Datasets:

pszemraj

/

booksum-short

like 4

pinkmonkey

all_chapterized_books/1260-chapters/17.txt

finished_summaries/pinkmonkey/Jane Eyre/section_15_part_0.txt

Jane Eyre.volume 2.chapter 16

chapter 16

{"name": "Chapter 16", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre36.asp", "summary": "The next morning, Jane is shocked to see Grace Poole sitting and sewing rings for the new curtains in Mr. Rochester's room. Grace seems cool and composed. Jane tries to question her, and Grace in turn attempts to cross-examine her. Jane wonders why Mr. Rochester has not had her arrested for the crime. As Jane has not seen Mr. Rochester the whole day, she becomes very impatient by evening. Mrs. Fairfax tells her that he has gone to the Leas, the residence of Mr. Eshton, to stay for a week. She informs Jane that Mr. Rochester is a favorite at such parties because he is \"so talented and so lively in society.\" She also tells her of his attraction for the beautiful and accomplished Blanche Ingram. Mrs. Fairfax had seen her as a girl of eighteen, when she attended a Christmas ball at Thornfield. Hearing this, Jane wants to nip her passion for Mr. Rochester in the bud. She goes up to her room and scolds herself for having indulged in romantic thoughts of her master. As a punishment, she sketches two contrasting portraits: one of herself and the other of Blanche Ingram. While one is plain, the other is done on ivory.", "analysis": "Notes In this chapter Jane has an encounter with Grace Poole. She wonders what hold such an unattractive person can possibly have over Mr. Rochester. Significantly the chapter begins with Jane's wish and fear to see Rochester. She wants to hear his voice again, yet fears to meet his eye. When Mrs. Fairfax tells her where he is, Jane wonders whether Mr. Rochester is indifferent to her. He is possibly in pursuit of more beautiful and socially suitable woman. Jane's response to Mrs. Fairfax's description of Blanche Ingram is equally interesting. She tells herself that she has been foolish to suppose that Mr. Rochester could possibly be drawn to a poor and unattractive girl like herself. Indeed, it is her modesty and discretion that are reflected in the way she upbraids herself. Gazing into the mirror, she paints two portraits: one of herself, \"a governess, disconnected poor and plain,\" and the other of Miss Ingram. This exercise is meant to be a reminder of and a corrective to her folly. Thanks to this determination, she teaches herself not to indulge in romantic hopes. The one important thing that comes between Jane and Mr. Rochester is social class. Although Jane is probably the most qualified employee at Thornfield, the fact remains that she is a servant. Therefore, class poses a serious obstacle to a romantic relationship--or marriage--between them."}

I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day. But the morning passed just as usual: nothing happened to interrupt the quiet course of Adele's studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester's chamber, Mrs. Fairfax's voice, and Leah's, and the cook's--that is, John's wife--and even John's own gruff tones. There were exclamations of "What a mercy master was not burnt in his bed!" "It is always dangerous to keep a candle lit at night." "How providential that he had presence of mind to think of the water-jug!" "I wonder he waked nobody!" "It is to be hoped he will not take cold with sleeping on the library sofa," &c. To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole. There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing. "I will put her to some test," thought I: "such absolute impenetrability is past comprehension." "Good morning, Grace," I said. "Has anything happened here? I thought I heard the servants all talking together a while ago." "Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer." "A strange affair!" I said, in a low voice: then, looking at her fixedly--"Did Mr. Rochester wake nobody? Did no one hear him move?" She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered-- "The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax's room and yours are the nearest to master's; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy." She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone--"But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?" "I did," said I, dropping my voice, so that Leah, who was still polishing the panes, could not hear me, "and at first I thought it was Pilot: but Pilot cannot laugh; and I am certain I heard a laugh, and a strange one." She took a new needleful of thread, waxed it carefully, threaded her needle with a steady hand, and then observed, with perfect composure-- "It is hardly likely master would laugh, I should think, Miss, when he was in such danger: You must have been dreaming." "I was not dreaming," I said, with some warmth, for her brazen coolness provoked me. Again she looked at me; and with the same scrutinising and conscious eye. "Have you told master that you heard a laugh?" she inquired. "I have not had the opportunity of speaking to him this morning." "You did not think of opening your door and looking out into the gallery?" she further asked. She appeared to be cross-questioning me, attempting to draw from me information unawares. The idea struck me that if she discovered I knew or suspected her guilt, she would be playing of some of her malignant pranks on me; I thought it advisable to be on my guard. "On the contrary," said I, "I bolted my door." "Then you are not in the habit of bolting your door every night before you get into bed?" "Fiend! she wants to know my habits, that she may lay her plans accordingly!" Indignation again prevailed over prudence: I replied sharply, "Hitherto I have often omitted to fasten the bolt: I did not think it necessary. I was not aware any danger or annoyance was to be dreaded at Thornfield Hall: but in future" (and I laid marked stress on the words) "I shall take good care to make all secure before I venture to lie down." "It will be wise so to do," was her answer: "this neighbourhood is as quiet as any I know, and I never heard of the hall being attempted by robbers since it was a house; though there are hundreds of pounds' worth of plate in the plate-closet, as is well known. And you see, for such a large house, there are very few servants, because master has never lived here much; and when he does come, being a bachelor, he needs little waiting on: but I always think it best to err on the safe side; a door is soon fastened, and it is as well to have a drawn bolt between one and any mischief that may be about. A deal of people, Miss, are for trusting all to Providence; but I say Providence will not dispense with the means, though He often blesses them when they are used discreetly." And here she closed her harangue: a long one for her, and uttered with the demureness of a Quakeress. I still stood absolutely dumfoundered at what appeared to me her miraculous self-possession and most inscrutable hypocrisy, when the cook entered. "Mrs. Poole," said she, addressing Grace, "the servants' dinner will soon be ready: will you come down?" "No; just put my pint of porter and bit of pudding on a tray, and I'll carry it upstairs." "You'll have some meat?" "Just a morsel, and a taste of cheese, that's all." "And the sago?" "Never mind it at present: I shall be coming down before teatime: I'll make it myself." The cook here turned to me, saying that Mrs. Fairfax was waiting for me: so I departed. I hardly heard Mrs. Fairfax's account of the curtain conflagration during dinner, so much was I occupied in puzzling my brains over the enigmatical character of Grace Poole, and still more in pondering the problem of her position at Thornfield and questioning why she had not been given into custody that morning, or, at the very least, dismissed from her master's service. He had almost as much as declared his conviction of her criminality last night: what mysterious cause withheld him from accusing her? Why had he enjoined me, too, to secrecy? It was strange: a bold, vindictive, and haughty gentleman seemed somehow in the power of one of the meanest of his dependants; so much in her power, that even when she lifted her hand against his life, he dared not openly charge her with the attempt, much less punish her for it. Had Grace been young and handsome, I should have been tempted to think that tenderer feelings than prudence or fear influenced Mr. Rochester in her behalf; but, hard-favoured and matronly as she was, the idea could not be admitted. "Yet," I reflected, "she has been young once; her youth would be contemporary with her master's: Mrs. Fairfax told me once, she had lived here many years. I don't think she can ever have been pretty; but, for aught I know, she may possess originality and strength of character to compensate for the want of personal advantages. Mr. Rochester is an amateur of the decided and eccentric: Grace is eccentric at least. What if a former caprice (a freak very possible to a nature so sudden and headstrong as his) has delivered him into her power, and she now exercises over his actions a secret influence, the result of his own indiscretion, which he cannot shake off, and dare not disregard?" But, having reached this point of conjecture, Mrs. Poole's square, flat figure, and uncomely, dry, even coarse face, recurred so distinctly to my mind's eye, that I thought, "No; impossible! my supposition cannot be correct. Yet," suggested the secret voice which talks to us in our own hearts, "you are not beautiful either, and perhaps Mr. Rochester approves you: at any rate, you have often felt as if he did; and last night--remember his words; remember his look; remember his voice!" I well remembered all; language, glance, and tone seemed at the moment vividly renewed. I was now in the schoolroom; Adele was drawing; I bent over her and directed her pencil. She looked up with a sort of start. "Qu' avez-vous, mademoiselle?" said she. "Vos doigts tremblent comme la feuille, et vos joues sont rouges: mais, rouges comme des cerises!" "I am hot, Adele, with stooping!" She went on sketching; I went on thinking. I hastened to drive from my mind the hateful notion I had been conceiving respecting Grace Poole; it disgusted me. I compared myself with her, and found we were different. Bessie Leaven had said I was quite a lady; and she spoke truth--I was a lady. And now I looked much better than I did when Bessie saw me; I had more colour and more flesh, more life, more vivacity, because I had brighter hopes and keener enjoyments. "Evening approaches," said I, as I looked towards the window. "I have never heard Mr. Rochester's voice or step in the house to-day; but surely I shall see him before night: I feared the meeting in the morning; now I desire it, because expectation has been so long baffled that it is grown impatient." When dusk actually closed, and when Adele left me to go and play in the nursery with Sophie, I did most keenly desire it. I listened for the bell to ring below; I listened for Leah coming up with a message; I fancied sometimes I heard Mr. Rochester's own tread, and I turned to the door, expecting it to open and admit him. The door remained shut; darkness only came in through the window. Still it was not late; he often sent for me at seven and eight o'clock, and it was yet but six. Surely I should not be wholly disappointed to-night, when I had so many things to say to him! I wanted again to introduce the subject of Grace Poole, and to hear what he would answer; I wanted to ask him plainly if he really believed it was she who had made last night's hideous attempt; and if so, why he kept her wickedness a secret. It little mattered whether my curiosity irritated him; I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in, and a sure instinct always prevented me from going too far; beyond the verge of provocation I never ventured; on the extreme brink I liked well to try my skill. Retaining every minute form of respect, every propriety of my station, I could still meet him in argument without fear or uneasy restraint; this suited both him and me. A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax's room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester's presence. "You must want your tea," said the good lady, as I joined her; "you ate so little at dinner. I am afraid," she continued, "you are not well to- day: you look flushed and feverish." "Oh, quite well! I never felt better." "Then you must prove it by evincing a good appetite; will you fill the teapot while I knit off this needle?" Having completed her task, she rose to draw down the blind, which she had hitherto kept up, by way, I suppose, of making the most of daylight, though dusk was now fast deepening into total obscurity. "It is fair to-night," said she, as she looked through the panes, "though not starlight; Mr. Rochester has, on the whole, had a favourable day for his journey." "Journey!--Is Mr. Rochester gone anywhere? I did not know he was out." "Oh, he set off the moment he had breakfasted! He is gone to the Leas, Mr. Eshton's place, ten miles on the other side Millcote. I believe there is quite a party assembled there; Lord Ingram, Sir George Lynn, Colonel Dent, and others." "Do you expect him back to-night?" "No--nor to-morrow either; I should think he is very likely to stay a week or more: when these fine, fashionable people get together, they are so surrounded by elegance and gaiety, so well provided with all that can please and entertain, they are in no hurry to separate. Gentlemen especially are often in request on such occasions; and Mr. Rochester is so talented and so lively in society, that I believe he is a general favourite: the ladies are very fond of him; though you would not think his appearance calculated to recommend him particularly in their eyes: but I suppose his acquirements and abilities, perhaps his wealth and good blood, make amends for any little fault of look." "Are there ladies at the Leas?" "There are Mrs. Eshton and her three daughters--very elegant young ladies indeed; and there are the Honourable Blanche and Mary Ingram, most beautiful women, I suppose: indeed I have seen Blanche, six or seven years since, when she was a girl of eighteen. She came here to a Christmas ball and party Mr. Rochester gave. You should have seen the dining-room that day--how richly it was decorated, how brilliantly lit up! I should think there were fifty ladies and gentlemen present--all of the first county families; and Miss Ingram was considered the belle of the evening." "You saw her, you say, Mrs. Fairfax: what was she like?" "Yes, I saw her. The dining-room doors were thrown open; and, as it was Christmas-time, the servants were allowed to assemble in the hall, to hear some of the ladies sing and play. Mr. Rochester would have me to come in, and I sat down in a quiet corner and watched them. I never saw a more splendid scene: the ladies were magnificently dressed; most of them--at least most of the younger ones--looked handsome; but Miss Ingram was certainly the queen." "And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls." "She was greatly admired, of course?" "Yes, indeed: and not only for her beauty, but for her accomplishments. She was one of the ladies who sang: a gentleman accompanied her on the piano. She and Mr. Rochester sang a duet." "Mr. Rochester? I was not aware he could sing." "Oh! he has a fine bass voice, and an excellent taste for music." "And Miss Ingram: what sort of a voice had she?" "A very rich and powerful one: she sang delightfully; it was a treat to listen to her;--and she played afterwards. I am no judge of music, but Mr. Rochester is; and I heard him say her execution was remarkably good." "And this beautiful and accomplished lady, she is not yet married?" "It appears not: I fancy neither she nor her sister have very large fortunes. Old Lord Ingram's estates were chiefly entailed, and the eldest son came in for everything almost." "But I wonder no wealthy nobleman or gentleman has taken a fancy to her: Mr. Rochester, for instance. He is rich, is he not?" "Oh! yes. But you see there is a considerable difference in age: Mr. Rochester is nearly forty; she is but twenty-five." "What of that? More unequal matches are made every day." "True: yet I should scarcely fancy Mr. Rochester would entertain an idea of the sort. But you eat nothing: you have scarcely tasted since you began tea." "No: I am too thirsty to eat. Will you let me have another cup?" I was about again to revert to the probability of a union between Mr. Rochester and the beautiful Blanche; but Adele came in, and the conversation was turned into another channel. When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned at my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her own quiet way a plain, unvarnished tale, showing how I had rejected the real, and rabidly devoured the ideal;--I pronounced judgment to this effect:-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "_You_," I said, "a favourite with Mr. Rochester? _You_ gifted with the power of pleasing him? _You_ of importance to him in any way? Go! your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to a dependent and a novice. How dared you? Poor stupid dupe!--Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night?--Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and, if discovered and responded to, must lead, _ignis-fatuus_-like, into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: to-morrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.' "Whenever, in future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them: say, 'Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indigent and insignificant plebeian?'" "I'll do it," I resolved: and having framed this determination, I grew calm, and fell asleep. I kept my word. An hour or two sufficed to sketch my own portrait in crayons; and in less than a fortnight I had completed an ivory miniature of an imaginary Blanche Ingram. It looked a lovely face enough, and when compared with the real head in chalk, the contrast was as great as self- control could desire. I derived benefit from the task: it had kept my head and hands employed, and had given force and fixedness to the new impressions I wished to stamp indelibly on my heart. Ere long, I had reason to congratulate myself on the course of wholesome discipline to which I had thus forced my feelings to submit. Thanks to it, I was able to meet subsequent occurrences with a decent calm, which, had they found me unprepared, I should probably have been unequal to maintain, even externally.

Chapter 16

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre36.asp

The next morning, Jane is shocked to see Grace Poole sitting and sewing rings for the new curtains in Mr. Rochester's room. Grace seems cool and composed. Jane tries to question her, and Grace in turn attempts to cross-examine her. Jane wonders why Mr. Rochester has not had her arrested for the crime. As Jane has not seen Mr. Rochester the whole day, she becomes very impatient by evening. Mrs. Fairfax tells her that he has gone to the Leas, the residence of Mr. Eshton, to stay for a week. She informs Jane that Mr. Rochester is a favorite at such parties because he is "so talented and so lively in society." She also tells her of his attraction for the beautiful and accomplished Blanche Ingram. Mrs. Fairfax had seen her as a girl of eighteen, when she attended a Christmas ball at Thornfield. Hearing this, Jane wants to nip her passion for Mr. Rochester in the bud. She goes up to her room and scolds herself for having indulged in romantic thoughts of her master. As a punishment, she sketches two contrasting portraits: one of herself and the other of Blanche Ingram. While one is plain, the other is done on ivory.

Notes In this chapter Jane has an encounter with Grace Poole. She wonders what hold such an unattractive person can possibly have over Mr. Rochester. Significantly the chapter begins with Jane's wish and fear to see Rochester. She wants to hear his voice again, yet fears to meet his eye. When Mrs. Fairfax tells her where he is, Jane wonders whether Mr. Rochester is indifferent to her. He is possibly in pursuit of more beautiful and socially suitable woman. Jane's response to Mrs. Fairfax's description of Blanche Ingram is equally interesting. She tells herself that she has been foolish to suppose that Mr. Rochester could possibly be drawn to a poor and unattractive girl like herself. Indeed, it is her modesty and discretion that are reflected in the way she upbraids herself. Gazing into the mirror, she paints two portraits: one of herself, "a governess, disconnected poor and plain," and the other of Miss Ingram. This exercise is meant to be a reminder of and a corrective to her folly. Thanks to this determination, she teaches herself not to indulge in romantic hopes. The one important thing that comes between Jane and Mr. Rochester is social class. Although Jane is probably the most qualified employee at Thornfield, the fact remains that she is a servant. Therefore, class poses a serious obstacle to a romantic relationship--or marriage--between them.

pinkmonkey

all_chapterized_books/1260-chapters/18.txt

finished_summaries/pinkmonkey/Jane Eyre/section_16_part_0.txt

Jane Eyre.volume 2.chapter 17

chapter 17

{"name": "Chapter 17", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre37.asp", "summary": "Mr. Rochester remains away from Thornfield for the next few days, and Jane begins to experience a sickening sense of disappointment. However, she keeps reminding herself that Mr. Rochester is nothing more than her employer. Soon Mrs. Fairfax receives a letter from Mr. Rochester, asking her to make arrangements to accommodate his guests in style, as there are to be visitors at Thornfield. Accordingly, the next three days are spent in cleaning and preparing the place. Jane is as busy as the rest of the household. The sight of Grace Poole, however, throws her on her guard. When the guests arrive, Jane sees Blanche Ingram for the first time. From the second day of their stay, Mr. Rochester insists on Jane accompanying Adele to the drawing room. Jane enters while the drawing room is still empty and takes a corner seat. The ladies present are Mrs. Eshton and her two daughters, Amy and Louisa, Lady Lynn, Mrs. Colonel Dent and the Dowager Lady Ingram with her daughters, Blanche and Mary. Later, the gentlemen also enter. They include Frederick Lynn, Colonel Dent, Mr. Eshton, the magistrate, and the young Lord Ingram. While Mr. Rochester enjoys himself interacting with his guests, Jane keeps gazing at him unnoticed. Blanche commands Mr. Rochester to sing. Jane remains long enough to hear him and then slips away quietly. Soon she finds herself face to face with Mr. Rochester. He makes inquiries about her health and finding her distressed, excuses her from returning to the drawing room.", "analysis": "Notes Seeing Mr. Rochester once again stirs Jane's emotions. On comparing him with his guests, Jane recognizes the emotional and spiritual affinity between Rochester and herself: \"He is not of their kind. I believe he is of mine-I am sure he is-I feel akin to him-I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him.\" In recalling the dislike they felt for their various wretched governesses, the Ingrams deliberately humiliate Jane herself as a governess to Adele. They are careful in selecting the adjectives that describe their old governesses: \"lachrymose and low spirited,\" \"coarse and insensible\" and \"immoral.\" The Ingrams represent the type that Jane strongly dislikes: they are unnatural and unbelievable in both speech and manner. Blanche, for all her haughtiness, is intelligent and accomplished. Her French is good, she is a skillful rider, and she is an excellent pianist and singer, well read and knowledgeable. Another important aspect of her personality that Jane comments on is her height. Charlotte Bronte highlights all these details about Blanche in order to prepare the readers for Jane's later conclusion that Blanche is too petty and mean-spirited to merit jealousy. There seems to be some inconsistency in Mr. Rochester's behavior. He later explains that the whole of his dealing with Blanche has been intended to arouse Jane's jealousy. However, he weakens the effect of this policy by speaking tenderly to her at the end of the chapter. It is important to note that according to Jane, she is not attracted to Mr. Rochester for his stately height but for the influence his face has over her, and for the way it \"masters\" her. Their relationship crosses class boundaries and is based on something even more substantial. She claims to be able to sense all his feelings from his face."}

A week passed, and no news arrived of Mr. Rochester: ten days, and still he did not come. Mrs. Fairfax said she should not be surprised if he were to go straight from the Leas to London, and thence to the Continent, and not show his face again at Thornfield for a year to come; he had not unfrequently quitted it in a manner quite as abrupt and unexpected. When I heard this, I was beginning to feel a strange chill and failing at the heart. I was actually permitting myself to experience a sickening sense of disappointment; but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder--how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take a vital interest. Not that I humbled myself by a slavish notion of inferiority: on the contrary, I just said-- "You have nothing to do with the master of Thornfield, further than to receive the salary he gives you for teaching his protegee, and to be grateful for such respectful and kind treatment as, if you do your duty, you have a right to expect at his hands. Be sure that is the only tie he seriously acknowledges between you and him; so don't make him the object of your fine feelings, your raptures, agonies, and so forth. He is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised." I went on with my day's business tranquilly; but ever and anon vague suggestions kept wandering across my brain of reasons why I should quit Thornfield; and I kept involuntarily framing advertisements and pondering conjectures about new situations: these thoughts I did not think to check; they might germinate and bear fruit if they could. Mr. Rochester had been absent upwards of a fortnight, when the post brought Mrs. Fairfax a letter. "It is from the master," said she, as she looked at the direction. "Now I suppose we shall know whether we are to expect his return or not." And while she broke the seal and perused the document, I went on taking my coffee (we were at breakfast): it was hot, and I attributed to that circumstance a fiery glow which suddenly rose to my face. Why my hand shook, and why I involuntarily spilt half the contents of my cup into my saucer, I did not choose to consider. "Well, I sometimes think we are too quiet; but we run a chance of being busy enough now: for a little while at least," said Mrs. Fairfax, still holding the note before her spectacles. Ere I permitted myself to request an explanation, I tied the string of Adele's pinafore, which happened to be loose: having helped her also to another bun and refilled her mug with milk, I said, nonchalantly-- "Mr. Rochester is not likely to return soon, I suppose?" "Indeed he is--in three days, he says: that will be next Thursday; and not alone either. I don't know how many of the fine people at the Leas are coming with him: he sends directions for all the best bedrooms to be prepared; and the library and drawing-rooms are to be cleaned out; I am to get more kitchen hands from the George Inn, at Millcote, and from wherever else I can; and the ladies will bring their maids and the gentlemen their valets: so we shall have a full house of it." And Mrs. Fairfax swallowed her breakfast and hastened away to commence operations. The three days were, as she had foretold, busy enough. I had thought all the rooms at Thornfield beautifully clean and well arranged; but it appears I was mistaken. Three women were got to help; and such scrubbing, such brushing, such washing of paint and beating of carpets, such taking down and putting up of pictures, such polishing of mirrors and lustres, such lighting of fires in bedrooms, such airing of sheets and feather-beds on hearths, I never beheld, either before or since. Adele ran quite wild in the midst of it: the preparations for company and the prospect of their arrival, seemed to throw her into ecstasies. She would have Sophie to look over all her "toilettes," as she called frocks; to furbish up any that were "_passees_," and to air and arrange the new. For herself, she did nothing but caper about in the front chambers, jump on and off the bedsteads, and lie on the mattresses and piled-up bolsters and pillows before the enormous fires roaring in the chimneys. From school duties she was exonerated: Mrs. Fairfax had pressed me into her service, and I was all day in the storeroom, helping (or hindering) her and the cook; learning to make custards and cheese-cakes and French pastry, to truss game and garnish desert-dishes. The party were expected to arrive on Thursday afternoon, in time for dinner at six. During the intervening period I had no time to nurse chimeras; and I believe I was as active and gay as anybody--Adele excepted. Still, now and then, I received a damping check to my cheerfulness; and was, in spite of myself, thrown back on the region of doubts and portents, and dark conjectures. This was when I chanced to see the third-storey staircase door (which of late had always been kept locked) open slowly, and give passage to the form of Grace Poole, in prim cap, white apron, and handkerchief; when I watched her glide along the gallery, her quiet tread muffled in a list slipper; when I saw her look into the bustling, topsy-turvy bedrooms,--just say a word, perhaps, to the charwoman about the proper way to polish a grate, or clean a marble mantelpiece, or take stains from papered walls, and then pass on. She would thus descend to the kitchen once a day, eat her dinner, smoke a moderate pipe on the hearth, and go back, carrying her pot of porter with her, for her private solace, in her own gloomy, upper haunt. Only one hour in the twenty-four did she pass with her fellow-servants below; all the rest of her time was spent in some low-ceiled, oaken chamber of the second storey: there she sat and sewed--and probably laughed drearily to herself,--as companionless as a prisoner in his dungeon. The strangest thing of all was, that not a soul in the house, except me, noticed her habits, or seemed to marvel at them: no one discussed her position or employment; no one pitied her solitude or isolation. I once, indeed, overheard part of a dialogue between Leah and one of the charwomen, of which Grace formed the subject. Leah had been saying something I had not caught, and the charwoman remarked-- "She gets good wages, I guess?" "Yes," said Leah; "I wish I had as good; not that mine are to complain of,--there's no stinginess at Thornfield; but they're not one fifth of the sum Mrs. Poole receives. And she is laying by: she goes every quarter to the bank at Millcote. I should not wonder but she has saved enough to keep her independent if she liked to leave; but I suppose she's got used to the place; and then she's not forty yet, and strong and able for anything. It is too soon for her to give up business." "She is a good hand, I daresay," said the charwoman. "Ah!--she understands what she has to do,--nobody better," rejoined Leah significantly; "and it is not every one could fill her shoes--not for all the money she gets." "That it is not!" was the reply. "I wonder whether the master--" The charwoman was going on; but here Leah turned and perceived me, and she instantly gave her companion a nudge. "Doesn't she know?" I heard the woman whisper. Leah shook her head, and the conversation was of course dropped. All I had gathered from it amounted to this,--that there was a mystery at Thornfield; and that from participation in that mystery I was purposely excluded. Thursday came: all work had been completed the previous evening; carpets were laid down, bed-hangings festooned, radiant white counterpanes spread, toilet tables arranged, furniture rubbed, flowers piled in vases: both chambers and saloons looked as fresh and bright as hands could make them. The hall, too, was scoured; and the great carved clock, as well as the steps and banisters of the staircase, were polished to the brightness of glass; in the dining-room, the sideboard flashed resplendent with plate; in the drawing-room and boudoir, vases of exotics bloomed on all sides. Afternoon arrived: Mrs. Fairfax assumed her best black satin gown, her gloves, and her gold watch; for it was her part to receive the company,--to conduct the ladies to their rooms, &c. Adele, too, would be dressed: though I thought she had little chance of being introduced to the party that day at least. However, to please her, I allowed Sophie to apparel her in one of her short, full muslin frocks. For myself, I had no need to make any change; I should not be called upon to quit my sanctum of the schoolroom; for a sanctum it was now become to me,--"a very pleasant refuge in time of trouble." It had been a mild, serene spring day--one of those days which, towards the end of March or the beginning of April, rise shining over the earth as heralds of summer. It was drawing to an end now; but the evening was even warm, and I sat at work in the schoolroom with the window open. "It gets late," said Mrs. Fairfax, entering in rustling state. "I am glad I ordered dinner an hour after the time Mr. Rochester mentioned; for it is past six now. I have sent John down to the gates to see if there is anything on the road: one can see a long way from thence in the direction of Millcote." She went to the window. "Here he is!" said she. "Well, John" (leaning out), "any news?" "They're coming, ma'am," was the answer. "They'll be here in ten minutes." Adele flew to the window. I followed, taking care to stand on one side, so that, screened by the curtain, I could see without being seen. The ten minutes John had given seemed very long, but at last wheels were heard; four equestrians galloped up the drive, and after them came two open carriages. Fluttering veils and waving plumes filled the vehicles; two of the cavaliers were young, dashing-looking gentlemen; the third was Mr. Rochester, on his black horse, Mesrour, Pilot bounding before him; at his side rode a lady, and he and she were the first of the party. Her purple riding-habit almost swept the ground, her veil streamed long on the breeze; mingling with its transparent folds, and gleaming through them, shone rich raven ringlets. "Miss Ingram!" exclaimed Mrs. Fairfax, and away she hurried to her post below. The cavalcade, following the sweep of the drive, quickly turned the angle of the house, and I lost sight of it. Adele now petitioned to go down; but I took her on my knee, and gave her to understand that she must not on any account think of venturing in sight of the ladies, either now or at any other time, unless expressly sent for: that Mr. Rochester would be very angry, &c. "Some natural tears she shed" on being told this; but as I began to look very grave, she consented at last to wipe them. A joyous stir was now audible in the hall: gentlemen's deep tones and ladies' silvery accents blent harmoniously together, and distinguishable above all, though not loud, was the sonorous voice of the master of Thornfield Hall, welcoming his fair and gallant guests under its roof. Then light steps ascended the stairs; and there was a tripping through the gallery, and soft cheerful laughs, and opening and closing doors, and, for a time, a hush. "Elles changent de toilettes," said Adele; who, listening attentively, had followed every movement; and she sighed. "Chez maman," said she, "quand il y avait du monde, je le suivais partout, au salon et a leurs chambres; souvent je regardais les femmes de chambre coiffer et habiller les dames, et c'etait si amusant: comme cela on apprend." "Don't you feel hungry, Adele?" "Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange." "Well now, while the ladies are in their rooms, I will venture down and get you something to eat." And issuing from my asylum with precaution, I sought a back-stairs which conducted directly to the kitchen. All in that region was fire and commotion; the soup and fish were in the last stage of projection, and the cook hung over her crucibles in a frame of mind and body threatening spontaneous combustion. In the servants' hall two coachmen and three gentlemen's gentlemen stood or sat round the fire; the abigails, I suppose, were upstairs with their mistresses; the new servants, that had been hired from Millcote, were bustling about everywhere. Threading this chaos, I at last reached the larder; there I took possession of a cold chicken, a roll of bread, some tarts, a plate or two and a knife and fork: with this booty I made a hasty retreat. I had regained the gallery, and was just shutting the back-door behind me, when an accelerated hum warned me that the ladies were about to issue from their chambers. I could not proceed to the schoolroom without passing some of their doors, and running the risk of being surprised with my cargo of victualage; so I stood still at this end, which, being windowless, was dark: quite dark now, for the sun was set and twilight gathering. Presently the chambers gave up their fair tenants one after another: each came out gaily and airily, with dress that gleamed lustrous through the dusk. For a moment they stood grouped together at the other extremity of the gallery, conversing in a key of sweet subdued vivacity: they then descended the staircase almost as noiselessly as a bright mist rolls down a hill. Their collective appearance had left on me an impression of high- born elegance, such as I had never before received. I found Adele peeping through the schoolroom door, which she held ajar. "What beautiful ladies!" cried she in English. "Oh, I wish I might go to them! Do you think Mr. Rochester will send for us by-and-bye, after dinner?" "No, indeed, I don't; Mr. Rochester has something else to think about. Never mind the ladies to-night; perhaps you will see them to-morrow: here is your dinner." She was really hungry, so the chicken and tarts served to divert her attention for a time. It was well I secured this forage, or both she, I, and Sophie, to whom I conveyed a share of our repast, would have run a chance of getting no dinner at all: every one downstairs was too much engaged to think of us. The dessert was not carried out till after nine and at ten footmen were still running to and fro with trays and coffee- cups. I allowed Adele to sit up much later than usual; for she declared she could not possibly go to sleep while the doors kept opening and shutting below, and people bustling about. Besides, she added, a message might possibly come from Mr. Rochester when she was undressed; "et alors quel dommage!" I told her stories as long as she would listen to them; and then for a change I took her out into the gallery. The hall lamp was now lit, and it amused her to look over the balustrade and watch the servants passing backwards and forwards. When the evening was far advanced, a sound of music issued from the drawing-room, whither the piano had been removed; Adele and I sat down on the top step of the stairs to listen. Presently a voice blent with the rich tones of the instrument; it was a lady who sang, and very sweet her notes were. The solo over, a duet followed, and then a glee: a joyous conversational murmur filled up the intervals. I listened long: suddenly I discovered that my ear was wholly intent on analysing the mingled sounds, and trying to discriminate amidst the confusion of accents those of Mr. Rochester; and when it caught them, which it soon did, it found a further task in framing the tones, rendered by distance inarticulate, into words. The clock struck eleven. I looked at Adele, whose head leant against my shoulder; her eyes were waxing heavy, so I took her up in my arms and carried her off to bed. It was near one before the gentlemen and ladies sought their chambers. The next day was as fine as its predecessor: it was devoted by the party to an excursion to some site in the neighbourhood. They set out early in the forenoon, some on horseback, the rest in carriages; I witnessed both the departure and the return. Miss Ingram, as before, was the only lady equestrian; and, as before, Mr. Rochester galloped at her side; the two rode a little apart from the rest. I pointed out this circumstance to Mrs. Fairfax, who was standing at the window with me-- "You said it was not likely they should think of being married," said I, "but you see Mr. Rochester evidently prefers her to any of the other ladies." "Yes, I daresay: no doubt he admires her." "And she him," I added; "look how she leans her head towards him as if she were conversing confidentially; I wish I could see her face; I have never had a glimpse of it yet." "You will see her this evening," answered Mrs. Fairfax. "I happened to remark to Mr. Rochester how much Adele wished to be introduced to the ladies, and he said: 'Oh! let her come into the drawing-room after dinner; and request Miss Eyre to accompany her.'" "Yes; he said that from mere politeness: I need not go, I am sure," I answered. "Well, I observed to him that as you were unused to company, I did not think you would like appearing before so gay a party--all strangers; and he replied, in his quick way--'Nonsense! If she objects, tell her it is my particular wish; and if she resists, say I shall come and fetch her in case of contumacy.'" "I will not give him that trouble," I answered. "I will go, if no better may be; but I don't like it. Shall you be there, Mrs. Fairfax?" "No; I pleaded off, and he admitted my plea. I'll tell you how to manage so as to avoid the embarrassment of making a formal entrance, which is the most disagreeable part of the business. You must go into the drawing- room while it is empty, before the ladies leave the dinner-table; choose your seat in any quiet nook you like; you need not stay long after the gentlemen come in, unless you please: just let Mr. Rochester see you are there and then slip away--nobody will notice you." "Will these people remain long, do you think?" "Perhaps two or three weeks, certainly not more. After the Easter recess, Sir George Lynn, who was lately elected member for Millcote, will have to go up to town and take his seat; I daresay Mr. Rochester will accompany him: it surprises me that he has already made so protracted a stay at Thornfield." It was with some trepidation that I perceived the hour approach when I was to repair with my charge to the drawing-room. Adele had been in a state of ecstasy all day, after hearing she was to be presented to the ladies in the evening; and it was not till Sophie commenced the operation of dressing her that she sobered down. Then the importance of the process quickly steadied her, and by the time she had her curls arranged in well-smoothed, drooping clusters, her pink satin frock put on, her long sash tied, and her lace mittens adjusted, she looked as grave as any judge. No need to warn her not to disarrange her attire: when she was dressed, she sat demurely down in her little chair, taking care previously to lift up the satin skirt for fear she should crease it, and assured me she would not stir thence till I was ready. This I quickly was: my best dress (the silver-grey one, purchased for Miss Temple's wedding, and never worn since) was soon put on; my hair was soon smoothed; my sole ornament, the pearl brooch, soon assumed. We descended. Fortunately there was another entrance to the drawing-room than that through the saloon where they were all seated at dinner. We found the apartment vacant; a large fire burning silently on the marble hearth, and wax candles shining in bright solitude, amid the exquisite flowers with which the tables were adorned. The crimson curtain hung before the arch: slight as was the separation this drapery formed from the party in the adjoining saloon, they spoke in so low a key that nothing of their conversation could be distinguished beyond a soothing murmur. Adele, who appeared to be still under the influence of a most solemnising impression, sat down, without a word, on the footstool I pointed out to her. I retired to a window-seat, and taking a book from a table near, endeavoured to read. Adele brought her stool to my feet; ere long she touched my knee. "What is it, Adele?" "Est-ce que je ne puis pas prendrie une seule de ces fleurs magnifiques, mademoiselle? Seulement pour completer ma toilette." "You think too much of your 'toilette,' Adele: but you may have a flower." And I took a rose from a vase and fastened it in her sash. She sighed a sigh of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress: there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. A soft sound of rising now became audible; the curtain was swept back from the arch; through it appeared the dining-room, with its lit lustre pouring down light on the silver and glass of a magnificent dessert-service covering a long table; a band of ladies stood in the opening; they entered, and the curtain fell behind them. There were but eight; yet, somehow, as they flocked in, they gave the impression of a much larger number. Some of them were very tall; many were dressed in white; and all had a sweeping amplitude of array that seemed to magnify their persons as a mist magnifies the moon. I rose and curtseyed to them: one or two bent their heads in return, the others only stared at me. They dispersed about the room, reminding me, by the lightness and buoyancy of their movements, of a flock of white plumy birds. Some of them threw themselves in half-reclining positions on the sofas and ottomans: some bent over the tables and examined the flowers and books: the rest gathered in a group round the fire: all talked in a low but clear tone which seemed habitual to them. I knew their names afterwards, and may as well mention them now. First, there was Mrs. Eshton and two of her daughters. She had evidently been a handsome woman, and was well preserved still. Of her daughters, the eldest, Amy, was rather little: naive, and child-like in face and manner, and piquant in form; her white muslin dress and blue sash became her well. The second, Louisa, was taller and more elegant in figure; with a very pretty face, of that order the French term _minois chiffone_: both sisters were fair as lilies. Lady Lynn was a large and stout personage of about forty, very erect, very haughty-looking, richly dressed in a satin robe of changeful sheen: her dark hair shone glossily under the shade of an azure plume, and within the circlet of a band of gems. Mrs. Colonel Dent was less showy; but, I thought, more lady-like. She had a slight figure, a pale, gentle face, and fair hair. Her black satin dress, her scarf of rich foreign lace, and her pearl ornaments, pleased me better than the rainbow radiance of the titled dame. But the three most distinguished--partly, perhaps, because the tallest figures of the band--were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance. She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed's; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical,--very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity. Blanche and Mary were of equal stature,--straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax's description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly--it will out!--whether it were such as I should fancy likely to suit Mr. Rochester's taste. As far as person went, she answered point for point, both to my picture and Mrs. Fairfax's description. The noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets were all there;--but her face? Her face was like her mother's; a youthful unfurrowed likeness: the same low brow, the same high features, the same pride. It was not, however, so saturnine a pride! she laughed continually; her laugh was satirical, and so was the habitual expression of her arched and haughty lip. Genius is said to be self-conscious. I cannot tell whether Miss Ingram was a genius, but she was self-conscious--remarkably self-conscious indeed. She entered into a discourse on botany with the gentle Mrs. Dent. It seemed Mrs. Dent had not studied that science: though, as she said, she liked flowers, "especially wild ones;" Miss Ingram had, and she ran over its vocabulary with an air. I presently perceived she was (what is vernacularly termed) _trailing_ Mrs. Dent; that is, playing on her ignorance--her _trail_ might be clever, but it was decidedly not good- natured. She played: her execution was brilliant; she sang: her voice was fine; she talked French apart to her mamma; and she talked it well, with fluency and with a good accent. Mary had a milder and more open countenance than Blanche; softer features too, and a skin some shades fairer (Miss Ingram was dark as a Spaniard)--but Mary was deficient in life: her face lacked expression, her eye lustre; she had nothing to say, and having once taken her seat, remained fixed like a statue in its niche. The sisters were both attired in spotless white. And did I now think Miss Ingram such a choice as Mr. Rochester would be likely to make? I could not tell--I did not know his taste in female beauty. If he liked the majestic, she was the very type of majesty: then she was accomplished, sprightly. Most gentlemen would admire her, I thought; and that he _did_ admire her, I already seemed to have obtained proof: to remove the last shade of doubt, it remained but to see them together. You are not to suppose, reader, that Adele has all this time been sitting motionless on the stool at my feet: no; when the ladies entered, she rose, advanced to meet them, made a stately reverence, and said with gravity-- "Bon jour, mesdames." And Miss Ingram had looked down at her with a mocking air, and exclaimed, "Oh, what a little puppet!" Lady Lynn had remarked, "It is Mr. Rochester's ward, I suppose--the little French girl he was speaking of." Mrs. Dent had kindly taken her hand, and given her a kiss. Amy and Louisa Eshton had cried out simultaneously--"What a love of a child!" And then they had called her to a sofa, where she now sat, ensconced between them, chattering alternately in French and broken English; absorbing not only the young ladies' attention, but that of Mrs. Eshton and Lady Lynn, and getting spoilt to her heart's content. At last coffee is brought in, and the gentlemen are summoned. I sit in the shade--if any shade there be in this brilliantly-lit apartment; the window-curtain half hides me. Again the arch yawns; they come. The collective appearance of the gentlemen, like that of the ladies, is very imposing: they are all costumed in black; most of them are tall, some young. Henry and Frederick Lynn are very dashing sparks indeed; and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of the district, is gentleman-like: his hair is quite white, his eyebrows and whiskers still dark, which gives him something of the appearance of a "pere noble de theatre." Lord Ingram, like his sisters, is very tall; like them, also, he is handsome; but he shares Mary's apathetic and listless look: he seems to have more length of limb than vivacity of blood or vigour of brain. And where is Mr. Rochester? He comes in last: I am not looking at the arch, yet I see him enter. I try to concentrate my attention on those netting-needles, on the meshes of the purse I am forming--I wish to think only of the work I have in my hands, to see only the silver beads and silk threads that lie in my lap; whereas, I distinctly behold his figure, and I inevitably recall the moment when I last saw it; just after I had rendered him, what he deemed, an essential service, and he, holding my hand, and looking down on my face, surveyed me with eyes that revealed a heart full and eager to overflow; in whose emotions I had a part. How near had I approached him at that moment! What had occurred since, calculated to change his and my relative positions? Yet now, how distant, how far estranged we were! So far estranged, that I did not expect him to come and speak to me. I did not wonder, when, without looking at me, he took a seat at the other side of the room, and began conversing with some of the ladies. No sooner did I see that his attention was riveted on them, and that I might gaze without being observed, than my eyes were drawn involuntarily to his face; I could not keep their lids under control: they would rise, and the irids would fix on him. I looked, and had an acute pleasure in looking,--a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless. Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,--all energy, decision, will,--were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,--that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me. I compared him with his guests. What was the gallant grace of the Lynns, the languid elegance of Lord Ingram,--even the military distinction of Colonel Dent, contrasted with his look of native pith and genuine power? I had no sympathy in their appearance, their expression: yet I could imagine that most observers would call them attractive, handsome, imposing; while they would pronounce Mr. Rochester at once harsh-featured and melancholy-looking. I saw them smile, laugh--it was nothing; the light of the candles had as much soul in it as their smile; the tinkle of the bell as much significance as their laugh. I saw Mr. Rochester smile:--his stern features softened; his eye grew both brilliant and gentle, its ray both searching and sweet. He was talking, at the moment, to Louisa and Amy Eshton. I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved. "He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine;--I am sure he is--I feel akin to him--I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered:--and yet, while I breathe and think, I must love him." Coffee is handed. The ladies, since the gentlemen entered, have become lively as larks; conversation waxes brisk and merry. Colonel Dent and Mr. Eshton argue on politics; their wives listen. The two proud dowagers, Lady Lynn and Lady Ingram, confabulate together. Sir George--whom, by-the-bye, I have forgotten to describe,--a very big, and very fresh-looking country gentleman, stands before their sofa, coffee- cup in hand, and occasionally puts in a word. Mr. Frederick Lynn has taken a seat beside Mary Ingram, and is showing her the engravings of a splendid volume: she looks, smiles now and then, but apparently says little. The tall and phlegmatic Lord Ingram leans with folded arms on the chair-back of the little and lively Amy Eshton; she glances up at him, and chatters like a wren: she likes him better than she does Mr. Rochester. Henry Lynn has taken possession of an ottoman at the feet of Louisa: Adele shares it with him: he is trying to talk French with her, and Louisa laughs at his blunders. With whom will Blanche Ingram pair? She is standing alone at the table, bending gracefully over an album. She seems waiting to be sought; but she will not wait too long: she herself selects a mate. Mr. Rochester, having quitted the Eshtons, stands on the hearth as solitary as she stands by the table: she confronts him, taking her station on the opposite side of the mantelpiece. "Mr. Rochester, I thought you were not fond of children?" "Nor am I." "Then, what induced you to take charge of such a little doll as that?" (pointing to Adele). "Where did you pick her up?" "I did not pick her up; she was left on my hands." "You should have sent her to school." "I could not afford it: schools are so dear." "Why, I suppose you have a governess for her: I saw a person with her just now--is she gone? Oh, no! there she is still, behind the window- curtain. You pay her, of course; I should think it quite as expensive,--more so; for you have them both to keep in addition." I feared--or should I say, hoped?--the allusion to me would make Mr. Rochester glance my way; and I involuntarily shrank farther into the shade: but he never turned his eyes. "I have not considered the subject," said he indifferently, looking straight before him. "No, you men never do consider economy and common sense. You should hear mama on the chapter of governesses: Mary and I have had, I should think, a dozen at least in our day; half of them detestable and the rest ridiculous, and all incubi--were they not, mama?" "Did you speak, my own?" The young lady thus claimed as the dowager's special property, reiterated her question with an explanation. "My dearest, don't mention governesses; the word makes me nervous. I have suffered a martyrdom from their incompetency and caprice. I thank Heaven I have now done with them!" Mrs. Dent here bent over to the pious lady and whispered something in her ear; I suppose, from the answer elicited, it was a reminder that one of the anathematised race was present. "Tant pis!" said her Ladyship, "I hope it may do her good!" Then, in a lower tone, but still loud enough for me to hear, "I noticed her; I am a judge of physiognomy, and in hers I see all the faults of her class." "What are they, madam?" inquired Mr. Rochester aloud. "I will tell you in your private ear," replied she, wagging her turban three times with portentous significancy. "But my curiosity will be past its appetite; it craves food now." "Ask Blanche; she is nearer you than I." "Oh, don't refer him to me, mama! I have just one word to say of the whole tribe; they are a nuisance. Not that I ever suffered much from them; I took care to turn the tables. What tricks Theodore and I used to play on our Miss Wilsons, and Mrs. Greys, and Madame Jouberts! Mary was always too sleepy to join in a plot with spirit. The best fun was with Madame Joubert: Miss Wilson was a poor sickly thing, lachrymose and low- spirited, not worth the trouble of vanquishing, in short; and Mrs. Grey was coarse and insensible; no blow took effect on her. But poor Madame Joubert! I see her yet in her raging passions, when we had driven her to extremities--spilt our tea, crumbled our bread and butter, tossed our books up to the ceiling, and played a charivari with the ruler and desk, the fender and fire-irons. Theodore, do you remember those merry days?" "Yaas, to be sure I do," drawled Lord Ingram; "and the poor old stick used to cry out 'Oh you villains childs!'--and then we sermonised her on the presumption of attempting to teach such clever blades as we were, when she was herself so ignorant." "We did; and, Tedo, you know, I helped you in prosecuting (or persecuting) your tutor, whey-faced Mr. Vining--the parson in the pip, as we used to call him. He and Miss Wilson took the liberty of falling in love with each other--at least Tedo and I thought so; we surprised sundry tender glances and sighs which we interpreted as tokens of 'la belle passion,' and I promise you the public soon had the benefit of our discovery; we employed it as a sort of lever to hoist our dead-weights from the house. Dear mama, there, as soon as she got an inkling of the business, found out that it was of an immoral tendency. Did you not, my lady-mother?" "Certainly, my best. And I was quite right: depend on that: there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house; firstly--" "Oh, gracious, mama! Spare us the enumeration! _Au reste_, we all know them: danger of bad example to innocence of childhood; distractions and consequent neglect of duty on the part of the attached--mutual alliance and reliance; confidence thence resulting--insolence accompanying--mutiny and general blow-up. Am I right, Baroness Ingram, of Ingram Park?" "My lily-flower, you are right now, as always." "Then no more need be said: change the subject." Amy Eshton, not hearing or not heeding this dictum, joined in with her soft, infantine tone: "Louisa and I used to quiz our governess too; but she was such a good creature, she would bear anything: nothing put her out. She was never cross with us; was she, Louisa?" "No, never: we might do what we pleased; ransack her desk and her workbox, and turn her drawers inside out; and she was so good-natured, she would give us anything we asked for." "I suppose, now," said Miss Ingram, curling her lip sarcastically, "we shall have an abstract of the memoirs of all the governesses extant: in order to avert such a visitation, I again move the introduction of a new topic. Mr. Rochester, do you second my motion?" "Madam, I support you on this point, as on every other." "Then on me be the onus of bringing it forward. Signior Eduardo, are you in voice to-night?" "Donna Bianca, if you command it, I will be." "Then, signior, I lay on you my sovereign behest to furbish up your lungs and other vocal organs, as they will be wanted on my royal service." "Who would not be the Rizzio of so divine a Mary?" "A fig for Rizzio!" cried she, tossing her head with all its curls, as she moved to the piano. "It is my opinion the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him; and history may say what it will of James Hepburn, but I have a notion, he was just the sort of wild, fierce, bandit hero whom I could have consented to gift with my hand." "Gentlemen, you hear! Now which of you most resembles Bothwell?" cried Mr. Rochester. "I should say the preference lies with you," responded Colonel Dent. "On my honour, I am much obliged to you," was the reply. Miss Ingram, who had now seated herself with proud grace at the piano, spreading out her snowy robes in queenly amplitude, commenced a brilliant prelude; talking meantime. She appeared to be on her high horse to-night; both her words and her air seemed intended to excite not only the admiration, but the amazement of her auditors: she was evidently bent on striking them as something very dashing and daring indeed. "Oh, I am so sick of the young men of the present day!" exclaimed she, rattling away at the instrument. "Poor, puny things, not fit to stir a step beyond papa's park gates: nor to go even so far without mama's permission and guardianship! Creatures so absorbed in care about their pretty faces, and their white hands, and their small feet; as if a man had anything to do with beauty! As if loveliness were not the special prerogative of woman--her legitimate appanage and heritage! I grant an ugly _woman_ is a blot on the fair face of creation; but as to the _gentlemen_, let them be solicitous to possess only strength and valour: let their motto be:--Hunt, shoot, and fight: the rest is not worth a fillip. Such should be my device, were I a man." "Whenever I marry," she continued after a pause which none interrupted, "I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage: his devotions shall not be shared between me and the shape he sees in his mirror. Mr. Rochester, now sing, and I will play for you." "I am all obedience," was the response. "Here then is a Corsair-song. Know that I doat on Corsairs; and for that reason, sing it _con spirito_." "Commands from Miss Ingram's lips would put spirit into a mug of milk and water." "Take care, then: if you don't please me, I will shame you by showing how such things _should_ be done." "That is offering a premium on incapacity: I shall now endeavour to fail." "Gardez-vous en bien! If you err wilfully, I shall devise a proportionate punishment." "Miss Ingram ought to be clement, for she has it in her power to inflict a chastisement beyond mortal endurance." "Ha! explain!" commanded the lady. "Pardon me, madam: no need of explanation; your own fine sense must inform you that one of your frowns would be a sufficient substitute for capital punishment." "Sing!" said she, and again touching the piano, she commenced an accompaniment in spirited style. "Now is my time to slip away," thought I: but the tones that then severed the air arrested me. Mrs. Fairfax had said Mr. Rochester possessed a fine voice: he did--a mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangely. I waited till the last deep and full vibration had expired--till the tide of talk, checked an instant, had resumed its flow; I then quitted my sheltered corner and made my exit by the side-door, which was fortunately near. Thence a narrow passage led into the hall: in crossing it, I perceived my sandal was loose; I stopped to tie it, kneeling down for that purpose on the mat at the foot of the staircase. I heard the dining-room door unclose; a gentleman came out; rising hastily, I stood face to face with him: it was Mr. Rochester. "How do you do?" he asked. "I am very well, sir." "Why did you not come and speak to me in the room?" I thought I might have retorted the question on him who put it: but I would not take that freedom. I answered-- "I did not wish to disturb you, as you seemed engaged, sir." "What have you been doing during my absence?" "Nothing particular; teaching Adele as usual." "And getting a good deal paler than you were--as I saw at first sight. What is the matter?" "Nothing at all, sir." "Did you take any cold that night you half drowned me?" "Not the least." "Return to the drawing-room: you are deserting too early." "I am tired, sir." He looked at me for a minute. "And a little depressed," he said. "What about? Tell me." "Nothing--nothing, sir. I am not depressed." "But I affirm that you are: so much depressed that a few more words would bring tears to your eyes--indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on to the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my--" He stopped, bit his lip, and abruptly left me.

Chapter 17

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre37.asp

Mr. Rochester remains away from Thornfield for the next few days, and Jane begins to experience a sickening sense of disappointment. However, she keeps reminding herself that Mr. Rochester is nothing more than her employer. Soon Mrs. Fairfax receives a letter from Mr. Rochester, asking her to make arrangements to accommodate his guests in style, as there are to be visitors at Thornfield. Accordingly, the next three days are spent in cleaning and preparing the place. Jane is as busy as the rest of the household. The sight of Grace Poole, however, throws her on her guard. When the guests arrive, Jane sees Blanche Ingram for the first time. From the second day of their stay, Mr. Rochester insists on Jane accompanying Adele to the drawing room. Jane enters while the drawing room is still empty and takes a corner seat. The ladies present are Mrs. Eshton and her two daughters, Amy and Louisa, Lady Lynn, Mrs. Colonel Dent and the Dowager Lady Ingram with her daughters, Blanche and Mary. Later, the gentlemen also enter. They include Frederick Lynn, Colonel Dent, Mr. Eshton, the magistrate, and the young Lord Ingram. While Mr. Rochester enjoys himself interacting with his guests, Jane keeps gazing at him unnoticed. Blanche commands Mr. Rochester to sing. Jane remains long enough to hear him and then slips away quietly. Soon she finds herself face to face with Mr. Rochester. He makes inquiries about her health and finding her distressed, excuses her from returning to the drawing room.

Notes Seeing Mr. Rochester once again stirs Jane's emotions. On comparing him with his guests, Jane recognizes the emotional and spiritual affinity between Rochester and herself: "He is not of their kind. I believe he is of mine-I am sure he is-I feel akin to him-I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him." In recalling the dislike they felt for their various wretched governesses, the Ingrams deliberately humiliate Jane herself as a governess to Adele. They are careful in selecting the adjectives that describe their old governesses: "lachrymose and low spirited," "coarse and insensible" and "immoral." The Ingrams represent the type that Jane strongly dislikes: they are unnatural and unbelievable in both speech and manner. Blanche, for all her haughtiness, is intelligent and accomplished. Her French is good, she is a skillful rider, and she is an excellent pianist and singer, well read and knowledgeable. Another important aspect of her personality that Jane comments on is her height. Charlotte Bronte highlights all these details about Blanche in order to prepare the readers for Jane's later conclusion that Blanche is too petty and mean-spirited to merit jealousy. There seems to be some inconsistency in Mr. Rochester's behavior. He later explains that the whole of his dealing with Blanche has been intended to arouse Jane's jealousy. However, he weakens the effect of this policy by speaking tenderly to her at the end of the chapter. It is important to note that according to Jane, she is not attracted to Mr. Rochester for his stately height but for the influence his face has over her, and for the way it "masters" her. Their relationship crosses class boundaries and is based on something even more substantial. She claims to be able to sense all his feelings from his face.

pinkmonkey

all_chapterized_books/1260-chapters/19.txt

finished_summaries/pinkmonkey/Jane Eyre/section_17_part_0.txt

Jane Eyre.volume 2.chapter 18

chapter 18

{"name": "Chapter 18", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre39.asp", "summary": "The gloomy atmosphere of Thornfield changes, yielding to cheerfulness and activity. When it rains continuously for some days, the guests find indoor amusements. One evening, the guests decide to play charades, and Jane watches them from a distance. She finds it impossible to give up her love for Mr. Rochester. She also realizes that Mr. Rochester is not in love with Blanche. In spite of this, it appears that he intends to marry her. One day, Mr. Rochester is called away on business to Millcote, and the guests become restless. A carriage comes to the house, and Adele cheerfully announces that it is the master. This pleases Blanche, but Adele is mistaken. The person who arrives is a Mr. Mason, who claims to have been Mr. Rochester's good friend and who has just returned from the West Indies. Blanche snaps at Adele for her mistake. Soon afterward, the footman announces the arrival of old Mother Bunches, a gypsy woman. This strange woman is willing to tell the fortunes of the young ladies present. Blanche is the first to want to know about her future and rushes off to consult with the gypsy. However, she is extremely disappointed with what she learns and refuses to disclose the gypsy's prediction to the other guests. She returns to the room in a huff and pretends to begin reading a novel. Mary, Amy and Louisa also have their fortunes told. They are evidently impressed by the gypsy's knowledge of their past. The gypsy refuses to leave without first seeing Jane. Evidently, Jane is not intimidated and is even eager to encounter this strange fortune- teller.", "analysis": "Notes In this chapter the reader is presented with the superficial conversations and empty pleasures of Mr. Rochester's guests as they seek to amuse themselves in their host's absence. One can see both their materialism and their insensitivity. Against these rich idlers of society, Mr. Rochester stands out as a passionate and sympathetic human being. The unexpected visitor, Mr. Mason, is attractive and charming in the eyes of the young ladies. However, Jane is repulsed by him. That is mainly because a lack of strength and character is reflected in his face. Jane's description also hints at a certain threat lurking in Mr. Mason: \"His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. \" The chapter is significant for many reasons. Mr. Mason, an important character to the overall structure of the story, is introduced. Secondly, the gypsy's prediction for Blanche creates suspense about Jane's own future. Thirdly, Blanche and Jane, rivals in love, are set in opposition to each other. Blanche is a lady endowed with a talent for music and the ability to make conversation. Jane, however, claims not to envy Blanche. Blanche is sadly lacking in warmth and tenderness, whereas Jane is full of love for Mr. Rochester. Blanche enjoys a superior social position and status, but her attempts to win Rochester's affection have elicited no response from him. This situation has brought some solace to Jane. It is evident that Blanche's interest in Mr. Rochester is not motivated by emotion but by material and social reasons."}

Merry days were these at Thornfield Hall; and busy days too: how different from the first three months of stillness, monotony, and solitude I had passed beneath its roof! All sad feelings seemed now driven from the house, all gloomy associations forgotten: there was life everywhere, movement all day long. You could not now traverse the gallery, once so hushed, nor enter the front chambers, once so tenantless, without encountering a smart lady's-maid or a dandy valet. The kitchen, the butler's pantry, the servants' hall, the entrance hall, were equally alive; and the saloons were only left void and still when the blue sky and halcyon sunshine of the genial spring weather called their occupants out into the grounds. Even when that weather was broken, and continuous rain set in for some days, no damp seemed cast over enjoyment: indoor amusements only became more lively and varied, in consequence of the stop put to outdoor gaiety. I wondered what they were going to do the first evening a change of entertainment was proposed: they spoke of "playing charades," but in my ignorance I did not understand the term. The servants were called in, the dining-room tables wheeled away, the lights otherwise disposed, the chairs placed in a semicircle opposite the arch. While Mr. Rochester and the other gentlemen directed these alterations, the ladies were running up and down stairs ringing for their maids. Mrs. Fairfax was summoned to give information respecting the resources of the house in shawls, dresses, draperies of any kind; and certain wardrobes of the third storey were ransacked, and their contents, in the shape of brocaded and hooped petticoats, satin sacques, black modes, lace lappets, &c., were brought down in armfuls by the abigails; then a selection was made, and such things as were chosen were carried to the boudoir within the drawing-room. Meantime, Mr. Rochester had again summoned the ladies round him, and was selecting certain of their number to be of his party. "Miss Ingram is mine, of course," said he: afterwards he named the two Misses Eshton, and Mrs. Dent. He looked at me: I happened to be near him, as I had been fastening the clasp of Mrs. Dent's bracelet, which had got loose. "Will you play?" he asked. I shook my head. He did not insist, which I rather feared he would have done; he allowed me to return quietly to my usual seat. He and his aids now withdrew behind the curtain: the other party, which was headed by Colonel Dent, sat down on the crescent of chairs. One of the gentlemen, Mr. Eshton, observing me, seemed to propose that I should be asked to join them; but Lady Ingram instantly negatived the notion. "No," I heard her say: "she looks too stupid for any game of the sort." Ere long a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in a white sheet: before him, on a table, lay open a large book; and at his side stood Amy Eshton, draped in Mr. Rochester's cloak, and holding a book in her hand. Somebody, unseen, rang the bell merrily; then Adele (who had insisted on being one of her guardian's party), bounded forward, scattering round her the contents of a basket of flowers she carried on her arm. Then appeared the magnificent figure of Miss Ingram, clad in white, a long veil on her head, and a wreath of roses round her brow; by her side walked Mr. Rochester, and together they drew near the table. They knelt; while Mrs. Dent and Louisa Eshton, dressed also in white, took up their stations behind them. A ceremony followed, in dumb show, in which it was easy to recognise the pantomime of a marriage. At its termination, Colonel Dent and his party consulted in whispers for two minutes, then the Colonel called out-- "Bride!" Mr. Rochester bowed, and the curtain fell. A considerable interval elapsed before it again rose. Its second rising displayed a more elaborately prepared scene than the last. The drawing- room, as I have before observed, was raised two steps above the dining- room, and on the top of the upper step, placed a yard or two back within the room, appeared a large marble basin--which I recognised as an ornament of the conservatory--where it usually stood, surrounded by exotics, and tenanted by gold fish--and whence it must have been transported with some trouble, on account of its size and weight. Seated on the carpet, by the side of this basin, was seen Mr. Rochester, costumed in shawls, with a turban on his head. His dark eyes and swarthy skin and Paynim features suited the costume exactly: he looked the very model of an Eastern emir, an agent or a victim of the bowstring. Presently advanced into view Miss Ingram. She, too, was attired in oriental fashion: a crimson scarf tied sash-like round the waist: an embroidered handkerchief knotted about her temples; her beautifully-moulded arms bare, one of them upraised in the act of supporting a pitcher, poised gracefully on her head. Both her cast of form and feature, her complexion and her general air, suggested the idea of some Israelitish princess of the patriarchal days; and such was doubtless the character she intended to represent. She approached the basin, and bent over it as if to fill her pitcher; she again lifted it to her head. The personage on the well-brink now seemed to accost her; to make some request:--"She hasted, let down her pitcher on her hand, and gave him to drink." From the bosom of his robe he then produced a casket, opened it and showed magnificent bracelets and earrings; she acted astonishment and admiration; kneeling, he laid the treasure at her feet; incredulity and delight were expressed by her looks and gestures; the stranger fastened the bracelets on her arms and the rings in her ears. It was Eliezer and Rebecca: the camels only were wanting. The divining party again laid their heads together: apparently they could not agree about the word or syllable the scene illustrated. Colonel Dent, their spokesman, demanded "the tableau of the whole;" whereupon the curtain again descended. On its third rising only a portion of the drawing-room was disclosed; the rest being concealed by a screen, hung with some sort of dark and coarse drapery. The marble basin was removed; in its place, stood a deal table and a kitchen chair: these objects were visible by a very dim light proceeding from a horn lantern, the wax candles being all extinguished. Amidst this sordid scene, sat a man with his clenched hands resting on his knees, and his eyes bent on the ground. I knew Mr. Rochester; though the begrimed face, the disordered dress (his coat hanging loose from one arm, as if it had been almost torn from his back in a scuffle), the desperate and scowling countenance, the rough, bristling hair might well have disguised him. As he moved, a chain clanked; to his wrists were attached fetters. "Bridewell!" exclaimed Colonel Dent, and the charade was solved. A sufficient interval having elapsed for the performers to resume their ordinary costume, they re-entered the dining-room. Mr. Rochester led in Miss Ingram; she was complimenting him on his acting. "Do you know," said she, "that, of the three characters, I liked you in the last best? Oh, had you but lived a few years earlier, what a gallant gentleman-highwayman you would have made!" "Is all the soot washed from my face?" he asked, turning it towards her. "Alas! yes: the more's the pity! Nothing could be more becoming to your complexion than that ruffian's rouge." "You would like a hero of the road then?" "An English hero of the road would be the next best thing to an Italian bandit; and that could only be surpassed by a Levantine pirate." "Well, whatever I am, remember you are my wife; we were married an hour since, in the presence of all these witnesses." She giggled, and her colour rose. "Now, Dent," continued Mr. Rochester, "it is your turn." And as the other party withdrew, he and his band took the vacated seats. Miss Ingram placed herself at her leader's right hand; the other diviners filled the chairs on each side of him and her. I did not now watch the actors; I no longer waited with interest for the curtain to rise; my attention was absorbed by the spectators; my eyes, erewhile fixed on the arch, were now irresistibly attracted to the semicircle of chairs. What charade Colonel Dent and his party played, what word they chose, how they acquitted themselves, I no longer remember; but I still see the consultation which followed each scene: I see Mr. Rochester turn to Miss Ingram, and Miss Ingram to him; I see her incline her head towards him, till the jetty curls almost touch his shoulder and wave against his cheek; I hear their mutual whisperings; I recall their interchanged glances; and something even of the feeling roused by the spectacle returns in memory at this moment. I have told you, reader, that I had learnt to love Mr. Rochester: I could not unlove him now, merely because I found that he had ceased to notice me--because I might pass hours in his presence, and he would never once turn his eyes in my direction--because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady--because I read daily in her a proud security in his intentions respecting her--because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible. There was nothing to cool or banish love in these circumstances, though much to create despair. Much too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous: or very rarely;--the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this, by the undue vent she gave to a spiteful antipathy she had conceived against little Adele: pushing her away with some contumelious epithet if she happened to approach her; sometimes ordering her from the room, and always treating her with coldness and acrimony. Other eyes besides mine watched these manifestations of character--watched them closely, keenly, shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear consciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that my ever- torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: _she could not charm him_. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervour, kindness, sense, I should have had one vital struggle with two tigers--jealousy and despair: then, my heart torn out and devoured, I should have admired her--acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration--the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester, to witness their repeated failure--herself unconscious that they did fail; vainly fancying that each shaft launched hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure--to witness _this_, was to be at once under ceaseless excitation and ruthless restraint. Because, when she failed, I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet, might, I knew, if shot by a surer hand, have quivered keen in his proud heart--have called love into his stern eye, and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won. "Why can she not influence him more, when she is privileged to draw so near to him?" I asked myself. "Surely she cannot truly like him, or not like him with true affection! If she did, she need not coin her smiles so lavishly, flash her glances so unremittingly, manufacture airs so elaborate, graces so multitudinous. It seems to me that she might, by merely sitting quietly at his side, saying little and looking less, get nigher his heart. I have seen in his face a far different expression from that which hardens it now while she is so vivaciously accosting him; but then it came of itself: it was not elicited by meretricious arts and calculated manoeuvres; and one had but to accept it--to answer what he asked without pretension, to address him when needful without grimace--and it increased and grew kinder and more genial, and warmed one like a fostering sunbeam. How will she manage to please him when they are married? I do not think she will manage it; and yet it might be managed; and his wife might, I verily believe, be the very happiest woman the sun shines on." I have not yet said anything condemnatory of Mr. Rochester's project of marrying for interest and connections. It surprised me when I first discovered that such was his intention: I had thought him a man unlikely to be influenced by motives so commonplace in his choice of a wife; but the longer I considered the position, education, &c., of the parties, the less I felt justified in judging and blaming either him or Miss Ingram for acting in conformity to ideas and principles instilled into them, doubtless, from their childhood. All their class held these principles: I supposed, then, they had reasons for holding them such as I could not fathom. It seemed to me that, were I a gentleman like him, I would take to my bosom only such a wife as I could love; but the very obviousness of the advantages to the husband's own happiness offered by this plan convinced me that there must be arguments against its general adoption of which I was quite ignorant: otherwise I felt sure all the world would act as I wished to act. But in other points, as well as this, I was growing very lenient to my master: I was forgetting all his faults, for which I had once kept a sharp look-out. It had formerly been my endeavour to study all sides of his character: to take the bad with the good; and from the just weighing of both, to form an equitable judgment. Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid. And as for the vague something--was it a sinister or a sorrowful, a designing or a desponding expression?--that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare--to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature. Meantime, while I thought only of my master and his future bride--saw only them, heard only their discourse, and considered only their movements of importance--the rest of the party were occupied with their own separate interests and pleasures. The Ladies Lynn and Ingram continued to consort in solemn conferences, where they nodded their two turbans at each other, and held up their four hands in confronting gestures of surprise, or mystery, or horror, according to the theme on which their gossip ran, like a pair of magnified puppets. Mild Mrs. Dent talked with good-natured Mrs. Eshton; and the two sometimes bestowed a courteous word or smile on me. Sir George Lynn, Colonel Dent, and Mr. Eshton discussed politics, or county affairs, or justice business. Lord Ingram flirted with Amy Eshton; Louisa played and sang to and with one of the Messrs. Lynn; and Mary Ingram listened languidly to the gallant speeches of the other. Sometimes all, as with one consent, suspended their by-play to observe and listen to the principal actors: for, after all, Mr. Rochester and--because closely connected with him--Miss Ingram were the life and soul of the party. If he was absent from the room an hour, a perceptible dulness seemed to steal over the spirits of his guests; and his re-entrance was sure to give a fresh impulse to the vivacity of conversation. The want of his animating influence appeared to be peculiarly felt one day that he had been summoned to Millcote on business, and was not likely to return till late. The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above. It was verging on dusk, and the clock had already given warning of the hour to dress for dinner, when little Adele, who knelt by me in the drawing-room window-seat, suddenly exclaimed-- "Voila, Monsieur Rochester, qui revient!" I turned, and Miss Ingram darted forwards from her sofa: the others, too, looked up from their several occupations; for at the same time a crunching of wheels and a splashing tramp of horse-hoofs became audible on the wet gravel. A post-chaise was approaching. "What can possess him to come home in that style?" said Miss Ingram. "He rode Mesrour (the black horse), did he not, when he went out? and Pilot was with him:--what has he done with the animals?" As she said this, she approached her tall person and ample garments so near the window, that I was obliged to bend back almost to the breaking of my spine: in her eagerness she did not observe me at first, but when she did, she curled her lip and moved to another casement. The post-chaise stopped; the driver rang the door-bell, and a gentleman alighted attired in travelling garb; but it was not Mr. Rochester; it was a tall, fashionable-looking man, a stranger. "How provoking!" exclaimed Miss Ingram: "you tiresome monkey!" (apostrophising Adele), "who perched you up in the window to give false intelligence?" and she cast on me an angry glance, as if I were in fault. Some parleying was audible in the hall, and soon the new-comer entered. He bowed to Lady Ingram, as deeming her the eldest lady present. "It appears I come at an inopportune time, madam," said he, "when my friend, Mr. Rochester, is from home; but I arrive from a very long journey, and I think I may presume so far on old and intimate acquaintance as to instal myself here till he returns." His manner was polite; his accent, in speaking, struck me as being somewhat unusual,--not precisely foreign, but still not altogether English: his age might be about Mr. Rochester's,--between thirty and forty; his complexion was singularly sallow: otherwise he was a fine-looking man, at first sight especially. On closer examination, you detected something in his face that displeased, or rather that failed to please. His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. The sound of the dressing-bell dispersed the party. It was not till after dinner that I saw him again: he then seemed quite at his ease. But I liked his physiognomy even less than before: it struck me as being at the same time unsettled and inanimate. His eye wandered, and had no meaning in its wandering: this gave him an odd look, such as I never remembered to have seen. For a handsome and not an unamiable-looking man, he repelled me exceedingly: there was no power in that smooth-skinned face of a full oval shape: no firmness in that aquiline nose and small cherry mouth; there was no thought on the low, even forehead; no command in that blank, brown eye. As I sat in my usual nook, and looked at him with the light of the girandoles on the mantelpiece beaming full over him--for he occupied an arm-chair drawn close to the fire, and kept shrinking still nearer, as if he were cold, I compared him with Mr. Rochester. I think (with deference be it spoken) the contrast could not be much greater between a sleek gander and a fierce falcon: between a meek sheep and the rough-coated keen-eyed dog, its guardian. He had spoken of Mr. Rochester as an old friend. A curious friendship theirs must have been: a pointed illustration, indeed, of the old adage that "extremes meet." Two or three of the gentlemen sat near him, and I caught at times scraps of their conversation across the room. At first I could not make much sense of what I heard; for the discourse of Louisa Eshton and Mary Ingram, who sat nearer to me, confused the fragmentary sentences that reached me at intervals. These last were discussing the stranger; they both called him "a beautiful man." Louisa said he was "a love of a creature," and she "adored him;" and Mary instanced his "pretty little mouth, and nice nose," as her ideal of the charming. "And what a sweet-tempered forehead he has!" cried Louisa,--"so smooth--none of those frowning irregularities I dislike so much; and such a placid eye and smile!" And then, to my great relief, Mr. Henry Lynn summoned them to the other side of the room, to settle some point about the deferred excursion to Hay Common. I was now able to concentrate my attention on the group by the fire, and I presently gathered that the new-comer was called Mr. Mason; then I learned that he was but just arrived in England, and that he came from some hot country: which was the reason, doubtless, his face was so sallow, and that he sat so near the hearth, and wore a surtout in the house. Presently the words Jamaica, Kingston, Spanish Town, indicated the West Indies as his residence; and it was with no little surprise I gathered, ere long, that he had there first seen and become acquainted with Mr. Rochester. He spoke of his friend's dislike of the burning heats, the hurricanes, and rainy seasons of that region. I knew Mr. Rochester had been a traveller: Mrs. Fairfax had said so; but I thought the continent of Europe had bounded his wanderings; till now I had never heard a hint given of visits to more distant shores. I was pondering these things, when an incident, and a somewhat unexpected one, broke the thread of my musings. Mr. Mason, shivering as some one chanced to open the door, asked for more coal to be put on the fire, which had burnt out its flame, though its mass of cinder still shone hot and red. The footman who brought the coal, in going out, stopped near Mr. Eshton's chair, and said something to him in a low voice, of which I heard only the words, "old woman,"--"quite troublesome." "Tell her she shall be put in the stocks if she does not take herself off," replied the magistrate. "No--stop!" interrupted Colonel Dent. "Don't send her away, Eshton; we might turn the thing to account; better consult the ladies." And speaking aloud, he continued--"Ladies, you talked of going to Hay Common to visit the gipsy camp; Sam here says that one of the old Mother Bunches is in the servants' hall at this moment, and insists upon being brought in before 'the quality,' to tell them their fortunes. Would you like to see her?" "Surely, colonel," cried Lady Ingram, "you would not encourage such a low impostor? Dismiss her, by all means, at once!" "But I cannot persuade her to go away, my lady," said the footman; "nor can any of the servants: Mrs. Fairfax is with her just now, entreating her to be gone; but she has taken a chair in the chimney-corner, and says nothing shall stir her from it till she gets leave to come in here." "What does she want?" asked Mrs. Eshton. "'To tell the gentry their fortunes,' she says, ma'am; and she swears she must and will do it." "What is she like?" inquired the Misses Eshton, in a breath. "A shockingly ugly old creature, miss; almost as black as a crock." "Why, she's a real sorceress!" cried Frederick Lynn. "Let us have her in, of course." "To be sure," rejoined his brother; "it would be a thousand pities to throw away such a chance of fun." "My dear boys, what are you thinking about?" exclaimed Mrs. Lynn. "I cannot possibly countenance any such inconsistent proceeding," chimed in the Dowager Ingram. "Indeed, mama, but you can--and will," pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. "I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward." "My darling Blanche! recollect--" "I do--I recollect all you can suggest; and I must have my will--quick, Sam!" "Yes--yes--yes!" cried all the juveniles, both ladies and gentlemen. "Let her come--it will be excellent sport!" The footman still lingered. "She looks such a rough one," said he. "Go!" ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. "She won't come now," said he. "She says it's not her mission to appear before the 'vulgar herd' (them's her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one." "You see now, my queenly Blanche," began Lady Ingram, "she encroaches. Be advised, my angel girl--and--" "Show her into the library, of course," cut in the "angel girl." "It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?" "Yes, ma'am--but she looks such a tinkler." "Cease that chatter, blockhead! and do my bidding." Again Sam vanished; and mystery, animation, expectation rose to full flow once more. "She's ready now," said the footman, as he reappeared. "She wishes to know who will be her first visitor." "I think I had better just look in upon her before any of the ladies go," said Colonel Dent. "Tell her, Sam, a gentleman is coming." Sam went and returned. "She says, sir, that she'll have no gentlemen; they need not trouble themselves to come near her; nor," he added, with difficulty suppressing a titter, "any ladies either, except the young, and single." "By Jove, she has taste!" exclaimed Henry Lynn. Miss Ingram rose solemnly: "I go first," she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men. "Oh, my best! oh, my dearest! pause--reflect!" was her mama's cry; but she swept past her in stately silence, passed through the door which Colonel Dent held open, and we heard her enter the library. A comparative silence ensued. Lady Ingram thought it "le cas" to wring her hands: which she did accordingly. Miss Mary declared she felt, for her part, she never dared venture. Amy and Louisa Eshton tittered under their breath, and looked a little frightened. The minutes passed very slowly: fifteen were counted before the library- door again opened. Miss Ingram returned to us through the arch. Would she laugh? Would she take it as a joke? All eyes met her with a glance of eager curiosity, and she met all eyes with one of rebuff and coldness; she looked neither flurried nor merry: she walked stiffly to her seat, and took it in silence. "Well, Blanche?" said Lord Ingram. "What did she say, sister?" asked Mary. "What did you think? How do you feel?--Is she a real fortune-teller?" demanded the Misses Eshton. "Now, now, good people," returned Miss Ingram, "don't press upon me. Really your organs of wonder and credulity are easily excited: you seem, by the importance of you all--my good mama included--ascribe to this matter, absolutely to believe we have a genuine witch in the house, who is in close alliance with the old gentleman. I have seen a gipsy vagabond; she has practised in hackneyed fashion the science of palmistry and told me what such people usually tell. My whim is gratified; and now I think Mr. Eshton will do well to put the hag in the stocks to-morrow morning, as he threatened." Miss Ingram took a book, leant back in her chair, and so declined further conversation. I watched her for nearly half-an-hour: during all that time she never turned a page, and her face grew momently darker, more dissatisfied, and more sourly expressive of disappointment. She had obviously not heard anything to her advantage: and it seemed to me, from her prolonged fit of gloom and taciturnity, that she herself, notwithstanding her professed indifference, attached undue importance to whatever revelations had been made her. {During all that time she never turned a page: p184.jpg} Meantime, Mary Ingram, Amy and Louisa Eshton, declared they dared not go alone; and yet they all wished to go. A negotiation was opened through the medium of the ambassador, Sam; and after much pacing to and fro, till, I think, the said Sam's calves must have ached with the exercise, permission was at last, with great difficulty, extorted from the rigorous Sibyl, for the three to wait upon her in a body. Their visit was not so still as Miss Ingram's had been: we heard hysterical giggling and little shrieks proceeding from the library; and at the end of about twenty minutes they burst the door open, and came running across the hall, as if they were half-scared out of their wits. "I am sure she is something not right!" they cried, one and all. "She told us such things! She knows all about us!" and they sank breathless into the various seats the gentlemen hastened to bring them. Pressed for further explanation, they declared she had told them of things they had said and done when they were mere children; described books and ornaments they had in their boudoirs at home: keepsakes that different relations had presented to them. They affirmed that she had even divined their thoughts, and had whispered in the ear of each the name of the person she liked best in the world, and informed them of what they most wished for. Here the gentlemen interposed with earnest petitions to be further enlightened on these two last-named points; but they got only blushes, ejaculations, tremors, and titters, in return for their importunity. The matrons, meantime, offered vinaigrettes and wielded fans; and again and again reiterated the expression of their concern that their warning had not been taken in time; and the elder gentlemen laughed, and the younger urged their services on the agitated fair ones. In the midst of the tumult, and while my eyes and ears were fully engaged in the scene before me, I heard a hem close at my elbow: I turned, and saw Sam. "If you please, miss, the gipsy declares that there is another young single lady in the room who has not been to her yet, and she swears she will not go till she has seen all. I thought it must be you: there is no one else for it. What shall I tell her?" "Oh, I will go by all means," I answered: and I was glad of the unexpected opportunity to gratify my much-excited curiosity. I slipped out of the room, unobserved by any eye--for the company were gathered in one mass about the trembling trio just returned--and I closed the door quietly behind me. "If you like, miss," said Sam, "I'll wait in the hall for you; and if she frightens you, just call and I'll come in." "No, Sam, return to the kitchen: I am not in the least afraid." Nor was I; but I was a good deal interested and excited.

Chapter 18

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre39.asp

The gloomy atmosphere of Thornfield changes, yielding to cheerfulness and activity. When it rains continuously for some days, the guests find indoor amusements. One evening, the guests decide to play charades, and Jane watches them from a distance. She finds it impossible to give up her love for Mr. Rochester. She also realizes that Mr. Rochester is not in love with Blanche. In spite of this, it appears that he intends to marry her. One day, Mr. Rochester is called away on business to Millcote, and the guests become restless. A carriage comes to the house, and Adele cheerfully announces that it is the master. This pleases Blanche, but Adele is mistaken. The person who arrives is a Mr. Mason, who claims to have been Mr. Rochester's good friend and who has just returned from the West Indies. Blanche snaps at Adele for her mistake. Soon afterward, the footman announces the arrival of old Mother Bunches, a gypsy woman. This strange woman is willing to tell the fortunes of the young ladies present. Blanche is the first to want to know about her future and rushes off to consult with the gypsy. However, she is extremely disappointed with what she learns and refuses to disclose the gypsy's prediction to the other guests. She returns to the room in a huff and pretends to begin reading a novel. Mary, Amy and Louisa also have their fortunes told. They are evidently impressed by the gypsy's knowledge of their past. The gypsy refuses to leave without first seeing Jane. Evidently, Jane is not intimidated and is even eager to encounter this strange fortune- teller.

Notes In this chapter the reader is presented with the superficial conversations and empty pleasures of Mr. Rochester's guests as they seek to amuse themselves in their host's absence. One can see both their materialism and their insensitivity. Against these rich idlers of society, Mr. Rochester stands out as a passionate and sympathetic human being. The unexpected visitor, Mr. Mason, is attractive and charming in the eyes of the young ladies. However, Jane is repulsed by him. That is mainly because a lack of strength and character is reflected in his face. Jane's description also hints at a certain threat lurking in Mr. Mason: "His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. " The chapter is significant for many reasons. Mr. Mason, an important character to the overall structure of the story, is introduced. Secondly, the gypsy's prediction for Blanche creates suspense about Jane's own future. Thirdly, Blanche and Jane, rivals in love, are set in opposition to each other. Blanche is a lady endowed with a talent for music and the ability to make conversation. Jane, however, claims not to envy Blanche. Blanche is sadly lacking in warmth and tenderness, whereas Jane is full of love for Mr. Rochester. Blanche enjoys a superior social position and status, but her attempts to win Rochester's affection have elicited no response from him. This situation has brought some solace to Jane. It is evident that Blanche's interest in Mr. Rochester is not motivated by emotion but by material and social reasons.

pinkmonkey

all_chapterized_books/1260-chapters/20.txt

finished_summaries/pinkmonkey/Jane Eyre/section_18_part_0.txt

Jane Eyre.volume 2.chapter 19

chapter 19

{"name": "Chapter 19", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre41.asp", "summary": "Jane speaks to the gypsy with the utmost caution. At any rate she does not reveal her feelings for Mr. Rochester. The gypsy tells her strange things. She seems to know the most personal things about her and is even able to guess that Jane \" some secret hope to buoy and please with whispers of the future.\" This disclosure shocks Jane very much, but she replies casually that she wishes only to save enough money to start her own school. The seemingly clever gypsy then goes on to remark how she thwarted the hopes of Blanche Ingram. She instructs Jane to kneel before her and attempts to study her character. She tells Jane that she has won the gratitude of her master and is in love with him, but reason prevails over passion in her. Gradually, during the conversation, Jane recognizes Mr. Rochester's familiar voice. He removes his disguise in front of her and asks Jane to forgive him. Jane replies that she had suspected it to be none other than Grace Poole. Mr. Rochester is eager to know his guests' reactions to the gypsy's predictions. As it is nearing midnight, Jane asks to be excused and informs Rochester about the arrival of Mr. Mason. This news appears to cause him great distress. However, he receives Mason and talks to him in the library quite cheerfully. Consequently, Jane's mind is set at ease.", "analysis": "Notes Mr. Rochester, disguised as a gypsy, makes an indirect declaration of his love under the pretext of predicting Jane's fortune. In this guise Mr. Rochester likewise admits that Blanche is more interested in his affluence than in himself as a person. It is clear that he has not been persuaded by her flirtatious advances. Mr. Rochester urges Jane to listen to \"that still small voice which interprets the dictates of conscience.\" In many respects, the statement concerning the \"still small voice\" of Jane's conscience is the essence of the entire book. Mr. Rochester has not yet realized how powerful his words will be. Jane is at first bewildered by the whole episode, but she realizes after some reflection that she has never been totally deceived or off her guard. Even while the victim of deception, she continues to be protected by her own unswerving honesty. She hopes that she has not been tempted into saying anything rash or immodest. However, she does protest that the trick has been \"scarcely fair.\" She forgives Mr. Rochester but condemns his action. The symbolic significance of fire in this chapter is very important. The image of light is associated with the idea of \"truth. \" It is the glancing light of the fire, illuminating a strong masculine hand and a ring, that gives Mr. Rochester's own game away. Jane's distance from the fire in the drawing room is an indication of her underprivileged social position. Mr. Rochester's association of the passions with elemental disturbance is also significant. In this chapter, a distinction is made between passion and reason, feeling and judgment, impulse and conscience. Finally, Mr. Rochester's reading of Jane's face by the firelight is a truthful one."}

The library looked tranquil enough as I entered it, and the Sibyl--if Sibyl she were--was seated snugly enough in an easy-chair at the chimney- corner. She had on a red cloak and a black bonnet: or rather, a broad- brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph. I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy's appearance to trouble one's calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf- locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. "Well, and you want your fortune told?" she said, in a voice as decided as her glance, as harsh as her features. "I don't care about it, mother; you may please yourself: but I ought to warn you, I have no faith." "It's like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold." "Did you? You've a quick ear." "I have; and a quick eye and a quick brain." "You need them all in your trade." "I do; especially when I've customers like you to deal with. Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly." The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you." She again put her short black pipe to her lips, and renewed her smoking with vigour. "You might say all that to almost any one who you knew lived as a solitary dependent in a great house." "I might say it to almost any one: but would it be true of almost any one?" "In my circumstances." "Yes; just so, in _your_ circumstances: but find me another precisely placed as you are." "It would be easy to find you thousands." "You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results." "I don't understand enigmas. I never could guess a riddle in my life." "If you wish me to speak more plainly, show me your palm." "And I must cross it with silver, I suppose?" "To be sure." I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it. "It is too fine," said she. "I can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written there." "I believe you," said I. "No," she continued, "it is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head." "Ah! now you are coming to reality," I said, as I obeyed her. "I shall begin to put some faith in you presently." I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined. "I wonder with what feelings you came to me to-night," she said, when she had examined me a while. "I wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance." "I feel tired often, sleepy sometimes, but seldom sad." "Then you have some secret hope to buoy you up and please you with whispers of the future?" "Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself." "A mean nutriment for the spirit to exist on: and sitting in that window- seat (you see I know your habits )--" "You have learned them from the servants." "Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole--" I started to my feet when I heard the name. "You have--have you?" thought I; "there is diablerie in the business after all, then!" "Don't be alarmed," continued the strange being; "she's a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?" "I like to observe all the faces and all the figures." "But do you never single one from the rest--or it may be, two?" "I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them." "What tale do you like best to hear?" "Oh, I have not much choice! They generally run on the same theme--courtship; and promise to end in the same catastrophe--marriage." "And do you like that monotonous theme?" "Positively, I don't care about it: it is nothing to me." "Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you--" "I what?" "You know--and perhaps think well of." "I don't know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me." "You don't know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!" "He is not at home." "A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintance--blot him, as it were, out of existence?" "No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced." "I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester's eyes that they overflow like two cups filled above the brim: have you never remarked that?" "Mr. Rochester has a right to enjoy the society of his guests." "No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?" "The eagerness of a listener quickens the tongue of a narrator." I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse. "Eagerness of a listener!" repeated she: "yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?" "Grateful! I cannot remember detecting gratitude in his face." "Detecting! You have analysed, then. And what did you detect, if not gratitude?" I said nothing. "You have seen love: have you not?--and, looking forward, you have seen him married, and beheld his bride happy?" "Humph! Not exactly. Your witch's skill is rather at fault sometimes." "What the devil have you seen, then?" "Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?" "Yes; and to the beautiful Miss Ingram." "Shortly?" "Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,--he's dished--" "But, mother, I did not come to hear Mr. Rochester's fortune: I came to hear my own; and you have told me nothing of it." "Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." {She did not stoop towards me, but only gazed, leaning back in her chair: p190.jpg} I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,-- "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,--to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' "Well said, forehead; your declaration shall be respected. I have formed my plans--right plans I deem them--and in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution--such is not my taste. I wish to foster, not to blight--to earn gratitude, not to wring tears of blood--no, nor of brine: my harvest must be in smiles, in endearments, in sweet--That will do. I think I rave in a kind of exquisite delirium. I should wish now to protract this moment _ad infinitum_; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; the play is played out'." Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glass--as the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from me--on the contrary, the bonnet was doffed, the bandage displaced, the head advanced. "Well, Jane, do you know me?" asked the familiar voice. "Only take off the red cloak, sir, and then--" "But the string is in a knot--help me." "Break it, sir." "There, then--'Off, ye lendings!'" And Mr. Rochester stepped out of his disguise. "Now, sir, what a strange idea!" "But well carried out, eh? Don't you think so?" "With the ladies you must have managed well." "But not with you?" "You did not act the character of a gipsy with me." "What character did I act? My own?" "No; some unaccountable one. In short, I believe you have been trying to draw me out--or in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir." "Do you forgive me, Jane?" "I cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right." "Oh, you have been very correct--very careful, very sensible." I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole--that living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester. "Well," said he, "what are you musing about? What does that grave smile signify?" "Wonder and self-congratulation, sir. I have your permission to retire now, I suppose?" "No; stay a moment; and tell me what the people in the drawing-room yonder are doing." "Discussing the gipsy, I daresay." "Sit down!--Let me hear what they said about me." "I had better not stay long, sir; it must be near eleven o'clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?" "A stranger!--no; who can it be? I expected no one; is he gone?" "No; he said he had known you long, and that he could take the liberty of installing himself here till you returned." "The devil he did! Did he give his name?" "His name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think." Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath. "Mason!--the West Indies!" he said, in the tone one might fancy a speaking automaton to enounce its single words; "Mason!--the West Indies!" he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing. "Do you feel ill, sir?" I inquired. "Jane, I've got a blow; I've got a blow, Jane!" He staggered. "Oh, lean on me, sir." "Jane, you offered me your shoulder once before; let me have it now." "Yes, sir, yes; and my arm." He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look. "My little friend!" said he, "I wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me." "Can I help you, sir?--I'd give my life to serve you." "Jane, if aid is wanted, I'll seek it at your hands; I promise you that." "Thank you, sir. Tell me what to do,--I'll try, at least, to do it." "Fetch me now, Jane, a glass of wine from the dining-room: they will be at supper there; and tell me if Mason is with them, and what he is doing." I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,--the supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library. Mr. Rochester's extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand. "Here is to your health, ministrant spirit!" he said. He swallowed the contents and returned it to me. "What are they doing, Jane?" "Laughing and talking, sir." "They don't look grave and mysterious, as if they had heard something strange?" "Not at all: they are full of jests and gaiety." "And Mason?" "He was laughing too." "If all these people came in a body and spat at me, what would you do, Jane?" "Turn them out of the room, sir, if I could." He half smiled. "But if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?" "I rather think not, sir: I should have more pleasure in staying with you." "To comfort me?" "Yes, sir, to comfort you, as well as I could." "And if they laid you under a ban for adhering to me?" "I, probably, should know nothing about their ban; and if I did, I should care nothing about it." "Then, you could dare censure for my sake?" "I could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do." "Go back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me." "Yes, sir." I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs. At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester's voice, and heard him say, "This way, Mason; this is your room." He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.

Chapter 19

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre41.asp

Jane speaks to the gypsy with the utmost caution. At any rate she does not reveal her feelings for Mr. Rochester. The gypsy tells her strange things. She seems to know the most personal things about her and is even able to guess that Jane " some secret hope to buoy and please with whispers of the future." This disclosure shocks Jane very much, but she replies casually that she wishes only to save enough money to start her own school. The seemingly clever gypsy then goes on to remark how she thwarted the hopes of Blanche Ingram. She instructs Jane to kneel before her and attempts to study her character. She tells Jane that she has won the gratitude of her master and is in love with him, but reason prevails over passion in her. Gradually, during the conversation, Jane recognizes Mr. Rochester's familiar voice. He removes his disguise in front of her and asks Jane to forgive him. Jane replies that she had suspected it to be none other than Grace Poole. Mr. Rochester is eager to know his guests' reactions to the gypsy's predictions. As it is nearing midnight, Jane asks to be excused and informs Rochester about the arrival of Mr. Mason. This news appears to cause him great distress. However, he receives Mason and talks to him in the library quite cheerfully. Consequently, Jane's mind is set at ease.

