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Futurex Transmaat
Monk, Graham Meade & Apostrophe
2001, Monk, Graham Meade and Apostrophic Labs. This font is part of the Futurex Project. For more information visit www.apostrophiclab.com
ElsaW01-Thin
Sascha Timplan
Elsa Thin is a trademark of Stereotypes.
Copyright (c) 2011 by Stereotypes. All rights reserved.
ultrateens
CCHellshockW00-Italic
Dave Lanphear
CCHellshock is a trademark of Active Images.
Escape Artist Condensed
Monotype Type Drawing Office - Robin Nicholas, Patricia Saunders 1982
2001 Iconian Fonts - http://www.iconian.com
Contemporary sans serif design, Alien League contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, Regulars1otions.Alie
theworld
http://www.dafont.com/wino-s-kadir.d2209
ArltW01-Gris
PampaType
Alejandro Lo Celso
Arlt Gris is a trademark of PampaType.
Copyright 2008 by PampaType. All rights reserved.
Copyright 2005-2008 by PampaType FoundryPampaType is an independent type foundry based in Argentina and Mexico and run by Alejandro Lo Celso.Special info from PampaType: Thank you for having purchased this type. We dedicate a huge effort in our typefaces both technically and creatively. We hope you enjoy this type and we encourage you to take the most advantage of its styles.Roberto Arlt, Argentinean writer from early XXth century, wrote some very original novels all of which 'Siete locos' ('Seven Madmen') is maybe the most celebrated piece. The Arlt type family is based on his oeuvre. It has a Baroque style interpretated with an expressionist, more contemporary flair. This means the type is full of intense contrasts and vivid, expressive feelings. The italics make a specially dynamic rhythm on text.The Arlt text fonts come in four weights including roman, italics, and small caps. They offer a colourful, spicy though comfortable immerse reading. They are ideal for literature books, specially for suspense novels and sordid stories of the underworld. Its use under other circumstances may be dangerous!The 'Arlt Titulo' fonts were carefully designed to be used in titlings and other display settings. They will look more elegant at big body sizes, above 24 pt. The 'Arlt 7 Locos', a sub-family of seven fonts, resulted of a more relaxed exploration on how to thoroughly destroy a series of carefully designed letterforms. They can be misteriously attractive when used in small text printed over rough quality papers.Visit www.PampaType.com if interested in knowing better about the 'Arlt' typeface designs.Arlt is a trademark of PampaType.
Quattrocento Sans
Pablo Impallari, Igino Marini, Brenda Gallo
Pablo Impallari
Quattrocento Sans Italic is a trademark of Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com.
Copyright (c) 2011, Pablo Impallari (www.impallari.comimpallari@gmail.com),Copyright (c) 2011, Igino Marini. (www.ikern.commail@iginomarini.com),Copyright (c) 2011, Brenda Gallo. (gbrenda1987@gmail.com),with Reserved Font Name Quattrocento Sans.
Quattrocento Sans is a Classic, Elegant & Sober typeface.Warm, readable and not intrusive. It's the perfect sans-serif companion for Quattrocento.
OptimanovaW01-MdItSC
Hermann Zapf and Akira Kobayashi
Optima is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.
Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Optima is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Hermann Zapf and Akira Kobayashi. The design may be protected in certain jurisdictions.
Optima was designed by Hermann Zapf and is his most successful typeface. Hermann Zapf began the first sketches for the type while visiting the church of Santa Croce Florence. He was inspired by letters from grave plates that had been carved around the year 1530. Since he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes! These drawings, taken from the floor of a church, later developed into Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed according to the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first draft drawings were completed The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was then produced as matrices for the Linotype typesetting machines, and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova. Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included a re-working of the existing weights, and the addition of several new weights, making a total of 40 fonts. Small caps and oldstyle figures, light, heavy, and condensed weight fonts have been added. The original Optima was never manufactured with a true italic, only an oblique version of the roman; Optima nova has changed this. Optima nova has a complete range of beautifully designed real italics; the new italic forms of the e, f and g are especially notable. The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage. Optima nova is part of the Linotype Platinum Collection.
MonktonW01-MediumItalic
Adrian Williams Design Ltd
Adrian Williams
Club Type Monkton is a trademark of the Adrian Williams Design Ltd.
Copyright Adrian Williams Design Ltd 1987. Modified 2003, 2007. All rights reserved. Club Type Monkton is a registered trade mark of Adrian Williams Design Ltd. This product is licensed, not sold, and may only be used in accordance with the terms specified in the License Agreement.
This software is digitally encoded and machine readable for output of the typeface licensed to you and is copyright 1987, with modifications 2003, 2007 Adrian Williams Design Ltd. Club Type Monkton is a registered trade mark of Adrian Williams Design Ltd. All rights reserved.
AvenirNextCyrW00-Thin
Adrian Frutiger and Akira Kobayashi
Avenir is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Copyright 2012 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Avenir is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. This typeface is original artwork of Adrian Frutiger and Akira Kobayashi. The design may be protected in certain jurisdictions.
http://www.linotype.com
KeynsiaOpenW01-Regular
Greater Albion Typefounders
Paul J. Lloyd
Keynsia Open is a trademark of Greater Albion Typefounders.
