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durom.1986.44.1 | 1986.44.1.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Qie Lan-Xi Zhou city. | 351paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.1 | 1986.44.1.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Qie Lan-Xi Zhou city. | 351paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.1 | 1986.44.1.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Qie Lan-Xi Zhou city. | 351paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.1 | 1986.44.1.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Qie Lan-Xi Zhou city. | 351paintings
| null | Gouache on Paper | null | China |
|
durom.1986.44.1 | 1986.44.1.jpg | data/raw/images/oriental/1986 | Peking opera face painting of Qie Lan-Xi Zhou city. | 351paintings
| null | Gouache on Paper | null | China |
|
durom.1991.103.37 | 1991.103.37-bb.jpg | data/raw/images/oriental/1991 | 1of 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. | 367playing cards
| Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
durom.1991.103.37 | 1991.103.37-bb.jpg | data/raw/images/oriental/1991 | 1of 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. | 367playing cards
| Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
durom.1991.103.37 | 1991.103.37-bb.jpg | data/raw/images/oriental/1991 | 1of 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. | 367playing cards
| Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
durom.1991.103.37 | 1991.103.37-bb.jpg | data/raw/images/oriental/1991 | 1of 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. | 367playing cards
| Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
durom.1991.103.37 | 1991.103.37-bb.jpg | data/raw/images/oriental/1991 | 1of 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. | 367playing cards
| Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
eg3 | eg3-409-uu.jpg | data/raw/images/egyptian/eg | squat shouldered jar, no rim | 196bowls
| bowl | limestone | 1st Dynasty | Egypt |
|
eg3 | eg3-409-uu.jpg | data/raw/images/egyptian/eg | squat shouldered jar, no rim | 196bowls
| bowl | limestone | 1st Dynasty | Egypt |
|
eg3 | eg3-409-uu.jpg | data/raw/images/egyptian/eg | squat shouldered jar, no rim | 196bowls
| bowl | limestone | 1st Dynasty | Egypt |
|
eg3 | eg3-409-uu.jpg | data/raw/images/egyptian/eg | squat shouldered jar, no rim | 196bowls
| bowl | limestone | 1st Dynasty | Egypt |
|
eg3 | eg3-409-uu.jpg | data/raw/images/egyptian/eg | squat shouldered jar, no rim | 196bowls
| bowl | limestone | 1st Dynasty | Egypt |
|
eg5331 | eg5331-n2116-uu.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt |
|
eg5331 | eg5331-n2116-uu.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt |
|
eg5331 | eg5331-n2116-uu.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt |
|
eg5331 | eg5331-n2116-uu.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt |
|
eg5331 | eg5331-n2116-uu.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 163amulets
| hare amulet | faience | null | Egypt |
|
durom.2014.229 | 2014.229.a-b.2.jpg | data/raw/images/oriental/2014 | Pair of talismanic pendants with raised silver punch decoration in a stylised flower design on the front. On each talisman are three loops with the same silver punch decoration on the surface | 105Pendant
| null | silver | null | Al Ain |
|
durom.2014.229 | 2014.229.a-b.2.jpg | data/raw/images/oriental/2014 | Pair of talismanic pendants with raised silver punch decoration in a stylised flower design on the front. On each talisman are three loops with the same silver punch decoration on the surface | 105Pendant
| null | silver | null | Al Ain |
|
durom.2014.229 | 2014.229.a-b.2.jpg | data/raw/images/oriental/2014 | Pair of talismanic pendants with raised silver punch decoration in a stylised flower design on the front. On each talisman are three loops with the same silver punch decoration on the surface | 105Pendant
| null | silver | null | Al Ain |
|
durom.2014.229 | 2014.229.a-b.2.jpg | data/raw/images/oriental/2014 | Pair of talismanic pendants with raised silver punch decoration in a stylised flower design on the front. On each talisman are three loops with the same silver punch decoration on the surface | 105Pendant
| null | silver | null | Al Ain |
|
durom.2014.229 | 2014.229.a-b.2.jpg | data/raw/images/oriental/2014 | Pair of talismanic pendants with raised silver punch decoration in a stylised flower design on the front. On each talisman are three loops with the same silver punch decoration on the surface | 105Pendant
| null | silver | null | Al Ain |
|
durom.2014.319 | 2014.319.jpg | data/raw/images/oriental/2014 | Sarawak sun hat used on ceremonial occasions or given to visitors. Conical hat constructed of eleven triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a red, painted bamboo rim. The inside has a woven rattan section with a red cotton lining that allows the hat to be placed securely on the head. This part of the hat is attached separately to the conical piece. The outside has elaborate applique decoration in the centre of the cone with coloured cotton cloth in brown, green, black and natural cotton. In the centre of the cone is a circular shape made up of swirling scroll patterns of white and blue beads in the centre with yellow, white red and black beads at the edge. In the centre of the circle are multi-coloured tassels of beads. Around this central beaded area is a plain section of cloth in-between this and the outer rim which consists of a pattern of rectangular strips of cotton with a different coloured 'x' shape adhered to the top. This hat was new when purchased in Sarawak. | 292hats
| null | rattan | null | Serikin |
|
durom.2014.319 | 2014.319.jpg | data/raw/images/oriental/2014 | Sarawak sun hat used on ceremonial occasions or given to visitors. Conical hat constructed of eleven triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a red, painted bamboo rim. The inside has a woven rattan section with a red cotton lining that allows the hat to be placed securely on the head. This part of the hat is attached separately to the conical piece. The outside has elaborate applique decoration in the centre of the cone with coloured cotton cloth in brown, green, black and natural cotton. In the centre of the cone is a circular shape made up of swirling scroll patterns of white and blue beads in the centre with yellow, white red and black beads at the edge. In the centre of the circle are multi-coloured tassels of beads. Around this central beaded area is a plain section of cloth in-between this and the outer rim which consists of a pattern of rectangular strips of cotton with a different coloured 'x' shape adhered to the top. This hat was new when purchased in Sarawak. | 292hats
