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Sunday Afternoon L S Lowry
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This signed lithograph from 1969 is a limited edition of 75 by L. S. Lowry. Typical of the artist's drawings of working people in their leisure time, this print shows rows of highly stylised figures taking a walk in the park on their day off, depicted in black almost like silhouettes.
L. S. LOWRY, SUNDAY AFTERNOON, SIGNED LITHOGRAPH, EDITION OF 75, 1969
Typical of the artist's drawings of working people in their leisure time, Sunday Afternoon is a print from 1969 by L. S. Lowry. The print shows rows of highly stylised figures taking a walk in the park on their day off, depicted in black almost like silhouettes against the page. Rolling hills form the basis of the composition that seems to be a composite image, created from Lowry's imagination.
Lowry was primarily interested in depicting places where people came together, in this example he shows a scene of the park, with people from all walks of life going about their day. Sunday Afternoon is an example of the way in which Lowry did not always depict any particular place and was more focused on creating a general impression. Of this the artist said, "Most of my land and townscape is composite. Made up; part real and part imaginary…bits and pieces of my home locality. I don't even know I'm putting them in. They just crop up on their own, like things do in dreams."
Often labelled as a naïve 'Sunday painter' due to his simplified style where his figures appear like 'matchstick-men', Lowry's prints show that far from this, he was an artist who created his own distinct way of drawing. Lowry portrayed the British working classes and industrial life in a unique way that still rings true today.
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ABOUT L. S. LOWRY
L.S. Lowry is a much-loved British painter known for pictures that capture urban life in industrial north west England, most notably during the 1920s. Born in 1887 in Stretford, Lancashire, Laurence Stephen Lowry later moved to Pendlebury near Manchester where he lived and worked for over 40 years. The area, which he at first detested, was covered in factories and cotton mills that Lowry would soon obsessively depict. His fascination with the industrial landscapes and the people that inhabited them was inspired by a missed train. Standing on the platform at Pendlebury station, Lowry would later write of the view of the Acme Spinning Company's mill, saying "I watched this scene – which I'd look at many times without seeing – with rapture." Learn more about L. S. Lowry.
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