Copyright (c) 2009 by Greater Albion Typefounders. All rights reserved.
http://gatf.wordpress.com
License in accompanying file.
WellingboroughW01-Regular
Wellingborough is a trademark of Greater Albion Typefounders.
ShiliaW23-230Thin
Mamoun Sakkal
Shilia W23 is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Copyright 2011 Linotype Corp., www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype Corp. Shilia W23 is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Mamoun Sakkal. The design may be protected in certain jurisdictions.
Shilia W23 is an Arabic display typeface which can also be used for text setting, especially in bilingual publications where Arabic and Latin scripts ought to work in harmony. It is useful for titles, signage, documents, and graphic projects where a contemporary, streamlined, and well proportioned look is desired. The font is based on the simple lines of Kufic calligraphy and the uniform, open shapes of its letters give it a structured and geometric, yet friendly and familiar feel. Featuring one of the largest numbers of styles for an Arabic typeface family, Shilia W23s 21 variants make it especially suitable for corporate and governmental applications. Shilia W23 was designed in 1980 by Mamoun Sakkal, but for this first public release by Linotype it was extended and completely redrawn; its extensive OpenType features were programmed by Aida Sakkal. The font has over 1,800 glyphs which include a large number of ligatures, swashes, stylistic alternates, and ornaments. It includes the basic Latin section of Linotype Univers and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages
LinotypeUniversW01-Heavy
Univers is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Copyright 2005 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Univers is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Adrian Frutiger and Linotype Design Studio. The design may be protected in certain jurisdictions.
UlyssesW00-Regular
Timothy Donaldson
Ulysses is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.
2013 Jayde Garrow Fonts. All Rights Reserved
LA Street Kids
Fabien Delage - The Wondermaker
Immortal - Alternates
Graham Meade & Apostrophe
Graham Meade & Apostrophic Labs. All rights reserved. info@apostrophiclab.com
AuriolW01-Bold
Matthew Carter, Linotype Design Studio
Auriol is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype Library GmbH, and may be registered in certain jurisdictions.
CintraStencilW01-Regular
Pablo Balcells
Cintra Stencil is a trademark of Graviton.
Copyright (c) 2014 by Graviton. All rights reserved.
CFB1ShieldedAvengerW01-Rg
The Fontry
CFB1 Shielded Avenger Normal is a trademark of The Fontry.
Copyright (c) 2009 by The Fontry. All rights reserved.
P22EaglefeatherW00-SmallCapsBlk
Frank Lloyd Wright, David Segal
P22 Eaglefeather Black is a trademark of P22 type foundry, Inc./The Frank Lloyd Wright Foundation.
Copyright (c) 2007 by P22 type foundry, Inc./The Frank Lloyd Wright Foundation. All rights reserved.
http://www.p22.com
MADE IN EARTH
TahomaW01-BoldItalic
Matthew Carter
Tahoma is either a registered trademark or a trademark of Microsoft Corporation in the United States and/or other countries.
Tahoma is one of Microsoft's new sans serif typeface families. It consists of two Windows TrueType fonts (regular and bold), and was created to address the challenges of on-screen display, particularly at small sizes in dialog boxes and menus.Since the Tahomas are TrueType fonts, they can be rotated and scaled to any size, and anti-aliased by the rasterizer built into Microsoft Windows 95 and Microsoft Windows NT 4.0. These features give the fonts significant advantages over bitmap system fonts such as MS Sans Serif.The Latin, Greek and Cyrillic characters were designed by world renowned type designer Matthew Carter, and hand-instructed by leading hinting expert, Monotype's Tom Rickner. The Arabic, Hebrew and Thai characters were designed by the Monotype Drawing Office to complement Carter's initial designs. Tahoma sets new standards in system font design. It is ideal for use in User Interface Scenarios and other situations requiring the presentation of information on the screen.
You may use this font as permitted by the EULA for the product in which this font is included to display and print content. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.
TelstarW00-Regular
Telstar is a trademark of Rian Hughes / Device Fonts.
http://devicefonts.co.uk
Party Lights [WLM] Flat
Wolf Lambert
Copyright Wolf Lambert 2014Party Lights [WLM] Flat is based on Viva Las Vegas by Alexander Sperl (http://fontstruct.com/fontstructors/laynecom)
Party Lights [WLM] Flat was built with FontStructParty Lights [WLM] Flat is based on Viva Las Vegas by Alexander Sperl (http://fontstruct.com/fontstructors/laynecom)
Creative Commons Attribution No Derivatives
KG Chelsea Market Script
KG Chelsea Market Script is a trademark of Kimberly Geswein.
kioshima
MoiNonPlusW00-Regular
David Kerkhoff
Moi Non Plus is a trademark of David Kerkhoff.
Copyright (c) 2011 by David Kerkhoff. All rights reserved.