| null | rattan | null | Serikin |
|
durom.2014.319 | 2014.319.jpg | data/raw/images/oriental/2014 | Sarawak sun hat used on ceremonial occasions or given to visitors. Conical hat constructed of eleven triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a red, painted bamboo rim. The inside has a woven rattan section with a red cotton lining that allows the hat to be placed securely on the head. This part of the hat is attached separately to the conical piece. The outside has elaborate applique decoration in the centre of the cone with coloured cotton cloth in brown, green, black and natural cotton. In the centre of the cone is a circular shape made up of swirling scroll patterns of white and blue beads in the centre with yellow, white red and black beads at the edge. In the centre of the circle are multi-coloured tassels of beads. Around this central beaded area is a plain section of cloth in-between this and the outer rim which consists of a pattern of rectangular strips of cotton with a different coloured 'x' shape adhered to the top. This hat was new when purchased in Sarawak. | 292hats
| null | rattan | null | Serikin |
|
durom.2014.319 | 2014.319.jpg | data/raw/images/oriental/2014 | Sarawak sun hat used on ceremonial occasions or given to visitors. Conical hat constructed of eleven triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a red, painted bamboo rim. The inside has a woven rattan section with a red cotton lining that allows the hat to be placed securely on the head. This part of the hat is attached separately to the conical piece. The outside has elaborate applique decoration in the centre of the cone with coloured cotton cloth in brown, green, black and natural cotton. In the centre of the cone is a circular shape made up of swirling scroll patterns of white and blue beads in the centre with yellow, white red and black beads at the edge. In the centre of the circle are multi-coloured tassels of beads. Around this central beaded area is a plain section of cloth in-between this and the outer rim which consists of a pattern of rectangular strips of cotton with a different coloured 'x' shape adhered to the top. This hat was new when purchased in Sarawak. | 292hats
| null | rattan | null | Serikin |
|
durom.2014.319 | 2014.319.jpg | data/raw/images/oriental/2014 | Sarawak sun hat used on ceremonial occasions or given to visitors. Conical hat constructed of eleven triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a red, painted bamboo rim. The inside has a woven rattan section with a red cotton lining that allows the hat to be placed securely on the head. This part of the hat is attached separately to the conical piece. The outside has elaborate applique decoration in the centre of the cone with coloured cotton cloth in brown, green, black and natural cotton. In the centre of the cone is a circular shape made up of swirling scroll patterns of white and blue beads in the centre with yellow, white red and black beads at the edge. In the centre of the circle are multi-coloured tassels of beads. Around this central beaded area is a plain section of cloth in-between this and the outer rim which consists of a pattern of rectangular strips of cotton with a different coloured 'x' shape adhered to the top. This hat was new when purchased in Sarawak. | 292hats
| null | rattan | null | Serikin |
|
durma.2020.3.513 | durma.2020.3.513-ff.jpg | data/raw/images/fulling_mill/2020 | A composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The head is circular in plan and hemispherical in section with a copper-alloy sheet outer and a lead-alloy core. A heavily corroded circular-section iron stem extends from the underside of the head. The stud has a length of 13mm. The head has a diameter of 18mm. The stem has a width of 2mm. The stud weighs 11.7 grams._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/801896 | 444studs
| null | copper alloy | Roman | null |
|
durma.2020.3.513 | durma.2020.3.513-ff.jpg | data/raw/images/fulling_mill/2020 | A composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The head is circular in plan and hemispherical in section with a copper-alloy sheet outer and a lead-alloy core. A heavily corroded circular-section iron stem extends from the underside of the head. The stud has a length of 13mm. The head has a diameter of 18mm. The stem has a width of 2mm. The stud weighs 11.7 grams._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/801896 | 444studs
| null | copper alloy | Roman | null |
|
durma.2020.3.513 | durma.2020.3.513-ff.jpg | data/raw/images/fulling_mill/2020 | A composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The head is circular in plan and hemispherical in section with a copper-alloy sheet outer and a lead-alloy core. A heavily corroded circular-section iron stem extends from the underside of the head. The stud has a length of 13mm. The head has a diameter of 18mm. The stem has a width of 2mm. The stud weighs 11.7 grams._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/801896 | 444studs
| null | copper alloy | Roman | null |
|
durma.2020.3.513 | durma.2020.3.513-ff.jpg | data/raw/images/fulling_mill/2020 | A composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The head is circular in plan and hemispherical in section with a copper-alloy sheet outer and a lead-alloy core. A heavily corroded circular-section iron stem extends from the underside of the head. The stud has a length of 13mm. The head has a diameter of 18mm. The stem has a width of 2mm. The stud weighs 11.7 grams._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/801896 | 444studs
| null | copper alloy | Roman | null |
|
durma.2020.3.513 | durma.2020.3.513-ff.jpg | data/raw/images/fulling_mill/2020 | A composite stud dating to the Roman period, part of the Piercebridge River Assemblage. The head is circular in plan and hemispherical in section with a copper-alloy sheet outer and a lead-alloy core. A heavily corroded circular-section iron stem extends from the underside of the head. The stud has a length of 13mm. The head has a diameter of 18mm. The stem has a width of 2mm. The stud weighs 11.7 grams._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/801896 | 444studs
| null | copper alloy | Roman | null |
|
