Beethoven Conciertos
Piano Concerto (Higdon)
Piano Concerto (Beach)
Ludwig van Beethoven (Baerer)
Staatskapelle Berlin
Español: Concierto para violín, chelo y piano en Do mayor, Op. 56 1st Movement (Allegro) 2nd Movement (Largo (atacca)) 3rd Movement (Rondo alla Polacca) Work: Concerto for Violin, Cello, and Piano in C major, Op. 56 Composer: Ludwig van Beethoven Orchestra: Israel Philharmonic Orchestra Violinist: Giora Schmidt Cellist: Zuill Bailey Pianist: Navah Perlman Conductor: Itzhak Perlman Place: Mann Auditorium, Tel Aviv
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum Daniel Barenboim, soloist and conductor Staatskapelle Berlin In time for his 65th birthday in 2007, Daniel Barenboim has completed a cycle of Beethoven's piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this recording reflects both a very individual and special reading of Beethoven's music and the artist's life-long dedication to the composer. Daniel Barenboim is one of the most prolific and high-profile artists performing on international stages today and Beethoven's masterpieces have been a key part of his repertoire throughout his career, both as conductor and as pianist. Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a sensation wherever he played. It is no wonder, therefore, that the piano was central to Beethoven's overall output. Daniel Barenboim, artistic personality and former wunderkind, long an essential part of the international musical scene both on the conductor's podium and at the piano, is the perfect match for this demanding music. Conducting and playing at the same time, Barenboim chose his orchestra of almost two decades, the Staatskapelle Berlin, which he has praised warmly for its exceptional, dark and warm sound. With a tradition reaching back to 1570, the Staatskapelle Berlin is one of the oldest orchestras in the world. Barenboim plays Beethoven brings together two musical masterminds. Daniel Barenboim Daniel Barenboim was born in Buenos Aires in 1942. He received his first piano lessons at the age of five, and was first taught by his mother. Later, he studied under his father, who would remain his only piano teacher. He gave his first public concert when he was seven. In 1952, he moved with his parents to Israel. At age eleven, Daniel Barenboim took part in conducting classes in Salzburg under Igor Markevitch. In that summer, he also met Wilhelm Furtwängler and played for him. Furtwängler then wrote, "The eleven-year-old Daniel Barenboim is a phenomenon." In 1955 and 1956 Barenboim studied harmony and composition with Nadia Boulanger in Paris. At age ten, Daniel Barenboim gave his international début performance as a solo pianist in Vienna and Rome; Paris (1955), London (1956) and New York (1957) then followed, where he played with Leopold Stokowski. Since then, he has regularly toured Europa and the United States, but also South America, Australia and the Far East. In 1954 Daniel Barenboim began his recording career as a pianist. In the 1960s he recorded Beethoven's piano concertos with Otto Klemperer, Brahms piano concertos with Sir John Barbirolli and all the Mozart piano concertos with the English Chamber Orchestra, this time serving both as pianist and conductor. Ever since his conducting début in 1967 in London with the Philharmonia Orchestra, Daniel Barenboim has been in great demand with leading orchestras around the world. Between 1975 and 1989 he was the chief conductor of the Orchestre da Paris, where he often programmed contemporary works by composers such as Lutostawski, Beria, Boulez, Henze, Dutilleux and Takemitsu. Daniel Barenboim gave his début as an opera conductor at the Edinburgh Festival in 1973 with Mozart's Don Giovanni. In 1981 he conducted for the first time in Bayreuth, where he would conduct every summer tor eighteen years, until 1999. From 1991 until June 2006 Daniel Barenboim was Music Director of the Chicago Symphony Orchestra. The musicians of the orchestra have since named him Honorary Conductor for Life. In 1992, he became General Music Director of the Staatsoper Unter den Linden, where he was also Artistic Director from 1992 to August 2002. In 2000 the Staatskapelle Berlin voted him Chief Conductor tor Life. In 1999 Daniel Barenboim founded together with the Palestinian literary scholar Edward Said the West-Eastern Divan Workshop, which brings together young musicians from Israel and the Arab countries every summer to play music together. In summer 2005, the West-Eastern Divan Orchestra presented in the Palestinian city of Ramallah a concert of historical significance. For his music making es well as for his commitment to peace, tolerance and understanding in the world, Daniel Barenboim has been honoured with many an award. #EuroartsBarenboim
