics Criticism of the Federal Reserve Eugen von Böhm-Bawerk Friedrich Hayek Hans-Hermann Hoppe Henry Hazlitt Israel Kirzner List of Austrian intellectual traditions List of Austrian School economists Ludwig von Mises New institutional economics Perspectives on capitalism by school of thought School of Salamanca Notes and references Further reading Campagnolo, Gilles, and Christel Vivel. "The foundations of the theory of entrepreneurship in austrian economics–Menger and Böhm-Bawerk on the entrepreneur." Revue de philosophie économique 15.1 (2014): 49–97. online in English Hagemann, Harald, Tamotsu Nishizawa, and Yukihiro Ikeda, eds. Austrian Economics in Transition: From Carl Menger to Friedrich Hayek (Palgrave Macmillan; 2010) 339 pp. online review Holcombe, Randall. The Great Austrian Economists (1999) 273pp. . Littlechild, Stephen, ed. (1990). Austrian economics, 3 v. Edward Elgar. Description and scroll to chapter preview links for v. 1. Papaioannou, Theo. Reading Hayek in the 21st Century: a critical inquiry into his political thought Springer, 2012. Wasserman, Janek. The Marginal Revolutionaries: How Austrian Economists Fought the War of Ideas (2019) except External links Understanding Austrian Economics by Henry Hazlitt Schools of economic thought Libertarian theory

Abscess An abscess is a collection of pus that has built up within the tissue of the body. Signs and symptoms of abscesses include redness, pain, warmth, and swelling. The swelling may feel fluid-filled when pressed. The area of redness often extends beyond the swelling. Carbuncles and boils are types of abscess that often involve hair follicles, with carbuncles being larger. They are usually caused by a bacterial infection. Often many different types of bacteria are involved in a single infection. In many areas of the world, the most common bacteria present is methicillin-resistant Staphylococcus aureus. Rarely, parasites can cause abscesses; this is more common in the developing world. Diagnosis of a skin abscess is usually made based on what it looks like and is confirmed by cutting it open. Ultrasound imaging may be useful in cases in which the diagnosis is not clear. In abscesses around the anus, computer tomography (CT) may be important to look for deeper infection. Standard treatment for most skin or soft tissue abscesses is cutting it open and drainage. There appears to be some benefit from also using antibiotics. A small amount of evidence supports not packing the cavity that remains with gauze after drainage. Closing this cavity right after draining it rather than leaving it open may speed healing without increasing the risk of the abscess returning. Sucking out the pus with a needle is often not sufficient. Skin abscesses are common and have become more common in recent years. Risk factors include intravenous drug use, with rates reported as high as 65% among users. In 2005, in the United States, 3.2 million people went to the emergency department for an abscess. In Australia, around 13,000 people were hospitalized in 2008 with the condition. Signs and symptoms Abscesses may occur in any kind of tissue but most frequently within the skin surface (where they may be superficial pustules known as boils or deep skin abscesses), in the lungs, brain, teeth, kidneys, and tonsils. Major complications may include spreading of the abscess material to adjacent or remote tissues, and extensive regional tissue death (gangrene). The main symptoms and signs of a skin abscess are redness, heat, swelling, pain, and loss of function. There may also be high temperature (fever) and chills. If superficial, abscesses may be fluctuant when palpated; this wave-like motion is caused by movement of the pus inside the abscess. An internal abscess is more difficult to identify, but signs include pain in the affected area, a high temperature, and generally feeling unwell. Internal abscesses rarely heal themselves, so prompt medical attention is indicated if such an abscess is suspected. An abscess can potentially be fatal depending on where it is located. Causes Risk factors for abscess formation include intravenous drug use. Another possible risk factor is a prior history of disc herniation or other spinal abnormality, though this has not been proven. Abscesses are caused by bacterial infection, parasites, or foreign substances. Bacterial infection is the most common cause.

Abscess An abscess is a collection of pus that has built up within the tissue of the body. Signs and symptoms of abscesses include redness, pain, warmth, and swelling. The swelling may feel fluid-filled when pressed. The area of redness often extends beyond the swelling. Carbuncles and boils are types of abscess that often involve hair follicles, with carbuncles being larger. They are usually caused by a bacterial infection. Often many different types of bacteria are involved in a single infection. In many areas of the world, the most common bacteria present is methicillin-resistant Staphylococcus aureus. Rarely, parasites can cause abscesses; this is more common in the developing world. Diagnosis of a skin abscess is usually made based on what it looks like and is confirmed by cutting it open. Ultrasound imaging may be useful in cases in which the diagnosis is not clear. In abscesses around the anus, computer tomography (CT) may be important to look for deeper infection. Standard treatment for most skin or soft tissue abscesses is cutting it open and drainage. There appears to be some benefit from also using antibiotics. A small amount of evidence supports not packing the cavity that remains with gauze after drainage. Closing this cavity right after draining it rather than leaving it open may speed healing without increasing the risk of the abscess returning. Sucking out the pus with a needle is often not sufficient. Skin abscesses are common and have become more common in recent years. Risk factors include intravenous drug use, with rates reported as high as 65% among users. In 2005, in the United States, 3.2 million people went to the emergency department for an abscess. In Australia, around 13,000 people were hospitalized in 2008 with the condition. Signs and symptoms Abscesses may occur in any kind of tissue but most frequently within the skin surface (where they may be superficial pustules known as boils or deep skin abscesses), in the lungs, brain, teeth, kidneys, and tonsils. Major complications may include spreading of the abscess material to adjacent or remote tissues, and extensive regional tissue death (gangrene). The main symptoms and signs of a skin abscess are redness, heat, swelling, pain, and loss of function. There may also be high temperature (fever) and chills. If superficial, abscesses may be fluctuant when palpated; this wave-like motion is caused by movement of the pus inside the abscess. An internal abscess is more difficult to identify, but signs include pain in the affected area, a high temperature, and generally feeling unwell. Internal abscesses rarely heal themselves, so prompt medical attention is indicated if such an abscess is suspected. An abscess can potentially be fatal depending on where it is located. Causes Risk factors for abscess formation include intravenous drug use. Another possible risk factor is a prior history of disc herniation or other spinal abnormality, though this has not been proven. Abscesses are caused by bacterial infection, parasites, or foreign substances. Bacterial infection is the most common cause.

Often many different types of bacteria are involved in a single infection. In many areas of the world the most common bacteria present is methicillin-resistant Staphylococcus aureus. Among spinal subdural abscesses, methicillin-sensitive Staphylococcus aureus is the most common organism involved. Rarely parasites can cause abscesses and this is more common in the developing world. Specific parasites known to do this include dracunculiasis and myiasis. Perianal abscess Surgery of the anal fistula to drain an abscess treats the fistula and reduces likelihood of its recurrence and the need for repeated surgery. There is no evidence that fecal incontinence is a consequence of this surgery for abscess drainage. Perianal abscesses can be seen in people with, for example, inflammatory bowel disease (such as Crohn's disease) or diabetes. Often the abscess will start as an internal wound caused by ulceration, hard stool, or penetrative objects with insufficient lubrication. This wound typically becomes infected as a result of the normal presence of feces in the rectal area, and then develops into an abscess. This often presents itself as a lump of tissue near the anus which grows larger and more painful with time. Like other abscesses, perianal abscesses may require prompt medical treatment, such as an incision and debridement or lancing. Incisional abscess An incisional abscess is one that develops as a complication secondary to a surgical incision. It presents as redness and warmth at the margins of the incision with purulent drainage from it. If the diagnosis is uncertain, the wound should be aspirated with a needle, with aspiration of pus confirming the diagnosis and availing for Gram stain and bacterial culture. Pathophysiology An abscess is a defensive reaction of the tissue to prevent the spread of infectious materials to other parts of the body. The organisms or foreign materials kill the local cells, resulting in the release of cytokines. The cytokines trigger an inflammatory response, which draws large numbers of white blood cells to the area and increases the regional blood flow. The final structure of the abscess is an abscess wall, or capsule, that is formed by the adjacent healthy cells in an attempt to keep the pus from infecting neighboring structures. However, such encapsulation tends to prevent immune cells from attacking bacteria in the pus, or from reaching the causative organism or foreign object. Diagnosis An abscess is a localized collection of pus (purulent inflammatory tissue) caused by suppuration buried in a tissue, an organ, or a confined space, lined by the pyogenic membrane. Ultrasound imaging can help in a diagnosis. Classification Abscesses may be classified as either skin abscesses or internal abscesses. Skin abscesses are common; internal abscesses tend to be harder to diagnose, and more serious. Skin abscesses are also called cutaneous or subcutaneous abscesses. IV drug use For those with a history of intravenous drug use, an X-ray is recommended before treatment to verify that no needle fragments are present. If there is also a fever present in this population, infectious endocarditis should be considered.

Often many different types of bacteria are involved in a single infection. In many areas of the world the most common bacteria present is methicillin-resistant Staphylococcus aureus. Among spinal subdural abscesses, methicillin-sensitive Staphylococcus aureus is the most common organism involved. Rarely parasites can cause abscesses and this is more common in the developing world. Specific parasites known to do this include dracunculiasis and myiasis. Perianal abscess Surgery of the anal fistula to drain an abscess treats the fistula and reduces likelihood of its recurrence and the need for repeated surgery. There is no evidence that fecal incontinence is a consequence of this surgery for abscess drainage. Perianal abscesses can be seen in people with, for example, inflammatory bowel disease (such as Crohn's disease) or diabetes. Often the abscess will start as an internal wound caused by ulceration, hard stool, or penetrative objects with insufficient lubrication. This wound typically becomes infected as a result of the normal presence of feces in the rectal area, and then develops into an abscess. This often presents itself as a lump of tissue near the anus which grows larger and more painful with time. Like other abscesses, perianal abscesses may require prompt medical treatment, such as an incision and debridement or lancing. Incisional abscess An incisional abscess is one that develops as a complication secondary to a surgical incision. It presents as redness and warmth at the margins of the incision with purulent drainage from it. If the diagnosis is uncertain, the wound should be aspirated with a needle, with aspiration of pus confirming the diagnosis and availing for Gram stain and bacterial culture. Pathophysiology An abscess is a defensive reaction of the tissue to prevent the spread of infectious materials to other parts of the body. The organisms or foreign materials kill the local cells, resulting in the release of cytokines. The cytokines trigger an inflammatory response, which draws large numbers of white blood cells to the area and increases the regional blood flow. The final structure of the abscess is an abscess wall, or capsule, that is formed by the adjacent healthy cells in an attempt to keep the pus from infecting neighboring structures. However, such encapsulation tends to prevent immune cells from attacking bacteria in the pus, or from reaching the causative organism or foreign object. Diagnosis An abscess is a localized collection of pus (purulent inflammatory tissue) caused by suppuration buried in a tissue, an organ, or a confined space, lined by the pyogenic membrane. Ultrasound imaging can help in a diagnosis. Classification Abscesses may be classified as either skin abscesses or internal abscesses. Skin abscesses are common; internal abscesses tend to be harder to diagnose, and more serious. Skin abscesses are also called cutaneous or subcutaneous abscesses. IV drug use For those with a history of intravenous drug use, an X-ray is recommended before treatment to verify that no needle fragments are present. If there is also a fever present in this population, infectious endocarditis should be considered.

Often many different types of bacteria are involved in a single infection. In many areas of the world the most common bacteria present is methicillin-resistant Staphylococcus aureus. Among spinal subdural abscesses, methicillin-sensitive Staphylococcus aureus is the most common organism involved. Rarely parasites can cause abscesses and this is more common in the developing world. Specific parasites known to do this include dracunculiasis and myiasis. Perianal abscess Surgery of the anal fistula to drain an abscess treats the fistula and reduces likelihood of its recurrence and the need for repeated surgery. There is no evidence that fecal incontinence is a consequence of this surgery for abscess drainage. Perianal abscesses can be seen in people with, for example, inflammatory bowel disease (such as Crohn's disease) or diabetes. Often the abscess will start as an internal wound caused by ulceration, hard stool, or penetrative objects with insufficient lubrication. This wound typically becomes infected as a result of the normal presence of feces in the rectal area, and then develops into an abscess. This often presents itself as a lump of tissue near the anus which grows larger and more painful with time. Like other abscesses, perianal abscesses may require prompt medical treatment, such as an incision and debridement or lancing. Incisional abscess An incisional abscess is one that develops as a complication secondary to a surgical incision. It presents as redness and warmth at the margins of the incision with purulent drainage from it. If the diagnosis is uncertain, the wound should be aspirated with a needle, with aspiration of pus confirming the diagnosis and availing for Gram stain and bacterial culture. Pathophysiology An abscess is a defensive reaction of the tissue to prevent the spread of infectious materials to other parts of the body. The organisms or foreign materials kill the local cells, resulting in the release of cytokines. The cytokines trigger an inflammatory response, which draws large numbers of white blood cells to the area and increases the regional blood flow. The final structure of the abscess is an abscess wall, or capsule, that is formed by the adjacent healthy cells in an attempt to keep the pus from infecting neighboring structures. However, such encapsulation tends to prevent immune cells from attacking bacteria in the pus, or from reaching the causative organism or foreign object. Diagnosis An abscess is a localized collection of pus (purulent inflammatory tissue) caused by suppuration buried in a tissue, an organ, or a confined space, lined by the pyogenic membrane. Ultrasound imaging can help in a diagnosis. Classification Abscesses may be classified as either skin abscesses or internal abscesses. Skin abscesses are common; internal abscesses tend to be harder to diagnose, and more serious. Skin abscesses are also called cutaneous or subcutaneous abscesses. IV drug use For those with a history of intravenous drug use, an X-ray is recommended before treatment to verify that no needle fragments are present. If there is also a fever present in this population, infectious endocarditis should be considered.

Differential Abscesses should be differentiated from empyemas, which are accumulations of pus in a preexisting, rather than a newly formed, anatomical cavity. Other conditions that can cause similar symptoms include: cellulitis, a sebaceous cyst, and necrotising fasciitis. Cellulitis typically also has an erythematous reaction, but does not confer any purulent drainage. Treatment The standard treatment for an uncomplicated skin or soft tissue abscess is the act of opening and draining. There does not appear to be any benefit from also using antibiotics in most cases. A small amount of evidence did not find a benefit from packing the abscess with gauze. Incision and drainage The abscess should be inspected to identify if foreign objects are a cause, which may require their removal. If foreign objects are not the cause, incising and draining the abscess is standard treatment. In critical areas where surgery presents a high risk, it may be delayed or used as a last resort. The drainage of a lung abscess may be performed by positioning the affected individual in a way that enables the contents to be discharged via the respiratory tract. Warm compresses and elevation of the limb may be beneficial for a skin abscess. Antibiotics Most people who have an uncomplicated skin abscess should not use antibiotics. Antibiotics in addition to standard incision and drainage is recommended in persons with severe abscesses, many sites of infection, rapid disease progression, the presence of cellulitis, symptoms indicating bacterial illness throughout the body, or a health condition causing immunosuppression. People who are very young or very old may also need antibiotics. If the abscess does not heal only with incision and drainage, or if the abscess is in a place that is difficult to drain such as the face, hands, or genitals, then antibiotics may be indicated. In those cases of abscess which do require antibiotic treatment, Staphylococcus aureus bacteria is a common cause and an anti-staphylococcus antibiotic such as flucloxacillin or dicloxacillin is used. The Infectious Diseases Society of America advises that the draining of an abscess is not enough to address community-acquired methicillin-resistant Staphylococcus aureus (MRSA), and in those cases, traditional antibiotics may be ineffective. Alternative antibiotics effective against community-acquired MRSA often include clindamycin, doxycycline, minocycline, and trimethoprim-sulfamethoxazole. The American College of Emergency Physicians advises that typical cases of abscess from MRSA get no benefit from having antibiotic treatment in addition to the standard treatment. If the condition is thought to be cellulitis rather than an abscess, consideration should be given to the possibility of the strep species as a cause, that are still sensitive to traditional anti-staphylococcus agents such as dicloxacillin or cephalexin. This would be in the case of people that are able to tolerate penicillin. Antibiotic therapy alone without surgical drainage of the abscess is seldom effective due to antibiotics often being unable to get into the abscess and their ineffectiveness at low pH levels. Culturing the wound is not needed if standard follow-up care can be provided after the incision and drainage.

Differential Abscesses should be differentiated from empyemas, which are accumulations of pus in a preexisting, rather than a newly formed, anatomical cavity. Other conditions that can cause similar symptoms include: cellulitis, a sebaceous cyst, and necrotising fasciitis. Cellulitis typically also has an erythematous reaction, but does not confer any purulent drainage. Treatment The standard treatment for an uncomplicated skin or soft tissue abscess is the act of opening and draining. There does not appear to be any benefit from also using antibiotics in most cases. A small amount of evidence did not find a benefit from packing the abscess with gauze. Incision and drainage The abscess should be inspected to identify if foreign objects are a cause, which may require their removal. If foreign objects are not the cause, incising and draining the abscess is standard treatment. In critical areas where surgery presents a high risk, it may be delayed or used as a last resort. The drainage of a lung abscess may be performed by positioning the affected individual in a way that enables the contents to be discharged via the respiratory tract. Warm compresses and elevation of the limb may be beneficial for a skin abscess. Antibiotics Most people who have an uncomplicated skin abscess should not use antibiotics. Antibiotics in addition to standard incision and drainage is recommended in persons with severe abscesses, many sites of infection, rapid disease progression, the presence of cellulitis, symptoms indicating bacterial illness throughout the body, or a health condition causing immunosuppression. People who are very young or very old may also need antibiotics. If the abscess does not heal only with incision and drainage, or if the abscess is in a place that is difficult to drain such as the face, hands, or genitals, then antibiotics may be indicated. In those cases of abscess which do require antibiotic treatment, Staphylococcus aureus bacteria is a common cause and an anti-staphylococcus antibiotic such as flucloxacillin or dicloxacillin is used. The Infectious Diseases Society of America advises that the draining of an abscess is not enough to address community-acquired methicillin-resistant Staphylococcus aureus (MRSA), and in those cases, traditional antibiotics may be ineffective. Alternative antibiotics effective against community-acquired MRSA often include clindamycin, doxycycline, minocycline, and trimethoprim-sulfamethoxazole. The American College of Emergency Physicians advises that typical cases of abscess from MRSA get no benefit from having antibiotic treatment in addition to the standard treatment. If the condition is thought to be cellulitis rather than an abscess, consideration should be given to the possibility of the strep species as a cause, that are still sensitive to traditional anti-staphylococcus agents such as dicloxacillin or cephalexin. This would be in the case of people that are able to tolerate penicillin. Antibiotic therapy alone without surgical drainage of the abscess is seldom effective due to antibiotics often being unable to get into the abscess and their ineffectiveness at low pH levels. Culturing the wound is not needed if standard follow-up care can be provided after the incision and drainage.

Differential Abscesses should be differentiated from empyemas, which are accumulations of pus in a preexisting, rather than a newly formed, anatomical cavity. Other conditions that can cause similar symptoms include: cellulitis, a sebaceous cyst, and necrotising fasciitis. Cellulitis typically also has an erythematous reaction, but does not confer any purulent drainage. Treatment The standard treatment for an uncomplicated skin or soft tissue abscess is the act of opening and draining. There does not appear to be any benefit from also using antibiotics in most cases. A small amount of evidence did not find a benefit from packing the abscess with gauze. Incision and drainage The abscess should be inspected to identify if foreign objects are a cause, which may require their removal. If foreign objects are not the cause, incising and draining the abscess is standard treatment. In critical areas where surgery presents a high risk, it may be delayed or used as a last resort. The drainage of a lung abscess may be performed by positioning the affected individual in a way that enables the contents to be discharged via the respiratory tract. Warm compresses and elevation of the limb may be beneficial for a skin abscess. Antibiotics Most people who have an uncomplicated skin abscess should not use antibiotics. Antibiotics in addition to standard incision and drainage is recommended in persons with severe abscesses, many sites of infection, rapid disease progression, the presence of cellulitis, symptoms indicating bacterial illness throughout the body, or a health condition causing immunosuppression. People who are very young or very old may also need antibiotics. If the abscess does not heal only with incision and drainage, or if the abscess is in a place that is difficult to drain such as the face, hands, or genitals, then antibiotics may be indicated. In those cases of abscess which do require antibiotic treatment, Staphylococcus aureus bacteria is a common cause and an anti-staphylococcus antibiotic such as flucloxacillin or dicloxacillin is used. The Infectious Diseases Society of America advises that the draining of an abscess is not enough to address community-acquired methicillin-resistant Staphylococcus aureus (MRSA), and in those cases, traditional antibiotics may be ineffective. Alternative antibiotics effective against community-acquired MRSA often include clindamycin, doxycycline, minocycline, and trimethoprim-sulfamethoxazole. The American College of Emergency Physicians advises that typical cases of abscess from MRSA get no benefit from having antibiotic treatment in addition to the standard treatment. If the condition is thought to be cellulitis rather than an abscess, consideration should be given to the possibility of the strep species as a cause, that are still sensitive to traditional anti-staphylococcus agents such as dicloxacillin or cephalexin. This would be in the case of people that are able to tolerate penicillin. Antibiotic therapy alone without surgical drainage of the abscess is seldom effective due to antibiotics often being unable to get into the abscess and their ineffectiveness at low pH levels. Culturing the wound is not needed if standard follow-up care can be provided after the incision and drainage.

Performing a wound culture is unnecessary because it rarely gives information which can be used to guide treatment. Packing In North America, after drainage, an abscess cavity is often packed, perhaps with cloth, in an attempt to protect the healing wound. However, evidence from emergency medicine literature reports that packing wounds after draining causes pain to the person and does not decrease the rate of recurrence, nor bring faster healing, or fewer physician visits. Loop drainage More recently, several North American hospitals have opted for less-invasive loop drainage over standard drainage and wound packing. In one study of 143 pediatric outcomes, a failure rate of 1.4% was reported in the loop group versus 10.5% in the packing group (P<.030), while a separate study reported a 5.5% failure rate among the loop group. Primary closure Closing an abscess immediately after draining it appears to speed healing without increasing the risk of recurrence. This may not apply to anorectal abscesses as while they may heal faster, there may be a higher rate of recurrence than those left open. Prognosis Even without treatment, skin abscesses rarely result in death, as they will naturally break through the skin. Other types of abscess are more dangerous. Brain abscesses are fatal if untreated. When treated, the mortality rate reduces to 5–10%, but is higher if the abscess ruptures. Epidemiology Skin abscesses are common and have become more common in recent years. Risk factors include intravenous drug use, with rates reported as high as 65% among users. In 2005, in the United States 3.2 million people went to the emergency department for an abscess. In Australia around 13,000 people were hospitalized in 2008 for the disease. Society and culture The Latin medical aphorism "ubi pus, ibi evacua" expresses "where there is pus, there evacuate it" and is classical advice in the culture of Western medicine. Needle exchange programmes often administer or provide referrals for abscess treatment to injection drug users as part of a harm reduction public health strategy. Etymology An abscess is so called "abscess" because there is an abscessus (a going away or departure) of portions of the animal tissue from each other to make room for the suppurated matter lodged between them. The word carbuncle is believed to have originated from the Latin: carbunculus, originally a small coal; diminutive of carbon-, carbo: charcoal or ember, but also a carbuncle stone, "precious stones of a red or fiery colour", usually garnets. Other types The following types of abscess are listed in the medical dictionary: References External links General surgery Animal bacterial diseases Wikipedia medicine articles ready to translate Wikipedia emergency medicine articles ready to translate

Performing a wound culture is unnecessary because it rarely gives information which can be used to guide treatment. Packing In North America, after drainage, an abscess cavity is often packed, perhaps with cloth, in an attempt to protect the healing wound. However, evidence from emergency medicine literature reports that packing wounds after draining causes pain to the person and does not decrease the rate of recurrence, nor bring faster healing, or fewer physician visits. Loop drainage More recently, several North American hospitals have opted for less-invasive loop drainage over standard drainage and wound packing. In one study of 143 pediatric outcomes, a failure rate of 1.4% was reported in the loop group versus 10.5% in the packing group (P<.030), while a separate study reported a 5.5% failure rate among the loop group. Primary closure Closing an abscess immediately after draining it appears to speed healing without increasing the risk of recurrence. This may not apply to anorectal abscesses as while they may heal faster, there may be a higher rate of recurrence than those left open. Prognosis Even without treatment, skin abscesses rarely result in death, as they will naturally break through the skin. Other types of abscess are more dangerous. Brain abscesses are fatal if untreated. When treated, the mortality rate reduces to 5–10%, but is higher if the abscess ruptures. Epidemiology Skin abscesses are common and have become more common in recent years. Risk factors include intravenous drug use, with rates reported as high as 65% among users. In 2005, in the United States 3.2 million people went to the emergency department for an abscess. In Australia around 13,000 people were hospitalized in 2008 for the disease. Society and culture The Latin medical aphorism "ubi pus, ibi evacua" expresses "where there is pus, there evacuate it" and is classical advice in the culture of Western medicine. Needle exchange programmes often administer or provide referrals for abscess treatment to injection drug users as part of a harm reduction public health strategy. Etymology An abscess is so called "abscess" because there is an abscessus (a going away or departure) of portions of the animal tissue from each other to make room for the suppurated matter lodged between them. The word carbuncle is believed to have originated from the Latin: carbunculus, originally a small coal; diminutive of carbon-, carbo: charcoal or ember, but also a carbuncle stone, "precious stones of a red or fiery colour", usually garnets. Other types The following types of abscess are listed in the medical dictionary: References External links General surgery Animal bacterial diseases Wikipedia medicine articles ready to translate Wikipedia emergency medicine articles ready to translate

Performing a wound culture is unnecessary because it rarely gives information which can be used to guide treatment. Packing In North America, after drainage, an abscess cavity is often packed, perhaps with cloth, in an attempt to protect the healing wound. However, evidence from emergency medicine literature reports that packing wounds after draining causes pain to the person and does not decrease the rate of recurrence, nor bring faster healing, or fewer physician visits. Loop drainage More recently, several North American hospitals have opted for less-invasive loop drainage over standard drainage and wound packing. In one study of 143 pediatric outcomes, a failure rate of 1.4% was reported in the loop group versus 10.5% in the packing group (P<.030), while a separate study reported a 5.5% failure rate among the loop group. Primary closure Closing an abscess immediately after draining it appears to speed healing without increasing the risk of recurrence. This may not apply to anorectal abscesses as while they may heal faster, there may be a higher rate of recurrence than those left open. Prognosis Even without treatment, skin abscesses rarely result in death, as they will naturally break through the skin. Other types of abscess are more dangerous. Brain abscesses are fatal if untreated. When treated, the mortality rate reduces to 5–10%, but is higher if the abscess ruptures. Epidemiology Skin abscesses are common and have become more common in recent years. Risk factors include intravenous drug use, with rates reported as high as 65% among users. In 2005, in the United States 3.2 million people went to the emergency department for an abscess. In Australia around 13,000 people were hospitalized in 2008 for the disease. Society and culture The Latin medical aphorism "ubi pus, ibi evacua" expresses "where there is pus, there evacuate it" and is classical advice in the culture of Western medicine. Needle exchange programmes often administer or provide referrals for abscess treatment to injection drug users as part of a harm reduction public health strategy. Etymology An abscess is so called "abscess" because there is an abscessus (a going away or departure) of portions of the animal tissue from each other to make room for the suppurated matter lodged between them. The word carbuncle is believed to have originated from the Latin: carbunculus, originally a small coal; diminutive of carbon-, carbo: charcoal or ember, but also a carbuncle stone, "precious stones of a red or fiery colour", usually garnets. Other types The following types of abscess are listed in the medical dictionary: References External links General surgery Animal bacterial diseases Wikipedia medicine articles ready to translate Wikipedia emergency medicine articles ready to translate

Aalborg Municipality Aalborg Municipality is a municipality (Danish, kommune) in Region Nordjylland on the Jutland peninsula in northern Denmark. The municipality straddles the Limfjord, the waterway which connects the North Sea and the Kattegat east-to-west, and which separates the main body of the Jutland peninsula from the island of Vendsyssel-Thy north-to-south. It has a land area of 1,143.99 km2, population 197,426 (2010) and belongs to Region Nordjylland ("North Jutland Region"). It is also the name of the municipality's main city Aalborg and the site of its municipal council, as well as the name of a seaport. The municipality and the town have chosen to retain the traditional spelling of the name as Aalborg, although the new spelling Ålborg is used in other contexts, such as Ålborg Bight (Ålborg Bugt), the body of water which lies to the east of the Jutland peninsula. Municipal reform of 2007 As of 1 January 2007 Aalborg municipality joined with the municipalities of Hals, Nibe, and Sejlflod to form a new Aalborg municipality. The former Aalborg municipality, including the island of Egholm, covered an area of , with a total population of 192,353 (2005). Its last mayor was Henning G. Jensen, a member of the Social Democrats (Socialdemokraterne) political party. The former municipality was bordered by Sejlflod and Hals to the east, Dronninglund and Brønderslev to the north, Aabybro and Nibe to the west, and Støvring and Skørping to the south. It belonged to North Jutland County. Geography Surroundings The waters in the Limfjord splitting the municipality are called Langerak to the east and Gjøl Bredning to the west. The island of Egholm is located in Gjøl Bredning, and is connected by ferry to the city of Aalborg at its southern shore. The area is typical for the north of Jutland. To the west the Limfjord broadens into an irregular lake (salt water), with low, marshy shores and many islands. Northwest is Store Vildmose ("Greater Wild bog"), a swamp where a mirage is sometimes seen in summer. Southeast lies the similar Lille Vildmose ("Lesser Wild bog"). Store Vildmose was drained and farmed in the beginning of the 20th century, and Lille Vildmose is now the largest moor in Denmark. Urban areas in Aalborg Municipality Aalborg City has a total population at 123,432. The metropolitan area is a conurbation of the Aalborg urban area in Himmerland (102,312) and the Nørresundby urban area in Vendsyssel (21,120). Economy North Flying has its head office on the property of Aalborg Airport in Nørresundby, Aalborg Municipality. Politics Municipal council Aalborg's municipal council consists of 31 members, elected every four years. Below are the municipal councils elected since the Municipal Reform of 2007. Twin towns – sister cities Aalborg is twinned with 34 cities, more than any other city in Denmark. Every four years Aalborg gathers young people from most of its twin towns for a week of sports, known as Ungdomslegene (Youth Games).

Aalborg Municipality Aalborg Municipality is a municipality (Danish, kommune) in Region Nordjylland on the Jutland peninsula in northern Denmark. The municipality straddles the Limfjord, the waterway which connects the North Sea and the Kattegat east-to-west, and which separates the main body of the Jutland peninsula from the island of Vendsyssel-Thy north-to-south. It has a land area of 1,143.99 km2, population 197,426 (2010) and belongs to Region Nordjylland ("North Jutland Region"). It is also the name of the municipality's main city Aalborg and the site of its municipal council, as well as the name of a seaport. The municipality and the town have chosen to retain the traditional spelling of the name as Aalborg, although the new spelling Ålborg is used in other contexts, such as Ålborg Bight (Ålborg Bugt), the body of water which lies to the east of the Jutland peninsula. Municipal reform of 2007 As of 1 January 2007 Aalborg municipality joined with the municipalities of Hals, Nibe, and Sejlflod to form a new Aalborg municipality. The former Aalborg municipality, including the island of Egholm, covered an area of , with a total population of 192,353 (2005). Its last mayor was Henning G. Jensen, a member of the Social Democrats (Socialdemokraterne) political party. The former municipality was bordered by Sejlflod and Hals to the east, Dronninglund and Brønderslev to the north, Aabybro and Nibe to the west, and Støvring and Skørping to the south. It belonged to North Jutland County. Geography Surroundings The waters in the Limfjord splitting the municipality are called Langerak to the east and Gjøl Bredning to the west. The island of Egholm is located in Gjøl Bredning, and is connected by ferry to the city of Aalborg at its southern shore. The area is typical for the north of Jutland. To the west the Limfjord broadens into an irregular lake (salt water), with low, marshy shores and many islands. Northwest is Store Vildmose ("Greater Wild bog"), a swamp where a mirage is sometimes seen in summer. Southeast lies the similar Lille Vildmose ("Lesser Wild bog"). Store Vildmose was drained and farmed in the beginning of the 20th century, and Lille Vildmose is now the largest moor in Denmark. Urban areas in Aalborg Municipality Aalborg City has a total population at 123,432. The metropolitan area is a conurbation of the Aalborg urban area in Himmerland (102,312) and the Nørresundby urban area in Vendsyssel (21,120). Economy North Flying has its head office on the property of Aalborg Airport in Nørresundby, Aalborg Municipality. Politics Municipal council Aalborg's municipal council consists of 31 members, elected every four years. Below are the municipal councils elected since the Municipal Reform of 2007. Twin towns – sister cities Aalborg is twinned with 34 cities, more than any other city in Denmark. Every four years Aalborg gathers young people from most of its twin towns for a week of sports, known as Ungdomslegene (Youth Games).