durom.2013.124 | 2013.124-d1.jpg | data/raw/images/oriental/2013 | White porcelain moon jar. Jar has a full, rounded body with a slightly raised base. The opening is moderately wide and the rim of the jar is slightly raised with straight sides. The body of the jar is unevenly potted and the line where the two parts of the jar were moulded together is still faintly visible, this runs around the central circumference of the object. This creates shadows and variations in light on the jar's surface. The white glaze has been thickly applied and on the inside rim and the base pools of glaze are visible. All over the glaze are small air holes which were created during firing. The inside of the piece is also glazed and the inside base has a distinct swirl. | 313jars
| Moon Jar | porcelain | Republic of Korea (period) | South Korea |
|
durom.2013.124 | 2013.124-d1.jpg | data/raw/images/oriental/2013 | White porcelain moon jar. Jar has a full, rounded body with a slightly raised base. The opening is moderately wide and the rim of the jar is slightly raised with straight sides. The body of the jar is unevenly potted and the line where the two parts of the jar were moulded together is still faintly visible, this runs around the central circumference of the object. This creates shadows and variations in light on the jar's surface. The white glaze has been thickly applied and on the inside rim and the base pools of glaze are visible. All over the glaze are small air holes which were created during firing. The inside of the piece is also glazed and the inside base has a distinct swirl. | 313jars
| Moon Jar | porcelain | Republic of Korea (period) | South Korea |
|
durom.2013.124 | 2013.124-d1.jpg | data/raw/images/oriental/2013 | White porcelain moon jar. Jar has a full, rounded body with a slightly raised base. The opening is moderately wide and the rim of the jar is slightly raised with straight sides. The body of the jar is unevenly potted and the line where the two parts of the jar were moulded together is still faintly visible, this runs around the central circumference of the object. This creates shadows and variations in light on the jar's surface. The white glaze has been thickly applied and on the inside rim and the base pools of glaze are visible. All over the glaze are small air holes which were created during firing. The inside of the piece is also glazed and the inside base has a distinct swirl. | 313jars
| Moon Jar | porcelain | Republic of Korea (period) | South Korea |
|
durom.2013.124 | 2013.124-d1.jpg | data/raw/images/oriental/2013 | White porcelain moon jar. Jar has a full, rounded body with a slightly raised base. The opening is moderately wide and the rim of the jar is slightly raised with straight sides. The body of the jar is unevenly potted and the line where the two parts of the jar were moulded together is still faintly visible, this runs around the central circumference of the object. This creates shadows and variations in light on the jar's surface. The white glaze has been thickly applied and on the inside rim and the base pools of glaze are visible. All over the glaze are small air holes which were created during firing. The inside of the piece is also glazed and the inside base has a distinct swirl. | 313jars
| Moon Jar | porcelain | Republic of Korea (period) | South Korea |
|
durom.2013.124 | 2013.124-d1.jpg | data/raw/images/oriental/2013 | White porcelain moon jar. Jar has a full, rounded body with a slightly raised base. The opening is moderately wide and the rim of the jar is slightly raised with straight sides. The body of the jar is unevenly potted and the line where the two parts of the jar were moulded together is still faintly visible, this runs around the central circumference of the object. This creates shadows and variations in light on the jar's surface. The white glaze has been thickly applied and on the inside rim and the base pools of glaze are visible. All over the glaze are small air holes which were created during firing. The inside of the piece is also glazed and the inside base has a distinct swirl. | 313jars
| Moon Jar | porcelain | Republic of Korea (period) | South Korea |
|
durom.1964.149 | durom.1964.149.2-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1210(G8-4) Fragments of blue faience vessels decorated in black. Provenance: From debris of Block K. | 419sherds
| sherds | faience | null | Egypt |
|
durom.1964.149 | durom.1964.149.2-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1210(G8-4) Fragments of blue faience vessels decorated in black. Provenance: From debris of Block K. | 419sherds
| sherds | faience | null | Egypt |
|
durom.1964.149 | durom.1964.149.2-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1210(G8-4) Fragments of blue faience vessels decorated in black. Provenance: From debris of Block K. | 419sherds
| sherds | faience | null | Egypt |
|
durom.1964.149 | durom.1964.149.2-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1210(G8-4) Fragments of blue faience vessels decorated in black. Provenance: From debris of Block K. | 419sherds
| sherds | faience | null | Egypt |
|
durom.1964.149 | durom.1964.149.2-tt.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1210(G8-4) Fragments of blue faience vessels decorated in black. Provenance: From debris of Block K. | 419sherds
| sherds | faience | null | Egypt |
|
durom.1969.98 | 1969.98-d1.jpg | data/raw/images/oriental/1969 | Large vase in the form of Mei ping (plum blossom vase), covered with thick, crazed, opalescent turquoise blue glaze. Jun ware. | 479vases
| 钧窑天蓝釉梅瓶 | stoneware | Ming | Henan Province |
|
durom.1969.98 | 1969.98-d1.jpg | data/raw/images/oriental/1969 | Large vase in the form of Mei ping (plum blossom vase), covered with thick, crazed, opalescent turquoise blue glaze. Jun ware. | 479vases
| 钧窑天蓝釉梅瓶 | stoneware | Ming | Henan Province |
|
durom.1969.98 | 1969.98-d1.jpg | data/raw/images/oriental/1969 | Large vase in the form of Mei ping (plum blossom vase), covered with thick, crazed, opalescent turquoise blue glaze. Jun ware. | 479vases
| 钧窑天蓝釉梅瓶 | stoneware | Ming | Henan Province |
|
durom.1969.98 | 1969.98-d1.jpg | data/raw/images/oriental/1969 | Large vase in the form of Mei ping (plum blossom vase), covered with thick, crazed, opalescent turquoise blue glaze. Jun ware. | 479vases
| 钧窑天蓝釉梅瓶 | stoneware | Ming | Henan Province |
|
durom.1969.98 | 1969.98-d1.jpg | data/raw/images/oriental/1969 | Large vase in the form of Mei ping (plum blossom vase), covered with thick, crazed, opalescent turquoise blue glaze. Jun ware. | 479vases