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum, 2007 Daniel Barenboim, soloist and conductor Staatskapelle Berlin The world of music initially reacted less enthusiastically to Beethoven's Fifth Piano Concerto in E-flat Major, Op. 73. "The excessive length of the composition", wrote one reviewer, following the work's first public performance at a Gewandhaus concert in Leipzig on 28 November 1811, "reduced the overall effect that this glorious product of the composer's mind would undoubtedly otherwise have produced." On the one hand, the critic was not entirely wrong, for the Fifth Piano Concerto is Beethoven's longest piano concerto, and in its heroic "Eroica" key of E fiat major is certainly a "glorious product of the composer's mind". But with the best will in the world, it is impossible to claim that it falls to produce an "overall effect". Quite the opposite, in fact. The Fifth is the most effective of Beethoven's five piano concertos and one of the most popular of all contributions to the medium. Outside the German-speaking world, the work's special status is acknowledged by descriptions of it as the "Emperor", "L'Empéreur" and "Imperatore". This alternative name was not Beethoven's but probably derives from his friend and publisher Johann Baptist Cramer. In spite of its inauthenticity, it goes straight to the heart of the matter, for no piano concerto begins on a more majestic or a more resplendent note. Three times the full orchestra intones a radiant chord and three times the solo piano responds with a bravura cadenza before the orchestra introduces the main theme. At the climax of the development section, orchestra and solo instrument engage in a veritable battle fought out over harshly dotted rhythms from which they emerge as equals. And even in the soloist's cadenza, the orchestra refuses to fall completely silent but engages in a subtle dialogue with the piano. In none of his other piano concertos was Beethoven as successful in forging a novel synthesis between concertante writing and the gestural language of the symphony. #EuroartsBarenboim
CONCIERTO BEETHOVEN EMPERADOR Dieter Zechlin
Concierto para violín en Re mayor, Op. 61, (1806), de Ludwig van Beethoven (1770 - 1827), con sus tres movimientos: · Allegro ma non troppo (Re mayor - D major) · Larghetto (Sol mayor - G major ) 24:56 · Rondo. Allegro (Re mayor - D major) 34:58 "Violin Concerto in D major," Op. 61, by Ludwig van Beethoven (1770 -1827) with its three movements. ***** «Beethoven a sí mismo se llamó: "Bacchus encarnado", "un Hijo de Apolo", "un Sacerdote de Apolo", "un Cristiano y en Apolo". » «En una Carta a su Amigo "Hauschka", (Baden, September 23, 1824) Beethoven le escribe en una posdata, llamándose a sí mismo: "a Christian and in Apollo, B." ("un Cristiano y en Apolo, B.").» «"Music is a higher revelation than all wisdom and philosophy, it is the wine of a new procreation, and I am Bacchus who presses out this glorious wine for men and makes them drunk with the spirit." "Ludwig van Beethoven, quoted in Marion M Scott, Beethoven (1934)". "La Música es una revelación más elevada que toda la sabiduría y la filosofía, es el vino de la nueva procreación, y Yo soy Bacchus [Baco] que exprime este glorioso vino para los hombres y hace que lo beban [embriagándose] con el espíritu." [("Ludwig van Beethoven", citado en "Marion M Scott, Beethoven (1934)"]. "Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend."· "-- Ludwig van Beethoven, quoted by Bettina von Arnin, letter to Goethe, 1810". "La Música es una entrada incorpórea dentro del más elevado mundo del Conocimiento [Gnosis] que comprende la humanidad pero que la humanidad no puede comprender..." En referencia a la Séptima Sinfonía, Beethoven, en una ocasión, hablando de sí mismo, dijo: "I am Bacchus incarnate, to give humanity wine to drown its sorrow ... [Each person] who divines the secret of my music is delivered from the misery that haunts the world." ("LUDWIG VAN BEETHOVEN, Symphony No. 7 in A Major, Op. 92"). "Yo soy Bacchus encarnado, para dar a la humanidad el vino [de la Música] para ahogar [las penas de] su dolor... [Cada persona] que vislumbre el secreto de mi música es liberada de la miseria que ronda el mundo." ("LUDWIG VAN BEETHOVEN, Sinfonía No. 7 en A Major, Op. 92").» Extractos del Trabajo del V.M. THOTH-MOISÉS "BEETHOVEN BACCHUS – JACOB" http://www.testimonios-de-un-discipulo.com/Beethoven-Bacchus.html "BEETHOVEN BACCHUS – JACOB" ("in English") http://www.testimonios-de-un-discipulo.com/Beethoven-Bacchus-Jacob.html ***** Créditos Música: "Violin Concerto in D major, Op. 61 (Beethoven, Ludwig van)", "Concierto para violín en Re mayor Op. 61, de Ludwig van Beethoven ", interpretado por: "US Marine Chamber Orchestra". Grabaciones de sonido bajo licencia "Creative Commons Attribution 3.0", de acceso libre y gratuito, obtenidas en el sitio web de acceso público: "IMSLP" ("International Music Score Library Project") Violin Concerto in D major, Op.61 (Beethoven, Ludwig van) Créditos Imágenes: Obras de pintura en dominio público: Retrato (1804-1805) de Beethoven por "Joseph Willibrord Mähler" (1787-1860), "Beethoven's vision" (1882) de "Rudolf Hausleithner" (1840-1918), "Bacchus" de "Giovanni Francesco Romanelli" (1610-1662), "Bacchus and Ariadne" (ca. 1640) de "Eustache Le Sueur" (1617-1655), "Apollo, God of Light, Eloquence, Poetry and the Fine Arts with Urania, Muse of Astronomy" (ca. 1789-1790) de "Charles Meynier" (1768-1832), retrato (1820) de Beethoven por "Joseph Karl Stieler" (1781-1858). Imágenes fotográficas de "violín", cubiertos los costos "royalty free photos". Proyecto audiovisual altruista, gratuito, sin ánimo de lucro. Realizado por: hēsykhía · La Música de las Esferas · http://la-musica-de-las-esferas.blogspot.com.es/
LUDWIG VAN BEETHOVEN (1770-1827) Concierto para piano y orquesta nº 4, en sol mayor, op. 58 I. Allegro moderato II. Andante con moto III. Rondó (Vivace) Orquesta Sinfónica de Galicia Dima Slobodeniouk, director Javier Perianes, piano Grabación realizada en el Palacio de la Ópera de A Coruña, el 16 de octubre de 2015 Realización de Antonio Cid/RDC Producciones Ingeniero de sonido: Pablo Barreiro (CRTVG)
SINFONÍA Nº 5 EN DO MENOR, OP. 67 Concierto Extraordinario Entre Cuerdas y Metales 2016 Orquesta de Sinfónica de Cartagena Director: Pedro Beriso (I Premio en la modalidad de piano VII Edición Concurso Entre Cuerdas y Metales) Grabación en directo: Video – Creavisual / Audio –dpup.es Auditorio El Batel de Cartagena juventud.cartagena.es/entrecuerdasymetales @cuerdasymetales
Novena Beethoven 9 Gustavo Dudamel Orfeón Donostiarra Orquesta Sinfónica de Galicia Plaza Obradoiro de Santiago de Compostela 7/7/2017 Solistas: soprano Marta Matheu, mezzo-soprano Lida Vinyes Curtis, tenor Marc Salgau y barítono Joan Martín-Royo.
Daniel Barenboim (German: [baːrənboim], Hebrew: דניאל ברנבוים; born 15 November 1942) is an Argentine-Israeli pianist and conductor, who also is a citizen of Palestine and Spain. He is general music director of the Berlin State Opera, and the Staatskapelle Berlin; he previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.
Barenboim has received many awards and prizes, including an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officier, and the German Großes Bundesverdienstkreuz and Willy Brandt Award. Together with the Palestinian-American scholar Edward Said, he was given Spain's Prince of Asturias Concord Award. He has won seven Grammy awards for his work and discography. Barenboim is a polyglot, fluent in Spanish, Hebrew, English, French, Italian, and German.
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Ludwig van Beethoven ( i/ˈlʊdvɪɡ væn ˈbeɪˌtoʊvən/, /ˈbeɪtˌhoʊvən/; German: [ˈluːtvɪç fan ˈbeːtˌhoˑfn̩]; baptised 17 December 1770 – 26 March 1827) was a German composer. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best-known compositions include 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, his great Mass the Missa solemnis and an opera, Fidelio.
Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and by composer and conductor Christian Gottlob Neefe. At the age of 21 he moved to Vienna, where he began studying composition with Joseph Haydn, and gained a reputation as a virtuoso pianist. He lived in Vienna until his death. By his late 20s his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. In 1811 he gave up conducting and performing in public but continued to compose; many of his most admired works come from these last 15 years of his life.
