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[MUSIC]
>> Hello, everyone.
Let's get started.
So first of all, this is
mainly for the residents.
They didn't have many talks
about neural networks before,
things like that, so
I'll have to give
an introduction about
these things before.
So bear with me a few minutes.
Feel free to ask questions at
any point when you have them.
Let's get started.
So I'm Miltos and hopefully,
you're here because
you're interested in learning
about graph neural networks.
The first thing, let's talk
some high-level background,
machine learning in general,
and we'll get to graph neural
networks in five minutes.
What's machine learning?
Well, we design the
model, we, the humans,
design the model and the
model has parameters.
The parameters are these
knobs that you turn
slightly left or right and
change the model's behavior.
The model is something you want to
represent something in the world.
All the models are
wrong, some are useful.
So this is what machine
learning helps to do,
is we design the models as humans,
we learn the parameters through data.
So supervised machine learning,
which is the most common
and most widely used
and the thing that works the most.
We have our model, our spherical cow.
We get the input data, we try
to predict something out.
Our dataset is the data points
which have input x and output y,
and these data points independently
come out from your population.
So we assume there is no correlation
among them in most cases.
What do we want to do is we
have this loss function,
something that measures how good
or bad our predictions are.
We start with our model f, we give
it x, and we try to predict y,
and we judge how close our
prediction f is close to y.
So that's supervised learning.
One flavor which is common
in deep learning nowadays
is the following.
We do the learning
with gradient descent.
The idea is as follows.
While we have not converged,
somehow, we compute an estimate
of the derivative of the loss
over our dataset and then
we update our parameters,
this Theta thing, based on how
we're going to minimize the loss.
So we gradually move to a
point which is hopefully good.
This is a computational
methods to do this,
not the only one, but
in any case, that's it.
What do we want to hope to get out
from machine learning and
these modeling things?
Well, we want to generalize the
new previously unseen data.
If we had these data points here,
we don't want to have a very
simple model that is underfitting,
we don't want to have
a very complex model
that overfits exactly in our points
but does the model, the
thing we're trying to do.
So that's machine learning.
If you haven't seen this before,
hopefully, this is good
enough to get started.
So other things that
we're going to use,
the notion of distributed
vector representations.
That's common in natural
language processing,
common in deep learning.
The idea is the following.
We have a set of discrete things.
One way to represent this is
with local representations.
We have a huge sparse
vector of mostly zeros
on the single one when we
represent something like,
let's say, a banana
or a mango or a dog.
This, however, has the
problem that we don't know
how these two things
correlate or combine.
It's a very discrete representation.
What happens usually
in deep learning,
somehow, different models
do different things,
learn a distributed
vector representation.
Distributed because the
meaning is distributed
across the components of this vector.
So maybe banana and mango
share this yellowness thing,
whereas the dog is
somewhat different.
So how do you do that?
How do you learn these things
that you can compute them?
You can learn them as
parameters of your model.
The high-level idea is you can
start from these representations,
the one-hot representations,
multiply them with
this embedding matrix
and you get this distributed vectors.
Now, your parameter is this E here,
which is an embedding.
Maybe you've heard things like
Word2vec or things like that.
These are the distributed
vector representations.
They are building blocks, let's say,
of the things that
we're trying to get at.
So how you compute them
or how you learn them,
it's quite wide variety
of ways of doing this.
But you'll hear me talking about
distributed vector representations
a few times later today.
>> D is a lot smaller than V.
>> Exactly. That's part
of the point where the V,
you have 10,000 elements or 10,000
words or something like that.
D would be 128 or 500
or something like that.
So it compresses down
the space in some form.
That's another way of
seeing these things.
So graph notation, again,
for the residents,
most of you don't necessarily have
a computer science background.
Graphs look like this.
You have nodes or vertices.
You can see here you have edges,
which can be directed
or undirected edges,
you can see them here.
You can have many
different types of edges.
So here, I'm coloring some edges
with a different color to say this.
What does this graph say?
Well, in this specific one, nothing,
but the main idea here
is that you encode the
nodes which are elements,
and the edges encode relationships
among those elements.
So this is the high-level thing
and you can encode quite
a few things in graphs.
Hopefully, if the residents
have any questions
about notation or
graphs, let me know.
Very simplified thing,
there are tons,
of course, of things around graphs.
So we got to the point
where I can start
talking about graph neural networks.
So the idea of graph neural
networks is the following.
You start with a graph, a
representation of your problem.
What is this graph?
Where does it come from?
This is a modeling decision,
that something that you decide
that this graph here encodes the
problem you're interested in.
It could be a social network,
it could be a molecule,
it could be a program,
it could be anything that
you're interested about.
So that's the first part.
You, as a human, have designed
a graph representation
of your problem.
The second thing is that for
each of your nodes here,
you need some information.
This information is encoded in a
distributed vector presentation,
an embedding if you wish, and
this is encoded for each node.
So each node gets somehow
a representation.
You can compute it.
It could be an image.
So B could be an image,
so you compute it from a
convolutional neural network.
It could be a word, it
could be an embedding,
it could be anything
that you wish it to be.
So this is where we start.
This is the input to a
graph neural network.
Now, the question is,
what do we want to do?
Well, the idea is we start from here.
This graph representation
will describe,
for most of the rest of this hour,
the graph neural networks.
The output here is going to
be, again, the same graph,
but for each node, you have
a vector representation.
Now, these vectors here
are going to have information
not about node A,
when you had initially here,
but how A belongs within
the context of this graph.
So you are essentially saying,
given the features that
I had initially here
and the structure of the graph
and the neighbors and what the
neighbors had to say or do,
what is the representation here?
So a GNN computes these
representations once it's trained.
Then what you do is you take this,
this representation you
have of your graph,
the output of the GNN,
and then you can pass it to something
that is specific to the task
that you're trying to add.
So it could be the loss
or something else,
but it's something
that is task-specific.
We'll discuss very briefly two tasks
after I explain the
graph neural networks.
>> Do these funny things
attach to each vertex?
They're somehow meaningful
to the person starting it.
That's not the internals of the GNN,
it's a meaningful thing.
>> It's as meaningful
as a vector can be.
>> But it comes to that side,
it's not part of the mechanism
of machine learning.
>> It's not part of the mechanism
of graph neural networks.
It could be a neural network
somehow processes F,
let's say an image, and the image is,
you get a vector out of it,
which could be the features
that there is an edge here,
or there is a face here,
or there is a wheel here,
or something like that.
It could be that this is a word.
So you have something distributed,
an embedding of a word,
like a natural language processing
word and things like that.
So the GNN is transparent to
what the initial representation.
>> Are they the same kind of thing?
The same length, for
example, identical?
>> They don't have to
be the same length,
but they usually are the same length,
not the same vector, of course.
Otherwise, this would be
an identity function.
But they are a representation.
Again, it's like a
feature vector of this
node A is central in this part,
or if it were a variable in a
program that we will see later,
this variable here
acts like a counter.
People accumulate things into it.
Things like that that are learned,
we don't explicitly say or
know exactly what this is.
We can find by analogy in
some cases, but that's all.
>> Do they have to be
unique and identifying?
So for instance, if you
have the same type of nodes
but with different edges,
you will have the
same node identifier
but the edges would
make it different?
As in, if I have two vectors that
are identical in the same graph,
I can assume that they are
the same type of node.
>> So here?
>> Yes.
>> Yes, you can.
>> Which means if I have the same,
like they don't clash,
like MD5 thing, you can assume that?
>> You can assume anything
you want in this case, yes.
So the simplest scenario here
is that all these things,
all these vectors are identical,
and you want to learn
something about the graph itself.
That's perfectly fine.
There are other cases
where you want to attach
some information to the graph.
>> I see.
>> So I'm trying to map this
diagram to the first slide
you showed about what
machine learning is,
which is you have the model
and then you have the knobs.
So is it accurate to say
that the model here,
the human design part is
the structure of the graph
and then the knobs that you're trying
to learn the parameters
for are the vectors?
>> So the human element is in here,
we'll discuss this in the next slide,
and also, you can think of
it as a feature extraction.
In the, let's call it
old-fashioned machine learning,
you extract features,
is this red or blue?
Is this small or large?
So you have the zero one things.
Instead, here, you can think of
it as a feature engineering.
Feature engineer your
problem into a graph.
>> I see.
>> So this is part of
what we humans do,
but also there is components in
here that are human related.
But the parameters,
most of them are here.
There might be parameters of how
to compute this initial
vector representations.
>> Got it. Thanks.
>> Should we assume that
the graphs were perhaps
different examples or variable size
are not necessarily
the same structure?
>> Yes.
>> Okay. After you get
the final representation,
then you have these vectors
that you would like to combine
into your [inaudible] how do you,
like you have a variable size?
>> We'll get there eventually.
>> Does the output graph
have the same structure
as the input graph?
>> Yes.
>> So I'm not adding or
removing any nodes or edges?
>> Not in the flavor of
the graph neural networks
we'll be explaining for
the rest of the talk.
In principle, you can do
some of these things,
but let's ignore this for
all practical purposes.
So hopefully, that's good enough,
graph neural networks here.
Let me zoom in in this box.
What happens is the following.
Let's take this small example here.
This F node is connected to E
and D connects to F through
different types of edges.
At some point in time,
let's say, E and D have some
vector representations.
The same thing happens with F.
Now, the idea is as following.
We start from our neighbors
and we're going to do something
like computing a message.
That's the analogy.
The message here is essentially
get another vector.
The idea is that we get
a function of the input,
the neighboring node,
the actual current node,
and the type of the edge,
and with this function,
which could be many things,
again, that's design
decisions about our model,
we'll discuss concrete, a
few concrete options later,
we get a message,
meaning again a vector.
The same thing for this edge here.
Then we summarize all the messages
we received from our direct neighbors
and again, summarizing could
be many different things.
We combine the summarized information
with the current state of the
node and we update the node.
So now, F, essentially,
what happened is,
it had to instate at time t minus 1.
At time t, now, it has a new state
that has information about
itself and from its neighbors.
In some way, this is combined.
There are many, many different
ways to combine them.
We'll get to that very soon. Yes.
>> When you say both nodes
and also be the type of edge?
>> Yes.
>> Is that encoded somehow or is
it just directed, undirected?
>> No. The type of edge
could be that D and F,
let's say, are at D is below F
and E is above F, let's say.
So it's a relationship
that you encode.
Again, the types of edges you have
is something that you decide.
It's, again, the modeling
decision of the human.
>> But then it's simply directly
in the vector of the edges?
>> We'll discuss how and when
it's encoded in a second.
So let's look at an equation here,
which is hopefully
colored in a helpful way.
So prepare the messages.
This is a function
which might be depended
on the time step t that takes
the representation of your node
that you're currently trying to
predict, like F in this case.
It takes the type of the edge,
so this k here, and optionally,
the type and the
information of state,
the vector if you
wish, of your input.
So you do this,
you compute a message for each edge,
for each node that connects to n_j.
Now, I'm using this
fancy operator here,
mostly because I couldn't find
another operator in Office,
but the idea is as follows.
This could be any
commutative operation,
any permutation invariant operation
for combining the messages.
It doesn't matter if the
edge from D to F comes first
or the edge from E to F comes first.
This is an important part
of graph neural networks
because they make them
essentially invariant
to however you may
shuffle your graph,
and that's an important thing.
In some cases, this
could be a summation,
in some cases, this could be a max,
in some cases, this
could be something else.
That's, again, a design
decision of our model,
nothing beyond that, but this is
a general class of operations.
>> Then you should
include all the edges.
>> Yes, but you include all
the edges that connect.
>> This is the row n_j.
>> Yes, and then we're currently here
updating only one node, of course.
So we get all our neighbors,
we compute the message,
we summarize it,
and then we take our own
state, this state here,
and we combine this
with some function q,
and we now have a new
state over there.
So that's the high-level thing.
For each node, you can imagine,
we have a previous state,
you get messages from your neighbors,
and you update your state.
>> Has this been going from n_j to n
or there were something on notation?
>> Depends on notation.
>> Under the big union?
>> Yeah.
>> Yeah.
>> Yeah, I guess you want,
n_j should have been here.
>> Yes.
>> So this is the process
for updating one node,
how does most of the common
graph neural networks work?
Well, you have one of this,
the parameters are shared across
all of these for each node,
and then there is a clock,
very much like a CPU.
At each point, a clock ticks.
When it ticks, every node gets
input from all its neighbors,
compute its messages,
updates the state.
The clock ticks again and the
process repeats again and again.
So how many times do you run this?
That's a hybrid parameter,
a design decision,
however you want to call it.
There is no notion of convergence
or other fancy things like that,
but that's how a graph
neural network works.
>> So the new computer value
has to be saved separately,
so you only update all
of the values at the end
because otherwise, the
order in which you update
the nodes will change?
>> Yes, you do this in parallel.
>> Okay.
>> Which brings me to the next slide.
You can think of this as unrolling
the graph multiple ways in time,
and now, each vector, it
will get updated again
and again and again.
So all nodes update their states
simultaneously in parallel.
Each slice here, you see all the
nodes in the graph have one state.
>> As time goes on, how are these
F functions involving as well?
>> By F functions, you mean?
>> The ones that [inaudible] .
>> So once you've trained
your neural network.
>> Show the next slide.
>> Yeah, I'm trying to get there.
>> [inaudible] .
>> Yeah.
>> [inaudible] .
>> Again, modeling decision.
You might decide that
f_t, it's dependent on t.
You might decide that
q is dependent on t.
In many cases, they don't.
In some cases, they do.
That's entirely up to you.
But usually, in some cases,
you can think of this
as something that
depends on the time t,
but it's shared across
all time slices.
>> So I think I'm missing
out in this discussion
is the parameters wise,
so both F and q get D
is source of an input as well?
>> Yeah, so parameters can be in F.
>> So usually, f_t of Theta
and these other things
and it's q of Theta and
these other things.
>> Yes.
>> There's a silent Theta here.
>> Yeah. We'll discuss I
think in two or three slides,
there are concrete
choices that people make
where the parameters will
be more explicit list.
So what this means is
that in the beginning,
each node knows about itself.
In the next step, each
node learns about itself,
well, you knew that already, and
it distance one's neighbors.
In the next step, their neighbors
have also been updated.
So now, its neighbor
know about itself,
about its neighbors, and
its neighbor's neighbors.
So you increase essentially
this perceptive field
of what you know about each node,
and by more time steps,
hopefully, you learn more about
how you belong in the graph.
>> Is this like Spanning
Tree Protocol in networking?
>> I don't think so.
I cannot say that I'm very
familiar with that. Okay. No.
Graph Neural Networks.
You started from some
state, you got the output,
now you have all of these vectors
here that are about information,
about a node, and how
it belongs in there,
and now you can do anything
you actually care about
in your application.
You can say I want to pick one node
from this graph that
has some property.
So you can do that,
this is node selection.
You can label each node,
you can add a class,
for example, and you take
each representation here
and classify it somehow,
or you can decide
to summarize all these
vectors you have here
and do graph classification.
There are different ways to do this,
and it's very application-dependent,
we'll discuss when we go
to some applications.
Let's take a very, very simple
example, not very practical,
but still, it's the simplest
possible you can get.
So you have this h,
you got out from each node
at the final time step,
and you multiply it with
a single layer MLP,
and what you get out of it is
a binary decision, a zero one,
assuming that this makes
sense for your application.
So now, you have a loss, essentially,
saying that the classical
binary cross-entropy loss,
saying that I want my
decision for each node here
to match my value y_n,
whether it's true or
false, zero or one.
What's the implication? I don't know.
I just made this just to
make this a concrete thing.
Now, what this means
is that I have a loss,
I can compute its gradient,
and with automatic differentiation,
we'll compute the gradient
through the graph neural network.
I can update the parameters here,
the w, everything in the GNN,
everything in the initial layer,
and this is how learning with
graph neural networks would work.
>> So is this the step that's done?
So your graph neural network
produces this output,
and from this output, you then
try to classify based on it
or is it something
that you incorporate
into the graph neural network?
>> It's all entropy.
You can think of this as a function.
The loss, for a simple
example at least,
over the parameters of all the
parameters you have in your model,
and you back-propagate
to all the parameters.
In most cases, it's the
most common thing to do.
>> But you're doing
the back-propagation,
the entire stack, so it's
a pretty giant expression
that you are differentiating.
>> Yes, you really want to do
the differentiation
manually, that's for sure.
>> I think so, yeah.
Also, do you run into
problems like radiance and so on?
This sounds like a
very hard RNN problem,
and RNN [inaudible].
>> It depends on the architecture.
Again, there are many architectures
that are coming up next.
Some of them look more like CNNs,
and you can think of them
as a stack of CNN layers.
Some of them are RNNs.
Usually, this unfolding happens
for 10 steps, let's say.
So you'd never get into
that big of a problem.
Again, you use an RNN,
which is like a GRU or
something like that.
So that all you get is
residual layers like in CNNs,
and hopefully, you don't run
into this problem in most cases.
>> Where's the update
rule for these h things?
>> The update rule is
stochastic gradient descent
or stochastic with momentum.
>> How do you go from
h_t to h_t plus 1?
>> You mean ht is a value
in the model, right?
You don't update h_t, it's not
a parameter, w is a parameter.
>> No, I get that.
Okay. Maybe you say it
in the second slide.
>> I'm not sure what you're asking.
>> Because earlier, you said
there will be an update rule
for each of these states,
for each of these h vectors.
>> So h here is the output h.
So maybe this de should
have been capital D,
the final thing when
you go over there.
>> [inaudible]
>> Yeah. That depends on the graph
neural network architecture.
So let's look at two popular graph
neural network architectures.
So the first one is gated
graph neural networks.
It was first invented
in this building.
I wasn't here at that time,
but the idea is as following.
We want to compute the messages.
We say that the message depends
on the type of the edge k,
on the neighbor and the
state of the neighbor D.
So h of node D at time t minus 1.
This is copy paste, of course,
so that's equally wrong,
and it does not depend
on F, in this case.
So here, this is E, is a
parameter of the model,
and you do a matrix multiplication,
you transform the state,
the input state of your neighbor
with your summarization.
Your permutation invariant
method is just a summation.
So however you order this sum,
it doesn't really matter, it's a sum.
Well, modular floating
point, but don't worry.
Then here, you get
your previous state,
you have an RNN cell,
a recurrent neural network.
This one is called
GRU, doesn't matter.
It has some parameters in it and
it takes the previous state,
the message that we just computed
that the summarized information,
and updates its state.
>> What's k?
>> K is the type of the edge here.
So you can say that
the white one is zero,
the red one is one,
something like that,
so you have a finite,
unusually small set of edges.
>> I guess if your F depends
on the type of [inaudible]?
The function F.
>> The function F, yes.
This is what previously
we had an F as F here.
So we have essentially a
different matrix for each k,
which is an n by n,
where n is the dimensionality of h.
>> How come there's no
bias tone for E_k_h plus?
>> For E_k?
>> Yeah, the E_k_h plus.
>> You could add one.
It depends on your application.
There are variance, at this, I think
the original GNN does that one.
You can say that the
bias, essentially,
will be helpful for counting how
many edges come in in some place.
That's one option. Okay, next. Nick?
>> What does the gated referring to?
>> Sorry?
>> What's the gated refer to?
>> The GRU, which is a
gated recurrent unit, yes.
So this is an RNN that says do
previous state to next state.
So this goes back to you
have as much exploding
or imploding gradients as
much as you would have
for a GRU with 10 steps,
so not much, usually.
Another variant, that is the graph
convolutional neural networks.
That's because they
resemble convolutions,
and we'll see later how this goes.
But the idea is you take the states
from all your neighbors,
you sum them up,
you multiply them
with your own state,
and then a matrix
multiplication and division.
This model, originally, at least
in its original implementation,
doesn't support different edge types.
So you see there is
no dependence on J.
Again, you see a permutation
invariant combination
and a different way of
updating your state.
The first thing, I
didn't really discuss.
So these are design decisions.
All of them are different
modeling decisions,
and there are tons of them.
You can go online and find
more than a hundred papers
that change something
in this equation,
but the original equation is
still more or less always intact.
You have a way to prepare messages,
a way to summarize them,
a way to update your state.
The first thing is now the following.
There is one trick that
I have omitted so far.
Let's take, for example, node D.
Node D is not connected,
no incoming edges come through here.
So node D has no
opportunity to learn about
how it belongs in the graph.
So a practical trick is that you
add explicitly backwards edges.
So you double the type
of edges you have,
a new for each forward edge,
you add the backwards edge.
Now, you still have a graph,
using the same equations apply,
but the information is propagated
through the whole graph.
That's just a trick that exists.
>> Isn't this related though to
the assumptions that you were making?
Surely, if you said the
D has a directed edge
to the rest of the graph and
nothing else connects to D,
then that's a pretty strong statement
about how D relates to the
rest of the [inaudible].
>> Yes.
>> So if this is the input, you
don't want to change it, right?
>> You mean this?
>> Yes.
>> Yes, but it depends
on your application.
If you want to learn
something about D,
how it belongs in there,
then the information has to
somehow propagate back to D.
This is what this tries to solve.
>> Is the edge you replicate the
same time or continuous?
>> Well, you can say
it's a different type
is the same like if
this is the left of E,
this is the opposite of that.
>> So basically, what you want
is getting feedback, right?
Can you make it weaker or stronger?
Or can you change it?
>> You could. People don't.
But yeah, there's nothing
necessarily stopping you.
>> Will it blow up if I just had
an edge type for no edge here
and just try to basically
fully [inaudible]?
But the default was [inaudible].
>> There are some people
that do something like that
where essentially,
you imagine a node,
a God super node here
that everything connects
to that and back.
It works quite well in many
cases. There was a question.
>> I thought someone had
the same question earlier
while you were introducing the
function that prepares the message.
So could you also fix this
by changing that function
that prepares the message
to trick your forward nodes
and backward edges differently?
>> This thing currently,
I mean, the way I have written this
is you take the previous state
and you update the state.
>> Yeah.
>> So you still don't do
anything to the neighbors.
You could imagine making
this more symmetrical,
but that's essentially what
the backwards edges are doing.
>> Okay. I see.
>> So let's go one step further.
The equation is nice.
How do we actually implement
it in a matrix operation?
Again, very background of
things, an adjacency matrix.
If you haven't seen it, let me know.
The idea is that you have nodes,
you assign them some ID,
and you say that node 0 is
connected to node 1 and node 2,
and the same thing for node
1 is connected to node 2,
and node 2 does not have
any outbound edges.
So now, imagine that we have
some variable, a, b and c,
just a number for now
for each node here.
Then if we multiply these two
things, we get this thing.
So here, you can think
of it, very vaguely,
as you had a here and now, you
multiplied it and b got a.
So you see that the
second element is a,
whereas number 2 here was
connected to a and b,
well, it is connected to b,
and you can see for the
matrix multiplication
that this is a plus b.
So this implies how message
propagation will start working.
The idea is you can repeat this
and create this adjacency
matrices easily.
It's something deterministic.
So let's look at some
pseudocode-like thing.
You have a matrix where each line
is your initial vector
representations at time t.
This is a matrix and
here is the size,
which is the number of nodes by
whatever dimensionality H has.
Now, you want to compute
the messages to be sent.
So you do a multiplication by E_k
for each type of H_k with H_t,
and now you have all the messages
to be sent outside from a node,
possibly, not
necessarily all of them.
Now, in order to
receive the messages,
you multiply this M with
your adjacency matrix a
for all edge types k and you
have the messages you received.
Now, you can apply
your update function.
So this is the simple
mathematical form that you use,
and if I wanted to use a vanilla RNN,
this GRU function is essentially
some matrix multiplication
with H_t plus W with the R_t,
just to make this
slightly more concrete,
although not very useful.
>> [inaudible]
>> So this M?
>> The b times d.
>> Yes. Then you have
this matrix E_k,
which should be d times n.
Then you have M, and then
this is also something by m.
Then here, you need
to play around with W
or the GRU input to get this work,
but you can make it work.
Usually, M and D are the same
in most of our implementations,
so you can use it.
But in theory, there's
nothing stopping
us to make this [inaudible].
>> Can you repeat what a is
in the receive messages?
>> A should be A_k to start
with. So it's a typo.
But this is the adjacency
matrix for nodes of type k.
So this is where this comes in,
this adjacency matrix that says that
node 0 is connected to 1 and
2, and things like that.
>> So the k is like a
finite enumeration,
like [inaudible] blue,
it's not like 4.7.
>> In most cases, yes,
and in the cases we're seeing
here, definitely, yes.
So yeah, you can get this thing here.
So again, the next step is, again,
mostly for a very practical step,
but I think it's useful
for the residents.
Now, let's make this next step.
We show the high-level equation,
we show the matrix.
Now, let's say there's a pseudocode.
First, what's einsum?
I'm going to use this.
I felt it will be useful
for the residents.
The idea is that you
express operations
over matrices without
a is of size bd,
b is of size qd, and the
output you want is bq.
So you express essentially
this operation
with this Einstein summation here.
You can do more complex things.
You can vaguely think of this,
that here, what happens is that
you erase the dimension of D,
or you summarize sum
over it, marginalize,
whatever the word you want to use,
or here, you remove
some other dimensions.
So you remove a with
this and you can express
this complex sum with a
symbol of short notation.
So how does the code look like?
Well, you say my initial states
are somehow given to me.
It doesn't really matter.
We have a number of steps
that we're going to unfold
our graph neural network,
for each time we compute
messages for each type k,
which is this message
multiplication that we have here.
>> Works on this slide, I think.
Hey, I'm still stuck
on the inventions.
ND times dm makes it n times m.
>> Nd?
>> First messages k
statement, yes, that one.
>> Yes.
>> Nd times dm gives
you the output nm.
>> Yes.
>> That makes sense for
the matrix multiplication.
>> Well, they are swapped and this
should have been [inaudible].
>> [inaudible] on the previous slide,
communication is slightly different.
>> Okay. I have a lot of slides.
We should fix this eventually.
Anyway, this is just a notation here
and then you have the
received messages,
and hopefully, this
also gets you there.
You sum the received messages
and you get the GRU.
>> The num steps is
the input parameters?
>> Yes, it should have
been an input parameter,
a hyperparameter, a constant,
well, in most cases,
it's a constant for all your
rounds or something like that.
But yes, you're right. It
should have been also enabled.
So this ties with this here.
So hopefully, this makes
the graph neural network
a bit more concrete.
The one thing I'm not
going to discuss today
is this specific thing here.
Here, we have the adjacency matrix,
which is n by n, but
in Einstein summation,
you cannot say this.
But this adjacency matrix may
be very sparse, but very large.
So how can you make
this more efficient?
That's something we can
discuss another point in time.
>> [inaudible] It
should be [inaudible]?
>> Where? Here?
>> Yeah.
>> No. This is n, n,
but you cannot write that
in the Einstein summation.
So L equals n for your purposes,
but it needs to be different.
>> [inaudible].
>> Yeah. I want to say
we're part of this.
Yes. I wanted to go
through two applications.
I think we don't have the time to.
So I'll go just very briefly
over one with one slide.
The idea is that
molecules, for example,
you have molecules and
you want to predict
some target quantity
out of it, the idea is,
you can see the molecules,
they look like graphs,
they are graphs to some extent,
and now, each node is an atom.
You have different types
of nodes like carbons,
or nitrogen, or other kind of things,
I'm not a chemist, and you
have different types of edges.
So some are double bonds,
some are single bonds, and so on.
So now, the question is,
can you get from your molecule
up to some target equation?
What you do is you take
this graph, you get this,
and you try to predict
your target quantity.
That's very high
level, but hopefully,
it's more concrete than
before. That's one option.
With the other thing, which
I'm not going to discuss,
is about source code,
how we find bugs,
but I don't think that
we have sufficient time
to discuss through the various
design decisions. Yes.
>> So I just swapping atoms then
so that the colors
represent different types?
>> No. This is how
features may be computed.
This is the same atom
repeating again and again.
The same graph, but the
graph neural network
updates a state, essentially
for each node, for each atom,
which hopefully has
information that is relevant
to the target quantity
you're trying to predict.
Yeah.
>> If you have time, is
it okay to go over it?
>> We can do this. Well, let's see.
Let's talk a bit about
the correlated things.
So the idea is as follows.
We want to find bugs.
Specifically, we want to
do the following task.
Given a blank in a program here,
we want to say which of the things in
the code should be placed in here.
So here, you have first and clazz.
Now, this will help us find
bugs, like copy paste,
so I'm going to copy
and paste in this line,
but the correct thing would be first.
First thing we need to do,
we want to take a program
and convert to a graph.
How do we do it? Well,
that's a design decision.
That's a feature
extraction if you wish.
The idea is that we
want to take things
like how data flows
around these things,
how control flows around
these things, and get there.
So one possible thing I'm
going to show here is tokens.
Well, a very boring graph.
You can parse code,
so you can essentially and
deterministically find a tree of this,
and you can add extra
nodes and extra edges.
Again, a graph.
Let me hide these edges and take
a more simpler program here,
and we can also have data flow edges.
So when was x last written?
Well, when I just entered
the loop, it was here.
If I'm looping, it's itself.
So we're going to keep repeating
adding more and more edges
and more and more different things
that we believe encode
the problem we have.
So by the end of the
day, we have a graph.
For this simple snippet, this
is how a graph looks like.
It's not easy necessarily to parse,
but it's not an uncommon thing
in programming languages.
>> So this line decision,
would you have all of these
edge types into one big graph
and then run your model
rather than have multiple graphs
with different types of edges?
>> No. You have one graph
with multiple types of edges
and you do the propagation
simultaneously.
>> Because this is fixed?
They do affect each other?
>> Exactly. So we're
just showing it for
clarity in the picture because
it will be too crowded, but yes.
>> So this is like you're abstracting
the tree of your compiler,
but then edges are problem-specific.
>> Well, some of them are
the abstracts index tree,
some of them are token-based thing,
some of them are data flow
things, things like that.
So how do we go around
doing this thing?
Well, we started with
this place here,
and what we do is we're going
to say this whole thing,
I'm showing it to you here
as a text, but it's a graph,
I'm going to add a few
extra edges and nodes
saying these two nodes here,
we want first, for example,
to be how would data flow if
first was in the slot here
or how data would flow
around if clazz was here,
and now, we have a big graph.
I'm not showing you all of it.
Now, the idea is we
started from our code,
we got our graph,
we somehow compute
initial representations
and plotting around that part.
Now, what we want is our objective,
we want the output of our graph
neural network to have the H
of the slot node here to be as
close as possible to the first
and as far as possible to the
clazz, which is the wrong thing.
Again, graph neural networks,
we started somehow,
we encoded our problem in the graph,
that was dependent on what we
thought we needed at least.
Our graph neural network says, well,
this is something
information about slot,
about first, about clazz,
and now, this is our objective.
Well, not exactly this,
but this is more or
less our objective.
We can compute a loss,
we can back-propagate and
learn things from there.
So that's essentially
a second application.
Let's take this simple example
where if the question is,
what is the variable
that should be here?
Well, the answer, as you have not
guessed probably, is full path.
The neural network knew that
in a few milliseconds
once getting this graph.
So that's two applications.
Graphs are very broad.
You can do almost anything
and represent almost
everything with the graphs,
but this hopefully makes
the graph neural networks
somewhat more concrete.
I wanted to just emphasize
two special cases
for graph neural networks
and this is convolutions.
Imagine you have a
great pixels and now,
you take each pixel and you
create the following edges.
One which is top, top left,
top right, left, right, bottom,
and so on, different types of edges,
and you do this, of
course, for all nodes.
In some formulation of
graph neural network,
the graph convolutional
neural network,
for example, this is
equivalent to convolutions.
Of course, it's much more
efficient to do it the current way
that convolutional
neural networks work
because you can batch
this computation
much more efficiently
than doing this thing.
The other thing is deep sets.
So the idea is that you
get a set of things.
It could be a variable
size set of things.
In this case, it's
images, for example,
and you want to predict
something about this set.
So this set of images are
people with black hair and
rosy cheeks, and so on.
Now, you get these sets of things
and you want to predict
things about them.
How do you encode this problem?
Well, essentially, a set is a
graph that is fully connected.
Everything is connected
to everything.
Again, you can do a set
of graph neural network
and at the output of a
graph neural network,
you can predict
something about the set.
So these are two
extremes, if you wish,
about graph neural networks
and some special cases that result to
something that is more or less
similar to the things we have.
I had the slides to talk
about more advanced GNNs.
Sorry, not a lot of time for that.
But again, we can play
around with how messages
are propagated and not
do the propagation,
all messages, all nodes update
all there at all points in time.
That's all.
So I wanted to conclude
with the following
more practical non-graph
neural network things,
since I expected more,
that the residents would be
the only ones attending here.
But let's talk about a few things,
how would machine learning,
deep learning specifically,
works in practice.
You have your data and now, you
have to do the following steps.
First, from your data,
you compute some form of metadata,
some information that you get
from your data that will inform
how your model looks like.
So how many words
appear in your text,
how many different types of
edges you have in your problem,
things like that.
Now, given your metadata,
you can convert your
data into tensors,
into things that look like matrices,
and encode the problem.
The part of the
metadata, for example,
could be that the ward Es is number
53 and the ward R is number 54.
So you can create one-hot vectors
for a specific word, for example.
Once you have all
your data in tensors,
you can do this in a fly, it
doesn't matter when you do it,
you can batch those tensors
into smaller groups,
into mini-batches, and how you do it,
usually, this is a separate problem.
In most cases, you just have
an extra dimension
position or batch size,
and you can concatenate
essentially these tensors.
Then you'd get our mini-batches
and you pass them into your
machine learning model.
So you get tensors, tensors
go in, you get a loss.
A loss is a scalar.
A scalar, you can compute,
differentiate the loss,
try to minimize it,
propagate gradients,
update your machine
learning model, and repeat.
So this is a very
high-level thing of how,
let's say, non-computer vision
machine learning models work.
So you have this steps of metadata,
converting to tensors, and
creating mini-batches.
The next thing is about debugging.
[MUSIC]
>> So it's notoriously difficult to
actually debug this models
because they're not
terribly interpretable,
but there are high
level of recipes about
how to do this especially
with deep learning.
I'm listing some of
these things here,
probably you'll get access
to the slides at some point.
But common things are,
take a small sample of your dataset,
try to overfit your model.
If your model cannot learn
even your small dataset,
probably you have a bug
somewhere, or try synthetic data.
Encode the problem you're trying
in a very synthetic problem
and try to make your
model actually solve it.
Can it actually solve it?
If not, then maybe you can
find from how it fails
where the problems
in the code appears.
There are many cases where you
have optimization issues like,
the gradient descent doesn't
work as you expect it.
One idea is you look at
the learning curves.
How does your loss evolve
for training or the tacit?
This is usually what you see.
If you don't see exactly like
that or something like that,
not exactly, you
might have a problem.
It might be you see that your model
is never fitting or
it's underfitting,
overfitting, all
these kind of things.
You can monitor the gradients.
Do we propagate updates?
Do we update zeros?
Do we propagate zero
information about things?
That's probably indicating that
something is wrong with your model.
Of course, there are many
other ways to do things
like visualizing,
doing error analysis.
I had this someone who
was telling me that
error analysis in machine learning is
what debugging is to
actual programming,
and this is, you look at the
predictions of your model
and you try to see
where does it fail.
Of course, there are many
other things you can do,
many things that are
project-specific,
but I thought that
since it's the first,
I think, deep learning
lecture you get as residents,
this is a good set of suggestions.
So with that, I think I
am mostly out of time.
There are certainly questions.
Feel free to ask. Jack?
>> So you have field nodes
and you come up with a
representation for the edges,
you just have [inaudible] do
people try to find
representations to the edges?
>> Yes. There are
cases where you have
metadata in edges like a
number or something like that.
People, they use this.
You're going to need to
modify the equations in
some form to get that,
but it's possible.
In most cases, in most of
the existing data we have,
the edges are just fixed there
or you have a 0-1 weight.
To which extent does
this edge exist or not?
>> Do you always need to
process the entire graph,
something like a social network?
Is it feasible to say
I have a focus node
and only process within set
of number of links of it?
>> It depends what do you
mean need in that sense.
In many cases, you don't need to,
but it's very convenient
because the data processing,
GPUs, fertilization, all
these kind of things.
If you want to summarize
something about the full graph,
then you definitely need to do this.
In some other cases,
you just need to focus on something.
So you can say that,
if we take the variable misuse
example, the bug thing,
you're interested in a
very specific place.
So you know that message propagation,
the last step far, far away,
won't affect your result.
You could have dropped
this computation.
Now, writing the code to do this
and doing this faster and doing
everything is a hard problem.
I don't think that someone
has achieved this.
>> So you said that the conclusion
of the new sets of generalization
is graph neural networks?
>> Yes.
>> In special cases of the
graph neural networks?
>> [inaudible] yes.
>> So what's the message passing
[inaudible] and for instance
the difference in those cases?
>> Something has gone wrong.
So the convolutions thing.
So this is the CNN.
You multiply the state of each pixel,
let's say, with something
that says with a kernel.
This is essentially the
kernel you would have,
and you update the
state of that node.
Forget max pooling and things
like that for a moment,
but you repeat this.
So the weights of the
edges that you use
is essentially your kernel.
Of course, I'm showing you this node,
but the same exact edges
would appear in this node,
in this node, in this
node, and so on.
I'm not sure I answered
all your question.
>> [inaudible] .
>> In the other example,
so here, you get a CNN.
Each image is a vector.
Now, this is the initial state
of each of those things.
The simplest graph neural network
is one without [inaudible] .
So you sum up for everything
or you do a min pooling,
or if you want to do
something more complex then,
it depends on the flavor of the GNN.
>> [inaudible] is what
defines graph analysis?
>> Yeah. So here, you can
say that for each image,
let's say, you have this
initial representation
and you get representations from
all the other images in the set,
and now, you update your
own representation as in,
what are my commonalities
as an image B
with everything else and the
same thing happens with A,
with C, with D, and you can keep
repeating this a few steps.
Then at the end of
the day, hopefully,
each image knows how it's similar
or how it relates with
every other image.
Then you need to summarize the
output of these four in this case,
or all your images which
[inaudible] average would increase,
for example, average of the vectors.
It depends and also, deep sets
have a different formulation.
So depending on the paper you look,
but yeah, you can
transform, for example,
our deep sets, they don't
explicitly say that and
this is old attention and sum for.
Cool. Thanks for coming.
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| {
"pile_set_name": "YoutubeSubtitles"
} |
>>Patrick Awuah: I get to hear stories, a
team of students that starts a software company,
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down a huge bribe offer because it's the wrong
thing to do, a woman who's climbing the corporate
ladder, a man two years out of college leading
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These are amazing stories for me to live with
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I have students who understand now that the
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And I believe that fortune will smile on Africa
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I believe that it will depend on inspired
and committed leaders. And the manner in which
we educate those leaders who make all the
difference in the world. Thank you.
[ Applause ]
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Girl you thought he was a man
But he was a muffin
He hung around till you found
That he didn't
*pop*
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Japanese:
ちっちゃい頃に思ってた 未来の姿と今はなんだか
違うようだけれどそれもいっか
僕は旅に出たんだよ 雨の日も風の日もあるけど
大切な何か知りたいんだ
LOVE LOVE LOVE LOVE LOVE ME
自分ばかりでは上手くはいかない でも
LOVE LOVE LOVE LOVE LOVE YOU
出会えた奇跡を信じていたいな
見慣れていた景色さえも輝いてた
English:
I feel like I turned out different than who I imagined I’d be when I was little
But I guess that’s fine
I’ve set out on a journey, though there are windy days and rainy days
I’m out to find something special
LOVE LOVE LOVE LOVE LOVE ME
Some things you just can’t do alone but…
LOVE LOVE LOVE LOVE LOVE YOU
…I want to believe in the miracle of us meeting
Even the scenery I’ve grown accustomed to was shining
Japanese:
「いつまでも忘れない」 そんな事思う日がくるかな
風に揺れた君の髪の匂いだとか
ありふれたこの一瞬 僕はまた今日も探してる
やっぱり僕ら思っていたよりも 簡単にはいかないから
English:
I wonder if the day will come when I can say, "I’ll never forget this"
Like the smell of your hair in the wind
I’m still searching for the most ordinary of things
It looks like things won’t go quite as easy, as we thought they would
English:
We could choose to be alright alone
But when I think about it, that’s really sad
Even if I put up a strong front
I’m not quite sure what to do. Tell me!
LOVE LOVE LOVE LOVE LOVE ME
Words can’t ever get the full point across but…
LOVE LOVE LOVE LOVE LOVE YOU
…I hope they get through to you anyway
I’ve grown so accustomed to this scenery, but the tears still came
Japanese:
一人きりでいればそれでいっか
でもでもやっぱ寂しいな 強がっていてもなんだか
どうしたらいいの?教えてよ
LOVE LOVE LOVE LOVE LOVE ME
言葉だけじゃどうも伝えきれないけど
LOVE LOVE LOVE LOVE LOVE YOU
少しでも君に届いたらいいな
見慣れていた景色だけど涙が出た
English:
"Do you still remember that time?"
I wonder if I’ll ever find myself thinking those things
I fell like I’m running across a field after the rain has lifted
And never noticing the moisture that comes gushing out
All the while waving goodbye to those days that will never return
And simply moving on
(You can do it if you try!)
Japanese:
「まだ覚えているかい?」
そんな事思う日がくるかな
雨上がりのグラウンドを駆けるような
溢れ出すその一瞬 気づかずに通り過ぎて
戻らない日々に手を振って行くのさ
今日も続いてく
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Axiom Verge and Environmental Station Alpha are two
independent games which were each developed
primarily by a single person
and released within one month of each other.
While it's not surprising to see
them share some similarities
considering how they were both
heavily influenced by Metroid,
what did strike me was how different their weaknesses
and strengths were despite that shared inspiration.
I think it's worth highlighting what they
did better in comparison to each other.
So in this video I'll be contrasting their approaches
to various aspects of their design,
which will hopefully give us
a better appreciation of them both.
The first immediately striking difference
between the two games will be the graphics.
Both use relatively simplistic
pixelated sprites,
but Axiom Verge has a much higher
level of detail than Station Alpha.
While Axiom Verge looks like
an overclocked snare style,
Station Alpha looks like it's caught in some
weird limbo between early console generations.
If this is your first time seeing Station Alpha
it might be pretty tough on your eyes --
the extremely low effective resolution can make it
difficult to parse even simple details at first
but it does get better once you settle
into a proper play session.
Even so, the graphics don't serve the art direction
as well as they do in Axiom Verge.
It turns out that this kind of sprite art is actually pretty
good at replicating the incomprehensible
borderline surreal nature of H.R. Giger's art
where Axiom Verge draws much of its inspiration.
There's enough detail
to show complex machinery,
but not enough to clearly
discern its purpose.
Some of the effects in Station Alpha
can be charming in their own simplicity
like the twinkling stars
in the outdoor scenes
but for the most part the visuals
are excessively low fidelity.
There would be more to be gained by increasing
the resolution than would be lost.
It seems clear which game
had more effort to put into its assets,
but when it comes to utilizing those assets
Station Alpha actually does a better job.
Take a look
at this scene here:
the cave has clearly defined walls and floors
with a solid line denoting the play area;
beyond the boundary the sprites are differed
so the walls gradually fade away.
This is a common
technique in 2D games
which simulates a sort of awareness of the environment
where only the surfaces can be seen
and the rest is inferred.
It's useful for the gameplay because
traversable areas are made clear
but it also stops the scene from
becoming to visually noisy.
Comparing with Axiom Verge and the problem here
becomes immediately apparent:
the sprites are often arranged in such a way
that the lighter ones denote the boundaries
but the outskirts
never fade away;
most rooms are also made up
entirely of 90-degree angles
which robs them
of some personality.
Name a room in Axiom Verge, and I
have a hard time picturing its layout.
Name a room in Station Alpha, and I
get a clearer image in my mind
because it has a certain shape to it.
The whole concept of these games revolves
around exploring a large seamless space
so this can actually
have gameplay ramifications.
When individual rooms
are more memorable,
It's easier to get a feel for
the map as a whole.
Interestingly, you could make a similar comparison
between Super Metroid and Metroid 1.
Maybe that's what Thomas
Happ was going for,
but it actually looks worse than Metroid 1 in places
where different tiles are thrown in at random.
It's an understandable temptation to
want to break up the repetition,
but at times it ends up
looking like a mess.
This is especially disappointing
because the use of light and shadow on
some of the larger objects is remarkable.
Perhaps It's unfair to expect a similar
level of quality across the whole game
and you could say that this clarity serves
the art direction in a sense anyway.
Giger's style tends to overwhelm the eye with
so much detail it loses its definition,
to an extent Axiom Verge accomplishes
that so it could be worse --
it's just difficult to enjoy playing a game in
the middle of it sometimes.
A comparison between the music of
the two games is quite similar.
Axiom Verge soundtrack has more
varieties of centipede sleeve,
a longer running time and even
some distorted vocal effects.
But there's something to be said for
the simple ambient Substation Alpha.
There's an irony here because Station
Alpha has a more relaxing soundtrack
but is by far the more
challenging of the two.
Calm music paired with difficult
gameplay is a beautiful combination,
two things that
balance each other out.
It also helps that it goes
especially well
with the relatively slow paced exploration
these games tend to focus on.
That said, it's not as though
Axiom Verge music is bad -- far from it,
it has catchy eerie melodies
and it's wobbly pulsing
since captured a disturbing nature of
traces new reality quite well.
Part of this comes from the
sprites themselves
which have their animation synced to
the beat of the rhythm in each area.
It's a subtle effect, but it helps to accentuate both
the soundtrack and the environments.
Whichever visuals or music you prefer,
it's clear that Axiom Verge is a more
modern take on things,
while Station Alpha is firmly
rooted in the past.
It even uses a 4:3 viewport resulting in black bars on
the sides of widescreen displays.
Likely a result of engine limitations
but dissapointing nonetheless.
As annoying as it is to see a large portion of the screen
wasted, even this can't be considered an objective flaw
since there's no guarantee that displays will
continue to be widescreen in the future.
Maybe at some point everyone will start using perfectly
square TVs or some other new standard
where Station Alpha will actually fare better than
the widescreen games being produced today.
Stranger things have happened, but we have to
admit that looks incredibly unlikely.
It's a lot more sensible to design games with
current display standards in mind.
That's exactly the kind of axiom Axiom Verge follows
being presented in glorious widescreen
which makes the environments field
that much more expansive
and gives the player more room to scope
out and respond to threats.
By far the best enhancement, however,
is the way it zooms out during bosses
so that even the most Gargantuan enemy
can be easily seen in their entirety.
And its most extreme, this ends up displaying about
4 times as much stuff as usual.
Not the kind of thing that could be done by a game
which is continually taxing the hardware.
This is a criminally underutilized property of
these retro inspired games
maybe because many of them
are poorly optimized.
So, I want to take a moment to
emphasize this.
It's only because Axiom Verge is usually
running with so much spare overhead
that it's able to dramatically ramp
things up when necessary.
This helps to justify the simplistic pixel art beyond
just aesthetic or budgetary concerns.
If the graphics were rich with detail, then zooming out
might make it difficult to follow the action.
To put it simply, Axiom Verge takes
advantage of Hardware advances
to present a retro inspired game with
a genuinely modern sheen.
Its polished, and it serves the gameplay really
well during boss fights.
As for the bosses themselves,
they leave something to be desired.
Most are complete pushover which mainly
consists them standing in place,
hammering away at a weak point, and occasionally
moving slightly to avoid some projectiles.
The final boss inverts this by sending out
a barrage of awkward attacks,
so that the go-to-strategy is just a tank hits
and burst it down as quickly as possible.
Station Alpha on the other hand is packed full of
challenging unique fights that always feel fair.
Yes, some attacks might catch
you off-guard the first time,
but everything is telegraphed about
as well as you could hope for.
Damage can always be avoided
and players are expected to do so as much as possible
before they'll be allowed to advance.
While some might take several
attempts to overcome,
it leads to a genuine sense of
accomplishment once they're defeated.
There's a few contributing factors why
the bosses of Station Alpha
turned out better than
the ones in Axiom Verge.
Firstly it comes down to a difference
in their health systems.
In Axiom Verge you start with 2 pips and
confined up to a maximum of 15,
a 7.5 times increase.
In Station Alpha you start with 10 and
confined up to a maximum of 13,
a 3-fold increase.
It's worth noting that
Axiom Verge
is actually relatively conservative in terms of
health upgrades, all things considered.
Super Metroid has 14 additional energy
tanks and 4 reserve tanks, and 18 times increase.
So, Axiom Verge has less
than half as many.
Station Alpha, again, has
half as few as Axiom Verge.
The first health upgrade in Station Alpha is
given for free, bringing HP up to 14,
and later tanks have diminishing returns, so the general
range of health is even smaller than 10 to 30.
In actuality It's more likely that players will
have somewhere between 14
and 27 health by the time
they finish most bosses.
All in all it can be assumed that a player
going into a Station Alpha boss
will have a pretty small health pool
which naturally leads to tighter balancing.
If there's a chance the player is going to walk
into the fight and be killed in two hits,
then you have to make sure those
hits can be reliably dodged.
Just to be clear, a restrictive health system isn't
a prerequisite for good bosses.
Super Metroid's bosses are at least as good
or better than the ones in Axiom Verge.
But a well-balanced health system is a
good way of keeping the designer honest.
Secondly, it's worth pointing out that although the
robot in Station Alpha uses it gone.
Mechanically It acts as a melee
weapon instead of arranged one.
Upgrades pushed that range out further over
the course of a playthrough
but it always forces players to put themselves in danger
whenever they want to deal damage.
Axiom Verge's vast array of
weapons offer a lot of variety:
some of them are quite imaginative, some of them
are typical defined, and some are enjoyable to use.
It seems no matter what your
preference, there's it gone for you,
but addition only goes so far --
sometimes subtraction is key.
No matter which gun you prefer, tries will
always have access to the basic blaster
which allows him to keep most enemies
and bosses at screens length.
That doesn't mean the player is
completely out of harm's way.
Naturally enough the bosses views
ranged attacks of their own
but it does mean you're unlikely to find that satisfaction of
weaving close to the enemy to deliver the final blow.
At least, not without some sort of
self-imposed challenge anyway.
Lastly, movement is another reason why
bosses in Station Alpha shine --
they capitalize more on
the acquired upgrades.
When you get the double jump, you're
expected to use it to dodge attacks.
The dash and vertical dash are put to
similarly good use later on.
There's a gradual increase in complexity which
avoids overwhelming the player
while slowly pushing them to
do more each time.
It helps that the upgrades themselves are more
responsive than the ones in Axiom Verge.
The hookshot is present
in both games,
but the one in Station Alpha
puts the order to shame.
On the surface, the Axiom Verge
version is actually more fully featured:
you can shorten or lengthen the grapple, dangle in
place, and even swing several times before letting go.
Station Alpha's hook shock carries the
player's momentum though
and it's simple one swing limit
just makes it easier to use.
You can smoothly traverse
entire rooms with it
and even utilize your speed to carry you places that
might seem impossible at first.
A similar comparison could be made
between the dashes of both games.
The final version of Axiom Verge
technically has more uses,
but Station Alpha just
requires a single button press,
whereas Axiom Verge has a weird double tap setup,
which not only makes it awkward to use precisely,
but also means it's possible to
accidentally when you didn't want to.
This corridor of spikes, which has to be navigated
entirely by dashing, is a daunting challenge at first,
but after making it to the end I found I could repeat the
entire sequence again with surprising regularity.
A similar setup in Axiom Verge would be an unmitigated
disaster just because of the control scheme.
I had a whole diatribe here about how I thought the
controls should have been laid out
but I'll spare you since there's many
valid answers to that problem.
The important point is that even
if you can remap buttons,
you can't improve the aiming or dashes because of
the way they're built into the game.
Station Alpha has fewer actions, but
because the controls work perfectly,
the bosses and environments are
designed to utilize them to their fullest.
That said, the upgrades you do find in
Station Alpha are mostly pretty generic.
A double jump, a hook-shot and
a dash are all well-worn material.
Axiom Verge is considerably more
imaginative in this regard.
The ability to phase through walls
is a particularly brilliant Inclusion
because it recaptures a feeling that
many games in this style have missed.
When the earlier Metroid games were released, nobody
had any idea what the upgrades would be,
so when you got the grapple beam or morph bombs
that caused you to see the world in a new way.
Areas you had previously ignored were suddenly accessible
in a way you maybe didn't quite expect.
That feeling returns in Axiom Verge,
booting it up for the first time you're not
gonna be watching out for single block walls
waiting for the moment you
can phase through them.
Instead you'll see some collectables scattered
around with no idea how to reach them,
then, after gaining the ability, it
suddenly clicks into place.
The way you see the world changes,
those walls stick out more,
you suddenly realize how many of
them you've obliviously walked past.
This might be Axiom
Verge's greatest strength
and it's an unfortunate rarity since other developers
often play it too safe with upgrades.
There's a sense of discovery you can't quite replicate by
giving players the same power-ups in every game.
The glitch gun is even more imaginative
with many enemies having unique and interesting
effects that can be utilized in a variety of ways.
It's only downside is that it requires a lot of
experimentation to utilize properly,
but you could say that reflects the exploratory
nature of the rest of the game.
In spite of its inventiveness,
perhaps the biggest revelation and all of
Axiom Verge is actually what it lacks.
Anytime I start playing a game like this,
the first question on my mind is:
''When am i going to
get the double jump?''
Station alpha played exactly to my
expectations on this one,
although to its credit -- It gets the double
jump out of the way as early as possible.
Axiom Verge goes down a
different route entirely.
Instead of a double jump you
get a drone shot upgrade
which provides similar functionality
but with a lot more versatility.
It would have been so easy to
include a double-jump anyway.
Nobody would complain about
another shiny bauble to collect
so it's respectable that it wasn't just
thrown in there for the sake of it.
You can certainly levy some complaints that Axiom
Verge's identity is too closely tied to Metroid,
even the lack of a double jump
could be construed that way,
but for the most part it does a wonderful job of
creating a distinct set of power-ups
even compared to other games
in this quasi-genre.
Another strengths of Axiom Verge, partially
thanks to those unique abilities is,
is that progress tends to be gated in a
more natural and engaging way.
To be fair, Station Alpha does a good
job of this with its grappling hook too.
In both of these games you're free to try hooking
wherever you want, usually with success.
This beats the hell out of being restricted to predefined
grapple points that tell you where and when to use it.
That said, Station Alpha does fall
into that trap with its dash upgrades.
Once you get the dash move, you can
make your way past red blocks.
But there's no reason for those red blocks to be
there other than to get in your way.
And whenever you see them, you immediately know
they exist solely to be dashed past.
In a way, It's not really any different from
getting a red key card or something.
Axiom Verge doesn't display
these things so obviously.
It's up to you to keep a careful
eye on the scenery
and identify areas where you
might want to use a certain ability.
Shortly after getting the phase code for the first time
I came to this dead-end on the surface,
thought I was blocked, and actually turned around for a little while before remembering I could just go through it.
It was a moment of idiocy on my part but I'm
incredibly glad the game let me make that mistake.
Phasing through that wall was all the more cathartic
because it was up to me to connect the dots.
That gradual exploration is the central pillar of both
games which naturally results in some backtracking.
A unique appeal of Metroid style games is
eventually getting to explore those areas
that were tantalizingly out
of reach before.
Even so, it's no surprise that many similar games are
for war points in an attempt to curb tedium.
It's commendable that Axiom Verge refuses to
rely on the easy answer of teleportation,
but the massive tunnel is still a relatively
uninteresting solution to the problem.
Since there's no challenge
involved here,
It's more or less mechanically equivalent to
having a teleporter at each end anyway.
Station Alpha has a more engaging system whereby
accomplishing certain objectives
will activate additional enemies making
previous areas more dangerous.
These fresh challenges are placed in some of
the highest traffic areas,
taking much of the sting out of backtracking
while still preserving the appeal.
Unfortunately, this great implementation is undermined
a little by the inclusion of teleporters anyway.
As expected, both games reward exploration with
pickups, health upgrades, and story related items
that flesh out the history of the world.
Both games even feature multiple endings
based on how much exploring you do.
Station Alpha really sticks out here because
after the first ending opens up,
the exploration starts to change from being action
focused to more puzzle based.
It's impressive just how many areas are hidden next to
previously well explored locales,
but following a bunch of obtuse sometimes
ambiguous clues to find an ex breadcrumb
is a dramatic shift
in gameplay.
In theory there's nothing
wrong with this,
but it's the kind of thing that players just won't be expecting
because of how the rest of the game plays out.
It can be difficult to adjust your mindset when you've seen
enough to think you were basically finished already.
At times these puzzles are so difficult that it feels almost
more like a community focused challenge.
If nothing else, at least this abrupt turn makes Station
Alpha incredibly memorable because it's so unexpected.
This is the kind of thing independent
games really excel at --
taking risks some people will love at
the cost of alienating others.
There's an admirable amount of work
gone into these later sections,
epecially considering how
well hidden they are,
but It could have been
framed a lot better.
It's a sad reality that when a game has multiple endings,
we expect one of them to be the good ending
or at the very least the true ending.
Station Alpha box this trend:
once the poor little robot sets
foot on the station -- its doomed.
But there's no way to know that until you go
all the way down the rabbit hole.
When you get the first ending and realize there's
more -- you might feel as though
you haven't really beaten the game because
you haven't seen the good ending yet.
This is the problem.
The postgame content of Station Alpha was almost
certainly intended to be bonus material
just for those players who really
enjoy that sort of stuff.
But because you don't get
a good ending before it,
It feels like something that
everyone is supposed to go through.
You could say that this is more a problem with player
expectations than the game itself,
but it still feels as though Station Alpha pushes
too many boundaries at once.
The majority of players just aren't going to be willing or
able to go through all of this themselves,
so a satisfying cutoff point before it would have
let them close the book on their adventure
and be reasonably content.
To its credit, the post-game of Station
Alpha is such a descent into weirdness
that in a sense it beats
Axiom Verge at its own game.
Axiom Verge deserves praise for
crafting a world that seems truly alien
but it looks so strange right from the very start that it
struggles to find some kind of progression.
Station Alpha with it's almost cutesy take on Metroid
bloose into a false sense of security
before ratcheting up the madness.
By the end, it goes all-out
horror more than once
capturing the feeling of stumbling across some ancient
dangerous force that was better left alone.
As engrossing as this can be, the plot
itself is pretty threadbare.
A game like this doesn't necessarily
need an interesting story,
but Axiom Verge manages to have
one without feeling intrusive.
Character interactions gradually
reveal more about the situation
but are also sparse and brief enough
not to become a nuisance.
It only has marginally more
text in Station Alpha
while managing to convey a much
more rich sense of history.
Optional logs contain conversations
between unseen characters,
oblique references
to past events
and tease subjects like quantum immortality,
a brain-in-a-vat, and technological worship.
It all seems relevant and it's enough to spark the
sort of conspiracy theories
that will keep fans talking as long as there's someone
listening or until a sequel elaborates further.
So, while Station Alpha's unexpected descent into the
unknown is more engaging moment-to-moment,
Axiom verge tends to linger
in the mind afterwards.
That about wraps things up, but
before my closing thoughts
I would like to point out that as much as these
games are great in their own ways
they have at least one
mistake in common.
Both rely on hidden areas behind
otherwise normal-looking walls.
Off course, the secret areas
should be difficult to find
but the problem is -- as soon as you
have one place like this
the player doesn't know how
many more there are,
so they're inclined to start checking
every wall that looks mildly suspicious.
Axiom Verge is the
worst of the two for this,
since the lab coat addressed disruptor and drill
could all conceivably reveal buried secrets
which makes it even more
tedious to check each one
but it remains a problem in
Station Alpha as well.
To be fair, the both designers is a
true catch-22 situation of game design.
So many games have relied on this trick,
that players are practically conditioned to
look for secret areas in this way.
So you could argue if the player is going to
waste time doing stuff like this anyway,
then you might as well
reward them for it.
Maybe it's worse to check every
wall and find nothing,
but I think for going these kinds of secrets entirely would
have a huge benefit by allowing players
to stop worrying about it on
subsequent playthroughs.
The save rooms of Axiom Verge are evidence that
this kind of knowledge can be liberating.
As far as I'm aware, there's absolutely
nothing hidden in any of these rooms.
So, the next time you play --
keep that in mind
and notice what a relief it is not to
have to check any of those corners.
Now imagine that applied
to the whole game.
To be clear, i'm not advocating
against secrets entirely.
Just that this method of hiding behind completely
normal looking terrain leads to a lot of disruption.
At times during this comparison that almost sounded
like these two games are polar opposites.
But in reality -- they share
a lot of the same DNA...
...or whatever the game design
equivalent of DNA is.
D- DNA is just code, so...
But I can't say 'code' because they don't
actually share the same code.
So... they showed they have a lot of
the same 'metaphorical DNA'...
...not 'actual DNA' because
they're games I know that.
Okay, so don't say that.
Anyway.
When you summarize it -- it boils down
to some simple statements.
Station Alpha is a more primitive title
but makes better use of what it's got.
Axiom Verge doesn't reach all its potential
but it's more ambitious and imaginative.
Their strengths and weaknesses
happen to overlap in so many ways,
it seems possible that some future game
could inherit the best of both.
Hopefully these developers and others can learn
from the examples both games provide for each other.
Even though they might be
flawed in different ways,
we're lucky to have them carrying
the Metroid torch so adeptly.
Both of these games show that there's still plenty of
room for this sub-genre to grow.
There's a lot of exploring still left to do.
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It's quite a climb up this hill but if you're feeling brave
around the other side of the big mountain and just next to the stadium
is the house of the man who the English press called "The Wickedest Man in the World"
It's really creepy actually
Wow...it's still here. No one's lived here for years
It's just all abandoned and still here
Aleister Crowley was born in 1875 and was an occultist, poet and general weirdo
who founded a religion called Thelema
and considered himself to be the prophet who would lead the human race into the aeon of Horus
Whatever that is
in the 20th Century
a bit like like Scientology, in fact I think L. Ron. Hubbard was inspired by him
He was certainly his friend anyway
and he is said to have inspired Aldous Huxley, David Bowie, The Beatles,
and honestly thought himself to be the "Beast 666"
as prophecised by John the Divine in the book of Revelation
an occultist, he was a painter, a mountaineer and I think he was a double agent as well in the war
Let's go through the keyhole with Joolzy
How do you get in?
Do you want to clamber down there, I reckon that's the way in.
Looks safe enough
He was just a weird kind of deviant
In his lifetime he becamea notorious bi-sexual, drug experimentor and satanist
and people would come to his house and do all sorts of weird sex experiments and stuff like that
until Moussolini eventually had him expelled from Italy
The Temple of Thelema
Doesn't look like much of a temple to me
Who knows, maybe there's someone in there now
performing some ritualistic sex (bestiality) .
It is actually really dangerous to go in, I'm kind of reluctant
There we go...he's in....Ok
Be careful Julian
Julian
Oh he's a foo!
It's really freaky in here
It's hard to believe he used to live here with his weird followers until 1923 when the Italians had enough of him
Kind of feels like his weird followers still come in here
I'm already far too weirded out in here and it's horrible.
It smells
It feels a bit dangerous
Yeah they've clearly closed it off for a reason in there
Simon, don't knock anything with that big rucksack.
You might have the whole thing come down on you
This is a freaky place
I mean they wore robes, performed rituals.
He offered what they call a "libertine" educationfor the children of his followers
and allowed them to play all day and witness acts of sex magic
He also said "I slept with faith and found a corpse in my arms on awakening."
What a nutter!
Yes, sounds like a nice guy
Quite fitting that it looks like it's been taken over by drug addicts and vagabonds and homeless people
Maybe you should move in here, Simon...
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Bonjour à tous et bienvenue dans cette
nouvelle vidéo!
En français, on entend souvent les mots cod et coi.
Dans cette vidéo, je vais donc vous expliquer ce qu'est un complément
d'objet
et ensuite nous verrons comment
identifier un complément d'objet direct
et un complément d'objet indirect.
Un complément d'objet complète toujours le sens d'un verbe.
Le complément d'objet est essentiel à la compréhension de la phrase.
Si on supprime ce complément d'objet,
le sens de la phrase n'est plus
du tout le même.
Prenons un exemple :
Dans cette phrase, vous avez un sujet "je",
un verbe "mange" et "une pomme" complément
d'objet du verbe "mange".
Il précise
l'action du verbe "mange".
Si j'enlève ce
complément d'objet, la phrase n'a plus du
tout, le même sens.
Comme nous venons de le voir, le
complément d'objet est essentiel. Il
précise l'action du verbe
Regardons maintenant les mots qui
peuvent être des compléments d'objet.
Un complément d'objet est le plus souvent :
Par exemple :
Mais il peut être aussi
Il peut être
Par exemple :
Il peut être aussi
Il peut être encore
Et enfin, il peut être aussi
Par exemple :
Comme nous le voyons dans ces exemples, le
complément d'objet est généralement
situé après le verbe. Reprenons notre
premier exemple.
Ici, le complément d'objet est situé après
le verbe.
Cependant, il y a des situations où le
complément d'objet est situé avant le verbe.
Il est situé avant le verbe quand il est
Il existe deux types de compléments
d'objet : le complément d'objet direct
appelé aussi COD et le complément
d'objet indirect appelé COI.
Le complément d'objet direct précise le
sens du verbe.
Il est directement relié au verbe, c'est-à-dire qu'il n'y a pas de préposition
entre le verbe est le complément d'objet
le verbe suivi d'un complément d'objet
direct est appelé "verbe transitif
direct".
Pour savoir si un verbe a un complément d'objet direct,
vous pouvez
poser la question qui? ou la question quoi?
Prenons deux exemples :
Je regarde quoi ? "la télévision".
"la télévision" est complément d'objet
direct du verbe "regarde".
Prenons un deuxième exemple :
J'aime quoi? "chanter".
"chanter" est complément d'objet
direct du verbe "aime".
Passons maintenant au complément
d'objet indirect ou COI.
Contrairement au complément d'objet
direct, le complément d'objet indirect
est un directement relié au verbe c'est-à-dire qu'il y a une préposition entre le
verbe et le complément d'objet. Le plus
souvent la préposition "à" ou la préposition "de".
le verbe suivi d'un complément d'objet
indirect est appelé verbe transitif
indirect.
Pour savoir si ce verbe a un
complément d'objet indirect, on pose la
question à qui? à quoi? ou de qui? de quoi?
en fonction de la préposition utilisée
avec ce verbe.
Prenons deux exemples :
J'ai téléphoné à qui?
"à ma mère"
"à ma mère" est complément d'objet indirect du verbe "ai téléphoné".
Prenons un deuxième exemple :
J'ai besoin de quoi? "de vacances".
"de vacances" est complément d'objet
indirect du verbe "ai besoin".
En conclusion, identifier un COD et un COI est essentiel. Cela va vous permettre
de mieux conjuguer les verbes aux
temps composés mais cela va vous aider aussi à
mieux choisir les pronoms. Les pronom
relatifs comme "que" qui remplace un cod
mais aussi les pronoms complément (direct ou indirect)
Voilà j'espère que ces explications vous
aident à comprendre ce qu'est un complément d'objet.
On se voit très bientôt pour une
prochaine vidéo!
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English:
Hi.
Welcome to www.engvid.com.
I'm Adam.
In today's video, we're going to talk about:
nutrition.
So, we're going to get a little introduction
into how to maintain a proper diet, what you're eating,
what you should eat, what you shouldn't
eat, how much you should eat, etc.
And we're going to especially look at the
different types of nutrients that you should
put into your body if you want to grow, if
you want to maintain, if you want to lose
weight, etc.
So, we're going to start with the basic process.
Okay?
Eating, drinking, all these things.
We're going to look at these two verbs: "ingest"
and "digest".
Okay?
So, when we're talking about nutrition, we're
talking about what you're taking into your body.
So, when you ingest something, when you ingest
nutrients, you are swallowing them or absorbing them.
So, "swallow" basically means chew and swallow.
Right?
Portuguese:
Oi.
Bem vindo ao www.engvid.com.
Eu sou o Adam
No vídeo de hoje, vamos falar sobre:
nutrição.
Então, vamos fazer uma pequena apresentação
em como manter uma dieta adequada, o que você está comendo,
o que você deve comer, o que você não deveria
coma, quanto você deve comer, etc.
E nós vamos olhar especialmente para o
diferentes tipos de nutrientes que você deve
colocar em seu corpo se você quiser crescer, se
você quer manter, se você quer perder
peso, etc.
Então, vamos começar com o processo básico.
OK?
Comendo, bebendo, todas essas coisas.
Nós vamos olhar para estes dois verbos: "ingerir"
e "digerir".
OK?
Então, quando estamos falando de nutrição, estamos
falando sobre o que você está levando para o seu corpo.
Então, quando você ingere algo, quando ingere
nutrientes, você está engolindo-os ou absorvendo-os.
Então, "engolir" basicamente significa mastigar e engolir.
Certo?
English:
So, "chew" is break down the food in your
mouth, and then you swallow it; you take it in
and push it down into your stomach.
You can also absorb nutrients.
For example, we absorb vitamin D from the
sun through our skin.
Okay?
So, you can absorb or swallow - means you're
ingesting your nutrients.
In your stomach, your stomach produces juices—they're
mostly acids—that break down the food and
separate it into its different components
that can then be absorbed in the intestines.
So, the intestines are the long tubes that
go back and forth from your stomach until
the waste comes out, and inside all the good
nutrients get absorbed into the blood, and
pushed around to all the parts of the body
that need them.
So, let's look specifically at the nutrients
that you're going to need.
Portuguese:
Então, "mastigar" é quebrar a comida em sua
boca e depois engolir; você leva isso
e empurre-o para baixo em seu estômago.
Você também pode absorver nutrientes.
Por exemplo, nós absorvemos a vitamina D do
sol através da nossa pele.
OK?
Então, você pode absorver ou engolir - significa que você está
ingerindo seus nutrientes.
Em seu estômago, seu estômago produz sucos - eles são
principalmente ácidos - que quebram a comida e
separá-lo em seus diferentes componentes
que pode então ser absorvido nos intestinos.
Então, os intestinos são os longos tubos que
vai e volta do seu estômago até
o lixo sai e dentro de todo o bem
nutrientes são absorvidos pelo sangue, e
empurrado para todas as partes do corpo
que precisam deles.
Então, vamos olhar especificamente para os nutrientes
que você vai precisar.
Portuguese:
Agora, a primeira coisa que você precisa saber sobre nutrientes é ...
É que eles não são sintetizados naturalmente
pelo corpo.
Então, o corpo produz muitas coisas
precisa, mas algumas coisas não podem ser sintetizadas;
não pode montar um novo nutriente.
Então, esses nutrientes precisam ser ingeridos; eles
precisa ser colocado em seu corpo, basicamente.
Certo?
E nós temos: carboidratos, proteínas, gorduras,
vitaminas e minerais.
E estes são considerados essenciais.
Você pode viver sem carboidratos, mas você
não pode viver sem esses nutrientes.
OK?
Então, quais são esses?
Então, "carboidratos" - chamamos de "carboidratos" para
curto-estes são os nutrientes que fornecem
sua energia corporal, especialmente para o seu cérebro.
OK?
Eles vêm de frutas e legumes, grãos ...
Então, por exemplo, pão, que vem do trigo
ou qualquer outro tipo de grão, tem muito
English:
Now, first thing you need to know about nutrients are...
Is that they are not synthesized naturally
by the body.
So, the body produces a lot of the things
it needs, but some things it just can't synthesize;
it can't put together to create a new nutrient.
So, these nutrients need to be ingested; they
need to be put into your body, basically.
Right?
And we have: Carbohydrates, proteins, fats,
vitamins, and minerals.
And these are considered essential.
You can live without carbohydrates, but you
can't live without these nutrients.
Okay?
So, what are these?
So, "carbohydrates"-we call them "carbs" for
short-these are the nutrients that provide
your body energy, especially for your brain.
Okay?
They come from fruits and vegetables, grains...
So, for example, bread, which comes from wheat
or whatever other kind of grain, has a lot
English:
of carbohydrates.
Comes from sugars, and starches, like rice,
etc.
So, all of these give your body a lot of energy.
Now, you also get energy from the other minerals...
From the other nutrients as well, but carbohydrates
are a very good source.
The problem is they can also lead to weight
gain, if you don't control the intake.
Okay?
We can also say: "intake of nutrients".
Basically means take in; intake.
Okay?
So, carbohydrates.
Then we have proteins.
"Proteins" are the nutrients that help create
and build tissues and muscles in your body.
So, when a child is growing and getting bigger,
it's the proteins that help create that growth.
It's good for bones, and muscles, and tissues,
etc.
Proteins are made of amino acids, which are
the building blocks of protein, and there
are many different types of amino acids.
Portuguese:
de carboidratos.
Vem de açúcares e amidos, como arroz,
etc.
Então, tudo isso dá ao seu corpo muita energia.
Agora, você também recebe energia dos outros minerais ...
De outros nutrientes também, mas carboidratos
é uma fonte muito boa.
O problema é que eles também podem levar ao peso
ganho, se você não controlar o consumo.
OK?
Podemos também dizer: "ingestão de nutrientes".
Basicamente significa pegar; ingestão.
OK?
Então, carboidratos.
Então nós temos proteínas.
"Proteínas" são os nutrientes que ajudam a criar
e construa tecidos e músculos em seu corpo.
Então, quando uma criança está crescendo e ficando maior,
são as proteínas que ajudam a criar esse crescimento.
É bom para ossos, músculos e tecidos
etc.
As proteínas são feitas de aminoácidos, que são
os blocos de construção de proteínas, e lá
Existem muitos tipos diferentes de aminoácidos.
English:
And these days you can take pills specifically
with the amino acids that you want for specific things.
So, nowadays, you see a lot of guys or girls
- big, big muscles, and you think: "Oh, steroids."
Right?
Not necessarily; they could just be taking
a lot of amino acids, and exercising a lot,
and growing their muscles and looking much
bigger.
So, proteins are basically the building blocks.
"Fats" are the nutrients that store energy.
So, if you eat too many carbohydrates, the
fats will store that energy as sugar, and
that's why you get fat.
That's why it's called...
When a person is a little bit heavy, we sometimes
say: "Fat".
It's a bit of a misleading word, but that's
what happens - you're storing too much energy.
Right?
And you have different types of fatty acids.
Now, fats, as we said, they're essential;
they're necessary nutrients, which means fat
is not bad.
Portuguese:
E hoje em dia você pode tomar pílulas especificamente
com os aminoácidos que você quer para coisas específicas.
Então, hoje em dia, você vê muitos caras ou garotas
- músculos grandes e grandes, e você pensa: "Ó esteróides".
Certo?
Não necessariamente; eles poderiam apenas estar tomando
muitos aminoácidos e muito exercício,
e crescendo seus músculos e olhando muito
Maior.
Então, as proteínas são basicamente os blocos de construção.
"Gorduras" são os nutrientes que armazenam energia.
Então, se você comer muitos carboidratos, o
as gorduras armazenam essa energia como açúcar e
é por isso que você engorda.
É por isso que é chamado ...
Quando uma pessoa é um pouco pesada, às vezes
diga: "Fat".
É uma palavra enganosa, mas é
o que acontece - você está armazenando muita energia.
Certo?
E você tem diferentes tipos de ácidos graxos.
Agora, as gorduras, como dissemos, são essenciais;
são nutrientes necessários, o que significa gordura
não é mal.
English:
You should eat fatty foods, but there are
different types of fats and some of them you
should absolutely avoid.
So, when we're talking about fats, we're talking
about mono-unsaturated fats or poly-unsaturated
fats.
These are the healthy fats.
Okay?
They're in meat, they're in fish, they're
in fruits and vegetables - you need these.
Okay?
But, again, you don't want to overdo anything.
Saturated fats...
Like, I'm not getting into the medical details
of the difference between saturated and unsaturated.
It's something about their bonds and the hydrogen
molecules - don't worry about that.
If you want to know, you could do some research.
For now, things like nuts and certain oils,
and fish, and avocado, etc. - these are all
good fats that you should take in.
Okay?
What you should absolutely avoid are trans
fats.
Now, trans fats are fats that are basically
a byproduct of a manufacturing process.
Okay?
So they're a byproduct.
Oops.
Portuguese:
Você deve comer alimentos gordurosos, mas existem
diferentes tipos de gorduras e alguns deles você
deve absolutamente evitar.
Então, quando estamos falando de gorduras, estamos falando
sobre gorduras mono-insaturadas ou poli-insaturadas
gorduras.
Estas são as gorduras saudáveis.
OK?
Eles estão na carne, eles estão no peixe, eles estão
em frutas e legumes - você precisa disso.
OK?
Mas, novamente, você não quer exagerar em nada.
Gorduras saturadas ...
Tipo, eu não estou entrando nos detalhes médicos
da diferença entre saturado e insaturado.
É algo sobre suas ligações e o hidrogênio
moléculas - não se preocupe com isso.
Se você quiser saber, você poderia fazer alguma pesquisa.
Por enquanto, coisas como nozes e certos óleos,
e peixe, e abacate, etc. - estes são todos
gorduras boas que você deve tomar dentro
OK?
O que você deve absolutamente evitar são trans
gorduras.
Agora, gorduras trans são gorduras que são basicamente
um subproduto de um processo de fabricação.
OK?
Então eles são um subproduto.
Oops
Portuguese:
Então, por exemplo, quando uma empresa fabrica margarina
ou eles fazem assados em grandes quantidades,
como biscoitos, bolos e coisas assim,
ou batatas fritas ou óleo de cozinha ...
Então, se você está comendo batatas fritas fritas
- muito, muito insalubre.
Essas gorduras trans, elas basicamente são as coisas
que obstruem suas artérias.
Então, as veias, o ...
Ou desculpe.
As artérias - os tubos que saem de
seu coração com o sangue, eles ficam cheios de
isto...
Essas gorduras e depois o sangue não pode fluir
e é por isso que as pessoas têm um ataque cardíaco
ou outras doenças porque o sangue não é
fluindo corretamente.
Então, esses são os que você deve evitar;
estes são os que você quer entrar
de você.
OK?
E depois há vitaminas e minerais.
Basicamente, isso adiciona ou ajuda as funções
do corpo.
English:
So, for example, when a company makes margarine
or they make baked goods in mass quantities,
like cookies, or cakes, and things like that,
or chips, or cooking oil...
So, if you're eating deep-fried French fries
- very, very unhealthy.
These trans fats, they basically are the things
that clog your arteries.
So, the veins, the...
Or, sorry.
The arteries - the tubes that come out of
your heart with the blood, they get full of
this...
These fats, and then the blood can't flow,
and that's why people have a heart attack
or other diseases because the blood is not
flowing properly.
So, these are the ones you have to avoid;
these are the ones that you want to get inside
of you.
Okay?
And then there are vitamins and minerals.
Basically, these add or aid the functions
of the body.
Portuguese:
Eles ajudam a controlar produtos químicos, ajudam a criar
enzimas, elas ajudam diferentes órgãos a funcionar adequadamente.
OK?
Vitaminas, nós geralmente ...
Quando estamos falando de vitaminas, estamos falando
sobre, como, vitamina A, B, C, B12, D5 - todos
diferentes tipos de letras e números.
Minerais são ...
Tem seus próprios nomes; ferro, zinco, magnésio,
cálcio.
OK?
Tudo isso é muito importante.
Você pode facilmente levar suplementos ...
Agora, se você não se cansa dessas vitaminas
e minerais através de sua comida, você pode tomar
pílulas ou pós e certifique-se de que você obtenha
o suficiente de todas essas vitaminas e minerais
para ajudar o seu corpo a funcionar corretamente.
Se você está se sentindo um pouco cansado, você está perdendo
certas vitaminas.
Se você está se sentindo um pouco pesado, você está perdendo
certos minerais.
Se seus ossos estão fracos, você precisa de diferentes
minerais, etc.
Então, tudo muito, muito importante.
Agora...
Então agora sabemos a ideia básica de nutrientes.
Vamos ver sua dieta.
OK?
English:
They help control chemicals, they help create
enzymes, they help different organs work properly.
Okay?
Vitamins, we usually...
When we're talking about vitamins, we're talking
about, like, vitamin A, B, C, B12, D5 - all
different types of letters and numbers.
Minerals are...
Have their own names; iron, zinc, magnesium,
calcium.
Okay?
These are all very important.
You can easily take supplements...
Now, if you don't get enough of these vitamins
and minerals through your food, you can take
pills or powders and make sure that you get
enough of all of these vitamins and minerals
to help your body function properly.
If you're feeling a little tired, you're missing
certain vitamins.
If you're feeling a little heavy, you're missing
certain minerals.
If your bones are weak, you need different
minerals, etc.
So, all very, very important.
Now...
So now we know the basic idea of nutrients.
Let's look at your diet.
Okay?
English:
Okay, so now we know what we're taking into
our bodies; what we're ingesting, what we're
digesting, etc.
Now we need to think about the whole process;
the whole thing as a big picture thing.
Now, before I get into these words, you have
to understand the number one rule of gaining
weight or losing weight is not exercise.
Exercise is very, very important - don't get
me wrong, but if you want to lose weight or
gain weight, it's all about the diet.
It's all about what you take into your body.
Right?
If you want to lose weight, you can go to
the gym every single day, five hours a day,
and go on that treadmill and walk, walk, walk,
jog, jog, jog - but if you're eating McDonald's
right after your workout, you're not going
to lose any weight.
Diet is more important than exercise if you
want to change the way your body looks.
Okay?
Now, let's talk about diet.
What does "diet" mean?
Unfortunately, these days the word "diet"
means to try to lose weight, but that's not
Portuguese:
Ok, agora sabemos o que estamos levando em
nossos corpos; o que estamos ingerindo, o que estamos
digestão, etc.
Agora precisamos pensar sobre todo o processo;
a coisa toda como uma coisa grande foto.
Agora, antes de eu entrar nessas palavras, você tem
para entender a regra número um de ganhar
peso ou perda de peso não é exercício.
O exercício é muito, muito importante - não fique
me errado, mas se você quer perder peso ou
ganhar peso, é tudo sobre a dieta.
É tudo sobre o que você leva para o seu corpo.
Certo?
Se você quer perder peso, você pode ir para
o ginásio todos os dias, cinco horas por dia,
e vá nessa esteira e caminhe, ande, ande,
jog, jog, jog - mas se você está comendo o McDonald's
logo após o treino, você não vai
perder algum peso.
A dieta é mais importante que o exercício se você
quer mudar a aparência do seu corpo.
OK?
Agora vamos falar sobre dieta.
O que significa "dieta"?
Infelizmente, hoje em dia a palavra "dieta"
significa tentar perder peso, mas isso não é
English:
what "diet" actually means.
"Diet" means the things that you eat, basically.
If you want to gain weight, you go on a diet;
if you want to lose weight, you go on a diet.
What does it mean: "to go on a diet"?
It means to control the food that's coming
into your body.
Now, more specifically, what are you trying
to control?
You're trying to control the calories.
Okay?
Everything you eat has a...
Or drink has a number of calories.
Now, an average adult should get about 2,000
calories per day.
Okay?
That's a healthy average calorie count for
the day.
If you're getting more than that, you risk
gaining weight.
If you're getting less than that, you're going
to lose weight.
If you want to lose weight, that's fine; if
you want to gain weight, that's fine too.
But "diet" is just basically the system of
eating that you have, and you can change that,
depending what you want from your body.
Portuguese:
o que "dieta" realmente significa.
"Dieta" significa as coisas que você come, basicamente.
Se você quer ganhar peso, você faz uma dieta;
Se você quer perder peso, você faz uma dieta.
O que significa: "fazer dieta"?
Significa controlar a comida que está chegando
em seu corpo.
Agora, mais especificamente, o que você está tentando
controlar?
Você está tentando controlar as calorias.
OK?
Tudo o que você come tem um ...
Ou beber tem um número de calorias.
Agora, um adulto médio deve receber cerca de 2.000
calorias por dia.
OK?
Essa é uma contagem de calorias média saudável para
o dia.
Se você está recebendo mais do que isso, corre o risco
ganhando peso.
Se você está recebendo menos do que isso, você vai
perder peso.
Se você quer perder peso, tudo bem; E se
você quer ganhar peso, tudo bem também.
Mas "dieta" é basicamente o sistema de
comendo o que você tem, e você pode mudar isso,
dependendo do que você quer do seu corpo.
English:
Now, "calories" are basically energy units.
You call...
It's measured in joules, but nobody actually
uses the word "joules", so I'm not going to
worry about that now.
Now, you should always watch your calorie
count; watch the calories you're taking in.
Basically it means be aware of.
So, some people use a calorie calculator.
Okay?
A "calorie calculator" means every time they
eat something, they punch in the number of
calories in that meal, and then at the end
of the day they see how many calories they
ate or drank.
Make sure that you pay attention to food labels.
Every time you go to the supermarket, every
time you buy a packaged item of food, there's
going to be on the side or somewhere on the
package a label that tells you the components;
what...
How much...
How many carbohydrates are you getting, in
grams; how many proteins; how many...
Which vitamins, which minerals - all this
stuff.
So, make sure you pay attention to the label;
it will also tell you how many calories you
Portuguese:
Agora, "calorias" são basicamente unidades de energia.
Você chama...
É medido em joules, mas na verdade ninguém
usa a palavra "joules", então eu não vou
se preocupe com isso agora.
Agora, você deve sempre observar sua caloria
contagem; Observe as calorias que você está tomando.
Basicamente, significa estar ciente de.
Então, algumas pessoas usam uma calculadora de calorias.
OK?
Uma "calculadora de calorias" significa que toda vez que
comer alguma coisa, eles perfuram o número de
calorias nessa refeição, e depois no final
do dia eles vêem quantas calorias eles
comeu ou bebeu.
Certifique-se de prestar atenção aos rótulos dos alimentos.
Toda vez que você vai ao supermercado, todo
vez que você compra um item embalado de comida, não há
vai estar do lado ou em algum lugar do
empacotar um rótulo que informa os componentes;
que...
Quantos...
Quantos carboidratos você está recebendo, em
gramas; quantas proteínas; quantos...
Quais vitaminas, quais minerais - tudo isso
coisa.
Então, certifique-se de prestar atenção ao rótulo;
Ele também irá dizer-lhe quantas calorias você
English:
have in that food item.
So, make sure you understand that and you
can control your calorie intake.
Now, keep in mind some people have faster
metabolisms than other people.
The "metabolism" is the rate in which you
burn energy.
Okay?
So, if you're taking in all these calories,
for some people, they will burn it very fast,
so the calories don't stay in the body; they
are not stored in the fat.
Right?
Remember: Fat stores energy.
If you have a high rate of metabolism, you're
going to burn that energy fat; there's nothing
to store - you probably need more food.
If you have a slow metabolism, you're going
to store more, so you have to control, very
carefully, what you eat.
Don't forget to exercise; it is important,
but also diet is very important.
Be careful how much sodium.
Now, on these labels...
On these food labels, you'll see how much
sodium is in your food.
"Sodium" is basically salt.
Portuguese:
tem nesse item alimentar.
Então, certifique-se de entender isso e você
pode controlar sua ingestão de calorias.
Agora, tenha em mente que algumas pessoas têm mais rápido
metabolismos do que outras pessoas.
O "metabolismo" é a taxa em que você
queimar energia.
OK?
Então, se você está tomando todas essas calorias,
para algumas pessoas, elas vão queimar muito rápido,
então as calorias não ficam no corpo; eles
não são armazenados na gordura.
Certo?
Lembre-se: a gordura armazena energia.
Se você tem uma alta taxa de metabolismo, você está
vai queimar essa gordura energética; não há nada
para armazenar - você provavelmente precisa de mais comida.
Se você tem um metabolismo lento, você vai
para armazenar mais, então você tem que controlar, muito
com cuidado, o que você come.
Não esqueça de se exercitar; é importante,
mas também a dieta é muito importante.
Cuidado com o quanto de sódio.
Agora, nessas etiquetas ...
Nestes rótulos de alimentos, você verá o quanto
o sódio está na sua comida.
"Sódio" é basicamente sal.
Portuguese:
OK?
Eles não gostam de escrever "sal", porque então
as pessoas ficam com medo quando veem: "Oh meu deus,
40% da minha ingestão diária está neste pacote. "
Então, você verá "% de consumo diário",
basicamente: quanto você deve tomar em cada
dia?
E se o seu pacote tem 40%, não compre este
item.
Não coma isso.
É muito ruim para você.
OK?
Evite isso.
Agora, outro problema com sal é que retém
agua.
Quanto mais sal que você come, mais água você
o corpo se agarra; e então quando você chegar
uma escala, os números aumentam.
Então, coma menos sal e seus números serão
Volte um pouco para baixo.
Certifique-se de comer muita fibra.
Agora, fibras, coisas como aipo ou farelo, certas
grãos, o que eles ...
O que eles...
O que a fibra faz é ajudar a passagem de comida
através do seu corpo mais rápido, então você vai para o
English:
Okay?
They don't like to write "salt", because then
people get scared when they see: "Oh my god,
40% of my daily intake is in this one package."
So, on these you'll see "% daily intake",
basically: How much should you take in every
day?
And if your package has 40%, don't buy this
item.
Don't eat it.
It's very bad for you.
Okay?
Avoid it.
Now, another problem with salt is that retains
water.
The more salt you eat, the more water your
body holds onto; and then when you get on
a scale, the numbers go up.
So, just eat less salt and your numbers will
go back down a little bit.
Make sure you eat a lot of fiber.
Now, fiber, things like celery, or bran, certain
grains, what they...
What they...
What the fiber does is it helps the food pass
through your body quicker, so you go to the
Portuguese:
banheiro mais regularmente; você não armazena coisas
dentro de mais do que você precisa.
Certifique-se de beber muito, muito, muito
agua.
A grande maioria do nosso corpo é feito de água.
Nosso corpo sempre precisa de água no interior; agua
ajuda com a digestão, com o metabolismo,
com tudo.
Certifique-se de beber muita água; de outra forma,
você também pode desidratar.
Se você desidratar, isso significa que seu corpo não
tem bastante água; às vezes você vai ter um
dor de cabeça, às vezes você vai ficar tonto e se sentir
como desmaiar, você não terá energia suficiente
você vai se sentir lento e cansado - tenha cuidado
sobre isso.
E sempre certifique-se de dar seu corpo
o resto que precisa.
Se você vai para a academia e está levantando pesos,
Certifique-se de que você dá a sua recuperação do corpo
Tempo.
Se você está quebrando os músculos e rasgando o tecido
porque você está levantando pesos, deixe o corpo
consertar os músculos, consertar os tecidos para que você sempre
tem energia suficiente e força suficiente
para continuar.
Agora, antes de tudo, antes de eu ...
English:
washroom more regularly; you don't store things
inside longer than you need to.
Make sure you drink a lot, a lot, a lot of
water.
A large majority of our body is made of water.
Our body always needs water inside; water
helps with the digestion, with the metabolism,
with everything.
Make sure you drink a lot of water; otherwise,
you might also dehydrate.
If you dehydrate, it means your body doesn't
have enough water; sometimes you'll get a
headache, sometimes you'll get dizzy and feel
like passing out, you won't have enough energy,
you'll feel sluggish and tired - be careful
about that.
And always make sure that you give your body
the rest that it needs.
If you go to the gym and you're lifting weights,
make sure that you give your body recovery
time.
If you're breaking muscles and tearing tissue
because you're lifting weights, let the body
fix the muscles, fix the tissues so you always
have enough energy and have enough strength
to continue on.
Now, first of all, before I...
English:
I finish this off, let me just say one thing.
I am not a licensed nutritionist.
Okay?
I am giving you an introduction to nutrition,
I'm giving you an introduction to the language,
the English language of nutrition, but if
this is very important to you, and it should
be-I want everyone to be healthy, energetic,
happy-make sure that you find out about all
these things.
Make sure you know what your body needs, what
your body doesn't need.
Maybe make an appointment with a nutritionist,
so a person who's studied all of this stuff
and who knows exactly what's going on, and
can recommend a set diet for you that you
can follow.
Now, if you want to gain weight, go for it;
if you want to lose weight, go for it, too.
If you want to gain weight: Lots of carbs,
lots of proteins.
If you want to lose weight: Less carbs, less
proteins; although, proteins you should always
have a certain minimum anyway.
So, I hope this is helpful.
Keep up the hard work.
Portuguese:
Eu termino isso, deixe-me dizer uma coisa.
Eu não sou uma nutricionista licenciada.
OK?
Eu estou te dando uma introdução à nutrição,
Eu estou te dando uma introdução ao idioma,
a língua inglesa da nutrição, mas se
isso é muito importante para você, e deveria
Eu quero que todos sejam saudáveis, cheios de energia,
feliz, certifique-se de que você descubra tudo
essas coisas.
Certifique-se de saber o que seu corpo precisa, o que
seu corpo não precisa.
Talvez marcar uma consulta com uma nutricionista,
então uma pessoa que estudou tudo isso
e quem sabe exatamente o que está acontecendo, e
pode recomendar uma dieta definida para você que você
Pode seguir.
Agora, se você quiser ganhar peso, vá em frente;
Se você quer perder peso, vá em frente também.
Se você quer ganhar peso: muitos carboidratos,
muitas proteínas.
Se você quer perder peso: menos carboidratos, menos
proteínas; embora, proteínas você deve sempre
tem um certo mínimo de qualquer maneira.
Então, espero que isso seja útil.
Mantenha o trabalho duro.
Portuguese:
Quer dizer, eu vou ao ginásio o tempo todo.
Eu vejo o que eu como agora.
Você sabe, à medida que envelhece, você precisa fazer
essas coisas.
É bom para você.
Faça.
Você ficará feliz por estar fazendo isso.
Se você tiver alguma dúvida sobre isso, por favor
vá para www.engvid.com e me pergunte no fórum
lá.
Há também um teste; você pode checar sua compreensão
da linguagem envolvida com nutrição.
Se você gostou desse vídeo, goste dele no YouTube
e se inscreva no meu canal e volte
em breve para algumas lições mais interessantes.
Vejo você então.
English:
I mean, I go to the gym all the time.
I watch what I eat now.
You know, as you get older, you need to do
these things.
It's good for you.
Do it.
You'll be happy you're doing it.
If you have any questions about this, please
go to www.engvid.com and ask me in the forum
there.
There's also a quiz; you can check your understanding
of the language involved with nutrition.
If you like this video, like it on YouTube
and subscribe to my channel, and come back
soon for some more interesting lessons.
See you then.
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>> Sreenivasan: NASA ASTRONAUTS
ROBERT BEHNKEN AND DOUGLAS
HURLEY ARE PREPARING TO BEGIN
THEIR RETURN TO EARTH FROM THE
INTERNATIONAL SPACE STATION THIS
EVENING.
THEIR HISTORIC MISSION ABOARD
THE SPACE-X CREW "DRAGON"
CAPSULE WILL MARK THE FIRST
MANNED LAUNCH AND RETURN OF A
COMMERCIALLY BUILT AND OPERATED
AMERICAN SPACECRAFT.
THE "DRAGON ENDEAVOR" HAS BEEN
DOCKED AT THE SPACE STATION
SINCE MAY, AND IS EXPECTED TO
SPLASH DOWN TOMORROW AFTERNOON.
I SPOKE WITH DAVE MOSHER,
SENIOR SPACE CORRESPONDENT
WITH "BUSINESS INSIDER," ABOUT
THE ASTRONAUTS' SCHEDULED TRIP
BACK HOME.
DAVE, THERE WAS A LOT OF
EXCITEMENT WHEN THE "DRAGON"
CAPSULE FROM SPACE-X TOOK U.S.
ASTRONAUTS UP INTO SPACE.
AND THERE'S A LITTLE EXCITEMENT
ON THE WAY DOWN, BECAUSE THESE
CAPSULES ARE SUPPOSED TO SPLASH
DOWN IN THE WATER LIKE BACK IN
THE OLD DAYS.
WHAT'S IT GOING TO LOOK LIKE
WHEN THIS CAPSULE RE-ENTERS
EARTH?
>> WELL, WHAT WE'RE FIRST GOING
TO SEE IS AN UNDOCKING
PROCEDURE, WHICH IS THIS-- THE
CREW "DRAGON" SPACESHIP MOVING
AWAY FROM THE INTERNATIONAL
SPACE STATION.
AND THEN, THAT STARTS A JOURNEY
OF ANYWHERE FROM SIX TO 30 HOURS
BEFORE THEY ACTUALLY LAND BACK
ON EARTH.
WE'RE NOT GOING TO SEE A LOT OF
THOSE STAGES AFTER THEY LEAVE
THE SPACE STATION JUST BECAUSE
THEY'RE IN SPACE.
BUT, WHAT'S GOING TO HAPPEN IS
THE SPACESHIP IS GOING TO GET
RID OF THIS TRUNK, THIS
CYLINDRICAL THING FULL OF THE
SOLAR PANELS AND THE FUEL AND
ALL THE STUFF, AND THEN IT'S
GOING TO START ENTERING THE
ATMOSPHERE.
AND SHORTLY AFTER THAT, WE'RE
GOING TO START GETTING
TELESCOPIC VIEWS OF THE CREW
"DRAGON" COMING BACK.
IT'S GOING TO LOOK LIKE A
RED-HOT KIND OF WHITE DOT IN THE
SKY.
AND NASA IS GOING TO TRY TO
FOLLOW THIS ALL THE WAY TO THE
GROUND.
THEY'RE GOING TO DEPLOY THE
PARACHUTES.
WE'RE GOING TO SEE THOSE
PARACHUTES COME OUT, FROM
GROUND CAMERAS, CAMERAS ON BOATS
AND IN AIRPLANES.
AND WE'RE GOING TO SEE THE
SPLASHDOWN IN THE OCEAN AND
WE'RE GOING TO SEE A BUNCH OF
BOATS DIVERGING ON THAT-- THAT
CAPSULE, TO GET THOSE ASTRONAUTS
OUT OF THERE BEFORE THEY PUKE
THEIR GUTS OUT, AND GET THEM
BACK TO THE RECOVERY BOAT, GET
THEM ALL CHECKED OUT BY SOME
DOCTORS, AND WE'RE GOING TO SEE
A LOT OF THAT FOOTAGE.
AND THEN WE'RE GOING TO
SEE THEM WHISKED AWAY TO LAND
VIA HELICOPTER FROM THAT
RECOVERY BOAT.
>> Sreenivasan: SO THERE IS A
LITTLE CONCERN NOW-- FLORIDA IS
BRACING FOR HURRICANE ISAIAS.
WHAT DOES THAT DO TO THE WEATHER
AND THE CONDITIONS AND WHERE THE
ASTRONAUTS CAN LAND?
>> YEAH, THIS IS A PRETTY
STUNNING MOMENT TO TRY TO
PERFORM A HIGHLY IMPORTANT,
EXPERIMENTAL TEST MISSION IN
WHICH YOU'RE PROVING THAT A
BRAND-NEW SPACESHIP CAN SAFELY
RETURN PEOPLE TO EARTH, LIKE
TAKE THEM UP TO SPACE AND TAKE
THEM BACK TO EARTH.
THIS HURRICANE IS GENERATING
SOME EXTREMELY STRONG WINDS,
LIGHTNING, WEATHER, CLOUDS,
ALL THE STUFF YOU DON'T WANT.
BUT RIGHT NOW, THEY HAVE
SEVERAL-- AS NASA SAYS, OUT OF
THESE SEVEN LANDING SITES, THREE
ARE ON THE ATLANTIC SIDE AND
FOUR ON THE GULF COAST SIDE, FOR
THIS CAPSULE TO SPLASH DOWN.
RIGHT NOW, HURRICANE ISAIAS IS
KIND OF LOOKING TO GO STRAIGHT
UP THE ATLANTIC SIDE OF FLORIDA.
SO WE'RE LOOKING AT A POSSIBLE
LANDING IN THE GULF OF MEXICO AT
THIS POINT.
>> Sreenivasan: SO, HOW PRECISE
CAN THEY GET ON EXACTLY WHERE
THEY WANT TO LAND?
AND THEN, HOW LONG DOES IT TAKE
TO GET FROM SPACE TO THAT SPOT?
>> SO THE PRECISION OF THE
LANDING OF THIS CAPSULE IS
REALLY GOOD.
WE SAW THAT WITH THE
"DEMONSTRATION ONE," OR
"DEMO ONE" MISSION.
THEY BASICALLY PUT IT DOWN RIGHT
WHERE THE BOAT WAS-- THE
RECOVERY BOAT WAS AT.
IT JUST IS ASTONISHING WHAT A
BUNCH OF ENGINEERS AND AEROSPACE
SCIENTISTS CAN-- CAN FIGURE OUT,
IN TERMS OF THE PHYSICS AND
LIKE, THE WIND CONDITIONS.
THEY CAN REALLY NAIL THE LANDING
AND PULL THE BOAT RIGHT UP TO
WHERE THE CAPSULE'S GOING TO BE.
WHICH IS A GOOD THING IF YOU'RE
COMING BACK-- YOU DON'T WANT TO
BE IN THAT CAPSULE FOR TOO LONG
BECAUSE YOU'RE GOING TO REALLY
SEASICK, GOING UP AND DOWN ON
THE WAVES.
>> Sreenivasan: SO WE'RE GOING
TO BE ABLE TO SEE THIS?
IF THEY KNOW EXACTLY WHERE IT'S
GOING TO LAND, ARE WE GOING TO
SEE THE CAPSULE WITH THE
PARACHUTES COMING DOWN AND
SPLASHING DOWN IN THE WATER?
>> NASA IS SCRAMBLING BASICALLY
ALL RESOURCES THAT IT CAN.
IT'S EVEN CALLED ON THE
DEPARTMENT OF DEFENSE TO HAVE
EMERGENCY RECOVERY VESSELS
AVAILABLE.
THEY'RE GOING TO HAVE PLANES IN
THE SKY, BOATS IN THE WATER,
YOU KNOW, TELESCOPES EVEN, TO
LOOK FOR THIS CAPSULE AS IT
COMES THROUGH THE ATMOSPHERE.
AND IT'S NOT JUST FOR OUR
VIEWING PLEASURE HERE.
THEY ARE TRYING TO GET AS MUCH
DATA AS THEY CAN ABOUT THIS
RETURN, BECAUSE THE GOAL OF THIS
MISSION, THE "DEMONSTRATION 2"
OR "DEMO 2" MISSION, IS TO SHOW
THAT THIS CAPSULE IS SAFE TO
TAKE PEOPLE TO AND FROM SPACE.
NOT JUST ANY PEOPLE, BUT
CIVILIANS.
TOM CRUISE WANTS TO GO UP IN
THIS WITH HIS DIRECTOR-- THIS
SPACE CAPSULE, THE CREW
"DRAGON"-- AND FILM A MOVIE AT
THE INTERNATIONAL SPACE STATION.
SO THEY'VE GOT TO SHOW THAT THIS
IS REALLY SAFE, AND PART OF THAT
IS COLLECTING AS MUCH DATA AS
THEY CAN.
SO THEY'RE GOING TO BE RECORDING
THIS OUT THE WAZOO.
AND WE'RE GOING TO BE TAKING A
REALLY NICE BACKSEAT ARMCHAIR
LOOK AT THIS, BECAUSE THEY'RE
GOING TO STREAM A LOT OF THAT
FOOTAGE DIRECTLY TO NASA TV.
>> Sreenivasan: DAVE MOSHER,
THANKS SO MUCH FOR JOINING US.
>> MY PLEASURE.
THANKS FOR HAVING ME.
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This is so embarrassing lmaooo... pregnancy brain is still a thing after birth
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Thank you Ms. Scott Cato. There is a blue
card request from Mr Rowland. Will you accept?
Yes Mr. Rowland you have the floor
Thank you very much
I'd just like to ask Ms. Scott Cato what empirical proof she has that the end of the transition period,
when we will be leaving the European Union, hopefully on a Canada-plus style trade deal, will result in a cliff edge?
When, as far as I am aware, she does not have any degree in economics
or maybe she has some business experience that will give some empirical proof that that will be the case.
So I was wondering whether you could answer that question
why you are so certain that the United Kingdom will suffer as a result?
Obviously you haven't been paying much attention to my C.V
because I was and I remain a professor of economics.
I also have expertise in trade policy and have been studying the trade negotiations from the beginning.
I rely on the expertise of other trade experts, all of whom have said
it takes much longer than the time available to negotiate a treaty and the likelihood is
if we go ahead with Boris Johnson's deal,
we will end up in exactly the same crisis facing a no deal Brexit at the end of 2020.
I think Mr. Rowland stands corrected.
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Spanish:
Vamos a repasar un poco de lo que habíamos aprendido muchos, muchos
hace acerca de la energía potencial gravitatoria y, a continuación, ver videos
Si podemos sacar la analogía, que es realmente muy fuerte,
la energía potencial eléctrica.
Así que lo que sabemos sobre
¿energía potencial gravitatoria?
Si dijimos que se trataba de la superficie de la tierra--nos
no tiene que ser en la tierra, pero facilita la visualización.
Podríamos estar en cualquier lugar que tenga la gravedad y el potencial
energía sería debido al campo gravitatorio de
particular en masa, pero digamos que esta es la
superficie de la tierra.
Aprendimos si tenemos alguna masa m aquí y
el campo gravitacional en este área--o al menos la
aceleración gravitacional--es g o 9,8 metros por segundo
cuadrado, y es h--nosotros podríamos decir, supongo, medidores,
pero podríamos utilizar las unidades.
Digamos que es h metros del suelo, que la
energía potencial gravitatoria de este objeto en ese momento
English:
Let's review a little bit of
what we had learned many, many
videos ago about gravitational
potential energy and then see
if we can draw the analogy,
which is actually very strong,
to electrical potential
energy.
So what do we know about
gravitational potential energy?
If we said this was the surface
of the Earth-- we
don't have to be on Earth, but
it makes visualization easy.
We could be anywhere that has
gravity, and the potential
energy would be due to the
gravitational field of that
particular mass, but let's
say this is the
surface of the Earth.
We learned that if we have some
mass m up here and that
the gravitational field at this
area-- or at least the
gravitational acceleration-- is
g, or 9.8 meters per second
squared, and it is h-- we could
say, I guess, meters,
but we could use any units.
Let's say it is h meters above
the ground, that the
gravitational potential energy
of this object at that point
Portuguese:
...
Vamos rever um pouco do que tinhamos
aprendido muitos, muitos
videos atrás sobre energia potencial gravitacional
e ver então
se podemos desenhar a analogia,
que é na verdade muito forte,
para energia potencial elétrica.
E oque sabemos de fato sobre
energia potencial gravitacional?
se disséssemos que esta é a superfície da Terra,
não temos que estar na Terra, mas torna fácil a visualização.
Poderiamos ir à qualquer lugar que tem gravidade, e a
energia potencial seria devido ao campo gravitacional
dessa massa específica, mas vamos dizer que esta é a
superfície da Terra.
Aprendemos que se temos alguma massa "m" aqui em cima
e que o campo gravitacional nesta área -- ou pelo menos a
aceleração gravitacional -- é "g", ou 9,8 metros por segundo
ao quadrado, e ela está em "h" -- acho que podemos dizer metros,
mas nós poderiamos usar qualquer unidade.
Vamos dizer que ela esteja à "h" metros acima do chão, que a
energia potencial gravitacional desse objeto nesse ponto
Chinese:
我們複習一下在很多很多個影片之前
學過的重力勢能
然後看一下能不能類比一下
實際上它和電勢能非常接近
所以對於重力勢能 我們知道什麽?
如果我們說 這是地表
不一定在地球上 但是這樣更形象化
可以在有重力的任何地方
重力勢能
是由特定質量的重力場引起的
但是我們設在地表
我們學過 如果一個物體的質量是m
這個區域的重力場
或者至少重力加速度 是g
或者是9.8m/s^2 這是h
我可以說 我猜 單位是米
但是我們可以用任何單位
我們設到地面的距離是h
這個物體在這一點的重力勢能
Bulgarian:
Нека си припомним нещо, което
научихме преди много, много клипове
за гравитационната
потенциална енергия,
и да видим дали ще успеем да направим
една много силна аналогия
с електрическата потенциална енергия.
Какво знаем за
гравитационната потенциална
енергия?
Ако кажем, че това е
повърхността на Земята.
Не е задължително да сме на Земята, но това
ни помага с визуализацията.
Може да сме където и да е, стига да има
гравитация и потенциалната
енергия ще се дължи
на гравитационното поле
на тази маса, но нека кажем, че това
е именно повърхността на Земята.
Учили сме, че ако имаме
маса [m] тук горе,
гравитационното поле
в тази област – или поне
гравитационното ускорение е g
или 9,8 метра в секунда на квадрат;
и това са h – да кажем, метра,
но можем да използваме
и други единици.
Да кажем, че това е на
[h] метра над земята.
Czech:
Zopakujme si trošku, co jsme se naučili
před mnoha videolekcemi
o gravitační potenciální energii
a potom uvidíme, zda najdeme podobnost,
která je vlastně hodně velká,
s elektrickou potenciální energií.
Co víme o gravitační potenciální energii?
Pokud bychom řekli,
že toto je povrch Země...
Nemusíme být na Zemi,
ale představu to zjednoduší.
Mohli bychom být kdekoliv,
kde je gravitace
a kde existuje potenciální energie
díky gravitačnímu poli té konkrétní hmoty,
ale řekněme, že toto je povrch Země.
Učili jsme se, že máme-li
hmotnost „m“ tady nahoře
a že gravitační pole v této oblasti
– nebo alespoň tíhové zrychlení –
je „g“, 9,8 metrů za sekundu na druhou,
a toto je „h“,
mohli bychom říct asi v metrech,
ale mohli bychom použít jakékoli jednotky.
Řekněme, že h je v metrech nad zemí,
že gravitační potenciální energie
tohoto objektu v tomto místě
iw:
בואו נעשה חזרה על מה שלמדנו לפני הרבה זמן,
בסירטונים על אנרגיה פוטנצילית כובדית.
לאחר מכן,
ננסה להבחין את האנלוגיה החזקה הקיימת
עם האנרגיה הפוטנצילית החשמלית.
מה אנו יודעים על
אנרגיה פוטנצילית כובדית?
נניח שאלה פני כדור הארץ - זה לא חייב
כדור הארץ, אך נראה לי שזה מקל על ההבנה.
אפשר לדבר על כל מקום בו יש גרביטציה,
והאנרגיה
הפוטנצילית קיימת הודות לשדה הגרביטציה
של המסה הנתונה, אך אנו
נדבר על פני כדור הארץ.
למדנו שאם יש לנו איזושהי מסה m, כאן למעלה,
ושהשדה הגרביטציוני בשטח הזה - או לפחות
תאוצת הכובד, היא g, או 9.8 מטר לשנייה בריבוע,
וזה h מטרים - אפשר להשתמש
ביחידות כלשהן.
נגיד שזה h מטרים מעל הקרקע, אז האנרגיה
הפוטנצילית הכובדית של הגוף הזה,
בנקודה הזאת,
Thai:
ลองทบทวนสิ่งที่เราเรียนไป
หลายวิดีโอก่อนมาก
เรื่องพลังงานศักย์โน้มถ่วง แล้วดูว่า
เราจะหาความคล้ายคลึง ซึ่งเหมือนกันมาก
กับพลังงานศักย์ไฟฟ้าได้ไหม
เรารู้อะไรบ้างเกี่ยวกับ
พลังงานศักย์โน้มถ่วง?
ถ้าเราบอกว่านี่คือผิวโลก -- เรา
ไม่ต้องมีโลกก็ได้ แต่มันทำให้มองภาพง่ายขึ้น
เราอยู่ที่ไหนก็ได้ที่มีความโน้มถ่วง และพลังงาน
ศักย์เนื่องจากสนามโน้มถ่วงของ
มวลนั้น สมมุติว่านี่คือ
ผิวโลกนะ
เราเรียนไปว่าถ้าเรามีมวล m บนนี้และ
สนามโน้มถ่วงที่พื้นที่นี้ -- หรือ
ความเร่งโน้มถ่วง --
คือ g หรือ 9.8 เมตรต่อวินาที
กำลังสอง และมันคือ h --
เราบอกว่าเป็นเมตรก็ได้
แต่เราใช้หน่วยอะไรก็ได้
สมมุติว่ามันคือ h เมตรเหนือพื้น
พลังงานศักย์โน้มถ่วงของวัตถุนีที่จุดนั้น
Chinese:
我们复习一下在很多很多个视频之前
学过的重力势能
然后看一下能不能类比一下
实际上它和电势能非常接近
所以对于重力势能 我们知道什么?
如果我们说 这是地球表面
不一定在地球上 但是这样更形象化
可以在有重力的任何地方
重力势能
是由特定质量的重力场引起的
但是我们设在地球表面
我们学过 如果一个物体的质量是m
这个区域的重力场
或者至少重力加速度 是g
或者是9.8m/s^2 这是h
我可以说 我猜 单位是米
但是我们可以用任何单位
我们设到地面的距离是h
这个物体在这一点的重力势能
Korean:
여러 영상 전에서 배웠던
중력 퍼텐셜에너지에 대하여 복습하고
전기에 비해 굉장히 센 이 중력 퍼텐셜에너지를
그림으로 간략하게 나타내어 보도록 하겠습니다
자 우리가 중력 퍼텐셜에너지에 대하여
알고 있는 것이 무엇이 있을까요?
굳이 지구일 필요는 없지만
보기 쉬우니 지구의 표면이라고 할 것입니다
어디든 중력이 있는 곳이라면
퍼텐셜에너지는 특정 질량에 대한
중력장에 의한 것이 될것입니다
어쨌든 이곳은 지구의 표면입니다
저번에 배운 것입니다
질량 m을 가진 물체가 있다면
이 공간에 중력장 혹은
g라고 나타내는 중력 가속도가 존재한다는 것입니다
그리고 높이는 h가 되겠습니다
단위는 미터라고 합시다
물체가 지면으로부터 h 미터만큼 떠있습니다
이때 물체가 가지는 중력 퍼텐셜에너지는
French:
Revoyons un peu ce que nous avons appris
plusieurs vidéos plus tôt sur l'énergie potentielle de gravitation
et voyons si nous pouvons trouver l'analogie
avec l'énergie potentielle électrique.
Que savons nous sur
l'énergie potentielle de gravitation ?
Si on disait que ceci serait la surface de la terre--
ça n'est pas obligé, mais la visualisation sera plus facile.
Nous pourrions être n'importe ou, ou il y a de la gravité,
et l'énergie potentielle sera due au champ gravitationnel créé par cette masse particulière.
disons qu'il s'agit de la
surface de la Terre.
Nous avons appris que que s'il y a une certaine masse m, ici,
et que le champ gravitationnel dans cette zone-- du moins
l'accélération gravitationnelle-- est g, soit 9,8 mètres par seconde au carré.
, et il y a la hauteur h-- qui serait en mètres,
mais on pourrait utiliser n'importe quelle unité.
Disons qu'il y a h mètres au dessus du sol, et que
l'énergie potentielle de gravitation de cet objet en ce point
Turkish:
Öncelikle gravitasyonal potansiyel enerji konusunu
kısaca hatırlayalım.
Daha sonra benzerlik yoluyla
elektriksel potansiyel enerjiye geçelim.
Gravitasyonal potansiyel enerji hakkında ne biliyoruz?
-
Dünyanın yüzeyinde bir cisim düşünelim.
Bu dünya olmak zorunda değil
Çekim alanı olan herhangi bir yer olabilir.
-
-
Burası dünyanın yüzeyi olsun.
Eğer yüzeyden biraz yüksekte bir m kütlesi varsa
m'in g=9.8m/s^2 lik bir ivmeye sahip olduğunu biliyoruz.
-
-
-
m'in dünya yüzeyinden h kadar yukarıda olduğunu kabul edelim.
Öyleyse m'in gravitasyonal potansiyel enerjisi:
Czech:
se rovná hmotnosti
krát tíhové zrychlení krát výška,
nebo si to můžete představit
jako gravitační sílu,
velikost této gravitační síly.
– vy víte, že je to vektor,
ale můžeme říct velikost vektoru –
krát výška.
A jaká je potenciální energie?
Víme, že pokud máme
potenciální energii,
neexistuje žádná překážka
a necháme tomu volný průběh,
tak díky této energii, nebo alespoň
gravitační potenciální energii,
se daný předmět začne pohybovat
se zrychlením dolů
a velká část této potenciální energie,
nakonec celá,
bude přeměněna v kinetickou energii.
Takže potenciální energie
je energie uchovaná v poloze předmětu
nebo je to druh tušené energie,
kterou předmět má podle toho,
kde se nachází.
Aby předmět takovou energii měl,
musí nějakou energii dodat.
A jak jsme se naučili
u gravitační potenciální energie,
Korean:
질량과 중력 가속도 그리고
높이를 곱한 값과 같습니다
아니면 이게 힘이라고 볼 수 있습니다
중력에 의한 힘의 크기 말이죠
이건 벡터지만 벡터의 크기와
높이를 곱한 값이라고 할 수 있습니다
퍼텐셜 에너지란 무엇일까요
어떤 물체가 퍼텐셜에너지를 가지고
물체를 방해하는 것이 없다면
에너지 이 경우엔 중력이겠죠
에너지로 인해 아래로 가속운동을 하게 될것입니다
많은 퍼텐셜에너지가 결국엔 모든 퍼텐셜 에너지가
운동 에너지로 전환이 될 것입니다
따라서 퍼텐셜에너지는 물체의 상황에 의하여 저장되는
다시 말해서 물체의 위치에 따라서 결정되는
추상적인 에너지라고 할 수 있습니다
어떤 물체가 이 추상적인 에너지를 갖기 위해선
어떠한 에너지가 이미 이 물체에 가해졌어야 합니다
중력 퍼텐셜에너지를 할 때에 배웠듯이
여러분은 중력 퍼텐셜에너지를
Thai:
เท่ากับมวลคูณความเร่งของความโน้มถ่วงคูณ
ความสูง หรือคุณมองมันเป็นแรงโน้มถ่วง
ขนาดของแรงโน้มถ่วงก็ได้
คุณก็รู้ มันเป็นเวกเตอร์
แต่เราบอกได้ว่าคือขนาดของ
เวกเตอร์คูณความสูง
แล้วพลังงานศักย์คืออะไร?
เรารู้ว่าถ้าของบางอย่างมีพลังงานศักย์
และไม่มีอะไรหยุดมัน และเราปล่อยมันไป
พลังงานนั้น ด้วยพลังงานศักย์โน้มถ่วง
วัตถุจะเริ่มเร่งลง และ
พลังงานศักย์จำนวนมาก สุดท้ายคือทั้งหมด
จะกลายเป็นพลังงานจลน์
พลังงานศักย์คือพลังงานที่เก็บไว้
ในสถานะของวัตถุ หรือพลังงานเชิงตำแหน่ง
ว่าวัตถุอยู่ที่ไหน
เพื่อให้ของสักอย่างมีพลังงานตามนั้น
เราต้องใส่พลังงานเพื่อนำมันไปไว้ตรงนั้น
อย่างที่เราเรียนเรื่องพลังงานศักย์โน้มถ่วง
คุณมองพลังงานศักย์โน้มถ่วง
French:
est égale à la masse multipliée par l'accélération gravitationnelle multipliée par la hauteur,
ou bien on pourrait le voir comme la force de gravité,
la magnitude de la force de gravitation.
vous le savez, c'est un vecteur, mais on peut dire que c'est
la magnitude du vecteur multiplié par la hauteur
Et donc, qu'est-ce que l'énergie potentielle ?
Bien, nous savons que si quelque chose a de l'énergie potentielle,
et si rien n'est là pour l'arrêter,
l'objet va commencer à accélérer vers le bas.
l'objet va commencer à accélérer vers le bas.
cette énergie "potentielle", et à la fin sa totalité,
va être convertie en énergie cinétique.
Donc, l'énergie potentielle est de l'énergie qui est stockée
par la condition physique d'un objet,
sa position par exemple.
Mais pour qu'un objet acquière cette énergie potentielle,
de l'énergie a dû être mise dedans.
Et comme on l'a appris,
On peut voir l'énergie potentielle de gravitation,
Portuguese:
é igual à massa vezes a aceleração da gravidade vezes
a altura, ou você poderia ver-lo como a força peso,
ou o módulo da força peso.
Você sabe, é um vetor, mas podemos dizer o 'módulo do
vetor vezes a altura'.
E então, qual é a energia potencial?
Bem, sabemos que se alguma coisa tem energial potencial
e se nada está segurando-a e simplesmente soltamos, essa energia,
pelo menos energia potencial gravitacional,
vai fazer o objeto começar a acelerar para baixo, e
muita dessa energia potencial, e eventualmente toda ela, será
convertida em energia cinética.
Então a energia potencial é a energial que está sendo armazenada pela
situação de um objeto, e esta é a energia teórica que um
objeto tem, por virtude de está onde ele está.
Então para que algo tenha essa energia teórica,
alguma energia deve ter sido cologada nele.
E como aprendemos com energia potencial gravitacional,
você poderia ver energia potencial gravitacional
Bulgarian:
Гравитационната потенциалната енергия
на този предмет в тази точка
е равна на масата по
ускорението на гравитацията,
по височината (или можем да кажем
също по големината
на силата на гравитацията.
Това е вектор, но можем
да кажем, дължината
на вектора по височината.
Тогава каква е потенциалната енергия?
Знам, че ако нещо има
потенциална енергия
и нищо не го спира,
и ако го пуснем, то
тази енергия, поне с потенциалната
гравитационна енергия,
предметът ще започне
да се ускорява надолу и
много от тази потенциална енергия,
накрая и цялата, ще
се превърне в кинетична енергия.
Потенциалната енергия е енергия,
която се съхранява предмета,
намиращ се в дадена позиция, или е
един вид въображаема енергия, която
един предмет има
поради това къде се намира.
За да може нещо
да притежава тази енергия,
някаква енергия трябва
да е сложена вътре в него.
И както научихме за гравитационната
потенциалната енергия,
тя може да се разглежда като работата,
iw:
שווה למסה, כפול תאוצת הכובד, כפול
הגובה. אפשר לראות את זה ככוח הכובד,
הגודל של כוח הכובד.
זה וקטור, אך אפשר לדבר על גודל
הווקטור כפול הגובה.
מהי האנרגיה הפוטנצילית?
אנו יודעים שאם למשהו יש אנרגיה פוטנצילית,
ואם אף אחד לא מחזיק אותו ונותנים לו לנוע,
עם האנרגיה הפוטנצילית הכובדית הזאת,
הגוף יתחיל להאיץ כלפי מטה, וכל
האנרגיה הפוטנצילית תהפוך
לאנרגיה קינטית.
אנרגיה פוטנצילית היא אנרגיה האגורה
בגוף הנמצא במצב מסוים, או האנרגיה
שיש לגוף הודות למקום בו הוא נמצא.
כדי שלמשהו תהיה האנרגיה הזאת,
מישהו (או משהו) היה צריך לספק לו את האנרגיה.
כשלמדנו על אנרגיה פוטנצילית כובדית,
ראינו שאפשר להסתכל על האנרגיה הפוטנצילית
הכובדית
English:
is equal to the mass times the
acceleration of gravity times
the height, or you could view
it as the force of gravity,
the magnitude of the
force of gravity.
You know, it's a vector, but
we can say the magnitude of
the vector times height.
And so what is potential
energy?
Well, we know that if something
has potential energy
and if nothing is stopping it
and we just let go, that
energy, at least with
gravitational potential
energy, the object will start
accelerating downwards, and a
lot of that potential energy,
and eventually all of it, will
be converted to kinetic
energy.
So potential energy is energy
that is being stored by an
object's situation or kind of
this notional energy that an
object has by virtue
of where it is.
So in order for something to
have this notional energy,
some energy must have
been put into it.
And as we learned with
gravitational potential
energy, you could view
gravitational potential energy
Chinese:
等於質量
乘以重力加速度乘以高度
或者你們可以把這看做重力
重力的大小
你們知道 這是個向量
但是我們可以說向量的大小乘以高度
所以重力勢能是多少?
我們知道 如果一個物體有重力勢能
如果沒有什麽擋住它 然後讓它下落
能量 至少是重力勢能
這個物體就會開始加速下落
很多重力勢能
最後所有的重力勢能都會轉化成動能
所以重力勢能是
一種通過物體的位置存儲的能量 或者是一種
根據物體在哪的抽象能量
所以爲了讓一個物體有這種抽象的能量
必須在它裏面放上某種能量
當我們學習重力勢能
你們可以把重力勢能看做
Turkish:
PE=mgh olur.
Gravitasyonal kuvvetin büyüklüğü ise
F=mg dir. aslında F bir vektördür çünkü g bir vektör.
Potansiyel enerjiyi hesaplarken F' in büyüklüğünü aldık
çünkü mgh skalar bir büyüklüktür,potansiyel enerjinin yönü yoktur.
Öyleyse potansiyel enerji ne olur?
Eğer cisim potansiyel enerjiye sahip
ve önünde bir engel yoksa
Gravitasyonal alanın etkisi altında
aşağı doğru ivmelenmeye başlar.
Potansiyel enerji kinetik enerjiye dönüşür.
-
Öyleyse potansiyel enerji
cismin konumundan dolayı sahip olduğu enerjidir.
-
Cismin enerjiye sahip olması için dışarıdan enerji verilmiş olması lazımdır.
-
Bu enerji cismin üzerinde iş yapılarak
cisme kazandırılır.
Chinese:
等于质量
乘以重力加速度乘以高度
或者你们可以把这看做重力
重力的大小
你们知道 这是个矢量
但是我们可以说矢量的大小乘以高度
所以重力势能是多少?
我们知道 如果一个物体有重力势能
如果没有什么挡住它 然后让它下落
能量 至少是重力势能
这个物体就会开始加速下落
很多重力势能
最后所有的重力势能都会转化成动能
所以重力势能是
一种通过物体的位置存储的能量 或者是一种
根据物体在哪的抽象能量
所以为了让一个物体有这种抽象的能量
必须在它里面放上某种能量
当我们学习重力势能
你们可以把重力势能看做
Spanish:
es igual a las masas veces los tiempos de aceleración de la gravedad
la altura, o usted podría ver como la fuerza de gravedad,
la magnitud de la fuerza de gravedad.
Sabes, es un vector, pero podemos decir la magnitud de
el vector de tiempos de altura.
Y ¿qué es energía potencial?
Ahora bien, sabemos si algo tiene energía potencial
y si nada está deteniendo y acabamos let go,
energía, por lo menos con potencial gravitatorio
energía, el objeto comenzará a acelerar hacia abajo y un
mucha de esa energía potencial y eventualmente, de voluntad
se convierte en energía cinética.
Así que la energía potencial es la energía que se almacena por un
situación o tipo de esta energía teórico del objeto que un
objeto tiene en virtud de que es.
En orden para algo que esta energía nocional,
parte de la energía debe han puesto en él.
Y como hemos aprendido con potencial gravitatorio
energía, podría ver la energía potencial gravitatoria
Chinese:
移動物體到這個位置所必須的功
現在 如果我們討論一下
把一個物體放到這個位置的功
或別的 我們總要想一下
從哪裏開始移動
當我們說到重力勢能
就是討論從
地表移動 對吧?
所以移動同樣質量 要做多少功
我們設剛開始在這裡
從高度是0移動到高度是h
總時間 地面 或者重力
就是Fg 對吧?
所以實際上 如果我向上推或者拉
我要
我們設以均勻的速度
我要用一個和它的重力等大反向的力
來向上拉
要不它就會向下加速
我要用大一點力來讓它移動
不管讓它加速多少
但是一旦它開始加速
實際上我應該用向上的力
Korean:
물체를 그 위치로 옮기기 위한 일이라고 볼 수 있습니다
자 이제 우리가 어떤 물체를 특정 위치로
옮기는 것에 대하여 말하고 있다면
어디서 부터 옮길 것인지 생각해보아야 합니다
우리가 중력 퍼텐셜에너지에 대하여 말할때
물체를 지구의 표면에서부터 움직이는 것에 대하여
말하고 있는 것입니다
특정 질량을 움직이기 위한 일
그러니까 높이가 0인 곳부터 움직일 때에
즉 h가 0일 때부터 움직이기 위한 일이 얼마일까요?
지구의 중력에 의한 힘은 언제나
F 곱하기 g가 됩니다
만약 제가 이 물체를 위 방향으로 밀거나 잡아당긴다면
이 물체는 등속도를 가져야 합니다
그렇다면 저는
물체의 무게와 크기가 같고 방향이 반대인 힘을 주어야
이 물체를 위로 움직일 수 있을 것입니다
그렇지 않다면 물체는 아래 방향으로 가속하게 될 것입니다
처음에는 물체를 가속하기 위해 좀 더 큰 힘을 주겠지만
한 번 속도를 가지게 되면
아래 방향의 중력과 같은 크기의 힘을
Bulgarian:
нужна за да се премести този
обект в определена позиция.
Сега, ако говорим за работата,
нужна за преместването
на нещо, винаги трябва
да се попитаме:
да се премести откъде?
Когато говорим за гравитационна
потенциална енергия,
преместването е от повърхността на
Земята, нали така?
Колко работа е нужна,
за да преместим същата маса –
да кажем, че първоначално
е била тук – да я преместим
от височина нула до височина h?
През цялото време Земята...
или силата на гравитацията
ще бъде F с индекс g, нали?
Така че, ако бутам или дърпам
масата нагоре
с постоянна скорост,
ще ми е нужна равна,
но противоположна по посока
сила на тежестта ѝ.
В противен случай
ще се ускорява надолу.
Ще ми трябва малко повече сила,
за да я задвижа и
ускоря колкото трябва, но
щом се ускори веднъж,
ще трябва да приложа сила,
насочена нагоре,
Czech:
můžete si ji představit jako práci nutnou
k přemístění předmětu do této pozice.
Mluvíme-li o práci potřebné
k přesunu něčeho do dané pozice,
vždy musíme myslet na to,
odkud to přemísťujeme.
Když mluvíme
o gravitační potenciální energii,
mluvíme o přesunu
z povrchu Země, že?
Kolik práce je potřeba
k přesunu stejné hmotnosti
– řekněme, že byla nejprve tady –
k přesunu z výšky 0 do výšky h?
No, po celou dobu bude zemská,
nebo gravitační síla, Fg, že?
Takže v podstatě, pokud táhnu
nebo tlačím nahoru, budu muset mít
– a řekněme, že za konstantní rychlostí –
budu muset mít stejnou sílu
opačného směru vůči tíze,
aby to vytáhl vzhůru,
jinak by to zrychlovalo dolů.
Musel bych mít o trochu větší sílu,
abych to uvedl do pohybu a zrychlil,
jen o trochu, ale jakmile to zrychluje,
v podstatě bych musel působit silou nahoru,
English:
as the work necessary to move
an object to that position.
Now, if we're talking about work
to move something into
that position, or whatever, we
always have to think about,
well, move it from where?
Well, when we talk about
gravitational potential
energy, we're talking about
moving it from the surface of
the Earth, right?
And so how much work is required
to move that same
mass-- let's say it was here at
first-- to move it from a
height of zero to
a height of h?
Well, the whole time, the
Earth, or the force of
gravity, is going to
be F sub g, right?
So essentially, if I'm pulling
it or pushing it upwards, I'm
going to have to have-- and
let's say at a constant
velocity-- I'm going to have to
have an equal and opposite
force to its weight
to pull it up.
Otherwise, it would accelerate
downwards.
I'd have to do a little bit more
just to get it moving, to
accelerate it however much, but
then once I get it just
accelerating, essentially I
would have to apply an upward
Turkish:
Burada yapılan iş : cismi yukarı kaldırmaktır.
-
Cismin konumunu nereden nereye değiştirdiğimiz önemli.
-
-
Bu örnekte cismi dünya yüzeyinden yukarı kaldırdık.
-
Bunun için ne kadar iş yaptık?
Cisim başlangıçta buradaydı.
0 yükseklikte h yüksekliğine çıkardık
Garvitasyonal kuvvet, F, cisim çekim alanı içinde olduğu taktirde
her zaman cisme etki ediyor
Cismi yukarı doğru sabit hızla itersem
-
cismin ağırlığına eşit büyüklükte ve zıt yönde
bir kuvvet uygulamış olurum.
Çünkü sabit hız net kuvvetin 0 olmasını gerektirir.
mg büyüklüğünde yukarı doğru bir kuvvet uygularsak
cisim başlangıçta hareket etmez.
Biraz daha fazla kuvvet uygularsak
Spanish:
como el trabajo necesario para mover un objeto a esa posición.
Ahora, si estamos hablando de trabajo para mover algo en
esa posición, o lo que sea, siempre tenemos que pensar,
¿bueno, hay que moverlo desde donde?
Así, cuando hablamos de potencial gravitatorio
energía, estamos hablando de desplazarlo de la superficie de
¿la tierra, derecho?
Y cuánto se requiere trabajo para mover ese mismo
masa--digamos aquí fue al principio--para moverlo de un
¿altura de cero a una altura de h?
Bien, todo el tiempo, la tierra o la fuerza de
¿gravedad, va a ser f sub g, correcto?
Tan esencialmente, si estoy tirando de él o empujándolo hacia arriba, yo soy
va a tener a tener--y digamos a una constante
velocidad--voy a tener que tener una igual y opuesta
fuerza a su peso, tirando de él hacia arriba.
De lo contrario, aceleraría hacia abajo.
Tengo que hacer un poco más justo para que se mueva, a
acelerarlo sin embargo mucho, pero luego una vez conseguirlo sólo
acelerar, esencialmente tendría que aplicar un ascendente
Portuguese:
como o trabalho necessário para mover um objeto para esta posição.
Agora, se estamos falando sobre trabalho para mover algo para
esta posição, ou o que quer que seja, sempre temos que pensar sobre,
bem, movê-lo de onde?
Quando falamos sobre energia potencial gravitacional,
estamos falando sobre movê-lo da superfície
da Terra, certo?
E quanto trabalho é necessário para mover esta mesma
massa -- vamos dizer que ela estava aqui de inicio -- para movê-la de
uma altura de zero para uma altura de "h".
Bem, otempo todo, a Terra, ou a força
peso, será Fg, certo?
Essencialmente, se eu estou puxando-a ou empurrando-a para cima,
eu vou ter que ter -- e vamos dizer em velocidade
constante -- eu vou precisar ter uma força igual e oposta
ao seu peso para puxá-la pra cima.
Senão, ela aceleraria para baixo.
Eu teria que fazer um pouco mais, apenas para mantê-la se movendo, para
acelerá-la não importa o quanto, mas uma vez que eu consigo que ela
ecelere, essencialmente eu teria que aplicar uma força para cima,
French:
comme le travail nécessaire pour déplacer un objet à cette position.
Alors, si on parle de travail pour déplacer quelque chose
on doit toujours penser à :
le déplacer à partir d'où ?
Quand on parle d'énergie potentielle de gravitation,
on parle de le déplacer à partir
de la surface de la terre, n'est-ce pas ?
Et donc combien de travail est nécessaire pour déplacer cette même masse
--disons qu'elle était là au départ-- de la déplacer
d'une hauteur de 0 à une hauteur de h ?
Et bien, tout du long, la Terre, ou la force de gravité,
va être Fg.
Donc en résumé, si je le tire ou je le pousse vers le haut,
à une vitesse constante,
Je vais devoir avoir une force égale et opposée
à sa masse pour le tirer.
Sinon, l'objet accélérerait vers le bas.
Je vais devoir tirer un tout petit peu plus juste pour le faire bouger,
mais quand je vais l'avoir fait tout juste accéléré,
je vais devoir appliquer une force vers le haut,
iw:
כעבודה הדרושה להזיז את הגוף למקום הזה.
כשאנו מדברים על העבודה הדרושה כדי להניע
משהו למקום מסוים, צריך לחשוב מאיפה
מתחילים להניע את הגוף.
כשאנו מדברים על אנרגיה פוטנצילית כובדית,
אנו מדברים על כך שמניעים את הגוף מפני
כדור הארץ, נכון?
מהי העבודה הדרושה להניע את אותה
מסה - נגיד שהיא הייתה כאן בהתחלה - מגובה
אפס לגובה h?
לאורך כל הדרך, כוה הכובד
יהיה F עם סימן תחתי g, נכון?
אז בעצם, אם אני מושך או דוחף אותו מעלה
במהירות קבועה,
עלי להפעיל כוח שווה למשקלו ומנוגד לו,
כדי להעלות אותו למעלה.
אחרת הוא יאיץ כלפי מטה.
עלי להפעיל כוח קצת יותר גדול להתחלת התנועה,
להאיץ אותו במקצת, אך לאחר
ההאצה הראשונית, עלי יהיה להפעיל כוח כלפי
Chinese:
移动物体到这个位置所必须的功
现在 如果我们讨论一下
把一个物体放到这个位置的功
或别的 我们总要想一下
从哪里开始移动
当我们说到重力势能
就是讨论从
地球表面移动 对吧?
所以移动同样质量 要做多少功
我们设刚开始在这里
从高度是0移动到高度是h
总时间 地面 或者重力
就是Fg 对吧?
所以实际上 如果我向上推或者拉
我要
我们设以均匀的速度
我要用一个和它的重力等大反向的力
来向上拉
要不它就会向下加速
我要用大一点力来让它移动
不管让它加速多少
但是一旦它开始加速
实际上我应该用向上的力
Thai:
เป็นงานที่จำเป็น เพื่อย้ายวัตถุไปยังตำแหน่งนั้น
ทีนี้ ถ้าคุณพูดถึงงานเพื่อย้ายวัตถุ
ไปยังตำแหน่งนั้นหรืออะไรก็ตาม
เราต้องคิดถึง
ว่าย้ายจากตรงไหน?
เวลาเราพูดถึงพลังงานศักย์โน้มถ่วง
เราจะพูดถึงการย้ายจากผิวโลก
จริงไหม?
แล้วงานที่ต้องใช้ย้ายมวล
เดียวกัน -- สมมุติว่ามันอยู่ตรงนี้ตอนแรก
-- เพื่อย้ายมันจาก
ความสูง 0 ถึงความสูง h เป็นเท่าใด?
ตลอดเวลา โลก หรือแรงของ
ความโน้มถ่วง จะเท่ากับ F ห้อย g จริงไหม?
ที่สุดแล้ว ถ้าผมดึงหรือผลักมันขึ้น ผม
จะต้องมี -- สมมุติว่าที่ความเร็ว
คงที่ -- ผมจะมีแรงเท่ากันและตรงข้าม
กับน้ำหนักเพื่อดึงมันขึ้น
ไม่อย่างนั้น มันจะเร่งลง
ผมต้องออกแรงมากกว่านิดหน่อย
เพื่อให้เคลื่อนที่
เร่งมันขึ้นหน่อย แต่เมื่อมันเร่ง
ได้แล้ว ผมก็ออกแรงขึ้น
iw:
מעלה, השקול לכוח הכובד המכוון כלפי מטה,
ואעשה זאת לאורך מרחק h, נכון?
מהי עבודה?
עבודה היא כוח כפול מרחק.
כוח כפול מרחק, כשהכוח הוא
בכוון התנועה.
אם כן, מהי העבודה הדרושה כדי להעלות את
המסה הזאת לכאן?
העבודה שווה לכוח הכובד כפול הגובה,
על כן היא שווה
לאנרגיה הפוטנצילית הכובדית.
זה דבר מעניין.
שימו לב שלקחנו כנקודת ייחוס את פני
כדור הארץ, אך יכולנו לקחת
נקודה שרירותית אחרת.
יכולנו לקחת נקודת ייחוס שהיא 10 מטר מתחת
לפני כדור הארץ, שיכולה להיות כאן למטה,
או שיכולנו לדבר על איזשהו משטח שהוא בגובה
של 5 מטר מעל פני כדור הארץ.
כשמסתכלים על זה ככה, יוצא שאנרגיה פוטנצילית
מכל סוג, ובמיוחד אנרגיה פוטנצילית
כובדית - נראה בהמשך גם אנרגיה פוטנצילית
Bulgarian:
която да е равна на силата
на гравитацията надолу.
И ще правя това
за разстояние h, нали така?
Колко е работата? Тя е равна
на силата по разстоянието.
Силата по разстоянието,
като трябва силата
да е в посоката на разстоянието.
Каква работа е необходима,
за да достигне масата до тук?
Работата е равна на силата
на гравитацията по височината,
така че е равна на
гравитационната
потенциална енергия.
Това е интересно.
Забележи, че избрахме
за отправна точка повърхността
на Земята, но можехме да вземем
която и да е случайна точка.
Можехме да кажем:
от 10 метра под повърхността
на Земята, ето тук. Или можехме да
кажем: "от платформа на 5 метра
над повърхността на Земята."
Така излиза, че като
го разгледаме по този начин,
всяка потенциална енергия,
и в частност
гравитационната
(по-късно ще видим електрическата),
Korean:
위 방향으로 주어야 합니다
그렇게 한다면 물체를
h만큼의 높이로 들어 올리게 될 것입니다
일이 무엇입니까?
일은 힘과 거리를 곱한 값입니다
여기서 힘의 방향은 거리의 방향과
동일해야 합니다
물체를 이 높이만큼 들어올릴 때 필요한
일의 크기를 구하겠습니다
일은 중력에 의한 힘과 높이를 곱한 값입니다
따라서 일의 크기는
중력 퍼텐셜에너지와 같게 됩니다
매우 흥미로운 결과입니다
우리가 기준점을 지구의 표면으로 잡은 것을 주목합시다
우리는 임의의 그 어떤 기준점을
잡아도 무방했습니다
지구의 표면으로 부터 10m 아래이거나
지구 표면에서 5m 위로 떨어진 위치를
기준점으로 설정하여도
무방합니다
여기서 밝혀진 점은
모든 형태의 퍼텐셜 에너지
전기에너지의 경우를 보겠지만 특히 중력 퍼텐셜에너지는
Chinese:
這個力等於向下的重力
我要拉動的距離是h 對吧?
功是多少?
功就是力乘以距離
力乘以距離
力應該和距離的方向相同
要把這個質量的物體向上提到這裡 功是多少?
功等於重力乘以高度
所以這就等於重力勢能
現在 這是個有趣的問題
注意到我們選了地表作爲參照點
但是我們可以任意選擇參照點
我們可以說 哦
從低於地面10米
應該在這
或者實際上也可以說 你們知道
從地面之上5米的平台
所以實際上結果是 當你們這樣想
任何形式的勢能
但是尤其重力勢能
我們要看一下電勢能
Thai:
เท่ากับแรงลงของความโน้มถ่วง
และผมทำอย่างนั้นเป็นระยะทาง h จริงไหม?
งานคืออะไร?
งานก็แค่แรงคูณระยะทาง
แรงคูณระยะทาง และมันต้องเป็นแรงใน
ทิศของระยะทาง
แล้วงานที่ต้องใช้พามวลนี้ขึ้นไปเป็นเท่าใด?
งานเท่ากับแรงโน้มถ่วงคูณความสูง
มันจึงเท่ากับ
พลังงานศักย์โน้มถ่วง
ทีนี้ นี่คือสิ่งที่น่าสนใจ
สังเกตว่าเราเลือกจุดอ้างอิงเป็นผิวโลก
แต่เราเลือก
จุดอ้างอิงใดๆ ก็ได้
เราบอกได้ว่า จาก 10 เมตรใต้ผิว
โลก ซึ่งอยู่ข้างล่างตรงนี้ หรือเราบอก
ว่า จากแท่นที่สูง 5
เมตรเหนือพื้นโลกก็ได้
มันจึงปรากฏว่า เมื่อคุณคิดแบบนั้น
พลังงานศักย์ในรูปใดๆ ยิ่งถ้าเป็นพลังงาน
ศักย์โน้มถ่วง -- เราจะเห็นในพลังงานศักย์
Chinese:
这个力等于向下的重力
我要拉动的距离是h 对吧?
功是多少?
功就是力乘以距离
力乘以距离
力应该和距离的方向相同
要把这个质量的物体向上提到这里 功是多少?
功等于重力乘以高度
所以这就等于重力势能
现在 这是个有趣的问题
注意到我们选了地球表面作为参照点
但是我们可以任意选择参照点
我们可以说 哦
从低于地面10米
应该在这
或者实际上也可以说 你们知道
从地面之上5米的平台
所以实际上结果是 当你们这样想
任何形式的势能
但是尤其重力势能
我们要看一下电势能
English:
force, which is equivalent to
the downward force of gravity,
and I would do it for a
distance of h, right?
What is work?
Work is just force
times distance.
Force times distance, and it
has to be force in the
direction of the distance.
So what's the work necessary
to get this mass up here?
Well, the work is equal to the
force of gravity times height,
so it's equal to the
gravitational potential energy.
Now this is an interesting
thing.
Notice we picked the reference
point as the surface of the
Earth, but we could
have picked any
arbitrary reference point.
We could have said, well, from
10 meters below the surface of
the Earth, which could have been
down here, or we could
have actually said, you know,
from a platform that's 5
meters above the Earth.
So it actually turns out, when
you think of it that way, that
potential energy of any form,
but especially gravitational
potential energy-- and we'll
see electrical potential
Turkish:
m yukarı doğru ivmelenerek yükselir.
Bu kuvveti h yüksekliğine kadar cisme uyguluyoruz.
Burada yapılan iş ne?
iş = kuvvet X yol
Uygulanan kuvvet
gidilmek istenen yol yönünde.
m'in h kadar yukarı çıkması için gerekli iş nedir?
"iş = kuvvet X yol" denkleminden:
W = F X h olur
Buradan W=PE olduğunu görüyoruz.
Bu ilginç bir sonuç.
Hatırlayın cismin başlangıç konumu dünya yüzeyi üzerindeydi.
PE hesaplarken referans noktasını dünya yüzeyi almıştık
Aslında referans noktası herhangi bir nokta olabilir.
Mesela dünya yüzeyinin 10m altında da seçilebilridi.
Ya da referans noktası
dünya yüzeyinden 5m yukarıda olabilirdi.
Referans noktasını herkes kendine göre farklı seçebilir.
-
-
Elektriksel potansiyel enerjide de referans noktasını seçme özgürlüğü vardır.
French:
qui est équivalente à la force de la gravité qui est vers le bas.
Et je vais devoir le faire sur une distance h.
Qu'est-ce que le travail ?
Le travail c'est simple une force multipliée par une distance
Force x Distance, et ce doit être une force
dans la direction de la distance
Alors, quel est le travail nécessaire à soulever cette masse jusqu'ici.
Le travail est égal à la force de gravité multipliée par la hauteur,
Donc c'est égal à l'énergie potentielle de gravitation !
Donc c'est égal à l'énergie potentielle de gravitation !
C'est très intéressant !
Remarquez qu'on a pris le point de référence à la surface de la Terre.
Mais on aurait pu prendre arbitrairement
n'importe quel point de référence.
On aurai pu dire :"en partant de 10 mètres sous la surface"
ce qui aurait été ici,
ou bien sur une plateforme
5 mètres au dessus du sol.
Il s'avère que,
l'énergie potentielle, sous n'importe quelle forme,
--on va le voir avec l'énergie potentielle électrique--
Spanish:
fuerza, lo que equivale a la fuerza de gravedad hacia abajo,
¿y lo haría para una distancia de h, correcto?
¿Qué es trabajo?
El trabajo es sólo fuerza veces distancia.
Fuerza veces a distancia, y tiene que ser la fuerza en la
dirección de la distancia.
¿Qué es el trabajo necesario para llegar a esta masa aquí?
Bueno, el trabajo es igual a la fuerza de gravedad veces altura,
por lo que es igual a la
energía potencial gravitatoria.
Ahora esto es una cosa interesante.
AVISO seleccionamos el punto de referencia como la superficie de la
Tierra, pero nosotros podríamos haber recogido cualquiera
punto de referencia arbitrario.
Nos podríamos haber dicho, bien, de 10 metros por debajo de la superficie de
la tierra, que podría haber sido aquí abajo, o podríamos
han realmente dijo, ustedes saben, desde una plataforma que es 5
metros sobre la tierra.
Por lo que en realidad resulta que, cuando se piensa así, que
energía potencial de cualquier forma, pero especialmente gravitacional
energía potencial--y nos veremos el potencial eléctrico
Portuguese:
que é equivalente a força da gravidade para baixo,
e eu faria isso por uma distância de "h", certo?
Oque é trabalho?
Trabalho é apenas força vezes distância.
Força vezes distância, e tem que ser a força na
direção da distância.
Então qual é o trabalho necessário para colocar essa massa aqui em cima?
Bem, o trabalho é igual a força da gravidade vezes a altura,
então é igual a
energia potencial gravitacional.
Agora, isso é uma coisa interessante.
Note que escolhemos o ponto de referência como sendo a superfície da
Terra, mas poderiamos ter escolhido qualquer
ponto de referência aleatóriamente.
Poderiamos ter dito, bem, a partir de 10 metros abaixo da superfície
da Terra, que poderia ter sido aqui em baixo, ou poderiamos
ter dito, você sabe, de uma plataforma que está a 5
metros acima da Terra.
Então, ele realmente parece, quando você pensa dessa maneira, essa
energia potencial de qualquer forma, mas especialmente energia
potencial gravitacional -- e veremos energia potencial
Czech:
která je stejná jako gravitační síla
směřující dolů.
A to bych řešil pro výšku h, že?
Co je práce?
Práce je síla krát vzdálenost.
Síla krát vzdálenost a musí to být síla
ve směru té vzdálenosti.
Jaká je práce nutná
pro přesun této hmotnosti tady?
Práce se rovná gravitační síla krát výška,
takže se rovná
gravitační potenciální energii.
A to je zajímavá věc.
Všimněte si, že jsme vybrali
jako referenční bod povrch Země,
ale mohli jsme vybrat
jakýkoliv libovolný bod.
Mohli jsme říct, třeba
z 10 metrů pod povrchem Země,
což by bylo tady dole.
Nebo jsme mohli třeba říct
tady z té rampy v 5 metrech nad zemí.
Když se nad tím zamyslíte takto,
pak potenciální energie v jakékoliv formě,
ale zvláště gravitační potenciální energie,
– a uvidíme
elektrickou potenciální energii –
Czech:
se vždy vztahuje k nějakému jinému bodu,
takže je to vlastně změna
potenciální energie, na které záleží.
A vím, že při rozboru potenciální energie
se zdálo, že je absolutní,
ale to je proto, že vždy předpokládáme,
že potenciální energie
čehokoliv na povrchu Země je nula
a že chceme znát potenciální energii
vzhledem k povrchu Země.
Takže je to většinou o tom,
kolik práce je potřeba,
abychom něco zvedli
z povrchu Země do dané výšky.
Ale my bychom měli říkat,
že potenciální energie gravitace...
Neměli bychom říkat, že jde o absolutní
potenciální energie gravitace.
Měli bychom říkat, že potenciální
energie gravitace vzhledem k povrchu Země
se rovná práci nutné k přemístění něčeho
z povrchu Země na současnou pozici.
Mohli bychom definovat i jiný termín,
který není příliš používaný,
ale mohli bychom říkat potenciální energie gravitace
Bulgarian:
винаги се разглежда по отношение
на някаква друга точка.
Така че важна е винаги промяната
в потенциалната енергия.
Когато учихме за потенциалната
енергия, тя изглеждаше
като един вид абсолютна потенциална
енергия. Причината за това е,
че винаги приемаме, че потенциалната
енергия на един предмет е 0 и търсим
потенциалната енергия по отношение на
повърхността на Земята. Така че търсим
колко работа е нужна,
за да преместим нещо от
повърхността на Земята
до дадена височина.
Но всъщност би трябвало
да казваме, че потенциалната
енегрия на гравитацията ,
както е странно да се каже,
е просто абсолютната потенциална
енергия на гравитацията
Трябва да казваме, че потенциалната
енергия на гравитацията
по отношение на повърхността на
Земята е равна на работата,
нужна за преместване на обекта,
преместването на тази маса
от повърхността на Земята
до дадената позиция.
Можем да дефинираме и друг термин,
който не е много употребяван.
Можем да кажем, че става въпрос за
потенциалната енергия на гравитацията
English:
energy-- it's always in
reference to some other point,
so it's really a change in
potential energy that matters.
And I know when we studied
potential energy, it seemed
like there was kind of an
absolute potential energy, but
that's because we always assume
that the potential
energy of something is zero the
surface of the Earth and
that we want to know the
potential energy relative to
the surface of the Earth, so it
would be kind of, you know,
how much work does it take to
take something from the
surface of the Earth
to that height?
But really, we should be saying,
well, the potential
energy of gravity-- like this
statement shouldn't be, you
know, this is just the absolute
potential energy of gravity.
We should say this is the
potential energy of gravity
relative to the surface of the
Earth is equal to the work
necessary to move something, to
move that same mass, from
the surface of the Earth to
its current position.
We could have defined some other
term that is not really
used, but we could have said
potential energy of gravity
Chinese:
它經常用別的點作爲參照
所以實際上 勢能變化量很重要
我知道當我們學習勢能的時候
看起來好像有一種絕對勢能
但是這是因爲我們經常假設
地表的物體
的勢能是0
我們要算的勢能
都是以地表作爲參考
但是這就是 你們知道
把物體從地面帶到
這個高度要做多少功?
但是實際上 我們可以說 哦
重力勢能
這種描述不應該- 你們知道
這只是絕對重力勢能
我們應該說相對於地面
重力勢能等於
移動物體需要做的功
爲了移動同樣質量的物體
從地面到當前位置
我們可以定義一些沒有用過的量
但是我們可以說
iw:
חשמלית - היא תמיד ביחס לנקודת ייחוס אחרת,
כלומר, שמה שחשוב זה בעצם השינוי באנרגיה
הפוטנצילית.
אני יודע שכשלמדנו על אנרגיה פוטנצילית,
זה היה נראה שזאת הייתה אנרגיה פוטנצילית
אבסולוטית,
אך זה בגלל שהנחנו שהאנרגיה הפוטנצילית
של משהו היא אפס על פני כדור הארץ,
וחישבנו את האנרגיה הפוטנצילית ביחס לפני
כדור הארץ, ובדקנו מהי העבודה
הדרושה לקחת משהו מפני
כדור הארץ עד לאותו גובה.
על כן, אנו לא צריכים
להתייחס לאנרגיה הפוטנצילית
הכובדית כאל גודל
אבסולוטי.
עלינו להגיד שזאת האנרגיה הפוטנצילית הכובדית
ביחס לפני כדור הארץ, והיא שווה לעבודה
הדרושה להניע את אותו משהו, אותה המסה,
מפני כדור הארץ למקומה הנוכחי.
יכולנו להגדיר מונח אחר, בו לא משתמשים,
אך יכולנו לדבר על האנרגיה הפוטנצילית הכובדית
Portuguese:
elétrica -- é sempre em referência a algum outro ponto,
é uma mudança de energia potencial que interessa.
E eu sei que quando estudamos energia potencial, parecia
que tinha uma energia potencial absoluta, mas
isso é porque sempre assumimos que a energia
potencial de alguma coisa está à zero da superfície da Terra e
queremos saber a energia potencial relativa
a superfície da Terra,
quanto trabalho é necessário para levar alguma coisa da
superfície da Terra até essa altura?
Mas na verdade, deveriamos estar dizendo, bem, a energia
potencial da gravidade -- como esta afirmação não deveria ser, você
sabe, essa é apenas a energia
potencial absoluta da gravidade.
Deveriamos dizer que está é a energia potencial da gravidade
relativa a superfície da Terra, é igual ao trabalho
necessário para mover alguma coisa, para mover esta mesma massa, da
superfície da Terra para sua posição atual.
Poderiamos ter definido algum outro termo que não é realmente
usado, mas poderiamos ter dito que a energial potencial da gravidade
Thai:
ไฟฟ้าเช่นกัน -- มันจะอ้างอิงกับจุดอื่น
สิ่งที่สำคัญจริงๆ ก็คือการเปลี่ยนแปลง
พลังงานศักย์
ผมรู้ว่าเวลาเราศึกษาพลังงานศักย์ ดูเหมือนว่า
มันจะเป็นพลังงานศักย์สัมบูรณ์ แต่
นั่นเป็นเพราะเราสมมุติตลอดว่าพลังงาน
ศักย์ของวัตถุใดๆ เป็น 0 ที่ผิวโลก
และเราอยากรู้พลังงานศักย์เทียบกับ
ผิวโลก มันจึงเป็น คุณก็รู้
งานที่ต้องทำเพื่อย้ายวัตถุจาก
ผิวโลกไปถึงความสูงนั้น
แต่จริงๆ แล้ว เราควรบอกว่า พลังงานศักย์
โน้มถ่วง -- ประโยคแบบนี้ไม่ควร
พจน์นี้คือพลังงาน
ศักย์โน้มถ่วงสัมบูรณ์
เราควรบอกว่า นี่คือพลังงานศักย์โน้มถ่วง
เทียบกับผิวโลก เท่ากับงาน
ที่ต้องใช้ย้ายวัตถุ เพื่อย้ายของมวลเท่าเดิม
จากผิวโลกถึงตำแหน่งปัจจุบัน
เรานิยามเทอมอื่นที่ไม่ได้ใช้
จริงๆ ก็ได้ แต่บอกได้ว่าพลังงานศักย์โน้มถ่วง
Spanish:
energía--siempre es en referencia a algún otro punto,
por lo que es realmente un cambio en la energía potencial que importa.
Y sé que cuando estudiamos la energía potencial, parecía
como no hubo clase de una energía potencial absoluto, pero
eso es porque siempre asumimos que el potencial
energía de algo es cero en la superficie de la tierra y
que queremos saber la energía potencial relativo
la superficie de la tierra, por lo que sería tipo de, sabes,
lo lleve a tomar algo de cuánto trabajo la
¿superficie de la tierra a esa altura?
Pero realmente, nosotros deberíamos estar diciendo, bueno, el potencial
energía de gravedad--como no debería ser esta declaración, usted
saben, esto es sólo el absoluto
energía potencial de gravedad.
Deberíamos decir que esto es la energía potencial de gravedad
respecto a la superficie de la tierra es igual al trabajo
necesario mover algo, para mover esa misma masa, de
la superficie de la tierra a su posición actual.
Nosotros podríamos ha definido algún otro término que no es realmente
usado, pero nos podríamos haber dicho la energía potencial de gravedad
Chinese:
它经常用别的点作为参照
所以实际上 势能变化量很重要
我知道当我们学习势能的时候
看起来好像有一种绝对势能
但是这是因为我们经常假设
地球表面的物体
的势能是0
我们要算的势能
都是以地球表面作为参考
但是这就是 你们知道
把物体从地面带到
这个高度要做多少功?
但是实际上 我们可以说 哦
重力势能
这种描述不应该- 你们知道
这只是绝对重力势能
我们应该说相对于地面
重力势能等于
移动物体需要做的功
为了移动同样质量的物体
从地面到当前位置
我们可以定义一些没有用过的量
但是我们可以说
Korean:
언제나 다른 점에 기준을 두고 있다는 것입니다
우리가 생각하고 있던 것과는 다른 결과입니다
퍼텐셜에너지에 대해 배웠을 때
퍼텐셜에너지는 마치 절대적인 것처럼 보였지만
그것은 매번 계산할 때에
기준점을 지구의 표면으로 삼았기 때문입니다
지구의 표면에 대해서 상대적인 위치를 가진
물체의 퍼텐셜에너지를 구했었습니다
예를 들면 지구의 표면에서 특정 높이까지
물체를 들어 올리는 데에 필요한 일을 구하는 것이 있습니다
하지만 중력 퍼텐셜에너지는
아까 말한 것과 같이
그저 절대적인
중력 퍼텐셜에너지일 수만은 없습니다
우리가 구해왔던 중력 퍼텐셜에너지는
지구의 표면을 기준으로 가지는 위치의 물체를
다른 지구 표면에서의 위치로 움직일 때의
일의 크기입니다
다른 용어를 사용하여 정의할 수도 있지만
이를 지구 표면 5미터 아래에 해당하는
French:
se définit toujours en référence à un autre point.
C'est donc en fait un changement dans l'énergie potentielle qui est vraiment important.
Et je sais que quand on a étudié l'énergie potentielle,
Il y avait l'air d'y avoir une éenergie potentielle absolue,
mais c'est parce que nous avons toujours fait l'hypothèse,
que l'énergie potentielle valait 0 à la surface de la Terre.
et que nous voulions connaitre l'énergie potentielle relativement
à la surface de la Terre.
C'est comme se demander : "quel travail faudrait-il
pour déplacer quelque chose de la surface de la Terre à cette hauteur ?"
Mais en réalité, on devrait dire : "l'énergie potentielle de gravité
non pas absolue, comme cela, toute seule,
mais RELATIVE.
I faudrait dire : "c'est l'énergie potentielle de gravitation
relative à la surface de de la Terre, et elle est égale
au travail qu'il faut fournir pour déplacer une certaine masse,
de la surface de la Terre à sa position actuelle.
On aurait pu définir une autre référence, mais qui n'est pas très utilisée.
On aurait pu parler de l'énergie potentielle de gravitation
Turkish:
Ancak bir noktaya göre elektriksel PE tanımlanabilir.
Önemli olan PE'deki değişimdir.
PE değişmez, sabit bir enerji gibi görünebilir.
Bunun nedeni
PE' yi genelde dünya yüzeyini referans alarak hesaplamamızdandır.
Dünya yüzeyindeki cismin 0 PE'sinin olması
aslında dünya yüzeyine göre PE' sinin 0 olması demektir.
Böylece bir cismin belli bir yükseklikteki PE' si,
cismin o yüksekliğe çıkması için gerekli işi verir.
-
-
-
-
-
Dünyanın yüzeyine göre cismin gravitasyonal PE' si
cismi dünya yüzeyinden son konumuna getirmek için
yapılan işe eşittir.
-
-
Dünyanın 5m altına göre de PE ' yi hesaplayabiliriz.
Portuguese:
relativa a menos 5 metros abaixo da superfície da
Terra, e que esse seria o trabalho necessário para mover
alguma coisa de menos 5 metros para sua altura atual.
E, evidentemente, que pode ser importante.
E se cortássemos um buraco e quiséssemos ver qual é a
energia sinética aqui?
Então, essa energia potencial teria importância.
Então, eu só queria fazer essa revisão de energia
potencial, porque isso fará o "pulo" para energia potencial
elétrica e fará com que isso fique muito mais fácil, porque você
realmente verá que é basicamente a mesma coisa.
É apenas a fonte do campo e a fonte do
potencial, é uma coisa diferente.
...
Energia Potencial Elétrica, sabemos na verdade
que campos gravitacionais não são constantes, podemos assumir
que eles são constantes talvez próximos da superfície da Terra e
tudo isso, mas sabemos também que campos elétricos não são
constantes, e realmente eles tem formulas muito simples.
Mas só pra simplificar a explicação disso, vamos supor um
campo elétrico constante.
e se você não acredita em mim, que um pode ser construido,
iw:
ביחס לגובה של מינוס 5 מטר מתחת לפני
כדור הארץ, ולשאול מהי העבודה הדרושה כדי
להניע את הגוף ממינוס 5 מטר לגובהו הנוכחי.
וזה כמובן יכול היה להיות רלוונטי.
אם היינו חופרים בור והיינו רוצים לדעת
מהי האנרגיה הקינטית שם,
אז האנרגיה הפוטנצילית הזאת הייתה רלוונטית.
בכל מקרה, מה שרציתי זה שנעשה חזרה על
אנרגיה
פוטנצילית, כי זה יקל על המעבר לאנרגיה
פוטנצילית חשמלית. אתם תראו שזה
כמעט אותו הדבר.
רק שמקור השדה ומקור הפוטנציל
הם שונים.
אנו יודעים שהשדות הגרביטציוניים אינם
קבועים. ניתן להניח שהשדה הגרביטציוני
קבוע קרוב לפני כדור הארץ.
אנו גם יודעים ששדות חשמליים
אינם קבועים ושיש להם נוסחאות פשוטות.
אנו בכל זאת נניח שיש לנו שדה חשמלי
קבוע, כדי לפשט את העניינים.
אם אינכם מאמינים לי שניתן ליצור שדה חשמלי
Korean:
중력 퍼텐셜에너지라고 할 수도 있습니다
그렇다면 그것은 무언가를 마이너스 5미터부터 지금 높이까지
움직일때 필요할 일이 될 것입니다
그리고 물론 이게 문제가 될 수도 있습니다
만약 우리가 여기 구멍을 뚫어놓고
여기의 운동에너지를 알고싶다면
이런 상황이라면 그 퍼텐셜에너지는 문제가 됩니다
어쨌든 전기 퍼텐셜에너지에 대한 내용으로 넘어갈 때
여러분의 이해를 돕기 위해서
전 이 퍼텐셜에너지에 대해서 다시 검토해본 것이었습니다
실제로는 매우 흡사한 개념입니다
그저 장을 만들어내는 그 근원이
다를 뿐입니다
실제로 중력장은 일정하지 않고
물체가 지구의 표면에 가까울 때에
일정하다고 가정할 수 있습니다
전기장 또한 상수가 아닙니다
또한 굉장히 비슷한 공식을 가지고 있습니다
간단한 설명을 위해서
균일한 전기장이 있다고 합시다
만약 이런 것이 존재하는 게 불가능하다고 생각한다면
English:
relative to minus 5 meters
below the surface of the
Earth, and that would be the
work necessary to move
something from minus 5 meters
to its current height.
And, of course, that
might matter.
What if we cut up a hole and
we want to see what is the
kinetic energy here?
Well, then that potential
energy would matter.
Anyway, so I just wanted to do
this review of potential
energy because now it'll make
the jump to electrical
potential energy all that
easier, because you'll
actually see it's pretty
much the same thing.
It's just the source of the
field and the source of the
potential is something
different.
So electrical potential energy,
just actually we know
that gravitational fields are
not constant, we can assume
they're constant maybe near the
surface of the Earth and
all that, but we also know that
electrical fields aren't
constant, and actually they
have very similar formulas.
But just for the simplicity of
explaining it, let's assume a
constant electric field.
And if you don't believe me that
one can be constructed,
Czech:
vzhledem k minus 5 metrům
pod povrchem Země.
a to by byla práce potřebná k přesunu
něčeho z minus 5 metrů do současné polohy.
A na tom může záležet.
Co když vykrojíme díru a chceme
zjistit, jaká je tady kinetická energie?
No, pak by na této potenciální
energii záleželo.
Chtěl jsem zopakovat potenciální energii,
protože nyní přejdu k elektrické
potenciální energii mnohem snadněji,
protože uvidíte, že se jedná
o víceméně stejnou záležitost.
Liší se jen zdroj pole a zdroj potenciálu.
Elektrická potenciální energie...
Víme, že gravitační pole
nejsou konstantní,
můžeme předpokládat, že jsou konstantní
možná v blízkosti povrchu Země a tak,
také ale víme, že elektrická pole
nejsou konstantní,
a že vlastně mají
velmi jednoduché vzorečky.
Zjednodušme si situaci a předpokládejme,
že máme konstantní elektrostatické pole.
A pokud mi nevěříte,
že takové může být vytvořeno,
Thai:
เทียบกับลบ 5 เมตรใต้ผิว
โลก มันจะเท่ากับงานที่ต้องใช้ย้าย
อะไรสักอย่างจากลบ 5 เมตรถึงความสูงปัจจุบัน
และแน่นอน มันอาจสำคัญ
ถ้าเกิดเราขุดหลุมและเราอยากรู้ว่าพลังงาน
จลน์ตรงนี้เป็นเท่าใด?
พลังงานศักย์แบบนั้นจะสำคัญ
เอาล่ะ ผมแค่อยากทบทวนเรื่อง
พลังงานศักย์เพราะมันจะทำให้กระโดดไปเรื่อง
พลังงานศักย์ไฟฟ้าง่ายขึ้น เพราะคุณจะ
เห็นว่ามันคล้ายกันมาก
มันก็แค่แหล่งสนาม แหล่ง
ศักย์ที่ต่างออกไปบ้าง
พลังงานศักย์ไฟฟ้า เรารู้ว่า
สนามไฟฟ้าไม่คงที่ เราก็สมมุติว่า
พวกมันคงที่ใกล้ผิวโลกอะไรพวกนั้น
แต่เรายังรู้ว่าสนามไฟฟ้าไม่ได้
คงที่ และมันมีสูตรคล้ายกันมาก
แต่เพื่อความง่ายในการอธิบาย ลองสมมุติว่า
สนามไฟฟ้าคงที่ก่อน
แลถ้าคุณไม่เชื่อว่ามันสร้างได้
French:
relative à 5 mètres sous la surface de la Terre,
et cela aurait signifié : "le travail nécessaire pour déplacer
quelque chose de -5 m à sa hauteur actuelle".
Et bien sûr, cela pourrait être utile.
Si on creuse un trou et que l'on veut connaitre
l'énergie cinétique en ce point, par exemple.
Et bien cette énergie potentielle serait importante.
Bref, je voulais faire ce récapitulatif sur l'énergie potentielle
car maintenant ce sera bien plus simple de passer
à l'énergie potentielle électrique,
parce que vous allez voir qu'il s'agit presque de la même chose.
La différence ici, est que la source du champ et la source du potentiel sont différents.
La différence ici, est que la source du champ et la source du potentiel sont différents.
Nous savons en fait que le champ gravitationnel n'est pas constant dans l'espace,
mais on peut faire l'hyptohèse
qu'il est constant disons proche de la surface de la terre,
De la même façon, le champ électrique varie,
et il a une formule très simple qui régit sa variation.
Pour le moment, pour simplifier les choses, faisons l'hypothèse
que le champ électrique est constant.
Et si vous ne croyez pas qu'il est possible de construire un tel champ,
Chinese:
相对于地面下5米的重力势能
这个功应该是
从-5米移动到当前高度需要的功
当然 这可能有关
如果我们挖一个洞然后看一下
这里的动能是多少?
那么势能就有关系了
不管怎样 所以我只是想要
复习一下势能
因为现在能更容易直接跨越到
电势能了
因为实际上 它们看起来是非常接近的
它们是场的来源
或者别的势能的来源
所以电势能
实际上 我们知道重力场不是恒定的
或许接近地球表面的地方
我们可以假设它们是恒定的
但是我们也知道电场不是恒定的
实际上 我们有非常简单的公式
但是为了方便解释
我们假设一个恒定的电场
如果你们不相信这样的电场可以构造出来
你们可以看
Turkish:
O zaman cismin dünyanın 5m altından
son konumuna gelmesi için yapılan işi hesaplardık.
-
Şimdilik dünya yüzeyini referans alalım.
Buraya bir çukur açıp cismin buradaki kinetik enerjisine ne olur
sorusunu sorabiliriz.
O zaman buradaki PE'nin ne olduğu önem kazanırdı.
gravitasyonal PE konusunu tekrar ettik.
Şimdi elektriksel PE 'ye geçelim.
Bu ikisi birbirine çok benzer .
Bu iki enerjide değişen şey; alanların kaynağıdır.
Kaynağı oluşturan alan değişirse
o alan içindeki potansiyel enerjinin türü de değişir.
Gravtiasyonal alan dünyadan yakın yüksekliklerde
çok az değiştiği için sabit kabul edilir.
Aslında "g" uzaklığa bağlıdır.
Elektrik alan sabit değildir.
Formülü basittir.
Kolaylık olsun diye E alanı sabit kabul edeceğiz.
-
Eğer sabit E alan hakkında şüpheliyseniz
Spanish:
relativa a menos de 5 metros por debajo de la superficie de la
Tierra y sería el trabajo necesario para mover
algo de menos de 5 metros a su altura actual.
Y, por supuesto, que puede importar.
¿Qué pasa si cortamos un agujero y queremos ver lo que es la
¿energía cinética aquí?
Bien, entonces le importa esa energía potencial.
De todos modos, tan sólo quería hacer esta revisión del potencial
energía porque ahora podrá dar el salto a eléctrico
todo lo que más fácil, porque te vas de energía potencial
ver realmente es prácticamente la misma cosa.
Es sólo la fuente del campo y la fuente de la
potencial es algo diferente.
Energía potencial tan eléctrica, sólo realmente sabemos
que campos gravitacionales no son constantes, podemos asumir
eres constantes quizás cerca de la superficie de la tierra y
todo eso, pero también sabemos que no son campos eléctricos
constante y realmente tienen fórmulas muy simples.
Pero sólo por la simplicidad de explicarla, vamos a asumir una
campo eléctrico constante.
Y si no me creéis que uno puede construirse,
Bulgarian:
по отношение на минус 5 метра
под повърхността на Земята,
и търсим работата, нужна
за преместването
нещо от минус 5 метра
до сегашната му височина.
И разбира се, това може
да има значение.
Какво ще стане, ако издълбаем дупка
и искаме да намерим
кинетичната енергия в нея?
Тогава потенциалната енергия
ще е от значение.
Просто ми се искаше да преговорим
потенциалната енергия,
за да улесним прехода
към електрическата потенциална енергия.
Ще видиш, че всъщност
става въпрос за почти същото нещо.
Обаче източникът на полето
и източникът
на потенциала са различни неща.
За електрическата потенциална
енергия: вече знаем, че
гравитационните полета не са постоянни.
Можем да приемем, че
те са постоянни около
повърхността на Земята.
Знаем също, че
електричните полета не са
постоянни и имат доста
простички формули.
Само за да избегнем усложнения,
нека предположим,
че имаме постоянно
електрическо поле.
И ако не ми вярваш, че такова поле
може да се направи,
Chinese:
相對於地面下5米的重力勢能
這個功應該是
從-5米移動到當前高度需要的功
當然 這可能有關
如果我們挖一個洞然後看一下
這裡的動能是多少?
那麽勢能就有關係了
不管怎樣 所以我只是想要
複習一下勢能
因爲現在能更容易直接跨越到
電勢能了
因爲實際上 它們看起來是非常接近的
它們是場的來源
或者別的勢能的來源
所以電勢能
實際上 我們知道重力場不是恒定的
或許接近地表的地方
我們可以假設它們是恒定的
但是我們也知道電場不是恒定的
實際上 我們有非常簡單的公式
但是爲了方便解釋
我們假設一個恒定的電場
如果你們不相信這樣的電場可以構造出來
你們可以看
Portuguese:
você deve assistir aos meus vídeos que envolvem um pouco
de cálculo, que mostram que um campo elétrico uniforme pode ser
gerado por uma placa infinita uniformemente carregada.
Vamos dizer que esta seja a vista lateral de um plano uniformemente
carregado e vamos dizer que este
está positivamente carregado.
...
É claro que nunca se consegue uma vista lateral adequada de uma
placa infinita, por você nunca consegue cortá-lo,
porque é infinito em todas as direções, mas vamos dizer que
este é, e que esta é sua vista lateral.
Assim, antes de tudo, vamos pensar sobre seu campo elétrico.
Seu campo elétrico irá apontar para cima, e como
sabemos que ele aponta pra cima?
Por que o campo elétrico é essencialmente oque é -- e isto
é apenas uma convenção.
Oque uma carga positiva faria no campo?
Ora, se esta placa é positiva, uma carga positiva,
irá querer se afastar dela.
Então sabemos que o campo elétrico aponta para cima e sabemos que
iw:
קבוע, כדאי שתצפו בסירטונים בהם הראיתי,
בעזרת חשבון דיפרנצילי, שניתן ליצור שדה מגנטי
אחיד בעזרת מישור אינסופי הטעון בצורה אחידה.
נגיד שזה מבט הצד של מישור אינסופי
הטעון בצורה אחידה, ונגיד שהוא
טעון חיובית.
כמובן שלא ניתן לקבל מבט צד אמיתי
של מישור אינסופי, כי לא ניתן "לחתוך" אותו,
כי הוא אינסופי בכל הכוונים. בכל זאת, נגיד שזה
המישור, וזה מבט הצד שלו.
דבר ראשון, נחשוב על השדה החשמלי שלו.
השדה החשמלי יהיה מכוון כלפי מעלה, איך אנו
יודעים זאת?
כי לפי המוסכמה,
עלינו לשאול
מה יקרה למטען חיובי בשדה הזה.
מכיוון שהמישור טעון חיובית,
המטען החיובי יטה להתרחק ממנו.
זה אומר שהשדה החשמלי, לפי המוסכמה,
מכוון כלפי מעלה.
Czech:
měli byste se podívat na videa
s integrálním počtem,
která ukazují, že konstantní
elektrostatické pole může být vytvořeno
nekonečnou jednotně nabitou plochou.
Řekněme, že toto je boční pohled
na nekonečnou jednotně nabitou plochu
a řekněme, že tato je nabitá kladně .
Samozřejmě nikdy neuvidíte
pořádný bokorys nekonečné roviny,
protože ji nemůžete rozříznout,
je nekonečná ve všech směrech,
ale řekněme, že tady
toto je boční pohled.
Předně, přemýšlejme o elektrickém poli.
Elektrické pole bude směřovat nahoru.
A jak víme, že směřuje nahoru?
Protože elektrické pole je v podstatě...
jde jen o konvenci.
Co by dělal kladný náboj v poli?
Pokud je tato plocha kladná,
má kladný náboj,
bude se chtít dostat od ní pryč.
Víme, že elektrické pole směřuje nahoru a víme,
Spanish:
Usted debe ver mis videos que involucran un poco razonable
de cálculo que muestran que puede ser un campo eléctrico uniforme
generado por un plano infinito uniformemente cargado.
Digamos que esta es la vista lateral de un infinito uniformemente
cargar plano y digamos que esto
está cargado positivamente.
Por supuesto, nunca puede obtener una vista del lado correcto de un
infinito plano, porque no puede nunca, tipo de corte
porque es infinito en cada dirección, pero digamos que
Este es y esta es la vista lateral.
Así que ante todo, vamos a pensar en su campo eléctrico.
Su campo eléctrico va a punto hacia arriba, y cómo nos
¿sabe que apunte hacia arriba?
Porque el campo eléctrico es esencialmente lo es--y esto
es sólo una Convención.
¿Qué haría una carga positiva en el campo?
Así, si esta placa es positiva, una carga positiva,
vamos a querer alejarse.
Por lo que sabemos los puntos del campo eléctrico arriba y sabemos que
Turkish:
kanıtını, geçmiş videolarda
sonsuz büyüklükte yüklü levhanın E alanını hesaplarken yaptım.
Bu videoyu izleyebilirisiniz.
Bu sonsuz levhanın yandan görünüşü olsun.
Levhanın pozitif yüklü olduğunu kabul edelim.
-
Sonsuz levhanın şeklini tabiiki çizemeyiz
fakat siz, levhanın her yönde sonsuza uzandığını hayal edin.
-
Bu levhanın yandan görünüşü.
Önce levhanın E alanına bakalım.
E alanın yukarı yönde olduğunu nereden biliyoruz?
-
Böyle olması bir kabul.
-
Pozitif bir yük bu E alanda nasıl hareket eder?
Levha + yüklü, yük de + yüklü
öyleyse birbirlerinden uzaklaşırlar.
Buradan E alanın yukarı yönde olduğunu söyleyebiliriz.
Chinese:
恒定电场可以由
无限大均匀带电的平板形成
的视频
我们设这是
无限大均匀带电平板的侧视图
我们设这是正电荷
当然 你们不可能得到
一个无限大平面的侧视图 因为你们不能切割
因为它在每个方向上都是无限的
但是我们设就是这一个 这是侧视图
所以首先 我们想一下它的电场
它的电场应该是指向上方
我们怎么知道指向上方
因为电场实际上是
这只是惯例
在这个电场中 一个正电荷会怎样?
如果这个平板带正电 一个正电荷
它就会远离平板
所以我们知道电场向上 我们还知道
Thai:
คุณควรดูวิดีโอที่ต้องใช้แคลคูลัสนิดหน่อย
เพื่อแสดงว่าสนามไฟฟ้าสม่ำเสมอนั้นสร้างได้
จากแผ่นประจุสม่ำเสมอขนาดเป็นอนันต์
สมมุติว่านี่คือมุมมองด้านข้างของแผ่นประจุ
อนันต์ที่สม่ำเสมอ และสมมุติว่าอันนี้
มีประจุบวก
แน่นอน คุณไม่มีทางเห็นด้านข้างของ
ระนาบอนันต์จริงๆ ได้
เพราะคุณไม่สามารถตัดได้
มันเป็นอนันต์ทุกทิศทาง แต่สมมุติว่า
มันเป็นอย่างนี้ และนี่คือด้านข้าง
ก่อนอื่น ลองคิดถึงสนามไฟฟ้ากัน
สนามไฟฟ้าจะชี้ขึ้น และเรา
รู้ได้ยังไงว่ามันชี้ขึ้น?
เพราะสนามไฟฟ้าก็คือ -- นี่
คือธรรมเนียมนิยม
ประจุบวกทำอะไรในสนาม?
ถ้าแผ่นนี้เป็นบวก ประจุบวก
เราจะอยากไปจากมัน
เราจึงรู้ว่าสนามไฟฟ้าชี้ขึ้น และเรารู้ว่า
Korean:
약간의 수학으로 균일한 자기장이
균일하게 충전된 무한한 평면에 의해서
생성될 수 있다는 것을 보인
제 비디오를 찾아보시기 바랍니다
이 직선이 균일하게 충전된 무한한 평면을
옆에서 본 모습이라고 합시다
양으로 대전되어 있습니다
당연히 평면을 자르거나 할 수 없으므로
그 넓이가 무한한 평면의 측면을 볼 수 없습니다
모든 방향으로 무한히 뻗어있기 때문이죠
그래도 측면을 볼 수 있다고 합시다
가장 먼저 우리가 생각해 볼 것은 전기장입니다
전기장의 방향은 위쪽입니다
어떻게 알 수 있을까요?
전기장은 근본적으로
그저 약속이기 때문입니다
양으로 대전된 입자가 여기 있다면 어떻게 될까요?
만약 판이 양으로 대전되어 있다면
우리는 입자는 멀리 떨어지려고 한다고 생각하기로 했습니다
이제 우리는 전기장의 방향이 위라는 것을 알고
English:
you should watch my videos that
involve a reasonable bit
of calculus that show that a
uniform electric field can be
generated by an infinite
uniformly charged plane.
Let's say this is the side view
of an infinite uniformly
charged plane and let's
say that this
is positively charged.
Of course, you can never get
a proper side view of an
infinite plane, because you
can never kind of cut it,
because it's infinite in every
direction, but let's say that
this one is and this
is the side view.
So first of all, let's think
about its electric field.
It's electric field is going to
point upward, and how do we
know it points upward?
Because the electric field is
essentially what is-- and this
is just a convention.
What would a positive charge
do in the field?
Well, if this plate is positive,
a positive charge,
we're going to want to
get away from it.
So we know the electric field
points upward and we know that
Bulgarian:
прегледай клиповете ми, които
включват математически анализ.
Те показват, че постоянно електрично
поле може да бъде създадено
от безкрайна, еднородно
заредена плоча.
Да кажем, че тук виждаме
такава плоча отстрани
една безкрайна, равномерно
заредена плоча.
Да кажем, че тя
е с положителен заряд.
Разбира се, всъщност няма как
да погледнем отстрани,
защото няма как да я "срежем".
Все пак е безкрайна
във всяка една посока.
Но все пак приемаме, че гледаме
тази плоча отстрани.
Първо, да помислим
за електричното ѝ поле.
То ще сочи нагоре.
Откъде знаем това?
Това е просто условност
за електрическите полета.
Какво ще направи
положителният заряд в полето?
Ами, ако плочата е положителна,
тогава този положителен заряд
ще иска да се отдалечи от него.
Значи знаем, че електрическото поле
сочи нагоре, и знаем, че
French:
vous devriez regarder ma video qui fait appel à
un peu de calcul et qui montre qu'un champ électrique uniforme
peut être créé par un plan infini uniformément chargé.
Disons que c'est la vue de côté d'un plan infini uniformément chargé.
Disons que c'est la vue de côté d'un plan infini uniformément chargé.
Et disons qu'il est chargé positivement.
Bien sûr, on ne peut jamais avoir une vraie vue de côté
d'un plan infini, car on ne peut jamais vraiment le couper,
puisqu'il est infini dans toutes les directions,
Mais disons que c'est possible et que c'est la vue de côté.
Donc, tout d'abord, considérons sont champ électrique.
Son champ électrique va pointer vers le haut,
Mais comment savons nous qu'il pointe vers le haut ?
Parce que, par convention
la direction et le sens du champ électrique sont déterminés
par le mouvement qu'aurait une charge positive dans ce champ.
Donc, si ce plan est positif, une charge positive
va vouloir s'écarter de ce plan.
Donc nous savons que le champ électrique pointe vers le haut
Chinese:
恒定電場可以由
無限大均勻帶電的平板形成
的影片
我們設這是
無限大均勻帶電平板的側視圖
我們設這是正電荷
當然 你們不可能得到
一個無限大平面的側視圖 因爲你們不能切割
因爲它在每個方向上都是無限的
但是我們設就是這一個 這是側視圖
所以首先 我們想一下它的電場
它的電場應該是指向上方
我們怎麽知道指向上方
因爲電場實際上是
這只是慣例
在這個電場中 一個正電荷會怎樣?
如果這個平板帶正電 一個正電荷
它就會遠離平板
所以我們知道電場向上 我們還知道
Bulgarian:
е еднородно, и че ако това
са векторите на полето,
те ще имат еднакъв размер,
без значение колко далеч
сме от изпочника на полето.
Нека избера едно число за
силата на полето.
Всъщност, ние вече доказахме
в тези интересни клипчета
за еднородно електрично поле
на безкрайна, равномерно
заредена плоча, как можем
да пресметнем това.
Но да кажем просто, че
електричното поле е равно
на 5 нютона за кулон.
Това е доста силно поле, но
ни улеснява в изчисленията.
Та въпрсът ми е: колко работа
ни е нужна за
точков положителен заряд –
нека взема друг цвят
Да кажем, че това е
началната позиция.
Положителни 2 кулона.
Още веднъж, това е огромен
точков заряд, но
искаме лесни числа за пресмятане.
Korean:
균일하다는 것도 압니다
만약 이게 전기장의 벡터 성분이라면
이들은 모두 같은 크기를 가질 것입니다
전기장의 근원에서 아무리 멀리 떨어져도 말입니다
이 전기장의 세기를
선택해보도록 하겠습니다
실제로 우리는 그 멋진 비디오들에서
균일하게 대전된 무한한 평면의 전기장 또한
균일하다는 것을 증명했습니다
여기서의 전기장은 5라고 합시다
단위는 N/C입니다
이건 꽤 큰 숫자인 편입니다
여기서 제가 궁금한 것은 양으로 대전된 입자를 옮길 때에
들게 되는 일의 크기입니다--
다른 색을 선택하도록 하겠습니다
여기가 시작 위치라고 합시다
양의 값인 2C입니다
다시 한 번 말하지만 이는 매우 큰 값입니다
하지만 간단한 숫자이니 사용하겠습니다
iw:
הוא גם קבוע, על כן וקטורי השדה האלה
יהיו בעלי אותו אורך, ללא קשר למרחק
ממקור השדה.
אצייר כמה מווקטורי השדה,
כדי לסמן את עוצמתו.
בסירטונים שעשיתי בנושא השדה
החשמלי האחיד, שמקורו במישור אינסופי הטעון
בצורה אחידה, הראיתי איך ניתן לחשב אותו.
בואו נגיד שהשדה החשמלי הזה שווה
ל- 5 ניוטון פר קולון.
זה שדה חזק, אבל זה מפשט את החישובים.
השאלה היא: מהי העבודה הדרושה כדי לקחת
מטען חיובי - אבחר צבע אחר.
נגיד שזאת נקודת ההתחלה.
זה מטען חיובי בן 2 קולון.
זה מטען גדול, אבל אנו רוצים
חישובים פשוטים.
Chinese:
它是恒定的 如果畫上場向量
它們的長度應該相等
不管離場源有多遠
我要選一個數
來求出場的強度
實際上在一個無限大平板上産生均勻電場
的有趣影片中
我們已經證明了
怎麽把這算出來的
但是我們設
這個電場等於5牛頓每庫侖
這實際上非常強 但是讓計算簡單
我的問題是 一個正電荷- 要做多少功 我換個顏色
我們設這是開始的位置
這是一個+2庫侖的電荷
同樣的 這是個巨大的點電荷
但是我們想要簡單的數字
要把這個2庫侖的電荷在這個電場中移動3米
Thai:
มันคงที่ ถ้าพวกนี้เป็นเวกเตอร์สนาม
พวกมันจะมีขนาดเท่ากัน ไม่ว่าเรา
จะห่างจากแหล่งแค่ไหน
และผมจะเลือกเลขแทน
ความเข้มของสนาม
เราได้พิสูจน์ในวิดีโอยากๆ พวกนั้นที่ผมทำ
เรื่องสนามไฟฟ้าสม่ำเสมอของแผ่นอนันต์
ประจุสม่ำเสมอ
เราได้พิสูจน์ไปว่าคุณคำนวณค่าได้อย่างไร
แต่สมมุติว่าสนามไฟฟ้านี้เท่ากับ 5
นิวตันต่อคูลอมบ์
มันเข้มทีเดียว แต่มันทำให้คิดเลขง่าย
คำถามให้คุณคือว่า
มันต้องใช้งานเท่าใดเพื่อพา
จุดประจุบวกตัวหนึ่ง -- ขอผมเลือกอีกสีนะ
สมมุติว่านี่คือตำแหน่งเริ่มต้น
มันคือบวก 2 คูลอมบ์
เหมือนเดิม นี่คือจุดประจุที่มีค่ามาก
แต่เราอยากให้เลขมันง่าย
Portuguese:
é constante, que se estes fossem vetores de campo, que
eles seriam do mesmo tamanho, não importa o quão longe
fiquemos da fonte do campo.
E eu vou escolher um número para a
força do campo.
Na verdade provamos naqueles videos sofisticados que eu fiz sobre
o campo elétrico uniforme de um plano infinito, uniformemente
carregado, que de fato você pode calculá-lo.
Mas vamos simplesmente dizer que este campo elétrico é igual a 5
newtons por coulomb.
Isso é muito forte, mas torna a matemática fácil.
Então, minha pergunta pra você é: quanto trabalho é necessário para
para uma carga pontual positiva -- deixe-me escolher uma cor diferente.
...
Vamos dizer que esta é a posição inicial.
é de 2 Coulombs positivos.
Mais uma vez, essa é uma carga pontual, mas
queremos números fáceis.
English:
it's constant, that if these
were field vectors, that
they're going to be the same
size, no matter how far away
we get from the source
of the field.
And I'm just going to pick
a number for the
strength of the field.
We actually proved in those
fancy videos that I made on
the uniform electric field of an
infinite, uniformly charged
plane that we actually proved
how you could calculate it.
But let's just say that this
electric field is equal to 5
newtons per coulomb.
That's actually quite strong,
but it makes the math easy.
So my question to you is how
much work does it take to take
a positive point charge-- let
me pick a different color.
Let's say this is the
starting position.
It's a positive 2 coulombs.
Once again, that's a massive
point charge, but
we want easy numbers.
Czech:
že je konstantní,
že kdyby toto byly siločáry,
měly by stejnou velikost,
bez ohledu na to,
jak moc jsme se vzdálili od zdroje pole.
Vyberu nějakou hodnotu
pro intenzitu pole.
Dokázali jsme už, ve videích na elektrické
pole nekonečné, konstantně nabité roviny,
že se to dá spočítat.
Ale řekněme, že elektrické pole se rovná
5 newtonů na coulomb.
To je vlastně docela silné pole,
ale zjednoduší nám to počítání.
Moje otázka zní, kolik práce je třeba,
abychom vzali kladný náboj
...vyberu jinou barvu...
Řekněme, že tohle je počáteční pozice.
Plus 2 coulomby.