Notes Mr. Rochester, disguised as a gypsy, makes an indirect declaration of his love under the pretext of predicting Jane's fortune. In this guise Mr. Rochester likewise admits that Blanche is more interested in his affluence than in himself as a person. It is clear that he has not been persuaded by her flirtatious advances. Mr. Rochester urges Jane to listen to "that still small voice which interprets the dictates of conscience." In many respects, the statement concerning the "still small voice" of Jane's conscience is the essence of the entire book. Mr. Rochester has not yet realized how powerful his words will be. Jane is at first bewildered by the whole episode, but she realizes after some reflection that she has never been totally deceived or off her guard. Even while the victim of deception, she continues to be protected by her own unswerving honesty. She hopes that she has not been tempted into saying anything rash or immodest. However, she does protest that the trick has been "scarcely fair." She forgives Mr. Rochester but condemns his action. The symbolic significance of fire in this chapter is very important. The image of light is associated with the idea of "truth. " It is the glancing light of the fire, illuminating a strong masculine hand and a ring, that gives Mr. Rochester's own game away. Jane's distance from the fire in the drawing room is an indication of her underprivileged social position. Mr. Rochester's association of the passions with elemental disturbance is also significant. In this chapter, a distinction is made between passion and reason, feeling and judgment, impulse and conscience. Finally, Mr. Rochester's reading of Jane's face by the firelight is a truthful one.

pinkmonkey

all_chapterized_books/1260-chapters/21.txt

finished_summaries/pinkmonkey/Jane Eyre/section_19_part_0.txt

Jane Eyre.volume 2.chapter 20

chapter 20

{"name": "Chapter 20", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre42.asp", "summary": "Jane is woken up by the moonlight streaming in through the window. She hears a piercing scream accompanied by the sound of a struggle coming from the third floor. She rushes out and discovers the guests in great agitation, standing in the corridor. Mr. Rochester, descending from the third story, gently persuades them to retire to their rooms. An hour later, Mr. Rochester calls Jane and takes her into a chamber, where she finds Mr. Mason bleeding profusely. Mr. Rochester instructs her to sponge away the trickling blood and hold smelling salts to Mason's nose, while he goes to fetch the doctor. In the meantime, they are told not to speak to each other. From the next room Jane hears a snarl like that of an animal and Grace Poole's characteristic laughter. As dawn is breaking, Mason is bandaged and sent with the surgeon, Carter. He is to stay with him until his recovery and departure for Spanish Town. As Mason takes his leave, he urges Mr. Rochester to take care of \"her.\" At this, Mr. Rochester expresses a desperate wish that there should be an end to \"all this.\" Early in the morning, while strolling in the orchard with Jane, Mr. Rochester makes a veiled reference to the undisciplined life he led in a foreign land. He then asks whether he has any right to \"attach himself\" to someone who can give him peace of mind. He makes Jane promise that she will be there for him if he should ever need her; he even mentions the night before he marries Blanche Ingram as one such occasion when he will need Jane's company. Then he adopts a sarcastic tone and asks Jane's opinion of Blanche. Their conversation is cut short as Mr. Rochester's guests appear.", "analysis": "Notes This chapter abounds with elements of horror: screaming, blood, and the suggestion of a violent woman's presence. However, Charlotte Bronte relieves the tension in this chapter by giving comic descriptions of Mr. Rochester's guests clinging to him in fear: \"he two dowagers, in vast white wrappers, were bearing down on him like ships in full sail.\" Mason's sway over Mr. Rochester and the master's promise to take care of a mysterious woman puzzle Jane. When she is instructed to attend to the wounded Mason, her courage is tested for a two-hour period. The circumstances under which Mason is given treatment and sent away are definitely very suspicious, both for the readers as well as for Jane. Jane is also puzzled by Mr. Rochester's reference to his profligate youth and to society's approval of his new friend, \"the gentle, gracious, genial stranger.\" Mr. Rochester talks openly about his marriage to Blanche in order to elicit some sort of response from Jane. His remarks about Blanche Ingram contribute to the novel's atmosphere of suspense on an emotional level. It is also a way of indirectly introducing the notion of a marriage between Jane and Mr. Rochester. Throughout all that has happened, Jane and the master of Thornfield Hall are developing trust and cultivating intimacy. In yet another crisis, it is Jane's courage and intelligence that reassure Mr. Rochester."}

I had forgotten to draw my curtain, which I usually did, and also to let down my window-blind. The consequence was, that when the moon, which was full and bright (for the night was fine), came in her course to that space in the sky opposite my casement, and looked in at me through the unveiled panes, her glorious gaze roused me. Awaking in the dead of night, I opened my eyes on her disk--silver-white and crystal clear. It was beautiful, but too solemn; I half rose, and stretched my arm to draw the curtain. Good God! What a cry! The night--its silence--its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. It came out of the third storey; for it passed overhead. And overhead--yes, in the room just above my chamber-ceiling--I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted-- "Help! help! help!" three times rapidly. "Will no one come?" it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster:-- "Rochester! Rochester! for God's sake, come!" A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence. I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and "Oh! what is it?"--"Who is hurt?"--"What has happened?"--"Fetch a light!"--"Is it fire?"--"Are there robbers?"--"Where shall we run?" was demanded confusedly on all hands. But for the moonlight they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable. "Where the devil is Rochester?" cried Colonel Dent. "I cannot find him in his bed." "Here! here!" was shouted in return. "Be composed, all of you: I'm coming." And the door at the end of the gallery opened, and Mr. Rochester advanced with a candle: he had just descended from the upper storey. One of the ladies ran to him directly; she seized his arm: it was Miss Ingram. "What awful event has taken place?" said she. "Speak! let us know the worst at once!" "But don't pull me down or strangle me," he replied: for the Misses Eshton were clinging about him now; and the two dowagers, in vast white wrappers, were bearing down on him like ships in full sail. "All's right!--all's right!" he cried. "It's a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous." And dangerous he looked: his black eyes darted sparks. Calming himself by an effort, he added-- "A servant has had the nightmare; that is all. She's an excitable, nervous person: she construed her dream into an apparition, or something of that sort, no doubt; and has taken a fit with fright. Now, then, I must see you all back into your rooms; for, till the house is settled, she cannot be looked after. Gentlemen, have the goodness to set the ladies the example. Miss Ingram, I am sure you will not fail in evincing superiority to idle terrors. Amy and Louisa, return to your nests like a pair of doves, as you are. Mesdames" (to the dowagers), "you will take cold to a dead certainty, if you stay in this chill gallery any longer." And so, by dint of alternate coaxing and commanding, he contrived to get them all once more enclosed in their separate dormitories. I did not wait to be ordered back to mine, but retreated unnoticed, as unnoticed I had left it. Not, however, to go to bed: on the contrary, I began and dressed myself carefully. The sounds I had heard after the scream, and the words that had been uttered, had probably been heard only by me; for they had proceeded from the room above mine: but they assured me that it was not a servant's dream which had thus struck horror through the house; and that the explanation Mr. Rochester had given was merely an invention framed to pacify his guests. I dressed, then, to be ready for emergencies. When dressed, I sat a long time by the window looking out over the silent grounds and silvered fields and waiting for I knew not what. It seemed to me that some event must follow the strange cry, struggle, and call. No: stillness returned: each murmur and movement ceased gradually, and in about an hour Thornfield Hall was again as hushed as a desert. It seemed that sleep and night had resumed their empire. Meantime the moon declined: she was about to set. Not liking to sit in the cold and darkness, I thought I would lie down on my bed, dressed as I was. I left the window, and moved with little noise across the carpet; as I stooped to take off my shoes, a cautious hand tapped low at the door. "Am I wanted?" I asked. "Are you up?" asked the voice I expected to hear, viz., my master's. "Yes, sir." "And dressed?" "Yes." "Come out, then, quietly." I obeyed. Mr. Rochester stood in the gallery holding a light. "I want you," he said: "come this way: take your time, and make no noise." My slippers were thin: I could walk the matted floor as softly as a cat. He glided up the gallery and up the stairs, and stopped in the dark, low corridor of the fateful third storey: I had followed and stood at his side. "Have you a sponge in your room?" he asked in a whisper. "Yes, sir." "Have you any salts--volatile salts?" "Yes." "Go back and fetch both." I returned, sought the sponge on the washstand, the salts in my drawer, and once more retraced my steps. He still waited; he held a key in his hand: approaching one of the small, black doors, he put it in the lock; he paused, and addressed me again. "You don't turn sick at the sight of blood?" "I think I shall not: I have never been tried yet." I felt a thrill while I answered him; but no coldness, and no faintness. "Just give me your hand," he said: "it will not do to risk a fainting fit." I put my fingers into his. "Warm and steady," was his remark: he turned the key and opened the door. I saw a room I remembered to have seen before, the day Mrs. Fairfax showed me over the house: it was hung with tapestry; but the tapestry was now looped up in one part, and there was a door apparent, which had then been concealed. This door was open; a light shone out of the room within: I heard thence a snarling, snatching sound, almost like a dog quarrelling. Mr. Rochester, putting down his candle, said to me, "Wait a minute," and he went forward to the inner apartment. A shout of laughter greeted his entrance; noisy at first, and terminating in Grace Poole's own goblin ha! ha! _She_ then was there. He made some sort of arrangement without speaking, though I heard a low voice address him: he came out and closed the door behind him. "Here, Jane!" he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face--the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood. "Hold the candle," said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: "Hold that," said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down. "Is there immediate danger?" murmured Mr. Mason. "Pooh! No--a mere scratch. Don't be so overcome, man: bear up! I'll fetch a surgeon for you now, myself: you'll be able to be removed by morning, I hope. Jane," he continued. "Sir?" "I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext--and--Richard, it will be at the peril of your life if you speak to her: open your lips--agitate yourself--and I'll not answer for the consequences." Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, "Remember!--No conversation," he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard. Here then I was in the third storey, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes--that was appalling--the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me. I must keep to my post, however. I must watch this ghastly countenance--these blue, still lips forbidden to unclose--these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dulness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite--whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each enclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ. According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St. John's long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor--of Satan himself--in his subordinate's form. Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr. Rochester's visit it seemed spellbound: all the night I heard but three sounds at three long intervals,--a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan. Then my own thoughts worried me. What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?--what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey? And this man I bent over--this commonplace, quiet stranger--how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr. Rochester assign him an apartment below--what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr. Rochester enforced? Why _did_ Mr. Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr. Mason was submissive to Mr. Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition of the one had been habitually influenced by the active energy of the other: whence then had arisen Mr. Rochester's dismay when he heard of Mr. Mason's arrival? Why had the mere name of this unresisting individual--whom his word now sufficed to control like a child--fallen on him, a few hours since, as a thunderbolt might fall on an oak? Oh! I could not forget his look and his paleness when he whispered: "Jane, I have got a blow--I have got a blow, Jane." I could not forget how the arm had trembled which he rested on my shoulder: and it was no light matter which could thus bow the resolute spirit and thrill the vigorous frame of Fairfax Rochester. "When will he come? When will he come?" I cried inwardly, as the night lingered and lingered--as my bleeding patient drooped, moaned, sickened: and neither day nor aid arrived. I had, again and again, held the water to Mason's white lips; again and again offered him the stimulating salts: my efforts seemed ineffectual: either bodily or mental suffering, or loss of blood, or all three combined, were fast prostrating his strength. He moaned so, and looked so weak, wild, and lost, I feared he was dying; and I might not even speak to him. The candle, wasted at last, went out; as it expired, I perceived streaks of grey light edging the window curtains: dawn was then approaching. Presently I heard Pilot bark far below, out of his distant kennel in the courtyard: hope revived. Nor was it unwarranted: in five minutes more the grating key, the yielding lock, warned me my watch was relieved. It could not have lasted more than two hours: many a week has seemed shorter. Mr. Rochester entered, and with him the surgeon he had been to fetch. "Now, Carter, be on the alert," he said to this last: "I give you but half-an-hour for dressing the wound, fastening the bandages, getting the patient downstairs and all." "But is he fit to move, sir?" "No doubt of it; it is nothing serious; he is nervous, his spirits must be kept up. Come, set to work." Mr. Rochester drew back the thick curtain, drew up the holland blind, let in all the daylight he could; and I was surprised and cheered to see how far dawn was advanced: what rosy streaks were beginning to brighten the east. Then he approached Mason, whom the surgeon was already handling. "Now, my good fellow, how are you?" he asked. "She's done for me, I fear," was the faint reply. "Not a whit!--courage! This day fortnight you'll hardly be a pin the worse of it: you've lost a little blood; that's all. Carter, assure him there's no danger." "I can do that conscientiously," said Carter, who had now undone the bandages; "only I wish I could have got here sooner: he would not have bled so much--but how is this? The flesh on the shoulder is torn as well as cut. This wound was not done with a knife: there have been teeth here!" "She bit me," he murmured. "She worried me like a tigress, when Rochester got the knife from her." "You should not have yielded: you should have grappled with her at once," said Mr. Rochester. "But under such circumstances, what could one do?" returned Mason. "Oh, it was frightful!" he added, shuddering. "And I did not expect it: she looked so quiet at first." "I warned you," was his friend's answer; "I said--be on your guard when you go near her. Besides, you might have waited till to-morrow, and had me with you: it was mere folly to attempt the interview to-night, and alone." "I thought I could have done some good." "You thought! you thought! Yes, it makes me impatient to hear you: but, however, you have suffered, and are likely to suffer enough for not taking my advice; so I'll say no more. Carter--hurry!--hurry! The sun will soon rise, and I must have him off." "Directly, sir; the shoulder is just bandaged. I must look to this other wound in the arm: she has had her teeth here too, I think." "She sucked the blood: she said she'd drain my heart," said Mason. I saw Mr. Rochester shudder: a singularly marked expression of disgust, horror, hatred, warped his countenance almost to distortion; but he only said-- "Come, be silent, Richard, and never mind her gibberish: don't repeat it." "I wish I could forget it," was the answer. "You will when you are out of the country: when you get back to Spanish Town, you may think of her as dead and buried--or rather, you need not think of her at all." "Impossible to forget this night!" "It is not impossible: have some energy, man. You thought you were as dead as a herring two hours since, and you are all alive and talking now. There!--Carter has done with you or nearly so; I'll make you decent in a trice. Jane" (he turned to me for the first time since his re-entrance), "take this key: go down into my bedroom, and walk straight forward into my dressing-room: open the top drawer of the wardrobe and take out a clean shirt and neck-handkerchief: bring them here; and be nimble." I went; sought the repository he had mentioned, found the articles named, and returned with them. "Now," said he, "go to the other side of the bed while I order his toilet; but don't leave the room: you may be wanted again." I retired as directed. "Was anybody stirring below when you went down, Jane?" inquired Mr. Rochester presently. "No, sir; all was very still." "We shall get you off cannily, Dick: and it will be better, both for your sake, and for that of the poor creature in yonder. I have striven long to avoid exposure, and I should not like it to come at last. Here, Carter, help him on with his waist-coat. Where did you leave your furred cloak? You can't travel a mile without that, I know, in this damned cold climate. In your room?--Jane, run down to Mr. Mason's room,--the one next mine,--and fetch a cloak you will see there." Again I ran, and again returned, bearing an immense mantle lined and edged with fur. "Now, I've another errand for you," said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do. Now, Jane, trip on before us away to the backstairs; unbolt the side-passage door, and tell the driver of the post-chaise you will see in the yard--or just outside, for I told him not to drive his rattling wheels over the pavement--to be ready; we are coming: and, Jane, if any one is about, come to the foot of the stairs and hem." It was by this time half-past five, and the sun was on the point of rising; but I found the kitchen still dark and silent. The side-passage door was fastened; I opened it with as little noise as possible: all the yard was quiet; but the gates stood wide open, and there was a post-chaise, with horses ready harnessed, and driver seated on the box, stationed outside. I approached him, and said the gentlemen were coming; he nodded: then I looked carefully round and listened. The stillness of early morning slumbered everywhere; the curtains were yet drawn over the servants' chamber windows; little birds were just twittering in the blossom-blanched orchard trees, whose boughs drooped like white garlands over the wall enclosing one side of the yard; the carriage horses stamped from time to time in their closed stables: all else was still. The gentlemen now appeared. Mason, supported by Mr. Rochester and the surgeon, seemed to walk with tolerable ease: they assisted him into the chaise; Carter followed. "Take care of him," said Mr. Rochester to the latter, "and keep him at your house till he is quite well: I shall ride over in a day or two to see how he gets on. Richard, how is it with you?" "The fresh air revives me, Fairfax." "Leave the window open on his side, Carter; there is no wind--good-bye, Dick." "Fairfax--" "Well what is it?" "Let her be taken care of; let her be treated as tenderly as may be: let her--" he stopped and burst into tears. "I do my best; and have done it, and will do it," was the answer: he shut up the chaise door, and the vehicle drove away. "Yet would to God there was an end of all this!" added Mr. Rochester, as he closed and barred the heavy yard-gates. This done, he moved with slow step and abstracted air towards a door in the wall bordering the orchard. I, supposing he had done with me, prepared to return to the house; again, however, I heard him call "Jane!" He had opened the portal and stood at it, waiting for me. "Come where there is some freshness, for a few moments," he said; "that house is a mere dungeon: don't you feel it so?" "It seems to me a splendid mansion, sir." "The glamour of inexperience is over your eyes," he answered; "and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark. Now _here_" (he pointed to the leafy enclosure we had entered) "all is real, sweet, and pure." He strayed down a walk edged with box, with apple trees, pear trees, and cherry trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies, mingled with southernwood, sweet-briar, and various fragrant herbs. They were fresh now as a succession of April showers and gleams, followed by a lovely spring morning, could make them: the sun was just entering the dappled east, and his light illumined the wreathed and dewy orchard trees and shone down the quiet walks under them. "Jane, will you have a flower?" He gathered a half-blown rose, the first on the bush, and offered it to me. "Thank you, sir." "Do you like this sunrise, Jane? That sky with its high and light clouds which are sure to melt away as the day waxes warm--this placid and balmly atmosphere?" "I do, very much." "You have passed a strange night, Jane." "Yes, sir." "And it has made you look pale--were you afraid when I left you alone with Mason?" "I was afraid of some one coming out of the inner room." "But I had fastened the door--I had the key in my pocket: I should have been a careless shepherd if I had left a lamb--my pet lamb--so near a wolf's den, unguarded: you were safe." "Will Grace Poole live here still, sir?" "Oh yes! don't trouble your head about her--put the thing out of your thoughts." "Yet it seems to me your life is hardly secure while she stays." "Never fear--I will take care of myself." "Is the danger you apprehended last night gone by now, sir?" "I cannot vouch for that till Mason is out of England: nor even then. To live, for me, Jane, is to stand on a crater-crust which may crack and spue fire any day." "But Mr. Mason seems a man easily led. Your influence, sir, is evidently potent with him: he will never set you at defiance or wilfully injure you." "Oh, no! Mason will not defy me; nor, knowing it, will he hurt me--but, unintentionally, he might in a moment, by one careless word, deprive me, if not of life, yet for ever of happiness." "Tell him to be cautious, sir: let him know what you fear, and show him how to avert the danger." He laughed sardonically, hastily took my hand, and as hastily threw it from him. "If I could do that, simpleton, where would the danger be? Annihilated in a moment. Ever since I have known Mason, I have only had to say to him 'Do that,' and the thing has been done. But I cannot give him orders in this case: I cannot say 'Beware of harming me, Richard;' for it is imperative that I should keep him ignorant that harm to me is possible. Now you look puzzled; and I will puzzle you further. You are my little friend, are you not?" "I like to serve you, sir, and to obey you in all that is right." "Precisely: I see you do. I see genuine contentment in your gait and mien, your eye and face, when you are helping me and pleasing me--working for me, and with me, in, as you characteristically say, '_all that is right_:' for if I bid you do what you thought wrong, there would be no light-footed running, no neat-handed alacrity, no lively glance and animated complexion. My friend would then turn to me, quiet and pale, and would say, 'No, sir; that is impossible: I cannot do it, because it is wrong;' and would become immutable as a fixed star. Well, you too have power over me, and may injure me: yet I dare not show you where I am vulnerable, lest, faithful and friendly as you are, you should transfix me at once." "If you have no more to fear from Mr. Mason than you have from me, sir, you are very safe." "God grant it may be so! Here, Jane, is an arbour; sit down." The arbour was an arch in the wall, lined with ivy; it contained a rustic seat. Mr. Rochester took it, leaving room, however, for me: but I stood before him. "Sit," he said; "the bench is long enough for two. You don't hesitate to take a place at my side, do you? Is that wrong, Jane?" I answered him by assuming it: to refuse would, I felt, have been unwise. "Now, my little friend, while the sun drinks the dew--while all the flowers in this old garden awake and expand, and the birds fetch their young ones' breakfast out of the Thornfield, and the early bees do their first spell of work--I'll put a case to you, which you must endeavour to suppose your own: but first, look at me, and tell me you are at ease, and not fearing that I err in detaining you, or that you err in staying." "No, sir; I am content." "Well then, Jane, call to aid your fancy:--suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your existence. Mind, I don't say a _crime_; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is _error_. The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor culpable. Still you are miserable; for hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of setting. Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure--I mean in heartless, sensual pleasure--such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance--how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates: you feel better days come back--higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in overleaping an obstacle of custom--a mere conventional impediment which neither your conscience sanctifies nor your judgment approves?" He paused for an answer: and what was I to say? Oh, for some good spirit to suggest a judicious and satisfactory response! Vain aspiration! The west wind whispered in the ivy round me; but no gentle Ariel borrowed its breath as a medium of speech: the birds sang in the tree-tops; but their song, however sweet, was inarticulate. Again Mr. Rochester propounded his query: "Is the wandering and sinful, but now rest-seeking and repentant, man justified in daring the world's opinion, in order to attach to him for ever this gentle, gracious, genial stranger, thereby securing his own peace of mind and regeneration of life?" "Sir," I answered, "a wanderer's repose or a sinner's reformation should never depend on a fellow-creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal." "But the instrument--the instrument! God, who does the work, ordains the instrument. I have myself--I tell it you without parable--been a worldly, dissipated, restless man; and I believe I have found the instrument for my cure in--" He paused: the birds went on carolling, the leaves lightly rustling. I almost wondered they did not check their songs and whispers to catch the suspended revelation; but they would have had to wait many minutes--so long was the silence protracted. At last I looked up at the tardy speaker: he was looking eagerly at me. "Little friend," said he, in quite a changed tone--while his face changed too, losing all its softness and gravity, and becoming harsh and sarcastic--"you have noticed my tender penchant for Miss Ingram: don't you think if I married her she would regenerate me with a vengeance?" He got up instantly, went quite to the other end of the walk, and when he came back he was humming a tune. "Jane, Jane," said he, stopping before me, "you are quite pale with your vigils: don't you curse me for disturbing your rest?" "Curse you? No, sir." "Shake hands in confirmation of the word. What cold fingers! They were warmer last night when I touched them at the door of the mysterious chamber. Jane, when will you watch with me again?" "Whenever I can be useful, sir." "For instance, the night before I am married! I am sure I shall not be able to sleep. Will you promise to sit up with me to bear me company? To you I can talk of my lovely one: for now you have seen her and know her." "Yes, sir." "She's a rare one, is she not, Jane?" "Yes, sir." "A strapper--a real strapper, Jane: big, brown, and buxom; with hair just such as the ladies of Carthage must have had. Bless me! there's Dent and Lynn in the stables! Go in by the shrubbery, through that wicket." As I went one way, he went another, and I heard him in the yard, saying cheerfully-- "Mason got the start of you all this morning; he was gone before sunrise: I rose at four to see him off."

Chapter 20

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre42.asp

Jane is woken up by the moonlight streaming in through the window. She hears a piercing scream accompanied by the sound of a struggle coming from the third floor. She rushes out and discovers the guests in great agitation, standing in the corridor. Mr. Rochester, descending from the third story, gently persuades them to retire to their rooms. An hour later, Mr. Rochester calls Jane and takes her into a chamber, where she finds Mr. Mason bleeding profusely. Mr. Rochester instructs her to sponge away the trickling blood and hold smelling salts to Mason's nose, while he goes to fetch the doctor. In the meantime, they are told not to speak to each other. From the next room Jane hears a snarl like that of an animal and Grace Poole's characteristic laughter. As dawn is breaking, Mason is bandaged and sent with the surgeon, Carter. He is to stay with him until his recovery and departure for Spanish Town. As Mason takes his leave, he urges Mr. Rochester to take care of "her." At this, Mr. Rochester expresses a desperate wish that there should be an end to "all this." Early in the morning, while strolling in the orchard with Jane, Mr. Rochester makes a veiled reference to the undisciplined life he led in a foreign land. He then asks whether he has any right to "attach himself" to someone who can give him peace of mind. He makes Jane promise that she will be there for him if he should ever need her; he even mentions the night before he marries Blanche Ingram as one such occasion when he will need Jane's company. Then he adopts a sarcastic tone and asks Jane's opinion of Blanche. Their conversation is cut short as Mr. Rochester's guests appear.

Notes This chapter abounds with elements of horror: screaming, blood, and the suggestion of a violent woman's presence. However, Charlotte Bronte relieves the tension in this chapter by giving comic descriptions of Mr. Rochester's guests clinging to him in fear: "he two dowagers, in vast white wrappers, were bearing down on him like ships in full sail." Mason's sway over Mr. Rochester and the master's promise to take care of a mysterious woman puzzle Jane. When she is instructed to attend to the wounded Mason, her courage is tested for a two-hour period. The circumstances under which Mason is given treatment and sent away are definitely very suspicious, both for the readers as well as for Jane. Jane is also puzzled by Mr. Rochester's reference to his profligate youth and to society's approval of his new friend, "the gentle, gracious, genial stranger." Mr. Rochester talks openly about his marriage to Blanche in order to elicit some sort of response from Jane. His remarks about Blanche Ingram contribute to the novel's atmosphere of suspense on an emotional level. It is also a way of indirectly introducing the notion of a marriage between Jane and Mr. Rochester. Throughout all that has happened, Jane and the master of Thornfield Hall are developing trust and cultivating intimacy. In yet another crisis, it is Jane's courage and intelligence that reassure Mr. Rochester.

pinkmonkey

all_chapterized_books/1260-chapters/22.txt

finished_summaries/pinkmonkey/Jane Eyre/section_20_part_0.txt

Jane Eyre.volume 2.chapter 21

chapter 21

{"name": "Chapter 21", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre44.asp", "summary": "For a few days, Jane has a recurring dream of a child. This seems to her a premonition of some distressing event, and the next day, the coachman arrives from Gateshead with the news of John Reed's death and Mrs. Reed's terminal illness. Jane is eager to answer Mrs. Reed's summons. Jane goes to Mr. Rochester to ask for a few days' leave. At first Mr. Rochester is surprised to learn that Jane even has relatives. Jane replies that she had never thought it necessary to talk about the people who had abandoned her. Mr. Rochester is hesitant to let her go. However, as Jane is determined, he asks her to return within a week. Before leaving, Jane suggests to him that when he marries Miss Ingram, Adele should be sent to school. They agree that she will have to find a post elsewhere. At Gateshead, Jane is received by Bessie, now the coachman's wife. She meets her cousins, Eliza and Georgiana, and finds them changed. Eliza has become rigid. Georgiana is plump and pretty but weak. They do not seem happy to see Jane, but Jane insists on staying and visiting with Mrs. Reed. Initially, Mrs. Reed does not seem to recognize Jane. However, before she dies, she does speak coherently. She hands over to Jane a letter received three years ago from her uncle, John Eyre of Madeira. He had wished to adopt Jane and bequeath his property to her, but Mrs. Reed had deliberately misinformed him that Jane died in the typhus epidemic at Lowood School.", "analysis": "Notes In this chapter, Jane once again confronts the self-indulgent world of the Reeds. It has degenerated into emotional withering in Eliza, witless frivolity in Georgiana and premature death for their harassed mother. Jane's return to Gateshead Hall demonstrates how independent and self-assured she has become. She no longer needs the attention of the Reeds now. She counters the deliberate silence of the Reed sisters by busying herself with her sketching. Jane had left Gateshead with an \"embittered heart\" but now returns to it with \"the flame of resentment extinguished. \" She earnestly desires to be reconciled with her aunt, but the dying woman shows no concern for her. In striking contrast to this rejection is John Eyre's apparent love for his niece. Hope lives eternal in the human heart, and in Jane's heart hope has begun to appear. It seems that Jane may experience financial security and familial acceptance through her paternal uncle. The description of Mrs. Reed on her deathbed is rendered by the novelist through the use of the metaphor of fire: \"the fire was dying in the grate.\" In this passage the domestic fire is associated with human vitality and life. At the moment of Mrs. Reed's death, the rain beats strongly against the window panes and the wind blows tempestuously. Jane is made to think: \"One lies there who will soon be beyond the war of earthly elements.\" This is a key statement, since Charlotte Bronte is concerned throughout the novel with \"the war of earthly elements.\""}

Presentiments are strange things! and so are sympathies; and so are signs; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives asserting, notwithstanding their alienation, the unity of the source to which each traces his origin) whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of Nature with man. When I was a little girl, only six years old, I one night heard Bessie Leaven say to Martha Abbot that she had been dreaming about a little child; and that to dream of children was a sure sign of trouble, either to one's self or one's kin. The saying might have worn out of my memory, had not a circumstance immediately followed which served indelibly to fix it there. The next day Bessie was sent for home to the deathbed of her little sister. Of late I had often recalled this saying and this incident; for during the past week scarcely a night had gone over my couch that had not brought with it a dream of an infant, which I sometimes hushed in my arms, sometimes dandled on my knee, sometimes watched playing with daisies on a lawn, or again, dabbling its hands in running water. It was a wailing child this night, and a laughing one the next: now it nestled close to me, and now it ran from me; but whatever mood the apparition evinced, whatever aspect it wore, it failed not for seven successive nights to meet me the moment I entered the land of slumber. I did not like this iteration of one idea--this strange recurrence of one image, and I grew nervous as bedtime approached and the hour of the vision drew near. It was from companionship with this baby-phantom I had been roused on that moonlight night when I heard the cry; and it was on the afternoon of the day following I was summoned downstairs by a message that some one wanted me in Mrs. Fairfax's room. On repairing thither, I found a man waiting for me, having the appearance of a gentleman's servant: he was dressed in deep mourning, and the hat he held in his hand was surrounded with a crape band. "I daresay you hardly remember me, Miss," he said, rising as I entered; "but my name is Leaven: I lived coachman with Mrs. Reed when you were at Gateshead, eight or nine years since, and I live there still." "Oh, Robert! how do you do? I remember you very well: you used to give me a ride sometimes on Miss Georgiana's bay pony. And how is Bessie? You are married to Bessie?" "Yes, Miss: my wife is very hearty, thank you; she brought me another little one about two months since--we have three now--and both mother and child are thriving." "And are the family well at the house, Robert?" "I am sorry I can't give you better news of them, Miss: they are very badly at present--in great trouble." "I hope no one is dead," I said, glancing at his black dress. He too looked down at the crape round his hat and replied-- "Mr. John died yesterday was a week, at his chambers in London." "Mr. John?" "Yes." "And how does his mother bear it?" "Why, you see, Miss Eyre, it is not a common mishap: his life has been very wild: these last three years he gave himself up to strange ways, and his death was shocking." "I heard from Bessie he was not doing well." "Doing well! He could not do worse: he ruined his health and his estate amongst the worst men and the worst women. He got into debt and into jail: his mother helped him out twice, but as soon as he was free he returned to his old companions and habits. His head was not strong: the knaves he lived amongst fooled him beyond anything I ever heard. He came down to Gateshead about three weeks ago and wanted missis to give up all to him. Missis refused: her means have long been much reduced by his extravagance; so he went back again, and the next news was that he was dead. How he died, God knows!--they say he killed himself." I was silent: the things were frightful. Robert Leaven resumed-- "Missis had been out of health herself for some time: she had got very stout, but was not strong with it; and the loss of money and fear of poverty were quite breaking her down. The information about Mr. John's death and the manner of it came too suddenly: it brought on a stroke. She was three days without speaking; but last Tuesday she seemed rather better: she appeared as if she wanted to say something, and kept making signs to my wife and mumbling. It was only yesterday morning, however, that Bessie understood she was pronouncing your name; and at last she made out the words, 'Bring Jane--fetch Jane Eyre: I want to speak to her.' Bessie is not sure whether she is in her right mind, or means anything by the words; but she told Miss Reed and Miss Georgiana, and advised them to send for you. The young ladies put it off at first; but their mother grew so restless, and said, 'Jane, Jane,' so many times, that at last they consented. I left Gateshead yesterday: and if you can get ready, Miss, I should like to take you back with me early to-morrow morning." "Yes, Robert, I shall be ready: it seems to me that I ought to go." "I think so too, Miss. Bessie said she was sure you would not refuse: but I suppose you will have to ask leave before you can get off?" "Yes; and I will do it now;" and having directed him to the servants' hall, and recommended him to the care of John's wife, and the attentions of John himself, I went in search of Mr. Rochester. He was not in any of the lower rooms; he was not in the yard, the stables, or the grounds. I asked Mrs. Fairfax if she had seen him;--yes: she believed he was playing billiards with Miss Ingram. To the billiard- room I hastened: the click of balls and the hum of voices resounded thence; Mr. Rochester, Miss Ingram, the two Misses Eshton, and their admirers, were all busied in the game. It required some courage to disturb so interesting a party; my errand, however, was one I could not defer, so I approached the master where he stood at Miss Ingram's side. She turned as I drew near, and looked at me haughtily: her eyes seemed to demand, "What can the creeping creature want now?" and when I said, in a low voice, "Mr. Rochester," she made a movement as if tempted to order me away. I remember her appearance at the moment--it was very graceful and very striking: she wore a morning robe of sky-blue crape; a gauzy azure scarf was twisted in her hair. She had been all animation with the game, and irritated pride did not lower the expression of her haughty lineaments. "Does that person want you?" she inquired of Mr. Rochester; and Mr. Rochester turned to see who the "person" was. He made a curious grimace--one of his strange and equivocal demonstrations--threw down his cue and followed me from the room. "Well, Jane?" he said, as he rested his back against the schoolroom door, which he had shut. "If you please, sir, I want leave of absence for a week or two." "What to do?--where to go?" "To see a sick lady who has sent for me." "What sick lady?--where does she live?" "At Gateshead; in ---shire." "-shire? That is a hundred miles off! Who may she be that sends for people to see her that distance?" "Her name is Reed, sir--Mrs. Reed." "Reed of Gateshead? There was a Reed of Gateshead, a magistrate." "It is his widow, sir." "And what have you to do with her? How do you know her?" "Mr. Reed was my uncle--my mother's brother." "The deuce he was! You never told me that before: you always said you had no relations." "None that would own me, sir. Mr. Reed is dead, and his wife cast me off." "Why?" "Because I was poor, and burdensome, and she disliked me." "But Reed left children?--you must have cousins? Sir George Lynn was talking of a Reed of Gateshead yesterday, who, he said, was one of the veriest rascals on town; and Ingram was mentioning a Georgiana Reed of the same place, who was much admired for her beauty a season or two ago in London." "John Reed is dead, too, sir: he ruined himself and half-ruined his family, and is supposed to have committed suicide. The news so shocked his mother that it brought on an apoplectic attack." "And what good can you do her? Nonsense, Jane! I would never think of running a hundred miles to see an old lady who will, perhaps, be dead before you reach her: besides, you say she cast you off." "Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now." "How long will you stay?" "As short a time as possible, sir." "Promise me only to stay a week--" "I had better not pass my word: I might be obliged to break it." "At all events you _will_ come back: you will not be induced under any pretext to take up a permanent residence with her?" "Oh, no! I shall certainly return if all be well." "And who goes with you? You don't travel a hundred miles alone." "No, sir, she has sent her coachman." "A person to be trusted?" "Yes, sir, he has lived ten years in the family." Mr. Rochester meditated. "When do you wish to go?" "Early to-morrow morning, sir." "Well, you must have some money; you can't travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?" he asked, smiling. I drew out my purse; a meagre thing it was. "Five shillings, sir." He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: "Here," said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. "I don't want change; you know that. Take your wages." I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said-- "Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?" "Yes, sir, but now you owe me five." "Come back for it, then; I am your banker for forty pounds." "Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity." "Matter of business? I am curious to hear it." "You have as good as informed me, sir, that you are going shortly to be married?" "Yes; what then?" "In that case, sir, Adele ought to go to school: I am sure you will perceive the necessity of it." "To get her out of my bride's way, who might otherwise walk over her rather too emphatically? There's sense in the suggestion; not a doubt of it. Adele, as you say, must go to school; and you, of course, must march straight to--the devil?" "I hope not, sir; but I must seek another situation somewhere." "In course!" he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. "And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?" "No, sir; I am not on such terms with my relatives as would justify me in asking favours of them--but I shall advertise." "You shall walk up the pyramids of Egypt!" he growled. "At your peril you advertise! I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I've a use for it." "And so have I, sir," I returned, putting my hands and my purse behind me. "I could not spare the money on any account." "Little niggard!" said he, "refusing me a pecuniary request! Give me five pounds, Jane." "Not five shillings, sir; nor five pence." "Just let me look at the cash." "No, sir; you are not to be trusted." "Jane!" "Sir?" "Promise me one thing." "I'll promise you anything, sir, that I think I am likely to perform." "Not to advertise: and to trust this quest of a situation to me. I'll find you one in time." "I shall be glad so to do, sir, if you, in your turn, will promise that I and Adele shall be both safe out of the house before your bride enters it." "Very well! very well! I'll pledge my word on it. You go to-morrow, then?" "Yes, sir; early." "Shall you come down to the drawing-room after dinner?" "No, sir, I must prepare for the journey." "Then you and I must bid good-bye for a little while?" "I suppose so, sir." "And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it." "They say, Farewell, or any other form they prefer." "Then say it." "Farewell, Mr. Rochester, for the present." "What must I say?" "The same, if you like, sir." "Farewell, Miss Eyre, for the present; is that all?" "Yes?" "It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands, for instance; but no--that would not content me either. So you'll do no more than say Farewell, Jane?" "It is enough, sir: as much good-will may be conveyed in one hearty word as in many." "Very likely; but it is blank and cool--'Farewell.'" "How long is he going to stand with his back against that door?" I asked myself; "I want to commence my packing." The dinner-bell rang, and suddenly away he bolted, without another syllable: I saw him no more during the day, and was off before he had risen in the morning. I reached the lodge at Gateshead about five o'clock in the afternoon of the first of May: I stepped in there before going up to the hall. It was very clean and neat: the ornamental windows were hung with little white curtains; the floor was spotless; the grate and fire-irons were burnished bright, and the fire burnt clear. Bessie sat on the hearth, nursing her last-born, and Robert and his sister played quietly in a corner. "Bless you!--I knew you would come!" exclaimed Mrs. Leaven, as I entered. "Yes, Bessie," said I, after I had kissed her; "and I trust I am not too late. How is Mrs. Reed?--Alive still, I hope." "Yes, she is alive; and more sensible and collected than she was. The doctor says she may linger a week or two yet; but he hardly thinks she will finally recover." "Has she mentioned me lately?" "She was talking of you only this morning, and wishing you would come, but she is sleeping now, or was ten minutes ago, when I was up at the house. She generally lies in a kind of lethargy all the afternoon, and wakes up about six or seven. Will you rest yourself here an hour, Miss, and then I will go up with you?" Robert here entered, and Bessie laid her sleeping child in the cradle and went to welcome him: afterwards she insisted on my taking off my bonnet and having some tea; for she said I looked pale and tired. I was glad to accept her hospitality; and I submitted to be relieved of my travelling garb just as passively as I used to let her undress me when a child. Old times crowded fast back on me as I watched her bustling about--setting out the tea-tray with her best china, cutting bread and butter, toasting a tea-cake, and, between whiles, giving little Robert or Jane an occasional tap or push, just as she used to give me in former days. Bessie had retained her quick temper as well as her light foot and good looks. Tea ready, I was going to approach the table; but she desired me to sit still, quite in her old peremptory tones. I must be served at the fireside, she said; and she placed before me a little round stand with my cup and a plate of toast, absolutely as she used to accommodate me with some privately purloined dainty on a nursery chair: and I smiled and obeyed her as in bygone days. She wanted to know if I was happy at Thornfield Hall, and what sort of a person the mistress was; and when I told her there was only a master, whether he was a nice gentleman, and if I liked him. I told her he was rather an ugly man, but quite a gentleman; and that he treated me kindly, and I was content. Then I went on to describe to her the gay company that had lately been staying at the house; and to these details Bessie listened with interest: they were precisely of the kind she relished. In such conversation an hour was soon gone: Bessie restored to me my bonnet, &c., and, accompanied by her, I quitted the lodge for the hall. It was also accompanied by her that I had, nearly nine years ago, walked down the path I was now ascending. On a dark, misty, raw morning in January, I had left a hostile roof with a desperate and embittered heart--a sense of outlawry and almost of reprobation--to seek the chilly harbourage of Lowood: that bourne so far away and unexplored. The same hostile roof now again rose before me: my prospects were doubtful yet; and I had yet an aching heart. I still felt as a wanderer on the face of the earth; but I experienced firmer trust in myself and my own powers, and less withering dread of oppression. The gaping wound of my wrongs, too, was now quite healed; and the flame of resentment extinguished. "You shall go into the breakfast-room first," said Bessie, as she preceded me through the hall; "the young ladies will be there." In another moment I was within that apartment. There was every article of furniture looking just as it did on the morning I was first introduced to Mr. Brocklehurst: the very rug he had stood upon still covered the hearth. Glancing at the bookcases, I thought I could distinguish the two volumes of Bewick's British Birds occupying their old place on the third shelf, and Gulliver's Travels and the Arabian Nights ranged just above. The inanimate objects were not changed; but the living things had altered past recognition. Two young ladies appeared before me; one very tall, almost as tall as Miss Ingram--very thin too, with a sallow face and severe mien. There was something ascetic in her look, which was augmented by the extreme plainness of a straight-skirted, black, stuff dress, a starched linen collar, hair combed away from the temples, and the nun-like ornament of a string of ebony beads and a crucifix. This I felt sure was Eliza, though I could trace little resemblance to her former self in that elongated and colourless visage. The other was as certainly Georgiana: but not the Georgiana I remembered--the slim and fairy-like girl of eleven. This was a full-blown, very plump damsel, fair as waxwork, with handsome and regular features, languishing blue eyes, and ringleted yellow hair. The hue of her dress was black too; but its fashion was so different from her sister's--so much more flowing and becoming--it looked as stylish as the other's looked puritanical. In each of the sisters there was one trait of the mother--and only one; the thin and pallid elder daughter had her parent's Cairngorm eye: the blooming and luxuriant younger girl had her contour of jaw and chin--perhaps a little softened, but still imparting an indescribable hardness to the countenance otherwise so voluptuous and buxom. Both ladies, as I advanced, rose to welcome me, and both addressed me by the name of "Miss Eyre." Eliza's greeting was delivered in a short, abrupt voice, without a smile; and then she sat down again, fixed her eyes on the fire, and seemed to forget me. Georgiana added to her "How d'ye do?" several commonplaces about my journey, the weather, and so on, uttered in rather a drawling tone: and accompanied by sundry side-glances that measured me from head to foot--now traversing the folds of my drab merino pelisse, and now lingering on the plain trimming of my cottage bonnet. Young ladies have a remarkable way of letting you know that they think you a "quiz" without actually saying the words. A certain superciliousness of look, coolness of manner, nonchalance of tone, express fully their sentiments on the point, without committing them by any positive rudeness in word or deed. A sneer, however, whether covert or open, had now no longer that power over me it once possessed: as I sat between my cousins, I was surprised to find how easy I felt under the total neglect of the one and the semi- sarcastic attentions of the other--Eliza did not mortify, nor Georgiana ruffle me. The fact was, I had other things to think about; within the last few months feelings had been stirred in me so much more potent than any they could raise--pains and pleasures so much more acute and exquisite had been excited than any it was in their power to inflict or bestow--that their airs gave me no concern either for good or bad. "How is Mrs. Reed?" I asked soon, looking calmly at Georgiana, who thought fit to bridle at the direct address, as if it were an unexpected liberty. "Mrs. Reed? Ah! mama, you mean; she is extremely poorly: I doubt if you can see her to-night." "If," said I, "you would just step upstairs and tell her I am come, I should be much obliged to you." Georgiana almost started, and she opened her blue eyes wild and wide. "I know she had a particular wish to see me," I added, "and I would not defer attending to her desire longer than is absolutely necessary." "Mama dislikes being disturbed in an evening," remarked Eliza. I soon rose, quietly took off my bonnet and gloves, uninvited, and said I would just step out to Bessie--who was, I dared say, in the kitchen--and ask her to ascertain whether Mrs. Reed was disposed to receive me or not to- night. I went, and having found Bessie and despatched her on my errand, I proceeded to take further measures. It had heretofore been my habit always to shrink from arrogance: received as I had been to-day, I should, a year ago, have resolved to quit Gateshead the very next morning; now, it was disclosed to me all at once that that would be a foolish plan. I had taken a journey of a hundred miles to see my aunt, and I must stay with her till she was better--or dead: as to her daughters' pride or folly, I must put it on one side, make myself independent of it. So I addressed the housekeeper; asked her to show me a room, told her I should probably be a visitor here for a week or two, had my trunk conveyed to my chamber, and followed it thither myself: I met Bessie on the landing. "Missis is awake," said she; "I have told her you are here: come and let us see if she will know you." I did not need to be guided to the well-known room, to which I had so often been summoned for chastisement or reprimand in former days. I hastened before Bessie; I softly opened the door: a shaded light stood on the table, for it was now getting dark. There was the great four-post bed with amber hangings as of old; there the toilet-table, the armchair, and the footstool, at which I had a hundred times been sentenced to kneel, to ask pardon for offences by me uncommitted. I looked into a certain corner near, half-expecting to see the slim outline of a once dreaded switch which used to lurk there, waiting to leap out imp-like and lace my quivering palm or shrinking neck. I approached the bed; I opened the curtains and leant over the high-piled pillows. Well did I remember Mrs. Reed's face, and I eagerly sought the familiar image. It is a happy thing that time quells the longings of vengeance and hushes the promptings of rage and aversion. I had left this woman in bitterness and hate, and I came back to her now with no other emotion than a sort of ruth for her great sufferings, and a strong yearning to forget and forgive all injuries--to be reconciled and clasp hands in amity. The well-known face was there: stern, relentless as ever--there was that peculiar eye which nothing could melt, and the somewhat raised, imperious, despotic eyebrow. How often had it lowered on me menace and hate! and how the recollection of childhood's terrors and sorrows revived as I traced its harsh line now! And yet I stooped down and kissed her: she looked at me. "Is this Jane Eyre?" she said. "Yes, Aunt Reed. How are you, dear aunt?" I had once vowed that I would never call her aunt again: I thought it no sin to forget and break that vow now. My fingers had fastened on her hand which lay outside the sheet: had she pressed mine kindly, I should at that moment have experienced true pleasure. But unimpressionable natures are not so soon softened, nor are natural antipathies so readily eradicated. Mrs. Reed took her hand away, and, turning her face rather from me, she remarked that the night was warm. Again she regarded me so icily, I felt at once that her opinion of me--her feeling towards me--was unchanged and unchangeable. I knew by her stony eye--opaque to tenderness, indissoluble to tears--that she was resolved to consider me bad to the last; because to believe me good would give her no generous pleasure: only a sense of mortification. I felt pain, and then I felt ire; and then I felt a determination to subdue her--to be her mistress in spite both of her nature and her will. My tears had risen, just as in childhood: I ordered them back to their source. I brought a chair to the bed-head: I sat down and leaned over the pillow. "You sent for me," I said, "and I am here; and it is my intention to stay till I see how you get on." "Oh, of course! You have seen my daughters?" "Yes." "Well, you may tell them I wish you to stay till I can talk some things over with you I have on my mind: to-night it is too late, and I have a difficulty in recalling them. But there was something I wished to say--let me see--" The wandering look and changed utterance told what wreck had taken place in her once vigorous frame. Turning restlessly, she drew the bedclothes round her; my elbow, resting on a corner of the quilt, fixed it down: she was at once irritated. "Sit up!" said she; "don't annoy me with holding the clothes fast. Are you Jane Eyre?" "I am Jane Eyre." "I have had more trouble with that child than any one would believe. Such a burden to be left on my hands--and so much annoyance as she caused me, daily and hourly, with her incomprehensible disposition, and her sudden starts of temper, and her continual, unnatural watchings of one's movements! I declare she talked to me once like something mad, or like a fiend--no child ever spoke or looked as she did; I was glad to get her away from the house. What did they do with her at Lowood? The fever broke out there, and many of the pupils died. She, however, did not die: but I said she did--I wish she had died!" "A strange wish, Mrs. Reed; why do you hate her so?" "I had a dislike to her mother always; for she was my husband's only sister, and a great favourite with him: he opposed the family's disowning her when she made her low marriage; and when news came of her death, he wept like a simpleton. He would send for the baby; though I entreated him rather to put it out to nurse and pay for its maintenance. I hated it the first time I set my eyes on it--a sickly, whining, pining thing! It would wail in its cradle all night long--not screaming heartily like any other child, but whimpering and moaning. Reed pitied it; and he used to nurse it and notice it as if it had been his own: more, indeed, than he ever noticed his own at that age. He would try to make my children friendly to the little beggar: the darlings could not bear it, and he was angry with them when they showed their dislike. In his last illness, he had it brought continually to his bedside; and but an hour before he died, he bound me by vow to keep the creature. I would as soon have been charged with a pauper brat out of a workhouse: but he was weak, naturally weak. John does not at all resemble his father, and I am glad of it: John is like me and like my brothers--he is quite a Gibson. Oh, I wish he would cease tormenting me with letters for money? I have no more money to give him: we are getting poor. I must send away half the servants and shut up part of the house; or let it off. I can never submit to do that--yet how are we to get on? Two-thirds of my income goes in paying the interest of mortgages. John gambles dreadfully, and always loses--poor boy! He is beset by sharpers: John is sunk and degraded--his look is frightful--I feel ashamed for him when I see him." She was getting much excited. "I think I had better leave her now," said I to Bessie, who stood on the other side of the bed. "Perhaps you had, Miss: but she often talks in this way towards night--in the morning she is calmer." I rose. "Stop!" exclaimed Mrs. Reed, "there is another thing I wished to say. He threatens me--he continually threatens me with his own death, or mine: and I dream sometimes that I see him laid out with a great wound in his throat, or with a swollen and blackened face. I am come to a strange pass: I have heavy troubles. What is to be done? How is the money to be had?" Bessie now endeavoured to persuade her to take a sedative draught: she succeeded with difficulty. Soon after, Mrs. Reed grew more composed, and sank into a dozing state. I then left her. More than ten days elapsed before I had again any conversation with her. She continued either delirious or lethargic; and the doctor forbade everything which could painfully excite her. Meantime, I got on as well as I could with Georgiana and Eliza. They were very cold, indeed, at first. Eliza would sit half the day sewing, reading, or writing, and scarcely utter a word either to me or her sister. Georgiana would chatter nonsense to her canary bird by the hour, and take no notice of me. But I was determined not to seem at a loss for occupation or amusement: I had brought my drawing materials with me, and they served me for both. Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes, representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rocks; the rising moon, and a ship crossing its disk; a group of reeds and water-flags, and a naiad's head, crowned with lotus- flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn-bloom. One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. "Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that "an ugly man." They both seemed surprised at my skill. I offered to sketch their portraits; and each, in turn, sat for a pencil outline. Then Georgiana produced her album. I promised to contribute a water-colour drawing: this put her at once into good humour. She proposed a walk in the grounds. Before we had been out two hours, we were deep in a confidential conversation: she had favoured me with a description of the brilliant winter she had spent in London two seasons ago--of the admiration she had there excited--the attention she had received; and I even got hints of the titled conquest she had made. In the course of the afternoon and evening these hints were enlarged on: various soft conversations were reported, and sentimental scenes represented; and, in short, a volume of a novel of fashionable life was that day improvised by her for my benefit. The communications were renewed from day to day: they always ran on the same theme--herself, her loves, and woes. It was strange she never once adverted either to her mother's illness, or her brother's death, or the present gloomy state of the family prospects. Her mind seemed wholly taken up with reminiscences of past gaiety, and aspirations after dissipations to come. She passed about five minutes each day in her mother's sick-room, and no more. Eliza still spoke little: she had evidently no time to talk. I never saw a busier person than she seemed to be; yet it was difficult to say what she did: or rather, to discover any result of her diligence. She had an alarm to call her up early. I know not how she occupied herself before breakfast, but after that meal she divided her time into regular portions, and each hour had its allotted task. Three times a day she studied a little book, which I found, on inspection, was a Common Prayer Book. I asked her once what was the great attraction of that volume, and she said, "the Rubric." Three hours she gave to stitching, with gold thread, the border of a square crimson cloth, almost large enough for a carpet. In answer to my inquiries after the use of this article, she informed me it was a covering for the altar of a new church lately erected near Gateshead. Two hours she devoted to her diary; two to working by herself in the kitchen-garden; and one to the regulation of her accounts. She seemed to want no company; no conversation. I believe she was happy in her way: this routine sufficed for her; and nothing annoyed her so much as the occurrence of any incident which forced her to vary its clockwork regularity. She told me one evening, when more disposed to be communicative than usual, that John's conduct, and the threatened ruin of the family, had been a source of profound affliction to her: but she had now, she said, settled her mind, and formed her resolution. Her own fortune she had taken care to secure; and when her mother died--and it was wholly improbable, she tranquilly remarked, that she should either recover or linger long--she would execute a long-cherished project: seek a retirement where punctual habits would be permanently secured from disturbance, and place safe barriers between herself and a frivolous world. I asked if Georgiana would accompany her. "Of course not. Georgiana and she had nothing in common: they never had had. She would not be burdened with her society for any consideration. Georgiana should take her own course; and she, Eliza, would take hers." Georgiana, when not unburdening her heart to me, spent most of her time in lying on the sofa, fretting about the dulness of the house, and wishing over and over again that her aunt Gibson would send her an invitation up to town. "It would be so much better," she said, "if she could only get out of the way for a month or two, till all was over." I did not ask what she meant by "all being over," but I suppose she referred to the expected decease of her mother and the gloomy sequel of funeral rites. Eliza generally took no more notice of her sister's indolence and complaints than if no such murmuring, lounging object had been before her. One day, however, as she put away her account-book and unfolded her embroidery, she suddenly took her up thus-- "Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person's strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered--you must have music, dancing, and society--or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes--include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it--go on as heretofore, craving, whining, and idling--and suffer the results of your idiocy, however bad and insuperable they may be. I tell you this plainly; and listen: for though I shall no more repeat what I am now about to say, I shall steadily act on it. After my mother's death, I wash my hands of you: from the day her coffin is carried to the vault in Gateshead Church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim: I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new." She closed her lips. "You might have spared yourself the trouble of delivering that tirade," answered Georgiana. "Everybody knows you are the most selfish, heartless creature in existence: and _I_ know your spiteful hatred towards me: I have had a specimen of it before in the trick you played me about Lord Edwin Vere: you could not bear me to be raised above you, to have a title, to be received into circles where you dare not show your face, and so you acted the spy and informer, and ruined my prospects for ever." Georgiana took out her handkerchief and blew her nose for an hour afterwards; Eliza sat cold, impassable, and assiduously industrious. True, generous feeling is made small account of by some, but here were two natures rendered, the one intolerably acrid, the other despicably savourless for the want of it. Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition. It was a wet and windy afternoon: Georgiana had fallen asleep on the sofa over the perusal of a novel; Eliza was gone to attend a saint's-day service at the new church--for in matters of religion she was a rigid formalist: no weather ever prevented the punctual discharge of what she considered her devotional duties; fair or foul, she went to church thrice every Sunday, and as often on week-days as there were prayers. I bethought myself to go upstairs and see how the dying woman sped, who lay there almost unheeded: the very servants paid her but a remittent attention: the hired nurse, being little looked after, would slip out of the room whenever she could. Bessie was faithful; but she had her own family to mind, and could only come occasionally to the hall. I found the sick-room unwatched, as I had expected: no nurse was there; the patient lay still, and seemingly lethargic; her livid face sunk in the pillows: the fire was dying in the grate. I renewed the fuel, re-arranged the bedclothes, gazed awhile on her who could not now gaze on me, and then I moved away to the window. The rain beat strongly against the panes, the wind blew tempestuously: "One lies there," I thought, "who will soon be beyond the war of earthly elements. Whither will that spirit--now struggling to quit its material tenement--flit when at length released?" In pondering the great mystery, I thought of Helen Burns, recalled her dying words--her faith--her doctrine of the equality of disembodied souls. I was still listening in thought to her well-remembered tones--still picturing her pale and spiritual aspect, her wasted face and sublime gaze, as she lay on her placid deathbed, and whispered her longing to be restored to her divine Father's bosom--when a feeble voice murmured from the couch behind: "Who is that?" I knew Mrs. Reed had not spoken for days: was she reviving? I went up to her. "It is I, Aunt Reed." "Who--I?" was her answer. "Who are you?" looking at me with surprise and a sort of alarm, but still not wildly. "You are quite a stranger to me--where is Bessie?" "She is at the lodge, aunt." "Aunt," she repeated. "Who calls me aunt? You are not one of the Gibsons; and yet I know you--that face, and the eyes and forehead, are quiet familiar to me: you are like--why, you are like Jane Eyre!" I said nothing: I was afraid of occasioning some shock by declaring my identity. "Yet," said she, "I am afraid it is a mistake: my thoughts deceive me. I wished to see Jane Eyre, and I fancy a likeness where none exists: besides, in eight years she must be so changed." I now gently assured her that I was the person she supposed and desired me to be: and seeing that I was understood, and that her senses were quite collected, I explained how Bessie had sent her husband to fetch me from Thornfield. "I am very ill, I know," she said ere long. "I was trying to turn myself a few minutes since, and find I cannot move a limb. It is as well I should ease my mind before I die: what we think little of in health, burdens us at such an hour as the present is to me. Is the nurse here? or is there no one in the room but you?" I assured her we were alone. "Well, I have twice done you a wrong which I regret now. One was in breaking the promise which I gave my husband to bring you up as my own child; the other--" she stopped. "After all, it is of no great importance, perhaps," she murmured to herself: "and then I may get better; and to humble myself so to her is painful." She made an effort to alter her position, but failed: her face changed; she seemed to experience some inward sensation--the precursor, perhaps, of the last pang. "Well, I must get it over. Eternity is before me: I had better tell her.--Go to my dressing-case, open it, and take out a letter you will see there." I obeyed her directions. "Read the letter," she said. It was short, and thus conceived:-- "Madam,--Will you have the goodness to send me the address of my niece, Jane Eyre, and to tell me how she is? It is my intention to write shortly and desire her to come to me at Madeira. Providence has blessed my endeavours to secure a competency; and as I am unmarried and childless, I wish to adopt her during my life, and bequeath her at my death whatever I may have to leave.--I am, Madam, &c., &c., "JOHN EYRE, Madeira." It was dated three years back. "Why did I never hear of this?" I asked. "Because I disliked you too fixedly and thoroughly ever to lend a hand in lifting you to prosperity. I could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice.--Bring me some water! Oh, make haste!" "Dear Mrs. Reed," said I, as I offered her the draught she required, "think no more of all this, let it pass away from your mind. Forgive me for my passionate language: I was a child then; eight, nine years have passed since that day." She heeded nothing of what I said; but when she had tasted the water and drawn breath, she went on thus-- "I tell you I could not forget it; and I took my revenge: for you to be adopted by your uncle, and placed in a state of ease and comfort, was what I could not endure. I wrote to him; I said I was sorry for his disappointment, but Jane Eyre was dead: she had died of typhus fever at Lowood. Now act as you please: write and contradict my assertion--expose my falsehood as soon as you like. You were born, I think, to be my torment: my last hour is racked by the recollection of a deed which, but for you, I should never have been tempted to commit." "If you could but be persuaded to think no more of it, aunt, and to regard me with kindness and forgiveness" "You have a very bad disposition," said she, "and one to this day I feel it impossible to understand: how for nine years you could be patient and quiescent under any treatment, and in the tenth break out all fire and violence, I can never comprehend." "My disposition is not so bad as you think: I am passionate, but not vindictive. Many a time, as a little child, I should have been glad to love you if you would have let me; and I long earnestly to be reconciled to you now: kiss me, aunt." I approached my cheek to her lips: she would not touch it. She said I oppressed her by leaning over the bed, and again demanded water. As I laid her down--for I raised her and supported her on my arm while she drank--I covered her ice-cold and clammy hand with mine: the feeble fingers shrank from my touch--the glazing eyes shunned my gaze. "Love me, then, or hate me, as you will," I said at last, "you have my full and free forgiveness: ask now for God's, and be at peace." Poor, suffering woman! it was too late for her to make now the effort to change her habitual frame of mind: living, she had ever hated me--dying, she must hate me still. The nurse now entered, and Bessie followed. I yet lingered half-an-hour longer, hoping to see some sign of amity: but she gave none. She was fast relapsing into stupor; nor did her mind again rally: at twelve o'clock that night she died. I was not present to close her eyes, nor were either of her daughters. They came to tell us the next morning that all was over. She was by that time laid out. Eliza and I went to look at her: Georgiana, who had burst out into loud weeping, said she dared not go. There was stretched Sarah Reed's once robust and active frame, rigid and still: her eye of flint was covered with its cold lid; her brow and strong traits wore yet the impress of her inexorable soul. A strange and solemn object was that corpse to me. I gazed on it with gloom and pain: nothing soft, nothing sweet, nothing pitying, or hopeful, or subduing did it inspire; only a grating anguish for _her_ woes--not _my_ loss--and a sombre tearless dismay at the fearfulness of death in such a form. Eliza surveyed her parent calmly. After a silence of some minutes she observed-- "With her constitution she should have lived to a good old age: her life was shortened by trouble." And then a spasm constricted her mouth for an instant: as it passed away she turned and left the room, and so did I. Neither of us had dropt a tear.

Chapter 21

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre44.asp

For a few days, Jane has a recurring dream of a child. This seems to her a premonition of some distressing event, and the next day, the coachman arrives from Gateshead with the news of John Reed's death and Mrs. Reed's terminal illness. Jane is eager to answer Mrs. Reed's summons. Jane goes to Mr. Rochester to ask for a few days' leave. At first Mr. Rochester is surprised to learn that Jane even has relatives. Jane replies that she had never thought it necessary to talk about the people who had abandoned her. Mr. Rochester is hesitant to let her go. However, as Jane is determined, he asks her to return within a week. Before leaving, Jane suggests to him that when he marries Miss Ingram, Adele should be sent to school. They agree that she will have to find a post elsewhere. At Gateshead, Jane is received by Bessie, now the coachman's wife. She meets her cousins, Eliza and Georgiana, and finds them changed. Eliza has become rigid. Georgiana is plump and pretty but weak. They do not seem happy to see Jane, but Jane insists on staying and visiting with Mrs. Reed. Initially, Mrs. Reed does not seem to recognize Jane. However, before she dies, she does speak coherently. She hands over to Jane a letter received three years ago from her uncle, John Eyre of Madeira. He had wished to adopt Jane and bequeath his property to her, but Mrs. Reed had deliberately misinformed him that Jane died in the typhus epidemic at Lowood School.

Notes In this chapter, Jane once again confronts the self-indulgent world of the Reeds. It has degenerated into emotional withering in Eliza, witless frivolity in Georgiana and premature death for their harassed mother. Jane's return to Gateshead Hall demonstrates how independent and self-assured she has become. She no longer needs the attention of the Reeds now. She counters the deliberate silence of the Reed sisters by busying herself with her sketching. Jane had left Gateshead with an "embittered heart" but now returns to it with "the flame of resentment extinguished. " She earnestly desires to be reconciled with her aunt, but the dying woman shows no concern for her. In striking contrast to this rejection is John Eyre's apparent love for his niece. Hope lives eternal in the human heart, and in Jane's heart hope has begun to appear. It seems that Jane may experience financial security and familial acceptance through her paternal uncle. The description of Mrs. Reed on her deathbed is rendered by the novelist through the use of the metaphor of fire: "the fire was dying in the grate." In this passage the domestic fire is associated with human vitality and life. At the moment of Mrs. Reed's death, the rain beats strongly against the window panes and the wind blows tempestuously. Jane is made to think: "One lies there who will soon be beyond the war of earthly elements." This is a key statement, since Charlotte Bronte is concerned throughout the novel with "the war of earthly elements."

pinkmonkey

all_chapterized_books/1260-chapters/23.txt

finished_summaries/pinkmonkey/Jane Eyre/section_21_part_0.txt

Jane Eyre.volume 2.chapter 22

chapter 22

{"name": "Chapter 22", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre45.asp", "summary": "After Mrs. Reed's funeral, both Eliza and Georgiana entreat Jane to stay on and help them. Jane tolerates Georgiana's \"feeble minded wailings\" for some time. Then Georgiana is invited to London by her uncle. She later on marries a \"wealthy, worn-out man of fashion.\" A week later, Eliza leaves for the continent. She enters a convent to become a nun and eventually becomes Mother Superior. Jane does not inform Mrs. Fairfax of the exact day of her arrival, as she does not want her to send a carriage for her to Millcote. She decides to walk home quietly. During her stay at Gateshead, she had received a letter from Mrs. Fairfax. The old lady had written that Mr. Rochester had gone to London to buy a new carriage and to make arrangements for his wedding. While she is walking towards Thornfield, she experiences a strange sense of warmth. Then she suddenly chances to meet Mr. Rochester, who is seated on a stile. He wonders why she did not send for a carriage. Jane is gladdened by his welcoming manner. After mentioning Blanche Ingram, he jokingly asks Jane to help him improve his appearance. She answers that one needs only the light of love in the eyes to look pleasing enough. She is overwhelmed with Mr. Rochester's expansiveness towards her and thanks him. She confesses that wherever he is, she feels at home. The others in the house, especially Adele, are equally happy to receive Jane. However, at the same time, Jane feels a nagging sense of disturbance within her. During the next two weeks, Jane is puzzled by the absence of the wedding arrangements that Mrs. Fairfax mentioned. She also wonders why Mr. Rochester does not bother to visit Blanche, who is staying just twenty miles away.", "analysis": "Notes After Mrs. Reed's funeral, Charlotte Bronte gets another opportunity to expose the selfishness of the Reed sisters. Jane's return to Thornfield is delayed by her cousins' selfish demands. Having served as convenient targets for Bronte's contempt, Eliza and Georgiana are dispatched to their futile destinies: \"ne the cynosure of a ball room, the other the inmate of a convent cell. \" The chapter also exposes Jane's fears and uncertainties. Her love and happiness are constantly checked by a feeling of insecurity. As a result, she feels uncertain about her future. Jane's fears are reflected in her dream of Blanche closing the gates of Thornfield Hall against her. However, she continues to nurture ardent hopes of marrying Mr. Rochester. She constantly looks at her master's face to try to read its expression. She can think of no time in the past when his mind was delightfully free from mental clouds or evil feelings. Never before has he called her more frequently to his presence. Never before has he been kinder to her. In fact, never before has Jane loved him so passionately."}

Mr. Rochester had given me but one week's leave of absence: yet a month elapsed before I quitted Gateshead. I wished to leave immediately after the funeral, but Georgiana entreated me to stay till she could get off to London, whither she was now at last invited by her uncle, Mr. Gibson, who had come down to direct his sister's interment and settle the family affairs. Georgiana said she dreaded being left alone with Eliza; from her she got neither sympathy in her dejection, support in her fears, nor aid in her preparations; so I bore with her feeble-minded wailings and selfish lamentations as well as I could, and did my best in sewing for her and packing her dresses. It is true, that while I worked, she would idle; and I thought to myself, "If you and I were destined to live always together, cousin, we would commence matters on a different footing. I should not settle tamely down into being the forbearing party; I should assign you your share of labour, and compel you to accomplish it, or else it should be left undone: I should insist, also, on your keeping some of those drawling, half-insincere complaints hushed in your own breast. It is only because our connection happens to be very transitory, and comes at a peculiarly mournful season, that I consent thus to render it so patient and compliant on my part." At last I saw Georgiana off; but now it was Eliza's turn to request me to stay another week. Her plans required all her time and attention, she said; she was about to depart for some unknown bourne; and all day long she stayed in her own room, her door bolted within, filling trunks, emptying drawers, burning papers, and holding no communication with any one. She wished me to look after the house, to see callers, and answer notes of condolence. One morning she told me I was at liberty. "And," she added, "I am obliged to you for your valuable services and discreet conduct! There is some difference between living with such an one as you and with Georgiana: you perform your own part in life and burden no one. To-morrow," she continued, "I set out for the Continent. I shall take up my abode in a religious house near Lisle--a nunnery you would call it; there I shall be quiet and unmolested. I shall devote myself for a time to the examination of the Roman Catholic dogmas, and to a careful study of the workings of their system: if I find it to be, as I half suspect it is, the one best calculated to ensure the doing of all things decently and in order, I shall embrace the tenets of Rome and probably take the veil." I neither expressed surprise at this resolution nor attempted to dissuade her from it. "The vocation will fit you to a hair," I thought: "much good may it do you!" When we parted, she said: "Good-bye, cousin Jane Eyre; I wish you well: you have some sense." I then returned: "You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent. However, it is not my business, and so it suits you, I don't much care." "You are in the right," said she; and with these words we each went our separate way. As I shall not have occasion to refer either to her or her sister again, I may as well mention here, that Georgiana made an advantageous match with a wealthy worn-out man of fashion, and that Eliza actually took the veil, and is at this day superior of the convent where she passed the period of her novitiate, and which she endowed with her fortune. How people feel when they are returning home from an absence, long or short, I did not know: I had never experienced the sensation. I had known what it was to come back to Gateshead when a child after a long walk, to be scolded for looking cold or gloomy; and later, what it was to come back from church to Lowood, to long for a plenteous meal and a good fire, and to be unable to get either. Neither of these returnings was very pleasant or desirable: no magnet drew me to a given point, increasing in its strength of attraction the nearer I came. The return to Thornfield was yet to be tried. My journey seemed tedious--very tedious: fifty miles one day, a night spent at an inn; fifty miles the next day. During the first twelve hours I thought of Mrs. Reed in her last moments; I saw her disfigured and discoloured face, and heard her strangely altered voice. I mused on the funeral day, the coffin, the hearse, the black train of tenants and servants--few was the number of relatives--the gaping vault, the silent church, the solemn service. Then I thought of Eliza and Georgiana; I beheld one the cynosure of a ball-room, the other the inmate of a convent cell; and I dwelt on and analysed their separate peculiarities of person and character. The evening arrival at the great town of--scattered these thoughts; night gave them quite another turn: laid down on my traveller's bed, I left reminiscence for anticipation. I was going back to Thornfield: but how long was I to stay there? Not long; of that I was sure. I had heard from Mrs. Fairfax in the interim of my absence: the party at the hall was dispersed; Mr. Rochester had left for London three weeks ago, but he was then expected to return in a fortnight. Mrs. Fairfax surmised that he was gone to make arrangements for his wedding, as he had talked of purchasing a new carriage: she said the idea of his marrying Miss Ingram still seemed strange to her; but from what everybody said, and from what she had herself seen, she could no longer doubt that the event would shortly take place. "You would be strangely incredulous if you did doubt it," was my mental comment. "I don't doubt it." The question followed, "Where was I to go?" I dreamt of Miss Ingram all the night: in a vivid morning dream I saw her closing the gates of Thornfield against me and pointing me out another road; and Mr. Rochester looked on with his arms folded--smiling sardonically, as it seemed, at both her and me. I had not notified to Mrs. Fairfax the exact day of my return; for I did not wish either car or carriage to meet me at Millcote. I proposed to walk the distance quietly by myself; and very quietly, after leaving my box in the ostler's care, did I slip away from the George Inn, about six o'clock of a June evening, and take the old road to Thornfield: a road which lay chiefly through fields, and was now little frequented. It was not a bright or splendid summer evening, though fair and soft: the haymakers were at work all along the road; and the sky, though far from cloudless, was such as promised well for the future: its blue--where blue was visible--was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it--it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness. I felt glad as the road shortened before me: so glad that I stopped once to ask myself what that joy meant: and to remind reason that it was not to my home I was going, or to a permanent resting-place, or to a place where fond friends looked out for me and waited my arrival. "Mrs. Fairfax will smile you a calm welcome, to be sure," said I; "and little Adele will clap her hands and jump to see you: but you know very well you are thinking of another than they, and that he is not thinking of you." But what is so headstrong as youth? What so blind as inexperience? These affirmed that it was pleasure enough to have the privilege of again looking on Mr. Rochester, whether he looked on me or not; and they added--"Hasten! hasten! be with him while you may: but a few more days or weeks, at most, and you are parted from him for ever!" And then I strangled a new-born agony--a deformed thing which I could not persuade myself to own and rear--and ran on. They are making hay, too, in Thornfield meadows: or rather, the labourers are just quitting their work, and returning home with their rakes on their shoulders, now, at the hour I arrive. I have but a field or two to traverse, and then I shall cross the road and reach the gates. How full the hedges are of roses! But I have no time to gather any; I want to be at the house. I passed a tall briar, shooting leafy and flowery branches across the path; I see the narrow stile with stone steps; and I see--Mr. Rochester sitting there, a book and a pencil in his hand; he is writing. Well, he is not a ghost; yet every nerve I have is unstrung: for a moment I am beyond my own mastery. What does it mean? I did not think I should tremble in this way when I saw him, or lose my voice or the power of motion in his presence. I will go back as soon as I can stir: I need not make an absolute fool of myself. I know another way to the house. It does not signify if I knew twenty ways; for he has seen me. "Hillo!" he cries; and he puts up his book and his pencil. "There you are! Come on, if you please." I suppose I do come on; though in what fashion I know not; being scarcely cognisant of my movements, and solicitous only to appear calm; and, above all, to control the working muscles of my face--which I feel rebel insolently against my will, and struggle to express what I had resolved to conceal. But I have a veil--it is down: I may make shift yet to behave with decent composure. "And this is Jane Eyre? Are you coming from Millcote, and on foot? Yes--just one of your tricks: not to send for a carriage, and come clattering over street and road like a common mortal, but to steal into the vicinage of your home along with twilight, just as if you were a dream or a shade. What the deuce have you done with yourself this last month?" "I have been with my aunt, sir, who is dead." "A true Janian reply! Good angels be my guard! She comes from the other world--from the abode of people who are dead; and tells me so when she meets me alone here in the gloaming! If I dared, I'd touch you, to see if you are substance or shadow, you elf!--but I'd as soon offer to take hold of a blue _ignis fatuus_ light in a marsh. Truant! truant!" he added, when he had paused an instant. "Absent from me a whole month, and forgetting me quite, I'll be sworn!" I knew there would be pleasure in meeting my master again, even though broken by the fear that he was so soon to cease to be my master, and by the knowledge that I was nothing to him: but there was ever in Mr. Rochester (so at least I thought) such a wealth of the power of communicating happiness, that to taste but of the crumbs he scattered to stray and stranger birds like me, was to feast genially. His last words were balm: they seemed to imply that it imported something to him whether I forgot him or not. And he had spoken of Thornfield as my home--would that it were my home! He did not leave the stile, and I hardly liked to ask to go by. I inquired soon if he had not been to London. "Yes; I suppose you found that out by second-sight." "Mrs. Fairfax told me in a letter." "And did she inform you what I went to do?" "Oh, yes, sir! Everybody knew your errand." "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly; and whether she won't look like Queen Boadicea, leaning back against those purple cushions. I wish, Jane, I were a trifle better adapted to match with her externally. Tell me now, fairy as you are--can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feeling--he shed it over me now. "Pass, Janet," said he, making room for me to cross the stile: "go up home, and stay your weary little wandering feet at a friend's threshold." All I had now to do was to obey him in silence: no need for me to colloquise further. I got over the stile without a word, and meant to leave him calmly. An impulse held me fast--a force turned me round. I said--or something in me said for me, and in spite of me-- "Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home--my only home." I walked on so fast that even he could hardly have overtaken me had he tried. Little Adele was half wild with delight when she saw me. Mrs. Fairfax received me with her usual plain friendliness. Leah smiled, and even Sophie bid me "bon soir" with glee. This was very pleasant; there is no happiness like that of being loved by your fellow-creatures, and feeling that your presence is an addition to their comfort. I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adele, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable--when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adele was "prete a croquer sa petite maman Anglaise"--I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence. A fortnight of dubious calm succeeded my return to Thornfield Hall. Nothing was said of the master's marriage, and I saw no preparation going on for such an event. Almost every day I asked Mrs. Fairfax if she had yet heard anything decided: her answer was always in the negative. Once she said she had actually put the question to Mr. Rochester as to when he was going to bring his bride home; but he had answered her only by a joke and one of his queer looks, and she could not tell what to make of him. One thing specially surprised me, and that was, there were no journeyings backward and forward, no visits to Ingram Park: to be sure it was twenty miles off, on the borders of another county; but what was that distance to an ardent lover? To so practised and indefatigable a horseman as Mr. Rochester, it would be but a morning's ride. I began to cherish hopes I had no right to conceive: that the match was broken off; that rumour had been mistaken; that one or both parties had changed their minds. I used to look at my master's face to see if it were sad or fierce; but I could not remember the time when it had been so uniformly clear of clouds or evil feelings. If, in the moments I and my pupil spent with him, I lacked spirits and sank into inevitable dejection, he became even gay. Never had he called me more frequently to his presence; never been kinder to me when there--and, alas! never had I loved him so well.

Chapter 22

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre45.asp

After Mrs. Reed's funeral, both Eliza and Georgiana entreat Jane to stay on and help them. Jane tolerates Georgiana's "feeble minded wailings" for some time. Then Georgiana is invited to London by her uncle. She later on marries a "wealthy, worn-out man of fashion." A week later, Eliza leaves for the continent. She enters a convent to become a nun and eventually becomes Mother Superior. Jane does not inform Mrs. Fairfax of the exact day of her arrival, as she does not want her to send a carriage for her to Millcote. She decides to walk home quietly. During her stay at Gateshead, she had received a letter from Mrs. Fairfax. The old lady had written that Mr. Rochester had gone to London to buy a new carriage and to make arrangements for his wedding. While she is walking towards Thornfield, she experiences a strange sense of warmth. Then she suddenly chances to meet Mr. Rochester, who is seated on a stile. He wonders why she did not send for a carriage. Jane is gladdened by his welcoming manner. After mentioning Blanche Ingram, he jokingly asks Jane to help him improve his appearance. She answers that one needs only the light of love in the eyes to look pleasing enough. She is overwhelmed with Mr. Rochester's expansiveness towards her and thanks him. She confesses that wherever he is, she feels at home. The others in the house, especially Adele, are equally happy to receive Jane. However, at the same time, Jane feels a nagging sense of disturbance within her. During the next two weeks, Jane is puzzled by the absence of the wedding arrangements that Mrs. Fairfax mentioned. She also wonders why Mr. Rochester does not bother to visit Blanche, who is staying just twenty miles away.

Notes After Mrs. Reed's funeral, Charlotte Bronte gets another opportunity to expose the selfishness of the Reed sisters. Jane's return to Thornfield is delayed by her cousins' selfish demands. Having served as convenient targets for Bronte's contempt, Eliza and Georgiana are dispatched to their futile destinies: "ne the cynosure of a ball room, the other the inmate of a convent cell. " The chapter also exposes Jane's fears and uncertainties. Her love and happiness are constantly checked by a feeling of insecurity. As a result, she feels uncertain about her future. Jane's fears are reflected in her dream of Blanche closing the gates of Thornfield Hall against her. However, she continues to nurture ardent hopes of marrying Mr. Rochester. She constantly looks at her master's face to try to read its expression. She can think of no time in the past when his mind was delightfully free from mental clouds or evil feelings. Never before has he called her more frequently to his presence. Never before has he been kinder to her. In fact, never before has Jane loved him so passionately.

pinkmonkey

all_chapterized_books/1260-chapters/24.txt

finished_summaries/pinkmonkey/Jane Eyre/section_22_part_0.txt

Jane Eyre.volume 2.chapter 23

chapter 23

{"name": "Chapter 23", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre47.asp", "summary": "It is summer at Thornfield Hall. One midsummer night, Jane goes for a stroll in the orchard. On seeing Mr. Rochester, she tries to sneak off, but he calls to her to join him. In a casual manner he informs her that he has decided to get married to Blanche very soon. He wants to carry out her suggestion of sending Adele away to school, and he tells Jane that the time has come for her to leave Thornfield. Mr. Rochester suggests a post for her in Ireland, but Jane is heartbroken at the thought of being far from Thornfield and Mr. Rochester. Through her tears she communicates her love for him. After teasing her a little, Mr. Rochester pulls her close to him and declares his intention to marry her. Jane at first does not believe him, and then finally consents to marry him. Suddenly, the weather changes and grows stormy, forcing them to rush indoors. While bidding Jane goodnight, Mr. Rochester kisses her in front of Mrs. Fairfax, who emerges from her room at this time. Later, Adele informs Jane that the chestnut tree, under which she and Rochester were sitting, has been struck by lightning and \"half of it split away.\"", "analysis": "Notes The chapter begins in summer splendor and ends in the violence of a storm that signals further destruction. This is an example of pathetic fallacy . The chapter is also tinged with irony. When Mr. Rochester asks Jane to be his wife, she replies: \"your bride stands between us.\" She is thinking of Blanche, but speaks ironically of Bertha, who was Mr. Rochester's first wife and who, in fact, resembles Blanche. Jane, of course, is as yet unaware that it is Bertha who is hidden away on the third floor of Thornfield Hall. A different kind of irony is evident in Jane's statement: \"There is no middle, sir, I have no kindred to interfere. \" She has forgotten that she has a kinsman , and this character will \"interfere\" at the appropriate time. The scene of Mr. Rochester's proposal is highly significant. Jane again becomes the victim of a deception, one which is more serious and more successful than the gypsy charade. The proposal takes place by moonlight. The moon is a symbol of imagination and passion. Moonlight is traditionally associated with deception, mystery and evil. Jane's reading of Mr. Rochester's face under moonlight is an interesting exercise. The reader is told that his face is very much agitated and flushed. There are \"strong workings in the features\" and \"strange gleams in the eyes.\" Of the garden Charlotte Bronte observes: \"No nook in the grounds\" is \"more sheltered and more Eden-like.\" \"The confessions of love are as new to Jane as they were to Eve. But the original Eden fell to grief through passion and so does the garden of Thornfield.\" . After Jane agrees to marry Mr. Rochester, the wind rises and the horse-chestnut tree writhes and groans. It is struck by lightning and split into half. It symbolizes the separation that is to come between Jane and Mr. Rochester. The scene is also richly romantic and the chestnut tree itself is a favorite romantic image of organic life. It also symbolizes the destructive power of passion."}

A splendid Midsummer shone over England: skies so pure, suns so radiant as were then seen in long succession, seldom favour even singly, our wave- girt land. It was as if a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between. On Midsummer-eve, Adele, weary with gathering wild strawberries in Hay Lane half the day, had gone to bed with the sun. I watched her drop asleep, and when I left her, I sought the garden. It was now the sweetest hour of the twenty-four:--"Day its fervid fires had wasted," and dew fell cool on panting plain and scorched summit. Where the sun had gone down in simple state--pure of the pomp of clouds--spread a solemn purple, burning with the light of red jewel and furnace flame at one point, on one hill-peak, and extending high and wide, soft and still softer, over half heaven. The east had its own charm or fine deep blue, and its own modest gem, a casino and solitary star: soon it would boast the moon; but she was yet beneath the horizon. I walked a while on the pavement; but a subtle, well-known scent--that of a cigar--stole from some window; I saw the library casement open a handbreadth; I knew I might be watched thence; so I went apart into the orchard. No nook in the grounds more sheltered and more Eden-like; it was full of trees, it bloomed with flowers: a very high wall shut it out from the court, on one side; on the other, a beech avenue screened it from the lawn. At the bottom was a sunk fence; its sole separation from lonely fields: a winding walk, bordered with laurels and terminating in a giant horse-chestnut, circled at the base by a seat, led down to the fence. Here one could wander unseen. While such honey-dew fell, such silence reigned, such gloaming gathered, I felt as if I could haunt such shade for ever; but in threading the flower and fruit parterres at the upper part of the enclosure, enticed there by the light the now rising moon cast on this more open quarter, my step is stayed--not by sound, not by sight, but once more by a warning fragrance. Sweet-briar and southernwood, jasmine, pink, and rose have long been yielding their evening sacrifice of incense: this new scent is neither of shrub nor flower; it is--I know it well--it is Mr. Rochester's cigar. I look round and I listen. I see trees laden with ripening fruit. I hear a nightingale warbling in a wood half a mile off; no moving form is visible, no coming step audible; but that perfume increases: I must flee. I make for the wicket leading to the shrubbery, and I see Mr. Rochester entering. I step aside into the ivy recess; he will not stay long: he will soon return whence he came, and if I sit still he will never see me. But no--eventide is as pleasant to him as to me, and this antique garden as attractive; and he strolls on, now lifting the gooseberry-tree branches to look at the fruit, large as plums, with which they are laden; now taking a ripe cherry from the wall; now stooping towards a knot of flowers, either to inhale their fragrance or to admire the dew-beads on their petals. A great moth goes humming by me; it alights on a plant at Mr. Rochester's foot: he sees it, and bends to examine it. "Now, he has his back towards me," thought I, "and he is occupied too; perhaps, if I walk softly, I can slip away unnoticed." I trode on an edging of turf that the crackle of the pebbly gravel might not betray me: he was standing among the beds at a yard or two distant from where I had to pass; the moth apparently engaged him. "I shall get by very well," I meditated. As I crossed his shadow, thrown long over the garden by the moon, not yet risen high, he said quietly, without turning-- "Jane, come and look at this fellow." I had made no noise: he had not eyes behind--could his shadow feel? I started at first, and then I approached him. "Look at his wings," said he, "he reminds me rather of a West Indian insect; one does not often see so large and gay a night-rover in England; there! he is flown." The moth roamed away. I was sheepishly retreating also; but Mr. Rochester followed me, and when we reached the wicket, he said-- "Turn back: on so lovely a night it is a shame to sit in the house; and surely no one can wish to go to bed while sunset is thus at meeting with moonrise." It is one of my faults, that though my tongue is sometimes prompt enough at an answer, there are times when it sadly fails me in framing an excuse; and always the lapse occurs at some crisis, when a facile word or plausible pretext is specially wanted to get me out of painful embarrassment. I did not like to walk at this hour alone with Mr. Rochester in the shadowy orchard; but I could not find a reason to allege for leaving him. I followed with lagging step, and thoughts busily bent on discovering a means of extrication; but he himself looked so composed and so grave also, I became ashamed of feeling any confusion: the evil--if evil existent or prospective there was--seemed to lie with me only; his mind was unconscious and quiet. "Jane," he recommenced, as we entered the laurel walk, and slowly strayed down in the direction of the sunk fence and the horse-chestnut, "Thornfield is a pleasant place in summer, is it not?" "Yes, sir." "You must have become in some degree attached to the house,--you, who have an eye for natural beauties, and a good deal of the organ of Adhesiveness?" "I am attached to it, indeed." "And though I don't comprehend how it is, I perceive you have acquired a degree of regard for that foolish little child Adele, too; and even for simple dame Fairfax?" "Yes, sir; in different ways, I have an affection for both." "And would be sorry to part with them?" "Yes." "Pity!" he said, and sighed and paused. "It is always the way of events in this life," he continued presently: "no sooner have you got settled in a pleasant resting-place, than a voice calls out to you to rise and move on, for the hour of repose is expired." "Must I move on, sir?" I asked. "Must I leave Thornfield?" "I believe you must, Jane. I am sorry, Janet, but I believe indeed you must." This was a blow: but I did not let it prostrate me. "Well, sir, I shall be ready when the order to march comes." "It is come now--I must give it to-night." "Then you _are_ going to be married, sir?" "Ex-act-ly--pre-cise-ly: with your usual acuteness, you have hit the nail straight on the head." "Soon, sir?" "Very soon, my--that is, Miss Eyre: and you'll remember, Jane, the first time I, or Rumour, plainly intimated to you that it was my intention to put my old bachelor's neck into the sacred noose, to enter into the holy estate of matrimony--to take Miss Ingram to my bosom, in short (she's an extensive armful: but that's not to the point--one can't have too much of such a very excellent thing as my beautiful Blanche): well, as I was saying--listen to me, Jane! You're not turning your head to look after more moths, are you? That was only a lady-clock, child, 'flying away home.' I wish to remind you that it was you who first said to me, with that discretion I respect in you--with that foresight, prudence, and humility which befit your responsible and dependent position--that in case I married Miss Ingram, both you and little Adele had better trot forthwith. I pass over the sort of slur conveyed in this suggestion on the character of my beloved; indeed, when you are far away, Janet, I'll try to forget it: I shall notice only its wisdom; which is such that I have made it my law of action. Adele must go to school; and you, Miss Eyre, must get a new situation." "Yes, sir, I will advertise immediately: and meantime, I suppose--" I was going to say, "I suppose I may stay here, till I find another shelter to betake myself to:" but I stopped, feeling it would not do to risk a long sentence, for my voice was not quite under command. "In about a month I hope to be a bridegroom," continued Mr. Rochester; "and in the interim, I shall myself look out for employment and an asylum for you." "Thank you, sir; I am sorry to give--" "Oh, no need to apologise! I consider that when a dependent does her duty as well as you have done yours, she has a sort of claim upon her employer for any little assistance he can conveniently render her; indeed I have already, through my future mother-in-law, heard of a place that I think will suit: it is to undertake the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge, Connaught, Ireland. You'll like Ireland, I think: they're such warm-hearted people there, they say." "It is a long way off, sir." "No matter--a girl of your sense will not object to the voyage or the distance." "Not the voyage, but the distance: and then the sea is a barrier--" "From what, Jane?" "From England and from Thornfield: and--" "Well?" "From _you_, sir." I said this almost involuntarily, and, with as little sanction of free will, my tears gushed out. I did not cry so as to be heard, however; I avoided sobbing. The thought of Mrs. O'Gall and Bitternutt Lodge struck cold to my heart; and colder the thought of all the brine and foam, destined, as it seemed, to rush between me and the master at whose side I now walked, and coldest the remembrance of the wider ocean--wealth, caste, custom intervened between me and what I naturally and inevitably loved. "It is a long way," I again said. "It is, to be sure; and when you get to Bitternutt Lodge, Connaught, Ireland, I shall never see you again, Jane: that's morally certain. I never go over to Ireland, not having myself much of a fancy for the country. We have been good friends, Jane; have we not?" "Yes, sir." "And when friends are on the eve of separation, they like to spend the little time that remains to them close to each other. Come! we'll talk over the voyage and the parting quietly half-an-hour or so, while the stars enter into their shining life up in heaven yonder: here is the chestnut tree: here is the bench at its old roots. Come, we will sit there in peace to-night, though we should never more be destined to sit there together." He seated me and himself. "It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because," he said, "I sometimes have a queer feeling with regard to you--especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you,--you'd forget me." "That I _never_ should, sir: you know--" Impossible to proceed. "Jane, do you hear that nightingale singing in the wood? Listen!" In listening, I sobbed convulsively; for I could repress what I endured no longer; I was obliged to yield, and I was shaken from head to foot with acute distress. When I did speak, it was only to express an impetuous wish that I had never been born, or never come to Thornfield. "Because you are sorry to leave it?" The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway, and asserting a right to predominate, to overcome, to live, rise, and reign at last: yes,--and to speak. "I grieve to leave Thornfield: I love Thornfield:--I love it, because I have lived in it a full and delightful life,--momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic and high. I have talked, face to face, with what I reverence, with what I delight in,--with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death." "Where do you see the necessity?" he asked suddenly. "Where? You, sir, have placed it before me." "In what shape?" "In the shape of Miss Ingram; a noble and beautiful woman,--your bride." "My bride! What bride? I have no bride!" "But you will have." "Yes;--I will!--I will!" He set his teeth. "Then I must go:--you have said it yourself." "No: you must stay! I swear it--and the oath shall be kept." "I tell you I must go!" I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!--I have as much soul as you,--and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!" "As we are!" repeated Mr. Rochester--"so," he added, enclosing me in his arms. Gathering me to his breast, pressing his lips on my lips: "so, Jane!" "Yes, so, sir," I rejoined: "and yet not so; for you are a married man--or as good as a married man, and wed to one inferior to you--to one with whom you have no sympathy--whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you--let me go!" "Where, Jane? To Ireland?" "Yes--to Ireland. I have spoken my mind, and can go anywhere now." "Jane, be still; don't struggle so, like a wild frantic bird that is rending its own plumage in its desperation." "I am no bird; and no net ensnares me; I am a free human being with an independent will, which I now exert to leave you." Another effort set me at liberty, and I stood erect before him. "And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." "You play a farce, which I merely laugh at." "I ask you to pass through life at my side--to be my second self, and best earthly companion." "For that fate you have already made your choice, and must abide by it." "Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said-- "Come to my side, Jane, and let us explain and understand one another." "I will never again come to your side: I am torn away now, and cannot return." "But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. "Come, Jane--come hither." "Your bride stands between us." He rose, and with a stride reached me. "My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?" Still I did not answer, and still I writhed myself from his grasp: for I was still incredulous. "Do you doubt me, Jane?" "Entirely." "You have no faith in me?" "Not a whit." "Am I a liar in your eyes?" he asked passionately. "Little sceptic, you _shall_ be convinced. What love have I for Miss Ingram? None: and that you know. What love has she for me? None: as I have taken pains to prove: I caused a rumour to reach her that my fortune was not a third of what was supposed, and after that I presented myself to see the result; it was coldness both from her and her mother. I would not--I could not--marry Miss Ingram. You--you strange, you almost unearthly thing!--I love as my own flesh. You--poor and obscure, and small and plain as you are--I entreat to accept me as a husband." "What, me!" I ejaculated, beginning in his earnestness--and especially in his incivility--to credit his sincerity: "me who have not a friend in the world but you--if you are my friend: not a shilling but what you have given me?" "You, Jane, I must have you for my own--entirely my own. Will you be mine? Say yes, quickly." "Mr. Rochester, let me look at your face: turn to the moonlight." "Why?" "Because I want to read your countenance--turn!" "There! you will find it scarcely more legible than a crumpled, scratched page. Read on: only make haste, for I suffer." His face was very much agitated and very much flushed, and there were strong workings in the features, and strange gleams in the eyes. "Oh, Jane, you torture me!" he exclaimed. "With that searching and yet faithful and generous look, you torture me!" "How can I do that? If you are true, and your offer real, my only feelings to you must be gratitude and devotion--they cannot torture." "Gratitude!" he ejaculated; and added wildly--"Jane accept me quickly. Say, Edward--give me my name--Edward--I will marry you." "Are you in earnest? Do you truly love me? Do you sincerely wish me to be your wife?" "I do; and if an oath is necessary to satisfy you, I swear it." "Then, sir, I will marry you." "Edward--my little wife!" "Dear Edward!" "Come to me--come to me entirely now," said he; and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, "Make my happiness--I will make yours." "God pardon me!" he subjoined ere long; "and man meddle not with me: I have her, and will hold her." "There is no one to meddle, sir. I have no kindred to interfere." "No--that is the best of it," he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting--called to the paradise of union--I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, "Are you happy, Jane?" And again and again I answered, "Yes." After which he murmured, "It will atone--it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment--I wash my hands thereof. For man's opinion--I defy it." But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master's face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. "We must go in," said Mr. Rochester: "the weather changes. I could have sat with thee till morning, Jane." "And so," thought I, "could I with you." I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr. Rochester's shoulder. The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs. Fairfax emerged from her room. I did not observe her at first, nor did Mr. Rochester. The lamp was lit. The clock was on the stroke of twelve. "Hasten to take off your wet things," said he; "and before you go, good- night--good-night, my darling!" He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. "Explanation will do for another time," thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling; and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours' duration, I experienced no fear and little awe. Mr. Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. Before I left my bed in the morning, little Adele came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

Chapter 23

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre47.asp

It is summer at Thornfield Hall. One midsummer night, Jane goes for a stroll in the orchard. On seeing Mr. Rochester, she tries to sneak off, but he calls to her to join him. In a casual manner he informs her that he has decided to get married to Blanche very soon. He wants to carry out her suggestion of sending Adele away to school, and he tells Jane that the time has come for her to leave Thornfield. Mr. Rochester suggests a post for her in Ireland, but Jane is heartbroken at the thought of being far from Thornfield and Mr. Rochester. Through her tears she communicates her love for him. After teasing her a little, Mr. Rochester pulls her close to him and declares his intention to marry her. Jane at first does not believe him, and then finally consents to marry him. Suddenly, the weather changes and grows stormy, forcing them to rush indoors. While bidding Jane goodnight, Mr. Rochester kisses her in front of Mrs. Fairfax, who emerges from her room at this time. Later, Adele informs Jane that the chestnut tree, under which she and Rochester were sitting, has been struck by lightning and "half of it split away."

