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durom.1951.19
1951.19-bb.jpg
data/raw/images/egyptian/1951
coptic ostracon, written both sides. White slip on outside. Reconstructed.
85Ostraka
ostracon
pottery
Christian Period
Egypt
durom.1951.19
1951.19-bb.jpg
data/raw/images/egyptian/1951
coptic ostracon, written both sides. White slip on outside. Reconstructed.
85Ostraka
ostracon
pottery
Christian Period
Egypt
durom.1951.19
1951.19-bb.jpg
data/raw/images/egyptian/1951
coptic ostracon, written both sides. White slip on outside. Reconstructed.
85Ostraka
ostracon
pottery
Christian Period
Egypt
durom.1951.19
1951.19-bb.jpg
data/raw/images/egyptian/1951
coptic ostracon, written both sides. White slip on outside. Reconstructed.
85Ostraka
ostracon
pottery
Christian Period
Egypt
durom.1951.19
1951.19-bb.jpg
data/raw/images/egyptian/1951
coptic ostracon, written both sides. White slip on outside. Reconstructed.
85Ostraka
ostracon
pottery
Christian Period
Egypt
durma.2020.3.338
durma.2020.3.338-ff.jpg
data/raw/images/fulling_mill/2020
A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams.
283jewelry
null
gold
Roman
null
durma.2020.3.338
durma.2020.3.338-ff.jpg
data/raw/images/fulling_mill/2020
A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams.
283jewelry
null
gold
Roman
null
durma.2020.3.338
durma.2020.3.338-ff.jpg
data/raw/images/fulling_mill/2020
A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams.
283jewelry
null
gold
Roman
null
durma.2020.3.338
durma.2020.3.338-ff.jpg
data/raw/images/fulling_mill/2020
A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams.
283jewelry
null
gold
Roman
null
durma.2020.3.338
durma.2020.3.338-ff.jpg
data/raw/images/fulling_mill/2020
A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams.
283jewelry
null
gold
Roman
null
durom.2015.33
durom.2015.33-rr.jpg
data/raw/images/oriental/2015
Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_ This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_ Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge.
420toys
null
clay
20th century
Russia
durom.2015.33
durom.2015.33-rr.jpg
data/raw/images/oriental/2015
Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_ This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_ Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge.
420toys
null
clay
20th century
Russia
durom.2015.33
durom.2015.33-rr.jpg
data/raw/images/oriental/2015
Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_ This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_ Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge.
420toys
null
clay
20th century
Russia
durom.2015.33
durom.2015.33-rr.jpg
data/raw/images/oriental/2015
Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_ This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_ Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge.
420toys
null
clay
20th century
Russia
durom.2015.33
durom.2015.33-rr.jpg
data/raw/images/oriental/2015
Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_ This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_ Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge.
420toys
null
clay
20th century
Russia
durom.1953.213
1953.213 ff.jpg
data/raw/images/egyptian/1953
terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot.
245figures
null
terracotta
null
Egypt
durom.1953.213
1953.213 ff.jpg
data/raw/images/egyptian/1953
terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot.
245figures
null
terracotta
null
Egypt
durom.1953.213
1953.213 ff.jpg
data/raw/images/egyptian/1953
terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot.
245figures
null
terracotta
null
Egypt
durom.1953.213
1953.213 ff.jpg
data/raw/images/egyptian/1953
terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot.
245figures
null
terracotta
null
Egypt
durom.1953.213
1953.213 ff.jpg
data/raw/images/egyptian/1953
terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot.
245figures
null
terracotta
null
Egypt
durom.2014.117
2014.117 d2.jpg
data/raw/images/oriental/2014
Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed
177bowls
null
terracotta
Indus Valley Civilisation
Pakistan
durom.2014.117
2014.117 d2.jpg
data/raw/images/oriental/2014
Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed
177bowls
null
terracotta
Indus Valley Civilisation
Pakistan
durom.2014.117
2014.117 d2.jpg
data/raw/images/oriental/2014
Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed
177bowls
null
terracotta
Indus Valley Civilisation
Pakistan
durom.2014.117
2014.117 d2.jpg
data/raw/images/oriental/2014
Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed
177bowls
null
terracotta
Indus Valley Civilisation
Pakistan
durom.2014.117
2014.117 d2.jpg
data/raw/images/oriental/2014
Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed
177bowls
null
terracotta
Indus Valley Civilisation
Pakistan
durom.1975.28
1975.28.cu2.jpg
data/raw/images/oriental/1975
Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton.
