obj_num
stringlengths 3
23
| file
stringlengths 8
69
| image
imagewidth (px) 55
15.4k
| root
stringclasses 102
values | description
stringlengths 1
5.36k
⌀ | object_name
stringclasses 692
values | other_name
stringlengths 1
100
⌀ | label
class label 154
classes | production.period
stringclasses 259
values | production.place
stringclasses 296
values |
|---|---|---|---|---|---|---|---|---|---|
durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China |
|
durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China |
|
durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China |
|
durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China |
|
durom.1960.3601 | durom.1960.3601-uu.jpg | data/raw/images/oriental/1960 | Cylindrical jade container with detachable lid and a purple cord than runs through the centre of both objects. The side of the container has raised decoration and there are geometric designs inscribed on the sides of the lid and base. | containers | null | 81jade
| null | China |
|
eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt |
|
eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt |
|
eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt |
|
eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt |
|
eg1449 | eg1449-n2053-uu-pc6.jpg | data/raw/images/egyptian/eg | travertine cylider vessel inscribed with name of pepi I/merire and recording his heb-sed festival. Flat base, flaring sides, wide flat rim. | jars | heb sed vessel | 146travertine
| Pepi I/Merire | Egypt |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt |
|
eg535 | eg535-d2.jpg | data/raw/images/egyptian/eg | stick shabti: mummiform with bold, black details and a short haircut | ushabti | shabti | 139sycamore
| 17th Dynasty | Egypt |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) |
|
durom.2013.201.2 | 2013.201.2.jpg | data/raw/images/oriental/2013 | Colourful, wooden chopsticks with a painted on squirrel design at the tips. Cream coloured tips with small squirrels, strawberries and flowers to decorate. | chopsticks | null | 150wood
| Heisei Period | Japan (country) |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China |
|
durom.1960.902 | 1960.902-q1.jpg | data/raw/images/oriental/1960 | Warrior, seated, small, fierce-looking, with an attendant standing to his right. | figures | null | 133soapstone
| null | China |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen |
|
durom.1969.197 | durom.1969.197-h2.jpg | data/raw/images/oriental/1969 | Porcelain plate, covered with yellow glaze. The base is inscribed with a 6-character Zhengde mark; one stroke of the character 'Ming' is missing; there are traces of brown enamels under the ring foot;possibly modern. | dishes | 正德款黄釉盘 | 137stoneware
| Zhengde | Jingdezhen |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt |
|
eg1802 | eg1802-u565-ff.jpg | data/raw/images/egyptian/eg | figurine of a king as a child, naked apart from a sash (incised with an inscription), necklace and crown. The left arm is missing. | Human Figurine | king figurine | 43bronze
| Roman Period | Egypt |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null |
|
duruc.2017.110.3 | duruc.2017.110.3ff.jpg | data/raw/images/castle/2017 | A turn of the century (2000) watercolour painting on paper of the Great Hall, by the artist Dennis Roxby Bott. In the foreground of the painting wooden tables with red-backed chairs are set in rows in perspective, from the far-left and far-right hand side of the painting, respectively. To the far-left of the painting, behind the tables and chairs, a large red fireplace is set against the wood-panelling on the walls. Above the fireplace is the wooden coat of arms of Lord Bishop Crewe. In the mid-ground of the painting there are three students sat around one of the tables in the centre. To the left-hand side there are three arched windows, set against the wall and the wood panelling. Above the Great Hall in the centre, the wooden beams and buttresses of the roof are visble. In the centre of the background of the painting is the north window, built to commemorate the fiftieth anniversary of the founding of the university. Surrounding the window on the left and right hand side there are 5 portraits hung on the wood panelling and walls. There are a futher 4 portraits hung on the left-hand side of the painting, and another 6 on the right-hand side; with 15 paintings in total. High table is just visible in the centre of the background, behind the rows of tables and below the north window. The painting is signed in the bottom left-hand corner. _x000D__x000D_
_x000D__x000D_
This painting is one of a set of three that were commissioned from Dennis Roxby Bott and painted in June 2000. They feature paintings of the Keep, the Courtyard and the Great Hall, and a limited run of 350 prints were made of each painting._x000D__x000D_
_x000D__x000D_
Dennis Roxby Bott was born in London 1948 and lives in Horsham, West Sussex. He studied at Colchester School of Art, Norwich School of Art and Keswick Hall, Norwich and uses watercolour to depict his wide range of subject matter. He was elected an Associate of the Royal Watercolour Society in 1981 and a full member in 1983._x000D__x000D_
Architecture and the man-made environment have been the inspiration for many of Dennis' paintings. He has had many exhibitions at galleries throughout England and is a regular exhibitor at the Royal Watercolour Society spring and autumn exhibitions at the Bankside Gallery, London. His work has been commissioned by the National Trust, the wardroom of the Royal Yacht Britannia and Sotheby's, as well as by many other private clients. His paintings are widely represented in public and private collections including the Towner Gallery, Eastbourne, Brighton Museum and Hove Museum. _x000D__x000D_
| paintings | null | 103paper
| 21st century | null |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem |
|