Notes The chapter begins in summer splendor and ends in the violence of a storm that signals further destruction. This is an example of pathetic fallacy . The chapter is also tinged with irony. When Mr. Rochester asks Jane to be his wife, she replies: "your bride stands between us." She is thinking of Blanche, but speaks ironically of Bertha, who was Mr. Rochester's first wife and who, in fact, resembles Blanche. Jane, of course, is as yet unaware that it is Bertha who is hidden away on the third floor of Thornfield Hall. A different kind of irony is evident in Jane's statement: "There is no middle, sir, I have no kindred to interfere. " She has forgotten that she has a kinsman , and this character will "interfere" at the appropriate time. The scene of Mr. Rochester's proposal is highly significant. Jane again becomes the victim of a deception, one which is more serious and more successful than the gypsy charade. The proposal takes place by moonlight. The moon is a symbol of imagination and passion. Moonlight is traditionally associated with deception, mystery and evil. Jane's reading of Mr. Rochester's face under moonlight is an interesting exercise. The reader is told that his face is very much agitated and flushed. There are "strong workings in the features" and "strange gleams in the eyes." Of the garden Charlotte Bronte observes: "No nook in the grounds" is "more sheltered and more Eden-like." "The confessions of love are as new to Jane as they were to Eve. But the original Eden fell to grief through passion and so does the garden of Thornfield." . After Jane agrees to marry Mr. Rochester, the wind rises and the horse-chestnut tree writhes and groans. It is struck by lightning and split into half. It symbolizes the separation that is to come between Jane and Mr. Rochester. The scene is also richly romantic and the chestnut tree itself is a favorite romantic image of organic life. It also symbolizes the destructive power of passion.

pinkmonkey

all_chapterized_books/1260-chapters/25.txt

finished_summaries/pinkmonkey/Jane Eyre/section_23_part_0.txt

Jane Eyre.volume 2.chapter 24

chapter 24

{"name": "Chapter 24", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre48.asp", "summary": "The tempest of the previous night is followed by a bright and brilliant morning. The experience of love has brought a glow to Jane's complexion and she seems prettier. Again, Mr. Rochester showers her with caresses. He informs her that he intends to marry her within a month. Jane is absolutely ecstatic but still considers the recent events of her life as an unreal dream. Mr. Rochester tells Jane that he has written to his banker in London to send for the family jewelry that will soon be hers. Jane, however, desires to remain his \"plain, Quakerish governess. \" After a quiet wedding in the church, Mr. Rochester plans to take Jane on a tour of Europe. Jane begs him not to indulge in romantic fantasies. She wants to know why Mr. Rochester courted Blanche and claimed he was going to marry her. He explains that he had wanted Jane to become jealous. Jane is shocked and worried upon hearing this. When Mrs. Fairfax is told that Mr. Rochester intends to marry Jane, she cannot accept it and tries to warn Jane about possible complications. She is worried about Jane's marrying a man who is so much older and wealthier than herself. However, she has no intention to hurt Jane with these remarks, so she gracefully offers an apology. The next day, Mr. Rochester takes Jane and Adele to Millcote to buy clothes and jewels for Jane. He tells Adele an amusing tale of taking Jane to the moon. Jane finds the excessive attention showered on her very embarrassing, and she stops Mr. Rochester from spending too much money on her. While returning home, Jane decides to write to her uncle in Madeira so that he may consider the option of adopting her. This would definitely bring her a sense of financial independence. She insists further that as long as she and Mr. Rochester are not married, she will continue to work as Adele's governess. During their month of courtship, Mr. Rochester sends for her every evening at seven. Whenever he becomes overly passionate and tender, Jane uses her ready wit to check him but finds this task a difficult one. Her behavior certainly hurts Mr. Rochester. However, Mrs. Fairfax commends Jane's restraint.", "analysis": "Notes Jane is thoroughly modern in her attitude to the approaching marriage. She loves Mr. Rochester but feels humiliated at the thought of being economically dependent on him. She also faces a spiritual crisis. She confesses that Mr. Rochester \"stood between her and every thought of religion. . . and that she could not see God for His creature of whom she had made an idol. \" This description is particularly significant in light of the moral conflict that lies ahead of her. In this chapter, the romantic aspect of Mr. Rochester's character is emphasized. He indulges in romantic fantasies. He calls Jane a fairy in possession of a \"talisman\" which will remove all the difficulties in his life. Jane, however, emerges in this chapter as a realist who successfully counters his romantic advances. He sings a romantic song in which he declares his love for her. The realist in Jane is not carried away by hearing these \"stanzas crooned in her praise.\" Mr. Rochester calls her \"a hard little thing\" and remarks that \"any other woman would have been melted to her marrows at hearing\" such a eulogy. Jane admits that she is firmly determined not to give way to romantic sentiments or fantasies. Mrs. Fairfax also emerges as a realistic woman endowed with common sense. She rightly reminds Jane that things are not always as they appear. She is certainly correct in warning Jane about the differences been Mr. Rochester and herself regarding their social status and age."}

As I rose and dressed, I thought over what had happened, and wondered if it were a dream. I could not be certain of the reality till I had seen Mr. Rochester again, and heard him renew his words of love and promise. While arranging my hair, I looked at my face in the glass, and felt it was no longer plain: there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition, and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pleased at my look; but I was sure I might lift my face to his now, and not cool his affection by its expression. I took a plain but clean and light summer dress from my drawer and put it on: it seemed no attire had ever so well become me, because none had I ever worn in so blissful a mood. I was not surprised, when I ran down into the hall, to see that a brilliant June morning had succeeded to the tempest of the night; and to feel, through the open glass door, the breathing of a fresh and fragrant breeze. Nature must be gladsome when I was so happy. A beggar-woman and her little boy--pale, ragged objects both--were coming up the walk, and I ran down and gave them all the money I happened to have in my purse--some three or four shillings: good or bad, they must partake of my jubilee. The rooks cawed, and blither birds sang; but nothing was so merry or so musical as my own rejoicing heart. Mrs. Fairfax surprised me by looking out of the window with a sad countenance, and saying gravely--"Miss Eyre, will you come to breakfast?" During the meal she was quiet and cool: but I could not undeceive her then. I must wait for my master to give explanations; and so must she. I ate what I could, and then I hastened upstairs. I met Adele leaving the schoolroom. "Where are you going? It is time for lessons." "Mr. Rochester has sent me away to the nursery." "Where is he?" "In there," pointing to the apartment she had left; and I went in, and there he stood. "Come and bid me good-morning," said he. I gladly advanced; and it was not merely a cold word now, or even a shake of the hand that I received, but an embrace and a kiss. It seemed natural: it seemed genial to be so well loved, so caressed by him. "Jane, you look blooming, and smiling, and pretty," said he: "truly pretty this morning. Is this my pale, little elf? Is this my mustard- seed? This little sunny-faced girl with the dimpled cheek and rosy lips; the satin-smooth hazel hair, and the radiant hazel eyes?" (I had green eyes, reader; but you must excuse the mistake: for him they were new-dyed, I suppose.) "It is Jane Eyre, sir." "Soon to be Jane Rochester," he added: "in four weeks, Janet; not a day more. Do you hear that?" I did, and I could not quite comprehend it: it made me giddy. The feeling, the announcement sent through me, was something stronger than was consistent with joy--something that smote and stunned. It was, I think almost fear. "You blushed, and now you are white, Jane: what is that for?" "Because you gave me a new name--Jane Rochester; and it seems so strange." "Yes, Mrs. Rochester," said he; "young Mrs. Rochester--Fairfax Rochester's girl-bride." "It can never be, sir; it does not sound likely. Human beings never enjoy complete happiness in this world. I was not born for a different destiny to the rest of my species: to imagine such a lot befalling me is a fairy tale--a day-dream." "Which I can and will realise. I shall begin to-day. This morning I wrote to my banker in London to send me certain jewels he has in his keeping,--heirlooms for the ladies of Thornfield. In a day or two I hope to pour them into your lap: for every privilege, every attention shall be yours that I would accord a peer's daughter, if about to marry her." "Oh, sir!--never rain jewels! I don't like to hear them spoken of. Jewels for Jane Eyre sounds unnatural and strange: I would rather not have them." "I will myself put the diamond chain round your neck, and the circlet on your forehead,--which it will become: for nature, at least, has stamped her patent of nobility on this brow, Jane; and I will clasp the bracelets on these fine wrists, and load these fairy-like fingers with rings." "No, no, sir! think of other subjects, and speak of other things, and in another strain. Don't address me as if I were a beauty; I am your plain, Quakerish governess." "You are a beauty in my eyes, and a beauty just after the desire of my heart,--delicate and aerial." "Puny and insignificant, you mean. You are dreaming, sir,--or you are sneering. For God's sake don't be ironical!" "I will make the world acknowledge you a beauty, too," he went on, while I really became uneasy at the strain he had adopted, because I felt he was either deluding himself or trying to delude me. "I will attire my Jane in satin and lace, and she shall have roses in her hair; and I will cover the head I love best with a priceless veil." "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes. I would as soon see you, Mr. Rochester, tricked out in stage-trappings, as myself clad in a court-lady's robe; and I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me." He pursued his theme, however, without noticing my deprecation. "This very day I shall take you in the carriage to Millcote, and you must choose some dresses for yourself. I told you we shall be married in four weeks. The wedding is to take place quietly, in the church down below yonder; and then I shall waft you away at once to town. After a brief stay there, I shall bear my treasure to regions nearer the sun: to French vineyards and Italian plains; and she shall see whatever is famous in old story and in modern record: she shall taste, too, of the life of cities; and she shall learn to value herself by just comparison with others." "Shall I travel?--and with you, sir?" "You shall sojourn at Paris, Rome, and Naples: at Florence, Venice, and Vienna: all the ground I have wandered over shall be re-trodden by you: wherever I stamped my hoof, your sylph's foot shall step also. Ten years since, I flew through Europe half mad; with disgust, hate, and rage as my companions: now I shall revisit it healed and cleansed, with a very angel as my comforter." I laughed at him as he said this. "I am not an angel," I asserted; "and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me--for you will not get it, any more than I shall get it of you: which I do not at all anticipate." "What do you anticipate of me?" "For a little while you will perhaps be as you are now,--a very little while; and then you will turn cool; and then you will be capricious; and then you will be stern, and I shall have much ado to please you: but when you get well used to me, you will perhaps like me again,--_like_ me, I say, not _love_ me. I suppose your love will effervesce in six months, or less. I have observed in books written by men, that period assigned as the farthest to which a husband's ardour extends. Yet, after all, as a friend and companion, I hope never to become quite distasteful to my dear master." "Distasteful! and like you again! I think I shall like you again, and yet again: and I will make you confess I do not only _like_, but _love_ you--with truth, fervour, constancy." "Yet are you not capricious, sir?" "To women who please me only by their faces, I am the very devil when I find out they have neither souls nor hearts--when they open to me a perspective of flatness, triviality, and perhaps imbecility, coarseness, and ill-temper: but to the clear eye and eloquent tongue, to the soul made of fire, and the character that bends but does not break--at once supple and stable, tractable and consistent--I am ever tender and true." "Had you ever experience of such a character, sir? Did you ever love such an one?" "I love it now." "But before me: if I, indeed, in any respect come up to your difficult standard?" "I never met your likeness. Jane, you please me, and you master me--you seem to submit, and I like the sense of pliancy you impart; and while I am twining the soft, silken skein round my finger, it sends a thrill up my arm to my heart. I am influenced--conquered; and the influence is sweeter than I can express; and the conquest I undergo has a witchery beyond any triumph I can win. Why do you smile, Jane? What does that inexplicable, that uncanny turn of countenance mean?" "I was thinking, sir (you will excuse the idea; it was involuntary), I was thinking of Hercules and Samson with their charmers--" "You were, you little elfish--" "Hush, sir! You don't talk very wisely just now; any more than those gentlemen acted very wisely. However, had they been married, they would no doubt by their severity as husbands have made up for their softness as suitors; and so will you, I fear. I wonder how you will answer me a year hence, should I ask a favour it does not suit your convenience or pleasure to grant." "Ask me something now, Jane,--the least thing: I desire to be entreated--" "Indeed I will, sir; I have my petition all ready." "Speak! But if you look up and smile with that countenance, I shall swear concession before I know to what, and that will make a fool of me." "Not at all, sir; I ask only this: don't send for the jewels, and don't crown me with roses: you might as well put a border of gold lace round that plain pocket handkerchief you have there." "I might as well 'gild refined gold.' I know it: your request is granted then--for the time. I will remand the order I despatched to my banker. But you have not yet asked for anything; you have prayed a gift to be withdrawn: try again." "Well then, sir, have the goodness to gratify my curiosity, which is much piqued on one point." He looked disturbed. "What? what?" he said hastily. "Curiosity is a dangerous petition: it is well I have not taken a vow to accord every request--" "But there can be no danger in complying with this, sir." "Utter it, Jane: but I wish that instead of a mere inquiry into, perhaps, a secret, it was a wish for half my estate." "Now, King Ahasuerus! What do I want with half your estate? Do you think I am a Jew-usurer, seeking good investment in land? I would much rather have all your confidence. You will not exclude me from your confidence if you admit me to your heart?" "You are welcome to all my confidence that is worth having, Jane; but for God's sake, don't desire a useless burden! Don't long for poison--don't turn out a downright Eve on my hands!" "Why not, sir? You have just been telling me how much you liked to be conquered, and how pleasant over-persuasion is to you. Don't you think I had better take advantage of the confession, and begin and coax and entreat--even cry and be sulky if necessary--for the sake of a mere essay of my power?" "I dare you to any such experiment. Encroach, presume, and the game is up." "Is it, sir? You soon give in. How stern you look now! Your eyebrows have become as thick as my finger, and your forehead resembles what, in some very astonishing poetry, I once saw styled, 'a blue-piled thunderloft.' That will be your married look, sir, I suppose?" "If that will be _your_ married look, I, as a Christian, will soon give up the notion of consorting with a mere sprite or salamander. But what had you to ask, thing,--out with it?" "There, you are less than civil now; and I like rudeness a great deal better than flattery. I had rather be a _thing_ than an angel. This is what I have to ask,--Why did you take such pains to make me believe you wished to marry Miss Ingram?" "Is that all? Thank God it is no worse!" And now he unknit his black brows; looked down, smiling at me, and stroked my hair, as if well pleased at seeing a danger averted. "I think I may confess," he continued, "even although I should make you a little indignant, Jane--and I have seen what a fire-spirit you can be when you are indignant. You glowed in the cool moonlight last night, when you mutinied against fate, and claimed your rank as my equal. Janet, by-the-bye, it was you who made me the offer." "Of course I did. But to the point if you please, sir--Miss Ingram?" "Well, I feigned courtship of Miss Ingram, because I wished to render you as madly in love with me as I was with you; and I knew jealousy would be the best ally I could call in for the furtherance of that end." "Excellent! Now you are small--not one whit bigger than the end of my little finger. It was a burning shame and a scandalous disgrace to act in that way. Did you think nothing of Miss Ingram's feelings, sir?" "Her feelings are concentrated in one--pride; and that needs humbling. Were you jealous, Jane?" "Never mind, Mr. Rochester: it is in no way interesting to you to know that. Answer me truly once more. Do you think Miss Ingram will not suffer from your dishonest coquetry? Won't she feel forsaken and deserted?" "Impossible!--when I told you how she, on the contrary, deserted me: the idea of my insolvency cooled, or rather extinguished, her flame in a moment." "You have a curious, designing mind, Mr. Rochester. I am afraid your principles on some points are eccentric." "My principles were never trained, Jane: they may have grown a little awry for want of attention." "Once again, seriously; may I enjoy the great good that has been vouchsafed to me, without fearing that any one else is suffering the bitter pain I myself felt a while ago?" "That you may, my good little girl: there is not another being in the world has the same pure love for me as yourself--for I lay that pleasant unction to my soul, Jane, a belief in your affection." I turned my lips to the hand that lay on my shoulder. I loved him very much--more than I could trust myself to say--more than words had power to express. "Ask something more," he said presently; "it is my delight to be entreated, and to yield." I was again ready with my request. "Communicate your intentions to Mrs. Fairfax, sir: she saw me with you last night in the hall, and she was shocked. Give her some explanation before I see her again. It pains me to be misjudged by so good a woman." "Go to your room, and put on your bonnet," he replied. "I mean you to accompany me to Millcote this morning; and while you prepare for the drive, I will enlighten the old lady's understanding. Did she think, Janet, you had given the world for love, and considered it well lost?" "I believe she thought I had forgotten my station, and yours, sir." "Station! station!--your station is in my heart, and on the necks of those who would insult you, now or hereafter.--Go." I was soon dressed; and when I heard Mr. Rochester quit Mrs. Fairfax's parlour, I hurried down to it. The old lady, had been reading her morning portion of Scripture--the Lesson for the day; her Bible lay open before her, and her spectacles were upon it. Her occupation, suspended by Mr. Rochester's announcement, seemed now forgotten: her eyes, fixed on the blank wall opposite, expressed the surprise of a quiet mind stirred by unwonted tidings. Seeing me, she roused herself: she made a sort of effort to smile, and framed a few words of congratulation; but the smile expired, and the sentence was abandoned unfinished. She put up her spectacles, shut the Bible, and pushed her chair back from the table. "I feel so astonished," she began, "I hardly know what to say to you, Miss Eyre. I have surely not been dreaming, have I? Sometimes I half fall asleep when I am sitting alone and fancy things that have never happened. It has seemed to me more than once when I have been in a doze, that my dear husband, who died fifteen years since, has come in and sat down beside me; and that I have even heard him call me by my name, Alice, as he used to do. Now, can you tell me whether it is actually true that Mr. Rochester has asked you to marry him? Don't laugh at me. But I really thought he came in here five minutes ago, and said that in a month you would be his wife." "He has said the same thing to me," I replied. "He has! Do you believe him? Have you accepted him?" "Yes." She looked at me bewildered. "I could never have thought it. He is a proud man: all the Rochesters were proud: and his father, at least, liked money. He, too, has always been called careful. He means to marry you?" "He tells me so." She surveyed my whole person: in her eyes I read that they had there found no charm powerful enough to solve the enigma. "It passes me!" she continued; "but no doubt, it is true since you say so. How it will answer, I cannot tell: I really don't know. Equality of position and fortune is often advisable in such cases; and there are twenty years of difference in your ages. He might almost be your father." "No, indeed, Mrs. Fairfax!" exclaimed I, nettled; "he is nothing like my father! No one, who saw us together, would suppose it for an instant. Mr. Rochester looks as young, and is as young, as some men at five-and- twenty." "Is it really for love he is going to marry you?" she asked. I was so hurt by her coldness and scepticism, that the tears rose to my eyes. "I am sorry to grieve you," pursued the widow; "but you are so young, and so little acquainted with men, I wished to put you on your guard. It is an old saying that 'all is not gold that glitters;' and in this case I do fear there will be something found to be different to what either you or I expect." "Why?--am I a monster?" I said: "is it impossible that Mr. Rochester should have a sincere affection for me?" "No: you are very well; and much improved of late; and Mr. Rochester, I daresay, is fond of you. I have always noticed that you were a sort of pet of his. There are times when, for your sake, I have been a little uneasy at his marked preference, and have wished to put you on your guard: but I did not like to suggest even the possibility of wrong. I knew such an idea would shock, perhaps offend you; and you were so discreet, and so thoroughly modest and sensible, I hoped you might be trusted to protect yourself. Last night I cannot tell you what I suffered when I sought all over the house, and could find you nowhere, nor the master either; and then, at twelve o'clock, saw you come in with him." "Well, never mind that now," I interrupted impatiently; "it is enough that all was right." "I hope all will be right in the end," she said: "but believe me, you cannot be too careful. Try and keep Mr. Rochester at a distance: distrust yourself as well as him. Gentlemen in his station are not accustomed to marry their governesses." I was growing truly irritated: happily, Adele ran in. "Let me go,--let me go to Millcote too!" she cried. "Mr. Rochester won't: though there is so much room in the new carriage. Beg him to let me go mademoiselle." "That I will, Adele;" and I hastened away with her, glad to quit my gloomy monitress. The carriage was ready: they were bringing it round to the front, and my master was pacing the pavement, Pilot following him backwards and forwards. "Adele may accompany us, may she not, sir?" "I told her no. I'll have no brats!--I'll have only you." "Do let her go, Mr. Rochester, if you please: it would be better." "Not it: she will be a restraint." He was quite peremptory, both in look and voice. The chill of Mrs. Fairfax's warnings, and the damp of her doubts were upon me: something of unsubstantiality and uncertainty had beset my hopes. I half lost the sense of power over him. I was about mechanically to obey him, without further remonstrance; but as he helped me into the carriage, he looked at my face. "What is the matter?" he asked; "all the sunshine is gone. Do you really wish the bairn to go? Will it annoy you if she is left behind?" "I would far rather she went, sir." "Then off for your bonnet, and back like a flash of lightning!" cried he to Adele. She obeyed him with what speed she might. "After all, a single morning's interruption will not matter much," said he, "when I mean shortly to claim you--your thoughts, conversation, and company--for life." Adele, when lifted in, commenced kissing me, by way of expressing her gratitude for my intercession: she was instantly stowed away into a corner on the other side of him. She then peeped round to where I sat; so stern a neighbour was too restrictive to him, in his present fractious mood, she dared whisper no observations, nor ask of him any information. "Let her come to me," I entreated: "she will, perhaps, trouble you, sir: there is plenty of room on this side." He handed her over as if she had been a lapdog. "I'll send her to school yet," he said, but now he was smiling. Adele heard him, and asked if she was to go to school "sans mademoiselle?" "Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat: you will starve her," observed Adele. "I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele." "She will want to warm herself: what will she do for a fire?" "Fire rises out of the lunar mountains: when she is cold, I'll carry her up to a peak, and lay her down on the edge of a crater." "Oh, qu' elle y sera mal--peu comfortable! And her clothes, they will wear out: how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adele, after musing some time: "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you." "She has consented: she has pledged her word." "But you can't get her there; there is no road to the moon: it is all air; and neither you nor she can fly." "Adele, look at that field." We were now outside Thornfield gates, and bowling lightly along the smooth road to Millcote, where the dust was well laid by the thunderstorm, and, where the low hedges and lofty timber trees on each side glistened green and rain-refreshed. "In that field, Adele, I was walking late one evening about a fortnight since--the evening of the day you helped me to make hay in the orchard meadows; and, as I was tired with raking swaths, I sat down to rest me on a stile; and there I took out a little book and a pencil, and began to write about a misfortune that befell me long ago, and a wish I had for happy days to come: I was writing away very fast, though daylight was fading from the leaf, when something came up the path and stopped two yards off me. I looked at it. It was a little thing with a veil of gossamer on its head. I beckoned it to come near me; it stood soon at my knee. I never spoke to it, and it never spoke to me, in words; but I read its eyes, and it read mine; and our speechless colloquy was to this effect-- "It was a fairy, and come from Elf-land, it said; and its errand was to make me happy: I must go with it out of the common world to a lonely place--such as the moon, for instance--and it nodded its head towards her horn, rising over Hay-hill: it told me of the alabaster cave and silver vale where we might live. I said I should like to go; but reminded it, as you did me, that I had no wings to fly. "'Oh,' returned the fairy, 'that does not signify! Here is a talisman will remove all difficulties;' and she held out a pretty gold ring. 'Put it,' she said, 'on the fourth finger of my left hand, and I am yours, and you are mine; and we shall leave earth, and make our own heaven yonder.' She nodded again at the moon. The ring, Adele, is in my breeches-pocket, under the disguise of a sovereign: but I mean soon to change it to a ring again." "But what has mademoiselle to do with it? I don't care for the fairy: you said it was mademoiselle you would take to the moon?" "Mademoiselle is a fairy," he said, whispering mysteriously. Whereupon I told her not to mind his badinage; and she, on her part, evinced a fund of genuine French scepticism: denominating Mr. Rochester "un vrai menteur," and assuring him that she made no account whatever of his "contes de fee," and that "du reste, il n'y avait pas de fees, et quand meme il y en avait:" she was sure they would never appear to him, nor ever give him rings, or offer to live with him in the moon. The hour spent at Millcote was a somewhat harassing one to me. Mr. Rochester obliged me to go to a certain silk warehouse: there I was ordered to choose half-a-dozen dresses. I hated the business, I begged leave to defer it: no--it should be gone through with now. By dint of entreaties expressed in energetic whispers, I reduced the half-dozen to two: these however, he vowed he would select himself. With anxiety I watched his eye rove over the gay stores: he fixed on a rich silk of the most brilliant amethyst dye, and a superb pink satin. I told him in a new series of whispers, that he might as well buy me a gold gown and a silver bonnet at once: I should certainly never venture to wear his choice. With infinite difficulty, for he was stubborn as a stone, I persuaded him to make an exchange in favour of a sober black satin and pearl-grey silk. "It might pass for the present," he said; "but he would yet see me glittering like a parterre." Glad was I to get him out of the silk warehouse, and then out of a jewellers shop: the more he bought me, the more my cheek burned with a sense of annoyance and degradation. As we re-entered the carriage, and I sat back feverish and fagged, I remembered what, in the hurry of events, dark and bright, I had wholly forgotten--the letter of my uncle, John Eyre, to Mrs. Reed: his intention to adopt me and make me his legatee. "It would, indeed, be a relief," I thought, "if I had ever so small an independency; I never can bear being dressed like a doll by Mr. Rochester, or sitting like a second Danae with the golden shower falling daily round me. I will write to Madeira the moment I get home, and tell my uncle John I am going to be married, and to whom: if I had but a prospect of one day bringing Mr. Rochester an accession of fortune, I could better endure to be kept by him now." And somewhat relieved by this idea (which I failed not to execute that day), I ventured once more to meet my master's and lover's eye, which most pertinaciously sought mine, though I averted both face and gaze. He smiled; and I thought his smile was such as a sultan might, in a blissful and fond moment, bestow on a slave his gold and gems had enriched: I crushed his hand, which was ever hunting mine, vigorously, and thrust it back to him red with the passionate pressure. "You need not look in that way," I said; "if you do, I'll wear nothing but my old Lowood frocks to the end of the chapter. I'll be married in this lilac gingham: you may make a dressing-gown for yourself out of the pearl-grey silk, and an infinite series of waistcoats out of the black satin." He chuckled; he rubbed his hands. "Oh, it is rich to see and hear her?" he exclaimed. "Is she original? Is she piquant? I would not exchange this one little English girl for the Grand Turk's whole seraglio, gazelle- eyes, houri forms, and all!" The Eastern allusion bit me again. "I'll not stand you an inch in the stead of a seraglio," I said; "so don't consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave- purchases some of that spare cash you seem at a loss to spend satisfactorily here." "And what will you do, Janet, while I am bargaining for so many tons of flesh and such an assortment of black eyes?" "I'll be preparing myself to go out as a missionary to preach liberty to them that are enslaved--your harem inmates amongst the rest. I'll get admitted there, and I'll stir up mutiny; and you, three-tailed bashaw as you are, sir, shall in a trice find yourself fettered amongst our hands: nor will I, for one, consent to cut your bonds till you have signed a charter, the most liberal that despot ever yet conferred." "I would consent to be at your mercy, Jane." "I would have no mercy, Mr. Rochester, if you supplicated for it with an eye like that. While you looked so, I should be certain that whatever charter you might grant under coercion, your first act, when released, would be to violate its conditions." "Why, Jane, what would you have? I fear you will compel me to go through a private marriage ceremony, besides that performed at the altar. You will stipulate, I see, for peculiar terms--what will they be?" "I only want an easy mind, sir; not crushed by crowded obligations. Do you remember what you said of Celine Varens?--of the diamonds, the cashmeres you gave her? I will not be your English Celine Varens. I shall continue to act as Adele's governess; by that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but--" "Well, but what?" "Your regard; and if I give you mine in return, that debt will be quit." "Well, for cool native impudence and pure innate pride, you haven't your equal," said he. We were now approaching Thornfield. "Will it please you to dine with me to-day?" he asked, as we re-entered the gates. "No, thank you, sir." "And what for, 'no, thank you?' if one may inquire." "I never have dined with you, sir: and I see no reason why I should now: till--" "Till what? You delight in half-phrases." "Till I can't help it." "Do you suppose I eat like an ogre or a ghoul, that you dread being the companion of my repast?" "I have formed no supposition on the subject, sir; but I want to go on as usual for another month." "You will give up your governessing slavery at once." "Indeed, begging your pardon, sir, I shall not. I shall just go on with it as usual. I shall keep out of your way all day, as I have been accustomed to do: you may send for me in the evening, when you feel disposed to see me, and I'll come then; but at no other time." "I want a smoke, Jane, or a pinch of snuff, to comfort me under all this, 'pour me donner une contenance,' as Adele would say; and unfortunately I have neither my cigar-case, nor my snuff-box. But listen--whisper. It is your time now, little tyrant, but it will be mine presently; and when once I have fairly seized you, to have and to hold, I'll just--figuratively speaking--attach you to a chain like this" (touching his watch-guard). "Yes, bonny wee thing, I'll wear you in my bosom, lest my jewel I should tyne." He said this as he helped me to alight from the carriage, and while he afterwards lifted out Adele, I entered the house, and made good my retreat upstairs. He duly summoned me to his presence in the evening. I had prepared an occupation for him; for I was determined not to spend the whole time in a _tete-a-tete_ conversation. I remembered his fine voice; I knew he liked to sing--good singers generally do. I was no vocalist myself, and, in his fastidious judgment, no musician, either; but I delighted in listening when the performance was good. No sooner had twilight, that hour of romance, began to lower her blue and starry banner over the lattice, than I rose, opened the piano, and entreated him, for the love of heaven, to give me a song. He said I was a capricious witch, and that he would rather sing another time; but I averred that no time was like the present. "Did I like his voice?" he asked. "Very much." I was not fond of pampering that susceptible vanity of his; but for once, and from motives of expediency, I would e'en soothe and stimulate it. "Then, Jane, you must play the accompaniment." "Very well, sir, I will try." I did try, but was presently swept off the stool and denominated "a little bungler." Being pushed unceremoniously to one side--which was precisely what I wished--he usurped my place, and proceeded to accompany himself: for he could play as well as sing. I hied me to the window-recess. And while I sat there and looked out on the still trees and dim lawn, to a sweet air was sung in mellow tones the following strain:-- "The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!" He rose and came towards me, and I saw his face all kindled, and his full falcon-eye flashing, and tenderness and passion in every lineament. I quailed momentarily--then I rallied. Soft scene, daring demonstration, I would not have; and I stood in peril of both: a weapon of defence must be prepared--I whetted my tongue: as he reached me, I asked with asperity, "whom he was going to marry now?" "That was a strange question to be put by his darling Jane." "Indeed! I considered it a very natural and necessary one: he had talked of his future wife dying with him. What did he mean by such a pagan idea? _I_ had no intention of dying with him--he might depend on that." "Oh, all he longed, all he prayed for, was that I might live with him! Death was not for such as I." "Indeed it was: I had as good a right to die when my time came as he had: but I should bide that time, and not be hurried away in a suttee." "Would I forgive him for the selfish idea, and prove my pardon by a reconciling kiss?" "No: I would rather be excused." Here I heard myself apostrophised as a "hard little thing;" and it was added, "any other woman would have been melted to marrow at hearing such stanzas crooned in her praise." I assured him I was naturally hard--very flinty, and that he would often find me so; and that, moreover, I was determined to show him divers rugged points in my character before the ensuing four weeks elapsed: he should know fully what sort of a bargain he had made, while there was yet time to rescind it. "Would I be quiet and talk rationally?" "I would be quiet if he liked, and as to talking rationally, I flattered myself I was doing that now." He fretted, pished, and pshawed. "Very good," I thought; "you may fume and fidget as you please: but this is the best plan to pursue with you, I am certain. I like you more than I can say; but I'll not sink into a bathos of sentiment: and with this needle of repartee I'll keep you from the edge of the gulf too; and, moreover, maintain by its pungent aid that distance between you and myself most conducive to our real mutual advantage." From less to more, I worked him up to considerable irritation; then, after he had retired, in dudgeon, quite to the other end of the room, I got up, and saying, "I wish you good-night, sir," in my natural and wonted respectful manner, I slipped out by the side-door and got away. The system thus entered on, I pursued during the whole season of probation; and with the best success. He was kept, to be sure, rather cross and crusty; but on the whole I could see he was excellently entertained, and that a lamb-like submission and turtle-dove sensibility, while fostering his despotism more, would have pleased his judgment, satisfied his common-sense, and even suited his taste less. In other people's presence I was, as formerly, deferential and quiet; any other line of conduct being uncalled for: it was only in the evening conferences I thus thwarted and afflicted him. He continued to send for me punctually the moment the clock struck seven; though when I appeared before him now, he had no such honeyed terms as "love" and "darling" on his lips: the best words at my service were "provoking puppet," "malicious elf," "sprite," "changeling," &c. For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear. It was all right: at present I decidedly preferred these fierce favours to anything more tender. Mrs. Fairfax, I saw, approved me: her anxiety on my account vanished; therefore I was certain I did well. Meantime, Mr. Rochester affirmed I was wearing him to skin and bone, and threatened awful vengeance for my present conduct at some period fast coming. I laughed in my sleeve at his menaces. "I can keep you in reasonable check now," I reflected; "and I don't doubt to be able to do it hereafter: if one expedient loses its virtue, another must be devised." Yet after all my task was not an easy one; often I would rather have pleased than teased him. My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.

Chapter 24

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre48.asp

The tempest of the previous night is followed by a bright and brilliant morning. The experience of love has brought a glow to Jane's complexion and she seems prettier. Again, Mr. Rochester showers her with caresses. He informs her that he intends to marry her within a month. Jane is absolutely ecstatic but still considers the recent events of her life as an unreal dream. Mr. Rochester tells Jane that he has written to his banker in London to send for the family jewelry that will soon be hers. Jane, however, desires to remain his "plain, Quakerish governess. " After a quiet wedding in the church, Mr. Rochester plans to take Jane on a tour of Europe. Jane begs him not to indulge in romantic fantasies. She wants to know why Mr. Rochester courted Blanche and claimed he was going to marry her. He explains that he had wanted Jane to become jealous. Jane is shocked and worried upon hearing this. When Mrs. Fairfax is told that Mr. Rochester intends to marry Jane, she cannot accept it and tries to warn Jane about possible complications. She is worried about Jane's marrying a man who is so much older and wealthier than herself. However, she has no intention to hurt Jane with these remarks, so she gracefully offers an apology. The next day, Mr. Rochester takes Jane and Adele to Millcote to buy clothes and jewels for Jane. He tells Adele an amusing tale of taking Jane to the moon. Jane finds the excessive attention showered on her very embarrassing, and she stops Mr. Rochester from spending too much money on her. While returning home, Jane decides to write to her uncle in Madeira so that he may consider the option of adopting her. This would definitely bring her a sense of financial independence. She insists further that as long as she and Mr. Rochester are not married, she will continue to work as Adele's governess. During their month of courtship, Mr. Rochester sends for her every evening at seven. Whenever he becomes overly passionate and tender, Jane uses her ready wit to check him but finds this task a difficult one. Her behavior certainly hurts Mr. Rochester. However, Mrs. Fairfax commends Jane's restraint.

Notes Jane is thoroughly modern in her attitude to the approaching marriage. She loves Mr. Rochester but feels humiliated at the thought of being economically dependent on him. She also faces a spiritual crisis. She confesses that Mr. Rochester "stood between her and every thought of religion. . . and that she could not see God for His creature of whom she had made an idol. " This description is particularly significant in light of the moral conflict that lies ahead of her. In this chapter, the romantic aspect of Mr. Rochester's character is emphasized. He indulges in romantic fantasies. He calls Jane a fairy in possession of a "talisman" which will remove all the difficulties in his life. Jane, however, emerges in this chapter as a realist who successfully counters his romantic advances. He sings a romantic song in which he declares his love for her. The realist in Jane is not carried away by hearing these "stanzas crooned in her praise." Mr. Rochester calls her "a hard little thing" and remarks that "any other woman would have been melted to her marrows at hearing" such a eulogy. Jane admits that she is firmly determined not to give way to romantic sentiments or fantasies. Mrs. Fairfax also emerges as a realistic woman endowed with common sense. She rightly reminds Jane that things are not always as they appear. She is certainly correct in warning Jane about the differences been Mr. Rochester and herself regarding their social status and age.

pinkmonkey

all_chapterized_books/1260-chapters/26.txt

finished_summaries/pinkmonkey/Jane Eyre/section_24_part_0.txt

Jane Eyre.volume 2.chapter 25

chapter 25

{"name": "Chapter 25", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre50.asp", "summary": "The night before the wedding, Jane becomes uneasy because of a dream she has had. As Mr. Rochester is away on business, Jane is not able to communicate the episode to him. While anxiously waiting for him, she wanders about in the orchard, unprotected from the wind and the rain. Then she sets off down the road for a walk. She comes back with Mr. Rochester on Mesrour, his horse. After supper she keeps her promise of sitting awake with him the night before their wedding and narrates the two disturbing dreams she has had. The first was highly tragic. She saw herself carrying a weak, crying child in her arms. She was trying to keep pace with Mr. Rochester, who was speeding away on horseback. In the second part of the same dream, she saw the crumbling walls of Thornfield Hall. She was frantically trying to get a last glimpse of Mr. Rochester, who was disappearing. She dropped the child she was carrying, fell from a ledge and then woke up. Jane also tells him that on waking she saw a ghastly woman, trying on her bridal veil in front of the mirror. The woman tore the veil in two and \"trampled\" over the pieces. Jane had been too shocked to speak, and eventually, when the woman held up a candle to Jane's face, she fell unconscious. Now Jane wants Mr. Rochester to tell her who this mysterious woman is. Mr. Rochester tries to dismiss the incident as a figment of Jane's imagination. However, Jane mentions that she found the torn veil in the morning. Mr. Rochester then shudders and suggests that it must have been Grace Poole. He promises that a year and a day after their marriage, he will tell Jane the reason for keeping Grace at Thornfield. Jane shares Adele's bed that night but is unable to sleep. She huddles close to the little girl, who reminds her of her own miserable and lonely childhood.", "analysis": "Notes Jane's dream reveals her emotional distress. Jane is a witness to the partial destruction of the chestnut tree. The trunk, split through the center, gapes in a ghastly manner. \"The clover halves were not broken from each other, for the firm base and strong roots kept them unscendered below.\" The two halves are thus connected at the roots. The symbolism hints at the prospective reunion, after a painful separation, of Jane and Mr. Rochester. But it is going to be a reunion tinged with melancholy. It hints in advance that when that reunion does take place, Mr. Rochester will have been \"charred and scorched\" by the fire of Thornfield. Life will be as cruel to the separated Jane and Rochester as the winter storms are now to the damaged tree. If Jane's emotional state is expressed through her response to the weather, her concern for Mr. Rochester is expressed through the symbolism of fire. Jane knows that on a gloomy evening Mr. Rochester would like to see a cheerful hearth when he comes in. She keeps the fire burning for him. Jane articulates the details of her dreams, including her experience of the apparition of Bertha. Perhaps she dreads becoming another Celine Varens, for, in both the dreams, she sees herself \"burdened with the charge of a little child\" and Mr. Rochester becoming \"like a speck on a white track, lessening every moment. \" The second dream merges with reality. On waking she sees the real barrier between Mr. Rochester and herself in the form of Bertha, whom she describes in terrifying terms: \"fearful and ghastly,\" \"savage,\" \"the foul German spectre--the Vampyre. \" Bertha's tearing the wedding veil into two foreshadows the unfinished wedding ceremony that will occur between Jane and Rochester. Jane's dream of the ruin of Thornfield Hall is another very fine example of foreshadowing in this novel. In Jane's dream, coming events cast their shadows in advance. It is very interesting to compare the description of the ruin in the dream, as described in this chapter, with the description of the actual ruin at the novel's end."}

The month of courtship had wasted: its very last hours were being numbered. There was no putting off the day that advanced--the bridal day; and all preparations for its arrival were complete. _I_, at least, had nothing more to do: there were my trunks, packed, locked, corded, ranged in a row along the wall of my little chamber; to-morrow, at this time, they would be far on their road to London: and so should I (D.V.),--or rather, not I, but one Jane Rochester, a person whom as yet I knew not. The cards of address alone remained to nail on: they lay, four little squares, in the drawer. Mr. Rochester had himself written the direction, "Mrs. Rochester, --- Hotel, London," on each: I could not persuade myself to affix them, or to have them affixed. Mrs. Rochester! She did not exist: she would not be born till to-morrow, some time after eight o'clock a.m.; and I would wait to be assured she had come into the world alive before I assigned to her all that property. It was enough that in yonder closet, opposite my dressing-table, garments said to be hers had already displaced my black stuff Lowood frock and straw bonnet: for not to me appertained that suit of wedding raiment; the pearl-coloured robe, the vapoury veil pendent from the usurped portmanteau. I shut the closet to conceal the strange, wraith-like apparel it contained; which, at this evening hour--nine o'clock--gave out certainly a most ghostly shimmer through the shadow of my apartment. "I will leave you by yourself, white dream," I said. "I am feverish: I hear the wind blowing: I will go out of doors and feel it." It was not only the hurry of preparation that made me feverish; not only the anticipation of the great change--the new life which was to commence to-morrow: both these circumstances had their share, doubtless, in producing that restless, excited mood which hurried me forth at this late hour into the darkening grounds: but a third cause influenced my mind more than they. I had at heart a strange and anxious thought. Something had happened which I could not comprehend; no one knew of or had seen the event but myself: it had taken place the preceding night. Mr. Rochester that night was absent from home; nor was he yet returned: business had called him to a small estate of two or three farms he possessed thirty miles off--business it was requisite he should settle in person, previous to his meditated departure from England. I waited now his return; eager to disburthen my mind, and to seek of him the solution of the enigma that perplexed me. Stay till he comes, reader; and, when I disclose my secret to him, you shall share the confidence. I sought the orchard, driven to its shelter by the wind, which all day had blown strong and full from the south, without, however, bringing a speck of rain. Instead of subsiding as night drew on, it seemed to augment its rush and deepen its roar: the trees blew steadfastly one way, never writhing round, and scarcely tossing back their boughs once in an hour; so continuous was the strain bending their branchy heads northward--the clouds drifted from pole to pole, fast following, mass on mass: no glimpse of blue sky had been visible that July day. It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of the chestnut-tree; it stood up black and riven: the trunk, split down the centre, gasped ghastly. The cloven halves were not broken from each other, for the firm base and strong roots kept them unsundered below; though community of vitality was destroyed--the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree--a ruin, but an entire ruin. "You did right to hold fast to each other," I said: as if the monster- splinters were living things, and could hear me. "I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more--never more see birds making nests and singing idyls in your boughs; the time of pleasure and love is over with you: but you are not desolate: each of you has a comrade to sympathise with him in his decay." As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disk was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water, poured a wild, melancholy wail: it was sad to listen to, and I ran off again. Here and there I strayed through the orchard, gathered up the apples with which the grass round the tree roots was thickly strewn; then I employed myself in dividing the ripe from the unripe; I carried them into the house and put them away in the store-room. Then I repaired to the library to ascertain whether the fire was lit, for, though summer, I knew on such a gloomy evening Mr. Rochester would like to see a cheerful hearth when he came in: yes, the fire had been kindled some time, and burnt well. I placed his arm-chair by the chimney-corner: I wheeled the table near it: I let down the curtain, and had the candles brought in ready for lighting. More restless than ever, when I had completed these arrangements I could not sit still, nor even remain in the house: a little time-piece in the room and the old clock in the hall simultaneously struck ten. "How late it grows!" I said. "I will run down to the gates: it is moonlight at intervals; I can see a good way on the road. He may be coming now, and to meet him will save some minutes of suspense." The wind roared high in the great trees which embowered the gates; but the road as far as I could see, to the right hand and the left, was all still and solitary: save for the shadows of clouds crossing it at intervals as the moon looked out, it was but a long pale line, unvaried by one moving speck. A puerile tear dimmed my eye while I looked--a tear of disappointment and impatience; ashamed of it, I wiped it away. I lingered; the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud: the night grew dark; rain came driving fast on the gale. "I wish he would come! I wish he would come!" I exclaimed, seized with hypochondriac foreboding. I had expected his arrival before tea; now it was dark: what could keep him? Had an accident happened? The event of last night again recurred to me. I interpreted it as a warning of disaster. I feared my hopes were too bright to be realised; and I had enjoyed so much bliss lately that I imagined my fortune had passed its meridian, and must now decline. "Well, I cannot return to the house," I thought; "I cannot sit by the fireside, while he is abroad in inclement weather: better tire my limbs than strain my heart; I will go forward and meet him." I set out; I walked fast, but not far: ere I had measured a quarter of a mile, I heard the tramp of hoofs; a horseman came on, full gallop; a dog ran by his side. Away with evil presentiment! It was he: here he was, mounted on Mesrour, followed by Pilot. He saw me; for the moon had opened a blue field in the sky, and rode in it watery bright: he took his hat off, and waved it round his head. I now ran to meet him. "There!" he exclaimed, as he stretched out his hand and bent from the saddle: "You can't do without me, that is evident. Step on my boot-toe; give me both hands: mount!" I obeyed: joy made me agile: I sprang up before him. A hearty kissing I got for a welcome, and some boastful triumph, which I swallowed as well as I could. He checked himself in his exultation to demand, "But is there anything the matter, Janet, that you come to meet me at such an hour? Is there anything wrong?" "No, but I thought you would never come. I could not bear to wait in the house for you, especially with this rain and wind." "Rain and wind, indeed! Yes, you are dripping like a mermaid; pull my cloak round you: but I think you are feverish, Jane: both your cheek and hand are burning hot. I ask again, is there anything the matter?" "Nothing now; I am neither afraid nor unhappy." "Then you have been both?" "Rather: but I'll tell you all about it by-and-bye, sir; and I daresay you will only laugh at me for my pains." "I'll laugh at you heartily when to-morrow is past; till then I dare not: my prize is not certain. This is you, who have been as slippery as an eel this last month, and as thorny as a briar-rose? I could not lay a finger anywhere but I was pricked; and now I seem to have gathered up a stray lamb in my arms. You wandered out of the fold to seek your shepherd, did you, Jane?" "I wanted you: but don't boast. Here we are at Thornfield: now let me get down." He landed me on the pavement. As John took his horse, and he followed me into the hall, he told me to make haste and put something dry on, and then return to him in the library; and he stopped me, as I made for the staircase, to extort a promise that I would not be long: nor was I long; in five minutes I rejoined him. I found him at supper. "Take a seat and bear me company, Jane: please God, it is the last meal but one you will eat at Thornfield Hall for a long time." I sat down near him, but told him I could not eat. "Is it because you have the prospect of a journey before you, Jane? Is it the thoughts of going to London that takes away your appetite?" "I cannot see my prospects clearly to-night, sir; and I hardly know what thoughts I have in my head. Everything in life seems unreal." "Except me: I am substantial enough--touch me." "You, sir, are the most phantom-like of all: you are a mere dream." He held out his hand, laughing. "Is that a dream?" said he, placing it close to my eyes. He had a rounded, muscular, and vigorous hand, as well as a long, strong arm. "Yes; though I touch it, it is a dream," said I, as I put it down from before my face. "Sir, have you finished supper?" "Yes, Jane." I rang the bell and ordered away the tray. When we were again alone, I stirred the fire, and then took a low seat at my master's knee. "It is near midnight," I said. "Yes: but remember, Jane, you promised to wake with me the night before my wedding." "I did; and I will keep my promise, for an hour or two at least: I have no wish to go to bed." "Are all your arrangements complete?" "All, sir." "And on my part likewise," he returned, "I have settled everything; and we shall leave Thornfield to-morrow, within half-an-hour after our return from church." "Very well, sir." "With what an extraordinary smile you uttered that word--'very well,' Jane! What a bright spot of colour you have on each cheek! and how strangely your eyes glitter! Are you well?" "I believe I am." "Believe! What is the matter? Tell me what you feel." "I could not, sir: no words could tell you what I feel. I wish this present hour would never end: who knows with what fate the next may come charged?" "This is hypochondria, Jane. You have been over-excited, or over-fatigued." "Do you, sir, feel calm and happy?" "Calm?--no: but happy--to the heart's core." I looked up at him to read the signs of bliss in his face: it was ardent and flushed. "Give me your confidence, Jane," he said: "relieve your mind of any weight that oppresses it, by imparting it to me. What do you fear?--that I shall not prove a good husband?" "It is the idea farthest from my thoughts." "Are you apprehensive of the new sphere you are about to enter?--of the new life into which you are passing?" "No." "You puzzle me, Jane: your look and tone of sorrowful audacity perplex and pain me. I want an explanation." "Then, sir, listen. You were from home last night?" "I was: I know that; and you hinted a while ago at something which had happened in my absence:--nothing, probably, of consequence; but, in short, it has disturbed you. Let me hear it. Mrs. Fairfax has said something, perhaps? or you have overheard the servants talk?--your sensitive self-respect has been wounded?" "No, sir." It struck twelve--I waited till the time-piece had concluded its silver chime, and the clock its hoarse, vibrating stroke, and then I proceeded. "All day yesterday I was very busy, and very happy in my ceaseless bustle; for I am not, as you seem to think, troubled by any haunting fears about the new sphere, et cetera: I think it a glorious thing to have the hope of living with you, because I love you. No, sir, don't caress me now--let me talk undisturbed. Yesterday I trusted well in Providence, and believed that events were working together for your good and mine: it was a fine day, if you recollect--the calmness of the air and sky forbade apprehensions respecting your safety or comfort on your journey. I walked a little while on the pavement after tea, thinking of you; and I beheld you in imagination so near me, I scarcely missed your actual presence. I thought of the life that lay before me--_your_ life, sir--an existence more expansive and stirring than my own: as much more so as the depths of the sea to which the brook runs are than the shallows of its own strait channel. I wondered why moralists call this world a dreary wilderness: for me it blossomed like a rose. Just at sunset, the air turned cold and the sky cloudy: I went in, Sophie called me upstairs to look at my wedding-dress, which they had just brought; and under it in the box I found your present--the veil which, in your princely extravagance, you sent for from London: resolved, I suppose, since I would not have jewels, to cheat me into accepting something as costly. I smiled as I unfolded it, and devised how I would tease you about your aristocratic tastes, and your efforts to masque your plebeian bride in the attributes of a peeress. I thought how I would carry down to you the square of unembroidered blond I had myself prepared as a covering for my low-born head, and ask if that was not good enough for a woman who could bring her husband neither fortune, beauty, nor connections. I saw plainly how you would look; and heard your impetuous republican answers, and your haughty disavowal of any necessity on your part to augment your wealth, or elevate your standing, by marrying either a purse or a coronet." "How well you read me, you witch!" interposed Mr. Rochester: "but what did you find in the veil besides its embroidery? Did you find poison, or a dagger, that you look so mournful now?" "No, no, sir; besides the delicacy and richness of the fabric, I found nothing save Fairfax Rochester's pride; and that did not scare me, because I am used to the sight of the demon. But, sir, as it grew dark, the wind rose: it blew yesterday evening, not as it blows now--wild and high--but 'with a sullen, moaning sound' far more eerie. I wished you were at home. I came into this room, and the sight of the empty chair and fireless hearth chilled me. For some time after I went to bed, I could not sleep--a sense of anxious excitement distressed me. The gale still rising, seemed to my ear to muffle a mournful under-sound; whether in the house or abroad I could not at first tell, but it recurred, doubtful yet doleful at every lull; at last I made out it must be some dog howling at a distance. I was glad when it ceased. On sleeping, I continued in dreams the idea of a dark and gusty night. I continued also the wish to be with you, and experienced a strange, regretful consciousness of some barrier dividing us. During all my first sleep, I was following the windings of an unknown road; total obscurity environed me; rain pelted me; I was burdened with the charge of a little child: a very small creature, too young and feeble to walk, and which shivered in my cold arms, and wailed piteously in my ear. I thought, sir, that you were on the road a long way before me; and I strained every nerve to overtake you, and made effort on effort to utter your name and entreat you to stop--but my movements were fettered, and my voice still died away inarticulate; while you, I felt, withdrew farther and farther every moment." "And these dreams weigh on your spirits now, Jane, when I am close to you? Little nervous subject! Forget visionary woe, and think only of real happiness! You say you love me, Janet: yes--I will not forget that; and you cannot deny it. _Those_ words did not die inarticulate on your lips. I heard them clear and soft: a thought too solemn perhaps, but sweet as music--'I think it is a glorious thing to have the hope of living with you, Edward, because I love you.' Do you love me, Jane?--repeat it." "I do, sir--I do, with my whole heart." "Well," he said, after some minutes' silence, "it is strange; but that sentence has penetrated my breast painfully. Why? I think because you said it with such an earnest, religious energy, and because your upward gaze at me now is the very sublime of faith, truth, and devotion: it is too much as if some spirit were near me. Look wicked, Jane: as you know well how to look: coin one of your wild, shy, provoking smiles; tell me you hate me--tease me, vex me; do anything but move me: I would rather be incensed than saddened." "I will tease you and vex you to your heart's content, when I have finished my tale: but hear me to the end." "I thought, Jane, you had told me all. I thought I had found the source of your melancholy in a dream." I shook my head. "What! is there more? But I will not believe it to be anything important. I warn you of incredulity beforehand. Go on." The disquietude of his air, the somewhat apprehensive impatience of his manner, surprised me: but I proceeded. "I dreamt another dream, sir: that Thornfield Hall was a dreary ruin, the retreat of bats and owls. I thought that of all the stately front nothing remained but a shell-like wall, very high and very fragile-looking. I wandered, on a moonlight night, through the grass- grown enclosure within: here I stumbled over a marble hearth, and there over a fallen fragment of cornice. Wrapped up in a shawl, I still carried the unknown little child: I might not lay it down anywhere, however tired were my arms--however much its weight impeded my progress, I must retain it. I heard the gallop of a horse at a distance on the road; I was sure it was you; and you were departing for many years and for a distant country. I climbed the thin wall with frantic perilous haste, eager to catch one glimpse of you from the top: the stones rolled from under my feet, the ivy branches I grasped gave way, the child clung round my neck in terror, and almost strangled me; at last I gained the summit. I saw you like a speck on a white track, lessening every moment. The blast blew so strong I could not stand. I sat down on the narrow ledge; I hushed the scared infant in my lap: you turned an angle of the road: I bent forward to take a last look; the wall crumbled; I was shaken; the child rolled from my knee, I lost my balance, fell, and woke." "Now, Jane, that is all." "All the preface, sir; the tale is yet to come. On waking, a gleam dazzled my eyes; I thought--Oh, it is daylight! But I was mistaken; it was only candlelight. Sophie, I supposed, had come in. There was a light in the dressing-table, and the door of the closet, where, before going to bed, I had hung my wedding-dress and veil, stood open; I heard a rustling there. I asked, 'Sophie, what are you doing?' No one answered; but a form emerged from the closet; it took the light, held it aloft, and surveyed the garments pendent from the portmanteau. 'Sophie! Sophie!' I again cried: and still it was silent. I had risen up in bed, I bent forward: first surprise, then bewilderment, came over me; and then my blood crept cold through my veins. Mr. Rochester, this was not Sophie, it was not Leah, it was not Mrs. Fairfax: it was not--no, I was sure of it, and am still--it was not even that strange woman, Grace Poole." "It must have been one of them," interrupted my master. "No, sir, I solemnly assure you to the contrary. The shape standing before me had never crossed my eyes within the precincts of Thornfield Hall before; the height, the contour were new to me." "Describe it, Jane." "It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell." "Did you see her face?" "Not at first. But presently she took my veil from its place; she held it up, gazed at it long, and then she threw it over her own head, and turned to the mirror. At that moment I saw the reflection of the visage and features quite distinctly in the dark oblong glass." "And how were they?" "Fearful and ghastly to me--oh, sir, I never saw a face like it! It was a discoloured face--it was a savage face. I wish I could forget the roll of the red eyes and the fearful blackened inflation of the lineaments!" "Ghosts are usually pale, Jane." "This, sir, was purple: the lips were swelled and dark; the brow furrowed: the black eyebrows widely raised over the bloodshot eyes. Shall I tell you of what it reminded me?" "You may." "Of the foul German spectre--the Vampyre." "Ah!--what did it do?" "Sir, it removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them." {It removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them: p272.jpg} "Afterwards?" "It drew aside the window-curtain and looked out; perhaps it saw dawn approaching, for, taking the candle, it retreated to the door. Just at my bedside, the figure stopped: the fiery eyes glared upon me--she thrust up her candle close to my face, and extinguished it under my eyes. I was aware her lurid visage flamed over mine, and I lost consciousness: for the second time in my life--only the second time--I became insensible from terror." "Who was with you when you revived?" "No one, sir, but the broad day. I rose, bathed my head and face in water, drank a long draught; felt that though enfeebled I was not ill, and determined that to none but you would I impart this vision. Now, sir, tell me who and what that woman was?" "The creature of an over-stimulated brain; that is certain. I must be careful of you, my treasure: nerves like yours were not made for rough handling." "Sir, depend on it, my nerves were not in fault; the thing was real: the transaction actually took place." "And your previous dreams, were they real too? Is Thornfield Hall a ruin? Am I severed from you by insuperable obstacles? Am I leaving you without a tear--without a kiss--without a word?" "Not yet." "Am I about to do it? Why, the day is already commenced which is to bind us indissolubly; and when we are once united, there shall be no recurrence of these mental terrors: I guarantee that." "Mental terrors, sir! I wish I could believe them to be only such: I wish it more now than ever; since even you cannot explain to me the mystery of that awful visitant." "And since I cannot do it, Jane, it must have been unreal." "But, sir, when I said so to myself on rising this morning, and when I looked round the room to gather courage and comfort from the cheerful aspect of each familiar object in full daylight, there--on the carpet--I saw what gave the distinct lie to my hypothesis,--the veil, torn from top to bottom in two halves!" I felt Mr. Rochester start and shudder; he hastily flung his arms round me. "Thank God!" he exclaimed, "that if anything malignant did come near you last night, it was only the veil that was harmed. Oh, to think what might have happened!" He drew his breath short, and strained me so close to him, I could scarcely pant. After some minutes' silence, he continued, cheerily-- "Now, Janet, I'll explain to you all about it. It was half dream, half reality. A woman did, I doubt not, enter your room: and that woman was--must have been--Grace Poole. You call her a strange being yourself: from all you know, you have reason so to call her--what did she do to me? what to Mason? In a state between sleeping and waking, you noticed her entrance and her actions; but feverish, almost delirious as you were, you ascribed to her a goblin appearance different from her own: the long dishevelled hair, the swelled black face, the exaggerated stature, were figments of imagination; results of nightmare: the spiteful tearing of the veil was real: and it is like her. I see you would ask why I keep such a woman in my house: when we have been married a year and a day, I will tell you; but not now. Are you satisfied, Jane? Do you accept my solution of the mystery?" I reflected, and in truth it appeared to me the only possible one: satisfied I was not, but to please him I endeavoured to appear so--relieved, I certainly did feel; so I answered him with a contented smile. And now, as it was long past one, I prepared to leave him. "Does not Sophie sleep with Adele in the nursery?" he asked, as I lit my candle. "Yes, sir." "And there is room enough in Adele's little bed for you. You must share it with her to-night, Jane: it is no wonder that the incident you have related should make you nervous, and I would rather you did not sleep alone: promise me to go to the nursery." "I shall be very glad to do so, sir." "And fasten the door securely on the inside. Wake Sophie when you go upstairs, under pretence of requesting her to rouse you in good time to- morrow; for you must be dressed and have finished breakfast before eight. And now, no more sombre thoughts: chase dull care away, Janet. Don't you hear to what soft whispers the wind has fallen? and there is no more beating of rain against the window-panes: look here" (he lifted up the curtain)--"it is a lovely night!" It was. Half heaven was pure and stainless: the clouds, now trooping before the wind, which had shifted to the west, were filing off eastward in long, silvered columns. The moon shone peacefully. "Well," said Mr. Rochester, gazing inquiringly into my eyes, "how is my Janet now?" "The night is serene, sir; and so am I." "And you will not dream of separation and sorrow to-night; but of happy love and blissful union." This prediction was but half fulfilled: I did not indeed dream of sorrow, but as little did I dream of joy; for I never slept at all. With little Adele in my arms, I watched the slumber of childhood--so tranquil, so passionless, so innocent--and waited for the coming day: all my life was awake and astir in my frame: and as soon as the sun rose I rose too. I remember Adele clung to me as I left her: I remember I kissed her as I loosened her little hands from my neck; and I cried over her with strange emotion, and quitted her because I feared my sobs would break her still sound repose. She seemed the emblem of my past life; and here I was now to array myself to meet, the dread, but adored, type of my unknown future day.

Chapter 25

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre50.asp

The night before the wedding, Jane becomes uneasy because of a dream she has had. As Mr. Rochester is away on business, Jane is not able to communicate the episode to him. While anxiously waiting for him, she wanders about in the orchard, unprotected from the wind and the rain. Then she sets off down the road for a walk. She comes back with Mr. Rochester on Mesrour, his horse. After supper she keeps her promise of sitting awake with him the night before their wedding and narrates the two disturbing dreams she has had. The first was highly tragic. She saw herself carrying a weak, crying child in her arms. She was trying to keep pace with Mr. Rochester, who was speeding away on horseback. In the second part of the same dream, she saw the crumbling walls of Thornfield Hall. She was frantically trying to get a last glimpse of Mr. Rochester, who was disappearing. She dropped the child she was carrying, fell from a ledge and then woke up. Jane also tells him that on waking she saw a ghastly woman, trying on her bridal veil in front of the mirror. The woman tore the veil in two and "trampled" over the pieces. Jane had been too shocked to speak, and eventually, when the woman held up a candle to Jane's face, she fell unconscious. Now Jane wants Mr. Rochester to tell her who this mysterious woman is. Mr. Rochester tries to dismiss the incident as a figment of Jane's imagination. However, Jane mentions that she found the torn veil in the morning. Mr. Rochester then shudders and suggests that it must have been Grace Poole. He promises that a year and a day after their marriage, he will tell Jane the reason for keeping Grace at Thornfield. Jane shares Adele's bed that night but is unable to sleep. She huddles close to the little girl, who reminds her of her own miserable and lonely childhood.

Notes Jane's dream reveals her emotional distress. Jane is a witness to the partial destruction of the chestnut tree. The trunk, split through the center, gapes in a ghastly manner. "The clover halves were not broken from each other, for the firm base and strong roots kept them unscendered below." The two halves are thus connected at the roots. The symbolism hints at the prospective reunion, after a painful separation, of Jane and Mr. Rochester. But it is going to be a reunion tinged with melancholy. It hints in advance that when that reunion does take place, Mr. Rochester will have been "charred and scorched" by the fire of Thornfield. Life will be as cruel to the separated Jane and Rochester as the winter storms are now to the damaged tree. If Jane's emotional state is expressed through her response to the weather, her concern for Mr. Rochester is expressed through the symbolism of fire. Jane knows that on a gloomy evening Mr. Rochester would like to see a cheerful hearth when he comes in. She keeps the fire burning for him. Jane articulates the details of her dreams, including her experience of the apparition of Bertha. Perhaps she dreads becoming another Celine Varens, for, in both the dreams, she sees herself "burdened with the charge of a little child" and Mr. Rochester becoming "like a speck on a white track, lessening every moment. " The second dream merges with reality. On waking she sees the real barrier between Mr. Rochester and herself in the form of Bertha, whom she describes in terrifying terms: "fearful and ghastly," "savage," "the foul German spectre--the Vampyre. " Bertha's tearing the wedding veil into two foreshadows the unfinished wedding ceremony that will occur between Jane and Rochester. Jane's dream of the ruin of Thornfield Hall is another very fine example of foreshadowing in this novel. In Jane's dream, coming events cast their shadows in advance. It is very interesting to compare the description of the ruin in the dream, as described in this chapter, with the description of the actual ruin at the novel's end.

pinkmonkey

all_chapterized_books/1260-chapters/27.txt

finished_summaries/pinkmonkey/Jane Eyre/section_25_part_0.txt

Jane Eyre.volume 3.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre52.asp", "summary": "On the wedding day, Sophie helps Jane into her bridal gown. Jane can hardly recognize herself in this unusual attire. Rochester shows impatience in all his actions. He orders that the carriage be kept ready to take him and Jane to London as soon as they return from the church. He then hurries Jane to the ceremony. The wedding ceremony begins, but it is soon interrupted by a startling announcement made by a Mr. Briggs, a London lawyer. He asserts that Mr. Rochester is already married, to a Bertha Antoinetta Mason, whom he wed fifteen years ago in Jamaica. Mr. Rochester tries to dismiss this accusation by claiming that his first wife is dead. But Mr. Mason, who has been hiding in the background, comes forward and confirms that Mr. Rochester is married to his sister. Finally, Mr. Rochester admits this truth, claiming that he was duped into marriage with an insane woman belonging to a family of \"idiots and maniacs.\" To prove his point, he conducts all of them to Thornfield Hall. He intends to show his \"maniac\" wife, who lives on the third floor, to the assembled party. Grace Poole is present and in charge of the invalid. Bertha's savage behavior confirms Mr. Rochester's claim. The only thing that he wants his guests to do now is to compare the crazy woman with the rational and worthy Jane, \"this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon.\" Jane recognizes Bertha as the woman who entered her room and tore the veil. Mr. Briggs tells Jane that he is her uncle, John Eyre's, business associate. This very uncle had informed Mr. Mason about her approaching marriage. Mason had then realized that Mr. Rochester was contemplating bigamy. Since John Eyre is seriously ill, he had asked his lawyer and Mason to come to England to stop the marriage. When left alone, Jane tries to consider the events of the day. She is inconsolable. She feels that Mr. Rochester has betrayed her and is so dejected that she cannot even pray.", "analysis": "Notes This chapter offers an important revelation about Mr. Rochester's character: knowing that he could not offer her an honorable marriage, he encouraged Jane to fall in love with him. He deliberately committed a serious crime. His plan to marry Jane appears to be an extension of his enslavement by Bertha. The reader sees that he has played on Jane's innocence and caused her a great deal of suffering in the process. The reader also notices Mr. Rochester's shocking conduct in church. His language is as profane as the crime he is attempting to commit: \"produce him-or go to hell,\" and \"The devil is in it if you cannot answer distinctly.\" Jane once again becomes a cold, solitary girl. Bronte presents an external landscape corresponding to the heroine's mental condition: \"A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples; drifts crushed the blowing roses...\" Jane's physical reaction to the shock is significant: \"eddying darkness seemed to swim round me, and reflection came in as black and confused a flow.\" The novelist conveys the response of a sensitive nature to an extreme emotional crisis."}

Sophie came at seven to dress me: she was very long indeed in accomplishing her task; so long that Mr. Rochester, grown, I suppose, impatient of my delay, sent up to ask why I did not come. She was just fastening my veil (the plain square of blond after all) to my hair with a brooch; I hurried from under her hands as soon as I could. "Stop!" she cried in French. "Look at yourself in the mirror: you have not taken one peep." So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger. "Jane!" called a voice, and I hastened down. I was received at the foot of the stairs by Mr. Rochester. "Lingerer!" he said, "my brain is on fire with impatience, and you tarry so long!" He took me into the dining-room, surveyed me keenly all over, pronounced me "fair as a lily, and not only the pride of his life, but the desire of his eyes," and then telling me he would give me but ten minutes to eat some breakfast, he rang the bell. One of his lately hired servants, a footman, answered it. "Is John getting the carriage ready?" "Yes, sir." "Is the luggage brought down?" "They are bringing it down, sir." "Go you to the church: see if Mr. Wood (the clergyman) and the clerk are there: return and tell me." The church, as the reader knows, was but just beyond the gates; the footman soon returned. "Mr. Wood is in the vestry, sir, putting on his surplice." "And the carriage?" "The horses are harnessing." "We shall not want it to go to church; but it must be ready the moment we return: all the boxes and luggage arranged and strapped on, and the coachman in his seat." "Yes, sir." "Jane, are you ready?" I rose. There were no groomsmen, no bridesmaids, no relatives to wait for or marshal: none but Mr. Rochester and I. Mrs. Fairfax stood in the hall as we passed. I would fain have spoken to her, but my hand was held by a grasp of iron: I was hurried along by a stride I could hardly follow; and to look at Mr. Rochester's face was to feel that not a second of delay would be tolerated for any purpose. I wonder what other bridegroom ever looked as he did--so bent up to a purpose, so grimly resolute: or who, under such steadfast brows, ever revealed such flaming and flashing eyes. I know not whether the day was fair or foul; in descending the drive, I gazed neither on sky nor earth: my heart was with my eyes; and both seemed migrated into Mr. Rochester's frame. I wanted to see the invisible thing on which, as we went along, he appeared to fasten a glance fierce and fell. I wanted to feel the thoughts whose force he seemed breasting and resisting. At the churchyard wicket he stopped: he discovered I was quite out of breath. "Am I cruel in my love?" he said. "Delay an instant: lean on me, Jane." And now I can recall the picture of the grey old house of God rising calm before me, of a rook wheeling round the steeple, of a ruddy morning sky beyond. I remember something, too, of the green grave-mounds; and I have not forgotten, either, two figures of strangers straying amongst the low hillocks and reading the mementoes graven on the few mossy head-stones. I noticed them, because, as they saw us, they passed round to the back of the church; and I doubted not they were going to enter by the side-aisle door and witness the ceremony. By Mr. Rochester they were not observed; he was earnestly looking at my face from which the blood had, I daresay, momentarily fled: for I felt my forehead dewy, and my cheeks and lips cold. When I rallied, which I soon did, he walked gently with me up the path to the porch. We entered the quiet and humble temple; the priest waited in his white surplice at the lowly altar, the clerk beside him. All was still: two shadows only moved in a remote corner. My conjecture had been correct: the strangers had slipped in before us, and they now stood by the vault of the Rochesters, their backs towards us, viewing through the rails the old time-stained marble tomb, where a kneeling angel guarded the remains of Damer de Rochester, slain at Marston Moor in the time of the civil wars, and of Elizabeth, his wife. Our place was taken at the communion rails. Hearing a cautious step behind me, I glanced over my shoulder: one of the strangers--a gentleman, evidently--was advancing up the chancel. The service began. The explanation of the intent of matrimony was gone through; and then the clergyman came a step further forward, and, bending slightly towards Mr. Rochester, went on. "I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God's Word doth allow, are not joined together by God, neither is their matrimony lawful." He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, "Wilt thou have this woman for thy wedded wife?"--when a distinct and near voice said-- "The marriage cannot go on: I declare the existence of an impediment." The clergyman looked up at the speaker and stood mute; the clerk did the same; Mr. Rochester moved slightly, as if an earthquake had rolled under his feet: taking a firmer footing, and not turning his head or eyes, he said, "Proceed." Profound silence fell when he had uttered that word, with deep but low intonation. Presently Mr. Wood said-- "I cannot proceed without some investigation into what has been asserted, and evidence of its truth or falsehood." "The ceremony is quite broken off," subjoined the voice behind us. "I am in a condition to prove my allegation: an insuperable impediment to this marriage exists." Mr. Rochester heard, but heeded not: he stood stubborn and rigid, making no movement but to possess himself of my hand. What a hot and strong grasp he had! and how like quarried marble was his pale, firm, massive front at this moment! How his eye shone, still watchful, and yet wild beneath! Mr. Wood seemed at a loss. "What is the nature of the impediment?" he asked. "Perhaps it may be got over--explained away?" "Hardly," was the answer. "I have called it insuperable, and I speak advisedly." The speaker came forward and leaned on the rails. He continued, uttering each word distinctly, calmly, steadily, but not loudly-- "It simply consists in the existence of a previous marriage. Mr. Rochester has a wife now living." My nerves vibrated to those low-spoken words as they had never vibrated to thunder--my blood felt their subtle violence as it had never felt frost or fire; but I was collected, and in no danger of swooning. I looked at Mr. Rochester: I made him look at me. His whole face was colourless rock: his eye was both spark and flint. He disavowed nothing: he seemed as if he would defy all things. Without speaking, without smiling, without seeming to recognise in me a human being, he only twined my waist with his arm and riveted me to his side. "Who are you?" he asked of the intruder. "My name is Briggs, a solicitor of --- Street, London." "And you would thrust on me a wife?" "I would remind you of your lady's existence, sir, which the law recognises, if you do not." "Favour me with an account of her--with her name, her parentage, her place of abode." "Certainly." Mr. Briggs calmly took a paper from his pocket, and read out in a sort of official, nasal voice:-- "'I affirm and can prove that on the 20th of October A.D. --- (a date of fifteen years back), Edward Fairfax Rochester, of Thornfield Hall, in the county of ---, and of Ferndean Manor, in ---shire, England, was married to my sister, Bertha Antoinetta Mason, daughter of Jonas Mason, merchant, and of Antoinetta his wife, a Creole, at --- church, Spanish Town, Jamaica. The record of the marriage will be found in the register of that church--a copy of it is now in my possession. Signed, Richard Mason.'" "That--if a genuine document--may prove I have been married, but it does not prove that the woman mentioned therein as my wife is still living." "She was living three months ago," returned the lawyer. "How do you know?" "I have a witness to the fact, whose testimony even you, sir, will scarcely controvert." "Produce him--or go to hell." "I will produce him first--he is on the spot. Mr. Mason, have the goodness to step forward." Mr. Rochester, on hearing the name, set his teeth; he experienced, too, a sort of strong convulsive quiver; near to him as I was, I felt the spasmodic movement of fury or despair run through his frame. The second stranger, who had hitherto lingered in the background, now drew near; a pale face looked over the solicitor's shoulder--yes, it was Mason himself. Mr. Rochester turned and glared at him. His eye, as I have often said, was a black eye: it had now a tawny, nay, a bloody light in its gloom; and his face flushed--olive cheek and hueless forehead received a glow as from spreading, ascending heart-fire: and he stirred, lifted his strong arm--he could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his body--but Mason shrank away, and cried faintly, "Good God!" Contempt fell cool on Mr. Rochester--his passion died as if a blight had shrivelled it up: he only asked--"What have _you_ to say?" An inaudible reply escaped Mason's white lips. "The devil is in it if you cannot answer distinctly. I again demand, what have you to say?" "Sir--sir," interrupted the clergyman, "do not forget you are in a sacred place." Then addressing Mason, he inquired gently, "Are you aware, sir, whether or not this gentleman's wife is still living?" "Courage," urged the lawyer,--"speak out." "She is now living at Thornfield Hall," said Mason, in more articulate tones: "I saw her there last April. I am her brother." "At Thornfield Hall!" ejaculated the clergyman. "Impossible! I am an old resident in this neighbourhood, sir, and I never heard of a Mrs. Rochester at Thornfield Hall." I saw a grim smile contort Mr. Rochester's lips, and he muttered-- "No, by God! I took care that none should hear of it--or of her under that name." He mused--for ten minutes he held counsel with himself: he formed his resolve, and announced it-- "Enough! all shall bolt out at once, like the bullet from the barrel. Wood, close your book and take off your surplice; John Green (to the clerk), leave the church: there will be no wedding to-day." The man obeyed. Mr. Rochester continued, hardily and recklessly: "Bigamy is an ugly word!--I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me,--perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up:--what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago,--Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick!--never fear me!--I'd almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations! Her mother, the Creole, was both a madwoman and a drunkard!--as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner--pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole's patient, and _my wife_! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl," he continued, looking at me, "knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you--follow!" Still holding me fast, he left the church: the three gentlemen came after. At the front door of the hall we found the carriage. "Take it back to the coach-house, John," said Mr. Rochester coolly; "it will not be wanted to-day." At our entrance, Mrs. Fairfax, Adele, Sophie, Leah, advanced to meet and greet us. "To the right-about--every soul!" cried the master; "away with your congratulations! Who wants them? Not I!--they are fifteen years too late!" He passed on and ascended the stairs, still holding my hand, and still beckoning the gentlemen to follow him, which they did. We mounted the first staircase, passed up the gallery, proceeded to the third storey: the low, black door, opened by Mr. Rochester's master-key, admitted us to the tapestried room, with its great bed and its pictorial cabinet. "You know this place, Mason," said our guide; "she bit and stabbed you here." He lifted the hangings from the wall, uncovering the second door: this, too, he opened. In a room without a window, there burnt a fire guarded by a high and strong fender, and a lamp suspended from the ceiling by a chain. Grace Poole bent over the fire, apparently cooking something in a saucepan. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. "Good-morrow, Mrs. Poole!" said Mr. Rochester. "How are you? and how is your charge to-day?" "We're tolerable, sir, I thank you," replied Grace, lifting the boiling mess carefully on to the hob: "rather snappish, but not 'rageous." A fierce cry seemed to give the lie to her favourable report: the clothed hyena rose up, and stood tall on its hind-feet. "Ah! sir, she sees you!" exclaimed Grace: "you'd better not stay." "Only a few moments, Grace: you must allow me a few moments." "Take care then, sir!--for God's sake, take care!" The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognised well that purple face,--those bloated features. Mrs. Poole advanced. "Keep out of the way," said Mr. Rochester, thrusting her aside: "she has no knife now, I suppose, and I'm on my guard." "One never knows what she has, sir: she is so cunning: it is not in mortal discretion to fathom her craft." "We had better leave her," whispered Mason. "Go to the devil!" was his brother-in-law's recommendation. "'Ware!" cried Grace. The three gentlemen retreated simultaneously. Mr. Rochester flung me behind him: the lunatic sprang and grappled his throat viciously, and laid her teeth to his cheek: they struggled. She was a big woman, in stature almost equalling her husband, and corpulent besides: she showed virile force in the contest--more than once she almost throttled him, athletic as he was. He could have settled her with a well-planted blow; but he would not strike: he would only wrestle. At last he mastered her arms; Grace Poole gave him a cord, and he pinioned them behind her: with more rope, which was at hand, he bound her to a chair. The operation was performed amidst the fiercest yells and the most convulsive plunges. Mr. Rochester then turned to the spectators: he looked at them with a smile both acrid and desolate. "That is _my wife_," said he. "Such is the sole conjugal embrace I am ever to know--such are the endearments which are to solace my leisure hours! And _this_ is what I wished to have" (laying his hand on my shoulder): "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon, I wanted her just as a change after that fierce ragout. Wood and Briggs, look at the difference! Compare these clear eyes with the red balls yonder--this face with that mask--this form with that bulk; then judge me, priest of the gospel and man of the law, and remember with what judgment ye judge ye shall be judged! Off with you now. I must shut up my prize." We all withdrew. Mr. Rochester stayed a moment behind us, to give some further order to Grace Poole. The solicitor addressed me as he descended the stair. "You, madam," said he, "are cleared from all blame: your uncle will be glad to hear it--if, indeed, he should be still living--when Mr. Mason returns to Madeira." "My uncle! What of him? Do you know him?" "Mr. Mason does. Mr. Eyre has been the Funchal correspondent of his house for some years. When your uncle received your letter intimating the contemplated union between yourself and Mr. Rochester, Mr. Mason, who was staying at Madeira to recruit his health, on his way back to Jamaica, happened to be with him. Mr. Eyre mentioned the intelligence; for he knew that my client here was acquainted with a gentleman of the name of Rochester. Mr. Mason, astonished and distressed as you may suppose, revealed the real state of matters. Your uncle, I am sorry to say, is now on a sick bed; from which, considering the nature of his disease--decline--and the stage it has reached, it is unlikely he will ever rise. He could not then hasten to England himself, to extricate you from the snare into which you had fallen, but he implored Mr. Mason to lose no time in taking steps to prevent the false marriage. He referred him to me for assistance. I used all despatch, and am thankful I was not too late: as you, doubtless, must be also. Were I not morally certain that your uncle will be dead ere you reach Madeira, I would advise you to accompany Mr. Mason back; but as it is, I think you had better remain in England till you can hear further, either from or of Mr. Eyre. Have we anything else to stay for?" he inquired of Mr. Mason. "No, no--let us be gone," was the anxious reply; and without waiting to take leave of Mr. Rochester, they made their exit at the hall door. The clergyman stayed to exchange a few sentences, either of admonition or reproof, with his haughty parishioner; this duty done, he too departed. I heard him go as I stood at the half-open door of my own room, to which I had now withdrawn. The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded--not to weep, not to mourn, I was yet too calm for that, but--mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved--followed up and down where I was led or dragged--watched event rush on event, disclosure open beyond disclosure: but _now_, _I thought_. The morning had been a quiet morning enough--all except the brief scene with the lunatic: the transaction in the church had not been noisy; there was no explosion of passion, no loud altercation, no dispute, no defiance or challenge, no tears, no sobs: a few words had been spoken, a calmly pronounced objection to the marriage made; some stern, short questions put by Mr. Rochester; answers, explanations given, evidence adduced; an open admission of the truth had been uttered by my master; then the living proof had been seen; the intruders were gone, and all was over. I was in my own room as usual--just myself, without obvious change: nothing had smitten me, or scathed me, or maimed me. And yet where was the Jane Eyre of yesterday?--where was her life?--where were her prospects? Jane Eyre, who had been an ardent, expectant woman--almost a bride, was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway. My hopes were all dead--struck with a subtle doom, such as, in one night, fell on all the first-born in the land of Egypt. I looked on my cherished wishes, yesterday so blooming and glowing; they lay stark, chill, livid corpses that could never revive. I looked at my love: that feeling which was my master's--which he had created; it shivered in my heart, like a suffering child in a cold cradle; sickness and anguish had seized it; it could not seek Mr. Rochester's arms--it could not derive warmth from his breast. Oh, never more could it turn to him; for faith was blighted--confidence destroyed! Mr. Rochester was not to me what he had been; for he was not what I had thought him. I would not ascribe vice to him; I would not say he had betrayed me; but the attribute of stainless truth was gone from his idea, and from his presence I must go: _that_ I perceived well. When--how--whither, I could not yet discern; but he himself, I doubted not, would hurry me from Thornfield. Real affection, it seemed, he could not have for me; it had been only fitful passion: that was balked; he would want me no more. I should fear even to cross his path now: my view must be hateful to him. Oh, how blind had been my eyes! How weak my conduct! My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me."

Chapter 26

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre52.asp

On the wedding day, Sophie helps Jane into her bridal gown. Jane can hardly recognize herself in this unusual attire. Rochester shows impatience in all his actions. He orders that the carriage be kept ready to take him and Jane to London as soon as they return from the church. He then hurries Jane to the ceremony. The wedding ceremony begins, but it is soon interrupted by a startling announcement made by a Mr. Briggs, a London lawyer. He asserts that Mr. Rochester is already married, to a Bertha Antoinetta Mason, whom he wed fifteen years ago in Jamaica. Mr. Rochester tries to dismiss this accusation by claiming that his first wife is dead. But Mr. Mason, who has been hiding in the background, comes forward and confirms that Mr. Rochester is married to his sister. Finally, Mr. Rochester admits this truth, claiming that he was duped into marriage with an insane woman belonging to a family of "idiots and maniacs." To prove his point, he conducts all of them to Thornfield Hall. He intends to show his "maniac" wife, who lives on the third floor, to the assembled party. Grace Poole is present and in charge of the invalid. Bertha's savage behavior confirms Mr. Rochester's claim. The only thing that he wants his guests to do now is to compare the crazy woman with the rational and worthy Jane, "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon." Jane recognizes Bertha as the woman who entered her room and tore the veil. Mr. Briggs tells Jane that he is her uncle, John Eyre's, business associate. This very uncle had informed Mr. Mason about her approaching marriage. Mason had then realized that Mr. Rochester was contemplating bigamy. Since John Eyre is seriously ill, he had asked his lawyer and Mason to come to England to stop the marriage. When left alone, Jane tries to consider the events of the day. She is inconsolable. She feels that Mr. Rochester has betrayed her and is so dejected that she cannot even pray.

Notes This chapter offers an important revelation about Mr. Rochester's character: knowing that he could not offer her an honorable marriage, he encouraged Jane to fall in love with him. He deliberately committed a serious crime. His plan to marry Jane appears to be an extension of his enslavement by Bertha. The reader sees that he has played on Jane's innocence and caused her a great deal of suffering in the process. The reader also notices Mr. Rochester's shocking conduct in church. His language is as profane as the crime he is attempting to commit: "produce him-or go to hell," and "The devil is in it if you cannot answer distinctly." Jane once again becomes a cold, solitary girl. Bronte presents an external landscape corresponding to the heroine's mental condition: "A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples; drifts crushed the blowing roses..." Jane's physical reaction to the shock is significant: "eddying darkness seemed to swim round me, and reflection came in as black and confused a flow." The novelist conveys the response of a sensitive nature to an extreme emotional crisis.

pinkmonkey

all_chapterized_books/1260-chapters/29.txt

finished_summaries/pinkmonkey/Jane Eyre/section_27_part_0.txt

Jane Eyre.volume 3.chapter 28

chapter 28

{"name": "Chapter 28", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre55.asp", "summary": "After two days, the coachman leaves Jane at Whitcross. She spends the night on the moors. The next day she tries to find work or food but finds that no one is ready to help her. She is forced to spend the next night also in the open, and the weather turns cold and wet. She tries to meet the clergyman, but he is away on account of his father's death. Except for a piece of bread from a farmer, and some cold porridge offered by a little girl, she cannot find much to eat. She almost resigns herself to death. It is then that she sees a distant light from a lonely house, towards which she starts walking. On reaching the house, she looks in through a window. She sees two sisters, Diana and Mary, studying German. Their servant, Hannah, is knitting. Hannah refuses to let Jane in. Out of exhaustion Jane collapses at the entrance of the house. Their brother, the clergyman St. John Rivers, arrives just then and insists upon Jane's being let in. She is given food and drink and put to bed. She gives her name as Jane Elliot and asks not to be questioned further until she feels better.", "analysis": "Notes During her wanderings through the moorland, Jane tries to get food, shelter and sympathy, but she faces rejection everywhere. Jane finds that \"to die of want and cold is a fate to which nature cannot submit passively.\" She finds it impossible to be resigned to misery, like Helen Burns. The language throughout this chapter, though often highly charged, is perfectly natural and stark. In the last stage of despair, she glimpses through a tiny window into another world. There she finds the deep peace of warmth, study, and security: the image of family affection in a secure home. This has been her unconscious goal all along. Rejected everywhere, she is taken into the home of the Rivers. For three days she lies near death. When she wakes up, she begins a new life. Jane had left Thornfield appealing to God for \"laws and principles.\" St. John, who embodies these virtues, comes into her life now as if he were the answer to her appeal."}

Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute. Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, dusk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south--white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment--not a charm or hope calls me where my fellow-creatures are--none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose. I struck straight into the heath; I held on to a hollow I saw deeply furrowing the brown moorside; I waded knee-deep in its dark growth; I turned with its turnings, and finding a moss-blackened granite crag in a hidden angle, I sat down under it. High banks of moor were about me; the crag protected my head: the sky was over that. Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection. What was I to do? Where to go? Oh, intolerable questions, when I could do nothing and go nowhere!--when a long way must yet be measured by my weary, trembling limbs before I could reach human habitation--when cold charity must be entreated before I could get a lodging: reluctant sympathy importuned, almost certain repulse incurred, before my tale could be listened to, or one of my wants relieved! I touched the heath: it was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good; I thought she loved me, outcast as I was; and I, who from man could anticipate only mistrust, rejection, insult, clung to her with filial fondness. To-night, at least, I would be her guest, as I was her child: my mother would lodge me without money and without price. I had one morsel of bread yet: the remnant of a roll I had bought in a town we passed through at noon with a stray penny--my last coin. I saw ripe bilberries gleaming here and there, like jet beads in the heath: I gathered a handful and ate them with the bread. My hunger, sharp before, was, if not satisfied, appeased by this hermit's meal. I said my evening prayers at its conclusion, and then chose my couch. {I said my evening prayers: p311.jpg} Beside the crag the heath was very deep: when I lay down my feet were buried in it; rising high on each side, it left only a narrow space for the night-air to invade. I folded my shawl double, and spread it over me for a coverlet; a low, mossy swell was my pillow. Thus lodged, I was not, at least--at the commencement of the night, cold. My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords. It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both wings broken, it still quivered its shattered pinions in vain attempts to seek him. Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night: too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky- way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe; he was God's, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow. But next day, Want came to me pale and bare. Long after the little birds had left their nests; long after bees had come in the sweet prime of day to gather the heath honey before the dew was dried--when the long morning shadows were curtailed, and the sun filled earth and sky--I got up, and I looked round me. What a still, hot, perfect day! What a golden desert this spreading moor! Everywhere sunshine. I wished I could live in it and on it. I saw a lizard run over the crag; I saw a bee busy among the sweet bilberries. I would fain at the moment have become bee or lizard, that I might have found fitting nutriment, permanent shelter here. But I was a human being, and had a human being's wants: I must not linger where there was nothing to supply them. I rose; I looked back at the bed I had left. Hopeless of the future, I wished but this--that my Maker had that night thought good to require my soul of me while I slept; and that this weary frame, absolved by death from further conflict with fate, had now but to decay quietly, and mingle in peace with the soil of this wilderness. Life, however, was yet in my possession, with all its requirements, and pains, and responsibilities. The burden must be carried; the want provided for; the suffering endured; the responsibility fulfilled. I set out. Whitcross regained, I followed a road which led from the sun, now fervent and high. By no other circumstance had I will to decide my choice. I walked a long time, and when I thought I had nearly done enough, and might conscientiously yield to the fatigue that almost overpowered me--might relax this forced action, and, sitting down on a stone I saw near, submit resistlessly to the apathy that clogged heart and limb--I heard a bell chime--a church bell. I turned in the direction of the sound, and there, amongst the romantic hills, whose changes and aspect I had ceased to note an hour ago, I saw a hamlet and a spire. All the valley at my right hand was full of pasture- fields, and cornfields, and wood; and a glittering stream ran zig-zag through the varied shades of green, the mellowing grain, the sombre woodland, the clear and sunny lea. Recalled by the rumbling of wheels to the road before me, I saw a heavily-laden waggon labouring up the hill, and not far beyond were two cows and their drover. Human life and human labour were near. I must struggle on: strive to live and bend to toil like the rest. About two o'clock p.m. I entered the village. At the bottom of its one street there was a little shop with some cakes of bread in the window. I coveted a cake of bread. With that refreshment I could perhaps regain a degree of energy: without it, it would be difficult to proceed. The wish to have some strength and some vigour returned to me as soon as I was amongst my fellow-beings. I felt it would be degrading to faint with hunger on the causeway of a hamlet. Had I nothing about me I could offer in exchange for one of these rolls? I considered. I had a small silk handkerchief tied round my throat; I had my gloves. I could hardly tell how men and women in extremities of destitution proceeded. I did not know whether either of these articles would be accepted: probably they would not; but I must try. I entered the shop: a woman was there. Seeing a respectably-dressed person, a lady as she supposed, she came forward with civility. How could she serve me? I was seized with shame: my tongue would not utter the request I had prepared. I dared not offer her the half-worn gloves, the creased handkerchief: besides, I felt it would be absurd. I only begged permission to sit down a moment, as I was tired. Disappointed in the expectation of a customer, she coolly acceded to my request. She pointed to a seat; I sank into it. I felt sorely urged to weep; but conscious how unseasonable such a manifestation would be, I restrained it. Soon I asked her "if there were any dressmaker or plain-workwoman in the village?" "Yes; two or three. Quite as many as there was employment for." I reflected. I was driven to the point now. I was brought face to face with Necessity. I stood in the position of one without a resource, without a friend, without a coin. I must do something. What? I must apply somewhere. Where? "Did she know of any place in the neighbourhood where a servant was wanted?" "Nay; she couldn't say." "What was the chief trade in this place? What did most of the people do?" "Some were farm labourers; a good deal worked at Mr. Oliver's needle-factory, and at the foundry." "Did Mr. Oliver employ women?" "Nay; it was men's work." "And what do the women do?" "I knawn't," was the answer. "Some does one thing, and some another. Poor folk mun get on as they can." She seemed to be tired of my questions: and, indeed, what claim had I to importune her? A neighbour or two came in; my chair was evidently wanted. I took leave. I passed up the street, looking as I went at all the houses to the right hand and to the left; but I could discover no pretext, nor see an inducement to enter any. I rambled round the hamlet, going sometimes to a little distance and returning again, for an hour or more. Much exhausted, and suffering greatly now for want of food, I turned aside into a lane and sat down under the hedge. Ere many minutes had elapsed, I was again on my feet, however, and again searching something--a resource, or at least an informant. A pretty little house stood at the top of the lane, with a garden before it, exquisitely neat and brilliantly blooming. I stopped at it. What business had I to approach the white door or touch the glittering knocker? In what way could it possibly be the interest of the inhabitants of that dwelling to serve me? Yet I drew near and knocked. A mild-looking, cleanly-attired young woman opened the door. In such a voice as might be expected from a hopeless heart and fainting frame--a voice wretchedly low and faltering--I asked if a servant was wanted here? "No," said she; "we do not keep a servant." "Can you tell me where I could get employment of any kind?" I continued. "I am a stranger, without acquaintance in this place. I want some work: no matter what." But it was not her business to think for me, or to seek a place for me: besides, in her eyes, how doubtful must have appeared my character, position, tale. She shook her head, she "was sorry she could give me no information," and the white door closed, quite gently and civilly: but it shut me out. If she had held it open a little longer, I believe I should have begged a piece of bread; for I was now brought low. I could not bear to return to the sordid village, where, besides, no prospect of aid was visible. I should have longed rather to deviate to a wood I saw not far off, which appeared in its thick shade to offer inviting shelter; but I was so sick, so weak, so gnawed with nature's cravings, instinct kept me roaming round abodes where there was a chance of food. Solitude would be no solitude--rest no rest--while the vulture, hunger, thus sank beak and talons in my side. I drew near houses; I left them, and came back again, and again I wandered away: always repelled by the consciousness of having no claim to ask--no right to expect interest in my isolated lot. Meantime, the afternoon advanced, while I thus wandered about like a lost and starving dog. In crossing a field, I saw the church spire before me: I hastened towards it. Near the churchyard, and in the middle of a garden, stood a well-built though small house, which I had no doubt was the parsonage. I remembered that strangers who arrive at a place where they have no friends, and who want employment, sometimes apply to the clergyman for introduction and aid. It is the clergyman's function to help--at least with advice--those who wished to help themselves. I seemed to have something like a right to seek counsel here. Renewing then my courage, and gathering my feeble remains of strength, I pushed on. I reached the house, and knocked at the kitchen-door. An old woman opened: I asked was this the parsonage? "Yes." "Was the clergyman in?" "No." "Would he be in soon?" "No, he was gone from home." "To a distance?" "Not so far--happen three mile. He had been called away by the sudden death of his father: he was at Marsh End now, and would very likely stay there a fortnight longer." "Was there any lady of the house?" "Nay, there was naught but her, and she was housekeeper;" and of her, reader, I could not bear to ask the relief for want of which I was sinking; I could not yet beg; and again I crawled away. Once more I took off my handkerchief--once more I thought of the cakes of bread in the little shop. Oh, for but a crust! for but one mouthful to allay the pang of famine! Instinctively I turned my face again to the village; I found the shop again, and I went in; and though others were there besides the woman I ventured the request--"Would she give me a roll for this handkerchief?" She looked at me with evident suspicion: "Nay, she never sold stuff i' that way." Almost desperate, I asked for half a cake; she again refused. "How could she tell where I had got the handkerchief?" she said. "Would she take my gloves?" "No! what could she do with them?" Reader, it is not pleasant to dwell on these details. Some say there is enjoyment in looking back to painful experience past; but at this day I can scarcely bear to review the times to which I allude: the moral degradation, blent with the physical suffering, form too distressing a recollection ever to be willingly dwelt on. I blamed none of those who repulsed me. I felt it was what was to be expected, and what could not be helped: an ordinary beggar is frequently an object of suspicion; a well-dressed beggar inevitably so. To be sure, what I begged was employment; but whose business was it to provide me with employment? Not, certainly, that of persons who saw me then for the first time, and who knew nothing about my character. And as to the woman who would not take my handkerchief in exchange for her bread, why, she was right, if the offer appeared to her sinister or the exchange unprofitable. Let me condense now. I am sick of the subject. A little before dark I passed a farm-house, at the open door of which the farmer was sitting, eating his supper of bread and cheese. I stopped and said-- "Will you give me a piece of bread? for I am very hungry." He cast on me a glance of surprise; but without answering, he cut a thick slice from his loaf, and gave it to me. I imagine he did not think I was a beggar, but only an eccentric sort of lady, who had taken a fancy to his brown loaf. As soon as I was out of sight of his house, I sat down and ate it. I could not hope to get a lodging under a roof, and sought it in the wood I have before alluded to. But my night was wretched, my rest broken: the ground was damp, the air cold: besides, intruders passed near me more than once, and I had again and again to change my quarters; no sense of safety or tranquillity befriended me. Towards morning it rained; the whole of the following day was wet. Do not ask me, reader, to give a minute account of that day; as before, I sought work; as before, I was repulsed; as before, I starved; but once did food pass my lips. At the door of a cottage I saw a little girl about to throw a mess of cold porridge into a pig trough. "Will you give me that?" I asked. {"Will you give me that?" I asked: p316.jpg} She stared at me. "Mother!" she exclaimed, "there is a woman wants me to give her these porridge." "Well lass," replied a voice within, "give it her if she's a beggar. T' pig doesn't want it." The girl emptied the stiffened mould into my hand, and I devoured it ravenously. As the wet twilight deepened, I stopped in a solitary bridle-path, which I had been pursuing an hour or more. "My strength is quite failing me," I said in a soliloquy. "I feel I cannot go much farther. Shall I be an outcast again this night? While the rain descends so, must I lay my head on the cold, drenched ground? I fear I cannot do otherwise: for who will receive me? But it will be very dreadful, with this feeling of hunger, faintness, chill, and this sense of desolation--this total prostration of hope. In all likelihood, though, I should die before morning. And why cannot I reconcile myself to the prospect of death? Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living: and then, to die of want and cold is a fate to which nature cannot submit passively. Oh, Providence! sustain me a little longer! Aid!--direct me!" My glazed eye wandered over the dim and misty landscape. I saw I had strayed far from the village: it was quite out of sight. The very cultivation surrounding it had disappeared. I had, by cross-ways and by- paths, once more drawn near the tract of moorland; and now, only a few fields, almost as wild and unproductive as the heath from which they were scarcely reclaimed, lay between me and the dusky hill. "Well, I would rather die yonder than in a street or on a frequented road," I reflected. "And far better that crows and ravens--if any ravens there be in these regions--should pick my flesh from my bones, than that they should be prisoned in a workhouse coffin and moulder in a pauper's grave." To the hill, then, I turned. I reached it. It remained now only to find a hollow where I could lie down, and feel at least hidden, if not secure. But all the surface of the waste looked level. It showed no variation but of tint: green, where rush and moss overgrew the marshes; black, where the dry soil bore only heath. Dark as it was getting, I could still see these changes, though but as mere alternations of light and shade; for colour had faded with the daylight. My eye still roved over the sullen swell and along the moor-edge, vanishing amidst the wildest scenery, when at one dim point, far in among the marshes and the ridges, a light sprang up. "That is an _ignis fatuus_," was my first thought; and I expected it would soon vanish. It burnt on, however, quite steadily, neither receding nor advancing. "Is it, then, a bonfire just kindled?" I questioned. I watched to see whether it would spread: but no; as it did not diminish, so it did not enlarge. "It may be a candle in a house," I then conjectured; "but if so, I can never reach it. It is much too far away: and were it within a yard of me, what would it avail? I should but knock at the door to have it shut in my face." And I sank down where I stood, and hid my face against the ground. I lay still a while: the night-wind swept over the hill and over me, and died moaning in the distance; the rain fell fast, wetting me afresh to the skin. Could I but have stiffened to the still frost--the friendly numbness of death--it might have pelted on; I should not have felt it; but my yet living flesh shuddered at its chilling influence. I rose ere long. The light was yet there, shining dim but constant through the rain. I tried to walk again: I dragged my exhausted limbs slowly towards it. It led me aslant over the hill, through a wide bog, which would have been impassable in winter, and was splashy and shaking even now, in the height of summer. Here I fell twice; but as often I rose and rallied my faculties. This light was my forlorn hope: I must gain it. Having crossed the marsh, I saw a trace of white over the moor. I approached it; it was a road or a track: it led straight up to the light, which now beamed from a sort of knoll, amidst a clump of trees--firs, apparently, from what I could distinguish of the character of their forms and foliage through the gloom. My star vanished as I drew near: some obstacle had intervened between me and it. I put out my hand to feel the dark mass before me: I discriminated the rough stones of a low wall--above it, something like palisades, and within, a high and prickly hedge. I groped on. Again a whitish object gleamed before me: it was a gate--a wicket; it moved on its hinges as I touched it. On each side stood a sable bush-holly or yew. Entering the gate and passing the shrubs, the silhouette of a house rose to view, black, low, and rather long; but the guiding light shone nowhere. All was obscurity. Were the inmates retired to rest? I feared it must be so. In seeking the door, I turned an angle: there shot out the friendly gleam again, from the lozenged panes of a very small latticed window, within a foot of the ground, made still smaller by the growth of ivy or some other creeping plant, whose leaves clustered thick over the portion of the house wall in which it was set. The aperture was so screened and narrow, that curtain or shutter had been deemed unnecessary; and when I stooped down and put aside the spray of foliage shooting over it, I could see all within. I could see clearly a room with a sanded floor, clean scoured; a dresser of walnut, with pewter plates ranged in rows, reflecting the redness and radiance of a glowing peat-fire. I could see a clock, a white deal table, some chairs. The candle, whose ray had been my beacon, burnt on the table; and by its light an elderly woman, somewhat rough-looking, but scrupulously clean, like all about her, was knitting a stocking. I noticed these objects cursorily only--in them there was nothing extraordinary. A group of more interest appeared near the hearth, sitting still amidst the rosy peace and warmth suffusing it. Two young, graceful women--ladies in every point--sat, one in a low rocking-chair, the other on a lower stool; both wore deep mourning of crape and bombazeen, which sombre garb singularly set off very fair necks and faces: a large old pointer dog rested its massive head on the knee of one girl--in the lap of the other was cushioned a black cat. A strange place was this humble kitchen for such occupants! Who were they? They could not be the daughters of the elderly person at the table; for she looked like a rustic, and they were all delicacy and cultivation. I had nowhere seen such faces as theirs: and yet, as I gazed on them, I seemed intimate with every lineament. I cannot call them handsome--they were too pale and grave for the word: as they each bent over a book, they looked thoughtful almost to severity. A stand between them supported a second candle and two great volumes, to which they frequently referred, comparing them, seemingly, with the smaller books they held in their hands, like people consulting a dictionary to aid them in the task of translation. This scene was as silent as if all the figures had been shadows and the firelit apartment a picture: so hushed was it, I could hear the cinders fall from the grate, the clock tick in its obscure corner; and I even fancied I could distinguish the click-click of the woman's knitting-needles. When, therefore, a voice broke the strange stillness at last, it was audible enough to me. "Listen, Diana," said one of the absorbed students; "Franz and old Daniel are together in the night-time, and Franz is telling a dream from which he has awakened in terror--listen!" And in a low voice she read something, of which not one word was intelligible to me; for it was in an unknown tongue--neither French nor Latin. Whether it were Greek or German I could not tell. "That is strong," she said, when she had finished: "I relish it." The other girl, who had lifted her head to listen to her sister, repeated, while she gazed at the fire, a line of what had been read. At a later day, I knew the language and the book; therefore, I will here quote the line: though, when I first heard it, it was only like a stroke on sounding brass to me--conveying no meaning:-- "'Da trat hervor Einer, anzusehen wie die Sternen Nacht.' Good! good!" she exclaimed, while her dark and deep eye sparkled. "There you have a dim and mighty archangel fitly set before you! The line is worth a hundred pages of fustian. 'Ich wage die Gedanken in der Schale meines Zornes und die Werke mit dem Gewichte meines Grimms.' I like it!" Both were again silent. "Is there ony country where they talk i' that way?" asked the old woman, looking up from her knitting. "Yes, Hannah--a far larger country than England, where they talk in no other way." "Well, for sure case, I knawn't how they can understand t' one t'other: and if either o' ye went there, ye could tell what they said, I guess?" "We could probably tell something of what they said, but not all--for we are not as clever as you think us, Hannah. We don't speak German, and we cannot read it without a dictionary to help us." "And what good does it do you?" "We mean to teach it some time--or at least the elements, as they say; and then we shall get more money than we do now." "Varry like: but give ower studying; ye've done enough for to-night." "I think we have: at least I'm tired. Mary, are you?" "Mortally: after all, it's tough work fagging away at a language with no master but a lexicon." "It is, especially such a language as this crabbed but glorious Deutsch. I wonder when St. John will come home." "Surely he will not be long now: it is just ten (looking at a little gold watch she drew from her girdle). It rains fast, Hannah: will you have the goodness to look at the fire in the parlour?" The woman rose: she opened a door, through which I dimly saw a passage: soon I heard her stir a fire in an inner room; she presently came back. "Ah, childer!" said she, "it fair troubles me to go into yond' room now: it looks so lonesome wi' the chair empty and set back in a corner." She wiped her eyes with her apron: the two girls, grave before, looked sad now. "But he is in a better place," continued Hannah: "we shouldn't wish him here again. And then, nobody need to have a quieter death nor he had." "You say he never mentioned us?" inquired one of the ladies. "He hadn't time, bairn: he was gone in a minute, was your father. He had been a bit ailing like the day before, but naught to signify; and when Mr. St. John asked if he would like either o' ye to be sent for, he fair laughed at him. He began again with a bit of a heaviness in his head the next day--that is, a fortnight sin'--and he went to sleep and niver wakened: he wor a'most stark when your brother went into t' chamber and fand him. Ah, childer! that's t' last o' t' old stock--for ye and Mr. St. John is like of different soart to them 'at's gone; for all your mother wor mich i' your way, and a'most as book-learned. She wor the pictur' o' ye, Mary: Diana is more like your father." I thought them so similar I could not tell where the old servant (for such I now concluded her to be) saw the difference. Both were fair complexioned and slenderly made; both possessed faces full of distinction and intelligence. One, to be sure, had hair a shade darker than the other, and there was a difference in their style of wearing it; Mary's pale brown locks were parted and braided smooth: Diana's duskier tresses covered her neck with thick curls. The clock struck ten. "Ye'll want your supper, I am sure," observed Hannah; "and so will Mr. St. John when he comes in." And she proceeded to prepare the meal. The ladies rose; they seemed about to withdraw to the parlour. Till this moment, I had been so intent on watching them, their appearance and conversation had excited in me so keen an interest, I had half-forgotten my own wretched position: now it recurred to me. More desolate, more desperate than ever, it seemed from contrast. And how impossible did it appear to touch the inmates of this house with concern on my behalf; to make them believe in the truth of my wants and woes--to induce them to vouchsafe a rest for my wanderings! As I groped out the door, and knocked at it hesitatingly, I felt that last idea to be a mere chimera. Hannah opened. "What do you want?" she inquired, in a voice of surprise, as she surveyed me by the light of the candle she held. "May I speak to your mistresses?" I said. "You had better tell me what you have to say to them. Where do you come from?" "I am a stranger." "What is your business here at this hour?" "I want a night's shelter in an out-house or anywhere, and a morsel of bread to eat." Distrust, the very feeling I dreaded, appeared in Hannah's face. "I'll give you a piece of bread," she said, after a pause; "but we can't take in a vagrant to lodge. It isn't likely." "Do let me speak to your mistresses." "No, not I. What can they do for you? You should not be roving about now; it looks very ill." "But where shall I go if you drive me away? What shall I do?" "Oh, I'll warrant you know where to go and what to do. Mind you don't do wrong, that's all. Here is a penny; now go--" "A penny cannot feed me, and I have no strength to go farther. Don't shut the door:--oh, don't, for God's sake!" "I must; the rain is driving in--" "Tell the young ladies. Let me see them--" "Indeed, I will not. You are not what you ought to be, or you wouldn't make such a noise. Move off." "But I must die if I am turned away." "Not you. I'm fear'd you have some ill plans agate, that bring you about folk's houses at this time o' night. If you've any followers--housebreakers or such like--anywhere near, you may tell them we are not by ourselves in the house; we have a gentleman, and dogs, and guns." Here the honest but inflexible servant clapped the door to and bolted it within. This was the climax. A pang of exquisite suffering--a throe of true despair--rent and heaved my heart. Worn out, indeed, I was; not another step could I stir. I sank on the wet doorstep: I groaned--I wrung my hands--I wept in utter anguish. Oh, this spectre of death! Oh, this last hour, approaching in such horror! Alas, this isolation--this banishment from my kind! Not only the anchor of hope, but the footing of fortitude was gone--at least for a moment; but the last I soon endeavoured to regain. "I can but die," I said, "and I believe in God. Let me try to wait His will in silence." These words I not only thought, but uttered; and thrusting back all my misery into my heart, I made an effort to compel it to remain there--dumb and still. "All men must die," said a voice quite close at hand; "but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want." "Who or what speaks?" I asked, terrified at the unexpected sound, and incapable now of deriving from any occurrence a hope of aid. A form was near--what form, the pitch-dark night and my enfeebled vision prevented me from distinguishing. With a loud long knock, the new-comer appealed to the door. "Is it you, Mr. St. John?" cried Hannah. "Yes--yes; open quickly." "Well, how wet and cold you must be, such a wild night as it is! Come in--your sisters are quite uneasy about you, and I believe there are bad folks about. There has been a beggar-woman--I declare she is not gone yet!--laid down there. Get up! for shame! Move off, I say!" "Hush, Hannah! I have a word to say to the woman. You have done your duty in excluding, now let me do mine in admitting her. I was near, and listened to both you and her. I think this is a peculiar case--I must at least examine into it. Young woman, rise, and pass before me into the house." {Hush, Hannah; I have a word to say to the woman: p323.jpg} With difficulty I obeyed him. Presently I stood within that clean, bright kitchen--on the very hearth--trembling, sickening; conscious of an aspect in the last degree ghastly, wild, and weather-beaten. The two ladies, their brother, Mr. St. John, the old servant, were all gazing at me. "St. John, who is it?" I heard one ask. "I cannot tell: I found her at the door," was the reply. "She does look white," said Hannah. "As white as clay or death," was responded. "She will fall: let her sit." And indeed my head swam: I dropped, but a chair received me. I still possessed my senses, though just now I could not speak. "Perhaps a little water would restore her. Hannah, fetch some. But she is worn to nothing. How very thin, and how very bloodless!" "A mere spectre!" "Is she ill, or only famished?" "Famished, I think. Hannah, is that milk? Give it me, and a piece of bread." Diana (I knew her by the long curls which I saw drooping between me and the fire as she bent over me) broke some bread, dipped it in milk, and put it to my lips. Her face was near mine: I saw there was pity in it, and I felt sympathy in her hurried breathing. In her simple words, too, the same balm-like emotion spoke: "Try to eat." "Yes--try," repeated Mary gently; and Mary's hand removed my sodden bonnet and lifted my head. I tasted what they offered me: feebly at first, eagerly soon. "Not too much at first--restrain her," said the brother; "she has had enough." And he withdrew the cup of milk and the plate of bread. "A little more, St. John--look at the avidity in her eyes." "No more at present, sister. Try if she can speak now--ask her her name." I felt I could speak, and I answered--"My name is Jane Elliott." Anxious as ever to avoid discovery, I had before resolved to assume an _alias_. "And where do you live? Where are your friends?" I was silent. "Can we send for any one you know?" I shook my head. "What account can you give of yourself?" Somehow, now that I had once crossed the threshold of this house, and once was brought face to face with its owners, I felt no longer outcast, vagrant, and disowned by the wide world. I dared to put off the mendicant--to resume my natural manner and character. I began once more to know myself; and when Mr. St. John demanded an account--which at present I was far too weak to render--I said after a brief pause-- "Sir, I can give you no details to-night." "But what, then," said he, "do you expect me to do for you?" "Nothing," I replied. My strength sufficed for but short answers. Diana took the word-- "Do you mean," she asked, "that we have now given you what aid you require? and that we may dismiss you to the moor and the rainy night?" I looked at her. She had, I thought, a remarkable countenance, instinct both with power and goodness. I took sudden courage. Answering her compassionate gaze with a smile, I said--"I will trust you. If I were a masterless and stray dog, I know that you would not turn me from your hearth to-night: as it is, I really have no fear. Do with me and for me as you like; but excuse me from much discourse--my breath is short--I feel a spasm when I speak." All three surveyed me, and all three were silent. "Hannah," said Mr. St. John, at last, "let her sit there at present, and ask her no questions; in ten minutes more, give her the remainder of that milk and bread. Mary and Diana, let us go into the parlour and talk the matter over." They withdrew. Very soon one of the ladies returned--I could not tell which. A kind of pleasant stupor was stealing over me as I sat by the genial fire. In an undertone she gave some directions to Hannah. Ere long, with the servant's aid, I contrived to mount a staircase; my dripping clothes were removed; soon a warm, dry bed received me. I thanked God--experienced amidst unutterable exhaustion a glow of grateful joy--and slept.

