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<|question|> Is Chad a Hero or an Antagonist?
<|text|> Don't splash, they can sense you in the water, they'll rip you to pieces... Elena freezes, looking round at the black eyes breaking the surface of the bloody water, gliding in for the kill... ELENA Hel..help me... She reaches out a hand to Chad, only a few feet away... H e hesitates, then reaches out to her. But stops short of grabbing her trembling hand. Just balls his fist, squeezing every last drop of blood out of the open wounds on his palm... The dark blood cascades down into the water around Elena... 65. CHAD No. And he smiles as the Gators ease open their powerful jaws... WHACK! Chad's eyes roll back into his head as blood flows from his nose, ears and mouth. He falls forward, stiff as a board, and SPLASHES down into the | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> water next to an apoplectic Elena. Behind him stands Marie, the BLOODY TIRE IRON in hand... Marie reaches out a hand, pulls Elena out of the water. She collapses onto her back and sucks in the stagnant swamp air... MARIE What are you doing? Our diamonds are about to become dinner... Elena can't move, leaving Marie to wade into the swamp... EXT. SWAMP ROAD - DAY Kristen approaches a fork in the swamp road at high speed. She checks the GPS scanner. It doesn't show her which way to turn... KRISTEN Which way, which way... Split second decision. Left. She spins the wheel, takes the left hand fork... Bad choice. Just a few meters down the right fork is an abandoned BMW, an idle airboat, a crashed car, one dead man and two wild, wild things... | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> EXT. SWAMP ROAD - DAY Elena and Marie, soaked to the bone, drag Chad's cold, dead corpse out of the trees. Marie drops the body, heads straight for her abandoned BMW. Elena follows, stumbling through the vines, her clothes dripping wet, shivering more from nerves than cold... M MARIE Get rid of the body. And his car... ELENA Where are you going? MARIE Where do you think? 66. ELENA I don't...I don't have a clue... Marie spins round, a vicious look in her eyes. She holds the blood soaked diamonds in her hand... MARIE Chad made us an appointment to sell these. I'm gonna keep it... Elena looks down to her flashing ankle bracelet... ELENA It's only a matter of time before my Parole Officer finds me... Marie turns back around, flings open the BMW door | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> and gets in. MARIE Then I suggest you get to work... She fires up the powerful engine, speeds away in a cloud of dust, leaving Elena the most deeply unpleasant task of her young life... EXT. CHAD'S CRASHED CAR - AFTERNOON Elena struggles to drag Chad's bloody body back to his crashed car. The tail lights flicker, throwing an ominous red glow over the dense thicket of overhanging trees. ELENA (sotto) Jesus... With a Herculean effort she manages to stuff Chad's inert body into the driver's seat. She stumbles back, horrified at the grim tableau before her... EXT. MUSEUM - AFTERNOON Marie's car comes barreling into the parking lot outside the stone Museum building. INT. MUSEUM - AFTERNOON The Curator paces back and forth, like an expectant father, in front of the empty glass case that | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> used to house the diamonds. Marie bursts into the Museum, and he strides up to meet her, shocked when he sees Marie's covered in blood, sweat and guilt... CURATOR Marie? Are you alright? 03/22/2004 67. MARIE Never better. Got the money? The Curator nods nervously. CURATOR I convinced the board of the extraordinary circumstances surrounding... MARIE Good. S he fishes in her bag for the diamonds... CURATOR I...I received a call from your 'associate'. He said he would be handling the transaction. MARIE Change of plans. My 'associate' got tied up at work. Completely swamped... The Curator nods, unsure if he inquire further... Marie finally pulls out two blood soaked Diamonds from her bag, thrusts them at the Curator. He screws up his wrinkled face, afraid to touch them... MARIE Calm down. It's just blood. EXT. | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> CHAD'S CAR - AFTERNOON With trembling hands, Elena opens the trunk of Chad's crashed car. She pulls out a plastic gas container, sloshing the fuel around inside, then trailing it back across the vine covered ground... She carefully places the empty container down, standing twenty feet back from the wreckage, fumbling in her pocket for a match... She can barely control her hands, her whole body shaking in fear... Finally she pulls out a MATCHBOOK, still sopping wet from the swamp. She strikes match after match, but they won't light, until, finally, one produces a tiny flame that simmers for a second then smoulders out... ELENA Don't do this to me, please... 