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Senjō no Valkyria 3 : Unrecorded Chronicles ( Japanese : 戦場のヴァルキュリア3 , lit . Valkyria of the Battlefield 3 ) , commonly referred to as Valkyria Chronicles III outside Japan , is a tactical role @-@ playing video game developed by Sega and Media.Vision for the PlayStation Portable . Released in January 2011 in Japan , it is the third game in the Valkyria series . Employing the same fusion of tactical and real @-@ time gameplay as its predecessors , the story run parallel to the first game and follow the " Nameless " , a penal military unit serving the nation of Gallia during the Second Europan War who perform secret black operations and are pitted against the Imperial unit " Calamaty Raven " . | 0 | 2 |
As with previous Valkyira Chronicles games , Valkyria Chronicles III is a tactical role @-@ playing game where players take control of a military unit and take part in missions against enemy forces . Stories are told through comic book @-@ like panels with animated character portraits , with characters speaking partially through voiced speech bubbles and partially through unvoiced text . The player progress through a series of linear missions , gradually unlocked as maps that can be freely scanned through and replayed as they are unlocked . The route to each story location on the map vary depending on an individual player 's approach : when one option is selected , the other is sealed off to the player . Outside missions , the player characters rest in a camp , where units can be customized and character growth occur . Alongside the main story missions are character @-@ specific sub missions relating to different squad members . After the game 's completion , additional episodes are unlocked , some of them having a higher difficulty than those found in the rest of the game . There are also love simulation elements related to the game 's two main heroines , although they take a very minor role . | 1 | 3 |
The game 's battle system , the BliTZ system , is carried over directly from Valkyira Chronicles . During missions , players select each unit using a top @-@ down perspective of the battlefield map : once a character is selected , the player move the character around the battlefield in third @-@ person . A character can only act once per @-@ turn , but characters can be granted multiple turns at the expense of other characters ' turns . Each character have a field and distance of movement limited by their Action Gauge . Up to nine characters can be assigned to a single mission . During gameplay , characters will call out if something happen to them , such as their health points ( HP ) getting low or being knocked out by enemy attacks . Each character have specific " Potentials " , skills unique to each character . They are divided into " Personal Potential " , which are innate skills that remain unaltered unless otherwise dictated by the story and can either help or impede a character , and " Battle Potentials " , which are grown throughout the game and always grant boons to a character . To learn Battle Potentials , each character have a unique " Masters Table " , a grid @-@ based skill table that can be used to acquire and link different skills . Characters also have Special Abilities that grant them temporary boosts on the battlefield : Kurt can activate " Direct Command " and move around the battlefield without depleting his Action Point gauge , the character Reila can shift into her " Valkyria Form " and become invincible , while Imca can target multiple enemy units with her heavy weapon . | 2 | 5 |
Troops are divided into five classes : Scouts , Shocktroopers , Engineers , Lancers and Armored Soldier . Troopers can switch classes by changing their assigned weapon . Changing class do not greatly affect the stats gained while in a previous class . With victory in battle , experience points are awarded to the squad , which are distributed into five different attributes shared by the entire squad , a feature differing from early games ' method of distributing to different unit types . | 3 | 1 |
The game take place during the Second Europan War . Gallian Army Squad 422 , also known as " The Nameless " , are a penal military unit composed of criminals , foreign deserters , and military offenders whose real names are erased from the records and thereon officially referred to by numbers . Ordered by the Gallian military to perform the most dangerous missions that the Regular Army and Militia will not do , they are nevertheless up to the task , exemplified by their motto , Altaha Abilia , meaning " Always Ready . " The three main characters are No.7 Kurt Irving , an army officer falsely accused of treason who wish to redeem himself ; Ace No.1 Imca , a female Darcsen heavy weapons specialist who seek revenge against the Valkyria who destroyed her home ; and No.13 Riela Marcellis , a seemingly jinxed young woman who is unknowingly a descendant of the Valkyria . Together with their fellow squad members , these three are tasked to fight against a mysterious Imperial unit known as Calamity Raven , consisting of mostly Darcsen soldiers . | 4 | 3 |
As the Nameless officially do not exist , the upper echelons of the Gallian Army exploit the concept of plausible deniability in order to send them on missions that would otherwise make Gallia lose face in the war . While at times this work to their advantage , such as a successful incursion into Imperial territory , other orders cause certain members of the 422nd great distress . One such member , Gusurg , become so enraged that he abandon his post and defect into the ranks of Calamity Raven , attached to the ideal of Darcsen independence proposed by their leader , Dahau . At the same time , elements within Gallian Army Command move to erase the Nameless in order to protect their own interests . Hounded by both allies and enemies , and combined with the presence of a traitor within their ranks , the 422nd desperately move to keep themselves alive while at the same time fight to help the Gallian war effort . This continue until the Nameless 's commanding officer , Ramsey Crowe , who had been kept under house arrest , is escorted to the capital city of Randgriz in order to present evidence exonerating the weary soldiers and expose the real traitor , the Gallian General that had accused Kurt of Treason . | 5 | 5 |
Partly due to these events , and partly due to the major losses in manpower Gallia suffer towards the end of the war with the Empire , the Nameless are offered a formal position as a squad in the Gallian Army rather than serve as an anonymous shadow force . This is short @-@ lived , however , as following Maximilian 's defeat , Dahau and Calamity Raven move to activate an ancient Valkyrian super weapon within the Empire , kept secret by their benefactor . Without the support of Maximilian or the chance to prove themselves in the war with Gallia , it is Dahau 's last trump card in creating a new Darcsen nation . As an armed Gallian force invading the Empire just following the two nations ' cease @-@ fire would certainly wreck their newfound peace , Kurt decide to once again make his squad the Nameless , asking Crowe to list himself and all under his command as killed @-@ in @-@ action . Now owing allegiance to none other than themselves , the 422nd confronts Dahau and destroy the Valkyrian weapon . Each member then go their separate ways in order to begin their lives anew . | 6 | 4 |
The majority of material created for previous games , such as the BLiTZ system and the design of maps , was carried over . Alongside this , improvements was made to the game 's graphics and some elements was expanded , such as map layouts , mission structure , and the number of playable units per mission . A part of this upgrade involved creating unique polygon models for each character 's body . In order to achieve this , the cooperative elements incorporated into the second game was removed , as they took up a large portion of memory space needed for the improvements . They also adjusted the difficulty settings and ease of play so they could appeal to new players while retaining the essential components of the series ' gameplay . The newer systems was decided upon early in development . The character designs was done by Raita Honjou , who had worked on the previous Valkyria Chronicles games . When creating the Nameless Squad , Honjou was faced with the same problem he had had during the first game : the military uniforms essentially destroyed character individuality , despite him needing to create unique characters the player could identify while maintaining a sense of reality within the Valkyria Chronicles world . The main color of the Nameless was black . As with the previous Valkyria games , Valkyria Chronicles III used the CANVAS graphics engine . The anime opening was produced by Production I.G. | 7 | 5 |