A znovu, je to veliký náboj,
ale chceme jednoduchá čísla.
Turkish:
Levha sonsuz olduğu için E alan sabittir.
Yani, E alan vektörleri kaynaktan uzaklığa bağlı olmadan
hep aynı büyüklüktedir.
E alan büyüklüğüne bir sayı verelim.
-
-
-
-
1 Coulomb başına 5 Newton düşsün, yani:
E = 5 N/C
Bu güçlü bir E alan demek.
-
-
Burası yükün başlangıç konumu.
yük = +2C diyelim.
-
Sorumuz şu:
Spanish:
es constante, que si estos eran vectores de campo, que
van a ser del mismo tamaño, no importa lo lejos
obtenemos de la fuente del campo.
Y voy a escoger un número para la
fuerza del campo.
Realmente demostramos en esos vídeos de fantasía que hice en
el campo eléctrico uniforme de un infinito uniformemente cargado
avión que realmente demostramos cómo podría calcularlo.
Pero digamos que este campo eléctrico es igual a 5
Newton por culombio.
Que es realmente muy fuerte, pero eso hace fácil las matemáticas.
Así que mi pregunta es lo lleve a tomar cuánto trabajo
una carga de punto positivo--me deja elegir un color diferente.
Digamos que esta es la posición inicial.
Es un positivo 2 coulombs.
Una vez más, que es una carga masiva de punto, pero
Queremos números fáciles.
Chinese:
它是恒定的 如果画上场向量
它们的长度应该相等
不管离场源有多远
我要选一个数
来求出场的强度
实际上在一个无限大平板上产生均匀电场
的有趣视频中
我们已经证明了
怎么把这算出来的
但是我们设
这个电场等于5牛顿每库仑
这实际上非常强 但是让计算简单
我的问题是 一个正电荷- 要做多少功 我换个颜色
我们设这是开始的位置
这是一个+2库仑的电荷
同样的 这是个巨大的点电荷
但是我们想要简单的数字
要把这个2库仑的电荷在这个电场中移动3米
French:
Et nous savons qu'il est constant. c'est-à-dire que si ce sont des vecteurs de champ.
Ils vont être de la même taille, peu importe leur distance
par rapport à la source du champ.
Et je vais juste prendre une valeur quelconque
pour la force du champ.
On a en fait prouvé dans ces fameuses vidéos que j'ai faites
sur le champ électrique d'un plan infini et chargé uniformément
que l'on pouvait calculer la valeur du champ.
Mais disons que ce champ électrique là vaut
5 Newtons par Coulomb.
C'est en fait plutôt intense, mais les maths en sont facilitées.
La question est donc : " combien de travail faut-il fournir
pour déplacer une charge positive-- laissez moi prendre une autre couleur
pour déplacer une charge positive-- laissez moi prendre une autre couleur
Disons que c'est la position de départ.
C'est une charge positive de 2 coulombs.
Encore ici, C,est énorme pour une charge,
mais nous voulons des nombre faciles.
Portuguese:
Quanto trabalho é necessário para mover esta carga de 2 Coulombs
por 3 metros dentro deste campo?
Quanto trabalho?
Então vamos começar a mover aqui e vamos movê-la para
baixo, por três metros em direção à placa, e sua posição
final vai ser bem aqui, certo?
É quando está terminado.
Quanto trabalho é necessário?
Bem, qual é a força do campo aqui?
Qual é a força exercida sobre esta carga de 2 Coulombs?
Bem, o campo elétrico é apenas força por carga, certo?
Então se você quiser saber a força do campo nesse
ponto -- deixe-me desenhar isso em uma cor diferente.
A força do campo agindo sobre ele, vamos dizer que a força do
campo... Ou melhor, que a força do campo é
igual a 5 Newtons por Coulomb vezes 2 Coulombs,
que é igual a 10 Newtons.
French:
"Combien de travail faut-il fournir pour déplacer cette charge de 2 coulombs
de 3 mètres dans ce champ électrique ?"
Combien de TRAVAIL?
Donc, on va commencer ici et on va la déplacer
vers le bas, vers le plan sur 3 mètres,
Et sa position finale sera juste ici.
Là c'est quand c'est terminé.
Combien de travail cela prend-il ?
Et bien, quelle est la force du champ à cet endroit ?
Quelle est la force exercée sur cette charge de 2 coulombs ?
Bon, Le champ électrique est une force par unité de charge, n'est-ce pas ?
Donc si on veut connaître la force du champ en ce point
--laissez moi prendre une autre couleur.
La force du champ agissant dessus,
va être égale à
5 Newtons par coulomb multiplié par 2 coulombs,
Ce qui donne 10 Newtons.
Chinese:
要做多少功?
多少功?
所以我們要從這裡開始
向下向著平板移動3米
它的結束點應該在這裡 對吧?
這是結束點
這樣做多少功?
這個場給的力是多大?
對2庫侖電荷的力是多大?
電場就是每庫侖電荷的力 對吧?
所以如果要求出這一點的電場力
我換個顏色畫一下
電場作用在它上面的力
所以我們設電場力 或者電場作用的力
實際上 這等於
5牛頓每庫侖乘以2庫侖
就等於10牛頓
我們已知方向向上
Chinese:
要做多少功?
多少功?
所以我们要从这里开始
向下向着平板移动3米
它的结束点应该在这里 对吧?
这是结束点
这样做多少功?
这个场给的力是多大?
对2库仑电荷的力是多大?
电场就是每库仑电荷的力 对吧?
所以如果要求出这一点的电场力
我换个颜色画一下
电场作用在它上面的力
所以我们设电场力 或者电场作用的力
实际上 这等于
5牛顿每库仑乘以2库仑
就等于10牛顿
我们已知方向向上
Thai:
มันต้องใช้งานเท่าใดเพื่อย้ายประจุ 2 คูลอบ์
ไปในสนามเป็นระยะ 3 เมตร?
งานเป็นเท่าใด?
เราจะเริ่มตรงนี้ และเราจะเลื่อนมัน
ลงไปยังแผ่น 3 เมตร และตำแหน่ง
จบของมันจะอยู่ตรงนี้ จริงไหม?
นั่นคือตอนที่เสร็จแล้ว
งานที่ทำเป็นเท่าใด?
แรงของสนามตรงนี้เป็นเท่าใด?
แรงที่กระทำต่ประจุ 2 คูลอมบ์นี้เป็นเท่าใด?
สนามไฟฟ้าก็แค่แรงต่อประจุ จริงไหม?
ถ้าคุณอยากรู้แรงของสนามที่จุด
นั้น -- ขอผมวาดอีกสีนะ
แรงของสนามที่กระทำต่อมัน
สมมุติว่าแรงสนาม
หรือแรงของสนาม จะ
เท่ากับ 5 นิวตันต่อคูลอมบ์คูณ 2 คูลอมบ์
ซึ่งเท่ากับ 10 นิวตัน
Turkish:
+2C yükünü bu E alan içinde
3m ilerletmek için yapılması gereken iş nedir?
-
Başlangıçta +2C buradaydı.
Levhaya doğru 3m aşağı ilerlettik.
Son konumu burası oldu.
-
Yapılan iş nedir?
-
+2C yüküne etki eden kuvvet ne?
E alanın birim yük başına düşen kuvvet olduğunu hatırlayın.
Eğer bu E alanda +2C yüküne uygulanan kuvveti
-
yani alan kuvvetini bulmak istersek
şu şekilde hesap yaparız:
F = (5N/C ) X (+2C)
F = 10 N bulunur.
Bulgarian:
Колко работа е нужна, за да преместим
този 2-кулонов заряд
на 3 метра в това поле?
Ще започнем тук и ще го преместим
на 3 метра надолу към плочата
и крайната му позиция
ще бъде ето тук, нали?
Тогава сме готови.
Колко работа е нужна?
Каква е силата на полето ето тук?
Каква е силата върху
този заряд от 2 кулона?
Електричното поле е просто силата,
умножена по заряда, нали?
Така че, ако търсим силата на полето в
тази точка –
ще я нарисувам с различен цвят.
Силата на полето,
което влияе върху нея,
всъщност ще бъде равна на
5 нютона за кулон по 2 кулона,
което е равно на 10 нютона.
Spanish:
Cuánto trabajo tarda para mover esa carga 2-coulomb
¿3 metros dentro de este campo?
¿Cuánto trabajo?
Así que vamos a empezar aquí y nos vamos a mover
hacia abajo hacia la placa de 3 metros, y está terminando
¿posición va a ser de derecha, la derecha?
Es entonces cuando se hace.
Trabajo ¿cuánto que llevan?
Bien, ¿cuál es la fuerza del campo aquí?
¿Cuál es la fuerza ejercida en este cargo 2-coulomb?
¿Bien, campo eléctrico es la fuerza justa por carga, derecha?
Así que si quieres saber la fuerza del campo en el que
punto--permítanme señalar en un color diferente.
La fuerza del campo actuando sobre él, así que vamos a decir el campo
fuerza, o la fuerza del campo, en realidad, va a
ser igual a 5 newtons por coulomb veces 2 coulombs,
que es igual a 10 newtons.
iw:
מהי העבודה הדרושה כדי להזיז את המטען בן 2
קולון לאורך 3 מטר בשדה הזה?
מהי העבודה?
נתחיל כאן ונזיז אותו
כלפי מטה, לאורך 3 מטר לכוון המישור.
הנקודה הסופית תהיה כאן, בסדר?
זאת הנקודה הסופית.
מהי העבודה הדרושה?
למה שווה הכוח שמפעיל כאן השדה?
מהו הכוח המופעל על המטען בן 2 קולון?
שדה חשמלי זה כוח ליחידת מטען, נכון?
אם אנו רוצים לדעת את הכוח שמפעיל השדה
בנקודה הזאת - אצייר זאת בצבע אחר.
הכוח שמפעיל השדה על המטען, נקרא לו הכוח
של השדה, יהיה שווה
ל- 5 ניוטון פר קולון, כפול 2 קולון.
זה שווה ל- 10 ניוטון.
English:
How much work does it take it to
move that 2-coulomb charge
3 meters within this field?
How much work?
So we're going to start here
and we're going to move it
down towards the plate 3
meters, and it's ending
position is going to be
right here, right?
That's when it's done.
How much work does that take?
Well, what is the force of
the field right here?
What is the force exerted on
this 2-coulomb charge?
Well, electric field is just
force per charge, right?
So if you want to know the force
of the field at that
point-- let me draw that
in a different color.
The force of the field acting on
it, so let's say the field
force, or the force of the
field, actually, is going to
be equal to 5 newtons per
coulomb times 2 coulombs,
which is equal to 10 newtons.
Korean:
2C의 전하를 이곳에서로부터
아래 방향으로 3m 움직일 때에
필요한 일의 크기는 얼마일까요?
우리는 여기서 시작해서
평면의 방향으로 3미터 움직이는 것입니다
그렇다면 여기까지 오겠습니다
이렇게 하기 위해서
얼마나 많은 일이 필요할까요?
우선 전기장이 주고 있는 힘의 크기가
얼마나 되는지 알아야합니다
2C만큼 대전되어 있는 입자에 주어지는
힘이 어느 정도입니까?
전기장은 전하량 분의 힘이므로
저 곳에서의 전기장에 의한 힘을 알고 싶다면
다른 색으로 그리도록 하겠습니다
전기장이 저기에 주고 있는 힘은
전기장의 값인 5 N/C에
저 입자의 전하량인 2 C을 곱한 값일 것입니다
그 값은 10N이 되겠습니다
Czech:
Kolik práce je potřeba
k přesunu tohoto náboje 2 coulombů
o 3 metry v rámci tohoto pole?
Kolik práce? Začneme tady a přesuneme ho
směrem dolů k desce o 3 metry
a konečná pozice bude tady.
Tady budeme mít hotovo.
Kolik práce je na to potřeba?
Jakou silou působí pole právě tady?
Jaká síla působí
na tento náboj 2 coulombů?
Intenzita elektrického pole
je právě síla na náboj, že?
Pokud chcete znát sílou,
kterou pole působí v tomto bodě...
...nakreslím to jinou barvou...
Síla pole, která na něj působí,
tato síla se bude rovnat
5 newtonů na coulomb krát 2 coulomby,
což se rovná 10 newtonů.
Turkish:
Kuvvetin yukarı yönde olacağını biliyoruz
çünkü aynı işaretli yükler birbirini iter.
Öyleyse alan kuvveti yukarı yönde 10N.
Bu da şu demek : +2C yükünü aşağı itmek istersek
yüke aşağı yönde 10N 'luk bir kuvvet uygulamak zorundayız..
-
-
Gravitasyonal PE' de olduğu gibi burada da
yükü hareket ettirmek için 10N 'dan biraz fazla kuvvet uygulamalıyız.
Böylece aşağı yönde çok az bir net kuvvet olur.
-
-
Fakat burada aşağı doğru F=10N alalım
ve bu kuvveti +2C yüküne 3m boyunca uygulayalım.
+2C yükünü, sonsuz levhanın E alanı içinde
3m ilerletmek için yapılan iş:
W = 10N X 3m denkleminden
30 Nm bulunur.
Bu da W = 30 joule demektir.
iw:
אנו יודעים שכוונו כלפי מעלה, כי מדובר
במטען חיובי, ובמישור אינסופי הטעון חיובית,
אז אנו יודעים שזהו כוח בן 10 ניוטון כלפי מעלה.
כדי לדחוף, או למשוך, את המטען הזה כלפי מטה,
במהירות קבועה, עלינו להפעיל כוח בן
10 ניוטון כלפי מטה, נכון?
כוח בן 10 ניוטון בכוון התנועה.
כמו שעשינו עם כוח הכובד, עלינו להפעיל כוח
קצת יותר גדול בהתחלה, כדי להאיץ אותו
במקצת ואז יש לנו כוח שקול כלפי מטה.
אך, לאחר מכן, עלינו לאזן את
הכוח כלפי מעלה בלבד.
כלומר, יש לנו כוח בן 10 ניוטון
כלפי מטה, ומפעילים את הכוח הזה לאורך מרחק
של 3 מטר, אז העבודה הנעשית על המטען בן 2
קולון, מכאן לכאן, העבודה שווה ל- 10 ניוטון - זה
הכוח - כפול 3 מטר.
העבודה שווה ל- 30 ניוטון-מטר,
שזה 30 ג'אול.
Czech:
Víme, že bude směřovat nahoru,
protože jde o kladný náboj
a toto je kladně nabitá, nekonečná deska,
takže víme, že to je síla 10 newtonů
a působí směrem nahoru.
Abychom dostali tento náboj,
stáhli ho dolů, stlačili tady dolů,
musíme v zásadě vynaložit
sílu 10 newtonů dolů, je to tak?
Působit silou 10 newtonů ve směru pohybu.
A samozřejmě, stejně
jako jsme to dělali s gravitací,
musíme toho udělat možná
ještě trochu víc pro zrychlení,
aby výsledná síla
působila dolů.
Jakmile to uděláte, musíte zcela vyvážit
sílu směrem nahoru.
Tak pro naše účely máte sílu
10 newtonů směrem dolů
a působíte touto silou
na vzdálenost 3 metrů.
Práce, kterou jste vykonali pro přemístění
náboje 2 coulombů odsud sem,
tato práce se bude rovnat 10 newtonů
– to je síla – krát 3 metry.
Práce se bude rovnat 30 newtonmetrů,
což se rovná 30 joulů.
English:
We know it's going to be upward,
because this is a
positive charge, and this is a
positively charged infinite
plate, so we know this is an
upward force of 10 newtons.
So in order to get this charge,
to pull it down or to
push it down here, we
essentially have to exert a
force of 10 newtons
downwards, right?
Exert a force of 10 newtons in
the direction of the movement.
And, of course, just like we did
with gravity, we have to
maybe do a little bit more than
that just to accelerate
it a little bit just so you have
some net downward force,
but once you do, you just have
to completely balance the
upward force.
So just for our purposes, you
have a 10-newton force
downward and you apply that
force for a distance of 3
meters, the work that you put to
take this 2-coulomb charge
from here to here, the work
is going to be equal to 10
newtons-- that's the force--
times 3 meters.
So the work is going to equal
30 newton-meters, which is
equal to 30 joules.
Bulgarian:
Знаем, че посоката ще е нагоре,
защото това е
положителен заряд, а това е
положително заредена безкрайна
плоча, така че знаем, че това е сила
от 10 нютона в посока нагоре.
За да вземем този заряд
и да го преместим надолу дотук,
трябва да приложим
сила от 10 нютона надолу, нали?
Прилагаме сила от 10 нютона
по посока на движението.
И, разбира се, точно както
при гравитацията, трябва
ни малко повече сила,
за да ускорим масата
преди да приложим
постоянна сила надолу,
но когато направим това, остава просто
да балансираме силата нагоре.
Разбрахме се, че взимаме
сила от 10 нютона
в посока надолу и трябва
да я приложим на разстояние 3 метра.
Работата, нужна за преместване
на този заряд 2 кулона от тук до тук
ще е равна на 10 нютона –
това е силата – по 3 метра.
Така че работата ще е равна
на 30 нютон-метра,
което пък е равно на 30 джаула
Portuguese:
Sabemos que ela será para cima, porque é uma
carga positiva, e esta é uma placa infinita com carga
positiva, então sabemos que é uma força de 10 Newtons para cima.
Afim de obter esta carga, de puxá-la para baixo ou
empurrá-la aqui para baixo, basicamente precisamos exercer uma
força de 10 Newtons para baixo, certo?
Exercer uma força de 10 Newtons na direção do movimento.
E, é claro, assim como fizemos com a gravidade, temos
talvez que fazer um pouco mais do que apenas acelerar
isso um pouco, só pra você ter alguma força resultante para baixo,
mas uma vez aplicada, você só tem que equilibrar completamente a força aplicada
para cima.
Bom, para os nossos propósitos, você tem uma força de 10 Newtons
para baixo e você aplica esta força por uma distância de 3
metros, o trabalho que você coloca para levar esta carga de 2 Coulombs
daqui até aqui, o trabalho será igual a 10
Newtons -- essa é a força -- vezes 3 metros.
Então a força será igual a 30 Newton Metros, que é
igual a 30 Joules.
Chinese:
因为这是个正电荷
这是个带正电的无限大平板
所以我们知道这是个向上的10牛顿
所以为了让这个电荷
向下拉或者推到这里
实际上我们要
给一下向下的10牛顿力 对吧?
向着移动方向用10牛顿的力
当然 就像是重力
我们可能要用略大于10牛顿的力
来让它稍微加速
这样就让它有向下的合力
但是一旦你们这么做
你们只要完全平衡向上的力
为了达到目的
你们要用向下用10牛顿的力
向下推动3米
把2库仑的电荷
从这里推到这里做的功 这个功等于10牛顿
就是这个力 乘以3米
所以这个功等于30牛・米
就是30焦耳
French:
Nous savons qu'elle sera dirigée vers le haut,
car c'est une charge positive, et c'est un plan infini chargé positivement.
Donc nous savons que c'est une force dirigée vers le haut de 10 Newtons.
Donc pour déplacer cette charge, pour la pousser ou
la tirer jusqu'ici, nous devons éxercer
une force de 10 Newtons.
Exercer une force de 10 Newtons dans la direction du mouvement.
Et, bien sûr, exactement comme avec la gravité, nous devons
pousser un tout petit peu plus que cela pour accélérer la charge
et avoir une force résultante vers le bas.
Mais au moment où on le fait, on doit contrebalancer
complètement la force vers le haut.
Donc, dans notre cas, nous avons une force de 10 newton
vers le bas et nous appliquons cette force sur 3 mètres.
le travail que l'on fournit pour déplacer cette charge
d'ici à là, est égal à
10 Newtons multiplié par 3 mètres.
Le travail va donc être égal à 30 Newtons-mètres,
Ce qui est égal à 30 Joules.
Chinese:
因爲這是個正電荷
這是個帶正電的無限大平板
所以我們知道這是個向上的10牛頓
所以爲了讓這個電荷
向下拉或者推到這裡
實際上我們要
給一下向下的10牛頓力 對吧?
向著移動方向用10牛頓的力
當然 就像是重力
我們可能要用略大於10牛頓的力
來讓它稍微加速
這樣就讓它有向下的合力
但是一旦你們這麽做
你們只要完全平衡向上的力
爲了達到目的
你們要用向下用10牛頓的力
向下推動3米
把2庫侖的電荷
從這裡推到這裡做的功 這個功等於10牛頓
就是這個力 乘以3米
所以這個功等於30牛・米
就是30焦耳
Korean:
이 입자가 위 방향으로 운동할 것임을 알 수 있습니다
왜냐하면 입자는 평면과 같이
양으로 대전되어 있기 때문입니다
따라서 벡터가 위를 향하고 10N의 크기를 가졌다는 것을
알 수 있습니다
여기서 대전된 입자를 아래로 잡아 당기거나
끌어 당기기 위해서는 우리는
10N만큼의 힘을 주어야 합니다
10N만큼의 힘을 이 방향으로 말입니다
중력을 배울 때에 했던 것과 마찬가지로
그저 입자를 가속하고 아래방향으로 힘을 주는 것보다는
무언가 더 해야합니다
이렇게 하고 나서
위 방향으로 주어지고 있는 힘에 대해서
평형을 가져야 합니다
이러한 목적으로 여러분은 10N만큼의 힘을
아래방향으로 3m만큼의 거리만큼 주어야 할 것입니다
이 2C짜리 전하를 여기서 아래로 이동시키기 위하여
주어야 할 일의 크기는 힘의 값인 10N에
거리의 값인 3m만큼 곱한 값이 되겠습니다
따라서 일의 크기는 30N·m이자
30J입니다
Thai:
เรารู้ว่ามันจะชี้ขึ้น เพราะนี่คือ
ประจุบวก และนี่คือแผ่นประจุบวกเป็นอนันต์
เราจึงรู้ว่านี่คือแรงชี้ขึ้น 10 นิวตัน
เพื่อให้ได้ค่าเปลี่ยนแปลงนี้ เพื่อดึงมันลงหรือ
เพื่อกดมันลงตรงนี้ เราต้องออกแรง
10 นิวตันในทิศลง จริงไหม?
ออกแรง 10 นิวตันในทิศที่เคลื่อนที่
แน่นอน อย่างที่เราทำกับความโน้มถ่วง
เราอาจต้อง
ออกแรงมากกว่านั้นนิดหน่อย เพื่อเร่ง
นิดหน่อย คุณจะได้มีแรงลัพธ์ในทิศลง
แต่เมื่อคุณทำไปแล้ว คุณต้องรักษาสมดุลกับ
แรงขึ้นโดยสมบูรณ์
ในที่นี้ คุณมีแรง 10 นิวตัน
ทิศลง และคุณออกแรงเป็นระยะทาง 3
เมตร งานที่คุณใส่ให้ประจุ 2 คูลอมบ์นี้
จากตรงนี้ถึงตรงนี้ งานจะเท่ากับ 10
นิวตัน -- นั่นคือแรง -- คูณ 3 เมตร
งานจึงเท่ากับ 30 นิวตัน-เมตร ซึ่ง
เท่ากับ 30 จูล
Spanish:
Sabemos va a ser hacia arriba, porque esto es un
carga positiva y esto es un infinito cargado positivamente
placa, por lo que sabemos es una fuerza ascendente de 10 Newton.
Así que para obtener este cargo, tirando de él hacia abajo o hacia
Empuje hacia abajo aquí, esencialmente tenemos que ejercer un
¿fuerza de 10 Newton hacia abajo, el derecho?
Ejercer una fuerza de 10 Newton en la dirección del movimiento.
Y, por supuesto, al igual que hicimos con gravedad, tenemos que
hacer tal vez un poco más que eso para acelerar
es un poco justo para que tenga cierta fuerza neta hacia abajo,
pero una vez lo hagas, sólo tienes que equilibrar completamente la
fuerza hacia arriba.
Así que para nuestros propósitos, tiene una fuerza de 10 newton
hacia abajo y aplicar esa fuerza para una distancia de 3
metros, el trabajo que pusiste para este cargo 2-coulomb
de aquí a aquí, el trabajo va a ser igual a 10
Newtons--que la fuerza--tiempos de 3 metros.
Así que el trabajo va a iguales 30 newton metros, que es
igual a 30 julios.
Chinese:
1焦耳就是1牛頓・米
所以現在我們可以說
因爲花費了我們30焦耳的能量
來把這個電荷從這裡移動到這裡
在這個恒定的電場中
這一點電荷的勢能
相對於這一點電荷的勢能
你們總是要選一個
勢能的基準點
所以相對於這一點的電勢能
這是電勢能
你們可以說相對於P1點 P2點的電勢能
我用了我自創的記號
但是這讓我們意識到這表示什麽
這等於30焦耳
這對我們有什麽幫助?
如果我們也知道這個質量
我們設這個電荷有質量
Bulgarian:
(джаулът е просто нютон-метър).
Сега можем да кажем, че
тъй като ни отнема 30 нютона енергия,
за да преместим заряда
оттук дотук в това постоянно
електронно поле, потенциалната
енергия на този заряд
е спрямо заряда тук.
Винаги трябва да избираш точка,
по отношение на която
е потенциала, така че
потенциалната електрическа енергия тук
по отношение на тук – можем да кажем
точка P2 по отношение на P1–
сам си измислям нотацията,
но така разбираш за какво говоря –
това е равно на 30 джаула.
А това как ни помага?
Ако освен това знаем и масата
– да кажем, че зарядът
има някаква маса –
iw:
ניוטון-מטר שווה לג'אול.
מכיוון שהשקענו אנרגיה של 30 ג'אול
כדי להניע את המטען מכאן לכאן, בתוך השדה
החשמלי האחיד הזה, אנו מדברים על האנרגיה
הפוטנצילית של המטען כאן, יחסית למטען כאן.
צריך לבחור תמיד נקודת ייחוס ביחס אליה
מחשבים את האנרגיה הפוטנצילית החשמלית.
זאת האנרגיה הפוטנצילית החשמלית ביחס לכאן.
אפשר לקרוא לזה P2 ביחס ל- P1. אני משתמש
בסימונים שהמצאתי, אך זה מסביר על מה
מדובר - זה שווה ל- 30 ג'אול.
במה זה עוזר לנו?
אם היינו יודעים את מסת המטען - נגיד
שלמטען הזה יש מסה מסוימת.
Chinese:
1焦耳就是1牛顿・米
所以现在我们可以说
因为花费了我们30焦耳的能量
来把这个电荷从这里移动到这里
在这个恒定的电场中
这一点电荷的势能
相对于这一点电荷的势能
你们总是要选一个
势能的参考点
所以相对于这一点的电势能
这是电势能
你们可以说相对于P1点 P2点的电势能
我用了我自创的记号
但是这让我们意识到这表示什么
这等于30焦耳
这对我们有什么帮助?
如果我们也知道这个质量
我们设这个电荷有质量
Portuguese:
1 Joule é apenas 1 Newton Metro.
E agora podemos dizer que uma vez que foi necessário 30 Joules de energia pra
mover essa carga daqui até aqui, que dentro deste campo
elétrico uniforme, a energia potencial da carga aqui é
relativa à carga aqui.
você sempre tem de escolher um ponto relativo onde o
potencial está, então energia potencial elétrica
aqui relativa à aqui e isso é energia potencial
elétrica, e você poderia dizer P2 relativo a P1 -- Eu estou usando a minha
notação inventada, mas isso lhe dá uma ideia do que
é -- é igual a 30 Joules.
E como isso poderia nos ajudar?
Bem, se também soubermos a massa -- digamos que esta
carga tenha alguma massa.
Czech:
Joule je to samé jako newtonmetr.
A tak teď můžeme říci,
protože jsme vydali 30 joulů do pohybu
tohoto náboje odsud sem,
že v rámci tohoto stejnoměrného
elektrického pole,
je potenciální energie tohoto náboje
vůči náboji zde
– vždycky musíte vybrat relativní bod
vzhledem k potenciálu –
pak elektrická potenciální energie
vzhledem k tomuto místu
Mohli byste říci P2 vzhledem k P1
– používám vymyšlená označení,
ale vy tušíte, o co jde –
se rovná 30 joulů.
A jak nám to pomůže?
No, pokud bychom znali také hmotnost
– řekněme, že tento náboj
má nějakou hmotnost –
Turkish:
Çünkü Joule = Newton X metre olarak tanımlanır.
+2C yükünü düzgün E elektrik alanın içinde
3m ilerletmek için 30 joule 'a ihtiyacımız var.
Ya da yük, başlangıçta 0 joule'a sahipken
son durumda 30 joule'luk bir enerjiye sahiptir diyebiliriz.
Bulduğumuz potansiyel enerjiler belli bir referans noktasına göredir.
Başlangıçtaki elektriksel PE, son durumdakine göre:
(bunlara P1 ve P2 diyelim)
(Bu notasyon anlama kolaylığı olsun diye uydurduğum birşey)
-
PE(P1'in P2'ye göre) = 30j olur.
Bu sonuç bize nasıl yarar sağlar?
+2C yükünün belli bir kütlesi vardır.
-
English:
A joule is just a
newton-meter.
And so we can now say since it
took us 30 joules of energy to
move this charge from here to
here, that within this uniform
electric field, the potential
energy of the charge here is
relative to the charge here.
You always have to pick a point
relative to where the
potential is, so the electrical
potential energy
here relative to here and this
is electrical potential
energy, and you could say P2
relative to P1-- I'm using my
made-up notation, but that gives
you a sense of what it
is-- is equal to 30 joules.
And how could that help us?
Well, if we also knew the mass--
let's say that this
charge had some mass.
Thai:
จูลก็คือนิวตันเมตร
แล้วเราบอกได้ว่า
เนื่องจากมันใช้พลังงาน 30 จูล
เพื่อเลื่อนประจุจากตรงนี้ถึงตรงนี้
ภายในสนามไฟฟ้าสม่ำเสมอนี้
พลังงานศักย์ของประจุตรงนี้
คือเทียบกับประจุตรงนี้
คุณต้องเลือกจุดเทียบกับตำแหน่ง
ของศักย์ พลังงานศักย์ไฟฟ้า
ตรงนี้เทียบกับตรงนี้ และนี่คือพลังงานศักย์
ไฟฟ้า คุณบอกได้ว่า P2 เทียบกับ P1
-- ผมจะใช้
สัญลักษณ์ที่ผมตั้งเอง แต่คุณคงเข้าใจว่า
มันคืออะไร -- มันเท่ากับ 30 จูล
แล้วมันช่วยเราได้อย่างไร?
ถ้าเรารู้มวลด้วย -- สมมุติว่าประจุนี้
มีมวล
French:
Un Joule est un Newton-mètre. C'est une énergie.
Et l'on peut maintenant dire puisque cela nous a pris 30 Joules d'énergie
pour déplacer la charge d'ici à là, que dans ce champ
électrique uniforme, l'énergie potentielle de la charge ici
relative à la charge là....
Il faut toujours prendre un point relatif à un potentiel donné,
donc l'énergie potentielle électrique
ici relativement à là, et c'est bien une énergie potentielle électrique,
Et on pourrait dire P2 relativement à P1-- j'utilise
une notation inventée, mais ça vous donne une idée de
ce que c'est-- est égale à 30 Joules.
Et comment cele peut-il nous aider ?
Et bien, si nous connaissions aussi la mass-- disons
que cette charge possède une masse.
Spanish:
Un joule es simplemente un newton metro.
Así que ahora podemos decir ya que tardamos 30 julios de energía
mover esta encargado de aquí a aquí, que dentro de este uniforme
campo eléctrico, la energía potencial de la carga aquí es
en relación con el cargo aquí.
Siempre tienes que elegir un punto con respecto a dónde la
potencial es, así la energía potencial eléctrica
aquí relativa aquí y esto es de potencial eléctrico
energía y usted podría decir P2 en relación con P1--estoy usando mi
notación confeccionada, pero le da un sentido de lo que
--es igual a 30 julios.
¿Y lo que nos podría ayudar?
Bueno, si también sabíamos que la Misa--digamos que este
carga tenía algo de masa.
Korean:
1 J은 1 N·m과 같습니다
자 이제 우리는 이 입자를 움직일 때에
30J만큼의 에너지가 든다는 것을 알 수 있었습니다
또한 이 균일한 전기장에 있는 입자의 퍼텐셜 에너지는
이곳에서와 상대적이라는 것도 알 수 있습니다
여러분이 말하는 퍼텐셜에너지는 언제나
다른 위치에서와 상대적인 값입니다
PE가 전기 퍼텐셜에너지라고 한다면
여기에 P2에 대해 상대적인 P1이라고 새길 수 있습니다
제가 만들어낸 표기법이지만
이 값에 대한 의미를 잘 나타내고 있습니다
이 값은 30J이 되겠습니다
이게 어떻게 도움이 될까요?
만약 우리가 질량 또한 알고 있었다고 합시다
이 입자가 질량을 가지고 있다고 가정하겠습니다
Chinese:
我們就知道 如果放開這個物體
過了一段時間它到了這裡 30焦耳應該
實際上 假設沒有能量
轉化成熱量或沒有阻力
我們知道所有的能量都轉化成了這一點的動能
所以實際上 我們可以算出來
我們設 它的質量是1kg
我們放開它 對吧?
我們用力把它帶到這裡 然後放開它
所以我們知道電場
會讓它向上加速 對吧?
會給它一個向上的5牛頓每庫侖的力
這個物體就會
不好意思 一直加速
直到這一點 對吧?
這一點的速度是多少?
所有的電勢能都轉化成了
動能
所以實際上 我們有30焦耳
Turkish:
Yükü, bulunduğu son konumda serbest bırakırsak ve
enerji kaybı olmadığını kabul edersek
-
-
yükün tüm enerjisi burada kinetik enerjiye dönüşmüş olur.
-
yükün kütlesini 1kg kabul edelim
ve bu noktadan serbest bırakalım.
Bu kütleyi buraya getirmek için bir kuvvet uygulamıştık
Şimdi buradan serbest bırakıyoruz.
E alan kütleyi yukarı yönde ivmelendirir.
E alanın 5N/C olduğunu kabul etmiştik.
-
kütle bu noktaya gelene kadar ivmelenir.
-
Bu noktadaki hızı ne olur?
Bütün elektriksel PE bu noktada kinetik enerjiye dönüşmüştür.
Bu da demek oluyor ki:
30j = kinetic enerji = 1/2 X mv^2
iw:
היינו יכולים לדעת שאם נשחרר את המטען, בזמן
שהוא מגיע לכאן, ובהנחה שאין שום התנגדות
ואנרגיה לא הופכת לחום, אנו יכולים לדעת
שכל האנרגיה הזאת נהפכת
לאנרגיה קינטית בנקודה הזאת.
ואז ניתן לחשב את מהירותו בנקודה.
בואו נגיד שהמטען הוא בעל מסה של 1 קילוגרם,
ואנו משחררים אותו, בסדר?
הפעלנו כוח מסוים כדי להביא אותו לכאן, ואז
משחררים אותו.
אנו יודעים שהשדה החשמלי יאיץ אותו
כלפי מעלה, נכון?
הוא יפעיל כוח בן 5 ניוטון לקולון,
כלפי מעלה, וזה
יאיץ את המטען עד
לנקודה הזאת, נכון?
מה תהיה מהירותו בנקודה הזאת?
כל האנרגיה הפוטנצילית החשמלית הזאת
תהפוך לאנרגיה קינטית.
אז יש לנו ש- 30 ג'אול יהיה שווה ל- 1/2m
French:
Nous saurions que si nous lâchons cet object,
dans le temps qu'il mettrait pour arriver là, 30 Joules aurait été dépensé
-- en admettant que rien n'aurait été dissipé en chaleur ou frottement--
Nous savons que tout serait converti en énergie cinétique à ce moment là.
Nous savons que tout serait converti en énergie cinétique à ce moment là.
En fait nous pourrions le calculer.
Disons qu'il a une masse de 1 kg
et que nous le lâchons simplement.
Nous avons utilisé un force pour l'amener ici et ensuit nous le lâchons.
Nous savons que le champ électrique va accélérer
l'objet vers le haut.
Il va exercer une force de 5 Newtons par coulomb vers le haut,
Et l'objet va continuer---
---continuer à accélérer jusqu'à
ce point.
Quelle sera la vitesse en ce point ?
Toute cette énergie potentielle électrique va
être convertie en énergie cinétique.
Donc, nous avons ; 30 Joules qui doivent être égaux à
Bulgarian:
знаем, че ако пуснем
този предмет, до момента,
в който той стигне тук,
тези 30 джаула ще бъдат
кинетичната енергия в тази точка
(приемаме, че никаква част от
енергията не се е трансформирала
в топлина или съпротивление или подобно),
цялата енергия ще се превърне
в кинетична енергия.
Всъщност това ни е достатъчно.
Да кажем, че масата е 1 килограм и
просто ще я пуснем, нали така?
Използваме сила, за да дойде
дотук и после пускаме.
Знаем, че електричното
поле ще я накара
да се ускори нагоре, нали ?
Ще упражни сила
от 5 нютона за кулон в
посока нагоре и предметът
ще продължи да се ускорява,
докато достигне тази точка, нали?
Каква ще бъде скоростта му
в тази точка?
Цялата тази електрична
потенциална енергия
ще се превърне в кинетична енергия.
30 джаула ще бъдат равни на
Spanish:
¿Sabemos que si dejamos ir de este objeto, por el tiempo
llegó aquí, que 30 julios sería--esencialmente
Suponiendo que ninguno consiguió transmitir al calor o
resistencia o lo que sea--sabemos que todo sería
en este punto la energía cinética.
De hecho, que pudiéramos trabajar.
Supongamos que esto tiene una masa de 1 kilogramo y nos
¿fueron sólo desprenderte de él, correcto?
Utilizamos alguna fuerza para traerlo aquí abajo, y luego deje que vamos.
Sabemos que el campo eléctrico va a acelerar
¿es hacia arriba, a la derecha?
Va a ejercer una fuerza hacia arriba de 5 newtons por
Coulomb y va la cosa mantener [toses]--
Perdone--mantener acelerando hasta que obtiene
¿a este punto, correcto?
¿Qué va a ser en ese momento su velocidad?
Bueno, toda esta energía potencial eléctrica va a
se convierte en energía cinética.
Tan esencialmente, tenemos 30 julios va a ser igual a
Chinese:
我们就知道 如果放开这个物体
过了一段时间它到了这里 30焦耳应该
实际上 假设没有能量
转化成热量或没有阻力
我们知道所有的能量都转化成了这一点的动能
所以实际上 我们可以算出来
我们设 它的质量是1kg
我们放开它 对吧?
我们用力把它带到这里 然后放开它
所以我们知道电场
会让它向上加速 对吧?
会给它一个向上的5牛顿每库仑的力
这个物体就会
不好意思 一直加速
直到这一点 对吧?
这一点的速度是多少?
所有的电势能都转化成了
动能
所以实际上 我们有30焦耳
Korean:
만약 우리가 여기서 이 입자를 놓는다면
여기까지 왔을 때에 30J이--
에너지가 열로 변하지 않고 마찰이 없다고 가정할 때에
--30J만큼의 에너지가
여기 와서는 운동 에너지로 변환될 것입니다
이 입자가 1kg만큼의 질량을 가지고 있고
이 위치에서 그냥 입자를 놓을 것입니다
아까는 입자를 여기까지 내리는 데에 힘을 사용하였고
지금은 놓아버릴 것입니다
놓았을 때에 전기장이 이 입자를 위 방향으로
가속시킬 것입니다
전기장은 5N/C만큼의 힘을 위로 작용할 것이고
또한 이 물체는 계속--
죄송합니다--이 지점에 도달할 때까지
계속 가속할 것입니다
이 지점에 도달했을 때에 속도는 얼마나 될까요?
아까 구했던 전기 퍼텐셜 에너지가
운동 에너지로 전환되는 것입니다
간단히 말해서 30J이
English:
We would know that if we let go
of this object, by the time
it got here, that 30 joules
would be-- essentially
assuming that none of it got
transmitted to heat or
resistance or whatever-- we know
that all of it would be
kinetic energy at this point.
So actually, we could
work it out.
Let's say that this does have
a mass of 1 kilogram and we
were to just let go
of it, right?
We used some force to bring it
down here, and then we let go.
So we know that the electric
field is going to accelerate
it upwards, right?
It's going to exert an upward
force of 5 newtons per
coulomb, and the thing's going
to keep [COUGHS]--
excuse me-- keep accelerating
until it gets
to this point, right?
What's its velocity going
to be at that point?
Well, all of this electrical
potential energy is going to
be converted to kinetic
energy.
So essentially, we have 30
joules is going to be equal to
Thai:
เราก็รู้ว่าถ้าเราปล่อยวัตถุนี้ไป เมื่อมัน
มาถึงตรงนี้ 30 จูลนั้นจะ --
สมมุติว่ามันไม่กลายเป็นความร้อน
หรือแรงต้านทาน หรืออะไร --
เรารู้ว่าทั้งหมดนั้นจะ
เป็นพลังงานจลน์ที่จุดนี้
ที่จริง เราหาได้
สมมุติว่าวัตถุนี้มีมวล 1 กิโลกรัมและเรา
อยากปล่อยมันไป จริงไหม?
เราใช้แรงเพื่อดึงมันลงตรงนี้
แล้วเราปล่อยมันไป
เรารู้ว่าสนามไฟฟ้าจะเร่ง
มันขึ้น จริงไหม?
มันจะออกแรงขึ้น 5 นิวตันต่อ
คูลอมบ์ และอันนี้จะ [เสียงไอ] --
โทษที -- เร่งต่อไปกระทั่ง
ถึงจุดนี้ จริงไหม?
ความเร็วจะเป็นเท่าใด ณ จุดนั้น?
พลังงานศักย์ไฟฟ้าทั้งหมดนี้จะ
แปลงเป็นพลังงานจลน์
ที่สุดแล้ว เราได้ 30 จูลเท่ากับ
Czech:
věděli bychom, že pokud
tento předmět pustíme,
tak v okamžiku, kdy by se dostal sem,
by 30 joulů bylo
– za předpokladu, že se nic z toho
nepřeměnilo v teplo, odpor nebo cokoliv –
víme, že toto by byla
kinetická energie v tomto bodě.
A to bychom vlastně mohli spočítat.
Řekněme, že toto má hmotnost 1 kilogram
a my to pustíme, ano?
Působili jsme silou, abychom to
stlačili dolů, pak jsme to pustili.
Víme, že elektrické pole to zrychlí
směrem nahoru, že?
Bude působit silou nahoru
5 newtonů na coulomb
a ta věc bude zrychlovat,
dokud se nedostane do tohoto bodu, že?
Jaká bude rychlost v tomto bodě?
Celá tato elektrická potenciální energie
bude přeměněna na kinetickou.
Portuguese:
Saberiamos que se soltássemos esse objeto, no momento
em que ele chegasse aqui, esses 30 Joules seriam -- Essencialmente
Assumindo que nada disso foi transmitido para o
calor ou qualquer outra coisa -- sabemos que tudo isso seria
energia cinética nesse ponto.
Então na verdade, poderíamos trabalhar com isso.
Vamos dizer que isso de fato tem uma massa de 1 quilograma e fossemos
soltá-lo, certo?
Usamos uma força para trazê-lo aqui pra baixo, e então o soltamos.
Sabemos que o campo elétrico vai acelerá-lo para
cima, certo?
Ele vai exercer uma força para cima de 5 Newtons por
Coulomb, e a coisa vai continuar
-- desculpe-me -- continuar acelerando até que ela chegue
neste ponto, certo?
Qual será sua velocidade neste ponto?
Toda a energia potencial elétrica será
convertida em energia cinética.
Então essencialmente, 30 Joules será igual a
Chinese:
就等于1/2mv方 对吧?
我们知道质量 我设是1
所以60等于v方
所以速度等于根下60
所以就是7点几
米每秒
所以如果我只是把电荷拉下来
它的质量是1千克 松开
它就会加速 速度非常快
一旦它到了这一点
不管怎样 这个视频12分钟了
所以下个视频继续 但是希望
这能给你们一种电势能是什么的感觉
实际上 和重力势能
没什么不一样的
只是场的源不一样
再见
Spanish:
¿cuadrado de 1/2 mv, derecho?
Sabemos que la masa, dije, es 1, por lo que obtener 60 es igual a v
cuadrado, por lo que la velocidad es la raíz cuadrada de 60, por lo que es
punto 7 algo, algo, algo metros por segundo.
Así que si tire esa carga hacia abajo, y tiene una masa de 1
kilogramo y me deje ir, sólo va a acelerar y
va bastante rápido una vez se llega a este punto.
De todas formas, soy 12 minutos en este video, por lo que voy a seguir
en la siguiente, pero ojalá, le da un sentido de lo que
energía potencial eléctrica es, y realmente, tiene ninguna
diferente de la energía potencial gravitatoria.
Es sólo la fuente del campo es diferente.
Nos vemos luego.
Korean:
½m·v²과 같습니다
질량 m은 이미 알고 있든시 1kg입니다
60이 m·v²과 같으므로
속도 v는 60의 제곱근과 같습니다
그 값은 7.xxx m/s가 될 것입니다
따라서 제가 만약 질량이 1kg인 저 입자를
아래로 잡아 당기고
다시 놓는다면
입자는 가속할 것이고
이 지점까지 도달했을 때는
꽤 커다란 속도를 가지게 될 것입니다
아무튼 영상이 12분이 넘어갔기 때문에
다음에 계속하겠습니다
또한 전기 퍼텐셜에너지가 정말로
중력 퍼텐셜에너지와 다를 것이 없고
이건 그냥 근원이 다를 뿐이라는 것을
이해하셨으면 좋겠습니다
조만간 또 봅시다
French:
1/2.m.v² .
Nous connaissons la masse, 1 kg, donc nous avons :
60 = v² , la vitesse est donc la racine carrée de 60,
C'est donc 7 virgule quelque chose mêtres par secondes.
Donc, si je tire cette charge vers le bas, et qu'elle a une masse de 1 kg,
et que je la lâche, elle va accélérer
et elle sera plutôt rapide arrivée en ce point.
Bref, je suis déjà à 12 minutes dans cette vidéo, donc je vais continuer
dans la prochaine, mais j'espère que cela vous donne une idée
de ce qu'est l'énergie potentielle électrique.
Et vraiment, ce n'est pas si différent de l'énergie potentielle gravitationnelle.
C'est seulement la source du champ qui est différente.
À bientôt !
Chinese:
就等於1/2mv方 對吧?
我們知道質量 我設是1
所以60等於v方
所以速度等於根下60
所以就是7點幾
米每秒
所以如果我只是把電荷拉下來
它的質量是1千克 松開
它就會加速 速度非常快
一旦它到了這一點
不管怎樣 這個影片12分鍾了
所以下個影片繼續 但是希望
這能給你們一種電勢能是什麽的感覺
實際上 和重力勢能
沒什麽不一樣的
只是場的源不一樣
再見
iw:
כפול v בריבוע, נכון?
אנו יודעים שהמסה היא 1, אז מקבלים ש- 60 שווה
ל- v בריבוע, אז המהירות שווה לשורש הריבועי
של 60 שהוא בערך 7.7 מטר לשנייה.
בסיכום, אם אמשוך את המטען כלפי מטה, ומסתו
1 קילוגרם, ואשחרר אותו, הוא יאיץ
למהירות די גבוהה ויגיע לנקודה הזאת.
בכל אופן, הסירטון הזה התארך ל- 12 דקות. אמשיך
בבא אחריו. אני מקווה שזה נתן לכם תחושה מהי
אנרגיה פוטנצילית חשמלית, שאינה שונה
מאנרגיה פוטנצילית כובדית.
רק מקור השדה שונה.
נתראה בקרוב.
Bulgarian:
½mv на квадрат, нали?
Казахме, че масата е 1, така че
60 е равно на v на квадрат,
или скоростта е корен квадратен от 60,
така, че е 7 цяло и нещо метра в секунда.
Ако дръпна този заряд от 1 кг надолу...
И после го пусна, той ще се ускори
И ще се движи доста бързо,
докато достигне тази точка.
Както и да е, вече минаха
12 минути, така че
ще продължим в следващия клип.
Но дано ти стана ясно
какво е електрическа
потенциална енергия.
Наистина, не е толкова различна от
гравитационната потенциална енергия.
Просто източникът на полето е различен.
До скоро!
Portuguese:
um meio de "m" vezes "v" ao quadrado, certo?
Sabemos que a massa, eu disse, é 1, então nós obtemos 60 é igual a "v"
ao quadrado, então a velocidade é a raiz quadrada de 60, que é
7 "ponto alguma coisa" metros por segundo.
Então se eu apenas puxasse essa carga para baixo, e ela tem uma massa de 1
quilograma, e eu a solto, ela vai acelerar e
estar indo bem rápido, uma vez que ela chegue até este ponto.
Enfim, faz 12 minutos que estou nesse video, então eu vou continuar
no próximo, mas eu espero que isso lhe dê uma ideia do que
é energia potencial elétrica, e realmente não é
diferente de energia potencial gravitacional.
Apenas a fonte do campo que é diferente.
Até breve.
...
English:
1/2 mv squared, right?
We know the mass, I said, is 1,
so we get 60 is equal to v
squared, so the velocity is the
square root of 60, so it's
7 point something, something,
something meters per second.
So if I just pull that charge
down, and it has a mass of 1
kilogram, and I let go, it's
just going to accelerate and
be going pretty fast once
it gets to this point.
Anyway, I'm 12 minutes into this
video, so I will continue
in the next, but hopefully, that
gives you a sense of what
electrical potential energy
is, and really, it's no
different than gravitational
potential energy.
It's just the source of the
field is different.
See you soon.
Czech:
V podstatě máme 30 joulů a to
se bude rovnat 1/2 mv na druhou, že?
Známe hmotnost, řekl jsem, že je to 1,
dostáváme 60 se rovná rychlost na druhou,
takže rychlost se rovná odmocnina ze 60,
to je 7 celých něco, něco, něco metrů za sekundu.
Takže pokud přitáhnu tento náboj dolů,
a má hmotnost 1 kilogram,
a pak ho pustím, zrychlí
a bude se pohybovat pěkně rychle,
když se dostane sem.
Tohle video má už 12 minut,
tak budu pokračovat v dalším.
Ale doufám, že vám to pomohlo pochopit,
co je elektrická potenciální energie
a že se neliší se od gravitační potenciální energie.
Jen zdroj pole je jiný.
Na shledanou.
Turkish:
-
m =1kg almıştık öyleyse hızı hesaplayabiliriz.
v^2 = 60 bulunur.
yaklaşık 7,.....m/s
Eğer 1kg'lık +2C yükünü bir miktar aşağı itersem
sonra da serbest bırakırsam
yükün ivmelenerek bu noktaya geldiğini gözlemlerim.
Bu videonun süresi doldu sayılır.
Umarım elektriksel PE' nin
gravitasyonal PE' den çokta farklı olmadığını anlatabilmişimdir.
İkisinin birbirinden ayıran
alaları oluşturan kaynakların farklı olması.
Gelecek videoda görüşmek üzere !
Thai:
1/2 mv กำลังสอง จริงไหม?
เรารู้ว่ามวล ผมบอกไปว่าคือ 1
เราจึงได้ 60 เท่ากับ v
กำลังสอง ความเร็วจึงเท่ากับ
รากที่สองของ 60 มันก็คือ
7 จุดอะไรสักอย่าง เมตรต่อวินาที
ถ้าผมดึงประจุนั้นลงมา และมันมีมวล 1
กิโลกรัม แล้วผมปล่อยมัน มันจะเร่งและ
เร็วมากทีเดียวเมื่อผ่านจุดนี้ไป
เอาล่ะ ผมใช้เวลาไป 12 นาทีแล้ว ผมจะมาต่อ
ในวิดีโอหน้า ให้คุณเข้าใจว่า
พลังงานศักย์ไฟฟ้าคืออะไร
และจริงๆ แล้ว มันไม่ได้
ต่างจากพลังงานศักย์โน้มถ่วงนัก
แค่แหล่งของสนามต่างกันเท่านั้นเอง
แล้วพบกันครับ
| {
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Portuguese:
17 de janeiro de 2003
Norte de Londres
Um dia de inverno úmido
Eu ouço crianças brincando no jardim ao lado do meu
Bolhas de sabão flutuam no ar
Ela é linda naquela noite
nos abraçamos
até o sol se pôr
Seu cheiro me intoxica
Do nada, ela faz uma desculpa e sai
Eu sinto que ela tem medo de algo, mas
ela não está disposta a falar
Fico impaciente
Eu nem sei que estou gritando
O som está ao meu redor agora
Ressoando ainda
Como o zumbido do começo do universo
e quando chego aos meus sentidos
ela se foi
English:
17th January, 2003
North London
A wet winter's day
I hear children playing in the garden next to mine
Soap bubbles float through the air
She is beautiful that evening
we hold each other close
until the sun goes down
Her smell intoxicates me
Out of nowhere, she makes an excuse and leaves
I sense that she is afraid of something but
she is not willing to talk
I get impatient
I don't even know I'm screaming
The sound is around me now
Resonating still
Like the hum from the beginning of the universe
and when I come to my senses
she is gone
German:
17. Januar. 2003
Nord London
Ein nasser Wintertag
Ich höre Kinder spielen im Garten nebenan
Seifenblasen schweben durch die Luft
Sie ist schön an diesem Abend
Wir halten einander fest
bis die Sonne untergeht
Ihr Geruch betäubt mich
Aus dem nichts erfindet sie Ausreden und geht
Ich spüre, sie fürchtet etwas
aber sie will nicht darüber rden
Ich werde ungeduldig
Ich weiß nicht mal, das ich schreie
Der Klang ist noch um mich
er verklingt
wie ein Summen vom Anfang des universums
Und wenn ich zu Sinnen komme
ist sie weg
German:
Hast Du vom Quatum Suizid Experiment gehört?
Ein Physiker
Sitzt in einem Stuhl
Mit einer Pistole am Kopf
Die Pistole is mit einer Machine verbunden
die die Eigendrehung der Quantenpartikel misst
Immer wenn der Abzug gedrückt wird
wird das gemessen
Und abhängig von den Messungen
Feuert die Pistole
oder nicht
Wenn das Partikel sich im Uhrzeigersinn dreht
Die Pistole wird feuern
wenn es sich gegen den Uhrzeigersinn dreht, wird es nicht
aber
vom Blickwinkel des lebenden Physikers
gibt es nur einen einzigen Klick
und die Pistole geht nie los
Portuguese:
Você já ouviu falar do Experimento de Suicídio Quântico?
Um físico
Senta-se em uma cadeira
com uma arma apontando para a cabeça
e a arma está ligada a uma máquina
que mede o spin de uma partícula quântica
cada vez que o gatilho é puxado
uma medida é tomada
e dependendo desta medida
a arma ou dispara
ou não
se a partícula girar no sentido horário
a arma vai disparar
Considerando que se ele gira no sentido anti-horário, não vai
mas...
do ponto de vista do físico vivo
há sempre apenas um clique
e a arma nunca se apaga
English:
Have you heard of the Quantum Suicide Experiment?
A physicist
Sits in a chair
with a gun pointing at his head
and the gun is attached to a machine
that measures the spin of a quantum particle
each time the trigger is pulled
a measurement is taken
and depending on this measurement
the gun either fires
or it doesn't
if the particle spins clockwise
the gun will fire
whereas if it spins counterclockwise, it won't
but...
from the living physicist's point of view
there's only ever a click
and the gun never goes off
German:
Also, warum Quantum Suizid?
Was meinst Du?
Wenn der Physiker niemals Stirbt, ist es kein Suizid.
Weil jedersmal, wenn das experiment läuft
teilt sich das Universum in Zwei
Eines, in dem der Physiker stirbt
Und der andere, wo er lebt
Aus der lebenden Physiker Sicht ist es immer nur ein Klick
Aber in allen anderen Universen...
gibt es einen toten Körper
Willst du diese Session über Arbeit reden?
Habe ich gesagt, das sei Arbeit
Willst du jetzt über dieses Thema reden?
Ich dachte Du findest das interessant.
So lang es dir hilft
Es hilft mir absolut nicht
Sollen wor das Thema wechseln
Das interessiert dich nen Dreck, oder?
Ehrlich, geagt, ich denke Du gehst besser die Thema an die dir Probleme machen.
Erkenne ich...
ein wenig Spannung in der Luft, Dr. David?
Portuguese:
Então, por que o suicídio quântico?
O que você quer dizer?
Se o físico nunca morre, não é suicídio
porque toda vez que o experimento é executado
o universo...
se divide, em 2
1 em que o físico morre
e o outro onde ele mora
do ponto de vista dos físicos vivos, só há um clique
mas em todos os outros universos ...
há um cadáver
Você quer usar esta sessão para falar sobre o trabalho?
Eu disse que isso foi trabalho?
Você quer falar sobre este assunto agora?
Achei que você acharia interessante
Contanto que você ache útil
Eu não acho nada útil
Então, vamos mudar de assunto?
Você honestamente dá uma merda?
Honestamente, acho que seria melhor você resolver os problemas que estão causando problemas
Eu detecto ..
um pouco de tensão no ar, doutor David?
English:
So why quantum suicide?
What do you mean?
If the physicist never dies, it's not suicide
because every time the experiment is run
the universe...
splits off, into 2
1 in which the physicist dies
and the other where he lives
from the living physicists point of view, there's only ever a click
but in all the other universes...
there's a dead body
Do you want to use this session to talk about work?
Did I say this was work?
Do you want to talk about this subject now?
I thought you'd find it interesting
As long as you find it helpful
I don't find it helpful at all
So shall we change the subject?
Do you honestly give a shit?
Honestly, I think you'd be better off addressing the issues that are causing you problems
Do I detect..
a little tension in the air, Dr David?
German:
Karl
Zunehmend
Du untergraben die Konstruktivität Ihrer Sessions mit mir
und das wird deinen Fortschritt bremsen
oh je
Tut mir leid.
Vielleicht sollte ich versuchen, ein besserer Patient zu sein.
Vielleicht etwas mehr wie Rene
Eigentlich, ich dachte
gerade
warum komme ich hier her?
Vielleicht bist du hier, um das herauszufinden.
Doktor David
Immer die Wahrheit mit dem Absurden ausbalancieren
Ich denke, sie wären ein sehr guter Physiker
Sag mal...
Wie fühlst Du dich, wenn Du hierher kommst?
Ich nehm's nicht persönlich
Das ist das problem
Deshalb funktionert das nicht
Portuguese:
Karl
Cada vez mais
Você está minando a construtividade de suas sessões comigo
e isso vai segurar seu progresso
Ah bem...
Eu sinto Muito. Talvez uh
talvez eu devesse me esforçar para ser um paciente melhor, não deveria?
Talvez um pouco mais como o Rene
Na verdade, eu estava pensando ...
mais cedo ...
Por que eu venho aqui?
Talvez descobrir isso seja a razão pela qual você está aqui
Dr. David ...
sempre equilibrando a verdade com o absurdo
Eu acho que você teria feito um físico muito bom
Conte-me...
como você se sente ao vir aqui?
Eu não vou levar para o lado pessoal
Esse é o problema com isso
é por isso que isso não funciona
English:
Karl
Increasingly
You're undermining the constructiveness of your sessions with me
and that's going to hold back your progress
Oh well...
I'm sorry. Maybe uh
maybe I should strive to be a better patient, shouldn't I?
Perhaps a bit more like Rene
Actually, I was thinking...
earlier...
Why do I come here?
Maybe finding that out is the reason you're here
Dr David...
always balancing the truth with the absurd
I think you would have made a very good physicist
Tell me...
how do you feel about coming here?
I won't take it personally
That's the problem with this
that is why this doesn't work
Portuguese:
Toda vez que venho aqui
e é a mesma coisa
é um caminho
como isso vai me ajudar?
Eu gostaria de ouvir você falando sobre você
Não é meu trabalho falar de mim
Qual é o seu trabalho então?
1 abaixo, 14 para ir?
Você sabe o que? Você está certo
Você está certo
Essa coisa toda é uma farsa, é uma perda de tempo
Você sabe o que devemos dizer às pessoas com sua condição?
Não há nada de errado com você
Você entendeu? Não há nada de errado com você
Dê uma olhada ao seu redor
Guerra, fome, doença, pobreza, morte .. claro que você está fodidamente deprimido
Felicidade, com tudo o que está acontecendo, agora isso é um estado de espírito irracional
Então meu trabalho ...
essencialmente, desde que você perguntou ...
é dar a volta encorajando as pessoas a serem irracionais, sendo felizes
Há quanto tempo você vem armazenando isso?
English:
Every time I come here
and it's the same thing
it's one way
how is that going to help me?
I'd like to hear you talking about you
It's not my job to talk about me
What is your job then?
1 down, 14 to go?
You know what? You're right
You're right
This whole thing is a farce, it's a waste of time
You know what we should tell people with your condition?
There's nothing wrong with you
Do you get it? There's nothing wrong with you
Take a look around you
War, famine, disease, poverty, death.. of course you're fucking depressed
Happiness, with everything that's going on, now that's an irrational frame of mind
So my job...
essentially, since you asked...
is to go round encouraging people to be irrational, by being happy
How long have you been storing that up?
German:
Jeden Tag komme ich hierher
Und es ist dasselbe
es ist einseitig
Wie soll das mir helfen?
Ich möchte mal hören, Daß sie über sich sprechen
Es ist nicht meine Aufgabe, über mich zu sprechen
Was ist dein Job dann?
Einer abgehakt, 14 auf Warteliste
Weißt du was? Du hast recht
Du hast recht
Das Ganze ist eine Farce. Zeitverschwendung
Sie wissen, was wir den Leuten mit Ihrem Zustand erzählen sollten?
Du hast gar kein problem.
Verstehst Du? Du hast gar kein problem.
Sieh Dich mal um:
Krieg, Hungersnot, Krankheit, Armut, Tod .. Klar bist Du deprimiert
Glück - in Anbetrcht von allem, was gerade los ist - das ist ein irrationaler Bewusstseinszustand
Also mein Job ...
im Prinzip,
Leute zu ermuntern irrational zu sein, indem sie glücklich sind
Wie lange hast Du das für Dich behalten?
German:
Sorry, ich...
Hallo?!
Hallo?!
Es ist Erika
Erika Maurer
Ich bin Renes Schwester
Ich weiß, komm herein
Du wirst bleiben
Du weißt, er hat hier...?
Portuguese:
Desculpe eu ...
Olá?!
Olá?!
É Erika
Erika Maurer
Eu sou a irmã de Rene
Eu sei, entre
Vais ficar?
Você sabe que isso é onde ele?
English:
Sorry I...
Hello?!
Hello?!
It's Erika
Erika Maurer
I'm Rene's sister
I know, come in
You're going to stay?
You know this is where he?
Portuguese:
Quanto tempo você está pensando em ficar?
Não tenho certeza. Um mês. 6 semanas...
Não sei quanto tempo essas coisas levam
Acho que vou ter que passar por tudo e ...
Veja se tem alguma coisa que eu quero manter
Não vai demorar um mês
Eu não sei
Eu não sei o quão difícil vai ser deixar as coisas dele
Você quer que eu fique?
Não.
German:
Wie lange planen Sie, zu bleiben?
Ich bin mir nicht sicher. Ein Monat. 6 Wochen...
Weiß nicht, wie lange diese Dinge dauern
Ich alles durchmachen muss und...
sehen ob ich irgendwas behalten will.
Es wird nicht einen Monat dauern
Ich weiß es nicht
Weiß nicht, wie schwer es sein wird Dinge loszulassen
Du willst mich bleiben
Nein.
English:
How long are you planning on staying?
I'm not sure. A month. 6 weeks...
Don't know how long these things take
Guess I'm going to have to go through everything and...
See if there's anything I want to keep
It won't take a month
I don't know
I don't know how hard it's going to be to let go of his things
You want me to stay?
No.
Portuguese:
3 de junho de 2005
Nossa nova casa
Cheiro de tinta fresca
O vermelho escuro nos lábios dela
Última chance
15 de abril de 1990
Flor de árvore azul brilhante
Como flocos de neve
Toque suave de H
English:
June 3rd, 2005
Our new house
Smell of fresh paint
The dark red on her lips
Last chance
April 15th, 1990
Bright, blue tree blossom
Like snowflakes
H's gentle touch
German:
13 Juni. 2005
Unser neues Haus
Geruch von frischer Farbe
Das Dunkelrot auf den Lippen
Letzte Chance
15 April. 1990
Hellblaue Baumblüte
Wie Schneeflocken
H's sanfte Berührung
Portuguese:
19 de outubro de 1991
Outono...
Caravana do pai dentro quente
Correr fora
Conte a ela tudo
7 de julho de 1987
Verão quente
Saltando no rio com E
Pegando peixe em nossas mãos jovens
Pare a boceta
Este é o Dr. David Wright
Desculpe, não posso atender sua ligação, mas não tenho o que você está procurando
Eu tenho escutado seus problemas emocionais agora por 10 anos
English:
October 19th, 1991
Autumn...
Warm inside father's caravan
Run outside
Tell her everything
July 7th, 1987
Hot summer
Jumping in the river with E
Catching fish in our young hands
Stop the cunt
This is Dr David Wright
Sorry I can't take your call but I haven't got what you're looking for
I've been listening to your emotional fuck ups now for 10 years
German:
19. Oktober 1991
Herbst...
Warm in der Karawane des Vaters
Rausrennen
Ihr alles sagen
7. Juli 1987
Heißer Sommer
Sprung in den Fluss mit E
Fangen Fische mit unseren jungen Händen
Stopp die Fotze
Hier ist Dr. David Wright
Tut mir leid, ich kann nicht anrufen, aber ich habe nicht was du suchst
Ich habe jetzt schon seit 10 Jahren deine emotionalen Ausfälle gehört
German:
Seit 10 jahren habe ich dir zugehört dir in deinem eigenen Mitleid gönnen und du weißt was ...?
Hallo?
Hallo?
Ist jemand da?
Gott...
Dorry, hallo...
Ist das Doktor Wrights Büro?
Doktor Wright hier, ja...
Ich dachte nicht...
Ich dachte, ich würde die Antworttelefon bekommen, aber...
Wer war das?
Portuguese:
10 anos ouvindo você chafurdar em sua própria pena de si mesmo e sabe o que ...?
Olá?
Olá?
Tem alguém aí?
Deus...
Desculpe, olá ..
É o escritório do dr. Wright?
Dr. Wright falando, sim.
Eu não estava esperando ...
Bem, eu pensei em pegar o atendedor de chamadas, mas uh
Quem era aquele?
English:
10 years of listening to you wallow in your own self pity and you know what...?
Hello?
Hello?
Is someone there?
God...
Sorry, hello..
Is that Dr Wright's office?
Dr Wright speaking, yeah.
Oh, I wasn't expecting uh...
Well, I thought I'd get the answerphone but uh
Who was that?
German:
Wer? Was meinen Sie?
Ich bin gerade in England angekommen, um die Sachen meines Bruders zu ordnen
O.K.
Ich dachte...
Wenn wir reden könnten ...
Über ... Rene
Ist das möglich, oder ...?
Ist es gegen die Regeln
Ich weiß es nicht
Was?
Ich bin mir nicht sicher, ich weiß es nicht
Wie wäre's mit heute Abend?
Ich wollte nicht herumhängen.
O.K.
Also soll ich jetzt morgen anrufen ?
Ja
alles klar
danke
Tschüss
Sorry. Hallo? Abwarten
Hallo?
Portuguese:
Quem? O que você quer dizer?
Eu acabei de chegar na Inglaterra para resolver as coisas do meu irmão
Oh, certo
Eu pensei...
Se pudéssemos conversar ...
sobre ... Rene
Isso é possível ou ...?
é contra alguma regra ou outra?
Eu não sei
que?
Não tenho certeza, não sei
Que tal hoje à noite?
Eu não estava planejando ficar por perto.
ok, uhm
Então eu deveria ligar amanhã então?
sim
ok então, uhm
Obrigado
Tchau
Desculpa. Olá? Espere
Olá?
English:
Who? What do you mean?
I just arrived in England to sort out my brother's things
Oh right
I thought...
If we could talk...
about... Rene
Is that possible, or...?
is it against some rule or other?
I don't know
what?
I'm not sure, I don't know
How about tonight?
I wasn't planning on hanging around.
okay, uhm
So I should just call tomorrow then?
yeah
okay then, uhm
Thank you
Bye
Sorry. Hello? Hang on
Hello?
German:
Entschuldigung
Ich weiß nicht, wie ich darüber reden soll
Ich kann es noch nicht glauben, und...
Wenn ich mich selbst höre, ist es wie ein Traum
Nun, das ist normal, denke ich
Ich will nur wissen
warum...
Rene...
Niedriger Selbstwert, Depression...
Eines der Symptome der bipolaren Person sind dramatische Stimmungswechsel
Ich habe die Berichte gelesen
Die meisten Menschen mit Depressionen töten sich nicht
Ich will verstehen, was Rene anders ampfand
Warte
Weißt du was das ist?
Ich fand es unter seinen Papieren
Sieht aus wie eine Liste von Erfahrungen, Erinnerungen
Also war es nicht Teil seiner Therapie?
Hat Rene jemals über seinen...
Missbrauch gesprochen?
English:
I'm sorry
I don't know how to talk about this
I can't believe it yet, and..
when I hear myself, it's like a dream
Well, that's normal I guess
I just want to know
why...
Rene...
History of low self worth, depression
One of the symptoms of bi polar disorder is dramatic mood swings
I've read the fact sheets but
Most people with depression don't kill themselves
I want to understand what Rene was feeling that made the difference
Hold on
Do you know what this is?
I found it amongst his papers
Looks like a list of experiences, memories
So it wasn't part of his therapy?
Did Rene ever talk to you about...
...the abuse
Portuguese:
Eu sinto Muito
Não sei falar sobre isso
Eu não posso acreditar ainda, e ..
quando eu me ouço, é como um sonho
Bem, isso é normal, eu acho
Eu só quero saber
porque...
Rene ...
História de baixa auto-estima, depressão
Um dos sintomas do transtorno bipolar é o humor dramático
Eu li os folhetos informativos, mas
A maioria das pessoas com depressão não se mata
Eu quero entender o que Rene estava sentindo que fez a diferença
Aguente
Você sabe o que é isso?
Eu encontrei entre seus papéis
Parece uma lista de experiências, memórias
Então não fazia parte da terapia dele?
René falou com você sobre ...
... o abuso
Portuguese:
o abuso?
Seu pai abusou sexualmente dele até os 13 anos
Eu tenho que ir. Desculpa. Obrigado novamente por se encontrar comigo
Erika!
Espere, eu estava errado.
eu sei
Apenas espere um minuto!
Rene encontra-se
Bem, talvez seu pai também
Você conhece meu pai como eu?
Você conhece René como eu?
Dr. Wright, isso é incrivelmente não profissional
Sim. Completamente unbucking profissional
Bebida?
German:
Den Missbrauch?
Ihr Vater hat ihn sexuell missbraucht bis er 13 war.
Ich muss gehen. Sorry. Danke nochmal für das Treffen.
Erika!
Warte, ich hatte Unrecht.
Ich weiß
Also, hor mal...
Rene lügt.
Dein Vater veilliecht auch
Kennst Du meinen Vater so wie ich?
Kennst Du Rene so wie ich?
Dr. Wright, das ist unglaublich unprofessionell
Ja, stimmt. Völlig scheiß-unprofessionell
Getränk?
English:
the abuse?
Your father sexually abused him until he was 13
I gotta go. Sorry. Thank you again for meeting with me
Erika!
wait I was wrong.
I know
Just wait a minute!
Rene lies
Well, maybe your father does too
Do you know my father like I do?
Do you know Rene like I do?
Dr Wright, this is incredibly unprofessional
Yes it is. Completely unfucking professional
Drink?
Portuguese:
Por que isso importa?
O que?
Que eu nunca tive a chance de dizer adeus
Por que diabos isso importa?
Ele está morto
Ele se foi
Dizer adeus não vai mudar nada
Eu realmente gostaria de ter
É ridículo
Talvez não
É o instinto humano. Dizemos olá, nos despedimos
Isso é trivial?
Talvez seja
Desde que ele se mudou para Londres eu dificilmente falei com ele
Nenhum de nós fez
Rene não sabia como estar perto das pessoas
Mas debaixo de tudo ele era um cara bom, ele era um homem de integridade
English:
Why does that matter?
What?
That I never had the chance to say goodbye
Why the fuck does that matter?
He's dead
He's gone
Saying goodbye isn't going to change anything
I really wish I had
It's ridiculous
Maybe not
It's human instinct. We say hello, we say goodbye
That trivial?
Maybe it is
Since he moved to London I hardly spoke to him
None of us did
Rene just didn't know how to be around people
But underneath everything he was a good bloke, he was a man of integrity
German:
Warum ist das wichtig?
Was?
Dass ich nie die Chance hatte, mich zu verabschieden
Warum, verdammt, ist das wichtig?
Er ist töt
Er ist weg
Auf wiedersehen sagen ändert nichts
Ich wünschte, es wäre so.
Das ist lächerlich
Vielleicht nict
Es ist menschlicher Instinkt. Wir sagen Hallo, wir sagen auf Wiedersehen
So simpel?
Vielleicht ist es so.
Seit er nach London gezogen ist, sprach ich kaum mit ihm
Keiner von uns
Rene war einfach nicht imstande unter Leuten zu sein
Aber im Innern war er ein Guter Kerl. Er war ein Mensch mit Integrität
German:
Wo soll ich ihn hintun?
Ich muss was machen mit dem, was übrig ist
Verstehen Sie mich?
Ich kenne nen Platz
Ich zeige ihn dir
Wo wir lebten, war ein Fluss.
Es war so heiß an diesem Tag
Meine Mutter saß am Esstisch und trinkte Tee
Und schwitzen
Ich dachte, es wären Tränen
Mein Bruders and ich stritten übers Fernsehprogramm, deshalb schickte sie uns hinaus.
Also gigen wir zu diesem Fluss
Und da gab es so nen Platz
mit ner Art Wasserfall.
Wie von menschen gemacht
English:
Where shall I put him?
I've got to do something with what's left
You hear me?
I know a place
I'll show you
There was a river near where we lived
It was so hot that day
My mum was sitting at the dining room table, drinking tea
and sweating
I thought it was tears
Me and my brother were arguing over the TV channel so she made us go out
So we went to this river
there was a place where there was like this
waterfall
like this man-made thing
Portuguese:
Onde devo colocá-lo?
Eu tenho que fazer alguma coisa com o que sobrou
Você me escuta?
eu conheço um lugar
eu vou te mostrar
Havia um rio perto de onde morávamos
Estava tão quente naquele dia
Minha mãe estava sentada na mesa da sala de jantar, tomando chá
e suando
Eu pensei que era lágrimas
Eu e meu irmão estávamos discutindo sobre o canal de TV, então ela nos fez sair
Então fomos para esse rio
havia um lugar onde havia assim
cascata
como essa coisa feita pelo homem
English:
We would just sit under the water and play and...
catch little silver fish in our hands
and laughing
just laughing and laughing
and just for a moment
that one moment
nothing moved
My brother went back to the house to get some things to play with in the water
I waited
German:
Wir saßen bloß unter dem Wasser und spielten
Und fingen kleine silberne Fische mit der Hand
und lachten
Einfach bloß lachen und lachen
und nur für ein Moment
diesen einen Moment
bewegt sich nichts
Mein Bruder ging zurück ins Haus, um ein paar Spielsachen zu finden fürs Wasser
Ich wartete
Portuguese:
Nós apenas sentávamos embaixo d'água e tocávamos e ...
pegar pouco peixe prateado em nossas mãos
e rindo
apenas rindo e rindo
e só por um momento
aquele momento
nada mudou
Meu irmão voltou para a casa para pegar algumas coisas para brincar na água
eu esperei
German:
bis die Schatten die Bäume auf den Fluss fielen
die Kälte des Wassers fing an weh zu tun
Ich kletterte heraus
Zitternd
Einfach zitternd
Meine Zähne klapperten. Ich konnte es nicht aufhalten
So ging ich zurück zum Haus
Die langen Schatten schienen alles zu decken
Und innen im Haus war es Ruhig
So ruhig
Ich fand ihm in seinem Zimmer mit dieser Spirale
Das Spielzeug, weiß du, wo du einen Stift in das Loch steckst und du machst diese Muster
Ich fragte ihn, was passiert ist
Er war so still
Sagte einfach nichts
English:
until the shadows of the trees spread across the river
and the coldness of the water began to hurt
I climbed out
was shivering
trembling really
my teeth were chattering, I couldn't stop it
so i went back to the house
the long shadows seemed to be covering everything
inside the house was quiet
so quiet
I found him in his room, with the spiral thing
you know the toy where you put a pen in the hole and you make these patterns
I asked him what happend
he was so quiet
just said nothing
Portuguese:
até as sombras das árvores se espalharem pelo rio
e a frieza da água começou a doer
Eu saí
estava tremendo
tremendo realmente
meus dentes estavam batendo, eu não conseguia parar
então voltei para casa
as longas sombras pareciam estar cobrindo tudo
dentro da casa estava quieto
tão quieto
Eu o encontrei em seu quarto, com a coisa espiral
você conhece o brinquedo onde você coloca uma caneta no buraco e você faz esses padrões
Eu perguntei o que aconteceu
ele estava tão quieto
apenas não disse nada
Portuguese:
Então desci escadas e ...
me fiz uma bebida
Helen, Cristo!
Estou indo embora
Ouça, me desculpe
Eu gosto de você, dr. Wright
mas isso nunca iria funcionar
está bem
English:
So i went down stairs and...
made myself a drink
Helen, Christ!
I'm leaving
Listen, I'm sorry
I like you Dr Wright
but this was never going to work
it's okay
German:
Also ging ich die Treppe hinunter und ...
Machte mir einen Drink
Helen, Lieber Gott!
Ich gehe
Hör mal, tut mir leid
Ich mag Dich, Dr Wright.
aber das konnte von Anfang an nicht klappen.
Kein problem
English:
I've never been so happy in all my life
and I know why
Helen...
I want to thank you
I'm not sure what for
For killing me
the bad me
You really don't know how clever you are, do you?
Look, I think we need to talk about this
Another time
At least let me refer you to another therapist, then, I need to do that
No
No more therapists
German:
Ich war noch nie im Leben so Glücklich
and ich weiß warum
Helen
Ich möchte dir danken
Ich bin mir nicht sicher, wofür
Mich umzubringen
Mein schlectes Ich
Du weißt wirklich nicht, wie klug du bist, oder?
ich denke, darüber müssen wir reden
Einander mal
Dann lass mich dich wenigstens zu einmem anderen Therapeuten überweisen
Nein
Keine Therapeuten mehr
Portuguese:
Eu nunca fui tão feliz em toda minha vida
e eu sei porque
Helen ...
eu quero agradecer-te
Eu não tenho certeza do que para
Por me matar
o mal de mim
Você realmente não sabe o quão inteligente você é, não é?
Olha, acho que precisamos conversar sobre isso
Outra hora
Pelo menos deixe-me encaminhá-lo para outro terapeuta, então, eu preciso fazer isso
Não
Não mais terapeutas
Portuguese:
Doutor, eu não estou bem
Helen
Silly Helen
German:
Doctor, mir geht's nicht gut
Helen
Dumme Helen
English:
Doctor, I'm not well
Helen
Silly Helen
Portuguese:
17 de abril de 1998
Cheiro da areia molhada
Som do mar, gentil contra a costa
Pai irritado
Mãe escondendo tudo
25 de dezembro de 1993
Manhã fria
Puxando todas as minhas roupas e meu casaco
sem aquecimento, sem presentes, sem pai
17 de abril de 1998
Cheiro da areia molhada
English:
April 17th, 1998
Smell of the wet sand
Sound of the sea, gentle against the shore
Dad angry
Mum hiding everything
December 25th, 1993
Cold morning
Pulling on all my clothes and my coat
no heating, no presents, no dad
April 17th, 1998
Smell of the wet sand
German:
17. April 1998
Geruch von nassem Sand
Klang des Meeres, sanft gegen das Ufer
Papa wütend
Mama versteckt alles
25. Dezember 1993
Kalter morgen
Ich ziehe mir alle Kleider und meinen mantel an.
Keine Heizung, keine Geschenke, kein Vater
17. April 1998
Geruch von nassem Sand
German:
Klang des Meeres, sanft gegen das Ufer
Papa wütend
2. November 2001
Zitternd, auf den Bus warten
Fahrer sehen uns zu
Hallo?
15. August 2009
Portuguese:
Som do mar, gentil contra a costa
Pai irritado
2 de novembro de 2001
Tremendo, esperando pelo ônibus
motoristas nos observando
Olá?
15 de agosto de 2009
English:
Sound of the sea, gentle against the shore
Dad angry
November 2nd, 2001
Shivering, waiting for the bus
drivers watching us
Hello?
August 15th, 2009
Portuguese:
indo conhecer Lee
de repente chove
subindo a colina até a estação
está tudo certo com o mundo
Estou procurando por..
Helen?
sim
ela não está aqui
Eu tenho a bolsa dela
tem coisas pessoais nele
Você gosta de deixar ou não?
Você decide
Talvez eu a veja amanhã
Talvez.
German:
Ich werede Lee treffen.
Es regnet plötzlich.
Den Hügel zum Bahnhof raufgerrant
Die welt ist völlig in Ordnung
Ich suche...
Helen?
Ja
Sie ist nicht hier
Ich habe ihre Tasche
Es hat persönliche Dinge darin
Sie wollen es verlassen oder nicht?
Wie Sie wollen
Vielleicht sehe ich sie morgen
Vielleicht
English:
going to meet Lee
it suddenly rains
running up the hill to the station
everything is right with the world
I'm looking for..
Helen?
yeah
she's not here
I've got her bag
its got personal things in it
You like to leave it, or not?
It's up to you
Maybe I'll see her tomorrow
Maybe.
German:
Hallo?
English:
Hello?
Portuguese:
Olá?
Portuguese:
Você sabe o que me incomoda
English:
You know what bothers me
German:
Du weißt, was mich stört
German:
Es geht um Evolution
Ich verstehe nicht, warum sich eine Kreatur entwickeln würde
Mit der Fähigkeit, die Sinnlosigkeit ihrer eigenen Existenz zu begreifen
Macht keinen Sinn
weil...
Es ist nicht die Art von Dingen, die Ihnen einen Vorteil gegenüber Ihren Mitbewerbern geben würde
Bist du in Ordnung?
Möchten Sie darüber reden?
Nein
Ich habe über Helen gehört
Es war auf den lokalen Nachrichten
und
Du wurden erwähnt
Und Rene.
Sie hatte diesen wissenden Ausdruck
Fast ein Lächeln
Und es war wie
English:
It's to do with evolution
I don't understand why a creature would evolve
with the ability to comprehend the futility of its own existence
doesn't make sense
because...
it isn't the kind of thing that would give you an advantage over your competitors
Are you ok?
Would you like to talk about it?
No
Look, I heard about Helen
it was on the local news
and uhm
you were mentioned
as well as Rene
She had this knowing look
almost a smile
and it was like
Portuguese:
Tem a ver com evolução
Eu não entendo porque uma criatura evoluiria
com a capacidade de compreender a futilidade de sua própria existência
não faz sentido
Porque...
não é o tipo de coisa que lhe daria uma vantagem sobre seus concorrentes
Você está bem?
Você gostaria de falar sobre isso?
Não
Olha, eu ouvi falar da Helen
foi no noticiário local
e uhm
você foi mencionado
bem como Rene
Ela tinha esse olhar de conhecimento
quase um sorriso
e foi como
German:
Sie konnte in den tiefsten Teil deiner Seele sehen
Es tut mir wirklich leid für dich, David
Keine sorge
Beeinflusst das nicht deine Praxis?
Was sagtest du über das Gleichgewicht von Wahrheit und dem Absurden?
Ich habe keine Praxis, Karl, es ist vorbei
Was wirst du machen?
Wer sagt, ich muss etwas machen?
Wenn das dann die Situation ist ...
ist es aus
Das ist das Ende
Vielleicht ist das, was ich will
Ich kannte mal so nen Typen
Wir studierten zusammen
an der U.C.L
Und er war brillant
aber
Er konnte sich nicht mehr als etwa 5 Minuten konzentrieren
Und sie waren eine tolle 5 Minuten
English:
she could see into the deepest part of your soul
I'm really sorry for you, David
Don't worry
Doesn't this effect your practice?
What was that you were saying about balancing the truth with the absurd?
I have no practice, Karl, it's finished
What will you do?
Who says I have to do anything?
If that's the case then...
this is it
it's over, this is the end
Maybe that's what I want
I knew this guy once
we were students together
at the UCL
and he was brilliant
but...
he couldn't concentrate for more than about 5 minutes
and they were an awesome 5 minutes, at that
Portuguese:
ela podia ver a parte mais profunda da sua alma
Eu sinto muito por você, David
Não se preocupe
Isso não afeta sua prática?
O que você estava dizendo sobre equilibrar a verdade com o absurdo?
Eu não tenho prática, Karl, acabou
O que você vai fazer?
Quem disse que tenho que fazer alguma coisa?
Se for esse o caso, então ...
é isso
acabou, este é o fim
Talvez seja o que eu quero
Eu conheci esse cara uma vez
nós éramos estudantes juntos
na UCL
e ele foi brilhante
mas...
ele não conseguia se concentrar por mais de 5 minutos
e eles foram incríveis 5 minutos, naquele
Portuguese:
mas então ele iria atrás de uma garota, ou sair com seus amigos do waster
e então ele descobriu que tinha câncer
em suas bolas
e espalhou
Agora ele tem um ano e está dormindo 2 horas por noite
trabalhando como um louco
e eu disse a ele
"você é louco, você tem uma desculpa para a festa"
e tudo o que você quer fazer é trabalhar
e ele disse
"Eu não quero deixar este mundo com má reputação"
German:
Aber dann würde er ein Mädchen verjagen oder Zeit mit seinen faulen Freunden verbringen
Dann fand er heraus, dass er Krebs hatte
In seinen Hoden
Und es verbreitete sich
Jetzt hat er ein Jahr zu leben und er schläft 2 Stunden pro Nacht
Arbeite wie ein Wahnsinniger
Und ich sagte zu ihm
"Du spinnst. Du hast ne Chance für ne Party"
"Und alles, was du tun willst, ist Arbeit"
Und er sagte:
"Ich möchte diese Welt nicht mit einem schlechten Ruf verlassen"
English:
but then he'd be off chasing a girl, or hanging out with his waster friends
and then he found out he had cancer
in his balls
and it spread
Now he has a year left and he's sleeping 2 hours a night
working like a madman
and I said to him
"you're crazy, you've got an excuse to party"
and all you want to do is work
and he said
"I don't want to leave this world with a bad reputation"
Portuguese:
Oi sim. Eu queria saber se você poderia me falar um pouco mais sobre o que você faz
Eu sofri toda a minha vida com arrepios
Formigamentos!
eles costumavam me deixar louco!
Eu tentei de tudo
o médico diz que está tudo lá em cima
Eu estava imaginando
mas é físico
você não imagina algo físico
algo que é tão real quanto você é
German:
Hallo, ja. Konnten sie mir vielleicht etwas davon erzählen, was sie machen.
Ich habe mein ganzes Leben mit Kribbeln erlitten
Kribbeln!
Machte mich total verrückt
Ich habe alles versuch
Der Arzt sagt, "es ist alles da oben".
Ich habe es mir vorgestellt
Aber es ist körperlich
Du stellst dir nichts körperliches vor
Etwas, das so real ist wie du bist
English:
hi, yes. I was wondering if you could tell me a bit more about what you do
I suffered all my life with tingles
Tingles!
they used to drive me crazy!
I tried everything
the doctor say its all up there
I was imagining it
but it's physical
you don't imagine something physical
something that's as real as you are
English:
what were we saying?
Did you ever treat a woman called Helen Jackson?
tingles
I was telling you about the tingles
After a long time
a long time
years and years
I met a man, he said
"Tingles is in your subconscience"
"and we need to find it"
"traumatic memories living in your mind like a parasite"
"It could be from this life or another life"
"we don't know"
ad that's how I found out about the treatment
The treatment
Did this treatment involve making a list of memories?
German:
Was haben wir gesagt
Hast du jemals eine Frau namens Helen Jackson behandelt?
Kribbelt
Ich erzählte dir von den Kribbeln
Nach einer langen Zeit
eine lange Zeit
Jahre und Jahre
Ich traf einen Mann, sagte er
"Tingles ist in deinem Unterbewusstsein"
"Und wir müssen es finden"
"Traumatische Erinnerungen, die in deinem Bewusstsein leben wie ein Parasit"
"Es könnte aus diesem Leben oder einem anderen Leben sein"
"Das wissen wir nicht"
Und dadurch habe ich von dieser Behandlung gehört
Die Behandlung
Beinhalten diese Behandlung, eine Liste der Erinnerungen zu machen?
Portuguese:
o que estávamos dizendo?
Alguma vez tratou uma mulher chamada Helen Jackson?
formigamentos
Eu estava contando sobre os arrepios
Depois de muito tempo
muito tempo
anos e anos
Eu conheci um homem, ele disse
"Tingles está no seu subconsciente"
"e precisamos encontrá-lo"
"memórias traumáticas vivendo em sua mente como um parasita"
"Poderia ser desta vida ou outra vida"
"não sabemos"
anúncio que é como eu descobri sobre o tratamento
O tratamento
Esse tratamento envolveu fazer uma lista de lembranças?
Portuguese:
O que é que foi isso?
Você é parasita, David
Você tem vermes. Vermes da mente
O que aconteceu com Helen?
O que aconteceu com Helen, sim!
Nós precisamos descobrir
Abra algumas portas e olhe para dentro
Ela era alguém perto de você?
Não
Voce é helen
mas não nesta vida
Você tem banheiro?
Cuidado! Eh! Cuidado!
English:
What was that?
Those are you parasite, David
You've got worms. Worms of the mind
What happened to Helen?
What happened to Helen, yes!
We need to find out
Open some doors and look inside
Was she someone close to you?
No
You are Helen
but not in this life
Do you have a bathroom?
Careful! Eh! Careful!
German:
Was war das?
Das ist dein Parasit, David
Du hast Würmer. Würmer des Geistes
Was ist mit Helen passiert?
Was ist mit Helen passiert - Ja!
Wir müssen es herausfinden
Öffne ein paar Türen und gehe in Dich.
War sie jemand, der dir nahe stand?
Nein
Du bist Helen
Aber nicht in diesem leben
Hast du ein Badezimmer?
Vorsichtig! Eh! Vorsichtig!
German:
Hallo, ich suche jemanden namens Pablo
Nein, nicht hier
Ich suche jemanden namens Pablo!
Portuguese:
Oi eu estou procurando alguém chamado Pablo
Não aqui
Estou procurando alguém chamado Pablo!
English:
Hi, I'm looking for someone called Pablo
No, not here
I'm looking for someone called Pablo!
German:
Können wir reden?
Nein
Nicht hier
Was willst du?!
Ich möchte wissen, was Helen beteiligt war
Sie ist nicht mehr mein Problem
English:
Can we talk?
No
Not here
What do you want?!
I want to know what Helen was involved in
She's not my problem any more
Portuguese:
Podemos conversar?
Não
Aqui não
O que você quer?!
Eu quero saber o que Helen estava envolvido em
Ela não é mais meu problema
English:
You made sure of that
That's right, it was her choice
Who are you, anyway?
He choice?
That's right, her choice
Who the hell are you?
A concerned friend
Well, Helen's friend
please do not bother me, any more
for me
that is all in the past now
I'm not going to let this happen to anyone else
what did she tell you?
wait a minute
It's all in here
All I want to know is--
You tell that fucking bitch
if she or any of her boyfriends bothers me again
I will fucking kill them
German:
Dafür hast du gesorgt
Genau, sie wollte es so
Wer bist du, überhaupt
Es war ihre Wahl?
Genau, ihre Wahl
We zum Teuful bist du?
Ein besorgter Freund
Na schön, Helens Freund
Bitte störe mich nicht mehr
für mich
Das ist alles in der Vergangenheit jetzt
Ich werde das niemandem passieren lassen
Was hat sie dir gesagt?
warte Mal
Es ist alles hier drin
Alles was ich wissen will ist -
Sag der scheißhure
Wenn sie, oder einer ihrer Freunde mich mich nochmal nervt
werd ich die schießkillen
Portuguese:
Você se certificou disso
É isso mesmo, foi a escolha dela
De qualquer modo, quem é você?
Ele escolha?
Isso mesmo, a escolha dela
Quem diabos é você?
Um amigo preocupado
Bem, amigo de Helen
por favor não me incomoda mais
para mim
isso é tudo no passado agora
Eu não vou deixar isso acontecer com mais ninguém
o que ela te disse?
espere um minuto
Está tudo aqui
Tudo o que eu quero saber é
Você diz essa cadela do caralho
se ela ou algum de seus namorados me incomodar novamente
Eu vou matá-los
Portuguese:
Teresa
Podemos conversar?
estou cansado
Teresa
Ela é nada
OK eu prometo. Eu sei como deve ter parecido e ...
German:
Teresa
Können wir reden?
Ich bin müde
Teresa
Sie ist nichts
Ok? Versprochen. Ich weiß, wie es aussah und...
English:
Teresa
Can we talk?
I'm tired
Teresa
She's nothing
Ok, I promise. I know how it must have looked and...
German:
Ich weiß was du wahrscheinlich denkst aber ...
Wirklich, es war
Nur ein Moment der Verrücktheit und ...
Weiß nicht, was ich gedacht habe, aber ...
na ja
es ist fertig. Sie weiß, daß nichts daraus wird
Und sie weiß ...
daß ich sehr happy mit dir bin
Ich weiß nicht, wovon du redest
Ich rede darüber, was du heute gesehen hast
Ich hab heute nichts gesehen, als das Nachmittagsprogramm
Ich lag mit Grippe im Bett
Teresa
Portuguese:
Eu sei o que você deve estar pensando, mas ...
Realmente foi ...
Apenas um momento de loucura e ...
Eu não sei o que eu estava pensando, mas ...
olha é
está pronto. Ela sabe que nada vai acontecer
e ela sabe ...
você sabe, eu sou ...
totalmente feliz com você
Eu não sei do que você está falando
Eu estou falando sobre o que você viu hoje
Tudo o que vi hoje foi a televisão durante o dia e alguns filmes antigos
Eu estive na cama com gripe
Teresa
English:
I know what you must be thinking but...
Really it was...
Just a moment of craziness and...
I don't know what I was thinking but...
look its
it's finished. She knows nothing's going to happen
and she knows...
you know, I'm...
totally happy with you
I don't know what you're talking about
I'm talking about what you saw today
All I saw today was daytime TV and some old movies
I've been in bed with the flu
Teresa
Portuguese:
Eu vi você e você me viu
Estou dizendo a você
Eu não saí de casa
Talvez seja sua consciência brincando com você
English:
I saw you and you saw me
I'm telling you
I have not left the house
Maybe it's your conscience playing tricks with you
German:
Ich sah Dich und Du mich
Wie ich schon sagte
Ich war nicht aus dem Haus
Wielleicht trickst Dich einfach Dein Gewissen aus
German:
Iss
David. Iss
English:
Eat
David. Eat
Portuguese:
Comer
David. Comer
Portuguese:
Isso é Rene
Eu pensei que você ia colocá-lo no parque
Não quer que eu
Eu sinto Muito
Ele não quer que eu
Ele me disse
Quando ele te contou?
Bem, não com palavras
Não com palavras ...
É mais forte que palavras
Você nunca pode estar certo de que palavras significam
mas com um sentimento ...
então você sabe
Que sentimento? De onde vem o sentimento?
Eu não preciso de análise, David
Eu não estou analisando você. Eu estou perguntando a você, o Rene estava envolvido em alguma coisa?
algo incomum?
Ele já mencionou fazer parte de uma organização ou algo assim?
Não
Como uma terapia sonora incomum ou um grupo de auto-ajuda?
Não
English:
That's Rene
I thought you were going to put him in the park
Doesn't want me to
I'm sorry
He doesn't want me to
He told me
When did he tell you?
Well, not with words
Not with words...
It's stronger than words
You can never be certain what words mean
but with a feeling...
then you know
What feeling? Where's the feeling come from?
I don't need analysis, David
I'm not analysing you. I'm asking you, was Rene involved in something?
something unusual?
Did he ever mention being part of an organisation or something?
No
Like an unusual sounding therapy or self-help group?
No
German:
Das ist Rene
Ich dachte, du wolltest ihn in den Park bringen
Er wollte das nicht
Es tut mir Leid
Er wollte das nicht
Er sagte mir
Wann hat er dir gesagt?
Nun, nicht mit Worten
Nicht mit Worten ...
Es ist stärker als Worte
Sie können nie sicher sein, was Worte bedeuten
Aber mit einem Gefühl ...
Dann weißt du
Welches Gefühl? Woher kommt das Gefühl?
Ich brauche keine Analyse, David
Ich analysiere dich nicht Ich frage dich, war Rene in etwas involviert?
etwas Ungewöhnliches?
Hat er jemals erwähnen, Teil einer Organisation zu sein oder so?
Nein
Wie eine ungewöhnliche therapie oder Selbsthilfegruppe?
Nein
Portuguese:
E as coisas dele?
Erika!
O que?!
E as coisas dele? Quando você passou por isso, você encontrou algum telefone nubers ou endereços que eram incomuns?
Haverá registros
Como com seu celular e seus dados bancários
Eu não sei
Você olhou?
Não
eu acho que você deveria
Eu acho que você deveria perguntar a eles.
Diga que você está amarrando sua propriedade e você precisa saber
se ele comprou alguma coisa significativa ultimamente
David, não
Por que não?
Está no passado
Você não quer descobrir a verdade
Ele estava infeliz
É por isso que ele fez o que fez
Quem vai dizer que ele estava errado?
Eu só quero seguir em frente
English:
What about his things?
Erika!
What?!
What about his stuff? When you went through it did you find any phone nubers or addresses that were unusual?
There'll be records
Like with his mobile phone and his bank details
I don't know
Did you look?
Nope
I think you should
I think you should ask them.
Say that you're tying up his estate and you need to know
if he bought anything significant lately
David, no
Why not?
It's in the past
You don't want to find out the truth
He was unhappy
That's why he did what he did
Who's to say he was wrong?
I just want to move on
German:
Was ist mit seinen Sachen?
Erika!
Was?!
Also du sie sortiertest, sind dir da seltsame Adressen oder Telefonnummern aufgefallen?
Es muss Aufzeichnungen geben
Wie bei Handys und Kontodaten
Weiß ich nicht
Hast Du nachgesehen?
Nein
Solltest Du aber
Ich denke, du solltest sie fragen.
Sag, Du sortierst gerade sein Erbe und mußt wissen...
ob er kürtzlich irgendwas Wichtiges gekauft hat
David, nein
Warum nicht?
Es ist in der Vergangenheit
Du willst die Wahrheit nicht wissen
Er war unglücklich
Deshalb tat er, was er tat
Wer kann sagen, dass er falsch war?
Ich mag einfach weitergehen
English:
can you please allow me to move on?
David?
David! David no! What the hell are you doing?!
You can't have it both ways Erika!
No! Give him to me!
He's still here!
No he's not, he's dead!
No no, he's watching! The phone! Everything!
NO!
For fuck's sake
Portuguese:
você pode por favor me permitir seguir em frente?
David?
David! David não! Que diabos está fazendo?!
Você não pode ter as duas coisas Erika!
Não! Dá ele pra mim!
Ele ainda está aqui!
Não, ele não é, ele está morto!
Não não, ele está assistindo! O telefone! Tudo!
NÃO!
Pelo amor de Deus
German:
Darf ich bitter weitergehen
David?
David! David nein! Verdammt, was machst, du!
Du kannst nicht beides haben, Erika!
Nein! Gib mehr das her!
Er ist immernoch hier!
Nein, ist er nicht. Er ist tot!
Nein nein! Er beobachtet uns! Das telefon! Alles! Das ist er!
Nein!
Oh verdammt nochmal.
English:
He wants us to call it.
It's not a phone number
This life's a mystery
So why shouldn't there be another mystery after it?
Rene is still here
I can feel him
If I dial this number and get anything other than unrecognised then...
then everything I know about this world is wrong
German:
Er will, dass wir es anrufen.
Es ist keine Telefonnummer
Dieses Leben ist ein Mysterium
Warum sollte dann noch ein Mysterium danach kommen?
Rene ist noch da
Ich kann ihn fühlen
Wenn ich diese Nummer wähle und sie existiert ...
Dann ist alles falsch, was ich von dieser welt weiß.
Portuguese:
Ele quer que chamemos isso.
Não é um número de telefone
Esta vida é um mistério
Então, por que não deveria haver outro mistério depois disso?
Rene ainda está aqui
Eu posso senti-lo
Se eu discar este número e conseguir algo diferente de não reconhecido, então ...
então tudo que eu sei sobre este mundo está errado
German:
Reiseziele
Mit wem spreche ich?
Weißt du das nicht
Ich bin mir nicht sicher
Auf Wiedersehen
warten sie
Scheiße!
Ich warte
Jemand gab mir deine Nummer. Sie sagten, Sie könnten mir helfen
Wie kann ich dir helfen?
Ich ziehe es vor, am Telefon nicht zu sprechen. Können wir uns vielleicht persönlich treffen?
Woher haben Sie diese Nummer?
Sie wollten nicht, dass ich ihnen das sage
Das ist nicht richtig. Auf Wiedersehen
Karl.. Karl!
Hallo?
Sind Sie bereit?
Ja
Erster Kontakt. 49 Troy Gardens. 30 Minuten
Komm herein
English:
Destinations
Who am I talking to?
Don't you know?
I'm not sure
Goodbye
wait
Fuck!
I'm waiting
Someone I know gave me your number. They said you might be able to help
How can I help you?
I prefer not to talk about it on the phone. Can we maybe meet in person?
Who gave you this number?
They said they didn't want me to tell you
This is not correct. Goodbye
Karl.. Karl!
Hello?
Are you ready?
Yes
First Contact. 49 Troy Gardens. 30 minutes
Come in
Portuguese:
Destinos
Com quem estou falando?
Você não sabe?
Não tenho certeza
Adeus
esperar
Porra!
estou esperando
Alguém que eu conheço me deu seu número. Eles disseram que você poderia ajudar
Como posso ajudá-lo?
Eu prefiro não falar sobre isso no telefone. Podemos nos encontrar pessoalmente?
Quem te deu esse número?
Eles disseram que não queriam que eu te contasse
Isso não está correto. Adeus
Karl ... Karl!
Olá?
Você está pronto?
sim
Primeiro contato. 49 Jardins Troy. 30 minutos
Entre
German:
Bitte
Also
Du verlässt heute
Glückwünsche
Ich bin eifersüchtig
Ich wäre dieses jahr gegangen, aber uh...
Keines meiner Reiseziele war Bisher stark genug
Na dann
Machen wir Dich bereit
Du weißt, du kannst nichts mit dir nehmen, oder?
Alles was du brauchst
ist deine Reiseziele
Übrigens, ewarte nicht deine erste Wahl
Manchmal ist es der Ort, den man am wenigsten erwartet
als der stärkste
Wofür ist das
Sicherheit
Eher Deine als ihre
Auch ich weiß nicht, woher sie uns schicken
Vergiss es!
Aber du warst einverstanden
ich habs nicht kapiert
Leg Dich nicht mit ihnen an
Portuguese:
Por favor
Assim...
Você está saindo hoje
Parabéns
Você sabe, eu sou ciumento
Eu estava esperando para ir este ano, mas uh ..
até agora nenhum dos meus destinos tem sido forte o suficiente
Certo
Vamos te preparar
Você sabe que não pode levar nada com você, certo?
Tudo que você precisa
são seus destinos
Não espere para ir a sua primeira escolha
Às vezes é o lugar que você menos espera
acaba por ser o mais forte
Para que servem?
Segurança
Mais sua do que deles
Mesmo eu não sei de onde eles nos mandam
Esqueça!
Mas você concordou
eu entendi errado
Não mexa com eles
English:
Please
So...
You're leaving today
Congratulations
You know, I'm jealous
I was hoping to go this year but uh..
so far none of my destinations have been strong enough
Right
Let's get you ready
You know you can't take anything with you, right?
All you need
is your destinations
Don't expect to go to your first choice either
Sometimes it's the place that you least expect
turns out to be the strongest
What are they for?
Security
More yours than theirs
Even I don't know where they send us from
Forget it!
But you agreed
I misunderstood
Don't mess them about
German:
Es ist aus.
Vorbei
Sie spielen keine Spielchen
Tut mir leid, es war ein Irrtum
Du, kill Deine Chance nicht, ja?
Sie einfach, wie Du dich fühlst
Sie werden dich nicht zwingen, alles zu tun, was du nicht tun willst
Sie werden nicht viel länger warten
Du hast nichts zu verlieren, richtig?
Darum bist du hier
Hallo!
Portuguese:
Acabou
Acabado
Eles não jogam
Me desculpe, eu cometi um erro
Veja...
Não sopre esta oportunidade, tudo bem?
Apenas vá e veja como você se sente
Eles não vão te forçar a fazer nada que você não queira fazer
Eles não vão esperar muito mais
Você não tem nada a perder, certo?
É por isso que você está aqui
Olá!
English:
its over
Finished
They don't play games
I'm sorry I made a mistake
Look...
don't blow this opportunity, all right?
Just go and see how you feel
They won't force you to do anything you don't want to do
They're not going to wait much longer
You've got nothing to lose, right?
That's why you're here
hello!
German:
Hallo!
Hallo!
Bitte setzen sie sich
Nett hier
Kein Grun nervös zu sein
Sorry für die Verspätung
Es gab einen Zusammenbruch in der Kommunikation irgendwo, ich weiß nicht wo
Könnten Sie bitte?
Na ja, Sie sind freiwillig hergekommen
Bitte nehmen Sie das ab?
Ich fürchte, ich habe keine Autorität
Auch wenn ich wollte
Dann brechen Sie das Gesetz, oder?
Das Gesetz?
Oder ein Gesetz?
Bitte
Portuguese:
Olá!
Olá
Por favor, sente-se
Lugar legal
Não há necessidade de estar ansioso
e sinto muito pelo atraso
Houve um colapso na comunicação em algum lugar, eu não sei onde
Você iria?
Bem, você está aqui por sua própria vontade
Você vai tirar isso por favor?
Eu tenho medo de não ter autoridade
mesmo se eu quisesse
Então você está quebrando a lei, certo?
A lei?
Ou uma lei?
Por favor
English:
hello!
Hello
Please, take a seat
Nice place
There's no need to be anxious
and I'm sorry for the delay
There was a breakdown in communication somewhere, I don't know where
Would you?
Well you are here of your own free will
Will you take these off please?
I'm afraid I don't have the authority
even if I wanted to
Then you're breaking the law, right?
The law?
Or a law?
Please
English:
don't be concerned
Questions will be asked. Someone will give us the answers we're looking for
then we can get you quickly to your destination
I changed my mind
You do know what that would mean, don't you?
I was told I would be forced to do anything I didn't want to do
Who told you that?
Look, I don't know you
Anything about you, or this place or what you're doing
I could just go
I'm here because I was curious and I'm not curious anymore so
take these fucking things off and let me go
You don't have your destinations
I don't know what destinations are!
I don't understand
Take these off. Now!
Where did you get this number from?
Where did you get this number?!
Portuguese:
não se preocupe
Perguntas serão feitas. Alguém nos dará as respostas que estamos procurando
então podemos levá-lo rapidamente ao seu destino
eu mudei de ideia
Você sabe o que isso significa, não sabe?
Me disseram que eu seria forçada a fazer qualquer coisa que eu não quisesse fazer
Quem te disse isso?
Olha, eu não te conheço
Qualquer coisa sobre você, ou sobre este lugar ou o que você está fazendo
Eu poderia ir
Eu estou aqui porque eu estava curioso e não estou mais tão curioso
tirar essas coisas e me deixar ir
Você não tem seus destinos
Eu não sei quais são os destinos!
Eu não entendo
Tire isso. Agora!
De onde você tirou esse número?
Onde você conseguiu esse número ?!
German:
Sei nicht besorgt
Fragen werden gestellt. Jemand gibt uns die Antworten, die wir suchen
Dann können wir dich schnell zu deinem Reiseziel bringen
Ich habe meine Meinung geändert
Sie wissen, was das bedeuten würde, oder?
Man hat mir gesagt, ich würde zu nichts Gezwungen, was ich nicht tun will
Wer hat dir das gesagt?
Ich kenne dich nicht
Ich weiß nicht über Sie, oder diesen Ort, oder was Sie hier tun
Ich gehe jetzt einfach, ja?
Ich bin hier, weil ich neugierig war, und ich bin nicht mehr neugierig, also...
Nimm diese verdammten Dinge weg und lass mich gehen
Sie haben nicht Ihre Reiseziele
Ich weiß nicht mal, was Reiseziele sind!
Ich verstehe nicht
Nimm die Dinger ab. Sofort!
Woher hast du diese Nummer?
Woher hast du diese Nummer?!
English:
How did you get her number?
Do you realise what you've done?
It's a complete breach of patient trust
Is that valid once you've put your penis into them?!
Why didn't you just talk to me first?
You're a shit liar
and I hate to see you feeling inadequate!
I can't keep doing this. I can't live like this
It's ok, David, you can fuck her!
Just don't tell me about it!
What did you say?
Portuguese:
Como você conseguiu o número dela?
Você percebe o que você fez?
É uma violação completa da confiança do paciente
Isso é válido uma vez que você colocou seu pênis neles ?!
Por que você não falou comigo primeiro?
Você é um mentiroso
e eu odeio ver você se sentindo inadequado!
Eu não posso continuar fazendo isso. Eu não posso viver assim
Tudo bem, David, você pode transar com ela!
Apenas não me fale sobre isso!
O que você disse?
German:
Wie hast du ihre Nummer her?
Weißt du was du gemacht hast?
Es ist eine vollständige Verletzung des Patientenvertrauens
Gilt das auch, nachdem Du Deinem Penis in sie gesteckt hast?
warum redest Du nicht erst mit mir?
Du ein Scheißlügner bist...
Und ich hasse es zu sehen, dass du dich unzulänglich fühlst!
Das kann ich nicht weiter machen. Ich kann nicht so leben
Es ist okay, David, du kannst sie ficken!
Sag mir einfach nicht darüber!
Was hast du gesagt?
Portuguese:
David ...
David!
English:
David...
David!
German:
David...
David!
English:
David
the truth is
when I told you Rene wanted us to call that number
I had already called it
The wonderful thing is, I've met an amazing person
He's showed me a new way to live
Death in this existence is just a beginning of a new existence
Portuguese:
David
a verdade é
quando lhe disse que René queria que ligássemos para esse número
Eu já tinha chamado
O mais maravilhoso é que eu conheci uma pessoa incrível
Ele me mostrou uma nova maneira de viver
Morte nesta existência é apenas o começo de uma nova existência
German:
David
die Wahrheit ist
Als ich dir sagte, dass Rene wollte, dass wir diese Nummer anrufen...
Ich hatte es schon angerufen
Die wunderbare Sache ist, ich habe eine erstaunliche Person getroffen
Er hat mir einen neuen Weg zum Leben gezeigt
Der Tod in dieser Existenz ist nur ein Anfang einer neuen Existenz
English:
That is your destination too
If you chose it
I hope you can understand why I have made my choice
I love you
Question is...
how much damage can I do to your life's work
before you can stop me?
Anything happens to Erika and I'll kill you
Yeah, you see...
you should have stuck with your original threat, because that doesn't bother me
Portuguese:
Esse é o seu destino também
Se você escolheu
Eu espero que você possa entender porque eu fiz minha escolha
eu te amo
Questão é...
quanto dano posso fazer para o trabalho de sua vida
antes que você possa me parar?
Qualquer coisa acontece com Erika e eu te mato
Sim, você vê ...
você deveria ter ficado com sua ameaça original, porque isso não me incomoda
German:
Das ist auch dein Reiseziel
Wenn du es wählst
Ich hoffe du kannst verstehen, warum ich meine Wahl getroffen habe
Ich liebe dich
Die Frage ist...
Wie viel Schaden kann ich mit deinem Lebenswerk anrichten
bevor du mich stoppst?
Alles geschieht mit Erika und ich werde dich töten
Also
solltest Du doch bei Deiner ursprünglichen drohung bleiben, denn die stört mich nicht
German:
Woher weißt du, dass ich mit diesem Mädchen etwas zu tun habe?
Was auch immer ihr Name ist
Instinkt
Ich lerne es, es wieder zu benutzen
Gutes gefühl
Was weißt du?
Ich kenne diesen Typen
Er hat alles verändert, was ich weiß
Alles, was ich über das Universum kenne, steht jetzt auf den Kopf
Es gibt einen neuen Weg, jetzt
Und wir machen den nächsten Schritt
Was zum Teufel redest du? Du kennst einen Typ? Karl!
Leuten verlieren ihr Leben!
Dein ganzer Lebensbegriff ist veraltet
Wie tief steckt sie da drin?
So viel aufgestauter Ärger
Du solltest glücklich sein. Dies ist ihr Tag
Was meinen Sie?
Sie hat ihre Reiseziele
Sie geht ab
Was zum Teufel meinst du?
Hättest Du bloß diesen Kerl getroffen
Welcher Kerl?!
Ich schwöre bei Gott
Welcher Kerl?
Portuguese:
Como você sabe que eu tenho algo a ver com essa garota?
Seja qual for o nome dela
Instinto
Estou aprendendo a usá-lo novamente
Sente-se bem
Oque você sabe?
eu conheço esse cara
ele mudou tudo o que eu sei
tudo que eu sei sobre o universo foi virado de cabeça para baixo
Há um novo caminho, agora
e estamos dando o próximo passo
Do que você está falando? Você conhece um cara? Karl!
As pessoas estão perdendo suas vidas!
Todo o seu conceito de vida está desatualizado
Quão profundo é ela?
Tanta raiva reprimida
Você deveria estar feliz. Este é o dia dela
O que você quer dizer?
Ela tem seus destinos
Ela está saindo
O que diabos você quer dizer?
Se você conhecesse esse cara
Que cara ?!
Eu juro por Deus...
Que cara?
English:
How do you know I have anything to do with this girl?
Whatever her name is
Instinct
I'm learning to use it again
Feels good
What do you know?
I know this guy
he's changed everything I know
everything I know about the universe has been turned on its head
There's a new way, now
and we're taking the next step
What the fuck are you talking about? You know a guy? Karl!
People are losing their lives!
Your whole concept of life is out-dated
How deep into this is she?
So much pent up anger
You should be happy. This is her day
What do you mean?
She has her destinations
She's leaving
What the fuck do you mean?
If you only met this guy
What guy?!
I swear to God...
What guy?
Portuguese:
Terceiro contato
Você estava no seu caminho, ontem à noite
Eu juro por Deus se você tivesse acabado de conhecê-lo
Eu não acredito em deus
Onde ela está?
É tarde demais agora
Ela provavelmente já se foi
Dada a sua compreensão da mente humana
provavelmente deve perceber como imaturely você está agindo
English:
Third Contact
You were on your way, last night
I swear to God if you'd just met him
I don't believe in God
Where is she?
It's too late now
She's probably already gone
Given your understanding of the human mind
should probably realise how imaturely you're acting
German:
Dritter Kontakt
Du waren auf dem Weg, letzte Nacht
Ich schwöre bei Gott, wenn Du denn bloß getroffen hättest
Ich glaube nicht an Gott
Wo ist sie?
Jetzt ist es zu spät
Sie ist wahrscheinlich schon weg
Angesichts deines Verständnisses des menschlichen Geistes
Du solltest wohl feststellen, wie unreif du handelst
English:
Come on!!
Come on!!
German:
Los!
Los!
Portuguese:
Vamos!!
Vamos!!
Portuguese:
Erika!
Onde ela está?
Onde ela está? - não sei!
English:
Erika!
Where is she?
Where is she? - Don't know!
German:
Erika!
Wo ist sie?
Wo ist sie? - Weiß nicht!
English:
Erika!
Where is she?
Where is she?!
Where is she?!
Where is he?!
July 7th, 1987
I walk back from the river, barefoot
Gravel stabs the soles of my feet
I find Rene drawing spirals
he tells me about father
I choose not to believe him
we are lost to each other
German:
Erika!
Wo ist sie?
Wo ist sie?!
Wo ist sie?!
Wo ist sie?!
7. Juli 1987
Ich laufe vom Fluss zurück, barfuß
Kies sticht die Sohlen meiner Füße
Ich finde Rene beim Spiralenmalen
Er erzählt mir von Vater
ich beschließe ihm nicht zu glauben
Wir sind füreinander verloren
Portuguese:
Erika!
Onde ela está?
Onde ela está?!
Onde ela está?!
Onde ele está?!
7 de julho de 1987
Eu ando de volta do rio, descalço
O cascalho esfaqueia as solas dos meus pés
Eu acho Rene desenhando espirais
ele me fala sobre o pai
Eu escolhi não acreditar nele
estamos perdidos um para o outro
English:
He will see you
under conditions
If you agree, David, you cannot exit this process
Tell me what I have to do
German:
Er ist bereit Dich zu sehen
unter Bedingungen
Wenn Du zustimmst, David, kannst Du diesen prozess nicht beenenden
Sag mir, was ich tun muss.
Portuguese:
Ele vai te ver
sob condições
Se você concorda, David, você não pode sair desse processo
Me diga o que tenho que fazer
Portuguese:
Eu sei o que você está passando
É só uma questão de tempo
Isto é o que nos leva aonde queremos ir
Nós chamamos isso de "a bala"
Suas lembranças são como o cordite. Dois mundos
um com a bala e outro com a concha vazia
Eu não entendo
Por que você deveria?
Suicídio Quântico
Suicídio Quântico
O que você quer, David?
Você deve decidir
Eu quero ir
Você está pronto?
English:
I know what you're going through
It's just a matter of time
This is what takes us where we want to go
We call it "the bullet"
Your memories, they are like the cordite. Two worlds
one with the bullet and one with the empty shell
I don't understand
Why should you?
Quantum Suicide
Quantum Suicide
What is it that you want, David?
You must decide
I want to go
Are you ready?
German:
Ich weiß, was du durchmachst
Es ist nur eine Frage der Zeit
Das bringt uns dorthin, wohin wir wollen
Wir nennen es "die Kugel"
Ihre Erinnerungen, sie sind wie der Cordit. Zwei Welten
Eine mit der Kugel und eine mit der leeren Hülle
Ich verstehe nicht
Warum solltest du auch?
Quantum Suizid
Quantum Suizid
Was willst du eignetlich, David?
Sie musst entscheiden
Ich will gehen
Sind Sie bereit?
German:
Wir müssen kontrollieren, ob sie stark genug sind
Lies.
17. Juli 2003.
Ich muss es nicht hören
Du bist bereit
Rolle deinen Ärmel auf
Portuguese:
Precisamos verificar se eles são fortes o suficiente
Ler
17 de julho de 2003
Eu não preciso ouvir isso
Tu estás pronto
Enrole sua manga
English:
We need to check if they're strong enough
Read
July 17th, 2003
I don't need to hear it
You are ready
Roll up your sleeve
English:
David...
this is the end
Of this life.
Yes
I want to go
German:
David...
das ist das Ende
Von diesem leben
Ja
Ich will gehen
Portuguese:
David ...
este é o fim
Desta vida.
sim
Eu quero ir
German:
17. Januar 2003
Nord London
Ein nasser Wintertag
Ich höre Kinder spielen im Garten nebenan
Seifenblasen schweben durch die Luft
Sie ist schön am diesem Abend
Wir halten Einander fest, bis die Sonne untergeht
English:
17th January, 2003
North London
A wet winter's day
I hear children playing in the garden next to mine
Sopa bubbles float through the air
She is beautiful that evening
We hold each other close, until the sun goes down
Portuguese:
17 de janeiro de 2003
Norte de Londres
Um dia de inverno úmido
Eu ouço crianças brincando no jardim ao lado do meu
Sopa de bolhas flutuam no ar
Ela é linda naquela noite
Nos abraçamos, até o sol se pôr
English:
Her smell intoxicates me
German:
Ihr Geruch betäubt mich
Portuguese:
Seu cheiro me intoxica
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Spanish:
¡Hola chicos! Bienvenidos de nuevo a nuestro canal y hoy hablaremos de los problemas que surgen cuando sales con un@ alemán@.
que tiene de gracioso eso..
Alemanes, escúchenme! No se enojen conmigo, amo a Alemania, amo a los alemanes, obviamente
Estas son algunas de las cosas a las que me costó acostumbrarme al principio.
y ahora que he estado saliendo con Janik durante algunos años, encuentro algunas de estas cosas de hecho buenas
Sí, así que va a ser algo desde su perspectiva y
Lo que ella experimentó aquí en Alemania con las personas que ha conocido.
en realidad algunas de ellas no son problemas ... pero necesitábamos un título interesante
Piénsalo como choques culturales, primera parte!
¡hagámoslo! - Empecemos
vamos a comenzar de una vez
Dios mío, Joss DeFranco vamos!
Voy a comenzar con el problema más obvio, y es que vas a tener que saber al menos algo de alemán básico.
o aprenderlo en el camino
Spanish:
¡Hola chicos! Bienvenidos de nuevo a nuestro canal y hoy hablaremos de los problemas que surgen cuando sales con un@ alemán@.
que tiene de gracioso eso..
Alemanes, escúchenme! No se enojen conmigo, amo a Alemania, amo a los alemanes, obviamente
Estas son algunas de las cosas a las que me costó acostumbrarme al principio.
y ahora que he estado saliendo con Janik durante algunos años, encuentro algunas de estas cosas de hecho buenas
Sí, así que va a ser algo desde su perspectiva y
Lo que ella experimentó aquí en Alemania con las personas que ha conocido.
en realidad algunas de ellas no son problemas ... pero necesitábamos un título interesante
Piénsalo como choques culturales, primera parte!
¡hagámoslo! - Empecemos
vamos a comenzar de una vez
Dios mío, Joss DeFranco vamos!
Voy a comenzar con el problema más obvio, y es que vas a tener que saber al menos algo de alemán básico.
o aprenderlo en el camino
English:
hey guys! welcome back to our Channel and today we're talking about the problems that come with dating a German
what's so funny about that?
Germans hear me out! don't get angry at me, I love Germany, I love Germans, clearly
these are some things that I had a hard time getting used to at the beginning
and now that I've been dating Janik for some years I find some of these things actually good
yeah so it's gonna be something from her perspective and
what she experienced here in Germany with the people that she has met
actually some of them are not like
problems... we just needed a cool title
think about it like culture shocks, part one!
let's do this! - let's start
let's just jump into it
omg, Joss DeFranco let's go!
I'm gonna start with the most obvious problem which is that you're gonna have to know at least some basic German
or learn it along the way
German:
Hallo Leute! Willkommen zurück zu unserem Channel und wir sprechen heute über die Probleme, die mit dem Daten eines Deutschen einhergehen
was ist daran so lustig?
Deutsche, hört mich an! Ärgert euch nicht über mich, ich liebe Deutschland, ich liebe Deutsche, das ist offensichtlich
Dies sind einige Dinge, an die ich mich am Anfang nur schwer gewöhnen konnte
und jetzt, wo ich seit einigen Jahren mit Janik zusammen bin, finde ich einige dieser Dinge tatsächlich gut
Ja, also sie wird es aus ihrer Perspektive erzählen und
darüber, was sie hier in Deutschland mit den Menschen erlebt hat, die sie getroffen hat
Eigentlich sind einige von den Dingen keine Probleme ... wir brauchten nur einen coolen Titel
Denkt eher an Kulturschocks, Teil eins!
Lass uns das machen! - Lasst uns beginnen
Lass uns einfach hineinspringen
omg, Joss DeFranco los geht's!
Ich beginne mit dem offensichtlichsten Problem, nämlich dass man mindestens ein paar Grundkenntnisse in Deutsch haben muss
oder man lernt es auf dem Weg
English:
even if your boyfriend or girlfriend speaks English or your language
it's very likely that their family doesn't
my parents do speak a little bit of English but they prefer to speak German with you
and even if the parents speak English then the chances high that the grandparents don't speak English
the next problem is that Germans eat very early
now luckily with me you never had that problem
when we lived in Munich we sometimes ate dinner at like midnight.. yeah
in Mexico and what time do you have breakfast?
at 9:00?! okay lunch? lunch, 3pm. dinner? eight or nine.
so in Germany the people usually eat breakfast at, let's say, seven or eight
they eat lunch at around 12:00 or 1:00 and they eat dinner at around 6 or 7 p.m.
yeah but of course if you used to eat late you can also meet in the middle
the next problem is that you might get overwhelmed by their efficiency
hear me out I'm gonna explain
Germans are very practical, they just do things in a way that is easy, it's effective and fast and they solve problems fast
yeah and I am not used to that
Spanish:
Incluso si tu novio o novia habla inglés o tu idioma.
Es muy probable que su familia no lo haga.
Mis padres hablan un poco de inglés pero prefieren hablar alemán contigo.
e incluso si los padres hablan inglés, las posibilidades de que los abuelos no hablen inglés son altas.
El siguiente problema es que los alemanes comen muy temprano.
Por suerte conmigo nunca tuviste ese problema
cuando vivíamos en Munich, a veces cenábamos a medianoche, sí.
en México a que hora desayunas?
¿a las... 9:00? esta bien y almuerzo? Almuerzo, 3pm. ¿cena? ocho o nueve
así que en Alemania la gente suele desayunar, digamos, siete u ocho
almuerzan alrededor de las 12:00 o 1:00 y cenan alrededor de las 6 o 7 pm
Sí, pero claro, si estas acostumbrado a comer tarde también puedes encontrarte un punto medio
El siguiente problema es que pueden ser abrumadores por su eficiencia.
escúchame voy a explicarme
Los alemanes son muy prácticos, hacen las cosas de una manera fácil, efectiva y rápida, y resuelven los problemas rápidamente.
Sí, y no estoy acostumbrada a eso
German:
selbst wenn dein Freund oder deine Freundin Englisch oder deine Sprache spricht
Es ist sehr wahrscheinlich, dass die Familie dies nicht tut
meine eltern sprechen zwar ein wenig englisch, aber am liebsten sprechen sie deutsch mit dir
und selbst wenn die Eltern Englisch sprechen, ist die Wahrscheinlichkeit groß, dass die Großeltern kein Englisch sprechen
Das nächste Problem ist, dass Deutsche sehr früh essen
Zum Glück hattest du dieses Problem nie mit mir
Als wir in München lebten, haben wir manchmal um Mitternacht zu Abend gegessen
wann frühstückst du in Mexiko?
um 9.00 Uhr?! okay mittagessen? Mittagessen, 15 Uhr. Abendessen? acht oder neun.
in Deutschland frühstücken die Leute normalerweise um sieben oder acht
Sie essen gegen 12:00 oder 13:00 Uhr Mittag und gegen 18:00 oder 19:00 Uhr zu Abend
Ja, aber wenn du es gewohnt bist, spät zu essen, kann man sich natürlich auch in der Mitte treffen
Das nächste Problem ist, dass ihr möglicherweise von ihrer Effizienz überwältigt werdet
Hört mir zu, ich erkläre es euch
Deutsche sind sehr praktisch, sie machen Dinge einfach, es ist effektiv und schnell und sie lösen Probleme schnell
ja und ich bin das nicht gewohnt
Spanish:
Incluso si tu novio o novia habla inglés o tu idioma.
Es muy probable que su familia no lo haga.
Mis padres hablan un poco de inglés pero prefieren hablar alemán contigo.
e incluso si los padres hablan inglés, las posibilidades de que los abuelos no hablen inglés son altas.
El siguiente problema es que los alemanes comen muy temprano.
Por suerte conmigo nunca tuviste ese problema
cuando vivíamos en Munich, a veces cenábamos a medianoche, sí.
en México a que hora desayunas?
¿a las... 9:00? esta bien y almuerzo? Almuerzo, 3pm. ¿cena? ocho o nueve
así que en Alemania la gente suele desayunar, digamos, siete u ocho
almuerzan alrededor de las 12:00 o 1:00 y cenan alrededor de las 6 o 7 pm
Sí, pero claro, si estas acostumbrado a comer tarde también puedes encontrarte un punto medio
El siguiente problema es que pueden ser abrumadores por su eficiencia.
escúchame voy a explicarme
Los alemanes son muy prácticos, hacen las cosas de una manera fácil, efectiva y rápida, y resuelven los problemas rápidamente.
Sí, y no estoy acostumbrada a eso
German:
Sie ist nur langsam... und dumm
du bevorzugst eher Komfort als Effizienz
hundertprozentig! Ich werde erklären, was sie damit meint
Sie geht am liebsten sehr langsam und bequem zum Bahnhof
Sie wird den Zug verpassen, sie wird zwanzig Minuten warten müssen, bis der nächste Zug kommt
Ich komme zu spät in meinen Unterricht
aber wenigstens musste sie nicht rennen
Ich auf der anderen Seite würde fünf Minuten lang rennen
Warum sollte ich das tun? Ich will nur entspannt sein
und wenn ich in den zug einsteige, steige ich genau dort ein, wo ich am ende aussteigen muss
Zeitersparnis
Manchmal ist er sehr effizient mit seiner Zeit!
nicht, wenn es darum geht, Videos zu bearbeiten ..
aber ich bin es nicht ... also ist es ziemlich cool
Ja, wir sind halt effizient ...
Ich sagte die meisten Deutschen, aber du bist die Ausnahme
Das nächste Problem ist, dass Deutsche lange brauchen, um sich zu öffnen
ok also, ich erkläre es so
Joss war ein Vulkan! Gefühle überall! Gefühle, Liebe
Spanish:
eres un poco lenta... -y tonta.
simplemente prefieres la comodidad a la eficiencia
¡cien por ciento! Voy a explicar lo que ella quiere decir con eso.
Ella prefiere caminar muy despacio y conveniente a la estación de tren.
no le importa perder el tren y tener que esperar veinte minutos hasta que llegue el próximo tren
Y llegar tarde a mi clase
pero al menos ella no tuvo que correr
Yo por otro lado correría durante cinco minutos seguidos
¿Por qué habría de hacer eso? Solo quiero estar relajada
y cuando entro en el tren entro exactamente donde tengo que salir al final
para ahorrar tiempo
¡Es muy eficiente con su tiempo, a veces!
no cuando se trata de editar videos ..
pero yo no... así que es un poco genial
Sí, sólo somos eficientes ...
Dije la mayoría de los alemanes pero tú eres la excepción
El siguiente problema es que los alemanes tardan mucho tiempo en abrirse.
ok lo explico de esta manera
Joss es un volcán! sentimientos por todas partes! sentimientos, amor
English:
you're just slow - and dumb.. -inefficient
you just prefer comfort than efficiency
a hundred percent! I'm gonna explain what she means by that
she prefers to walk super slowly and convenient to the train station
she's gonna miss the train, she's gonna have to wait twenty minutes until the next train comes
I'm gonna be late to my class
but at least she didn't have to run
I on the other side would run for five minutes straight
Why would I do that? I just wanna be relaxed
and when I enter the train I enter exactly where I have to get out in the end
time saving
he's very efficient with his time, sometimes!
not when it comes to editing videos..
but I am NOT.. so it's kinda cool
yeah we're just efficient...
I said most Germans but you're the exception
the next problem is that Germans take a long time to open up
ok so, I explain it this way
Joss was a volcano! feelings everywhere! feelings, love
Spanish:
eres un poco lenta... -y tonta.
simplemente prefieres la comodidad a la eficiencia
¡cien por ciento! Voy a explicar lo que ella quiere decir con eso.
Ella prefiere caminar muy despacio y conveniente a la estación de tren.
no le importa perder el tren y tener que esperar veinte minutos hasta que llegue el próximo tren
Y llegar tarde a mi clase
pero al menos ella no tuvo que correr
Yo por otro lado correría durante cinco minutos seguidos
¿Por qué habría de hacer eso? Solo quiero estar relajada
y cuando entro en el tren entro exactamente donde tengo que salir al final
para ahorrar tiempo
¡Es muy eficiente con su tiempo, a veces!
no cuando se trata de editar videos ..
pero yo no... así que es un poco genial
Sí, sólo somos eficientes ...
Dije la mayoría de los alemanes pero tú eres la excepción
El siguiente problema es que los alemanes tardan mucho tiempo en abrirse.
ok lo explico de esta manera
Joss es un volcán! sentimientos por todas partes! sentimientos, amor
German:
Ich war zurückhaltender und ich denke, viele Deutsche sind so
Ich habe tatsächlich einen Satz geschrieben, den ich mochte
Wenn du das Eis durchbrichst, ist das Wasser darunter warm
Oh ich verstehe
Also, es gibt eine eisige Hülle, sie zeigen am Anfang nicht so viele Emotionen
Aber wenn man daran vorbei ist und sich ihnen nähert, stellt man fest, dass sie sehr warm sind
und sie haben tatsächlich Gefühle - oh wow Überraschung
und sie sind super toll
Ich bin eigentlich das Gegenteil .. Ich bin eigentlich das komplette Gegenteil ..
Es gibt Feuer draußen, aber drinnen gibt es Eis
ja sicher - na wenn ich wütend bin, gibt es Eis
Ja - aber es ist schwer mich so wütend zu machen
nicht für mich
ja - nein - es war schwer - ich kann es leicht schaffen ... wenn ich wollte
dann mach mich wütend ... - lass uns über... reden ..
Lass uns über das nächste Thema sprechen
Spanish:
Yo era más reservado y creo que muchos alemanes son así.
En realidad escribí una frase que me gustó.
Cuando rompes el hielo, el agua que está debajo es cálida
Oh ya entiendo
así que hay como un exterior de hielo que no muestra muchas emociones al principio
Pero una vez que pasas eso y te acercas a ellos, encuentras que son muy cálidos.
y realmente tienen sentimientos -oh wow que sorpresa
y son super asombrosos
En realidad soy todo lo contrario... En realidad soy todo lo contrario ...
Hay fuego en el exterior pero dentro hay hielo
si claro - bueno cuando me enojo hay hielo
Sí, pero es difícil hacerme enojar tanto.
bueno no para mi
sí, no, ha sido difícil. -puedo hacerlo fácilmente ... si quisiera
Hazme enojar entonces ... - hablemos de ...
hablemos del siguiente tema
Spanish:
Yo era más reservado y creo que muchos alemanes son así.
En realidad escribí una frase que me gustó.
Cuando rompes el hielo, el agua que está debajo es cálida
Oh ya entiendo
así que hay como un exterior de hielo que no muestra muchas emociones al principio
Pero una vez que pasas eso y te acercas a ellos, encuentras que son muy cálidos.
y realmente tienen sentimientos -oh wow que sorpresa
y son super asombrosos
En realidad soy todo lo contrario... En realidad soy todo lo contrario ...
Hay fuego en el exterior pero dentro hay hielo
si claro - bueno cuando me enojo hay hielo
Sí, pero es difícil hacerme enojar tanto.
bueno no para mi
sí, no, ha sido difícil. -puedo hacerlo fácilmente ... si quisiera
Hazme enojar entonces ... - hablemos de ...
hablemos del siguiente tema
English:
I was more reserved and I think a lot of Germans are this way
I actually wrote a sentence that I liked
when you break through the ice the water underneath is warm
oh I get it
so there's like an ice exterior they're not gonna show that many emotions at the beginning
but once you go past that and you get close to
them you find that they are very warm
and they actually have feelings
- oh wow surprise
and they're super amazing
I'm actually the opposite.. I'm actually the complete opposite..
there's fire on the outside but inside there's ice
yeah sure - well when I get angry there's ice
yeah - but it's hard to get me that angry
well not for me
yes - no - it's been hard - I can do it easily.. if I wanted to
make me angry then... - let's talk about..
let's talk about the next topic
Spanish:
chicos, es tan difícil hacer este tipo de videos porque, en primer lugar, ya sabemos que algunos de ustedes lo tomarán como algo personal
Y segundo porque no queremos generalizar.
No tengo mucha experiencia con esto ... sí, he besado a chicos alemanes
pero realmente no he salido
¿escucharon? ella dijo chicos
Sí, he besado a otros chicos alemanes
antes de tí
¿Sabes cuantas chicas mexicanas he besado?
¿cuántas? una..
y eso va a seguir siendo así
estamos aquí por la igualdad
oh eso es otra cosa
Y es que tienes que estar preparado para compartir la cuenta con tu novio o con tu novia.
cuando les digo esto a mis amigas, inmediatamente veo sus caras como ...
Él no paga nada por ti?
Creo que la razón de esa diferencia es que en Alemania también las chicas piensan de la misma manera.
Sí, porque Alemania el tema de la igualdad es fuerte.
Yo creo que las chicas no quieran ser invitadas todo el tiempo, quieren ser independientes y pagar ellas mismas.
pero que hay de...
Spanish:
chicos, es tan difícil hacer este tipo de videos porque, en primer lugar, ya sabemos que algunos de ustedes lo tomarán como algo personal
Y segundo porque no queremos generalizar.
No tengo mucha experiencia con esto ... sí, he besado a chicos alemanes
pero realmente no he salido
¿escucharon? ella dijo chicos
Sí, he besado a otros chicos alemanes
antes de tí
¿Sabes cuantas chicas mexicanas he besado?
¿cuántas? una..
y eso va a seguir siendo así
estamos aquí por la igualdad
oh eso es otra cosa
Y es que tienes que estar preparado para compartir la cuenta con tu novio o con tu novia.
cuando les digo esto a mis amigas, inmediatamente veo sus caras como ...
Él no paga nada por ti?
Creo que la razón de esa diferencia es que en Alemania también las chicas piensan de la misma manera.
Sí, porque Alemania el tema de la igualdad es fuerte.
Yo creo que las chicas no quieran ser invitadas todo el tiempo, quieren ser independientes y pagar ellas mismas.
pero que hay de...
English:
guys it's so hard to make this type of videos because first of all we already know some of you are gonna take it personal
and second because we don't want to generalize
I don't have much experience with this... yes I've kissed German guys
but I haven't really dated
did you hear that? she said guys
yeah I've kissed other German guys
before you
you know how many Mexican girls I've kissed?
how many? one..
and that's gonna stay that way
we're here for equality
oh that's another thing
and it is that you have to be prepared to split the check with your boyfriend or with your girlfriend
when I tell this to my friends I immediately see their faces kind of like..
he doesn't pay anything?
I think the reason for that difference is that in Germany also the girls are thinking the same way
yes because Germany is very strong when it comes to equality
so the girls don't want to be invited the whole time, they want to be independent and paying by themselves
but what about..
German:
Leute, es ist so schwer, diese Art von Videos zu machen, weil wir zuallererst bereits wissen, dass einige von euch es persönlich nehmen werden
und zweitens, weil wir nicht verallgemeinern wollen
Ich habe nicht viel Erfahrung damit ... ja, ich habe Deutsche geküsst
aber ich habe nicht wirklich gedatet
Hast du das gehört? sie sagte DeutschE
Ja, ich habe andere Deutsche geküsst
bevor du kamst!
Weißt du, wie viele mexikanische Frauen ich geküsst habe?
wie viele? eine..
und das wird so bleiben
Wir sind hier für die Gleichstellung
Oh, das ist eine andere Sache
und es ist, dass man bereit sein muss, die Rechnung mit dem Freund oder mit der Freundin zu teilen
Wenn ich das meinen Freunden erzähle, sehe ich sofort, dass ihre Gesichter so aussehen...
Er zahlt nichts?
Ich denke, der Grund für diesen Unterschied ist, dass in Deutschland auch die Frauen genauso denken
ja, weil deutschland in punkto gleichstellung sehr stark ist
Die Frauen wollen also nicht die ganze Zeit eingeladen sein, sie wollen unabhängig sein und auch selbst bezahlen
aber was ist mit..
German:
Gibt es noch so etwas wie einen Gentleman in Deutschland?
Ja, das gibt es ... immer noch ... Ja
dann ist die Frage ... warum machst du das nie?
Wo sind diese Leute, warum habe ich sie nicht getroffen?
Wenn ich nach Mexiko gehe, habe ich viele männliche Freunde
und sie sind so: ich hole dich ab, um Wings zu haben oder so
oh mein gott ich fühle mich wie: was ist hier falsch?
sie gehen aus dem auto, sie warten auf mich, damit sie mir die tür öffnen können, dann öffnen sie die tür des autos
Janik will mir nicht mal die Tür öffnen
im Auto
wahr
weil ich es selbst kann ... sie kann es selbst tun ..
Zeiteffizienz .. ahhh seht ihr?
Janik versucht es aber! Janik versucht manchmal ein Gentleman zu sein! ja total
Okay, das ist etwas für Leute, die eine deutsche Freundin oder einen deutschen Freund suchen
und ich bin traurig, euch zu sagen, dass es nicht so üblich ist, dass Deutsche in einem Club flirten
Wenn wir ausgehen, gibt es Leute, die wahrscheinlich Interesse haben, aber nicht so direkt sind, wie zum Beispiel in Mexiko oder in den USA
Spanish:
¿Hay algo así como ser un "caballero" en Alemania?
sí eso existe... todavía .. sí
entonces la pregunta es... ¿por qué nunca haces eso?
¿Dónde están esos tipos, por qué no los conocí?
Cuando voy a México tengo muchos amigos hombres.
y me recogen en mi casa para ir a comer alitas o algo así
oh dios mio yo siento como: que esta pasando aquí?
Salen del auto, me esperan para abrir la puerta, luego abren la puerta del auto.
Janik ni siquiera quiere abrirme la puerta.
en el carro
cierto
porque puedo hacerlo yo misma ... ella puede hacerlo ella misma ...
eficiencia de tiempo .. ahhh ves?
Pero Janik lo intenta. ¡Janik intenta ser un caballero a veces! si ... totalmente
Bueno, esto es algo para aquellas personas que buscan conseguir una novia o novio alemán.
y me entristece decirte que no es tan común que los alemanes coqueteen en un club nocturno
cuando salimos literalmente como ... hay tipos que probablemente tienen interés pero no son tan coquetos como en México, por ejemplo, o en los Estados Unidos.
Spanish:
¿Hay algo así como ser un "caballero" en Alemania?
sí eso existe... todavía .. sí
entonces la pregunta es... ¿por qué nunca haces eso?
¿Dónde están esos tipos, por qué no los conocí?
Cuando voy a México tengo muchos amigos hombres.
y me recogen en mi casa para ir a comer alitas o algo así
oh dios mio yo siento como: que esta pasando aquí?
Salen del auto, me esperan para abrir la puerta, luego abren la puerta del auto.
Janik ni siquiera quiere abrirme la puerta.
en el carro
cierto
porque puedo hacerlo yo misma ... ella puede hacerlo ella misma ...
eficiencia de tiempo .. ahhh ves?
Pero Janik lo intenta. ¡Janik intenta ser un caballero a veces! si ... totalmente
Bueno, esto es algo para aquellas personas que buscan conseguir una novia o novio alemán.
y me entristece decirte que no es tan común que los alemanes coqueteen en un club nocturno
cuando salimos literalmente como ... hay tipos que probablemente tienen interés pero no son tan coquetos como en México, por ejemplo, o en los Estados Unidos.
English:
is there still this thing of like being
a gentleman in Germany
yeah there's that thing.. still.. yeah
then the question is... why do you never do that?
Where are those guys, why didn't I meet those guys?
when I go to Mexico I have a lot of male friends
and they're like I'm gonna pick you up to go have wings or something
oh my god I feel like: what's wrong here?
they go outside of the car, they wait for me to open the door, then they open the door of the car
Janik doesn't even want to open the door for me
in the car
true
because I can do it myself... she can do it herself..
time efficiency.. ahhh see?
Janik tries though. Janik tries to be a gentleman sometimes! yeah totally
okay this is something for those people that are looking to get a German girlfriend or boyfriend
and I'm sad to tell you that it's not that common for Germans to flirt in a club
when we go out literally like.. there's guys that probably have interest but they're not as straight forward as in Mexico for example or in the US
German:
aber es gibt eine Ausnahme von der Regel
die Deutschen, die im Urlaub sind ... oder die Deutschen, die irgendwo außerhalb von Deutschland sind
sie gehen ab! - Also..
Hmm, das, was du gerade gesagt hast, ist für viele Leute in unserem Alter der Fall
als ich 18, 19, 20 war, flirtete ich wie ein Liebesgott ...
oh hast du wirklich?
nein ich war zu schüchtern
Niemand interessierte sich für mich
Sie waren vielleicht interessiert, aber sie waren zu schüchtern
Ich habe sogar diesen Satz geschrieben, den ich online gelesen habe
Verwechsle Schüchternheit nicht mit Desinteresse
Die Tatsache, dass sie schüchtern sind und sich dir nicht nähern, bedeutet nicht, dass sie nicht interessiert sind
Etwas, woran ich mich nur schwer gewöhnen konnte, war, dass die Deutschen meistens pünktlich sind
und das ist ein Stereotyp, der tatsächlich wahr ist
Die Deutschen halten ihre Versprechen und erwarten, dass du auch dein Versprechen hältst
auch wenn es um pünktlichkeit geht
und man sagt: wir treffen uns um 4:00 ... es muss um 4:00 sein
und das ist für mich so schockierend
English:
but there is an exception to the rule
the Germans that are on vacation... or
the Germans that are outside of Germany somewhere
they go off! - okay so
hmm this what you just said goes a lot for people in our age
when I was 18, 19, 20 I was flirting like a love god...
oh were you really?
no I was too shy
nobody was interested in me
they were interested maybe but they were too shy
I even wrote this sentence that I read online
don't mistake shyness for disinterest
the fact that they're shy and they are not approaching you doesn't mean that they are not interested
something that was hard for me to get used to was that Germans most of the times are always on time
and that is a stereotype that is actually true
Germans keep their promises and they are expecting you to keep your promises too
even when it comes to punctuality
and you say we're gonna meet at 4:00... it has to be at 4:00
and that to me is so shocking
Spanish:
pero hay una excepción a la regla
los alemanes que están de vacaciones ... o los alemanes que están fuera de Alemania en algún lugar
ellos sí coquetean- bueno entonces
hmm esto lo que acaba de decir va mucho para la gente de nuestra edad
Cuando tenía 18, 19, 20 estaba coqueteando como un dios del amor ...
oh realmente?
no, yo era demasiado tímido
nadie estaba interesada en mi!
Quizás les interesabas pero eran demasiado tímidas.
Incluso escribí esta frase que leí en línea.
no confundas timidez con desinterés
el hecho de que sean tímidos y no se te acerquen no significa que no estén interesados
algo a lo que fue difícil acostumbrarme fue a que los alemanes la mayoría de las veces siempre están a tiempo
Y ese es un estereotipo que en realidad es cierto.
Los alemanes cumplen sus promesas y esperan que tú también cumplas
incluso cuando se trata de la puntualidad
y si dices que nos veremos a las 4:00 ... tiene que ser a las 4:00
y eso para mi es tan impactante
Spanish:
pero hay una excepción a la regla
los alemanes que están de vacaciones ... o los alemanes que están fuera de Alemania en algún lugar
ellos sí coquetean- bueno entonces
hmm esto lo que acaba de decir va mucho para la gente de nuestra edad
Cuando tenía 18, 19, 20 estaba coqueteando como un dios del amor ...
oh realmente?
no, yo era demasiado tímido
nadie estaba interesada en mi!
Quizás les interesabas pero eran demasiado tímidas.
Incluso escribí esta frase que leí en línea.
no confundas timidez con desinterés
el hecho de que sean tímidos y no se te acerquen no significa que no estén interesados
algo a lo que fue difícil acostumbrarme fue a que los alemanes la mayoría de las veces siempre están a tiempo
Y ese es un estereotipo que en realidad es cierto.
Los alemanes cumplen sus promesas y esperan que tú también cumplas
incluso cuando se trata de la puntualidad
y si dices que nos veremos a las 4:00 ... tiene que ser a las 4:00
y eso para mi es tan impactante
English:
because I feel like when it's your family or when it's a very close friend they're not gonna be angry if you are 15 minutes late
yeah but they are
so that's why this was a problem for both of us because she would arrive like half an hour later actually
on our first date she let me wait for like 20 minutes
but actually sometimes you make me be late
when I was meeting my friends many times I was late because of you
and then you were like: it's fine...
no - yes - it wasn't my fault... - and we would get there and they would be like:
oh the Mexican is late! what a surprise! And I was like: it was not my fault!
it was his fault ha ha ha
yeah well stereotypes
okay so here's the difference
when we are meeting your friends I don't mind being late
when it's my friends I might being late
he's so angry and his friends are also not happy that he's late
I don't even know if they feel bad or not
but I just feel bad because they have to wait
yeah but with my friends you don't mind if they have to wait
and the last point.. and I had a hard time getting used to this
German:
weil ich das Gefühl habe, wenn es deine Familie ist oder wenn es ein sehr enger Freund ist, werden sie nicht sauer sein, wenn du 15 Minuten zu spät kommst
Ja, aber sie sind es!
Deshalb war das für uns beide ein Problem, denn sie würde tatsächlich eine halbe Stunde später eintreffen
Bei unserem ersten Date ließ sie mich ungefähr 20 Minuten warten
Aber manchmal lässt du mich zu spät kommen
Öfters, wenn ich meine Freunde traf, war ich wegen dir zu spät
und dann meintest du: es ist in Ordnung ...
nein - ja - es war nicht meine Schuld ... - und wir würden dort ankommen und sie würden wie folgt sagen:
Oh, die Mexikanerin ist spät dran! was für eine Überraschung! Und ich dachte: Es war nicht meine Schuld!
Es war seine Schuld, ha ha ha
tja... Vorurteile..
Okay, hier ist der Unterschied
Wenn wir uns mit deinen Freunden treffen, ist es nicht so schlimm, wenn ich zu spät komme
Wenn es meine Freunde sind, ist es mir wichtig, nicht zu süät zu sein
Er ist so wütend und seine Freunde sind auch nicht glücklich, dass er zu spät ist
Ich weiß nicht einmal, ob sie sich schlecht fühlen oder nicht
aber ich fühle mich nur schlecht, weil sie warten müssen
Ja, aber mit meinen Freunden macht es dir nichts aus, wenn sie warten müssen
und der letzte Punkt ... und ich hatte es schwer, mich daran zu gewöhnen
Spanish:
porque siento que cuando se trata de tu familia o de un amigo muy cercano, no se van a enojar si llegas 15 minutos tarde
si pero se enojan!
así que eso fue un problema para los dos porque ella llegaba como media hora más tarde en realidad
en nuestra primera cita me dejó esperar como 20 minutos
Pero en realidad a veces tú me haces llegar tarde.
Cuando me encontraba con mis amigas muchas veces llegaba tarde por tu culpa
Y entonces estabas como: está bien, no importa...
no, sí, no era mi culpa ... y llegábamos y era como:
¡Oh, la mexicana llega tarde! ¡qué sorpresa! Y yo estaba como: ¡no fue mi culpa!
Fue su culpa, ja, ja, ja.
si bueno estereotipos
Bueno, así que aquí está la diferencia.
Cuando nos encontremos con tus amigas, no me importa llegar tarde.
cuando se trata de mis amigos me importa llegar a tiempo.
Él se enoja y sus amigos tampoco están felices de que llegue tarde.
Ni siquiera sé si se sienten mal o no.
Pero me siento mal porque tienen que esperar.
Sí, pero con mis amigas no te importa si tienen que esperar
y el último punto .. y me costó acostumbrarme a esto
Spanish:
porque siento que cuando se trata de tu familia o de un amigo muy cercano, no se van a enojar si llegas 15 minutos tarde
si pero se enojan!
así que eso fue un problema para los dos porque ella llegaba como media hora más tarde en realidad
en nuestra primera cita me dejó esperar como 20 minutos
Pero en realidad a veces tú me haces llegar tarde.
Cuando me encontraba con mis amigas muchas veces llegaba tarde por tu culpa
Y entonces estabas como: está bien, no importa...
no, sí, no era mi culpa ... y llegábamos y era como:
¡Oh, la mexicana llega tarde! ¡qué sorpresa! Y yo estaba como: ¡no fue mi culpa!
Fue su culpa, ja, ja, ja.
si bueno estereotipos
Bueno, así que aquí está la diferencia.
Cuando nos encontremos con tus amigas, no me importa llegar tarde.
cuando se trata de mis amigos me importa llegar a tiempo.
Él se enoja y sus amigos tampoco están felices de que llegue tarde.
Ni siquiera sé si se sienten mal o no.
Pero me siento mal porque tienen que esperar.
Sí, pero con mis amigas no te importa si tienen que esperar
y el último punto .. y me costó acostumbrarme a esto
German:
war, dass die Deutschen sehr, sehr direkt sein können
Sie sind brutal ehrlich
und das ist, wo vielleicht das Vorurteil von euch als Gemeine Leute her kommt
das war nie ein Vorurteil!
aber sie versuchen nicht gemein zu sein
einmal, als wir in einer Fernbeziehung waren
bist du bist zurück nach deutschland gekommen und du hast mit meinen eltern gesprochen und sie haben gesagt
hmm dein deutsch ist nicht besser geworden ..
Ja! - Es ist nur eine Beobachtung gewesen
Ich glaube, ich wollte weinen, ha ha ha
und noch ein Punkt, dass ist ein sehr dummer Punkt, von dem ich dachte, dass wir ihn vielleicht nicht einmal erwähnen sollten, aber ich muss
hier in deutschland habe ich viel mehr Speedos gesehen, als ich wollte
du trägst keine speedos. nein
aber in deutschland ist das so normal, oder? Ja
aber gib es zu ... am Ende mochtest du die Aussicht
ah, es ist überhaupt keine große Sache. Ja, es ist eigentlich keine große Sache
Vielleicht bin ich es nur, weil ich komisch bin
ja du bist komisch. Ich bin tatsächlich komisch! - Du willst nicht mal deine Schwester nackt sehen
Spanish:
Era que los alemanes pueden ser muy, muy directos.
son brutalmente honestos
y ahí es donde tal vez surgió el estereotipo
eso nunca fue un estereotipo
Pero no están tratando de hacerte sentir mal.
hubo una vez, cuando estábamos en una relación de larga distancia
y viniste a Alemania y ella habló con mis padres y le dijeron:
hmm tu alemán no mejoró nada desde la última vez..
¡sí! -Es solo una observación.
Creo que probablemente quería llorar ja ja ja
y un punto más que es un punto muy estúpido que pensé que tal vez no deberíamos mencionar pero tengo que
Es que aquí en Alemania he visto más speedos que nunca
no usas speedos -no
Pero es tan normal en Alemania, ¿verdad? sí
Pero admítelo ... al final te gusta la vista.
Ah, no es un gran problema... Sí, en realidad no es un gran problema
tal vez solo soy yo porque soy rara
si tu eres rara. En realidad soy rara! - Ni siquiera quieres ver a tu hermana desnuda.
Spanish:
Era que los alemanes pueden ser muy, muy directos.
son brutalmente honestos
y ahí es donde tal vez surgió el estereotipo
eso nunca fue un estereotipo
Pero no están tratando de hacerte sentir mal.
hubo una vez, cuando estábamos en una relación de larga distancia
y viniste a Alemania y ella habló con mis padres y le dijeron:
hmm tu alemán no mejoró nada desde la última vez..
¡sí! -Es solo una observación.
Creo que probablemente quería llorar ja ja ja
y un punto más que es un punto muy estúpido que pensé que tal vez no deberíamos mencionar pero tengo que
Es que aquí en Alemania he visto más speedos que nunca
no usas speedos -no
Pero es tan normal en Alemania, ¿verdad? sí
Pero admítelo ... al final te gusta la vista.
Ah, no es un gran problema... Sí, en realidad no es un gran problema
tal vez solo soy yo porque soy rara
si tu eres rara. En realidad soy rara! - Ni siquiera quieres ver a tu hermana desnuda.
English:
was that Germans can be very, extremely straightforward
they're brutally honest
and that's where maybe the stereotype came from of you guys being meanies
that was never a stereotype
but they are not trying to be mean
there was one time, we were in a long-distance relationship
and you came back to Germany and he spoke to my parents and they said
hmm your German didn't get better..
yes! - It's just an observation
I think I probably wanted to cry ha ha ha
and one more point that it's a very stupid point that I thought maybe we shouldn't even mention but I have to
here in Germany I've seen way more speedos that I'm comfortable seeing
you don't wear speedos no
but it's so normal in Germany right? yeah
but admit it... in the end you like the view
ah it's not a big deal at all.. Yeah it's actually not a big deal
maybe it's just me because I'm like weird
yeah you're weird. I'm actually weird! - you don't even want to see your sister naked
German:
Ich will das nicht sehen
und ich bin sicher, sie will mich nicht nackt sehen
haha dein Gesicht! für mich ist es das normalste überhaupt
Ich bin verrückt ... Ich bin die schlechteste Person, die über dieses Zeug sprechen kann
Leute, das sind all die Probleme, die ich für dieses Video herausfinden konnte
Deutsche, falls ihr zuschaut und etwas anderes erlebt habt, teilt uns dies bitte in den Kommentaren mit
auf eine normale, nette Art und Weise
Nein, ich denke, was wir gesagt haben, war gut
und ich mag Deutsch tatsächlich sehr und anfangs war es für mich schwer mich an einige dieser Dinge zu gewöhnen
aber jetzt schätze ich sie sehr
und Leuten, lasst es uns wissen, ob ihr hören wollt, was ich über Mexikaner zu sagen habe
Ich werde beleidigt sein, dude!
Ich habe viel zu sagen
Also Leute, wenn ihr dieses Video mögt, gebt uns einen Daumen hoch, abonniert unseren Kanal, wenn ihr es noch nicht gemacht habt
und wir sehen uns nächste Woche
Adios muchachos! tschüss!
Weißt du, wie viele mexikanische Mädchen ich geküsst habe? wie viele? eine
Ich muss zu der Nummer kommen, die du hast
Spanish:
iuugh no quiero ver eso
y estoy segura de que ella no quiere verme desnuda
jaja tu cara! para mi es la cosa mas normal
Soy un bicho raro ... soy la peor persona para hablar de estas cosas
así que chicos, esos son todos los problemas que pude pensar para este video
Alemanes en caso de que estén mirando y hayan experimentado algo diferente, háganoslo saber en los comentarios.
de una manera normal, agradable
No, creo que lo que dijimos fue bueno.
y en realidad me gusta mucho Alemania y algunas de estas cosas son cosas a las que me fue difícil acostumbrarme al principio
pero ahora las valoro mucho
Entonces, hombre, háganos saber si quieren escuchar lo que tengo que decir sobre los mexicanos.
Me voy a ofender!
tengo mucho que decir
así que, si les gustó este video, avísenos, suscríbanse a nuestro canal si aún no lo han hecho.
y nos vemos la semana que viene
adios muchachos! ¡tschüss!
¿Sabes cuántas chicas mexicanas besé? ¿cuántas? una
Tengo que llegar a ese número que tienes.
Spanish:
iuugh no quiero ver eso
y estoy segura de que ella no quiere verme desnuda
jaja tu cara! para mi es la cosa mas normal
Soy un bicho raro ... soy la peor persona para hablar de estas cosas
así que chicos, esos son todos los problemas que pude pensar para este video
Alemanes en caso de que estén mirando y hayan experimentado algo diferente, háganoslo saber en los comentarios.
de una manera normal, agradable
No, creo que lo que dijimos fue bueno.
y en realidad me gusta mucho Alemania y algunas de estas cosas son cosas a las que me fue difícil acostumbrarme al principio
pero ahora las valoro mucho
Entonces, hombre, háganos saber si quieren escuchar lo que tengo que decir sobre los mexicanos.
Me voy a ofender!
tengo mucho que decir
así que, si les gustó este video, avísenos, suscríbanse a nuestro canal si aún no lo han hecho.
y nos vemos la semana que viene
adios muchachos! ¡tschüss!
¿Sabes cuántas chicas mexicanas besé? ¿cuántas? una
Tengo que llegar a ese número que tienes.
English:
iuugh I don't want to see that
and I'm sure she doesn't want to see me naked
haha your face! for me the most normal thing ever
I'm a weirdo... I'm the worst person to be speaking about this stuff
so guys those are all of the problems that I could figure out for this video
Germans in case you're watching and you've experienced something differently then please let us know in the comments
in a normal, nice way
no I think what we said was good
and I actually like German a lot and some of these things are things that were difficult for me to get used to in
the beginning
but now I value them a lot
so and guy let us know if you want to listen to what I have to say about Mexicans
I'm gonna get offended dude!
I have a lot to say
so guys, if you like this video give us a thumbs up, subscribe to our channel if you're not already
and we'll see you next week
adios muchachos! tschüss!
you know how many Mexican girls I kissed? how many? one
I have to get to that number that you have
English:
so send me an inbox
no Janik stop doing that, for real, I don't like that
the problem with dating a Mexican
jealousy
another problem with dating a Mexican
very emotional
guys this video is over..
the temper is difficult
oh my god
problem when dating a German: they take three hours to say one sentence because they cannot think properly
problem when dating a German: they think they're funny but their humor doesn't make sense...
German:
Also sendet mir eine Nachricht
nein Janik hör auf das zu tun, im Ernst, das gefällt mir nicht
das Problem, eine Mexikaner zu daten...
Eifersucht
Ein weiteres Problem eine Mexikaner zu daten...
sehr emotional
Leute, dieses video ist vorbei ..
Das Temperament ist... schwierig
Oh Gott
Problem beim Daten eines Deutschen: sie brauchen drei Stunden, um einen Satz zu sagen, weil sie nicht richtig denken können
Problem beim Daten eines Deutschen: Sie denken, sie sind lustig, aber ihr Humor ergibt keinen Sinn ...
Spanish:
así que envíame un mensaje
No Janik deja de hacer eso, de verdad, no me gusta eso.
el problema de salir con una mexicana
celos
Otro problema con salir con una mexicana
muy emocional
chicos este video ha terminado ..
de genio difícil
Oh Dios mío
problema al salir con un alemán: tardan tres horas en decir una frase porque no pueden pensar correctamente
Problema al salir con un alemán: piensan que son divertidos pero su humor no tiene sentido ...
Spanish:
así que envíame un mensaje
No Janik deja de hacer eso, de verdad, no me gusta eso.
el problema de salir con una mexicana
celos
Otro problema con salir con una mexicana
muy emocional
chicos este video ha terminado ..
de genio difícil
Oh Dios mío
problema al salir con un alemán: tardan tres horas en decir una frase porque no pueden pensar correctamente
Problema al salir con un alemán: piensan que son divertidos pero su humor no tiene sentido ...
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My revolution begins in the body
It isn’t waiting anymore
My revolution does not need approval or permission
It happens because it has to happen in each neighborhood, village, city or town
at gatherings of tribes, fellow students, women at the market, on the bus
It may be gradual and soft
It may be spontaneous and loud
It may be happening already
It may be found in your closet, your drawers, your gut, your legs, your multiplying cells
in the naked mouth of taut nipples and overflowing breasts
My revolution is swelling from the insatiable drumming between my legs
My revolution is willing to die for this
My revolution is ready to live big
My revolution is overthrowing the state
Of mind called patriarchy
My revolution will not be choreographed although it begins with a few familiar steps.
My revolution is not violent but it does not shy away from the dangerous edges where fierce displays of resistance tumble into something new
My revolution is in this body
In these hips atrophied by misogyny
In this jaw wired mute by hunger and atrocity
My revolution is
Connection not consumption
Passion not profit
Orgasm not ownership
My revolution is of the earth and will come from her
For her, because of her
It understands that every time we frack or drill
Or burn or violate the layers of her sacredness
we violate the soul of our future
My revolution is not ashamed to press my body down
On her mud floor in front of
Banyans, Cypress, Pine, Kalyaan, Oak, Chestnut, Mulberry
Redwood, Sycamore trees
To bow shamelessly to shocking yellow birds and rose blue setting skies, heart exploding purple bouganvillea and aqua sea
My revolution gladly kisses the feet of mothers and nurses and servers and cleaners and nannies
And healers and all who are life and give life
My revolution is on its knees
On my knees to every holy thing
And to those who carry empire-made burdens in and on their heads and backs and
hearts
My revolution demands abandon
Expects the original
Relies on trouble makers, anarchists, poets, shamans, seers, sexual explorers
Mystic travelers, tightrope walkers and those who go too far and feel
too much,
My revolution shows up unexpectedly
It's not naïve but believes in miracles
Cannot be categorized targeted branded
Or even located
Offers prophecy not prescription
Is determined by mystery and ecstatic joy
Requires listening
Is not centralized though we all know where we’re going
It happens in stages and all at once
It happens where you live and everywhere
It understands that divisions are diversions
It requires sitting still and staring deep into my eyes
Go ahead
Love.
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Today we gonna to do Home Tour
and I'll tell you later about my home's entrance
so hit Like to this video and do Subscribe to my channel
here's my living area to which I've given Brown & Golden theme
and here's Lord Bhudha's Painting
and this is my favourite seat
where I usually have tea in the morning
and also sometimes family gossips occurs too here
and here's the side table where we kept these Statues
and here on this wall we keep souvenir of the place wherever we go....to keep memory
and a small Balcony here
where we keep natural plants for fresh air
so here's in this living area has a capacity of 7 Persons
and here's the centre table with ample storage
so here I keep some stuffs
and this was the servant room with attached Toilet
but we extended this area with out living area
and this is the toilet to which we converted into store room
store room isn't in a condition to show :-)
as all the useless stuff like which is in need only once a year
& all the daily wear shoes all these we store here
and in this partition Cookwithnisha Crockery which we use to take Thumbnail shots
and here we keep the miscellaneous item
here we keep the grocery in this storage
and here the dining area
and to keep it slight different we keep here a textured wooden wall
and here are the beautiful mirrors
moving a little ahead here's my Kitchen
where I cook so many awesome recipes which I share with you
we keep kitchen in Grey and white theme
and this is my Mother-in-law's bedroom
and there's two speciality about this bedroom
first the awesome view we've from here
and the second one is this comfortable wakefit mattresses
which comes with orthopaedic memory foam
and yeah washable mattresses covers too
with two firmness level
so you can use it inter changeably
also you can get it on 100 days trial period
so if you don't them within this period you can return it with full refund
also comes with 10 years warranty
so take it and sleep comfortably
so lets ask her how did she like these mattresses
its too good I sleep so comfortably on it
and here's the awesome view about which I already told yo
fell love with this view when we bought this house
probably this might be the reason that we bought this house
here's the attached toilet
here's a small TV
here are two cupboards for ample storage for this room
here's the Mandir
now moving to that portion on my house
to which i think there's no need to explain it
as you've watched it so many times in videos and you liked it too
and that's my daughter Anantya's Room
Anaya often comes here.. and we're playing with our dolls
we kept it in Butterfly Theme
and we had shifted here six years back
and we're thinking to renovate this room
so you can suggest which theme should we keep for this room?
and here's Anantya's study table
and this is my favourite Guitar purse
and this is my sweet little bed
so we need ample, light and space in a kid's room too
so here's another utility Balcony along with this room
so ample light & air enters from here which is needed for a perfect room
and major part of my room is my doll house
now move on to our next room
wall paper...
so what would you like to say about these??
this is the wall paper of my favourite colour PINK
and I really like these mermaids imprinted on it
and opposite to this side there's a common Washroom
and we have it in Black and grey theme
which small and simple but adorable
and here's my Bed room
here's a TV unit in front of Bed
here we keep some space for storage
so here are four small drawers to store small stuffs
and here's the window... you can see the view from here
and here's the Balcony
so lets go towards it...
its really a fun to have tea & Pakode here if its raining
isn't it awesome view???
and here's the storage cupboard area
to give a different effect here we have wooden panels for lighting
there's a washroom in this room too
so Basically my house is 3 BHK
and here's the dressing area
below it there are two drawers to keep my stuffs
in video starting I told you to explain you about the entrance later
but first meet her which responds to our claps
we buy these small souvenir where ever we go on trip...
now moving towards our house entrance
which is in "Walk in the Woods" theme
so you can see the wooden panel sheet here
and here's our own DIY
we colour these wooden sticks to give an art effect
this is the door's handle in tree's shape
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Chinese:
派系 - 德國軍隊- 第一次世界
戰爭。 德國被公認為擁有
世界上最有效的軍隊。
利用群眾徵兵
其次是短期服兵役
儲備期較長。 重點
被高質量的訓練
同時保持高數量
有經驗的高級官員。 而凱撒
威廉二世是官員
總司令,軍長
工作人員,赫爾穆特·馮·毛奇是
在該領域的有效領導者。 他是
其次是從埃里希·馮·法金漢
1914年至1916年,然後是保羅·馮興登堡
從1916年到
1918年,1914年,德國
軍隊有70萬人。 但在一個星期內,
儲備金被要求服務
有380萬人被動員起來。 通過
1916年中期,285萬
士兵在西方服役
前面有170萬的服務
Vietnamese:
Phe phái--Quân Đội Đức--Thế Chiến 1
Đế Quốc Đức(1871-1918) được công nhận là có một đội quân hiệu quả nhất thế giới
Đế Quốc Đức(1871-1918) được công nhận là có một đội quân hiệu quả nhất thế giới
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
họ sử dụng khối lượng thỏa thuận cho dịch vụ quân sự ngắn hạn tiếp theo cho một khoảng thời gian dài hơn trong dự trữ.Nhấn mạnh được đặt vào đào tạo chất lượng cao trong khi duy trì số lượng lớn nhân viên cao cấp có kinh nghiệm
khi vua Kaiser Wilhelm 2 là chỉ huy chính thức,
khi vua Kaiser Wilhelm 2 là chỉ huy chính thức
đội trưởng quân đội,Helmoth von Moltke là chỉ huy hiệu quả nhất trên chiến trường
đội trưởng quân đội,Helmoth von Moltke là chỉ huy hiệu quả nhất trên chiến trường
ông ta được kế tục bởi tướng Erich von Falkenhayn từ năm 1914-1916
ông ta được kế tục bởi tướng Erich von Falkenhayn từ năm 1914-1916
và cuối cùng là tướng Paul von Hindenburg từ năm 1916-1918
và cuối cùng là tướng Paul von Hindenburg từ năm 1916-1918
vào năm 1914,quân đội đức
có 700 nghìn lính,nhưng chỉ trong tuần đầu của cuộc chiến
số lính có thể tham chiến được kêu gọi để đi chiến
và có tổng cộng 3.8 triệu lính đi chiến đấu(nhanh vãi)
vào giữa năm 1916,có 2.85 triệu lính chiến đấu tại mặt trận phía tây
vào giữa năm 1916,có 2.85 triệu lính chiến đấu tại mặt trận phía tây
và 1.7 triệu còn lại chiến đấu ở mặt trận phía đông
Swedish:
Fraktion-Den Tyska Armen-Första Världs
kriget. Tyskland erkändes som att ha
mest effektiva armen i världen. Det
utnyttjade massbidrag för
kortvarig militär tjänst följt av
en längre period i reserverna. Betoning
placerades på högkvalitativ träning
samtidigt som ett högt antal
uppleva högre tjänstemän. Medan Kaiser
Wilhelm den Andra var tjänstemannen
Överbefälhavare, armechefen av
personal, Helmuth von Moltke var
effektiv ledare inom området. Han var
följt av Erich von Falkenhayn från
1914 till 1916 och sedan Paul von Hindenburg
från 1916 till
1918. År 1914, den Tyska
Armen hade 700.000 män. Men inom en vecka,
reserverna uppmanades till service
och 3,8 miljoner män mobiliserades. av
mitten av 1916, 2,85 miljoner
Soldater tjänstgjorde på väst
Fronten medan 1,7 miljoner serveras på
German:
Fraktion -- Die Deutsche Armee -- Der Erste Weltkrieg
Deutschland wurde als die effizienteste Armee
der Welt anerkannt
Es nutzte Massenverfolgung für
den kurzfristigen Militärdienst, gefolgt von
einem längeren Zeitraum in den Reserven
Der Schwerpunkt lag auf qualitativ hochwertige Ausbildung
Unter Beibehaltung einer hohen Anzahl von
erfahrenen leitenden Offizieren.
Während Kaiser Wilhelm Der II der offizielle
Oberbefehlshaber, der Armee war, war
Helmuth von Moltke ein
effektiverer Leiter im Feld. Er wurde
von 1914 bis 1916 von Erich von Falkenhayn gefolgt
und dann von 1916 bis 1918 von Paul von Hindenburg.
und dann von 1916 bis 1918 von Paul von Hindenburg.
1914, hatte die Deutsche Armee
700,000 Soldaten. Und in einer Woche,
wurden die Reserven für den Dienst aufgerufen
und somit wurden es 3,8 Millionen.
In Mitte 1916, dienten 2,85 Millionen
Soldaten in der Western Front
Während 1,7 Millionen in der
Modern Greek (1453-):
Τομέας- Ο Γερμανικός Στρατός- Α΄ Παγκόσμιος
Πόλεμος. Η Γερμανία αναγνωριζόταν πως είχε
αποτελεσματικό στρατό στον κόσμο.
Χρησιμοποιήθηκε μαζική στρατολόγηση για
μικρή στρατιωτική θητεία την οποία ακολουθούσε
μια μεγαλύτερη περίοδος στην πολιτοφυλακή. Δώθηκε έμφαση
στην υψηλού επιπέδου εκπαίδευση
ενώ υπήρχε ένα υψηλό επίπεδο απο
έμπειρους ανώτερους αξιωματικούς. Ενώ ο Κάιζερ
Γουίλχελμ ο Β' ήταν ο επίσημος
αρχηγός εν-δράση, ο στρατιωτικός αρχηγός
προσωπικού, ο Χέλμουτ φον Μόλτκε ήταν
ο αποτελεσματικός αρχηγός στο πεδίο. Μετά απο αυτόν ακολούθησε
ο Έρικ φον Βόλκενχαϊμ απο το
1914 ως το 1916 και μετά ο Πωλ φον Χίντερνμπεργκ
απο το 1916 ως το
1918. Το 1914, ο Γερμανικός
Στρατός είχε 700.000 άντρες. Μα μέσα σε μια εβδομάδα,
οι πολιτοφύλακες καλέστηκαν για υπηρεσία
και 3,8 εκκατομύρια άντρες κινητοποιήθηκαν. Ως
τα μέσα του 1916, 2,85 εκκατομύριοι
στρατιώτες υπηρετούσαν στο Δυτικό
Μέτωπο ενώ 1,7 εκκατομύρια ήταν στο
Hungarian:
A Német Császári Hadsereg az Első
Világháborúban. Úgy tartják Németországnak volt
a leghatékonyabb hadserege a világon.
A tömeges besorozásokat
rövid idejű katonai szolgálattal oldották meg melyet
egy hosszabb tartalékos rendszer követett.
A fő hangsúlyt a magas szintű kiképzésre helyezték
miközben az alakulatokat nagyszámú
tapasztalt altisztek vezették. Míg
II. Vilmos császár volt a hivatalos
főparancsnok, Helmuth von Moltke
vezérkari főnök volt az igazi
vezető. Őt követte
Erich von Falkenhayn
1914 és 1916 között, majd Paul von Hindenburg
1916-tól
1918-ig. 1914-ben A Császári Hadseregnek
700.000 katonája volt. De egy héten belül,
behívták a tartalékosokat és így
3.8 millió katonát sikerült mozgósítani.
1916 közepéig 2.85 millió
katona szolgált a Nyugati
fronton míg 1.7 millió
Spanish:
Facción - El ejército alemán - La Primera Guerra Mundial
Alemania se reconoció por tener el
ejército más efectivo del mundo.
Utilizaba el reclutamiento de masas para
servicios militares a corto plazo seguidos por
un periodo más largo en la reserva. Se puso
énfasis en el entrenamiento de calidad
a la vez que manteniendo un alto número de
oficiales experimentados. Mientras que el káiser
Guillermo II era el comandante en jefe
oficial, el jefe de personal del ejército,
Helmuth von Moltke, era el
líder efectivo en el campo. Lo siguió
Erich von Falkenhayn de
1914 a 1916 y luego Paul von Hindenburg
de 1916
a 1918. En 1914, el ejército
alemán tenía 700.000 hombres. Pero en una semana,
se llamaron a las reservas
y se movilizaron a 3,8 millones de hombres.
Hacia mediados de 1916, 2,85 millones
de soldados servían en el Frente
Occidental mientras que 1,7 millones servían en el
Italian:
Fazione -- L'Esercito Tedesco -- La Prima Guerra
Mondiale. La Germania era conosciuta per avere
l'esercito più efficiente al mondo.
Utilizzò la coscrizione di massa per servizio
militare di breve durata seguita da
un periodo più lungo nelle riserve. L'enfasi
venne posta sull'addestramento di alta qualità
mantenendo un alto numero di
numerosi ufficiali anziani esperti. Mentre il Kaiser
Guglielmo II era il comandante
in capo ufficiale, il capo del personale
dell'esercito, Helmuth von Moltke era
il leader effettivo nel campo. Venne
seguito da Erich von Falkenhayn dal
1914 al 1916 e poi da Paul von Hindenburg
dal 1916 al 1918.
Nel 1914, l'Esercito Tedesco
contava 700.000 uomini. Ma entro una settimana,
le riserve vennero richiamate per il servizio
e vennero mobilitati 3.800.000 di uomini.
Dalla metà del 1916, 2.850.000 di soldati
stavano combattendo sul Fronte
Occidentale mentre 1.700.000 soldati combatterono sul
English:
Faction -- The German Army -- The First World
War. Germany was recognized as having the
most efficient army in the world. It
utilized mass conscription for
short-term military service followed by
a longer period in the reserves. Emphasis
was placed on high-quality training
while maintaining a high number of
experienced senior officers. While Kaiser
Wilhelm the Second was the official
commander-in-chief, the army chief of
staff, Helmuth von Moltke was the
effective leader in the field. He was
followed by Erich von Falkenhayn from
1914 to 1916 and then Paul von Hindenburg
from 1916 to
1918. In 1914, the German
Army had 700,000 men. But within a week,
the reserves were called up for service
and 3.8 million men were mobilized. By
mid-1916, 2.85 million
soldiers were serving on the Western
Front while 1.7 million served on the
Turkish:
1. Dünya Savaşı : Alman Ordusu
Almanya'ya göre..
...orduları dünyanın en iyi ordusuydu.
Zorunlu askerlik...
...kısa dönem askerlik hizmeti yerine geldi.Ve bunu takiben askerlik süresi uzatıldı.
Deneyimli üst düzey subay yetiştirmek için....
...iyi bir eğitime önem verildi.
2. Wilhelm başkomutandı.
Ordu Genel Şefi...
...Helmuth von Molthe ...
Savaş alanında etkili bir komutandı.
Ondan sonra gelen Erich von Falkenhayn
1914-16 arası ve Paul von Hindenburg
1916-18 arası hizmet etti.
1914'te Alman Ordusu...
...700bin kişiydi.Fakat 1 hafta içinde ...
...yedek birlikler de orduya katıldı...
...ve toplam 3.8 milyon kişi seferberliğe katılmış oldu.
1916 ortasında , 2.85 milyon asker...
...Batı Cephesi'nde iken...
1.7 milyon asker...
German:
Ost Front dienten. Es gab 8 Armeekommandos
und weitere 10 wurden während des Krieges
kreiert.
Insgesamte mobilisierung während des Krieges für
Deutschland waren 11 Millionen Soldaten. Als
Der Erste Weltkrieg zu ende war in
November 1918, erlitt Die Deutsche Armee
schätzungsweise 5 Millionen
Opfer, darunter 1,8 Millionen toten.
Der Vertrag Von Versailles nach dem
Krieg, schränkte die Deutsche Armee auf
nur maximal 100,000 Soldaten. Wenn dir das gefallen hat,
dann besuch doch meinen Kanal
BLaacK and WhitE und
Abonniere noch Heute :)!
Swedish:
Östra Fronten. det var 8 armeer
kommandon och ytterligare 10 skapade under
kriget.
Totalt Mobilisering under kriget för
Tyskland uppgick till 11 miljoner soldater. när
Det Första Världskriget kom till en och in
November 1918, Den Tyska Armen hade
led en uppskattad 5 miljoner
förluster, inklusive 1,8 miljoner döda.
Versailles fördrag som följer
krig skulle begränsa den Tyska armen till
bara 100.000 män. Titta på våra andra videoklipp
att lära sig mer.
Få din kopia av Simple History- Första världs
kriget. tillgänglig på Amazon, nu.
Vietnamese:
và 1.7 triệu còn lại chiến đấu ở mặt trận phía đông
đã có 8 lệnh quân đội và hơn 10 được tạo ra trong chiến tranh
đã có 8 lệnh quân đội và hơn 10 được tạo ra trong chiến tranh
tổng số lính được huy động trong chiến tranh của đức lên tới 11 triệu lính
tổng số lính được huy động trong chiến tranh của đức lên tới 11 triệu lính
khi chiến tranh thế giới thứ 1 kết thúc vào năm 1918
khi chiến tranh thế giới thứ 1 kết thúc vào năm 1918
quân đội đức đã nhận 5 triệu thiệt hại bao gồm 1.8 lính đã chết
quân đội đức đã nhận 5 triệu thiệt hại bao gồm 1.8 lính đã chết
hiệp ước Versailes sau cuộc chiến đã giảm số lượng lính đức chỉ còn 100 nghìn người
hiệp ước Versailes sau cuộc chiến đã giảm số lượng lính đức chỉ còn 100 nghìn người
hiệp ước Versailes sau cuộc chiến đã giảm số lượng lính đức chỉ còn 100 nghìn người
English:
Eastern Front. There were 8 army
commands and a further 10 created during
the war.
Total mobilization during the war for
Germany totalled 11 million soldiers. When
the First World War came to an end in
November 1918, the German army had
suffered an estimated 5 million
casualties, including 1.8 million dead.
The Treaty of Versailles following the
war would restrict the German army to
just 100,000 men. Watch our other videos
to learn more.
Get your copy of Simple History -- World
War 1. Available on Amazon, now.
Italian:
Fronte Orientale. C'erano 8 comandi
dell'esercito e altri 10 vennero aggiunti durante
la guerra.
La mobilitazione totale durante la guerra per
la Germania portò 11.000.000 di soldati. Quando
la Prima Guerra Mondiale giunse alla fine nel
Novembre 1918, l'Esercito Tedesco
soffrì una stima di 5.000.000 di vittime,
inclusi 1.800.000 di morti.
Il Trattato di Versailles alla fine della guerra
impose di ridurre l'Esercito Tedesco di soli
100.000 uomini. Guarda altri video
per imparare altro.
Ricevi la tua copia di Simple History -- Prima Guerra Mondiale.
Disponibile ora su Amazon.
Turkish:
...Doğu Cephesi'ndeydi.
Toplam 8 ordu vardı ayrıca 10 ordu da
savaş sırasında oluşturuldu.
Savaş sırasındaki toplam seferberlik...
...11 milyon askere ulaştı.
1. Dünya Savaşı sonunda,
Kasım 1918'de Almanya...
5 milyon kayıp vermişti.
Bunların 1.8 milyonu ölüydü.
Savaş sonunda Versay Antlaşması imzalandı.Bu antlaşmaya göre...
...Almanya 100 bin askeri geçmeyecek şartla ordu bulundurabilecekti.
Özgür Uçar tarafından çevrilmiştir.
Chinese:
東方陣線 有8支軍隊
命令和另外10個創建
戰爭。
戰爭期間的總動員
德國總共有1100萬士兵。 什麼時候
第一次世界大戰結束了
1918年11月,德國軍隊
估計有500萬
傷亡人數包括180萬人死亡。
凡爾賽條約遵循
戰爭將限制德軍
只有10萬人。觀看我們的其他視頻
了解更多。
獲取您的簡單歷史 - 世界的副本
戰爭1.現在在亞馬遜上可用。
Hungarian:
a Keleti fronton. 8 hadsereg parancsnokság
volt és további 10-et hoztak még létre
később.
A teljes mozgósítással Németország
összesen 11 millió katonával büszkélkedhetett. Amikor
az Első Világháború véget ért
1918 novemberében, Németország vesztesége
nagyjából 5 millió fő volt,
melyből 1.8 millióan haltak meg.
A háború után a Versailles-i békeszerződés szerint
a Német Hadsereg létszáma nem lépheti túl
a 100.000 főt. Nézd meg a többi videonkat is,
hogy többet is megtudhass.
Szerezd meg te is az "Egyszerűbb történelem- Az Első Világháború"
c. kötet egyikét, melyet megtalálhatsz az Amazon-on.
Modern Greek (1453-):
Ανατολικό Μέτωπο. Υπήρχαν 8 στρατιωτικές
εντολές και δημιουργήθηκαν άλλες 10 κατά την διάρκεια
του πολέμου.
Η ολική κινητοποιήση κατά την διάρκεια του πολέμου για την
Γερμανία συνολικά ήταν 11 εκκατομύρια στρατιώτες. Όταν
ο Α' Παγκόσμιος Πόλεμος τελείωσε τον
Νοέμβριο του 1918, ο Γερμανικός στρατός είχε
υποφέρει 5 εκκατομύρια
απώλειες, συμπεριλαμβανομένων 1,8 εκκατομυριών νεκρών.
Η Συνθήκη των Βερσαλίων μετά τον
πόλεμο θα μείωνε τον Γερμανικό στρατό στους
μόλις 100.000 άντρες.
Spanish:
Frente Oriental. Había 8 mandos
del ejército y se crearon 10 más durante
la guerra.
La movilización total durante la guerra
para Alemania fue de 11 millones de soldados. Cuando
la Primera Guerra Mundial llegó a su fin en
noviembre de 1918, el ejército alemán
había sufrido unas 5 millones de
bajas estimadas, incluidos 1,8 millones de muertos.
El Tratado de Versalles después de la
guerra restringiría el ejército alemán a
solo 100.000 hombres.
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It's understandable that American music has lagged somewhat behind Europe.
After all, the U.S. is a very young nation and culture usually needs centuries to develop.
But America has played a very successful game of catch-up over the
past 150 years, with music that developed during a modern era of world wars,
the rise of mass communications, cinema and big business.
And classical composers were just as likely
to be writing for jazz bands, movies and musicals,
as they were for the Symphony Orchestra.
And of course most of them did.
But the seed the heart of American music was, in fact, European.
In the 1920s, for example, just 20 members of
the New York Philharmonic were actually American born.
And lets not forget that the first American masterpiece,
the New World Symphony, was written by
that Czech composer, Antonín Dvořák.
Major composing names to emerge from the U.S.
at the start of the 20th century included Edward McDowell
and Louis Gottschalk, both of whom had actually studied in Europe.
But gradually out of the shadows rose some startingly original voices.
Including, the first great homespun talent, Charles Ives,
whose own brand of crazy modernism,
blending Baptist Church hymns with marching band music.
It far outstripped anything that had been written
in Europe at the end of the 19th century.
And as jazz developed out of the spiritual tradition,
composers such as Aaron Copland,
use their modal harmonies and unusual rhythms
to create something of a national voice.
And lets not forget the likes of Russian composer Igor Stravinsky,
who's move to the U.S. in 1939 was a huge influence
on the new wave of American composers.
And as jazz, Broadway musicals
by Cole Porter, Rodgers and Hammerstein
and musical sweatshops of Tin Pan Alley took hold,
a young man called George Gershwin,
muddied the waters still more composing Porgy and Bess,
a work that still divides over whether as a musical or a genuine opera.
That mix of commercial and serious art continued with
Leonard Bernstein, Frank Zappa, and more recently Wynton Marsalis,
all of whose music refuses to be categorised.
On the other side of the musical coin,
post-war America was pioneering
a new type of experimental music,
thanks to John Cage, a man whose ideas of music
challenged our very notion of what music is.
From his prepared pianos, to 4′33″,
an ode to ambient noises, and now an iconic work of art,
equally revered and mocked.
And minimalist composers, such as Steve Reich
and Philip Glass were looking to Africa and Asia
for their own brand of hypnotic sounds.
Techniques that then made their way
back across the Atlantic to Europe.
The cultural direction of travel was starting to reverse.
American music had established itself.
Thank you for listening if you enjoyed this video,
click the like button and subscribe.
Discover more classical music content at
colstonhall.org/classical
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A NORTH CAROLINA WOMAN HAS
A SPEAKING ROLE IN A CLAN
EASTWOOD FILM.
SHE BOOKED THE PART THROUGH
A TALENT AGENCY. SHE PLAYS A
BIKER CHICK WHO CLINT'S
CHARACTER MISTAKES FOR A MAN.
I WAS A BIKER AND MY BIKE
WAS BROKEN DOWN.
HE CALLS ME A GUY AND I WAS
LIKE, SON?
WHO ARE YOU CALLING SON?
THE MOVIE IS IN THEATERS
TODAY AND SHE WILL WATCH IT
WITH THE REST OF HER TALENT
AGENCY.
YOU CAN BEAT HER SUNDAY AT 3.
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Kids Hip Hop Dance Choreography Hiphop Dance Kids
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What's up?
I'm seeing a lot of talk lately about the
failure of atheism.
In the previous decade, atheism was on the
rise in America, presuming to offer a better
alternative to religion.
Now some are saying that atheism failed to
create its own values, and quite a few atheists
are going back to religion.
So I want to suggest some ground rules for
atheists, for how you can live a meaningful
life, with values.
Before I start, I want to apologize for not
uploading much lately.
The reason for it is that I am writing another
book.
My previous book was more academic, but this
one is more like my videos.
In fact, it is basically all of my videos
rolled into one book.
And I am a much better writer than I am a
speaker.
So, if you like my videos, you have something
to look forward to.
I'm hoping to be done by November, and I will
let you know where you can purchase it.
So, atheism.
Now, of course it doesn't surprise me that
the atheism has reached a dead end.
I've been telling you all along that atheism
is not enough.
Atheism doesn't have values, because atheism
cannot have values, because atheism is not
a worldview.
It is just something that you are not.
You still have to figure out what you are.
Atheists like to say that they rely on reason
and scientific exploration.
Ok, but that's not enough.
Science can only give you facts.
You still need a metaphysics to put all these
facts together.
When you have a metaphysics, you can form
a worldview, and based on that worldview you
can create identities, values, ethics, etc.
Now, the problem is, there are many possible
metaphysics, many possible worldviews.
How can you tell which one is the right one?
Reason and science cannot give you the answer.
Science deals with physics, not metaphysics.
We have no way of telling which metaphysics
is the right one, you can only tell which
one is the right one for you.
And you do it based on intuition.
For instance, I adopt Nietzschean metaphysics.
Nietzsche rejected the idea that the universe
is made of dead matter.
He philosophized that every body in the universe
is self-driven, and wants to conquer the bodies
around it and shape them, or devour them in
order to shape itself in a more powerful way.
Based on this metaphysics, he explained all
the known phenomena, and created his worldview
and his ethics.
This worldview speaks to me because I am creative,
so the idea that I am made of a substance
that wants to shape the world is very appealing.
It is a worldview that allows me to organize
my life in a way that expresses my creativity.
Now, can I prove any of it?
No, but it doesn't matter.
It makes me happy, and that is enough.
Now, the first thing that you should ask me
is: ok, then how is that different from blind
faith?
And the answer is that adopting a worldview
isn't the end of it.
You have to maintain a critical mind, and
always criticize your worldview to see if
it is still the right one for you.
There are three criteria that you should measure
it by.
The first criterion is: does it still fit
with the known facts?
Because remember, the metaphysics is a way
to explain the facts.
If you encounter a new fact that refutes the
metaphysics, you have to factor it in and
reconsider your belief.
Secondly, does it still make you happy?
Because as you grow older, you change.
Your intuitions change.
What once made you happy doesn't any more.
If your worldview no longer makes you happy,
you have to ditch it in favor of a better
one.