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A piano concerto is a concerto written for a piano accompanied by an orchestra or other large ensemble.
Keyboard concerti were common in the time of Johann Sebastian Bach. Occasionally, Bach's harpsichord concerti are played on piano.
In the 17th and 18th centuries, typical concertos for keyboard were organ concertos and harpsichord concertos, such as those written by George Friedrich Handel and Johann Sebastian Bach.
Classical and romantic
As the piano developed and became accepted, composers naturally started writing concerti for it. This happened in the late 18th century, during the Classical music era. Wolfgang Amadeus Mozart was the most important composer in the early development of the form. Mozart's body of masterly piano concerti put his stamp firmly on the genre well into the Romantic era.
Mozart wrote many piano concertos for himself to perform (his 27 piano concertos also include concerti for two and three pianos). With the rise of the piano virtuoso, many composer-pianists did likewise, notably Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann—and also lesser-known musicians like Johann Nepomuk Hummel, Joseph Wölfl, Carl Maria von Weber, John Field, Ferdinand Ries, and F. X. Mozart.
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The Piano Concerto is a concerto for solo piano and orchestra by the American composer Jennifer Higdon. It was commissioned by the National Symphony Orchestra and was first performed December 3, 2009 at the John F. Kennedy Center for the Performing Arts in Washington, D.C.. The premiere featured pianist Yuja Wang and the National Symphony Orchestra under conductor Andrew Litton.
The Piano Concerto has a duration of roughly 30 minutes and is composed in three numbered movements.
The work is scored for solo piano and an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, harp, timpani, two percussionists, and strings.
Reviewing the world premiere, Anne Midgette of The Washington Post called it "a big, meaty, somewhat discursive concerto" and said, "the piece gave one so much to listen to that it flew by, and left one wanting to hear it again, which is no mean feat for a brand-new work."Tim Smith of The Baltimore Sun wrote:
This page contains text from Wikipedia, the Free Encyclopedia -	https://wn.com/Piano_Concerto_(Higdon)
The Piano Concerto in C-sharp minor, Op. 45, is a composition for solo piano and orchestra in four movements by the American composer Amy Beach. The work was composed between September 1898 and September 1899. It was first performed in Boston on April 7, 1900, with the composer as the soloist and the Boston Symphony Orchestra performing under the conductor Wilhelm Gericke. The composition is dedicated to the musician Teresa Carreño and was the first piano concerto by an American female composer.
The Piano Concerto has a duration of roughly 37 minutes and is composed in four movements:
Allegro moderato
Scherzo: Vivaco (Perpetuum mobile)
Allegro con scioltezza
The first movement "Allegro moderato" is composed in sonata form and is the longest of the four movements. The "Scherzo" is based on Beach's song "Empress of Night", Op. 1, No. 4, originally set to a poem by her husband Henry Beach and dedicated to her mother. Likewise, the somber third movement "Largo" is based on Beach's song "Twilight", Op. 2, No. 1, and is dedicated to her husband, whose poetry again served as the original text. The fourth movement "Allegro con scioltezza" recalls the theme from "Largo" while ushering an exuberant finale.
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Ludwig van Beethoven is a series of sculptures of Ludwig van Beethoven by German-American sculptor Henry Baerer. Versions are displayed in Central Park in New York City, Golden Gate Park in San Francisco, and Prospect Park in Brooklyn. The sculpture in Central Park was dedicated on July 22, 1884. It includes two bronze statues, including a bust of Beethoven and an allegorical female figure on a polished Barre Granite pedestal.
Central Park, New York City
Golden Gate Park, San Francisco
Prospect Park: Beethoven Memorial, New York City Department of Parks and Recreation
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The Staatskapelle Berlin is a German orchestra, the orchestra of the Berlin State Opera (Berliner Staatsoper Unter den Linden).