The music was composed by Hitoshi Sakimoto , who had also worked on the previous Valkyria Chronicles games . When he originally heard about the project , he thought it would be a light tone similar to other Valkyria Chronicles games , but found the themes much darker than expected . An early theme he designed around his original vision of the project was rejected . He redid the main theme about seven times through the music production due to this need to reassess the game . The main theme was initially recorded using orchestra , then Sakimoto removed elements such as the guitar and bass , then adjusted the theme using a synthesizer before redoing segments such as the guitar piece on their own before incorporating them into the theme . The rejected main theme was used as a hopeful tune that played during the game 's ending . The battle themes was designed around the concept of a " modern battle " divorced from a fantasy scenario by using modern musical instruments , constructed to create a sense of atonality . While Sakimoto was most used to working with synthesized music , he felt that he needed to incorporate live instruments such as orchestra and guitar . The guitar was played by Mitsuhiro Ohta , who also arranged several of the later tracks . The game 's opening theme song , " If You Wish for ... " ( もしも君が願うのなら , Moshimo Kimi ga Negauno Nara ) , was sung by Japanese singer May 'n . Its theme was the reason soldiers fought , in particular their wish to protect what was precious to them rather than a sense of responsibility or duty . Its lyrics was written by Seiko Fujibayashi , who had worked on May 'n on previous singles . | 8 | 2 |
In September 2010 , a teaser website was revealed by Sega , hinting at a new Valkyria Chronicles game . In its September issue , Famitsu listed that Senjō no Valkyria 3 would be arriving on the PlayStation Portable . Its first public appearance was at the 2010 Tokyo Game Show ( TGS ) , where a demo was made available for journalists and attendees . During the publicity , story details was kept scant so as not to spoil too much for potential players , along with some of its content still being in flux at the time of its reveal . To promote the game and detail the story leading into the game 's events , an episodic Flash visual novel written by Fujii began release in January 2011 . The game was released January 27 , 2011 . During an interview , the development team said that the game had the capacity for downloadable content ( DLC ) , but that no plans was finalized . Multiple DLC maps , featuring additional missions and recruitable characters , was released between February and April 2011 . An expanded edition of the game , Valkyria Chronicles III Extra Edition , released on November 23 , 2011 . Packaged and sold at a lower price than the original , Extra Edition game with seven additional episodes : three new , three chosen by staff from the game 's DLC , and one made available as a pre @-@ order bonus . People who also owned the original game could transfer their save data between versions . | 9 | 3 |
Famitsu enjoyed the story , and was particularly pleased with the improvements to gameplay . Japanese gaming site Game Watch Impress , despite negatively noting its pacing and elements recycled from previous games , was generally positive about its story and characters , and found its gameplay entertaining despite off @-@ putting difficulty spikes . 4Gamer.net writer Naohiko Misuosame , in a " Play Test " article based on the game 's PSN demo , felt that Valkyria Chronicles III provided a " profound feeling of closure " for the Valkyria Chronicles series . He praised its gameplay despite annoying limitations to aspects such as special abilities , and positively noted its shift in story to a tone similar to the first game . | 10 | 1 |
PlayStation Official Magazine - UK praised the story 's blurring of Gallia 's moral standing , art style , and most points about its gameplay , positively noting the latter for both its continued quality and the tweaks to balance and content . Its one major criticism was multiple difficulty spikes , something that had affected the previous games . Heath Hindman of gaming website PlayStation Lifestyle praised the addition of non @-@ linear elements and improvements or removal of mechanics from Valkyria Chronicles II in addition to praising the returning gameplay style of previous games . He also positively noted the story 's serious tone . Points criticized in the review was recycled elements , awkward cutscenes that seemed to include all characters in a scene for no good reason , pacing issues , and occasional problems with the game 's AI . | 11 | 2 |
In a preview of the TGS demo , Ryan Geddes of IGN was left excited as to where the game would go after completing the demo , along with enjoying the improved visuals over Valkyria Chronicles II . Kotaku 's Richard Eisenbeis was highly positive about the game , citing is story as a return to form after Valkyria Chronicles II and its gameplay being the best in the series . His main criticisms was its length and gameplay repetition , along with expressing regret that it would not be localized . | 12 | 1 |
Kurt and Riela was featured in the Nintendo 3DS crossover Project X Zone , representing the Valkyria series . Media.Vision would return to the series to develop Valkyria : Azure Revolution , with Ozawa returning as director . Azure Revolution is a role @-@ playing video game for the PlayStation 4 that form the beginning of a new series within the Valkyria franchise . | 13 | 2 |
The anime 's title was inspired by the principle purpose of the Nameless : to suffer in battle for the goals of others . A subtitle attached to the project during development was " The Road to Kubinka " , which referenced the Kubinka Tank Museum in Moscow . The game 's main theme was how the characters regained their sense of self when stripped of their names and identities , along with general themes focused on war and its consequences . While making the anime , the production team was told by Sega to make it as realistic as possible , with the consequence that the team did extensive research into aspects such as what happened when vehicles like tanks was overturned or damaged . Due to it being along the same timeline as the original game and its television anime adaptation , the cast of Valkyria Chronicles could make appearances , which pleased the team . The opening theme , " Akari ( Light ) -Tomoshibi- " ( 灯 @-@ TOMOSHIBI- ) , was sung by Japanese singer Faylan . The ending theme , " Someday the Flowers of Light Will Bloom " ( いつか咲く光の花 , Itsuka Saku Hikari no Hana ) , was sung by Minami Kuribayashi . Both songs ' lyrics was written by their respective artists . | 14 | 3 |
Two manga adaptations was produced , following each of the game 's main female protagonists Imca and Riela . They was Senjō no Valkyria 3 : Namo naki Chikai no Hana ( 戦場のヴァルキュリア3 名もなき誓いの花 , lit . Valkyria of the Battlefield 3 : The Flower of the Nameless Oath ) , illustrated by Naoyuki Fujisawa and eventually released in two volumes after being serialized in Dengeki Maoh between 2011 and 2012 ; and Senjō no Valkyria 3 : -Akaki Unmei no Ikusa Otome- ( 戦場のヴァルキュリア3 -赤き運命の戦乙女- , lit . Valkyria of the Battlefield 3 -The Valkyrie of the Crimson Fate ) , illustrated by Mizuki Tsuge and eventually released in a single volume by Kadokawa Shoten in 2012 . | 15 | 2 |
The Tower Building of the Little Rock Arsenal , also known as U.S. Arsenal Building , is a building located in MacArthur Park in downtown Little Rock , Arkansas . Built in 1840 , it was part of Little Rock 's first military installation . Since its decommissioning , The Tower Building have housed two museums . It was home to the Arkansas Museum of Natural History and Antiquities from 1942 to 1997 and the MacArthur Museum of Arkansas Military History since 2001 . It have also been the headquarters of the Little Rock Æsthetic Club since 1894 . | 16 | 2 |
The building receive its name from its distinct octagonal tower . Besides being the last remaining structure of the original Little Rock Arsenal and one of the oldest buildings in central Arkansas , it was also the birthplace of General Douglas MacArthur , who became the supreme commander of US forces in the South Pacific during World War II . It was also the starting place of the Camden Expedition . In 2011 it was named as one of the top 10 attractions in the state of Arkansas by Arkansas.com. | 17 | 1 |
The arsenal was constructed at the request of Governor James Sevier Conway in response to the perceived dangers of frontier life and fears of the many Native Americans who was passing through the state on their way to the newly established Oklahoma Territory . Thirty @-@ six acres was appropriated on the outskirts of Little Rock by Major Robert B. Lee of the U.S. Army . The land had been previously used as a racetrack by the local jockey club . John Wormley Walker , a builder for the Federal Government , supervised the construction . Originally $ 14 @,@ 000 was allocated for the construction of the arsenal , but proved inadequate . The budget was later increased to $ 30 @,@ 000 . Work began on the Tower Building in 1840 , and it was the first permanent structure of the arsenal to be built . Being originally constructed to store ammunition , the building was designed with 3 @-@ foot @-@ thick ( 0 @.@ 91 m ) exterior walls . The original plans called for it to be built of stone , however , masonry was used instead . The Arkansas Gazette referred to the structure as " A splendid specimen of masonry " . | 18 | 2 |