Almere, Netherlands Antibes, France Büdelsdorf, Germany Edinburgh, Scotland, United Kingdom Fredrikstad, Norway Fuglafjørður, Faroe Islands Galway, Ireland Gdynia, Poland Haifa, Israel Hefei, China Innsbruck, Austria Ittoqqortoormiit, Greenland Karlskoga, Sweden Lancaster, England Lerum, Sweden Liperi, Finland Norðurþing, Iceland Orsa, Sweden Orust, Sweden Ośno Lubuskie, Poland Pushkin, Russia Racine, United States Rapperswil-Jona, Switzerland Rendalen, Norway Rendsburg, Germany Riga, Latvia Riihimäki, Finland Sermersooq, Greenland Solvang, United States Tulcea, Romania Varna, Bulgaria Vilnius, Lithuania Wismar, Germany References Municipal statistics: NetBorger Kommunefakta, delivered from KMD a.k.a. Kommunedata (Municipal Data) Municipal mergers and neighbors: Eniro map with named municipalities Aalborg in figures 2008, a publication from Aalborg Municipality. External links About Aalborg from Nordjyske Medier Aalborg Municipality's official website VisitAalborg (Aalborg Tourist Office) Website for Aalborg Municipality's former Municipality Reformation Board Public Transport in Aalborg and surroundings Searchable map Aalborg Municipalities of the North Jutland Region Municipalities of Denmark Populated places established in 2007

Almere, Netherlands Antibes, France Büdelsdorf, Germany Edinburgh, Scotland, United Kingdom Fredrikstad, Norway Fuglafjørður, Faroe Islands Galway, Ireland Gdynia, Poland Haifa, Israel Hefei, China Innsbruck, Austria Ittoqqortoormiit, Greenland Karlskoga, Sweden Lancaster, England Lerum, Sweden Liperi, Finland Norðurþing, Iceland Orsa, Sweden Orust, Sweden Ośno Lubuskie, Poland Pushkin, Russia Racine, United States Rapperswil-Jona, Switzerland Rendalen, Norway Rendsburg, Germany Riga, Latvia Riihimäki, Finland Sermersooq, Greenland Solvang, United States Tulcea, Romania Varna, Bulgaria Vilnius, Lithuania Wismar, Germany References Municipal statistics: NetBorger Kommunefakta, delivered from KMD a.k.a. Kommunedata (Municipal Data) Municipal mergers and neighbors: Eniro map with named municipalities Aalborg in figures 2008, a publication from Aalborg Municipality. External links About Aalborg from Nordjyske Medier Aalborg Municipality's official website VisitAalborg (Aalborg Tourist Office) Website for Aalborg Municipality's former Municipality Reformation Board Public Transport in Aalborg and surroundings Searchable map Aalborg Municipalities of the North Jutland Region Municipalities of Denmark Populated places established in 2007

Almere, Netherlands Antibes, France Büdelsdorf, Germany Edinburgh, Scotland, United Kingdom Fredrikstad, Norway Fuglafjørður, Faroe Islands Galway, Ireland Gdynia, Poland Haifa, Israel Hefei, China Innsbruck, Austria Ittoqqortoormiit, Greenland Karlskoga, Sweden Lancaster, England Lerum, Sweden Liperi, Finland Norðurþing, Iceland Orsa, Sweden Orust, Sweden Ośno Lubuskie, Poland Pushkin, Russia Racine, United States Rapperswil-Jona, Switzerland Rendalen, Norway Rendsburg, Germany Riga, Latvia Riihimäki, Finland Sermersooq, Greenland Solvang, United States Tulcea, Romania Varna, Bulgaria Vilnius, Lithuania Wismar, Germany References Municipal statistics: NetBorger Kommunefakta, delivered from KMD a.k.a. Kommunedata (Municipal Data) Municipal mergers and neighbors: Eniro map with named municipalities Aalborg in figures 2008, a publication from Aalborg Municipality. External links About Aalborg from Nordjyske Medier Aalborg Municipality's official website VisitAalborg (Aalborg Tourist Office) Website for Aalborg Municipality's former Municipality Reformation Board Public Transport in Aalborg and surroundings Searchable map Aalborg Municipalities of the North Jutland Region Municipalities of Denmark Populated places established in 2007

Aarhus Aarhus (, , ; officially spelled Århus from 1948 until 1 January 2011) is the second-largest city in Denmark and the seat of Aarhus municipality. It is located on the eastern shore of Jutland in the Kattegat sea and approximately northwest of Copenhagen. The largest city in Jutland, Aarhus anchors the Central Denmark Region and the statistical region Landsdel Østjylland (LØ) (Lit. Province East Jutland). The LØ is the second most populous statistical region in Denmark with an estimated population of 903,974 (). Aarhus Municipality defines the greater Aarhus area as itself and 8 adjacent municipalities totalling 952,824 inhabitants () which is roughly analogous to the municipal and commercial collaboration Business Region Aarhus. The city proper, with an estimated population of 282,910 inhabitants (as of 2021), ranks as the 2nd-largest city in Denmark. Aarhus dates back to at least the late 8th century and is among the oldest cities in Denmark. It was founded as a harbour settlement at the mouth of the Aarhus River and quickly became a trade hub. The first Christian church was built here around the year 900 and later in the Viking Age the town was fortified with defensive ramparts. The Viking Age was turbulent and violent, also for Aros, as the town was called back then, but in spite of the difficulties, the bishopric of Aarhus grew steadily stronger and more prosperous, building several religious institutions in the town during the early Middle Ages. Trade continued to improve, although it was not until 1441 that Aarhus was granted Market town privileges, and the population of Aarhus remained relatively stable until the 19th century. The 1600s, in particular, was a difficult time for Aarhus as the town suffered from several wars and the plague, and trade was also dampened by the state in favour of the royal seat of Copenhagen. Nevertheless, Aarhus grew to become the second biggest town in Denmark during that time, and in the middle of the 1700s, the once prosperous trade growth returned. The industrial revolution became an inflection point in the 19th century, as industry drove a rapid population growth, outpacing regional rivals, and the first railway line in Jutland was built here in 1862. In 1928, the first university in Jutland was founded in Aarhus and today it is a university city and the largest centre for trade, services, industry, and tourism in Jutland. Designated as a "Sufficiency" global city by the Globalization and World Cities Research Network, the city's major cultural institutions include Den Gamle By, ARoS Aarhus Kunstmuseum, Moesgård Museum, Kvindemuseet, Musikhuset and Aarhus Theatre. Known as Smilets By (lit. City of Smiles) it is the Danish city with the youngest and fastest growing demographics and home to Scandinavia's largest university, Aarhus University. Commercially, the city is the principal container port in the country and major Danish companies are headquartered here such as Vestas, Arla Foods, Salling Group, and Jysk. Etymology The name originates from the city's location at the mouth of (Aarhus River).

Aarhus Aarhus (, , ; officially spelled Århus from 1948 until 1 January 2011) is the second-largest city in Denmark and the seat of Aarhus municipality. It is located on the eastern shore of Jutland in the Kattegat sea and approximately northwest of Copenhagen. The largest city in Jutland, Aarhus anchors the Central Denmark Region and the statistical region Landsdel Østjylland (LØ) (Lit. Province East Jutland). The LØ is the second most populous statistical region in Denmark with an estimated population of 903,974 (). Aarhus Municipality defines the greater Aarhus area as itself and 8 adjacent municipalities totalling 952,824 inhabitants () which is roughly analogous to the municipal and commercial collaboration Business Region Aarhus. The city proper, with an estimated population of 282,910 inhabitants (as of 2021), ranks as the 2nd-largest city in Denmark. Aarhus dates back to at least the late 8th century and is among the oldest cities in Denmark. It was founded as a harbour settlement at the mouth of the Aarhus River and quickly became a trade hub. The first Christian church was built here around the year 900 and later in the Viking Age the town was fortified with defensive ramparts. The Viking Age was turbulent and violent, also for Aros, as the town was called back then, but in spite of the difficulties, the bishopric of Aarhus grew steadily stronger and more prosperous, building several religious institutions in the town during the early Middle Ages. Trade continued to improve, although it was not until 1441 that Aarhus was granted Market town privileges, and the population of Aarhus remained relatively stable until the 19th century. The 1600s, in particular, was a difficult time for Aarhus as the town suffered from several wars and the plague, and trade was also dampened by the state in favour of the royal seat of Copenhagen. Nevertheless, Aarhus grew to become the second biggest town in Denmark during that time, and in the middle of the 1700s, the once prosperous trade growth returned. The industrial revolution became an inflection point in the 19th century, as industry drove a rapid population growth, outpacing regional rivals, and the first railway line in Jutland was built here in 1862. In 1928, the first university in Jutland was founded in Aarhus and today it is a university city and the largest centre for trade, services, industry, and tourism in Jutland. Designated as a "Sufficiency" global city by the Globalization and World Cities Research Network, the city's major cultural institutions include Den Gamle By, ARoS Aarhus Kunstmuseum, Moesgård Museum, Kvindemuseet, Musikhuset and Aarhus Theatre. Known as Smilets By (lit. City of Smiles) it is the Danish city with the youngest and fastest growing demographics and home to Scandinavia's largest university, Aarhus University. Commercially, the city is the principal container port in the country and major Danish companies are headquartered here such as Vestas, Arla Foods, Salling Group, and Jysk. Etymology The name originates from the city's location at the mouth of (Aarhus River).

It is a compound of the two words , genitive of ("river", Modern Danish ), and ("mouth", in Modern Icelandic this word, spelt , is still used for "river delta"). In Valdemar's Census Book (1231) the city was called Arus, and in Icelandic it was known as , later written as Aars. Spelling The spelling "Aarhus" is first found in 1406 and gradually became the norm in the 17th century. With the Danish spelling reform of 1948, "Aa" was changed to "Å". Some Danish cities resisted the change but Aarhus city council opted to change the name. In 2010, the city council voted to change the name back from to again with effect from 1 January 2011. It is still grammatically correct to write geographical names with the letter Å and local councils are allowed to use the Aa spelling as an alternative and most newspapers and public institutions will accept either. Some official authorities such as the Danish Language Committee, publisher of the Danish Orthographic Dictionary, still retain as the main name, providing as a second option, in brackets and some institutions are still using explicitly in their official name, such as the local newspaper and the schools and . "Aa" was used by some major institutions between 1948 and 2011 as well, such as Aarhus University or the largest local sports club, (AGF), which has never used the "Å"-spelling. Certain geographically affiliated names have been updated to reflect the name of the city, such as the Aarhus River, changed from to . History Early history Founded in the early Viking Age, Aarhus is one of the oldest cities in Denmark, along with Ribe and Hedeby. The original Aros settlement was situated on the northern shores of a fjord by the mouth of the Aarhus River, right where the city center is today. It quickly became a hub for sea-going trade due to its position on intersecting trade routes in the Danish straits and the fertile countryside. The trade, however, was not nearly as prominent as that in Ribe and Hedeby during the Viking Age, and it was primarily linked to Norway as evidenced by archaeological finds. A shipbuilding yard from the Viking Age was uncovered upriver in 2002 by archaeologists. It was located at a place formerly known as Snekkeeng, or Snekke Meadow in English ('Snekke' is a type of longship), east of the Brabrand Lake close to Viby, and it was in use for more than 400 years from the late 700s till around the mid-1200s. Archaeological evidence indicate Aarhus was a town as early as the last quarter of the 8th century. Discoveries after a 2003 archaeological dig, includes half-buried longhouses, firepits, glass pearls and a road dated to the late 700s. Several excavations in the inner city since the 1960s, has revealed wells, streets, homes and workshops, and inside the buildings and adjoining archaeological layers, everyday utensils like combs, jewellery and basic multi-purpose tools from approximately the year 900 has been unearthed.

It is a compound of the two words , genitive of ("river", Modern Danish ), and ("mouth", in Modern Icelandic this word, spelt , is still used for "river delta"). In Valdemar's Census Book (1231) the city was called Arus, and in Icelandic it was known as , later written as Aars. Spelling The spelling "Aarhus" is first found in 1406 and gradually became the norm in the 17th century. With the Danish spelling reform of 1948, "Aa" was changed to "Å". Some Danish cities resisted the change but Aarhus city council opted to change the name. In 2010, the city council voted to change the name back from to again with effect from 1 January 2011. It is still grammatically correct to write geographical names with the letter Å and local councils are allowed to use the Aa spelling as an alternative and most newspapers and public institutions will accept either. Some official authorities such as the Danish Language Committee, publisher of the Danish Orthographic Dictionary, still retain as the main name, providing as a second option, in brackets and some institutions are still using explicitly in their official name, such as the local newspaper and the schools and . "Aa" was used by some major institutions between 1948 and 2011 as well, such as Aarhus University or the largest local sports club, (AGF), which has never used the "Å"-spelling. Certain geographically affiliated names have been updated to reflect the name of the city, such as the Aarhus River, changed from to . History Early history Founded in the early Viking Age, Aarhus is one of the oldest cities in Denmark, along with Ribe and Hedeby. The original Aros settlement was situated on the northern shores of a fjord by the mouth of the Aarhus River, right where the city center is today. It quickly became a hub for sea-going trade due to its position on intersecting trade routes in the Danish straits and the fertile countryside. The trade, however, was not nearly as prominent as that in Ribe and Hedeby during the Viking Age, and it was primarily linked to Norway as evidenced by archaeological finds. A shipbuilding yard from the Viking Age was uncovered upriver in 2002 by archaeologists. It was located at a place formerly known as Snekkeeng, or Snekke Meadow in English ('Snekke' is a type of longship), east of the Brabrand Lake close to Viby, and it was in use for more than 400 years from the late 700s till around the mid-1200s. Archaeological evidence indicate Aarhus was a town as early as the last quarter of the 8th century. Discoveries after a 2003 archaeological dig, includes half-buried longhouses, firepits, glass pearls and a road dated to the late 700s. Several excavations in the inner city since the 1960s, has revealed wells, streets, homes and workshops, and inside the buildings and adjoining archaeological layers, everyday utensils like combs, jewellery and basic multi-purpose tools from approximately the year 900 has been unearthed.

It is a compound of the two words , genitive of ("river", Modern Danish ), and ("mouth", in Modern Icelandic this word, spelt , is still used for "river delta"). In Valdemar's Census Book (1231) the city was called Arus, and in Icelandic it was known as , later written as Aars. Spelling The spelling "Aarhus" is first found in 1406 and gradually became the norm in the 17th century. With the Danish spelling reform of 1948, "Aa" was changed to "Å". Some Danish cities resisted the change but Aarhus city council opted to change the name. In 2010, the city council voted to change the name back from to again with effect from 1 January 2011. It is still grammatically correct to write geographical names with the letter Å and local councils are allowed to use the Aa spelling as an alternative and most newspapers and public institutions will accept either. Some official authorities such as the Danish Language Committee, publisher of the Danish Orthographic Dictionary, still retain as the main name, providing as a second option, in brackets and some institutions are still using explicitly in their official name, such as the local newspaper and the schools and . "Aa" was used by some major institutions between 1948 and 2011 as well, such as Aarhus University or the largest local sports club, (AGF), which has never used the "Å"-spelling. Certain geographically affiliated names have been updated to reflect the name of the city, such as the Aarhus River, changed from to . History Early history Founded in the early Viking Age, Aarhus is one of the oldest cities in Denmark, along with Ribe and Hedeby. The original Aros settlement was situated on the northern shores of a fjord by the mouth of the Aarhus River, right where the city center is today. It quickly became a hub for sea-going trade due to its position on intersecting trade routes in the Danish straits and the fertile countryside. The trade, however, was not nearly as prominent as that in Ribe and Hedeby during the Viking Age, and it was primarily linked to Norway as evidenced by archaeological finds. A shipbuilding yard from the Viking Age was uncovered upriver in 2002 by archaeologists. It was located at a place formerly known as Snekkeeng, or Snekke Meadow in English ('Snekke' is a type of longship), east of the Brabrand Lake close to Viby, and it was in use for more than 400 years from the late 700s till around the mid-1200s. Archaeological evidence indicate Aarhus was a town as early as the last quarter of the 8th century. Discoveries after a 2003 archaeological dig, includes half-buried longhouses, firepits, glass pearls and a road dated to the late 700s. Several excavations in the inner city since the 1960s, has revealed wells, streets, homes and workshops, and inside the buildings and adjoining archaeological layers, everyday utensils like combs, jewellery and basic multi-purpose tools from approximately the year 900 has been unearthed.

The early town was fortified with defensive earthen ramparts in the first part of the 900s, possibly in the year 934 on order from king Gorm the Old. The fortifications were later improved and expanded by his son Harald Bluetooth, encircling the settlement much like the defence structures found at Viking ring fortresses elsewhere. Together with the town's geographical placement, this suggests that Aros became an important military centre in the Viking Age. There are also strong indications of a former royal residence from the same period in Viby, a few kilometres south of the Aarhus city centre. The centre of Aarhus was originally a pagan burial site until Aarhus's first Christian church, Holy Trinity Church, a timber structure, was built upon it during the reign of Frode, King of Jutland, around 900. The bishopric of Aarhus dates back to at least 948 when Adam of Bremen reported that the missionary bishop Reginbrand of Aros attended the synod of Ingelheim in Germany, but the late Viking Age during the Christianization of Scandinavia was a turbulent and violent time with several naval attacks on the town, such as Harald Hardrada's assault around 1050, when the Holy Trinity Church was burned to the ground. Despite the conflicts, Aarhus continued to prosper from the trade and the finding of six runestones in and around Aarhus indicates the city had some significance around the year 1000, as only wealthy nobles traditionally used them. The bishopric diocese was obliterated for almost a hundred years after Reginbrand in 988, but in 1060 a new bishop Christian was ordained and he founded a new church in Aarhus, Sankt Nicolai Domkirke (St. Nicholas Cathedral), this time in stone. It was erected outside the town fortifications, and stood finished in 1070 at the site where Church of Our Lady stands today, but only an underground crypt remains. Middle Ages The growing influence of the Church during the Middle Ages gradually turned Aarhus, with its bishopric, into a prosperous religious centre. Many public and religious buildings were built in and around the town; notably Aarhus Cathedral was initiated in the late 12th century by the influential bishop Peder Vognsen, and around 1200, Aros had a total of four churches. The 13th century also marks a thorough reorganisation, erasing most of the town's original layout with new streets, relocations, dismantling and new constructions. The Church clearly had the upper hand in the Aarhus region during medieval times, and the large bishopric of Aarhus prospered and expanded territory, reaching as far as Viborg in extent. In 1441, Christopher III issued the oldest known charter granting market town status, although similar privileges may have existed as far back as the 12th century. The charter is the first official recognition of the town as a regional power and is by some considered Aarhus's birth certificate. The commercial and religious status spurred town growth so in 1477 the defensive earthen ramparts, ringing the town since the Viking Age, were abandoned to accommodate expansion.

The early town was fortified with defensive earthen ramparts in the first part of the 900s, possibly in the year 934 on order from king Gorm the Old. The fortifications were later improved and expanded by his son Harald Bluetooth, encircling the settlement much like the defence structures found at Viking ring fortresses elsewhere. Together with the town's geographical placement, this suggests that Aros became an important military centre in the Viking Age. There are also strong indications of a former royal residence from the same period in Viby, a few kilometres south of the Aarhus city centre. The centre of Aarhus was originally a pagan burial site until Aarhus's first Christian church, Holy Trinity Church, a timber structure, was built upon it during the reign of Frode, King of Jutland, around 900. The bishopric of Aarhus dates back to at least 948 when Adam of Bremen reported that the missionary bishop Reginbrand of Aros attended the synod of Ingelheim in Germany, but the late Viking Age during the Christianization of Scandinavia was a turbulent and violent time with several naval attacks on the town, such as Harald Hardrada's assault around 1050, when the Holy Trinity Church was burned to the ground. Despite the conflicts, Aarhus continued to prosper from the trade and the finding of six runestones in and around Aarhus indicates the city had some significance around the year 1000, as only wealthy nobles traditionally used them. The bishopric diocese was obliterated for almost a hundred years after Reginbrand in 988, but in 1060 a new bishop Christian was ordained and he founded a new church in Aarhus, Sankt Nicolai Domkirke (St. Nicholas Cathedral), this time in stone. It was erected outside the town fortifications, and stood finished in 1070 at the site where Church of Our Lady stands today, but only an underground crypt remains. Middle Ages The growing influence of the Church during the Middle Ages gradually turned Aarhus, with its bishopric, into a prosperous religious centre. Many public and religious buildings were built in and around the town; notably Aarhus Cathedral was initiated in the late 12th century by the influential bishop Peder Vognsen, and around 1200, Aros had a total of four churches. The 13th century also marks a thorough reorganisation, erasing most of the town's original layout with new streets, relocations, dismantling and new constructions. The Church clearly had the upper hand in the Aarhus region during medieval times, and the large bishopric of Aarhus prospered and expanded territory, reaching as far as Viborg in extent. In 1441, Christopher III issued the oldest known charter granting market town status, although similar privileges may have existed as far back as the 12th century. The charter is the first official recognition of the town as a regional power and is by some considered Aarhus's birth certificate. The commercial and religious status spurred town growth so in 1477 the defensive earthen ramparts, ringing the town since the Viking Age, were abandoned to accommodate expansion.

The early town was fortified with defensive earthen ramparts in the first part of the 900s, possibly in the year 934 on order from king Gorm the Old. The fortifications were later improved and expanded by his son Harald Bluetooth, encircling the settlement much like the defence structures found at Viking ring fortresses elsewhere. Together with the town's geographical placement, this suggests that Aros became an important military centre in the Viking Age. There are also strong indications of a former royal residence from the same period in Viby, a few kilometres south of the Aarhus city centre. The centre of Aarhus was originally a pagan burial site until Aarhus's first Christian church, Holy Trinity Church, a timber structure, was built upon it during the reign of Frode, King of Jutland, around 900. The bishopric of Aarhus dates back to at least 948 when Adam of Bremen reported that the missionary bishop Reginbrand of Aros attended the synod of Ingelheim in Germany, but the late Viking Age during the Christianization of Scandinavia was a turbulent and violent time with several naval attacks on the town, such as Harald Hardrada's assault around 1050, when the Holy Trinity Church was burned to the ground. Despite the conflicts, Aarhus continued to prosper from the trade and the finding of six runestones in and around Aarhus indicates the city had some significance around the year 1000, as only wealthy nobles traditionally used them. The bishopric diocese was obliterated for almost a hundred years after Reginbrand in 988, but in 1060 a new bishop Christian was ordained and he founded a new church in Aarhus, Sankt Nicolai Domkirke (St. Nicholas Cathedral), this time in stone. It was erected outside the town fortifications, and stood finished in 1070 at the site where Church of Our Lady stands today, but only an underground crypt remains. Middle Ages The growing influence of the Church during the Middle Ages gradually turned Aarhus, with its bishopric, into a prosperous religious centre. Many public and religious buildings were built in and around the town; notably Aarhus Cathedral was initiated in the late 12th century by the influential bishop Peder Vognsen, and around 1200, Aros had a total of four churches. The 13th century also marks a thorough reorganisation, erasing most of the town's original layout with new streets, relocations, dismantling and new constructions. The Church clearly had the upper hand in the Aarhus region during medieval times, and the large bishopric of Aarhus prospered and expanded territory, reaching as far as Viborg in extent. In 1441, Christopher III issued the oldest known charter granting market town status, although similar privileges may have existed as far back as the 12th century. The charter is the first official recognition of the town as a regional power and is by some considered Aarhus's birth certificate. The commercial and religious status spurred town growth so in 1477 the defensive earthen ramparts, ringing the town since the Viking Age, were abandoned to accommodate expansion.

Parts of the ramparts are still in existence today and can be experienced as steep slopes at the riverside and they have also survived in some place names of the inner city, including the streets of Volden (The Rampart) and Graven (The Moat). Aarhus grew to become one of the largest cities in the country by the early 16th century. In 1657, octroi was imposed in larger Danish cities which changed the layout and face of Aarhus over the following decades. Wooden city walls were erected to prevent smuggling, with gates and toll booths on the major thoroughfares, Mejlgade and Studsgade. The city gates funnelled most traffic through a few streets where merchant quarters were built. In the 17th century, Aarhus entered a period of recession as it suffered blockades and bombardments during the Swedish wars and trade was dampened by the preferential treatment of the capital by the state. It was not until the middle of the 18th century growth returned in large part due to trade with the large agricultural catchment areas around the city; particularly grain proved to be a remunerative export. The first factories were established at this time as the industrial revolution reached the country and in 1810 the harbour was expanded to accommodate growing trade. Industrialisation Following the Napoleonic wars, Denmark lost Norway and was excluded from international trade for some years which caused a recession for Aarhus's trade-based economy that lasted until the 1830s. The economy turned around as the industrial revolution reached the city and factories with steam-driven machinery became more productive. In 1838, the electoral laws were reformed leading to elections for the 15 seats on the city council. The rules were initially very strict, allowing only the wealthiest citizens to run. In the 1844 elections, only 174 citizens qualified out of a total population of more than 7,000. The first city council, mainly composed of wealthy merchants and industrialists, quickly looked to improve the harbour, situated along the Aarhus River. Larger ships and growing freight volumes made a river harbour increasingly impractical. In 1840, the harbour was moved to the coast, north of the river, where it became the largest industrial harbour outside Copenhagen over the following 15 years. From the outset, the new harbour was controlled by the city council, as it is to this day. During the First Schleswig War, Aarhus was occupied by German troops from 21 June to 24 July 1849. The city was spared any fighting, but in Vejlby north of the city a cavalry skirmish known as Rytterfægtningen took place which stopped the German advance through Jutland. The war and occupation left a notable impact on the city as many streets, particularly on Frederiksbjerg, are named after Danish officers of the time. Fifteen years later, in 1864, the city was occupied again, this time for seven months, during the Second Schleswig War. In spite of wars and occupation, the city continued to expand and develop.

Parts of the ramparts are still in existence today and can be experienced as steep slopes at the riverside and they have also survived in some place names of the inner city, including the streets of Volden (The Rampart) and Graven (The Moat). Aarhus grew to become one of the largest cities in the country by the early 16th century. In 1657, octroi was imposed in larger Danish cities which changed the layout and face of Aarhus over the following decades. Wooden city walls were erected to prevent smuggling, with gates and toll booths on the major thoroughfares, Mejlgade and Studsgade. The city gates funnelled most traffic through a few streets where merchant quarters were built. In the 17th century, Aarhus entered a period of recession as it suffered blockades and bombardments during the Swedish wars and trade was dampened by the preferential treatment of the capital by the state. It was not until the middle of the 18th century growth returned in large part due to trade with the large agricultural catchment areas around the city; particularly grain proved to be a remunerative export. The first factories were established at this time as the industrial revolution reached the country and in 1810 the harbour was expanded to accommodate growing trade. Industrialisation Following the Napoleonic wars, Denmark lost Norway and was excluded from international trade for some years which caused a recession for Aarhus's trade-based economy that lasted until the 1830s. The economy turned around as the industrial revolution reached the city and factories with steam-driven machinery became more productive. In 1838, the electoral laws were reformed leading to elections for the 15 seats on the city council. The rules were initially very strict, allowing only the wealthiest citizens to run. In the 1844 elections, only 174 citizens qualified out of a total population of more than 7,000. The first city council, mainly composed of wealthy merchants and industrialists, quickly looked to improve the harbour, situated along the Aarhus River. Larger ships and growing freight volumes made a river harbour increasingly impractical. In 1840, the harbour was moved to the coast, north of the river, where it became the largest industrial harbour outside Copenhagen over the following 15 years. From the outset, the new harbour was controlled by the city council, as it is to this day. During the First Schleswig War, Aarhus was occupied by German troops from 21 June to 24 July 1849. The city was spared any fighting, but in Vejlby north of the city a cavalry skirmish known as Rytterfægtningen took place which stopped the German advance through Jutland. The war and occupation left a notable impact on the city as many streets, particularly on Frederiksbjerg, are named after Danish officers of the time. Fifteen years later, in 1864, the city was occupied again, this time for seven months, during the Second Schleswig War. In spite of wars and occupation, the city continued to expand and develop.

Parts of the ramparts are still in existence today and can be experienced as steep slopes at the riverside and they have also survived in some place names of the inner city, including the streets of Volden (The Rampart) and Graven (The Moat). Aarhus grew to become one of the largest cities in the country by the early 16th century. In 1657, octroi was imposed in larger Danish cities which changed the layout and face of Aarhus over the following decades. Wooden city walls were erected to prevent smuggling, with gates and toll booths on the major thoroughfares, Mejlgade and Studsgade. The city gates funnelled most traffic through a few streets where merchant quarters were built. In the 17th century, Aarhus entered a period of recession as it suffered blockades and bombardments during the Swedish wars and trade was dampened by the preferential treatment of the capital by the state. It was not until the middle of the 18th century growth returned in large part due to trade with the large agricultural catchment areas around the city; particularly grain proved to be a remunerative export. The first factories were established at this time as the industrial revolution reached the country and in 1810 the harbour was expanded to accommodate growing trade. Industrialisation Following the Napoleonic wars, Denmark lost Norway and was excluded from international trade for some years which caused a recession for Aarhus's trade-based economy that lasted until the 1830s. The economy turned around as the industrial revolution reached the city and factories with steam-driven machinery became more productive. In 1838, the electoral laws were reformed leading to elections for the 15 seats on the city council. The rules were initially very strict, allowing only the wealthiest citizens to run. In the 1844 elections, only 174 citizens qualified out of a total population of more than 7,000. The first city council, mainly composed of wealthy merchants and industrialists, quickly looked to improve the harbour, situated along the Aarhus River. Larger ships and growing freight volumes made a river harbour increasingly impractical. In 1840, the harbour was moved to the coast, north of the river, where it became the largest industrial harbour outside Copenhagen over the following 15 years. From the outset, the new harbour was controlled by the city council, as it is to this day. During the First Schleswig War, Aarhus was occupied by German troops from 21 June to 24 July 1849. The city was spared any fighting, but in Vejlby north of the city a cavalry skirmish known as Rytterfægtningen took place which stopped the German advance through Jutland. The war and occupation left a notable impact on the city as many streets, particularly on Frederiksbjerg, are named after Danish officers of the time. Fifteen years later, in 1864, the city was occupied again, this time for seven months, during the Second Schleswig War. In spite of wars and occupation, the city continued to expand and develop.

In 1851, the octroi was abolished and the city walls were removed to provide easier access for trade. Regular steamship links with Copenhagen had begun with the Jylland in 1825-26 and the Dania (1827–36), and in 1862 Jutland's first railway was established between Aarhus and Randers. In the second half of the 19th century, industrialisation came into full effect and a number of new industries emerged around production and refinement of agricultural products, especially oil and butter. Many companies from this time would come to leave permanent iconic marks on Aarhus. The Ceres Brewery was established in 1856 and served as Aarhus's local brewery for more than 150 years, gradually expanding into an industrial district known as Ceres-grunden (lit. : the Ceres-ground). In 1896, local farmers and businessmen created Korn- og Foderstof Kompagniet (KFK), focused on grain and feedstuffs. KFK established departments all over the country, while its headquarters remained in Aarhus where its large grain silos still stand today. Otto Mønsted created the Danish Preserved Butter Company in 1874, focusing on butter export to England, China and Africa and later founded the Aarhus Butterine Company in 1883, the first Danish margarine factory. His company became an important local employer, with factory employees increasing from 100 in 1896 to 1,000 in 1931, partaking in the effective transformation of the city from a regional trade hub to an industrial centre. Other new factories of note included the dockyard Aarhus Flydedok, the oil mill Århus Oliefabrik and the ironworks Frichs. Aarhus became the largest provincial city in the country by the turn of the century and the city marketed itself as the "Capital of Jutland". The population increased from 15,000 in 1870 to 52,000 in 1901 and, in response, the city annexed large land areas to develop new residential quarters such as Trøjborg, Frederiksbjerg and Marselisborg. Many of its cultural institutions were also established at this time such as Aarhus Theatre (1900), the original State Library (1902), Aarhus University (1928) and several hospitals. Second World War On 9 April 1940, Germany invaded Denmark, occupying Aarhus the following day and 5 years hence. The occupation was a destructive period with major disasters, loss of life and economic depression. The Port of Aarhus became a hub for supplies to the Baltics and Norway, while the surrounding rail network supplied the Atlantic Wall in west Jutland and cargo headed for Germany. Combined, these factors resulted in a strong German presence, especially in 1944–45. The first years were peaceful in conjunction with the policies of the Danish Protectorate Government, but following the enactment of the Communist Law in August 1941, armed resistance and reprisals escalated. Small resistance groups first appeared in 1941–42 but the first to co-ordinate with the Freedom Council was the Samsing Group, responsible for most operations from early 1943. The Samsing group, along with others in and around Aarhus, was dismantled in June 1944 when Grethe "Thora" Bartram turned her family and acquaintances over to German authorities.

In 1851, the octroi was abolished and the city walls were removed to provide easier access for trade. Regular steamship links with Copenhagen had begun with the Jylland in 1825-26 and the Dania (1827–36), and in 1862 Jutland's first railway was established between Aarhus and Randers. In the second half of the 19th century, industrialisation came into full effect and a number of new industries emerged around production and refinement of agricultural products, especially oil and butter. Many companies from this time would come to leave permanent iconic marks on Aarhus. The Ceres Brewery was established in 1856 and served as Aarhus's local brewery for more than 150 years, gradually expanding into an industrial district known as Ceres-grunden (lit. : the Ceres-ground). In 1896, local farmers and businessmen created Korn- og Foderstof Kompagniet (KFK), focused on grain and feedstuffs. KFK established departments all over the country, while its headquarters remained in Aarhus where its large grain silos still stand today. Otto Mønsted created the Danish Preserved Butter Company in 1874, focusing on butter export to England, China and Africa and later founded the Aarhus Butterine Company in 1883, the first Danish margarine factory. His company became an important local employer, with factory employees increasing from 100 in 1896 to 1,000 in 1931, partaking in the effective transformation of the city from a regional trade hub to an industrial centre. Other new factories of note included the dockyard Aarhus Flydedok, the oil mill Århus Oliefabrik and the ironworks Frichs. Aarhus became the largest provincial city in the country by the turn of the century and the city marketed itself as the "Capital of Jutland". The population increased from 15,000 in 1870 to 52,000 in 1901 and, in response, the city annexed large land areas to develop new residential quarters such as Trøjborg, Frederiksbjerg and Marselisborg. Many of its cultural institutions were also established at this time such as Aarhus Theatre (1900), the original State Library (1902), Aarhus University (1928) and several hospitals. Second World War On 9 April 1940, Germany invaded Denmark, occupying Aarhus the following day and 5 years hence. The occupation was a destructive period with major disasters, loss of life and economic depression. The Port of Aarhus became a hub for supplies to the Baltics and Norway, while the surrounding rail network supplied the Atlantic Wall in west Jutland and cargo headed for Germany. Combined, these factors resulted in a strong German presence, especially in 1944–45. The first years were peaceful in conjunction with the policies of the Danish Protectorate Government, but following the enactment of the Communist Law in August 1941, armed resistance and reprisals escalated. Small resistance groups first appeared in 1941–42 but the first to co-ordinate with the Freedom Council was the Samsing Group, responsible for most operations from early 1943. The Samsing group, along with others in and around Aarhus, was dismantled in June 1944 when Grethe "Thora" Bartram turned her family and acquaintances over to German authorities.

In 1851, the octroi was abolished and the city walls were removed to provide easier access for trade. Regular steamship links with Copenhagen had begun with the Jylland in 1825-26 and the Dania (1827–36), and in 1862 Jutland's first railway was established between Aarhus and Randers. In the second half of the 19th century, industrialisation came into full effect and a number of new industries emerged around production and refinement of agricultural products, especially oil and butter. Many companies from this time would come to leave permanent iconic marks on Aarhus. The Ceres Brewery was established in 1856 and served as Aarhus's local brewery for more than 150 years, gradually expanding into an industrial district known as Ceres-grunden (lit. : the Ceres-ground). In 1896, local farmers and businessmen created Korn- og Foderstof Kompagniet (KFK), focused on grain and feedstuffs. KFK established departments all over the country, while its headquarters remained in Aarhus where its large grain silos still stand today. Otto Mønsted created the Danish Preserved Butter Company in 1874, focusing on butter export to England, China and Africa and later founded the Aarhus Butterine Company in 1883, the first Danish margarine factory. His company became an important local employer, with factory employees increasing from 100 in 1896 to 1,000 in 1931, partaking in the effective transformation of the city from a regional trade hub to an industrial centre. Other new factories of note included the dockyard Aarhus Flydedok, the oil mill Århus Oliefabrik and the ironworks Frichs. Aarhus became the largest provincial city in the country by the turn of the century and the city marketed itself as the "Capital of Jutland". The population increased from 15,000 in 1870 to 52,000 in 1901 and, in response, the city annexed large land areas to develop new residential quarters such as Trøjborg, Frederiksbjerg and Marselisborg. Many of its cultural institutions were also established at this time such as Aarhus Theatre (1900), the original State Library (1902), Aarhus University (1928) and several hospitals. Second World War On 9 April 1940, Germany invaded Denmark, occupying Aarhus the following day and 5 years hence. The occupation was a destructive period with major disasters, loss of life and economic depression. The Port of Aarhus became a hub for supplies to the Baltics and Norway, while the surrounding rail network supplied the Atlantic Wall in west Jutland and cargo headed for Germany. Combined, these factors resulted in a strong German presence, especially in 1944–45. The first years were peaceful in conjunction with the policies of the Danish Protectorate Government, but following the enactment of the Communist Law in August 1941, armed resistance and reprisals escalated. Small resistance groups first appeared in 1941–42 but the first to co-ordinate with the Freedom Council was the Samsing Group, responsible for most operations from early 1943. The Samsing group, along with others in and around Aarhus, was dismantled in June 1944 when Grethe "Thora" Bartram turned her family and acquaintances over to German authorities.

