Psychedelic/Space Rock • Netherlands
35007 biography
Founded in Eindhoven, the Netherlands in 1991 (originally as "Loose") - Disbanded in 2005
35007 (LOOSE, spelled backwards) are a band that play a mix of space rock, post-rock and stoner rock. The band released their debut, "Especially for You", in 1994 with the line-up of Bertus Fridael on guitar, Eeuwout Baart on vocals, Jacco Van Rooy on drums and Mark Sponselee on guitar and synth. They also recorded their follow-up, "35007", with the same line-up as well, but after the recording of the album vocalist Euwout Baart and drummer Jacco Rooy left the band. The band continued as a instrumental outfit with the addition of drummer Sander Evens and recorded their 2001 EP, "Sea of Tranquility", their 2002 "Liquid" and 2005 "Phase V". The band likes to keep things as secretly as posible and that's why they are rarely seen live, but when they do they always have image projections and visual effets to accompany their sound.
Fans of the genres listed above would certainly find something of insterest in their work. "Liquid" is considered by many as their best effort.
See also: WiKi
35007 Videos (YouTube and more)
Showing only random 3 | Search and add more videos to 35007
Buy 35007 Music
Stickman 2003 $19.45 (used)
Phase V by 35007
Stickman $94.32
Stickman 2005 $16.38
VA - HOME FOR THE HOLIDAYS - MCA MSM 35007 LP USD $1.99 11h 21m
HOME FOR THE HOLIDAYS MSM 35007 LP Vinyl VG Cover VG+ USD $4.99 23h 50m
35007 (AKA LOOSE) - ESPECIALLY FOR YOU CD NEW+ USD $23.55 2 days
35007 (AKA LOOSE) - PHASE V CD NEW+ USD $44.16 2 days
35007 (AKA LOOSE) - ESPECIALLY FOR YOU (/RED+BLACK COLOURED) 2 VINYL LP NEW+ USD $82.26 3 days
35007 - - ESPECIALLY FOR YOU - 35007 - CD 9OVG The Fast Free Shipping USD $18.04 3 days
35007 CD - Phase V in Mint USD $14.63 3 days
RORY GALLAGHER Irish Tour CD Japan 10 tracks RCA Capo BVCM-35007 obi USD $9.99 [0 bids]
Vtg 1978 Home For The Holidays MCA Records MSM-35007 Firestone LP Vinyl Vtg USD $4.75 4 days
35007 (Loose)-Liquid (180 Gr. Blue/White Coloured) (UK IMPORT) VINYL NEW USD $28.54 4 days
33 RPM LP Record Home For The Holidays 1975 1976 1978 MCA Records MSM-35007 USD $5.00 4 days
SOLID BASE Mirror JAPAN Maxi-Single VICP-35007 1998 NEW USD $59.59 6 days
HOME FOR THE HOLIDAYS MSM 35007 LP Vinyl ORIGINAL EXCELLENT CONDITION 1978 USD $2.99 6 days
Home for the Holidays LP MSM 35007 USD $5.00 6 days
MERLE KILGORE God Bless The Working Man / That's Alright 45 Ashley 45-35007 VG+ USD $6.99 8 days
35007 (Loose)-Especially For You (UK IMPORT) CD NEW USD $14.92 8 days
35007 (LOOSE) - LIQUID (180 GR.BLUE/WHITE COLOURED) VINYL LP NEW+ USD $67.38 10 days
35007 (AKA LOOSE) - 35007-LOOSE (180 GR.WHITE VINYL) 2 VINYL LP NEW+ USD $82.26 10 days
Young-Holt Trio - Wack Wack (CD Used Very Good) USD $11.29 10 days
V/A Home For The Holidays LP MCA Rec. MSM-35007 US 1978 SEALED M X-MAS COMP 02F USD $9.09 11 days
KOSTAS ROUKOUNAS & ANESTOPOLOS (clarinet) pre-war GREEK REBETIKO Decca 35007 12" USD $47.49 11 days
HOME FOR THE HOLIDAYS MSM35007 LP Vinyl VG+ near ++ Cover VG+ near ++ MCA USD $8.99 13 days
SINDOOR KHEMCHAND PRAKASH BOLLYWOOD N 35007 RARE 78 RPM RECORD 10" INDIA EX USD $399.00 13 days
Home for the Holidays LP 1978 MCA Records MSM-35007 vg+ USD $7.61 14 days
33 RPM LP Record Home For The Holidays 1975 1976 1978 MCA Records MSM-35007 USD $7.99 17 days
