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The results of a new study from Oxford Economics should sound familiar to anyone working in a cubicle. As Forbes reports, working in an open office lowers employees' output as well as their morale. |
For their study, researchers surveyed over 1200 senior executives and non-executive employees about their workplace arrangements. While 53 percent of employees reported feeling less satisfied and less productive when they had to work through ambient noise, only 35 percent of executives felt the same way. |
The disconnect between the perceptions of management and the people they employ was evident in other areas as well. Just 41 percent of employees said they have the necessary tools to filter out distractions, while 63 percent of executives felt that their employees had everything they needed. Fifty-two percent of employees described work/life balance as being very important to them. When employers were asked the same question about their team, only 34 percent of executives said that balance was a priority |
for their employees. |
These discrepancies aren’t too surprising when you compare the work life of an executive to that of a lower-level employee. The study reveals that a majority of executives are equipped with tools that make it easy to do their jobs outside the office, while less than half of employees can say the same. The most drastic difference between the two groups is their physical workspace. Sixty-two percent of top-level workers have a private office—a privilege granted to just 14 percent of employees. |
With so many executives lucky enough to have a quiet space to call their own, it makes sense that minimizing distractions was ranked last on their list of priorities when laying out an office. But when team productivity is at stake, poor office design is bad for everyone. Distractions can have such a negative impact, another study suggests employees may be better off working from home. |
Ctrl+Alt Create Posted by ScrapHacker.com on torsdag, december 1, 2011 · 5 Comments |
Artist Sarah Frost creates found object and found form sculpture. Her Qwerty Sculptures consist of thousands (and thousands…) of keys from old qwerty keyboards…It´s a multifaceted ScrapHack, filled with any kind of meaning you want it to be. Sarah´s Qwerty work travels the world, a permanent installation can be found @ The James hotel in NYC. |
”Each key has a unique history and bears the imprint of the thousands of taps by countless users.” |
”Frost’s pieces, made entirely out of cast-off keyboard keys, discarded by an array of users from individuals and small businesses to financial institutions, government offices and Fortune 500 companies, can cover whole rooms.” |
Installation @ The James hotel in NYC. |
Visit The James Hotel, 27 Grand Street (SoHo, NYC) |
Robert Muldoon, commonly referred to simply as Muldoon, was Jurassic Park's game warden. He was also the warden at John Hammond's park in Kenya. He was shown to be proficient with weaponry and was a skilled hunter. He was portrayed in the film as a cautious man and a bit of an alarmist. It can be assumed that he had worked with Hammond for a considerable amount of time and had gained Hammond's confidence as Hammond trusted him enough to let him bring back his grandchildren. |
Film Canon In the movie he was not shown to be an alcoholic, and was more serious than his novel counterpart. The film's script described him as being "grim-faced, fortyish and British; someone whose voice commanded attention." Muldoon expressed great concern over the Raptors, significantly as a result of one of his workers, Jophery, being killed by a Velociraptor when they were transferring it into the raptor pen. He was concerned for the safety of the guests as well, and was worried that a tropical storm |
a few miles away would hit Isla Nublar. John Hammond described him as being a bit of an alarmist, but knowing more about raptors than anyone. When the power went out around the island, Hammond requested that Muldoon go out and find his grandchildren for him. Muldoon took up the task, accompanied by Tyrannosaurus could "wander in and out of any paddock it liked" with the electrified fences offline. At that moment, Ellie found the other Land cruiser, battered and tossed off the road and into the tyrannosaur |
paddock. They hurried down towards it, but Grant, Lex and Tim were already gone. The only clue to their whereabouts was their footprints, which led out into the park. It was around this time that Malcolm started to hear the familiar footsteps of the Tyrannosaurus rex. He yelled for Ellie and Muldoon, who were just coming up from below the security moat, the Tyrannosaurus bursting through the trees after them. After a lengthy chase from the T. rex, the trio made it back to the Visitor's Center, where Muldoon |