03/22/2004 68. In frustration, she runs back to Chad's car, looking desperately for a lighter, climbing all the way in. Because of the slight | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> slope it's on, the car's flimsy door slams shut behind her. Elena pays no heed, continues to rummage through the glove compartment. ELENA You gotta have a lighter or some... She's cut off as the WRECKED CAR'S HORN BLARES OUT! Deafening, the sound echoes around the dense undergrowth. Elena's heart skips a beat. Chad's corpse has slumped forward against the steering wheel. ELENA Jesus... She struggles with all her might to pull Chad's body back off the horn... S ilence reigns once more. Elena takes short, sharp breaths. Looks over at Chad's body slumped to the side, leaning against the driver's side door... ELENA I'm sorry. I'm so sorry... Not as sorry as she's going to be... The match she discarded outside only seconds ago continues to smoulder for a second, then REIGNITES! INT. MUSEUM - | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> AFTERNOON The Curator carefully examines the diamond, turning it over and over in his hands. Marie stands over him, impatiently tapping her muddy shoe on the marble floor... MARIE So? CURATOR I...I'm not sure... MARIE Can you get the cash or not? The Curator looks up to her, bemused. CURATOR I can get the cash...it's just... 03/22/2004 69. Marie smiles a wicked grin. MARIE Then let's have those dead presidents... EXT. CHAD'S CAR - AFTERNOON The discarded match has set fire to the surrounding vines on the ground, and slowly the fire edges it way towards the line of gasoline that Elena trailed from Chad's wrecked car... INSIDE THE CAR Elena reaches over, carefully closes Chad's bloodshot eyes. Satisfied, she turns to get out, only to find the passenger side door LOCKED... She tries the handle. | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Tries it again. Desperately yanks it. Not opening, no sir... Elena looks over, see Chad's limp elbow on the door lock... OUTSIDE THE CAR The small brush fire reaches the pooled gasoline and...WHOOSH! INSIDE THE CAR Elena can't help but hear the unmistakable sound of FLAMES CRACKLING. Through the smashed rear window she sees the line of FIRE racing towards the car she's trapped in! She reaches over, clawing her way past Chad's corpse, trying to reach the door lock. Her bloody fingers slip on the lock, unable to pull it up. THE FIRE's SHOOTING towards the crashed car, only a few feet away... Elena fumbles with the lock, tears streaming down her face. The line of fire hits the crashed car, and ENGULFS it instantly. Bright ORANGE FLAMES cover the wreckage... INT. MUSEUM - AFTERNOON | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> The Curator carefully sets down the diamonds on the marble floor. Marie looks at him like he's mad. MARIE What the hell are you doing? 03/22/2004 70. CURATOR One last test... The Curator hovers his heel over the biggest Diamond. Marie screams out! MARIE NO! He slams his foot down and the DIAMOND SHATTERS! INT. CHAD'S CRASHED CAR - AFTERNOON Elena SCREAMS as the passenger side window next to her SMASHES, SPLINTERING into a million glass fragments. Hands reach in and grab her, pulling her through the FLAMES... Seconds later Elena finds herself on the swamp floor, in Kristen's singed arms... KRISTEN You okay? Elena can barely talk, looking back at the flaming wreckage in front of her... KRISTEN Care to explain? ELENA It was...it was an accident... The flames reflect in her tear-filled eyes. INT. | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> MUSEUM - AFTERNOON Marie stands aghast at the sight of her diamonds, in a million tiny pieces on the museum's marble floor... CURATOR Fakes, I'm afraid. Made of glass. Can't believe they were our top attraction all these years... Every muscle in Marie's body contracts...She stands before the empty diamond exhibit case, runs her fingers over the portrait of her mother cradling her as a baby. MARIE That's my inheritance is it, Mom? Goddamn Christmas ornaments... 03/22/2004 71. And as the disbelief gives way to anger she rips the portrait from the case and tears it to shreds... CURATOR Marie, please... There's no stopping her now. Red-faced, she lashes out at the display case with a devastating kick, the glass SHATTERING... CURATOR Marie, stop this instant! She continues her rampage regardless, ripping a FIRE EXTINGUISHER from | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> the wall and hurling it through another display case... MARIE I hate you, Mom! I'm glad you're dead! EXT. BLUE BAY PD - NIGHT Storm clouds gather over the whitewashed Police station... INT. BLUE BAY PD INTERVIEW ROOM - NIGHT Elena sits with her head in her hands, across from Kristen in an anonymous interview room. KRISTEN I told you. Elena looks up, tears streaking her mascara. ELENA Told me what? KRISTEN That if you were telling the truth I'd back you all the way. If you lied to me there'd be trouble... Elena slumps back down, her head on the table. ELENA Chad swerved off the road, I swear... KRISTEN Just swerved for no reason. Just decided to take a shortcut through the swamp? Elena sobs, can't look Kristen in the eye. ELENA It was | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> an accident... 