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200 | told in scattered fashion | 0negative
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201 | takes chances that are bold by studio standards | 1positive
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202 | believe it or not , jason actually takes a backseat in his own film to special effects | 0negative
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203 | only thing to fear about `` fear dot com '' | 0negative
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204 | whole mess | 0negative
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205 | manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor | 1positive
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206 | working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up . | 1positive
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207 | a résumé loaded with credits like `` girl in bar # 3 | 0negative
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208 | enjoy the ride | 1positive
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209 | very little to add beyond the dark visions already relayed by superb recent predecessors | 0negative
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210 | the , yes , snail-like pacing | 0negative
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211 | an extremely unpleasant film . | 0negative
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212 | if it is n't entirely persuasive , it does give exposure to some talented performers | 1positive
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213 | the whole affair , true story or not , feels incredibly hokey ... | 0negative
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214 | are all things we 've seen before | 0negative
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215 | poignant and leavened | 1positive
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216 | breathless anticipation | 1positive
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217 | significantly better | 1positive
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218 | as predictable as the tides | 0negative
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219 | bewilderingly brilliant and entertaining | 1positive
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220 | it 's smooth and professional | 1positive
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221 | , unassuming , subordinate | 0negative
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222 | the horror | 0negative
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223 | a technically superb film | 1positive
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224 | the positive change in tone here seems to have recharged him . | 1positive
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225 | pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators | 1positive
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226 | a dim | 0negative
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227 | , vicious and absurd | 0negative
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228 | because he acts so goofy all the time | 0negative
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229 | to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside | 1positive
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230 | 's at once laughable and compulsively watchable , | 1positive
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231 | merit its 103-minute length | 1positive
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232 | the value and respect for the term epic cinema | 1positive
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233 | as a dentist 's waiting room | 0negative
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234 | showing honest emotions | 1positive
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235 | amazingly lame . | 0negative
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236 | confessions may not be a straightforward bio | 0negative
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237 | seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little | 0negative
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238 | the story is bogus and | 0negative
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239 | this comic gem is as delightful as it is derivative . | 1positive
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240 | to spare wildlife | 1positive
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241 | ugly as the shabby digital photography | 0negative
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242 | understand the difference between dumb fun and just plain dumb | 0negative
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243 | traditionally structured | 1positive
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244 | frida is n't that much different from many a hollywood romance . | 0negative
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245 | does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets . | 1positive
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246 | are worth the price of admission ... if `` gory mayhem '' is your idea of a good time | 1positive
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247 | was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | 0negative
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248 | carnage and | 0negative
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249 | degraded , handheld blair witch video-cam footage | 0negative
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250 | second fiddle | 0negative
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251 | about the folly of superficiality that is itself | 0negative
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252 | serves as auto-critique , and its clumsiness as its own most damning censure . | 0negative
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253 | tedious norwegian offering which somehow snagged an oscar nomination . | 0negative
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254 | , esther kahn is unusual but unfortunately also irritating . | 0negative
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255 | a stylish exercise | 1positive
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256 | halfway through this picture i was beginning to hate it | 0negative
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257 | a setup so easy it borders on facile | 0negative
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258 | a thoroughly awful movie | 0negative
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259 | takes hold and grips hard | 1positive
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260 | look smeary and blurry , to the point of distraction | 0negative
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261 | the picture 's fascinating byways | 1positive
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262 | guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves | 0negative
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263 | breezy , distracted rhythms | 0negative
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264 | than this mess | 0negative
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265 | evanescent , seamless and sumptuous stream | 1positive
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266 | slick and manufactured to claim street credibility . | 1positive
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267 | take care is nicely performed by a quintet of actresses , | 1positive
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268 | valuable messages | 1positive
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269 | in no small part thanks to lau | 1positive
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270 | two guys who desperately want to be quentin tarantino when they grow up | 0negative
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271 | no new plot conceptions | 0negative
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272 | essentially a collection of bits -- | 0negative
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273 | does n't bode well for the rest of it | 0negative
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274 | elevated by it -- the kind of movie | 1positive
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275 | usual worst | 0negative
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276 | hugh grant , who has a good line in charm | 1positive
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277 | arrive early and stay late | 1positive
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278 | is a pan-american movie , with moments of genuine insight into the urban heart . | 1positive
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279 | i could have used my two hours better watching being john malkovich again . | 0negative
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280 | shot in artful , watery tones of blue , green and brown | 1positive
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281 | an unorthodox little film noir organized crime story that includes one of the strangest | 1positive
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282 | considerable aplomb | 1positive
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283 | acted by diane lane and richard gere . | 1positive
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284 | scant | 0negative
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285 | an admittedly middling film | 1positive
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286 | too ludicrous | 0negative
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287 | the rock 's fighting skills are more in line with steven seagal | 1positive
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288 | rich and full | 1positive
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289 | warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal . | 1positive
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290 | that uses a sensational , real-life 19th-century crime as a metaphor for | 1positive
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291 | , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face . | 1positive
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292 | , the film retains ambiguities that make it well worth watching . | 1positive
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293 | ultra-cheesy dialogue | 0negative
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294 | added depth and resonance | 1positive
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295 | the sensational | 1positive
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296 | huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them | 1positive
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297 | handsome but unfulfilling suspense drama | 0negative
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298 | 's not very good either . | 0negative
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299 | in her most charmless | 0negative
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