233dresses
null
cotton
null
Gujarat State
durom.1975.28
1975.28.cu2.jpg
data/raw/images/oriental/1975
Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton.
233dresses
null
cotton
null
Gujarat State
durom.1975.28
1975.28.cu2.jpg
data/raw/images/oriental/1975
Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton.
233dresses
null
cotton
null
Gujarat State
durom.1975.28
1975.28.cu2.jpg
data/raw/images/oriental/1975
Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton.
233dresses
null
cotton
null
Gujarat State
durom.1975.28
1975.28.cu2.jpg
data/raw/images/oriental/1975
Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton.
233dresses
null
cotton
null
Gujarat State
eg6189
eg6189-n867-tt.jpg
data/raw/images/egyptian/eg
Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole.
364scaraboids
scarab
faience
null
Egypt
eg6189
eg6189-n867-tt.jpg
data/raw/images/egyptian/eg
Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole.
364scaraboids
scarab
faience
null
Egypt
eg6189
eg6189-n867-tt.jpg
data/raw/images/egyptian/eg
Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole.
364scaraboids
scarab
faience
null
Egypt
eg6189
eg6189-n867-tt.jpg
data/raw/images/egyptian/eg
Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole.
364scaraboids
scarab
faience
null
Egypt
eg6189
eg6189-n867-tt.jpg
data/raw/images/egyptian/eg
Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole.
364scaraboids
scarab
faience
null
Egypt
eg107
eg107-d2.jpg
data/raw/images/egyptian/eg
osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down.
62Human Figurine
osiris figurine
bronze
Late Period
Egypt
eg107
eg107-d2.jpg
data/raw/images/egyptian/eg
osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down.
62Human Figurine
osiris figurine
bronze
Late Period
Egypt
eg107
eg107-d2.jpg
data/raw/images/egyptian/eg
osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down.
62Human Figurine
osiris figurine
bronze
Late Period
Egypt
eg107
eg107-d2.jpg
data/raw/images/egyptian/eg
osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down.
62Human Figurine
osiris figurine
bronze
Late Period
Egypt
eg107
eg107-d2.jpg
data/raw/images/egyptian/eg
osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down.
62Human Figurine
osiris figurine
bronze
Late Period
Egypt
durom.2014.179
2014.179.jpg
data/raw/images/oriental/2014
2 beads, purchased Al Ain, UAE_x000D__x000D_ _x000D__x000D_ 1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_ _x000D__x000D_ 2. 1 grey transparent annular bead
165beads
null
stone
null
Al Ain
durom.2014.179
2014.179.jpg
data/raw/images/oriental/2014
2 beads, purchased Al Ain, UAE_x000D__x000D_ _x000D__x000D_ 1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_ _x000D__x000D_ 2. 1 grey transparent annular bead
165beads
null
stone
null
Al Ain
durom.2014.179
2014.179.jpg
data/raw/images/oriental/2014
2 beads, purchased Al Ain, UAE_x000D__x000D_ _x000D__x000D_ 1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_ _x000D__x000D_ 2. 1 grey transparent annular bead
165beads
null
stone
null
Al Ain
durom.2014.179
2014.179.jpg
data/raw/images/oriental/2014
2 beads, purchased Al Ain, UAE_x000D__x000D_ _x000D__x000D_ 1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_ _x000D__x000D_ 2. 1 grey transparent annular bead
165beads
null
stone
null
Al Ain
durom.2014.179
2014.179.jpg
data/raw/images/oriental/2014
2 beads, purchased Al Ain, UAE_x000D__x000D_ _x000D__x000D_ 1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_ _x000D__x000D_ 2. 1 grey transparent annular bead
165beads
null
stone
null
Al Ain
durom.2015.405
durom.2015.405.jpg
data/raw/images/oriental/2015
A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use.
290lamps
null
brass
20th century
Iran
durom.2015.405
durom.2015.405.jpg
data/raw/images/oriental/2015
A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use.