and Sattler tended to Malcolm's wounded leg, giving him a dose of morphine. Sometime Sunday morning, Muldoon, Hammond, Arnold, Malcolm, and Sattler gathered in the control room. The situation looked bleak; Arnold still had not gotten past Nedry's bug, and Malcolm was in need of medical attention. Hammond suggested a calculated risk: turn off the main switch, turning off all the systems in the park, thereby erasing everything that Nedry did. Arnold was against the idea, feeling that there was no assurance |
that the system would restart. Muldoon suggested that they put the Lysine Contingency into effect, which would kill all of the dinosaurs in the park within 24 hours. His suggestion was denied harshly by Hammond and the choice was made to switch off the power. After seeing that the systems did, in fact, turn back on to their start-up screen, Arnold went off to the power shed to turn the power back on manually. Muldoon led the others to the visitor center security bunker, where they would wait for Arnold's |
return. After some minutes, Arnold still had not returned from the shed, prompting Ellie to plan to go and turn the power on herself. Muldoon volunteered to go with her, saying "You can't just stroll down the road, you know." Taking his favored SPAS-12 shotgun with him, he and Ellie made their way out of the bunker and towards the shed. As they passed the Raptor Pen, Muldoon's worst fears were realized; the power had switched off all the fences, including those of the Raptor pen. The wires on the raptors' |
pen had been chewed through, and the three Velociraptors had escaped into the jungle. As Muldoon and Ellie slowly made their way through the trees, Ellie suggested that they could make it to the shed if they ran. Muldoon, however, knew that they could not, and he told Ellie exactly why: they were being hunted from the bushes up ahead. Muldoon told Ellie to run to the shed, while he stayed behind to fend off the raptors. By doing this, he probably saved her life. After following a raptor deeper into the |
jungle, he quietly removed his hat and locked his shotgun's sight onto the Velociraptor. Muldoon was determined to kill the Velociraptors, something he thought he should have done a long time ago. As he was aiming at the Velociraptor, however, he failed to realize his error. Raptors had an attack pattern: One raptor was to sit out in the open to distract the prey whilst 1 or 2 more Clever girl raptors sneak up on their prey from the sides. At that second, "Clever girl..."., and as he turned his shotgun |
towards the other raptor, it dived out from the bushes and tackled him to the ground, viciously mauling and killing him. Muldoon's fate remains unaddressed by the rest of the characters throughout the duration of the first film. However, it is possible that any discussion about him was mentioned off-screen. Ian Malcolm in sequel film, when he stated that InGen "covered up the deaths of three people." a Muldoon's family filed a 12.6 million dollar lawsuit against InGen for the incident.[1] If the deleted |
scenes are not canon, the names of three people are unknown. Who actually died was Donald Gennaro, and there are four peoples who were attacked by dinosaurs in the screen, also unknown dead or alive.(Jophery, Dennis Nedry, Ray Arnold, and Muldoon) When the power went out around the island, Hammond requested that Muldoon go out and find his grandchildren for him. Muldoon took up the task, accompanied by Ellie Sattler , who was concerned about Alan Grant's safety. When he and Ellie arrived at the T. rex |
paddock, they were astonished to find that the tyrannosaur had broken out of its pen, severely damaged one of the tour cars, and disappeared into the forest. After finding the grisly remains of Gennaro, they looked through the debris further and found an injured Ian Malcolm. Muldoon put Malcolm in the Jeep, while Ellie searched frantically for the first Park drive Land cruiser . Muldoon impatiently called to Ellie to hurry up, as thecould "wander in and out of any paddock it liked" with the electrified |
fences offline. At that moment, Ellie found the other Land cruiser, battered and tossed off the road and into the tyrannosaur paddock. They hurried down towards it, but Grant, Lex and Tim were already gone. The only clue to their whereabouts was their footprints, which led out into the park.It was around this time that Malcolm started to hear the familiar footsteps of the. He yelled for Ellie and Muldoon, who were just coming up from below the security moat, thebursting through the trees after them. After a |
lengthy chase from the T. rex, the trio made it back to the Visitor's Center, where Muldoon and Sattler tended to Malcolm's wounded leg, giving him a dose of morphine.Sometime Sunday morning, Muldoon, Hammond, Arnold, Malcolm, and Sattler gathered in the control room. The situation looked bleak; Arnold still had not gotten past Nedry's bug, and Malcolm was in need of medical attention. Hammond suggested a calculated risk: turn off the main switch, turning off all the systems in the park, thereby erasing |