| 钧窑天蓝釉梅瓶 | stoneware | Ming | Henan Province |
|
durma.2020.3.2418 | durma.2020.3.2418-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy openwork shoulder belt mount dating to the late second or third century AD. The mount comprises a flat circular head with openwork decoration comprising two opposing crescental cut-outs. A tapering, circular-section stem extends from the underside of the mount. The diameter of the mount is 34mm. The stem measures 8.7mm in length. The mount weighs 9.7g | 291harnesses
| null | copper alloy | Roman | null |
|
durma.2020.3.2418 | durma.2020.3.2418-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy openwork shoulder belt mount dating to the late second or third century AD. The mount comprises a flat circular head with openwork decoration comprising two opposing crescental cut-outs. A tapering, circular-section stem extends from the underside of the mount. The diameter of the mount is 34mm. The stem measures 8.7mm in length. The mount weighs 9.7g | 291harnesses
| null | copper alloy | Roman | null |
|
durma.2020.3.2418 | durma.2020.3.2418-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy openwork shoulder belt mount dating to the late second or third century AD. The mount comprises a flat circular head with openwork decoration comprising two opposing crescental cut-outs. A tapering, circular-section stem extends from the underside of the mount. The diameter of the mount is 34mm. The stem measures 8.7mm in length. The mount weighs 9.7g | 291harnesses
| null | copper alloy | Roman | null |
|
durma.2020.3.2418 | durma.2020.3.2418-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy openwork shoulder belt mount dating to the late second or third century AD. The mount comprises a flat circular head with openwork decoration comprising two opposing crescental cut-outs. A tapering, circular-section stem extends from the underside of the mount. The diameter of the mount is 34mm. The stem measures 8.7mm in length. The mount weighs 9.7g | 291harnesses
| null | copper alloy | Roman | null |
|
durma.2020.3.2418 | durma.2020.3.2418-ff.jpg | data/raw/images/fulling_mill/2020 | A complete copper-alloy openwork shoulder belt mount dating to the late second or third century AD. The mount comprises a flat circular head with openwork decoration comprising two opposing crescental cut-outs. A tapering, circular-section stem extends from the underside of the mount. The diameter of the mount is 34mm. The stem measures 8.7mm in length. The mount weighs 9.7g | 291harnesses
| null | copper alloy | Roman | null |
|
durom.2014.491 | 2014.491-ff.jpg | data/raw/images/oriental/2014 | Silk fragment that has been embroidered and painted on the surface and then backed onto card. It is possible that this piece may be a section from a Chinese screen panel. The design depicts two women in traditional Chinese dress consisting of a blue tunic with green flowers and chrysanthemums embroidered onto the surface and a long white skirt with a gold sash or belt around the waist. The two figures have elaborately decorated hair with a pearl hair decoration at the side of the head. The figure on the left is shown paddling a small wooden boat across a body of water towards the other lady who is shown looking out at her from a covered terrace. The lady on the left is shown kneeling in the boat with a paddle laid across the width of the boat in front of her. She is reaching towards a yellow flower towards the left of the image whilst gazing at the lady in the terrace. The surrounding scene depicts embroidered flowers including large yellow chrysanthemums, yellow lotus flowers on lily pads in the water and green foliage. | 351paintings
| null | silk | null | China |
|
durom.2014.491 | 2014.491-ff.jpg | data/raw/images/oriental/2014 | Silk fragment that has been embroidered and painted on the surface and then backed onto card. It is possible that this piece may be a section from a Chinese screen panel. The design depicts two women in traditional Chinese dress consisting of a blue tunic with green flowers and chrysanthemums embroidered onto the surface and a long white skirt with a gold sash or belt around the waist. The two figures have elaborately decorated hair with a pearl hair decoration at the side of the head. The figure on the left is shown paddling a small wooden boat across a body of water towards the other lady who is shown looking out at her from a covered terrace. The lady on the left is shown kneeling in the boat with a paddle laid across the width of the boat in front of her. She is reaching towards a yellow flower towards the left of the image whilst gazing at the lady in the terrace. The surrounding scene depicts embroidered flowers including large yellow chrysanthemums, yellow lotus flowers on lily pads in the water and green foliage. | 351paintings
| null | silk | null | China |
|
durom.2014.491 | 2014.491-ff.jpg | data/raw/images/oriental/2014 | Silk fragment that has been embroidered and painted on the surface and then backed onto card. It is possible that this piece may be a section from a Chinese screen panel. The design depicts two women in traditional Chinese dress consisting of a blue tunic with green flowers and chrysanthemums embroidered onto the surface and a long white skirt with a gold sash or belt around the waist. The two figures have elaborately decorated hair with a pearl hair decoration at the side of the head. The figure on the left is shown paddling a small wooden boat across a body of water towards the other lady who is shown looking out at her from a covered terrace. The lady on the left is shown kneeling in the boat with a paddle laid across the width of the boat in front of her. She is reaching towards a yellow flower towards the left of the image whilst gazing at the lady in the terrace. The surrounding scene depicts embroidered flowers including large yellow chrysanthemums, yellow lotus flowers on lily pads in the water and green foliage. | 351paintings
| null | silk | null | China |
|