For several years the arsenal , which was owned by the federal government , served as a simple arms depot and was staffed with only a handful of soldiers . But in November 1860 , with the American Civil War on the horizon , a company of the Second United States Artillery , consisting of sixty @-@ five men , was transferred to Little Rock under the command of Captain James Totten . On January 15 , 1861 , the state legislature decided to hold a referendum to determine if a state convention should be held to consider the issue of secession and to elect delegates to such a convention . It was planned for February 18 ; however , events at the arsenal , would not wait . On January 28 , then Governor Henry Massey Rector informed Captain Totten that he and his soldiers would be " permitted to remain in the possession of the Federal officers until the State , by authority of the people , shall have determined to sever their connection with the General Government , " Totten responded to this by telling the Governor that his orders came from the United States Government and began a desperate but ultimately futile dispatch of letters and telegrams asking for reinforcements , although rumors was widely spread that they was already coming . The first telegraph wire to span between Little Rock and Memphis had recently been completed . Local attorney John M Harrel was asked to compose the first telegraph dispatched from Arkansas 's capital . In his message , Harrel reported unconfirmed rumors that more federal troops had been sent to reinforce the Little Rock Arsenal . | 19 | 2 |
The item was intended simply as a piece of news , but telegraph lines quickly spread the news throughout the state , fueling procession sentiment . The rumor was interpreted by some Arkansans as a call from the governor to assemble to help expel the federal troops from the arsenal . By February 5 , six militia units , consisting of 1 @,@ 000 men , with a guarantee that the numbers could be increased to 5 @,@ 000 if the situations deemed it necessary , had assembled in Little Rock . Governor Rector vehemently denied ordering the troops to assemble or giving any order at all in connection with the troops . Faced with the fact that the military had assembled believing they was following his orders and the consensus of the citizens of Little Rock against any armed conflict between the civilian army and federal troops , Governor Rector was forced to take control of the situation . On February 6 , he sent a formal demand for surrender of the arsenal to Captain Totten , | 20 | 1 |
This movement is prompted by the feeling that pervade the citizens of this State that in the present emergency the arms and munitions of war in the Arsenal should be under the control of the State authorities , in order to their security . This movement , although not authorized by me , have assumed such an aspect that it become my duty , as the executive of this Sate , to interpose my official authority to prevent a collision between the people of the State and the Federal troops under your command . I therefore demand in the name of the State the delivery of the possession of the Arsenal and munitions of war under your charge to the State authorities , to be held subject to the action of the convention to be held on the 4th of March next . | 21 | 3 |
The Little Rock Arsenal was classified in 1860 as an " arsenal of deposit , " meaning that it was simply a warehouse for the storage of weapons intended for the use of the state militia in times of crisis . Thus there was no substantial operations for ordnance fabrication or repairs , nor for the manufacture of cartridges at the time the Arsenal fell into State hands . Most of these operations was started from scratch through the efforts of the Arkansas Military Board . | 22 | 2 |
Of this number , approximately 9600 weapons was serviceable , or ready @-@ for @-@ issue . Note there was only 1 @,@ 364 percussion weapons available . Disposition of the weapons found in the Arsenal is somewhat sketchy , but from various records it can be surmised that the 5th , 6th , 7th , and 8th Arkansas Infantry Regiments , mustered in June , 1861 , was issued M1816 / M1822 .69 caliber flintlocks . The 9th and 10th Arkansas , four companies of Kelly 's 9th Arkansas Battalion , and the 3rd Arkansas Cavalry Regiment was issued flintlock Hall 's Rifles . The units comprising the infantry force of Van Dorn 's Army of the West was the 1st and 2nd Arkansas Mounted Rifles was also armed with M1822 flintlocks from the Little Rock Arsenal . By the time the 11th and 12th Arkansas Infantry Regiments mustered in at Little Rock , the supply of arms had been almost completely exhausted , and only old " junker " weapons was left . | 23 | 7 |
Lt. Col. Dunnington 's " Returns for the month of August , 1862 , at Little Rock Arsenal , C.S.A. , " are found in Vol . 149 , Chapter IV of the " Captured Rebel Ordnance Records , " and are most enlightening as to the scope of Confederate ordnance activities at Little Rock during this crucial time . According to Dunnington , " When I assumed command at this Post , all material had been removed to Arkadelphia . There was no persons employed . No shops was open for repair of arms or for fabricating ammunition . Material , tools , etc . , had to be procured as well as the employment of laborers . Work commenced the last part of the month . " | 24 | 2 |
A " Summary of the Work Done for November , 1862 , Little Rock Arsenal " show : Fabrication : | 25 | 1 |
130 round , 6 @-@ pounder ball shot | 26 | 1 |
Perhaps the most illuminating points of the above " Summary of Work " and those for following months are that the standard ammunition made was . " buck & ball " , indicating that the .69 caliber smoothbores and shotguns remained the predominant caliber weapon in use , and of this , nearly one sixth or more of all small arms ammunition was still for flintlock weapons , indicating that no less than a sixth of the Confederate troops in this vicinity was still armed with obsolete flintlock weapons . | 27 | 1 |
The " Summaries of Work done at Little Rock Arsenal , C.S.A. " continue at about the same pace and scale from August 1862 until August 1863 . Appended to the " Summary " for August , 1863 is the ominous notation , " During the last week in the month , nearly all stores at the Arsenal have been packed and sent to Arkadelphia , in obedience to orders from Chief of Ordnance , District of Arkansas . " This then mark the beginning of the evacuation of ordnance activities from Little Rock , with the city being surrendered to the advancing Federal troops of Frederick Steele 's Arkansas Expedition on September 11 , 1863 . | 28 | 1 |
In the 1880s , the federal government began closing many small arsenals around the country in favor of smaller ones built near railroads for quick deployment . The arsenal commander received word from Washington that the Little Rock site must be abandoned " not later than October 1 , 1890 . " On April 12 , 1893 the tower building and the surrounding buildings was traded to the city of Little Rock for 1 @,@ 000 acres ( 4 km ² ) in North Little Rock under the condition that the building and land am " forever exclusively devoted to the uses and purposes of a public park " for 1 @,@ 000 acres ( 4 km ² ) in Big Rock Mountain on the north side of the Arkansas River , present day North Little Rock . That site later became Fort Logan H. Roots . All of the original buildings surrounding the Tower Building was demolished . | 29 | 3 |
In 1894 the Little Rock Æsthetic Club , one of the oldest women 's societies west of the Mississippi River , moved into the Tower Building . This was prompted due to increased membership and a need for larger , more permanent quarters . The previous year , club members working with women 's organizations throughout the state , raised money to furnish the Arkansas Building of the Columbian Exposition at The Chicago World 's Fair . At the fair 's conclusion , artifacts from the exhibit was displayed in the Tower Building , with the Æsthetic Club invited to meet in the " Columbian Room . " | 30 | 1 |
The building and the surrounding park was used for many public purposes throughout the early 20th century . The Tower Building served as headquarters for the United Confederate Veterans Reunion , May 15 – 18 , 1911 . Over 106 @,@ 000 Civil War veterans , the largest popular gathering in the history of the city up to that time , attended and was housed in the building or camped in the park , which had also become a popular camping area . Later the building served as an armory for the Arkansas National Guard . In 1912 , the second floor of the Tower Building became Little Rock 's first public library . In 1917 , Little Rock built a fire station in the park , that building is now gone . A band shell named for H. H. Foster also was built in the park during this time , but also no longer exist . In 1936 , Works Progress Administration built the Museum of Fine Arts , now called the Arkansas Arts Center , just south of the Tower Building . | 31 | 3 |
Cicely Mary Barker ( 28 June 1895 – 16 February 1973 ) was an English illustrator best known for a series of fantasy illustrations depicting fairies and flowers . Barker 's art education began in girlhood with correspondence courses and instruction at the Croydon School of Art . Her earliest professional work included greeting cards and juvenile magazine illustrations , and her first book , Flower Fairies of the Spring , was published in 1923 . Similar books was published in the following decades . | 32 | 1 |
Barker was a devout Anglican , and donated her artworks to Christian fundraisers and missionary organizations . She produced a few Christian @-@ themed books such as The Children ’ s Book of Hymns and , in collaboration with her sister Dorothy , He Leadeth Me . She designed a stained glass window for St. Edmund 's Church , Pitlake , and her painting of the Christ Child , The Darling of the World Have Come , was purchased by Queen Mary . | 33 | 1 |