And the third and final criterion is: is it
moral?
Now, here is where people have had a problem
with me in the past, because I am a relativist.
I don't believe that there is one worldview
that is right, but that there are many valid
ones.
Doesn't that also mean that I think that every
culture has its own morality, and that they
are all valid?
And the answer is that while I am a cultural
relativist, I am not a moral relativist.
Morality is universal.
It is rooted in our nature as a social animal.
Some people claim that it was religion that
gave us universal morality.
This claim has always been very weird to me.
What does the Bible say?
Thou shall murder; thou shall not steal.
What is murder?
Murder is the illegitimate killing of someone.
What is theft?
Theft is the illegitimate annexing of property.
So what the Bible says is: don't do what is
illegitimate.
Or, to put it more simply: thou shall not
do what thou shouldn't do.
In other words, the Bible assumes that we
already know the difference between right
and wrong.
And it assumes it because it's in our nature
to know it.
Those who don't know the difference between
right and wrong, we put in insane asylums.
Now, I am not saying that it is in our nature
to DO what is right; but it is in our nature
to know what is right.
We don't need religion for it.
So, we all know that it is wrong to murder,
steal, rape etc.
But we also agree that sometimes it is justified
to kill someone, in cases when it is the only
way to prevent greater suffering.
And here is where worldviews might differ
from each other, because one worldview might
lead you to the conclusion that killing is
justified, in cases that other worldviews
will disagree.
How do we know which is right?
Well, the thing you should ask yourself is:
is the conclusion based on reason, or on faith?
Let's say that you see someone running with
a knife towards a group of people, and shouting
'Allahu Akbar'.
And the only way to stop him would be shoot
and kill him.
In this case, killing him would be justified
by reason.
Your senses give you empirical data, your
prior knowledge tells you that you are watching
a terrorist attack, and your logic deduces
that you must shoot to kill, because that's
the only way to prevent greater misery.
This is pure reason.
Now, let's take another example.
Let's take something from my worldview.
Nietzsche believes that the stronger you are
in spirit, the happier you become.
This implies that if we get rid of all the
snowflakes, humanity will become happier.
So I might be tempted to want to kill these
people, for the common good.
But remember, I have no way of proving that
Nietzsche's worldview is right.
I adopt it based on intuition, on faith.
So to rely on it to justify the killing of
other people would be immoral.
Now, those two examples are extreme.
In real life, it is usually not easy to tell
when reason ends and faith begins.
And sometimes reason isn't enough, and you
have to act on faith.
And yeah, this is what it means to be human.
There is no religion or ideology that will
help you to overcome this.
In the end, it's always up to you to make
the decision.
You have to try your best to do the right
thing.
So, these are the three criteria.
If your worldview fails the test, you must
change it.
Now, this entails a couple of more things.
First, you must live in a free society, that
will allow you to change.
So fight to keep your society free.
Don't be content with a society that tolerates
your identity and worldview, but make sure
that it tolerates all identities and worldviews.
Because one day you will want to change, and
then you might find yourself in the persecuted
camp.
The other thing it entails is that you must
have empathy to all humans, because you don't
know who will be in your group one day.
Right now, you might have opposing worldviews,
but in the future, you might be in the same
group.
So be against the position, not against the
person holding it.
Enough with all this demonizing people, cancelling
people, destroying people.
Come on.
This is why you should be a moral person.
Like I said before, it is in our nature to
know the difference between right and wrong,
but not necessarily to do what is right.
It is in our nature to do what is right when
it comes to people that we perceive to be
similar to us.
Those who are part of our group.
We naturally feel empathy towards these people,
so we don't want to harm them.
We don't feel empathy to those that we perceive
to be outside our group.
We need to teach ourselves to do it.
So, like I said: remind yourself that we all
change, so anyone might be part of your group
one day.
If you harm them today, you might feel awful
about it in the future.
So, for your own self-interest, be a moral
person.
Don't harm people, and fight for the freedom
of everyone.
To sum up, you adopt a worldview based on
your intuition.
You keep a critical mind and measure your
worldview according to the three criteria
that I mentioned.
You ditch your worldview once it no longer
stands up to this criticism.
You fight to preserve a free society.
And you treat every human as your brother
or sister.
These are the ground rules for a happy atheist
life.
That's it, then.
Short video.
Like I said, I'm busy on my book.
In the meantime, I may do more videos like
this, where I talk to the camera.
They are much less work.
The problem is, it's hard for me to talk to
you like this, because you look exactly like
me.
And I have to say, you are one sexy motherfucker.
It's distracting.
Anyway, see you soon.
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in case anyone was wondering tonight I'm
sampling
corsair brown ale it is an English brown
ale
... from a brewery in Quebec
so today i'm going to be tinkering with
and experimenting with
these wii nunchuck controllers
these two i got quite some time ago at a
thrift store for a buck each
I'm pretty confident that these are
both knockoffs or aftermarkets or
whatever
that one says intertek on it this one
says absolutely
nothing except for the usual warnings
so the reason that
i grabbed these was that i know
originally i grabbed them just because
they've got some
neat little sensors and things in them
and then i spotted
these little breakout boards on ebay
which meet with the connector there's
two pins on top
and three on the bottom but only four of
them actually do anything
and that matches with that just like
that
so um with only four pins
and they're actually labeled on here
minus plus dc
so voltage data and clock
so that should be pretty straightforward
to uh to interface with
and i've already done a little bit of
looking and i know that there is an
arduino library or two
out there for this thing but before i
get to that
this has screws in it
obviously we're we're destined to take
it apart and just see what all is in
there
you wouldn't expect anything else of me
would you
well it seems to come apart just
kind of clam shelly where's the spudger
here
yeah so we got a top two little sides
circuit board a few wires what are there
five wires in there one of them's
obviously ground
and yeah we knew that there's five wires
down there okay
uh cap
that looks quite similar to the little
joystick modules that
you can commonly find on ebay
this kind of little modules well the
shaft's a little bit different
that one's got a narrower shaft on it
than that one
i wonder if they're all like that these
these have different potentiometers
now these ones all have a more sturdy
plastic
shaft on them yeah
so oh does this one click it does
okay but they are all pretty much
the same internally um
you've got two potentiometers this one
on the side here
for measuring that way this one for
measuring that way
and then there's a little clicky button
you can see it better on here
right there so five volts uh
ground x y and switch
so that's probably pretty similar on
this one
let's go deeper
so two buttons on the front there on
this little board here
and then oh hello there's some brain
boxing going on down there
i wasn't expecting all that so there's
two crystals
on here that one's a 16 meg and that
one's a four meg
there's quite a little um
mess of resistors there what the hell
are those guys doing
oh and there's another little chip
hiding underneath them too okay
so those are going to two different pads
so
hmm that looks pretty barge doesn't it
so and it's hiding a chip under it
labeled u4 then there's this main
chip here 5851l
qfp48
no idea and of course no idea what that
thing is
under that little blob there so
basically we seem to have
a microcontroller um
something a couple of crystals
another mystery chip under there
and another mystery bob chip on this
side
so whatever's going on they don't really
want us to know oh
we got a capacitor a few other
decoupling capacitors
oh whatever so that wasn't entirely
informative but i guess one of the
things that we
a couple of things we do know about it
or can infer about it
is that there is an accelerometer in
there
and there is some kind of a
microcontroller i tried to look up that
part number
and of course there's nothing
anywhere that i could find
okay so that goes back together fairly
straightforward
i think not that it matters that much
because i got two of them
and they weren't dirt cheap
so i think what i'm gonna do is try and
dig up a library and some sample code
and see if i can play with this
well this looks promising it says you
need a level shifter but
i've found other projects that say you
don't and this thing does run on 3.3
volts i'm going to try it without just
for the hell of it
it uses i2c which we saw earlier in the
data and clock
and sort of suspected that so that makes
it
pretty straightforward and easy to work
with so
you just connect it to the seo and sda
it it doesn't get much simpler than that
and i noticed that up earlier he was
talking about using level shifter but
down here he's not actually using one
so whatever then there's this library
this library here on this github i'll
put a link down below if
anybody wants to play with it and it
comes with a demo sketch which is the
same one that's in that
article so this one you need uh
processing
in order to talk to it and get it to
display its data
i don't have that and i don't feel like
setting it up but
i don't have to because he's broken out
what all the functions that the library
provides are
so i'm just going to take a few minutes
and go ahead and
get it to read all of those and i shall
be
back shortly alrighty here is that chunk
of code
that i've modified a little bit um
just created a serial begin and then
i've taken all of those functions from
that
web page and just
told it to serial print them so that we
can take a look at them
nice and easy let's throw that on to uh
some kind of an arduino board and hook
it up and see what happens
so here we have um all the different
columns
um the z button here
the c button and then for each
of the joystick x and y there's two
different numbers there's a raw
number here and then there's a kind of
filtered or processed number here
same for y so if i crank the joystick
to the left we see the y
change actually no
we see the x change don't we sure x
x raw and x change drastically crank it
to the right
that maxes it out up there the y
changes and down the y changes again
now then there's this angle one here
it is doing some weird math on
all on both axes of the joystick and
coming up with a number
i'll show you that a little bit more
friendly way later
um and here is the accelerator or the
accelerometer again
raw in x and processed in x raw in
y and processed in y and z
so if i twist my wrist around
see that changing and tilt it
and
what are these three directions here
there's that
oh there's that
and then there's this it's got to be an
easier way to see this
let's try the serial plotter although
it's showing
a whole bunch of different things
so let me just do the accelerometer
stuff again here's tilting it
up see that
changing and tilting it down
rotating it rolling it to the right
back to center and to the left and
center
and then rotating it this way
it doesn't seem to do as much anyway
here's the joystick
moving around see that and the buttons
i'm just going to take some of those
parameters out so we can see this a
little bit cleaner
okay so now all i have showing is the
joystick
x and x raw
y and y raw and the angle which is
calculated
out of that the documentation that i
found
says that it's done in radians so here
we go this is just the joystick
so if i go left
center right center
up center down
center so that should be pretty easy to
work with you'd think
let me just uh swap this out again and
just put the accelerometer stuff in here
and i think i'll just put the raw
accelerometer data in
x-raw y-raw and z-raw nothing else
i'm trying to hold this as steady as i
can right now
so if i do that
i twist it a little bit let me go back
to neutral again
so that looks like that one is changing
the red one
and if i twist my wrist this way that's
the blue one
and so i guess
how do i make that one go
that's the red one definitely
oh it's this way okay let me stabilize
again here
no that's the blue hmm
i don't know anyway they all do
something obviously
um this is a little bit twitchy for me
to interpret
so that's definitely that direction
and that's definitely that direction
so just for fun i uh found this other uh
other little project that also uses the
uh the nunchuck
this one's controlling servos which is
kind of cool
more background about this this guy
claims that it can
that the uh nunchuck can be connected to
5 volts
i'm still leaving mine connected at a
3.3 it seems to be working fine
this thing doesn't even use a nunchuck
library it just uses wire.h which is
the i2c library and the servo library
which is kind of slick and here is the
code that it
can't this little webpage came with
i'll link to that article too but here's
where it came from originally now then i
didn't write this and i haven't reverse
engineered it too much
okay so there is all the stuff on the
serial monitor
i can't remember what the
that's just a count okay that's the
joystick and the accelerometer and the
buttons
so again we'll push the buttons yeah
that works
move the joystick around
just will it swivel it around for the
accelerometer sure
okay interesting whatever but
let's look at what's happening in the
real world so if you remember
the two servos were mapped to the
joystick
that could come in handy
for driving some kind of a vehicle or a
robot or something
well i'm sure there is
more that can be done with these but
that i mean
now that we know how to read it
especially from the previous sketch
because i could re
using the library which makes more sense
to me because i can get numbers off
any of the functions that this thing
provides so it should be able to make it
do
make it control pretty much anything
right
that becomes the question what do i want
to control with these
hmm i don't know um
it'll probably show up again and again
when i just need a simple control
i i could use these joysticks too
but this is such a nice little ergonomic
little package
and two fire buttons even if i don't use
the accelerometers because they're
they seem a little twitchy um
i don't know uh what i want to be
weaving my hand around to make uh
make things happen the joystick seems
more intuitive to me
i don't know uh anyway you have any
ideas what i should do with this
they're just fun i think i'll look out
in the in the thrift stores for more of
these things especially if i can find
them for a buck
assuming thrift stores have survived the
you know uh
plague anyway uh thanks for watching uh
comments and questions and suggestions
down below in the comment section as
always
thanks for watching i'll talk to you
later
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- Hi friends, it's Sam and
I'm back from vacation!
Now if you haven't seen my
video about my trip to Mexico
and what I ate while I was
there, so much delicious vegan-ness.
Be sure to check it out.
I'll pop a link up here
and one down in the description as well.
So today, to continue the Mexico theme,
I'm gonna make mixed vegetable fajitas.
Oh, spicy and sizzly, delicious, love it.
Now before we get to the fajita recipe,
I gotta say a big huge thank you to you.
It was my goal that by the end of April,
I wanted to hit 10,000 subscribers.
- Well your wish just came true.
(cheering)
- But thanks to you, I've
already hit 10,000 subscribers
and it's not the end
of April and I'm almost
at 11,000 subscribers.
I'm blown away, amazed,
so thank you so much
for your support, for subscribing,
for liking my videos and sharing them.
It totally makes my day
and I'm so glad that
so many of you are enjoying my videos.
Okay, so let's get to fajita making.
So many things, so many delicious things!
Alrighty, so these
fajitas are just delicious
mixed vegetable fajitas.
Today, I am gonna use
four colored peppers.
You can use use whatever colors you like.
Today, I have two red,
an orange and a yellow.
But if you like green,
you can add that in.
If you like only reds, you can do that.
Whatever you like.
I have a red onion.
You could also use a
yellow or a white onion
if you prefer.
Eight ounces of mushrooms,
which is one of these
little tubs, some cloves
of garlic, tortillas.
Just check to make sure they're vegan.
Then I've got all sorts of toppings.
I have a Chipotle salsa,
some refried beans,
avocado, lime, jalapeno,
cilantro, and hot sauce.
This would also be great with guacamole,
with my cashew sour cream
which is in my cookbook.
When buying refried beans,
just make sure to check
the ingredients as
sometimes, they contain lard.
So obviously, buy the ones without lard.
So I'm just gonna chop
up all of these veggies
and get them ready for the skillet.
For the peppers, I'm gonna
slice them nice and thick.
You wanna keep the slices fairly thick.
So that way, when they cook, you have nice
hearty chunks of vegetables
and it's not like small,
chopped up pile of mush, ya know?
Nice and thick is the way to go.
Okay, I can't help it.
Any time a pepper opens like this,
you have to do this.
Raaaa!
Yeah, you know, that's what I do.
Woo, love it, done!
I have chopped all of my
veggies, my big pile of peppers,
my chunky onions, my
sliced mushrooms and garlic
and I've also prepped all of my toppings.
You'll wanna prep these
toppings ahead of time
because once you start
cooking, it goes pretty fast
and you wanna be able to eat those fajitas
right from that sizzling
skillet, no waiting at all.
Let's heat up the tortillas.
You can use flour or corn
tortillas, whatever you prefer
and there are two ways
that you can heat it up.
The first method is using
your oven to heat up
the tortillas.
So, just grab yourself a sheet of tin foil
like so.
Take a pile of tortillas and then
wrap them up so they're all sealed in.
Then just pop them in
the oven and heat them up
until they are warm and tender throughout.
Delish.
The second method you can
use to heat up the tortillas
is if you have a gas oven.
If you have a gas oven like I do,
you can just turn on a
flame and put the tortilla
directly over the flame
and keep rotating it
and turning it with
some tongs so you don't
burn your fingers until you
have a lovely toasted tortilla.
Let's hop over to the stove now
and start sizzling up those veggies.
Let's get cookin'.
So, I've got my largest skillet here.
Use whatever your largest
frying pan or skillet is.
You want as much room as
possible so things can get
browned on the bottom.
To this, I'm gonna dad two
tablespoons of light oil.
One, two, pick up my shoe.
Heat that up.
Make sure the pan is
covered with oil nicely.
(humming)
Okay, now that the oil's hot,
I'm gonna add the onions.
Mushrooms, stay behind.
And the peppers.
Ah, get in there.
Nice! See this is why I want a large pan.
Look at how full this thing is already.
And to this,
chili powder, cumin,
salt, and smoked paprika
for a little ooh, ahh, yeah.
See it's already sizzling
and popping like crazy.
I love it.
Now is that the sound of a fajita or what?
All the spices are already
smelling delicious as well.
So you wanna make sure
to keep stirring this
every now and then to
make sure the veggies
are cooking evenly and
nicely and perfectly
and beautifully.
Hello, hello, can you hear me?
Noisiest meal ever.
The peppers are just starting to soften.
They still need to cook more.
So this is the perfect time to add the
mushrooms and garlic.
Woo! Get in there.
Stir that in.
My veggies are nice and tender.
The mushrooms have reduced in size.
It smells gorgeous and fragrant.
It's time to eat fajitas.
Woo! So hot and sizzly and
crackly and poppy, I love it.
Heat safe, that's heat safe.
Certainly hope it's heat safe.
Oh my goodness, that smells so good!
I love it, serving it right
from the table like this
is so fun.
It makes me feel like
you're at a restaurant
in your own home.
I have to turn this handle.
It's making me nervous
that it's gonna poke me
in the stomach.
Whew, so much better.
I can relax now.
If you do bring the pan
directly to the table,
of course, be very careful
'cause the whole pan
is very hot and you don't
wanna burn your little self.
Okay, let's load up some
deliciousness on this fajita.
Oh, smells so good.
I'm gonna do a little
refried beans, some salsa,
avocado, cilantro, I love cilantro.
I know some people hate it
and think it tastes like soap.
Those people are wrong.
Just kidding, but I love it.
A squeeze of lime and a little tobacco
'cause I like spice.
Oh yeah, how delicious is that?
Oh my goodness.
Mmm!
Why are fajitas always
so drippy and delicious?
Oh, it's so yummy, so fresh.
The spices on the vegetables are great.
You have that combination of hot veggies
and cold toppings which was really fun.
It's a lovely fresh summer meal.
So fun to make at home.
This would also be a really fun recipe
for a little bit of a party.
You could bake the big
plate of hot veggies,
put em down in the middle of the table,
have a whole bunch of toppings around
and everyone can make their
own fajitas as they please.
Now as always, the link to
the full recipe is down below
in the description.
So you can go click that, get all the full
recipe instructions, print it out,
make your salsa fajitas, yeah.
I hope you like this fajita video
and if you do, be sure
to give a big huge like.
It really helps me out here on my channel,
so I appreciate it very, very much.
Don't forget to subscribe for a brand new
fuss free vegan video
every single Wednesday.
I'll see you next week!
Bon appetegan!
(upbeat music)
♪ Fajitas fajitas ♪
I don't know why fajitas
make me wanna dance
but they do.
This sounds like a fun song
that I should be playing.
(upbeat music)
| {
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- This S100 at the Tour Down Under.
- [All] Welcome to the GCN Tech Show!
- Woo!
- And I'm gonna be bringing you
the latest and greatest tech
that these guys are using.
Go on guys!
- And of course having
already got an amazing tan,
I've stayed back here in
our beloved maintenance set
where I'll be bringing you
this week's big debate:
metal versus carbon.
And of course the second induction
into the GCN Tech Wall of Fame
with a little cameo from Captain Retro.
(techno music)
- What's hot in tech this week?
Well, for a start, my body
is absolutely scorching.
Sadly, though, that is
not tech, far from it.
I would just actually like
to thank, on that note,
the people of Adelaide for
making us feel so welcome
here at the Tour Down Under.
Your comments on how much you
love GCN and everything we do
has just been absolutely outstanding.
And I'd really like to thank you all
for coming up to us and telling us.
Now time to raise the temperature
just a little bit more
as if I need to.
How about these?
Digital soles, heated
insoles, spotted recently
at the Consumer Electronics
Show in Las Vegas.
Now the temperature range on these insoles
is actually between 30
and 45 degrees centigrade
and it's controlled through
an app on your phone.
They also track where you've been.
Presumably that's also through the app
and not through a GPS unit
inside of the inner sole
as that would be a little
bit overkill I think.
To charge up the insoles
it's simply a USB cable.
The battery life is
between two to six hours
depending on your desired
output of temperature.
Weight-wise, they come in at
between 120 and 160 grammes.
Finally, the price is $199.
I think I'd probably pay that, actually,
so I wouldn't get cold
feet during the winter.
Now I wonder if I can get a pair
in time for my arrival back at GCN HQ.
One thing's for certain, though,
I do not need them right now.
In fact, I need ice cold insoles.
- Kask, together with team Sky
have been working very closely
together to bring you this.
This is the brand new Utopia helmet
which we just saw launch
a couple days ago.
The purpose of it is
to have an aero helmet
which is suitable for use even
in hot weather conditions.
Believe me, the squat of team
Sky, they've been using it
down here at the Tour Down Under
and the temperature's been reaching
up to 40 degrees centigrade.
Now that is hot.
According to a test by Kask,
it actually saves six watts
over its nearest rival at 50 k an hour.
That's quite a considerable
amount, really, isn't it?
The weight of it is 235
grammes in a size medium.
There's nine ventilation ports on there.
I'm gonna have some more tech
for you later on in the show.
So stay tuned.
- Cheers for that tech round-up, Jon.
I'm not gonna lie, the
temperature in Adelaide
does sound bloody lovely right now.
Although I'm not entirely sure
that sunburn is a stronger.
But anyway, while you have been
stalking professional cyclists,
I have been having great fun
going through the comments
that relate to this week's hot
topic: metal versus carbon.
Now as we suspected, there
are some very strong opinions
out there including
this one from Dave Ross.
"Death to all but metal!"
(metal music)
And then some still emphatic
but slightly mellow comments
like this one from bondles who said,
"I dearly love my old Aluminium Trek 1000,
"but I hopped on my first
carbon bike last week
"and as soon as I touched
the pedals, it took off
"like a snake had bitten it.
"It is heaps of fun."
I know that feeling, totally.
So I think we should probably
start with some facts.
If you want the lightest, the stiffest,
and the most aerodynamic bike,
you have to have one that
is made out of carbon fibre.
I'm sorry, but you will.
Let's start with the
weight penalty for a start.
The lightest carbon frames
are about 350 grammes lighter
than the very lightest aluminium ones.
Titanium about the same,
350 grammes heavier.
And then steel is even more.
That's about 700 grammes heavier.
And that is for the
very, very lightest ones.
Stiffness, yeah, metal frames
can be made as stiff as carbon
but the weight penalty
would be even greater.
Then from an aerodynamics perspective,
due to the properties of
carbon, it can be sculpted
into the necessary aerodynamic shapes
to a far greater extent than a metal one.
So on paper, a carbon frame
should be faster than a metal one.
And as important as that is to some of us,
it is still not the be-all and end-all.
There's reliability for a start.
As we found out when we went
to the control tech factory
back in autumn...
I do think it's interesting that carbon
has clearly a greater
resistance to fatigue
whereas aluminium clearly has
greater resistance to impact.
Metal frames should theoretically
have a higher impact
strength than carbon fibre.
That could come in really
useful for if the worse happens.
Because let's face it,
your frame is probably
the most expensive part of your bike.
Jon Burnell agrees in the comments.
He says that he's got a
both carbon and aluminium
and whilst he feels his carbon bike is
so much faster, more comfortable,
the aluminium has had
probably half a dozen crashes
including, quite scarily,
a full-on run over
by a car in which it mostly survived.
Not quite sure what that is.
But still runs fine.
For that reason alone,
he feels more infinity
for the workhorse metal.
And also another comment
from Pat Caballero
which I agree with in the most part.
Only there is one thing
I take exception to
and we'll get onto that in a moment.
He said, "Let's keep it
metal for reliability.
"I could not imagine touring
the altiplano on my own
on a carbon bike without
a fear of it going wrong."
Agree with that.
Then he says, "Besides with the
right brands of metal tubing
you can go have the best of both worlds,
super reliable and super light."
Now I'm not so sure about that.
You see, in my opinion,
when you're making anything
super light, you sacrifice
an element of its reliability
simply because there
is less material there.
That's true with carbon and also metal.
No matter what the alloy
is or what its properties,
there it's just less of it.
And of course a lot relies on the design
and the engineering of it.
And actually as well,
it's worth remembering
that carbon frames can be repaired,
maybe not in the ability of
it now to plant it granted,
but modern steels, or
many of them anyways,
cannot be repaired and
neither can aluminium
no matter where you are.
But this whole robustness,
reliability thing
does hide a really
important point, I think.
And that is that metal bikes
can feel really robust,
can feel really reliable to ride.
I think that's part of the reason why
I love my aluminium
cyclocross bike so much
and also my steel road bike.
What about price, though?
That really matters.
I think it's here that you get
the real feather-in-the-cap metal bikes.
They are much less expensive.
Again, a gross generalisation.
But if you're looking at
a top-end metal bike frame off-the-shelf,
you'd be looking at about $1000 perhaps
whereas an off-the-shelf carbon frame
would be like $2000 and upwards.
Actually we got a great
comment here from Chris Hudson
who says that in the
2000 to 3000 pound range,
I reckon metal bikes have the edge.
Mason, Kinesis, Bowman,
three British brands,
seem to put so much research into design
into unique and interesting
frames at this price point.
Hey then says, "It feels
"as though larger manufacturer's
equivalent carbon frames
"simply inherit features
from their flagship cousins,
"which justifiably, but unfortunately,
"cost bum-puckering amounts of money."
And it's true, carbon manufacture is
a much more labour intensive
process than making metal bikes.
It's kind of ironic, really,
seeing as a lot of people
seem to think they still
just pop out of the mould
like some cheap plastic toy.
But the more complicated the
frame and the lighter the frame
the more labour intensive it becomes.
So it is always gonna be
more costly I would guess.
And now, lastly, perhaps
most importantly, aesthetics.
Oh, yeah.
Now there is undeniably a certain look
to a modern carbon bike.
Thomas Soto says as much.
He says, Steal is real!
"I prefer steal but I love
the new looks of carbon."
Who's to argue?
But having said that, there
are no right or wrongs here.
I mean, take a look at this.
I dare you to disagree.
That is an absolute stunner.
Steal is real.
But then, so is aluminium.
Look at this!
Wah!
And titanium.
Man alive!
And of course, carbon.
All of them can be absolutely amazing.
Arguably, carbon is lighter
and faster, as we said.
Metal, more robust, certainly
feels like it to ride.
But they all scrub up pretty
darn well at the end of the day
which is why I sit firmly on the fence.
Just like Tyler Curtis, in
fact, in the comments who said
that his main bikes
are made out of carbon.
But he also has an aluminium
Langster for commuting
as well as All City Macho
Kings and Nature Boys
made out of Reynolds 853 steel tubing.
He then goes on to say that
he loves his carbon bikes
when he's really shredding
on the road, in the trees,
or on the cross course,
but both materials have
their purposes and places.
Now, Tyler, with
equivalent bikes like that,
you are truly a lucky man,
but you also speak great sense.
But we wanna hear from
the rest of you as well.
What do you think?
Are you a metaller?
(metal music)
Or are you a carbon-er?
Car-boner?
Oh, better not say that?
Anyway, let us know in the
comment section down below
which side of the fence
you sit on and why.
Or in fact, are you like
Patrick Pecoraro who says that
wood frames are better than
either metal or carbon?
I actually don't know about that.
I have no opinion
but I hope to rectify that
situation in the coming year.
Do make sure you stay tuned as well.
Next week's hot topic is
gonna be whether or not
there is actually a
difference in high-end frames
that of course as we just talk
about come out of a mould.
Is there a difference between
a Cervelo and a Pinarello?
Or a Giant and a Specialised?
Get involved in the comments section.
Wall of Fame!
Another thing I'm looking after
whilst Mr. Cannings
snoops around Australia.
Last week we inducted
our very first product
onto the GCN Tech Wall of Fame,
the Campanollo Quick Release.
This week following the
suggestions of Rbastien,
Ben Kickert, Bart Carter,
Alain Victor, James Cycle,
and Jarod Bell, to name
but a few, we are going
for brake lever mounted
integrated gear shifters.
Or more commonly and
conveniently known as STIs.
That's right, Shimano total
integration for it was the big S
that launched this amazing bit of tech
onto the road cycling world
in 1990 with eight speed,
Shimano Dura Ace 7400.
But interestingly, and this
took me totally by surprise,
the tech actually comes
from mountain biking
because the previous year, 1989,
Shimano launched Rapid Fire.
And with it, they brought
ratchet mechanisms
to gear shifters.
So one lever pulled cable
and then a second lever
released that cable in small increments.
Then as I said, it was
the following year, 1990,
where they brought that tech
into a much needed place
over on the road.
To elaborate and tell us
exactly how needed it was
we need to hear from
Captain Retro. (snaps)
Hello, mate.
- Where's my costume?
- Sorry mate, sorry about that.
- It's nice to get a guest
appearance on the Tech Show.
But interestedly, Si, if
GCN had been around in 1989,
I would've blown the lid on
a fantastic scoop for Shimano
because although it was released in 1990,
STIs were actually used in
a prototype way in 1989.
I was riding a race
called the Nissan Classic
at the back end of October of that year.
And I spotted very famous
rider indeed, Phil Anderson,
using prototype STI levers.
I must admit mate, it
absolutely blew me away.
Because at that time, I wasn't
even using index shifters.
I was basically on
symplex, retro shifters.
So it really was a proper
glimpse into the future.
And it blew a lot of riders away actually,
amazing bit of tech.
- It must have genuinely made
a difference to riders' speed.
Overall, that convenience of
shifting from your handlebars.
- But I think, yeah,
fundamentally, Phil Anderson,
what he said was that
it worked really well,
but it was the ability to
shift at the saddle on climbs
that made the big difference to him.
- Yeah, there we go then.
And actually, quite amazingly,
STIs didn't really change
a great deal, did they?
It took 20 years actually
for Shimano to get rid of
the cable that came out of
the side at the shifters.
If anything really was the
lever had ergonomics changed.
- It was just a system
that worked really well.
And me and you were using
the old-fashioned STI
until about 2008, 2009.
- Yeah, that's right.
Now Campagnolo meanwhile followed suit
quite soon after, didn't
they, with ErgoPower
where they had got rid of the
cables coming out the side.
And also they won a lot of fans
for brake levers that didn't move.
So Shimano, obviously, you have to move.
But some people preferred
a more static brake lever.
But I think I'm right
in saying that actually
by inventing STIs, Shimano kind
of moved into pole position
in the road group set market.
- It definitely was just
a little bit more tactile
and it took quite a few years
for Campagnolo to sort of catch up.
Although I like a bit of Campag,
again, Shimano was
just, at the feel of it,
just that little bit different
is far more tactile,
far more instantaneous.
I think with that system
they basically set the bar that high,
it was a long time
before other manufacturers
sort of caught up.
- I think we might have
just dropped a bombshell
into the comments section there,
so we'll leave it at that.
Do make sure you get involved
in the comments section.
Go easy on that whole
Shimano Campagnolo thing
but tell us what you
would like to see inducted
onto the GCN Tech Wall
of Fame for next week.
We need product number three.
Get thinking about it.
But I'd love to hear
what you'd have to say
but let's stop the camera first.
- First up, I need a cape.
- Okay.
Fair enough.
Not like a racing cape,
like a Captain Retro.
- Something like that will be okay.
- Can we sort him out with a cape, please?
- Check out these, hard
to miss, aren't they?
New Specialised S-Works
shoes that we've spotted
on the feet of Quick-Step
Floors riders this week.
Of course they match up
with those flashy
helmets that we also see.
Information on them is
actually quite sparse.
Other than I reckon they'll
be cool with the S-Works 7.
Keep yours eyed peeled, though,
and we'll reveal all once
we know more information.
When I saw this Bianchi
Specialised must-see
from the other side of the expo,
I ran as fast as my
flip flops would take me
and I thought it was Marco
Pantani's double winning bike
of this Giro d'Italia and
Tour de Trance back in 1999.
Sadly it's not, but it's just
a bike to commemorate it.
What's pretty cool about
it is perched on top
of that seat post is a saddle
signed by Il Pirata himself,
the legend, Marco Pantani.
I've just come across this pair of wheels
whilst having a look around here.
These are the Zipp 454 NSWs.
They're pretty unique
as I'm sure you'll agree
due to the saw-tooth profiling
here on the inside of the rim
which according to
studies, actually make them
more stable in crosswinds,
a pretty important feature.
Once that wind starts blowing,
I'm sure you'll agree.
But what makes this pair so special
is that you actually can't buy them.
Yep, that's right.
They are the tubular version.
I've only actually seen
a couple of pairs here.
This pair are on the back of Matt Schmidt
of Team Katusha-Alpecin.
And the other pair are
on that of Nathan Hass
who's the team leader for that squad here
at the Tour Down Under.
So who knows if we'll actually see them
go into general production for the public.
So Quick-Step Floors for 2018 have made
a switching cockpit sponsors
to Shimano's own brand, Pro.
It would appear, actually,
from looking around at some of the bikes
that they've not got the
full packages just yet.
But, hey, it's still early in the season
and I'm pretty sure that
once back in Europe,
all the bikes will be fully
equipped with the Pro range.
On the bike here of Nikias Arndt,
he's the team reader this year,
of Tour Down Under for Team Sunweb.
He's actually got the
new Shimano power metre.
They've actually replaced Pioneer
who were their last year's sponsors.
I'll tell you what, that's a
very neat looking solution.
It's based there just in the spider,
then with a sensor on the
inside of the chainstay.
I do like the look of that.
Bike of the week time.
First, though, let's reveal
last week's winning bike.
We put together two bikes
from the women's peloton.
They were the bike of Canyon Sram.
That was the Canyon Ultimate CF SLX.
It was up against Trek
Drops and their Trek Emonda.
And with a quite outstanding
77% of the votes,
the winner was... (snaps)
And the winner was
the Canyon Ultimate CF SLX of Canyon Sram.
I don't actually have
that one here with me.
This one is Tiffany Cromwell's bike
which she very kindly loaned me.
I do hope, actually, that those votes,
you weren't swayed by Simon
Richardson's love for that bike
as he described to us last week.
- Well, I'm gonna go with
the paint job first, Jon.
It's my favourite colour
scheme in the world.
It's the Canyon Sram Team Bike.
- Don't let it influence you, though,
that it's his favourite.
- Well it didn't work last week, did it?
It's the Canyon CF SLX
Ultimate ridden by the team.
- And first up we've got this
Specialised S-Works Venge ViAS Disc.
That is a mouthful, isn't it?
This particular model belongs to
Elia Viviani of Quick-Step Floors.
Obviously we've got ourselves
the aerodynamic frame,
aerodynamic cockpit,
Shimano Dura-Ace Di2
with disc brakes. (gasps)
Yep, I hear the gasps
from some of you already.
Rover wheels, a Specialised
power metre down there as well,
as well as a Specialised toupe saddle
with carbon fibre rails.
So now you've got to
vote for either this...
And this, the Factor O2
of Ejedizar Lemondao.
Obviously the Factor frame-set,
a black ink handle bar stem and seat post,
Fizik Aliante carbon-braided saddle,
Shimano Dura-Ace Di2 group-set,
Mavic Cosmic Carbone Ultimate.
Down there the CeramicSpeed
oversized pulley wheel system,
and here the SRM power crank.
So you know what to do.
You need to vote up
here for your favourite
and next week we'll put
another two head-to-head.
Right, it's that time of the week.
It's time for the bike vault
where we rate your bike
either nice or super nice.
Sadly, I don't have my super
nice horn with me this week.
It was taken away by the
customs officer, of all things.
Not to worry, I begged,
borrowed, and I stole,
actually I just asked nicely,
and I've got this
(air blows)
from WorldTour Mechanics
here at the Tour Down Under.
(air blows)
Listen out for that, that's
the sound of super nice.
With no further ado, let's get started.
First up, Barry Herschy,
Leeds, West Yorkshire.
We've got ourselves a Look 695.
Straight away
(air blows)
super nice.
Then who's this?
We've got Gavin Trueman of
Swindon in the UK as well.
Kuota leant up against what
looks like a farmyard gate.
Uh, little bit of rubbish
in the background, though.
So I'm afraid, Gavin, can't
really give that one super nice.
Sorry about that one, mate.
Next up, Ian Sheppard of
Jointwitch, he's got himself a KTM.
And he's got those orange
bottle cages on there.
Now those are the corporate colours of KTM
so I like what he's done.
He's actually done a little
bit of matching there.
Nice one, in fact, super nice.
(air blows)
It's cooling me down at least.
Right, Mitja Klavora, of Slovenia.
Look at that Specialised S-Works.
That is full of bling, isn't it.
Just check it out, look
at the gold detailing.
Super nice, no questions.
(air blows)
I need this, cool me down.
Right, finally, Ross McDonald
from Mesa in Arizona in the US,
look at that Specialised S-Works.
I love that paint job, absolutely love it.
Stands out a mile,
especially with those logos
so super nice.
(blows air)
(exhales) Right.
Now remember to submit your
bike for the bike vault.
Email us on the email address
on the screen right now.
And also let us know where you come from.
It really does help.
Right, so, ah, yeah, you're still here.
We're nearly at the end of the
GCN Tech Show for this week.
But don't worry, there is
more great content coming up
in the next week for you.
Tomorrow, Si's gonna be
in the GCN Tech clinic
answering one of your problems.
Saturday I take a look at
triple world road race champion
Peter Sagan's pro bike.
That is one not to be missed.
Sunday we take a look at 650b wheels.
And on Monday, yep, it's
Maintenance Monday time.
Then next week, we are back again
with GCN Tech Show episode number four.
Also remember to like and share this video
with your friends.
Do remember subscribe
to the GCN Tech channel
by clicking on the logo
on your screen right now.
For two more great videos,
how about clicking down here
for some tech from the Tour Down Under
and down here for Si's Orbea pro bike.
I'm afraid I have to actually go myself.
I've got a plane to catch.
So all the best and I'll
see you back in the UK.
(light music)
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"pile_set_name": "YoutubeSubtitles"
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- [Blair] So I want to
start this video by saying
this was not supposed to
be the next MLM I was going
to be putting under the
microscope and taking a look at
and doing one of these longer form videos.
This content and everything I
have found about the backstory
on this company and owner
is so long and detailed
that I had to cut this
video into two parts.
But don't worry, I'm not
gonna hold you indefinitely
on the line forever.
Part Two should be coming out
in a couple days to a week at max.
I am literally still writing that script
and it is still growing as we speak.
So Young Living is a company you all know
and probably dislike mainly
for their business practices.
But I was recently mentioned
and linked to a video
by NikkieTutorials with people telling me
she was promoting them.
- Lately, thanks to my mom,
I've been into essential oils.
I have the Young Living
sort of like diffuser
and right now I have
PanAway, I have Cinnamon Bark
and Energy and those three
are everything together.
- [Blair] And I'll be
honest, I was super shocked.
I really used to enjoy Nikkie's
content and I look at her
as a generally wholesome
but smart businesswoman.
So you can imagine my
shock when I found out
she would promote something
like Young Living on her channel
and I'm obviously not the only one.
(upbeat music)
I am very concerned that someone
with a platform that large
would promote a company and
product that is so against
what Nikkie's message is to her fans.
Young Living like many MLMs
is a company that thrives
from sucking money from naive
or unsuspecting individuals
trying to earn extra income
but who most will ultimately
fail and lose hundreds
or thousands of dollars
in the process.
Nikkie has always tried
to stand behind an image
of being positive and promoting self-love
and I found it extremely
difficult to understand
why she would promote such a company
whose values are so oppositely aligned.
And just to clarify,
since I've been working
on the script for a while now.
One, NikkieTutorials is a
massive beauty YouTube channel
here on the platform and
additionally since this has been
brought to her attention,
she did in fact apologize
on Twitter for promoting Young Living
and said she did not realize
what she was promoting
and the fact that she has
addressed that issue is fantastic.
But I still see this as
a learning experience
that we can all gain
some kind of insight from
and her misstep with showing
this company to her millions
of fans helped to spur the
production of the script.
So hey, that's the thing.
Now, for those of you who
are not new to the channel,
you know I regularly cover
MLM topics on the channel
every Monday for multi level
Mondays and you guys know,
I've been doing that
for almost a year now.
And you also know I am no
stranger to covering lawsuits
brought on by these companies
either with Young Living
actually being one of those lawsuits.
But there are many, many people out there
who don't know what an MLM
or multi level marketing is
and there are many impressionable
fans of NikkieTutorials
that will follow and buy
into whatever she says
without knowing the
real world repercussions
of giving them their hard-earned dollars.
And so that will be the
subject of today's video.
We are going to go down the
rabbit hole of Young Living
and uncover the quack of
a medical professional
they call the founder and
what they've been doing wrong
for years and why the people
but especially influencers
should not be promoting
these kinds of companies
or at least not, if they
care about their fans.
So sit down, buckle up and get comfy
because this is going to
be one hell of a ride.
So to understand Young
Living, especially to those
who are unfamiliar with MLMs
or multi level marketing,
let's get some terminology out of the way.
And as per usual, I will
have all my sources linked
in a placement file in
the description box.
So if you want to dig more
into depth into my sources,
you are more than welcome
to, so let's get into it.
One of the most confusing
things to define when talking
about these companies is the
difference between direct sales
and multi level marketing and
to understand that we need
to briefly look at three business models.
One is direct sales, two
is multi level marketing
and three is a pyramid scheme.
Direct Sales and pyramid
schemes are essentially opposite
ends of a spectrum and
MLMs sit in the middle,
taking a little from both models.
This is why I often say
that MLMs ride a gray line
between a legal business model
and an illegal business model
which often gets them into trouble
or shut down for their practices.
So with direct sales, you
have a seller that often works
as an independent contractor
and as a direct representative
of the company, although
they are not an employee.
And they sell or demonstrate
products traditionally
in like a traveling salesman
type sense but more recently,
through the rise of the internet,
they integrate social media.
And they earn a living
by taking a percentage
of the sale of their products.
Pyramid schemes, on the other
hand are a federally illegal
business model in the United
States and are illegal
in many countries around the world
including the Netherlands
where Nikkie is from.
Their focus is making money
from low level sellers
buying into the company
and those above them
otherwise known as an upline
and will gain a profit
from those low level sellers
and not from the product being sold.
In almost every pyramid scheme,
there is a premise of having
to have a startup cost or
a certain amount of money
you have to invest in to the company,
for example, a startup kit.
And now for an MLM, an MLM takes from
both the direct sales
model and a pyramid scheme
to build its own unique model.
What it does is take the direct sales idea
of having independent
contractors selling a product
and the sellers make a small
cut from selling the item.
But it also takes from the
pyramid scheme and the fact that
the upline in these
companies earn a profit
from recruiting new members below them
and not just their sales.
And as certain people move up
in the chain on these MLMs,
their focus often shifts
from selling the product
to selling a dream to recruit new people
and in return, they earn a
profit from those people.
And this is where many of
these companies get fined
or shut down for being a pyramid scheme
and this is why I find
MLMs to be so problematic.
When in a smaller scale, they
can easily hide in the shadows
and avoid being labeled
as a pyramid scheme
but as they get bigger,
their true colors show
and it becomes obvious that
they're masquerading as an MLM
but in all reality, they have crossed
into pyramid scheme territory.
So now with those
definitions out of the way,
let's begin to feast on today's
subject of my examination
from a pyramid against pyramid schemes.
Let's begin unraveling the
issues with Young Living.
(soft music)
- Gary Young, the founder
of Young Living said
that he healed from crippling paralysis
using only essential oils.
- Because Young Living makes
their entire brand identity
on being natural and God-given
and derived the ingredients
of the highest quality.
- Because there is a
distinction and a legal loophole
between saying that these oils
cure cancer and things like
if I had cancer I would use
this oil, this oil and this oil.
- All the claims that
Young Living distributors
try to make about what these
oils can do for your health,
none of them are scientifically proven.
- You can't say on one hand
that your company is all about
like natural, God-given
oils to help people's health
and then turn around and
support the needless slaughter
and mistreatment of these
creatures that God made.
- That there are people
opposing what we know factually
to be good medicine, things like vaccines,
things like cancer treatment
and they are replacing
those with essential oils.
- Upon realizing that it's
a cult, I was relieved
that I got away before
it was too late for me
but I also became incredibly worried
about everyone I know who's still in it.
- [Blair] So what is Young Living?
Young Living is an essential oils,
multi-level marketing
company based around the idea
of promoting holistic well-being
through using essential oils
as part of your daily routine.
One of their most notable
products is the Thieves oil blend
they created and whose independent
sellers have made claims
that the oil performs
better than cleaning agents
and can even help get blood
stains out of your carpet
after your child was murdered.
Yeah, I'm serious, this was a real post.
This is just a snapshot of the mess
we're about to encounter today.
Now when we dig into Young Living,
we really need to examine
its eccentric founder,
Donald Gary Young and the
impression he left on the company.
And to truly understand a
company and its beliefs,
I think it's important to look at
who founded the company and why?
So who is the man who would
eventually create the company
involved in trafficking
charges, pyramid scheme claims,
cash action lawsuits, all
while touting the appearance
of being holistic and healthy?
Well, Donald Gary Young
is noted as a businessman
who specialized in essential
oils and pseudo-medicines.
On their website, they say the following
about their beginnings.
Our community of wellness started in 1993
when D. Gary Young and Mary
Young developed their first
organic herb farming and
distillation operation.
At the time, Gary Young
had already discovered
the incredible power of essential oils
but because the quality of
available oils varied so greatly,
he'd been unable to fully
harness their potential.
Now, something you'll notice
here is the company refers
to him as D. Gary Young and all
over Young Living's website,
they won't call him by his
full name, which I found weird.
He also dresses in lab coats
and attempts to look like
a doctor even though he's
not a medical professional.
And I believe they refer
to him as D. Gary Young
as an attempt to make
him look more reputable
than what he is.
If you are quickly skimming by
it looks like Dr. Gary Young
and I think this purposeful
rewording of his name to give
the impression that he's
something that he is not
is just scratching the
surface of how this company
positions itself to deceive
its sellers and buyers.
So throughout this video,
I will be referring to him
only by his full name, Donald
Gary Young and I'm not letting
that subtle deception
slipped past me or you.
This man has a complicated
and carefully crafted history
of exploiting people and
situations around him
to gain a fake authority.
When I began digging into
his past, he moved to Canada
in his late teens and early
20s with the intention
of homesteading or the principle
by which one gains ownership
of an unknown natural resource
by performing an act of
original appropriation.
Now, the timeframe is
unclear but based on the fact
that he was born in 1949
and a supposed accident
that was said to have
happened in his late teens
and early 20s, I'm going
to assume it was somewhere
around 1969 give or take a few years.
And it was during this time
that he actually suffered
from a near fatal logging
accident that caused him
to be temporarily wheelchair bound.
And this is also where he initially claims
to have started experimenting
with essential oils
that assisted in his recovery.
In 1980, we know he enrolled
in a therapeutic massage
program at the American
Institute of Physiogenerology.
However, he only took a few
classes which he then abandoned,
completing only a third of the work
and left with an unpaid student loan.
Now, I tried to look up
what physiogenerology is
and the only results that
came up were all related
to Donald Gary Young,
so I found that to be super suspicious.
But based on roots of words,
we can discern the following information.
Physio is a Latin root word meaning nature
or natural or physical.
Generology was the much
harder root word to figure out
as all searches were
redirecting me to genealogy
which comes from the Latin word genealogia
meaning the making of a
pedigree or the study of family.
Gen is a term for general and
ology refers to any science
or branch of knowledge.
So based on that combination of words,
I can only conclude that he went to study
the general natural
knowledge which most likely
had information about holistic practices
but with the massage therapy angle.
Following his departure from that school,
he claimed to have
received a doctorate degree
in Naturopathy in 1985 or a
form of alternative medicine
that employs an array of
pseudo-scientific practices
branded as natural, non-invasive
or promoting self-healing.
I'm going to let it slide that
it takes about eight years
to actually complete education
for a doctorate but like, okay.
In 1982, he also was apparently operating
an unlicensed clinic
in Spokane, Washington.
So that knocks off a couple more years
but we'll get to that in just a second.
Now, there might be an angry
Young Living Essentials Oil
peddler preparing to write me a nasty gram
about how this proves he's
a doctor and not lying
and that I'm just
purposefully agitating people
by calling him Donald Gary Young
instead of placing a respective
Dr. prefix to his name.
And maybe he was extremely
gifted and was able to finish
his degree early because he's
such a prodigy in his field.
Sure.
My issue is that the
university isn't actually real.
The university Donald Gary Young attended
is called the Bernadean University.
The university is known as
a mail order diploma mill
where you give them a
certain amount of money
and they mail you a certification.
This university was not
accredited by the U.S. Secretary
of State as a legitimate
college and that degrees
from that location are
essentially useless.
As a matter of fact,
when state investigators
looked into this university,
they found it operated
out of a small office with no classrooms
that had four faculty
members who were essentially
paper graders and that
only one of them actually
even had a high school diploma.
Investigators also found that
law books, Joseph Kadans,
founder of this university,
claimed to have written
were merely an incomplete
compilation of texts
written by other authors
which Kadans had copied
on Xerox machines.
After Kadans died, the
business was moved from Nevada
to California where it is
still currently in operation
just outside of Los Angeles
and I don't know about you,
but I've never seen a university
that only has one employee
and makes $86,000 a year but here it is
still withering in the
shadows to this day.
And this is the fantastic,
wonderful, totally legit college
that the founder of Young Living,
Donald Gary Young graduated from.
There is his great authority
that founded a very scientific
and accurate company, if you say so.
So now we get to start
talking about how things go
from deceptive to dangerous.
In 1982, Donald Gary Young
opened the unlicensed clinic
in Spokane, Washington as
I had mentioned earlier.
This was a pseudo-medical clinic,
one of the first of many
he would attempt to do
in his lifetime and this
one offered a variety
of unlicensed treatments
to include childbirth,
claims that he could detect cancer
with a simple blood test and treat it.
These would all generally
fall under medical procedures,
typically performed by an
actual medical professional
and not someone who was at this time
didn't even have the crappy
paid for fake degree.
He was just out and about being careless
with people's lives.
I found an article from
the Spokane Chronicle
dated Thursday, October 7th of 1982
about Donald Gary Young killing
his own infant daughter.
In the article, it says Donald
Gary Young's daughter died
during a failed water
birth performed by him.
He tried to have his wife
give birth in a whirlpool bath
and kept the baby submerged
underwater for a whole hour,
effectively drowning the
newborn under the waters.
The daughter was birthed
at his medical facility
which we will get into because that place
is a medical nightmare
but back to this article.
After an hour, an ambulance was called
because his wife was hemorrhaging
and because the baby was not
breathing and Donald Gary Young
was almost responsible
for two deaths that day.
When the medical professionals
and police arrived on scene,
they reported medical
equipment on the premises
to include an examination
table, a heating lamp,
blood pressure equipment, rubber gloves,
a suction unit and clamps
but when an ambulance driver
passed the facility later that
day, he claims to have seen
equipment being removed from the building
and that when police revisited
the location hours later,
there was no equipment to be
seen and Donald Gary Young,
even denied being in
possession of such equipment.
At the time, the death
was ruled as accidental
although I have no idea how
you accidentally keep a baby
underwater for an hour and
expect to have positive results.
And as a little bit more
of a confusing tidbit,
in the concluded coroner's
report, it was actually stated
that if his daughter was
not submerged underwater,
she would have been alive and healthy
and there were no signs of a stillbirth.
So, just saying.
Just about six months after
the death of his daughter
at his facility, Donald Gary
Young was finally brought
to a minor amount of justice.
I found an article from
the local newspaper,
the Spokesman Review and found an article
from March 10th, 1983
called arrest results
of attempt to police all professions.
And let's take a look at
what this article had to say.
The arrest of a Spokane
man for practicing medicine
without a license is the
outgrowth of a new attempt
by the State Department
of Licensing to police
all registered professions,
an agency official said Wednesday.
Ron Weaver, chief of
investigations for the professional
and administrative licensing
divisions said his unit's
efforts to include checks
of real estate dealings
and sale of securities.
Donald Gary Young, 33, E1221
29th was arrested at his home
about 2 p.m. Tuesday by city
police following a joint
undercover investigation with city police.
Young was charged with one
count of practicing medicine
without a license, a gross misdemeanor
punishable by up to a year
in jail and a $1,000 fine.
Young, who is being represented
by Spokane attorney,
Carl Maxey appeared before
superior court judge,
John J. Ripple, Wednesday
afternoon and was released
after posting a $500 cash bond.
State licensing authorities
joined the investigation
after receiving a request
from prosecuting attorney,
Donald Brockett, who
asked the state's Board
of Medical Examiners for
assistance, said Weaver.
According to city police, the
investigation was initiated
about two weeks ago.
Weaver said that two undercover agents,
one from the city police and the other
from the department of
licensing's investigative unit
contacted Young about his services.
The state's investigator
is a registered male nurse,
Weaver said.
According to information filed
in the Superior Court here,
Young allegedly offered to deliver a baby
and to treat cancer.
Young's daughter died during
childbirth during an underwater
birthing technique in a whirlpool bath
at a former East Spokane
health club last September.
City homicide detectives
investigated the case
but authorities ruled
the death was accidental,
official said.
So, there is Young
Living's future founder,
a bad, medical con man
who had already managed
to accidentally murder his own daughter.
Let's not skip over these
juicy details either.
This article states
that Young was a subject
of an internal investigation against him
and in their undercover sting,
he promised to the state's investigator
to deliver the baby and to treat cancer.
Both are claims you cannot make or do
especially when without a license.
Donald Gary Young pleaded
guilty to practicing medicine
without a license and was charged a fine
and placed on a suspended
probation for a year
which I feel is an incredible injustice.
Now armed with the death
of an infant under his belt
and a shiny new printed
fake doctorate degree,
Donald Gary Young made his
way down to Tijuana, Mexico
where he opened another clinic
and claimed to be a natural Pathak doctor.
Now, I casually mentioned
earlier that he claims
to have started experimenting
with essential oils
during his recovery from
the logging accident
in the late 1960s to early 70s.
But in his personal blog,
he wrote a post in 2015
regarding his experience with this clinic.
He claims in 1985, he
was approached by a woman
and her sister about essential
oils and aromatherapy.
And I quote, these are his written words.
"I said, 'Aromatherapy?
"Oh, been there, done it, no,
thank you, not interested.
"I could see by her
body gestures and energy
"that I had insulted her somehow.'
"So I said, 'Well, at
least in my experience,
"I see no value in them.'"
And that's a little bit of a
hot take against essential oils
when he also claimed
essential oils are what helped
to expedite his recovery
process post logging incident.
Huh, wait, I know I heard
that somewhere else too.
Oh, wait, that's right, his obituary.
See, he passed away in 2018,
just so we're clear about that
but that doesn't negate anything
he did during his lifetime.
However, in his obituary,
it says the following,
"After five years of logging and ranching,
"Young suffered debilitating injuries
"in a serious logging
accident and was confined
"to a wheelchair with no
expectation of walking again,
"which caused him to endure
years of pain and depression.
"Channeling the cowboy
spirit of not backing down,
"it was on this path where
Young's personal journey began
"as he wanted to learn everything he could
"about natural healing and
where he was introduced
"to essential oils."
You know, I hear it's pretty easy
to keep your story straight
when it's the truth.
So, I guess this is just
another oopsie, right?
Just like his daughter, right?
But back to this Mexico
clinic that he opened up now.
So Donald Gary Young's clinic offered
detoxification treatments
from cancer and lupus
and what did he use for
these cancer treatments?
Laetrile and if you're a
non-medical professional
like myself, you want to
know exactly what this is.
Laetrile is a chemical compound
derived from apricots pits,
raw nuts and lima beans and therefore,
it had an amazing appeal
for the alternative medicine communities.
Unfortunately, when the
compound is ingested
into the human body, the
compound transforms into cyanide,
which is a toxin that can kill.
And without careful medical supervision,
these doses can cause
cases of cyanide toxicity
and ultimately death and
these treatments caught
the attention of the Los
Angeles Times in 1987,
who made their own investigation
into this treatment center.
In this new treatment center,
prospective patients were told
to prick their fingers on two
glass slides and then mail
the slides and $60 to the
clinic to be diagnosed.
To account for inflation,
if you were to pay for
that same test today,
it would cost you $135.85.
So these were really
not cheap initial tests.
But how was a reporter
going to test the validity
of these tests and diagnoses provided
by Donald Gary Young in his quack clinic.
Well, they sent an animal
blood on the slides,
specifically a cat and sure enough,
the clinic's health
educator, Sharon Reynolds,
who also cast horoscope
readings for patients
for whatever reason examined
the slides of cat blood
under the microscope and
concluded she found evidence
of an aggressive cancer
as well as liver problems.
She also claimed the
cancer had been present
for four to five years.
So the reporter went in person
and the tests were redone
using the reporter's blood.
Sharon's new diagnosis changed
from an aggressive cancer
to latent cancer but
she did remain adamant
about there being liver dysfunction
and pancreas and thyroid problems.
Her solution to cure the
reporter of these problems
was a supervised program of
cleaning, detox and rebuilding.
The detoxification program at the clinic
which consisted of
colonostics, a special diet
and a various nostrums cost
$2,000 per week, paid in advance
an at-home program was
also available for $90
plus about $400 worth of
vitamins and supplements
that Donald Gary Young
sells through his apparent
vitamin company that
he owned in California.
The Los Angeles Times decided
to challenge the clinic
one more time with another
set of blood samples
but this time it was chicken blood
from a local poultry shop.
With chicken blood, however,
there is a major difference
between it and human blood.
Something that can be easily identified
through a magnifying glass.
The red blood cells in
chicken blood are oval-shaped
and have no nuclei which
is drastically different
from the round, non-nucleated
cells in the blood of animals.
This shape change would
be an immediate red flag
that something was wrong
but that chicken blood
was diagnosed as a human blood
and they claimed there
was liver inflammation.
The Times additionally said
the chicken blood slides
to an actual doctor, Dr. Faramarz Naeim,
the Head of Hematopathology,
sorry if I butchered that,
department at the UCLA Medical Center.
He was able to immediately
identify the blood correctly.
When he was told why he was
asked to examine the blood
and asked his thoughts about these tests.
He said that the blood slides
used for valid diagnostic
purposes needed to be
thinly smeared and stained,
so that individual cells
could be clearly seen
under a microscope, which
these slides could not do.
Dr. Naeim and other
blood analysts point out
that information from such
examinations is limited
and is normally used in
conjunction with other medical data
in researching a diagnosis.
And he finally concluded that
the slides being prepared
were not smeared and the cells
were just lumped together
which would prove to be ineffective
to use as a diagnosis tool for anything.
When the news reporter
confronted Sharon Reynolds
with their evidence and
revealed the blood origins
her defense was that she'd
never seen chicken blood before.
So she would not have known.
And when questioned about
her initial diagnosis
about the cat blood, she stood by it.
The cat was later taken to a vet
and deemed to be medically healthy
and had none of the ailments
described by Sharon.
The clinic in Mexico would
be shut down a year later
and that's to no one's surprise.
That was all the preliminary
information I had to present
just to get you to the
start of Young Living.
I think looking at the founder's
morals and code of ethics
speaks strongly as to what
the foundation of the company
will be built on and based
on the current analysis
of Donald Gary Young's
past, Young Living was going
to be built from the foundation
of a man who was charged
for practicing medicine
without a medical license,
drowning his own infant daughter,
getting fake medical
licenses to trick people
into believing he was a
doctor when he was not.
Falsely treating patients for
illnesses they didn't have.
Claiming to cure cancer
with uncontrolled substances
known to lead to cyanide toxicity deaths
and this would be the person
that would start Young
Living Essential Oils.
And so this is where
I'll be ending Part One
of this two-part video on
Young Living Essential Oils.
Now that we have a more clear picture
of who the man behind the brand really is,
make sure to let me know your thoughts
in the comment section down below
and make sure to be back
when we wrap up this mess
in a couple days with
a bow and take a look
at the full scope of mistakes
made by Donald Gary Young
and his empire of lies that he built.
Thank you all for watching this video,
make sure to hit the Like and subscribe.
If you guys want to join the
channel and become a member,
make sure to hit that Join button
for some really awesome perks
and thank you to everyone
who is already a member.
And if you want even more content from me,
make sure to pop open that description box
where you can find all the
links to all of my social media,
second channel, Discord server, Subreddit,
Twitch and a ton more good stuff.
Again, thank you all for
watching today's video
and I'll see you in
the next one, bye guys.
(upbeat music)
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the apple iphone 12 is
coming with a 120hz display
and i'll be sharing the
details right after this.
If you're new here and want to stay
up to date with the latest tech please
hit subscribe followed by the bell,
you can also keep up on facebook,
instagram and twitter by clicking the
links in the description. so today we've
got great news about the apple iphone 12
including a 120Hz display that everybody
wanted and they're also doing everything
they can to keep the cost down before we
get into it though please like the video
if you're a fan of apple let me know in
the comments what device you're watching
this video on but as we get closer and
closer to the release of the apple
iphone 12 more and more confirmations
are coming to light by this point we
know pretty much everything there is
to know about all four models of the
iphone 12 but one thing that has been
disappointing many is the chance that
there may not be a 120 hertz display
as my regular subscribers will remember
back in june i've been telling you that
the iphone 12 pro and the iphone 12
pro max will be having 120Hz displays
unfortunately a lot of other leakers
have disagreed which caused many people
in the comments section to be telling
me that i'm wrong and this isn't going
to happen other apple leakers are now
however backtracking and they're also
suggesting that 120 hertz displays may
be a thing on the iphone 12 as i've been
telling you guys all along ross young
previously advised that he hadn't heard
anything about 120Hz displays from apple
he's now updated to say that apple can
get the 120 hertz panels but they are
having trouble with the driver circuits
he's now saying that they'll either come
out with a fix wait for driver ics and
delay the launch or just launch with a
60hz panel ross has given us plenty of
useful and accurate information lately
so this is great news to hear it from
him i'm still being told that both of
the premium models will definitely be
using 120Hz displays although there may
of course still be delays we also had
a tweet from john prosser this morning
and he says don't give up on the 120Hz
iphone 12 just yet so clearly he's also
had some information about its existence
we'll hopefully get more confirmations
on this soon but as i keep telling you
guys it looks like 120 hertz on the
iphone 12 pro and the 12 pro max is
going to be a thing while i can't
provide any evidence a source who
has been very accurate on a few minor
bits of intel in the past is still
telling me that it's happening and it's
looking more and more likely each day on
top of that at this point i think it's
just going to be too disappointing for
apple fans if they release the iphone 12
without the 120 hertz so it's going to
make it much harder to compete with the
competitors we've also got more iphone
12 news from ming chi quo but this
time it's about the iphone 12 batteries
he's advised previously that apple are
squeezing supplies for cheaper costs
and this is to offset the additional
cost that 5g is bringing the iphone 12
is apparently now going to use a similar
battery design to its predecessor
and it's allowed apple to cut costs
by 40 to 50 percent on the battery
by using a softboard battery design
with its competitors prices getting
higher and higher it's great to see that
apple who have always been known as the
most expensive are doing their best to
reduce these prices as much as possible
now unfortunately for apple they've
still got ongoing issues over fortnight
in wechat with multiple lawsuits taking
place while too big a topic to discuss
in this video it's going to be
interesting to see if this does
affect the launch of the apple
iphone x with both of them being
very popular apps it may not be the
best time to release a flagship phone
and it could be in apple's interest to
resolve this before launch that being
said despite these issues it hasn't
affected their stock and apple have
become the first us company to reach
the 2 trillion market cap of course the
launch of the apple iphone 12 is now
expected to be on the 12th of october
which is a little later than usual but
it should definitely be worth the wait
for those that want a more detailed
look into the specs and design of all
four models of the iphone 12 but we're
gonna run through them all now of course
my regular viewers you guys have already
seen this so skip to the next video but
if you're new here then hit subscribe
now and we're going to get right into it
to start with we've got the entry level
model of the apple iphone 12 and this
is just going to be called the iphone
12. it's a 5.4 inch iphone with an oled
super retina display from samsung it's
important to note straight off the bat
that super retina means absolutely
nothing so don't get too caught up on
that but nonetheless it's going to be an
oled display with a resolution of 2340
by 1080 and this gives us pixels per
inch and it's got an 8-bit color depth
well there have been rumors of
all models having 120Hz displays
unfortunately it appears that this model
is only going to be 60 hertz it's going
to be equipped with 4 gigs of ram and
it's going to come with a choice of 128
or 256 storage it's got an aluminium
frame and of course it uses the apple
a14 bionic chip with 5g support the
iphone 12 is coming with dual cameras
on the rear and it will of course
be shipping with ios 14. for those
that want the full gig of ram with 128
storage it's launching at a price of 649
if you want to upgrade it to the 256
gig iphone 12 then it's 750 next up
we've got the iphone 12 max to be clear
this is the max and not the pro max
the iphone 12 max has
a 6.1 inch oled display
this again is a super retina
oled display and we believe
it's now going to be manufactured
by either samsung or lg as boe did
not pass the quality assurance tests it
comes with a resolution of 2532 by 1170
and this gives us 460 pixels per inch
and again it has an 8-bit color depth
we get 4 gigs of ram a choice of
128 or 256 storage and of course
the iphone 12 max is powered by the a14
bionic chip it's got an aluminium frame
a 5g connectivity and it uses a dual
camera setup on the rear for those
that want the 128 gig iphone 12 max it's
going to be launching at a price of 749
for those that want the 256 gig version
then the price rises to 849 next up
we've got the iphone 12 pro the iphone
12 pro also has a 6.1 inch display
so it's actually the same size as
the iphone 12 max but we do have an
improved display in specs on the iphone
12 pro we've got a 6.1 inch super retina
oled display with pro motion and 10-bit
color depth the display is manufactured
by samsung and has a resolution of 2532
by 1170 giving us 460 pixels per inch
we are very hopeful of this 120hz
pro motion display but it's still
been unconfirmed and there are a few
people saying this may not happen
the iphone 12 pro comes with six gigs
of ram and a choice of 128 256 or even
512 gig storage it of course ships with
the apple a14 bionic chipset the iphone
12 pro is 5g compatible it comes in a
stainless steel frame and on the rear
we get a triple camera setup along with
a lidar sensor for depth for the 128 gig
iphone 12 pro it's going to be 999 for
the 256 it's 1099 for the 512 gig iphone
12 pro it's gonna be 1 299 last but
not least we have the iphone 12 pro max
the iphone 12 pro max comes with a 6.7
inch oled display again this is a super
retina display and hopefully with pro
motion we get a 10 bit color depth and
of course it is manufactured by samsung
it's got a resolution of 2778 by 1284
and this gives us 458 pixels per inch
again we expect and hope it's going to
be a 120 hertz pro motion display but
there are a few people saying otherwise
it comes with 6 gigs of ram and 128
256 or 512 internal storage it's got
a stainless steel frame and the iphone
12 pro max is of course powered by the
a14 bionic chipset and this does have
5g support just like the iphone 12 pro
we get three cameras on the rear along
with a lidar sensor for those who want
the 128 gig iphone 12 pro max it's
going to launch at a price of 1099
if you want the 256 gig version it's
1199 and for those that want the most
expensive in the range the 512 iphone
12 pro max is going to be launching at
a whopping 1 399 now it is of course
important to note that these pricing
leaks came very early on from john
prosser he has provided plenty of
accurate leaks but also got some of them
wrong recently he also provided this
very early on so there is a chance that
things could change but personally i
think that they're at least going
to be very close to what we see
overall the apple iphone 12 is proving
to be a great range of iphones that
many of you guys are looking forward to
it's great that we've got all of this
information already but personally i do
like that we still have some uncertainty
as it's nice to have some surprises at
launch while there may be delays in the
release date the launch is expected to
be on time and that will of course be
the 8th of september this year given the
current outbreak it's likely that it's
again going to be an online only launch
event similar to their last worldwide
developer conference as always though
if any more information comes to light
i'll be sharing with you guys straight
away but as always i'd like to know
your thoughts in the who out there is
waiting for the apple iphone 12 what
model are you waiting for and are you
happy to hear this news about 120 hertz
but thanks for watching the video
if you liked it smash the thumbs up
if you didn't hit the thumbs down twice
and i'll see you guys in the next one
you
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Hi guys, I hope you are all well!
today I'm doing the 'this or that tag'
and I'm pretty sure you are going to have a lot of fun
I don't know the questions, a dear friend of mine collected them
and she had a lot of fun doing that ;)
I have no idea what I got myself into
I hope she isn't too mean
I'm really excited, so let's start!
"would you lick peanut butter from the street or rather get into a tiger cage "
I would lick peanut butter from the street
that won't kill me
"would you prefer not to wear underwear for one year
or only summer clothes during winter?"
I'm normally always freezing
but
I wouldn't feel very comfortable without undies
I think I'll take the 2nd
summer clothes during winter time
"would you prefer to live in a house without windows or in one totally made out of glass?"
I take the house out of glass
there was a movie once, but it was a thriller
I hope it won't happen to me
the movie was called 'lake house'
but I still take the house out of glass
"would you rather live vegan for 3 years or forever vegetarian?"
I think...3 years vegan
I take 3 years vegan
it's only 3 years and I think I couldn't stand a whole lifetime without meat
would you rather drive several hours backwards in a bus or just 10 minutes on a kids roller-coaster?
I take the roller-coaster
that seems to be fun, no matter how fast it goes
and how quick will it go anyway, if it's for kids
I hope not too fast...
but still the kids roller-coaster
"would you rather spend 2 nights without sleep or 2 days without food?"
I know that without sleep I would be pretty......
close to going crazy
but if I could get through it for 2 days?
well, if I think about my study marathons
and there is coffee, so I take the 2 nights without sleep
because if I get hungry I can be really grumpy
"would you prefer to travel to the past or to the future?"
the past
I prefer to get surprised by the future
and I could change a few things in the past
then I know what will happen, or not ;)
so I take the past
"would you rather wear summer clothes in winter or winter clothes during summer?"
summer clothes during winter?
no, then everybody will think I'm totally crazy
the other way around aswell
but anyway I'l take...I think
winter clothes during summer
then I'm just a bit more sweaty then usual
would you prefer 1 liter sausage water or 3 raw onions?
how does sausage water taste like?
I only know how it smells
but I think it's pretty disgusting if you drink it
and raw onions?
if I'm only cutting onions then I'm always crying
but I still take the onions
3. Onions. Raw.
as well disgusting, but better than sausage water
"would you step into a nest of snakes
or meet a whole swarm of bees?"
I take the meeting
it's way better than stepping into something
and as long as I'm only meeting the bees
and can still run away
so, I prefer the bees
"would you eat a chewing gum which stuck under the tabel
or hit a cactus with your fist?"
well, if it's my chewing gum
then for sure
but if I don't know how long it stuck there under the table
and who was chewing it before
then I preferably hit a cactus
al right my dears, this was the "this or that TAG"
and I actually thought it would be worse
even though a few questions were pretty strange
I would like to know what you would have chosen
so please write your answers in the comments
and also if you have an other tag idea for me
because I'm really having a lot of fun with the tags
so, thumbs up if you liked the video
see you soon! Ciao!
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[MUSIC]
Lighthouse Scientific Education
Presents a lecture
in The Mole Series
The topic; Percent Composition
Material in this lecture
relies on an understanding
of the previous lectures;
Atomic Mass and
Molecular Weight and
Math for Chemistry Part 2;
specifically the
section on percent.
The lecture begins
with a definition of
percent composition.
A brief review of percent
is provided then a discussion
on a set of rules for solving
percent composition problems.
The rules are then applied
with 4 practice problems
that covered different aspects
of finding percent composition.
Percent composition is
defined as the mass percentage
of each type of
element in a compound.
Basically, it is found by
dividing the mass of an element
in the compound by the
total mass of the compound
and converting that
ratio into percent by
multiplying it by 100.
A useful check is that the sum
of the percent compositions of
all of the elements in a
compound must equal 100.
The sum of the parts
must equal the whole.
To get some perspective,
consider a molecule of water,
H2O. Water's molecular
weight is 18.02 grams per mole
when rounded to the
hundredths place.
In finding the percent
composition of the oxygen
in water, the mass
of the compound in the
percent equation will be
the water's molecular weight
of 18.02 g. Since that is
the mass of a mole of water
the value for the mass of
the element, the numerator,
will be the atomic molar
mass of oxygen, which the
Periodic Table shows
to be 16.00 g per mole.
Substitute that mass of 16 g
in for the mass of the element.
Percent does not have
units, so the unit grams
should cancel out and they do.
The solution to the
percent composition
of oxygen is found by
dividing 16.00 by 18.02
and multiplying
that value by 100.
It is 88.80 percent.
88.80 percent of the mass
of a water molecule
comes from the oxygen.
We could repeat the process
and substitute 2 hydrogens
atomic molar mass for
the mass of the element
and get the percent
composition of hydrogen.
Or, seeing that there are
only two elements in water and
we calculated the percent
composition of one of them
we can deduce the percent
composition of the other.
Early it was remarked that
in a compound the sum of the
percent composition of all
of the elements equals 100.
Mathematically, that is
expressed as 100% equals
the percent composition
of oxygen plus the percent
composition of the hydrogens.
Inputting the 88.80 % for
oxygen leaves an equation
with a single unknown
(% hydrogen) which solves
to 11.20 for the percent
composition of hydrogen.
That mathematical trick
relies on the understanding
of percent.
So, before proceeding
into the step-by-step rules
for getting percent composition
a brief overview of
percent will be presented.
Students who feel comfortable
with percent should
skip the review and
go into the rules.
Percent is simply a ratio,
or fraction, taken 100 times.
The word percent means per 100.
The purpose of percent
is to present a ratio
or fraction value as a
larger number, one people
feel more comfortable with.
It has no other role.
In mathematical terms it
is a ratio or fraction,
numerator over
denominator, times 100.
Written in this form we see that
value of the ratio is converted
in to a larger number
by multiplying it by 100.
Adding some context to
the terms numerator and
denominator we see that
the denominator represents
the size of a whole thing, or
how many parts make a whole.
In percent composition it is
the whole mass of the compound.
The numerator represents the
portion or part of the whole.
In percent composition it
is the mass contribution
of a single element.
More commonly the percent
equation is presented with the
numerator as the PART and
denominator as the WHOLE.
When solving percent
problems a second form
is often used. Part over
whole equals percent over 100.
This form allows cross
multiplying which makes
the solving of percent
problems much easier.
For a more detailed
explanation of percent see the
'Math for Chemistry
Part 2' lecture.
Onto rules for determining
percent composition.
A distinction needs to be
made here because there are 2
forms that percent composition
problems come in. The first
type gives the percent of
each elements in a compound
and asks for a determination
of the empirical formula.
These types of problems
are covered in the
'Empirical Formal' lecture.
Percent composition and
empirical formula are
generally taught together.
It is helpful to
pair these lectures.
The second type has us
given compound information
and asks for the mass
percent of each element.
These are types of problems
covered in this lecture.
To further break down these
problems there will be ones
that just give a
chemical formula
and those that give
no formula but do give
masses for the
elements of a compound.
A set of rules is offered
that solves both types of
percent composition problems.
As these problems are often
in the form of work problems
the general process of
solving word problems
should also be followed.
That is take time
with the problem.
Search the problem for the
known and unknown values.
Write them down.
Then, identify a relationship
or set of relationships
between known and
unknown values. When the
relationship is found to be
'getting percent composition'
then apply these
rules starting with
getting the mass
of the compound.
This will be the denominator
of the percent fraction.
The mass will either be found
by calculating the
formula weight of the
compound if the formula
is given. Remember,
formula weight is a broad
term that encompasses
the molar mass or molecular
weight of a covalent compound
and the formula unit
weight of an ionic compound.
Another way that the mass
of a compound is found is by
adding masses of the
elements given in the problem.
This applies when no formula
is given but mass data is.
Adding all of the given
masses will be the mass of the
compound used in
the denominator
of the percent equation.
It is not a formula weight
but that's ok because the
masses of the elements are
not atomic molar masses.
These masses are generally
values determined in
experiment in the lab.
Step 2; set up the percent
equation or equations
(depending on how many
elements are being solved for)
with the element's mass
contribution in numerator
and the compound
mass in denominator.
There should be full
canceling of units.
Finally, step 3, multiply the
ratio by 100 to get percent.
While percent composition
problems look very busy they
are straight forward to solve.
We will solve 4 of them
using these
step-by-step rules.
The first example: an
experiment on an unknown
is found to contain 3.461 g
of carbon, 0.615 g of hydrogen
and 1.635 g of oxygen.
What are the percent
composition of the elements?
Being a word problem
we will take some time
and review the problem before
trying to solve it. Specifically,
what are the known and
unknowns in this problem?
Given are 3.461
grams of carbon,
0.615 grams of hydrogen
and 1.635 grams of oxygen.
What is not known are
the percent composition
of these elements.
From this set up we identify
the problem as one using the
percent composition rules.
This conclusion may seem a
bit obvious but, the practice
of evaluating the
problem before solving it
will generally
serve the student.
The first step is to get
the mass of the compound.
Can it be done by
calculating the formula weight
of the compound?
Well, the actual formula
of the compound is not given.
The problem claims that
the compound is an unknown
and only gives mass values
of its constituent elements.
The compound mass is
therefore gotten by adding the
masses of the elements.
Will this produce a formula
or molecular weight?
No it will not. If the
experiment was performed with
twice as much of the
unknown compound then each of
the element masses
would be doubled.
The element's contribution
to the compound mass
is in relative proportion.
So it doesn't matter
if the compound mass is
determined by adding weights,
like this problem, or by
calculating a formula weight.
Both ways have the same
proportion of compound mass
to element masses.
The ratio is the same.
Ok, getting back
to the compound mass.
To restate the definition;
the mass of the compound
equals the sum of the
masses of the elements.
That is 3.461 g of carbon
plus 0.615 g of hydrogen
plus 1.635 g of oxygen.
The calculator gives
the mass of 5.711 g
for the entire compound.
We will keep
those values handy.
There are 3 elements and
the percent composition
for each has to be
determined individually.
Starting with carbon. Since
we have the mass of a compound
it is time to move into step
2; set up a percent equation.
That begins with the ratio
of 'mass of the element' to
'mass of the compound'.
The 'mass of the
element' carbon is 3.461 grams.
The 'mass of a compound'
was just calculated
and it is 5.711 grams.
The math can be done here
or at the end of problem.
We will do it here.
The first thing to note is that
the units of grams cancel out.
That is important because
the final answer percent
does not have units.
3.461 divided by 5.711
is the decimal 0.606.
The last step is to multiply
by 100 to get percent.
0.606 times 100 equals 60.6%.
The unknown compound is
composed of 60.6% carbon.
We'll keep track of that value.
One down.
What about hydrogen? What
is its percent composition?
For that we return to the
setup equation. This time the
'mass of the element' is the
mass of hydrogen; 0.615 g.
The compound mass
is still the 5.711 g.
Canceling units and dividing
0.615 by 5.711 yields 0.108.
To get percent multiply
the value by 100.
Hydrogen's percent
composition is 10.8%.
Add that value to
the panel with carbon.
We will return to these
percents after getting
the percent composition
of all 3 elements.
We only have oxygen to deal
with. Like with hydrogen,
solving the percent
composition has us returning
to the percent equation.
This time the element mass
belongs to oxygen with
a value of 1.635 g.
The mass of a compound
is unchanged at 5.711 g.
Canceling units and
dividing 1.635 by 5.711
yields the decimal 0.286
which is converted into percent
by multiplying it by 100.
The percent composition
of oxygen, in the compound,
is the 28.6 percent.
Add that to the panel
and the question is solved.
Are we done?
The short answer is yes
the long answer is no.
We should double
check our results.
How do we do that?
By recognizing that the
whole is the sum of the parts.
That is the sum of the
percent from each element
must equal 100.
The addition of these 3
percent values should be 100
or something that
rounds to 100.
Again, these are experimental
values and will have
some error so exactly 100
is not always obtainable.
In this case 60.6 +10.8
+28.6 does give 100%.
That should give us
confidence in our results.
Okay, let's have
another problem.
What are the percent
composition of the
elements in Epsom
salt? Epsom salt
usually comes as a hydrate.
That is, it has attached waters.
Example 4 also has a
hydrate for a compound.
In that example we will
consider the attached waters,
here we will not.
Word problems should
be met with patients
and carefully considered.
We should ask
"What are the
knowns and unknowns?"
The chemical formula
of magnesium sulfate
is given and the unknowns
are the percent composition
of the elements in
the formula MgSO4.
What is the relationship
between the known
and unknown values?
It is the process of
determining percent
composition which
begins by getting the
mass of the compound.
There are two options for
getting the compound mass,
calculating the formula
weight or adding the
masses of the elements.
Which one should we
use in this problem? Well,
there are no given masses
so the choice clearly falls to
calculating the formula weight
from the compound formula.
At this point in their studies,
the student should feel
reasonably comfortable
getting formula weights.
Still, it can't hurt to
run through the process again.
In one mole of Mg S O4
there is 1 mole of
magnesium, 1 mole sulfur and
4 moles of oxygen.
The '1 to 1 to 4'
comes straight from the
subscripts of the elements
in the compound with
an absence of subscript
implying a 1. A second
point needs to be made
considering the Mg S O4.
It is an ionic compound
with a polyatomic anion.
If we were completely correct
the magnesium would not
be 1 moles of magnesium
but rather 1 moles of
the magnesium ion Mg+2.
While this doesn't
change the formula weight
it does keep us on our toes.
To get a formula weight
of the compound we need to
convert the moles of
these particles into grams.
The conversion factor for
moles to grams of an element
is the atomic molar mass.
The actual masses will
be gotten momentarily.
As written the unit moles
will cancel out leaving
the unit grams.
To get the actual masses
we will consult
a Periodic Table.
We find the atomic molar mass
of magnesium to be 24.31 g.
Sulfur has an atomic
molar mass of 32.07 g and
the atomic molar mass
of oxygen is 16.00 g.
Returning to the formula
weight calculation and
inserting 24.31 g
for magnesium ion,
32.07 g for sulfur and
16.00 g for oxygen we are
ready to get the masses.
For the magnesium ion
cancel out units and
doing the math gives
24.31 g of magnesium
ion. For sulfur,
cancel moles and do the
math for 32.07 g of sulfur.
And finally, 4 times
16;64.00 g of oxygen.
All that is left is to add
up the masses of the elements:
24.31 plus 32.07
plus 64.00 is 120.38.
In one mole of magnesium
sulfate there is
120.38 grams of
magnesium sulfate.
We will need these values
as we proceed in determining
percent composition
of the three elements.
Starting with
the magnesium ion.
Since step one is
complete, move to step 2
and write out the
percent equation. For the
mass of element inset the
24.31 g of the magnesium ion.
For the mass of
the compound weight
insert the 120.38
g formula weight
of magnesium sulfate.
The unit grams will cancel out
and dividing 24.31 by 120.38
gives a value of 0.202.
Step 3 is turning that
decimal value into a percent
by multiplying it by 100.
0.202 times 100 is 20.2
percent. 20.2 percent of
the mass of magnesium sulfate
is magnesium ion.
We'll keep track
of that value for the
final double check.
Magnesium is done,
how about the sulfur?
That requires us
to return to step 2.
This time for the mass
of the element is the
32.07 g of sulfur.
The compound mass is still
the formula weight of 120.38 g.
Gram units cancels and
the math of 32.07 divided
by 120.38 is a value of 0.266.
This value is converted
into percent by multiplying
it by 100.
That is 26.6 percent.
26.6% of magnesium
sulfate is sulfur.
We will keep that value too.
That just leaves the oxygen
and again we will
return to step 2
and insert 64.00 g of
oxygen into the mass
of the element and that same
120.38 g of magnesium sulfate
for the mass of compound.
The division yields
a value of 0.532.
The last step is to
convert that value
into percent by
multiplying it by 100.
This will yield a final value
of 53.2 percent.
Oxygen comprises 53.2%
of the mass of
magnesium sulfate.
And the problem is solved.
As a double check
we note that the sum of the
percent composition of the
elements must equal 100%.
Therefore, the value of
20.2 added to 26.6 and 53.2
should give a sum of 100%.
All the mass in magnesium
sulfate has been accounted for.
For the third example
is a word problem with an
extra dimension.
When heated, calcium
metal can react
with the oxygen in the air
to produce a metal oxide.
5.00 grams of Ca is
heated and forms 7.70 grams
of calcium oxide. What are
the percent composition of the
elements calcium and oxygen?
This problem seems
similar to the problem in
the first example. It is
however a bit more complicated
and it will show why it is
always a good idea to consider
the problem before
pursuing the answer.
What are the known and the
unknowns in this problem?
The starting quantity of 5.00
g of calcium is given as is
The mass of the final
product calcium oxide.
The 7.70 g is the mass of
the compound and will be
the denominator in
the percent equation.
What is unknown, aside for
the percent composition,
is the mass of the oxygen
that combines with the
calcium to form calcium oxide.
The mass is not given but
the question specifically asks
for the percent composition
of oxygen. Add
oxygen as an unknown.
We've seen a couple examples
of percent composition so far
and in each case the
mass of the element was
either given or its
atomic molar mass was used.
As we are not using formula
weight for the compound mass
the atomic molar mass is
not an appropriate mass
for the element.
We need another way of getting
the mass of oxygen.
We need a relationship
between what we know
and what we don't know.
In this case we can
use the relationship
that says the whole is
the sum of its parts.
Put into a mathematical form
it says the mass of the
whole of the compound, 7.70 g,
is equal to the mass of
its parts which are the
5.00 g of calcium and the
unknown amount of oxygen.
When shown in this perspective
the amount of 2.70 g for
oxygen's contribution
becomes evident, or at
least can be calculated.
Add that value to set up and
we are ready to move on to
the rest the problem.
Find the percent composition
of the calcium and oxygen.
That begins with step 1;
get the mass of the compound.
A look at the information we
have already gathered shows
the mass of the calcium oxide
was given in the problem.
There will be no need to
calculate the formula weight
or add the masses. With
that in hand, get the percent
composition of the calcium.
Step 2 is to write out the
percent equation that has
mass of element over mass
of compound and substitute in
the 5.00 g of calcium
for the element mass and
7.70 g of calcium oxide
for the mass of a compound.
Note that grams cancel
out and doing the math,
5.00 divided by 7.70 is 0.649.
To get percent composition
multiply 0.649 by 100
for a final value
of 64.9 percent.
64.9% of the mass of calcium
oxide is due to the calcium.
As for the oxygen, return
to step 2 and insert into
mass of element 2.70
g of oxygen and into
mass of compound, 7.70
g of calcium oxide.
That math produces a value
of 0.351 which we can convert
into percent by
multiplying it by 100.
The final value is
35.1%. 35.1% of that mass
of calcium oxide is
contributed by the oxygen.
That should complete
the problem. However,
were going to look at a
short cut in solving for the
percent composition of oxygen.
It involves the expression
that 'the sum of all elements
percent must equal 100'
which is what we
find if we look at
64.9+35.1 It does give 100%.
Consider for a moment, that
we never calculated the 2.70 g
of oxygen therefore we
were unable to come up with
35.1 % oxygen.
We can still get that percent
in a manner very similar to
how we came up with the 2.70 g.
If follows from the
equation that says the
'sum of the parts
is equal to 100'.
We calculated the percent
due to the calcium as 64.9
The part due to the oxygen
is, we'll say, unknown.
We have another
example of an equation
with a single unknown.
A bit of math has oxygen
needing to be 35.1%,
that is, to sum to 100.
Same basic concept as when
we calculated it is a mass.
A lot of time and effort can
be saved in recognizing an
unknown value can be solved
if it can be put into equation
where it is the only unknown.
The last practice
problem involves a hydrate
What is the percent
composition of water
in the hydrate
BaCl2 with 2 waters?
Barium chloride is considered
a hydrate because it is a
compound that includes
water molecules.
They are physically attached.
Usually it is a very specific
number of water molecules.
Here it is 2 waters and the dot
between the barium chloride
and the water is what
signifies that it is a hydrate.
For Epson salt the
dot says that there are
7 attached water molecules.
For both of these compounds
those waters can be driven off
with heat but given the
opportunity the compound will
attach waters molecules.
The question should
be reviewed for what
is known and not known.
The molecular formula of the
compound is known and the
percent composition of water
is unknown.
Note that the question
asks for the percent
composition of a
molecule, water.
The previous examples have
asked for the percent
composition of elements.
The difference, however,
is only one of terminology.
The water in this problem is
a part of the whole compound
just as an element is a
part of the whole compound.
As such this problem can be
solved in the same manner.
Solving the problem requires
an application of the steps for
finding percent composition.
Moving into the first step,
getting the mass
of the compound and
we consider our options. Is
the mass found by calculating
the formula weight or
by adding the masses of
the individual elements?
By being given the
compound formula and, not
any masses, the choice is
made for us. There are
several ways to approach
getting the mass
of the hydrate.
Presented here will
be calculating the mass
of the individual compounds,
the mass of barium chloride,
and the mass of the 2 waters.
These masses will then
be combed into the
mass of the hydrate.
The main reason for
taking this tact is that
we are going to need
the mass of the waters
themselves in the
percent equation.
A secondary reason is that
we want to start to build a
collection of common
molecular weights that come
up so often that a recalculation
is not always in order.
Water fits that description.
Starting with the Ba Cl2.
An interesting question here
is to ask whether this
compound is ionic or covalent.
Well, it contains
an element from the
left hand side of
the Periodic Table and
an element from the right hand
side of the Periodic Table .
That is a good indication
that BaCl2 an ionic compound.
From the formula it can we seen
that 1 mole of Ba Cl2 contains
1 mole of barium ion and 2
moles of the chloride ion.
These mole values need to
be converted into gram values
using the conversion
factor of atomic molar mass.
Remember that we can use
the element's atomic mass
for the ion's
atomic molar mass.
Referring to the Periodic
Table, barium is found to have
an atomic mass of
137.33 grams per mole and
chlorine a value of
35.45 grams per mole.
Insert in as a conversion
factor: 137.33 grams per mole for
barium ion and 35.45 grams
per mole for the chloride.
The mass of the barium is
solved by canceling units
and multiplying to get
137.33 grams of barium ion.
The moles of chloride
cancel and 2 times 35.45
gives a mass of 70.90
grams for chloride.
Summing the masses
of the ions gives a
formula weight of 208.23
grams for barium chloride.
That takes care of
the barium chloride.
Now to the water.
And there are 2
common approaches
for getting water's
mass contribution.
Both begin with the recognition
that for every 1 mole
of barium chloride hydrate
there are 2 moles of H2O
which can be written as
2 times 1 mole of H2O.
The first approach is to
treat water like a molecule
and gets its mass by getting
the masses of the elements
that make up water. And in
one mole of H2O there are
2 mole of hydrogen
and 1 mole of oxygen.
Therefore, in 2 moles of H2O,
there are 4 moles hydrogen
and 2 moles of oxygen.
We can take these values,
along with the
atomic molar masses
of the hydrogen and oxygen,
and calculate the mass
contribution of the waters.
Or we can start to
build a library of common
molecular weights and simplify
the problem of calculating
the grams of 2 mole of H2O
by multiplying the 2 moles
by molecular weight of
H2O. Earlier in lecture
we calculated that
as 18.02 g per mole.
The molecular weight of water
comes up frequently in the
study of chemistry and it is
worth memorizing its value.
This math gives a gram
value of 36.04 grams.
Quite a bit easier.
Both approaches
work; one is easier.
That is the mass contribution
of the two compounds.
Now we need to find the
mass of the whole compound,
the whole hydrate,
the barium chloride
with the waters.
That is the sum of
the compound masses:
208.33 for barium chloride
plus 36.04 g of water.
That gives 244.27 grams for
the barium chloride hydrate.
It's time to calculate the
percent composition of water
in the compound. Step 2
calls up the percent equation.
A slight modification
in terminology is needed
here because the problem
asks for percent composition
of water and not of an element.
Changing the numerator
'mass elements' to 'mass
part' broadens the equation
and allows for the mass
of water, 36.04 g to be
added in the numerator.
The denominator mass
is the hydrate 244.27 g.
Gram units cancel out and
the math of 36.04 divided
by 244.27 gives
a value of 0.148.
The last step is to
convert it into a percent
by multiplying by100
producing a percent of 14.8.
14.8% of the barium
chloride hydrate is water.
And that is the
last of our examples
Recapping the lecture.
In a review of percent
we saw that percent
is a ratio taken 100 times.
Percent composition is the
mass percentage of each type
of element in a compound.
It can be expanded to include
any part of the compound such
as the water in the hydrate.
It is found by dividing the
mass of an element, or part,
by the total mass of the
compound and converting
it into percent.
Importantly,
the sum of all elements'
percent must be 100.
To find the percent composition
of an element or part
first get the mass
of the compound.
Generally that involves
one of the two procedures;
calculate the formula weight
if the formula is given
or add the masses of the
elements if they are given.
From there set up the percent
equation or equations with
element's mass contribution
in the numerator and compound
mass in the denominator.
Finally, multiply
the ratio by 100.
A double check can be done
by adding all of the elements
percent compositions together.
It should sum to 100
and that concludes our lecture.
Be sure follow up this
lecture with a look at the
'Empirical Formula'
lecture that it
also contains percent
composition problems.
These two lectures are
usually studied in tandem.
[MUSIC]
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Our current standard for determining the constitutionality
of legislation restricting or punishing speech
â€" which is that the speech in question
has to result in "imminent lawless action"
-- was formulated by the Supreme Court in
1969 in a case called Brandenburg v Ohio â€"
a mere 45 years ago. That means that it
was not until the second half of the twentieth
century that we developed our current approach
to free speech.
But, why did it take so long? This question
is important not only for understanding the
history and development of this free speech
right itself, but it's also important for
understanding how Civil Rights & Civil Liberties
developed more generally in the 20th century.
Contextual, historical developments outside
of the Court, including the emerging civil
rights revolution and the Vietnam War, combined
with the Court's new role as a protector of
fundamental rights and liberties after 1937
drove free speech jurisprudence in the second
half of the twentieth century. These 20th
century developments, though, not only had
to become politically possible in the 20th
century, but they also had to upend and replace
older conceptions of free speech that stretched
back centuries.
The original understanding of free speech
in the United States was one that was inherited
from England, and was thus woven into the
customs and laws of both the states and the
federal government.
These understandings included ideas like "no
prior restraint," which meant that speech
vehicles (newspapers, pamphlets, etc.) could
not be restricted. However, the author and
publisher of these speech vehicles could be
prosecuted or muted for publishing anything
after publication that was determined by the
state to be licentious, libelous, obscene,
or detrimental to the state itself.
In the first decade of American government
we saw this play out with the passage of the
Alien & Sedition Acts by the administration
of President John Adams in the late 1790's.
In part, the Act made it criminal to punish
anything negative about the Adams administration,
and many people, like Benjamin Franklin's
grandson, were prosecuted. Others, like
James Madison and Thomas Jefferson, who had
a more libertarian view of free speech, protested
the acts most famously in the Virginia and
Kentucky resolutions, which argued that states
could declare federal law unconstitutional.
Nevertheless, the views of Jefferson and
Madison remained a minority well into the
20th century. Moreover, even among those
who were against the Alien & Sedition Acts,
there was still the belief that individual
states restrict speech in many different ways
â€" after all, the Free Speech clause would
not be incorporated against the states until
the 1920's.
Older, common law understandings would continue
to shape the development of the free speech
clause, especially as the slavery controversy
heated up in the first half of the nineteenth
century. Anti-Slavery abolitionists often
used heated rhetoric in the condemnation of
slavery, leading some states to ban such material
through the mails.
And then in the 1870's, the federal government
passed the Comstock Act, which prohibited
the sending of obscene materials through the
mail. On the state level, states routinely
banned certain materials and books, like those
by Gustav Flaubert and James Joyce.
But the rumblings of change began with the
wars of the twentieth century. During WWI,
states and the national government passed
syndicalism laws and Espionage Acts, which
severely restricted free speech, both written
and verbal. By the end of WWII, 32 states
had passed syndicalism laws, 1900 people had
been prosecuted, and more than 100 newspapers,
pamphlets, and periodicals were censored.
And from WWII to the change we see in 1969
in the Brandenburg case, the Court, with some
exceptions, was unable to muster a majority
of justices to strike down these laws as violative
of free speech.
So what changed?
For one, our experience with totalitarian
states during WWII gave some pause to our
mechanically applying the older common law
rules, such as the doctrine of no prior restraint.
How were we any different than Nazi Germany
or Imperial Japan if we arrest and censor
people for their speech?
Relatedly, the Cold War was a fight between
the US and Russia over power throughout the
globe. At the very least, older more restrictive
understandings of free speech were bad "PR"
for the United States as they sought to project
US values abroad.
During the Cold War, tensions ran high in
the upper echelons of government â€" and
in Hollywood, too â€" about Communist infiltration.
Led by Senator Joseph McCarthy of Wisconsin,
his committee on Un-American Activities ruined
professional and personal lives with witch
hunt's centered around things people simply
said or wrote or who they met with.
The emerging Civil Rights movement and growing
concern about the Vietnam war also contributed
to the Court crafting a new, more libertarian
standard of balancing free speech rights with
governmental interests.
So by the late 1960's we can generally see
the development of the Free Speech clause
during the 20th century: In the first half
of the twentieth century, the Court produced
balancing tests that sought to balance legitimate
governmental interests with free speech; in
the second half of the twentieth century,
the court will produce a two-level theory,
where political speech (like in the cases
for this section) receive special protection
(or strict scrutiny) unless they fall into
four categories: obscenity, libel, fighting
words, or commercial speech.
So as you read these cases here are some things
to consider:
How valuable is free speech to self-government
and the democratic process? Is it possible
that it's the most important right? And
if so, why did it take so long for us to recognize
it as such?
What, if any, are examples of legitimate governmental
interests that curtail free political speech?
Is war one of them?
Could you think of a test that could balance
the interests of the state with the free speech
interests of the individual?
In this section, enjoy your relatively new-found
right to free speech.
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- There is a challenge
online where there are dogs
that are holding eggs in their mouth.
Like, their mouths are so soft
and they're such sweet puppies
that they will hold an
egg without breaking it.
Basically, you're challenging
your dog to hold a raw egg
to see if they have a gentle mouth.
So, then you start seeing
a lot of golden retrievers
doing this egg challenge and passing it.
But then a bunch of other
dog breeds were doing it.
There are a lot of gentle pups out there.
Are you one of them?
(barking)
(rock music)
Alright, Lucy, we're gonna try this.
This is an egg, can you
take it in your mouth?
She's just licking it, okay.
Open your mouth, aah.
No, you're not gonna do it, okay.
Maybe we need to practice
with something else.
Get the lemon.
Okay.
No, you're gonna crack it.
Ready, open your mouth.
(barking)
Can you be gentle and pick it up?
No, don't bite.
No, it's not gonna happen.
Obviously my dog's not gonna be the one
that's gonna be picking
up an egg any time soon.
(screams)
Lucy!
Why are certain dogs able to
do this and does it really mean
that they're just nicer more gentle dogs?
A lot of dogs fail it.
(laughing)
- [Man] He won't take it.
He wants nothing to do with the egg.
- [Woman] Here you go.
Ah, ah, ow, ow, no.
- I still wanna know why Lucy can't do it
while all these other dogs can.
So, I decided to sit
down with a veterinarian
to find out what's going
on with this egg challenge
and what does it really mean?
- The egg challenge is
owners trying to find out
if their dogs are capable of holding eggs
in their mouths without breaking them.
- It started with golden retrievers.
- [Man] What's this, how about an egg?
- They have what's called a soft mouth.
Take the egg.
- Golden retrievers are amazing.
That's what made me become a vet.
They are just known to be gentle dogs.
Your structure should
determine your function,
and if you just look at the
structure of their body,
their mouths are kind of
shaped in what we call
a dolicephalic shape.
It's basically an elongated mouth.
So, it's bigger and longer
and it's more capable,
I guess, of holding eggs.
- There are so many Instagrams
of all these different types
of dogs being able to do it.
- But how you look isn't gonna determine
whether you're a gentle
personality or not.
I think a pitbull could totally do this.
They're super gentle.
- But if your dog can't do this...
- A dog can be the gentlest,
most amazing dog ever
and still not be able to
hold an egg in her mouth.
They might not be as intelligent, perhaps.
(record scratching)
- Oh my God.
- Because it might be a matter
of just general training.
- I could train.
- Yeah.
- He can be trained to do it.
- There could be potential
for anything, don't worry.
- I just don't want you
to call my dog stupid.
Because I wanna prove
that she is a smart puppy and also gentle,
I wanna try the egg
challenge again with Lucy.
I have to sanitize the egg because...
- Salmonella can live
outside or inside the egg.
I've seen videos of an
owner washing the egg
three seconds under running water.
I don't know if that would do anything.
If you put poop under running water,
it's probably still dirty.
This is what will get me
the most likes on Instagram,
I'm gonna wash it with soap
before giving it to my dog.
- So, I'm gonna clean it with
sanitizer and rinse it off.
I've got a sanitized egg
and now we're gonna try it on Lucy.
Take.
(growling)
Take, take.
This isn't gonna help.
Lucy, do you wanna try holding the egg?
I don't think she wants
to do this anymore.
I've been having a lot of trouble.
It's not because she's stupid,
it's because I'm stupid
and I'm bad at training.
Do you want it? (gasps)
Oh, (bleep).
I don't need to prove that
Lucy's a gentle and smart dog
because I know she is,
but I'm going to prove
that I'm smart enough
to teach her to do the egg challenge.
Why won't you take my egg?
So, training is not going so well.
She's like frenemies
with the egg right now
and I need to make her just friends.
- Start with treats.
I feel like if you can't
do it with a treat,
they probably can't do it with an egg.
- So, see if they can just
hold a treat without eating it?
I'm spreading doggy
peanut butter on the egg.
Lucy, you interested in it now?
You gonna lick it?
Don't you wanna pick up the egg?
Lucy, take the egg.
She just licked the peanut
butter, so my plan didn't work.
She's avoiding me and
hiding in her doggy teepee.
New strategy, I am going to
try to get her used to the egg.
You feelin' better about the eggy?
So, we're getting close.
Can you take it and hold it?
You put it down right away, okay.
Yay, you did it kind of.
Lucy's now able to hold the egg,
but she drops it right away.
Oh, Lucy, you broke it immediately.
Getting the dog to hold it is one thing
and to keep it in their mouth is another,
probably because she doesn't
want an egg in her mouth
because who would want
an egg in their mouth?
Hold it, oh God.
Okay, alright, we're getting close.
Take.
Yes!
Yes!
Oh, that was so good.
We finally got Lucy to pass
the egg challenge, like barely.
She heard a sound outside
and got distracted,
so she got too distracted to drop it.
You did it.
I'm proud of you, you actually
did the egg challenge.
You know what, Lucy's not
good at the egg challenge,
and if she's dropping it it's because
she's doing it on purpose
'cause she's smart.
And we know Lucy likes to play basketball,
so we're gonna see if Lucy
can basketball with the egg.
She can win her own challenges.
Take it.
Basket.
Oh, that was all so perfect.
Alright, Lucy just...
Whoa, whoa, whoa, no,
no, no, that's raw egg.
Maybe she couldn't quite
pass the egg challenge,
but she (bleep) nailed
the egg basket challenge.
Look how perfectly that split in half.
I still can't believe it.
We're gonna celebrate
by giving Lucy some eggs
because she deserves it
because she cracked it
and she's so smart and
I'm so good at training.
Take that, vet.
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Hi all. I have an absolutely fascinating
going to show you .Booot that's with free
O's Booot 6.3.1 against Leela Neural Network.
This is in a TCEC cup so this is
round 16 2019. Time control is thirty minutes with
a five second increment per move. The opening book given e4 c5 - the Sicilian Defence - we
have a Sicilian dragon a very
exciting chess opening. Bishop e3 here
Bishop g7 so Leela playing with the
black pieces. This is the end of the book
Bishop g7. Now Booot plays f3 we have
castles Queen d2 knight c6 white castles
Queen side this is still a very
theoretical position and now Leela
chooses d5. We have Queen e1 this is one
of the major alternatives in the
position from the point of view of
human book moves and over the board
chess. Another main variation here is e
takes and Knight takes and I've even
played with the black pieces here on
numerous occasions. This is a very
interesting exchange sacrifice by the way and White ignores that
usually and this is thought to be an
evenish position. There are chances for both
sides. So Queen e1 though. This is a very
popular mainline move. We have be d5
Knight takes bxc6 exd5 Knight
takes d5 Bishop c4 now Bishop e6 King b1
Here there's a stem game
instead of king b1 Ne4 has been seen
before in the game Fabiano Caruana against Mamedov in 2012. Caruana managed to win
that game eventually in 76 moves so he
got a good position
and eventually managed to win it in 76
moves. The final position was in the
endgame so anyway so we're in good
company as far as over the board stem
games. But here king b1 was played this
is still very very good company
we're following still a Magnus Carlsen
game believe it or not. Magnus
Carlsen was white against the British
grandmaster Gawain Jones where rook e8
was played Ne4 f5 Ng5
hitting that bishop on e6 and the bishop
goes back to c8. Now to my amusement I
found it amusing rather that Queen d7
can you see what white plays on
Queen d7? To my amusement White has an
interesting resource here based on d5
can you guess if I give you five seconds
to call the video what would you play
with white which is clinically strong?
Okay Queen a5 would be possible because
the Queen's just left giving up the a5
Square and actually it's kind of useful
to take that opportunity for that a5
to put more pressure on d5 so this is an
awkward configuration for black and in
fact White could take off the defensive
e6 bishop and then this would be quite bad
for black. So we see this strange-looking
retreat all the way back to c8 but the
beauty is funny enough it does keep
control of the a5 square. And in fact
here this is also really amusing
in the game of Magnus Carlsen
Magnus actually played a howler of a
move here. Magnus Carlsen against Gawain
Jones played g4 and we've covered this
on this channel. Guess what Gawain Jones
played in this position winning a whole
piece if I give you five seconds? Okay
Gawain Jones played f4 hitting the bishop
and also interrupting the Knights
control. The Knight on g5 is just hanging. Believe it or not
Magnus Carlsen played lost that
Bishop on e3 and actually managed to
claw his way back into the game. This was
really kind of amazing
Magnus took it seems pedantically on a7
you know but the Queen had influence
over the Kings side and with the g-file
opened up
Magnus started to drum up real concrete
opportunities and eventually managed to
win. So yeah black's King was in big
trouble bang rook takes g7 and Magnus
clawed back to a win there. He's gonna be
taking on e5 and then on e3
after so that was the classic game just
from last year in Wijk aan Zee (Tata Steel) where that
howler of a move g4 was played. Booot
played better than Magnus Carlsen from a
technical perspective playing h4
supporting that knight so that there's no
f4 for winning a piece in broad daylight.
Leela plays h6 we have Ne4 Bishop e6
so it seems a bit of bureaucracy here
because of having to go back and forward
but the point is now that the bishop can
actually play to f7 which means that
it's holding this d5 Knight kind of
securely. Now you might also think isn't
this strange
what about f takes by the way yeah
before we look at Bishop e6 if F takes
here then this is celebrating that
pin and this position again it's White's
doing very well here with that d5
pressure. If black really has to give up
the exchange which is technically the
best move this isn't very good news at
all for black. So d5 is a major issue in
this variation generally it seems. It's
being addressed here bishop b3. We
see now Queen c7 so still keeping an eye
on the a5 square.
The other amusing thing by the way this
Queen could also pop in to h2 will see
in a later variation where h4 might
actually be weak as well as White's
king so the Queen's are really bouncing
around behind the scenes but just keep
an eye - a look on this Queen as well
keep an eye on the Queen as well.
So Bf7 we see g4 and you see
that the Queen's potentially being
opened up as well as the bishop if Black
ever gets in e4 and in fact this is
the very top priority for
Leela to take and not allow the knight
blockade. So nimzowitsch would be proud
that leela perhaps did not allow this
blockading move Knight e4. If for example
a4 then either Queen g3 or Knight e4
if Knight e4 white really has a
fantastic grip on the position. This
wouldn't really be a good advert for the
entire variation. White has really got
control here and nice pieces. As long as
this bishop is also kept under lock and
key from the blockade as well as that
pawn white shouldn't fear too much here.
Also for example Queen g3 yeah but it's
preferable from my point of view to do
use that blockade if it's possible so
anyway e4 opens up the bishop along
that diagonal and shows the real dangers
now potentially black can build up now. We
have rook f1 but you'll have to note
here as I mentioned the Queen has a view
on h2 in this position which is not
entirely insignificant. We see a5 Queen
f2 rook e7. This would be a blunder
Rab8 allows Na6 by the
way forking Queen and rook. Rf8 is
also plausible. White is fine though
so rook e7 c3
Rf8 we see queen g1 and the rook goes
back Rde1 now King h8 and actually
it's almost as if Booot loses patience
here because black does have the
interesting possibility of taking on e3
at the right time. Booot seems to commit
to Bishop takes d5. Intuitively it would
seem doesn't this weaken White's King
side doesn't it weak and fundamentally
the light squares? If a move like g5 so
this is a quite a committal decision so
let's have a look at alternatives g5 h5
this position e3 so that pawn is
a criminal which should be kept under lock and key if you're a Nimzovich
fan and if it isn't we see that actually
sometimes the e4 square can be used as a
pivot for the rook to go to g4. So for
example like this and look at this. The
Queen also on this angle of the game is
pointing at g1 and here is a funny
variation with e2 - so after Rxe2
rook g1 so amusements with this e-pawn
letting the pieces really attack the
back row in this variation. Fascinating
stuff also
okay so Bishop takes d5 that's the
committal decision I started questioning
and here instead of Bishop d4 what about
King a1 as an example? Well taking on e3
taking on b3 with Re5 Rf5
and the thing is here black has a lust
to transform this one pawn into two
connected passed pawns
if white ever takes. Say white does take
we've got potential pawn mobility of two
connected passed pawns and this should
end up being really nice for black if we
look at this position White is under
severe pressure and look at this
diagonal. White is just really doing
badly there. Going downhill so anyway
so maybe there's some insight there for
this committal decision why it was
played Bishop takes d5 so we have Bishop
takes d5
g5 h5 and now Rf6 - a technically
interesting move but of course Leela
doesn't have to accept this exchange
sacrifice and Leela side steps with
King h7. Taking opens up the wrath of the
pieces as you might expect so for
example here taking on g6 Black's
King is looking to be dismantled all
sorts of nasties. It doesn't bear
thinking about
if Rf7 again you know Queen take
g6 so yeah it's just ignored King h7 and
White has essentially sealed the King
side. However you know if white had
played h5 then of course it's maybe it's
worth considering g5 to keep the king
side closed. But here this continuation
in the game it seems black's King is
really airtight at the moment. b3
Queen e5 this is really interesting
so getting the unblockade on the e-pawn
and then switching back to b8 here is
fascinating.
So pinning that pawn on b3 keeping
an eye on this diagonal this b8 to h2
diagonal we see Queen e3. If Bishop e3
a4 and Queen b5 this is interesting
for example this endgame the light
square bishop is pretty good and if
Black gets the f-file this is just very
good for black. So Queen e3 will see
a4 which is very aggressive stuff. What's
going on here now ? So trying to open
up lines against the White King Nxa4
was played. To show some of
the dangers here - if King b2 axb3 axb3 and
then the rook can switch to a7 and here
just taking on b3 is fantastic for
black. Instead of Kb2 - what if b4
then what I mentioned earlier Queen h2
is actually very handy here hitting h4
hitting a2 will the light square bishop
and of course there's the thorn pawn as
well to factor in. So say rook f2
then taking on h4
so we've got the outside passed pawn here. Black's getting a big advantage so
fascinating stuff. Here if Queen f2
taking taking on d4 a3 thorn pawn e3
and this is just really nice for
black as well look at b4 being really
weak and then light square bishop just
waiting to come in. So Knight takes a4
but now Leela to play
what does Leela play if I give you five
seconds to pause the video? Okay shredding open the lines not against Shredder though - rather than
against Booot so Bishop takes b3 a
takes Qxb3. Is Leela
kicking the boot in here? So we see
Nb2 now Ra8 yeah this is
very strong and perhaps instructive
to the attacking player. Why not you
might think the more direct looking rook
b8 with a concrete threat? Well it could be
parried and then what is the follow-up?
For example here white seems to be okay
controlling that a-file with this
technical looking move Qa3 so
a-file is under control with rook
a8 which provides very interesting
opportunities now. We see the move c4
looking at this position from a
defensive and scientific manner if rook
f2 for example then c5 is strong for
example Bishop takes ... Bishop x c3
and here Queen a2 check and this is a
disaster for white. On c5 if Bishop takes
then just not recapturing but this
look at the a file now is lethal
threatening rook a1 checkmate so keeping
that knight pinned at the moment and this
is just leading to a disaster - checkmate
So c4 was tried wanting the exchange of
Queens. Check King c1 rook b8 now we see
Bishop c3 if Re2 as another try then
Rb3 hitting the Queen and now
e3. This is strong this is a very
strong continuation that's big advantage
so Bishop c3 was tried. Rb3
We've got pins emerging here. Kc2 Reb7 so an absolute pin a
relative pin. This rook is a bit
ridiculous on f6. We see Queen c1 and now
rook takes c3 check Qb3+
dragging that King out to play.
Kd4. On Kd2 then there's rook
d7 check and black can play this.
Bishop takes and Queen f3 is check mate
so we see Kd4 Qg3
another super powerful move not the
direct looking check by any means but it
turns out c5 is also pretty ok for black
more than okay perhaps this kind of
situation black gains a big advantage
but this is much stronger
Qg3 we see rook d1.
There are big threats in this
position involving rook d7. So we see a
Rd1. If for example Rh1 c5 check
and then here this is a way for white to
get mated as an example. Or rook g1 again
the King being so exposed it's not gonna
end well
so okay so rook d1 we see e3
believe it or not Kd3 - e2 check
the King's really getting exposed. Black
getting rid of that pawn and now taking
here on f6. Also strong here is rook
takes b2 check with this continuation
Qg4 taking the Queen this is
quite good for black because of the two
connected passed pawns there. But this is
even stronger. Taking (on f6) and now
taking here wins the Queen. If the King
steps back of course then it's checkmate
so this wins the Queen. Nice tactical
sequence. f7 the game actually ended here
both engines thought it was all over
basically. More than 10 units advantage if it
continued Qe5+ this is a
continuation example where it's easy for
black. The pawns not going anywhere so a
crushing game by Leela on the black side
of the sicilian dragon. Following a
really topical stem game. Booot even
playing better than Magnus Carlsen from
a technical point of view not blundering
a piece. And still losing to a horrible
hack attack on the Kingside. What can
you do? Leela's just too strong. Okay I
hope you enjoyed this game as much as me
I got a kick out of it :) kicking the boot
in of Booot. So if you enjoyed the game
video then please click on the top left
box which should appear shortly to
become member at www.chessworld.net -
play against other youtubers you can
also test yourself on variations covered
in this game and other game videos from
the improve menu the puzzle books
option which has a link to the annotated
game. Comments questions Donations - see description. Likes shares subscribes with
the notification bell really appreciated.
Thanks very much and I think I will
do a bolt-on for some of the puzzles of
this game. Okay this is the celebration
puzzle book of this amazing game Booot
against Leela this is on www.chessworld.net
The improve menu puzzle books
you see it's the latest one added today
and let's have a look now.
So white to play for a clear advantage
here. This was a really funny
thing if Queen d7 to consider Queen a5.
Maybe this is one of the subtle secrets
of this whole Qe1 variation.
To keep the Queen on this diagonal so it can either go here or here but here it's
hitting d5 now black tries to move the
bishop to g8 we can snap that bishop and
then take on d5. So very interesting I
thought that one. White to play for a clear
advantage here. What was going on here? I wonder it
doesn't ring a bell
immediately g5?
I'll get a hint. Just Knight e4 of
course the blockade positional blockade
it was a bit subtle
I think White's just in control in
the position once the bishop is under
lock and key it's just the positional
blockade. It's not a concrete solution
but White is just standing very well I
don't think White would have too many
concerns here as long as this bishop
is shut out of the game
White to play for a clear advantage here
I think that's a weakness in the last
move again neglecting a6 that we can
pounce into that one to win the exchange
here white play for clear advantage - this is just crashing through on that on that g-file
We can do all sorts
here we can play the check and and use
the G file so no way would that be
accepted by Leela - that R on f6.
Here white play for a clear edge
again just crashing through. Disaster
variations for Leela there potentially.
Black to play for a clear advantage here.
I thought this was a fun one with Queen h2
check. Was it
taking on first there ah
that's important actually. Now check
here. I'm missing the point. Hold on a moment ...
maybe it was just taking here. Hint ...
Now going for the a-file
I think we can just take here
and then Bishop x b3
So it is not easy for White to parry that a file. This one with b4 - I think this is the one
with Qh2 because we're
hitting a2 and h4
So this is good news to just play Rf8
and there's problems for white after
tha. Passed pawn there. Now this one - can we just put the pressure on b2?
Actually no no no no ... trying to lure
the bishop away from this diagonal c5 nope
ah this does require accuracy. Maybe
Rb3 key tempo gainer and now I
wonder if it's ... yeah quite a
lot precision is needed. Is it this one c5 I'm
guessing. Hint ... e3 okay
and then here
after e3 okay it's stuff for
investigation if you want to check out
the entire puzzle book and get you know
to understand why exactly these
sequences are important - and these finesses
so I hope you enjoy that as well as part
of the video checking out www.chessworld.net on
there improve menu puzzle books okay
thanks very much.
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(classical music)
- I'm Cristen, and this is Brain Stuff.
And there are plenty of
things I'd like to erase.
The box of pizza rolls I ate yesterday,
ever watching Sex in the City part two,
and every single Willy Wonka meme.
Just make them stop.
Unfortunately, a lot of marks
in this world are permanent,
but not so with pencil marks.
Yes, the humble pencil, or not so humble,
as the case may be.
Pencil lead isn't actually lead at all,
so no, you can't get lead
poisoning from a pencil wound.
It's made from graphite,
which is a soft mineral made up of flaky,
atom-thin layers of crystal and carbon.
Ever since the 1790s that
graphite has been mixed
with clay to achieve different
pencil lead hardnesses.
As you write or draw flakes
of this clay and graphite mix
cling to the fibers that
make up your piece of paper.
The fibers have a huge surface area
that catches lots of flakes,
and the flakes will gladly
stick around for decades
if they're not disturbed.
But erasers can lift those
flakes right off the page
by virtue of being stickier
than the paper fibers.
It's as simple as that.
Since the flakes are just
hanging onto the paper,
not unlike thousands of
tiny clay and graphite
kittens just hangin' in there,
anything stickier than
paper can lift them off.
In fact, the earliest erasers
going back to at least
the 1500s were just bread,
slightly moistened and
balled up pieces of bread.
By the 1800s people were using erasers
made from natural rubber,
which is harvested in the form of latex
from certain trees which
excrete it to discourage
plant-eating insects.
The name rubber actually comes from one
chemist's observations circa 1770
that this tree latex stuff
is great when you use
to rub out pencil marks.
Get it?
Rub out? Rubber?
Huh?
But because natural latex
rubber can be expensive
and some people are allergic to it,
(coughs) condoms,
modern erasers are almost always made
from synthetic petroleum-based rubber
like polyvinyl chloride.
Your standard pink eraser
has bits of pumice added
to make it more abrasive,
which is a cheap way to help dislodge
flakes of graphite from
those paper fibers.
And magic erasers work
on a similar principle.
Magic.
No, instead of being literally sticky,
they contain rigid micro
structures that trap dirt.
But if you're ever without one,
give your standard pink eraser a try.
They're effective on way
more than just pencil marks.
So hey, I want to know.
What would you erase
if you had the chance?
Tell me in the comments
and if you like this video,
make it official and
subscribe so you won't
miss the next one.
And if you're just pining
for more stuff from us,
check out our site at
brainstuffshow.com.
| {
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-All right.
-All right.
Murray is our big loser.
That's right,
and today we're at Tumblr,
and the CEO is giving their
weekly meeting.
And, Murray,
you are a new hire,
very hip and young,
and you are gonna heckle
the whole thing.
-Yes.
-Oh, come on.
[ Laughter ]
Just before
we get rolling here,
I would love it if,
this week...
Sal: The CEO's the only one
in the room that knows --
he gave his permission
to film with Tumblr.
Murray does not know that.
Intern experience --
Beyza, come on up.
[ Cheers and applause ]
Q: Here we go.
I'm originally from Turkey,
and I've been working
on iOS Core Team.
Yell, "Like a boss!"
It feels amazing.
It feels really good.
[ Laughter ]
I organized a --
Like a boss!
-Yeah.
-Whoo!
[ Laughter ]
[ Speaking indistinctly ]
Yell, "Like a boss!"
again.
More obnoxious, though.
Go "baawwws."
I had meetings with other teams,
so it feels really great.
Like a baawwws!
[ Laughter ]
No claps!
No claps this time!
And before I start anything
about my project,
I needed to plan it.
-Like...a...baawwws!
-A...baawwws!
So, I had iOS experience before,
but it was with Objective-C,
so I learnt some --
Like a baawwws!
[ Laughter ]
Um.
[ Laughter continues ]
Man: Here we go.
Um.
[ Laughter ]
Relax.
It's casual.
Just mumble "Tumblr police"
under your breath.
Tumblr police.
[ Laughter ]
He's so good
at being a dick.
Shuqi, come on up.
Joe: "I mean,
who doesn't come up?
Who doesn't come up
in this meeting?"
I mean, who doesn't come up?
Seems like
the whole company's coming up.
[ Man speaking indistinctly ]
[ Laughter ]
"Participation trophy
for everybody."
It's like
a participation trophy.
[ Laughter ]
Oh, my God.
Shuqi, tell us about
your experience this summer.
Shuqi-Shuqi, now.
[ Laughter ]
Shuqi: Hi.
Um, hello -- hello, everyone.
Shuqi-Shuqi, now.
Hey, I have an idea.
Why don't you zip it
until he's finished, okay?
Thanks.
-Oh!
-Oh, my God.
♪♪
Man: Really?
[ Laughter ]
They're on their IM,
calling for security.
All the employees use an
interpersonal IM called "Slack,"
and they're on it, calling for
security to come get him out.
So, Murr, just say,
"I'm on Slack, too.
I can see what you guys
are doing."
Yeah.
I'm on Slack, too.
I know what you guys are doing.
[ Laughter ]
[ Laughter and applause ]
Sal:
He put the phone away!
We have a special surprise
for y'all.
We just found out
a little while ago
how big a fan they are
of Guy Fieri,
and it turns out
Joe has his contact info,
and we called Guy
and asked him to call in.
♪♪
[ Audience cheering ]
Yeah.
Is that Guy Fieri?
[ Laughter ]
Hey, everybody in Flavortown,
hope you're having
a good summer.
[ Cheers and applause ]
Yell,
"Guy Fieri, you suck!"
By the way,
you are huge on Tumblr.
I don't know if you knew
that or not.
Our team really loves you a lot.
We have a big project --
Guy Fieri sucks.
-Hey!
-Ohh!
-Ohh!
-Oh, my God.
Hey, you better
watch yourself, pal.
-Ohh!
-Oh, my God. Oh, my God.
We have a rule here that says
"No assholes,"
and you're at the top
of the asshole list.
-Ooh!
-Wow.
[ Laughter ]
| {
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'What deadly secret did
Kailash's corpse expose?'
'Was he really into shady things
or was he just helpless?'
'Had his daughter Shagun killed
her father for her lover Angad?'
'Was his brother Prajapati
holding a grudge?'
'Watch this shocking story
of a murder in Jaipur'
'on 'Crime Patrol, Dastak'.'
Hello, sir.
Where's Kailash?
- He hasn't been coming to work.
What!
I was just away for 15 days and
things have gone haywire here!
What has happened to him?
- He's taken to cross-dressing.
He stopped coming to work, too.
'Locket.'
Mom! What's going out here?
Sister-in-law, how much more
are we going to get shamed?
So far he would enact his plays
only outside.
Now, he's started here, too.
- Aunt! - But..
Rather than watching this
at home
I better go to my parents'.
- Hey, Suman!
What is it?
I haven't said anything wrong.
I hadn't decked up as much as
uncle has even for my wedding.
Why don't you get it?
He's the elder of the house.
I can't stop him.
I'm helpless!
He's your uncle!
Have some shame!
Sister, Brother-in-law has grown
a bit too weird.
Better sort him out.
I don't care about you,
but I can't bear to see my son
dance with this man!
- What's wrong about it, Dad?'
At least, I don't roam
on streets like other boys.
What's wrong with enacting
mythological acts?
Everyone can see
who is influencing you.
Come with me, now!
I request you all
to go home now.
Mom, I can't face people
at college anymore.
Forget college, we can't even
face the neighbours lately.
Dad had earned such a reputation
in this city.
But brother is ruining it all!
For how long will this go on?
Kailash!
- Sir, you're here!
Where's Kailash?
He's in his room.
I wonder what's wrong with him.
Kailash!
Sir!
Kailash, what's all this!
- Sir, I..
Please come in, sir.
I'll explain.
Come in.
Sorry, pal.
I'm a bit late.
Never mind.
- Your life is sorted, pal.
You indulge in devotion
with your uncle all day.
What do you even do?
- Why do you care?
Forget it.
- It doesn't concern me.
But what do you do this for?
Let's just say people are not
how they seem.
And I'm not indulging
in devotion.
I'm just acting.
- Acting?
What for?
- To catch the big fish.
Mom, where's dad?
I want to talk to him!
I don't know, dear.
I wonder where he went.
Sister-in-law, relax.
He must be somewhere around.
He will be back.
- How can I not worry?
He hasn't called all day.
This has never happened before.
Don't worry,
I'll look for him.
Even I'll go along.
- Simran, why are you going?
I'll go look for dad.
- But Simran..
Did you find him?
I asked all his friends
but to no avail.
Where has he gone? - Where else?
Must be with his troupe.
Shagun!
- Kailash is nowhere to be seen.
I even enquired with his troupe.
Isn't this what you wanted?
That he left forever?
He's gone now! Weren't you
embarrassed because of him?
Now, you need not feel ashamed!
- Mom, dad will be back.
But when?
It's already so late!
Simran..
Where's Simran?
- Simran..
Greetings! I, Senior Inspector,
Sawai Singh Rathod
welcome you all to
'Crime Patrol, Dastak.'
They say, one's nature
and signature never changes.
But how did Kailash undergo
such drastic change?
'Was he really under
a gender identity crisis?'
'Or was there another reason
behind this act?'
Whatever be the reason,
Kailash was really scared.
But his family rebuked him
instead of supporting him.
Something wrong was happening
with Kailash.
But did no one sense it?
Or had they become so selfish
out of fear of defamation
that they ignored this sign?
Clear everything from here
and dig out this side.
Sir!
Sir, the corpse is around
two months old.
It's a male.
Who saw it first?
- Sir, my worker did.
Was it you?
- Yes, sir.
Does anyone live nearby?
- No, sir.
Just a new colony nearby.
It's not allotted yet.
The work is still in progress.
This seems like a man's corpse
but..
Show me the locket.
Open it.
Send the corpse for post-mortem
and get both pictures enlarged.
Yes, sir.
- Okay?
Sir!
Here are the enlarged
photographs from the locket.
Here's the post-mortem report.
The corpse is around
two months old.
It's a male
aged around 55 to 60 years.
The skull is fractured
from behind
and all bones on the backside
are broken.
Sir, maybe this is
an accident case.
Seems like someone murdered him
and ran a car over him.
Listen, enquire with
the nearby police stations.
Check all missing reports
since the last two months.
Okay? - Sir! - And update it
on the police website, too.
She seems around six years old.
Seems from a good family.
Must be a school-going kid.
Enquire around at schools.
- Sir!
Sir.
I'm looking for my kid, Saloni.
She is six years old
and in the 1st grade.
Do you know her whereabouts?
I don't know.
She was playing a while back.
You don't know?
What do you mean by that?
Were you hired to watch videos
or to look after the kids?
She's my daughter, after all.
She studies in this school.
She plays here.
Where did she go?
Ma'am,
why are you yelling at me?
You should've been here on time.
Hello, mom.
Is Saloni at home?
Why?
She should be with you instead.
Didn't you go to pick
her up from the school?
Well..
In the market, it took some
more time than anticipated.
When I reached here,
Saloni was gone, already.
But where did she go?
Don't get worked up, mom.
- H-Hello.
What happened?
Did you find Saloni?
No, mom. I looked
everywhere possible but..
But Saloni is nowhere.
So..
- She's not even there.
Why weren't you there on time?
Didn't you want to be a mom?
Can't you look after you kid?
God knows, where she'll be?
Don't worry, we'll get her back.
I'll go to file
a missing report.
I can't let this happen again.
Your dad, left us.
I can't afford to lose Saloni.
You both, go to the
police station
while I look around for her.
I.. I'll be right back
with her photograph.
Pull it over, sir.
Here you go.
Ma'am.. My daughter..
Please take a seat.
Now tell me, what's the matter?
Ma'am, my daughter is missing.
I mean, I-I was late to school.
She left by then.
When did it happen?
Just a while back.
Ma'am, she's a six year old kid.
Please, find her.
God knows,
where did she go?
I'm concerned about
her wellbeing.
Mom, please.
What's her name?
Saloni. She's six years
old and is in 1st grade.
She studies
in Girls High School.
She's in her school uniform.
Do you have a photo?
Fine. You can go home now.
We don't file a report
unless for 24 hours.
Since she's six years old,
we'll do the needful.
Thank you.
Hello.
Yes, Priyam. Tell me.
What? Did you find Saloni?
He found Saloni.
Yes, we'll be right there.
May I come in, sir?
Come in.
Sir, we have a missing
report about a kid.
She went missing,
a few hours back.
This is the same girl.
Where's her mom and..
Sir, they just left.
Call them back, now.
- Yes, sir.
Ma'am, the inspector?
Ma'am.
- Ma'am, we found Saloni.
You found her?
- Yes, we did.
Please, come with me.
Sir.
Please be seated.
We've found a body.
About 55 to 60 years old,
died two months back.
We've some items belonging
to the dead body.
Could you please
check to identify?
Here you go.
We have found this.
This is a nose pin.
And a locket as well.
There were two photographs
inside it. Take a look.
I think,
it's you and your granddaughter.
All these, belongs to my spouse.
How did you get these?
Come. Let me show you.
Please come.
Sir, this isn't my husband.
He became a saint.
He defied the world
for better good.
But mom. The ornaments..
They belong to father-in-law.
Yes, they do. But, maybe he
donated everything to this man..
Before he left.
And it's his body,
not my husband's.
Where was he going?
Sir, he left us two months back.
Sir, he's in Vrindavan.
We need to do our job.
You're his daughter.
- Yes, I am.
We need to match your DNA
with his blood sample.
Okay.
Ma'am, you're getting worked
up for no good reason.
The dead body.
It can't be Kailash sir.
Mr. Manohar of Jaipur..
Saw Mr. Kailash last
month in Vrindavan.
He was serving there.
Yes, mom.
Don't worry.
Dad will be back soon.
You don't worry.
I'm sorry to say.
The DNA is a match.
The dead body is of your
husband, Mr. Kailash.
Mom..
Be strong.
Sir, you're mistaken.
Last month, one of the
relatives, saw him in Vrindavan.
He must be mistaken.
The body is two months old.
How would someone see
him after he died?
Your husband went missing
two months back
and you didn't even
file a missing report?
Because, he told us
not to inform the police.
Manorama ma'am, you're here?
Yes, Urmila.
Mr. Kailash was here.
He said, he'd like to lay
low for a month or two.
He's scared.
He might put your lives
in danger.
So, he said not to look for him.
He'll be back on his own.
I thought, he'd come back.
But..
You trusted Manorama ma'am?
Yes, because we know
each other since ages.
Her husband was a
friend of my spouse.
And after her
husband passed away.
It was Kailash,
who looked after her.
What's her address?
Yes, he was here.
Ma'am.
- Hello, sir.
Ma'am, these are your medicines
for the next six months.
And this.. It's an ATM card.
Ask Kanti,
if you need something.
He's trust worthy.
Now-a-days,
nobody can be trusted, ma'am.
Why don't you learn how to
withdraw cash from the ATM?
But why do you say so?
Are you going away?
Yes,
I'm leaving town for a few days.
Ma'am,
will you inform my family?
Or they'll be worried.
Please meet them
before you leave.
Or maybe call them instead.
They won't let me go,
if I meet them.
If I make a call..
There's a bright possibility,
my calls are tapped.
But.
- Ma'am, my life is in danger.
I don't want to put my family
in danger too.
But where will you go?
Where the almighty takes me to.
Are you missing out on anything?
Anything apart from this?
No, these were his exact
last words before leaving.
Okay.
Thank you.
Tell me something,
what was your husband afraid of?
Was there anyone,
who was a danger him?
What's wrong with you?
- No.
Don't open the door.
Why are you..
- Don't open the door.
Listen to me.
What are you doing?
Open the door, Kailash.
Listen to me.
Come out.
Kailash?
Come out.
What have you done to yourself?
Get a hold on yourself.
If you do like this,
who'll take care of me?
Who will take care of the house?
I'm by your side.
And I'll be with you forever.
But at the same time I need
to know where it leads to.
What was happening?
Sir started doing
weird stuffs in the house.
Everyone made fun of us.
Everyone said that my brother
had gone completely crazy.
We were quite hesitant
to go out of the house.
They had started
their antics at home as well.
Where did he used to work?
- In the GWD department.
He was an executive engineer
there. - I work there as well.
And who are you?
- I'm his son-in-law.
You stay here? At your
in-law's place? - Yes.
I'm an orphan so sir wanted
Me to stay here with everyone
after marriage.
Sir,
the superintendent engineer
came to the house once.
I don't know
about their conversation.
,Man1Get a hold on yourself.
- Are you all right?
Sir, since the
day dad is missing
she is the one most affected.
Did anyone see Kailash, leaving?
His car was missing
so we thought he went somewhere.
Then Manorama
came and informed us.
Find out the vehicle number
and start the investigation.
Enquire the neighbors
and office colleagues
See, whether they know anything
about him being missing. - Sir!
Who all were there in his group?
Few musicians
and his nephew, Rishi.
A GWD engineer named Kailash
used to live here.
Do you know him?
- Yes, indeed. Did you find him?
He had been murdered.
I read in the newspaper that
the police found a dead body.
Was it him?
- Yes.
I knew, he was in danger.
- Why? Why is that?
Sir.
Have you ever saw them
here, before that?
No, sir.
- Okay.
Kailash was a nice man, he never
had any problems with anyone.
He was good, but..
- What do you mean?
Don't know sir,
who is good and who is bad.
What happened here?
Kailash Solanki, you are a thief
and corrupted.
You are a moron.
Look at his black face.
Make him wear that gnarled.
Kailash Solanki..
Shame, shame!
Kailash Solanki..
Is a shame!
Kailash Solanki..
Is a shame!
But no one said anything
as such.
How'll they say?
If they raise finger on one the
others will also be in trouble.
Where is the superintendent?
- He is in Delhi.
Inform us once he is back.
- Yes, sir.
Sir.
- Yes.
Everyone has different opinions
on Kailash.
Some are saying
he was a good man.
While the peon said
he was corrupted.
Now superintendent will be
the one to know it correctly.
But he is out of town.
Did you find anything
about the car?
Sir I had a conversation
with the IDO..
But we are clueless
about the car.
Kailash's neighbors said, one
of his relatives helped him.
Rishi was also missing since
the day Kailash went missing.
Where does Rishi live?
I've heard that since the day
Kailash went missing.
Your boy is also missing.
- Who said he is missing?
He is in Mumbai.
I don't like his antics.
So I've sent him to Mumbai.
Saying, act as much as you want.
We talk for hours
on every weekends.
Call him up.
The number you are trying to
call is currently switched off.
The number is switched off.
He must be in an audition.
Note down his number.
Prajapati,
are you convinced now?
You have even got it's receipt.
I hope you'll pay me now.
So you finally have the time
to meet me
How can you say like that
without even seeing?
If I'm not the one whom
you think I'm, then?
I know your footsteps.
I can breathe your essence.
Your father-in-law is an actor.
And the other one is you.
You are acting as if you are
quite upset by his death.
You are no less than an actor.
Sir,
Rishi's phone is switch off.
His phone is switched off since
the day Kailash dis appeared.
Rishi's father said that he
speaks to Rishi every day.
Why is he lying to us?
He'll tell us about that.
You said your son is in Mumbai.
Isn't he?
You converse with him every day.
- Yes.
He called me yesterday as well.
From which number?
From his number.
That number has been
switched off for two months.
Are you lying to us?
Why did you lie?
What else could I do, sir?
He has humiliated me.
He has gone missing
along with Mr. Kailash.
I think he has become
his friend..
How could I face
my relatives, sir?
That's why I lied that he
is in Mumbai.
Aren't you worried
about your son?
It's possible that something
bad has happened to him.
I didn't think that way, sir.
Things weren't fine here.
So, I thought it was good
that he left
for I'd not be
humiliated anymore.
Did Rishi have any friends
or acquaintances?
He only has one friend, Kapil.
Sir, I don't know
where Rishi is now.
Do you know Kailash?
Kailash.. Yes, sir. Rishi used
to perform with him.
Do you know anything about him?
I'd talked to Rishi once
about him.
It's deceptive.
It isn't what it seems like.
I am not performing, it's
a game that we are playing..
A game.. Why?
To get on the end
of something great.
What did he mean?
He didn't divulge that, sir.
We found Kailash's corpse
two months after his murder.
It was proving difficult
to solve the case
as the murder happened
quite a while ago.
We weren't get any information
from Kailash's colleagues.
We didn't have any suspects
of the murder as well.
Rishi, who used
to perform with Kailash
had gone missing along
with him and so
we grew suspicious of him.
According to, Rishi's
friend, Kapil
he performed with Kailash not
because of devotion.
The question was whether
Kailash's murder
was connected with Rishi.
Sir, the superintendent
engineer of GWD
has come back from Delhi.
All right. We are coming.
Sir, the superintendent
engineer has come back.
Let's go.
- Yes, sir. - Come on.
I was out of station for 15 days
in connection with work.
When I came back, I found
out that Kailash
was accused of corruption.
He had a clean record.
So, I couldn't believe it.
I went to his house
to meet him.
What is happening, Kailash?
Sir, please trust me.
I didn't do anything, sir.
I am innocent.
W-What are you doing?
Stand up..
Listen. I consider you
as my friend.
Kailash, it's about your job.
You have to prove your
innocence.
I will, sir.
Just give me two months'
time.
I will find out everything.
All right.
Two days later, he went missing.
And today morning, I
came to know that..
Let us take your leave.
Okay, sir.
Madan.
- Sir.
Someone was trapping Kailash
and I think he
murdered him.
Keep an eye on everyone
and get me the details.
- Yes, sir.
Sir, we found Kailash's car.
It was at Baroda.
Bring the one who found
the car. - Yes, sir.
Is this is your car?
- Yes, sir.
No. You are lying.
This car isn't yours.
It belongs to Kailash Solanki,
who has been murdered.
He'd left home in this car
before the murder.
How did the car end up with you?
Sir, I don't know about that but
I paid Rs. 6 lakhs for this car.
Show me the papers.
- Here you go, sir.
Where did you buy it from?
There is a garage
called Rann Bhumi
in Jaipur's Gol Chowk market.
Who is Angad?
Sir, I'm Angad.
What happened, sir?
Did your vehicle broke down?
Do you know Kailash Solanki?
Yes.
- Did you sell his car?
Yes, sir.
Sell my car.
Take it..
Sir, his car was sold
for Rs. 6 lakhs.
In cash?
- Yes.
Where is the money?
Sir, I took Rs. 50,000
as commission
and gave him the rest.
Do you have its papers?
Yes.
- Bring it.
Sir.
This is the one we have.
Here you go, sir.
He had signed it.
Keep it with you.
We will talk to you later.
The car is expensive.
It's possible that he is
involved.
Enquire about him.
- Yes, sir.
You didn't believe me earlier.
But you do now, right?
I don't get it.
Kailash's family said
that he was scared of someone
and that's why
he wanted to go into hiding.
The guy at the garage said
that he wanted to sell his car.
Sir, that means he'd made
all the plans to leave.
And he was murdered
before that.
Neither his family nor his
colleagues knew
that he was going somewhere.
Who is the one
that murdered him?
Near the outer ring road
in Jaipur
GWD workers finds a
two-month-old corpse.
After the DNA test
it becomes obvious
that
the it is Kailash
Solanki's corpse.
He was an executive engineer
at GWD.
We were suspicious
of Kailash's family members.
All of them were under
our radar.
From the conversation with
the GWD superintendent engineer
it became obvious that
he was being trapped.
Kailash had asked him
for two months' time
to prove his innocence.
Sir, there is blood on my hands.
It's haunting me.
I hear his voice all the time.
I feel like he is behind
me all the time.
Whom did you murder?
One of my family members.
Here you go.
Please solve this problem
of mine.
Yes, sir. It's next week.
I will keep you updated, sir.
Yes.
Sir, we got Rishi's
call details.
But there is
something strange, sir.
He sent the most number
of messages to Simran.
Rishi used to message
you a lot, right?
What did he message you?
T-They were normal
forwarded messages.
Why did he send them to you?
What are you saying, sir?
Rishi is my nephew
and they are of the same age.
That's why.
- Yes, sir.
Madan. - Sir.
- Keep an eye on her.
Something is not right.
She is hiding something.
Look at this.
- Sir.
Okay. - Sir, you'd asked
me enquire about Angad.
Sir, his account was credited
with Rs. 5 lakhs
on the very next day Kailash
went missing.
I've also got his call
records.
He has been in touch with Shagun
even before Kailash
went missing.
Keep an eye on him.
- Yes, sir.
I'm going out.
Take care of everything.
Sir, Angad has gone out
of the garage.
Follow him.
I will reach their soon.
What..
Did you murder your father
for him?
S-Sir, please listen to us.
We haven't done anything, sir.
Sir, I was in love with Angad
even before getting married.
And when dad came
to know about it
he got really angry.
You scoundrel!
How dare you eye my daughter!
What you are doing
is unforgivable.
I've to teach you a lesson.
Break everything!
What are you doing?
- Come on.
I got pregnant
soon after that.
Dad married me off
to Priyam.
He was dad's junior
at his office.
You were angry at him
all these years
and when you got the chance
you finished him off.
No, sir..
He is the one who approached me.
I know what I did to
you is wrong.
I destroyed your
entire garage.
Didn't you incur a loss?
Sell my car. Take it..
Keep the money with you.
I will sort out
everything else.
You are lying!
- N-No, sir. We aren't.
He isn't lying, sir.
Dad had talked to me
on the night before he met him.
Are you finding it hard
to get good sleep?
Since when did you start
to worry about me?
Why are you so furious?
Tell me. How are things between
Priyam and you?
Just leave it be, Dad.
I am with the one whom
you wanted me to be.
But we never had a physical
relationship
with each other.
Shagun.
Dear, what I did to you
is wrong.
Please forgive me.
I-I will sort everything out.
That's a nice story.
But I don't believe it.
You loved each other.
Mr. Kailash didn't approve
of the relationship.
You murdered him when
you got the chance to
and you sold his car.
No.. - No, sir.
W-We are innocent.
No, sir.
P-Please listen to us.
Stop it.
What if my husband see us?
What? He is a moron.
He'd not understand
anything.
Suman,
prepare tea for me.
Come in.
We want to ask
you something.
Go on.
Are you aware of Shagun
and Angad's relations?
We believe they are
in a way responsible
for the murder
of your husband.
Angad sold the car in which
your husband had left
and kept the money with him.
Your daughter is also
a part of this.
I never expected Shagun
to stoop so low.
We cared
for her so much.
She had an affair
with that mechanic.
I somehow persuaded
her to leave him.
I got her married
to a nice boy like Priyam.
He showers fatherly love
on her daughter.
He loves Saloni more
than her mother does.
Shagun didn't love her
husband even after marrying him.
I have heard people committing
suicide for things like these.
But she killed
her father instead.
I hate her!
Aunt, you need not worry.
I'm sure, Shagun is innocent.
Get a grip.
I don't care
if they betray you.
But I will never betray you.
I've been a responsible
person throughout
and always will be.
We will take your leave now.
Sure.
While dealing with
an aspect of this case
it often
complicated the others.
We doubted Simran
for hiding information.
We were keeping
an eye on her.
Rishi was at large.
We faced new difficulties
upon getting to know about
Angad and Shagun's affair.
Both of them had motive
to kill Kailash.
Our doubt on them
deepened on knowing
Angad's involvement
in Kailash's car deal.
While I was dealing with it,
something crossed my mind..
Sir, I don't get it.
One hand,
Rishi has gone missing.
Maybe he is at large
after committing murder.
But on the other hand, Shagun
isn't telling us anything.
Shagun and Angad
are our prime suspects.
What if none of them
has committed the murder?
What if the murderer
is someone else?
The one who framed Kailash
in that case
is he the culprit?
Madan
have you heard of
Odd Man Out theory?
Of course, sir.
Priyam is Shagun's husband.
They were married for 6 years.
Though they share the
same roof they don't behave
like a married couple.
But he still loved her daughter
Saloni very much.
His in-laws respect him.
He was Kailash's junior
in office.
How can a person be
so decent?
Is there a motive behind this?
Find out more about Priyam.
Pull out his records.
I need his details.
Sir.
Mr. Priyam is a diligent worker.
He minds his own business.
Ms. Urmila
was fond of Priyam.
Priyam,
have lunch with us.
I have prepared
'Gajar Ka Halwa'.
Great!
That's great.
Not for you though.
You carry on with
your restricted diet.
It's for Priyam.
- I see.
Let me know if you
want something else from me.
I will prepare it for you.
Thank you.
Upon Ms. Urmila's
insistence Mr. Kailash
got his daughter
married to Priyam.
He was an orphan.
So, they stayed together.
But I heard his daughter,
Shagun, is not a good lady.
Sir, Priyam is clean.
Even his colleagues
are fond of him.
I have an important news.
Kailash's brother, Prajapati,
had an issue
with him.
Regarding what?
- Property dispute.
Let me show you.
Their father distributed equal
property to both of them
before departing.
Kailash's property lies in
Jaipur Outer Ring Road.
Prajapati received a farmland.
Here lies the highway that's
being built by
Kailash's property.
That's why
his property rate went much
higher than Prajapati's.
That suggests the valuation
has differed a lot.
Exactly, sir.
And yes.
Based on your advice,
I pulled out the call records
of each and
every family member.
Prajapati was in touch
with a contract killer
all this while.
What?
- Yes.
Summon the contract killer.
- Sure, sir.
Does the headline mentions
about your death?
Hey!
Scoundrel!
What did you talk
to Prajapati about?
Speak up..
Sir, he asked me
to kill his brother.
Summon him.
- Sir.
Why did you get
your brother killed?
Speak up.
- What rubbish!
I'm a decent guy..
Oh, really?
I know what you are.
We have arrested the one
who you had contacted
to get your brother killed.
Want to see him?
Look at him carefully.
Tell me why you
got him killed.
But I didn't kill Kailash,
sir.
What rubbish!
Are you kidding me?
Yes, sir.
I didn't kill Kailash.
When I learnt,
he left his house
I lied about his death
to get the payment.
But he didn't pay me.
When he later learnt
about Kailash's death
he paid me.
He believed,
I did his job.
But I lied to him then.
Are you lying to us now?
Tell me the truth.
Trust me, sir.
Trust me, sir.
I didn't kill him.
Beat him up!
Sir, you asked
me to find the details
of Kailash's colleagues.
Everyone seems
to be taking bribe.
But the bigger fish seems
to be the Superintendent.
His wife witnessed a credit
of eight lakh in her account.
Did she win a jackpot?
Fine.
Put Mahinder to use.
Sure, sir.
Yes, tell me.
My manager told me,
you want to meet me.
Sharma is just
another person.
You are the
most important person.
How can I help you?
Sir, they have
floated a tender
to make a road
in Vaishali Nagar.
Why don't
you give it to me?
Why don't you apply
for it like others?
The lowest
bidder bags the tender.
I won't beat around the bush.
It's all in your hands.
What is this?
Sweets for you.
Close it..
Get lost!
Sir..
- Get lost!
Get lost!
Pal, are you here
for the first time?
When you go to a shrine
the priest takes the offering
and places it before deity
and not you.
The priest does it.
- I am the priest here.
Let me take the offering
to the deity.
Listen up. Fill up the form.
It will be done. All right?
Sir, it is done.
Yes?
- Search warrant.
We are here to search
your office.
But what have I done?
- Please do not interfere.
Be seated.
Sir.
So a box of sweets.
It is just..
Mahinder works for us.
We have the serial numbers
noted for these bills.
You will come with us.
Sir, but..
So you were the corrupt man
that Mr. Kailash was searching?
Yes, sir.
A year ago..
I was transferred here.
After I met Kailash
I knew
he was hard to budge.
So you framed him.
- Yes, sir.
Any tender that passed
had to go to Kailash first
and then after checking
he gave it to me.
And I would simply sign.
The peon tricked him in signing
a lot of tender files
and I passed them all
by taking a bribe.
During this time, Kailash
stopped the payment of a man.
Sir, why do you hold
my payment?
You passed my tender, right?
We checked the quotation
you gave us
and we saw your company profile.
As per that you do not get
the tender.
We have to proceed
with scrutiny.
I have borrowed money
and paid the labour.
I need my cheque.
This is your file.
I saw it all.
By seeing it,
you do not seem able
to complete the tender.
I cannot say that you might
get the tender.
You there! Officer!
You hold my payment?
I will take my money!
Do you get that?
Leave it be!
- Leave him!
You dare cheat me?
You take bribes
and then cheat us!
I need my money!
Got that?
I will have it!
That man made quite a scene!
I got a chance to have
an enquiry against Kailash
and have him suspended.
Kailash did not budge.
He wanted to find out
who was behind this.
And he did find out.
Yes, sir.
Deal is done.
You get the tender.
Sure, sir.
So you both
are working together.
Kailash, it is not
like that. You are mistaken.
I understood it all, sir.
Listen to me. Forget all you
saw here. Not a word to anyone.
And get back to your work.
- I will not scared.
I will tell everyone.
Kailash, you cannot do that.
I'll lose my job
and I'll be sent to jail.
You should have thought it
before.
He is not going to listen.
Get him!
So that man killed Kailash.
No, sir. He ran away that day.
- You are lying.
And I need the names
and addresses.
Yes, sir.
Sorcerer, help me.
You asked for money
and I stole it from you.
What else do you need?
Blood.
Only blood can pay for blood.
Do you have blood to spare?
How did all of it happen?
- He killed himself.
Suicide?
- Yes. - Why?
Here is the suicide note.
'I hate myself!
I killed the man'
'that
embraced me.'
'I had killed Mr. Kailash.'
'I cannot live with this guilt'
'and hence I am ending my life.'
I do not think this is
a suicide.
He would have fallen on his face
had he jumped
and not on his back.
Who has his phone?
- Saloni has it.
Give me the phone, please.
Good girl. Now go inside.
Sir.
What happened with him?
- A fight?
Why do you question my wife?
Since Priam had an affair
with your wife.
And here are the texts that
they sent to each other.
Take a look.
Hold on!
- You must have been furious.
It is possible that you knew
of their affair
and then you pushed Priam..
Had I known of the affair,
I would have killed them both!
What are you saying?
It was a suicide.
The note said it.
Anyone can place a fake note.
The handwriting expert
will prove it. Anyway..
Send the body for post mortem.
- Sir.
We need a dummy test.
- Sir.
This is how he falls
by himself.
this is when he was pushed.
- Do you see that?
Sir, it is clear that Priam
did not commit suicide.
So how can there be a signature
on the note?
It is possible that Priam
was connected
to the murder of Kailash.
But sir, we already checked.
Priam was clean.
Check again.
All details.
Not just Priam but everyone
that he was linked with.
Keep an eye on family.
- Sir.
Follow her.
- Yes, sir.
Do not be afraid.
Come with me.
Here, take this.
Burn him.
He will be free
of this realm
and you will be free
of the ghost.
Get him!
Catch him!
Take this!
Take her.
Sir, I didn't do anything.
Take him inside.
We need to question the girl.
Go. - Okay, sir.
Simran,
whose dead body was that?
Was it Rishi's?
Why did you kill him?
Did dad come here?
He is not to be seen anywhere.
He is in my bedroom. Come.
Dad..
Dad..
Dad!
Dad! - He isn't here.
But I am with you.
What prank is this?
- No, it's not.
You know how much I like you.
Stop your nonsense!
Didn't you feel ashamed!
You are my cousin.
I don't want to marry you.
Just give me some time.
Leave me..
- Just give me some time.
Rishi.. - Try to understand.
It will take just some time.
Rishi, please leave me.
- Just for some time, dear.
Rishi, leave me..
- Come on..
Rishi, leave me. - Come.
- Rishi!
Leave her!
Rishi..
I killed my son.
Simran, it was an accident.
I didn't do it willingly.
We must dump
this dead body.
Don't tell this to anyone.
I had this feeling that
the dead Rishi is behind me.
Rishi died because of me.
That's why I went
to that sorcerer
and he asked me to burn
the skeleton of Rishi.
Forgive me, sir.
Simran, Rishi didn't die
because of you.
But it's certainly your mistake
that you didn't file
a complaint in the police.
Bring Rishi's father.
- Yes, sir.
This is good, sir.
At least,
I can now cry loudly
for the death of my son.
Bring him.
- Yes, sir. Come.
Sir, Priyam's
postmortem report is here.
There are no struggle
marks on his body.
But his skull got fractured
since he fell from the terrace
and he died due to that.
- And then?
The suicide note which
we found is fake.
It's not completely
proved yet.
But the contractor who
ordered to dig that land
from where we recovered
Kailash's dead body
was in touch with Priyam.
I spoke to that
contractor personally
and I came to know that
it was Priyam who got him
that tender.
Madan, I want all
the evidence and documents.
I even need the photographs
again. - Yes, sir.
Just imagine!
It's Priyam who got
the tender to fix the road
where we found the dead body.
And then, Priyam's daughter
gets disappeared
and come back again.
Priyam's family comes
to this police station
to file the
missing complaint of Saloni.
And that's how we come
to know about Urmila.
All this can't be
a mere coincidence.
One more thing.
Both these
photographs of the child
have the watermark
of the same studio.
Who brought these photographs?
- Saloni's mother, Shagun.
Here it is.
Find out about this from
the studio once. - Yes, sir.
So you helped Priyam
in killing Mr. Kailash.
These is the photograph
which you submitted
in the police station to
file Saloni's missing complaint.
And here's the photograph
which we found
from the locket
of Mr. Kailash.
We did an enquiry
in the studio.
Interestingly,
this photograph was clicked
just a week before you
filed the complaint.
Whereas, Mr. Kailash
died two months ago.
So how come it was
in Mr. Kailash's locket?
I don't know since when
I started liking Priyam.
I liked him so much that
I could have done anything
to keep him with me.
I could have gone
to any extent.
That's why I got him
married to my daughter.
But Kailash came to know
about us.
And the way he walked out
of the house that day
I understood
that he will surely
do something wrong.
Hello, Mr. Sham!
Look, I want to sell that land.
Let's meet at 8 p.m. tonight.
Mister, I called up to inform
that he can't make it today.
He has fallen sick
all of a sudden.
He wanted to sell his land
and I didn't want that.
You have come to know
everything about us, right?
Then why are you hiding it?
What can I say about this?
You don't even deserve
my suspicion.
Get this straight.
I will sell this land and give
half of the money to Prajapati
and I will give the rest of
the money and all my properties
to Simran, Shagun
and Saloni.
You aren't getting even
a penny from my property.
Who is asking you
for a penny, Father-in-law?
We want everything.
Why did you dig out
his body again?
What happened?
I won't get Kailash's money
until it's proved
that he's dead.
Because I'm only a nominee
and not a joint account holder.
I have an idea.
And why did you kill Priyam?
Do you love me?
Certainly.
How much?
This much.
You are the biggest liar.
What do you mean?
I can give my life for you.
Really?
I liked Priyam.
But even he betrayed me.
It's you who betrayed
your husband, daughter
and the honour
of being a woman.
| {
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Narrator: FROM SUN SIGNS
TO RETROGRADES,
WE TAKE YOU
INTO THE WORLD OF ASTROLOGY
AND SHED LIGHT ON WHAT THE STARS
HAVE IN STORE FOR YOU.
THIS IS "STARGAZING."
♪♪
CHANCES ARE IF YOU'RE
APPROACHING THE AGE OF 30
YOU'VE GOT A LOT GOING ON.
MAYBE YOU'RE THINKING ABOUT
MARRIAGE, A CAREER CHANGE,
OR WHY IT SUDDENLY FEELS LIKE
YOU'VE GOT A TON
OF NEW RESPONSIBILITIES.
WELL, I'M HAPPY TO TELL YOU
THERE'S A REASON.
IT'S ALL BECAUSE OF
SATURN RETURN, BABY.
WE'RE GONNA BE BREAKING DOWN
THE DIFFERENT WAYS
YOU CAN SURVIVE
THESE ROCKY TIMES,
AND IF YOU'RE PAST
THE AGE OF 30,
MAYBE THIS WILL HELP EXPLAIN
WHAT THE HECK HAPPENED.
LET'S GET STARTED.
♪♪
Narrator: A RETURN IS WHEN
A PLANET FINISHES ITS ORBIT
AND LITERALLY RETURNS
TO THE EXACT LOCATION IT WAS
WHEN YOU WERE BORN.
FOR SATURN,
THIS TAKES ROUGHLY 29 YEARS.
SATURN IS THE TEACHER PLANET,
SO EXPECT SOME SERIOUS OBSTACLES
AND CHANGES.
THIS IS A TIME FOR GROWTH
AND FACING CHALLENGES HEAD-ON.
SOME PEOPLE CALL IT
A QUARTER-LIFE CRISIS,
BUT WE ALL KNOW IT
AS SATURN RETURN.
♪♪
I'M JESSICA LANYADOO.
I'M AN ASTROLOGER, PSYCHIC
MEDIUM, HOROSCOPE WRITER,
AND PODCASTER.
MEETING WITH PEOPLE
FOR ONE-ON-ONE READINGS
IS MY ABSOLUTE
FAVORITE THING TO DO.
♪♪
YAY!
HELLO.
HI.
I AM A SUPER FAN OF JESSICA.
I HAVE BEEN FOLLOWING HER AND
USING HER ASTROLOGY AS TOOLS.
IS THERE ANYTHING
SPECIFIC OR GENERAL
THAT YOU WANT ME
TO TALK ABOUT?
MY CAREER...
MM-HMM.
...AND MY LOVE LIFE.
AND WHAT DO YOU DO
FOR A CAREER?
I DO RESEARCH RIGHT NOW,
BUT I'M INTERVIEWING
FOR AN MD-PhD PROGRAM.
THE THING ABOUT
YOU AND CAREER,
YOU LOVE TO OBSESS ON IT,
YOU LOVE TO FOCUS ON IT,
YOU LOVE TO PRIORITIZE IT,
AND THAT'S WHY
YOU DON'T NEED MY HELP ON IT,
BECAUSE YOU'RE REALLY GOOD
AT IT.
YOU WORK SO HARD,
AND THAT'S BECAUSE YOU DO HAVE
FOUR PLANETS IN CAPRICORN
AT THE BOTTOM OF YOUR CHART
AND YOU HAVE THIS BEAUTIFUL
JUPITER CONJUNCTION
TO YOUR MIDHEAVEN.
AND SO WHAT I THINK YOU NEED
A READING ABOUT...
-OKAY.
-...IS YOUR TENDENCY
TO GIVE UP
ON YOUR PERSONAL LIFE
IN FAVOR FOR
YOUR CONSCIOUS OBJECTIVES.
YOU ARE IN A PHASE
OF YOUR SATURN RETURN.
WHAT DOES THAT MEAN?
THE SATURN RETURN IS A TRANSIT
THAT HAPPENS TO EVERYONE
AT AROUND YOUR AGE.
IT'S THE CLOSURE
OF YOUR CHILDHOOD,
AND IT'S THE OPENING
OF YOUR ADULTHOOD --
WHEN YOU ESTABLISH FOR YOURSELF
BUT ALSO IN THE WORLD
WHO YOU CHOOSE TO BE.
-YEAH.
MOST PEOPLE HAVE
A VERY DIFFICULT TIME
DURING THE SATURN RETURN.
WHEN I LOOK AT YOUR CHART, I SEE
A REAL TENSION INSIDE OF YOU.
IN YOUR FANTASY, YOU'RE THE GIRL
WHO PRIORITIZES MAN AND CHILD.
AND IN REALITY, WHEN YOU
PRIORITIZE MEN OVER YOURSELF,
YOU FEEL CRAZY,
YOU FEEL UNHAPPY,
AND ULTIMATELY
IT LEADS TO RESENTMENTS.
IT'S NOT WHO YOU ARE.
ARE YOU IN A RELATIONSHIP?
NO. THE RELATIONSHIPS I HAD WERE
EXACTLY WHAT YOU JUST DESCRIBED,
THAT I WAS PLAYING THIS ROLE
THAT I THOUGHT I WANTED
AND THEN AFTER AWHILE I REALIZED
"WHO EVEN ARE YOU?"
YOU KIND OF PUT OFF LOVE
BECAUSE YOUR FANTASY OF
WHAT YOU THINK YOU SHOULD WANT
AND THEN WHAT ACTUALLY WORKS
FOR YOU ARE DIFFERENT.
THIS HAS BEEN KIND OF
PLAGUING YOU THIS YEAR.
YEAH.
-YEAH.
YOU'RE VERY STRONG,
AND TONING YOURSELF DOWN
FOR MEN, IT DOESN'T WORK.
IT'S LIKE THIS SELF-SABOTAGING
CYCLE WHERE I'M LIKE,
"WELL, HE'S NOT WHO
I WOULD WANT TO BE WITH ANYWAY,
SO I'M NOT
GONNA BE VULNERABLE."
WERE YOU RAISED
WITH YOUR DAD AROUND?
NOT MY BIOLOGICAL FATHER,
BUT MY FATHER.
YOUR BIOLOGICAL FATHER, DID YOU
MEET HIM? DID YOU KNOW HIM?
LIKE,
THREE OR FOUR TIMES.
THERE'S A LOT GOING ON
IN THAT.
YOUR MOM WAS
WITH YOUR DAD, EH?
MARRIED? NO.
NO, NOT MARRIED,
BUT THEY WERE IN A RELATIONSHIP
WHEN THEY HAD YOU.
-THAT WAS THE LOVE OF HER LIFE.
-YES.
WHEN I LOOK
AT A BIRTH CHART,
WHAT I CAN SEE
IS NOT JUST YOUR NATURE
BUT THE CONDITIONS
THAT YOU COME FROM --
YOUR PARENTS,
YOUR HEREDITY.
AND YOUR SATURN RETURN
HAS EVERYTHING TO DO
WITH WHAT
I'M ABOUT TO SAY.
YOUR MOM EXPERIENCED SUCH
A PROFOUND LOSS IN YOUR FATHER.
IT WAS LIKE A CONFIRMATION
OF HER GREATEST FEARS --
THAT SHE WASN'T LOVABLE,
THAT SHE WASN'T SAFE,
AND THAT THINGS
WEREN'T GONNA BE OKAY.
FOR HER, THE LOSS OF YOUR DAD
WAS REALLY ROUGH.
WHAT THAT TAUGHT YOU
ON A REALLY DEEP,
KIND OF LIKE
A CELLULAR LEVEL
IS THAT
YOU CANNOT RELY ON MEN,
THAT THEY WILL LEAVE YOU
IN THE MOMENT
WHEN YOU NEED THEM
THE MOST,
AND THAT YOU HAVE TO ALWAYS
TAKE CARE OF YOURSELF.
THAT EARLY
DEVELOPMENTAL EXPERIENCE
AND THAT DEEPLY HELD BELIEF
IS, AT CORE,
WHAT YOUR SATURN RETURN
IS ABOUT
AND WHAT YOU'VE BEEN
DEALING WITH THIS PAST YEAR.
THIS IS A TIME IN YOUR LIFE
WHERE YOU GET TO CHANGE THIS.
I WOULD SAY SPEND TIME WITH
THE GUYS WHO MAKE YOU NERVOUS.
LET THEM IN,
YOU KNOW WHAT I MEAN?
SEE WHAT HAPPENS.
YOU NEED A MAN
WITH INTEGRITY.
RIGHT NOW, YOU HAVE REALLY BIG
FISH TO FRY WITH YOUR CAREER.
I SAY DO IT,
BUT DO THE PSYCHOLOGICAL
AND EMOTIONAL
AND SPIRITUAL WORK.
HAVE REVISION AROUND WHAT YOU
ACTUALLY WANT FOR YOUR LIFE,
AND THEN THE GUYS THAT YOU'RE
ATTRACTED TO WILL CHANGE.
AND THEN YOUR OUTCOMES
WILL CHANGE.
MY MIND IS SPINNING.
I DIDN'T THINK SHE WOULD SAY
THE THINGS THAT SHE SAID.
IT WAS JUST VERY REAL.
I WAS EXPECTING TO ASK QUESTIONS
AND THEN THAT'S
HOW SHE WAS GONNA DIG IN,
BUT SHE SAID IT HERSELF
AND JUST SHOCKED ME.
I'M STILL PROCESSING
ALL OF IT.
I WANT A HUG AGAIN.
♪♪
♪♪
ONE THING THAT I REMEMBER MOST
ABOUT MY SATURN RETURN
WAS GETTING A PROMOTION.
IT FELT REALLY GOOD
BECAUSE I FELT LIKE
I WAS ACTUALLY MAKING
THE KIND OF MONEY
THAT I WAS
SUPPOSED TO BE MAKING.
I HAD A LEVEL-UP
IN TERMS OF MY CAREER,
AND I REALLY FELT LIKE
I WAS COMING INTO MY OWN.
TYPICALLY,
WHEN IT COMES TO SATURN RETURN,
THAT'S USUALLY THE FEELING
AFTER YOU'VE ALREADY KIND
OF GONE THROUGH THE WHOLE PANIC.
YOU TEND TO FEEL
A LOT MORE EMPOWERED
AND A LOT MORE IN CHARGE.
♪♪
♪♪
IF YOU ARE ANYWHERE BETWEEN
26 AND 28 YEARS OLD
AND YOU'RE APPROACHING
YOUR FIRST SATURN RETURN,
THERE'S A NUMBER OF THINGS
TO PAY ATTENTION TO.
ONE, ARE YOU LIVING
AUTHENTICALLY?
BECAUSE
DURING YOUR SATURN RETURN,
THE WAYS IN WHICH YOU LIVE
THAT ARE INAUTHENTIC
TO WHO YOU TRULY ARE
BECOME REALLY PAINFUL.
TWO, ARE YOU WILLING TO CHANGE?
IF YOU'RE NOT
WILLING TO CHANGE,
IF YOU'RE NOT WILLING
TO OUTGROW THINGS,
THEN YOU'RE GONNA FEEL STUCK,
AND THAT'S WHERE THE DEPRESSIVE
SIDE OF SATURN COMES THROUGH.
AND THREE,
ARE YOU WILLING TO LIVE IN A WAY
THAT IS TRUE
TO WHO YOU WANT TO BECOME,
NOT JUST WHO YOU'VE BEEN?
IF YOU'RE WILLING TO DO THESE
THREE THINGS,
IT'S NOT THAT YOU'RE GONNA FEEL
FANTASTIC --
IT'S THAT YOU'RE GONNA BE ABLE
TO MAKE USE OF THIS PERIOD
AND CREATE THE FOUNDATION
TO YOUR ADULTHOOD
THAT WILL FEEL FANTASTIC.
NOT SURE WHAT'S IN THE STARS
FOR YOU?
ASK YOUR QUESTIONS
IN THE COMMENTS BELOW
AND WE JUST
MIGHT GET BACK TO YOU.
♪♪
♪♪
Woman: HI, LAUREN.
DO YOU THINK YOU COULD HELP ME
FIND SOME CRYSTALS TODAY?
YEAH, ABSOLUTELY.
WHAT CRYSTAL WOULD YOU GIVE
TO A WATER SIGN APPROACHING
THEIR SATURN RETURN?
♪♪
I HAVE BROUGHT FOR YOU
SOME AQUAMARINE.
I BELIEVE THAT DURING A SATURN
RETURN,
FIRST TIME OR SECOND TIME,
YOU'RE ALWAYS GONNA GO THROUGH
A LOT OF AN EMOTIONAL TRAUMA
DURING THIS TIME.
WATER SIGNS IN PARTICULAR CAN
STRUGGLE WITH THIS ASPECT,
SO AQUAMARINE IS REALLY GOOD FOR
SOOTHING THE EMOTIONAL BODY.
WHAT WOULD YOU RECOMMEND
FOR AN ARIES WOMAN
GOING THROUGH
HER SECOND SATURN RETURN?
HMM...SECOND TIME AROUND
IS A LITTLE DIFFERENT.
♪♪
I BROUGHT YOU IRON PYRITE,
OTHERWISE KNOWN AS FOOL'S GOLD.
THE SECOND TIME AROUND
FOR A SATURN RETURN,
AS OPPOSED TO THE FIRST TIME
WHERE IT WAS SO NEW
AND A LITTLE BIT SCARY,
YOU REALLY JUST HAVE TO
FOCUS ON GROUNDING YOURSELF,
THE SECOND TIME AROUND
IS MORE ABOUT DEVELOPING
A SENSE OF SELF-CONFIDENCE.
ESPECIALLY FOR A FIRE SIGN,
PYRITE -- ANY FIRE ELEMENT
CRYSTAL WILL DO THE JOB,
BUT PYRITE, I BELIEVE,
WILL DO THE BEST.
WHAT CRYSTAL WOULD YOU RECOMMEND
FOR A CAPRICORN
WHO'S HAVING A TOUGH TIME
WITH HER SATURN RETURN?
HMM...CAPRICORN
IS RULED BY SATURN.
♪♪
SO, I FOUND SMOKY QUARTZ
FOR YOU.
I BELIEVE SMOKY QUARTZ
IS A REALLY GREAT STONE
FOR ANY CAPRICORN
GOING THROUGH A STRUGGLING TIME
DURING THEIR SATURN RETURN.
SMOKY QUARTZ IS A STONE THAT
HELPS GROUND THE PERSON
BUT ALSO DRAWS NEGATIVITY
OUT OF THE BODY.
-AWESOME. THANK YOU SO MUCH.
-YEAH, OF COURSE.
SO, HOPEFULLY NOW
YOU'VE GOT A BETTER GRASP
OF WHAT A SATURN RETURN IS
AND WHY IT CAN BE
SUCH A TOUGH TIME IN OUR LIVES.
NOW THAT YOU KNOW
ALL ABOUT IT,
YOU SHOULD BE READY TO
GRAB THE BULL BY THE HORNS
AND SAY, "BRING IT ON."
♪♪
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TrollsNews today
RIP Bill Nye
Youtube tags are gone
Obama reddit conspiracy
Good evening and welcome to another episode
of TrollsNews, show that brings you all the
important information about trolls or just
a random drama on the internet.
The first report of today was brought to you
by supersonicultra and it is about the trolling
around Bill Nye - The science guy - yes, that's
him.
On 27th august 2012 group of people on twitter
started tweeting "RIP Bill Nye", of course
since average twitter user is not able to
fact check, many people were lead to believe
that Bill Nye actually died and this became
one of twitter's trending topic.
Soon after facebook pages started to appear,
they were usually named RIP Bill Nye and the
biggest of those has over quater of a million
likes.
Some people were speculating that source of
this fake death rumor was a group of creationists
who didn't like that Bill Nye was talking
against creationism in a video uploaded to
bigthink channel.
Which is somehow possible from the beginning
but it is very likely that this trolling was
soon taken over by other trolls who didn't
care about the video and they just want to
have fun confusing people.
At this point you can still find people posting
posts on facebook, tweeting and arguing that
Bill Nye is alive, although that no one argues
against it, we can consider this trolling
to be quite successful then.
The next report is about the fact that YouTube
decided remove tags from player pages, meta-tags
are still in the video but users can't see
them.
Obviously YouTube is trying to fight the fact
that many youtube users have a tendency to
copy tags from successful videos to get splashes
of the video success.
This way users won't be able to do that anymore,
but maybe it opens a door to another problem,
now users can't see if someone is false tagging
a video and unless youtube has some clever
algorythm to check for tags, we'll end up
with every video being tagged "hot lesbian
kissing".
Spongethrob reported the last thing of today
and it's about Obama doing his ask me anything
on Reddit.
Of course since we're talking here about reddit
it couldn't be without retarded conspiracy.
People were speculating that one of the questions
could have been planted there by Obama's administration.
The proof of that was that the account was
only few minutes old and it was posted really
quick.
Ok, if I was the one who would want to ask
Obama a question, I would first write it somewhere,
then I would create a reddit account, since
I don't have one, and then I would ask the
damn question.
And it would look exactly like this, why does
it have to be a conspiracy all the fucking
time?
That's all for this evening, stay tuned for
more TrollsNews, please subscribe like and
comment this video and please message me if
you see a troll worth reporting or interesting
youtube drama.
My name is Vol Jang and that is Steve, stay
safe under the youtube bridge.
| {
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(Muzika)
Šta imaju zajedničko - knjiga Tomasa Pinčona
o II svetskom ratu, knjiga francuskog filozofa
Žaka Deride i
i kuća Vana Venturi?
Ne mnogo čega, što sa razlogom mislite.
Ali jedna stvar im je svakako zajednička,
a to je što se svi vide kao glavni primeri
post-moderne.
Iz ovog možemo odmah da zaključimo da će biti
teško definisati postmodernu, ali mi možemo
sagledati takođe neke teme koje su zajedničke mnogobrojnim
idejama ljudi o postmodernizmu.
U arhitekturi na primer
postmodernizam se povezuje sa
mešanjem različitih stilova u jednu
građevinu, na taj način da se oni sudaraju
jedan sa drugim. U književnosti
je povezan sa knjigama koje se oslanjaju na
paradoks fragmentacije i nepouzdano
pripovedanje. U filozofiji je povezan sa
idejom da ne postoji
objektivni opis realnosti i
i da umesto toga postoji mnogo različitih
perspektiva na svet, koje su sve
u izvesnom smislu istinite. U
svakoj od ovih instanci postmodernizam naglašava
jedinstvo u raznolikosti stvari
koje se ne uklapaju. On se suprotstavlja
ideji da je svet dobro uređen
jednostavan sistem. U ovom kursu ćemo se fokusirati
na postmodernizam u filozofiji
koji postaje značajan od 60-tih
na ovamo i još uvek je uticajan
na način na koji mislimo. Posebno
u humanističkim naukama. Za svrhu ovog kursa
želim da okarakterišem
postmodernizam u smislu dva napada.
Prvi napad je na ono što ću nazvati
temeljima a drugi napad na
tezu da je istina jedna.
Da postoji samo jedan jedini način istinit način da se opiše svet.
Sada, umesto da odmah krenemo
do postmodernih filozofa,
želeo bih početi detaljnim govorom
o njihovom
najpoznatijem i najvažnijem
preteči - filozofu kasnog 19. veka
koji je već izneo mnoge
postmoderne teze i koji je uticao
verovantno na svakog postmodernog
filozofa 20. i 21. veka.
Taj filozof je nemački mislilac
Fridrih Niče.
Ono što nameravam da uradim jeste
da uđem u trag ovim dvama napadima
koje postomodernisti izvršavaju,
kako na temelje, tako i na postojanje samo jedne istine
vraćajući se Ničeovoj misli.
U ovoj lekciji sagledaćemo
napad na temelje. Šta su u stvari temelji?
Evo jednog primera.
Ja na primer iznosim jedan moralni sud
da je loše ubijati ljude. Vi me zatim pitate: Kako to znam?
I moj odgovor je - samo zapitajte svoju savest.
Vaša savest će vam reći da
je pogrešno ubijati ljude
Za sada je to dobro.
Ali ako ste filozof poći ćete jedan korak dalje
i vi ćete pitati mene -
kako znaš da je tvoja savest u pravu?
Ja ću reći - ukoliko stvarno zapitate savest
znaćete da je to uvek ispravno.
Svaki normalan čovek će naći
istu istinu u svojoj savesti
i on će jednostavno znati da je
njegova savest u pravu. Sada u ovom primeru
ja predstavljam savest kao
temelj morala.
Ona je temelj iz dva razloga.
Prvi - ona opravdava moje moralne sudove. Ukoliko se
se pitate da li je zaista loše ubiti
čoveka ja vam nudim savest kao
dokaz. I drugi - savest sama
ne treba nikakvo opravdanje. U skladu
sa mojom teorijom kada upitate svoju
savest, vi ćete jednostavno znati
da je nešto ispravno. Prema tome,
Temelj je nešto što opravdava
neke od vaših tvdrnji, ali nema
potrebu za opravdanjem samog sebe.
Na isti način i temelji kuće
drže ostatak kuće,
ali nema potrebe za
dodatnim utemeljenjem samih temelja.
Savest, je naravno samo jedan primer.
Jedan uticajan temelj morala bio je Bog.
Ljudi tvrde da ukoliko
ozbiljno tragate za Bogom, nećete pronaći
samo njega, već će vam to takođe doneti moralnu izvesnost.
Važni temelj znanja
o svetu je
naučni metod gde mi kažemo
da treba verovati nečemu
zato što vam nauka kaže tako i
dodajemo - da svako ko može misliti jasno
će biti u stanju da sagleda naučni metod
jednostavno kao najbolji način
istraživanja sveta. I tako dalje.
Mnoge različite stvari se mogu ponuditi
kao temelji drugih stvari
Ali ono što je zajedničko svim ovim pokušajima je to
se trude da zasnuju izvesne tvrdnje na
nečem drugom što je apsolutno izvesno,
nepokolebljivo i isto za sve.
To je nešto sa čim bi svi
ili skoro svi u svojim ispravnim razmišljanjima
trebalo da se slože.
Sada, Niče, Niče veruje da svaki
pokušaj da se postavi temelj jeste osuđen na
propast. I da svako ko veruje u to da
je pronašao temelj
samo obmanjuje sebe. Temelj
može izgedati samo očigledan, ističe
Niče. Možda bi moglo biti
neshvatljivo za nas da neko
može misliti drugačije. Možda jednostavno
ne mogu zamisliti da
neko ne može naći u njegovoj svesti princip
po kome je pogrešno ubijati ljude.
Ali šta to dokazuje? - pita se
Niče. Sigurno, to ne dokazuje
ništa više od toga nego da je moja imaginacija
prilično ograničena.
Moje osećanje izvesnosti ni na koji način ne dokazuje da sam ja u pravu.
Niče se obrušava na temelje
koje su ljudi izmislili na sve
načine. Ali jedan je posebno važan.
Njegova genealogija, Ničeova genealogija je
istraživanje porekla naših vrednosti.
Istraživanje, koje u Ničeovim rukama
nedvosmisleno pokazuje da
su ove vrednosti rezultat slučaja
koji nije zaista vredan našeg
poštovanja.
Uzmite savest. Neko ko veruje
da je naša savest moralni vodič
može verovati da je to poseban
osećaj za moralnost ili da je to
božanska iskra ili dar Božji. Ali
ovo je pravo poreklo savesti.
Sigmund Frojd, slavni psihoanalitičar
dao nam je ničeansku genealogiju savesti
kada nam je rekao
da je savest
pounutrenje zahteva koje se postavljaju pred
nas od strane naših roditelja i naše zajednice.
Naša savest je samo unutrašnji glas
koji ponavlja ono što nam zajednica govori
da nam nije dozvoljeno da ubijemo,
da bi trebalo naporno raditi i tako dalje...
Ali ako je to istina, ukoliko naša savest nije božanska ili
u kontaktu sa pravim dobrom, već samo
glas društva koji smo internalizovali
zašto bismo ga onda slušali?
Koristio sam primer Frojda
zato što je Ničeova genealogija
savesti prilično komplikovana, ali u
suštini, on tvrdi da je zasnovana
na želji da povredimo druge i gospodarimo nad nad njima
Kada nas društvo sprečava da to činimo
te želje bivaju okrenute prema unutra i
i umesto da čujemo druge ljude mi
gospodarimo nad nama samima kroz osećanja
krivice i kroz zahteve naše savesti.
Bilo da uzmemo Frojdovu priču ili
Ničeovu priču efekat je
u osnovi isti. Ako je to ono odakle
savest
potiče onda to jednostavno ne izgleda
kao nešto što moramo prihvatiti nekritički.
Sada, verovatno najpoznatija
Ničeova genealogija je genealogija
hrišćanskih vrednosti poniznosti,
saosećanja i mirnoće i tako dalje.
Prema Ničeu,
ovaj trag nas može voditi ka dve grupe ljudi
u Rimskom carstvu.
Onima koji su moćni i srećni
i koji su isticali vrline hrabrosti,
kreativnosti, samopotvrđivanja i tako dalje
i slabih i nemoćnih, siromašnih i
potlačenih, koji su morali biti ponizni i
mirni, jer bi inače bili
pretučeni. U ovoj drugoj grupi,
Niče nam kaže, ko je došao na
ideju da biti ponizan i biti
miroljubiv, kakvi su ionako morali biti,
jer su bili slabi,
jeste isto tako moralan i ispravan način življenja.
I Niče nam kaže kroz manje ili više
istorijskih događaja ovaj način gledanja na stvari
postao je dominantan u Evropi.
Imajući ove primere na umu,
dopustite da se vratimo temeljima.
Kroz istoriju ljudi su tražili
stvari koje su toliko očigledne,
samoočigledne, da svako normalno ljudsko
biće bi trebalo da bude u stanju da ih vidi
i da se sa njima složi.
Ali Ničeov osnovni zahtev ovde je da
očiglednost i samoočiglednost ni na koji
način ne dokazuju da je nešto istina. Sve što oni stvarno dokazuju,
on želi da kaže, da su te stvari stare.
Da citiram jedan od mnogih lepih Ničeovih aforizama.
On je napisao ovo:
"Sve stvari koje dugo žive
postepeno se prožimaju umom
tako da time njihovo poreklo iz bezumlja biva neverovatno.
Ne zvuči li za osećanje gotovo svaka tačna istorija
nekog nastanka
paradoksalno
i drsko?
Zar, u stvari, dobar istoričar ne protivreči stalno?"
Sve što je, Niče kaže,
deo naše kulture duže vreme
činiće nam se logičnim i očiglednim.
Nakon samo jednog veka,
čini nam se da je demokratija najbolji
oblik vladavine, da teško možemo
verovati da ima ljudi u
svetu koji ne mogu videti ovu očiglednu istinu.
Nešto poput savesti, koja posle
2000 godina ili duže
mora izgledati kao nešto još očitije
i nepobitno.
Ali Niče sugeriše, čim obavimo
genealogiju, čim otkrijemo
skrivene izvore vrednosti tada stvari
izgledaju prilično drugačije. Savest
može poticati iz pukog potčinjavanja.
Demokratija, prema Ničeu potiče iz
resantimana i mentaliteta stada.
To poreklo, naravno, na neki način
dokazuje da je ono što nam savest govori da je
pogrešno, ili da je demokratija loš oblik
vladavine. Loše poreklo može proizvesti dobre stvari.
baš kao što "dobra materica može
rađati loše sinove" (cit. Shakespeare, "Bura") Ali ono što se pokazuje
prema Ničeu, jeste da ove stvari nisu
temelji, jer ih je moguće
kritički sagledati i imati
različita mišljenja o njima.
Stvarni temelji, temelji koji
su toliko očigledni da se svi slažu oko njih
i da zaustavljaju svaku argumentaciju,
takvi temelji, prema Ničeu,
jednostavno ne postoje. I to je
zaključak - da se postmodernisti
svim svoji srcem slažu
sa njim.
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Finnish:
Kaikki on
Perspektiiviä
Horisontti
Näkölinja.
Pilvi pysyy vakiokorkeudella
kun se siirtyy kauemmas
Mutta havainnoijalle se näyttää olevan alempana
Linja hänen silmistään on meilkein vaakatasossa.
Toisen havainnoijan näkökulmasta saman pilven alla
Näemme että linja ei ole vaakatasossa
Sillä on kaltevuus alaspäin korkealta.
Kun aurinko menee poispäin
Se leikkaa katsojan pilvihorisontin
Tämä on mitä todellisuudessa tapahtuu
Russian:
Все дело в перспективе
Горизонт
Линия взгляда
Облако остается на постоянной высоте по мере удаления
Но для наблюдателя оно выглядит ниже
Линия взгляда проходит почти горизонтально
Для второго наблюдателя под этим облаком
линия взгляда не выглядит горизонтально
она уходит вверх на большую высоту
Солнце удаляясь
Пересекает облачный горизонт наблюдателей
Вот что происходит в реальности
Swedish:
Allt är
perspektiv
Horisonten
Siktlinjen
Molnet stannar kvar på en konstant höjd
på sin väg längre bort.
För den som observerar verkar det vara lägre.
Siktlinjen är nästan plan.
Från en annan observatör under detta moln
ser man att linjen inte är i samma nivå
utan den sluttar neråt från hög höjd.
Medan solen färdas bort
passerar den åskådarens molnhorisont.
Det här är vad som faktiskt händer
Finnish:
Ensimmäisen havainnoijan näkökulmasta
Mutta tämä on minkä hän havaitsee.
Russian:
Для первого наблюдателя
Но вот, что он видит
Swedish:
från åskådarens synvinkel
men det här är det han uppfattar.
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Indonesian:
diam kalian semua!!
baik, pak..
bangs*t..
woiiiii..
hari ini kita akan menonton sebuah video yang mengharukan..
ini dia video sedihnya..
apaaaaaaa..
ayo kita mulai..
Arabic:
...اسكت كل واحد منكم
..حسنا يا سيدي
!!اللعنة
...شيت
اليوم سنشاهد فيديو متحرك
هذا فيديو مؤثر
.......ما
English:
shut up guys..
yes sir..
what the f**k..
holy shit..
today we will watching sad video..
here's the sad video
whattt
let's begin..
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DELISA: The psychedelic sounds of the band
MGMT have long been a sampling favorite in rap.
And their vocal contributions to Kid Cudi’s
“Pursuit of Happiness” remains one of
music’s most memorable cross-genre collaborations.
So Genius decided to take a look at MGMT’s
biggest hip-hop moments.
DELISA: MGMT was formed by Andrew VanWyngarden
and Ben Goldwasser, during their freshman
year at Wesleyan University.
DELISA: They toured after graduation and eventually
signed with Columbia Records, who saw huge
single potential in songs like “Time To
Pretend” and “Kids.”
DELISA: In October 2007, MGMT dropped their
critically acclaimed debut album ‘Oracular
Spectacular’ - a trippy synth pop album
that eventually went Gold.
We wanted it to mean mystic bullshit in a
way.
That’s kind of what we thought we were making,
this music that was kind of ambiguous
DELISA: Philly duo Chiddy Bang was one of
the first rap groups to sample MGMT.
They sampled MGMT’s “Kids” on their
breakout track “Opposite Of Adults.”
It landed on their 2009 mixtape ‘The Swelly
Express’ which fused hip-hop with indie
rock like Sufjan Stevens, Passion Pit, Ratatat,
and more.
When I played him ‘Opposite of Adults’
that beat.
He’s just like, ‘Ah, I gotta rap on that.’
I didn’t even know what MGMT was.
He didn’t even know what MGMT was.
DELISA: A young Mac Miller would also rap
on Chiddy Bang’s version of the “Kids”
beat, while interpolating MGMT’s original
chorus.
DELISA: But MGMT’s most famous hip-hop contribution
would come in 2010 when the band sang the chorus
of Kid Cudi’s anthem “Pursuit Of Happiness.”
A record like "Pursuit of Happiness" was strange and it was sonically compared to all the other music out.
DELISA: The electronic rock band Ratatat produced
the record, and member E*vax spoke to Genius
about the song’s legacy.
Cudi’s become this real mythical character
for people of a certain age because he was
speaking frankly on his tracks in a way that
nobody was used to hearing rappers speak.
DELISA: Jay-Z even tried to recruit MGMT to
appear on his 2009 album, ‘The Blueprint 3.'
But they rejected the offer.
DELISA: In 2011, Frank Ocean sampled MGMT
several times on his debut mixtape ‘nostalgia,
ULTRA.’
DELISA: “Soul Calibur,” titled after the
video game series of the same name, is a short
interlude track with sounds of changing cassette
tapes.
The first song Frank plays is MGMT’s “4th
Dimensional Transition,"
DELISA: Afterward, Frank rewinds the tape
to play “Kids,"
DELISA: Frank rewinds the tape again to “Electric
Feel” which is used as the instrumental
for nostalgia ULTRA’s final track, “Nature
Feels” – a song about making love outdoors.
MGMT, I don’t know, those guys seem chill.
I heard they heard the record, and they liked
it a lot.
DELISA: “Electric Feel” in particular
has been sampled by everyone from Jim Jones
to Lloyd Banks and even the late Nipsey Hussle.
DELISA: MGMT followed up their widely-popular
debut album with ‘Congratulations’ in 2010.
We wanted to be an album where every time
you listen to it, you hear something new in it.
And it’s not just all right there the first
time around.
DELISA: It was a departure from the synth
pop sound they were famous for and had less
radio-friendly singles, but that didn’t
stop Kid Cudi from borrowing once again.
DELISA: Also on his 2013 ‘Indicud’ album,
Cudder shouts out the band on the Kendrick
Lamar-assisted track “Solo Dolo Part II.”
DELISA: MGMT has since continued their unique
brand of ambitious psychedelic pop on 2013’s
self-titled album and 2018’s ‘Little Dark
Age.’
And while their more experimental sound hasn't
yielded any recent samples, rappers are still
tripping over their music.
DELISA: I’m Delisa with Genius News bringing
you the meaning and the knowledge behind the
music.
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But if we believe, having adjusted to
capitalism, that the only way poor people,
downtrodden people, people who have
suffered from the colonialism of the
United States (informal though it was for
the last 200 years in Latin America), if
we think the only way they can be lifted
up is if we are pushed down, then we
might be open to being told "You got to
keep them out. You got to push them back."
Not because we're under sympathetic to
their suffering but because we don't
want to join them. We don't want to be
the victims of a capitalist uneven
development that helps them at our
expense. If you listen to the rhetoric
that right-wing politicians use to
mobilize people against immigrants, you
will see, and you will hear uneven
development as the unspoken assumption
on which their right-wing activity is
based. All around the world you can see
that. The anxiety, born of capitalism, that
if you have something and people who
don't get some it'll be at your expense.
You know what's interesting about that?
It's that we don't think that there could
be, that there should be, a way in which
we can lift up the people who have been
unfairly pushed down so that they catch
up to us not that we are deprived of
what we have. Is that possible?
Of course it is
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A potentially monumental breakthrough in science..
Researchers from South Korea and the U.S.
say they've figured out a way to edit DNA
in human embryos to remove an inherited heart
disorder -- and did so without introducing
harmful mutations.
With more on this and other news around the
world….we turn to Ro Aram…
Aram… we still have to see,... but this
could pave the way to prevent about ten thousand
disorders being passed onto future generations.
How did the scientists do it?
Well Mark…
Researchers at Korea's Institute for Basic
Science, America's Oregon Health and Science
University and the Salk Institute used a technique
known as CRISPR-Cas9 to correct a genetic
mutation for hypertrophic cardiomyopathy.
The heart disorder affects one in every 500
people and leads to the heart suddenly stopping
and those who have the mutation have a 50:50
chance of passing it on their children.