everything that Nedry did. Arnold was against the idea, feeling that there was no assurance that the system would restart. Muldoon suggested that they put the Lysine Contingency into effect, which would kill all of the dinosaurs in the park within 24 hours. His suggestion was denied harshly by Hammond and the choice was made to switch off the power. After seeing that the systems did, in fact, turn back on to their start-up screen, Arnold went off to the power shed to turn the power back on manually. Muldoon |
led the others to the visitor center security bunker, where they would wait for Arnold's return.After some minutes, Arnold still had not returned from the shed, prompting Ellie to plan togo and turn the power on herself. Muldoon volunteered to go with her, saying "You can't just stroll down the road, you know." Taking his favored SPAS-12 shotgun with him, he and Ellie made their way out of the bunker and towards the shed. As they passed the Raptor Pen, Muldoon's worst fears were realized; the power had |
switched off all the fences, including those of the Raptor pen. The wires on the raptors' pen had been chewed through, and the threes had escaped into the jungle. As Muldoon and Ellie slowly made their way through the trees, Ellie suggested that they could make it to the shed if they ran. Muldoon, however, knew that they could not, and he told Ellie exactly why: they were being hunted from the bushes up ahead. Muldoon told Ellie to run to the shed, while he stayed behind to fend off the raptors. By doing |
this, he probably saved her life.After following a raptor deeper into the jungle, he quietly removed his hat and locked his shotgun's sight onto the. Muldoon was determined to kill thes, something he thought he should have done a long time ago. As he was aiming at the, however, he failed to realize his error. Raptors had an attack pattern: One raptor was to sit out in the open to distract the prey whilst 1 or 2 moreraptors sneak up on their prey from the sides. At that second, another raptor appeared in the |
bushes to his left. Muldoon, shocked and horrified, but also impressed by this element of surprise, uttered his famous last words:, and as he turned his shotgun towards the other raptor, it dived out from the bushes and tackled him to the ground, viciously mauling and killing him. Muldoon's fate remains unaddressed by the rest of the characters throughout the duration of the first film. However, it is possible that any discussion about him was mentioned off-screen. Ian Malcolm in sequel film, when he stated |
that InGen "covered up the deaths of three people." a Muldoon's family filed a 12.6 million dollar lawsuit against InGen for the incident.If the deleted scenes are not canon, the names of three people are unknown. Who actually died was Donald Gennaro, and there are four peoples who were attacked by dinosaurs in the screen, also unknown dead or alive.(Jophery, Dennis Nedry, Ray Arnold, and Muldoon) |
Jurassic Park (Novel) "Raptors are smart. Very smart. Believe me, all the problems we have so far are nothing compared with what we'd have if the raptors ever got out of their holding pen." - Robert Muldoon In the novel, Robert Muldoon was an alcoholic. He was a famous white hunter from Nairobi and a consultant for wildlife preserves and zoos. As far as appearance, he was burly, with deep blue eyes and a steel gray mustache. He was fifty during the Jurassic Park incident and wore khakis. He was frequently |
at odds with his coworkers, especially the idealistic John Hammond. This was mostly due to Muldoon's own realistic view on Velociraptors and overall unromantic view of animals. Muldoon also disagreed with Hammond's irrational stance on the minimal amount of weapons present on the island. Hammond only permitted Muldoon to have one lethal LAW rocket launcher and another nonlethal custom-made tranquilizer on the island when he threatened to quit. Muldoon's favorite time of the day was at 7 PM when the quartz |
lights lit up the park. His catchphrase, repeated to was "Like to live dangerously?" He killed at least two raptors and the adult tyrannosaur during the course of the novel. He strongly disliked Muldoon's favorite time of the day was at 7 PM when the quartz lights lit up the park. His catchphrase, repeated to Donald Gennaro three times in the novel,was "Like to live dangerously?" He killed at least two raptors and the adult tyrannosaur during the course of the novel. He strongly disliked Dennis Nedry and |
even said "There is justice in the world after all," when he found Nedry's eviscerated body by the Jungle River. When searching for Hammond's grandchildren, Muldoon rescued Ian Malcolm and found Ed Regis ' severed leg; he also concluded that Alan Grant and the children were still alive after he examined the wreckage of the attacked Land Cruisers. After the power to the fences was restored, he and the maintenance crew went to repair the fences. It was then discovered that the adult Tyrannosaurus had made its |