Chapter 28

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre55.asp

After two days, the coachman leaves Jane at Whitcross. She spends the night on the moors. The next day she tries to find work or food but finds that no one is ready to help her. She is forced to spend the next night also in the open, and the weather turns cold and wet. She tries to meet the clergyman, but he is away on account of his father's death. Except for a piece of bread from a farmer, and some cold porridge offered by a little girl, she cannot find much to eat. She almost resigns herself to death. It is then that she sees a distant light from a lonely house, towards which she starts walking. On reaching the house, she looks in through a window. She sees two sisters, Diana and Mary, studying German. Their servant, Hannah, is knitting. Hannah refuses to let Jane in. Out of exhaustion Jane collapses at the entrance of the house. Their brother, the clergyman St. John Rivers, arrives just then and insists upon Jane's being let in. She is given food and drink and put to bed. She gives her name as Jane Elliot and asks not to be questioned further until she feels better.

Notes During her wanderings through the moorland, Jane tries to get food, shelter and sympathy, but she faces rejection everywhere. Jane finds that "to die of want and cold is a fate to which nature cannot submit passively." She finds it impossible to be resigned to misery, like Helen Burns. The language throughout this chapter, though often highly charged, is perfectly natural and stark. In the last stage of despair, she glimpses through a tiny window into another world. There she finds the deep peace of warmth, study, and security: the image of family affection in a secure home. This has been her unconscious goal all along. Rejected everywhere, she is taken into the home of the Rivers. For three days she lies near death. When she wakes up, she begins a new life. Jane had left Thornfield appealing to God for "laws and principles." St. John, who embodies these virtues, comes into her life now as if he were the answer to her appeal.

pinkmonkey

all_chapterized_books/1260-chapters/30.txt

finished_summaries/pinkmonkey/Jane Eyre/section_28_part_0.txt

Jane Eyre.volume 3.chapter 29

chapter 29

{"name": "Chapter 29", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre56.asp", "summary": "Jane remains ill in bed for a few days. Eventually, she is able to dress and go downstairs to the kitchen. She finds Hannah, the servant, stemming gooseberries and offers to help her. Since Hannah has spent a long time with the family, Jane is sure that she must be a very loyal hand. Hannah thanks her for the compliment and apologizes for her previous behavior. Jane merely says that it is not a crime to be poor. Thus she manages to make friends with Hannah. Jane learns from Hannah that the house is known as Marsh End or Moor House, and that it has belonged to the Rivers for many generations. Hannah tells Jane that St. John Rivers is a parson at Morton and that his two sisters are both governesses. All of them, she points out, are fond of reading, just as their mother was. Their father died of a stroke three weeks ago. Now, they have come home to spend a few weeks together on account of his death. When St. John and his sisters return from a walk, Jane joins them in the parlor for tea. She finds St. John to be a presentable young man who speaks little. He asks Jane about her past. She briefly tells him about her life, avoiding any reference to Rochester. She begs them to help her find work. She still does not reveal her true identity. St. John asks her to stay at Marsh End with them.", "analysis": "Notes This chapter introduces the members of the Rivers household. Mary is kind but not as learned as Diana. St. John is handsome and reserved. Of the three, Diana is the most loving and friendly. Diana is an idealized version of Jane: quiet, spiritual and self-composed. All three members of the Rivers household have a sense of direction as to the professions they want to pursue. This is due largely to their father, who used to caution them to provide for themselves. Hannah is initially suspicious of Jane but later on takes a keen interest in her. The distance Jane has traveled from her Gateshead Hall days is evident in her reply to Hannah, who reproaches her for her poverty. Jane, who had once identified poverty with degradation and had refused to go live with her \"poor\" Eyre relations, now knows that poverty can be respectable. Jane quickly recognizes the main characteristic of St. John Rivers' conduct: the lack of any natural warmth in all that he does. Jane believes that she can hide her identity from him. But it will be easy for St. John to determine who she is because she has revealed her connection with Lowood."}

The recollection of about three days and nights succeeding this is very dim in my mind. I can recall some sensations felt in that interval; but few thoughts framed, and no actions performed. I knew I was in a small room and in a narrow bed. To that bed I seemed to have grown; I lay on it motionless as a stone; and to have torn me from it would have been almost to kill me. I took no note of the lapse of time--of the change from morning to noon, from noon to evening. I observed when any one entered or left the apartment: I could even tell who they were; I could understand what was said when the speaker stood near to me; but I could not answer; to open my lips or move my limbs was equally impossible. Hannah, the servant, was my most frequent visitor. Her coming disturbed me. I had a feeling that she wished me away: that she did not understand me or my circumstances; that she was prejudiced against me. Diana and Mary appeared in the chamber once or twice a day. They would whisper sentences of this sort at my bedside-- "It is very well we took her in." "Yes; she would certainly have been found dead at the door in the morning had she been left out all night. I wonder what she has gone through?" "Strange hardships, I imagine--poor, emaciated, pallid wanderer?" "She is not an uneducated person, I should think, by her manner of speaking; her accent was quite pure; and the clothes she took off, though splashed and wet, were little worn and fine." "She has a peculiar face; fleshless and haggard as it is, I rather like it; and when in good health and animated, I can fancy her physiognomy would be agreeable." Never once in their dialogues did I hear a syllable of regret at the hospitality they had extended to me, or of suspicion of, or aversion to, myself. I was comforted. Mr. St. John came but once: he looked at me, and said my state of lethargy was the result of reaction from excessive and protracted fatigue. He pronounced it needless to send for a doctor: nature, he was sure, would manage best, left to herself. He said every nerve had been overstrained in some way, and the whole system must sleep torpid a while. There was no disease. He imagined my recovery would be rapid enough when once commenced. These opinions he delivered in a few words, in a quiet, low voice; and added, after a pause, in the tone of a man little accustomed to expansive comment, "Rather an unusual physiognomy; certainly, not indicative of vulgarity or degradation." "Far otherwise," responded Diana. "To speak truth, St. John, my heart rather warms to the poor little soul. I wish we may be able to benefit her permanently." "That is hardly likely," was the reply. "You will find she is some young lady who has had a misunderstanding with her friends, and has probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome." "She is so ill, St. John." "Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features." On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with relish: the food was good--void of the feverish flavour which had hitherto poisoned what I had swallowed. When she left me, I felt comparatively strong and revived: ere long satiety of repose and desire for action stirred me. I wished to rise; but what could I put on? Only my damp and bemired apparel; in which I had slept on the ground and fallen in the marsh. I felt ashamed to appear before my benefactors so clad. I was spared the humiliation. On a chair by the bedside were all my own things, clean and dry. My black silk frock hung against the wall. The traces of the bog were removed from it; the creases left by the wet smoothed out: it was quite decent. My very shoes and stockings were purified and rendered presentable. There were the means of washing in the room, and a comb and brush to smooth my hair. After a weary process, and resting every five minutes, I succeeded in dressing myself. My clothes hung loose on me; for I was much wasted, but I covered deficiencies with a shawl, and once more, clean and respectable looking--no speck of the dirt, no trace of the disorder I so hated, and which seemed so to degrade me, left--I crept down a stone staircase with the aid of the banisters, to a narrow low passage, and found my way presently to the kitchen. It was full of the fragrance of new bread and the warmth of a generous fire. Hannah was baking. Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones. Hannah had been cold and stiff, indeed, at the first: latterly she had begun to relent a little; and when she saw me come in tidy and well-dressed, she even smiled. "What, you have got up!" she said. "You are better, then. You may sit you down in my chair on the hearthstone, if you will." She pointed to the rocking-chair: I took it. She bustled about, examining me every now and then with the corner of her eye. Turning to me, as she took some loaves from the oven, she asked bluntly-- "Did you ever go a-begging afore you came here?" I was indignant for a moment; but remembering that anger was out of the question, and that I had indeed appeared as a beggar to her, I answered quietly, but still not without a certain marked firmness-- "You are mistaken in supposing me a beggar. I am no beggar; any more than yourself or your young ladies." After a pause she said, "I dunnut understand that: you've like no house, nor no brass, I guess?" "The want of house or brass (by which I suppose you mean money) does not make a beggar in your sense of the word." "Are you book-learned?" she inquired presently. "Yes, very." "But you've never been to a boarding-school?" "I was at a boarding-school eight years." She opened her eyes wide. "Whatever cannot ye keep yourself for, then?" "I have kept myself; and, I trust, shall keep myself again. What are you going to do with these gooseberries?" I inquired, as she brought out a basket of the fruit. "Mak' 'em into pies." "Give them to me and I'll pick them." "Nay; I dunnut want ye to do nought." "But I must do something. Let me have them." She consented; and she even brought me a clean towel to spread over my dress, "lest," as she said, "I should mucky it." "Ye've not been used to sarvant's wark, I see by your hands," she remarked. "Happen ye've been a dressmaker?" "No, you are wrong. And now, never mind what I have been: don't trouble your head further about me; but tell me the name of the house where we are." "Some calls it Marsh End, and some calls it Moor House." "And the gentleman who lives here is called Mr. St. John?" "Nay; he doesn't live here: he is only staying a while. When he is at home, he is in his own parish at Morton." "That village a few miles off? "Aye." "And what is he?" "He is a parson." I remembered the answer of the old housekeeper at the parsonage, when I had asked to see the clergyman. "This, then, was his father's residence?" "Aye; old Mr. Rivers lived here, and his father, and grandfather, and gurt (great) grandfather afore him." "The name, then, of that gentleman, is Mr. St. John Rivers?" "Aye; St. John is like his kirstened name." "And his sisters are called Diana and Mary Rivers?" "Yes." "Their father is dead?" "Dead three weeks sin' of a stroke." "They have no mother?" "The mistress has been dead this mony a year." "Have you lived with the family long?" "I've lived here thirty year. I nursed them all three." "That proves you must have been an honest and faithful servant. I will say so much for you, though you have had the incivility to call me a beggar." She again regarded me with a surprised stare. "I believe," she said, "I was quite mista'en in my thoughts of you: but there is so mony cheats goes about, you mun forgie me." "And though," I continued, rather severely, "you wished to turn me from the door, on a night when you should not have shut out a dog." "Well, it was hard: but what can a body do? I thought more o' th' childer nor of mysel: poor things! They've like nobody to tak' care on 'em but me. I'm like to look sharpish." I maintained a grave silence for some minutes. "You munnut think too hardly of me," she again remarked. "But I do think hardly of you," I said; "and I'll tell you why--not so much because you refused to give me shelter, or regarded me as an impostor, as because you just now made it a species of reproach that I had no 'brass' and no house. Some of the best people that ever lived have been as destitute as I am; and if you are a Christian, you ought not to consider poverty a crime." "No more I ought," said she: "Mr. St. John tells me so too; and I see I wor wrang--but I've clear a different notion on you now to what I had. You look a raight down dacent little crater." "That will do--I forgive you now. Shake hands." She put her floury and horny hand into mine; another and heartier smile illumined her rough face, and from that moment we were friends. Hannah was evidently fond of talking. While I picked the fruit, and she made the paste for the pies, she proceeded to give me sundry details about her deceased master and mistress, and "the childer," as she called the young people. Old Mr. Rivers, she said, was a plain man enough, but a gentleman, and of as ancient a family as could be found. Marsh End had belonged to the Rivers ever since it was a house: and it was, she affirmed, "aboon two hundred year old--for all it looked but a small, humble place, naught to compare wi' Mr. Oliver's grand hall down i' Morton Vale. But she could remember Bill Oliver's father a journeyman needlemaker; and th' Rivers wor gentry i' th' owd days o' th' Henrys, as onybody might see by looking into th' registers i' Morton Church vestry." Still, she allowed, "the owd maister was like other folk--naught mich out o' t' common way: stark mad o' shooting, and farming, and sich like." The mistress was different. She was a great reader, and studied a deal; and the "bairns" had taken after her. There was nothing like them in these parts, nor ever had been; they had liked learning, all three, almost from the time they could speak; and they had always been "of a mak' of their own." Mr. St. John, when he grew up, would go to college and be a parson; and the girls, as soon as they left school, would seek places as governesses: for they had told her their father had some years ago lost a great deal of money by a man he had trusted turning bankrupt; and as he was now not rich enough to give them fortunes, they must provide for themselves. They had lived very little at home for a long while, and were only come now to stay a few weeks on account of their father's death; but they did so like Marsh End and Morton, and all these moors and hills about. They had been in London, and many other grand towns; but they always said there was no place like home; and then they were so agreeable with each other--never fell out nor "threaped." She did not know where there was such a family for being united. Having finished my task of gooseberry picking, I asked where the two ladies and their brother were now. "Gone over to Morton for a walk; but they would be back in half-an-hour to tea." They returned within the time Hannah had allotted them: they entered by the kitchen door. Mr. St. John, when he saw me, merely bowed and passed through; the two ladies stopped: Mary, in a few words, kindly and calmly expressed the pleasure she felt in seeing me well enough to be able to come down; Diana took my hand: she shook her head at me. "You should have waited for my leave to descend," she said. "You still look very pale--and so thin! Poor child!--poor girl!" Diana had a voice toned, to my ear, like the cooing of a dove. She possessed eyes whose gaze I delighted to encounter. Her whole face seemed to me full of charm. Mary's countenance was equally intelligent--her features equally pretty; but her expression was more reserved, and her manners, though gentle, more distant. Diana looked and spoke with a certain authority: she had a will, evidently. It was my nature to feel pleasure in yielding to an authority supported like hers, and to bend, where my conscience and self-respect permitted, to an active will. "And what business have you here?" she continued. "It is not your place. Mary and I sit in the kitchen sometimes, because at home we like to be free, even to license--but you are a visitor, and must go into the parlour." "I am very well here." "Not at all, with Hannah bustling about and covering you with flour." "Besides, the fire is too hot for you," interposed Mary. "To be sure," added her sister. "Come, you must be obedient." And still holding my hand she made me rise, and led me into the inner room. "Sit there," she said, placing me on the sofa, "while we take our things off and get the tea ready; it is another privilege we exercise in our little moorland home--to prepare our own meals when we are so inclined, or when Hannah is baking, brewing, washing, or ironing." She closed the door, leaving me solus with Mr. St. John, who sat opposite, a book or newspaper in his hand. I examined first, the parlour, and then its occupant. The parlour was rather a small room, very plainly furnished, yet comfortable, because clean and neat. The old-fashioned chairs were very bright, and the walnut-wood table was like a looking-glass. A few strange, antique portraits of the men and women of other days decorated the stained walls; a cupboard with glass doors contained some books and an ancient set of china. There was no superfluous ornament in the room--not one modern piece of furniture, save a brace of workboxes and a lady's desk in rosewood, which stood on a side-table: everything--including the carpet and curtains--looked at once well worn and well saved. Mr. St. John--sitting as still as one of the dusty pictures on the walls, keeping his eyes fixed on the page he perused, and his lips mutely sealed--was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young--perhaps from twenty- eight to thirty--tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own being so harmonious. His eyes were large and blue, with brown lashes; his high forehead, colourless as ivory, was partially streaked over by careless locks of fair hair. This is a gentle delineation, is it not, reader? Yet he whom it describes scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature. Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager. He did not speak to me one word, nor even direct to me one glance, till his sisters returned. Diana, as she passed in and out, in the course of preparing tea, brought me a little cake, baked on the top of the oven. "Eat that now," she said: "you must be hungry. Hannah says you have had nothing but some gruel since breakfast." I did not refuse it, for my appetite was awakened and keen. Mr. Rivers now closed his book, approached the table, and, as he took a seat, fixed his blue pictorial-looking eyes full on me. There was an unceremonious directness, a searching, decided steadfastness in his gaze now, which told that intention, and not diffidence, had hitherto kept it averted from the stranger. "You are very hungry," he said. "I am, sir." It is my way--it always was my way, by instinct--ever to meet the brief with brevity, the direct with plainness. "It is well for you that a low fever has forced you to abstain for the last three days: there would have been danger in yielding to the cravings of your appetite at first. Now you may eat, though still not immoderately." "I trust I shall not eat long at your expense, sir," was my very clumsily- contrived, unpolished answer. "No," he said coolly: "when you have indicated to us the residence of your friends, we can write to them, and you may be restored to home." "That, I must plainly tell you, is out of my power to do; being absolutely without home and friends." The three looked at me, but not distrustfully; I felt there was no suspicion in their glances: there was more of curiosity. I speak particularly of the young ladies. St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage. "Do you mean to say," he asked, "that you are completely isolated from every connection?" "I do. Not a tie links me to any living thing: not a claim do I possess to admittance under any roof in England." "A most singular position at your age!" Here I saw his glance directed to my hands, which were folded on the table before me. I wondered what he sought there: his words soon explained the quest. "You have never been married? You are a spinster?" Diana laughed. "Why, she can't be above seventeen or eighteen years old, St. John," said she. "I am near nineteen: but I am not married. No." I felt a burning glow mount to my face; for bitter and agitating recollections were awakened by the allusion to marriage. They all saw the embarrassment and the emotion. Diana and Mary relieved me by turning their eyes elsewhere than to my crimsoned visage; but the colder and sterner brother continued to gaze, till the trouble he had excited forced out tears as well as colour. "Where did you last reside?" he now asked. "You are too inquisitive, St. John," murmured Mary in a low voice; but he leaned over the table and required an answer by a second firm and piercing look. "The name of the place where, and of the person with whom I lived, is my secret," I replied concisely. "Which, if you like, you have, in my opinion, a right to keep, both from St. John and every other questioner," remarked Diana. "Yet if I know nothing about you or your history, I cannot help you," he said. "And you need help, do you not?" "I need it, and I seek it so far, sir, that some true philanthropist will put me in the way of getting work which I can do, and the remuneration for which will keep me, if but in the barest necessaries of life." "I know not whether I am a true philanthropist; yet I am willing to aid you to the utmost of my power in a purpose so honest. First, then, tell me what you have been accustomed to do, and what you _can_ do." I had now swallowed my tea. I was mightily refreshed by the beverage; as much so as a giant with wine: it gave new tone to my unstrung nerves, and enabled me to address this penetrating young judge steadily. "Mr. Rivers," I said, turning to him, and looking at him, as he looked at me, openly and without diffidence, "you and your sisters have done me a great service--the greatest man can do his fellow-being; you have rescued me, by your noble hospitality, from death. This benefit conferred gives you an unlimited claim on my gratitude, and a claim, to a certain extent, on my confidence. I will tell you as much of the history of the wanderer you have harboured, as I can tell without compromising my own peace of mind--my own security, moral and physical, and that of others. "I am an orphan, the daughter of a clergyman. My parents died before I could know them. I was brought up a dependant; educated in a charitable institution. I will even tell you the name of the establishment, where I passed six years as a pupil, and two as a teacher--Lowood Orphan Asylum, ---shire: you will have heard of it, Mr. Rivers?--the Rev. Robert Brocklehurst is the treasurer." "I have heard of Mr. Brocklehurst, and I have seen the school." "I left Lowood nearly a year since to become a private governess. I obtained a good situation, and was happy. This place I was obliged to leave four days before I came here. The reason of my departure I cannot and ought not to explain: it would be useless, dangerous, and would sound incredible. No blame attached to me: I am as free from culpability as any one of you three. Miserable I am, and must be for a time; for the catastrophe which drove me from a house I had found a paradise was of a strange and direful nature. I observed but two points in planning my departure--speed, secrecy: to secure these, I had to leave behind me everything I possessed except a small parcel; which, in my hurry and trouble of mind, I forgot to take out of the coach that brought me to Whitcross. To this neighbourhood, then, I came, quite destitute. I slept two nights in the open air, and wandered about two days without crossing a threshold: but twice in that space of time did I taste food; and it was when brought by hunger, exhaustion, and despair almost to the last gasp, that you, Mr. Rivers, forbade me to perish of want at your door, and took me under the shelter of your roof. I know all your sisters have done for me since--for I have not been insensible during my seeming torpor--and I owe to their spontaneous, genuine, genial compassion as large a debt as to your evangelical charity." "Don't make her talk any more now, St. John," said Diana, as I paused; "she is evidently not yet fit for excitement. Come to the sofa and sit down now, Miss Elliott." I gave an involuntary half start at hearing the _alias_: I had forgotten my new name. Mr. Rivers, whom nothing seemed to escape, noticed it at once. "You said your name was Jane Elliott?" he observed. "I did say so; and it is the name by which I think it expedient to be called at present, but it is not my real name, and when I hear it, it sounds strange to me." "Your real name you will not give?" "No: I fear discovery above all things; and whatever disclosure would lead to it, I avoid." "You are quite right, I am sure," said Diana. "Now do, brother, let her be at peace a while." But when St. John had mused a few moments he recommenced as imperturbably and with as much acumen as ever. "You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my _charity_ (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?" "I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution." "Indeed you _shall_ stay here," said Diana, putting her white hand on my head. "You _shall_," repeated Mary, in the tone of undemonstrative sincerity which seemed natural to her. "My sisters, you see, have a pleasure in keeping you," said Mr. St. John, "as they would have a pleasure in keeping and cherishing a half-frozen bird, some wintry wind might have driven through their casement. I feel more inclination to put you in the way of keeping yourself, and shall endeavour to do so; but observe, my sphere is narrow. I am but the incumbent of a poor country parish: my aid must be of the humblest sort. And if you are inclined to despise the day of small things, seek some more efficient succour than such as I can offer." "She has already said that she is willing to do anything honest she can do," answered Diana for me; "and you know, St. John, she has no choice of helpers: she is forced to put up with such crusty people as you." "I will be a dressmaker; I will be a plain-workwoman; I will be a servant, a nurse-girl, if I can be no better," I answered. "Right," said Mr. St. John, quite coolly. "If such is your spirit, I promise to aid you, in my own time and way." He now resumed the book with which he had been occupied before tea. I soon withdrew, for I had talked as much, and sat up as long, as my present strength would permit.

Chapter 29

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre56.asp

Jane remains ill in bed for a few days. Eventually, she is able to dress and go downstairs to the kitchen. She finds Hannah, the servant, stemming gooseberries and offers to help her. Since Hannah has spent a long time with the family, Jane is sure that she must be a very loyal hand. Hannah thanks her for the compliment and apologizes for her previous behavior. Jane merely says that it is not a crime to be poor. Thus she manages to make friends with Hannah. Jane learns from Hannah that the house is known as Marsh End or Moor House, and that it has belonged to the Rivers for many generations. Hannah tells Jane that St. John Rivers is a parson at Morton and that his two sisters are both governesses. All of them, she points out, are fond of reading, just as their mother was. Their father died of a stroke three weeks ago. Now, they have come home to spend a few weeks together on account of his death. When St. John and his sisters return from a walk, Jane joins them in the parlor for tea. She finds St. John to be a presentable young man who speaks little. He asks Jane about her past. She briefly tells him about her life, avoiding any reference to Rochester. She begs them to help her find work. She still does not reveal her true identity. St. John asks her to stay at Marsh End with them.

Notes This chapter introduces the members of the Rivers household. Mary is kind but not as learned as Diana. St. John is handsome and reserved. Of the three, Diana is the most loving and friendly. Diana is an idealized version of Jane: quiet, spiritual and self-composed. All three members of the Rivers household have a sense of direction as to the professions they want to pursue. This is due largely to their father, who used to caution them to provide for themselves. Hannah is initially suspicious of Jane but later on takes a keen interest in her. The distance Jane has traveled from her Gateshead Hall days is evident in her reply to Hannah, who reproaches her for her poverty. Jane, who had once identified poverty with degradation and had refused to go live with her "poor" Eyre relations, now knows that poverty can be respectable. Jane quickly recognizes the main characteristic of St. John Rivers' conduct: the lack of any natural warmth in all that he does. Jane believes that she can hide her identity from him. But it will be easy for St. John to determine who she is because she has revealed her connection with Lowood.

pinkmonkey

all_chapterized_books/1260-chapters/31.txt

finished_summaries/pinkmonkey/Jane Eyre/section_29_part_0.txt

Jane Eyre.volume 3.chapter 30

chapter 30

{"name": "Chapter 30", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre57.asp", "summary": "Jane leads a happy life at Marsh End. She finds that Diana and Mary are more learned than she is, and so she happily gains knowledge from them. They share a mutual interest in books and begin to share ideas among themselves. Jane sees that Diana is the head of the household and appreciates her the most. Diana teaches Jane German, and Jane teaches Mary to paint. Jane considers St. John difficult to understand. She finds him not as straightforward as his sisters. He hardly spends time in the house, as he is always away on account of his work. Jane perceives that although he dedicates himself to the care of the poor, he does not seem to be satisfied with what he does. He appears to be stoically performing his duty despite an inner conflict. When the time comes for the Rivers sisters to return to their posts as governesses, Jane approaches St. John to inquire about the employment he had promised her. He offers her the post of village schoolmistress in his parish of Morton. He informs her that the local people there are \"simple,\" and therefore the work may not be that interesting. She would also have lodgings to herself. Jane is eager to start this work. St. John seems to realize the reason for her enthusiasm, and notes that, like himself, she also needs to have a challenging occupation. In the meantime St. John receives a letter informing him that his uncle has died and left his property to another relative. Jane learns that this uncle had had a quarrel with their father and had never been on good terms with the family since then.", "analysis": "Notes At Moor House, Jane finds the happiness arising from \"congeniality of tastes\": \". . . with eagerness, I followed in the path of knowledge they had trodden before me. I devoured the book they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought filled thought; opinion met opinion: we coincided, in short, perfectly.\" Jane finds their company so wonderful that she does not realize the passing of time. Moor House stands in contrast to Gateshead, just as Diana, Mary and St. John Rivers are a contrast to her original cousins, Eliza, Georgiana and John. The broken 'Reeds' are replaced by 'Rivers' of life. St. John is a high-minded cleric representing an ideal in Victorian literature: the man who prides himself on subduing his impulses and personal ambition for the service of God. But when Jane hears him preach, his exposition of Christianity sounds to her like \"a sentence pronounced for doom.\" Charlotte Bronte admirably sums up the predicament of St. John Rivers in this chapter. He works hard for the welfare of his parishioners, but he does not feel a sense of contentment. Jane rightly assesses his problem: he has not found his peace with God. Jane often compares St. John's gloomy temperament with Mr. Rochester's tough-minded optimism. One of Jane's implied criticisms of St. John Rivers is that \"Nature was not to him that treasury of delight it was to his sisters.\" Jane feels a distance between herself and St. John Rivers. This is because he seems to be \"of a reserved, an abstracted, and even of a brooding nature. \" This does not mean that there are no meeting grounds between Jane and St. John Rivers. St. John Rivers recognizes in her nature, as in his, an alloy \"detrimental to repose.\" He feels that she may not hold the school post permanently, just as he does not plan to stay forever at Morton. His estimation is quite accurate."}

The more I knew of the inmates of Moor House, the better I liked them. In a few days I had so far recovered my health that I could sit up all day, and walk out sometimes. I could join with Diana and Mary in all their occupations; converse with them as much as they wished, and aid them when and where they would allow me. There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time--the pleasure arising from perfect congeniality of tastes, sentiments, and principles. I liked to read what they liked to read: what they enjoyed, delighted me; what they approved, I reverenced. They loved their sequestered home. I, too, in the grey, small, antique structure, with its low roof, its latticed casements, its mouldering walls, its avenue of aged firs--all grown aslant under the stress of mountain winds; its garden, dark with yew and holly--and where no flowers but of the hardiest species would bloom--found a charm both potent and permanent. They clung to the purple moors behind and around their dwelling--to the hollow vale into which the pebbly bridle-path leading from their gate descended, and which wound between fern-banks first, and then amongst a few of the wildest little pasture-fields that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy- faced lambs:--they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep--on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brilliant bracken, and mellow granite crag. These details were just to me what they were to them--so many pure and sweet sources of pleasure. The strong blast and the soft breeze; the rough and the halcyon day; the hours of sunrise and sunset; the moonlight and the clouded night, developed for me, in these regions, the same attraction as for them--wound round my faculties the same spell that entranced theirs. Indoors we agreed equally well. They were both more accomplished and better read than I was; but with eagerness I followed in the path of knowledge they had trodden before me. I devoured the books they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought fitted thought; opinion met opinion: we coincided, in short, perfectly. If in our trio there was a superior and a leader, it was Diana. Physically, she far excelled me: she was handsome; she was vigorous. In her animal spirits there was an affluence of life and certainty of flow, such as excited my wonder, while it baffled my comprehension. I could talk a while when the evening commenced, but the first gush of vivacity and fluency gone, I was fain to sit on a stool at Diana's feet, to rest my head on her knee, and listen alternately to her and Mary, while they sounded thoroughly the topic on which I had but touched. Diana offered to teach me German. I liked to learn of her: I saw the part of instructress pleased and suited her; that of scholar pleased and suited me no less. Our natures dovetailed: mutual affection--of the strongest kind--was the result. They discovered I could draw: their pencils and colour-boxes were immediately at my service. My skill, greater in this one point than theirs, surprised and charmed them. Mary would sit and watch me by the hour together: then she would take lessons; and a docile, intelligent, assiduous pupil she made. Thus occupied, and mutually entertained, days passed like hours, and weeks like days. As to Mr. St John, the intimacy which had arisen so naturally and rapidly between me and his sisters did not extend to him. One reason of the distance yet observed between us was, that he was comparatively seldom at home: a large proportion of his time appeared devoted to visiting the sick and poor among the scattered population of his parish. No weather seemed to hinder him in these pastoral excursions: rain or fair, he would, when his hours of morning study were over, take his hat, and, followed by his father's old pointer, Carlo, go out on his mission of love or duty--I scarcely know in which light he regarded it. Sometimes, when the day was very unfavourable, his sisters would expostulate. He would then say, with a peculiar smile, more solemn than cheerful-- "And if I let a gust of wind or a sprinkling of rain turn me aside from these easy tasks, what preparation would such sloth be for the future I propose to myself?" Diana and Mary's general answer to this question was a sigh, and some minutes of apparently mournful meditation. But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature. Zealous in his ministerial labours, blameless in his life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist. Often, of an evening, when he sat at the window, his desk and papers before him, he would cease reading or writing, rest his chin on his hand, and deliver himself up to I know not what course of thought; but that it was perturbed and exciting might be seen in the frequent flash and changeful dilation of his eye. I think, moreover, that Nature was not to him that treasury of delight it was to his sisters. He expressed once, and but once in my hearing, a strong sense of the rugged charm of the hills, and an inborn affection for the dark roof and hoary walls he called his home; but there was more of gloom than pleasure in the tone and words in which the sentiment was manifested; and never did he seem to roam the moors for the sake of their soothing silence--never seek out or dwell upon the thousand peaceful delights they could yield. Incommunicative as he was, some time elapsed before I had an opportunity of gauging his mind. I first got an idea of its calibre when I heard him preach in his own church at Morton. I wish I could describe that sermon: but it is past my power. I cannot even render faithfully the effect it produced on me. It began calm--and indeed, as far as delivery and pitch of voice went, it was calm to the end: an earnestly felt, yet strictly restrained zeal breathed soon in the distinct accents, and prompted the nervous language. This grew to force--compressed, condensed, controlled. The heart was thrilled, the mind astonished, by the power of the preacher: neither were softened. Throughout there was a strange bitterness; an absence of consolatory gentleness; stern allusions to Calvinistic doctrines--election, predestination, reprobation--were frequent; and each reference to these points sounded like a sentence pronounced for doom. When he had done, instead of feeling better, calmer, more enlightened by his discourse, I experienced an inexpressible sadness; for it seemed to me--I know not whether equally so to others--that the eloquence to which I had been listening had sprung from a depth where lay turbid dregs of disappointment--where moved troubling impulses of insatiate yearnings and disquieting aspirations. I was sure St. John Rivers--pure-lived, conscientious, zealous as he was--had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I with my concealed and racking regrets for my broken idol and lost elysium--regrets to which I have latterly avoided referring, but which possessed me and tyrannised over me ruthlessly. Meantime a month was gone. Diana and Mary were soon to leave Moor House, and return to the far different life and scene which awaited them, as governesses in a large, fashionable, south-of-England city, where each held a situation in families by whose wealthy and haughty members they were regarded only as humble dependants, and who neither knew nor sought out their innate excellences, and appreciated only their acquired accomplishments as they appreciated the skill of their cook or the taste of their waiting-woman. Mr. St. John had said nothing to me yet about the employment he had promised to obtain for me; yet it became urgent that I should have a vocation of some kind. One morning, being left alone with him a few minutes in the parlour, I ventured to approach the window-recess--which his table, chair, and desk consecrated as a kind of study--and I was going to speak, though not very well knowing in what words to frame my inquiry--for it is at all times difficult to break the ice of reserve glassing over such natures as his--when he saved me the trouble by being the first to commence a dialogue. Looking up as I drew near--"You have a question to ask of me?" he said. "Yes; I wish to know whether you have heard of any service I can offer myself to undertake?" "I found or devised something for you three weeks ago; but as you seemed both useful and happy here--as my sisters had evidently become attached to you, and your society gave them unusual pleasure--I deemed it inexpedient to break in on your mutual comfort till their approaching departure from Marsh End should render yours necessary." "And they will go in three days now?" I said. "Yes; and when they go, I shall return to the parsonage at Morton: Hannah will accompany me; and this old house will be shut up." I waited a few moments, expecting he would go on with the subject first broached: but he seemed to have entered another train of reflection: his look denoted abstraction from me and my business. I was obliged to recall him to a theme which was of necessity one of close and anxious interest to me. "What is the employment you had in view, Mr. Rivers? I hope this delay will not have increased the difficulty of securing it." "Oh, no; since it is an employment which depends only on me to give, and you to accept." He again paused: there seemed a reluctance to continue. I grew impatient: a restless movement or two, and an eager and exacting glance fastened on his face, conveyed the feeling to him as effectually as words could have done, and with less trouble. "You need be in no hurry to hear," he said: "let me frankly tell you, I have nothing eligible or profitable to suggest. Before I explain, recall, if you please, my notice, clearly given, that if I helped you, it must be as the blind man would help the lame. I am poor; for I find that, when I have paid my father's debts, all the patrimony remaining to me will be this crumbling grange, the row of scathed firs behind, and the patch of moorish soil, with the yew-trees and holly-bushes in front. I am obscure: Rivers is an old name; but of the three sole descendants of the race, two earn the dependant's crust among strangers, and the third considers himself an alien from his native country--not only for life, but in death. Yes, and deems, and is bound to deem, himself honoured by the lot, and aspires but after the day when the cross of separation from fleshly ties shall be laid on his shoulders, and when the Head of that church-militant of whose humblest members he is one, shall give the word, 'Rise, follow Me!'" St. John said these words as he pronounced his sermons, with a quiet, deep voice; with an unflushed cheek, and a coruscating radiance of glance. He resumed-- "And since I am myself poor and obscure, I can offer you but a service of poverty and obscurity. _You_ may even think it degrading--for I see now your habits have been what the world calls refined: your tastes lean to the ideal, and your society has at least been amongst the educated; but _I_ consider that no service degrades which can better our race. I hold that the more arid and unreclaimed the soil where the Christian labourer's task of tillage is appointed him--the scantier the meed his toil brings--the higher the honour. His, under such circumstances, is the destiny of the pioneer; and the first pioneers of the Gospel were the Apostles--their captain was Jesus, the Redeemer, Himself." "Well?" I said, as he again paused--"proceed." He looked at me before he proceeded: indeed, he seemed leisurely to read my face, as if its features and lines were characters on a page. The conclusions drawn from this scrutiny he partially expressed in his succeeding observations. "I believe you will accept the post I offer you," said he, "and hold it for a while: not permanently, though: any more than I could permanently keep the narrow and narrowing--the tranquil, hidden office of English country incumbent; for in your nature is an alloy as detrimental to repose as that in mine, though of a different kind." "Do explain," I urged, when he halted once more. "I will; and you shall hear how poor the proposal is,--how trivial--how cramping. I shall not stay long at Morton, now that my father is dead, and that I am my own master. I shall leave the place probably in the course of a twelve-month; but while I do stay, I will exert myself to the utmost for its improvement. Morton, when I came to it two years ago, had no school: the children of the poor were excluded from every hope of progress. I established one for boys: I mean now to open a second school for girls. I have hired a building for the purpose, with a cottage of two rooms attached to it for the mistress's house. Her salary will be thirty pounds a year: her house is already furnished, very simply, but sufficiently, by the kindness of a lady, Miss Oliver; the only daughter of the sole rich man in my parish--Mr. Oliver, the proprietor of a needle- factory and iron-foundry in the valley. The same lady pays for the education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?" He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich house, it was independent; and the fear of servitude with strangers entered my soul like iron: it was not ignoble--not unworthy--not mentally degrading, I made my decision. "I thank you for the proposal, Mr. Rivers, and I accept it with all my heart." "But you comprehend me?" he said. "It is a village school: your scholars will be only poor girls--cottagers' children--at the best, farmers' daughters. Knitting, sewing, reading, writing, ciphering, will be all you will have to teach. What will you do with your accomplishments? What, with the largest portion of your mind--sentiments--tastes?" "Save them till they are wanted. They will keep." "You know what you undertake, then?" "I do." He now smiled: and not a bitter or a sad smile, but one well pleased and deeply gratified. "And when will you commence the exercise of your function?" "I will go to my house to-morrow, and open the school, if you like, next week." "Very well: so be it." He rose and walked through the room. Standing still, he again looked at me. He shook his head. "What do you disapprove of, Mr. Rivers?" I asked. "You will not stay at Morton long: no, no!" "Why? What is your reason for saying so?" "I read it in your eye; it is not of that description which promises the maintenance of an even tenor in life." "I am not ambitious." He started at the word "ambitious." He repeated, "No. What made you think of ambition? Who is ambitious? I know I am: but how did you find it out?" "I was speaking of myself." "Well, if you are not ambitious, you are--" He paused. "What?" "I was going to say, impassioned: but perhaps you would have misunderstood the word, and been displeased. I mean, that human affections and sympathies have a most powerful hold on you. I am sure you cannot long be content to pass your leisure in solitude, and to devote your working hours to a monotonous labour wholly void of stimulus: any more than I can be content," he added, with emphasis, "to live here buried in morass, pent in with mountains--my nature, that God gave me, contravened; my faculties, heaven-bestowed, paralysed--made useless. You hear now how I contradict myself. I, who preached contentment with a humble lot, and justified the vocation even of hewers of wood and drawers of water in God's service--I, His ordained minister, almost rave in my restlessness. Well, propensities and principles must be reconciled by some means." He left the room. In this brief hour I had learnt more of him than in the whole previous month: yet still he puzzled me. Diana and Mary Rivers became more sad and silent as the day approached for leaving their brother and their home. They both tried to appear as usual; but the sorrow they had to struggle against was one that could not be entirely conquered or concealed. Diana intimated that this would be a different parting from any they had ever yet known. It would probably, as far as St. John was concerned, be a parting for years: it might be a parting for life. "He will sacrifice all to his long-framed resolves," she said: "natural affection and feelings more potent still. St. John looks quiet, Jane; but he hides a fever in his vitals. You would think him gentle, yet in some things he is inexorable as death; and the worst of it is, my conscience will hardly permit me to dissuade him from his severe decision: certainly, I cannot for a moment blame him for it. It is right, noble, Christian: yet it breaks my heart!" And the tears gushed to her fine eyes. Mary bent her head low over her work. "We are now without father: we shall soon be without home and brother," she murmured. At that moment a little accident supervened, which seemed decreed by fate purposely to prove the truth of the adage, that "misfortunes never come singly," and to add to their distresses the vexing one of the slip between the cup and the lip. St. John passed the window reading a letter. He entered. "Our uncle John is dead," said he. Both the sisters seemed struck: not shocked or appalled; the tidings appeared in their eyes rather momentous than afflicting. "Dead?" repeated Diana. "Yes." She riveted a searching gaze on her brother's face. "And what then?" she demanded, in a low voice. "What then, Die?" he replied, maintaining a marble immobility of feature. "What then? Why--nothing. Read." He threw the letter into her lap. She glanced over it, and handed it to Mary. Mary perused it in silence, and returned it to her brother. All three looked at each other, and all three smiled--a dreary, pensive smile enough. "Amen! We can yet live," said Diana at last. "At any rate, it makes us no worse off than we were before," remarked Mary. "Only it forces rather strongly on the mind the picture of what _might have been_," said Mr. Rivers, "and contrasts it somewhat too vividly with what _is_." He folded the letter, locked it in his desk, and again went out. For some minutes no one spoke. Diana then turned to me. "Jane, you will wonder at us and our mysteries," she said, "and think us hard-hearted beings not to be more moved at the death of so near a relation as an uncle; but we have never seen him or known him. He was my mother's brother. My father and he quarrelled long ago. It was by his advice that my father risked most of his property in the speculation that ruined him. Mutual recrimination passed between them: they parted in anger, and were never reconciled. My uncle engaged afterwards in more prosperous undertakings: it appears he realised a fortune of twenty thousand pounds. He was never married, and had no near kindred but ourselves and one other person, not more closely related than we. My father always cherished the idea that he would atone for his error by leaving his possessions to us; that letter informs us that he has bequeathed every penny to the other relation, with the exception of thirty guineas, to be divided between St. John, Diana, and Mary Rivers, for the purchase of three mourning rings. He had a right, of course, to do as he pleased: and yet a momentary damp is cast on the spirits by the receipt of such news. Mary and I would have esteemed ourselves rich with a thousand pounds each; and to St. John such a sum would have been valuable, for the good it would have enabled him to do." This explanation given, the subject was dropped, and no further reference made to it by either Mr. Rivers or his sisters. The next day I left Marsh End for Morton. The day after, Diana and Mary quitted it for distant B-. In a week, Mr. Rivers and Hannah repaired to the parsonage: and so the old grange was abandoned.

Chapter 30

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre57.asp

Jane leads a happy life at Marsh End. She finds that Diana and Mary are more learned than she is, and so she happily gains knowledge from them. They share a mutual interest in books and begin to share ideas among themselves. Jane sees that Diana is the head of the household and appreciates her the most. Diana teaches Jane German, and Jane teaches Mary to paint. Jane considers St. John difficult to understand. She finds him not as straightforward as his sisters. He hardly spends time in the house, as he is always away on account of his work. Jane perceives that although he dedicates himself to the care of the poor, he does not seem to be satisfied with what he does. He appears to be stoically performing his duty despite an inner conflict. When the time comes for the Rivers sisters to return to their posts as governesses, Jane approaches St. John to inquire about the employment he had promised her. He offers her the post of village schoolmistress in his parish of Morton. He informs her that the local people there are "simple," and therefore the work may not be that interesting. She would also have lodgings to herself. Jane is eager to start this work. St. John seems to realize the reason for her enthusiasm, and notes that, like himself, she also needs to have a challenging occupation. In the meantime St. John receives a letter informing him that his uncle has died and left his property to another relative. Jane learns that this uncle had had a quarrel with their father and had never been on good terms with the family since then.

Notes At Moor House, Jane finds the happiness arising from "congeniality of tastes": ". . . with eagerness, I followed in the path of knowledge they had trodden before me. I devoured the book they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought filled thought; opinion met opinion: we coincided, in short, perfectly." Jane finds their company so wonderful that she does not realize the passing of time. Moor House stands in contrast to Gateshead, just as Diana, Mary and St. John Rivers are a contrast to her original cousins, Eliza, Georgiana and John. The broken 'Reeds' are replaced by 'Rivers' of life. St. John is a high-minded cleric representing an ideal in Victorian literature: the man who prides himself on subduing his impulses and personal ambition for the service of God. But when Jane hears him preach, his exposition of Christianity sounds to her like "a sentence pronounced for doom." Charlotte Bronte admirably sums up the predicament of St. John Rivers in this chapter. He works hard for the welfare of his parishioners, but he does not feel a sense of contentment. Jane rightly assesses his problem: he has not found his peace with God. Jane often compares St. John's gloomy temperament with Mr. Rochester's tough-minded optimism. One of Jane's implied criticisms of St. John Rivers is that "Nature was not to him that treasury of delight it was to his sisters." Jane feels a distance between herself and St. John Rivers. This is because he seems to be "of a reserved, an abstracted, and even of a brooding nature. " This does not mean that there are no meeting grounds between Jane and St. John Rivers. St. John Rivers recognizes in her nature, as in his, an alloy "detrimental to repose." He feels that she may not hold the school post permanently, just as he does not plan to stay forever at Morton. His estimation is quite accurate.

pinkmonkey

all_chapterized_books/1260-chapters/32.txt

finished_summaries/pinkmonkey/Jane Eyre/section_30_part_0.txt

Jane Eyre.volume 3.chapter 31

chapter 31

{"name": "Chapter 31", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre58.asp", "summary": "Jane starts her work in the village school at Morton. She contemplates her future. She has already become aware of the ignorance and lack of refinement in her pupils. Although she is aware of her own feelings of isolation and depression, she is sure that in time she will learn to love her work. She thanks God that she left Thornfield, but she cannot help shedding tears when she thinks of Mr. Rochester. However, she concludes that the life of a humble schoolmistress is more respectable than a life of a mistress. One day at the school Jane suddenly becomes conscious of St. John's presence. He has come to deliver to her a parcel from his sisters. St. John admonishes Jane to look to the future to compensate for the losses of the past. He confesses to her something of his own struggle to accept the fate of a clergyman. He relates that he had wanted to pursue literature, but then yielded to a life of selfless devotion to others. St. John believes that God called him to take this difficult path, and he is now determined to become a missionary in the East. While they are engaged in conversation, Miss Rosamond Oliver, the beautiful daughter of the local landowner and industrialist, pays them a visit. She is also the benefactress of the school and has come to find out how Jane likes her new home and assistant. Jane senses that Miss Oliver is attracted to St. John Rivers, but he seems to curb his desires, as they may clash with his career plans.", "analysis": "Notes The author now presents Jane's lack of a sense of fulfillment in her present life and work. Although she acknowledges all the advantages of her new post, she cannot help feeling desolate. This indicates the conflict in her life, as well as her growing depression. She cannot reconcile herself to a life without love, St. John's emphatic arguments notwithstanding. In this chapter Bronte introduces the reader to another type of beauty in the person of Rosamond Oliver. Like Adele, Rosamond has the miniature charm of a doll. She is described in flat and trite terms, which indicate that she cannot offer much beyond her good looks: \"Perfect beauty is a strong expression; but I do not retrace or qualify it. . . No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full. . . the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses,--all advantages, in short, which, combined, realize the ideal of beauty, were fully hers.\" Her lack of emotional or intellectual maturity is indicated by her voice, which has \"a direct and naive simplicity of tone and manner, pleasing, if child-like.\" Even her name is carefully chosen. Rosamond means \"the rose of the world.\" Charlotte Bronte handles Rosamond's relationship with St. John in a skillful manner. Jane notices his response to Rosamond's presence. She sees \"his solemn eye melt with sudden fire, and flicker with resistless emotion.\" However, Rosamond is an earthly beauty, and St. John refuses to follow nature by marrying this delightful girl who loves him. In fact, he despises himself for loving because such love represents self-indulgence and would conflict with his plan of going to India as a missionary. This particular self-denying attitude would have been acclaimed as noble and right by some people in the Victorian age."}

My home, then, when I at last find a home,--is a cottage; a little room with whitewashed walls and a sanded floor, containing four painted chairs and a table, a clock, a cupboard, with two or three plates and dishes, and a set of tea-things in delf. Above, a chamber of the same dimensions as the kitchen, with a deal bedstead and chest of drawers; small, yet too large to be filled with my scanty wardrobe: though the kindness of my gentle and generous friends has increased that, by a modest stock of such things as are necessary. It is evening. I have dismissed, with the fee of an orange, the little orphan who serves me as a handmaid. I am sitting alone on the hearth. This morning, the village school opened. I had twenty scholars. But three of the number can read: none write or cipher. Several knit, and a few sew a little. They speak with the broadest accent of the district. At present, they and I have a difficulty in understanding each other's language. Some of them are unmannered, rough, intractable, as well as ignorant; but others are docile, have a wish to learn, and evince a disposition that pleases me. I must not forget that these coarsely-clad little peasants are of flesh and blood as good as the scions of gentlest genealogy; and that the germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best-born. My duty will be to develop these germs: surely I shall find some happiness in discharging that office. Much enjoyment I do not expect in the life opening before me: yet it will, doubtless, if I regulate my mind, and exert my powers as I ought, yield me enough to live on from day to day. Was I very gleeful, settled, content, during the hours I passed in yonder bare, humble schoolroom this morning and afternoon? Not to deceive myself, I must reply--No: I felt desolate to a degree. I felt--yes, idiot that I am--I felt degraded. I doubted I had taken a step which sank instead of raising me in the scale of social existence. I was weakly dismayed at the ignorance, the poverty, the coarseness of all I heard and saw round me. But let me not hate and despise myself too much for these feelings; I know them to be wrong--that is a great step gained; I shall strive to overcome them. To-morrow, I trust, I shall get the better of them partially; and in a few weeks, perhaps, they will be quite subdued. In a few months, it is possible, the happiness of seeing progress, and a change for the better in my scholars may substitute gratification for disgust. Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He _did_ love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour--suffocating with the bitterest tears of remorse and shame the next--or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance! Having brought my eventide musings to this point, I rose, went to my door, and looked at the sunset of the harvest-day, and at the quiet fields before my cottage, which, with the school, was distant half a mile from the village. The birds were singing their last strains-- "The air was mild, the dew was balm." While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in. "No, I cannot stay; I have only brought you a little parcel my sisters left for you. I think it contains a colour-box, pencils, and paper." I approached to take it: a welcome gift it was. He examined my face, I thought, with austerity, as I came near: the traces of tears were doubtless very visible upon it. "Have you found your first day's work harder than you expected?" he asked. "Oh, no! On the contrary, I think in time I shall get on with my scholars very well." "But perhaps your accommodations--your cottage--your furniture--have disappointed your expectations? They are, in truth, scanty enough; but--" I interrupted-- "My cottage is clean and weather-proof; my furniture sufficient and commodious. All I see has made me thankful, not despondent. I am not absolutely such a fool and sensualist as to regret the absence of a carpet, a sofa, and silver plate; besides, five weeks ago I had nothing--I was an outcast, a beggar, a vagrant; now I have acquaintance, a home, a business. I wonder at the goodness of God; the generosity of my friends; the bounty of my lot. I do not repine." "But you feel solitude an oppression? The little house there behind you is dark and empty." "I have hardly had time yet to enjoy a sense of tranquillity, much less to grow impatient under one of loneliness." "Very well; I hope you feel the content you express: at any rate, your good sense will tell you that it is too soon yet to yield to the vacillating fears of Lot's wife. What you had left before I saw you, of course I do not know; but I counsel you to resist firmly every temptation which would incline you to look back: pursue your present career steadily, for some months at least." "It is what I mean to do," I answered. St. John continued-- "It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it. "A year ago I was myself intensely miserable, because I thought I had made a mistake in entering the ministry: its uniform duties wearied me to death. I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. God had an errand for me; to bear which afar, to deliver it well, skill and strength, courage and eloquence, the best qualifications of soldier, statesman, and orator, were all needed: for these all centre in the good missionary. "A missionary I resolved to be. From that moment my state of mind changed; the fetters dissolved and dropped from every faculty, leaving nothing of bondage but its galling soreness--which time only can heal. My father, indeed, imposed the determination, but since his death, I have not a legitimate obstacle to contend with; some affairs settled, a successor for Morton provided, an entanglement or two of the feelings broken through or cut asunder--a last conflict with human weakness, in which I know I shall overcome, because I have vowed that I _will_ overcome--and I leave Europe for the East." He said this, in his peculiar, subdued, yet emphatic voice; looking, when he had ceased speaking, not at me, but at the setting sun, at which I looked too. Both he and I had our backs towards the path leading up the field to the wicket. We had heard no step on that grass-grown track; the water running in the vale was the one lulling sound of the hour and scene; we might well then start when a gay voice, sweet as a silver bell, exclaimed-- "Good evening, Mr. Rivers. And good evening, old Carlo. Your dog is quicker to recognise his friends than you are, sir; he pricked his ears and wagged his tail when I was at the bottom of the field, and you have your back towards me now." It was true. Though Mr. Rivers had started at the first of those musical accents, as if a thunderbolt had split a cloud over his head, he stood yet, at the close of the sentence, in the same attitude in which the speaker had surprised him--his arm resting on the gate, his face directed towards the west. He turned at last, with measured deliberation. A vision, as it seemed to me, had risen at his side. There appeared, within three feet of him, a form clad in pure white--a youthful, graceful form: full, yet fine in contour; and when, after bending to caress Carlo, it lifted up its head, and threw back a long veil, there bloomed under his glance a face of perfect beauty. Perfect beauty is a strong expression; but I do not retrace or qualify it: as sweet features as ever the temperate clime of Albion moulded; as pure hues of rose and lily as ever her humid gales and vapoury skies generated and screened, justified, in this instance, the term. No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a partial mood; and, forgetting her usual stinted step-mother dole of gifts, had endowed this, her darling, with a grand-dame's bounty. What did St. John Rivers think of this earthly angel? I naturally asked myself that question as I saw him turn to her and look at her; and, as naturally, I sought the answer to the inquiry in his countenance. He had already withdrawn his eye from the Peri, and was looking at a humble tuft of daisies which grew by the wicket. "A lovely evening, but late for you to be out alone," he said, as he crushed the snowy heads of the closed flowers with his foot. "Oh, I only came home from S-" (she mentioned the name of a large town some twenty miles distant) "this afternoon. Papa told me you had opened your school, and that the new mistress was come; and so I put on my bonnet after tea, and ran up the valley to see her: this is she?" pointing to me. "It is," said St. John. "Do you think you shall like Morton?" she asked of me, with a direct and naive simplicity of tone and manner, pleasing, if child-like. "I hope I shall. I have many inducements to do so." "Did you find your scholars as attentive as you expected?" "Quite." "Do you like your house?" "Very much." "Have I furnished it nicely?" "Very nicely, indeed." "And made a good choice of an attendant for you in Alice Wood?" "You have indeed. She is teachable and handy." (This then, I thought, is Miss Oliver, the heiress; favoured, it seems, in the gifts of fortune, as well as in those of nature! What happy combination of the planets presided over her birth, I wonder?) "I shall come up and help you to teach sometimes," she added. "It will be a change for me to visit you now and then; and I like a change. Mr. Rivers, I have been _so_ gay during my stay at S-. Last night, or rather this morning, I was dancing till two o'clock. The ---th regiment are stationed there since the riots; and the officers are the most agreeable men in the world: they put all our young knife-grinders and scissor merchants to shame." It seemed to me that Mr. St. John's under lip protruded, and his upper lip curled a moment. His mouth certainly looked a good deal compressed, and the lower part of his face unusually stern and square, as the laughing girl gave him this information. He lifted his gaze, too, from the daisies, and turned it on her. An unsmiling, a searching, a meaning gaze it was. She answered it with a second laugh, and laughter well became her youth, her roses, her dimples, her bright eyes. As he stood, mute and grave, she again fell to caressing Carlo. "Poor Carlo loves me," said she. "_He_ is not stern and distant to his friends; and if he could speak, he would not be silent." As she patted the dog's head, bending with native grace before his young and austere master, I saw a glow rise to that master's face. I saw his solemn eye melt with sudden fire, and flicker with resistless emotion. Flushed and kindled thus, he looked nearly as beautiful for a man as she for a woman. His chest heaved once, as if his large heart, weary of despotic constriction, had expanded, despite the will, and made a vigorous bound for the attainment of liberty. But he curbed it, I think, as a resolute rider would curb a rearing steed. He responded neither by word nor movement to the gentle advances made him. "Papa says you never come to see us now," continued Miss Oliver, looking up. "You are quite a stranger at Vale Hall. He is alone this evening, and not very well: will you return with me and visit him?" "It is not a seasonable hour to intrude on Mr. Oliver," answered St. John. "Not a seasonable hour! But I declare it is. It is just the hour when papa most wants company: when the works are closed and he has no business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very shy, and so very sombre?" She filled up the hiatus his silence left by a reply of her own. "I forgot!" she exclaimed, shaking her beautiful curled head, as if shocked at herself. "I am so giddy and thoughtless! _Do_ excuse me. It had slipped my memory that you have good reasons to be indisposed for joining in my chatter. Diana and Mary have left you, and Moor House is shut up, and you are so lonely. I am sure I pity you. Do come and see papa." "Not to-night, Miss Rosamond, not to-night." Mr. St. John spoke almost like an automaton: himself only knew the effort it cost him thus to refuse. "Well, if you are so obstinate, I will leave you; for I dare not stay any longer: the dew begins to fall. Good evening!" She held out her hand. He just touched it. "Good evening!" he repeated, in a voice low and hollow as an echo. She turned, but in a moment returned. "Are you well?" she asked. Well might she put the question: his face was blanched as her gown. "Quite well," he enunciated; and, with a bow, he left the gate. She went one way; he another. She turned twice to gaze after him as she tripped fairy-like down the field; he, as he strode firmly across, never turned at all. This spectacle of another's suffering and sacrifice rapt my thoughts from exclusive meditation on my own. Diana Rivers had designated her brother "inexorable as death." She had not exaggerated.

Chapter 31

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre58.asp

Jane starts her work in the village school at Morton. She contemplates her future. She has already become aware of the ignorance and lack of refinement in her pupils. Although she is aware of her own feelings of isolation and depression, she is sure that in time she will learn to love her work. She thanks God that she left Thornfield, but she cannot help shedding tears when she thinks of Mr. Rochester. However, she concludes that the life of a humble schoolmistress is more respectable than a life of a mistress. One day at the school Jane suddenly becomes conscious of St. John's presence. He has come to deliver to her a parcel from his sisters. St. John admonishes Jane to look to the future to compensate for the losses of the past. He confesses to her something of his own struggle to accept the fate of a clergyman. He relates that he had wanted to pursue literature, but then yielded to a life of selfless devotion to others. St. John believes that God called him to take this difficult path, and he is now determined to become a missionary in the East. While they are engaged in conversation, Miss Rosamond Oliver, the beautiful daughter of the local landowner and industrialist, pays them a visit. She is also the benefactress of the school and has come to find out how Jane likes her new home and assistant. Jane senses that Miss Oliver is attracted to St. John Rivers, but he seems to curb his desires, as they may clash with his career plans.

Notes The author now presents Jane's lack of a sense of fulfillment in her present life and work. Although she acknowledges all the advantages of her new post, she cannot help feeling desolate. This indicates the conflict in her life, as well as her growing depression. She cannot reconcile herself to a life without love, St. John's emphatic arguments notwithstanding. In this chapter Bronte introduces the reader to another type of beauty in the person of Rosamond Oliver. Like Adele, Rosamond has the miniature charm of a doll. She is described in flat and trite terms, which indicate that she cannot offer much beyond her good looks: "Perfect beauty is a strong expression; but I do not retrace or qualify it. . . No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full. . . the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses,--all advantages, in short, which, combined, realize the ideal of beauty, were fully hers." Her lack of emotional or intellectual maturity is indicated by her voice, which has "a direct and naive simplicity of tone and manner, pleasing, if child-like." Even her name is carefully chosen. Rosamond means "the rose of the world." Charlotte Bronte handles Rosamond's relationship with St. John in a skillful manner. Jane notices his response to Rosamond's presence. She sees "his solemn eye melt with sudden fire, and flicker with resistless emotion." However, Rosamond is an earthly beauty, and St. John refuses to follow nature by marrying this delightful girl who loves him. In fact, he despises himself for loving because such love represents self-indulgence and would conflict with his plan of going to India as a missionary. This particular self-denying attitude would have been acclaimed as noble and right by some people in the Victorian age.

pinkmonkey

all_chapterized_books/1260-chapters/33.txt

finished_summaries/pinkmonkey/Jane Eyre/section_31_part_0.txt

Jane Eyre.volume 3.chapter 32

chapter 32

{"name": "Chapter 32", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre60.asp", "summary": "Jane settles down in the village school and becomes a popular schoolmistress. Her days pass pleasantly, but her nights are tormented by dreams of Mr. Rochester. St. John visits the school everyday to give his catechism lesson, and Rosamond times her visits to coincide with his. The fact that he is secretly attracted to Rosamond is not hidden from Jane. She herself admires Rosamond's beauty and sketches her portrait. Mr. Oliver appreciates Jane's talents and invites her to his house. She learns that Mr. Oliver is eager to have his daughter married to St. John. Showing Rosamond's portrait, Jane broaches the subject to St. John during one of his visits. St. John admits his love for Rosamond but declares that she will not make a good wife for a missionary. He admits that he is a \"hard\" and \"cold\" man and that he will never compromise his Christian ideals. His attention is caught by something written on a piece of paper on Jane's desk. He hastily tears off a portion of it and leaves.", "analysis": "Notes This chapter shows both Jane and St. John suppressing their true emotions. St. John seems to be suffering from denying his natural impulses and passions. Jane also suffers, but she never denies her true feelings. Jane compares John's suppression to a different kind of fire. His \"heart is already laid on a sacred altar: the fire is arranged around it.\" St. John is reminiscent of the spirit of Lowood and Mr. Brocklehurst, but he is no hypocrite. Brocklehurst advocates mortification of the flesh for others, but he himself makes no sacrifices. St. John, on the other hand, is harder on himself than on any one else. He does not want Jane's sympathy and is unsparing in his self-critique: \"When I colour and when I shake before Miss Oliver, I do not pity myself, I scorn the weakness. I know it is ignoble: a mere fever of the flesh ...\" He boasts to Jane that he is \"a cold, hard man.\" When he says arrogantly, \"Reason, and not feeling, is my guide,\" the reader is reminded of Jane's cousin, Eliza, in whom Jane had observed a \"judgment untempered by feeling.\" St. John Rivers is quite disconcerted to be spoken to so boldly and bluntly by Jane. He acknowledges her originality and sees something brave in her spirit. Charlotte Bronte reveals Miss Oliver's character in greater detail. Rosamond takes to Jane with \"an amiable caprice.\" In her character there is no mystery or disguise. She is coquettish, good humored, literal minded, sufficiently intelligent and very charming. But she is not \"profoundly interesting or thoroughly impressive.\" Jane likes her the way she liked her pupil Adele. Jane notices that when disappointed in her flirtation with St. John, Rosamond sulks \"like a disappointed child.\" However, Jane is not blind to the fact that in Rosamond, beauty is not allied with strong character and profound intelligence. Jane observes: \"A very different sort of mind was hers from that of the sisters of St. John."}

I continued the labours of the village-school as actively and faithfully as I could. It was truly hard work at first. Some time elapsed before, with all my efforts, I could comprehend my scholars and their nature. Wholly untaught, with faculties quite torpid, they seemed to me hopelessly dull; and, at first sight, all dull alike: but I soon found I was mistaken. There was a difference amongst them as amongst the educated; and when I got to know them, and they me, this difference rapidly developed itself. Their amazement at me, my language, my rules, and ways, once subsided, I found some of these heavy-looking, gaping rustics wake up into sharp-witted girls enough. Many showed themselves obliging, and amiable too; and I discovered amongst them not a few examples of natural politeness, and innate self-respect, as well as of excellent capacity, that won both my goodwill and my admiration. These soon took a pleasure in doing their work well, in keeping their persons neat, in learning their tasks regularly, in acquiring quiet and orderly manners. The rapidity of their progress, in some instances, was even surprising; and an honest and happy pride I took in it: besides, I began personally to like some of the best girls; and they liked me. I had amongst my scholars several farmers' daughters: young women grown, almost. These could already read, write, and sew; and to them I taught the elements of grammar, geography, history, and the finer kinds of needlework. I found estimable characters amongst them--characters desirous of information and disposed for improvement--with whom I passed many a pleasant evening hour in their own homes. Their parents then (the farmer and his wife) loaded me with attentions. There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration--a scrupulous regard to their feelings--to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received. I felt I became a favourite in the neighbourhood. Whenever I went out, I heard on all sides cordial salutations, and was welcomed with friendly smiles. To live amidst general regard, though it be but the regard of working people, is like "sitting in sunshine, calm and sweet;" serene inward feelings bud and bloom under the ray. At this period of my life, my heart far oftener swelled with thankfulness than sank with dejection: and yet, reader, to tell you all, in the midst of this calm, this useful existence--after a day passed in honourable exertion amongst my scholars, an evening spent in drawing or reading contentedly alone--I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion. By nine o'clock the next morning I was punctually opening the school; tranquil, settled, prepared for the steady duties of the day. Rosamond Oliver kept her word in coming to visit me. Her call at the school was generally made in the course of her morning ride. She would canter up to the door on her pony, followed by a mounted livery servant. Anything more exquisite than her appearance, in her purple habit, with her Amazon's cap of black velvet placed gracefully above the long curls that kissed her cheek and floated to her shoulders, can scarcely be imagined: and it was thus she would enter the rustic building, and glide through the dazzled ranks of the village children. She generally came at the hour when Mr. Rivers was engaged in giving his daily catechising lesson. Keenly, I fear, did the eye of the visitress pierce the young pastor's heart. A sort of instinct seemed to warn him of her entrance, even when he did not see it; and when he was looking quite away from the door, if she appeared at it, his cheek would glow, and his marble-seeming features, though they refused to relax, changed indescribably, and in their very quiescence became expressive of a repressed fervour, stronger than working muscle or darting glance could indicate. Of course, she knew her power: indeed, he did not, because he could not, conceal it from her. In spite of his Christian stoicism, when she went up and addressed him, and smiled gaily, encouragingly, even fondly in his face, his hand would tremble and his eye burn. He seemed to say, with his sad and resolute look, if he did not say it with his lips, "I love you, and I know you prefer me. It is not despair of success that keeps me dumb. If I offered my heart, I believe you would accept it. But that heart is already laid on a sacred altar: the fire is arranged round it. It will soon be no more than a sacrifice consumed." And then she would pout like a disappointed child; a pensive cloud would soften her radiant vivacity; she would withdraw her hand hastily from his, and turn in transient petulance from his aspect, at once so heroic and so martyr-like. St. John, no doubt, would have given the world to follow, recall, retain her, when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise. Besides, he could not bind all that he had in his nature--the rover, the aspirant, the poet, the priest--in the limits of a single passion. He could not--he would not--renounce his wild field of mission warfare for the parlours and the peace of Vale Hall. I learnt so much from himself in an inroad I once, despite his reserve, had the daring to make on his confidence. Miss Oliver already honoured me with frequent visits to my cottage. I had learnt her whole character, which was without mystery or disguise: she was coquettish but not heartless; exacting, but not worthlessly selfish. She had been indulged from her birth, but was not absolutely spoilt. She was hasty, but good-humoured; vain (she could not help it, when every glance in the glass showed her such a flush of loveliness), but not affected; liberal-handed; innocent of the pride of wealth; ingenuous; sufficiently intelligent; gay, lively, and unthinking: she was very charming, in short, even to a cool observer of her own sex like me; but she was not profoundly interesting or thoroughly impressive. A very different sort of mind was hers from that, for instance, of the sisters of St. John. Still, I liked her almost as I liked my pupil Adele; except that, for a child whom we have watched over and taught, a closer affection is engendered than we can give an equally attractive adult acquaintance. She had taken an amiable caprice to me. She said I was like Mr. Rivers, only, certainly, she allowed, "not one-tenth so handsome, though I was a nice neat little soul enough, but he was an angel." I was, however, good, clever, composed, and firm, like him. I was a _lusus naturae_, she affirmed, as a village schoolmistress: she was sure my previous history, if known, would make a delightful romance. One evening, while, with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed with surprise, and then electrified with delight. "Had I done these pictures? Did I know French and German? What a love--what a miracle I was! I drew better than her master in the first school in S-. Would I sketch a portrait of her, to show to papa?" "With pleasure," I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. I took a sheet of fine card-board, and drew a careful outline. I promised myself the pleasure of colouring it; and, as it was getting late then, I told her she must come and sit another day. She made such a report of me to her father, that Mr. Oliver himself accompanied her next evening--a tall, massive-featured, middle-aged, and grey-headed man, at whose side his lovely daughter looked like a bright flower near a hoary turret. He appeared a taciturn, and perhaps a proud personage; but he was very kind to me. The sketch of Rosamond's portrait pleased him highly: he said I must make a finished picture of it. He insisted, too, on my coming the next day to spend the evening at Vale Hall. I went. I found it a large, handsome residence, showing abundant evidences of wealth in the proprietor. Rosamond was full of glee and pleasure all the time I stayed. Her father was affable; and when he entered into conversation with me after tea, he expressed in strong terms his approbation of what I had done in Morton school, and said he only feared, from what he saw and heard, I was too good for the place, and would soon quit it for one more suitable. "Indeed," cried Rosamond, "she is clever enough to be a governess in a high family, papa." I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers--of the Rivers family--with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond's union with St. John. Mr. Oliver evidently regarded the young clergyman's good birth, old name, and sacred profession as sufficient compensation for the want of fortune. It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright--scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would. The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver's miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips--a soft curl here and there to the tresses--a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers. "I am come to see how you are spending your holiday," he said. "Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace," and he laid on the table a new publication--a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days--the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell--the hell of your own meanness. While I was eagerly glancing at the bright pages of "Marmion" (for "Marmion" it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could. "With all his firmness and self-control," thought I, "he tasks himself too far: locks every feeling and pang within--expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk." I said first, "Take a chair, Mr. Rivers." But he answered, as he always did, that he could not stay. "Very well," I responded, mentally, "stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I'll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy." "Is this portrait like?" I asked bluntly. "Like! Like whom? I did not observe it closely." "You did, Mr. Rivers." He almost started at my sudden and strange abruptness: he looked at me astonished. "Oh, that is nothing yet," I muttered within. "I don't mean to be baffled by a little stiffness on your part; I'm prepared to go to considerable lengths." I continued, "You observed it closely and distinctly; but I have no objection to your looking at it again," and I rose and placed it in his hand. "A well-executed picture," he said; "very soft, clear colouring; very graceful and correct drawing." "Yes, yes; I know all that. But what of the resemblance? Who is it like?" Mastering some hesitation, he answered, "Miss Oliver, I presume." "Of course. And now, sir, to reward you for the accurate guess, I will promise to paint you a careful and faithful duplicate of this very picture, provided you admit that the gift would be acceptable to you. I don't wish to throw away my time and trouble on an offering you would deem worthless." He continued to gaze at the picture: the longer he looked, the firmer he held it, the more he seemed to covet it. "It is like!" he murmured; "the eye is well managed: the colour, light, expression, are perfect. It smiles!" "Would it comfort, or would it wound you to have a similar painting? Tell me that. When you are at Madagascar, or at the Cape, or in India, would it be a consolation to have that memento in your possession? or would the sight of it bring recollections calculated to enervate and distress?" He now furtively raised his eyes: he glanced at me, irresolute, disturbed: he again surveyed the picture. "That I should like to have it is certain: whether it would be judicious or wise is another question." Since I had ascertained that Rosamond really preferred him, and that her father was not likely to oppose the match, I--less exalted in my views than St. John--had been strongly disposed in my own heart to advocate their union. It seemed to me that, should he become the possessor of Mr. Oliver's large fortune, he might do as much good with it as if he went and laid his genius out to wither, and his strength to waste, under a tropical sun. With this persuasion I now answered-- "As far as I can see, it would be wiser and more judicious if you were to take to yourself the original at once." By this time he had sat down: he had laid the picture on the table before him, and with his brow supported on both hands, hung fondly over it. I discerned he was now neither angry nor shocked at my audacity. I saw even that to be thus frankly addressed on a subject he had deemed unapproachable--to hear it thus freely handled--was beginning to be felt by him as a new pleasure--an unhoped-for relief. Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all; and to "burst" with boldness and good-will into "the silent sea" of their souls is often to confer on them the first of obligations. "She likes you, I am sure," said I, as I stood behind his chair, "and her father respects you. Moreover, she is a sweet girl--rather thoughtless; but you would have sufficient thought for both yourself and her. You ought to marry her." "_Does_ she like me?" he asked. "Certainly; better than she likes any one else. She talks of you continually: there is no subject she enjoys so much or touches upon so often." "It is very pleasant to hear this," he said--"very: go on for another quarter of an hour." And he actually took out his watch and laid it upon the table to measure the time. "But where is the use of going on," I asked, "when you are probably preparing some iron blow of contradiction, or forging a fresh chain to fetter your heart?" "Don't imagine such hard things. Fancy me yielding and melting, as I am doing: human love rising like a freshly opened fountain in my mind and overflowing with sweet inundation all the field I have so carefully and with such labour prepared--so assiduously sown with the seeds of good intentions, of self-denying plans. And now it is deluged with a nectarous flood--the young germs swamped--delicious poison cankering them: now I see myself stretched on an ottoman in the drawing-room at Vale Hall at my bride Rosamond Oliver's feet: she is talking to me with her sweet voice--gazing down on me with those eyes your skilful hand has copied so well--smiling at me with these coral lips. She is mine--I am hers--this present life and passing world suffice to me. Hush! say nothing--my heart is full of delight--my senses are entranced--let the time I marked pass in peace." I humoured him: the watch ticked on: he breathed fast and low: I stood silent. Amidst this hush the quartet sped; he replaced the watch, laid the picture down, rose, and stood on the hearth. "Now," said he, "that little space was given to delirium and delusion. I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers. I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow--her offers false: I see and know all this." I gazed at him in wonder. "It is strange," pursued he, "that while I love Rosamond Oliver so wildly--with all the intensity, indeed, of a first passion, the object of which is exquisitely beautiful, graceful, fascinating--I experience at the same time a calm, unwarped consciousness that she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. This I know." "Strange indeed!" I could not help ejaculating. "While something in me," he went on, "is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to--co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary's wife? No!" "But you need not be a missionary. You might relinquish that scheme." "Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race--of carrying knowledge into the realms of ignorance--of substituting peace for war--freedom for bondage--religion for superstition--the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for." After a considerable pause, I said--"And Miss Oliver? Are her disappointment and sorrow of no interest to you?" "Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do." "You speak coolly enough; but you suffer in the conflict. You are wasting away." "No. If I get a little thin, it is with anxiety about my prospects, yet unsettled--my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six." "You tremble and become flushed whenever Miss Oliver enters the schoolroom." Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone. "You are original," said he, "and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. _That_ is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am--a cold hard man." I smiled incredulously. "You have taken my confidence by storm," he continued, "and now it is much at your service. I am simply, in my original state--stripped of that blood-bleached robe with which Christianity covers human deformity--a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer." "You would describe yourself as a mere pagan philosopher," I said. "No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher--a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:--From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master's kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated 'till this mortal shall put on immortality.'" Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait. "She _is_ lovely," he murmured. "She is well named the Rose of the World, indeed!" "And may I not paint one like it for you?" "_Cui bono_? No." He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was. "What is the matter?" I asked. "Nothing in the world," was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and "good-afternoon," he vanished. "Well!" I exclaimed, using an expression of the district, "that caps the globe, however!" I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.

Chapter 32

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre60.asp

Jane settles down in the village school and becomes a popular schoolmistress. Her days pass pleasantly, but her nights are tormented by dreams of Mr. Rochester. St. John visits the school everyday to give his catechism lesson, and Rosamond times her visits to coincide with his. The fact that he is secretly attracted to Rosamond is not hidden from Jane. She herself admires Rosamond's beauty and sketches her portrait. Mr. Oliver appreciates Jane's talents and invites her to his house. She learns that Mr. Oliver is eager to have his daughter married to St. John. Showing Rosamond's portrait, Jane broaches the subject to St. John during one of his visits. St. John admits his love for Rosamond but declares that she will not make a good wife for a missionary. He admits that he is a "hard" and "cold" man and that he will never compromise his Christian ideals. His attention is caught by something written on a piece of paper on Jane's desk. He hastily tears off a portion of it and leaves.

Notes This chapter shows both Jane and St. John suppressing their true emotions. St. John seems to be suffering from denying his natural impulses and passions. Jane also suffers, but she never denies her true feelings. Jane compares John's suppression to a different kind of fire. His "heart is already laid on a sacred altar: the fire is arranged around it." St. John is reminiscent of the spirit of Lowood and Mr. Brocklehurst, but he is no hypocrite. Brocklehurst advocates mortification of the flesh for others, but he himself makes no sacrifices. St. John, on the other hand, is harder on himself than on any one else. He does not want Jane's sympathy and is unsparing in his self-critique: "When I colour and when I shake before Miss Oliver, I do not pity myself, I scorn the weakness. I know it is ignoble: a mere fever of the flesh ..." He boasts to Jane that he is "a cold, hard man." When he says arrogantly, "Reason, and not feeling, is my guide," the reader is reminded of Jane's cousin, Eliza, in whom Jane had observed a "judgment untempered by feeling." St. John Rivers is quite disconcerted to be spoken to so boldly and bluntly by Jane. He acknowledges her originality and sees something brave in her spirit. Charlotte Bronte reveals Miss Oliver's character in greater detail. Rosamond takes to Jane with "an amiable caprice." In her character there is no mystery or disguise. She is coquettish, good humored, literal minded, sufficiently intelligent and very charming. But she is not "profoundly interesting or thoroughly impressive." Jane likes her the way she liked her pupil Adele. Jane notices that when disappointed in her flirtation with St. John, Rosamond sulks "like a disappointed child." However, Jane is not blind to the fact that in Rosamond, beauty is not allied with strong character and profound intelligence. Jane observes: "A very different sort of mind was hers from that of the sisters of St. John.

pinkmonkey

all_chapterized_books/1260-chapters/34.txt

finished_summaries/pinkmonkey/Jane Eyre/section_32_part_0.txt

Jane Eyre.volume 3.chapter 33

chapter 33

{"name": "Chapter 33", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre61.asp", "summary": "The next evening, St. John makes his way through the snow with some important news for Jane. He has received a letter from Mr. Briggs, a lawyer, inquiring about a person called Jane Eyre, whose history strongly resembles hers. He even narrates the account of her story and reveals that he knows her real name, which she had written on the slip of paper he took from her desk. The solicitor wants to locate her as her uncle, Mr. Eyre of Madeira, has died, leaving her his entire fortune of twenty-thousand pounds. He explains that they are, in fact, cousins. At first Jane is saddened at the news of her uncle's death, and then she is delighted to know that her father is St. John Rivers' uncle. Jane is thrilled to have a family of her own. But St. John thinks that her joy is due to the fact that she has gained such a large sum of money. Jane thinks of the ways in which she would like to spend the inheritance. She plans to distribute the amount equally between St. John, Diana, Mary and herself. St. John raises objections, but they are brushed aside by Jane. She wonders if the wealth will enable St. John to marry Miss Oliver. She decides to settle in at Moor House. Both Jane and St. John marvel at the fact that they are related to each other. While Jane is glad to have him as a brother, St. John merely admits that he has found her company pleasing. For the present, Jane decides to continue her work at Morton School until someone else can take over.", "analysis": "Notes The chapter reveals the basic incompatibility between St. John and Jane. It is like the incompatibility of fire with water. St. John visits Jane's little cottage in a snowstorm. He brings her the news of her inheritance and reveals important details of family history. Jane has never seen such a \"tall figure white as a glacier.\" His handsome face looks \"more like a chiseled marble. \" The firelight shines free on his pale brow and pale cheek. The fireside proves favorable for confidences and revelations, but Jane has to insist before St. John Rivers speaks frankly. In their exchange there is a significant play on \"fire\" and \"ice.\" He tells her that he is \"a hard man.\" She replies that she is \"a hard woman, impossible to be put off.\" He says that he is \"cold\" and that \"no fervour\" infects him. She tells him that she is \"hot and fire dissolves ice. \" There is also much humor in the conversation that reveals their clashing interests. Jane is anxious to get news of Mr. Rochester while St. John is determined to concentrate on the affairs of Mr. Briggs, the lawyer. Jane is excited to have three blood relations, whereas St. John assumes her to be excited to receive her inheritance."}

When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down "Marmion," and beginning-- "Day set on Norham's castled steep, And Tweed's fair river broad and deep, And Cheviot's mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone"-- I soon forgot storm in music. I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane--the howling darkness--and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night. "Any ill news?" I demanded. "Has anything happened?" "No. How very easily alarmed you are!" he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots. "I shall sully the purity of your floor," said he, "but you must excuse me for once." Then he approached the fire. "I have had hard work to get here, I assure you," he observed, as he warmed his hands over the flame. "One drift took me up to the waist; happily the snow is quite soft yet." "But why are you come?" I could not forbear saying. "Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel." He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say-- "I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health." "Not at all," said he: "I care for myself when necessary. I am well now. What do you see amiss in me?" This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced. He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him. "No, no!" he responded shortly and somewhat testily. "Well," I reflected, "if you won't talk, you may be still; I'll let you alone now, and return to my book." So I snuffed the candle and resumed the perusal of "Marmion." He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would. "Have you heard from Diana and Mary lately?" "Not since the letter I showed you a week ago." "There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?" "I fear not, indeed: such chance is too good to befall me." Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars. "Mary Garrett's mother is better, and Mary came back to the school this morning, and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow." "Indeed!" "Mr. Oliver pays for two." "Does he?" "He means to give the whole school a treat at Christmas." "I know." "Was it your suggestion?" "No." "Whose, then?" "His daughter's, I think." "It is like her: she is so good-natured." "Yes." Again came the blank of a pause: the clock struck eight strokes. It aroused him; he uncrossed his legs, sat erect, turned to me. "Leave your book a moment, and come a little nearer the fire," he said. Wondering, and of my wonder finding no end, I complied. "Half-an-hour ago," he pursued, "I spoke of my impatience to hear the sequel of a tale: on reflection, I find the matter will be better managed by my assuming the narrator's part, and converting you into a listener. Before commencing, it is but fair to warn you that the story will sound somewhat hackneyed in your ears; but stale details often regain a degree of freshness when they pass through new lips. For the rest, whether trite or novel, it is short. "Twenty years ago, a poor curate--never mind his name at this moment--fell in love with a rich man's daughter; she fell in love with him, and married him, against the advice of all her friends, who consequently disowned her immediately after the wedding. Before two years passed, the rash pair were both dead, and laid quietly side by side under one slab. (I have seen their grave; it formed part of the pavement of a huge churchyard surrounding the grim, soot-black old cathedral of an overgrown manufacturing town in ---shire.) They left a daughter, which, at its very birth, Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night. Charity carried the friendless thing to the house of its rich maternal relations; it was reared by an aunt-in- law, called (I come to names now) Mrs. Reed of Gateshead. You start--did you hear a noise? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom: it was a barn before I had it repaired and altered, and barns are generally haunted by rats.--To proceed. Mrs. Reed kept the orphan ten years: whether it was happy or not with her, I cannot say, never having been told; but at the end of that time she transferred it to a place you know--being no other than Lowood School, where you so long resided yourself. It seems her career there was very honourable: from a pupil, she became a teacher, like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess: there, again, your fates were analogous; she undertook the education of the ward of a certain Mr. Rochester." "Mr. Rivers!" I interrupted. "I can guess your feelings," he said, "but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester's character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone--no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?" "Just tell me this," said I, "and since you know so much, you surely can tell it me--what of Mr. Rochester? How and where is he? What is he doing? Is he well?" "I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess--the nature of the event which requires her appearance." "Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?" "I suppose not." "But they wrote to him?" "Of course." "And what did he say? Who has his letters?" "Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed 'Alice Fairfax.'" I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!" "He must have been a bad man," observed Mr. Rivers. "You don't know him--don't pronounce an opinion upon him," I said, with warmth. "Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord. Stay! I have it here--it is always more satisfactory to see important points written down, fairly committed to black and white." And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words "JANE EYRE"--the work doubtless of some moment of abstraction. "Briggs wrote to me of a Jane Eyre:" he said, "the advertisements demanded a Jane Eyre: I knew a Jane Elliott.--I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the _alias_?" "Yes--yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do." "Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you--what he wanted with you." "Well, what did he want?" "Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich--merely that--nothing more." "I!--rich?" "Yes, you, rich--quite an heiress." Silence succeeded. "You must prove your identity of course," resumed St. John presently: "a step which will offer no difficulties; you can then enter on immediate possession. Your fortune is vested in the English funds; Briggs has the will and the necessary documents." Here was a new card turned up! It is a fine thing, reader, to be lifted in a moment from indigence to wealth--a very fine thing; but not a matter one can comprehend, or consequently enjoy, all at once. And then there are other chances in life far more thrilling and rapture-giving: _this_ is solid, an affair of the actual world, nothing ideal about it: all its associations are solid and sober, and its manifestations are the same. One does not jump, and spring, and shout hurrah! at hearing one has got a fortune; one begins to consider responsibilities, and to ponder business; on a base of steady satisfaction rise certain grave cares, and we contain ourselves, and brood over our bliss with a solemn brow. Besides, the words Legacy, Bequest, go side by side with the words, Death, Funeral. My uncle I had heard was dead--my only relative; ever since being made aware of his existence, I had cherished the hope of one day seeing him: now, I never should. And then this money came only to me: not to me and a rejoicing family, but to my isolated self. It was a grand boon doubtless; and independence would be glorious--yes, I felt that--that thought swelled my heart. "You unbend your forehead at last," said Mr. Rivers. "I thought Medusa had looked at you, and that you were turning to stone. Perhaps now you will ask how much you are worth?" "How much am I worth?" "Oh, a trifle! Nothing of course to speak of--twenty thousand pounds, I think they say--but what is that?" "Twenty thousand pounds?" Here was a new stunner--I had been calculating on four or five thousand. This news actually took my breath for a moment: Mr. St. John, whom I had never heard laugh before, laughed now. "Well," said he, "if you had committed a murder, and I had told you your crime was discovered, you could scarcely look more aghast." "It is a large sum--don't you think there is a mistake?" "No mistake at all." "Perhaps you have read the figures wrong--it may be two thousand!" "It is written in letters, not figures,--twenty thousand." I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred. Mr. Rivers rose now and put his cloak on. "If it were not such a very wild night," he said, "I would send Hannah down to keep you company: you look too desperately miserable to be left alone. But Hannah, poor woman! could not stride the drifts so well as I: her legs are not quite so long: so I must e'en leave you to your sorrows. Good-night." He was lifting the latch: a sudden thought occurred to me. "Stop one minute!" I cried. "Well?" "It puzzles me to know why Mr. Briggs wrote to you about me; or how he knew you, or could fancy that you, living in such an out-of-the-way place, had the power to aid in my discovery." "Oh! I am a clergyman," he said; "and the clergy are often appealed to about odd matters." Again the latch rattled. "No; that does not satisfy me!" I exclaimed: and indeed there was something in the hasty and unexplanatory reply which, instead of allaying, piqued my curiosity more than ever. "It is a very strange piece of business," I added; "I must know more about it." "Another time." "No; to-night!--to-night!" and as he turned from the door, I placed myself between it and him. He looked rather embarrassed. "You certainly shall not go till you have told me all," I said. "I would rather not just now." "You shall!--you must!" "I would rather Diana or Mary informed you." Of course these objections wrought my eagerness to a climax: gratified it must be, and that without delay; and I told him so. "But I apprised you that I was a hard man," said he, "difficult to persuade." "And I am a hard woman,--impossible to put off." {And I am a hard woman,--impossible to put off: p369.jpg} "And then," he pursued, "I am cold: no fervour infects me." "Whereas I am hot, and fire dissolves ice. The blaze there has thawed all the snow from your cloak; by the same token, it has streamed on to my floor, and made it like a trampled street. As you hope ever to be forgiven, Mr. Rivers, the high crime and misdemeanour of spoiling a sanded kitchen, tell me what I wish to know." "Well, then," he said, "I yield; if not to your earnestness, to your perseverance: as stone is worn by continual dropping. Besides, you must know some day,--as well now as later. Your name is Jane Eyre?" "Of course: that was all settled before." "You are not, perhaps, aware that I am your namesake?--that I was christened St. John Eyre Rivers?" "No, indeed! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me; but I never asked for what name it stood. But what then? Surely--" I stopped: I could not trust myself to entertain, much less to express, the thought that rushed upon me--that embodied itself,--that, in a second, stood out a strong, solid probability. Circumstances knit themselves, fitted themselves, shot into order: the chain that had been lying hitherto a formless lump of links was drawn out straight,--every ring was perfect, the connection complete. I knew, by instinct, how the matter stood, before St. John had said another word; but I cannot expect the reader to have the same intuitive perception, so I must repeat his explanation. "My mother's name was Eyre; she had two brothers; one a clergyman, who married Miss Jane Reed, of Gateshead; the other, John Eyre, Esq., merchant, late of Funchal, Madeira. Mr. Briggs, being Mr. Eyre's solicitor, wrote to us last August to inform us of our uncle's death, and to say that he had left his property to his brother the clergyman's orphan daughter, overlooking us, in consequence of a quarrel, never forgiven, between him and my father. He wrote again a few weeks since, to intimate that the heiress was lost, and asking if we knew anything of her. A name casually written on a slip of paper has enabled me to find her out. You know the rest." Again he was going, but I set my back against the door. "Do let me speak," I said; "let me have one moment to draw breath and reflect." I paused--he stood before me, hat in hand, looking composed enough. I resumed-- "Your mother was my father's sister?" "Yes." "My aunt, consequently?" He bowed. "My uncle John was your uncle John? You, Diana, and Mary are his sister's children, as I am his brother's child?" "Undeniably." "You three, then, are my cousins; half our blood on each side flows from the same source?" "We are cousins; yes." I surveyed him. It seemed I had found a brother: one I could be proud of,--one I could love; and two sisters, whose qualities were such, that, when I knew them but as mere strangers, they had inspired me with genuine affection and admiration. The two girls, on whom, kneeling down on the wet ground, and looking through the low, latticed window of Moor House kitchen, I had gazed with so bitter a mixture of interest and despair, were my near kinswomen; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation. Glorious discovery to a lonely wretch! This was wealth indeed!--wealth to the heart!--a mine of pure, genial affections. This was a blessing, bright, vivid, and exhilarating;--not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight. I now clapped my hands in sudden joy--my pulse bounded, my veins thrilled. "Oh, I am glad!--I am glad!" I exclaimed. St. John smiled. "Did I not say you neglected essential points to pursue trifles?" he asked. "You were serious when I told you you had got a fortune; and now, for a matter of no moment, you are excited." "What can you mean? It may be of no moment to you; you have sisters and don't care for a cousin; but I had nobody; and now three relations,--or two, if you don't choose to be counted,--are born into my world full-grown. I say again, I am glad!" I walked fast through the room: I stopped, half suffocated with the thoughts that rose faster than I could receive, comprehend, settle them:--thoughts of what might, could, would, and should be, and that ere long. I looked at the blank wall: it seemed a sky thick with ascending stars,--every one lit me to a purpose or delight. Those who had saved my life, whom, till this hour, I had loved barrenly, I could now benefit. They were under a yoke,--I could free them: they were scattered,--I could reunite them: the independence, the affluence which was mine, might be theirs too. Were we not four? Twenty thousand pounds shared equally would be five thousand each, justice--enough and to spare: justice would be done,--mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin,--it was a legacy of life, hope, enjoyment. How I looked while these ideas were taking my spirit by storm, I cannot tell; but I perceived soon that Mr. Rivers had placed a chair behind me, and was gently attempting to make me sit down on it. He also advised me to be composed; I scorned the insinuation of helplessness and distraction, shook off his hand, and began to walk about again. "Write to Diana and Mary to-morrow," I said, "and tell them to come home directly. Diana said they would both consider themselves rich with a thousand pounds, so with five thousand they will do very well." "Tell me where I can get you a glass of water," said St. John; "you must really make an effort to tranquillise your feelings." "Nonsense! and what sort of an effect will the bequest have on you? Will it keep you in England, induce you to marry Miss Oliver, and settle down like an ordinary mortal?" "You wander: your head becomes confused. I have been too abrupt in communicating the news; it has excited you beyond your strength." "Mr. Rivers! you quite put me out of patience: I am rational enough; it is you who misunderstand, or rather who affect to misunderstand." "Perhaps, if you explained yourself a little more fully, I should comprehend better." "Explain! What is there to explain? You cannot fail to see that twenty thousand pounds, the sum in question, divided equally between the nephew and three nieces of our uncle, will give five thousand to each? What I want is, that you should write to your sisters and tell them of the fortune that has accrued to them." "To you, you mean." "I have intimated my view of the case: I am incapable of taking any other. I am not brutally selfish, blindly unjust, or fiendishly ungrateful. Besides, I am resolved I will have a home and connections. I like Moor House, and I will live at Moor House; I like Diana and Mary, and I will attach myself for life to Diana and Mary. It would please and benefit me to have five thousand pounds; it would torment and oppress me to have twenty thousand; which, moreover, could never be mine in justice, though it might in law. I abandon to you, then, what is absolutely superfluous to me. Let there be no opposition, and no discussion about it; let us agree amongst each other, and decide the point at once." "This is acting on first impulses; you must take days to consider such a matter, ere your word can be regarded as valid." "Oh! if all you doubt is my sincerity, I am easy: you see the justice of the case?" "I _do_ see a certain justice; but it is contrary to all custom. Besides, the entire fortune is your right: my uncle gained it by his own efforts; he was free to leave it to whom he would: he left it to you. After all, justice permits you to keep it: you may, with a clear conscience, consider it absolutely your own." "With me," said I, "it is fully as much a matter of feeling as of conscience: I must indulge my feelings; I so seldom have had an opportunity of doing so. Were you to argue, object, and annoy me for a year, I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying, in part, a mighty obligation, and winning to myself lifelong friends." "You think so now," rejoined St. John, "because you do not know what it is to possess, nor consequently to enjoy wealth: you cannot form a notion of the importance twenty thousand pounds would give you; of the place it would enable you to take in society; of the prospects it would open to you: you cannot--" "And you," I interrupted, "cannot at all imagine the craving I have for fraternal and sisterly love. I never had a home, I never had brothers or sisters; I must and will have them now: you are not reluctant to admit me and own me, are you?" "Jane, I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights." "Brother? Yes; at the distance of a thousand leagues! Sisters? Yes; slaving amongst strangers! I, wealthy--gorged with gold I never earned and do not merit! You, penniless! Famous equality and fraternisation! Close union! Intimate attachment!" "But, Jane, your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate: you may marry." "Nonsense, again! Marry! I don't want to marry, and never shall marry." "That is saying too much: such hazardous affirmations are a proof of the excitement under which you labour." "It is not saying too much: I know what I feel, and how averse are my inclinations to the bare thought of marriage. No one would take me for love; and I will not be regarded in the light of a mere money speculation. And I do not want a stranger--unsympathising, alien, different from me; I want my kindred: those with whom I have full fellow- feeling. Say again you will be my brother: when you uttered the words I was satisfied, happy; repeat them, if you can, repeat them sincerely." "I think I can. I know I have always loved my own sisters; and I know on what my affection for them is grounded,--respect for their worth and admiration of their talents. You too have principle and mind: your tastes and habits resemble Diana's and Mary's; your presence is always agreeable to me; in your conversation I have already for some time found a salutary solace. I feel I can easily and naturally make room in my heart for you, as my third and youngest sister." "Thank you: that contents me for to-night. Now you had better go; for if you stay longer, you will perhaps irritate me afresh by some mistrustful scruple." "And the school, Miss Eyre? It must now be shut up, I suppose?" "No. I will retain my post of mistress till you get a substitute." He smiled approbation: we shook hands, and he took leave. I need not narrate in detail the further struggles I had, and arguments I used, to get matters regarding the legacy settled as I wished. My task was a very hard one; but, as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention; and must, besides, have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration. The judges chosen were Mr. Oliver and an able lawyer: both coincided in my opinion: I carried my point. The instruments of transfer were drawn out: St. John, Diana, Mary, and I, each became possessed of a competency.