03/22/2004 72. The door to the interview room swings open, and Detective Morrison strides through, a fresh-from-the-printer REPORT in his hands... MORRISON Accident my ass. He flips the pages of the report... MORRISON Forensics finds the head trauma that killed Chad Borman was inflicted by a single blow from behind. E lena looks up, through Panda eyes... ELENA The crash. He...he hit his head... MORRISON Was that before or after you dragged him through the swamp? Elena has no answers as Morrison takes the cuffs from his belt, snaps them on Elena's wrists. MORRISON You got the right to remain silent, which in your case is probably best, cos of the shit you come up with... Kristen stands up, shaking her head. KRISTEN That's two strikes, Elena. One more and you're out. Elena looks | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> at her pleadingly. ELENA I'll do whatever you want. Kristen stops. Thinks for a moment. Nods to Morrison as he drags Elena to her feet. KRISTEN Yeah. Yeah you will. ELENA I'll tell you the truth. I'll tell you what happened. She killed him, and took the diamonds. Marie, it was Marie Clifford... 03/22/2004 73. Morrison just sneers. MORRISON Keep bleeting, Missy. All the way to the Judge. I think its time he heard the truth about Jay Clifford's accuser. KRISTEN Her arrest doesn't guarantee Jay'll be cleared, you know that. You need Marie, you need the proof they set him up... Morrison considers this. KRISTEN You came so close to nailing the Black Widow, don't let this slip through your fingers, Detective... He's about to speak, when Elena's cell phone rings. Kristen takes it from | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Elena, looks at the CALLER ID, sees Marie's name... KRISTEN Speak of the Devil... She holds the phone up. KRISTEN You're gonna answer it. And you're gonna say that everything went fine. No one found Chad's body. The plan's still on. Do you understand me? Elena nods slowly. Morrison turns to Kristen. MORRISON You thinking what I'm thinking? K risten's patient with him. KRISTEN This is your chance. Feds can't take this one from you... Morrison weighs his options, then finally nods. Kristen clicks the phone ON, holds it to Elena's ear. ELENA Yello... 03/22/2004 74. INT. MARIE'S BMW - NIGHT Marie speeds wildly down the deserted Blue Bay streets, one trembling hand holding a cigarette, the other her cellphone. MARIE (ON PHONE) The diamonds are fakes. Totally worthless. ELENA (V.O.) No. That can't be true! | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> MARIE Believe it. I'm leaving. Tonight. ELENA (V.O.) You can't...what about...me... Marie takes a long drag from her cigarette. MARIE Don't you understand? There's no money. Nothing. Zip. Zilch. Zero. How am I supposed to take care of your broke ass? INT. BLUE BAY PD INTERVIEW ROOM - NIGHT Kristen is listening in on the whole conversation. She cups her hand over the phone, whispers to Elena. KRISTEN Tell her she has to meet you. Tell her she can't leave... Elena nods and Kristen puts the phone back to her lips. ELENA I...I gotta see you. MARIE (V.O.) I'll send you a photo. ELENA Please. Just one last time. MARIE (V.O.) I'm gone, gone, gonski. Elena's reeling. Kristen motions for her to continue. ELENA I think maybe...maybe there's a way we could still get some money... | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> 03/22/2004 75. Silence on the end of the line... INT. MARIE'S BMW - NIGHT Marie considers this for a long moment. Finally... MARIE Okay, talk... ELENA (V.O.) Not over the phone. We gotta meet. MARIE School swimming pool. One hour. INT. BLUE BAY PD INTERVIEW ROOM - NIGHT Click. She's hung up. Kristen nods to Morrison... KRISTEN Where'd you keep the wire taps? MORRISON Evidence locker. KRISTEN Gimme the key. He tosses her his electronic keycard... E EXT. BLUE BAY HIGH SWIMMING POOL - NIGHT The Blue Bay High pool is illuminated in the dead of night, casting blue ripples over the bleachers where Elena waits nervously. She can't help but fiddle with the wire hidden beneath her shirt... ELENA (whispering) Can you hear me? INT. MORRISON'S CAR - CONTINUOUS Morrison listens nervously to Elena's tinny | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> voice coming in through the speaker... ELENA (V.O.) Is this thing working? The Detective shoots Kristen a concerned look. MORRISON She's gonna blow it... 03/22/2004 76. EXT. BLUE BAY HIGH SWIMMING POOL - CONTINUOUS Elena adjusts the mic taped to her chest, wincing as the tape pulls her delicate skin. ELENA I..don't think I can do this... MARIE (O.S.) It's already done. Elena looks up guiltily. Marie is standing by the side of the pool. How much did she see? MARIE So? The word's stick in Elena's throat... ELENA I had no choice... MARIE Blah, blah, blah. Get over it. He's dead. Now you told me you had a plan. Spit it out. ELENA Jay's got cash. At the building site. I saw it. Marie rolls her eyes. MARIE That's your brilliant plan? It's in a | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> safe, dumb ass. You a safecracker? Have you got magic fingers, gonna pick that lock? I don't think so. Next. INT. MORRISON'S CAR - CONTINUOUS Kristen winces as she listens to the girls' conversation. E LENA (V.O.) (through the speakers) We're gonna go to Jay. Tell him what we did. MARIE (V.O.) Like hell we are. 03/22/2004 77. EXT. BLUE BAY HIGH SWIMMING POOL - CONTINUOUS Elena walks down the bleachers, approaching a skeptical Marie. ELENA Listen to me. We go to the jail, tell him we'll come clean, tell the police everything, if he gives us the combination. I'm still a minor, they'll send me back to Juvie. Shit, I could do that time standing on my head... Marie's wavering. MARIE How much money? Elena reaches Marie, puts her hands on her hips. ELENA Enough | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> for you and me. Grinds against her. Slowly, sensually. MARIE