way into the sauropod paddock. When Muldoon returned to the Visitor Center late that night, Hammond expected him to go out and retrieve the rex. Muldoon promptly refused, as there were no suitable weapons available for the job. This argument quickly escalated into a shouting match between him and Hammond outside of the control room. The next day, after Muldoon and Gennaro had found the rocket launcher that Nedry had taken, Muldoon successfully tranquilized the rex with great enthusiasm. He stated that he |
had wanted to "stick a needle" in the rex for a long time. Soon afterward, John Arnold realized that the park had been running on backup power after the shutdown. The backup power did not generate enough power to keep the electrified fences in the park running; this included the fences of the raptor paddock. When Muldoon heard this, he quickly took charge, sending Arnold to the maintenance shed to restore the park systems. He told Wu to wait in the control room and start up the computer when the power |
returned and sent Hammond and Gennaro to the lodge with the others. Gennaro, although hesitant, decided to accompany Muldoon as he escorted Arnold to the shed. The three of them were separated when Muldoon blew up one of the Velociraptors with his rocket launcher and was subsequently pursued by a pack of raptors into a large drainage pipe. Hearing the noise of the raptors' attack on Muldoon over the radio, Malcolm commented that it sounded like a war out there. Muldoon eventually made it back to the Safari |
Lodge where Hammond, Wu, Sattler, Malcolm, and Gerry Harding were staying. Later, Muldoon and Ellie Sattler attempted to bait the raptors to the lodge, so that Grant could turn on the power. Sattler was annoyed by Muldoon's drunken humor when he called out to the raptors "Dinner is served!" while attempting to attract them to the lodge. He also called Sattler "girl", which she is offended by. He accompanied the group to the raptors' nest later and made sure that Gennaro followed Grant and Sattler into the |
nest, even going to the extent of threatening him with a shock prod. He was later rescued by a helicopter where he gave the others the news of Hammond's death and Malcolm's alleged death. Robert Muldoon made it out of Jurassic Park with only a minor injury. Most likely, Muldoon was held up in Costa Rica with the other survivors until the government officials were finished questioning him. |
Jurassic Park inspired games Robert Muldoon is mentioned in Jurassic Park: Trespasser . He spent much time with Hammond, exploring the jungles of Isla Sorna (according to Hammond's script), and officially became the Park Warden at Jurassic Park in 1982. He was also Animal Supervisor of Site B. |
. He spent much time with Hammond, exploring the jungles of Isla Sorna (according to Hammond's script), and officially became the Park Warden at Jurassic Park in 1982. He was also Animal Supervisor of Site B. In Jurassic Park: Operation Genesis Muldoon is the Park's Warden. He is in charge of the park security and assists you in dinosaur rampages and related disasters. |
Muldoon is the Park's Warden. He is in charge of the park security and assists you in dinosaur rampages and related disasters. Robert Muldoon was featured in LEGO Jurassic World as one of the first playable characters alongside Jophery Brown. His lines from the movie were used in the game, and additionally so were his actions. Muldoon eventually was outsmarted and attacked by a sausage-wielding Velociraptor towards the end of the game. At one point in the Jurassic World portion of the game, Muldoon can be |
seen sleeping in an old Jurassic Park maintenance jeep in the visitor center. |
Xavier Dolan is a 25-year-old writer and director from Canada. He’s already produced of five movies and won 36 awards in festivals ranging from Toronto to Cannes. The phenomenal young filmmaker is back this year with Mommy. The film won the Jury Prize at the last Cannes Film Festival and was recently selected to compete in the Best Foreign Language Film category for Canada at the 2015 Oscars ceremony. |
To be clear, the mostly dithyrambic echoes you may have heard from critics since the press screening at last year’s Cannes are true. Mommy represents something totally refreshing. As with his previous movies, Dolan uses old recipes in a new way to produce something original. |
Mommy is the story of Diane Després (Anne Dorval), a feisty widowed single mom who finds herself burdened with the full-time custody of her unpredictable 15-year-old ADHD son, Steve (Antoine-Olivier Pilon). As they struggle to make ends meet, Kyla (Suzanne Clément), the peculiar new neighbor across the street, offers her help. Together, they find a new sense of balance as they struggle to regain hope: pure melodrama. |
I’m not usually comfortable with melodramatics movies. I have a deep aversion for tearful or heartbreaking narratives full of pathos that conclude with abrupt and artificial happy endings. Nonetheless, some directors transcend this genre. Xavier Dolan, with his youthful brashness, is definitely one of them. Although Mommy succeeds in provoking a whirlwind of feelings, a brilliant energy across the movie tempers the pathos with positivity. |