Chapter 33

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre61.asp

The next evening, St. John makes his way through the snow with some important news for Jane. He has received a letter from Mr. Briggs, a lawyer, inquiring about a person called Jane Eyre, whose history strongly resembles hers. He even narrates the account of her story and reveals that he knows her real name, which she had written on the slip of paper he took from her desk. The solicitor wants to locate her as her uncle, Mr. Eyre of Madeira, has died, leaving her his entire fortune of twenty-thousand pounds. He explains that they are, in fact, cousins. At first Jane is saddened at the news of her uncle's death, and then she is delighted to know that her father is St. John Rivers' uncle. Jane is thrilled to have a family of her own. But St. John thinks that her joy is due to the fact that she has gained such a large sum of money. Jane thinks of the ways in which she would like to spend the inheritance. She plans to distribute the amount equally between St. John, Diana, Mary and herself. St. John raises objections, but they are brushed aside by Jane. She wonders if the wealth will enable St. John to marry Miss Oliver. She decides to settle in at Moor House. Both Jane and St. John marvel at the fact that they are related to each other. While Jane is glad to have him as a brother, St. John merely admits that he has found her company pleasing. For the present, Jane decides to continue her work at Morton School until someone else can take over.

Notes The chapter reveals the basic incompatibility between St. John and Jane. It is like the incompatibility of fire with water. St. John visits Jane's little cottage in a snowstorm. He brings her the news of her inheritance and reveals important details of family history. Jane has never seen such a "tall figure white as a glacier." His handsome face looks "more like a chiseled marble. " The firelight shines free on his pale brow and pale cheek. The fireside proves favorable for confidences and revelations, but Jane has to insist before St. John Rivers speaks frankly. In their exchange there is a significant play on "fire" and "ice." He tells her that he is "a hard man." She replies that she is "a hard woman, impossible to be put off." He says that he is "cold" and that "no fervour" infects him. She tells him that she is "hot and fire dissolves ice. " There is also much humor in the conversation that reveals their clashing interests. Jane is anxious to get news of Mr. Rochester while St. John is determined to concentrate on the affairs of Mr. Briggs, the lawyer. Jane is excited to have three blood relations, whereas St. John assumes her to be excited to receive her inheritance.

pinkmonkey

all_chapterized_books/1260-chapters/35.txt

finished_summaries/pinkmonkey/Jane Eyre/section_33_part_0.txt

Jane Eyre.volume 3.chapter 34

chapter 34

{"name": "Chapter 34", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre62.asp", "summary": "A week before Christmas, Jane closes the school and undertakes a thorough cleaning of Moor House to welcome Diana and Mary home for Christmas. The three girls spend a happy week enjoying their newfound independence, but St. John is irritated by their merriment and vivacity. He does not appreciate Jane's efforts to redecorate the house. One day St. John comes and calmly announces the engagement of Rosamond to a gentleman called Mr. Granby. He persuades Jane to give up studying German and to learn Hindustani, which he himself is studying. Jane finds herself giving in to his influence. However, she has not forgotten Mr. Rochester. Her letters to Mrs. Fairfax for information about Mr. Rochester remain unanswered. One day, St. John finds Jane shedding tears during the course of her Hindustani lesson. He invites her to walk with him across the glen. He tells her that he is soon to sail for India, and he induces her to marry him and join him as a fellow missionary. As he does not have any love for her, Jane is willing to accompany him as his sister or helper, but not as his wife. This suggestion is not acceptable to him. For her part, Jane cannot accept St. John's idea of love and is afraid that he would not even grieve for long, were she to die in India. The argument takes a bitter turn, and St. John wants her to reconsider his proposal for a fortnight. He also asserts that refusing to go on this mission with him would amount to denying the will of God. The same night, St. John comes to Moor House where the three sisters are. While he pays attention to his own sisters, he completely ignores Jane. She is obviously hurt by this behavior and is persuaded by Diana to go after him. She follows him to wish him goodnight, but he reacts with cold formality. This makes her feel extremely dejected.", "analysis": "Notes In this chapter, Jane persistently returns to the imagery of water and earth in forms suggestive of hardness, coldness and destructiveness. Ice, rock, stone, torrents and avalanches are used to express her physical and emotional alienation from St. John. There may be some significance in Rivers' name; the imagery of cold, rushing water is persistently applied to him. Jane rightly remarks: \"he asks me to be his wife, and has no more of a husband's heart for me than that flowing giant of a rock, down which the stream is foaming in yonder gorge.\" In leaving Mr. Rochester, Jane has once before fled from unrestrained passion. Now she is offered another choice, the rejection of life: the journey into asceticism with St. John Rivers. Although she is hurt and dejected by her experience with Mr. Rochester, it is not possible now for Jane to deny the world and all that it has to offer. She certainly cannot enter a loveless marriage. Mr. Rochester offered Jane love without marriage, and now St. John offers her marriage without love. The two men are both prepared to be entirely unscrupulous in achieving their ends. However, Mr. Rochester is capable of reform and can sympathize with Jane's need for what is missing in their relationship. St. John, on the other hand, has nothing but contempt for people unlike himself. Jane wishes to please St. John, for she genuinely admires him, \"but to do so, I felt daily more and more that I must disown half my nature\"--the half of her that cries out for feeling and human love. In this chapter, the imagery of fire keeps pace with that of earth and water, as applied to St. John. Jane remarks: \"his wife-at his side always and always restrained-forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital-this would be unendurable.\" Therefore, Jane's eventual resolution of the problem is hinted at here. She simply cannot sacrifice herself to the stern and demanding St. John Rivers."}

It was near Christmas by the time all was settled: the season of general holiday approached. I now closed Morton school, taking care that the parting should not be barren on my side. Good fortune opens the hand as well as the heart wonderfully; and to give somewhat when we have largely received, is but to afford a vent to the unusual ebullition of the sensations. I had long felt with pleasure that many of my rustic scholars liked me, and when we parted, that consciousness was confirmed: they manifested their affection plainly and strongly. Deep was my gratification to find I had really a place in their unsophisticated hearts: I promised them that never a week should pass in future that I did not visit them, and give them an hour's teaching in their school. Mr. Rivers came up as, having seen the classes, now numbering sixty girls, file out before me, and locked the door, I stood with the key in my hand, exchanging a few words of special farewell with some half-dozen of my best scholars: as decent, respectable, modest, and well-informed young women as could be found in the ranks of the British peasantry. And that is saying a great deal; for after all, the British peasantry are the best taught, best mannered, most self-respecting of any in Europe: since those days I have seen paysannes and Bauerinnen; and the best of them seemed to me ignorant, coarse, and besotted, compared with my Morton girls. "Do you consider you have got your reward for a season of exertion?" asked Mr. Rivers, when they were gone. "Does not the consciousness of having done some real good in your day and generation give pleasure?" "Doubtless." "And you have only toiled a few months! Would not a life devoted to the task of regenerating your race be well spent?" "Yes," I said; "but I could not go on for ever so: I want to enjoy my own faculties as well as to cultivate those of other people. I must enjoy them now; don't recall either my mind or body to the school; I am out of it and disposed for full holiday." He looked grave. "What now? What sudden eagerness is this you evince? What are you going to do?" "To be active: as active as I can. And first I must beg you to set Hannah at liberty, and get somebody else to wait on you." "Do you want her?" "Yes, to go with me to Moor House. Diana and Mary will be at home in a week, and I want to have everything in order against their arrival." "I understand. I thought you were for flying off on some excursion. It is better so: Hannah shall go with you." "Tell her to be ready by to-morrow then; and here is the schoolroom key: I will give you the key of my cottage in the morning." He took it. "You give it up very gleefully," said he; "I don't quite understand your light-heartedness, because I cannot tell what employment you propose to yourself as a substitute for the one you are relinquishing. What aim, what purpose, what ambition in life have you now?" "My first aim will be to _clean down_ (do you comprehend the full force of the expression?)--to _clean down_ Moor House from chamber to cellar; my next to rub it up with bees-wax, oil, and an indefinite number of cloths, till it glitters again; my third, to arrange every chair, table, bed, carpet, with mathematical precision; afterwards I shall go near to ruin you in coals and peat to keep up good fires in every room; and lastly, the two days preceding that on which your sisters are expected will be devoted by Hannah and me to such a beating of eggs, sorting of currants, grating of spices, compounding of Christmas cakes, chopping up of materials for mince-pies, and solemnising of other culinary rites, as words can convey but an inadequate notion of to the uninitiated like you. My purpose, in short, is to have all things in an absolutely perfect state of readiness for Diana and Mary before next Thursday; and my ambition is to give them a beau-ideal of a welcome when they come." St. John smiled slightly: still he was dissatisfied. "It is all very well for the present," said he; "but seriously, I trust that when the first flush of vivacity is over, you will look a little higher than domestic endearments and household joys." "The best things the world has!" I interrupted. "No, Jane, no: this world is not the scene of fruition; do not attempt to make it so: nor of rest; do not turn slothful." "I mean, on the contrary, to be busy." "Jane, I excuse you for the present: two months' grace I allow you for the full enjoyment of your new position, and for pleasing yourself with this late-found charm of relationship; but _then_, I hope you will begin to look beyond Moor House and Morton, and sisterly society, and the selfish calm and sensual comfort of civilised affluence. I hope your energies will then once more trouble you with their strength." I looked at him with surprise. "St. John," I said, "I think you are almost wicked to talk so. I am disposed to be as content as a queen, and you try to stir me up to restlessness! To what end?" "To the end of turning to profit the talents which God has committed to your keeping; and of which He will surely one day demand a strict account. Jane, I shall watch you closely and anxiously--I warn you of that. And try to restrain the disproportionate fervour with which you throw yourself into commonplace home pleasures. Don't cling so tenaciously to ties of the flesh; save your constancy and ardour for an adequate cause; forbear to waste them on trite transient objects. Do you hear, Jane?" "Yes; just as if you were speaking Greek. I feel I have adequate cause to be happy, and I _will_ be happy. Goodbye!" Happy at Moor House I was, and hard I worked; and so did Hannah: she was charmed to see how jovial I could be amidst the bustle of a house turned topsy-turvy--how I could brush, and dust, and clean, and cook. And really, after a day or two of confusion worse confounded, it was delightful by degrees to invoke order from the chaos ourselves had made. I had previously taken a journey to S--- to purchase some new furniture: my cousins having given me _carte blanche_ to effect what alterations I pleased, and a sum having been set aside for that purpose. The ordinary sitting-room and bedrooms I left much as they were: for I knew Diana and Mary would derive more pleasure from seeing again the old homely tables, and chairs, and beds, than from the spectacle of the smartest innovations. Still some novelty was necessary, to give to their return the piquancy with which I wished it to be invested. Dark handsome new carpets and curtains, an arrangement of some carefully selected antique ornaments in porcelain and bronze, new coverings, and mirrors, and dressing-cases, for the toilet tables, answered the end: they looked fresh without being glaring. A spare parlour and bedroom I refurnished entirely, with old mahogany and crimson upholstery: I laid canvas on the passage, and carpets on the stairs. When all was finished, I thought Moor House as complete a model of bright modest snugness within, as it was, at this season, a specimen of wintry waste and desert dreariness without. The eventful Thursday at length came. They were expected about dark, and ere dusk fires were lit upstairs and below; the kitchen was in perfect trim; Hannah and I were dressed, and all was in readiness. St. John arrived first. I had entreated him to keep quite clear of the house till everything was arranged: and, indeed, the bare idea of the commotion, at once sordid and trivial, going on within its walls sufficed to scare him to estrangement. He found me in the kitchen, watching the progress of certain cakes for tea, then baking. Approaching the hearth, he asked, "If I was at last satisfied with housemaid's work?" I answered by inviting him to accompany me on a general inspection of the result of my labours. With some difficulty, I got him to make the tour of the house. He just looked in at the doors I opened; and when he had wandered upstairs and downstairs, he said I must have gone through a great deal of fatigue and trouble to have effected such considerable changes in so short a time: but not a syllable did he utter indicating pleasure in the improved aspect of his abode. This silence damped me. I thought perhaps the alterations had disturbed some old associations he valued. I inquired whether this was the case: no doubt in a somewhat crest-fallen tone. "Not at all; he had, on the contrary, remarked that I had scrupulously respected every association: he feared, indeed, I must have bestowed more thought on the matter than it was worth. How many minutes, for instance, had I devoted to studying the arrangement of this very room?--By-the-bye, could I tell him where such a book was?" I showed him the volume on the shelf: he took it down, and withdrawing to his accustomed window recess, he began to read it. Now, I did not like this, reader. St. John was a good man; but I began to feel he had spoken truth of himself when he said he was hard and cold. The humanities and amenities of life had no attraction for him--its peaceful enjoyments no charm. Literally, he lived only to aspire--after what was good and great, certainly; but still he would never rest, nor approve of others resting round him. As I looked at his lofty forehead, still and pale as a white stone--at his fine lineaments fixed in study--I comprehended all at once that he would hardly make a good husband: that it would be a trying thing to be his wife. I understood, as by inspiration, the nature of his love for Miss Oliver; I agreed with him that it was but a love of the senses. I comprehended how he should despise himself for the feverish influence it exercised over him; how he should wish to stifle and destroy it; how he should mistrust its ever conducting permanently to his happiness or hers. I saw he was of the material from which nature hews her heroes--Christian and Pagan--her lawgivers, her statesmen, her conquerors: a steadfast bulwark for great interests to rest upon; but, at the fireside, too often a cold cumbrous column, gloomy and out of place. "This parlour is not his sphere," I reflected: "the Himalayan ridge or Caffre bush, even the plague-cursed Guinea Coast swamp would suit him better. Well may he eschew the calm of domestic life; it is not his element: there his faculties stagnate--they cannot develop or appear to advantage. It is in scenes of strife and danger--where courage is proved, and energy exercised, and fortitude tasked--that he will speak and move, the leader and superior. A merry child would have the advantage of him on this hearth. He is right to choose a missionary's career--I see it now." "They are coming! they are coming!" cried Hannah, throwing open the parlour door. At the same moment old Carlo barked joyfully. Out I ran. It was now dark; but a rumbling of wheels was audible. Hannah soon had a lantern lit. The vehicle had stopped at the wicket; the driver opened the door: first one well-known form, then another, stepped out. In a minute I had my face under their bonnets, in contact first with Mary's soft cheek, then with Diana's flowing curls. They laughed--kissed me--then Hannah: patted Carlo, who was half wild with delight; asked eagerly if all was well; and being assured in the affirmative, hastened into the house. They were stiff with their long and jolting drive from Whitcross, and chilled with the frosty night air; but their pleasant countenances expanded to the cheerful firelight. While the driver and Hannah brought in the boxes, they demanded St. John. At this moment he advanced from the parlour. They both threw their arms round his neck at once. He gave each one quiet kiss, said in a low tone a few words of welcome, stood a while to be talked to, and then, intimating that he supposed they would soon rejoin him in the parlour, withdrew there as to a place of refuge. I had lit their candles to go upstairs, but Diana had first to give hospitable orders respecting the driver; this done, both followed me. They were delighted with the renovation and decorations of their rooms; with the new drapery, and fresh carpets, and rich tinted china vases: they expressed their gratification ungrudgingly. I had the pleasure of feeling that my arrangements met their wishes exactly, and that what I had done added a vivid charm to their joyous return home. Sweet was that evening. My cousins, full of exhilaration, were so eloquent in narrative and comment, that their fluency covered St. John's taciturnity: he was sincerely glad to see his sisters; but in their glow of fervour and flow of joy he could not sympathise. The event of the day--that is, the return of Diana and Mary--pleased him; but the accompaniments of that event, the glad tumult, the garrulous glee of reception irked him: I saw he wished the calmer morrow was come. In the very meridian of the night's enjoyment, about an hour after tea, a rap was heard at the door. Hannah entered with the intimation that "a poor lad was come, at that unlikely time, to fetch Mr. Rivers to see his mother, who was drawing away." "Where does she live, Hannah?" "Clear up at Whitcross Brow, almost four miles off, and moor and moss all the way." "Tell him I will go." "I'm sure, sir, you had better not. It's the worst road to travel after dark that can be: there's no track at all over the bog. And then it is such a bitter night--the keenest wind you ever felt. You had better send word, sir, that you will be there in the morning." But he was already in the passage, putting on his cloak; and without one objection, one murmur, he departed. It was then nine o'clock: he did not return till midnight. Starved and tired enough he was: but he looked happier than when he set out. He had performed an act of duty; made an exertion; felt his own strength to do and deny, and was on better terms with himself. I am afraid the whole of the ensuing week tried his patience. It was Christmas week: we took to no settled employment, but spent it in a sort of merry domestic dissipation. The air of the moors, the freedom of home, the dawn of prosperity, acted on Diana and Mary's spirits like some life-giving elixir: they were gay from morning till noon, and from noon till night. They could always talk; and their discourse, witty, pithy, original, had such charms for me, that I preferred listening to, and sharing in it, to doing anything else. St. John did not rebuke our vivacity; but he escaped from it: he was seldom in the house; his parish was large, the population scattered, and he found daily business in visiting the sick and poor in its different districts. One morning at breakfast, Diana, after looking a little pensive for some minutes, asked him, "If his plans were yet unchanged." "Unchanged and unchangeable," was the reply. And he proceeded to inform us that his departure from England was now definitively fixed for the ensuing year. "And Rosamond Oliver?" suggested Mary, the words seeming to escape her lips involuntarily: for no sooner had she uttered them, than she made a gesture as if wishing to recall them. St. John had a book in his hand--it was his unsocial custom to read at meals--he closed it, and looked up. "Rosamond Oliver," said he, "is about to be married to Mr. Granby, one of the best connected and most estimable residents in S-, grandson and heir to Sir Frederic Granby: I had the intelligence from her father yesterday." His sisters looked at each other and at me; we all three looked at him: he was serene as glass. "The match must have been got up hastily," said Diana: "they cannot have known each other long." "But two months: they met in October at the county ball at S-. But where there are no obstacles to a union, as in the present case, where the connection is in every point desirable, delays are unnecessary: they will be married as soon as S--- Place, which Sir Frederic gives up to them, can he refitted for their reception." The first time I found St. John alone after this communication, I felt tempted to inquire if the event distressed him: but he seemed so little to need sympathy, that, so far from venturing to offer him more, I experienced some shame at the recollection of what I had already hazarded. Besides, I was out of practice in talking to him: his reserve was again frozen over, and my frankness was congealed beneath it. He had not kept his promise of treating me like his sisters; he continually made little chilling differences between us, which did not at all tend to the development of cordiality: in short, now that I was acknowledged his kinswoman, and lived under the same roof with him, I felt the distance between us to be far greater than when he had known me only as the village schoolmistress. When I remembered how far I had once been admitted to his confidence, I could hardly comprehend his present frigidity. Such being the case, I felt not a little surprised when he raised his head suddenly from the desk over which he was stooping, and said-- "You see, Jane, the battle is fought and the victory won." Startled at being thus addressed, I did not immediately reply: after a moment's hesitation I answered-- "But are you sure you are not in the position of those conquerors whose triumphs have cost them too dear? Would not such another ruin you?" "I think not; and if I were, it does not much signify; I shall never be called upon to contend for such another. The event of the conflict is decisive: my way is now clear; I thank God for it!" So saying, he returned to his papers and his silence. As our mutual happiness (_i.e._, Diana's, Mary's, and mine) settled into a quieter character, and we resumed our usual habits and regular studies, St. John stayed more at home: he sat with us in the same room, sometimes for hours together. While Mary drew, Diana pursued a course of encyclopaedic reading she had (to my awe and amazement) undertaken, and I fagged away at German, he pondered a mystic lore of his own: that of some Eastern tongue, the acquisition of which he thought necessary to his plans. Thus engaged, he appeared, sitting in his own recess, quiet and absorbed enough; but that blue eye of his had a habit of leaving the outlandish- looking grammar, and wandering over, and sometimes fixing upon us, his fellow-students, with a curious intensity of observation: if caught, it would be instantly withdrawn; yet ever and anon, it returned searchingly to our table. I wondered what it meant: I wondered, too, at the punctual satisfaction he never failed to exhibit on an occasion that seemed to me of small moment, namely, my weekly visit to Morton school; and still more was I puzzled when, if the day was unfavourable, if there was snow, or rain, or high wind, and his sisters urged me not to go, he would invariably make light of their solicitude, and encourage me to accomplish the task without regard to the elements. "Jane is not such a weakling as you would make her," he would say: "she can bear a mountain blast, or a shower, or a few flakes of snow, as well as any of us. Her constitution is both sound and elastic;--better calculated to endure variations of climate than many more robust." And when I returned, sometimes a good deal tired, and not a little weather-beaten, I never dared complain, because I saw that to murmur would be to vex him: on all occasions fortitude pleased him; the reverse was a special annoyance. One afternoon, however, I got leave to stay at home, because I really had a cold. His sisters were gone to Morton in my stead: I sat reading Schiller; he, deciphering his crabbed Oriental scrolls. As I exchanged a translation for an exercise, I happened to look his way: there I found myself under the influence of the ever-watchful blue eye. How long it had been searching me through and through, and over and over, I cannot tell: so keen was it, and yet so cold, I felt for the moment superstitious--as if I were sitting in the room with something uncanny. "Jane, what are you doing?" "Learning German." "I want you to give up German and learn Hindostanee." "You are not in earnest?" "In such earnest that I must have it so: and I will tell you why." He then went on to explain that Hindostanee was the language he was himself at present studying; that, as he advanced, he was apt to forget the commencement; that it would assist him greatly to have a pupil with whom he might again and again go over the elements, and so fix them thoroughly in his mind; that his choice had hovered for some time between me and his sisters; but that he had fixed on me because he saw I could sit at a task the longest of the three. Would I do him this favour? I should not, perhaps, have to make the sacrifice long, as it wanted now barely three months to his departure. St. John was not a man to be lightly refused: you felt that every impression made on him, either for pain or pleasure, was deep-graved and permanent. I consented. When Diana and Mary returned, the former found her scholar transferred from her to her brother: she laughed, and both she and Mary agreed that St. John should never have persuaded them to such a step. He answered quietly-- "I know it." I found him a very patient, very forbearing, and yet an exacting master: he expected me to do a great deal; and when I fulfilled his expectations, he, in his own way, fully testified his approbation. By degrees, he acquired a certain influence over me that took away my liberty of mind: his praise and notice were more restraining than his indifference. I could no longer talk or laugh freely when he was by, because a tiresomely importunate instinct reminded me that vivacity (at least in me) was distasteful to him. I was so fully aware that only serious moods and occupations were acceptable, that in his presence every effort to sustain or follow any other became vain: I fell under a freezing spell. When he said "go," I went; "come," I came; "do this," I did it. But I did not love my servitude: I wished, many a time, he had continued to neglect me. One evening when, at bedtime, his sisters and I stood round him, bidding him good-night, he kissed each of them, as was his custom; and, as was equally his custom, he gave me his hand. Diana, who chanced to be in a frolicsome humour (_she_ was not painfully controlled by his will; for hers, in another way, was as strong), exclaimed-- "St. John! you used to call Jane your third sister, but you don't treat her as such: you should kiss her too." She pushed me towards him. I thought Diana very provoking, and felt uncomfortably confused; and while I was thus thinking and feeling, St. John bent his head; his Greek face was brought to a level with mine, his eyes questioned my eyes piercingly--he kissed me. There are no such things as marble kisses or ice kisses, or I should say my ecclesiastical cousin's salute belonged to one of these classes; but there may be experiment kisses, and his was an experiment kiss. When given, he viewed me to learn the result; it was not striking: I am sure I did not blush; perhaps I might have turned a little pale, for I felt as if this kiss were a seal affixed to my fetters. He never omitted the ceremony afterwards, and the gravity and quiescence with which I underwent it, seemed to invest it for him with a certain charm. As for me, I daily wished more to please him; but to do so, I felt daily more and more that I must disown half my nature, stifle half my faculties, wrest my tastes from their original bent, force myself to the adoption of pursuits for which I had no natural vocation. He wanted to train me to an elevation I could never reach; it racked me hourly to aspire to the standard he uplifted. The thing was as impossible as to mould my irregular features to his correct and classic pattern, to give to my changeable green eyes the sea-blue tint and solemn lustre of his own. Not his ascendancy alone, however, held me in thrall at present. Of late it had been easy enough for me to look sad: a cankering evil sat at my heart and drained my happiness at its source--the evil of suspense. Perhaps you think I had forgotten Mr. Rochester, reader, amidst these changes of place and fortune. Not for a moment. His idea was still with me, because it was not a vapour sunshine could disperse, nor a sand-traced effigy storms could wash away; it was a name graven on a tablet, fated to last as long as the marble it inscribed. The craving to know what had become of him followed me everywhere; when I was at Morton, I re-entered my cottage every evening to think of that; and now at Moor House, I sought my bedroom each night to brood over it. In the course of my necessary correspondence with Mr. Briggs about the will, I had inquired if he knew anything of Mr. Rochester's present residence and state of health; but, as St. John had conjectured, he was quite ignorant of all concerning him. I then wrote to Mrs. Fairfax, entreating information on the subject. I had calculated with certainty on this step answering my end: I felt sure it would elicit an early answer. I was astonished when a fortnight passed without reply; but when two months wore away, and day after day the post arrived and brought nothing for me, I fell a prey to the keenest anxiety. I wrote again: there was a chance of my first letter having missed. Renewed hope followed renewed effort: it shone like the former for some weeks, then, like it, it faded, flickered: not a line, not a word reached me. When half a year wasted in vain expectancy, my hope died out, and then I felt dark indeed. A fine spring shone round me, which I could not enjoy. Summer approached; Diana tried to cheer me: she said I looked ill, and wished to accompany me to the sea-side. This St. John opposed; he said I did not want dissipation, I wanted employment; my present life was too purposeless, I required an aim; and, I suppose, by way of supplying deficiencies, he prolonged still further my lessons in Hindostanee, and grew more urgent in requiring their accomplishment: and I, like a fool, never thought of resisting him--I could not resist him. One day I had come to my studies in lower spirits than usual; the ebb was occasioned by a poignantly felt disappointment. Hannah had told me in the morning there was a letter for me, and when I went down to take it, almost certain that the long-looked for tidings were vouchsafed me at last, I found only an unimportant note from Mr. Briggs on business. The bitter check had wrung from me some tears; and now, as I sat poring over the crabbed characters and flourishing tropes of an Indian scribe, my eyes filled again. St. John called me to his side to read; in attempting to do this my voice failed me: words were lost in sobs. He and I were the only occupants of the parlour: Diana was practising her music in the drawing-room, Mary was gardening--it was a very fine May day, clear, sunny, and breezy. My companion expressed no surprise at this emotion, nor did he question me as to its cause; he only said-- "We will wait a few minutes, Jane, till you are more composed." And while I smothered the paroxysm with all haste, he sat calm and patient, leaning on his desk, and looking like a physician watching with the eye of science an expected and fully understood crisis in a patient's malady. Having stifled my sobs, wiped my eyes, and muttered something about not being very well that morning, I resumed my task, and succeeded in completing it. St. John put away my books and his, locked his desk, and said-- "Now, Jane, you shall take a walk; and with me." "I will call Diana and Mary." "No; I want only one companion this morning, and that must be you. Put on your things; go out by the kitchen-door: take the road towards the head of Marsh Glen: I will join you in a moment." I know no medium: I never in my life have known any medium in my dealings with positive, hard characters, antagonistic to my own, between absolute submission and determined revolt. I have always faithfully observed the one, up to the very moment of bursting, sometimes with volcanic vehemence, into the other; and as neither present circumstances warranted, nor my present mood inclined me to mutiny, I observed careful obedience to St. John's directions; and in ten minutes I was treading the wild track of the glen, side by side with him. The breeze was from the west: it came over the hills, sweet with scents of heath and rush; the sky was of stainless blue; the stream descending the ravine, swelled with past spring rains, poured along plentiful and clear, catching golden gleams from the sun, and sapphire tints from the firmament. As we advanced and left the track, we trod a soft turf, mossy fine and emerald green, minutely enamelled with a tiny white flower, and spangled with a star-like yellow blossom: the hills, meantime, shut us quite in; for the glen, towards its head, wound to their very core. "Let us rest here," said St. John, as we reached the first stragglers of a battalion of rocks, guarding a sort of pass, beyond which the beck rushed down a waterfall; and where, still a little farther, the mountain shook off turf and flower, had only heath for raiment and crag for gem--where it exaggerated the wild to the savage, and exchanged the fresh for the frowning--where it guarded the forlorn hope of solitude, and a last refuge for silence. I took a seat: St. John stood near me. He looked up the pass and down the hollow; his glance wandered away with the stream, and returned to traverse the unclouded heaven which coloured it: he removed his hat, let the breeze stir his hair and kiss his brow. He seemed in communion with the genius of the haunt: with his eye he bade farewell to something. "And I shall see it again," he said aloud, "in dreams when I sleep by the Ganges: and again in a more remote hour--when another slumber overcomes me--on the shore of a darker stream!" Strange words of a strange love! An austere patriot's passion for his fatherland! He sat down; for half-an-hour we never spoke; neither he to me nor I to him: that interval past, he recommenced-- "Jane, I go in six weeks; I have taken my berth in an East Indiaman which sails on the 20th of June." "God will protect you; for you have undertaken His work," I answered. "Yes," said he, "there is my glory and joy. I am the servant of an infallible Master. I am not going out under human guidance, subject to the defective laws and erring control of my feeble fellow-worms: my king, my lawgiver, my captain, is the All-perfect. It seems strange to me that all round me do not burn to enlist under the same banner,--to join in the same enterprise." "All have not your powers, and it would be folly for the feeble to wish to march with the strong." "I do not speak to the feeble, or think of them: I address only such as are worthy of the work, and competent to accomplish it." "Those are few in number, and difficult to discover." "You say truly; but when found, it is right to stir them up--to urge and exhort them to the effort--to show them what their gifts are, and why they were given--to speak Heaven's message in their ear,--to offer them, direct from God, a place in the ranks of His chosen." "If they are really qualified for the task, will not their own hearts be the first to inform them of it?" I felt as if an awful charm was framing round and gathering over me: I trembled to hear some fatal word spoken which would at once declare and rivet the spell. "And what does _your_ heart say?" demanded St. John. "My heart is mute,--my heart is mute," I answered, struck and thrilled. "Then I must speak for it," continued the deep, relentless voice. "Jane, come with me to India: come as my helpmeet and fellow-labourer." The glen and sky spun round: the hills heaved! It was as if I had heard a summons from Heaven--as if a visionary messenger, like him of Macedonia, had enounced, "Come over and help us!" But I was no apostle,--I could not behold the herald,--I could not receive his call. "Oh, St. John!" I cried, "have some mercy!" I appealed to one who, in the discharge of what he believed his duty, knew neither mercy nor remorse. He continued-- "God and nature intended you for a missionary's wife. It is not personal, but mental endowments they have given you: you are formed for labour, not for love. A missionary's wife you must--shall be. You shall be mine: I claim you--not for my pleasure, but for my Sovereign's service." "I am not fit for it: I have no vocation," I said. He had calculated on these first objections: he was not irritated by them. Indeed, as he leaned back against the crag behind him, folded his arms on his chest, and fixed his countenance, I saw he was prepared for a long and trying opposition, and had taken in a stock of patience to last him to its close--resolved, however, that that close should be conquest for him. "Humility, Jane," said he, "is the groundwork of Christian virtues: you say right that you are not fit for the work. Who is fit for it? Or who, that ever was truly called, believed himself worthy of the summons? I, for instance, am but dust and ashes. With St. Paul, I acknowledge myself the chiefest of sinners; but I do not suffer this sense of my personal vileness to daunt me. I know my Leader: that He is just as well as mighty; and while He has chosen a feeble instrument to perform a great task, He will, from the boundless stores of His providence, supply the inadequacy of the means to the end. Think like me, Jane--trust like me. It is the Rock of Ages I ask you to lean on: do not doubt but it will bear the weight of your human weakness." "I do not understand a missionary life: I have never studied missionary labours." "There I, humble as I am, can give you the aid you want: I can set you your task from hour to hour; stand by you always; help you from moment to moment. This I could do in the beginning: soon (for I know your powers) you would be as strong and apt as myself, and would not require my help." "But my powers--where are they for this undertaking? I do not feel them. Nothing speaks or stirs in me while you talk. I am sensible of no light kindling--no life quickening--no voice counselling or cheering. Oh, I wish I could make you see how much my mind is at this moment like a rayless dungeon, with one shrinking fear fettered in its depths--the fear of being persuaded by you to attempt what I cannot accomplish!" "I have an answer for you--hear it. I have watched you ever since we first met: I have made you my study for ten months. I have proved you in that time by sundry tests: and what have I seen and elicited? In the village school I found you could perform well, punctually, uprightly, labour uncongenial to your habits and inclinations; I saw you could perform it with capacity and tact: you could win while you controlled. In the calm with which you learnt you had become suddenly rich, I read a mind clear of the vice of Demas:--lucre had no undue power over you. In the resolute readiness with which you cut your wealth into four shares, keeping but one to yourself, and relinquishing the three others to the claim of abstract justice, I recognised a soul that revelled in the flame and excitement of sacrifice. In the tractability with which, at my wish, you forsook a study in which you were interested, and adopted another because it interested me; in the untiring assiduity with which you have since persevered in it--in the unflagging energy and unshaken temper with which you have met its difficulties--I acknowledge the complement of the qualities I seek. Jane, you are docile, diligent, disinterested, faithful, constant, and courageous; very gentle, and very heroic: cease to mistrust yourself--I can trust you unreservedly. As a conductress of Indian schools, and a helper amongst Indian women, your assistance will be to me invaluable." My iron shroud contracted round me; persuasion advanced with slow sure step. Shut my eyes as I would, these last words of his succeeded in making the way, which had seemed blocked up, comparatively clear. My work, which had appeared so vague, so hopelessly diffuse, condensed itself as he proceeded, and assumed a definite form under his shaping hand. He waited for an answer. I demanded a quarter of an hour to think, before I again hazarded a reply. "Very willingly," he rejoined; and rising, he strode a little distance up the pass, threw himself down on a swell of heath, and there lay still. {He threw himself down on a swell of heath, and there lay still: p389.jpg} "I _can_ do what he wants me to do: I am forced to see and acknowledge that," I meditated,--"that is, if life be spared me. But I feel mine is not the existence to be long protracted under an Indian sun. What then? He does not care for that: when my time came to die, he would resign me, in all serenity and sanctity, to the God who gave me. The case is very plain before me. In leaving England, I should leave a loved but empty land--Mr. Rochester is not there; and if he were, what is, what can that ever be to me? My business is to live without him now: nothing so absurd, so weak as to drag on from day to day, as if I were waiting some impossible change in circumstances, which might reunite me to him. Of course (as St. John once said) I must seek another interest in life to replace the one lost: is not the occupation he now offers me truly the most glorious man can adopt or God assign? Is it not, by its noble cares and sublime results, the one best calculated to fill the void left by uptorn affections and demolished hopes? I believe I must say, Yes--and yet I shudder. Alas! If I join St. John, I abandon half myself: if I go to India, I go to premature death. And how will the interval between leaving England for India, and India for the grave, be filled? Oh, I know well! That, too, is very clear to my vision. By straining to satisfy St. John till my sinews ache, I _shall_ satisfy him--to the finest central point and farthest outward circle of his expectations. If I _do_ go with him--if I _do_ make the sacrifice he urges, I will make it absolutely: I will throw all on the altar--heart, vitals, the entire victim. He will never love me; but he shall approve me; I will show him energies he has not yet seen, resources he has never suspected. Yes, I can work as hard as he can, and with as little grudging. "Consent, then, to his demand is possible: but for one item--one dreadful item. It is--that he asks me to be his wife, and has no more of a husband's heart for me than that frowning giant of a rock, down which the stream is foaming in yonder gorge. He prizes me as a soldier would a good weapon; and that is all. Unmarried to him, this would never grieve me; but can I let him complete his calculations--coolly put into practice his plans--go through the wedding ceremony? Can I receive from him the bridal ring, endure all the forms of love (which I doubt not he would scrupulously observe) and know that the spirit was quite absent? Can I bear the consciousness that every endearment he bestows is a sacrifice made on principle? No: such a martyrdom would be monstrous. I will never undergo it. As his sister, I might accompany him--not as his wife: I will tell him so." I looked towards the knoll: there he lay, still as a prostrate column; his face turned to me: his eye beaming watchful and keen. He started to his feet and approached me. "I am ready to go to India, if I may go free." "Your answer requires a commentary," he said; "it is not clear." "You have hitherto been my adopted brother--I, your adopted sister: let us continue as such: you and I had better not marry." He shook his head. "Adopted fraternity will not do in this case. If you were my real sister it would be different: I should take you, and seek no wife. But as it is, either our union must be consecrated and sealed by marriage, or it cannot exist: practical obstacles oppose themselves to any other plan. Do you not see it, Jane? Consider a moment--your strong sense will guide you." I did consider; and still my sense, such as it was, directed me only to the fact that we did not love each other as man and wife should: and therefore it inferred we ought not to marry. I said so. "St. John," I returned, "I regard you as a brother--you, me as a sister: so let us continue." "We cannot--we cannot," he answered, with short, sharp determination: "it would not do. You have said you will go with me to India: remember--you have said that." "Conditionally." "Well--well. To the main point--the departure with me from England, the co-operation with me in my future labours--you do not object. You have already as good as put your hand to the plough: you are too consistent to withdraw it. You have but one end to keep in view--how the work you have undertaken can best be done. Simplify your complicated interests, feelings, thoughts, wishes, aims; merge all considerations in one purpose: that of fulfilling with effect--with power--the mission of your great Master. To do so, you must have a coadjutor: not a brother--that is a loose tie--but a husband. I, too, do not want a sister: a sister might any day be taken from me. I want a wife: the sole helpmeet I can influence efficiently in life, and retain absolutely till death." I shuddered as he spoke: I felt his influence in my marrow--his hold on my limbs. "Seek one elsewhere than in me, St. John: seek one fitted to you." "One fitted to my purpose, you mean--fitted to my vocation. Again I tell you it is not the insignificant private individual--the mere man, with the man's selfish senses--I wish to mate: it is the missionary." "And I will give the missionary my energies--it is all he wants--but not myself: that would be only adding the husk and shell to the kernel. For them he has no use: I retain them." "You cannot--you ought not. Do you think God will be satisfied with half an oblation? Will He accept a mutilated sacrifice? It is the cause of God I advocate: it is under His standard I enlist you. I cannot accept on His behalf a divided allegiance: it must be entire." "Oh! I will give my heart to God," I said. "_You_ do not want it." I will not swear, reader, that there was not something of repressed sarcasm both in the tone in which I uttered this sentence, and in the feeling that accompanied it. I had silently feared St. John till now, because I had not understood him. He had held me in awe, because he had held me in doubt. How much of him was saint, how much mortal, I could not heretofore tell: but revelations were being made in this conference: the analysis of his nature was proceeding before my eyes. I saw his fallibilities: I comprehended them. I understood that, sitting there where I did, on the bank of heath, and with that handsome form before me, I sat at the feet of a man, caring as I. The veil fell from his hardness and despotism. Having felt in him the presence of these qualities, I felt his imperfection and took courage. I was with an equal--one with whom I might argue--one whom, if I saw good, I might resist. He was silent after I had uttered the last sentence, and I presently risked an upward glance at his countenance. His eye, bent on me, expressed at once stern surprise and keen inquiry. "Is she sarcastic, and sarcastic to _me_!" it seemed to say. "What does this signify?" "Do not let us forget that this is a solemn matter," he said ere long; "one of which we may neither think nor talk lightly without sin. I trust, Jane, you are in earnest when you say you will serve your heart to God: it is all I want. Once wrench your heart from man, and fix it on your Maker, the advancement of that Maker's spiritual kingdom on earth will be your chief delight and endeavour; you will be ready to do at once whatever furthers that end. You will see what impetus would be given to your efforts and mine by our physical and mental union in marriage: the only union that gives a character of permanent conformity to the destinies and designs of human beings; and, passing over all minor caprices--all trivial difficulties and delicacies of feeling--all scruple about the degree, kind, strength or tenderness of mere personal inclination--you will hasten to enter into that union at once." "Shall I?" I said briefly; and I looked at his features, beautiful in their harmony, but strangely formidable in their still severity; at his brow, commanding but not open; at his eyes, bright and deep and searching, but never soft; at his tall imposing figure; and fancied myself in idea _his wife_. Oh! it would never do! As his curate, his comrade, all would be right: I would cross oceans with him in that capacity; toil under Eastern suns, in Asian deserts with him in that office; admire and emulate his courage and devotion and vigour; accommodate quietly to his masterhood; smile undisturbed at his ineradicable ambition; discriminate the Christian from the man: profoundly esteem the one, and freely forgive the other. I should suffer often, no doubt, attached to him only in this capacity: my body would be under rather a stringent yoke, but my heart and mind would be free. I should still have my unblighted self to turn to: my natural unenslaved feelings with which to communicate in moments of loneliness. There would be recesses in my mind which would be only mine, to which he never came, and sentiments growing there fresh and sheltered which his austerity could never blight, nor his measured warrior-march trample down: but as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--_this_ would be unendurable. "St. John!" I exclaimed, when I had got so far in my meditation. "Well?" he answered icily. "I repeat I freely consent to go with you as your fellow-missionary, but not as your wife; I cannot marry you and become part of you." "A part of me you must become," he answered steadily; "otherwise the whole bargain is void. How can I, a man not yet thirty, take out with me to India a girl of nineteen, unless she be married to me? How can we be for ever together--sometimes in solitudes, sometimes amidst savage tribes--and unwed?" "Very well," I said shortly; "under the circumstances, quite as well as if I were either your real sister, or a man and a clergyman like yourself." "It is known that you are not my sister; I cannot introduce you as such: to attempt it would be to fasten injurious suspicions on us both. And for the rest, though you have a man's vigorous brain, you have a woman's heart and--it would not do." "It would do," I affirmed with some disdain, "perfectly well. I have a woman's heart, but not where you are concerned; for you I have only a comrade's constancy; a fellow-soldier's frankness, fidelity, fraternity, if you like; a neophyte's respect and submission to his hierophant: nothing more--don't fear." "It is what I want," he said, speaking to himself; "it is just what I want. And there are obstacles in the way: they must be hewn down. Jane, you would not repent marrying me--be certain of that; we _must_ be married. I repeat it: there is no other way; and undoubtedly enough of love would follow upon marriage to render the union right even in your eyes." "I scorn your idea of love," I could not help saying, as I rose up and stood before him, leaning my back against the rock. "I scorn the counterfeit sentiment you offer: yes, St. John, and I scorn you when you offer it." He looked at me fixedly, compressing his well-cut lips while he did so. Whether he was incensed or surprised, or what, it was not easy to tell: he could command his countenance thoroughly. "I scarcely expected to hear that expression from you," he said: "I think I have done and uttered nothing to deserve scorn." I was touched by his gentle tone, and overawed by his high, calm mien. "Forgive me the words, St. John; but it is your own fault that I have been roused to speak so unguardedly. You have introduced a topic on which our natures are at variance--a topic we should never discuss: the very name of love is an apple of discord between us. If the reality were required, what should we do? How should we feel? My dear cousin, abandon your scheme of marriage--forget it." "No," said he; "it is a long-cherished scheme, and the only one which can secure my great end: but I shall urge you no further at present. To-morrow, I leave home for Cambridge: I have many friends there to whom I should wish to say farewell. I shall be absent a fortnight--take that space of time to consider my offer: and do not forget that if you reject it, it is not me you deny, but God. Through my means, He opens to you a noble career; as my wife only can you enter upon it. Refuse to be my wife, and you limit yourself for ever to a track of selfish ease and barren obscurity. Tremble lest in that case you should be numbered with those who have denied the faith, and are worse than infidels!" He had done. Turning from me, he once more "Looked to river, looked to hill." But this time his feelings were all pent in his heart: I was not worthy to hear them uttered. As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and despotic nature, which has met resistance where it expected submission--the disapprobation of a cool, inflexible judgment, which has detected in another feelings and views in which it has no power to sympathise: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance. That night, after he had kissed his sisters, he thought proper to forget even to shake hands with me, but left the room in silence. I--who, though I had no love, had much friendship for him--was hurt by the marked omission: so much hurt that tears started to my eyes. "I see you and St. John have been quarrelling, Jane," said Diana, "during your walk on the moor. But go after him; he is now lingering in the passage expecting you--he will make it up." I have not much pride under such circumstances: I would always rather be happy than dignified; and I ran after him--he stood at the foot of the stairs. "Good-night, St. John," said I. "Good-night, Jane," he replied calmly. "Then shake hands," I added. What a cold, loose touch, he impressed on my fingers! He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him. No happy reconciliation was to be had with him--no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended. And with that answer he left me. I would much rather he had knocked me down.

Chapter 34

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre62.asp

A week before Christmas, Jane closes the school and undertakes a thorough cleaning of Moor House to welcome Diana and Mary home for Christmas. The three girls spend a happy week enjoying their newfound independence, but St. John is irritated by their merriment and vivacity. He does not appreciate Jane's efforts to redecorate the house. One day St. John comes and calmly announces the engagement of Rosamond to a gentleman called Mr. Granby. He persuades Jane to give up studying German and to learn Hindustani, which he himself is studying. Jane finds herself giving in to his influence. However, she has not forgotten Mr. Rochester. Her letters to Mrs. Fairfax for information about Mr. Rochester remain unanswered. One day, St. John finds Jane shedding tears during the course of her Hindustani lesson. He invites her to walk with him across the glen. He tells her that he is soon to sail for India, and he induces her to marry him and join him as a fellow missionary. As he does not have any love for her, Jane is willing to accompany him as his sister or helper, but not as his wife. This suggestion is not acceptable to him. For her part, Jane cannot accept St. John's idea of love and is afraid that he would not even grieve for long, were she to die in India. The argument takes a bitter turn, and St. John wants her to reconsider his proposal for a fortnight. He also asserts that refusing to go on this mission with him would amount to denying the will of God. The same night, St. John comes to Moor House where the three sisters are. While he pays attention to his own sisters, he completely ignores Jane. She is obviously hurt by this behavior and is persuaded by Diana to go after him. She follows him to wish him goodnight, but he reacts with cold formality. This makes her feel extremely dejected.

Notes In this chapter, Jane persistently returns to the imagery of water and earth in forms suggestive of hardness, coldness and destructiveness. Ice, rock, stone, torrents and avalanches are used to express her physical and emotional alienation from St. John. There may be some significance in Rivers' name; the imagery of cold, rushing water is persistently applied to him. Jane rightly remarks: "he asks me to be his wife, and has no more of a husband's heart for me than that flowing giant of a rock, down which the stream is foaming in yonder gorge." In leaving Mr. Rochester, Jane has once before fled from unrestrained passion. Now she is offered another choice, the rejection of life: the journey into asceticism with St. John Rivers. Although she is hurt and dejected by her experience with Mr. Rochester, it is not possible now for Jane to deny the world and all that it has to offer. She certainly cannot enter a loveless marriage. Mr. Rochester offered Jane love without marriage, and now St. John offers her marriage without love. The two men are both prepared to be entirely unscrupulous in achieving their ends. However, Mr. Rochester is capable of reform and can sympathize with Jane's need for what is missing in their relationship. St. John, on the other hand, has nothing but contempt for people unlike himself. Jane wishes to please St. John, for she genuinely admires him, "but to do so, I felt daily more and more that I must disown half my nature"--the half of her that cries out for feeling and human love. In this chapter, the imagery of fire keeps pace with that of earth and water, as applied to St. John. Jane remarks: "his wife-at his side always and always restrained-forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital-this would be unendurable." Therefore, Jane's eventual resolution of the problem is hinted at here. She simply cannot sacrifice herself to the stern and demanding St. John Rivers.

pinkmonkey

all_chapterized_books/1260-chapters/36.txt

finished_summaries/pinkmonkey/Jane Eyre/section_34_part_0.txt

Jane Eyre.volume 3.chapter 35

chapter 35

{"name": "Chapter 35", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre64.asp", "summary": "St. John postpones his departure for Cambridge by a week. While he remains at Moor House, he makes Jane feel guilty for some wrong she has committed against him. He refuses even to be friendly with her. Seeing that Jane still nurtures a loving concern for Mr. Rochester, he feels he was mistaken in believing her to be one of those chosen by God to serve Him. Diana sympathizes with Jane on hearing her reasons for refusing St. John's proposal. That evening St. John reads from the Bible and leads the women in prayers. He employs a kind of religious \"hypnotism\" on Jane to break down her resistance. Jane almost yields to him but is checked by what she thinks is Mr. Rochester's voice. She dismisses St. John and retires to her room to pray. It does not take her much time to reach a definite decision.", "analysis": "Notes Jane's struggle is long and hard. It is no less intense than that symbolized by her life at Thornfield. Since providence has brought them together, it is difficult for Jane to be sure that it has not also intended her to be the wife of St. John. Only when St. John invokes God's name in support of a false ideal of marriage does the supernatural intervene. Here, providence speaks through the mysterious voice of Mr. Rochester, carried on the wind. The chapter ends with Jane kneeling to pray, \"a different way to St. John's, but effective in its own fashion.\" Undoubtedly, nothing but the voice of Mr. Rochester combined with the voice of the Creator could call Jane back to the world of Thornfield. Jane seems to \"penetrate very near a Mighty spirit\" and her soul rushes out in gratitude at His feet. The sun itself is presented as hostile to Jane. There is an explicit assertion in the text that the climate of India, where St. John wishes to take Jane as his wife and fellow-missionary, will be death of her. Her intuition that she cannot survive long under an Indian sun is confirmed by her cousin, Diana, who says, \"You are much too pretty, as well as too good, to be grilled alive in Calcutta.\" However, it is somewhat surprising that Diana and Mary feel so little inclined to intervene on Jane's behalf when she is under unfair pressure from St. John."}

He did not leave for Cambridge the next day, as he had said he would. He deferred his departure a whole week, and during that time he made me feel what severe punishment a good yet stern, a conscientious yet implacable man can inflict on one who has offended him. Without one overt act of hostility, one upbraiding word, he contrived to impress me momently with the conviction that I was put beyond the pale of his favour. Not that St. John harboured a spirit of unchristian vindictiveness--not that he would have injured a hair of my head, if it had been fully in his power to do so. Both by nature and principle, he was superior to the mean gratification of vengeance: he had forgiven me for saying I scorned him and his love, but he had not forgotten the words; and as long as he and I lived he never would forget them. I saw by his look, when he turned to me, that they were always written on the air between me and him; whenever I spoke, they sounded in my voice to his ear, and their echo toned every answer he gave me. He did not abstain from conversing with me: he even called me as usual each morning to join him at his desk; and I fear the corrupt man within him had a pleasure unimparted to, and unshared by, the pure Christian, in evincing with what skill he could, while acting and speaking apparently just as usual, extract from every deed and every phrase the spirit of interest and approval which had formerly communicated a certain austere charm to his language and manner. To me, he was in reality become no longer flesh, but marble; his eye was a cold, bright, blue gem; his tongue a speaking instrument--nothing more. All this was torture to me--refined, lingering torture. It kept up a slow fire of indignation and a trembling trouble of grief, which harassed and crushed me altogether. I felt how--if I were his wife, this good man, pure as the deep sunless source, could soon kill me, without drawing from my veins a single drop of blood, or receiving on his own crystal conscience the faintest stain of crime. Especially I felt this when I made any attempt to propitiate him. No ruth met my ruth. _He_ experienced no suffering from estrangement--no yearning after reconciliation; and though, more than once, my fast falling tears blistered the page over which we both bent, they produced no more effect on him than if his heart had been really a matter of stone or metal. To his sisters, meantime, he was somewhat kinder than usual: as if afraid that mere coldness would not sufficiently convince me how completely I was banished and banned, he added the force of contrast; and this I am sure he did not by force, but on principle. The night before he left home, happening to see him walking in the garden about sunset, and remembering, as I looked at him, that this man, alienated as he now was, had once saved my life, and that we were near relations, I was moved to make a last attempt to regain his friendship. I went out and approached him as he stood leaning over the little gate; I spoke to the point at once. "St. John, I am unhappy because you are still angry with me. Let us be friends." "I hope we are friends," was the unmoved reply; while he still watched the rising of the moon, which he had been contemplating as I approached. "No, St. John, we are not friends as we were. You know that." "Are we not? That is wrong. For my part, I wish you no ill and all good." "I believe you, St. John; for I am sure you are incapable of wishing any one ill; but, as I am your kinswoman, I should desire somewhat more of affection than that sort of general philanthropy you extend to mere strangers." "Of course," he said. "Your wish is reasonable, and I am far from regarding you as a stranger." This, spoken in a cool, tranquil tone, was mortifying and baffling enough. Had I attended to the suggestions of pride and ire, I should immediately have left him; but something worked within me more strongly than those feelings could. I deeply venerated my cousin's talent and principle. His friendship was of value to me: to lose it tried me severely. I would not so soon relinquish the attempt to reconquer it. "Must we part in this way, St. John? And when you go to India, will you leave me so, without a kinder word than you have yet spoken?" He now turned quite from the moon and faced me. "When I go to India, Jane, will I leave you! What! do you not go to India?" "You said I could not unless I married you." "And you will not marry me! You adhere to that resolution?" Reader, do you know, as I do, what terror those cold people can put into the ice of their questions? How much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure? "No. St. John, I will not marry you. I adhere to my resolution." The avalanche had shaken and slid a little forward, but it did not yet crash down. "Once more, why this refusal?" he asked. "Formerly," I answered, "because you did not love me; now, I reply, because you almost hate me. If I were to marry you, you would kill me. You are killing me now." His lips and cheeks turned white--quite white. "_I should kill you_--_I am killing you_? Your words are such as ought not to be used: violent, unfeminine, and untrue. They betray an unfortunate state of mind: they merit severe reproof: they would seem inexcusable, but that it is the duty of man to forgive his fellow even until seventy-and-seven times." I had finished the business now. While earnestly wishing to erase from his mind the trace of my former offence, I had stamped on that tenacious surface another and far deeper impression, I had burnt it in. "Now you will indeed hate me," I said. "It is useless to attempt to conciliate you: I see I have made an eternal enemy of you." A fresh wrong did these words inflict: the worse, because they touched on the truth. That bloodless lip quivered to a temporary spasm. I knew the steely ire I had whetted. I was heart-wrung. "You utterly misinterpret my words," I said, at once seizing his hand: "I have no intention to grieve or pain you--indeed, I have not." Most bitterly he smiled--most decidedly he withdrew his hand from mine. "And now you recall your promise, and will not go to India at all, I presume?" said he, after a considerable pause. "Yes, I will, as your assistant," I answered. A very long silence succeeded. What struggle there was in him between Nature and Grace in this interval, I cannot tell: only singular gleams scintillated in his eyes, and strange shadows passed over his face. He spoke at last. "I before proved to you the absurdity of a single woman of your age proposing to accompany abroad a single man of mine. I proved it to you in such terms as, I should have thought, would have prevented your ever again alluding to the plan. That you have done so, I regret--for your sake." I interrupted him. Anything like a tangible reproach gave me courage at once. "Keep to common sense, St. John: you are verging on nonsense. You pretend to be shocked by what I have said. You are not really shocked: for, with your superior mind, you cannot be either so dull or so conceited as to misunderstand my meaning. I say again, I will be your curate, if you like, but never your wife." Again he turned lividly pale; but, as before, controlled his passion perfectly. He answered emphatically but calmly-- "A female curate, who is not my wife, would never suit me. With me, then, it seems, you cannot go: but if you are sincere in your offer, I will, while in town, speak to a married missionary, whose wife needs a coadjutor. Your own fortune will make you independent of the Society's aid; and thus you may still be spared the dishonour of breaking your promise and deserting the band you engaged to join." Now I never had, as the reader knows, either given any formal promise or entered into any engagement; and this language was all much too hard and much too despotic for the occasion. I replied-- "There is no dishonour, no breach of promise, no desertion in the case. I am not under the slightest obligation to go to India, especially with strangers. With you I would have ventured much, because I admire, confide in, and, as a sister, I love you; but I am convinced that, go when and with whom I would, I should not live long in that climate." "Ah! you are afraid of yourself," he said, curling his lip. "I am. God did not give me my life to throw away; and to do as you wish me would, I begin to think, be almost equivalent to committing suicide. Moreover, before I definitively resolve on quitting England, I will know for certain whether I cannot be of greater use by remaining in it than by leaving it." "What do you mean?" "It would be fruitless to attempt to explain; but there is a point on which I have long endured painful doubt, and I can go nowhere till by some means that doubt is removed." "I know where your heart turns and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?" It was true. I confessed it by silence. "Are you going to seek Mr. Rochester?" "I must find out what is become of him." "It remains for me, then," he said, "to remember you in my prayers, and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognised in you one of the chosen. But God sees not as man sees: _His_ will be done--" He opened the gate, passed through it, and strayed away down the glen. He was soon out of sight. On re-entering the parlour, I found Diana standing at the window, looking very thoughtful. Diana was a great deal taller than I: she put her hand on my shoulder, and, stooping, examined my face. "Jane," she said, "you are always agitated and pale now. I am sure there is something the matter. Tell me what business St. John and you have on hands. I have watched you this half hour from the window; you must forgive my being such a spy, but for a long time I have fancied I hardly know what. St. John is a strange being--" She paused--I did not speak: soon she resumed-- "That brother of mine cherishes peculiar views of some sort respecting you, I am sure: he has long distinguished you by a notice and interest he never showed to any one else--to what end? I wish he loved you--does he, Jane?" I put her cool hand to my hot forehead; "No, Die, not one whit." "Then why does he follow you so with his eyes, and get you so frequently alone with him, and keep you so continually at his side? Mary and I had both concluded he wished you to marry him." "He does--he has asked me to be his wife." Diana clapped her hands. "That is just what we hoped and thought! And you will marry him, Jane, won't you? And then he will stay in England." "Far from that, Diana; his sole idea in proposing to me is to procure a fitting fellow-labourer in his Indian toils." "What! He wishes you to go to India?" "Yes." "Madness!" she exclaimed. "You would not live three months there, I am certain. You never shall go: you have not consented, have you, Jane?" "I have refused to marry him--" "And have consequently displeased him?" she suggested. "Deeply: he will never forgive me, I fear: yet I offered to accompany him as his sister." "It was frantic folly to do so, Jane. Think of the task you undertook--one of incessant fatigue, where fatigue kills even the strong, and you are weak. St. John--you know him--would urge you to impossibilities: with him there would be no permission to rest during the hot hours; and unfortunately, I have noticed, whatever he exacts, you force yourself to perform. I am astonished you found courage to refuse his hand. You do not love him then, Jane?" "Not as a husband." "Yet he is a handsome fellow." "And I am so plain, you see, Die. We should never suit." "Plain! You? Not at all. You are much too pretty, as well as too good, to be grilled alive in Calcutta." And again she earnestly conjured me to give up all thoughts of going out with her brother. "I must indeed," I said; "for when just now I repeated the offer of serving him for a deacon, he expressed himself shocked at my want of decency. He seemed to think I had committed an impropriety in proposing to accompany him unmarried: as if I had not from the first hoped to find in him a brother, and habitually regarded him as such." "What makes you say he does not love you, Jane?" "You should hear himself on the subject. He has again and again explained that it is not himself, but his office he wishes to mate. He has told me I am formed for labour--not for love: which is true, no doubt. But, in my opinion, if I am not formed for love, it follows that I am not formed for marriage. Would it not be strange, Die, to be chained for life to a man who regarded one but as a useful tool?" "Insupportable--unnatural--out of the question!" "And then," I continued, "though I have only sisterly affection for him now, yet, if forced to be his wife, I can imagine the possibility of conceiving an inevitable, strange, torturing kind of love for him, because he is so talented; and there is often a certain heroic grandeur in his look, manner, and conversation. In that case, my lot would become unspeakably wretched. He would not want me to love him; and if I showed the feeling, he would make me sensible that it was a superfluity, unrequired by him, unbecoming in me. I know he would." "And yet St. John is a good man," said Diana. "He is a good and a great man; but he forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views. It is better, therefore, for the insignificant to keep out of his way, lest, in his progress, he should trample them down. Here he comes! I will leave you, Diana." And I hastened upstairs as I saw him entering the garden. But I was forced to meet him again at supper. During that meal he appeared just as composed as usual. I had thought he would hardly speak to me, and I was certain he had given up the pursuit of his matrimonial scheme: the sequel showed I was mistaken on both points. He addressed me precisely in his ordinary manner, or what had, of late, been his ordinary manner--one scrupulously polite. No doubt he had invoked the help of the Holy Spirit to subdue the anger I had roused in him, and now believed he had forgiven me once more. For the evening reading before prayers, he selected the twenty-first chapter of Revelation. It was at all times pleasant to listen while from his lips fell the words of the Bible: never did his fine voice sound at once so sweet and full--never did his manner become so impressive in its noble simplicity, as when he delivered the oracles of God: and to-night that voice took a more solemn tone--that manner a more thrilling meaning--as he sat in the midst of his household circle (the May moon shining in through the uncurtained window, and rendering almost unnecessary the light of the candle on the table): as he sat there, bending over the great old Bible, and described from its page the vision of the new heaven and the new earth--told how God would come to dwell with men, how He would wipe away all tears from their eyes, and promised that there should be no more death, neither sorrow nor crying, nor any more pain, because the former things were passed away. The succeeding words thrilled me strangely as he spoke them: especially as I felt, by the slight, indescribable alteration in sound, that in uttering them, his eye had turned on me. "He that overcometh shall inherit all things; and I will be his God, and he shall be my son. But," was slowly, distinctly read, "the fearful, the unbelieving, &c., shall have their part in the lake which burneth with fire and brimstone, which is the second death." Henceforward, I knew what fate St. John feared for me. A calm, subdued triumph, blent with a longing earnestness, marked his enunciation of the last glorious verses of that chapter. The reader believed his name was already written in the Lamb's book of life, and he yearned after the hour which should admit him to the city to which the kings of the earth bring their glory and honour; which has no need of sun or moon to shine in it, because the glory of God lightens it, and the Lamb is the light thereof. In the prayer following the chapter, all his energy gathered--all his stern zeal woke: he was in deep earnest, wrestling with God, and resolved on a conquest. He supplicated strength for the weak-hearted; guidance for wanderers from the fold: a return, even at the eleventh hour, for those whom the temptations of the world and the flesh were luring from the narrow path. He asked, he urged, he claimed the boon of a brand snatched from the burning. Earnestness is ever deeply solemn: first, as I listened to that prayer, I wondered at his; then, when it continued and rose, I was touched by it, and at last awed. He felt the greatness and goodness of his purpose so sincerely: others who heard him plead for it, could not but feel it too. The prayer over, we took leave of him: he was to go at a very early hour in the morning. Diana and Mary having kissed him, left the room--in compliance, I think, with a whispered hint from him: I tendered my hand, and wished him a pleasant journey. "Thank you, Jane. As I said, I shall return from Cambridge in a fortnight: that space, then, is yet left you for reflection. If I listened to human pride, I should say no more to you of marriage with me; but I listen to my duty, and keep steadily in view my first aim--to do all things to the glory of God. My Master was long-suffering: so will I be. I cannot give you up to perdition as a vessel of wrath: repent--resolve, while there is yet time. Remember, we are bid to work while it is day--warned that 'the night cometh when no man shall work.' Remember the fate of Dives, who had his good things in this life. God give you strength to choose that better part which shall not be taken from you!" He laid his hand on my head as he uttered the last words. He had spoken earnestly, mildly: his look was not, indeed, that of a lover beholding his mistress, but it was that of a pastor recalling his wandering sheep--or better, of a guardian angel watching the soul for which he is responsible. All men of talent, whether they be men of feeling or not; whether they be zealots, or aspirants, or despots--provided only they be sincere--have their sublime moments, when they subdue and rule. I felt veneration for St. John--veneration so strong that its impetus thrust me at once to the point I had so long shunned. I was tempted to cease struggling with him--to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment. So I think at this hour, when I look back to the crisis through the quiet medium of time: I was unconscious of folly at the instant. I stood motionless under my hierophant's touch. My refusals were forgotten--my fears overcome--my wrestlings paralysed. The Impossible--_i.e._, my marriage with St. John--was fast becoming the Possible. All was changing utterly with a sudden sweep. Religion called--Angels beckoned--God commanded--life rolled together like a scroll--death's gates opening, showed eternity beyond: it seemed, that for safety and bliss there, all here might be sacrificed in a second. The dim room was full of visions. "Could you decide now?" asked the missionary. The inquiry was put in gentle tones: he drew me to him as gently. Oh, that gentleness! how far more potent is it than force! I could resist St. John's wrath: I grew pliant as a reed under his kindness. Yet I knew all the time, if I yielded now, I should not the less be made to repent, some day, of my former rebellion. His nature was not changed by one hour of solemn prayer: it was only elevated. "I could decide if I were but certain," I answered: "were I but convinced that it is God's will I should marry you, I could vow to marry you here and now--come afterwards what would!" "My prayers are heard!" ejaculated St. John. He pressed his hand firmer on my head, as if he claimed me: he surrounded me with his arm, _almost_ as if he loved me (I say _almost_--I knew the difference--for I had felt what it was to be loved; but, like him, I had now put love out of the question, and thought only of duty). I contended with my inward dimness of vision, before which clouds yet rolled. I sincerely, deeply, fervently longed to do what was right; and only that. "Show me, show me the path!" I entreated of Heaven. I was excited more than I had ever been; and whether what followed was the effect of excitement the reader shall judge. All the house was still; for I believe all, except St. John and myself, were now retired to rest. The one candle was dying out: the room was full of moonlight. My heart beat fast and thick: I heard its throb. Suddenly it stood still to an inexpressible feeling that thrilled it through, and passed at once to my head and extremities. The feeling was not like an electric shock, but it was quite as sharp, as strange, as startling: it acted on my senses as if their utmost activity hitherto had been but torpor, from which they were now summoned and forced to wake. They rose expectant: eye and ear waited while the flesh quivered on my bones. "What have you heard? What do you see?" asked St. John. I saw nothing, but I heard a voice somewhere cry-- "Jane! Jane! Jane!"--nothing more. "O God! what is it?" I gasped. I might have said, "Where is it?" for it did not seem in the room--nor in the house--nor in the garden; it did not come out of the air--nor from under the earth--nor from overhead. I had heard it--where, or whence, for ever impossible to know! And it was the voice of a human being--a known, loved, well-remembered voice--that of Edward Fairfax Rochester; and it spoke in pain and woe, wildly, eerily, urgently. "I am coming!" I cried. "Wait for me! Oh, I will come!" I flew to the door and looked into the passage: it was dark. I ran out into the garden: it was void. "Where are you?" I exclaimed. The hills beyond Marsh Glen sent the answer faintly back--"Where are you?" I listened. The wind sighed low in the firs: all was moorland loneliness and midnight hush. "Down superstition!" I commented, as that spectre rose up black by the black yew at the gate. "This is not thy deception, nor thy witchcraft: it is the work of nature. She was roused, and did--no miracle--but her best." I broke from St. John, who had followed, and would have detained me. It was _my_ time to assume ascendency. _My_ powers were in play and in force. I told him to forbear question or remark; I desired him to leave me: I must and would be alone. He obeyed at once. Where there is energy to command well enough, obedience never fails. I mounted to my chamber; locked myself in; fell on my knees; and prayed in my way--a different way to St. John's, but effective in its own fashion. I seemed to penetrate very near a Mighty Spirit; and my soul rushed out in gratitude at His feet. I rose from the thanksgiving--took a resolve--and lay down, unscared, enlightened--eager but for the daylight.

Chapter 35

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre64.asp

St. John postpones his departure for Cambridge by a week. While he remains at Moor House, he makes Jane feel guilty for some wrong she has committed against him. He refuses even to be friendly with her. Seeing that Jane still nurtures a loving concern for Mr. Rochester, he feels he was mistaken in believing her to be one of those chosen by God to serve Him. Diana sympathizes with Jane on hearing her reasons for refusing St. John's proposal. That evening St. John reads from the Bible and leads the women in prayers. He employs a kind of religious "hypnotism" on Jane to break down her resistance. Jane almost yields to him but is checked by what she thinks is Mr. Rochester's voice. She dismisses St. John and retires to her room to pray. It does not take her much time to reach a definite decision.

Notes Jane's struggle is long and hard. It is no less intense than that symbolized by her life at Thornfield. Since providence has brought them together, it is difficult for Jane to be sure that it has not also intended her to be the wife of St. John. Only when St. John invokes God's name in support of a false ideal of marriage does the supernatural intervene. Here, providence speaks through the mysterious voice of Mr. Rochester, carried on the wind. The chapter ends with Jane kneeling to pray, "a different way to St. John's, but effective in its own fashion." Undoubtedly, nothing but the voice of Mr. Rochester combined with the voice of the Creator could call Jane back to the world of Thornfield. Jane seems to "penetrate very near a Mighty spirit" and her soul rushes out in gratitude at His feet. The sun itself is presented as hostile to Jane. There is an explicit assertion in the text that the climate of India, where St. John wishes to take Jane as his wife and fellow-missionary, will be death of her. Her intuition that she cannot survive long under an Indian sun is confirmed by her cousin, Diana, who says, "You are much too pretty, as well as too good, to be grilled alive in Calcutta." However, it is somewhat surprising that Diana and Mary feel so little inclined to intervene on Jane's behalf when she is under unfair pressure from St. John.

pinkmonkey

all_chapterized_books/1260-chapters/37.txt

finished_summaries/pinkmonkey/Jane Eyre/section_35_part_0.txt

Jane Eyre.volume 3.chapter 36

chapter 36

{"name": "Chapter 36", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre65.asp", "summary": "The next day, St. John leaves for Cambridge after writing a note to Jane in which he urges her to reconsider her decision. Jane informs Diana and Mary that she will be away for four days to see a friend. She takes a coach to Thornfield, where her ardent hopes and expectations are shattered: Thornfield Hall is in ruins. Jane is anxious to know Rochester's fate. The innkeeper tells her that after her departure Mr. Rochester tried to find her and eventually became frustrated. He discharged Mrs. Fairfax and put Adele into a school. Then, one night, Bertha set the house on fire and leapt to her death in the courtyard before she could be rescued. While attempting to save her, Mr. Rochester was injured and lost his eyesight and his left hand. He has been living in seclusion ever since at a different property, Ferndean. Jane sets out to meet him immediately.", "analysis": "Notes The innkeeper brings a sense of suspense to this episode. His manner of relating past events tests the reader's patience. He repeatedly mentions the \"late\" Mr. Rochester and causes Jane to worry that the man she loves is dead. The innkeeper also presents an \"insider's\" view of Thornfield because he once worked there and was acquainted with Rochester's family. Jane discovers that Mr. Rochester has passed through his ordeal by fire, both physical and spiritual. When Jane Eyre is examined as a poetic work that is full of symbols, the episode of the fire is artistically appropriate. Bertha Mason has destroyed herself. In other words, the madness that can accompany unrestrained passion has burned itself out. In addition, it has left Mr. Rochester disfigured and blinded."}

The daylight came. I rose at dawn. I busied myself for an hour or two with arranging my things in my chamber, drawers, and wardrobe, in the order wherein I should wish to leave them during a brief absence. Meantime, I heard St. John quit his room. He stopped at my door: I feared he would knock--no, but a slip of paper was passed under the door. I took it up. It bore these words-- "You left me too suddenly last night. Had you stayed but a little longer, you would have laid your hand on the Christian's cross and the angel's crown. I shall expect your clear decision when I return this day fortnight. Meantime, watch and pray that you enter not into temptation: the spirit, I trust, is willing, but the flesh, I see, is weak. I shall pray for you hourly.--Yours, ST. JOHN." "My spirit," I answered mentally, "is willing to do what is right; and my flesh, I hope, is strong enough to accomplish the will of Heaven, when once that will is distinctly known to me. At any rate, it shall be strong enough to search--inquire--to grope an outlet from this cloud of doubt, and find the open day of certainty." It was the first of June; yet the morning was overcast and chilly: rain beat fast on my casement. I heard the front-door open, and St. John pass out. Looking through the window, I saw him traverse the garden. He took the way over the misty moors in the direction of Whitcross--there he would meet the coach. "In a few more hours I shall succeed you in that track, cousin," thought I: "I too have a coach to meet at Whitcross. I too have some to see and ask after in England, before I depart for ever." It wanted yet two hours of breakfast-time. I filled the interval in walking softly about my room, and pondering the visitation which had given my plans their present bent. I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in _me_--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body. "Ere many days," I said, as I terminated my musings, "I will know something of him whose voice seemed last night to summon me. Letters have proved of no avail--personal inquiry shall replace them." At breakfast I announced to Diana and Mary that I was going a journey, and should be absent at least four days. "Alone, Jane?" they asked. "Yes; it was to see or hear news of a friend about whom I had for some time been uneasy." They might have said, as I have no doubt they thought, that they had believed me to be without any friends save them: for, indeed, I had often said so; but, with their true natural delicacy, they abstained from comment, except that Diana asked me if I was sure I was well enough to travel. I looked very pale, she observed. I replied, that nothing ailed me save anxiety of mind, which I hoped soon to alleviate. It was easy to make my further arrangements; for I was troubled with no inquiries--no surmises. Having once explained to them that I could not now be explicit about my plans, they kindly and wisely acquiesced in the silence with which I pursued them, according to me the privilege of free action I should under similar circumstances have accorded them. I left Moor House at three o'clock p.m., and soon after four I stood at the foot of the sign-post of Whitcross, waiting the arrival of the coach which was to take me to distant Thornfield. Amidst the silence of those solitary roads and desert hills, I heard it approach from a great distance. It was the same vehicle whence, a year ago, I had alighted one summer evening on this very spot--how desolate, and hopeless, and objectless! It stopped as I beckoned. I entered--not now obliged to part with my whole fortune as the price of its accommodation. Once more on the road to Thornfield, I felt like the messenger-pigeon flying home. It was a journey of six-and-thirty hours. I had set out from Whitcross on a Tuesday afternoon, and early on the succeeding Thursday morning the coach stopped to water the horses at a wayside inn, situated in the midst of scenery whose green hedges and large fields and low pastoral hills (how mild of feature and verdant of hue compared with the stern North- Midland moors of Morton!) met my eye like the lineaments of a once familiar face. Yes, I knew the character of this landscape: I was sure we were near my bourne. "How far is Thornfield Hall from here?" I asked of the ostler. "Just two miles, ma'am, across the fields." "My journey is closed," I thought to myself. I got out of the coach, gave a box I had into the ostler's charge, to be kept till I called for it; paid my fare; satisfied the coachman, and was going: the brightening day gleamed on the sign of the inn, and I read in gilt letters, "The Rochester Arms." My heart leapt up: I was already on my master's very lands. It fell again: the thought struck it:-- "Your master himself may be beyond the British Channel, for aught you know: and then, if he is at Thornfield Hall, towards which you hasten, who besides him is there? His lunatic wife: and you have nothing to do with him: you dare not speak to him or seek his presence. You have lost your labour--you had better go no farther," urged the monitor. "Ask information of the people at the inn; they can give you all you seek: they can solve your doubts at once. Go up to that man, and inquire if Mr. Rochester be at home." The suggestion was sensible, and yet I could not force myself to act on it. I so dreaded a reply that would crush me with despair. To prolong doubt was to prolong hope. I might yet once more see the Hall under the ray of her star. There was the stile before me--the very fields through which I had hurried, blind, deaf, distracted with a revengeful fury tracking and scourging me, on the morning I fled from Thornfield: ere I well knew what course I had resolved to take, I was in the midst of them. How fast I walked! How I ran sometimes! How I looked forward to catch the first view of the well-known woods! With what feelings I welcomed single trees I knew, and familiar glimpses of meadow and hill between them! At last the woods rose; the rookery clustered dark; a loud cawing broke the morning stillness. Strange delight inspired me: on I hastened. Another field crossed--a lane threaded--and there were the courtyard walls--the back offices: the house itself, the rookery still hid. "My first view of it shall be in front," I determined, "where its bold battlements will strike the eye nobly at once, and where I can single out my master's very window: perhaps he will be standing at it--he rises early: perhaps he is now walking in the orchard, or on the pavement in front. Could I but see him!--but a moment! Surely, in that case, I should not be so mad as to run to him? I cannot tell--I am not certain. And if I did--what then? God bless him! What then? Who would be hurt by my once more tasting the life his glance can give me? I rave: perhaps at this moment he is watching the sun rise over the Pyrenees, or on the tideless sea of the south." I had coasted along the lower wall of the orchard--turned its angle: there was a gate just there, opening into the meadow, between two stone pillars crowned by stone balls. From behind one pillar I could peep round quietly at the full front of the mansion. I advanced my head with precaution, desirous to ascertain if any bedroom window-blinds were yet drawn up: battlements, windows, long front--all from this sheltered station were at my command. The crows sailing overhead perhaps watched me while I took this survey. I wonder what they thought. They must have considered I was very careful and timid at first, and that gradually I grew very bold and reckless. A peep, and then a long stare; and then a departure from my niche and a straying out into the meadow; and a sudden stop full in front of the great mansion, and a protracted, hardy gaze towards it. "What affectation of diffidence was this at first?" they might have demanded; "what stupid regardlessness now?" Hear an illustration, reader. A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses--fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty--warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter--by any movement he can make. He thought his love slept sweetly: he finds she is stone dead. I looked with timorous joy towards a stately house: I saw a blackened ruin. No need to cower behind a gate-post, indeed!--to peep up at chamber lattices, fearing life was astir behind them! No need to listen for doors opening--to fancy steps on the pavement or the gravel-walk! The lawn, the grounds were trodden and waste: the portal yawned void. The front was, as I had once seen it in a dream, but a well-like wall, very high and very fragile-looking, perforated with paneless windows: no roof, no battlements, no chimneys--all had crashed in. And there was the silence of death about it: the solitude of a lonesome wild. No wonder that letters addressed to people here had never received an answer: as well despatch epistles to a vault in a church aisle. The grim blackness of the stones told by what fate the Hall had fallen--by conflagration: but how kindled? What story belonged to this disaster? What loss, besides mortar and marble and wood-work had followed upon it? Had life been wrecked as well as property? If so, whose? Dreadful question: there was no one here to answer it--not even dumb sign, mute token. In wandering round the shattered walls and through the devastated interior, I gathered evidence that the calamity was not of late occurrence. Winter snows, I thought, had drifted through that void arch, winter rains beaten in at those hollow casements; for, amidst the drenched piles of rubbish, spring had cherished vegetation: grass and weed grew here and there between the stones and fallen rafters. And oh! where meantime was the hapless owner of this wreck? In what land? Under what auspices? My eye involuntarily wandered to the grey church tower near the gates, and I asked, "Is he with Damer de Rochester, sharing the shelter of his narrow marble house?" Some answer must be had to these questions. I could find it nowhere but at the inn, and thither, ere long, I returned. The host himself brought my breakfast into the parlour. I requested him to shut the door and sit down: I had some questions to ask him. But when he complied, I scarcely knew how to begin; such horror had I of the possible answers. And yet the spectacle of desolation I had just left prepared me in a measure for a tale of misery. The host was a respectable-looking, middle-aged man. "You know Thornfield Hall, of course?" I managed to say at last. "Yes, ma'am; I lived there once." "Did you?" Not in my time, I thought: you are a stranger to me. "I was the late Mr. Rochester's butler," he added. The late! I seem to have received, with full force, the blow I had been trying to evade. "The late!" I gasped. "Is he dead?" "I mean the present gentleman, Mr. Edward's father," he explained. I breathed again: my blood resumed its flow. Fully assured by these words that Mr. Edward--_my_ Mr. Rochester (God bless him, wherever he was!)--was at least alive: was, in short, "the present gentleman." Gladdening words! It seemed I could hear all that was to come--whatever the disclosures might be--with comparative tranquillity. Since he was not in the grave, I could bear, I thought, to learn that he was at the Antipodes. "Is Mr. Rochester living at Thornfield Hall now?" I asked, knowing, of course, what the answer would be, but yet desirous of deferring the direct question as to where he really was. "No, ma'am--oh, no! No one is living there. I suppose you are a stranger in these parts, or you would have heard what happened last autumn,--Thornfield Hall is quite a ruin: it was burnt down just about harvest-time. A dreadful calamity! such an immense quantity of valuable property destroyed: hardly any of the furniture could be saved. The fire broke out at dead of night, and before the engines arrived from Millcote, the building was one mass of flame. It was a terrible spectacle: I witnessed it myself." "At dead of night!" I muttered. Yes, that was ever the hour of fatality at Thornfield. "Was it known how it originated?" I demanded. "They guessed, ma'am: they guessed. Indeed, I should say it was ascertained beyond a doubt. You are not perhaps aware," he continued, edging his chair a little nearer the table, and speaking low, "that there was a lady--a--a lunatic, kept in the house?" "I have heard something of it." "She was kept in very close confinement, ma'am: people even for some years was not absolutely certain of her existence. No one saw her: they only knew by rumour that such a person was at the Hall; and who or what she was it was difficult to conjecture. They said Mr. Edward had brought her from abroad, and some believed she had been his mistress. But a queer thing happened a year since--a very queer thing." I feared now to hear my own story. I endeavoured to recall him to the main fact. "And this lady?" "This lady, ma'am," he answered, "turned out to be Mr. Rochester's wife! The discovery was brought about in the strangest way. There was a young lady, a governess at the Hall, that Mr. Rochester fell in--" "But the fire," I suggested. "I'm coming to that, ma'am--that Mr. Edward fell in love with. The servants say they never saw anybody so much in love as he was: he was after her continually. They used to watch him--servants will, you know, ma'am--and he set store on her past everything: for all, nobody but him thought her so very handsome. She was a little small thing, they say, almost like a child. I never saw her myself; but I've heard Leah, the house-maid, tell of her. Leah liked her well enough. Mr. Rochester was about forty, and this governess not twenty; and you see, when gentlemen of his age fall in love with girls, they are often like as if they were bewitched. Well, he would marry her." "You shall tell me this part of the story another time," I said; "but now I have a particular reason for wishing to hear all about the fire. Was it suspected that this lunatic, Mrs. Rochester, had any hand in it?" "You've hit it, ma'am: it's quite certain that it was her, and nobody but her, that set it going. She had a woman to take care of her called Mrs. Poole--an able woman in her line, and very trustworthy, but for one fault--a fault common to a deal of them nurses and matrons--she _kept a private bottle of gin by her_, and now and then took a drop over-much. It is excusable, for she had a hard life of it: but still it was dangerous; for when Mrs. Poole was fast asleep after the gin and water, the mad lady, who was as cunning as a witch, would take the keys out of her pocket, let herself out of her chamber, and go roaming about the house, doing any wild mischief that came into her head. They say she had nearly burnt her husband in his bed once: but I don't know about that. However, on this night, she set fire first to the hangings of the room next her own, and then she got down to a lower storey, and made her way to the chamber that had been the governess's--(she was like as if she knew somehow how matters had gone on, and had a spite at her)--and she kindled the bed there; but there was nobody sleeping in it, fortunately. The governess had run away two months before; and for all Mr. Rochester sought her as if she had been the most precious thing he had in the world, he never could hear a word of her; and he grew savage--quite savage on his disappointment: he never was a wild man, but he got dangerous after he lost her. He would be alone, too. He sent Mrs. Fairfax, the housekeeper, away to her friends at a distance; but he did it handsomely, for he settled an annuity on her for life: and she deserved it--she was a very good woman. Miss Adele, a ward he had, was put to school. He broke off acquaintance with all the gentry, and shut himself up like a hermit at the Hall." "What! did he not leave England?" "Leave England? Bless you, no! He would not cross the door-stones of the house, except at night, when he walked just like a ghost about the grounds and in the orchard as if he had lost his senses--which it is my opinion he had; for a more spirited, bolder, keener gentleman than he was before that midge of a governess crossed him, you never saw, ma'am. He was not a man given to wine, or cards, or racing, as some are, and he was not so very handsome; but he had a courage and a will of his own, if ever man had. I knew him from a boy, you see: and for my part, I have often wished that Miss Eyre had been sunk in the sea before she came to Thornfield Hall." "Then Mr. Rochester was at home when the fire broke out?" "Yes, indeed was he; and he went up to the attics when all was burning above and below, and got the servants out of their beds and helped them down himself, and went back to get his mad wife out of her cell. And then they called out to him that she was on the roof, where she was standing, waving her arms, above the battlements, and shouting out till they could hear her a mile off: I saw her and heard her with my own eyes. She was a big woman, and had long black hair: we could see it streaming against the flames as she stood. I witnessed, and several more witnessed, Mr. Rochester ascend through the sky-light on to the roof; we heard him call 'Bertha!' We saw him approach her; and then, ma'am, she yelled and gave a spring, and the next minute she lay smashed on the pavement." {The next minute she lay smashed on the pavement: p413.jpg} "Dead?" "Dead! Ay, dead as the stones on which her brains and blood were scattered." "Good God!" "You may well say so, ma'am: it was frightful!" He shuddered. "And afterwards?" I urged. "Well, ma'am, afterwards the house was burnt to the ground: there are only some bits of walls standing now." "Were any other lives lost?" "No--perhaps it would have been better if there had." "What do you mean?" "Poor Mr. Edward!" he ejaculated, "I little thought ever to have seen it! Some say it was a just judgment on him for keeping his first marriage secret, and wanting to take another wife while he had one living: but I pity him, for my part." "You said he was alive?" I exclaimed. "Yes, yes: he is alive; but many think he had better be dead." "Why? How?" My blood was again running cold. "Where is he?" I demanded. "Is he in England?" "Ay--ay--he's in England; he can't get out of England, I fancy--he's a fixture now." What agony was this! And the man seemed resolved to protract it. "He is stone-blind," he said at last. "Yes, he is stone-blind, is Mr. Edward." I had dreaded worse. I had dreaded he was mad. I summoned strength to ask what had caused this calamity. "It was all his own courage, and a body may say, his kindness, in a way, ma'am: he wouldn't leave the house till every one else was out before him. As he came down the great staircase at last, after Mrs. Rochester had flung herself from the battlements, there was a great crash--all fell. He was taken out from under the ruins, alive, but sadly hurt: a beam had fallen in such a way as to protect him partly; but one eye was knocked out, and one hand so crushed that Mr. Carter, the surgeon, had to amputate it directly. The other eye inflamed: he lost the sight of that also. He is now helpless, indeed--blind and a cripple." "Where is he? Where does he now live?" "At Ferndean, a manor-house on a farm he has, about thirty miles off: quite a desolate spot." "Who is with him?" "Old John and his wife: he would have none else. He is quite broken down, they say." "Have you any sort of conveyance?" "We have a chaise, ma'am, a very handsome chaise." "Let it be got ready instantly; and if your post-boy can drive me to Ferndean before dark this day, I'll pay both you and him twice the hire you usually demand."

Chapter 36

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre65.asp

The next day, St. John leaves for Cambridge after writing a note to Jane in which he urges her to reconsider her decision. Jane informs Diana and Mary that she will be away for four days to see a friend. She takes a coach to Thornfield, where her ardent hopes and expectations are shattered: Thornfield Hall is in ruins. Jane is anxious to know Rochester's fate. The innkeeper tells her that after her departure Mr. Rochester tried to find her and eventually became frustrated. He discharged Mrs. Fairfax and put Adele into a school. Then, one night, Bertha set the house on fire and leapt to her death in the courtyard before she could be rescued. While attempting to save her, Mr. Rochester was injured and lost his eyesight and his left hand. He has been living in seclusion ever since at a different property, Ferndean. Jane sets out to meet him immediately.