Barker was equally proficient in watercolour , pen and ink , oils , and pastels . Kate Greenaway and the Pre @-@ Raphaelites was the principal influences on her work . She claimed to paint instinctively and rejected artistic theories . Barker died in 1973 . Though she published Flower Fairy books with spring , summer , and autumn themes , it wasned 't until 1985 that a winter collection was assembled from her remaining work and published posthumously . | 34 | 2 |
The family of four was moderately well off , and belonged to the lower end of the upper middle class . A nanny , a governess , and a cook to prepare special meals for Barker was hired . She spent much time in bed at home amusing herself with painting books and a nursery library that included the works of Kate Greenaway and Randolph Caldecott – two artists who exerted strong influences on her later art . | 35 | 1 |
In 1911 , Raphael Tuck & Sons bought four of Barker 's " little drawings " for half a sovereign , and published them as postcards . In October 1911 , she won second prize in the Croydon Art Society 's poster competition , and shortly afterward was elected the youngest member of the Society . The art critic for the Croydon Advertiser remarked , " Her drawings show a remarkable freedom of spirit . She have distinct promise . " | 36 | 1 |
In 1923 , Barker sent her flower fairy paintings to various publishers . Blackie paid £ 25 for 24 paintings with accompanying verses , but it wasned 't until publication of Flower Fairies of the Summer in 1925 that Barker received royalties for her work . Mary Violet Clayton Calthrop , wife of author Dion Clayton Calthrop , wrote in April 1925 about Barker and Flower Fairies of the Spring : " She have such exquisite taste , besides draughtsmanship . " | 37 | 2 |
The children in the kindergarten modelled for the Flower Fairies until the kindergarten closed in 1940 . In an interview in 1958 , Barker said , " My sister ran a kindergarten and I used to borrow her students for models . For many years I had an atmosphere of children about me – I never forgot it . " She also painted the children of relatives as well as Gladys Tidy , the Barkers ' young housekeeper , who posed for the Primrose Fairy in 1923 . The plants was painted from life , and if a specimen was not readily at hand , Kew Gardens staff would provide her the specimens needed . Barker designed and built the Flower Fairy costumes , and based each on the flowers and leaves of the particular plant to be illustrated . The costumes was kept in a trunk in her studio along with wings made of twigs and gauze . Each was broken down after an illustration was completed and the parts recycled for other costumes . She often referred to Dion Clayton Calthrop 's English Costume . | 38 | 2 |
Barker died at Worthing Hospital on 16 February 1973 , aged 77 years . Two funeral services was held – one in Storrington Church and one in Barker 's maisonette . Her ashes was scattered in Storrington churchyard . In 1989 , Frederick Warne , a division of Penguin Books since 1983 , acquired the Flower Fairies properties . | 39 | 2 |
Barker worked principally in watercolor with pen @-@ and @-@ ink , but she was equally competent in black @-@ and @-@ white , in oils , and in pastels . She carried a sketchbook with her for capturing interesting children . She once indicated , " I have always tried to paint instinctively in a way that come naturally to me , without any real thought or attention to artistic theories . " | 40 | 1 |
The Pre @-@ Raphaelites was a strong , lifelong influence on Barker . She once indicated , " I am to some extent influenced by them — not in any technical sense , but in the choice of subject matter and the feeling and atmosphere they could achieve . " She admitted a fondness for the early paintings of John Everett Millais and " the wonderful things " of Edward Burne @-@ Jones . | 41 | 1 |
Barker 's sketches , drawings , and paintings of children was given to friends or to the parents of the subjects , donated to charitable institutions and church sponsored events , or exhibited through various art organizations . She illustrated magazine cover , dust jackets , and produced series of postcards for Raphael Tuck and other publishers such as Picturesque Children of the Allies ( 1915 ) , Seaside Holidays ( 1918 ) , and Shakespeare 's Boy and Girl Characters ( 1917 , 1920 ) . Her own Old Rhymes for All Times ( 1928 ) and The Lord of the Rushie River ( 1938 ) , a tale about a girl who live among swans on a riverbank , was critically well received . Set about 1800 , Groundsel and Necklaces ( 1943 ) tell of a girl named Jenny who rescue her family from poverty through the agency of the fairies . The story feature an old Scrooge @-@ like man called Mr. Petercoo and tonally suggest a Dickensian social consciousness . Simon the Swan , intended as a sequel to Rushie River was outlined in 1943 with Groundsel , but only developed in 1953 . It was published posthumously in 1988 and is critically considered less successful than Groundsel . | 42 | 8 |
= = = Christian @-@ themed work = = = | 43 | 1 |
Barker was a devout Christian , and produced religious @-@ themed work throughout her life . She published eight postcards and five guardian angel birthday cards for the Society for Promoting Christian Knowledge in 1916 and in 1923 respectively . Christmas cards was designed for The Girls ' Friendly Society over a 20 @-@ year period , and the first three designs sold out a combined printing of 46 @,@ 500 in 1923 . An original design for the society called The Darling of the World Have Come was purchased by Queen Mary for ₤ 5 @.@ 5 @.@ 0 in 1926 . The Croydon Art Society hung Barker 's booklet cover design for the Society for the Propagation of the Gospel in its November 1919 exhibition . | 44 | 3 |
Religious @-@ themed books include The Children 's Book of Hymns ( 1929 ) and He Leadeth Me ( 1933 ) , the latter written in collaboration with her sister . Major religious works include the triptychs in oil , The Feeding of the Five Thousand ( 1929 ) , for the chapel in Llandaff House , a home for destitute women at Penarth , Wales , and The Parable of the Great Supper ( 1934 ) for St. George 's Chapel , Waddon . The Feeding have since disappeared , and only a black @-@ and @-@ white photograph dated 1929 reproduce the work . In 1941 , she completed oil panels on the subject of the seven sacraments for the baptismal font at St. Andrew 's , South Croydon . She designed baptismal rolls for the wall behind the font in 1948 and 1962 . In 1946 , she completed the 4 x 7 ft. oil painting , Out of Great Tribulation , for the Memorial Chapel of Norbury Methodist Church . Following the death of her sister in 1954 , Barker began designs for a stained glass memorial window depicting Christ preparing to wash the feet of his disciples . Her last religious @-@ themed work , it was installed in St. Edmund 's , Pitlake , in 1962 . | 45 | 2 |
Wild Cherry Make A Wish ; ( collaboration with Pippa Le Quesne ) Frederick Warne , 2006 | 46 | 1 |
= = = Book cover = = = | 47 | 1 |
The Gambia women 's national football team represent the Gambia in international football competition . The team , however , have not competed in a match recognised by FIFA , the sport 's international governing body , despite that organised women 's football have been played in the country since 1998 . The Gambia have two youth teams , an under @-@ 17 side that have competed in FIFA U @-@ 17 Women 's World Cup qualifiers , and an under @-@ 19 side that withdrew from regional qualifiers for an under @-@ 19 World Cup . The development of a national team face challenges similar to those across Africa , although the national football association have four staff members focusing on women 's football . | 48 | 7 |
In 1985 , few countries had women 's national football teams . While the sport gained popularity worldwide in later decades , the Gambia 's national team only played its first game in 2007 . That game was not FIFA @-@ recognised . As of March 2012 , the team was unranked by FIFA , and as of the following month the Gambia had not played in a FIFA @-@ sanctioned match . The team have not participated in major regional and international tournaments , including the Women 's World Cup , the 2010 African Women 's Championship or the 2011 All @-@ Africa Games . | 49 | 1 |
The country did not have a FIFA @-@ recognised youth national team until 2012 , when the Gambia under @-@ 17 women 's team competed in Confederation of African Football qualifiers for the FIFA U @-@ 17 World Cup , to be held in Azerbaijan in September 2012 . The Gambia had fielded an under @-@ 17 team of 24 players , narrowed from an initial pool of 49 young women . Two girls from the SOS Children ’ s Village Bakoteh was chosen as a members of the team . The Gambia first played Sierra Leone in a pair of qualifying matches for the tournament . Gambia won the first match 3 @-@ 0 in Banjul , the Gambia 's capital . The return match was delayed in for 24 hours and played in Makeni . The Gambia beat Sierra Leone 4 @-@ 3 to qualify for the final round . The Gambia then beat Tunisia 1 @-@ 0 at home and won 2 @-@ 1 in Tunisia . Adama Tamba and Awa Demba scored the Gambia 's goals . Tunisia 's only goal was a Gambian own goal . The win qualified Gambia for the 2012 Azerbaijan World Cup . | 50 | 1 |