Merry-Nukumori Dake Wo Todokete VICB-35007 JAPAN CD OBI USD $5.97 19 days
LP Home for the Holidays Bing Crosby Brady Bunch MCA MSM-35007 USD $3.99 24 days
Home for the Holidays LP CHRISTMAS Brady Bunch Crosby Burl Ives 1978 MSM 35007 USD $7.23 26 days
Blues Deluxe "Wild Beat,Tough Boogie" Modern/Kent Edition I - JAPAN CD OCD-35007 USD $39.99 27 days
35007 ( LOOSE ) > original Vinyl 2LP < Same (1997 Stickman/Psychobabble) USD $71.99 27 days
35007 - Liquid - Vinyl (limited blue & white split coloured vinyl LP) USD $35.42 27 days
NEW/SEALED HOME FOR THE HOLIDAYS LP MSM-35007 MCA RECORDS 1978 USD $8.95 27 days
35007 - ESPECIALLY FOR YOU NEW CD USD $21.05 27 days
HOME FOR THE HOLIDAYS Vinyl Record MSM-35007 CHRISTMAS PAT BOONE LORETTA LYNN USD $13.65 30 days
MERLE KILGORE NM- God Bless The Working Man 45 That's Alright PROMO 35007 Ashley USD $19.95 31 days
HOME FOR THE HOLIDAYS VARIOUS ARTISTS LP NM MCA MSM-35007 1978 USD $7.95 33 days
Home For The Holidays Various LP MSN 35007 Pete Fountain, Burl Ives, Liberace USD $4.00 34 days
More places to buy 35007 music online
Buy 35007 & Prog Rock Digital Music online:
AmazonMP3: Search for 35007 DRM-Free MP3 Downloads @ Amazon.com MP3
35007 discography
35007 top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)
35007 [Aka: Into The Void We Travelled]
Phase V
35007 Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)
35007 Videos (DVD, Blu-ray, VHS etc)
35007 Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)
35007 Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)
3.43 | 7 ratings
35007 Psychedelic/Space Rock
Review by berkaal
From an Old School prog fan point of view, this album is trash. Too many effects, too much noise, too much confusion. Mix is horrible: drums and bass are submerged by a continuos wooosh of noises that spreads all over the tracks and so they are almost inaudible, just guitar stands out. We could say this album is instrumental, as you can hardly say there is any "sung" track, as there are voices here and there, but can hardly be considered "vocal parts". So, this music is ok for anyone who wants to go down heavily on drugs, or which is already stoned at birth, but if anyone is just looking for music, well, just search elsewhere.
Posted Sunday, June 24, 2018 | Review this album | Report (Review #1940995)
Review by LearsFool
Collaborator Post/Math Rock Team
To borrow the review style used for quick run downs of albums on best of lists: What makes "Liquid" one of the greatest albums ever to grace these archives? Maybe it's the killer confluence of ambient, space rock, stoner rock, and even a bit of stoner metal the band achieves here. Perhaps it's more succinctly the Thorian guitar work of both Fridael and Sponselee in a bass free environment, only supported by the Liebezeit channeling drumming of Sander Evers. Those riffs on "Crystalline" that sound like Kyuss's best brought to new life in a distant galaxy? Could it be that it is because this is all a concept album about water, so deliciously wrought for a theme that for all we know was conjured up when one of the band members spilled a bong, perhaps onto the gatefold of "In Through The Out Door"? Or maybe because, quite simply, it's tracks are loooong, and fit that element perfectly.
The correct answer is all of the above. Get yourself a copy of this and have yourself a kickin' trip into the beyond, brothers and sisters.