Notes The innkeeper brings a sense of suspense to this episode. His manner of relating past events tests the reader's patience. He repeatedly mentions the "late" Mr. Rochester and causes Jane to worry that the man she loves is dead. The innkeeper also presents an "insider's" view of Thornfield because he once worked there and was acquainted with Rochester's family. Jane discovers that Mr. Rochester has passed through his ordeal by fire, both physical and spiritual. When Jane Eyre is examined as a poetic work that is full of symbols, the episode of the fire is artistically appropriate. Bertha Mason has destroyed herself. In other words, the madness that can accompany unrestrained passion has burned itself out. In addition, it has left Mr. Rochester disfigured and blinded.

pinkmonkey

all_chapterized_books/1260-chapters/38.txt

finished_summaries/pinkmonkey/Jane Eyre/section_36_part_0.txt

Jane Eyre.volume 3.chapter 37

chapter 37

{"name": "Chapter 37", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre66.asp", "summary": "It is evening by the time Jane arrives at Ferndean. She sees Mr. Rochester groping his way out into the twilight and then returning to the house. She finds him of the same physical aspect as before, except that his face wears a \"brooding\" look. She announces herself to Mary and John who are taking care of Mr. Rochester. She carries his tray into the parlor for him and gives him a chance to recognize her voice. He wonders if he is awake or just dreaming. Jane embraces him and assures him of her physical presence. She informs him of her newly gained independence and claims that she has returned for him. She also promises that she will never leave him. Mr. Rochester declares that because of his invalid condition, they may have to be more like a father and daughter than a husband and wife. When he expresses his fear that she will leave him owing to his ugly scars, she points out in a light manner that he was always \"hideous.\" He is obviously pleased to have her back. They spend the next day together. She narrates to him her experiences of the previous year. She deliberately mentions St. John Rivers to provoke his jealousy and in the process, to lighten his sorrow. However, she quickly reassures him of her undivided love. She goes on to compare what the two men in her life mean to her: she concludes that while she respects St. John, she loves Mr. Rochester. As there is no barrier to their marriage now, Rochester loses no time in asking her to marry him. Jane learns that at the very time that she had seemed to hear his voice, he had actually cried out her name after begging God for his help. Mr. Rochester feels that Jane has come in response to his anguished call. He also reveals how he has come to trust God as never before.", "analysis": "Notes The mood of this section at Ferndean is that of reconciliation. There are overtones of temporizing and of lessons learned, that give this chapter a quiet, autumnal quality. It is difficult to believe that the Jane of this chapter is still only nineteen years old, perhaps because her attitudes have matured and become those of the older Jane, who is the real narrator of the novel. There is little of the youthful, lyric quality of the scene of the proposal in the garden at Thornfield. Both Jane and Mr. Rochester have learned to face life directly without illusions and to make happiness out of a human lot that is less than ideal. To Rochester's question, \"you are altogether a human being, Jane!,\" she answers, \"I conscientiously believe so, Mr. Rochester.\" Mr. Rochester is also a completely changed man. He has been \"charred and scorched\" by the fire of Thornfield. He has also been disfigured and blinded. His character has undergone a major change. The readers see him in a penitent mood at the end of the chapter. His \"stiff-necked rebellion\" has been chastened and subdued. His arrogance has given way, yielding to humility. His pride in his strength has been softened. In his own words he has turned to his Creator. He humbly entreats his redeemer to give him the \"strength to lead henceforth a purer life\" than he has led so far. However, the teasing humor of the conversation between Jane and Mr. Rochester shows how they are restored to their loving sympathy. She is born to serve and to give. She can now give ungrudgingly to the man she loves. His consuming need for her will provide her with a completely fulfilling job. In many ways she is now happier than she ever was during the summer of their first, guilt-haunted courtship."}

The manor-house of Ferndean was a building of considerable antiquity, moderate size, and no architectural pretensions, deep buried in a wood. I had heard of it before. Mr. Rochester often spoke of it, and sometimes went there. His father had purchased the estate for the sake of the game covers. He would have let the house, but could find no tenant, in consequence of its ineligible and insalubrious site. Ferndean then remained uninhabited and unfurnished, with the exception of some two or three rooms fitted up for the accommodation of the squire when he went there in the season to shoot. To this house I came just ere dark on an evening marked by the characteristics of sad sky, cold gale, and continued small penetrating rain. The last mile I performed on foot, having dismissed the chaise and driver with the double remuneration I had promised. Even when within a very short distance of the manor-house, you could see nothing of it, so thick and dark grew the timber of the gloomy wood about it. Iron gates between granite pillars showed me where to enter, and passing through them, I found myself at once in the twilight of close-ranked trees. There was a grass-grown track descending the forest aisle between hoar and knotty shafts and under branched arches. I followed it, expecting soon to reach the dwelling; but it stretched on and on, it wound far and farther: no sign of habitation or grounds was visible. I thought I had taken a wrong direction and lost my way. The darkness of natural as well as of sylvan dusk gathered over me. I looked round in search of another road. There was none: all was interwoven stem, columnar trunk, dense summer foliage--no opening anywhere. I proceeded: at last my way opened, the trees thinned a little; presently I beheld a railing, then the house--scarce, by this dim light, distinguishable from the trees; so dank and green were its decaying walls. Entering a portal, fastened only by a latch, I stood amidst a space of enclosed ground, from which the wood swept away in a semicircle. There were no flowers, no garden-beds; only a broad gravel-walk girdling a grass-plat, and this set in the heavy frame of the forest. The house presented two pointed gables in its front; the windows were latticed and narrow: the front door was narrow too, one step led up to it. The whole looked, as the host of the Rochester Arms had said, "quite a desolate spot." It was as still as a church on a week-day: the pattering rain on the forest leaves was the only sound audible in its vicinage. "Can there be life here?" I asked. Yes, life of some kind there was; for I heard a movement--that narrow front-door was unclosing, and some shape was about to issue from the grange. It opened slowly: a figure came out into the twilight and stood on the step; a man without a hat: he stretched forth his hand as if to feel whether it rained. Dusk as it was, I had recognised him--it was my master, Edward Fairfax Rochester, and no other. I stayed my step, almost my breath, and stood to watch him--to examine him, myself unseen, and alas! to him invisible. It was a sudden meeting, and one in which rapture was kept well in check by pain. I had no difficulty in restraining my voice from exclamation, my step from hasty advance. His form was of the same strong and stalwart contour as ever: his port was still erect, his hair was still raven black; nor were his features altered or sunk: not in one year's space, by any sorrow, could his athletic strength be quelled or his vigorous prime blighted. But in his countenance I saw a change: that looked desperate and brooding--that reminded me of some wronged and fettered wild beast or bird, dangerous to approach in his sullen woe. The caged eagle, whose gold-ringed eyes cruelty has extinguished, might look as looked that sightless Samson. And, reader, do you think I feared him in his blind ferocity?--if you do, you little know me. A soft hope blest with my sorrow that soon I should dare to drop a kiss on that brow of rock, and on those lips so sternly sealed beneath it: but not yet. I would not accost him yet. He descended the one step, and advanced slowly and gropingly towards the grass-plat. Where was his daring stride now? Then he paused, as if he knew not which way to turn. He lifted his hand and opened his eyelids; gazed blank, and with a straining effort, on the sky, and toward the amphitheatre of trees: one saw that all to him was void darkness. He stretched his right hand (the left arm, the mutilated one, he kept hidden in his bosom); he seemed to wish by touch to gain an idea of what lay around him: he met but vacancy still; for the trees were some yards off where he stood. He relinquished the endeavour, folded his arms, and stood quiet and mute in the rain, now falling fast on his uncovered head. At this moment John approached him from some quarter. "Will you take my arm, sir?" he said; "there is a heavy shower coming on: had you not better go in?" "Let me alone," was the answer. John withdrew without having observed me. Mr. Rochester now tried to walk about: vainly,--all was too uncertain. He groped his way back to the house, and, re-entering it, closed the door. I now drew near and knocked: John's wife opened for me. "Mary," I said, "how are you?" She started as if she had seen a ghost: I calmed her. To her hurried "Is it really you, miss, come at this late hour to this lonely place?" I answered by taking her hand; and then I followed her into the kitchen, where John now sat by a good fire. I explained to them, in few words, that I had heard all which had happened since I left Thornfield, and that I was come to see Mr. Rochester. I asked John to go down to the turn- pike-house, where I had dismissed the chaise, and bring my trunk, which I had left there: and then, while I removed my bonnet and shawl, I questioned Mary as to whether I could be accommodated at the Manor House for the night; and finding that arrangements to that effect, though difficult, would not be impossible, I informed her I should stay. Just at this moment the parlour-bell rang. "When you go in," said I, "tell your master that a person wishes to speak to him, but do not give my name." "I don't think he will see you," she answered; "he refuses everybody." When she returned, I inquired what he had said. "You are to send in your name and your business," she replied. She then proceeded to fill a glass with water, and place it on a tray, together with candles. "Is that what he rang for?" I asked. "Yes: he always has candles brought in at dark, though he is blind." "Give the tray to me; I will carry it in." I took it from her hand: she pointed me out the parlour door. The tray shook as I held it; the water spilt from the glass; my heart struck my ribs loud and fast. Mary opened the door for me, and shut it behind me. This parlour looked gloomy: a neglected handful of fire burnt low in the grate; and, leaning over it, with his head supported against the high, old-fashioned mantelpiece, appeared the blind tenant of the room. His old dog, Pilot, lay on one side, removed out of the way, and coiled up as if afraid of being inadvertently trodden upon. Pilot pricked up his ears when I came in: then he jumped up with a yelp and a whine, and bounded towards me: he almost knocked the tray from my hands. I set it on the table; then patted him, and said softly, "Lie down!" Mr. Rochester turned mechanically to _see_ what the commotion was: but as he _saw_ nothing, he returned and sighed. "Give me the water, Mary," he said. I approached him with the now only half-filled glass; Pilot followed me, still excited. "What is the matter?" he inquired. "Down, Pilot!" I again said. He checked the water on its way to his lips, and seemed to listen: he drank, and put the glass down. "This is you, Mary, is it not?" "Mary is in the kitchen," I answered. He put out his hand with a quick gesture, but not seeing where I stood, he did not touch me. "Who is this? Who is this?" he demanded, trying, as it seemed, to _see_ with those sightless eyes--unavailing and distressing attempt! "Answer me--speak again!" he ordered, imperiously and aloud. "Will you have a little more water, sir? I spilt half of what was in the glass," I said. "_Who_ is it? _What_ is it? Who speaks?" "Pilot knows me, and John and Mary know I am here. I came only this evening," I answered. "Great God!--what delusion has come over me? What sweet madness has seized me?" "No delusion--no madness: your mind, sir, is too strong for delusion, your health too sound for frenzy." "And where is the speaker? Is it only a voice? Oh! I _cannot_ see, but I must feel, or my heart will stop and my brain burst. Whatever--whoever you are--be perceptible to the touch or I cannot live!" He groped; I arrested his wandering hand, and prisoned it in both mine. "Her very fingers!" he cried; "her small, slight fingers! If so there must be more of her." The muscular hand broke from my custody; my arm was seized, my shoulder--neck--waist--I was entwined and gathered to him. "Is it Jane? _What_ is it? This is her shape--this is her size--" "And this her voice," I added. "She is all here: her heart, too. God bless you, sir! I am glad to be so near you again." "Jane Eyre!--Jane Eyre," was all he said. "My dear master," I answered, "I am Jane Eyre: I have found you out--I am come back to you." "In truth?--in the flesh? My living Jane?" "You touch me, sir,--you hold me, and fast enough: I am not cold like a corpse, nor vacant like air, am I?" "My living darling! These are certainly her limbs, and these her features; but I cannot be so blest, after all my misery. It is a dream; such dreams as I have had at night when I have clasped her once more to my heart, as I do now; and kissed her, as thus--and felt that she loved me, and trusted that she would not leave me." "Which I never will, sir, from this day." "Never will, says the vision? But I always woke and found it an empty mockery; and I was desolate and abandoned--my life dark, lonely, hopeless--my soul athirst and forbidden to drink--my heart famished and never to be fed. Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go--embrace me, Jane." "There, sir--and there!"' I pressed my lips to his once brilliant and now rayless eyes--I swept his hair from his brow, and kissed that too. He suddenly seemed to arouse himself: the conviction of the reality of all this seized him. "It is you--is it, Jane? You are come back to me then?" "I am." "And you do not lie dead in some ditch under some stream? And you are not a pining outcast amongst strangers?" "No, sir! I am an independent woman now." "Independent! What do you mean, Jane?" "My uncle in Madeira is dead, and he left me five thousand pounds." "Ah! this is practical--this is real!" he cried: "I should never dream that. Besides, there is that peculiar voice of hers, so animating and piquant, as well as soft: it cheers my withered heart; it puts life into it.--What, Janet! Are you an independent woman? A rich woman?" "If you won't let me live with you, I can build a house of my own close up to your door, and you may come and sit in my parlour when you want company of an evening." "But as you are rich, Jane, you have now, no doubt, friends who will look after you, and not suffer you to devote yourself to a blind lameter like me?" "I told you I am independent, sir, as well as rich: I am my own mistress." "And you will stay with me?" "Certainly--unless you object. I will be your neighbour, your nurse, your housekeeper. I find you lonely: I will be your companion--to read to you, to walk with you, to sit with you, to wait on you, to be eyes and hands to you. Cease to look so melancholy, my dear master; you shall not be left desolate, so long as I live." He replied not: he seemed serious--abstracted; he sighed; he half-opened his lips as if to speak: he closed them again. I felt a little embarrassed. Perhaps I had too rashly over-leaped conventionalities; and he, like St. John, saw impropriety in my inconsiderateness. I had indeed made my proposal from the idea that he wished and would ask me to be his wife: an expectation, not the less certain because unexpressed, had buoyed me up, that he would claim me at once as his own. But no hint to that effect escaping him and his countenance becoming more overcast, I suddenly remembered that I might have been all wrong, and was perhaps playing the fool unwittingly; and I began gently to withdraw myself from his arms--but he eagerly snatched me closer. "No--no--Jane; you must not go. No--I have touched you, heard you, felt the comfort of your presence--the sweetness of your consolation: I cannot give up these joys. I have little left in myself--I must have you. The world may laugh--may call me absurd, selfish--but it does not signify. My very soul demands you: it will be satisfied, or it will take deadly vengeance on its frame." "Well, sir, I will stay with you: I have said so." "Yes--but you understand one thing by staying with me; and I understand another. You, perhaps, could make up your mind to be about my hand and chair--to wait on me as a kind little nurse (for you have an affectionate heart and a generous spirit, which prompt you to make sacrifices for those you pity), and that ought to suffice for me no doubt. I suppose I should now entertain none but fatherly feelings for you: do you think so? Come--tell me." "I will think what you like, sir: I am content to be only your nurse, if you think it better." "But you cannot always be my nurse, Janet: you are young--you must marry one day." "I don't care about being married." "You should care, Janet: if I were what I once was, I would try to make you care--but--a sightless block!" He relapsed again into gloom. I, on the contrary, became more cheerful, and took fresh courage: these last words gave me an insight as to where the difficulty lay; and as it was no difficulty with me, I felt quite relieved from my previous embarrassment. I resumed a livelier vein of conversation. "It is time some one undertook to rehumanise you," said I, parting his thick and long uncut locks; "for I see you are being metamorphosed into a lion, or something of that sort. You have a 'faux air' of Nebuchadnezzar in the fields about you, that is certain: your hair reminds me of eagles' feathers; whether your nails are grown like birds' claws or not, I have not yet noticed." "On this arm, I have neither hand nor nails," he said, drawing the mutilated limb from his breast, and showing it to me. "It is a mere stump--a ghastly sight! Don't you think so, Jane?" "It is a pity to see it; and a pity to see your eyes--and the scar of fire on your forehead: and the worst of it is, one is in danger of loving you too well for all this; and making too much of you." "I thought you would be revolted, Jane, when you saw my arm, and my cicatrised visage." "Did you? Don't tell me so--lest I should say something disparaging to your judgment. Now, let me leave you an instant, to make a better fire, and have the hearth swept up. Can you tell when there is a good fire?" "Yes; with the right eye I see a glow--a ruddy haze." "And you see the candles?" "Very dimly--each is a luminous cloud." "Can you see me?" "No, my fairy: but I am only too thankful to hear and feel you." "When do you take supper?" "I never take supper." "But you shall have some to-night. I am hungry: so are you, I daresay, only you forget." Summoning Mary, I soon had the room in more cheerful order: I prepared him, likewise, a comfortable repast. My spirits were excited, and with pleasure and ease I talked to him during supper, and for a long time after. There was no harassing restraint, no repressing of glee and vivacity with him; for with him I was at perfect ease, because I knew I suited him; all I said or did seemed either to console or revive him. Delightful consciousness! It brought to life and light my whole nature: in his presence I thoroughly lived; and he lived in mine. Blind as he was, smiles played over his face, joy dawned on his forehead: his lineaments softened and warmed. After supper, he began to ask me many questions, of where I had been, what I had been doing, how I had found him out; but I gave him only very partial replies: it was too late to enter into particulars that night. Besides, I wished to touch no deep-thrilling chord--to open no fresh well of emotion in his heart: my sole present aim was to cheer him. Cheered, as I have said, he was: and yet but by fits. If a moment's silence broke the conversation, he would turn restless, touch me, then say, "Jane." "You are altogether a human being, Jane? You are certain of that?" {You are altogether a human being, Jane? You are certain of that?: p422.jpg} "I conscientiously believe so, Mr. Rochester." "Yet how, on this dark and doleful evening, could you so suddenly rise on my lone hearth? I stretched my hand to take a glass of water from a hireling, and it was given me by you: I asked a question, expecting John's wife to answer me, and your voice spoke at my ear." "Because I had come in, in Mary's stead, with the tray." "And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more." A commonplace, practical reply, out of the train of his own disturbed ideas, was, I was sure, the best and most reassuring for him in this frame of mind. I passed my finger over his eyebrows, and remarked that they were scorched, and that I would apply something which would make them grow as broad and black as ever. "Where is the use of doing me good in any way, beneficent spirit, when, at some fatal moment, you will again desert me--passing like a shadow, whither and how to me unknown, and for me remaining afterwards undiscoverable? "Have you a pocket-comb about you, sir?" "What for, Jane?" "Just to comb out this shaggy black mane. I find you rather alarming, when I examine you close at hand: you talk of my being a fairy, but I am sure, you are more like a brownie." "Am I hideous, Jane?" "Very, sir: you always were, you know." "Humph! The wickedness has not been taken out of you, wherever you have sojourned." "Yet I have been with good people; far better than you: a hundred times better people; possessed of ideas and views you never entertained in your life: quite more refined and exalted." "Who the deuce have you been with?" "If you twist in that way you will make me pull the hair out of your head; and then I think you will cease to entertain doubts of my substantiality." "Who have you been with, Jane?" "You shall not get it out of me to-night, sir; you must wait till to-morrow; to leave my tale half told, will, you know, be a sort of security that I shall appear at your breakfast table to finish it. By the bye, I must mind not to rise on your hearth with only a glass of water then: I must bring an egg at the least, to say nothing of fried ham." "You mocking changeling--fairy-born and human-bred! You make me feel as I have not felt these twelve months. If Saul could have had you for his David, the evil spirit would have been exorcised without the aid of the harp." "There, sir, you are redd up and made decent. Now I'll leave you: I have been travelling these last three days, and I believe I am tired. Good night." "Just one word, Jane: were there only ladies in the house where you have been?" I laughed and made my escape, still laughing as I ran upstairs. "A good idea!" I thought with glee. "I see I have the means of fretting him out of his melancholy for some time to come." Very early the next morning I heard him up and astir, wandering from one room to another. As soon as Mary came down I heard the question: "Is Miss Eyre here?" Then: "Which room did you put her into? Was it dry? Is she up? Go and ask if she wants anything; and when she will come down." I came down as soon as I thought there was a prospect of breakfast. Entering the room very softly, I had a view of him before he discovered my presence. It was mournful, indeed, to witness the subjugation of that vigorous spirit to a corporeal infirmity. He sat in his chair--still, but not at rest: expectant evidently; the lines of now habitual sadness marking his strong features. His countenance reminded one of a lamp quenched, waiting to be re-lit--and alas! it was not himself that could now kindle the lustre of animated expression: he was dependent on another for that office! I had meant to be gay and careless, but the powerlessness of the strong man touched my heart to the quick: still I accosted him with what vivacity I could. "It is a bright, sunny morning, sir," I said. "The rain is over and gone, and there is a tender shining after it: you shall have a walk soon." I had wakened the glow: his features beamed. "Oh, you are indeed there, my skylark! Come to me. You are not gone: not vanished? I heard one of your kind an hour ago, singing high over the wood: but its song had no music for me, any more than the rising sun had rays. All the melody on earth is concentrated in my Jane's tongue to my ear (I am glad it is not naturally a silent one): all the sunshine I can feel is in her presence." The water stood in my eyes to hear this avowal of his dependence; just as if a royal eagle, chained to a perch, should be forced to entreat a sparrow to become its purveyor. But I would not be lachrymose: I dashed off the salt drops, and busied myself with preparing breakfast. Most of the morning was spent in the open air. I led him out of the wet and wild wood into some cheerful fields: I described to him how brilliantly green they were; how the flowers and hedges looked refreshed; how sparklingly blue was the sky. I sought a seat for him in a hidden and lovely spot, a dry stump of a tree; nor did I refuse to let him, when seated, place me on his knee. Why should I, when both he and I were happier near than apart? Pilot lay beside us: all was quiet. He broke out suddenly while clasping me in his arms-- "Cruel, cruel deserter! Oh, Jane, what did I feel when I discovered you had fled from Thornfield, and when I could nowhere find you; and, after examining your apartment, ascertained that you had taken no money, nor anything which could serve as an equivalent! A pearl necklace I had given you lay untouched in its little casket; your trunks were left corded and locked as they had been prepared for the bridal tour. What could my darling do, I asked, left destitute and penniless? And what did she do? Let me hear now." Thus urged, I began the narrative of my experience for the last year. I softened considerably what related to the three days of wandering and starvation, because to have told him all would have been to inflict unnecessary pain: the little I did say lacerated his faithful heart deeper than I wished. I should not have left him thus, he said, without any means of making my way: I should have told him my intention. I should have confided in him: he would never have forced me to be his mistress. Violent as he had seemed in his despair, he, in truth, loved me far too well and too tenderly to constitute himself my tyrant: he would have given me half his fortune, without demanding so much as a kiss in return, rather than I should have flung myself friendless on the wide world. I had endured, he was certain, more than I had confessed to him. "Well, whatever my sufferings had been, they were very short," I answered: and then I proceeded to tell him how I had been received at Moor House; how I had obtained the office of schoolmistress, &c. The accession of fortune, the discovery of my relations, followed in due order. Of course, St. John Rivers' name came in frequently in the progress of my tale. When I had done, that name was immediately taken up. "This St. John, then, is your cousin?" "Yes." "You have spoken of him often: do you like him?" "He was a very good man, sir; I could not help liking him." "A good man. Does that mean a respectable well-conducted man of fifty? Or what does it mean?" "St John was only twenty-nine, sir." "'_Jeune encore_,' as the French say. Is he a person of low stature, phlegmatic, and plain. A person whose goodness consists rather in his guiltlessness of vice, than in his prowess in virtue." "He is untiringly active. Great and exalted deeds are what he lives to perform." "But his brain? That is probably rather soft? He means well: but you shrug your shoulders to hear him talk?" "He talks little, sir: what he does say is ever to the point. His brain is first-rate, I should think not impressible, but vigorous." "Is he an able man, then?" "Truly able." "A thoroughly educated man?" "St. John is an accomplished and profound scholar." "His manners, I think, you said are not to your taste?--priggish and parsonic?" "I never mentioned his manners; but, unless I had a very bad taste, they must suit it; they are polished, calm, and gentlemanlike." "His appearance,--I forget what description you gave of his appearance;--a sort of raw curate, half strangled with his white neckcloth, and stilted up on his thick-soled high-lows, eh?" "St. John dresses well. He is a handsome man: tall, fair, with blue eyes, and a Grecian profile." (Aside.) "Damn him!"--(To me.) "Did you like him, Jane?" "Yes, Mr. Rochester, I liked him: but you asked me that before." I perceived, of course, the drift of my interlocutor. Jealousy had got hold of him: she stung him; but the sting was salutary: it gave him respite from the gnawing fang of melancholy. I would not, therefore, immediately charm the snake. "Perhaps you would rather not sit any longer on my knee, Miss Eyre?" was the next somewhat unexpected observation. "Why not, Mr. Rochester?" "The picture you have just drawn is suggestive of a rather too overwhelming contrast. Your words have delineated very prettily a graceful Apollo: he is present to your imagination,--tall, fair, blue- eyed, and with a Grecian profile. Your eyes dwell on a Vulcan,--a real blacksmith, brown, broad-shouldered: and blind and lame into the bargain." "I never thought of it, before; but you certainly are rather like Vulcan, sir." "Well, you can leave me, ma'am: but before you go" (and he retained me by a firmer grasp than ever), "you will be pleased just to answer me a question or two." He paused. "What questions, Mr. Rochester?" Then followed this cross-examination. "St. John made you schoolmistress of Morton before he knew you were his cousin?" "Yes." "You would often see him? He would visit the school sometimes?" "Daily." "He would approve of your plans, Jane? I know they would be clever, for you are a talented creature!" "He approved of them--yes." "He would discover many things in you he could not have expected to find? Some of your accomplishments are not ordinary." "I don't know about that." "You had a little cottage near the school, you say: did he ever come there to see you?" "Now and then?" "Of an evening?" "Once or twice." A pause. "How long did you reside with him and his sisters after the cousinship was discovered?" "Five months." "Did Rivers spend much time with the ladies of his family?" "Yes; the back parlour was both his study and ours: he sat near the window, and we by the table." "Did he study much?" "A good deal." "What?" "Hindostanee." "And what did you do meantime?" "I learnt German, at first." "Did he teach you?" "He did not understand German." "Did he teach you nothing?" "A little Hindostanee." "Rivers taught you Hindostanee?" "Yes, sir." "And his sisters also?" "No." "Only you?" "Only me." "Did you ask to learn?" "No." "He wished to teach you?" "Yes." A second pause. "Why did he wish it? Of what use could Hindostanee be to you?" "He intended me to go with him to India." "Ah! here I reach the root of the matter. He wanted you to marry him?" "He asked me to marry him." "That is a fiction--an impudent invention to vex me." "I beg your pardon, it is the literal truth: he asked me more than once, and was as stiff about urging his point as ever you could be." "Miss Eyre, I repeat it, you can leave me. How often am I to say the same thing? Why do you remain pertinaciously perched on my knee, when I have given you notice to quit?" "Because I am comfortable there." "No, Jane, you are not comfortable there, because your heart is not with me: it is with this cousin--this St. John. Oh, till this moment, I thought my little Jane was all mine! I had a belief she loved me even when she left me: that was an atom of sweet in much bitter. Long as we have been parted, hot tears as I have wept over our separation, I never thought that while I was mourning her, she was loving another! But it is useless grieving. Jane, leave me: go and marry Rivers." "Shake me off, then, sir,--push me away, for I'll not leave you of my own accord." "Jane, I ever like your tone of voice: it still renews hope, it sounds so truthful. When I hear it, it carries me back a year. I forget that you have formed a new tie. But I am not a fool--go--" "Where must I go, sir?" "Your own way--with the husband you have chosen." "Who is that?" "You know--this St. John Rivers." "He is not my husband, nor ever will be. He does not love me: I do not love him. He loves (as he _can_ love, and that is not as you love) a beautiful young lady called Rosamond. He wanted to marry me only because he thought I should make a suitable missionary's wife, which she would not have done. He is good and great, but severe; and, for me, cold as an iceberg. He is not like you, sir: I am not happy at his side, nor near him, nor with him. He has no indulgence for me--no fondness. He sees nothing attractive in me; not even youth--only a few useful mental points.--Then I must leave you, sir, to go to him?" I shuddered involuntarily, and clung instinctively closer to my blind but beloved master. He smiled. "What, Jane! Is this true? Is such really the state of matters between you and Rivers?" "Absolutely, sir! Oh, you need not be jealous! I wanted to tease you a little to make you less sad: I thought anger would be better than grief. But if you wish me to love you, could you but see how much I _do_ love you, you would be proud and content. All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence for ever." Again, as he kissed me, painful thoughts darkened his aspect. "My seared vision! My crippled strength!" he murmured regretfully. I caressed, in order to soothe him. I knew of what he was thinking, and wanted to speak for him, but dared not. As he turned aside his face a minute, I saw a tear slide from under the sealed eyelid, and trickle down the manly cheek. My heart swelled. "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard," he remarked ere long. "And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" "You are no ruin, sir--no lightning-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop." Again he smiled: I gave him comfort. "You speak of friends, Jane?" he asked. "Yes, of friends," I answered rather hesitatingly: for I knew I meant more than friends, but could not tell what other word to employ. He helped me. "Ah! Jane. But I want a wife." "Do you, sir?" "Yes: is it news to you?" "Of course: you said nothing about it before." "Is it unwelcome news?" "That depends on circumstances, sir--on your choice." "Which you shall make for me, Jane. I will abide by your decision." "Choose then, sir--_her who loves you best_." "I will at least choose--_her I love best_. Jane, will you marry me?" "Yes, sir." "A poor blind man, whom you will have to lead about by the hand?" "Yes, sir." "A crippled man, twenty years older than you, whom you will have to wait on?" "Yes, sir." "Truly, Jane?" "Most truly, sir." "Oh! my darling! God bless you and reward you!" "Mr. Rochester, if ever I did a good deed in my life--if ever I thought a good thought--if ever I prayed a sincere and blameless prayer--if ever I wished a righteous wish,--I am rewarded now. To be your wife is, for me, to be as happy as I can be on earth." "Because you delight in sacrifice." "Sacrifice! What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value--to press my lips to what I love--to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice." "And to bear with my infirmities, Jane: to overlook my deficiencies." "Which are none, sir, to me. I love you better now, when I can really be useful to you, than I did in your state of proud independence, when you disdained every part but that of the giver and protector." "Hitherto I have hated to be helped--to be led: henceforth, I feel I shall hate it no more. I did not like to put my hand into a hireling's, but it is pleasant to feel it circled by Jane's little fingers. I preferred utter loneliness to the constant attendance of servants; but Jane's soft ministry will be a perpetual joy. Jane suits me: do I suit her?" "To the finest fibre of my nature, sir." "The case being so, we have nothing in the world to wait for: we must be married instantly." He looked and spoke with eagerness: his old impetuosity was rising. "We must become one flesh without any delay, Jane: there is but the licence to get--then we marry." "Mr. Rochester, I have just discovered the sun is far declined from its meridian, and Pilot is actually gone home to his dinner. Let me look at your watch." "Fasten it into your girdle, Janet, and keep it henceforward: I have no use for it." "It is nearly four o'clock in the afternoon, sir. Don't you feel hungry?" "The third day from this must be our wedding-day, Jane. Never mind fine clothes and jewels, now: all that is not worth a fillip." "The sun has dried up all the rain-drops, sir. The breeze is still: it is quite hot." "Do you know, Jane, I have your little pearl necklace at this moment fastened round my bronze scrag under my cravat? I have worn it since the day I lost my only treasure, as a memento of her." "We will go home through the wood: that will be the shadiest way." He pursued his own thoughts without heeding me. "Jane! you think me, I daresay, an irreligious dog: but my heart swells with gratitude to the beneficent God of this earth just now. He sees not as man sees, but far clearer: judges not as man judges, but far more wisely. I did wrong: I would have sullied my innocent flower--breathed guilt on its purity: the Omnipotent snatched it from me. I, in my stiff- necked rebellion, almost cursed the dispensation: instead of bending to the decree, I defied it. Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. _His_ chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does its weakness? Of late, Jane--only--only of late--I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began sometimes to pray: very brief prayers they were, but very sincere. "Some days since: nay, I can number them--four; it was last Monday night, a singular mood came over me: one in which grief replaced frenzy--sorrow, sullenness. I had long had the impression that since I could nowhere find you, you must be dead. Late that night--perhaps it might be between eleven and twelve o'clock--ere I retired to my dreary rest, I supplicated God, that, if it seemed good to Him, I might soon be taken from this life, and admitted to that world to come, where there was still hope of rejoining Jane. "I was in my own room, and sitting by the window, which was open: it soothed me to feel the balmy night-air; though I could see no stars and only by a vague, luminous haze, knew the presence of a moon. I longed for thee, Janet! Oh, I longed for thee both with soul and flesh! I asked of God, at once in anguish and humility, if I had not been long enough desolate, afflicted, tormented; and might not soon taste bliss and peace once more. That I merited all I endured, I acknowledged--that I could scarcely endure more, I pleaded; and the alpha and omega of my heart's wishes broke involuntarily from my lips in the words--'Jane! Jane! Jane!'" "Did you speak these words aloud?" "I did, Jane. If any listener had heard me, he would have thought me mad: I pronounced them with such frantic energy." "And it was last Monday night, somewhere near midnight?" "Yes; but the time is of no consequence: what followed is the strange point. You will think me superstitious,--some superstition I have in my blood, and always had: nevertheless, this is true--true at least it is that I heard what I now relate. "As I exclaimed 'Jane! Jane! Jane!' a voice--I cannot tell whence the voice came, but I know whose voice it was--replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words--'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents--as certain as I live--they were yours!" Reader, it was on Monday night--near midnight--that I too had received the mysterious summons: those were the very words by which I replied to it. I listened to Mr. Rochester's narrative, but made no disclosure in return. The coincidence struck me as too awful and inexplicable to be communicated or discussed. If I told anything, my tale would be such as must necessarily make a profound impression on the mind of my hearer: and that mind, yet from its sufferings too prone to gloom, needed not the deeper shade of the supernatural. I kept these things then, and pondered them in my heart. "You cannot now wonder," continued my master, "that when you rose upon me so unexpectedly last night, I had difficulty in believing you any other than a mere voice and vision, something that would melt to silence and annihilation, as the midnight whisper and mountain echo had melted before. Now, I thank God! I know it to be otherwise. Yes, I thank God!" He put me off his knee, rose, and reverently lifting his hat from his brow, and bending his sightless eyes to the earth, he stood in mute devotion. Only the last words of the worship were audible. "I thank my Maker, that, in the midst of judgment, he has remembered mercy. I humbly entreat my Redeemer to give me strength to lead henceforth a purer life than I have done hitherto!" Then he stretched his hand out to be led. I took that dear hand, held it a moment to my lips, then let it pass round my shoulder: being so much lower of stature than he, I served both for his prop and guide. We entered the wood, and wended homeward.

Chapter 37

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre66.asp

It is evening by the time Jane arrives at Ferndean. She sees Mr. Rochester groping his way out into the twilight and then returning to the house. She finds him of the same physical aspect as before, except that his face wears a "brooding" look. She announces herself to Mary and John who are taking care of Mr. Rochester. She carries his tray into the parlor for him and gives him a chance to recognize her voice. He wonders if he is awake or just dreaming. Jane embraces him and assures him of her physical presence. She informs him of her newly gained independence and claims that she has returned for him. She also promises that she will never leave him. Mr. Rochester declares that because of his invalid condition, they may have to be more like a father and daughter than a husband and wife. When he expresses his fear that she will leave him owing to his ugly scars, she points out in a light manner that he was always "hideous." He is obviously pleased to have her back. They spend the next day together. She narrates to him her experiences of the previous year. She deliberately mentions St. John Rivers to provoke his jealousy and in the process, to lighten his sorrow. However, she quickly reassures him of her undivided love. She goes on to compare what the two men in her life mean to her: she concludes that while she respects St. John, she loves Mr. Rochester. As there is no barrier to their marriage now, Rochester loses no time in asking her to marry him. Jane learns that at the very time that she had seemed to hear his voice, he had actually cried out her name after begging God for his help. Mr. Rochester feels that Jane has come in response to his anguished call. He also reveals how he has come to trust God as never before.

Notes The mood of this section at Ferndean is that of reconciliation. There are overtones of temporizing and of lessons learned, that give this chapter a quiet, autumnal quality. It is difficult to believe that the Jane of this chapter is still only nineteen years old, perhaps because her attitudes have matured and become those of the older Jane, who is the real narrator of the novel. There is little of the youthful, lyric quality of the scene of the proposal in the garden at Thornfield. Both Jane and Mr. Rochester have learned to face life directly without illusions and to make happiness out of a human lot that is less than ideal. To Rochester's question, "you are altogether a human being, Jane!," she answers, "I conscientiously believe so, Mr. Rochester." Mr. Rochester is also a completely changed man. He has been "charred and scorched" by the fire of Thornfield. He has also been disfigured and blinded. His character has undergone a major change. The readers see him in a penitent mood at the end of the chapter. His "stiff-necked rebellion" has been chastened and subdued. His arrogance has given way, yielding to humility. His pride in his strength has been softened. In his own words he has turned to his Creator. He humbly entreats his redeemer to give him the "strength to lead henceforth a purer life" than he has led so far. However, the teasing humor of the conversation between Jane and Mr. Rochester shows how they are restored to their loving sympathy. She is born to serve and to give. She can now give ungrudgingly to the man she loves. His consuming need for her will provide her with a completely fulfilling job. In many ways she is now happier than she ever was during the summer of their first, guilt-haunted courtship.

pinkmonkey

all_chapterized_books/1260-chapters/39.txt

finished_summaries/pinkmonkey/Jane Eyre/section_37_part_0.txt

Jane Eyre.volume 3.chapter 38

chapter 38

{"name": "Chapter 38", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre67.asp", "summary": "Jane and Mr. Rochester have now been happily married for a period of ten years. Diana and Mary are happy for her, but St. John does not seem to be. He corresponds with Jane but does not make any reference to her marriage. Jane visits Adele and brings her home from a school where she is not happy. She sends her to a better school close by so that she can supervise her upbringing and education. Adele grows into a pleasing young woman and remains attached to Jane. Mr. Rochester regains partial sight in one eye after two years. Jane and Rochester have a son. They remain in touch with Diana and Mary. Diana is happily married to a Captain Fitzjames of the Navy, and Mary has chosen a clergyman named Wharton for a husband. St. John continues to be a bachelor, although he conscientiously pursues his vocation as a missionary. Ten years after her marriage, Jane receives the news that he is not likely to live for long. However, she is assured of the fact that at least his devotion will not go unmerited.", "analysis": "Notes Jane and Mr. Rochester marry, not in that violent, physical anguish in which the reader sees them early in the novel, but in a calmer, nobler mood. Neither the flesh nor the spirit will tear Jane again. She emerges victorious from the ordeals of her life. She is neither debased nor an ascetic, but a woman who has known what it is to live entirely for and with someone whom she loves more than anyone else. She considers herself supremely blessed, blessed \"beyond what language can express. \" That is because she is her husband's life as fully as he is hers. Together they experience \"the pulsation of hearts\" that beat in their separate bosoms. \"To be together\" is for them \"at once as free as in solitude, as gay as in company. \" They talk all day long: \"to talk to each other is but a more animated and an audible thinking. \" All her confidence is bestowed on him, all his confidence is devoted to her. They are \"precisely suited in character\" and \"perfect concord is the result. \" The last words of the novel are devoted not to the domestic bliss of Jane and Mr. Rochester, but to a summary of St. John's career as a \"high master-spirit.\" It is clear that Jane waits for no heavenly fulfillment. Her desires are attained on her own terms and in this world."}

Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said-- "Mary, I have been married to Mr. Rochester this morning." The housekeeper and her husband were both of that decent phlegmatic order of people, to whom one may at any time safely communicate a remarkable piece of news without incurring the danger of having one's ears pierced by some shrill ejaculation, and subsequently stunned by a torrent of wordy wonderment. Mary did look up, and she did stare at me: the ladle with which she was basting a pair of chickens roasting at the fire, did for some three minutes hang suspended in air; and for the same space of time John's knives also had rest from the polishing process: but Mary, bending again over the roast, said only-- "Have you, Miss? Well, for sure!" A short time after she pursued--"I seed you go out with the master, but I didn't know you were gone to church to be wed;" and she basted away. John, when I turned to him, was grinning from ear to ear. "I telled Mary how it would be," he said: "I knew what Mr. Edward" (John was an old servant, and had known his master when he was the cadet of the house, therefore, he often gave him his Christian name)--"I knew what Mr. Edward would do; and I was certain he would not wait long neither: and he's done right, for aught I know. I wish you joy, Miss!" and he politely pulled his forelock. "Thank you, John. Mr. Rochester told me to give you and Mary this." I put into his hand a five-pound note. Without waiting to hear more, I left the kitchen. In passing the door of that sanctum some time after, I caught the words-- "She'll happen do better for him nor ony o't' grand ladies." And again, "If she ben't one o' th' handsomest, she's noan faal and varry good-natured; and i' his een she's fair beautiful, onybody may see that." I wrote to Moor House and to Cambridge immediately, to say what I had done: fully explaining also why I had thus acted. Diana and Mary approved the step unreservedly. Diana announced that she would just give me time to get over the honeymoon, and then she would come and see me. "She had better not wait till then, Jane," said Mr. Rochester, when I read her letter to him; "if she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mine." How St. John received the news, I don't know: he never answered the letter in which I communicated it: yet six months after he wrote to me, without, however, mentioning Mr. Rochester's name or alluding to my marriage. His letter was then calm, and, though very serious, kind. He has maintained a regular, though not frequent, correspondence ever since: he hopes I am happy, and trusts I am not of those who live without God in the world, and only mind earthly things. You have not quite forgotten little Adele, have you, reader? I had not; I soon asked and obtained leave of Mr. Rochester, to go and see her at the school where he had placed her. Her frantic joy at beholding me again moved me much. She looked pale and thin: she said she was not happy. I found the rules of the establishment were too strict, its course of study too severe for a child of her age: I took her home with me. I meant to become her governess once more, but I soon found this impracticable; my time and cares were now required by another--my husband needed them all. So I sought out a school conducted on a more indulgent system, and near enough to permit of my visiting her often, and bringing her home sometimes. I took care she should never want for anything that could contribute to her comfort: she soon settled in her new abode, became very happy there, and made fair progress in her studies. As she grew up, a sound English education corrected in a great measure her French defects; and when she left school, I found in her a pleasing and obliging companion: docile, good-tempered, and well-principled. By her grateful attention to me and mine, she has long since well repaid any little kindness I ever had it in my power to offer her. My tale draws to its close: one word respecting my experience of married life, and one brief glance at the fortunes of those whose names have most frequently recurred in this narrative, and I have done. I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest--blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character--perfect concord is the result. Mr. Rochester continued blind the first two years of our union; perhaps it was that circumstance that drew us so very near--that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature--he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam--of the landscape before us; of the weather round us--and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad--because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes. One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?" I had a gold watch-chain: I answered "Yes." "And have you a pale blue dress on?" {And have you a pale blue dress on?: p435.jpg} I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it. He and I went up to London. He had the advice of an eminent oculist; and he eventually recovered the sight of that one eye. He cannot now see very distinctly: he cannot read or write much; but he can find his way without being led by the hand: the sky is no longer a blank to him--the earth no longer a void. When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were--large, brilliant, and black. On that occasion, he again, with a full heart, acknowledged that God had tempered judgment with mercy. My Edward and I, then, are happy: and the more so, because those we most love are happy likewise. Diana and Mary Rivers are both married: alternately, once every year, they come to see us, and we go to see them. Diana's husband is a captain in the navy, a gallant officer and a good man. Mary's is a clergyman, a college friend of her brother's, and, from his attainments and principles, worthy of the connection. Both Captain Fitzjames and Mr. Wharton love their wives, and are loved by them. As to St. John Rivers, he left England: he went to India. He entered on the path he had marked for himself; he pursues it still. A more resolute, indefatigable pioneer never wrought amidst rocks and dangers. Firm, faithful, and devoted, full of energy, and zeal, and truth, he labours for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says--"Whosoever will come after me, let him deny himself, and take up his cross and follow me." His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth--who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful. St. John is unmarried: he never will marry now. Himself has hitherto sufficed to the toil, and the toil draws near its close: his glorious sun hastens to its setting. The last letter I received from him drew from my eyes human tears, and yet filled my heart with divine joy: he anticipated his sure reward, his incorruptible crown. I know that a stranger's hand will write to me next, to say that the good and faithful servant has been called at length into the joy of his Lord. And why weep for this? No fear of death will darken St. John's last hour: his mind will be unclouded, his heart will be undaunted, his hope will be sure, his faith steadfast. His own words are a pledge of this-- "My Master," he says, "has forewarned me. Daily He announces more distinctly,--'Surely I come quickly!' and hourly I more eagerly respond,--'Amen; even so come, Lord Jesus!'"

Chapter 38

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre67.asp

Jane and Mr. Rochester have now been happily married for a period of ten years. Diana and Mary are happy for her, but St. John does not seem to be. He corresponds with Jane but does not make any reference to her marriage. Jane visits Adele and brings her home from a school where she is not happy. She sends her to a better school close by so that she can supervise her upbringing and education. Adele grows into a pleasing young woman and remains attached to Jane. Mr. Rochester regains partial sight in one eye after two years. Jane and Rochester have a son. They remain in touch with Diana and Mary. Diana is happily married to a Captain Fitzjames of the Navy, and Mary has chosen a clergyman named Wharton for a husband. St. John continues to be a bachelor, although he conscientiously pursues his vocation as a missionary. Ten years after her marriage, Jane receives the news that he is not likely to live for long. However, she is assured of the fact that at least his devotion will not go unmerited.

Notes Jane and Mr. Rochester marry, not in that violent, physical anguish in which the reader sees them early in the novel, but in a calmer, nobler mood. Neither the flesh nor the spirit will tear Jane again. She emerges victorious from the ordeals of her life. She is neither debased nor an ascetic, but a woman who has known what it is to live entirely for and with someone whom she loves more than anyone else. She considers herself supremely blessed, blessed "beyond what language can express. " That is because she is her husband's life as fully as he is hers. Together they experience "the pulsation of hearts" that beat in their separate bosoms. "To be together" is for them "at once as free as in solitude, as gay as in company. " They talk all day long: "to talk to each other is but a more animated and an audible thinking. " All her confidence is bestowed on him, all his confidence is devoted to her. They are "precisely suited in character" and "perfect concord is the result. " The last words of the novel are devoted not to the domestic bliss of Jane and Mr. Rochester, but to a summary of St. John's career as a "high master-spirit." It is clear that Jane waits for no heavenly fulfillment. Her desires are attained on her own terms and in this world.

bookwolf

all_chapterized_books/1260-chapters/volume_1_chapters_1_to_2.txt

finished_summaries/bookwolf/Jane Eyre/section_0_part_0.txt

Jane Eyre.volume 1.chapters 1-2

chapters 1-2

{"name": "Chapters 1-2", "summary": "A lonely 10-year old girl, Jane feels rejected and unloved, living in the home of her aunt, Sarah Reed. Her aunt is only concerned with her own three children and looks after Jane, an orphan, only due to the promise she made to her husband on his deathbed that she would look after Jane, his sister's daughter, as one of her own. Jane tries to obtain solace through reading books, but she is bullied by her three cousins, and in particular by the oldest, John who is 14. He causes Jane to fall against the door and she cuts her head. As usual, Jane gets the blame for the quarrel and as punishment, she is confined to the red room, which is unused and was where Mr. Reed died. Jane has an independent spirit and will not be intimidated by her cousins or aunt. Her aunt puts this down to sinful behavior. Jane hates to be confined in the red room and she becomes hysterical and faints.", "analysis": "Interpretation This book tells the story of Jane Eyre and is in a first person narrative form. It is important that the reader tries to get inside the skin of Jane in order to appreciate how isolated and unloved she feels. She never knew her parents, as they died when she was baby. This theme of loneliness and the harsh treatment of children are repeated often and is a common element for the whole story, especially in the early stages of the book. Jane exhibits a strong spirit, which is able to sustain her through these early years faced with the abuse from her cousins and her aunt. Her main tormentor is John Reed, who is his mother's favorite and can do no wrong. The doting mother is unable to confront the shortcomings of her son, as highlighted by Jane, and so her reaction is to banish Jane to the red room. This room signifies the first Gothic element of the story, and although basically Jane Eyre is a romantic novel, it also has a strong Gothic tone. Jane's hysterics whilst confined in the red room can be coupled with her thoughts concerning Mr. Reed and his burial in the crypt. The red room contains mirrors and this too adds to the atmosphere of this room. The climax of Chapter 2 is Jane's fainting."}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs. I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

Chapters 1-2

A lonely 10-year old girl, Jane feels rejected and unloved, living in the home of her aunt, Sarah Reed. Her aunt is only concerned with her own three children and looks after Jane, an orphan, only due to the promise she made to her husband on his deathbed that she would look after Jane, his sister's daughter, as one of her own. Jane tries to obtain solace through reading books, but she is bullied by her three cousins, and in particular by the oldest, John who is 14. He causes Jane to fall against the door and she cuts her head. As usual, Jane gets the blame for the quarrel and as punishment, she is confined to the red room, which is unused and was where Mr. Reed died. Jane has an independent spirit and will not be intimidated by her cousins or aunt. Her aunt puts this down to sinful behavior. Jane hates to be confined in the red room and she becomes hysterical and faints.

Interpretation This book tells the story of Jane Eyre and is in a first person narrative form. It is important that the reader tries to get inside the skin of Jane in order to appreciate how isolated and unloved she feels. She never knew her parents, as they died when she was baby. This theme of loneliness and the harsh treatment of children are repeated often and is a common element for the whole story, especially in the early stages of the book. Jane exhibits a strong spirit, which is able to sustain her through these early years faced with the abuse from her cousins and her aunt. Her main tormentor is John Reed, who is his mother's favorite and can do no wrong. The doting mother is unable to confront the shortcomings of her son, as highlighted by Jane, and so her reaction is to banish Jane to the red room. This room signifies the first Gothic element of the story, and although basically Jane Eyre is a romantic novel, it also has a strong Gothic tone. Jane's hysterics whilst confined in the red room can be coupled with her thoughts concerning Mr. Reed and his burial in the crypt. The red room contains mirrors and this too adds to the atmosphere of this room. The climax of Chapter 2 is Jane's fainting.

bookwolf

all_chapterized_books/1260-chapters/volume_1_chapters_3_to_4.txt

finished_summaries/bookwolf/Jane Eyre/section_1_part_0.txt

Jane Eyre.volume 1.chapters 3-4

chapters 3-4

{"name": "Chapters 3-4", "summary": "Jane awakes in her bed tended by Bessie, a maid, and Jane's only friend in Gateshead Hall. An apothecary, Mr. Lloyd, examines Jane, and feeling that she can no longer endure the treatment handed out by her aunt and cousins, she confides in Mr. Lloyd, who suggests that she might be happier in a Boarding School, and he advises Mrs. Reed accordingly. Jane overhears this conversation and learns that her father was a poor clergyman who married Jane's mother against the family's wishes, and were thus disinherited. Both her parents died of typhus a year later and that is how she came to Gateshead Hall. Another lonely Christmas passes for Jane, only punctuated by an occasional kindness from Bessie. In mid January, Mr. Brocklehurst of Lowood Boarding School for Girls arrives to interview Jane. He says to her, \"No sight so sad as that of a naughty child, especially a naughty little girl. Do you know where the wicked go after death?\" Jane was ready with her answer, \"They go to hell.\" And what is hell? Can you tell me that?\" A pit full of fire.\" \"No sir.\" \"What must you do to avoid it?\" Jane deliberated for a moment and then said, \"I must keep in good health, and not die.\" Mr. Brocklehurst goes on to describe how tenuous life can be and that he has only just recently buried a 5-year old child. Jane sighed and Mr. Brocklehurst responded, \"I hope that sigh is from the heart and that you repent for ever having been the occasion of discomfort to your excellent benefactress.\" Inwardly, Jane was seething, thinking that if Mrs. Reed was her benefactress, then to be a benefactress is a disagreeable thing.", "analysis": "Interpretation These chapters explain further Jane's plight. Apart from the maid, Bessie, she receives no kindness at all. The other servants look down on her, and her cousins bully her. Even when Mr. Lloyd talks with her, he is not totally sympathetic to her position, although he does suggest that she may be better off at a Boarding School, and Mrs. Reed pursues this. We are also made aware of Jane's intelligence, obtained from her extensive reading, which she used as a means of escape from her dismal life. She refuses to be manipulated by Brocklehurst's interrogation and he attributes this to her wickedness. Before she leaves Gateshead Hall, she is determined to show Mrs. Reed that she is not totally cowed. After Mr. Brocklehurst leaves, Jane says to Mrs. Reed, \"I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed: and this book about the Liar you may give to your girl Georgiana, for it is she who tells lies, and not I.\" Jane senses that she has Mrs. Reed reeling at this verbal attack and she goes on to say that she disowns her as her aunt, and tells her that she will never come to see her when she grows up, and that \"the very thought of you makes me sick, and that you treated me with miserable cruelty.\" The reader must remember that Jane is only 10, but she has the spirit of an adult, which she will require when she goes to Lowood. Bront' is probably well qualified to pass comment on ministers in the Church of England from experiences she would have had as a child. She portrays Brocklehurst as a hypocritical, Bible-thumping minister who may be adept in quoting directly from the Bible, but fails to practice what he preaches. He may be able to intimidate children with the fear of God, but certainly his contemporaries would see through this. others think of your teachers"}

The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went. From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

Chapters 3-4

Jane awakes in her bed tended by Bessie, a maid, and Jane's only friend in Gateshead Hall. An apothecary, Mr. Lloyd, examines Jane, and feeling that she can no longer endure the treatment handed out by her aunt and cousins, she confides in Mr. Lloyd, who suggests that she might be happier in a Boarding School, and he advises Mrs. Reed accordingly. Jane overhears this conversation and learns that her father was a poor clergyman who married Jane's mother against the family's wishes, and were thus disinherited. Both her parents died of typhus a year later and that is how she came to Gateshead Hall. Another lonely Christmas passes for Jane, only punctuated by an occasional kindness from Bessie. In mid January, Mr. Brocklehurst of Lowood Boarding School for Girls arrives to interview Jane. He says to her, "No sight so sad as that of a naughty child, especially a naughty little girl. Do you know where the wicked go after death?" Jane was ready with her answer, "They go to hell." And what is hell? Can you tell me that?" A pit full of fire." "No sir." "What must you do to avoid it?" Jane deliberated for a moment and then said, "I must keep in good health, and not die." Mr. Brocklehurst goes on to describe how tenuous life can be and that he has only just recently buried a 5-year old child. Jane sighed and Mr. Brocklehurst responded, "I hope that sigh is from the heart and that you repent for ever having been the occasion of discomfort to your excellent benefactress." Inwardly, Jane was seething, thinking that if Mrs. Reed was her benefactress, then to be a benefactress is a disagreeable thing.

Interpretation These chapters explain further Jane's plight. Apart from the maid, Bessie, she receives no kindness at all. The other servants look down on her, and her cousins bully her. Even when Mr. Lloyd talks with her, he is not totally sympathetic to her position, although he does suggest that she may be better off at a Boarding School, and Mrs. Reed pursues this. We are also made aware of Jane's intelligence, obtained from her extensive reading, which she used as a means of escape from her dismal life. She refuses to be manipulated by Brocklehurst's interrogation and he attributes this to her wickedness. Before she leaves Gateshead Hall, she is determined to show Mrs. Reed that she is not totally cowed. After Mr. Brocklehurst leaves, Jane says to Mrs. Reed, "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed: and this book about the Liar you may give to your girl Georgiana, for it is she who tells lies, and not I." Jane senses that she has Mrs. Reed reeling at this verbal attack and she goes on to say that she disowns her as her aunt, and tells her that she will never come to see her when she grows up, and that "the very thought of you makes me sick, and that you treated me with miserable cruelty." The reader must remember that Jane is only 10, but she has the spirit of an adult, which she will require when she goes to Lowood. Bront' is probably well qualified to pass comment on ministers in the Church of England from experiences she would have had as a child. She portrays Brocklehurst as a hypocritical, Bible-thumping minister who may be adept in quoting directly from the Bible, but fails to practice what he preaches. He may be able to intimidate children with the fear of God, but certainly his contemporaries would see through this. others think of your teachers

bookwolf

all_chapterized_books/1260-chapters/volume_1_chapters_5_to_6.txt

finished_summaries/bookwolf/Jane Eyre/section_2_part_0.txt

Jane Eyre.volume 1.chapters 5-6

chapters 5-6

{"name": "Chapters 5-6", "summary": "Jane arrives at Lowood School just after dark having said farewell to Gateshead Hall, and only Bessie wished her well. One of the teachers, Miss Miller, brings Jane in to the main schoolroom where seventy plus girls aged between 9 and 20 study their lessons. Jane soon fits into the daily routine of the school, which starts before dawn and goes on until 5.00 p.m. in the evening. Their lessons are only punctuated with three meal-breaks. She soon becomes friends with an older girl, Helen Burns, which explains that Lowood teaches orphans and part of the fees are paid by donations from the public. Some of the teachers are kind, but others are cruel like Miss Scratcherd, who seems to pick on Helen Burns most cruelly. The school is always cold, and in fact one morning the water is frozen in the washing pitchers. One morning Helen is beaten with a bundle of twigs as punishment for having dirty nails. Jane wonders at Helen's resilience to withstand this cruelty, but she herself confesses that she is careless and lacks concentration. Feeling that she has a kindred spirit in Helen, Jane recounts her life at Gateshead Hall. Helen encourages Jane not to feel hatred for her aunt and her cousins, but to follow Christ's teachings and to love thy enemy.", "analysis": "Interpretation Bront' provides a vivid description of life in this Boarding School. The orphaned girls wore drab uniforms which included a straw bonnet and a gray cloak which they used whilst outside. The meals consist of burned porridge, bread and cheese, and stew and potatoes, but with very little meat. Sometimes they may get an additional meal, which would comprise of coffee and a slice of bread, or perhaps water and oatcakes. The actual hours of study are long, and for those intelligent girls they will at least be well educated by the time they finish at Lowood. Helen Burns is a curious character seeming to have advice for Jane beyond her years. She accepts her harsh treatment by the teachers stoically and she is almost too good to be true. Clearly Bront' wishes to portray her as an angelic person who has a lasting effect on Jane and her behavior later on in the story. The reader may recall Jane's parting words to Mrs. Reed and it will be shown that Jane offers Mrs. Reed, her aunt, forgiveness later on in the book."}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood. The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay.

Chapters 5-6

Jane arrives at Lowood School just after dark having said farewell to Gateshead Hall, and only Bessie wished her well. One of the teachers, Miss Miller, brings Jane in to the main schoolroom where seventy plus girls aged between 9 and 20 study their lessons. Jane soon fits into the daily routine of the school, which starts before dawn and goes on until 5.00 p.m. in the evening. Their lessons are only punctuated with three meal-breaks. She soon becomes friends with an older girl, Helen Burns, which explains that Lowood teaches orphans and part of the fees are paid by donations from the public. Some of the teachers are kind, but others are cruel like Miss Scratcherd, who seems to pick on Helen Burns most cruelly. The school is always cold, and in fact one morning the water is frozen in the washing pitchers. One morning Helen is beaten with a bundle of twigs as punishment for having dirty nails. Jane wonders at Helen's resilience to withstand this cruelty, but she herself confesses that she is careless and lacks concentration. Feeling that she has a kindred spirit in Helen, Jane recounts her life at Gateshead Hall. Helen encourages Jane not to feel hatred for her aunt and her cousins, but to follow Christ's teachings and to love thy enemy.

Interpretation Bront' provides a vivid description of life in this Boarding School. The orphaned girls wore drab uniforms which included a straw bonnet and a gray cloak which they used whilst outside. The meals consist of burned porridge, bread and cheese, and stew and potatoes, but with very little meat. Sometimes they may get an additional meal, which would comprise of coffee and a slice of bread, or perhaps water and oatcakes. The actual hours of study are long, and for those intelligent girls they will at least be well educated by the time they finish at Lowood. Helen Burns is a curious character seeming to have advice for Jane beyond her years. She accepts her harsh treatment by the teachers stoically and she is almost too good to be true. Clearly Bront' wishes to portray her as an angelic person who has a lasting effect on Jane and her behavior later on in the story. The reader may recall Jane's parting words to Mrs. Reed and it will be shown that Jane offers Mrs. Reed, her aunt, forgiveness later on in the book.

bookwolf

all_chapterized_books/1260-chapters/volume_1_chapters_7_to_8.txt

finished_summaries/bookwolf/Jane Eyre/section_3_part_0.txt

Jane Eyre.volume 1.chapters 7-8

chapters 7-8

{"name": "Chapters 7-8", "summary": "The area is gripped by a severe winter and the girls struggle to keep out the cold, being inadequately fed and clothed. They are still forced to struggle along the almost impassable road that leads to the church, every Sunday. Mr. Brocklehurst, the manager of Lowood School visits to assess how the supplies are being used. Jane tries to hide from Mr. Brocklehurst, and in doing so causes a slate to fall and smash. Mr. Brocklehurst makes an example of Jane and orders her to stand on a high stool as punishment. He is reminded of what Mrs. Reed said about her and he warns all the students and teachers that she is bad company, and should be avoided. Afterwards, Miss Temple and Helen give her reassurance, but Jane is distraught by Brocklehurst's unfair treatment of her. Helen has kept some cake and bread for Jane, and she brings it to her and comforts her by saying that everybody distrusts Brocklehurst, and they will not put any credence on his condemnation of Jane. Miss Temple shows some sympathy for both Jane and Helen, and they are invited to her room to share in tea and cakes. Jane pours out her story to Miss Temple, and later she decides to write to Mr. Lloyd to confirm Jane's innocence. When she receives a reply, Miss Temple announces publicly that Brocklehurst falsely accused Jane. Jane still feels isolated and obtains comfort through her studies, in particular French and drawing.", "analysis": "Interpretation Bront' realized that this was a grim tale, and so she helped lighten it with brief bouts of comedy. In particular, she takes the opportunity of poking fun at the hypocritical Brocklehurst. Fortunately, he is not involved directly with the teaching of the girls, for he is even crueler than Miss Scratcherd. He chastises the teachers for wastefulness saying that they must make sure that the children's clothes are repaired rather than having to buy new clothes. He makes a great scene about visual signs of vanity, even criticizing girls for having curly hair. All this ranting seems absurd when his daughters come in dressed in \"gray beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful headdress fell a profusion of light tresses elaborately curled.\" The elder lady who was with them was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls.\" This was in stark contrast to the underdressed girls shivering in the cold of the harsh winter. Jane does find good role models at the school in particular one of the teachers, Miss Pierrot, who develops Jane's love of French, which will help her obtain a position as Governess later on. Jane also delights in sketching which enables her to escape her drab world."}

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb. Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

Chapters 7-8

The area is gripped by a severe winter and the girls struggle to keep out the cold, being inadequately fed and clothed. They are still forced to struggle along the almost impassable road that leads to the church, every Sunday. Mr. Brocklehurst, the manager of Lowood School visits to assess how the supplies are being used. Jane tries to hide from Mr. Brocklehurst, and in doing so causes a slate to fall and smash. Mr. Brocklehurst makes an example of Jane and orders her to stand on a high stool as punishment. He is reminded of what Mrs. Reed said about her and he warns all the students and teachers that she is bad company, and should be avoided. Afterwards, Miss Temple and Helen give her reassurance, but Jane is distraught by Brocklehurst's unfair treatment of her. Helen has kept some cake and bread for Jane, and she brings it to her and comforts her by saying that everybody distrusts Brocklehurst, and they will not put any credence on his condemnation of Jane. Miss Temple shows some sympathy for both Jane and Helen, and they are invited to her room to share in tea and cakes. Jane pours out her story to Miss Temple, and later she decides to write to Mr. Lloyd to confirm Jane's innocence. When she receives a reply, Miss Temple announces publicly that Brocklehurst falsely accused Jane. Jane still feels isolated and obtains comfort through her studies, in particular French and drawing.

Interpretation Bront' realized that this was a grim tale, and so she helped lighten it with brief bouts of comedy. In particular, she takes the opportunity of poking fun at the hypocritical Brocklehurst. Fortunately, he is not involved directly with the teaching of the girls, for he is even crueler than Miss Scratcherd. He chastises the teachers for wastefulness saying that they must make sure that the children's clothes are repaired rather than having to buy new clothes. He makes a great scene about visual signs of vanity, even criticizing girls for having curly hair. All this ranting seems absurd when his daughters come in dressed in "gray beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful headdress fell a profusion of light tresses elaborately curled." The elder lady who was with them was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls." This was in stark contrast to the underdressed girls shivering in the cold of the harsh winter. Jane does find good role models at the school in particular one of the teachers, Miss Pierrot, who develops Jane's love of French, which will help her obtain a position as Governess later on. Jane also delights in sketching which enables her to escape her drab world.

bookwolf

all_chapterized_books/1260-chapters/volume_1_chapters_13_to_14.txt

finished_summaries/bookwolf/Jane Eyre/section_6_part_0.txt

Jane Eyre.volume 1.chapters 13-14

chapters 13-14

{"name": "Chapters 13-14", "summary": "Life at Thornfield changes through Mr. Rochester's presence. The servants seem to have more purpose in their work and Jane is ousted from the library, and has to make alternative arrangements for a classroom. Mr. Rochester continues in his cantankerous mood, but is overly interested in Jane, wishing to know her skills in music and any other talents she may have, in particular her artwork, which greatly impresses him. Ad'le has been anticipating receiving a present from Mr. Rochester, and after a few days they are summoned and Ad'le receives a box of presents. Ad'le tries on her new dress, stockings and sandals, and as she dances about, Rochester describes her as a French floweret\" and she reminds him of her mother. Rochester passes comment on Jane's behavior saying that she is prim and too reserved and asks her to comment on his looks. Jane attempts to keep her opinion to herself, and fearing that Rochester may be under the influence of wine, she selects her words carefully.", "analysis": "Interpretation It is evident that Rochester is the guiding force in Thornfield, which comes to life when he reappears from his travels. The reader is also aware that he has more than a passing interest in Jane, who after all is just another servant in the household. Their conversation soon becomes quite personal and he says to her, Do you think me handsome?\" After some deliberation she responds, \"No sir\" to which he replies, \"There is something singular about you '' When one asks you a question, or makes a remark to which you are obliged to reply, you wrap it out '' which, if not blunt, is at least brusque. What do you mean by it?\" Jane replies by saying that beauty is of little consequence. Rochester goes on to excuse his rugged features by saying that Lady Fortune has not always looked kindly on him. \"She has even kneaded me with her knuckles and now I flatter myself I am as hard and tough as an India rubber ball '' does that leave hope for me?\" Jane cannot help but look puzzled, as she cannot understand this enigma of a man. Jane provides Rochester with a challenging conversation which he has not been able to share with anyone else, and from the descriptions provided by Bront', the attraction that both has for each other is not physical but more intellectual for we know that Rochester has a craggy appearance and Jane is plain, having a small frame and wearing uncomplimentary clothes."}

Mr. Rochester, it seems, by the surgeon's orders, went to bed early that night; nor did he rise soon next morning. When he did come down, it was to attend to business: his agent and some of his tenants were arrived, and waiting to speak with him. Adele and I had now to vacate the library: it would be in daily requisition as a reception-room for callers. A fire was lit in an apartment upstairs, and there I carried our books, and arranged it for the future schoolroom. I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better. Adele was not easy to teach that day; she could not apply: she kept running to the door and looking over the banisters to see if she could get a glimpse of Mr. Rochester; then she coined pretexts to go downstairs, in order, as I shrewdly suspected, to visit the library, where I knew she was not wanted; then, when I got a little angry, and made her sit still, she continued to talk incessantly of her "ami, Monsieur Edouard Fairfax _de_ Rochester," as she dubbed him (I had not before heard his prenomens), and to conjecture what presents he had brought her: for it appears he had intimated the night before, that when his luggage came from Millcote, there would be found amongst it a little box in whose contents she had an interest. "Et cela doit signifier," said she, "qu'il y aura la dedans un cadeau pour moi, et peut-etre pour vous aussi, mademoiselle. Monsieur a parle de vous: il m'a demande le nom de ma gouvernante, et si elle n'etait pas une petite personne, assez mince et un peu pale. J'ai dit qu'oui: car c'est vrai, n'est-ce pas, mademoiselle?" I and my pupil dined as usual in Mrs. Fairfax's parlour; the afternoon was wild and snowy, and we passed it in the schoolroom. At dark I allowed Adele to put away books and work, and to run downstairs; for, from the comparative silence below, and from the cessation of appeals to the door-bell, I conjectured that Mr. Rochester was now at liberty. Left alone, I walked to the window; but nothing was to be seen thence: twilight and snowflakes together thickened the air, and hid the very shrubs on the lawn. I let down the curtain and went back to the fireside. In the clear embers I was tracing a view, not unlike a picture I remembered to have seen of the castle of Heidelberg, on the Rhine, when Mrs. Fairfax came in, breaking up by her entrance the fiery mosaic I had been piercing together, and scattering too some heavy unwelcome thoughts that were beginning to throng on my solitude. "Mr. Rochester would be glad if you and your pupil would take tea with him in the drawing-room this evening," said she: "he has been so much engaged all day that he could not ask to see you before." "When is his tea-time?" I inquired. "Oh, at six o'clock: he keeps early hours in the country. You had better change your frock now; I will go with you and fasten it. Here is a candle." "Is it necessary to change my frock?" "Yes, you had better: I always dress for the evening when Mr. Rochester is here." This additional ceremony seemed somewhat stately; however, I repaired to my room, and, with Mrs. Fairfax's aid, replaced my black stuff dress by one of black silk; the best and the only additional one I had, except one of light grey, which, in my Lowood notions of the toilette, I thought too fine to be worn, except on first-rate occasions. "You want a brooch," said Mrs. Fairfax. I had a single little pearl ornament which Miss Temple gave me as a parting keepsake: I put it on, and then we went downstairs. Unused as I was to strangers, it was rather a trial to appear thus formally summoned in Mr. Rochester's presence. I let Mrs. Fairfax precede me into the dining-room, and kept in her shade as we crossed that apartment; and, passing the arch, whose curtain was now dropped, entered the elegant recess beyond. Two wax candles stood lighted on the table, and two on the mantelpiece; basking in the light and heat of a superb fire, lay Pilot--Adele knelt near him. Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adele and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw--yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term--broad chested and thin flanked, though neither tall nor graceful. Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached. "Here is Miss Eyre, sir," said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child. "Let Miss Eyre be seated," said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, "What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her." I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on. He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual--and, as usual, rather trite--she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it. "Madam, I should like some tea," was the sole rejoinder she got. She hastened to ring the bell; and when the tray came, she proceeded to arrange the cups, spoons, &c., with assiduous celerity. I and Adele went to the table; but the master did not leave his couch. "Will you hand Mr. Rochester's cup?" said Mrs. Fairfax to me; "Adele might perhaps spill it." I did as requested. As he took the cup from my hand, Adele, thinking the moment propitious for making a request in my favour, cried out-- "N'est-ce pas, monsieur, qu'il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?" "Who talks of cadeaux?" said he gruffly. "Did you expect a present, Miss Eyre? Are you fond of presents?" and he searched my face with eyes that I saw were dark, irate, and piercing. "I hardly know, sir; I have little experience of them: they are generally thought pleasant things." "Generally thought? But what do _you_ think?" "I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature." "Miss Eyre, you are not so unsophisticated as Adele: she demands a 'cadeau,' clamorously, the moment she sees me: you beat about the bush." "Because I have less confidence in my deserts than Adele has: she can prefer the claim of old acquaintance, and the right too of custom; for she says you have always been in the habit of giving her playthings; but if I had to make out a case I should be puzzled, since I am a stranger, and have done nothing to entitle me to an acknowledgment." "Oh, don't fall back on over-modesty! I have examined Adele, and find you have taken great pains with her: she is not bright, she has no talents; yet in a short time she has made much improvement." "Sir, you have now given me my 'cadeau;' I am obliged to you: it is the meed teachers most covet--praise of their pupils' progress." "Humph!" said Mr. Rochester, and he took his tea in silence. "Come to the fire," said the master, when the tray was taken away, and Mrs. Fairfax had settled into a corner with her knitting; while Adele was leading me by the hand round the room, showing me the beautiful books and ornaments on the consoles and chiffonnieres. We obeyed, as in duty bound; Adele wanted to take a seat on my knee, but she was ordered to amuse herself with Pilot. "You have been resident in my house three months?" "Yes, sir." "And you came from--?" "From Lowood school, in ---shire." "Ah! a charitable concern. How long were you there?" "Eight years." "Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?" "I have none." "Nor ever had, I suppose: do you remember them?" "No." "I thought not. And so you were waiting for your people when you sat on that stile?" "For whom, sir?" "For the men in green: it was a proper moonlight evening for them. Did I break through one of your rings, that you spread that damned ice on the causeway?" I shook my head. "The men in green all forsook England a hundred years ago," said I, speaking as seriously as he had done. "And not even in Hay Lane, or the fields about it, could you find a trace of them. I don't think either summer or harvest, or winter moon, will ever shine on their revels more." Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was. "Well," resumed Mr. Rochester, "if you disown parents, you must have some sort of kinsfolk: uncles and aunts?" "No; none that I ever saw." "And your home?" "I have none." "Where do your brothers and sisters live?" "I have no brothers or sisters." "Who recommended you to come here?" "I advertised, and Mrs. Fairfax answered my advertisement." "Yes," said the good lady, who now knew what ground we were upon, "and I am daily thankful for the choice Providence led me to make. Miss Eyre has been an invaluable companion to me, and a kind and careful teacher to Adele." "Don't trouble yourself to give her a character," returned Mr. Rochester: "eulogiums will not bias me; I shall judge for myself. She began by felling my horse." "Sir?" said Mrs. Fairfax. "I have to thank her for this sprain." The widow looked bewildered. "Miss Eyre, have you ever lived in a town?" "No, sir." "Have you seen much society?" "None but the pupils and teachers of Lowood, and now the inmates of Thornfield." "Have you read much?" "Only such books as came in my way; and they have not been numerous or very learned." "You have lived the life of a nun: no doubt you are well drilled in religious forms;--Brocklehurst, who I understand directs Lowood, is a parson, is he not?" "Yes, sir." "And you girls probably worshipped him, as a convent full of religieuses would worship their director." "Oh, no." "You are very cool! No! What! a novice not worship her priest! That sounds blasphemous." "I disliked Mr. Brocklehurst; and I was not alone in the feeling. He is a harsh man; at once pompous and meddling; he cut off our hair; and for economy's sake bought us bad needles and thread, with which we could hardly sew." "That was very false economy," remarked Mrs. Fairfax, who now again caught the drift of the dialogue. "And was that the head and front of his offending?" demanded Mr. Rochester. "He starved us when he had the sole superintendence of the provision department, before the committee was appointed; and he bored us with long lectures once a week, and with evening readings from books of his own inditing, about sudden deaths and judgments, which made us afraid to go to bed." "What age were you when you went to Lowood?" "About ten." "And you stayed there eight years: you are now, then, eighteen?" I assented. "Arithmetic, you see, is useful; without its aid, I should hardly have been able to guess your age. It is a point difficult to fix where the features and countenance are so much at variance as in your case. And now what did you learn at Lowood? Can you play?" "A little." "Of course: that is the established answer. Go into the library--I mean, if you please.--(Excuse my tone of command; I am used to say, 'Do this,' and it is done: I cannot alter my customary habits for one new inmate.)--Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune." I departed, obeying his directions. "Enough!" he called out in a few minutes. "You play _a little_, I see; like any other English school-girl; perhaps rather better than some, but not well." I closed the piano and returned. Mr. Rochester continued--"Adele showed me some sketches this morning, which she said were yours. I don't know whether they were entirely of your doing; probably a master aided you?" "No, indeed!" I interjected. "Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don't pass your word unless you are certain: I can recognise patchwork." "Then I will say nothing, and you shall judge for yourself, sir." I brought the portfolio from the library. "Approach the table," said he; and I wheeled it to his couch. Adele and Mrs. Fairfax drew near to see the pictures. "No crowding," said Mr. Rochester: "take the drawings from my hand as I finish with them; but don't push your faces up to mine." He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him. "Take them off to the other table, Mrs. Fairfax," said he, "and look at them with Adele;--you" (glancing at me) "resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?" "Yes." "And when did you find time to do them? They have taken much time, and some thought." "I did them in the last two vacations I spent at Lowood, when I had no other occupation." "Where did you get your copies?" "Out of my head." "That head I see now on your shoulders?" "Yes, sir." "Has it other furniture of the same kind within?" "I should think it may have: I should hope--better." He spread the pictures before him, and again surveyed them alternately. While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived. These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn. The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,--a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was "the likeness of a kingly crown;" what it diademed was "the shape which shape had none." "Were you happy when you painted these pictures?" asked Mr. Rochester presently. "I was absorbed, sir: yes, and I was happy. To paint them, in short, was to enjoy one of the keenest pleasures I have ever known." "That is not saying much. Your pleasures, by your own account, have been few; but I daresay you did exist in a kind of artist's dreamland while you blent and arranged these strange tints. Did you sit at them long each day?" "I had nothing else to do, because it was the vacation, and I sat at them from morning till noon, and from noon till night: the length of the midsummer days favoured my inclination to apply." "And you felt self-satisfied with the result of your ardent labours?" "Far from it. I was tormented by the contrast between my idea and my handiwork: in each case I had imagined something which I was quite powerless to realise." "Not quite: you have secured the shadow of your thought; but no more, probably. You had not enough of the artist's skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth? And who taught you to paint wind? There is a high gale in that sky, and on this hill-top. Where did you see Latmos? For that is Latmos. There! put the drawings away!" I had scarce tied the strings of the portfolio, when, looking at his watch, he said abruptly-- "It is nine o'clock: what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed." Adele went to kiss him before quitting the room: he endured the caress, but scarcely seemed to relish it more than Pilot would have done, nor so much. "I wish you all good-night, now," said he, making a movement of the hand towards the door, in token that he was tired of our company, and wished to dismiss us. Mrs. Fairfax folded up her knitting: I took my portfolio: we curtseyed to him, received a frigid bow in return, and so withdrew. "You said Mr. Rochester was not strikingly peculiar, Mrs. Fairfax," I observed, when I rejoined her in her room, after putting Adele to bed. "Well, is he?" "I think so: he is very changeful and abrupt." "True: no doubt he may appear so to a stranger, but I am so accustomed to his manner, I never think of it; and then, if he has peculiarities of temper, allowance should be made." "Why?" "Partly because it is his nature--and we can none of us help our nature; and partly because he has painful thoughts, no doubt, to harass him, and make his spirits unequal." "What about?" "Family troubles, for one thing." "But he has no family." "Not now, but he has had--or, at least, relatives. He lost his elder brother a few years since." "His _elder_ brother?" "Yes. The present Mr. Rochester has not been very long in possession of the property; only about nine years." "Nine years is a tolerable time. Was he so very fond of his brother as to be still inconsolable for his loss?" "Why, no--perhaps not. I believe there were some misunderstandings between them. Mr. Rowland Rochester was not quite just to Mr. Edward; and perhaps he prejudiced his father against him. The old gentleman was fond of money, and anxious to keep the family estate together. He did not like to diminish the property by division, and yet he was anxious that Mr. Edward should have wealth, too, to keep up the consequence of the name; and, soon after he was of age, some steps were taken that were not quite fair, and made a great deal of mischief. Old Mr. Rochester and Mr. Rowland combined to bring Mr. Edward into what he considered a painful position, for the sake of making his fortune: what the precise nature of that position was I never clearly knew, but his spirit could not brook what he had to suffer in it. He is not very forgiving: he broke with his family, and now for many years he has led an unsettled kind of life. I don't think he has ever been resident at Thornfield for a fortnight together, since the death of his brother without a will left him master of the estate; and, indeed, no wonder he shuns the old place." "Why should he shun it?" "Perhaps he thinks it gloomy." The answer was evasive. I should have liked something clearer; but Mrs. Fairfax either could not, or would not, give me more explicit information of the origin and nature of Mr. Rochester's trials. She averred they were a mystery to herself, and that what she knew was chiefly from conjecture. It was evident, indeed, that she wished me to drop the subject, which I did accordingly. For several subsequent days I saw little of Mr. Rochester. In the mornings he seemed much engaged with business, and, in the afternoon, gentlemen from Millcote or the neighbourhood called, and sometimes stayed to dine with him. When his sprain was well enough to admit of horse exercise, he rode out a good deal; probably to return these visits, as he generally did not come back till late at night. During this interval, even Adele was seldom sent for to his presence, and all my acquaintance with him was confined to an occasional rencontre in the hall, on the stairs, or in the gallery, when he would sometimes pass me haughtily and coldly, just acknowledging my presence by a distant nod or a cool glance, and sometimes bow and smile with gentlemanlike affability. His changes of mood did not offend me, because I saw that I had nothing to do with their alternation; the ebb and flow depended on causes quite disconnected with me. One day he had had company to dinner, and had sent for my portfolio; in order, doubtless, to exhibit its contents: the gentlemen went away early, to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but the night being wet and inclement, Mr. Rochester did not accompany them. Soon after they were gone he rang the bell: a message came that I and Adele were to go downstairs. I brushed Adele's hair and made her neat, and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch--all being too close and plain, braided locks included, to admit of disarrangement--we descended, Adele wondering whether the _petit coffre_ was at length come; for, owing to some mistake, its arrival had hitherto been delayed. She was gratified: there it stood, a little carton, on the table when we entered the dining-room. She appeared to know it by instinct. "Ma boite! ma boite!" exclaimed she, running towards it. "Yes, there is your 'boite' at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling it," said the deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the fireside. "And mind," he continued, "don't bother me with any details of the anatomical process, or any notice of the condition of the entrails: let your operation be conducted in silence: tiens-toi tranquille, enfant; comprends-tu?" Adele seemed scarcely to need the warning--she had already retired to a sofa with her treasure, and was busy untying the cord which secured the lid. Having removed this impediment, and lifted certain silvery envelopes of tissue paper, she merely exclaimed-- "Oh ciel! Que c'est beau!" and then remained absorbed in ecstatic contemplation. "Is Miss Eyre there?" now demanded the master, half rising from his seat to look round to the door, near which I still stood. "Ah! well, come forward; be seated here." He drew a chair near his own. "I am not fond of the prattle of children," he continued; "for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening _tete-a-tete_ with a brat. Don't draw that chair farther off, Miss Eyre; sit down exactly where I placed it--if you please, that is. Confound these civilities! I continually forget them. Nor do I particularly affect simple-minded old ladies. By-the-bye, I must have mine in mind; it won't do to neglect her; she is a Fairfax, or wed to one; and blood is said to be thicker than water." He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived, knitting-basket in hand. "Good evening, madam; I sent to you for a charitable purpose. I have forbidden Adele to talk to me about her presents, and she is bursting with repletion: have the goodness to serve her as auditress and interlocutrice; it will be one of the most benevolent acts you ever performed." Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her sofa, and there quickly filled her lap with the porcelain, the ivory, the waxen contents of her "boite;" pouring out, meantime, explanations and raptures in such broken English as she was mistress of. "Now I have performed the part of a good host," pursued Mr. Rochester, "put my guests into the way of amusing each other, I ought to be at liberty to attend to my own pleasure. Miss Eyre, draw your chair still a little farther forward: you are yet too far back; I cannot see you without disturbing my position in this comfortable chair, which I have no mind to do." I did as I was bid, though I would much rather have remained somewhat in the shade; but Mr. Rochester had such a direct way of giving orders, it seemed a matter of course to obey him promptly. We were, as I have said, in the dining-room: the lustre, which had been lit for dinner, filled the room with a festal breadth of light; the large fire was all red and clear; the purple curtains hung rich and ample before the lofty window and loftier arch; everything was still, save the subdued chat of Adele (she dared not speak loud), and, filling up each pause, the beating of winter rain against the panes. Mr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look before; not quite so stern--much less gloomy. There was a smile on his lips, and his eyes sparkled, whether with wine or not, I am not sure; but I think it very probable. He was, in short, in his after-dinner mood; more expanded and genial, and also more self- indulgent than the frigid and rigid temper of the morning; still he looked preciously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite- hewn features, and in his great, dark eyes; for he had great, dark eyes, and very fine eyes, too--not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling. He had been looking two minutes at the fire, and I had been looking the same length of time at him, when, turning suddenly, he caught my gaze fastened on his physiognomy. "You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware--"No, sir." "Ah! By my word! there is something singular about you," said he: "you have the air of a little _nonnette_; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-bye, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?" "Sir, I was too plain; I beg your pardon. I ought to have replied that it was not easy to give an impromptu answer to a question about appearances; that tastes mostly differ; and that beauty is of little consequence, or something of that sort." "You ought to have replied no such thing. Beauty of little consequence, indeed! And so, under pretence of softening the previous outrage, of stroking and soothing me into placidity, you stick a sly penknife under my ear! Go on: what fault do you find with me, pray? I suppose I have all my limbs and all my features like any other man?" "Mr. Rochester, allow me to disown my first answer: I intended no pointed repartee: it was only a blunder." "Just so: I think so: and you shall be answerable for it. Criticise me: does my forehead not please you?" He lifted up the sable waves of hair which lay horizontally over his brow, and showed a solid enough mass of intellectual organs, but an abrupt deficiency where the suave sign of benevolence should have risen. "Now, ma'am, am I a fool?" "Far from it, sir. You would, perhaps, think me rude if I inquired in return whether you are a philanthropist?" "There again! Another stick of the penknife, when she pretended to pat my head: and that is because I said I did not like the society of children and old women (low be it spoken!). No, young lady, I am not a general philanthropist; but I bear a conscience;" and he pointed to the prominences which are said to indicate that faculty, and which, fortunately for him, were sufficiently conspicuous; giving, indeed, a marked breadth to the upper part of his head: "and, besides, I once had a kind of rude tenderness of heart. When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?" "Hope of what, sir?" "Of my final re-transformation from India-rubber back to flesh?" "Decidedly he has had too much wine," I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed? "You looked very much puzzled, Miss Eyre; and though you are not pretty any more than I am handsome, yet a puzzled air becomes you; besides, it is convenient, for it keeps those searching eyes of yours away from my physiognomy, and busies them with the worsted flowers of the rug; so puzzle on. Young lady, I am disposed to be gregarious and communicative to-night." With this announcement he rose from his chair, and stood, leaning his arm on the marble mantelpiece: in that attitude his shape was seen plainly as well as his face; his unusual breadth of chest, disproportionate almost to his length of limb. I am sure most people would have thought him an ugly man; yet there was so much unconscious pride in his port; so much ease in his demeanour; such a look of complete indifference to his own external appearance; so haughty a reliance on the power of other qualities, intrinsic or adventitious, to atone for the lack of mere personal attractiveness, that, in looking at him, one inevitably shared the indifference, and, even in a blind, imperfect sense, put faith in the confidence. "I am disposed to be gregarious and communicative to-night," he repeated, "and that is why I sent for you: the fire and the chandelier were not sufficient company for me; nor would Pilot have been, for none of these can talk. Adele is a degree better, but still far below the mark; Mrs. Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled me the first evening I invited you down here. I have almost forgotten you since: other ideas have driven yours from my head; but to-night I am resolved to be at ease; to dismiss what importunes, and recall what pleases. It would please me now to draw you out--to learn more of you--therefore speak." Instead of speaking, I smiled; and not a very complacent or submissive smile either. "Speak," he urged. "What about, sir?" "Whatever you like. I leave both the choice of subject and the manner of treating it entirely to yourself." Accordingly I sat and said nothing: "If he expects me to talk for the mere sake of talking and showing off, he will find he has addressed himself to the wrong person," I thought. "You are dumb, Miss Eyre." I was dumb still. He bent his head a little towards me, and with a single hasty glance seemed to dive into my eyes. "Stubborn?" he said, "and annoyed. Ah! it is consistent. I put my request in an absurd, almost insolent form. Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is" (correcting himself), "I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience. This is legitimate, _et j'y tiens_, as Adele would say; and it is by virtue of this superiority, and this alone, that I desire you to have the goodness to talk to me a little now, and divert my thoughts, which are galled with dwelling on one point--cankering as a rusty nail." He had deigned an explanation, almost an apology, and I did not feel insensible to his condescension, and would not seem so. "I am willing to amuse you, if I can, sir--quite willing; but I cannot introduce a topic, because how do I know what will interest you? Ask me questions, and I will do my best to answer them." "Then, in the first place, do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe, while you have lived quietly with one set of people in one house?" "Do as you please, sir." "That is no answer; or rather it is a very irritating, because a very evasive one. Reply clearly." "I don't think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." "Humph! Promptly spoken. But I won't allow that, seeing that it would never suit my case, as I have made an indifferent, not to say a bad, use of both advantages. Leaving superiority out of the question, then, you must still agree to receive my orders now and then, without being piqued or hurt by the tone of command. Will you?" I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to forget that he pays me 30 pounds per annum for receiving his orders. "The smile is very well," said he, catching instantly the passing expression; "but speak too." "I was thinking, sir, that very few masters would trouble themselves to inquire whether or not their paid subordinates were piqued and hurt by their orders." "Paid subordinates! What! you are my paid subordinate, are you? Oh yes, I had forgotten the salary! Well then, on that mercenary ground, will you agree to let me hector a little?" "No, sir, not on that ground; but, on the ground that you did forget it, and that you care whether or not a dependent is comfortable in his dependency, I agree heartily." "And will you consent to dispense with a great many conventional forms and phrases, without thinking that the omission arises from insolence?" "I am sure, sir, I should never mistake informality for insolence: one I rather like, the other nothing free-born would submit to, even for a salary." "Humbug! Most things free-born will submit to anything for a salary; therefore, keep to yourself, and don't venture on generalities of which you are intensely ignorant. However, I mentally shake hands with you for your answer, despite its inaccuracy; and as much for the manner in which it was said, as for the substance of the speech; the manner was frank and sincere; one does not often see such a manner: no, on the contrary, affectation, or coldness, or stupid, coarse-minded misapprehension of one's meaning are the usual rewards of candour. Not three in three thousand raw school-girl-governesses would have answered me as you have just done. But I don't mean to flatter you: if you are cast in a different mould to the majority, it is no merit of yours: Nature did it. And then, after all, I go too fast in my conclusions: for what I yet know, you may be no better than the rest; you may have intolerable defects to counterbalance your few good points." "And so may you," I thought. My eye met his as the idea crossed my mind: he seemed to read the glance, answering as if its import had been spoken as well as imagined-- "Yes, yes, you are right," said he; "I have plenty of faults of my own: I know it, and I don't wish to palliate them, I assure you. God wot I need not be too severe about others; I have a past existence, a series of deeds, a colour of life to contemplate within my own breast, which might well call my sneers and censures from my neighbours to myself. I started, or rather (for like other defaulters, I like to lay half the blame on ill fortune and adverse circumstances) was thrust on to a wrong tack at the age of one-and-twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you--wiser--almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure--an inexhaustible source of pure refreshment: is it not?" "How was your memory when you were eighteen, sir?" "All right then; limpid, salubrious: no gush of bilge water had turned it to fetid puddle. I was your equal at eighteen--quite your equal. Nature meant me to be, on the whole, a good man, Miss Eyre; one of the better kind, and you see I am not so. You would say you don't see it; at least I flatter myself I read as much in your eye (beware, by-the-bye, what you express with that organ; I am quick at interpreting its language). Then take my word for it,--I am not a villain: you are not to suppose that--not to attribute to me any such bad eminence; but, owing, I verily believe, rather to circumstances than to my natural bent, I am a trite commonplace sinner, hackneyed in all the poor petty dissipations with which the rich and worthless try to put on life. Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know?--how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. You would say, I should have been superior to circumstances; so I should--so I should; but you see I was not. When fate wronged me, I had not the wisdom to remain cool: I turned desperate; then I degenerated. Now, when any vicious simpleton excites my disgust by his paltry ribaldry, I cannot flatter myself that I am better than he: I am forced to confess that he and I are on a level. I wish I had stood firm--God knows I do! Dread remorse when you are tempted to err, Miss Eyre; remorse is the poison of life." "Repentance is said to be its cure, sir." "It is not its cure. Reformation may be its cure; and I could reform--I have strength yet for that--if--but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I _will_ get it, cost what it may." "Then you will degenerate still more, sir." "Possibly: yet why should I, if I can get sweet, fresh pleasure? And I may get it as sweet and fresh as the wild honey the bee gathers on the moor." "It will sting--it will taste bitter, sir." "How do you know?--you never tried it. How very serious--how very solemn you look: and you are as ignorant of the matter as this cameo head" (taking one from the mantelpiece). "You have no right to preach to me, you neophyte, that have not passed the porch of life, and are absolutely unacquainted with its mysteries." "I only remind you of your own words, sir: you said error brought remorse, and you pronounced remorse the poison of existence." "And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing--I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart." "Distrust it, sir; it is not a true angel." "Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne--between a guide and a seducer?" "I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it." "Not at all--it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don't make yourself uneasy. Here, come in, bonny wanderer!" He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. "Now," he continued, again addressing me, "I have received the pilgrim--a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine." "To speak truth, sir, I don't understand you at all: I cannot keep up the conversation, because it has got out of my depth. Only one thing, I know: you said you were not as good as you should like to be, and that you regretted your own imperfection;--one thing I can comprehend: you intimated that to have a sullied memory was a perpetual bane. It seems to me, that if you tried hard, you would in time find it possible to become what you yourself would approve; and that if from this day you began with resolution to correct your thoughts and actions, you would in a few years have laid up a new and stainless store of recollections, to which you might revert with pleasure." "Justly thought; rightly said, Miss Eyre; and, at this moment, I am paving hell with energy." "Sir?" "I am laying down good intentions, which I believe durable as flint. Certainly, my associates and pursuits shall be other than they have been." "And better?" "And better--so much better as pure ore is than foul dross. You seem to doubt me; I don't doubt myself: I know what my aim is, what my motives are; and at this moment I pass a law, unalterable as that of the Medes and Persians, that both are right." "They cannot be, sir, if they require a new statute to legalise them." "They are, Miss Eyre, though they absolutely require a new statute: unheard-of combinations of circumstances demand unheard-of rules." "That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse." "Sententious sage! so it is: but I swear by my household gods not to abuse it." "You are human and fallible." "I am: so are you--what then?" "The human and fallible should not arrogate a power with which the divine and perfect alone can be safely intrusted." "What power?" "That of saying of any strange, unsanctioned line of action,--'Let it be right.'" "'Let it be right'--the very words: you have pronounced them." "_May_ it be right then," I said, as I rose, deeming it useless to continue a discourse which was all darkness to me; and, besides, sensible that the character of my interlocutor was beyond my penetration; at least, beyond its present reach; and feeling the uncertainty, the vague sense of insecurity, which accompanies a conviction of ignorance. "Where are you going?" "To put Adele to bed: it is past her bedtime." "You are afraid of me, because I talk like a Sphynx." "Your language is enigmatical, sir: but though I am bewildered, I am certainly not afraid." "You _are_ afraid--your self-love dreads a blunder." "In that sense I do feel apprehensive--I have no wish to talk nonsense." "If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer--I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother--or father, or master, or what you will--to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going?" "It has struck nine, sir." "Never mind,--wait a minute: Adele is not ready to go to bed yet. My position, Miss Eyre, with my back to the fire, and my face to the room, favours observation. While talking to you, I have also occasionally watched Adele (I have my own reasons for thinking her a curious study,--reasons that I may, nay, that I shall, impart to you some day). She pulled out of her box, about ten minutes ago, a little pink silk frock; rapture lit her face as she unfolded it; coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones. 'Il faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed out of the room. She is now with Sophie, undergoing a robing process: in a few minutes she will re-enter; and I know what I shall see,--a miniature of Celine Varens, as she used to appear on the boards at the rising of--But never mind that. However, my tenderest feelings are about to receive a shock: such is my presentiment; stay now, to see whether it will be realised." Ere long, Adele's little foot was heard tripping across the hall. She entered, transformed as her guardian had predicted. A dress of rose-coloured satin, very short, and as full in the skirt as it could be gathered, replaced the brown frock she had previously worn; a wreath of rosebuds circled her forehead; her feet were dressed in silk stockings and small white satin sandals. "Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes souliers? et mes bas? Tenez, je crois que je vais danser!" And spreading out her dress, she chasseed across the room till, having reached Mr. Rochester, she wheeled lightly round before him on tip-toe, then dropped on one knee at his feet, exclaiming-- "Monsieur, je vous remercie mille fois de votre bonte;" then rising, she added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?" "Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English gold out of my British breeches' pocket. I have been green, too, Miss Eyre,--ay, grass green: not a more vernal tint freshens you now than once freshened me. My Spring is gone, however, but it has left me that French floweret on my hands, which, in some moods, I would fain be rid of. Not valuing now the root whence it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom, especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great or small, by one good work. I'll explain all this some day. Good-night."

Chapters 13-14

Life at Thornfield changes through Mr. Rochester's presence. The servants seem to have more purpose in their work and Jane is ousted from the library, and has to make alternative arrangements for a classroom. Mr. Rochester continues in his cantankerous mood, but is overly interested in Jane, wishing to know her skills in music and any other talents she may have, in particular her artwork, which greatly impresses him. Ad'le has been anticipating receiving a present from Mr. Rochester, and after a few days they are summoned and Ad'le receives a box of presents. Ad'le tries on her new dress, stockings and sandals, and as she dances about, Rochester describes her as a French floweret" and she reminds him of her mother. Rochester passes comment on Jane's behavior saying that she is prim and too reserved and asks her to comment on his looks. Jane attempts to keep her opinion to herself, and fearing that Rochester may be under the influence of wine, she selects her words carefully.