290lamps
null
brass
20th century
Iran
durom.2015.405
durom.2015.405.jpg
data/raw/images/oriental/2015
A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use.
290lamps
null
brass
20th century
Iran
durom.2015.405
durom.2015.405.jpg
data/raw/images/oriental/2015
A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use.
290lamps
null
brass
20th century
Iran
durom.2015.405
durom.2015.405.jpg
data/raw/images/oriental/2015
A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use.
290lamps
null
brass
20th century
Iran
eg5597
eg5597-uu.jpg
data/raw/images/egyptian/eg
Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus.
223cups
drinking cup
pottery
null
Egypt
eg5597
eg5597-uu.jpg
data/raw/images/egyptian/eg
Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus.
223cups
drinking cup
pottery
null
Egypt
eg5597
eg5597-uu.jpg
data/raw/images/egyptian/eg
Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus.
223cups
drinking cup
pottery
null
Egypt
eg5597
eg5597-uu.jpg
data/raw/images/egyptian/eg
Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus.
223cups
drinking cup
pottery
null
Egypt
eg5597
eg5597-uu.jpg
data/raw/images/egyptian/eg
Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus.
223cups
drinking cup
pottery
null
Egypt
durom.2001.45
2001.45.jpg
data/raw/images/oriental/2001
Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted.
253gameboards
pachisi, chaupad
textiles
21st century
India
durom.2001.45
2001.45.jpg
data/raw/images/oriental/2001
Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted.
253gameboards
pachisi, chaupad
textiles
21st century
India
durom.2001.45
2001.45.jpg
data/raw/images/oriental/2001
Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted.
253gameboards
pachisi, chaupad
textiles
21st century
India
durom.2001.45
2001.45.jpg
data/raw/images/oriental/2001
Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted.
253gameboards
pachisi, chaupad
textiles
21st century
India
durom.2001.45
2001.45.jpg
data/raw/images/oriental/2001
Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted.
253gameboards
pachisi, chaupad
textiles
21st century
India
durom.2001.96.21
2001.96.21 bb.jpg
data/raw/images/oriental/2001
Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface.
205chessmen
null
Resin/Plastic
null
India
durom.2001.96.21
2001.96.21 bb.jpg
data/raw/images/oriental/2001
Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface.
205chessmen
null
Resin/Plastic
null
India
durom.2001.96.21
2001.96.21 bb.jpg
data/raw/images/oriental/2001
Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface.
205chessmen
null
Resin/Plastic
null
India
durom.2001.96.21
2001.96.21 bb.jpg
data/raw/images/oriental/2001
Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface.
205chessmen
null
Resin/Plastic
null
India
durom.2001.96.21
2001.96.21 bb.jpg
data/raw/images/oriental/2001
Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface.
205chessmen
null
Resin/Plastic
null
India
eg1260
eg1260-d2.jpg
data/raw/images/egyptian/eg
glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top.
429unidentified
unidentified object
faience
Middle Kingdom
Egypt
eg1260
eg1260-d2.jpg
data/raw/images/egyptian/eg
glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top.
429unidentified
unidentified object
faience
Middle Kingdom
Egypt
eg1260
eg1260-d2.jpg
data/raw/images/egyptian/eg
glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top.
429unidentified
unidentified object
faience
Middle Kingdom
Egypt
eg1260
eg1260-d2.jpg
data/raw/images/egyptian/eg
glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top.
429unidentified
unidentified object
faience
Middle Kingdom
Egypt
eg1260
eg1260-d2.jpg
data/raw/images/egyptian/eg
glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top.
429unidentified
unidentified object
faience
Middle Kingdom
Egypt
durom.2006.45.89
2006.45.89.jpg
data/raw/images/oriental/2006
Black and white photograph of a herd of sheep.
325photographs
null
photographic paper
null
South East Asia
durom.2006.45.89
2006.45.89.jpg
data/raw/images/oriental/2006
Black and white photograph of a herd of sheep.
325photographs
null
photographic paper
null
South East Asia
durom.2006.45.89
2006.45.89.jpg
data/raw/images/oriental/2006
Black and white photograph of a herd of sheep.
325photographs
null
photographic paper
null
South East Asia
durom.2006.45.89
2006.45.89.jpg
data/raw/images/oriental/2006
Black and white photograph of a herd of sheep.