We don't have to tell the cops anything. We'll let Jay's videotape do the talking. ELENA But, we got rid of the real one... MARIE I kept a copy. Never trusted you backstabbers. Elena tries to pull away, but Marie drags her back until their faces are inches apart. MARIE You're trembling. There's no denying it. Marie slowly draws her hand down Elena's face, down her neck, to her chest. So close to the wire. Finally places her palm over Elena's heart... ELENA Marie, I... MARIE Ssshhhh... BOOM BOOM, BOOM BOOM, BOOM BOOM... 03/22/2004 78. INT. MORRISON'S CAR - NIGHT Morrison and Kristen listen intently in their headphones, unable to breath... EXT. BLUE BAY HIGH SWIMMING POOL - CONTINUOUS Elena and Marie stand there for what | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> seems like an eternity, unblinking... B OOM BOOM, BOOM BOOM, BOOM BOOM... Finally Marie smiles... MARIE Alright. Let's do it... INT. COUNTY JAIL - NIGHT Jay laughs, as he sits across from Marie and Elena, separated by an inch of bullet proof glass. Theo stands by the door. JAY Well, well, well. Who'd have thought. What a pleasant surprise. I guess you guys have kissed and made up? MARIE Very funny. Did you know the diamonds were fakes? Jay nods slowly. JAY Your Mom hocked them years ago. Boozed it all away. You already know the end of her sorry story... Marie's jaw tightens. Jay leans back. JAY So, to what do I owe the pleasure? MARIE We want money. Whatever you've got in your safe at the beach condos. Jay bursts out laughing again. JAY | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Of course you do. Of course you do. 03/22/2004 79. ELENA We'll get you out of here... Jay stops laughing, leans back in to the inch thick glass. JAY You will? Marie holds up a DIGITAL VIDEO TAPE... JAY Is that what I think it is? MARIE You give us the combination and this goes in the nearest mail box, tied with a pretty pink bow. JAY How do I know it's the real tape? MARIE You're gonna have to trust us. JAY I've been down that road before. Marie opens the cassette housing, ready to rip the tape apart... MARIE This is non-negotiable. Theo interjects... THEO Sir, we have no grounds for appeal. This could be our only chance. MARIE What's the combination? The tortured screams of inmates echo in Jay's ears. JAY I can't... | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> MARIE No such word as 'can't'... A PRISON GUARD puts a massive hand on Jay's shoulder... P RISON GUARD Time's up, Mr. Clifford. 03/22/2004 80. Jay sighs... JAY (to Marie) Fine. 08-20-99. Marie shakes her head. MARIE The combination's the day Mom died, you sick fuck? Jay's led away in shackles... EXT. BLUE BAY STREETS - NIGHT Marie's BMW flies down the deserted Blue Bay streets, blasting through red lights. INT. MARIE'S BMW - CONTINUOUS Marie handles the car like a Formula One driver, and with twice the intensity. The G-force pins Elena back against the seat. ELENA Slow down! Marie steps on the gas. ELENA We're in a world of shit! Marie steps on the gas. ELENA We'll never get away with this. You know that don't you? Marie steps on the gas. She ain't | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> saying a word, and time's running out for Elena... INT. MORRISON'S POLICE CAR - NIGHT Morrison struggles to keep up with Marie's Bullit-esque driving. Kristen stays focused on the one-sided conversation in her headphones... KRISTEN Come on, Elena...Keep pushing... 03/22/2004 81. EXT. TEAM CLIFFORD BUILDING - NIGHT Marie's BMW screeches to a stop outside the beachfront condos, and Marie strides towards the construction site entrance. Elena gets out the car, feeling decidedly sick. She circuitously adjusts the microphone taped to her chest, then follows Marie into the dark, unfinished building INT. JAY'S OFFICE - NIGHT Marie enters the makeshift office like a wolf stalking her prey, heading straight for the safe. With a rock steady hand, she works the lock...CLICK... MARIE One down... EXT. TEAM CLIFFORD BUILDINGS - NIGHT Morrison brings his clunky Police sedan to | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> a halt around the back of the building site. I INT. MORRISON'S CAR - NIGHT Kristen listens intently to the live feed. ELENA (V.O.) (over headphones) Marie! Please, I can't do this... INT. JAY'S OFFICE - NIGHT Marie's working the safe combination like a master thief, spinning it nimbly between her buffed nails. CLICK... MARIE Two down. Elena stands in the makeshift office doorway, trying to coax something incriminating from Marie's perfect lips. ELENA I told you not to kill Chad. I'll tell it to the police. Marie doesn't even look round, concentrating on the job at hand. Elena's reeling. 