Interpretation It is evident that Rochester is the guiding force in Thornfield, which comes to life when he reappears from his travels. The reader is also aware that he has more than a passing interest in Jane, who after all is just another servant in the household. Their conversation soon becomes quite personal and he says to her, Do you think me handsome?" After some deliberation she responds, "No sir" to which he replies, "There is something singular about you '' When one asks you a question, or makes a remark to which you are obliged to reply, you wrap it out '' which, if not blunt, is at least brusque. What do you mean by it?" Jane replies by saying that beauty is of little consequence. Rochester goes on to excuse his rugged features by saying that Lady Fortune has not always looked kindly on him. "She has even kneaded me with her knuckles and now I flatter myself I am as hard and tough as an India rubber ball '' does that leave hope for me?" Jane cannot help but look puzzled, as she cannot understand this enigma of a man. Jane provides Rochester with a challenging conversation which he has not been able to share with anyone else, and from the descriptions provided by Bront', the attraction that both has for each other is not physical but more intellectual for we know that Rochester has a craggy appearance and Jane is plain, having a small frame and wearing uncomplimentary clothes.

bookwolf

all_chapterized_books/1260-chapters/volume_2_chapters_15_to_16.txt

finished_summaries/bookwolf/Jane Eyre/section_7_part_0.txt

Jane Eyre.volume 2.chapters 15-16

chapters 15-16

{"name": "Chapters 15-16", "summary": "Jane narrates some of the story of Rochester's affair with Ad'le's mother. She appealed to Rochester's male ego through flattery and he believed that she returned the feelings he had for her. However, one night he discovered her with a young Viscount and she proceeded to mock Rochester's unhandsome appearance. He ended his affair but gave her money so that she could continue her career elsewhere. He obtained some satisfaction by wounding her lover in a duel. C'line abandoned her daughter soon after and Rochester brought her back to Thornfield as his ward. Jane doesn't think less of Rochester over his affair with the French dancer; in fact she is impressed at his devotion to Ad'le even although she is probably not his child. One night Jane hears noises outside her door, and at first she thinks it is Pilot, but when she investigates she sees smoke pouring out of Rochester's bedroom door, and using several basins of water she puts out the fire that threatens to engulf his bed. Rochester indicates that it is Grace Poole who has set the fire and he makes Jane promise to keep the affair a secret. The next day she comes into contact with Grace Poole - a rare occurrence - and she is preparing new curtains for Mr. Rochester's bedroom. She is a seamstress. She tells Jane that he had fallen asleep whilst reading and a candle had ignited the curtains and bedclothes. Jane is puzzled by Grace Poole's position in the house, and why Mr. Rochester puts up with her behavior. Rochester has left Thornfield to go to Millcote for a weeklong house party. Mrs. Fairfax describes Blanche Ingram, who Mr. Rochester admires, as being a striking and most beautiful woman.", "analysis": "Interpretation The Gothic tone returns to the storyline. Mysterious noises awaken Jane and she discovers the fire in Rochester's bedroom. Without Jane's intervention, Rochester may have been killed as he was in a deep sleep. Rochester acknowledges this by saying, \"Why, you have saved my life - snatched me from a horrible and excruciating death '' at least shake hands.\" Rochester held out his hand and Jane took it. Seeing that there is no danger, Jane is anxious to return to her bedroom, but Rochester is reluctant to let her go. He says, \"I knew, you would do me good in some way, at some time: I saw it in your eyes when I first beheld you:\" Jane eventually returns to her bedroom, but spends a restless night. The reader wonders about Rochester as well. Does he propose to take advantage of Jane? Does he have true feelings for her? He certainly speaks poetically, but the reader must question Jane's objectivity due to her naivety with regard to men, and the world in general. What we need to do is study the character of Rochester in detail. He is not a womanizer, but has sought solace from the problems that are resident in Thornfield by having a series of relationships so that he can forget the past. At heart, he is a caring man as is evident by his rescue of Ad'le. What he seeks is lasting happiness. Will he obtain this with Jane or Blanche? The reader has the advantage over Jane. She does not know what to make of the man, and her thoughts and feelings are in turmoil. Not only is Jane puzzled with Rochester, but her encounter with Grace Poole also raises doubts in her mind concerning this eccentric seamstress. Jane knows that Rochester must have spoken to Grace Poole and presumably asked her to be secretive as well, but Grace doesn't hesitate in telling Jane about the fire, and who was to blame. If all these quandaries were not enough for Jane, Mrs. Fairfax brings her right back down to earth by telling her that Mr. Rochester has left for a party with Blanche Ingram, one of the most beautiful women in the county, whom he admires."}

Mr. Rochester did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adele in the grounds: and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her. He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a "_grande passion_." This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "_taille d'athlete_" to the elegance of the Apollo Belvidere. "And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had--as I deserved to have--the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No,--I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur 'Mon ange'--in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel. "You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current--as I am now. "I like this day; I like that sky of steel; I like the sternness and stillness of the world under this frost. I like Thornfield, its antiquity, its retirement, its old crow-trees and thorn-trees, its grey facade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it, shunned it like a great plague-house? How I do still abhor--" He ground his teeth and was silent: he arrested his step and struck his boot against the hard ground. Some hated thought seemed to have him in its grip, and to hold him so tightly that he could not advance. We were ascending the avenue when he thus paused; the hall was before us. Lifting his eye to its battlements, he cast over them a glare such as I never saw before or since. Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow. Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance: he went on-- "During the moment I was silent, Miss Eyre, I was arranging a point with my destiny. She stood there, by that beech-trunk--a hag like one of those who appeared to Macbeth on the heath of Forres. 'You like Thornfield?' she said, lifting her finger; and then she wrote in the air a memento, which ran in lurid hieroglyphics all along the house-front, between the upper and lower row of windows, 'Like it if you can! Like it if you dare!' "'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily) "I will keep my word; I will break obstacles to happiness, to goodness--yes, goodness. I wish to be a better man than I have been, than I am; as Job's leviathan broke the spear, the dart, and the habergeon, hindrances which others count as iron and brass, I will esteem but straw and rotten wood." Adele here ran before him with her shuttlecock. "Away!" he cried harshly; "keep at a distance, child; or go in to Sophie!" Continuing then to pursue his walk in silence, I ventured to recall him to the point whence he had abruptly diverged-- "Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?" I almost expected a rebuff for this hardly well-timed question, but, on the contrary, waking out of his scowling abstraction, he turned his eyes towards me, and the shade seemed to clear off his brow. "Oh, I had forgotten Celine! Well, to resume. When I saw my charmer thus come in accompanied by a cavalier, I seemed to hear a hiss, and the green snake of jealousy, rising on undulating coils from the moonlit balcony, glided within my waistcoat, and ate its way in two minutes to my heart's core. Strange!" he exclaimed, suddenly starting again from the point. "Strange that I should choose you for the confidant of all this, young lady; passing strange that you should listen to me quietly, as if it were the most usual thing in the world for a man like me to tell stories of his opera-mistresses to a quaint, inexperienced girl like you! But the last singularity explains the first, as I intimated once before: you, with your gravity, considerateness, and caution were made to be the recipient of secrets. Besides, I know what sort of a mind I have placed in communication with my own: I know it is one not liable to take infection: it is a peculiar mind: it is a unique one. Happily I do not mean to harm it: but, if I did, it would not take harm from me. The more you and I converse, the better; for while I cannot blight you, you may refresh me." After this digression he proceeded-- "I remained in the balcony. 'They will come to her boudoir, no doubt,' thought I: 'let me prepare an ambush.' So putting my hand in through the open window, I drew the curtain over it, leaving only an opening through which I could take observations; then I closed the casement, all but a chink just wide enough to furnish an outlet to lovers' whispered vows: then I stole back to my chair; and as I resumed it the pair came in. My eye was quickly at the aperture. Celine's chamber-maid entered, lit a lamp, left it on the table, and withdrew. The couple were thus revealed to me clearly: both removed their cloaks, and there was 'the Varens,' shining in satin and jewels,--my gifts of course,--and there was her companion in an officer's uniform; and I knew him for a young roue of a vicomte--a brainless and vicious youth whom I had sometimes met in society, and had never thought of hating because I despised him so absolutely. On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Celine sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe. "They began to talk; their conversation eased me completely: frivolous, mercenary, heartless, and senseless, it was rather calculated to weary than enrage a listener. A card of mine lay on the table; this being perceived, brought my name under discussion. Neither of them possessed energy or wit to belabour me soundly, but they insulted me as coarsely as they could in their little way: especially Celine, who even waxed rather brilliant on my personal defects--deformities she termed them. Now it had been her custom to launch out into fervent admiration of what she called my '_beaute male_:' wherein she differed diametrically from you, who told me point-blank, at the second interview, that you did not think me handsome. The contrast struck me at the time and--" Adele here came running up again. "Monsieur, John has just been to say that your agent has called and wishes to see you." "Ah! in that case I must abridge. Opening the window, I walked in upon them; liberated Celine from my protection; gave her notice to vacate her hotel; offered her a purse for immediate exigencies; disregarded screams, hysterics, prayers, protestations, convulsions; made an appointment with the vicomte for a meeting at the Bois de Boulogne. Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew. But unluckily the Varens, six months before, had given me this filette Adele, who, she affirmed, was my daughter; and perhaps she may be, though I see no proofs of such grim paternity written in her countenance: Pilot is more like me than she. Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adele's part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e'en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but now you know that it is the illegitimate offspring of a French opera-girl, you will perhaps think differently of your post and protegee: you will be coming to me some day with notice that you have found another place--that you beg me to look out for a new governess, &c.--Eh?" "No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless--forsaken by her mother and disowned by you, sir--I shall cling closer to her than before. How could I possibly prefer the spoilt pet of a wealthy family, who would hate her governess as a nuisance, to a lonely little orphan, who leans towards her as a friend?" "Oh, that is the light in which you view it! Well, I must go in now; and you too: it darkens." But I stayed out a few minutes longer with Adele and Pilot--ran a race with her, and played a game of battledore and shuttlecock. When we went in, and I had removed her bonnet and coat, I took her on my knee; kept her there an hour, allowing her to prattle as she liked: not rebuking even some little freedoms and trivialities into which she was apt to stray when much noticed, and which betrayed in her a superficiality of character, inherited probably from her mother, hardly congenial to an English mind. Still she had her merits; and I was disposed to appreciate all that was good in her to the utmost. I sought in her countenance and features a likeness to Mr. Rochester, but found none: no trait, no turn of expression announced relationship. It was a pity: if she could but have been proved to resemble him, he would have thought more of her. It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman's passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master's manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength. And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say _former_, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it. Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield. "Why not?" I asked myself. "What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!" I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed. I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear. All at once I remembered that it might be Pilot, who, when the kitchen- door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough. This was a demoniac laugh--low, suppressed, and deep--uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside--or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, "Who is there?" Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still. "Was that Grace Poole? and is she possessed with a devil?" thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning. Something creaked: it was a door ajar; and that door was Mr. Rochester's, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. "Wake! wake!" I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God's aid, succeeded in extinguishing the flames which were devouring it. The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. "Is there a flood?" he cried. "No, sir," I answered; "but there has been a fire: get up, do; you are quenched now; I will fetch you a candle." "In the name of all the elves in Christendom, is that Jane Eyre?" he demanded. "What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?" "I will fetch you a candle, sir; and, in Heaven's name, get up. Somebody has plotted something: you cannot too soon find out who and what it is." "There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be--yes, here is my dressing-gown. Now run!" I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water. "What is it? and who did it?" he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,--the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on. {"What is it and who did it?" he asked: p140.jpg} He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded. "Shall I call Mrs. Fairfax?" I asked. "Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested." "Then I will fetch Leah, and wake John and his wife." "Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,--I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don't move, remember, or call any one." He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester's displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. "I hope it is he," thought I, "and not something worse." He re-entered, pale and very gloomy. "I have found it all out," said he, setting his candle down on the washstand; "it is as I thought." "How, sir?" He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone-- "I forget whether you said you saw anything when you opened your chamber door." "No, sir, only the candlestick on the ground." "But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?" "Yes, sir: there is a woman who sews here, called Grace Poole,--she laughs in that way. She is a singular person." "Just so. Grace Poole--you have guessed it. She is, as you say, singular--very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night's incident. You are no talking fool: say nothing about it. I will account for this state of affairs" (pointing to the bed): "and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:--in two hours the servants will be up." "Good-night, then, sir," said I, departing. He seemed surprised--very inconsistently so, as he had just told me to go. "What!" he exclaimed, "are you quitting me already, and in that way?" "You said I might go, sir." "But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!--snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands." He held out his hand; I gave him mine: he took it first in one, them in both his own. "You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;--I feel your benefits no burden, Jane." He paused; gazed at me: words almost visible trembled on his lips,--but his voice was checked. "Good-night again, sir. There is no debt, benefit, burden, obligation, in the case." "I knew," he continued, "you would do me good in some way, at some time;--I saw it in your eyes when I first beheld you: their expression and smile did not"--(again he stopped)--"did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!" Strange energy was in his voice, strange fire in his look. "I am glad I happened to be awake," I said: and then I was going. "What! you _will_ go?" "I am cold, sir." "Cold? Yes,--and standing in a pool! Go, then, Jane; go!" But he still retained my hand, and I could not free it. I bethought myself of an expedient. "I think I hear Mrs. Fairfax move, sir," said I. "Well, leave me:" he relaxed his fingers, and I was gone. I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy--a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned. I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day. But the morning passed just as usual: nothing happened to interrupt the quiet course of Adele's studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester's chamber, Mrs. Fairfax's voice, and Leah's, and the cook's--that is, John's wife--and even John's own gruff tones. There were exclamations of "What a mercy master was not burnt in his bed!" "It is always dangerous to keep a candle lit at night." "How providential that he had presence of mind to think of the water-jug!" "I wonder he waked nobody!" "It is to be hoped he will not take cold with sleeping on the library sofa," &c. To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole. There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing. "I will put her to some test," thought I: "such absolute impenetrability is past comprehension." "Good morning, Grace," I said. "Has anything happened here? I thought I heard the servants all talking together a while ago." "Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer." "A strange affair!" I said, in a low voice: then, looking at her fixedly--"Did Mr. Rochester wake nobody? Did no one hear him move?" She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered-- "The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax's room and yours are the nearest to master's; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy." She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone--"But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?" "I did," said I, dropping my voice, so that Leah, who was still polishing the panes, could not hear me, "and at first I thought it was Pilot: but Pilot cannot laugh; and I am certain I heard a laugh, and a strange one." She took a new needleful of thread, waxed it carefully, threaded her needle with a steady hand, and then observed, with perfect composure-- "It is hardly likely master would laugh, I should think, Miss, when he was in such danger: You must have been dreaming." "I was not dreaming," I said, with some warmth, for her brazen coolness provoked me. Again she looked at me; and with the same scrutinising and conscious eye. "Have you told master that you heard a laugh?" she inquired. "I have not had the opportunity of speaking to him this morning." "You did not think of opening your door and looking out into the gallery?" she further asked. She appeared to be cross-questioning me, attempting to draw from me information unawares. The idea struck me that if she discovered I knew or suspected her guilt, she would be playing of some of her malignant pranks on me; I thought it advisable to be on my guard. "On the contrary," said I, "I bolted my door." "Then you are not in the habit of bolting your door every night before you get into bed?" "Fiend! she wants to know my habits, that she may lay her plans accordingly!" Indignation again prevailed over prudence: I replied sharply, "Hitherto I have often omitted to fasten the bolt: I did not think it necessary. I was not aware any danger or annoyance was to be dreaded at Thornfield Hall: but in future" (and I laid marked stress on the words) "I shall take good care to make all secure before I venture to lie down." "It will be wise so to do," was her answer: "this neighbourhood is as quiet as any I know, and I never heard of the hall being attempted by robbers since it was a house; though there are hundreds of pounds' worth of plate in the plate-closet, as is well known. And you see, for such a large house, there are very few servants, because master has never lived here much; and when he does come, being a bachelor, he needs little waiting on: but I always think it best to err on the safe side; a door is soon fastened, and it is as well to have a drawn bolt between one and any mischief that may be about. A deal of people, Miss, are for trusting all to Providence; but I say Providence will not dispense with the means, though He often blesses them when they are used discreetly." And here she closed her harangue: a long one for her, and uttered with the demureness of a Quakeress. I still stood absolutely dumfoundered at what appeared to me her miraculous self-possession and most inscrutable hypocrisy, when the cook entered. "Mrs. Poole," said she, addressing Grace, "the servants' dinner will soon be ready: will you come down?" "No; just put my pint of porter and bit of pudding on a tray, and I'll carry it upstairs." "You'll have some meat?" "Just a morsel, and a taste of cheese, that's all." "And the sago?" "Never mind it at present: I shall be coming down before teatime: I'll make it myself." The cook here turned to me, saying that Mrs. Fairfax was waiting for me: so I departed. I hardly heard Mrs. Fairfax's account of the curtain conflagration during dinner, so much was I occupied in puzzling my brains over the enigmatical character of Grace Poole, and still more in pondering the problem of her position at Thornfield and questioning why she had not been given into custody that morning, or, at the very least, dismissed from her master's service. He had almost as much as declared his conviction of her criminality last night: what mysterious cause withheld him from accusing her? Why had he enjoined me, too, to secrecy? It was strange: a bold, vindictive, and haughty gentleman seemed somehow in the power of one of the meanest of his dependants; so much in her power, that even when she lifted her hand against his life, he dared not openly charge her with the attempt, much less punish her for it. Had Grace been young and handsome, I should have been tempted to think that tenderer feelings than prudence or fear influenced Mr. Rochester in her behalf; but, hard-favoured and matronly as she was, the idea could not be admitted. "Yet," I reflected, "she has been young once; her youth would be contemporary with her master's: Mrs. Fairfax told me once, she had lived here many years. I don't think she can ever have been pretty; but, for aught I know, she may possess originality and strength of character to compensate for the want of personal advantages. Mr. Rochester is an amateur of the decided and eccentric: Grace is eccentric at least. What if a former caprice (a freak very possible to a nature so sudden and headstrong as his) has delivered him into her power, and she now exercises over his actions a secret influence, the result of his own indiscretion, which he cannot shake off, and dare not disregard?" But, having reached this point of conjecture, Mrs. Poole's square, flat figure, and uncomely, dry, even coarse face, recurred so distinctly to my mind's eye, that I thought, "No; impossible! my supposition cannot be correct. Yet," suggested the secret voice which talks to us in our own hearts, "you are not beautiful either, and perhaps Mr. Rochester approves you: at any rate, you have often felt as if he did; and last night--remember his words; remember his look; remember his voice!" I well remembered all; language, glance, and tone seemed at the moment vividly renewed. I was now in the schoolroom; Adele was drawing; I bent over her and directed her pencil. She looked up with a sort of start. "Qu' avez-vous, mademoiselle?" said she. "Vos doigts tremblent comme la feuille, et vos joues sont rouges: mais, rouges comme des cerises!" "I am hot, Adele, with stooping!" She went on sketching; I went on thinking. I hastened to drive from my mind the hateful notion I had been conceiving respecting Grace Poole; it disgusted me. I compared myself with her, and found we were different. Bessie Leaven had said I was quite a lady; and she spoke truth--I was a lady. And now I looked much better than I did when Bessie saw me; I had more colour and more flesh, more life, more vivacity, because I had brighter hopes and keener enjoyments. "Evening approaches," said I, as I looked towards the window. "I have never heard Mr. Rochester's voice or step in the house to-day; but surely I shall see him before night: I feared the meeting in the morning; now I desire it, because expectation has been so long baffled that it is grown impatient." When dusk actually closed, and when Adele left me to go and play in the nursery with Sophie, I did most keenly desire it. I listened for the bell to ring below; I listened for Leah coming up with a message; I fancied sometimes I heard Mr. Rochester's own tread, and I turned to the door, expecting it to open and admit him. The door remained shut; darkness only came in through the window. Still it was not late; he often sent for me at seven and eight o'clock, and it was yet but six. Surely I should not be wholly disappointed to-night, when I had so many things to say to him! I wanted again to introduce the subject of Grace Poole, and to hear what he would answer; I wanted to ask him plainly if he really believed it was she who had made last night's hideous attempt; and if so, why he kept her wickedness a secret. It little mattered whether my curiosity irritated him; I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in, and a sure instinct always prevented me from going too far; beyond the verge of provocation I never ventured; on the extreme brink I liked well to try my skill. Retaining every minute form of respect, every propriety of my station, I could still meet him in argument without fear or uneasy restraint; this suited both him and me. A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax's room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester's presence. "You must want your tea," said the good lady, as I joined her; "you ate so little at dinner. I am afraid," she continued, "you are not well to- day: you look flushed and feverish." "Oh, quite well! I never felt better." "Then you must prove it by evincing a good appetite; will you fill the teapot while I knit off this needle?" Having completed her task, she rose to draw down the blind, which she had hitherto kept up, by way, I suppose, of making the most of daylight, though dusk was now fast deepening into total obscurity. "It is fair to-night," said she, as she looked through the panes, "though not starlight; Mr. Rochester has, on the whole, had a favourable day for his journey." "Journey!--Is Mr. Rochester gone anywhere? I did not know he was out." "Oh, he set off the moment he had breakfasted! He is gone to the Leas, Mr. Eshton's place, ten miles on the other side Millcote. I believe there is quite a party assembled there; Lord Ingram, Sir George Lynn, Colonel Dent, and others." "Do you expect him back to-night?" "No--nor to-morrow either; I should think he is very likely to stay a week or more: when these fine, fashionable people get together, they are so surrounded by elegance and gaiety, so well provided with all that can please and entertain, they are in no hurry to separate. Gentlemen especially are often in request on such occasions; and Mr. Rochester is so talented and so lively in society, that I believe he is a general favourite: the ladies are very fond of him; though you would not think his appearance calculated to recommend him particularly in their eyes: but I suppose his acquirements and abilities, perhaps his wealth and good blood, make amends for any little fault of look." "Are there ladies at the Leas?" "There are Mrs. Eshton and her three daughters--very elegant young ladies indeed; and there are the Honourable Blanche and Mary Ingram, most beautiful women, I suppose: indeed I have seen Blanche, six or seven years since, when she was a girl of eighteen. She came here to a Christmas ball and party Mr. Rochester gave. You should have seen the dining-room that day--how richly it was decorated, how brilliantly lit up! I should think there were fifty ladies and gentlemen present--all of the first county families; and Miss Ingram was considered the belle of the evening." "You saw her, you say, Mrs. Fairfax: what was she like?" "Yes, I saw her. The dining-room doors were thrown open; and, as it was Christmas-time, the servants were allowed to assemble in the hall, to hear some of the ladies sing and play. Mr. Rochester would have me to come in, and I sat down in a quiet corner and watched them. I never saw a more splendid scene: the ladies were magnificently dressed; most of them--at least most of the younger ones--looked handsome; but Miss Ingram was certainly the queen." "And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls." "She was greatly admired, of course?" "Yes, indeed: and not only for her beauty, but for her accomplishments. She was one of the ladies who sang: a gentleman accompanied her on the piano. She and Mr. Rochester sang a duet." "Mr. Rochester? I was not aware he could sing." "Oh! he has a fine bass voice, and an excellent taste for music." "And Miss Ingram: what sort of a voice had she?" "A very rich and powerful one: she sang delightfully; it was a treat to listen to her;--and she played afterwards. I am no judge of music, but Mr. Rochester is; and I heard him say her execution was remarkably good." "And this beautiful and accomplished lady, she is not yet married?" "It appears not: I fancy neither she nor her sister have very large fortunes. Old Lord Ingram's estates were chiefly entailed, and the eldest son came in for everything almost." "But I wonder no wealthy nobleman or gentleman has taken a fancy to her: Mr. Rochester, for instance. He is rich, is he not?" "Oh! yes. But you see there is a considerable difference in age: Mr. Rochester is nearly forty; she is but twenty-five." "What of that? More unequal matches are made every day." "True: yet I should scarcely fancy Mr. Rochester would entertain an idea of the sort. But you eat nothing: you have scarcely tasted since you began tea." "No: I am too thirsty to eat. Will you let me have another cup?" I was about again to revert to the probability of a union between Mr. Rochester and the beautiful Blanche; but Adele came in, and the conversation was turned into another channel. When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned at my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her own quiet way a plain, unvarnished tale, showing how I had rejected the real, and rabidly devoured the ideal;--I pronounced judgment to this effect:-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "_You_," I said, "a favourite with Mr. Rochester? _You_ gifted with the power of pleasing him? _You_ of importance to him in any way? Go! your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to a dependent and a novice. How dared you? Poor stupid dupe!--Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night?--Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and, if discovered and responded to, must lead, _ignis-fatuus_-like, into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: to-morrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.' "Whenever, in future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them: say, 'Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indigent and insignificant plebeian?'" "I'll do it," I resolved: and having framed this determination, I grew calm, and fell asleep. I kept my word. An hour or two sufficed to sketch my own portrait in crayons; and in less than a fortnight I had completed an ivory miniature of an imaginary Blanche Ingram. It looked a lovely face enough, and when compared with the real head in chalk, the contrast was as great as self- control could desire. I derived benefit from the task: it had kept my head and hands employed, and had given force and fixedness to the new impressions I wished to stamp indelibly on my heart. Ere long, I had reason to congratulate myself on the course of wholesome discipline to which I had thus forced my feelings to submit. Thanks to it, I was able to meet subsequent occurrences with a decent calm, which, had they found me unprepared, I should probably have been unequal to maintain, even externally.

Chapters 15-16

Jane narrates some of the story of Rochester's affair with Ad'le's mother. She appealed to Rochester's male ego through flattery and he believed that she returned the feelings he had for her. However, one night he discovered her with a young Viscount and she proceeded to mock Rochester's unhandsome appearance. He ended his affair but gave her money so that she could continue her career elsewhere. He obtained some satisfaction by wounding her lover in a duel. C'line abandoned her daughter soon after and Rochester brought her back to Thornfield as his ward. Jane doesn't think less of Rochester over his affair with the French dancer; in fact she is impressed at his devotion to Ad'le even although she is probably not his child. One night Jane hears noises outside her door, and at first she thinks it is Pilot, but when she investigates she sees smoke pouring out of Rochester's bedroom door, and using several basins of water she puts out the fire that threatens to engulf his bed. Rochester indicates that it is Grace Poole who has set the fire and he makes Jane promise to keep the affair a secret. The next day she comes into contact with Grace Poole - a rare occurrence - and she is preparing new curtains for Mr. Rochester's bedroom. She is a seamstress. She tells Jane that he had fallen asleep whilst reading and a candle had ignited the curtains and bedclothes. Jane is puzzled by Grace Poole's position in the house, and why Mr. Rochester puts up with her behavior. Rochester has left Thornfield to go to Millcote for a weeklong house party. Mrs. Fairfax describes Blanche Ingram, who Mr. Rochester admires, as being a striking and most beautiful woman.

Interpretation The Gothic tone returns to the storyline. Mysterious noises awaken Jane and she discovers the fire in Rochester's bedroom. Without Jane's intervention, Rochester may have been killed as he was in a deep sleep. Rochester acknowledges this by saying, "Why, you have saved my life - snatched me from a horrible and excruciating death '' at least shake hands." Rochester held out his hand and Jane took it. Seeing that there is no danger, Jane is anxious to return to her bedroom, but Rochester is reluctant to let her go. He says, "I knew, you would do me good in some way, at some time: I saw it in your eyes when I first beheld you:" Jane eventually returns to her bedroom, but spends a restless night. The reader wonders about Rochester as well. Does he propose to take advantage of Jane? Does he have true feelings for her? He certainly speaks poetically, but the reader must question Jane's objectivity due to her naivety with regard to men, and the world in general. What we need to do is study the character of Rochester in detail. He is not a womanizer, but has sought solace from the problems that are resident in Thornfield by having a series of relationships so that he can forget the past. At heart, he is a caring man as is evident by his rescue of Ad'le. What he seeks is lasting happiness. Will he obtain this with Jane or Blanche? The reader has the advantage over Jane. She does not know what to make of the man, and her thoughts and feelings are in turmoil. Not only is Jane puzzled with Rochester, but her encounter with Grace Poole also raises doubts in her mind concerning this eccentric seamstress. Jane knows that Rochester must have spoken to Grace Poole and presumably asked her to be secretive as well, but Grace doesn't hesitate in telling Jane about the fire, and who was to blame. If all these quandaries were not enough for Jane, Mrs. Fairfax brings her right back down to earth by telling her that Mr. Rochester has left for a party with Blanche Ingram, one of the most beautiful women in the county, whom he admires.

bookwolf

all_chapterized_books/1260-chapters/volume_2_chapters_17_to_18.txt

finished_summaries/bookwolf/Jane Eyre/section_8_part_0.txt

Jane Eyre.volume 2.chapters 17-18

chapters 17-18

{"name": "Chapters 17-18", "summary": "Jane cannot help missing Rochester and she longs for his return. A letter is received giving the servants notice that Rochester will return in a few days to continue the party at Thornfield. There is now great activity from all the servants, cleaning, polishing, cooking etc. Jane also learns that Grace Poole receives five times more in salary than the other servants, thus adding to the mystery. A party of eight ladies and five gentlemen arrives, and Jane and Ad'le are summoned to the Drawing Room to join in the festivities. Ad'le is excited by the party, but Jane keeps away from the company and occupies a window seat concentrating on her knitting. Blanche Ingram is indeed beautiful, but she is also proud, and punctuates her conversations with sarcasm. At the piano, Blanche plays whilst Rochester sings and Jane takes the opportunity to slip away unobserved. Rochester notices her missing and goes after her saying that it is his wish that she attends while his guests are at Thornfield. The festivities continue with organized games, charades and play-acting. Jane spends her time observing the company and it is clear that Rochester does not love Blanche. She assumes that if they do marry it will be more for social rank and political reasons than for love. Mr. Rochester has to leave on some business and in his absence; Mr. Mason arrives from the West Indies claiming to be an old friend of Rochester. One of the servants advises the company that there is an old gypsy outside, and they decide to let her in to tell their fortunes.", "analysis": "Interpretation Bront' provides us with two different viewpoints regarding the company of partygoers - one from Ad'le and one from Jane. Ad'le views the party and those attending with great excitement. This must be a real break in routine for her and this will provide an insight to her of what she might expect when she grows up to adulthood. All she can see is fine ladies and handsome gentlemen, dancing, singing and playing musical instruments. Jane's view is totally different. She would not be there if it was not for her master's insistence. She feels intimidated by Lady Ingram in particular. She is a formidable beauty, tall and elegant, and Jane regards herself as plain, mainly due to her small size. She sees the revelers for what they are, as privileged, shallow people, who are deliberately rude to her because she is a Governess, and they are dismissive of the servants. Bront' uses much symbolism in the play-acting and games of charades indulged in by the partygoers, in particular Rochester and Blanche. They engage in role-play where Blanche is Mary Queen of Scots, and Rochester suggests, \"Who would not be the Rizzio of so divine a Mary?\" Blanche replies as Mary Queen of Scots, A fig for Rizzio! It is my opinion, the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him;\" One must assume that although Rochester goes along with this 'play', he perhaps is not impressed with Blanche's preference for the evil Bothwell over the artistic Rizzio. Another character is introduced into the complex storyline in the form of Mason. Jane immediately feels apprehensive about this man. Perhaps she has a premonition that he will bring her unhappiness. This, together with the introduction of a gypsy, gives a further hint of Gothic influence. The reader must feel some sympathy for Jane having to witness the apparent courtship between the man she loves and the woman who is superior to Jane both in looks and social standing."}

A week passed, and no news arrived of Mr. Rochester: ten days, and still he did not come. Mrs. Fairfax said she should not be surprised if he were to go straight from the Leas to London, and thence to the Continent, and not show his face again at Thornfield for a year to come; he had not unfrequently quitted it in a manner quite as abrupt and unexpected. When I heard this, I was beginning to feel a strange chill and failing at the heart. I was actually permitting myself to experience a sickening sense of disappointment; but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder--how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take a vital interest. Not that I humbled myself by a slavish notion of inferiority: on the contrary, I just said-- "You have nothing to do with the master of Thornfield, further than to receive the salary he gives you for teaching his protegee, and to be grateful for such respectful and kind treatment as, if you do your duty, you have a right to expect at his hands. Be sure that is the only tie he seriously acknowledges between you and him; so don't make him the object of your fine feelings, your raptures, agonies, and so forth. He is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised." I went on with my day's business tranquilly; but ever and anon vague suggestions kept wandering across my brain of reasons why I should quit Thornfield; and I kept involuntarily framing advertisements and pondering conjectures about new situations: these thoughts I did not think to check; they might germinate and bear fruit if they could. Mr. Rochester had been absent upwards of a fortnight, when the post brought Mrs. Fairfax a letter. "It is from the master," said she, as she looked at the direction. "Now I suppose we shall know whether we are to expect his return or not." And while she broke the seal and perused the document, I went on taking my coffee (we were at breakfast): it was hot, and I attributed to that circumstance a fiery glow which suddenly rose to my face. Why my hand shook, and why I involuntarily spilt half the contents of my cup into my saucer, I did not choose to consider. "Well, I sometimes think we are too quiet; but we run a chance of being busy enough now: for a little while at least," said Mrs. Fairfax, still holding the note before her spectacles. Ere I permitted myself to request an explanation, I tied the string of Adele's pinafore, which happened to be loose: having helped her also to another bun and refilled her mug with milk, I said, nonchalantly-- "Mr. Rochester is not likely to return soon, I suppose?" "Indeed he is--in three days, he says: that will be next Thursday; and not alone either. I don't know how many of the fine people at the Leas are coming with him: he sends directions for all the best bedrooms to be prepared; and the library and drawing-rooms are to be cleaned out; I am to get more kitchen hands from the George Inn, at Millcote, and from wherever else I can; and the ladies will bring their maids and the gentlemen their valets: so we shall have a full house of it." And Mrs. Fairfax swallowed her breakfast and hastened away to commence operations. The three days were, as she had foretold, busy enough. I had thought all the rooms at Thornfield beautifully clean and well arranged; but it appears I was mistaken. Three women were got to help; and such scrubbing, such brushing, such washing of paint and beating of carpets, such taking down and putting up of pictures, such polishing of mirrors and lustres, such lighting of fires in bedrooms, such airing of sheets and feather-beds on hearths, I never beheld, either before or since. Adele ran quite wild in the midst of it: the preparations for company and the prospect of their arrival, seemed to throw her into ecstasies. She would have Sophie to look over all her "toilettes," as she called frocks; to furbish up any that were "_passees_," and to air and arrange the new. For herself, she did nothing but caper about in the front chambers, jump on and off the bedsteads, and lie on the mattresses and piled-up bolsters and pillows before the enormous fires roaring in the chimneys. From school duties she was exonerated: Mrs. Fairfax had pressed me into her service, and I was all day in the storeroom, helping (or hindering) her and the cook; learning to make custards and cheese-cakes and French pastry, to truss game and garnish desert-dishes. The party were expected to arrive on Thursday afternoon, in time for dinner at six. During the intervening period I had no time to nurse chimeras; and I believe I was as active and gay as anybody--Adele excepted. Still, now and then, I received a damping check to my cheerfulness; and was, in spite of myself, thrown back on the region of doubts and portents, and dark conjectures. This was when I chanced to see the third-storey staircase door (which of late had always been kept locked) open slowly, and give passage to the form of Grace Poole, in prim cap, white apron, and handkerchief; when I watched her glide along the gallery, her quiet tread muffled in a list slipper; when I saw her look into the bustling, topsy-turvy bedrooms,--just say a word, perhaps, to the charwoman about the proper way to polish a grate, or clean a marble mantelpiece, or take stains from papered walls, and then pass on. She would thus descend to the kitchen once a day, eat her dinner, smoke a moderate pipe on the hearth, and go back, carrying her pot of porter with her, for her private solace, in her own gloomy, upper haunt. Only one hour in the twenty-four did she pass with her fellow-servants below; all the rest of her time was spent in some low-ceiled, oaken chamber of the second storey: there she sat and sewed--and probably laughed drearily to herself,--as companionless as a prisoner in his dungeon. The strangest thing of all was, that not a soul in the house, except me, noticed her habits, or seemed to marvel at them: no one discussed her position or employment; no one pitied her solitude or isolation. I once, indeed, overheard part of a dialogue between Leah and one of the charwomen, of which Grace formed the subject. Leah had been saying something I had not caught, and the charwoman remarked-- "She gets good wages, I guess?" "Yes," said Leah; "I wish I had as good; not that mine are to complain of,--there's no stinginess at Thornfield; but they're not one fifth of the sum Mrs. Poole receives. And she is laying by: she goes every quarter to the bank at Millcote. I should not wonder but she has saved enough to keep her independent if she liked to leave; but I suppose she's got used to the place; and then she's not forty yet, and strong and able for anything. It is too soon for her to give up business." "She is a good hand, I daresay," said the charwoman. "Ah!--she understands what she has to do,--nobody better," rejoined Leah significantly; "and it is not every one could fill her shoes--not for all the money she gets." "That it is not!" was the reply. "I wonder whether the master--" The charwoman was going on; but here Leah turned and perceived me, and she instantly gave her companion a nudge. "Doesn't she know?" I heard the woman whisper. Leah shook her head, and the conversation was of course dropped. All I had gathered from it amounted to this,--that there was a mystery at Thornfield; and that from participation in that mystery I was purposely excluded. Thursday came: all work had been completed the previous evening; carpets were laid down, bed-hangings festooned, radiant white counterpanes spread, toilet tables arranged, furniture rubbed, flowers piled in vases: both chambers and saloons looked as fresh and bright as hands could make them. The hall, too, was scoured; and the great carved clock, as well as the steps and banisters of the staircase, were polished to the brightness of glass; in the dining-room, the sideboard flashed resplendent with plate; in the drawing-room and boudoir, vases of exotics bloomed on all sides. Afternoon arrived: Mrs. Fairfax assumed her best black satin gown, her gloves, and her gold watch; for it was her part to receive the company,--to conduct the ladies to their rooms, &c. Adele, too, would be dressed: though I thought she had little chance of being introduced to the party that day at least. However, to please her, I allowed Sophie to apparel her in one of her short, full muslin frocks. For myself, I had no need to make any change; I should not be called upon to quit my sanctum of the schoolroom; for a sanctum it was now become to me,--"a very pleasant refuge in time of trouble." It had been a mild, serene spring day--one of those days which, towards the end of March or the beginning of April, rise shining over the earth as heralds of summer. It was drawing to an end now; but the evening was even warm, and I sat at work in the schoolroom with the window open. "It gets late," said Mrs. Fairfax, entering in rustling state. "I am glad I ordered dinner an hour after the time Mr. Rochester mentioned; for it is past six now. I have sent John down to the gates to see if there is anything on the road: one can see a long way from thence in the direction of Millcote." She went to the window. "Here he is!" said she. "Well, John" (leaning out), "any news?" "They're coming, ma'am," was the answer. "They'll be here in ten minutes." Adele flew to the window. I followed, taking care to stand on one side, so that, screened by the curtain, I could see without being seen. The ten minutes John had given seemed very long, but at last wheels were heard; four equestrians galloped up the drive, and after them came two open carriages. Fluttering veils and waving plumes filled the vehicles; two of the cavaliers were young, dashing-looking gentlemen; the third was Mr. Rochester, on his black horse, Mesrour, Pilot bounding before him; at his side rode a lady, and he and she were the first of the party. Her purple riding-habit almost swept the ground, her veil streamed long on the breeze; mingling with its transparent folds, and gleaming through them, shone rich raven ringlets. "Miss Ingram!" exclaimed Mrs. Fairfax, and away she hurried to her post below. The cavalcade, following the sweep of the drive, quickly turned the angle of the house, and I lost sight of it. Adele now petitioned to go down; but I took her on my knee, and gave her to understand that she must not on any account think of venturing in sight of the ladies, either now or at any other time, unless expressly sent for: that Mr. Rochester would be very angry, &c. "Some natural tears she shed" on being told this; but as I began to look very grave, she consented at last to wipe them. A joyous stir was now audible in the hall: gentlemen's deep tones and ladies' silvery accents blent harmoniously together, and distinguishable above all, though not loud, was the sonorous voice of the master of Thornfield Hall, welcoming his fair and gallant guests under its roof. Then light steps ascended the stairs; and there was a tripping through the gallery, and soft cheerful laughs, and opening and closing doors, and, for a time, a hush. "Elles changent de toilettes," said Adele; who, listening attentively, had followed every movement; and she sighed. "Chez maman," said she, "quand il y avait du monde, je le suivais partout, au salon et a leurs chambres; souvent je regardais les femmes de chambre coiffer et habiller les dames, et c'etait si amusant: comme cela on apprend." "Don't you feel hungry, Adele?" "Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange." "Well now, while the ladies are in their rooms, I will venture down and get you something to eat." And issuing from my asylum with precaution, I sought a back-stairs which conducted directly to the kitchen. All in that region was fire and commotion; the soup and fish were in the last stage of projection, and the cook hung over her crucibles in a frame of mind and body threatening spontaneous combustion. In the servants' hall two coachmen and three gentlemen's gentlemen stood or sat round the fire; the abigails, I suppose, were upstairs with their mistresses; the new servants, that had been hired from Millcote, were bustling about everywhere. Threading this chaos, I at last reached the larder; there I took possession of a cold chicken, a roll of bread, some tarts, a plate or two and a knife and fork: with this booty I made a hasty retreat. I had regained the gallery, and was just shutting the back-door behind me, when an accelerated hum warned me that the ladies were about to issue from their chambers. I could not proceed to the schoolroom without passing some of their doors, and running the risk of being surprised with my cargo of victualage; so I stood still at this end, which, being windowless, was dark: quite dark now, for the sun was set and twilight gathering. Presently the chambers gave up their fair tenants one after another: each came out gaily and airily, with dress that gleamed lustrous through the dusk. For a moment they stood grouped together at the other extremity of the gallery, conversing in a key of sweet subdued vivacity: they then descended the staircase almost as noiselessly as a bright mist rolls down a hill. Their collective appearance had left on me an impression of high- born elegance, such as I had never before received. I found Adele peeping through the schoolroom door, which she held ajar. "What beautiful ladies!" cried she in English. "Oh, I wish I might go to them! Do you think Mr. Rochester will send for us by-and-bye, after dinner?" "No, indeed, I don't; Mr. Rochester has something else to think about. Never mind the ladies to-night; perhaps you will see them to-morrow: here is your dinner." She was really hungry, so the chicken and tarts served to divert her attention for a time. It was well I secured this forage, or both she, I, and Sophie, to whom I conveyed a share of our repast, would have run a chance of getting no dinner at all: every one downstairs was too much engaged to think of us. The dessert was not carried out till after nine and at ten footmen were still running to and fro with trays and coffee- cups. I allowed Adele to sit up much later than usual; for she declared she could not possibly go to sleep while the doors kept opening and shutting below, and people bustling about. Besides, she added, a message might possibly come from Mr. Rochester when she was undressed; "et alors quel dommage!" I told her stories as long as she would listen to them; and then for a change I took her out into the gallery. The hall lamp was now lit, and it amused her to look over the balustrade and watch the servants passing backwards and forwards. When the evening was far advanced, a sound of music issued from the drawing-room, whither the piano had been removed; Adele and I sat down on the top step of the stairs to listen. Presently a voice blent with the rich tones of the instrument; it was a lady who sang, and very sweet her notes were. The solo over, a duet followed, and then a glee: a joyous conversational murmur filled up the intervals. I listened long: suddenly I discovered that my ear was wholly intent on analysing the mingled sounds, and trying to discriminate amidst the confusion of accents those of Mr. Rochester; and when it caught them, which it soon did, it found a further task in framing the tones, rendered by distance inarticulate, into words. The clock struck eleven. I looked at Adele, whose head leant against my shoulder; her eyes were waxing heavy, so I took her up in my arms and carried her off to bed. It was near one before the gentlemen and ladies sought their chambers. The next day was as fine as its predecessor: it was devoted by the party to an excursion to some site in the neighbourhood. They set out early in the forenoon, some on horseback, the rest in carriages; I witnessed both the departure and the return. Miss Ingram, as before, was the only lady equestrian; and, as before, Mr. Rochester galloped at her side; the two rode a little apart from the rest. I pointed out this circumstance to Mrs. Fairfax, who was standing at the window with me-- "You said it was not likely they should think of being married," said I, "but you see Mr. Rochester evidently prefers her to any of the other ladies." "Yes, I daresay: no doubt he admires her." "And she him," I added; "look how she leans her head towards him as if she were conversing confidentially; I wish I could see her face; I have never had a glimpse of it yet." "You will see her this evening," answered Mrs. Fairfax. "I happened to remark to Mr. Rochester how much Adele wished to be introduced to the ladies, and he said: 'Oh! let her come into the drawing-room after dinner; and request Miss Eyre to accompany her.'" "Yes; he said that from mere politeness: I need not go, I am sure," I answered. "Well, I observed to him that as you were unused to company, I did not think you would like appearing before so gay a party--all strangers; and he replied, in his quick way--'Nonsense! If she objects, tell her it is my particular wish; and if she resists, say I shall come and fetch her in case of contumacy.'" "I will not give him that trouble," I answered. "I will go, if no better may be; but I don't like it. Shall you be there, Mrs. Fairfax?" "No; I pleaded off, and he admitted my plea. I'll tell you how to manage so as to avoid the embarrassment of making a formal entrance, which is the most disagreeable part of the business. You must go into the drawing- room while it is empty, before the ladies leave the dinner-table; choose your seat in any quiet nook you like; you need not stay long after the gentlemen come in, unless you please: just let Mr. Rochester see you are there and then slip away--nobody will notice you." "Will these people remain long, do you think?" "Perhaps two or three weeks, certainly not more. After the Easter recess, Sir George Lynn, who was lately elected member for Millcote, will have to go up to town and take his seat; I daresay Mr. Rochester will accompany him: it surprises me that he has already made so protracted a stay at Thornfield." It was with some trepidation that I perceived the hour approach when I was to repair with my charge to the drawing-room. Adele had been in a state of ecstasy all day, after hearing she was to be presented to the ladies in the evening; and it was not till Sophie commenced the operation of dressing her that she sobered down. Then the importance of the process quickly steadied her, and by the time she had her curls arranged in well-smoothed, drooping clusters, her pink satin frock put on, her long sash tied, and her lace mittens adjusted, she looked as grave as any judge. No need to warn her not to disarrange her attire: when she was dressed, she sat demurely down in her little chair, taking care previously to lift up the satin skirt for fear she should crease it, and assured me she would not stir thence till I was ready. This I quickly was: my best dress (the silver-grey one, purchased for Miss Temple's wedding, and never worn since) was soon put on; my hair was soon smoothed; my sole ornament, the pearl brooch, soon assumed. We descended. Fortunately there was another entrance to the drawing-room than that through the saloon where they were all seated at dinner. We found the apartment vacant; a large fire burning silently on the marble hearth, and wax candles shining in bright solitude, amid the exquisite flowers with which the tables were adorned. The crimson curtain hung before the arch: slight as was the separation this drapery formed from the party in the adjoining saloon, they spoke in so low a key that nothing of their conversation could be distinguished beyond a soothing murmur. Adele, who appeared to be still under the influence of a most solemnising impression, sat down, without a word, on the footstool I pointed out to her. I retired to a window-seat, and taking a book from a table near, endeavoured to read. Adele brought her stool to my feet; ere long she touched my knee. "What is it, Adele?" "Est-ce que je ne puis pas prendrie une seule de ces fleurs magnifiques, mademoiselle? Seulement pour completer ma toilette." "You think too much of your 'toilette,' Adele: but you may have a flower." And I took a rose from a vase and fastened it in her sash. She sighed a sigh of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress: there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. A soft sound of rising now became audible; the curtain was swept back from the arch; through it appeared the dining-room, with its lit lustre pouring down light on the silver and glass of a magnificent dessert-service covering a long table; a band of ladies stood in the opening; they entered, and the curtain fell behind them. There were but eight; yet, somehow, as they flocked in, they gave the impression of a much larger number. Some of them were very tall; many were dressed in white; and all had a sweeping amplitude of array that seemed to magnify their persons as a mist magnifies the moon. I rose and curtseyed to them: one or two bent their heads in return, the others only stared at me. They dispersed about the room, reminding me, by the lightness and buoyancy of their movements, of a flock of white plumy birds. Some of them threw themselves in half-reclining positions on the sofas and ottomans: some bent over the tables and examined the flowers and books: the rest gathered in a group round the fire: all talked in a low but clear tone which seemed habitual to them. I knew their names afterwards, and may as well mention them now. First, there was Mrs. Eshton and two of her daughters. She had evidently been a handsome woman, and was well preserved still. Of her daughters, the eldest, Amy, was rather little: naive, and child-like in face and manner, and piquant in form; her white muslin dress and blue sash became her well. The second, Louisa, was taller and more elegant in figure; with a very pretty face, of that order the French term _minois chiffone_: both sisters were fair as lilies. Lady Lynn was a large and stout personage of about forty, very erect, very haughty-looking, richly dressed in a satin robe of changeful sheen: her dark hair shone glossily under the shade of an azure plume, and within the circlet of a band of gems. Mrs. Colonel Dent was less showy; but, I thought, more lady-like. She had a slight figure, a pale, gentle face, and fair hair. Her black satin dress, her scarf of rich foreign lace, and her pearl ornaments, pleased me better than the rainbow radiance of the titled dame. But the three most distinguished--partly, perhaps, because the tallest figures of the band--were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance. She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed's; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical,--very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity. Blanche and Mary were of equal stature,--straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax's description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly--it will out!--whether it were such as I should fancy likely to suit Mr. Rochester's taste. As far as person went, she answered point for point, both to my picture and Mrs. Fairfax's description. The noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets were all there;--but her face? Her face was like her mother's; a youthful unfurrowed likeness: the same low brow, the same high features, the same pride. It was not, however, so saturnine a pride! she laughed continually; her laugh was satirical, and so was the habitual expression of her arched and haughty lip. Genius is said to be self-conscious. I cannot tell whether Miss Ingram was a genius, but she was self-conscious--remarkably self-conscious indeed. She entered into a discourse on botany with the gentle Mrs. Dent. It seemed Mrs. Dent had not studied that science: though, as she said, she liked flowers, "especially wild ones;" Miss Ingram had, and she ran over its vocabulary with an air. I presently perceived she was (what is vernacularly termed) _trailing_ Mrs. Dent; that is, playing on her ignorance--her _trail_ might be clever, but it was decidedly not good- natured. She played: her execution was brilliant; she sang: her voice was fine; she talked French apart to her mamma; and she talked it well, with fluency and with a good accent. Mary had a milder and more open countenance than Blanche; softer features too, and a skin some shades fairer (Miss Ingram was dark as a Spaniard)--but Mary was deficient in life: her face lacked expression, her eye lustre; she had nothing to say, and having once taken her seat, remained fixed like a statue in its niche. The sisters were both attired in spotless white. And did I now think Miss Ingram such a choice as Mr. Rochester would be likely to make? I could not tell--I did not know his taste in female beauty. If he liked the majestic, she was the very type of majesty: then she was accomplished, sprightly. Most gentlemen would admire her, I thought; and that he _did_ admire her, I already seemed to have obtained proof: to remove the last shade of doubt, it remained but to see them together. You are not to suppose, reader, that Adele has all this time been sitting motionless on the stool at my feet: no; when the ladies entered, she rose, advanced to meet them, made a stately reverence, and said with gravity-- "Bon jour, mesdames." And Miss Ingram had looked down at her with a mocking air, and exclaimed, "Oh, what a little puppet!" Lady Lynn had remarked, "It is Mr. Rochester's ward, I suppose--the little French girl he was speaking of." Mrs. Dent had kindly taken her hand, and given her a kiss. Amy and Louisa Eshton had cried out simultaneously--"What a love of a child!" And then they had called her to a sofa, where she now sat, ensconced between them, chattering alternately in French and broken English; absorbing not only the young ladies' attention, but that of Mrs. Eshton and Lady Lynn, and getting spoilt to her heart's content. At last coffee is brought in, and the gentlemen are summoned. I sit in the shade--if any shade there be in this brilliantly-lit apartment; the window-curtain half hides me. Again the arch yawns; they come. The collective appearance of the gentlemen, like that of the ladies, is very imposing: they are all costumed in black; most of them are tall, some young. Henry and Frederick Lynn are very dashing sparks indeed; and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of the district, is gentleman-like: his hair is quite white, his eyebrows and whiskers still dark, which gives him something of the appearance of a "pere noble de theatre." Lord Ingram, like his sisters, is very tall; like them, also, he is handsome; but he shares Mary's apathetic and listless look: he seems to have more length of limb than vivacity of blood or vigour of brain. And where is Mr. Rochester? He comes in last: I am not looking at the arch, yet I see him enter. I try to concentrate my attention on those netting-needles, on the meshes of the purse I am forming--I wish to think only of the work I have in my hands, to see only the silver beads and silk threads that lie in my lap; whereas, I distinctly behold his figure, and I inevitably recall the moment when I last saw it; just after I had rendered him, what he deemed, an essential service, and he, holding my hand, and looking down on my face, surveyed me with eyes that revealed a heart full and eager to overflow; in whose emotions I had a part. How near had I approached him at that moment! What had occurred since, calculated to change his and my relative positions? Yet now, how distant, how far estranged we were! So far estranged, that I did not expect him to come and speak to me. I did not wonder, when, without looking at me, he took a seat at the other side of the room, and began conversing with some of the ladies. No sooner did I see that his attention was riveted on them, and that I might gaze without being observed, than my eyes were drawn involuntarily to his face; I could not keep their lids under control: they would rise, and the irids would fix on him. I looked, and had an acute pleasure in looking,--a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless. Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,--all energy, decision, will,--were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,--that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me. I compared him with his guests. What was the gallant grace of the Lynns, the languid elegance of Lord Ingram,--even the military distinction of Colonel Dent, contrasted with his look of native pith and genuine power? I had no sympathy in their appearance, their expression: yet I could imagine that most observers would call them attractive, handsome, imposing; while they would pronounce Mr. Rochester at once harsh-featured and melancholy-looking. I saw them smile, laugh--it was nothing; the light of the candles had as much soul in it as their smile; the tinkle of the bell as much significance as their laugh. I saw Mr. Rochester smile:--his stern features softened; his eye grew both brilliant and gentle, its ray both searching and sweet. He was talking, at the moment, to Louisa and Amy Eshton. I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved. "He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine;--I am sure he is--I feel akin to him--I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered:--and yet, while I breathe and think, I must love him." Coffee is handed. The ladies, since the gentlemen entered, have become lively as larks; conversation waxes brisk and merry. Colonel Dent and Mr. Eshton argue on politics; their wives listen. The two proud dowagers, Lady Lynn and Lady Ingram, confabulate together. Sir George--whom, by-the-bye, I have forgotten to describe,--a very big, and very fresh-looking country gentleman, stands before their sofa, coffee- cup in hand, and occasionally puts in a word. Mr. Frederick Lynn has taken a seat beside Mary Ingram, and is showing her the engravings of a splendid volume: she looks, smiles now and then, but apparently says little. The tall and phlegmatic Lord Ingram leans with folded arms on the chair-back of the little and lively Amy Eshton; she glances up at him, and chatters like a wren: she likes him better than she does Mr. Rochester. Henry Lynn has taken possession of an ottoman at the feet of Louisa: Adele shares it with him: he is trying to talk French with her, and Louisa laughs at his blunders. With whom will Blanche Ingram pair? She is standing alone at the table, bending gracefully over an album. She seems waiting to be sought; but she will not wait too long: she herself selects a mate. Mr. Rochester, having quitted the Eshtons, stands on the hearth as solitary as she stands by the table: she confronts him, taking her station on the opposite side of the mantelpiece. "Mr. Rochester, I thought you were not fond of children?" "Nor am I." "Then, what induced you to take charge of such a little doll as that?" (pointing to Adele). "Where did you pick her up?" "I did not pick her up; she was left on my hands." "You should have sent her to school." "I could not afford it: schools are so dear." "Why, I suppose you have a governess for her: I saw a person with her just now--is she gone? Oh, no! there she is still, behind the window- curtain. You pay her, of course; I should think it quite as expensive,--more so; for you have them both to keep in addition." I feared--or should I say, hoped?--the allusion to me would make Mr. Rochester glance my way; and I involuntarily shrank farther into the shade: but he never turned his eyes. "I have not considered the subject," said he indifferently, looking straight before him. "No, you men never do consider economy and common sense. You should hear mama on the chapter of governesses: Mary and I have had, I should think, a dozen at least in our day; half of them detestable and the rest ridiculous, and all incubi--were they not, mama?" "Did you speak, my own?" The young lady thus claimed as the dowager's special property, reiterated her question with an explanation. "My dearest, don't mention governesses; the word makes me nervous. I have suffered a martyrdom from their incompetency and caprice. I thank Heaven I have now done with them!" Mrs. Dent here bent over to the pious lady and whispered something in her ear; I suppose, from the answer elicited, it was a reminder that one of the anathematised race was present. "Tant pis!" said her Ladyship, "I hope it may do her good!" Then, in a lower tone, but still loud enough for me to hear, "I noticed her; I am a judge of physiognomy, and in hers I see all the faults of her class." "What are they, madam?" inquired Mr. Rochester aloud. "I will tell you in your private ear," replied she, wagging her turban three times with portentous significancy. "But my curiosity will be past its appetite; it craves food now." "Ask Blanche; she is nearer you than I." "Oh, don't refer him to me, mama! I have just one word to say of the whole tribe; they are a nuisance. Not that I ever suffered much from them; I took care to turn the tables. What tricks Theodore and I used to play on our Miss Wilsons, and Mrs. Greys, and Madame Jouberts! Mary was always too sleepy to join in a plot with spirit. The best fun was with Madame Joubert: Miss Wilson was a poor sickly thing, lachrymose and low- spirited, not worth the trouble of vanquishing, in short; and Mrs. Grey was coarse and insensible; no blow took effect on her. But poor Madame Joubert! I see her yet in her raging passions, when we had driven her to extremities--spilt our tea, crumbled our bread and butter, tossed our books up to the ceiling, and played a charivari with the ruler and desk, the fender and fire-irons. Theodore, do you remember those merry days?" "Yaas, to be sure I do," drawled Lord Ingram; "and the poor old stick used to cry out 'Oh you villains childs!'--and then we sermonised her on the presumption of attempting to teach such clever blades as we were, when she was herself so ignorant." "We did; and, Tedo, you know, I helped you in prosecuting (or persecuting) your tutor, whey-faced Mr. Vining--the parson in the pip, as we used to call him. He and Miss Wilson took the liberty of falling in love with each other--at least Tedo and I thought so; we surprised sundry tender glances and sighs which we interpreted as tokens of 'la belle passion,' and I promise you the public soon had the benefit of our discovery; we employed it as a sort of lever to hoist our dead-weights from the house. Dear mama, there, as soon as she got an inkling of the business, found out that it was of an immoral tendency. Did you not, my lady-mother?" "Certainly, my best. And I was quite right: depend on that: there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house; firstly--" "Oh, gracious, mama! Spare us the enumeration! _Au reste_, we all know them: danger of bad example to innocence of childhood; distractions and consequent neglect of duty on the part of the attached--mutual alliance and reliance; confidence thence resulting--insolence accompanying--mutiny and general blow-up. Am I right, Baroness Ingram, of Ingram Park?" "My lily-flower, you are right now, as always." "Then no more need be said: change the subject." Amy Eshton, not hearing or not heeding this dictum, joined in with her soft, infantine tone: "Louisa and I used to quiz our governess too; but she was such a good creature, she would bear anything: nothing put her out. She was never cross with us; was she, Louisa?" "No, never: we might do what we pleased; ransack her desk and her workbox, and turn her drawers inside out; and she was so good-natured, she would give us anything we asked for." "I suppose, now," said Miss Ingram, curling her lip sarcastically, "we shall have an abstract of the memoirs of all the governesses extant: in order to avert such a visitation, I again move the introduction of a new topic. Mr. Rochester, do you second my motion?" "Madam, I support you on this point, as on every other." "Then on me be the onus of bringing it forward. Signior Eduardo, are you in voice to-night?" "Donna Bianca, if you command it, I will be." "Then, signior, I lay on you my sovereign behest to furbish up your lungs and other vocal organs, as they will be wanted on my royal service." "Who would not be the Rizzio of so divine a Mary?" "A fig for Rizzio!" cried she, tossing her head with all its curls, as she moved to the piano. "It is my opinion the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him; and history may say what it will of James Hepburn, but I have a notion, he was just the sort of wild, fierce, bandit hero whom I could have consented to gift with my hand." "Gentlemen, you hear! Now which of you most resembles Bothwell?" cried Mr. Rochester. "I should say the preference lies with you," responded Colonel Dent. "On my honour, I am much obliged to you," was the reply. Miss Ingram, who had now seated herself with proud grace at the piano, spreading out her snowy robes in queenly amplitude, commenced a brilliant prelude; talking meantime. She appeared to be on her high horse to-night; both her words and her air seemed intended to excite not only the admiration, but the amazement of her auditors: she was evidently bent on striking them as something very dashing and daring indeed. "Oh, I am so sick of the young men of the present day!" exclaimed she, rattling away at the instrument. "Poor, puny things, not fit to stir a step beyond papa's park gates: nor to go even so far without mama's permission and guardianship! Creatures so absorbed in care about their pretty faces, and their white hands, and their small feet; as if a man had anything to do with beauty! As if loveliness were not the special prerogative of woman--her legitimate appanage and heritage! I grant an ugly _woman_ is a blot on the fair face of creation; but as to the _gentlemen_, let them be solicitous to possess only strength and valour: let their motto be:--Hunt, shoot, and fight: the rest is not worth a fillip. Such should be my device, were I a man." "Whenever I marry," she continued after a pause which none interrupted, "I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage: his devotions shall not be shared between me and the shape he sees in his mirror. Mr. Rochester, now sing, and I will play for you." "I am all obedience," was the response. "Here then is a Corsair-song. Know that I doat on Corsairs; and for that reason, sing it _con spirito_." "Commands from Miss Ingram's lips would put spirit into a mug of milk and water." "Take care, then: if you don't please me, I will shame you by showing how such things _should_ be done." "That is offering a premium on incapacity: I shall now endeavour to fail." "Gardez-vous en bien! If you err wilfully, I shall devise a proportionate punishment." "Miss Ingram ought to be clement, for she has it in her power to inflict a chastisement beyond mortal endurance." "Ha! explain!" commanded the lady. "Pardon me, madam: no need of explanation; your own fine sense must inform you that one of your frowns would be a sufficient substitute for capital punishment." "Sing!" said she, and again touching the piano, she commenced an accompaniment in spirited style. "Now is my time to slip away," thought I: but the tones that then severed the air arrested me. Mrs. Fairfax had said Mr. Rochester possessed a fine voice: he did--a mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangely. I waited till the last deep and full vibration had expired--till the tide of talk, checked an instant, had resumed its flow; I then quitted my sheltered corner and made my exit by the side-door, which was fortunately near. Thence a narrow passage led into the hall: in crossing it, I perceived my sandal was loose; I stopped to tie it, kneeling down for that purpose on the mat at the foot of the staircase. I heard the dining-room door unclose; a gentleman came out; rising hastily, I stood face to face with him: it was Mr. Rochester. "How do you do?" he asked. "I am very well, sir." "Why did you not come and speak to me in the room?" I thought I might have retorted the question on him who put it: but I would not take that freedom. I answered-- "I did not wish to disturb you, as you seemed engaged, sir." "What have you been doing during my absence?" "Nothing particular; teaching Adele as usual." "And getting a good deal paler than you were--as I saw at first sight. What is the matter?" "Nothing at all, sir." "Did you take any cold that night you half drowned me?" "Not the least." "Return to the drawing-room: you are deserting too early." "I am tired, sir." He looked at me for a minute. "And a little depressed," he said. "What about? Tell me." "Nothing--nothing, sir. I am not depressed." "But I affirm that you are: so much depressed that a few more words would bring tears to your eyes--indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on to the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my--" He stopped, bit his lip, and abruptly left me. Merry days were these at Thornfield Hall; and busy days too: how different from the first three months of stillness, monotony, and solitude I had passed beneath its roof! All sad feelings seemed now driven from the house, all gloomy associations forgotten: there was life everywhere, movement all day long. You could not now traverse the gallery, once so hushed, nor enter the front chambers, once so tenantless, without encountering a smart lady's-maid or a dandy valet. The kitchen, the butler's pantry, the servants' hall, the entrance hall, were equally alive; and the saloons were only left void and still when the blue sky and halcyon sunshine of the genial spring weather called their occupants out into the grounds. Even when that weather was broken, and continuous rain set in for some days, no damp seemed cast over enjoyment: indoor amusements only became more lively and varied, in consequence of the stop put to outdoor gaiety. I wondered what they were going to do the first evening a change of entertainment was proposed: they spoke of "playing charades," but in my ignorance I did not understand the term. The servants were called in, the dining-room tables wheeled away, the lights otherwise disposed, the chairs placed in a semicircle opposite the arch. While Mr. Rochester and the other gentlemen directed these alterations, the ladies were running up and down stairs ringing for their maids. Mrs. Fairfax was summoned to give information respecting the resources of the house in shawls, dresses, draperies of any kind; and certain wardrobes of the third storey were ransacked, and their contents, in the shape of brocaded and hooped petticoats, satin sacques, black modes, lace lappets, &c., were brought down in armfuls by the abigails; then a selection was made, and such things as were chosen were carried to the boudoir within the drawing-room. Meantime, Mr. Rochester had again summoned the ladies round him, and was selecting certain of their number to be of his party. "Miss Ingram is mine, of course," said he: afterwards he named the two Misses Eshton, and Mrs. Dent. He looked at me: I happened to be near him, as I had been fastening the clasp of Mrs. Dent's bracelet, which had got loose. "Will you play?" he asked. I shook my head. He did not insist, which I rather feared he would have done; he allowed me to return quietly to my usual seat. He and his aids now withdrew behind the curtain: the other party, which was headed by Colonel Dent, sat down on the crescent of chairs. One of the gentlemen, Mr. Eshton, observing me, seemed to propose that I should be asked to join them; but Lady Ingram instantly negatived the notion. "No," I heard her say: "she looks too stupid for any game of the sort." Ere long a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in a white sheet: before him, on a table, lay open a large book; and at his side stood Amy Eshton, draped in Mr. Rochester's cloak, and holding a book in her hand. Somebody, unseen, rang the bell merrily; then Adele (who had insisted on being one of her guardian's party), bounded forward, scattering round her the contents of a basket of flowers she carried on her arm. Then appeared the magnificent figure of Miss Ingram, clad in white, a long veil on her head, and a wreath of roses round her brow; by her side walked Mr. Rochester, and together they drew near the table. They knelt; while Mrs. Dent and Louisa Eshton, dressed also in white, took up their stations behind them. A ceremony followed, in dumb show, in which it was easy to recognise the pantomime of a marriage. At its termination, Colonel Dent and his party consulted in whispers for two minutes, then the Colonel called out-- "Bride!" Mr. Rochester bowed, and the curtain fell. A considerable interval elapsed before it again rose. Its second rising displayed a more elaborately prepared scene than the last. The drawing- room, as I have before observed, was raised two steps above the dining- room, and on the top of the upper step, placed a yard or two back within the room, appeared a large marble basin--which I recognised as an ornament of the conservatory--where it usually stood, surrounded by exotics, and tenanted by gold fish--and whence it must have been transported with some trouble, on account of its size and weight. Seated on the carpet, by the side of this basin, was seen Mr. Rochester, costumed in shawls, with a turban on his head. His dark eyes and swarthy skin and Paynim features suited the costume exactly: he looked the very model of an Eastern emir, an agent or a victim of the bowstring. Presently advanced into view Miss Ingram. She, too, was attired in oriental fashion: a crimson scarf tied sash-like round the waist: an embroidered handkerchief knotted about her temples; her beautifully-moulded arms bare, one of them upraised in the act of supporting a pitcher, poised gracefully on her head. Both her cast of form and feature, her complexion and her general air, suggested the idea of some Israelitish princess of the patriarchal days; and such was doubtless the character she intended to represent. She approached the basin, and bent over it as if to fill her pitcher; she again lifted it to her head. The personage on the well-brink now seemed to accost her; to make some request:--"She hasted, let down her pitcher on her hand, and gave him to drink." From the bosom of his robe he then produced a casket, opened it and showed magnificent bracelets and earrings; she acted astonishment and admiration; kneeling, he laid the treasure at her feet; incredulity and delight were expressed by her looks and gestures; the stranger fastened the bracelets on her arms and the rings in her ears. It was Eliezer and Rebecca: the camels only were wanting. The divining party again laid their heads together: apparently they could not agree about the word or syllable the scene illustrated. Colonel Dent, their spokesman, demanded "the tableau of the whole;" whereupon the curtain again descended. On its third rising only a portion of the drawing-room was disclosed; the rest being concealed by a screen, hung with some sort of dark and coarse drapery. The marble basin was removed; in its place, stood a deal table and a kitchen chair: these objects were visible by a very dim light proceeding from a horn lantern, the wax candles being all extinguished. Amidst this sordid scene, sat a man with his clenched hands resting on his knees, and his eyes bent on the ground. I knew Mr. Rochester; though the begrimed face, the disordered dress (his coat hanging loose from one arm, as if it had been almost torn from his back in a scuffle), the desperate and scowling countenance, the rough, bristling hair might well have disguised him. As he moved, a chain clanked; to his wrists were attached fetters. "Bridewell!" exclaimed Colonel Dent, and the charade was solved. A sufficient interval having elapsed for the performers to resume their ordinary costume, they re-entered the dining-room. Mr. Rochester led in Miss Ingram; she was complimenting him on his acting. "Do you know," said she, "that, of the three characters, I liked you in the last best? Oh, had you but lived a few years earlier, what a gallant gentleman-highwayman you would have made!" "Is all the soot washed from my face?" he asked, turning it towards her. "Alas! yes: the more's the pity! Nothing could be more becoming to your complexion than that ruffian's rouge." "You would like a hero of the road then?" "An English hero of the road would be the next best thing to an Italian bandit; and that could only be surpassed by a Levantine pirate." "Well, whatever I am, remember you are my wife; we were married an hour since, in the presence of all these witnesses." She giggled, and her colour rose. "Now, Dent," continued Mr. Rochester, "it is your turn." And as the other party withdrew, he and his band took the vacated seats. Miss Ingram placed herself at her leader's right hand; the other diviners filled the chairs on each side of him and her. I did not now watch the actors; I no longer waited with interest for the curtain to rise; my attention was absorbed by the spectators; my eyes, erewhile fixed on the arch, were now irresistibly attracted to the semicircle of chairs. What charade Colonel Dent and his party played, what word they chose, how they acquitted themselves, I no longer remember; but I still see the consultation which followed each scene: I see Mr. Rochester turn to Miss Ingram, and Miss Ingram to him; I see her incline her head towards him, till the jetty curls almost touch his shoulder and wave against his cheek; I hear their mutual whisperings; I recall their interchanged glances; and something even of the feeling roused by the spectacle returns in memory at this moment. I have told you, reader, that I had learnt to love Mr. Rochester: I could not unlove him now, merely because I found that he had ceased to notice me--because I might pass hours in his presence, and he would never once turn his eyes in my direction--because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady--because I read daily in her a proud security in his intentions respecting her--because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible. There was nothing to cool or banish love in these circumstances, though much to create despair. Much too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous: or very rarely;--the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this, by the undue vent she gave to a spiteful antipathy she had conceived against little Adele: pushing her away with some contumelious epithet if she happened to approach her; sometimes ordering her from the room, and always treating her with coldness and acrimony. Other eyes besides mine watched these manifestations of character--watched them closely, keenly, shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear consciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that my ever- torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: _she could not charm him_. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervour, kindness, sense, I should have had one vital struggle with two tigers--jealousy and despair: then, my heart torn out and devoured, I should have admired her--acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration--the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester, to witness their repeated failure--herself unconscious that they did fail; vainly fancying that each shaft launched hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure--to witness _this_, was to be at once under ceaseless excitation and ruthless restraint. Because, when she failed, I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet, might, I knew, if shot by a surer hand, have quivered keen in his proud heart--have called love into his stern eye, and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won. "Why can she not influence him more, when she is privileged to draw so near to him?" I asked myself. "Surely she cannot truly like him, or not like him with true affection! If she did, she need not coin her smiles so lavishly, flash her glances so unremittingly, manufacture airs so elaborate, graces so multitudinous. It seems to me that she might, by merely sitting quietly at his side, saying little and looking less, get nigher his heart. I have seen in his face a far different expression from that which hardens it now while she is so vivaciously accosting him; but then it came of itself: it was not elicited by meretricious arts and calculated manoeuvres; and one had but to accept it--to answer what he asked without pretension, to address him when needful without grimace--and it increased and grew kinder and more genial, and warmed one like a fostering sunbeam. How will she manage to please him when they are married? I do not think she will manage it; and yet it might be managed; and his wife might, I verily believe, be the very happiest woman the sun shines on." I have not yet said anything condemnatory of Mr. Rochester's project of marrying for interest and connections. It surprised me when I first discovered that such was his intention: I had thought him a man unlikely to be influenced by motives so commonplace in his choice of a wife; but the longer I considered the position, education, &c., of the parties, the less I felt justified in judging and blaming either him or Miss Ingram for acting in conformity to ideas and principles instilled into them, doubtless, from their childhood. All their class held these principles: I supposed, then, they had reasons for holding them such as I could not fathom. It seemed to me that, were I a gentleman like him, I would take to my bosom only such a wife as I could love; but the very obviousness of the advantages to the husband's own happiness offered by this plan convinced me that there must be arguments against its general adoption of which I was quite ignorant: otherwise I felt sure all the world would act as I wished to act. But in other points, as well as this, I was growing very lenient to my master: I was forgetting all his faults, for which I had once kept a sharp look-out. It had formerly been my endeavour to study all sides of his character: to take the bad with the good; and from the just weighing of both, to form an equitable judgment. Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid. And as for the vague something--was it a sinister or a sorrowful, a designing or a desponding expression?--that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare--to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature. Meantime, while I thought only of my master and his future bride--saw only them, heard only their discourse, and considered only their movements of importance--the rest of the party were occupied with their own separate interests and pleasures. The Ladies Lynn and Ingram continued to consort in solemn conferences, where they nodded their two turbans at each other, and held up their four hands in confronting gestures of surprise, or mystery, or horror, according to the theme on which their gossip ran, like a pair of magnified puppets. Mild Mrs. Dent talked with good-natured Mrs. Eshton; and the two sometimes bestowed a courteous word or smile on me. Sir George Lynn, Colonel Dent, and Mr. Eshton discussed politics, or county affairs, or justice business. Lord Ingram flirted with Amy Eshton; Louisa played and sang to and with one of the Messrs. Lynn; and Mary Ingram listened languidly to the gallant speeches of the other. Sometimes all, as with one consent, suspended their by-play to observe and listen to the principal actors: for, after all, Mr. Rochester and--because closely connected with him--Miss Ingram were the life and soul of the party. If he was absent from the room an hour, a perceptible dulness seemed to steal over the spirits of his guests; and his re-entrance was sure to give a fresh impulse to the vivacity of conversation. The want of his animating influence appeared to be peculiarly felt one day that he had been summoned to Millcote on business, and was not likely to return till late. The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above. It was verging on dusk, and the clock had already given warning of the hour to dress for dinner, when little Adele, who knelt by me in the drawing-room window-seat, suddenly exclaimed-- "Voila, Monsieur Rochester, qui revient!" I turned, and Miss Ingram darted forwards from her sofa: the others, too, looked up from their several occupations; for at the same time a crunching of wheels and a splashing tramp of horse-hoofs became audible on the wet gravel. A post-chaise was approaching. "What can possess him to come home in that style?" said Miss Ingram. "He rode Mesrour (the black horse), did he not, when he went out? and Pilot was with him:--what has he done with the animals?" As she said this, she approached her tall person and ample garments so near the window, that I was obliged to bend back almost to the breaking of my spine: in her eagerness she did not observe me at first, but when she did, she curled her lip and moved to another casement. The post-chaise stopped; the driver rang the door-bell, and a gentleman alighted attired in travelling garb; but it was not Mr. Rochester; it was a tall, fashionable-looking man, a stranger. "How provoking!" exclaimed Miss Ingram: "you tiresome monkey!" (apostrophising Adele), "who perched you up in the window to give false intelligence?" and she cast on me an angry glance, as if I were in fault. Some parleying was audible in the hall, and soon the new-comer entered. He bowed to Lady Ingram, as deeming her the eldest lady present. "It appears I come at an inopportune time, madam," said he, "when my friend, Mr. Rochester, is from home; but I arrive from a very long journey, and I think I may presume so far on old and intimate acquaintance as to instal myself here till he returns." His manner was polite; his accent, in speaking, struck me as being somewhat unusual,--not precisely foreign, but still not altogether English: his age might be about Mr. Rochester's,--between thirty and forty; his complexion was singularly sallow: otherwise he was a fine-looking man, at first sight especially. On closer examination, you detected something in his face that displeased, or rather that failed to please. His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. The sound of the dressing-bell dispersed the party. It was not till after dinner that I saw him again: he then seemed quite at his ease. But I liked his physiognomy even less than before: it struck me as being at the same time unsettled and inanimate. His eye wandered, and had no meaning in its wandering: this gave him an odd look, such as I never remembered to have seen. For a handsome and not an unamiable-looking man, he repelled me exceedingly: there was no power in that smooth-skinned face of a full oval shape: no firmness in that aquiline nose and small cherry mouth; there was no thought on the low, even forehead; no command in that blank, brown eye. As I sat in my usual nook, and looked at him with the light of the girandoles on the mantelpiece beaming full over him--for he occupied an arm-chair drawn close to the fire, and kept shrinking still nearer, as if he were cold, I compared him with Mr. Rochester. I think (with deference be it spoken) the contrast could not be much greater between a sleek gander and a fierce falcon: between a meek sheep and the rough-coated keen-eyed dog, its guardian. He had spoken of Mr. Rochester as an old friend. A curious friendship theirs must have been: a pointed illustration, indeed, of the old adage that "extremes meet." Two or three of the gentlemen sat near him, and I caught at times scraps of their conversation across the room. At first I could not make much sense of what I heard; for the discourse of Louisa Eshton and Mary Ingram, who sat nearer to me, confused the fragmentary sentences that reached me at intervals. These last were discussing the stranger; they both called him "a beautiful man." Louisa said he was "a love of a creature," and she "adored him;" and Mary instanced his "pretty little mouth, and nice nose," as her ideal of the charming. "And what a sweet-tempered forehead he has!" cried Louisa,--"so smooth--none of those frowning irregularities I dislike so much; and such a placid eye and smile!" And then, to my great relief, Mr. Henry Lynn summoned them to the other side of the room, to settle some point about the deferred excursion to Hay Common. I was now able to concentrate my attention on the group by the fire, and I presently gathered that the new-comer was called Mr. Mason; then I learned that he was but just arrived in England, and that he came from some hot country: which was the reason, doubtless, his face was so sallow, and that he sat so near the hearth, and wore a surtout in the house. Presently the words Jamaica, Kingston, Spanish Town, indicated the West Indies as his residence; and it was with no little surprise I gathered, ere long, that he had there first seen and become acquainted with Mr. Rochester. He spoke of his friend's dislike of the burning heats, the hurricanes, and rainy seasons of that region. I knew Mr. Rochester had been a traveller: Mrs. Fairfax had said so; but I thought the continent of Europe had bounded his wanderings; till now I had never heard a hint given of visits to more distant shores. I was pondering these things, when an incident, and a somewhat unexpected one, broke the thread of my musings. Mr. Mason, shivering as some one chanced to open the door, asked for more coal to be put on the fire, which had burnt out its flame, though its mass of cinder still shone hot and red. The footman who brought the coal, in going out, stopped near Mr. Eshton's chair, and said something to him in a low voice, of which I heard only the words, "old woman,"--"quite troublesome." "Tell her she shall be put in the stocks if she does not take herself off," replied the magistrate. "No--stop!" interrupted Colonel Dent. "Don't send her away, Eshton; we might turn the thing to account; better consult the ladies." And speaking aloud, he continued--"Ladies, you talked of going to Hay Common to visit the gipsy camp; Sam here says that one of the old Mother Bunches is in the servants' hall at this moment, and insists upon being brought in before 'the quality,' to tell them their fortunes. Would you like to see her?" "Surely, colonel," cried Lady Ingram, "you would not encourage such a low impostor? Dismiss her, by all means, at once!" "But I cannot persuade her to go away, my lady," said the footman; "nor can any of the servants: Mrs. Fairfax is with her just now, entreating her to be gone; but she has taken a chair in the chimney-corner, and says nothing shall stir her from it till she gets leave to come in here." "What does she want?" asked Mrs. Eshton. "'To tell the gentry their fortunes,' she says, ma'am; and she swears she must and will do it." "What is she like?" inquired the Misses Eshton, in a breath. "A shockingly ugly old creature, miss; almost as black as a crock." "Why, she's a real sorceress!" cried Frederick Lynn. "Let us have her in, of course." "To be sure," rejoined his brother; "it would be a thousand pities to throw away such a chance of fun." "My dear boys, what are you thinking about?" exclaimed Mrs. Lynn. "I cannot possibly countenance any such inconsistent proceeding," chimed in the Dowager Ingram. "Indeed, mama, but you can--and will," pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. "I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward." "My darling Blanche! recollect--" "I do--I recollect all you can suggest; and I must have my will--quick, Sam!" "Yes--yes--yes!" cried all the juveniles, both ladies and gentlemen. "Let her come--it will be excellent sport!" The footman still lingered. "She looks such a rough one," said he. "Go!" ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. "She won't come now," said he. "She says it's not her mission to appear before the 'vulgar herd' (them's her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one." "You see now, my queenly Blanche," began Lady Ingram, "she encroaches. Be advised, my angel girl--and--" "Show her into the library, of course," cut in the "angel girl." "It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?" "Yes, ma'am--but she looks such a tinkler." "Cease that chatter, blockhead! and do my bidding." Again Sam vanished; and mystery, animation, expectation rose to full flow once more. "She's ready now," said the footman, as he reappeared. "She wishes to know who will be her first visitor." "I think I had better just look in upon her before any of the ladies go," said Colonel Dent. "Tell her, Sam, a gentleman is coming." Sam went and returned. "She says, sir, that she'll have no gentlemen; they need not trouble themselves to come near her; nor," he added, with difficulty suppressing a titter, "any ladies either, except the young, and single." "By Jove, she has taste!" exclaimed Henry Lynn. Miss Ingram rose solemnly: "I go first," she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men. "Oh, my best! oh, my dearest! pause--reflect!" was her mama's cry; but she swept past her in stately silence, passed through the door which Colonel Dent held open, and we heard her enter the library. A comparative silence ensued. Lady Ingram thought it "le cas" to wring her hands: which she did accordingly. Miss Mary declared she felt, for her part, she never dared venture. Amy and Louisa Eshton tittered under their breath, and looked a little frightened. The minutes passed very slowly: fifteen were counted before the library- door again opened. Miss Ingram returned to us through the arch. Would she laugh? Would she take it as a joke? All eyes met her with a glance of eager curiosity, and she met all eyes with one of rebuff and coldness; she looked neither flurried nor merry: she walked stiffly to her seat, and took it in silence. "Well, Blanche?" said Lord Ingram. "What did she say, sister?" asked Mary. "What did you think? How do you feel?--Is she a real fortune-teller?" demanded the Misses Eshton. "Now, now, good people," returned Miss Ingram, "don't press upon me. Really your organs of wonder and credulity are easily excited: you seem, by the importance of you all--my good mama included--ascribe to this matter, absolutely to believe we have a genuine witch in the house, who is in close alliance with the old gentleman. I have seen a gipsy vagabond; she has practised in hackneyed fashion the science of palmistry and told me what such people usually tell. My whim is gratified; and now I think Mr. Eshton will do well to put the hag in the stocks to-morrow morning, as he threatened." Miss Ingram took a book, leant back in her chair, and so declined further conversation. I watched her for nearly half-an-hour: during all that time she never turned a page, and her face grew momently darker, more dissatisfied, and more sourly expressive of disappointment. She had obviously not heard anything to her advantage: and it seemed to me, from her prolonged fit of gloom and taciturnity, that she herself, notwithstanding her professed indifference, attached undue importance to whatever revelations had been made her. {During all that time she never turned a page: p184.jpg} Meantime, Mary Ingram, Amy and Louisa Eshton, declared they dared not go alone; and yet they all wished to go. A negotiation was opened through the medium of the ambassador, Sam; and after much pacing to and fro, till, I think, the said Sam's calves must have ached with the exercise, permission was at last, with great difficulty, extorted from the rigorous Sibyl, for the three to wait upon her in a body. Their visit was not so still as Miss Ingram's had been: we heard hysterical giggling and little shrieks proceeding from the library; and at the end of about twenty minutes they burst the door open, and came running across the hall, as if they were half-scared out of their wits. "I am sure she is something not right!" they cried, one and all. "She told us such things! She knows all about us!" and they sank breathless into the various seats the gentlemen hastened to bring them. Pressed for further explanation, they declared she had told them of things they had said and done when they were mere children; described books and ornaments they had in their boudoirs at home: keepsakes that different relations had presented to them. They affirmed that she had even divined their thoughts, and had whispered in the ear of each the name of the person she liked best in the world, and informed them of what they most wished for. Here the gentlemen interposed with earnest petitions to be further enlightened on these two last-named points; but they got only blushes, ejaculations, tremors, and titters, in return for their importunity. The matrons, meantime, offered vinaigrettes and wielded fans; and again and again reiterated the expression of their concern that their warning had not been taken in time; and the elder gentlemen laughed, and the younger urged their services on the agitated fair ones. In the midst of the tumult, and while my eyes and ears were fully engaged in the scene before me, I heard a hem close at my elbow: I turned, and saw Sam. "If you please, miss, the gipsy declares that there is another young single lady in the room who has not been to her yet, and she swears she will not go till she has seen all. I thought it must be you: there is no one else for it. What shall I tell her?" "Oh, I will go by all means," I answered: and I was glad of the unexpected opportunity to gratify my much-excited curiosity. I slipped out of the room, unobserved by any eye--for the company were gathered in one mass about the trembling trio just returned--and I closed the door quietly behind me. "If you like, miss," said Sam, "I'll wait in the hall for you; and if she frightens you, just call and I'll come in." "No, Sam, return to the kitchen: I am not in the least afraid." Nor was I; but I was a good deal interested and excited.

Chapters 17-18

Jane cannot help missing Rochester and she longs for his return. A letter is received giving the servants notice that Rochester will return in a few days to continue the party at Thornfield. There is now great activity from all the servants, cleaning, polishing, cooking etc. Jane also learns that Grace Poole receives five times more in salary than the other servants, thus adding to the mystery. A party of eight ladies and five gentlemen arrives, and Jane and Ad'le are summoned to the Drawing Room to join in the festivities. Ad'le is excited by the party, but Jane keeps away from the company and occupies a window seat concentrating on her knitting. Blanche Ingram is indeed beautiful, but she is also proud, and punctuates her conversations with sarcasm. At the piano, Blanche plays whilst Rochester sings and Jane takes the opportunity to slip away unobserved. Rochester notices her missing and goes after her saying that it is his wish that she attends while his guests are at Thornfield. The festivities continue with organized games, charades and play-acting. Jane spends her time observing the company and it is clear that Rochester does not love Blanche. She assumes that if they do marry it will be more for social rank and political reasons than for love. Mr. Rochester has to leave on some business and in his absence; Mr. Mason arrives from the West Indies claiming to be an old friend of Rochester. One of the servants advises the company that there is an old gypsy outside, and they decide to let her in to tell their fortunes.

Interpretation Bront' provides us with two different viewpoints regarding the company of partygoers - one from Ad'le and one from Jane. Ad'le views the party and those attending with great excitement. This must be a real break in routine for her and this will provide an insight to her of what she might expect when she grows up to adulthood. All she can see is fine ladies and handsome gentlemen, dancing, singing and playing musical instruments. Jane's view is totally different. She would not be there if it was not for her master's insistence. She feels intimidated by Lady Ingram in particular. She is a formidable beauty, tall and elegant, and Jane regards herself as plain, mainly due to her small size. She sees the revelers for what they are, as privileged, shallow people, who are deliberately rude to her because she is a Governess, and they are dismissive of the servants. Bront' uses much symbolism in the play-acting and games of charades indulged in by the partygoers, in particular Rochester and Blanche. They engage in role-play where Blanche is Mary Queen of Scots, and Rochester suggests, "Who would not be the Rizzio of so divine a Mary?" Blanche replies as Mary Queen of Scots, A fig for Rizzio! It is my opinion, the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him;" One must assume that although Rochester goes along with this 'play', he perhaps is not impressed with Blanche's preference for the evil Bothwell over the artistic Rizzio. Another character is introduced into the complex storyline in the form of Mason. Jane immediately feels apprehensive about this man. Perhaps she has a premonition that he will bring her unhappiness. This, together with the introduction of a gypsy, gives a further hint of Gothic influence. The reader must feel some sympathy for Jane having to witness the apparent courtship between the man she loves and the woman who is superior to Jane both in looks and social standing.

bookwolf

all_chapterized_books/1260-chapters/20.txt

finished_summaries/bookwolf/Jane Eyre/section_9_part_0.txt

Jane Eyre.volume 2.chapter 19

chapter 19

{"name": "Chapter 19", "summary": "Jane describes the gypsy as a sibyl , who goes on to read the fortunes of all those present apart from Jane. She insists on having her private audience with Jane before she leaves the house. Out of curiosity Jane enters the darkened room and approaches the gypsy. Jane tells the gypsy that she does not believe such nonsense, but from their early conversation, Jane admits that the gypsy is quick of ear, eye and brain. The gypsy asks, \"Why don't you tremble?\" \"I am not cold.\" \"Why don't you turn pale?\" \"I am not sick.\" \"Why don't you consult my art?\" \"I am not silly.\" The old crone laughed under her bonnet and started to smoke a short pipe, and then said, \"You are cold; you are sick; you are silly.\" Jane responded, \"Prove it.\" The gypsy continued to probe Jane with pointed questions and also revealed that she had an understanding of Jane, which unsettled her. Jane is concerned that the gypsy seems to know about matters close to her heart. Still suspecting that a trick is being played on her, she wonders if the gypsy is Grace Poole. The gypsy removes her disguise to reveal Mr. Rochester, who begs forgiveness from Jane. Jane reveals that Mr. Mason has arrived, and the color leaves Rochester's face. He takes a glass of wine.", "analysis": "Interpretation There is a vague Gothic tone in these chapters, with the introduction of the 'gypsy'. The scene is set in a darkened room with the old hag predicting the future for the guests at Thornfield. When Jane is summoned, she goes out of curiosity and perhaps she should be in fear of such practices. The pipe-smoking gypsy is able to touch on matters close of Jane's heart, and she starts to wonder if the gypsy does possess the gift of foretelling the future - for how would she know of these matters. When Rochester is revealed as the gypsy, all is made plain. Chapter 19 should be read in detail for Rochester just about confesses his love for Jane. It is important that the reader picks up on this, as it is a key development of the plot. He is in fact trying to encourage Jane to admit her true feelings, which he suspects. He tells her to listen to her heart instead of her brain, and that he is aware of her inner beauty and charm."}

The library looked tranquil enough as I entered it, and the Sibyl--if Sibyl she were--was seated snugly enough in an easy-chair at the chimney- corner. She had on a red cloak and a black bonnet: or rather, a broad- brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph. I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy's appearance to trouble one's calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf- locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. "Well, and you want your fortune told?" she said, in a voice as decided as her glance, as harsh as her features. "I don't care about it, mother; you may please yourself: but I ought to warn you, I have no faith." "It's like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold." "Did you? You've a quick ear." "I have; and a quick eye and a quick brain." "You need them all in your trade." "I do; especially when I've customers like you to deal with. Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly." The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you." She again put her short black pipe to her lips, and renewed her smoking with vigour. "You might say all that to almost any one who you knew lived as a solitary dependent in a great house." "I might say it to almost any one: but would it be true of almost any one?" "In my circumstances." "Yes; just so, in _your_ circumstances: but find me another precisely placed as you are." "It would be easy to find you thousands." "You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results." "I don't understand enigmas. I never could guess a riddle in my life." "If you wish me to speak more plainly, show me your palm." "And I must cross it with silver, I suppose?" "To be sure." I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it. "It is too fine," said she. "I can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written there." "I believe you," said I. "No," she continued, "it is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head." "Ah! now you are coming to reality," I said, as I obeyed her. "I shall begin to put some faith in you presently." I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined. "I wonder with what feelings you came to me to-night," she said, when she had examined me a while. "I wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance." "I feel tired often, sleepy sometimes, but seldom sad." "Then you have some secret hope to buoy you up and please you with whispers of the future?" "Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself." "A mean nutriment for the spirit to exist on: and sitting in that window- seat (you see I know your habits )--" "You have learned them from the servants." "Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole--" I started to my feet when I heard the name. "You have--have you?" thought I; "there is diablerie in the business after all, then!" "Don't be alarmed," continued the strange being; "she's a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?" "I like to observe all the faces and all the figures." "But do you never single one from the rest--or it may be, two?" "I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them." "What tale do you like best to hear?" "Oh, I have not much choice! They generally run on the same theme--courtship; and promise to end in the same catastrophe--marriage." "And do you like that monotonous theme?" "Positively, I don't care about it: it is nothing to me." "Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you--" "I what?" "You know--and perhaps think well of." "I don't know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me." "You don't know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!" "He is not at home." "A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintance--blot him, as it were, out of existence?" "No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced." "I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester's eyes that they overflow like two cups filled above the brim: have you never remarked that?" "Mr. Rochester has a right to enjoy the society of his guests." "No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?" "The eagerness of a listener quickens the tongue of a narrator." I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse. "Eagerness of a listener!" repeated she: "yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?" "Grateful! I cannot remember detecting gratitude in his face." "Detecting! You have analysed, then. And what did you detect, if not gratitude?" I said nothing. "You have seen love: have you not?--and, looking forward, you have seen him married, and beheld his bride happy?" "Humph! Not exactly. Your witch's skill is rather at fault sometimes." "What the devil have you seen, then?" "Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?" "Yes; and to the beautiful Miss Ingram." "Shortly?" "Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,--he's dished--" "But, mother, I did not come to hear Mr. Rochester's fortune: I came to hear my own; and you have told me nothing of it." "Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." {She did not stoop towards me, but only gazed, leaning back in her chair: p190.jpg} I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,-- "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,--to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' "Well said, forehead; your declaration shall be respected. I have formed my plans--right plans I deem them--and in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution--such is not my taste. I wish to foster, not to blight--to earn gratitude, not to wring tears of blood--no, nor of brine: my harvest must be in smiles, in endearments, in sweet--That will do. I think I rave in a kind of exquisite delirium. I should wish now to protract this moment _ad infinitum_; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; the play is played out'." Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glass--as the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from me--on the contrary, the bonnet was doffed, the bandage displaced, the head advanced. "Well, Jane, do you know me?" asked the familiar voice. "Only take off the red cloak, sir, and then--" "But the string is in a knot--help me." "Break it, sir." "There, then--'Off, ye lendings!'" And Mr. Rochester stepped out of his disguise. "Now, sir, what a strange idea!" "But well carried out, eh? Don't you think so?" "With the ladies you must have managed well." "But not with you?" "You did not act the character of a gipsy with me." "What character did I act? My own?" "No; some unaccountable one. In short, I believe you have been trying to draw me out--or in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir." "Do you forgive me, Jane?" "I cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right." "Oh, you have been very correct--very careful, very sensible." I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole--that living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester. "Well," said he, "what are you musing about? What does that grave smile signify?" "Wonder and self-congratulation, sir. I have your permission to retire now, I suppose?" "No; stay a moment; and tell me what the people in the drawing-room yonder are doing." "Discussing the gipsy, I daresay." "Sit down!--Let me hear what they said about me." "I had better not stay long, sir; it must be near eleven o'clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?" "A stranger!--no; who can it be? I expected no one; is he gone?" "No; he said he had known you long, and that he could take the liberty of installing himself here till you returned." "The devil he did! Did he give his name?" "His name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think." Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath. "Mason!--the West Indies!" he said, in the tone one might fancy a speaking automaton to enounce its single words; "Mason!--the West Indies!" he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing. "Do you feel ill, sir?" I inquired. "Jane, I've got a blow; I've got a blow, Jane!" He staggered. "Oh, lean on me, sir." "Jane, you offered me your shoulder once before; let me have it now." "Yes, sir, yes; and my arm." He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look. "My little friend!" said he, "I wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me." "Can I help you, sir?--I'd give my life to serve you." "Jane, if aid is wanted, I'll seek it at your hands; I promise you that." "Thank you, sir. Tell me what to do,--I'll try, at least, to do it." "Fetch me now, Jane, a glass of wine from the dining-room: they will be at supper there; and tell me if Mason is with them, and what he is doing." I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,--the supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library. Mr. Rochester's extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand. "Here is to your health, ministrant spirit!" he said. He swallowed the contents and returned it to me. "What are they doing, Jane?" "Laughing and talking, sir." "They don't look grave and mysterious, as if they had heard something strange?" "Not at all: they are full of jests and gaiety." "And Mason?" "He was laughing too." "If all these people came in a body and spat at me, what would you do, Jane?" "Turn them out of the room, sir, if I could." He half smiled. "But if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?" "I rather think not, sir: I should have more pleasure in staying with you." "To comfort me?" "Yes, sir, to comfort you, as well as I could." "And if they laid you under a ban for adhering to me?" "I, probably, should know nothing about their ban; and if I did, I should care nothing about it." "Then, you could dare censure for my sake?" "I could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do." "Go back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me." "Yes, sir." I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs. At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester's voice, and heard him say, "This way, Mason; this is your room." He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.

Chapter 19

Jane describes the gypsy as a sibyl , who goes on to read the fortunes of all those present apart from Jane. She insists on having her private audience with Jane before she leaves the house. Out of curiosity Jane enters the darkened room and approaches the gypsy. Jane tells the gypsy that she does not believe such nonsense, but from their early conversation, Jane admits that the gypsy is quick of ear, eye and brain. The gypsy asks, "Why don't you tremble?" "I am not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I am not silly." The old crone laughed under her bonnet and started to smoke a short pipe, and then said, "You are cold; you are sick; you are silly." Jane responded, "Prove it." The gypsy continued to probe Jane with pointed questions and also revealed that she had an understanding of Jane, which unsettled her. Jane is concerned that the gypsy seems to know about matters close to her heart. Still suspecting that a trick is being played on her, she wonders if the gypsy is Grace Poole. The gypsy removes her disguise to reveal Mr. Rochester, who begs forgiveness from Jane. Jane reveals that Mr. Mason has arrived, and the color leaves Rochester's face. He takes a glass of wine.