durom.2014.491 | 2014.491-ff.jpg | data/raw/images/oriental/2014 | Silk fragment that has been embroidered and painted on the surface and then backed onto card. It is possible that this piece may be a section from a Chinese screen panel. The design depicts two women in traditional Chinese dress consisting of a blue tunic with green flowers and chrysanthemums embroidered onto the surface and a long white skirt with a gold sash or belt around the waist. The two figures have elaborately decorated hair with a pearl hair decoration at the side of the head. The figure on the left is shown paddling a small wooden boat across a body of water towards the other lady who is shown looking out at her from a covered terrace. The lady on the left is shown kneeling in the boat with a paddle laid across the width of the boat in front of her. She is reaching towards a yellow flower towards the left of the image whilst gazing at the lady in the terrace. The surrounding scene depicts embroidered flowers including large yellow chrysanthemums, yellow lotus flowers on lily pads in the water and green foliage. | 351paintings
| null | silk | null | China |
|
durom.2014.491 | 2014.491-ff.jpg | data/raw/images/oriental/2014 | Silk fragment that has been embroidered and painted on the surface and then backed onto card. It is possible that this piece may be a section from a Chinese screen panel. The design depicts two women in traditional Chinese dress consisting of a blue tunic with green flowers and chrysanthemums embroidered onto the surface and a long white skirt with a gold sash or belt around the waist. The two figures have elaborately decorated hair with a pearl hair decoration at the side of the head. The figure on the left is shown paddling a small wooden boat across a body of water towards the other lady who is shown looking out at her from a covered terrace. The lady on the left is shown kneeling in the boat with a paddle laid across the width of the boat in front of her. She is reaching towards a yellow flower towards the left of the image whilst gazing at the lady in the terrace. The surrounding scene depicts embroidered flowers including large yellow chrysanthemums, yellow lotus flowers on lily pads in the water and green foliage. | 351paintings
| null | silk | null | China |
|
durom.2014.516 | durom.2014.516-ff.jpg | data/raw/images/oriental/2014 | Poster of the 1998 Bollywood film, 'Kuch Kuch Hota Hai'. The details of the poster are photographs which have been printed onto the thin and shiny paper. The poster has a white background with the words 'Kuch Kuch Hota Hai' written in a neon-tubing style script at the base. In the centre of the poster is a close up of the female lead, Kajol Devgan (known as Kajol). She has short dark hair which is swept off her face with a black headband. She stands next to the male lead Shah Rukh Khan, who is wearing a black baseball cap at an angle. The pair hold hands in the centre of the poster, both of them are wearing red. In the lower right of the poster, there is a picture of the second female lead, Rani Mukerji. Rani has shoulder length dark hair and is wearing a black dress and black trainers. At the top left of the poster, 'Dharma Productions' is printed in black and at the base of the poster there are the credits of the film detailing the producer: Yash Johar, the director and writer: Karan Johar, Music: Jatin Lalit, Lyrics: Sameer, Choreography: Farah Khan and the 'Dolby Digital' symbol. These are all printed in black script on the white background. | 375posters
| null | paper | null | India |
|
durom.2014.516 | durom.2014.516-ff.jpg | data/raw/images/oriental/2014 | Poster of the 1998 Bollywood film, 'Kuch Kuch Hota Hai'. The details of the poster are photographs which have been printed onto the thin and shiny paper. The poster has a white background with the words 'Kuch Kuch Hota Hai' written in a neon-tubing style script at the base. In the centre of the poster is a close up of the female lead, Kajol Devgan (known as Kajol). She has short dark hair which is swept off her face with a black headband. She stands next to the male lead Shah Rukh Khan, who is wearing a black baseball cap at an angle. The pair hold hands in the centre of the poster, both of them are wearing red. In the lower right of the poster, there is a picture of the second female lead, Rani Mukerji. Rani has shoulder length dark hair and is wearing a black dress and black trainers. At the top left of the poster, 'Dharma Productions' is printed in black and at the base of the poster there are the credits of the film detailing the producer: Yash Johar, the director and writer: Karan Johar, Music: Jatin Lalit, Lyrics: Sameer, Choreography: Farah Khan and the 'Dolby Digital' symbol. These are all printed in black script on the white background. | 375posters
| null | paper | null | India |
|
durom.2014.516 | durom.2014.516-ff.jpg | data/raw/images/oriental/2014 | Poster of the 1998 Bollywood film, 'Kuch Kuch Hota Hai'. The details of the poster are photographs which have been printed onto the thin and shiny paper. The poster has a white background with the words 'Kuch Kuch Hota Hai' written in a neon-tubing style script at the base. In the centre of the poster is a close up of the female lead, Kajol Devgan (known as Kajol). She has short dark hair which is swept off her face with a black headband. She stands next to the male lead Shah Rukh Khan, who is wearing a black baseball cap at an angle. The pair hold hands in the centre of the poster, both of them are wearing red. In the lower right of the poster, there is a picture of the second female lead, Rani Mukerji. Rani has shoulder length dark hair and is wearing a black dress and black trainers. At the top left of the poster, 'Dharma Productions' is printed in black and at the base of the poster there are the credits of the film detailing the producer: Yash Johar, the director and writer: Karan Johar, Music: Jatin Lalit, Lyrics: Sameer, Choreography: Farah Khan and the 'Dolby Digital' symbol. These are all printed in black script on the white background. | 375posters
| null | paper | null | India |
|
durom.2014.516 | durom.2014.516-ff.jpg | data/raw/images/oriental/2014 | Poster of the 1998 Bollywood film, 'Kuch Kuch Hota Hai'. The details of the poster are photographs which have been printed onto the thin and shiny paper. The poster has a white background with the words 'Kuch Kuch Hota Hai' written in a neon-tubing style script at the base. In the centre of the poster is a close up of the female lead, Kajol Devgan (known as Kajol). She has short dark hair which is swept off her face with a black headband. She stands next to the male lead Shah Rukh Khan, who is wearing a black baseball cap at an angle. The pair hold hands in the centre of the poster, both of them are wearing red. In the lower right of the poster, there is a picture of the second female lead, Rani Mukerji. Rani has shoulder length dark hair and is wearing a black dress and black trainers. At the top left of the poster, 'Dharma Productions' is printed in black and at the base of the poster there are the credits of the film detailing the producer: Yash Johar, the director and writer: Karan Johar, Music: Jatin Lalit, Lyrics: Sameer, Choreography: Farah Khan and the 'Dolby Digital' symbol. These are all printed in black script on the white background. | 375posters