In response, requests for assistance were sent to contacts in England and in October 1944 the Royal Air Force bombed the Gestapo headquarters successfully destroying archives and obstructing the ongoing investigation. In the summer of 1944 the Copenhagen-based resistance group Holger Danske helped establish the 5 Kolonne group and an SOE agent arrived from England to liaison with the L-groups. Subsequently, resistance operations escalated which was countered with Schalburgtage terror operations by the Peter group. The increasingly destructive occupation was compounded when an ammunition barge exploded in July 1944, destroying much of the harbour area. On 5 May 1945 German forces in Denmark surrendered but during the transitional period fighting broke out resulting in 22 dead. On 8 May the British Royal Dragoons entered the city. Post-World War II years In the 1980s the city entered a period of rapid growth and the service sector overtook trade, industry and crafts as the leading sector of employment for the first time. Workers gradually began commuting to the city from most of east and central Jutland as the region became more interconnected. The student population tripled between 1965 and 1977 turning the city into a Danish centre of research and education. The growing and comparably young population initiated a period of creativity and optimism; Gaffa and the KaosPilot school were founded in 1983 and 1991 respectively, and Aarhus was at the centre of a renaissance in Danish rock and pop music launching bands and musicians such as TV2, Gnags, Thomas Helmig, Bamses Venner, Anne Dorte Michelsen, Mek Pek and Shit & Chanel. The 2000s Since the turn of the millennium, Aarhus has seen an unprecedented building boom with many new institutions, infrastructure projects, city districts and recreational areas. Several of the construction projects are among the largest in Europe, such as the New University Hospital (DNU) and the harbourfront redevelopment. Both the skyline and land use of the inner city is changing as former industrial sites are being redeveloped into new city districts and neighbourhoods. Starting in 2008, the former docklands known as De Bynære Havnearealer (The Peri-urban Harbour-areas), and closest to the city seaside, are being converted to new mixed use districts. It is among the largest harbourfront projects in Europe. The northern part dubbed Aarhus Ø (Aarhus Docklands) is almost finished as of 2018, while the southern district dubbed Sydhavnskvarteret (The South-harbour neighbourhood) is only starting to be developed. The adjacent site of Frederiks Plads at the former DSB repair facilities have been under construction since 2014 as a new business and residential quarter. The main bus terminal close by is planned to be moved to the central railway station and the site will be redeveloped to a new residential neighbourhood. Elsewhere in the inner city, the site of the former Ceres breweries was redeveloped in 2012-2019 as a new mixed use neighbourhood known as CeresByen. Construction of Aarhus Letbane, the first light rail system in the country, commenced in 2013, and the first increment was finished in December 2017.

In response, requests for assistance were sent to contacts in England and in October 1944 the Royal Air Force bombed the Gestapo headquarters successfully destroying archives and obstructing the ongoing investigation. In the summer of 1944 the Copenhagen-based resistance group Holger Danske helped establish the 5 Kolonne group and an SOE agent arrived from England to liaison with the L-groups. Subsequently, resistance operations escalated which was countered with Schalburgtage terror operations by the Peter group. The increasingly destructive occupation was compounded when an ammunition barge exploded in July 1944, destroying much of the harbour area. On 5 May 1945 German forces in Denmark surrendered but during the transitional period fighting broke out resulting in 22 dead. On 8 May the British Royal Dragoons entered the city. Post-World War II years In the 1980s the city entered a period of rapid growth and the service sector overtook trade, industry and crafts as the leading sector of employment for the first time. Workers gradually began commuting to the city from most of east and central Jutland as the region became more interconnected. The student population tripled between 1965 and 1977 turning the city into a Danish centre of research and education. The growing and comparably young population initiated a period of creativity and optimism; Gaffa and the KaosPilot school were founded in 1983 and 1991 respectively, and Aarhus was at the centre of a renaissance in Danish rock and pop music launching bands and musicians such as TV2, Gnags, Thomas Helmig, Bamses Venner, Anne Dorte Michelsen, Mek Pek and Shit & Chanel. The 2000s Since the turn of the millennium, Aarhus has seen an unprecedented building boom with many new institutions, infrastructure projects, city districts and recreational areas. Several of the construction projects are among the largest in Europe, such as the New University Hospital (DNU) and the harbourfront redevelopment. Both the skyline and land use of the inner city is changing as former industrial sites are being redeveloped into new city districts and neighbourhoods. Starting in 2008, the former docklands known as De Bynære Havnearealer (The Peri-urban Harbour-areas), and closest to the city seaside, are being converted to new mixed use districts. It is among the largest harbourfront projects in Europe. The northern part dubbed Aarhus Ø (Aarhus Docklands) is almost finished as of 2018, while the southern district dubbed Sydhavnskvarteret (The South-harbour neighbourhood) is only starting to be developed. The adjacent site of Frederiks Plads at the former DSB repair facilities have been under construction since 2014 as a new business and residential quarter. The main bus terminal close by is planned to be moved to the central railway station and the site will be redeveloped to a new residential neighbourhood. Elsewhere in the inner city, the site of the former Ceres breweries was redeveloped in 2012-2019 as a new mixed use neighbourhood known as CeresByen. Construction of Aarhus Letbane, the first light rail system in the country, commenced in 2013, and the first increment was finished in December 2017.

In response, requests for assistance were sent to contacts in England and in October 1944 the Royal Air Force bombed the Gestapo headquarters successfully destroying archives and obstructing the ongoing investigation. In the summer of 1944 the Copenhagen-based resistance group Holger Danske helped establish the 5 Kolonne group and an SOE agent arrived from England to liaison with the L-groups. Subsequently, resistance operations escalated which was countered with Schalburgtage terror operations by the Peter group. The increasingly destructive occupation was compounded when an ammunition barge exploded in July 1944, destroying much of the harbour area. On 5 May 1945 German forces in Denmark surrendered but during the transitional period fighting broke out resulting in 22 dead. On 8 May the British Royal Dragoons entered the city. Post-World War II years In the 1980s the city entered a period of rapid growth and the service sector overtook trade, industry and crafts as the leading sector of employment for the first time. Workers gradually began commuting to the city from most of east and central Jutland as the region became more interconnected. The student population tripled between 1965 and 1977 turning the city into a Danish centre of research and education. The growing and comparably young population initiated a period of creativity and optimism; Gaffa and the KaosPilot school were founded in 1983 and 1991 respectively, and Aarhus was at the centre of a renaissance in Danish rock and pop music launching bands and musicians such as TV2, Gnags, Thomas Helmig, Bamses Venner, Anne Dorte Michelsen, Mek Pek and Shit & Chanel. The 2000s Since the turn of the millennium, Aarhus has seen an unprecedented building boom with many new institutions, infrastructure projects, city districts and recreational areas. Several of the construction projects are among the largest in Europe, such as the New University Hospital (DNU) and the harbourfront redevelopment. Both the skyline and land use of the inner city is changing as former industrial sites are being redeveloped into new city districts and neighbourhoods. Starting in 2008, the former docklands known as De Bynære Havnearealer (The Peri-urban Harbour-areas), and closest to the city seaside, are being converted to new mixed use districts. It is among the largest harbourfront projects in Europe. The northern part dubbed Aarhus Ø (Aarhus Docklands) is almost finished as of 2018, while the southern district dubbed Sydhavnskvarteret (The South-harbour neighbourhood) is only starting to be developed. The adjacent site of Frederiks Plads at the former DSB repair facilities have been under construction since 2014 as a new business and residential quarter. The main bus terminal close by is planned to be moved to the central railway station and the site will be redeveloped to a new residential neighbourhood. Elsewhere in the inner city, the site of the former Ceres breweries was redeveloped in 2012-2019 as a new mixed use neighbourhood known as CeresByen. Construction of Aarhus Letbane, the first light rail system in the country, commenced in 2013, and the first increment was finished in December 2017.

Since then, the lightrail service has been expanded with two intercity sections to the towns of Odder and Grenå, respectively, and also includes a northward leg to the suburb of Lisbjerg. The light rail system is planned to tie many other suburbs closer to central Aarhus in the future, with the next phase including local lines to Brabrand in the east and Hinnerup to the north. Accelerating growth since the early 2000s, brought the inner urban area to roughly 260,000 inhabitants by 2014. The rapid growth is expected to continue until at least 2030 when Aarhus municipality has set an ambitious target for 375,000 inhabitants. Geography Aarhus is located at the Bay of Aarhus facing the Kattegat sea in the east with the peninsulas of Mols and Helgenæs across the bay to the northeast. Mols and Helgenæs are both part of the larger regional peninsula of Djursland. A number of larger cities and towns is within easy reach from Aarhus by road and rail, including Randers ( by road north), Grenå (northeast), Horsens ( south) and Silkeborg ( east). Topography At Aarhus's location, the Bay of Aarhus provides a natural harbour with a depth of quite close to the shore. Aarhus was founded at the mouth of a brackish water fjord, but the original fjord no longer exists, as it has gradually narrowed into what is now the Aarhus River and the Brabrand Lake, due to natural sedimentation. The land around Aarhus was once covered by forests, remains of which exist in parts of Marselisborg Forest to the south and Riis Skov to the north. Several lakes extend west from the inner city as the landscape merges with the larger region of Søhøjlandet with heights exceeding at Himmelbjerget between Skanderborg and Silkeborg. The highest natural point in Aarhus Municipality is Jelshøj at 128 metres above sea level, in the southern district of Højbjerg. The hilltop is home to a Bronze Age barrow shrouded in local myths and legends. The hilly area around Aarhus consists of a morainal plateau from the last ice age, broken by a complex system of tunnel valleys. The most prominent valleys of this network are the Aarhus Valley in the south, stretching inland east–west with the Aarhus River, Brabrand Lake, Årslev Lake and Tåstrup Lake, and the Egå Valley to the north, with the stream of Egåen, Egå Engsø, the bog of Geding-Kasted Mose and Geding Lake. Most parts of the two valleys have been drained and subsequently farmed, but in the early 2000s some of the drainage was removed and parts of the wetlands were restored for environmental reasons. The valley system also includes the stream of Lyngbygård Å in the west and valleys to the south of the city, following erosion channels from the pre-quaternary. By contrast, the Aarhus River Valley and the Giber River Valley are late glacial meltwater valleys.

Since then, the lightrail service has been expanded with two intercity sections to the towns of Odder and Grenå, respectively, and also includes a northward leg to the suburb of Lisbjerg. The light rail system is planned to tie many other suburbs closer to central Aarhus in the future, with the next phase including local lines to Brabrand in the east and Hinnerup to the north. Accelerating growth since the early 2000s, brought the inner urban area to roughly 260,000 inhabitants by 2014. The rapid growth is expected to continue until at least 2030 when Aarhus municipality has set an ambitious target for 375,000 inhabitants. Geography Aarhus is located at the Bay of Aarhus facing the Kattegat sea in the east with the peninsulas of Mols and Helgenæs across the bay to the northeast. Mols and Helgenæs are both part of the larger regional peninsula of Djursland. A number of larger cities and towns is within easy reach from Aarhus by road and rail, including Randers ( by road north), Grenå (northeast), Horsens ( south) and Silkeborg ( east). Topography At Aarhus's location, the Bay of Aarhus provides a natural harbour with a depth of quite close to the shore. Aarhus was founded at the mouth of a brackish water fjord, but the original fjord no longer exists, as it has gradually narrowed into what is now the Aarhus River and the Brabrand Lake, due to natural sedimentation. The land around Aarhus was once covered by forests, remains of which exist in parts of Marselisborg Forest to the south and Riis Skov to the north. Several lakes extend west from the inner city as the landscape merges with the larger region of Søhøjlandet with heights exceeding at Himmelbjerget between Skanderborg and Silkeborg. The highest natural point in Aarhus Municipality is Jelshøj at 128 metres above sea level, in the southern district of Højbjerg. The hilltop is home to a Bronze Age barrow shrouded in local myths and legends. The hilly area around Aarhus consists of a morainal plateau from the last ice age, broken by a complex system of tunnel valleys. The most prominent valleys of this network are the Aarhus Valley in the south, stretching inland east–west with the Aarhus River, Brabrand Lake, Årslev Lake and Tåstrup Lake, and the Egå Valley to the north, with the stream of Egåen, Egå Engsø, the bog of Geding-Kasted Mose and Geding Lake. Most parts of the two valleys have been drained and subsequently farmed, but in the early 2000s some of the drainage was removed and parts of the wetlands were restored for environmental reasons. The valley system also includes the stream of Lyngbygård Å in the west and valleys to the south of the city, following erosion channels from the pre-quaternary. By contrast, the Aarhus River Valley and the Giber River Valley are late glacial meltwater valleys.

Since then, the lightrail service has been expanded with two intercity sections to the towns of Odder and Grenå, respectively, and also includes a northward leg to the suburb of Lisbjerg. The light rail system is planned to tie many other suburbs closer to central Aarhus in the future, with the next phase including local lines to Brabrand in the east and Hinnerup to the north. Accelerating growth since the early 2000s, brought the inner urban area to roughly 260,000 inhabitants by 2014. The rapid growth is expected to continue until at least 2030 when Aarhus municipality has set an ambitious target for 375,000 inhabitants. Geography Aarhus is located at the Bay of Aarhus facing the Kattegat sea in the east with the peninsulas of Mols and Helgenæs across the bay to the northeast. Mols and Helgenæs are both part of the larger regional peninsula of Djursland. A number of larger cities and towns is within easy reach from Aarhus by road and rail, including Randers ( by road north), Grenå (northeast), Horsens ( south) and Silkeborg ( east). Topography At Aarhus's location, the Bay of Aarhus provides a natural harbour with a depth of quite close to the shore. Aarhus was founded at the mouth of a brackish water fjord, but the original fjord no longer exists, as it has gradually narrowed into what is now the Aarhus River and the Brabrand Lake, due to natural sedimentation. The land around Aarhus was once covered by forests, remains of which exist in parts of Marselisborg Forest to the south and Riis Skov to the north. Several lakes extend west from the inner city as the landscape merges with the larger region of Søhøjlandet with heights exceeding at Himmelbjerget between Skanderborg and Silkeborg. The highest natural point in Aarhus Municipality is Jelshøj at 128 metres above sea level, in the southern district of Højbjerg. The hilltop is home to a Bronze Age barrow shrouded in local myths and legends. The hilly area around Aarhus consists of a morainal plateau from the last ice age, broken by a complex system of tunnel valleys. The most prominent valleys of this network are the Aarhus Valley in the south, stretching inland east–west with the Aarhus River, Brabrand Lake, Årslev Lake and Tåstrup Lake, and the Egå Valley to the north, with the stream of Egåen, Egå Engsø, the bog of Geding-Kasted Mose and Geding Lake. Most parts of the two valleys have been drained and subsequently farmed, but in the early 2000s some of the drainage was removed and parts of the wetlands were restored for environmental reasons. The valley system also includes the stream of Lyngbygård Å in the west and valleys to the south of the city, following erosion channels from the pre-quaternary. By contrast, the Aarhus River Valley and the Giber River Valley are late glacial meltwater valleys.

The coastal cliffs along the Bay of Aarhus consist of shallow tertiary clay from the Eocene and Oligocene (57 to 24 million years ago). Climate Aarhus has a temperate oceanic climate (Köppen: Cfb) and the weather is constantly influenced by major weather systems from all four ordinal directions, resulting in unstable conditions throughout the year. Temperature varies a great deal across the seasons with a mild spring in April and May, warmer summer months from June to August, frequently rainy and windy autumn months in October and September and cooler winter months, often with frost and occasional snow, from December to March. The city centre experiences the same climatic effects as other larger cities with higher wind speeds, more fog, less precipitation and higher temperatures than the surrounding, open land. Western winds from the Atlantic and North Sea are dominant resulting in more precipitation in western Denmark. In addition, Jutland rises sufficiently in the centre to lift air to higher, colder altitudes contributing to increased precipitation in eastern Jutland. Combined, these factors make east and south Jutland comparatively wetter than other parts of the country. Average temperature over the year is with February being the coldest month () and August the warmest (). Temperatures in the sea can reach in June to August, but it is not uncommon for beaches to register locally. The geography in the area affects the local climate of the city with the Aarhus Bay imposing a temperate effect on the low-lying valley floor where central Aarhus is located. Brabrand Lake to the west further contributes to this effect and as a result, the valley has a comparably mild, temperate climate. The sandy ground on the valley floor dries up quickly after winter and warms faster in the summer than the surrounding hills of moist-retaining boulder clay. These conditions affect crops and plants that often bloom 1–2 weeks earlier in the valley than on the northern and southern hillsides. Because of the northern latitude, the number of daylight hours varies considerably between summer and winter. On the summer solstice, the sun rises at 04:26 and sets at 21:58, providing 17 hours 32 minutes of daylight. On the winter solstice, it rises at 08:37 and sets at 15:39 with 7 hours and 2 minutes of daylight. The difference in length of days and nights between summer and winter solstices is 10 hours and 30 minutes. Politics and administration Aarhus is the seat of Aarhus Municipality, and Aarhus City Council (Aarhus Byråd) is also the municipal government with headquarters in Aarhus City Hall. The Mayor of Aarhus since 2010 is Jacob Bundsgaard of the Social Democrats. Municipal elections are held every fourth year on the third Tuesday of November with the next election in 2021. The city council consists of 31 members elected for four-year terms. When an election has determined the composition of the council, it elects a mayor, two deputy mayors and five aldermen from their ranks.

The coastal cliffs along the Bay of Aarhus consist of shallow tertiary clay from the Eocene and Oligocene (57 to 24 million years ago). Climate Aarhus has a temperate oceanic climate (Köppen: Cfb) and the weather is constantly influenced by major weather systems from all four ordinal directions, resulting in unstable conditions throughout the year. Temperature varies a great deal across the seasons with a mild spring in April and May, warmer summer months from June to August, frequently rainy and windy autumn months in October and September and cooler winter months, often with frost and occasional snow, from December to March. The city centre experiences the same climatic effects as other larger cities with higher wind speeds, more fog, less precipitation and higher temperatures than the surrounding, open land. Western winds from the Atlantic and North Sea are dominant resulting in more precipitation in western Denmark. In addition, Jutland rises sufficiently in the centre to lift air to higher, colder altitudes contributing to increased precipitation in eastern Jutland. Combined, these factors make east and south Jutland comparatively wetter than other parts of the country. Average temperature over the year is with February being the coldest month () and August the warmest (). Temperatures in the sea can reach in June to August, but it is not uncommon for beaches to register locally. The geography in the area affects the local climate of the city with the Aarhus Bay imposing a temperate effect on the low-lying valley floor where central Aarhus is located. Brabrand Lake to the west further contributes to this effect and as a result, the valley has a comparably mild, temperate climate. The sandy ground on the valley floor dries up quickly after winter and warms faster in the summer than the surrounding hills of moist-retaining boulder clay. These conditions affect crops and plants that often bloom 1–2 weeks earlier in the valley than on the northern and southern hillsides. Because of the northern latitude, the number of daylight hours varies considerably between summer and winter. On the summer solstice, the sun rises at 04:26 and sets at 21:58, providing 17 hours 32 minutes of daylight. On the winter solstice, it rises at 08:37 and sets at 15:39 with 7 hours and 2 minutes of daylight. The difference in length of days and nights between summer and winter solstices is 10 hours and 30 minutes. Politics and administration Aarhus is the seat of Aarhus Municipality, and Aarhus City Council (Aarhus Byråd) is also the municipal government with headquarters in Aarhus City Hall. The Mayor of Aarhus since 2010 is Jacob Bundsgaard of the Social Democrats. Municipal elections are held every fourth year on the third Tuesday of November with the next election in 2021. The city council consists of 31 members elected for four-year terms. When an election has determined the composition of the council, it elects a mayor, two deputy mayors and five aldermen from their ranks.

The coastal cliffs along the Bay of Aarhus consist of shallow tertiary clay from the Eocene and Oligocene (57 to 24 million years ago). Climate Aarhus has a temperate oceanic climate (Köppen: Cfb) and the weather is constantly influenced by major weather systems from all four ordinal directions, resulting in unstable conditions throughout the year. Temperature varies a great deal across the seasons with a mild spring in April and May, warmer summer months from June to August, frequently rainy and windy autumn months in October and September and cooler winter months, often with frost and occasional snow, from December to March. The city centre experiences the same climatic effects as other larger cities with higher wind speeds, more fog, less precipitation and higher temperatures than the surrounding, open land. Western winds from the Atlantic and North Sea are dominant resulting in more precipitation in western Denmark. In addition, Jutland rises sufficiently in the centre to lift air to higher, colder altitudes contributing to increased precipitation in eastern Jutland. Combined, these factors make east and south Jutland comparatively wetter than other parts of the country. Average temperature over the year is with February being the coldest month () and August the warmest (). Temperatures in the sea can reach in June to August, but it is not uncommon for beaches to register locally. The geography in the area affects the local climate of the city with the Aarhus Bay imposing a temperate effect on the low-lying valley floor where central Aarhus is located. Brabrand Lake to the west further contributes to this effect and as a result, the valley has a comparably mild, temperate climate. The sandy ground on the valley floor dries up quickly after winter and warms faster in the summer than the surrounding hills of moist-retaining boulder clay. These conditions affect crops and plants that often bloom 1–2 weeks earlier in the valley than on the northern and southern hillsides. Because of the northern latitude, the number of daylight hours varies considerably between summer and winter. On the summer solstice, the sun rises at 04:26 and sets at 21:58, providing 17 hours 32 minutes of daylight. On the winter solstice, it rises at 08:37 and sets at 15:39 with 7 hours and 2 minutes of daylight. The difference in length of days and nights between summer and winter solstices is 10 hours and 30 minutes. Politics and administration Aarhus is the seat of Aarhus Municipality, and Aarhus City Council (Aarhus Byråd) is also the municipal government with headquarters in Aarhus City Hall. The Mayor of Aarhus since 2010 is Jacob Bundsgaard of the Social Democrats. Municipal elections are held every fourth year on the third Tuesday of November with the next election in 2021. The city council consists of 31 members elected for four-year terms. When an election has determined the composition of the council, it elects a mayor, two deputy mayors and five aldermen from their ranks.

Anyone who is eligible to vote and who resides within the municipality can run for a seat on the city council provided they can secure endorsements and signatures from 50 inhabitants of the municipality. The first publicly elected mayor of Aarhus was appointed in 1919. In the 1970 Danish Municipal Reform the current Aarhus municipality was created by merging 20 municipalities. Aarhus was the seat of Aarhus County until the 2007 Danish municipal reform, which substituted the Danish counties with five regions and replaced Aarhus County with Central Denmark Region (Region Midtjylland), seated in Viborg. Subdivisions Aarhus Municipality has 45 electoral wards and polling stations in four electoral districts for the Folketing (national Parliament). The diocese of Aarhus has four deaneries composed of 60 parishes within Aarhus municipality. Aarhus municipality contains 21 postal districts and some parts of another 9. The urban area of Aarhus and the immediate suburbs are divided into the districts Aarhus C, Aarhus N, Aarhus V, Viby J, Højbjerg and Brabrand. Environmental planning Aarhus has increasingly been investing in environmental planning and, in accordance with national policy, aims to be -neutral and independent of fossil fuels for heating by 2030. The municipal power plants were adapted for this purpose in the 2010s. In 2015, the municipality took over three private straw-fired heating plants and the year after, a new 77 MW combined heat and power biomass plant at Lisbjerg Power Station was completed while Studstrup Power Station finished a refit to move from coal to wood chips. In conjunction with the development of the Docklands district there are plans for a utility scale seawater heat pump which will take advantage of fluctuating electricity prices to supply the district heating system. Since 2015, the city has been implementing energy saving LED technology in street lighting; by January 2019, about half of the municipal street lighting had been changed. Apart from reducing the city's CO2 emissions, it saves 30% on the electricity bill, thereby making it a self-financed project over a 20-year period. The municipality aims for a coherent and holistic administration of the water cycle to protect against, or clean up, previous pollution and encourage green growth and self-sufficiency. The main issues are excessive nutrients, adapting to increased (and increasing) levels of precipitation brought on by climate change, and securing the water supply. These goals have manifested in a number of large water treatment projects often in collaboration with private partners. In the 2000s, underground rainwater basins were built across the city while the two lakes Årslev Engsø and Egå Engsø were created in 2003 and 2006 respectively. The number of sewage treatment plants is planned to be reduced from 17 to 2 by 2025 as the treatment plants in Marselisborg and Egå are scheduled for expansion to take over all waste water treatment. They have already been refitted for biogas production to become net producers of electricity and heat.

Anyone who is eligible to vote and who resides within the municipality can run for a seat on the city council provided they can secure endorsements and signatures from 50 inhabitants of the municipality. The first publicly elected mayor of Aarhus was appointed in 1919. In the 1970 Danish Municipal Reform the current Aarhus municipality was created by merging 20 municipalities. Aarhus was the seat of Aarhus County until the 2007 Danish municipal reform, which substituted the Danish counties with five regions and replaced Aarhus County with Central Denmark Region (Region Midtjylland), seated in Viborg. Subdivisions Aarhus Municipality has 45 electoral wards and polling stations in four electoral districts for the Folketing (national Parliament). The diocese of Aarhus has four deaneries composed of 60 parishes within Aarhus municipality. Aarhus municipality contains 21 postal districts and some parts of another 9. The urban area of Aarhus and the immediate suburbs are divided into the districts Aarhus C, Aarhus N, Aarhus V, Viby J, Højbjerg and Brabrand. Environmental planning Aarhus has increasingly been investing in environmental planning and, in accordance with national policy, aims to be -neutral and independent of fossil fuels for heating by 2030. The municipal power plants were adapted for this purpose in the 2010s. In 2015, the municipality took over three private straw-fired heating plants and the year after, a new 77 MW combined heat and power biomass plant at Lisbjerg Power Station was completed while Studstrup Power Station finished a refit to move from coal to wood chips. In conjunction with the development of the Docklands district there are plans for a utility scale seawater heat pump which will take advantage of fluctuating electricity prices to supply the district heating system. Since 2015, the city has been implementing energy saving LED technology in street lighting; by January 2019, about half of the municipal street lighting had been changed. Apart from reducing the city's CO2 emissions, it saves 30% on the electricity bill, thereby making it a self-financed project over a 20-year period. The municipality aims for a coherent and holistic administration of the water cycle to protect against, or clean up, previous pollution and encourage green growth and self-sufficiency. The main issues are excessive nutrients, adapting to increased (and increasing) levels of precipitation brought on by climate change, and securing the water supply. These goals have manifested in a number of large water treatment projects often in collaboration with private partners. In the 2000s, underground rainwater basins were built across the city while the two lakes Årslev Engsø and Egå Engsø were created in 2003 and 2006 respectively. The number of sewage treatment plants is planned to be reduced from 17 to 2 by 2025 as the treatment plants in Marselisborg and Egå are scheduled for expansion to take over all waste water treatment. They have already been refitted for biogas production to become net producers of electricity and heat.

Anyone who is eligible to vote and who resides within the municipality can run for a seat on the city council provided they can secure endorsements and signatures from 50 inhabitants of the municipality. The first publicly elected mayor of Aarhus was appointed in 1919. In the 1970 Danish Municipal Reform the current Aarhus municipality was created by merging 20 municipalities. Aarhus was the seat of Aarhus County until the 2007 Danish municipal reform, which substituted the Danish counties with five regions and replaced Aarhus County with Central Denmark Region (Region Midtjylland), seated in Viborg. Subdivisions Aarhus Municipality has 45 electoral wards and polling stations in four electoral districts for the Folketing (national Parliament). The diocese of Aarhus has four deaneries composed of 60 parishes within Aarhus municipality. Aarhus municipality contains 21 postal districts and some parts of another 9. The urban area of Aarhus and the immediate suburbs are divided into the districts Aarhus C, Aarhus N, Aarhus V, Viby J, Højbjerg and Brabrand. Environmental planning Aarhus has increasingly been investing in environmental planning and, in accordance with national policy, aims to be -neutral and independent of fossil fuels for heating by 2030. The municipal power plants were adapted for this purpose in the 2010s. In 2015, the municipality took over three private straw-fired heating plants and the year after, a new 77 MW combined heat and power biomass plant at Lisbjerg Power Station was completed while Studstrup Power Station finished a refit to move from coal to wood chips. In conjunction with the development of the Docklands district there are plans for a utility scale seawater heat pump which will take advantage of fluctuating electricity prices to supply the district heating system. Since 2015, the city has been implementing energy saving LED technology in street lighting; by January 2019, about half of the municipal street lighting had been changed. Apart from reducing the city's CO2 emissions, it saves 30% on the electricity bill, thereby making it a self-financed project over a 20-year period. The municipality aims for a coherent and holistic administration of the water cycle to protect against, or clean up, previous pollution and encourage green growth and self-sufficiency. The main issues are excessive nutrients, adapting to increased (and increasing) levels of precipitation brought on by climate change, and securing the water supply. These goals have manifested in a number of large water treatment projects often in collaboration with private partners. In the 2000s, underground rainwater basins were built across the city while the two lakes Årslev Engsø and Egå Engsø were created in 2003 and 2006 respectively. The number of sewage treatment plants is planned to be reduced from 17 to 2 by 2025 as the treatment plants in Marselisborg and Egå are scheduled for expansion to take over all waste water treatment. They have already been refitted for biogas production to become net producers of electricity and heat.

To aid the new treatment plants, and avoid floodings, sewage and stormwater throughout the municipality is planned to be separated into two different drainage systems. Construction began in 2017 in several areas, but it is a long process and is scheduled to be finished by 2085. Afforestation projects have been undertaken to prevent groundwater pollution, secure drinking water, sequester , increase biodiversity, create an attractive countryside, provide easy access to nature and offer outdoor activities to the public. In 2000, the first project, the New Forests of Aarhus, was completed, which aimed to double the forest cover in the municipality and, in 2009, another phase was announced to double forest cover once more before the year 2030. The afforestation plans were realised as a local project in collaboration with private landowners, under a larger national agenda. Other projects to expand natural habitats include a rewilding effort in Geding-Kasted Bog and continuous monitoring of the four Natura 2000 areas in the municipality. Demographics Aarhus has a population of 261,570 on for a density of 2,874/km2 (7,444/sq mi). Aarhus municipality has a population of 330,639 on 468 km2 with a density of 706/km2 (1,829/sq mi). Less than a fifth of the municipal population resides beyond city limits and almost all live in an urban area. The population of Aarhus is both younger and better-educated than the national average which can be attributed to the high concentration of educational institutions. More than 40% of the population have an academic degree while only some 14% have no secondary education or trade. The largest age group is 20- to 29-year-olds and the average age is 37.5, making it the youngest city in the country and one of its youngest municipalities. Women have slightly outnumbered men for many years. The city is home to 75 different religious groups and denominations, most of which are Christian or Muslim with a smaller number of Buddhist, Hindu, and Jewish communities. Since the 1990s there has been a marked growth in diverse new spiritual groups although the total number of followers remains small. The majority of the population are members of the Protestant state church, Church of Denmark, which is by far the largest religious institution both in the city and the country as a whole. Some 20% of the population are not officially affiliated with any religion, a percentage that has been slowly rising for many years. During the 1990s there was significant immigration from Turkey and in the 2000s, there was a fast growth in the overall immigrant community, from 27,783 people in 1999 to 40,431 in 2008. The majority of immigrants have roots outside Europe and the developed world, comprising some 25,000 people from 130 different nationalities, with the largest groups coming from the Middle East and North Africa. Some 15,000 have come from within Europe, with Poland, Germany, Romania and Norway being the largest contributors.

To aid the new treatment plants, and avoid floodings, sewage and stormwater throughout the municipality is planned to be separated into two different drainage systems. Construction began in 2017 in several areas, but it is a long process and is scheduled to be finished by 2085. Afforestation projects have been undertaken to prevent groundwater pollution, secure drinking water, sequester , increase biodiversity, create an attractive countryside, provide easy access to nature and offer outdoor activities to the public. In 2000, the first project, the New Forests of Aarhus, was completed, which aimed to double the forest cover in the municipality and, in 2009, another phase was announced to double forest cover once more before the year 2030. The afforestation plans were realised as a local project in collaboration with private landowners, under a larger national agenda. Other projects to expand natural habitats include a rewilding effort in Geding-Kasted Bog and continuous monitoring of the four Natura 2000 areas in the municipality. Demographics Aarhus has a population of 261,570 on for a density of 2,874/km2 (7,444/sq mi). Aarhus municipality has a population of 330,639 on 468 km2 with a density of 706/km2 (1,829/sq mi). Less than a fifth of the municipal population resides beyond city limits and almost all live in an urban area. The population of Aarhus is both younger and better-educated than the national average which can be attributed to the high concentration of educational institutions. More than 40% of the population have an academic degree while only some 14% have no secondary education or trade. The largest age group is 20- to 29-year-olds and the average age is 37.5, making it the youngest city in the country and one of its youngest municipalities. Women have slightly outnumbered men for many years. The city is home to 75 different religious groups and denominations, most of which are Christian or Muslim with a smaller number of Buddhist, Hindu, and Jewish communities. Since the 1990s there has been a marked growth in diverse new spiritual groups although the total number of followers remains small. The majority of the population are members of the Protestant state church, Church of Denmark, which is by far the largest religious institution both in the city and the country as a whole. Some 20% of the population are not officially affiliated with any religion, a percentage that has been slowly rising for many years. During the 1990s there was significant immigration from Turkey and in the 2000s, there was a fast growth in the overall immigrant community, from 27,783 people in 1999 to 40,431 in 2008. The majority of immigrants have roots outside Europe and the developed world, comprising some 25,000 people from 130 different nationalities, with the largest groups coming from the Middle East and North Africa. Some 15,000 have come from within Europe, with Poland, Germany, Romania and Norway being the largest contributors.

