Cobras & Fire: Comedy / Rock Talk Show
Paul Q. Kolderie - Hole Producer Interview
Loose Cannon & Bakko
Cobras & Fire is a comedy / rock talk show with absurd discussions about music, news, and life. Join your irreverent hosts Bakko and Loose Cannon as we make fun of what we love. We feature a mix of classic artists and bands on the rise. Rock's not dead. It's hiding. And you found it. In addition to our regular show, our interview episodes include members of Judas Priest, KISS, Anthrax, Motley Crue, and more. Our sidecast "Whatever, Nevermind" counts down the 25 Greatest Grunge albums according to Rolling Stone. Episodes feature a special guest host from the Podcast Community and interviews with the artists, producers, and record label execs involved with the albums.
Publié le jeudi 11 mars 2021 à 09:00 par Loose Cannon & Bakko
In this bonus ep Bakko chats with the producer of Hole's record, Live Through This, Paul Q. Kolderie.
Paul Q. Kolderie is an American record producer, engineer, and mixer. He has worked with Pixies, Radiohead, Orangutang, Hole, Dinosaur Jr., Juliana Hatfield, Wax, Warren Zevon, Uncle Tupelo, Throwing Muses, Morphine, the Mighty Mighty Bosstones, Abandoned Pools, the Go-Go's, and Mike Gordon of Phish. He usually works with production partner Sean Slade.
Kolderie and Slade were friends from Yale University, where they played in bands together. They also became members of Sex Execs, a Boston-based new wave music band of the early 1980s.
The duo had their formative experience as producers while they were in Sex Execs. Most of the group lived in a house in Dorchester, Boston that was wired up as a primitive studio. Other bands came over to record as well, including a local act called Three Colors, which featured saxophonist Dana Colley, later of Morphine. As Sex Execs became more successful, they started recording in professional studios such as Syncro Sound, which was owned by The Cars. Kolderie learned a lot from the engineers there. He got to record an EP for Three Colors at Syncro, earning his first production credit.
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