The Gambia also have an under @-@ 19 team that was to play in the African Women 's U @-@ 19 Championship in 2002 . The Gambia 's first match was against Morocco , but the team withdrew from the competition . | 51 | 1 |
The development of women 's football in Africa face several challenges , including limited access to education , poverty amongst women , inequalities and human rights abuses targeting women . Funding is another issue impacting the game in Africa , where most financial assistance come from FIFA and not national football associations . Another challenge is the retention of football players . Many women footballers leave the continent to seek greater opportunity in Europe or the United States . | 52 | 2 |
The plain maskray or brown stingray ( Neotrygon annotata ) is a species of stingray in the family Dasyatidae . It is found in shallow , soft @-@ bottomed habitats off northern Australia . Reaching 24 cm ( 9 @.@ 4 in ) in width , this species have a diamond @-@ shaped , grayish green pectoral fin disc . Its short , whip @-@ like tail have alternating black and white bands and fin folds above and below . There are short rows of thorns on the back and the base of the tail , but otherwise the skin is smooth . While this species possess the dark mask @-@ like pattern across its eyes common to its genus , it is not ornately patterned like other maskrays . | 53 | 3 |
Benthic in nature , the plain maskray feed mainly on caridean shrimp and polychaete worms , and to a lesser extent on small bony fishes . It is viviparous , with females producing litters of one or two young that are nourished during gestation via histotroph ( " uterine milk " ) . This species lack economic value but is caught incidentally in bottom trawls , which it is thought to be less able to withstand than other maskrays due to its gracile build . As it also have a limited distribution and low fecundity , the International Union for Conservation of Nature ( IUCN ) have listed it as Near Threatened . | 54 | 4 |
The first scientific description of the plain maskray was authored by Commonwealth Scientific and Industrial Research Organisation ( CSIRO ) researcher Peter Last in a 1987 issue of Memoirs of the National Museum of Victoria . The specific name annotatus come from the Latin an ( " not " ) and notatus ( " marked " ) , and refer to the ray 's coloration . The holotype is a male 21 @.@ 2 cm ( 8 @.@ 3 in ) across , caught off Western Australia ; several paratypes was also designated . Last tentatively placed the species in the genus Dasyatis , noting that it belonged to the " maskray " species group that also included the bluespotted stingray ( then Dasyatis kuhlii ) . In 2008 , Last and William White elevated the kuhlii group to the rank of full genus as Neotrygon , on the basis of morphological and molecular phylogenetic evidence . | 55 | 3 |
In a 2012 phylogenetic analysis based on mitochondrial and nuclear DNA , the plain maskray and the Ningaloo maskray ( N. ningalooensis ) was found to be the most basal members of Neotrygon . The divergence of the N. annotata lineage was estimated to have occurred ~ 54 Ma . Furthermore , the individuals sequenced in the study sorted into two genetically distinct clades , suggesting that N. annotata is a cryptic species complex . The two putative species was estimated to have diverged ~ 4 @.@ 9 Ma ; the precipitating event was likely the splitting of the ancestral population by coastline changes . | 56 | 2 |
The pectoral fin disc of the plain maskray is thin and diamond @-@ shaped with narrowly rounded outer corners , measuring 1 @.@ 1 – 1 @.@ 3 times longer than wide . The leading margins of the disc are gently concave and converge at a broad angle to the pointed tip of the snout . The small eyes are placed close together , and behind them are the spiracles . The nostrils are elongated and have a skirt @-@ shaped flap of skin between them . The small mouth bear prominent furrows at the corners and contain two slender papillae on the floor . Small papillae are also found around the outside of the mouth . There are five pairs of gill slits . The pelvic fins are fairly large and pointed . | 57 | 2 |
The tail is short , barely exceeding the length of the disc when intact , and have a broad and flattened base leading to usually two stinging spines . After the stings , the tail become slender and bear a long ventral fin fold and a much shorter , lower dorsal fin fold . Most of the body lack dermal denticles ; a midline row of 4 – 13 small , closely spaced thorns is present behind the spiracles , and another row of 0 – 4 thorns before the stings . The dorsal coloration is grayish green , becoming pinkish towards the disc margins ; there is a dark mask @-@ like shape around the eyes and a pair of small dark blotches behind the spiracles . The tail behind the stings have alternating black and white bands of variable width , ending with black at the tip . The underside is plain white and the ventral fin fold is light grayish in color . This species grow to 24 cm ( 9 @.@ 4 in ) across and 45 cm ( 18 in ) long . | 58 | 6 |
The plain maskray inhabit the continental shelf of northern Australia from the Wellesley Islands in Queensland to the Bonaparte Archipelago in Western Australia , including the Gulf of Carpentaria and the Timor and Arafura Seas . There are unsubstantiated reports that its range extend to southern Papua New Guinea . It is the least common of the several maskray species native to the region . This species is a bottom @-@ dweller that prefer habitats with fine sediment . It have been recorded from between 12 and 62 m ( 39 and 203 ft ) deep , and tend to be found farther away from shore than other maskrays in its range . | 59 | 5 |
The plain maskray generally hunt at the surface of the bottom substrate , rather than digging for prey . Its diet consist predominantly of caridean shrimp and polychaete worms . Small bony fishes are also eaten , along with the occasional penaeid prawn or amphipod . Larger rays consume a greater variety of prey and relatively more polychaete worms when compared to smaller rays . This species is parasitized by the tapeworm Acanthobothrium jonesi . | 60 | 2 |
The main conservation threat to the plain maskray is incidental capture by commercial bottom trawl fisheries . In the present day , this is mostly caused by Australia 's Northern Prawn Fishery , which operate throughout its range . Although this species is discarded when caught , it is more delicate @-@ bodied than other maskrays and is thus unlikely to survive encounters with trawling gear . Historically , this species may also have been negatively affected by Japanese , Chinese , and Taiwanese trawlers that fished intensively off northern Australia from 1959 to 1990 . These factors , coupled with the plain maskray 's limited distribution and low reproductive rate , have resulted in its being assessed as Near Threatened by the International Union for Conservation of Nature ( IUCN ) . | 61 | 1 |
Columbus also traded former first round draft pick Nikita Filatov to the Ottawa Senators for a third @-@ round pick in the 2011 Draft . Filatov had failed to live up to expectations in Columbus , playing in only 44 games over three seasons scoring six goals . Prior to the start of the season , the Blue Jackets was questioned for not signing a veteran back @-@ up to starting goaltender Steve Mason , as the former Calder Memorial Trophy winner had struggled in consecutive seasons . The Blue Jackets signed Mark Dekanich as the back @-@ up who had only 50 minutes of NHL experience prior to the start of the season . Columbus did sign a veteran Curtis Sanford to be their third string goaltender and to start for their American Hockey League ( AHL ) affiliate , the Springfield Falcons . Sanford had not played in the NHL since 2009 . During training camp , Dekanich suffered a high ankle sprain that was expected to keep him out of the line @-@ up for a month . Additionally , Sanford suffered a groin injury , leaving Allen York as the back @-@ up . York had only played four professional games , all in the AHL , entering the season . | 62 | 1 |
After the first five games , all losses , Jeff Carter suffered a broken foot that kept him out of the line @-@ up for 10 games . While Carter was injured , the Blue Jackets continued to lose games . In the eighth game of the year , they had a chance to end the losing streak against the Ottawa Senators . Columbus held a 3 – 2 lead with under a minute to play . Jason Spezza tied the game on a late power play , and with just 4 @.@ 7 seconds remaining , Milan Michalek notched the winning goal for the Senators . The loss helped set a franchise record for futility with a 0 – 7 – 1 record to start a season . [ note 1 ] The losing streak came to an end three days later with a win over the Detroit Red Wings . During the game , several milestones was reached . James Wisniewski made his Columbus debut , Ryan Johansen and John Moore scored their first career NHL goals and Grant Clitsome had a career @-@ high three assists . Columbus was unable to create any momentum from the win , however , and continued to struggle , culminating in a 2 – 12 – 1 record , which was the worst start to an NHL season for any team in 19 years . With the team struggling , management attempted to " shake things up " by making some roster moves . The first move was the acquisition of center Mark Letestu from the Pittsburgh Penguins . Next , they traded defenseman Kris Russell to the St. Louis Blues for Nikita Nikitin . As the clubs slow start continued , there was rumors that Head Coach Scott Arniel would be fired and replaced with Ken Hitchcock . Hitchcock had previously coached the Blue Jackets to their only playoff appearance in club history and was still under contract with the franchise through to the end of the season . Before any of these rumors came to fruition , the St. Louis Blues asked Columbus for permission to hire Hitchcock , which the Blue Jackets allowed . Hitchcock began his Blues coaching career with a 6 – 1 – 2 record in his first nine games , while Columbus amassed a 6 – 13 – 3 record to start the season . | 63 | 2 |
