Tag Archives: Trevor Belmont
TV Review: Castlevania, Season 4
Posted on September 8, 2021 by Jodi
It's always sad to come to the end of a story that I thoroughly enjoyed. Season 4 of Castlevania takes us to the end of each of the storylines created in the previous seasons with fabulous success.
Through the previous seasons we saw the rise of Trevor and Sypha's partnership as they grow from rivals to friends to more than friends. We saw the growth of Alucard's humanity and desire to undo the evil unleashed by his father. We saw the rise and fall of two of Dracula's necromancers as well as the rise and fall of the four vampire sisters. Add to that the late insertion of St. Germain into the story to put in place the concept of the infinite corridor, and season 4 had a lot of work to do to give each of these stories a worthwhile ending.
Our three heroes back together at last.
Season 4 Synopsis
There's a lot going on as we enter season 4 so definitely don't start watching the series here or you'll be completely lost.
The big forces at work here are those trying to bring Dracula back, those trying to keep that from happening, and the vampire sisters who wish to become the new queens of all the vampires and fulfill Dracula's dream of enslaving all humans and making them breeding stock to feed the vampires of the world.
Trevor and Sypha end up in Târgoviște, the village that started this whole mess by burning Dracula's wife at stake back in season 1. They find the night creatures still tormenting the survivors and a small force trying to keep them back and the people safe. Once they've proven their worth to the head of this force, the discover the underground secret court that the fighters at Târgoviște were trying to protect. Through a series of events involving lots of fighting and the recovery of a special weapon, Trevor and Sypha pass through a mirror portal and find themselves back at Dracula's castle where Alucard is engaged in his own battle.
Despite Alucard's reluctance to trustpeople, he finds himself in a position to prove what he's always said, that he wishes to undo the evil of his father. A nearby town which has been overrun by monsters enlists his aid. To keep them safe, he allows them to come stay in his ample castle, a crucial move as the night creatures are organizing into an army to fight against them.
Then we shift to the vampire queens and their armies and the necromancers who want to bring them down. Carmilla, the most ambitious of the queens, continues in her mad desire to reach further than needed for survival until she takes over the entire world in her greed. The necromancers work to take her down from within.
It all gets very exciting near the end with plenty of monster fighting, final decisions, and self-sacrifice.
Trevor vs Death. Did I mention self-sacrifice?
I knew this was the last season going in, so I had a bucketload of hopes and theories. I'm glad to say that most of the endings fell into the surprising, but inevitable, category as those are my favorite. And, for the characters I'd come to like, they got endings that made sense, and in several instances, made my heart happy.
My biggest worry was that they'd end the season on a question, as if they were hoping for another season. There's nothing worse than feeling that there wasn't a satisfying conclusion to a big problem. There is room for a spin off, which if the rumor mills are to be believed, are most definitely in the works.
In the end, this is a story of courage, grit, and determination. Each main character showed what could be accomplished if they simply did not give up.
Hector and Lenore. A surprising power couple.
As with the previous seasons, this is a show for older teens and adults only. The violence and gore are over the top and the story lines tend to be complicated. While in season 4 we don't see any of the sexuality of season 3, we do see a handful of surprisingly caring relationships progress.
I give Castlevania, Season 4 (and the whole series) 5/5 for an amazing story, fantastic art, and great character creation.
Thank you for joining me as I shared my review of Castlevania, season 4 today on the blog. If you enjoyed reading this review and would like to see more, please consider connecting with me by either following the blog here on WordPress, liking my Facebook page, joining my Facebook group, or subscribing to my newsletter. As an added bonus, newsletter subscribers receive free books, stories, and special offers every week.
Posted in TV Talk | Tagged Alucard, Castlevania, Castlevania season 4, Sypha Belnades, Trevor Belmont, TV review | Leave a reply
Posted on July 28, 2021 by Jodi
I've almost caught up to the current season! Woot. At this pace, they'll put out season five before I get through season four. Not a bad thing at all. Lately, I've been using episodes of Castlevania as small rewards for completing edits on scenes of my next book. Motivation takes all forms, and this was compelling enough to get me moving forward.
In season 1 of Castlevania, we got an introduction to the world and key players as well as the main conflict. In season 2, we dove headfirst into each of these players, getting to know their backstories and what drives them.
Alucard with Taka and Sumi who are apparently super cuddly when they aren't vicious assassins
After the giant battle and Dracula's defeat our cast breaks into four storylines; Alucard, Hector, Issac, and Trevor and Sypha as a team.
Alucard stays alone at where Dracula's castle ended up parked, right next to the destroyed Belmont Estate. He misses Trevor and Sypha but believes he's better off alone, although he fears he might go insane. Everything changes when he's visited by two vampire hunters, Taka and Sumi. He chooses to trust them, as they are escaped prisoners of one of Dracula's council members, Chō. He agrees to teach them with the hope that they can return to best the next vampire to take Chō's place. Things go well, until they suddenly don't and it breaks Alucard's trust in people once more.