| null | paper | null | India |
|
durom.2014.516 | durom.2014.516-ff.jpg | data/raw/images/oriental/2014 | Poster of the 1998 Bollywood film, 'Kuch Kuch Hota Hai'. The details of the poster are photographs which have been printed onto the thin and shiny paper. The poster has a white background with the words 'Kuch Kuch Hota Hai' written in a neon-tubing style script at the base. In the centre of the poster is a close up of the female lead, Kajol Devgan (known as Kajol). She has short dark hair which is swept off her face with a black headband. She stands next to the male lead Shah Rukh Khan, who is wearing a black baseball cap at an angle. The pair hold hands in the centre of the poster, both of them are wearing red. In the lower right of the poster, there is a picture of the second female lead, Rani Mukerji. Rani has shoulder length dark hair and is wearing a black dress and black trainers. At the top left of the poster, 'Dharma Productions' is printed in black and at the base of the poster there are the credits of the film detailing the producer: Yash Johar, the director and writer: Karan Johar, Music: Jatin Lalit, Lyrics: Sameer, Choreography: Farah Khan and the 'Dolby Digital' symbol. These are all printed in black script on the white background. | 375posters
| null | paper | null | India |
|
durom.1969.122 | 1969.122-uu.jpg | data/raw/images/oriental/1969 | Stoneware dish in the shape of a Sunflower-petal dish, decorated with crackled glaze, Guan ware or imitation of Guan ware. | 251dishes
| 官釉青釉葵瓣式碟 | stoneware | Chenghua | Jingdezhen |
|
durom.1969.122 | 1969.122-uu.jpg | data/raw/images/oriental/1969 | Stoneware dish in the shape of a Sunflower-petal dish, decorated with crackled glaze, Guan ware or imitation of Guan ware. | 251dishes
| 官釉青釉葵瓣式碟 | stoneware | Chenghua | Jingdezhen |
|
durom.1969.122 | 1969.122-uu.jpg | data/raw/images/oriental/1969 | Stoneware dish in the shape of a Sunflower-petal dish, decorated with crackled glaze, Guan ware or imitation of Guan ware. | 251dishes
| 官釉青釉葵瓣式碟 | stoneware | Chenghua | Jingdezhen |
|
durom.1969.122 | 1969.122-uu.jpg | data/raw/images/oriental/1969 | Stoneware dish in the shape of a Sunflower-petal dish, decorated with crackled glaze, Guan ware or imitation of Guan ware. | 251dishes
| 官釉青釉葵瓣式碟 | stoneware | Chenghua | Jingdezhen |
|
durom.1969.122 | 1969.122-uu.jpg | data/raw/images/oriental/1969 | Stoneware dish in the shape of a Sunflower-petal dish, decorated with crackled glaze, Guan ware or imitation of Guan ware. | 251dishes
| 官釉青釉葵瓣式碟 | stoneware | Chenghua | Jingdezhen |
|
durom.1962.160 | 1962.160.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying an aspect of the Hindu goddess Durga (Devi), seated on the tiger and holding a sword in her upper right and a long trident in her upper left hand. The goddess is dressed in a short yellow choli blouse, wears a deep orange headcover with gold edging and a patterned gold skirt. Her head is adorned by a crown and highlighted by a halo. She wears extensive pearl and gold jewellery enhancing her face, body, arms and feet. She also wears a long garland executed in yellow, orange and white. She is seated on a saddle cloth with a deep red centre field and black and gold border which is secured to her tiger mount by means of beaded gold bands. Of her companions, the one on the left (Shiva), who carries a long golden trident with orange flag, is rendered in blue with golden hair. He wears an orange and gold shawl around his upper body and a short orange and gold dhoti accentuated by a pink and gold sash around his waist. He also wears extensive pearl and gold jewellery. The attendant on the right wears an orange and gold shawl around his upper body and a dotted dark blue dhoti with yellow sash. Again he wears extensive pearl and gold jewellery and holds a fly whisk in his raised right hand. The scene is set against a shaded green background with an abstracted clouded horizon at the top and a grey zone indicating water at the bottom. | 86Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State |
|
durom.1962.160 | 1962.160.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying an aspect of the Hindu goddess Durga (Devi), seated on the tiger and holding a sword in her upper right and a long trident in her upper left hand. The goddess is dressed in a short yellow choli blouse, wears a deep orange headcover with gold edging and a patterned gold skirt. Her head is adorned by a crown and highlighted by a halo. She wears extensive pearl and gold jewellery enhancing her face, body, arms and feet. She also wears a long garland executed in yellow, orange and white. She is seated on a saddle cloth with a deep red centre field and black and gold border which is secured to her tiger mount by means of beaded gold bands. Of her companions, the one on the left (Shiva), who carries a long golden trident with orange flag, is rendered in blue with golden hair. He wears an orange and gold shawl around his upper body and a short orange and gold dhoti accentuated by a pink and gold sash around his waist. He also wears extensive pearl and gold jewellery. The attendant on the right wears an orange and gold shawl around his upper body and a dotted dark blue dhoti with yellow sash. Again he wears extensive pearl and gold jewellery and holds a fly whisk in his raised right hand. The scene is set against a shaded green background with an abstracted clouded horizon at the top and a grey zone indicating water at the bottom. | 86Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State |
|