CRISPR-Cas9 works as a pair of molecular scissors
that can selectively trim away unwanted parts
of the genome, and replace it with new stretches
of DNA.
The study was published in the journal Nature,
which said the genetic repair happened at
the moment of conception.
Defective sperm was injected into eggs from
a healthy woman and CRISPR-Cas9 was used to
correct the flaw.
Although it didn't work all the time, the
results showed that nearly two-thirds of embryos
did not carry the disease after being allowed
to develop for a few days in a laboratory.
There have been previous attempts to use the
technology in China, but results were mixed
and there were a number of safety concerns,
such as other parts of the genetic code becoming
mutated.
But safety is also a worry for the latest
study and further research is needed before
the experiment becomes routine practice.
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(music in background)
- Yo, is that Hip Hop Harry's
"I Love to Learn" song?
- Ah ha, that's a great guess!
- Whoa!
- Hey Berleezy!
Good to see you.
I saw that video you made about me
on your easy tunes series
on your YouTube channel.
You made some pretty funny jokes
but I think you went a little overboard.
I have an episode on my Hip
Hop Harry YouTube channel
called Words Have Power.
Maybe you should look at that.
(laughing)
- Hey, Ha, Harry, bro!
Yo, no you got it all wrong.
They were all jokes.
I swear.
- No, no, no.
I heard it all.
You said a lot of mean things about me.
Roll the clip!
(claps hands)
- Hold on bro, I got pull
up a page real quick.
Is he a dog?
This dude wanna be Chuck-E-Cheese so bad.
Who is using that fork on the other wall?
Harry?
Probably couldn't even hold that properly,
he about to drop it there, look.
Whoa, whoa, whoa, whoa!
(laughing)
Yo, look Harry,
I'm sorry, man, okay?
Now look, I don't know
what you're planning
bringing me here and all this,
but I wanna go home, okay?
I'm outta here.
Yo, Harry.
I know you a bear and all,
but I think you spilled
Gorilla Glue or something
on the floor, man.
My feet is stuck, I can't move.
- Uh, I'm not doing anything, man.
This is all in your mind.
You're doing it all yourself.
- So now you got jokes,
so now I'm Mega Mind?
Look, man, you don't have to
do me like that, okay Harry?
I just wanna leave!
- Broeezy, I'm not doing anything to you.
I'm not someone that likes
to hurt people's feelings.
But if I've hurt your feelings, I'm sorry.
Here, how 'bout this for a peace offering?
A snack!
- Harry, what is that?
- Well, some consider it a delicacy.
I like to call it brain food.
This is a snack, and I'll give you a hint.
It grows on trees.
Man, you're gonna love this.
(crunch)
(spits)
- Yuck!
What is this, bark?
- Ha ha ha, dried apples.
Don't you pay attention to the episodes
that you make fun of?
Let's go back to the monitors!
(claps hands)
- What did y'all learn today, too?
- I learned what dried apples are
and how they're made.
- This is a snack?
Hmm, dried apple?
What's that?
Look, Harry, I'm a grown man, okay?
We're talking 27 years old.
You think I wanna be making
fun of children shows?
No, I don't, okay?
My subscribers, they ask me to do this.
I wasn't trying to hurt you.
Just like I wasn't trying
to be here, all right?
So, what do you want from me?
I just wanna go home!
- Berleezy, relax.
This is a learning moment.
It will all be okay.
You had a lot to say about
my dance moves and my rhymes.
The only way to make this right
is for us to finish the
discussion in rhyme.
(crowd cheering)
(crickets chirping)
(crowd cheering)
(rhythmic music playing)
♪ This yo boy, Berleezy, from Easy Tunes ♪
♪ When I'm on the mic,
you can't see me, dude. ♪
♪ Now you got me rappin'
all on this beat, ♪
♪ I just wanna go home
and get some sleep. ♪
♪ Not bad, Berleezy, but
it's not that easy, ♪
♪ I saw the video, you
were talkin' greezy ♪
♪ I educate the mind of
young queens and kings, ♪
♪ I saw the video, you
said some hurtful things. ♪
♪ Come on, Hip Hop Harry,
that was just a joke, bruh, ♪
♪ I was having fun, I don't
want no smoke, bruh, ♪
♪ I was trying to entertain all my fans, ♪
♪ But being hurtful was
never part of the plan. ♪
♪ Well jokes are fun and
everyone loves to laugh, ♪
♪ But if you think about
it, that's just the half. ♪
♪ The sentiment was sweet,
but the words were sour. ♪
♪ Be careful what you say
because words have power! ♪
- Whoa, yo Harry, where
did that just come from?
I did not know I could rap like that.
- You don't know what you have in you
until you give it a try.
- Hey, Harry, you got that.
You got that.
Oh, look at the time.
Harry, it's been so nice talking to you,
but I'm gonna go ahead and
go to sleep now, all right?
You be safe.
Yo, Harry, do you never mop in here?
- Not so fast.
You had something slick to
say about my dancing, too.
So, it's time for us to do
the Hip Hop Harry dance circle.
Are you ready?
(crowd cheering)
Aw yeah!
(fast beat music)
(beep)
Who's next?
(fast beat music)
Who's next?
(fast beat music)
(beep)
Who's next?
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
Who's next?
(fast beat music)
Who's next?
(fast beat music)
Who's next?
- Yo, I would never attempt that.
Those are not my moves
at all, Harry's cheating!
- Whoa, whoa, face it Berleezy,
it may be easy to sit in your chair
and make jokes about
people, but when it's time
to do something in the real world,
that's a little bit harder, huh?
- I'm doomed.
I mean, you covered all the bases.
You got swag.
- Yeah.
- You got moves.
- Uh huh.
- You even have jewelry, is that custom?
- Jacob.
- What am I supposed to do?
How is a human supposed to
stop a giant grizzly bear
with rhythm?
- Good point.
- Why not call on a friend?
- Roachie?
I'm sorry.
- Don't sweat it, okay.
What happened between you and I,
it's in the past.
But just wait right here.
(slow beat music)
- Whoa, who are you?
- Who am I?
I'm a roach.
But my pals, they call me roachie.
I'm like Berleezy's conscious,
an alter ego, and body guard, all in one.
Everything good and handsome about him,
you're looking at it.
- Oh, so you're like his angel.
Well, nice to meet you, Roachie.
I'm glad Berleezy brought in some back up.
Things are always funner when you do it
with your friends!
- Yeah, I came on behalf of Berleezy,
but look, animal to animal,
I understand why you're upset.
I mean, you stay out the
way, you don't bother nobody,
shoot, you just a bear
trying to get some honey.
Just like the rest of us.
- Yeah, but he had no business
making fun of me, though.
- And I get that.
But man, take a look around.
Humans, they been messing
up for the longest.
Trust me, my people have seen it all.
- Look, I'm trying to help
these kids become better.
And I'm just trying to make
the planet a better place.
I was hoping Berleezy would realize that
and try and help me,
but instead he just wanted to make jokes.
Maybe if he watched my show,
he'd be more compassionate.
- He's got his flaws.
But he's got a good heart.
I defend him because he's my friend.
I would do the same for you
if you were my boy, too.
Believe it or not, he's trying
to do the same thing you are.
And yeah, he might have two left feet,
I did see that.
But I'd rather that than two
lanky tree trunks for arms.
- Okay, I see you're trying
to hurt my feelings, too.
Just like Berleezy.
- With that blue hat on,
you look like a yellow fire hydrant.
And your arms are the hoses.
- Ha ha ha ha, good one.
Hey, speaking of arms,
I think it's so cool how
you have six arms, wow.
- It doesn't feel good
being mean to you, Harry.
Look, I'm sorry for insulting you.
I guess words really do have power.
What am I saying?
Look, Harry, I didn't come
here to fight you, man.
I just came to back up my boy, Berleezy.
- Thank you Roachie, but I can handle
my own problems, all right?
- Nah, you can't.
- Yes, I can.
- Nah, you can't.
- You're right.
- Mister Harry, sir,
you mind putting that fire beat back on?
I'd like to finish this in rhyme.
- Yeah, you know rhyming
is what I love to do!
- Let's get it!
(crowd cheering)
- Let's go!
(fast beat music)
- Ahh, yeah!
♪ I can crawl on the floor, ♪
♪ Walls and more ♪
♪ I've been around ever since dinosaurs ♪
♪ Well I'd like to say
that rhyme was great ♪
♪ And when it's time to
play, I don't hibernate ♪
♪ It's Roachie, baby,
please don't raid me ♪
♪ A nuclear bomb can't even phase me ♪
♪ From hip hop central
to the great outdoors, ♪
♪ I consider everywhere
one big dance floor ♪
♪ Roaches roll deep,
my crew is enormous, ♪
♪ If you see one, there's
a whole bunch more of us ♪
♪ Ever since a cub, I
would rhyme and flow ♪
♪ My mind's like a
diamond, I shine and glow ♪
♪ I like this song, I
came to right the wrong, ♪
♪ Just Harry fall scary
when the lights come on. ♪
♪ Yeah, I got you Roachie,
that was the best ♪
♪ It's Hip Hop Harry in
the house, who's next? ♪
- Whoo, oh my gosh, ain't no way,
y'all just killed this, lyrics for days.
- You know, you've got
some skills, Roachie.
I'm impressed.
It seems like you care a
lot about this human being.
It reminds me of how much
I care about my friends.
- Man, human, bug, bear,
that don't matter to me.
If you're good on the inside,
that's what matters.
Love is love, man.
- And it's our job to spread it.
You know, you're pretty cool, Roachie.
- All right look, this is sweet and all,
but this is still my dream, okay?
I need to see both of y'all
in the dance circle right now.
- Why don't we make it my dream?
- And it would be my pleasure!
Let's go!
(fast beat music)
Who's next?
(fast beat music)
Who's next?
(fast beat music)
Who's next?
(fast beat music)
Who's next?
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
♪ Go Harry! ♪
Who's next?
- That was great!
- Yo, you killed it!
- Yo, high five!
Bam!
- Yo, that was fire!
- Thanks, Berleezy.
See, giving a compliment isn't that hard.
- Yeah, I guess that one
just kind of slipped out.
- Did it feel good?
- Yeah, it did, it did.
- Aha, see Berleezy have
you ever heard the saying
Good Things Happen to Good People?
- Yeah.
Does that apply to me now?
- Yep!
And now that you're a good person,
I have a surprise for you!
Bow!
- Whoa!
How did you do this?
- Aha.
- You know what?
I don't wanna ruin the magical moment.
Don't tell me.
- You are officially part
of the Hip Hop Harry crew.
High five!
Bow!
Hey Roachie and Berleezy,
you guys wanna go get some lunch?
- As long as it's not dried apples.
(laughing)
- Good one, yeah!
- I love you guys!
- I love you guys more!
(fast beat music)
[Harry] Who's next?
(fast beat music)
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(intense music)
- [Narrator] We'd like to
thank ZOOM Technologies
for sending us these
electric skates for free.
(air whooshing)
(dramatic clanking)
(playful music)
(tape rewinding)
(playful music)
- Welcome back, friends.
Before we get started
don't forget to click that like button.
And if you haven't already, subscribe.
(playful music)
(gasp)
- Wait a second...
gotcha!
(air whooshing)
(intense music)
- Hey, Shawn, I know you're in here.
That's cheating. You can't
use your super speed.
- I wasn't cheating.
- Yeah you were. You
can't use your super speed
in hide and seek.
- Hey guys. I thought we
were playing hide and seek.
Does that mean I win?
- No, no, no, no. We stopped the game
because Chase thought I was cheating.
We can move around.
- No he used his super speed to get away.
That's cheating!
- Well we never said that I
couldn't use my super speed.
- Hmm, well we never said
we couldn't move around,
so technically, he wasn't cheating.
- Hm.
(sign)
- However, using super
speed is very unfair.
- See?
- Oh yeah, and I did win this game.
- All right, fine. But I
get a chance the next game.
- All right, fine with me.
But Shawn, let me hold on to that rock
so you don't cheat again.
- Fine, but it wasn't cheating.
- All right, in this game
whoever drops it first is out.
- It's not gonna be me.
(air whooshing)
(crumbling)
- Whoa!
(intense music)
- Oops, guys I kinda forgot
I had super strength.
- We have to get that ball back!
- That's my favorite football!
- Well yeah, there's that. And then,
there's a little matter
of the hole in our wall!
- Easy Karlie, that's the least
of our problems. I got this.
(scary music)
- All right, problem solved.
Now, Shawn, you use your super speed
to go get the ball back.
- On it.
(air whooshing)
- Whoa!
(gurgling)
- Shawn!
Are you okay?
- Yeah I'm just not very good
at controlling my super speed yet.
- That's okay, lets take
the electric skates.
(engine roaring)
- It should be around here.
- Hey Karlie, how come
you never wanna hold
this meteorite that Shawn found?
- Whoa, whoa, I'm not holding that.
- Why not?
- Because I'm older and
wiser than both of you.
- Well what's that gotta do with it?
- Because with great power
comes great responsibility,
and I definitely don't want
any more responsibility.
- Fine, don't have a super power.
- All right. So, according
to this map that I made-
- Wait, you made a map?
- It should be right here!
All right, we need to split up.
Chase, you go that way.
Shawn, you go that way.
And I, will go that way.
- Where is this football?
(suspenseful music)
- It's not over here!
- It's not over here!
- It's not over here either!
All right guys, I thought
it would be around here
but I guess I miscalculated the trajectory
and the wind estimate. The
most likely place it would be
is right here. So that's
where we should check next.
- Okay, so that's this path right here.
- Yup.
- Let's go.
- Let's go get our ball back.
(intense music)
- All right guys, it should
be around here somewhere.
I'll go look over there.
- Okay, I'll go look over here.
- I'll look around here.
Hey guys!
- Yeah?
- There's a man in a trench coat.
He looks like he might
know where our ball is.
- Yeah, he kinda looks like a spy though.
(heroic music)
- Ah, he's just reading
his newspaper guys.
I don't think he saw where the ball went.
Come on, let's find it.
- I don't see it over here guys.
- It's not over here guys.
- It's not over here either.
All right guys, the last place
it could be is right here
in the picnic area.
- And if it's not there,
then maybe someone took it!
(gasp)
- Guys, the man in the trench coat's gone!
- Okay, well let's just go find this ball.
(whooshing)
(gasp)
- The man in the trench coat!
He has our ball!
- Come on, we gotta get it!
(intense music)
- What?
Where'd he go?
- I don't see him!
- It's like he just disappeared!
- Guys, he's up there!
- Get him!
(intense music)
- Get him!
(heavy footsteps)
- Guys, he went around this corner!
What?
Where'd he go?
He's gotta be up there somewhere!
- Let's go.
- What?
- Where'd he go?
- I don't know, I don't see him!
- He could've gone over there.
- Yeah!
I don't see him!
- Yeah he's not under here!
(gasp)
- There he is!
(intense music)
- Run!
- Come on let's get him!
(intense music)
- He went behind the building!
- We've gotta get him before we lose him!
Hurry, we gotta get him!
- Ah man, where'd he go?
- He's not here!
- Ah man!
- Where could he have gone?
- Guys, you go back that
way, I'll go this way
and maybe we'll catch him.
- Okay.
- That's a great idea.
(intense music)
- He's not here!
- Yeah he wasn't back that way.
Oh man.
- I guess we'll just have to go home
without the ball, Shawn.
- Yeah, that was our favorite ball though.
I'm sorry Shawn.
(depressing music)
- Ah man, we had a lot of
good times with that football,
didn't we?
- Hey, Shawn we could just
get you another one like that.
- Nah, just wouldn't be the same.
- Hey, guys!
There he is, right there,
where we first saw him!
(intense music)
- Guys, I wanna go that
way. You guys go that way,
and we're gonna cut him
off at the bridge, okay?
- Okay.
- Good idea.
- Let's go.
(intense music)
(intense music)
- Hold up Shawn!
- What is it Chase?
- I got an idea to cut
him off at the bridge,
you keep going.
- Okay, see you there!
(intense music)
- Oh no, he's gonna get away again!
(gasp)
- All right super strength,
don't let me down.
(crashing)
- Hey, that's my favorite
football you took.
- Yeah!
- Yeah we got our football back!
- Wait a second, that's not our football.
- Yeah you're right. Our
football's yellow and blue
not yellow and purple.
- Sorry, I guess we
shouldn't have assumed you
took our football.
- Wait, that's not our football?
Then do you know where our football is?
- It is over here!
(cheering)
- We got our ball back!
- Wait a second, where'd the
guy in the trench coat go?
- I guess it doesn't really matter.
We have our ball back now!
- Yeah, let's get on
our skates and go home!
- All right Shawn, let's go.
- Guys wait for me-- Chase,
you dropped your meteorite.
(gasp)
- Behind you Karlie!
(gasp)
- What just happened to Karlie?
- Thanks to ZOOM for providing
us these ZOOM shoes for free.
- Check out the description box below
for more information on ZOOM shoes.
- Whoa!
Guys!
Guys wait for me!
- Hey friends, thanks for watching
and have an awesome day.
- And don't forget to
click the like button.
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You might’ve seen them screaming
in the stands or camping out for hours in lines.
But recently, K-pop fans have
done much more than that.
While some protested
on the streets for Black Lives Matter,
K-pop stans in the U.S. flooded police
surveillance apps and racist hashtags
with videos of their favorite groups.
They claim to have registered hundreds
of tickets to President Trump’s Tulsa rally
and then didn’t show up, leaving row after row empty.
What is it about the world of
K-pop behind the glowing skin,
powerful dance moves
and catchy rhythm that’s got its fans politically active?
My Blackness and who I am as a person
comes before any K-pop artist.
We’re going to look at who the K-pop fans are in the U.S.,
how they got involved in politics
and whether or not the K-pop industry
is doing enough for its supporters of color.
So, who makes up the K-pop fandom in the U.S.?
It’s important to know that they are neither
composed of just the Asian diaspora community
nor just screaming girls with a lot of time on their hands.
It’s a lot more complicated than that.
First, the fandoms are divided
into the artists you support.
So if you are a BTS fan,
you are part of what's known as “Army.”
If you’re a Blackpink fan, then you’re a "Blink."
And you can be part of multiple fandoms.
The K-pop fandom in the
United States is quite diverse
and it includes many people of color.
African American and Latinx.
The fandom is also characterized
by being very LGBT friendly.
This is CedarBough Saeji -
a professor in East Asian languages
and culture at Indiana University.
She’s lived in Korea for almost 16 years and
understands K-pop and its expansion to the U.S.
Music fandoms tend to be younger.
And so I would say probably the
average age is in the 20s.
She says one reason K-pop attracts people of color
is because they see it as a way
to escape from mainstream, white-centric media.
With K-pop, I feel like it was very familiar
to the Black 90s bands that
I was like listening to.
It’s often easy to ignore that
these fans have multiple identities.
Because before they are fans,
they are individuals with multiple
interests and unique struggles.
They're thoughtful people who are concerned
about this country and concerned about the world.
They are open-minded, outward-looking,
and really culturally curious.
K-pop fans are also young people
who are learning that their voice matters.
That’s why in the wake of Black Lives Matter
and the police killing of George Floyd,
fans used the tools they had developed as K-pop fans
to fight for a cause they saw as meaningful.
It’s important to note that these fandoms
operate online mostly through Twitter.
And mobilizing online to boost idol ratings
is nothing new in the world of K-pop.
We'll do giant streaming parties and
get their faves to like the top of the Melon chart
or in the American sense, like the top of the Hot 100.
So it wasn't really surprising to see that happen
in the BLM sense where fans could
just like really easily trend a hashtag to number one.
People have learned how to avoid
looking like a bot online,
and make that view count go up while still showing
to YouTube that this is a real person
behind that play click.
That explains why the Trump administration
was completely oblivious to the fact that the rally
was booked out by K-pop fans
who don’t actually live in the area.
There’s also a history of fans using their money
toward social causes in the name of idols.
It’s a practice that goes back to the beginning
of fandoms in South Korea.
K-pop artists have long encouraged their fans
to use their money for local causes
rather than buy luxurious gifts for artists
who are already millionaires.
Fans would put their money together and
they would donate rice
to a facility for the elderly or for the homeless,
or they would donate money to support an orphanage,
things like that.
Fans have recognized that this is a great way
to get positive press coverage
for both the artists and the fandoms.
In late 2018, BTS made an empowering speech at
the UN General Assembly about self-love.
No matter who you are, where you’re from,
your skin color and gender identity,
just speak yourself.
So when BTS donated $1 million to Black Lives Matter,
its fandom - Army - mobilized to
match another $1 million in just 24 hours.
And so it doesn’t come as a surprise that
most media coverage of K-pop fans
has made them out to be a united front
of politically motivated teenagers fighting for Black lives.
Flooding Twitter and Instagram with
fan videos and memes
in an attempt to drown out the racist posts
and create a positive and uplifting conversation.
But fans of color like Ahomari and Ellie
say that's far from the truth.
It's felt performative.
There's never been a fight for Black lives.
Like a year ago, a Black K-pop fan could say
Black Lives Matter online,
and we'll probably get a ton of sh*t from
non-Black K-pop fans.
While BTS and Army's donation seemed positive at first,
some Black fans say it was later used
to silence their voices.
So anytime an idol does any type of
cultural appropriation,
Black fans will try to call it out and say,
Hey, this is offensive.
And then a random person would come up and be like,
well, they donated like $1 million to BLM.
It was like, Hey, we donated — shut up now.
Ellie also says it was counterproductive
to trend a racist hashtag with fancams –
these, by the way, are close-up videos
of an artist's live performance, uploaded by fans.
Seeing white lives matter trending
was actually really triggering.
Just the saying alone is an act of aggression
towards Black Lives Matter.
In the end, fans of color and experts agree
that the K-pop fandom in the U.S.
is really just another reflection of American society.
But what about the idols?
Do they care about the issues that affect their audience?
While BTS and a few other artists
issued statements condemning racism,
most idols and parent companies stayed
radio silent in the wake of Black Lives Matter.
Even prior to that, K-pop groups had
repeatedly offended Black people.
There have been accusations of
cultural appropriation and blackface.
The entertainment companies
behind various K-pop artists
often issue written apologies but...
It never goes past that.
It's always like, we're reflecting, we're learning,
but are we truly learning about these cultures?
It's hard to ignore that
these artists and companies come from
a largely racially uniform society where they personally
may not have experienced systemic racism.
Yet racism is pervasive in Korea,
particulary against migrant workers from
developing Asian countries.
As a Black fan, we have to do emotional labor.
We have to educate these idols -
in terms of trying to make sure an idol becomes
a better person in terms of respecting cultures.
Like it or not, K-pop has built itself on Black culture.
This is Seo Taiji and Boys -
one of the first boy bands in Korea.
The industry continues to borrow music from
Black producers and musicians who often don't get credit.
The music really owes so much to
forms of music that were originated with
African Americans in the United States,
such as R&B and hip-hop.
They can't bury their head in the sand and pretend
that they're not a part of this world,
which includes systemic racism.
As a supporter of multiple K-pop groups,
Ellie is calling on entertainment companies
to provide its artists with cultural sensitivity training.
If you're trying to go global with your groups,
you should really take the time to make sure that your
education is global and understanding of Black people.
And I feel like these companies really don't do enough
to respect Black fans and just Black creatives.
As the K-pop industry profits millions
in a market attracting people of color,
it's becoming harder to turn a blind eye
to who its fans are as individuals.
My Blackness and who I am as a person
comes before any K-pop artist,
any K-pop company, any K-pop fandom.
K-pop has shown potential to be
a positive political and social force -
with its ability to transcend
cultures, nationalities and languages.
K-pop stans have also demonstrated they are capable of
producing fast, real-life results for causes they care about.
Results that will also help boost the image
of their favorite groups.
So what will be their next cause that they will champion?
I don't know, but they know that they have power.
They know that they have a voice.
They know that they can make a difference.
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Hi, I'm Dr. Frank Lista. Here we are outside
Operating Room #1 and we're ready to do our
first operation of the day, which is a breast
augmentation. Now, one of the things that
is most important to plastic surgeons is not
just how good a patient looks, but also safety.
And so as part of our safety program, we implement
a program called the Time Out Check List.
So the idea of the Time Out Check List is
that we have a time out at the very beginning
of the operation, and we go through the check
list to review everything there is to know
about the patient, including something called
the ASA status, which means how healthy this
patient is. I've already seen the patient
in our pre-op room, and we've talked, said
good morning, I've marked her, we've reviewed
what we've already done, so I've already met
her. She walked down the hall and she has
been put to sleep. We're going to go in and
while I'm prepping my hands and putting my
glove and gown on, the nursing staff and all
of us in the room are going to go over the
pre-op check list. So this is a regular day
here in the operating room, and we're ready
to go.
Good morning.
Hey.
Time out everyone.
Hold on one sec, Cat. Just let me get my gown on here.
So with us in the operating room
this morning is Cat, Laurie, and Dr. Friedland,
our talented and excellent O.R. team. So let's
do the time out.
Time out. This is Jane Smith. She's having
II cohesive. Her procedure was checked verbally.
It was checked on the front sheet, as well
as her consent has been checked. Her ASA is
A1. She's got no known drug allergies. Ancef
and dex have been given. The pre-op drugs
were given. The warming blanket's on. Cautery
pad's on. And the SCE's are on and pumping.
And her patient preference size is 425.
Thanks, Cat. So that's our time out, that's
what we do before every operation, and now
we're going to start surgery. Thanks for watching.
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こんにちは、いちむらまさきです
1曲、イントロだけで
ギター上達するコーナー
1曲、弾いてみますが
むずい
この曲はですねぇ
音は歪ませているんだけども
本当は、こっちのプレイってのは
こっちは歪んでなくって
右と左にチェンネルがボンボン飛んでる
まぁ多重録音なんですけども
これを一発で弾くには、とりあえず
歪ましておくしかしょうがなくって
G♭m
もしくはF#m
これがまず最初にあって
ここはそんなに難しくはないです
こうハンマリングするだけ
その後の、ウタッツっていう音が
シとドの間にも、音が無いですね
これはちょっと難しい
で、その後に
これは指はどれでもよくて
この辺は勢いだけなんですけどねぇ
こっちが3連符のピックアップのフレーズが
こういう3つの、、、ってのがあって
タカタターンって風に
実音はアップの時に音を立てています
で、1フレット上げて
同じ
で、また1フレット上げて
次は、ツツツカッカッカ
これ結構、難しいかもしれないですね
ゆっくりやるほうが弾けなかったりするんだけど
ゆっくり弾けないと本当は駄目なんだけどね
チャチャチャ
チャーン
チャチャチャ、チャッ チャッ チャーン
いつも僕は言ってる16ビートで
必ずダウン&アップです
って言ってる
それはダウン&アップには代わり無いんだけども
ここで一回だけ上下が反転するんですよ
ここで少し
右手を空間で浮かしていないと
我慢していないといけなくて
で、最後の音を
とありえずダウンに持ってくるようにすれば
一応は弾けるようになります
で、もう一回、、、
があって
その次は、どこを弾いているのか
ちょっとわかんないですけど
ソってのが居るわけですよ
とりあえずは、EとE♭
っていう
パワー・コードでまぁいいかなぁと
これはそんなに難しくないですね
で、その後に
本当は、こういうコードみたいな
16フレットのG#m
みたいな音
これは、まぁ、どっちかっていうと
タイミング勝負なので、ちゃんとこの辺が
ズバリ鳴っている必要は無いっていうか
この音がギターなのか、他の楽器の音なのか
もしくは声なのか
よく分からないので
ここはまぁ例えば
こういうだけでも、タイミングだけでも
こんなんでもいいし
もしくは自分で勝手にこう
とりあえずこれは勢いを付けるための
こういう音ですと
もう一回最初っから
ゆっくりやると
っていう感じです
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Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH!
Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH! Wiggle Wiggle Wiggle
Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH!
Wiggle Wiggle Wiggle Yeah
Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH!
Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH!
Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle Wiggle a hundered percent wiggle, YEAH!
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this is kind of a fun one let's take a
few minutes to talk about black holes
truth be told we don't really know a lot
about black holes or singularities not
naming any names here but there are
actually some scientific institutions
that have published videos describing
them as gigantic vacuum cleaners in
space or big sucking blob monsters that
absorb everything inside but that's not
really scientifically accurate because
it has no structure to it what we do
know about them is rather interesting
with our modern mathematics and physics
we understand that at the center of the
black hole is a space with zero volume
and yet infinite gravity infinite
gravity so powerful that light itself
cannot escape its pull infinity you know
what that means right it means that the
speed of light isn't the fastest thing
in the universe as we have believed for
so long there's something faster which
has some relationship and connection to
gravity whether faster than light is
something specific to black holes or if
they're found elsewhere in the universe
that's not yet officially scientifically
known but I'd reckon that at the heart
of light itself inside the photon of
light in the nucleus of a subatomic
particle at a level so small that our
technology cannot even see that infinity
is also present so I want to show you
something interesting and also a little
funny just flow with me on this it's
pretty funny if we can lighten up about
ourselves see it appears as though
pictures such as this have been used for
years and years to try and describe the
structure of space and black holes among
all of these pictures there is this
common trait that I saw in all of the
diagrams yes the space is curving but
the space is curving from a point of
flatness over and over all over the
world space-time is often described as
if it's this big flat plane out in space
and that the planets the Stars the black
holes just sort of create gravity around
the fabric of space and it just made me
laugh I mean come on this is a little
funny you know first we have to fight
our way to try and prove that the world
wasn't flat
it looks as though we're having to do
the same thing with the universe but
don't worry I'm pretty sure that most
people would agree that space itself
isn't flat and I'm also pretty sure that
these scientific institutions don't
genuinely believe that space is flat I
hope I understand that this is a
technological trial of ours we're not
exactly sure what it looks like because
it's probably like being underwater and
there's waves constantly moving from all
different sources gravity from this star
and that star in this galaxy in this
black hole it's a jumble it's messy and
we don't know how to visualize it we
don't even know which way is up if there
even is enough for all we know there
isn't Direction only happens in
relationship to something else and so
even if our whole galaxy is a particle
floating around in a great deep ocean on
another planet in a super universe
unless we can actually demonstrate that
scientifically we're pretty much just
throwing darts in the dark here now the
original reason I brought this up was
this whole flat universe model we need
to find a better way to describe
space-time and the shape of black holes
and it's actually starting to happen
see now pictures like this are starting
to gain steam on the Internet these
concepts seem to accurately demonstrate
the toroidal flow of the cosmos and the
patterns and geometry that are at the
heart of the ways that reality is
constructed but why is this important to
the world honestly I think it helps
people see how these same patterns are
present everywhere from whirlpools
galaxies atoms and even in our own
bodies we grow and build a sense of
connection with everything around us now
I want to present an idea with you this
is an idea that has sort of been
mainstreamed ish for a while but I never
really got the big attention from
scientific institutions or the media
because we have a hard time seeing this
to be demonstrated out in the universe
at the same time that's how we evolved
in science is we have to make
predictions and then try and demonstrate
and find examples of these things to see
that they are in fact true or find the
way in which it is true how it does work
just because this way isn't right
doesn't mean that it can't work another
way such as this you know how black
holes absorb light and matter and pretty
much everything that light obviously
must go somewhere the laws of the
toroidal field dictate that what goes in
come out and what goes out must come
back in now the problem was that we've
never really been able to follow or
watch or see where energy and light goes
once it goes into a black hole we are
blind once things past the event horizon
all we know is that the laws of physics
break down infinity becomes reality and
anything is possible some theories about
this as well as a beautiful
demonstration by Neil deGrasse Tyson in
Episode four of the new cosmos discusses
the idea of going through a black hole
and coming out in another universe or a
parallel dimension in the case of black
holes at the point of singularity the
fabric of space itself is said to break
and all of the different universes
become connected we can also imagine
that perhaps small black hole vacuums
are what creates stars you know stars
form from collapsing clouds of space
dust and perhaps at the core of that
fusing is that infinite space of fusion
and infinity the singularity I know I
know what does it have to do with you
right everything it has everything to do
with you and we're gonna get to that we
have a new episode plan for next week so
stay tuned oh and if you haven't seen
this yet just yeah for me I'm just in
awe that there's so much about reality
that we really don't know the universe
is so vast and so much greater than
ourselves and we're a part of that whole
we make it up and without us it would be
incomplete that's pretty awesome
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Hi, this is Anne Warfield with
Impression Management Professionals.
I've recently been on several news
stations
to share what is the body language
of the candidates really saying about
them.
Today, what I wanted to share with you
is how
their body language equates to
executive presence. Because as a leader,
you wanna exude executive presence at
all times
so you have credibility and authority
everytime
that you speak. So let's look at the
four candidates
in their most recent debate, and what
their body language
said about each of them as a leader.
Let's start
with Ron Paul. Ron Paul did what I call
"The Turtle", and that is where the
shoulders are down,
the head scrunches into the neck,
and when points are made, it's more
with the head
leaning out and rounding to
the back to make the points. This
combined
with the eyebrow that goes off a little
bit on
one side, creates an illusion that
this is someone that may know what
they're talking about but it's a little
bit
like that absent minded professor. Is
there the true
grit and determination that you need
behind this.
Now, let's compare and contrast
that to Newt Gingrich. He sat back
the entire time, his jacket
would flop open every once in a while
while he's talking.
He leaned on to the one side, would
occasionally grab
his arm, and when he talked about things
he occassionally would do "this" with
his hands.
All of this gave the impression that he
is very bored with what's being talked
about,
he's come to a predetermined decision,
but their wasn't the feeling of that
energy
coming out of the audience, out to
America
that he wanted to make things happen
for America.
Now let's look at the last two, you have
Rick Santorum. He's what I would call a
person
that is moving towards executive
presence
still is not there yet. This was seen in
that he kinda sat in an in-between
posture, there were times he leaned
back, times he tried to
come forward, his eyes would dart around
as he was talking like there wasn't sure
where I should focus. And interesting
enough, when he
would try to point out the good things
he was gonna do
he often prefaced them by talking about
what he was going to cut-out.
So he talked about that he was gonna
cut education funding, he was gonna
cut medicare, cut social security. All
designed because on the good side, what
he said was, "I'm gonna
bring that power back into the states
arms." But you can see
as a person listening, if you don't
listen to that part of the
message, all you'd hear is about the
cuts.
Also there were times when he took
notes and someone
would say something, his eyebrows would
go up because it was like
I've gotta jump in, and you have this
kind of a movement going on.
Now Mitt Romney,
he used what I call, was a lot of
executive
presence. In that, he sat very
straight in the chair, his shoulders
were squared off,
he had his one arm up on the table,
his other arm was off to the side, he
either sat
with his fingers together, like this,
but he always looked forward, he always
showed the energy
and the squareness coming off the
shoulders, looking
at the audience. Whether it was a
moderator asking him
the question, or it was someone from
the audience,
he looked to where that question was
and stayed focus on that.
He also did something else very
interesting though,
he was one of the few that would joke
with his constituents
on stage. He would say, "Sure, jump in
here. Go ahead." Or, "Oh, woops! I
didn't mean that,
it's your turn." He did things that
showed
he was in control on the
interview and the process. This is
similar to what I saw
with President Clinton, when he was
first debating against George Bush Sr.
and Ross Perot. If you remember, he
would walk around
that as though he was the one that
authorized, asked for this meeting, and
was exuding that
presence, and the rest were there with
him at the debate.
That's the same thing I saw with Mitt
Romney
the other night. So here's what you
wanna do,
take this information and go back and
look at yourself
as a leader. "How do I position myself
when I sit?"
Do I hunch down and turtle? Do I tend to
waffle, so people aren't sure? Do I
tend to sit back
so it looks like, I'm either not fully
engaged?
Or do I sit with executive presence
with my back up,
I take full space up, I
look at people, I have direct eye
contact, and
I portray a strength and a credibility.
Go ahead and check out our website at
www.impressionmanagement.com
To find out more information and
articles about how
you, can exude executive presence as a
leader.
May you go forth and have a great
outcome focus day,
filled with fabulous results.
| {
"pile_set_name": "YoutubeSubtitles"
} |
English:
[blissful serenity]
[haggard groaning]
Hello! It's me! That guy who does those videos!
VERY OCCASIONALLY
Aw, man, geez!
I love balls!
Did you know that as of, maybe, two hundred years ago, everyone thought that the Earth was flat?
Aaah, that's actually a joke! I tricked you! It's a pop cultural myth!
People have thought that the Earth was a sphere...
...more specifically, an "oblate spheroid", for,
hundreds, if not thousands, of years, if you accept Ptolemy's writing as evidence of that speculation.
[Ptolemaic raspberry]
For, at the very least, hundreds of years now,
it's been pretty much widely accepted that the Earth is a globe,
which means that the modern Flat Earth movements that exist
aren't contiguous with any past movement.
Russian:
*блаженное спокойствие*
*измождённый стон*
Привет! Это я — чувак, который пилит эти самые видосы!
ДОСТАТОЧНО РЕДКО
Ух ты, вот это да!
Я обожаю шары!
Знали ли вы, что когда-то, сотни две лет назад, все считали, что Земля — плоская?
А-а-а, это вообще-то шутка! Я вас обманул! Это просто поп-культурный миф!
Люди считали, что Земля — это шар...
...а если точнее, «сплюснутый сфероид»...
сотни, если не тысячи лет, если учитывать писания Птолемея как доказательство сей гипотезы.
*фыркает по-птолемеевски*
Уже как минимум сотни лет,
то, что Земля — это шар, является практически общепризнанным фактом,
что значит, что существующие современные сообщества плоской Земли
не имеют отношения ни к каким прошлым сообществам.
Russian:
Эти люди — не регрессисты, которые хотят вернуться к определённому набору убеждений. Эти люди — прогрессисты.
Они верят в науку, доводы и доказательства. Они хотят, чтобы познание Земли двигалось вперёд — к краю пропасти!
Что и описывают эти гипотезы! У Земли, возможно, есть край!
Звучит интересно!
И сегодня я бы хотел обсудить доводы этих людей в пользу своих убеждений, их доказательства,
и я хотел бы узнать, что мы, как независимые мыслители, можем вынести из их выводов.
Увидимся в аду, маленький ЛЖИВЫЙ ШАРИК!
Вот тебе! А, блядь, Ч-, уфф, твою мать.
Часть 1: КАК ПЛОСКАЯ ЗЕМЛЯ ВНОВЬ ПЕРЕШЛА ЧЕРЕЗ КРАЙ
Итак, я не шутил насчёт того, что «плоскоземлеизм» появился лишь недавно.
Есть огромное количество сообществ плоской Земли, которые существовали уже, ну там, две сотни лет
но в большинстве случаев они состояли из пары человек и вели весьма жалкое существование,
и даже тогда другие люди смотрели на них как на чудаков.
English:
These people aren't regressives who want to go back to a certain set of beliefs. These people are *progressives*.
They believe in science and reason and evidence. They want understanding of the earth to move forwards—off of the edge of a cliff!
Which theoretically exists now! The Earth might have an edge!
*That's* exciting!
And today I wanted to look at some of these people's reasons for their beliefs, their evidence,
and I wanted to see what we, as independent thinkers, can make of their findings.
See you in hell, you little LIEBALL!
Nyaah! Oh, fuck! Oh, J-, aww, Jesus.
So, I'm not kidding about Flat-Earther-ism being recent.
There are numerous Flat Earth societies that have been around for, like, 200 years,
but usually they're just a couple of people now, just keeping the lights on,
and even then, they were seen as weirdos by most people.
Russian:
В те ранние времена на Фейсбуке были чуваки, которые, ну там, создавали шуточные страницы и притворялись, что они сообщество плоской Земли,
и всё это было не более, чем люди, создающие глупые, вроде как фальшивые мемы, и это, согласитесь,
ОЧЕНЬ ВЕСЕЛО — обзывать кого-либо «ШАРОЁБОМ».
Но потом — я не знаю — человечество деградировало, пока я не смотрел,
потому что теперь, вдобавок к тому, что некоторые люди считают свободный рынок возможным и что это хорошая идея,
некоторые люди верят в более безобидную и глупую сказку — про то, что Земля плоская.
С 2015-го года количество сторонников плоской Земли чрезвычайно выросло,
и теперь есть даже настоящий Съезд сторонников плоской Земли! И люди слетаются со всего
ЗЕМНОГО ШАРА
чтобы объединить свои коллективные знания.
Даже некоторые знаменитости выразили свою поддержку сообществу — такие, как Логан Пол,
который, как всем известно, всегда принимает обдуманные решения —
[Заголовок: «Общество плоской Земли не хочет иметь ничего общего со своим новым последователем — Логаном Полом»]
и знаменитый рэпер...
Б.О.Б.?
Little Robbie в данный момент ведёт сбор средств через GoFundMe, где просит миллион долларов, чтобы запустить в небо дронов, метеозонды,
спутники, ракеты и так далее, и я, честно говоря, восхищаюсь его, ну, преданности науке.
English:
Then, on Facebook in the early years, there were people who were, like, opening joke pages, pretending to be a Flat Earth society,
and it was just people having fun making silly, sort-of fake memes, and, it *is*, let's all admit,
VERY FUNNY to call someone a "GLOBEHEAD".
But then, I don't know, society utterly fucking collapsed when I wasn't looking or something,
because now, in addition to some people believing that the free market is real and a good idea,
some people believe the much less harmful and ridiculous fairy tale that the Earth is flat.
As of 2015, Flat Earth membership has grown massively,
and now there's even a full Flat Earth Convention! With people flying in from all
to take part and pool their collective knowledge.
Even some celebrities have voiced support for the movement, like Logan Paul,
who's universally known for making well-thought-out decisions
and famous rapper...
Little Robbie currently has a GoFundMe up, asking for a million dollars to send up drones and weather balloons and
satellites and rockets and stuff, and I kind of admire his, uh, commitment to science.
English:
He's really willing to put other people's money where his mouth is and find out the shape of the Earth.
But what caused Bob to think the Earth was flat in the first place?
Let's find out and dive into the first documentary
I saw while I was researching Flat Earth, Odd TVs "The True Earth":
- [Odd TV] (MORPHEUS) Like everyone else, you were born into bondage, born into a prison for your mind.
Buckle your seatbelt, Dorothy, because Kansas is going bye-bye.
- [Hbomb] (BORED) "Take the red pill, like in The Matrix. The Matrix is a good movie."
Oh God, I've gotta make out that Night in the Woods video.
- [Odd TV] Our daily observations of the Earth are consistent with a flat and stationary surface.
Most, if not all, ancient civilizations knew that the Earth was flat.
- [Hbomb] Okay, that's an interesting start. Um...
Okay, so, philosophers and linguists and
discourse-ists and those "Ivory Tower Marxists" I've heard so much about
argue incessantly on the concepts of knowledge and truth...
Russian:
Он на самом деле готов тратить деньги чужих людей на то, что бы узнать, какой там формы Земля.
Но что изначально убедило Боба в плоскости Земли?
Давайте же узнаем и насладимся первым документальным фильмом,
который я посмотрел, пока собирал информацию про плоскую Землю — «Настоящая Земля» от Odd TV.
[Odd TV] «Как и все остальные, ты родился в рабстве, родился в тюрьме. В тюрьме для твоего разума»
[Цитата из Матрицы]
[Odd TV] «Пристёгивай ремень, Дороти, потому что мы говорим Канзасу пока-пока»
[Тоже цитата из Матрицы, отсылка на «Волшебника страны Оз»]
(устало) Выбери красную таблетку, прямо как в Матрице. Матрица — это хороший фильм.
О Господи, мне пора бы уже выпустить этот ролик про Night in the Woods.
[Odd TV] «Наше повседневное наблюдение за Землёй говорит нам о том, что Земля — это плоская и устойчивая поверхность.
Многие, если не все, древние цивилизации знали, что Земля — плоская»
Окей, это интересное начало. Но...
Часть 2: ЗНАНИЕ ТАК НЕ РАБОТАЕТ
Окей, итак, философы, лингвисты, и...
ораторы и те «оторванные от реальности марксисты», о которых я так много слышал,
непрерывно спорят о понятиях знаний и правды...
English:
They're all wrong, and I'm right, and here's how it works: people don't simply "know" things.
People *believe* something to be true or, to put it another way,
they *think* they know something.
What Odd TV actually means here is that most ancient civilizations, or at least some of them,
depending on how far back you go, *thought* they knew the Earth was flat.
And he's ascribing "KNOWLEDGE" to them so that they "DEFINITELY KNEW THIS" in order to make it seem more credible that that thing is true.
- [Odd TV] The people of today would say that ancient cultures were ignorant and unaware,
yet they accomplished great feats that we still can't accomplish to this day.
- [Hbomb] (UNIMPRESSED) The ancient Egyptians built the Pyramids, so how could they be wrong about unrelated issues?
The ancient Egyptians
that Pharaohs were living incarnations of a humanoid god with a crocodile's head named
Russian:
Все они ошибаются, а я прав, и вот как это работает: люди не могут просто «знать» о тех или иных вещах.
Люди верят, что то или иное явление — правда, или, если выразиться иначе,
они думают, что они что-то знают.
И что имеют в виду Odd TV — это что многие древние цивилизации, или хотя бы некоторые из них,
в зависимости от того, как далеко вы заглянете, ДУМАЛИ, что они знают, что Земля — плоская.
И он приписывает им «ЗНАНИЯ», вроде как они это «ТОЧНО ЗНАЛИ», для того, чтобы казалось, что это заслуживающая доверия правда.
«Современные люди сказали бы, что древние цивилизации были примитивны и невежественны,
хотя им удавалось осуществлять великие замыслы, которые нам до сих пор не под силу»
*не впечатлён* Раз древние египтяне построили пирамиды, то как они могут ошибаться насчёт всего остального?
Древние египтяне
"ЗНАЛИ"
что фараоны были живыми воплощениями человекообразного бога с головой крокодила по имени
СОБЕК,
Russian:
считавшегося «Повелителем Спермы», и помогал Солнцу продвигаться по небу,
предположительно... стреляя по нему... спермой.
Древние египтяне
"ЗНАЛИ"
об этом тысячу лет назад, и несмотря на это, каждый год мы не приносим Повелителю Спермы в жертву мумифицированных крокодилов,
чем каждый раз грозим ПРОБУДИТЬ ЕГО ГНЕВ!!!
[Odd TV] «Те из вас, которые считают, что эта техническая ошибка была запланирована...»
Ой! Я и забыл про эту часть!
Это видео в особенности восхитительно, потому что, окей — спойлеры — аргументов в пользу плоской Земли не так уж и много.
Есть пара людей, которые пытаются придумать новые,
но, в данное время, есть, ну там, пять главных аргументов, и все остальные вроде как просто продолжают воровать их друг у друга...
перефразируя их и находя всё новые слегка различающиеся способы повторять одно и то же снова и снова,
и эта документалка заходит ещё на один шаг дальше
и — вместо того, что бы перефразировать эти аргументы в 18-тый миллион раз —
просто показывает нарезки из роликов, которые выложили другие люди. Это потрясающе.
[Odd TV] «Это подлинная фотография, видите? Я приближу вид на Землю в фотошопе,
-> Изображение -> Изменить -> Уровни,
English:
who was the 'Lord of Semen' and helped the sun move through the sky,
presumably, by...blasting it with...sperm.
The ancient Egyptians
this thousands of years ago, and yet every year, we deny the Sperm Lord his offerings of mummified crocodiles,
(MARIK ISHTAR VOICE) and once more we THREATEN TO AWAKEN HIS ANGER!!!!
- [Odd TV] Those of you who think this technical difficulty was planned...
- [Hbomb] Oh! I forgot about this part!
This video, in particular, is great because, okay, spoilers, there aren't *that many* pro-Flat-Earth arguments.
There's a couple of people who keep trying to come up with new ones,
but, really, there's, like, five main ones, and then everyone keeps, kind of, ripping them off and...
rewording them and coming up with slightly different ways of saying the same thing over and over again,
and *this* documentary goes one step further
and, rather than remaking those arguments for an 18th millionth time,
it actually just borrows clips from videos people have already made. It's great.
- [Odd TV] This is live on the air, okay? I'm gonna zoom in on the Earth in Photoshop,
-> Image -> Adjust -> Levels,
English:
and I'm gonna bring the levels up. Uh oh!
What is *that*?
Why is there a square box around the Earth, allegedly taken from the "scientists" on the Moon in Apollo 17?
And people wonder why I don't trust NASA. *That's* why I don't trust NASA!
- [Odd TV] I mean, they're always asking me, saying...
- [Hbomb] Uh, wait a second, mate, wait, wait, w—
Hold on a second. Let me get my mouse.
Let's quickly create a new image. Let's make it 3000 x 3000 pixels, 72 pixels per inch.
Let's do a DEEP FAKE! Let's fake our own PALE, BLUE DOT!!
That's not it. It's not a dot. You gotta hold Shift to make it perfectly circular.
Don't make *that* mistake next time, globalists!
Ooo, look, that's some
Thaaat's an ocean, ahh, that's the land we all live on! That's *exactly* what Ptolemy's map looked like...
[Ptolemaic spitting]
So, if we were to do this adjustment right here with with the image levels... turn it all the way up...
You'll see that there's no, uh...nothing, nothing goes up. Nothing goes up at all. Wow, look.
Russian:
И тут я поднимаю уровни. О нет!
Что же это такое?
Почему вокруг Земли высвечивается квадрат, хотя снимок вроде бы сделан "учёными" на Луне с Аполлона-17?
И люди ещё спрашивают, почему я не доверяю НАСА. Вот почему я не доверяю НАСА!
То есть, меня спрашивают всегда, говорят, что...»
— Хм, постойте-ка минутку, подожди, подожди, п—
Подождите-ка минутку. Я сейчас достану свою мышку.
Давайте-ка быстренько создадим новое изображение. Допустим 3000 x 3000 пикселей, 72 пикселя на один дюйм.
Давайте создадим ФАЛЬШИВКУ! Давайте сфальсифицируем свою собственную БЛЕДНУЮ, СИНЮЮ ТОЧКУ!!!
Это не то. Это не точка. Надо удерживать Shift, чтобы получился идеальный круг.
Не совершайте эту ошибку в следующий раз, глобалисты!
Ооо, посмотрите, это немного
отражения Солнышка...
Это океан... вот, а это суша, на которой мы все живём! Именно так выглядит карта Птолемея!
*плюёт по-птолемеевски*
Итак, если мы проделаем корректирование уровней в изображении... поднимем их до самого конца...
Вы увидите, что ничего не, ну...ничего не высвечивается. Совсем ничего. Вау, смотрите.
English:
If only they'd properly cut the Earth out, NASA could've gotten away with it, if it weren't for those meddling Photoshop users!!
Let's save it as a JPEG and let's make it medium compression.
So, this is, like, an average amount of JPEG compression for an image on the Internet.
Now, let's, let's quickly open up our Untitled 1.jpg in Photoshop ourselves. Now, let's tuuuurn the levels up.
Ohhhhhhh, my God! Ohhh, my God!!
It's a Fake Earth Picture that wasn't cut out properly!!!
It's JPEG compression, you fucking idiot.
Okay, I'm already incredibly bored of this documentary.
It's the same music clip playing over and over for 30 minutes, and, and it's jarring, having all these other voices that just, kind of, come in...
It's... it's just not... it's just not very well-made, and I've decided to just move on to other people's videos,
which usually make the same point anyway.
We might even run into one of the videos that they stole! But one thing I do want to bring up is, uh,
a meme that I saw posted here first, and I've seen it around since then,
Russian:
Если бы они только обрезали Землю как полагается — НАСА смогла бы нас обмануть, если бы только не эти назойливые пользователи фотошопа!!!
Давайте сохраним это как JPEG и выберем среднее сжатие.
То есть, это средние настройки JPEG сжатия, которые используют для картинок в интернете.
А теперь, давайте быстро откроем наш Безымянный 1.jpg в фотошопе. Теперь, давайте поднимем уровни.
[Рабочий стол: СЛАВА ПОВЕЛИТЕЛЮ СОБЕКУ]
О, Боже мой! О, Боже мой!
Это фальшивое изображение Земли, которое неправильно обрезали!!!
Это сжатие JPEG, ёбаный ты идиот.
Окей, мне уже сильно наскучил этот документальный фильм.
Это как пластинка, которая повторяется уже 30 минут, и-и это раздражает, когда все эти голоса просто говорят в одно и то же время...
Это... Это просто не... не очень хорошо сделано, и я решил просто перейти к видео других людей,
которые часто всё равно приводят те же аргументы.
Мы даже можем наткнуться на одно из видео, которые они украли! Но то, о чём я хочу поговорить — ну,
это мем, который опубликовали здесь — и который я повсюду потом видел —
Russian:
под конец документалки, и когда я первый раз её смотрел, я был вынужден поставить на паузу и начать смеяться.
Это... Вот эта картинка. Она невероятна.
Она такая искренняя и сама не понимает, о чём она по-настоящему говорит.
[«ДОКАЗАТЕЛЬСТВА ШАРА: *книги* ДОКАЗАТЕЛЬСТВА ПЛОСКОЙ ЗЕМЛИ: *глаза*»]
То есть, может, просто, не надо слишком сильно гордиться, что ты... ТЫ НЕ ЧИТАЕШЬ КНИГИ.
Часть 3: ТОТ, КТО ГРОМЧЕ ВСЕХ КРИЧИТ
В любом случае, один из главных чуваков, из-за которого ПОКАТИЛОСЬ всё это дело с плоской Землёй...
...это маленькая шуточка тебе от меня...
это, эмм, Марк Сарджент и его серия видео под названием «Улики о плоской Земле». Я уже слышал от 20 или 30 людей...
что эта серия по-настоящему втянула их во всю эту тему и они стали серьёзно её воспринимать.
[Марк Сарджент] «Находимся ли мы в закрытом мире, как в Шоу Трумана, котрый тянется на тысячи миль в ширину?»
«Прямо как в "Шоу Трумана"». О Боже...
Нет, нет, веди себя прилично. Веди себя прилично.
[Описание] «Выросший на Юге острова Уидби, в Вашингтоне, Марк Сарджент начал свою карьеру, став профессиональным игроком в компьютерные игры в Боулдере, Колорадо»
О, прекрасно, старина геймер! Он наверняка благоразумен!
English:
towards the end of the documentary, and when I was watching the first time, I had to pause and just kind of laugh at it.
It's... it's this picture here. It's *so* fascinating.
It's *so direct*, and it doesn't get what it's really saying.
Like, just, maybe don't brag *too* triumphantly about how you... YOU DON'T READ BOOKS.
Anyway, one of the main folks credited with getting the BALL ROLLING in Flat Earth...
...that's a little joke from me to you...
is, uh, Mark Sargent and his video series entitled "Flat Earth Clues". I've now heard about two or three dozen people
say that this series is what really got them into the whole thing and taking it seriously.
(READING) "Are we inside a Truman Show enclosed world thousands of miles wide?"
(MOCKING) "It's just like in 'The Truman Show.'" Oh, God...
No, no, be nice. Be nice.
"Growing up on South Whidbey Island, Washington, Mark Sargent started his career playing computer games professionally in Boulder, Colorado.
Oh great, a fellow gamer! He *must* be reasonable!
English:
Early in 2015 he released a series of YouTube videos titled "Flat Earth Clues", which delves into the
possibility of our human civilization actually being inside a Truman-Show-like enclosed syst—
...you already said "Truman Show" earlier in the description. Like...at least reference a *different* movie.
In other words, *this* is the video series that everyone else is cribbing from. So we should probably check it out, shouldn't we?
(ELDRITCH VOICE) Two hours...
(NORMAL) I've always wanted to d o this joke, and this actually took me two hours.
Well, *that* was a waste of time.
Okay, I've now watched Mark's entire 14-part (plus extras) series about how the Earth is flat, which took a couple of hours...
and...what really jumps out at me is how shockingly boring and unconvincing it is.
Like, you'd think "this is the original one!"
"This is the one that got 'em!"...and it's a slideshow with, like, a guy kinda rambling,
and he talks like he...he's REALLY convinced. He KNOWS the Truth!
And I assume people, uh, believe this because they're like "well, he...he *sounds* really into it! He must...he must be onto something!"
Russian:
[Описание] «В начале 2015-го он выпустил серию Ютуб-видео под названием "Улики о Плоской Земле", которые исследуют...
возможность того, что наша человеческая цивилизация находится внутри закрытой системы, как в Шоу Трума~»
...вы уже упомянули Шоу Трумана раннее в описании... типа... хотя бы на другой фильм сошлитесь.
Другими словами, это та самая серия видео, из которой все остальные черпают информацию. Значит, нам нужно её заценить, не так ли?
*ужасным голосом* Два часа спустя...
*нормальным* Я всегда хотел вставить эту шутку, и это действительно заняло у меня два часа.
Ну что ж, это было пустой тратой времени.
Окей, теперь я посмотрел всю серию Марка из 14-и частей (плюс дополнительный материал) о том, что Земля — плоская, что заняло пару часов...
и... что действительно выделяется, это то, насколько удивительно скучно и неправдоподобно всё это.
Ну там, думаешь, «это ведь первоисточник!»
«Это то, с чего всё началось!»... и это слайдшоу, где есть, ну, мужик, который о чём-то болтает,
и говорит, как будто он... он ПРАВДА убеждён, что ЗНАЕТ правду!
И я думаю, что люди, эм, верят в это, потому что они такие «Ну, он... кажется, сам верит! Наверно он... он действительно что-то понял!»
English:
But it's... it's, like...really, REALLY unconvincing.
In order to summarize the point in any one of those videos that they make,
you would have to edit around...and cut across in time so much to kind of...
formulate the actual point so much that it would feel deceptive, like I'm, sort of, pulling some kind of trick by...
trying to get to the point he's making in a simpler way.
And the evidence that he refers to is so thin on the ground,
that it doesn't even meet any burden of proof for it to be something that I would need to debunk anyway.
"Part 7", for example, "Long Haul", is the one that really sticks out to me.
It takes him 10 minutes to effectively say "I looked up some flights and I think they show the Earth is flat.
That's...that's *all* he had to say, but it takes...
TEN MINUTES.
I promised myself, when I was researching something like Flat Earth,
that I would try and find the strongest possible versions of any argument that I responded to or debunked,
Russian:
Но это... это ведь очень... очень, ОЧЕНЬ неубедительно.
Для того, чтобы подытожить каждое из этих видео,
нужно столько отредактировать... вырезать и поменять временные отрезки, чтобы...
сформулировать нормальный вывод — проделывая это, я бы чуствовал себя так, будто проворачиваю какой-то трюк...
пытаясь проще объяснить то, к чему он ведёт.
И доказательства, которые он приводит, настолько смехотворны,
что не соответствуют простейшему понятию о доказательствах, на которые был бы смысл отвечать.
В «Части 7», например, меня очень впечатлил «Длинный Путь».
У него ушло 10 минут на то, чтобы, по сути, сказать, что «Я глянул пару рейсов и мне кажется, это доказывает, что Земля плоская».
Это... это всё, что он хотел сказать, но на это ушло...
ДЕСЯТЬ МИНУТ.
Я пообещал себе, что когда я буду собирать информацию о такой штуке, как плоская Земля,
то я попытаюсь найти самые сильные версии любых аргументов, на которые я ответил или разобрал...
Russian:
потому что поскольку в сообществе, в котором... в котором так много всяких разных, ну, самодеятелей, как в Обществе плоской Земли,
очень легко найти человека, который плохо выразил свои мысли, и сказать
«ХА!»
и притвориться, что ты разбил сами аргументы,
и я не хочу так делать.
И, хочу признаться, очень странно, что тот парень, на которого все указывают, как на того, «кто всех сюда затащил»...
Его видео ПЛОХИ! Ну, посмотрите их, пожалуйста! Если вы выдержите. Они просто нелепы,
и это кажется мне странным, ведь они должны... они должны были быть самыми убедительными!
Возьмём хотя бы «Длинный путь полётов», о котором я уже говорил.
Два месяца после того, как вышло то видео, кто-то, кто его очевидно посмотрел,
уже отполировал этот аргумент, который пытался преподнести Сарджент, так, чтобы сделать по-настоящему хорошее видео,
и это видео набрало, ну там, в шесть раз больше просмотров. Мы скоро поговорим об этом видео,
но для начала: если теория шара не верна, то какая остаётся альтернатива?
Я думаю самое время взглянуть, как вообще выглядит карта плоской Земли.
Часть 4: ПЛОСКИЙ МИР! (но не тот, который прикольный)
English:
because, with a movement as...as big and full of all kinds of, sort of, amateur people as Flat Earth,
it's very easy to find someone making the point very badly and go
"HAH!"
and then pretend you've discredited the entire argument,
and I don't want to do that.
And I just want to acknowledge here that it's really weird that the guy everyone credits with "getting them in on it" is...
The videos are BAD! Like, watch them, please! If you can stand it. It's just not very well put together,
and that's just a bit weird to me, 'cuz they're suppose... they're supposed to be the best ones!
Take the "Long-haul Flight" one I mentioned already.
Two months after that came out, someone who's clearly seen that one
has already honed the point that Sargent was trying to make down into one that's actually a good video,
and that video has, like, six times more views. We'll get to that video in a second,
but first, *if* the globe model *is* wrong, what's the alternative?
I think it's time we looked at what a Flat Earth map actually looks like.
English:
This is a poster I had made of Gleason's New Standard Map of the World.
It was made in the late 1800s... and it shows (what purports to be) what the Earth *actually* looks like when it's flat.
Now, this isn't the *exact* map that Flat Earthers use.
What they use is a *version* of this that's projected the same way.
There are lots of different ways you can project Planet Earth.
The Gleason map and other supposedly "slightly more accurate and realistic" Flat Earth maps aren't actually just made up from something.
They're based on a type of map projection that already existed, known as:
*Not* named for its creator,
because I just made that guy up.
And that projection method isn't completely useless. It's not just a silly picture.
It's good for being able to tell what angle and distance you are from the North Pole.
This is *really* accurate to where you are in relation to the North Pole,
especially compared to other projections, where the North Pole is, like, the wrong size or in the wrong place, because,
otherwise,
you wouldn't be able to see it properly, because flat maps are just inherently always a bit wrong.
Russian:
Это плакат, который я сделал, распечатав Новую Стандартную Карту Мира от Глисона.
Она была сделана в конце XIX-того века... и она показывает (подразумевает), как по-настоящему выглядила бы Земля, если она была бы плоской.
Но это не именно «та самая карта», которую используют сторонники плоской Земли.
То, что они используют — это «вариант» этой карты, проецируемый с того же самого угла.
Есть много разных способов проецировать планету Земля.
Карта Глисона и другие предположительно «слегка более точные и реалистичные» карты плоской Земли не появились из неоткуда.
Они основаны на уже существующей проекции карты, название которой:
«АЗИМУТАЛЬНАЯ ПРОЕКЦИЯ ЗЕМЛИ». Не названная в честь своего создателя,
Филиппа Азимута — потому что я только выдумал этого чувака.
[Надпись: «НАДУРИЛ ВАС, ШАРОЁБЫ»]
И этот метод проекции не полностью бесполезен. Это не просто глупая картинка.
По ней можно определить, на каком расстоянии вы находитесь от Северного полюса.
Она точно указывает, где вы находитесь относительно Северного полюса,
особенно по сравнению с другими проекциями, где Северный полюс, ну, неправильной формы или в неправильном месте, потому что
[Надпись: «Потому что невозможно точно изобразить Землю на плоской бумажке»]
в ином случае, мы не могли бы его должным образом рассмотреть, потому что плоские карты просто по сути своей немного искажены.
[«Единственный способ точно изобразить планету Земля — на 3D сфере, потому что она именно такая»]
English:
It also, as you can see, looks pretty nice.
In fact, a stylized version of this projection is used as the logo for the, uh, UN.
Because they're in on it. Obviously.
The most notable things about this map: the North Pole is now *directly* in the center of the Earth,
and...instead of there being a South Pole anywhere, it's now encircling the entire Earth in a giant wall of ice.
Now, I know you're thinking: "does this map hold any water?"
And the answer is: "That's what the ice is for!"
By the way, does that mean global warming is now, like, way, way worse? Because, like...
...if the ice wall melted, all the water would flow out, and...we'd all die of...No-Water-Itis.
I mean, on...on Globe Earth, we'd all just drown and then boil instead.
YAAAAAAAAAAAY!!!!!!
Another "feature" of this map is that what used to be the Southern Hemisphere is now much further away from *itself*, as it were.
Russian:
К тому же, как вы видите, выглядит достаточно неплохо.
Кстати, стилизованная версия этой проекции используется на логотипе ООН.
Потому что они тоже с этим связаны. Очевидно.
Самое примечательное на этой карте: Северный полюс теперь находится прямо в центре Земли,
и... вместо Южного полюса, он теперь просто охватывает всю Землю, как огромная ледяная стена.
Я знаю, что вы сейчас думаете: «Выдерживает ли эта карта критику?»
[Буквально значит «Удержит ли она воду?»]
И ответ — «Лёд именно это и делает!»
Кстати, значит ли это, что глобальное потепление теперь гораздо-гораздо страшнее? Потому что, ну там...
... если ледяная стена растает, то вся вода выльется наружу, и... мы все умрём от... «безводницита».
Я хочу сказать, что... на круглой Земле мы бы все вместо этого просто утонули и сварились заживо.
УРААААААААААА!!!!!!!!
Ещё одна «особенность» этой карты в том, что то, что раньше было южным полушарием, теперь как бы дальше от самого себя.
English:
Australia is now *much* further away from Africa or South America.
And...also, everything is increasingly distorted the further out you get.
Australia is now much, much wider than it used to be,
even though people have actually measured Australia, and it's about as long as it is wide.
But clearly Sobek got to those guys too.
How does this affect travel? Because...
Obviously, now that all the shapes and distances are very different, especially in the Southern Hemisphere,
surely, flight plans would be affected by this?
They'd have to account for the non-curvature of the Earth and everything being in a different place.
Well, luckily, this is something Mark Sargent and the clever Disc Boys at the Flat Earth Society say actually makes MORE sense on a flat Earth!
MMMMMMMMM?!
Here's a video entitled: "The Earth is FLAT ~The planes help to prove the plane".
It's got over 900,000 views.
Russian:
Австралия теперь намного дальше от Африки и Южной Америки.
И... к тому же, всё ещё более искажено в зависимости от дистанции.
Австралия теперь намного-намного шире, чем раньше.
несмотря на то, что люди вообще-то раньше измеряли Австралию, и её длина и ширина примерно одинаковы.
Но очевидно Собек и до них добрался.
Как это влияет на передвижение? Потому что...
Очевидно, теперь, когда все фигуры и расстояния очень отличаются, особенно в южном полушарии,
это, несомненно, как-то повлияет на перелёты?
Нужно было бы учесть не кривизну Земли и то, что всё стало на разные места.
Что же, к счастью, Марк Сарджент и одарённые ДИСКОЁБЫ из общества плоской Земли говорят, что всё это даже ЛОГИЧНЕЕ на плоской Земле!
ХМММММММ?!
Часть 5: КАК АВИАКОМПАНИИ РАБОТАЮТ?!?!
Вот видео под названием: «Земля — ПЛОСКАЯ~Самолёты доказывают плоскость»
[Игра слов: planes (самолёты) и plane (плоскость)]
У него более 900,000 просмотров.
English:
This is the video that I would say is something of an improvement on the arguments that Mark Sargent
makes in his video, entitled: "Long Haul". The arguments are still wrong, but they're made better, so points for that.
Plus, that pun. I mean, oh boy.
He looks up trips from Sydney, Australia, to Santiago, Chile, and notes that getting there requires multiple stops at other airports that are relatively out of the way
and inefficient on the Globe Model, but on the Flat Earth Model, they form an almost straight line.
- [rollingthunder42] You have to actually get up into the Northern Hemisphere and then come back down.
So, that doesn't make any sense.
So, I mapped it on the Flat Earth map, and...whoa!
- [Hbomb] (VERY IMPRESSED) "Whoa."
This is a huge thing for Flat Earthers, because, unlike all the stuff they have to just ignore or prove is a big lie that didn't happen,
this is something which, supposedly, proves that the Flat Earth Model is true.
Mark Sargent says this is the thing you should start with if you're trying to explain the whole thing to someone.
Russian:
Это видео, я бы сказал, что-то вроде усовершенствованной версии аргументов, которые Марк Сарджент
приводит в своём видео под названием: «Длинный Путь». Аргументы всё ещё неверны, но построены гораздо лучше, и это уже похвально.
Плюс этот каламбур, ну же!
Он находит рейсы из Сиднея - Австралия, в Сантьяго - Чили, и указывает на то, что для того, чтобы туда добраться, надо сделать многочисленные остановки в отдалённых аэропортах,
и хотя это нелогично на шаре, на плоской Земле они формируют чуть ли не прямую линию.
[rollingthunder42] «Вам по сути надо лететь в северное полушарие и потом обратно вниз.
То есть, в этом нет никакого смысла.
И я обозначил это на плоской карте и... вау!»
«Вау»
Этот пример очень важен для сторонников Плоской Земли, потому что, в отличие от других аргументов, которые им приходится попросту игнорировать или называть ложью и что такого не было —
это то, что, предположительно, доказывает, что Земля — плоская.
Марк Сарджент говорит, что если вы кому-то пытаетесь всё это объяснить, именно с этого и нужно начинать.
English:
- [Sargent] If you are looking to show someone how to view the Flat Earth from a practical point of view, *this* is the example I would use.
- [Hbomb] (WEARY) Mark, you could have *started* with that and not waited until Part 7, like, an hour in.
Please, hire an editor!
There are so many counterpoints to this, I don't know where to start, really.
I suppose we should start with
It makes far more business sense for airlines to offer shorter connecting flights that can be used as part of a wider trip
than ONE direct flight to the ONE place that ONE group of people might happen to go.
You know airports aren't magic? Like, it takes a certain amount of time for a plane to take off and land on a runway, and there's only so many runways.
You think London City Airport, with its miniscule, piddly little
has the time to furnish flights to Chile?
What...what are you...what are you talking about, mate?!
That said, that doesn't mean that long-distance flights like this never happen.
There's actually a direct flight from Sydney to Santiago: Qantas QF27.
It goes non-stop and takes *way* less time than the non-direct routes.
On a Flat Earth map, QF27 would take far *longer* than the supposedly direct paths,
Russian:
[Сарджент] «Если вы хотите показать кому-либо, как работает плоская Земля с практической точки зрения, это тот пример, который я бы привёл»
Марк, ты бы с этого и начал, а не ждал до 7-ой части ну, почти целый час.
Пожалуйста, найми редактора!
Здесь можно привести столько контраргументов, что я даже не знаю, с чего начать.
Пожалуй, стоит начать с...
ЛОГИСТИКИ
С точки зрения бизнеса, авиакомпаниям гораздо проще объединить несколько коротких рейсов,
чтобы доставить вас к пункту назначения,
вместо того, чтобы организовывать ОДИН длинный рейс именно той ОДНОЙ группе людей, которые могут лететь в одно и то же место.
Вы ведь понимаете, что аэропорты не резиновые? Ну, нужно определённое количество времени, чтобы самолёт взлетел и приземлился на полосе, а есть лишь ограниченное количество полос.
Вы думаете, что аэропорт Лондон-Сити, с его малюсенькими, ничтожными
ссаными полосами
будет ждать рейсов в Чили?
Что... о чём ты... о чём ты говоришь, друг мой?!
И всё же это не значит, что длинных рейсов никогда не бывает.
Вообще-то есть и прямой рейс от Сиднея до Сантьяго: Qantas QF27.
Он летит напрямую и занимает гораздо меньше времени, чем непрямые рейсы.
На плоской Земле, QF27 занял бы гораздо больше времени, чем те так называемые прямые рейсы,
Russian:
и кроме того, расстояние было бы настолько огромным, что у самолёта не хватило бы топлива и он рухнул бы в океан.
[«Примерно здесь находится куча самолетов»]
Что говорит этот парень насчёт этого рейса или рейса лишь с одной остановкой, который не идёт по прямой линии на карте плоской Земли?
Ну, этот рейс вообще-то указан в его списке.
По этой улике я и обнаружил, что такие рейсы существуют.
[rollingthunder42] «Но я не думаю, что этот рейс настоящий.
Эм, по нему можно лететь лишь по понедельникам, средам и субботам, к тому же
... чтобы как бы навести вас на то, чтобы вы летели по другому пути»
Он и правда сказал, что они... не существуют.
[rollingthunder42] «Я не думаю, что какой-либо из этих двух рейсов — настоящие.
Эм, они просто здесь для того... эм, чтобы такие парни как я обо всём не догадались»
Он видит подлую уловку Qantas насквозь... продать билеты на СУЩЕСТВУЮЩИЙ рейс.
Можно... можно ПРОВЕРИТЬ... есть... ЗАПИСЬ ПОЛЁТА!
Слушайте, зачем бы Qantas всё это делали лишь ради того, что бы люди думали, что Земля — это шар?!
English:
and also, the distance would be so much longer that the plane would run out of fuel and crash in the ocean.
How does this guy deal with the existence of this flight or a flight with just one connection that doesn't go the direct route on a Flat Earth map?
Well, they actually *do* pop up on his flight tracker.
That's the first clue I found to these flights existing.
- [rollingthunder42] But I don't think this flight ever takes off.
Uh, it's available only Monday, Wednesday and Saturday, also.
..to kind of pinch you out and make you do something different.
- [Hbomb] He *actually* says that they're not...real.
- [rollingthunder42] I don't think either one of these two flights are real.
Um, they're just kind of there to... um, keep guys like me from figuring this shit out.
- [Hbomb] He sees through Qantas' dastardly trick to... sell tickets to a plane THAT'S REAL.
You can...you can WATCH...there's...FOOTAGE OF THE FLIGHT!
Look, why would Qantas do all of this just to make people think that the Earth was a globe?!
Russian:
К... Какую они извлекают из этого выгоду? Типа, в чём?.. Я...
Я не понимаю!
Этот чувак так же пытается привести в пример Йоханнесбург и Перт.
[rollingthunder42] «И, опять же, мы видим лишь один перелёт без остановок»
Почти как будто бы... есть причины, так мало рейсов с прямыми перелетами... как будто.
[rollingthunder42] «Вот эти два, обозначенные чёрным цветом... это, эм, прямой рейс в Перт, но я пометил их чёрным цветом потому, что так же не думаю, что они существуют»
О нет, конечно нет. Хотя я даже лично общался с человеком, который летел этим рейсом, но какая разница!
Может этот человек участник заговора.
А может и я участник заговора! ДА ЗДРАВСТВУЕТ СОБЕК!
Нам нужно, чтобы все верили, что Земля — шар! Тогда мы сможем...
Эм, хм, подождите-ка. Одну секундочку...
*набирает номер*
— Ага, ещё разок, зачем мы это всё делаем?
— Эээээ, я думал, что это было бы забавно.
Когда он обозначает так называемые «более прямые» рейсы на плоской Земле, и под «обозначает»
English:
W... what do they get from that? Like, what's the...? I...
(PERPLEXED) I don't understand!
The guy tries to do Johannesburg to Perth, too.
- [rollingthunder42] And, once again, we only have one non-stop.
-[Hbomb] (WHISPERING) Almost as if there's...reasons why you wouldn't have that many flights going that one direct flight...almost.
- [rollingthunder42] Uh, these two in black...this is, uh, non-stop that they have to Perth, but the reason I put these in black is because I don't think they exist either.
- [Hbomb] Oh, no, of course not. I mean, I've actually met someone who's been on that flight, but whatever!
Maybe they're in on it too.
Maybe I'M in on it, too. HAIL, SOBEK!
We need to keep everyone thinking the Earth is a globe! That way we can...
Um, uh, hang on. One second...
*phone dials*
Yeah, why are we doing this again?
- [Lord Sobek the Bountiful] Ehhh, I thought it would be funny.
- [Hbomb] When he maps those supposed "more direct" trips he found onto the Flat Earth, and by
Russian:
я имею в виду, рисует хреновые кривые линии, которые нисколько не совпадают с траекторией полётов,
одна из которых так же нелогична и на карте плоской Земли.
Она идёт аж до самого Сиднея, прежде чем разворачивается и направляется обратно в Перт.
[rollingthunder42] «Вот, это все полёты до Сиднея. И так, похоже, что путь до Сиднея всё ещё выглядит довольно длинным.
Хм, ну кто знает? Может... может и эта карта неточная. Кто знает? Я не знаю»
*не выдерживает* Ммм хмм? МММ ХММ?
МОЖЕТ!..
Может... ЭТА КАРТА.
ПЛОСКОЙ ЗЕМЛИ.
НЕТОЧНАЯ.
МОЖЕТ БЫТЬ ОНА—
...может быть...
Часть 6: ГДЕ ЖЕ ИЗГИБ?
А, ну вот же он
Ещё одно явление, о котором дискутируют сторонники плоской Земли — это изгиб земной поверхности.
Ну ведь, если она плоская, значит изгиба не может быть, верно?
Что же, я думаю, она могла бы быть хоть немного дугообразной, но об этом они почему-то не говорят.
[Изображение: Кто-то не понимает Пифагора, *но* пытается использовать его теорему, чтобы доказать, что Земля плоская, и изображает это на всратых схемах]
Их главный метод в этом деле — фоткать горизонт или обсуждать видеозаписи с видом на горизонт и говорить:
«НУ ЧТО ЖЕ, Я ТУТ НИКАКОГО ИЗГИБА НЕ ВИЖУ!»
English:
I mean "draws shit, squiggly lines that in no way match up with the flight plans",
one of them doesn't make sense on the Flat Earth either.
It goes all the way out of the way to Sydney before it doubles back and heads to Perth.
- [rollingthunder42] Uh, these are all the flights to Sydney. So, it still looks like a pretty long shot to Sydney.
Um, but who knows? Maybe...maybe *this* map isn't even correct. Who knows? I don't know.
- [Hbomb] (GIGGLING) mmm hmm? MMM HMM?
MAYBE...!
Maybe... THIS MAP.
OF THE FLAT EARTH.
ISN'T. CORRECT.
MAYBE IT'S TH— (LAUGHS)
...maybe... (CHORTLES)
Another thing Flat Earthers dispute is the curvature of the Earth.
I mean, if it's flat, it can't be curved, can it?
Well, I guess it could be slightly convex, but they don't bring that up for some reason.
The main way they do this consists of filming horizons or finding footage of horizons and saying:
"WELL, I DON'T SEE A CURVE!"
English:
Which, uh, you can't see the curvature that close to the ground. Perspective doesn't work that way.
And then they go on to assert that all footage that *does* show a curvature from high up is faked, either on purpose by, like, movie studios working for NASA,
or accidentally, through flaws in camera equipment.
Some types of wide-angle camera lenses distort perspective,
and almost all small action cameras, like GoPros, have very wide-angle lenses to film as much as possible.
The assertion Flatties then make is:
"Well, the appearance of a curvature is therefore the result of looking at the flat horizon with *these* lenses,
and if you correct the footage, the Earth is *clearly* actually flat,
Like in this video by the channel called "Flat Earth",
although, apparently, its original name was "TheMrKingTuts"...?
*Someone* rebranded.
(MARIK ISHTAR VOICE) Where's the curvature of the Earth? NONE OF YOU CAN DEBUNK *THIS* VIDEO!
Anyone with half a brain can see how they use deceptive wide-angle fish-eye lenses to deceive you—"
(NORMAL VOICE ) You can't use the word "deceive" twice in a sentence. That just doesn't scan.
Oh, and in keeping with Flat Earthers' just copying each other all the time,
this video is literally just taken from another channel.
Russian:
Что, эм... мы не можем видеть изгиб, когда находимся так близко к земле. Перспектива работает не так.
И потом они заходят дальше и заявляют, что весь видеоматериал, который показывает изгиб — фальшивка, сфабрикованная либо нарочно всякими, ну там, киностудиями, которые работают на НАСА,
либо это ошибка, возникающая из-за искажений в видеоаппаратуре.
Некоторые виды ширококадровых камерных линз искажают перспективу,
и почти все мелкие экшн камеры, как GoPro, у которых очень широкие линзы, чтобы захватить в кадр как можно больше.
Плосколюбы приводят следующий пример:
«Ну, мы видим изгиб потому, что смотрим на плоский горизонт через эти линзы,
и если отредактировать ролик, то Земля очевидно плоская»
["правильные" кадры]
Как, например, в этом видео от канала под названием «Плоская Земля»,
хотя, судя по всему, его оригинальное название было "TheMrKingTuts"?..
Похоже, кое-кто решил провести ребрендинг.
«Где же изгиб Земли? НИ ОДИН ИЗ ВАС НЕ СМОЖЕТ ОСПОРИТЬ ЭТО ВИДЕО!»
«Любой, у которого варит хотя бы половина головы, может увидеть, как они используют обманывающие ширококадровые линзы, чтобы обмануть вас~»
Нельзя использовать слово «обмануть» дважды в том же предложении. Это моветон.
[Зум на «варит хотя бы половина головы»]
А, и поскольку плоскоземельщики просто копируют друг у друга материал,
это видео было буквально взято с чужого канала.
Russian:
Что ж, по моему мнению, тут плоскоземельщики по-настоящему близко подобрались к, ну, некой правде.
Вот небольшой эксперимент, который я провёл со своим старым GoPro.
Широкие линзы GoPro позволяют видеть многое всего в одном кадре.
[«Музей секса»]
Похоже, она захватила даже мусор, который, как я был уверен, не попадёт в кадр, и поэтому не убрал.
[«видно клочок конверта, в котором прислали мой налоговый счёт»]
Однако перспектива при этом искажена.
Могу вас заверить, что пол у меня плоский и не прогибается.
Я медленно двигаю GoPro к этой ничем не примечательной открытке из музея секса,
[«Стороны прямые, не прогибаются»]
мы можем видеть, что искажение становится всё заметнее.
[«стороны открытки всё больше прогибаются в стороны»]
Прекрасный радужный флаг испорчен!
Выглядит так, как будто его потрогал Грэхэм Лайнхэн.
Это я держу измерительную ленту, просто для наглядности.
Изгиб земли действительно усиливается из-за ширококадровых линз, но, как и в случае с JPEG искажений,
нельзя просто нажать кнопку и сказать «ага, значит они были правы!» Это не~
смотрите...
Я вам кое-что покажу, используя свои магические навыки редактирования видео.
Ну, нет, в видеоредакторах нет волшебной кнопки «Исправить кривые линзы».
Если мне приходилось исправлять кривизну линз в материале для ролика,
English:
Now, in my opinion, this is the actual closest that Flat Earthers have ever got to actually being right about, uh, anything.
Here's a quick test I did with my old GoPro.
The GoPro's wide lens means it can see a lot at once.
In fact, it even saw the trash I was sure would be out of the shot and didn't bother picking up.
However, this perspective is distorted.
I can tell you right now my floor is flat and doesn't curve downwards here.
As I move the GoPro closer to this totally normal-shaped Sex Museum postcard,
we can see the distortion become even more exaggerated.
The beautiful Pride flag is ruined!
It looks like Graham Linehan has touched it.
This is me holding a measuring tape, just to give another reference.
The curvature of the Earth is definitely susceptible to being exaggerated by wide-angle lenses, but like with JPEG artifacts,
you can't just move a slider and say "ah ha it proves them right!" It's not—
I'm gonna use my video editing magical skills again to show you something.
There isn't, like, a magic "Fix Fisheye Lens" button in a video editor.
Whenever I've had to correct fisheye-lens footage for a video.
Russian:
мне надо для этого применить функцию, которая исправляет искажение, и потом вручную разгладить углы.
Это всё очень трудно делать на глаз.
Лучший способ решения такой задачи — это найти то, что наверняка является плоским объектом,
и тогда корректировать, пока он не будет выглядеть плоским.
Видите? Я не просто так использовал ту ленту. Это хитрый трюк!
А теперь...
Угадайте с трёх раз... какие... из... кадров... используют плоскоземельники...
когда они пытаются исправить видео, чтобы доказать, что Земля — плоская...
Вы... вы поняли?
Очень трудно разглядеть, но отредактированный материал явно слишком неровный, если вы знаете, что искать.
На земле некоторые вещи изгибаются в странном направлении лишь чуть-чуть, и, под некоторыми углами во время видео, Земля становится слегка вогнутой.
[Odd TV] «Наше повседневное наблюдение за Землей говорит нам о том, что Земля — это плоская и устойчивая поверхность»
Я просто хочу отметить, как это было уморительно,
когда я первый раз смотрел это видео, и в заставке было сказано «НАШ МИР — ПЛОСКИЙ!»
English:
I've had to do it by using an effect that corrects distortion and then dialing in the angles manually.
And this stuff is really hard to do by eye.
The best technique for doing this is to find something you know is *supposed* to be flat
and then correct until it *looks* flat.
See? That tape turned out to be there for a reason. A clever trick!
I'm gonna give you three guesses...what...part...of the footage...Flat Earthers use...
when they are trying to correct footage to prove that the Earth is flat...
Did you... did you get it?
It's hard to see, but the correction is *clearly* too much if you know what to look for.
On the ground, certain things curve in weird directions just slightly, and, at certain angles during the video, the earth starts to look slightly *concave*.
- [Odd TV] Our daily observations of the Earth are consistent with a flat and stationary surface.
- [Hbomb] I just want to acknowledge how fucking funny it was
when I was watching this documentary for the first time, and it fades from a thing saying "OUR WORLD IS FLAT!"
English:
and... it's a wide-angle shot that's not been corrected properly, so it looks like it's curved. It's fucking... it looks like the planet is CONCAVE.
How do you fuck it up *this* bad?
From this high up, the Earth's curvature would, in fact, *be* visible,
but probably *very* slight. You'd have to use a ruler to make sure.
But *exactly* how curved it would have been is hard to tell because of the nature of the footage filmed with these lenses.
- [Chris Madsen] You know, the reality is: the Earth is flat.
You can't actually see the curvature of the Earth from the window of a passenger plane.
They don't go high enough to show more than, like, a degree or two, basically.
You *can* see the curvature of the horizon, but only from high up, and I mean
REALLY high up. Not airline high, not even Mary Jane high, I'm talking U2 high.
Come on in here,
Not that U2, silly! Ha! We have fun.
I mean, of course, the Lockheed U-2, a high-altitude spy plane used by the US government.
You might remember the U-2 for:
Russian:
и потом... оно перешло к ширококадровому снимку, который не отредактировали как следует, поэтому он искажён. Как будто Земля нахуй внутрь вогнута!
Как можно было настолько проебаться?
На такой огромной высоте изгиб Земли действительно заметен,
но скорее всего лишь слегка. Надо приложить линейку для полной уверенности.
Но насколько именно она изогнута было бы трудно сказать, из-за того, что видео снято на эти самые линзы.
Знаете, дело в том, что Земля — плоская.
Вообще-то нельзя увидеть изгиб Земли из окна пассажирского самолёта.
Они не залетают достаточно высоко и мы можем видеть лишь изгиб на два или три градуса.
Вы можете увидеть изгиб горизонта, но только с очень большой высоты, и я имею в виду
ОЧЕНЬ большую высоту. Не на уровне авиакомпаний, и даже не уровне накуренности травкой, я имею в виду на уровне U2.
[Несколько игр слов: high (высота) на сленге означает ещё и укуренность; «на уровне U2» в контексте звучит как "too high", то есть «слишком высоко»]
Заходите к нам,
Боно, Эдж, Адам... Смэйнг?..
[Состав группы U2]
Не этот U2, дурачок! Ха. Просто дурачусь.
Я имею в виду, конечно, Lockheed U-2, высотный самолёт-разведчик, который использовало правительство США.
Возможно вы слышали, что он:
Russian:
1. Может летать на высоте 70,000 футов [21,336 м], это в три раза выше, чем коммерческий самолёт!
2. Множество раз нарушал международные законы!
3. Был уличён в том, что множество раз нарушал международные законы, потому что он оказался не очень хорошим разведчиком!
4. Его сбил Советский Союз в 1960!
5. Его множество раз сбивали в 1962 году во времена Карибского кризиса и он использовался во время Холодной Войны, что чуть ли не обернулось полномасштабной ядерной войной!
К счастью, правительство США больше не шпионит нелегально за территориями чужих стран с помощью дерьмового самолёта, который легко заметить, с 197~, простите...
198~ погодите, постойте...
*гуглит*
ОНИ ВСЁ ЕЩЁ ЕГО ИСПОЛЬЗУЮТ!!!
[Заголовок: «Американский U-2 — всё ещё шпионит за врагами Америки (уже почти 60 лет)»]
Вот Джеймс Мэй, наименее раздражающий мужик из Top Gear, летает на таком. Вы можете видеть, что
на средней высоте полёта, горизонт более-менее плоский.
Я надеюсь, что этот ранний снимок полностью плоского горизонта
показывает, что линзы тут ничего не искажают.
Когда он подымается на максимальную высоту, в атмосфере уже невозможно дышать, а небо становится чёрным.
На такой высоте мы можем наблюдать, насколько... ослепительно красива наша маленькая голубая планета,
но также и небольшой, однако заметный изгиб на горизонте.
English:
1. It's operating height of 70,000 feet [21,336 m], almost three times the height of a commercial aircraft!
2. Violating international law numerous times!
3. Getting caught violating international law numerous times when it turned out it wasn't very good at spying!
4. Getting shot down over the Soviet Union in 1960!
5. Getting shot shot down in 1962 during the Cuban Missile Crisis and contributing to the Cold War nearly escalating into full-scale nuclear war!
Luckily, the US government gave up on illegally spying on other nations with a shit plane they can see in 197—, sorry...
198— wait, hang on...
*googles it*
THEY'RE *STILL* USING IT!!!
Here's James May, the least shit guy from Top Gear, taking a ride in one. You can see that at
You can see that, at conventional airplane heights, the horizon is fairly flat.
Hopefully, this early shot of the horizon looking really flat
establishes that the lenses aren't distorting anything here.
As he reaches the maximum height, the atmosphere stops being breathable, and the sky starts to turn black.
At the higher altitudes, we can finally see both the... *staggering* beauty of our little, blue world,
but also a slight, yet pronounced, curve on the horizon.
English:
So, I think it's fair to say that, in conclusion:
"Ha haa, the Earth's curved slightly! I win!"
This has just been a brief rundown of the Flat Earth points that I feel are, at least, *more* credible than the rest.
They get increasingly weird and tangential from here on out.
For example, almost all Flat Earthers say that the Moon Landing was faked, because, if we actually went to the Moon and took pictures of the Earth,
and it showed that the Earth was a globe because it's in different positions in different pictures...
Pbbbth, we can't have done *that*!
So, the Moon Landing has to all be faked with the extra caveat that goes on top of the regular Moon Landing conspiracies,
which is that it was all done simply to make people think the Earth was round for some reason.
They try and counter the fact that you can't see things on the other side of the horizon by claiming
that cameras with long enough zoom lenses, like the Nikon P900, can actually show things that should be *behind* the horizon, which, uh...
...no. (SNICKERS)
That's not what's happening!
The camera can see *further* than your disgusting human eyes!
Russian:
Значит, из этого можно сделать вывод, что:
«Ха-ха, земля слегка изогнута! Я выиграл!»
Это был краткий список аргументов в пользу плоской Земли, которые, как я считаю, хоть немного более убедительные, чем остальные.
Чем дальше, тем они становятся всё страннее и запутаннее.
Например, почти все плоскоземельщики говорят, что полёт на Луну — это обман, потому что если бы мы взаправду слетали на Луну и сделали фото Земли,
это бы доказало, что Земля — это шар, потому что на разных фото она видна с разных сторон...
Пффф, значит, такого быть не могло!
Получается, высадка на Луну должна быть полностью сфабрикована ещё и с большей убеждённостью — прибавим ряд теорий заговора, связанных с высадкой на Луну,
и всё это было проделано ради того, чтобы заставить людей поверить, что Земля это шар, по непонятной причине.
Они пытаются спорить с тем, что мы не можем видеть другую сторону горизонта потому, что
камеры с достаточно дальновидными линзами, такими как Nikon P900, вообще-то должны показывать то, что может находиться за горизонтом, что, ну...
...нет.
Это не то, что происходит!
Камера может видеть дальше, чем ваши отвратительные человеческие глаза!
English:
Which...I thought the point was they were the only things you could trust!
But no, apparently, *now* we're supposed to trust the Globeheads at Nick-On!
I've pronounced that company's name *both* of the ways that people pronounce it now!
So, *everyone* gets to yell at me!
Also, Mark Sargent has *actually* said this!
He thinks that the Moon gives off its own "cold light" which makes things colder,
and therefore proves that the Moon isn't just a rock floating in space.
It's part of the big "firmament" that some Flat Earthers think—
Just one second.
Arranging this to be in the shot properly makes it actually really hard to dial. I want you to appreciate that.
- [Popular Gaming YouTuber UpIsNotJump] Hello.
[Unpopular YouTuber Hbomberguy] Hi there!
Is that popular gaming YouTuber UpIsNotJump who also, incidentally, has a *Master's* in Chemistry???
- [Competent YouTuber UpIsNotJump] Yep!
This is the third time I'm recording this, because I got my lines wrong the first time, and then the microphone wasn't on—
- [Frail YouTuber Hbomberguy] (HAGGARD COUGHING)
Excuse me. Uh, can moonlight make things cold?
- [Smart YouTuber UpIsNotJump] No!
Russian:
Что... они приводят как пример того, чему точно можно доверять!
Но нет, похоже что в этот раз мы должны поверить шароёбам из Nick-On!
Теперь я озвучил оба варианта произношения названия этой компании!
Что значит, что каждый желающий сможет меня обругать!
К тому же, Марк Сарджент и сам так сказал!
Он думает, что Луна источает свой собственный «холодный свет», отчего всё вокруг охлаждается
и это доказывает, что Луна — не просто висящий в космосе камень.
Это часть большого «небесного свода», который по мнению сторонников плоской Земли ~
Секундочку.
Мне очень трудно было подключить телефон так, чтобы вы видели, как я набираю. Я хочу, чтобы вы это оценили.
— Алло.
— Приветик!
— Этот тот самый популярный Ютюб-геймер UpIsNotJump, который при этом имеет научную степень по химии???
— Ага!
— Я уже в третий раз это записываю, поскольку в первый раз перепутал текст, а потом микрофон забыл включить~
*пытается скрыть всё кашлем*
— Извини. Эм, может ли лунный свет что-либо охлаждать?
— Нет!
English:
The Moon reflects light from the Sun, and the intrinsic property of waves is, basically: all waves have energy because they have a frequency.
It's just...the nature of...the universe.
- [Pleased YouTuber Hbomberguy] Oh, okay! Cool! Thanks!
Great, that was easy! Uh, bye!
[Unsure YouTuber UpIsNotJump] Wait, wait....
You don't want me to do a...funny sketch or something? I can...I can do a joke here.
- [Disinterested Youtuber Hbomberguy] Nah.
The video's looking too long already.
I decided to leave in the tangent about fighter jets, so it's...probably not worth it.
- [Desperate YouTuber UpIsNotJump] No, wait! Don't go!
I can... I can prove mathematically that this is the correct way—
- [Rude YouTuber Hbomberguy] (HANGS UP)
This all, I feel, leads to a necessary and important question: if all of the evidence for the Flat Earth is so...
well, easy to throw out,
...why do people *actually* believe it?
Because they're stupid. Bye!
(YOUTUBE SHILLING) Would you like to build a beautiful website easily...........?
Good! So would I!
No no no no no. No, we're not actually gonna do that. That would be unreasonably rude.
Russian:
Луна лишь отражает солнечный свет, и у всех волн есть общее свойство: все волны заряжены энергией, потому что у них есть частоты.
Это то... как устроена... наша вселенная.
— А, ясно! Круто! Спасибо!
Здорово, это было легко! Эм, пока!
— Погоди-ка...
Ты не хочешь записать... смешной скетч или что-то вроде того? Я тут могу... могу шутку вставить.
— Да не.
Видео и так затянулось.
Я решил оставить сюжет про истребители, так что... это того не стоит.
— Нет, погоди! Не вешай трубку!
Я могу...я могу математически доказать, что это способ верно~
Это всё, как мне кажется, ведёт к очень нужному и важному вопросу: если все доказательства плоской Земли так легко...
ну, легко опровергнуть,
...почему люди всерьёз в это верят?
Часть 7: Почему люди верят в очевидную ложь?
Потому, что они тупые. Пока!
Хотели бы узнать о простом способе создать шикарный веб-сайт?
Круто! Я тоже!
Не-не-не-не-не. Нет, мы не будем так поступать. Это было бы очень грубо.
English:
Let's take these people a bit more seriously than that. Some of them are clearly very knowledgeable.
Some of them have, like, big, important degrees in serious fields.
They know way much more than I do about all kinds of actually useful things.
Uh, some of them take evidence very seriously, clearly, and they believe in the scientific method.
Not all of them. Some of them are not...actually very knowledgeable about anything and seem to think Donald Trump, uh...
is...is a genius, and...also, he's THEIR GUY! And he secretly knows the Earth *is* flat and he's gonna EXPOSE NASA!
I suppose it would be disingenuous not to talk briefly about the really weird people.
In fact, the misogyny thing, in specific, is really surprising.
One of Mark Sargent's inner sphere—sorry, "circle"—Patricia Steere, gets a *lot* of hate from other factions of Flat Earthers
for supposedly just being in it to be popular.
Or some go even so far as to say she's actually a secret CIA plant designed to make Flat Earth look bad
and/or trick...people with her appearance into...making them believe the...wrong version of Flat Earth...? Uh...
Russian:
Давайте проявим к этим людям чуть больше уважения. Некоторые из них действительно очень хорошо осведомлены.
У некоторых из них есть даже, ну, большие, важные дипломы в серьёзных областях науки.
Они намного больше знают о по-настоящему полезных вещах, чем я.
Некоторые из них очень серьёзно исследуют улики, как мы это видим, и верят в научный метод.
Не каждый из них. Некоторые не... очень хорошо осведомлены о чём-либо, и думают, что Дональд Трамп...
[Мем: Когда ты заряжаешь по шароёбу фактами и у него наступает когнитивный диссонанс:
"маи сферачки"]
это... это гений, и... к тому же, он С НИМИ ЗАОДНО! И он тоже в тайне знает, что Земля плоская, и он выведет НАСА на ЧИСТУЮ ВОДУ!
[Мем: мужик, его собака и его прекрасная трампистская плоская Земля. Какая прелесть!
Заголовок статьи: Трамп говорит, что не верит отчёту правительства США об изменении климата.
Комментарий: Трамп — умнейший из исследователей плоской Земли, а все эти шароёбы из НАСА заблуждаются, мы можем доверять только ему]
Я думаю, было бы нечестно с моей стороны не упомянуть и совсем уж странных людей.
[«Плоская Земля вчера! Плоская Земля сегодня! Плоская Земля завтра!»]
Женоненавистничество, например, очень шокирует.
[«Если ты мать-одиночка, ты уже исполнила свой долг (родить ребенка). И никакой мужчина тебя не захочет по-настоящему, и ты заслуживаешь быть одной. Бесполезная неудачница»]
Один из людей со сферы влияния, простите, «окружения» Марка Сарджента — Патриция Стир — подвержена огромному количеству ненависти со стороны других членов общества плоской Земли.
Из-за того, что она как бы принимает участие лишь потому, что, предположительно, хочет прославиться.
Или некоторые и вообще говорят, что она — тайный агент ЦРУ, миссия которого — очернить репутацию общества плоской Земли,
либо обмануть... людей своей внешностью, чтобы... они поверили в... неправильную версию плоской Земли?.. Гхм...
Russian:
[Автор с ником «Ужасная правда»] «Да откройте же вы свои ебучие глаза.
Все они — ёбаные марионетки Сатаны! Да, вот почему они так часто показывают это по ТВ,
они знают, что из ЦРУ в Ютюб назначили агента, который отвлекает народные массы, желающие познать истину!
Да, Земля плоская, но в это нельзя верить, когда про говорят эти содомиты.
[Комментарий бомбергая: «самая нормальная фраза на свете»]
Конечно, они ведут нас не в ту сторону. Проснитесь, мать вашу!
Вот она, ваша "Патриция Спир"! Это агент из ЦРУ! 100%!»
Если честно, даже те, кто на стороне Патриции Стир, ведут себя очень странно.
Даже сам Марк записал видео, посвящённое тому, насколько красивой он её считает, ну, и это...
это... нормально! Нет ничего плохого в том, что ты считаешь кого-либо привлекательным!
Это нормально — но... немного странно, ну, записывать видео про то, что ты считаешь её красивой, верно?
Однако это ещё не так плохо, как то, что люди считают её «тайным агентом правительства», цель которого осквернить репутацию сообщества плоской Земли.
Или люди, которые рассматривают её фото вблизи, потому что подозревают, что она транс-женщина?..
English:
- [MAG UGLY TRUTH] You better wake your ass up.
All of them is fucking Satanic puppets! Yes, that's why they flash this one on TV,
knowing that a body was put there by the CIA on YouTube to distract the masses that want to learn the truth!
Yes, the Earth is flat, but you can never take it from these sodomites!
Of course, they go lead in the wrong direction. Wake your ass up!
There go your "patricia speere" right there! It is a plant by the C.I.A.! 100%!
-[Hbomb] Frankly, even the people who like Patricia are *super weird* about it.
I mean, Mark himself made a video just dedicated to how pretty he thinks she is, which, like, it...
It's... it's fine! It's okay to find someone attractive!
That's okay—but... it's a bit weird to, like, make a video about how pretty you think she is, right? Ugh.
Still not as bad as the people who think that she's a "Deep State plant" designed to make Flat-Earther-ism look bad, though.
Or the people zooming in on every picture of her face they can find in order to speculate that she's a... secret trans woman...?
English:
- [The Limitless Channel] And I know what a 44-year-old female looks like. You are... a 20-something—
- [Hbomb] Being a woman in a conspiracy theorist movement is apparently grounds to have your body,
history, goals, agenda—every single tiny thing about you—speculated upon.
You know, I try and jokingly make fun of people when people act weird on the Internet. I keep it light.
But honestly, this stuff is so fucking disgusting. I'm not even gonna make a joke here.
Patricia's wrong about the Earth being flat, but she deserves to be in a movement that's better than this shit.
Come on, guys!
To be honest, the people treating Patricia like that and the people being mega racist on Flat Earth Facebook pages
seem to me like the real "plants designed to make Flat-Earther-ism look bad".
They don't make it look as bad as *this* guy does, though.
- [Hbomb] Aw, no! Everyone's gonna think I'm trying to misrepresent Flat Earthers as misogynist and—
Russian:
[The Limitless Channel] «И я знаю, как выглядит 44-летняя женщина. Ты... выглядишь на 20 с лишним...»
Являться женщиной в обществе теории заговора — очевидно, повод для всех сомневаться
в твоём теле, судьбе, цели, намерениях — каждой крохотной детали.
Как вы знаете, я пытаюсь шутить о людях, когда они странно ведут себя в интернете. Не более.
Но, если честно, всё это просто отвратительно. Я тут даже шутить не буду.
Патриция ошибается в том, что Земля — плоская, но она заслуживает лучшего сообщества, чем это дерьмо.
Ну, как так можно!
Если честно, люди, которые оскорбляют Патрицию, и все те расисты на странице плоской Земли в Фейсбуке
больше похожи на тех, кого «подослали в общество плоской Земли для того, чтобы очернить её репутацию»
Однако даже они не сравнятся с этим парнем.
[Eric Dubay] «Я лечу. С песней. Для твоей мамаши.
Скажи ей, что Земля — плоская, и что у неё классная задница.
Скажи ей, что я приготовил шлепок для её сыночка.
И что она жирная, как сучки из Ренессанса.
Скажи всё это ей и вот ещё что, что ты — сын шлюхи...»
О, нет! Все подумают, что я неверно выставляю сторонников плоской Земли женоненавистниками, и~
Russian:
Не то, что бы сторонники плоской земли по сути своей ненавидели женщин! Ладно? Просто...
ЭТО ПРОСТО СОВПАДЕНИЕ, ЧТО ИХ ТАК МНОГО!
[Eric Dubay] «Разве я не прав! Земля нахуй плоская!
Холокост — это ложь. Гитлер — клёвый чувак, а не злодей.
Талмудские евреи владеют нашим разумом»
Уф, он просто не мог не вспомнить Гитлера, правда? Господи. Ооо, именно это убедит всех в его правоте!
Хм, как интересно. За два дня до того, как я хотел выложить это видео, его канал был удалён с Ютюба.
Хм, интересно почему. Наверное, мы так никогда и не узнаем...
Часть 9: Плоская Земля испортила мои рекомендации, и ВЫ будете страдать вместе со мной!
Прекрасно, я ещё и нечаянно забрёл на дерьмовую сторону Ютюба.
Ты щёлкаешь на лишь ОДНО видео вегана-плоскоземельника-неонациста-рэпера~
Мне пришлось это произнести, но это всё — правда!
И теперь в моих рекомендациях полно очень СТРАННЫХ людей, для которых общество плоской Земли — это
пристанище для какой-то очень глубокой, экзистенциальной пустоты, и которые снимают, как они ходят среди толпы,
спрашивая, думают ли люди, что Земля плоская... на парковке Buffalo Wild Wings, и... кричат на людей в баре.
English:
Flat Earthers don't inherently disrespect women! Okay? It's just...
A LOT OF THEM *HAPPEN* TO!
- [Hbomb] Aw, he couldn't wait to bring Hitler up, could he? Geez. Ooo, *that'll* make his beliefs seem credible. Pbbth!
Oh, that's surprising. Like, two days before this video was going to go online, that guy's channel got deleted by YouTube.
Huh, I wonder why. I guess it will always remain a mystery...
Oh great, I accidentally went to the shitty side of YouTube.
You click on ONE vegan Flat Earth neo-Nazi rapper—
(LAUGHS) I just had to say that phrase, but it's all true!
And now my recommendations are full of the really WEIRD people, who seem a BIT like they might be using Flat Earth as a
refuge for some kind of deep, existential emptiness, and film themselves walking around in public,
asking people if they think the Earth is flat in a...Buffalo Wild Wings parking lot, and...yelling at people at a bar.
English:
-[Jake the Asshole] You're saying that he...he DIPS HIS...HE DIPS HIS NOSE DOWN?!
- [Random victim #1] I'm done with this, I'm done with this. This is SILLY, dude. This is hilarious.
- [Jake the Asshole] But you don't know how?!
You see there? I tried to have a conversation, and, of course,
they don't like it because they start losing the argument...'cause they can't make any real points.
- [Hbomb] Ah, my favourite kind of reasonable debate: the kind where you walk up to someone in public with a camera and demand they debunk Flat Earth.
He seems to be following the Ben Shapiro strategy of making videos, where you give it a title, like:
"Ohhhh, I kicked their asses with my Smart Boy Brain!"
...and then you actually watch it, and it's them making a complete ass of themselves.
- [Fabulous proprietor] Thank you very much, have a great night. You're disturbing our guests.
- [Jake the Asshole] OKAY!
- [Fabulous proprietor] Byyyyye!
- [Jake the Asshole] IT'S GOING UP ONLINE!!!!!!1one
26000 SUBSCRIBERS!!!!11
- [Hbomb] (MOCKING) "You think you can destroy ME??? WELL, I'LL HAVE YOU KNOW"— (CRACKS UP)
fuck... Jesus Christ.
- [Jake the Asshole] Anyway, I think this was a productive day.
- [Hbomb] (GIGGLES HYSTERICALLY)
Oh God, in this one video he's got a Lunar Lander shirt on...that he's made...?
"Lunar Module? Or Homeless Tweaker'z Shelter?"
Russian:
— Ты говоришь, что он...он ОПУСКАЕТ СВОЙ...СВОЙ НОС?!
— Я не хочу больше об этом. Это очень СМЕШНО, чувак. Это уморительно.
— Но ты не знаешь как?!
— «Ты выставляешь себя идиотом» *— мой кумир*
«Видите? Я пытался вести диалог, и, конечно,
им это не нравится, потому что они проигрывают... потому что не могут привести конкретных тезисов»
Ах, мой любимый вид разумного спора: когда ты подходишь к кому-либо на улице с камерой и требуешь, что бы они опровергли плоскую Землю.
Он похоже использует тот же метод продвижения своих видосов, что и Бен Шапиро — ты пишешь заголовок типа:
«Уффф, я их всех порвал своим Большим Крутым Мозгом!»
[Заголовок: шароверов ТРИГГЕРНУЛО от обсуждения плоской Земли]
... и затем ты смотришь сам ролик, и они там выставляют себя полными идиотами.
— Спасибо вам большое, доброй ночи. Вы мешаете нашим посетителям.
— ОКЕЙ!
— Покаааа!
— Я ВСЁ ВЫЛОЖУ В ИНТЕРНЕТ!!!!!
26 000 ПОДПИСЧИКОВ!!!!!
«Ты думаешь, что можешь одолеть МЕНЯ??? ЧТОЖ, ЗНАЕШЬ ЛИ ТЫ ЧТО»~
сука... Господи.
«И вообще, я думаю, что мы провели этот день с пользой»
*истеричный смех*
О Боже, в одном из его видео он носит майку с... лунным посадочным модулем... которую сделал сам?..
«Лунный модуль? Или жилище бездомного наркомана?"
English:
And he's going around filming random people on their day off from work, or at work,
asking them if they think the Earth is flat, and they keep awkwardly nodding and saying he's right in the hopes he'll go away.
- [Jake the Asshole] You ever seen the Earth curving?
- [Random victim #2] ...no.
Me neither. You know why? It's because the Earth is flat, and it doesn't spin. Look into it.
When you get home, go on YouTube and check out the Flat Earth.
- [Jake the Asshole] And that spiel, where they say it was, uh, Stanley Kubrick.
- [Random victim #3] Okay, yeah, I couldn't remember his name.
Jake the Asshole: Kubrick! That was the rumor! Who... whatever it was, it's Hollywood trickery!
- [Hbomb] It's SO awkward, and he's SO sure he's owning people and looks smart! I'm getting sympathy anxiety for the people he's talking to.
It's just...aaaagh, no, stop it!
- [Jake the Asshole] Well, let me ask you this:
Do you think that looks more like a lunar module or a homeless tweaker shelter...if you had to pick one...
Just, if you had to pick one...
- [Hbomb] WHY did he choose such an unwieldy quote to use on the shirt he designed...and then was going to say a lot in a video...??
Russian:
И он ходит повсюду, снимает встречных людей, отдыхающих или работающих,
и спрашивает, считают ли они, что Земля — плоская, и они неловко кивают и говорят, что он прав, в надежде, что он оставит их в покое.
— Вы когда-либо видели изгиб Земли?
— ... нет.
— Я тоже нет. Знаете почему? Это потому, что Земля — плоская, и не вертится. Призадумайтесь.
Когда вернётесь домой, зайдите на Ютюб и зацените плоскую Землю.
[«Самое "пожалуйста, отвали" выражение лица, которое я видел у людей»]
— И эта болтовня про то, что это был Стэнли Кубрик.
— Окей, да, я не мог вспомнить его имя.
— Кубрик! Это всё слухи. Кто... кто бы там ни был, это всё голливудский обман!
Это НАСТОЛЬКО неловко, и он НАСКОЛЬКО уверен, что переубеждает людей и выглядит умным! Я сочувствую тем, с кем он разговаривает.
Это просто... ааааа, нет, прекрати!
— Ну, я хочу задать вам один вопрос:
— О Боже...
— Вы бы сказали, на что это больше похоже: на лунный модуль или на жилище бездомного наркомана... если выбирать одно из двух....
— Вы серьезно это спрашиваете?
— Просто выберете одно из двух...
ЗАЧЕМ он выбрал такую странную надпись для своей майки... и потом постоянно повторял это в ролике?
English:
...WHY is THIS his opening to his convers—?
It's... it's SUCH a TERRIBLE shirt! WHY DID HE—?!
So I'm wearing a shirt now.
I recreated it to try and understand what the deal is, what is going on here, and...
Frankly, I still don't get it. It was a complete waste of time.
Um, if I ever open a merch store, and you see this shirt on it, uh, it's the one shirt that I made of these.
So, um, I'll sign it or something, if you want. PLEASE, do not wear it in public, though.
NO ONE will want to be your friend.
So yeah. We...we probably should at least acknowledge it.
Some of these people believe there's a global—sorry, "flatal"—conspiracy to control the world and...
eat everyone's minds. Some of them are misogynist, and some of them are REALLY racist.
- [waykiwayki] It could be one of these, uh, bloodlines in this sort of elite.
- [Hbomb] Uh, oh, it's the Rothschilds, is it? Oh, okay...uh, that's normal...
And some of them are...vegan neo-Nazi rappers!
Russian:
...ПОЧЕМУ он начинает диалог с ЭТОГ~?
Это...это ТАКАЯ УЖАСНАЯ майка! ЗАЧЕМ ОН~?!
Что же, теперь я тоже в ней.
Я её воссоздал для того, чтобы понять, в чём же дело, что тут происходит, и...
Судя по всему, я всё равно не понимаю. Это была просто трата времени.
Если я когда-нибудь открою магазин с мерчем, и вы увидите в нём эту майку — это именно она.
Поэтому я, ну, её подпишу или что-то в этом роде, если хотите. Но ПОЖАЛУЙСТА, не выходите в ней на улицу.
НИКТО не захочет с вами водиться.
Так что да. Мы... мы должны по крайней мере это признать.
Некоторые из этих людей верят, что существует ГЛОБА—простите, «ПЛОСКИЙ»—заговор, чтобы контролировать мир, и...
пожирать наш разум. Некоторые из них — женоненавистники, и некоторые из них НАСТОЯЩИЕ расисты.
[waykiwayki] «Среди некой элиты фигурируют данные родословные»
О нет, это Ротшильды, не так ли? А, окей... эм, само собой...
А некоторые из них — веганствующие неонацистские рэперы!
Russian:
Но я уверен, что в КАЖДОМ сообществе есть доля проблематичных людей, которые позорят остальных, и с которыми никто не хочет связываться.
Не приходит на ум ни один подобный левый ютубер...
УФФ, это я, не так ли?
Теперь, когда мы познакомились с... очень, ну... СТРАННЫМИ элементами этого сообщества, всё равно стоит вопрос:
почему люди верят, что Земля плоская, если доказательства такие жалкие?
Если честно, я вообще плохо разбираюсь в том, зачем люди делают те или иные вещи.
Я просто следую указаниям Собека и взамен он следит за тем, чтобы урожай мой был обильным, и моя сперма была нескончаема!
Значит придётся обратиться к внешнему источнику, дабы применить «глубокое мышление»!
Давайте-ка узнаем, что сам знаменитый Болтунишка-Вразумишка Филл O'Софи Тьюб об этом думает!
*неуместная драматичная музыка*
*таинственно драматичные звуки поезда*
Здорово, Олли! Я тут подумал: что философы думают о людях, которые считают, что Земля — плос~?..
[Кроссовер с видео "Why Does Britain Still Have A Queen?" от Philosophy Tube]
Я просто сошлюсь на видео, что ты сделал год назад. Всё окей.
English:
But I'm sure EVERY movement has its share of problematic people who embarrass everyone else and who they wish would go away.
I can't think of any left-wing YouTubers who are like that...
OHH, it's ME, isn't it?
Dispensing with the...really, sort of...WEIRD elements of the movement, the question still remains:
why do people think the Earth is flat if the evidence is so bad?
Frankly, I'm not very good at figuring out why other people do things.
I just do what Sobek commands me, and, in return, he ensures that my harvest is bountiful, and my sperm is never-ending!
So, we're gonna have to turn to an outside source to do all of this "deep thinking" stuff!
Let's find out what popular Talky-Thinky Man Phil O'Sophie Toob has to say for himself, shall we?
[inappropriately dramatic music]
[weirdly dramatic train sounds]
[door-knock]
Hey, Ollie! I was just wondering: what do philosophers think of people who think the Earth is fl—...?
I'll just reference the video you made a year ago. It's fine.
English:
[flees in terror]
[inappropriately dramatic music]
[crashes into the North Sea]
- [Announcer] Mr. Mark Sargent.
[applause, cheers]
- [Sargent] For the rest of the scientific community, I come bearing a message:
I like science. I always have. I flew here on the back of science.
- [Hbomb] Oh, you flew here, did you? I wonder what model of the Earth THE PILOT USED—
No...don't be mean.. Don't...sorry, I promised myself I wouldn't be rude to these people.
Stop it. Carry on. Just stop it...
- [Mark Sargent] You've taken what should have been simple observations and twisted them to suit your needs and make us feel small.
We're not small, and we're not an accident.
In fact, we ARE the new scientists.
- [Hbomb] (LOSING CONTROL) No, Mark, don't say that. I promised I wouldn't... you can't... oh FUCK—
Russian:
*убегает в ужасе*
*неуместная драматичная музыка*
«"Мистер Марк Сарджент"
«Обращаюсь к остальным членам научного сообщества — я пришёл сюда с посланием:
Я люблю науку. Я всегда её обожал. И я прилетел сюда во имя науки»
А, ты сюда прилетел, значит? Интересно, какой картой Земли ПОЛЬЗОВАЛСЯ ПИЛОТ~
Нет... не задирайся... Нет... простите, я себе обещал, что не буду этим людям грубить.
Перестань. Забудь. Просто перестань...
«Вы взяли то, что казалось бы есть просто очевидные наблюдения и исказили их так, чтобы они соответствовали вашим потребностям и держите нас за дураков.
Мы не дураки, и мы не ошибка.
Вообще-то МЫ — новые учёные»
*начинает терять контроль* Нет, Марк, не говори так. Я обещал, что не буду... ты не можешь... твою МАТЬ~
Russian:
*теряет контроль* В этом городе новая наука, детка! И она основана на том... какой логотип... использует ООН!
Я БОЛЬШЕ НЕ МОГУ!
Окей, я специально старался не вставлять слишком много болтовни о выпусках Марка Сарджента,
потому что они не очень качественные.
Я не хочу просто насмехаться над сторонниками плоской Земли
тем, что видосы, которые втянули их в эту тему, невероятно нелепы,
и... я просто не хочу ГРУБИТЬ кому-либо лишь потому, что они безграмотны и неправы.
Но вы знаете что? К чёрту его!
Сейчас 8:50 вечера накануне Рождества!
Он только что провозгласил, что он представитель «новой науки!»
ЭТО мой подарок себе любимому. Я просто порву Марка Сарджента за то, что он очевидно ошибается.
Помните о всей той логистике, о которой я говорил раннее?
Вот как он это преподносит и разбирает:
«А теперь вы возьмёте и скажете:
"Ну, это наверное единичный случай... или просто пример неудобной пересадки"
"Вы же знаете, как ведут себя эти авиакомпании!"
О нет, друзья мои»
«нет. — (с) Марк Сарджент»
ШАХ И МАТ, ШАРОЁБЫ
Видео Марка Сарджента даже не упоминает о том, что существуют прямые перелёты.
Он вообще говорит, что они не существуют!
English:
- [Marik Ishtar Hbomb] There's a NEW science in town, baby! And an inordinate amount of it is based on... what logo... the UN uses!!!!
(GOING MAD)
(NORMAL VOICE) Okay, so, I deliberately avoided bringing up Mark Sargent's videos too much
because they're not very good,
I don't want to make Flat Earthers just look bad
by pointing out how absolutely ridiculous the videos that got them into it are,
and...I just don't want to be MEAN to someone just because they're ignorant and wrong.
But you know what? Fuck him!
It's 8:50 pm on Christmas Eve!
He just said he's "the new fucking science"!
THIS is my present to myself. I'm gonna fucking dunk on Mark Sargent for being obviously wrong.
You know that whole logistics thing I pointed out earlier?
Here's how he brings it up and debunks it:
- [Sargent] Now, this is where you come in and say:
"Well, it's probably an isolated incident...or some strange connection thing."
"You know how the airlines are!"
Oh no, my friends.
[triumphant cacophony]
Mark Sargent's video doesn't even acknowledge the existence of nonstop flights.
In fact, he says they don't exist!
English:
- [Sargent] The first part of the clue is the utter lack of nonstop flights from anywhere in this hemisphere.
Flying from international cities like Sydney, Rio, Santiago,
or anywhere else close by,
- [Hbomb] So, now it becomes clear why so much of Flat Earth is pointless fluff,
or speculation about all the people who must be in on it.
They have to avoid making quantifiable claims,
because otherwise, when you put it in terms that can be proven or disproven,
there's a chance your ACTUAL reasons for believing what you believe
can be OPENLY demonstrated to be wrong.
The Earth can't be a globe because there's no non-stop flights across countries in the Southern Hemisphere.
Oh wait, someone googled it and it turns out there are?
I meant to say a bunch of weird waffle about how we don't really know what gravity is.
So, let's ramble about THAT instead!
- [Sargent] What is gravity?
- [Hbomb] (MOCKING) My worldview feels so much more safe when I'm talking absolute fucking nonsense.
(MOCKING) Has everyone seen The Truman Show?
(NORMAL VOICE) Oh, and while we're at it, Mark:
it's not cute that you fucking hold your microphone on all of your podcasts like this.
Russian:
«Первая улика — это то, что прямых рейсов в этом полушарии вообще не существует.
Рейсы из международных городов вроде Сиднея, Рио, Сантьяго, или откуда-нибудь неподалёку,
нельзя найти ни один прямой рейс, ни за какие деньги»
«нельзя найти ни один прямой рейс, ни за какие деньги» (с) — очень смышлёный чувак»
Значит, теперь ясно, почему всё это просто бессмысленный бред,
или догадки о людях, которые держат всё это в тайне.
Они стараются не приводить слишком много примеров,
потому что если ты выставляешь свои взгляды на всеобщее обозрение,
есть большая вероятность, что РЕАЛЬНЫЕ причины, почему ты в это веришь,
будут ОТКРЫТО опровергнуты.
Земля не может быть шаром потому, что нет прямых рейсов между странами в южном полушарии.
[Мешанина из цитат Марка]
Или, постойте-ка, кто-то это загуглил, и оказывается, что они существуют?
УПС, БЛЯДЬ.
Я просто хотел наплести кучу ерунды о том, что мы толком и не знаем, как действует гравитация.
Так давайте же поболтаем об ЭТОМ!
«Что такое гравитация?»
Моё мировоззрение кажется намного более неуязвимым, когда я несу ёбаную чепуху.
Кто-нибудь из вас смотрел Шоу Трумана?
А, и если мы уж об этом говорим, Марк:
Это совсем не мило, когда ты так держишь микрофон во время всех своих подкастов.
Russian:
Аудио звучит ужасно. Мы можем слышать, как ты постоянно его щупаешь.
Просто поставь его на подставку! У человека, который... с которым ты годами стримил, есть подставка!
Почему бы ты не позаимствовать идею у неё?
КУПИ ПОДСТАВКУ!
И ЕЩЁ!
Тут отчётливо видно, что когда ты выходил на сцену, на тебе был пристёгнут микрофон,
и, видимо, ты его расхерачил, потому что аудио не работало!
«Окей?..
Меня слышно?
Я буду использовать этот, как запасной вариант»
Ты решил использовать микрофон на подиуме, и ты даже не сумел им воспользоваться!
И какому-то мужику пришлось подойти и поправить его!
А, мы будет использовать оба? Простите за это.
Почему у тебя так много проблем с микрофонами?!
Если бы ты только загуглил «как настроить звук», твои видео было бы на процентов 30 легче вытерпеть!
— Чьё это было видео с Луной среди облаков?
— Да, я не думаю, что это была Луна. Больше похоже на Солнце.
— Неужели?
ПОЧЕМУ ТЫ ТАК НЕКОМПЕТЕНТЕН
ВО ВСЁМ, МАРК?!!
ТЫ ДАЖЕ~... НЕКОМПЕТЕНТНЫЙ ПЛОСКОЗЕМЕЛЬЩИК!
Я НЕ МОГУ О ТЕБЕ РАЗГОВАРИВАТЬ, ИНАЧЕ БУДЕТ КАЗАТЬСЯ, ЧТО Я ВЫСТАВЛЯЮ ЭТИХ ЛЮДЕЙ ДУРАКАМИ!!!!
English:
It makes for terrible audio. We can hear you're fumbling with it constantly.
Just put it on a stand! The person you're...you've been streaming with for, like, years has a stand!
Why have you not copied her thing?
USE A STAND!
ALSO!
It's very clear you were wearing clip-on mic when you came out to do this speech,
and I guess you fucked it up, because the audio didn't work!
- [Sargent] Okay...?
This pick up?
I'm gonna do this just in case.
- [Hbomb] So you decided you had to use the on-board mics, and then you weren't even them right!
So a guy had to come and correct you!
- [Sargent] Oh, we're gonna do both? Sorry about that.
- [Hbomb] Why do you have so many problems with microphones?!
If you just googled |how to do sound", your videos would have been, like, 30 percent more bearable!
- [Sargent] Whose video was that with the Moon in the clouds?
- [Steere] Yeah, and I don't even think that was the Moon. That looked like the Sun.
- [Sargent] Was it?
- [Hbomb] J...GAH!
WHY ARE YOU SO BAD
(FROM LAPTOP SPEAKER) AT EVERYTHING, MARK?!!
(NORMAL AUDIO) YOU DON'T—... YOU'RE NOT EVEN A GOOD FLAT EARTHER!
I HAVE TO TALK AROUND YOU, OR IT MAKES ME LOOK LIKE I'M TRYING TO MAKE YOU PEOPLE LOOK STUPID!!!
Russian:
И ТЫ ЕЩЁ СЧИТАЕШЬ, ЧТО ТЫ — УЧЁНЫЙ???!!
ТВОЮ ЁБАНУЮ МАТЬ
То, что реально действует мне на нервы~
В своём видео "Flat Earth OR Why Do People Reject Science?",
философ Оливер Торн говорит, что сторонники плоской Земли вообще-то не «отрицают» науку.
Видите? У него очень хитрые заголовки роликов!
УМНЫЙ МАЛЬЧИК!
Зацените его видосы!
Но они просто предпочитают альтернативный взгляд на науку, что он сравнивает с «наивным реализмом».
Он прав. Эти люди...
ПЫТАЮТСЯ применить типа науку, и я считаю, что именно это меня и бесит.
Они не просто воображают себя учёными, которые «открыли истину».
Такого рода людей везде полно!
Они говорят, что «наука — это прекрасно, и что ты всё понимаешь, ты — гений! А все остальные — неправы!»
То есть почти тоже самое, что делают ютуберы.
Такие как Марк правы в том, что следует сомневаться в том, что следует скептически относиться к авторитетам.
Они правы в том, что следует перепроверять то, что мы знаем о реальности и обществе, в котором живём.
English:
AND YOU THINK *YOU'RE* THE FUCKING SCIENTIST???!!
FUCKING JESUS CHRIST
(CUTS RECORDING OFF)
I think what really gets me—
[knocks skeleton over like a clod]
[reflective silence]
In his video "Flat Earth OR Why Do People Reject Science?"
Philosopher Oliver Thorn says that Flat Earthers don't actually "reject" science.
See? He's being very clever with his titles!
CLEVER BOY!
Check his videos out!
But they're actually embracing an alternative viewpoint on science, which he compares to Direct Realism.
He's right. These people are...
ATTEMPTING a form of science, and I think that's what really gets to me about them.
Not simply that they're pretending they're scientists who have "secretly found the truth".
Those people are a fucking dime-a-dozen!
Saying that "science is good, and you know it, and you're the genius! Everyone else is wrong!"
is basically what being a YouTuber is.
People like Mark are right to want to question authorities on issues.
They're right on to question everything they know about reality and the society they live in,
Russian:
и... это потому, что в центре плоской Земли — ну, не Северный полюс — в центре идеологии плоской Земли...
Есть маленькая яркая частица систематической критики.
Это попытка понять,
что не так с нашим обществом и что нам с этим делать.
Вы же знаете... Плоскоземельщики и похожие люди, которые ищут альтернативные решения, типа...
поедание сырого мяса... и правда, эм...
Засранец Джек, Плоскоземельный Парнишка и Кричащий-На-Людей-Мужик едят много сырого мяса. Это отвратительно.
[Ссылается на фигурировавших в видео персонажей]
Меня чуть ли не стошнило, когда я смотрел один из его роликов.
И знаете... люди ищут такие решения потому, что они в какой-то степени ощущают проблему, и...
Они правы!
Что-то в мире сейчас неправильно.
Мир, если образно выражаться, горит! Лидеры мира спят за рулём.
Мы НИЧЕГО не можем сделать, чтобы предотвратить очередной ОГРОМНЫЙ финансовый крах, который сломает тысячи, если не миллионы жизней, и...
English:
and...that's because at the center of Flat Earth—not the North Pole—the ACTUAL center of the ideology...
It's core is a tiny, shining fragment of a systemic critique.
It's the beginning of trying to understand
what's wrong with our society and what to do about it.
You know...Flat Earthers and people like them who embrace alternative solutions like...
eating raw meat...in fact, um...
Jake the Asshole, Flat Earth Boy, Yell At People Man eats raw meat a bunch. It's disgusting.
I almost threw up watching one of his videos.
You know...people seek these solutions because they perceive, on some level, a problem, and...
They're right!
Something is wrong with the world right now.
The world is figuratively on fire! World leaders are asleep at the wheel.
There's NOTHING in place to prevent another MASSIVE financial crash which will destroy thousands, if not millions, of livelihoods, and...
Russian:
С экологической точки зрения — помимо того, что у нас пригорело в переносном смысле, вся Земля буквально пригорела!
Пожары становятся всё сильнее! Температуры прыгают вверх-вниз! Лёд тает невероятными темпами!
Даже на шарообразной Земле мы движемся к краю пропасти!
Поэтому я не могу винить кого-либо из вас за то, что вы чувствуете себя брошенными и одинокими в позднекапиталистическом обществе.
По крайней мере, во времена феодализма нам была гарантирована работа!
Поэтому конечно люди будут пытаться найти что-нибудь, что поможет им справляться с этим или... что кажется решением проблемы.
Ведь так и появляются секты! Поэтому существует саентология. Поэтому есть столько поклонников Джордана Питерсона.
Ведь... ЧТО-ТО не так! И мы это чувствуем!
И... некоторые люди нашли решение, которое не работает,
но, по крайней мере, заставляет их чувствовать себя ЧУТОЧКУ лучше!
Некоторые люди действительно ПРЕКРАСНО себя чувствуют!
English:
Ecologically speaking, on top of being, you know, figuratively on fire, the Earth is LITERALLY on fire!
Wildfires are getting worse! Temperatures are shifting all over the place! Ice is melting at an ASTOUNDING rate!
Even on a Globe Earth, the Edge is coming fast!
So, I can't blame anyone for feeling alienated and lonely about living in, you know, late-capitalist society.
You know, at least under feudalism, we had job security!
So, of course people are gonna try and find something that helps them cope or...seems like a solution.
I mean, that's why you get cults! That's why you get Scientology. That's why you get Jordan Peterson supporters.
You know...SOMETHING is wrong! And we can all tell!
And...some people have arrived at a solution that doesn't really work,
or, at the very least, makes them feel LITTLE BIT better!
Some people feel REALLY good!
Russian:
Ну там... они реально разносят марксистов, когда не употребляют овощи... пока они не заболевают цингой... и тогда... тогда и начинаются все проблемы, не так ли?
Потому что... верить в некоторые вещи — не есть решение
и... это не совсем точно отвечает на проблемы.
Наша проблема — не НАСА.
И проблема не в том, что Земля плоская.
Проблема в чём-то ином.
Если вы сторонник плоской Земли, и вы досмотрели до конца этого видео —
вау, это видео слишком уж длинное, но я потратил ёбаные десятки часов на просмотр ваших документалок,
так что... получается, что вы меня сделали.
Но я хотел бы дать вам маленький совет...
Вы не ошибаетесь в том, что чувствуете, что что-то не так.
Потому что что-то ДЕЙСТВИТЕЛЬНО не так.
Просто... может быть продолжайте искать источник этого чувства, потому что...
Земля не плоская.
Земля — сплюснутый сфероид.
Я просто как-то услышал, как кто-то сказал «сплюснутый».
И теперь постоянно повторяю.
Просто... продолжайте искать. Ищите решение проблемы
И, может быть, на следующее Рождество, Марк Сарджент
English:
Like...they're really owning the Marxists by not eating their vegetables...until they get scurvy...and then...that's where the problems begin, isn't it?
Because...believing these things isn't a solution
and...it's not really accurate about what the problems are.
The problem isn't NASA.
The problem isn't the Earth being flat.
The problem is something else.
If you're a flat Earther, and you made it all the way to the end of this video,
Wow, this video was way too long, but I watched fucking dozens of hours of your documentaries,
so, I guess...I guess you owe me.
But if I can give a little word of advice...
Your're right to feel that something is wrong.
Because something IS wrong.
Just...maybe keep looking for the source of what that thing is, because...
The Earth is not flat.
The Earth is an oblate spheroid.
I heard one guy say "oblate" once, and that was it.
I just...now I say it every time.
Just...keep looking. Keep trying to figure out a solution
And maybe next Christmas, Mark Sargent...
English:
Will be Marx's Sergeant.
That's a good one.
Oh God, my hair looks awful!
And, uh, see y'all next year! I'm gonna do more videos next year!
I promise! And I'm gonna do that charity stream soon! Gonna play Donkey Kong 64 all the way through until...I fucking die!
I'll raise money for a charity! I forgot which one it is! I don't wanna do another take, 'cause it's bloody freezing in here!
I put this on for a reason! Uh...
This used to light up, but...it doesn't.
[Kissing Ancaps by Eric Taxxon plays]
Russian:
Станет Марксом Сарджентом.
Хорошая шутка.
О Боже, моя причёска выглядит отвратительно!
И, эм, увидимся в следующем году! Я в следующем году буду записывать ещё больше видео!
Я обещаю! И я скоро проведу благотворительный стрим! Буду играть в Donkey Kong 64, пока я не... сдохну нахуй!
Или буду собирать пожертвования для благотворительности! Забыл, для какой именно! Не хочу снимать повторный дубль, а то окоченею!
Я это не просто так надел! Эм...
Раньше тут лампочки горели, но...теперь не горят.
♫ Kissing Ancaps от Patricia Taxxon ♫
Russian:
Простите. Может ли лунный свет что-либо охлаждать?
*приступ смеха*
Я веду себя СЛИШКОМ неуважительно по отношению к этому человеку! Я извиняюсь!
УАААААААА
English:
(COUGHING) Excuse me. Can moonlight make things cold?
I feel like I'm ACTUALLY being rude to a person by doing this! I'm really sorry!
RAWR!
[eldritch madness]
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French:
En parcourant la campagne
sud-africaine très conservatrice...
nos pensées sont réduites,
tout comme la route.
La vie est ici plus simple
que dans les grandes villes.
Nulle part ailleurs
est la véritable lutte plus palpable.
À qui appartient cette terre ?
Au Sud-Africain noir arrivé le premier ?
Ou à l'homme blanc,
qui y a apporté le progrès européen ?
L'époque de la réconciliation
où la question était taboue est révolue.
La Terre promise
Spanish:
En parcourant la campagne
sud-africaine très conservatrice...
nos pensées sont réduites,
tout comme la route.
La vie est ici plus simple
que dans les grandes villes.
Nulle part ailleurs
est la véritable lutte plus palpable.
À qui appartient cette terre ?
Au Sud-Africain noir arrivé le premier ?
Ou à l'homme blanc,
qui y a apporté le progrès européen ?
L'époque de la réconciliation
où la question était taboue est révolue.
La Terre promise
English:
Driving through South Africa's
deeply conservative countryside...
one's thoughts are narrowed down like
the road itself, from four lanes to two.
Life is more simple here
than in the big city.
No other place gives you
a better sense of the real conflict.
Who has more right to this land? The
black South African, who got here first?
Or the white man,
who brought European progress?
The time that question couldn't be posed
for the sake of reconciliation, is gone.
the promised land
Spanish:
Que vous soyez Noir ou Blanc
n'a pas d'importance pour nous.
Partageons la terre.
Mais nous savons que 80% des terres
africaines sont aux mains des Blancs.
C'est pour ça que nous disons :
Hommes blancs, rendez-nous
nos terres pour que l'on vive en paix.
Mandela est allé en prison
pour notre terre.
Chris Hani a été tué pour notre terre.
Steve Biko a été tué pour notre terre.
Tant que la terre
ne nous a pas été restituée...
tant que ce pour quoi ils sont morts
n'a pas été obtenu...
et tant que nous ne sommes pas libres,
nous devons continuer la lutte.
Nous revendiquons notre terre
pour retrouver notre identité.
Nous revendiquons notre terre
pour rétablir notre dignité.
English:
We don't care
whether you are black or white.
Let us share the land.
But we know that 80% of the land
in Africa is in white hands.
That's why we say:
White men, give us back the land
so that we can live in peace.
Mandela went to prison for our land.
Chris Hani was killed for our land.
Steve Biko was killed for our land.
And as long as the land
is not returned to us...
and that which they died for
has not been achieved...
and we have no freedom yet,
we must continue with our struggle.
French:
Que vous soyez Noir ou Blanc
n'a pas d'importance pour nous.
Partageons la terre.
Mais nous savons que 80% des terres
africaines sont aux mains des Blancs.
C'est pour ça que nous disons :
Hommes blancs, rendez-nous
nos terres pour que l'on vive en paix.
Mandela est allé en prison
pour notre terre.
Chris Hani a été tué pour notre terre.
Steve Biko a été tué pour notre terre.
Tant que la terre
ne nous a pas été restituée...
tant que ce pour quoi ils sont morts
n'a pas été obtenu...
et tant que nous ne sommes pas libres,
nous devons continuer la lutte.
Nous revendiquons notre terre
pour retrouver notre identité.
Nous revendiquons notre terre
pour rétablir notre dignité.
Spanish:
Nous revendiquons notre terre
pour gagner la fierté d'être une nation.
Nous revendiquons notre terre !
Et si nous devons nous faire tuer
pour revendiquer cette terre...
laissez-nous nous faire tuer
pour revendiquer notre terre.
Le moment est venu
pour l'Afrique de se révolter !
L'Afrique doit se révolter !
L'Afrique doit revendiquer
ce qui appartient à l'Afrique !
Vous parlez de la terre.
Les paysans blancs
doivent-ils avoir peur ?
Ils ne doivent pas avoir peur.
Partageons les terres.
Les agriculteurs blancs...
doivent transmettre leur savoir-faire...
à notre peuple,
pour que l'on travaille ensemble.
Aucun homme blanc
ne devrait être chassé.
Nous sommes liés maintenant.
Nous dépassons les questions
de couleur pour être cousins.
French:
Nous revendiquons notre terre
pour gagner la fierté d'être une nation.
Nous revendiquons notre terre !
Et si nous devons nous faire tuer
pour revendiquer cette terre...
laissez-nous nous faire tuer
pour revendiquer notre terre.
Le moment est venu
pour l'Afrique de se révolter !
L'Afrique doit se révolter !
L'Afrique doit revendiquer
ce qui appartient à l'Afrique !
Vous parlez de la terre.
Les paysans blancs
doivent-ils avoir peur ?
Ils ne doivent pas avoir peur.
Partageons les terres.
Les agriculteurs blancs...
doivent transmettre leur savoir-faire...
à notre peuple,
pour que l'on travaille ensemble.
Aucun homme blanc
ne devrait être chassé.
Nous sommes liés maintenant.
Nous dépassons les questions
de couleur pour être cousins.
French:
Et aucun Noir n'accepterait...
que ses cousins soient chassés.
Les fermiers blancs sont chez nous,
les fermiers sud-africains.
Mais arrêtons l'avidité.
Partageons la terre
et la richesse de ce pays...
pour que nous puissions vivre en paix,
sans aucune crainte.
Mais ils devraient avoir peur...
car ceux qui n'ont rien
se révolteront un jour...
pour se servir
de façon ferme, incontrôlable...
et non réglementée.
Nous allons dans les terres
des agriculteurs blancs.
Les ruraux intelligents.
Êtes-vous à l'aise d'aller les voir ?
Je suis un peu stressé.
Spanish:
Et aucun Noir n'accepterait...
que ses cousins soient chassés.
Les fermiers blancs sont chez nous,
les fermiers sud-africains.
Mais arrêtons l'avidité.
Partageons la terre
et la richesse de ce pays...
pour que nous puissions vivre en paix,
sans aucune crainte.
Mais ils devraient avoir peur...
car ceux qui n'ont rien
se révolteront un jour...
pour se servir
de façon ferme, incontrôlable...
et non réglementée.
Nous allons dans les terres
des agriculteurs blancs.
Les ruraux intelligents.
Êtes-vous à l'aise d'aller les voir ?
Je suis un peu stressé.
French:
Pourquoi ?
Eh bien...
Je ne sais pas à quoi m'attendre,
quelles seront...
leurs réactions parce que je suis Noir.
La plupart d'entre eux
sont encore racistes.
Même si certains ne le montrent pas...
c'est très dur pour eux
d'accepter les Noirs.
Malgré 20 ans
de cette nouvelle démocratie...
et tout ce que nous avons à dire.
Vous ressentez encore leur racisme ?
- Oui.
Je ne veux pas être méprisant mais...
je le ressens,
quand je ne suis pas accepté.
Spanish:
Pourquoi ?
Eh bien...
Je ne sais pas à quoi m'attendre,
quelles seront...
leurs réactions parce que je suis Noir.
La plupart d'entre eux
sont encore racistes.
Même si certains ne le montrent pas...
c'est très dur pour eux
d'accepter les Noirs.
Malgré 20 ans
de cette nouvelle démocratie...
et tout ce que nous avons à dire.
Vous ressentez encore leur racisme ?
- Oui.
Je ne veux pas être méprisant mais...
je le ressens,
quand je ne suis pas accepté.
English:
This is the area
where the white farmer still rules.
The pioneers who left the Cape
in the 17th century...
with their wagons and their Bibles...
to settle all the way here
in the north of South Africa.
It's these 'bitter-enders',
as they call themselves...
who are terribly afraid
of the new South Africa.
Wilhelm, how are you?
-Good.
Yes? That's great.
Why are you here?
A farmer's been attacked.
Over at the mountain.
On this side of the mountain?
What happened to him?
He was on his way home.
Three characters were waiting for him.
French:
Voici la région qui est toujours
dominée par les Blancs.
Les pionniers qui ont quitté
Le Cap au XVIIe siècle...
avec leurs chariots et leurs bibles...
pour s'installer ici,
dans le nord de l'Afrique du Sud.
Les "jusqu'au-boutistes",
comme ils se surnomment eux-mêmes...
qui ont terriblement peur
de la nouvelle Afrique du Sud.
Wilhelm, comment ça va ?
- Bien.
Bien ? C'est super.
Que faites-vous ici ?
Un fermier a été attaqué.
Dans les montagnes.
De ce côté de la montagne ?
Que lui est-il arrivé ?
Il rentrait chez lui.
Trois hommes l'attendaient.
Spanish:
Voici la région qui est toujours
dominée par les Blancs.
Les pionniers qui ont quitté
Le Cap au XVIIe siècle...
avec leurs chariots et leurs bibles...
pour s'installer ici,
dans le nord de l'Afrique du Sud.
Les "jusqu'au-boutistes",
comme ils se surnomment eux-mêmes...
qui ont terriblement peur
de la nouvelle Afrique du Sud.
Wilhelm, comment ça va ?
- Bien.
Bien ? C'est super.
Que faites-vous ici ?
Un fermier a été attaqué.
Dans les montagnes.
De ce côté de la montagne ?
Que lui est-il arrivé ?
Il rentrait chez lui.
Trois hommes l'attendaient.
English:
When he got out to open the gate...
they attacked him.
-How is he doing?
I don't know. He's here.
-Are you going to see him?
No, we're going to see his wife.
If you want to come...
Can we ride along in the back?
I'd been to this village
in the north of South Africa before.
The more north you go,
the more militant the farmer...
and the greater the fear of change.
The farmers in Swartruggens are eager to
show me that this fear is not unfounded.
I'm Bram.
-Pleased to meet you.
French:
Quand il est sorti ouvrir le portail...
ils l'ont attaqué.
- Comment va-t-il ?
Je ne sais pas.
- Vous allez le voir ?
Non, nous allons voir sa femme.
Si vous voulez venir...
On peut monter à l'arrière ?
Je suis déjà allé dans ce village
du nord de l'Afrique du Sud.
Plus on va vers le nord,
plus les fermiers sont militants...
et plus la peur du changement
est importante.
À Swartruggens, on veut me prouver
que cette peur est fondée.
Je m'appelle Bram.
- Enchanté.
Spanish:
Quand il est sorti ouvrir le portail...
ils l'ont attaqué.
- Comment va-t-il ?
Je ne sais pas.
- Vous allez le voir ?
Non, nous allons voir sa femme.
Si vous voulez venir...
On peut monter à l'arrière ?
Je suis déjà allé dans ce village
du nord de l'Afrique du Sud.
Plus on va vers le nord,
plus les fermiers sont militants...
et plus la peur du changement
est importante.
À Swartruggens, on veut me prouver
que cette peur est fondée.
Je m'appelle Bram.
- Enchanté.
French:
Enchanté, Bram.
- Jannie.
Je suis Hollandais.
- Je suis Sud-Africain.
Regardez, le couteau est là.
Il y a du sang. Vous voyez ?
Il a été attaqué juste là,
à côté du portail ?
Il s'était arrêté
pour ouvrir le portail.
À ce moment-là,
les hommes sont sortis de ce buisson.
Ils lui ont volé tout son matériel.
Ils sont d'ici, ceux qui l'ont attaqué ?
Oui.
- Vraiment ? Vous pensez ?
Vous pensez qu'ils viennent de...
On les attrapera ce soir.
Tout le monde va se retrouver ici.
Et on va s'organiser.
Tous les agriculteurs ?
Spanish:
Enchanté, Bram.
- Jannie.
Je suis Hollandais.
- Je suis Sud-Africain.
Regardez, le couteau est là.
Il y a du sang. Vous voyez ?
Il a été attaqué juste là,
à côté du portail ?
Il s'était arrêté
pour ouvrir le portail.
À ce moment-là,
les hommes sont sortis de ce buisson.
Ils lui ont volé tout son matériel.
Ils sont d'ici, ceux qui l'ont attaqué ?
Oui.
- Vraiment ? Vous pensez ?
Vous pensez qu'ils viennent de...
On les attrapera ce soir.
Tout le monde va se retrouver ici.
Et on va s'organiser.
Tous les agriculteurs ?
English:
Pleased to meet you, Bram.
-Jannie.
I'm from Holland.
-Great, I'm from South Africa.
As you can see, there's the knife.
There's blood, there's blood.
You see?
He had stopped here to open the gate.
As he was opening the gate,
the guys came out from that bush.
They stole some of the man's equipment.
English:
That way.
Look, to this side.
Spanish:
Les policiers sont en route.
De là, on va s'organiser.
Ce soir.
Vous allez les attraper ?
Lentement, mais sûrement.
Voilà.
En plein jour.
Le sang d'un autre homme blanc...
Par là.
Regardez, de ce côté.
French:
Les policiers sont en route.
De là, on va s'organiser.
Ce soir.
Vous allez les attraper ?
Lentement, mais sûrement.
Voilà.
En plein jour.
Le sang d'un autre homme blanc...
Par là.
Regardez, de ce côté.
Spanish:
Ça va ?
Ça pourrait aller mieux, mais merci.
Pourquoi ils s'attaquent
aux personnes âgées ? Pas aux jeunes ?
Voici Bram. Il vient de Hollande.
Nous étions en route quand c'est arrivé.
Maintenant il peut voir...
English:
Are you alright?
I've been better, but thanks.
Why do they go after old people?
Why not young men?
This is Bram from the Netherlands.
From Holland.
We were on our way
when this happened. Now he can see...
French:
Ça va ?
Ça pourrait aller mieux, mais merci.
Pourquoi ils s'attaquent
aux personnes âgées ? Pas aux jeunes ?
Voici Bram. Il vient de Hollande.
Nous étions en route quand c'est arrivé.
Maintenant il peut voir...
Spanish:
Enchanté. Bram.
Comment allez-vous ?
Bien, vu les circonstances.
Mon cœur saigne parce qu'ils sont
trop lâches pour nous dire en face...
qu'ils veulent nous faire du mal.
Nous avons toujours été aimables.
Ils étaient étrangers,
ils n'étaient pas d'ici.
Ils viennent d'un autre pays ?
- Du Zimbabwe.
Mon mari parle couramment fanagalo.
Il le parle très bien.
Comment va votre mari ?
Je viens d'appeler l'hôpital.
Le médecin est en train de l'ausculter.
Il a été blessé avec une hachette.
Où exactement ?
- Là, à partir de là.
Une plaie béante.
Le sang coulait à flots.
Il s'est fait un bandage lui-même
pour arrêter le saignement.
Vous l'avez vu ?
- Oui.
Je travaillais dans la maison
quand j'ai entendu l'alarme du pick-up.
English:
Pleased to meet you, Bram.
How are you?
Alright, given the circumstances.
My heart hurts because they're too
cowardly to tell someone to their face...
that they want to hurt him.
We've always been good to them.
They were foreigners,
not our own people.
They're from another country?
-From Zimbabwe.
My husband is fluent in Fanagalo.
He speaks it very well.
How is your husband?
I've just called the hospital.
The doctor is working on him.
But they cut him with a hatchet.
Where exactly?
-Here, from this point.
A gaping wound.
The blood was gushing out.
He applied a pressure bandage himself
to stop the bleeding.
Did you see him?
-Yes.
I was busy working inside the house
when I heard the alarm from the pickup.
French:
Enchanté. Bram.
Comment allez-vous ?
Bien, vu les circonstances.
Mon cœur saigne parce qu'ils sont
trop lâches pour nous dire en face...
qu'ils veulent nous faire du mal.
Nous avons toujours été aimables.
Ils étaient étrangers,
ils n'étaient pas d'ici.
Ils viennent d'un autre pays ?
- Du Zimbabwe.
Mon mari parle couramment fanagalo.
Il le parle très bien.
Comment va votre mari ?
Je viens d'appeler l'hôpital.
Le médecin est en train de l'ausculter.
Il a été blessé avec une hachette.
Où exactement ?
- Là, à partir de là.
Une plaie béante.
Le sang coulait à flots.
Il s'est fait un bandage lui-même
pour arrêter le saignement.
Vous l'avez vu ?
- Oui.
Je travaillais dans la maison
quand j'ai entendu l'alarme du pick-up.
English:
The dogs were barking as well,
and when I came outside...
I heard him screaming.
So I grabbed my gun
and fired two shots in the air.
I think that must have saved him.
Your husband will survive, won't he?
We have faith that the Lord will help him.
We have faith that He will.
Spanish:
Les chiens aboyaient aussi,
et quand je suis sortie...
je l'ai entendu hurler.
Alors j'ai attrapé mon fusil
et j'ai tiré deux coups en l'air.
Je pense que c'est ce qui l'a sauvé.
Votre mari va s'en sortir,
n'est-ce pas ?
Le Seigneur va l'aider.
Nous faisons confiance au Seigneur.
Cet agriculteur a aussi été attaqué ?
- Oui.
French:
Les chiens aboyaient aussi,
et quand je suis sortie...
je l'ai entendu hurler.
Alors j'ai attrapé mon fusil
et j'ai tiré deux coups en l'air.
Je pense que c'est ce qui l'a sauvé.
Votre mari va s'en sortir,
n'est-ce pas ?
Le Seigneur va l'aider.
Nous faisons confiance au Seigneur.
Cet agriculteur a aussi été attaqué ?
- Oui.
French:
Cette maison a été attaquée.
Et celle-ci.
Votre père a été tué ?
- Oui en 1995.
En 1995 ? Que s'est-il passé ?
Ils sont rentrés dans la maison.
Il s'est levé...
pour leur demander ce qu'ils faisaient.
Ils lui ont tiré dessus.
Ils ont volé son pick-up...
et sont partis.
C'était en janvier. En mars...
ils sont venus chez moi...
et ont tué le domestique
qui travaillait chez nous.
Où étiez-vous à ce moment-là ?
- Par chance, je n'y étais pas.
En 1997, ils ont recommencé
en septembre.
J'ai décidé de quitter la campagne.
Spanish:
Cette maison a été attaquée.
Et celle-ci.
Votre père a été tué ?
- Oui en 1995.
En 1995 ? Que s'est-il passé ?
Ils sont rentrés dans la maison.
Il s'est levé...
pour leur demander ce qu'ils faisaient.
Ils lui ont tiré dessus.
Ils ont volé son pick-up...
et sont partis.
C'était en janvier. En mars...
ils sont venus chez moi...
et ont tué le domestique
qui travaillait chez nous.
Où étiez-vous à ce moment-là ?
- Par chance, je n'y étais pas.
En 1997, ils ont recommencé
en septembre.
J'ai décidé de quitter la campagne.
Spanish:
C'est pour ça que j'ai acheté
une maison.
Pour ma femme et mes enfants,
c'était plus sûr.
Je ne suis pas toujours là.
Je fais des courses la journée,
je ne suis pas là.
Et la nuit, nous circulons,
nous patrouillons.
Ils sont plus en sécurité
en ville qu'à la ferme.
Vous n'aimeriez pas habiter par ici ?
- Non.
Pas à découvert ?
- Non.
Je suis Blanc.
Je ne peux pas changer de couleur.
Si j'étais Noir, les choses
auraient peut-être été différentes.
J'aurais pu être de ceux qui disent...
La terre nous a été volée.
Nous n'avons rien volé.
Nous avons acheté ce que nous avons.
French:
C'est pour ça que j'ai acheté
une maison.
Pour ma femme et mes enfants,
c'était plus sûr.
Je ne suis pas toujours là.
Je fais des courses la journée,
je ne suis pas là.
Et la nuit, nous circulons,
nous patrouillons.
Ils sont plus en sécurité
en ville qu'à la ferme.
Vous n'aimeriez pas habiter par ici ?
- Non.
Pas à découvert ?
- Non.
Je suis Blanc.
Je ne peux pas changer de couleur.
Si j'étais Noir, les choses
auraient peut-être été différentes.
J'aurais pu être de ceux qui disent...
La terre nous a été volée.
Nous n'avons rien volé.
Nous avons acheté ce que nous avons.
Spanish:
À qui appartient cette terre ?
C'est la terre du peuple.
C'est la terre de tous.
De tous les Sud-Africains.
Aux Noirs et aux Blancs ?
- Oui. Tout le monde.
Si vous êtes né et vivez ici,
elle est à vous.
Mais si vous êtes venus en 1652
et l'avez prise...
elle n'est assurément pas à vous.
Que pensez-vous...
de ce que dit Malema sur la terre
et le partage de la terre ?
Quelle est la solution ?
La terre...
À un moment, il est nécessaire de...
Je ne veux pas que ce pays aille...
jusqu'au point où en est le Zimbabwe...
French:
À qui appartient cette terre ?
C'est la terre du peuple.
C'est la terre de tous.
De tous les Sud-Africains.
Aux Noirs et aux Blancs ?
- Oui. Tout le monde.
Si vous êtes né et vivez ici,
elle est à vous.
Mais si vous êtes venus en 1652
et l'avez prise...
elle n'est assurément pas à vous.
Que pensez-vous...
de ce que dit Malema sur la terre
et le partage de la terre ?
Quelle est la solution ?
La terre...
À un moment, il est nécessaire de...
Je ne veux pas que ce pays aille...
jusqu'au point où en est le Zimbabwe...
French:
où les terres sont reprises
aux agriculteurs blancs.
Il faut vraiment y réfléchir calmement.
Selon vous, ils ne doivent pas
être chassés ?
À mon avis...
Peu importe.
Qu'ils prennent votre terre ou non.
Il devrait y avoir un accord
entre toutes les parties.
La terre devrait être partagée.
Elle ne devrait pas
être reprise comme ça.
Elle devrait être partagée.
Pour moi, le partage
est le terme le plus approprié.
Mais certaines personnes
ne veulent pas partager.
Spanish:
où les terres sont reprises
aux agriculteurs blancs.
Il faut vraiment y réfléchir calmement.
Selon vous, ils ne doivent pas
être chassés ?
À mon avis...
Peu importe.
Qu'ils prennent votre terre ou non.
Il devrait y avoir un accord
entre toutes les parties.
La terre devrait être partagée.
Elle ne devrait pas
être reprise comme ça.
Elle devrait être partagée.
Pour moi, le partage
est le terme le plus approprié.
Mais certaines personnes
ne veulent pas partager.
English:
I wrote a book about this village...
where the conflict between white and black
escalated so badly that it led to death.
This is the memorial stone.
'The Skierlik Four Massacre'.
The massacre of the four of Skierlik.
'Of the racial shooting'
Here, this is Tshepo,
a ten-year-old boy.
Keditlhotshe Moiphitlhi.
This is the mother.
This is the baby.
And this is the man who was buried
at Eastern Cape.
It happened on January 14, 2008...
when a white farmer's son
by the name of Johan Nel...
French:
J'ai écrit un livre sur ce village...
où le conflit entre Blancs et Noirs
a dégénéré jusqu'à la mort.
Voici la pierre commémorative.
"The Skierlik Four Massacre".
Le massacre des quatre de Skierlik.
Une fusillade raciste.
Il y a Tshepo, un enfant de dix ans.
Keditlhotshe Moiphitlhi.
Sa mère.
Il y a le bébé.
Et l'homme qui a été enterré
au Cap Oriental.
Ça s'est passé le 14 janvier 2008...
quand le fils d'un fermier blanc
du nom de Johan Nel...
Spanish:
J'ai écrit un livre sur ce village...
où le conflit entre Blancs et Noirs
a dégénéré jusqu'à la mort.
Voici la pierre commémorative.
"The Skierlik Four Massacre".
Le massacre des quatre de Skierlik.
Une fusillade raciste.
Il y a Tshepo, un enfant de dix ans.
Keditlhotshe Moiphitlhi.
Sa mère.
Il y a le bébé.
Et l'homme qui a été enterré
au Cap Oriental.
Ça s'est passé le 14 janvier 2008...
quand le fils d'un fermier blanc
du nom de Johan Nel...
French:
Il avait 18 ans. Il était né
l'année de la libération de Mandela.
18 ans, un lundi matin, sans raison...
il a pris le fusil de son père,
est monté dans son pick-up...
et a quitté la ferme...
en direction des bidonvilles
où vivaient tous ces mineurs noirs...
et il a commencé à tirer aveuglément
sur toutes ces personnes noires...
tuant quatre d'entre elles...
et blessant huit autres
qui ont survécu.
Mais ironie du sort, ce cimetière,
où seuls les Blancs sont enterrés...
est resté séparé du cimetière des Noirs.
Le gouvernement ANC a creusé
ce monument et l'a clôturé.
Dans ce village, les Noirs et les Blancs
sont séparés même après la mort.
Spanish:
Il avait 18 ans. Il était né
l'année de la libération de Mandela.
18 ans, un lundi matin, sans raison...
il a pris le fusil de son père,
est monté dans son pick-up...
et a quitté la ferme...
en direction des bidonvilles
où vivaient tous ces mineurs noirs...
et il a commencé à tirer aveuglément
sur toutes ces personnes noires...
tuant quatre d'entre elles...
et blessant huit autres
qui ont survécu.
Mais ironie du sort, ce cimetière,
où seuls les Blancs sont enterrés...
est resté séparé du cimetière des Noirs.
Le gouvernement ANC a creusé
ce monument et l'a clôturé.
Dans ce village, les Noirs et les Blancs
sont séparés même après la mort.
English:
He was 18 years old, so he was born
the year Mandela was released.
18 years old, on a Monday morning,
without any reason...
he took his father's rifle from the
cupboard, got into his father's pickup...
and drove away from the farm...
towards the slum
where all these black miners lived...
and just started shooting blindly
at all those black people...
lethally injuring four of them...
and injuring another eight people
who eventually survived.
But irony has it that that cemetery there,
where only white people are buried...
has remained segregated
from the black burial ground.
The ANC government dug this monument
and put a fence around it.
So even in death, black and white
remain segregated in this village.
Spanish:
Le meurtrier blanc m'a dit plus tard
que c'était un acte de résistance.
Pour sauver
les Sud-Africains blancs de la perte...
du crime et de la pression politique
pour les chasser de leurs terres.
Même si ces victimes noires
n'y étaient pour rien.
Comment allez-vous ?
Bien. Et vous ?
Moses, comment ça va ?
- Bien.
Ça faisait longtemps. Ça va ?
- Je vous voyais souvent à Skierlik.
Oui, mais Skierlik était de l'autre côté
de la route. Que s'est-il passé ?
Vous avez déménagé ?
- Oui, on s'est installé ici.
Il y a des maisons en briques.
- Oui, ma maison est dans cette rue.
English:
The white murderer later told me
he saw his act as an act of resistance.
To save white South Africans from ruin...
from crime and the political pressure
to drive the whites off their land.
Even though his black victims
had nothing to do with that.
How are you?
I'm fine. And you?
Moses, how are you?
-Fine.
Long time no see. How are you doing?
-I used to see you often in Skierlik.
Yes, but Skierlik was on the other side
of the road. What happened?
Did you move here?
-Yes, we moved here.
There are brick houses now.
-Yes, my house is down that road.
French:
Le meurtrier blanc m'a dit plus tard
que c'était un acte de résistance.
Pour sauver
les Sud-Africains blancs de la perte...
du crime et de la pression politique
pour les chasser de leurs terres.
Même si ces victimes noires
n'y étaient pour rien.
Comment allez-vous ?
Bien. Et vous ?
Moses, comment ça va ?
- Bien.
Ça faisait longtemps. Ça va ?
- Je vous voyais souvent à Skierlik.
Oui, mais Skierlik était de l'autre côté
de la route. Que s'est-il passé ?
Vous avez déménagé ?
- Oui, on s'est installé ici.
Il y a des maisons en briques.
- Oui, ma maison est dans cette rue.
Spanish:
Qui vous a donné cette maison ?
Je dis toujours : c'est Nel.
C'est grâce à Nel.
Le tireur ?
- Oui.
Qu'est-ce qu'il a fait ?
On ne sait pas ce qui est arrivé à Nel.
Vous vous rappelez
ce qui s'est passé ? Vous étiez là.
Oui, j'étais là.
J'ai pris l'enfant de la mère
après qu'il soit parti.
J'ai attrapé l'enfant
et l'ai amené à l'intérieur.
Mais l'enfant avait été touché.
Oui, il était déjà mort.
- Il était mort ?
Que pensez-vous des Blancs
depuis cet événement ?
Depuis ce massacre.
Que pensez-vous des Blancs ?
Je ne peux pas franchement
vous répondre.
English:
Who gave you the house?
I always say: Nel did.
It's Nel's doing.
The shooter?
-Yes.
What did he do?
We don't know what happened to Nel.
Do you remember what happened?
You were there.
Yes, I was there.
I picked up the mother's child
after he was gone.
I picked up the child
and brought it inside.
But the child had been hit by him.
Yes, it was already dead.
-It was dead?
How do you feel about the white people
since that incident?
Since that massacre.
How do you feel about the white people?
I can't frankly tell you that.
French:
Qui vous a donné cette maison ?
Je dis toujours : c'est Nel.
C'est grâce à Nel.
Le tireur ?
- Oui.
Qu'est-ce qu'il a fait ?
On ne sait pas ce qui est arrivé à Nel.
Vous vous rappelez
ce qui s'est passé ? Vous étiez là.
Oui, j'étais là.
J'ai pris l'enfant de la mère
après qu'il soit parti.
J'ai attrapé l'enfant
et l'ai amené à l'intérieur.
Mais l'enfant avait été touché.
Oui, il était déjà mort.
- Il était mort ?
Que pensez-vous des Blancs
depuis cet événement ?
Depuis ce massacre.
Que pensez-vous des Blancs ?
Je ne peux pas franchement
vous répondre.
French:
Avez-vous peur d'eux ?
Vous savez, beaucoup de gens...
avaient volé du bétail à cette ferme.
Le bétail de ces fermiers ?
- Oui.
Des gens de Skierlik ?
- Non, pas des gens d'ici.
Alors quia volé ce bétail ?
D'autres gens, de Rustenburg.
Ils ont volé le bétail.
Mais les Blancs
ont dit que nous l'avions volé.
Ils vous ont accusés
d'avoir volé leur bétail.
Mais ce n'était pas vrai.
- Non.
Et après, le dimanche 14...
il y a eu un barbecue.
Et le lundi, Nel est venu.
C'est là que Nel est venu.
English:
Are you afraid of them?
You see, many people...
had been stealing cattle from that farm.
Cattle from those farmers?
-Yes.
People from Skierlik?
-No, not our people.
So who stole the cattle?
Other people, from Rustenburg.
They stole the cattle.
But the white people said
that we'd stolen the cattle.
They said you'd stolen the cattle.
But that wasn't true.
-No.
Then came the next Sunday,
the 14th.
That Sunday there was a barbecue.
And on Monday Nel came.
That's when Nel came.
Spanish:
Avez-vous peur d'eux ?
Vous savez, beaucoup de gens...
avaient volé du bétail à cette ferme.
Le bétail de ces fermiers ?
- Oui.
Des gens de Skierlik ?
- Non, pas des gens d'ici.
Alors quia volé ce bétail ?
D'autres gens, de Rustenburg.
Ils ont volé le bétail.
Mais les Blancs
ont dit que nous l'avions volé.
Ils vous ont accusés
d'avoir volé leur bétail.
Mais ce n'était pas vrai.
- Non.
Et après, le dimanche 14...
il y a eu un barbecue.
Et le lundi, Nel est venu.
C'est là que Nel est venu.
Spanish:
Comment va la vie ?
La vie va mal.
Pourquoi ?
- Parce que nous sommes corrompus.
Qui est corrompu ?
- La municipalité.
Pourquoi ?
Pourquoi je suis au chômage,
alors que je suis allé à l'école ?
Ils emploient des gens qui ne savent
même pas écrire mon nom.
Mais moi, j'ai fait des choses bien.
Tu me connais depuis longtemps.
- Oui, depuis longtemps.
Les gens veulent en savoir plus que moi.
Ils avaient promis...
qu'après la fusillade,
on serait dédommagé.
Rien. Même aujourd'hui.
C'est quoi leur problème ?
Qui va nous payer ? Toi ?
Moi ?
- Je te le demande.
Non, pas moi.
- Pas toi.
Qui vous a promis de l'argent ?
Beaucoup de personnes.
French:
Comment va la vie ?
La vie va mal.
Pourquoi ?
- Parce que nous sommes corrompus.
Qui est corrompu ?
- La municipalité.
Pourquoi ?
Pourquoi je suis au chômage,
alors que je suis allé à l'école ?
Ils emploient des gens qui ne savent
même pas écrire mon nom.
Mais moi, j'ai fait des choses bien.
Tu me connais depuis longtemps.
- Oui, depuis longtemps.
Les gens veulent en savoir plus que moi.
Ils avaient promis...
qu'après la fusillade,
on serait dédommagé.
Rien. Même aujourd'hui.
C'est quoi leur problème ?
Qui va nous payer ? Toi ?
Moi ?
- Je te le demande.
Non, pas moi.
- Pas toi.
Qui vous a promis de l'argent ?
Beaucoup de personnes.
Spanish:
On nous avait promis
des routes goudronnées.
Mais vous avez des maisons en dur.
C'est juste une structure.
On a de l'eau...
une fois toutes les trois semaines.
On ne peut pas évacuer la merde.
Tu veux que je sois vulgaire ?
Ce n'est pas nécessaire.
- Si.
Je ne peux même pas chier chez moi.
Regarde. C'est quoi ça ?
Ça pue !
Tu es encore plus en colère
qu'il y a cinq ans, quand je t'ai connu.
Pourquoi est-ce que tu restes ici ?
Pourquoi je reste ici ?
- Oui, pourquoi ?
Parce que...
Parce que mon père m'a amené ici.
Je suis allé à l'école ici.
Je devrais aller où ?
Un meilleur endroit.
Un meilleur endroit ?
Pour moi, partir d'ici...
French:
On nous avait promis
des routes goudronnées.
Mais vous avez des maisons en dur.
C'est juste une structure.
On a de l'eau...
une fois toutes les trois semaines.
On ne peut pas évacuer la merde.
Tu veux que je sois vulgaire ?
Ce n'est pas nécessaire.
- Si.
Je ne peux même pas chier chez moi.
Regarde. C'est quoi ça ?
Ça pue !
Tu es encore plus en colère
qu'il y a cinq ans, quand je t'ai connu.
Pourquoi est-ce que tu restes ici ?
Pourquoi je reste ici ?
- Oui, pourquoi ?
Parce que...
Parce que mon père m'a amené ici.
Je suis allé à l'école ici.
Je devrais aller où ?
Un meilleur endroit.
Un meilleur endroit ?
Pour moi, partir d'ici...
French:
pour aller à Soweto ou au Cap
coûte trop cher.
Je ne peux même pas aller
chercher le journal ici.
Où devrais-je aller ?
On est coincé ici.
Je vais te montrer quelque chose.
Il y a une ferme là-bas.
Avec un barbelé.
La ligne de démarcation s'arrête ici.
De l'autre côté aussi.
C'est ici que ça s'arrête ?
- Ici.
Si je vais chercher du bois de ce côté,
je suis coincé.
Je ne peux pas y aller.
Si je vais de ce côté, je suis coincé.
Je fais comment ? Je suis enfermé.
Vous voyez ces buissons ?
On ne peut pas les franchir.
Si vous passez la barrière ?
- Oui.
Mieux vaut courir
si les Blancs te voient là-bas.
Pourquoi ? À cause de leur bétail ?
Le bétail est là-bas.
Le bétail broute là-bas.
Mais je ne suis pas un voleur.
Spanish:
pour aller à Soweto ou au Cap
coûte trop cher.
Je ne peux même pas aller
chercher le journal ici.
Où devrais-je aller ?
On est coincé ici.
Je vais te montrer quelque chose.
Il y a une ferme là-bas.
Avec un barbelé.
La ligne de démarcation s'arrête ici.
De l'autre côté aussi.
C'est ici que ça s'arrête ?
- Ici.
Si je vais chercher du bois de ce côté,
je suis coincé.
Je ne peux pas y aller.
Si je vais de ce côté, je suis coincé.
Je fais comment ? Je suis enfermé.
Vous voyez ces buissons ?
On ne peut pas les franchir.
Si vous passez la barrière ?
- Oui.
Mieux vaut courir
si les Blancs te voient là-bas.
Pourquoi ? À cause de leur bétail ?
Le bétail est là-bas.
Le bétail broute là-bas.
Mais je ne suis pas un voleur.
English:
Corry, how are you?
-Very well, Bram. And you?
Good to see you again.
Welcome back at the farm.
You have good fences here.
Come, let's go closer.
We count the animals every day.
There's a lot of theft in the area,
and if you don't keep an eye on it...
you may discover it too late
and can't track them down anymore.
Do they often steal cattle?
Yes, very often, but quickly,
one or two animals.
Spanish:
Comment ça va, Corry ?
- Bien, Bram. Et toi ?
Ça me fait plaisir de te voir.
Bienvenue à la ferme.
Tu as de bonnes clôtures.
Viens, il faut s'approcher.
On compte les animaux tous les jours.
Il y a beaucoup de vols par ici,
et si on ne fait pas attention...
on s'en aperçoit trop tard
et on ne peut plus les retrouver.
Ils volent souvent du bétail ?
Oui, très souvent.
Mais rapidement, une ou deux bêtes.
French:
Comment ça va, Corry ?
- Bien, Bram. Et toi ?
Ça me fait plaisir de te voir.
Bienvenue à la ferme.
Tu as de bonnes clôtures.
Viens, il faut s'approcher.
On compte les animaux tous les jours.
Il y a beaucoup de vols par ici,
et si on ne fait pas attention...
on s'en aperçoit trop tard
et on ne peut plus les retrouver.
Ils volent souvent du bétail ?
Oui, très souvent.
Mais rapidement, une ou deux bêtes.
Spanish:
C'est fermé de l'intérieur.
Merci beaucoup.
Clôtures et frontières, c'est
ce que les Blancs ont donné à l'Afrique.
Avant leur arrivée, les villageois
partageaient toutes les terres.
Le groupe est plus important
que l'individu.
Ubuntu :
je suis parce que les autres sont.
Mais les Blancs ont apporté un concept
différent : ce qui est à moi est à moi.
Venez.
OK. Venez.
English:
It's locked from the inside.
Thank you kindly.
Fences and borders, that's what
the white people have given Africa.
Before the white people came,
the villagers shared all the land.
The group is more important
than the individual.
Ubuntu: I am because others are.
But the white man brought a very
different concept: What's mine is mine.
Come here.
Okay, come.
French:
C'est fermé de l'intérieur.
Merci beaucoup.
Clôtures et frontières, c'est
ce que les Blancs ont donné à l'Afrique.
Avant leur arrivée, les villageois
partageaient toutes les terres.
Le groupe est plus important
que l'individu.
Ubuntu :
je suis parce que les autres sont.
Mais les Blancs ont apporté un concept
différent : ce qui est à moi est à moi.
Venez.
OK. Venez.
English:
You hold her by the head.
Careful.
Go on.
Is it because of the beer
that you don't know which way?
We have to make a new hole.
That's not easy without a knife.
Are you afraid to say you have a knife?
Where's your knife?
Grab her like this.
And keep her steady with your leg.
Will the cow make it?
-Some you win, some you lose.
But I don't think she'll make it.
We'll give it one last try.
If she's not on her feet by tomorrow...
-Then I'll shoot her.
Spanish:
Il faut la tenir par la tête.
Attention.
Allez-y.
C'est à cause de la bière
que tu ne sais plus comment faire ?
Il faut faire un nouveau trou.
Ce n'est pas facile sans couteau.
Tu as peur de sortir ton couteau ?
Il est où, ton couteau ?
Attrape-la comme ça.
Et stabilise-la avec ta jambe.
La vache va s'en sortir ?
- Certaines, oui. D'autres, non.
Je ne crois pas que celle-ci s'en sorte.
On va essayer une dernière fois.
Si elle n'est pas debout demain...
- Je l'abattrai.
Depuis combien de temps
travaillez-vous à la ferme ?
Depuis un an.
Et avant ?
- J'étais au Malawi.
Vous venez du Malawi ?
- Oui.
Et vous venez jusqu'ici travailler ?
- Oui, depuis un an.
French:
Il faut la tenir par la tête.
Attention.
Allez-y.
C'est à cause de la bière
que tu ne sais plus comment faire ?
Il faut faire un nouveau trou.
Ce n'est pas facile sans couteau.
Tu as peur de sortir ton couteau ?
Il est où, ton couteau ?
Attrape-la comme ça.
Et stabilise-la avec ta jambe.
La vache va s'en sortir ?
- Certaines, oui. D'autres, non.
Je ne crois pas que celle-ci s'en sorte.
On va essayer une dernière fois.
Si elle n'est pas debout demain...
- Je l'abattrai.
Depuis combien de temps
travaillez-vous à la ferme ?
Depuis un an.
Et avant ?
- J'étais au Malawi.
Vous venez du Malawi ?
- Oui.
Et vous venez jusqu'ici travailler ?
- Oui, depuis un an.
French:
Beaucoup d'étrangers travaillent ici.
- À cause de toutes nos aides...
les Tswanas, les gens de la région,
n'ont plus besoin de travailler.
Ils reçoivent tous des aides.
Pour les enfants, les personnes âgées.
Et il y a beaucoup de fraudes.
Donc les Sud-Africains
sont trop chers maintenant ?
Non, ils ne sont pas trop chers.
Nous les payons de la même façon.
Mais ils n'ont pas tellement
envie de travailler.
Pourquoi travailler un dimanche...
s'il y a suffisamment d'argent...
sous le matelas...
qui vient des aides ?
Ce n'est pas nécessaire.
Les étrangers, eux,
ne reçoivent pas d'aides.
Donc ils doivent travailler.
Ils ne boivent pas autant.
English:
We have a lot of foreigners working here.
-Because of all our grants...
the Tswana, the local people,
don't need to work any longer.
They all receive grants.
For the children, for the elderly.
And there's lots of fraud.
So the South Africans
are too expensive now?
No, they're not too expensive.
Spanish:
Beaucoup d'étrangers travaillent ici.
- À cause de toutes nos aides...
les Tswanas, les gens de la région,
n'ont plus besoin de travailler.
Ils reçoivent tous des aides.
Pour les enfants, les personnes âgées.
Et il y a beaucoup de fraudes.
Donc les Sud-Africains
sont trop chers maintenant ?
Non, ils ne sont pas trop chers.
Nous les payons de la même façon.
Mais ils n'ont pas tellement
envie de travailler.
Pourquoi travailler un dimanche...
s'il y a suffisamment d'argent...
sous le matelas...
qui vient des aides ?
Ce n'est pas nécessaire.
Les étrangers, eux,
ne reçoivent pas d'aides.
Donc ils doivent travailler.
Ils ne boivent pas autant.
Spanish:
Ils ne boivent pas de bière au Malawi ?
Je pense que si.
Tu bois de la bière, non ?
Pardon.
Tu bois ? Et Lazarus, il boit ?
Je ne crois pas. Il est trop pauvre.
Les Tswanas ont beaucoup d'argent.
Vous, vous ne buvez pas.
Hier, tu la tapotais davantage.
Pas aujourd'hui ? C'est dimanche ?
Toi aussi.
Les gens d'ici vont et viennent.
On n'a plus le temps de les connaître.
Avant, ils naissaient
et mouraient à la ferme.
Plus maintenant.
Ils vont un peu partout.
Tap, tap, tap.
J'ai récupéré ta pelle, Lazarus.
French:
Ils ne boivent pas de bière au Malawi ?
Je pense que si.
Tu bois de la bière, non ?
Pardon.
Tu bois ? Et Lazarus, il boit ?
Je ne crois pas. Il est trop pauvre.
Les Tswanas ont beaucoup d'argent.
Vous, vous ne buvez pas.
Hier, tu la tapotais davantage.
Pas aujourd'hui ? C'est dimanche ?
Toi aussi.
Les gens d'ici vont et viennent.
On n'a plus le temps de les connaître.
Avant, ils naissaient
et mouraient à la ferme.
Plus maintenant.
Ils vont un peu partout.
Tap, tap, tap.
J'ai récupéré ta pelle, Lazarus.
English:
Do you drink beer?
Excuse me, kid.
Do you drink?
Lazarus, does he drink?
I don't think so. He's too poor.
The Tswanas have a lot of money.
You people don't drink.
Yesterday you patted a lot.
Why not today? Is it Sunday?
You too.
Our locals come and go so fast that you
hardly know their background anymore.
In the past they were born
on the farm and died there.
Not anymore.
They travel all over the place.
Pat, pat, pat.
I went to get your shovel, Lazarus.
Spanish:
Il était trop fainéant.
Lazarus a utilisé la pelle.
Merci.
Allez. On réessaiera demain.
Dans la campagne sud-africaine,
les Blancs s'assoient toujours devant...
comme si rien n'avait changé.
Mais les townships se soulèvent...
et en appellent au changement
et à la fin de ces rapports.
tirez pour tuer
tuez-les
tirez pour tuer
tuez-les
huez le Boer
huez le fermier
huez le Boer
huez le fermier
t'étais où sans fusil ?
t'étais où sans bâton ?
French:
Il était trop fainéant.
Lazarus a utilisé la pelle.
Merci.
Allez. On réessaiera demain.
Dans la campagne sud-africaine,
les Blancs s'assoient toujours devant...
comme si rien n'avait changé.
Mais les townships se soulèvent...
et en appellent au changement
et à la fin de ces rapports.
tirez pour tuer
tuez-les
tirez pour tuer
tuez-les
huez le Boer
huez le fermier
huez le Boer
huez le fermier
t'étais où sans fusil ?
t'étais où sans bâton ?
English:
He was too lazy.
Lazarus used the shovel.
Thanks.
There we go.
We'll try it again tomorrow.
In the South African countryside,
the white farmer still sits in front...
as if nothing has changed.
But in the townships unrest is stirring...
and there's a call for radical change
and an end to those old relationships.
shoot to kill
kill them
shoot to kill
kill them
kiss the Boer
kiss the farmer
kiss the Boer
kiss the farmer
where were you without guns?
where were you without sticks?
English:
we're going after them
so let us go
pick up the spears
here we go
pick up the spears
here we go
shoot to kill
kill them
In the original song they sing
'kill the Boer, kill the farmer.'
It does worry you.
Why does he say such a thing?
Probably not just for his own benefit,
in order to win votes.
It's an expression of hatred.
That's how I see it.
Have you never thought of emigrating?
We can't emigrate to another country.
What we have here,
is what we've worked for all our lives.
French:
on va les chasser
laissez-nous passer
ramassez les lances
on arrive
ramassez les lances
on arrive
tirez pour tuer
tuez-les
Dans la vraie chanson, il chante :
"tuez le Boer, tuez le fermier".
C'est inquiétant.
Pourquoi dire une chose pareille ?
Probablement pas uniquement pour lui,
mais afin de se faire élire.
C'est une manifestation de haine.
C'est comme ça que je le vois.
Vous n'avez jamais pensé à émigrer ?
Nous ne pouvons pas
émigrer dans un autre pays.
On a travaillé toute notre vie
pour avoir ce que l'on a ici.
Spanish:
on va les chasser
laissez-nous passer
ramassez les lances
on arrive
ramassez les lances
on arrive
tirez pour tuer
tuez-les
Dans la vraie chanson, il chante :
"tuez le Boer, tuez le fermier".
C'est inquiétant.
Pourquoi dire une chose pareille ?
Probablement pas uniquement pour lui,
mais afin de se faire élire.
C'est une manifestation de haine.
C'est comme ça que je le vois.
Vous n'avez jamais pensé à émigrer ?
Nous ne pouvons pas
émigrer dans un autre pays.
On a travaillé toute notre vie
pour avoir ce que l'on a ici.
Spanish:
Nous devons en profiter
et le protéger du mieux que l'on peut.
C'est notre vie.
Tout comme votre vie et votre maison.
Elles ne sont pas sans danger...
même si elles ne sont pas
aussi menaçantes.
Nous vivons ici avec nos dangers
et nous les gérons au fur et à mesure.
Si l'on peut faire quelque chose,
même si c'est pénible, nous le ferons.
Nous sommes très inquiets
pour nos propriétés.
Avec ces jeunes politiciens
qui menacent de nous exproprier ...
on ne sait pas jusqu'où ça va aller.
S'ils accèdent au pouvoir et votent
une loi d'expropriation des terres...
Bien sûr nous sommes inquiets
qu'une telle décision soit prise.
English:
We have to make use of it
and protect it to the best of our ability.
This is our life.
Just as your life and your house
also have their dangers...
even if they're not as menacing...
we live here with our dangers
and we deal with them as they come.
If something has to be done,
negative as it may be, we'll do so.
We're very worried
about our land ownership.
With those young politicians
threatening with land expropriation...
you don't know where it will end.
if they come into power and they pass
a law that land has to be expropriated...
Of course we're worried
that such a decision will be made.
French:
Nous devons en profiter
et le protéger du mieux que l'on peut.
C'est notre vie.
Tout comme votre vie et votre maison.
Elles ne sont pas sans danger...
même si elles ne sont pas
aussi menaçantes.
Nous vivons ici avec nos dangers
et nous les gérons au fur et à mesure.
Si l'on peut faire quelque chose,
même si c'est pénible, nous le ferons.
Nous sommes très inquiets
pour nos propriétés.
Avec ces jeunes politiciens
qui menacent de nous exproprier ...
on ne sait pas jusqu'où ça va aller.
S'ils accèdent au pouvoir et votent
une loi d'expropriation des terres...
Bien sûr nous sommes inquiets
qu'une telle décision soit prise.
French:
Ils n'aiment pas les gyrophares.
Ce n'est pas autorisé, c'est ça ?
On fait ce que l'on veut.
On n'a honte de rien.
C'est seulement pour la visibilité.
Les comrades peuvent voir
qu'il y a de l'activité.
Je verrai peut-être un œil.
Vous êtes sérieux ?
- Oui, pourquoi pas ?
English:
They have problems
with the flashing light.
It's not allowed, you mean?
We do as we like.
We're not ashamed of anything.
Spanish:
Ils n'aiment pas les gyrophares.
Ce n'est pas autorisé, c'est ça ?
On fait ce que l'on veut.
On n'a honte de rien.
C'est seulement pour la visibilité.
Les comrades peuvent voir
qu'il y a de l'activité.
Je verrai peut-être un œil.
Vous êtes sérieux ?
- Oui, pourquoi pas ?
French:
Les yeux des comrades clignent aussi.
Mais vous ne cherchez pas d'animaux.
Non.
Vous pouvez voir ce que l'on fait.
Si vous regardez à droite et à gauche.
Si quelqu'un est assis là,
dans un champ, il se cachera.
Il saura qu'il se passe quelque chose.
C'est pour ça que...
Quand votre mari part patrouiller,
vous êtes seule à la maison ?
Oui, je suis seule.
Mais je n'ai pas peur.
Je sais utiliser une arme.
Vous avez un pistolet ?
- Oui.
Même sur vous en ce moment ?
- Non.
Mais vous avez un pistolet ?
- Oui, j'en ai un.
Et vous ?
- Moi ?
Spanish:
Les yeux des comrades clignent aussi.
Mais vous ne cherchez pas d'animaux.
Non.
Vous pouvez voir ce que l'on fait.
Si vous regardez à droite et à gauche.
Si quelqu'un est assis là,
dans un champ, il se cachera.
Il saura qu'il se passe quelque chose.
C'est pour ça que...
Quand votre mari part patrouiller,
vous êtes seule à la maison ?
Oui, je suis seule.
Mais je n'ai pas peur.
Je sais utiliser une arme.
Vous avez un pistolet ?
- Oui.
Même sur vous en ce moment ?
- Non.
Mais vous avez un pistolet ?
- Oui, j'en ai un.
Et vous ?
- Moi ?
French:
Vous portez une arme ?
- Oui, j'en ai une.
C'est légal ?
Si c'est légal ? Oui.
Pas dans mon pays.
- Pourquoi ?
On ne peut pas porter d'arme.
- Mais votre pays est sûr.
Je suis sûre que dans votre pays,
vous n'avez pas à patrouiller la nuit.
Non.
Vous pensez que ce n'est que criminel ?
Non.
Je pense que c'est politique.
Qu'entendez-vous par politique ?
Ils veulent nos terres.
Ils veulent nous faire peur...
pour que nous déménagions.
Si ce n'était que...
pour voler...
Spanish:
Vous portez une arme ?
- Oui, j'en ai une.
C'est légal ?
Si c'est légal ? Oui.
Pas dans mon pays.
- Pourquoi ?
On ne peut pas porter d'arme.
- Mais votre pays est sûr.
Je suis sûre que dans votre pays,
vous n'avez pas à patrouiller la nuit.
Non.
Vous pensez que ce n'est que criminel ?
Non.
Je pense que c'est politique.
Qu'entendez-vous par politique ?
Ils veulent nos terres.
Ils veulent nous faire peur...
pour que nous déménagions.
Si ce n'était que...
pour voler...
Spanish:
Je ne vous attendrai pas...
si je voulais vous voler.
Je n'attendrai pas
que vous rentriez chez vous.
Ce qu'il se passe ici, c'est qu'ils
rentrent chez vous et vous attendent.
Et le plus triste,
la plupart du temps...
ils le font quand vous êtes à l'église.
Vous rentrez de la messe,
vous vous sentez bien...
détendu...
et ils vous attendent.
Ils tirent sur l'homme
et violent la femme.
Ce n'est pas du vol.
Ils vous brûlent
avec de l'eau chaude, de l'huile...
On ne fait pas ça pour voler
de l'argent, un téléphone ou une TV.
On peut le faire sans faire de mal.
French:
Je ne vous attendrai pas...
si je voulais vous voler.
Je n'attendrai pas
que vous rentriez chez vous.
Ce qu'il se passe ici, c'est qu'ils
rentrent chez vous et vous attendent.
Et le plus triste,
la plupart du temps...
ils le font quand vous êtes à l'église.
Vous rentrez de la messe,
vous vous sentez bien...
détendu...
et ils vous attendent.
Ils tirent sur l'homme
et violent la femme.
Ce n'est pas du vol.
Ils vous brûlent
avec de l'eau chaude, de l'huile...
On ne fait pas ça pour voler
de l'argent, un téléphone ou une TV.
On peut le faire sans faire de mal.
French:
Mes parents m'ont appris
à me servir d'une arme à feu.
J'aime aussi chasser.
Si je ne m'en sors pas,
j'ai toujours un fusil de chasse.
J'aime utiliser les armes à feu,
mais je n'ai jamais tiré sur un homme.
Mais si je devais, je le pourrais.
Nous allons régulièrement chasser.
Je sais viser un animal en fuite,
alors je m'en sortirais.
J'ai grandi avec l'idée
d'une nation arc-en-ciel.
J'ai grandi et joué
avec les enfants du jardinier.
C'est seulement plus tard que l'idée
de vengeance est devenue habituelle.
Mais je pense que ça dépend
de la façon dont on a grandi.
Je crois que c'est Mandela qui a dit :
English:
My parents taught us
how to use firearms.
I also like to go hunting.
If I can't manage with a gun,
I always have a hunting rifle.
I like to use firearms,
but I've never shot at a human being.
But if I had to, I could do it.
We go hunting regularly.
I can hit a running buck,
so I'm sure I'll manage.
I grew up with the idea
of the Rainbow Nation.
I grew up and played
with the gardener's children.
Only later did the idea of revenge
become customary.
But I think it mainly depends
on how you grow up.
I think it was Mandela who said:
Spanish:
Mes parents m'ont appris
à me servir d'une arme à feu.
J'aime aussi chasser.
Si je ne m'en sors pas,
j'ai toujours un fusil de chasse.
J'aime utiliser les armes à feu,
mais je n'ai jamais tiré sur un homme.
Mais si je devais, je le pourrais.
Nous allons régulièrement chasser.
Je sais viser un animal en fuite,
alors je m'en sortirais.
J'ai grandi avec l'idée
d'une nation arc-en-ciel.
J'ai grandi et joué
avec les enfants du jardinier.
C'est seulement plus tard que l'idée
de vengeance est devenue habituelle.
Mais je pense que ça dépend
de la façon dont on a grandi.
Je crois que c'est Mandela qui a dit :
French:
On ne naît pas en haïssant des gens.
On nous l'apprend.
On peut aussi apprendre à les aimer.
Ça dépend de chaque maison...
et de ce chaque personne
ressent pour ses semblables.
J'avais plein d'amis noirs à la fac.
Je suis encore en contact avec certains.
Mais ce n'est pas...
C'est plus une différence culturelle...
qu'une différence de couleur.
Je ne me considérerais pas raciste.
Ce sont généralement
les circonstances...
qui font que vous avez
surtout des amis blancs.
Vous pensez que les Blancs
ont encore leur place dans ce pays ?
Oui, je le pense.
L'Afrique possède une règle.
C'est la loi du plus fort.
Je peux vous dire
que l'on ne va pas disparaître.
Spanish:
On ne naît pas en haïssant des gens.
On nous l'apprend.
On peut aussi apprendre à les aimer.
Ça dépend de chaque maison...
et de ce chaque personne
ressent pour ses semblables.
J'avais plein d'amis noirs à la fac.
Je suis encore en contact avec certains.
Mais ce n'est pas...
C'est plus une différence culturelle...
qu'une différence de couleur.
Je ne me considérerais pas raciste.
Ce sont généralement
les circonstances...
qui font que vous avez
surtout des amis blancs.
Vous pensez que les Blancs
ont encore leur place dans ce pays ?
Oui, je le pense.
L'Afrique possède une règle.
C'est la loi du plus fort.
Je peux vous dire
que l'on ne va pas disparaître.
English:
You're not born hating certain people.