325photographs
null
photographic paper
null
South East Asia
durom.2006.45.89
2006.45.89.jpg
data/raw/images/oriental/2006
Black and white photograph of a herd of sheep.
325photographs
null
photographic paper
null
South East Asia
eg3424
eg3424 wel415 d3.jpg
data/raw/images/egyptian/eg
glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped
254gaming counters
weight or gaming piece
glass
null
Egypt
eg3424
eg3424 wel415 d3.jpg
data/raw/images/egyptian/eg
glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped
254gaming counters
weight or gaming piece
glass
null
Egypt
eg3424
eg3424 wel415 d3.jpg
data/raw/images/egyptian/eg
glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped
254gaming counters
weight or gaming piece
glass
null
Egypt
eg3424
eg3424 wel415 d3.jpg
data/raw/images/egyptian/eg
glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped
254gaming counters
weight or gaming piece
glass
null
Egypt
eg3424
eg3424 wel415 d3.jpg
data/raw/images/egyptian/eg
glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped
254gaming counters
weight or gaming piece
glass
null
Egypt
eg6226
eg6226-n904-uu.jpg
data/raw/images/egyptian/eg
Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole.
112Seal
seal
faience
null
Egypt
eg6226
eg6226-n904-uu.jpg
data/raw/images/egyptian/eg
Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole.
112Seal
seal
faience
null
Egypt
eg6226
eg6226-n904-uu.jpg
data/raw/images/egyptian/eg
Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole.
112Seal
seal
faience
null
Egypt
eg6226
eg6226-n904-uu.jpg
data/raw/images/egyptian/eg
Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole.
112Seal
seal
faience
null
Egypt
eg6226
eg6226-n904-uu.jpg
data/raw/images/egyptian/eg
Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole.
112Seal
seal
faience
null
Egypt
duruc.2018.13.2
duruc.2018.13.2-ll.jpg
data/raw/images/castle/2018
One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high
190candelabras
null
plate
null
null
duruc.2018.13.2
duruc.2018.13.2-ll.jpg
data/raw/images/castle/2018
One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high
190candelabras
null
plate
null
null
duruc.2018.13.2
duruc.2018.13.2-ll.jpg
data/raw/images/castle/2018
One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high
190candelabras
null
plate
null
null
duruc.2018.13.2
duruc.2018.13.2-ll.jpg
data/raw/images/castle/2018
One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high
190candelabras
null
plate
null
null
duruc.2018.13.2
duruc.2018.13.2-ll.jpg
data/raw/images/castle/2018
One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high
190candelabras
null
plate
null
null
durom.1976.120
1976.120-d2.jpg
data/raw/images/oriental/1976
One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front.
402swords
parang
metal
null
Sarawak State
durom.1976.120
1976.120-d2.jpg
data/raw/images/oriental/1976
One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front.
402swords
parang
metal
null
Sarawak State
durom.1976.120
1976.120-d2.jpg
data/raw/images/oriental/1976
One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front.
402swords
parang
metal
null
Sarawak State
durom.1976.120
1976.120-d2.jpg
data/raw/images/oriental/1976
One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front.
402swords
parang
metal
null
Sarawak State
durom.1976.120
1976.120-d2.jpg
data/raw/images/oriental/1976
One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front.
402swords
parang
metal
null
Sarawak State
durom.1986.d8
durom.1986.d8-base.jpg
data/raw/images/oriental/1986
Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid
177bowls
null
silver
null
Tibet Autonomous Region (China)
durom.1986.d8
durom.1986.d8-base.jpg
data/raw/images/oriental/1986
Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid
177bowls
null
silver
null
Tibet Autonomous Region (China)
durom.1986.d8
durom.1986.d8-base.jpg
data/raw/images/oriental/1986
Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid
177bowls
null
silver
null
Tibet Autonomous Region (China)
durom.1986.d8
durom.1986.d8-base.jpg
data/raw/images/oriental/1986
Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid
177bowls
null
silver
null
Tibet Autonomous Region (China)
durom.1986.d8
durom.1986.d8-base.jpg
data/raw/images/oriental/1986
Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid
177bowls
null
silver
null
Tibet Autonomous Region (China)
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