durom.1962.160 | 1962.160.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying an aspect of the Hindu goddess Durga (Devi), seated on the tiger and holding a sword in her upper right and a long trident in her upper left hand. The goddess is dressed in a short yellow choli blouse, wears a deep orange headcover with gold edging and a patterned gold skirt. Her head is adorned by a crown and highlighted by a halo. She wears extensive pearl and gold jewellery enhancing her face, body, arms and feet. She also wears a long garland executed in yellow, orange and white. She is seated on a saddle cloth with a deep red centre field and black and gold border which is secured to her tiger mount by means of beaded gold bands. Of her companions, the one on the left (Shiva), who carries a long golden trident with orange flag, is rendered in blue with golden hair. He wears an orange and gold shawl around his upper body and a short orange and gold dhoti accentuated by a pink and gold sash around his waist. He also wears extensive pearl and gold jewellery. The attendant on the right wears an orange and gold shawl around his upper body and a dotted dark blue dhoti with yellow sash. Again he wears extensive pearl and gold jewellery and holds a fly whisk in his raised right hand. The scene is set against a shaded green background with an abstracted clouded horizon at the top and a grey zone indicating water at the bottom. | 86Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State |
|
durom.1962.160 | 1962.160.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying an aspect of the Hindu goddess Durga (Devi), seated on the tiger and holding a sword in her upper right and a long trident in her upper left hand. The goddess is dressed in a short yellow choli blouse, wears a deep orange headcover with gold edging and a patterned gold skirt. Her head is adorned by a crown and highlighted by a halo. She wears extensive pearl and gold jewellery enhancing her face, body, arms and feet. She also wears a long garland executed in yellow, orange and white. She is seated on a saddle cloth with a deep red centre field and black and gold border which is secured to her tiger mount by means of beaded gold bands. Of her companions, the one on the left (Shiva), who carries a long golden trident with orange flag, is rendered in blue with golden hair. He wears an orange and gold shawl around his upper body and a short orange and gold dhoti accentuated by a pink and gold sash around his waist. He also wears extensive pearl and gold jewellery. The attendant on the right wears an orange and gold shawl around his upper body and a dotted dark blue dhoti with yellow sash. Again he wears extensive pearl and gold jewellery and holds a fly whisk in his raised right hand. The scene is set against a shaded green background with an abstracted clouded horizon at the top and a grey zone indicating water at the bottom. | 86Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State |
|
durom.1962.160 | 1962.160.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying an aspect of the Hindu goddess Durga (Devi), seated on the tiger and holding a sword in her upper right and a long trident in her upper left hand. The goddess is dressed in a short yellow choli blouse, wears a deep orange headcover with gold edging and a patterned gold skirt. Her head is adorned by a crown and highlighted by a halo. She wears extensive pearl and gold jewellery enhancing her face, body, arms and feet. She also wears a long garland executed in yellow, orange and white. She is seated on a saddle cloth with a deep red centre field and black and gold border which is secured to her tiger mount by means of beaded gold bands. Of her companions, the one on the left (Shiva), who carries a long golden trident with orange flag, is rendered in blue with golden hair. He wears an orange and gold shawl around his upper body and a short orange and gold dhoti accentuated by a pink and gold sash around his waist. He also wears extensive pearl and gold jewellery. The attendant on the right wears an orange and gold shawl around his upper body and a dotted dark blue dhoti with yellow sash. Again he wears extensive pearl and gold jewellery and holds a fly whisk in his raised right hand. The scene is set against a shaded green background with an abstracted clouded horizon at the top and a grey zone indicating water at the bottom. | 86Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State |
|
durom.1969.96 | 1969.96 d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl, decorated with thick crazed opalescent turquoise blue glaze with splash of aubergine, Jun-type ware. | 196bowls
| 钧窑系天蓝釉碗 | stoneware | Yuan dynasty | Yuzhou Shi |
|
durom.1969.96 | 1969.96 d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl, decorated with thick crazed opalescent turquoise blue glaze with splash of aubergine, Jun-type ware. | 196bowls
| 钧窑系天蓝釉碗 | stoneware | Yuan dynasty | Yuzhou Shi |
|
durom.1969.96 | 1969.96 d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl, decorated with thick crazed opalescent turquoise blue glaze with splash of aubergine, Jun-type ware. | 196bowls
| 钧窑系天蓝釉碗 | stoneware | Yuan dynasty | Yuzhou Shi |
|
durom.1969.96 | 1969.96 d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl, decorated with thick crazed opalescent turquoise blue glaze with splash of aubergine, Jun-type ware. | 196bowls
| 钧窑系天蓝釉碗 | stoneware | Yuan dynasty | Yuzhou Shi |
|
durom.1969.96 | 1969.96 d1.jpg | data/raw/images/oriental/1969 | Stoneware bowl, decorated with thick crazed opalescent turquoise blue glaze with splash of aubergine, Jun-type ware. | 196bowls
| 钧窑系天蓝釉碗 | stoneware | Yuan dynasty | Yuzhou Shi |
|
durom.1993.141 | 1993.141.15.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 194books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.15.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 194books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.15.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 194books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.15.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 194books
| 平民千字帖 | null | Republic of China | China |
|
durom.1993.141 | 1993.141.15.jpg | data/raw/images/oriental/1993 | Chinese calligraphy practicing script, 'The 1000 Characters Script for the Mass', 13th edition. | 194books
| 平民千字帖 | null | Republic of China | China |
|
eg768 | eg768-bb.jpg | data/raw/images/egyptian/eg | copper alloy tripod foot, human figure in copper alloy with a single clawed foot and a triangular platform to the rear. The figure appears to be Selinas, as it is bearded and has a very rotund body. His legs lead into a clawed foot design lion or dog possibly. The base has been drilled probably in modern times and has a modern screw in place. The triangular platform must have one time been part of a hollow pyramidal design as there are remains of such which appear to taper to the top. The joint has been broken and the remaining piece has no holes to fix it to a table. The piece is covered in copper alloy disease and most of the figures features are all but obscured, generally in poor condition but solid with no visible cracks. | 267feet: furniture components