It's something you're taught.
You can just as easily learn to love them.
I think it varies from house to house...
and from person to person
how you feel about your fellow human.
I had many black friends at university.
I still keep in touch with some of them.
But it's not...
I think it's more a cultural difference...
than a colour difference. It's not...
I wouldn't consider myself a racist.
It's usually
because of the circumstances...
that you have mostly white friends
in your surroundings.
Spanish:
Nous resterons.
Si le sang doit couler,
le sang coulera.
L'apartheid était aussi
une période violente.
N'êtes-vous pas en train
de récolter ce que vous avez semé ?
Selon qui ?
Cela fait partie de l'histoire.
Tout le monde aime en parler.
Quand nous sommes arrivés ici,
il y a quelque 300 ans...
il n'y avait rien en Afrique du Sud.
Même pas une roue.
S'il y avait eu une roue
ou une brouette en Afrique du Sud...
la situation aurait été différente.
Mais il n'y avait même pas une roue
en Afrique du Sud. Alors...
C'est l'histoire.
Nous n'en avons pas peur.
Nous avons acheté ce pays en 400 ans.
Ils l'ont détruit en 20 ans.
Désolé.
French:
Nous resterons.
Si le sang doit couler,
le sang coulera.
L'apartheid était aussi
une période violente.
N'êtes-vous pas en train
de récolter ce que vous avez semé ?
Selon qui ?
Cela fait partie de l'histoire.
Tout le monde aime en parler.
Quand nous sommes arrivés ici,
il y a quelque 300 ans...
il n'y avait rien en Afrique du Sud.
Même pas une roue.
S'il y avait eu une roue
ou une brouette en Afrique du Sud...
la situation aurait été différente.
Mais il n'y avait même pas une roue
en Afrique du Sud. Alors...
C'est l'histoire.
Nous n'en avons pas peur.
Nous avons acheté ce pays en 400 ans.
Ils l'ont détruit en 20 ans.
Désolé.
French:
Que reste-t-il au nord ? Rien.
Vous êtes allé dans le nord.
Vous voulez dire au Zimbabwe ?
- N'importe où.
C'était un pays riche.
Que reste-t-il ? La pauvreté.
Si vous êtes Africain,
vous aimez vos prochains.
Sans tenir compte de leur race...
de leur couleur, de leur langue...
vous vous entendriez bien
avec tout le monde...
car l'Afrique est un continent immense.
Il y a tellement de minéraux
et tellement à donner
et tellement de personnes différentes.
Si vous vous revendiquez Africain...
montrez ce qui fait de vous un Africain.
Et être aimable avec les Africains.
- Oui.
Et vivre avec les autres Africains.
Spanish:
Que reste-t-il au nord ? Rien.
Vous êtes allé dans le nord.
Vous voulez dire au Zimbabwe ?
- N'importe où.
C'était un pays riche.
Que reste-t-il ? La pauvreté.
Si vous êtes Africain,
vous aimez vos prochains.
Sans tenir compte de leur race...
de leur couleur, de leur langue...
vous vous entendriez bien
avec tout le monde...
car l'Afrique est un continent immense.
Il y a tellement de minéraux
et tellement à donner
et tellement de personnes différentes.
Si vous vous revendiquez Africain...
montrez ce qui fait de vous un Africain.
Et être aimable avec les Africains.
- Oui.
Et vivre avec les autres Africains.
French:
Au lieu d'entamer
des guerres civiles et autres.
Il y a encore beaucoup
de choses à faire.
Ce pays manque
de cohésion sociale.
Nous vivons encore
dans nos petits territoires...
où nous nous protégeons des autres.
C'est vraiment ridicule à mon avis.
Il y a encore beaucoup à faire.
Spanish:
Au lieu d'entamer
des guerres civiles et autres.
Il y a encore beaucoup
de choses à faire.
Ce pays manque
de cohésion sociale.
Nous vivons encore
dans nos petits territoires...
où nous nous protégeons des autres.
C'est vraiment ridicule à mon avis.
Il y a encore beaucoup à faire.
Spanish:
Les chiens ont vu quelqu'un
bouger dans ce véhicule.
C'est pour ça qu'ils aboient comme ça.
Ils n'aboient qu'aux Noirs ?
Non, à tout le monde.
C'est la chaussure qu'il portait.
Et là, c'est lui à l'hôpital.
Et là, la jambe qu'ils ont ouverte.
- Avec cette hachette.
C'était une expérience
très traumatisante.
Quelqu'un qui n'a jamais vécu ça...
ne peut pas comprendre
ce que l'on traverse à ce moment-là.
Comment vous sentez-vous
maintenant à la ferme ?
French:
Les chiens ont vu quelqu'un
bouger dans ce véhicule.
C'est pour ça qu'ils aboient comme ça.
Ils n'aboient qu'aux Noirs ?
Non, à tout le monde.
C'est la chaussure qu'il portait.
Et là, c'est lui à l'hôpital.
Et là, la jambe qu'ils ont ouverte.
- Avec cette hachette.
C'était une expérience
très traumatisante.
Quelqu'un qui n'a jamais vécu ça...
ne peut pas comprendre
ce que l'on traverse à ce moment-là.
Comment vous sentez-vous
maintenant à la ferme ?
English:
The dogs see someone move
inside that vehicle.
That's why they bark like that.
Do they only bark at black people?
-Yes.
No, at everyone.
This is the shoe he was wearing.
And this is him in the hospital.
And this is the leg they cut open.
-That's from that hatchet.
This is a very traumatic experience.
Someone who's never experienced this...
can't understand what you go through
at such a moment.
How do you feel now,
here at the farm?
French:
Mal à l'aise. On ne sait jamais.
C'est pour ça qu'on essaie...
de se protéger autant que possible.
Nous avons installé une alarme.
Nous n'en avions pas avant.
Si quelqu'un essaie de rentrer,
l'alarme se déclenchera.
Mais on surveille toujours ses arrières.
Et je ne peux plus marcher très loin.
Vous êtes nerveux.
- Oui, je le suis.
Il est très vigilant.
Quels sont vos projets ?
Vous voulez rester à la ferme ?
Oui. On ne quittera jamais cet endroit.
La ferme est dans la famille
depuis 1917.
La ferme fait partie d'eux
depuis longtemps.
Non, on ne partira pas.
- Pour aller où ?
Spanish:
Mal à l'aise. On ne sait jamais.
C'est pour ça qu'on essaie...
de se protéger autant que possible.
Nous avons installé une alarme.
Nous n'en avions pas avant.
Si quelqu'un essaie de rentrer,
l'alarme se déclenchera.
Mais on surveille toujours ses arrières.
Et je ne peux plus marcher très loin.
Vous êtes nerveux.
- Oui, je le suis.
Il est très vigilant.
Quels sont vos projets ?
Vous voulez rester à la ferme ?
Oui. On ne quittera jamais cet endroit.
La ferme est dans la famille
depuis 1917.
La ferme fait partie d'eux
depuis longtemps.
Non, on ne partira pas.
- Pour aller où ?
English:
Not at ease. You never know.
That's why we're trying...
to secure ourselves
as well as possible.
We've installed an alarm,
which we never had before.
So if someone tries to enter the house,
the alarm system will go off.
But you keep looking
over your shoulder all the time.
And I can't walk very far anymore.
You're skittish.
-I am.
He's very alert.
What are your plans?
Do you want to stay at the farm?
Yes. No, we'll never leave this place.
The farm has been in the family
since 1917.
So the farm has been a part of them
for a long time.
No, we're not leaving.
-Where should we go?
English:
In the village they also rob the people.
There they also kill people.
So where can you run to?
I wasn't born at a hospital.
I was born at this farm.
And this is where I'll be buried.
Yes, what...
Every time I visit white farmers
in South Africa...
I'm torn between two sentiments.
On the one hand I do admire them,
because just imagine living here.
On a farm, surrounded by vegetation.
With the idea that everything around it is
potentially dangerous, life-threatening.
On the other hand
it's all so unbelievably depressing.
Spanish:
Dans le village, on se fait aussi voler.
Ils tuent aussi les gens là-bas.
Alors où s'échapper ?
Je ne suis pas né dans un hôpital.
Je suis né dans cette ferme.
Et c'est ici que je serai enterré.
Oui...
Chaque fois que je vais voir
des fermiers blancs dans ce pays...
je suis partagé entre deux sentiments.
D'un côté, je les admire,
d'être capables de vivre ici.
Dans une ferme entourée de végétation.
Avec l'idée que tout ce qui est autour
est potentiellement dangereux.
D'un autre côté,
tout est incroyablement déprimant.
French:
Dans le village, on se fait aussi voler.
Ils tuent aussi les gens là-bas.
Alors où s'échapper ?
Je ne suis pas né dans un hôpital.
Je suis né dans cette ferme.
Et c'est ici que je serai enterré.
Oui...
Chaque fois que je vais voir
des fermiers blancs dans ce pays...
je suis partagé entre deux sentiments.
D'un côté, je les admire,
d'être capables de vivre ici.
Dans une ferme entourée de végétation.
Avec l'idée que tout ce qui est autour
est potentiellement dangereux.
D'un autre côté,
tout est incroyablement déprimant.
French:
Ces fermiers s'accrochent à une idée
vieille de plusieurs siècles...
celle d'appartenir au peuple élu,
la main sur la bible...
perdus dans le nord de l'Afrique du Sud
avec leurs chariots de pionniers.
Ils persistent à rester ici,
même si en leur parlant, il est clair...
que leur avenir est derrière eux
et qu'il s'agit de la fin d'une époque.
Merci d'avoir regardé notre programme.
Spanish:
Ces fermiers s'accrochent à une idée
vieille de plusieurs siècles...
celle d'appartenir au peuple élu,
la main sur la bible...
perdus dans le nord de l'Afrique du Sud
avec leurs chariots de pionniers.
Ils persistent à rester ici,
même si en leur parlant, il est clair...
que leur avenir est derrière eux
et qu'il s'agit de la fin d'une époque.
Merci d'avoir regardé notre programme.
English:
Those farmers who hold on
to an idea from centuries ago...
that they're the chosen people who,
hand on the Bible...
trekked to the north of South Africa
with their wagons as pioneers.
And insisting on staying here, even
though it's clear from talking to them...
that their future is far behind them
and this is the end of an era.
| {
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} |
(lighthearted music)
- [Amina] Women are like olive trees.
With a little bit of care and attention,
they give you a lot.
Without any care or attention,
they will persist, and continue growing.
We are all very resilient,
very resourceful,
very bountiful, and always wise. (laughs)
Yeah, I have a very fond
attachment to the olive tree,
it's a part of my being.
(gentle, calming music)
- [Jess] So nice here.
- [Rachel] They're so welcoming.
- So warm, also so beautiful.
- We are here in Amman,
Jordan in the Middle East,
and we are surrounded
by this ancient glory.
- My preconceptions of
women in the Middle East,
modesty is really big here.
In the West, we're so accustomed to
"Oh, if you're beautiful
you need to show it,
"you need to flaunt it."
- I wouldn't say I know a
lot about Jordanian culture,
or Jordanian beauty, but
for me as a Black person,
I'm always aware of
traveling to new places,
and you know my thought is always like,
how do they feel about people of color?
Or how do they feel about Black people?
So far everybody's just been fascinated
with my hair. (laughs)
No do your face first.
- True.
- Come on,
that's an accessory.
- We're gonna be meeting Amina.
She is a business woman, she's an artist,
she's a mother, and she created a line
using organic olive oil.
You know, as female entrepreneurs,
there's so many challenges that we face
so I'm curious to see how they manifest.
While we're in Jordan,
I believe we are going
to get our nails done, thank goodness
because these are
a travesty.
- Necessary.
And then we're also going to
take a trip to the Dead Sea
with her which is so
cool because obviously,
Cleopatra and all of that history there.
We're also gonna go to
her farm, and see where
she makes all her products.
- [Jess] So looking forward to
what she has in store for us.
Okay Rach, I think I'm done.
Are you ready for like, the big reveal?
- Oh my gosh, 'kay wait.
- Drumroll.
- Go.
- Ah!
- Cute, right?
(laughs) Hey.
(lighthearted music)
- Woo, Amman looks good on me girl.
(lighthearted music)
- The anticipation is buildin' up.
- Just got to Amina's,
and she has these beautiful flowers
that smell really lovely,
and we're going in
to meet her right now.
- Hello?
- Hi Amina,
it's nice to meet you.
- Hi, nice to meet you,
nice to meet you.
- I'm Jessica.
- Welcome to Jordan.
- Thank you.
- Hi Amina,
so nice to meet you.
- Hi.
- Smells so good.
- We should go back here, this
is our display wall products.
So we have all sorts of skin care products
that started off with the humble soap,
this was the first,
the first product that
I did for my daughter
when was three, now she's 21. (laughs)
- Oh, wow.
- Yeah.
- We wanna learn all your secrets.
- Yeah.
- Yeah, I know
teach me please.
- [Amina] So excited to share
all I have with you. (laughs)
- [Rachel] Tell us about your childhood,
and running around the olive groves.
- Yeah, we used to go every weekend.
It's a farm that my grandfather
planted with olive trees
in the 40s.
- Wow.
- We were free to run
around as far as we wanted,
and as long as we came back before sunset,
that was it.
- Amina, where did the inspiration
for your business come from?
- My children had
sensitivities and eczema,
and skin conditions.
And I became aware of
the dangers of chemicals
found in regular skin care products.
Living on an olive farm, and
producing my own olive oil
gave me the inspiration
to try to make products
based on olive oil to provide
for their skincare needs
in an natural, and safe way.
If you had asked me what I'd
be doing 20 years from now,
I would have never imagined that I'd be
in the cosmetic industry
producing skin care products.
(distant chattering)
- [Rachel] Should we pick our color first?
- [Woman] Yeah.
- Ooh, this is good.
- I'm always the same.
- Yeah.
- [Jess] Maybe I should spice it up.
- [Amina] Yeah, I think you should.
- So green, always green.
I like how Jordan is all one,
it's like monochromatic,
a lot of sand color.
I feel like I should get that color.
- Yeah.
My parents are, my father is Jordanian,
and my mother is, she
likes to put it Jordanian,
but originally Swedish. (laughs)
'Cause she's been living
here for now many many years,
so I come from very different backgrounds.
I struggled a bit when I was a teenager
you know, with identity.
I didn't feel I really fit in here,
and I didn't really feel
I fit in Sweden, you know?
- I know what you mean
about bring biracial though.
I think that a lot of mixed
people struggle with that.
Like you don't fit into either one,
did you feel like you had
to like, be more Jordanian?
- Everybody assumes even 'til
now that I'm a foreigner.
But you can pick and
choose for both cultures,
aspects that you like,
and not have to fit into other aspects
that you might not like.
So I thought that was
for me, very liberating.
(playful music)
- Thick black, long hair,
yes.
- (laughs) Yeah.
But doesn't include us, so.
- I love scrubs.
I always use honey, and lemon, and oats.
(playful music)
- So we are on our way to the Dead Sea
with Amina, and Rach,
and we got Sarah in the back.
- Okay, we have a lot of
resorts in the Dead Sea,
but I would like you to experience
what I call a wild beach.
First, an experience to
see as it is in nature.
The light is different,
the colors are different,
and they're, it's just
something very surreal.
- I'm so excited.
- Sounds are even different
there, everything's--
- Sounds?
- Yeah, you feel different.
- [Rachel] How is the Dead
Sea good for your skin?
- I have a range of Dead Sea products,
we use a lot of ingredients.
The water as well as the mud,
it's rich in minerals.
Lots of magnesium, and lots of salts.
- You know what I love about Jordan
that is not really talked
about much in the media?
There's so many powerful woman here,
no?
- Yeah,
that's true, many woman here work,
and have their own income.
Not everything is what
you see it as you know,
so you might assume that
just because a woman is,
looks traditional and is covered up,
that she is weak and
has no mind of her own,
but she isn't.
- Yeah.
It's so beautiful.
- Yeah.
- She's so hospitable,
and so thoughtful of her
to take us somewhere that wasn't touristy.
And this place she took us was so barren.
Like, you had to know
like a local to go there.
- Look at this color!
I felt like I was in
like in another planet.
You look to one side, you
have all these salt formations
that looked like ice.
Everything looked like
so geometrically aligned.
- It was sacred geometry.
- It was insane.
It is time for my twirl of the Dead Sea.
And how did you feel
about when we lathered
all the mud on?
- Oh my goodness.
- That was my favorite.
- I felt really--
(Rachel singing)
- Like a beauty warrior?
("Undertow" by Rae Spoon)
♪ I'm waiting in suspense ♪
♪ I should've told you what I meant ♪
- [Rachel] Yeah, like I felt powerful.
- [Jess] Yeah, that's what I'm saying.
- I don't know, I guess
something about the minerals,
like and just, it's so soft,
and then just self touch
is always really nice,
it's a nice ritual that you
just lather yourself up.
("Undertow" by Rae Spoon)
♪ It's the undertow ♪
♪ It's gonna pull pull pull ♪
♪ You down below ♪
♪ It's the undertow ♪
- Look at my height.
- Finally.
- The Dead Sea
made Jess grow.
- Yeah. (laughs)
- It's magical, come
check it out shorties.
It does to show her duality.
It's the nice like
resort, and like the mud,
and the tourists.
But what's also nice is just to see it
in it's natural state.
How it exists with nature, and that says
so much about her and her duality.
- And you're left with that glow.
Glow, glow, glow, glow.
It was really, really nice.
- Okay, actually what
makes me feel powerful is
I don't believe that power is tangible.
I think that power is an illusion.
- Everyone feels most
powerful when they achieve
the things they wanted to.
Everyone respects you.
- People believe what they see.
So even if it's not
always what you're feeling
on the inside, as long as you can embody
what you want to be
even if it's difficult,
then you can become very powerful.
Just pop in your earphones,
and listen to Big Papa, you know? (laughs)
Power walk down the street.
(gentle, somber music)
- Whoa.
- Welcome to my space.
- Oh my.
- Careful there's paint
everywhere. (laughs)
Yeah, this is my latest painting.
It's not really finished yet.
Most of my paintings are olive trees.
And they're many of them,
especially the large ones,
not the small ones, are
based on my silhouette.
So I stand like this, and
depending on how I feel,
I trace myself.
- [Jess] It's like self portrait?
- Yeah, yeah, the majority
- That's so cool.
- [Amina] of them are
self portraits, yeah.
I was just thinking about
it, that it's very unusual.
I usually communicate
here, but not using words.
- [Jess] How do you manage the logistics
of running a business, being
an artist, you know, a family?
- Initially I was you know,
just work, work, work.
And you know, when you
have your own business
you tend to sleep it, eat it, dream it.
You know, I wake up at
three o'clock in the morning
and oh, I forgot to do
that, and that's it.
You know, you're switched on,
you can't go back to sleep again.
Then I realized you know, to keep going,
and to be able to sustain this,
I needed to you know, find my balance.
I have to dedicate one day where I just
don't go to the factory, and
I dedicate it to painting.
(gentle, somber music)
(birds chirping)
- [Rachel] It's so nice to see
that you've done everything
in a company, and so you
know how everything works.
- I had to learn, (laughs)
I had to figure it out.
'Cause it was just me in the
facility, in the factories.
We are happy to have you,
- Thank you.
- and the extra hands,
but you have to work.
You have to work for the olives,
and the oil.
- I will work for olives,
and stay.
- (laughs) Okay, excellent.
- Hello, Jessica, nice to meet you.
(speaking foreign language)
Nice to meet you.
- [Amina] We have to get dressed, yeah.
Using skin care products
and having it in a factory
is totally different than the studio.
And there is a very big difference
in the way that I keep my factory,
and the way my studio is.
And I am so surprised at myself though,
'cause you wouldn't think
it's the same person.
- [Rachel] Okay, ready?
- [Amina] Ooh, ooh, that's nice. (laughs)
- I like these, they're very profesh.
- [Amina] I've since now
maybe four, five years
exclusively only hire woman.
- [Jess] Staying kind of in the middle?
- Yeah, stay in the middle,
and then just pull light.
You weigh through so you don't get the,
as women, I think the best thing
we can do for each other
is to support each other,
and work together.
So I think for me,
empowering women is the most
important thing 'cause through empowering,
women around me, they'll be empowered,
so women in general are empowered,
and I think the world would
be a much better place.
We all face our days in the same way.
So yeah, it's very important.
I like it when ladies get
excited about machines,
it's something very satisfying.
- I know that smell from two minutes ago
when we were inside, wow.
It feels so good.
(lighthearted music)
(speaking foreign language)
- [Jess] They're calling me Honey.
- You have women from the Jerash camp
working with you every year,
what does that relationship
specifically mean to you?
- It means a lot because I think women
who come from you know,
in situations like them, like refugees.
They've probably been
born into being refugees,
and they're going to be refugees
for the rest of their lives.
They feel marginalized,
they don't feel seen.
- I think a lot of marginalized people
are usually people of color,
and they look like me.
- I think women in general
are very resilient and resourceful.
So whatever cultural limitations,
or expectations, or you know,
things they're allowed to do,
and not to do, they
find a way around that.
(lighthearted music)
- Gosh!
- (mumbles) Sit there, yeah.
- This is a dream.
- Oh my gosh,
look at this.
- Wow.
- And fresh olive oil.
- [Rachel] (gasps) From your land.
- A lot of people think
that beauty is oh you know,
I have this little magic potion,
let me open it up, and that's it.
No, it means caring for yourself,
caring for others.
Providing a safe space for
you to express yourself,
and for others to express themselves.
(distant chattering)
- Yeah, try those with,
and these are the
different types of olives
you need to taste.
Different--
- My mouth is watering.
- [Rachel] I know, I'm
like so ready for this.
Do you think that you're beautiful?
- It's a process, its not,
what I was when I was 15, 16,
20, 25, 30, 35, I'm not the same person.
You know, I look back at you
know, chapters in my life
like chapters in a book.
There's an introduction,
there's the main body, and
then there's a conclusion.
- [Rachel] Is there a
conclusion, you know?
- The best conclusion
that can be is you being
accepting of yourself,
and totally accepting it
without you know, being worried about
what others are saying, and you know,
wanting to please others.
Just that's, I think the
ultimate conclusion. (laughs)
(birds chirping)
- Thanks for watching Beauty Mark.
- If you like what you saw,
subscribe for more.
- Subscribe for more.
(laughs) I said it.
- You did it.
Okay, you're leaving me.
- Oh, sorry, sorry, I got
really excited. (laughs)
| {
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Welcome to Unit 5. The main topic for Unit 5 is cryptographic protocols.
We're going to look at ways to use the things that we've seen in the previous 4 units
to solve problems.
So we'll be using symmetric encryption, we'll be using cryptographic hash functions,
and we'll be using asymmetric encryption to solve problems.
And the main problem we're going to solve is how to authenticate
between a client and a server.
Any time we talk about cryptographic protocols, we have to think about what our threat model is.
If we want to argue that a protocol is secure, we need to understand the threat model,
which means knowing the capabilities of the adversary.
In order to argue the protocol is secure, we need to argue that an adversary
with only those capabilities will not be able to break the protocol.
So what are the kinds of things we need to assume?
The first main assumption is that the adversary has limited computational power.
And that generally means that we're assuming that our encryption primitives work
and the attacker who intercepts a message encrypted with some key k
is not able to decrypt it unless they know k
or have some other advantage for decrypting that message.
We also assume that hash functions have the properties they should--
that it's preimage resistant,
so an adversary who has the hash of x cannot figure out what x was,
and that they also have strong collision resistance--
that an adversary can't find 2 values that hash to the same output.
We might also make assumptions about what the attacker can do to the network.
If the attacker is passive, that would mean that they can only eavesdrop.
They can listen in on messages on the network, but they can't modify them
and they can't inject their own messages into the network.
A more powerful adversary would be an active attacker.
An active attacker controls the network.
They can modify data and messages. They can replay messages.
That means they can record messages on the network
and then at some later time replay a message that they heard previously.
They can also do attacks like we saw against Diffie-Hellman
where they act as a middleman intercepting traffic between 2 parties
and replacing it with their own traffic.
So let's have a quiz to see if you understand threat models.
Which of these threat models would be a good model for an adversary
who controls a router on the Internet?
| {
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Hey guys! I'm Trina and today I want to do
a different kind of review. I want to talk
about adult coloring books. I don't know,
I just want to talk about coloring. Coloring is fun.
The one that I have specifically is
the Secret Garden by Johanna Basford. She
has another one that's out called The Enchanted
Forest, which is also very very popular. And
she's got a new one coming out in October
called Lost Ocean. Adult coloring books are
very very trendy right now so there are several
different ones out there, not just the Johanna
Basford books, but this is the one I have.
When I picked this one out I had trouble knowing
which art medium I wanted to use on it. Did
I want to use colored pencils? Gel pens? Markers?
So that is specifically what I will talking
about in this review today. It's probably
more a review of the paper quality and what
you can use in these coloring books. Obviously,
I can only speak about this coloring book
that I have but I would think it is safe to
assume that because the Enchanted Forest and
the Lost Ocean are also by the same artist
and same company putting them out that the
paper quality would probably be the same.
So you can probably assume that what I'm saying
is good for all of Johanna Basford's coloring
books. Basically, the reason I'm doing this
review is because it took me a long time to
pick out which coloring book I wanted. I would
really just suggest going on Amazon, searching
for adult coloring books, and just doing the
preview images. You can also look in the customer
reviews -a lot of times reviews do include
images of their finished product too - and
just look at the art styles and see if it's
a style that you like. I would highly recommend
the Johanna Basford adult coloring books because
one thing that's really cool about them is
it's not just coloring, there are actually
a lot of pages that ask you to finish the
image or fill in your own details. These are
actually front and back printed, so you get
double the amount of images. Another cool
thing about this is that you can remove the
cover and the inside of the cover can be colored,
and then you can color the actual binding
of the book. So I felt like the Johanna Basford
books were a better investment because I was
getting basically double the images, but I
was worried about bleed through. Since they
are printed front and back, was I going to
be able to use markers or were they going
to bleed through? I have used all 3 of these
different mediums in my coloring book : colored
pencils, gel pens, and markers. I'll start
with the markers first since I was just talking
about bleed through. You can actually read
a lot of customer reviews for any of the adult
coloring books that mention what those different
customers are using in their coloring books
and how they perform. So I kept seeing the
name Staedtler as a brand of markers that
don't bleed through and I picked up a 20 pack.
I got mine at Staples, you can also find them
on Amazon, and I've seen some Staedtlet products
at Target so you can check there. Specifically
I went with the fibre tip markers because
they not only have the very small tip, but
they have a broader edge that you can color
larger spaces with. I'll give you a close
up of what the tip of these markers look like.
Another option you can get with Staedtler
markers are the fine tipped, but I didn't
want those because I didn't want to be dealing
with large spaces and coloring it in with
this teeny tiny little point. So, these work
good for the fine details and the larger spaces.
And I've had absolutely NO problems with bleed
through whatsoever. I have colored 1 page
with the markers so far and I will show you
the back of that page too to prove that there
was no bleed through for me. The paper is
pretty thick so I think that it would probably
take most markers alright, but not like a
Sharpie. So I would definitely suggest the
Staedtler brand if you don't know which markers
to pick up. So like I said, a lot of customer
reviews of these coloring books will mention
what they used and I saw so many people mentioning
gel pens so I picked up a pack of Fiskars
gel pens. I got a 48 color pack and they have
like, neons, pastels, metallics, glitter.
They can really get in there for the fine
details and have a lot of great colors. The
true downside of the gel pens is that it just
takes a while for them to dry. As you go all
over the page you might smear it before they
have had a chance to dry. But if you can deal
with the drying time, or if you can rotate
the page so that you're not smudging it with
the side of your hand, or if you can just
go left to right or right to left then I don't
think you'll have that much problem with it.
I've used gel pens more than any other of
these mediums in my coloring book so far.
I'll show you some close ups of these images
too. The end result really is great with the
gel pens - I really like how bold the colors
are and the different textures you can get
because of the glitter or the metallic or
the neon. And lastly, probably the most commonly
used coloring method is just colored pencils.
I have a mixture of Crayola, Prismacolor,
and Faber-Castell brand colored pencils. I
would just say to start out with a basic pack
of Crayolas. They are very affordable. You
can get like 48 colors and then once you start
actually coloring with them and noticing which
colors you wish you had, then you can go to
like a craft store - Hobby Lobby and Michael's
I know sell individual colors of Prismacolor
and Faber-Castell. They will cost you about
$2 per pencil, which is a little bit steep,
but it's a good way to start out with a basic
set of Crayolas and then supplement as you
come across colors that you wish you had.
Prismacolors and Faber-Castells do go on a
lot more smoothly and they blend a lot easier,
but to be honest, Crayolas work really well
on the paper in this Johanna Basford coloring
book because the paper is very smooth so it
lets them blend out really easily. So really,
any of these options are going to work just
fine in these coloring books. So, that was
my really unusual review of a coloring book.
I hope that maybe this had helped you and
answered some questions that you might have
had because I had those same questions. Thank
you so much for watching and I will see you
in the comments. Byeeee!
[Outro Music]
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Today's tropic is may not be liked my many
because it is coming from my heart
if you find it good then like it or dislike it
and do comment how we can improve it
so in the past our country used to called golden bird because people lived here like a united
but with the invent of many kings,our country got seperated
and after that british capture us and made us fight among us
and british became the king
and again our country got united and fought for the freedom and finally we got it
but after the freedom our country could not unite because of cast and creed
higher cast is big,small caste is minor,hindu,sikh all that
so british put this illogical things in indians to divide
at that time in village big caste people disrespect small caste people and untouchability concepts
so to deal with this an act was passed
so to uplift this lower caste they made a reservation in order to provide jobs
because the one who has more money they get respect
so to provide the lower caste respect they made a reservation
so with this the upper caste people too more advantage of them and started to criticizing them
you can't do this and all that
so to deal with this one more act was been implemented sc/st act
so in this act if you hurt the lower caste you would be jailed
recently we had all india strike because of the change in the act
in the new act if a guy hurt the lower one then there would be inspection first and if he will be culprit then he will be sent to jail
but still this act can be misused in the village were upper caste can suppress the lower caste
so this act was introduced so that to overcome the misuse of the law
here not any system is perfect
in olden times people with less money are lower caste and with more money are higher caste by default
but suppose in 1800s the sc guy used to be poor and we helped him to uplift
now we is uplifted and his son too is uplift
but we provide them the reservation and the next generation too will be having reservation
basically if a guy needs something then provide them,but if we make them used to it then
he may misuse it
what they are doing is
if you are uplifted then you did not want a sc/st reservation.
if your father earns enough,then does you need sc/st reservation?
here I need to modify the system law
the person who is below poverty line
so we can make a criteria
if a guy earn this than he will be in this criteria and like that accordingly
now I am not only targeting the villages but I am talking overall
generally we see that poor people are suppressed in the society and not the rich
so we can categorise in a different way
like the most poor one will be having this type of quota and the least one will get this type of quota
as we see recently we saw many protest about chaat andolan,patel andolan
all that,I can do make my protest about general andolan,come and protest with me
one more thing about reservation
suppose out of 100 seats 20 are reserved
so out of 80 seats all the caste,including sc/st will be competing here
one more thing,news channels and papers always try to distract you buy make a fake news,so I recommend you not to watch it
if you are a sensible person,then think of it does hindu,muslim affect person mentality
in news we see dalit is killed by someone,Hindu Muslim fight
these things does not matter,if you categories in 123
if some one is earning less then Rs 10000 then put in one cetogory
all the cetogories must be corruption free
most of the officers give the certificates on the basis of bribe
but it will be misused again,so the one coming under this cetegory must get the some advantage and not the all
so that they can't misuse it
suppose
I come in a 1st cetegory then
and for example my income is less then R$s 10000 per annul
so if I earn Rs less then 10000 then I would not have a property on it
if I have then either I need to quit the reservation or the property
or if my family does have it then again I need to quit it
so with this misuse may stop,according to me
so according to me do not divide the country,instead develop you thinking
we are separating the country based on caste,due to this in coming years
guys will misuse the law,and again the country will tend to divide and lead to disaster
most of you did not have liked my point of view
but this is my point of view do comment your point of view below
buy good night whenever you are watching the video
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Hi Friends, Before begin this vlog,I would like to share this info that, I had my quarantine between April 18th till May-4th 2020.
Hi Friends, Before begin this vlog,I would like to share this info that, I had my quarantine between April 18th- May -4th 2020.
The aim of this vlog is to pass the message to everyone not to be afraid of covid-19 .
by following systematic & regular healthy habits in our daily routine.we can survive this epidemic quickly
hi friends, AssalamualAikum
My name is Shahana Abdul Khader
wishing all my friends a very peaceful and happy quarantine days
we know,most of us are in quarantine this days
very few people like us were in real lock down due to covid
after getting result of Covid test ,we were in real Isolation for 2 weeks
here I am sharing my quarantine days experience with you all.
Sharing my personal experience in this video with you all
my covid journey started not from my work place or not from my family or not from my friends.
I got it from my villa were I stay in Qatar
I am living in a sharing villa here
Upstairs owner of the villa & down stairs us
one of our villa mate got it first and then his family too got effected.
they were public servants,medium of getting Covid were from them
so our neighbors got identified positive first
5 of them from our neighbors family got positive results,immediately they informed us on the same day
asked us to inform health department & say we are exposed to the patients and need to take covid test
or else directly go to Wakra emergency hospital to do the test .
we have a test center for direct test available there in Wakra hospital
First we got little panic
how much we were taken care for it and never went out side of our villa till that day
finally it reached to our own compound.just think about it.
decided no need to worry about it, because our family strongly believe that god has a plan for everything,
to be honest still I was little panic because I have a child and husband to take care of
next we contacted many times in health department
they said ,if you don't show any symptoms no need to panic and stay at home safe
we were still tensed
because we were sharing the same Main entrance door with our neighbors in the villa
we never knew about it first,my kid used to play outdoor often after her online class.
I was tensed that she also got exposed to the main entrance area
finally three of us went to Wakra hospital directly to do the test that day evening
but they didn't do test for my husband and kid,because they were not showing any symptoms for it
if your exposed to patients they stay upstairs and you stay down,so no need to worry they said
when I explained in detail again,they were ready to do the preliminary test
In that I show mild fever [38] & and my blood pressure was [140] little high.
due to my mild symptoms in primary test ,they took only my swab test on 18th April -2020.
The same day we approach them to do the swab test for my kid and husband but they didn't do test because of no symptoms shown by them and send us back home .
as you know I am a teacher
I was doing my online class work on 19th Aril Morning time,that was a Sunday
Sunday's are working days in Qatar.during online work time, I received a call again from Hamad health department.
a lady doctor contacted me and said your results came positive.
get ready with your bags, we will send you an ambulance to take you to communicable disease center [CDC]for more detailed check up
later I was there at home for 3 days home isolation waiting for ambulance.
I was lucky that I had a facility for using single bedroom & bathroom during isolation at home [which is very important]
my husband and kid used the normal bedroom facility at home
for my kids safety, quickly my husband did sanitize all items at home which I was using till that moment
I stood 3 days in complete isolation at home .
I must say my husband is the one did everything during those 3 days of my strict home isolation,
what ever I need I used to inform him through whatsup & IMO.He is the one taken care of everything at home including our kid .
we have a little corridor between our bedroom and living room to go upstairs.
we call it as Majilis in middle east .that was the place,I choose to do my home quarantine.
our normal facility was very close to this quarantine living space
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♪ [theme]
>> Tom Harrington:
This week on marketplace...
[gas pump bell]
getting hosed at the pumps.
>> Who do we trust?
>> Tom: Are we being misled
into spending millions
we don't have to?
>> Which gas is better
for my car?
>> Supreme.
>> Tom: Wasting money on gas
most of our cars don't need.
Oil companies
are misleading drivers?
>> Absolutely!
>> Tom: We put Premium gas
to the test, and you won't
believe what we find.
>> It's actually hurting
the environment!
>> Why are they selling people
a kind of gas that
they don't need?
♪ ♪
♪ ♪
>> Tom: We're cruising
along the back roads
of Southwestern Ontario.
It's the marketplace
gas challenge.
Premium versus Regular.
Which one will come out on top?
Stay tuned for the lowdown
on high octane.
♪ ♪
No matter what you
put in your tank,
the price across the country
is high, too.
And for Premium, well,
you pay a premium.
As much as 15 cents more
per litre than Regular.
We're at a gas station
in Toronto's East End.
How are you doing? Can I ask
you a couple of questions?
Gauging your gas-buying habits.
What do you know
about Premium gas?
>> I think it's better
for your motor?
>> It's supposed to make it
run better, right?
>> It burns cleaner.
>> It's supposed to be better
for your car in terms of,
I don't know, some additives or
something that they put into it.
[♪]
>> Tom: Ads like this seem
to drive that home.
[♪]
>> Announcer: Shell V-Power.
Our most advanced fuel ever.
>> Tom: Making the pitch that
Premium's better for your car.
>> Announcer: Nitrogen-enriched
for optimum performance,
maximum protection.
>> Tom: Now, it's true that
some car-makers recommend
putting Premium fuel
in their high-end models,
but what about most of us
who drive regular cars?
Do you ever buy Premium gas?
>> Sometimes.
>> In my other car, I did.
>> Once in a while, I do like
to because they say it's
better for the car. You know?
>> Tom: Who says?
>> Uh, I don't know!
I guess just other people
that have worked at the gas
stations and stuff have told
me over the years.
>> It's better quality, I think.
This is what they say.
>> Tom: Did it require Premium?
>> No, but I mean, it's supposed
to be better for the car, right?
>> It's a treat.
If I've got extra money,
I think, okay, I'll put
the Premium in today.
[chanting]
>> Tom: Treating body and mind
with care is at the centre
of Karuna Brandy's life.
>> Sending the breath
into the joints.
>> Tom: She teaches yoga out of
her home in East-End Toronto.
>> So, we're actually increasing
the lubrication here.
>> Tom: A believer in the
holistic approach, even when
it comes to buying gas.
>> I'm so not the right
person to ask.
>> Tom: As we learn when we
first meet her at the pumps,
putting higher octane
gas into her Honda Civic.
So, why?
>> Because I get better gas
mileage with my car.
>> Tom: On the higher--?
>> On the higher octane.
>> Tom: Well, what have you
heard about Premium gas?
>> I'm a yogi eco-person.
So, in my mind-- I don't
know if it's true or not,
but in my mind, I believe
it's true that if I buy
the higher-grade gas,
it burns cleaner.
[♪]
>> Tom: Is she right?
We want to find out if
Premium gas really does all
those wonderful things.
So, we're doing three tests
with a regular car.
Does it run better, go farther,
burn cleaner with Premium?
The choice for our first
experiment is Shell's
Premium V-Power.
We're using this 2013
Chevrolet Cruze,
one of the best-selling
passenger cars in Canada.
And our lab, if you like,
is the Canadian Automotive
and Trucking Institute
in Cambridge, Ontario.
Marty Stanfel is running
our test.
He's been an instructor here
for more than 20 years.
How'd I do?
>> That's great.
>> Tom: Okay, thanks.
Hey, Marty, Tom Harrington.
>> Hi, Tom, how are you?
>> Tom: Thanks for helping
us out today.
>> You're more than welcome.
>> Tom: Okay.
Let's see, we're testing
Premium versus Regular gas?
>> That's right.
>> What will this machine do?
>> What this machine is
going to do, is we're going
to measure the performance
of the car by measuring
the horsepower and the torque
and see if there's any
difference between Regular
fuel and Premium fuel.
>> Tom: So, what
do you need me to do?
>> I'm going to strap down
the car and then I need you
to do 50 kilometres an hour.
>> Tom: Okay.
>> And put on the cruise
control, and we'll get
some numbers here.
>> Tom: Great. Let's do that.
[♪]
>> Tom: Our first test
is looking at performance.
Does the engine run better
on Premium?
We start by running the
Chevy Cruze on Regular gas.
What is this telling us
about how the engine's
performing on Regular gas?
>> What it's telling us
right now is that this
is taking this amount
of horsepower to make these
wheels turn, and using up
that much fuel.
>> Tom: We have our reading
with the Regular.
Time to switch over now
to the Premium fuel.
Okay, I was going to say
fill 'er up, but I think
you have to empty it.
>> Good point.
>> Tom: I've never
done that before.
So, we drain the Regular gas.
And put in the
Shell V-Power Premium.
We have Premium gas in the car
now, so do you expect any
of those numbers to change?
>> I'm thinking this number
here is going to drop.
I'm not too sure about this
number, but I'm thinking this
number here is going to come
in at a lower number.
>> Tom: And if it's a lower
number, that means what?
>> That means that the
engine is running more
proficiently and doesn't
need as much power to make
it run the same speed.
>> Tom: Okay.
>> Because of the high
test fuel.
[car accelerating]
>> Tom: So, what are we seeing?
>> We're seeing the same
numbers as before.
That's very interesting.
>> Tom: What do you make of it?
Shouldn't the Premium
be lower number?
>> You would think.
>> Tom: What does that tell you?
>> I think what's happening
here with the Premium fuel
running through here,
the computer of the car
is compensating for that.
And it's going to give you
the same numbers because
that's what that engine
was designed to do.
So, proficiency and efficiency
of the car, by putting
in Premium or its desired
Regular octane, it's negligible,
you won't see a difference.
>> Tom: That's right.
Our test shows our regular car
does not run better on Premium.
[♪]
Car talk has been
Mark Whinton's second
language since he was a boy.
Today, he's an automotive
teacher and writes a blog
on the car industry.
Mark's also an expert
witness on car cases in
Ontario Superior Court.
What's your recommendation to
people about what gas to use?
>> Regular.
Always.
>> Tom: One of the things about
Premium is that it makes
your engine perform better.
True or false?
>> No.
That's false.
>> Tom: How many would even
notice the difference
between the two?
>> Nobody.
I mean, you could blindfold me,
I couldn't tell the difference.
[laughs]
>> Tom: We ask Mark to put
his mileage where his mouth is.
He gets the keys to the Chevy
Cruze for our second test.
We want to see if our car gets
better mileage on Premium.
This time, we're using
Esso Supreme.
>> Set trip to zero.
Resetting gas... and off we go.
I expect the result to be
very, very close; within a
half a litre per 100 kilometres.
And stop.
Five litres. Full stop.
4.8 litres.
>> Tell me about the results,
based on what you're seeing?
>> I don't see any
difference at all.
Any variance you would get
would be due to just
the testing variance,
just between the equipment
itself, its tolerances,
the car itself, its tolerances.
That's it.
You're not seeing any
real-world difference.
>> Tom: Is there any benefit
at all to putting Premium
in a regular car?
>> No, none whatsoever.
I don't know how to put it
any plainer than that.
[laughs]
>> Tom: And Mark doesn't
just talk the talk.
He drives the drive.
Remember that muscle car
he likes to take for a spin
on a nice day?
Well, GM may recommend
Premium, but Mark puts
Regular in the tank.
>> If I was going to go to,
say, a racetrack or something,
definitely I would put
Premium in the car.
But just driving around
to and fro?
Don't need it, not required.
>> Tom: They talk about the idea
the engine knocks if
you're not putting in
the right kind of gas.
Have you ever noticed anything
like that with your 'vette?
>> No.
Modern cars have a lot of engine
management technology that tunes
the car while you drive.
So, if you put in a Regular
grade fuel and the engine
does knock, before you hear it,
the engine will change
the timing and get rid
of the knock.
>> Tom: How much money have
you saved, do you think?
>> Oh, about 10 bucks a fill-up.
>> Tom: Mark isn't
a lone wolf on this.
None other than the U.S.
government agrees with him.
The Federal Trade Commission,
the FTC, says using a higher
octane gas than your owner's
manual recommends, "won't make
your car perform better,
go faster, get better mileage,
or run cleaner."
And, "Unless your engine
is knocking...
is a waste of money."
Back at the gas station,
how will car owners react?
>> Oh, really?
I'd be surprised, but not.
>> So it shouldn't be 15 cents
more a litre, right?
>> It's a scam. [laughs]
That they're getting us with the
thinking that it's better for
our cars and really it's not.
>> Tom: Do you think gas
stations, oil companies,
are misleading drivers
about Premium gas?
>> I think so.
Oh, yeah, absolutely!
>> Tom: In the U.S., the FTC
says the same thing.
It's gone after some companies
for misleading advertising.
Esso's parent company, Exxon,
agreed to run new commercials
after giving drivers
in the U.S. the wrong
impression about Premium.
So, what's the sales
pitch here?
We're taking our hidden cameras
to gas stations across Canada,
and find out there's
a premium on accuracy.
>> This one is
87 per cent clean.
This is 89 per cent clean.
This is 91 per cent clean.
[♪]
♪ [theme]
>> Tom: We're pulling up to the
pumps and putting claims about
Premium gas to the test.
The American government
and many experts are warning
drivers not to waste
their money on Premium.
So, we take our hidden cameras
to gas stations in Halifax,
Toronto, and Vancouver.
Will they make the pitch
for Premium in a regular car?
>> What would you recommend?
Should I get the Premium
or the Regular?
>> Tom: Some seem to give
the correct advice.
>> I think so, Regular.
>> In this?
>> Yeah?
>> You don't need it.
>> Tom: But others say
Premium is king.
>> Should I get Regular
or Premium?
>> Premium, sir.
>> Premium's better?
>> This car need a Premium,
yeah.
>> Which gas is better
for my car?
>> That is the...
Supreme.
>> Tom: And one of the reasons
they're telling us to go
with Premium over Regular?
>> You're going to notice
more gas mileage.
>> You will know the
difference by your mileage.
>> You can get more mileage
out of this gas.
>> Tom: Better mileage,
in a car that doesn't need it,
and a claim experts say
is simply not true.
The oil companies
pump up another claim
about Premium gas.
>> It keeps the engine clean
so you don't have to buy all
those cleaners.
>> If you want to be a little
on the safer side, take 89.
>> What will that do, though?
>> It's a little more cleaner.
This one is 87 per cent clean.
This is 89 per cent clean.
This is 91 per cent clean.
>> Tom: Clean can mean
all kinds of things.
>> Announcer: Esso
scientists have engineered
gasoline on the molecular level
to help clean up intake valves
and help deliver
better fuel economy.
>> Tom: But to the oil
companies, clean is all
about the detergents
they put in their gas.
>> With 20 per cent more
cleaning agents than before...
>> Tom: And they sell it
like other people sell
laundry soap.
>> [whispers] No other gasoline
protects your engine better.
>> Tom: Petro Canada goes
so far as to call
its gas "RegularClean"
and "SuperClean".
Our expert, Mark Whinton,
says, time to come clean
on this one.
>> I've noticed that they're
making everybody think their
engines are dirty and they
need to be cleaned, and that
if you clean them, you'll get
better performance and things.
You know, engine's today
stay pretty clean.
I mean, it's a bit of a fallacy
to think, oh, we have, you know,
hundreds of thousands
of engines running around,
they're all gunked up
that need cleaning!
It's simply not the case.
And all the other gases,
their regular gases,
have detergents as well,
as mandated by law.
>> Tom: The FTC agrees
on that one, too,
"high octane gasoline
does not outperform Regular
octane in preventing engine
deposits from forming,
in removing them, or in
cleaning your car's engine.
In fact, the U.S.
Environmental Protection
Agency requires that all
octane grades of all brands
of gasoline contain engine
cleaning detergent additives."
We have the same rules
for Canadian gas.
There's another Premium promise
that you hear
from the oil companies;
that Premium gas is kinder and
gentler for the environment.
>> This is the heal-all,
so it heals on all levels.
Hi, baby.
>> Tom: Remember our yoga
instructor?
Karuna Brandy
elieves in tending to
and protecting the Earth.
So, even though Honda
recommends Regular, Karuna
puts in Premium gas because
she believes it causes
less pollution.
Time to clear the air.
♪ ♪
Our third and final test
is on emissions.
We're back at the Canadian
Automotive and Trucking
Institute, where Marty Stanfel
gets a reading
with Regular gas.
>> You'll notice here
we're only having six parts
per million of hydrocarbons,
that's a very clean car.
>> The overall tells us what?
>> This tells us that this
is a very clean-running gas,
with a clean-running car.
>> Tom: Now, out with
the Regular and in
with Shell V-Power Premium.
Any difference to be expected?
>> Again, I'm hoping to see
lower numbers here now
because the Premium fuel
is supposed to be
a cleaner-burning fuel.
>> Tom: I step on the gas.
And what do the readings
say this time?
>> The hydrocarbons are up
a little, which means
there's unburned fuel coming
out of the tailpipe because
we're compensating, and the
Premium fuel's not getting
used up like it should
in a Premium-fuelled car.
So, therefore, it's actually
hurting the environment.
Whether or not you're
cleaning your valves
and cleaning the inside
of the engine, I couldn't
say that's true.
But I think you are hurting
more of the environment
now by running the Premium
fuel in a Regular-fuelled car.
>> Tom: We show the test
results to Karuna.
So, what do you think of that?
>> I'm speechless.
Why I think I'm doing this
is because of the opposite
of that, thinking that I'm
being cleaner as a driver.
And then I have a question,
because why are the oil
companies making these
different grades of gas,
and is it an education for us,
as consumers?
And who do we trust?
>> Tom: Time to find out.
♪ ♪
We're taking our test car
to each of the big three
gas stations.
Will they tell us
to put in Premium?
>> What would you
recommend we put in?
>> Tom: And we ask
the companies, why so much
fiction at the pump?
>> Companies are not putting
these millions of dollars
into research just
for the fun of it.
It is actually--
>> Tom: Well, they're
trying to make money.
♪ ♪
♪ [theme]
>> Tom: Our marketplace gas
challenge shows when we put
Premium gas into our
Chevy Cruze, it does not
perform better, does not get
better mileage, and does not
reduce emissions.
In fact, it creates more.
So, we decide to take our test
car to each of the three
big gas station chains
to see if they'll recommend
Premium or Regular.
First up, Shell...
>> Hi, how are you?
>> Hi, there.
What would you recommend
we put in?
>> Regular.
>> Regular?
>> Yeah!
>> This attendant gives
us the correct advice...
And when we ask about
the Premium V-Power?
>> No, no.
This car don't need V-Power.
>> Oh, okay.
>> This is GM car.
It's Regular.
>> Tom: Up next,
it's Esso's turn...
>> Which would you recommend,
Premium or Regular?
>> For this car?
You can put the Medium.
>> So, it's worth it,
the extra money?
>> For me, I recommend
you put Supreme.
>> What would it do?
>> That's, like, you can drive
like more mileage on there.
It's going to clean all
the injections and everything.
Supreme is good.
>> Tom: So, in goes the more
expensive Supreme, into a car
that doesn't need it.
Finally, we take our
test car to Petro Canada...
>> What would you
recommend we put in?
What kind of gas?
>> Ultra 94.
>> But it costs so much more.
How come?
>> Yeah, I know,
because it's the best.
>> Tom: We ask Petro Canada,
Esso, and Shell
for on-camera interviews.
They decline our offer.
We bring our test
car to Montreal
to meet the man who represents
the oil companies.
Mr. Montreuil?
>> Yes.
>> Tom Harrington
from marketplace.
>> Very pleased to meet you.
>> Tom: Carol Montreuil
is Vice-President of The
Canadian Fuels Association.
Want to start with
a simple question.
>> Yes?
>> Should people put
Premium gas in a Regular car?
>> Well, it's a very
good question.
One has to look at
the driver's manual.
It's very clearly spelled
out if you need or not,
a Premium, a Premium fuel.
>> Do the companies
that you represent,
like Shell, Petro Canada, Esso,
Husky, do they tell people
to put Premium in their cars?
>> Absolutely not.
Absolutely not!
>> Tom: We took this
Chevy Cruze to three
different gas station chains.
And we basically asked
that question.
I show him video of our test.
>> But it costs so much more.
How come?
>> Yeah, I know,
because it's the best.
>> Tom: What did you make of it?
>> Well, I mean, it stresses
the importance as a driver
to make your homework and
understand what your car needs.
The first attendant
offered Regular.
>> But why are they selling
people a kind of gas
that they don't need?
>> Well, again, I mean, when
you say it doesn't need it,
the basic requirement
for the car is indeed
to put Regular gasoline.
Companies spend millions
of dollars in research to find
the best additive, what we call
detergents, we put in gasoline,
to keep cars running cleaner.
If you do try these higher
Premium gasolines and you
feel that your car
is performing better, you might
choose to stay with
that Premium gasoline.
>> Tom: In a regular car
that doesn't--
>> Even in a regular car.
Absolutely.
>> We took this car for a test.
It did not perform any better.
It did not burn cleaner.
It did not get better mileage,
putting Premium gas in that car.
So, how do you explain that?
>> Well, it's a matter
of time, as well.
In terms of an engine
becoming dirty with deposits
in cylinders or in valve,
it will not be a matter
of days or weeks.
This would be over a long
period of many months
or many years that you will,
as a user, decide if this new
Premium gasoline you're
putting in your car
is indeed giving you
a better performance.
>> Tom: But I'm surprised
to hear you suggest that
running Premium gas in
a regular car that doesn't
need it will enhance its
performance because there
are experts around the world,
there's tons of research out
there that says the opposite.
>> Well, the problem is that,
again, you cannot look
at it only from an octane
point of view, but more with
respect to the additive,
which are detergents. Now--
>> Tom: But every gasoline
has detergents in it.
Putting more in only means
there's more detergent.
>> Yeah, but then, then
it's up to you as a user.
You know, like companies
are not putting these millions
of dollars into research
to find this best new additive
to put in the Premium
formula of gasoline just to...
for the fun of it.
It is actually--
>> Tom: Well, they're
trying to make money.
>> Yeah, I mean it is because,
obviously it's not
the same formula.
What this research on our
side is telling us, is that
it will keep your engine
cleaner with these
higher formulation
of high-value additives.
>> Tom: Seems much of that
research is hard to find.
We do come across a couple
of Petro-Canada studies,
claiming its Premium gas
cleans your engine better
than Regular.
But neither study measures
"SuperClean" against
Petro-Canada's own Regular gas,
which already
has extra detergents.
In fact, one study compares
"SuperClean" to a gas with
no detergents at all.
No wonder their "SuperClean"
comes out on top.
♪ ♪
How can we make a decision
when the information
is ostensibly skewed because
it fits their agenda?
>> Yeah, like, I'm not privy
to this research, I haven't
looked at the research,
I haven't looked at the details
of the numbers that have
come out of the research.
But I think, at the end
of the day, it's not the
research that should decide,
its the consumer with the
performance they're getting
with their car.
Again, no one is forcing anyone
to buy this Premium gasoline.
>> Tom: But if they're being
misled into thinking it's
doing things it can't do,
then, yeah, they are!
>> Yeah, well, then
you have to try it.
>> Tom: Been there, done that,
says Karuna Brandy.
>> Now, I'm driving my car
knowing it has Premium gas
in it, wondering if my emissions
are higher than
if I was driving my car
with Regular gas.
>> Tom: After our test results,
she's seen the light.
>> Could you fill it
with Regular please?
>> Sure.
>> Tom: One driver making
peace with the world.
>> So, now I have this, like,
awakened consciousness about
what kind of gas to buy.
Thank you, Tino!
>> No problem.
>> Tom: So, the next time you
visit the Premium pump,
you might ask yourself,
are you doing your car
a favour, or the oil companies?
♪ ♪
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governor -- and yesterday the
legislature failed to override
that veto.
The votes of state
representative Glenn Holmes
from Trumbull County -- left
some
people wondering where he stands
on abortion. First News Anchor
Stan Boney
this afternon talked with
Holmes.
Stan's live in the studio with
he had to say.
When the Ohio House of
Representatives voted November
15th on the heartbeat
abortion bill -- Trumbull
County's Glenn Holmes voted in
favor of it -- one of
only two Democrats in the House
to do so. But yesterday -- when
the House voted to
override the governor's veto --
Holmes changed his position --
voting not
to override. [E5]20181228
HEARTBEAT BILL-VO
I talked this afternoon with the
state representative about his
votes. Holmes
says he's pro-life -- but he
accepts that abortion is the law
of the land. He says he
voted for the bill the first
time -- so he could -- in his
words -- "get a seat at the
table" with
the Republican majority -- and
add items to the law. Holmes
favors state
government paying for birth
control -- free IUD's, free
condoms -- even free vasectomies
-- all paid for by the state. He
also wants to spend money on
babies after they're
born. [E6]20181228 HEARTBEAT
BILL-SV
"YOU KNOW ARE WE WILLING TO GIVE
MONEY TO TANF FUNDS,
TEMPORARY AID TO NEEDY FAMILIES.
ARE WE WILLING TO GIVE MONEY TO
ADOPTION SERVICES, AND FOSTER
CARE AND ALL THOSE MEDICAL
NEEDS, AND NUTRITION NEEDS THAT
KIDS NEED. AND A LOT
OF PRO LIFERS AREN'T."
Holmes wanted the birth control
and after birth programs funded
-- and when the
Republicans wouldn't give him
what he wanted -- he changed his
vote -- and said no
to overriding the governor's
veto.
Republican leaders in Columbus
have already said the heartbeat
abortion bill
will come up again next year.
Governor- elect Mike DeWine has
said he will sign it.
But Glenn Holmes says if it does
not include birth control and
after-birth
programs -- he will vote against
it. Live in the studio -- Stan
Boney -- WKBN 27
First News. [E8]530
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The whole personalized approach
that Summit’s using here is pretty amazing
because the student feels in control of
picking what they work on.
It’s a very empowering system that
the dialogue between the teacher and the student is
is really about “hey, how can I help you?”
You know and they can really focus attention
on kids who need it, and kids can go as fast as they feel equipped.
If they need to spend more time
on a particular thing, that the time is there.
Okay, so students first are absolutely incredible.
They own this place; they're like our founding students.
They really rise to the challenge.
I’m so excited for you guys to interact with them today
and to ask them how they interact with the PLP.
Once you figure it out,
you see what projects line up with which subjects,
and what you’re supposed to know for each project.
Every one of the students I talked to
has thought about what careers might be a fit for them.
They don’t have to pick exactly,
but in terms of realizing “boy, if I eventually want
to work in medicine or software,
the work I do today
is what enables me to have those opportunities.”
It all connects back, all the way to the
specific learning plan that they’re working on.
I think what this school gives to students who come here
from different backgrounds is a hope that they can
do what they want,
and I know it’s different for everybody, but
once you get here, you feel that you can succeed.
We learn from each other
and I think that’s what makes this school very different and very strong.
The kids are working together and they know what they’re doing.
Just the community here is quite amazing.
I met some incredible teachers and incredible students.
I strive to be my teacher’s.
I strive to be like the people in this school,
and I say that’s something you can’t explain with just words.
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It will be a win if you give
more people that are interested
in opportunity to buy from you,
that's going to guarantee be a win.
Hey, what's going on?
It's Joel Erway with another very
special episode of Sold With Webinars.
Today, you are in for an amazing treat.
So I'm going to hit you today with
another very special interview series.
We're going to have a joint expert
on here, a co expert, Felicia Pagesh,
and she is an international business
consultant and digital marketing
expert with over a decade of experience
in working with some of the world's
leading experts in the areas of business
success, joint ventures, personal
development, and health and wellness.
And today we're actually going to
be talking about something that
we've never talked about before,
which I have always had the idea
to, but I've never executed, right?
Because I'm a content guy.
We have tons and tons of
content, but we have the expert.
We have somebody who's done over $35
million with her webinar strategies
with herself and her clients.
And she's going to talk about a
very unique opportunity to repurpose
your webinar content, to appeal to
all different types of audiences.
Felicia, I'm excited.
Welcome to the show.
Hey, how's it going?
It's great to be here.
I'm very excited.
So why don't we kick this off real quick?
Give a quick 30 second background
about your credibility, your authority.
Let our audience kind of, you know,
rather than me talk about it cause I've
got your bio right here, but I love to
hear it from, I like to hear it from you.
Hi everybody.
My name is Felicia.
I'm a six to seven figure
business consultant.
I typically help with growth
strategies for business owners
who have sort of a webinar or some
kind of campaign strategy in place.
I'm a glorified, a whole poker, which
means I could basically go into any
campaign and within just a couple of
minutes, I could find the biggest areas
to leverage and figure out some strategies
that we can put in place to improve
based on the speed that it takes to
implement them and the level of impact
that they would have once implemented.
Like you said, I've been doing
this for about 12 years now.
I've worked with Brian Tracy, Mike
Koenigs, when you were CATI, a lot
of people in the digital marketing,
personal and development space.
And also I'm a partner in a diet and
health brand called the 17 day diet.
Um, so essentially that's me and that's
kind of what I'm going to talk to you
about a little bit today is how to
kind of repurpose some of this content,
referencing some of the different
brands that I work with and how some
of these strategies work across the
board, regardless of industry, which
is what's really, really cool about it.
Content repurposing with the webinars.
Is this something that you
always kind of had an idea for?
You say that you're a
glorified hole poker.
Where did you come up with this idea?
Was it, was this one of the holes that you
poked in one of your client's strategies
and it ended up being like a massive win?
Like where did you come up with this idea?
That would have been the
cooler way to go about it?
It's selfishly how it came about is
because, you know, we all, you know,
I've worked with all these different
companies and I see the investment that
goes into creating these webinars, right?
It's like this core content piece that
gets worked and reworked and tweaked, and
it costs a lot of money and it's just this
huge outpouring of everything of love.
And I'm sitting there going
personally, I would never watch this.
I'm too type A, I would never sit
here and watch, you know, a one hour,
content piece, but I'll make a decision
with just a couple of, you know, if I
can read a couple of lines of texts,
that's enough to get me somewhere else.
And, I realize I'm not alone in that
when I talk to other business owners
who also would never watch this thing.
We all know that it works so well, but
it's like, if we're not going to consume
it, who are we expecting to consume it?
And why would we, you know, just
kind of limit ourselves in that way.
So selfishly, it just came from my
own disinterest in spending an hour
of watching content in that way
but realizing that, you know, the
message is there, it's polished.
It's a perfect way it converts.
So how can we find better or
different ways to appeal to
people that consume differently?
Felicia.
I got to introduce you to
our mini webinar system.
That's the whole reason why we
created the mini webinar for the
type a clients who don't have the
time to sit through a webinar.
But I think what you've got here is
an excellent, excellent alternative
for repurposing this content.
So let's kind of dive into it.
Tell me about, let's start with like
the first story, the first project
that you worked on with this, with
repurposing like how did it go?
What was the, what was the project?
So I was working on a, I was working
on a webinar for it was actually
for Brian Tracy, we were doing
our how to write a book campaign.
And you know, there's a lot
of, there's a lot of different
variables that go into that.
But when you're, when you're
measuring your results, right, this
is the first place that a lot of
people make them mistakes is by
not having the right tracking in
place to measure their results.
So they're kind of shooting blind.
So we are measuring our results to see,
you know, how many people showed up,
how many people stayed, how many people
actually heard the offer, how many people,
you know, bailed before they even heard
anything but we know they're interested
in the topic because they opted in for it.
And so we were kind of
toying around with that.
We had a pretty big drop
off pretty early on.
So we were building a follow
up sequence is actually to, to
capitalize on those campaigns.
And then, you know, it kind of just,
it kind of just came to me well,
why don't we, you know, these are
people that want to write a book, I'm
sure that there are other ways that
people learn how to do this, besides,
you know, this one particular way.
So I started to just toil
with that and kind of rework
it a little bit and thought.
Okay, why don't we transcribe this?
Why don't we turn that into an ebook
and why don't we give people the
option to consume either in the webinar
format or in the book format and lo
and behold sales came in immediately.
And that was before the, these people
would have ever heard the offer otherwise.
And I'm like another great example of
this was when I was working with Mary
Morrissey, we were doing a campaign
for her where, you know, as a PLF,
like product launch formula style
campaign, it's the three videos.
And you don't hear it about an
offer until, you know, video four.
That's the solution.
So we're on video one, run video two,
and, you know, we just live in a more
instant gratification world these days,
so people are consuming differently.
So instead of having just those three
videos on the page, we had options
to transcribe video on transcribed
video, two transcribed video three.
So you can actually read the full
portion and go along $40,000 came
in before anyone would have heard an
offer before an offer was even made.
Oh, yes, by just by retweaking
it a little bit and putting that
content in front of someone that
wants to consume it differently.
So when you, I want to go back to
the Brian Tracy campaign, right?
Cause this is, this is a big, this is big.
Aha.
Okay.
So for anyone listening right now, let
me ask one question before I kind of.
Expand on my thought.
Did you tweak when you had
that transcribed, right?
You said you had a pretty
big drop off early on.
So people weren't even seeing the offer.
So you had it transcribed.
And did you send that to the entire
registration list or did you set it?
Just the people who are, who, who
jumped off here's what's really cool
about it is that there's, there's
two ways to really utilize it.
One is to get more sales.
From the webinar, one is to get
more leads into the webinar funnel.
So we, what we did is we first,
the first thing we did is we put
the option and to download the
ebook on the webinar watch page.
So it's just a very, very subtle,
soft sell, like find a soft selling,
but a very subtle link that says,
click here to download the ebook.
So it's not advertising it because
you know that your webinar's
still your poor sales component.
You still want people to
consume that as possible.
It's now saying, you know, you could
put this on the replay page or I
would put it on the first run page.
I'm all about putting the offer in
front of as many people as possible.
But
Yeah, we are going to be best friends.
We are going to be best friends,
like, like a hundred percent anyway.
So you, if you had.
Your preference, you would put it
immediately like right on the live page.
Yeah.
That, and here's what else I would do.
That's what we learned from
that it's really cool is to
get more leads into the funnel.
Right?
So if you're, if you're an opt
in page is, you know, go here for
this workshop training, go here
for this, whatever it is, right.
Free, whatever.
Perfect.
But, you know, and a lot of people
will go in because they're interested
in the topic and you know, the ones
that won't show up, maybe they're just
not consuming that way, but there's a
whole bunch of other people that would
love to maybe read about it first.
So you can actually use that
ebook or that written piece as an
incentive, right on your opt in page.
So it would look like, you know, signing,
not for this free dah, dah, whatever
minute workshop or in your case, you
know, mini workshop or whatever it may be.
But just by having this little bonus
incentive right on your opt in page, it
says, plus when you sign up, you'll get a
free, you know, 12 page or 26 page ebook.
It just overcomes any kind of resistance
by now offering both of those options
because you know that in the followup
sequence, you will give them one or
the other, or both in some capacity.
So just by putting that on the front end,
you're now opening up the funnel to, you
know, double or triple the amount of leads
just by offering that consumption type
to appeal to people on the front end.
So have you seen opt
in rates go up when you
100%.
And what's really fun is from there.
You can even flip flop it.
Because, you know, every
everyone's audience is different.
It's always worth the test.
So what we like to do is sometimes
we'll we'll feature, you know,
sign up for the free workshop.
Plus at the bottom gets
your bonus 26 page ebook.
Right.
Then we'll flip flop that sign
up for your free 25 page ebook.
Plus when you do get
a bonus mini workshop.
So have you seen one outperform the
other, or like what's your preference?
I would say.
There is no right answer for any of
the individual campaigns I've run.
I've seen some brands respond incredibly
well to the ebook first workshop second.
But I've seen it work totally
the opposite way for other ones.
That's why this is a hundred percent
of something to try out as a test.
And just to see what the response is like.
Yeah.
Also, you know, it may open up more
leads on the front end, but it may,
you know, hinder sales on the backend.
So you always want to be cautious
of how you're testing that.
And I still always recommend putting the
webinars first, once you get someone into
the funnel, advertising those things in
any variety of ways that it gets more
leads into the funnel can only help you
later when you're capitalizing on that
through the conversions in the funnel.
This is like one of those things
where you just think it's like, you
think people should have already
figured this out, like, especially,
especially marketers, right?
You think that somebody like this would be
more mainstream than it is, and it's like,
we've already got the content created, why
not turn it into a fricking ebook, send
it to rev.com like get it transcribed.
That's exactly what you're doing.
Slap a cover on that bad
boy at a table of contents.
And what's really cool about this.
What I love so much about these eBooks is.
Three weeks, three weeks after
your live launch ends or whatever.
Um, you know, the sales slow down,
obviously you don't have the urgency,
things like that with the ebook,
you're getting sales three weeks
later, you're seeing where the
heck are these things coming from?
Oh yeah.
I put a one page offer in
the back end of my ebook.
I put subtle, soft sell links
throughout my ebook, and now people
are going to an evergreen sales
page and buying this product.
From an ebook that I totally forgot they
had, that was sitting in their inbox
that they just decided to look at today.
Wow, man.
That's like, it's,
it's, it's kind of, man.
I just feel, I feel very, uh, I feel
horrible about myself right now, because
it's, it's one of those things where
it's like, you could get so much more
mileage for what you've already built.
It costs so much time, money, and
resources to create these things
that we just, you know, we don't
squeeze enough juice out of those.
Yeah.
A hundred percent.
So with, so going back to the Brian
Tracy campaign, so did you say, um,
Would that specific example, like, do you
remember, who did you send that to the
entire registration list or did you only
send that to the people who opt opted?
Who, who jumped off early or yeah.
For the ebook?
Yeah, because you said that was kind of
like a last minute thing, like you saw.
Yep.
So what segment did you send that to?
Yeah.
So what we did is, you know,
basically what I do is I create
behavior based follow up sequences.
So I was not part of the process
and basically saying, okay, there's
kind of three different groups here.
So the people that opted
in and showed up, okay.
And then there's the people, but they
didn't stay long enough to hear the offer.
And there's the people that opted in,
showed up, stayed and heard the offer,
but didn't take the call to action.
Then there's the third group of people
that opted in and didn't show up at all.
So in my, you know, there's kind of
this three of an audiences, which means
for the first audience that showed up
for the offer and just didn't respond.
You know, I don't want to send
them a webinar again, this is
kind of how this started is
they've already seen this webinar.
Clearly.
We didn't do a good enough job to overcome
resistance with this group of people.
So let's send them something else maybe
that, you know, would be more helpful.
So.
We actually took that ebook and put that
in front of them because we don't know,
you don't know how much of it, they, you
know, they may pet it on the background or
whatever it may be, but we don't want to
send them the exact same piece of content.
Let's just see if we can put
it in front of a minute ago.
And you know, that's where
we started with that group.
Then there's the group of people that
didn't stay long enough to hear the offer.
So those people, we gave them
another chance to watch the replay.
And on the replay page, we put
the option to download the ebook.
Then for the third group of people
that just didn't show up at all,
we gave them another opportunity
to show up in that group.
We did the exact same thing.
We put the ebook right on that page.
And then from there you'll either
watch it or you won't, so you
may see the ebook or you won't.
So then we would just go straight in the
followup sequence from email to ebook.
So it feels like a total different
piece of content, but you're really
driving them to the same kind of thing.
It's just, you know, shifting the
perception, shifting your purse.
I know what content actually is, and it's
just a series of ideas and those can be
delivered in a lot of different ways.
Perfect.
Yeah.
So it's interesting because the marketer
in me is thinking like, okay, if I had
a webinar and we had the people drop
off super early, I would have been like,
crap, the contents off, like Holy crap.
Like, so like we have a big issue here.
We have a really big issue here.
But what you're saying is not really
like, you know, maybe for whatever
reason, the presentation or the person
who was presenting just wasn't compelling.
Like you have no idea
why they dropped off.
It could be timing, you name it,
but the content was actually good.
Like it was, it was still good
enough to convert you just
going to switch them over.
That works for the people that,
that kind of content works for,
which is great because everyone
has something that works for them.
And really, so to you,
if you have a webinar.
Because if you have a webinar,
you have eBooks, you have action
guides, you have workbooks, it
turned those into fillable workbooks.
You actually have blog content, which
I would use to, you know, the last
part of that campaign we would send
to the people that just did nothing
months later, we would send them to
blog posts that were basically just
deconstructed versions of the three
talking points in our webinar and the
people like those and went to those pages.
We opted them back into our newly
recoiled webinars sequence to see
if we can get their interest that
way through just reading a different
consumable piece of content.
Let's let's break this down even further.
Okay.
So we talked about the Brian Teresa
campaign, like how other, I mean, and
you kind of just already touched on
it, but like, How else do you start
to repurpose it and tie it all into?
I'm assuming this all comes
into the same campaign.
New campaign, it's all secular.
Yeah.
That's the great thing about it is
you don't have to create anything
new or spend any more money.
Everything that we talk about
today is something that you can
do within the next 24 to 48 hours.
And most people take just one of these
ideas and it makes a major, major shift.
So some of the other cool things you can
do, you know, if you've got the webinar,
you can transcribe that into an ebook.
We talked about that one.
The other thing I love to do, and it
sounds like you guys do, might actually
be doing this already is, you know, these,
these micro workshops, which for us is
really a deconstructed video sequence.
So what we do is we take the
webinar, which of your three
main talking points, right?
We take that, we add a
tip and tail voiceover.
To the introduction so that you have three
now separate pieces of video content, you
had a separate intro, a separate call to
action at the end of each of those videos.
And now you have three different
opportunities to find it an angle.
That's going to appeal to someone because
maybe your webinar, how to do XYZ.
Sounds great.
But if this person here's just one
of those specifically, that one angle
that really interests them, that
might be enough to draw them in.
Then they want to stay for the
next video in the next video.
So it's just another angle to get more
people to consume that content by breaking
it down into those three video pieces.
So you've got the three video
pieces and you said this is
all part of the same campaign.
So is this after the initial campaign,
the initial webinar campaign ends?
And you are those three workshop videos,
are they three separate invites or do
they have to opt into the video series?
Like, is this, is this a PLF
video series or these are three
separate or these are just ungated.
You do not want to hinder people
from watching your content that
want to consume it in whatever
way they want to consume it.
I would never get it.
Basically I would send this to anyone
who's already opted into that sequence,
but how I'd also send it to people that
haven't, and, you know, if you want
it to put the opt in on the back end
of that video and then bring them into
the sequence that way, do that as well.
But, you know, If your content
in any way, it has a, has the
potential to sell to somebody who
wants to content and more of it.
Stop preventing them from
being able to do that.
So I would in the, in the sequence,
I would have those completely
ungated, they're just content pages
with video content, I'd add a little
subtle, soft sell link at the bottom.
For more information go here drives
to your evergreen sales page.
And then simultaneously I would also
go to my whole list of people that
haven't opted into this whole thing.
And I would say they opted
like, watch this great video,
just watch this great video.
And they go to a page that
has the video content.
And then on the back end of that, yeah.
You could say, if you want more videos
like this, tell me where to send them.
And then, you know, it's just
another way to get opt-ins into
a different part of this funnel.
And then you can even rearrange that
around so that after those three part
videos for the new people that just
opted in pop of webinar in the backend.
Perfect.
So what I'm understanding
correctly is this webinar is
really a live launch webinar.
Once it ends, then you turn it
into an evergreen sales page.
Right.
And you've got all the contacts
I have two in my pocket waiting, I have
my live launch page for the live launch.
That's happening with my bonuses,
my urgency, whatever gets
removed whenever the launch ends.
At the same time I have my
standalone evergreen sales page.
That is just whatever the price
is that I want this product to be.
I don't have it published on my
website, but I have it ready for
any of the people who buy before
the offers made in a live launch.
I haven't ready for anyone that reads
my eBooks that I had transcribed.
And anybody else that just sees a
link and is curious, wants to click
it and might buy that product.
So they're not feeling duped by,
you know, not getting the bonus
stuff because they're never seen it.
As soon as they buy from this
evergreen page, they're going to
be suppressed from this campaign.
They're going to get their deliverables
and they're going to be extremely happy.
Awesome.
So what's interesting is this secondary
campaign of all the repurposing
it's completely evergreen mean?
There was no, there was no time deadlines
on all of it and any, any of it.
Right?
This is truly just like it's.
Whenever they're ready to buy.
Like there's, there's that opportunity.
So do you ever include any urgency in
that kind of second helping campaign?
The repurposing campaign?
Yeah.
I mean a hundred percent basically, you
know, if you put these people into, you
know, if you, if you've got your live
launch webinar, you're doing everything
you can to get those people to watch it.
Right.
But if they're not going to anyway,
the evergreen thing is what's
going to be your catch all forever.
So you can do a lot of things with
you know, full disclosure, by the way
is always what has worked best for
me, not pretending like it's live.
If it's evergreen, whatever's
on demand is on demand.
People don't like to feel
like they're being duped.
Well also I feel like in some
cases, urgency makes sense.
In other cases, it's not necessary.
So for those things, you can do
a lot of fast action bonuses.
It's just that you cookie it to
the countdown timer that applies
to when they see that page.
And when they set that up, you could
definitely do things like that where
you are providing extra value for
someone that takes action right away,
or, you know, you can also have a
countdown timer that removes something.
Whenever, you know, the
countdown timer goes away.
So rather than giving
a bonus, it's saying.
This is what you were going to get for
this price, but if you don't buy it
within the next amount of time, then
you're not getting this part of it.
So it makes it yeah.
Easy for you really when you're,
when you're doing it in an evergreen
format to add and remove things
that are still urgent makes sense.
Without them actually being, you know,
in the, in the launch sense, urgent.
So if somebody gets your ebook in
the middle of that, and I think
I'm getting too deep in the weeds
here, and I hate doing this.
So if this sounds too
technical, then we can move on.
But the ebook that you send inside of your
initial webinar launch campaign, you said
that links to your evergreen sales page?
That always links to the evergreen
sales page, because you don't want to
get someone who, you know, sees a live
link from the launch and then reads that
ebook later and then feels duped by it.
So that's why as soon as I do a launch,
I always have my secondary evergreen
offer page and campaign ready to go.
Cause it's, it's basically just, you're
here launch page, but you're removing
some things or you're changing some of
the urgency so that it's standalone.
So it's a duplication of that with
some small modifications, super easy.
And it's super easy to do if you just
remember to do it at the same time.
And so if somebody buys that during the
launch, they ever say, Oh, I wanted the
bonuses or I went to the wrong link, and
then you just, you just give them access
or in the bonuses, you always honor, you
know, what, what your commitment is in.
You ultimately wanted
them to have that anyway.
Right.
Just that they saw in a different way.
So of course.
Cool.
All right.
So let's talk about those
three workshop videos.
Do those have to be rerecorded separately?
Are you just taking them from the webinar?
So here's, what's super cool about
that is if, if it's done in a way where
you're going through three talking
points in a webinar, which is your
typical structure, then with your
webinar content, I mean, with your,
with your video workshop content,
all you're doing is you are recording
a, an audio voiceover introduction.
Hey, this is Felicia today.
I want to talk to you guys about
something really important.
It's how to repurpose your
content for webinars specifically.
Okay.
And then that's it.
And then you edit that, just
pop it over a slide that comes
at the beginning of the video.
Then you attach the content
for the topic of the webinar.
Make sure you remove anything that
was time sensitive in that time.
And then you just put
an end call to action.
You record an audio.
End call to action.
Thanks so much for watching.
If you really like this, go to this
page for more information, you can get
all the details here and that's it.
And then under that little video
is a soft sell link that goes
right to your evergreen page.
So you can literally use the
exact same webinar content.
Like you don't have to rerecord it.
It's the exact same content
they pulled from the webinar.
Are you just putting the pre
roll and they, and you know, the
bumper, the bumper content, right?
Tip and tail on it.
And now you have a whole standalone
piece of content that could use in,
like I said, any number of ways, not
just a video, but any number of ways.
So on your whiteboard behind you, for
anyone who's watching the video of
this, you've got kind of, I think this
is this whole thing mapped out, right?
And so we talked about the ebook.
We talked about the three workshop
videos you've mentioned audio.
What is your favorite one that, what
is your favorite type of repurposed
content that you get from a webinar that
it seems to make a really big impact.
Yeah, for me, it's, it's the
double usage of the ebook
transcription on the download page.
I mean, on the workshop watch page,
but also the usage of that on the
opt in page to incentivize, because
you could literally double your
sales and your leads with that.
One thing I've seen it happen
across multiple different
companies in different industries.
Just by doing those two things.
It's and it's simple stuff, right?
It's it's just an adding an incentive.
It's not going to hurt anything
to put that on your opt in page.
It's just not going to hurt anything.
It's just another thing.
Oh, well, okay.
Yeah, sure.
I get two of these things.
Great.
And you know, and then you're giving
yourself a forever opportunity to get
a sale from the person that three weeks
from now, that's that email off the
shelf and decides to read your book
and then, you know, goes and buys.
It's amazing.
So the ebook is really kinda
the one that you've seen make
the biggest immediate impact.
It's so simple to do so simple to do.
You already had the
next thing you could do.
The next thing is with those, if you
decided to deconstruct it into the video
series, what I've seen work really,
really well is to take those individual
topics that you have transcribed.
And instead of turning them
into disguise, you can actually
turn them into fillable PDFs.
So it then becomes like a, it becomes
like a workshop series where you're
talking about something in a video
and, you know, in your webinar you
might be addressing things like
ask yourself, what's the number one
thing you could do to XYZ, right?
You're like working through
a process sometimes.
So instead of just transcribing
those three content pieces, you
could actually make those fillable.
Ask some questions and let them work
through each of those pieces of content.
So then they really become invested
in consuming your content because
it's not only something that
they can just read or look at.
They're actually utilizing it to, you
know, to make changes in their business,
which also hooks them into wanting to stay
for videos two and videos three, because
they're kind of building an action plan.
So we call it it's action guides
or a workbook that goes along
with your workshop training.
And that makes it a whole
different level of perceived value.
That's awesome.
I mean, you could, you could even build
out an entire micro site, like now that I
think about this, like you'd have three.
Compelling blog posts at least
three compelling blog posts.
You can pull from this webinar.
You can have worksheets, you can have
videos, you can have your webinar
and you have your sales pages.
Like you could create an entire
micro site with content, like ready
to rock and roll just from one.
Not only that did you already have.
You've already got all this stuff.
It takes literally 24 to 48 hours.
Everyone that I, when I do this
presentation live, there's always someone
that will reach out to me a day or two
later and say, just by changing this one
little thing, I had this done overnight
after I've watched this and I got 10K
from just making that little, like the
stuff is so simple, it's just not obvious.
And it's so easy to do,
which is what I love.
It.
Doesn't like everything I do
is based on speed and impact.
And so this is both of those things and
it's my favorite way to rework stuff.
The other thing is, Oh, yeah.
So there's some other stuff that you
get as well with this, basically, there
are people who, for whatever reason,
one on watch this, but they're not
in a place where they can watch it.
They want to read it, but maybe they're
not in a place where they can read it.
Also trans I also have all of
them, my MP4s turned into MP3s.
And so after I put the video in front
of them, after I put the ebook or the
transcript in front of them, the next
thing I do is say, Hey, Free download,
listen to it in your car to get anywhere
you want to go put it on your, you
know, whatever, whatever it may be.
And then the only change you make there
is you create an audible call to action
with a really easy to remember link.
Like, so just go to, you know, activate
branding forward slash book or whatever.
It may be something that they can audibly
remember, because if they're driving or
something like that, you want that URL to.
It'd be something they can easily
go to, but I've had, you know, a lot
of people take sales from listening
to this, on their commute, home,
this webinar, you know, it's not the
same as a podcast, but it's similar.
And it's similar in that there's,
you know, it's content that
people are interested in consuming
in a way that works for them.
Man, I feel like such an ashamed of
marketer, cause I don't do any of this
stuff and I like number one, we already
have the, like, this is, what's sad.
We already have my webinar
that we've got running.
That's doing very, very well.
It's already transcribed and
we've just done nothing with it.
So it's like, okay, I'll get my content
team to actually slap a design on it.
Do you go through the entire offer,
like with the transcripts at the end
or did you, do you condense it onto,
like, how do you design these books?
I mean, is it literally
like once you're growing?
Cause your offer can be sometimes 45
minutes, long, 30 to 45 minutes long.
I mean, Do you cover all that stuff?
Or do you cut some of that?
No.
So basically what I'll do is well
there's two ways you could do it.
I've done it both ways.
And it also depends on
your price point too.
I mean, if you're selling like a $3,000
program or something, you're going to
need a little more convincing, so it may
be something where you give, you know,
just the transformational benefits of
your offer and then you drive them to,
you know, an offer page with more detail.
But what I like to do is, is just
basically say, you know, if this
is the end of the content, if this
was of interest to you, I had this
amazing thing that you might like it's
benefit, benefit, benefit benefits a
couple of paragraphs about why, and
it's a really short form offer page.
And I'm simultaneously within the copy,
wherever it makes sense in the copy.
I like to hyperlink certain lines of text.
Yes.
That are called to action type texts.
Like if you really, like, we want
to learn more about how to engage
X I'll just hyperlink that stuff.
So not to be aggressive about it but I've
also been aggressive about it and put in
banner ads, ads, or things like that too.
I mean, it, again, it's not about,
you know, people are so afraid to.
Put themselves out there and to kind of
ask for the sale, but you're hindering
so many people that want what you have
to offer by being subtle all the time.
Yep.
A hundred percent man.
So we covered a lot of stuff.
Right?
We talked about your ebook
repurposing for the webinar.
We talked about possibly turning this
into a microsite, which you could do.
You talked about three workshop videos.
You can turn those into blogs.
The biggest aha for me is.
I don't have an evergreen sales page and
it just doesn't make any freaking sense.
Why I don't have one.
How long would it take you to build
it from your current I'd clone?
I'd clone the existing one and just have
it, have it hosted on a different URL.
I would remove some of the bonuses
that are that's actually the reason
why I didn't have an evergreen
one is because of my fast action.
Fast action bonuses are
time sensitive bonuses and.
I'll just take those
out and I'll remove it.
So that stays legitimate and have,
you know, the, the everyday price or
whatever the price is going to be for
the evergreen one without those bonuses.
Or think about, you know, what other, do
you have any other digital bonuses that,
you know, can be fulfilled differently
or, you know, that are, that are still
high value, but don't require, you know,
physical commitment or things like that.
Like everyone has those.
Yeah just changing the bonuses around
to make it, to make it more appealing.
I can't believe I've never had an
evergreen sales page that just kicks me.
That kills me right now.
Like I've had people say, can you
hold, can you change the timer?
You know, I'll, I'll get
the money in a little bit.
And it's like, and I would
always say no, like it's, it's
connected to my deadline funnel.
I'm exactly like you, like, I,
you have to maintain your brand
reputation brand is huge for me.
And.
But, and that's why I never
had an evergreen sales
page, which is just stupid.
It's just so it's just dumb.
It's so simple, poor
business, poor business.
But so we talked about, you know, having
your, your two sales pages, we talked
about turning your videos into workshop
PDs, which I love and this all started
with your, your first, I don't know if
it was your first client, but the first
time you use this one, Brian Tracy's and
what, what were the results for that?
So you said you had, you had the,
um, I want to go back to that.
I keep going back to this and I feel like
I'm, I'm going place as an interviewer,
but this gets me really, really excited.
But how did you know
that that was a big win?
Like, what were the sales
like once you sent that PDF?
Like you notice a drop off, but yeah.
Well, that was 10 years ago.
So I'll be honest.
I don't remember.
But what I do know is is that it was an
immediate win because we were getting
sales right away that, you know,
beforehand, it would take, you know,
you, you opt in, you wait a day or two,
you have your, you know, your whole
process to get to where you need to be.
See, but with this, as soon as we made
the change, sales came in consistent.
So, I mean was 10 years ago.
I don't know.
I don't even remember, but we just
know that it was a win because before
we didn't have it, and then we had
it and then we made money with it.
So that's the easiest way.
It will be a win.
If you give more people that are
interested in opportunity to buy from
you, that's going to guarantee be a win.
But the real winner I think, was with,
you know, with the Mary Morrissey
campaign, whenever, you know, we
didn't make an offer until video four.
But on video too, we already
had, you know, 40,000 yeah.
In the bank.
So it's yeah.
I mean, it's just, it's certainly
something that I recommend
everyone try because you know,
your content is so good already.
So it's, it's something that
you've invested so much in.
So squeezed the juice out of it
and put it in front of people in
other ways, or people like me who
were to type a, to ever watch your
webinar, no matter how good it is.
Well, so you're gonna like this Felicia.
So I have the saying called MTD,
which is make the dang offer.
It's like the whole motto of
what we do with many webinars.
And like the first thing that
somebody sees is our offer.
It's not free training.
It's not free content.
Like we want the promise
and we make it in the ad.
It's not even like once they get
to the content, it's the ad makes
our promise, makes our offer.
So we get those people, raise
their hand, say they're interested.
And they come through and they're buying
five, 10, $15,000 offers and getting them
to know that they are going to be sold to.
So there's no resistance around that.
It's like, I'm interested in this.
What do you got?
I hope I get targeted with
your ads cause I'm interested.
Yup.
Yup.
So, uh, We are on the same wavelength
because I, I, you know, running the
webinar agency, we, you know, we've
seen so much drop off and like, you
build this massive machine, right?
Like, how do you get your, how
do you get the most bang for your
buck with, uh, with these webinars?
And I just am very ashamed
that I haven't done that with
any of my clients we did do.
I will say we did do one
ebook for one client.
But it didn't go to an evergreen page.
It went.
You know, it went straight
to the countdown timer.
And so that link was gonna be dead.
Like it was so we really can't
justify if it, if it worked or not.
But man, fantastic stuff.
Is there anything that we left out
that you wanted to make sure that
we, we talked about it just one more
thing and it's along the lines of
squeezing the juice with repurposing.
When you guys do your webinars,
how do you address or like at what
point do you address, resistance.
Maybe be more specific.
So like what type of resistance?
Yeah.
So like basically, you know, someone, I
don't know what your campaign sequence
looks like, but you, you asked them
to watch the webinar, they watched the
webinar, they still didn't buy from you.
What do you do to kind of, do you
send emails to like overcome price
objections, or do you do videos on that?
Or how do you.
Normally it will be emails
just for ease of use.
If we're building this out for a client,
you know, the main video asset that
we're creating for them is the webinar.
And then all of their objections
will be handled through email
or on a sale or on a sales page?
Yeah.
Yeah.
I was going to say, because there's
a lot of people who, with their
webinars we'll do a Facebook live Q
and A's or we'll do some sort of like
live interaction with their group.
And a lot of times, you know, the
questions they get popped up in
chat during a webinar or whatever,
it may be are questions that are
specifically, you know, perfect for
overcoming objections to the sale.
Right.
So a lot of times we're answering
questions that say, No, no.
Surely in fact, you know, while you
should buy it because X, Y, Z, and
you'll find that those are a lot of the
same questions over and over, right.
It's kind of redundant.
So what I do is I take those anytime.
It's a lot Q and a, or any part of my
webinar where I'm addressing people.
I transcribed that, and that's what I
use to create my FAQ or price resistance
emails that go into the campaign.
So I'm basically answering and
overcoming the same objections.
That the most people had just, you know,
earlier on and it gives you an opportunity
to directly like snap that, you know.
When you say earlier on like, does
that, I was assuming that's still
went in your followup sequence or what
do you, what do you mean earlier on.
So with the webinars sequence, you know,
there may be portions of that, where you
do some, some sort of live interaction.
You may have a live chat on there
where you'll directly address
questions and answer those questions.
Or you may do some Facebook live outside
of that during the promotional bays
where you're taking people's questions.
And a lot of those questions are, you
know, price resistance questions, or
buyer hesitations, for other reasons.
But you know what all of those
things are because you're already
prepared for that, which is why,
you know, you're at the point.
When I'm watching it.
So I take whatever those questions
are that I get just earlier in the
live part of my campaign, when I
address those questions, whether it's
in my webinar or whether it's on a
Facebook live or whatever it may be, I
specifically transcribe those portions.
And then that's what I'll use to create
the emails that I put into my followup
sequence to overcome price objections.
So just like you said, that you have those
emails in the autoresponder that say.
You know, here's some commonly
asked questions or here's some
FAQ or whatever it may be.
I actually generate those
instead of writing them or
having copywriter write on them.
I generate those from exactly what
the people told me that their concerns
were just earlier in this campaign.
And I use that as the FAQ
that I put into that campaign.
So it's repurposing that exact
content to respond directly to the
people that have those questions.
Perfect.
Felicia, man, this was awesome stuff.
This is awesome stuff.
This has never been talked
about on our podcast.
If you're doing 120 episodes, we've
never talked about repurposing.
We always talk about traffic strategies
or conversion strategies, which this
is technically conversion strategies.
But I mean, this is like
taking your webinar and running
an extra 100 miles with it.
Right?
If your webinars took you 10 miles,
it's going to take you a hundred
miles, which is fantastic stuff.
I mean, I'm really, really
ashamed that I have to admit.
I don't have an evergreen
sales page for my core product.
And that I think is the biggest
shameful admission that I have on
this, on this entire conversation.
I mean, tons of great content
you've talked about, but it's like,
man, why don't I like, I keep,
I just keep sending them back to
the webinar, go to the webinar.
I'd like in the back of my mind, like,
I know that's not efficient, but I'm
like, I don't want to sell it again
with the same bonuses in anyway.
Want to recreate this.
I don't want to have to it's a lot.
Yeah, exactly.
And that's why I love this so
much because you don't need you.
It's just a lot of like one to kick
yourself or stuff that, you know,
it seems obvious, but then you
really don't want to kick yourself
because it only takes 24 or 48 hours.
To actually make that change and then
you'll be like the happiest person ever.
Is it a pretty common response, but it's,
um, that's why I love this so much is
because we're busy, especially a lot of us
that are solopreneurs or, you know, I have
a lot of other stuff going on the easiest
way for you to take what you have and
just make, you know, more money, generate
more leads with it, without it being the
biggest headache in the entire world.
Where can we check your stuff out?
So let's drop some links.
Let's send people your way because you
obviously have very, very great content.
Where can we find you?
So if you go to activatebranding.com,
uh, you can check there's a free
resource section on there where
I have some really great strategy
guides for building out your campaign,
but also there's a presentation
on there where I gave this speech.
It shows you the exact examples of how I
would utilize a video first versus ebook.
Second on the opt in page model, I'll
show you exactly where I put things
in terms of what the ebook looks like,
where the soft selling scope, examples
of banner ads and all that stuff.
There's a presentation on that there.
And there's also some other
checklists and things like that.
Very cool.
We'll make sure to include that in
the show notes, Felicia, this has
been a 10 out of 10 conversation.
I appreciate you bringing your
knowledge, your expertise,
sharing it with my audience.
If you liked this episode, if you
like this conversation, please
go check out Felicia's site.
We're gonna include the link
down in the show notes below.
Give her a shout out, let her know that
you heard her on Sold With Webinars.
Tell her that you love her and tell
you love this content because it was
really, really world-class and we'll
see you all on the next episode.
Thanks for tuning in.
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- Hey, it's Camille.
Today we're gonna be making
Puddy Holly Bubbleroon.
Scout, Taylor and Kelsie
will be compounding.
This product is super moisturizing.
If you're stressed out
during this holiday season,
take some time for yourself
and have a holly, jolly bath.
Each Puddy Holly has three bubble berries.
Scout will be compounding those
and that's our first step.
Scout is going to mix all
of the ingredients together
and then each small,
little berry is going to be
rolled out by hand.
Kelsie is going to make the main component
of the bubbleroon.
The first thing Kelsie's going to do
is weigh out her essential component.
It contains Tonka Absolute and almond oil.
Then, she's going to add the colors,
which will give the water
that beautiful, turquoise hue.
Finally, Kelsie's going
to add powders like
cream of tartar and sodium bicarbonate,
which will leave your
skin feeling silky smooth.
Once the ingredients are blended,
the mix is sent over to
the production assistants.
This is where the top and bottom pieces
of Puddy Holly are made.
For the top part, we
use a lighter green mix
to form the leaf, and place the three
tiny little holly berries on top.
For the bottom part, the
mix is rolled in almond oil
and glitter and then placed into a mold
so it takes it's shape.
The same method is used for the top piece,
which goes underneath the leaf.
The last thing that puts
Puddy Holly together
is the jam, which is going
to be compounded by Taylor.
The main components are shea
butter and cocoa butter,
which also leave your
skin super moisturized.
Once the butters are
the right temperature,
Taylor adds bubble mix,
which makes the waters even more sudsy.
Last by definitely not least,
the production assistants will jam
the top and bottom pieces together.
And there you have it,
Puddy Holly Bubbleroon.
Have a holly, jolly bath time.
Thank you for watching.
Leave a comment below to tell
us what you want to see next
on our How It's Made videos, bye.
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Spanish:
Desordenada desde el principio
El vlog de hoy es Baking🍞 (Horneado u.u)
¡Volveré después de que 100 g de mantequilla se hayan derretido completamente en el microondas!
Mantequilla linda uwu
? Qué
La receta dice mezclar 50 g de azúcar blanca, 50 g de azúcar morena con mantequilla
¡Espero que la receta que sigo esté bien!
Portuguese:
Vlog Diário
Zoe
Confusa desde o início
O vlog de hoje é Assar🍞
Volto depois que 100g de manteiga estiverem completamente derretidos no microondas!
Manteiga fofa
? O que
Receita diz: misturar 50g de açúcar branco, 50g de açúcar mascavo com manteiga
Espero que a receita que estou seguindo esteja certa,,!
Russian:
Бойцы потеряны
Сегодняшний влог посвящён выпечке 🍞
Я вернусь после того, как 100 грамм масла растопятся в микроволновке!
Это довольно красиво
? что
В рецепте сказано смешать 50 гр белого и коричневого сахара с маслом
Надеюсь, рецепт нормальный
Spanish:
Haciendo un desorden desde el inicio.
En el vlog de hoy estaré horneando 🍞
¡Volveré luego de que estos 100g de mantequilla hayan sido derretidos en el microondas!
Linda mantequilla.
¿Qué?
La receta dice que debo mezclar 50 gr de azúcar blanca y 50 gr de azúcar morena con mantequilla.
Espero que la receta que estoy siguiendo esté bien..
Turkish:
GÜNLÜK VLOG zoe
Bugünkü vlog fırında pişirme🍞
100 gr tereyağını mikrodalgada tamamen eriteceğim
şıpır şıpır(ses çıkaran) tereyağı
bu ne?
Tarifte beyaz şeker 50 gr kahverengi şeker 50gr ı tereyağıyla karıştır diyor
Lütfen bulduğum tarif doğru olsun
Beyaz şekeri koyuyorum
Thai:
วุ่นวายตั้งแต่เริ่มเลย
สำหรับ Vlog วันนี้จะเกี่ยวกับการอบขนมนะคะ🍞
เดี๋ยวฉันจะกลับมาพร้อมกับเนยที่ละลายแล้ว 100 กรัม
เนยที่น่ารัก
? อะไรเนี่ย
ตามสูตรบอกให้ผสมน้ำตาลทรายขาว 50 กรัม,
น้ำตาลทรายแดง 50 กรัม และเนย 100 กรัม
หวังว่าสูตรนี้จะออกมาดีนะคะ,,!
Arabic:
يوميات زوي(إسمها)
فوضوي من البداية
فلوق اليوم عن خبز (كوكيز) 🍞
سأعود بعد ذوبان 100 جرام من الزبدة بالكامل في الميكروفون
كيوت الزبده
تقول الوصفة خلط 50 جرام من السكر الأبيض. 50 جرام سكر بني زبده
آمل أن تكون الوصفة التي أتبعها على ما يرام
English:
Messy from the beginning
Today’s vlog is Baking🍞
I'll be back after 100g of butter is completely melted in the microwave!
Cute butter
? What
Recipe says mix 50g of white sugar, 50g of brown sugar with butter
Hope the recipe I’m following is okay,,
Arabic:
مع اضافه السكر
تخلط مع البيض. سهل جدا؟
حصلت على هذا من الجهاز
لايوجد لجهاز الخلط أداه الجلد
إنها تعمل
بسرعه
اهلا ياأصدقاء
لذا فإن الشيء الذي أصنعه هو!
حسنا هل تأكل البسكويت في سابوي؟
لاجلي أعلم ماهو الخطأ معي
لكنني دائمًا أتناول الحلوى بعد الطعام الصحي
على أي حال أنا أحب كوكيز صب واي
ووجدت مؤخرا وصفة بالشوكولاتة البيضاء
Portuguese:
Coloque açúcar branco também
Mexa com um ovo. Muito fácil?
Eu,, peguei isso da máquina,,
porque eu não tenho a colher de bater
Funciona
URGH!!!
Oi pessoal
então,, o que estou fazendo é!
Bem,, você come cookie no Subway?
Para mim,,
Eu não sei o que há de errado comigoㅠ
Mas eu sempre como a sobremesa depois de comer comida saudável
De qualquer forma. Eu realmente amo o cookie do Subway
e recentemente eu encontrei receita sobre cookie de macadâmia de chocolate branco!!
Russian:
Добавляю белый сахар
перемешиваю с яйцом. Всё настолько просто?
Решаю взять венчик (как называется насадка для миксера???)
Так намного легче
Это работает
УХ!!!
Приветики (стеснительность lvl 100)
И так... Как я решила это приготовить!
Вы... Вы ели печенье из Subway?
Для меня...
Я не знаю почему
Но я постоянно ем разные десерты с полезной едой
Но всё же. Мне очень нравится печенье из Subway
И я нашла рецепт этого печенья с белым шоколадом и орехом макадамия!!!
English:
Put white sugar too
Mix with egg. Quite easy?
I got this from machine,,
Bc I don’t have whipping tool,,
It works
URGH!!!
Hi guys
So,, the thing I’m making is!
Well,, Do you eat cookie at Subway?
For me,,
Idk what’s wrong with me,,
But I always eat dessert after healthy food.
Anyway. I really love Subway cookie
And recently I found recipe about white chocolate macadamia cooke!
Turkish:
1 tane yumurtayı koyup karıştırıyoruz. Çok kolay değil mi?
Evde,, mikser olmadığı için,
, -.-
Elektrikli mikserden(Mikserin sapını) çıkardım
Bence iyi karıştırıyor
Herkese merhaba(Utandı
Yani şimdi ben ne mi yapıyorum
! Imm Siz Subwey e gittiğinizde kurabiye mutlaka yiyor musunuz
Ben,,
Ah.. Ben neden böyleyim bilmiyorum
Ben sağlıklı bir yemek yediğimde mutlaka tatlı da birlikte yiyorum(acil iç dökme)
Bu yüzden subway cookie i çok seviyoru
m,
Youtube da ararken baktım ki beyaz çikolatalı macadamia kurabiyesinin tarifi var
Spanish:
Agregar el azúcar blanca.
Mezclar con un huevo. Se ve bastante fácil?
Le quite esto a una batidora..
porque no tengo un batidor manual..
¡Funciona!
¡URGH!
Hola amigos
Entonces..lo que estoy cocinando es..
Bueno..¿Han comido galletas del Subway?
Yo..
No sé qué está mal conmigo..
pero siempre como postre luego de una comida saludable..
De todas formas, me encantan las galletas del Subway
hace poco encontré una receta de galletas de macadamia con chocolate blanco!
Thai:
ใส่น้ำตาลลงไป
จากนั้นใส่ไข่ลงไป ง่ายใช่มั้ยคะ?
ฉันจะใช้ที่ตีอันนี้นะคะ,,
เพราะฉันไม่มีที่ตีสำหรับขึ้นวิปครีม,,
ใช้ได้เลยนะเนี่ย
ย่าา!!!
สวัสดีค่ะทุกคน
วันนี้,, เมนูที่จะทำคือ!
ทุกคน,, เคยกินคุกกี้ที่ร้าน Subway กันมั้ยคะ?
สำหรับฉันแล้ว,,
โอ๊ย ไม่รู้ว่าฉันเป็นอะไร ㅠ
ชอบกินของหวานหลังจากทานอาหารเพื่อสุขภาพตลอดเลยค่ะ
ซึ่งฉันชอบคุกกี้ของ Subway มาก
แล้วฉันก็ไปเจอสูตรคุกกี้แมคคาเดเมียไวท์ชอคโกแลตมา!
Spanish:
Pon azúcar blanca también
Mezclar con huevo. ¿Muy fácil?
Le quite esto a la batidora..
No tengo una herramienta para batir :c
Funciona :D
URGH!!! D:<
Hola chicos ♡(Traductora: Que linda QuQ)
Entonces, ¡lo que estoy haciendo es!
Bueno, ¿Han comido galletas de Subway?
Para mi..
Idk, ¿qué me pasa?
Siempre como postre después de una comida sana.
De todas formas. Realmente amo las galletas Subway
¡Y recientemente encontré una receta de galletas macadamia con chocolate blanco!
Portuguese:
Então é isso que eu estou fazendo agora🧡
Próximo, farinha
Eu só tenho uma tigela, então estou medindo com o pote
Chorando
Coloque 150g de farinha, 1g de sal, 2g de bicarbonato de sódio
Vou peneirar e misturar
Parece tão bom
A última vez que fiz cookie, misturei tão rápido
e o resultado que saiu foi pão. Não cookie.
Então, estou indo devagar com a lição.
70g de chocolate branco
Coloque 90g de macadâmia!
Turkish:
Bu yüzden şimdi onu yapıyorum:)
Sırada un
Karıştırma kasem sadece bir tane olduğu için tencerede ölçüyorum
:((
150 gr un 2 gr karbonat koyuyorum
Bir kez tel süzgecten geçirip karıştıracağım
Bu sesi duymak güzel
Geçen sefer çok sert karıştığımdan
Kurabiye ekmek gibi oldu ondan ders alıp
Yavaş yavaş karıştırıyorum
beyaz çikolata 70 gr
macadamia 90 gr koyuyorum
macadamia en iyi:))
English:
So that’s what I’m making now🧡
Next, flour.
I only have a mix bowl so I’m measuring with pot.
Crying
Put 150g of flour, 1g of salt, 2g of baking soda.
I'll sift it out and mix it up.
Sounds so good
Last time I made cookie I mixed so fast
And the result came out was bread. Not cookie.
So I’m taking it slow with lesson.
70g of white chocolate
Put 90g of macadamia!
Arabic:
هذا ما أفعله الآن🧡
التالي الطحين
لدي خليط فقط لذلك أقوم بالقياس باستخدام الوعاء
بكاء
نضع 150 جرام من الدقيق. 1 جرام ملح. 2 جرام من صودا الخبز
نضع 150 جرام من الدقيق. 1 جرام ملح. 2 جرام من صودا الخبز
سوف أفرزها وأخلطها
اغاني جميلة جدا
آخر مرة صنعت الكوكيز خلطتها بسرعه كبيرة
لذاا نا اخذ درس عن التحريك ببطئ
70 جرام شوكولاتة بيضاء
٩٠جرام من المكاديميا (مكسرات)
احب هاذا💖
Russian:
Так что я сейчас его делаю ❤
Следующее - мука
У меня есть только одна миска для перемешивания поэтому я засыпаю её в сотейник
плач
Засыпаю 150 грамм муки, щепотку соли и 2 грамма соли
Просеиваю это и перемешиваю
Мне нравится звук
Раньше я перемешивала тесто быстро
И вместо печенья получался хлеб
Я учусь на своих ошибках
70 грамм белого шоколада
И 90 грамм ореха макадамия
Spanish:
Así que eso es lo que haré ahora 🧡
Lo siguiente, harina.
Solo tengo un recipiente para mezcla, así que estoy midiendo con una olla.
Llorando ㅠㅠ
Poner 150 gr de harina, 1gr de sal y 2 gr de polvo para hornear.
Tamizaré los polvos y mezclaré todo.
Suena muy bien.
La última vez que hice galletas, mezclé muy rápido
y el resultado fue algo como un pan, no una galleta.
Así que aprendí la lección por lo que ahora lo haré lento.
70 gr de chocolate blanco,
¡Y agregar 90 gr de macadamia!
Spanish:
Entonces eso es lo que estoy haciendo ahora🧡
A continuación, harina
Solo tengo un tazón para mezclar, así que estoy midiendo con una olla.
Llorando
Poner 150 g de harina, 1 g de sal, 2 g de bicarbonato de sodio.
Lo tamizaré y lo mezclaré
Suena muy bien. (´∀`)
La última vez que hice galletas mezclé tan rápido
Y el resultado que salió fue pan. No galleta.
Así que lo estoy tomando con calma por esa experiencia.
70 g de chocolate blanco
¡Ponga 90 g de macadamia!
Thai:
ดังนั้น วันนี้เลยจะมาลองทำดูค่ะ 🧡
ต่อไป, ผสมแป้ง
ฉันจะผสมทุกอย่างลงในหม้อนะคะ เพราะว่ามีถ้วยแค่ใบเดียว
ร้องไห้ ㅠㅠ
ใส่แป้ง 150 กรัม, เกลือ 1 กรัม, เบกกิ้งโซดา 2 กรัม
ฉันจะกรองแป้ง ก่อนเทลงในไข่และน้ำตาลที่ผสมไว้นะคะ
เสียงเพราะมาก
ครั้งที่แล้วที่ทำคุกกี้ ฉันผสมทุกอย่างเร็วมาก
แล้วมันก็ออกมาเหมือนขนมปังมากกว่าคุกกี้
ครั้งนี้ฉันเลยจะค่อยๆผสมนะคะ
ใส่ไวท์ชอคโกแลต 70 กรัม
แมคคาเดเมีย 90 กรัม!
English:
I love this
Mix it slowly
It was so hard bc I usually don’t have patient.
Well! It’s all done!
But I’m not sure I’m doing well
Sniff
Btw
Sniff sniff
Smells so good!
If you put it in the oven like this, the dough will spread.
So, I’ll let them rest for about an hour.
Re,,st,,
Wrap it
And rest it in the fridge for an hour
See you bae
‘Siri, set timer for an hour’
Siri : ???
Why don’t you understand Korean,, Your master is Korean..
Um,, set timer for 55 m?
Arabic:
حرك ببطئ
لقد كان صعبًا جدًا ليس لدي صبر
حسنا انه جاهز
لكنني لست متأكدًا مما إذا فعلت ذلك
شم رائحته
إعادة
الروائح جيدة جدا
اذا سأتركها ترتاح لمدة ساعة تقريبًا
لفها
وضعها في الثلاجة لمده ساعه
اراك لاحقا باي
سيري:اضبط الوقت لساعه
لماذا لا تفهم الكورية يا سيري ؟
ضبط المؤقت على 55 دقيقة؟
Thai:
ชอบมากค่ะ💕
ผสมเข้าด้วยกันช้าๆ
ส่วนนี้ค่อนข้างยากเพราะปกติฉันไม่ค่อยมีความอดทนค่ะ
เสร็จแล้วค่ะ!!
แต่ไม่ค่อยแน่ใจว่าออกมาดีมั้ย
ดม
แต่ว่า
ฟุดฟิด
กลิ่นดีมากค่ะ!
ถ้าคุณเอาใส่เตาอบแบบนี้, แป้งโดว์จะขยายออกเยอะมาก
ดังนั้น ฉันเลยจะพักแป้งไว้ประมาณ 1 ชั่วโมงนะคะ
พัก,,แป้ง,,
ห่อด้วยแรปพลาสติก
และพักทิ้งไว้ในตู้เย็น 1 ชั่วโมง
แล้วเจอกันนะ
'สิริ, จับเวลา 1 ชั่วโมง'
สิริ : ???
ทำไมไม่เข้าใจภาษาเกาหลีล่ะ,,?
งั้น,, จับเวลา 55 นาที?
Turkish:
Yavaşça karıştırıyorum
Sabırsız olduğumdan çok zorlandım
Arkadaşlar öncelikle (hamur) hazır oldu
Doğru mu yaptım bilmiyorum:))
ama
Kokusu çok güzel!
Önce! bu şekilde fırına koyarsam hamur yayılıyormus! O yüzden
bu yüzden 1 saat kadar buzdolabında bekleteceğim
streç film hamuru sarıyor
Buzdolabında 1 saat bekletiyorum
Birazdan görüşürüz baby
Siri 1 saat zamanlayıcıyı ayarla
How can help you? :)))
Korece söylediğim için anlamadı :))
Imm 55 dakika zamanlayıcıyı ayarla
zamanlayıcı ayarlı bir tane var şimdi söylediğinle değiştireyim mi
Portuguese:
Eu amo isso💕
Misture devagar.
Foi tão difícil, porque geralmente não tenho paciência
Bem! Está tudo pronto
Mas não tenho certeza se estou fazendo bem ksksksks
Cheirar
A propósito
Cheirar cheirar
Cheira tão bem!
Se você colocá-lo no forno assim, a massa se espalhará!
Então, vou deixá-los descansar por cerca de uma hora
Descan,, sar,,
Enrole
e deixe descansar na geladeira por uma hora
Até logo bae
'Siri, defina o temporizador em uma hora'
Siri : ???
Por que você não entende coreano? Sua mestre é coreana...
Um,, defina o temporizador para 55 m?
Spanish:
Me encanta esto 💕
Mezclar lentamente.
Fui muy ruda antes porque normalmente no tengo paciencia.
¡Bien! ¡Está listo!
Pero no estoy segura si lo hice bien hahah
Oler
Esto
Oler, oler
¡Huele muy bien!
Si lo pones en el horno de esta forma, la masa se expandirá,
así que lo dejo resposar por una hora.
Re..po..sar..
Envolverlo
y dejar reposar en la nevera por 1 hora.
Nos vemos pronto, bebé
'Siri, programa el temporizador para 1 hora'
Siri: ???
¿Por qué no entiendes coreano? Tu dueña es coreana..
Umm..¿Programar temporizador para 55 m?
Russian:
Я люблю его 💕
Медленно перемешиваю
Это довольно трудно
Всё! Тесто готово!
Но я не уверена, что всё сделала правильно
нюх
чзх
нюх-нюх
Пахнет очень вкусно!
Если запечь его так, то оно расползётся
Поэтому его надо оставить в холодильник на час
о-ста-вить
Накрываю плёнкой
И ставлю в холодильник
Увидимся
"Сири, поставь таймер на час"
Сири: ???
Почему ты не понимаешь корейский?
Эм... Поставь таймер на 55 минут
Spanish:
Me encanta esto💕
Mezclarlo lentamente
Fue tan difícil porque generalmente no tengo paciencia.
Bien! ¡Ya está listo!
Pero no estoy segura de haberlo hecho bien
Sniff
Por cierto
Sniff sniff
¡Huele tan bien!
Si lo pones en el horno así, la masa se extenderá.
Entonces, la dejaré reposar durante aproximadamente una hora..
Reposo..
Envuélvelo
Y déjalo reposar en el refrigerador durante una hora
Nos vemos pronto, bebé.
"Siri, configura el temporizador para una hora"
Siri: ???
Por qué no entiendes coreano?, tu maestra es coreana ...
Um, ¿Programa el temporizador para 55 min?
English:
Siri : The timer is already running. Would you like to replace it?
Yeah
Got you
The dough would be in fridge for an hour!
The problem is!
I’m starving!
So!
Ta-da!
Bake the bread ordered by Market Kurly in a frying pan.
I'm gonna dip it in olive oil and balsamic vinegar.
So excited!
I did something wrong
How much was this small bread,,?
I think It was expensive,,
Then $1 for one piece?
I'll cook it on low heat.
Virgin olive oil and balsamic vinegar!
Hope you guys use Virgin olive too!
Should I buy,, toast machine?
Omg
Arabic:
سيري: الوقت يمر بالفعل ، هل ابدا الآن؟
اوكي
لقد فهمتك
سيكون العجين في الثلاجة لمدة ساعة!
المشكله هي
انا جائعه
اذا
تادا
اخبز الخبز المطلوب في مقلاة
سأغمسها في زيت الزيتون والخل البلسمي
انا متحمسه جدا
لقد فعلت شيئا خاطئا
كم كان. سعر هذا الخبز الصغير؟
أعتقد أنها كانت باهظة الثمن
1 دولار لكل قطعة؟
سوف أطبخه على نار خفيفة
زيت الزيتون والخل البلسمي
أتمنى لكم يا رفاق استخدام الزيت الزيتون البكر أيضا
هل يجب علي شراء آلة الخبز المحمص
يالهي
Russian:
Сири: таймер установлен. Хотите знать об этом?
Да
Сири: хорошо
Тесто должно быть в холодильнике час
Но есть одно проблема!
Я очень голодная!
Так что!
Та-да!
Я купила хлеб на рынке kully
Я хочу попробовать его с маслом и бальзамическим уксусом
Я такая довольная!
Я сделала что-то не так
Почему хлеб такой маленький
Мне кажется, меня обманули
Вы покупали подобное за 1 доллар?
Жарю его на медленном огне
Оливковое масло и бальзамический уксус
Надеюсь, вы тоже используете оливковое масло..!
Может мне стоит... Купить тостер?
О боже
Turkish:
evet! zamanlayıcı hazırlandı
Şimdi! hamur buzdolabunda bekliyor
Imm sorun ne biliyormusunuz :)
çok acıktım :)
bu yüzden market curly den sipariş verdiğim ekmeği
tavada biraz kızartıp zeytinyağı ve balzamik sirkesine batırarak yiyeceğim
birsey ters gidiyor
boyle küçücük ekmek ne kadardı?
kısık ateşte pişireceğim
sızma zeytin yağı ve balzamik sirke
tost makinesi almalı mıyım??
aman tanrım
ve olduu
Spanish:
Siri: el temporizador ya comenzó, ¿Te gustaría cambiarlo?
Si
Ahora ya funciona.
¡La masa estará en la nevera por una hora!
¡El problema es!
¡Que estoy hambrienta!
Entonces
¡Ta-dá!
Cocinaré en una sartén este pan que pedí en Market Kurly.
Lo remojaré en aceite de oliva y vinagre balsámico.
¡Qué emoción!
Hice algo mal
¿Cuánto costó este pequeño pan..?
Creo que era costoso..
¿Entonces cada rebanada cuesta 1 dólar?
Lo cocinaré con temperatura baja.
¡Aceite de oliva extra virgen y vinagre balsámico!
¡Espero que ustedes también usen aceite de oliva extra virgen!
¿Debería comprar..una tostadora?
Oh, rayos
Thai:
สิริ : จับเวลาเรียบร้อยแล้ว อยากเปลี่ยนแปลงอะไรอีกหรือไม่?
ไม่แล้ว
โอเค เวลานับถอยหลัง 55 นาที
แป้งโดว์น่าจะอยู่ในตู้เย็นเกือบชั่วโมง
ปัญหาก็คือ!
ตอนนี้ฉันหิวค่ะ!
ดังนั้น!
ทา-ดาา!
ฉันจะอุ่นขนมปังที่ซื้อมาจากตลาด Kully ในกระทะ
แล้วจะจิ้มกินกับน้ำมันมะกอกและน้ำส้มสายชูบัลซามิก
ตื่นเต้นมาก!
ฉันคิดว่ามีบางอย่างผิดพลาด
ทำไมขนมปังมันก้อนเล็กแบบนี้,,?
ฉันคิดว่าราคามันแพงเกินไป,,
1 ชิ้นนี้ก็ราคา 1,500 วอนสินะ??
ฉันจะอุ่นด้วยไฟอ่อน
เทน้ำมันมะกอกและน้ำส้มสายชูบัลซามิก!
หวังว่าทุกคนจะใช้สูตรเดียวกันนะ..!
หรือว่า,, ฉันควรซื้อเครื่องปิ้งขนมปัง?
omg
Portuguese:
Siri : O cronômetro já está em execução. Deseja substituí-lo?
Yeah
Peguei você
A massa ficaria na geladeira por uma hora!
O problema é!
Estou faminta!
Então!
Ta-da!
Asse o pão encomendado pelo Market Kurly de frigideira
Vou mergulhá-lo em azeite e vinagre balsâmico
Tão animada!
Eu fiz algo errado
Quanto custava este pão pequeno?
Eu acho que foi caro,,
Então,, $1 (R$5,39),, por uma peça?
Vou frita em fogo baixo
Azeite virgem e vinagre balsâmico!
Espero que vocês também usem azeite virgem..!
Devo comprar,, máquina de torradas?
Meu Deus
Spanish:
Siri: El temporizador ya está funcionando. ¿Desea reemplazarlo?
Si
Ahora ya funciona
¡La masa estará en el refrigerador por una hora!
¡El problema es!
¡Estoy hambrienta!
¡Entonces!
¡Ta-da! :D
Hornee el pan ordenado por Market Kurly en una sartén.
Lo sumergiré en aceite de oliva y vinagre balsámico.
¡Muy emocionada! :3
Hice algo malo
¿Cuánto costó este pan pequeño?
Creo que fue caro..
¿Entonces 1 dólar por una pieza?
Lo cocinaré a fuego lento.
¡Aceite de oliva extra virgen y vinagre balsámico!
¡Espero que ustedes también usen aceite de oliva extra virgen!
¿Debería comprar..una tostadora?
Dios mio
Spanish:
Bien tostado.
Primero que todo, su aroma es fantástico.
¡Y el pan también!
¡Muy crujiente!
[ASMR de KangKang bebiendo agua]
Ahora estoy comprando muchas cosas en el Market Kurly [no es publicidad]
Y encontré este pan con aceite de oliva
repentinamente en la aplicación
y pensé '¿Será delicioso?'
Crujido
¡Sí, lo es!
Hoy es Viernes 17/7
y ya saben que normalmente subo un vlog de la cafetería los sábados, pero no pude grabarlo
¡Había una nueva trabajadora de medio tiempo cuando fui!
Turkish:
ilk olarak,çok güzel kokuyor
ekmektee
çok kıtır
bu aralar Kurly'den bir sürü şey satın alıyorum
ben de oradan zeytinyağı ve ekmek aldım
uygulamada rastgele
lezzetli olur mu diye
ve lezzetli
aslında bugün 7/17 cuma
cumartesi günü genellikle kafe vlog yüklediğimi biliyorsunuz.Ama bugün çekemedim
Arabic:
إنه جاهز
ورائحته جميلة
والخبز ايضا
مقرمش جدا
شرب أسمر من كانغكانغ( الكلب حقها)
أنا الآن أشتري أشياء صغيرة من سوق kurly وليس إعلان
لذلك وجدت خبز زيت الزيتون هذا
أحصل على هذا التطبيق بشكل عشوائي
واعتقدت أنها ستكون لذيذة؟
مقرمش
نعم إنها كذلك
في الواقع اليوم هو 7/7 الجمعة
وأنت تعرف عادة تحميل فلوق مقهى لكنني لم أستطع
وجدت مؤقتًا جزئيًا جديدًا في المقهى بعد وصولي!
Spanish:
Bien hecho.
En primer lugar, el olor es fantástico.
¡Y el pan también!
¡Tan crujiente!
[ASMR de Kangkang bebiendo agua]
Ahora estoy comprando un montón de cosas de Market Kurly. [no es publicidad]
Entonces encontré este pan con aceite de oliva
En esa aplicación al azar
Y pensé "¿será delicioso?"
Crujido
¡Sí, lo es!
En realidad hoy es viernes 17 de Julio
Y ya saben, normalmente subo un vlog de la cafetería los sábados, pero no pude grabarlo
¡Había una nueva trabajadora de medio tiempo cuando fui!
Russian:
Хорошо прожарился
Пахнет потрясающе
И сам хлеб тоже!
Очень хрустящий
[ASMR от пьющей собаки]
На этом рынке продаются довольно хорошие вещи [это не реклама]
Я нашла этот рецепт совершенно случайно
И я даже не думала
Что это будет вкусно
хруст
Но да, это так!
Сегодня 17.07, пятница
Вы знаете, что я обычно снимаю влоги обычно по субботам
У меня появилось немного времени и я решила снять видео
Thai:
ใช้ได้อยู่
อย่างแรกเลย, กลิ่นหอมมากค่ะ
แล้วขนมปังก็ดูน่าอร่อย!
กรอบมากด้วย!
[เสียง ASMR จาก Kangkang ที่กำลังดื่มน้ำ]
ช่วงนี้ฉันซื้อของที่ตลาด Kully บ่อยมากค่ะ
[ไม่ได้ค่าโฆษณานะคะ]
ฉันเลยเจอขนมปังอันนี้
เป็นขนมปังใส่น้ำมันมะกอก
ฉันเลยคิดว่า 'นี่น่าจะอร่อยนะ?'
เสียงกรอบ
แล้วมันก็อร่อยจริงๆค่ะ!
วันนี้เป็นวันศุกร์ที่ 17 กรกฎาคม
ปกติฉันจะอัพคาเฟ่ Vlog วันเสาร์,
แต่ว่าวันนี้ฉันยังถ่ายทำไม่ได้ค่ะ
เพราะว่ามีพนักงานพาร์ทไทม์คนใหม่ที่คาเฟ่!
Portuguese:
Bem feito
Primeiro de tudo, o cheiro é fantástico
e o pão também!
Tão crocante
[ASMR bebendo forma Kangkang]
Agora estou comprando várias coisas do Market Kurly. [não é patrocínio]
Então eu encontrei esse pão de azeite
nesse aplicativo aleatoriamente
e eu pensei tipo ‘isso vai ser delicioso?’
Crocante
Sim, ele é!
Na verdade hoje é 17/07 sexta-feira
e vocês sabe que eu normalmente envio o cafe vlog no sábado, mas não pude gravar
Encontrei uma nova funcionária para a cafeteria depois que cheguei!
English:
Well done.
First of all, smell is fantastic.
And the bread too!
So crunch!
[drinking ASMR form Kangkang]
I’m now buying bunch of things from Market Kurly. [not ad]
So I found this Olive oil bread
On that app randomly
And I thought like ‘would it be delish?’
Crunch
Yes it is!
Actually today is 7/17 Friday
And you know I usually upload cafe vlog on Saturday, but I couldn’t take a film.
I found new part timer at cafe after I arrived!
Russian:
И... Сегодняшнее видео - первое в таком жанре
Я не могу постоянно снимать видео в кафе
Поэтому я пришла домой
Сейчас я работаю над новым видео
Новый влог загрузится в воскресенье или понедельник
Я хочу ещё
Та-да!
Окунаю его в смесь уксуса и масла
И балдею
Пикабу
Играю с собакой пока тесто в холодильнике
Лапу!
Portuguese:
E,, hoje foi o primeiro dia dela!
Eu não posso gravar um vlog em torno da nova funcionáriaㅠㅠ
Então eu voltei para casa
e gravei esse vlog para o upload de amanhã!
O café vlog será publicado no domingo ou segunda-feira
Quero mais um
Ta-da!
Tipo assim! Mergulhe em vinagre balsâmico e azeite
E eu me sinto fantástica
Peguei
Brincando com o cachorro enquanto a massa está sendo descansada
Mão!
Thai:
และวันนี้,, เป็นวันแรกที่เธอทำงานค่ะ!
ฉันเลยไม่อยากทำ Vlog
ช่วงที่พนักงานพาร์ทไทม์ทดลองงานอยู่ ㅠㅠ
ดังนั้น ฉันเลยกลับมาบ้าน
แล้วทำ Vlog สำหรับอัพวันถัดไปแทน
คาเฟ่ Vlog เลยจะอัพวันอาทิตย์หรือไม่ก็วันจันทร์นะคะ
อยากกินอีกจัง,,
ทา-ดาา!
ชอบมากเลยค่ะ จิ้มกับน้ำมันมะกอกและน้ำส้มสายชูบัลซามิก
รู้สึกดีมากค่ะ
จ๊ะเอ๋
เล่นกับหมาช่วงที่รอแป้งโดว์พักค่ะ
ขอมือ!
English:
And,, today was the first day for her
I can’t take a vlog around fresh part-timer,,
So I came back to home
And taking this vlog for tomorrow’s upload.
Cafe vlog will be uploaded at Sunday of Monday!
I want one more,,
Ta-da!
Like this! Dip it in balsamic vinegar and olive oil.
And I feel fantastic!
Pikaboo
Playing with dog while the dough is being rest
Hand!
Spanish:
Y hoy era su primer día trabajando,
no puedo grabar vlogs cerca de los nuevos trabajadores..
Así que volví a casa
y grabaré este vídeo para subirlo mañana.
¡El vlog de la cafetería se subirá el día Lunes!
Quiero una más..
¡Ta-dá!
De esta forma lo remojo en aceite de oliva y vinagre balsámico.
¡Y se siente fantástico!
Peekaboo
Jugando con mi perro mientras la masa reposa.
¡La mano!
Spanish:
Y, hoy fue su primer dia de trabajo
No puedo grabar un vlog cerca de los nuevos trabajadores..
Así que volví a casa
Y grabaré este video para subirlo mañana.
¡El vlog de la cafetería se subirá el día lunes!
Quiero uno más ..
¡Ta-da! :D
¡Me gusta hacer esto! Sumergirlo en vinagre balsámico y aceite de oliva.
¡Y se siente fantástico!
Peekaboo
Jugando con mi perro mientras la masa reposa.
La mano
Arabic:
اليوم كان يومه الأول
لا يمكنني أخذ مدونة فيديو عن مؤقت جزئي جديد
لذا أتيت إلى المنزل
يتم أخذ هذا الفديو للتحميل غدا
سيتم تنزيل فديو الكوفي يوم الأحد أو الاثنين
اريد واحده اخرى
تارا
اغمسها في الخل البلسمي وزيت الزيتون
رائع
بيكابو
اللعب مع الكلب بينما يتم ضبط العجين
اليد
Turkish:
Russian:
Ай!
Время прошло!
Из-за ложки это выглядит очень красиво
*звук
Я купила ложку размером 10,5!
*радость*
Запекаю 10 минут при температуре 180°
Пожалуйста, стань печеньем, а не хлебом...
Вынимаю его из духовки
Та-да!
нюх-нюх
Вот это запах...
Arabic:
Ouch
انتهى الوقت
اغرفها ا بشكل جميل
الأصوات
تكرار
حصلت على عجينة بيضاء بهذا الحجم
في فرن مسخن لمدة 10 دقائق على 180 درجه
من فضلك كوكيز وليس الخبز
خذها للخارج
تارا
شم رائحته
يالهي رائحته جميله
Portuguese:
Aí!
O tempo acabou!
Uma colher lindamente
o som
Pessoal, eu tenho 10,5 massas com esse tamanho!
Asse em forno pré-aquecido por 10 minutos a 180 graus!
Por favor, seja cookie,, não pão,,
Tire
Ta-da!
Cheirar cheirar,,
Meu deus cheira tão
Spanish:
¡Ouch! >~<
¡El tiempo ya pasó!
Agregar unas lindas bolas de masa
*El sonido*
¡Hice 10.5 bolas con una cuchara de este tamaño!
Hornear por 10 min a 180 grados en el horno precalentado.
Por favor que salgan galletas.. no pan..
Sacarlas
¡Ta-da! (✧ω✧)
Sniff Sniff
Oh Dios mío, huele muy bien
Spanish:
¡Ouch!
¡El tiempo ya pasó!
Agregar unas lindas bolas de masa
*El sonido
¡Hice 10.5 bolas con una cuchara de este tamaño!
Hornear por 10 minutos a 180 grados en el horno precalentado.
Por favor que salgan galletas..no pan..
Sacarlas
¡Ta-dá!
Oler, oler
Oh, cielos, huelen muy bien
Thai:
อ๊ะ!
ได้เวลาแล้ว!
วางเป็นลูกๆให้สวยงาม
ฟังเสียงสิคะ
ฉันได้คุกกี้ 10.5 ชิ้น กับที่ตักไซส์นี้ค่ะ!
อบที่ไฟบน 180 องศาเซียลเซสเป็นเวลา 10 นาที
ได้โปรดเป็นคุกกี้ด้วยเถิด,, อย่าเป็นขนมปังเลย
เอาออกมาค่ะ
ทา-ดาา!
ฟุดฟิด
กลิ่นดีเลยนะเนี่ย,,
English:
Ouch!
Time is up!
Scoop it beautifully
*the sounds
I got 10.5 doughs with this size!
Bake in preheated oven for 10 minutes at 180 degrees.
Please be cookie,,not bread,,
Take it out
Ta-da!
Sniff sniff
Omg smells soo,,
Turkish:
Thai:
คุกกี้อบใหม่ร้อนๆนุ่มๆ
เคลื่อนย้ายอย่างระมัดระวังนะคะ
คุกกี้ที่อบรอบแรกเย็นลงแล้วค่ะ
ไหนมาดูสิ
หุหุ
เช็คอีกชิ้น
อร่อยมากเลยค่ะ!
อร่อยเลย แต่...
รสชาติมันไม่เหมือนของ Subway เท่าไหร่
ไวท์ชอคโกแลตมันละลายไปหมด
โฟกัสสิ,,
มีถั่วแมคคาเดเมียข้างในแล้วทำให้มันๆยิ่งขึ้น!
อืมม ~
Russian:
Только что выпеченное печенье горячее и мягкое
Снимаю их с помощью лопатки
Они уже остыли
Давайте-ка посмотрим
Хи-хи
Посмотрите на это
Оно очень хорошее!
Очень вкусно! Но это рецепт с подвохом!
На вкус не как печенье из Subway
Шоколад тает
Ну же, фокус...
Макадамия в печенье довольно ореховая (вау, орех ореховый .o.)
М-м-м~~
Spanish:
Las galletas horneadas están calientes y suaves,
así que las muevo a la rejilla con este raspador
Las primeras galletas que horneé ya están frías.
Déjenme ver
Huhu
Revisando otra galleta
Umm ¡Esta de aquí está buena!
¡Deliciosa! Pero tiene una trampa
no sabe a las galletas del Subway.
El chocolate blanco está derretido
Vamos..enfoca..
La macadamia de las galletas están asombrosas.
Umm~~
Spanish:
Las galletas horneadas están calientes y suaves,
Así que las muevo a la rejilla con este raspador.
Las primeras galletas que hornee ya están frías
Déjame ver
Huhu
Revisando otra galleta
Umm ¡Esta galleta está buena!
¡Deliciosa! Pero hay una trampa
No sabe a galletas Subway
El chocolate blanco está derretido
Vamos, enfócate,
¡Las macadamias entre las galletas están asombrosas!
Um~~~
Turkish:
English:
Baked cookie is hot and soft
So move it to net with scrapper.
the first baked cookies are cold now.
Let me see
Huhu
Check another
Umm this one is good!
Delish! But there’s trap
It doesn’t taste Subway’s
White chocolate is melting
Come on,, focus,,
Macadamias between the cookie are nutty!
Um~~
Portuguese:
O biscoito assado é quente e macio
Então mova com o raspador!
Os primeiros cookies assados estão frios agora
Deixe-me ver
Huhu
Verifique outro
Umm este é bom!
Pessoal é delicioso! Mas tem algo estranho!
Não tem gosto do cookie do Subway
O chocolate branco,, está derretendo
Vamos lá,, foco,,
Macadâmias entre os cookies são de nozes!
Um~~~
Arabic:
البسكويت المخبوز ساخن وناعم
لذا انقلها إلى الشبكة باستخدام ملعقه كبيره
الكوكيز المخبوز أصبحت باردة الآن
دعني أرى
تحقق اخر
ام هذا جيدا
هناك فخ
لا طعم له مثل سب واي
الشوكولاتة البيضاء تذوب
تعال، تعديل الفوكس
المكاديميا بين الكوكيز الجوز!
Portuguese:
Vamos começar uma cafeteria em casa
Ainda não consegui comprar a máquina de café
Então, eu estou fazendo café com Kanu,, ^^
Café instantâneo + leite = latte!
Um gole de café
Pessoalmente, esses cookies doce e o latte de noz são tão bons juntos.
Este é doce! Este é de noz!
Hu
Beijo
Me beije querida, me beije, me beije esta noite~
Me ame querida, me ame, me ame esta noite
Então pessoal! Obrigada por assistir
e eu recomendo fortemente seguir esta receita!
Turkish:
Spanish:
Comencemos con la cafetería en casa
Todavía no he podido comprar una máquina de café
Así que estoy haciendo café manualmente ^^
Café instantáneo + leche = café con leche!
Un sorbo de cafe.
Personalmente, esta galleta dulce y café con leche de nuez son tan buenos juntos.
¡Este es dulce! ¡Este es almendrado!
Hu~
Chu
Entonces, ¡Gracias por ver!
¡Y recomiendo seguir esta receta!
Arabic:
لنبدأ بمقهى المنزل
لم أستطع شراء آلة القهوة بعد
لذلك أنا أصنع القهوة مع كانو
قهوة سريعة التحضير + حليب = لاتيه
رشفة واحدة من القهوة
شخصيا هذا الكوكيز الحلو مع الجوز لاتيه جيد معا
واحد حلوى ورشفه قهوه
شكرا على المشاهده💖
ونوصي بشدة باتباع هذه الوصفة
Spanish:
Comencemos con la cafetería en casa
Aún no he podido comprar una máquina de café,
así que preparo café manualmente^^
Café instantáneo + leche = latte!
Un sorbo de café.
Personalmente creo que este latte más la galleta dulce van muy bien juntos.
¡Esta es dulce y este es almendrado!
Hu~
Muack
Entonces, gracias por ver este vídeo
¡Les recomiendo mucho seguir esta receta!
Thai:
มาทำคาเฟ่ที่บ้านกันค่ะ
ฉันยังไม่ได้ซื้อเครื่องชงกาแฟมา
ฉันเลยจะใช้กาแฟผงยี่ห้อ Kanu นะคะ,,^^
กาแฟผง + นม = ลาเต้!
จิบกาแฟสักอึก
ส่วนตัวแล้วคิดว่า,, ลาเต้กับคุกกี้หวานๆนี่เข้ากันมากค่ะ
อันนึงหวานๆ อันนึงมันๆ
~~
จุ๊บ
ขอบคุณสำหรับทุกคนที่เข้ามาดูนะคะ
ทุกคนอย่าลืมทำตามสูตรที่ฉันบอกนะคะ!
English:
Let’s start home cafe
I couldn’t buy coffee machine yet
So I’m making coffee with Kanu,,^^
Instant coffee + milk = latte!
One sip of coffee
Personally, this sweet cookie and nutty latte is so good together.
This one is sweet! This one is nutty!
Hu~
Chu
So! Thanks for watching
And strongly recommend to follow this recipe!
Russian:
Открываем домашнее кафе
У меня нет кофемашины
Сделаю обычное кофе ^^
Растворимый кофе + молоко = латте!
глоток
Это печенье и кофе очень хорошо сочетаются
Печенье очень сладкое, а кофе довольно пикантное
Хех
чмок
Спасибо за просмотр
Я советую вам приготовить по этому рецепту!
Russian:
Скоро вернусь с кафе влогом!
На этом всё!!!
Всем пока!
Люблю вас! Inst: @Zoe.one1
Portuguese:
E eu voltarei com o cafe vlog o mais rápido possível!
Tchau The One!!
Tchau! The One!
kksksksksks
English:
And I’ll be back with cafe vlog ASAP!
Bye The One!!
Bye!
Lol
Turkish:
Spanish:
Volveré muy pronto con un nuevo vlog en la cafetería
¡Adiós, 'The One'!
¡Adios!
Jajaja
Thai:
เดี๋ยวฉันจะกลับมาพร้อมกับคาเฟ่ Vlog ค่ะ
บ๊ายบายค่ะ The One!!
บายยย!
Arabic:
وسأعود مع فديو المقهى في أسرع وقت ممكن
الى اللقاء💖💖
أحبكم
Spanish:
Volveré muy pronto con un vlog en la cafetería.
¡Adiós, 'The One'!
¡Adiós!
Hahah
Subtítulos Español x Javiera V
| {
"pile_set_name": "YoutubeSubtitles"
} |
CHRIS WALLEN: Hey, everyone.
Thanks for coming.
My name is Chris Wallen.
I'm an engineer here at Google.
I work on the Maps team.
I'm hosting today Walter Voit.
We went to the
University of Texas
at Dallas together, got
our undergraduate degree
in computer science and
studied machine learning.
Then Walter went
off to Georgia Tech
to get his PhD in material
science and engineering.
And he's going to tell us a
little bit about this nerve tag
technology that he's
been working on.
So I present Walter Voit.
WALTER VOIT: It's a
pleasure to be here
at Google this afternoon,
or at Alphabet.
I don't know what
to say these days.
But if it is
Alphabet, maybe this
will be an alphabet that you
guys can make in the future.
But what I'd like to talk about
is a lot of the collected work
that we've been doing
over the last half decade
or so in the area of implantable
bioelectronic medicines.
But it's this idea that we
can build computer chips
onto plastics, we can put
them in the nervous system,
and we can record, block, or
stimulate arbitrary nerves
in the peripheral or in
the central nervous system
and build closed loop feedback
systems with smart computers,
with smart beds,
with smart doctors
to help understand
the connectome,
understand the body's
nervous system,
and ultimately
treat debilitating
neurological conditions.
A lot of the work
that I present here
has been funded by some generous
grants from DARPA, the Defense
Advanced Research
Projects Agency,
by Glaxo SmithKline, the
British pharmaceutical giant,
and by the NIH and the NSF
and a host of other companies.
I'm also going to spend a few
minutes at the end of the talk
and mention some of the
different companies that
have spun out of my research
lab over the last half decade
or so.
And so we'll get to
those a little bit later.
There's a picture of me with
some of my DARPA colleagues
at West Point sitting
on an Abrams tank.
And here's a shot of
some of our group.
And so I don't want to run
out of time at the end,
a quick shout out to my lab.
I've got about 12 postdocs
now and 12 graduate students
and about 50 undergraduates
at the university that
do a lot of the
heavy lifting day
to day, which ranges from
synthetic organic chemistry
to mechanical testing to
physics and interfaces
to electrical engineering
to applied neuroscience.
And so these students from
many different disciplines
are all working
together to solve
some of these grand challenges
in synthetic biology
and neuroscience, but from a
strong materials background.
So I wanted to start with
some slides from my colleague
Kris Famm, who's the Vice
President of Bioelectronics
Research at Glaxo SmithKline.
GSK, over the last couple
years, has made a giant bet
in the field of
bioelectronic medicines.
It's also called
electroceuticals or Pharma 2.0.
But it's this idea that we
can use electrical signals
to modulate the body's behavior.
So today, if you look
at how a lot of drugs
and pharmaceuticals work,
you're using small molecules
to really affect what
the body is doing.
But the idea here is that we
can use closed loop feedback
systems with
miniaturized electronic
or magnetic or photonic
devices to begin
interacting with the body.
And so it's a very
different paradigm
from using small molecules.
Small molecule drugs are sort
of like giving someone a fish.
You're giving the body
something that it needs.
For a short period of time
it reacts to that drug,
and in a lot of cases, then,
that drug leaves the system,
and people need more drugs.
Well, if we can get in and
control what the nervous system
is doing, we can teach
the body to overcome
some of these
debilitating deficits
and prevent the need for long
term drugs or supplement drugs
with being able to build
these closed loop feedback
systems with the nervous system.
This ties into a lot of
really interesting research
areas today in
neuroscience, including
the study of plasticity,
or the brain's ability
to rewire itself due
to certain stimuli.
And we are trying to
build these devices that
can help affect how the brain
is rewiring itself in real time.
The nervous system
is highly complex,
and so I'm not
going to belabor you
with really any of the details.
But we put up this
slide just to show
that there are a tremendous
number of peripheral targets
that have very large end
effects on especially
what your gut, what
your viscera is doing,
and all these
different touch points.
We'd like to really change
the paradigm for how
we're interacting with
the nervous system.
Today, devices like cochlear
implants and pacemakers
give you one to 22 channels
of information exchange
with the nervous system.
And I think the future, the
future that Google will likely
be a very big part of,
is big data analytics
of the nervous system.
It's these miniaturized
injectable devices
that can wrap around
arbitrary peripheral nerves.
And instead of having
one touch point
of what the nervous
system is doing,
you'll have these
distributed touch points
that really tell you a
lot about the real time
status of a patient.
When you go into
a hospital today,
you get your heart
rate measured.
You're measuring all these
physiological symptoms.
But the nervous system
is largely untouched.
If you had little devices that
were inexpensive to implant
that could give you
real time performance
metrics for the
nervous system, it
would really change some of
the fundamental assumptions
and paradigms in the sick care
world in which we live today.
And the goal of
this talk today was
to separate out
some of this vision
and some of the science fiction
from the reality of what
some of the leading
scientists across the country
are doing today, what some of
the leading medical providers
across the country
are doing today,
and try to paint a
picture for you guys
about when the
appropriate time to put
your might on the software
and on the big data side
into this area might
be appropriate.
And so if I succeed in
the talk, maybe you guys
can tell me when the right time
to get involved in this is,
and so that's the goal.
So today, we've got a
host of individual systems
that can stimulate the vagus
nerve, that can stimulate
the cochlea, that can stimulate
the spine, that can solve sort
of one-off biomedical problems.
But the goal is to have these
miniaturized devices that
can do that across the body.
So our solution from UT
Dallas are these devices
called nerve tags.
But we envision these to
be these needle-injectable
microelectronics
that will be smaller
than a grain of rice that
will be able to come and wrap
around arbitrary
peripheral nerves
and block, record, and
stimulate on those nerves.
And so our objective is to
make these very inexpensive
so that a surgery is not costing
you $25,000 to put in a device,
but that it would be feasible
in a hospital environment
to put in a large
number of these devices.
What becomes really
interesting is
it begins to sync up the
business model of big pharma
with the semiconductor
companies that
will likely make this possible.
If you look at a company
like Texas Instruments,
they're looking at products that
are largely nine months to four
years down the pipeline, whereas
GSK spends 25 years developing
a drug, only to recoup
costs in the last few years
when these big blockbuster
drugs are on patent.
And moving to these
small, inexpensive devices
allows us to get high volumes,
to get semiconductor companies
really interested, to reduce
the non-recoverable engineering
costs that go into
designing these devices.
And it also allows us to
leverage tremendous resources
that have been put
into these devices
already that companies
like TI and Intel
have spent toward the
Internet of Things.
So what we can do
right now-- and then
I'll move to some data
and some pictures--
so this is the kind of device
that we can build right now.
This is a little
PCB we've designed,
where we've been able
to sort of flip chip
or solder on maybe 11 different
Texas Instruments components.
I keep mentioning TI.
We're in the heart of
Dallas, and so they
are the Google of Dallas,
if that makes sense,
I guess, that you guys
are to Mountain View.
And we're increasingly
miniaturizing these devices
to the point where
we hope these will
be needle-injectable and
easy to put into the body.
So my background comes in
this class of materials
called shape memory polymers.
And these polymers
are plastics that
can change shape and stiffness
at different temperatures.
So these are plastics.
You can see a video
of one of these.
This is being inserted
into a warm environment
through a 100-micron slit.
When it heats up, these
materials can change shape,
can change stiffness.
So in this case, we're
self-coiling a matrix address
transistor array around
a two-millimeter cable.
Here is one of
these materials sort
of in the flesh in real life.
So it's a material that
behaves like Plexiglas
at room temperature.
If I just put it in my hands and
heat it up to body temperature,
it gets 10,000 times
less stiff, and I
can bend it or manipulate
it into some sort
of metastable shape.
And then as soon
as it cools off,
it gets very hard
again in this shape.
So our big idea was, could
we take these plastics
while they're really hard,
insert them into the body,
and position microelectrodes
right up against and around
nerves, but then have
these guys soften
and get 10,000 times
less stiff chronically
to avoid long-term inflammation
and scarring responses
in the body?
And I'm happy to say that a
lot of the preliminary work
that we've done with some of
this Google funding-- we just
got a big Army grant as well
in this area to really study
the extent to which
softening affects
the neurological responss--
shows that these soft materials
have a lot of promise.
We've built devices to
go around the spinal cord
into the cochlea on
the DRG, and then
a host of different nerves,
mainly in the viscera
and in the four limbs.
So broadly, what we do is we
design these materials called
shape memory polymers.
I'm a polymer chemist from my
PhD training at Georgia Tech.
But then we use
photo orthography
to build flexible electronics
onto these materials.
We do things like control
the charge injection capacity
so we can get a lot of current
out of very small areas
by nanostructuring materials
like titanium nitride.
We build devices with low noise
so we can actually understand
what nerves are doing.
And the goal is to really
enable this hypothesis-driven
neuroscience research.
So right now we're
providing research tools
for collaborators back in
Dallas and across the country
to help map the connectome
and understand debilitating
neurological conditions.
In the future, we
hope to translate
this to be a therapy in and
of itself to treat patients.
So how these plastics
work-- I won't
get too deep into
the chemistry--
but a lot of
materials, if you look
at them as a function
of temperature,
are fairly stable in
terms of their modulus
or their stiffness.
But if you've ever
taken a racquetball
and dunked it in liquid nitrogen
and thrown it against a wall,
or taken a banana and
gotten it really cold,
you can hit a nail into
a board with this banana.
A lot of polymers, when
they get really cold,
get really hard and stiff.
When they get really hot they
melt or they get very soft.
We can control
that modulus change
within a five-degree
temperature window.
So we have these materials that
are right at a transition that
get soft very, very quickly.
What we've also found
out how to do is,
we can have that
softening be triggered
by the absorption of
small amounts of fluid,
not enough to disrupt
our electronics,
but enough to make the whole
substrate network very soft.
So what you see here
is a device that's,
when it's dry in
the black line, it
has this little transition
between 40 and 50 degrees.
And when it gets
wet, that transition
moves to between
20 and 40 degrees.
Now that doesn't
look like a lot,
just a little blip
on some random curve
from an instrument in the
lab called a differential
scanning calorimeter.
But what this allows us
to do is give surgeons
five or six hours to implant
these devices while they're
as stiff as PEK, poly ether
ketone, or a polyamide,
or parylene c.
And then once they get to
physiological conditions,
they'll get a soft as silicone
rubber, or in a lot of cases,
softer than silicone rubber.
And we've found ways, now,
to build microelectronics
onto these plastics.
So here's another little
video of one of these polymers
that's been trained to
coil around a nerve.
So we're using a hair dryer
here to show the effect pretty
quickly.
But you can imagine a surgeon
putting this in and getting it
to self-wrap around a nerve.
In fact, in the bottom
right of the screen
there, or bottom
left on your side,
you can see one of our thin
film electronic devices
that's wrapping tightly
around the vagus nerve.
That's a two-channel electrode.
We spend a lot of time
studying the failure mechanics
at interfaces to make sure
these devices are going
to withstand the
aggressive, high deformation
environments in the body.
So this is a tool that
we built that allows
us to compress these devices and
measure the radius of curvature
of the electrodes.
In this case, we built
transistors both parallel
and perpendicular to
that bending stress.
And we did that on the inside
and the outside of devices.
We can measure
electrical performance,
but we can also do
microscopy and understand
what's happening to, in this
case, the gold electrode,
or in this case, the DNTT,
the [INAUDIBLE] which
is an organic semiconductor,
what the deformation
mechanics looked like, how
to design devices that aren't
going to fail when
they're subjected
to a lot of these
kinds of conditions.
And at first, we do
that dry, and then we
do it in moist, aggressive
biological environments.
So this is a typical
pattern of what
one of our photo lithographic
processes would look like.
We've came up with
some clever technology
to sort of begin building
devices upside down,
and then we can transfer
those devices off
onto a polymer substrate.
So it's sort of like
if you were to take
super glue and scotch tape.
If you imagine taking
a piece of super glue
that's already hardened and
sticking scotch tape onto it,
you could pull that
tape off pretty easily.
But if you started
with scotch tape
and actually cured the super
glue under the scotch tape,
it sticks a whole lot more.
You have to scrape off that
scotch tape with a razor blade.
Well, in the same way, if we
can use our polymers not just
as a material that we're
building electronics on,
but we can integrate that
polymerization into the gate
stack processing
of the device, we
can get a lot of the polar
groups in the polymer
to stick to thin film metals,
to stick to insulators,
and really give
us great coupling
through these thin film layers.
So we'll build between 20- and
200-nanometer layers of gold.
We'll sputter on nanostructured
titanium nitride,
and then use this
transfer process
to basically get really
good electronics built
at very small size scales.
And if there are
questions later,
we can go into that
process in more detail.
We've hit some of
the high points.
Each of these steps involves
several different photo
lithographic steps
in the clean room.
So some of the early
animal work we've done
lends a lot of credibility
to this softening hypothesis.
In fact, the Chair of
Bioengineering at George Mason
University, we were
able to convince
him to move to UT Dallas
about two months ago
to continue to work with
us to really prove out
this hypothesis.
But Joe and I got this big Army
grant just a month ago or so.
What you see here is an
immunohistochemistry plot
of a cortical probe that
was put into a rat brain.
We were able to record
350-microvolt signals
after 77 days, so almost three
months in that rat brain,
with these PEDOT electrodes.
A PEDOT is a conductive polymer
that we put, in this case,
on top of our gold electrodes.
Then what we did is we stained,
we sectioned the rat brain
and stained it for
different cell types.
And what you'll notice is that
there's very little scarring
right around the device,
and we can clearly
see different cortical
regions, the different color
stripes that are unperturbed
with these devices.
So we put these devices in
while they were really stiff,
and then after a couple
hours, they got really soft
and didn't lead to that same
kind of scarring response.
We've had a number of
generations of these nerve tag
cuff electrodes.
We've worked very closely with
the Romero Lab at UT Dallas.
Mario Romero is
a close colleague
who does a lot of the
animal work with us.
And he's put our devices onto
a host of different nerves
and measured
physiological responses.
This is a study
of baseline noise
and spiking activity
in a hypoxic rat.
So we're able to reduce
the amount of oxygen
that the rat is breathing
at a certain time,
and cause the rat to
then-- certain nerves
to fire a little bit more.
We've done work with Rob
Butera's lab at Georgia Tech.
And so here's a picture of one
of our shape memory polymer
devices as an upstream
stimulating electrode, and then
as a downstream
recording electrode.
And so this is the
stimulus artifact
that we get on our
recording electrode.
And then this is that
sort of ionic signal
that's moving through the
nerve a little bit later,
something called the
compound action potential.
We can also measure just
random noise or random movement
as the animal's
breathing, and then we
can use spike
sorting and filtering
to understand what
nerves are doing
in their ambient environments.
This is a lot of
work that was done
on the sciatic,
the cervical vagus,
and then we've done a lot of
work on the splanchnic nerve
as well.
Working with Ken Yoshida's
lab at Indiana University
and Purdue University
in Indianapolis,
we're doing some neat work
on depositing our electrodes
onto tungsten microneedles that
we can thread interfascicularly
through very, very small nerves,
and we can use that, then,
to position electronics
very carefully.
I haven't talked a lot about
how we get the signal out.
The next part of the
talk will be here.
The beginning is just sort
of how we get devices in
and how we're interfacing
photolithographically
defined structures with
the nervous system.
I'll also come pass around
a couple little samples
while I'm talking here.
Maybe Rommel can come
show these around.
But these are just some of
the device configurations
that we've put together.
One of the things
that's coming around
is some of these plexus
blanket electrodes
that we're working on
with Jay Pasricha's lab.
Jay is one of the leading
gastroenterologists
in the world working at
Johns Hopkins University.
And he's done a lot studying
the guts and the stomach.
And we're working
on devices for him
that can help manipulate signals
moving to and from these nerve
plexi and understand those.
So these self-wrapping
coiling devices that
can fit around the stomach.
We're doing some really neat
work in cochlear implants.
So this is a project
that we're working on
with colleagues at
UT Southwestern,
specifically a
fellow named Ken Lee.
And so what you're looking
at here, in the video that's
playing in the top left,
is a cochlear implant
from a company like Cochlear.
As that's inserted
into a cochlea,
you can see how this hugs the
outer wall of the cochlea.
Often, that causes a
traumatic insertion,
and you're scraping cells,
and doing a lot of damage
as that cochlear
implant is going in.
Well, with the
self-coiling shape memory
polymer-based electrode,
what we can do
is we can time the recovery
force of that material.
What you'll notice is that
we're never really touching
either of those walls as
we're inserting this device,
and so we can have these
modiolar-hugging self-wrapping
electrodes that can position our
high charge injection capacity
electrodes in the scala tympani,
this region in the cochlear,
up against the organ
of corti neurons
that allows us to do
better stimulation.
What we can also do is build,
for instance, robotic insertion
devices that will help surgeons
time this implant correctly
so that we can coil several
turns into the cochlea.
So why is this a problem?
Cochlear implants are
perhaps the most successful
medical device in the
history of the world.
There are 200,000
working cochlear implants
in patients today.
It's a $2 billion
a year industry
that's been around
for almost 30 years.
So what I'm going
to play for you
is some different
sounds of what sounds
might sound like in
a cochlear implant.
So if you only had one electrode
working [CRACKLING SOUND]
that's what a sound
would sound like.
If you had two electrodes,
[AUDIO PLAYBACK]
[STATIC]
[END PLAYBACK]
WALTER VOIT: You start to get
a little bit of definition
in the sound, but it's still
hard to pick out what's what.
At four different
discrete frequencies,
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: And then at eight.
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: And then at 16.
So this is where modern
cochlear implants sort of are.
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: So you can
probably hear the sentence.
It's a weird
sentence, I apologize.
It has the right balance
of consonants and vowels,
apparently, to be
used as a sentence.
And then at 32 channels.
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: And then
the unfiltered signal.
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: So you
can see, even between--
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: That sort of
tinny, very processed sound--
[AUDIO PLAYBACK]
-A boy fell from the window.
[END PLAYBACK]
WALTER VOIT: --and
natural audio,
there's a huge difference.
And we'd love cochlear
implant patients
to be able to really appreciate
sound, appreciate music.
My wife, who's here
in the back, Felicity,
she's an ear, nose and
throat head and neck surgeon
at UT Southwestern.
And so we're working with
her and some of her bosses--
Ken Lee is one of
them-- to really try
to understand these
self-wrapping atraumatic
insertion cochlear implants.
But the idea is,
if we can position
these electrodes closer
to the nerves we're
trying to stimulate, we've
got higher charge injection
capacity, we can get more
current out of a smaller area,
we can get more
specificity, we've
got a lot better way to
interact with this complex part
of the body.
So the way we can do a lot of
this in a university setting
is because we're, in
some sense, it seems,
some days, not in a
real university setting.
Texas Instruments has
helped leverage close
to a billion dollars into UT
Dallas over the last 15 years
through some state projects
and grants and funding.
This building that we
work in is a $100 million
facility that's built
around a $50 million
clean room facility.
And so even though that's
only seven or eight years old,
these eight guys that
run our clean room
have a combined 200
years' experience
running clean rooms at TI.
And so I can send
students like Rommel
down there to get trained by
experts who've been doing this
all their lives, and really
get all of the details right.
We can focus our understanding
on polymers, on interfaces,
and really use this
as a core facility
to process complex electronics
onto shape-changing plastics.
So our first generation
of these nerve tags,
this path towards
being able to get
big data from the
nervous system,
looks a little bit
like a mini squid.
We've got a-- and that's not
a quantum interference device.
That's like a biological squid.
We've got our antenna.
This is a little copper
coil in the back.
This whole thing is encapsulated
in a thin layer of silicone.
We've got a lithium
polymer 10-milliamp power
battery on top, so we're
able to inductively power
this device at 13 megahertz from
a cage that a rat would sit in.
And then we use that battery to
stimulate and to block nerves
in the rat.
And then we've got a
channel for recording
and a channel for ECG.
And so that's sort of what
the first generation of device
looked like.
But the whole thing was made
very inexpensively for $100.
And then we interface it
with our polymer electrodes.
So that's maybe arguably
the more expensive part
here at the ends,
where we've been
able to photolithographically
define complex geometries
and then connect them
back to this device.
In the future, we hope
that a lot of this
will be miniaturized,
maybe into a single die,
even, that will be
much, much smaller.
So here you see a sample
of one of these devices.
We're able to
wirelessly stimulate
the sciatic nerve of a rat.
In the top you have
the device that's
just sitting sort of on top
of the rat, and on the bottom
you can see that
it's fully implanted.
But if you look at
the relative size,
it's still too large to have
hundreds or thousands of these
positioned in across the body.
And this is sort of the reality
of where we are right now.
Where we want to go is
to have this be more
like sophisticated acupuncture.
You would have these
smart, intelligent needles
that can put these grain
of rice sized devices,
maybe made out of our
materials, maybe not,
but made out of materials
that can intimately
interface with nerves and
serve as this chronically
viable, abiotic biotic
interface to get information
in and out of the body.
And so some of the
large challenges
come in encapsulation,
and so we play
with a host of different
accelerated aging conditions,
both materials and
electrical, in PBS, phosphate
buffered saline, in
bovine serum albumin,
in water, also then in
animals, to really understand
how these materials behave
acutely, subchronically,
and chronically.
Some of the related technologies
that have spun out of the lab
have to do with
building other thin film
sensors with these materials.
This is a sample of one
of the temperature sensors
that we've built in the lab.
We spun in a company
this last year
called Pascalor, Pascal
for a unit of force,
and calore for calorimetry,
or heat, or heat flow.
And we've built some of
the world's most sensitive
temperature sensors and pressure
sensors with some caveats.
The temperature sensors
can measure a thousandth
of a degree change
in temperature,
but over a four-degree
temperature window.
Now we can change the polymer.
And in each four degrees,
we can measure something
with a thousandth of
a degree accuracy.
But in areas where thermal
conditions are fairly
well-known, like in
and around the body,
this gives us a
lot of sensitivity.
So when a lot of temperature
sensors would have,
maybe, a 25% change
in properties,
we can get a 10
billion percent change
in that same property over that
four-degree temperature window.
So what you see here is a
temperature sensor that's
put onto the brachial artery.
And we can know that
the hand is going
to move before the hand moves
based on the heated blood
flow that's traveling
through that brachial artery.
And we can get that
with extremely high
signal-to-noise ratios with some
of these temperature sensors.
If you look on the
left there, we're
tracking finger
height in that plot
as a distance off of a surface.
And so what we can
do is sort of wave
our fingers in front
of a screen and measure
the relative distance
of that finger
to the screen based on
the thermal gradient
between your finger and
that temperature sensor.
If you look at that compared
to a conventional thermocouple,
we have very, very smooth lines.
We have much, much higher
sampling and sort of much
better data rate than a
conventional thermocouple.
We're combining this
with some of the work
we've done in thin
film pressure censors.
So in the last two
years we've developed
what we think is
the world's softest,
fully elastic material.
It has a modulus
of one kilopascal,
which is about 10 times softer
than most cortical tissue.
We can spin this into a
20-nanometer thick layer.
We can build interdigitated
electronics onto that material.
So what we've built here
is-- the whole stack
is less than 10
microns thick, but it's
a transparent thin film matrix
address pressure sensor.
So you can see when we're
pushing sort of on the pixel,
you can push and hold,
and you can measure
sort of the lightest finger
taps all the way to very, very
heavy forces.
If we had a fly come and land
on one of these materials,
we could see how the weight was
distributed among that fly's
legs, which is really cool.
You can see if you're
pushing other pixels,
there's almost no
overlap in that signal
than when we're over sort
of the sensitive pixel.
And we can build these pixels
with about 40-micron spacing.
So we could have a screen.
Imagine some sort
of touch screen,
that you could interact with
that screen in three dimensions
when you're outside
of the screen,
and then as soon
as you touch it,
you can sort of interact
down into the screen.
So we see a lot of
neat applications,
both for wearable and
consumer electronics,
but also for really
interesting new ways
to interface with
biology in terms
of pressure and temperature.
Another company that we spun
out, Syzygy Memory Plastics,
is doing some neat
stuff in the audio world
and in the oil and gas world.
What you see on
the right here is
something called a frac ball.
But these help us do
hydraulic fracturing, which
is pretty big in Texas.
But we want to be able to
maintain 5,000 PSI on top
of this frac ball, and then have
it completely degrade in a very
fixed amount of time.
Most polymers have a
linear degradation profile,
so if the well temperature's
a few degrees off,
it will degrade too
quickly or too slowly.
We have this logistic
degradation profile
that maintains its mechanical
properties for a couple days,
and then all of a sudden the
whole network falls apart.
And so this gives us
a lot of specificity
to help keeping oil wells open.
I gave a talk across
campus this morning
from our 3-D printing company,
Adaptive 3-D Technologies.
And the problem
there we've tried
to solve is that most
industrially 3-D printed
parts can't be used for
direct applications.
People print molds,
they print jigs,
and then they do manufacturing
around 3-D printed parts,
but not manufacturing
with 3-D printed parts.
If you look at the
stock prices of some
of the big polymer 3-D
printing companies-- that's
sort of shown-- there was
all this hype leading up
to 2014 that they
could solve some
of the grand challenges
in additive manufacturing,
i.e., print a part that
goes into an automobile.
Unfortunately, that hype
didn't quite pan out,
and you've seen a lot of
these stock prices dropping
in the last couple years.
But it's not a
business model problem.
It's a materials problem.
You need to be able to
print materials, this layer,
then this layer, then
this layer, then this one,
that are as strong
in this direction
as they are in this direction.
And with a lot of our
study of interface physics,
of polymer physics,
we've come up with ways
to delay that cross-linking
during 3-D printing
to build isotropically
tough materials.
In materials that are
tremendously strong,
this is a stress strain response
that's very similar to nylon.
We can stretch up to 400% with a
stress of 50 MPA, for instance,
and so we're really excited
about this next generation
of 3-D printable materials.
Another company that
we recently spun out
is called Aeries Materials.
There's a problem in
semiconductor processing today,
and it's this thing
called CTE mismatch,
or the Coefficient of
Thermal Expansion mismatch.
It's sort of a rule
in the industry
that you can't design materials
that are thermally mismatched,
or when you cycle them,
they will fall apart.
So in this case, these
thiol ene acrylate
shape memory polymers
that we've built,
which have a CTE of almost
70 parts per million,
should fail miserably when
you put them in contact
with thin film metals.
But in fact, we can withstand
multiple thermal cycles
up to 270 degrees C,
and we have misalignment
of less than one
micron per centimeter.
So if you compare
that with materials
up here, like polyamide, like
biaxally oriented polyethylene
naphthylate, like polycarbonate,
all these materials,
as you thermally cycle them,
they'll shrink and warp,
and you'll not be able
to align transistors
on a photo mask
over a large area.
The reason we don't
have cellphones today
that you can crumple up
and stick in your pocket
is it's prohibitively
difficult to build electronics
onto plastics over
large areas and still
align all these components
with submicron precision.
Well, people have thought that
CTE mismatch is this problem
that dominates that.
But the reality
is, CTE mismatch is
a symptom of having
a lot of cure stress
built into your polymer.
We've come up with materials
that, as they polymerize,
are completely stress-free.
So if that material
has the strain capacity
to accommodate that
mismatch, and we
don't have these local
stress concentrators,
we can build plasma-enhanced
chemical vapor
deposited silicon nitride,
which has a CTE of 2.3,
onto a material
with a CTE of 70,
and thermally cycle this
indefinitely to 270 degrees
and not fail.
And so we're doing
some interesting work
in building flexible
backplanes in materials,
again, based on solving this
very small interface physics
problem as related to how
polymers and metals stick
together.
Lastly, something
that we've spun out
is something I'm
very happy with.
Chris has actually helped
us with this a little bit
in his spare time.
But we've written one of the
world's most comprehensive mods
for "Minecraft." "Minecraft"
is ostensibly the world's
most popular video game.
It's been downloaded four
billion times in the last four
years.
There are more YouTube videos
about "Minecraft" than even
cats, which is surprising.
There are about 100 million
daily players of "Minecraft."
And so we've gone and written
a layer of material science
in and on top of
"Minecraft," not
to be educational-- it is very
educational-- but to be fun.
Kids can build flame throwers
and jet packs and scuba gear
and pogo sticks
and bouncy castles
if they teach themselves
the underlying materials
processing.
So we've added oil and
petrochemical refining and tech
trees and ways to make all
these sophisticated materials.
But they're teaching
themselves what
we want them to learn in
college so that they can build
overpowered items to either blow
up their friends in "Minecraft"
or get around the
world a little bit more
quickly, or show
off a better base.
And so we've found
some really neat ways
to tap into these new modalities
of learning using programming
and using video games.
And so we just launched
this a little while ago.
UT Dallas is actually offering
weekly $5,000 scholarships
for the Polycrafter of the Week.
So if any you guys have kids
that are thinking about college
and want to win
some scholarships
playing "Minecraft,"
this is their ticket.
So in review, I've shown
you some interesting things
on the implantable
sensor side of things.
We have thin film transparent
sensors that are mainly
photolithographically defined.
We've done work with
carbon nanotubes.
Here you see a high charge
injection capacity titanium
nitride interface with all
these little columnar posts.
This is a dipole
fractal antenna.
We've got a laser system,
a neodymium-doped yttrium
aluminum garnet laser
that can cut out samples
within just a few
microns of electronics
and not redeposit sediment
on the electronics.
And so we're doing
some neat things
to build devices to
help us understand
what the body's doing.
Some other neat
capabilities we have
back at the University,
one of my colleagues--
he was the president of MRS,
the Materials Research Society,
back in 2013.
And he works on a
material called ultra nano
crystal and diamond, which is
one of the world's stiffest
materials.
It has a modulus of
1,400 gigapascals,
making it more than 10
times stiffer than steel.
We can photo pattern UNCD
and build exoskeletons
in and around our devices
to make them anisotropically
stiff, but then very
flexible when they bend
and contort inside the brain.
Another neat capability
we have back in Dallas,
this is Moon Kim,
and he runs one
of the 20 most powerful
microscopes in the world.
This is an aberration
corrected transmission electron
microscope that can resolve
down to 78 picometers.
So a single-carbon carbon
bond is about 150 picometers.
So we can see point defects
in [INAUDIBLE] disulfide,
in graphene, in
carbon nanostructures,
and really use this to study
things like single electron
transistors and high K
dielectric materials,
and a lot sort of in the
nano and the quantum world.
And so in the end, we've got
great infrastructure back
in Dallas that's really
been the driver for being
able to build a lot of
these sophisticated devices
on the plastics.
And in Texas, we
like to think small.
So with that, I'd love
to answer any questions.
Oh yeah, one more comment.
Yesterday we found out we were
picked as one of the panel
winners at the big
South by Southwest
music festival in
Austin, Texas in March.
There's going to
be a forum called
Inner Space: Bioelectronics
and Medicine's Future.
And so I'll be there speaking
with Kris Famm, who's
the head there from Glaxo
SmithKline of Bioelectronics,
and the president of SetPoint
Medical from New York,
and then someone from the
Metropolitan Museum of Art
to talk about of the confluence
of art and neuroscience.
So I'd love to
answer any questions.
Thank you very
much for your time.
[APPLAUSE]
AUDIENCE: So after a few
months, you gave the example
with the rat with the implant.
Does the neural signal degrade?
You know, they get corroded,
like tends to happen
with some of these devices.
WALTER VOIT: So
for the one that we
had in the rat for
three months the signal
was unperturbed for
those three months.
Unfortunately, the
animal protocols we had,
we were forced to sacrifice
the animal at that time
and do histology and
immunohistochemistry.
So that big Army
grant that we got,
we are looking at that over
much longer time frames.
But in that case, we had
the 350-microvolt signals,
which are the same as
when the device started.
Now the cortex is a little
bit different environment than
in the periphery,
and so we're trying
to study that phenomenon both
centrally and peripherally
to look at the effects
of immunocompromised and
non-immunocompromised areas.
AUDIENCE: Thanks for your talk.
Really great work.
You are using supercapacitors
and some energy
harvesting tricks for the
power management of some
of your systemms.
So I wondered if you
could talk about that.
WALTER VOIT: Sure.
Sure.
So there are a lot of competing
approaches to getting energy
inside the body.
A lot of the devices that we've
done preliminary research with
are still wired devices, so
we use omnetics connectors,
and we have cables that
are bonded out straight
to our recording instruments.
For the first generation
of wireless devices,
there are a host of
competing technologies
across the country.
Purdue is doing some really
neat stuff in that area.
There is some neat stuff that's
being done with optogenetics
and using power to power
lasers, and then using lasers
to communicate with light.
In terms of the supercapacitors
in the batteries,
we've chosen these
lithium polymer batteries,
these 10-milliamp power
lithium polymer batteries
because they've got
a small footprint,
we can charge them with
fairly simple circuitry
from inductive coils
that we can pattern
straight on to our plastics.
Right now for the
larger devices,
we're still using coils
of copper or other metals.
But in the future,
miniaturized devices,
we've got some really neat
technology to photo polymerize
and photo pattern very
small antenna traces
that can behave like
much larger antennas
straight onto our
plastics, and that
would be enough
to then power some
of these implantable batteries.
Great Batch is a big company.
They just moved their
headquarters to Dallas
a couple years ago.
But they've got some
pretty sophisticated
implantable battery
technology that powers a lot
of the biomedical implants
that are on the market today.
In terms of the
super capacitors,
we've done less work so far
in integrating our devices
with those, so I can't comment
more on those right now,
at least publicly.
But for the devices we have,
the battery powered ones
are the ones that are
working the best that
are fully wireless.
AUDIENCE: Can you talk a little
bit about moisture barrier
and encapsulation?
That's always one of the
issues that everybody
runs into with
implanted electronics,
and particularly
flex electronics
because you don't have it
in a hermetic enclosure.
WALTER VOIT: Absolutely.
So as polymer chemists, we
spend a lot of time thinking
about how to protect
and properly package
these electronics.
And we have a number
of different approaches
we're exploring.
So the most basic
approach for a lot
of these devices you've seen is
a thin film parylene c coating,
and that ranges anywhere
from 800 nanometers
to 10 microns in thickness
of that parylene.
The problem you get
when you get parylene up
to 10 microns in
thickness, which
is sort of enough to prevent
pin holes and a lot of moisture,
is that size begins to dominate
the mechanical properties
of your device.
In a lot of cases, these
electronics that we build
are-- the whole gate stack
is 10 to 25 microns thick.
So if you put 10 microns
of parylene on either side,
that's dominated everything.
So Rommel's actually been
heading up a research
into low stress nitrides.
We're doing work
with silicon nitride.
We've done some work
with silicon carbide.
We're doing work with
composite stacks of materials
to try to, in a very thin film
way, prevent shunt impedance
and prevent moisture from
getting into our electronics.
The parylene encapsulation
has been good enough
for our subchronic implants,
so lasting three months or six
months or so.
As we move into the
multi-year time frame,
though, it will be
probably more combinations
of these composite approaches.
We've also designed
our substrates, though,
to be pretty good
moisture barriers.
We can tune the hydrofelicity,
or the hydrophobicity
of our polymer substrate.
We can position
these electronics
into the neutral
plane of our device.
So we've got, let's say, 10
microns of our shape memory
polymer on the bottom
and on the top, which
has been tuned to be a
very good moisture barrier.
Then we've got our gate stack
that has other very thin film
encapsulants.
A problem with things like
these low stress nitrides
is they become
brittle and they don't
have a lot of strain capacity.
So if you want a material
that's flexible and bendable and
stretchable, you're
sort of at odds
with using ceramic
interfaces, basically.
So we try to accommodate
that geometrically
by building highly serpentine
traces where we can accommodate
sort of longitudinally
or torsionally
a little bit of that strain
so that these thin film
ceramics don't crack.
And that's, I think, one
of the big challenges
in implantable
flexible electronics
is to be able to move away
from hermetically sealed tin
cans to devices that are
small enough and soft enough
to interface with biology
over long periods of time.
And I don't want
to say for a second
that we've solved
that problem, but I
think we're attacking
that problem
from a lot of different angles.
And I think it's going to be
a lot of combined solutions
that get you a little
bit of the way there
that, in total, get
devices that are going
to be good enough for
subchronic and potentially
chronic implants.
Thanks a lot for coming in.
And we appreciate your
time and attention.
[APPLAUSE]
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Voiceover: All right, the next theory
that we're going to take a look at
is Vygotsky's Theory of Development, which
is also the Sociocultural Theory of
Development.
So building upon the importance of social
interaction, Vygotsky studies
the role that social interaction plays in
the development of cognition.
So he was really focused on the social
interaction between
children, which are obviously growing, so
he focused on children and
their growth development, the interactions
they had with those around them,
in the development of their cognition and
their higher order learning.
Now Vygotsky actually, unfortunately,
passed away at a very young age;
he was only 38, so much of his theory was
left unfinished.
But from what we do know of what he did
discover and what he did theorize,
gives us a lot of insight into this theory
of development.
So Vygotsky developed this theory and he
said that babies had
elementary mental functions, and there are
four of them.
So these elementary mental functions, I'm
gonna
just right short-hand M F for mental
function.
So he said there were four of them.
One of them is attention.
So we have attention; we have sensation,
as babies remember.
We have perception, and we also have
memory.
So these are the four elementary mental
functions that babies have.
Now eventually through interaction with
their
environment, the socio-culture
environment, these elementary
mental functions are developed into more
sophisticated and effective mental
processes or strategies.
And this is what we call our higher mental
functions.
So much of our important learning that a
child goes
through occurs through the social
interaction with a skillful tutor.
So whether it's their teacher, their
parents someone older.
So this tutor acts as a model, and they
model
their behaviors, or they provide verbal
instruction for the child.
So the child often tries to understand the
actions or
instructions provided by the tutor, often
the parent or the teacher.
And then they internalize it.
And they use to that to actually guide and
regulate their own performance.
So let's take a little trip down memory
lane, memory lane.
Think about when you were a little kid,
and
when you were given your first puzzle to
put together.
I remember when I had my first puzzle, and
I was
trying to solve it all alone; I had a
really hard time.
But I also remember my dad sitting right
next to me and
describing and demonstrating some basic
techniques
and tips and strategies to solve it.
So he first told me to put, or actually
find all the
corner and edge pieces and to separate
those from the middle pieces.
And he gave me a couple pieces to put
together and kept on encouraging me as I
went along.
So eventually, I became more competent,
and my father didn't have to sit
next to me, and he was just able to watch
me solve the puzzle.
I was able to learn I was actually able to
work more independently.
So higher mental functions are
characterized
more by independent learning and thinking.
But that can only be cultivated by the
elementary mental functions, which involve
a tutor or someone older who acts as a
guide through which we model our behavior.
So according Vygotsky, this type of social
interaction involves cooperative and
collaborative dialogue, and that's what
promotes this cognitive ability or
development.
So, in this example I was telling you
about, my
dad was an MKO, which is a more
knowledgeable other.
So this is the first key term that I want
you to know.
MKO stands for more knowledgeable other.
So this is one term that Vygotsky defined.
So the more knowledgeable other is
basically someone who has a better
understanding
or a higher ability level than the
learner, which, in this example, was me.
I was the learner.
So this MKO has a higher level of, of
understanding
and ability with respect to whatever the
task is at hand.
So in this case, my dad was an MKO cuz he
had
a better understanding of how to put the
puzzle together than I did.
So an MKO is someone else, but then we
have to add in that sociocultural factor.
So the interaction of myself, which is
right here, with the MKO, the
other person is what leads to learning,
which I'll put over here.
And it's what also leads to these higher
mental functions in independence.
Now the second key term that I want you to
know is called the zone of proximal
development, so ZPD for short, but I'll
just write it out here.
So it's called the zone of proximal
development, and basically,
I'm gonna illustrate in a second for you
what what this looks like.
But this zone of proximal development is
the part
where the most sensitive instruction or
guidance should be given.
So in my puzzle example, I was in that
zone of proximal development
because I was most sensitive to the
information my father was giving me.
I was between the ability of being able to
do something and not being able to do
something.
And then that zone of guidance that I
received is what allowed me to
transition from the set of skills I
already had to a more expanded set of
skills by learning, and going beyond what
I had already known.
So this is what develops these higher
mental functions.
So let's pretend that this is our, right
here I'm gonna draw a box.
And this box right here represents
everything that's
beyond our reach and what we can't do.
So I'm gonna do, put a big Can't Do over
here, and this little circle inside over
here represents
everything we can do currently; in our
current state, it's what we can do.
And according to Vygotsky, the zone of
proximal development is the
link between
the two, right in here, your ZPD.
And that is the zone or the area that's
most sensitive
to instructional guidance, that allows the
learner or child to develop the
skills they already have and to use it on
their own and
go beyond into the areas they can't do, to
expand that learning.
So for example, I couldn't solve the
jigsaw puzzle by myself when I was
little; it would have taken me such a long
time to do or at all.
But I was able to solve it, following the
interaction with my father.
The ZPD involves and interaction with the
MKO.
And eventually, I developed that
competence of that
skill that I can also use in the future.
So this arrow right here, just gonna show
you, is what
represents all of our learning and our
development.
Now another important part of Vygotsky's
theory was the importance of language.
So I'll put that right over here.
Number three is language.
So according to Vygotsky, he said that
language is the main means by which
adults transmit info to children, and it's
also a very powerful tool of intellectual
adaptation.
So he looked at private speech.
Now private speech is also called internal
speech.
It's when people talk out loud to
themselves.
Which happens most likely with what type
of populations?
Do adults speak out loud to themselves a
lot or do children?
Well, it's actually children.
Most children engage in private speech.
And he, Vygotsky, sees this as a way for
children
to plan activities and strategies, and
this aids in their development.
This active speaking to themselves,
talking out loud.
So he said this language is,
therefore, an accelerator for thinking and
understanding.
So children who engage in large amounts of
private speech are actually
much more socially competent than children
who do not use it that much.
So he believed that language develops
from social interactions for communication
purposes.
And later language ability becomes
internalized as thought.
So as we grow older, it becomes more
internalized, which is
called our inner speech, so basically,
thought is a result of language.
That ability to think for ourselves and
develop that independence of
executing skills comes from this
importance of language, according to
Vygotsky.
So there you have it.
These are the three main parts of his
theory.
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THEN said a rich man, Speak to us of Giving.
And he answered:
You give but little when you give of your possessions.
It is when you give of yourself that you truly give.
For what are your possessions but things you keep and guard for fear you may need them tomorrow?
And to-morrow, what shall to-morrow bring to the over-prudent dog burying bones in the trackless sand
as he follows the pilgrims to the holy city?
And what is fear of need but need itself?
Is not dread of thirst when your well is full, the thirst that is unquenchable?
There are those who give little of the much which they have – and they give it for recognition
and their hidden desire makes their gifts unwholesome.
And there are those who have little and give it all.
These are the believers in life and the bounty of life, and their coffer is never empty.
There are those who give with joy, and that joy is their reward.
And there are those who give with pain, and that pain is their baptism.
And there are those who give and know not pain in giving, nor do they seek joy, nor give with mindfulness of virtue;
They give as in yonder valley the myrtle breathes its fragrance into space.
Through the hands of such as these God speaks, and from behind their eyes He smiles upon the earth.
IT is well to give when asked, but it is better to give unasked, through understanding;
And to the open-handed the search for one who shall receive is joy greater than giving.
And is there aught you would withhold?
All you have shall some day be given;
Therefore give now, that the season of giving may be yours and not your inheritors’.
And you receivers – and you are all receivers – assume no weight of gratitude,
lest you lay a yoke upon yourself and upon him who gives.
Rather rise together with the giver on his gifts as on wings;
For to be overmindful of your debt
is to doubt his generosity who has the free-hearted earth for mother, and God for father.
You often say, “I would give, but only to the deserving.”
The trees in your orchard say not so, nor the flocks in your pasture.
They give that they may live, for to withhold is to perish.
Surely he who is worthy to receive his days and his nights is worthy of all else from you.
And he who has deserved to drink from the ocean of life deserves to fill his cup from your little stream.
And what desert greater shall there be, than that which lies in the courage and the confidence, nay the charity, of receiving?
And who are you that men should rend their bosom and unveil their pride,
that you may see their worth naked and their pride unabashed?
See first that you yourself deserve to be a giver, and an instrument of giving.
For in truth it is life that gives unto life-while you, who deem yourself a giver, are but a witness.
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Spanish:
CREO QUE ME SIENTO CON CONFIANZA
Y RELAJADA
YO TE PUEDO ENSEÑAR
GRACIAS VENEZUELA
Y LA MÁS CERCANA A LA CORONA ES
INDIA .
>>> MISS INDIA TIENE 26 AÑOS Y
UNA MAESTRÍA EN SALUD PÚBLICA .
>>> GRACIAS COMO TE VA .
Spanish:
>>> AQUÍ VA LA PREGUNTA.
>>> COMO ACTRIZ HAS COLABORADO
CON ALGUNOS DE LOS ACTORES MÁS
FAMOSOS DE TU PAÍS CON QUÉ
CELEBRIDAD AMERICANA TE GUSTARÍA
TRABAJAR? .
>>> ESTOY AQUÍ PARA HABLAR
CONTIGO O SEA QUE CREO QUE ESOS
LO QUE ME GUSTARÍA HACER HOY Y
Spanish:
SI ME DIERAN UNA OPCIÓN ME
GUSTARÍA CON LEONARDO DICAPRIO .
>>>
English:
>>> WILSON.
THAT'S THE WHOLE FISH DEAL OF
EARLIER, RIGHT?
THEY'RE IN L.A. TONIGHT.
SO BRING OUT JARED GOFF,
UNDERSTOOD THE HOLLYWOOD SIGN.
THE RAMS AND THE SEAHAWKS, SIX
MINUTES FROM "SUNDAY NIGHT
FOOTBALL" ON NBC.
BUT FIRST, WE HAVE THE BEST OF
WEEK 14 PRESENTED BY VERIZON.
THE NETWORK MORE PEOPLE RELY ON.
MEGA GAMES TODAY.
IN SAN FRANCISCO/NEW ORLEANS
BATTLE.
>> KYLE SHANAHAN BROUGHT OUT THE
PLAYBOOK OF TRICK PLAYS AND GOT
THE OFFENSE JUMP STARTED.
>> SAINTS OUT TO A BIG LEAD.
NINERS GOT BACK CLOSE.
English:
DREW BREES WITH SIX TOUCHDOWNS.
>> SMITH INCONSISTENT THIS YEAR
BUT THIS IS A GREAT RUN GETTING
THE END ZONE.
>> THE SAINTS ARE UP AND MISSED
THE TWO-POINT CONVERSION.
THEY GET IN POSITION.
>> FOURTH AND TWO.
GEORGE KITTLE.
>> WITH A ROOKIE.
>> LOOK AT THIS EFFORT.
>> 39 YARDS ON THE CATCH AND
RUN.
THE FACE MASK ADDS 15.
IN POSITION FOR THE VETERAN
ROBBY GOLD TO GET THE CAME
WINNER.
SAN FRANCISCO GOES ON THE ROAD
PUTS UP 48 AND BEATS THE SAINTS
BY 2.
TO SLIDE INTO THE NUMBER ONE
MOMENT IN THE NFC.
IN GREEN BAY, RODGERS GOT IT
DONE.
>> HE IS NO LONGER THE KEY TO
THIS OFFENSE.
IT IS AARON JONES, A BIG DAY.
BEAUTIFUL PASS BY RODGERS.
>> PACKERS 10-2.
PITTSBURGH IT FELT LIKE THEY
WERE IN PITTSBURGH.
A DAY IN ARIZONA.
THEY WON.
>> HOT, UNDEFEATED AS A STARTING
UNDEFEATED QUARTERBACK.
English:
>> QUACK-QUACK.
>> I LIKE IT.
>> 7 OF THE LAST 8.
WITH THE BILLS NEXT SUNDAY NIGHT
IN BUFFALO.
MEGA GAME FROM THE BILLS TODAY.
LAMAR JACKSON DOING IT WITH HIS
ARM.
>> HESS SO FAST.
ALMOST LOOKED LIKE A WIDE
RECEIVER.
>> THEY WERE UP 14.
GREAT SHAPE.
BUFFALO COMES BACK.
>> LITTLE LEGAL PICK PLAY.
GETS THEM WITHIN ONE SCORE.
YEAH.
>> AND THE BILLS HAD A CHANCE IN
THE RED ZONE AT THE END OF THE
GAME.
>> BLITZ.
A GREAT JOB OF PLAYING OUTSIDE
TECHNIQUE AND KNOCKING THE PASS
DOWN.
>> THE RAVENS ARE IN AS THE
NUMBER 1 SEED.
MAHOMES LETS IT GO.
>> HARTMAN BURNS THEM.
>> PATRIOTS WITH A CHANCE TO TIE
IT AT THE END.
FOURTH AND FIVE.
BRADY TO EDELMAN.
>> GREAT PLAY.
English:
>> THE BEST.
KANSAS CITY CLINCHES A PLAYOFF
SPOT.
ALL RIGHT, GUYS.
TIME NOW TO TAKE A LOOK AT THE
WINNERS BY LOWE'S.
AMERICA, LIAM, CHRIS, MIKE ALL
ARE ON THE SEAHAWKS WHICH IS
GOING TO SEND ME TRYING TO BREAK
THE TIE WITH TONY TO THE RAMS
HERE.
WHAT ARE YOU LOOKING FORWARD TO?
>> I'M GOING TO PICK THE RAMS.
I THINK THE SEATTLE SEAHAWKS
WILL PUTT FOCUS ON STOPPING TODD
GURLEY.
JARED GOFF NEEDS A BIG GAME
TONIGHT AND WILL HAVE ONE.
>> I DON'T KNOW BECAUSE I FEEL
SO MUCH PRESSURE.
MY SON IS TELLING ME THE PICKS,
LITTLE RJ.
HE IS TERRIBLE THIS YEAR.
SO I'M GOING TO GO WITH
SOMETHING DIFFERENT.
I'M GOING WITH THE RAMS.
>> YOU CHANGE AND GO TO THE
RAMS?
>> PREVENT THE BIG PLAY.
SELL OUT.
>> THREW YOUR SON UNDER THE BUS.
IT IS THE HOLIDAYS.
>> TERRIBLE PICKER OF GAMES.
>> TONIGHT'S WINNERS BY LOWE'S.
SO GLAD YOU ARE MY FRIEND.
English:
>> SORRY, RJ.
>> WE ARE ALL READY TO GO IN
L.A.
THROUGH YOUR SON UNDER THE BUS.
BIG-TIME PLAYOFF IMPLICATIONS.
RAMS CHASING THE WILD CARD SPOT.
AL, CRIS AND MICHEL HAVE THE
CALL.
ENJOY "SUNDAY NIGHT FOOTBALL" ON
English:
NBC.
>> THIS HAS BEEN HYUNDAI'S
"SUNDAY NIGHT KICKOFF."
♪♪
>>> WEEK 14 OF THE NFL SEASON
BRINGS US TO LOS ANGELES WHERE
THE NFC WEST IS IN THE SPOTLIGHT
AS THE RAMS TAKE THE FIELD.
SET TO MEET THE SEAHAWKS ON
Spanish:
(MUSICA)
(SONIDO AMBIENTE(
(MÚSICA(
(MÚSICA(
(MÚSICA(
(MÚSICA(
English:
"SUNDAY NIGHT FOOTBALL."
♪♪
♪♪
♪ WAITING ALL DAY FOR SUNDAY
NIGHT ♪
♪ ALL RIGHT
WHAT A NIGHT ♪
♪ FINALLY HERE ♪
♪ SUNDAY NIGHT FOOTBALL KICKING
INTO HIGH GEAR ♪
♪ THE STARS HAVE ARRIVED ♪
♪ COME ON
GET UP AND CHEER ♪
♪ HEY DAK IT'S A FACT IT'S BACK
IN TOWN ♪
♪ THE SEAHAWKS AND THE RAMS IN
THE DIVISION TO GO DOWN ♪
STADIUM'S ROCKING ♪
♪ THE NFL'S BEST HAVE COME TO
PLAY ♪
♪ COAST TO COAST
JUST ONE THING LEFT TO SAY ♪
♪ I'VE WAITED ALL DAY FOR SUNDAY
NIGHT ♪
♪ TOUGH MAN CLUB
I HEARD TOM FIGHT ♪
♪ 100 SEASONS STRONG
AND WE'RE DOING IT RIGHT ♪
♪ THAT'S WHY WE'RE WAITING ALL
DAY FOR SUNDAY NIGHT ♪
>> HOW DO YOU LIKE THAT?
Spanish:
MOMO
(MÚSICA(
(MÚSICA(
(MÚSICA(
English:
>> WOW.
>> OH BABY.
>> UNBELIEVABLE!
♪ OH YEAH ♪
♪ WAITED ALL DAY ♪
♪ WAITING ALL DAY FOR SUNDAY
NIGHT ♪♪
>> IT IS THE ENTERTAINMENT
CAPITAL OF THE WORLD.