The orchestra traces its roots to 1570, when Joachim II Hector, Elector of Brandenburg established the rules for an orchestra at his court which had been constituted, at an unknown date. In 1701, the affiliation of the Electors of Brandenburg to the king of Prussia led to the description of the orchestra as "Königlich Preußische Hofkapelle" (Royal Prussian Court Orchestra), which consisted of about 30 musicians. The orchestra became affiliated with the Royal Court Opera, established in 1742 by Frederick the Great. Noted musicians associated with the orchestra have included Carl Philipp Emanuel Bach, Franz Benda, and Johann Joachim Quantz
The first concert by the ensemble for a wider audience outside of the royal courts was on 1 March 1783 at the Hotel Paris, led by Johann Friedrich Reichardt, the ensemble's Kapellmeister. After the advent of Giacomo Meyerbeer as Kapellmeister, from 1842, the role of the orchestra expanded and a first annual concert series for subscribers was launched. The orchestra gave a number of world and German premieres of works by Richard Wagner, Felix Mendelssohn, and Otto Nicolai.
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Beethoven | Concerto for Violin, Cello, and Piano in C major "Triple Concerto"
BEETHOVEN Concerto for Violin and Orchestra - Hilary Hahn, violin; Leonard Slatkin, conductor
Daniel Barenboim: Beethoven Piano Concerto No. 1 in C major Op. 15 (I. Allegro con brio)
Daniel Barenboim: Beethoven Piano Concerto No. 5 in E flat major Op. 73 (I. Allegro)
Beethoven - 5th Piano Concerto 'Emperor' (Zimerman, Bernstein, Wiener Philharmoniker)
CONCIERTO BEETHOVEN EMPERADOR
· Beethoven · Concierto para violín en Re mayor Op 61 · Completo ·
Beethoven: Concierto para piano nº 4 - Javier Perianes - Dima Slobodeniouk - Sinfónica de Galicia
CONCIERTO PARA PIANO No 5 El Emperador Beethoven Música En Línea Clásica
SINFONÍA Nº 5, BEETHOVEN. Concierto Extraordinario Entre Cuerdas y Metales
Karajan y A.S.Mutter.Rehearsal and performance .Beethoven Violin Concierto.
Gustavo Dudamel 9th Beethoven Santiago de Compostela (concierto)
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum Daniel Barenboim, soloist and conductor Staatskapelle Berlin In time for his 65th birthday in 2007, Daniel Barenboim has completed a cycle of Beethoven's piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this recording reflects both a very individual and special reading of Beethoven's music and the artist's life-long dedication to the composer. Daniel Barenboim is one of the most prolific and high-profile artists performing on international stages today and Beethoven's masterpieces have been a key part of his repertoire throughout his career, both as conductor and as pianist. Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a sensation wherever he played. It i...
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum, 2007 Daniel Barenboim, soloist and conductor Staatskapelle Berlin The world of music initially reacted less enthusiastically to Beethoven's Fifth Piano Concerto in E-flat Major, Op. 73. "The excessive length of the composition", wrote one reviewer, following the work's first public performance at a Gewandhaus concert in Leipzig on 28 November 1811, "reduced the overall effect that this glorious product of the composer's mind would undoubtedly otherwise have produced." On the one hand, the critic was not entirely wrong, for the Fifth Piano Concerto is Beethoven's longest piano concerto, and in its heroic "Eroica" key of E fiat major is certainly a "glorious product of the composer's mind". But with the best will in the world, i...
Concierto para violín en Re mayor, Op. 61, (1806), de Ludwig van Beethoven (1770 - 1827), con sus tres movimientos: · Allegro ma non troppo (Re mayor - D major) · Larghetto (Sol mayor - G major ) 24:56 · Rondo. Allegro (Re mayor - D major) 34:58 "Violin Concerto in D major," Op. 61, by Ludwig van Beethoven (1770 -1827) with its three movements. ***** «Beethoven a sí mismo se llamó: "Bacchus encarnado", "un Hijo de Apolo", "un Sacerdote de Apolo", "un Cristiano y en Apolo". » «En una Carta a su Amigo "Hauschka", (Baden, September 23, 1824) Beethoven le escribe en una posdata, llamándose a sí mismo: "a Christian and in Apollo, B." ("un Cristiano y en Apolo, B.").» «"Music is a higher revelation than all wisdom and philosophy, it is the wine of a new procreation, and I am Bacchus who pr...