03/22/2004 82. ELENA I'll tell 'em you made me lie about your stepfather raping me, made me perjure myself on the stand, went and killed Chad, and now... MARIE (sotto) 99. A very good year... CLICK. | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Third and final tumbler falls. The safe door swings open, revealing a STACK of CASH and Jay's HANDGUN... INT. MORRISON'S CAR - NIGHT Kristen shakes her head. It's hopeless, Elena can't get Marie to say an incriminating word... MORRISON This has gotta end. KRISTEN It's gonna end. One way or another... INT. JAY'S OFFICE - NIGHT Marie pulls out a wad of crisp, clean bills, draws them across her nose like a wine connoisseur. MARIE Money. Always in style. She dances over to Elena, waves the cash in her face. ELENA Why'd you do it? Why'd Chad have to die? Marie slides up against Elena, fluttering the cash over her in the world's most expensive shower. Elena couldn't be less interested, focused on getting that confession... ELENA You killed him, Marie. You murdered him in cold | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> blood... Marie presses up against Elena, pushing her up against the unfinished dry wall. Kisses her passionately, finally silencing her for a few, brief, electric seconds. And when she pulls away her fingers dance down Elena's shirt until... S he rips the microphone from Elena's chest. Stands there with the dangling cord in her hands, her face caught in a permanent snarl. The blood drains from Elena's face... 03/22/2004 83. INT. MORRISON'S POLICE CAR - NIGHT A piercing feedback forces Kristen to throw aside the headphones. She looks to Morrison. KRISTEN She's been made... Morrison draws his gun. MORRISON Stay here... Kristen shakes her head resolutely. KRISTEN I got us into this... BANG! A GUNSHOT echoes in the darkness... MORRISON Just stay in the car! Please... Morrison sprints over to the building site, leaving Kristen in | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> the car, alone. INT. JAY'S OFFICE - NIGHT Elena stands with her hands up, an ugly bullet hole in the wall just beside her. Marie keeps Jay's gun trained on her as she unloads the cash from the safe... MARIE You stupid fucking Sherbert. You think you could sell me out? ELENA They made me do it... MARIE Morrison doesn't know his prick from a pogo stick. And that bitch Parole Officer, she hasn't got the balls for this... Marie takes dead aim once more... ELENA Please, don't... Marie's finger tightens on the trigger... INT. MORRISON'S POLICE CAR - NIGHT 03/22/2004 84. BOOM! Kristen tenses as the gunshot echoes throughout the construction site. She reaches across to the driver's seat, grabs the SHOTGUN... INT. TEAM CLIFFORD BUILDING - NIGHT Elena scrambles across the concrete floor, desperately | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> trying to make it to the relative safety of one of the support pillars. She sees the forensic UV light switch on the floor, reaches for it... MARIE stands in the shattered doorway, surveys the expansive, unfinished floor. Is about to unleash a hail of bullets when... The WORK LIGHTS flicker out, replaced by the eerie ULTRA VIOLET LIGHTS scattered around the unfinished floor...Bathed in the florescent blue glow of the lights, Elena scrambles to safety behind a pillar. Her shirt GLOWS, her eyes like beacons... MORRISON Sweeps through the second floor, meticulously checking every corner, every shadow... KRISTEN Runs towards the unfinished building, looking up to the UV glow on the fourth floor. She sprints for the INDUSTRIAL ELEVATOR... MARIE scours the bizarre darkness, hears a sound. BOOM! The orange muzzle flash illuminates the floor | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> briefly as Marie shoots randomly. The flimsy plaster walls EXPLODE... MORRISON Enters the third floor from the fire escape, continues his meticulous sweep of the building. KRISTEN Stands in the industrial elevator, jabbing the 4th floor button, hyperventilating as more gunshots EXPLODE. She clutches Morrison's shotgun to her chest, getting closer to the top floor. ELENA shields herself as plaster rains down on her, unable to see through the cloud of dust under the UV lights, until... 03/22/2004 85. BOOM! A bullet sparks off rebar inches from her foot. She looks up to see the barrel of Jay's gun. Marie's face is contorted maniacally as she squeezes down on the trigger... MORRISON Runs up the fire escape stairs when a final deafening GUN SHOT rings out. Followed by SCREAMS. He rips open the fourth floor fire | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> door, tearing through the building, pushing through thick plastic sheeting until he finds himself under the UV glow. T hick plumes of blood, black under the UV light, stain the walls and floor. He sees Elena, in a fetal ball, trembling uncontrollably. Beside her, Marie lies dead, her chest a gaping crimson mess, Jay's gun still clutched tightly in her cold, dead hands. Kristen looks up at him, almost too shocked to speak. Morrison's shotgun is still smoking in her hands. KRISTEN I didn't have a choice. She was gonna kill Elena. Morrison steps forward, calmly, takes the gun from her. MORRISON It's gonna be okay. EXT. TEAM CLIFFORD BUILDINGS - LATER The new crime scene is alive with activity. Cops, reporters, bystanders. Morrison sips coffee as PARAMEDICS wheel Marie's corpse to the ambulance. One of | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> them hands something to Morrison. A blood-splattered digital video tape. PARAMEDIC We found this on the body. Morrison takes it without a word... KRISTEN (O.S.) Just got off the phone with the Parole board... Morrison turns around, sees Kristen approaching, still visibly shaken. K 03/22/2004 86. KRISTEN They want me to bring Elena back to Miami in the morning. She hesitates... KRISTEN I'm... sorry for this whole mess. Morrison considers this, picks his words carefully. MORRISON Don't be. It was my gun that fired the shots, so it must've been me who pulled