END USER LICENSE AGREEMENTBy installing, copying, or otherwise using fonts by David Kerkhoff, you agree to be bound by the terms of this EULA. This license agreement represents the entire agreement, concerning the font, between you and David Kerkhoff (a.k.a. Hanoded Photography), (referred to as licenser), and it supersedes any prior proposal, representation, or understanding between the parties. If you do not agree to the terms of this EULA, do not install or use fonts by David Kerkhoff. Any font by David Kerkhoff is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The fonts are licensed, not sold.1. GRANT OF LICENSE.The font is licensed as follows:(a) Installation and Use.David Kerkhoff grants you the right to install and use the font(s) for any purpose you see fit (except those mentioned in (d) exceptions), commercial or non-commercial, on websites or in print, as long as you do not sell or resell the font(s) on their own, or claim them as your own. You can install the font(s) on one computer only.(b) Backup Copies.You may make copies of the font(s) as may be necessary for backup and archival purposes.(c) EmbeddingFonts by David Kerkhoff may not be embedded in software, games, computer programs or the like. For this a special license is required. Embedding in PDF or print, in graphics, images or vectors is granted and no special license is required.(d) Exceptions Fonts by David Kerkhoff may NOT be used for pornographic, derogatory, defamatory or racist material (in any form, printed or virtual); fonts by David Kerkhoff may NOT be used by individuals or companies involved in child abuse, child pornography or child labour; fonts by David Kerkhoff may NOT be used by individuals or companies involved in destruction of natural resources and/or habitat, logging (even legal), palm oil exploitation/harvesting, tuna fishing, whaling, animal trafficking (be they wild or domesticated), oil and/or gas drilling or transporting and mining. Fonts by David Kerkhoff may NOT be used by missionaries, individuals or institutions of any creed or faith for the purpose of converting others to their creed or faith. Fonts by David Kerkhoff may NOT be used to instigate terror, hate, intolerance, fear or racism.2. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS. (a) Maintenance of Copyright Notices. You must not remove or alter any copyright notices on any and all copies of fonts by David Kerkhoff and you may not alter any information contained within the font itself. (b) Distribution. You may not distribute registered copies of fonts by David Kerkhoff to third parties in any way; not for free/as a gift, nor for money/exchange of goods. (c) Prohibition on Modifications, Enhancements, Alterations. You may not alter, modify, enhance or decompose any fonts made by David Kerkhoff, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.3. TERMINATIONWithout prejudice to any other rights, David Kerkhoff may terminate this EULA if you fail to comply with the terms and conditions of this EULA. In such event, you must destroy all copies of David Kerkhoff's fonts in your possession.4. COPYRIGHTAll title, including but not limited to copyrights, in and to fonts by David Kerkhoff and any copies thereof are owned by David Kerkhoff or his suppliers. All title and intellectual property rights in and to the content which may be accessed through use of fonts by David Kerkhoff is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants you no rights to use such content. All rights not expressly granted are reserved by David Kerkhoff.5. NO WARRANTIESDavid Kerkhoff expressly disclaims any warranty for the font(s). Fonts by David Kerkhoff are provided 'As Is' without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, non-infringement, or fitness of a particular purpose. David Kerkhoff does not warrant or assume responsibility for the accuracy or completeness of any glyph, character, picture or accent within the fonts. David Kerkhoff further expressly disclaims any warranty or representation to Authorized Users or to any third party.6. LIMITATION OF LIABILITYIn no event shall David Kerkhoff be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) rising out of 'Authorized Users' use of or inability to use fonts by David Kerkhoff. David Kerkhoff shall have no liability with respect to the content of any fonts by David Kerkhoff, or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information. 2010/2011 David Kerkhoff / Hanoded Photographywww.hanodedphotography.com
LUCKY TYPEWRITER
1.0, Dec 13, 2013, initial release
Lukas Krakora
LUCKY TYPEWRITER, Lukas Krakora, krraaa@yahoo.com, DO NOT USE THIS FONT COMMERCIALY WITHOUT LICENSE! CONTACT ME ON MY EMAIL TO GET ONE.
LUCKY TYPEWRITER, Lukas Krakora / To buy commercial license contact me at my email: krraaa@yahoo.com
MakerW00-Regular
Robbie de Villiers, Wilton Foundry
Robbie de Villiers
Copyright (c) 2015 by Robbie de Villiers, Wilton Foundry. All rights reserved.
http://wiltonfoundry.com
CybaPee & Apostrophe
CybaPee & Apostrophic Labs. All rights reserved. Email info@apostrophiclab.com or visit www.apostrophiclab.com for more info.
This font is based on post-roman insular latin writing. It is one of the many transliterations that the lab has been offering of late in an attempt to avail a wider range of choices to the international user. This font contains support for Western European, Greek, Cyrillic, Turkish, Baltic, and Central European languages. The concept and design of this font were aided by the following books: Keith Sidwell, Reading Medieval Latin - Hrotswitha, Dulcitius and Paphnutius, ed. Paul Pascal - Waltharius, ed. Gernot Wieland - Leo F. Stelton, Dictionary of Ecclesiastical Latin. Peace.