To aid the new treatment plants, and avoid floodings, sewage and stormwater throughout the municipality is planned to be separated into two different drainage systems. Construction began in 2017 in several areas, but it is a long process and is scheduled to be finished by 2085. Afforestation projects have been undertaken to prevent groundwater pollution, secure drinking water, sequester , increase biodiversity, create an attractive countryside, provide easy access to nature and offer outdoor activities to the public. In 2000, the first project, the New Forests of Aarhus, was completed, which aimed to double the forest cover in the municipality and, in 2009, another phase was announced to double forest cover once more before the year 2030. The afforestation plans were realised as a local project in collaboration with private landowners, under a larger national agenda. Other projects to expand natural habitats include a rewilding effort in Geding-Kasted Bog and continuous monitoring of the four Natura 2000 areas in the municipality. Demographics Aarhus has a population of 261,570 on for a density of 2,874/km2 (7,444/sq mi). Aarhus municipality has a population of 330,639 on 468 km2 with a density of 706/km2 (1,829/sq mi). Less than a fifth of the municipal population resides beyond city limits and almost all live in an urban area. The population of Aarhus is both younger and better-educated than the national average which can be attributed to the high concentration of educational institutions. More than 40% of the population have an academic degree while only some 14% have no secondary education or trade. The largest age group is 20- to 29-year-olds and the average age is 37.5, making it the youngest city in the country and one of its youngest municipalities. Women have slightly outnumbered men for many years. The city is home to 75 different religious groups and denominations, most of which are Christian or Muslim with a smaller number of Buddhist, Hindu, and Jewish communities. Since the 1990s there has been a marked growth in diverse new spiritual groups although the total number of followers remains small. The majority of the population are members of the Protestant state church, Church of Denmark, which is by far the largest religious institution both in the city and the country as a whole. Some 20% of the population are not officially affiliated with any religion, a percentage that has been slowly rising for many years. During the 1990s there was significant immigration from Turkey and in the 2000s, there was a fast growth in the overall immigrant community, from 27,783 people in 1999 to 40,431 in 2008. The majority of immigrants have roots outside Europe and the developed world, comprising some 25,000 people from 130 different nationalities, with the largest groups coming from the Middle East and North Africa. Some 15,000 have come from within Europe, with Poland, Germany, Romania and Norway being the largest contributors.

Many immigrants have established themselves in the suburbs of Brabrand, Hasle and Viby, where the percentage of inhabitants with foreign origins has risen by 66% since 2000. This has resulted in a few so-called ghettos, defined as residential areas with more than half of inhabitants from non-Western countries and with relatively high levels of poverty and/or crime. Gellerup is the most notable neighbourhood in that respect. The ghetto-labelling has been criticized as unnecessarily stigmatising and counterproductive for social and economical development of the related areas. Economy The economy of Aarhus is predominantly knowledge- and service-based, strongly influenced by the University of Aarhus and the large healthcare industry. The service sector dominates the economy and is growing as the city transitions away from manufacturing. Trade and transportation remain important sectors, benefiting from the large port and central position on the rail network. Manufacturing has been in slow but steady decline since the 1960s while agriculture has long been a marginal sector within the municipality. The municipality is home to 175,000 jobs with some 100,000 in the private sector and the rest split between state, region and municipality. The region is a major agricultural producer, with many large farms in the outlying districts. People commute to Aarhus from as far away as Randers, Silkeborg and Skanderborg and almost a third of those employed within the Aarhus municipality commute from neighbouring communities. Aarhus is a centre for retail in the Nordic and Baltic countries, with expansive shopping centres, the busiest commercial street in the country and a dense urban core with many speciality shops. The job market is knowledge- and service-based, and the largest employment sectors are healthcare and social services, trade, education, consulting, research, industry and telecommunications. The municipality has more high- and middle-income jobs, and fewer low-income jobs, than the national average. Today, te majority of the largest companies in the municipality are in the sectors of trade, transport and media. The wind power industry has strong roots in Aarhus and the larger region of Central Jutland, and nationally, most of the revenue in the industry is generated by companies in the greater Aarhus area. The wind industry employs about a thousand people within the municipality, making it a central component in the local economy. The biotech industry is well-established in the city, with many small- and medium-sized companies mainly focused on research and development. Several major companies are headquartered in Aarhus, including four of the ten largest in the country. These include Arla Foods, one of the largest dairy groups in Europe, Salling Group, Denmark's largest retailer, Jysk, a worldwide retailer of household goods, Vestas, a global wind turbine manufacturer, Terma A/S, a major defence and aerospace manufacturer, Per Aarsleff, a civil engineering company and several large retail companies. Other large employers of note include Krifa, Systematic A/S,), and Bestseller A/S. Since the early 2000s, the city has experienced an influx of larger companies moving from other parts of the Jutland peninsula.

Many immigrants have established themselves in the suburbs of Brabrand, Hasle and Viby, where the percentage of inhabitants with foreign origins has risen by 66% since 2000. This has resulted in a few so-called ghettos, defined as residential areas with more than half of inhabitants from non-Western countries and with relatively high levels of poverty and/or crime. Gellerup is the most notable neighbourhood in that respect. The ghetto-labelling has been criticized as unnecessarily stigmatising and counterproductive for social and economical development of the related areas. Economy The economy of Aarhus is predominantly knowledge- and service-based, strongly influenced by the University of Aarhus and the large healthcare industry. The service sector dominates the economy and is growing as the city transitions away from manufacturing. Trade and transportation remain important sectors, benefiting from the large port and central position on the rail network. Manufacturing has been in slow but steady decline since the 1960s while agriculture has long been a marginal sector within the municipality. The municipality is home to 175,000 jobs with some 100,000 in the private sector and the rest split between state, region and municipality. The region is a major agricultural producer, with many large farms in the outlying districts. People commute to Aarhus from as far away as Randers, Silkeborg and Skanderborg and almost a third of those employed within the Aarhus municipality commute from neighbouring communities. Aarhus is a centre for retail in the Nordic and Baltic countries, with expansive shopping centres, the busiest commercial street in the country and a dense urban core with many speciality shops. The job market is knowledge- and service-based, and the largest employment sectors are healthcare and social services, trade, education, consulting, research, industry and telecommunications. The municipality has more high- and middle-income jobs, and fewer low-income jobs, than the national average. Today, te majority of the largest companies in the municipality are in the sectors of trade, transport and media. The wind power industry has strong roots in Aarhus and the larger region of Central Jutland, and nationally, most of the revenue in the industry is generated by companies in the greater Aarhus area. The wind industry employs about a thousand people within the municipality, making it a central component in the local economy. The biotech industry is well-established in the city, with many small- and medium-sized companies mainly focused on research and development. Several major companies are headquartered in Aarhus, including four of the ten largest in the country. These include Arla Foods, one of the largest dairy groups in Europe, Salling Group, Denmark's largest retailer, Jysk, a worldwide retailer of household goods, Vestas, a global wind turbine manufacturer, Terma A/S, a major defence and aerospace manufacturer, Per Aarsleff, a civil engineering company and several large retail companies. Other large employers of note include Krifa, Systematic A/S,), and Bestseller A/S. Since the early 2000s, the city has experienced an influx of larger companies moving from other parts of the Jutland peninsula.

Many immigrants have established themselves in the suburbs of Brabrand, Hasle and Viby, where the percentage of inhabitants with foreign origins has risen by 66% since 2000. This has resulted in a few so-called ghettos, defined as residential areas with more than half of inhabitants from non-Western countries and with relatively high levels of poverty and/or crime. Gellerup is the most notable neighbourhood in that respect. The ghetto-labelling has been criticized as unnecessarily stigmatising and counterproductive for social and economical development of the related areas. Economy The economy of Aarhus is predominantly knowledge- and service-based, strongly influenced by the University of Aarhus and the large healthcare industry. The service sector dominates the economy and is growing as the city transitions away from manufacturing. Trade and transportation remain important sectors, benefiting from the large port and central position on the rail network. Manufacturing has been in slow but steady decline since the 1960s while agriculture has long been a marginal sector within the municipality. The municipality is home to 175,000 jobs with some 100,000 in the private sector and the rest split between state, region and municipality. The region is a major agricultural producer, with many large farms in the outlying districts. People commute to Aarhus from as far away as Randers, Silkeborg and Skanderborg and almost a third of those employed within the Aarhus municipality commute from neighbouring communities. Aarhus is a centre for retail in the Nordic and Baltic countries, with expansive shopping centres, the busiest commercial street in the country and a dense urban core with many speciality shops. The job market is knowledge- and service-based, and the largest employment sectors are healthcare and social services, trade, education, consulting, research, industry and telecommunications. The municipality has more high- and middle-income jobs, and fewer low-income jobs, than the national average. Today, te majority of the largest companies in the municipality are in the sectors of trade, transport and media. The wind power industry has strong roots in Aarhus and the larger region of Central Jutland, and nationally, most of the revenue in the industry is generated by companies in the greater Aarhus area. The wind industry employs about a thousand people within the municipality, making it a central component in the local economy. The biotech industry is well-established in the city, with many small- and medium-sized companies mainly focused on research and development. Several major companies are headquartered in Aarhus, including four of the ten largest in the country. These include Arla Foods, one of the largest dairy groups in Europe, Salling Group, Denmark's largest retailer, Jysk, a worldwide retailer of household goods, Vestas, a global wind turbine manufacturer, Terma A/S, a major defence and aerospace manufacturer, Per Aarsleff, a civil engineering company and several large retail companies. Other large employers of note include Krifa, Systematic A/S,), and Bestseller A/S. Since the early 2000s, the city has experienced an influx of larger companies moving from other parts of the Jutland peninsula.

Port of Aarhus The Port of Aarhus is one of the largest industrial ports in northern Europe with the largest container terminal in Denmark, processing more than 50% of Denmark's container traffic and accommodating the largest container vessels in the world. It is a municipal self-governing port with independent finances. The facilities handle some 9.5 million tonnes of cargo a year (2012). Grain is the principal export, while feedstuffs, stone, cement and coal are among the chief imports. Since 2012 the port has faced increasing competition from the Port of Hamburg and freight volumes have decreased somewhat from the peak in 2008. The ferry terminal presents the only alternative to the Great Belt Link for passenger transport between Jutland and Zealand. It has served different ferry companies since the first steamship route to Copenhagen opened in 1830. Currently, Mols-Linien operates the route and annually transports some two million passengers and a million vehicles. Additional roll-on/roll-off cargo ferries serve Finland and Kalundborg on a weekly basis and smaller outlying Danish ports at irregular intervals. Since the early 2000s the port has increasingly become a destination for cruise lines operating in the Baltic Sea. Tourism The ARoS Art Museum, the Old Town Museum and Tivoli Friheden are among Denmark's top tourist attractions. With a combined total of almost 1.4 million visitors they represent the driving force behind tourism but other venues such as Moesgård Museum and Kvindemuseet are also popular. The city's extensive shopping facilities are also said to be a major attraction for tourists, as are festivals, especially NorthSide and SPOT. Many visitors arrive on cruise ships: in 2012, 18 vessels visited the port with over 38,000 passengers. In the 2010s, there was a significant expansion of tourist facilities, culminating in the opening of the 240-room Comwell Hotel in July 2014, which increased the number of hotel rooms in the city by 25%. Some estimates put the number of visitors spending at least one night as high as 750,000 a year, most of them Danes from other regions, with the remainder coming mainly from Norway, Sweden, northern Germany and the United Kingdom. Overall, they spend roughly DKK 3 billion (€402 million) in the city each year. The primary motivation for tourists choosing Aarhus as a destination is experiencing the city and culture, family and couples vacation or as a part of a round trip in Denmark. The average stay is little more than three days on average. There are more than 30 tourist information spots across the city. Some of them are staffed, while others are online, publicly accessible touchscreens. The official tourist information service in Aarhus is organised under VisitAarhus, a corporate foundation initiated in 1994 by Aarhus Municipality and local commercial interest organisations.

Port of Aarhus The Port of Aarhus is one of the largest industrial ports in northern Europe with the largest container terminal in Denmark, processing more than 50% of Denmark's container traffic and accommodating the largest container vessels in the world. It is a municipal self-governing port with independent finances. The facilities handle some 9.5 million tonnes of cargo a year (2012). Grain is the principal export, while feedstuffs, stone, cement and coal are among the chief imports. Since 2012 the port has faced increasing competition from the Port of Hamburg and freight volumes have decreased somewhat from the peak in 2008. The ferry terminal presents the only alternative to the Great Belt Link for passenger transport between Jutland and Zealand. It has served different ferry companies since the first steamship route to Copenhagen opened in 1830. Currently, Mols-Linien operates the route and annually transports some two million passengers and a million vehicles. Additional roll-on/roll-off cargo ferries serve Finland and Kalundborg on a weekly basis and smaller outlying Danish ports at irregular intervals. Since the early 2000s the port has increasingly become a destination for cruise lines operating in the Baltic Sea. Tourism The ARoS Art Museum, the Old Town Museum and Tivoli Friheden are among Denmark's top tourist attractions. With a combined total of almost 1.4 million visitors they represent the driving force behind tourism but other venues such as Moesgård Museum and Kvindemuseet are also popular. The city's extensive shopping facilities are also said to be a major attraction for tourists, as are festivals, especially NorthSide and SPOT. Many visitors arrive on cruise ships: in 2012, 18 vessels visited the port with over 38,000 passengers. In the 2010s, there was a significant expansion of tourist facilities, culminating in the opening of the 240-room Comwell Hotel in July 2014, which increased the number of hotel rooms in the city by 25%. Some estimates put the number of visitors spending at least one night as high as 750,000 a year, most of them Danes from other regions, with the remainder coming mainly from Norway, Sweden, northern Germany and the United Kingdom. Overall, they spend roughly DKK 3 billion (€402 million) in the city each year. The primary motivation for tourists choosing Aarhus as a destination is experiencing the city and culture, family and couples vacation or as a part of a round trip in Denmark. The average stay is little more than three days on average. There are more than 30 tourist information spots across the city. Some of them are staffed, while others are online, publicly accessible touchscreens. The official tourist information service in Aarhus is organised under VisitAarhus, a corporate foundation initiated in 1994 by Aarhus Municipality and local commercial interest organisations.

Port of Aarhus The Port of Aarhus is one of the largest industrial ports in northern Europe with the largest container terminal in Denmark, processing more than 50% of Denmark's container traffic and accommodating the largest container vessels in the world. It is a municipal self-governing port with independent finances. The facilities handle some 9.5 million tonnes of cargo a year (2012). Grain is the principal export, while feedstuffs, stone, cement and coal are among the chief imports. Since 2012 the port has faced increasing competition from the Port of Hamburg and freight volumes have decreased somewhat from the peak in 2008. The ferry terminal presents the only alternative to the Great Belt Link for passenger transport between Jutland and Zealand. It has served different ferry companies since the first steamship route to Copenhagen opened in 1830. Currently, Mols-Linien operates the route and annually transports some two million passengers and a million vehicles. Additional roll-on/roll-off cargo ferries serve Finland and Kalundborg on a weekly basis and smaller outlying Danish ports at irregular intervals. Since the early 2000s the port has increasingly become a destination for cruise lines operating in the Baltic Sea. Tourism The ARoS Art Museum, the Old Town Museum and Tivoli Friheden are among Denmark's top tourist attractions. With a combined total of almost 1.4 million visitors they represent the driving force behind tourism but other venues such as Moesgård Museum and Kvindemuseet are also popular. The city's extensive shopping facilities are also said to be a major attraction for tourists, as are festivals, especially NorthSide and SPOT. Many visitors arrive on cruise ships: in 2012, 18 vessels visited the port with over 38,000 passengers. In the 2010s, there was a significant expansion of tourist facilities, culminating in the opening of the 240-room Comwell Hotel in July 2014, which increased the number of hotel rooms in the city by 25%. Some estimates put the number of visitors spending at least one night as high as 750,000 a year, most of them Danes from other regions, with the remainder coming mainly from Norway, Sweden, northern Germany and the United Kingdom. Overall, they spend roughly DKK 3 billion (€402 million) in the city each year. The primary motivation for tourists choosing Aarhus as a destination is experiencing the city and culture, family and couples vacation or as a part of a round trip in Denmark. The average stay is little more than three days on average. There are more than 30 tourist information spots across the city. Some of them are staffed, while others are online, publicly accessible touchscreens. The official tourist information service in Aarhus is organised under VisitAarhus, a corporate foundation initiated in 1994 by Aarhus Municipality and local commercial interest organisations.

Research parks The largest research park in Aarhus is INCUBA Science Park, focused on IT and biomedical research, It is based on Denmark's first research park, Forskerpark Aarhus (Research Park Aarhus), founded in 1986, which in 2007 merged with another research park to form INCUBA Science Park. The organisation is owned partly by Aarhus University and private investors and aims to foster close relationships between public institutions and startup companies. It is physically divided across 4 locations after a new department was inaugurated in Navitas Park in 2015, which it will share with the Aarhus School of Marine and Technical Engineering and AU Engineering. Another major centre for knowledge is Agro Food Park in Skejby, established to facilitate co-operation between companies and public institutions working within food science and agriculture. In January 2017 Arla Foods will open the global innovation centre Arla Nativa in Agro Food Park and in 2018 Aarhus University is moving the Danish Centre for Food and Agriculture there as well. In 2016, some 1000 people worked at Agro Food Park, spread across 50 companies and institutions and in August 2016 Agro Food Park management published plans to expand facilities from 92,000 m2 to . In addition, Aarhus is home to the Aarhus School of Architecture, one of two Danish Ministry of Education institutions that provide degree programs in architecture, and some of the largest architecture firms in the Nordic Countries such as Schmidt Hammer Lassen Architects, Arkitema Architects and C. F. Møller Architects. Taken together these organisations form a unique concentration of expertise and knowledge in architecture outside Copenhagen, which the Danish Ministry of Business and Growth refers to as (the architecture cluster). To promote the "cluster", the School of Architecture will be given new school buildings centrally in the new Freight Station Neighborhood, planned for development in the 2020s. In the interim, the city council supports a culture, business and education centre in the area, which may continue in the future neighbourhood in some form. The future occupants of the neighbourhood will be businesses and organisations selected for their ability to be involved in the local community, and it is hoped that the area will evolve into a hotspot for creativity and design. Cityscape Aarhus has developed in stages, from the Viking Age to modern times, all visible in the city today. Many architectural styles are represented in different parts of the city such as Romanesque, Gothic, Renaissance, Baroque, Rococo, National Romantic, Nordic Classicism, Neoclassical, Empire and Functionalism. The city has developed around the main transport hubs - the river, the harbour, and later the railway station -, and as a result, the oldest parts are also the most central and busiest today. The streets of Volden (The Rampart) and Graven (The Moat) testify to the defences of the initial Viking town, and Allégaderingen in Midtbyen roughly follows the boundaries of that settlement.

Research parks The largest research park in Aarhus is INCUBA Science Park, focused on IT and biomedical research, It is based on Denmark's first research park, Forskerpark Aarhus (Research Park Aarhus), founded in 1986, which in 2007 merged with another research park to form INCUBA Science Park. The organisation is owned partly by Aarhus University and private investors and aims to foster close relationships between public institutions and startup companies. It is physically divided across 4 locations after a new department was inaugurated in Navitas Park in 2015, which it will share with the Aarhus School of Marine and Technical Engineering and AU Engineering. Another major centre for knowledge is Agro Food Park in Skejby, established to facilitate co-operation between companies and public institutions working within food science and agriculture. In January 2017 Arla Foods will open the global innovation centre Arla Nativa in Agro Food Park and in 2018 Aarhus University is moving the Danish Centre for Food and Agriculture there as well. In 2016, some 1000 people worked at Agro Food Park, spread across 50 companies and institutions and in August 2016 Agro Food Park management published plans to expand facilities from 92,000 m2 to . In addition, Aarhus is home to the Aarhus School of Architecture, one of two Danish Ministry of Education institutions that provide degree programs in architecture, and some of the largest architecture firms in the Nordic Countries such as Schmidt Hammer Lassen Architects, Arkitema Architects and C. F. Møller Architects. Taken together these organisations form a unique concentration of expertise and knowledge in architecture outside Copenhagen, which the Danish Ministry of Business and Growth refers to as (the architecture cluster). To promote the "cluster", the School of Architecture will be given new school buildings centrally in the new Freight Station Neighborhood, planned for development in the 2020s. In the interim, the city council supports a culture, business and education centre in the area, which may continue in the future neighbourhood in some form. The future occupants of the neighbourhood will be businesses and organisations selected for their ability to be involved in the local community, and it is hoped that the area will evolve into a hotspot for creativity and design. Cityscape Aarhus has developed in stages, from the Viking Age to modern times, all visible in the city today. Many architectural styles are represented in different parts of the city such as Romanesque, Gothic, Renaissance, Baroque, Rococo, National Romantic, Nordic Classicism, Neoclassical, Empire and Functionalism. The city has developed around the main transport hubs - the river, the harbour, and later the railway station -, and as a result, the oldest parts are also the most central and busiest today. The streets of Volden (The Rampart) and Graven (The Moat) testify to the defences of the initial Viking town, and Allégaderingen in Midtbyen roughly follows the boundaries of that settlement.

Research parks The largest research park in Aarhus is INCUBA Science Park, focused on IT and biomedical research, It is based on Denmark's first research park, Forskerpark Aarhus (Research Park Aarhus), founded in 1986, which in 2007 merged with another research park to form INCUBA Science Park. The organisation is owned partly by Aarhus University and private investors and aims to foster close relationships between public institutions and startup companies. It is physically divided across 4 locations after a new department was inaugurated in Navitas Park in 2015, which it will share with the Aarhus School of Marine and Technical Engineering and AU Engineering. Another major centre for knowledge is Agro Food Park in Skejby, established to facilitate co-operation between companies and public institutions working within food science and agriculture. In January 2017 Arla Foods will open the global innovation centre Arla Nativa in Agro Food Park and in 2018 Aarhus University is moving the Danish Centre for Food and Agriculture there as well. In 2016, some 1000 people worked at Agro Food Park, spread across 50 companies and institutions and in August 2016 Agro Food Park management published plans to expand facilities from 92,000 m2 to . In addition, Aarhus is home to the Aarhus School of Architecture, one of two Danish Ministry of Education institutions that provide degree programs in architecture, and some of the largest architecture firms in the Nordic Countries such as Schmidt Hammer Lassen Architects, Arkitema Architects and C. F. Møller Architects. Taken together these organisations form a unique concentration of expertise and knowledge in architecture outside Copenhagen, which the Danish Ministry of Business and Growth refers to as (the architecture cluster). To promote the "cluster", the School of Architecture will be given new school buildings centrally in the new Freight Station Neighborhood, planned for development in the 2020s. In the interim, the city council supports a culture, business and education centre in the area, which may continue in the future neighbourhood in some form. The future occupants of the neighbourhood will be businesses and organisations selected for their ability to be involved in the local community, and it is hoped that the area will evolve into a hotspot for creativity and design. Cityscape Aarhus has developed in stages, from the Viking Age to modern times, all visible in the city today. Many architectural styles are represented in different parts of the city such as Romanesque, Gothic, Renaissance, Baroque, Rococo, National Romantic, Nordic Classicism, Neoclassical, Empire and Functionalism. The city has developed around the main transport hubs - the river, the harbour, and later the railway station -, and as a result, the oldest parts are also the most central and busiest today. The streets of Volden (The Rampart) and Graven (The Moat) testify to the defences of the initial Viking town, and Allégaderingen in Midtbyen roughly follows the boundaries of that settlement.

The street network in the inner city formed during the Middle Ages with narrow, curved streets and low, dense housing by the river and the coast. Vesterport (Westward Gate) still bears the name of the medieval city gate and the narrow alleyways Posthussmøgen and Telefonsmøgen are remnants of toll stations from that time. The inner city has the oldest preserved buildings, especially the Latin Quarter, with houses dating back to the early 17th century in Mejlgade and Skolegade. Medieval merchants' mansions with courtyards can be seen in Klostergade, Studsgade and Skolegade. By far, the largest part of the present-day city was built during and after the industrialization of the late 1800s, and the most represented architectural styles today are historicism and modernism, especially the subgenre of Danish functionalism of which there are many fine examples. The building boom of the 2000s has imprinted itself on Aarhus with a redeveloped harbourfront, many new neighbourhoods (also in the inner city), and a revitalized public space. It is also beginning to change the skyline with several dominating high-rises. Developments In recent years, Aarhus has experienced a large demand in housing and offices, spurring a construction boom in some parts of the city. The newly built city district of Aarhus Ø, formerly docklands where shipping houses major housing developments, mostly consisting of privately owned apartments, designed by architects such as, CEBRA, and JDS Architects. In the 2nd quarter of 2012, the population of the area stood at only 5, however that number had risen to 3,940 by October 2019. The main public transportation service is bus line 23, as well as train station Østbanetorvet. In addition to this, the area will be serviced by the light rail line, Aarhus Letbane. Landmarks Aarhus Cathedral (Århus Domkirke) in the centre of Aarhus, is the longest and tallest church in Denmark at and in length and height respectively. Originally built as a Romanesque basilica in the 13th century, it was rebuilt and enlarged as a Gothic cathedral in the late 15th and early 16th centuries. Even though the cathedral stood finished around 1300, it took more than a century to build; the associated cathedral school of Aarhus Katedralskole was already founded in 1195 and ranks as the 44th oldest school in the world. Another important and historic landmark in the inner city, is the Church of Our Lady (Vor Frue Kirke) also from the 13th century in Romanesque and Gothic style. It is smaller and less impressive, but it was the first cathedral of Aarhus and founded on an even older church constructed in 1060; the oldest stone church in Scandinavia. Langelandsgade Kaserne in National Romantic Style from 1889 is the oldest former military barracks left in the country; home to the university Department of Aesthetics and Communication since 1989. Marselisborg Palace (Marselisborg Slot), designed by Hack Kampmann in Neoclassical and Art Nouveau styles, was donated by the city to Prince Christian and Princess Alexandrine as a wedding present in 1898.

The street network in the inner city formed during the Middle Ages with narrow, curved streets and low, dense housing by the river and the coast. Vesterport (Westward Gate) still bears the name of the medieval city gate and the narrow alleyways Posthussmøgen and Telefonsmøgen are remnants of toll stations from that time. The inner city has the oldest preserved buildings, especially the Latin Quarter, with houses dating back to the early 17th century in Mejlgade and Skolegade. Medieval merchants' mansions with courtyards can be seen in Klostergade, Studsgade and Skolegade. By far, the largest part of the present-day city was built during and after the industrialization of the late 1800s, and the most represented architectural styles today are historicism and modernism, especially the subgenre of Danish functionalism of which there are many fine examples. The building boom of the 2000s has imprinted itself on Aarhus with a redeveloped harbourfront, many new neighbourhoods (also in the inner city), and a revitalized public space. It is also beginning to change the skyline with several dominating high-rises. Developments In recent years, Aarhus has experienced a large demand in housing and offices, spurring a construction boom in some parts of the city. The newly built city district of Aarhus Ø, formerly docklands where shipping houses major housing developments, mostly consisting of privately owned apartments, designed by architects such as, CEBRA, and JDS Architects. In the 2nd quarter of 2012, the population of the area stood at only 5, however that number had risen to 3,940 by October 2019. The main public transportation service is bus line 23, as well as train station Østbanetorvet. In addition to this, the area will be serviced by the light rail line, Aarhus Letbane. Landmarks Aarhus Cathedral (Århus Domkirke) in the centre of Aarhus, is the longest and tallest church in Denmark at and in length and height respectively. Originally built as a Romanesque basilica in the 13th century, it was rebuilt and enlarged as a Gothic cathedral in the late 15th and early 16th centuries. Even though the cathedral stood finished around 1300, it took more than a century to build; the associated cathedral school of Aarhus Katedralskole was already founded in 1195 and ranks as the 44th oldest school in the world. Another important and historic landmark in the inner city, is the Church of Our Lady (Vor Frue Kirke) also from the 13th century in Romanesque and Gothic style. It is smaller and less impressive, but it was the first cathedral of Aarhus and founded on an even older church constructed in 1060; the oldest stone church in Scandinavia. Langelandsgade Kaserne in National Romantic Style from 1889 is the oldest former military barracks left in the country; home to the university Department of Aesthetics and Communication since 1989. Marselisborg Palace (Marselisborg Slot), designed by Hack Kampmann in Neoclassical and Art Nouveau styles, was donated by the city to Prince Christian and Princess Alexandrine as a wedding present in 1898.

The street network in the inner city formed during the Middle Ages with narrow, curved streets and low, dense housing by the river and the coast. Vesterport (Westward Gate) still bears the name of the medieval city gate and the narrow alleyways Posthussmøgen and Telefonsmøgen are remnants of toll stations from that time. The inner city has the oldest preserved buildings, especially the Latin Quarter, with houses dating back to the early 17th century in Mejlgade and Skolegade. Medieval merchants' mansions with courtyards can be seen in Klostergade, Studsgade and Skolegade. By far, the largest part of the present-day city was built during and after the industrialization of the late 1800s, and the most represented architectural styles today are historicism and modernism, especially the subgenre of Danish functionalism of which there are many fine examples. The building boom of the 2000s has imprinted itself on Aarhus with a redeveloped harbourfront, many new neighbourhoods (also in the inner city), and a revitalized public space. It is also beginning to change the skyline with several dominating high-rises. Developments In recent years, Aarhus has experienced a large demand in housing and offices, spurring a construction boom in some parts of the city. The newly built city district of Aarhus Ø, formerly docklands where shipping houses major housing developments, mostly consisting of privately owned apartments, designed by architects such as, CEBRA, and JDS Architects. In the 2nd quarter of 2012, the population of the area stood at only 5, however that number had risen to 3,940 by October 2019. The main public transportation service is bus line 23, as well as train station Østbanetorvet. In addition to this, the area will be serviced by the light rail line, Aarhus Letbane. Landmarks Aarhus Cathedral (Århus Domkirke) in the centre of Aarhus, is the longest and tallest church in Denmark at and in length and height respectively. Originally built as a Romanesque basilica in the 13th century, it was rebuilt and enlarged as a Gothic cathedral in the late 15th and early 16th centuries. Even though the cathedral stood finished around 1300, it took more than a century to build; the associated cathedral school of Aarhus Katedralskole was already founded in 1195 and ranks as the 44th oldest school in the world. Another important and historic landmark in the inner city, is the Church of Our Lady (Vor Frue Kirke) also from the 13th century in Romanesque and Gothic style. It is smaller and less impressive, but it was the first cathedral of Aarhus and founded on an even older church constructed in 1060; the oldest stone church in Scandinavia. Langelandsgade Kaserne in National Romantic Style from 1889 is the oldest former military barracks left in the country; home to the university Department of Aesthetics and Communication since 1989. Marselisborg Palace (Marselisborg Slot), designed by Hack Kampmann in Neoclassical and Art Nouveau styles, was donated by the city to Prince Christian and Princess Alexandrine as a wedding present in 1898.

The Aarhus Custom House (Toldkammeret) from 1898, is said to be Hack Kampmann's finest work. Tivoli Friheden (Tivoli Freedom) opened in 1903 and has since been the largest amusement park in the city and a tourist attraction. Aarhus Theatre from 1916 in the Art Nouveau style is the largest provincial theatre in Denmark. The early buildings of Aarhus University, especially the main building completed in 1932, designed by Kay Fisker, Povl Stegmann and by C.F. Møller have gained an international reputation for their contribution to functionalist architecture. The City Hall (Aarhus Rådhus) from 1941 with an iconic tower clad in marble, was designed by Arne Jacobsen and Erik Møller in a modern Functionalist style. Culture Aarhus is home to many annual cultural events and festivals, museums, theatres, and sports events of both national and international importance, and presents some of the largest cultural attractions in Denmark. There is a long tradition here in music of all genres and many Danish bands have emerged from Aarhus. Libraries, cultural centres and educational institutions present free or easy opportunities for the citizens to participate in, engage in or be creative with cultural events and productions of all kinds. Since 1938, Aarhus has marketed itself as Smilets by (City of smiles) which has become both an informal moniker and official slogan. In 2011, the city council opted to change the slogan to "Aarhus. Danish for Progress" but it was unpopular and abandoned after just a few years. Other slogans that have occasionally been used are Byen ved havet (City by the sea), Mellem bugt og bøgeskov (Between bay and beechwood) and Verdens mindste storby (World's smallest big city). Aarhus is featured in popular songs such as Hjem til Aarhus by På Slaget 12, Lav sol over Aarhus by Gnags, 8000 Aarhus C by Flemming Jørgensen, Pigen ud af Aarhus by Tina Dickow and Slingrer ned ad Vestergade by Gnags. In 1919, the number Sangen til Aarhus (Song to Aarhus) had become a popular hit for a time, but the oldest and perhaps best known "national anthem" for the city is the classical Aarhus Tappenstreg from 1872 by Carl Christian Møller which is occasionally played at official events or at performances by local marching bands and orchestras. Museums Aarhus has a range of museums, including two of the largest in the country, measured by the number of paying guests, Den Gamle By and ARoS Aarhus Kunstmuseum. Den Gamle By (The Old Town), officially Danmarks Købstadmuseum (Denmark's Market Town Museum), presents Danish townscapes from the 16th century to the 1970s with individual areas focused on different time periods. 75 historic buildings collected from different parts of the country have been brought here to create a small town in its own right.

The Aarhus Custom House (Toldkammeret) from 1898, is said to be Hack Kampmann's finest work. Tivoli Friheden (Tivoli Freedom) opened in 1903 and has since been the largest amusement park in the city and a tourist attraction. Aarhus Theatre from 1916 in the Art Nouveau style is the largest provincial theatre in Denmark. The early buildings of Aarhus University, especially the main building completed in 1932, designed by Kay Fisker, Povl Stegmann and by C.F. Møller have gained an international reputation for their contribution to functionalist architecture. The City Hall (Aarhus Rådhus) from 1941 with an iconic tower clad in marble, was designed by Arne Jacobsen and Erik Møller in a modern Functionalist style. Culture Aarhus is home to many annual cultural events and festivals, museums, theatres, and sports events of both national and international importance, and presents some of the largest cultural attractions in Denmark. There is a long tradition here in music of all genres and many Danish bands have emerged from Aarhus. Libraries, cultural centres and educational institutions present free or easy opportunities for the citizens to participate in, engage in or be creative with cultural events and productions of all kinds. Since 1938, Aarhus has marketed itself as Smilets by (City of smiles) which has become both an informal moniker and official slogan. In 2011, the city council opted to change the slogan to "Aarhus. Danish for Progress" but it was unpopular and abandoned after just a few years. Other slogans that have occasionally been used are Byen ved havet (City by the sea), Mellem bugt og bøgeskov (Between bay and beechwood) and Verdens mindste storby (World's smallest big city). Aarhus is featured in popular songs such as Hjem til Aarhus by På Slaget 12, Lav sol over Aarhus by Gnags, 8000 Aarhus C by Flemming Jørgensen, Pigen ud af Aarhus by Tina Dickow and Slingrer ned ad Vestergade by Gnags. In 1919, the number Sangen til Aarhus (Song to Aarhus) had become a popular hit for a time, but the oldest and perhaps best known "national anthem" for the city is the classical Aarhus Tappenstreg from 1872 by Carl Christian Møller which is occasionally played at official events or at performances by local marching bands and orchestras. Museums Aarhus has a range of museums, including two of the largest in the country, measured by the number of paying guests, Den Gamle By and ARoS Aarhus Kunstmuseum. Den Gamle By (The Old Town), officially Danmarks Købstadmuseum (Denmark's Market Town Museum), presents Danish townscapes from the 16th century to the 1970s with individual areas focused on different time periods. 75 historic buildings collected from different parts of the country have been brought here to create a small town in its own right.

