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The Last Roll of the Dice: Morning, Noon and Night, Empire and the Historiography of the Crown Film Unit
Martin Stollery
Film and the End of Empire
British Film Institute, 2011
... film project, and the films for Imperial Airways which Paul Rotha produced or directed during the 1930s, which I discuss in more detail elsewhere.Martin Stollery, Alternative Empires: European Modernist Cinemas and Cultures of Imperialism...
White Fathers Hear Dark Voices? John Grierson and British Colonial Africa at the End of Empire
The Grierson Effect : Tracing Documentary's International Movement
... Illinois University Press, 2000), briefly refers to it (p. 236). For further discussion of the British documentary movement, imperialism, internationalism, nationalism and transnationalism, see Martin Stollery, Alternative Empires: European...
Voiceover/Commentary
The Projection of Britain : A History of the GPO Film Unit
... and distinctive uses of commentary in individual GPO films. The most often-cited example is Lionel Wendt's voiceover commentary in The Song of Ceylon (1934), which I discuss elsewhere.Martin Stollery, Alternative Empires (Exeter: University of Exeter...
Roy Perkins
British Film Editors : "The Heart of the Movie"
... service broadcasting – editors like Tariq Anwar, American Beauty (Sam Mendes, 1999); Masahiro Hirakubo, Trainspotting (Danny Boyle, 1996); Frances Parker, Band of Brothers (TV series, 2001); and Martin Walsh, Chicago (Rob Marshall, 2002) –...
Aspects of British Editing from the 1950s Onwards
... hit harder than the previous one; intercutting each shot with Bond's reaction heightens the realisation that he is going to be dealing with a professional killer' (Rivers, 2001, p. 121). In GoldenEye (Martin Campbell, 1995), which revived...
Stylistic Developments
... on The Innocents and Antony Gibbs' on A Taste of Honey are early instances of this (see Chapter 4). Another is the sombre The Spy Who Came in from the Cold (Martin Ritt, 1965). Editor Anthony Harvey recounts: There were plenty...
The Future of Editing and Technological Change
...Press the wrong button nowadays, and something magical might happen. Peter Honess (2002), editor, LA Confidential (Curtis Hanson, 1997)The Changing Background Nothing in the history of cinema, except for the coming of sound, parallels...
Appendix: Selected Filmographies
... concentrate more. Filmography The Core (Jon Amiel, 2003) The Musketeer (Peter Hyams, 2001) Entrapment (Jon Amiel, 1999) U.S. Marshals (Stuart Baird, 1998) The Saint (Philip Noyce, 1997) GoldenEye (Martin Campbell, 1995) Trapped in Paradise...
Editing, Authorship and Collaboration
...Problems of Recognition 1 Our work is by and large unnoticed and consequently misunderstood. Tariq Anwar, editor, The Madness of King George (Nicholas Hytner, 1994), American Beauty Film editing, considered by director and editor Stuart...
Aspects of British Editing from the Beginnings to the 1950s
... (Stollery, 2000, pp. 201–2). The newly built, ultra-modern Denham laboratories helped facilitate these increasingly sophisticated montage sequences. The Lion Has Wings (Michael Powell, Brian Desmond Hurst, Adrian Brunel, 1939), one of London Films'...
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