With the losing continuing , more rumors began to surface . Unlike before , the rumors was about player moves rather than coaching changes . The majority of rumors was that the Blue Jackets would trade Rick Nash . While Howson stated that he had never brought up trading Nash in discussions , other teams had inquired about his availability . Nash stated that if Columbus felt it would make the franchise better than he would be willing to waive his no @-@ trade clause . Howson publicly stated that he had no intention of trading Nash . More rumors came to light when reports attributed to Réseau des sports stated that Carter was unhappy in Columbus and demanded a trade . Howson , Carter and his agent all denied that a trade request was ever made , and they was unsure where the reports was coming from . With the trade deadline approaching , speculation picked up on the Blue Jackets trading Carter . Reports was that Columbus was trying to trade Carter and that he was " 100 percent available . " | 64 | 5 |
At the halfway point of the season , with the Blue Jackets barely into double digit win with an 11 – 25 – 5 record , worst in the league , and sitting 20 points out of playoff position , Columbus fired Arniel . He was replaced by Assistant Coach Todd Richards on an interim basis . Richards had previously coached the Minnesota Wild . He recorded his first coaching victory for the Blue Jackets in his second game , a 4 – 3 win over the Phoenix Coyotes . The change in coaching did not change the fortunes of the team , as they reached the All @-@ Star break with a 13 – 30 – 6 record . At the break , Blue Jackets ' owner John P. McConnell sent out a letter to fans stating his understanding of their frustration . He added that action would be taken around the trade deadline , the Entry Draft and free agency to take the team in a new direction . When speaking of the season , McConnell stated " disappointing is not a strong enough word " and that he was committed to giving fans a team of which they can be proud of . He also thanked them for their dedication and passion , while reiterating that the team goal was to " win consistently and compete for the Stanley Cup . " Days later , a 250 @-@ person protest occurred outside of Nationwide Arena . Fans was upset with the Blue Jackets ' management and was calling for changes at the top . The same day the fans protested , it was announced that the franchise would host the 2013 All @-@ Star Game . Columbus was without a representative for the 2012 All @-@ star Game , but Ryan Johansen represented the club as a rookie participant in the Super Skills Competition . In the competition , Johansen participated in the Allstate Insurance NHL Breakaway Challenge , a shootout themed event judged by the fans . He received just 1 % of the vote and finished last . | 65 | 3 |
Following the break , the Blue Jackets was on the road playing the Los Angeles Kings , and with the score tied late in the game , Kings ' defenseman Drew Doughty scored with just 0 @.@ 4 seconds remaining to win the game . Upon review of the goal it , was determined that the clock at Staples Center froze at 1 @.@ 8 seconds for over a full second , which would have resulted in time expiring prior to the goal being scored . Kings ' General Manager Dean Lombardi stated that the clock was correct and no extra time had been added due to the way the clock self @-@ corrects at various times . Howson stated on the team 's blog that " It is an amazing coincidence that with the Kings on a power play at Staples Center and with a mad scramble around our net in the dying seconds of the third period of a 2 – 2 hockey game that the clock stopped for at least one full second , " adding that , " Either there was a deliberate stopping of the clock or the clock malfunctioned . " NHL Senior Vice President of Hockey Operations Colin Campbell stated that the Blue Jackets was wronged , but that the outcome of the game could not be changed , and that the delay was not noticed by the off @-@ ice officials or the situation room in Toronto . To determine the true cause of the clock pause , the NHL launched an investigation , talking with the clock 's manufacturer and interviewing Staples Center staff . | 66 | 2 |
Two weeks prior to the NHL trade deadline , Columbus announced that unlike earlier in the season , they would listen to trade proposals involving Rick Nash , though they was not actively shopping him . Howson stated that the team was open to all options for improving the team , including trading Nash . Speculation was that in return for Nash the Blue Jackets would ask for a " combination of young , proven players , high @-@ end prospects and draft picks . " Leading up to the trade deadline , the Blue Jackets dealt Antoine Vermette to the Phoenix Coyotes for two draft picks and goaltender Curtis McElhinney . Despite being injured at the time , the acquisition of McElhinney was believed to give Columbus the flexibility to trade Curtis Sanford . The following day , on February 23 , Columbus traded Jeff Carter to the Kings . In the deal , Columbus acquired defenseman Jack Johnson and a first @-@ round draft pick ; the team was given the choice of taking the pick in either 2012 or 2013 . At the deadline , Columbus was unable to come to terms on a deal involving Nash , but they did make one more move ; they sent center Samuel Pahlsson to the Vancouver Canucks in exchange for two fourth @-@ round draft picks and minor league defenseman Taylor Ellington . Following the trade deadline , Howson announced that the team had attempted to trade Nash at the player 's request . Nash stated that he had requested the trade after being informed that the franchise was going into another rebuilding phase . He further noted that he felt that he " could be a huge part of that towards bringing assets in , " and in his view " it was the best thing for the team , the organization , and personally for [ his ] career . " After the personnel changes , the Blue Jackets closed out the month with a three @-@ game losing streak . | 67 | 1 |
Columbus started March with a 2 – 0 shutout against the Colorado Avalanche . They proceeded to win their next game against the Phoenix Coyotes 5 – 2 , which marked the first time that the Blue Jackets posted back @-@ to @-@ back regulation victories during the season . Columbus again defeated the Coyotes three days later to earn their first three @-@ game win streak of the season . They extended the streak to four with a win over the Los Angeles Kings before it came to an end with a 4 – 1 loss to the St. Louis Blues . It was the only four @-@ game win streak of the season for the Blue Jackets . They immediately matched their four @-@ game win streak with a four @-@ game losing streak and with ten games remaining , the Blue Jackets was the first team eliminated from playoff contention . Shortly after being eliminated , they was defeated by the Edmonton Oilers 6 – 3 ; the loss clinched last place in the NHL for Columbus . It was the first time in franchise history the Blue Jackets finished in 30th place . | 68 | 2 |
Finishing with the worst record in the NHL , Columbus had the best chance of receiving the first overall pick in the 2012 draft . With the NHL 's weighted draft lottery the Blue Jackets had a 48 @.@ 2 % chance of drafting first overall . However , the lottery was won by the Edmonton Oilers , who proceeded to leapfrog Columbus and secure the number one draft pick for a third consecutive year . It was the fifth time that the Blue Jackets was dropped one draft position in the franchise 's 12 lottery participations . | 69 | 1 |
A month later , on May 14 , the Blue Jackets announced that Richards would remain as head coach and signed him to a two @-@ year contract . During the press conference , Howson noted , " Our team continuously improved under Todd and he have earned the opportunity to build upon the work he started . " Columbus posted an 18 – 21 – 2 record under Richards , including winning seven of their final 11 games . | 70 | 1 |
Since being founded as an expansion team , the Blue Jackets have played in the Central Division of the Western Conference . Division rival Chicago Blackhawks , Detroit Red Wings , Nashville Predators and St. Louis Blues , all made the playoff during the 2011 – 12 season , which helped Columbus finish 36 points behind fourth place Chicago and 44 points out of first . | 71 | 1 |
= = Schedule and result = = | 72 | 1 |
Green background indicate win ( 2 points ) . | 73 | 1 |
Red background indicate regulation loss ( 0 points ) . | 74 | 1 |
Silver background indicate overtime / shootout loss ( 1 point ) . | 75 | 1 |