The Aarhus Custom House (Toldkammeret) from 1898, is said to be Hack Kampmann's finest work. Tivoli Friheden (Tivoli Freedom) opened in 1903 and has since been the largest amusement park in the city and a tourist attraction. Aarhus Theatre from 1916 in the Art Nouveau style is the largest provincial theatre in Denmark. The early buildings of Aarhus University, especially the main building completed in 1932, designed by Kay Fisker, Povl Stegmann and by C.F. Møller have gained an international reputation for their contribution to functionalist architecture. The City Hall (Aarhus Rådhus) from 1941 with an iconic tower clad in marble, was designed by Arne Jacobsen and Erik Møller in a modern Functionalist style. Culture Aarhus is home to many annual cultural events and festivals, museums, theatres, and sports events of both national and international importance, and presents some of the largest cultural attractions in Denmark. There is a long tradition here in music of all genres and many Danish bands have emerged from Aarhus. Libraries, cultural centres and educational institutions present free or easy opportunities for the citizens to participate in, engage in or be creative with cultural events and productions of all kinds. Since 1938, Aarhus has marketed itself as Smilets by (City of smiles) which has become both an informal moniker and official slogan. In 2011, the city council opted to change the slogan to "Aarhus. Danish for Progress" but it was unpopular and abandoned after just a few years. Other slogans that have occasionally been used are Byen ved havet (City by the sea), Mellem bugt og bøgeskov (Between bay and beechwood) and Verdens mindste storby (World's smallest big city). Aarhus is featured in popular songs such as Hjem til Aarhus by På Slaget 12, Lav sol over Aarhus by Gnags, 8000 Aarhus C by Flemming Jørgensen, Pigen ud af Aarhus by Tina Dickow and Slingrer ned ad Vestergade by Gnags. In 1919, the number Sangen til Aarhus (Song to Aarhus) had become a popular hit for a time, but the oldest and perhaps best known "national anthem" for the city is the classical Aarhus Tappenstreg from 1872 by Carl Christian Møller which is occasionally played at official events or at performances by local marching bands and orchestras. Museums Aarhus has a range of museums, including two of the largest in the country, measured by the number of paying guests, Den Gamle By and ARoS Aarhus Kunstmuseum. Den Gamle By (The Old Town), officially Danmarks Købstadmuseum (Denmark's Market Town Museum), presents Danish townscapes from the 16th century to the 1970s with individual areas focused on different time periods. 75 historic buildings collected from different parts of the country have been brought here to create a small town in its own right.

ARoS Aarhus Kunstmuseum, the city's main art museum, is one of the largest art museums in Scandinavia with a collection covering Danish art from the 18th century to the present day as well as paintings, installations and sculptures representing international art movements and artists from all over the world. The iconic glass structure on the roof, Your Rainbow Panorama, was designed by Olafur Eliasson and features a promenade offering a colourful panorama of the city. The Moesgård Museum specialises in archaeology and ethnography in collaboration with Aarhus University with exhibits on Denmark's prehistory, including weapon sacrifices from Illerup Ådal and the Grauballe Man. Kvindemuseet, the Women's Museum, from 1984 contains collections of the lives and works of women in Danish cultural history. The Occupation Museum (Besættelsesmuseum) presents exhibits illustrating the German occupation of the city during the Second World War; the University Park on the campus of Aarhus University includes the Natural History Museum with 5,000 species of animals, many in their natural surroundings; and the Steno Museum is a museum of the history of science and medicine with a planetarium. Kunsthal Aarhus (Aarhus Art Hall) hosts exhibitions of contemporary art including painting, sculpture, photography, performance art, film and video. Strictly speaking it is not a museum but an arts centre, and one of the oldest in Europe, built and founded in 1917. Libraries and community centres Public libraries in Denmark are also cultural and community centres. They play an active role in cultural life and host many events, exhibitions, discussion groups, workshops, educational courses and facilitate everyday cultural activities for and by the citizens. In June 2015, the large central library and cultural centre of Dokk1 opened at the harbour front. Dokk1 also includes civil administrations and services, commercial office rentals and a large underground robotic car park and aims to be a landmark for the city and a public meeting place. The building of Dokk1 and the associated squares and streetscape is also collectively known as Urban Mediaspace Aarhus and it is the largest construction project Aarhus municipality has yet undertaken. Apart from this large main library, some neighbourhoods in Aarhus have a local library engaged in similar cultural and educational activities, but on a more local scale. The State Library (Statsbiblioteket) at the university campus has status of a national library. The city is a member of the ICORN organisation (International Cities of Refuge Network) in an effort to provide a safe haven to authors and writers persecuted in their countries of origin. There are several cultural and community centres throughout the city. This includes Folkestedet in the central Åparken, facilitating events for and by non-commercial associations, organisations and clubs, and activities for the elderly, the nearby Godsbanen at the railway yard, with workshops, events and exhibitions, and Globus1 in Brabrand facilitating sports and various cultural activities.

ARoS Aarhus Kunstmuseum, the city's main art museum, is one of the largest art museums in Scandinavia with a collection covering Danish art from the 18th century to the present day as well as paintings, installations and sculptures representing international art movements and artists from all over the world. The iconic glass structure on the roof, Your Rainbow Panorama, was designed by Olafur Eliasson and features a promenade offering a colourful panorama of the city. The Moesgård Museum specialises in archaeology and ethnography in collaboration with Aarhus University with exhibits on Denmark's prehistory, including weapon sacrifices from Illerup Ådal and the Grauballe Man. Kvindemuseet, the Women's Museum, from 1984 contains collections of the lives and works of women in Danish cultural history. The Occupation Museum (Besættelsesmuseum) presents exhibits illustrating the German occupation of the city during the Second World War; the University Park on the campus of Aarhus University includes the Natural History Museum with 5,000 species of animals, many in their natural surroundings; and the Steno Museum is a museum of the history of science and medicine with a planetarium. Kunsthal Aarhus (Aarhus Art Hall) hosts exhibitions of contemporary art including painting, sculpture, photography, performance art, film and video. Strictly speaking it is not a museum but an arts centre, and one of the oldest in Europe, built and founded in 1917. Libraries and community centres Public libraries in Denmark are also cultural and community centres. They play an active role in cultural life and host many events, exhibitions, discussion groups, workshops, educational courses and facilitate everyday cultural activities for and by the citizens. In June 2015, the large central library and cultural centre of Dokk1 opened at the harbour front. Dokk1 also includes civil administrations and services, commercial office rentals and a large underground robotic car park and aims to be a landmark for the city and a public meeting place. The building of Dokk1 and the associated squares and streetscape is also collectively known as Urban Mediaspace Aarhus and it is the largest construction project Aarhus municipality has yet undertaken. Apart from this large main library, some neighbourhoods in Aarhus have a local library engaged in similar cultural and educational activities, but on a more local scale. The State Library (Statsbiblioteket) at the university campus has status of a national library. The city is a member of the ICORN organisation (International Cities of Refuge Network) in an effort to provide a safe haven to authors and writers persecuted in their countries of origin. There are several cultural and community centres throughout the city. This includes Folkestedet in the central Åparken, facilitating events for and by non-commercial associations, organisations and clubs, and activities for the elderly, the nearby Godsbanen at the railway yard, with workshops, events and exhibitions, and Globus1 in Brabrand facilitating sports and various cultural activities.

ARoS Aarhus Kunstmuseum, the city's main art museum, is one of the largest art museums in Scandinavia with a collection covering Danish art from the 18th century to the present day as well as paintings, installations and sculptures representing international art movements and artists from all over the world. The iconic glass structure on the roof, Your Rainbow Panorama, was designed by Olafur Eliasson and features a promenade offering a colourful panorama of the city. The Moesgård Museum specialises in archaeology and ethnography in collaboration with Aarhus University with exhibits on Denmark's prehistory, including weapon sacrifices from Illerup Ådal and the Grauballe Man. Kvindemuseet, the Women's Museum, from 1984 contains collections of the lives and works of women in Danish cultural history. The Occupation Museum (Besættelsesmuseum) presents exhibits illustrating the German occupation of the city during the Second World War; the University Park on the campus of Aarhus University includes the Natural History Museum with 5,000 species of animals, many in their natural surroundings; and the Steno Museum is a museum of the history of science and medicine with a planetarium. Kunsthal Aarhus (Aarhus Art Hall) hosts exhibitions of contemporary art including painting, sculpture, photography, performance art, film and video. Strictly speaking it is not a museum but an arts centre, and one of the oldest in Europe, built and founded in 1917. Libraries and community centres Public libraries in Denmark are also cultural and community centres. They play an active role in cultural life and host many events, exhibitions, discussion groups, workshops, educational courses and facilitate everyday cultural activities for and by the citizens. In June 2015, the large central library and cultural centre of Dokk1 opened at the harbour front. Dokk1 also includes civil administrations and services, commercial office rentals and a large underground robotic car park and aims to be a landmark for the city and a public meeting place. The building of Dokk1 and the associated squares and streetscape is also collectively known as Urban Mediaspace Aarhus and it is the largest construction project Aarhus municipality has yet undertaken. Apart from this large main library, some neighbourhoods in Aarhus have a local library engaged in similar cultural and educational activities, but on a more local scale. The State Library (Statsbiblioteket) at the university campus has status of a national library. The city is a member of the ICORN organisation (International Cities of Refuge Network) in an effort to provide a safe haven to authors and writers persecuted in their countries of origin. There are several cultural and community centres throughout the city. This includes Folkestedet in the central Åparken, facilitating events for and by non-commercial associations, organisations and clubs, and activities for the elderly, the nearby Godsbanen at the railway yard, with workshops, events and exhibitions, and Globus1 in Brabrand facilitating sports and various cultural activities.

Performing arts The city enjoys strong musical traditions, both classical and alternative, underground and popular, with educational and performance institutions such as the concert halls of Musikhuset, the opera of Den Jyske Opera, Aarhus Symfoniorkester (Aarhus Symphony Orchestra) and Det Jyske Musikkonservatorium (Royal Academy of Music, Aarhus/Aalborg). Musikhuset is the largest concert hall in Scandinavia, with seating for more than 3,600 people. Other major music venues include VoxHall, rebuilt in 1999, and the associated venue of Atlas, Train nightclub at the harbourfront, and Godsbanen, a former rail freight station. The acting scene in Aarhus is diverse, with many groups and venues engaged in a broad span of genres, from animation theatre and children's theatre to classical theatre and improvisational theatre. Aarhus Teater is the oldest and largest venue with mostly professional classical acting performances. Svalegangen, the second largest theatre, is more experimental with its performances and other notable groups and venues includes EntréScenen, Katapult, Gruppe 38, Helsingør Teater, Det Andet Teater and Teater Refleksion as well as dance venues like Bora Bora. The cultural center of Godsbanen includes several scenes and stages and the Concert Halls of Musikhuset also stage theatrical plays regularly and is home to the children's theatre Filuren and a comedy club. The city hosts a biannual international theatre festival, International Living Theatre (ILT), with the next event being scheduled for 2021. Since 2010 the music production centre of PROMUS (Produktionscentret for Rytmisk Musik) has supported the rock scene in the city along with the publicly funded ROSA (Dansk Rock Samråd), which promotes Danish rock music in general. Aarhus is known for its musical history. Fuelled by a relatively young population jazz clubs sprang up in the 1950s which became a tour stop for many iconic American Jazz musicians. By the 1960s, the music scene diversified into rock and other genres and in the 1970s and 1980s, Aarhus became a centre for rock music, fostering iconic bands such as Kliché, TV-2 and Gnags and artists such as Thomas Helmig and Anne Linnet. Acclaimed bands since the 1970s include Under Byen, Michael Learns to Rock, Nephew, Carpark North, Spleen United, VETO, Hatesphere and Illdisposed in addition to individual performers such as Medina and Tina Dico. Events and festivals Aarhus hosts many annual or recurring festivals, concerts and events, with the festival of Aarhus Festuge as the most popular and wide-ranging, along with large sports events. Aarhus Festuge is the largest multicultural festival in Scandinavia, always based on a special theme and takes place every year for ten days between late August and early September, transforming the inner city with festive activities and decorations of all kinds. There are numerous music festivals; the eight-day Aarhus Jazz Festival features jazz in many venues across the city. It was founded in 1988 and usually takes place in July every year, occasionally August or September. There are several annually recurring music festivals for contemporary popular music in Aarhus. NorthSide Festival presents well-known bands every year in mid-June on large outdoor scenes.

Performing arts The city enjoys strong musical traditions, both classical and alternative, underground and popular, with educational and performance institutions such as the concert halls of Musikhuset, the opera of Den Jyske Opera, Aarhus Symfoniorkester (Aarhus Symphony Orchestra) and Det Jyske Musikkonservatorium (Royal Academy of Music, Aarhus/Aalborg). Musikhuset is the largest concert hall in Scandinavia, with seating for more than 3,600 people. Other major music venues include VoxHall, rebuilt in 1999, and the associated venue of Atlas, Train nightclub at the harbourfront, and Godsbanen, a former rail freight station. The acting scene in Aarhus is diverse, with many groups and venues engaged in a broad span of genres, from animation theatre and children's theatre to classical theatre and improvisational theatre. Aarhus Teater is the oldest and largest venue with mostly professional classical acting performances. Svalegangen, the second largest theatre, is more experimental with its performances and other notable groups and venues includes EntréScenen, Katapult, Gruppe 38, Helsingør Teater, Det Andet Teater and Teater Refleksion as well as dance venues like Bora Bora. The cultural center of Godsbanen includes several scenes and stages and the Concert Halls of Musikhuset also stage theatrical plays regularly and is home to the children's theatre Filuren and a comedy club. The city hosts a biannual international theatre festival, International Living Theatre (ILT), with the next event being scheduled for 2021. Since 2010 the music production centre of PROMUS (Produktionscentret for Rytmisk Musik) has supported the rock scene in the city along with the publicly funded ROSA (Dansk Rock Samråd), which promotes Danish rock music in general. Aarhus is known for its musical history. Fuelled by a relatively young population jazz clubs sprang up in the 1950s which became a tour stop for many iconic American Jazz musicians. By the 1960s, the music scene diversified into rock and other genres and in the 1970s and 1980s, Aarhus became a centre for rock music, fostering iconic bands such as Kliché, TV-2 and Gnags and artists such as Thomas Helmig and Anne Linnet. Acclaimed bands since the 1970s include Under Byen, Michael Learns to Rock, Nephew, Carpark North, Spleen United, VETO, Hatesphere and Illdisposed in addition to individual performers such as Medina and Tina Dico. Events and festivals Aarhus hosts many annual or recurring festivals, concerts and events, with the festival of Aarhus Festuge as the most popular and wide-ranging, along with large sports events. Aarhus Festuge is the largest multicultural festival in Scandinavia, always based on a special theme and takes place every year for ten days between late August and early September, transforming the inner city with festive activities and decorations of all kinds. There are numerous music festivals; the eight-day Aarhus Jazz Festival features jazz in many venues across the city. It was founded in 1988 and usually takes place in July every year, occasionally August or September. There are several annually recurring music festivals for contemporary popular music in Aarhus. NorthSide Festival presents well-known bands every year in mid-June on large outdoor scenes.

Performing arts The city enjoys strong musical traditions, both classical and alternative, underground and popular, with educational and performance institutions such as the concert halls of Musikhuset, the opera of Den Jyske Opera, Aarhus Symfoniorkester (Aarhus Symphony Orchestra) and Det Jyske Musikkonservatorium (Royal Academy of Music, Aarhus/Aalborg). Musikhuset is the largest concert hall in Scandinavia, with seating for more than 3,600 people. Other major music venues include VoxHall, rebuilt in 1999, and the associated venue of Atlas, Train nightclub at the harbourfront, and Godsbanen, a former rail freight station. The acting scene in Aarhus is diverse, with many groups and venues engaged in a broad span of genres, from animation theatre and children's theatre to classical theatre and improvisational theatre. Aarhus Teater is the oldest and largest venue with mostly professional classical acting performances. Svalegangen, the second largest theatre, is more experimental with its performances and other notable groups and venues includes EntréScenen, Katapult, Gruppe 38, Helsingør Teater, Det Andet Teater and Teater Refleksion as well as dance venues like Bora Bora. The cultural center of Godsbanen includes several scenes and stages and the Concert Halls of Musikhuset also stage theatrical plays regularly and is home to the children's theatre Filuren and a comedy club. The city hosts a biannual international theatre festival, International Living Theatre (ILT), with the next event being scheduled for 2021. Since 2010 the music production centre of PROMUS (Produktionscentret for Rytmisk Musik) has supported the rock scene in the city along with the publicly funded ROSA (Dansk Rock Samråd), which promotes Danish rock music in general. Aarhus is known for its musical history. Fuelled by a relatively young population jazz clubs sprang up in the 1950s which became a tour stop for many iconic American Jazz musicians. By the 1960s, the music scene diversified into rock and other genres and in the 1970s and 1980s, Aarhus became a centre for rock music, fostering iconic bands such as Kliché, TV-2 and Gnags and artists such as Thomas Helmig and Anne Linnet. Acclaimed bands since the 1970s include Under Byen, Michael Learns to Rock, Nephew, Carpark North, Spleen United, VETO, Hatesphere and Illdisposed in addition to individual performers such as Medina and Tina Dico. Events and festivals Aarhus hosts many annual or recurring festivals, concerts and events, with the festival of Aarhus Festuge as the most popular and wide-ranging, along with large sports events. Aarhus Festuge is the largest multicultural festival in Scandinavia, always based on a special theme and takes place every year for ten days between late August and early September, transforming the inner city with festive activities and decorations of all kinds. There are numerous music festivals; the eight-day Aarhus Jazz Festival features jazz in many venues across the city. It was founded in 1988 and usually takes place in July every year, occasionally August or September. There are several annually recurring music festivals for contemporary popular music in Aarhus. NorthSide Festival presents well-known bands every year in mid-June on large outdoor scenes.

It is a relatively new event, founded in 2010, but grew from a one-day event to a three-day festival in its first three years, now with 35,000 paying guests in 2015. Spot festival is aiming to showcase up-and-coming Danish and Scandinavian talents at selected venues of the inner city. The outdoor Grøn Koncert music festival takes place every year in many cities across Denmark, including Aarhus. Danmarks grimmeste festival (lit. Denmark's ugliest Festival) is a small summer music festival held in Skjoldhøjkilen, Brabrand. Aarhus also hosts recurring events dedicated to specific art genres. International Living Theatre (ILT) is a bi-annual festival, established in 2009, with performing arts and stage art on a broad scale. The festival has a vision of showing the best plays and stage art experiences of the world, while at the same time attracting thespians and stage art interested people from both Aarhus and Europe at large. LiteratureXchange is a new annual festival from 2018, focused on literature from around the world as well as regional talents. The city actively promotes its gay and lesbian community and celebrates the annual Aarhus Pride gay pride festival while Aarhus Festuge usually includes exhibits, concerts and events designed for the LGBT communities. Notable events of a local scope include the university boat-race, held in the University Park since 1991, which has become a local spectator event attracting some 20,000 people. The boat race pits costumed teams from the university departments against each other in inflatable boats in a challenge to win the Gyldne Bækken (Golden Chamber Pot) trophy. The annual lighting of the Christmas lights on the Salling department store in Søndergade has also become an attraction in recent times, packing the pedestrianised city centre with thousands of revellers. Significant dates such as Saint Lucy's Day, Sankt Hans (Saint John's Eve) and Fastelavn are traditionally celebrated with numerous events across the city. Parks, nature, and recreation The beech forests of Riis Skov and Marselisborg occupy the hills along the coast to the north and south, and apart from the city centre, sandy beaches form the coastline of the entire municipality. There are two public sea baths, the northern Den Permanente below Riis Skov and close to the harbour area, and the southern Ballehage Beach in the Marselisborg Forests. As in most of Denmark, there are no private beaches in the municipality, but access to Den Permanente requires a membership, except in the summer. The relatively mild, temperate marine climate, allows for outdoor recreation year round, including walking, hiking, cycling, and outdoor team sports. Mountain biking is usually restricted to marked routes. Watersports like sailing, kayaking, motor boating, etc. are also popular, and since the bay rarely freezes up in winter, they can also be practised most of the year. Recreational and transportational pathways for pedestrians and cyclists, radiate from the city centre to the countryside, providing safety from motorised vehicles and a more tranquil experience. This includes the 19 kilometre long pathway of Brabrandstien, encircling the Brabrand Lake.

It is a relatively new event, founded in 2010, but grew from a one-day event to a three-day festival in its first three years, now with 35,000 paying guests in 2015. Spot festival is aiming to showcase up-and-coming Danish and Scandinavian talents at selected venues of the inner city. The outdoor Grøn Koncert music festival takes place every year in many cities across Denmark, including Aarhus. Danmarks grimmeste festival (lit. Denmark's ugliest Festival) is a small summer music festival held in Skjoldhøjkilen, Brabrand. Aarhus also hosts recurring events dedicated to specific art genres. International Living Theatre (ILT) is a bi-annual festival, established in 2009, with performing arts and stage art on a broad scale. The festival has a vision of showing the best plays and stage art experiences of the world, while at the same time attracting thespians and stage art interested people from both Aarhus and Europe at large. LiteratureXchange is a new annual festival from 2018, focused on literature from around the world as well as regional talents. The city actively promotes its gay and lesbian community and celebrates the annual Aarhus Pride gay pride festival while Aarhus Festuge usually includes exhibits, concerts and events designed for the LGBT communities. Notable events of a local scope include the university boat-race, held in the University Park since 1991, which has become a local spectator event attracting some 20,000 people. The boat race pits costumed teams from the university departments against each other in inflatable boats in a challenge to win the Gyldne Bækken (Golden Chamber Pot) trophy. The annual lighting of the Christmas lights on the Salling department store in Søndergade has also become an attraction in recent times, packing the pedestrianised city centre with thousands of revellers. Significant dates such as Saint Lucy's Day, Sankt Hans (Saint John's Eve) and Fastelavn are traditionally celebrated with numerous events across the city. Parks, nature, and recreation The beech forests of Riis Skov and Marselisborg occupy the hills along the coast to the north and south, and apart from the city centre, sandy beaches form the coastline of the entire municipality. There are two public sea baths, the northern Den Permanente below Riis Skov and close to the harbour area, and the southern Ballehage Beach in the Marselisborg Forests. As in most of Denmark, there are no private beaches in the municipality, but access to Den Permanente requires a membership, except in the summer. The relatively mild, temperate marine climate, allows for outdoor recreation year round, including walking, hiking, cycling, and outdoor team sports. Mountain biking is usually restricted to marked routes. Watersports like sailing, kayaking, motor boating, etc. are also popular, and since the bay rarely freezes up in winter, they can also be practised most of the year. Recreational and transportational pathways for pedestrians and cyclists, radiate from the city centre to the countryside, providing safety from motorised vehicles and a more tranquil experience. This includes the 19 kilometre long pathway of Brabrandstien, encircling the Brabrand Lake.

It is a relatively new event, founded in 2010, but grew from a one-day event to a three-day festival in its first three years, now with 35,000 paying guests in 2015. Spot festival is aiming to showcase up-and-coming Danish and Scandinavian talents at selected venues of the inner city. The outdoor Grøn Koncert music festival takes place every year in many cities across Denmark, including Aarhus. Danmarks grimmeste festival (lit. Denmark's ugliest Festival) is a small summer music festival held in Skjoldhøjkilen, Brabrand. Aarhus also hosts recurring events dedicated to specific art genres. International Living Theatre (ILT) is a bi-annual festival, established in 2009, with performing arts and stage art on a broad scale. The festival has a vision of showing the best plays and stage art experiences of the world, while at the same time attracting thespians and stage art interested people from both Aarhus and Europe at large. LiteratureXchange is a new annual festival from 2018, focused on literature from around the world as well as regional talents. The city actively promotes its gay and lesbian community and celebrates the annual Aarhus Pride gay pride festival while Aarhus Festuge usually includes exhibits, concerts and events designed for the LGBT communities. Notable events of a local scope include the university boat-race, held in the University Park since 1991, which has become a local spectator event attracting some 20,000 people. The boat race pits costumed teams from the university departments against each other in inflatable boats in a challenge to win the Gyldne Bækken (Golden Chamber Pot) trophy. The annual lighting of the Christmas lights on the Salling department store in Søndergade has also become an attraction in recent times, packing the pedestrianised city centre with thousands of revellers. Significant dates such as Saint Lucy's Day, Sankt Hans (Saint John's Eve) and Fastelavn are traditionally celebrated with numerous events across the city. Parks, nature, and recreation The beech forests of Riis Skov and Marselisborg occupy the hills along the coast to the north and south, and apart from the city centre, sandy beaches form the coastline of the entire municipality. There are two public sea baths, the northern Den Permanente below Riis Skov and close to the harbour area, and the southern Ballehage Beach in the Marselisborg Forests. As in most of Denmark, there are no private beaches in the municipality, but access to Den Permanente requires a membership, except in the summer. The relatively mild, temperate marine climate, allows for outdoor recreation year round, including walking, hiking, cycling, and outdoor team sports. Mountain biking is usually restricted to marked routes. Watersports like sailing, kayaking, motor boating, etc. are also popular, and since the bay rarely freezes up in winter, they can also be practised most of the year. Recreational and transportational pathways for pedestrians and cyclists, radiate from the city centre to the countryside, providing safety from motorised vehicles and a more tranquil experience. This includes the 19 kilometre long pathway of Brabrandstien, encircling the Brabrand Lake.

The long-range hiking route Aarhus-Silkeborg, starts off from Brabrandstien. Aarhus has an unusually high number of parks and green spaces, 134 of them, covering a total area of around . The central Botanical Gardens (Botanisk Have) from 1875 are a popular destination, as they include The Old Town open-air museum and host a number of events throughout the year. Originally used to cultivate fruit trees and other useful plants for the local citizens, there are now a significant collection of trees and bushes from different habitats and regions of the world, including a section devoted to native Danish plants. Recently renovated tropical and subtropical greenhouses, exhibit exotic plants from throughout the world. Also in the city centre is the undulating University Park, recognised for its unique landscaped design with large old oak trees. The Memorial Park (Mindeparken) at the coast below Marselisborg Palace, offers a panoramic view across the Bay of Aarhus and is popular with locals for outings, picnics or events. Other notable parks include the small central City Hall Park (Rådhusparken) and Marienlyst Park (Marienlystparken). Marienlyst Park is a relatively new park from 1988, situated in Hasle out of the inner city and is less crowded, but it is the largest park in Aarhus, including woodlands, large open grasslands and soccer fields. Marselisborg Forests and Riis Skov, has a long history of recreational activities of all kinds, including several restaurants, hotels and opportunities for green exercise. There are marked routes here for jogging, running and mountain biking and large events are hosted regularly. This includes running events, cycle racing and orienteering, the annual Classic Race Aarhus with historic racing cars, all attracting thousands of people. Marselisborg Deer Park (Marselisborg Dyrehave) in Marselisborg Forests, comprises of fenced woodland pastures with free-roaming sika and roe deer. Below the Moesgård Museum in the southern parts of the Marselisborg Forests, is a large historical landscape of pastures and woodlands, presenting different eras of Denmark's prehistory. Sections of the forest comprise trees and vegetation representing specific climatic epochs from the last Ice Age to the present. Dotted across the landscape are reconstructed Stone Age and Bronze Age graves, buildings from the Iron Age, Viking Age and medieval times, with grazing goats, sheep and horses in between. Food, drink, and nightlife Aarhus has a large variety of restaurants and eateries offering food from cultures all over the world, especially Mediterranean and Asian, but also international gourmet cuisine, traditional Danish food and New Nordic Cuisine. Among the oldest restaurants are Rådhuscafeen (lit. The City Hall Café), opened in 1924, serving a menu of traditional Danish meals, and Peter Gift from 1906, a tavern with a broad beer selection and a menu of smørrebrød and other Danish dishes. In Aarhus, New Nordic can be experienced at Kähler Villa Dining, Hærværk and Domestic, but local produce can be had at many places, especially at the twice-weekly food markets in Frederiksbjerg. Aarhus and Central Denmark Region was selected as European Region of Gastronomy in 2017.

The long-range hiking route Aarhus-Silkeborg, starts off from Brabrandstien. Aarhus has an unusually high number of parks and green spaces, 134 of them, covering a total area of around . The central Botanical Gardens (Botanisk Have) from 1875 are a popular destination, as they include The Old Town open-air museum and host a number of events throughout the year. Originally used to cultivate fruit trees and other useful plants for the local citizens, there are now a significant collection of trees and bushes from different habitats and regions of the world, including a section devoted to native Danish plants. Recently renovated tropical and subtropical greenhouses, exhibit exotic plants from throughout the world. Also in the city centre is the undulating University Park, recognised for its unique landscaped design with large old oak trees. The Memorial Park (Mindeparken) at the coast below Marselisborg Palace, offers a panoramic view across the Bay of Aarhus and is popular with locals for outings, picnics or events. Other notable parks include the small central City Hall Park (Rådhusparken) and Marienlyst Park (Marienlystparken). Marienlyst Park is a relatively new park from 1988, situated in Hasle out of the inner city and is less crowded, but it is the largest park in Aarhus, including woodlands, large open grasslands and soccer fields. Marselisborg Forests and Riis Skov, has a long history of recreational activities of all kinds, including several restaurants, hotels and opportunities for green exercise. There are marked routes here for jogging, running and mountain biking and large events are hosted regularly. This includes running events, cycle racing and orienteering, the annual Classic Race Aarhus with historic racing cars, all attracting thousands of people. Marselisborg Deer Park (Marselisborg Dyrehave) in Marselisborg Forests, comprises of fenced woodland pastures with free-roaming sika and roe deer. Below the Moesgård Museum in the southern parts of the Marselisborg Forests, is a large historical landscape of pastures and woodlands, presenting different eras of Denmark's prehistory. Sections of the forest comprise trees and vegetation representing specific climatic epochs from the last Ice Age to the present. Dotted across the landscape are reconstructed Stone Age and Bronze Age graves, buildings from the Iron Age, Viking Age and medieval times, with grazing goats, sheep and horses in between. Food, drink, and nightlife Aarhus has a large variety of restaurants and eateries offering food from cultures all over the world, especially Mediterranean and Asian, but also international gourmet cuisine, traditional Danish food and New Nordic Cuisine. Among the oldest restaurants are Rådhuscafeen (lit. The City Hall Café), opened in 1924, serving a menu of traditional Danish meals, and Peter Gift from 1906, a tavern with a broad beer selection and a menu of smørrebrød and other Danish dishes. In Aarhus, New Nordic can be experienced at Kähler Villa Dining, Hærværk and Domestic, but local produce can be had at many places, especially at the twice-weekly food markets in Frederiksbjerg. Aarhus and Central Denmark Region was selected as European Region of Gastronomy in 2017.

The long-range hiking route Aarhus-Silkeborg, starts off from Brabrandstien. Aarhus has an unusually high number of parks and green spaces, 134 of them, covering a total area of around . The central Botanical Gardens (Botanisk Have) from 1875 are a popular destination, as they include The Old Town open-air museum and host a number of events throughout the year. Originally used to cultivate fruit trees and other useful plants for the local citizens, there are now a significant collection of trees and bushes from different habitats and regions of the world, including a section devoted to native Danish plants. Recently renovated tropical and subtropical greenhouses, exhibit exotic plants from throughout the world. Also in the city centre is the undulating University Park, recognised for its unique landscaped design with large old oak trees. The Memorial Park (Mindeparken) at the coast below Marselisborg Palace, offers a panoramic view across the Bay of Aarhus and is popular with locals for outings, picnics or events. Other notable parks include the small central City Hall Park (Rådhusparken) and Marienlyst Park (Marienlystparken). Marienlyst Park is a relatively new park from 1988, situated in Hasle out of the inner city and is less crowded, but it is the largest park in Aarhus, including woodlands, large open grasslands and soccer fields. Marselisborg Forests and Riis Skov, has a long history of recreational activities of all kinds, including several restaurants, hotels and opportunities for green exercise. There are marked routes here for jogging, running and mountain biking and large events are hosted regularly. This includes running events, cycle racing and orienteering, the annual Classic Race Aarhus with historic racing cars, all attracting thousands of people. Marselisborg Deer Park (Marselisborg Dyrehave) in Marselisborg Forests, comprises of fenced woodland pastures with free-roaming sika and roe deer. Below the Moesgård Museum in the southern parts of the Marselisborg Forests, is a large historical landscape of pastures and woodlands, presenting different eras of Denmark's prehistory. Sections of the forest comprise trees and vegetation representing specific climatic epochs from the last Ice Age to the present. Dotted across the landscape are reconstructed Stone Age and Bronze Age graves, buildings from the Iron Age, Viking Age and medieval times, with grazing goats, sheep and horses in between. Food, drink, and nightlife Aarhus has a large variety of restaurants and eateries offering food from cultures all over the world, especially Mediterranean and Asian, but also international gourmet cuisine, traditional Danish food and New Nordic Cuisine. Among the oldest restaurants are Rådhuscafeen (lit. The City Hall Café), opened in 1924, serving a menu of traditional Danish meals, and Peter Gift from 1906, a tavern with a broad beer selection and a menu of smørrebrød and other Danish dishes. In Aarhus, New Nordic can be experienced at Kähler Villa Dining, Hærværk and Domestic, but local produce can be had at many places, especially at the twice-weekly food markets in Frederiksbjerg. Aarhus and Central Denmark Region was selected as European Region of Gastronomy in 2017.

The city (and municipality) is a member of the Délice Network, an international non-profit organization nurturing and facilitating knowledge exchange in gastronomy. Appraised high-end restaurants serving international gourmet cuisine include Frederikshøj, Substans, Gastromé, Det Glade Vanvid, Nordisk Spisehus, Restaurant Varna, Restaurant ET, Gäst, Brasserie Belli, Møf and Pondus, all considered among the best places to eat in Denmark. Restaurants in Aarhus were the first in provincial Denmark to receive Michelin stars since 2015, when Michelin inspectors ventured outside Copenhagen for the first time. Vendors of street food are numerous throughout the centre, often selling from small trailers on permanent locations formally known as Pølsevogne (lit. sausage wagons), traditionally serving a Danish variety of hot dogs, sausages and other fast food. There are increasingly more outlets inspired by other cultural flavours such as sushi, kebab and currywurst. The city centre is packed with cafés, especially along the river and the Latin quarter. Some of them also include an evening restaurant, such as Café Casablanca, Café Carlton, Café Cross and Gyngen. Aarhus Street Food and Aarhus Central Food Market are two indoor food courts from 2016 in the city centre, comprising a variety of street food restaurants, cafés and bars. Aarhus has a robust and diverse nightlife. The action tends to concentrate in the inner city, with the pedestrianised riverside, Frederiksgade, the Latin Quarter, and Jægergårdsgade on Frederiksbjerg as the most active centres at night, but things are stirring elsewhere around the city too. The nightlife scene offers everything from small joints with cheap alcohol and a homely atmosphere to fashionable nightclubs serving champagne and cocktails or small and large music venues with bars, dance floors and lounges. A short selection of well-established places where you can have a drink and socialise, include the fashionable lounge and night club of Kupé at the harbourfront, the relaxed Ris Ras Filliongongong offering waterpipes and an award-winning beer selection, Fatter Eskild with a broad selection of Danish bands playing mostly blues and rock, the wine and book café of Løve's in Nørregade, Sherlock Holmes, a British-style pub with live music and the brew pub of Sct. Clemens with A Hereford Beefstouw restaurant across the cathedral. A few nightlife spots are aimed at gays and lesbians specifically, including Gbar (nightclub) and Café Sappho. The Århus Set (Danish: Århus Sæt) is a set of drinks often ordered together, named for the city and consisting of two beverages, one Ceres Top beer and one shot Arnbitter, both originally from Aarhus. Ordering "a set" suffices in most bars and pubs. Aarhus Bryghus is a local craft brewery with a sizeable production. The brewery is located in the southern district of Viby and a large variety of their craft brews are available there, in most larger well-assorted stores in the city, and in some bars and restaurants as well. They also export. Local dialect The Aarhus dialect, commonly called Aarhusiansk (Aarhusian in English), is a Jutlandic dialect in the Mid-Eastern Jutland dialect area, traditionally spoken in and around Aarhus.