the trigger. I'll take the credit on this one. After all the Black widow crap I had to put up with, I've earnt it... Kristen nods. KRISTEN You did the right thing... MORRISON We did the right thing. risten smiles, almost, moves in, | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Antagonist | Hero | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> and wraps her arms around the Detective. He closes his eyes, savors the moment. As she pulls away, she hands him a card. K RISTEN You call me, promise? Morrison beams. MORRISON I will. I will. KRISTEN Now that this is all over, maybe we can have that drink soon... She leans in, kisses him sweetly on the lips. Morrison watches her walk away. In spite of all the shit that's gone down, he's probably the happiest son of a bitch in all of Blue Bay. FADE TO BLACK. EXT. COUNTY JAIL - MORNING Morrison's unmarked Sedan idles outside the barbed wire fences of the County Jail. The gate slowly opens and guards lead a dazed Jay Clifford outside, wincing from the bright sunlight. 03/22/2004 87. Morrison gets out of the car, meets Jay. MORRISON How | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> you holdin' up, Jay? JAY Been better. He sure has. MORRISON So what's next? JAY No idea. Everything's gone. Repossessed. Guess there's nowhere to go but up. It's all he can do to keep from breaking down. MORRISON I can't help but feel partially responsible. If there's anything I... Jay shakes his head. JAY I don't think so, but thanks. MORRISON Can I at least give you a ride somewhere? JAY Ain't got nowhere to go... Morrison watches sadly as Jay stumbles past him, walking to nowhere in particular. MORRISON (hopeful) ... but up, right? No reply. The Detective heads back to his car, stops for a second, reaches into his pocket and pulls out Kristen's already-dog eared card. He can't resist. Dials the number After four rings there's no message. Just a BEEP. MORRISON (into | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> phone) Uh, Kristen, it's Michael again. Haven't heard from you. Hope you're doing okay. Everything's fine here. 03/22/2004 88. MORRISON(CONT'D) Haven't been any questions asked that I can't answer, an' no one's brought your name up. So give me a call back and maybe we can go for that drink... H e's cut off by... RECORDED VOICE BEEP. The mail box you are trying to reach is full. Your message has been deleted. Morrison's disconnected. Puzzled, he gets into his car. INT. BLUE BAY PD - DAY Morrison gets the shock of his life when he enters the usually quiet police station and finds himself in the midst of utter pandemonium. Federal Officers are everywhere. He tries to pick his way through the crowd when he's intercepted by Officer Entwistle. OFFICER ENTWISTLE You better come with | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> me, Detective. INT. BLUE BAY PD - MORRISON'S OFFICE - DAY Entwistle leads Morrison into his office, where Agent Dammers sits behind his desk. AGENT DAMMERS Detective Morrison. So good to finally see you. MORRISON What the hell, Dammers? AGENT DAMMERS I should be asking you the same question. INT. BLUE BAY PD EVIDENCE LOCKER - DAY Morrison stands in the middle of the evidence locker, dumbfounded. Dammers watches him, his arms crossed. MORRISON It's...gone. DAMMERS That's right, Morrison. Every last bit of evidence from the Black Widow case. 03/22/2004 89. DAMMERS(CONT'D) Not to mention the money you confiscated. All $427,000. MORRISON But how... DAMMERS I was hoping you'd be able to answer that question. MORRISON What in God's name are you talking about? I didn't have anything to do with it! DAMMERS Well, your key | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> card was the last one that opened this locker. Morrison's heart is beating a mile a minute. MORRISON Holy shit. Kristen... INT. DADE COUNTY PAROLE OFFICE - DAY A PRETTY RECEPTIONIST sits behind a sparse desk when the phone rings. PRETTY RECEPTIONIST D ade County Parole. How can I direct your call? INT. BLUE BAY PD EVIDENCE LOCKER - DAY Morrison paces back and forth, on the phone, as Dammers watches, not saying a word... MORRISON (into phone) This is Detective Morrison, Blue Bay PD. I was wondering if you had a forwarding number for Kristen Richards... PRETTY RECEPTIONIST(V.O.) Who? MORRISON Kristen Richards. She's one of your officers. Has cases up here in Blue Bay. INT. DADE COUNTY PAROLE OFFICE - CONTINUOUS The receptionist's fingers nimbly dance across the keyboard in front of her. 90. PRETTY | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> RECEPTIONIST I'm sorry, Detective. There's no one here by that name. MORRISON No, of course there is. I worked with her personally. I... PRETTY RECEPTIONIST I have no record of a Kristen Richards ever working here. Besides, Blue Bay's out of our jurisdiction... INT. EVIDENCE LOCKER - CONTINUOUS Morrison struggles to control his emotions... MORRISON Oh no. No, no, no... EXT. PARADISE - DAY Soft waves lap against a pristine beach. Palm trees sway in the warm breeze. A steady WHIRRING is the only sound that disturbs the serenity. Is it a lawn mower? A leaf blower? There's a gorgeous beach house with a patio looking out onto this idyllic scene. The swimming pool glistens in the bright tropical Caribbean Sunlight. And stretched out on a recliner in the sheerest of bikinis is none other than | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Kristen Richards, soaking up rays. At her side is a PAPER SHREDDER, and between sips from a pi�a colada, she feeds document after document, each one stamped BLACK WIDOW EVIDENCE in red ink... Kristen looks over at Elena, equally stunning in a matching bikini. KRISTEN I can't believe Morrison just handed me the key to the evidence locker... A broad grin stretches across her lips as Elena empties the contents of a velvet pouch onto a table. T he Mother-Daughter diamonds are radiant in the bright sunlight. KRISTEN These are...genuine? Elena nods. 03/22/2004 91. ELENA Nothin' like the real thing. Switched 'em for the fakes right after Marie tried to pay me off... KRISTEN They're...So beautiful. Elena picks up the bigger diamond, hands it to Kristen. ELENA The mother. Kristen picks up the smaller diamond, hands | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> it to Elena. KRISTEN The daughter. INT. TEAM CLIFFORD BUILDINGS - DAY Morrison paces the infamous crime scene, at wit's end. Dammers stands off to the side, just watching him with a bemused look etched across his face. MORRISON She was the Black Widow. Her and that little... He tries to think of an appropriate slur for Elena. Can't come up with anything, continues pacing frantically. MORRISON Played me like a fool. Dammers shrugs. DAMMERS Hind sight's 20-20. No need to be so hard on yourself, Morrison... (beat, smile) That's my job. MORRISON You smug son of a bitch. It's not like you knew who she was anymore than I did. Dammers nods slowly. DAMMERS That's the God's honest truth. But at least I didn't give her my evidence locker keycard. 03/22/2004 92. DAMMERS(CONT'D) And I | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> didn't lie about who fired the shots that killed the Clifford kid. Morrison's heart sinks. He looks like he's going to faint. Steadies himself, placing both hands against the wall, just as Jay did that fateful night seemingly a lifetime ago... EXT. TEAM CLIFFORD BUILDINGS - DAY Dammers leads Morrison to his awaiting car. They pass MR. Barajas and Cicatriz. Mr. Barajas is in his usual foul mood... MR. BARAJAS Un pinche sink hole! No lo puedo creer! Morrison stops, regards Barajas... MORRISON What did you say? CICATRIZ The foundation is sinking. The entire site is a sink hole. It's completely worthless. MR. BARAJAS I'm going to kill Jay Clifford... MORRISON You and me both... EXT. PARADISE - DAY Elena and Kristen lay side-by-side on loungers, soaking in the sun, when a voice rouses them... JAY | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Hero | Hero | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> (O.S.) Poor Detective Morrison. It's hard to do that to a friend. Especially one going through such a nasty divorce. They look up to see Jay, standing before them in a pair of colorful shorts, no shirt, sipping at a martini... JAY Told me he'd never trust another woman as long as he lived. And then along came a spider... KRISTEN A black widow. Jay glances at Elena, as he downs the last drops from his drink. 03/22/2004 93. JAY More like widows... Gotta say I was a little taken aback when you wanted to snuff Marie, but you know what, I'm over the bitch... Elena suddenly gets to her feet. ELENA You want me to top you off? JAY That'd be fine, just fine. He hands Elena his empty glass, then kisses Kristen tenderly. When | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> they break... JAY She's got a good head on her shoulders. Kristen doesn't reply. Just smiles, watches Elena over by the outside bar, mixing Jay's drink... JAY You two got me out of a mountain of shit, I'll tell you that. Craziest Goddamn scheme I've ever heard of. But hell, you played it perfectly. KRISTEN My job was easy. It was Elena who had to keep it all together... ELENA (O.S.) We've had some practice along the way... Jay turns around, smiles at Elena as she holds out his drink. ELENA Here you go, Mr. Clifford. Jay takes it from her appreciatively, sips at it as he sidles off to the swimming pool. JAY Well, all that nasty business, it's behind us. Forever. From here on out, it's the good life. He starts to climb the | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> high dive. When he gets to the top, he looks down at Elena and Kristen, smiles. 03/22/2004 94. JAY You two look so good, it's difficult to tell which one's the mother and which one's the daughter... Kristen calls back up at him. KRISTEN That's just the roofies talking... Says it so sweetly, it takes a moment for Jay to register the sinister implications... JAY What did you say? His eyes are blood shot. He starts to sway atop the high dive. KRISTEN Delta Chi, class of '88. Hellova party. I'd never really tasted cocktails like that. Jay's swaying uneasily on the high dive platform... JAY I don't...whattya talking about? KRISTEN It was like being awake though an operation. I could feel everything happening, but I couldn't do anything to stop it... JAY Oh...shit... KRISTEN You | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> took something from me that night. But you left something behind... Jay's head is spinning as he looks to Kristen, to Elena. KRISTEN Your daughter... He can't quite get his mind around it. Everything's becoming blurry. JAY I don't remember... 