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Halloween entertainment|65889

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An enthralling, entertaining feature.

1.12198E+12

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If you pitch your expectations at an all time low, you could do worse than this oddly cheerful -- but not particularly funny -- body-switching farce.

6.42279E+11

Rymer doesn't trust laughs -- and doesn't conjure proper respect for followers of the whole dead-undead genre, who deserve more from a vampire pic than a few shrieky special effects.

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9.57293E+11

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Disappointingly, the characters are too strange and dysfunctional, Tom included, to ever get under the skin, but this is compensated in large part by the off-the-wall dialogue, visual playfulness and the outlandishness of the idea itself.

Hampered -- no , paralyzed -- by a self-indulgent script ... that aims for poetry and ends up sounding like satire|106130

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The film tries to touch on spousal abuse but veers off course and becomes just another revenge film.

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A high-spirited buddy movie about the reunion of Berlin anarchists who face arrest 15 years after their crime.

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Tennessee Williams by way of Oprah's Book Club.

Cuts right through the B.S. giving a big middle-fingered ``shut up'' to those who talk up what is nothing more than two guys beating the hell outta one another.

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The Chateau is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy.

A remarkable 179-minute meditation on the nature of revolution.

The plot is so predictable and sentimental that viewers are likely to lose interest before Sandrine and her goats walk off into the sunset.

There has been much puzzlement among critics about what the election symbolizes. I believe the message is in the messenger: The agent is a woman.

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About nowhere kids who appropriated turfs as they found them and become self-made celebrity athletes -- a low-down version of the American dream.

Isn't quite the equal of Woo's best earlier work, but it's easily his finest American film...comes close to recapturing the brilliance of his Hong Kong films.

A Meatballs for the bare-midriff generation.

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None of this is half as moving as the filmmakers seem to think.

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Trite, banal, cliched, mostly inoffensive.

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It tells its story in a flat manner and leaves you with the impression that you should have gotten more out of it than you did.

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Too sincere to exploit its subjects and too honest to manipulate its audience.

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I like it. There is a freedom to watching stunts that are this crude, this fast-paced and this insane.

Once again, director Chris Columbus takes a hat-in-hand approach to Rowling that stifles creativity and allows the film to drag on for nearly three hours.

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The film has a few cute ideas and several modest chuckles but it isn't exactly kiddie-friendly... Alas, Santa is more ho-hum than ho-ho-ho and the Snowman (who never gets to play that flute) has all the charm of a meltdown.

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This story of a determined woman's courage to find her husband in a war zone offers winning performances and some effecting moments.

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Superb production values & Christian Bale's charisma make up for a derivative plot.

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New Best Friend's Playboy-mansion presentation of college life is laugh-out-loud ludicrous.

The script has less spice than a rat burger and The Rock's fighting skills are more in line with Steven Seagal.

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What's so fun about this silly, outrageous, ingenious thriller is the director's talent. Watching a Brian DePalma movie is like watching an Alfred Hitchcock movie after drinking twelve beers.

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There is a kind of attentive concern that Hoffman brings to his characters, as if he has been giving them private lessons, and now it is time for their first public recital.

The best comedy concert movie I've seen since Cho's previous concert comedy film, I'm the One That I Want, in 2000.

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The modern remake of Dumas's story is long on narrative and (too) short on action.

Like watching a dress rehearsal the week before the show goes up: everything's in place but something's just a little off-kilter.

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Brosnan gives a portrayal as solid and as perfect as his outstanding performance as Bond in Die Another Day.

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The work of a filmmaker who has secrets buried at the heart of his story and knows how to take time revealing them. Strange occurrences build in the mind of the viewer and take on extreme urgency.

Trapped won't score points for political correctness, but it may cause parents a few sleepless hours -- a sign of its effectiveness.

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6.19257E+11

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An ambitious, guilt-suffused melodrama crippled by poor casting.

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Thoughtful, provocative and entertaining.