The city (and municipality) is a member of the Délice Network, an international non-profit organization nurturing and facilitating knowledge exchange in gastronomy. Appraised high-end restaurants serving international gourmet cuisine include Frederikshøj, Substans, Gastromé, Det Glade Vanvid, Nordisk Spisehus, Restaurant Varna, Restaurant ET, Gäst, Brasserie Belli, Møf and Pondus, all considered among the best places to eat in Denmark. Restaurants in Aarhus were the first in provincial Denmark to receive Michelin stars since 2015, when Michelin inspectors ventured outside Copenhagen for the first time. Vendors of street food are numerous throughout the centre, often selling from small trailers on permanent locations formally known as Pølsevogne (lit. sausage wagons), traditionally serving a Danish variety of hot dogs, sausages and other fast food. There are increasingly more outlets inspired by other cultural flavours such as sushi, kebab and currywurst. The city centre is packed with cafés, especially along the river and the Latin quarter. Some of them also include an evening restaurant, such as Café Casablanca, Café Carlton, Café Cross and Gyngen. Aarhus Street Food and Aarhus Central Food Market are two indoor food courts from 2016 in the city centre, comprising a variety of street food restaurants, cafés and bars. Aarhus has a robust and diverse nightlife. The action tends to concentrate in the inner city, with the pedestrianised riverside, Frederiksgade, the Latin Quarter, and Jægergårdsgade on Frederiksbjerg as the most active centres at night, but things are stirring elsewhere around the city too. The nightlife scene offers everything from small joints with cheap alcohol and a homely atmosphere to fashionable nightclubs serving champagne and cocktails or small and large music venues with bars, dance floors and lounges. A short selection of well-established places where you can have a drink and socialise, include the fashionable lounge and night club of Kupé at the harbourfront, the relaxed Ris Ras Filliongongong offering waterpipes and an award-winning beer selection, Fatter Eskild with a broad selection of Danish bands playing mostly blues and rock, the wine and book café of Løve's in Nørregade, Sherlock Holmes, a British-style pub with live music and the brew pub of Sct. Clemens with A Hereford Beefstouw restaurant across the cathedral. A few nightlife spots are aimed at gays and lesbians specifically, including Gbar (nightclub) and Café Sappho. The Århus Set (Danish: Århus Sæt) is a set of drinks often ordered together, named for the city and consisting of two beverages, one Ceres Top beer and one shot Arnbitter, both originally from Aarhus. Ordering "a set" suffices in most bars and pubs. Aarhus Bryghus is a local craft brewery with a sizeable production. The brewery is located in the southern district of Viby and a large variety of their craft brews are available there, in most larger well-assorted stores in the city, and in some bars and restaurants as well. They also export. Local dialect The Aarhus dialect, commonly called Aarhusiansk (Aarhusian in English), is a Jutlandic dialect in the Mid-Eastern Jutland dialect area, traditionally spoken in and around Aarhus.

The city (and municipality) is a member of the Délice Network, an international non-profit organization nurturing and facilitating knowledge exchange in gastronomy. Appraised high-end restaurants serving international gourmet cuisine include Frederikshøj, Substans, Gastromé, Det Glade Vanvid, Nordisk Spisehus, Restaurant Varna, Restaurant ET, Gäst, Brasserie Belli, Møf and Pondus, all considered among the best places to eat in Denmark. Restaurants in Aarhus were the first in provincial Denmark to receive Michelin stars since 2015, when Michelin inspectors ventured outside Copenhagen for the first time. Vendors of street food are numerous throughout the centre, often selling from small trailers on permanent locations formally known as Pølsevogne (lit. sausage wagons), traditionally serving a Danish variety of hot dogs, sausages and other fast food. There are increasingly more outlets inspired by other cultural flavours such as sushi, kebab and currywurst. The city centre is packed with cafés, especially along the river and the Latin quarter. Some of them also include an evening restaurant, such as Café Casablanca, Café Carlton, Café Cross and Gyngen. Aarhus Street Food and Aarhus Central Food Market are two indoor food courts from 2016 in the city centre, comprising a variety of street food restaurants, cafés and bars. Aarhus has a robust and diverse nightlife. The action tends to concentrate in the inner city, with the pedestrianised riverside, Frederiksgade, the Latin Quarter, and Jægergårdsgade on Frederiksbjerg as the most active centres at night, but things are stirring elsewhere around the city too. The nightlife scene offers everything from small joints with cheap alcohol and a homely atmosphere to fashionable nightclubs serving champagne and cocktails or small and large music venues with bars, dance floors and lounges. A short selection of well-established places where you can have a drink and socialise, include the fashionable lounge and night club of Kupé at the harbourfront, the relaxed Ris Ras Filliongongong offering waterpipes and an award-winning beer selection, Fatter Eskild with a broad selection of Danish bands playing mostly blues and rock, the wine and book café of Løve's in Nørregade, Sherlock Holmes, a British-style pub with live music and the brew pub of Sct. Clemens with A Hereford Beefstouw restaurant across the cathedral. A few nightlife spots are aimed at gays and lesbians specifically, including Gbar (nightclub) and Café Sappho. The Århus Set (Danish: Århus Sæt) is a set of drinks often ordered together, named for the city and consisting of two beverages, one Ceres Top beer and one shot Arnbitter, both originally from Aarhus. Ordering "a set" suffices in most bars and pubs. Aarhus Bryghus is a local craft brewery with a sizeable production. The brewery is located in the southern district of Viby and a large variety of their craft brews are available there, in most larger well-assorted stores in the city, and in some bars and restaurants as well. They also export. Local dialect The Aarhus dialect, commonly called Aarhusiansk (Aarhusian in English), is a Jutlandic dialect in the Mid-Eastern Jutland dialect area, traditionally spoken in and around Aarhus.

Aarhusian, as with most local dialects in Denmark, has diminished in use through the 20th century and most Danes today speak some version of Standard Danish with slight regional features. Aarhusian, however, still has a strong presence in older segments of the population and in areas with high numbers of immigrants, surprisingly. Some examples of common, traditional and unique Aarhusian words are: træls (tiresome), noller (silly or dumb) and dælme (Excl. damn me). The dialect is notable for single-syllable words ending in "d" being pronounced with stød while the same letter in multiple-syllable words is pronounced as "j", i.e., Odder is pronounced "Ojjer". Like other dialects in East Jutland, it has two grammatical genders, similar to Standard Danish, but different from West Jutlandic dialects, which have only one. In 2009, the University of Aarhus compiled a list of contemporary public figures who best exemplify the dialect, including Jacob Haugaard, Thomas Helmig, Steffen Brandt, Stig Tøfting, Flemming Jørgensen, Tina Dickow and Camilla Martin. In popular culture, the dialect features prominently in Niels Malmros's movie Aarhus by Night and in 90s comedy sketches by Jacob Haugaard and Finn Nørbygaard. Sports Aarhus has three major men's professional sports teams: the Superliga team Aarhus Gymnastikforening (AGF), Danish Handball League's Aarhus GF Håndbold, and Danish Basketball League's Bakken Bears. Notable or historic clubs include Aarhus 1900, Idrætsklubben Skovbakken and Aarhus Sejlklub. Aarhus Idrætspark has hosted matches in the premiere Danish soccer league since it was formed in 1920 and matches for the national men's soccer team in 2006 and 2007. The five sailing clubs routinely win national and international titles in a range of disciplines and the future national watersports stadium will be located on the Aarhus Docklands in the city centre. The Bakken Bears have most recently won the Danish basketball championships in 2011, 2012, 2013 and 2014. The municipality actively supports sports organisations in and around the city, providing public organisations that aim to attract major sporting events and strengthen professional sports. The National Olympic Committee and Sports Confederation of Denmark counts some 380 sports organisations within the municipality and about one third of the population are members of one. Soccer is by far the most popular sport followed by Gymnastics, Handball and Badminton. In recent decades, many free and public sports facilities have sprung up across the city, such as street football, basketball, climbing walls, skateboarding and beach volley. Several natural sites also offer green exercise, with exercise equipment installed along the paths and tracks reserved for mountain biking. The newly reconstructed area of Skjoldhøjkilen is a prime example. Aarhus has hosted many sporting events including the 2010 European Women's Handball Championship, the 2014 European Men's Handball Championship, the 2013 Men's European Volleyball Championships, the 2005 European Table Tennis Championships, the Denmark Open in badminton, the UCI Women's Road Cycling World Cup, the 2006 World Orienteering Championships, the 2006 World Artistic Gymnastics Championships and the GF World Cup (women's handball).

Aarhusian, as with most local dialects in Denmark, has diminished in use through the 20th century and most Danes today speak some version of Standard Danish with slight regional features. Aarhusian, however, still has a strong presence in older segments of the population and in areas with high numbers of immigrants, surprisingly. Some examples of common, traditional and unique Aarhusian words are: træls (tiresome), noller (silly or dumb) and dælme (Excl. damn me). The dialect is notable for single-syllable words ending in "d" being pronounced with stød while the same letter in multiple-syllable words is pronounced as "j", i.e., Odder is pronounced "Ojjer". Like other dialects in East Jutland, it has two grammatical genders, similar to Standard Danish, but different from West Jutlandic dialects, which have only one. In 2009, the University of Aarhus compiled a list of contemporary public figures who best exemplify the dialect, including Jacob Haugaard, Thomas Helmig, Steffen Brandt, Stig Tøfting, Flemming Jørgensen, Tina Dickow and Camilla Martin. In popular culture, the dialect features prominently in Niels Malmros's movie Aarhus by Night and in 90s comedy sketches by Jacob Haugaard and Finn Nørbygaard. Sports Aarhus has three major men's professional sports teams: the Superliga team Aarhus Gymnastikforening (AGF), Danish Handball League's Aarhus GF Håndbold, and Danish Basketball League's Bakken Bears. Notable or historic clubs include Aarhus 1900, Idrætsklubben Skovbakken and Aarhus Sejlklub. Aarhus Idrætspark has hosted matches in the premiere Danish soccer league since it was formed in 1920 and matches for the national men's soccer team in 2006 and 2007. The five sailing clubs routinely win national and international titles in a range of disciplines and the future national watersports stadium will be located on the Aarhus Docklands in the city centre. The Bakken Bears have most recently won the Danish basketball championships in 2011, 2012, 2013 and 2014. The municipality actively supports sports organisations in and around the city, providing public organisations that aim to attract major sporting events and strengthen professional sports. The National Olympic Committee and Sports Confederation of Denmark counts some 380 sports organisations within the municipality and about one third of the population are members of one. Soccer is by far the most popular sport followed by Gymnastics, Handball and Badminton. In recent decades, many free and public sports facilities have sprung up across the city, such as street football, basketball, climbing walls, skateboarding and beach volley. Several natural sites also offer green exercise, with exercise equipment installed along the paths and tracks reserved for mountain biking. The newly reconstructed area of Skjoldhøjkilen is a prime example. Aarhus has hosted many sporting events including the 2010 European Women's Handball Championship, the 2014 European Men's Handball Championship, the 2013 Men's European Volleyball Championships, the 2005 European Table Tennis Championships, the Denmark Open in badminton, the UCI Women's Road Cycling World Cup, the 2006 World Orienteering Championships, the 2006 World Artistic Gymnastics Championships and the GF World Cup (women's handball).

Aarhusian, as with most local dialects in Denmark, has diminished in use through the 20th century and most Danes today speak some version of Standard Danish with slight regional features. Aarhusian, however, still has a strong presence in older segments of the population and in areas with high numbers of immigrants, surprisingly. Some examples of common, traditional and unique Aarhusian words are: træls (tiresome), noller (silly or dumb) and dælme (Excl. damn me). The dialect is notable for single-syllable words ending in "d" being pronounced with stød while the same letter in multiple-syllable words is pronounced as "j", i.e., Odder is pronounced "Ojjer". Like other dialects in East Jutland, it has two grammatical genders, similar to Standard Danish, but different from West Jutlandic dialects, which have only one. In 2009, the University of Aarhus compiled a list of contemporary public figures who best exemplify the dialect, including Jacob Haugaard, Thomas Helmig, Steffen Brandt, Stig Tøfting, Flemming Jørgensen, Tina Dickow and Camilla Martin. In popular culture, the dialect features prominently in Niels Malmros's movie Aarhus by Night and in 90s comedy sketches by Jacob Haugaard and Finn Nørbygaard. Sports Aarhus has three major men's professional sports teams: the Superliga team Aarhus Gymnastikforening (AGF), Danish Handball League's Aarhus GF Håndbold, and Danish Basketball League's Bakken Bears. Notable or historic clubs include Aarhus 1900, Idrætsklubben Skovbakken and Aarhus Sejlklub. Aarhus Idrætspark has hosted matches in the premiere Danish soccer league since it was formed in 1920 and matches for the national men's soccer team in 2006 and 2007. The five sailing clubs routinely win national and international titles in a range of disciplines and the future national watersports stadium will be located on the Aarhus Docklands in the city centre. The Bakken Bears have most recently won the Danish basketball championships in 2011, 2012, 2013 and 2014. The municipality actively supports sports organisations in and around the city, providing public organisations that aim to attract major sporting events and strengthen professional sports. The National Olympic Committee and Sports Confederation of Denmark counts some 380 sports organisations within the municipality and about one third of the population are members of one. Soccer is by far the most popular sport followed by Gymnastics, Handball and Badminton. In recent decades, many free and public sports facilities have sprung up across the city, such as street football, basketball, climbing walls, skateboarding and beach volley. Several natural sites also offer green exercise, with exercise equipment installed along the paths and tracks reserved for mountain biking. The newly reconstructed area of Skjoldhøjkilen is a prime example. Aarhus has hosted many sporting events including the 2010 European Women's Handball Championship, the 2014 European Men's Handball Championship, the 2013 Men's European Volleyball Championships, the 2005 European Table Tennis Championships, the Denmark Open in badminton, the UCI Women's Road Cycling World Cup, the 2006 World Orienteering Championships, the 2006 World Artistic Gymnastics Championships and the GF World Cup (women's handball).

On average, Aarhus is hosting one or two international sailing competitions every year. In 2008, the city hosted the ISAF Youth Sailing World Championships and in 2018 it was host to the ISAF Sailing World Championships, the world championship for the 12 Olympic sailing disciplines. Aarhus is an important qualifier for the 2020 Olympics. Education Aarhus is the principal centre for education in the Jutland region. It draws students from a large area, especially from the western and southern parts of the peninsula. The relatively large influx of young people and students creates a natural base for cultural activities. Aarhus has the greatest concentration of students in Denmark, fully 12% of citizens attending short, medium or long courses of study. In addition to around 25 institutions of higher education, several research forums have evolved to assist in the transfer of expertise from education to business. The city is home to more than 52,000 students. Since 2012, Aarhus University (AU) has been the largest university in Denmark by number of students enrolled. It is ranked among the top 100 universities in the world by several of the most influential and respected rankings. The university has approximately 41,500 Bachelor and Master students enrolled as well as about 1,500 PhD students. It is possible to engage in higher academic studies in many areas, from the traditional spheres of natural science, humanities and theology to more vocational academic areas like engineering and dentistry. Aarhus Tech is one of the largest technical colleges in Denmark, teaching undergraduate study programmes in English, including vocational education and training (VET), continuing vocational training (CVT), and human resource development. Business Academy Aarhus is among the largest business academies in Denmark and offers undergraduate and some academic degrees, in IT, business and technical fields. The academic level technical aspects are covered in a collaboration with Aarhus Tech, Aarhus School of Marine and Technical Engineering and Aarhus Educational Centre for Agriculture. The Danish School of Media and Journalism (DMJX) is the oldest and largest of the colleges, offering journalism courses since 1946, with approximately 1,700 students as of 2014. DMJX has been an independent institution since 1974, conducting research and teaching at undergraduate level, and in 2004, master's courses in journalism was established in a collaboration with Aarhus University. The latter is offered through the Centre for University studies in Journalism, granting degrees through the university. The Royal Academy of Music in Aarhus (Det Jyske Musikkonservatorium) is a conservatoire, established under the auspices of the Danish Ministry of Culture in 1927. In 2010, it merged administratively with the Royal Academy of Music in Aalborg, which was founded in 1930. Under the patronage of His Royal Highness Crown Prince Frederik, it offers graduate level studies in areas such as music teaching, and solo and professional musicianship. VIA University College was established in January 2008 and is one of eight new regional organisations offering bachelor courses of all kinds, throughout the Central Denmark Region.

On average, Aarhus is hosting one or two international sailing competitions every year. In 2008, the city hosted the ISAF Youth Sailing World Championships and in 2018 it was host to the ISAF Sailing World Championships, the world championship for the 12 Olympic sailing disciplines. Aarhus is an important qualifier for the 2020 Olympics. Education Aarhus is the principal centre for education in the Jutland region. It draws students from a large area, especially from the western and southern parts of the peninsula. The relatively large influx of young people and students creates a natural base for cultural activities. Aarhus has the greatest concentration of students in Denmark, fully 12% of citizens attending short, medium or long courses of study. In addition to around 25 institutions of higher education, several research forums have evolved to assist in the transfer of expertise from education to business. The city is home to more than 52,000 students. Since 2012, Aarhus University (AU) has been the largest university in Denmark by number of students enrolled. It is ranked among the top 100 universities in the world by several of the most influential and respected rankings. The university has approximately 41,500 Bachelor and Master students enrolled as well as about 1,500 PhD students. It is possible to engage in higher academic studies in many areas, from the traditional spheres of natural science, humanities and theology to more vocational academic areas like engineering and dentistry. Aarhus Tech is one of the largest technical colleges in Denmark, teaching undergraduate study programmes in English, including vocational education and training (VET), continuing vocational training (CVT), and human resource development. Business Academy Aarhus is among the largest business academies in Denmark and offers undergraduate and some academic degrees, in IT, business and technical fields. The academic level technical aspects are covered in a collaboration with Aarhus Tech, Aarhus School of Marine and Technical Engineering and Aarhus Educational Centre for Agriculture. The Danish School of Media and Journalism (DMJX) is the oldest and largest of the colleges, offering journalism courses since 1946, with approximately 1,700 students as of 2014. DMJX has been an independent institution since 1974, conducting research and teaching at undergraduate level, and in 2004, master's courses in journalism was established in a collaboration with Aarhus University. The latter is offered through the Centre for University studies in Journalism, granting degrees through the university. The Royal Academy of Music in Aarhus (Det Jyske Musikkonservatorium) is a conservatoire, established under the auspices of the Danish Ministry of Culture in 1927. In 2010, it merged administratively with the Royal Academy of Music in Aalborg, which was founded in 1930. Under the patronage of His Royal Highness Crown Prince Frederik, it offers graduate level studies in areas such as music teaching, and solo and professional musicianship. VIA University College was established in January 2008 and is one of eight new regional organisations offering bachelor courses of all kinds, throughout the Central Denmark Region.

On average, Aarhus is hosting one or two international sailing competitions every year. In 2008, the city hosted the ISAF Youth Sailing World Championships and in 2018 it was host to the ISAF Sailing World Championships, the world championship for the 12 Olympic sailing disciplines. Aarhus is an important qualifier for the 2020 Olympics. Education Aarhus is the principal centre for education in the Jutland region. It draws students from a large area, especially from the western and southern parts of the peninsula. The relatively large influx of young people and students creates a natural base for cultural activities. Aarhus has the greatest concentration of students in Denmark, fully 12% of citizens attending short, medium or long courses of study. In addition to around 25 institutions of higher education, several research forums have evolved to assist in the transfer of expertise from education to business. The city is home to more than 52,000 students. Since 2012, Aarhus University (AU) has been the largest university in Denmark by number of students enrolled. It is ranked among the top 100 universities in the world by several of the most influential and respected rankings. The university has approximately 41,500 Bachelor and Master students enrolled as well as about 1,500 PhD students. It is possible to engage in higher academic studies in many areas, from the traditional spheres of natural science, humanities and theology to more vocational academic areas like engineering and dentistry. Aarhus Tech is one of the largest technical colleges in Denmark, teaching undergraduate study programmes in English, including vocational education and training (VET), continuing vocational training (CVT), and human resource development. Business Academy Aarhus is among the largest business academies in Denmark and offers undergraduate and some academic degrees, in IT, business and technical fields. The academic level technical aspects are covered in a collaboration with Aarhus Tech, Aarhus School of Marine and Technical Engineering and Aarhus Educational Centre for Agriculture. The Danish School of Media and Journalism (DMJX) is the oldest and largest of the colleges, offering journalism courses since 1946, with approximately 1,700 students as of 2014. DMJX has been an independent institution since 1974, conducting research and teaching at undergraduate level, and in 2004, master's courses in journalism was established in a collaboration with Aarhus University. The latter is offered through the Centre for University studies in Journalism, granting degrees through the university. The Royal Academy of Music in Aarhus (Det Jyske Musikkonservatorium) is a conservatoire, established under the auspices of the Danish Ministry of Culture in 1927. In 2010, it merged administratively with the Royal Academy of Music in Aalborg, which was founded in 1930. Under the patronage of His Royal Highness Crown Prince Frederik, it offers graduate level studies in areas such as music teaching, and solo and professional musicianship. VIA University College was established in January 2008 and is one of eight new regional organisations offering bachelor courses of all kinds, throughout the Central Denmark Region.

It offers over 50 higher educations, taught in Danish or sometimes in English, with vocational education and it participates in various research and development projects. Aarhus School of Architecture (Arkitektskolen Aarhus) was founded in 1965. Along with the Royal Danish Academy of Fine Arts of Copenhagen, it is responsible for the education of architects in Denmark. With an enrolment of approximately 900 students, it teaches in five main departments: architecture and aesthetics, urban and landscape, architectonic heritage, design and architectural design. Also of note is KaosPilots and several other higher education centres. Transport Aarhus has two ring roads; Ring 1, roughly encircling the central district of Aarhus C, and the outlying Ring 2. Six major intercity motorways radiate from the city centre, connecting with nearby cities Grenå, Randers, Viborg, Silkeborg, Skanderborg and Odder. In the inner city, motorised traffic is highly regulated, larger parts are pedestrianised and in the 2000s, a system of roads prioritised for cyclists have been implemented, connecting to suburban areas. The main railway station in Aarhus is Aarhus Central Station located in the city centre. DSB has connections to destinations throughout Denmark and also services to Flensburg and Hamburg in Germany. Aarhus Letbane is a local electric light rail or tram system that opened in December 2017, connecting the central station and the inner city with the University Hospital in Skejby and also replaced local railway services to Grenaa and Odder in late 2018. It is the first electric light rail system in Denmark and more routes are planned to open in coming years. Tickets for the light rail are also available in local yellow bus lines. Most city bus lines go through the inner city and pass through either Park Allé or Banegårdspladsen, or both, right at the central station. Regional and Inter-city buses terminate at Aarhus Bus Terminal, just east of the central station. FlixBus provides long-distance buses that travel to other cities in Denmark and Europe. Ferries administered by Danish ferry company Mols-Linien transports passengers and motorvehicles between Aarhus and Sjællands Odde on Zealand. The ferries comprises HSC KatExpress 1 and HSC KatExpress 2, the world's largest diesel-powered catamarans, and HSC Max Mols. Aarhus Airport is located on Djursland, north-east of Aarhus near Tirstrup, and provides links to both Copenhagen and international destinations. The larger Billund Airport is situated south-west of Aarhus. There has been much discussion about constructing a new airport closer to the city for many years, but so far no plans have been realised. In August 2014, the city council officially initiated a process to assert the viability of a new international airport. A small seaplane now operates four flights daily between Aarhus harbour and Copenhagen harbour. Aarhus has a free bike sharing system, Aarhus Bycykler (Aarhus City Bikes). The bicycles are available from 1 April to 30 October at 57 stands throughout the city and can be obtained by placing a DKK 20 coin in a release slot, like caddies in a supermarket.

It offers over 50 higher educations, taught in Danish or sometimes in English, with vocational education and it participates in various research and development projects. Aarhus School of Architecture (Arkitektskolen Aarhus) was founded in 1965. Along with the Royal Danish Academy of Fine Arts of Copenhagen, it is responsible for the education of architects in Denmark. With an enrolment of approximately 900 students, it teaches in five main departments: architecture and aesthetics, urban and landscape, architectonic heritage, design and architectural design. Also of note is KaosPilots and several other higher education centres. Transport Aarhus has two ring roads; Ring 1, roughly encircling the central district of Aarhus C, and the outlying Ring 2. Six major intercity motorways radiate from the city centre, connecting with nearby cities Grenå, Randers, Viborg, Silkeborg, Skanderborg and Odder. In the inner city, motorised traffic is highly regulated, larger parts are pedestrianised and in the 2000s, a system of roads prioritised for cyclists have been implemented, connecting to suburban areas. The main railway station in Aarhus is Aarhus Central Station located in the city centre. DSB has connections to destinations throughout Denmark and also services to Flensburg and Hamburg in Germany. Aarhus Letbane is a local electric light rail or tram system that opened in December 2017, connecting the central station and the inner city with the University Hospital in Skejby and also replaced local railway services to Grenaa and Odder in late 2018. It is the first electric light rail system in Denmark and more routes are planned to open in coming years. Tickets for the light rail are also available in local yellow bus lines. Most city bus lines go through the inner city and pass through either Park Allé or Banegårdspladsen, or both, right at the central station. Regional and Inter-city buses terminate at Aarhus Bus Terminal, just east of the central station. FlixBus provides long-distance buses that travel to other cities in Denmark and Europe. Ferries administered by Danish ferry company Mols-Linien transports passengers and motorvehicles between Aarhus and Sjællands Odde on Zealand. The ferries comprises HSC KatExpress 1 and HSC KatExpress 2, the world's largest diesel-powered catamarans, and HSC Max Mols. Aarhus Airport is located on Djursland, north-east of Aarhus near Tirstrup, and provides links to both Copenhagen and international destinations. The larger Billund Airport is situated south-west of Aarhus. There has been much discussion about constructing a new airport closer to the city for many years, but so far no plans have been realised. In August 2014, the city council officially initiated a process to assert the viability of a new international airport. A small seaplane now operates four flights daily between Aarhus harbour and Copenhagen harbour. Aarhus has a free bike sharing system, Aarhus Bycykler (Aarhus City Bikes). The bicycles are available from 1 April to 30 October at 57 stands throughout the city and can be obtained by placing a DKK 20 coin in a release slot, like caddies in a supermarket.

It offers over 50 higher educations, taught in Danish or sometimes in English, with vocational education and it participates in various research and development projects. Aarhus School of Architecture (Arkitektskolen Aarhus) was founded in 1965. Along with the Royal Danish Academy of Fine Arts of Copenhagen, it is responsible for the education of architects in Denmark. With an enrolment of approximately 900 students, it teaches in five main departments: architecture and aesthetics, urban and landscape, architectonic heritage, design and architectural design. Also of note is KaosPilots and several other higher education centres. Transport Aarhus has two ring roads; Ring 1, roughly encircling the central district of Aarhus C, and the outlying Ring 2. Six major intercity motorways radiate from the city centre, connecting with nearby cities Grenå, Randers, Viborg, Silkeborg, Skanderborg and Odder. In the inner city, motorised traffic is highly regulated, larger parts are pedestrianised and in the 2000s, a system of roads prioritised for cyclists have been implemented, connecting to suburban areas. The main railway station in Aarhus is Aarhus Central Station located in the city centre. DSB has connections to destinations throughout Denmark and also services to Flensburg and Hamburg in Germany. Aarhus Letbane is a local electric light rail or tram system that opened in December 2017, connecting the central station and the inner city with the University Hospital in Skejby and also replaced local railway services to Grenaa and Odder in late 2018. It is the first electric light rail system in Denmark and more routes are planned to open in coming years. Tickets for the light rail are also available in local yellow bus lines. Most city bus lines go through the inner city and pass through either Park Allé or Banegårdspladsen, or both, right at the central station. Regional and Inter-city buses terminate at Aarhus Bus Terminal, just east of the central station. FlixBus provides long-distance buses that travel to other cities in Denmark and Europe. Ferries administered by Danish ferry company Mols-Linien transports passengers and motorvehicles between Aarhus and Sjællands Odde on Zealand. The ferries comprises HSC KatExpress 1 and HSC KatExpress 2, the world's largest diesel-powered catamarans, and HSC Max Mols. Aarhus Airport is located on Djursland, north-east of Aarhus near Tirstrup, and provides links to both Copenhagen and international destinations. The larger Billund Airport is situated south-west of Aarhus. There has been much discussion about constructing a new airport closer to the city for many years, but so far no plans have been realised. In August 2014, the city council officially initiated a process to assert the viability of a new international airport. A small seaplane now operates four flights daily between Aarhus harbour and Copenhagen harbour. Aarhus has a free bike sharing system, Aarhus Bycykler (Aarhus City Bikes). The bicycles are available from 1 April to 30 October at 57 stands throughout the city and can be obtained by placing a DKK 20 coin in a release slot, like caddies in a supermarket.

The coin can be retrieved when the bike is returned at a random stand. Bicycles can also be hired from many shops. Healthcare Aarhus is home to Aarhus University Hospital, one of six Danish "Super Hospitals" officially established in 2007 when the regions reformed the Danish healthcare sector. The university hospital is the result of a series of mergers in the 2000s between the local hospitals of Skejby Sygehus, the Municipal Hospital, the County Hospital, Marselisborg Hospital and Risskov Psychiatric Hospital. It is today the largest hospital in Denmark with a combined staff of some 10,000 and 1,150 patient beds, and has been ranked the best hospital in Denmark consecutively since 2008. In 2012, construction of a new large hospital building began, known as Det Nye Universitetshospital (DNU) or The New University Hospital in English, and it is centralising and accommodating all of the former departments, ending in 2019. The new hospital is divided in four clinical centres, a service centre and one administrative unit along with twelve research centres. Private hospitals specialised in different areas from plastic surgery to fertility treatments operate in Aarhus as well. Ciconia Aarhus Private Hospital founded in 1984 is a leading Danish fertility clinic and the first of its kind in Denmark. Ciconia has provided for the birth of 6,000 children by artificial insemination and continually conducts research into the field of fertility. Aagaard Clinic, established in 2004, is another private fertility and gynaecology clinic which since 2004 has undertaken fertility treatments that has resulted in 1550 births. Aarhus Municipality also offers a number of specialised services in the areas of nutrition, exercise, sex, smoking and drinking, activities for the elderly, health courses and lifestyle. Media The first daily newspaper to appear in Aarhus was Århus Stiftstidende, established in 1794 as Aarhuus Stifts Adresse-Contoirs Tidender, with a moderately conservative approach. Once one of Denmark's largest, it was a leading provincial newspaper for a time, but after the Second World War it increasingly faced competition from Demokraten (1884–1974) and Jyllands-Posten, both published in Aarhus. In 1998, it merged with Randers Amtsavis and is now run by Midtjyske Medier, part of Berlingske Media. The daily newspaper of Jyllands-Posten was established in 1871 in Aarhus, and takes a generally right-wing editorial approach. With a reputation as a serious news publication, the paper has always included news from Jutland in particular, but somewhat less so since its promotion as a national newspaper in the 1960s. Today it is one of the three bestselling serious newspapers in Denmark, the others being Berlingske and Politiken. Jyllands-Posten publishes JP Aarhus, a section dedicated to news in and around Aarhus, and hosted a free cityguide website from 2010 to 2016. The Copenhagen-based media company of Politiken, also publishes several free local papers once a week in parts of Denmark and Sweden. In Aarhus, they publish a total of five local newspapers; Aarhus Midt, Aarhus Nord, Aarhus Vest, Aarhus Syd and Aarhus Onsdag.

The coin can be retrieved when the bike is returned at a random stand. Bicycles can also be hired from many shops. Healthcare Aarhus is home to Aarhus University Hospital, one of six Danish "Super Hospitals" officially established in 2007 when the regions reformed the Danish healthcare sector. The university hospital is the result of a series of mergers in the 2000s between the local hospitals of Skejby Sygehus, the Municipal Hospital, the County Hospital, Marselisborg Hospital and Risskov Psychiatric Hospital. It is today the largest hospital in Denmark with a combined staff of some 10,000 and 1,150 patient beds, and has been ranked the best hospital in Denmark consecutively since 2008. In 2012, construction of a new large hospital building began, known as Det Nye Universitetshospital (DNU) or The New University Hospital in English, and it is centralising and accommodating all of the former departments, ending in 2019. The new hospital is divided in four clinical centres, a service centre and one administrative unit along with twelve research centres. Private hospitals specialised in different areas from plastic surgery to fertility treatments operate in Aarhus as well. Ciconia Aarhus Private Hospital founded in 1984 is a leading Danish fertility clinic and the first of its kind in Denmark. Ciconia has provided for the birth of 6,000 children by artificial insemination and continually conducts research into the field of fertility. Aagaard Clinic, established in 2004, is another private fertility and gynaecology clinic which since 2004 has undertaken fertility treatments that has resulted in 1550 births. Aarhus Municipality also offers a number of specialised services in the areas of nutrition, exercise, sex, smoking and drinking, activities for the elderly, health courses and lifestyle. Media The first daily newspaper to appear in Aarhus was Århus Stiftstidende, established in 1794 as Aarhuus Stifts Adresse-Contoirs Tidender, with a moderately conservative approach. Once one of Denmark's largest, it was a leading provincial newspaper for a time, but after the Second World War it increasingly faced competition from Demokraten (1884–1974) and Jyllands-Posten, both published in Aarhus. In 1998, it merged with Randers Amtsavis and is now run by Midtjyske Medier, part of Berlingske Media. The daily newspaper of Jyllands-Posten was established in 1871 in Aarhus, and takes a generally right-wing editorial approach. With a reputation as a serious news publication, the paper has always included news from Jutland in particular, but somewhat less so since its promotion as a national newspaper in the 1960s. Today it is one of the three bestselling serious newspapers in Denmark, the others being Berlingske and Politiken. Jyllands-Posten publishes JP Aarhus, a section dedicated to news in and around Aarhus, and hosted a free cityguide website from 2010 to 2016. The Copenhagen-based media company of Politiken, also publishes several free local papers once a week in parts of Denmark and Sweden. In Aarhus, they publish a total of five local newspapers; Aarhus Midt, Aarhus Nord, Aarhus Vest, Aarhus Syd and Aarhus Onsdag.