Dolan’s universe is stylized with flashes of color inspired by pop art, slow motion, an omnipresent modern score and a square (1:1) frame. These aesthetic choices are Dolan’s stamp on Mommy; even when they change, they retain his fingerprints. For example, the frame changes from 1:1 to a standard CinemaScope frame (2:35:1) twice during the film. I can’t explain Dolan’s choice without spoiling the story, but I can say the shift works well in context and fits with his use of visual motif. |
I appreciate when I see on the screen how intimately a director involves himself in his films. Dolan’s movies sweat with his personality. You can easily recognize his style as he translates all his visual and directorial energy to his actors. That strong sense of authorship is a point worthy of reproach for some critics – just ask anyone who doesn’t like Wes Anderson’s movies – but I find Dolan’s style appealing. |
This energy most obviously manifests through cinematographer André Turpin’s camera movements. Long shots and shaky-cam are usually used to depict action in other films, but Dolan and Turpin use them here to reinforce sudden bursts of emotion. In other scenes, the camera’s motions increase in amplitude and fluidity to emphasize Steve’s sense of freedom; the skateboard and the shopping cart sequences use this technique particularly well. |
The director is responsible for more than just managing the shots, however; his job also requires that he get the best possible turns from his actors. And Dolan, who began his career as a child actor, has an intimate understanding of the process. He proves once again that he has talent for his new métier as all three of his main actors deliver outstanding performances. |
Dolan works with Anne Dorval and Suzanne Clément to add a sensitive touch to the movie. Dorval emotes from a wide palette of thoughts and feelings that embody Diane’s position as a tormented mother. Conversely, Clément is a firm counterbalance to the volatile relationship between Diane and Steve. Antoine-Olivier Pilon’s talent explodes onscreen as he embraces every facet of his extremely demanding character; working through Steve’s violent episodes while maintaining a sense of psychological realism isn’t |
easy, but Pilon is up to the task. |
The main theme of the story is the dynamic between mother and son. Even as Steve’s condition means he’s sometimes totally out of control, Diane always tries maintain their relationship. Their back-and-forth seems like a one-way street. But maybe Steve is there for Diane, too? Maybe she hopes that her son, despite his health problems, can help her build a more stable life. Either way, the message is clear: love must always overcome madness. |
Although Mommy is a melodrama, it also thrives as a comedy. Dolan makes you laugh while evoking powerful empathic reactions. In one scene, the main characters dance to Canadian icon Céline Dion in Diane’s kitchen. Even though Steve’s story is composed of tragic events, humor keeps the quieter moments lighthearted and fun. |
Mommy is an intense movie. It acts on you like a storm, an approach that may leave some audiences exhausted by the film’s conclusion. But that’s where your come in: you can either plunge into Dolan’s kinetic world, or spare yourself the inevitable tears. You know what choice I made, and I don’t regret it for a second. |
Movie Verdict: Win |
Score: 95% |
~ Thibault |
Mommy doesn’t have a U.S. wide release date yet. However, it will be shown at the Virginia Film Festival and at the American Film Institute Festival next week. |
OTTAWA—A Parliament Hill staffer has been fired after he attempted to give three Ottawa lobbyists a sneak peek at a confidential a House of Commons report. |
The trio were emailed a copy of the finance committee’s draft report on budget consultations last week by a member of Tory MP Kelly Block’s office. |
Committee members had also received their copies of the report that day and were supposed to debate it before making its contents public to the entire House of Commons. |
The Saskatchewan MP says she’s since fired Russell Ullyatt and apologized for the breach, both to her committee colleagues and to the entire House. |
But on Tuesday, some members of the finance committee said the matter shouldn’t end there. |
They’re calling on the Speaker of the House to declare that parliamentary privilege may have been breached and send the matter to a House committee for further study. |
The report includes suggestions from the four political parties as well as analysis of the budgetary and economic situation of Canada, said New Democrat Thomas Mulcair. |
Its contents could give lobbyists an unfair edge, he said. |
“If the party in power, with the three opposition parties, converges on unanimous opinion on important points, if someone else had notice of that convergence weeks ahead of time and drew a logical inference that this would become one of government’s economic positions, the lobbyist would get a clear net advantage,” he told the House. |