Español: Concierto para violín, chelo y piano en Do mayor, Op. 56 1st Movement (Allegro) 2nd Movement (Largo (atacca)) 3rd Movement (Rondo alla Polacca) Work:...
https://wn.com/Beethoven_|_Concerto_For_Violin,_Cello,_And_Piano_In_C_Major_Triple_Concerto
Uploaded Date: 28 Nov 2017
https://wn.com/Beethoven_Concerto_For_Violin_And_Orchestra_Hilary_Hahn,_Violin_Leonard_Slatkin,_Conductor
Uploaded Date: 12 Apr 2015
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum Daniel Barenboim, soloist and conductor Staatskapelle Berlin In time for his 65th birthday in 20...
https://wn.com/Daniel_Barenboim_Beethoven_Piano_Concerto_No._1_In_C_Major_Op._15_(I._Allegro_Con_Brio)
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum, 2007 Daniel Barenboim, soloist and conductor Staatskapelle Berlin The world of music initially r...
https://wn.com/Daniel_Barenboim_Beethoven_Piano_Concerto_No._5_In_E_Flat_Major_Op._73_(I._Allegro)
Uploaded Date: 11 Mar 2013
https://wn.com/Beethoven_5Th_Piano_Concerto_'Emperor'_(Zimerman,_Bernstein,_Wiener_Philharmoniker)
https://wn.com/Concierto_Beethoven_Emperador
Concierto para violín en Re mayor, Op. 61, (1806), de Ludwig van Beethoven (1770 - 1827), con sus tres movimientos: · Allegro ma non troppo (Re mayor - D major...
https://wn.com/·_Beethoven_·_Concierto_Para_Violín_En_Re_Mayor_Op_61_·_Completo_·
LUDWIG VAN BEETHOVEN (1770-1827) Concierto para piano y orquesta nº 4, en sol mayor, op. 58 I. Allegro moderato II. Andante con moto III. Rondó (Vivace) Orques...
https://wn.com/Beethoven_Concierto_Para_Piano_Nº_4_Javier_Perianes_Dima_Slobodeniouk_Sinfónica_De_Galicia
Uploaded Date: 20 Feb 2016
https://wn.com/Concierto_Para_Piano_No_5_El_Emperador_Beethoven_Música_En_Línea_Clásica
SINFONÍA Nº 5 EN DO MENOR, OP. 67 Concierto Extraordinario Entre Cuerdas y Metales 2016 Orquesta de Sinfónica de Cartagena Director: Pedro Beriso (I Premio en l...
https://wn.com/Sinfonía_Nº_5,_Beethoven._Concierto_Extraordinario_Entre_Cuerdas_Y_Metales
https://wn.com/Karajan_Y_A.S.Mutter.Rehearsal_And_Performance_.Beethoven_Violin_Concierto.
Uploaded Date: 26 Jul 2017
Novena Beethoven 9 Gustavo Dudamel Orfeón Donostiarra Orquesta Sinfónica de Galicia Plaza Obradoiro de Santiago de Compostela 7/7/2017 Solistas: soprano Marta M...
https://wn.com/Gustavo_Dudamel_9Th_Beethoven_Santiago_De_Compostela_(Concierto)
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Español: Concierto para violín, chelo y piano en Do mayor, Op. 56 1st Movement (Allegro) ...
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum Daniel Barenboim, soloist a...
From the Klavierfestival Ruhr in the Jahrhunderthalle Bochum, 2007 Daniel Barenboim, solo...
Concierto para violín en Re mayor, Op. 61, (1806), de Ludwig van Beethoven (1770 - 1827), ...
LUDWIG VAN BEETHOVEN (1770-1827) Concierto para piano y orquesta nº 4, en sol mayor, op. 5...
SINFONÍA Nº 5 EN DO MENOR, OP. 67 Concierto Extraordinario Entre Cuerdas y Metales 2016 Or...
Novena Beethoven 9 Gustavo Dudamel Orfeón Donostiarra Orquesta Sinfónica de Galicia Plaza ...
Beethoven | Concerto for Violin, Cello, and Piano ...
BEETHOVEN Concerto for Violin and Orchestra - Hila...
Daniel Barenboim: Beethoven Piano Concerto No. 1 i...
Beethoven - 5th Piano Concerto 'Emperor' (Zimerman...
CONCIERTO BEETHOVEN EMPERADOR...
· Beethoven · Concierto para violín en Re mayor Op...
Beethoven: Concierto para piano nº 4 - Javier Peri...
CONCIERTO PARA PIANO No 5 El Emperador Beethoven M...
SINFONÍA Nº 5, BEETHOVEN. Concierto Extraordinario...
Karajan y A.S.Mutter.Rehearsal and performance .Be...
Gustavo Dudamel 9th Beethoven Santiago de Composte...