The coin can be retrieved when the bike is returned at a random stand. Bicycles can also be hired from many shops. Healthcare Aarhus is home to Aarhus University Hospital, one of six Danish "Super Hospitals" officially established in 2007 when the regions reformed the Danish healthcare sector. The university hospital is the result of a series of mergers in the 2000s between the local hospitals of Skejby Sygehus, the Municipal Hospital, the County Hospital, Marselisborg Hospital and Risskov Psychiatric Hospital. It is today the largest hospital in Denmark with a combined staff of some 10,000 and 1,150 patient beds, and has been ranked the best hospital in Denmark consecutively since 2008. In 2012, construction of a new large hospital building began, known as Det Nye Universitetshospital (DNU) or The New University Hospital in English, and it is centralising and accommodating all of the former departments, ending in 2019. The new hospital is divided in four clinical centres, a service centre and one administrative unit along with twelve research centres. Private hospitals specialised in different areas from plastic surgery to fertility treatments operate in Aarhus as well. Ciconia Aarhus Private Hospital founded in 1984 is a leading Danish fertility clinic and the first of its kind in Denmark. Ciconia has provided for the birth of 6,000 children by artificial insemination and continually conducts research into the field of fertility. Aagaard Clinic, established in 2004, is another private fertility and gynaecology clinic which since 2004 has undertaken fertility treatments that has resulted in 1550 births. Aarhus Municipality also offers a number of specialised services in the areas of nutrition, exercise, sex, smoking and drinking, activities for the elderly, health courses and lifestyle. Media The first daily newspaper to appear in Aarhus was Århus Stiftstidende, established in 1794 as Aarhuus Stifts Adresse-Contoirs Tidender, with a moderately conservative approach. Once one of Denmark's largest, it was a leading provincial newspaper for a time, but after the Second World War it increasingly faced competition from Demokraten (1884–1974) and Jyllands-Posten, both published in Aarhus. In 1998, it merged with Randers Amtsavis and is now run by Midtjyske Medier, part of Berlingske Media. The daily newspaper of Jyllands-Posten was established in 1871 in Aarhus, and takes a generally right-wing editorial approach. With a reputation as a serious news publication, the paper has always included news from Jutland in particular, but somewhat less so since its promotion as a national newspaper in the 1960s. Today it is one of the three bestselling serious newspapers in Denmark, the others being Berlingske and Politiken. Jyllands-Posten publishes JP Aarhus, a section dedicated to news in and around Aarhus, and hosted a free cityguide website from 2010 to 2016. The Copenhagen-based media company of Politiken, also publishes several free local papers once a week in parts of Denmark and Sweden. In Aarhus, they publish a total of five local newspapers; Aarhus Midt, Aarhus Nord, Aarhus Vest, Aarhus Syd and Aarhus Onsdag.

Aarhus Onsdag (Aarhus Wednesday) is financed completely by advertisements and available in both paperform and online. It was bought from Århus Stiftstidende in June 2017, but has been published for many years previous. Danmarks Radio has a large department in Aarhus with over 200 employees. It runs the DR Østjylland radio programme, provides local contributions to DR P4, and produces local regional television programmes. In 1999, TV 2 moved its Jutland headquarters from Randers to Skejby in northern Aarhus. The station broadcasts regional news and current affairs television and radio programmes. Since 2012, it has run its own TV channel, TV 2 Østjylland. Aarhus has its own local TV channel TVAarhus, transmitting since 1984. After an agreement on 1 July 2014, TVAarhus can be watched by 130,000 households in Aarhus, making it the largest cable-transmitted local TV channel in Denmark. With over 1,700 students, the Danish School of Media and Journalism (Danmarks Medie- og Journalisthøjskole) is the country's largest and oldest school of journalism. The school works closely with Aarhus University, where the first journalism course was established in 1946. In 2004, the two institutions established the Centre for University Studies in Journalism, which offers master's courses. International relations Aarhus is home to 32 consulates: Aarhus practices twinning on the municipal level. For the twin towns, see twin towns of Aarhus Municipality. Notable people Citations Notes References Publications Further reading External links Aarhus Kommune Official municipal and city portal Visit Aarhus Official tourist site Cities and towns in the Central Denmark Region Cities and towns in Aarhus Municipality Municipal seats of the Central Denmark Region Municipal seats of Denmark Port cities and towns in Denmark Viking Age populated places

Aarhus Onsdag (Aarhus Wednesday) is financed completely by advertisements and available in both paperform and online. It was bought from Århus Stiftstidende in June 2017, but has been published for many years previous. Danmarks Radio has a large department in Aarhus with over 200 employees. It runs the DR Østjylland radio programme, provides local contributions to DR P4, and produces local regional television programmes. In 1999, TV 2 moved its Jutland headquarters from Randers to Skejby in northern Aarhus. The station broadcasts regional news and current affairs television and radio programmes. Since 2012, it has run its own TV channel, TV 2 Østjylland. Aarhus has its own local TV channel TVAarhus, transmitting since 1984. After an agreement on 1 July 2014, TVAarhus can be watched by 130,000 households in Aarhus, making it the largest cable-transmitted local TV channel in Denmark. With over 1,700 students, the Danish School of Media and Journalism (Danmarks Medie- og Journalisthøjskole) is the country's largest and oldest school of journalism. The school works closely with Aarhus University, where the first journalism course was established in 1946. In 2004, the two institutions established the Centre for University Studies in Journalism, which offers master's courses. International relations Aarhus is home to 32 consulates: Aarhus practices twinning on the municipal level. For the twin towns, see twin towns of Aarhus Municipality. Notable people Citations Notes References Publications Further reading External links Aarhus Kommune Official municipal and city portal Visit Aarhus Official tourist site Cities and towns in the Central Denmark Region Cities and towns in Aarhus Municipality Municipal seats of the Central Denmark Region Municipal seats of Denmark Port cities and towns in Denmark Viking Age populated places

Aarhus Onsdag (Aarhus Wednesday) is financed completely by advertisements and available in both paperform and online. It was bought from Århus Stiftstidende in June 2017, but has been published for many years previous. Danmarks Radio has a large department in Aarhus with over 200 employees. It runs the DR Østjylland radio programme, provides local contributions to DR P4, and produces local regional television programmes. In 1999, TV 2 moved its Jutland headquarters from Randers to Skejby in northern Aarhus. The station broadcasts regional news and current affairs television and radio programmes. Since 2012, it has run its own TV channel, TV 2 Østjylland. Aarhus has its own local TV channel TVAarhus, transmitting since 1984. After an agreement on 1 July 2014, TVAarhus can be watched by 130,000 households in Aarhus, making it the largest cable-transmitted local TV channel in Denmark. With over 1,700 students, the Danish School of Media and Journalism (Danmarks Medie- og Journalisthøjskole) is the country's largest and oldest school of journalism. The school works closely with Aarhus University, where the first journalism course was established in 1946. In 2004, the two institutions established the Centre for University Studies in Journalism, which offers master's courses. International relations Aarhus is home to 32 consulates: Aarhus practices twinning on the municipal level. For the twin towns, see twin towns of Aarhus Municipality. Notable people Citations Notes References Publications Further reading External links Aarhus Kommune Official municipal and city portal Visit Aarhus Official tourist site Cities and towns in the Central Denmark Region Cities and towns in Aarhus Municipality Municipal seats of the Central Denmark Region Municipal seats of Denmark Port cities and towns in Denmark Viking Age populated places

Northern cavefish The northern cavefish or northern blindfish, Amblyopsis spelaea, is found in caves through Kentucky and southern Indiana. It is listed as a threatened species in the United States and the IUCN lists the species as near threatened. During a 2013 study of Amblyopsis spelaea, scientists found that the species was divided into two distinct evolutionary lineages: one north of the Ohio River, in Indiana, and one south of the river, in Kentucky. The southern population retained the name A. spelaea and the northern was re-designated Amblyopsis hoosieri in a 2014 paper published in the journal ZooKeys. Neither species is found north of the White River, flowing east to west south of Bedford, Indiana. References Amblyopsidae Cave fish Cavefish, Northern Fish of the United States Fish described in 1842 Taxa named by James Ellsworth De Kay

Northern cavefish The northern cavefish or northern blindfish, Amblyopsis spelaea, is found in caves through Kentucky and southern Indiana. It is listed as a threatened species in the United States and the IUCN lists the species as near threatened. During a 2013 study of Amblyopsis spelaea, scientists found that the species was divided into two distinct evolutionary lineages: one north of the Ohio River, in Indiana, and one south of the river, in Kentucky. The southern population retained the name A. spelaea and the northern was re-designated Amblyopsis hoosieri in a 2014 paper published in the journal ZooKeys. Neither species is found north of the White River, flowing east to west south of Bedford, Indiana. References Amblyopsidae Cave fish Cavefish, Northern Fish of the United States Fish described in 1842 Taxa named by James Ellsworth De Kay

Abatement Abatement refers generally to a lessening, diminution, reduction, or moderation; specifically, it may refer to: Abatement of debts and legacies, a common law doctrine of wills Abatement in pleading, a legal defense to civil and criminal actions based purely on procedural and technical issues involving the death of parties Abatement (heraldry), a modification of the shield or coat of arms that supposedly can be imposed by authority (in England supposedly by the Court of Chivalry) for misconduct Asbestos abatement Bird abatement, driving or removing undesired birds from an area Dust abatement, the process of inhibiting the creation of excess soil dust, a pollutant that contributes to excess levels of particulate matter Graffiti abatement Nuisance abatement See also Abate (disambiguation) Noise mitigation, also known as noise abatement Tax holiday (or tax abatement) is used in the field of economic development to encourage businesses to relocate, expand, and more currently to retain facilities in a community 421-a tax abatement, a specific tax abatement program for affordable housing in New York City Marginal abatement cost, the marginal cost of reducing pollution

Abatement Abatement refers generally to a lessening, diminution, reduction, or moderation; specifically, it may refer to: Abatement of debts and legacies, a common law doctrine of wills Abatement in pleading, a legal defense to civil and criminal actions based purely on procedural and technical issues involving the death of parties Abatement (heraldry), a modification of the shield or coat of arms that supposedly can be imposed by authority (in England supposedly by the Court of Chivalry) for misconduct Asbestos abatement Bird abatement, driving or removing undesired birds from an area Dust abatement, the process of inhibiting the creation of excess soil dust, a pollutant that contributes to excess levels of particulate matter Graffiti abatement Nuisance abatement See also Abate (disambiguation) Noise mitigation, also known as noise abatement Tax holiday (or tax abatement) is used in the field of economic development to encourage businesses to relocate, expand, and more currently to retain facilities in a community 421-a tax abatement, a specific tax abatement program for affordable housing in New York City Marginal abatement cost, the marginal cost of reducing pollution

Amateur An amateur (; ; ) is generally considered a person who pursues an avocation independent from their source of income. Amateurs and their pursuits are also described as popular, informal, self-taught, user-generated, DIY, and hobbyist. History Historically, the amateur was considered to be the ideal balance between pure intent, open mind, and the interest or passion for a subject. That ideology spanned many different fields of interest. It may have its roots in the ancient Greek philosophy of amateur athletes competing in the Olympics. The ancient Greek citizens spent most of their time in other pursuits, but competed according to their natural talents and abilities. The "gentleman amateur" was a phenomenon among the gentry of Great Britain from the 17th century until the 20th century. With the start of the Age of Reason, with people thinking more about how the world works around them, (see Science in the Age of Enlightenment), things like the Cabinet of Curiosities, and the writing of the book The Christian Virtuoso, started to shape the idea of the gentleman amateur. He was vastly interested in a particular topic, and studied, observed, and collected things and information on his topic of choice. The Royal Society in Great Britain was generally composed of these "gentleman amateurs", and is one of the reasons science today exists the way it does. A few examples of these gentleman amateurs are Francis Bacon, Isaac Newton, and Sir Robert Cotton, 1st Baronet, of Connington. Amateurism can be seen in both a negative and positive light. Since amateurs often lack formal training, some amateur work may be considered sub-par. For example, amateur athletes in sports such as basketball, baseball, or football are regarded as possessing a lower level of ability than professional athletes. On the other hand, an amateur may be in a position to approach a subject with an open mind (as a result of the lack of formal training) and in a financially disinterested manner. An amateur who dabbles in a field out of interest rather than as a profession, or possesses a general but superficial interest in any art or a branch of knowledge, is often referred to as a dilettante. Amateur athletics Olympics Through most of the 20th century the Olympics allowed only amateur athletes to participate and this amateur code was strictly enforced - Jim Thorpe was stripped of track and field medals for having taken expense money for playing baseball in 1912. Later on, the nations of the Communist bloc entered teams of Olympians who were all nominally students, soldiers, or working in a profession, but many of whom were in reality paid by the state to train on a full-time basis. Near the end of the 1960s, the Canadian Amateur Hockey Association (CAHA) felt their amateur players could no longer be competitive against the Soviet team's full-time athletes and the other constantly improving European teams.

Amateur An amateur (; ; ) is generally considered a person who pursues an avocation independent from their source of income. Amateurs and their pursuits are also described as popular, informal, self-taught, user-generated, DIY, and hobbyist. History Historically, the amateur was considered to be the ideal balance between pure intent, open mind, and the interest or passion for a subject. That ideology spanned many different fields of interest. It may have its roots in the ancient Greek philosophy of amateur athletes competing in the Olympics. The ancient Greek citizens spent most of their time in other pursuits, but competed according to their natural talents and abilities. The "gentleman amateur" was a phenomenon among the gentry of Great Britain from the 17th century until the 20th century. With the start of the Age of Reason, with people thinking more about how the world works around them, (see Science in the Age of Enlightenment), things like the Cabinet of Curiosities, and the writing of the book The Christian Virtuoso, started to shape the idea of the gentleman amateur. He was vastly interested in a particular topic, and studied, observed, and collected things and information on his topic of choice. The Royal Society in Great Britain was generally composed of these "gentleman amateurs", and is one of the reasons science today exists the way it does. A few examples of these gentleman amateurs are Francis Bacon, Isaac Newton, and Sir Robert Cotton, 1st Baronet, of Connington. Amateurism can be seen in both a negative and positive light. Since amateurs often lack formal training, some amateur work may be considered sub-par. For example, amateur athletes in sports such as basketball, baseball, or football are regarded as possessing a lower level of ability than professional athletes. On the other hand, an amateur may be in a position to approach a subject with an open mind (as a result of the lack of formal training) and in a financially disinterested manner. An amateur who dabbles in a field out of interest rather than as a profession, or possesses a general but superficial interest in any art or a branch of knowledge, is often referred to as a dilettante. Amateur athletics Olympics Through most of the 20th century the Olympics allowed only amateur athletes to participate and this amateur code was strictly enforced - Jim Thorpe was stripped of track and field medals for having taken expense money for playing baseball in 1912. Later on, the nations of the Communist bloc entered teams of Olympians who were all nominally students, soldiers, or working in a profession, but many of whom were in reality paid by the state to train on a full-time basis. Near the end of the 1960s, the Canadian Amateur Hockey Association (CAHA) felt their amateur players could no longer be competitive against the Soviet team's full-time athletes and the other constantly improving European teams.

They pushed for the ability to use players from professional leagues but met opposition from the International Ice Hockey Federation (IIHF) and the International Olympic Committee (IOC). At the IIHF Congress in 1969, the IIHF decided to allow Canada to use nine non-NHL professional hockey players at the 1970 World Championships in Montreal and Winnipeg, Manitoba, Canada. The decision was reversed in January 1970 after IOC President Avery Brundage said that ice hockey's status as an Olympic sport would be in jeopardy if the change was made. In response, Canada withdrew from all international ice hockey competitions and officials stated that they would not return until "open competition" was instituted. Günther Sabetzki became president of the IIHF in 1975 and helped to resolve the dispute with the CAHA. In 1976, the IIHF agreed to allow "open competition" between all players in the World Championships. However, NHL players were still not allowed to play in the Olympics, because of the unwillingness of the NHL to take a break mid-season and the IOC's amateur-only policy. Before the 1984 Winter Olympics, a dispute formed over what made a player a professional. The IOC had adopted a rule that made any player who had signed an NHL contract but played less than ten games in the league eligible. However, the United States Olympic Committee maintained that any player contracted with an NHL team was a professional and therefore not eligible to play. The IOC held an emergency meeting that ruled NHL-contracted players were eligible, as long as they had not played in any NHL games. This made five players on Olympic rosters—one Austrian, two Italians and two Canadians—ineligible. Players who had played in other professional leagues—such as the World Hockey Association—were allowed to play. Canadian hockey official Alan Eagleson stated that the rule was only applied to the NHL and that professionally contracted players in European leagues were still considered amateurs. Murray Costello of the CAHA suggested that a Canadian withdrawal was possible. In 1986, the IOC voted to allow all athletes to compete in Olympic Games starting in 1988, but let the individual sport federations decide if they wanted to allow professionals. After the 1972 retirement of IOC President Avery Brundage, the Olympic amateurism rules were steadily relaxed, amounting only to technicalities and lip service, until being completely abandoned in the 1990s (In the United States, the Amateur Sports Act of 1978 prohibits national governing bodies from having more stringent standards of amateur status than required by international governing bodies of respective sports. The act caused the breakup of the Amateur Athletic Union as a wholesale sports governing body at the Olympic level). Olympic regulations regarding amateur status of athletes were eventually abandoned in the 1990s with the exception of wrestling, where the amateur fight rules are used due to the fact that professional wrestling is largely staged with pre-determined outcomes.

They pushed for the ability to use players from professional leagues but met opposition from the International Ice Hockey Federation (IIHF) and the International Olympic Committee (IOC). At the IIHF Congress in 1969, the IIHF decided to allow Canada to use nine non-NHL professional hockey players at the 1970 World Championships in Montreal and Winnipeg, Manitoba, Canada. The decision was reversed in January 1970 after IOC President Avery Brundage said that ice hockey's status as an Olympic sport would be in jeopardy if the change was made. In response, Canada withdrew from all international ice hockey competitions and officials stated that they would not return until "open competition" was instituted. Günther Sabetzki became president of the IIHF in 1975 and helped to resolve the dispute with the CAHA. In 1976, the IIHF agreed to allow "open competition" between all players in the World Championships. However, NHL players were still not allowed to play in the Olympics, because of the unwillingness of the NHL to take a break mid-season and the IOC's amateur-only policy. Before the 1984 Winter Olympics, a dispute formed over what made a player a professional. The IOC had adopted a rule that made any player who had signed an NHL contract but played less than ten games in the league eligible. However, the United States Olympic Committee maintained that any player contracted with an NHL team was a professional and therefore not eligible to play. The IOC held an emergency meeting that ruled NHL-contracted players were eligible, as long as they had not played in any NHL games. This made five players on Olympic rosters—one Austrian, two Italians and two Canadians—ineligible. Players who had played in other professional leagues—such as the World Hockey Association—were allowed to play. Canadian hockey official Alan Eagleson stated that the rule was only applied to the NHL and that professionally contracted players in European leagues were still considered amateurs. Murray Costello of the CAHA suggested that a Canadian withdrawal was possible. In 1986, the IOC voted to allow all athletes to compete in Olympic Games starting in 1988, but let the individual sport federations decide if they wanted to allow professionals. After the 1972 retirement of IOC President Avery Brundage, the Olympic amateurism rules were steadily relaxed, amounting only to technicalities and lip service, until being completely abandoned in the 1990s (In the United States, the Amateur Sports Act of 1978 prohibits national governing bodies from having more stringent standards of amateur status than required by international governing bodies of respective sports. The act caused the breakup of the Amateur Athletic Union as a wholesale sports governing body at the Olympic level). Olympic regulations regarding amateur status of athletes were eventually abandoned in the 1990s with the exception of wrestling, where the amateur fight rules are used due to the fact that professional wrestling is largely staged with pre-determined outcomes.

They pushed for the ability to use players from professional leagues but met opposition from the International Ice Hockey Federation (IIHF) and the International Olympic Committee (IOC). At the IIHF Congress in 1969, the IIHF decided to allow Canada to use nine non-NHL professional hockey players at the 1970 World Championships in Montreal and Winnipeg, Manitoba, Canada. The decision was reversed in January 1970 after IOC President Avery Brundage said that ice hockey's status as an Olympic sport would be in jeopardy if the change was made. In response, Canada withdrew from all international ice hockey competitions and officials stated that they would not return until "open competition" was instituted. Günther Sabetzki became president of the IIHF in 1975 and helped to resolve the dispute with the CAHA. In 1976, the IIHF agreed to allow "open competition" between all players in the World Championships. However, NHL players were still not allowed to play in the Olympics, because of the unwillingness of the NHL to take a break mid-season and the IOC's amateur-only policy. Before the 1984 Winter Olympics, a dispute formed over what made a player a professional. The IOC had adopted a rule that made any player who had signed an NHL contract but played less than ten games in the league eligible. However, the United States Olympic Committee maintained that any player contracted with an NHL team was a professional and therefore not eligible to play. The IOC held an emergency meeting that ruled NHL-contracted players were eligible, as long as they had not played in any NHL games. This made five players on Olympic rosters—one Austrian, two Italians and two Canadians—ineligible. Players who had played in other professional leagues—such as the World Hockey Association—were allowed to play. Canadian hockey official Alan Eagleson stated that the rule was only applied to the NHL and that professionally contracted players in European leagues were still considered amateurs. Murray Costello of the CAHA suggested that a Canadian withdrawal was possible. In 1986, the IOC voted to allow all athletes to compete in Olympic Games starting in 1988, but let the individual sport federations decide if they wanted to allow professionals. After the 1972 retirement of IOC President Avery Brundage, the Olympic amateurism rules were steadily relaxed, amounting only to technicalities and lip service, until being completely abandoned in the 1990s (In the United States, the Amateur Sports Act of 1978 prohibits national governing bodies from having more stringent standards of amateur status than required by international governing bodies of respective sports. The act caused the breakup of the Amateur Athletic Union as a wholesale sports governing body at the Olympic level). Olympic regulations regarding amateur status of athletes were eventually abandoned in the 1990s with the exception of wrestling, where the amateur fight rules are used due to the fact that professional wrestling is largely staged with pre-determined outcomes.

Starting from the 2016 Summer Olympics, professionals were allowed to compete in boxing, though amateur fight rules are still used for the tournament. Contribution of amateurs Many amateurs make valuable contributions in the field of computer programming through the open source movement. Amateur dramatics is the performance of plays or musical theater, often to high standards, but lacking the budgets of professional West End or Broadway performances. Astronomy, chemistry, history, linguistics, and the natural sciences are among the fields that have benefited from the activities of amateurs. Gregor Mendel was an amateur scientist who never held a position in his field of study. Radio astronomy was founded by Grote Reber, an amateur radio operator. Radio itself was greatly advanced by Guglielmo Marconi, a young Italian gentleman who started out by tinkering with a coherer and a spark coil as an amateur electrician. Pierre de Fermat was a highly influential mathematician whose primary vocation was law. In the 2000s and 2010s, the distinction between amateur and professional has become increasingly blurred, especially in areas such as computer programming, music and astronomy. The term amateur professionalism, or pro-am, is used to describe these activities. List of amateur pursuits Amateur astronomy, including a list of notable amateur astronomers Amateur chemistry, including a list of notable amateur chemists Amateur film Amateur geology or rockhounding, including a list of notable amateur geologists Amateur journalism Amateur radio Amateur sports Amateur theatre Amateur pornography Arts and crafts or handicraft, including a list of handicrafts carried out by amateurs Fan fiction Independent scholar Independent scientist or gentleman scientist, including a list of notable amateur scientists See also Professional Semi-professional Amateurism in the NCAA Amateur professionalism Hobby List of amateur chess players List of amateur mathematicians List of amateur wrestlers Volunteering References Further reading Occupations

Starting from the 2016 Summer Olympics, professionals were allowed to compete in boxing, though amateur fight rules are still used for the tournament. Contribution of amateurs Many amateurs make valuable contributions in the field of computer programming through the open source movement. Amateur dramatics is the performance of plays or musical theater, often to high standards, but lacking the budgets of professional West End or Broadway performances. Astronomy, chemistry, history, linguistics, and the natural sciences are among the fields that have benefited from the activities of amateurs. Gregor Mendel was an amateur scientist who never held a position in his field of study. Radio astronomy was founded by Grote Reber, an amateur radio operator. Radio itself was greatly advanced by Guglielmo Marconi, a young Italian gentleman who started out by tinkering with a coherer and a spark coil as an amateur electrician. Pierre de Fermat was a highly influential mathematician whose primary vocation was law. In the 2000s and 2010s, the distinction between amateur and professional has become increasingly blurred, especially in areas such as computer programming, music and astronomy. The term amateur professionalism, or pro-am, is used to describe these activities. List of amateur pursuits Amateur astronomy, including a list of notable amateur astronomers Amateur chemistry, including a list of notable amateur chemists Amateur film Amateur geology or rockhounding, including a list of notable amateur geologists Amateur journalism Amateur radio Amateur sports Amateur theatre Amateur pornography Arts and crafts or handicraft, including a list of handicrafts carried out by amateurs Fan fiction Independent scholar Independent scientist or gentleman scientist, including a list of notable amateur scientists See also Professional Semi-professional Amateurism in the NCAA Amateur professionalism Hobby List of amateur chess players List of amateur mathematicians List of amateur wrestlers Volunteering References Further reading Occupations

Starting from the 2016 Summer Olympics, professionals were allowed to compete in boxing, though amateur fight rules are still used for the tournament. Contribution of amateurs Many amateurs make valuable contributions in the field of computer programming through the open source movement. Amateur dramatics is the performance of plays or musical theater, often to high standards, but lacking the budgets of professional West End or Broadway performances. Astronomy, chemistry, history, linguistics, and the natural sciences are among the fields that have benefited from the activities of amateurs. Gregor Mendel was an amateur scientist who never held a position in his field of study. Radio astronomy was founded by Grote Reber, an amateur radio operator. Radio itself was greatly advanced by Guglielmo Marconi, a young Italian gentleman who started out by tinkering with a coherer and a spark coil as an amateur electrician. Pierre de Fermat was a highly influential mathematician whose primary vocation was law. In the 2000s and 2010s, the distinction between amateur and professional has become increasingly blurred, especially in areas such as computer programming, music and astronomy. The term amateur professionalism, or pro-am, is used to describe these activities. List of amateur pursuits Amateur astronomy, including a list of notable amateur astronomers Amateur chemistry, including a list of notable amateur chemists Amateur film Amateur geology or rockhounding, including a list of notable amateur geologists Amateur journalism Amateur radio Amateur sports Amateur theatre Amateur pornography Arts and crafts or handicraft, including a list of handicrafts carried out by amateurs Fan fiction Independent scholar Independent scientist or gentleman scientist, including a list of notable amateur scientists See also Professional Semi-professional Amateurism in the NCAA Amateur professionalism Hobby List of amateur chess players List of amateur mathematicians List of amateur wrestlers Volunteering References Further reading Occupations

Alexis Carrel Alexis Carrel (; 28 June 1873 – 5 November 1944) was a French surgeon and biologist who was awarded the Nobel Prize in Physiology or Medicine in 1912 for pioneering vascular suturing techniques. He invented the first perfusion pump with Charles A. Lindbergh opening the way to organ transplantation. His positive description of a miraculous healing he witnessed during a pilgrimage earned him scorn of some of his colleagues. This prompted him to relocate to the United States, where he lived most of his life. He had a leading role in implementing eugenic policies in Vichy France. A Nobel Prize laureate in 1912, Alexis Carrel was also elected twice, in 1924 and 1927, as an honorary member of the Academy of Sciences of the USSR. Biography Born in Sainte-Foy-lès-Lyon, Rhône, Carrel was raised in a devout Catholic family and was educated by Jesuits, though he had become an agnostic by the time he became a university student. He was a pioneer in transplantology and thoracic surgery. Alexis Carrel was also a member of learned societies in the U.S., Spain, Russia, Sweden, the Netherlands, Belgium, France, Vatican City, Germany, Italy and Greece and received honorary doctorates from Queen's University of Belfast, Princeton University, California, New York, Brown University and Columbia University. In 1902, he was claimed to have witnessed the miraculous cure of Marie Bailly at Lourdes, made famous in part because she named Carrel as a witness of her cure. After the notoriety surrounding the event, Carrel could not obtain a hospital appointment because of the pervasive anticlericalism in the French university system at the time. In 1903, he emigrated to Montreal, Canada, but soon relocated to Chicago, Illinois, to work for Hull Laboratory. While there he collaborated with American physician Charles Claude Guthrie in work on vascular suture and the transplantation of blood vessels and organs as well as the head, and Carrel was awarded the 1912 Nobel Prize in Physiology or Medicine for these efforts. In 1906, he joined the newly formed Rockefeller Institute of Medical Research in New York where he spent the rest of his career. There he did significant work on tissue cultures with pathologist Montrose Thomas Burrows. In the 1930s, Carrel and Charles Lindbergh became close friends not only because of the years they worked together but also because they shared personal, political, and social views. Lindbergh initially sought out Carrel to see if his sister-in-law's heart, damaged by rheumatic fever, could be repaired. When Lindbergh saw the crudeness of Carrel's machinery, he offered to build new equipment for the scientist. Eventually they built the first perfusion pump, an invention instrumental to the development of organ transplantation and open heart surgery. Lindbergh considered Carrel his closest friend, and said he would preserve and promote Carrel's ideals after his death.

Alexis Carrel Alexis Carrel (; 28 June 1873 – 5 November 1944) was a French surgeon and biologist who was awarded the Nobel Prize in Physiology or Medicine in 1912 for pioneering vascular suturing techniques. He invented the first perfusion pump with Charles A. Lindbergh opening the way to organ transplantation. His positive description of a miraculous healing he witnessed during a pilgrimage earned him scorn of some of his colleagues. This prompted him to relocate to the United States, where he lived most of his life. He had a leading role in implementing eugenic policies in Vichy France. A Nobel Prize laureate in 1912, Alexis Carrel was also elected twice, in 1924 and 1927, as an honorary member of the Academy of Sciences of the USSR. Biography Born in Sainte-Foy-lès-Lyon, Rhône, Carrel was raised in a devout Catholic family and was educated by Jesuits, though he had become an agnostic by the time he became a university student. He was a pioneer in transplantology and thoracic surgery. Alexis Carrel was also a member of learned societies in the U.S., Spain, Russia, Sweden, the Netherlands, Belgium, France, Vatican City, Germany, Italy and Greece and received honorary doctorates from Queen's University of Belfast, Princeton University, California, New York, Brown University and Columbia University. In 1902, he was claimed to have witnessed the miraculous cure of Marie Bailly at Lourdes, made famous in part because she named Carrel as a witness of her cure. After the notoriety surrounding the event, Carrel could not obtain a hospital appointment because of the pervasive anticlericalism in the French university system at the time. In 1903, he emigrated to Montreal, Canada, but soon relocated to Chicago, Illinois, to work for Hull Laboratory. While there he collaborated with American physician Charles Claude Guthrie in work on vascular suture and the transplantation of blood vessels and organs as well as the head, and Carrel was awarded the 1912 Nobel Prize in Physiology or Medicine for these efforts. In 1906, he joined the newly formed Rockefeller Institute of Medical Research in New York where he spent the rest of his career. There he did significant work on tissue cultures with pathologist Montrose Thomas Burrows. In the 1930s, Carrel and Charles Lindbergh became close friends not only because of the years they worked together but also because they shared personal, political, and social views. Lindbergh initially sought out Carrel to see if his sister-in-law's heart, damaged by rheumatic fever, could be repaired. When Lindbergh saw the crudeness of Carrel's machinery, he offered to build new equipment for the scientist. Eventually they built the first perfusion pump, an invention instrumental to the development of organ transplantation and open heart surgery. Lindbergh considered Carrel his closest friend, and said he would preserve and promote Carrel's ideals after his death.

Due to his close proximity with Jacques Doriot's fascist Parti Populaire Français (PPF) during the 1930s and his role in implementing eugenics policies during Vichy France, he was accused after the Liberation of collaboration, but died before the trial. In his later life he returned to his Catholic roots. In 1939, he met with Trappist monk Alexis Presse on a recommendation. Although Carrel was skeptical about meeting with a priest, Presse ended up having a profound influence on the rest of Carrel's life. In 1942, he said "I believe in the existence of God, in the immortality of the soul, in Revelation and in all the Catholic Church teaches." He summoned Presse to administer the Catholic Sacraments on his death bed in November 1944. For much of his life, Carrel and his wife spent their summers on the , which they owned. After he and Lindbergh became close friends, Carrel persuaded him to also buy a neighboring island, the Ile Illiec, where the Lindberghs often resided in the late 1930s. Contributions to science Vascular suture Carrel was a young surgeon in 1894, when the French president Sadi Carnot was assassinated with a knife. Carnot bled to death due to severing of his portal vein, and surgeons who treated the president felt that the vein could not be successfully reconnected. This left a deep impression on Carrel, and he set about developing new techniques for suturing blood vessels. The technique of "triangulation", using three stay-sutures as traction points in order to minimize damage to the vascular wall during suturing, was inspired by sewing lessons he took from an embroideress and is still used today. Julius Comroe wrote: "Between 1901 and 1910, Alexis Carrel, using experimental animals, performed every feat and developed every technique known to vascular surgery today." He had great success in reconnecting arteries and veins, and performing surgical grafts, and this led to his Nobel Prize in 1912. Wound antisepsis During World War I (1914–1918), Carrel and the English chemist Henry Drysdale Dakin developed the Carrel–Dakin method of treating wounds based on chlorine (Dakin's solution) which, preceding the development of antibiotics, was a major medical advance in the care of traumatic wounds. For this, Carrel was awarded the Légion d'honneur. Carrel also advocated the use of wound debridement (cutting away necrotic or otherwise damaged tissue) and irrigation of wounds. His method of wound irrigation involved flushing the tissues with a high volume of antiseptic fluid so that dirt and other contaminants would be washed away (this is known today as "mechanical irrigation.") The World War I era Rockefeller War Demonstration Hospital (United States Army Auxiliary Hospital No. 1) was created, in part, to promote the Carrel–Dakin method: "The war demonstration hospital of the Rockefeller Institute was planned as a school in which to teach military surgeons the principles of and art of applying the Carrel-Dakin treatment."

