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Humorous, artsy, and even cute, in an off-kilter, dark, vaguely disturbing way.

(Crystal and De Niro) manage to squeeze out some good laughs but not enough to make this silly con job sing.

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It's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just can't take it any more.

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Freundlich's made (Crudup) a suburban architect, and a cipher.

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The story ... is moldy and obvious.

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a joyous occasion

The work of an artist tormented by his heritage, using his storytelling ability to honor the many faceless victims.

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Call it magic realism or surrealism, but Miss Wonton floats beyond reality with a certain degree of wit and dignity.

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The biggest problem with Roger Avary's uproar against the MPAA is that, even in all its director's cut glory, he's made a film that's barely shocking, barely interesting and most of all, barely anything.

Newton draws our attention like a magnet, and acts circles around her better known co-star, Mark Wahlberg.

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Mr. Spielberg and his company just want you to enjoy yourselves without feeling conned. And they succeed merrily at their noble endeavor.

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This fascinating experiment plays as more of a poetic than a strict reality, creating an intriguing species of artifice that gives The Lady and the Duke something of a theatrical air.

The funny thing is, I didn't mind all this contrived nonsense a bit.

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Naipaul fans may be disappointed. Those who are not acquainted with the author's work, on the other hand, may fall fast asleep.

There's something with potential here, but the movie decides, like Lavinia, to go the conservative route.

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A faster paced family flick. Upper Teens may get cynical. Smaller numbered kidlets will enjoy.

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Although it includes a fair share of dumb drug jokes and predictable slapstick, ``Orange County'' is far funnier than it would seem to have any right to be.

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Frank Capra played this story straight. But the 2002 film doesn't really believe in it, and breaks the mood with absurdly inappropriate 'comedy' scenes.

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Shunji Iwai's All About Lily Chou Chou is a beautifully shot, but ultimately flawed film about growing up in Japan.

Halfway through the movie , the humor dwindles . It 's replaced by some dramatic scenes that are jarring and deeply out of place in what could|184263

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The reason I found myself finally unmoved by this film, which is immaculately produced and has serious things to say, is that it comes across rather too plainly as allegory.

Payne constructs a hilarious ode to middle America and middle age with this unlikely odyssey, featuring a pathetic, endearing hero who is all too human.

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I like this movie a lot. I like that Smith, he's not making fun of these people, he's not laughing at them.

It's just disappointingly superficial -- a movie that has all the elements necessary to be a fascinating, involving character study, but never does more than scratch the surface.

The dialogue is cumbersome, the simpering soundtrack and editing more so.

No one but a convict guilty of some truly heinous crime should have to sit through The Master of Disguise.

Dark and disturbing, yet compelling to watch.

Even with all its botches, Enigma offers all the pleasure of a handsome and well-made entertainment.

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A sly dissection of the inanities of the contemporary music business and a rather sad story of the difficulties of artistic collaboration.

No worse a film than Breaking Out, and Breaking Out was utterly charming.

...an interesting slice of history.

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Has a lot of the virtues of Eastwood at his best.

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This big screen caper has a good bark, far from being a bow-wow.

The plot combines The Blues Brothers and Almost Famous (but with bears, and a G rating), with an excruciating dollop of Disney sentimentality mixed in for good measure.

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Since Dahmer resorts to standard slasher flick thrills when it should be most in the mind of the killer, it misses a major opportunity to be truly revelatory about his psyche.

Triumph of Love is a very silly movie, but the silliness has a pedigree.

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There's nothing exactly wrong here, but there's not nearly enough that's right.

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Your children will be occupied for 72 minutes.

Brainless, but enjoyably over-the-top, the retro gang melodrama, Deuces Wild represents fifties teen-gang machismo in a way that borders on rough-trade homo-eroticism.

Huppert's superbly controlled display of murderous vulnerability ensures that malice has a very human face.

Unfortunately, neither Sendak nor the directors are particularly engaging or articulate.

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The Master of Disguise may have made a great Saturday Night Live sketch, but a great movie it is not.

Mostly works because of the universal themes, earnest performances ... and excellent use of music by India's popular Gulzar and Jagjit Singh.

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It's fairly self-aware in its dumbness.