FOR 96 YEARS, A TON OF DRAMA AT
THE LOS ANGELES COLISEUM.
WHAT IS IN STORE TONIGHT?
AS AARON DONALD AND THE RAMS GO
TOE TO TOE WITH RUSSELL WILSON
AND THE SEAHAWKS ON "SUNDAY
NIGHT FOOTBALL."
AL MICHAELS WITH CRIS
COLLINSWORTH AND MICHELE TAFOYA.
THERE IS NOMAR GIN FOR ERROR FOR
THE RAMS.
7-5.
THEY PROBABLY HAVE TO WIN OUT
AND GET SOME HELP.
ALMOST GOES WITHOUT SAYING.
FOR THE RAMS TONIGHT'S GAME IS
HUGE.
MEANWHILE, THE SEATTLE SEAHAWKS
BEEN A GREAT YEAR.
UP NORTH.
Spanish:
(MÚSICA(
(MÚSICA(
(SONIDO AMBIENTE(
(SONIDO AMBIENTE(
(SONIDO AMBIENTE(
English:
THEY HAVE A RECORD OF 10-2.
THEY WIN TONIGHT THEY CLINCH A
PLAYOFF BIRTH AND LEAD THE
LEAGUE IN NAIL BITERS.
ALMOST EVERY GAME GOES DOWN TO
THE FINISH.
THAT IS THEIR TRADEMARK IN THE
2019 SEASON.
CRIS, THEY HAVE WITHOUT QUESTION
SURPASSED ALL EXPECTATIONS AT
10-2.
WHAT IS THE SEATTLE FORMULA THIS
YEAR?
>> I THINK OLD-SCHOOL FOOTBALL.
THEY LOVE TO POUND IT WITH TWO
GOOD RUNNING BACKS IN THERE.
SEE SIX OFFENSIVE LINE MEN IN
THE GAME FOR THEM AND THEY HAVE
THIS MAGICIAN AT QUARTERBACK.
FACE IT.
THE MVP VOTING GOING TO COME
DOWN TO EITHER RUSSELL WILSON OR
LAMAR JACKSON.
>> LAST YEAR LOSE TO NEW
ENGLAND.
THEY WANT TO AVOID WATCHING ON
TELEVISION.
HOW DO THEY GET IT DONE?
>> JARED GOFF PLAYS SOME OF HIS
BEST GAMES AGAINST SEATTLE.
TODD GURLEY COMING OFF THE BEST
GAME OF THE SEASON LAST WEEK BUT
IT IS ABOUT THE RAMS DEFENSE.
LAST TIME THEY PLAYED RUSSELL
WILSON THEY HAD HIM UNDER SIEGE
AND GOT HIM ON THE GROUND ONE
TIME.
THAT WILL NOT GET IT DONE
English:
TONIGHT.
>> THE PLAYOFF PICTURE WILL BE
CLEARER IN ABOUT THREE HOURS.
SEATTLE AND LOS ANGELES ON
"SUNDAY NIGHT FOOTBALL."
♪ WAITING ALL NIGHT FOR SUNDAY
NIGHT NOTICE
.
>> "SUNDAY NIGHT FOOTBALL" IS
BROKE TO YOU BY --
Spanish:
(SONIDO AMBIENTE(
English:
>>> NBC SPORTS WELCOMES YOU TO
THE FOLLOWING PRESENTATION OF
THE NATIONAL FOOTBALL LEAGUE.
CELEBRATING 100 SEASONS.
>> TOUCHDOWN, RAVENS!
>> PATRIOTS, THEY WIN.
>> WHAT WERE YOU THINKING?
GETTING CAUGHT UP IN ALL OF THAT
WHITE NOISE.
>> HERE COMES WILSON.
>> JUMPING ON THE NINERS HYPE
TRAIN WHEN MY HAWKS HAVE NEVER
LOST CONTROL OF THE WEST.
>> LAMAR JACKSON.
>> CROWNING THIS GUY MVP, WHEN
HIS ARM IS MORE DANGEROUS THAN
EVER.
>> PERFECT PASS BY RUSSELL
WILSON.
>> YEAH, YEAH.
I KNOW WHO THE RAMS ARE BUT IT'S
DECEMBER NOW AND IT'S TIME TO
WAKE UP.
BECAUSE THE NFL GOT CAUGHT
SLEEPING ON SEATTLE.
♪ THIS IS THE MOMENT ♪
>> Al: RUSSELL WILSON WITH GREAT
YEARS.
THIS WOULD BE HIS BEST.
HE COULD VERY WELL BECOME THE
MVP AT THE END OF THE SEASON.
Spanish:
(MÚSICA(
(MUSICA)
(MÚSICA(
English:
WE'LL SEE ABOUT THAT.
WHAT ABOUT THE RAMS QUARTERBACK?
TO THE FIELD WE GO.
HERE'S MICHELE.
>> Michele: AFTER SIGNING A
RECORD CONTRACT IN THE
OFFSEASON, JARED GOFF DOES NOT
LOOK LIKE THE SAME QUARTERBACK
HE WAS IN 2018.
HE CAME IN TO DECEMBER OFF A
NOVEMBER IN WHICH HE DID NOT
THROW A SINGLE TOUCHDOWN PASS
BUT HAD FIVE INTERCEPTIONS.
GOFF TOLD US WHEN THINGS ARE BAD
HOW YOU RESPOND IS HOW YOU'RE
TRULY JUDGED AND THE WAY YOU GET
OUT OF BAD SITUATIONS IS BY
KEEPING YOUR HEAD DOWN AND
WORKING.
LAST WEEK AGAINST ARIZONA GOFF
HAD A HIGHEST COMPLETION
PERCENTAGE AND HIGHEST PASSER
RATING OF THE SEASON EARNING NFC
ALL DEFENSIVE PLAYER OF THE WEEK
HONORS AND SEAN McVAY SAID
THERE'S NOTHING LIKE THE
TANGIBLE EVIDENCE OF A GOOD
PERFORMANCE.
JARED'S FEELING MORE LIKE
HIMSELF.
AL, THE RAMS GET TO THE
PLAYOFFS, THAT'S THE GOFF THEY
NEED.
>> Al: THE DIVISION LEADERS, SAN
FRANCISCO WON A CLASSIC GAME
Spanish:
(MÚSICA(
(MÚSICA(
(MÚSICA(
LOSSEATTLE SEAHAWKS
VISITA A LOS RLOS ANGELES RAMS
MUY BUENAS NOCHES AMIGOS LES
HABLA HÉCTOR LÓPEZ DÁNDOLE LA
BIENVENIDA A LA NFL EN LA NBC
ESTOS EQUIPOS SE ENFRENTARON
OCTUBRE Y LOS SEATTLE SEAHAWKS
GANARON EN OCTUBRE Y LOS RLOS
ANGELES RAMS NO PUEDEN DARSE POR
VENCIDOS .
>>> ES EL LÍDER EN LA LIGA EL
SEÑOR JARED GOFF
ESTÁ CUARTO EN LA LIGA DEBEREMOS
SABER CÓMO SE COMPORTA LA
DEFENSIVA DEL EQUIPO PARA PODER
Spanish:
MANTENERSE EN ESA TABLA DE
POSICIÓN QUE USTEDES ESTÁN
VIENDO EN LA PANTALLA.
>>> SAN FRANCISCO GANÓ HOY ENTRA
SEATTLE SEAHAWKS
EL JUEGO ESTA NOCHE.
>>> RUIGREEN BAY Y LOS COWBOYS
ESTÁN PATINANDO .
>>> QUE POR CIERTO CONVERSACIÓN
EN EL MUNDO DE YA HJERRY JONS .
>>> LA PATADA DE GREG ZUERLEIN
NO LA VA A RETORNAR EL EQUIPO DE
English:
WITH THE SAINTS TODAY.
GREEN BAY AND NEW ORLEANS AND
DALLAS LEADING THE DIVISIONS.
MINNESOTA WOULD BE A WILD CARD
AND SEATTLE WITH A WIN VAULTS
INTO NUMBER 1 SEED.
IN HUNT OF THE RAMS, CHICAGO
WINNING ON THURSDAY AND
PHILADELPHIA A GAME BEHIND THE
DALLAS COWBOYS.
GREG ZUERLEIN WILL KICK OFF.
THE RAMS WON THE TOSS.
THEY HAVE DEFERRED.
GOING BACK TO RECEIVE IS TRAVIS
HOMER, ROOKIE OUT OF MIAMI.
60 DEGREES.
CLEAR SKIES AND RAIN GOOD PART
OF THE WEEKEND AND DOPPLER IS
HERE TO TELL YOU CLEAR SKIES ALL
NIGHT AS WE START WITH A
TOUCHBACK.
Spanish:
LOS SEATTLE SEAHAWKS
AQUÍ ESTA LA ALINEACIÓN .
>>> HABLAN EN INGLÉS .
>>>OFENSIVAMENTE ESTE EQUIPO DE
LOS SEATTLE SEAHAWKS
LO QUE HACE LOS AÑOS DE
EXPERIENCIA HAN HECHO MADURAR A
ESTE GRUPO QUE HAN TENIDO LA
TEMPORADA IMPRESIONANTE. AVANZA
MUY CORTO DE UNA SOLA YARDA
VAMOS A VER QUE INDICA EL
ÁRBITRO PRINCIPAL Y VAN HABER EL
APELLIDO DE ESTE SEÑOR ES MUY
English:
AND LET'S TAKE A LOOK AT THE
SEATTLE OFFENSE.
.
SO THEY START WITH CHRIS CARSON
IN THE BACK FIELD.
THE RUNNING BACK.
THEY ALSO USE A SIXTH OFFENSIVE
LINEMAN QUITE OFTEN.
THAT WOULD BE GEORGE FANT.
AND A TWO-HEADED MONSTER AT
RUNNING BACK WITH PENNY, AS
WELL.
THEY START WITH CARSON ON THE
GROUND AND A FLAG.
ONE PLAY, ONE FLAG: A GAIN OF
ONE.
SHAWN HOCHULI IS THE REFEREE
TONIGHT.
IN THE SECOND YEAR.
>> Referee: ILLEGAL FORMATION,
OFFENSE, ELIGIBLE RECEIVER 74
RECOVERING.
FIVE-YARD PENALTY.
>> Al: WE TALKED ABOUT THAT
EXTRA OFFENSIVE LINEMAN IN THERE
BUT ILLEGALLY.
LOOK AT WILSON'S NUMBERS HERE.
Spanish:
FAMILIAR .
>>> SHON COM.
>>> INFRACCIÓN PARA EL EQUIPO DE
LOS RLOS ANGELES RAMS
MIRA LOS NÚMEROS IMPRESIONANTES
ESA FUE CONTRA LOS RAM CONTESTÓ
15 DE 23 PASES CERO INT
INTERSECCIONES J3
VEMOS A WILSON
QUE NO TIENE BUEN RÉCORD TIENE
SIETE JUEGOS GANADOS Y OCHO
PERDIDOS PASABA PIDO POR LA
IZQUIERDA QUE TREMENDA JUGADA LO
FRENARON EN SECO P58
JCORY LITTLETON
LO TIRÓ CONTRA EL PISO .
>>> ESTE ES EL NÚMERO NUEVE EN
English:
WEEK FIVE AGAINST THE RAMS.
UP IN SEATTLE.
FOUR TOUCHDOWNS, A NEAR PERFECT
PASSER RATING.
THESE TWO TEAMS PLAYED SOME
GREAT GAMES OVER THE PAST COUPLE
OF YEARS.
ALL OF THEM NAILBITERS.
FIRST AND 15.
AT THE 20 YARD LINE.
OFF TO THE LEFT SIDE.
TYLER LOCKETT.
TOP RECEIVER.
PICKS UP A YARD.
COREY LITTLETON ALL OVER THE
PLACE.
GREAT LINEBACKER AND GREAT
SPECIAL TEAMS GUY.
MAKES A STOP SECOND DOWN.
>> Cris: MAY BE THE BEST PLAYER
YOU'VE NEVER HEARD OF BUT HE
LEADS THIS TEAM IN TACKLES AND
HIS SPEED SHOWS UP ALL NIGHT
LONG FOR THIS RAMS DEFENSE.
>> Al: RAMS DEFENSE IS SO GOOD
SO OFTEN BUT IN A COUPLE OF
CIRCUMSTANCES AGAINST TAMPA BAY
AND BALTIMORE THEY HAVE BEEN
English:
SHREDDED HERE IN COLISEUM.
JOSH GORDON IS IN THE GAME.
STARTED THE YEAR AT NEW ENGLAND.
NOW IN HIS FOURTH GAME.
BOTTOM OF THE SCREEN.
WILSON IN THE POCKET AND HE WILL
GO THAT WAY AND HITS GORDON.
TACKLED THERE BY TROY HILL.
A LITTLE SHY OF THE FIRST DOWN.
LOOK AT THE L.A. DEFENSE.
.
REVAMPED SECONDARY.
WHEN THEY MET IN WEEK FIVE,
PETERS AND TALIB FOR THE RAMS.
THIRD DOWN AND TWO.
THE BALL IS HANDED OFF TO
CARSON.
HE WILL THREAD HIS WAY TO THE 40
YARD LINE FOR A FIRST DOWN.
CLAY MATTHEWS MAKES THE TACKLE.
Spanish:
LA LIGA ENTRANDO AL PARTIDO DE
HOY CON UN TOTAL DE 102 TACOS .
>>> EN ESTA TEMPORADA 2019 JCOR
LITTLETON
TIENE LA PELOTA RÁPIDO EL PASE
POR LA DERECHA Y LA ATRAPA CORTO
EL PRIMER RUSSELL WILSON
CAPTURANDO EL PASE PJOSH GORDON
QUE LLEVA UNOS PARTIDOS CON EL
EQUIPO DE SEATTLE SEAHAWKS
.
>>>COMBINACIÓN DE VETERANOS COMO
English:
CARSON, THIRD YEAR OUT OF
OKLAHOMA STATE.
>> Cris: ANY TIME YOU TRY TO GET
ON THE BACKSIDE, YOU HAVE TO DO
SOMETHING TO TRY TO KEEP AARON
DONALD OUT OF THE PLAY.
AARON DONALD IS THE KEY TO THIS
GAME.
WE TALKED ABOUT RUSSELL WILSON
MAY BE THE MVP.
DONALD IS PROBABLY THE DEFENSIVE
PLAYER OF THE YEAR AND AS LONG
AS HE IS NEUTRALIZED LIKE THAT
THEY HAVE A CHANCE.
>> Al: CARSON LEADING THE LEAGUE
IN RUSHING FIRST DOWNS THIS
SEASON.
FLANKS WILSON.
FAKE AND THEN WILSON FIRES.
CAUGHT.
UP TO THE 50 YARD LINE.
MALIK TURNER.
FREE AGENT OUT OF ILLINOIS.
AND A GUY WHO PLAYED A BIG PART
LAST WEEK ON SEARCH TEAMS IN THE
WIN ON MONDAY NIGHT OVER
MINNESOTA.
>> Cris: YOU HAVE TO KEEP AN EYE
ON THE LINEBACKERS COMING ACROSS
THE FIELD.
YOU KNOW HOW EFFECTIVE THE
RUNNING GAME IS.
ANY TIME YOU SEE THAT LINEBACKER
Spanish:
MATTHEWS Y DE MUCHA JUVENTUD
TAMBIÉN .
>>> ENTREGA LA PELOTA POR EL
CENTRO Y LLEGA EL PRIMER DAOWN
MIREN EL HUECO QUE HACE LA LÍNEA
COMPLETAMENTE AHÍ ESTÁ EL PEDAZO
POR EL CENTRO POR DONDE VA LA
POSICIÓN DEL GUARDIA Y EL CENTRO
Y AQUÍ ESTÁ EL GRAN JERIC PCHRIN
AHORA SE COLOCA AL IZQUIERDA LO
IBA A HACER ADEMÁS SE COLOCA A
LA DERECHA .
>>> WILSON TIENE LA PELOTA VA A
PASAR TIENE PRESIÓN PASE CAPTURA
Y TIENE EL PRIMER DOWN EN LA
HIERBA 50 PASE NÚMERO 11 QUE
ATRAVIESA ESTA TEMPORADA.
>>> ESTE EQUIPO DE SEATTLE HA
IDO MADURANDO LUEGO GANARON Y
MIREN COMO ESTÁN CORRIENDO LA
English:
MOVING OUT OF THERE AND OF
COURSE THE GAME PLAN AS ALWAYS
YOU HAVE TO DOUBLE TEAM AARON
DONALD.
GET HIM LOCKED UP.
THERE YOU GO.
>> Al: PENNY COMES IN.
AT RUNNING BACK.
HE WAS A NUMBER ONE PICK LAST
YEAR OUT OF SAN DIEGO STATE.
TAKES THE FLIP HERE AND WILL
PICK UP A FIRST DOWN AND A FEW
MORE YARDS.
INSIDE THE 40 YARD LINE.
RAPP MAKES THE TACKLE.
PENNY IS SHAKEN UP ON THE PLAY.
16-YARD GAIN AND AN INJURY
STOPPAGE HERE.
>> Cris: YOU HAVE A GREAT PASS
RUSH TEAM AND WHAT DO YOU DO?
SLOW THEM DOWN.
JUST LOOKING TO SLOW THEM DOWN
AND THIS IS A BIG INJURY HERE.
PENNY HAS BEEN RED HOT AND HIS
SPEED ON THE OUTSIDE IS REALLY
ADDED AN ELEMENT ON THE OUTSIDE
FOR THE SEAHAWKS DEFENSE.
THERE'S SCHOTTENHEIMER RIGHT
THERE.
>> Al: OFFENSIVE COORDINATOR IN
THE SECOND YEAR.
BRIAN WAS THE OFFENSIVE
Spanish:
OFENSIVA .
>>> MUY VARIADA MUY COMPLETA O
R
OTRA VEZ CONTRA EL DEFENSA DEL
AÑO EL SEÑOR JTYLERPDONALD PASA
YARDA 44 ESTÁ LASTIMADO Y ES LA
RODILLA .
>>> Y CUANDO SEGÚN LOS RELACIÓN
A LA RODILLA JALEN RAPRASHAAD PY
AQUÍ VIENE EL GOLPE .
>>> EL GOLPE NO FUE LA RODILLA
FUE CUANDO EL CAYO EL TERRENO DE
Spanish:
FUEGO .
>>> ESPEREMOS QUE NO SEA NADA
SERIO .
>>> HUEL ERA COACH
AAMENAZAN A PRIMERA SER OFENSIVA
DEL PARTIDO .
>>> EL MOVIMIENTO SE LA PEGA POR
EL CENTRO DESBLOQUEO Y TIENE UNA
BASE UNAS 34 YARDAS EN ESTA
JUGADA .
>>> ESTÁN ATENDIENDO A PRASHAAD
PENNY
ES UN GRAN JUGADOR .
>>> QUE SABE PENETRAR JAUSTIN
BLYTHE
PPUEDE INTERRUMPIR EL AVANCE DE
CUALQUIER CORREDOR .
English:
COORDINATOR FOR THE RAMS WHEN
THEY WERE WRAPPING UP THE STAY
IN ST. LOUIS AND WADE PHILLIPS,
THE RAMS DEFENSIVE COORDINATOR.
AS I SAY, HIS GROUP HAS EITHER
BEEN FANTASTIC OR SOMETHING
CONSIDERABLY LESS.
>> Cris: 13 POINTS OR FEWER IN 6
GAMES AND A COUPLE OF GAMES OVER
45.
SO HARD TO EXPLAIN.
>> Al: CARSON IS BACK IN.
TAKEN DOWN FROM BEHIND BY DONTE
FOWLER.
CAME OVER IN A TRADE WITH
JACKSONVILLE.
WORKS ON PENNY.
SECOND DOWN AND LONG.
>> Cris: AN ATHLETE TO JUMP
INSIDE OF YOU HERE WHEN YOU'RE
NOT EXPECTING IT AND HIS ABILITY
AND SPEED ACROSS THE FORMATION
SO OFTEN JUST WINS THE DAY.
ANY TIME YOU'RE PLAYING SEATTLE,
UNTIL YOU STOP FIRST CARSON FROM
RUNNING UP THE MIDDLE THEY DON'T
REALLY GO TO PLAN "B."
THAT IS WHO THEY PREFER TO PLAN
Spanish:
>>> NO PRECIPITARSE .
>>> EN LA PRIMERA SELECCIÓN DEL
2015 PASE CAPTURA POR EL PRIMER
DOWN EL NOVATO P
F
QUE BUENA OFENSIVA ESTÁ HACIENDO
LOS CISEATTLE. PERFECTO HASTA E
MOMENTO A 48 YARDAS ESTÁN C
CAMBIANDO LA JUGADA EN LA LÍNEA
DE IMPACTO .
>>> EL ÚNICO CORREDOR ESTÁ P3
}
PCHRIS CARSON
FUE DESVIADO FALLA SU PRIMER
PASE DEL PARTIDO .
English:
AND BE ALL NIGHT.
>> Al: WILSON THROWS AND CAUGHT
BY DK METCALF FOR A FIRST DOWN.
METCALF A ROOKIE OUT OF
MISSISSIPPI DRAFTED IN THE
SECOND ROUND.
HE IS 6'4", 230 POUNDS AND FAST.
>> Cris: THE THING THAT
IMPRESSES ME ABOUT WILSON SO
MUCH, AL, THIS PRESSURE IN HIS
FACE IMMEDIATELY.
MATTHEWS WAS THERE AND IF YOU
DON'T KNOW WHERE THE RECEIVERS
ARE YOU DON'T MAKE THAT
COMPLETION.
>> Al: SEAHAWKS ALREADY FOUR
FIRST DOWNS ON THE OPENING
DRIVE.
TWO RUNS AND FIVE PASSES SO FAR.
PASS NUMBER SIX IS INCOMPLETE.
CARSON OUT OF THE FLAT TO MAKE
IT SECOND DOWN AND TEN AT THE
22.
>> Cris: WE HAVE TALKED ABOUT
THIS.
THIS ISN'T A GREAT PASS
PROTECTING TEAM BUT THE PLAY
ACTION GETS THE DEFENSIVE LINE
MOVING SIDEWAYS AND BUYS TIME
FOR RUSSELL WILSON TO GET BACK
EIGHT, NINE, TEN YARDS DEEP AND
THEN IF A GUY ESCAPES HE MAKES
Spanish:
>>> Y ES UNA GUAPA HERENCIA LA
QUE HABÍA HECHO ESTA NOCHE.
>>> POR EL LADO IZQUIERDO .
>>> SERÁ HORA SEGUNDO ROUND Y 10
EL ÚNICO CORE BAG
EN SU PRIMERA TEMPORADA EN LA
G
LIGA .
>>> Y LA LLEVA EN LA YARDA 15 .
>>> OBSERVAN QUE HACE TIEMPO NO
HABÍA CORRIDO CON EL BALÓN
AVIACIÓN PASO CORTO CON EL
LATERAL EN PANTALLA .
>>> YA QUE UNA VEZ MÁS EN LA
LÍNEA OFENSIVA PJARON BROWN
SE PEGÓ FUERTE.
English:
THEM MISS.
THAT'S THE FORMULA ALL SEASON
LONG.
>> Al: OFFENSIVE LINE A PROBLEM
YEARS AGO IS BIGGER.
VETERANS UP FRONT.
IUPATI.
SECOND DOWN AND TEN.
THROUGH THE MIDDLE.
CHRIS CARSON TO SET UP A THIRD
AND THREE.
STOPPED THERE BY ERIC WEDDLE.
>> Cris: SORT OF A CLASSIC TRAP
PLAY HERE.
HUNT TO BLOCK BACK AND PULL
ACROSS THIS WAY WITH MIKE IUPATI
AND KICK OUT.
POWER FOOTBALL.
AGAIN, TAKING ADVANTAGE OF WHAT
THE RAMS LIKE TO DO WHICH IS GET
UP THE FIELD.
I TELL YOU, THAT CHRIS CARSON
GETS TO BE A LOAD AS THE GAME
GOES ALONG.
>> Al: HE DOES.
HEAD COACH CARROLL FACING THE
SIDELINE.
TREMENDOUS SUCCESS HERE
OBVIOUSLY AT THE BEGINNING OF
THE 21st CENTURY WITH USC.
THIRD DOWN AND THREE.
WILSON.
IS GOING TO GET SACKED BACK AT
English:
THE 22 YARD LINE.
LOOKED TO THE RIGHT.
COULDN'T GET IT AWAY AND THE
RAMS THROUGH THE MIDDLE.
IT'S FOURTH DOWN.
>> Cris: YOU HAVE TO DO
SOMETHING TO SURPRISE RUSSELL
WILSON.
IF HE SEES YOU COMING, HE WILL
GET AWAY.
THIS TIME HE LOOKED TO THE RIGHT
AND BY THE TIME HE LOOKED BACK
HE HAD PRESSURE IN HIS FACE
BY --
>> Al: TRYING TO PUT SEATTLE IN
THE LEAD EARLY IN THE GAME AND
IT IS RIGHT DOWN THE MIDDLE.
8:34 TO GO IN THE OPENING
QUARTER.
GOOD OPENING DRIVE AND THE HAWKS
LEAD, 3-0.
Spanish:
>>> CASCO CONTRA CASCO TERCER
ROUND Y TRES .
>>> FORMACIÓN JCORY LITTLETON
VA POR EL CENTRO Y NO PUDO
HACERLO.
>>> TRATÓ DE SORPRENDER HIZO LA
PINTA ERA QUEDARSE CON EL BALÓN
Y CORRER A LANZAR EL PRIMER 10 .
>>> OBSERVEN EL TITUBEA Y CUANDO
DECIDE ENTRAR POR EL CENTRO YA
EL HUECO SE HABÍA TAPADO
TOTALMENTE
>>> OBSERVEN EL NIGERIANO POR EL
EQUIPO DE LOS RLOS ANGELES RAMS
39 YARDAS .
>>> Y ES BUENO.
Spanish:
>>> SE VAN ARRÍBALOS SEATTLE
SEAHAWKS
TRES A CERO .
English:
>> Al: SO LOOK AT THE SANTA
MONICA PIER.
ON THIS DECEMBER SUNDAY NIGHT.
BACK TO THE COLISEUM WE COME.
THIS WILL BE THE RAMS NEXT TO
LAST GAME HERE.
NEXT YEAR MOVING TO THE NEXT
DIGS IN ENGLEWOOD.
ALONG WITH THE CHARGERS.
MYERS TO KICK OFF.
RAMS BEGIN THEIR FIRST DRIVE UP
AT THE 25 YARD LINE WITH THIS
OFFENSE.
.
Spanish:
>>>
(MUSICA)
EN SANTA MÓNICA LA PLAYA QUE
LINDO
>>> AHÍ VEMOS A PJOSH MYERS COMN
Spanish:
DESDE LA LYARDA 25 .
>>> AQUÍ ESTÁ LA ALINEACIÓN .
>>> HABLEN EN INGLÉS .
>>> AQUÍ ESTA EL TÉCNICO
DECÍAMOS QUE EL NOVATO ABRIENDO
LA POSICIÓN PORQUE EL TITULAR
ESTÁ LESIONADO CENTRO Y JTODD
GURLEY II
AVANZA UNA FELIZ VERDAD.
>>> LA QUINTA SEMANA CONTRAER EL
SEATTLE SEAHAWKS
CUATRO PASES .
>>>J UN SOLO PASE Y UNA IN
INTERPRETACIÓN PERO NO FUE
DERRIBADO NI UNA SOLA VEZ POR
English:
SEAN McVAY, THE YOUNGEST COACH
IN THE LEAGUE, MATCHES WITS WITH
PETE CARROLL THE OLDEST COACH IN
THE LEAGUE.
TODD GURLEY IS THE RUNNING BACK
STARTING FROM THE 25 YARD LINE.
GOING BACK AND FORTH.
GURLEY WITH A NICE RUN.
TO OPEN THINGS UP.
GAIN OF SEVEN.
SHAQUILL GRIFFIN.
83 RATING IN WEEK 5.
A GAME DECIDED AT THE END ON A
MISSED FIELD GOAL.
OTHERWISE THE WHOLE STANDING
SITUATION IN THE WEST WOULD HAVE
BEEN FLIPPED AROUND.
>> Cris: BASICALLY THE RAMS
WOULD HAVE BEEN PLAYING FOR
SECOND PLACE TONIGHT IN THE
DIVISION.
>> Al: SECOND AND FOUR.
NOWHERE TO RUN.
LOOK AT THE SEATTLE DEFENSE.
.
Spanish:
LA AGRESIVA DEFENSIVA .
>>> Y POR CIERTO UNA DEFENSIVA
MUY BUENA VEA .
QUE PASE EL PAZ ESTUVO PERFECTO
DE PARTE DE JROBERT WOODS
LE PONE EL BALÓN EN EL HOMBRO
DERECHO POR ESE LADO.
English:
2
>>> LA ALINEACIÓN DEFENSIVA DE
>> Cris: WHEN THEY BRING ALL
THREE RECEIVERS FROM ONE SIDE TO
THE OTHER, LOOK AT THE TRAFFIC
THAT TRE FLOWERS HAS TO GO
THROUGH.
IT IS LIKE A WALL COMING ACROSS
THE FIELD.
>> Al: SPOT THE BALL RIGHT AT
English:
MIDFIELD.
WITHOUT A HUDDLE.
THEY RESET.
TO GURLEY.
ROLLING THE OTHER WAY.
THROWS AND WILL BE CAUGHT FOR A
GAIN OF 16 BY ROBERT WOODS.
TRE FLOWERS MAKES THE TACKLE.
WHAT A DIFFERENCE WOODS MAKES
WHEN HE IS IN THE LINEUP.
>> Cris: WHAT A CONFIDENT THROW
THIS WAS.
IT WAS RIGHT PAST THE EAR REALLY
OF BOBBY WAGNER WHO WAS IN
PRETTY GOOD POSITION BUT YOU
COULD TELL THAT JARED GOFF
COMING OFF OF THAT GAME LAST
WEEK DEFINITELY HAS A LITTLE UP
TICK IN CONFIDENCE RIGHT NOW
BECAUSE THAT WAS ONE THAT IF
YOU'RE NOT FEELING GOOD ABOUT
YOURSELF YOU DON'T THROW THAT
ONE.
>> Al: THAT GAME AGAINST
ARIZONA, DISASTER AGAINST
BALTIMORE.
SIX NIGHTS BEFORE THAT.
A GAIN OF ONE.
THE RAMS HAVING TROUBLE HERE AT
HOME.
LOST 3 OF THE LAST 4 HERE AT THE
Spanish:
>>> LA COLOCA EN LA YARDA 50 EN
TERRITORIO DE NADIE PRIMER DA UN
Y 10 .
>>> CANTANDO LA JUGADA EN LA
LÍNEA DE IMPACTO PRIMER DA UN Y
10 TIENE LA PELOTA ACCIÓN SE
DESPLAZA POR LA IZQUIERDA Y
CAPTURA LA YARDA 33 PRIMER DA WN
CAPTURÓ CINCO PARA 98 YARDAS .
>>> ESTÁN RECLAMANDO QUE LE
PEGARON CON EL CASCO EL CASCO .
>>> JROBERT WOODS
ESTÁN PIDIENDO UN RECLAMO DE
AGRESIVIDAD EXPRESIVA .
>>> PRIMER DA UN DDOWN Y 10 .
LA ENTREGA POR LA IZQUIERDA
CORTO AVANCE.
>>> ACASO DOS EN SU PRIMER JUEGO
Spanish:
CONTRA FISEATTLE SEAHAWKS
JTODD GURLEY II
.
>>> QUEMÓ UN TRATAMIENTO
>>> DE UN LADO Y NADIE LO TOCÓ .
>>> ES QUE NADIE LO QUE LE TOCA.
>>> EN ESTE MOMENTO ESTE HOMBRE
SEGUNDO JARED GOFF
AAHÍ ENTRÓ EL NOVATO DE YUUTAH
ESTE NÚMERO 57 PCODY BARTON
LA PRIMERA ESTA DE RECONOCER Y
NADIE BLOQUEO .
>>> TERCER DA UN UTAH LA CON
CHECHOWN YY NUEVE .
English:
COLISEUM.
>> Cris: THIS IS THE GUY TO
WATCH OUT FOR TONIGHT, JADEVEON
CLOWNEY.
FREAKISH IN THE RUN GAME.
>> Al: THAT IS KICKED AND
INCOMPLETE AND COMING IN THERE
WAS CODY BARTON.
THE ROOKIE GETTING THE START
TONIGHT.
ROOKIE THIRD ROUND DRAFT CHOICE.
PLAYED COLLEGE BALL AT UTAH.
>> Cris: PETE CARROLL SAYING
THAT HE FEELS THAT BARTON IS THE
BEST COVERAGE LINEBACKER THAT
THEY HAVE.
SEPTEMBER HIM ON THE BLITZ HERE.
TALKING ABOUT BOBBY WAGNER ON
THAT DEFENSE, AS WELL.
>> Al: 5:30 LEFT IN THE QUARTER.
MALCOM BROWN IS NOW IN THE GAME.
THE RUNNING BACK.
>> Cris: TAKE A SACK IF IT
KNOCKS YOU OUT OF FIELD GOAL
RANGE.
THINK ABOUT GETTING IT OUT
QUICKLY.
>> Al: PLAY CLOCK DOWN TO THE
END.
A FAKE AND A PASS WIDE OPEN.
English:
MAKING THE CATCH INSIDE THE 10
YARD LINE IS TYLER HIGBEE!
TO SET UP A FIRST AND GOAL.
HE HAD A TREMENDOUS GAME LAST
WEEK IN ARIZONA.
33 YARDS.
>> Cris: THIS IS A GREAT JOB
HERE BY THE RAMS.
YOU WILL HAVE THEIR RUNNING BACK
MALCOM BROWN JUMP FROM ONE SIDE
TO THE OTHER TO PICK UP THAT
BLITZ.
>> Al: NO HUDDLE.
IT'S A TOUCHDOWN FOR MALCOM
BROWN.
RIGHT UP TO THE LINE.
THE HAWKS RUNNING IN AND OUT ON
DEFENSE AND BROWN TAKES IT IN TO
CAP A 75-YARD DRIVE.
>> Cris: WHY DO YOU HUSTLE TO
THE LINE OF SCRIMMAGE?
NOBODY OVER HERE TO TRY TO SLOW
DOWN THE PLAY.
THEY'RE UPSET TO GIVE UP A BIG
PLAY.
ALL OF THE ABOVE.
SEEN THE PATRIOTS DO THAT FOR
YEARS.
AND THIS IS A LITTLE DIFFERENT
LOOKING RAMS OFFENSE THAN WHAT
YOU AND I HAVE SEEN THE LAST FEW
TIMES.
>> Al: WE WERE HERE THREE WEEKS
Spanish:
>>> CALENTANDO LA JUGADA EN LA
LÍNEA DE IMPACTOS EN LA CABEZA .
>>> VIENE LA PELOTA AL ARCO POR
LA DERECHA ESTÁ SOLO LA CAPTURA
Y LA LLEVA HASTA LA YARDA DOS
APROXIMADAMENTE ENTRE LA UNO Y
LA DOS JTYLER HIGBEE
CON LA .
>>> Y DONDE EL BALÓN MIREN ESO
P
PP
PSHAQUILL GRIFFIN
J
SSE VAN ARRIBA LOS RLOS ANGELES
RAMS .
>>> SALIERON A PELEAR .
>>> NO SE SINTIERON INTIMIDADOS
PORQUE EL EQUIPO QUE LO HABÍA
DERROTADO.
English:
AGO FOR THE CHICAGO GAME.
BOGGED DOWN.
LAST WEEK.
GOOD START FOR THEM TONIGHT AS
ZUERLEIN BACK ON FOR THE EXTRA
POINT.
PASS TO HIGBEE SETS THEM UP.
BROWN TAKES IT IN.
RAMS LEAD.
Spanish:
>>> HACE DOS MESES ATRÁS.
>>> AHÍ VEMOS A JMALCOLM BROWN
Y LISTO PARA EL PUNTO .
>>>GREG ZUERLEIN
LE VA A PEGAR .
>>> EL PUNTO ESTO ES BUENO Y
AHORA ESTÁN GANANDO LOS RLOS
English:
>> Al: "SUNDAY NIGHT FOOTBALL"
BEING BROUGHT TO YOU BY --
CLEATS THE PLAYERS ARE WEARING
TONIGHT.
RUSSELL WILSON.
DUANE BROWN.
AMERICAN DIABETES ASSOCIATION.
SINGLE MOM.
CALIFORNIA STRONG.
LITTLETON MULTIPLE SCLEROSIS
Spanish:
ANGELES RAMS SIETE A TRES EN E
T
ESTE PRIMER PUNTO.
>>>
English:
FOUNDATION.
GOOD IDEA.
WE CHECK IN WITH MICHELE.
>> Michele: PENNY THE RUNNING
BACK, HE IS CONVERTING A FIRST
DOWN TO MIDFIELD ON THIS PLAY.
HIS LEFT KNEE KIND OF FOLDS IP
ON HIM
HE CAME TO THE SIDELINE.
HAD IT LOOKED AT.
CHRIS CARSON JOINED HIM IN THE
BLUE TENT.
HE IS OUT WITH A LEFT KNEE
INJURY.
FOR THAT PUNCH OF CARSON AND
PENNY TAKING A HIT.
>> Al: WHAT IS INTERESTING IS
ACTIVATED PROSISE WHO NORM SLI A
THIRD RUNNING BACK, INACTIVE FOR
ALMOST TWO MINUTES BUT THEY
ACTIVATED HIM TONIGHT SO THEY
HAVE A BACKUP THERE.
AS THIS DRIVE STARTS FROM THE 25
YARD LINE.
CARSON.
OUT TO THE 30 YARD LINE.
CHRIS CARSON WAS A SEVENTH ROUND
DRAFT CHOICE BACK IN 2017.
SLOW START TO HIS CAREER.
HIS ONLY PROBLEM REALLY HAS BEEN
Spanish:
(MUSICA)
ÉSTAS SON LAS ZAPATILLAS QUE LOS
JUGADORES USAN .
>>> ES MUY BONITO SU GESTO MUY
LINDO PORQUE VAN A INTRUSIONES
D
DE BENEFICENCIA .
>>>JTAYLO ES LA RODILLA IZQUI
Q
PORQUE CUANDO EL FRENA PRASHAAD
PENNY
SE LO ESTÁN LLEVANDO .
>>> AHÍ ESTÁ EL NÚMERO 22 PC.J.
PROSISE
AHÍ NOS ESPERA QUE P NENY VUELV
AL PARTIDO .
>>> POR LA DERECHA AHÍ ESTÁ
English:
FUMBLING.
THIS YEAR REALLY COME ON, A GUY
WHO'S A THOUSAND YARD SEASON.
NEEDED 19 COMING INTO THE GAME.
HE'S GOT 22 RIGHT NOW SO HE'S UP
INTO FOUR FIGURES.
>> Cris: HE IS A BAD MAN, TOO.
MABEL NOT MARSHAWN LYNCH BUT
THAT CATEGORY.
>> Al: SECOND DOWN AND FIVE.
CARSON THROUGH THE MIDDLE.
TAKEN DOWN BY A GAIN OF THREE BY
MATTHEWS.
SO RUSSELL WILSON, YOU KNOW, YOU
LOOK AT HIS CAREER, THE BODY OF
IT.
EIGHT YEARS, NO OFFSEASON.
17% OF THE PASSES HE THROWS MORE
THAN 20 YARDS DOWN FIELD.
MORE THAN FOUR SECONDS HE IS
PHENOMENAL.
A QUARTER OF THE PASSES THROWN
ON THE RUN.
ALL THE MARKS ARE THE TOPS IN
THE NFL.
>> Cris: HE IS THE TOP PASSER
UNDER PRESSURE AND I THINK IF
YOU WANT TO SAY WHAT HAS MADE
HIM ONE OF THE TOP MVP
Spanish:
CERCA DE LA YARDA 30 Y POR
SEGUNDA VEZ EN SU CARRERA
ALCANZA LA MARCA DE 100 YARDAS
CORRIDAS PCHRIS CARSON
PODRÍA SUBIR A 1800 YARDAS .
>>> ESTA NOCHE CITABA 19 YA
TIENE 22 EL AÑO PASADO CORRIÓ
PARA 1151 YARDAS PODRÍA SER
MEJOR MARCA .
>>> AHORA SE COLOCA A LA DERECHA
DE WILSON SE LA ENTREGAN A CARSN
POR ENCIMA .
>>> SI LAS COMPARAS CON RUSSEL
W
WILSON ESTE HOMBRE ES EL MEJOR
English:
CANDIDATES IN MY MIND?
THAT'S IT.
>> Al: HE AND LAMAR JACKSON SEEM
TO HAVE A STRANGLEHOLD ON THAT
RIGHT NOW.
THIRD DOWN AND A DEUCE.
TRYING TO FIGHT TO THE FIRST
DOWN IS CARSON.
RAPP COMES UP FROM THE SECONDARY
TO STOP HIM AND THEY'RE GOING TO
MARK IT A LITTLE SHORT OF THE
FIRST DOWN.
PETE CARROLL SENDS IN THE PUNT
CREW.
>> Cris: NOW RAPP SHOWING WHAT
HE CAN DO IN THE RUN GAME.
WATCH HIM COME SHOOT UP HERE AND
MAKE THE PLAY.
HE JUST FIRES.
THAT'S THE ONE GUY YOU REALLY
CAN'T ACCOUNT FOR ON THE BACK
END AND USUALLY SAFETIES CAN'T
MAKE THAT STOP.
HE DID.
>> Al: MICHAEL VICKS, A NEW RUN
BACK.
WEBSTER OUT OF EASTERN
WASHINGTON.
AND HE MAKES A FAIR CATCH AT THE
14 YARD LINE.
RAMS TAKE OVER THERE.
LESS THAN THREE MINUTES LEFT IN
THE QUARTER.
LOOK AT THE SANTA MONICA PIER ON
THIS SUNDAY NIGHT.
Spanish:
MARISCAL DE CAMPO BAJO PRESIÓN
QUE SABE EJECUTAR EL PASE .
>>> Y QUE TIENE ESTA OTRA D
DIMENSIÓN QUE PUEDE CORRER CON
LA PELOTA TAMBIÉN PODRÁ
>>> ANTES CORRÍA MUCHO .
>>> PRESETERCER DOWN .
>>> NO CREO QUE SE LA JUEGUEN
ESTÁN EL PRIMER TIEMPO TODAVÍA.
>>>PCHRIS CARSON
UNO DE LOS TRES TÉCNICOS COMO ÚU
BIEN SABES QUE HA SIDO CAMPEÓN
DE LA NFL Y CAMPEÓN COLEGIAL .
>>> PODRÍAMOS DECIR QUE ESTÁ AL
Spanish:
IGUAL QUE JOHNSON .
>>> LA PIDE A ÚLTIMA HORA Y
English:
TALKED ABOUT ANSAH, AS WELL.
TWO STARTERS ARE DOWN TONIGHT
INACTIVE.
THERE'S ANSAH.
OF COURSE, ALREADY LOST THE
RUNNING BACK RASHAD PENNY.
FROM THE 15 YARD LINE.
THIS DRIVE WILL BEGIN.
TODD GURLEY.
FOR HARD YARD.
TALKING TO JARED GOFF THE OTHER
DAY.
GOFF WAS NUMBER ONE OVERALL PICK
IN THE '16 DRAFT.
THE RAMS TRADED UP.
FROM 15 TO 1 WITH TENNESSEE.
Spanish:
DEBE Y COMIENZAN LOS RLOS ANGELS
RAMS SUP PRÓXIMA OFENSIVA .
>>>
(MUSICA)
EL EQUIPO DE LOS RLOS ANGELES
RAMS
QUE ESTÁN GANANDO
>>> AHORA POR IZQUIERDA AVANZA
UNA SOLA YARDA EN ESTA JUGADA
ANTERIORMENTE HABÍA AVANZADO
SIETE EN TRES CORRIDAS .
>>> TÚ MENCIONASTE A ESTE JOVEN
Spanish:
DE GANA.
>>> JTODD GURLEY II
YO TENGO EL EQUIPO EN LAJA
SCHOOL ESTE DE GANA Y YA MIDE O
68 Y ESTÁN 10º GRADO .
>>> ESTÁ FUERA DE JUEGO.
>>> AHÍ VIERON AL ÁRBITRO SHON
English:
>> Cris: I FOUND IT INTERESTING.
HE WAS TALKING ABOUT BOBBY
WAGNER AND HOW MUCH HE ENJOYS
PLAYING HIM.
HE SAID HE PLAYS LIKE A SAFETY,
PLAYING SO MUCH ZONE DEFENSE IN
THE MIDDLE THAT I HAVE TO WORK
HIM WITH MY EYES TO TRY TO MOVE
HIM AND HE KNOWS WHAT I'M DOING
SO A LOT OF BACK AND FORTH
BETWEEN THEM.
>> Al: WHO MOVED FIRST?
>> Referee: NEUTRAL ZONE
INFRACTION, DEFENSE 98,
FIVE-YARD PENALTY, SECOND DOWN.
>> Al: GREEN.
>> Cris: I WENT BACK AND WATCHED
THE TAPE OF THE FIRST GAME
BETWEEN THESE TWO AND THEY'RE SO
MUCH DIFFERENT.
WHITWORTH THE LEFT TACK SL THE
SAME AND EVERYBODY ELSE ON THE
OFFENSIVE LINE IS DIFFERENT.
GERALD EVERETT WITH A
SENSATIONAL GAME IS NOT PLAYING
IN THIS.
HIGBEE PLAYED GREAT LAST WEEK,
ESPECIALLY BLOCKING FOR THIS
TEAM SO VERY DIFFERENT TEAM.
>> Al: SECOND AND FOUR.
English:
FIRST DOWN.
STEPPED UP, FIRES, CAUGHT AT THE
35 YARD LINE.
GOT IT INTO ROBERT WOODS.
A BIG QUARTER ALREADY.
AS WOODS MAKES HIS THIRD CATCH.
48 YARDS FOR HIM.
>> Cris: WATCH WHAT MAKES THIS
SO SIGNIFICANT.
WHEN THEY GO PLAY ACTION, LOOK
AT ALL THEY'RE DOING IS BUYING
AN EXTRA STEP OUT OF THAT
DEFENSIVE LINE THAT HAS TO MOVE
LATERALLY.
INSTEAD OF COMING UP AFTER JARED
GOFF, THEY'RE ATTUNED TO THEIR
LEFT IN THAT CASE AND THEN
COMING BACK TO BUY EXTRA TIME.
>> Al: RIGHT UP TO THE LINE.
STOPS, SURVEYS AND THROWS AND
WOODS AGAIN.
LAST WEEK WOODS WHO PLAYED HIS
COLLEGE FOOTBALL HERE AND
STARTED THE CAREER IN BUFFALO
CAME TO THE RAMS IN '17.
HE MISSED THE GAME FOR PERSONAL
REASONS AGAINST CHICAGO.
LAST WEEK AGAINST ARIZONA, I
SAID BEFORE, 19 TARGETS, 13
CATCHES AND TONIGHT 4 CATCHES
FOR 50 YARDS.
>> Cris: ONE THING SEATTLE IS
DOING IS NOT PLAYING A NICKEL
AGAINST THIS THREE-WIDE RECEIVER
Spanish:
DE HIJO DEL SEÑOR EDD LOS JUEGOS
ENTREGARA LA CASA .
>>> VA HACIA ATRÁS SEGURO Y LA
TRABA EN LA YARDA AHÍ CERCA DE
LA YARDA 35 Y CUANDO FUIMOS A
CASA DE MOMENTO LA ESPOSA DEL
SEÑOR ÁRBITRO VIENE DONDE
ESTÁBAMOS CON LAS CÁMARAS Y NO
DICE QUIEREN UN POQUITO DE CAFÉ
Y NOSOTROS USTÉ HABLA ESPAÑOL SI
YO SOY DOMINICANA .
>>> DE MARAVILLA .
>>> Y HAYA NARIZONA .
>>> PRIMERO Y 10 PASE POR LA
DERECHA OTRO PASE DE WOODS YA
SON CUATRO .
>>> JROBERT WOODS
English:
SET.
THEY'RE PLAYING THREE
LINEBACKERS AND ATTACK ON THE
OUTSIDE AGAINST THE SAFETIES.
>> Al: FINAL MINUTE OF THE
QUARTER.
THEY HAND IT TO JOSH REYNOLDS
COMING AROUND FROM THE RIGHT
SIDE AND HE'LL PICK UP A FIRST
DOWN.
SO SEAN McVAY'S PLAYBOOK LOOKING
LIKE IT DID LAST YEAR.
>> Cris: THIS IS THE FORMULA IN
THE SUPER BOWL AGAINST THIS
TEAM.
YOU GOT THREE DEFENSIVE LINE MEN
OVER HERE.
THREE OVER HERE AND A MIDDLE
LINEBACKER IN BOBBY WAGNER.
SINCE THEN, THE RAMS GOTTEN A
LOT BETTER AT PLAYING AGAINST
THE DEFENSE.
AS A MATTER OF FACT, THE LAST
TEAM TO PLAY A LOT OF IT AGAINST
THEM WAS THE SEATTLE SEAHAWKS.
SO THEY THINK THEY HAVE THE
ANSWER.
I THINK PETE CARROLL'S SAYING I
WANT YOU TO PROVE IT.
>> Al: TURNED THE CORNER LAST
WEEK IN THE OFFENSE.
FIRST DOWN HERE.
STOPS, ROLLING.
THIS TIME THROWS AND THAT'S
Spanish:
Y PODRÍAMOS VER UN DUELO ENTRE
MARISCAL DE CAMPO .
>>> ACERCÁNDOSE A LAS 1000
YARDAS EL SEGUNDO EN EL EQUIPO
DETRÁS DE SU COMPAÑERO EL AÑO
PASADO CAPTURÓ 36 PASOS PARA MÁS
DE 1000 YARDAS .
>>> SE LA ENTREGA Y JUGADA POR
LA IZQUIERDA ACELERA VIENE EL
PRIMER SOWN LO EMPUJAN FUERA DEL
TERRENO DE JUEGO.
>>> Y ESA ES LA VENCIDA QUE
ESTAMOS ACOSTUMBRADOS A VER UNA
OFENSIVA CLARA Y RÁPIDA .
>>> TIENEN A TRES PREVENTIVOS EN
LA LÍNEA Y PRESTEN EL OTRO LADO
SON SEIS Y SE HAN QUEDADO EN EL
MEDIO VEGETANDO Y DESCUIDAN UN
POCO ESTE TIPO DE JUGADA OJO POR
English:
HIGBEE MAKING HIS SECOND GRAB.
SO GOFF IN THE QUARTER 6 OUT OF
7 FOR 104 YARDS ALREADY.
THAT SHOULD TAKE US TO THE HORN
FOR THE FIRST QUARTER.
IT WILL.
AND THAT'S THE END OF THE FIRST
QUARTER WITH THE SCORE THE RAMS
7, SEAHAWKS 3.
"SUNDAY NIGHT FOOTBALL" BACK
AFTER THESE MESSAGES.
Spanish:
UN PASE AQUÍ DE JTODD GURLEY II
HA CORRIDO CUATRO VECES POR LA
DERECHA PERFECTO LA TRABA PARA
EL PRIMER DAOWN .
>>>JTYLER HIGBEE
Y DE PASO TE EL CAMARÓGRAFO .
>>> FINALIZÓ EL PRIMERO.
English:
>> Al: LOOKING DOWN UPON
UNIVERSAL STUDIO.
THE AERIAL COVERAGE BROUGHT TO
YOU BY GEICO.
60 DEGREES IN L.A.
AL MICHAELS, CRIS COLLINSWORTH,
MICHELE TAFOYA.
Spanish:
>>> JROBERT WOODS
HA CAPTURADO CUATRO .
>>>
(MUSICA)
MIRE QUE DECORACIÓN NAVIDEÑA TAN
BONITA .
>>> INCREÍBLE ESTÁ PRECIOSA .
English:
7-3, RAMS.
FIRST AND TEN TO START FROM THE
30 YARD LINE.
GURLEY.
EIGHT-YARD GAIN.
WITH GURLEY HE IS SO GREAT BUT
OBVIOUSLY THE KNEE'S BEEN
BOTHERING HIM.
POSSIBLY ARTHRITIS.
WHEN HE NEEDS A BREAK HE TAKES
HIMSELF OUT OF THE GAME.
>> Cris: YEAH.
IN FAIRNESS, HE WAS SO GOOD FOR
THE TWO YEARS PRIOR TO THIS YEAR
THAT YOU HELD HIM TO A CERTAIN
STANDARD OF EXPLOSIVE PLAYS AND
HE IS GOOD BUT WE HAVE NOT SEEN
THOSE PLAYS OF TWO YEARS PRIOR.
>> Al: McVAY WANTS HIM IN THERE
AS MUCH AS HE CAN BE.
GURLEY AGAIN.
SO FAR SO GOOD TONIGHT BEHIND
AUSTIN BLYTHE.
Spanish:
>>> Y MUCHOS COMPAÑEROS DE
TELEMUNDO QUE HACEN SUS ARREGLOS
ASÍ .
>>> UN SALUDO ANDRÉS CANTO .
>>> QUE MOMENTO.
>>> EL ÚNICO CORREDOR CUANDO
COMIENZA EL SEGUNDO TIEMPO .
>>> Y AVANZA UNA SIETE YARDAS ES
EL JUGADOR QUE MÁS TOUCH DOWN .
>>> ES SUPER CORTÉS DENTRO Y
Spanish:
FUERA DEL TERRENO DE FUEGO JALEN
RAMSEY
PRIMER DAOWN PARALE LLOS RLOS
ANGELES RAMS
.
>>> FÍJATE CÓMO SE VA POR ESE
HUECO .
>>> ES LA CLAVE .
>>> A ÚLTIMA HORA JTODD GURLEY I
HA COMPLETADO SEIS DE SIETE P
R
PADRES PARA 54 DE OTRA VEZ POR
EL CENTRO AVANZA UN PAR DE
YARDAS APROXIMADAMENTE PODEMOS
VER CON EL CORRE EL BAJA LA
CABEZA Y PROTEGE EL BALÓN .
>>> 33 AÑOS DE EDAD.
English:
>> Cris: BIGGEST DIFFERENCE I
THINK IN THIS TEAM IS SINCE THEY
HAVE CHANGED OVER HERE, TWO
ROOKIES EDWARDS AND EVANS, THEY
HAVE BECOME MUCH MORE OF AN
INSIDE ZONE RUNNING TEAM.
WHAT HAPPENED TO HIM AT THE END
OF LAST YEAR IS THEY TRIED TO
RUN ALL THE PLAY ACTION OFF THE
OUTSIDE ZONES BUT THEY WEREN'T
RUNNING AS WELL AND ENDED UP
ALMOST CONFUSING THE OFFENSE.
THEY ARE MUCH MORE MOBILE NOW.
>> Al: GURLEY'S NUMBER AGAIN AND
ONE TIME GEORGIA STAR TACKLED BY
BRANDON JACKSON AFTER A SHORT
GAIN.
SO McVAY 33, WILL BE 34 IN
JANUARY.
PETE CARROLL IS 68.
SO OUR CRACK STAFF FIGURED OUT
THAT McVAY WILL BE EXACTLY HALF
AS OLD AS CARROLL NEXT JUNE 4th.
WE COVER THE EARTH OR WHAT?
>> Cris: LUNAR ECLIPSE OR
SOMETHING.
>> Al: SECOND DOWN AND EIGHT.
Spanish:
>>> EL COACH DE SEATTLE SEAHAWKS
.
>>> CAPTURA VUELTA COMO POR
PARTE DE JTYLER HIGBEE
SSE QUEDÓ CORTO .
>>> LO VIO Y ROMPIÓ EL PRIMER
TACO JCOOPER KUPP
CAPTURA SU PRIMER PASE DE LA
NOCHE DE UN JUEGO DE CON 73 EN
ESTA TEMPORADA .
>>> ES UN TIPO DE JUGADA
ESPECIALES MUY ESCURRIDIZO
INTELIGENTE E IMPROVISA MUY BIEN
LO QUE PASA EN QUE ESTE TIPO DE
ESCENARIO IMPROVISA .
English:
BOUNCE PASS AND CAUGHT BY
HIGBEE.
McDOUGALD MAKES THE TACKLE.
>> Cris: THEY'RE GOING SO FAST
THAT SEATTLE IS NOT GETTING THE
HAND ON THE GROUND.
>> Al: THIS IS CAUGHT BY COOPER
KUPP.
PICKS UP THE FIRST DOWN.
A CHANT OF KUPP, KUPP.
>> Cris: THE RAMS LEAD THE
LEAGUE IN BIG PLAYS.
GUESS WHO'S NUMBER ONE IN THAT
CATEGORY ON THE TEAM?
COOPER KUPP WITH 17.
NEXT CLOSEST IS WOODS WITH NINE.
HE IS THE KICK OF THIRD DOWN AND
THE KING OF THE BIG PLAYS.
NOT A WHOLE LOT LAST WEEK BUT
THEY WANT TO GET HIM INVOLVED
AGAIN.
>> Al: GAME NOT 18 MINUTES OLD
AND THE RAMS HAVE 10 FIRST
DOWNS.
NOW YOU HAVE ACTION AGAIN.
MIGHT HAVE BEEN CLOWNEY COMING
ACROSS.
AL WOODS IS THERE, AS WELL.
English:
HOCHULI WILL TELL US WHO.
WHO.
>> Referee: NEUTRAL ZONE
INFRACTION, DEFENSE NUMBER 90.
FIVE-YARD PENALTY, FIRST DOWN.
>> Al: JADEVEON CLOWNEY.
HE WAS A NUMBER ONE OVERALL PICK
IN HIS DRAFT.
>> Cris: IF THEY HAVE AN
ACHILLES HEEL ON THE SEATTLE
TEAM IN MY OPINION IT'S THEIR
PASS RUSH.
THEY PRESSURE RATE 28%.
WE ARE NOT USED TO SEEING THAT
OUT OF THIS FOOTBALL TEAM.
>> Al: FIRST AND GOAL NOW.
GURLEY.
GETS STOOD UP AT THE ONE YARD
LINE AND THROWN BACK BY REED.
DARREN REED PREVENTING THE
TOUCHDOWN AT LEAST FOR THE
MOMENT.
SECOND DOWN AND GOAL.
BALL DOWN AT ABOUT THE ONE.
>> Cris: THERE'S JARRAN REED.
COMES ACROSS THE FORMATION AND A
Spanish:
>>> OTRA VEZ PBOBBY WAGNER
COMETEN LA MISMA INFRACCIÓN QUE
HICIERON EL PRIMER CUARTO .
>>> AHÍ ESTÁ PJADEVEON CLOWNEY
PRIMER JUGADOR SELECCIONADO .
>>> NO TUVO PROBLEMAS.
>>> AHÍ ESTÁ POR EL CENTRO P
JADEVEON CLOWNEY
HASTA LA HIERBA NÚMERO UNO.
Spanish:
>>> AHÍ ESTÁ P BRADLEY MCDOUGALD
PJARRAN REED
USO .
>>>SEGUNDO SEGTOUCH DOWN DE LO
M
RLOS
ANGELES RAMS
EL ESTO PASA QUE CAPTURA ESTA
O
NOCHE 85 YARDAS RECORRIERON EN
ESTA OFENSIVA .
>>> LO ESTABA MARCANDO POR ESE
LADO PSHAQUILL GRIFFIN
EL MEJOR ESQUINERO QUE TIENEN
L
ELLOS Y SE FUE HACIA DENTRO Y
LUEGO CORTÓ HACIA FUERA Y SE
DESPEGÓ LO SUFICIENTE PARA
ANOTAR.
English:
GUY, HE WAS SUSPENDED IN THE
FIRST SIX GAMES.
HE HAD 10 1/2 SACKS A SEASON
AGO.
ONE AND A HALF AFTER THAT
SUSPENSION.
THEY NEED HIM AND CLOWNEY TO
PICK IT UP.
>> Al: SECOND AND GOAL.
JUST INSIDE THE TWO.
OFF THE FAKE AND THE PASS AND
CAUGHT AND ROBERT WOODS FOR THE
TOUCHDOWN.
HIS FIRST TOUCHDOWN OF THE
SEASON.
AND ALREADY HIS FIFTH CATCH OF
THE NIGHT.
18th IN THE LAST 2 GAMES.
85-YARD DRIVE.
>> Cris: THEY RUN SO MANY
CROSSING ROUTES THAT I THINK IT
ALMOST SURPRISES PEOPLE WHEN
THEY COME BACK THE OTHER WAY.
HE WAS CONVINCED THAT WOODS
GOING ACROSS THE FORMATION, SO
MUCH SO HE WAS CROSSED OVER.
EASY TOUCHDOWN.
>> Al: WOODS THOUGHT 76 PASSES
THIS SEASON.
FIRST TIME HE'S BEEN IN THE END
ZONE.
English:
ZUERLEIN FOR THE POINT AFTER IT.
RAMS LOOKING LIKE THE GREATEST
SHOW ON WHATEVER THE SURFACE IS
RIGHT NOW.
14-3, LOS ANGELES.
Spanish:
>>> JROBERT WOODS
ES EL PRIMER PASE QUE ATRAPA
ESTE AÑO.
>>> DE 70 PARTES Y ESTE FUE EL
PRIMERO DE TOUCH DOWN
.
>>>
Spanish:
(MUSICA)
(MUSICA)
QUE BONITO EL ÁRBOL .
>>> SIEMPRE ME HA GUSTADO COMO
English:
>> Al: DOUBLEHEADER WEDNESDAY
NIGHT HOCKEY THIS WEEK.
7:00 EASTERN THE BRUINS ARE IN
D.C. TO TAKE ON ALEX OVECHKIN
AND THE CAPITALS.
THE FLYERS AND THE AVALANCHE.
YOU WERE THERE THE OTHER NIGHT
AND SAW OVECHKIN IN PERSON.
>> Cris: IT WAS FUN.
>> Al: THERE'S PETE CARROLL.
HIS DNA OF COURSE IS DEFENSE.
English:
WE KNOW WITH HIS GROUP.
GIVEN UP TWO DRIVES.
RAMS OFFENSE AGAINST THE
SEAHAWKS LAST THREE GAMES, 460,
456 AND 477.
NFL'S LONGEST CURRENT STREAK OF
GAMES AGAINST A DIVISIONAL
OPPONENT AND ALREADY TONIGHT AS
YOU LOOK AT JARED GOFF, AND WHAT
HE'S DONE OVER 300 IN EACH OF
THE GAMES, AND TONIGHT THE RAMS
ALREADY HAVE 151 YARDS AND GOFF
THROWN FOR 116.
>> Cris: ALL THREE OF THE GAMES
DECIDED BY A TOTAL OF EIGHT
POINTS AND BOTH GAMES WITH AN A
MINIMUM OF 29 POINTS AND
EXPECTING MORE FIREWORKS HERE
TONIGHT.
>> Al: FROM THE 25 YARD LINE.
WILSON.
HAS TIME.
AVOIDING A TACKLE WITH CARSON
AND PICKS UP FOUR OR FIVE MORE
YARDS BEFORE LITTLETON FORCES
HIM OUT OF BOUNDS.
GAIN OF FOUR.
>> Cris: YOU NEVER KNOW HOW MANY
Spanish:
TÉCNICO A NIVEL COLEGIAL ES UNA
PERSONA QUE TIENE MUCHA CHISPA Y
MOTIVA A SUS JUGADORES .
>>> COMIENZAN EN LA YARDA 25
BUENO LA OFENSIVA DE LOS RLOS
ANGELES RAMS
HHA SIDO IMPRESIONANTE HAN
ACUMULADO 400SIDO IMPRESIONANTE
ACUMULADO 468 YARDAS LO QUE ES
LA CIFRA MÁS LARGA EN LA HI
HISTORIA DE LA LIGA .
>>> Y MIREN ESTO EN ESTOS TRES
PARTIDOS HA JUGADO SOBRE 300
YARDAS Y SE CONVIERTEN EN UN
CORE BAC QUE HACE MÁS DE 300
PARTIDOS EN EL 2010 .
>>> Y ESTA NOCHE SOLAMENTE HA
FALLADO UN PASE Y TIENE 116
YARDAS DESPACHADAS .
>>> JARED GOFF
.
>>> VA A PASAR CON PASE POR LA
IZQUIERDA AHÍ ESTÁ PCHRIS CARSON
English:
DIFFERENT OFFENSIVE LINE MEN
SHOW UP FOR THIS TEAM.
THEY HAVE A SEVENTH ONE IN THERE
IN JAMARCO JONES.
THEY WANT DO GET A LOT OF REAL
ESTATE ACROSS THE FRONT LINE AND
THEN RUSSELL WILSON SORT OF STEP
BACK AND FIGURE OUT WHERE THE
HOLES ARE.
>> Al: SECOND DOWN AND FIVE.
A CHANCE AND THROWS AND THAT
WILL BE DAVID MOORE.
HAD A TOUCHDOWN GRAB LAST WEEK,
60 YARDS AGAINST MINNESOTA IN
THE MONDAY NIGHTER.
>> Cris: THE THING THAT ALWAYS
HAS IMPRESSED ME ABOUT RUSSELL
WILSON IS HE IS THE NUMBER ONE
RANKED QUARTERBACK WHEN THROWING
THE BALL QUICKLY.
HE IS ALSO THE NUMBER ONE RANKED
QUARTERBACK HOLDING THE BALL
MORE THAN THREE SECONDS.
YOU WANT TO SCRAMBLE AROUND HIM
AND PLAY THAT WAY?
HE IS THE BEST.
GET IT OUT QUICKLY?
HE IS THE BEST.
>> Al: FROM THE 45 YARD LINE.
WILSON TO START AT SEVEN OR
Spanish:
AVANZA UNAS CUATRO O CINCO
YARDAS QUE NO SE CARACTERIZA POR
CAPTURAR MUCHOS PASES .
>>> OBSERVEN Y TIENEN SIETE
LÍNEAS OFENSIVAS SIETE .
>>> LO QUE QUIEREN TRATAR DE
HACER CON ESTA LÍNEA ES ESTIRAR
LA DEFENSIVA Y SE HACES ESE TIPO
DE LÍNEA VAS A OBLIGAR A QUE EL
EQUIPO DE RLOS ANGELES RAMS
SE ACERQUE .
>>> Y ATRAPA .
>>> EN LA 45 9PDAVID MOORE
.
>>> VIERON LOS SIETE JUGADORES
DE LA LÍNEA QUE ESTÁN FORZANDO A
LOS RLOS ANGELES RAMS
AAQUESTA LA LÍNEA.
English:
EIGHT.
FOR 68 YARDS.
OFF PLAY ACTION.
A MINUTE.
AND THAT WILL BE CAUGHT.
BY DK METCALF.
GO TO HIM AGAIN.
THES SON OF TERRANCE METCALF BUT
NOT THE TERRY METCALF.
HERE HE IS AGAIN GOING UP
AGAINST RAMSEY.
HIS FATHER WAS TERRANCE METCALF
WITH THE BEARS IN THE EARLY
2000s.
>> Cris: MADE THE SAME
IMPRESSION ON PETE CARROLL WITH
HIS SHIRT OFF.
LOOKED LIKE A BODYBUILDER.
>> Al: FROM THE 43 YARD LINE.
CARSON.
GOOD RUN.
TO THE 33 YARD LINE.
THAT'S A FIRST DOWN FOR SEATTLE.
>> Cris: JUST ABOUT THE TIME
THAT YOU START GOING, OKAY, I
GET IT.
THEY GO ALL THE BIG GUYS IN THE
GAME AND THEN GO PLAY ACTION AND
THROW THE BALL BEHIND US, NOW
THEY COME RIGHT OUT AND PLAY
POWER FOOTBALL.
CHRIS CARSON WITH FUMBLES THIS
Spanish:
>>> AHÍ INGRESO EL NÚMERO 73 P
A
JAMARCO JONES
.
>>> PRIMERO Y 10 VA A PASAR Y LA
CAPTURA LA 49 OTRO PRIMER DOWN
P
PMALIK TURNER
SEGUNDO QUE ATRAPA EN EL JUEGO
DE ESTA NOCHE.
>>>PDK METCALF
AHÍ ESTÁJ20
JALEN RAMSEY
Y NOS DAR MUCHAS Y TIENE ENTRE
10 Y 11 YARDAS .
>>> OTRA VEZ PCHRIS CARSON
..
English:
YEAR AND ALL OF THAT PETE
CARROLL'S IDENTITY AS A HEAD
COACH IS POWER RUNNING AND PLAY
ACTION.
AND CHRIS CARSON GIVES HIM THAT
ELEMENT AND HE LOVES IT.
>> Al: PROSISE COMES IN.
WHO'S BEEN INACTIVE SINCE WEEK
SEVEN AS THE BACKUP BACK
TONIGHT.
WILSON ESCAPING AND THEN FIRING
OUT OF BOUNDS TO MAKE IT SECOND
DOWN AND TEN.
>> Cris: WHEN I WATCHED THE GAME
BETWEEN THE TWO TEAM LAST WEEK,
THERE'S CHRIS CARSON IN THERE,
THE THING THAT IMPRESSED ME MORE
THAN ANYTHING ELSE WAS THAT,
FIRST OF ALL, THE RAMS WERE ALL
OVER RUSSELL WILSON.
THEY WERE CHASING HIM.
AARON DONALD WITH NINE PRESSURES
IN THE GAME.
NEVER GOT THEM ON THE GROUND SO
THAT ABILITY TO ESCAPE AND MAKE
BIG PLAYS MAY WELL BE THE
DECIDING FACTOR.
THEY HAVE ONE SACK ON HIM.
THEY NEED TO STAY ON HIM.
>> Al: NOBODY GETS OUT THE SIDE
DOOR BETTER THAN HE DOES.
SECOND AND TEN.
Spanish:
>>> Y RECUERDEN QUE LO ESTÁN
HACIENDO SIN PENY QUE ESTÁ
FUERA.
>>> AQUÍ ESTÁ PRIMER DOWN Y 10 .
>>> BASE A TRES PIERDE PRESIÓN
POR EXENTOS ESCAPA RUSSELL
WILSON
Y LA VOTO ES EL APROPIADO.
>>> CUANDO ERA JOVEN EL QUERÍA
FORZAR LA OPCIÓN Y SE TE METÍA
EN PROBLEMAS Y RECIBÍA MUCHOS
O
GOLPES DESPUÉS DE VARAS LESIONES
Y MADURAR YA LA TIENE LA VOTO.
>>> NECESITA 65 YARDAS DEL
PARTIDO DEL PARA CONVERTIRSE EN
EL QUINTO CORE VA EN LA HISTORIA
DE LA NFL EN ALCANZAR LA MARCA
DE 4000 YARDAS EN SU CARRERA .
Spanish:
>>> YA TE PUEDES IMAGINAR
QUIÉNES SON LOS PRIMEROS CUATRO.
>>> REACCIONÓ RÁPIDAMENTE DE LA
DEFENSIVA DE LOS RLOS ANGELES
RAMS
ESTAMOS HABLANDO DE STEVE JHONS
EL ZURDO QUE EL HAN LLEGADO A
LAS CUATRO MIRADAS.
>>> Y ANTES DE ESO ESTABA EN LA
UUS .
>>> AHÍ CAYÓ EN PAMPA .
>>> HOY EN 10 ABOGADO .
>>> MIEMBRO DEL SALÓN DE LA
FAMA VA POR EL CENTRO WILSON
PASE CORTO Y CREO QUE SE QUEDÓ
CORTO .
>>> PTYLER LOCKETT
LO QUE TÚ SABÍA Y ESTABA CORTO
English:
PROSISE.
STOPS AFTER A SHORT GAIN.
A FOURTH YEAR BACK OUT OF NOTRE
DAME.
PICKED HIM IN THE THIRD ROUND IN
2016.
>> Cris: BALL LORE TAKING
ADVANTAGE.
A HUGE PLAY ALREADY IN THE RUN
GAME.
>> Al: THIRD AND EIGHT.
RECEIVERS TO THE RIGHT SIDE.
GORDON SPLITTING OUT.
COVERED BY TROY HILL.
PASS CAUGHT OVER THE MIDDLE.
DOESN'T HAVE THE FIRST DOWN
HERE.
THAT'S TYLER LOCKETT AND THEY
SPOT IT SHORT AT THE 24 YARD
LINE.
SO LOCKETT HELD.
HE WAS BOTHERED BY THE FLU LAST
WEEK.
DIDN'T CATCH A PASS IN THE GAME
English:
AGAINST MINNESOTA.
A COUPLE TONIGHT HE'S CAUGHT.
>> Cris: THE GUY ON THIRD DOWN.
LOOKED LIKE HE SLID ACROSS THAT
LINE.
>> Al: IT'S FOURTH DOWN AND
THEY'RE GOING TO STAY IN THERE.
TO THE 24 YARD LINE.
CARSON IS BACK IN THE GAME.
FAKE IT TO HIM.
WILSON FIRES AND THAT'S
INCOMPLETE!
BUSTED UP.
INTENDED FOR TURNER AND BROKEN
UP BY RAMSEY.
JALEN RAMSEY.
BREAKS IT UP.
HALFWAY THROUGH THE QUARTER.
Spanish:
UNA YARDA.
>>> CUARTO DOWN VAN POR EN B
BUSCA.
>>> EL SEGUNDO QUE CAPTURA ESTA
NOCHE.
>>> VAN A BUSCARLO AL ATAQUE LOS
SEATTLE SEAHAWKS
VA A PASAR WILSON SE LE CAE .
>>> EN LA YARDA 16 LO MARCA J
JALEN RAMSEY
Spanish:
LE SALIÓ EL TIRO POR EL OTRO
LADO.
>>>
English:
>> Cris: HOW ABOUT A LOOK AT
ROBERT WOODS BY KAY JEWELERS?
YOU WILL SEE SOME OF THE
CROSSING ROUTES THAT WORK SO
WELL.
WATCH THE WALL COMING FROM THE
RIGHT SIDE AND THEY'RE BASICALLY
GOING TO PICK WHATEVER IS COMING
Spanish:
(MUSICA)
HAY QUE ESTÁ COMO OBSERVAN EL SE
DESPEGA DE LA DEFENSIVA JROBERT
WOODS
MUEVE HACIA FUERA HACE EL TOUCH
DOWN
PASE CORTO Y LA TRATE AVANZA UNA
RESERVA APROXIMADAMENTE POR
CIERTO JARED GOFF
FUE ELEGIDO EL JUGADOR OFENSIVO
DE LA SEMANA .
>>> PASÓ 426 YARDAS Y DOS PASES
DE TOUCH DOWN
English:
ACROSS THAT WAY.
YOU CAN SEE ALL THE TRAFFIC THAT
DEFENSIVE BACK HAD TO GET
THROUGH, CONVERT THAT HUGE THIRD
DOWN TO START DO GET USED TO THE
CROSSING ROUTES AND THEN THE
DOUBLE CROSS COMES RIGHT THERE.
DOUBLE CROSS WAS A TOUCHDOWN
FROM ROBERT WOODS SO A LOT OF
CLEVER STUFF ON BOTH TEAMS
TONIGHT.
>> Al: TWO LONG SCORING DRIVES
FOR THE RAMS STARTS THIS PLAY
ACTION.
GOFF FIRES OVER THE MIDDLE AND
IT'S COMPLETE FOR A SHORT GAIN
TO GURLEY.
HERE'S MICHELE.
>> Michele: EVERY WEEK WOODS
WATCHES EVERY THROW TO THE
CORNER HE'LL BE FACING.
HOW THEY RESPOND TO GETTING BEAT
AND HOW THEY PLAYED AGAINST THE
CORNERS.
HE SAID HE LIKES TO GO INTO
SATURDAY NIGHT MEETINGS KNOWING
EVERYTHING ABOUT THE OPPONENT
ALL THE WAY DOWN TO WEARING
SLEEVES AND WHAT THE SLEEVES
LOOK LIKE, AVALANCHE.
>> Al: A REAL PRO.
A GUY WHO PLAYED THE COLLEGE
BALL RIGHT HERE AT USC.
SECOND DOWN AND SEVEN.
English:
GURLEY.
THAT'S UP AND TAKES THE BALL UP
TO THE 32 YARD LINE.
FIRST TWO DRIVES FOR THE LOS
ANGELES RAMS TONIGHT EIGHT
PLAYS, 75.
12 PLAYS, 85.
ALREADY PICKED UP 11 FIRST
DOWNS.
McVAY, OF COURSE, CALLS THE
PLAYS IN.
BACK THE LOOKING LIKE THEY DID
IN THE 2018 SEASON.
EARLY THIS YEAR.
AGAINST NEW ORLEANS.
>> Cris: COOPER KUPP MORE OFTEN
THAN NOT ON THIRD DOWN BECOMES
THE GUY.
>> Al: LEFT SIDE.
OVER THE MIDDLE.
THAT'S INCOMPLETE.
TRYING TO GO TO HIGBEE.
SO IT'S A THREE AND OUT.
AND JOHNNY HEKKER COMES IN TO
PUNT IT AWAY.
>> Cris: EXACTLY WHAT THE DOCTOR
ORDERED THERE FOR SEATTLE.
THEY HAVE BEEN GOING UP AND DOWN
Spanish:
TRES
Y MUCHOS COMENZARON A CUESTIONAR
LA OFENSIVA .
>>> POR EL MISMO CENTRO AVANZA
UNAS CINCO YARDAS Y SE QUEDA
CORTO JTODD GURLEY II
LAS CERCA DE 30 CORRIDAS DE ESTA
NOCHE.
>>>LOS RLOS ANGELES RAMS ES
ESTUVIERON BASTANTE DENTRO SU
PROPIA ZONA .
>>> YA NOTARON TOUCH DOWN
TERCER DOWN
Y TRES .
>>> AHÍ ESTÁ ACOMPLEJADO 10 DE
11 PASOS PARA 119 YARDAS AHÍ
TIENE UN PASE DE TOUCH DOWN
English:
THE FIELD ON THEM.
NOW THEY NEED RUSSELL WILSON TO
GO AHEAD AND FINISH OFF ONE OF
THESE DRIVES.
THEY HAVE BEEN PRETTY GOOD
BETWEEN THE 30s BUT NOT SO MUCH
IN THE RED ZONE.
>> Al: HEKKER FOR YEARS ONE OF
THE BEST IN THE LEAGUE.
DAVID MOORE BACK TO RECEIVE.
MOORE DRIFTING OVER.
CALLS FOR AND MAKES THE FAIR
CATCH ALONG THE SIDELINE AT THE
21.
A LOOK AT DOWNTOWN LOS ANGELES
ON THIS SUNDAY NIGHT.
Spanish:
PAMELA ALGO AHÍ ESTÁ JARED GOFF
A JTYLER HIGBEE
ESTABA TAN CERCA HORA QUE LO
TIRA TAN LEJOS .
>>> PERO AHORA LE VAN A DAR EL
BALÓN A JOHNNY HEKKER
POR EL EQUIPO DE LOS RLOS ANGELS
RAMS
ESTA ESPECTACULAR.
>>> NÚMERO CUATRO EN LA NFL EN
ESTOS MOMENTOS ENTRE LOS MEJORES
PATEADORES .
>>> Y LA CAPTURA PDAVID MOORE
AHÍ COMIENZAN LOS SEATTLE SE
W
Spanish:
SEAHAWKS
LA PRÓXIMA SERIE .
>>>
English:
>> Al: RAMSEY WAS NOT A HAPPY
CAMPER IN JACKSONVILLE AND
TRADED TO THE RAMS.
WHAT A DIFFERENCE.
BROKE UP THE PLAY ON THE LAST
DRIVE ON THE FOURTH DOWN PLAY.
HE'S MADE A BIG, SIGNIFICANT
DIFFERENCE FOR THIS RAMS
DEFENSE.
STARTING FROM THE 20 YARD LINE.
WILSON LOSES THE BALL BUT PICKS
UP HIS OWN FUMBLE AND STOPPED
BACK AT THE 13 YARD LINE FOR A
7-YARD LOSS.
TRIED TO HAND IT TO C.J.
PROSISE.
PROSISE'S NOT PLAYED IN ABOUT
SEVEN WEEKS.
>> Cris: RIGHT.
THOSE ARE SOME OF THE HARDEST
PLAYS RIGHT THERE.
I USED TO DO A LITTLE OPTION
QUARTERBACKING, AS WELL.
SOMETIMES YOU'RE THINKING TO
PULL IT BACK.
HE'S GRABBING IT.
YOU ARE TRYING TO PULL IT.
ESPECIALLY WHEN YOU'RE NOT
Spanish:
(MUSICA)
JALEN RAMSEY
EL NÚMERO 20 PRIMER DAOWN
YY 10 AL ATAQUE LOS SEATTLE
SEAHAWKS
Y VIENE RUSSELL WILSON
Y FUE DETRÁS DE EL CODEUDOR .
>>> JCORY LITTLETON
Spanish:
EL PROBLEMA ES QUE SO SERUSSELL
WILSON
SE QUEDAR CON LA PELOTA SIN E
A
EMBARGO ESE EL SÉPTIMO HUMBLE
U
QUE HACE RUSSEL
DDE LA TIENE ROMPE EL TACO LO
ESTÁN ESPERANDO HACIA EL CENTRO
Y FINALMENTE JCORY LITTLETON
LO DE ARRIBA A PDK METCALF
.
>>> ES UN JUGADOR VIENE DE LA
UNIVERSIDAD DE MISSISSIPPI ES UN
JUGADOR CON MUCHO CUERPO .
>>> AHORA TERCER DOWN
English:
PRACTICING TOGETHER.
>> Al: PROSISE STARTED ONE WAY
AND THEN BACK.
RUSSELL THROWS AND CAUGHT BY
METCALF.
BOUNCE OFF A COUPLE OF TACKLES.
TURNED AROUND AND TAKEN DOWN AT
THE 24 YARD LINE.
CRIS, WE MENTIONED THIS IS SUCH
A BIG GAME FOR BOTH TEAMS.
ALSO, LET'S NOTE THE NFC WEST
23-10-1 AGAINST OTHER DIVISIONS
SO THIS HAS BECOME THE PREMIER
DIVISION AT LEAST THIS SEASON.
>> Cris: IT REALLY IS AND THIS
IS THE OPPORTUNITY HERE FOR THE
RAMS TO GET BACK IN THIS THING.
THEY NEED A BIG, BIG EFFORT
TONIGHT.
I REALLY FELT LIKE COMING INTO
IT, IT WAS GOING TO BE ABOUT
THEIR DEFENSE.
THEY COULDN'T LET RUSSELL WILSON
MANIPULATE THE WAY HE HAS IN THE
PAST AND HERE WE ARE ON THIRD
DOWN, BIG MOMENT.
>> Al: SO GOOD, SO GOOD FOR THE
"D."
THIRD DOWN AND SEVEN.
Spanish:
Y SIETE AHÍ ESTÁ JDANTE FOWLER
JR.
QUE SE LE CAE .
>>>A PJACOB HOLLISTER
VEMOS COMO SE LE HAN CAÍDO
BALONES IMPORTANTES.
>>> LE HA LANZADO MÁS DE 36
PASES Y ES EL PRIMERO QUE SE LE
CAE .
>>> DEBIÓ HABERLA ACAPARADO
ABSOLUTAMENTE PERO PORQUE SALTO
HACIA EL LADO IZQUIERDO NO SE.
>>> TOCUARTO DOWN
English:
WILSON PROTECTED WELL.
THROWS INCOMPLETE.
INTENDED FOR JACOB HOLLISTER,
FORMER NEW ENGLAND TIGHT END.
FOURTH DOWN AND SEVEN.
>> Cris: THAT'S A BIG ONE.
HOLLISTER HAS MADE BIG PLAYS.
THIS IS THE PLAY YOU HAVE TO
MAKE TO KEEP THIS DRIVE ALIVE.
SO FAR TONIGHT IT'S JUST NOT
BEEN SHARP FOR THE SEAHAWKS.
>> Al: DICKSON SENDS IT DOWN TO
NSIMBA WEBSTER.
FIRST RUN BACK WILL RUN IN A
ONE-YARD LOSS.
TAKEN DOWN BY MARQUISE BLAIR.
Spanish:
Y SIETE .
>>> DURÍSIMO EL NOVATO PNICK
BELJNSIMBA
Spanish:
WEBSTER
.
>>>
(MUSICA)
ESTA ES LA COMPETENCIA DE LA
COPA PRESIDENCIAL EN GOLF ENTRE
EUROPA Y ESTADOS UNIDOS Y TIGER
WOODS ES EL CAPITÁN DEL EQUIPO.
>>> PARECE POR COMPLETO AVANZÓ
UNAS SEIS DE APROXIMADAMENTE J
0
English:
>> Al: TIGER WOODS AND THE U.S.
TEAM GOES HEAD TO HEAD WITH
ERNIE ELS TEAM AND THE
INTERNATIONAL TEAM AND IT'S THE
PRESIDENTS CUP BEGINNING ON
WEDNESDAY ON GOLF, PGA LIVE AND
NBC.
GURLEY GETS SEVEN.
McDOUGALD MAKES THE STOP.
YOU TALK ABOUT TWO GUYS WHO DO
YOMAN WORK AND HAVE FOR YEARS.
BOBBY WAGNER, K.J. WRIGHT.
100th GAME THEY STARTED
TOGETHER.
THERE'S NO QUESTION WITH BOBBY
WAGNER, ONE FOOT IN CANTON.
EIGHTH YEAR IN THE LEAGUE.
English:
>> Cris: ELBOW, A KNEE.
PRETTY CLOSE.
>> Al: JUST NEEDS TWO FEET.
SECOND DOWN AND FOUR.
THROWS AND THAT'S HIGBEE DOWN
THE SIDELINE.
WAGNER ALL THE WAY BACK COVERING
ON THE PLAY.
AND A FIRST DOWN AFTER A GAIN OF
22.
>> Cris: AGAIN, THE PLAY ACTION,
WAGNER'S GOING TO TAKE A STEP IN
THE WRONG DIRECTION AND HIGBEE'S
GOING TO RUN RIGHT BY HIM.
YOU WANT TO TALK ABOUT WHICH
PLAYER MIGHT HAVE CHANGED THE
OFFENSE THE MOST IN THE LAST TWO
OR THREE WEEKS?
NOT TYLER HIGBEE WITH HIS
BLOCKING.
>> Al: PLAY ACTION.
UNDERNEATH.
INTENDED FOR ANOTHER TIGHT END,
THAT'S JOHNNY MUNDT.
MISSING GERALD EVERETT TONIGHT
AND A RELATIVELY PENALTY FREE
HALF.
>> Referee: ILLEGAL USE OF HANDS
TO THE FACE.
OFFENSE NUMBER 77.
Spanish:
TODD GURLEY II
J
1800 TÁCTILES TIENEN..
>>> EN EL CASO DE EL PBOBBY
WAGNER
CCON MÁS DE 1000 TACOS EN SU
CARRERA .
>>> PASE PERFECTO A JARED GOFF
.
>>> ABSOLUTAMENTE NO ESTA
FALLANDO ES COMO EL ASADOR QUE
TIENE UNA NOCHE ESPECTACULAR J
9
TYLER HIGBEE
EL PASE FUE PERFECTO SOBRE EL
HOMBRO IZQUIERDO EXACTAMENTE
AHÍ.
>>> SE VE EN EL TOQUECITO .
>>> CON LA SUTILEZA QUE LA PONE
.
>>> MUY BUENA PROTECCIÓN PASE
CORTO POR LA DERECHA Y DECAE HAY
PENALIDAD .
>>> SE LE CAYÓ LA PELOTA A JERI
Spanish:
WEDDLE
ES POSIBLE QUE SIGA SUJETANDO DE
PARTE DE LA DE LA OFENSIVA .
>>>PJANDREW WHITWORTH
LA PRIMERA INFRACCIÓN A ESTA LA
MANO IZQUIERDA .
>>> SE VE CLARAMENTE .
>>> ESTABA TRATANDO DE BLOQUEAR
LA PRIMERA SELECCIÓN DE LOS
SEATTLE SEAHAWKS
ESTE AÑO .
>>>JARED GOFF
VVA A PASE CORTO LA ATRAPA LANÓO
English:
TEN-YARD PENALTY, REPLAY FIRST
DOWN.
>> Al: WHITWORTH.
>> Cris: GAVE HIM A LITTLE SHOT
TO THE FACE.
NO QUESTION ABOUT THAT.
THOSE GUYS, ONE OF THE HARDEST
THINGS OF PLAYING FOOTBALL IN
THE NFL RIGHT NOW IS THAT
WHETHER YOU'RE TACKLING OR
BLOCKING, THE GUY MOVES UP OR
DOWN, HITTING HIM IN THE HEAD
AND YOU JUST -- THEY EXPECT A
LOT OF PEOPLE PLAYING 1,000%.
THERE'S KEN NORTON.
KNOWS A FEW THINGS ABOUT HANDS
TO THE FACE AND OTHER THINGS TO
THE FACE.
>> Al: COORDINATOR.
FIRST DOWN AND 20.
GREEN.
BACK IN SEATTLE TERRITORY.
GURLEY MAKES THE CATCH.
>> Michele: YOU WERE TALKING
ABOUT BOBBY WAGNER.
IN SOUTHERN CALIFORNIA, HE
PLAYED AGAINST NBA SUPERSTAR
LEONARD.
Spanish:
UNA SIETE YARDAS APROXIMADAMENTE
ES SU SEGUNDO PASE ESTA NOCHE
5
PBOBBY WAGNER
JUGABA BALONCESTO CON LEONARD
DURO .
>>> SEGUNDO PASE CAPTURA JARED
GOFF
AQUELLA GRÁFICA QUE VIERON ES
IMPRESIONANTE SEÑORES ESTAMOS
HABLANDO DE EL HOMBRE QUE LLEVÓ
A LOS TORONTO A SU PRIMER TÍTULO
EN LA NBA .
>>> ESTAS COSAS NO SUCEDEN ASÍ
POR CASUALIDAD .
>>> GRANDES ATLETAS .
>>> ES QUE SON ASÍ .
>>> FALTAN DOS MINUTOS PARA QUE
English:
HE SAID I DIDN'T KNOW WHO I WAS
PLAYING AGAINST AT THE TIME.
>> Al: NOW A LOS ANGELES
CLIPPER.
CATCH MADE.
COOPER KUPP TO THE 26 YARD LINE.
RIGHT OVER THE MIDDLE.
>> Cris: HERE'S THE TODD GURLEY
EFFECT.
WAGNER IS IMPACTED AND DRAWS UP
TO HIM AS GURLEY COMES OUT AND
THEY GO RIGHT BEHIND SO RIGHT
NOW JARED GOFF IS SEEING THE
FIELD.
HE IS HAVING AN IMPACT.
HE DUMPS A COUPLE OFF AND THEN
ABLE TO GET IN BEHIND.
>> Al: 13 OF 15 FOR 168.
THERE'S THE WHISTLE FOR THE
TWO-MINUTE WARNING.
RAMS 14, SEAHAWKS 3.
Spanish:
TERMINE LA PRIMERA MITAD DEL
PARTIDO .
>>>
(MUSICA)
VAMOS A LOS ÚLTIMOS DOS MINUTOS
DE ESTA PRIMERA MITAD DEL
PARTIDO SUENA EL SILBATO SE
DETIENE LA ACCIÓN A VER QUIÉN
HIZO QUÉ.
>>> TIENE QUE SACAR A LAS
CHEERLEADER DEL TERRENO DE
JUEGO.
>>> ES LA MASCOTA .
English:
>>> TWO OF THE BEST GAMES IN THE
SEASON TODAY.
NEXT ON HALFTIME, HIGHLIGHTS AND
REACTION TO THE WIN IN NEW
ORLEANS AND KANSAS CITY'S WIN IN
FOXBORO.
SEE YOU AT THE BREAK.
>> Al: OH YEAH, MIKE.
THAT 49ers GAME WAS A CLASSIC.
TWO MINUTES TO HALFTIME AND A
WHISTLE HERE BEFORE THE SNAP.
>> Cris: STILL DANCING IN THE
END ZONE.
>> Al: THAT'S THE PROBLEM.
>> Referee: WE NEED THE
CHEERLEADERS OFF THE FIELD,
PLEASE.
>> Al: ALL RIGHT.
THE RAMS MASCOT, SURE.
HEY, IT IS HOLLYWOOD, BABY.
WHAT CAN I TELL YOU?
>> Cris: AND THE MARCHING BAND
REFUSED TO YIELD.
>> Al: THE COAST IS CLEAR.
English:
WE CAN START NOW FROM THE 27
YARD LINE.
ON THE GROUND.
GURLEY.
TOUGH RUNNING.
THE GURLEY OF OLD.
GETS TO THE 20 YARD LINE.
SECOND AND THREE.
RAMS CAN TAKE THEIR TIME HERE
BECAUSE WHAT THEY'D LIKE IS THE
DOUBLE DIP.
THEY GET THE SECOND HALF
KICKOFF.
>> Cris: WHAT WE ARE SEEING NOW
WITH THE ROOKIES ON THE RIGHT
SIDE A PHYSICAL BUNCH AND THEN
ADD HIGBEE TO IT AND THEY'RE
STARTING TO GET REALLY GOOD
COORDINATED BLOCKS OVER THERE.
THAT WAS BEAUTIFUL THAT TIME.
>> Al: SECOND AND THREE.
PLAY CLOCK HERE.
GURLEY WILL BE -- WELL, STOPPED
A LITTLE SHORT OF THE FIRST
DOWN.
MAKE IT THIRD DOWN.
AND THE SEAHAWKS ARE GOING TO
TAKE A TIMEOUT.
THEY DON'T WANT THEM TO HAVE
Spanish:
>>> DE LOS RLOS ANGELES RAMS
.
>>> PRIMER DOWN
Y 10 .
>>>JOSH REYNOLDS
EN MOVIMIENTO.
>>> SE QUEDA CORTA POR UNAS TRES
O CUATRO YARDAS .
>>> JTODD GURLEY II
EN SU CARRERA EN LA NFL TIENE
RÉCORD DE CUATRO VICTORIAS Y
TRES DERROTAS COMO CONLLEVA
FRENTE A SEATTLE
.
>>> ESTA NOCHE TIENE UN TOUCH
DOWN
.
>>>EN MOVIMIENTO JROBERT WOODS
SSE QUEDÓ CORTO .
Spanish:
>>> POR UN POQUITO MÁS DE UNA
YARDA UNTO
>>>JTODD GURLEY II
VAN A TENER UN TERCER DOWN
..
>>>
(MUSICA)
POR IZQUIERDA JTODD GURLEY II
EESO ERA TODO LO QUE TENÍA QUE
SER INCLUSIVE LA MISMA JUGADA LA
English:
THAT DOUBLE DIP.
WE'LL BE BACK IN 30 SECONDS.
>> Al: THIRD DOWN AND ONE.
RAMS WITH GURLEY SLINGING TO THE
OUTSIDE, GETTING AROUND A CORNER
AND PICKS UP THAT FIRST DOWN.
RUN OUT THERE BY THE CORNER TRE
FLOWERS.
FOR GURLEY TONIGHT, 13 CARRIES,
43 YARDS AND CAUGHT 2 BALLS.
>> Cris: HERE'S LITTLE BIT OF
Spanish:
TENÍA QUE HABER HECHO ANT
ANTERIORMENTE .
>>> ESO ERA TODO.
>>> PERO MUY INTELIGENTE FRENA
Y VE QUE NO PUEDE ENTRAR POR EL
HUECO UNA GRAN VELOCIDAD Y POR
ESO SE VA POR EL COSTADO PRIMER
DOWN
Y 10 PARA LOS RLOS ANGELES RAMS
VA A PARA PASAR EN LAS MANOS A
J
JTYLER HIGBEE
LE HABÍA LANZADO MÁS DE 41 PASE
Y SE LE HABÍA CAÍDO UNO NADA MÁS
PERO HOY ESTÁ CAPTURADO BUENOS
PASES PERO NO TRASLACIÓN COMO
ESTA HA ESTADO EL ÚLTIMO PASE
QUE CAPTURÓ FUE EL PASE PERFECTO
English:
THAT OUTSIDE ZONE.
THEY HAVE BEEN CUTTING IT BACK
ALL DAY AND JUST TO PUT IT IN
PERSPECTIVE, HE IS YET TO HAVE A
100-YARD RUSHING GAME THIS
SEASON.
HE'S HAD SIX IN EACH OF THE LAST
TWO YEARS.
WHAT'S DIFFERENCE ABOUT THE
TEAM, THAT'S WHAT'S DIFFERENT.
>> Al: OVER THE MIDDLE AND
INCOMPLETE.
RIGHT THERE COVERING ON THE
PLAY.
SECOND DOWN AND TEN ON WITH 60
SECONDS LEFT IN THE HALF.
>> Cris: SOMEHOW THE REASON THE
REASONS MATCH UP WELL AGAINST
THE SEAHAWKS IS THE SEAHAWKS
DON'T DO A GREAT JOB OF GETTING
PRESSURE AND WHERE GOFF'S
NUMBERS FALLEN OFF IS UNDER
PRESSURE.
NOT AS GOOD THIS YEAR IN A CLEAN
POCKET EITHER BUT UNDER PRESSURE
A PASSING RATING OF ABOUT 60 AND
TEAMS THAT GET UNDER UNDER
PRESSURE HAVE A PRETTY BIG
IMPACT.
Spanish:
QUE LE PUSO EN EL HOMBRO .
>>> SEGUNDO DOWN
Y 10 .
>>> LIBOS RLOS ANGELES RAMS
LE QUEDAN DOS MINUTOS.
>>> SIMPLEMENTE NO QUIERE PERDER
LA OPORTUNIDAD DE CAPITALIZAR EN
ESTA SERIE .
>>> Y ESTÁ TAN CERCA BUSCA EL
D
TOUCH DOWN
Y SIEMPRE MANDA MÁS DE UNA
JUGADA .
>>> HICE MAL NO RECUERDO FUERON
LOS SEATTLE SEAHAWKS
LLOS QUE COMENZARON LA OFENSIVA
EN LA PRIMERA MITAD ES DECIR QUE
LOS RLOS ANGELES RAMS
DE ANOTAR TOMARÍAN EL BALÓN OTRA
English:
>> Al: CLEAN TONIGHT.
SECOND DOWN AND CLEAN AND THE
RAMS WILL NOT TAKE A TIMEOUT
WITH THE PLAY CLOCK GOING ALL
THE WAY DOWN.
McVAY, PEOPLE BEGIN TO THINK WAS
HE LOSING THEIR MAGIC?
DISASTER AGAINST TAMPA BAY AND
SCORED A LOT OF POINTS THAT DAY.
FORGET ABOUT THE BALTIMORE GAME.
SOMETHING NEEDED -- AS GOFF
SAID, YOU NEED SELECTIVE
AMNESIA.
YOU CAN'T SIT AND STEW ABOUT
THAT ONE.
>> Cris: THEY BRING AMAZING
ENERGY AND SORT OF ON OPPOSITE
ENDS OF THE SPECTRUM.
RIGHT?
>> Al: TOTAL.
>> Cris: PETE CARROLL IS ONE OF
THE MOST -- I DON'T KNOW ANYBODY
WHO LOVES FOOTBALL MORE THAN
PETE CARROLL.
HE MAKES JOKES, HE HAS FUN.
IT SHOWS.
>> Al: SECOND DOWN.
PASS CAUGHT.
HIGBEE THERE AT THE TEN YARD
LINE.
THIRD DOWN AND FOUR COMING UP
English:
WITH 56 SECONDS.
>> Cris: SEATTLE REALLY IS NOT
GETTING LINED UP PRIOR TO THE
SNAP.
THEY'RE WANDERING AROUND AND
RIGHT NOW GOFF IS TAKING
ADVANTAGE OF IT.
>> Al: CAUGHT FIVE BY HIGBEE AND
WOODS.
COOK NORMALLY A BIG PART OF THE
OFFENSE HAS NOT CAUGHT ONE
TONIGHT.
COOKS NUMBER 12.
OFF TO THE LEFT SIDE.
THIRD AND FOUR.
COMES BACK INTO THE BACK FIELD.
GOFF FIRES AND THAT WILL BE
CAUGHT.
COOPER KUPP IN THE END ZONE.
TOUCHDOWN.
72 YARDS AND A LITTLE OVER 3
MINUTES.
Spanish:
VEZ.
>>> PASE POR LA IZQUIERDA Y LA
ATRAPA JTYLER HIGBEE
ESTE SER DOWN
YY CUATRO YARDAS .
>>>SEATTLE
NO SE ESTÁ APROVECHANDO LA
PRIMERA LÍNEA .
>>> NO ESTÁN LISTOS PARA
EJECUTAR LA JUGADA OFENSIVA .
>>> TIENE QUE LLEVARLA HASTA LA
YARDA SEIS .
>>> TERCER DOWN
Y DE
>>> VA POR IZQUIERDA TIENE LA
PELOTA BUENA RECEPCIÓN HACE DURO
English:
AND THE RAMS TONIGHT HAVE
ALREADY RUN UP 240 YARDS.
KUPP WITH HIS THIRD GRAB OF THE
NIGHT.
ZUERLEIN IN FOR THE POINT AFTER.
WITH 51 SECONDS TO THE HALF, THE
RAMS LOOK UNSTOPPABLE LEADING
21-3.
>> Cris: A PERFECT PLAY.
WHAT YOU WANT TO DO IS OCCUPY
THESE TWO GUYS WITH UNDERNEATH
ROUTES SO THEY'RE GOING TO
OCCUPY ONE ACROSS THE FIELD.
THERE'S THE OTHER.
AND THEN RIGHT IN BETWEEN THOSE
TWO COMES KUPP.
THAT'S WHAT YOU WANT TO DO WHEN
YOU'RE PLAYING AGAINST A ZONE
DEFENSE.
OCCUPY ONE LINEBACKER AND THEN
THE OTHER.
BOTH WITH UNDERNEATH ROUTES AND
CAN'T COVER IN BEHIND IT.
YOU HAVE TO HAVE A SAFETY WITH
THAT LITTLE FIELD TO OPERATE
FROM SNEAK DOWN CLOSER.
>> Al: I DON'T KNOW IF THE 49ers
STILL IN THE AIR AND WATCHING
Spanish:
LA ATRAPA JCOOPER KUPP
EL SEGUNDO DE DE JCOOPER KUPP
ES EL SÉPTIMO QUE ATRAPA.
>>> SE PONEN DE ACUERDO DE LO
QUE VAN HACER APROVECHAR LA
OPORTUNIDAD Y ENTONCES REGRESA
AL TERRENO DE JUEGO Y MIREN CÓMO
EJECUTAN AL PIE DE LA LETRA .
>>> EXACTAMENTE LO QUE QUERÍA
HACER EL ENTRENADOR IRSE A LOS
VESTIDORES ANOTANDO Y COMENZANDO
LA SEGUNDA MITAD .
>>> AHÍ ESTÁ EL PUNTO ES UNO .
>>> GREG ZUERLEIN
Y ESTÁ GANANDO 21 A TRES ESTÁN
18 PUNTOS ARRIBA DE LOS SEATTLE
SEAHAWKS
JUGADA PERFECTA MIREN LO QUE
ESTÁN ADENTRO Y AQUÍ VIENE EL
CORTE POR EL CÉSPED POR EL HUECO
DE LA ZONA ERA UNA ZONA
DEFENSIVA NO ERA HOMBRE HOMBRE Y
Spanish:
COMO VIENE JTYLER HIGBEE
Y EL PASE FUE AHÍ MISMO.
>>> ESTÁ TENIENDO UNA GRAN NOCHE
JARED GOFF
.
>>> Y SALIÓ POR ESE LADO 17
SABEN QUE IBAN A IR GREG
ZUE
MIREN ESTO LOS ÚLTIMOS 10
PARTIDOS 10. FOTO
>>> EN EL COLISEO ESTA NOCHE YA
TIENEN 21 .
>>> PARA QUE USTEDES VEAN COMO
ESTA OFENSIVA NO HABÍA FU
FUNCIONADO BIEN ÚLTIMAMENTE Y
ESTA NOCHE RESUCITADO .
>>> Y YA TIENEN 240 YARDAS EN
S
ESTA PRIMERA MITAD.
>>> VA RUMBO A 402 .
>>> COMIENZAN EN LA YARDA 35 .
>>> EL COORDINADOR DEFENSIVO
ESTABA NACIENDO.
English:
THIS FLIGHT BACK BUT THEY'RE
ENJOYING THIS ONE BECAUSE IF
SEATTLE WINS THIS GAME THEY'RE
THE NUMBER ONE 1 IN THE NFC OR
THE 49ERS ARE NUMBER 1 AND THE
LOSER GOES TO NUMBER 5.
BETWEEN SAN FRANCISCO AND
SEATTLE.
RAMS, OF COURSE, JUST TRYING TO
GET INTO THE PLAYOFFS.
>> Cris: YOU DON'T WANT THE RAMS
TO LOOK TOO GOOD.
THEY'RE THE DEFENDING CHAMPS.
YOU DON'T WANT TO HAVE THAT SORT
OF HUH OH MOMENT WATCHING THEM
EITHER.
>> Al: I THINK THE 49ers WILL BE
HAPPY TO HAVE A NUMBER 1 SEED.
>> Cris: I THINK YOU'RE RIGHT.
>> Al: TOUCHBACK HERE.
WE HAVE A GOOD LITTLE PIECE HERE
FOR YOU.
LOOK AT THIS TIMELINE.
McVAY BORN IN '86.
'94, McVAY WITH STEVE YOUNG.
PETE UP IN SAN FRANCISCO WITH
THE DEFENSIVE COORDINATOR.
English:
McVAY, FIRST ASSISTANT JOB IN
THE NFL THERE AND THEN '13
REDSKINS TIGHT END COACH McVAY
AS PETE LIFTS THE LOMBARDI
TROPHY.
38 AND 66.
CARROLL HAVING AN ENTHUSIASM.
McVAY IS THE SAME WAY.
>> Cris: GREAT ENERGY.
ADMIRE HIM SO MUCH.
NO WAY AM I COACHING HIM.
>> Al: WILSON.
OF COURSE, CARROLL WAS IN SAN
FRANCISCO WHEN McVAY'S
GRANDFATHER JOHN McVAY, A COACH
AND AN EXECUTIVE RUNNING THE
49ers.
>> Cris: ALL THE SUCCESS THAT
PETE CARROLL HAD IN THIS
STADIUM, RIGHT?
WHAT HE DID WITH USC WAS PRETTY
REMARKABLE.
THEY WERE UNBEATABLE FOR A
WHILE.
>> Al: 45-GAME UNBEATEN STREAK.
CAUGHT OVER THE MIDDLE.
WILL NOT BE ABLE TO PICK UP THE
Spanish:
>>> SU PRIMER TRABAJO CON LOS
TAMPA COMO ASISTENTE DE RECEPTOR
.
>>> EN EL 2013 GANANDO EL SUPER
BOWL Y LUEGO A LOS 33 AÑOS MIREN
ESTO.
>>> TODO ESTO SUCEDE AHÍ HA
VENIDO TRABAJANDO EL ENTRENADOR
DE LOS RLOS ANGELES RAMS
..
>>> VA HACIA ATRÁS SWILSON YY L
CAPTURA PJACOB HOLLISTER
.
>>> TRATAR DE BUSCAR UN PEABOT
English:
FIRST DOWN.
THIRD DOWN AND ONE.
THIS PLACE BRINGS BACK A LOT OF
GOOD MEMORIES FOR PETE CARROLL.
TIMEOUT HERE.
BACK IN 30 SECONDS.
♪
♪
2
Spanish:
.
>>> SECTORES TIENEN LOS SEATTLE
SEAHAWKS
LA TIENE PCHRIS CARSON
ES EL SEGUNDO CAPTURA ESTA
NOCHE.
>>> SIGA MIRANDO EL RELOJ YA
PARÓ EL TIME OUT
AHÍ VEMOS AL NÚMERO 72 JPAL WOO
Spanish:
AHÍ ESTÁ PJARONPTYLER LOCKETT
LO HAN ANULADO CASI POR CO
COMPLETO.
>>> TERCERA YARDA LANZA CONTRA
EL TERRENO DE JUEGO.
>>> ESTA RECLAMANDO QUE FUE LO
QUE PASÓ MATHEWS
LOS ÁNGELES PIDEN UN TIEMPO .
>>> VEAMOS ESTA COMBINACIÓN DE
WILSON CON LOCKETT
TUVIERON DOS CEPAS ESTUVIERON
English:
(MUSICA)
WHAT HAPPENED HERE?
EVERYONE LOOKING AROUND GOING,
HUH?
>> Referee: BEFORE THE SNAP,
TIMEOUT, LOS ANGELES.
THEIR SECOND.
>> Al: RAMS TOOK A TIMEOUT.
WILSON TO LOCKETT.
THE BEGINNING OF LAST SEASON,
NUMBERS THEY HAVE PUT UP.
16 TOUCHDOWN PASSES.
NO INTERCEPTIONS.
WHEN THESE TWO GET TOGETHER.
AND A 151.5 RATING, PERFECT IS
158.
SO ABOUT AS GOOD AS IT GETS AS A
COMBO PLATTER.
>> Cris: RUSSELL WILSON WITH 81
TOUCHDOWN PASSES ON DEEP BALLS
SINCE 2012.
Spanish:
152% NÚMERO UNO.
>>> MEJOR COMBINACIÓN NO EXISTE.
>>> AHÍ ESTÁ RUSSELL WILSON
ESA NOCHE LO HA LIMITADO .
>>>9PTYLER LOCKETT
LE ESTÁN QUITANDO SUS FLANCOS
PREFERIDOS .
>>> VA AL CENTRO SE ESCAPA VA A
LA YARDA 48 P38.
ES INTERESANTE SE VAN A QUEDAR
SIN TIME OUT
ME IMAGINO QUE ESO LO PUEDEN
English:
THAT IS THE MOST, THE MOST
COMPLETIONS, AS WELL.
HE THROWS THOSE BEAUTIFUL HIGH
ARCING BALLS.
THEY HAVEN'T TRIED IT TONIGHT.
>> Al: THIRD DOWN AND ONE AFTER
THAT RAMS DEFENSIVE TIMEOUT.
ON THE GROUND THEY GIVE THE BALL
TO CARSON.
TO THE 49 YARD LINE HE GOES FOR
A FIRST DOWN.
AND SEATTLE WITH 36 SECONDS WILL
TAKE A TIMEOUT.
THAT WAS INTERESTING.
THE RAMS TOOK THAT TIMEOUT ON
DEFENSE BECAUSE IF THEY HAD
STOPPED THEM WOULD CARROLL HAVE
GONE FOR IT?
ON A FOURTH DOWN NOT MADE IT AND
GIVE THE RAMS THE BALL BACK WITH
A FEW SECONDS?
BUT THAT'S WHY I THINK IN GOOD
MEASURE THEY STAYED ON THE
GROUND TO GET THE FIRST DOWN.
THEY'RE ABLE TO TAKE THE
TIMEOUT.
SEATTLE IS TO KEEP IT AND KEEP
THE BALL AWAY FROM THE RAMS.
>> Cris: YOU GET THE FEELING
THERE'S A SIGNIFICANCE TO THE
DRIVE HERE.
MOMENTUM SHIFT BECAUSE IT'S ALL
AGAINST SEATTLE SO FAR.
Spanish:
HACER SI ES UN PASE MÁS BIEN UN
POCO LARGO .
>>> SI NO TIENEN QUE POR LAS
ESQUINAS .
>>> Y AVANZAR O LAS YARDAS .
>>> Y DISPARAR 40 YARDAS .
>>> CUANDO VIO POR LAS ESQUINAS
DEL RECEPTOR CAPTURA LA PELOTA Y
PARA DEL TERRENO DE JUEGO Y ASÍ
PUEDA DETENER EL RELOJ .
>>> IBA POR EL CENTRO TIENE QUE
SER UN POCO LARGO A DISTANCIA
PARA PATEAR AHÍ VA WILSON HACE
LARGO POR LA DERECHA Y QUE BUENA
JUGADA DEFENSIVA .
>>> QUE HUBO BUENA JUGADA
DEFENSIVA IBA EN BUSCA DE JDONT
DEAYON
MIREN EL ESPACIO QUE LE DA Y NO
SE VA CON LA PINTA Y DIJO PAPI
English:
WE HAVE NOT SEEN AARON DONALD
HAVE A HUGE IMPACT RUSHING THE
PASSER DECK YET EITHER.
>> Al: I DON'T THINK I'VE CALLED
HIS NAME YET TONIGHT.
THAT DOESN'T HAPPEN VERY OFTEN.
>> Cris: JOSH GORDON ONE SIDE
AND METCALF THE OTHER AND
LOCKETT.
THERE ARE SOME RECEIVING THREATS
TO TAKE A SHOT.
>> Al: CAN THEY THREATEN?
WILSON STEPPING UP.
THERE'S THAT DEEP SHOT.
KNOCKED DOWN BY TROY HILL.
INTENDED FOR TYLER LOCKETT.
HILL AND RAMSEY AT THE CORNERS
WHEN IN WEEK FIVE IT WAS TALIB
AND PETERS.
>> Cris: THERE IT IS.
THAT'S THE SHOT THEY LIKE TO
TAKE DOWN THE FIELD AND I TELL
YOU THIS HAS BEEN SOME EFFORT BY
TROY HILL.
I'VE BEEN REALLY IMPRESSED SINCE
THEY TRADED AWAY THEIR
CORNERBACK WITH WHAT HE'S ABLE
TO DO.
METCALF WIDE OPEN OVER THE
MIDDLE.
MIGHT HAVE HAD A CATCH AND RUN
Spanish:
NO .
>>>JTROY HILL
MUY BUENA JUGADA DEFENSIVA .
>>> 30 SEGUNDOS TIEMPO PÍDENLOS
RLOS ANGELES RAMS
PARA ESTAR SEGUROS QUE TIENEN EL
PERSONAL CORRECTO EN EL TERRENO
Y OJO QUE ESTE HOMBRE YA DISPARA
UNO PROFUNDO PUEDE DISPARAR
OTRO.
>>> Y A RUSSELL WILSON
LO TIENE MANIATADO .
>>> PERO NO HAN PODIDO NOTAR .
>>> YA PERDIERON A UNO DE SUS
English:
TO PUT THEM IN FIELD GOAL RANGE.
>> Al: BEEN HERE FOR A WHILE.
STARTED IN THE PATRIOTS CAMP.
>> Referee: TIMEOUT.
>> Al: THE RAMS TAKE A FINAL
TIMEOUT.
MAKE SURE THEY GET THE RIGHT
DEFENSE ON THE FIELD.
WILSON 12 OUT OF 17 BUT ONLY 106
YARDS.
>> Cris: PRETTY SPECIAL GUY,
THOUGH, ISN'T HE?
>> Al: TREMENDOUS.
>> Cris: EVERY TUESDAY IN
CHILDREN'S HOSPITAL.
HE SAID FIRST TIME SHOWING UP AS
A ROOKIE SAYING I WANT TO COME
OUT.
WOULD THAT BE OKAY?
THE LADY SAID, YEAH.
WHO ARE YOU AGAIN?
WELL, I'M A ROOKIE QUARTERBACK
FOR THE SEAHAWKS.
GREAT.
DID THE APPEARANCE.
HE SAID I'D LIKE TO COME BACK
NEXT WEEK.
SHE GOES, I REALLY DON'T KNOW
WHO YOU ARE.
WILL YOU EXPLAIN THAT FURTHER?
I DON'T THINK HE HAS THAT ISSUE
ANYMORE.
>> Al: I DOUBT IT.
EIGHTH YEAR.
I DON'T THINK HE HAD AN OFF
YEAR.
GREAT LAST YEAR.
English:
BEEN GREATER THIS SEASON.
BLITZ IS COMING.
WILSON UNDER PRESSURE AND THEY
TAKE HIM DOWN AT THE 41 YARD
LINE.
THAT'S A COLLECTIVE SACK.
DONTE FOWLER WILL GET CREDIT FOR
IT.
>> Cris: YOU SAY HOW DOES FOWLER
GET THE SACK?
WATCH WHAT THEY DO TO AARON
DONALD INSIDE.
THERE'S ONE.
THERE'S TWO.
THERE'S THREE.
THERE'S FOUR.
THAT MEANS EVERYBODY ELSE HAS TO
BE ONE ON ONE.
SO THE BENEFICIARY OF THAT?
FOWLER ON THAT.
>> Al: SCORE IS 21-3.
GO TO HALFTIME NEXT.
MIKE TIRICO ON BOARD.
>> A REASON FOR McVAY TO SPRINT
UP THE TUNNEL.
THANKS.
THE REACTION AND THEIR ANALYSIS
OF THE TWO BIG GAMES EARLY.
NINERS, HUGE STATEMENT IN THE
BIG EASY.
Spanish:
CORREDORES QUE ES PENY Y POR
OTRO LADO TIENE MANIATADO
COMPLETAMENTE . SEGUNDO Y 10
TIENE PRESIÓN SE ESCAPA LO DE
ARRIBA FINALMENTE JCORY LITTLETN
NO VAN A HACER MÁS NADA YO CREO
QUE VANAS A DEJAR QUE EL RELOJ
CORRA .
>>> VA PARA EL CENTRO OBSERVEN.
>>> LE QUEDA VA LE FUERON CON
TODO JAARON DONALD
HA FINALIZADO LA PRIMERA MITAD
DEL JUEGO LOS RLOS ANGELES RAMS
DERROTAN A LOS SEATTLE SEAHAWKS
21 A TRES .
>>>
English:
AND THE CHIEFS HOLD ON AT THE
HOME OF THE DEFENDING CHAMPS.
HIGHLIGHTS AND ALL THAT COMING
UP.
TOYOTA HALFTIME IS NEXT.
>> WANT FOR STATS?
English:
HEY, SIRI, WHO LEADS THE LEAGUE
IN PASSING YARDS?
>>> WELCOME TO THE TOYOTA
HALFTIME.
LET'S GO PLACES.
>> WHAT A HALF FOR JARED GOFF.
15 OF 18.
THREW TWO TOUCHDOWNS INCLUDING
ONE TO KUPP.
FOUR POSSESSIONS FOR THE RAMS.
THREE TOUCHDOWNS.
IMPRESSIVE START FOR L.A.
>> YES.
THE PLAN FOR THEM IS TO MAKE
JARED GOFF BEAT YOU.
NO PRESSURE ON HIM.
>> THE SEAHAWKS LOOK FLAT.
THEY HAVE TO FIND ENERGY IN THE
SECOND HALF.
>> MOST COMEBACKS IN THE NFL IN
THE SECOND HALF, SIX.
BIG DAY FOR SAN FRANCISCO.
THEY PLAYED NEW ORLEANS.
GOING FOR THE BEST RECORD IN THE
NFC.
SEATTLE WATCHING WITH GREAT
INTEREST.
SANDERS WITH A TERRIFIC PLAY FOR
SAN FRANCISCO.
>> THEY ALL CAME OUT AND GOT SAN
English:
FRANCISCO BACK IN THE GAME AND
ENERGIZED.
THE TRICK PLAYS.
>> DREW BREES WITH SIX
TOUCHDOWNS, INCLUDING THIS ONE.
>> THEY'RE LOOKING FOR A SECOND
RECEIVER.
THIS IS AN EXCELLENT PLAY.
FINDING THE END ZONE.
>> THEY GO FOR TWO.
ONE-POINT LEAD.
>> WHO THEY GO TO?
GEORGE KITT L.
WATCH THIS EFFORT.
RUNNING THROUGH PEOPLE, THE FACE
MASK PENALTY.
THIS IS A ONE-PLAY -- GAME
WINNING DRIVE.
>> 30 YARDS OUT.
THE NINERS GO TO 11-2 AND THE
NUMBER 1 SEED IF THE RESULT IN
L.A. HOLDS UP.
JOHN LYNCH AND THE NINERS.
GREEN BAY JUMPS TO 2.
THE TIEBREAKER OVER NEW ORLEANS
WHICH IS ALREADY IN.
MINNESOTA GOT A BIG WIN TO KEEP
THAT MARGIN FOR THE WILD CARD.
>> THEY REALLY HAVEN'T BEEN HERE
BEFORE SO ANY TIME TO GO TO
BALTIMORE AND GO TO NEW ORLEANS
AND PLAY WELL YOU START TO BUILD
THAT CONFIDENCE.
English:
YOU START TO BELIEVE THAT YOU
CAN BEAT ANYONE.
>> HUGE WIN FOR THE 49ers BUT
WHAT ABOUT NEW ORLEANS?
WE'RE USED TO THEM BEING SO
DOMINANT AT HOME.
THANKSGIVING SEAN PAYTON TALKED
ABOUT THE LOSSES.
>> BEST TEAM?
>> SAN FRANCISCO.
>> SAN FRANCISCO.
>> SEE WHAT HAPPENS LAST THREE
WEEKS.
AFC SIDE COMING UP.
English:
TOYOTA REMINDS US ANY DRIVE CAN
BE A THRILL RIDE WITH FUN LIKE
THESE FOLKS, RUNS IN THE FAMILY.
>>> TWO BIG GAMES THIS SUNDAY.
BALTIMORE AT BUFFALO.
>> THERE'S JUST SO MUCH THIS
OFFENSE.
English:
OPTIONS AND THEN PASSES OFF THE
OPTION PLAY.
UNBELIEVABLE.
>> A CHANCE LATE, RODNEY.
>> PETERS DID A GREAT JOB MAN TO
MAN COVERAGE.
KNOCKING THE BALL DOWN.
>> GAME TIME, KANSAS CITY AT NEW
ENGLAND.
MAHOMES.
>> A LOT OF EMPHASIS ON STOPPING
TYREEK HILL.
TREMENDOUS SPEED.
>> BRADY DOWN SEVEN ON FOURTH
DOWN.
>> NEVER SEEN BRADY SCRAMBLE FOR
17 YARDS THERE.
>> YOU KNOW THEY'LL PUNCH IT IN.
RIGHT?
FOURTH DOWN.
EDELMAN.
KNOCKED AWAY.
>> BREELAND PLAYED WELL TODAY,
COACH.
>> KANSAS CITY WINS THE WEST.
THEY GET INTO THE PLAYOFFS WITH
THAT WIN.
BALTIMORE'S NUMBER 1 SEED IF
THEY WIN 2 OF THE LAST 3.
BUFFALO AND NEW ENGLAND PLAY IN
A WEEK.
IF ONE WINS A GAME THEY'RE BOTH
IN.
BOTH HAVE A CHANCE WITH ONE WIN
English:
TO GET INTO THE PLAYOFFS.
BIG STORY FOR A COUPLE OF TEAMS
THAT WIN.
BALTIMORE AND K.C.
>> BALTIMORE JUMPS UP INTO THE
FIRST PLACE, MORE CUSHION BUT
THEY ALSO SHOWED THAT THEY CAN
WIN WHEN LAMAR JACKSON DOESN'T
OVERWHELM THE OTHER TEAM.
A LOT OF DEFENSE TODAY AND
THAT -- DEFENSE ON THE ROAD IS
HUGE.
>> EVERYONE IN NEW ENGLAND
TALKING ABOUT MISSED CALLS.
DURING THE GAME.
BUT THEY HAD SO MANY DIFFERENT
OPPORTUNITIES TO MAKE UP FOR IT
IN THE RED ZONE.
THEY -- YOU GET IT TO HARRY AND
IT SHOULD HAVE BEEN A TOUCHDOWN.
THEY SAID THAT HE WAS OUT.
THE FOOT CLEARLY WASN'T OUT BUT
THEY HAD AN OPPORTUNITY TO COME
BACK IN THE RED ZONE AND THE
YOUNG MEYERS DROPS THE PASS.
AN OPPORTUNITY RIGHT HERE AND
DROPS THE PASS.
LOOK AT THE PATRIOTS.
I LOOK AT THE PATRIOTS AND THIS
IS A VERY DESPERATE TEAM.
THIS IS A TEAM THAT CANNOT -- NO
LONGER LINE UP AND BEAT PEOPLE
BUT THEY HAVE THE TRICK PLAYS TO
TRY TO FABRICATE OFFENSE.
>> THEY'RE STRUGGLING AND I
English:
DON'T KNOW WHERE THE HELP COMES
FROM.
WHAT DO THEY DO TO GET THE
OFFENSE GOING?
>> WEEK 16 COULD BE FOR THE
DIVISION.
THE PATRIOTS MAY HAVE TO GO ON
THE ROAD IN THE PLAYOFFS.
KANSAS CITY WITH A BIG WIN.
RAMS TERRIFIC START THIS HALF.
BOTH SIDES OF THE BALL.
UP 18.
SECOND HALF FROM LOS ANGELES IN
A MOMENT.
English:
>> THIS HAS BEEN THE TOYOTA
HALFTIME.
LET'S GO PLACES.
>>> TONIGHT'S FIRST HALF
HIGHLIGHTS ARE BROUGHT TO YOU BY
CHEVROLET.
♪ WAITING ALL DAY FOR SUNDAY
NIGHT ♪
>> SUNDAY NIGHT, BABY.
BRIGHT LIGHTS, BABY.
>> THERE'S THE FAKE AND THE PASS
WIDE OPEN.
MAKING THE CASH IS TYLER HIGBEE.
IT IS A TOUCHDOWN FROM MALCOM
BROWN.
THE PASS, THAT'S CAUGHT.
English:
ROBERT WOODS.
>> THIS IS A DIFFERENT RAMS
OFFENSE.
♪ WAITING ALL DAY FOR SUNDAY
NIGHT ♪
DOWNTOWN LOS ANGELES.
A TEN-MINUTE HOP UP THE FREEWAY.
ALL RAMS IN THE FIRST HALF.
21-3.
RUSSELL WILSON 12 OF 17.
SACKED TWICE.
GREAT FIRST HALF FOR GOFF.
184.
TWO TOUCHDOWN PASSES.
GOOD HALF FOR GURLEY.
13 CARRIES.
SEASON HIGH FOR THE FIRST HALF
FOR HIM.
TIED FOR THE SECOND LARGEST
HALFTIME DEFICIT IN WILSON'S
REGULAR SEASON START.
THAT GOES BACK EIGHT SEASONS.
HIGBEE FIVE CATCHES.
WOODS FOR FIVE CATCHES TONIGHT.
THE BIG GUYS WITH GOFF.
AL MICHAELS, CRIS COLLINSWORTH,
MICHELE TAFOYA.
RAMS HAVE FOUR FIRST HALF
POSSESSIONS.
THREE TDs AND A PUNT AND WITH
Spanish:
(MUSICA)
LOSLOS RLOS ANGELES RAMS ESTÁN
SUPERANDO A LOS SEATTLE SEAHAWKS
QUE PARTIDAZO .
>>> Y SI EATTLE QUEDABA MANIATA
CON SOLAMENTE .
>>> MIREN LO QUE HAN HECHO JTYLR
Spanish:
HIGBEE
Y WOODS
HAN ATRAPADO LOS PASES .
>>> COMENZARÁN EN LA YARDA 25
LOS RLOS ANGELES RAMS
DE LOS ÁNGELES .
>>> CON UN BUEN PARTIDO HA
FALLADO TRES PASES NADA MÁS HA
COMPLETADO 15 DE 18
DE LOS ÁNGELES .
>>> CON UN BUEN PARTIDO HA
FALLADO TRES PASES NADA MÁS HA
COMPLETADO 15 DE 18184 YARDAS
DOS PASES DE TOUCH DOWN
INTERCEPCIÓN .
>>> PRIMER DOWN
Y 10 .
>>> EL ÚNICO CORREDOR SALE POR
LA DERECHA PASA A LA 30 TIENE EL
PRIMER DOWN
Y LA LLEVA POR LA YARDA 41 J
English:
THE BALL TO START THE SECOND
HALF AT THE 25 YARD LINE BUT
FIRST MICHELE.
>> Michele: PETE CARROLL TOLD ME
WE HAVE TO SLOW THEM DOWN.
HE SAID WE HAVE TO SLOW THEM
DOWN MORE.
HE POINTED TO THE SCOREBOARD AND
SAID WE HAVE TO GET ON THE
BOARD.
WE HAVE GOT TO PLAY BETTER
FOOTBALL.
THAT'S WHAT SEAN McVAY IS
EXPECTING OF THEM.
HE SAID THE SEAHAWKS IS TOO
GOOD.
WE HAVE TO PLAY EXACTLY THAT WAY
TO BRING IT HOME IN THE SECOND
HALF.
>> Al: THEY HAVE TO SLOW THEM
DOWN BUT THE RAMS WON'T LET THEM
SLOW DOWN THE RAMS.
VERY FAST PACE.
ON THOSE DRIVES IN THE FIRST
HALF.
SEE HOW THEY START HERE.
HERE TO ROBERT WOODS.
WHO GETS A BLOCK.
BEGINNING WITH A 15-YARD PICKUP
UP TO THE 40 YARD LINE.
>> Cris: I JUST LIKE HOW
ATHLETIC THEY ARE GETTING OUT
NOW.
THIS IS A YOUNGER, FASTER,
BETTER LOOKING ON THE EDGE
Spanish:
ROBERT WOODS
MIREN CÓMO SALE DE LA LÍNEA
DERECHA.
>>> SE ABRE CON CALMA DETRÁS DE
SU BLOQUEADOR NO ACELERA VISTE
COMO ESPERA .
>>> ESO ES SER INTELIGENTE .
>>> PRIMER DOWN
Y 10 .
>>>PASE POR LA IZQUIERDA POR
ENCIMA DE LA CABEZA JTYLER HIGBE
LA VEÍA VENIR .
>>> AHÍ SE VA POR EL LADO D
DERECHO SE DESPEGA CASI OCHO
YARDAS PARA PODER COMPLETAR EL
PASE Y LO HACE EN LA CARRERA
AHORA LO HACE POR EL OTRO LADO.
>>> POR EL LADO OPUESTO .
>>> ESO HA SIDO LA CLAVE DE ESTA
NOCHE.
English:
OFFENSIVE LINE THAN WHAT THEY
HAVE HAD IN THE PAST.
AND SO FAR THIS GAME IS REALLY
FLIPPED UPSIDE DOWN.
RUSSELL WILSON IS KNOWN ALL
SEASON AS A GREAT DOWN THE FIELD
PASSER.
HAS MORE COMPLETIONS DOWN THE
FIELD THAN ANYBODY.
YET TONIGHT NOTHING AND IT IS
THE RAMS.
>> Al: GOFF THROWN FOR 200
YARDS.
AND NOTHING THERE.
THE PASS IS INCOMPLETE.
>> Cris: TAKE A LOOK AT THE
BOOTLEG PLAYS THAT JARED GOFF IS
PULLING OFF.
WE SAW HIM AGAINST ARIZONA DO
THE SAME THING.
THE RUNNING GAME IS WORKING A
LITTLE BIT.
THE MISDIRECTION HELPED A LITTLE
BIT.
LOOK AT THE SPACE IN FRONT OF
GOFF.
NOT UNDER PRESSURE.
WE TALKED ABOUT THE NUMBERS
EARLY ON.
THE BOOTLEGS SENDING THE DEFENSE
OF THE SEAHAWKS IN THE WRONG
DIRECTION AND GETTING PEOPLE
OPEN BEHIND.
>> Al: SEAHAWKS.
FORM MIGHT BE LACK OF PASS
PRESSURE.
CLEAN ALL NIGHT.
Spanish:
>>> CUANDO VA HACIA LA DERECHA Y
HACIA LA IZQUIERDA .
>>> SEGUNDO DOWN
Y 10 A LA DERECHA ESTÁ JARED
GOFF
JCOOPER KUPP
TERCER PASE CUARTO PASE DE
CAPTURA ESTA NOCHE.
>>> AHÍ ESTÁ PAVANZA UNAS CUATR
O CINCO YARDAS JTODD GURLEY II
SEGUNDO DOWN
Y CINCO HABLANDO DEL REY DE ROMA
AHORA ESTÁ MOMENTÁNEAMENTE DE
RODILLAS .
>>> PQUINTON JEFFERSON
English:
CLEAN HERE.
OVER THE MIDDLE.
THAT'S CAUGHT BY COOPER KUPP.
INTO SEAHAWKS TERRITORY.
FOR A FIRST DOWN.
>> Cris: CLOWNEY CAME IN OUR
MEETING THE OTHER DAY.
MY FIRST QUESTION IS, DID YOU
HAVE TO CARRY YOUR BIRTH
CERTIFICATE EVERYWHERE YOU WENT?
HE SAID, YES.
NOBODY BELIEVED A GUY THAT BIG
IS THAT YOUNG AND NOT ABLE TO
GET PRESSURE TONIGHT.
>> Al: OVER THE MIDDLE CAUGHT.
GURLEY TO THE 43 YARD LINE.
A GAIN OF FIVE.
SECOND AND FIVE.
>> Cris: CLEARLY THE BIGGEST
CHANGE -- HERE WE GO.
QUINTON JEFFERSON IS DOWN.
>> Al: HE IS REPLACING ZIGGY
ANSAH SO JEFFERSON ONLY IN THE
STARTING LINEUP BECAUSE OF THE
ANSAH INJURY.
AND PETE CARROLL LOOKS ON WITH
SOME CONCERN.
.
>> Cris: IT IS ONE THING WHEN
English:
YOU'RE INJURED AND ANOTHER WHEN
ALL THE INJURIES HAPPEN AT THE
SAME POSITION.
KENDRICKSON IS ONE OF THREE GUYS
WITH THREE SACKS IN THE SEASON.
THERE'S ZIGGY ANSAH ON THE
OUTSIDE.
THERE'S KENDRICKS.
DRAFTED THE SAME YEAR AS WAGNER.
HE WAS THE PICK BEFORE WAGNER.
PHILADELPHIA HAD THAT PICK.
THEY WENT FOR HIM AND THEN
SEATTLE WENT FOR WAGNER AND
HOW'S THAT TURNED OUT?
NOW THEY'RE BOTH ON THE SAME
SQUAD.
CLOWNEY THE NUMBER ONE OVERALL
PICK IN '14.
JACKSON COMES IN AS THE SUB
HERE.
HERE'S GURLEY TO THE OUTSIDE.
AND HE CANNOT GET AROUND THAT
CORNER.
McDOUGALD COMES UP TO MAKE THE
TACKLE.
Spanish:
JUGADOR DE LA LÍNEA DEFENSIVA
DEL EQUIPO DECÍSEATTLE
.
>>> SE ESTABA RUMOR Y ANDO DE
QUE POSIBLEMENTE REGRESE A LOS
RANGOS COLEGIALES .
>>> ESTÁ CAMINANDO SIN TENER QUE
SER ASISTIDO .
>>> ESTE EQUIPO DE LOS SEATTLE
SEAHAWKS
HA GANADO 10 O MÁS JUEGOS EN
SIETE DE SUS ÚLTIMAS TEMPORADAS
.
>>> Y HAN TENIDO QUE SALIR
JUGADORES ESTRELLAS .
>>>PJADEVEON CLOWNEY
Spanish:
¿LA IZQUIERDA BUSCANDO BLOQUEO Y
HAY PENALIDAD .
>>> LE LA EPOR LAFUERON POR LA .
>>> 33 VICTORIAS 15 DERROTAS
COMO TÉCNICO DE LOS RLOS ANGELE
RAMS
.
>>> JANDREW TERCER DOWN
Y 10 LA PELOTA EN TERRITORIO DE
SEATTLE SEAHAWKS
ESTAMPA CON CUATRO RECEPTORES
TRES DE ELLOS POR LA DERECHA.
English:
THERE'S A FLAG DOWN.
DOWN FIELD.
>> Referee: ILLEGAL BLOCK IN THE
BACK.
OFFENSE 17.
THIS PENALTY IS DECLINED.
THIRD DOWN.
>> Al: ABOUT THE ONLY THING THAT
ROBERT WOODS HAS DONE WRONG
TONIGHT.
>> Cris: WATCH JADEVEON CLOWNEY
HERE.
HE IS NUMBER ONE IN THE NFL AS
FAR AS MAKING PLAYS FOR NO GAIN
OR FOR A LOSS AND YOU SEE PART
OF THE REASON WHY.
EXPLOSIVE.
STILL DEALING WITH THAT CORE
INJURY.
MAYBE NOT QUITE WHAT HE COULD BE
BUT, MAN.
QUICK WHEN HE DECIDES TO GO.
>> Al: BACK TO THIRD AND TEN.
OPENING DRIVE WAS THE SECOND
HALF.
STOPS, THROWS, INTERCEPTED!
THAT'S QUANDRE DIGGS AND PUTS
SEATTLE BACK IN BUSINESS.
CAME OVER IN A TRADE WITH
English:
DETROIT.
LAST MONTH FOR 55 YARDS.
PRESSURE PUTT ON BY SHAQUEM
GRIFFIN.
>> Cris: BIG LOOP INSIDE.
WATCH HIM COME AROUND AND JUST
AS GOFF IS GETTING READY TO
THROW THIS FOOTBALL, HE IS GOING
TO GET HIT RIGHT IN THE FACE AND
FOR WHATEVER REASON IT LOOKED
LIKE ROBERT WOODS STOPPED THERE
ON THE ROUTE AND BECAUSE OF THAT
PRESSURE GOFF DID NOT HAVE TIME
TO READ THAT ONE OUT AND HERE WE
GO.
>> Al: GOFF HAD NOT THROWN A
PICK SIX SINCE HIS ROOKIE SEASON
IN 2016.
OVER 1,600 PASSES WITHOUT A PICK
SIX.
MYERS NOW FOR THE POINT AFTER
AND HE MISSED IT.
WOW.
SO THE HAWKS GET BACK IN IT AND
THEY MISS THE EXTRA POINT.
HERE'S A HIT ON GOFF.
PICK SIX AND IT'S 21-9.
Spanish:
>>> AHÍ ESTÁ PARTE DURO JARED
GOFF
30 20 10 CINCO Y TOUCH DOWN
SSU SEGUNDA INTERCEPCIÓN DE LA
TEMPORADA Y SE LA RETORNARON
PARA SEIS PUNTOS .
>>> PQUANDRE DIGGS
MIREN DONDE LE METEN LA MANO EN
LA CARA NO PUEDE VER SUELTA EL
BRAZO ESTÁ AL FRENTE Y NO PUEDE
VER LA DEFENSIVA Y POR AHÍ ENTRA
LAS MANOS A VIVAS Y BOOM NO USA
LAS MANOS NO PUDO SACAR EL BALÓN
HACIA ATRÁS YA VENÍA
COMPROMETIDO PARECE PASE .
>>> Y NO PUDO EL ÚLTIMO MOMENTO
PORQUE LA PRESIÓN VENÍA POR EL
MEDIO.
>>> LE QUITARON HACIA LA DERECHA
INTERCEPCIÓN NÚMERO 13 JASON
MYERS
ÉSTE NO FALLA.
>>> PERMANECE EL MARCADOR 21 A
Spanish:
NUEVE LUEGO DE LA INTERCEPCIÓN
Spanish:
DE SEATTLE SEAHAWKS
.
>>>
QUIERO QUE SEPA QUE HOY DÍA 8
DE DICIEMBRE SE CELEBRA EL DÍA
DEL LOCUTOR .
>>> MUCHAS FELICIDADES PARA
TODOS LOS LOCUTORES .
>>> Y LE DIO UN BOTE PERFECTO
QUE ACELERA AHORA POR LA
English:
ELLEN'S GREATEST NIGHT OF
GIVEAWAYS, TUESDAY NIGHT ON NBC.
THIS IS WHERE GOFF HAS TO USE
THE SELECTIVE AMNESIA WE TALKED
ABOUT EARLIER.
BOUNCING BALL FIELDS AT THE 7 BY
HENDERSON.
ROOKIE RUNNING BACK.
UP HERE TO THE 27.
BACK WE GO TO THE INTERCEPTION
AND THE TD.
>> Cris: JARED GOFF WILL READ
MAN COVERAGE AND RIGHTLY SO.
English:
MAN COVERAGE HERE ON THIS SIDE
AND SO HE IS GOING TO THINK, ALL
RIGHT, MY RECEIVER ON THE OTHER
SIDE ROBERT WOODS WILL KEEP
GOING WITH MAN, AS WELL.
NOBODY ON HIM.
DIGGS GIVING AN EARL THOMAS
IMPERSONATION KEEPS GOING AS
WOODS STOPPED AND GOFF WENT --
UGH.
>> Al: PERFECT ILLUSTRATION OF
IT RIGHT THERE.
WILSON TO CARROLL ON THE
SIDELINE.
THEIR TEAM DOWN BY ONLY 12 NOW.
GOFF ROLLS.
GOING TO KEEP IT HIMSELF.
AND GET TO A HOLE.
NOT SLIDING.
I DON'T KNOW WHAT HE WAS DOING
THERE.
>> Cris: THAT'S CALLED IN A HEAP
I THINK.
WE DO NOT SEE BOBBY WAGNER
REACTING TO THE RUN AS STRONGLY.
HE IS LOOKING FOR THAT BOOTLEG
PLAY THAT REALLY WAS DEVASTATING
AGAINST THEM AND MUCH BETTER
POSITION THERE SO THAT FORCED
GOFF TO TAKE OFF AND RUN.
TAKE THAT ALL DAY.
Spanish:
IZQUIERDA PASA A LA 20 Y HASTA
LA 27 JDARRELL HENDERSON JR.
HASTA LA LLEVÓ .
>>> AQUÍ VIENE LA DEFENSA HOMBRE
A HOMBRE AHÍ INDIVIDUAL TODO EL
MUNDO TIENE UN JUGADOR Y WOODS
SE QUEDÓ PARADO .
>>> PORQUE ÉL TIRA LA PELOTA
ANTES DE QUE WOODS VAYA A BUSCAR
Y CUANDO VA A REACCIONAR YA ESTE
LA TENÍA EN LAS MANOS .
>>> PRIMER DOWN
Y 10 VA A PASAR OTRA VEZ POR LA
PELOTA JARED GOFF
YY SE DESLIZA .
>>> NO TENGO LA MENOR IDEA DE
PORQUE SE DISPARÓ DE FRENTE
PORQUE LE PUEDEN DAR UN GOLPE
TIENE QUE DESLIZARSE .
Spanish:
>>> HAY QUE RECORDAR QUE SU
PADRE EL PAPA DE JARED GOFF
JUGÓ SIETE AÑOS EN LAS GRANDES
LIGAS .
>>> SI SU PADRE VIO DE LA FORMA
QUE SE DESLIZÓ LLAMA BOTONES SE
ESCAPÓ JROBERT WOODS
Y SIQUIERA CORTO POR UNA YARDA
EL JTODD GURLEY II
.
>>> DE DE SU AÑO COMO NOVATO
ÁRABE QUE VEAN FUE EL PRIMER
SELECCIONADO TERCER DOWN
Y UNA YARDA.
>>> YA VAN CUATRO AÑOS CON LOS
R
RLOS ANGELES RAMS)} Y SE LA
English:
GO AHEAD.
YOU JUST RUN.
>> Al: SECOND DOWN AND FIVE
AFTER THE FIRST TURNOVER OF THE
GAME.
A TACKLE IN THE BACK FIELD AND
SETS UP A THIRD AND ONE.
TALK ABOUT GOFF SINCE HIS ROOKIE
SEASON.
CAME IN AS THE NUMBER ONE PICK
AND THEN TOOK OVER THE TEAM LATE
IN THE YEAR BUT 1,500, 11
CONSECUTIVE PASSES WITHOUT
SOMEBODY TAKING IT TO THE END
ZONE ON HIM.
THIRD DOWN AND ONE.
GURLEY AGAIN.
FIRST DOWN AND PLENTY MORE!
TO THE 40 YARD LINE.
Spanish:
ENTREGA POR LA IZQUIERDA SE
ESCAPA PASADA 40 50 Y LLEVA H
T
HASTA LA 41 EN TERRITORIO DE
FIAFSS
JTODD GURLEY II
AACELERA AQUÍ VIENE LA JUGADA LE
HACE EL GIRO HACIA LA IZQUIERDA
LO QUE LE PERMITE ENTRAR POR ESE
HUECO Y ACELERAR CON ESA GRAN
VELOCIDAD QUE TIENE.
>>> ROMPIÓ EL TACO MIREN LA
FUERZA QUE BIEN ESTE HOMBRE LAS
PIERNAS Y BUEN BLOQUEO DE JROBET
WOODS
YA TIENE CASI 300 YARDAS TOTALES
.
>>> MOVIMIENTO POR LA IZQUIERDA
VA A PASAR OTRA VEZ TITUBEA Y
INTERROGA LA PELOTA PERO ESTABA
English:
TYLER HIGBEE NOT ONLY A BIG GUY
ON THE RECEIVING END TONIGHT,
GOOD BLOCK TO HELP SPRING HIM.
23 YARDS.
>> Cris: ALL ABOUT ANDREW
WHITWORTH ON THE EDGE.
HE HAS TO GET THAT HOOK BLOCK
GOING RIGHT THERE.
THE OUTSIDE GUY HAS TO GO UP THE
FIELD.
POONA FORD ALMOST GOT THERE.
WE ARE STARTING TO SEE MORE
PLAYS FROM TODD GURLEY.
THOSE BREAKING INITIAL TACKLES
TO BE IN THE MVP HUNT FOR 2017
AND '18.
>> Al: ALL THAT HIMSELF.
WHILE HE CARRIED THE BALL FEWER
TIMES THIS YEAR BUT TONIGHT FULL
WORKLOAD.
16 CARRIES.
GOFF LOOKS, THROWS AND
UNDERNEATH INCOMPLETE.
SECOND DOWN AND TEN.
SO McVAY'S FIRST SEASON IS 2017.
23 TOUCHES PER GAME AND 140
YARDS FROM SCRIMMAGE.
LAST YEAR TREMENDOUS YEAR FOR
HIM.
English:
131 FROM SCRIMMAGE.
23 TOUCHES PER GAME.
COMING IN TONIGHT ONLY 16 BUT
TONIGHT LOOKING MORE AND MORE
LIKE THE OLD GURLEY AS THE PASS
IS CAUGHT AT THE 38 YARD LINE BY
TYLER HIGBEE AND THAT WILL BE
HIS SIXTH GRAB OF THE NIGHT.
>> Cris: THEY HAVE CAUGHT
SEATTLE TRYING TO GET A LINE ALL
NIGHT LONG.
THE RAMS ARE SNAPPING OUT OF THE
HUDDLE, GETTING THE LINE OF
SCRIMMAGE, SNAPPING THE BALL AND
LITERALLY PEOPLE ARE NOWHERE
CLOSE TO WHERE THEY NEED TO BE
ON DEFENSE.
BY THE TIME THEY GET OUT OF THE
HUDDLE, SNAP THE BALL THEY HAVE
A HUGE ADVANTAGE.
>> Al: AND DOING IT FROM THE
FIRST DRIVE.
JEFFERSON IS BACK NOW.
THIRD DOWN AND FIVE.
GOFF IS GOING TO GO FOR THE
DISTANCE AND HAVE THAT ONE
PICKED OFF BY DIGGS AT THE
THREE!
Spanish:
MUY EMBARCADO .
>>> JMIREN COMO SE VE ESTO PARA
QUE TENGAN UNA IDEA 23 AL IGUAL
QUE EL 2018 JTODD GURLEY II
SOLAMENTE HA TOCADO EL BALÓN EN
TRES OCASIONES EL TÉRMINO MUY
MAL EL AÑO PASADO.
>>> VA POR IZQUIERDA BUEN PASO
POR ESE LADO AHÍ ESTÁ JTYLER
HIGBEE
CON 80 PASOS ATRAPADOS.
>>> MUY CERCA DE SU RÉCORD
Spanish:
PERSONAL AQUÍ ESTÁ POR SUPUESTO
PASE UN VASO POR LA DERECHA Y
OTRA VEZ OTRA RECEPCIÓN PQUANDR
DIGGS
English:
INTENDED FOR BRANDIN COOKS.
SO THE SAFETY WHO CAME OVER FROM
DETROIT WITH A PAIR OF PICKS
TONIGHT AND SEATTLE GETS THE
BALL.
English:
>> Al: DIGGS SPENT SEVEN WEEKS
OF THIS SEASON WITH DETROIT AND
THE LIONS TRADED HIM TO THE
SEAHAWKS.
HE'S NOW PLAYED IN FOUR GAMES,
THREE INTERCEPTIONS, INTERCEPTED
JIMMY GAROPPOLO IN THE FIRST
GAME AS A SEAHAWK AND THAT'S AS
GOOD AS -- BETTER THAN MOST
PUNTS WOULD HAVE BEEN.
HAD THAT BEEN AN INCOMPLETE PASS
AND NOT AN INTERCEPTION.
SEATTLE STARTS FROM THE THREE.
Spanish:
O TRES
OTRA INTERCEPCIÓN .
>>>
(MUSICA)
DOS INTERCEPCIONES TIENE PQUANDE
DIGGS
ESTA NOCHE TIENE DOS .
>>> CONTRA LA PARED SEATTLE S
Spanish:
SEAHAWKS
SE LA ENTREGAN POR EL CENTRO
AVANZAN UNAS 34 YARDAS .
>>> PCHRIS CARSON
SE VE QUE NO SE VA CON LA C
CARNADA INMEDIATAMENTE REACCIONA
CUANDO VE QUE VIENE EL PASE Y
ESTÁ EN MEJOR POSICIÓN PQUANDRE
DIGGS
ES UN POCO MÁS RÁPIDO MÁS FUERTE
.
>>> SEGUNDO DOWN
Y SIETE .
>>> VA PASAR Y LA ATRAPA Y
AVANZA UNA SOLA YARDA PJACOB
HOLLISTER
SERÁ AHORA TERCER DOWN PARA LOS
SEATTLE SEAHAWKS
.
English:
SIX YARD LINE IS CHRIS CARSON.
BACK WE GO TO THE INTERCEPTION.
>> Cris: SEE COOKS COME IN HERE
TO MAKE THE CUT AND GIVES DIGGS
MAY TOO MUCH ROOM.
A FORMER CORNERBACK.
HE KNOWS THE ROUTE COMBINATIONS.
THEY CAME WITH A DOUBLE BLITZ UP
THE MIDDLE.
MAN COVERAGE.
YOU SEE SEAN McVAY GOING YOU
CAN'T GO THAT FAR INSIDE.
BREAK IT SHARPER TO THE OUT IF
YOU HAVE TO DO SOMETHING.
>> Al: PLAY-ACTION ON SECOND AND
SEVEN.
UNDERNEATH.
A GOOD TACKLE ON HOLLISTER.
LITTLETON COVERING HIM ON THE
PLAY TO SET UP A THIRD AND SIX.
>> Cris: THAT WAS A MISS BY
RUSSELL WILSON RIGHT THERE.
HE HAD METCALF ACROSS THE MIDDLE
OF THE FIELD AND OFF THE GOAL
LINE HERE HE RUNS WIDE OPEN
ACROSS THE FIELD ON THIS BOOTLEG
ACTION.
NOBODY THERE.
AND DID NOT SEE HIM AGAIN.
English:
THAT'S TWO.
>> Al: WADE PHILLIPS ON THE
SIDELINES.
METCALF, ACTION FROM 31.
THIRD DOWN AND SIX.
THE RAMS KEEP THEM BACKED UP IN
A GAME WHERE THE MOMENTUM
SHIFTED.
WILSON DEEP DOWN FIELD AND
INCOMPLETE AND DOUBLE COVERAGE.
CLAY MATTHEWS PUT THE POP ON
WILSON THAT TIME.
HAVING A GREAT YEAR WITH THE
RAMS AFTER STILL A CAREER IN
GREEN BAY.
>> Cris: YOU WONDER WHAT THE
DEFENSIVE NUMBERS FOR MATTHEWS
WOULD HAVE BEEN IF HE DIDN'T
BREAK HIS JAW AND MISS THREE
GAMES BUT HE IS SENSATIONAL
SINCE COMING HOME AND USC GUY
AND PETE CARROLL ADMITS I DID
NOT SEE THE KIND OF GUY HE WOULD
HAVE BEEN.
BOY, THAT WAS ONE OF MY MISSES.
>> Al: YES, IT WAS.
WE KNOW WHAT HE DID IN
Spanish:
>>> Y ESTABA DISPONIBLE LE
DIERON EL PASE SUFICIENTE PARA
COMPLETAR EL TACO .
>>> EL COORDINADOR DEFENSIVO
DEL EQUIPO DE LOS RLOS ANGELES
RAMS
TIENE PRESIÓN PASE LARGO ES
INCOMPLETO IBAN EN BÚSQUEDA DE
M
MOORE Y MIREN QUE EL OTRO NO .
>>> JERIC WEDDLE
ES MUY INTELIGENTE .
>>> MIREN CON LA FUERZA QUE
VIENE Y ENTRA Y LO TOPÓ JCLAY
MATTHEWS
YY RECUERDEN QUE ESTE HOMBRE HA
RECIBIDO ANTERIORMENTE GOLPES
Spanish:
EXCESIVOS .
>>> CUARTO DOWN
Y .
>>> MUY BUENA LA PIDE Y LA
ATRAPA EN LA YARDA 40 Y SIETE
English:
DAIRYLAND.
DICKSON'S PUNT.
BY WEB SON.
THE RAMS TAKE OVER.
MID THIRD QUARTER.
English:
>> Al: 8:15 TO GO IN THE THIRD
QUARTER.
DIGGS WITH THOSE TWO
INTERCEPTIONS BUT THE RAMS ABLE
TO STOP THEM ON THE THREE AND
OUT AND LET'S GET THE BALL AT
MIDFIELD: START THIS DRIVE FROM
Spanish:
JAKE MCQUA
JNSIMBA WEBSTER
>>>
(MUSICA)
AQUÍ VEMOS A LA ESTRELLA
DEFENSIVA DE LOS SEATTLE
SEAHAWKS
Spanish:
QUE TIENE INTENSAS RERCEPCIONEQE
DIGGS
PRIMER DOWN
Y 10 A LA TALLER LOS RLOS ANGELS
RAMS
JTODD GURLEY II
AVANZA 31 .
>>> SE ENCONTRARON EN UNA BUENA
SITUACIÓN EN EL TERRENO DE JUEGO
CASI A LA MITAD DE LA CANCHA .
>>> UNA VEZ MÁS TRATANDO DE
NEUTRALIZAR JBOBBY EVANS
ES UN NOVATO DE WISCONSIN .
>>> OTRA VEZ POR LA DERECHA CAÓO
DE CABEZA EN LA MARCA DEL PRIMER
DOWN
English:
THE 48 YARD LINE.
OVER THE MIDDLE.
GURLEY HAULS IT IN.
GURLEY.
VINTAGE GURLEY.
TO THE 32 YARD LINE HE GOES FOR
A GAIN OF 20 YARDS.
>> Cris: LET'S START OUT WITH
THE ROOKIE BOBBY EVANS ON THE
OUTSIDE WORKING AGAINST JADEVEON
CLOWNEY.
LONG ARM KIND OF GUY AND THEY
REALLY SORT OF JUMP UNDERNEATH
COVERAGE IN AND NOBODY THERE FOR
GURLEY SO A LITTLE GAIN OF --
BREAK THEM UP.
THROW BEHIND THEM AND WORK THEM.
>> Al: FIRST DOWN.
MORE SUCCESS HERE.
REYNOLDS TAKING THE HANDOFF AND
COMING AROUND.
DIGGS IS THERE TO STOP HIM.
CLOSE TO A FIRST DOWN AND THEY
DO MOVE THE STICKS.
FIRST AND TEN.
>> Cris: THIS GAME IS JUST NOT
THE KIND OF GAME THAT PETE
Spanish:
JOSH REYNOLDS
AHORA TIENE EL PRIMER DOWN
..
>>> YO CREO QUE NOS ESPERABA
ESTE TIPO DE JUEGO ESTA NOCHE.
>>> E Y SE ESTÁ SORPRENDIDOS .
>>> PRIMER DOWN
Y 10 LA FUE EL CENTRO AVANZA
UNAS CUATRO O CINCO YARDAS JTOD
GURLEY II
AHORA SE VA SEGUNDO DOWN
SI TÚ NO LO MARCAS ES UN MAESTRO
TIENES QUE BLOQUEARLO SINO ESTE
HOMBRE SE VA .
English:
CARROLL'S SQUAD CAN WIN.
THIS IS A TEAM YOU DO NOT WANT
TO GET THEM IN A GAME TO RUSH
THE PASSER AND THROW THE BALL
WITHOUT COMING OFF OF THEIR RUN
GAME.
>> Al: GREAT MOMENTUM CHANGE AND
NOW THE RAMS HAVE IT BACK.
CLOWNEY STOPS GURLEY AFTER A
GAIN OF THREE.
SECOND AND SEVEN.
>> Cris: ONE THING YOU WILL SEE
IF YOU LEAVE CLOWNEY UNBLOCKED
IS HE'LL COME STRIKE YOU DOWN
THE LINE OF SCRIMMAGE AND FAST
ENOUGH TO GET BACK.
THE SEAHAWKS, NO SACKS LAST WEEK
AGAINST THE VIKINGS.
NONE TONIGHT.
>> Al: SECOND DOWN AND SEVEN.
19 YARD LINE.
GURLEY AGAIN.
AT THE LINE OF SCRIMMAGE.
WAGNER IS THERE TO STOP HIM.
THIRD DOWN AND SEVEN.
AS McVAY CALLS THE PLAY IN.
English:
>> Cris: WHEN YOU GET IN THESE
KIND OF GAMES, DIVISIONAL GAMES,
YOU KNOW SO MUCH ABOUT THE
OPPONENT, RIGHT?
YOU PLAY THEM ALL THE TIME AND
ALMOST FEEL LIKE YOU CAN BE IN
THEIR HUDDLE AND THEN JUST WHAT
AM I DOING BETTER THAN WHAT
THEY'RE DOING?
SO FAR -- RAMS ABILITY TO TAKE
AWAY THE BIG PLAYS.
>> Al: AND NOW THROW DOWN THE
FIELD AND MISSES TARGET.
HIGBEE HAD GOTTEN THREE IN THE
END ZONE AND THEY CAN'T CONNECT
AND IT'S FOURTH DOWN.
>> Cris: YOU KNEW THAT WAS GOING
TO BE A PASS THROWING IT
BACKWARD.
LOOK OUT.
THEY WERE TRYING TO HIT MALCOM
BROWN DOWN THE BOUNDARY.
WIDE OPEN IN THE MIDDLE OF THE
FIELD IS HIGBEE BUT UNABLE TO
QUITE EXECUTE THAT ONE.
>> Al: 37-YARD FIELD GOAL
ATTEMPT FOR GREG ZUERLEIN.
Spanish:
>>> OTRA VEZ JTODD GURLEY II
EN LA MISMA LÍNEA DE IMPACTO LO
DETUVIERON .
>>> A LO TNOTÓ TOUCH DOWN
Y AHORA ESTÁN DANDO UN RESPIRO .
>>> TERCER DOWN
Y SIETE .
>>> AHÍ ESTÁ POR LA IZQUIERDA
4
PSHAQUEM GRIFFIN
PASE POR EL CENTRO EL PASE FUE
M
MALO POR PARTE DE JCOOPER KUPP
EL PASE ESTUVO MALO Y NO ESTÁN
CORRIENDO .
>>> NO FUE UN LARGO PASE ATRÁS
English:
HE MISSED A FIELD GOAL BY ABOUT
A FOOT.
SEATTLE WEEK FIVE A 44 YARDER.
THIS TIME IT IS BLOCKED.
AND A HAND ON IT.
AND I THINK THAT'S GREEN NUMBER
98 WHO BACK THAT IS ONE TO GIVE
SEATTLE THE BALL.
>> Cris: SEATTLE SEAHAWKS WILL
NEVER GIVE UP ON A GAME.
GREEN MAKING THE PLAY.
REMEMBER TALKING TO BELICHICK
ONE TIME ABOUT THE LAST FEW
PLAYS IN THE SUPER BOWL WE HAD.
BACKED UP ON THE GOAL LINE.
THESE GUYS WILL NEVER, EVER,
EVER STOP PLAYING AT 1,000% AND
THEY HAVE NOT PLAYED WELL AT ALL
TONIGHT AND YET SOMEHOW THEY
HAVE HUNG AROUND NOW AND HAVE A
CHANCE.
>> Al: PETE CARROLL AND THE
RESILIENCE IS TRADEMARK.
Spanish:
Y JCOOPER KUPP
NO SE PLANTÓ BIEN NO SE QUE
ESTABA ESPERANDO .
>>> VA EN BUSCA DE 37 YARDAS HA
ANOTADO 22 DE 28 QUE HA PATEADO
ESTE AÑO .
>>> Y LOS LO BLOQUEARON LOS
SEATTLE SEAHAWKS
SU PRIMER BLOQUEO Y FUE GREG
ZUERLEIN
LO PATIO ALIVIADO Y BAJITO .
>>> PQUINTON JEFFERSON
Spanish:
TREMENDA JUGADA DEFENSIVA SE
MANTIENE EL MARCADOR 21 A NUEVE
.
>>> ANTES DE QUE TERMINE EL
TERCER CUARTO VAMOS A TENER
TREMENDO FINAL .
>>> HA LLEVAOLIVANUEVOAHI WILSON
NO TIENE NADA EN COMÚN .
>>> ES UN TORO .
>>> PRIMER DOWN
English:
GREEN WITH THE BLOCK PLAYED HIS
COLLEGE BALL IN THIS STADIUM
WITH USC.
HERE'S CARSON.
GOOD SEVEN YARD PICKUP THERE.
SECOND AND THREE.
>> Cris: THERE'S REALLY BEEN A
TRANSFORMATION ON THIS SEATTLE
OFFENSIVE LINE AS WE HAVE GONE
ON.
THEY USED TO BE A SMALLER SORT
OF ZONE TEAM AND HERE THEY GO
BACK TO A LITTLE BIT OF THAT
HERE.
BUT NO LONGER.
THEY HAVE HUGE GUYS ALONG THE
OFFENSIVE LINE.
THE BODY COMES IN AT 330.
FLUKER AT 240 POUNDS.
THESE ARE LARGE HUMAN BEINGS UP
FRONT AND THEY WANT TO PLAY
POWER FOOTBALL.
>> Al: CARSON PICKS UP A FIRST
DOWN.
>> Cris: LET'S TALK ABOUT SOME
OF THESE EXTRA OFFENSIVE LINE
MEN AND BIG GUYS INSIDE.
SEE THE DOUBLE TEAMS AS THEY GO
AND BASICALLY CARSON JUST READS
THAT OUT.
Spanish:
PARA LOS SEATTLE SEAHAWKS
LA OFENSIVA DE SEATTLE
MIREN LAS DOBLE DEFENSA QUE
HACEN .
>>> Y POR AHÍ SE DESPLAZA .
>>> MUY INTELIGENTE UNA VEZ MÁS
.
>>> SEIS LÍNEAS OFENSIVAS .
>>> AHÍ ESTÁ LA DOBLE CINTA Y LA
DOBLE DEFENSA .
>>> ESCURRIDIZO .
>>> 160 YARDAS OFENSIVAS TIENEN
LOS SEATTLE SEAHAWKS
LOS RLOS ANGELES RAMS 137
SALTA Y LA ATRAPA PJACOB H
HOLLISTER
ES EL TERCERO QUE CAPTURA ESTA
NOCHE.
>>> VAN HABER QUE VIENE MO
MOVIMIENTO LA JUGADA .
>>> VINO DE IZQUIERDA A DERECHA
Y POR ESE LADO SE QUITÓ AGÜERO
QUE VENÍA .
English:
WHERE ARE THE GAPS?
THEY DON'T KNOW.
WHEN THEY'RE HANDED OFF, IT IS
UP TO THE BACK TO FIGURE OUT
WHAT THEY WANT TO DO OFF THE
DOUBLE TEAMS SO IT'S THE POWER
AND THE PUSH CREATING THE
OPPORTUNITIES FOR CHRIS CARSON
AND UNFORTUNATELY TONIGHT NOT
RASHEED PENNY.
>> Al: GOT HURT IN THE FIRST
HALF.
OUT OF THE PISTOL.
WILSON ON THE RUN, THROWS, FINDS
HOLLISTER AND TAKEN DOWN BY
RAMSEY AFTER A FIRST DOWN AND
THE RAMS 44 YARD LINE.
>> Cris: THIS IS WHEN RUSSELL
WILSON IS AT HIS BEST, WHEN HE'S
ABLE TO MOVE AROUND A LITTLE BIT
HIMSELF.
THEY HAVEN'T GOTTEN ENOUGH OF
THE RUNNING GAME GOING TO PLAY
GREAT ABOUT THE PLAY ACTION AND
YOU HAVE TO CREATE OPPORTUNITIES
FOR HIM.
EXPLOSIVE PLAYS FOR THE SEAHAWKS
COME WHEN THAT GUY HITS THAT TEN
YARD SPOT AND THEN HERE WE GO.
Spanish:
>>> NECESITAN JUGADAS EXPLOSIVAS
.
>>> SE ANOTAN ALGO AQUÍ EN EL
TERCER CUALQUIER COSA QUE
SUCEDA .
>>> VA A PASAR A WILSON LO
PERSIGUE Y VOTA LA PELOTA .
>>> AHORA VA SEGUNDO DOWN
Y 10 .
>>> YO ESPERO QUE EL SEÑOR DICK
CARREL LLE DEN UNA NUEVA GOMA DE
MASCAR .
>>> WILSON CORRE POR LA PELOTA
English:
WE WERE TALKING TO LOCKETT ABOUT
IT.
HE GOES WHEN HE TAKES OFF IT IS
STRICTLY BACKYARD AND IT IS FUN
AT THIS TIME.
>> Al: RUNNING BACK IS PROSISE.
GIVE TO HIM.
CHASED BY DONALD.
THROWS IT AWAY.
SECOND DOWN AND TEN.
>> Cris: IT HELPS TO SCRAMBLE TO
THE SIDE WHERE'S ONE WIDE
RECEIVER.
A LOT OF TIMES THEY WANT TO KEEP
THAT ADDED PROTECTION AND WILL
ONLY HAVE TWO OR THREE WIDE
RECEIVERS GOING OUT DOWN THE
FIELD.
>> Al: BRIAN SCHOTTENHEIMER
CALLING IN THE PLAY.
WADE PHILLIPS ON THE OTHER SIDE.
3:30 TO GO IN THE THIRD.
12-POINT LEAD FOR THE RAMS.
>> Cris: THIS DEFENSE IS GREAT.
PICK SIX THEIR ONLY TOUCHDOWN.
>> Al: WILSON HANGING IN THERE.
MISTAKES.
TAKEN DOWN AT THE 42 YARD LINE.
FORD AND LITTLETON STAYING WITH
English:
HIM TO AVOID A LONGER GAIN.
THIRD DOWN AND SEVEN.
>> Cris: GREAT JOB RIGHT HERE BY
LITTLETON.
NOT ONLY DOES HE JUMP UNDERNEATH
THE THROW THAT WILSON WANTED,
HAS THE ATHLETICISM TO MAKE A
GREAT OPEN FIELD TACKLE.
HE IS A SPECIAL GUY INSIDE.
PEOPLE START TO GO TO THE POLE
VAULT.
DON'T TAKE YOUR EYE OFF THAT
GUY.
>> Al: HE DOESN'T MAKE THAT
TACKLE, WILSON GETS AT LEAST TEN
MORE YARDS.
THIRD AND SEVEN.
BLITZ COMING.
AND WILSON IS TAKEN DOWN.
SOONER OR LATER, 99 IS GOING TO
GET YOU.
AARON DONALD.
CAME IN LIKE A RUNAWAY TRUCK.
>> Cris: SOMETIMES IT WORKS THE
OTHER WAY.
WATCH FOWLER WORK INSIDE AND
THEN DONALD SORT OF WORK OFF OF
THE PRESSURE THAT HE CREATES.
Spanish:
POR PRIMERA VEZ EN EL JUEGO
CORRE POR PRIMERA VEZ EN EL
JUEGO OBTIENE UNAS TRES YARDAS Y
SERÁ TERCER DOWN
AHORA.
>>> DÉJAME RECTIFICAR ESTA
ESTADÍSTICA POR SEGUNDA VEZ EN
EL JUEGO CORRE CON LA PELOTA .
>>> HA OBTENIDO NADA MÁS ESTAS
TRES YARDAS .
>>> Y LA OTRA JUGADA QUE OCURRÓO
NO AVANZÓ VA CON SEIS LOS RAMS Y
QUIEN ESTÁ Y LLEGÓ JCLAY MATTHES
Y POCO A POCO ES MUY INSISTENTE
English:
HE CLEARED A PATH AWAY AND GOT
THE STRIKE.
THOSE TWO GUYS PLAYING ON THE
SAME SIDE TONIGHT HAS CREATED A
LOT OF NOISE.
>> Al: DICKSON IS THE PUNTER
AGAIN.
WEB SON THE ROOKIE, HIS FIRST
RETURN OF THE SEASON.
AT THE 16 YARD LINE.
1:57 LEFT IN THE THIRD AND THE
RAMS ARE UP BY A DOZEN.
Spanish:
Y TE CAMBIA Y ES MUY FUERTE Y
ESTÁ PARADO EN DIFERENTES
POSICIONES EN LA LÍNEA DE GOLPEO
JAARON DONALD
ESTE HOMBRE SIEMPRE ESTÁ
VARIANDO LAS POSICIONES .
>>> TREMENDA JUGADA .
>>> AHORA TIENE 10 Y MEDIO EN
ESTA TEMPORADA .
>>> LA TRABA LA YARDA 17 DESDE Y
Spanish:
COMENZARÁN JNSIMBA WEBSTER
LA ATRAPA .
>>>
English:
>> Al: "SUNDAY NIGHT FOOTBALL"
IS BEING BROUGHT TO YOU BY --
EARLIER THIS WEEK IN SEATTLE,
TUESDAY, RUSSELL WILSON
SURPRISED A GROUP OF ATHLETES
WITH A SHOPPING SPREE, EACH KID
English:
$200 GIFT CARD.
A LOCAL NONPROFIT GROUP WITH A
$25,000 -- DOING TREMENDOUS WORK
AS HE HAS SINCE HE WAS A ROOKIE.
GURLEY RUSHED WITH A YARD.
>> Cris: YOU WILL SEE SEATTLE
NOW START GETTING REALLY
AGGRESSIVE AND FORCE THE HAND.
THEY'RE GOING TO START GOING
BACK TO THREE GUYS ON EACH SIDE.
BOBBY WAGNER IN THE MIDDLE.
TRY TO GET HIM ISOLATED AN
PROTECTED TO COME UP AND MAKE
SOME PLAYS JUST LIKE THAT ONE.
THEY GET THE SECOND BALL BUT
WON'T HAVE NUMBER OF SACKS FROM
ANYBODY IS THREE.
NEED SOMEBODY TO FLASH HERE.
>> Al: FLIPS THAT ONE AWAY.
OUTLET WAS GURLEY AND HE WAS
COVERED.
REED PUT THE PRESSURE ON THE
QUARTERBACK.
THIRD DOWN AND NINE.
Spanish:
(MUSICA)
UNA SOLA YARDA 69 Y HABLANDO DE
69 ESO ERAN LOS JAARON DONALD
QUE TENÍA LO QUE HA HECHO ESTE
HOMBRE EN ESTE CORTO ESPACIO DE
TIEMPO ES IMPRESIONANTE .
>>> SEGUNDO DOWN Y NUEVE .
>>> LOS RLOS ANGELES RAMS HAN
GANADO TRES DE SUS DOS JUEGOS EN
CASA .
English:
>> Cris: THAT SEEMS TO BE ONE OF
THE THINGS THAT DOES WORK.
THERE'S A GUY THAT KNOWS ABOUT
PRESSURE.
AARON DONALD.
WHEN YOU CAN GET GUYS LIKE THAT,
FREE UP THE MIDDLE, THAT'S HOW
THEY GOT THE INTERCEPTION
AGAINST JARED GOFF.
SO BIG PLAY HERE.
>> Al: YOU SEE WHERE McVAY
WRITES IT OUT IN LONG HAND ON
THE HARD?
I JUST NOTICED THAT.
SOMEBODY DOES IT FOR HIM.
THIRD DOWN AND NINE.
DEEP DOWN THE LEFT SIDELINE AND
INCOMPLETE.
FOR BRANDIN COOKS.
TRE FLOWERS WAS COVERING.
THAT'S A QUICK THREE AND OUT.
>> Cris: THEY ASK A LOT OF TRE
FLOWERS ON THE OUTSIDE.
THIS YOUNG MAN WHO USED TO BE A
SAFETY, REALLY GROWN IN THE
DIVISION BUT THAT WAS AN
Spanish:
>>> HA ESTADO MUY BIEN JARED
GOFF
Y OPTÓ POR VOTARLA .
>>> AHÍ VEMOS LAS NOTAS .
>>> TERCER DOWN
Y NUEVEVEM VVEMOS P VEMOS UNA
Spanish:
DIFÍCIL PORQUE ESTABA MUY BIEN
MARCADO .
>>> JBRANDIN COOKS
LO ESTABA MARCANDO P BRADLEY
MCDOUGALD
.
>>> AHÍ VIENE VA BUSCANDO HACIA
LA DERECHA HASTA LA 34 AVANZÓ
UNAS TRES YARDAS MÁS .
>>> PDAVID MOORE
BBUENO ESTE ESTADIO DE LOS
ÁNGELES ABRIÓ EN 1923 HA VISTO
M
MÁS DE 360 PARTIDOS DE TEMPORADA
REGULAR HA TENIDO DOS JUEGOS
OLÍMPICOS EN EL 32 Y EN EL 84 EN
EL 59 FUE LA SEDE DE LA SERIE
English:
OPPORTUNITY BY COOKS.
HIGBEE ON THE INSIDE.
SHAQUEM GRIFFIN.
SEATTLE DEFENSE GETTING THE JOB
DONE.
THEY NEED HELP ON THE OFFENSE
NOW.
>> Al: SECOND -- FROM 49 --
HEKKER.
FROM THE SIDELINE.
PUNTING FROM THE 34 YARD LINE.
THE COVERAGE IS VERY GOOD ON THE
PLAY.
STOPPED RIGHT ABOUT THERE.
HOW ABOUT THE HISTORY OF THIS
VENERABLE STADIUM OPENING IN
1923?
ALMOST 100 YEARS OLD.
360 REGULAR SEASON NFL GAMES.
SEVENTH MOST IN LEAGUE HISTORY.
SUMMER OLYMPICS.
DODGERS, WHITE SOX, FIRST SUPER
BOWL PLAYED HERE.
DON SHULA AND THE '72 DOLPHINS
COMPLETED THE PERFECT SEASON
Spanish:
MUNDIAL DEL BÉISBOL Y AQUÍ ME
IMPRESIONA ALGO SOLAMENTE DOS
SUPER BOWLES EL PRIMERO ENTRE
LAS CONFERENCIAS Y EL SUPER BOWL
QUE TÚ ESTUVISTE .
>>> EN EL QUE LA TEMPORADA
PERFECTA DE LOS MIAMI GOLDEN
1972 LE GANARON 14 A SIETE A LOS
DE WASHINGTON Y ESTE ES EL
ÚLTIMO AÑO DE LOS LOS ANGELES
RAMS EN ESTE ESTADIO.
>>> CON EL MISMO CENTRO PCHRIS
A
CARSON
DOWN
HAY PENALIDAD EN LA JUGADA .
>>> CONFERENCIA DE ÁRBITROS Y NO
HEMOS TENIDO MUCHAS PENALIDADES
HABÍAMOS COMENTADO ANTERIORMENTE
CUATRO NADA MÁS HASTA ESTE
English:
WITH A WIN HERE.
THERE'S THE FLAME.
THE OLYMPICS, OF COURSE, WILL BE
ON NBC.
IN 2028.
CHECK YOUR LOCAL LISTINGS.
>> Cris: ON NBC FOR A LISTENING
TIME.
>> Al: RIGHT.
WILSON LEADS THEM UP TO START
THIS DRIVE FROM THE 36 YARD
LINE.
NOT MUCH HAPPENING THROUGH THE
MIDDLE RIGHT THERE.
CHRIS CARSON.
FLAG IS DOWN HERE.
GET THE CALL FROM HOCHULI IN A
SECOND.
>> Referee: AFTER THE PLAY WAS
OVER, PERSONAL FOUL, UNNECESSARY
ROUGHNESS.
OFFENSE NUMBER 14.
THE PENALTY IS HALF THE
DISTANCE -- CORRECTION, THE
PENALTY IS 15 YARDS.
Spanish:
MOMENTO.
>>> UN JUEGO LIMPIO .
>>> JTROY HILL
FFUE EL QUE INICIÓ LA
CONFRONTACIÓN Y ESO ES ALGO DE
NOVATO PORQUE ESTÁN GANANDO Y NO
PUEDEN DARSE EL LUJO DE COMETER
ESTOS ERRORES TONTOS Y NOVATOS .
>>> EL FUE EL QUE LUCIÓ EM
EMPUJANDO JALEN RAMSEY Y PDK
METCALF
SABE DIOS QUE LE DIJO PORQUE SE
ESTÁ VIENDO.
>>> SEGUNDO DOWN
Y TARDAS 23 .
>>> WILSON TIENE PRESIÓN WILSON
CAPTURA ESTÁ CERCA DE LA 37 P
English:
SECOND DOWN.
>> Al: ON DK METCALF.
>> Cris: GUESS WHO HE WAS GOING
AGAINST.
JALEN RAMSEY BACK THERE.
IT WAS SORT OF TIT FOR TAT FOR A
WHILE.
I DIDN'T KNOW WHICH WAY THEY'D
CALL IT.
RAMSEY TOLD US, HEY, I'LL KEEP
TALKING TO THOSE GUYS.
IF I CAN GET THEM TO REACT, I'LL
KEEP GOING.
WHEN THEY DO THEY END UP WITH
PENALTY YARDS.
>> Al: SECOND DOWN AND 23.
ESPECIALLY WHEN YOU'RE A ROOKIE.
THROWN AND CAUGHT.
LOCKETT.
RESET IS IMPORTANCE OF THE GAME.
IF SEATTLE WIN IT IS GAME
THEY'RE IN THE PLAYOFFS.
WIN OR TIE.
YOU ARE TALKING ABOUT THE
DIFFERENCE OF A 1 SEED AND THE 5
SEED.
AND THAT'S GIGANTIC.
>> Cris: ESPECIALLY FOR SEATTLE.
UNDEFEATED ON THE ROAD, OF
English:
COURSE.
BUT HISTORICALLY WE KNOW WHAT
IT'S LIKE TO FIGURE THE PLAY
CALLS IF YOU ARE AN OPPONENT IN
THAT STADIUM AND OF COURSE NEW
ORLEANS, THE OTHER TEAM YOU
THINK ABOUT WITH THAT HUGE
ADVANTAGE.
SO WE'LL SEE.
>> Al: RAMS BY 12.
"SUNDAY NIGHT FOOTBALL" RESUNLS
AFTER THESE MESSAGES.
Spanish:
TYLER LOCKETT
LO HABÍAN SILENCIADO PRÁ
PRÁCTICAMENTE.
>>> TERCER DOWN
Y OCHO .
>>> ESTÁN HABLANDO CON LA LÍNEA
OFENSIVA DE LOS RLOS ANGELES RAS
Y ALGO INTERESANTE QUE ESECC CO
Spanish:
CHESEATTLE
EESTÁ INVICTO .
>>>
ESTA ES UNA TOMA AÉREA DEL NUEVO
ESTADIO DE LOS RLOS ANGELES RAM
QUE ES UN PROYECTO QUE TIENE
English:
SO IT WILL BE ENCLOSED BUT THE
LIGHT WILL BE ABLE TO COME IN.
AND IT MAY NOT LOOK LIKE IT'S
GOING TO BE READY BY NEXT SUMMER
BUT THE GANG PROMISE ME IT WILL
BE.
THE OWNER OF THE RAMS.
WHAT A DEAL.
THEY WILL HOST AMONG OTHER
Spanish:
HOTEL Y RESTORÁN .
>>> AQUÍ ESTA EL DUEÑO .
>>> TERCER DOWN
Y OCHO SALÉ MOVIMIENTO PJARON
BROWN
PAZ EVADIDA POR LA IZQUIERDA Y
RESBALA PJOSH GORDON
TREMENDO GOLPE QUE LE DIERON LO
TRONARON .
>>> RECUERDEN QUE COMENZÓ EL AÑO
CON LOS ATLETAS CORPULENTO UN
RECEPTOR MUY CORPULENTO SE LLEÓO
CON ÉL PJOSH GORDON
A JTROY HILL DOWN
Y OTRA VA HACIA LA IZQUIERDA Y
English:
THINGS THE SUPER BOWL THERE
FOLLOWING THE 2021 SEASON.
THE HOME OF THE RAMS.
THIRD DOWN AND EIGHT.
FALLING DOWN IS ERIC WEDDLE.
GORDON WAS THE INTENDED
RECEIVER.
IT IS FOURTH DOWN.
>> Cris: SO WELL DESIGNED HERE
BY WADE PHILLIPS TO GET THAT
PRESSURE.
THEY BRING SOMEBODY TO OCCUPY
CARSON DOWN THE MIDDLE AND
WEDDLE OFF THE EDGE.
THIS IS THAT KIND OF NIGHT
TONIGHT FOR SEATTLE.
JOSH GORDON CAN'T SEEM TO --
>> Al: DICKSON'S FIFTH PUNT.
DRIFTING OVER TO HIS LEFT.
THE FLAG IS THROWN.
English:
A CATCH AT THE 10.
SEE ABOUT THE PENALTY CALL HERE
IN A MOMENT.
THERE HAVE BEEN FOUR ACCEPTED
PENALTIES AGAINST SEATTLE
TONIGHT AND ONE AGAINST THE
RAMS.
>> Cris: THERE WAS A GOOD FIST
FIGHT GOING ON DOWN THE FIELD
THERE WITH RAMSEY AND BLAIR.
>> Referee: DURING THE KICK
HOLDING BY THE RECEIVING TEAM
NUMBER 20.
THE PENALTY IS HALF THE DISTANCE
TO THE GOAL FROM THE END OF THE
KICK FIRST DOWN.
>> Al: PLAYOFF PICTURE, SO THE
49ers AT THE MOMENT WIN TODAY.
GREEN BAY AND NEW ORLEANS HEAD
THEIR DIVISIONS.
AT THE MOMENT SEATTLE AND
MINNESOTA WOULD BE THE WILD
CARDS.
BUT THE RAMS ARE TRYING TO GET
TO 8-5.
THEY WOULD BE A GAME BACK OF
MINNESOTA AND A LOT CAN HAPPEN
BETWEEN NOW AND THEN BUT IF THE
RAMS CATCH MINNESOTA AND HAVE
THE SAME RECORD IT LOOKS LIKE
THE RAMS WOULD OWN THE
TIEBREAKER.
Spanish:
LA ATRAPA LE DIERON DURÍSIMO J
4
NSIMBA WEBSTER
SOLTÓ LA PELOTA PERO HAY UN
PAÑUELO VAMOS A VER EN CONTRA DE
QUIENES LA PENALIDAD VA HABER UN
GOLPE MUY TARDE .
>>> ESTÁN ENTRE ESTOS DOS
ENFRASCADOS .
>>> JALEN RAMSEY
Y PMARQUISE BLAIR
.
>>> ESTOS SON LOS LÍDERES DE LA
DIVISIÓN SAN FRANCISCO QUE
TIENEN ESTOS MOMENTOS MEDIO
JUEGO SOBRE LOS SEATTLE SEAHAWKS
SSI PIERDEN ENTONCES APLÁSICA
English:
>> Cris: A LOT OF PRESSURE ON
BOTH TEAMS.
A LOT MORE ON THE RAMS.
>> Al: MALCOM BROWN IS THE
RUNNING BACK.
HE GETS SWALLOWED UP BY BOBBY
WAGNER BEFORE THE LINE OF
SCRIMMAGE.
AND SLOW GETTING UP IS AL WOODS.
>> Cris: MORE AND MORE THEY'RE
ABLE TO GET BOBBY WAGNER
ISOLATED AND PROTECTED, YOU WANT
HIM TO RUN SIDELINE TO SIDELINE
AND SO GOOD AT DECIPHERING HIM.
THE BEST OF LINEBACKERS PLAY IT
JUST LIKE THEY'RE A RUNNING BACK
ON THE OTHER SIDE OF THE BALL.
SO THEY'RE NOT NECESSARILY EVEN
LOOKING FOR THE BACK.
THEY'RE LOOKING FOR THE HOLE AND
WHEN THEY SEE THE HOLE THEY RUN
TO IT BECAUSE THEY KNOW THAT'S
WHAT THE RUNNING BACK WILL SEE,
TOO.
Spanish:
TENDRÍA UN JUEGO DE VENTAJA
GREEN BAY QUE TIENE UN JUEGO DE
VENTAJA SOBRE MINNESOTA NI OR
ORLEANS QUE YA ES LÍDER .
>>> Y DALLAS HA SIDO UN FRACASO
EN LA DIVISIÓN .
>>> LE ENTREGA LA FLOTA NO ES
FÁCIL JMALCOLM BROWN
SE LES DÉ POR ENCIMA Y PAL WOOS
DT
SE LEVANTA LENTAMENTE.
>>> LO TIENEN PSHAQUILL GRIFFIN
English:
>> Al: AS SMART OF A LINEBACKER
THERE IS IN THE LEAGUE.
HARD TO BELIEVE IN A WAY THAT HE
WAS THE EIGHTH LINEBACKER CHOSEN
IN THE DRAFT.
>> Cris: THEY BET THE MONEY ON
THE SUPERSTAR OF EACH SIDE OF
THE BALL.
BOBBY WAGNER AND RUSSELL WILSON
ON THE OFFENSIVE SIDE.
>> Al: OFF THE FAKE.
ROLLING OUT.
THROWING, CAUGHT.
HIGBEE.
TO THE 39 YARD LINE AND WAGNER
ALL THE WAY DOWN FIELD TO STOP
HIM THERE.
TYLER HIGBEE COMES UP HUGE HERE
FOR A GAIN OF 32.
>> Cris: HE WILL ACT LIKE HE
BLOCKS AND THEN COME BACK OUT
VERY LATE BECAUSE YOU GOT THE
CROSSER TO GO INTO THAT SEAM AND
MORE AND MORE TEAMS NOW ARE
DOING THIS.
THEY'RE HAVING SOMEBODY THAT
JUST SORT OF STAYS INSIDE AND
EVERYBODY MOVES ACROSS WITH THE
QUARTERBACK.
>> Al: SEVEN RECEPTIONS FOR 116.
A BIG GAME IN ARIZONA LAST WEEK.
Spanish:
LO ATRAPAN PBOBBY WAGNER
AÑOS CONSECUTIVOS HACIENDO MÁS
DE 100 TACOS .
>>> TIENE MÁS DE 1000.
>>> HAY QUE TENER UNA SALUD Y
EVITAR LESIONARTE PARA HACER
ESOS TACOS .
>>> UN TREMENDO JUGADOR .
>>> PBOBBY WAGNER
VA PASAR POR LA DERECHA LANZA EL
PASE LO TIENE JTYLER HIGBEE
LA LLEVA A LA YARDA 37 DEBE
ESTAR SOBRE LAS ENVIADAS SINO
LAS SOBREPASÓ .
>>> MUY BIEN DISEÑADA LA JUGADA
UNA VEZ MÁS SE SUELTA VENDE LA
MENTIRA DE QUE VA A BLOQUEAR Y
SE CONVIERTEN UN RECEPTOR Y COMO
TODO EL MUNDO SE CONCENTRA EN LA
JUGADA LO DEJA SOLO A ÉL EN EL
Spanish:
MEDIO.
>>> 116 ESTA NOCHE HA CAPTURADO
SIETE PACES JTYLER HIGBEE
.
>>> AVANZA UNA SIETE YARDAS
APROXIMADAMENTE TERCERA VEZ QUE
CORRE CON EL BALÓN ESTA NOCHE J
JOSH REYNOLDS
MIREN LOS RECEPTORES DE LOS RLO
ANGELES RAMS
SON TAMBIÉN EXCELENTES
CORREDORES CON EL BALÓN COMO SI
FUERAN LAS LIBRES DE LA LIGA .
>>> PASE QUE CAPTURA ESTÁ SOLO
J
JROBERT WOODS
Y SE CAYÓ.
>>> PRIMER DOWN
Y MUCHÍSIMO MÁS .
>>> MUY ASTUTO SE CAE PERO SE
LEVANTA MIRA LO QUE SUCEDE .
English:
HERE WE GO AGAIN WITH JOSH
REYNOLDS.
THIS IS THE THIRD TIME THAT PLAY
IS WORKING SUCCESSFULLY.
A GAIN OF EIGHT HERE.
GRIFFIN MAKES A TACKLE.
>> Cris: THE RAMS WIDE RECEIVERS
HAVE THE MOST CARRIES IN THE
NATIONAL FOOTBALL LEAGUE THIS
YORE AND ONE OF THE REASONS THAT
McVAY KEEPS THE WIDE RECEIVERS.
LOOK HOW TIGHT THE FORMATION IS.
NOT ONLY ATTACK WITH REVERSES
BUT ATTACK ACROSS THE FIELD.
>> Al: WIDE OPEN.
ROBERT WOODS.
HE GETS UP AND TAKES THE BALL TO
THE 35 YARD LINE.
MAMMOTH FIRST QUARTER.
AND GOOD FIRST HALF.
PICKS UP A SEVENTH CATCH.
>> Cris: THESE LINEBACKERS REACT
BECAUSE THERE'S SOMEBODY THAT
RUNS UNDERNEATH THEM.
WAGNER REACTS TO WOODS THERE.
Spanish:
>>> SE OLVIDAN Y ELLOS ESPERAN A
VER SI VA A PASAR O VA A CORRER
O QUE VA HACER.
>>> JARED GOFF
English:
MUNDT SHOWED UP AND JUMPED THAT
AND THEN WOODS WIDE OPEN BEHIND
HIM.
>> Al: THERE'S CODY BARTON
GETTING THE START BECAUSE
KENDRICKS IS HURT.
WE'LL STEP AWAY FOR A MOMENT.
Spanish:
SE CAE HACIA ATRÁS PIERDE EL
BALANCE AQUÍ ESTÁ ATENDIENDO AL
NOVATO DE YUIUUTAH
(MUSICA)
(MÚSICA(
(MÚSICA(
(MÚSICA(
EN 1999 TREMENDO CON REBAG Y
B
TRABAJABA COMO EN LOS
English:
>> Al: "SUNDAY NIGHT FOOTBALL"
BROUGHT TO YOU BY --
20th ANNIVERSARY OF THE GREATEST
SHOW ON TURF.
RECORD BREAKING RAMS OFFENSIVE
1999.
WEPT ON TO BEAT THE TITANS.
KURT WARNER.
DICK VERMEIL.
SUPER BOWL ENDED AT THE ONE YARD
LINE AND A TACKLE.
THAT WAS THE REMAKE OF THE --
COULDN'T GET IT IN.
MEANWHILE YOU HAVE ROBERT WOODS
HERE.
English:
THERE HE GOES AGAIN.
TO THE 20 YARD LINE.
16-YARD RUN.
>> Cris: WATCH THE BALL HANDLING
HERE AS YOU SEE GOFF HAND IT OFF
BUT THEN CONTINUE ON WITH THE
FAKE DRAWING THE LINEBACKERS
THAT WAY SO THIS REVERSE AND ONE
FORM OF ANOTHER TONIGHT HAD A
HUGE IMPACT ON THE GAME.