durom.1967.18.23 | durom.1967.18.23-bb.jpg | data/raw/images/oriental/1967 | A plate fragment, orange red in colour. Throwing lines are visible on both interior and exterior surfaces. | Plate | null | 116pottery
| Iron Age | Jerusalem |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) |
|
durom.2006.53 | 2006.53-d22.jpg | data/raw/images/oriental/2006 | Model of a Japanese house with interior accessories including kitchen utensils, food and pictures. | houses | null | 150wood
| Showa Period | Japan (country) |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State |
|
durom.2015.175 | 2015.175 d1.jpg | data/raw/images/oriental/2015 | A garment, called riha (probably), a part of traditional Assamese dress, mekhela chador. One sided long scarf like garment of gold woven silk material with borders along the length of the object decorated with thin silk stripe in slightly different gold hue as the rest of the material. Edges along the width decorated with a wide line of pulled thread work between small woven sections, before finishing in a fringe of thread. Next to it is an embroidered pattern of cotton (probably) threads comprising of red lines running across the weave, between which is a pattern of orange, blue, yellow and green dashes. The riha is worn to cover the breast area, nowadays fitted blouses are used instead._x000D__x000D_
The garment is a part of Assamese dress together with other objects DUROM.2015.173, DUROM.2015.174 | clothing | null | 130silk
| null | Assam State |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula |
|
durom.2013.43 | 2013.43.8.jpg | data/raw/images/oriental/2013 | Six panelled half height screen. The frame of the screen is made from a light-weight wooden frame which has been varnished in a dark brown. The outside / reverse backing of the end panels is a black material and the centre panels have a green material backing. The corners of the frame have silver metal cornices and silver pin heads are practical decoration on each piece. The inside/ front of the screens when opened are lined with a green fabric which acts as a border. Additionally, each panel has a thin yellow material border and there is also a cream material border around each individual image. The images are ink paintings on Hanji paper and each has an accompanying inscription which is probably a poem painted to the right alongside the images. With each inscription there are two red seal marks and an unusual seal in the shape of a feather. Although all the images are of a scholarly theme and set in nature, each is different, right to left these images are of:_x000D__x000D_
Rocks and a lakeside painted in green and brown ink_x000D__x000D_
Fishermen on boats with trees painted in blue, orange, and green_x000D__x000D_
Birds flying over mountains and the sea painted in black ink_x000D__x000D_
View of a misty hillside with trees painted in brown, black, and green_x000D__x000D_
A traditional 'Hanok' house on a mountain painted in orange and green_x000D__x000D_
A traditional 'Hanok' house on a lakeside painted in blue, green, and orange_x000D__x000D_
A monastery on top of a mountain with a sail boat in the foreground painted in blue, green and orange_x000D__x000D_
A pagoda and a sunset painted in blue and orange | Screen | null | 150wood
| Republic of Korea (period) | Korean peninsula |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) |
|
durom.1981.45 | 1981.45.jpg | data/raw/images/oriental/1981 | Lantern slide of spring view of Arashiyama, near rapids, Hozu river (or Oi River?), Kyoto. | Slide | null | 71glass
| Meiji Period | Japan (country) |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand |
|
durom.1974.132 | 1974.132 d1.jpg | data/raw/images/oriental/1974 | Ban-chieng vase, painted earthenware, low-fired neolithic ware. | vases | null | 116pottery
| Neolithic Period | Thailand |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) |
|
durom.2013.204 | 2013.204 d2.jpg | data/raw/images/oriental/2013 | Red and blue plastic chopsticks within a clear plastic holder. At the end of the chopsticks there are some protrusions which allow the item to be clipped underneath the other chopstick - reminiscent of Lego. The item is within a sealed cellophane bag | chopsticks | null | 111plastic
| Heisei Period | Japan (country) |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen |
|
durom.1969.207 | 1969.207-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | bowls | 雍正款霁红釉撇口碗 | 115porcelain
| Yongzheng | Jingdezhen |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt |
|
eg2091 | eg2091-tt.jpg | data/raw/images/egyptian/eg | Striding Thoth, back against pillar, Ibis head. Feet lost. Turquoise faience discoloured brown, kilt, hands clenched by sides | Human Figurine | thoth as ibis figurine | 67faience
| Late Period | Egypt |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt |
|
eg493 | eg493.ll.jpg | data/raw/images/egyptian/eg | excellent quality dyad of Amenhotep I and Queen Ahmose Nefertari in black steatite, head of Amenhotep I missing. Inscription giving names, titles and epithets on corresponding back pillars. A plaster head has been made from the original head which belongs to a private collection in Brussels | statuettes | dyad of Amnehotep I and Queen Ahmose Nefertari | 26Steatite/Soap Stone
| 19th Dynasty | Egypt |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) |
|
durom.1972.6.17 | 1972.6.17.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. River rapids flowing past steeply sided mountains. | photographs | null | 103paper
| Meiji Period | Japan (country) |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China |
|
durom.1960.3198 | 1960.3198-d2.jpg | data/raw/images/oriental/1960 | snuff bottle,flattened and ovate, painted inside and white line round it, carved with a seascape. Pink amethyst stopper, with ivory and paper snuff spoon. Wooden stand. | snuff bottles | null | 29agate
| Qing | China |