Posted Saturday, February 14, 2015 | Review this album | Report (Review #1368826)
Review by octopus-4
Special Collaborator RIO/Avant/Zeuhl,Neo & Post/Math Teams
MUSIC IS MATHEMATICS MADE AUDIBLE': BOETHIUS (480-526).... * SEPTEMBER 18th 2005 * 35007 * NEW ALBUM * PHASE V * JUST NUMBERS AND SOUND. NO WORDS NO IMAGES. PHASE V IS AN INTERMEDIATE STATE. NO PHYSICAL MANIFESTATION IN FORESEEABLE FUTURE. TIME WILL TELL WHAT THE NEXT PHASE WILL BE.....
This is what the official website says to launch the new and unfortunately the last album of this spacey band. We are still waiting for the next phase.
The track titles are just made of numbers. One may think that they are times of the day, but 44:05 is possible only since Jupiter to above. Put together they are like a matrix but the last track title doesn't fit. Let's quit with mathematics and move to music now.
This album is not very different from Liquid. The first track is very similar to Tsunami, with a repetitive theme made of powerful keyboards, drums,bass and guitar. Just to give you an idea think to Ozric Tentacles with a touch of Pink Floyd of the Meddle period. There's not the explosion of Tsunami but the second track opens really powerful so it's an explosion itself. Respect to the previous albums there's no longer the hard rock of the debut and there's less psychedelia than on the following ones. Effectively I could think to be listening to the Ozric Tentacles and this is the limit of this album: it sounds like a clone.
Luckily the things change with the third track. A chord of distorted guitar (or is it a bass?) makes the base. The tempo is slow. If you mentally replace this sound with a bass playing the same note alternating the octaves it would sound like Careful With That Axe Eugene, only more powerful and without screams.
The fourth track is slower and a bit more spacey. The guitar makes a good work. With a bit of fantasy I can hear echoes of Porcupine Tree, but the guitar is old-fashioned. This is the only true psychedelic track, bluesy and acid. More of this stuff, please.
The title of the last track should mean that this is the union of two different songs. However it starts with a harping of clean guitar, a crescendo of drums electric guitar and finally organ. The sound of the organ made me think to Niacin at the first listen, and effectively this bluesy song sounds very similar.
In brief the first half of the album doesn't reach the 3 stars, but the last two tracks deserve more than 4, so my final rating is three. If I could limit my review to the last two tracks I would speak of an excellent example of psychedelic rock. During my review I have mentioned some bands. Fans of them should like this album as well.
Posted Thursday, May 12, 2011 | Review this album | Report (Review #446187)
The second album of the Dutch 35007 doesn't have the garage sound of the debut. It's clear since the first track "Herd" that there has already been a big improvement. The guitars are heavy, but the repetitive base and the vocals not in foreground are very close to the Krautrock style. The guitar riffs that come and go during the song are quite acid, reminders of the early 70s or even late 60s but with a heavy sound.
"Soul Machine" opens very hard with a distorted guitar. What makes it different from a heavy metal song is the voice. The singing is hallucinated, sometimes screamed. I suspect that if it was released ten years after it would have been growled. A hard rock song, mainly.
"Short Sharp Left" is opened by about 40 seconds of spacey sounds, then a clean guitar that seems played by Bryan Josh endlessly repeats a folky tune on which the voice sings distorted. It's a hypnotic song.
"Undo" is full of energy. The distorted voice and the heavy sounds make me think to Senmuth, but in a psychedelic vest. To be honest finding another known artist to compare them to is not easy as this band has a characteristic sound.
"Big Bore" is a heavy metal song, instead. Again I can't think to any comparable band. Everything but boring, this song is full of energy.
"Vein" begins with acoustic guitar and spacey keyboard. This song is a mixture of Kayo Dot and Opeth, but again I can't find the right words to describe it. Very artsy with some oriental elements. My favourite on this album, different from all the other songs. No distorted guitars on this one.
"66" returns to the sounds of the previous tracks, with a repetitive theme and distorted voice. The organ adds a touch of early pychedelia. Heavy and dark.