>> Al: RIGHT BACK IN THERE.
GOFF HAS THROWN 293 YARDS.
>> Cris: SEE IF THEY GO OFF
TACKLE.
>> Al: INSTEAD THEY RUN.
SAME BASIC PLAY.
AND WOODS SETS UP A FIRST AND
GOAL AT THE SIX-YARD LINE.
SO REYNOLDS CARRIED THREE TIMES
TONIGHT AND WOODS WIDE RECEIVER
TWICE TONIGHT.
>> Cris: THEY REDUCE DOWN AND
BRING EVERYBODY INSIDE AND SO
GOFF YOU SAW HIM TAP THE HELMET
AS IF TO SAY, ALL RIGHT, WE
Spanish:
SUPERMERCADO .
>>> AHÍ SE LA ENTREGAN A JROBER
WOODS
COMO TÚ LO HAS INDICADO NÚMERO
UNO LOS RLOS ANGELES RAMS UT
UTILIZANDO A LOS RECEPTORES COMO
CORREDORES .
>>> SON MUY BUENOS .
>>> ESTA VERSATILIDAD QUE LE DAN
A LA OFENSIVA ES LO QUE LE HA
HECHO A LOS RLOS ANGELES RAMS
ÚNICOS Y ESPECIAL.
>>> UN SOLO CORREDOR OTRA VEZ
1
JROBERT WOODS
CON LA PELOTA LA LLEVA HASTA LA
YARDA SIETE .
>>> SIEMPRE COMO EL TRAGAR TÚ LE
DICE ESTÁ QUE LA VOY A CAMBIAR
Spanish:
DEJA QUE ELLOS LA DESQUITEN Y TE
DETENGAN DEFENSIVAMENTE QUE BUEN
BLOQUEO .
>>> Y ESTOS LO QUE ESTÁ HACIENDO
ESTA LÍNEA FUNCIONANDO MUY BIEN
EN EL BLOQUEO .
>>> SE VAN POR EL LADO IZQUIERDO
Y JROBERT WOODS
LE DERECHO.
>>> CASI CINCO YARDAS .
>>> SE LA ENTREGAN AHORA A J3
JTODD GURLEY II
Y ES TOUCH DOWN
POR AQUÍ ENTRO AL OTRO ESTÁ
English:
WON'T GO IN THERE.
ALMOST ALL TEAMS CALL TWO PLAYS
AT THE LINE OF SCRIMMAGE AND
THAT WAS A NICE PLAY ON THE PART
OF GOFF.
>> Al: GURLEY BACK IN.
THIS DRIVE STARTED AT THE RAMS
FIVE YARD LINE.
GURLEY SWINGS TO THE OUTSIDE.
STIFF ARM INTO THE END ZONE HE
GOES TO THE TOUCHDOWN!
50 TDs IN THE LAST 3 YEARS.
PUT HIS HAND ON TRE FLOWERS AND
SAID GET OUT OF HERE.
95-YARD, 7 PLAYS.
>> Cris: FLOWERS WILL GET A
FACIAL ON THAT ONE.
THAT WAS AN UGLY ONE, TOO.
PLAYING AGAINST GURLEY YOU HAVE
TO KNOW STIFF ARM IS COMING SO
YOU HAVE TO KNOCK THAT HAND DOWN
OR GO STRAIGHT FOR THE KNEES.
English:
IF YOU OPT FOR PLAN "C," YOU'LL
GET EMBARRASSED.
>> Al: SEAHAWKS UNABLE TO
CAPITALIZE ON A COUPLE OF
TURNOVERS, AN OPPORTUNITY AND
THE RAMS THEN SAY WE'LL GO 95.
11:07 LEFT IN REGULATION.
L.A. UP 28-9.
Spanish:
NOCHES DOS TOUCH DOWN
LO HIZO TAMBIÉN EN OCTUBRE
CUANDO VIAJÓ A LO SEATTLE
ANOTO 2 TOUCH DOWN
.
>>> EL PUNTO ES BUENO JTODD
English:
>> Al: THIS WEEKEND NFL PLAYERS
ARE WEARING THE HEARTS ON THEIR
FEET IN SUPPORT OF PERSONAL
CAUSES FOR MY CAUSE MY CLEATS.
VISIT NFL.COM MY CAUSE MY CLEATS
TO LEARN MORE ABOUT THE CAUSES
THAT THE PLAYERS ARE SUPPORTING.
LEARN HOW TO VOLUNTEER FOR THE
Spanish:
GURLEY II
76 YARDAS CORRIDAS A ESTA NOCHE.
>>>
(MUSICA)
English:
CAUSE.
AT THE 25.
WE GO TO MICHELE.
>> Michele: ROBERT WOODS' CLEATS
BEAR THE NAME OF HIS SISTER
OLIVIA FOR MAKE A WISH
FOUNDATION.
MAKE A WISH GRANTED HER A $5,000
SHOPPING SPREE.
ROBERT SAID A STRETCH LI
LIMOUSINE TOOK THEM SHOPPING AND
REMEMBERS OLIVIA BEING EXCITED
TO BUY A FIRST LAPTOP AND BOUGHT
EVERYONE ELSE A GIFT, TOO, AL.
SOUNDS LIKE SHE WAS A GIFT, AS
WELL.
>> Al: I BET.
THAT'S A GREAT CAUSE AND WE SEE
A LOT OF THOSE KIDS WHO COME
AROUND TO GAMES FROM TIME TO
TIME.
GIVE THEM A THRILL.
>> Cris: THE NFL IS GREAT, TOO.
BREAK DOWN THE HUDDLE AND THE
TEAM WITH PRACTICE AND ALL THE
DIFFERENT THINGS.
PRETTY AWESOME.
>> Al: CHRIS CARSON, A FIVE-YARD
GAIN.
ON THAT RECEPTION.
Spanish:
QUE INTERESANTE LAS ZAPATILLAS
MI CAUSA MUY ORIGINAL .
>>> AHÍ VIENE LA PATADA DE GREG
ZUERLEIN
LE PEGÓ CON TODO COMIENZAN EN LA
YARDA 25 SI NO ME EQUIVOCO NO SE
HA RETORNADO NI UNA SOLA PATADA
ESTA NOCHE ESTÁ JROBERT WOODS
AHÍ ESTÁ LA ZAPATILLA DE JROBER
WOODS
SU HERMANA MURIÓ DE CÁNCER.
>>>MAKE A WISH ES UNA OBLIGACIÓN
QUE LLEVA MUCHOS AÑOS
CONCEDIENDO LOS DESEOS DE
PERSONAS QUE MUCHOS DE ELLOS
ESTÁN TERMINALES .
English:
SEATTLE HAS TO COME UP WITHOUT A
HUDDLE AND GET IT GOING.
NO OFFENSIVE TOUCHDOWN TONIGHT
FOR THEM.
CARSON TAKES IT UP TO THE 34
YARD LINE.
>> Cris: COMING INTO THIS DRIVE
RAMS 433 YARDS TONIGHT.
SEAHAWKS 188.
WE HAVE NOT SEEN THE MAGIC
TONIGHT FROM RUSSELL WILSON THAT
WE HAVE SEEN SO MANY OTHER
NIGHTS WITH THE SCRAMBLE, THROW
IT DEEP.
WE HAVEN'T SEEN IT.
>> Al: THIRD AND ONE.
ABLE TO PIROUETTE THE WAY FOR A
THREE-YARD GAIN AND A FIRST
DOWN.
>> Cris: AL, I THINK THIS RAMS
DEFENSE IN PARTICULAR FOR WADE
PHILLIPS, THEIR SECONDARY, IS
MUCH MORE THE WAY THAT PHILLIPS
WANTS TO PLAY.
MUCH MORE MAN COVERAGE.
MUCH MORE IN YOUR FACE.
>> Al: WILSON FIRES AND LOCKETT.
INTO L.A. TERRITORY.
FOR A FIRST DOWN THERE.
AT THE 44 YARD LINE AND A PICKUP
OF 19 YARDS.
Spanish:
>>> PASE CORTO POR EL CENTRO
AVANZA CASI CINCO YARDAS EN ESTA
JUGADA PCHRIS CARSON
>>> VA A COMPLETAR 16 DE 24 SE
LA ENTREGAN PCHRIS CARSON
SE QUEDA CORTO POR UNA YARDA .
>>> NO ENTIENDO .
>>> Y SI DE VERDAD ESTÁ BUSCANDO
GANAR ESTE JUEGO NO ESTÁ MAL
PERO TIENES QUE APRESURARTE .
>>> AHORA EL RELOJ ESTO ENEMIGO
MUÉVETE.
>>> TERCER DOWN
OOTRA VEZ PCHRIS CARSON
TIENES QUE CANTAR LA JUGADA LA
M
MISMA LÍNEA DE IMPACTO .
>>>PCHRIS CARSON
CON 71 YARDAS CORRIDA .
>>> PASE POR EL CENTRO ESTÁ
COMPLETAMENTE SOLO PTYLER LOCKET
Spanish:
LA CAPTURA EN EL TERRITORIO DE
LOS RLOS ANGELES RAMS
NNO LES PUEDEN QUITAR EL PIE DEL
ACELERADOR A LOS RLOS ANGELES
RAMS
VA HACIA ATRÁS TIENE PRESIÓN
TITUBEA Y ESTÁ EL QSAQUE
EL SEGUNDO DE ESTA NOCHE DE EL
NIGERIANO VIENE DE LA
UNIVERSIDAD DE WASHINGTON JSAMSN
EBUKAM
VVA HACIA ATRÁS SEGUNDO DOWN
Y LO QUE EL PADRE EN LA LÍNEA DE
English:
>> Cris: WHAT THEY NEED IS ZONE
DEFENSE AND NICE JOB BY WILSON.
READING IT AN FINDING IT.
THEY'RE STAYING IN THE ZONE SO
MORE OPPORTUNITIES.
>> Al: WILSON.
STARTS TO BREAK DOWN AND DOWN HE
GOES.
A BIG PLAY HERE.
AN EASTERN WASHINGTON GUY COMING
BACK TO HAUNT THE TEAM FROM
WASHINGTON.
>> Cris: GOOD PLAY HERE.
AS MUCH A COVERAGE BACK SNAP AS
ANYTHING ELSE.
THERE'S NOTHING THERE DOWN
FIELD.
EVERYBODY KNOWS THAT HE LIKES TO
ESCAPE OUT THE BACK OF THE
POCKET.
>> Al: EBUKAM WITH TWO SACKS AND
DONALD WITH THAT DEFLECTED PASS.
THIRD AND 22.
>> Cris: I TELL YOU.
NOBODY DEVELOPS PASS RUSHERS
LIKE WADE PHILLIPS DOES.
English:
NOBODY PLAYS ON THE INTERIOR
LIKE AARON DONALD DOES.
BACK TO BACK DEFENSIVE PLAYERS
OF THE YEAR AND HE MAY GET THREE
IN A ROW.
J.J.
>> Al: WHITWORTH GETTING THE
CROWD INTO IT.
THIRD AND 22.
HERE COMES DONALD AGAIN BUT THEY
RIDE HIM OUT OF THE PLAY AND
WILSON THROWS DEEP DOWN FIELD
AND IT IS GOING TO BE A CATCH.
BY DK MET CALF WITH RAMSEY RIGHT
THERE AND WEDDLE, AS WELL.
ON A THIRD DOWN AND 22.
>> Cris: RAMSEY'S GOING TO TRY
TO MAKE A BIG PLAY HERE.
SEES THE OUT CUT.
JUMP IT AND GO TO THE
INTERCEPTION AND JUST GET UP THE
BOUNDARY.
THAT'S A MAGIC THEY NEEDED RIGHT
THERE.
>> Al: 35 YARDS.
Spanish:
IMPACTO .
>>> JAARON DONALD
TERCER DOWN Y 22 .
>>> EN REALIDAD TORCIDAS LOS
NÚMEROS DE WILSON Y NO SON
TERRIBLES .
>>> TERCER DOWN
Y MUCHAS YARDAS 22 .
>>> VA COMPRESIÓN LANZA EL PASE
LARGO POR LA IZQUIERDA Y LA
ATRAPÓ PDK METCALF
EL TRES Y ESO ERA TODO LO QUE
NECESITABA UNA JUGADA DE ESTA
ÍNDOLE .
>>> VIENE EN EL ESPACIO QUE LE
DAN DE CASI 10 YARDAS .
>>> QUE BÁRBARO SE GIRA Y
Spanish:
CAPTURA CUATRO PARA 63 YARDAS .
>>> PDK METCALF
.
>>> SERÁ SEGUNDO EN EL TERRENO
DE JUEGO ESTÁ FUERA.
>>> NECESITABAN 22 DE RESTA Y
O
CONSIGUIERON 35 .
>>> CINCO PASES PARA 69 YARDAS
J1NSIMBA
VIENE CON TODO IZQUIERDA CORRE
CON LA PELOTA Y SE QUEDA UN POCO
CORTO VAMOS A VER QUÉ DICE EL
ÁRBITRO .
>>> RUSSELL WILSON
CCOMO SE ESCAPÓ VISTE COMO SE
RATO COMPLETAMENTE HASTA
>>> UN CORE BAG QUE NO ES DE LO
English:
AND NOW METCALF AGAIN TACKLED
INBOUNDS THERE BY RAMSEY.
SO THEY NEEDED 22 AND GOT 35.
TO AT LEAST KEEP THEM BREATHING.
SECOND AND SEVEN.
WILSON.
IN TRAFFIC.
ESCAPE.
FINALLY RUN OUT AND CLOSE TO
PICKING UP THE FIRST DOWN.
SO RUSSELL WILSON JOSTLED.
ALMOST SACKED AS HE HAS BEEN A
MILLION TIMES IN THE CAREER AND
GETS AWAY WITH IT.
>> Cris: LITTLETON COMING ON A
BLITZ HERE AND GETS A HAND ON
WILSON BUT AS WE HAVE LEARNED SO
MANY TIMES IN THE PAST THAT IS
NOT ENOUGH BUT THE OTHER THING
IT DOES WHEN HE STARTS
SCRAMBLING, DEFENSIVE LINE MEN
GET TIRED.
Spanish:
MÁS ALTOS DE LA LIGA .
>>> FUE GRABADO PORQUE EL CENTRO
DE GRAVEDAD ES OTRO.
>>> Y ES EL PRIMER DOWN
>>> TERCERA VEZ QUE CORRE CON LA
PELOTA .
>>> AHORA TIENE 10 YARDAS
CORRIDAS ESTA NOCHE.
>>> TITUBEA SE ABRE POR LA
DERECHA PASE A LA ESQUINA
DERECHA LA ATRAPÓ PJACOB
HOLLISTER
PENALIDAD PARECE QUE ESTABA
FUERA DEL TERRENO DE JUEGO.
>>> VAMOS A VER DE QUÉ SE TRATA
LA INFRACCIÓN.
>>> ESTA ES UN PRIMER AÑO CON
7
PMIKE IUPATI J
English:
THAT TAKES A LOT OF WORK TO
CHASE HIM FOR FIVE SECONDS.
>> Al: TENTH PLAY OF THE DRIVE.
WILSON.
ESCAPING AGAIN.
A FLAG IS DOWN AND THAT IS JACOB
HOLLISTER BUT IT'S ALL ABOUT THE
PENALTY NOW.
HOLLISTER IN THE BACK CORNER OF
THE END ZONE.
>> Referee: HOLING, OFFENSE
NUMBER 70.
TEN-YARD PENALTY.
REPLAY FIRST DOWN.
>> Al: TEN-YEAR VETERAN MIKE
IUPATI.
>> Cris: ANOTHER ONE OF THE
LOOPS.
IUPATI HERE.
SEE THE HOLD.
WHEN THE LOOP COMES AROUND
TOWARD HIM, GETS A LITTLE INSIDE
Spanish:
CON LOS CARDENALES TAMBIÉN
ESTUVO 15 CON LOS SAN FRANCISCO
.
>>> MOVIMIENTO ILEGAL .
>>> FUE EN CONTRA.
>>> QUE ES DE PADRES NIGERIANOS
PBEN BURR-KIRVEN
HIJO DE NIGERIANOSHAY MUCHAS
English:
EDGE AND ABLE TO GET THE
STRAIGHTFORWARD PATH.
IUPATI JUST GRABBED.
>> Al: AARON DONALD IN THE GRAB.
FIRST DOWN AND 20 NOW.
OH MAN.
SO OF COURSE IT'S IUPATI TO
CONTEND IT WAS THE RAMS WHO CAME
FIRST.
>> Referee: FALSE START.
OFFENSE NUMBER 65.
FIVE-YARD PENALTY.
STILL FIRST DOWN.
>> Al: YOU HAVE A HOLD.
YOU HAVE A FALSE START.
AND MAKES IT FIRST DOWN AND 25.
>> Cris: NO DOUBT THAT FOWLER
MOVES.
WHETHER HE CROSSED THE LINE OF
SCRIMMAGE OR NOT WOULD BE THE
QUESTION.
>> Al: SIX PENALTIES TONIGHT.
ON THE SEAHAWKS.
TWO AGAINST THE RAMS.
>> Cris: YOU COULD MAKE A CASE
Spanish:
NIGERIANOS EN LA NFL.
>>> PRIMERDOWN
Y 25 YARDAS.
>>> EN FORMACIÓN PASE DURO POR
EL CENTRO PJACOB HOLLISTER
HASTA LA YARDA 16 .
>>> SIGUE CAMINANDO EL RELOJ .
>>> AHORA VAN A TRATAR DE
AVANZAR.
>>> AHÍ VA.
>>> SEGUNDO ROUND Y 15 NO LA
PUDO ATRAPAR.
>>> CUATRO JUGADORES DEFENSIVOS
ENCIMA DEL.
English:
OF WHO INITIATED IT.
>> Al: FIRST AND 25.
WILSON UP THE MIDDLE.
HOLLISTER THE TIGHT END.
TAKEN DOWN BY RAPP.
PICKS UP TEN.
SECOND AND 15.
HALFWAY THROUGH THE FOURTH
QUARTER.
WILSON IN THE END ZONE.
COVERAGE THERE.
INCOMPLETE.
INTENDED FOR HOLLISTER.
FOUR BLUE SHIRTS AROUND HIM.
THIRD DOWN AND 15.
>> Cris: HOWARD LEADS THIS TEAM
IN SPECIAL TEAM TACKLES AND
TREMENDOUS COVERAGE DOWN THE
FIELD.
THEY HAVE BEEN THROUGH INSIDE
LINEBACKERS.
LITTLETON THIS YEAR.
STICKING THAT HAND BETWEEN THE
HANDS OF HOLLISTER IS HOW YOU
English:
WANT TO PLAY THAT.
>> Al: THIRD AND 15.
FOUR WIDE HERE.
HOLLISTER COMES INSIDE.
WILSON FIRES.
TOO HIGH.
INCOMPLETE.
TURNER.
IT HAD COVERAGE ON THE PLAY.
FROM TROY HILL AND IT'S FOURTH
DOWN AND 15.
>> Cris: YOU KNOW, THAT'S A PLAY
THEY SHOULD HAVE HIT.
IT REALLY WAS.
TURNER JUST DIDN'T GET HIS HEAD
AROUND IN TIME.
I THOUGHT WILSON THREW A PRETTY
GOOD BALL.
THIS IS A STRICTLY TIMING THROW
HERE.
WILSON GETS RID OF IT QUICKLY
AND NEEDS TO SNAP THAT HEAD
AROUND.
>> Al: WILL GO FOR THREE BECAUSE
THE FIELD GOAL IF THEY MAKE IT
AT LEAST MAKES IT A
TWO-POSSESSION GAME.
16 POINTS.
THIS KICK IS JUST INSIDE THE
LEFT UPRIGHT FROM 34 AWAY.
IT IS 28-12.
SEVEN MINUTES TO GO.
Spanish:
>>> ESTABA PJACOB HOLLISTER
CONTRA JTRAVIN HOWARD
METIÓ LA MANO.
>>> TERCER ROUND Y 15 .
>>> UNA HABÍA.
>>> TIENE LA PELOTA RUSSELL
WILSON
PASE DURO IBA EN BUSCA DE PMALI
TURNER
QUE HACES PARTE O TE ACERCAS.
>>> TODAVÍA ES MUY TEMPRANO.
>>> YA TIENE UNO DE 39 YARDAS
HOY JASON MYERS
NO MUY LARGO .
>>> NO ESTABA PENDIENTE NO
ESTABA AHÍ.
>>> ESTE ES DE 34 .
Spanish:
>>> ACORTANDO DISTANCIA SEATTLE
SEAHAWKS
Spanish:
LOS RLOS ANGELES RAMS GANAN 28
12 .
>>>
(MUSICA)
PARTIDAZO EL PRÓXIMO DOMINGO LOS
BÚFALO CONTRA LOS STEELS
EN ESTOS MOMENTOS ESTÁN EN LOS
PLAYOFFS PERO NO ESTÁN ASE
ASEGURADOS .
>>> COMO ESTÁN LAS COSAS ES
DECIR EN ES UN JUEGO DE SUMA
English:
>> Al: NEXT SUNDAY NIGHT WE GO
TO THE BURGH.
DON'T FORGET SUNDAY NIGHT.
LOG ON FOR THE SPORTS PREDICTOR
APP.
MIKE TOMLIN DID A FANTASTIC JOB
WITH THE STEELERS.
>> Cris: SECOND APPEARANCE FOR
DUCK.
>> Al: AGAINST THE CHARGERS.
SOCAL IN WEEK SIX.
THREE YARD LINE.
HENDERSON.
SPUN AROUND AND KNOCKED DOWN AT
THE 17 YARD LINE.
English:
>> Cris: LET'S TAKE A LOOK AT
THE NEXT GEN STATS AND WHAT HAS
BEEN THE STORY PRETTY GOOD
INSIDE THE POCKET.
RIGHT?
WE HAVE SEEN GOFF MAKE SOME
PLAYS.
TWO INTERCEPTIONS.
OUTSIDE THE POCKET HE IS
MASTERFUL.
REALLY WON DID GAME.
HE DID LAST WEEK, AS WELL.
SO GETTING HIM ON THE MOVE
CERTAINLY UPGRADED HIS
PERFORMANCE AND YOU CAN SEE THE
CONFIDENCE, ESPECIALLY COMING
OUT TONIGHT WAS SKY HIGH AFTER
THAT GAME LAST WEEK.
>> Al: THE RAMS PROBABLY TRYING
TO TAKE A LITTLE TIME OFF THE
CLOCK.
ON THE GROUND.
SO PARTNER, CALLING YOU PARTNER
TO DEVELOP A TEXAS TWANG.
THE RAMS NEXT WEEK ARE IN
DALLAS.
NOT THAT ANYTHING IS GOING ON IN
DALLAS.
RIGHT?
>> Cris: RIGHT.
Spanish:
IMPORTANCIA .
>>> LA PATADA Y LA CAPTURA A LA
YARDA CUATRO LE DAN DURO Y LA
LLEGA HASTA LA YARDA 16 JARED
GOFF
FUERA DEL ÁREA DE PROTECCIÓN DE
134 YARDAS Y UN TOUCH DOWN
ES MUY LETAL .
>>> ES UN PELIGRO CUANDO SE SALE
.
English:
>> Al: GOING TO BE CRAZY.
>> Cris: IT IS AND WE REALLY
HAVE A TEAM WITH A LITTLE BIT OF
AN UPTICK RIGHT NOW WITH THE
RAMS.
IT'S EASY TO SAY THAT ABOUT THE
OFFENSE BUT IN MY OPINION WHAT
CHANGED THE MOST ARE THE CHANGES
IN THE SECONDARY HAS MADE THIS A
MUCH MORE COMPLETE DEFENSE AND
IF YOU PAY ATTENTION TO
SOMETHING WITH THE RAMS PAY
ATTENTION TO WHAT THEY HAVE DONE
ON DEFENSE TONIGHT.
SIX POINTS ALLOWED SO FAR.
>> Al: SECOND DOWN AND NINE.
GURLEY.
WE TALKED ABOUT IT A COUPLE OF
TIMES IN THE EARLIER PART OF THE
GAME ABOUT SO OFTEN THE RAMS
DEFENSE IS TREMENDOUS AND THEN
THEY HAVE THE TWO CRAZY CLUNKERS
AGAINST TAMPA BAY AND BALTIMORE.
BOTH HERE.
WADE PHILLIPS WHO'S SEEN IT ALL.
>> Cris: HE HAS INDEED.
GREAT SUPER BOWL PERFORMANCE
Spanish:
>>> PRIMER AL ATAQUE AVANZA UNA
SOLA YARDA AHORA TIENE 77 JTODD
GURLEY II
AHORA ES LO QUE VAN A TRABAJAR
QUE ES EL RELOJ A TRATAR DE
CORRER Y CORRER .
>>> LA PRÓXIMA SEMANA LOS
SEATTLE SEAHAWKS
VISITAR A CAROLINA DESPUÉS
RECIBEN LA VISITA DE ARIZONA Y
RECIBEN EN EL ÚLTIMO JUEGO DE LA
TEMPORADA A SAN FRANCISCO QUE
DEBE SER UN PARTIDAZO .
>>> POR LA DIMENSIÓN Y MIENTRAS
MÁS TIEMPO VA PASANDO Y LOS
EQUIPOS VAN EN GRAN ANO Y SE VAN
RECONOCIENDO LAS QUÍMICAS EL
EQUIPO ES MÁS CONCENTRADO Y
MUCHO MEJOR.
>>> AHÍ VA LO FRENADO EN SECO
3
English:
AGAINST NEW ENGLAND.
DIDN'T HAVE THE DAY THEY WERE
HOPING FOR.
DEVELOPING TAYLOR RAPP.
THAT IS GOOD DEFENSE AND A
BETTER SECONDARY THAN WHAT THEY
WERE.
>> Al: THIRD AND NINE.
THEY'LL WHISTLE THE PLAY CLOCK
WAS ALL THE WAY DOWN.
>> Referee: BEFORE THE SNAP,
TIMEOUT.
LOS ANGELES.
THEIR FIRST.
30-SECOND TIMEOUT.
>> Al: THAT RAM "D" FEAST OR
FAMINE.
GAMES ALLOWING 13 OR FEWER AND
ON THE WAY TO ANOTHER ONE
TONIGHT IF THEY HOLD THEM
WITHOUT A POINT.
35 OR MORE, 2.
WINSTON LIT THEM UP AND THEN
LAMAR JACKSON CAME TO TOWN.
FIRST TIME 35 OR MORE IN
MULTIPLE HOME GAMES.
IT IS ONE WAY OR THE OTHER.
Spanish:
JTODD GURLEY II
TRES
NU
TERCERO Y NUEVE .
>>> SE DETIENE LA JUGADA .
>>> TIEMPO FUERA.
Spanish:
>>> LOS RLOS ANGELES RAMS 2 VECS
45 PUNTOS O MAS
TERCERA VUELTA Y NUEVE .
>>> ESTOS SON LOS CORE BAG JTRO
HILL
SIGA MIRANDO EL RELOJ DE LA
JUGADA VA POR NUEVE SEGUNDOS VA
POR LA DERECHA JTODD GURLEY II
HASTA LA 20 .
>>> QUE INTELIGENTE LOS RLOS
ANGELES RAMS COMO SIGUEN E
EXPRIMIENDO EL RELOJ .
>>> ESTA NAVIDAD POR MÁS DE DOS
English:
>> Cris: SEASON HIGH SIX SACKS
LAST WEEK, FOUR TONIGHT.
THE BETTER COVERAGE ALLOWING
MORE TIME.
GETTING MORE PRESSURED.
AND THAT'S BEEN THE FORMULA OVER
THE YEARS.
>> Al: THIRD DOWN AND NINE.
GURLEY.
SEATTLE NEEDED TO GET THEM ON A
THREE AND OUT AND THEY DID.
WILL GET THE BALL BACK AND THE
CLOCK RUNS DOWN TO ABOUT FIVE
MINUTES TO GO IN REGULATION.
>> Cris: WE HAVE SEEN SO MANY
GAMES OF RUSSELL WILSON.
YOU KNOW?
WHERE YOU KIND OF GO, WOW.
THERE'S SEVEN OR EIGHT WOW PLAYS
IN THE COURSE OF THE GAME.
WE HAVE SEEN A COUPLE BUT NOT
LIKE WE HAVE SEEN IN THE PAST.
HE'S BEEN GREAT THIS YEAR.
HE AND LAMAR JACKSON BY FAR THE
TWO FRONT-RUNNERS FOR MVP RIGHT
NOW.
>> Cris: PACE SLOWED A LITTLE
English:
BIT FOR RUSSELL THE LAST THREE
GAMES.
>> Al: HEKKER.
THE BALL IS OUT!
CHASING IT ARE THE SEAHAWKS AND
GOING TO GET THERE FIRST.
4:30 TO GO IN THE FOURTH.
Spanish:
TOUCH DOWN
..
>>> SERÍAN 16 PUNTOS AHÍ VIENE
J
JOHNNY HEKKER
SE LE CAYÓ LA PELOTA Y LA TIENE
LA RECUPERA JMIKE THOMAS
.
>>> Y LE PEGAN AL NOVATO DE
Spanish:
OREGÓN PDAVID MOORE
.
>>>
(MUSICA)
English:
>> Al: IN THE NFC WEST, SAN
FRANCISCO 11-2.
SEATTLE CAN COME FROM BEHIND.
THE RAMS GO TO 8-5.
AND THE RAMS WOULD STILL BE OUT
OF A WILD CARD POSITION BUT ONLY
Spanish:
PERFECTO LUEGO DE SU VICTORIA DE
HOY ESTÁ ARRIBA DE SEATTLE
SEAHAWKS
SI CAEN VAN AL SEGUNDO LUGAR E
T
ESTÁN ELLOS EN PRIMERO PORQUE YA
LE GANARON A SAN FRANCISCO .
>>> AHORA QUE EN EL SEGUNDO
LUGAR AHÍ ESTÁ LO PERSIGUEN
CORRE POR LA PELOTA Y SE DEJA
CAER RUSSELL WILSON
LLUEGO DE AVANZAR UNA YARDA .
>>> EL RESTO DE EL CALENDARIO
PARA LOS SEATTLE SEAHAWKS
MIREN COMO ESTÁN .
>>> EL 17 EN SAN FRANCISCO .
>>> AHÍ ESTÁ RUSSELL WILSON
OTRA VEZ Y BOTA LA PELOTA .
English:
A GAME BEHIND MINNESOTA.
AND A BIG DISPARITY OF WINNING
THE DIVISION AND FINISHING
SECOND.
THE 1 OR THE 5.
OF COURSE THE 1 THE ROAD GOES
THROUGH YOUR PLACE.
5 AND YOU ARE PLAYING A WILD
CARD GAME ON THE ROAD.
WILSON.
TO THE 20 YARD LINE.
REMAINING SCHEDULE, SO THE 49ers
GO HOME NEXT WEEK AGAINST
ATLANTA.
HEAVILY FAVORED.
RAMS ON A SATURDAY WEEK 16 AND
THEN WEEK 17 HOW ABOUT THAT ONE?
AT SEATTLE.
SEAHAWKS CAROLINA NEXT WEEK AND
THEN HOME AGAINST ARIZONA AND
SAN FRANCISCO TO DECIDE A WHOLE
BUNCH.
SECOND AND NINE.
WILSON FORCED TO THROW IT AWAY.
THE RAMS DEFENSE IS STILL DOING
A STELLAR JOB.
RUSHED TONIGHT 20 OF 31.
213 YARDS.
English:
>> Cris: INTERESTING THING OF
THAT FINAL WEEK IS AS LONG AS
SEATTLE IS WITHIN ONE GAME
BECAUSE THEY BEAT SAN FRANCISCO
EARLIER A WIN AT HOME MEANS THEY
WIN THE DIVISION.
>> Al: THEY WOULD HAVE THE
TIEBREAK IN THE HEAD TO HEAD.
THIRD AND NINE.
WILSON.
DOWN HE GOES AGAIN.
THAT RAM DEFENSE ALL NIGHT LONG.
AARON DONALD IS THERE.
WHAT ELSE IS NEW?
AND SO IS DONTE FOWLER.
>> Cris: MEETING AT THE
QUARTERBACK THERE.
FOWLER COMING OFF THE EDGE AND
DONALD WORKING INSIDE.
AND THIS IS NOT WHAT THE
SEAHAWKS ARE.
THEY ARE NOT A PASS PROTECTION
FIRST TEAM SO WHEN THEY'RE
PLAYING FROM BEHIND THEY WILL
STRUGGLE.
THEY JUST ARE.
Spanish:
>>> LO HAN AHOGADO POR COMPLETO.
>>> ES LA TERCERA MEJOR OFENSIVA
DE LA LIGA .
>>> HAY MUCHAS OFENSIVAS QUE HAN
COMENZADO TENER PROBLEMAS.
>>> CAYERON DE MANERA QUE ESTÁ
JUGANDO ÚLTIMAMENTE LA PENA NO
SOLO MISMOS COMO CUANDO
COMENZARON LA TEMPORADA .
>>> TERCERA NUEVE
>>> SE COLOCA A LA DERECHA DE
WILSON COMPRESIÓN Y AHÍ ESTA EL
QUINTO .
>>> LLEGÓ SEGUNDO SAQUE EN EL
JUEGO DE ESTA NOCHE YA TIENE NO
English:
THIS IS ONE OF THOSE NIGHTS.
THEY'RE USED TO CONTROLLING THE
GAME WITH THEIR RUNNING GAME.
AND WHEN THEY GET IN DROP BACK
MODE IT IS A PROBLEM.
>> Al: YOU TALK ABOUT THE GAME
WON UP FRONT.
THAT RAM DEFENSE AGAINST THE
SEATTLE OFFENSIVE LINE.
MEANWHILE, WILSON NOW WITH A
FLAG DOWN HERE.
HE WAS LINING UP TO GO FOR IT ON
FOURTH AND TWO.
>> Referee: THE QUARTERBACK
CALLS TIMEOUT.
IT IS A 30-SECOND TIMEOUT.
>> Al: NO SACKS TONIGHT OF GOFF.
SO GO BACK TO THAT RAM OFFENSIVE
LINE WE TALKED ABOUT.
PLAYING TWO ROOKIES ON THE RIGHT
SIDE.
A THIRD ROUND PICK.
THEY HAVE REALLY GOTTEN IT
TOGETHER.
>> Cris: AGREED.
CORBETT IS A BIGGER GUY OUT OF
CLEVELAND.
THERE'S BIG ANDREW WHITWORTH ON
THE SIDE.
Spanish:
Y MEDIO EN ESTA TEMPORADA JDANT
FOWLER JR.
NO ERA BUENA PROTECCIÓN ES UN
TIPO QUE ESTA NOCHE HAN JUGADO
COMO MUCHO FUEGO EN EL ESTÓMAGO
.
>>> DESDE QUE ARRANCÓ EL JUEGO.
>>> Y ESTÁN POR ENCIMA DE LOS
S
SEATTLE SEAHAWKS
354 RESTA DE ESTE JUEGO.
>>> SE VAN A TIEMPO FUERA.
>>> SE LES ACABA EL TIEMPO PARA
REALIZAR LA JUGADA ES LO QUE LE
RESTA DEL PARTIDO .
>>> QUE BUENA ACTUACIÓN
DEFENSIVA DE LOS RLOS ANGELES
RAMS QUE ENTRARON AL JUEGO DE
CÓMO LA NÚMERO 12 IMAGINO QUE
Spanish:
VAN A SUBIR UN POCO DESPUÉS DE
LAS ESTADÍSTICAS DE ESTA NOCHE.
>>> PERO HAN AHOGADO .
>>> AQUÍ ESTÁ EL VETERANO JANDRW
WHITWORTH
ESTUVO 11 AÑOS EN CINCINNATI
LLEVA A TRES CON LOS RLOS ANGELS
RAMS
.
>>> HA HECHO MUY BUEN TRABAJO.
>>> AL ATAQUE LOS SEATTLE S
SEAHAWKS
CUARTA VUELTA Y 18 .
>>> TIENE LA PELOTA WILSON HACE
DURO POR EL CENTRO Y LA ATRAPA
English:
HE IS A PHYSICAL PLAYER.
MAYBE THE UNSUNG PART OF THIS
THING IS BLYTHE IN THERE AT
CENTER.
SOLOMON WAS SUCH A SMART GUY AT
THE CENTER POSITION AND NOW
AUSTIN BLYTHE HAS PROVEN TO BE
MUCH BETTER AT CENTER AND
COORDINATING THAT OFFENSIVE LINE
SO IT'S STARTING TO FIT NOW.
>> Al: AUSTIN CORBETT.
TWO AUSTINS ALONG THAT FRONT TO
GO WITH THE ROOKIES AND
WHITWORTH WHO TURNS 38 IN A
COUPLE OF DAYS.
FOURTH AND 18.
LAST CHANCE SALOON RIGHT HERE.
AND IT IS GOING TO BE CAUGHT.
BY JOSH GORDON.
UP AT THE 34 YARD LINE.
GORDON MAKES HIS SECOND CATCH OF
THE NIGHT.
>> Cris: THAT WAS A ROCKET FROM
RUSSELL WILSON RIGHT THERE.
WHAT A THROW.
English:
>> Al: PATIENCE STILL HAS A
LITTLE BIT OF LIFE HERE.
41 YARD LINE BY DK METCALF.
2:30.
SEATTLE HAS TWO TIMEOUTS PLUS
THE TWO-MINUTE WARNING.
SIXTH DRAFT TONIGHT.
SECOND AND ONE.
WILSON STEPPING OUT.
LOOK OUT.
INCOMPLETE.
ON THE OUTSIDE.
GORDON THERE, AS WELL.
THIRD DOWN AND.
>> Cris: SOME POINT IN THE
PLAYOFFS THE PASSING GAME WILL
BE IN A POSITION SOMETHING LIKE
THIS.
AND I THINK THEY'RE GOING TO
CONTINUE TO GET BETTER.
GORDON WILL LEARN MORE ABOUT THE
OFFENSE.
METCALF WILL GET BETTER.
BUT IT BETTER HAPPEN FAST.
>> Al: CERTAINLY HASN'T HAPPENED
Spanish:
EN LA YARDA 34 P34
P
PJOSH GORDON
PASE POR IZQUIERDA Y LA ATRAPA
P
PDK METCALF
SEGUNDA VUELTA .
>>> TIENE LA PELOTA WILSON
SEGUNDA VUELTA Y UNA YARDA LA
VOTÓ .
>>> SE HUBIESE CORRIDO CON LA
PELOTA PROBABLEMENTE HUBIESE
TENIDO EL PRIMERO .
>>> TERCERA VUELTA Y UNA YARDA.
English:
TONIGHT.
THIRD DOWN AND ONE.
>> Referee: TIMEOUT, LOS
ANGELES.
THEIR SECOND.
30-SECOND TIMEOUT.
>> Al: RAMS TAKE A TIMEOUT HERE.
FRIDAY NIGHT ALL-TIME TEAM,
CHRIS AND BILL BELICHICK ON THAT
SHOW WITH RICH EISEN.
ROD WOODSON IS HERE DOING THE
GAME ON RADIO.
STELLAR ARRAY.
FRIDAY NIGHT COMING UP, TIGHT
ENDS AND THE OFFENSIVE LINE.
CRIS SWORN TO SECRECY.
CAN'T PRY IT OUT OF HIM.
THIRD DOWN AND ONE NOW.
AFTER THE RAMS TIMEOUT.
Spanish:
>>> AHÍ ESTÁ PJOSH GORDON
RECEPTORES CORPULENTOS .
>>> LOS RLOS ANGELES RAMS PIDEN
TIEMPO .
>>> QUEDA UNO NADA MÁS .
>>> NO CREO QUE LE DE MUCHO USO
HOY.
>>> LA LISTA DE LOS DEFENSAS DE
TODOS LOS TIEMPOS .
>>> ET DOWN REED
CRISTIANSEEN
QUE LINDO.
>>> CUANTOS AÑOS CUANTAS HORAS.
>>> DE SACRIFICIO DE
ENTRENAMIENTO .
>>> DE DELEITAR A LOS FANÁTICOS
English:
LOOKING FOR THAT FIRST DOWN.
THEY GET IT HERE.
CARSON.
AND WILSON WILL TRY TO -- WELL,
FOR THE MOMENT IT WAS GOING TO
HUSTLE THEM UP TO GET A PLAY OFF
BUT HE CAN'T.
SO WE COME TO THE TWO-MINUTE
WARNING IN LOS ANGELES WITH THE
RAMS ON TOP BY A SCORE OF 28-12.
ALL RIGHT.
LET'S GET CAUGHT UP ON THE
THINGS THAT HAPPENED WEEK 14
AROUND THE NATIONAL FOOTBALL
LEAGUE.
LAMAR JACKSON, SECOND QB IN NFL
HISTORY WITH 1,000 RUSHING YARDS
IN A NFL SEASON.
THE RAVENS KNOCK OFF THE BILLS.
IN WHAT MAY HAVE BEEN THE GAME
OF THE YEAR.
GEORGE KITTLE'S PLAY IN THE
FOURTH QUARTER WAS OFF THE
CHARTS.
MATT LA FOUR.
GREEN BAY, TANNEHILL TO TURN THE
TITANS AROUND.
Spanish:
.
>>> DE BRINDAR GRANDES MOMENTOS
DE EMOCIÓN .
>>> POR EL CENTRO AHÍ VA PCHRIS
CARSON
TIENE LA PRIMERA VUELTA .
>>> LLEVA 80 YARDAS CORRIENDO
CON EL BALÓN.
>>> ESTE FUE UN PARTIDO HASTA
ÚLTIMA HORA SAN FRANCISCO CONTRA
NEW ORLEANS 48 A 46 .
>>> EL PRIMER TÉCNICO DE LOS
Spanish:
PACKERS EN GANAR SU PRIMERA
TEMPORADA Y QUIEN IBA DECIR ESO
VAYAN
RYAN TANEHILL
NO SOTO LE ENVIAMOS LA MEJOR DE
LAS HORDAS .
>>> JACKSON CORRE PARA MÍ YARDAS
EN UNA TEMPORADA .
>>> ES EL QUE MÁS YARDAS HA
CORRIDO EN LA HISTORIAS DE LA
F
NFL
.
>>> PRIMERA VUELTA Y 10 WILSON
PASE CORTO PARA LA DERECHA Y LA
ATRAPA Y SALE POR EL LADO
DERECHO PJARON BROWN
English:
6-1.
ON TOP AND TIED WITH THE TEXANS
WHO LOST AT DENVER TODAY.
WE'LL LOOK AHEAD TO NEXT WEEK'S
BILLS/STEELERS ON "SUNDAY NIGHT
FOOTBALL."
APART FROM THAT, NOT MUCH GOING
ON.
>> Cris: WILL BE A GREAT FINISH
TO THE SEASON.
THERE ARE SO MANY THINGS STILL
IN PLAY.
>> Al: MEANWHILE, THIS GAME IS
STILL IN PLAY.
TWO-POSSESSION GAME IF.
SEATTLE HAS THE BALL FIRST DOWN
AT THE 47 YARD LINE.
DUMPED OFF.
CAUGHT BY JARRAN BROWN.
MAKES HIS FIRST CATCH OF THE
NIGHT.
RAMS WERE OFFSIDE.
HOCHULI GOING OVER TO SEE WHAT
PETE CARROLL WANTS TO DO HERE.
Spanish:
PASE NÚMERO DICES QUE CAPTURA
ESTE AÑO HAY PENALIDAD EN LA
JUGADA.
>>> MUY INTELIGENTE PREFIEREN
BUSCAR LA JUGADA .
>>> ES LA TERCERA PENALIDAD DE
LOS RLOS ANGELES RAMS ESTA NOCH.
>>> LOS SEATTLE SEAHAWKS
TIENEN SEIS .
>>> MIRA LA DIFERENCIA EN LO QUE
COMO EN EL PRIMER JUEGO EN ESTA
TEMPORADA CONTRA LOS RLOS ANGELS
RAMS
ESTA NOCHE.
>>> CINCO .
>>> INCREÍBLE.
English:
>> Referee: OFFSIDE.
DEFENSE NUMBER 45.
SEATTLE HAS ACCEPTED THIS
PENALTY.
REPLAY FIRST DOWN.
>> Al: RUSS WILSON IN WEEK FIVE,
CRAZY GAME UP AT CENTURYLINK.
NEAR PERFECT PASSER RATING.
TONIGHT NO TDs.
AND THE SEAHAWKS WITH ONLY
TOUCHDOWN IS A PICK SIX.
FIRST DOWN AND FIVE.
WILSON.
NOW THROWS ON THE RUN AND A
LITTLE TOO FAR.
ACROSS THE LINE?
IT WAS VERY CLOSE.
English:
AND THE HAWKS ARE COMING BACK.
>> Referee: HOLDING, OFFENSE
NUMBER 78.
THE TEN-YARD PENALTY.
STILL FIRST DOWN.
>> Al: D.J. FLUKER.
>> Cris: FLUKER HANGING IN
THERE.
BUT AS ALWAYS, WHEN WILSON TAKES
OFF, TENDENCY TO GO, OH, I HAVE
TO GRAB THAT GUY AND OBVIOUSLY
SEE THAT A LOT.
DON'T FORGET THIS OFFENSIVE LINE
PLAYING WITHOUT JUSTIN.
>> Al: FIRST DOWN AND 15.
FROM THE 42 YARD LINE.
WILSON ESCAPES.
ON THE RUN.
RUN FOR FIRST DOWN AND TAKEN
DOWN FROM BEHIND BY MORGAN FOX.
Spanish:
>>> PASE WILSON A PCHRIS CARSON
HAY PENALIDAD OTRA VEZ EN ESTA
JUGADA .
>>> UNO A UNO ESTÁ.
>>> CONTRA PJADEVEOPJADEMICHAELS
PRIMER Y 15 .
>>> CORRE CON LA PELOTA WILSON
TIENE EL PRIMER DOWN
Y FINALMENTE LO DERRIBA JMORGAN
Spanish:
FOX
CON EL TACO HAY PENALIDAD OTRA
VEZ.
>>> JPDAVID MOORE
SUJETANDO.
>>> TRES YARDAS HACIA ATRÁS.
>>> A JALEN RAMSEY
English:
AND ANOTHER PENALTY FLAG.
BACK DOWN TO THE 28 YARD LINE.
SO BEYOND WHERE THE PLAY ENDED.
>> Referee: HOLDING, OFFENSE
NUMBER 83.
TEN-YARD PENALTY.
REPLAY FIRST DOWN.
>> Al: THAT'S DAVID MOORE.
SO THERE GOES THAT GAIN.
>> Cris: RIGHT AT THE END OF THE
PLAY IT WAS JUST AN
INSIGNIFICANT HOLD.
YOU WILL SEE HIM TURN UP.
TRY TO MAKE A BLOCK.
AND TAKE AWAY A FIRST DOWN.
ONCE YOU GET OUTSIDE THE
SHOULDERS, IN THIS LEAGUE THE
ONE THING THEY CALL EVERY TIME
IF THEY SEE THAT JERSEY PULLED
IN THE SLIGHTEST AMOUNT THAT IS
JUSTIFICATION.
THEY DON'T HAVE TO EXPLAIN AT
THAT POINT.
>> Al: FIRST DOWN AND EIGHT.
FROM THE 49 YARD LINE.
WILSON.
English:
LOOKING DEEP DOWN FIELD AND
LAUNCHES ONE AND IT WILL BE
PICKED OFF BY TROY HILL!
TROY HILL.
THEY'RE GOING TO LEAVE HIM DOWN
IN THE END ZONE.
SO THE REST OF THIS IS JUST
WINDOW DRESSING AS HE MADE THE
PICK DOWN IN THE END ZONE AND
THAT SHOULD WRITE A FINISH TO
THIS POINT.
>> Cris: I TALKED ABOUT IT IN
THE COURSE OF THE NIGHT TONIGHT
BUT TROY HILL IS ARGUABLY THE
BEST DEFENSIVE BACK AND MAYBE
THE BEST COVER GUY THEY HAVE.
I KNOW RAMSEY AND 66 RATING
AGAINST TROY HILL THAT HAS BEEN
A HUGE BIT OF PLAY CONSIDERING
THEY LET MARCUS PETERS GO, AQIB
TALIB AND ALL DEPENDENT ON TROY
HILL BEING ABLE TO PLAY AND HE
HAS.
HE'S BEEN GREAT.
>> Al: MADE THE MOST OF HIS
OPPORTUNITY.
Spanish:
PRIMERA VUELTA Y OCHO .
>>> TODO EL TIEMPO DE EL MUNDO
PASE LARGO ATENTO Y LA
INTERCEPTÓ JTROY HILL
LA ESTÁ RETORNANDO YA FINALIZA
LA JUGADA ES LA SEGUNDA
INTERCEPCIÓN DE LA TEMPORADA Y
PARA WILSON ESO LO LA QUINTA .
>>> SE LLEVÓ EL PARTIDO DE ESTA
NOCHE CON 21 PASES SI NO ME
EQUIVOCO ERAN CUATRO IN
INTERCEPCIONES .
>>> 26 .
>>> FUE LO PROFUNDO DEL JARDÍN
CENTRAL PTYLER LOCKETT
AHÍ ESTABA JTROY HILL
QUE LA INTERCEPTA .
Spanish:
>>> ESTO HA SIDO TODO POR HOY.
>>> NO HAY DUDA ALGUNA DE QUE NO
FUE LA NOCHE DE WILSON .
>>> LE HICIERON UN GRAN PLAN DE
JUEGO DE LOS RLOS ANGELES RAMS
.
>>> CON TODO EL ÉXITO QUE HA
TENIDO TIENE SOLO RECORDÉ DOS Y
SEIS DERROTAS .
>>> AQUÍ ESTA EL TRÍO DES 116
YARDAS EN CADA UNA DE SUS
COMPETENCIAS DEL CONJUNTO DE LOS
English:
BEEN AROUND FAR WHILE.
HE'S BEEN HERE BUT MAINLY IN THE
SECONDARY ROLE.
FIFTH YEAR NOW OUT OF OREGON.
SEAHAWKS TO STOP THE CLOCK
TWICE.
BROWN.
UP TO THE 22 YARD LINE.
RAMS TONIGHT THREE GUYS IN
TRIPLE FIGURES.
FIRST TRIO WITH 100 SCRIMMAGE
YARDS EACH IN CONSECUTIVE YARDS
SINCE 2000.
SO THEY DID GET IT TOGETHER LAST
WEEK AND KEPT IT GOING THIS
WEEK.
>> Cris: I'M JUST -- I KNOW YOU
HEARD ME TALKING ABOUT TYLER
HIGBEE ENOUGH THIS WEEK BUT I
REALLY THINK HIS INSERTION IN
THE LINEUP HAS GIVEN THEM AN
Spanish:
RLOS ANGELES RAMS
>>> SEGUNDA VUELTA Y OCHO .
>>> MUY BUENA ACTUACIÓN 30 JOHN
PASES DOS INTERCEPCIONES .
>>> A LOS ÁNGELES LE QUEDA UN
SOLO TIEMPO FUERA.
>>> HA TENIDO UN PARTIDAZO JTYLR
HIGBEE
EL MEJOR HABÍA SIDO 107 YARDAS
ENCIENDE PASES ESTA NOCHE TIENE
SIETE PASES PARA 116 YARDAS .
>>> ES DECIR QUE SUPERÓ EL
RÉCORD PERSONAL .
>>> Y ESO COMO TU BIEN SEÑALES
AFECTA PORQUE QUEDÓ DE CAER
English:
EDGE, CERTAINLY IN THE RUN GAME
AND HIS BLOCKING BUT HE
CONTINUES TO MAKE PLAYS IN THE
PASSING GAME NOW, TOO.
>> Al: BROWN.
YOU THINK A TIGHT END MAKES A
DIFFERENCE?
GEORGE KITTLE PLAY TODAY.
>> Cris: YOU CAN'T GET OVER THAT
ONE.
>> Al: PLAY OF THE YEAR.
IT TURNED -- IN EFFECT WON THE
GAME BUT DOWN THE FIELD AND A
GUY PULLING THE FACE MASK FOR
FIVE, SIX, SEVEN YARDS IS
ASTONISHING.
>> Cris: HE IS A FEISTY
CHARACTER AND A GREAT PLAYER.
BEST TIGHT END IN FOOTBALL RIGHT
NOW.
FOR PETE CARROLL, YOU KNOW,
TALKING TO PETE, THE GREAT
PASSION IN HIS LIFE IS DEFENSE
AND RUNNING THE FOOTBALL.
AND TONIGHT THAT JUST DIDN'T
HAPPEN.
THE DEFENSE WAS OKAY.
PASS RUSH NOT THERE AGAIN.
RUNNING THE FOOTBALL NOT ABLE TO
Spanish:
CÓMODOS PASES.
>>> TERCERA VUELTA Y SIETE .
>>> A CORRER SE HA DICHO.
>>> AHÍ VA POR LA DERECHA TIENE
EL PRIMER DOWN
PASA DE LA YARDA 40 LA 41 PRIMER
DOWN
Y AHORA SI LES QUEDA UN SOLO
TIEMPO FUERA A LOS RLOS ANGELES
RAMS
>>> YA VAN A DEJAR QUE FINALICE
EL PARTIDO LOS RAMOS ESTÁN VIVOS
ESTE EQUIPO DE LOS SEATTLE
SEAHAWKS
CAE A DÍAS Y A TRES .
>>> TIENE VIVAS LAS ESPERANZAS
DE ENTRAR CON ESE RÉCORD A NO
SER DE QUE HAYA UNA DEBACLE EN
LOS ÚLTIMOS TRES JUEGOS.
>>> LOS ÚLTIMOS SEGUNDOS DEL
PARTIDO LOS RLOS ANGELES RAMS
English:
CARRY THIS TEAM TONIGHT.
>> Al: TAKE A GOOD CHUNK OF THE
CLOCK AWAY HERE.
OFFICIAL FINISH OF THIS ONE.
BROWN GETS UP TO THE 40.
THE SEAHAWKS WILL LOSE FOR THE
FIRST TIME ON THE ROAD THIS
SEASON.
THEY WERE THE LAST OF THE --
IT'S SO IRONIC, A TEAM WITH SUCH
A HUGE THROUGH THE YEARS HOME
FIELD ADVANTAGE CENTURYLINK,
UNBEATEN ON THE ROAD AND TWO
LOSSES UNTIL TONIGHT AT HOME.
>> Cris: YOU WANT TO WEIGH IN ON
THE DEBATE OF A LATE SEASON LOSS
TO BE A POSITIVE FOR A TEAM.
>> Al: ALL RIGHT.
TELL ME.
>> Cris: I THINK THERE IS
SOMETHING TO THAT.
A LOT OF TIMES YOU WENT A LOT OF
GAMES IN A ROW AND EASY TO GLOSS
OVER MISTAKES BUT THIS TEAM HAS
TO FACE SOME REALITIES AFTER
THIS GAME TONIGHT.
>> Al: NO QUESTION.
WHO WOULD HAVE THOUGHT THAT
SEATTLE OFFENSE WOULD BE HELD
WITHOUT A TOUCHDOWN TONIGHT?
McVAY.
WILSON.
English:
PETE CARROLL.
GREAT RESPECT.
BETWEEN THOSE TWO GUYS.
GOT TO KNOW EACH OTHER WELL AT
THE OWNER'S MEETINGS AND FOR
JARED GOFF WHO WAS KIND OF IN
THE CROSS HAIRS HERE IN L.A. A
COUPLE OF WEEKS AGO, THE BIG
CONTRACT AND WHAT'S HE GOING TO
BE?
LAST TWO WEEKS PRETTY GOOD.
BETTER THAN PRETTY GOOD.
YOU WERE NEXT, POSTGAME REPORT
AFTER THESE MESSAGES FROM YOUR
LOCAL NBC STATION.
Spanish:
DERROTAN A LOS SEATTLE SEAHAWKS
28 x 12 .
>>> PRIMER LUGAR SAN FRANCISCO
SEGUNDO SEATTLE CON SIETE ATRÁS
.
>>> Y EL ÚLTIMO ARIZONA QUE
TIENE 39 Y EL ÚLTIMO EMPATE .
>>> AMIGOS LE ESTAMOS LAS
GRACIAS POR HABERNOS ACOMPAÑADO
EN NOMBRE DE REMY GIRALDO Y R
U
RECUERDEN NOS REENCONTRAMOS EL
PRÓXIMO DOMINGO NO SE LO PIERDA
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In 1973, the U.S. Supreme Court
legalized abortion nationwide.
The decision is called Roe vs Wade, and
those who defend it are known as RoeBots.
This is how they think...
*Robot Voice*
First off, this assumes that
once abortion is illegal,
every woman with an unplanned pregnancy
will place her baby for adoption.
That is clearly not true given that even
the most unwanted pregnancies
do not automatically
produce unwanted babies.
In fact, it may very well be that a high
percentage of all pregnancies are unplanned
and a significant number of
them are even unwanted.
But we also know that only a small
percentage of the babies produced
by those pregnancies are
placed for adoption.
Second, this argument also assumes
that the people on waiting lists to
adopt would only adopt one child.
But the truth is, if the number of adoptable
babies increased, the cost of adoption would
plummet and make it possible for the people
on waiting lists to adopt more than one.
And you can bet that the vast majority of
them would jump at that opportunity.
Also, the reduced cost of
adoption would dramatically
increase the number of lower and middle
income families who could afford to adopt.
As it stands right now,
most of these people know that they
cannot possibly come up with the
tens of thousands of dollars it takes to adopt
a baby - so they don’t even get in the system.
But that doesn’t mean they wouldn’t make
good parents if given the chance.
Other factors that increase the pool
of potential adoptive parents
is the growing problem of
infertility and the fact that
there is now less stigma attached to
single parent adoptions than in the past.
The bottom line is, you need to
remember that every single time
you hear someone from the
abortion lobby attack adoption,
what you are really hearing is
someone trying to conceal the fact
that every baby they butcher and toss in a
dumpster is very much wanted by someone.
Thanks for watching!
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German:
Was sind Gamechanger?
Zuallererst mal: Menschen.
Und da dürft Ihr an Namen denken wie Sheryl Sandberg, Travis Kalanick,
Brian Chesky, Ida Tin, oder Elon Musk.
Was haben diese Menschen gemeinsam?
Ganz einfach:
Eine große Vision.
Und diese Vision ist bei diesen Menschen so stark,
dass Sie alles dafür tun, sie Wirklichkeit werden zu lassen.
Und dann gehen Sie sehr tatkräftig zur Sache
und revolutionieren ganze Märkte,
drehen Geschäftsmodelle auf den Kopf
und dabei wird es ziemlich ungemütlich für alle die,
die es sich gerade gemütlich gemacht hatten.
Eben in diesen Märkten und Industrien.
Was machen diese Leute, die ich gerade genannt habe?
Ihr kennt es eigentlich alles:
Travis Kallenyk hat Uber erfunden,
Brian Chesky hat uns Airbnb gebracht,
Sheryl Sandberg ist das Geschäftsgehirn hinter Facebook,
Ida Tin revolutioniert die europäische Fem-Tec Branche,
ja und Elon Musk, genau,
English:
What is a Gamechanger?
First of all: They are people.
You may think about names such as Sheryl Sandberg, Travis Kalanick,
Brian Chesky, Ida Tin, or Elon Musk.
But what do these people have in common?
It’s simple:
A great vision.
And this vision is so great
that they do everything they can to turn this vision into reality.
And then they get down to business,
revolutionizing entire markets,
disrupting other’s business models
and putting all those in trouble,
who just made themselves comfortable.
Throughout these markets and industries.
But what do these people do that I have just named?
You probably know it all already:
Travis Kallenyk has founded Uber,
Brian Chesky brought us Airbnb,
Sheryl Sandberg is the brain behind Facebook,
Ida Tin has revolutionized the European Fem-Tec industry,
well and Elon Musk,
German:
Was sind Gamechanger?
Zuallererst mal: Menschen.
Und da dürft Ihr an Namen denken wie Sheryl Sandberg, Travis Kalanick,
Brian Chesky, Ida Tin, oder Elon Musk.
Was haben diese Menschen gemeinsam?
Ganz einfach:
Eine große Vision.
Und diese Vision ist bei diesen Menschen so stark,
dass Sie alles dafür tun, sie Wirklichkeit werden zu lassen.
Und dann gehen Sie sehr tatkräftig zur Sache
und revolutionieren ganze Märkte,
drehen Geschäftsmodelle auf den Kopf
und dabei wird es ziemlich ungemütlich für alle die,
die es sich gerade gemütlich gemacht hatten.
Eben in diesen Märkten und Industrien.
Was machen diese Leute, die ich gerade genannt habe?
Ihr kennt es eigentlich alles:
Travis Kallenyk hat Uber erfunden,
Brian Chesky hat uns Airbnb gebracht,
Sheryl Sandberg ist das Geschäftsgehirn hinter Facebook,
Ida Tin revolutioniert die europäische Fem-Tec Branche,
ja und Elon Musk, genau,
German:
dass ist der mit den E-Autos, den Raketen, u.s.w..
Sind das alles nur Segnungen?
Wird das die rosafarbene neue Welt?
Wer weiß das?
Aber vielleicht wollen wir es rausfinden? Zusammen?
English:
he’s the guy with the e-cars, rockets, etc…
Are these just blessings?
Is this going to be the perfect new world?
Who knows?
But maybe we want to find out? Together?
German:
dass ist der mit den E-Autos, den Raketen, u.s.w..
Sind das alles nur Segnungen?
Wird das die rosafarbene neue Welt?
Wer weiß das?
Aber vielleicht wollen wir es rausfinden? Zusammen?
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hi everyone. let's just put this up.
Hi everyone Michael Lanfield here thank you for
joining me today's topic is a little bit
different it's on politics and just to
let you know that I don't know much
about politics in fact I don't even
really know what politics is is
basically a bunch of goons in costume
that enslave us and politicians that's
all they are here to enslave us here to
make our lives more miserable and keep
us in fear and let me tell you something
every politician except for the rare few
but virtually all politicians and all
political parties and again there might
be the odd political party that's
different and better than the rest but
essentially they're all the same and
they all have to follow a set of
guidelines and really if the okay if
these core value of the culture is
violence the core value of our meals
means enslaving and killing others and
raping others and seeing them as
property and food if the core value is
that and we are instigating that and
we're putting our money towards
enslavement and towards the use and
towards the killing of other animals
then what do you think our politics will
be like what do you think our politics
will be like because everyone virtually
everyone is consuming animal products so
what do you think that does to our
landscape of the politics and the
presidents and the all the people in
power what does that do to them now they
may not directly kill
animals but they support the theft and
the killing of animals with their
purchases so if the core value is of our
society of our culture now I'm talking
about world culture Brazil the same
basically bar core value is not
compassion and kindness and love for all
the creatures that shared us earth with
us then how is the politics going to
change for the better I mean yeah I
might change here and there slightly and
each each party is slightly different
and slightly but essentially they're all
the same they're all part of the hurting
culture and we live we grow up we're
part of this hurting culture and the
hurting culture is essentially seeing
other beings as property as food and as
things to be used seeing the earth as
just something we can go in and do
whatever we want with it and until we
start to realize nothing I mean I still
we start to realize that that we live in
a hurting culture that everything
evolved ZAR brown herding animals all of
our problems evolved around hurting
animals or at least it's a direct
correlation to hurting hurting animals
seeing animals property and food and so
forth nothing will get better
very very little - nothing will get
better in politics in in the fight for
bringing justice into this world because
if we don't have justice for other
beings and the earth we don't have
justice amongst humans that's just how
it is that just how it works and so
politics absolutely politics is
something that you need not even put
worry about need not even think about
need not even talk about what we need to
do is we need to address the root cause
of our problems which is hurting animals
and stop doing that stop seeing other
beings as property stop eating the
daring stop eating the honey stop eating
the flesh of animals stop eating the
eggs all these product
that are full of extreme violence and
suffering for other beings and it comes
on back to us as suffering and disease
and as lowliness in the depression and
as all these sickness related issues and
we're never going to solve anything
we're never going to solve the real
problems of this world if we continue
being blind with blinders on and being
narrow-minded and thinking like oh I
finally liked another president that's
going to solve the problem if I get rid
of this guy it's gonna solve the problem
so we got rid of Hitler
what did not solve explain explain what
did that solve we got rid of Hitler and
we got rid of other other dickheads
button in politics what did that do it
did absolutely nothing because the core
value is still around herding animals
still revile in stores other beings and
until we change that completely and
totally change our culture as it is
nothing will get better absolutely
nothing will get better so think about
that no matter what political party you
stand for no matter what stickers you
put on your car you are not doing
anything unless you go vegan and
veganism is justice justice for all the
beings on this earth there's no excuse
for animal ingredients there's no excuse
for animal abuse there's no excuse for
stealing from someone there's no excuse
for any event we need to do what's right
look into our hearts our intuition is
right there we have kindness compassion
waken up to the truth because if we
don't awaken within the next 10-15 years
if we don't all become vegan we are
doomed to failure
we are very seriously doomed to failure
10 to 15 years scientists predict and I
don't really much follow science but
science and all these experts predict
within 10 to 15 years maybe 20 years we
won't survive will be continued on
we're going and we need to eradicate
completely all violence eradicate
completely all violence on this earth
meaning stop using animals stop seeing
animals as property when we stop seeing
other beings as property we don't see
humans as property we don't see we don't
want to buy things that are slave made
we don't want to cause Wars and create
all this devastation to the environment
we want to create peace because once
we're compassionate towards all life why
would he wanna harm any life it just
doesn't make any sense why would we want
to harm when we don't want to harm but
when people are supporting animal slave
Minh and Buse and killing then of course
there's going to be Wars and there's
gonna be devastation and there's gonna
be famine and there's gonna be political
issues and economic issues and
enslavement and so forth so think about
it really think about it please if you
want to learn more about this I will
send you my books for free for anyone
who can't afford them I'm serious and if
you can't afford my books my Kindle
version or big print version please do
get it on Amazon and please write an
Amazon review because once you write an
Amazon review the ranking goes up people
are able to find it more easily and it's
accessible on you know there's the UH
Amazon algorithms and the more reviews
the more shares and the more people
buying a book it becomes number one on
Amazon and then millions of people
understand is these issues and they will
eventually live in the Garden of Eden
don't think that humans cannot change we
can we can evolve for the better look at
women have the right to vote women have
almost equal rights to men there's a
LGBTQ movement that are getting more and
more recognized in having more rights so
many issues out there like like
people issues and Asian issues and all
these issues that Oh once we enslave
them and now we really don't enslave
them so things are changing slowly
slowly because more and more people are
going vegan is actually the assault by
many
it's the fastest growing social justice
movement in the world so that's all I
want to say everyone please like this
video share it around with all your
family and friends you liked it and
don't forget to subscribe to the YouTube
channel and fourthly or thirdly or
whatever number it is subscribe to my
newsletter because I love you and you
love me and you love free things in your
email right so that's it everyone I love
you all give you a big hug everyone
because we're all family on this earth
and we all need to love one another or
we need to stop the wars and we need to
also stop this video because it's going
on too long take care everyone love you
all
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English:
hi hi
thanks you for watching this video.
don't forget to subscribe and like this video.
which has been subcribe. just like and share videos
to be useful for others. Thanks.
press and hold on the word in the previous search history.
Click the 'remove' button if you want to delete.
do it this way if you want to delete just one search. you can also delete all search history at once on YouTube.
by clicking on the 'library' menu
in the lower right corner.
then click 'history' menu.
then follow the steps in the video.
Indonesian:
hi. hi.
terima kasih sudah menonton video ini.
jangan lupa subscribe dan like video ini.
yang sudah subcribe. cukup like dan share video
agar bermanfaat untuk yang lain. Terima Kasih.
tekan dan tahan pada kata di histori pencarian sebelumnya.
klik tombol 'remove' jika kalian ingin menghapus.
lakukan cara ini jika kalian ingin menghapus salah satu pencarian saja.
kalian juga bisa menghapus sekaligus semua histori pencarian di youtbe.
dengan cara klik menu 'library'
yang ada di pojok kanan bawah.
kemudian klik menu 'history'.
selanjutnya ikuti langkah-langkah yang ada di dalam video.
English:
select 'Clear watch history'
if you want to clear the entire video history that you have seen or watched.
select 'Clear search history'
if you want to clear the entire video search history
what you've been doing all this time.
watch history successfully deleted.
video search history has also been successfully deleted.
Indonesian:
pilih 'Clear watch history'
jika kalian ingin menghapus seluruh histori video
yang telah kalian lihat atau nonton.
pilih 'Clear search history'
jika kalian ingin menghapus seluruh histori pencarian video
yang selama ini kalian lakukan.
histori tontonan telah berhasil di hapus.
histori pencarian video juga sudah berhasil di hapus.
English:
Don't forget to click the Subscribe button and the bell.
to keep getting notifications every time there's a new video from me.
If this video is useful, click the like button.
If there are suggestions and criticisms, please write in the comments column
Indonesian:
Jangan lupa klik tombol Subscribe dan loncengnya.
untuk terus mendapatkan notifikasi setiap ada video baru dari saya.
Jika video ini bermanfaat, klik tombol like.
Jika ada saran dan kritik, silahkan tulis di kolom komentar
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[Applause]
we're starting today's episode in the
capital of Burkina Faso waka waka Doo
goo an unpronounceable city with a lot
of incredible structures like the waka
Doo goo Cathedral it's right here I
think it starts to rain there was a rain
drop the waka dugu Cathedral is not the
only majestic religious building in a
city a few blocks away you can find la
grandma scare or the grand mosque the
Holly Centre for the dominant Muslim
population of Waga dugu burkina faso is
a former communist country and the
revolution square in the city centre
reminds you of this era
looks kind of communistic as a person
from Slovakia I know what I'm talking
about look at this building for example
that is very strange we're still not
done with weird buildings Central Bank
of West Africa it this futuristic
strange-looking
building I think that's enough of
buildings not a big fan of buildings
let's try something more interesting
like eating local food
the national dish of working a fossil is
called tall as you can see I've already
started it's actually very similar to
Oxfam in Togo it's like a dough and it's
made from corn flour mixed with boiling
water it has almost no taste there is a
little taste in a background
unlike Hawk pimiento bowls usually
served with a variety of sauces this one
is called gamba and it's made out of
tomato paste and some kind of plant
called Gumby I have no idea what it is
but it is it is delicious it is really
delicious
it's very slimy and sticky he obviously
eat it with hands it's served with beef
as well big sticky thumbs up for your
kuzey in burkina faso sometimes the
African gods decide to give the white
man a gift for two months I was whining
I was dreaming I was dreaming and
whining at the same time about virgin
mojito I know it's impossible to find
virgin mojito here in Africa especially
in rural areas today I was whining too
because it was extremely hot look what I
found in a local supermarket
thank you
[Music]
I want to cry I never thought this
moment would come me drinking virgin
mojito
in Africa
turn up the camera
[Music]
by the way we are sitting in front of a
cinema here it's called Cena bore bore
kena Cena now Cena bikini oui Mon
francais samalisha group voltina Faso is
famous for its movie industry the
biggest African movie festival called
fest Paco is held here every two years
so we decided to go and see a movie here
it starts in three hours so before that
we're gonna rest a little bit and we
will come back for the for the gem of
cinematography called the secret del
envelope it's gonna be awesome
not sure if it's drama or comedy it's
gonna be awesome
[Music]
very very strong movie what was really
interesting is that some of the actors
were looking directly to the camera
sometimes and the movie was interrupted
by a shampoo commercial I was amazed the
day wasn't over it was time for
something even more entertaining
football the World Cup qualifiers were
underway with burkina faso being first
in its group only a few steps away from
the sensational advance to the World Cup
football fever struck this country
despite a nil nil draw against Senegal
Burkina Faso still had the possibility
of advanced in its own hands a home
match against Senegal would be played in
Wagga dugu in three days and as it was
one of the most important matches in the
history of this great country we could
not miss it maxi Baku bonsoir eh let's
watch some football
the taxi drivers telling me it's not a
good idea to film here it looks like
madness I'll try to film something but
it's not a good idea I trust him this is
way too good not to film it look at this
madness
[Music]
whoa
[Music]
[Applause]
[Music]
I'm pretty sure we're the only white
people here I haven't seen a white
person here oh look at this Stadium
Wow this is gonna be something
[Music]
[Applause]
[Music]
[Applause]
[Music]
[Applause]
[Music]
[Applause]
[Applause]
[Music]
no way don't do shit I think it Holly
[Applause]
[Music]
so Burkina scored a goal and I'm having
goose bumps all over my body that was
one of the most intense experiences of
my life Wow
incredible monotony batik my new vanity
would you
[Applause]
Senegal just scored wanna wanna
Rajamani tsukuda you at Anzio daddy's
recovery
Osito Gemma I said to Jim kettles own
movie so food are you excluding red card
for the working Empire
[Applause]
it's halftime we're going to be as
everyone else it's gonna be tough to win
this discuss anybody he's a gear you you
move aside you anything so faster
thank you wanna keep it
[Applause]
Senegal just scorched it's 2-1 going to
be a sat evening
it's a super coupon for those people get
up Russell one of the last chances of
the game
billion
[Music]
[Music]
[Applause]
[Applause]
my grandchildren don't die because of
malaria
[Applause]
[Music]
react ambulance somebody probably got a
heart attack I wouldn't be surprised you
didn't tell me that sit there with a
glass wall
[Applause]
Lutie now remains first in the group
after his drone day long
would probably be gone
[Applause]
[Music]
[Applause]
and I won't be able to fall asleep today
I'm still shaking
I love this country
they're celebrating as if they're won
the World Cup I love it I love the
atmosphere here
[Music]
I think there is no explanation needed
you've seen it that there was just one
of the best moments of my entire life
and this is why traveling to countries
like Burkina Faso is so amazing Burkina
Faso is still first in their group there
are still two more matches to go but men
if they qualify I know what team I'm
gonna cheer for in the World Cup I hope
you enjoyed this episode see you next
time
[Music]
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Greetings, everyone.
Welcome to Rethinking Full
Stack: Cost and Compromise.
My name is Jeremy Osborn.
I'm the academic director of
Aquent Gymnasium, which you
can find at thegymnasium.com.
And what do we do?
Well, we offer
free online courses
on topics such as web design,
front end development, user
experience, JavaScript,
and much more.
This webinar is the
latest in our series
of discussions with notable
figures in the industry.
Today, I'm joined by two
said esteemed professionals,
Eric Meyer and Dan Mall.
We're going to do some formal
introductions in just a moment,
but let's talk a little bit
about the format of this.
I'm going to be talking
with Eric and Dan
for about 45 minutes, and
then leave around 15 minutes
at the end to take questions
from everyone here.
We do have Gymnasium's own Keir
Cullen Janey in the background,
and she's going to be
available if there's
any technical problems
or support that you need.
Feel free to enter it in the
chat window in the control
panel here.
And there's also a
questions section,
so you can add those
questions at any point.
But again, we're only going
to answer them at the end.
Also, when you
registered, some of you
sent questions ahead of time.
So I'm going to
be sprinkling some
of those throughout the event.
And we'll spend some
time talking about those.
So thank you for those.
So onto our guests.
First of all, we have Eric
Meyer, author, speaker,
blogger, sometime
teacher and consultant,
technical lead at
Rebecca's Gift,
and co-founder of
An Event Apart.
Eric's been working
on the web since 1993
and still finds it
deeply compelling.
He also released
the fourth edition
of CSS, the definitive
edition co-written
with Estelle Weyl,
published by O'Reilly.
Good afternoon, Eric.
How are you, sir?
Pretty good.
How about you?
Fine, thank you.
Thank you for joining.
Yeah.
Glad to be here.
And next up we have Dan Mall,
creative director and advisor
from Philadelphia.
He is the founder and Executive
Director of SuperFriendly,
a design collaborative
that brings
exquisite creative direction
and design to the world's most
important and interesting
organizations, also
the author of Pricing
Design, co-founder and CEO
of SuperBooked, and writes
about design and other issues
on Twitter and on
his site, danmall.me.
Hello, Dan.
How are you, sir?
Hi there.
Doing great.
It's a cloudy,
windy day in Philly.
Cloudy, windy day.
It is the same here in Boston.
And how about you, Eric?
Cleveland, what's
the weather like?
Oh, it's somewhat cloudy,
although not too bad
for this time of year.
And we had frost on the
ground this morning, so--
Nice.
It's the first time since
last winter that we had frost,
but there it was.
So--
Excellent.
Well, thank you again, both
of you, for joining me.
I am super excited to
have this conversation.
And before we dive in, I
wanted to talk a little bit
about some of the rationale
for this discussion
and some of the thinking that
went behind this topic, which
has to do with the difference
between full stack web
development and front
end web development.
But kind of more
specifically, I'm
going to point to this
article by Mandy Michael,
and her Twitter
handle is down below.
And the article had
this compelling title,
"Is there any value in people
who cannot write JavaScript?"
And if you read the
article, it talks a lot
about this kind of interesting
dynamic in the web industry
and among managers and
folks who run web teams
and among designers and
developers about the emphasis
on full stack, which we're going
to talk about in just a second.
But really, what
that is is HTML,
CSS, JavaScript, and potentially
some other back end frameworks.
So that's full stack.
And then on the
other hand, we just
have front end, which again,
you can define what that means.
But for now, we'll
just say HTML and CSS.
Some other folks have
written about this, too.
Here's another interesting
article by Brad Frost,
and the link to that article
is down below, as well,
where Brad talks about walking
into organizations and asking,
who owns the front
end code here?
And typically, that answer,
which should be simple,
is not always simple.
Who does own the front end code?
So those are some of
the things that kind of
inspired this talk.
And there's just
a few other things
that came up in the questions
that the registrants came
and submitted.
I'll tear through
just three of these,
and this will help frame
the discussion, hopefully.
So Melissa asked
this, where does one
start to make that
decision between front end
and full stack development?
So this is kind of one part.
This next part is without
an agreed definition
of how much stack it
includes, is this term full
stack even useful, or
just a resume buzzword?
And then last, full
stack developer
hadn't been coined as a term
or need in the 90s and 2000s.
Did managers or did
developers originate it?
So let's just make sure
we're on the same page.
And it'd be interesting,
both Dan and Eric,
to hear first of all what your
definition of full stack is.
So Eric, do you want to
take a crack at that first?
Oh, I was going
to throw it to Dan
first, because he works
with clients more than I do.
Let's go for Dan first.
All right, I'll take it
first if it's helpful,
because I think
as an industry we
don't agree on the definition.
So like you said, Jeremy,
when you were teeing it up,
some people call full stack
HTML, CSS, and JavaScript,
right?
A lot of people would
also call that front end.
They would say HTML, CSS, and
JavaScript is the front end,
and the full stack means
front end and back end.
So I think to me that's
one of the places to start.
It's like, what do you
mean when you say that?
And so for me and when I work
with my clients and the people
that I tend to
work with, we tend
to avoid the term altogether
and just not say it
because people
don't know what we
mean by it, because we always
end up having to define it.
So I'm not sure that I have
a good definition for it,
nor have I seen a
canonical definition.
I think normally rather
than saying, oh yeah,
this is my full stack developer
or I'm a full stack developer
or we work with the
full stack, I generally
try to be a little bit more
explicit but for clarity
to say, oh yeah, we'll be
doing the HTML, the CSS,
and JavaScript,
or yeah, we'll be
doing both the front end and
the back end, which means HTML,
CSS, and JavaScript,
as well as building
this thing in whatever,
Laravel, or something like that.
Mm-hm.
Yeah, I mean Eric, you've
been in the industry
as long as anyone.
And so this idea--
do you recall when this
term started popping up?
And even if you
can't recall that,
what's your take on
the term in general?
Time gets fuzzier
as I get older,
but I feel like in the last
five or so years is when
I've started seeing it a lot.
I mean, I've come
across it before then,
but it feels like that's a sort
of rough time frame in which I
started to see it.
I mean, to me if someone said
to me, define full stack,
I would probably say
front end plus back end,
right, which front
end, as we said,
means HTML, CSS,
usually JavaScript.
And then back end is
whatever's in back.
But that's because I come from
a front end perspective, right?
I've done back end
things, but I've primarily
worked in the front end
for lo these many years.
If I were more of a back
end person, I might say,
it's the browser
plus these six things
we've installed on our server.
And I think that gets
to what Dan was saying
is that there is no
agreed upon definition.
And depending on who he's
talking to at a given client,
even at a single given client,
if he's talking to the back end
guys, they have one
thought about full stack.
The front end people have a
different view of the stack.
If you want to get super
technical about it,
the full stack is literally
every piece of technology,
front end and back end.
But that's difficult, right?
The front end I
think probably we
tend to have a clearer view
of, because there are so
few actual things, right?
You have HTML, CSS, JavaScript.
And if you want to count
images as a fourth part
of the stack, which we could
have that debate, that's it.
The only way you can parse
that any finer is, well,
which format of
image are you using?
And if you're using a particular
JavaScript framework, which one
is it, those sorts of things.
Whereas on the
back end, it could
be PHP, Ruby, Laravel,
Expression Engine, which
is sort of PHP, and et cetera.
There's a whole
lot of stuff that
can happen on the back end.
So I think that's where a lot
of the confusion comes from.
And it's much
easier to just say,
it's these three
things on the front end
plus server over there, right?
Right.
Is it Apache, or is it
Expression, or is it .NET, ASP,
whatever they're
calling it these days?
Right.
And I think that's--
yeah, so this is
part of the dilemma
is that there is this
term that kind of gets
loosely tossed around.
It is like you
can do everything.
And of course, on
the face of it,
I think a lot of organizations
would look at that
and say of course.
Of course we want those
folks, because they're
interchangeable.
And if you have a team made
up of four or five quote,
"full stack
developers," it's almost
like you can mix and match
and they can do everything.
They could do the
user interface.
They can do again the
database management.
And that's obviously a
little bit of a pipe dream.
And I think the reason,
part of the thing
is that if this is
becoming a standard,
does it create a form
of anxiety in folks
who only consider themselves
front end developers?
I think the answer
is yeah, it does.
Yeah.
Oh, go ahead.
Yeah.
No, I agree.
And actually, there's
a guy at Digital Ocean
named Joel Khalifa.
I apologize to Joel for probably
mispronouncing his last name.
But he literally has a talk
called full stack anxiety.
He talks about this and
how he deals with it.
Yes, and I think
it's totally a thing.
And I think the other corollary,
the other term that that gets
bandied about a lot is
also the imposter syndrome,
which is again, someone comes
on a team and they're supposed
to know a certain part of
the stack and they don't.
And so they feel like
they're faking it.
So Dan, I see you
nodding your head.
Is that something you've seen?
Yeah.
I mean, I think that
the anxiety has sort of
evolved with the way
that the industry has.
So like I'm just kind
of hearkening back
to how I've experienced this
as a designer and developer.
I remember doing
work in the mid-2000s
when before responsive
design came out
and when browsers were
supporting standards really
well, and I remember AJAX
becoming a thing then.
And I think to me it was
when AJAX sort of became
popular because
the conversations
we started to have
before that was well,
you write the HTML
and CSS, and then
the back end developers would
write the JavaScripts, right?
If we needed any, because we
would build a lot of sites
that just didn't need
a lot of JavaScript.
And then when AJAX came around,
it started to be like well,
as the front end
developer, I don't
know enough about JavaScript
to write AJAX calls or anything
like that, so maybe
the back end developer
should be writing
the JavaScript.
And that became really
weird, because the back end
developer's well, it's
a front end technology.
It's a client side
technology, so technically, it
is not part of my purview.
And I think ever since
then it's escalated, right?
So as a front end developer,
I don't know enough JavaScript
to be able to do this.
And since then, now we have
server side JavaScript,
where JavaScript used
to be client side only.
But now we can write
node on the server.
And so kind of the
division of those lines
became a lot blurrier.
And speaking from
that point of view
like I know a little
bit about JavaScript,
enough to build sites with
it, but I'm not by any
means a JavaScript expert in the
way that I know HTML and CSS.
So there is a lot of anxiety
that comes with the fact
that oh, I should be
writing AJAX calls,
but now I'm writing server
side code in a client side
technology, so I see
how a lot of people
that come from that background,
myself certainly, I get anxiety
around that and just go well,
I don't know how to do that.
Am I supposed to
know how to do that?
Do I need to learn that?
But isn't that somebody
else's job, and then
am I stepping on toes?
So I think that the evolution
of the industry I think maps
nicely to the anxiety
that-- or not nicely,
but maps well to the
anxiety that I think people
that have that experience have.
Yeah.
And that's interesting, because
when you did your talk at Event
Apart here in Boston, one of
the things that I remember very
clearly in your slide
was one of your slides
was talking about the fact that
modern designers, for example,
should know JSON.
So how does that kind of fit in
with this kind of definition?
Like, where is this line?
And I think maybe
this is the question.
What should you know someone
who calls himself a front end,
or-- to what degree do modern
web designers need to know
a little bit about this stuff?
Yeah, so I think on the
surface, it looks the same.
But I think one of the
things that's really
an important distinction is
if the lines are going to get
blurred anyway, let's
do it in a way where
we're helping each
other rather than
in a way where we're
deferring, right?
So rather than going, well
JavaScript's not my job,
it's your job, you
do it, let's instead
start to share that
workload and say,
I know JavaScript's
not your job,
but I'm going to
teach you how to write
a little bit of a JavaScript,
even if that means
a little bit of JSON or a little
bit of configuring variables,
or whatever that thing is.
And I think that
that's the thing that
reduces anxiety on teams.
So there was a great study that
Google did, I forget the name.
I think it was the
Aristotle study
or something like that a few
years ago, where they managed--
or where they studied what makes
people perform well on teams.
And they analyzed a bunch
of different variables.
And what they thought their
initial hypothesis was, well,
if you put the best, the
most experienced people
on the same team,
they'll all do well.
And that didn't
turn out to be true.
Well, if you put the
most tenured people
or if you put the most
skilled people on a team,
that's not true.
And what they found was created
the best teams was where people
feel psychologically safe.
And I think part of that is
about just being OK with--
or helping your
team members, right?
If everybody does
this, everybody
helps their team members to go
I realize this is not your job,
and if you don't know how to
do this, I got it for you.
Don't worry about it.
But in the meantime,
let me create a scenario
where you can learn
where it's OK to fail,
it's OK if you don't know how to
do it, because I got your back.
I'll be the safety net.
But that way, you can grow, too.
And I think a lot of it--
I've seen that reduce anxiety
on teams, where I go, well,
what do you want to do?
Well, I'd love to learn Angular,
but-- and I'm all right, cool.
Well, if we don't end
up using that Angular,
we can do something else.
And then that creates a little
bit of safety for somebody
to go, oh, it's OK
if I don't get this.
And I've seen that work
really well in just reducing
the anxiety people have
about the pressure that
is their jobs, because
what do people think?
If I don't do this,
I'm going to get fired.
And that's a big deal.
So if you can
reduce that anxiety,
I feel like actually people
grow better in that environment.
Yeah.
And also, I think that it's
important to realize, too.
What I find
interesting, and Eric,
I think you hopefully
agree to this,
but I think so that
HTML and CSS, again,
may have this
reputation as being easy
or something like that.
And again, what I think of,
I go directly to something
like this, which
is Eric, this is
a copy of your latest book,
CSS, the Definitive Guide.
And if I remember correctly,
it's about 1,100 pages.
Almost.
I've been saying
1,088, but I forgot
that the PDF counts the
front and back covers.
So it's actually 1,086 pages.
So to me, that by
itself is almost
like well, CSS is a language,
and it's a large one.
And so talk a little
bit about that.
Yeah, I should admit that the
fourth edition doesn't even
have every bit of
CSS it could have.
There are bits that I left out
because they're too fragmentary
right now.
One that I think will surprise
people is multi-column.
I left it out
because browsers just
don't deal with it the same
way, and the whole spec
might be about to
change, anyway.
So that probably could have
added another 10 pages.
CSS, I mean--
CSS more and more--
this has been true
for a long time,
but more and more it
reminds me of that old tag
line, minutes to learn
but a lifetime to master.
It might be a large number
of minutes to learn,
just because there are
so many properties.
But the mastery comes
from understanding
how all those pieces interact
with each other, which
is the source of most of
the bugs, to be honest--
at least these days.
If you come across a layout bug,
it's probably because somebody
didn't think about this
particular combination
of things that you
happened to put together,
which is why when
people run into those,
It's super important that
they report them to Firefox
or the WebKit
people, or whoever,
to say I had a Flexbox in a
grid that had some absolutely
positioned stuff in it, and
then I added an SVG that I had
a clipping box on, and
suddenly the whole thing ...
I mean, whatever it is,
just because nobody ever
managed to get down to
that level of testing.
And that's why CSS, for example,
is a lot more complex, but also
a lot more powerful than
people give it credit for.
I think HTML is
kind of the same.
You know, I think most of us
learn the bits of HTML we need
to do the thing
that we're doing,
and we forget that there's
a whole lot more in there
that rarely gets used but
might actually be useful.
Not many people used
the data attributes
until they were forced to
by some framework or other,
and their only understanding
of data attributes
is how they relate to being
used in that framework.
But there's a lot more
that could happen there,
to pick one example.
There's plenty more, as well.
The various input types,
which admittedly not
supported super well.
But there's a
color picker input.
You put in type equals
color, and in theory you
should click on it,
it will give you
a little palette where you can
pick a color off a color wheel
and have little sliders,
and all that kind of thing.
Those haven't been very well
supported, but they're there.
And most of us
aren't aware of them.
And HTML4, as simple as it
seems, it's still complex.
I think the reason
that the two of them
get looked down
upon by people who
are more traditional programmers
is that HTML and CSS don't
really have things
like looping structures
or real conditional logic.
CSS has that a
little bit with media
queries and feature queries,
but it's pretty coarse grained.
It's not the let me test
for these three things
in this combination
of parentheses
and symbols and that.
If those all evaluate to
true, then do a thing.
It's not that kind of
language, which in one sense
is good, because by not being
those kinds of languages,
HTML and CSS are incredibly
fault tolerant, right?
You can botch half your
markup and half your CSS
and still have something
come out the other end.
That's a really remarkable
design paradigm, and most--
the imperative languages,
compile languages or even
JavaScript, are not like that.
You get one curly
bracket missing
and the whole thing just fails.
XML is kind of the same.
Actually, XML is the same.
So why is it, then, that it--
it seems pretty self-evident,
I think, that this--
both HTML and CSS feel like
they're pretty complete
and deep disciplines.
But again, I turned to some
of the questions that we got.
And I got this one,
which I thought
was kind of interesting.
Why is there still weirdness
between front end development
and back end development?
In my traditional organization,
back end development
still dominates tech
leadership in decision-making.
So I found that kind of
an interesting question,
and I think it kind
of speaks a little bit
to this idea of the
culture of maybe
engineering versus design.
I don't know.
But why is it so
hard to do that?
Is it economics?
I don't know.
I would guess that
the dominant force
in that particular
equation is going
to be more rooted in the history
of the organization, right?
It's going to be which was
the larger organization when
it got started and which
has paid off more, I guess,
or in more measurable
ways for the organization.
Like if the back end
development group has provably
made the company x number
of dollars and the front end
development people don't
have that even though they're
the ones who put a front
end up on the thing
that the backup people did,
then the back end development
people might dominate.
Flip it around if you're
a design shop or a design
agency, a web designer agency.
Front end's probably
going to in most cases
lead that conversation,
be the dominant force,
whereas back end will be
sort of support for them.
But I'm mostly guessing.
We should actually-- I should
have let Dan go first again.
No, I agree with that.
I think that in addition to
that, front end developers
and back end developers
have different things that
are important to them.
And unfortunately for
front end developers,
the hills that
they pick to die on
are things that aren't
important to people
who don't understand it.
So I've been part of
many a conversation--
I've caused many a
discrepancy about should we
use a section tag here or an
article tag here, and argue
about that for days, just days.
And people are like, yeah,
but I can't log in, right?
And that's the purview
of a back end developer.
So I think that a lot
of the things that
are important to
front end developers
are things that unfortunately
are not important to people
in other parts of the business.
And the thing that
they relate to
are the things that they tend
to look to for all right,
well, let's let that drive.
If I can't log in,
it doesn't matter
if we're using a mark tag here.
It doesn't matter if
we use an OL or a UL.
Semantic arguments are literally
that, semantic arguments.
And sometimes they don't
affect the bottom line.
And I think that generally,
front end developers,
they tend to be shy about that
and they tend to go, well,
that's not important to me.
What's important
to me is that we
have the right mark up in place
or that my CSS is OOCSS and not
BEM.
And those are things that are
very important to the process,
but people don't understand
it and a lot of developers
don't do a good job
of communicating
why that's important.
And so people go,
all right, I guess
you're just upset
about some nerdy thing.
Can we log in or not?
And so I feel like that's
where engineering and back end
development tend to drive
more, because it's results
that you can see as opposed
to results you can't see.
Right.
And I think it goes back to
that idea of the culture, too.
I mean, I think some of this
has to come from the top down,
right?
And it's kind of interesting how
we've seen over the last 10, 15
years, how Apple, for
example, has promoted
this idea of design as
being an important component
of their success.
And so you see other
organizations trying
to adopt, at least to different
degrees, the lip service
to that and they're
hiring designers
and they're hiring UX folks,
and content strategy folks
have kind of got a
seat at the table.
But it still feels like there
is this other trend that
comes back to JavaScript that--
and Dan, you kind
of mentioned this
I think in one of your
tweets for the event.
In a world where
JavaScript is kind of king,
there's this interesting
conflict happening.
And I feel like this is part
of-- this is an industry
wide thing, and it's a
business decision, as well.
So if you are an
engineer, let's say,
let's say just a
thought experiment.
If you were someone who was
in charge of setting up a team
to create a new web app for
whatever reason, what kind
of-- and I know, Dan,
you do some of this.
Your organization is
based around stuff you do,
but you kind of adopt your
teams based on the project.
So what kind of
things do you look
for when you're embarking
on a project like this,
and what are the roles
that are important to you?
It's complicated.
And I think that that's the
underlying pinning around all
of this is that it's complex.
There's a lot of
variables and they
change all the time,
project to project,
organization to organization.
And so one of the
variables is what
is the ratio of how
quickly we need to do this
to the expertise that is
in-house to the expertise
of the consultant to what's
important to the business.
So for example, one that our
industry talks about a lot
is accessibility wasn't
important to target
until they got sued,
and then all of a sudden
it became important.
And you could certainly
make the argument
that it was always important,
they just didn't realize that.
And I think that in
building teams or thinking
about projects, it's about
what really is important.
What is the-- as a
service provider,
one of the things I'll
always ask my client
is what is important to you.
And so I take stock in
what they say is important,
but then as a
professional who's been
who's done a lot
of these things,
I can also hopefully bring
some stuff to the table
and my team can bring some
stuff to the table to say,
here's some things that you
may not say is important
and you may not even
be thinking about,
but we think these
are important for you.
Let's have a
conversation about that
and let's have an education
process around those things,
things like if we build
this in Angular versus
if we build this in React versus
if we build this in something
else, what does that
mean for your team?
What does that mean about
performance for your users?
What does that mean about
who can maintain it?
So I try to let the practicality
drive a little bit more
than the philosophy
drive, but you know,
it's always a balance
between the two.
And where it falls on that
spectrum between philosophy
and pragmatism, I think it
varies greatly from project
to project.
Right
And I think one of the
things, as far as tying back
to the previous question,
one of the things
that front end can deliver on--
and there is growing
awareness of this--
is literal page
performance, right?
So there's how fast can you
get it out of the server
and across the wire to
the user, but then there's
how long is it going to take
for that to actually start,
for time to first
display or whatever
particular metric you're using?
I know of engineering teams--
I know they did this at
Etsy, maybe they still do,
where they would
constantly run--
they would run page speed
tests under various network
conditions.
And you know, they would
have literally monitors on
the wall of the
engineering offices
that would show here's what
this is like in broadband
in the USA, and here's what the
same page is like in dial up
in the USA, and in Europe, and
in Australia, which apparently
they nicknamed the
sorry Australia,
because Australia has really bad
links to the rest of the world.
And it show the videos.
It was like as of
midnight last night,
the last time we
took these videos,
it took two seconds to
render the page completely
on broadband and six seconds in
slower broadband or 3G speeds.
I said dial up earlier, I
didn't actually meant that.
And nine seconds in Australia.
So people could see, they
might come in in the morning
and look up and say like, why is
it suddenly taking five seconds
to render the page, right?
Which has nothing to do
with the network speed.
It's just what did
we do last night?
Did we add a super
huge web font,
or did we accidentally push
the absolute highest res
copy of all the
images out instead
of the responsive images
or whatever it is?
But that's-- back end certainly
has to do their part to get
stuff out fast, but then
front and has to do their part
to make sure the stuff renders
quickly and it isn't a 20
megabyte page because it's
all these huge images.
It's like how can
they shave that down,
because that really is--
it's a user experience problem,
not just in the sense of hey,
we have to not inconvenience
our users even a tiny bit, which
is OK, true, but
someone who's on 3G
and needs this information
for whatever reason,
and if the page is breaking
because there's just
too much data to
stuff down the pipe
or it takes 30 seconds to
render because of everything
that's coming at them.
Whatever the scenario is, right?
They're in the
basement of a building
and they have hardly any
bars on the LTE or 3G.
Can they still get this?
Is it going to take
forever to load?
Is it going to take
forever to render?
And that's an actual
measurable thing
that I think front end people,
if they're not focusing on,
probably should be.
Well, yeah.
And to me, that
almost speaks back
to the that article I
was mentioning earlier
from Brad, where again, there
is a risk where you should be
able to walk into any
sort of project or team
and basically say, who really
owns this front end experience?
And I think that that's
part of the danger
is the way I see it is
that if you are biasing
your group or your team towards
this kind of engineering,
JavaScript heavy experience--
because you know,
the truth is that this
stuff is difficult to learn.
And if you're expending
a lot of time and effort
to get up to date with
the latest framework,
whether it be Angular or React,
that that is a full time gig,
I guarantee you.
And that's why we
have classes in them.
We have classes in Node
and JavaScript and all
these things, because
this is the way
this is the way of
the world in the web.
My fear is I think that
there is this overvalue being
put on the JavaScript
and framework knowledge.
And the danger is
you lose things
like who's paying attention
to the user interface
and who's paying attention to
the performance stuff, which
again can fall under back
end, but do you really
have someone who is doing that?
Do you really have someone
measuring performance?
So Dan, like in
our talks earlier,
you had mentioned that
in fact that there
is another scenario, which
is that if you have someone
or people who are just
focused on back end,
that that can actually
almost damage a product
or damage a web app,
or whatever you have.
So can you expand on
that a little bit more?
What was your
thought behind that?
Yeah.
I mean, I think one of the
things that's really damaging
on teams is siloing work.
Because as I think about all
of the projects that I've done
that didn't go so well, where
everything falls through
the cracks is where hand-offs
didn't happen properly or where
oh, I thought you
were going to do--
no, I thought you
were going to do that.
And then someone forgot
and no one did it.
And so I find that the way
to correct that or the way
to help that is to create
more overlap between roles
rather than space between them.
And so when engineers are
like, well, I don't know,
the login is right, the
login's working, I go yeah,
but people want to be able
to see their password.
Oh, I mean, I just
installed the framework.
If they defer what might not be
their responsibility but they
might be accountable
for it or even
just thinking about it,
that leads to well, listen,
I did my work.
What more do I have to do?
And I think that that's
a toxic team member.
And if the culture
of your organization
is such that everyone is
expected to behave that way,
you're actually creating
a whole toxic team
without knowing it because
that's what everybody expects.
And so I find that
that's not just
exclusive to back
end developers.
It's all of the roles.
It's designers, developers,
content strategists,
information architects.
You know, if somebody builds
a site architecture that
doesn't work well with
an engineering structure,
that's a problem, too.
So it's not just the
back end developers
who are the only problem in
that scenario or front end
developers, or anybody.
I think it's the siloing thing
that is really dangerous.
And so one of the tools that
I use a lot is a RACI matrix.
At the beginning of a project
I'll put together a RACI matrix
of R-A-C-I, responsible,
accountable, consulted,
informed, so that everyone on
the project has to be at least
one of those things on
every task that we're doing.
So information architecture,
maybe the front end person
doesn't need to be responsible
for the information
architecture, but
they should at least
be informed about something.
There should be nothing
that's like oh, I didn't even
know that was going
on, because I think
that leads to unengaged
teams, and that means
something's going to
fall through the cracks.
So I think that by
eliminating those silos,
I think you start to
avoid that problem.
Interesting.
So that's kind of cool.
Is this matrix
something you came up
with or is this a known thing?
Oh, no.
This is like decades
old management practice.
I'm sure somebody
came up with it.
I just found it one day and I
was like, this is a great tool.
Nice, OK.
It's good to know.
Yeah, I mean, it
comes back to again,
I'll just share one of
these other questions, which
again hearkens back
to that original one
that I just mentioned.
Matt was asking,
what is the minimum
a front end designer
must know technically
to succeed in today's market?
Which again I know is a very
general question, but one
of the things that I think
where that ties in and one
of the things that we try
to teach with the courses
that we offer is like
you said, understanding--
like again, your
last presentation,
it was like, should
designers know how to--
and whatever that is, like code?
Well, that's another talk.
But being aware of the technical
underpinnings is important.
Understanding what's happening
with your Node server
is maybe not.
OK, so I guess one of
the other questions
is what can we do
about it, which
is a much harder question.
I think this is
part of what we're
trying to do here,
or at least for me
and for Gymnasium, is
trying to address that.
But what other things--
again I think you had
mentioned speaking out.
I think that was you,
Eric, who was talking about
if you're a front end designer
or developer, that taking
ownership or speaking
out is important.
But what other
things do you think?
I mean, this is where the
full stack anxiety kicks in.
There's so much, like,
what else is needed?
And everything and nothing--
it gets Taoist really quickly.
Right.
Well, it almost leads me to
think of a lot of the work
that you've been doing,
too, has to do with empathy
and trying to understand
real world design.
I mean, how does that tie in?
Because to me, again it
feels like there's like a--
if you're making
trade offs, you're
hiring a team who is
predominantly technical
and back end, are you
sacrificing something
like someone who is
really paying attention
to the user experience?
That has to play in at
some point too, right?
Yeah.
I mean-- I guess this is
organizational full stack
anxiety.
If they cover the stack, how
are they going to cover it?
And if they hire--
like you say, if you hire a
person who does X, Y, and Z,
you're not hiring someone
who does A, B, and C.
And hopefully you can
also hire somebody
who's doing A, B, and C,
but at a certain point,
I guess budgets run out.
Here's the thing
in organizations,
they have a limited
amount of money, I guess.
So yeah, you do have
to make those choices.
I think-- well,
I personally feel
that having a team that's
as diverse as possible
and like Dan was saying, as
overlapping as possible--
and when I say diverse, that
also means in terms of skills,
right?
So hiring six Node
developers is not
going to get you
as far as hiring
a couple of Node developers
and a couple of front end
people and UX and an IA,
right, which seems on its face
to be laughably obvious.
And yet, to think of
other ways in which
that you know that sort
of mix can be found,
whether it comes from
people's backgrounds,
their educational backgrounds,
or personal backgrounds,
the culture they come
from, where they grew up
all those sorts of things--
age, experience.
I personally think--
and again, easy
for me to say because I don't
have to manage a hiring budget.
But I think that if
we want to increase
that sort of
diverseness of the team,
you need to hire somebody who's
new and doesn't necessarily
know everything that you need
but seems capable of learning,
because someone in
that situation who
has more experienced
people to help them
and who is ready and
eager and able to learn
will probably actually
enrich the team quite
a bit more than somebody who's
been doing it for 30 years
and has become
set in their ways.
Right.
Yeah.
And again, I think it comes
back to that idea of burnout,
too, because again, if
you are in a position
and you're constantly having
to, again, learn the latest
and greatest framework and
everyone now on your team
is chasing that the
tech, almost goes back
to what you were saying, Dan.
There's a lot that can
fall through the gaps.
And so yeah, if there are
hiring managers and people
running teams out
there listening,
I think that this is
kind of a piece of advice
worth repeating, and
that diversity of teams
is really important.
Diversity of skills is
extremely important.
It tends to make projects
healthier in the long run.
And teams more productive,
according at least
to what research I've seen.
Yeah.
And that goes back
to here, let me--
so Dan, you had sent that study.
So this looks like a
really interesting article,
"What Google Learned
From Its Quest
to Build the Perfect Team."
So this is all good stuff.
We're heading into
that section where
we need to look at questions.
So for folks who are
listening, again,
you can feel free to throw some
questions into the questions
section of the go to
webinar control panel,
but we do have some here.
I'm looking at these
for the first time.
So we get one from Charles here.
And either Dan or Eric, either
one of you can take this one.
But can front end
be divided or split
into design versus interaction?
It's kind of an interesting one.
Dan, what you think about that?
Is there-- is the web
interactive by default,
or is there a design
versus an interaction?
So I think there's a lot of
different schools of thought
about that.
And I think that one of the
articles that you had teed up,
Jeremy, in the
beginning, is the article
by Brad Frost about the
full stack developer.
And one of the
things that I know
that Brad is keen on,
partially because he's
written a lot about it,
partially because I've talked
to him about it and we
work together a lot is
the idea of there's something
in the middle between design
and development called
a front end designer.
And so that's sort of saying
the person who is writing code
is somewhat responsible,
if not responsible,
then at least accountable for
some portion of the design.
And that might mean designing in
the browser, designing in code,
sitting with a designer,
being part of that process.
So that's one side of it.
One of the things that I'd
love, and I sort of set up
some of my projects to do
this-- not all of them,
because it's not
always the right thing.
But I sort of think
about it as a spectrum
but design to engineering, and
with different people occupying
different parts
of that spectrum.
And so on my teams,
it's less important
that people have titles.
So I think we get
away from that, right?
So rather it's more
about what are you
going to do as opposed
to what are you, right?
So it's not like--
I don't hire a
front end developer.
I'm just like some
projects I have somebody
who is writing the HTML and
CSS, and then another person
that's writing the JavaScript.
Other times, it might
be the same person.
So I think that just knowing
that the whole spectrum is
covered, and especially
that there's overlaps there,
I think that's another
approach to going about it.
So can you split it up?
Absolutely.
I feel like you can split
up any discipline as minute
as you can.
Whether or not that's
productive for the project
you're working on remains
to be seen, right?
I think that that's hard to say
globally that that will work.
But I think that it's
certainly worth a shot
to say, let's split
these into two parts
and actually see what happens.
And if that's
better than the way
that you were doing it
before, continue on with that
until it breaks.
And if it's not, then I
would try something else
or go back to the way that
you were doing it before.
I find it hard to
rationalize splitting design
from interaction on the web.
I mean, all design is
interaction, really.
All design has to consider
interaction, right?
The way our books are
designed, the ones
that are well-designed,
are designed
with the idea of turning the
page and what the spaces should
be.
That's a relatively constrained
problem space, right?
And how many times
have you driven
down the interstate or the road
and passed a billboard that
had like a wall of text on it.
You're like, the only
way anyone could ever
read that is by
causing an accident,
because somebody didn't
design for the interaction
necessary for that medium.
The web is more interactive
than either of those.
It's more interactive than
any medium there's ever been,
even down to the
minimum of you got to--
I mean, I assume you're going
to scroll a page sooner or later
and you're going to click
from one link to another,
or link from one
page to another.
Those things have
to be considered.
And you could try
to say all right,
the visual designers are here
and the interaction designers
are over there, but I feel
like that's counterproductive.
I feel like you're sabotaging
the process because the web is
a fundamentally interactive
and fluid medium,
and to try to design
as though it's not
strikes me as a bad idea.
Yeah.
Well, it's
interesting, because--
yeah, go ahead, Dan.
Sometimes I coach agency teams.
And a few of them
that I've actually
coached on process
and roles and things
like that, I've
actually encouraged
them to get rid of the
front end developer role
altogether, that they
only have designers
and they have engineers.
And within the
design discipline,
there's all sorts of designers.
There are some designers that
are primarily illustrators,
but they're called designers,
and some that are 3D designers,
and some that are--
and some of those
include people that
can write code.
And then on the
engineering side,
there are people that do all
sorts of things up and down
the engineering scale, which is
setting up servers or database
architecture, or whatever.
But also, some of the
engineers are also writing
front end code, too.
So I think that trying to find
an artificial split is tough.
But I think the developer role
is a particularly tricky one,
because it's squarely in the
middle of a lot of places.
It's squarely in the middle
of design and engineering.
So I find that for
some organizations,
it's actually valuable
to say, there's
no such thing as
developers here,
because we don't
know what that means.
There's engineers and
there's designers.
Some people that write
code are engineers,
and some people that
write code are designers,
depending on where they'd
prefer to spend their time.
Right.
Well, I find it interesting
that there is, again,
a lot of some of these
other questions--
there's a question
by John, which
is what's the line between user
interface and front end web
development?
And I almost feel like that's
kind of a similar question,
in the sense that a lot
of what we're trying to do
is define these
divisions, right?
And And again, it almost leads
into a discussion of like
the generalist versus
the specialist.
And at some point you have to
make some sort of definition,
or you have to put yourself
in some box, I guess.
So can I push back
on that a little?
Yeah, yeah.
Please, please.
Because I wonder
where that comes from,
where the idea comes
from that well,
I've got to be in
some sort of box.
And maybe because I
need to know how people
are going to interact with me or
what they would expect from me.
So I get that a little bit.
But why not learn it, right?
It's happening
already, and I think
maybe it's happening because
it feels more-- it's actually
more natural to do it
that way, and we've just
been fighting it so long that
we think it's the opposite.
And so to the question
that was asked,
I think it's a good one, where's
the line between interface
and front end?
And I would pose a
question back to that.
It's like, well, what
happens if there's not?
How does that affect the
way that you do things?
Yeah.
And I can imagine
in some contexts,
these questions arise
because what you do governs
what kind of title you have, and
therefore what kind of salary
you get paid.
I remember when I
worked at a university,
it was like engineering
level 1, 2, 3, 4.
And if you're this level,
you have this much vacation.
And if you're this level,
you get this much salary,
things like that.
But when it comes to
the actual discipline
that we're practicing
here, yeah, I'm with Dan.
Don't put yourself in a box.
There are enough
things in this world
to try to shove you into a box.
Don't get in one voluntarily.
Nice.
I like that.
Yeah.
And I think this is
probably-- you know,
it cuts to the
struggle of what--
I mean, all of us here, I've
been in the web business
for 15, 20 years.
And both of you guys have been
in there for a while, as well.
And you know, I wonder again
if you're starting out--
and we run into
this all the time,
that the entry point for a
web developer, web designer
is getting harder and
harder for us to define.
Even when I'm creating courses
and trying to figure out
where is that entry
level point, the amount
of stuff you have to learn
is extremely forbidding.
And so I think some of
this reflects where we are
as the state of the web, right?
The web is still
extremely young,
in the scope of other things.
So--
The article that
the agency Sparkbox,
which is in Dayton, Ohio, they
wrote this great article called
"The Hammer and the Chisel."
And I love what they're
doing, because I think what's
tough about what
we're talking about is
we're trying to come up with
these global rules, right?
Let's define what designer
and developer are, and then
everybody can follow
that and it will
work for all organizations.
And that's just really
difficult to do.
And so I love what
they're doing.
And they're saying
here, we are changing
what our titles are here.
And it might not even be titles.
It might just be how we think
about the work that we do.
So they have this position
called front end designer,
and they say but our front
end designers are different.
Some of them are hammers
and some are chisels.
So hammers are
responsible for setting up
HTML and CSS and architecture
and things like that,
and chisels are the ones
in there getting animations
right and font spacing right
and font size, stuff like that.
And so I love that
they are thinking
about how to define those
roles a little bit differently,
and it works for them.
They're not saying, oh, everyone
should have hammers and chisels
now.
They're just saying this
is what works for us better
in our process, and so
this is kind of how--
and so we're going to stick
with this for a while.
One of the questions
that I'll often go over
with my apprentices
who are trying
to get their first
design or development job
is that exact question.
What's the minimum
that I need to know?
And again, it's the same thing.
It's like the minimum that
you need to know globally,
that's a tough
question to answer.
And so my response back to
them is always the minimum
to get into what job?
Do you want to go
work at Facebook,
or do you want to go
work at a local agency?
Because those are
very different jobs.
At Facebook, you can be really,
really specific about your job.
I mean, Nicole Sullivan
consulted with them
on refactoring their CSS.
That is a very specific job.
But if you go and work
for a local agency
and you're one of
five people there,
you have to wear many hats.
You have to do information
architecture and design.
And so I think
that the specialist
and general conversation
often gets to but where?
Where are you talking about?
Because it doesn't work
like that in the world,
at least not that I've seen.
But if you want to work
at a particular place,
being a generalist is better
than being a specialist.
You want to work at a different
place, then being a specialist
is better.
So I think that that's one
tool that has seemed to help.
It's like, once
you pick the place
that you want to work or the
places that you want to work,
you might say, oh, I want
to work at small places.
And in that case, I need
to be more of a generalist.
Or I'd look to go work for
a big engineering or other
or start up or a
Silicon Valley company,
and there they need
somebody who is hyper
focused at a particular thing.
Yeah, and we're seeing some
other similar questions here.
I'm summarizing some of
these, but there seems
to be there's a lag, as well.
So someone is mentioning here
that they work for a startup.
And when they're giving the
CSS part of the interview,
that the interview questions
are kind of out of outdated.
They're about
algorithms, or they're--
so that's also part of it.
It's the standardization.
So I think that
that's a very how
do we-- and I don't
know the answer to that.
I don't know if anyone
knows the answer,
but how do you balance this
need for standardization
versus someone's skill set?
And I think it goes back to
what you're saying, Eric, too.
Some of it is salary,
unfortunately.
Job titles, job descriptions,
all of those things
are important.
Yeah.
And the larger the organization,
the more that tends to matter.
I think-- because I
don't know what Facebook
is like when it comes
to this, but I'm
sure they have a
distinction between engineer
and senior engineer, just to
make a super simple example out
of it.
And there might be different
levels of senior engineer
and different levels
of non-senior engineer,
and entry level and so on.
And yeah, it starts
to get down to well,
if I can meet the requirements
that somebody wrote in order
to qualify for this
next level of title,
then I can increase my
salary by 10% or whatever.
And I would understand
wanting to, even if those--
even if those requirements
are arbitrary and were
written five years ago, and
don't really apply anymore.
It's, like, oh, it looks
like I have to go learn PHP2.
Right.
Because I've updated it.
Right.
So--
Right.
And we're seeing some of that.
So Heidi from Seattle, I'm
guessing, because she mentions
it in her question,
says, you know,
can I get a job writing
HTML, CSS, and JavaScript
without any training
in the back end,
because in Seattle the
answer I've been given is no.
Why would we hire you
when we can have both?
And then she goes on to ask, is
that true in all major cities?
So-- I think that's kind
of like a similar tack of--
you know, it speaks
to the fact that there
is this perception out there.
I don't think that that's
true in all major cities.
And I think that it
might be hard to find.
I think that's
definitely the case.
But I also think that there is--
I've seen enough of two-person,
three-person design studios
that are looking for
their first developer.
And you know what they'll do?
They'll take somebody who
can write HTML and CSS,
at a good price, over trying
to poach a Silicon Valley
engineer for $250,000 a year.
So I think that they
may be hard to find,
because maybe they don't
publicize as well as, you
know, Facebook's recruiting
group or something like that.
But I think that, you
know, they're in there.
They're buried, you know.
They're not at the surface,
because the Amazons
and the Microsofts
and the Googles,
they have a lot of press
power and, you know,
for good reason, a lot of them.
So I think it's just
a bit harder to find.
But I do think that
they're out there.
I've seen them out there.
Yeah, and, again, that comes
back to what Dan was saying.
What kind of-- where
do you want to work?
Right.
If you're OK with
working at a small firm,
then that skill set is OK.
But if you're
really dead set on,
I want to work-- you know,
I want the golden handcuffs
of a large organization
with the great benefits,
then you're going to have
to come up to whatever level
they're looking for.
And, unfortunately, I
think a lot of businesses,
a lot of tech businesses,
much like we ourselves,
have sold ourselves on
a why that we, you know,
you have to always know
the latest and greatest.
And in the programming
world, to some degree,
that makes sense, right?
If you're learning PHP2, like,
why are you learning that.
Nobody-- we're on PHP5 now.
Or, you know--
Yeah.
I'm, you know, see your
ruby, or whatever it is.
Right, like, learning the
version of the language
two major versions
ago makes no sense,
because the code
that you learned
might not even,
like, work today.
Right.
So, therefore, you must know
the latest and greatest.
But, again, you know, we're
talking about a medium
where the first web page
that was ever made, right,
Tim Berners-Lee's literal
first web page still
renders perfectly fine
in current browsers.
And, for that matter, is
responsive, by nature.
Right.
Not in the like media query
way, but it completely flexes.
And this is a medium where
there's much more value
placed on backwards
compatibility
than on latest and greatest.
But a lot of these
requirements come
from people who work in a world
where latest and greatest is
all that matters.
Yeah, exactly.
That's a great point.
Yeah, and I think
that, because--
yeah, there is this
notion that, again,
that just because the web
is constantly evolving,
which it is, I mean, there's
no doubt that this is the case,
but it's-- you know, you
can't throw the baby out with
the bathwater, right?
So there's-- there's important--
important fundamental
concepts that haven't changed,
that will always
remain the same.
And accessibility
is one of them.
Performance is
another one of those.
So, we're almost
at the end of this.
Let me just see--
these kind of last
questions here.
OK.
So-- yeah-- so one of the
last questions we have here
is, again, there's an
emphasis on computer science
fundamentals that a lot of
organizations are looking for,
do you see a lack of
HTML and CSS skills
in companies that emphasize
hiring full stack developers?
Well, it's hard to kind of--
yeah-- Eric, what do you
think about that one?
That's an interesting question.
I'm not sure about that.
What do you think, Dan?
That is a tough one.
I remember, the way I grew
up on learning HTML and CSS--
and this goes a little bit
back to your question, Jeremy,
about standardization--
I think one of the
things that we can better
standardize and have better
interviews and things like that
is to open source and to block.
I learned a lot that way.
And I remember reading
blogs, and reading books,
and reading, and just seeing
how people are doing things.
And I remember
launching web sites,
and people commenting on my
blog, on the blog post-launch,
hey, I wonder why you use an
H1 there instead of an H2,
having full discussions
in the comment threads
about that stuff.
And I don't see that
happening as much.
And I get why, the
internet is flooded
with much more of that stuff,
and comment threads are tough.
But I think that we've lost
those kinds of discussions.
You know, now
everything's an empty div.
And--
You are right.
And, yeah-- I think an
answer to the question
is, to a large degree, yes,
companies that are, like,
hyper-focused on must have
full stacked developer,
are really thinking JavaScript.
And we'll do it-- we'll do
the front end in a framework,
right?
And like Dan says,
everything ends up
being an empty div, and--
or even worse, an empty div that
literally has all of the CSS
meant just for that div
attached to that div,
and like trying to ignore
the fact that CSS starts
with the word cascade, which is
what a lot of these frameworks
do.
Yes.
And-- and so they--
right, because they're
so focused on that work
in that framework,
and doing that,
yeah, they don't value HTML and
CSS as much as probably they
should.
And what's interesting
is that some of those
framework developers--
I'm not going to
name names here--
but I've heard that one of the
frameworks where they like took
all the CSS and inlined it--
and that was the
whole point, right,
like, they did that on purpose.
The people who did
that have since
realized that there are reasons
they shouldn't have done that.
And they kind of
wish they hadn't,
right, because
eventually you start
to realize there are reasons
that the technology is
the way that it is.
And when you try to
hack your way around it,
you often end up falling
prey to the problems
that those technologies
had already solved.
Just to play the other
side a little bit.
I think that part of
the responsibility
falls on the developer to prove
the value of HTML and CSS,
right?
Because what we often
hear is people, you know,
the rallying cry is
progressive enhancement,
progressive enhancement.
And people don't
know what that means.
And what they actually
should be crying,
which is the same argument, but
just a different spin on it,
is more people can
use our website.
You know, that's what
progressive enhancement means.
Yeah.
But we often think of
progressive enhancement, right,
as a means to an end, as the
end, not a means to an end.
And I think that
that's on us to solve.
We have to change
our rhetoric in order
to get people to listen to it
in the way that we want them to.
So I think that, certainly,
like, the industry
is traveling that way,
but we're not helping.
So I think that one
way that we can help
is to say, like, how do we
speak the language of the people
that this is important to?
Accessibility is a
vague rallying cry.
But more people using
our web site, more people
being able to access our
content, that's way more--
that resonates more.
So I feel like we
have-- you know,
we can take that on as
part of what we can do,
is to say, here's why
HTML and CSS is valuable,
not just on its own, but because
it gives us these benefits.
Nice.
Nice wrap-up.
I could not have said
it better myself.
Well, we, believe it or not,
are at the end of our hour.
So, before we head off,
this is the chance--
anything that either of you are
doing in the near or short term
that you want to talk about?
Eric, I know you have your
CSS book that just came out.
An Event Apart, Denver
is coming up in December.
Anything else ?
For me, it's the 2018
Event Apart schedule,
which we announced.
And, also, I'm about to--
now that the fourth edition is
done for the Definitive Guide--
I'm actually going to now do
a fifth edition of the pocket
reference, and
update it to reflect
what's in the-- what's in the
fourth edition of the guide,
and correct some--
correct some things
that were true
when the fourth edition
of the pocket reference
came out, but are
no longer true.
I was flipping through
it the other day,
and I was, like, what
is this property?
I don't even-- what, what?
That's next on my plate.
Nice, and you get to do a
full plate, because CSS, as we
have said, is a big language.
Yes, well, that and
I'm actually going
to get in some time playing
Kerbal Space Program again.
Oh, nice, nice.
Looking forward to
seeing that orbit.
Yes.
Excellent.
And, Dan, how about you?
Anything on the horizon?
The next thing on my list
is to read the fifth edition
of the CSS Definitive Guide.
So there you go.
Well said.
That will keep you busy awhile.
Sorry.
Well, thank you, again,
gentlemen, for joining me.
This was very cool.
And thanks, everyone,
for attending.
There will be a link to
this recording sent out
to everyone who registered.
Even if you didn't
register, we'll
be making the link
available for free online.
You can check out--
we do have a site on YouTube,
or channel on YouTube,
I should say, where
you can see this stuff.
So a lot of our past
webinars are up there.
So, feel free to look
for Aquent Gymnasium
where this webinar will
end up, eventually.
Having said that, I
bid everyone adieu.
And, again, thanks a lot.
And thank you,
gentlemen, once again.
Thank you.
Take care.
Bye bye.
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Bok ljudi! Ja sam Nikola Kraljević, osnivač Pleme-a.
Radujem se sudjelovanju na Crodiaspora Summit-u ove godine u Supetru na Braču.
Veselim se što ću imati priliku razgovarati s ljudima iz Hrvatske i hrvatskog iseljeništva o tehnologiji,
cybersecurity-u i kako možemo raditi zajedno u budućnosti.
Vidimo se!
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Bhola!
Meet Bhola.
My childhood friend.
Our friendship knows
no rules.
Because this friendship
needs no schools.
Look at those tusks!
It takes a worthy hunter to match
a prey this magnificent.
He seems to be eating a man.
Despite being an ass you know
little about animals.
Shankara!
Welcome home, Raj!
- I missed you so much.
You are the one who left home-
and you are the one missing us.
How about a bout?
- Ha! I don't want your bones to break.
Then who will save the jungle.
Be careful, Raj.
You too!
Who are you?
A God? An immortal?
In my commandments,
even God dies!
Raj, they won't be able to escape.
I won't let them get away either!
Tell Me!
Oh! God, such anger?
I am a friend.
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>> The Republican plan to
repeal and replace Obamacare is
coming under fire.
>> NARRATOR: President Trump
had little patience for the
Republicans' ideological
squabbles.
He wanted a win, and quickly.
>> Are we even going to see a
vote on the Obamacare repeal?
It's the big question.
>> He sees, on paper,
Republicans control everything.
This should be easy, fellas,
right?
Let's get together.
We don't even need the
Democrats.
But the difference there is,
what the Freedom Caucus think is
acceptable is not in line with
what Paul Ryan and his
leadership thinks are
acceptable.
And so now we're fighting
amongst ourselves.
>> Lawmakers, many of them
members of the Freedom Caucus,
will be meeting with President
Trump, these are individuals who
have already expressed...
>> NARRATOR: But Trump relied on
his own abilities as a salesman,
and if Ryan couldn't sell the
bill, he would.
>> Trump said, "I can overwhelm
this town with my personality."
President Trump was trying to
overwhelm Washington.
>> I just want to say that
these are folks that were
either a "no" or a "maybe."
>> To consume Washington with
his spirit, his personality, his
willfulness to get things done.
>> All of these nos or potential
nos are all yeses.
>> That's the businessman in
him, that he understands the
backslap, the Oval Office
lunch, the Air Force One ride,
that personal attention, those
relationships, can largely help
pull one or two votes or make a
lasting friend.
>> ...sit-down with members of
the Freedom Caucus are vowing
not to vote...
>> NARRATOR: But the president
didn't seem to understand or
care about the details of the
bill he was trying to sell.
>> Trump is praising the new
legislation...
>> It was very striking, and I
interviewed a number of the
participants of these meetings,
just how little Trump understood
or really cared to understand
the key provisions.
He would just simply say,
"Look, guys, we need a win.
We need to put this win on the
board."
And he just seemed
uncomprehending and
uninterested.
>> The president was not
particularly engaged in the
policy details.
That was pretty apparent.
The president seemed to defer
to Congress, largely, and
basically, you know, "Whatever
you guys pass, I'll sign."
>> NARRATOR: Unable or
unwilling to get into the
specifics of the bill, Trump
struggled to win over the
Freedom Caucus and other
holdouts.
>> President Trump his entire
career had cut deals in
non-ideological situations.
Now he was confronted with a
totally ideological situation.
Winning over an ideologue's
not like winning over someone
in a real estate deal because
they have a core conviction
which may prevent them from
coming over to the other side.
It's not all transactional.
>> Here at the White House,
it is all hands on deck.
>> NARRATOR: The bill was
stuck, the president
increasingly taking the blame.
>> The question, can he get
enough Republican votes to pass
the health care...
>> NARRATOR: Frustrated, he
headed to Capitol Hill to
confront his party.
>> A growing number of
conservative Republicans are
now warning...
>> NARRATOR: No more
backslapping and cheerleading.
Now, an ultimatum.
>> Can you get the votes, Mr.
President?
>> Think so.
>> Finally, Trump kind of just
throws up his hands and says,
"You know what?
This is the ultimatum.
You have until this day.
You have this deadline, and if
you can't get it done, we're
moving on."
>> Mr. President, did you make
a persuasive case in what...
>> NARRATOR: It was classic
Donald Trump.
>> We had a great meeting...
>> NARRATOR: The Freedom Caucus
would either get on board, or
the president would walk away
from the effort to repeal
Obamacare and make sure they
got the blame.
>> The pressure was so massive,
and this was the atmosphere
that the Freedom Caucus was in.
They knew the spotlight was
theirs.
>> NARRATOR: At the deadline,
they decided to call the
president's bluff.
Ryan headed to the White House
to warn Trump that they'd
failed.
>> I'm told Ryan was ice-cold,
very calm throughout the whole
car ride and the visit to the
White House because he had to
convey a simple message.
He did what he could, but the
votes weren't there.
>> I was there, I was in the
Oval Office when he arrived.
Speaker Ryan was very candid
and very forthright.
He said, "We're going to pull
the bill.
We don't have the votes."
>> Donald Trump is a man who
expects action.
This notion of pulling a bill
is unacceptable.
"You told me we're going to get
it done."
He promised the American
people, "We're going to repeal
and replace Obamacare."
So when he hears, "We have to
pull the bill because we don't
have the votes," he's beside
himself.
>> NARRATOR: After Ryan left,
the president picked up the
phone to call the "Washington
Post," determined that he not be
blamed.
(phone dialing)
>> I get a call on a Friday
afternoon and it's President
Trump.
Trump says, "I've pulled the
bill."
He tells me the Republican
Party is broken.
"I don't need this broken
Republican Party," he said,
"if they're not going to really
help me, if they're not going
to get their stuff together."
What he really wanted was a
win.
He wasn't pushing for an
ideological win, he wasn't
pushing for a political win.
He wanted a win for Donald
Trump, and the Republican Party
failed him.
>> Congress failed to pass a
Republican bill to reform...
>> In the end, the
self-proclaimed closer couldn't
close the deal.
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While self-driving and
autonomous vehicles are still
being developed, much of
the technology to drive them
is already here.
Systems that combine
automatic steering
and adaptive cruise control
can make driving easier,
especially in stop
and go traffic.
But to be clear, these
are not safety systems.
It's important for consumers to
know which ones perform well,
and the safest way to use them.
Consumer Reports looked
at four of these systems.
Tesla's Autopilot, Volvo's
Pilot Assist, Nissan's ProPILOT
Assist, and Cadillac's
Super Cruise.
We evaluated them on
our auto test track,
and on public highways.
Testers drove the
cars multiple times,
both as a leading and
following vehicle,
and we focused on five important
aspects of each system.
First, how well the system
performed the primary functions
of maintaining speed and
steering the car in its lane.
Second, whether the
system was easy to use
and gave the driver
clear feedback
on the system's status.
Third, whether the systems
could only be activated in safe
conditions, and how effectively
did they alert the drivers
to not use the technology
when they shouldn't?
Fourth, how the system
ensures the driver
is still paying
attention to the road,
and ready to take over
if there is a problem.
And fifth, how the
technology reacts
if it detects that the
driver is no longer providing
the appropriate feedback.
So how did each system perform?
Let's start at the
bottom of the list.
Volvo's Pilot Assist proved
to be the least capable system
in our testing,
struggling to keep
the car in the proper lane.
We also found the system
complicated to engage.
And if Pilot Assist receives no
input from the driver applying
pressure to the steering wheel,
it turns off the whole system
completely, and that
could be a real problem
the driver is incapacitated.
For example, if there
a medical emergency.
In response to questions
from Consumer Reports,
Volvo said there's little
chance that a driver would
become completely incapacitated,
saying it's a small risk.
At number three on our list is
Nissan's ProPILOT Assist Suite.
One highlight with the system
is when ProPILOT Assist stops
receiving feedback
from the driver,
it does a good job of trying to
keep the driver safe by tapping
the brakes a number of times
to get the driver's attention
before bringing the car to
a complete stop in its lane.
Number two is Tesla's
Autopilot system.
It's simple to
engage with a stock,
and the system displays lots of
information about its operation
to the driver.
It also excelled in keeping
the car centered in its lane
and maintaining its speed and
distance to others on the road.
However, the system
works so well,
that it increases
the driver's chance
to check out and get
distracted behind the wheel.
An occasional pull or resting
a hand on the steering wheel
is all that's needed to
keep autopilot functioning,
but that's not a sufficient
way to make sure the driver is
paying attention.
Number one, Cadillac's
Super Cruise,
for providing the best balance
of capability and safeguards.
It stands out for
its use of cameras
and sophisticated
eye-tracking technology
to confirm the driver is
looking towards the road ahead.
If Super Cruise senses
your eyes are off the road,
it alerts the driver
to look forward.
We also like that
Super Cruise limits
where it can be turned on
to only divided highways.
This means it can't be used
on back roads, or other places
where these systems are
less likely to work safely.
We did find that Super
Cruise was a little difficult
to engage, as it
requires the driver
to be precisely in the middle of
the lane to turn on the system.
But this is a minor annoyance
to an otherwise excellent
implementation of
this technology.
For its part, Cadillac
says it will continue
to update the system as needed.
For more on
self-driving technology,
check out consumerreports.org.
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I close my eyes but I am still standing here
Lost in somewhere between the desert and the sea
As always I keep moving on
But I don't know where to go now
There is more of this, I didn't know
There are paths where I haven't gone and paths where I can't go
I've never felt this way before
Am I growing up now?
What's taking me so long? to find the right road
I'm screaming in confusion
Never leave me alone
Even thought there is no hope left
I still believe
You can find the right path
Once you have lost your way
Lost my way
Running, pushing through the rainstorm all day long without rest
Lost my way
In a big, complicated world without escape
Lost my way
Lost my way
I've wander every corner, but I still believe in myself
Lost my way
Found my way
Lost my way
Found my way
I remember when I saw ants walking from their home
They didn't even know how to find the road
Constantly crawling and moving forward
To find something to eat, searching until the corners
You know, the reason for this frustation
I believe that we are on the right road
If we ever find what we've been looking for
Like those ants we'll happily return home
What's taking me so long? to find the right road
I'm screaming in confusion
Don't you leave me alone
Even thought there is no hope left, I still believe
You can find the right path, once you have lost your way
Lost my way
Running, pushing through the rainstorm all day long without rest
Lost my way
In a big, complicated world without escape
Lost my way
Lost my way
I've wander every corner, but I still believe in myself
So long, all of my dreams and my hopes are so far now
So long, I may be a little slow on my own
I know I need to take this path, even if I go far I will take it back
I'll never, I will never, I will never lose my dream
Lost my way
Running, pushing through the rainstorm all day long without rest
Lost my way
In a big, complicated world without escape
Lost my way
Lost my way
I've wander every corner, but I still believe in myself
Lost my way
Found my way
Lost my way
Found my way
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Here's how to pair
your PlayStation DualShock 4
Wireless Controller
with your Apple TV,
iPad, or iPhone.
First,
open the Bluetooth settings
on your device.
On Apple TV, open Settings,
select Remotes and Devices,
and then Bluetooth.
On iPad and iPhone,
open Settings and tap Bluetooth.
To put your controller
in pairing mode,
hold down
the PS and Share buttons
until the light on top
starts flashing.
♪ Music playing ♪
Then just select your controller
when it appears
in the device list.
♪
Game time.
♪
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Ukrainian:
-
Ми говорили про ембріональний
кровообіг,
про всі різні та цікаві
пристосування, що ембріон
має
для регуляції життя
в матці, в тілі матері.
Проте коли дитина народжується--
тільки з'являється
на світ після пологів
в її тілі вібуваються
значні зміни.
Фактично, кожне
пристосування
відіграє важливу роль
в перші хвилини, години, дні життя.
Я перерахую ще раз
ці пристосування,
і ми побачимо
що ж відбудеться
одразу після народження.
Тож ми знаємо, що
відбувається до народження
і як дитина пристосовується
до умов, проте
цікаво які перетворення
відбуваються після народження
і що
дитина робить
коли відокремлюється
від мами і починає
самостійно дихати.
І наступні два запитання
це ідея про те--
які ж найбільші зміни відбудуться?
Portuguese:
A circulação do bebê logo após o nascimento
Nós conversamos sobre
circulação fetal,
e eu já falei sobre tudo
as diferentes e interessantes adaptações
que o feto tem que fazer
para ter certeza de que ele poderá se adaptar à vida dentro do útero, dentro mãe.
Mas quando o bebê
sai
digamos que o bebê acabou de nascer
ele sofrerá várias mudanças
Na verdade, essas
adaptações, cada uma delas
desempenha um papel nos primeiros
minutos, horas, dias de vida.
E então o que eu queria fazer é
passar por todas as adaptações,
imaginá-las e e ver o que realmente acontece
após o nascimento.
Então, nós sabemos o que
acontece antes do nascimento
e como o bebê se
ajusta lá, mas como
isso se traduz agora no que irá acontecer
após o nascimento e o que
o bebê tem que fazer agora
que está separado
da mãe e
respirando por conta própria?
E as primeiras duas coisas
que quero salientar
são uma ideia do que são as
grandes mudanças?
Czech:
Mluvili jsme o oběhovém systému plodu.
Taky jsem zmínil různé odlišnosti plodu,
které mu pomáhají přizpůsobit se "životu"
uvnitř dělohy, uvnitř matky.
Ale když se dítě narodí, řekněme,
že máme čerstvě narozené miminko.
Musí se dít velké množství změn,
z kterých každá má svou určenou roli
v prvních minutách, hodinách a dnech života dítěte.
Mým dnešním cílem je projít všechny tyto změny
a zaměřit se na to, co se s dítětem děje po porodu.
Už víme, co se děje před porodem a jak
se dítě přizpůsobuje. Ale co se s dítětem děje
po porodu? Co musí dělat, když už není fyzicky
spojeno s matkou a musí samo dýchat?
První dvě věci, které bych rád zmínill, jsou ty velké změny.
Bulgarian:
Говорихме за кръвообращението
на плода
и за различните
интересни адаптации,
които са нужни на плода,
за да се гарантира
че може да се нагоди към живот
в матката, в майката.
Но когато бебето излезе –
да кажем, че бебето е
току-що родено –
ще се случат много промени.
Всъщност, всяка от тези
адаптации
играе роля в първите няколко
минути, часове, дни живот.
И искам да разгледам
всички адаптации,
да помисля и да видя
какво се случва
точно след раждане.
Знаем какво се случва
преди раждането
и как бебето се адаптира там,
но как това се отнася
към това, което ще се случи
след раждането
и което бебето трябва да направи сега,
когато е разделено
от майката
и диша самостоятелно?
И първите две неща,
които искам да изтъкна,
са идеята за – какви са големите
неща, които се променят?
English:
We've talked about
fetal circulation,
and I've talked about all
the different interesting
adaptations that the
fetus has to make
sure it can adjust to life
within the uterus, within mom.
But when the baby
comes out-- let's
say the baby is just
delivered-- there's
got be a lot of
changes that happen.
In fact, these
adaptations, each of them
plays a role in the first few
minutes, hours, days of life.
And so what I wanted to do is
go through all the adaptations,
think through them,
and see what's
happening actually after birth.
So we know what
happens before birth
and how the baby
adjusts there, but how
does this now
translate into what's
going to happen
after birth and what
the baby has to do now
that it's separated
from mom and
breathing on its own?
And the first two things
I want to point out
are the idea of-- what are the
big things that are changing?
Korean:
태아순환에 대해 얘기해봤습니다
태아순환에 대해 얘기해봤습니다
그리고 태아가 엄마 안에서,
자궁 안에서의 삶에 적응할 수 있도록 하는
여러 흥미로운 적응 방식에 대해 얘기해봤습니다
하지만 아기가 나왔을 때
방금 태어났을 때
많은 변화가 일어납니다
실제로 이 적응 방식들은 각각
생후 몇 분, 몇 시간, 며칠 만에 작용합니다
그래서 모든 적응 방식들을 알아보고
생각해보며 실제로 출산 후
무슨 일이 일어나는지 알아봅시다
출산 전에는 무슨 일이 일어나고
어떻게 아기가 적응하는지 압니다
하지만 출산 후에는 어떻게
그 적응 방식들이 바뀌고
아기가 산모와 분리된 채
혼자 숨을 쉬는 걸까요?
2가지 먼저 짚을게 있습니다
2가지 먼저 짚을게 있습니다
Korean:
하나는 당연히 태반입니다
태아가 40주 아니면 9달 동안 사용하던 게
이제 없습니다
태반은 아기의 순환에서 제외됩니다
잘라버릴 겁니다
두 번째 큰 변화는
난생 처음으로 공기를 들일
폐입니다
폐입니다
따라서 이 둘이 어마어마한 변화에 해당합니다
그리고 다른 수많은 과정에도
영향을 주게 될 겁니다
영향을 주게 될 겁니다
태반이 제거되고 폐에 공기가 들어올 때
무슨 일이 일어나는지 알아봅시다
태반부터 시작해봅시다
아기가 태어났다고 가정합니다
탯줄을 자르고 싶어서
탯줄 클랩프를 설치합니다
탯줄 클랩프를 설치합니다
영화에서 보거나 분만실에 가봤다면
익숙하게 처리되는걸 보셨을 겁니다
익숙하게 처리되는걸 보셨을 겁니다
익숙하게 처리되는걸 보셨을 겁니다
혹시나 아기나 산모 해칠까 걱정할 필요 없습니다
Portuguese:
E uma das grandes mudanças, é
claro, é a placenta, que
o bebê esteve usando por 40
semanas, ou aproximadamente nove meses,
já não se encontra mais ao seu redor
A placenta é removida
da circulação do bebê.
Nós vamos removê-la
E a segunda grande mudança
que vai acontecer
é que os pulmões devem
se acostumar a puxar o ar
pela primeira vez.
Assim, os pulmões puxam o ar.
Então, essas são as duas enormes mudanças
E essas duas coisas
vão acabar
afetando toda uma série de
outras coisas, também.
Então vamos começar.
Vamos ver o que acontece quando
a placenta é removida
e quando os pulmões puxam ar.
Vamos começar com a placenta.
Então, digamos que você decide
que agora o bebê nasceu
e você irá cortar o
o cordão umbilical,
e pôr uma braçadeira umbilical ali.
E isso é feito com muita frequência
Você já deve ter visto isto em filmes,
ou se você já assistiu a um parto,
você verá que isto é parte da rotina
Portanto, esta é uma
braçadeira umbilical pequena
e está prendendo o cordão.
E se você já se perguntou se isso
machuca o bebê ou a mãe,
Bulgarian:
Едно голямо нещо е, разбира се,
че плацентата,
която бебето е използвало 40 седмици,
или девет месеца,
вече я няма.
Плацентата е премахната
от кръвообращението на бебето.
Премахване на плацентата.
И второто голямо нещо,
което ще се случи,
е, че белите дробове
вдишват въздух
за пръв път.
Белите дробове поемат въздух.
Това са двете огромни неща,
които ще се променят.
И тези две неща
ще се окаже,
че влияят и на много други неща.
Да започнем.
Да видим какво се случва,
когато плацентата бъде премахната
и белите дробове
поемат въздух.
Да започнем
с плацентата.
Да кажем, че бебето вече е родено,
и е прерязана
пъпната връв,
поставяш пъпна клампа тук.
И това често се прави.
Ще видиш това да се прави
по филмите
или ако отидеш в родилно отделение,
често ще виждаш това.
Това е малка пъпна клампа,
която клампира (притиска)
пъпната връв.
И ако се чудиш дали това
наранява бебето
Ukrainian:
По-перше, це звичайно плацента
яку
дитина використовувала 40 тижнів,
дев'ять місяців
або близько до того.
Плацента видаляється
з кровообігу дитини.
Ми обрізаємо її.
По-друге,
легені роблять перший
вдих
повітря.
Тож легені заповнюються киснем.
Тож це дві найбільші
зміни в організмі дитини.
Ці речі також
впливають на інші
функції також.
Тож розпочнемо.
Подивимося, що ж станеться
коли плацента видалена
і коли легені роблять
перший вдих.
Почнімо з плаценти.
Тож ви маєте новонароджену дитину,
і хочете відрізати пуповину,
і затиснути її ось тут.
Це часто робиться.
Мабуть ви бачили в кіно,
ябо якщо були присутніми на пологах,
цю дію можна побачити часто.
Тож це маленький пупковий затискач,
що стискає пуповину.
Якщо ви хвилюєтеся, що
дитині або матері буде боляче,
Czech:
První je placenta, kterou dítě používalo 40 týdnů, tedy zhruba 9 měsíců
už není dostupná, protože je odstraněná z jeho krevního oběhu.
Druhou velkou změnou projdou plíce, které
jsou teď samy zodpovědné za přívod vzduchu.
Tyhle dvě obří změny mají vliv na
nezměrné množství dalších věcí.
Podívejme se, co se tedy stane, když se
odstraní placenta a plíce začnou samy dýchat.
Začněme placentou.
Řekněme, že přivedete na svět dítě,
přestřihnete pupeční šňůru a zasvorkujete ji.
Určitě jste to už viděli ve filmu nebo když jste
byli u porodu, je to rutinní záležitost.
Máme tady svorku, která je na pupeční šňůře.
English:
And one big thing is, of
course, that the placenta, which
the baby's been using for 40
weeks, or nine months or so,
is no longer around.
The placenta is removed
from the baby's circulation.
We're going to cut it away.
And the second big thing
that's going to happen
is that the lungs
get used to bring
in air for the first time.
So the lungs take in air.
So these are the two huge
things that are going to change.
And these two things
are going to end up
affecting a whole lot of
other things, as well.
So let's get started.
Let's see what happens when
the placenta gets removed
and when the lungs take in air.
Let's start with the placenta.
So let's say that you decide
that the baby is now delivered,
and you want to cut the
cord, cut the umbilical cord,
and put an umbilical
clamp right there.
And this is often done.
You'll see this done in
movies, or if you've ever
gone to a delivery, you'll see
this done pretty routinely.
So this is a little
umbilical clamp,
and it's clamping the cord.
And if you're ever worried about
whether that hurts the baby
Bulgarian:
или майката,
отговорът е не.
Понеже пъпната връв
няма нерви.
Това е първото интересно
нещо за нея.
Но това, помни –
това бледожълто нещо,
което е желеподобно –
наричаме го желе на Уортън.
Желе на Уортън.
И едно от нещата,
които аз намирам,
че са много готини
за желето на Уортън,
е, че това е интересно хрумване
на майката природа –
желето на Уортън започва
да се свива.
Става по-стегнато
около трите съда –
двете очи и усмивката, които начертах тук,
които са двете пъпни артерии
и вената.
Желето на Уортън започва
да се свива около тези съдове,
веднага след като
температурата падне.
Температурата пада – и, помни,
температурата в майката
ще е много по-висока,
отколкото в стаята в родилното,
така че веднага желето на Уортън
бива изложено на студен въздух.
И когато температурата падне,
желето на Уортън
започва да се свива.
Korean:
그렇지 않기 때문입니다
왜냐하면 탯줄은 신경이 없기 때문입니다
흥미로운 점 중 하나입니다
여기 있는 연하고 누리끼리한 물질은
여기 있는 연하고 누리끼리한 물질은
여기 있는 연하고 누리끼리한 물질은
그리고 항상 생각하지만
와튼 젤리는 되게 멋지고
대자연의 아이디어 같은 게 있습니다
와튼 젤리는 수축하기 시작합니다
저기 웃는 얼굴처럼 보이는
3개의 관 주위로 조이기 시작합니다
저 2개는 정맥에 있는 배꼽정맥입니다
온도가 내려가자마자 와튼 젤리는 혈관들 주위로
수축하기 시작합니다
수축하기 시작합니다
엄마의 내부 온도가 외부인 분만실보다
무척 따뜻할테니
와튼 젤리는 즉시 찬 공기에 노출됩니다
그리고 온도가 떨어질 때 와튼 젤리는
수축하기 시작합니다
Ukrainian:
то їм не буде.
Тому що пуповина
не має нервових закінчень.
Це перша річ.
Ця жовтувата речовина
називається
Вартонові дриглі.
Найцікавіше
про Вартонові дриглі
є те, що
вони починають стискатися.
Вони тісно
стискають три судини--
два ока і смайл, що
я намалював її так,
це дві пупкові артерії
та вена.
Тож Вартонові дриглі
стискаються навколо цих судин
як тільки температура
падає.
Пам'ятаєте,
температура в мамі
буде більша,
ніж ззовні в родильній палаті,
тож Вартонові дриглі
миттєво затвердіють на холодному повітрі.
Коли температура впаде,
Вартонові дриглі скоротяться.
Czech:
Jestli máte strach, že to to dítě nebo matku bolí,
tak nebolí. V pupeční šňůře totiž nejsou nervy.
To je dost zajímavé. Pak tady máme nažloutlou,
želatinovou hmotu, která se nazývá Whartonův rosol.
Jedna z věcí, která je na něm skvělá je, že
je to výborný nápad matky přírody.
Tento rosol se totiž začne srážet okolo tří cév,
já jsem je tady nakreslil jako oči a pusu toho panáčka.
Jsou to dvě pupečníkové tepny a pupečníková žíla.
A ten rosol na nich začne tuhnout, jakmile poklesne teplota.
Musíte si uvědomit, že uvitř dělohy je mnohem
tepleji, než na porodním sále.
Whartonův rosol je tedy hned vystaven nižší teplotě,
a v tu chvíli se začne srážet, což způsobí,
English:
or the mother, it doesn't.
Because the umbilical
cord does not have nerves.
So that's kind of the first
interesting thing about it.
But this stuff, remember--
this pale yellowish stuff
that's kind of jelly-like--
we call this Wharton's jelly.
Wharton's jelly.
And one of the
things that I always
thought was really cool
about Wharton's jelly
is that it's a really
interesting Mother Nature-type
idea, that the Wharton's
jelly starts contracting.
It gets kind of tighter around
the three vessels-- the two
eyes and the smiley face
that I've drawn here,
which are the two umbilical
arteries in the vein.
The Wharton's jelly starts
squeezing around those vessels
as soon as the
temperature falls.
So temperature
falls-- and remember,
the temperature in
the mom is going
to be much warmer than it is
outside in the delivery room,
so immediately that Wharton's
jelly is exposed to cold air.
And when the temperature
falls, the Wharton's jelly
starts to contract,
causes contraction.
Portuguese:
a resposta é não .
Uma vez que o cordão umbilical
não tem nervos.
Então, este é o primeiro
fato interessante sobre isso.
Mas este material,
este material amarelado claro,
que é como uma geléia,
é o que chamamos de geléia de Wharton.
geléia de Wharton.
E uma das coisas que
eu sempre achei legal
sobre a geleia de Wharton
é que a sua reação é tipo mãe natureza,
pois a geleia de Wharton
começa a se contrair.
Ela fica meio apertada ao redor dos
três vasos - essa carinha
sorridente que eu desenhei aqui,
que são as duas artérias
umbilicais e a veia umbilical.
a geléia de Wharton começa a se
espremer em torno desses vasos
assim que a
temperatura cai.
Então a temperatura cai,
e lembre-se que
a temperatura da mãe será
muito superior à temperatura ambiente
da sala de parto,
então imediatamente a geléia de Wharton
fica exposta ao ar frio.
E quando a temperatura
cai, a geleia de Wharton
começa a se contrair,
provoca contração.
English:
And of course, that's going to
squeeze down on all the vessels
inside.
It's going to basically
clamp down on them.
And so it's almost like we have
this man-made clamp that I drew
in orange, but the
Wharton's jelly
is kind of a natural clamp
that we already have.
So we're taking this very
low-resistance placenta--
remember, it used to be very
low-resistance, a lot of blood
liked to flow in
that direction--
and creating really
high-resistance.
So this is the
first big change, is
that the placenta
gets removed and you
go from low-resistance
to high-resistance.
So that's a key idea.
Now as a result of the
high-resistance-- remember,
there used to be blood flowing
through the umbilical vein,
but now in the first
few days, there's
really no blood
flowing through here.
All the blood
starts clotting off.
And that's true even
of the ductus venosus.
You get some blood
clots in there.
So you don't really
have any flow anymore,
and in the first few days,
you really completely
Ukrainian:
І це вплине на
судини
всередині.
Вони стиснуть
їх.
Це виглядатиме так начебто
ви взяли саморобний затискач,
я намалював його оранжевим,
проте Вартонові дриглі
це природний затискач,
що ви вже маєте.
Ми говоримо про
низький тиск в плаценті--
він був дуже низьким,
багато крові
текло в цьому напрямі--
створюючи високий тиск.
Це перша велика зміна,
плацента видалена і ви
перейшли від низького
тиску до високого.
Це ключова ідея.
Тепер як результат
є високий тиск-- пам'ятайте,
кров текла через пупкову
вену,
проте в перші дні,
там не було потоку крові.
Вся кров звернулася.
Це правдиво і для
венозної протоки.
Кров звернулася там
теж.
Тож ви більше не маєте
потоку,
і у перші декілька днів,
ви втратите
Czech:
že se ty tepny a žíly začnou uzavírat.
Máme tedy jak uměle vyrobenou svorku, kterou jsem
nakreslil oranžově, tak přírodní, rosolovitou.
Takže odstraníme placentu, která měla velmi nízký odpor a teklo do ní velké množství krve
a kontrakcí těchto cév vytvoříme velmi velký odpor.
To je obrovský přechod.
Placenta je odstraněna a přecházme od malého odporu
k velkému odporu.
To je klíčová myšlenka.
Jako výsledek této přírodní svorky se, během pár dní, veškerá
krev, která dříve proudila v pupečníkové žíle začne srážet. To platí i pro ductus venosus.
Začnou se tvořit jakési krevní sraženiny.
Portuguese:
E, claro, que ela vai
espremer todos os vasos
lá dentro.
Vai, basicamente,
grampeá-los
Então é como se fosse este grampo
feito pelo homem que eu desenhei
em laranja, mas a
geléia de Wharton
é uma espécie de braçadeira natural
que já temos.
Então, nós estamos pegando essa placenta de baixa resistência --
lembre-se, que ela costumava ter muito
baixa resistência, muito sangue
gostava de fluir
naquela direção
e criando altíssima resistência.
Então esta é a
primeira grande mudança,
o fato da placenta
ter sido removida
e ir de baixa resistência para uma alta.
Então essa é uma ideia-chave.
Agora, como um resultado da
alta resistência -- lembre-se,
costumava haver sangue fluindo
através da veia umbilical,
mas agora, nos primeiros
dias, não haverá nenhum sangue
fluindo por aqui.
Todo o sangue
começa a coagular.
E isso é verdade até mesmo
para o ducto venoso.
Você encontra um pouco de sangue
coagulado lá.
Então, realmente não
tem mais nenhuma fluxo
e nos primeiros dias,
você realmente perde
Bulgarian:
И, разбира се, това ще притисне
всички кръвоносни съдове,
които са вътре.
Това ще ги клампира.
Действа почти като изработена от човек клампа,
която нарисувах в оранжево,
но желето на Уортън
е естествена клампа,
която вече имаме.
Взимаме тази плацента
с много ниско съпротивление –
помни, тя беше с много ниско
съпротивление,
много кръв предпочиташе
да тече в тази посока –
и създаваме високо съпротивление.
Това е първата голяма промяна –
че плацентата бива премахната
и преминаваш от ниско съпротивление
към високо съпротивление.
Това е ключовата идея.
Като резултат от високото съпротивление –
помни,
преди през пъпната вена
течеше кръв,
но сега, в първите няколко дни,
оттук не протича кръв.
Всичката кръв започва
да се съсирва.
И това важи дори
за венозния канал.
Получаваш кръвни
съсиреци там.
Вече нямаш поток
и в първите няколко дни
Korean:
그리고 당연하게 안에 있는 관을 압박합니다
그리고 당연하게 안에 있는 관을 압박합니다
그리고 당연하게 안에 있는 관을 압박합니다
거의 여기 있는 오렌지색 클램프처럼
인공 클램프가 있는 거 같지만 와튼 젤리는
이미 가지고 있던 자연산 클램프입니다
따라서 매우 작은 저항을 가지고
많은 혈류가 향하던 태반에
매우 큰 저항을 만든 겁니다
매우 큰 저항을 만든 겁니다
이것이 첫 번째 큰 변화입니다
태반이 제거되며 작은 저항에서
큰 저항으로 바뀝니다
큰 저항으로 바뀝니다
돌이켜 보자면 높은 저항의 결과로
탯줄정맥을 통해 혈액이 흘렀습니다
하지만 생후 며칠간은
혈액이 흐르지 않습니다
모든 혈액이 굳어지기 시작합니다
정맥관도 마찬가지입니다
여기에 혈전이 조금 생깁니다
따라서 흐름이 결국 없어집니다
생후 며칠간 흐름이 완전히 없어집니다
English:
lose any flow
through those things.
So this becomes
non-used, or unused,
over the first few days of life.
Now you still have blood
flowing from the portal vein
into the liver, and you
still have blood going up
the inferior vena cava, and
this is all deoxygenated blood,
so that is still
the same as before.
And this deoxygenated blood
now has no new fresh oxygen
to mix with.
So I'm not going
to color it purple.
I'm going to leave it
the same blue color.
So deoxygenated blood
comes up from the legs
and it comes down from
the head and the arms,
from the superior vena cava.
And now all this
deoxygenated blood
fills in the right atrium,
and some of that blood
is going to now go into the
right ventricle, so let's
color that in blue.
And it's going to
get squeezed out
into the pulmonary arteries
from the right ventricle,
so let me color that in the
same deoxygenated blue color.
And this is headed
toward the lungs.
Portuguese:
todo o fluxo
nesta área
Então isso se torna
não-utilizado ou, inútil
durante os primeiros dias de vida.
Agora você ainda tem sangue
que flui a partir da veia porta
para o fígado, e você
ainda tem o sangue subindo
a veia cava inferior, e
isso é tudo o sangue venoso,
de modo que ainda é
o mesmo que antes.
E este sangue venoso agora não
tem nenhum novo oxigênio fresco
com que se misturar.
Então eu não vou
pintar de roxo.
Vou deixá-lo
na mesma cor de azul.
Então o sangue venoso
sobe pelas pernas
e ele desce da
cabeça e dos braços,
a partir da veia cava superior.
E agora todo esse
sangue venoso
preenche o átrio direito,
e parte desse sangue
agora vai entrar no
ventrículo direito, então vamos
colorir aqui de azul.
E ele será espremido
para as artérias pulmonares
do ventrículo direito,
então deixe-me colorir ali na
mesma cor do azul venoso.
E então ele se dirige
aos pulmões.
Ukrainian:
потік.
Це відбудеться тому, що
в перші дні життя ці судини
не застосовуватимуться.
Тепер кров потече
через Ворітну вену
в печінку, і кров піде
у нижню порожнисту вену,
і це буде деоксигенована кров,
це буде так само як і раніше.
Ця кров не отримає
свіжого кисню
для змішування.
Я не буду малювати її
багряним.
А залишу її
блакитного кольору.
Тож бідна на кисень кров
піде від ніг
до рук та вниз
від голови та рук,
через верхню порожнисту
вену.
І тепер бідна на кисень кров
заповнить праве передсердя,
і трохи крові
піде у правий шлуночок,
що забарвлений блакитним.
Кров буде
виштовхнута
в легеневі артерії
з правого шлуночка,
я замалюю її
блакитним кольором.
Далі вона потрапить
в легені.
Czech:
V prvních dnech se z těchto míst tedy vytrácí krevní oběh.
Stane se to nepoužívanou částí.
Neokysličená krev stále proudí skrz portální žílu do jater a
skrz dolní dutou žílu. To všechno zůstává stejné.
Do krve nyní není přívod čestvého kyslíku,
takže ji zaznačím modře.
Neokysličená krev nyní proudí jak z nohou,
tak z hlavy a rukou
horní dutou žilou. Všechna tato neokysličená krev
plní pravou srdeční předsíň. Něco se přesune do pravé srdeční komory
a z pravé srdeční komory pak do plicních tepen. Vybarvím ji tedy také modře.
A poté krev míří do plic.
Bulgarian:
напълно спира целия поток
през тези неща.
Това става неизползвано
през първите няколко дни живот.
Все още имаш кръв, протичаща
през порталната вена в черния дроб,
и все още имаш кръв,
течаща нагоре по долната куха вена
и всичко това е бедна
на кислород кръв,
така че това е същото като преди.
И тази бедна на кислород кръв
сега няма нов свеж кислород,
с който да се смеси.
Така че няма да я оцветя
в лилаво.
Ще я оставя в същия син цвят.
Бедна на кислород кръв
идва от краката
и слиза надолу от главата
и ръцете
от горната куха вена.
И сега цялата тази
бедна на кислород кръв
запълва дясното предсърдие
и част от тази кръв
ще навлезе в десния вентрикул.
Нека оцветим това в синьо.
И ще бъде изпомпана
в белодробните артерии
от десния вентрикул,
така че нека оцветя това в същия
син цвят за бедна на кислород кръв.
И това е насочено
към белите дробове.
Korean:
생후 며칠간 흐름이 완전히 없어집니다
생후 며칠동안 쓰지 않게 되는거죠
생후 며칠동안 쓰지 않게 되는거죠
아직 간문맥에서 간으로 혈액이 흐르고
하대정맥으로 혈액이 흐르는데
전부 전과 같이
산소가 부족한 혈액입니다
그리고 이 혈액은 이제 섞일 신선한 산소가 없습니다
그리고 이 혈액은 이제 섞일 신선한 산소가 없습니다
그래서 보라색으로 칠하지 않겠습니다
같은 파란색으로 남겨 두겠습니다
산소가 부족한 혈액은 다리 밑에서 올라오고
머리와 팔에서도 상대정맥을 통해
내려옵니다
그러고선 우심방을 채우게 됩니다
혈액의 일부는 우심실로 들어가기 때문에
파란색으로 칠합시다
파란색으로 칠합시다
또 우심실에서
폐동맥으로 혈액이 흐를테니
똑같이 파란색으로 칠합니다
폐를 향하고 있습니다
English:
Now in the lungs,
what was happening?
Well, initially, remember
we had these little alveoli.
And they're full of fluid.
And that fluid now is going
to get replaced by air.
So air is going to
push the fluid out.
Air is going to push
all that fluid out.
And what's on the outside?
Well, we've got
little capillaries.
So we've got these
capillaries, and the fluid
will enter the capillary.
But remember, right before the
capillary is the arteriole.
Let me actually sketch
it a little bit smaller,
the arteriole.
Because it used to
be very constricted.
Remember, there was that hypoxic
pulmonary vasoconstriction.
But now that you
have air in there,
the oxygen levels are
rising in the alveolus.
And what that's
going to do is that's
going to send a signal over
to the arteriole-- this
is our arteriole-- to say,
hey, it's time to open up now.
It's time to finally dilate.
So this arteriole is excited.
Ukrainian:
Що трапиться в легенях?
Пам'ятаєте спочатку
ми мали маленькі альвеоли,
що були заповнені
рідиною.
Тепер вона буде замінена
повітрям.
Тож повітря витіснить
її.
Повітря буде
витісняти всю легеневу рідину.
Що ж буде назовні?
Ми отримали маленькі
капіляри.
Легенева рідина
буде поступати в капіляри.
Проте пам'ятаєте
перед капілярами є артеріоли.
Зменшимо малюнок.
Тож артеріоли.
Вони мали здатність
стискатися.
В результаті
гіпоксичної легеневої вазоконстрикції.
Тепер ви маєте
повітря,
а в альвеолах
рівень кисню зростає.
Сигнал буде поступати
до артеріол--це
наша артеріола--
це буде знаком
для їх розширення.
Ця артеріола буде
стимулюватися.
Portuguese:
e agora, nos pulmões,
o que estava acontecendo?
Bem, inicialmente, lembre-se que
tínhamos esses pequenos alvéolos.
E eles estão cheios de fluido.
E que agora o fluido vai
ser substituído por ar.
Assim, o ar vai
empurrar o fluido para fora.
o ar vai empurrar
todo aquele fluido para fora
E o que temos do lado de fora?
Bem, nós temos
pequenos capilares.
Então, nós temos estes
capilares, e o fluido
entrará no capilar.
Mas lembre-se, um pouco antes do
capilar é a arteríola.
vou desenhar
um pouco menor,
arteríola.
Porque ela costumava
ser muito apertada.
Lembre-se, havia aquela
vasoconstrição pulmonar hipóxica
Mas agora que temos
ar lá dentro,
os níveis de oxigênio começam a subir no alvéolo.
E o que isso
acarreta é que é
vai enviar um sinal para a arteríola
esta é a nossa arteríola -- e ele fala,
olá, é hora de abrir agora.
É hora de finalmente se dilatar.
Portanto, esta arteríola fica animada.
Czech:
A teď, co se děje v plicích.
Vzpomeňme si, že v plicích plodu byly plicní sklípky plné tekutiny.
A tato tekutina je nyní nahrazena vzduchem. Vzduch tu tekutinu vytlačí.
V těsné blízkosti plicních sklípků protékají vlásečnice (kapiláry), a vytlačená tekutina se tedy dostává do nich.
Musíme si ale uvědomit, že ještě před vlásečnicemi je tepénka.
Ta až doteď byla málo průchozí, vzpomeťe si na hypoxickou plicní vazokonstrikci.
Ale jak se do sklípků postupně dostává vzduch, tak i ta tepna dostává
Korean:
폐에서는 무슨 일이 일어나고 있었죠?
처음에는 폐포가 액체로 가득 차있었습니다
처음에는 폐포가 액체로 가득 차있었습니다
그리고 그 액체는 이제 공기로 대체됩니다
공기가 액체를 밀어냅니다
공기가 액체를 밀어냅니다
밖에는
작은 모세혈관들이 있습니다
액체는 모세혈관으로 들어갑니다
액체는 모세혈관으로 들어갑니다
하지만 모세혈관 바로 전에는 세동맥입니다
하지만 모세혈관 바로 전에는 세동맥입니다
수축해 있었기 때문에
조금 더 작게 그립니다
떠올리자면 여기에 저산소폐혈관수축이 있었습니다
하지만 이제 공기가 있으니
폐포의 산소 수치가 상승합니다
폐포의 산소 수치가 상승합니다
이것이 세동맥에 신호를 보냅니다
열릴 시간이 다 됐다고
팽창할 시간이라고 보냅니다
팽창할 시간이라고 보냅니다
Bulgarian:
Какво се случваше
в белите дробове?
В началото, спомни си,
имахме тези малки алвеоли,
които бяха пълни с течност.
И тази течност сега бива
заменена от въздух.
Въздухът ще избута
течността навън.
Въздухът ще избута
тази течност навън.
Какво има отвън?
Имаме малки капиляри.
Имаме тези капиляри
и течността
ще навлезе в капилярите.
Но, помни, точно преди капиляра
е артериолата.
Нека я скицирам малко по-малка,
артериолата.
Преди беше много стеснена.
Помни, имаше хипоксична
белодробна вазоконстрикция.
Но сега, когато имаш въздух тук,
нивата на кислород в алвеолата
се повишават.
И заради това тя
ще изпрати сигнал
към артериолата –
това е артериолата – за да ѝ каже,
че е време да се отвори.
Време е да се разшири.
Артериолата е развълнувана.
Korean:
팽창할 시간이라고 보냅니다
팽창할 시간이라고 보냅니다
팽창할 시간이라고 보냅니다
이렇게 팽창합니다
커졌다는 의미는
저항이 작아졌다는 의미입니다
저항이 작아졌다는 의미입니다
폐는 큰 저항을 갖고 있었지만
폐는 큰 저항을 갖고 있었지만
수백 만개의 폐포들이 세동맥을 팽창시키면서
저항이 감소합니다
그리고 당연히
왼쪽 폐와 오른쪽 폐 둘다
저항이 감소합니다
또 이제는 산소가 부족한 혈액이 유입될 수 있습니다
왜냐하면 처음에는 압력이 너무 큰 나머지
흘러 들어갈 수 없었습니다
하지만 폐동맥압이 떨어지고 있기에
폐로 혈액이 들어가기 쉽습니다
물론 우심실압이 떨어진다는 말입니다
물론 우심실압이 떨어진다는 말입니다
그리고 우심방압도 떨어집니다
따라서 심장의 오른쪽 부분 전체는
폐의 저항이 작아졌기 때문에
Bulgarian:
Тя никога не е била разширена
преди в живота си.
Така че си казва: "Ура,
това е шансът ми".
И се разширява.
Разширява се ето така.
Става хубава и голяма.
И когато стане голяма,
какво означава това?
Означава, че съпротивлението
е паднало.
Съпротивлението е паднало.
Помни, в белите дробове
преди имахме високо съпротивление.
А сега милиони алвеоли
карат артериолите
да се отворят
и съпротивлението пада.
И, разбира се, това се случва
от двете страни.
В левия бял дроб
и в десния бял дроб
съпротивлението пада.
И сега бедната на кислород кръв
може да протече в тях.
В началото тя не искаше
да протича тук, понеже налягането
беше толкова голямо.
Но сега наляганията
в белодробната артерия падат
и е по-лесно да закараш кръвта
до белите дробове.
И това, разбира се, означава,
че налягането в десният вентрикул спада.
И налягането в дясното
предсърдие пада.
Сега цялата дясна страна
на сърцето
работи при по-ниско налягане,
Portuguese:
Ela nunca havia sido dilatada antes em sua vida.
Por isso, finalmente ela diz,
EBA! Essa é a minha chance.
Por isso, ela dilata.
Ela dilata assim.
E ela fica linda, cheia e grande.
E quando fica grande, o que
que isso realmente significa?
Isso significa que a
resistência baixou.
A resistência está baixa.
Então lembre-se, os pulmões costumavam
ter alta resistência.
E agora, milhões de alvéolos
estão fazendo com que as arteríolas
se abram e a resistência caia.
E isto acontece, é claro, em ambos os lados.
Assim, no pulmão esquerdo
e no pulmão direito,
a resistência está caindo.
E o sangue venoso agora pode entrar.
Já que, inicialmente,
ele não estava querendo entrar
porque teria que fazer muita pressão para entrar
Mas agora que as pressões arteriais pulmonares estão caindo
é mais fácil para lançar o sangue para dentro dos pulmões.
E isso significa, é claro,
que a pressão
do ventrículo direito está baixando
E as pressões no átrio direito
estão baixando
Então todo o lado direito do coração
agora está trabalhando sob
pressões mais baixas
Czech:
signály, aby se začala roztahovat. Takže se konečně poprvé za svou existenci dilatuje.
S tím také klesá odpor, který v plicích předtím byl.
Teď ale miliony plicních sklípků způsobují to,
že se tepny rozšiřují a odpor tím klesá. Tento
proces probíhá na obou plicích.
Neokysličená krev už tedy může téct do plic,
což předtím kvůli vysokému tlaku,
který teď klesl, nemohla.
Tím také klesá tlak v pravé srdeční komoře
a v pravé srdeční předsíni. Celá pravá polovina srdce
tak pracuje pod nižším tlakem jen díky poklesu
English:
It's never really been very
dilated before in its life.
So it finally says,
yay, it's my chance.
So it dilates.
It dilates like this.
And it's nice and plump and big.
And when it gets big, what
does that really mean?
It means that the
resistance has fallen.
Resistance has fallen.
So remember, the lungs used
to have high resistance.
And now, millions of alveoli
are causing the arterioles
to open up and resistance falls.
And this happens, of
course, on both sides.
So on the left lung
and the right lung,
the resistance is falling.
And that deoxygenated
blood now can flow in.
Because initially, it
wasn't really wanting
to flow in because the
pressures had to be so great.
But now the pulmonary artery
pressures are falling.
It's easier to actually get
the blood into the lungs.
And that means, of course,
the right ventricular
pressures are falling.
And the right atrial
pressures are falling.
So the entire right
side of the heart
now is working under
lower pressures
Ukrainian:
До цього моменту артеріоли
ніколи не були розширеними.
В кінці кінців
вони розширяться.
Ось так.
Вони стануть великими і повними.
І коли вони стануть
великими, що це означатиме?
Це означатиме,
що опір зменшився.
Опір зменшився.
Легені мали
високий опір.
Тепер мільйони альвеол
відкрилися і опір
знизився.
Це станеться з обох
сторін.
У лівій і правій легені
опір впаде.
І бідна на кисень кров
почне поступати туди.
Спочатку, кров не текла туди,
бо тиск був високий.
Проте тепер тиск в легеневій артерії
впав.
І стало легше
доставити кров в легені.
Це означає, що
тиск в правому
шлуночку впав.
Це відбулось і в правому
передсерді теж.
Тож права
сторона серця
зараз працює
під низьким тиском
Bulgarian:
понеже съпротивлението в
белите дробове е спаднало.
И сега съпротивлението
в белите дробове спада,
а това означава, че
ще постъпва повече кръв,
а ако тя навлезе,
ще отиде във всички
хиляди капиляри
и ще се насити с кислород.
Тези капиляри
ще изпратят тази кръв обратно
и тя ще протече
в лявото предсърдие.
Тази фантастична богата
на кислород кръв навлиза
от двете страни, идва през тези
белодробни вени.
Сега много наситена
на кислород кръв
изпълва дясното предсърдие,
което е различно от преди,
понеже нямаше много поток
през белия дроб.
Сега имаш много кръв,
протичаща тук.
И в същото време
наляганията в дясната страна
са спаднали.
Ако наляганията от дясната страна
са спаднали,
помисли какво се случва
с овалния прозорец.
Преди кръвта преминаваше
през него.
Но сега, понеже наляганията
в дясната страна са толкова ниски,
Portuguese:
porque a resistência nos pulmões baixou
E com a baixa resistência
dos pulmões,
significa que mais
sangue vai entrar,
e ao entrar,
ele avança para
todos os pequenos
milhares de capilares
e vai obter oxigênio.
E os capilares vão
para enviar tudo o que o sangue de volta
e ele vai fluir
para dentro do átrio esquerdo.
Então você tem toda esse incrível
sangue oxigenado
vindo de ambos os lados, entrando naquelas veias pulmonares.
Então, agora um grande volume de
sangue oxigenado é
despejado para o átrio esquerdo,
que está diferente do que era antes,
porque você não tinha
muito fluxo no pulmão.
Portanto, agora você tem muito sangue fluindo aqui.
E, ao mesmo tempo, a pressão no lado direito diminuiu
E, ao mesmo tempo, a pressão no lado direito diminuiu
Então, se as pressões do
lado direito diminuíram,
pense no que está acontecendo
com nossa forame oval.
Antes, o sangue estava realmente
jorrando por lá.
Mas agora, porque as pressões
no lado direito estão tão baixas,
Czech:
odporu v plicích. To také znamená, že se do plic
dostane více krve, která pak bude proudit do vlásečnic,
kde se okysličí a opět se vrátí do srdce.
Tentokrát ale do levé srdeční předsíně.
V tuto chvíli už okysličená krev přichází
z obou plic do levé srdeční předsíně přes plicní žíly.
Oproti začátku je to velká změna, protože
teď je větší krevní průtok plícemi a zároveň se na pravé
straně snížil tlak. Zaměřme se tedy na to,
co se děje s otvorem mezi síněmi (foramen ovale).
Na začátku přes něj proudilo hrozně moc krve.
English:
because the resistance in
the lungs has gone down.
And now the resistance
in the lungs going down,
that means that more
blood is going to go in,
and if it goes in,
it's going to go
into all the little
thousands of capillaries
and it's going to
get oxygenated.
And those capillaries are going
to send all that blood back
and it's going to flow
into the left atrium.
So you have all this fantastic
oxygenated blood coming in
from both sides, coming
into those pulmonary veins.
So now tons of
oxygenated blood is
dumping into the left atrium,
which is different than before,
because you didn't have
much flow through the lung.
So now you've got lots of
blood kind of flowing in here.
And at the same time, the
pressures on the right side
have fallen.
So if pressures on the
right side have fallen,
think about what's happening
to our foramen ovale.
Before, blood was actually
kind of gushing through there.
But now, because the pressures
on the right side are so low,
Ukrainian:
бо опір в легенях
знизився.
Тепер коли опір знизився,
це означає, що більше крові
поступатиме в середину,
це також означатиме, що
кров потрапить у
тисячі капілярів
і збагатиться киснем.
І капіляри надсилатимуть
всю кров назад
і впадатиме в
ліве передсердя.
Тож ми матимемо
чудову збагачену киснем кров,
що надходить з обох сторін
в легеневі вени.
Тепер тони крові
завантажаться в ліве передсердя,
ніж раніше,
бо ви не мали такого
потоку через легені.
Тепер ви маєте багато крові,
що циркулюватиме тут.
Так само тиск з правого
боку
впаде.
Якщо тиск впаде,
то що ж трапиться
з овальним вікном?
Раніше кров била
там
Проте тепер, у зв'язку
з низьким тиском праворуч,
Korean:
이제는 낮은 압력으로 작동합니다
그리고 폐의 저항이 감소한다는 뜻은
혈액 유입이 증가한다는 것이고
혈액이 유입되면
수 천개의 모세혈관으로 들어가서
산소를 공급 받습니다
모세혈관은 그 혈액을 다시 돌려보내어
좌심방으로 흘려 보냅니다
폐정맥을 통해 양쪽에서
산소가 풍부한 혈액이 흘러 들어옵니다
그래서 전과는 다르게 산소가 풍부한 혈액이
좌심방으로 방대하게 모여듭니다
전에는 폐를 통과하는 이만한 흐름이 없었습니다
전에는 폐를 통과하는 이만한 흐름이 없었습니다
그리고 동시에 우측의 압력이 감소했습니다
그리고 동시에 우측의 압력이 감소했습니다
그리고 동시에 우측의 압력이 감소했습니다
난원공에 대해 생각해봅시다
전에는 혈액이 이곳으로 흘렀습니다
하지만 우측의 압력이 너무 작은 이상
Bulgarian:
тази малка тъканна клапа
се затваря.
И сега можеш да видиш,
че тази клапа ще направи това.
Ще се затвори.
Когато имаш повече налягане
вляво, отколкото вдясно,
то избутва тази клапа.
И сега овалният прозорец
се затваря.
И това се случва
в първите няколко минути –
първите няколко минути
след като бебето излезе от майката,
този овален прозорец се затваря,
което е чудесно.
Сега кръвта продължава
да отива надолу,
предпочита да отиде
в левия вентрикул.
Ще слезе тук
и ще бъде изпомпана в аортата.
Сега наситена с кислород кръв
за първи път
навлиза в аортата по този начин.
И сега следва този въпрос
за артериалния канал.
Спомни си, в началото
причината кръвта
Czech:
Ale teď, protože tlak na pravé straně je tak nízký,
a na levé tak velký, tak se ten malý otvor s chlopní zacelí přiložením té chlopně.
Díky tomu že je nyní na levé straně větší tlak než na straně pravé. To přitiskne ten cíp tkáňe na foramen ovale.
To se stane v několika prvních minutách po porodu.
Krev pokračuje do levé srdeční komory a následně
do aorty. Poprvé se tedy okysličená krev dostane
do aorty. Přichází na řadu ductus arteriosus.
Portuguese:
este pequeno retalho de tecido,
como uma pequena válvula, fecha.
E agora você pode ver o que vai acontecer
com este retalho de tecido
Ele vai se fechar.
Porque você têm mais pressão
do lado esquerdo do que do lado direito,
e ela empurra esse retalho de tecido
E agora o forame oval
está praticamente fechada.
E isto acontece, na verdade,
Nos primeiros minutos
Nos primeiros minutos em que o bebê está fora da mãe,
você pode ver esse forame
ovale fechar, o que é incrível.
Agora o sangue continua indo
para baixo,
ele gosta de entrar no ventrículo esquerdo.
Por isso, ele entra aqui e
se espreme na aorta.
Então deixe-me mostrar agora - o sangue oxigenado, pela primeira vez,
entrando na aorta neste sentido
E então você tem a questão
do canal arterial.
Lembre-se que, inicialmente,
a razão do sangue
English:
this little flap of tissue,
like a little valve, closes off.
And so now you can actually
see that this flap of tissue
will do this.
It'll close off.
Because you basically
have more pressure
on the left side
than the right side,
and it pushes that
flap of tissue over.
And now the foramen ovale
is basically closed.
And this happens, actually,
in the first few minutes--
first few minutes after
a baby is out of the mom,
you actually see this foramen
ovale close, which is amazing.
Now blood continues
to go down, it
likes to go into
the left ventricle.
So it's going to go
down here and get
squeezed into the aorta.
So let me show-- now oxygenated
blood for the first time
kind of getting into
the aorta this way.
And then you have the question
of the ductus arteriosus.
Remember, initially
the reason that blood
Korean:
이 작은 덮개, 작은 판막처럼 닫힙니다
이렇게 닫힙니다
이렇게 닫힙니다
이렇게 닫힙니다
오른쪽보다 왼쪽의 압력이
더 크기 때문에
덮개 같은 조직을 밀어버립니다
난원공은 이제 닫혔습니다
그리고 신기하게도
이 현상은 아기가 출산된지 몇 분만에
일어나는 걸 볼 수 있습니다
혈액은 계속 밑으로 향하여
좌심실로 들어갑니다
여기서 대동맥으로 이동합니다
여기서 대동맥으로 이동합니다
여기서 대동맥으로 이동합니다
여기서 대동맥으로 이동합니다
이제 동맥관에 대해 생각해봅시다
처음에 폐동맥에서
Ukrainian:
тканина клапана
ущільниться.
І фактично клапан
буде ущільнюватися.
Бо
тиск збільшиться
ліворуч,
і це виштовхне клапан.
Тепер овальне вікно
закриється.
Це трапиться у перші хвилини--
перші хвилини після народження,
ви зможете побачити
овальне вікно закритим, це надзвичайно.
Тепер кров продовжить рух
вниз,
і потрапить у ліве передсердя.
Вона буде йти вниз
та виштовхнеться в аорту.
Я покажу вам--
тепер збагачена киснем кров
вперше пройде цим шляхом.
Тепер перейдемо до
Артеріальної протоки.
Спочатку причиною того,
що кров
Korean:
대동맥으로 혈액이 흐르던 이유는
폐동맥의 압력이 너무 커서입니다
하지만 지금은 압력이 훨씬 낮아졌습니다
하지만 지금은 압력이 훨씬 낮아졌습니다
흐름이 있다면 이쪽으로 흐를겁니다
대동맥압이 폐동맥압보다
크기 때문입니다
하지만 흥미롭게도
생후 몇 시간만에
동맥관의 근육들이 수축하기 시작합니다
동맥관의 벽에는 민무늬근이 있고
민무늬근들은
산소 수치가 높아졌다는 것을 감지합니다
혈중 산소 수치의
증가를 감지합니다
그러고선 점차 수축하기 시작합니다
그러고선 점차 수축하기 시작합니다
동맥관은 태반이 제거되었단 것 또한
감지합니다
어떻게 감지할까요?
어떻게 여기 있는 동맥관이
Bulgarian:
да минава от белодробната
артерия в аортата
беше понеже наляганията в белодробната
артерия бяха толкова високи.
Но сега наляганията
са доста ниски,
наляганията са много по-ниски.
Ще имаш поток насам,
понеже аортните налягания
са по-високи,
отколкото белодробните налягания.
Но се оказва,
че през първите няколко часа
след раждането има съкращение
на мускулите
в артериалния канал.
В стените на артериалния канал
има гладка мускулатура.
И тези гладки мускули
ще усетят, че нивата
на кислород са високи.
Те ще усетят увеличението
в нивата на кислород в кръвта.
И те ще започнат
да се съкращават,
ще започнат да се свиват.
Другото нещо, което
артериалният канал усеща, е,
че плацентата е премахната.
Как ще усетиш нещо такова?
И как артериалният канал,
който е ето тук,
Czech:
Připomeňme si, že krev z plicních tepen do aorty
předtím proudila, protože tlak v těch tepnách byl tak vysoký.
Ale teď, když je tlak nižší, by to v podstatě
bylo naopak, protože tlak v aortě je vyšší
než v plicních tepnách. Zajímavé je, že
v prvních hodinách života jsou v ductus arteriosus
svalové stahy. Je tedy tvořen hladkým svalstvem,
které "vycítí", že hladina kyslíku v krvi vzrostla
a začne mít tendence se stahovat.
Další věc, kterou ductus arteriosus "cítí",
je nepřítomnost placenty. Ale jak je to možné?
Portuguese:
estar se movendo da
artéria pulmonar para a aorta
era porque as pressões na
artéria pulmonar eram muito altas
Mas agora as pressões
estão muito baixas,
as pressões estão muito mais baixas.
Se qualquer coisa tiver que passar, o fluxo deve ser para este lado, certo?
porque a pressão aórtica
são maiores
do que o que as pressões pulmonares agora.
Mas acontece que, curiosamente,
nas primeiras horas
da vida, você tem, na verdade, certa constrição
dos músculos neste
canal arterial.
Este canal arterial tem músculo liso nas paredes.
E esses músculos lisos vão
sentir que agora os níveis de oxigênio são elevados.
Eles vão
sentir o aumento
dos níveis de oxigênio no sangue.
E eles vão
começar a se contrair
eles vão querer
começar a se comprimir.
A outra coisa que o canal arterial sente
é que a placenta é removida.
Como você perceberia isso?
E como que o canal - que
fica aqui - como é que ele pode
English:
was moving from the pulmonary
artery into the aorta
was because the pressures in the
pulmonary artery were so high.
But now the pressures
are pretty low,
the pressures are much lower.
If anything, you would actually
have flow going this way
because the aortic
pressures are higher
than what the pulmonary
pressures are now.
But it turns out, interestingly,
that in the first few hours
of life, you actually
have some constriction
of the muscles in that
ductus arteriosus.
So that ductus arteriosus has
smooth muscle in the walls.
And those smooth
muscles are going
to sense that now
oxygen levels are high.
They're going to
sense the increase
in oxygen levels in the blood.
And they're going to
start getting twitchy,
they're going to want
to start constricting.
The other thing that the
ductus arteriosus senses
is that the placenta is removed.
How would you sense
something like that?
And how would the ductus-- which
is over here-- how would it
Ukrainian:
рухалася від легеневої
артерії до аорти
був високий тиск
в легеневій артерії.
Проте тепер
тиск низький,
значно нижчий.
Таким чином, потік крові
буде йти цим шляхом
тому що тиск в аорті
є вищим,
ніж легеневий тиск.
Але через декілька годин життя,
відбудеться скорочення
м'язів в артеріальній протоці.
А стінки артеріальної протоки
складаються з гладеньких м'язів.
І ці м'язи
відчують, що рівень кисню
підвищився.
А вони здатні відчувати
рівень кисню в крові.
Вони отримуватимуть
нервові сигнали
і захочуть скоротитися.
Інша річ, що матиме
значення для артеріальної протоки
це відсутність плаценти.
Як ви можете
відчути це?
Як протока зможе
English:
sense that the placenta-- which
is over here-- how would it
know that it's been removed?
Well, it turns out
the placenta actually
makes a little chemical
called prostaglandin.
And when prostaglandin
levels fall,
when prostaglandin
levels go down,
then the ductus arteriosus
also is more willing or able
to close down.
So those little muscles inside
of the ductus arteriosus--
remember, it's like a
little artery, in a sense.
It's got smooth
muscle around it.
Those muscles are
going to constrict,
they're going to tighten down
when the oxygen levels go up
and when the prostaglandin
levels go down.
It's going to sense that.
And so it's going
to know that hey,
it's time for me to close
up shop and tighten down.
And over time-- and I'll
say over a course of hours--
this is going to happen.
So let me actually just jot
down the time frame for you.
So over the course
of a few hours,
the beginning of
constriction will happen.
Korean:
여기 있는 태반이 제거되었단 것을
알아차릴까요?
태반은 사실
프로스타글란딘이라는 화학 물질을 만들어 냅니다
프로스타글란딘 수치가 감소하면
프로스타글란딘 수치가 감소하면
동맥관은 더더욱 닫히게 됩니다
동맥관은 더더욱 닫히게 됩니다
따라서 동맥관 안에 있는 근육들은
따라서 동맥관 안에 있는 근육들은
따라서 동맥관 안에 있는 근육들은
수축합니다
산소 수치가 올라가거나
프로스타글란딘 수치가 떨어지면
그걸 감지하여
수축할 때를 알게 됩니다
수축할 때를 알게 됩니다
몇 시간에 걸쳐 발생하는 과정입니다
몇 시간에 걸쳐 발생하는 과정입니다
걸리는 시간을 적어둡시다
걸리는 시간을 적어둡시다
걸리는 시간을 적어둡시다
Ukrainian:
відчути відсутність
плаценти?
Плацента
має хімічні сигналізатори
простагландини.
Коли їх рівень
падає,
зменшується,
артеріальна протока
також матиме затність
закритися.
Тож маленькі м'язи в
артеріальній протоці--
пам'ятаєте вони як
маленькі артерії.
І мають маленькі
м'язи навколо себе.
Ці м'язи скорочуватимуться,
коли рівень кисню збільшиться
і коли рівень
простагландинів впаде.
Вони відчуватимуть це.
Гладенькі м'язи
зрозуміють,
що настав момент
закритися та звузитися.
Це трапиться впродовж
декількох годин.
Я відзначу
це у таблиці.
Тож впродовж
декількох годин,
від народження
відбудеться констрикція.
Portuguese:
sentir que a placenta, que
é bem mais abaixo,
foi removida?
Bem, ao que parece é que,
na verdade, a placenta
produz uma substância química
chamada prostaglandina.
E quando o nível de prostaglandina cai,
quando os níveis diminuem,
o canal arterial também está mais disposto ou capaz
de se fechar.
Portanto, aqueles pequenos músculos dentro do canal arterioso
lembre-se, é como um
pequena artéria, em certo sentido.
Tem músculo liso em torno dele.
Esses músculos vão se contrair,
eles vão apertar
quando o nível de oxigênio subir
e quando os níveis de prostaglandina baixarem
ele vai perceber.
E por isso que ele saberá que
é hora para fechar a loja e contrair
E com o tempo - e eu vou
dizer sobre um curso de horas -
isso irá acontecer.
Então deixe-me apenas resumir a linha do tempo para você.
Ao curso de algumas horas,
será o início da constrição
Bulgarian:
ще усети, че плацентата,
която е ето тук,
вече я няма?
Оказва се, че плацентата
отделя малък химикал,
наречен простагландин.
И когато нивата
на простагландин паднат,
когато нивата му паднат,
артериалният канал
може да се затвори.
Мускулите в артериалния канал,
спомни си, той е донякъде
като малка артерия,
има гладка мускулатура
около себе си.
Тези мускули ще се съкратят,
ще се съкратят, когато
нивата на кислород се увеличат
и когато нивата на
простагландин намалеят.
Той ще усети това.
И ще знае,
че е време да се свие
и затвори..
С времето – да кажем,
за няколко часа –
това ще се случи.
Ще запиша в кой момент.
За период от няколко часа
ще започне съкращаването.
Czech:
Jak může něco, co je tady, cítit nepřítomnost
něčeho, co je tady a je to odtrženo od těla?
Je to tím, že placenta vylučuje hormon prostaglandin,
který, když jeho hodnoty klesnou, vyšle
signál pro ductus arteriosus, aby se zavřel.
Svaly uvnitř ductus arterious se začnou stahovat
když se zvýší hladina kyslíku a sníží hladina
prostoglandinu. To vše se odehraje v průběhu
Portuguese:
Então, ao longo do tempo, isso aqui ficará
cada vez mais e mais apertado.
vou desenhar ele diminuindo
e ficando cada vez menor.
Na verdade, no interior dele você tem
uma pequena abertura, e com o passar do tempo, essa abertura fica menor,
e ao longo do tempo, não
terá nenhuma abertura.
Então, é isso o que acontece no início
das primeiras horas de vida.
Agora, seguindo o
sangue por todo o caminho,
você tem sangue da aorta
com oxigênio fluindo aqui para baixo
indo para, digamos, a perna direita e esquerda,
por aqui.
E existem esses
ramos, estes grandes ramos,
chamado de ramos ilíacos internos, e fora deles,
as artérias umbilicais, certo?
As artérias umbilicais
onde os ramos
saem da ilíaca interna.
E o que vai acontecer é que você
ainda terá sangue
fluindo para outros ramos
fora da ilíaca interna, como
este pequeno ramo pode
ir para a bexiga.
Mas neste restinho final,
Bulgarian:
С времето това
ще става все по-свито
и по-свито, и по-свито.
Нека го скицирам,
става по-малко и по-малко,
и по-малко.
И вътрешността му
може би има малък отвор,
после по-малък,
и с времето
отворът се затваря.
Това ще се случи
в началото,
след първите няколко часа
след раждането.
Сега, следвайки кръвта надолу,
има аортна кръв с кислород,
протичаща тук долу,
към десния крак и към левия крак,
ето тук.
И имаш тези разклонения,
тези големи разклонения,
наречени вътрешни илиачни
разклонения, а от тях,
от тях се разклоняваха
пъпните артерии.
