Stegzy's Music Project
A commentary on Stegzy's album collection
Illusions on a Double Dimple – Triumvirat [#611]
by stegzy
This, it has to be said, is quite possibly the album that has been the most influential in my life. From as young as 11 years old, when introduced to the album by my brother who had won it in a competition, to my teen years where Shitbag Pulling and I would sit around his piano and try to deconstruct its intricacies and beyond into my late twenties, thirties and present day. Not a period of my life has gone by without something being connected or linked to this album.
Back in the pre-internet days, one's only source of music would be friends, relatives and flicking through the alphabetical racks in Virgin Megastore, Our Price or HMV. Every single time I went to those shops I would flick through the racks, Triumph…Trivium…no Triumvirat. Every dictionary of popular music I would thumb through to T looking for anything, even a chuffing footnote about Triumvirat. No. Nothing. By my early twenties, when I was dabbling in Goth, I'd begun to think that maybe the band was just a fantasy. But as the floodgates of internet knowledge started to creak open, information about the band reached me and I began to realise that they were so much much more than this album.
The album is a concept in two parts. The first, an allegorical telling of a tale of social and financial hardship brought on by being "Born on the wrong side of town". The narrator, fired from their job, accused of some dubious theft, heads to the local bar and seeks out a large glass of Dimple. Dimple, which I didn't know until I was in my late teens, is a brand of Scotch whisky. Upon imbibing the drink, and having sold his coat and every possession, our narrator heads out into the streets of Dusseldorf, passes out then plays the piano a bit.
The second half, possibly connected to the first, I'm not quite sure, tells of a band who revolt against their manager, Mr Ten Percent, a frightfully extravagant gentleman with a big Mercedes, a house on a hill and frequent week-long trips to Sweden, and become awesome and meet girls.
Well, that's my interpretation.
The album was the band's breakthrough release and saw their popularity rise in America and Europe. Of course, in the UK we're culturally insular and don't like anything not homegrown or that we're not told to like by commerce. As a result, this is probably why Triumvirat, a giant on the world prog rock stage, were never available in major high street record shops in the UK. Well more fool you, Mr HMV. Look what your selfish enforcement of culturally appropriate music did to your profits following the Great Internet Download Free for All of the Early Noughties. Even Apple Music has Triumvirat!
1974 Harvest Progressive Rock Triumvirat
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A La Carte – Triumvirat [#31]
A La Carte by Triumvirat
Triumvirat, for me, was one of those mystical bands that were impossible to find in conventional music shops. Whenever I went to HMV and browsed the "T" section I was always unsurprised to not find Triumvirat. Triumph, yes. Trivium, Yes. No Triumvirat. It was hardly surprising having "inherited" Illusions on a Double Dimple on vinyl from my brother who himself had "won" it in a competition.
So with the advent of the internet I was able to find out all about Triumvirat. How fantastic they were. How they were from Germany (not Finland as some sources say). How one of the original band members died in an accident. How the style changed following the death and how the line up changed constantly in true Prog Rock fashion. . I was also able to "obtain" their entire catalogue. Acesticks.
In A La Carte, the curious mix of Emmerson Lake & Palmeresque twiddly gets brushed into the musical recycle bin to give way for a more "ELO" tweeness.
Which doesn't work.
There are two songs on this album that I like: Waterfall (sung by Barry Palmer) and For You. I will give a sample for you, of For You for you. For you, to fore ewe. Four eu?
1978 Triumvirat
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