Due to his close proximity with Jacques Doriot's fascist Parti Populaire Français (PPF) during the 1930s and his role in implementing eugenics policies during Vichy France, he was accused after the Liberation of collaboration, but died before the trial. In his later life he returned to his Catholic roots. In 1939, he met with Trappist monk Alexis Presse on a recommendation. Although Carrel was skeptical about meeting with a priest, Presse ended up having a profound influence on the rest of Carrel's life. In 1942, he said "I believe in the existence of God, in the immortality of the soul, in Revelation and in all the Catholic Church teaches." He summoned Presse to administer the Catholic Sacraments on his death bed in November 1944. For much of his life, Carrel and his wife spent their summers on the , which they owned. After he and Lindbergh became close friends, Carrel persuaded him to also buy a neighboring island, the Ile Illiec, where the Lindberghs often resided in the late 1930s. Contributions to science Vascular suture Carrel was a young surgeon in 1894, when the French president Sadi Carnot was assassinated with a knife. Carnot bled to death due to severing of his portal vein, and surgeons who treated the president felt that the vein could not be successfully reconnected. This left a deep impression on Carrel, and he set about developing new techniques for suturing blood vessels. The technique of "triangulation", using three stay-sutures as traction points in order to minimize damage to the vascular wall during suturing, was inspired by sewing lessons he took from an embroideress and is still used today. Julius Comroe wrote: "Between 1901 and 1910, Alexis Carrel, using experimental animals, performed every feat and developed every technique known to vascular surgery today." He had great success in reconnecting arteries and veins, and performing surgical grafts, and this led to his Nobel Prize in 1912. Wound antisepsis During World War I (1914–1918), Carrel and the English chemist Henry Drysdale Dakin developed the Carrel–Dakin method of treating wounds based on chlorine (Dakin's solution) which, preceding the development of antibiotics, was a major medical advance in the care of traumatic wounds. For this, Carrel was awarded the Légion d'honneur. Carrel also advocated the use of wound debridement (cutting away necrotic or otherwise damaged tissue) and irrigation of wounds. His method of wound irrigation involved flushing the tissues with a high volume of antiseptic fluid so that dirt and other contaminants would be washed away (this is known today as "mechanical irrigation.") The World War I era Rockefeller War Demonstration Hospital (United States Army Auxiliary Hospital No. 1) was created, in part, to promote the Carrel–Dakin method: "The war demonstration hospital of the Rockefeller Institute was planned as a school in which to teach military surgeons the principles of and art of applying the Carrel-Dakin treatment."

Due to his close proximity with Jacques Doriot's fascist Parti Populaire Français (PPF) during the 1930s and his role in implementing eugenics policies during Vichy France, he was accused after the Liberation of collaboration, but died before the trial. In his later life he returned to his Catholic roots. In 1939, he met with Trappist monk Alexis Presse on a recommendation. Although Carrel was skeptical about meeting with a priest, Presse ended up having a profound influence on the rest of Carrel's life. In 1942, he said "I believe in the existence of God, in the immortality of the soul, in Revelation and in all the Catholic Church teaches." He summoned Presse to administer the Catholic Sacraments on his death bed in November 1944. For much of his life, Carrel and his wife spent their summers on the , which they owned. After he and Lindbergh became close friends, Carrel persuaded him to also buy a neighboring island, the Ile Illiec, where the Lindberghs often resided in the late 1930s. Contributions to science Vascular suture Carrel was a young surgeon in 1894, when the French president Sadi Carnot was assassinated with a knife. Carnot bled to death due to severing of his portal vein, and surgeons who treated the president felt that the vein could not be successfully reconnected. This left a deep impression on Carrel, and he set about developing new techniques for suturing blood vessels. The technique of "triangulation", using three stay-sutures as traction points in order to minimize damage to the vascular wall during suturing, was inspired by sewing lessons he took from an embroideress and is still used today. Julius Comroe wrote: "Between 1901 and 1910, Alexis Carrel, using experimental animals, performed every feat and developed every technique known to vascular surgery today." He had great success in reconnecting arteries and veins, and performing surgical grafts, and this led to his Nobel Prize in 1912. Wound antisepsis During World War I (1914–1918), Carrel and the English chemist Henry Drysdale Dakin developed the Carrel–Dakin method of treating wounds based on chlorine (Dakin's solution) which, preceding the development of antibiotics, was a major medical advance in the care of traumatic wounds. For this, Carrel was awarded the Légion d'honneur. Carrel also advocated the use of wound debridement (cutting away necrotic or otherwise damaged tissue) and irrigation of wounds. His method of wound irrigation involved flushing the tissues with a high volume of antiseptic fluid so that dirt and other contaminants would be washed away (this is known today as "mechanical irrigation.") The World War I era Rockefeller War Demonstration Hospital (United States Army Auxiliary Hospital No. 1) was created, in part, to promote the Carrel–Dakin method: "The war demonstration hospital of the Rockefeller Institute was planned as a school in which to teach military surgeons the principles of and art of applying the Carrel-Dakin treatment."

Organ transplants Carrel co-authored a book with pilot Charles A. Lindbergh, The Culture of Organs, and worked with Lindbergh in the mid-1930s to create the "perfusion pump," which allowed living organs to exist outside the body during surgery. The advance is said to have been a crucial step in the development of open-heart surgery and organ transplants, and to have laid the groundwork for the artificial heart, which became a reality decades later. Some critics of Lindbergh claimed that Carrel overstated Lindbergh's role to gain media attention, but other sources say Lindbergh played an important role in developing the device. Both Lindbergh and Carrel appeared on the cover of Time magazine on 13 June 1938. Cellular senescence Carrel was also interested in the phenomenon of senescence, or aging. He claimed that all cells continued to grow indefinitely, and this became a dominant view in the early 20th century. Carrel started an experiment on 17 January 1912, where he placed tissue cultured from an embryonic chicken heart in a stoppered Pyrex flask of his own design. He maintained the living culture for over 20 years with regular supplies of nutrient. This was longer than a chicken's normal lifespan. The experiment, which was conducted at the Rockefeller Institute for Medical Research, attracted considerable popular and scientific attention. Carrel's experiment was never successfully replicated, and in the 1960s Leonard Hayflick and Paul Moorhead proposed that differentiated cells can undergo only a limited number of divisions before dying. This is known as the Hayflick limit, and is now a pillar of biology. It is not certain how Carrel obtained his anomalous results. Leonard Hayflick suggests that the daily feeding of nutrient was continually introducing new living cells to the alleged immortal culture. J. A. Witkowski has argued that, while "immortal" strains of visibly mutated cells have been obtained by other experimenters, a more likely explanation is deliberate introduction of new cells into the culture, possibly without Carrel's knowledge. Honors In 1972, the Swedish Post Office honored Carrel with a stamp that was part of its Nobel stamp series. In 1979, the lunar crater Carrel was named after him as a tribute to his scientific breakthroughs. In February 2002, as part of celebrations of the 100th anniversary of Charles Lindbergh's birth, the Medical University of South Carolina at Charleston established the Lindbergh-Carrel Prize, given to major contributors to "development of perfusion and bioreactor technologies for organ preservation and growth". Michael DeBakey and nine other scientists received the prize, a bronze statuette created for the event by the Italian artist C. Zoli and named "Elisabeth" after Elisabeth Morrow, sister of Lindbergh's wife Anne Morrow, who died from heart disease. It was in fact Lindbergh's disappointment that contemporary medical technology could not provide an artificial heart pump which would allow for heart surgery on her that led to Lindbergh's first contact with Carrel.

Organ transplants Carrel co-authored a book with pilot Charles A. Lindbergh, The Culture of Organs, and worked with Lindbergh in the mid-1930s to create the "perfusion pump," which allowed living organs to exist outside the body during surgery. The advance is said to have been a crucial step in the development of open-heart surgery and organ transplants, and to have laid the groundwork for the artificial heart, which became a reality decades later. Some critics of Lindbergh claimed that Carrel overstated Lindbergh's role to gain media attention, but other sources say Lindbergh played an important role in developing the device. Both Lindbergh and Carrel appeared on the cover of Time magazine on 13 June 1938. Cellular senescence Carrel was also interested in the phenomenon of senescence, or aging. He claimed that all cells continued to grow indefinitely, and this became a dominant view in the early 20th century. Carrel started an experiment on 17 January 1912, where he placed tissue cultured from an embryonic chicken heart in a stoppered Pyrex flask of his own design. He maintained the living culture for over 20 years with regular supplies of nutrient. This was longer than a chicken's normal lifespan. The experiment, which was conducted at the Rockefeller Institute for Medical Research, attracted considerable popular and scientific attention. Carrel's experiment was never successfully replicated, and in the 1960s Leonard Hayflick and Paul Moorhead proposed that differentiated cells can undergo only a limited number of divisions before dying. This is known as the Hayflick limit, and is now a pillar of biology. It is not certain how Carrel obtained his anomalous results. Leonard Hayflick suggests that the daily feeding of nutrient was continually introducing new living cells to the alleged immortal culture. J. A. Witkowski has argued that, while "immortal" strains of visibly mutated cells have been obtained by other experimenters, a more likely explanation is deliberate introduction of new cells into the culture, possibly without Carrel's knowledge. Honors In 1972, the Swedish Post Office honored Carrel with a stamp that was part of its Nobel stamp series. In 1979, the lunar crater Carrel was named after him as a tribute to his scientific breakthroughs. In February 2002, as part of celebrations of the 100th anniversary of Charles Lindbergh's birth, the Medical University of South Carolina at Charleston established the Lindbergh-Carrel Prize, given to major contributors to "development of perfusion and bioreactor technologies for organ preservation and growth". Michael DeBakey and nine other scientists received the prize, a bronze statuette created for the event by the Italian artist C. Zoli and named "Elisabeth" after Elisabeth Morrow, sister of Lindbergh's wife Anne Morrow, who died from heart disease. It was in fact Lindbergh's disappointment that contemporary medical technology could not provide an artificial heart pump which would allow for heart surgery on her that led to Lindbergh's first contact with Carrel.

Organ transplants Carrel co-authored a book with pilot Charles A. Lindbergh, The Culture of Organs, and worked with Lindbergh in the mid-1930s to create the "perfusion pump," which allowed living organs to exist outside the body during surgery. The advance is said to have been a crucial step in the development of open-heart surgery and organ transplants, and to have laid the groundwork for the artificial heart, which became a reality decades later. Some critics of Lindbergh claimed that Carrel overstated Lindbergh's role to gain media attention, but other sources say Lindbergh played an important role in developing the device. Both Lindbergh and Carrel appeared on the cover of Time magazine on 13 June 1938. Cellular senescence Carrel was also interested in the phenomenon of senescence, or aging. He claimed that all cells continued to grow indefinitely, and this became a dominant view in the early 20th century. Carrel started an experiment on 17 January 1912, where he placed tissue cultured from an embryonic chicken heart in a stoppered Pyrex flask of his own design. He maintained the living culture for over 20 years with regular supplies of nutrient. This was longer than a chicken's normal lifespan. The experiment, which was conducted at the Rockefeller Institute for Medical Research, attracted considerable popular and scientific attention. Carrel's experiment was never successfully replicated, and in the 1960s Leonard Hayflick and Paul Moorhead proposed that differentiated cells can undergo only a limited number of divisions before dying. This is known as the Hayflick limit, and is now a pillar of biology. It is not certain how Carrel obtained his anomalous results. Leonard Hayflick suggests that the daily feeding of nutrient was continually introducing new living cells to the alleged immortal culture. J. A. Witkowski has argued that, while "immortal" strains of visibly mutated cells have been obtained by other experimenters, a more likely explanation is deliberate introduction of new cells into the culture, possibly without Carrel's knowledge. Honors In 1972, the Swedish Post Office honored Carrel with a stamp that was part of its Nobel stamp series. In 1979, the lunar crater Carrel was named after him as a tribute to his scientific breakthroughs. In February 2002, as part of celebrations of the 100th anniversary of Charles Lindbergh's birth, the Medical University of South Carolina at Charleston established the Lindbergh-Carrel Prize, given to major contributors to "development of perfusion and bioreactor technologies for organ preservation and growth". Michael DeBakey and nine other scientists received the prize, a bronze statuette created for the event by the Italian artist C. Zoli and named "Elisabeth" after Elisabeth Morrow, sister of Lindbergh's wife Anne Morrow, who died from heart disease. It was in fact Lindbergh's disappointment that contemporary medical technology could not provide an artificial heart pump which would allow for heart surgery on her that led to Lindbergh's first contact with Carrel.

Alexis Carrel and Lourdes In 1902, Alexis Carrel went from being a skeptic of the visions and miracles reported at Lourdes to being a believer in spiritual cures after experiencing a healing of Marie Bailly that he could not explain. The Catholic journal Le nouvelliste reported that she named him as the prime witness of her cure. Alexis Carrel refused to discount a supernatural explanation and steadfastly reiterated his beliefs, even writing the book The Voyage to Lourdes describing his experience, although it was not published until four years after his death. This was a detriment to his career and reputation among his fellow doctors, and feeling he had no future in academic medicine in France, he emigrated to Canada with the intention of farming and raising cattle. After a brief period, he accepted an appointment at the University of Chicago and, two years later, at the Rockefeller Institute of Medical Research. Man, the Unknown (1935, 1939) In 1935, Carrel published a book titled L'Homme, cet inconnu (Man, the Unknown), which became a best-seller. In the book, he attempted to outline a comprehensive account of what is known and more importantly unknown of the human body and human life "in light of discoveries in biology, physics, and medicine", to elucidate problems of the modern world, and to provide possible routes to a better life for human beings. For Carrel, the fundamental problem was that: [M]en cannot follow modern civilization along its present course, because they are degenerating. They have been fascinated by the beauty of the sciences of inert matter. They have not understood that their body and consciousness are subjected to natural laws, more obscure than, but as inexorable as, the laws of the sidereal world. Neither have they understood that they cannot transgress these laws without being punished. They must, therefore, learn the necessary relations of the cosmic universe, of their fellow men, and of their inner selves, and also those of their tissues and their mind. Indeed, man stands above all things. Should he degenerate, the beauty of civilization, and even the grandeur of the physical universe, would vanish. ... Humanity's attention must turn from the machines of the world of inanimate matter to the body and the soul of man, to the organic and mental processes which have created the machines and the universe of Newton and Einstein. Carrel advocated, in part, that mankind could better itself by following the guidance of an elite group of intellectuals, and by incorporating eugenics into the social framework. He argued for an aristocracy springing from individuals of potential, writing: We must single out the children who are endowed with high potentialities, and develop them as completely as possible. And in this manner give to the nation a non-hereditary aristocracy. Such children may be found in all classes of society, although distinguished men appear more frequently in distinguished families than in others. The descendants of the founders of American civilization may still possess the ancestral qualities.

Alexis Carrel and Lourdes In 1902, Alexis Carrel went from being a skeptic of the visions and miracles reported at Lourdes to being a believer in spiritual cures after experiencing a healing of Marie Bailly that he could not explain. The Catholic journal Le nouvelliste reported that she named him as the prime witness of her cure. Alexis Carrel refused to discount a supernatural explanation and steadfastly reiterated his beliefs, even writing the book The Voyage to Lourdes describing his experience, although it was not published until four years after his death. This was a detriment to his career and reputation among his fellow doctors, and feeling he had no future in academic medicine in France, he emigrated to Canada with the intention of farming and raising cattle. After a brief period, he accepted an appointment at the University of Chicago and, two years later, at the Rockefeller Institute of Medical Research. Man, the Unknown (1935, 1939) In 1935, Carrel published a book titled L'Homme, cet inconnu (Man, the Unknown), which became a best-seller. In the book, he attempted to outline a comprehensive account of what is known and more importantly unknown of the human body and human life "in light of discoveries in biology, physics, and medicine", to elucidate problems of the modern world, and to provide possible routes to a better life for human beings. For Carrel, the fundamental problem was that: [M]en cannot follow modern civilization along its present course, because they are degenerating. They have been fascinated by the beauty of the sciences of inert matter. They have not understood that their body and consciousness are subjected to natural laws, more obscure than, but as inexorable as, the laws of the sidereal world. Neither have they understood that they cannot transgress these laws without being punished. They must, therefore, learn the necessary relations of the cosmic universe, of their fellow men, and of their inner selves, and also those of their tissues and their mind. Indeed, man stands above all things. Should he degenerate, the beauty of civilization, and even the grandeur of the physical universe, would vanish. ... Humanity's attention must turn from the machines of the world of inanimate matter to the body and the soul of man, to the organic and mental processes which have created the machines and the universe of Newton and Einstein. Carrel advocated, in part, that mankind could better itself by following the guidance of an elite group of intellectuals, and by incorporating eugenics into the social framework. He argued for an aristocracy springing from individuals of potential, writing: We must single out the children who are endowed with high potentialities, and develop them as completely as possible. And in this manner give to the nation a non-hereditary aristocracy. Such children may be found in all classes of society, although distinguished men appear more frequently in distinguished families than in others. The descendants of the founders of American civilization may still possess the ancestral qualities.

Alexis Carrel and Lourdes In 1902, Alexis Carrel went from being a skeptic of the visions and miracles reported at Lourdes to being a believer in spiritual cures after experiencing a healing of Marie Bailly that he could not explain. The Catholic journal Le nouvelliste reported that she named him as the prime witness of her cure. Alexis Carrel refused to discount a supernatural explanation and steadfastly reiterated his beliefs, even writing the book The Voyage to Lourdes describing his experience, although it was not published until four years after his death. This was a detriment to his career and reputation among his fellow doctors, and feeling he had no future in academic medicine in France, he emigrated to Canada with the intention of farming and raising cattle. After a brief period, he accepted an appointment at the University of Chicago and, two years later, at the Rockefeller Institute of Medical Research. Man, the Unknown (1935, 1939) In 1935, Carrel published a book titled L'Homme, cet inconnu (Man, the Unknown), which became a best-seller. In the book, he attempted to outline a comprehensive account of what is known and more importantly unknown of the human body and human life "in light of discoveries in biology, physics, and medicine", to elucidate problems of the modern world, and to provide possible routes to a better life for human beings. For Carrel, the fundamental problem was that: [M]en cannot follow modern civilization along its present course, because they are degenerating. They have been fascinated by the beauty of the sciences of inert matter. They have not understood that their body and consciousness are subjected to natural laws, more obscure than, but as inexorable as, the laws of the sidereal world. Neither have they understood that they cannot transgress these laws without being punished. They must, therefore, learn the necessary relations of the cosmic universe, of their fellow men, and of their inner selves, and also those of their tissues and their mind. Indeed, man stands above all things. Should he degenerate, the beauty of civilization, and even the grandeur of the physical universe, would vanish. ... Humanity's attention must turn from the machines of the world of inanimate matter to the body and the soul of man, to the organic and mental processes which have created the machines and the universe of Newton and Einstein. Carrel advocated, in part, that mankind could better itself by following the guidance of an elite group of intellectuals, and by incorporating eugenics into the social framework. He argued for an aristocracy springing from individuals of potential, writing: We must single out the children who are endowed with high potentialities, and develop them as completely as possible. And in this manner give to the nation a non-hereditary aristocracy. Such children may be found in all classes of society, although distinguished men appear more frequently in distinguished families than in others. The descendants of the founders of American civilization may still possess the ancestral qualities.

These qualities are generally hidden under the cloak of degeneration. But this degeneration is often superficial. It comes chiefly from education, idleness, lack of responsibility and moral discipline. The sons of very rich men, like those of criminals, should be removed while still infants from their natural surroundings. Thus separated from their family, they could manifest their hereditary strength. In the aristocratic families of Europe there are also individuals of great vitality. The issue of the Crusaders is by no means extinct. The laws of genetics indicate the probability that the legendary audacity and love of adventure can appear again in the lineage of the feudal lords. It is possible also that the offspring of the great criminals who had imagination, courage, and judgment, of the heroes of the French or Russian Revolutions, of the high-handed business men who live among us, might be excellent building stones for an enterprising minority. As we know, criminality is not hereditary if not united with feeble-mindedness or other mental or cerebral defects. High potentialities are rarely encountered in the sons of honest, intelligent, hard-working men who have had ill luck in their careers, who have failed in business or have muddled along all their lives in inferior positions. Or among peasants living on the same spot for centuries. However, from such people sometimes spring artists, poets, adventurers, saints. A brilliantly gifted and well-known New York family came from peasants who cultivated their farm in the south of France from the time of Charlemagne to that of Napoleon. Carrel advocated for euthanasia for criminals, and the criminally insane, specifically endorsing the use of gassing: (t)he conditioning of petty criminals with the whip, or some more scientific procedure, followed by a short stay in hospital, would probably suffice to insure order. Those who have murdered, robbed while armed with automatic pistol or machine gun, kidnapped children, despoiled the poor of their savings, misled the public in important matters, should be humanely and economically disposed of in small euthanasic institutions supplied with proper gasses. A similar treatment could be advantageously applied to the insane, guilty of criminal acts. Otherwise he endorsed voluntary positive eugenics. He wrote: We have mentioned that natural selection has not played its part for a long while. That many inferior individuals have been conserved through the efforts of hygiene and medicine. But we cannot prevent the reproduction of the weak when they are neither insane nor criminal. Or destroy sickly or defective children as we do the weaklings in a litter of puppies. The only way to obviate the disastrous predominance of the weak is to develop the strong. Our efforts to render normal the unfit are evidently useless. We should, then, turn our attention toward promoting the optimum growth of the fit. By making the strong still stronger, we could effectively help the weak; For the herd always profits by the ideas and inventions of the elite.

These qualities are generally hidden under the cloak of degeneration. But this degeneration is often superficial. It comes chiefly from education, idleness, lack of responsibility and moral discipline. The sons of very rich men, like those of criminals, should be removed while still infants from their natural surroundings. Thus separated from their family, they could manifest their hereditary strength. In the aristocratic families of Europe there are also individuals of great vitality. The issue of the Crusaders is by no means extinct. The laws of genetics indicate the probability that the legendary audacity and love of adventure can appear again in the lineage of the feudal lords. It is possible also that the offspring of the great criminals who had imagination, courage, and judgment, of the heroes of the French or Russian Revolutions, of the high-handed business men who live among us, might be excellent building stones for an enterprising minority. As we know, criminality is not hereditary if not united with feeble-mindedness or other mental or cerebral defects. High potentialities are rarely encountered in the sons of honest, intelligent, hard-working men who have had ill luck in their careers, who have failed in business or have muddled along all their lives in inferior positions. Or among peasants living on the same spot for centuries. However, from such people sometimes spring artists, poets, adventurers, saints. A brilliantly gifted and well-known New York family came from peasants who cultivated their farm in the south of France from the time of Charlemagne to that of Napoleon. Carrel advocated for euthanasia for criminals, and the criminally insane, specifically endorsing the use of gassing: (t)he conditioning of petty criminals with the whip, or some more scientific procedure, followed by a short stay in hospital, would probably suffice to insure order. Those who have murdered, robbed while armed with automatic pistol or machine gun, kidnapped children, despoiled the poor of their savings, misled the public in important matters, should be humanely and economically disposed of in small euthanasic institutions supplied with proper gasses. A similar treatment could be advantageously applied to the insane, guilty of criminal acts. Otherwise he endorsed voluntary positive eugenics. He wrote: We have mentioned that natural selection has not played its part for a long while. That many inferior individuals have been conserved through the efforts of hygiene and medicine. But we cannot prevent the reproduction of the weak when they are neither insane nor criminal. Or destroy sickly or defective children as we do the weaklings in a litter of puppies. The only way to obviate the disastrous predominance of the weak is to develop the strong. Our efforts to render normal the unfit are evidently useless. We should, then, turn our attention toward promoting the optimum growth of the fit. By making the strong still stronger, we could effectively help the weak; For the herd always profits by the ideas and inventions of the elite.

These qualities are generally hidden under the cloak of degeneration. But this degeneration is often superficial. It comes chiefly from education, idleness, lack of responsibility and moral discipline. The sons of very rich men, like those of criminals, should be removed while still infants from their natural surroundings. Thus separated from their family, they could manifest their hereditary strength. In the aristocratic families of Europe there are also individuals of great vitality. The issue of the Crusaders is by no means extinct. The laws of genetics indicate the probability that the legendary audacity and love of adventure can appear again in the lineage of the feudal lords. It is possible also that the offspring of the great criminals who had imagination, courage, and judgment, of the heroes of the French or Russian Revolutions, of the high-handed business men who live among us, might be excellent building stones for an enterprising minority. As we know, criminality is not hereditary if not united with feeble-mindedness or other mental or cerebral defects. High potentialities are rarely encountered in the sons of honest, intelligent, hard-working men who have had ill luck in their careers, who have failed in business or have muddled along all their lives in inferior positions. Or among peasants living on the same spot for centuries. However, from such people sometimes spring artists, poets, adventurers, saints. A brilliantly gifted and well-known New York family came from peasants who cultivated their farm in the south of France from the time of Charlemagne to that of Napoleon. Carrel advocated for euthanasia for criminals, and the criminally insane, specifically endorsing the use of gassing: (t)he conditioning of petty criminals with the whip, or some more scientific procedure, followed by a short stay in hospital, would probably suffice to insure order. Those who have murdered, robbed while armed with automatic pistol or machine gun, kidnapped children, despoiled the poor of their savings, misled the public in important matters, should be humanely and economically disposed of in small euthanasic institutions supplied with proper gasses. A similar treatment could be advantageously applied to the insane, guilty of criminal acts. Otherwise he endorsed voluntary positive eugenics. He wrote: We have mentioned that natural selection has not played its part for a long while. That many inferior individuals have been conserved through the efforts of hygiene and medicine. But we cannot prevent the reproduction of the weak when they are neither insane nor criminal. Or destroy sickly or defective children as we do the weaklings in a litter of puppies. The only way to obviate the disastrous predominance of the weak is to develop the strong. Our efforts to render normal the unfit are evidently useless. We should, then, turn our attention toward promoting the optimum growth of the fit. By making the strong still stronger, we could effectively help the weak; For the herd always profits by the ideas and inventions of the elite.

Instead of leveling organic and mental inequalities, we should amplify them and construct greater men. He continued: Carrel's endorsement of euthanasia of the criminal and insane was published in the mid-1930s, prior to the implementation of death camps and gas chambers in Nazi Germany. In the 1936 German introduction of his book, at the publisher's request, he added the following praise of the Nazi regime which did not appear in the editions in other languages: (t)he German government has taken energetic measures against the propagation of the defective, the mentally diseased, and the criminal. The ideal solution would be the suppression of each of these individuals as soon as he has proven himself to be dangerous. French Foundation for the Study of Human Problems In 1937, Carrel joined Jean Coutrot's Centre d'Etudes des Problèmes Humains - Coutrot's aim was to develop what he called an "economic humanism" through "collective thinking." In 1941, through connections to the cabinet of Vichy France president Philippe Pétain (specifically, French industrial physicians André Gros and Jacques Ménétrier) he went on to advocate for the creation of the French Foundation for the Study of Human Problems ( which was created by decree of the Vichy regime in 1941, and where he served as "regent". The foundation was at the origin of the 11 October 1946, law, enacted by the Provisional Government of the French Republic (GPRF), which institutionalized the field of occupational medicine. It worked on demographics (Robert Gessain, Paul Vincent, Jean Bourgeois-Pichat), on economics, (François Perroux), on nutrition (Jean Sutter), on habitation (Jean Merlet) and on the first opinion polls (Jean Stoetzel). "The foundation was chartered as a public institution under the joint supervision of the ministries of finance and public health. It was given financial autonomy and a budget of forty million francs—roughly one franc per inhabitant—a true luxury considering the burdens imposed by the German Occupation on the nation's resources. By way of comparison, the whole Centre National de la Recherche Scientifique (CNRS) was given a budget of fifty million francs." The Foundation made many positive accomplishments during its time. It promoted the 16 December 1942 Act which established the prenuptial certificate, which was required before marriage, and was aimed at insuring the good health of the spouses, in particular in regard to sexually transmitted diseases (STD) and "life hygiene". The institute also established the , which could be used to record students' grades in the French secondary schools, and thus classify and select them according to scholastic performance. According to Gwen Terrenoire, writing in Eugenics in France (1913–1941) : a review of research findings, "The foundation was a pluridisciplinary centre that employed around 300 researchers (mainly statisticians, psychologists, physicians) from the summer of 1942 to the end of the autumn of 1944.

Instead of leveling organic and mental inequalities, we should amplify them and construct greater men. He continued: Carrel's endorsement of euthanasia of the criminal and insane was published in the mid-1930s, prior to the implementation of death camps and gas chambers in Nazi Germany. In the 1936 German introduction of his book, at the publisher's request, he added the following praise of the Nazi regime which did not appear in the editions in other languages: (t)he German government has taken energetic measures against the propagation of the defective, the mentally diseased, and the criminal. The ideal solution would be the suppression of each of these individuals as soon as he has proven himself to be dangerous. French Foundation for the Study of Human Problems In 1937, Carrel joined Jean Coutrot's Centre d'Etudes des Problèmes Humains - Coutrot's aim was to develop what he called an "economic humanism" through "collective thinking." In 1941, through connections to the cabinet of Vichy France president Philippe Pétain (specifically, French industrial physicians André Gros and Jacques Ménétrier) he went on to advocate for the creation of the French Foundation for the Study of Human Problems ( which was created by decree of the Vichy regime in 1941, and where he served as "regent". The foundation was at the origin of the 11 October 1946, law, enacted by the Provisional Government of the French Republic (GPRF), which institutionalized the field of occupational medicine. It worked on demographics (Robert Gessain, Paul Vincent, Jean Bourgeois-Pichat), on economics, (François Perroux), on nutrition (Jean Sutter), on habitation (Jean Merlet) and on the first opinion polls (Jean Stoetzel). "The foundation was chartered as a public institution under the joint supervision of the ministries of finance and public health. It was given financial autonomy and a budget of forty million francs—roughly one franc per inhabitant—a true luxury considering the burdens imposed by the German Occupation on the nation's resources. By way of comparison, the whole Centre National de la Recherche Scientifique (CNRS) was given a budget of fifty million francs." The Foundation made many positive accomplishments during its time. It promoted the 16 December 1942 Act which established the prenuptial certificate, which was required before marriage, and was aimed at insuring the good health of the spouses, in particular in regard to sexually transmitted diseases (STD) and "life hygiene". The institute also established the , which could be used to record students' grades in the French secondary schools, and thus classify and select them according to scholastic performance. According to Gwen Terrenoire, writing in Eugenics in France (1913–1941) : a review of research findings, "The foundation was a pluridisciplinary centre that employed around 300 researchers (mainly statisticians, psychologists, physicians) from the summer of 1942 to the end of the autumn of 1944.

Instead of leveling organic and mental inequalities, we should amplify them and construct greater men. He continued: Carrel's endorsement of euthanasia of the criminal and insane was published in the mid-1930s, prior to the implementation of death camps and gas chambers in Nazi Germany. In the 1936 German introduction of his book, at the publisher's request, he added the following praise of the Nazi regime which did not appear in the editions in other languages: (t)he German government has taken energetic measures against the propagation of the defective, the mentally diseased, and the criminal. The ideal solution would be the suppression of each of these individuals as soon as he has proven himself to be dangerous. French Foundation for the Study of Human Problems In 1937, Carrel joined Jean Coutrot's Centre d'Etudes des Problèmes Humains - Coutrot's aim was to develop what he called an "economic humanism" through "collective thinking." In 1941, through connections to the cabinet of Vichy France president Philippe Pétain (specifically, French industrial physicians André Gros and Jacques Ménétrier) he went on to advocate for the creation of the French Foundation for the Study of Human Problems ( which was created by decree of the Vichy regime in 1941, and where he served as "regent". The foundation was at the origin of the 11 October 1946, law, enacted by the Provisional Government of the French Republic (GPRF), which institutionalized the field of occupational medicine. It worked on demographics (Robert Gessain, Paul Vincent, Jean Bourgeois-Pichat), on economics, (François Perroux), on nutrition (Jean Sutter), on habitation (Jean Merlet) and on the first opinion polls (Jean Stoetzel). "The foundation was chartered as a public institution under the joint supervision of the ministries of finance and public health. It was given financial autonomy and a budget of forty million francs—roughly one franc per inhabitant—a true luxury considering the burdens imposed by the German Occupation on the nation's resources. By way of comparison, the whole Centre National de la Recherche Scientifique (CNRS) was given a budget of fifty million francs." The Foundation made many positive accomplishments during its time. It promoted the 16 December 1942 Act which established the prenuptial certificate, which was required before marriage, and was aimed at insuring the good health of the spouses, in particular in regard to sexually transmitted diseases (STD) and "life hygiene". The institute also established the , which could be used to record students' grades in the French secondary schools, and thus classify and select them according to scholastic performance. According to Gwen Terrenoire, writing in Eugenics in France (1913–1941) : a review of research findings, "The foundation was a pluridisciplinary centre that employed around 300 researchers (mainly statisticians, psychologists, physicians) from the summer of 1942 to the end of the autumn of 1944.

After the liberation of Paris, Carrel was suspended by the Minister of Health; he died in November 1944, but the Foundation itself was "purged", only to reappear in a short time as the Institut national d'études démographiques (INED) that is still active." Although Carrel himself was dead most members of his team did move to the INED, which was led by demographist Alfred Sauvy, who coined the expression "Third World". Others joined Robert Debré's "Institut national d'hygiène" (National Hygiene Institute), which later became the INSERM. See also HeLa Notes References Citations Cited sources Further reading Etienne Lepicard. L'Homme, cet inconnu d'Alexis Carrel (1935). Anatomie d'un succès, analyse d'un échec, Paris, Classiques Garnier, « Littérature, Histoire, Politique, 38 », 2019. Feuerwerker, Elie. Alexis Carrel et l'eugénisme. Le Monde, 1er Juillet 1986. Bonnafé, Lucien and Tort, Patrick. L'Homme, cet inconnu? Alexis Carrel, Jean-Marie le Pen et les chambres a gaz Editions Syllepse, 1996. David Zane Mairowitz. "Fascism à la mode: in France, the far right presses for national purity", Harper's Magazine; 10/1/1997 Berman, Paul. Terror and Liberalism W. W. Norton, 2003. Walther, Rudolph. Die seltsamen Lehren des Doktor Carrel, DIE ZEIT, 31.07.2003 Nr. 32 Terrenoire, Gwen, CNRS. Eugenics in France (1913–1941) : a review of research findings Joint Programmatic Commission UNESCO-ONG Science and Ethics, 24 March 2003 (Comité de Liaison ONG-UNESCO) Borghi L. (2015) "Heart Matters. The Collaboration Between Surgeons and Engineers in the Rise of Cardiac Surgery". In: Pisano R. (eds) A Bridge between Conceptual Frameworks. History of Mechanism and Machine Science, vol 27. Springer, Dordrecht, pp. 53–68 External links including the Nobel Lecture on December 11, 1912 Suture of Blood-Vessels and Transplantation of Organs Research Foundation entitled to Alexis Carrel Time, 16 October 1944 Death of Alexis Carrel, Time, 13 November 1944 1873 births 1944 deaths French eugenicists Converts to Roman Catholicism from atheism or agnosticism French Nobel laureates Nobel laureates in Physiology or Medicine French Roman Catholics French collaborators with Nazi Germany Chevaliers of the Légion d'honneur Members of the Pontifical Academy of Sciences Corresponding Members of the Russian Academy of Sciences (1917–1925) Corresponding Members of the USSR Academy of Sciences Honorary Members of the USSR Academy of Sciences People from Sainte-Foy-lès-Lyon French vascular surgeons History of transplant surgery Rockefeller University people 20th-century French physicians