Tim Egan, president of the Canadian Gas Association, was one of the lobbyists sent a copy of the report. |
But a statement from his organization late Tuesday said he didn’t ask for an advance copy. |
“Neither Mr. Egan nor any employee of the Canadian Gas Association solicited, received or read a draft of the House of Commons Standing Committee on Finance prebudget consultation report,” said the statement, which was emailed to The Canadian Press. |
“The CGA’s external IT service provider has advised that the email containing the draft report went to the Association’s spam filter and was not delivered to Mr. Egan.” |
Lynne Hamilton, a vice-president at GCI Group, was also sent a copy of the report. |
Hamilton replied to the staffer “I heart you,” according to documents brandished by Liberal MP Paul Szabo in the House. |
But Hamilton’s colleague Jamie Carroll said she didn’t ask to receive the report nor did she circulate the documents once she received them. |
“It was destroyed as soon as she realized what it was,” said Carroll. |
The third lobbyist, Tactix Group’s Clarke Cross, did not return a call for comment. |
Cross used to work for two current Tory MPs and Hamilton’s bio trumpets her links with Conservative parties at the federal and provincial level. |
Tom Lukiwski, the parliamentary secretary to the House leader, said there was no breach of parliamentary privilege. |
He said the actions Block has already taken should suffice, considering that’s what usually happens after a leak. |
“When those unfortunate occurrences have taken place, the members in question who have breached confidentiality matters have risen in this place and delivered a heartfelt apology,” he said. |
“Those apologies every time have been accepted. There has been no breach of privilege found and the House and committees have moved on.” |
The Daily Show with Trevor Noah premieres Monday night, and the team has been strategically releasing details in the lead-up to the debut. “Don’t worry,” promos so far seem to say, “nothing much will change.” In a press conference earlier today, Noah said: “I look at The Daily Show as a beautiful house that I’ve inherited. I’m not going to break the house down and start trying to build a house from there.” Apart from Samantha Bee and Jason Jones, who left the show earlier to focus on individual projects, |
all of The Daily Show’s correspondants are staying on with Noah. And in the newest clip from Comedy Central, released today, his correspondents are equally reassuring. “Same political satire you love,” says Jordan Klepper, “new British host.” |
But Noah emphasized in today’s press conference that as a South African native, his outsider’s perspective will shape how he approaches—and criticizes—American poltics. Instead of bashing Fox News, Noah said that he wants time to make his own enemies. “I get to discover the person I will grow to loathe, to hate, and they may not be on Fox News,” he said. He also wants to feature more music guests and added a touch-screen to the (otherwise idential) set. But in the new promo, John Hodgman appears to reassure |
the change-averse: “There’s still an old white man on the show.” |
Chelsea to extend their lead? That is what super-computer SAM is predicting |
A fifth Premier League title for Chelsea, the end of Arsenal's lengthy run of top-four finishes, and heartbreak for Swansea, Sunderland and Hull. |
They are the verdicts of SAM (Sports Analytics Machine), the super-computer built by Ian McHale, professor of sports analytics at the University of Salford, together with his colleague Dr Tarak Kharrat. |
We asked SAM to predict the outcome of every Premier League match between now and the end of the season on 21 May. The results suggest Chelsea will not surrender their five-point lead, but will instead extend it. SAM calculates Antonio Conte's men have a 64% probability of winning the title. |
The Blues' 13-match winning streak ended at Tottenham last week - and SAM calculates Spurs will finish second, one point ahead of Liverpool and Manchester City. |
That means Arsenal would finish outside the top four for the first time since 1995-96. |
Will your team finish in the top four? % probability calculated by SAM Chelsea 97.6% Tottenham 78.7% Liverpool 74% Man City 67.8% Arsenal 61.5% Man Utd 20.3% |
But is SAM right? Do you think you can do better? Pick how you think the top 20 will finish and share your final table with your friends. |
Pick your final Premier League table There are 18 rounds of games left in the Premier League but how will the table look when the season finishes? Will Chelsea remain on top? Will Hull still be stuck at the bottom? Pick how you think it will look at the end, placing all 20 teams in order. Have a go then share with your friends. First 1 Second 2 Third 3 Fourth 4 Fifth 5 Sixth 6 Seventh 7 Eighth 8 Ninth 9 Tenth 10 Eleventh 11 Twelfth 12 Thirteenth 13 Fourteenth 14 Fifteenth 15 Sixteenth 16 Seventeenth 17 |
Eighteenth 18 Nineteenth 19 Twentieth 20 Confirm Selection |
SAM's final table in full |
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