| furniture decoration | bronze | Roman Period | Egypt |
|
eg768 | eg768-bb.jpg | data/raw/images/egyptian/eg | copper alloy tripod foot, human figure in copper alloy with a single clawed foot and a triangular platform to the rear. The figure appears to be Selinas, as it is bearded and has a very rotund body. His legs lead into a clawed foot design lion or dog possibly. The base has been drilled probably in modern times and has a modern screw in place. The triangular platform must have one time been part of a hollow pyramidal design as there are remains of such which appear to taper to the top. The joint has been broken and the remaining piece has no holes to fix it to a table. The piece is covered in copper alloy disease and most of the figures features are all but obscured, generally in poor condition but solid with no visible cracks. | 267feet: furniture components
| furniture decoration | bronze | Roman Period | Egypt |
|
eg768 | eg768-bb.jpg | data/raw/images/egyptian/eg | copper alloy tripod foot, human figure in copper alloy with a single clawed foot and a triangular platform to the rear. The figure appears to be Selinas, as it is bearded and has a very rotund body. His legs lead into a clawed foot design lion or dog possibly. The base has been drilled probably in modern times and has a modern screw in place. The triangular platform must have one time been part of a hollow pyramidal design as there are remains of such which appear to taper to the top. The joint has been broken and the remaining piece has no holes to fix it to a table. The piece is covered in copper alloy disease and most of the figures features are all but obscured, generally in poor condition but solid with no visible cracks. | 267feet: furniture components
| furniture decoration | bronze | Roman Period | Egypt |
|
eg768 | eg768-bb.jpg | data/raw/images/egyptian/eg | copper alloy tripod foot, human figure in copper alloy with a single clawed foot and a triangular platform to the rear. The figure appears to be Selinas, as it is bearded and has a very rotund body. His legs lead into a clawed foot design lion or dog possibly. The base has been drilled probably in modern times and has a modern screw in place. The triangular platform must have one time been part of a hollow pyramidal design as there are remains of such which appear to taper to the top. The joint has been broken and the remaining piece has no holes to fix it to a table. The piece is covered in copper alloy disease and most of the figures features are all but obscured, generally in poor condition but solid with no visible cracks. | 267feet: furniture components
| furniture decoration | bronze | Roman Period | Egypt |
|
eg768 | eg768-bb.jpg | data/raw/images/egyptian/eg | copper alloy tripod foot, human figure in copper alloy with a single clawed foot and a triangular platform to the rear. The figure appears to be Selinas, as it is bearded and has a very rotund body. His legs lead into a clawed foot design lion or dog possibly. The base has been drilled probably in modern times and has a modern screw in place. The triangular platform must have one time been part of a hollow pyramidal design as there are remains of such which appear to taper to the top. The joint has been broken and the remaining piece has no holes to fix it to a table. The piece is covered in copper alloy disease and most of the figures features are all but obscured, generally in poor condition but solid with no visible cracks. | 267feet: furniture components
| furniture decoration | bronze | Roman Period | Egypt |
|
eg393 | eg393-n1865-ll.jpg | data/raw/images/egyptian/eg | cobalt blue shabti in the dress of the living - bold black decorations; long skirt and ample pleated sleeves, duplex wig, bag at back, bracelets on the arms, which are held low on the skirt | 477ushabti
| shabti | faience | 19th Dynasty | Egypt |
|
eg393 | eg393-n1865-ll.jpg | data/raw/images/egyptian/eg | cobalt blue shabti in the dress of the living - bold black decorations; long skirt and ample pleated sleeves, duplex wig, bag at back, bracelets on the arms, which are held low on the skirt | 477ushabti
| shabti | faience | 19th Dynasty | Egypt |
|
eg393 | eg393-n1865-ll.jpg | data/raw/images/egyptian/eg | cobalt blue shabti in the dress of the living - bold black decorations; long skirt and ample pleated sleeves, duplex wig, bag at back, bracelets on the arms, which are held low on the skirt | 477ushabti
| shabti | faience | 19th Dynasty | Egypt |
|
eg393 | eg393-n1865-ll.jpg | data/raw/images/egyptian/eg | cobalt blue shabti in the dress of the living - bold black decorations; long skirt and ample pleated sleeves, duplex wig, bag at back, bracelets on the arms, which are held low on the skirt | 477ushabti
| shabti | faience | 19th Dynasty | Egypt |
|
eg393 | eg393-n1865-ll.jpg | data/raw/images/egyptian/eg | cobalt blue shabti in the dress of the living - bold black decorations; long skirt and ample pleated sleeves, duplex wig, bag at back, bracelets on the arms, which are held low on the skirt | 477ushabti
| shabti | faience | 19th Dynasty | Egypt |
|
eg916 | eg916-218-d1.jpg | data/raw/images/egyptian/eg | miniature pale blue faience jar, spherical (in the form of a poppy seed pod?) with narrow flaring neck. Black decoration around the neck. | 313jars
| jar | faience | 18th Dynasty | Egypt |
|
eg916 | eg916-218-d1.jpg | data/raw/images/egyptian/eg | miniature pale blue faience jar, spherical (in the form of a poppy seed pod?) with narrow flaring neck. Black decoration around the neck. | 313jars
| jar | faience | 18th Dynasty | Egypt |
|
eg916 | eg916-218-d1.jpg | data/raw/images/egyptian/eg | miniature pale blue faience jar, spherical (in the form of a poppy seed pod?) with narrow flaring neck. Black decoration around the neck. | 313jars
| jar | faience | 18th Dynasty | Egypt |
|
eg916 | eg916-218-d1.jpg | data/raw/images/egyptian/eg | miniature pale blue faience jar, spherical (in the form of a poppy seed pod?) with narrow flaring neck. Black decoration around the neck. | 313jars
| jar | faience | 18th Dynasty | Egypt |
|
eg916 | eg916-218-d1.jpg | data/raw/images/egyptian/eg | miniature pale blue faience jar, spherical (in the form of a poppy seed pod?) with narrow flaring neck. Black decoration around the neck. | 313jars
| jar | faience | 18th Dynasty | Egypt |
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