In ice hockey , a combination of a player 's goals and assists are collectively called points . Penalty minutes are the total number of minutes assigned to a player for infractions assessed during the season.Plus @-@ minus is a statistic that track when a player was on the ice while goals was scored , both for and against their team , though some in game situations will not effect the statistic . Below is a listing of all player statistics for the Blue Jackets during the season . | 76 | 2 |
When Mason was injured in warm @-@ ups late in the year , Columbus was without an active goaltender on their roster . To remedy the situation , the team signed former University of Michigan goaltender Shawn Hunwick to a one @-@ day , amateur tryout contract . After being eliminated from the NCAA Tournament just days prior , Hunwick skipped an astronomy class and drove his worn down 2003 Ford Ranger to Columbus to make the game . He served as the back @-@ up to Allen York during the game , and the following day , he signed a contract for the remainder of the year . With Mason returning from injury , Hunwick was third on the team 's depth chart when an injury to York allowed Hunwick to remain as the back @-@ up for the final two games of the year . In the final game of the season , the Blue Jackets was leading the Islanders 7 – 3 with 2 : 33 remaining when , at the behest of his teammates , Head Coach Todd Richards put Hunwick in to finish the game . He did not face a shot . Hunwick was the franchise record ninth player to make his NHL debut during the season . Conversely , Vaclav Prospal played in his 1,000th NHL game during the year . | 77 | 1 |
During the off @-@ season the Blue Jackets parted ways with defensemen Jan Hejda , Anton Stralman , Sami Lepisto and Mike Commodore . Hejda , who played four of his first five NHL seasons with the Blue Jackets , was offered a contract by Columbus , but felt that the organization undervalued him and left via free agency . Columbus had offered him a three @-@ year , $ 7 @.@ 5 million contract . He instead signed a four @-@ year , $ 13 million deal with the Colorado Avalanche . Stralman and Lepisto was not given qualifying offers which made them unrestricted free agents , and both signed with other teams . Commodore had originally signed a big contract with the Blue Jackets in 2008 , but fell out of favor . He was waived , sent to the minors and eventually had his contract bought out . In order to replace the departed players , Columbus not only acquired James Wisniewski , but also signed ten @-@ year NHL veteran Radek Martinek . Martinek played only seven games with the Blue Jackets before suffering a concussion and missing the remainder of the season . Brett Lebda was brought in to replace him . | 78 | 1 |
The Gregorian Tower ( Italian : Torre Gregoriana ) or Tower of the Winds ( Italian : Torre dei Venti ) is a round tower located above the Gallery of Maps , which connect the Villa Belvedere with the Apostolic Palace in Vatican City . The tower was built between 1578 and 1580 to a design by the Bolognese architect Ottaviano Mascherino ( who was credited with building the Apostolic Palace ) mainly to promote the study of astronomy for the Gregorian Calendar Reform which was commissioned by Pope Gregory XIII and promulgated in 1582 . It was then also known as the Tower of Winds . The tower is now called the " Specola Astronomica Vaticana " , the Vatican Observatory . Four stages of progressive development have occurred since it was first established . The tower was an edifice of great value for astronomical observations made using a sundial as they provided essential confirmation of the need to reform the Julian calendar . | 79 | 1 |
The first stage of building of the tower , as recorded by Leo XIII in his motu proprio Ut mysticam of 1891 , is credited to Pope Gregory XIII , Pope from 1572 to 1585 . The directive was to build a tower at a suitable location in the Vatican and equip it with the " greatest and best instruments of the time " . The design was effected after a series of meetings of the experts who had been appointed to reform the Julian calendar , in use since 45 BC , to verify their proposed reforms . Fr . Christoph Clavius , a Jesuit mathematician from the Roman College , was the expert on the committee who suggested the new system for the observations . The 73 metres ( 240 ft ) tower was then built above the museum and library , flanked by the Belvedere and della Pigna courtyards . The instrumentation for the observation of the sun rays falling over it consisted of a meridian line designed by Ignazio Danti of Perugia . It was in the form of a circular marble plate in the centre , embellished with scientific designs . The tower still remain today , but have undergone improvements over the centuries . | 80 | 2 |
The second stage of construction in the 17th and 18th centuries , when the tower was under the charge of the Vatican librarian , involved Mgr . Filippo Luigi Gilii , a clergyman of St. Peter 's Basilica . Earlier in 1797 , Pius VI gave approval to placing a Latin inscription Specula Vaticana at the entrance to the upper part of the tower , which was implemented by Cardinal Zelada with plans to enhance the instrumentation system in the tower 's observatory . The original observatory was then set up above the second level of the tower with the agreement of Pope Pius VI . Its instrumentation , apart from many normal devices ( such as meteorological and magnetic equipment , with a seismograph and a small transit and pendulum clock , ) was noted for the Dolland Telescope . The instrumentation facilitated recording of occurrences of eclipse , appearance of comets , Satellites of Jupiter and Mercury ’ s transit . As an addition , under the patronage of Pope Pius X , four rotary observatory domes was also added at strategic locations on the 1 @,@ 300 feet ( 400 m ) long fortification walls , more than a thousand years old . Mgr . Gilii , highly respected as a polyglot with a knowledge of physics , biology , archeology and the Hebrew language , was in charge of the observatory from 1800 to 1821 . He carried out continuous meteorological observations ( twice a day at 6 AM and 2 PM ) conforming to the programme of the Mannheim Meteorological Society . While the observation record for seven years was published , the balance data in a manuscript form was preserved in the Vatican Library . Subsequent to Gilii 's death in 1821 , the observatory on the tower was discontinued and the instruments was moved to the observatory at the Roman College . Established in 1787 , it was considered more suitable for making observations than the Vatican . | 81 | 4 |
The revival of the observatory on the Gregorian Tower was initiated by the Barnabite Francesco Denza with the approval of Pope Leo XIII . High quality instruments was procured , partly with generous donations from Hicks of London , and the automatic recording instruments was procured from Richard in Paris . A four @-@ inch equatorial , a three @-@ inch transit instrument , and four pendulum clocks with two chronometers , was also procured from the observatory at Modena . In 1888 , the gift of a 16 inch long telescope to Pope Leo XIII , became a part of the observatory . Father Denza joined the observatory in 1889 after it was upgraded with more modern instruments . The same year , a second tower was built some 400 metres ( 1 @,@ 300 ft ) away from the main Gregorian Tower , overlooking the Vatican Gardens behind St. Peter 's Basilica on the south @-@ west border . It was built to a diameter of 17 metres ( 56 ft ) with a lower wall thickness of 4 @.@ 5 metres ( 15 ft ) , which could bear the load of a 13 inch photographic refractor , newly procured from Paris . Augustinian Father Rodriguez was the expert meteorologist who held the post of director from 1898 to 1905 . In 1891 , Pope Leo XIII , promulgating the motu proprio Ut mysticam , designated the second tower as the seat of the newly established Vatican Observatory , a decision which required altering the roof to provide a flat terrace for astronomical observations . | 82 | 3 |
The fourth stage involved remedying the problem of communicating between the two towers during the time of Pope Pius X. His plans was to make the Gregorian Tower into a historical tower and to record and carry out observations at the second tower by linking the two towers along the fortified wall with a 83 metres ( 272 ft ) iron bridge spanning the gap . At the west end of this bridge , a four @-@ inch equatorial was installed on semicircular bastion . The east end of the bridge , above the barracks of the gendarmes , had a heliograph , with a camera attached , used to photograph the Sun ( photoheliograph ) . A new 16 @-@ inch visual telescope , called Torre Pio X , was erected in the second tower . As a result of these modifications , the original library was moved to the Pontifical Academy Lincei , and the old meteorological and seismic instruments was shifted to the Valle di Pompei observatory . The new Astronomical Library was housed in two rooms of the building . The two new Repsold machines was used for recording on the astrographic plates . The recorded observations was published along with explanatory notes together with the last two series of the atlas of stars . Charts was printed on silver bromide paper . | 83 | 5 |