"Powertruth" is a crescendo until it reaches its hard-rock heights. Powerful, effectively.
The closer "Locker" is unusual on this album but it's a predecessor of the ambient instrumentals of the follwoing album "Liquid". it's 10 minutes long, then after one minute of silence there's a ghost track. A thing I can't stand with in general. It's a chaotic and noisy piece between Ozric Tentacles and Kayo Dot.
This is a good album on which all the tracks are at the same good level. I'm probably a bit generous, but I think that this album can have 4 stars, both for prog and for rock, even if I have rated Liquid the same and I like that one a bit more.
Posted Tuesday, February 15, 2011 | Review this album | Report (Review #400999)
This debut album is probably a bit immature. 35007 are far from the long suites and the concepts of Liquid. It sounds promising but it's probably too heavy for my tastes. Not that I don't like heavy psychedelic. The problem with this album is that it's following the mood of the moment: some garage-band like sound, some electronic as you can find in most of the Ozric Tentacles works, a nice hendrix-style guitar but nothing more. The best album track is probably "Cosmic Messenger". In its average is a good album, but it doesn't make justice to 35007. They can do more (as they effectively did). However, this is not a bad album. Tracks like "Basiculo ad Cummus" remind to Porcupine Tree and to heavy prog in general.
The most relaxing tracks are hypnotic, the remaining are heavy with a touch of Seattle. It's non-essential, but it can be enjoiyed by the genre fans,not only by collectors, so 3 stars apply.
Posted Friday, June 11, 2010 | Review this album | Report (Review #285980)
Review by R-A-N-M-A
I am a sucker for a good album cover. There was something very "classic science fiction" about the look, so I decided to listen to the sample track. I was very pleasantly surprised. In less than an hour I bought the whole album off iTunes. I've given it three or four complete run throughs since then (like 12am last night). This is a great album.
Not world shattering or incalculably mind blowing. The ideas here aren't the freshest, but they are well presented and engrossing. Liquid is an entirely instrumental album and judging by the song titles it is a concept album inspired by water. Instrumentals and Psychedelic tends to be the mood I'm in lately. I've picked up Vangelis' Heaven and Hell and Tangerine Dream's Rubycon and been revisiting my Ozric Tentacles. The thing I really like about Liquid, especially when put against Heaven and Hell and the Ozrics, is that it is very consistent all the way through. They even come full circle, the sounds that lead off the album show up again at the end. Not only consistent mind you, but consistently good.
On Tsunami (Water) I can really get the post rock influence on the bad. Walls of sound abound. This song has an interesting concept and when you listen to it, you'll know it's aptly named. Up next is Crystalline (Ice). Tsunami just slides right into it without so much as a hiccup. From there Crystalline is pounding heavily distorted drone, I guess that would likely qualify it as stoner rock. Now comes Evaporation (Steam). My personal favourite off the album and the reason I ran out and bought it ASAP. Sonically, Evaporation falls in with the loud drone of Crystalline, but tends to rock a little harder. It has an excellent riff. Finally we arrive at the Voyage Atomique (Plasma). In general it is less intense than the last two. It does do a lot of exploring over its 13 and a half minute course though. It actually reminds me somewhat of the rolling bass beat that drives up the middle of Rubycon. It stays mostly low key. Then again this album doesn't really reach for the stars with crawling solos. Good whole band effort.
Nothing about this album leaps off the page as an unstoppable masterpiece, but you know what? You can do a lot worse than picking up Liquid. I would qualify it most certainly as an excellent addition to any prog rock music collection. If you are interest go to the 35007 page and give Evaporation a listen and it will give you a real good idea of what this album is all about.
Liquid bats four for five.