Пъпните артерии
се разклоняваха
от вътрешните илиачни артерии.
И сега пак ще има кръв,
течаща към други разклонения
от вътрешните илиачни артерии,
например този клон
може да отиде
към пикочния мехур.
Но последната част...
Ukrainian:
І за цей час
судини ставатимуть
вужчими і вужчими.
Я намалюю це,
вони ставатимуть
меншими і меншими.
Якщо ви подивитесь в середину,
то побачите, що дрібненькі судинки
відкриються, потім менші
згодом відкриються усі.
І все це відбудеться
впродовж
перших годин життя.
Тепер стежачи
за шляхом крові вниз,
ви фактично матимете
аортальну кров з киснем
що йде вниз
до правої ноги
ось тут.
І тут ці маленькі розгалуження,
що називаються розгалуженнями
підчеревної артерії,
там де є
пупкові артерії, так?
Пупкові артерії
виходять з
підчеревної.
Що ж відбудеться
якщо кров все ще буде
проходити до інших відгалужень
підчеревної артерії, які
зможуть іти
до сечового міхура.
Проте там не буде
Czech:
několika hodin. Dopíšu to do časové osy.
Průběhem času se tedy bude čím dál více
uzavírat, zmenšovat až nakonec za nějakou
dobu zmízí otvor úplně.
Celý proces začne v prvních hodinách života.
Okysličená krev pak pokračuje do obou dolních
končetin a do těchto vnitřních kyčelních tepen a
pupečníkových tepen, které se větví z vnitřních kyčelních tepen.
Bude zde stále průtok krve do dalších větví,
jako například zde do močového měchýře,
Korean:
따라서 몇 시간에 걸쳐
점차 더 조여집니다
점점 작아지는걸 그려봅시다
점점 작아지는걸 그려봅시다
작은 틈이 있었다가
더 작은 틈이 생기고
시간이 지나면 틈조차 없어집니다
생후 몇 시간 동안 발생합니다
생후 몇 시간 동안 발생합니다
이제 혈액을 밑에까지 따라가 봅시다
대동맥 혈액과 산소는
오른쪽 다리와 왼쪽 다리로 흘러 들어갑니다
오른쪽 다리와 왼쪽 다리로 흘러 들어갑니다
이 큰 가지들은
내장골동맥이라 하고
배꼽동맥으로 이어졌었습니다
내장골동맥에서 갈라진
배꼽동맥입니다
혈액은 내장골동맥에서 갈라진
다른 가지로도 흐릅니다
여기 방광으로 향하는 가지처럼
말입니다
하지만 여기 끄트머리로는
English:
So over time, this
will actually get
kind of tighter and
tighter and tighter.
Let me sketch it
out, getting smaller
and smaller and smaller.
You actually have on
the inside of it maybe
a tiny little opening, and then
over time, a smaller opening,
and over time, no
opening at all.
So that's going to
happen at the beginning
of the first few hours of life.
Now, following the
blood all the way down,
you actually have aortic blood
with oxygen flowing down here
into the, let's say, the right
leg and into the left leg,
over here.
And there are these
branches, these big branches,
called the internal iliac
branches, and off of them,
where the umbilical
arteries, right?
The umbilical arteries
where branches
off of the internal iliac.
And what's going to
happen is that you're
going to still get blood
flowing to other branches
off the internal iliac, like
this little branch might
go to the bladder.
But that last little
bit, really, there
Czech:
ale do té úplně poslední části krev nepoteče.
Zůstává zde obrovský odpor a tím pádem tam
nemůže proudit žádná krev.
Navíc, stejně jako ductus arteriosus, jsou pupečníkové tepny z
hladké svaloviny, která reaguje na
vysokou hladinu kyslíku a nízkou hladinu
prostoglandinu a stejně jako ductus arteriosus
se začnou stahovat. Nakonec nebudou vůbec
průchozí. Můžete vidět, že nejdřív v nich
nechávám malý otvor, ale pak zamaluju i ten,
jak se svaly ve stěnách postupně stahují.
Ukrainian:
потоку крові, бо
опір
дуже високий.
Так як опір
буде дуже високий
кров не буде
йти в цьому напрямку.
Додатково, пупкові артерії,
такі як артеріальна протока
містять гладенькі м'язи.
Тому гладенькі м'язи
будуть
надсилати сигнал
про дуже високий рівень
кисню, вперше,
артерії відзначать
низький рівень простагландинів.
Вони почнуть скорочуватися.
Так само як артеріальна
протока скоротиться,
ці артерії теж скоротяться.
Вони стануть вужчими і вужчими
до того моменту,
поки не буде просвіту між ними.
Я намалюю це.
Спочатку вони
стануть вужчими
далі ще вужчими,
так як м'язи в стінках
звужуватимуться.
Накінець ми отримаємо
ось це.
І ви матимете кров,
English:
will be no flow through
there because the resistance
is so darn high.
Because the resistance
over here is so darn high,
no blood is going to want
to go in that direction.
In addition, the
umbilical arteries,
just like the ductus arteriosus,
have smooth muscle in them.
And so that smooth
muscle is going
to respond to the very
high levels of oxygen
that, for the first time,
these arteries are seeing,
and low prostaglandins that
are kind of circulating.
And they're also going to
kind of start constricting.
So just as the ductus
arteriosus started constricting,
these arteries also
start constricting.
They get tighter and
tighter and tighter
until really there's almost
no space in the middle left.
And that's how I'm going
to draw it fizzling out.
So initially, they get
kind of more narrow
and they get even more narrow
as the muscles in the walls
tighten and tighten and tighten.
And they finally get
something like this.
And you still have
blood, of course,
Korean:
저항이 몹시 크기 때문에 흐르지 않습니다
저항이 몹시 크기 때문에 흐르지 않습니다
저항이 몹시 크기 때문에 흐르지 않습니다
저항이 몹시 크기 때문에 흐르지 않습니다
게다가 배꼽동맥은
동맥관처럼 민무늬근을 갖고 있습니다
그래서 그 민무늬근은
이 동맥들이 처음 만나는
고농도의 산소와 저농도의 프로스타글란딘에
반응하게 되어
수축하기 시작합니다
동맥관이 수축했듯이
이 동맥들도 수축합니다
계속해서 조여지며
결국 가운데에 공간을 남기지 않게 됩니다
결국 가운데에 공간을 남기지 않게 됩니다
처음에 살짝 얇아졌다가
근육이 조이며
점점 더 얇아지면서
이렇게 됩니다
그리고 당연히 혈액은
Portuguese:
não terá fluxo nele, porque a resistência
é extremamente alta.
Porque a resistência aqui é tão alta,
o sangue não vai querer
seguir mais nessa direção.
Além disso, as
artérias umbilicais,
assim como o canal arterial,
tem músculo liso
E assim, esse músculo liso vai
responder aos altos níveis de oxigênio
que, pela primeira vez,
essas artérias estão encontrando,
e à baixa prostaglandina que
estão circulando por aqui.
E eles também vão começar certa constrição.
Então, assim como o canal
arterial começou a constrição,
estas artérias também
iniciarão a constrição.
Elas ficam mais e mais apertadas
até que não haja quase
nenhum espaço no meio delas.
E é assim que eu vou
desenhá-las se fechando
Assim, inicialmente, elas ficam um pouco mais estreitas
e elas ficam ainda mais estreitas
conforme os músculos das paredes
apertam e apertam e apertam.
E elas finalmente ficam como
algo assim.
E você ainda tem
sangue, é claro,
Bulgarian:
няма да има поток оттук,
понеже съпротивлението
е изключително високо.
Понеже съпротивлението тук
е толкова високо,
никаква кръв няма да иска
да отиде в тази посока.
В допълнение,
пъпните артерии,
точно както артериалния канал,
имат гладки мускули.
И този гладък мускул
ще отговори на много високите
нива на кислород,
които тези артерии
усещат за пръв път,
и ниските нива на
циркулиращ простагландин,
и те също ще започнат
да се съкращават.
Точно както артериалният канал
започна да се съкращава,
тези артерии
също започват да се съкращават.
Те ще стават по-тесни
и по-тесни, и по-тесни,
докато накрая не
остане място в средата.
И ще ги нарисувам
да се съкращават.
В началото стават
по-тесни
и стават все по-тесни,
докато мускулите в стените
се съкращават и съкращават,
и съкращават.
И накрая стават ето така.
И пак, разбира се,
имаш кръв,
Portuguese:
indo para outros ramos,
que é o que eu desenhei aqui.
Mas esse restinho indo apenas
pelo umbilical, essa parte
vai contrair-se.
E esse processo acontece ao longo de algumas horas.
Então agora finalizamos.
Você viu as cinco adaptações
e como as coisas mudam ao longo do
o curso de minutos, horas,
e dias.
E, é claro, não é exata
e com cada bebê é diferente,
mas essas mudanças incríveis acontecem
logo após o nascimento.
Bulgarian:
отиваща към други разклонения,
както начертах тук.
Но тази последна част,
която отива към пъпа,
тази част ще се свие.
И този процес се случва
в рамките на няколко часа.
Готово.
Показахме как
всички пет адаптации
се променят в рамките на минути,
часове и дни.
И, разбира се, не е точно
и всяко бебе е различно,
но тези удивителни промени се случват
скоро след раждането.
Czech:
Krev samozřejmě stále proudí do jiných větvení,
ale ta poslední část se uzavře úplně.
Vše proběhne v rozmezí několika hodin.
To bylo všech 5 změn, kterými si novorozenec
projde v průběhu několika prvních hodin,
a dnů svého života. Každé dítě je samozřejmě
jiné, ale všechny tyto věci se dějí velmi
krátce po porodu.
Korean:
다른 곳으로 흐르고 있습니다
마지막 끄트머리는 그냥 배꼽으로 향하는데
수축해버리게 됩니다
또 이 과정은 몇 시간에 걸쳐 발생합니다
또 이 과정은 몇 시간에 걸쳐 발생합니다
5가지 적응 방식과
몇 분, 몇 시간, 며칠에 걸친 변화를 알게 됐습니다
몇 분, 몇 시간, 며칠에 걸친 변화를 알게 됐습니다
그리고 물론 아기마다 조금씩 차이를 보이지만
출산 후에는 놀라운 변화가 일어납니다
커넥트 번역 봉사단 | 정재진
English:
going to other branches,
which is what I've drawn here.
But that last little
bit going just
to the umbilicus, that part
is going to constrict down.
And this process happens over
the course of a few hours.
So now you have it.
You have all the
five adaptations
and how things change over
the course of minutes, hours,
and days.
And of course, it's not exact
and each baby is different,
but these amazing changes are
happening soon after birth.
Ukrainian:
що проходитиме
до цих гілочок, що я тут намалював.
Отже пуповина
скоротиться.
Цей процес відбудеться
протягом декількох годин.
Ось так.
Тепер ви маєте всі пристосування
і знаєте, як вони
зміняться впродовж
перших хвилин, годин та днів
життя.
Звичайно, що ці процеси
в кожної дитини унікальні,
проте всі вони відбуваються
після народження.
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Então, pintei de azul os meus sapatos
por não poder de azul pintar as ruas,
depois, vesti meus gestos insensatos
e colori, as minhas mãos e as tuas.
Para extinguir em nós o azul ausente
e aprisionar no azul as coisas gratas,
enfim, nos derramamos simplesmente
azul sobre os vestidos e as gravatas.
E afogados em nós, nem nos lembramos que
no excesso que havia em nosso espaço
pudesse haver de azul também cansaço.
E perdidos de azul nos contemplamos
e vimos que entre nós nascia um sul
vertiginosamente azul.
Azul.
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} |
DOUG LLOYD: So if you're anything
like me, when you write code
it's not always going to be perfect.
There's usually going to
be something wrong with it.
And that is known as writing bugs.
And part of being a
computer programmer is
learning how to debug, or
remove the bugs, from programs.
And there are a lot of different
techniques and strategies
that one might use to do this.
And what I want to do in
this video is show you
three of the tools that
are baked into CS50 IDE
that you can use to help
with your debugging,
or help trying to figure out
what's going on in your system.
And these three tools, which I'm going
to just display the names of here,
are known as debug50,
eprintf, and help50.
We're actually going to
cover those in reverse order.
So we're going to start with help50.
So I have a couple of files
pre-configured in my IDE.
I'm going to navigate
into my help50 directory.
And just clear the terminal window here.
And what help50 basically
does, it is designed
to be sort of a virtual
teaching fellow of sorts.
It basically is trying to give you clues
and hints about what might be going on
in your program or when you're
trying to work with your program
and something goes wrong without
just giving you the answer outright.
So it's trying to nudge you along
in the right direction in the hopes
that it's an issue that, with a
little bit of encountering and having
the computers sort of give you
a little bit of back and forth,
it's an issue that you'll learn to be
able to not recreate in the future.
So I have a couple of
example programs here.
All of them are written in C. And let's
just try and compile the first one.
So let's try and make example one.
Error.
So this is where help50
is going to come in handy.
Generally it's going to be
used when you're working.
It's not so much a bug
in your program that is
during runtime, a runtime error.
This is going to be a
logical bug, or some kind
of bug that prevents your
program from being compiled
is going to be the most
common use case of help50.
So here I'm getting told I'm
implicitly declaring library function
printf with blah, blah, blah.
There's a whole lot of text there.
Now, what help50 tries to do is it
looks at that error message for you.
And if there are multiple
ones it will look
at the first error message for you.
And it will try and translate
that kind of arcane language
into something a little more,
hopefully, intuitive to use.
And the way we use help50
is pretty straightforward.
We first type help50, and then we do
exactly the command we tried to do.
So in this case it's
help50, make example1.
Let's see if maybe help50 can give me
a little more information about what
I might be doing wrong in my program.
So I run it again.
Now, I'm getting this sort
of hint from the virtual TF,
which is written here in yellow.
"Did you forget to #include
stdio.h in which printf
is declared atop your file?"
Well, let's take a look.
So in example 1.c, it looks like
I did kind of forget to do that.
So if I just go ahead
and add that, and I save,
and I try and make
example one again maybe.
Hey, it compiled.
It worked just fine.
So I can now run the example1
program, hello world.
Now, of course, I have a logical bug
here where I didn't put a backslash n.
So it kind of ran into
a new line like that.
But that's OK.
That's something I can go
ahead and fix pretty easily.
So let's try and compile example two.
And we'll go through this again where
we won't look at the source code
beforehand.
We'll just try and compile it,
thinking we're pretty close,
and see what happens.
So we'll try and make example2.
Oh.
Seven errors generated.
That's not good.
But, again, help50 can help us here.
And what it's going
to do in this case is
it's going to look at the very first
one and give us a hint for that one.
Now, oftentimes when you get
a lot of errors from compiling
it's not necessarily that
I've done seven things wrong.
In fact, if you look
at the program you'll
see that it's not that many
lines of code when we do.
But really it's just one error
that sort of cascades and creates
another one because it doesn't
understand what's happening before.
And if you can fix that
one error at the beginning,
it might resolve one or more,
or all, of the remaining errors.
So I'll clear my terminal window.
And we'll try this again.
But we'll preface this
by saying help50 first.
So help50 make example2.
Let's see.
Use of undeclared identifier string.
Did you mean standard in?
Well, I'm assuming probably not.
Let's take a look at my code.
No.
I meant to use string
there on line five.
So by undeclared identifier, Clang
means you've used a name string
on line five which hasn't been defined.
Did you forget to #include cs50.h in
which string is defined atop your file?
Well, here, again, I did.
I did forget to include
cs50.h this time.
So it gave me another clue here.
But I had seven errors.
So hopefully this resolves most of them.
Lets clear this and see if it does.
We'll try and make example2 again.
And it did.
So even though it said I had
seven errors, I really didn't.
I just had the one.
And because that one kind of
threw everything else off,
it just kind of cascaded
down and really messed us up.
All right.
Let's take a look at example three.
We'll try and make example three.
Seven errors again.
Ugh, man.
Let's see what I got here.
Looks like I have a for loop
that's going from 1 to 10.
And it's supposed to print out
a new integer on each line.
That looks OK to me, at
least at first glance.
I don't really know what
the issue could be here.
But help50 might be able
to help us out again.
So we'll try one more
time help50 make example3.
And, again, you'll see
that help50 is commonly
going to be used most of the time--
although it's not all it can do.
And we'll take a look at a couple
of examples of that in a second.
You're going to use help50 most of
the time when there are compile time
errors that prevent your
program from being compiled
and have to be resolved first.
So we'll try and help50 this one.
Looks like it says on line
five it looks like you're
trying to declare a variable that's
already been declared elsewhere.
I don't see that.
But then it tells me a little bit more.
If you meant to create a for loop
be sure that each part is separated
with a semicolon rather than a comma.
So here I've got commas, and
I'm supposed to have semicolons.
So it's, again, little things like this
where it's little syntax things where
if you were able to get
in touch with somebody
you could just kind of look at your
code really quickly and be like,
oh, well, you really just need to put
in a semicolon here instead of a comma.
That's the kind of thing where it stinks
to get stuck in a jam where you're just
waiting for somebody to give you
that sort of shining moment right
where suddenly the error is revealed.
You can use help50 to try and
help you along and accelerate this
so that you don't get stuck waiting,
and you can get a little resolution
for your errors a little more quickly.
Of course, we'll just confirm
with trying to make it again.
And it compiled no problem.
I could run this program.
And it will print out the numbers 1
through 10, each on separate lines.
We can't see them all here because
my terminal window is not big enough
to hold them, but they're all there.
All right.
I got one more example here.
And then I'll show you two examples of
using help50 not in the make context
necessarily, or in the Clang context.
So let's try and make example4.
I have one error.
"Expression result unused, n times 5."
Not really sure what that means.
So let's just quickly pop
open example4 here at the top.
Looks like what I want to do
is have this print out 50.
So I set n as equal to 10.
I multiply n by 5 to get 50.
And I want to print out 50.
So I wonder what the issue could be.
So let's help50 make example4.
On line six of example 4.c you
are performing an operation,
but not saving the result.
Did you mean to print or store
the result in a variable?
So remember, when we are doing
mathematical manipulations
to variables, we always have to
assign the result to something.
And here what I probably meant to
say is either n equals n times 5,
to change n from 10 into 50,
or the more shorthand version,
n times equals 5, which
would also work just fine.
So I can save this.
Hopefully this fixes it.
I'll try and recompile it.
And I'll try and run it to
see if I get 50 printed out.
So that's a couple of
uses of, in particular
this is help50 helping with Clang.
Although every time we were
doing this we were typing make.
Remember that make is
actually just a wrapper
for Clang, which is the
name of the actual compiler
that we're using in CS50 IDE.
What happens though
if I try and do this?
There's no file called example5.
So make example5.
Unlike the previous
four, this is actually
going to be a help50
that helps with a message
from make as opposed to
a message from Clang.
Now, obviously it's not there.
So you can probably
figure out what it means.
But in case you didn't, I
could preface it with help50.
"Do you actually have a file called
example5.c in the current directory?"
Well, I don't.
So I'm trying to compile a
program that doesn't exist.
So this is just help50,
again, giving me a clue,
like, well, maybe you're making
a little bit of a mistake here.
And it's true.
I am making a bit of a mistake.
One more example here.
Let's say that I want to change
directories into another directory.
So I want to ls example6.
There is, again, no example6 here.
"ls cannot access example6,
no such file or directory."
Again, help50 might be
able to help with this.
So I'll preface it one more time.
Are you sure example6 exists?
Did you misspell example6?
It doesn't exist.
Maybe I had typed it wrong
and I thought it was working.
So it's just a reminder.
Did you check that?
Oh, maybe I had misspelled it.
Maybe I meant to do something
else, and then I can take a look.
Now, help50 is a tool that
is still in development.
We actually have an open
source GitHub repository.
So as you go through the class and you
become more comfortable, particularly
as you start to learn Python, which
is the tool that help50 is written in,
you can actually head to CS50's public
GitHub repositories and take a look
and see what types of
error messages that
are a little more arcane that we're
trying to catch and have help50
explain in more human
understandable terms
so that if you want to contribute
to that you actually can.
And if you encounter an
error that you're not
getting, that help50 doesn't understand,
and you want to report that error
and hope that somebody else
maybe can help match it,
you can do that through
that platform as well.
So this is definitely
a collaborative tool.
And we welcome you to continue to
contribute either solutions as you
become more comfortable, or
issues that we can try and resolve
to make it a more robust tool.
All right.
So another tool that we
have is one called eprintf.
Now, it's really common when you are
starting to debug your programs to kind
of pepper them with printf statements.
It's sort of like a sanity
check where you're checking,
OK, well, this line printed.
And then I have some
lines of code that run.
And then this line printed.
Like you're trying to figure out
where things are going wrong.
The trouble with printf is it
doesn't necessarily tell you
where the program is going wrong.
You have to kind of go back and
scroll through your source code
to figure out which error
message corresponds to that.
That's not always that helpful.
It's not a huge deal.
But we have this tool that
makes it a little bit easier.
So it's called eprintf, which
stands for error printf.
And I'm just going to navigate
into my eprintf directory
where I have just one example file.
I'm going to open that up here
and show you what it does.
So not much to this.
I'm going to scroll up here.
Basically what I'm doing is I'm
asking the user to give me an integer.
And then I actually get
that integer from them.
And then I have eprintf,
integer obtained.
Now, this means nothing to the user.
It's an error message
to make sure for me,
as the person who's testing this
program, that I got to this point
in the program.
And we'll see exactly what
eprintf does that gives it
a little bit of a leg up
over printf, which is just
going to display to the terminal.
Then I'm doing a couple
of different things.
If x is less than 0, I'm
going to print x is negative.
If it's greater than zero,
I print x is positive.
Otherwise I print x is 0.
And then I have one more
eprintf call at the bottom here
which is got through the program.
So if I see that eprintf,
that means that I've succeeded
and I've gotten through every single
line of the program without crashing.
So let's just quickly compile
this with make eprintf.
And we'll try and run ./eprintf.
Please give me an integer.
Let's give it 50.
And look at the little difference here.
So instead of just printing out what I
said, it tells me where it came from.
So it tells me what line it came
from and what file it came from.
As we write more and more complex
programs later in the course,
we might write programs
that span multiple .c files.
We might have eprintfs throughout them.
So it's just a useful way to figure
out exactly from where in your program,
or as things are going
through, where in your program
the error message that you're
seeing, or sort of the printf
prompt that you're seeing comes from.
So it's definitely a good tool
to familiarize yourself with,
particularly earlier
on where you might not
need the more complex
tools of a debugger, which
we're going to talk about in a second.
But you just want to get
sort of a sanity check
to make sure that things are
working the way you expect them to.
OK.
And the third and final tool that
we're going to cover in this video
is debug50.
Now, debug50 is a GUI or
Graphical User Interface
wrapper for a tool known as GDB, which
is a very richly developed debugging
platform.
And it will really help you
take a look underneath the hood,
inspect what is going
on in your program,
and try and figure out where
things might be going wrong.
In this example we're going to
cover three different buggy videos.
And I'm going to show
you how to use debug50
to sort of give you some clues
as to what you might need to do.
So the first thing I'm going to do here
is navigate into my debug50 directory
where I have three source files and
three programs that are previously
compiled.
So these have compiled.
I don't need help50 to tell
me what's going on here
because I've already got
the compiled binaries here.
But there's something going
wrong in these programs that
is not what I expect.
So the first thing I want to
do is run debug1's program,
and then we'll take a look
at debug1's source code.
And then we'll take
a look at how debug50
can give us a little bit
more information about what
might be going wrong here.
So here's what we're going to do.
We're going to go, and I'm going
to clear my terminal really quick,
and we're going to run debug1's binary.
Provide a number.
OK.
I'll provide one.
You gave a one.
Seems pretty good.
Let's try this again.
Provide a number.
I'll give it two.
You gave a one.
That's not right.
Zero?
You gave a one.
So it's always saying, I gave a one.
I did.
I gave a one the first time.
So let's maybe take a look
at what's going on here.
So I have my program.
I'm providing a number.
OK.
That works.
If x is one, say you gave a one.
Otherwise, apparently
I'm not doing anything.
It's not supposed to print
anything if I didn't give it a one.
So that's weird.
So at this point if you're
familiar with the code
you might see where the issue is here.
But let's pretend that we don't.
Or maybe you don't.
And that's totally OK as well.
This debug50 tool can hopefully
give a little bit more information
and we can see what's happening.
So what I want to do
is the first thing you
need to do when you're
working with a debugger
like GDB is to provide a breakpoint.
What a breakpoint is is
basically your program
will execute until it
hits that line of code.
And then it will stop, or break,
and wait for something to happen.
If you don't know where
to break in your code,
because you don't even know where
the issue might be happening,
it's totally reasonable
to break at main.
The way that you set a breakpoint is
right here to the left of the line
numbers you'll notice that my cursor
turned into a little like pointer
finger there.
If you click once, you get this
sort of red light, or a stop light.
That's basically your indicator
that you have set a breakpoint.
So my program will compile, and it
will run until it gets to line six.
At which point it's
going to kind of freeze.
And from there I can make very
slow steps through my program.
Usually when we're running our
program it's like you compile it,
and it's done.
Here we can really force
it to slow down, and look
what it's doing line, by
line, by line, and see if we
can see where the issue might lie.
So I've set a breakpoint.
Now I need to run debug50.
debug50 ./debug1.
Cause that's the name of the
program that I wanted to test.
Hit Enter.
And if you've watched our CS50
IDE tutorial introduction video
you noticed I talked
about the debugger tab.
You'll notice the debugger tab
on the right has popped open.
And I'm giving a little
bit of information here.
I have information
about the call stacks.
So if I had multiple
functions being called
it would tell me which
function I'm in at the time,
and which functions are
waiting for stuff to happen.
Local variables in my program.
There are values.
What type they are, and so on.
Really useful stuff.
And my program has frozen, right.
It has not printed out
"please provide a number."
It's just waiting for
me to do something.
And the way I can control what my
program does is up here at the top.
I have resume, which is basically
just going to speed through my program
again, ignoring any more breakpoints.
I have step over, which is
going to move one line ahead.
And generally you're going to
want to step over any functions
that you did not write, because
if you step into them, which
is the next example, it's actually
going to go and look at printf's code,
and start executing printf's
code one line at a time.
And we can probably
assume that printf is OK.
And we can probably assume that
getint, for example, is OK.
So we don't need to step into those.
We can step over them.
If you're going into a block, for
example, like an if, or a function
that you wrote, you might
want to step into it,
unless you happen to know for sure that
it's not an issue in that function.
So you can start to proceed
through those a line at a time.
And then, lastly, there's step out.
We're not in anything right now.
So we can't step out.
But if you step into a
function and you realize,
oh, I really shouldn't have
done this, you can step out,
which will just proceed through
the rest of the function,
and then pick up again
at the next logical spot.
So what I want to do here is start
to proceed one line at a time.
So I want this to print
out "provide a number."
So I'm going to step over this
line, which is going to execute it.
You can see it at the
terminal there at the bottom.
Then it's prompting me
to provide a number.
So I'll give it a three.
One seems to work.
So I'm going to give it a three.
And I'll hit Enter.
And then I will again step over.
If x equals one printf.
You gave a one.
So I kind of want to step into this.
And in particular, notice
what's going to happen here.
Notice that right now
it says my variable x
has a value of three,
which is what I expect.
But as I step into this, the
value of x has changed to one.
It's no longer three.
So this statement is now true.
It says, well, x is one.
So you gave a one.
And if I step over,
that is what it will do.
You gave a one.
And if I stop one more time,
the program finishes executing.
Did you happen to see
what the error there was?
It's a silly little syntax thing.
But I used a single equal sign
instead of a double equal sign.
So what I really did here
is I assigned x to be one.
Regardless of what x was at this
point, I said x is equal to one.
I assigned x to one, when
I really meant to do this.
If x equals equals one.
And now let's just save
this program really quickly.
And we'll recompile it,
because we have to recompile
a program if we want to rerun it.
Use equals to turn this comparison
into an equality assignment.
Now, the reason that this
works is because I had put
this extra set of parentheses in here.
Generally if you tried to
do this it wouldn't work.
But I had to force it for
purposes of this example.
So I had to get rid of
those parentheses as well.
We'll try one more time
to compile this program.
Now it compiled successfully.
We'll clear our terminal window.
And let's try and debug50
one more time, just
to make sure that everything
is working the way we expect.
We still have our
breakpoint set at line six.
So it's still going to freeze at the
first possible opportunity after that.
I want to step over this
to provide a number.
I'll give it three again.
Step over.
x is now equal to three.
You can see here on the right.
Now, let's step into this.
Can't step into it.
Why?
Because x is not one anymore.
So that next line of
code on line 13 there
is not going to execute because
the condition is no longer true.
So before I was assigning x to be one.
And that's why it would go in.
And thanks to debug50 I was able
to see, oh, wait, this three
is unexpectedly changing into a one.
Maybe there's something
going on wrong in that area.
So that's one way that debug50 was able
to help isolate where in the program
things were going awry.
All right.
So I'm going to hit Resume
here just to end the program,
have it finish doing its thing.
Didn't print anything
because we didn't have a one.
And now let's take a look
at program number two.
So I'll clear my terminal.
And let's try and execute
the debug2 program.
"What percentage grade
did you get as a number?"
Well, let's say maybe I wasn't doing
so great in CS50 and I got a 50%.
My grade is an E.
OK.
But let's say maybe I'm doing a
little bit better and I got a 75.
So that should hopefully be
like a C. Eh, I got an E.
Wait a minute.
What if I got like an
A, I got everything?
E.
Well, again, this isn't doing
exactly what I expected it to do.
So let's take a look at the source code.
And then let's take a look at
debug50 and see if maybe it
can give us some clues here.
So I'll open up the
source code for debug2.
And I'll just close this one here.
And I'll also just clear the
terminal screen one more time.
All right.
So what percentage of the
grade did you get as a number?
Get an integer.
What's happening here on
line eight is I'm just
transforming whatever the user
gave me into a multiple of 10,
so that divided by 10 times
10, that's a trick that
works because of integer division.
But say the user gives me 93.
93 divided by 10 is nine, not 9.3.
Remember, its integer division.
And then 9 times 10 is 90.
So I'm just basically dropping
off the ones place of every number
here and just transforming
it into a multiple of 10.
And then I have a letter
character for a grade.
It will get stored there.
And then I'm using a
switch statement, which
is one form of conditional statement, to
look over the different possibilities.
So if I have a 90 or a 100 after
executing lines seven, eight,
grade should be an A. If I have an 80,
it should be a B, a C, a D, and an E,
depending on what my scores are.
But it seems like every time
I'm doing this I'm getting an E.
And, again, if you're familiar
with switch statements,
you might see what the issue is here.
And if you're not familiar with
switch statements, that's OK.
Because switch statements are a
little bit strange the first time
you use them.
But debug50 can help us figure
out what is happening here.
So first thing we got to do, of course,
is we got to set that breakpoint.
So I got to figure out
where I want to set it.
Well, it looks like I might have
already set it here at line 11.
And that seems like a fair
enough place to do it.
So let's set our breakpoint there.
So our program will not
freeze and pop open for us
until we get to that point in the code.
So we'll use debug50 on the
debug program number two.
"What percentage of the grade
did you get as a number?"
So let's say I got 100.
And now we're frozen.
And notice over here, grade
has been set to negative one.
There's no value there.
But that makes sense, cause we haven't
assigned grade equals something yet.
Percent is 100 and 10th is 100.
So we have the value we're expecting.
10th is 100, which means when we get to
line 13, grade A should get triggered.
So let's step in one line at a time.
All right.
So notice that my grade
is A. And then it's B.
And then it's C. And then it's D. And
then it's E. And then if I step over,
that's what now gets printed.
And that's not what I expect.
So it seems like by using
debug50 to step slowly
through my program,
what was happening is
I wasn't just triggering the
one case that I wanted to hit.
I seemed to be hitting all
of the different cases.
And the grade kept changing.
It started out at the right thing.
It started out as A. And then it
became B, and a C, and a D, and an E.
And the reason for that, and again,
we'll cover this on our video
on conditionals if you
haven't seen it already,
is that at the end of every case option
for a switch I needed to have a break.
I only ever want one of
these things to be true.
Now, it's true that you
might end up in a situation
where you actually want the behavior
of falling through the cases,
as it's known.
But that's not what I want here.
I want explicitly to
be assigned one value.
And then I don't want to look
at the rest of the options.
So what happened here
is I just fell through.
I kept executing every line
of code from case 100 down.
If I had started out at 80, it
would have given me a B, and then
a C, and then a D, and then an E.
And if I started out at like a 60,
it would have given
me a D and then an E.
So I don't want that.
So I have to include break statements at
the end of all of my different options
within the switch.
And if I save this and I recompile
it, and I clear my terminal
and run it one more time, if I get
100, now I have an A. All right.
That's good.
If I get an 80, I have a B, and so on.
And so, again, by using
the tools this time
of seeing that I was hitting all
of these different lines of code,
not necessarily that
variables were changing--
although it was useful to
see that A was turning into B
and turning into C. What was more
useful for me there anyway was seeing
that I was hitting all
of these lines of code
that I shouldn't have been hitting.
I should have only been
hitting the very one, which
was case 90, colon, case 100 colon.
Because that was what I had
typed in, a 90 or a 100.
So it was strange that I
ended up falling through.
And being able to see
it go line by line,
as opposed to just the program running
so quickly because it's so short,
that was a good clue for me.
We have one more buggy program.
And let's take a look at that
one and see if debug50 can
help us figure that one out as well.
So I'll close this code window here.
And let's run debug3.
How many stars?
Five.
Give me six.
How many stars?
Zero.
it gives me one.
How many stars?
40.
Well, I'm not going to count
that, but it's 41 is what it is.
So I'm getting a few too many stars.
But if I look at my debug3 source
code, I'm going from zero to x,
and I'm printing out
a star for every time.
So it seems like that should be
working just fine, but it's not.
So maybe the debugger can help us figure
this out a little bit more cleanly.
So let's pop it open.
Let's first set a breakpoint.
It seems like the integer
part is maybe not working.
So instead of setting it
to breakpoint after that,
maybe it somehow is
turning five into six?
I don't know.
Let's set our breakpoint before that.
Let's just set our
breakpoint right at main.
And there was a breakpoint here.
We'll just get rid of it.
You can double click on a
breakpoint to make it go away if you
don't want to use that one anymore.
And you can also set
multiple breakpoints.
We're not doing it in these examples.
But I could set a
breakpoint at first spot,
and then maybe another
one a little bit later on.
It would stop at that point as well.
All right.
So let's try and compile this.
So really quickly recompile.
And then we'll run
debug50 to take a look
at what's happening in this program.
All right.
How many stars?
So, again, we broke at main.
So it's going to freeze
at line six and wait.
If I step over this line, it
will print out how many stars.
Let's say that I want five.
Then we'll step over this.
Because we don't need to
step in to get in presumably.
And when we get through, I's value
is 32,677, which is actually OK.
It hasn't been set yet, because
line nine has not executed.
But x is five.
It didn't somehow transform into six.
So what I now know at least
is that my error somewhere
happens from line nine down.
It's not line six.
It's not line seven.
It's got to be after that,
because x has the correct value.
It has five.
It didn't somehow get
transformed into six.
But I's value is 32,767.
This is a red herring.
This is not a bug.
Like I said, line nine
has not executed yet.
Once line nine executes then I
will be set at least to zero,
as we'll see right now.
So we'll step into this loop.
Notice now I is zero,
which is what we expect.
Then it will print a star.
I'm going to step over that, because
I don't want to step into printf.
So we'll step over.
Notice that it printed
one star to the terminal.
Step again.
I is now one.
That's what we expect.
We went through one
iteration of the loop.
I incremented by one.
I'm going to step over.
Print.
OK.
Two.
Three.
Four.
Now, at this point I
should be breaking, right.
I'm going from I is equal to zero
to I is less than or equal to x.
Uh-oh.
I see my bug now already, right.
I'm counting I is equal to zero
to I is less than or equal to x.
So I saw it even before
debug50 saw it for me.
But it's true if I step into
this loop, now I's value is five.
So it should have stopped if I did what
I intended, which is I is less than x.
But it actually went
into the loop, which
means it's going to execute
this line of code again.
And now it's true that if I step
into this, I goes away, right.
Because if I became six, this
loop would no longer run.
So it goes away.
And I break out of the loop.
And I jump down to line 12.
But I've printed out six
stars instead of five.
Now, again, these examples
are a little bit contrived
for the purposes of showing
you how to use the debugger.
It's not supposed to necessarily
find the bug for you.
But it's supposed to slow the
computer down enough that you
can see the steps that it's doing.
So the values on the right, being
able to track what values variables
have is useful.
Also I didn't show this, but you can
actually change the value of variables
if you want.
I could say x is equal to 23.
I could do this in the
middle of my program running,
between doing different
lines to change things,
to see if the behavior
is affected in any way.
It wouldn't have been that
useful here because I've already
broken out of the loop.
But if I wanted to somehow make it
artificially print more and more
because I haven't figured
it out yet, I can do that.
You can do that with any
local variable there as well.
You can use this to inspect
strings and arrays as well,
which we're not going to get
into here, because this is just
supposed to be a general tutorial.
But, again, the goal is not
so much to be, here's the bug.
It's to slow things down enough that
you can see exactly what the computer is
doing, and see if at
any point it deviates
from what you expect it to be doing.
And that's what all these
debugging tools are used for,
particularly this GDB
based one called debug50.
But eprintf.
Make sure that your
program is printing out
sort of sanity check
messages in the right spot.
help50 is supposed to give
you some clues about where
you might have compile time errors.
And debug50 is supposed
to help you figure out
where your runtime errors are.
So use all these tools in
conjunction, and you'll
be well on your way to debugging
code like an expert in no time.
I'm Doug Lloyd.
This is CS50.
| {
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(electronic whooshes)
- They say Ooops!
You got Ryda, just do
what you goin' to do.
Disrespecting Ryda,
talking to him, name flips.
That shit just so predictable,
I said you know what?
You right, I'mma scrap all that shit.
Y'all got me fucked up.
- Aw, yeah.
- Disrespect Ryda, talk
to him, name flips?
I bought all that shit.
- All that shit.
- All I've been hearing
is Ryda gonna do this,
Ryda gonna do that, bitch
stop all that frontin'.
You the bad ass kid on the elevator.
The only reason I'm going
up, 'cause you press
all my buttons.
- All my buttons.
- See I came here, I
came here to fuck you up.
Drag you out your hiding spot.
It's crazy how I left writer's block
only to come here, knock a
chuck off of Ryda's block.
See Will, you requested my
presence, well I'm a gift-giver.
Do' em ill, tell you, I'm recognizable.
Like who is this nigga?
Ay Goonies, this your member?
Well watch this member get
dismembered, disfigured,
cold part down the middle of his head,
I'm a wig splitter.
- Talk that shit.
- Aye Henny, you a fifth-sipper?
Holla, I mean Ryda, you a fifth-gripper?
Well both hands'll send 'em over the bar
like a proper chin-up.
Paramedics, I said both
hands'll send 'em over the bar
like a proper chin-up, ambulance
rushing to save him like,
don't get up.
Paramedics sounding like
a Ooops third round,
like, don't give up!
(audience murmurs)
See from here on out, I came
to kill you and every type
like you, plus I came to press
you for all that loud noise,
you ain't that type, Ryda?
What you think, I came here alone, though?
Like I'm on my own, bro?
I'm the type to press you without looking,
I know my home row.
See, to beat me, you're
gonna need that Twerk bounce.
You're gonna need that
Twerk bounce, a Ace bump,
Cuban vest, a whole other
style, 'cause if your level
of progression was any
lower, it'd be underground.
What the Goonies known for?
Bow, yeah that sound, it's
how I knock the words out
of your mouth, that's
how you dumb it down.
(audience groans)
With a wired jaw you can't speak.
I say with a wired jaw
makes it hard to speak,
how you gonna eat now, now
that Goonies known for what?
That sound.
(audience murmurs)
Drinking out the side with a straw.
Drinking out the side of a
straw for too much to say.
Hold on, now he went from
drinking out the side,
from eating out the side,
that's Conway to Kanye.
I told y'all, I ain't come
(audience shouts)
to play a motherfuckin'
round, and if I'm lyin',
I'm flyin', my feet ain't left the--
- Motherfuckin' ground.
- I say yo.
- Yo, yo.
So we got Ryda verse
Oscar-nominated Ooops.
(audience chuckles)
Glad you could afford this.
They said Ryda, why you take this battle?
I was bored, bitch.
(audience titters)
I remember when you battled
Daylyt, and you said
that your daughter
said, even when you lie,
I lie with you.
I said, mm, okay, I fuck with dog.
Then I remember you had
cancer, and you didn't die.
Okay the Lord then answered another call.
I'mma beat your ass the first
round, the second round.
They might give you a sympathy third,
okay I'm done with y'all.
They say Ooops always bring
all this pain to the battle.
Well now you in front of a
nigga that can numb it all,
if I'm lying I'm flying.
(audience yells)
They say my feet ain't left
the motherfuckin' ground.
You think that slogan and
your feet being planted
is what's giving us proof?
You shoulda learned
from James St. Patrick.
You can get shot dead in
the middle of the Truth,
I got paid for this hit, so I feel like
y'all doing a job with me,
(audience hoots)
ain't nothin' but a bunch of
clips for Ooops, lob city.
(audience roars)
- Talk about it!
- As soon as you accepted
this battle, I know.
As soon as you accepted this battle,
you was one foot up in grave.
Pistol whip him, let
Bruce Franks up in a daze.
Oh you know I like to name my guns.
Oh this shit can go a
couple different ways,
and you already know what it
is before I let go, Frankie.
Beverly and Maze, you been
in LA and DC a lot lately,
so I went to hit your home safe.
I'm in St. Louis with a
rental, I took the road trip.
As soon as he get home,
chrome lift, dome shift.
Then he speech at the Grammy's, yeah.
I like to address niggas at they own shit.
You was a former state rep,
so I wonder if you're death
or be on CNN, I caught
him on Twitter, lackin',
trying to reach a friend.
Well I was thinking, Missy
the old artists since I was
creeping in, 'cause first
you hear Ooops, bow,
then you never see a tweet
again, them haters in.
(audience yells)
Metal dropping like chess in a two on two.
He caged in, William
Bettelheim, gain my trust
and you can move on through,
well it was all love,
I was workin' with the
'40, but if I stole 14K
from your organization,
then is what is you gon' do?
'Cause with each word,
I'm all Joe Goldberg,
and I hate to pull a You on
you, 'cause once you turn
a white tee red, nigga
you can't reverse colors.
I'm a hearse stuffer, gun in his face,
pressin' a nine like Surf mother.
Take the shot, bottoms up,
oh shit, he outta luck.
I'm on this stage just bombin'
on one nigga, Donald Trump.
Send the slimes in, drive
by, prefect timing, dog
out the window, Ooops, Frankie Lymon.
(audience yells)
Give a fuck how y'all feel,
I be clutchin' on the steel.
Usher in the faculty, lately
I've been buggin' in the field.
Goonie gang, we a wild crew.
Open the doors for the
DMV, we was proud to.
But now they put down down
payments just to get in here,
wow, fool, so I'm the only
Ryda that'll pull off a lot
but never depreciated in
value, see I paint pictures,
illustrate, I don't talk
nigga, I demonstrate.
While you was takin'
donations and skatin',
well y'all seen Matilda,
y'all shoulda known
Bruce would steal a cake, but
here's the bigger picture.
You told my nigga Twerk, you
can't save lives from nine
to five, but what the fuck
you doin' from six to eight?
Round two we gon' get it straight.
(audience titters)
- It ain't that I don't
think you believable,
or that I don't think you
tough, or that you don't be
bustin' every gun you aim,
I just don't give a fuck.
You's a lukewarm glass of water, my nigga.
You don't stand out, me, I'm outstanding,
plus I never needed a handout.
But here's where I rewire your
thoughts, oh you a time bomb?
I been droppin' jewels,
you ain't gotta go fetch.
I ain't John John, you missed
every fuckin' lesson I taught
on how to you know your worth,
but here's where the math
adds up, as long as you show your work.
I'm battlin', Mister I
like to name my guns.
Bitch you should pray for some help.
How you name all these fuckin' guns,
but ain't make a name for yourself?
(audience moans)
How you name all these
guns and ain't make a name
for yourself, and Henny,
I don't give a fuck
if you say he been wylin' lately,
he still trash without a
name like Brenda's baby.
(audience yells)
Now, aggression don't equal conviction,
so bitch watch your tone.
You'll get rocked for
trying to talk like me.
You need Rosetta Stone, who
gives a fuck if I ain't been
on Smack nigga, my name's
still bigger than yours,
and that's that.
You know what a main stage is?
Whereabout the side the rap at?
See I bring ultimate raps
to every lead, some shit
you can't copy, plus every
bill I pass was real life bars.
Some shit you can't lobby.
I said every bill I
pass was real life bars,
some shit you can't
lobby, but oh I get it.
You golden with the metal,
it's that stock you raisin',
it's crazy how being golden.
I say it's crazy, you golden
with the metal, and that stock
you raisin', but me, I was
golden, that's what raised
my stock and got me the nomination.
See they be trying to downplay my worth,
but here's where I shut
it down, 'cause at first
I was scrappin' for pennies,
but now I'm Oscar proud.
See I took Twerk first because
he was the best Goonie,
to get it out the way, don't
think I still can't give glue
a round, paper mache, and
I will put Drugz in a box.
He ain't saying nothing,
y'all heard my third rounds,
how I package controlled substance.
They tried to put me in jail, why?
'Cause the system kept fuckin' with me?
All 'cause I resemble
Akon and my only crime
was trying to create a whole new city?
I told y'all, I ain't come to
play a motherfuckin' round,
and if I'm lyin', I'm
flyin', my feet ain't left
the motherfuckin' ground.
- So why'd you steal the money, Bruce?
(audience chuckles)
Nah nah nah, we don't want
none of them political answers,
nigga, we want the truth.
(audience laughs)
You took that money from your campaign
and put it to other use.
You stole all that
money, you ain't in jail?
All right, teach me the
fuckin' game, Bruce, I mean.
Something just wasn't sitting right.
I could just tell you wasn't living right.
Had the nerve to call your
movie the St. Louis Superman,
and the whole time the
green was your kryptonite.
ARP.
(audience yells)
ARP put you on a good card.
You know he put them racks out on it.
How you in a group with
Loso, Award, Saga, and JC
still back out on it?
Do you accept Christ?
(audience laughs)
Do you accept Christ as
your lord and savior?
'Cause you know, you were supposed to be
on the get back, you
know, breakin' 'em up,
but instead, for obvious reasons,
JC chose the Genesis, you
know, Caffeine and Drake
was shaking shit up, but if
he over there putting in work,
well how he gonna stop
me from blazin' shit up?
'Cause the URL and RBE
only proves one theory.
JC can't be two places at once.
(audience yells)
So tonight you gotta prove something.
Nigga you better move something.
Made my peace with God,
told him if I spend a block
with the arm out, Ooops, coming.
(audience yells)
Tool's dumping.
Nigga, you already know
what I'm gonna say.
You in the DMV, Goonie
town, get greedy with a bow,
namaste, I'mma say, you wanna put an end
to gun violence, but we the ones loadin'.
Elijah, Mohammad, find out
where a nigga preaching,
then we fold him.
All you heard was--
- Nigga get your hand out my pocket.
- Then it's holes in 'em.
(audience chatters)
- Hold on hold on, I
said all you heard was--
- Nigga get your hand out my pocket.
- Then it's holes in 'em,
the modern day Malcolm X,
the last place you wanna be is the podium.
Niggas was in--
(audience yells)
Niggas was in dark times, they
was giving blessings to you.
Niggas was starving for
plates, they was giving extras
to you, and we starting
to think less of you too.
What you forgot in these times
in war, niggas even shoot
the messengers too, you
comin' to get a message
to them, I'm comin' to
get a message to you.
(audience hoots)
We live in times with a
screenshot, I even gotta watch
what's in my messages too.
(audience yells)
Chrome heaters, dome seekers, bow.
Let's see if he can Rome with no Ceaser.
I had my bitch put more niggas
in Frank's house than Moesha.
(audience yells)
You wanna be on URL so fuckin' bad.
(Ooops laughs)
(audience chuckles)
I'm getting tired of seeing you bitch
and complain on every status and post.
Besides Daylyt, nigga
we can't even say none
of your quotes.
I mean, you've been
through a lot and survived,
just know I'm happy for bro.
But B Magic, it's crazy how this nigga
beat cancer but just
never touched the stage
that matters the most, I
mean what was you thinking?
(audience shouts)
What was you thinking?
(audience yells over each other)
What was you thinking?
When you got here and
prepared for me, nigga,
all those conversations in Houston,
you was practically beggin' me nigga.
Gun in his face, but I'm helping you.
Don't be scared of me nigga.
What to Martin, Malcolm
and Huey all got in common?
A bullet made the legacy bigger.
It's one thing I wanna know, it's like,
how you like the fifth
member in the four horseman?
Oh the changed it for you.
- Yeah they had to.
- Okay.
Well how does that workin' really?
I mean, God always forget, but
he can't reverse no mistakes.
Shotgun, hit the preacher
and the politician.
I know y'all think I'm buggin' but wait,
y'all know how this shit go,
you always got to separate
the church from the state.
- Let me tell you some shit, bro,
that you probably didn't know.
You know how they took out our
black leaders back in the day?
It was COINTELPRO.
They attacked our characters
and filled our communities
with lies, it's crazy how
they did all of that just
to see our demise, so when
the system say a black man
was stealing 14K, it's crazy.
When the system say a
black man stealing 14K,
it's crazy how those who look like me
got so much to stay.
(audience moans)
I say it's crazy how
those who look like me
got so much to say, you
weak ass battle rappers
keep using politics for a punchline
when I couldn't get you
motherfuckers to vote
when it was crunch time.
(audience screams)
You weak ass battle rappers
keep using politics for a punchline
when I couldn't get you
motherfuckers to vote
when it was crunch time, I
mean, when I couldn't get you
motherfuckers to vote when
it was crunch time, the first
thing they say is, I don't
really fuck with politics.
Until the system came for
me, y'all showed a whole lot
of interest, see in Missouri
if you steal over 500,
that's a felony, so if
I stole 14 thousand,
you really think they'll let me leave?
It's a difference between
being fined for misreporting
and actually stealing; if I
stole 14K they woulda drug me
out that motherfuckin' building.
- That's a fact.
- The reason they was really
mad is 'cause I was finally
paying my people a livable
wage, and when they couldn't
bury their kids, I'm
the one that made a way.
But fuck that, let's talk
about the nine million I found
to fund summer jobs.
Let's talk about the nine million I found
to fund summer jobs, or
how every bill I passed
was against all odds, or about how I took
the biggest stage in
politics and I ain't choke,
or 'bout how when our people
back was against the wall,
I'm the one that gave 'em hope.
Now let's talk about how
everyday they see me fight
for what I believe in, now
you try to convince them
14K was my reason for leaving.
You know why I touched on this shit bro?
It's because enough is enough.
I knew you was gonna have that angle,
but I ain't give a fuck.
I seen my kid's first breath in this earth
and my brother's last,
lost my girlfriend in 2006,
I miss her goofy laugh, it
was times I had to starve
so my kids wouldn't, did you know that?
I was hooked up to a EKG just
waiting for it to go flat,
I went to college, but
because of the trauma,
I didn't finish.
I mean them suicide attempts
was like free throws,
just glad I had Shaq's percentage.
You know what's the craziest things
about running for office?
I actually fuckin' won, you tired
of hearing those stores like that?
Well I ain't fuckin' done,
'cause while you out here
talking about how you name
your guns, I was in the street
consoling the mothers and
fathers with slain sons.
But you talking about you name your guns.
While our crime rate's steady growing.
I mean, you name your gun,
but we know bullets ain't got
a name on it, so while
it ain't I name my gun,
that shit is actually too fuckin' far,
'cause I'm trying to keep
my kids away from Geechi,
that's every fuckin' bar, I told y'all.
I ain't come to play a
motherfuckin' round, if I'm lying,
I'm flyin', my feet ain't
left the motherfuckin' ground.
- I woke up on a Wednesday, three o'clock,
crying, sweating,
the dream felt so true.
- What happened?
- I was up here talking to y'all
but not really saying nothing.
It was so Ooops.
(audience titters)
Y'all know how he do,
make it seem like he been
in such a bad place, say
something he feel like
gonna connect with y'all,
make that little sad face.
(audience chuckles)
Like you ain't happy about shit?
You just act like niggas
threw shit in your way.
Niggas be like, what's wrong, Ooops?
I went to Chipotle earlier,
they ain't have no avocado
and it ruined my day.
(audience laughs)
But back to the dream,
'cause it felt so real.
Y'all disappeared, I turned around
and Ooops was standing right here.
I told him, you in the nation's capital.
You took a break from
battle rap, 'cause politics,
you wanted to get in tune with,
and in about how much time
you got on this earth, it's
about what you do with it.
I mean, it used to be Danny
10K, but now they talk
about your 14K more, and it's your fault
for that stupid shit.
Change?
Nigga, all we hear is talk,
where's the proof in it?
I say all we hear is talk,
where's the proof in it?
As a friend, I can tell you
'cause there's truth in it.
You losin' it; the struggle?
You abusing it.
I didn't want you to be
the next Martin or Malcolm,
I wanted you to be the first
Bruce in it, do you get it?
This gimmick, this image,
it's work next to nothing.
It's a reason while you
still here and the rest
of the vets is buzzing.
I used to watch some of your
old battles and actually feel
like I left with something.
You was a better artist
when you woke up everyday
and thought death was coming.
(audience yells)
I bet you thought my name next to yours
was probably great,
found out I was a killer,
and now I'm the one sealing your fate.
I'm in that spot you
wish you was in, and now
since every ounce of the
hate, but you only gonna get
this spot if I die, nigga,
you Councilman Tate.
I mean, but I see greatness inside,
I see the greatness inside,
I see the pain in your eyes,
understand that I recognize it
'cause the same was in mine.
I lost 90 some years ago,
and I still don't sit right
with that, Esco and
Dirty Hundreds lost Wop,
and I know with God, they
still tight with that.
So be happy that your life intact.
You on the DMV, you know how
many niggas will take your life
if it could bring Swavy back, I mean.
I mean it's quite the fact.
I know I keep bringing up that 14K bro,
but did you spend it?
They say you got nominated
for the Oscar, my nigga.
Did you win it?
(audience chuckles)
(electronic music)
(electronic whooshes)
| {
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My name is Arthur Barraza. I'm a graduate student in the Shark Lab at Cal State Long Beach.
I study Green Sea Turtles that live in San Diego bay and Seal Beach,
and I try to find out what kind of heavy metals and pesticide pollutants they have in their body.
The Green Sea Turtles are worldwide considered endangered.
In this region, they are considered threatened. So, They're species of concern, and
this is actually the most north that they are, because they actually use the effluent of
power plants to warm-up.
We live in a very urban environment, and therefore, pollutants make their way into the environment
through urban effluence.
Once they get into the environment, things like fish, bacteria
pick up these pollutants, get eaten by larger fish, or
get absorbed by plants, which then get eaten by sea turtles.
So that's how these pollutants can enter through the environment and end up in sea turtles bodies.
Recently we have found that while Green Sea Turtles don't have many of the don't have many of the
pesticides in their body, they have more of the heavy metals, such as
Zinc, Silver, and Cadmium.
And cadmium comes, most of the time,
from cigarette butts that are thrown into the water.
Not only that, but many of the pollutants that would affect organisms like
sea turtles can actually affect people.
For example, high amounts of Cadmium can be detrimental to your health.
LA is such a populated and congested area that a lot of the pollution that comes from it
could be entering our environment,
and a study like mine is important in order to understand the risk that
that pollution can cost with something threatened like Green Sea Turtles.
| {
"pile_set_name": "YoutubeSubtitles"
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- Nowadays, more and more
workers report feeling stressed.
I can relate.
Like most people, I get nervous
when I'm being put on
the spot at a meeting
or need to respond to
my editor's criticism.
I'm about to go into a meeting
that I'm stressed about.
I have two deadlines to meet.
To learn how stress at
work affects our health,
I'm enrolling in a scientific experiment.
(sighs)
Big sigh of relief.
Let's see what the week brings.
- There's a whole cascade
of physiological responses
that occur under stress.
And each of us differs in
the way in which we respond.
(gentle music)
- Columbia University professor
Richard Sloan and his lab
developed a unique way to measure
the impact of stress on our health.
Can you tell us about the
experiment that I'm going
to be putting myself
through for the next week?
- What we're interested
in is trying to understand
the underlying physiology
of the experience of stress
throughout the regular day.
- [Daniela] For seven
days, I'll need to wear
a small portable heart monitor
and fill out a questionnaire
on a modified iPod.
For this study, Richard Sloan's
lab has developed an app
that will prompt me to
log my mood, who I'm with,
and how stressed I am
12 to 15 times a day.
- With the combination
of these two sets of data
we'll be able to get a
pretty interesting picture
of how your heart responds
to a variety of different circumstances.
- [Daniela] Under stress,
glands above the kidneys
release stress-related
hormones like adrenaline,
which increases our heart rate.
We sweat more, and the way
we metabolize food changes.
Our immune system goes into overdrive,
and that can cause inflammation.
This response is meant to protect us
against against an infection.
- That's good, as long as the response,
the inflammatory response,
doesn't outlast the challenge.
- If our immune system is
overactive for too long,
it won't be able to
protect us against a cold
or an infectious disease.
Is stress always bad?
- No.
Excessive stress is bad.
- [Daniela] A certain amount of stress
can help us be engaged and work better,
but chronic stress can have a
negative effect on our health.
- One of the classic cases of
extended stress is caregiving.
Stressful work experiences,
having a work environment that is ...
not supportive, having ...
a boss who is frequently ...
angry or hostile, critical
is another chronic stressor.
- Chronic stress puts us at risk
for developing a variety of diseases.
It changes the way our
bodies release insulin,
the hormone that regulate
level of sugar in the blood,
and that increases the risk
for developing diabetes.
The prolonged inflammation
linked to chronic stress
can damage blood vessels,
and that can up the risk of heart disease.
My job is demanding, the hours are long,
and I'm curious to know how I'm coping.
This is my first home video entry,
and I've been wearing
the heart monitor now
for probably five hours.
Logging and wearing a heart monitor
only added to my everyday stress.
I had to make sure the data and
circumstances were recorded.
I'm about to go into a stressful meeting.
Hopefully it'll go well.
But the experiment also
helped me understand
who and what stresses me out
and the impact of confronting
personal challenges.
(sighing)
Knowing that scientists were
going to sift through my data
made me work out harder.
It also made me more conscious
of my work-life balance.
I am basically gonna go back to work ...
seven hours after I left the office.
It's Wednesday night at ...
9:04 p.m., and I'm still at the office.
2:17 a.m. on Saturday, September ...
It's July.
It's July.
Do I look like a stress case in this data?
- You don't report a lot of stress.
Over the seven-day period
when you were prompted
about whether you were
experiencing stress right now,
only 12 times did you report yes to that
out of about 70 or so.
- Overall, my cardiogram
was perfectly normal.
But even though I wasn't
consistently stressed all week,
I remember moments when
my heart rate changed.
For instance, when I had
to pitch a new project,
the heart monitor picked up on that.
I'm sitting in Bryant Park.
A long walk outside
after some weekend work
helped me cope with stress.
I feel pretty relaxed and energized.
It's really nice to be outside.
For my heart rate, it meant
that variability went up,
which is good, because stress
usually does the opposite.
For instance, when I was getting
a story ready to publish,
it felt like a pit in my stomach,
and my heart rate was still.
So are some of the traps of
stress of our own making?
- Yes, in a sense.
Some are, and some are not.
If you work in an incredibly
stressful environment
because your supervisors are
nasty, and you have deadlines,
and you have relatively limited control
over your work experience
but lots of demands,
those things aren't really
not of your own making,
and it's generally much more
beneficial and more effective
to change the environment
if it's at all possible.
- [Daniela] If changing
environments or jobs
isn't an option, then research suggests
reframing your experience
or even relaxation exercises
might help reduce the
impact of chronic stress.
It was reassuring to know
my heart was resilient
to the challenges of my work week,
or perhaps my workout
balance stopped my stress.
- You could argue the
heart rate variability
is a measure of resilience.
It's a measure of the flexibility
of the cardiovascular system
to respond to a challenge,
and that is what resilience is.
From an evolutionary perspective,
having higher levels of
heart rate variability
gives you more room to raise
or lower your heart rate
in response to a challenge
that you might experience.
- Relaxing a little bit more today.
I don't have a pressing deadline.
Hopefully no breaking news.
There are many ways to improve
our resilience to stress.
Science shows that mindfulness exercises
like yoga and meditation can help.
Sleep is important.
Also, consider hitting the gym.
- Increasing your
cardio-respiratory fitness
is associated with an increase
in heart rate variability.
As a cardiology colleague
of mine used to say,
the heart is happiest when it dances.
(gentle music)
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Bonjour, bienvenue au cours de
physique générale de l'EPFL.
Dans cette leçon, on a vu comment faire
la mécanique du point matériel,
lorsqu'on est à la surface de la terre
qu'on prend comme référentiel,
et lorsqu'il faut tenir compte du fait
que la terre tourne.
Ici, je vais discuter
le pendule de Foucault,
on va d'abord considérer le phénomène
avec un modèle de table,
et ensuite je vous montre
comment on construit
un pendule de Foucault
dans les auditoires de physique.
Voici le modèle.
Imaginez que vous soyez
en dessus du pôle Nord,
immobile par rapport
à des étoiles lointaines.
Imaginez que quelqu'un ait construit
un pendule au pôle Nord,
et ait marqué le pôle d'une croix.
On verrait à peu près ce
qu'on voit sur cette vidéo.
D'abord, dans le référentiel d'inertie,
ici, le référentiel de l'auditoire,
vous notez que le plan du pendule
reste toujours le même.
Et par conséquent,
pour quelqu'un qui est dans le
référentiel de la platine qui tourne,
ce plan d'oscillation tourne.
C'est le principe du pendule de Foucault.
Maintenant, on va voir comment
on peut construire un pendule
de Foucault dans un auditoire.
Voilà une vue de l'auditoire,
le pendule est là en bas,
le fil monte jusqu'au plafond,
il n'y a pas beaucoup de hauteur,
ce qui pose des problèmes techniques.
Le gros problème,
c'est de garder le plan
d'oscillation du pendule,
en fait, de garder le pendule
dans un plan d'oscillation
pour pouvoir bien voir la
rotation de ce plan d'oscillation.
Dans la vidéo, vous allez voir les détails
techniques qu'on a mis en place,
pour assurer l'oscillation planaire
et bien visualiser la rotation
du plan d'oscillation.
Alors, voilà d'abord,
la situation dans l'auditoire.
Ici, vous avez une vue
plongeante vers le bas,
on est dans les faux
plafonds de l'auditoire
et on regarde le pendule vers le bas.
Et voilà un point essentiel
de la construction,
le fil est accroché à un cadre,
le cadre est soutenu par une boule
sur un coussin d'air.
Maintenant, ça c'est aussi un point
très important de l'expérience,
on tire le pendule hors
de sa position d'équilibre,
et on le laisse tranquille un moment,
et c'est avec un dispositif
électromécanique qu'on relâche,
doucement, le pendule.
On laisse le pendule s'équilibrer,
pendant quelques minutes,
et ensuite on le relâche.
Pour bien voir l'oscillation,
on a mis....
On voit déjà qu'on est bien sur un plan.
Et pour bien visualiser l'oscillation,
on a une diode,
au bout du pendule, un verre dépoli
et une caméra sous le verre dépoli
qui nous permet de voir
sur les téléviseurs de l'auditoire,
l'orientation du plan d'oscillation.
Maintenant, on va regarder comment
le système évolue en accéléré.
On observe que, après une heure,
le pendule a dévié d'à peu près,
enfin le plan d'oscillation a dévié
d'à peu près 10 degrés,
et après deux heures, on
arrive à à peu près 20 degrés.
On peut analyser cette mesure.
Commençons d'abord par un ordre de
grandeur, avec le petit modèle,
on a compris que c'est la rotation
de la terre qui détermine
la rotation du plan
d'oscillation au pôle Nord.
Si on était au pôle Nord,
on aurait 360 degrés en 24 heures,
ce qui correspond à peu près
à 15 degrés en une heure.
Ça, c'est pour le pôle Nord, mais,
nous ne sommes pas au pôle Nord,
nous devons utiliser la formule
établie au cours,
vous avez la vitesse angulaire de
rotation du plan, phi point,
qui vaut oméga sinus phi,
où phi est la latitude.
Je rappelle la valeur de oméga, la
latitude de Lausanne, c'est 46,5 degrés,
ceci nous permet d'estimer
qu'en une heure,
on devrait avoir une déviation de
11 degrés, bon à 10% près, on y est.
Il est difficile de dire quel est le
facteur le plus important qui fait que
on n'a pas trouvé exactement 10 degrés.
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In 2011, scientists created
glow-in-the-dark cats.
The researchers took a
gene from glowing jellyfish
and inserted it into the
unfertilized eggs of house cats.
It was a neat trick, but they
had a bigger goal in mind.
They also made the cats more likely
to be resistant to a feline form of AIDS,
by, again, manipulating their DNA.
And cats aren't that
different than humans.
In fact, we share around
90% of our DNA with them.
So why can't we engineer
humans in the same way?
Well, we can --
engineer ourselves to be resistant
to life-threatening illnesses, that is.
In fact, one scientist claims
that he's genetically
engineered two babies
using a revolutionary tool called CRISPR.
But what exactly is a CRISPR baby, anyway?
Would you like to be 6
feet tall or never bald?
The secret to traits like these
lies in the 6 billion
letters of your genetic code.
But there could be something
else in there as well:
mutations.
Genetic mutations are linked
to at least 6,000 medical conditions
from sickle cell anemia
to Huntington's disease.
But what if you could make those
mutations simply disappear?
That's where the gene-editing
tool CRISPR comes in.
CRISPR is made from specialized proteins
and other compounds found
in certain bacteria.
Normally, these proteins
protect the bacteria
by destroying enemy invaders like viruses.
But the inventors of CRISPR figured out
how to turn those proteins
against genetic mutations
and other genes linked to disease.
First, they give the proteins
coordinates of the wanted gene.
Then, CRISPR runs a
seek-and-destroy function.
After that, other molecules are dispatched
to repair the gene with new, healthy DNA.
And just like that, you
can edit the human genome.
But while the edits may be quick,
their changes can last for centuries,
especially if you're editing
the DNA in an embryo.
Embryos start out with a single cell
that eventually replicates into millions
and then trillions more.
So if you alter that initial cell first,
you're manipulating the ingredients
for every cell that follows later in life,
and those same altered
cells can be passed on
from generation to generation.
That's one reason why most experiments
on human embryos haven't left the lab.
That is, except for the
work of Dr. He Jiankui.
He claims to have used CRISPR
to target and knock out the
CCR5 gene in human embryos,
which is linked to HIV infection.
And then he did something
that shocked the scientific community.
He implanted the embryos
into several women,
one of whom gave birth to
genetically modified twins.
Resistance to HIV aside,
most scientists say
the procedure was too risky.
At least two studies
suggest that edited cells
might actually trigger cancer.
And another found that CRISPR
can accidentally take aim at healthy DNA.
So while CRISPR could
make us immune to disease,
who knows what else we
might get on the side?
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I'm very passionate about research and applied linguistics.
I'm hoping to establish a career in research,
it's a long road but I'm hoping to get there.
I started working as an English language teacher
overseas and I had some great experiences over there,
teaching non english speakers.
I wanted to continue looking into language
and learning about the way that language works
and how it's applied in terms of teaching and learning.
And so I decided to study applied linguistics.
I liked meeting people from different backgrounds
and discussing language, the minute detail
of language from grammar to discourse,
the way that people talk and communicate
and learning about how language is acquired.
I did my undergraduate degree at Melbourne University.
I loved it, it was such an interesting experience
because there was a diverse range of people
and the teachers were dedicated and I learnt a lot.
So I decided to pursue my Masters Degree here.
The other students were very open and warm
and accepting of difference and interested
in other people's opinions, so we had
some great conversations and I did a few group
projects and got to know some people that way
so the other students are interested in socialising
but also they're here to study hard as well.
I found the teachers to be very well prepared
and knowledgable about their subject areas.
I emailed them regularly, I asked them questions,
we had group discussions in class and I was able to
phone them if I had any questions about my studies.
I love studying, I think it's part of who I am and
it makes me happy to learn and become more educated.
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Russian:
Интересы: Планер
Хобби: Стрельба, верховая езда
Не нравится: Сигнальные башни
Интересы: Стрижка деревьев
Хобби: Уборка сада, игры в прятки
Не нравится: Лекарственные травы
Интересы: Животные, фрукты
Хобби: Верховая езда, добывание пищи
Не нравится: Город, шумные места
Интересы: Деньги
Хобби: Скрываться
Не нравится: Высокомерные люди
English:
Interests: Glider
Hobbies: Shooting, horse riding
Don't like: Signal towers
Interests: tree Cutting
Hobbies: Gardening, playing hide and seek
Don't like: Medicinal herbs
Interests: Animals, fruits
Hobbies: horse riding, food extraction
Don't like: City, noisy places
Interests: Money
Hobbies: Hiding
Don't like: Arrogant people
French:
Intérêts: Planeur
Loisirs: Tir, équitation
Ne pas aimer: tours de Signalisation
Intérêts: Tondre les arbres
Passe-temps: Nettoyage du jardin, jeu de cache-cache
N'aime pas: herbes Médicinales
Intérêts: Animaux, fruits
Passe-temps: équitation, extraction de nourriture
N'aime pas: Ville, lieux bruyants
Intérêts: Argent
Passe-Temps: Se Cacher
Ne pas aimer: les gens Arrogants
Korean:
관심 분야:글라이더
취미:촬영,승마
좋아하지 않는다:신호 타워
관심사:나무 절단
취미:원예,숨바꼭질 놀이
좋아하지 않는다:약초
관심 분야:동물,과일
취미:승마,음식 추출
좋아하지 않는다:도시,시끄러운 장소
관심사:돈
취미 숨기기
좋아하지 않는다:오만한 사람들
Italian:
Interessi: Aliante
Hobby: tiro, equitazione
Non mi piace: torri di segnale
Interessi: taglio di alberi
Hobby: pulizia del giardino, gioco di nascondino
Non mi piace: erbe medicinali
Interessi: animali, frutta
Hobby: equitazione, estrazione del cibo
Non mi piace: città, luoghi rumorosi
Interessi: Soldi
Hobby: Nascondersi
Non mi piace: persone arroganti
Japanese:
興味:グライダー
趣味:撮影、乗馬
好きではない:信号塔
興味:木の切断
趣味:ガーデニング、かくれんぼ
好きではない:薬草
興味:動物、果物
趣味:乗馬、食品抽出
好きではない:都市、騒々しい場所
興味:お金
趣味:隠す
好きではない:傲慢な人
Arabic:
الاهتمامات: المنزلقة
الهوايات: إطلاق النار ، ركوب الخيل
لا أحب أبراج الإشارة
المصالح: قطع الأشجار
الهوايات: تنظيف الحديقة ، لعب الغميضة
لا أحب الأعشاب الطبية
المصالح: الحيوانات ، الفواكه
الهوايات: ركوب الخيل ، البحث عن الطعام
مدينة ، أماكن صاخبة
الفوائد: المال
الهوايات: الاختباء
لا أحب المتغطرسون
German:
Interessen: Segelflugzeug
Hobbys: Schießen, Reiten
Nicht wie: Signaltürme
Interessen: Baumschnitt
Hobbys: Gartenreinigung, Versteckspiel
Nicht wie: Heilkräuter
Interessen: Tiere, Früchte
Hobbys: Reiten, nahrungsgewinnung
Nicht wie: Stadt, laute Orte
Interessen: Geld
Hobby: Verstecken
Nicht wie: Arrogante Menschen
Vietnamese:
Sở Thích: Tàu Lượn
Sở thích: Bắn súng, cưỡi ngựa
Không giống như: Tín hiệu tháp
Sở thích: cây Cắt
Sở thích: làm Vườn, chơi trốn tìm
Không giống như: các loại thảo Dược
Sở thích: động Vật, trái cây
Sở thích: cưỡi ngựa, thức ăn, khai thác
Không giống như thành Phố, những nơi ồn ào,
Sở Thích: Tiền
Sở Thích: Ẩn
Không giống như: người kiêu Ngạo
Portuguese:
Interesses: Planador
Hobbies: Tiro, equitação
Não gosta de: Sinalização de torres
Interesses: Corte de árvores
Passatempo: a Limpeza do jardim, um jogo de esconde-esconde
Não gosta de: ervas Medicinais
Interesses: Animais, frutas
Hobby: Andar a cavalo, produção de alimentos
Não gosta de: Cidade, um lugar barulhento
Interesses: Dinheiro
Hobbies: Escondido
Não gosta de: pessoas Arrogantes
Spanish:
Intereses: Planeador
Pasatiempos: Tiro, Equitación
No me gusta: torres de Señal
Intereses: cortar árboles
Pasatiempos: Limpiar el Jardín, jugar al escondite
No me gusta: hierbas Medicinales
Intereses: Animales, fruta
Pasatiempos: Equitación, extracción de alimentos
No me gusta: Ciudad, lugares ruidosos
Intereses: Dinero
Hobby: Esconderse
No me gusta: gente Arrogante
Malay (macrolanguage):
Kepentingan: Glider
Hobi: Menembak, menunggang kuda
Jangan seperti: menara Isyarat
Kepentingan: Memotong pohon
Hobi: Berkebun, bermain petak umpet
Jangan seperti: herba
Kepentingan: Haiwan, buah-buahan
Hobi: menunggang kuda, makanan pengekstrakan
Jangan seperti: City, tempat bising
Kepentingan: Wang
Hobi: Bersembunyi
Jangan seperti: Sombong orang
Indonesian:
Minat: Glider
Menembak, berkuda
Tidak suka: sinyal menara
Minat: Potong pohon
Hobi: berkebun, bermain petak umpet
Tidak suka: Obat Herbal
Minat: Dan buah-buahan.
Kuda, kuda, makanan, ekstraksi
Tidak suka: kota, tempat yang bising
Minat: Uang
Hobi: Bersembunyi
Tidak suka: orang Sombong
Turkish:
İlgi Alanları: Planör
Hobiler: çekim, At Binme
Beğenmedim: sinyal kuleleri
İlgi alanları: ağaç Kesimi
Hobiler: Bahçe temizliği, saklambaç oynamak
Sevmiyorum: şifalı otlar
İlgi alanları: Hayvanlar, meyveler
Hobiler: Binicilik, gıda çıkarma
Sevmiyorum: şehir, gürültülü yerler
İlgi Alanları: Para
Hobiler: Gizleme
Beğenmedim: kibirli insanlar
Arabic:
المصالح: قضاء الوقت وحده
الهوايات: مراسم الجنازة
لا أحب العيش
الاهتمامات: الركبي
الهوايات: الركض بالكرة
لا أحب آلات التشفير
الاهتمامات: تربية الأيائل
الهواية: رمي
لا أحب الأسلحة ، المقص
الاهتمامات: المشي على الحبل الضيق
الهوايات: القفز ، البهلوانات
لا أحب الناس الأقوياء و الغير قابلين للسيطرة
المصالح: التسوق
الهوايات: الرقص ، التقويم
لا أحب المنتجات الرخيصة
English:
Interests: Spending time alone
Hobbies: Funeral ceremonies
Don't like: Live people
Interests: Rugby
Hobbies: running with a ball
Don't like: Encryption machines
Interests: elk Breeding
Hobby: Throwing
Don't like: Guns, scissors
Interests: walking a tightrope
Hobbies: Jumping, acrobatics
Don't like: Tough and unmanageable people
Interests: Shopping
Hobbies: Dancing, Almanacs
Don't like: Cheap products
German:
Interessen: Zeit alleine Verbringen
Hobby: Trauerfeier
Nicht wie: Lebende Menschen
Interessen: Rugby
Hobby: Laufen mit dem Ball
Nicht wie: Verschlüsselungsmaschinen
Interessen: elchzucht
Hobby: Werfen
Nicht wie: Pistolen, Scheren
Interessen: Seilspringen
Hobbys: Springen, Akrobatik
Nicht wie: Harte und Unkontrollierbare Menschen
Interessen: Einkaufen
Hobbys: Tanzen, Almanachs
Nicht wie: Billige waren
Italian:
Interessi: passare il tempo da solo
Hobby: cerimonie funebri
Non mi piace: persone viventi
Interessi: Rugby
Hobby: corsa con la palla
Non mi piace: Macchine crittografiche
Interessi: allevamento di alci
Hobby: Lancio
Non mi piace: pistole, forbici
Interessi: camminare sulla corda
Hobby: salto, tumbling
Non mi piace: persone difficili e ingestibili
Interessi: Shopping
Hobby: Danza, Almanacchi
Non mi piace: merci a buon mercato
Indonesian:
Minat: Menghabiskan waktu sendirian
Upacara pemakaman
Tidak suka: orang-orang hidup
Minat: Rugby
Berjalan dengan bola
Tidak suka: mesin enkripsi
Minat: pengembangbiakan elk
Melempar
Tidak suka: senjata, gunting
Minat: berjalan di atas tali
Hobi: melompat, akrobat
Tidak suka: orang tangguh dan tidak teratur
Minat: Belanja
Hobi: Menari, Almanacs
Tidak suka: produk murah
French:
Intérêts: Passer du temps seul
Hobby: cérémonies Funéraires
Ne pas aimer: les gens Vivants
Intérêts: Rugby
Passe-temps: Courir avec le ballon
Je n'aime pas: les machines à Chiffrer
Intérêts: Elevage d'orignaux
Passe-Temps: Lancer
N'aime pas: Pistolets, ciseaux
Intérêts: marcher sur la corde raide
Passe-temps: Saut, acrobatie
Ne pas aimer: les gens Durs et ingérables
Intérêts: Shopping
Passe-Temps: Danse, Almanachs
N'aime pas: produits bon Marché
Japanese:
興味:一人で過ごす時間
趣味:葬儀
好きではない:生きている人々
興味:ラグビー
趣味:ボールで走る
好きではない:暗号化マシン
興味:エルクの繁殖
趣味:投げる
好きではない:銃、はさみ
興味:綱渡りを歩く
趣味:ジャンプ、アクロバット
好まない:堅く、始末におえない人々
興味:ショッピング
趣味:ダンス、アルマナック
好きではない:安い製品
Turkish:
İlgi alanları: yalnız zaman geçirmek
Hobiler: cenaze törenleri
Sevmiyorum: yaşayan insanlar
İlgi Alanları: Rugby
Hobiler: top ile Koşu
Beğenmedim: şifreleme makineleri
İlgi alanları: geyik yetiştiriciliği
Hobi: Atma
Beğenmedim: tabancalar, makas
İlgi alanları: halat yürüyüşü
Hobiler: atlama, yuvarlanan
Sevmemek: sert ve yönetilemez insanlar
İlgi Alanları: Alışveriş
Hobiler: Dans, Almanak
Sevmiyorum: ucuz ürünler
Spanish:
Intereses: Pasar tiempo solo
Hobby: ceremonias Fúnebres
No me gusta: gente Viva
Intereses: Rugby
Hobby: Correr con la pelota
No me gusta: máquinas de Cifrado
Intereses: Cría de alces
Hobby: Lanzar
No me gusta: Pistolas, tijeras
Intereses: Caminar por la cuerda floja
Pasatiempos: Saltos, acrobacias
No me gusta: personas Duras e inmanejables
Intereses: Compras
Aficiones: Baile, Almanaques
No me gusta: productos Baratos
Russian:
Интересы: Проводить время в одиночестве
Хобби: Похоронные церемонии
Не нравится: Живые
Интересы: Регби
Хобби: Бег с мячом
Не нравится: Шифровальные машинки
Интересы: Разведение лосей
Хобби: Метание
Не нравится: Пистолеты, ножницы
Интересы: Хождению по канату
Хобби: Прыжки, акробатика
Не нравится: Жёсткие и неуправляемые люди
Интересы: Шоппинг
Хобби: Танцы, Альманахи
Не нравится: Дешевые товары
Korean:
관심사:혼자 보내는 시간
취미:장례식
좋아하지 않는다:라이브 사람들
관심사:럭비
취미:공 실행
좋아하지 않는다:암호화 기계
관심 분야:엘크 사육
취미:던지기
좋아하지 않는다:총,가위
관심 분야:줄타기 걷기
취미:점프,곡예
힘들고 관리하기 어려운 사람들
관심사:쇼핑
취미:춤,연감
좋아하지 않는다:싼 제품
Malay (macrolanguage):
Kepentingan: Menghabiskan waktu sendirian
Hobi: upacara Pengebumian
Jangan seperti: orang-orang Hidup
Kepentingan: Rugby
Hobi: berjalan dengan bola
Jangan seperti: Penyulitan mesin
Kepentingan: rusa besar Pembiakan
Hobi: Melontar
Jangan seperti: Senjata, gunting
Kepentingan: berjalan di atas tali
Hobi: Melompat, akrobatik
Jangan seperti: Sulit dan tidak terurus orang
Kepentingan: Membeli-Belah
Hobi: Menari, Almanak
Jangan seperti: produk Murah
Portuguese:
Interesses: Passar o tempo na solidão
Hobbies: cerimônia de Funeral
Não gosto: de pessoas reais
Interesses: Rugby
Hobbies: Correr com a bola
Não gosto: de Criptografia portable
Interesses: Criação de alces
Hobby: Jogar
Não gosta de: Pistolas, tesoura
Interesses: Caminhar sobre uma corda bamba
Hobbies: Saltos, acrobacias
Não gosta de: unidades de disco Rígido e não gerenciados pessoas
Interesses: Compras
Hobbies: Dançar, Almanaques
Não gosta de: produtos Baratos
Vietnamese:
Sở thích: Dành thời gian một mình
Sở thích: Tang lễ
Không giống như: Sống người
Sở Thích: Bóng Bầu Dục
Sở thích: chạy với một bóng
Không giống như: mã Hóa máy móc
Sở thích: nai sừng tấm chăn Nuôi
Sở Thích: Ném
Không giống như: Súng, kéo
Sở thích: đi trên dây
Sở thích: ... Nhảy, lộn
Không giống như: Khó khăn và không thể quản lý mọi người
Sở Thích: Mua Sắm
Sở Thích: Nhảy Niên Giám
Không giống như: sản phẩm giá Rẻ
Spanish:
Pasatiempos: Magia, disfraces
Habilidades especiales: Magia
Me gusta: varitas mágicas de alta Calidad y disfraces
No me gusta: Estar en peligro
Aficiones: armas Frías, lucha
Habilidades especiales: Escalada, armas frías, lucha libre
Me gusta: cuchillos Gurkha, luz de Luna
No me gusta: jabalíes
Intereses: Comedia
Hobby: Restauración, motosierras
No me gusta: Personas a las que les gusta hacer ejercicio lloran
Intereses: Autopsia
Hobby: Estar encubierto
No me gusta: Linternas
Intereses: alimentos y bebidas de alta Gama
Hobby: Hacer perfumes, aceites esenciales
No me gusta: cosas Sucias, artículos rotos, olor a desinfectantes para equipos médicos
Italian:
Hobby: magia, costumi
Abilità speciali: magia
Piace: bacchette magiche di alta qualità e costumi
Non mi piace: essere minacciato
Hobby: armi fredde, combattimento
Abilità speciali: arrampicata, armi fredde, combattimento
Come: Gurkha coltelli, chiaro di luna
Non mi piace: cinghiali
Interessi: Commedia
Hobby: restauro, motoseghe
Non mi piace: le persone che amano fare sport, piagnucolare
Interessi: Autopsia
Hobby: essere sotto copertura
Non mi piace: luci
Interessi: cibo e bevande di alto livello
Hobby: fare profumi, oli essenziali
Non mi piace: cose sporche, oggetti rotti, odore di disinfettanti per attrezzature mediche
Vietnamese:
Sở thích: Ma thuật, trang phục
Kỹ năng đặc biệt: Ma thuật
Giống như: cây đũa phép Thuật của chất lượng cao nhất và phù hợp với
Không thích Bị đe dọa
Sở thích: Lạnh vũ khí chiến đấu,
Kỹ năng đặc biệt: Leo núi lạnh vũ khí chiến đấu,
Thích: Gurkha dao, moonlight
Không giống như: heo rừng
Sở Thích: Hài
Sở thích: Phục hồi, cưa
Không giống như: những Người thích chơi thể thao, crybabies
Sở Thích: Khám Nghiệm Tử Thi
Sở thích: Được bí mật
Không giống như: Đèn
Sở thích: cao cấp thức ăn và nước uống
Sở thích: Làm nước hoa, tinh dầu
Không giống như: những thứ dơ Bẩn, đồ bị hỏng, mùi thuốc khử trùng cho thiết bị y tế
Japanese:
趣味:マジック、衣装
特別なスキル:魔法
のように:最高の品質とスーツの魔法の杖
脅かされるのは好きではない
趣味:冷たい武器、戦闘
特別なスキル:ロッククライミング、冷たい武器、戦い
好き:Gurkhaナイフ,月光
好きではない:イノシシ
興味:コメディ
趣味:修復、チェーンソー
好きではない:スポーツをするのが好きな人、crybabies
興味:剖検
趣味:潜入捜査
好きではない:ライト
興味:ハイエンドの食品および飲料
趣味:香水、エッセンシャルオイルを作る
好きではない:汚れたもの、壊れたアイテム、医療機器の消毒剤の匂い
Indonesian:
Hobi: sihir, kostum
Keahlian khusus: sihir
Seperti: sihir tongkat dari kualitas tertinggi dan setelan
Tidak suka diancam
Hobi: Senjata Dingin, berjuang
Kemampuan khusus, panjat tebing, senjata dingin, berkelahi
Pisau Gurkha seperti, sinar bulan
Tidak suka: babi hutan
Minat: Komedi
Pemulihan, gergaji mesin.
Jangan suka: orang yang suka bermain olahraga, cengeng
Minat: Otopsi
Menyamar
Tidak suka: lampu
Minat: Makanan mahal dan minuman.
Membuat parfum, minyak esensial,
Jangan suka: barang kotor, barang rusak, bau disinfektan untuk peralatan medis
Arabic:
الهوايات: السحر ، الأزياء
المهارات الخاصة: السحر
مثل: الصولجان السحرية ذات الجودة العالية والبدلات
لا أحب أن أتعرض للتهديد
الهوايات: الأسلحة الباردة ، القتال
المهارات الخاصة: تسلق الصخور ، الأسلحة الباردة ، القتال
سكاكين غوركا ، ضوء القمر
لا أحب الخنازير البرية
الاهتمامات: الكوميديا
الهوايات: الترميم والمناشير
لا أحب الناس الذين يحبون ممارسة الرياضة ، الأطفال الباكين
الاهتمامات: التشريح
أن تكون متخفيا
لا أحب الأضواء
المصالح: الأغذية والمشروبات الراقية
الهوايات: صنع العطور ، الزيوت الأساسية
لا أحب الأشياء القذرة ، الأشياء المكسورة رائحة المطهرات للمعدات الطبية
French:
Passe-temps: Magie, costumes
Compétences spéciales: Magie
Aime: des baguettes Magiques et des costumes de qualité supérieure
Ne pas aimer: être menacé
Passe-temps: armes Blanches, combats
Compétences spéciales: Escalade, armes blanches, lutte
J'aime: couteaux Gurkha, clair de lune
Ne pas aimer: sangliers
Intérêts: Comédie
Passe-temps: Restauration, tronçonneuses
Ne pas aimer: les Gens qui aiment faire du sport, les pleurs
Intérêts: Autopsie
Passe-temps: Être sous couverture
Ne pas comme: Lanternes
Intérêts: aliments et boissons haut de Gamme
Passe-temps: Fabrication de parfums, huiles essentielles
N'aime pas: les choses Sales, les objets cassés, l'odeur des désinfectants pour le matériel médical
Malay (macrolanguage):
Hobi: Sihir, pakaian
Kemahiran khas: Sihir
Seperti: tongkat Sihir yang bermutu tinggi dan sut
Tak suka diancam
Hobi: Sejuk senjata, berjuang
Kemahiran khas: Mendaki gunung, sejuk senjata, berjuang
Suka: Gurkha pisau, cahaya bulan
Jangan seperti: babi Hutan
Kepentingan: Komedi
Hobi: Pemulihan, gergaji
Jangan seperti: orang-Orang yang suka bermain sukan, crybabies
Kepentingan: Otopsi
Hobi: Sedang menyamar
Jangan seperti: Lampu
Kepentingan: tinggi-End makanan dan minuman
Hobi: Membuat minyak wangi, pati
Jangan seperti: hal-hal yang Kotor, barang-barang pecah, bau disinfektan untuk peralatan medis
Russian:
Хобби: Магия, костюмы
Специальные навыки: Магия
Нравится: Волшебные палочки высшего качества и костюмы
Не нравится: Быть под угрозой
Хобби: Холодное оружие, боевые действия
Специальные навыки: Скалолазание, холодное оружие, борьба
Нравится: ножи Гуркха, лунный свет
Не нравится: Дикие кабаны
Интересы: Комедия
Хобби: Реставрация, бензопилы
Не нравится: Люди, которые любят заниматься спортом, плаксы
Интересы: Вскрытие
Хобби: Быть под прикрытием
Не нравится: Фонари
Интересы: Высококлассные продукты питания и напитки
Хобби: Изготовление духов, эфирных масел
Не нравится: Грязные вещи, разбитые предметы, запах дезинфицирующих средств для медицинского оборудования
Turkish:
Hobiler: büyü, kostümler
Özel beceriler: sihirli
Beğen: en kaliteli sihirli değnekler ve kostümler
Sevmemek: tehdit altında olmak
Hobiler: soğuk silahlar, mücadele
Özel beceriler: kaya tırmanışı, soğuk silahlar, güreş
Gibi: Gurkha bıçaklar, ay ışığı
Sevmiyorum: yaban domuzu
İlgi Alanları: Komedi
Hobiler: restorasyon, testere
Sevmemek: spor yapmayı seven insanlar, ağlamak
İlgi Alanları: Otopsi
Hobiler: gizli olmak
Sevmiyorum: Fenerler
İlgi alanları: lüks yiyecek ve içecek
Hobiler: parfüm yapımı, uçucu yağlar
Sevmiyorum: kirli şeyler, kırık nesneler, tıbbi ekipman için dezenfektan kokusu
German:
Hobbys: Magie, Kostüme
Besondere Fähigkeiten: Magie
Gefällt mir: hochwertige Zauberstäbe und Kostüme
Nicht mögen: in Gefahr Sein
Hobbys: Kalte Waffen, Kampfhandlungen
Spezielle Fähigkeiten: Klettern, kalte Waffen, Kampf
Gefällt mir: Gurkha Messer, Mondlicht
Nicht wie: Wildschweine
Interessen: Komödie
Hobbys: Restaurierung, Motorsägen
Nicht mögen: Menschen, die gerne Sport treiben, heulen
Interessen: Autopsie
Hobby: Undercover Sein
Nicht wie: Laternen
Interessen: Gehobenes Essen und trinken
Hobby: Herstellung von Parfüm, ätherischen ölen
Nicht wie: Schmutzige Dinge, zerbrochene Gegenstände, Geruch von Desinfektionsmitteln für medizinische Geräte
English:
Hobbies: Magic, costumes
Special skills: Magic
Like: Magic wands of the highest quality and suits
Don't like to Be threatened
Hobbies: Cold weapons, fighting
Special skills: rock Climbing, cold weapons, fighting
Likes: Gurkha knives, moonlight
Don't like: Wild boars
Interests: Comedy
Hobbies: Restoration, chainsaws
Don't like: People who like to play sports, crybabies
Interests: Autopsy
Hobby: Being undercover
Don't like: Lights
Interests: high-End food and beverages
Hobbies: Making perfumes, essential oils
Don't like: Dirty things, broken items, the smell of disinfectants for medical equipment
Korean:
취미:마술,의상
특별한 기술:마법
같이:고품질 및 한 벌의 마술 지팡이
위협 받고 싶지 않아
취미:차가운 무기,싸움
특수 기술:암벽 등반,차가운 무기,싸움
좋아요 수:구르카 칼,달빛
좋아하지 않는다:야생 멧돼지
관심사:희극
취미:복원,전기 톱
좋아하지 마라:스포츠를 좋아하는 사람들,옴
관심 분야:부검
취미:잠복
좋아하지 않는다:빛
관심 분야:고급 식품 및 음료
취미:향수 만들기,에센셜 오일
좋아하지 마십시오:더러운 것,끊긴 품목,의료 기기를 위한 소독제의 냄새
Portuguese:
Passatempo: Magia, ternos
Habilidades especiais: Magia
Gosto de: varinhas Mágicas alta qualidade e ternos
Não gosta de: Estar sob ameaça
Hobbies: armas brancas, de luta
Habilidades especiais: Escalada, armas brancas, luta
Gosto de: facas Gurkha, a luz do luar
Não gosta de: javalis
Interesses: Comédia
Passatempo: a Restauração, a motosserra
Não gosto de: Pessoas que gostam de praticar esportes, bebê chorão
Interesses: Uma Autópsia
Hobbies: Estar sob o pretexto de
Não gosta de: Lanternas
Interesses: o Upscale de alimentos e bebidas
Hobbies: Fabricação de perfumes, óleos essenciais
Não gosto: de coisas Sujas, quebradas itens, o cheiro de desinfetantes para o equipamento médico
Vietnamese:
Sở Thích: Quản Lý.
Sở thích: vẽ hình ảnh Shodo
Kỹ năng đặc biệt: Thơ, kiếm, la bàn, ô dù
Không giống như: Mưa và dây thừng
Sở thích: Xe ô tô, phát minh
Kỹ năng đặc biệt: bảo Trì máy cơ khí, búp bê
Không giống như: bùng Nổ mọi thứ
Sở thích: Biển du lịch
Kỹ năng đặc biệt: Bơi, cờ bạc
Không giống như âm Nhạc:
Sở Thích: Là Một Vị Thần
Kỹ năng đặc biệt: không Rõ
Không giống như: không Rõ
Malay (macrolanguage):
Kepentingan: Pengurusan.
Hobi: lukisan gambar, Shodo
Kemahiran khas: Puisi, pedang, kompas, payung
Jangan seperti: Hujan dan tali
Hobi: Kereta, ciptaan
Kemahiran khas: mesin Penyelenggaraan, patung mekanikal
Jangan seperti: Letupan hal-hal
Hobi: perjalanan Laut
Kemahiran khas: Berenang, perjudian
Jangan seperti: Muzik
Hobi: Menjadi Dewa
Kemahiran khas: tidak Diketahui
Tidak seperti anda: tidak Diketahui
Spanish:
Intereses: Gestión.
Hobby: Dibujo de imágenes, Shodo
Habilidades especiales: Poemas, espadas, brújula, paraguas
No me gusta: Lluvia y cuerdas
Aficiones: Máquinas, invenciones
Habilidades especiales: mantenimiento de máquinas, muñeca mecánica
No me gusta: cosas Explosivas
Hobby: viajes por Mar
Habilidades especiales: Natación, juegos de azar
No me gusta: Música
Hobby: Ser Una Deidad
Habilidades especiales: Desconocido
No me gusta: Desconocido
Turkish:
İlgi Alanları: Yönetim.
Hobiler: resim çizme, Shodo
Özel beceriler: Şiirler, kılıçlar, pusula, şemsiye
Sevmiyorum: yağmur ve halatlar
Hobiler: makine, buluşlar
Özel beceriler: makine bakım, mekanik bebek
Sevmiyorum: patlayıcı şeyler
Hobiler: Deniz Seyahat
Özel beceriler: yüzme, kumar
Beğenmedim: müzik
Hobiler: Tanrı Olmak
Özel beceriler: bilinmeyen
Beğenmedim: bilinmeyen
German:
Interessen: Management.
Hobbys: Zeichnen von Bildern, Shodo
Besondere Fähigkeiten: Gedichte, Schwerter, Kompass, Regenschirm
Nicht wie: Regen und Seile
Hobby: Maschinen, Erfindungen
Spezielle Fähigkeiten: Maschinenwartung, mechanische Puppe
Nicht wie: Explosive Dinge
Hobby: Seereise
Besondere Fähigkeiten: Schwimmen, Glücksspiel
Nicht wie: Musik
Hobby: Gottheit Sein
Besondere Fähigkeiten: Unbekannt
Nicht wie: Unbekannt
French:
Intérêts: Gestion.
Passe-temps: Dessin d'images, Shodo
Compétences spéciales: Poèmes, épées, boussole, parapluie
N'aime pas: la Pluie et les cordes
Passe-temps: Machines, inventions
Compétences particulières: entretien des machines, poupée mécanique
Ne pas aimer: des choses Explosives
Loisirs: voyage en Mer
Compétences spéciales: Natation, jeu
Ne pas aimer: Musique
Passe-Temps: Être Une Divinité
Compétences spéciales: Inconnu
Ne pas aimer: Inconnu
Italian:
Interessi: Gestione.
Hobby: disegnare immagini, Shodo
Abilità speciali: poesie, spade, bussola, ombrello
Non mi piace: pioggia e Corde
Hobby: Macchine, invenzioni
Abilità speciali: manutenzione della macchina, bambola meccanica
Non mi piace: cose esplosive
Hobby: Viaggi in mare
Abilità speciali: Nuoto, gioco d'azzardo
Non mi piace: Musica
Hobby: Essere Una Divinità
Abilità speciali: sconosciuto
Non mi piace: sconosciuto
Portuguese:
Interesses: Gestão.
Hobbies: Desenhar imagens, Shodo
Habilidades especiais: um Poema de espadas, uma bússola, um guarda-chuva
Não gosto de: a Chuva e a corda
Passatempo: Máquinas, de invenção
Habilidades especiais: manutenção de máquinas, mecânico de boneca
Não gosta de: Explosivos coisas
Hobbies: Navios de viagem
Habilidades especiais: Natação, jogos de azar
Não gosta de: Música
Hobby: Ser Divino
Habilidades especiais: Desconhecido
Não gosta de: Desconhecido
Arabic:
الاهتمامات: الإدارة.
الهوايات: رسم الصور ، شودو
المهارات الخاصة: القصائد ، السيوف ، البوصلة ، المظلة
لا أحب المطر والحبال
الهوايات: السيارات والاختراعات
المهارات الخاصة: صيانة الآلات ، دمية ميكانيكية
لا أحب الأشياء المتفجرة
الهوايات: السفر في البحر
المهارات الخاصة: السباحة ، المقامرة
لا أحب الموسيقى
الهواية: أن تكون إلها
المهارات الخاصة: مجهول
لا أحب: مجهول
Russian:
Интересы: Управление.
Хобби: Рисование картинок, Шодо
Специальные навыки: Поэмы, мечи, компас, зонт
Не нравится: Дождь и веревки
Хобби: Машины, изобретения
Специальные навыки: Техническое обслуживание машин, механическая кукла
Не нравится: Взрывоопасные вещи
Хобби: Морское путешествия
Специальные навыки: Плавание, азартные игры
Не нравится: Музыка
Хобби: Быть Божеством
Специальные навыки: Неизвестно
Не нравится: Неизвестно
Indonesian:
Minat: Manajemen.
Hobi: menggambar, Shodo
Puisi, pedang, Kompas, payung
Tidak suka: hujan dan tali
Minat: Mobil, penemuan.
Keahlian khusus: mesin pemeliharaan, boneka mekanik
Tidak suka: eksplosif hal
Hobi: perjalanan laut
Berenang, berjudi
Tidak suka: musik
Minat: Menjadi Dewa
Keahlian khusus: tidak diketahui
Jangan suka: tidak diketahui
Japanese:
利益:管理。
趣味:絵を描く、書道
特別なスキル:詩、剣、コンパス、傘
好きではない:雨とロープ
趣味:自動車、発明
特別なスキル:機械メンテナンス、機械人形
好きではない:爆発的なもの
趣味:海の旅
特別なスキル:水泳、ギャンブル
好きではない:音楽
趣味:神であること
特別なスキル:不明
好きではない:不明
Korean:
관심사:관리.
취미:그림 그리기,쇼도
특별 기술:시,칼,나침반,우산
좋아하지 않는다:비와 밧줄
취미:자동차,발명품
특별한 기술:기계 정비,기계적인 인형
좋아하지 마라:폭발적인 것들
취미:바다 여행
특별 기술:수영,도박
좋아하지 않는다:음악
취미:신성
특별한 기술:알 수 없음
좋아하지 않는다:알 수 없음
English:
Interests: Management.
Hobbies: drawing pictures, Shodo
Special skills: Poems, swords, compass, umbrella
Don't like: Rain and ropes
Hobbies: Cars, inventions
Special skills: machine Maintenance, mechanical doll
Don't like: Explosive things
Hobbies: Sea travel
Special skills: Swimming, gambling
Don't like: Music
Hobby: Being A Deity
Special skills: Unknown
Don't like: Unknown
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At Canada Post, we take great pride in telling
Canada’s stories. Every year, we honour
the accomplishments, the struggles and the
people that define our history.
We celebrate our heritage by painting small
easels with the larger-than-life stories that
make this country great. They’re called
stamps and each one tells an incredible story.
So how do we celebrate a momentous occasion
like Canada’s 150th? With great enthusiasm,
a lot of planning and many special friends.
Canada Post will be celebrating the most significant
events since our Centennial year.
The incredible accomplishments of our first
century paved the way for Canada to come of
age. To spend the next 50 years establishing
our own identity. To become a shining example
to the rest of the world.
So starting on April 27th, 10 incredible stamps
will be unveiled at separate events across
the country. Each one will recognize a moment
or milestone in the last 50 years that helped
shape the Canada we know today.
Some will be obvious. Some will surprise you.
Each one will make you proud to call this
country home.
Each one deserves a special unveiling and
that’s what we’re planning. We have called
on an impressive list of Canadians to help
us celebrate these moments – including a
musician, an architect, business leaders,
community activists, athletes and even an
astronaut.
You’ll have to wait to see what’s on the
stamps and who is helping us to unveil them.
But I can share this – you’ll definitely
recognize the shape.
For the first time ever each stamp will be
the shape of the maple leaf. A maple leaf
150 years in the making.
The entire set will be unveiled by June 1.
That’s the day they will be issued for sale
across the country.
So please keep coming back to this site as
we unveil all 10 moments.
Our stories. Our heritage. Our Canada.
On behalf of all of us at Canada Post, Happy
150th Canada!
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♪ (intro) ♪
ALGONQUIN COLLEGE
(Ryan) I currently run two restaurants,
so I'm the chef of both,
and I help run
and do the management of both.
There's a lot of stuff
that you might think
that it'll be a little while till you use,
but, right out of school,
all of my costing programs
and management aspects
or just the food and lessons learned
from the instructors
and chefs that are here,
I was able to apply them;
right away I opened the restaurant
six months after I graduated.
Algonquin has a really good mix of chefs,
they all offer a really
big expanse of knowledge
and a lot of them are connected
through the industry.
Ottawa's a big yet small enough industry,
that getting to know a few of them even,
you're really connected to things
that are going on in the city.
I come back and talk
to the chefs all the time
to see if I can get students
out working for me,
the practical, not only
in the classroom but outside.
I was able to work at 24 Sussex for a week
and help with garden parties
for the Prime Minister.
The Kiwanis festivals in Orleans
is where I met one of my current partners.
It's a really well-rounded
experience of every aspect
of not only the cooking
but being in the restaurant industry
and running a business,
if that's what you're interested in,
and every little bit of it I've used
over the last five years
since I graduated.
♪ (music) ♪
ALGONQUIN COLLEGE
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Dutch:
Wanneer het leven voor Alan Clay moeilijk werd,
had hij een nieuwe start nodig.
En misschien vind je jezelf op zoek naar je grote auto!
En misschien vind je jezelf zonder een groot huis,
zonder een prachtige vrouw!
En misschien vraag je jezelf:
Hoe ben ik hier beland?
Dus reist hij de halve wereld rond
voor de deal van zijn leven.
Je klinkt alsof je op de maan bent.
Nee, ik ben in Saudi-Arabië.
We stellen een drie-dimensioneel, holografisch vergadersysteem voor aan de koning.
Excuseer,
Ben jij de chauffeur?
Chauffeur, gids, held...
Van waar ben je?
Boston.
Vind je Chicago leuk?
Niet in de winter.
Nee, de band.
[Chicago - You're The Inspiration]
Waarom ga je naar KMET? Daar gebeurt er niets.
Het is volle gas vooruit.
Je zult wel zien!
Nu moet hij leren
De koning komt niet vandaag
French:
Quand la vie à pris de court Alan Clay,
Il lui fallait un nouveau départ.
Et tu peux te retrouver à chercher ta grosse voiture !
Et tu peux te trouver sans une magnifique maison.
Sans une magnifique épouse !
Et tu peux te demander :
"Comment en suis-je arrivé là ?"
Alors il se met à voyager à travers le monde
pour le contrat de sa vie.
On dirait que tu es sur la lune.
Non, je suis en Arabie Saoudite.
On conçoit un système de visio-conférence holographique en 3D pour le Roi.
Excusez-moi...
Vous êtes le chauffeur ?
Chauffeur, guide, héros...
D'où venez-vous?
De Boston.
Vous aimez Chicago ?
Pas en hiver.
Mais non, le groupe !
(Chicago - You're the inspiration)
Pourquoi allez-vous à KMET ? Il ne s'y passe rien.
Mettons les voiles.
(Rires) Voyez par vous même !
Désormais, Il a doit d'apprendre...
Le Roi ne viendra pas aujourd'hui.
Thai:
เมื่อชีวิตโยนอเลน เคล์ยไปมาเหมือนลูกบอล
เขาปราถนาการเริ่มต้นใหม่
และคุณก็อาจจะพบว่า ตัวเองมองหาเจ้ารถคันยักษ์ของคุณอยู่!
และคุณก็อาจจะพบว่าตัวเองไม่มีบ้านสวยๆอีกแล้ว!!
ไม่มีเมียสาวสวย!!!
และคุณก็อาจจะถามตัวเองว่า..
"นี้ตูมาอยู่ที่นี้ได้ยังไง!!!"
ดังนั้นเขาจึงเดินทางออกไปครึ่งโลก
เพื่อการเดิมพันแห่งชีวิต
นั้นฟังดูเหมือนแกอยู่บนดวงจันทร์เลยนะ...
ไม่! ผมอยู่ที่ซาอุดีอาระเบีย
เราถูกเหวี่ยงเข้าไปในการประชุมการเสนอเทคโนโลยีโฮโลแกรมให้กับพระราชา
ขอโทษนะครับ
คุณเป็นคนขับรถหรือ?
คนขับรถ, ไกด์, ฮีโร่...
คุณมาจากไหนหรือ?
บอสตัน
คุณชอบชิคาโกไหม
ไม่ในฤดูหนาวน่ะนะ
ไม่ วงดนตรีน่ะ
[เพลงของ Chicago - You're The Inspiration]
ทำไมคุณถึงไปที่ KMET ล่ะ ที่นั้นไม่เห็นมีอะไรสักหน่อย?
มีเพียบเลยล่ะ (สำนวน:รีบๆไปเถอะ)
[หัวเราะ] หวังว่าจะเจออะไรเด็ดๆนะ
ตอนนี้ เขาต้องเรียนรู้
ราชาจะไม่ทรงเสด็จวันนี้
Arabic:
تحتاج الى الانتعاش
وتجد نفسك بدون بيتك الجميل
وبدون زوجتك الرائعه
وقد تسأل نفسك
كيف احتفل
وقد تجد نفسك دون ذلك
تسافر فى منتصف الطريق حول العالم
للحصول على صفقه العمر
لا.انا اقصد المملكه العربيه السعوديه مع بدايه
الأجتماعات حول نظام ثلاثيه الابعاد
عن طريق سائق المالك
من فضلك
انت السائق ؟
سائق صديق مرحبا
- من اين انت؟
- بستون
- انت تحب شيكاغو؟
- ليست فى فصل الشتاء
- لا عموما
- الان هو بحاجه للتعلم
Danish:
Da livet kastede Alan Clay en kurvet bold
Han havde brug for en frisk start.
Og du kan måske finde dig selv på udkig efter din store bil!
Og du finder måske dig selv uden et smukt hus,
uden en smuk kone!
Og du kan spørge dig selv:
"Hvordan kom jeg hertil?"
Så han rejser halvvejs rundt om jorden
for en aftale for livstid.
Du lyder som om du er på månen.
Nej, jeg er i Saudi-Arabien.
Vi pitcher et tredimensionelt, holografiske møde-system til kongen.
Undskyld mig,
Er du chaufføren?
chaufføren, guiden, helten ...
Hvor er du fra?
Boston.
kan du lide Chicago?
Ikke om vinteren.
Nej, bandet.
[Chicago - Du er Inspiration]
Hvorfor vil du KMET? Der sker ingenting der.
Det er fuld fart frem
[Griner] det får du at se selv!
Nu har han brug for at lære
Kongen vil ikke komme i dag
Norwegian:
Da livet gav Alan Clay en utfordring,
trengte han en ny start.
Og du leter kanskje etter en stor bil!
Du har kanskje ikke drømmehuset,
eller drømmekvinnen!
Og kanskje du spør deg selv:
Hvordan havnet jeg her?
Så han reiser rundt kloden
for sitt livs kupp.
Høres ut som om du ringer fra månen.
Nei, jeg er i Saudi Arabia.
Vi lager et tredimensjonalt holografisk system til Kongen.
Unnskyld meg,
Er du sjåføren?
Sjåfør, guide, helt....
Hvor er du fra?
Boston.
Liker du Chicago?
Ikke på vinteren
Nei, bandet!
Spiller "Chicago - You're The Inspiration"
Hvorfor drar du til KMET?
Det skjer ikke noe der.
Full fart fremover
**Ler** se selv!
Nå trenger han å lære
Kongen vil ikke være til stede i dag
Portuguese:
Quando a vida de Alam Clay jogou uma bola curva,
Ele precivasa de um novo recomeço.
E você se pega procurando um carrão!
E pode se ver sem uma linda casa,
ou uma linda esposa!
E você pode se perguntar:
"Como eu cheguei aqui?"
Então, ele está viajando ao redor do mundo
para o negócio da sua vida.
Parece que você está na lua.
Não, eu estou na Arábia Saudita.
Estamos lançando um sistema tridimensional, reunião holográfica com o rei.
Com licença,
Você é o motorista?
Motorista, guia, herói ...
De onde você é?
Boston.
Você gosta de Chicago?
Não no inverno.
Não, a banda.
[Chicago - Você é a inspiração]
Por que você vai KMET? Não há nada acontecendo lá.
Está a todo vapor
[Risos] Veja você mesmo!
Agora ele precisa aprender
O rei não virá hoje
Spanish:
Cuando la vida le lanzo una bola curva a Alan Clay,
El necesitaba un nuevo comienzo.
¡Y te puedes encontrar buscando tu gran auto!
Y te puedes encontrar sin una hermosa casa,
¡Sin una esposa hermosa!
Y te puedes preguntar:
"¿Como llegué aqui?"
Así que viajó medio mundo
Por el trato de su vida.
Suenas como si estuvieras en la luna.
No, estoy en Arabia Saudí.
Estamos lanzando un sistema tridimensional de reunión holográfica para el Rey.
Disculpa,
Eres el conductor?
Conductor, guía, héroe ...
¿De donde eres?
Boston.
¿Te gusta Chicago?
No en el invierno.
No, la banda.
[Chicago - You're The Inspiration]
¿Por qué vas a KMET? Nada pasa ahí.
Está a toda máquina
¡Míralo tu mismo!
Ahora él necesita aprender
El Rey no va a venir hoy
Serbian:
Kada је život baciо Alanu Kleju krivu loptu,
Bio mu je potreban novi početak.
Kada se nađete u situaciji da tražite svoj veliki automobil!
I nađete se bez lepe kuće,
bez predivne žene!
I zapitate se:
"Kako sam dospeo dovde?"
Tako da putuje na drugu stranu sveta
zbog životne šanse.
Zvučiš kao da si na mesecu.
Ne, u Saudijskoj Arabiji sam.
Predlažemo kralju 3D holografski sistem za sastanke.
Izvinite.
Da li ste vi vozač?
Šofer, vodič, heroj...
Odakle si?
Boston.
Da li ti se dopada Čikago?
Ne zimi.
Ne, nego bend.
(Čikago - Ti si inspiracija)
Zašto ideš u Kraljev ekonomski grad (KMET)? Tamo se ništa ne dešava.
Idem punom parom napred.
Sam ćeš videti!
Sada mora da nauči...
Kralj ne dolazi danas.
Hungarian:
Amikor Alan Clay befuccsolt
Egy új kezdetre volt szüksége.
És keresheted a nagy autódat
És a gyönyörű házad nélkül találhatod magad
Gyönyörű feleség nélkül
És megkérdezheted magadtól:
Hogy jutottam idáig?
Így hát megkerülte a fél világot
élete üzletéért
Olyan a hangod mintha a holdról beszélnél.
Nem, Szaud Arábiában vagyok
Három dimenziós holografikus tárgyalási rendszert ajánlunk a királynak
Elnézést
Ön a sofőr?
Sofőr, kísérő, hős...
Honnan jött?
Boston.
Szereti Chicagót?
Télen nem igazán.
Nem a várost, az együttest.
(Chicago - Te vagy az inspiráció)
Miért megy a KMET-be? Ott semmi sem történik.
Teljes gőzzel megy előre
(Nevetve) Nézze meg magának!
Most tanulnia kell
A király nem jön ma
English:
When life threw Alan Clay a curve ball,
He needed a fresh start.
And you may find yourself looking for your large automobile!
And you may find yourself without a beautiful house,
without a beautiful wife!
And you may ask yourself:
"How did I get here?"
So he's travelling halfway around the world
for the deal of a lifetime.
You sound like you're on the moon.
No, I'm in Saudi Arabia.
We're pitching a three dimensional, holographic meeting system to the King.
Excuse me,
You the driver?
Driver, guide, hero...
Where are you from?
Boston.
You like Chicago?
Not in the winter.
No, the band.
[Chicago - You're The Inspiration]
Why you going to KMET? There's nothing happening there.
It's full steam ahead
[Laughing] See for yourself!
Now he needs to learn
The King won't be coming today
Turkish:
Hayat Alan Clay'a yuvarlak bir top verdiğinde.
Yeni bir başlangıca ihtiyacı vardı
Ve kendini bir anda kocaman arabanı ararken bulabilirsin
Veya kendini bir anda evsiz bulabilirsin.
Güzel karın olmadan.
Ve kendine şunu sorabilirsin:
'Buraya nasıl geldim?'
Ve o Dünya'nın diğer ucuna-
Hayat boyu bir anlaşma için seyahat ediyor.
Ay'da gibisin.
Hayır, Suudi Arabistandayım
Kral için üç boyutlu holografik toplantı sistemi kuruyoruz.
Özür Dilerim
Şöför sen misin?
Şöför,rehber,kurtarıcı.
Nerelisin?
Boston
Chicago'yu severmisin?
Kışın sevmem.
Hayır gruptan bahsediyorum.
[Chicago - You're The Inspiration]
Kmet'e neden gitmek istiyorsun?orada birşey yok ki.
Herşeyin orada olduğunu duydum
Kendin gör o zaman
Öğrenmesi gereken birşey vardı.
Kral bu gün gelemiyecek.
Czech:
Když život ukázal Alenu Clayovi
stinnou stránku,
chtěl začít znovu.
Možná vám chybí velké auto.
Možná vám chybí velký dům.
Nádherná žena.
Možná se ptáte sami sebe:
Jak se to stalo?!
Cestuje půl světa,
aby uzavřel životní obchod.
Zní to jako, že si vycestoval.
Jedu do Saudské Arábie.
Snažím se prodat králi
holografický meetingový systém.
Promiňte?
Vy jste řidič?
Řidič, průvodce… Všechno!
– Odkud jste?
– Z Bostonu.
– Máte rád Chicago?
– V zimě ne.
Myslím tu skupinu.
Proč tam jedete? Nic tam není.
– Rychle se to tam rozvíjí.
– Uvidíte sám.
Teď se musí naučit,
Král se dnes možná dostaví.
Italian:
Quando la vita sorprese Alan Clay,
decise di cominciare tutto daccapo.
E puoi trovarti a cercare la tua bella macchina!
E puoi trovarti senza la tua bella casa,
o la tua bella moglie!
E potresti chiederti:
"Come sono arrivato a questo punto?"
Per questo ora sta viaggiando intorno a mezzo mondo
per l'affare delle sua vita.
Sembra che tu sia sulla luna.
No, Sono in Arabia Saudita.
Presenteremo un sistema di conferenza olografico a 3D al Re.
Mi scusi,
Sei l'autista?
Autista, guida, eroe...
Di dove sei?
Boston.
Ti piace Chicago?
Non in inverno.
No, il gruppo.
[Chicago - You're The Inspiration]
Perché stai andando a KMET? Non succede nulla lì.
E 'avanti a tutto vapore
[Ride] Vedere per credere!
Ora ha bisogno di imparare
Il Re non arriverà oggi
Spanish:
Aquí es donde estamos ahora.
Una forma diferente de hacer negocios
Ciudad industrial,
Centro de negocios,
Universidad...
¡A todo máquina!
Y una forma diferente de hacer amigos
¿Te reuniste con él?
No, pero me reuní con su socio.
¿Trabajas para la CIA o algo?
Sólo un poco de trabajo independiente.
A la gente no le gusta bromas como esa.
Lo supe tan pronto lo dije.
Llámame justo después de la reunión.
Ok
Ayer algo estaba pasando ahí.
Sí, eso es donde se hacen las ejecuciones.
¿Quieres regresar y ver que está pasando ahora?
No.
Nooo!
Alan, ¿Dónde estás? ¿Por qué no estás ahí?
¿Sr. Clay?
¿Qué me pasó?
Un ataque de ansiedad. Estará bien.
Gracias.
Esta primavera...
Esto te tiene realmente preocupado, ¿eh?
He perdido el rumbo, creo.
Creo que necesito volver a verte.
¡Hay mucho en juego con una mujer como ella!
¿Qué piensas de esto?
¿Tu y yo? ¿El gran choque cultural?
English:
Here's where we are right now.
A different way of doing business
Industrial City,
Business Center,
University...
Full steam ahead!
And a different way of making friends
Did you meet the guy?
No, but I met his associate.
You work for CIA or something?
Just a little freelancer work.
[Shouting]
People don't like jokes like that.
I knew it as soon as I said it.
Call me first thing after that meeting.
Ok-
There was something going on there yesterday.
Yeah, that's where they do the executions.
You want to go back and check out what's going on now?
No.
Nooo!
Alan, where are you? Why are you not out there?
[Sharp gasp]
Mr. Clay?
What happened to me?
An anxiety attack. You'll be okay.
Thank you.
This Spring...
This has you really worried, huh?
I've lost direction, I think.
I think I need to see you again.
There's a lot at stake for a woman like her!
What do you make of this?
You and me? The big culture clash?
French:
Voilà où nous sommes.
...Une autre façon de faire des affaires.
Une ville industrielle,
un centre d'affaires
L' Université
Mettons les voiles !
Et une autre façon de se faire des amis.
Avez-vous rencontré le type?
Non, pas lui mais son associé.
Vous travaillez pour la CIA ou quelque chose dans le genre ?
Un peu à mon compte.
(en criant)
Les gens n'aiment pas ce genre de plaisanterie.
J'ai su dés que je l'ai dit.
Appelle moi dés la fin du meeting.
Trés bi...
Il se passait des choses là hier.
C'est là qu'on fait les exécutions.
Voulez-vous qu'on y retourne pour voir ce qu'il y en ce moment?
Non.
NON !
Alan, où êtes-vous? Pourquoi vous n'êtes pas là ?
[bruit de respiration]
Monsieur Clay ?
Que m'est-il arrivé ?
Une crise d'angoisse. Ca va passer.
Merci.
Ce printemps...
Cela vous inquiète beaucoup, n'est-ce pas ?
J'ai perdu mon chemin, je crois.
Il faut que je vous revoie.
Il y a beaucoup en jeu pour une femme comme elle!
Qu'est-ce que vous pensez de tout ça?
Vous et moi ? Le grand choc culturel ?
Norwegian:
Her er vi akkurat nå.
En anderledes måte å gjøre forretninger på
Industriområde,
Forretningssenter,
Universitet...
Full fart framover!
En anderledes måte å få venner på
Møtte du fyren?
Nei, men jeg møtte medarbeideren hans.
Jobber du for CIA, eller?
Bare litt freelancing.
Roper..
Folk liker ikke slike vitser.
Det skjønte jeg med en gang jeg sa det.
Ring meg rett etter det møtet.
ok-
Noe foregikk der i går.
Ja, det er der henrettelsene foregår.
Vil du dra tilbake for å se hva som skjer nå?
Nei..
Neeeeei!
Alan, hvor er du?
Hvorfor er du ikke der ute?
[Gisper]
Herr Clay?
Hva skjedde?
Et angstanfall, det kommer til å gå fint.
Takk.
Denne våren...
Du ble skikkelig bekymra, du?
Tror jeg mistet mål og mening.
Jeg tror jeg ønsker å se deg igjen.
Det er mye på spill for ei dame som henne!
Hva fikk du ut av det?
Du og meg? Om kulturkrasjen?
Thai:
ที่นี้ คือที่ที่เราอยู่ตอนนี้
หลากหลายวิธีในการทำธุรกิจ
เมืองแห่งอุตสาหกรรม
ศูนย์กลางธุรกิจ
มหาวิทยาลัย...
มีเพียบเลยย! (สำนวน)
และหลากหลายวิธีในการสร้างมิตรภาพ
คุณได้พบเขารึเปล่า?
ไม่ แต่ฉันพบหุ้นส่วนของเขา
นี้คุณทำงานให้ CIA อะไรพวกนี้ใช่ไหม?
ก็แค่พนักงานฟรีแลนด์ตัวน้อยเอง
[ตะโกน]
พวกเขาไม่ค่อยชอบมุขแบบนี้น่ะ
ตูรู้ทันทีที่ตูพูดจบเลย
โทรหาฉันอย่างแรกทันทีที่ประชุมเสร็จ
โอเค-
มีอะไรบางอย่างเกิดขึ้นที่นี้เมื่อวาน
ใช่แล้ว นั้นที่คือที่ที่เขาประหารกันล่ะ
คุณอยากจะกลับไปเช็คดูไหมล่ะว่ามีอะไรเกิดขึ้นบ้าง
ไม่
ม่ายยย!!!
อเลน คุณอยู่ไหน? ทำไมคุณไม่อยู่ที่นั้น
[เสียงถอนใจ]
คุณเคล์ย?
เกิดอะไรขึ้นกับผม?
ความเครียดเข้าโจมตี แต่เดี๋ยวคุณก็ดีขึ้นเอง
ขอบคุณ
ใบไม้ผลิปีนี้...
นี้คุณกังวลอะไรรึเปล่า?
ผมคิดว่าผมหลงทาง
ฉันว่าฉันต้องเจอคุณอีกครั้ง
มันเสี่ยงเกินไปสำหรับผู้หญิงอย่างเธอ
แล้วคุณคิดยังไง?
คุณกับฉัน? และวัฒนธรรมของพวกเราน่ะหรือ?
Hungarian:
Most pontosan itt vagyunk
Az üzlet itt másképp működik
Az ipari városrész
Kereskedelmi központ
Egyetem...
Teljes gőzzel megy előre!
És másképpen találni barátokra
Találkoztál az emberrel?
Nem, de találkoztam a társával.
Maga a CIA-nek vagy valami hasonlónak dolgozik?
Csak egy kis szabadúszó munka
(Kiabálva)
Az emberek nem szeretik az ilyen viccet
Mihelyt kimondtam, tudtam
A találkozó után azonnal hívj fel
Rendben-
Valami történt itt tegnap
Aha, ott történnek a kivégzések
Oda akarsz menni most, hogy megnézd mi történik?
Nem
Neeem
Alan, hol vagy? Miért nem ott kint?
(Éles sóhaj)
Clay úr?
Mi történt velem?
Pánikroham. Rendbe fog jönni.
Köszönöm szépen
Most tavasszal
Ez tényleg aggódásra kényszerített, ugye?
Azt hiszem, kicsit eltévedtem
Azt hiszem, újra látnom kell téged
Egy ilyen nőnek mint ő sok a kockáztatni valója
Mit gondolsz erről?
Te és én? A nagy kulturális összeütközés?
Danish:
Her er, hvor vi er lige nu.
En anden måde at drive forretning på
Industriel by,
Forretningscenter,
Universitet...
Fuld fart frem!
Og en anden måde at lave venner
Mødte du fyren?
Nej, men jeg mødte hans partner.
Arbejder du for CIA, eller noget?
Bare en lille freelancer.
[Råber]
Folk kan ikke lide den slags vittigheder.
Jeg vidste det, så snart jeg sagde det.
Ring til mig som det første efter det møde.
Okay
Der foregik noget der i går.
Ja, det er der, de gør henrettelserne.
Ønsker du at gå tilbage, og se hvad der sker nu?
Nej.
Nej!
Alan, hvor er du? Hvorfor er du ikke derude?
[Gisper]
Mr. Clay?
Hvad skete der med mig?
En angst angreb. Du vil være okay.
Tak.
Dette forår ...
Det her gør dig virkelig bekymret, hva?
Jeg har mistet retning, tror jeg.
Jeg tror, jeg har brug for at se dig igen.
Der er meget på spil for en kvinde som hende!
Hvad mener du om dette?
Dig og mig? Den store kultursammenstød?
Serbian:
Ovde se trenutno nalazimo.
... drugačiji način poslovanja.
Industrijski grad.
Poslovni centar.
Fakultet.
Punom parom napred!
I drugačiji način sticanja prijatelja.
Da li si upoznao čoveka?
Ne, ali sam upoznao njegovog asistenta.
Radiš za CIA ili nešto slično?
Samo poslove sa strane.
(Galama)
Ljudi ne vole takve šale.
Znao sam čim sam to izgovorio.
Nazovi me odmah nakon tog sastanka.
Važi.
Tamo se nešto dešavalo juče.
Da, tamo se održavaju pogubljenja.
Želiš li da se vratiš i proveriš šta se sada tamo dešava?
Ne.
Ne!
Alane, gde si? Zašto nisi tamo?
(Uzdah)
Gospodine Klej?
Šta mi se desilo?
Imali ste napad panike. Bićete dobro.
Hvala Vam.
Ovog proleća...
Ovo te baš brine, zar ne?
Mislim da sam izgubio pravac.
Mislim da te moram videti ponovo.
Mnogo je na kocki za ženu kao što je ona!
Kako se tebi čini ovo?
Ti i ja? Velika kulturalna razlika?
Portuguese:
Aqui é onde estamos agora.
Uma maneira diferente de fazer negócios
Cidade Industrial,
Centro de negócios,
Universidade...
A todo vapor!
E uma maneira diferente de fazer amigos
Você conheceu o cara?
Não, mas eu conheci seu associado.
Você trabalha para CIA ou algo assim?
Apenas um pouco de trabalho freelancer.
[Gritando]
As pessoas não gostam de piadas como essa.
Eu sabia que, logo que eu disse isso.
Me liga logo depois dessa reunião.
Está bem-
Tinha algo rolando lá ontem.
Sim, é lá onde eles fazem as execuções.
Você quer voltar e verificar o que está acontecendo agora?
Não.
Nããão!
Alan, onde está você? Por que você não está lá fora?
[Suspiro Nítido]
Senhor Clay?
O que aconteceu comigo?
Um ataque de ansiedade. Você ficará bem.
Obrigado.
Esta Primavera...
Isso tem te preocupado, né?
Perdi o sentido, eu acho.
Eu acho que preciso vê-lo novamente.
Há muita coisa em jogo para uma mulher como ela!
O que você fez disso?
Você e eu? Um grande choque cultural?
Italian:
Ecco dove ci troviamo in questo momento.
Un modo diverso di fare business
Città industriale,
Business center,
Università...
Avanti a tutto vapore!
E un modo diverso di fare amicizia
Hai incontrato il ragazzo?
No, ma ho incontrato il suo socio.
Lavori per la CIA o qualcosa del genere?
Solo un po 'di lavoro autonomo.
[Urlano]
Alla gente non piacciono battute del genere.
L'ho capito appena l'ho detta.
Per prima cosa chiamami dopo quell'incontro.
Ok-
Qualcosa è successo lì ieri.
Sì, là è dove fanno le esecuzioni.
Vuole tornare indietro e verificare che cosa sta succedendo ora?
No.
Nooo!
Alan, dove sei? Perché non sei là fuori?
[Sussulto]
Signor Clay?
Che cosa mi è successo?
Un attacco di ansia. Starai bene.
Grazie.
Questa primavera...
Questo ti preoccupa davvero , eh?
Ho perso la direzione, credo.
Penso di aver bisogno di vederti di nuovo.
C'è molto in gioco per una donna come lei!
Cosa ne fai di questo?
Me e te? Il grande scontro culturale?
Czech:
Právě teď jsme tady.
jak se dá obchodovat jinak
Průmyslová čtvrť, obchodní čtvrť,
univerzita.
„Rychle se to rozvíjí!“
a jak si jinak najít přátele.
Setkal ses s ním?
Ne, ale s jeho společníkem.
Nejste náhodou ze CIA?
Takhle chodíte doma nebo v práci?
– Lidi nemají pro tuhle práci pochopení.
– Hned jsem si všiml.
PODLE BESTSELLERU
DAVEA EGGERSE
– Zavolej mi hned, až se setkáte.
– Dobře.
Včera se tu něco konalo.
Jo, popravuje se tam.
Můžeme se tam zastavit.
Ne! Ne!
Alene, kde jsi?
Proč nejsi na místě?
Pane Clayi?
Co se mi stalo?
Panický záchvat.
Budete v pořádku.
Díky.
Na jaře…
Vypadá to, že máte starosti.
Myslím, že jsem se ztratil.
Myslím, že vás chtějí znovu vidět.
Ta žena hodně riskuje.
– Co si o tom myslíte?
– Ty a já? O našem kulturním střetu?
Dutch:
Hier is waar we nu zijn.
Een andere manier om zaken te doen.
Industriële stad,
Business Centrum,
Universiteit...
Volle gas vooruit!
En een andere manier om vrienden te maken
Heb je de kerel ontmoet?
Nee, maar heb ik zijn compagnon ontmoet.
Werk je voor de CIA of zo?
Gewoon wat freelance werk
[geroep]
Mensen vinden zulke grapjes niet leuk.
Ik wist het toen ik het zei.
Bel me vlak na de meeting.
Ok-
Daar gebeurde iets gisteren.
Ja, dat is waar ze de executies doen.
Wil je terug gaan en kijken wat er daar nu gebeurt?
Nee.
Neee!
Alan, waar ben je? Waarom ben je daar niet?
Mr. Clay?
Wat is er gebeurd met me?
Een paniekaanval. Het komt wel goed.
Dank u.
Deze herfst...
Je bent hier heel bezorgd om, hu?
Ik ben de weg kwijt, denk ik.
Ik denk dat ik je opnieuw moet zien.
Er staat veel op het spel voor een vrouw als zij!
Wat denk je hiervan?
Jij en ik? De grote cultuur clash?
Arabic:
لن تأتى اليوم
هذا ما نحن عليه الان .
- هناك طريقه مختلفه للقيام بهذه الأعمال
- نريد هناك
- مركز تجارى وجامعة
- لتمضى قدماََ
- وطريقه مختلفه لتكوين صداقات
- مثل هذا الرجل تماما
-انت تعمل لدى الاستخبارات المركزيه
ام العمليات الخاصه
- اعلم انه بمجرد ان قلت هذا
- اول شئ تأتى بعد ذلك الأجتماع
- حسنا
توم هانكس
- كان هناك شئ يحدث أمس
- نعم حدث انفجار
انت رائع
- تريد العوده والتحقق
-لا لا
- اين انت؟
- ولما انت ليس هنا بالخارج
- سيد"كيلاى"
- ماذا حدث لى
- سوف تكون بخير
- شكراََ لك
- يقول انه حقا قلق ها
- لقد فقدت الاتجاه
- اعتقد
- انه بحاجه إلى ان يراكم مجددا
- ماذا تعتقدين فى هذه السنه
- قد تلتقى باشتباك ثقافى كبير
Turkish:
Bulunduğumuz yer şuan burası.
İş yapmanın değişik bir yolu.
Sanayi Şehri
İş Merkezi.
Üniverisite.
Herşey buradaaa
Ve Arkadaşlık kurmanın değişik bir yolu.
Adamla tanıştın mı?
Hayır ama ortağı ile tanıştım.
CIA için falan mı çalışıyorsun?
Serbest meslek ebabı olarak biraz çalışmıştım.
[Bağırışma]
Buradakiler böyle şakaları sevmez.
Yaptığım anda anlamıştım.
Görüşme sonrası hemen beni ara
tamam
Dün burada birşeyler oluyordu.
Evet,infaz yaptıkları yer orası.
Geri dönüp neler yaptıklarını görmek istermisin?
Hayır
Hayırrr
Alan neredesin? neden işin başında değilsin?
[Keskin nefessizlik]
Bay Clay?
Ne oldu bana?
Küçük bir sinir krizi.İyi olacaksınız.
Teşekkürler
Bu ilkbahar...
Bu seni çok endişelendirdi değil mi ?
Yolumu kaybettim, sanırım.
Sanırım seni tekrar görmem gerek.
Böyle kadınlar için tehlikeli şeyler bunlar.
Sence bununla ne yapabiliriz?
Sen ve ben? Büyük bir kültür çakışması?
Arabic:
- ونحن تفصل بيننا اروع الدول
- فى بعض الاحيان تحتاج الى تغيير الحدث
- تغيير حياتك
- انها منطقه مجهوله
بصحرائها وجمالها وخيامها
- انت مستعد
- انا مستعد
- عرض
- على غير المتوقع
French:
Le fil qui nous sépare est très mince.
C'est mon point de vue.
C'est ainsi.
Parfois il faut changer le décor...
...afin de changer sa vie.
C'est une nouvelle ville.
Un terrain vierge.
Avec un désert ! Et des chameaux ! Et des tentes!
Tu est prêt ?
Je suis prêt.
Que le spectacle commence !
Attendez vous à de l'inattendu.
Danish:
Vi er adskilt af den tyndeste filament.
Nå det er den måde, jeg tror.
Det er bare sådan det er.
Nogle gange er du nødt til at ændre din natur ...
Hvis du vil ændre dit liv.
Det er en helt ny by,
Det er ukendt territorium.
Med ørkenerne! Og kamelerne! Og teltene!
Er du klar?
Jeg er klar.
Show time!
Forvent det uventede.
Portuguese:
Nós somos separados por um finíssimo filamento.
Bem, essa é a jeito que eu penso.
Esse é a jeito que é.
Às vezes, você tem que mudar seu cenário ...
Para mudar a sua vida.
É uma cidade novinha,
É um território desconhecido.
Com os desertos! E os camelos! E as tendas!
Você está pronto?
Estou pronto.
Hora de começar!
Espere o inesperado.
Dutch:
We worden gescheiden door de dunste filament.
Wel, dat is de manier waarop ik denk.
Dat is de manier waarop het is.
Soms moet je je omgeving veranderen...
Om je leven te veranderen.
Het is een gloednieuwe stad.
Het is onbekend terrein.
Met de woestijnen! En de kamelen! En de tenten!
Klaar?
Ik ben klaar.
Show time!
Verwacht het onverwachte.
Hungarian:
Egy leheletvékony szál választott el minket
Nos én így gondolkodom
Ez így van
Néha meg kell változtatnod a környezeted...
Hogy megváltoztasd az életed
Ez egy vadonatúj város
egy felfedezetlen terület
A sivatagokkal! És a tevékkel! És a sátrak!
Kész vagy?
Kész vagyok
Kezdjük!
Számíts a váratlanra
English:
We are separated by the thinnest filament.
Well that's the way I think.
That's the way it is.
Sometimes, you have to change your scenery...
To change your life.
It's a brand new city,
It's uncharted territory.
With the deserts! And the camels! And the tents!
You ready?
I'm ready.
Show time!
Expect the unexpected.
Norwegian:
Vi er separert av den tynneste tråd.
Det er nå hva jeg tror.
Sånn er det bare.
Noen ganger må du flytte...
for å forandre livet ditt.
Det er en aldeles ny by,
Upløyd mark.
Med ørkenen! Kamelene! Og teltene!
Er du klar?
Jeg er klar!
Showtime!
Forvent det du ikke forventet.
Serbian:
Razdvojeni smo najtanjom niti.
Pa, tako ja mislim.
Tako je kako je.
Ponekad, morate promeniti svoje okruženje...
... da bi ste promenili svoj život.
Ovo je potpuno novi grad.
Ovo je neistražena teritorija.
Sa pustinjom! I kamilama! I šatorima!
Jesi li spreman?
Spreman sam.
Vreme je za šou!
Očekujte neočekivano.
Thai:
มันมีเส้นบางๆกั้นเราอยู่
นั้นแหล่ะที่ผมคิด
ก็นั้นแหล่ะที่มันเป็น
บางครั้งคุณก็ต้องเปลี่ยนทัศนียภาพของตัวเองบ้าง
เพื่อเปลี่ยนชีวิตคุณ
นี้คือเมืองแห่งใหม่
รัฐที่ยังถูกไม่สำรวจ
กับทะเลทราย , อูฐ และเต็นท์!
คุณพร้อมไหม?
ผมพร้อม
ได้เวลาแล้ว!
จงคาดหวังความไม่คาดหวัง
Italian:
Ci siamo separati dal filamento sottile.
Beh, questo è il mio modo di pensare.
È così che va.
A volte, è necessario modificare il tuo scenario ...
Per cambiare la tua vita.
E 'una città nuova di zecca,
E 'un territorio inesplorato.
Con i deserti! E i cammelli! E le tende!
Sei pronto?
Sono pronto.
E l'ora dello spettacolo!
Aspettatevi l'inaspettato.
Czech:
Nemůžeme k sobě mít dál.
– To si myslíte vy.
– Tak to je.
Někdy musíte změnit prostředí,
aby se vám změnil život.
Zbrusu nové město.
Nezmapovaná oblast.
Je tu poušť, velbloudi a stany.
– Připraven?
– Připraven.
Začínáme.
Čekejte nečekané.
Překlad: L_O_U_S D - Editováno Pavel T
Spanish:
Estamos separados por el más delgado filamento.
Bueno, así es como pienso.
Así es como es.
A veces, tienes que cambiar el paisaje ...
Para cambiar tu vida.
Es una ciudad nueva,
Es un territorio desconocido.
¡Con el desierto! ¡Y los camellos! ¡Y las tiendas de campaña!
¿Estás listo?
Estoy listo.
¡Que empiece la función!
Espera lo inesperado.
Turkish:
En ince çizgilere kadar ayrılmışız.
Bende öyle düşünmüştüm
Doğrusuda bu zaten
Bazen bakış açını değiştirmen gerekir.
Hayatını değiştirmek için.
Burası yeni bir şehir.
Keşfedilmemiş bir bölge
Çöller,develer ve çadırlarla!
Hazır mısın?
Hazırım
Şov zamanı!
Beklenmeyeni bekle.
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Aquí me pongo a cantar
al compás de la vigüela
que al hombre que lo desvela
una pena extraordinaria
como a un ave
solitaria
con el cantar se consuela
La picazón ardiente
de un corazón gasta'o
coquetea con la maldad
se niega del pasado
nos arrastra al sufrir
Igual yo le hago frente
con un violín sachero
mi arma, mi aliento,
querido compañero
que derrumba tiranía
Prisionero,
de tu frío corazón, vidai
Ando libre
por la sierra de alto monte vai
Naides me diga dónde tengo que parar
Los dueños de este mundo
bichitos caprichosos
acechan cómo lobos
se aprovechan de nosotros
por su codicia del poder.
Es triste su camino
con alma desquiciada
cae sobre su propia espada
termina en la nada
enajena'os de la verdad
Prisionero
de tu frío corazón vidai
ando libre,
por la sierra de alto monte vai
Naides me diga dónde tengo que parar
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what would you do after a publisher
rejects your novel for being too
disturbing well if you're Chuck panic
you would write something even more
disturbing and submit it while working a
Freightliner a truck company as a diesel
mechanic Palomeque regularly carried a
notepad with him while he worked in
additions to details about fixing
vehicles the book contains snippets of
panics first published novel Fight Club
Fight Club placed a mirror in front of
the concept of masculinity in the 1990s
where males instead of being sent off to
war and take up arms in defense of
something worth fighting for
were encouraged to take on cushy jobs
and embrace commercialism with nothing
motivating men to step out of their
comfort zone they became caged animals
tamed but still with feral instincts
palnick story acknowledges the men's
movement and how every man is vowing
forces from two sides one to abide by
societal rules and one to break it yet
without the adaptation the story of
Fight Club and the influence it would
have on young men of that generation
wouldn't have materialized today we'll
explore the story of Fight Club and how
it went from Chuck Palahniuk debut novel
into the cult classic it is today and
how it continues to stay relevant after
20 years let's talk about Fight Club
palnick began writing fiction in his
early 30s after attending workshops led
by American writer Tom Spann Bauer it
all began as an attempt to meet new
friends but he ended up getting inspired
by the fiction form and spend our
encouraged him to perfect his
minimalistic writing style Tom's been
bauer describes his teaching style as
dangerous writing saying on his website
description I must listen for the
heartbreak the rage the shame the fear
that is hidden within the words then I
must respect where each individual
student is in relation to his or her
broken heart and act accordingly when my
relationship with a student is solid and
when the student has a strong foothold
in his or her writing I bring out my
jungle red fingernails play the devil's
advocate be the bad cop the irreverent
fool whatever it takes to teach
perseverance self trust and discipline
with that palnick pursued his craft
head-on and while holding a job where he
found time to write during work at the
laundromat at the gym and while waiting
for his 1985 Toyota pickup truck at the
shop invisible monster originally titled
manifesto was the first novel palnick
tried to get published years before
Fight Club it was shot down because the
publishers didn't have an appetite for a
story about a disfigured model with
multiple identities powered by indignant
persistence pal next set off to write a
novel even further from the norm
during a camping trip Pollock was
involved in an altercation that left him
bruised and swollen upon returning to
work he realized that none of his
co-workers acknowledged his visible
injuries or showed any interest in his
personal life that indifference from
others was a spark for Fight Club with
the journalism background palnick claims
that all his stories begin with the
truth and through his boredom he infuses
it with his imagination Mike clubs
project Manhattan is loosely based on
the cacophony Society where members are
self designated and gatherings are ran
pitched and sponsored these events
usually involve costumes and pranks as
well as venturing into areas that are
restricted palnick is a member and was a
victim of a prank once when the members
of the cacophony Society showed up
during one of his readings in San
Francisco in 1995 Fight Club a seven
page short story was published in a
compilation entitled pursuit of
happiness these seven pages ended up
being chapter six in the full-length
novel excited by the proposition of
finally being a published author palnick
sold Fight Club to publisher W Norton
for $6,000 on August 17 1996 Fight Club
was published it was a positive
reception and one ponic the 1997 Pacific
Northwest bookseller Association award
and the Oregon Book Award for Best novel
critics praised panic for his unique
writing style caustic outrageous funny
violent and unsettling however many
found issues in the novel's
heteronormative themes and the violent
aspects of the plot yet even with the
publicity the hard covers for Fight Club
didn't perform greatly in sales with
only 5,000 copies sold in the re-release
of Fight Club in 1999 and 2004 palnick
says that all he did was update The
Great Gatsby he describes the two story
as being apostolic fiction we're
surviving apostle tells the story of his
hero in both tails there are two male
characters and one female and in the end
the hero dies even though the book
didn't make it onto any top sellers list
at the start a copy of the novel made it
to movie producers Ross Grayson Bell and
Joshua Donnan Bell remember reading the
novel and getting to the twist in the
story which caused him to reassess
everything he just read he stayed up all
night too excited to sleep
he was about to produce his first
feature film but to affirm what he felt
about Fight Club
he hired a group of actors to read the
book out
restructuring it and cutting out the
excess in the novel that couldn't be
presented in a film Bell recorded the
reading and shared it with 20th Century
Fox producer Laura Ziskin who produced
such films as pretty woman what about
Bob and as good as it gets during a
drive to Santa Barbara this can listen
to the recording that Belle shared as
the current executive of the mid budget
division of 20th Century Fox
siskins saw potential in the story of
Fight Club she herself was insertive how
to approach it
but she was confident that Belle was the
one to lead it and hired him as the
producer the film rights were Fight Club
was optioned for ten thousand dollars
and the adaptation process was on its
way
Belfer sent the novel to up-and-coming
director David O'Russell who was looking
for his next project after releasing
flirting with disaster in 1996
unfortunately or fortunately Russell
didn't understand what the story was
about and declined the offer later
Russell will admit that he obviously
didn't do a good job reading it the
manuscript made its way around town and
got rejected from directors such as
Peter Jackson who directed the
frighteners Bryan Singer who directed
the usual suspects and Danny Boyle who
directed strain spotting because of this
lack of interest the manuscript got a
bad reputation
David Fincher on the other hand was
attracted to the story at once
coming off projects such as seven and
the game Fincher was establishing
himself as a director who can apply a
unique visual style to a story with an
edgy theme while his movies to this
point were hits and misses 7 a hit the
game a miss he had come a long way from
his days of directing music videos some
notable ones including Rolling Stones
Madonna and Aerosmith Fight Club
attracted Fincher for many reasons but
it was the relatability it's a politics
story that really moved him Fincher
himself was a man in his late 30s and he
recognized the same anger evoked in the
novel where certain breed of men were
unable to evolve at the speed Society
required them to
nevertheless there was some hesitation
for Fincher to sign on with 20th Century
Fox in 1990 a lien 3 was in
pre-production and things were not going
well for franchise producer David giler
and Walter Hill and director Vincent
Ward due to creative differences Ward
would end up being fired and alien 3 a
movie with the 56 million dollar budget
and an unfinished script was now without
a director in comes 28 year old David
Fincher to save the blockbuster movie
killer and he'll found Fincher through
his music video credits specifically
Madonna's express herself and Aerosmith
Janie's got a gun and hired him for his
feature directorial debut yet it wasn't
so much saving the movie for Fincher as
it was surviving it with no history as a
movie director to back up his experience
on the set he became a puppet for the
production company even as an avid fan
of the original alien directed by Ridley
Scott and even having a cohesive story
that linked everything together the
studio refused to budge and alien 3
became a piece of cinema devoid of key
decisions from the director Fincher was
not proud of the result and he was not
happy with his experience working with
20th Century Fox
it took Fincher three years to recover
and at many points he felt as though his
career as a feature film director was
over
however 20th century opened the door to
venture when he came knocking about
Fight Club Fincher saw the movie heading
in two directions and gave the studio's
the options 1 Fight Club could be a
low-budget straight to videotape movie
or 2 it could be one with a big budget
and big stars obviously he had very
little interest in making a low-budget
movie but since alien 3 he had learned a
few tricks and used it to negotiate the
studio didn't buy it at once but weren't
read enough to give Fincher a chance
screenwriter Jim Ulis had been working
on adapting the story of Fight Club from
the beginning he received the manuscript
about the same time Fincher did from
some
he knew who worked for a production
company he was told that every studio in
Hollywood had already passed on it ulis
was blown away by the story and even
though he felt it could never be made
into a movie he thought it would be a
great achievement to be paid to adapt it
so he began to write the story was
deemed unadaptable by many as the novel
was essentially a long monologue where
ulis made a difference was building the
scenes around those key moments inside
the narrator's head slowly
ulis began to gain some interests around
20th Century Fox but what sealed it was
his attendance at a large lunch meeting
with the executives and David Fincher
Ulis sat himself strategically next to
Fincher who was somewhere between an
acquaintance and a friend it was there
during the lunch meeting where the two
talked about Fight Club and the
obstacles of making it into a film but
it was more than a conversation and ulis
knew it he was there to pitch himself
much like how Fight Club was Chuck
Palahniuk first credit as a novelist the
adaptation was Jim Ulis first credit as
a screenwriter during the late 90s
voiceovers have gone a reputation as
being a trite and uninspired technique
to deliver exposition in a movie and
many Studios wanted to avoid it however
Fincher recognized the story hinged on
the internal dialogue of the narrator
without it it would be a depressing
story and that was not what he was going
for it took Ulis and Fincher seven
months to complete the script and still
it required help from director Cameron
Crowe and screenwriter Andrew Kevin
Walker during the casting process
producer Ross Bell had Russell Crowe in
mind for the role of Tyler Durden but it
was producer art linson that began
conversation with Brad Pitt having
already worked with Fincher in seven and
the studio's desire to add a bankable
star as a lead Pitt signed on hoping to
wash the dismal failure of meet Joe
black away
there were a lot of options on the
market for someone to play the unnamed
narrator Sean Penn and Matt Damon were
top contenders but it was Edward Norton
that won the row with his aligned vision
with Fincher both Fincher and Norton saw
the film as a satire it was not an
action movie it was a comedy and Fincher
knew that norm could give the type of
wink wink comedic performance required
having seen him in this previous role in
the People vs Larry Flynt once cast the
two leading men took lessons in various
martial arts including boxing Taekwondo
and grappling Fincher wanted to cast
comedian Janeane Garofalo as the role of
Marla singer but she declined due to the
sexual aspects of the film Courtney Love
Winona Ryder and we swear the spoon were
up for consideration as well but in the
end Fincher went with Helena
bonham-carter because of her role in the
1997 romantic comedy the wing of the
Dove in a hundred and thirty-eight days
filming was completed but not without
hiccups the movie was budgeted for
twenty three million dollars and ended
up costing sixty three million dollars
there were threats made by the
executives from the partnering studio
New Regency for Fincher to reduce the
costs but he refused it was only when
the executive saw the dailies during a
three week span that they were convinced
that it was money were spending it took
over 1,500 rolls of film three times
more than the Hollywood averaged to
capture principal photography David
Fincher affirmed his reputation as a
director who liked to shoot many takes
while the movie was shot predominantly
in California there ended up being over
200 locations in addition to over 70
sets for a movie with only 300 scenes
that was a lot Fincher didn't enjoy this
aspect of the process and remedied it in
his next movie panic room in 2002 which
was shot predominantly in one location
there were disagreements on many fronts
on how to properly market Fight Club the
studio first wanted to market it as an
art film geared towards a male audience
because of its violence
when you have Brad Pitt as a star it's
hard to not push him to the front of all
your publicity materials however Fincher
resisted against that instead he decided
to film to fake public service
announcement presented by the two lead
characters the studios were not thrilled
with that creative stint and instead
spent twenty million dollars to create
materials that highlighted the movies
fight scenes and buying ad time during
viewing events dominated by the male
demographic such as WWE the job of
promoting the film was no easier for the
actors as Brad Pitt and Edward Norton
did their circuit they discovered the
difficulty of explaining the movie
without giving away the key parts none
of the marketing efforts properly
communicated what Fight Club was and
most who initially went to see it in
theaters expected to see a film about
fighting on April 20th 1999 to students
at Collin Baha'i enter their school and
murdered 12 people before turning the
guns on themselves the incident rippled
through the entertainment industry and
the studio claiming it wanted to avoid
competing with the summer blockbusters
pushed the release of the film from July
to October 15 1999 Fight Club bombed in
the box office earning only 37 million
dollars in domestic gross and 100 point
eight million dollars worldwide Fincher
left LA to Bali during the opening
weekend to escape the inevitable
negativity and recalibrate his life yet
the movies failure didn't banish it to
obscurity like so many others word of
mouth started to spread a cult following
was established and in an age of growing
sensitivity real fight clubs were formed
across America from University to detect
industry from gentlemen clubs to
gatherings of preteen people were
getting together to throw punches many
of which were filmed and leaked online
thus breaking the number-one rule and
leading to arrests on top of that these
gatherings began partaking in terrorist
activities such as bombing attempts
Fight Club had reached a critical mass
and achieved longevity in many home
entertainment collections selling more
than six million copies on DVD and VHS
in his first decade while today Fight
Club is deemed to be palnick and
Fincher's masterpieces it's said to
continue to do damage as a cultural
influencer of violence in a world so
politically separated is this the sort
of entertainment that encourages those
with the lack of power to take matters
into their own hands often leading to
dangerous results one group that have
latched on to Fight Club as their Bible
is the in sells a collection of bitter
violent men who harbor resentment
because of their involuntary celibacy
the most recognized member is elliot
rodger who in 2014 went on a killing
spree at the University of California
when asked about the situation in an
interview with The Guardian palnick
stated that the extremes always go away
comparing the in sells to radical
feminists Valerie Jean Salinas who
attempted to murder pop artist Andy
Warhol in 1968 in a society many deems
to be getting overly sensitive a term
coined by the novel may best represent
the toxicity that the story leaves
behind the term is snowflake an insult
now commonly associated with the
alt-right movement usually directed at
the Liberals and their inflated
entitlement and sensitivity 20 years
after the release of the movie the
message of Fight Club is as relevant as
ever but many of us are moving towards a
more progressive viewpoint and want to
put Fight Club behind us some now even
deem it to be an example of a two-hour
long mansplaining episode and that it is
nothing more than a childish
representation of the past albeit we
must recall what Fight Club was intended
to be it was not propaganda it was
satire how it will be received in the
decades to come only time will tell
Fight Club is a story of pent-up rage a
clenched fist held too long and must be
thrown it's a cautionary tale of what
can happen if we don't find ways to
release the anger
in a peaceful manner Fight Club is not
condoning violence it's supporting all
the other means of expression that isn't
violent after watching the film Chuck
Palahniuk went on to say that he
believes the movie was an improvement on
the book perhaps he saw what Fincher did
many changes were made during adaptation
but perhaps the most notable is the
ending in the novel the narrator wakes
up surrounded by the members of project
Manhattan in a mental hospital after
shooting himself while in the movie the
narrator and Marla mend their
relationship just in time to watch the
city below crumble the novel ends with
the impending return of chaos that is
Tyler Durden
well the movie ends with the new
beginning a new life with Marlow which
version did you prefer and what are your
thoughts on the impact of Fight Club in
today's society is it dangerous
let me know in the comments below and if
you are interested in more stories about
the adaptation process please subscribe
you
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>>Male Presenter: Hello everyone. And welcome
to Sharon Bertsch McGrayne's talk on "The
Theory That Would Not Die." When I got the
announcement of the book and I asked for a
copy of it, I said, "This looks like a very
Googley book." Bayes' theorem is used all
over the place and when I asked you guys if
you're interested, it was either the first
or the second most popular book that I've
ever put up.
So, it looks like we've had a very good turnout
given that everyone here probably knows more
about Bayes theorem than I do. And I know
a fair bit. I will turn it right over to our
speaker. Welcome.
[applause]
>>Sharon Bertsch McGrayne: Thank you. Well,
thank you very much for inviting me and thank
you all for coming. I wanna start right out
with some truth in advertising and tell you
that I'm not a computer scientist. I'm not
a statistician, a scientist, or a mathematician.
I come to you from newspaper reporting and
from science writing. However, I became intrigued
with Bayes rule seven or eight years ago when
I could Google the word "Bayesian" and get
fewer than a hundred thousand hits. And last
week, when I went on and I Googled "Bayesian,"
I got eleven million hits.
So, today I wanna talk to you about how you
all are real revolutionaries. You're participants
in a remarkable--almost overnight--revolution
about a very fundamental scientific issue--how
you deal with evidence, how you deal with
data, how you evaluate the evidence and measure
the uncertainties involved, update it as new
knowledge arises and then hopefully, change
minds in light of the new data.
Now, usually when I talk about Bayes' Rule,
I start with a long list of examples of where
Bayes is used and I do not think I need to
do that with this crowd. Google often uses
naive Bayes and other Bayesian methods and
recently, Google's Bayesian driverless car
got headlines all over the world.
And when I wrote a short piece about it for
Scientific American, it was one of the most
popular articles in that issue. So, it was
well-known. But there are a couple of examples
that I'd like to bring up today that you might
not know so much about. [pause] The first
is the Air France jet Flight 447 that took
off two years ago last month from Rio de Janeiro
bound for Paris overnight.
Went into a high altitude, intense electrical
storm and disappeared without a trace with
228 people aboard. The world's most high-tech
search ever, naval search ever, lasted without
success almost two years. They were searching
for the wreckage and for these two black boxes,
which as you can see are actually red and
white.
They're the size of shoe boxes and they were
searching in mountainous terrain two and a
half miles down under the ocean in an area
the size of Switzerland. They had no success.
Last winter, the French government hired some
of the same people who appear in "The Theory
That Wouldn't Die" who developed Bayesian
Naval search methods.
And their software calculated the most probable
sites for the wreckage, which was found in
April after an undersea search of one week.
OK? Now, about a month ago, the agency in
charge of British archaeological sites announced
that a wonderful Bayesian program had shown
them that most of what they'd known about
Neolithic era in Britain was, in their words,
bollocks.
[laughter]
Neolithic people built these strange hilltops
surrounded by concentric circles of ditches.
And they had not built them gradually over
the ages. They built and abandoned them, often
within the space of one generation. And most
of them had been built during a building spree
roughly five thousand, five hundred years
ago.
Now, the remarkable thing to me about these
two examples is that the British and the French
governments were saying how wonderful Bayes'
had worked. And as we're gonna see today,
a lot of people didn't even dare mention the
word 'Bayes' for decades in the 20th Century.
So, to understand why you all are such revolutionaries
we're gonna have to go back to the beginning.
And given the time constraints, I'm gonna
race through the beginning until we get to
the Second World War and when I'll slow down
some. But I hope we're gonna see two big patterns
emerging.
First, Bayes becomes an extreme example of
the gap between academia and the real world.
And second, military super-secrecy during
the Second World War and the Cold War had
a profound effect on Bayes. Now, Bayes rule
of course, is named for the Reverend Thomas
Bayes, a wealthy Presbyterian minister and
amateur mathematician who lived in a chic
resort outside of London in the early 1700s.
We know very little about him. I'm not gonna
show you his portrait because it's indubitably
of someone else. We don't know his birthdate.
Wikipedia has his death date wrong. But we
do have something personal about Bayes. And
that is his handwriting. Goose quills in Latin.
OK? And we know another thing about him, excuse
me. This, this handwriting comes from the
Institute and Faculty of Actuaries in London.
And we do know something else about Bayes
and that is that he discovered his theorem
during the 1740s when Europe was racked by
a religious controversy.
The issue is not unknown today. It was whether
or not we can use evidence about the natural
world around us to make rational conclusions
about the existence of God. They called Bayes,
in his generation, would have called God--.
Said it was not about God the creator, but
about God the cause, God the primary cause,
the first cause.
We do not know that Thomas Bayes wanted to
prove the existence of God, but we do know
that Bayes tried to deal with the issue of
cause and effect, mathematically. And in so
doing, of course, he produced a simple one-line
theorem that we modify our initial beliefs.
And he actually called it a guess. He used
the word "guess" and he said if, if nothing
else works, start with 50-50 odds that it
works and modify this, this guess with objective
new information and get a new and improved
belief, which in turn carries with it a commitment
to update that belief each time a new piece
of information arrives.
But Bayes didn't believe in his theorem enough
to publish it. And he dies ten or fifteen
years later with it filed away in his notebook.
Now, going through Bayes' papers, a friend
of his, Richard Price, who was another Presbyterian
minister and an amateur mathematician, decides
that the theorem will help prove the existence
of God the cause.
Now, unlike Bayes, Richard Price was famous
in his day. This is a royal society portrait
done by a famous painter, Benjamin West. He
later becomes a famous supporter of the American
Revolution, friends of our Founding Fathers
and a founder of the insurance industry.
And he spends the next two years, off and
on, editing Bayes' theorem. Gets it published.
Unfortunately, in a journal that primarily
the British gentry read and not particularly
continental mathematicians and it sank out
of view and was neglected. But certainly by
today's standards, Richard Price would be
considered Thomas Bayes' co-author.
If, however, there were justice in this world,
Bayes' rule should be named for someone else
entirely. And that is the great French mathematician,
Pierre-Simon Laplace, who's better known today
for the Laplace transform. Now, as a young
man of 25, Laplace discovers the rule independently
of Bayes in 1774 and calls it the "Probability
of Causes".
Now, Laplace, also unlike Bayes, was the quintessential
scientific researcher. He mathematized every
science known to his day and he spends the
next 20 years, off and on, in the midst of
this enormous career, developing what we call
Bayes' rule into the form that's used today
and actually used it.
But when Laplace dies in 1827, the Western
world begins almost a manic fad collecting
precise and objective facts. There were clubs
that collected them. Even women could do it.
Some of the famous numbers were the chest
sizes of Scottish soldiers, the number of
Prussian officers who were killed by kicking
horses, [laugher] the number of victims of
cholera.
And with lots of these precise numbers at
their disposal, any up to date statistician
rejected Bayes' rule. They preferred to judge
the probability of an event by the frequency
that it occurred--nine times out of ten, three
out of four, and so on. And eventually they
will become known as the Frequentists.
And the Frequentists become the great opponent
of Bayes' rule up until quite recently because
for them, modern science requires both objectivity
and precise answers. And Bayes, of course,
calls for a measure of belief and approximations
and the Frequentists called that quote "subjectivity
run amuck," "ignorance coined into science."
By the 1920s, they were calling it, saying
that Bayes "smacked of astrology, of alchemy."
And another said, "We use Bayes formula with
a sigh as the only thing available under the
circumstances." Now, the surprising thing
that I discovered in all of this time is the
theorists and the philosophers denounced Bayes'
rule as subjective.
People who had to deal with real world emergencies,
who had to make one-time decisions based on
scanty data, they kept right on using Bayes'
rule because they had to make do with what
they had. So, for example, Bayes' rule helped
free Dreyfus from the treason trials in the
1890s in France.
Artillery officers in France, in Russia, and
the US, tested their ammunition and, and aimed
their fire using Bayesian tables in both World
Wars. The Bell telephone system survived the
1907 financial panic and the US insurance
industry started our first and only--for many
years--social insurance, workers compensation
insurance, almost overnight at the time of
the First World War despite having few facts
about the safety of particular industries
or particular businesses.
Now, every good book needs a villain. And
the villain of our piece is Ronald Fisher.
Despite Bayes' usefulness, Ronald Fisher started
attacking Bayes in the 1920s and '30s and
theoretician's attitudes about Bayes changed
from tepid toleration to outright hostility.
One of the reasons is that Ronald Fisher was
a giant. He was a superb geneticist. He founded
modern statistics for scientific work, randomization
methods, sampling theory, experimental design
methods--these are all some of Fisher's great
achievements. But unfortunately for Bayes,
the thing that Fisher hated most was Bayes'
rule.
He was a fervent eugenicist with an explosive
temper and a remarkable inability to understand
other people. For example, if Fisher got bored
at a meeting, he might pull out his false
teeth and clean them in public.
[laughter]
He, he interpreted scientific and statistical
questions as, as personal attacks. And his
life became, a colleague said, "a sequence
of scientific fights, often several at a time
at scientific meetings and in scientific papers
and he hated Bayes' rule the most." He didn't
need Bayes.
He didn't work with great amounts of uncertainty.
He was a eugenicist and he filled his house
with cats and dogs and thousands of mice for
cross-breeding experiments and he could trace
their genealogy back for generations, precisely.
His experiments were repeatable and they produced
precise answers.
And Fisher calls Bayes' approximation and
measures of belief "an impenetrable jungle,
perhaps the only mistake to which the mathematical
world has so deeply committed itself. It's
founded on an error and must be wholly rejected."
And he kept up this very personal fight against
Bayes for 40 years, into the 1950s when a
lone Bayesian at NIH was showing that cigarettes,
smoking cigarettes, caused lung cancer.
Now, Fisher was a chain smoker. He even swims
smoking.
[laughter]
And he was a paid consultant to the tobacco
industry. And he proposed, believe it or not,
not that smoking caused lung cancer, but that
lung cancer probably caused smoking.
OK? So, Fisher's stature and his utter inability
to discuss Bayes' rationally delayed its development
for decades. And I think we have to say that
Fisher is an example of how a destructive
personality can affect a field, particularly
a small field. Now, I wanna switch gears a
bit and dwell on the personal history of Alan
Turing.
First, because he's a hero of mine and second
because it illustrates how Bayes' worked as
a pencil and paper method, as one of the earliest
computer techniques, and as an illustration
of the effect of government secrecy. This,
of course, is Alan Turing. [pause] Now by
the time the Second World War began, as we've
seen, Bayes was virtually taboo as far as
sophisticated statisticians were concerned.
Fortunately, Turing was not a statistician.
He was a mathematician. And besides fathering
the modern computer, computer science, software,
artificial intelligence, the Turing machine,
the Turing test, he will father the modern
Bayesian revival. Now, it's also important
to remember that during the Second World War,
England was cut off from the agricultural
produce and supplies of the continent, particularly
of France and could feed only one in three
of its residents. And it depended on convoys
of unarmed merchant marine ships bringing
in each year 30 million tons of food and supplies
from North and South America and from Africa.
Now, Hitler said he thought that the U-boats
and their attacks on these convoys will win
the war.
And Churchill said later "the only thing I
was really scared of during the war were the
U-boats" because of the attacks on the supply
lines. And in fact, German U-boats did sink
almost 3000 Allied ships and killed more than
50,000 merchant seamen.
Now, the German Navy ordered the U-boats around
the Atlantic Ocean via radio messages that
were encrypted with word scrambling machines
called 'Enigmas'. The German government bought
the Enigmas during the '20s and distributed
them to all of its different agencies.
So, the Navy had one set of codes and could
develop their own complexities and their own
security controls. The Army had another. The
foreign service, the Italians, the Spanish
nationalists and so on. The German railways
had one. And the most complex of all was that
operated by the German Navy.
And this is a German naval Enigma. They're
had to sort out in pictures, but this one
comes from Frode Weierud's website called
'CryptoCellar'. Now, an Enigma machine, as
you can see, looks like a complex type sturdy
typewriter. It had wiring coming out of the
very bottom.
It had wheels. This one has four wheels, but
they started with three and added more later.
It had starting places. It had code books.
And it had many other features that could
be changed within hours if necessary, and
that could produce millions upon millions
of permutations.
And no one, German or British, thought that
the British could ever read, ever read those
messages. So, this is one of the Enigma machines
that Alan Turing will use Bayes' to conquer.
Now, on September 4th, 1939, Turing goes to--.
He's been working on the Enigma all summer
by himself.
But he's ordered the day after the war is
declared to go to Bletchley Park, which is
the British super-secret center for decryption
efforts just north of London. When he arrives
at Bletchley Park he was 27. He looked 16.
He was handsome and athletic. His mother sent
proper business suits for him to wear to work.
He preferred shabby sports coats. He had a
five o'clock shadow. Sometimes, his fingernails
were dirty. And he will spend the next six
years working on coding and decryption efforts.
When he arrives at Bletchley Park, no one
is working on the all-important Navy code,
the one that will, will control whether or
not supplies can reach Great Britain.
Turing, however, liked to work alone. And
after a few weeks, he announced that no one
was doing anything about it and "I could have
it to myself." And he goes up into the loft
of one of the stable buildings at Bletchley
Park and stays there during lunches and breaks
and the women on the staff organize a pulley
to take up baskets of food for him for lunch
and, and tea.
And, and if you don't mind, I'll read just
a bit from "The Theory That Wouldn't Die."
[reads from book]
"Late one night, soon after joining Bletchley
Park, Turing invented a manual method for
reducing the number of tests that would be
needed to determine the settings for those
wheels. It was a highly labor intensive Bayesian
system that he nicknamed 'Banburismus,' for
the nearby town of Banbury where needed supplies
were printed.
He wrote later during the war, 'I was not
sure it would work in practice, but if it
did it would let him guess a stretch of letters
in an Enigma machine, hedge his bets, measure
their belief and their validity by using Bayesian
methods to assess their probabilities and
add more clues as they arrived.'
If it worked, it would identify settings for
two of Enigma's wheels and reduce the number
of wheel settings to be tested from 336 to
as few as 18."
And at a time, obviously, when every hour
counted, the difference could save sailors'
lives.
"So Turing and his slowly growing staff begin
to comb intelligence reports to collect what
they called 'cribs', which were the German
words that they predicted would occur in the
original uncoded German message. The first
cribs came primarily from German weather reports
because they were standardized and repeated
often.
Weather for the night, situation Eastern channel.
And as one blessed fool radioed each night,
'Beacons lit as ordered.' Reports from British
meteorologists about weather in the English
Channel provided more clues, more hunches.
And in a fundamental breakthrough, Turing
realized that he couldn't systematize his
hunches or compare his hypotheses, their probabilities,
excuse me, without a unit of measurement.
And he named his unit 'A Ban for Banburismus'.
And he defined it as quote 'about the smallest
change of weight in evidence that is directly
perceptible to human intuition.' End quote.
One Ban represented odds of ten to one in
favor of a guess. But Turing normally dealt
with much smaller quantities, deciBans and
even centiBans.
The Ban was basically the same as the bit,
the measure of information that Claude Shannon
discovered by using Bayes' rule at roughly
the same time at Bell Telephone Laboratories.
Turing's measure of belief, the Ban, and its
supporting mathematical framework had been
called his greatest intellectual contribution
to Britain's defense.
Using Bayes' rule and Bans, Turing began calculating
credibility values for various kinds of hunches
and compiling reference tables of Bans for
technicians to use. It was a statistic-based
technique, produced no absolute certainties,
but when the odds of a hypothesis added up
to 50 to one, cryptanalysts could be close
to certain that they were right."
Now, Turing was obviously developing a home
grown Bayesian system. No one knows where
he got it, whether he discovered it and developed
it on his own, with his assistant Jack Good,
or whether he knew about the rudiments of
it from the lone defender of Bayes'--Cambridge
University during the pre-war period Harold
Jeffries, who used Bayes' for earthquake and
tsunami research to find out the epicenter
of the earthquakes.
Now, within a year and a half of the war starting,
by June of 1941, Turing could read the U-boat
messages within an hour of arrival at Bletchley
Park. And the British could reroute the convoys
around the U-boats and for almost a month
that summer no convoy, no ship is attacked
by a U-boat.
By the fall, however, the fall of 1941, Banburimus
is critically short of typists and junior
clerks, otherwise known as "girl power". Turing
and the other decoders wrote a personal letter
to Churchill, delivered it to Downing Street.
One of them delivered it to Downing Street.
And he responded immediately. Among the help
that was attempted, Ian Fleming, of James
Bond fame, plans an elaborate raid to capture
code books for Turing. Fortunately, it's so
elaborate, it's better for a novel than--.
And it was cancelled. [laughter]
The Navy collected code books for Turing from
sinking German ships and two young men lost
their lives collecting code, code books for
Turing from sinking German ships. But breaking
Enigma--. If we could actually have that one
back. I think. [pause] Whoop. Not there. Never
mind.
But eventually breaking the Enigma codes becomes
routine, like a factory at Bletchley Park.
However, [pause] let's go back to Turing if
we can. There we go. Thank you. But shortly
after Germany attacks Russia in June of 1941,
the German army started using a vastly more
complex code and word scrambling machine called
the 'Lorenz'.
These were ultra-secret codes and the Supreme
Command in Berlin relies on these new Lorenz
codes to communicate high-level strategy to
high-level army commanders around Europe.
And some of the messages were so important
that Hitler himself signed them.
[reads from book]
"And a group of Britain's leading mathematicians
begin a year of desperate search. They used
Bayes' rule, logic, statistics, Boolean algebra,
and electronics. And they also began working,
work on designing and building the first of
ten Colossi, the world's first large scale
electronic computers.
Turing invented a highly Bayesian method known
as 'Turingery', or 'Turingismus'. It was a
paper and pencil method again. The first step
was to make a guess and assume, as Bayes had
suggested, that it had a 50-50 percent chance
of being correct. Add more clues, some good
and some bad.
And as one of the decoders described it 'with
patience, luck, a lot of rubbing out and a
lot of cycling back and forth, the plain text
appeared.'
Now, the engineer who built the Colossi, Thomas
Flowers, had strict orders to have the second
model of the Colossus ready by June 1, 1944.
He was not told why, but his team worked,
he said, so hard until they thought their
eyeballs would drop out.
They get it ready by June 1. And on June 5,
there's a message that they receive from Hitler
that he's sending to his army commander in
Normandy named General Irwin Rommel. And Hitler
tells Rommel, if there is an invasion of Normandy,
it will be a diversionary tactic and do nothing
for five days.
The real invasion will occur later, somewhere
else. The message is decrypted at Bletchley
Park. A courier takes it to General Eisenhower
where he and his staff are determining when
to launch the invasion of Normandy. A courier
gives the piece of paper to Eisenhower.
We know this from Thomas Flowers, by the way.
He gives the paper to Eisenhower, who reads
it. He cannot tell anything, even to his top
staff about Bletchley Park and the decoding
efforts. He gives the paper back to the courier
and he turns to his staff and says, "We go
tomorrow morning."
November 6, 1944. And later, Eisenhower says
that the decoding at Bletchley Park, Bletchley
Park shortened the war in Europe by two years.
Now, a few days after Germany's surrender
in May of 1945, a year later, Churchill makes
a surprising and still shocking move.
Everything that showed that decoding had helped
to win the Second World War was to be ultra-secret.
No one could reveal anything about what they'd
done at Bletchley Park. And Turing, of course,
could not be mentioned. And this Colossi were
to be destroyed.
To be destroyed, cut into unidentifiable pieces,
except for the last two most complex ones.
[crash] Bombing.
[laughter]
Except for the two most--, the latest ones,
the most complex ones, which Britain apparently
used during the Cold War to decode Soviet
messages. But I think [sound of truck backing
up] we have to think that without Churchill's
orders, it might have been Great Britain that
became the leader of the 20th Century computer
revolution.
Now, after the war, Turing was working on
computers and other projects. No one knew
what he had done at Bletchley Park, when two
spies flee from Britain [door slam] to Moscow.
They had been spying for the Soviet Union
all during the war. And they fled in 1950.
One was named Guy Burgess and he was an openly
homosexual graduate of Cambridge University.
And US Intelligence told Britain that the
spies had been tipped off by another homosexual
graduate of Cambridge, an art historian named
Anthony Blunt. And the government panicked
and thought that it was probably a homosexual
spy ring of graduates from Cambridge. [laughter]
The number of arrests for homosexual activity
spikes. And the day after Queen Elizabeth
II is crowned, Alan Turing is arrested. He
is arrested for homosexual activity in the
privacy of his home with a consenting adult.
He is found guilty. He's sentenced to either
prison or chemical castration.
He chooses the estrogen injections. Over the
next year, he grows breasts. And the day after
the 10th Anniversary of the Normandy Invasion
that he helped make possible, Alan Turing
commits suicide. Anthony Blunt is later Knighted
and it's 55 years before the British government,
the Prime Minister in this case, apologizes
for its treatment of, of Turing.
Yeah, thank you. Now, after the, the Second
World War, its wartime successes were totally
classified. And Bayes' rule also emerged from
the Second World War, even more suspect than
before. The anti-Bayesians still focused on
Thomas Bayes' starting guess, this outrageously
subjective prior.
And without any public proof that their method
worked, the Bayesians were stymied. When Jack
Good, who had been Turing's statistical assistant
during the war, gave a talk at the Royal Statistical
Society about the theory of the method, no
mention of course of the application, the
next speaker's opening words were "after that
nonsense."
During Senator McCarthy's witch hunt against
communists in the US Federal government, a
Bayesian at the National Bureau of Standards
was called, only half-jokingly, "un-American
and undermining the United States' government."
At Harvard Business School, professors had
developed the very Bayesian decision trees
that MBAs use. But they were called 'Socialists'
and 'so-called scientists'. And a Swiss visitor
to Berkeley's very Frequentist department,
statistics department in the 1950s, realized
that it was "kind of dangerous" to apply these
Bayesian methods.
Now, the Cold War military, of course, continued
to use and develop Bayes' rule. So, they knew
it worked, but it was secret. For example,
the 1950s wrestled with the problem of how
do you predict the probability of something's
happening if it's never happened before.
There had never been an accidental H-bomb
explosion. So, the Frequentists said "you
couldn't predict the probability of its ever
happening in the future." So, a post-doc at
Rand Corporation, Albert Madansky, used Bayes'
to warn that Curtis LeMay's strategic air
command--I think you know Curtis LeMay from
the movie 'Dr. Strangelove' --that his strategic
air command could have produced at least 19
H-bomb accidents a year.
And the Kennedy Administration eventually
added safeguards. But there were other secret
Cold War projects, too. The National Security
Agency cryptographers used Bayes' to decode
Soviet messages.
And an advisor to the National Security Agency
and to the Institute for Defense Analyses
used it election nights to predict the winners
of a congressional and presidential elections
for 20 years, but refused to let anyone say
that he was using Bayes', apparently, to keep
his connection to Bayesian cryptography totally
secret. And the US Navy used Bayes secretly
to search for a missing hydrogen bomb in Spain,
for a nuclear submarine, Scorpion, which sank
without a trace. And then, in a classified
story that's told for the first time in "The
Theory That Wouldn't Die" how Bayes' actually
caught a Russian submarine in the Mediterranean,
and convinces the Navy.
Now, as a result, during the years of the
Cold War, Bayes becomes a real flesh and blood
story about a small group of maybe a hundred
of more believers struggling for legitimacy
and acceptance. And for many years, they concentrated
on theory, trying to make probability and
Bayes a respectable branch of mathematics.
But many Bayesians of that generation remember
the exact moment when Bayes' overarching logic
descends on them and they talk about it like
an epiphany, where they're converted. To them,
Frequentism looked like a series of ad hoc
techniques, whereas Bayes' theorem had what
Einstein had called "the cosmic religious
feeling."
The reason, of course, was that it was concerned
with a very fundamental scientific issue.
As David Speigelhalter told me, "It was basic.
A huge sway of scientists say you can't use
probability to express your lack of knowledge
or to describe one-time events that don't
have any frequency to it."
And many scientists find this rather disturbing
because it's not a process of discovery. It's
more a process of interpretation. So, both
sides were proselytizing their methods as
the one and only way to approach statistics.
It was, one statistician told me, a "food
fight, a devastating food fight."
And it was one that didn't subside until late
in the 20th Century. Both sides use these
religious terms when a Bayesian was appointed
Chair of an English statistics department.
Frequentists called him 'a Jehovah's Witness
elected Pope'.
[laughter]
He, in turn, asked how to encourage Bayes'.
He replied tartly, "Attend funerals." The
Frequentists reported in kind that if Bayesians
would only do what Thomas Bayes had done and
publish after they were dead, we'd all be
saved a lot of trouble. [pause]
The extraordinary fact though about Bayes'
during the Cold War is that although the military
was using Bayes' and the civilian Bayesians
were under attack, there were very few visible
civilian applications. For example, it was
an MIT physicist who used Bayesian methods
to do the first nuclear power plant safety
study 20 years after the industry started.
He did it in 1973. And he predicted what actually
would happen at Three Mile Island. But he
had the big, bad Bayes word hidden in the
appendix of Volume Three of the multi-volume
Rasmussen Report. And the only big public
application of Bayes was one using the words
in the Federalist Papers as data.
Now, the Federalist Papers were a series of
essays that appeared in New York State newspapers
to convince New York State voters to vote
for the Constitution. And some of them were
anonymous. And Fred Mosteller of Harvard and
David Wallace of the University of Chicago
launched a massive Bayesian study and concluded
and convinced everyone that all twelve of
the anonymous Federalist Papers were written
by James Madison.
But they also came to what they called an
"awesome statistical conclusion." And that
was, they said that 'Thomas Bayes' beginning
guess is controversial hated subjective prior
was irrelevant if you have a lot of data to
update it with.' The problem was that Mosteller
had to organize an army of about a hundred
Harvard students to punch the data into MITs
computer center and no one else was willing
to undertake such a mammoth organizational
problem.
By the 1980s though, another factor was working
against Bayes, too. And that was the computer
revolution was flooding the modern world with
enormous amounts of data and with a lot of
unknowns. And Laplace's method had involved
integration of functions and it was hopelessly
complex.
So, it was beginning to look, even to many
Bayesians, as though Bayes was an old-fashioned,
18th Century theory crying for a computer
and software. But many academic statisticians
thought computers were a copout. They'd started
out as abstract mathematicians. Most were
Frequentists.
They focused on small data sets, relatively
small data sets, with few unknowns. They didn't
need computers. Bayesians themselves during
this period also didn't realize that the key
to making Bayes useful in the workplace was
not more theory, but computational ease.
Theorist Dennis Lindley, who'd been programming
his own computer since 1965 and actually regarded
Bayes' ideal for computers. He wrote me, "I
consider it a major mistake of my professional
life not to have appreciated the need for
computing rather than mathematical analysis.
I should have seen that Bayes' enabled one
to compute numerical answers." It was a particularly
poignant case of the Canadian mathematician
Keith Hastings, who published in 1970 what
should have been a real breakthrough paper,
what's now called 'The Hastings Metropolis
Algorithm', or simply 'The Metropolis Algorithm'.
He used Markov chains, Monte Carlo sampling
techniques. Published it. Got no reaction
at all. A year later, drops out of research
and goes to teach at the University of British
Columbia. And it was not until 20 years after
his, after his work when he was fully retired
that he realized the importance of what he
had done.
And Hastings told me with some anguish in
his voice that his work was ignored because
quote "a lot of statisticians were not oriented
toward computing. Statisticians took these
theoretical courses, cranked out theoretical
papers, and some of them wanted an exact answer,
wanted exact answers, not estimates."
So, as a result, during the 1980s as computers
were pouring out this fascinating new data
about pulsars and plate tectonics and evolutionary
biology and pollution in the environment,
it was not analyzed often by, by statisticians.
It was analyzed by computer scientists, by
engineers, physicists and biologists.
And it would be imaging that would force the
issue because by the late '70s, early 1980s,
industrial automation, the military, and medical
diagnostics were producing blurry images from
their ultrasound machine, PET scans, MRIs,
electron micrographs, telescopes, military
aircraft, and infrared sensors.
And there was Bobby Hunt, who in 1977, finally
suggested that Bayes' could be used for image
restoration. He had done it while working
on strategic weapons programs and digital
image processing at Sandia and Los Alamos
National Labs in New Mexico.
During this period, others were introducing
iterations and Monte Carlo. And, in 1974.
in 1984, if I can get the next slide. Alan
Gelfand and Adrian Smith--. [pause] Sorry.
It's just a picture of Adrian Smith and Alan
Gelfand. Thank you. [pause] Who decide to
start something new. And Gelfand, reading
around, discovers the iterations and Gibbs
sampling.
Adrian Smith on the left, at the University
of Nottingham at the time. Alan Gelfand at
the right at University of Connecticut at
the time. And when Gelfand, the minute he
saw the papers on iteration and Gibbs sampling,
he said all the pieces fell together. Bayes,
Gibbs sampling, Monte Carlo, Markov chains,
iterations.
And they wrote their watershed synthesis,
now called MCMC for Markov chain-Monte Carlo,
very, very fast 'cause they were scared other
people would put the pieces together, too.
But they also wrote it very carefully. They
used the word 'Bayes' only five times in 12
pages.
And Gelfand told me later, "There was always
some concern about using the 'B' word, a natural
defensiveness on the part of Bayesians in
terms of rocking the boat. We were always
an oppressed minority trying to get some recognition.
And even if we thought we were doing it the
right way, we were only a small component
of the statistical community and we didn't
have much outreach into the scientific community."
But Bayesians thought the paper was an epiphany
and the next ten years is, what I call, a
frenzy of research, solving, calculating problems
that for two and a half centuries had only
been dreams. Gelfand, of course, says that
they were lucky because the relatively inexpensive
powerful workstations became available at
the same time.
Then Smith's student, a David Spiegelhalter,
came out with his BUGS software. BUGS standing
for Bayesian Statistics Using Gibbs Sampling.
It was off the shelf software. He comes out
with the first one in 1991 and it's BUGS that
causes the biggest single jump in Bayesian
popularity.
And it sends Bayes out into this scientific
and the technological world, where outsiders
from computer science, from physics, artificial
intelligence, refresh it, broaden it, secularize
it, de-politicize it and it gets adopted almost
overnight. It was a modern paradigm shift
for a very pragmatic age.
It happened overnight, not because people
changed their minds about a philosophy of
science, but because finally it worked. The
battle between Bayesians and Frequentists
subsided. Researchers adopted--could adopt--the
method they thought fit their needs best.
Prominent Frequentists moderated their positions.
Bradley Efron, a National Medal of Science
recipient who had written a classic defense
of Frequentism, recently said, "I've always
been a Bayesian."
[laughter]
And someone else, who once called Bayes "the
crack-cocaine of statistics [laughter] --seductive,
addictive, and ultimately destructive" began
recruiting Bayesian interns for Google. Thank
you.
[applause]
Now I'd be happy to try to answer some questions,
but it would be very kind of you if you'd
use the microphone so people could hear the
questions. And I wouldn't have to maul them,
summarizing them.
>>MALE AUDIENCE MEMBER #1: So what was the
Neolithic discovery?
>>Sharon Bertsch McGrayne: It was that the--.
It had happened all of a sudden, within a
short time period five thousand, five hundred
years ago. And that instead of their being
used for rites over the ages and built over
the ages, that they'd actually been built
and abandoned in this very short time period.
And they're so excited by this Bayesian mega-analysis
that they've done that they're gonna try another
of the early Anglo-Saxon period in Great Britain
next. Yes.
>>MALE AUDIENCE MEMBER #2: OK. So--.
>>Sharon Bertsch McGrayne: Now remember I'm
not a mathematician.
[laughter]
>>MALE AUDIENCE MEMBER #2: So, my training
actually is mathematics and we have, our controversies
are, we have what's called the axiom of choice
which is about the behavior of infinite sets
and the continuum hypothesis and all these
other sort of questioned axioms.
And if you assume not the axiom of choice,
you get one mathematics. If you assume it,
you get a different mathematics. But mathematicians
will all agree that these are just models.
These are abstract ideas. It's not that this
axiom is true or not true 'cause it's formalisms.
In the real world, you can't even substantiate
an infinite set anyway. How come with the
statistical community, 'cause in the math
community it was like, whether it's useful.
It's like, you can extend math this way or
that way. Which one is more useful as a model?
Why weren't they able to say, "OK, Bayesianism
might not make sense in some platonic way."
Or it might, there's selecting the priors,
which is more of an art than a science. But
just based on the fact that it's useful, why
weren't people able to go with it? [pause]
>>Sharon Bertsch McGrayne: It's very odd because
a whole class of people, physicists, did use
Bayes'. And they used it even before the Second
World War. Fermi used to do computations if
he couldn't sleep at night. He'd do Bayesian
computations.
[laughter]
And then he'd come in the next morning and
announce how the experiments of the day were
probably gonna come out. Well, we're not all
Fermis, but--. And during the war, Los Alamos
used them.
And after the war, the physicists actually
tried to get statisticians to, to use them.
There were NATO conferences and so on. So,
it's very puzzling. There were articles that
told statisticians you can do it manually.
There were non-statisticians. There were historians
in the '60s using computers.
I think they were trapped. They were so defensive.
They were such a small group and they were
under attack. That's not a good way to be,
mentally. You can't burst out if you're under--
if your fortress is under attack. That's the
only thing I've been able to conclude.
>>MALE AUDIENCE MEMBER #3: So, you mentioned
in your book but not in the talk on the Lindley's
paradox and this research now in Princeton
about psychokinetic random number generators
that, according to a Frequentist, there was
just as significant that people had random
number generating abilities, but Bayesians
said that this is silly and the same study
proves that it doesn't exist.
Would you go into that more? Like, the study
was cooked, then. Bad. Garbage in, garbage
out. But was this real data? [pause]
>>Sharon Bertsch McGrayne: Was it real data?
Well, I guess he had his machines recording
it, but I think the statisticians don't record
it, regard it as real data at all. The same
question came up just recently of--come on,
what's it called--ESP. And Frequentists' analysis
saying that ESP could work.
It was something routed in the last year,
I think. So, it's a long-standing problem,
but Dennis Lindley I think cooked that guy's
data and said it was garbage. Garbage in and
garbage out.
[laughter]
Yes, there's some papers about it and they're
in the bibliography.
>>MALE AUDIENCE MEMBER #4: To follow up on
that, there's an article on this very subject
in the latest issue of the Skeptical Inquirer.
>>Sharon Bertsch McGrayne: Good. Good.
>>MALE AUDIENCE MEMBER #4: I'll try to find
my copy and bring it in. I just wanna remark
about history. I've been in computing since
1964 and when I was at Cornell, there was
a tremendous, there was actually--. Oh, my
phone's going crazy.
There were actual random walk problems in
the textbook, the programming textbook, and
the social scientists were just generating
reports this big. I don't exaggerate. I hauled
them around, of computer analysis, factans,
and xtabs and all kinds of crazy stuff.
So, I think there's this whole background
of -- that was going on underneath this controversy
that was preparing us for it.
>>Sharon Bertsch McGrayne: Howard Raiffa gives
his--. I was in a totally different kind of
meeting and someone asked what I was working
on and I said Bayes' rule. And he said, "Oh,
Bayes' rule? Howard Raiffa taught Bayes' rule
at Harvard Business School in the 1960s."
And he dug out of his notes this reference,
too. It's 60 or 80 pages on Bayes, Markov
chains and so on. So, you're absolutely right.
So it's such a puzzle why--. [pause] I really
think it must have been the fortress mentality
that -- it's just hard to break out of that.
If there aren't any more questions, I would
be happy to sign anyone's books if they want
me to.
>>Male Presenter: Thank you very much.
[applause]
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The government has already signalled that it will ignore the results of the poll run by the Natural Environment Research Council to name the £200m state-of-the-art ship.
The government has already signalled that it will ignore the results of the poll run by the Natural Environment Research Council to name the £200m state-of-the-art ship.
The suggestion received 124,109 votes, four times more than second-placed RRS Poppy-Mai, named after a 16-month-old girl with incurable cancer
The RRS David Attenborough came fifth with 10,284 votes, one place behind RSS It’s Bloody Cold Here which came fourth.
Attenborough joked that it was “so disappointing” that he had not topped the poll.
Boaty McBoatface: tyrants have crushed the people’s will
Stuart Heritage
Stuart Heritage
Stuart Heritage
Admittedly, calling a boat Boaty McBoatface was a bad idea, voted for by idiots
But it was our bad idea
It was the British character writ large, and this cruel government killed it
Read more
“It’s a compliment of course, I don’t spurn a compliment and I’m very grateful
But I don’t think it’s of any consequence,” he said.
Attenborough told the Guardian: “I think they should call it something serious
I mean, words like discovery, endurance, victory, indomitable, looking at the Navy it’s got a great tradition of a lot of good names, you know?”
The name was first put forward by James Hand, a former BBC radio presenter, who expressed surprise at the furore Boaty McBoatface had caused.
Jo Johnson, the science minister, signalled earlier this week the government was preparing to activate its get-out clause.
The stories you need to read, in one handy email
Sign up to The Guardian Today and get the must-read stories delivered straight to your inbox each morning
Read more
He said the government wanted a name that “lasts longer than a social media news cycle and reflects the serious nature of the science it will be doing
“There are many excellent suggestions among the 7,000 names put forward by members of the public and we’ll make a decision as to which one should be put forward for the royal warrant when we’ve had a chance to review them all.”
Attenborough turns 90 next month and the BBC will mark the milestone with a season of programmes including one of his first projects, Zoo Quest, which will be shown in colour for the first time.
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