The tower had two floors and a mezzanine . On the first floor was the famous Sundial Room or Meridian Room , which was initially an open loggia . Pope Urban VIII had it enclosed and it was subsequently decorated with long sequences of frescoes painted between 1580 and 1582 by Simon Lagi and the two Flemish artists Paul and Matthijs Bril . Today the tower have paintings by Cristoforo Roncalli and Matteino da Siena . | 84 | 1 |
The Sundial Room , also called the Meridian Hall , was once the residence of Queen Christina of Sweden , then newly converted to Catholicism . The room was further modified by two additions which gave it its current name : a sundial , and a delicate but sophisticated anemoscope which was fixed to the ceiling of the Meridian Hall . These was created by Ignazio Danti , the papal cosmographer , in association with the Gregorian Calendar Reform . The sundial consisted of a straight line in white marble running across the floor in a north @-@ south direction , intended to measure the height of the Sun at noon according to the seasons of the year . The observations made with the sundial provided essential confirmation of the need to reform the Julian calendar . The anemoscope , in contrast , was a complex mechanism attached to the ceiling which was used to measure the strength and direction of the wind but soon stopped functioning . The instrument may have led to the other name of the tower , Tower of the Winds ; however , an ancient observatory at Athens was also called the Tower of the Winds and might have been the source for inspiration . | 85 | 1 |
The interior walls and ceiling of the hall was richly decorated , in some cases with gaudy frescoes of the hills and Roman countryside , the Pantheons , religious themes , the buildings surrounding the area , and naval shipwrecks with Jesus calming the storm and so forth . | 86 | 1 |
= There 's Get to Be a Way = | 87 | 1 |
There 's Get to Be a Way is a song by American singer and songwriter Mariah Carey from her self @-@ titled debut studio album ( 1990 ) . Columbia released it as the fifth and final single from the album in the United Kingdom . It was one of four songs Carey wrote with Ric Wake during their first recording session together , but " There 's Get to Be a Way " was the only composition to make the final track listing . It is a socio @-@ political conscious R & B @-@ pop song which address the existence of poverty , racism and war in the world which gradually become more aspirational and positive as it progress . The track garnered a mixed reception upon the album 's release in 1990 . While Carey 's vocals was praised , it was seen as too political . An accompanying music video highlight social injustices . The song reached number 54 on the UK Singles Chart . | 88 | 7 |
There 's Get to Be a Way was written by Mariah Carey and Ric Wake for Carey 's self @-@ titled debut studio album ( 1990 ) . It was written during Carey and Wake 's first recording session together . They composed four songs , but only " There 's Get to Be a Way " was chosen for the final track listing . Co @-@ produced by Wake and Narada Michael Walden , it appear as the second of ten songs on the track listing . The track was recorded and engineered by Bob Cadway at Cove City Sound Studios and The Power Station , both located in New York City . He was assisted by Dana Jon Chappelle . It was mixed by David Frazer at Tarpan Studios in San Rafael . The keyboards , bass and rhythm engineering was carried out by Louis Biancaniello , while Joe Franco performed the percussion , Vernon " Ice " Black played the guitar , and Rich Tancredo also performing on the keyboards . Walter Afanasieff played the synth horns . Carey provided her own background vocals along with Billy T. Scott , Jamiliah Muhammed and The Billy T. Scott Ensemble . The song was released as the fifth and final single from the album in the United Kingdom . It is available to purchase as a CD single while the remixes are available on vinyl . | 89 | 3 |
There 's Get to Be a Way is an R & B @-@ pop music song with elements of gospel . The theme of social activism can be heard in the lyrics " There ’ s got to be a way / to connect this world today . " The song begin with Carey publicly denouncing the existence of poverty and racism in the world , and she use the bridge to shift the lyrics towards an uplifting and aspirational tone . Carey suggest we should be more tolerant of each other and not resort so readily to war in the lyrics " Couldn 't we accept each other / Can 't we make ourselves aware . " | 90 | 4 |
Music critic Robert Christgau felt that Carey was being too political in her " brave , young , idealistic attack " on war and destitution . Ralph Novak , David Hiltbrand and David Grogan of People wrote that it is a " testimony to her talent that she do so much with so little . " They continued to write that Carey 's " tone and clarity " make " There 's Get to Be a Way " a " mesmerizing " track . To mark twenty @-@ five years since the release of Mariah Carey in June 1990 , Billboard writer Trevor Anderson wrote a track @-@ by @-@ track review of the album in June 2015 . He noted that " There 's Get to Be a Way " follow the same melodic tone as the album 's opener " Vision of Love " but highlighted their stark lyrical differences , as the former is about social activism and the latter is about love . Although he praised Carey 's vocals , writing that she " deploy " one of her best whistle notes of her career , he felt that " the aim for broad appeal come at the expense of memorable lyrics . " | 91 | 7 |
The accompanying music video begin with a shot of an empty street , followed by clips of disadvantaged and poorer members of society going about their daily activities . Two men play dominoes on a wooden crate outside a building , a gang make fun of an elderly man hanging newspapers outside his store and an obese woman walk down the street . Clips of Carey leaning against a wall and sitting on some steps looking on at what is happening are shown . As the first chorus begin , everyone start to dance joyfully in the street and help those in need . A gospel choir come out of one of the buildings as the street become more crowded with people of all ages and backgrounds rejoicing and getting along with each other . One of the shops in the background have a neon light outside the entrance which say " Jesus Saves " . | 92 | 8 |
There 's Get to Be a Way ( Original album version ) – 4 : 52 | 93 | 1 |
There 's Get to Be a Way ( 7 " remix ) | 94 | 1 |
There 's Get to Be a Way ( 12 " remix ) | 95 | 1 |
There 's Get to Be a Way ( Alternative Vocal Dub Mix ) | 96 | 1 |
Nebraska Highway 88 ( N @-@ 88 ) is a highway in northwestern Nebraska . It have a western terminus at Wyoming Highway 151 ( WYO 151 ) at the Wyoming – Nebraska state line . The road travel eastward to N @-@ 71 , where it turn south . N @-@ 88 continue east to south of Bridgeport . The road turn north , end at an intersection with U.S. Highway 385 ( US 385 ) and N @-@ 92 in Bridgeport . The route was designated in 1937 , before the official state highway system was created . It was extended to the state line in 1986 . | 97 | 6 |
N @-@ 88 starts at the Nebraska – Wyoming state line in Banner County , where WYO 151 ends , and travel northeast . The road quickly bend east after less than one mile ( 1 @.@ 6 km ) , and continue in a straight line . For the next twenty miles ( 32 km ) , N @-@ 88 intersect minor streets , through rural farmland . The route turn south at N @-@ 71 , and become concurrent . Four miles ( 6 @.@ 4 km ) later , N @-@ 88 turns east , ending the concurrency with N @-@ 71 . The route continue to travel through farmland for sixteen miles ( 26 km ) , where it enter Morrill County . The road cross over Pumpkin Creek four times , and enter the unincorporated community of Redington . Two rock formations , Courthouse and Jail Rocks , become visible from the road . N @-@ 88 turn north toward Bridgeport soon after . The road cross over Pumpkin Creek for the fifth time , and enters into Bridgeport five miles ( 8 @.@ 0 km ) later . The road intersect a railroad owned by BNSF Railway . N @-@ 88 turns northeast soon after , and end at the intersection of US 385 and N @-@ 92 . In 2012 , Nebraska Department of Roads ( NDOR ) calculated as many as 2 @,@ 410 vehicles traveling on the N @-@ 71 / N @-@ 88 concurrency , and as few as 315 vehicles traveling east of the Banner – Morrill county line . This is expressed in terms of annual average daily traffic ( AADT ) , a measure of traffic volume for any average day of the year . Only the N @-@ 71 / N @-@ 88 concurrency is part of the National Highway System ( NHS ) , a network of highways identified as being most important for the economy , mobility and defense of the nation . | 98 | 14 |
The brothers Asa and Nelson Tift received the contract to convert the blockade runner into an ironclad in early 1862 with the name of Atlanta , after the city in Georgia . This was largely financed by contributions from the women of Savannah . Fingal was cut down to her main deck and large wooden sponsons was built out from the sides of her hull to support her casemate . After the conversion , Atlanta was 204 feet ( 62 @.@ 2 m ) long overall and had a beam of 41 feet ( 12 m ) . Her depth of hold was now 17 feet ( 5 @.@ 2 m ) and she now had a draft of 15 feet 9 inches ( 4 @.@ 8 m ) . Atlanta now displaced 1 @,@ 006 long tons ( 1 @,@ 022 t ) and her speed was estimated at 7 – 10 knots ( 13 – 19 km / h ; 8 @.@ 1 – 11 @.@ 5 mph ) . | 99 | 1 |
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