Posted Monday, December 7, 2009 | Review this album | Report (Review #254813)
Review by Rapataz
This is just overwhelming. It seems to be a concept album about water and its different manifestations. Whatever it was meant to be, musically the thread is never lost. It is more like a single 40 min song with recurring themes all through. Heavy, psychedelic, dreamy. It is perfectly composed, creating tensions and surprises. It catches you in the beginning and doesn't let you go until th end. First you've got the quiet before the storm with twinkling, rippling sounds. Perfectly to lean back and kick of your shoes. But after about 5 minutes the song is living up its name. A monstrous tsunami wave hits your speakers: A heavy, nearly doom-like riff (due to its slow tempo). Like the ocean itself it is rising and ebbing away, hitting again when no one would expect it. Seamless it fades into the next track. A groovy bass and drum section accompanies again twinkling and dreamy but also disturbing sounds made by guitar and synth. The song constantly evolves without changing the theme. Now "Evaporate" starts right off with a kickass drum and bass line and heavy riffs. Again, the dynamics are perfectly balanced. "Voyage automatique" continues the overall concept of the Album. Dreamy, floating but still very impulsive. When the last sounds vanish, you get the feeling of waking up from the big sleep. Little sizzling noises and reality turns back in. 555555 Stars
Posted Tuesday, November 10, 2009 | Review this album | Report (Review #249469)
Singles/EPs/Fan Club/Promo, 2001
35007 Again Heavy floating Psychedelic Rock at its best. A Soundtrack of a rocket launch. This takes you to the stars and even further. The first two tracks "Von Braun" and "Artificial Intelligence" are very heavy. Drones and Riffs screw themselves into your head like nothing else and end abruptly to leave the stage for the twinkling sounds of the title track "Sea of tranqulitiy", which - after few minutes of a groovy, drifty bass riff- also evolves into a meteor storm! A fantastic EP. The Band makes the very best out of their trio formation. Although I liked their singer in the first albums I don't miss him any second of this record. A true Masterpiece of the EP format. This format is the only drawback - 20 minutes and a bit are way too short. But as this is the music I was always longing for, I just can't give them less than 4 stars.
Posted Sunday, October 18, 2009 | Review this album | Report (Review #245114)
It was since Barret's Interstellar Overdrive that I didn't here anything like this. I remember that I was used to describe early PF music as "liquid". Lie in the dark, take your headphones and you will have a tsunami in your ears. The first track starts quiet, as the calm before the storm. It's pure space/psychedelic. It's not Barret because the sounds are newer, and not so acid. When you'll reach the first explosion, you'll understand the reason of the title. You can see in your mind what the music tries to transmit. It's a sonic trip. The following tracks don't have the same impact, but there is a continuity that makes it similar to a concept album, even if instrumental only. Liquid is an excellent title for the kind of music that it contains. Unlike some post-60 psychedelic albums like those of Bevis Frond or the most recent Jennifer Gentle, what matters is not how acid are the sounds that they can obtain, but the fluidity that they reach. One time I have forgot the "loop" function of my stereo on, and I've listened to the whole album 2 times realizing it only when the first explosion of tsunami arrived for the second time. I left it on, however.
Posted Thursday, September 3, 2009 | Review this album | Report (Review #236754)
Review by Mellotron Storm
Prog Reviewer
They've certainly toned things down a lot from their previous album "Liquid".That record was almost doom-like in places whereas this one is more trippy and even-keeled. I like this one a lot though especially when the organ and guitar come to the fore.
"20 09" opens with not much going on until it kicks in after a minute. Drums and a trippy sound is the result.The guitar is more prominant before 3 minutes. Great sound ! Some nice organ runs here too. "23 32" kicks in heavily right away, guitar fills the air as the organ joins in.
"06 18" is slower but heavier. I like the guitar. It turns spacey after 2 1/2 minutes and then blends into the next song "44 05". It changes to a trippy sound with organ fairly quickly.The guitar dominates after 2 minutes for about a minute. It starts to turn spacey then out of nowhere before 6 minutes we get a ripping guitar solo. It settles with drums before 8 minutes before turning really spacey again before 10 minutes. "22 25" opens with relaxed guitar melodies that soon turn aggressive. Organ and drums start to build. It settles then kicks back in. Love the guitar before 4 minutes.
I do like this style of music a lot, especially turned up loud.
Posted Monday, August 24, 2009 | Review this album | Report (Review #234863)
Thanks to chamberry for the artist addition. and to Quinino for the last updates