Meanwhile, the two necromancers Hector and Issac are having opposite adventures. Hector is in captivity under the wiles of the Council of Sisters, four vampire women intent on filling the power gap left by Dracula's death. They need him to create more night creatures for them to build an army. One of the sisters, Carmilla, uses a potent mix of kindness and cruelty to entrap him to do their will. It's kind of messed up.
Isaac, on the other hand, walks free and is assembling his own army as he makes his way toward Hector in Styria to exact his revenge. He travels across the land, passing through cities and leaving corpses in his wake. He ends up in a town in control of "the Magician" who has enslaved tens of thousands of people with his magic to build up a great city to himself. If Issac defeats the Magician and his minions, he gets access to a massive transmission mirror that will move him and his army to Styria.
Finally, we get to Trevor and Sypha. They find themselves in the small town of Lindenfeld where the local priory are sympathetic to Dracula's cause. They also meet Saint German, who recognizes Trevor as a Belmont. They begrudgingly offer to work together and unfold what's really happening within the priory only to find that the church is built over a portal to hell and they are keeping a monster in the basement. Good times. All of this crashes together when the priests strike out at the town using alchemical symbols to murder it's inhabitants to give the monster the power it needs to open the portal. Trevor and Sypha must prevent the Priest Sala from completing the process and prevent Dracula from returning.
Carmilla and Hector, who finally gets some clothes mid season
Season 3 of Castlevania returns the viewer to learning about the world once more as everything shifts in new directions. The board is being set and the players put in position for moves that are both tactical and necessary to reach the next big climax which I'm guessing will come at the end of season 4. While this is what's required to stoke the fire for the next big thing, it returns the viewers back to the overwhelm of the world and stakes not being completely understood like we had in season 1.
Four story lines scattered across 12 episodes tends to do that. This time, each of the four story lines carry close to the same weight as that of our main characters, which also makes it hard to choose who to cheer for. I'm still totally team Trevor but Hector is also starting to grow on me.
As each of the stories amp up the tension, we see a fair amount of violence, but we also see more cruelty in several different forms. This is more than indiscriminate killing, it's intentional foul play. And, at the climax of the season, we also find ourselves in two very manipulative trysts.
I'm eager to see where each of these story lines go and how they all collide together, because they most definitely will.
Yep, Trevor and Sypha are still all sorts of adorable when they aren't kicking butt.
Still not a kids show, like at all. I feel like a broken record at this point, but this one's for adults and perhaps the high schoolers they let play. Violence is still the biggest offender, but there are also adult situations (including nudity), some cursing, and plenty of good vs evil where it's not clear who to root for.
I give Castlevania, season 3, 4/5 stars for branching out a little too far and diluting the main conflict, but still being amazing.
Posted in TV Talk | Tagged Alucard, Castlevania, Castlevania season 3, Sypha Belnades, Trevor Belmont, TV series review | Leave a reply
Posted on April 28, 2021 by Jodi
Back in February I reviewed Castlevania, season 1. It's high time to move onto season 2. I'll leave my warning upfront and center for anyone who's made it this far.
Castlevania is not for kids. Don't let the animation fool you. There is extreme gore, violence, innuendo and mature themes.
And, I still think it's amazing. All the elements that make up my favorite stories are in here so I'm certainly going to continue watching.
Meet one of the necromancers, Hector.
At the end of season one we left Trevor Belmont and Sypha Belnades in the aftermath of a massive battle between Dracula's forces and the people of Gresit. During the battle, the two of them fall into deep catacombs beneath the city and find Adrian Tepes, who is the half vampire son (also known as a dhampir) of Vlad Dracula Tepes and his wife Lisa.
Adrian, now known as Alucard (which is dracula spelled backwards) fights Trevor and Sypha to test them before joining them to challenge Dracula and stop him from wiping out all mankind.
Season two follows their journey and also steps back to fill in the gaps left by season one. We see details on Lisa's arrest and subsequent execution – the reason why Dracula has become incensed and feels driven to make the world of men pay. We also see Dracula's world and the political forces within it, including a few human necromancers who create the undead army of grotesque creatures. This is important, because not only is this a fight between Dracula's forces and the world, but there is also plenty of tension between the vampires and the necromancers.
Meanwhile, Trevor, Alucard, and Sypha return to Trevor's destroyed childhood home and uncover the massive secret underground library which contains the answers about how they can possibly stop Dracula's forces, as well as several specialized monster hunting weapons.
All of this leads up to several heated conflicts and battles. Several of Dracula's vampires have agendas of their own, and will stop at nothing to see them through. There is an attack on another city as well as a showdown at the Belmont Estate where undead creatures work to eliminate our three heroes.
We end the season with a epic vampire battle between Alucard and Dracula, the outcome of which changes everything.
We also meet Carmilla, one of the vampire queens with a massive agenda.
Where many second seasons suffer from a lack of focus and a sense that the writers never planned on continuing the story, Castlevania flourishes. All the hectic story building in season one slows down and we finally get to see things happen at a much more reasonable pace. When there needs to be a flashback, it's satisfying and fits into the story in a way that enriches the experience instead of distracting from it.