03/22/2004 95. He looks at the martini glass, thinks he sees blue residue, before it slips from his fingers, falls 20 feet to the concrete below, shattering into a million pieces like so many fake diamonds... E lena and Kristen stand side-by-side below him. KRISTEN You may not remember... A broad grin stretches across Elena's lips as she finishes... ELENA ...But you'll never forget. Jay tries to take a step forward. He stumbles. Tries in vain to regain his balance. It's too late. He falls. 20 feet to the unyielding concrete, exploding like a paper bag | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> filled with vegetable soup... ELENA Nice take off. Gotta work on the landing. They stand back, watching Jay's pancaked body draining its precious blood into the ice blue pool... KRISTEN Let's go get our money. They gather the diamonds, walk away as the pool turns crimson red... THE END As the credits roll.... INT. OFFICE - MORNING An anonymous, luxurious office. A fat, balding, semi-conscious MAN lies curled up on the floor as Elena, half undressed and wearing a black wig, shovels cash into her oversized purse... There's a crackle on her WALKIE-TALKIE... KRISTEN (V.O.) We got problems... From outside, she can hear the wailing of SIRENS. Getting closer. ELENA Almost done here. KRISTEN (V.O.) Leave it. Come on! 96. Elena gets hesitantly to her feet, slides a stack of $100s in her pocket for good | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Antagonist | Hero | Antagonist | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> measure. KRISTEN (V.O.) He gonna be able to make an ID? Elena glances at the Man on the floor, his puffy eyes glazed over like a jelly donut. ELENA Not on your life. I gave him enough roofies to make an elephant forget. EXT. OFFICE - MORNING Elena gets into a waiting car outside the bank. The getaway driver...Kristen, of course... ELENA I can't believe we just gave up all that cash. KRISTEN Forget it. The Black Widow's finally got an angle on our real prey. ELENA We goin' to Blue Bay? KRISTEN He won't know what hit him. A smile crosses Elena's perfect lips... ELENA 'bout time... And the car pulls away from the curb just seconds before a fleet of police cars screeches to a halt in front of the bank. INT. TEAM CLIFFORD | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | | <|output|> Antagonist | | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> BUILDING - JAY'S OFFICE - DAY Jay carefully places the stacks of cash into the wall safe in his unfinished office. KRISTEN (O.S.) That's an awful lot of money... Jay spins round, flabbergasted that someone's watching him. JAY Who the hell... 03/22/2004 97. KRISTEN Not enough though. Gonna need those Diamonds if you're gonna ride out this disaster... JAY What? What the hell do you mean? Kristen calmly reaches into her purse, pulls out a handful of marbles. Throws them onto the ground, letting them roll towards B Jay... ut they stop, change direction, all coming rolling back in a small circle, until they come to rest in the middle of the concrete floor... KRISTEN The building's built on a sink hole, Jay. You know it, and I know it. Gonna need to think fast if | <|output|> | <|output|> Hero | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> you wanna keep the Cubans off your back... Jay's tiny mind can't take it all in. JAY How'd you...how'd you know all this... KRISTEN It's what we do. JAY We? Elena walks seductively into the unfinished office. It's on. INT. LOCKER ROOM - DAY Marie sits in the bleachers by the side of the school dive pool, looking at her Mother's soon-to-be-diamond ring through teary eyes... MARIE I just want what's mine... Elena stalks the bleachers behind her. ELENA The diamonds are your inheritance. You deserve them... MARIE My fucking Step-Monster'll never give me the Goddamn key... 03/22/2004 98. Elena jumps down the bleachers, sits down next to Marie. ELENA So you take it, one way or another... INT. CHAD'S OFFICE - DAY Behind closed doors, Chad's completing yet another dubious transaction, handing over a bag | <|output|> | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | | <|output|> Hero | | <|output|> Antagonist | |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> of roofies. The buyer this time...Marie... MARIE You take a check? CHAD Money talks, bullshit walks. I got strippers to feed... Marie fishes out the money from her purse. MARIE How'd you like to make some real cash? CHAD Chad likes the sound of that. And it's that simple... INT. TEAM CLIFFORD BUILDING - NIGHT Chad uses Jay's teeth mouldings to bite Elena, as Marie trains Jay's video camera on her, wailing on her in a drunken stupor. ELENA Hey, that hurt! MARIE Shut it, bitch. No pain, no gain... Elena's face is pressed against the concrete wall... INT. BLUE BAY FORENSICS LAB - NIGHT Chad sits at his video console, all alone, expertly manipulating the audio and video footage. CHAD We'll put you right here, and... Chad presses play. On the video screen a frightened | <|output|> Antagonist | | <|output|> |
<|question|> Is Chad a Hero or an Antagonist?
<|text|> Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Antagonist | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Antagonist | Hero | Hero | Antagonist | Antagonist | Antagonist | Hero | Hero | Antagonist | Hero | Hero | Hero | Hero | Hero | Hero | | <|output|> Hero | | <|output|> Antagonist | |