The complexity of the plot is Castlevania's two-edged sword. People are going to love it or hate it because of just how many storylines are running amok. This complexity comes from the massive cast of important characters, all of which have relevant backstories that need to be explored to make the decisions they are making in the present make sense. This means lots of flashbacks to build up these stories. Some might feel this slows down the story and the action too much and takes away from the good parts of the story that's unfolding in the present.
For me, it makes the conflict all the more interesting and meaningful. No one in this story is a mindless puppet. Each one carries an emotional wound that they are desperately working to heal in often the most dramatic way possible. In a way, Game of Thrones tried to do the same thing. Each kingdom had an agenda and the viewer spent lots of time learning the motivations behind them. Where GOT fell short was not fulfilling any of those agendas even in a clever way. No one in GOT found satisfying closure to their stories, which is why everyone hated the end of season eight.
For Castlevania to be successful, each character with an agenda needs to end up with what they deserve and it needs to be a poetic twist on what they wanted.
Trevor gets a new powerful toy, an enchanted morningstar.
While season one seemed to delight in shocking the audience, season two made up for it by adding additional depth. There is still plenty of gore and violence, but it now feels balanced to what the story is trying to accomplish.
This one is for high school aged viewers and up. Period.
I give Castlevania, Season 2, 5/5 stars for it's depth of story, stunning art, and complex characters.
Thank you for joining me as I reviewed Castlevania, season 2 today on the blog. If you enjoyed reading this review and would like to see more, please consider connecting with me by either following the blog here on WordPress, liking my Facebook page, or subscribing to my newsletter. As an added bonus, newsletter subscribers receive free books, stories, and special offers every week.
Posted in TV Talk | Tagged Alucard, Castlevania, Sypha Belnades, Trevor Belmont, tv season review, Vlad Dracula Tepes | 1 Reply
Warning – this dark animated horror fantasy isn't for the kids and contains extreme gore, violence, foul language, innuendo, and mature themes.
That said, it's awesome. I'm a sucker for great characters, engrossing stories, and in this case, some very impressive artistry. Castlevania has all three.
A little history. Castlevania was originally a Japanese video game series by Konami and follows the story of Trevor Belmont, Alucard, and Sypha Belnades as they defend their homeland against Dracula and his minions.
We begin with the story of Vlad Dracula Tepes and see his love for Lisa, a vivacious and determined human woman who forced herself into his life, grow into something special. Twenty years later, she is accused of witchcraft and burned at the stake – an event that destroys Dracula's faith in humanity and sets him on the path to kill every citizen who lives in Wallachia.
Enter Trevor Belmont who comes from a long line of famous monster hunters. The Belmont family is legendary in their efforts to rid the world of dark monsters. Here in season 1, Trevor is still reluctant to take up the family tradition and instead stumbles from town to town seeking out the next tavern and mug of ale. That is until he meets Sypha, a magician historian who is seeking a way to end the monster attacks plaguing the countryside. She's got the knowledge, he's got the brawn.
Sypha follows a legend saying that there's a sleeping soldier in the catacombs deep beneath the city of Gresit who is capable of stopping Dracula. This soldier turns out to be the cast off half-vampire son of Dracula himself, Alucard.
The season ends with Alucard agreeing to help Sypha and Trevor challenge Dracula and end the conflict between vampires and humans for good.
Season one of Castlevania is super short, only four episodes. In that time, the history of why Dracula turned on humans needed to be revealed, Trevor and Sypha needed to be compelled to work together, and the first big enemy, the Bishop of Gresit, faced and defeated. That's a lot of ground to cover so it's no surprise that the story feels a bit disjointed as we get to know the characters and what's at stake for each. The sheer immensity of the backstory trying to break through is impressive. By the end of the first season the viewer knows that there is so much more going on, but isn't quite sure what.
Yes, they fridged Dracula's love interest. It's a common trope in the genre as a reason for the bad guy to be bad or the good guy to keep fighting. In this instance there are enough other factors also in place that it doesn't feel forced.
Overall, I enjoyed the story and I found the characters to be likable and charming each in their own curmudgeonly way. The gore is a little much for what is needed to tell a good story, but is an expected aspect of the genre so is forgivable.
I look forward to seeing how the story unfolds and how the stakes are raised.
This series makes a place for itself by offering over-the-top brutal violence in an animated feature. I'll say it again. IT'S NOT FOR KIDS. Highschoolers, maybe. But not kids. Beyond the violence and gore, there is also frequent swearing and reference to plenty of mature themes.
That said, compared to other similar stories, Castlevania has strong moral undertones. They characters show grit and determination to do what's right, not because they'll gain from it, but because it's the right thing to do. They stand up against evil, protect the weak, and are willing to sacrifice themselves should it come down to it.
I give Castlevania 4/5 for amazing characters, a solid story, and a compelling villain.
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Posted in TV Talk | Tagged Alucard, Castlevania, Dracula, season 1, Sypha Belnades, Trevor Belmont, TV review, Vlad Dracula Tepes | 2 Replies
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