Interpretation There is a vague Gothic tone in these chapters, with the introduction of the 'gypsy'. The scene is set in a darkened room with the old hag predicting the future for the guests at Thornfield. When Jane is summoned, she goes out of curiosity and perhaps she should be in fear of such practices. The pipe-smoking gypsy is able to touch on matters close of Jane's heart, and she starts to wonder if the gypsy does possess the gift of foretelling the future - for how would she know of these matters. When Rochester is revealed as the gypsy, all is made plain. Chapter 19 should be read in detail for Rochester just about confesses his love for Jane. It is important that the reader picks up on this, as it is a key development of the plot. He is in fact trying to encourage Jane to admit her true feelings, which he suspects. He tells her to listen to her heart instead of her brain, and that he is aware of her inner beauty and charm.

bookwolf

all_chapterized_books/1260-chapters/21.txt

finished_summaries/bookwolf/Jane Eyre/section_10_part_0.txt

Jane Eyre.volume 2.chapter 20

chapter 20

{"name": "Chapter 20", "summary": "A heart-stopping shriek fills Thornfield Hall and Rochester explains it as one of the servants having had a nightmare. He rushes upstairs and Jane soon joins him, and they find Richard Mason soaked in blood. From the adjacent room, Grace Poole's distinctive cackle can be heard. Rochester gives Jane instructions on how to care for Mason's wound while he leaves to get help. As he leaves, he locks the door so that Jane is trapped between the outside world and the snarling beast she can hear in the adjacent room. When the surgeon arrives, he notes that Mason has been bitten and stabbed, and Rochester makes plans for Mason to depart as soon as possible. Mason begs Rochester to take care of 'her', and he departs in a carriage for the surgeon's house. Rochester seems subdued by the oppressive atmosphere of Thornfield and asks Jane if marriage to Blanche will rejuvenate him. Jane doesn't think so.", "analysis": "Interpretation The Gothic theme continues into this chapter. It starts with cries for help. The silence of the night was shattered by a savage, sharp, shrilly sound that filled Thornfield Hall. Rochester explains that it must be one of the servants having a nightmare. Little do they know of the nightmare that resides on the top floor of Thornfield Hall. Jane is taken up there by Rochester when they find the wounded Mason. Whilst Rochester is away getting the surgeon, Jane has \"to listen for the movements of the wild beast or fiend in yonder side-den.\" This is perhaps the most mysterious and suspense filled chapter to date. The reader is obtaining an insight as to why Rochester is so brusque and grim at times. The house clearly contains some evil that oppresses Rochester. The only release from this pressure has been the arrival of Jane. Although Jane is happy in the house with her new family, all that keeps Rochester here is Jane herself, for there is some evil that haunts him. He makes reference to this after Jane describes Thornfield as a 'splendid mansion'. Rochester: \"You see it through a charmed medium; you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark.\" This quotation gives the reader a foretaste of what Thornfield will become by the end of the story. As the plot develops, Jane does not receive answers to her questions, only more questions, such as - What hold does Mason have over Rochester? What is the source of the snarling sounds? Is it Grace Poole? What has she to do with Mason? Why would Rochester have to care for her? All that Jane knows is that she is becoming more and more embroiled in her master's problems, but her love for him is undiminished."}

I had forgotten to draw my curtain, which I usually did, and also to let down my window-blind. The consequence was, that when the moon, which was full and bright (for the night was fine), came in her course to that space in the sky opposite my casement, and looked in at me through the unveiled panes, her glorious gaze roused me. Awaking in the dead of night, I opened my eyes on her disk--silver-white and crystal clear. It was beautiful, but too solemn; I half rose, and stretched my arm to draw the curtain. Good God! What a cry! The night--its silence--its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. It came out of the third storey; for it passed overhead. And overhead--yes, in the room just above my chamber-ceiling--I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted-- "Help! help! help!" three times rapidly. "Will no one come?" it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster:-- "Rochester! Rochester! for God's sake, come!" A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence. I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and "Oh! what is it?"--"Who is hurt?"--"What has happened?"--"Fetch a light!"--"Is it fire?"--"Are there robbers?"--"Where shall we run?" was demanded confusedly on all hands. But for the moonlight they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable. "Where the devil is Rochester?" cried Colonel Dent. "I cannot find him in his bed." "Here! here!" was shouted in return. "Be composed, all of you: I'm coming." And the door at the end of the gallery opened, and Mr. Rochester advanced with a candle: he had just descended from the upper storey. One of the ladies ran to him directly; she seized his arm: it was Miss Ingram. "What awful event has taken place?" said she. "Speak! let us know the worst at once!" "But don't pull me down or strangle me," he replied: for the Misses Eshton were clinging about him now; and the two dowagers, in vast white wrappers, were bearing down on him like ships in full sail. "All's right!--all's right!" he cried. "It's a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous." And dangerous he looked: his black eyes darted sparks. Calming himself by an effort, he added-- "A servant has had the nightmare; that is all. She's an excitable, nervous person: she construed her dream into an apparition, or something of that sort, no doubt; and has taken a fit with fright. Now, then, I must see you all back into your rooms; for, till the house is settled, she cannot be looked after. Gentlemen, have the goodness to set the ladies the example. Miss Ingram, I am sure you will not fail in evincing superiority to idle terrors. Amy and Louisa, return to your nests like a pair of doves, as you are. Mesdames" (to the dowagers), "you will take cold to a dead certainty, if you stay in this chill gallery any longer." And so, by dint of alternate coaxing and commanding, he contrived to get them all once more enclosed in their separate dormitories. I did not wait to be ordered back to mine, but retreated unnoticed, as unnoticed I had left it. Not, however, to go to bed: on the contrary, I began and dressed myself carefully. The sounds I had heard after the scream, and the words that had been uttered, had probably been heard only by me; for they had proceeded from the room above mine: but they assured me that it was not a servant's dream which had thus struck horror through the house; and that the explanation Mr. Rochester had given was merely an invention framed to pacify his guests. I dressed, then, to be ready for emergencies. When dressed, I sat a long time by the window looking out over the silent grounds and silvered fields and waiting for I knew not what. It seemed to me that some event must follow the strange cry, struggle, and call. No: stillness returned: each murmur and movement ceased gradually, and in about an hour Thornfield Hall was again as hushed as a desert. It seemed that sleep and night had resumed their empire. Meantime the moon declined: she was about to set. Not liking to sit in the cold and darkness, I thought I would lie down on my bed, dressed as I was. I left the window, and moved with little noise across the carpet; as I stooped to take off my shoes, a cautious hand tapped low at the door. "Am I wanted?" I asked. "Are you up?" asked the voice I expected to hear, viz., my master's. "Yes, sir." "And dressed?" "Yes." "Come out, then, quietly." I obeyed. Mr. Rochester stood in the gallery holding a light. "I want you," he said: "come this way: take your time, and make no noise." My slippers were thin: I could walk the matted floor as softly as a cat. He glided up the gallery and up the stairs, and stopped in the dark, low corridor of the fateful third storey: I had followed and stood at his side. "Have you a sponge in your room?" he asked in a whisper. "Yes, sir." "Have you any salts--volatile salts?" "Yes." "Go back and fetch both." I returned, sought the sponge on the washstand, the salts in my drawer, and once more retraced my steps. He still waited; he held a key in his hand: approaching one of the small, black doors, he put it in the lock; he paused, and addressed me again. "You don't turn sick at the sight of blood?" "I think I shall not: I have never been tried yet." I felt a thrill while I answered him; but no coldness, and no faintness. "Just give me your hand," he said: "it will not do to risk a fainting fit." I put my fingers into his. "Warm and steady," was his remark: he turned the key and opened the door. I saw a room I remembered to have seen before, the day Mrs. Fairfax showed me over the house: it was hung with tapestry; but the tapestry was now looped up in one part, and there was a door apparent, which had then been concealed. This door was open; a light shone out of the room within: I heard thence a snarling, snatching sound, almost like a dog quarrelling. Mr. Rochester, putting down his candle, said to me, "Wait a minute," and he went forward to the inner apartment. A shout of laughter greeted his entrance; noisy at first, and terminating in Grace Poole's own goblin ha! ha! _She_ then was there. He made some sort of arrangement without speaking, though I heard a low voice address him: he came out and closed the door behind him. "Here, Jane!" he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face--the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood. "Hold the candle," said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: "Hold that," said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down. "Is there immediate danger?" murmured Mr. Mason. "Pooh! No--a mere scratch. Don't be so overcome, man: bear up! I'll fetch a surgeon for you now, myself: you'll be able to be removed by morning, I hope. Jane," he continued. "Sir?" "I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext--and--Richard, it will be at the peril of your life if you speak to her: open your lips--agitate yourself--and I'll not answer for the consequences." Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, "Remember!--No conversation," he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard. Here then I was in the third storey, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes--that was appalling--the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me. I must keep to my post, however. I must watch this ghastly countenance--these blue, still lips forbidden to unclose--these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dulness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite--whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each enclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ. According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St. John's long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor--of Satan himself--in his subordinate's form. Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr. Rochester's visit it seemed spellbound: all the night I heard but three sounds at three long intervals,--a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan. Then my own thoughts worried me. What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?--what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey? And this man I bent over--this commonplace, quiet stranger--how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr. Rochester assign him an apartment below--what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr. Rochester enforced? Why _did_ Mr. Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr. Mason was submissive to Mr. Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition of the one had been habitually influenced by the active energy of the other: whence then had arisen Mr. Rochester's dismay when he heard of Mr. Mason's arrival? Why had the mere name of this unresisting individual--whom his word now sufficed to control like a child--fallen on him, a few hours since, as a thunderbolt might fall on an oak? Oh! I could not forget his look and his paleness when he whispered: "Jane, I have got a blow--I have got a blow, Jane." I could not forget how the arm had trembled which he rested on my shoulder: and it was no light matter which could thus bow the resolute spirit and thrill the vigorous frame of Fairfax Rochester. "When will he come? When will he come?" I cried inwardly, as the night lingered and lingered--as my bleeding patient drooped, moaned, sickened: and neither day nor aid arrived. I had, again and again, held the water to Mason's white lips; again and again offered him the stimulating salts: my efforts seemed ineffectual: either bodily or mental suffering, or loss of blood, or all three combined, were fast prostrating his strength. He moaned so, and looked so weak, wild, and lost, I feared he was dying; and I might not even speak to him. The candle, wasted at last, went out; as it expired, I perceived streaks of grey light edging the window curtains: dawn was then approaching. Presently I heard Pilot bark far below, out of his distant kennel in the courtyard: hope revived. Nor was it unwarranted: in five minutes more the grating key, the yielding lock, warned me my watch was relieved. It could not have lasted more than two hours: many a week has seemed shorter. Mr. Rochester entered, and with him the surgeon he had been to fetch. "Now, Carter, be on the alert," he said to this last: "I give you but half-an-hour for dressing the wound, fastening the bandages, getting the patient downstairs and all." "But is he fit to move, sir?" "No doubt of it; it is nothing serious; he is nervous, his spirits must be kept up. Come, set to work." Mr. Rochester drew back the thick curtain, drew up the holland blind, let in all the daylight he could; and I was surprised and cheered to see how far dawn was advanced: what rosy streaks were beginning to brighten the east. Then he approached Mason, whom the surgeon was already handling. "Now, my good fellow, how are you?" he asked. "She's done for me, I fear," was the faint reply. "Not a whit!--courage! This day fortnight you'll hardly be a pin the worse of it: you've lost a little blood; that's all. Carter, assure him there's no danger." "I can do that conscientiously," said Carter, who had now undone the bandages; "only I wish I could have got here sooner: he would not have bled so much--but how is this? The flesh on the shoulder is torn as well as cut. This wound was not done with a knife: there have been teeth here!" "She bit me," he murmured. "She worried me like a tigress, when Rochester got the knife from her." "You should not have yielded: you should have grappled with her at once," said Mr. Rochester. "But under such circumstances, what could one do?" returned Mason. "Oh, it was frightful!" he added, shuddering. "And I did not expect it: she looked so quiet at first." "I warned you," was his friend's answer; "I said--be on your guard when you go near her. Besides, you might have waited till to-morrow, and had me with you: it was mere folly to attempt the interview to-night, and alone." "I thought I could have done some good." "You thought! you thought! Yes, it makes me impatient to hear you: but, however, you have suffered, and are likely to suffer enough for not taking my advice; so I'll say no more. Carter--hurry!--hurry! The sun will soon rise, and I must have him off." "Directly, sir; the shoulder is just bandaged. I must look to this other wound in the arm: she has had her teeth here too, I think." "She sucked the blood: she said she'd drain my heart," said Mason. I saw Mr. Rochester shudder: a singularly marked expression of disgust, horror, hatred, warped his countenance almost to distortion; but he only said-- "Come, be silent, Richard, and never mind her gibberish: don't repeat it." "I wish I could forget it," was the answer. "You will when you are out of the country: when you get back to Spanish Town, you may think of her as dead and buried--or rather, you need not think of her at all." "Impossible to forget this night!" "It is not impossible: have some energy, man. You thought you were as dead as a herring two hours since, and you are all alive and talking now. There!--Carter has done with you or nearly so; I'll make you decent in a trice. Jane" (he turned to me for the first time since his re-entrance), "take this key: go down into my bedroom, and walk straight forward into my dressing-room: open the top drawer of the wardrobe and take out a clean shirt and neck-handkerchief: bring them here; and be nimble." I went; sought the repository he had mentioned, found the articles named, and returned with them. "Now," said he, "go to the other side of the bed while I order his toilet; but don't leave the room: you may be wanted again." I retired as directed. "Was anybody stirring below when you went down, Jane?" inquired Mr. Rochester presently. "No, sir; all was very still." "We shall get you off cannily, Dick: and it will be better, both for your sake, and for that of the poor creature in yonder. I have striven long to avoid exposure, and I should not like it to come at last. Here, Carter, help him on with his waist-coat. Where did you leave your furred cloak? You can't travel a mile without that, I know, in this damned cold climate. In your room?--Jane, run down to Mr. Mason's room,--the one next mine,--and fetch a cloak you will see there." Again I ran, and again returned, bearing an immense mantle lined and edged with fur. "Now, I've another errand for you," said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do. Now, Jane, trip on before us away to the backstairs; unbolt the side-passage door, and tell the driver of the post-chaise you will see in the yard--or just outside, for I told him not to drive his rattling wheels over the pavement--to be ready; we are coming: and, Jane, if any one is about, come to the foot of the stairs and hem." It was by this time half-past five, and the sun was on the point of rising; but I found the kitchen still dark and silent. The side-passage door was fastened; I opened it with as little noise as possible: all the yard was quiet; but the gates stood wide open, and there was a post-chaise, with horses ready harnessed, and driver seated on the box, stationed outside. I approached him, and said the gentlemen were coming; he nodded: then I looked carefully round and listened. The stillness of early morning slumbered everywhere; the curtains were yet drawn over the servants' chamber windows; little birds were just twittering in the blossom-blanched orchard trees, whose boughs drooped like white garlands over the wall enclosing one side of the yard; the carriage horses stamped from time to time in their closed stables: all else was still. The gentlemen now appeared. Mason, supported by Mr. Rochester and the surgeon, seemed to walk with tolerable ease: they assisted him into the chaise; Carter followed. "Take care of him," said Mr. Rochester to the latter, "and keep him at your house till he is quite well: I shall ride over in a day or two to see how he gets on. Richard, how is it with you?" "The fresh air revives me, Fairfax." "Leave the window open on his side, Carter; there is no wind--good-bye, Dick." "Fairfax--" "Well what is it?" "Let her be taken care of; let her be treated as tenderly as may be: let her--" he stopped and burst into tears. "I do my best; and have done it, and will do it," was the answer: he shut up the chaise door, and the vehicle drove away. "Yet would to God there was an end of all this!" added Mr. Rochester, as he closed and barred the heavy yard-gates. This done, he moved with slow step and abstracted air towards a door in the wall bordering the orchard. I, supposing he had done with me, prepared to return to the house; again, however, I heard him call "Jane!" He had opened the portal and stood at it, waiting for me. "Come where there is some freshness, for a few moments," he said; "that house is a mere dungeon: don't you feel it so?" "It seems to me a splendid mansion, sir." "The glamour of inexperience is over your eyes," he answered; "and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark. Now _here_" (he pointed to the leafy enclosure we had entered) "all is real, sweet, and pure." He strayed down a walk edged with box, with apple trees, pear trees, and cherry trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies, mingled with southernwood, sweet-briar, and various fragrant herbs. They were fresh now as a succession of April showers and gleams, followed by a lovely spring morning, could make them: the sun was just entering the dappled east, and his light illumined the wreathed and dewy orchard trees and shone down the quiet walks under them. "Jane, will you have a flower?" He gathered a half-blown rose, the first on the bush, and offered it to me. "Thank you, sir." "Do you like this sunrise, Jane? That sky with its high and light clouds which are sure to melt away as the day waxes warm--this placid and balmly atmosphere?" "I do, very much." "You have passed a strange night, Jane." "Yes, sir." "And it has made you look pale--were you afraid when I left you alone with Mason?" "I was afraid of some one coming out of the inner room." "But I had fastened the door--I had the key in my pocket: I should have been a careless shepherd if I had left a lamb--my pet lamb--so near a wolf's den, unguarded: you were safe." "Will Grace Poole live here still, sir?" "Oh yes! don't trouble your head about her--put the thing out of your thoughts." "Yet it seems to me your life is hardly secure while she stays." "Never fear--I will take care of myself." "Is the danger you apprehended last night gone by now, sir?" "I cannot vouch for that till Mason is out of England: nor even then. To live, for me, Jane, is to stand on a crater-crust which may crack and spue fire any day." "But Mr. Mason seems a man easily led. Your influence, sir, is evidently potent with him: he will never set you at defiance or wilfully injure you." "Oh, no! Mason will not defy me; nor, knowing it, will he hurt me--but, unintentionally, he might in a moment, by one careless word, deprive me, if not of life, yet for ever of happiness." "Tell him to be cautious, sir: let him know what you fear, and show him how to avert the danger." He laughed sardonically, hastily took my hand, and as hastily threw it from him. "If I could do that, simpleton, where would the danger be? Annihilated in a moment. Ever since I have known Mason, I have only had to say to him 'Do that,' and the thing has been done. But I cannot give him orders in this case: I cannot say 'Beware of harming me, Richard;' for it is imperative that I should keep him ignorant that harm to me is possible. Now you look puzzled; and I will puzzle you further. You are my little friend, are you not?" "I like to serve you, sir, and to obey you in all that is right." "Precisely: I see you do. I see genuine contentment in your gait and mien, your eye and face, when you are helping me and pleasing me--working for me, and with me, in, as you characteristically say, '_all that is right_:' for if I bid you do what you thought wrong, there would be no light-footed running, no neat-handed alacrity, no lively glance and animated complexion. My friend would then turn to me, quiet and pale, and would say, 'No, sir; that is impossible: I cannot do it, because it is wrong;' and would become immutable as a fixed star. Well, you too have power over me, and may injure me: yet I dare not show you where I am vulnerable, lest, faithful and friendly as you are, you should transfix me at once." "If you have no more to fear from Mr. Mason than you have from me, sir, you are very safe." "God grant it may be so! Here, Jane, is an arbour; sit down." The arbour was an arch in the wall, lined with ivy; it contained a rustic seat. Mr. Rochester took it, leaving room, however, for me: but I stood before him. "Sit," he said; "the bench is long enough for two. You don't hesitate to take a place at my side, do you? Is that wrong, Jane?" I answered him by assuming it: to refuse would, I felt, have been unwise. "Now, my little friend, while the sun drinks the dew--while all the flowers in this old garden awake and expand, and the birds fetch their young ones' breakfast out of the Thornfield, and the early bees do their first spell of work--I'll put a case to you, which you must endeavour to suppose your own: but first, look at me, and tell me you are at ease, and not fearing that I err in detaining you, or that you err in staying." "No, sir; I am content." "Well then, Jane, call to aid your fancy:--suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your existence. Mind, I don't say a _crime_; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is _error_. The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor culpable. Still you are miserable; for hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of setting. Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure--I mean in heartless, sensual pleasure--such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance--how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates: you feel better days come back--higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in overleaping an obstacle of custom--a mere conventional impediment which neither your conscience sanctifies nor your judgment approves?" He paused for an answer: and what was I to say? Oh, for some good spirit to suggest a judicious and satisfactory response! Vain aspiration! The west wind whispered in the ivy round me; but no gentle Ariel borrowed its breath as a medium of speech: the birds sang in the tree-tops; but their song, however sweet, was inarticulate. Again Mr. Rochester propounded his query: "Is the wandering and sinful, but now rest-seeking and repentant, man justified in daring the world's opinion, in order to attach to him for ever this gentle, gracious, genial stranger, thereby securing his own peace of mind and regeneration of life?" "Sir," I answered, "a wanderer's repose or a sinner's reformation should never depend on a fellow-creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal." "But the instrument--the instrument! God, who does the work, ordains the instrument. I have myself--I tell it you without parable--been a worldly, dissipated, restless man; and I believe I have found the instrument for my cure in--" He paused: the birds went on carolling, the leaves lightly rustling. I almost wondered they did not check their songs and whispers to catch the suspended revelation; but they would have had to wait many minutes--so long was the silence protracted. At last I looked up at the tardy speaker: he was looking eagerly at me. "Little friend," said he, in quite a changed tone--while his face changed too, losing all its softness and gravity, and becoming harsh and sarcastic--"you have noticed my tender penchant for Miss Ingram: don't you think if I married her she would regenerate me with a vengeance?" He got up instantly, went quite to the other end of the walk, and when he came back he was humming a tune. "Jane, Jane," said he, stopping before me, "you are quite pale with your vigils: don't you curse me for disturbing your rest?" "Curse you? No, sir." "Shake hands in confirmation of the word. What cold fingers! They were warmer last night when I touched them at the door of the mysterious chamber. Jane, when will you watch with me again?" "Whenever I can be useful, sir." "For instance, the night before I am married! I am sure I shall not be able to sleep. Will you promise to sit up with me to bear me company? To you I can talk of my lovely one: for now you have seen her and know her." "Yes, sir." "She's a rare one, is she not, Jane?" "Yes, sir." "A strapper--a real strapper, Jane: big, brown, and buxom; with hair just such as the ladies of Carthage must have had. Bless me! there's Dent and Lynn in the stables! Go in by the shrubbery, through that wicket." As I went one way, he went another, and I heard him in the yard, saying cheerfully-- "Mason got the start of you all this morning; he was gone before sunrise: I rose at four to see him off."

Chapter 20

A heart-stopping shriek fills Thornfield Hall and Rochester explains it as one of the servants having had a nightmare. He rushes upstairs and Jane soon joins him, and they find Richard Mason soaked in blood. From the adjacent room, Grace Poole's distinctive cackle can be heard. Rochester gives Jane instructions on how to care for Mason's wound while he leaves to get help. As he leaves, he locks the door so that Jane is trapped between the outside world and the snarling beast she can hear in the adjacent room. When the surgeon arrives, he notes that Mason has been bitten and stabbed, and Rochester makes plans for Mason to depart as soon as possible. Mason begs Rochester to take care of 'her', and he departs in a carriage for the surgeon's house. Rochester seems subdued by the oppressive atmosphere of Thornfield and asks Jane if marriage to Blanche will rejuvenate him. Jane doesn't think so.

Interpretation The Gothic theme continues into this chapter. It starts with cries for help. The silence of the night was shattered by a savage, sharp, shrilly sound that filled Thornfield Hall. Rochester explains that it must be one of the servants having a nightmare. Little do they know of the nightmare that resides on the top floor of Thornfield Hall. Jane is taken up there by Rochester when they find the wounded Mason. Whilst Rochester is away getting the surgeon, Jane has "to listen for the movements of the wild beast or fiend in yonder side-den." This is perhaps the most mysterious and suspense filled chapter to date. The reader is obtaining an insight as to why Rochester is so brusque and grim at times. The house clearly contains some evil that oppresses Rochester. The only release from this pressure has been the arrival of Jane. Although Jane is happy in the house with her new family, all that keeps Rochester here is Jane herself, for there is some evil that haunts him. He makes reference to this after Jane describes Thornfield as a 'splendid mansion'. Rochester: "You see it through a charmed medium; you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark." This quotation gives the reader a foretaste of what Thornfield will become by the end of the story. As the plot develops, Jane does not receive answers to her questions, only more questions, such as - What hold does Mason have over Rochester? What is the source of the snarling sounds? Is it Grace Poole? What has she to do with Mason? Why would Rochester have to care for her? All that Jane knows is that she is becoming more and more embroiled in her master's problems, but her love for him is undiminished.

bookwolf

all_chapterized_books/1260-chapters/22.txt

finished_summaries/bookwolf/Jane Eyre/section_11_part_0.txt

Jane Eyre.volume 2.chapter 21

chapter 21

{"name": "Chapter 21", "summary": "A growing sense of unease takes hold of Jane and she only sleeps fitfully. She has a recurring dream concerning a babe in arms, and she takes this as an ill omen. She then receives news that her cousin John Reed, the child that bullied her, has died and suicide is suspected. Her aunt Sarah Reed has suffered a stroke and wishes to see Jane. Jane asks for leave of absence and Rochester is surprised that Jane has relatives. She explains that she has never spoken of them before as they had cast her aside. Jane makes the long journey to be at Sarah Reed's bedside, and she receives a cool reception when she eventually arrives. Not surprisingly, the only person who is pleased to see her is Bessie, who is now married and is nursing her third child. Jane is now far removed from the unhappy child that left Gateshead Hall, as she arrives as a confident young woman. Jane notices immediately that Sarah Reed's two daughters have little time for their mother. Georgiana has left the gaiety of London to return to be with her mother, and is already bored. Eliza spends her time in religious study. Mrs. Reed has summoned Jane as she wishes to unburden herself before she dies. She reveals that she has broken her promise to her late husband by not bringing Jane up as one of her own, and she has also lied to Jane's uncle John Eyre saying that Jane had died at Lowood. She gives Jane John Eyre's letter written three years earlier, asking for Jane's address, because he wants to adopt her and make her his heir. Jane offers the hand of forgiveness, but the bitter dying woman rejects this. Soon after, she dies alone.", "analysis": "Interpretation From the description given of the life in Gateshead Hall, it is not surprising to the reader the way in which Sarah Reed's children have turned out. The spoilt son continued his outrageous undisciplined behavior, running up huge gambling debts, which have brought poverty to the whole family. The two daughters have not been brought up to be well-molded individuals - one daughter can only think of marrying a rich husband and thinks London is the place to achieve this goal, and the other daughter immerses herself in a strict religious routine. Despite the hostility that Jane receives, she is pleased to know that she has an apparently caring relative in John Eyre. The actual letter is contained in this chapter, and it makes quite sad reading, and the reader hopes that perhaps Jane may be able to enjoy some family life with this relative if matters don't work out at Thornfield. Bront' is quite clear that the reader should have no sympathy at all for Mrs. Reed. She is receiving, in Bront''s view, her just deserts for failing to keep her promise to her late husband, and spoiling her three children to the detriment of the book's heroine, Jane."}

Presentiments are strange things! and so are sympathies; and so are signs; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives asserting, notwithstanding their alienation, the unity of the source to which each traces his origin) whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of Nature with man. When I was a little girl, only six years old, I one night heard Bessie Leaven say to Martha Abbot that she had been dreaming about a little child; and that to dream of children was a sure sign of trouble, either to one's self or one's kin. The saying might have worn out of my memory, had not a circumstance immediately followed which served indelibly to fix it there. The next day Bessie was sent for home to the deathbed of her little sister. Of late I had often recalled this saying and this incident; for during the past week scarcely a night had gone over my couch that had not brought with it a dream of an infant, which I sometimes hushed in my arms, sometimes dandled on my knee, sometimes watched playing with daisies on a lawn, or again, dabbling its hands in running water. It was a wailing child this night, and a laughing one the next: now it nestled close to me, and now it ran from me; but whatever mood the apparition evinced, whatever aspect it wore, it failed not for seven successive nights to meet me the moment I entered the land of slumber. I did not like this iteration of one idea--this strange recurrence of one image, and I grew nervous as bedtime approached and the hour of the vision drew near. It was from companionship with this baby-phantom I had been roused on that moonlight night when I heard the cry; and it was on the afternoon of the day following I was summoned downstairs by a message that some one wanted me in Mrs. Fairfax's room. On repairing thither, I found a man waiting for me, having the appearance of a gentleman's servant: he was dressed in deep mourning, and the hat he held in his hand was surrounded with a crape band. "I daresay you hardly remember me, Miss," he said, rising as I entered; "but my name is Leaven: I lived coachman with Mrs. Reed when you were at Gateshead, eight or nine years since, and I live there still." "Oh, Robert! how do you do? I remember you very well: you used to give me a ride sometimes on Miss Georgiana's bay pony. And how is Bessie? You are married to Bessie?" "Yes, Miss: my wife is very hearty, thank you; she brought me another little one about two months since--we have three now--and both mother and child are thriving." "And are the family well at the house, Robert?" "I am sorry I can't give you better news of them, Miss: they are very badly at present--in great trouble." "I hope no one is dead," I said, glancing at his black dress. He too looked down at the crape round his hat and replied-- "Mr. John died yesterday was a week, at his chambers in London." "Mr. John?" "Yes." "And how does his mother bear it?" "Why, you see, Miss Eyre, it is not a common mishap: his life has been very wild: these last three years he gave himself up to strange ways, and his death was shocking." "I heard from Bessie he was not doing well." "Doing well! He could not do worse: he ruined his health and his estate amongst the worst men and the worst women. He got into debt and into jail: his mother helped him out twice, but as soon as he was free he returned to his old companions and habits. His head was not strong: the knaves he lived amongst fooled him beyond anything I ever heard. He came down to Gateshead about three weeks ago and wanted missis to give up all to him. Missis refused: her means have long been much reduced by his extravagance; so he went back again, and the next news was that he was dead. How he died, God knows!--they say he killed himself." I was silent: the things were frightful. Robert Leaven resumed-- "Missis had been out of health herself for some time: she had got very stout, but was not strong with it; and the loss of money and fear of poverty were quite breaking her down. The information about Mr. John's death and the manner of it came too suddenly: it brought on a stroke. She was three days without speaking; but last Tuesday she seemed rather better: she appeared as if she wanted to say something, and kept making signs to my wife and mumbling. It was only yesterday morning, however, that Bessie understood she was pronouncing your name; and at last she made out the words, 'Bring Jane--fetch Jane Eyre: I want to speak to her.' Bessie is not sure whether she is in her right mind, or means anything by the words; but she told Miss Reed and Miss Georgiana, and advised them to send for you. The young ladies put it off at first; but their mother grew so restless, and said, 'Jane, Jane,' so many times, that at last they consented. I left Gateshead yesterday: and if you can get ready, Miss, I should like to take you back with me early to-morrow morning." "Yes, Robert, I shall be ready: it seems to me that I ought to go." "I think so too, Miss. Bessie said she was sure you would not refuse: but I suppose you will have to ask leave before you can get off?" "Yes; and I will do it now;" and having directed him to the servants' hall, and recommended him to the care of John's wife, and the attentions of John himself, I went in search of Mr. Rochester. He was not in any of the lower rooms; he was not in the yard, the stables, or the grounds. I asked Mrs. Fairfax if she had seen him;--yes: she believed he was playing billiards with Miss Ingram. To the billiard- room I hastened: the click of balls and the hum of voices resounded thence; Mr. Rochester, Miss Ingram, the two Misses Eshton, and their admirers, were all busied in the game. It required some courage to disturb so interesting a party; my errand, however, was one I could not defer, so I approached the master where he stood at Miss Ingram's side. She turned as I drew near, and looked at me haughtily: her eyes seemed to demand, "What can the creeping creature want now?" and when I said, in a low voice, "Mr. Rochester," she made a movement as if tempted to order me away. I remember her appearance at the moment--it was very graceful and very striking: she wore a morning robe of sky-blue crape; a gauzy azure scarf was twisted in her hair. She had been all animation with the game, and irritated pride did not lower the expression of her haughty lineaments. "Does that person want you?" she inquired of Mr. Rochester; and Mr. Rochester turned to see who the "person" was. He made a curious grimace--one of his strange and equivocal demonstrations--threw down his cue and followed me from the room. "Well, Jane?" he said, as he rested his back against the schoolroom door, which he had shut. "If you please, sir, I want leave of absence for a week or two." "What to do?--where to go?" "To see a sick lady who has sent for me." "What sick lady?--where does she live?" "At Gateshead; in ---shire." "-shire? That is a hundred miles off! Who may she be that sends for people to see her that distance?" "Her name is Reed, sir--Mrs. Reed." "Reed of Gateshead? There was a Reed of Gateshead, a magistrate." "It is his widow, sir." "And what have you to do with her? How do you know her?" "Mr. Reed was my uncle--my mother's brother." "The deuce he was! You never told me that before: you always said you had no relations." "None that would own me, sir. Mr. Reed is dead, and his wife cast me off." "Why?" "Because I was poor, and burdensome, and she disliked me." "But Reed left children?--you must have cousins? Sir George Lynn was talking of a Reed of Gateshead yesterday, who, he said, was one of the veriest rascals on town; and Ingram was mentioning a Georgiana Reed of the same place, who was much admired for her beauty a season or two ago in London." "John Reed is dead, too, sir: he ruined himself and half-ruined his family, and is supposed to have committed suicide. The news so shocked his mother that it brought on an apoplectic attack." "And what good can you do her? Nonsense, Jane! I would never think of running a hundred miles to see an old lady who will, perhaps, be dead before you reach her: besides, you say she cast you off." "Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now." "How long will you stay?" "As short a time as possible, sir." "Promise me only to stay a week--" "I had better not pass my word: I might be obliged to break it." "At all events you _will_ come back: you will not be induced under any pretext to take up a permanent residence with her?" "Oh, no! I shall certainly return if all be well." "And who goes with you? You don't travel a hundred miles alone." "No, sir, she has sent her coachman." "A person to be trusted?" "Yes, sir, he has lived ten years in the family." Mr. Rochester meditated. "When do you wish to go?" "Early to-morrow morning, sir." "Well, you must have some money; you can't travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?" he asked, smiling. I drew out my purse; a meagre thing it was. "Five shillings, sir." He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: "Here," said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. "I don't want change; you know that. Take your wages." I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said-- "Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?" "Yes, sir, but now you owe me five." "Come back for it, then; I am your banker for forty pounds." "Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity." "Matter of business? I am curious to hear it." "You have as good as informed me, sir, that you are going shortly to be married?" "Yes; what then?" "In that case, sir, Adele ought to go to school: I am sure you will perceive the necessity of it." "To get her out of my bride's way, who might otherwise walk over her rather too emphatically? There's sense in the suggestion; not a doubt of it. Adele, as you say, must go to school; and you, of course, must march straight to--the devil?" "I hope not, sir; but I must seek another situation somewhere." "In course!" he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. "And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?" "No, sir; I am not on such terms with my relatives as would justify me in asking favours of them--but I shall advertise." "You shall walk up the pyramids of Egypt!" he growled. "At your peril you advertise! I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I've a use for it." "And so have I, sir," I returned, putting my hands and my purse behind me. "I could not spare the money on any account." "Little niggard!" said he, "refusing me a pecuniary request! Give me five pounds, Jane." "Not five shillings, sir; nor five pence." "Just let me look at the cash." "No, sir; you are not to be trusted." "Jane!" "Sir?" "Promise me one thing." "I'll promise you anything, sir, that I think I am likely to perform." "Not to advertise: and to trust this quest of a situation to me. I'll find you one in time." "I shall be glad so to do, sir, if you, in your turn, will promise that I and Adele shall be both safe out of the house before your bride enters it." "Very well! very well! I'll pledge my word on it. You go to-morrow, then?" "Yes, sir; early." "Shall you come down to the drawing-room after dinner?" "No, sir, I must prepare for the journey." "Then you and I must bid good-bye for a little while?" "I suppose so, sir." "And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it." "They say, Farewell, or any other form they prefer." "Then say it." "Farewell, Mr. Rochester, for the present." "What must I say?" "The same, if you like, sir." "Farewell, Miss Eyre, for the present; is that all?" "Yes?" "It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands, for instance; but no--that would not content me either. So you'll do no more than say Farewell, Jane?" "It is enough, sir: as much good-will may be conveyed in one hearty word as in many." "Very likely; but it is blank and cool--'Farewell.'" "How long is he going to stand with his back against that door?" I asked myself; "I want to commence my packing." The dinner-bell rang, and suddenly away he bolted, without another syllable: I saw him no more during the day, and was off before he had risen in the morning. I reached the lodge at Gateshead about five o'clock in the afternoon of the first of May: I stepped in there before going up to the hall. It was very clean and neat: the ornamental windows were hung with little white curtains; the floor was spotless; the grate and fire-irons were burnished bright, and the fire burnt clear. Bessie sat on the hearth, nursing her last-born, and Robert and his sister played quietly in a corner. "Bless you!--I knew you would come!" exclaimed Mrs. Leaven, as I entered. "Yes, Bessie," said I, after I had kissed her; "and I trust I am not too late. How is Mrs. Reed?--Alive still, I hope." "Yes, she is alive; and more sensible and collected than she was. The doctor says she may linger a week or two yet; but he hardly thinks she will finally recover." "Has she mentioned me lately?" "She was talking of you only this morning, and wishing you would come, but she is sleeping now, or was ten minutes ago, when I was up at the house. She generally lies in a kind of lethargy all the afternoon, and wakes up about six or seven. Will you rest yourself here an hour, Miss, and then I will go up with you?" Robert here entered, and Bessie laid her sleeping child in the cradle and went to welcome him: afterwards she insisted on my taking off my bonnet and having some tea; for she said I looked pale and tired. I was glad to accept her hospitality; and I submitted to be relieved of my travelling garb just as passively as I used to let her undress me when a child. Old times crowded fast back on me as I watched her bustling about--setting out the tea-tray with her best china, cutting bread and butter, toasting a tea-cake, and, between whiles, giving little Robert or Jane an occasional tap or push, just as she used to give me in former days. Bessie had retained her quick temper as well as her light foot and good looks. Tea ready, I was going to approach the table; but she desired me to sit still, quite in her old peremptory tones. I must be served at the fireside, she said; and she placed before me a little round stand with my cup and a plate of toast, absolutely as she used to accommodate me with some privately purloined dainty on a nursery chair: and I smiled and obeyed her as in bygone days. She wanted to know if I was happy at Thornfield Hall, and what sort of a person the mistress was; and when I told her there was only a master, whether he was a nice gentleman, and if I liked him. I told her he was rather an ugly man, but quite a gentleman; and that he treated me kindly, and I was content. Then I went on to describe to her the gay company that had lately been staying at the house; and to these details Bessie listened with interest: they were precisely of the kind she relished. In such conversation an hour was soon gone: Bessie restored to me my bonnet, &c., and, accompanied by her, I quitted the lodge for the hall. It was also accompanied by her that I had, nearly nine years ago, walked down the path I was now ascending. On a dark, misty, raw morning in January, I had left a hostile roof with a desperate and embittered heart--a sense of outlawry and almost of reprobation--to seek the chilly harbourage of Lowood: that bourne so far away and unexplored. The same hostile roof now again rose before me: my prospects were doubtful yet; and I had yet an aching heart. I still felt as a wanderer on the face of the earth; but I experienced firmer trust in myself and my own powers, and less withering dread of oppression. The gaping wound of my wrongs, too, was now quite healed; and the flame of resentment extinguished. "You shall go into the breakfast-room first," said Bessie, as she preceded me through the hall; "the young ladies will be there." In another moment I was within that apartment. There was every article of furniture looking just as it did on the morning I was first introduced to Mr. Brocklehurst: the very rug he had stood upon still covered the hearth. Glancing at the bookcases, I thought I could distinguish the two volumes of Bewick's British Birds occupying their old place on the third shelf, and Gulliver's Travels and the Arabian Nights ranged just above. The inanimate objects were not changed; but the living things had altered past recognition. Two young ladies appeared before me; one very tall, almost as tall as Miss Ingram--very thin too, with a sallow face and severe mien. There was something ascetic in her look, which was augmented by the extreme plainness of a straight-skirted, black, stuff dress, a starched linen collar, hair combed away from the temples, and the nun-like ornament of a string of ebony beads and a crucifix. This I felt sure was Eliza, though I could trace little resemblance to her former self in that elongated and colourless visage. The other was as certainly Georgiana: but not the Georgiana I remembered--the slim and fairy-like girl of eleven. This was a full-blown, very plump damsel, fair as waxwork, with handsome and regular features, languishing blue eyes, and ringleted yellow hair. The hue of her dress was black too; but its fashion was so different from her sister's--so much more flowing and becoming--it looked as stylish as the other's looked puritanical. In each of the sisters there was one trait of the mother--and only one; the thin and pallid elder daughter had her parent's Cairngorm eye: the blooming and luxuriant younger girl had her contour of jaw and chin--perhaps a little softened, but still imparting an indescribable hardness to the countenance otherwise so voluptuous and buxom. Both ladies, as I advanced, rose to welcome me, and both addressed me by the name of "Miss Eyre." Eliza's greeting was delivered in a short, abrupt voice, without a smile; and then she sat down again, fixed her eyes on the fire, and seemed to forget me. Georgiana added to her "How d'ye do?" several commonplaces about my journey, the weather, and so on, uttered in rather a drawling tone: and accompanied by sundry side-glances that measured me from head to foot--now traversing the folds of my drab merino pelisse, and now lingering on the plain trimming of my cottage bonnet. Young ladies have a remarkable way of letting you know that they think you a "quiz" without actually saying the words. A certain superciliousness of look, coolness of manner, nonchalance of tone, express fully their sentiments on the point, without committing them by any positive rudeness in word or deed. A sneer, however, whether covert or open, had now no longer that power over me it once possessed: as I sat between my cousins, I was surprised to find how easy I felt under the total neglect of the one and the semi- sarcastic attentions of the other--Eliza did not mortify, nor Georgiana ruffle me. The fact was, I had other things to think about; within the last few months feelings had been stirred in me so much more potent than any they could raise--pains and pleasures so much more acute and exquisite had been excited than any it was in their power to inflict or bestow--that their airs gave me no concern either for good or bad. "How is Mrs. Reed?" I asked soon, looking calmly at Georgiana, who thought fit to bridle at the direct address, as if it were an unexpected liberty. "Mrs. Reed? Ah! mama, you mean; she is extremely poorly: I doubt if you can see her to-night." "If," said I, "you would just step upstairs and tell her I am come, I should be much obliged to you." Georgiana almost started, and she opened her blue eyes wild and wide. "I know she had a particular wish to see me," I added, "and I would not defer attending to her desire longer than is absolutely necessary." "Mama dislikes being disturbed in an evening," remarked Eliza. I soon rose, quietly took off my bonnet and gloves, uninvited, and said I would just step out to Bessie--who was, I dared say, in the kitchen--and ask her to ascertain whether Mrs. Reed was disposed to receive me or not to- night. I went, and having found Bessie and despatched her on my errand, I proceeded to take further measures. It had heretofore been my habit always to shrink from arrogance: received as I had been to-day, I should, a year ago, have resolved to quit Gateshead the very next morning; now, it was disclosed to me all at once that that would be a foolish plan. I had taken a journey of a hundred miles to see my aunt, and I must stay with her till she was better--or dead: as to her daughters' pride or folly, I must put it on one side, make myself independent of it. So I addressed the housekeeper; asked her to show me a room, told her I should probably be a visitor here for a week or two, had my trunk conveyed to my chamber, and followed it thither myself: I met Bessie on the landing. "Missis is awake," said she; "I have told her you are here: come and let us see if she will know you." I did not need to be guided to the well-known room, to which I had so often been summoned for chastisement or reprimand in former days. I hastened before Bessie; I softly opened the door: a shaded light stood on the table, for it was now getting dark. There was the great four-post bed with amber hangings as of old; there the toilet-table, the armchair, and the footstool, at which I had a hundred times been sentenced to kneel, to ask pardon for offences by me uncommitted. I looked into a certain corner near, half-expecting to see the slim outline of a once dreaded switch which used to lurk there, waiting to leap out imp-like and lace my quivering palm or shrinking neck. I approached the bed; I opened the curtains and leant over the high-piled pillows. Well did I remember Mrs. Reed's face, and I eagerly sought the familiar image. It is a happy thing that time quells the longings of vengeance and hushes the promptings of rage and aversion. I had left this woman in bitterness and hate, and I came back to her now with no other emotion than a sort of ruth for her great sufferings, and a strong yearning to forget and forgive all injuries--to be reconciled and clasp hands in amity. The well-known face was there: stern, relentless as ever--there was that peculiar eye which nothing could melt, and the somewhat raised, imperious, despotic eyebrow. How often had it lowered on me menace and hate! and how the recollection of childhood's terrors and sorrows revived as I traced its harsh line now! And yet I stooped down and kissed her: she looked at me. "Is this Jane Eyre?" she said. "Yes, Aunt Reed. How are you, dear aunt?" I had once vowed that I would never call her aunt again: I thought it no sin to forget and break that vow now. My fingers had fastened on her hand which lay outside the sheet: had she pressed mine kindly, I should at that moment have experienced true pleasure. But unimpressionable natures are not so soon softened, nor are natural antipathies so readily eradicated. Mrs. Reed took her hand away, and, turning her face rather from me, she remarked that the night was warm. Again she regarded me so icily, I felt at once that her opinion of me--her feeling towards me--was unchanged and unchangeable. I knew by her stony eye--opaque to tenderness, indissoluble to tears--that she was resolved to consider me bad to the last; because to believe me good would give her no generous pleasure: only a sense of mortification. I felt pain, and then I felt ire; and then I felt a determination to subdue her--to be her mistress in spite both of her nature and her will. My tears had risen, just as in childhood: I ordered them back to their source. I brought a chair to the bed-head: I sat down and leaned over the pillow. "You sent for me," I said, "and I am here; and it is my intention to stay till I see how you get on." "Oh, of course! You have seen my daughters?" "Yes." "Well, you may tell them I wish you to stay till I can talk some things over with you I have on my mind: to-night it is too late, and I have a difficulty in recalling them. But there was something I wished to say--let me see--" The wandering look and changed utterance told what wreck had taken place in her once vigorous frame. Turning restlessly, she drew the bedclothes round her; my elbow, resting on a corner of the quilt, fixed it down: she was at once irritated. "Sit up!" said she; "don't annoy me with holding the clothes fast. Are you Jane Eyre?" "I am Jane Eyre." "I have had more trouble with that child than any one would believe. Such a burden to be left on my hands--and so much annoyance as she caused me, daily and hourly, with her incomprehensible disposition, and her sudden starts of temper, and her continual, unnatural watchings of one's movements! I declare she talked to me once like something mad, or like a fiend--no child ever spoke or looked as she did; I was glad to get her away from the house. What did they do with her at Lowood? The fever broke out there, and many of the pupils died. She, however, did not die: but I said she did--I wish she had died!" "A strange wish, Mrs. Reed; why do you hate her so?" "I had a dislike to her mother always; for she was my husband's only sister, and a great favourite with him: he opposed the family's disowning her when she made her low marriage; and when news came of her death, he wept like a simpleton. He would send for the baby; though I entreated him rather to put it out to nurse and pay for its maintenance. I hated it the first time I set my eyes on it--a sickly, whining, pining thing! It would wail in its cradle all night long--not screaming heartily like any other child, but whimpering and moaning. Reed pitied it; and he used to nurse it and notice it as if it had been his own: more, indeed, than he ever noticed his own at that age. He would try to make my children friendly to the little beggar: the darlings could not bear it, and he was angry with them when they showed their dislike. In his last illness, he had it brought continually to his bedside; and but an hour before he died, he bound me by vow to keep the creature. I would as soon have been charged with a pauper brat out of a workhouse: but he was weak, naturally weak. John does not at all resemble his father, and I am glad of it: John is like me and like my brothers--he is quite a Gibson. Oh, I wish he would cease tormenting me with letters for money? I have no more money to give him: we are getting poor. I must send away half the servants and shut up part of the house; or let it off. I can never submit to do that--yet how are we to get on? Two-thirds of my income goes in paying the interest of mortgages. John gambles dreadfully, and always loses--poor boy! He is beset by sharpers: John is sunk and degraded--his look is frightful--I feel ashamed for him when I see him." She was getting much excited. "I think I had better leave her now," said I to Bessie, who stood on the other side of the bed. "Perhaps you had, Miss: but she often talks in this way towards night--in the morning she is calmer." I rose. "Stop!" exclaimed Mrs. Reed, "there is another thing I wished to say. He threatens me--he continually threatens me with his own death, or mine: and I dream sometimes that I see him laid out with a great wound in his throat, or with a swollen and blackened face. I am come to a strange pass: I have heavy troubles. What is to be done? How is the money to be had?" Bessie now endeavoured to persuade her to take a sedative draught: she succeeded with difficulty. Soon after, Mrs. Reed grew more composed, and sank into a dozing state. I then left her. More than ten days elapsed before I had again any conversation with her. She continued either delirious or lethargic; and the doctor forbade everything which could painfully excite her. Meantime, I got on as well as I could with Georgiana and Eliza. They were very cold, indeed, at first. Eliza would sit half the day sewing, reading, or writing, and scarcely utter a word either to me or her sister. Georgiana would chatter nonsense to her canary bird by the hour, and take no notice of me. But I was determined not to seem at a loss for occupation or amusement: I had brought my drawing materials with me, and they served me for both. Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes, representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rocks; the rising moon, and a ship crossing its disk; a group of reeds and water-flags, and a naiad's head, crowned with lotus- flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn-bloom. One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. "Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that "an ugly man." They both seemed surprised at my skill. I offered to sketch their portraits; and each, in turn, sat for a pencil outline. Then Georgiana produced her album. I promised to contribute a water-colour drawing: this put her at once into good humour. She proposed a walk in the grounds. Before we had been out two hours, we were deep in a confidential conversation: she had favoured me with a description of the brilliant winter she had spent in London two seasons ago--of the admiration she had there excited--the attention she had received; and I even got hints of the titled conquest she had made. In the course of the afternoon and evening these hints were enlarged on: various soft conversations were reported, and sentimental scenes represented; and, in short, a volume of a novel of fashionable life was that day improvised by her for my benefit. The communications were renewed from day to day: they always ran on the same theme--herself, her loves, and woes. It was strange she never once adverted either to her mother's illness, or her brother's death, or the present gloomy state of the family prospects. Her mind seemed wholly taken up with reminiscences of past gaiety, and aspirations after dissipations to come. She passed about five minutes each day in her mother's sick-room, and no more. Eliza still spoke little: she had evidently no time to talk. I never saw a busier person than she seemed to be; yet it was difficult to say what she did: or rather, to discover any result of her diligence. She had an alarm to call her up early. I know not how she occupied herself before breakfast, but after that meal she divided her time into regular portions, and each hour had its allotted task. Three times a day she studied a little book, which I found, on inspection, was a Common Prayer Book. I asked her once what was the great attraction of that volume, and she said, "the Rubric." Three hours she gave to stitching, with gold thread, the border of a square crimson cloth, almost large enough for a carpet. In answer to my inquiries after the use of this article, she informed me it was a covering for the altar of a new church lately erected near Gateshead. Two hours she devoted to her diary; two to working by herself in the kitchen-garden; and one to the regulation of her accounts. She seemed to want no company; no conversation. I believe she was happy in her way: this routine sufficed for her; and nothing annoyed her so much as the occurrence of any incident which forced her to vary its clockwork regularity. She told me one evening, when more disposed to be communicative than usual, that John's conduct, and the threatened ruin of the family, had been a source of profound affliction to her: but she had now, she said, settled her mind, and formed her resolution. Her own fortune she had taken care to secure; and when her mother died--and it was wholly improbable, she tranquilly remarked, that she should either recover or linger long--she would execute a long-cherished project: seek a retirement where punctual habits would be permanently secured from disturbance, and place safe barriers between herself and a frivolous world. I asked if Georgiana would accompany her. "Of course not. Georgiana and she had nothing in common: they never had had. She would not be burdened with her society for any consideration. Georgiana should take her own course; and she, Eliza, would take hers." Georgiana, when not unburdening her heart to me, spent most of her time in lying on the sofa, fretting about the dulness of the house, and wishing over and over again that her aunt Gibson would send her an invitation up to town. "It would be so much better," she said, "if she could only get out of the way for a month or two, till all was over." I did not ask what she meant by "all being over," but I suppose she referred to the expected decease of her mother and the gloomy sequel of funeral rites. Eliza generally took no more notice of her sister's indolence and complaints than if no such murmuring, lounging object had been before her. One day, however, as she put away her account-book and unfolded her embroidery, she suddenly took her up thus-- "Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person's strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered--you must have music, dancing, and society--or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes--include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it--go on as heretofore, craving, whining, and idling--and suffer the results of your idiocy, however bad and insuperable they may be. I tell you this plainly; and listen: for though I shall no more repeat what I am now about to say, I shall steadily act on it. After my mother's death, I wash my hands of you: from the day her coffin is carried to the vault in Gateshead Church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim: I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new." She closed her lips. "You might have spared yourself the trouble of delivering that tirade," answered Georgiana. "Everybody knows you are the most selfish, heartless creature in existence: and _I_ know your spiteful hatred towards me: I have had a specimen of it before in the trick you played me about Lord Edwin Vere: you could not bear me to be raised above you, to have a title, to be received into circles where you dare not show your face, and so you acted the spy and informer, and ruined my prospects for ever." Georgiana took out her handkerchief and blew her nose for an hour afterwards; Eliza sat cold, impassable, and assiduously industrious. True, generous feeling is made small account of by some, but here were two natures rendered, the one intolerably acrid, the other despicably savourless for the want of it. Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition. It was a wet and windy afternoon: Georgiana had fallen asleep on the sofa over the perusal of a novel; Eliza was gone to attend a saint's-day service at the new church--for in matters of religion she was a rigid formalist: no weather ever prevented the punctual discharge of what she considered her devotional duties; fair or foul, she went to church thrice every Sunday, and as often on week-days as there were prayers. I bethought myself to go upstairs and see how the dying woman sped, who lay there almost unheeded: the very servants paid her but a remittent attention: the hired nurse, being little looked after, would slip out of the room whenever she could. Bessie was faithful; but she had her own family to mind, and could only come occasionally to the hall. I found the sick-room unwatched, as I had expected: no nurse was there; the patient lay still, and seemingly lethargic; her livid face sunk in the pillows: the fire was dying in the grate. I renewed the fuel, re-arranged the bedclothes, gazed awhile on her who could not now gaze on me, and then I moved away to the window. The rain beat strongly against the panes, the wind blew tempestuously: "One lies there," I thought, "who will soon be beyond the war of earthly elements. Whither will that spirit--now struggling to quit its material tenement--flit when at length released?" In pondering the great mystery, I thought of Helen Burns, recalled her dying words--her faith--her doctrine of the equality of disembodied souls. I was still listening in thought to her well-remembered tones--still picturing her pale and spiritual aspect, her wasted face and sublime gaze, as she lay on her placid deathbed, and whispered her longing to be restored to her divine Father's bosom--when a feeble voice murmured from the couch behind: "Who is that?" I knew Mrs. Reed had not spoken for days: was she reviving? I went up to her. "It is I, Aunt Reed." "Who--I?" was her answer. "Who are you?" looking at me with surprise and a sort of alarm, but still not wildly. "You are quite a stranger to me--where is Bessie?" "She is at the lodge, aunt." "Aunt," she repeated. "Who calls me aunt? You are not one of the Gibsons; and yet I know you--that face, and the eyes and forehead, are quiet familiar to me: you are like--why, you are like Jane Eyre!" I said nothing: I was afraid of occasioning some shock by declaring my identity. "Yet," said she, "I am afraid it is a mistake: my thoughts deceive me. I wished to see Jane Eyre, and I fancy a likeness where none exists: besides, in eight years she must be so changed." I now gently assured her that I was the person she supposed and desired me to be: and seeing that I was understood, and that her senses were quite collected, I explained how Bessie had sent her husband to fetch me from Thornfield. "I am very ill, I know," she said ere long. "I was trying to turn myself a few minutes since, and find I cannot move a limb. It is as well I should ease my mind before I die: what we think little of in health, burdens us at such an hour as the present is to me. Is the nurse here? or is there no one in the room but you?" I assured her we were alone. "Well, I have twice done you a wrong which I regret now. One was in breaking the promise which I gave my husband to bring you up as my own child; the other--" she stopped. "After all, it is of no great importance, perhaps," she murmured to herself: "and then I may get better; and to humble myself so to her is painful." She made an effort to alter her position, but failed: her face changed; she seemed to experience some inward sensation--the precursor, perhaps, of the last pang. "Well, I must get it over. Eternity is before me: I had better tell her.--Go to my dressing-case, open it, and take out a letter you will see there." I obeyed her directions. "Read the letter," she said. It was short, and thus conceived:-- "Madam,--Will you have the goodness to send me the address of my niece, Jane Eyre, and to tell me how she is? It is my intention to write shortly and desire her to come to me at Madeira. Providence has blessed my endeavours to secure a competency; and as I am unmarried and childless, I wish to adopt her during my life, and bequeath her at my death whatever I may have to leave.--I am, Madam, &c., &c., "JOHN EYRE, Madeira." It was dated three years back. "Why did I never hear of this?" I asked. "Because I disliked you too fixedly and thoroughly ever to lend a hand in lifting you to prosperity. I could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice.--Bring me some water! Oh, make haste!" "Dear Mrs. Reed," said I, as I offered her the draught she required, "think no more of all this, let it pass away from your mind. Forgive me for my passionate language: I was a child then; eight, nine years have passed since that day." She heeded nothing of what I said; but when she had tasted the water and drawn breath, she went on thus-- "I tell you I could not forget it; and I took my revenge: for you to be adopted by your uncle, and placed in a state of ease and comfort, was what I could not endure. I wrote to him; I said I was sorry for his disappointment, but Jane Eyre was dead: she had died of typhus fever at Lowood. Now act as you please: write and contradict my assertion--expose my falsehood as soon as you like. You were born, I think, to be my torment: my last hour is racked by the recollection of a deed which, but for you, I should never have been tempted to commit." "If you could but be persuaded to think no more of it, aunt, and to regard me with kindness and forgiveness" "You have a very bad disposition," said she, "and one to this day I feel it impossible to understand: how for nine years you could be patient and quiescent under any treatment, and in the tenth break out all fire and violence, I can never comprehend." "My disposition is not so bad as you think: I am passionate, but not vindictive. Many a time, as a little child, I should have been glad to love you if you would have let me; and I long earnestly to be reconciled to you now: kiss me, aunt." I approached my cheek to her lips: she would not touch it. She said I oppressed her by leaning over the bed, and again demanded water. As I laid her down--for I raised her and supported her on my arm while she drank--I covered her ice-cold and clammy hand with mine: the feeble fingers shrank from my touch--the glazing eyes shunned my gaze. "Love me, then, or hate me, as you will," I said at last, "you have my full and free forgiveness: ask now for God's, and be at peace." Poor, suffering woman! it was too late for her to make now the effort to change her habitual frame of mind: living, she had ever hated me--dying, she must hate me still. The nurse now entered, and Bessie followed. I yet lingered half-an-hour longer, hoping to see some sign of amity: but she gave none. She was fast relapsing into stupor; nor did her mind again rally: at twelve o'clock that night she died. I was not present to close her eyes, nor were either of her daughters. They came to tell us the next morning that all was over. She was by that time laid out. Eliza and I went to look at her: Georgiana, who had burst out into loud weeping, said she dared not go. There was stretched Sarah Reed's once robust and active frame, rigid and still: her eye of flint was covered with its cold lid; her brow and strong traits wore yet the impress of her inexorable soul. A strange and solemn object was that corpse to me. I gazed on it with gloom and pain: nothing soft, nothing sweet, nothing pitying, or hopeful, or subduing did it inspire; only a grating anguish for _her_ woes--not _my_ loss--and a sombre tearless dismay at the fearfulness of death in such a form. Eliza surveyed her parent calmly. After a silence of some minutes she observed-- "With her constitution she should have lived to a good old age: her life was shortened by trouble." And then a spasm constricted her mouth for an instant: as it passed away she turned and left the room, and so did I. Neither of us had dropt a tear.

Chapter 21

A growing sense of unease takes hold of Jane and she only sleeps fitfully. She has a recurring dream concerning a babe in arms, and she takes this as an ill omen. She then receives news that her cousin John Reed, the child that bullied her, has died and suicide is suspected. Her aunt Sarah Reed has suffered a stroke and wishes to see Jane. Jane asks for leave of absence and Rochester is surprised that Jane has relatives. She explains that she has never spoken of them before as they had cast her aside. Jane makes the long journey to be at Sarah Reed's bedside, and she receives a cool reception when she eventually arrives. Not surprisingly, the only person who is pleased to see her is Bessie, who is now married and is nursing her third child. Jane is now far removed from the unhappy child that left Gateshead Hall, as she arrives as a confident young woman. Jane notices immediately that Sarah Reed's two daughters have little time for their mother. Georgiana has left the gaiety of London to return to be with her mother, and is already bored. Eliza spends her time in religious study. Mrs. Reed has summoned Jane as she wishes to unburden herself before she dies. She reveals that she has broken her promise to her late husband by not bringing Jane up as one of her own, and she has also lied to Jane's uncle John Eyre saying that Jane had died at Lowood. She gives Jane John Eyre's letter written three years earlier, asking for Jane's address, because he wants to adopt her and make her his heir. Jane offers the hand of forgiveness, but the bitter dying woman rejects this. Soon after, she dies alone.

Interpretation From the description given of the life in Gateshead Hall, it is not surprising to the reader the way in which Sarah Reed's children have turned out. The spoilt son continued his outrageous undisciplined behavior, running up huge gambling debts, which have brought poverty to the whole family. The two daughters have not been brought up to be well-molded individuals - one daughter can only think of marrying a rich husband and thinks London is the place to achieve this goal, and the other daughter immerses herself in a strict religious routine. Despite the hostility that Jane receives, she is pleased to know that she has an apparently caring relative in John Eyre. The actual letter is contained in this chapter, and it makes quite sad reading, and the reader hopes that perhaps Jane may be able to enjoy some family life with this relative if matters don't work out at Thornfield. Bront' is quite clear that the reader should have no sympathy at all for Mrs. Reed. She is receiving, in Bront''s view, her just deserts for failing to keep her promise to her late husband, and spoiling her three children to the detriment of the book's heroine, Jane.

bookwolf

all_chapterized_books/1260-chapters/23.txt

finished_summaries/bookwolf/Jane Eyre/section_12_part_0.txt

Jane Eyre.volume 2.chapter 22

chapter 22

{"name": "Chapter 22", "summary": "It has been a month since Jane left Thornfield, and on her return to Millcote, she decides to walk the remaining distance to Thornfield. In a letter she had received from Mrs. Fairfax, she learns that the house party has ended and that Mr. Rochester had gone to London to purchase a carriage. Rumors abound concerning his expected marriage to Blanche Ingram. As she walks towards Thornfield she comes across Mr. Rochester sitting on a narrow stone stile. He gives her a warm welcome and she really feels that she is coming home. He says to her, \"You must see the carriage, Jane and tell me if you think it will suit Mrs. Rochester exactly; '' Tell me now, fairy as you are - can't you give me a charm, or a philtre, to make me a handsome man?\" Jane responds, \"It would be past the power of magic, sir; and in thought I added a loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty.\" She goes on to say how thankful she is for Mr. Rochester's kindness, and how glad she is to see him again. She regards her home to be wherever he is. When they arrive at Thornfield, Jane's homecoming is completed with Ad'le's excitement, and Mrs. Fairfax, Sophie and the other servants giving her a genuine feeling of well-being. Jane notes there is no talk about the wedding, and so far as she is aware, Rochester makes no trips to Ingram Park.", "analysis": "Interpretation Our heroine has apparently obtained security in her life at Thornfield. She enjoys the respect of the servants, the love of a child Ad'le, and support from Rochester, the man she loves, and he clearly is fond of her. She wishes for no change in this arrangement. She is happy to be near Rochester and have this platonic relationship with him. She wishes this time would carry on forever without change. However, the reader knows that change is afoot. Will Rochester marry Blanche, which would mean Ad'le leaving Thornfield and Jane's services would not be required? Will she find happiness with her uncle in Madeira? The whole situation is in flux, and the future is unclear. Bront' uses symbolism through Jane's dreams, and you will have noted previously the reference to a baby or infant. This represents Jane's hopes of security and happiness. This theme will be repeated again."}

Mr. Rochester had given me but one week's leave of absence: yet a month elapsed before I quitted Gateshead. I wished to leave immediately after the funeral, but Georgiana entreated me to stay till she could get off to London, whither she was now at last invited by her uncle, Mr. Gibson, who had come down to direct his sister's interment and settle the family affairs. Georgiana said she dreaded being left alone with Eliza; from her she got neither sympathy in her dejection, support in her fears, nor aid in her preparations; so I bore with her feeble-minded wailings and selfish lamentations as well as I could, and did my best in sewing for her and packing her dresses. It is true, that while I worked, she would idle; and I thought to myself, "If you and I were destined to live always together, cousin, we would commence matters on a different footing. I should not settle tamely down into being the forbearing party; I should assign you your share of labour, and compel you to accomplish it, or else it should be left undone: I should insist, also, on your keeping some of those drawling, half-insincere complaints hushed in your own breast. It is only because our connection happens to be very transitory, and comes at a peculiarly mournful season, that I consent thus to render it so patient and compliant on my part." At last I saw Georgiana off; but now it was Eliza's turn to request me to stay another week. Her plans required all her time and attention, she said; she was about to depart for some unknown bourne; and all day long she stayed in her own room, her door bolted within, filling trunks, emptying drawers, burning papers, and holding no communication with any one. She wished me to look after the house, to see callers, and answer notes of condolence. One morning she told me I was at liberty. "And," she added, "I am obliged to you for your valuable services and discreet conduct! There is some difference between living with such an one as you and with Georgiana: you perform your own part in life and burden no one. To-morrow," she continued, "I set out for the Continent. I shall take up my abode in a religious house near Lisle--a nunnery you would call it; there I shall be quiet and unmolested. I shall devote myself for a time to the examination of the Roman Catholic dogmas, and to a careful study of the workings of their system: if I find it to be, as I half suspect it is, the one best calculated to ensure the doing of all things decently and in order, I shall embrace the tenets of Rome and probably take the veil." I neither expressed surprise at this resolution nor attempted to dissuade her from it. "The vocation will fit you to a hair," I thought: "much good may it do you!" When we parted, she said: "Good-bye, cousin Jane Eyre; I wish you well: you have some sense." I then returned: "You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent. However, it is not my business, and so it suits you, I don't much care." "You are in the right," said she; and with these words we each went our separate way. As I shall not have occasion to refer either to her or her sister again, I may as well mention here, that Georgiana made an advantageous match with a wealthy worn-out man of fashion, and that Eliza actually took the veil, and is at this day superior of the convent where she passed the period of her novitiate, and which she endowed with her fortune. How people feel when they are returning home from an absence, long or short, I did not know: I had never experienced the sensation. I had known what it was to come back to Gateshead when a child after a long walk, to be scolded for looking cold or gloomy; and later, what it was to come back from church to Lowood, to long for a plenteous meal and a good fire, and to be unable to get either. Neither of these returnings was very pleasant or desirable: no magnet drew me to a given point, increasing in its strength of attraction the nearer I came. The return to Thornfield was yet to be tried. My journey seemed tedious--very tedious: fifty miles one day, a night spent at an inn; fifty miles the next day. During the first twelve hours I thought of Mrs. Reed in her last moments; I saw her disfigured and discoloured face, and heard her strangely altered voice. I mused on the funeral day, the coffin, the hearse, the black train of tenants and servants--few was the number of relatives--the gaping vault, the silent church, the solemn service. Then I thought of Eliza and Georgiana; I beheld one the cynosure of a ball-room, the other the inmate of a convent cell; and I dwelt on and analysed their separate peculiarities of person and character. The evening arrival at the great town of--scattered these thoughts; night gave them quite another turn: laid down on my traveller's bed, I left reminiscence for anticipation. I was going back to Thornfield: but how long was I to stay there? Not long; of that I was sure. I had heard from Mrs. Fairfax in the interim of my absence: the party at the hall was dispersed; Mr. Rochester had left for London three weeks ago, but he was then expected to return in a fortnight. Mrs. Fairfax surmised that he was gone to make arrangements for his wedding, as he had talked of purchasing a new carriage: she said the idea of his marrying Miss Ingram still seemed strange to her; but from what everybody said, and from what she had herself seen, she could no longer doubt that the event would shortly take place. "You would be strangely incredulous if you did doubt it," was my mental comment. "I don't doubt it." The question followed, "Where was I to go?" I dreamt of Miss Ingram all the night: in a vivid morning dream I saw her closing the gates of Thornfield against me and pointing me out another road; and Mr. Rochester looked on with his arms folded--smiling sardonically, as it seemed, at both her and me. I had not notified to Mrs. Fairfax the exact day of my return; for I did not wish either car or carriage to meet me at Millcote. I proposed to walk the distance quietly by myself; and very quietly, after leaving my box in the ostler's care, did I slip away from the George Inn, about six o'clock of a June evening, and take the old road to Thornfield: a road which lay chiefly through fields, and was now little frequented. It was not a bright or splendid summer evening, though fair and soft: the haymakers were at work all along the road; and the sky, though far from cloudless, was such as promised well for the future: its blue--where blue was visible--was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it--it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness. I felt glad as the road shortened before me: so glad that I stopped once to ask myself what that joy meant: and to remind reason that it was not to my home I was going, or to a permanent resting-place, or to a place where fond friends looked out for me and waited my arrival. "Mrs. Fairfax will smile you a calm welcome, to be sure," said I; "and little Adele will clap her hands and jump to see you: but you know very well you are thinking of another than they, and that he is not thinking of you." But what is so headstrong as youth? What so blind as inexperience? These affirmed that it was pleasure enough to have the privilege of again looking on Mr. Rochester, whether he looked on me or not; and they added--"Hasten! hasten! be with him while you may: but a few more days or weeks, at most, and you are parted from him for ever!" And then I strangled a new-born agony--a deformed thing which I could not persuade myself to own and rear--and ran on. They are making hay, too, in Thornfield meadows: or rather, the labourers are just quitting their work, and returning home with their rakes on their shoulders, now, at the hour I arrive. I have but a field or two to traverse, and then I shall cross the road and reach the gates. How full the hedges are of roses! But I have no time to gather any; I want to be at the house. I passed a tall briar, shooting leafy and flowery branches across the path; I see the narrow stile with stone steps; and I see--Mr. Rochester sitting there, a book and a pencil in his hand; he is writing. Well, he is not a ghost; yet every nerve I have is unstrung: for a moment I am beyond my own mastery. What does it mean? I did not think I should tremble in this way when I saw him, or lose my voice or the power of motion in his presence. I will go back as soon as I can stir: I need not make an absolute fool of myself. I know another way to the house. It does not signify if I knew twenty ways; for he has seen me. "Hillo!" he cries; and he puts up his book and his pencil. "There you are! Come on, if you please." I suppose I do come on; though in what fashion I know not; being scarcely cognisant of my movements, and solicitous only to appear calm; and, above all, to control the working muscles of my face--which I feel rebel insolently against my will, and struggle to express what I had resolved to conceal. But I have a veil--it is down: I may make shift yet to behave with decent composure. "And this is Jane Eyre? Are you coming from Millcote, and on foot? Yes--just one of your tricks: not to send for a carriage, and come clattering over street and road like a common mortal, but to steal into the vicinage of your home along with twilight, just as if you were a dream or a shade. What the deuce have you done with yourself this last month?" "I have been with my aunt, sir, who is dead." "A true Janian reply! Good angels be my guard! She comes from the other world--from the abode of people who are dead; and tells me so when she meets me alone here in the gloaming! If I dared, I'd touch you, to see if you are substance or shadow, you elf!--but I'd as soon offer to take hold of a blue _ignis fatuus_ light in a marsh. Truant! truant!" he added, when he had paused an instant. "Absent from me a whole month, and forgetting me quite, I'll be sworn!" I knew there would be pleasure in meeting my master again, even though broken by the fear that he was so soon to cease to be my master, and by the knowledge that I was nothing to him: but there was ever in Mr. Rochester (so at least I thought) such a wealth of the power of communicating happiness, that to taste but of the crumbs he scattered to stray and stranger birds like me, was to feast genially. His last words were balm: they seemed to imply that it imported something to him whether I forgot him or not. And he had spoken of Thornfield as my home--would that it were my home! He did not leave the stile, and I hardly liked to ask to go by. I inquired soon if he had not been to London. "Yes; I suppose you found that out by second-sight." "Mrs. Fairfax told me in a letter." "And did she inform you what I went to do?" "Oh, yes, sir! Everybody knew your errand." "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly; and whether she won't look like Queen Boadicea, leaning back against those purple cushions. I wish, Jane, I were a trifle better adapted to match with her externally. Tell me now, fairy as you are--can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feeling--he shed it over me now. "Pass, Janet," said he, making room for me to cross the stile: "go up home, and stay your weary little wandering feet at a friend's threshold." All I had now to do was to obey him in silence: no need for me to colloquise further. I got over the stile without a word, and meant to leave him calmly. An impulse held me fast--a force turned me round. I said--or something in me said for me, and in spite of me-- "Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home--my only home." I walked on so fast that even he could hardly have overtaken me had he tried. Little Adele was half wild with delight when she saw me. Mrs. Fairfax received me with her usual plain friendliness. Leah smiled, and even Sophie bid me "bon soir" with glee. This was very pleasant; there is no happiness like that of being loved by your fellow-creatures, and feeling that your presence is an addition to their comfort. I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adele, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable--when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adele was "prete a croquer sa petite maman Anglaise"--I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence. A fortnight of dubious calm succeeded my return to Thornfield Hall. Nothing was said of the master's marriage, and I saw no preparation going on for such an event. Almost every day I asked Mrs. Fairfax if she had yet heard anything decided: her answer was always in the negative. Once she said she had actually put the question to Mr. Rochester as to when he was going to bring his bride home; but he had answered her only by a joke and one of his queer looks, and she could not tell what to make of him. One thing specially surprised me, and that was, there were no journeyings backward and forward, no visits to Ingram Park: to be sure it was twenty miles off, on the borders of another county; but what was that distance to an ardent lover? To so practised and indefatigable a horseman as Mr. Rochester, it would be but a morning's ride. I began to cherish hopes I had no right to conceive: that the match was broken off; that rumour had been mistaken; that one or both parties had changed their minds. I used to look at my master's face to see if it were sad or fierce; but I could not remember the time when it had been so uniformly clear of clouds or evil feelings. If, in the moments I and my pupil spent with him, I lacked spirits and sank into inevitable dejection, he became even gay. Never had he called me more frequently to his presence; never been kinder to me when there--and, alas! never had I loved him so well.

Chapter 22

It has been a month since Jane left Thornfield, and on her return to Millcote, she decides to walk the remaining distance to Thornfield. In a letter she had received from Mrs. Fairfax, she learns that the house party has ended and that Mr. Rochester had gone to London to purchase a carriage. Rumors abound concerning his expected marriage to Blanche Ingram. As she walks towards Thornfield she comes across Mr. Rochester sitting on a narrow stone stile. He gives her a warm welcome and she really feels that she is coming home. He says to her, "You must see the carriage, Jane and tell me if you think it will suit Mrs. Rochester exactly; '' Tell me now, fairy as you are - can't you give me a charm, or a philtre, to make me a handsome man?" Jane responds, "It would be past the power of magic, sir; and in thought I added a loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." She goes on to say how thankful she is for Mr. Rochester's kindness, and how glad she is to see him again. She regards her home to be wherever he is. When they arrive at Thornfield, Jane's homecoming is completed with Ad'le's excitement, and Mrs. Fairfax, Sophie and the other servants giving her a genuine feeling of well-being. Jane notes there is no talk about the wedding, and so far as she is aware, Rochester makes no trips to Ingram Park.

Interpretation Our heroine has apparently obtained security in her life at Thornfield. She enjoys the respect of the servants, the love of a child Ad'le, and support from Rochester, the man she loves, and he clearly is fond of her. She wishes for no change in this arrangement. She is happy to be near Rochester and have this platonic relationship with him. She wishes this time would carry on forever without change. However, the reader knows that change is afoot. Will Rochester marry Blanche, which would mean Ad'le leaving Thornfield and Jane's services would not be required? Will she find happiness with her uncle in Madeira? The whole situation is in flux, and the future is unclear. Bront' uses symbolism through Jane's dreams, and you will have noted previously the reference to a baby or infant. This represents Jane's hopes of security and happiness. This theme will be repeated again.

bookwolf

all_chapterized_books/1260-chapters/27.txt

finished_summaries/bookwolf/Jane Eyre/section_15_part_0.txt

Jane Eyre.volume 3.chapter 26

chapter 26

{"name": "Chapter 26", "summary": "Jane looks at herself in the mirror, dressed, and ready for her marriage to Rochester. When Rochester sees her he says, Fair as a lily, and not only the pride of his life, but the desire of his eyes.\" They walk hand-in-hand to the church, and the Minister asks if anyone knows of any impediment to their marriage. Mr. Briggs, a London Attorney, insists that Rochester married Bertha Antoinetta Mason in Jamaica fifteen years ago. Rochester says that there is no proof that his wife is still alive, when Richard Mason enters and declares that he saw Bertha in April. Rochester commands that the wedding party follow him. He takes them to the third floor of Thornfield Hall to meet Grace Poole's patient. Those assembled see Bertha groveling on all fours hidden beneath a mop of dark grizzled hair. She is a tall woman, almost the same height as Rochester, who wrestles her to a chair, and ties her down with a cord. He says, \"That is my wife, such is the sole conjugal embrace I am ever to know\", and laying his hand on Jane's shoulder he continues, and this is what I wished to have. This young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon,\" Rochester asks the lawyer and the minister not to judge him. It transpires that Jane's letter to her uncle John Eyre had alerted Mr. Mason who by coincidence is a business associate of John Eyre. He also states that John Eyre is critically ill. In shock, Jane returns to her room. Jane remained there for quite a while and pondered what had happened. She mused, \"I looked at my love: that feeling which was my master's - which he had created; it shivered in my heart, like a suffering child in a cold cradle: sickness and anguish had seized it.\" In the end, she cannot totally blame Rochester for his betrayal of her. She also blames herself for being blind and weak.", "analysis": "Interpretation There is much imagery in this chapter. At last the reader comes face-to-face with Mrs. Rochester, and the circumstances concerning this marriage come to the fore. Rochester and his family had been tricked into this arranged marriage, which was designed to bring security to both families. He had suffered for fifteen long years, and had vainly hoped he would be released from this invisible prison. Yet again there is reference to a child, this time shivering in a cot, which this time symbolizes Jane's love for Rochester. In a way it is an answer to one of the questions posed through Jane's dreams."}

Sophie came at seven to dress me: she was very long indeed in accomplishing her task; so long that Mr. Rochester, grown, I suppose, impatient of my delay, sent up to ask why I did not come. She was just fastening my veil (the plain square of blond after all) to my hair with a brooch; I hurried from under her hands as soon as I could. "Stop!" she cried in French. "Look at yourself in the mirror: you have not taken one peep." So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger. "Jane!" called a voice, and I hastened down. I was received at the foot of the stairs by Mr. Rochester. "Lingerer!" he said, "my brain is on fire with impatience, and you tarry so long!" He took me into the dining-room, surveyed me keenly all over, pronounced me "fair as a lily, and not only the pride of his life, but the desire of his eyes," and then telling me he would give me but ten minutes to eat some breakfast, he rang the bell. One of his lately hired servants, a footman, answered it. "Is John getting the carriage ready?" "Yes, sir." "Is the luggage brought down?" "They are bringing it down, sir." "Go you to the church: see if Mr. Wood (the clergyman) and the clerk are there: return and tell me." The church, as the reader knows, was but just beyond the gates; the footman soon returned. "Mr. Wood is in the vestry, sir, putting on his surplice." "And the carriage?" "The horses are harnessing." "We shall not want it to go to church; but it must be ready the moment we return: all the boxes and luggage arranged and strapped on, and the coachman in his seat." "Yes, sir." "Jane, are you ready?" I rose. There were no groomsmen, no bridesmaids, no relatives to wait for or marshal: none but Mr. Rochester and I. Mrs. Fairfax stood in the hall as we passed. I would fain have spoken to her, but my hand was held by a grasp of iron: I was hurried along by a stride I could hardly follow; and to look at Mr. Rochester's face was to feel that not a second of delay would be tolerated for any purpose. I wonder what other bridegroom ever looked as he did--so bent up to a purpose, so grimly resolute: or who, under such steadfast brows, ever revealed such flaming and flashing eyes. I know not whether the day was fair or foul; in descending the drive, I gazed neither on sky nor earth: my heart was with my eyes; and both seemed migrated into Mr. Rochester's frame. I wanted to see the invisible thing on which, as we went along, he appeared to fasten a glance fierce and fell. I wanted to feel the thoughts whose force he seemed breasting and resisting. At the churchyard wicket he stopped: he discovered I was quite out of breath. "Am I cruel in my love?" he said. "Delay an instant: lean on me, Jane." And now I can recall the picture of the grey old house of God rising calm before me, of a rook wheeling round the steeple, of a ruddy morning sky beyond. I remember something, too, of the green grave-mounds; and I have not forgotten, either, two figures of strangers straying amongst the low hillocks and reading the mementoes graven on the few mossy head-stones. I noticed them, because, as they saw us, they passed round to the back of the church; and I doubted not they were going to enter by the side-aisle door and witness the ceremony. By Mr. Rochester they were not observed; he was earnestly looking at my face from which the blood had, I daresay, momentarily fled: for I felt my forehead dewy, and my cheeks and lips cold. When I rallied, which I soon did, he walked gently with me up the path to the porch. We entered the quiet and humble temple; the priest waited in his white surplice at the lowly altar, the clerk beside him. All was still: two shadows only moved in a remote corner. My conjecture had been correct: the strangers had slipped in before us, and they now stood by the vault of the Rochesters, their backs towards us, viewing through the rails the old time-stained marble tomb, where a kneeling angel guarded the remains of Damer de Rochester, slain at Marston Moor in the time of the civil wars, and of Elizabeth, his wife. Our place was taken at the communion rails. Hearing a cautious step behind me, I glanced over my shoulder: one of the strangers--a gentleman, evidently--was advancing up the chancel. The service began. The explanation of the intent of matrimony was gone through; and then the clergyman came a step further forward, and, bending slightly towards Mr. Rochester, went on. "I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God's Word doth allow, are not joined together by God, neither is their matrimony lawful." He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, "Wilt thou have this woman for thy wedded wife?"--when a distinct and near voice said-- "The marriage cannot go on: I declare the existence of an impediment." The clergyman looked up at the speaker and stood mute; the clerk did the same; Mr. Rochester moved slightly, as if an earthquake had rolled under his feet: taking a firmer footing, and not turning his head or eyes, he said, "Proceed." Profound silence fell when he had uttered that word, with deep but low intonation. Presently Mr. Wood said-- "I cannot proceed without some investigation into what has been asserted, and evidence of its truth or falsehood." "The ceremony is quite broken off," subjoined the voice behind us. "I am in a condition to prove my allegation: an insuperable impediment to this marriage exists." Mr. Rochester heard, but heeded not: he stood stubborn and rigid, making no movement but to possess himself of my hand. What a hot and strong grasp he had! and how like quarried marble was his pale, firm, massive front at this moment! How his eye shone, still watchful, and yet wild beneath! Mr. Wood seemed at a loss. "What is the nature of the impediment?" he asked. "Perhaps it may be got over--explained away?" "Hardly," was the answer. "I have called it insuperable, and I speak advisedly." The speaker came forward and leaned on the rails. He continued, uttering each word distinctly, calmly, steadily, but not loudly-- "It simply consists in the existence of a previous marriage. Mr. Rochester has a wife now living." My nerves vibrated to those low-spoken words as they had never vibrated to thunder--my blood felt their subtle violence as it had never felt frost or fire; but I was collected, and in no danger of swooning. I looked at Mr. Rochester: I made him look at me. His whole face was colourless rock: his eye was both spark and flint. He disavowed nothing: he seemed as if he would defy all things. Without speaking, without smiling, without seeming to recognise in me a human being, he only twined my waist with his arm and riveted me to his side. "Who are you?" he asked of the intruder. "My name is Briggs, a solicitor of --- Street, London." "And you would thrust on me a wife?" "I would remind you of your lady's existence, sir, which the law recognises, if you do not." "Favour me with an account of her--with her name, her parentage, her place of abode." "Certainly." Mr. Briggs calmly took a paper from his pocket, and read out in a sort of official, nasal voice:-- "'I affirm and can prove that on the 20th of October A.D. --- (a date of fifteen years back), Edward Fairfax Rochester, of Thornfield Hall, in the county of ---, and of Ferndean Manor, in ---shire, England, was married to my sister, Bertha Antoinetta Mason, daughter of Jonas Mason, merchant, and of Antoinetta his wife, a Creole, at --- church, Spanish Town, Jamaica. The record of the marriage will be found in the register of that church--a copy of it is now in my possession. Signed, Richard Mason.'" "That--if a genuine document--may prove I have been married, but it does not prove that the woman mentioned therein as my wife is still living." "She was living three months ago," returned the lawyer. "How do you know?" "I have a witness to the fact, whose testimony even you, sir, will scarcely controvert." "Produce him--or go to hell." "I will produce him first--he is on the spot. Mr. Mason, have the goodness to step forward." Mr. Rochester, on hearing the name, set his teeth; he experienced, too, a sort of strong convulsive quiver; near to him as I was, I felt the spasmodic movement of fury or despair run through his frame. The second stranger, who had hitherto lingered in the background, now drew near; a pale face looked over the solicitor's shoulder--yes, it was Mason himself. Mr. Rochester turned and glared at him. His eye, as I have often said, was a black eye: it had now a tawny, nay, a bloody light in its gloom; and his face flushed--olive cheek and hueless forehead received a glow as from spreading, ascending heart-fire: and he stirred, lifted his strong arm--he could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his body--but Mason shrank away, and cried faintly, "Good God!" Contempt fell cool on Mr. Rochester--his passion died as if a blight had shrivelled it up: he only asked--"What have _you_ to say?" An inaudible reply escaped Mason's white lips. "The devil is in it if you cannot answer distinctly. I again demand, what have you to say?" "Sir--sir," interrupted the clergyman, "do not forget you are in a sacred place." Then addressing Mason, he inquired gently, "Are you aware, sir, whether or not this gentleman's wife is still living?" "Courage," urged the lawyer,--"speak out." "She is now living at Thornfield Hall," said Mason, in more articulate tones: "I saw her there last April. I am her brother." "At Thornfield Hall!" ejaculated the clergyman. "Impossible! I am an old resident in this neighbourhood, sir, and I never heard of a Mrs. Rochester at Thornfield Hall." I saw a grim smile contort Mr. Rochester's lips, and he muttered-- "No, by God! I took care that none should hear of it--or of her under that name." He mused--for ten minutes he held counsel with himself: he formed his resolve, and announced it-- "Enough! all shall bolt out at once, like the bullet from the barrel. Wood, close your book and take off your surplice; John Green (to the clerk), leave the church: there will be no wedding to-day." The man obeyed. Mr. Rochester continued, hardily and recklessly: "Bigamy is an ugly word!--I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me,--perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up:--what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago,--Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick!--never fear me!--I'd almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations! Her mother, the Creole, was both a madwoman and a drunkard!--as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner--pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole's patient, and _my wife_! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl," he continued, looking at me, "knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you--follow!" Still holding me fast, he left the church: the three gentlemen came after. At the front door of the hall we found the carriage. "Take it back to the coach-house, John," said Mr. Rochester coolly; "it will not be wanted to-day." At our entrance, Mrs. Fairfax, Adele, Sophie, Leah, advanced to meet and greet us. "To the right-about--every soul!" cried the master; "away with your congratulations! Who wants them? Not I!--they are fifteen years too late!" He passed on and ascended the stairs, still holding my hand, and still beckoning the gentlemen to follow him, which they did. We mounted the first staircase, passed up the gallery, proceeded to the third storey: the low, black door, opened by Mr. Rochester's master-key, admitted us to the tapestried room, with its great bed and its pictorial cabinet. "You know this place, Mason," said our guide; "she bit and stabbed you here." He lifted the hangings from the wall, uncovering the second door: this, too, he opened. In a room without a window, there burnt a fire guarded by a high and strong fender, and a lamp suspended from the ceiling by a chain. Grace Poole bent over the fire, apparently cooking something in a saucepan. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. "Good-morrow, Mrs. Poole!" said Mr. Rochester. "How are you? and how is your charge to-day?" "We're tolerable, sir, I thank you," replied Grace, lifting the boiling mess carefully on to the hob: "rather snappish, but not 'rageous." A fierce cry seemed to give the lie to her favourable report: the clothed hyena rose up, and stood tall on its hind-feet. "Ah! sir, she sees you!" exclaimed Grace: "you'd better not stay." "Only a few moments, Grace: you must allow me a few moments." "Take care then, sir!--for God's sake, take care!" The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognised well that purple face,--those bloated features. Mrs. Poole advanced. "Keep out of the way," said Mr. Rochester, thrusting her aside: "she has no knife now, I suppose, and I'm on my guard." "One never knows what she has, sir: she is so cunning: it is not in mortal discretion to fathom her craft." "We had better leave her," whispered Mason. "Go to the devil!" was his brother-in-law's recommendation. "'Ware!" cried Grace. The three gentlemen retreated simultaneously. Mr. Rochester flung me behind him: the lunatic sprang and grappled his throat viciously, and laid her teeth to his cheek: they struggled. She was a big woman, in stature almost equalling her husband, and corpulent besides: she showed virile force in the contest--more than once she almost throttled him, athletic as he was. He could have settled her with a well-planted blow; but he would not strike: he would only wrestle. At last he mastered her arms; Grace Poole gave him a cord, and he pinioned them behind her: with more rope, which was at hand, he bound her to a chair. The operation was performed amidst the fiercest yells and the most convulsive plunges. Mr. Rochester then turned to the spectators: he looked at them with a smile both acrid and desolate. "That is _my wife_," said he. "Such is the sole conjugal embrace I am ever to know--such are the endearments which are to solace my leisure hours! And _this_ is what I wished to have" (laying his hand on my shoulder): "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon, I wanted her just as a change after that fierce ragout. Wood and Briggs, look at the difference! Compare these clear eyes with the red balls yonder--this face with that mask--this form with that bulk; then judge me, priest of the gospel and man of the law, and remember with what judgment ye judge ye shall be judged! Off with you now. I must shut up my prize." We all withdrew. Mr. Rochester stayed a moment behind us, to give some further order to Grace Poole. The solicitor addressed me as he descended the stair. "You, madam," said he, "are cleared from all blame: your uncle will be glad to hear it--if, indeed, he should be still living--when Mr. Mason returns to Madeira." "My uncle! What of him? Do you know him?" "Mr. Mason does. Mr. Eyre has been the Funchal correspondent of his house for some years. When your uncle received your letter intimating the contemplated union between yourself and Mr. Rochester, Mr. Mason, who was staying at Madeira to recruit his health, on his way back to Jamaica, happened to be with him. Mr. Eyre mentioned the intelligence; for he knew that my client here was acquainted with a gentleman of the name of Rochester. Mr. Mason, astonished and distressed as you may suppose, revealed the real state of matters. Your uncle, I am sorry to say, is now on a sick bed; from which, considering the nature of his disease--decline--and the stage it has reached, it is unlikely he will ever rise. He could not then hasten to England himself, to extricate you from the snare into which you had fallen, but he implored Mr. Mason to lose no time in taking steps to prevent the false marriage. He referred him to me for assistance. I used all despatch, and am thankful I was not too late: as you, doubtless, must be also. Were I not morally certain that your uncle will be dead ere you reach Madeira, I would advise you to accompany Mr. Mason back; but as it is, I think you had better remain in England till you can hear further, either from or of Mr. Eyre. Have we anything else to stay for?" he inquired of Mr. Mason. "No, no--let us be gone," was the anxious reply; and without waiting to take leave of Mr. Rochester, they made their exit at the hall door. The clergyman stayed to exchange a few sentences, either of admonition or reproof, with his haughty parishioner; this duty done, he too departed. I heard him go as I stood at the half-open door of my own room, to which I had now withdrawn. The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded--not to weep, not to mourn, I was yet too calm for that, but--mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved--followed up and down where I was led or dragged--watched event rush on event, disclosure open beyond disclosure: but _now_, _I thought_. The morning had been a quiet morning enough--all except the brief scene with the lunatic: the transaction in the church had not been noisy; there was no explosion of passion, no loud altercation, no dispute, no defiance or challenge, no tears, no sobs: a few words had been spoken, a calmly pronounced objection to the marriage made; some stern, short questions put by Mr. Rochester; answers, explanations given, evidence adduced; an open admission of the truth had been uttered by my master; then the living proof had been seen; the intruders were gone, and all was over. I was in my own room as usual--just myself, without obvious change: nothing had smitten me, or scathed me, or maimed me. And yet where was the Jane Eyre of yesterday?--where was her life?--where were her prospects? Jane Eyre, who had been an ardent, expectant woman--almost a bride, was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway. My hopes were all dead--struck with a subtle doom, such as, in one night, fell on all the first-born in the land of Egypt. I looked on my cherished wishes, yesterday so blooming and glowing; they lay stark, chill, livid corpses that could never revive. I looked at my love: that feeling which was my master's--which he had created; it shivered in my heart, like a suffering child in a cold cradle; sickness and anguish had seized it; it could not seek Mr. Rochester's arms--it could not derive warmth from his breast. Oh, never more could it turn to him; for faith was blighted--confidence destroyed! Mr. Rochester was not to me what he had been; for he was not what I had thought him. I would not ascribe vice to him; I would not say he had betrayed me; but the attribute of stainless truth was gone from his idea, and from his presence I must go: _that_ I perceived well. When--how--whither, I could not yet discern; but he himself, I doubted not, would hurry me from Thornfield. Real affection, it seemed, he could not have for me; it had been only fitful passion: that was balked; he would want me no more. I should fear even to cross his path now: my view must be hateful to him. Oh, how blind had been my eyes! How weak my conduct! My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me."

Chapter 26

Jane looks at herself in the mirror, dressed, and ready for her marriage to Rochester. When Rochester sees her he says, Fair as a lily, and not only the pride of his life, but the desire of his eyes." They walk hand-in-hand to the church, and the Minister asks if anyone knows of any impediment to their marriage. Mr. Briggs, a London Attorney, insists that Rochester married Bertha Antoinetta Mason in Jamaica fifteen years ago. Rochester says that there is no proof that his wife is still alive, when Richard Mason enters and declares that he saw Bertha in April. Rochester commands that the wedding party follow him. He takes them to the third floor of Thornfield Hall to meet Grace Poole's patient. Those assembled see Bertha groveling on all fours hidden beneath a mop of dark grizzled hair. She is a tall woman, almost the same height as Rochester, who wrestles her to a chair, and ties her down with a cord. He says, "That is my wife, such is the sole conjugal embrace I am ever to know", and laying his hand on Jane's shoulder he continues, and this is what I wished to have. This young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon," Rochester asks the lawyer and the minister not to judge him. It transpires that Jane's letter to her uncle John Eyre had alerted Mr. Mason who by coincidence is a business associate of John Eyre. He also states that John Eyre is critically ill. In shock, Jane returns to her room. Jane remained there for quite a while and pondered what had happened. She mused, "I looked at my love: that feeling which was my master's - which he had created; it shivered in my heart, like a suffering child in a cold cradle: sickness and anguish had seized it." In the end, she cannot totally blame Rochester for his betrayal of her. She also blames herself for being blind and weak.

Interpretation There is much imagery in this chapter. At last the reader comes face-to-face with Mrs. Rochester, and the circumstances concerning this marriage come to the fore. Rochester and his family had been tricked into this arranged marriage, which was designed to bring security to both families. He had suffered for fifteen long years, and had vainly hoped he would be released from this invisible prison. Yet again there is reference to a child, this time shivering in a cot, which this time symbolizes Jane's love for Rochester. In a way it is an answer to one of the questions posed through Jane's dreams.

bookwolf

all_chapterized_books/1260-chapters/volume_3_chapters_27_to_28.txt

finished_summaries/bookwolf/Jane Eyre/section_16_part_0.txt

Jane Eyre.volume 3.chapters 27-28

chapter 27-28

{"name": "Chapter 27-28", "summary": "It is nearly the end of the day before Jane emerges from her room, but she is already resolved to leave Thornfield where she has been so happy. She fears that if she remains, she will be tempted to become Rochester's mistress. Rochester explains the circumstances behind the wedding - how he was tricked into marrying Bertha who was already showing signs of madness. He tried to end the marriage legally, but failed, so he brought his wife back from Jamaica to be housed in Thornfield, under the care of Grace Poole. He goes on to confess to Jane that he had spent most of his time in Europe and had had three mistresses. The next day, Jane leaves Thornfield with all the money she has, and her possessions. After two days of travel, she arrives at Whitcross district, hungry and exhausted. She wanders the streets for a few days trying to seek employment. Starved and exhausted, she ends up at the house of the family Rivers, a brother and two sisters called St. John, Mary and Diana. They also have a servant called Hannah.", "analysis": "Interpretation Although Jane is shocked at the revelation that Rochester is already married, she is not broken. As we have seen she has great fortitude and is a survivor, and although her love for Rochester is ailing, it can be revived although she does not see this. It is Rochester who is broken by these events - his last chance of happiness has been snatched away from him. Not only is he broken spiritually, he will also be broken physically. Briefly, Jane's love for God had been eclipsed by the passion she felt for Rochester. She now returns to God and hopes he will aid her. Bront' provides a graphic description of the days Jane spent as a homeless person. She makes a commentary on the plight of the homeless at this time, and if it were not for St. John Rivers, through Christian charity bringing her in from the rain, she might have met an untimely death."}

Some time in the afternoon I raised my head, and looking round and seeing the western sun gilding the sign of its decline on the wall, I asked, "What am I to do?" But the answer my mind gave--"Leave Thornfield at once"--was so prompt, so dread, that I stopped my ears. I said I could not bear such words now. "That I am not Edward Rochester's bride is the least part of my woe," I alleged: "that I have wakened out of most glorious dreams, and found them all void and vain, is a horror I could bear and master; but that I must leave him decidedly, instantly, entirely, is intolerable. I cannot do it." But, then, a voice within me averred that I could do it and foretold that I should do it. I wrestled with my own resolution: I wanted to be weak that I might avoid the awful passage of further suffering I saw laid out for me; and Conscience, turned tyrant, held Passion by the throat, told her tauntingly, she had yet but dipped her dainty foot in the slough, and swore that with that arm of iron he would thrust her down to unsounded depths of agony. "Let me be torn away," then I cried. "Let another help me!" "No; you shall tear yourself away, none shall help you: you shall yourself pluck out your right eye; yourself cut off your right hand: your heart shall be the victim, and you the priest to transfix it." I rose up suddenly, terror-struck at the solitude which so ruthless a judge haunted,--at the silence which so awful a voice filled. My head swam as I stood erect. I perceived that I was sickening from excitement and inanition; neither meat nor drink had passed my lips that day, for I had taken no breakfast. And, with a strange pang, I now reflected that, long as I had been shut up here, no message had been sent to ask how I was, or to invite me to come down: not even little Adele had tapped at the door; not even Mrs. Fairfax had sought me. "Friends always forget those whom fortune forsakes," I murmured, as I undrew the bolt and passed out. I stumbled over an obstacle: my head was still dizzy, my sight was dim, and my limbs were feeble. I could not soon recover myself. I fell, but not on to the ground: an outstretched arm caught me. I looked up--I was supported by Mr. Rochester, who sat in a chair across my chamber threshold. "You come out at last," he said. "Well, I have been waiting for you long, and listening: yet not one movement have I heard, nor one sob: five minutes more of that death-like hush, and I should have forced the lock like a burglar. So you shun me?--you shut yourself up and grieve alone! I would rather you had come and upbraided me with vehemence. You are passionate. I expected a scene of some kind. I was prepared for the hot rain of tears; only I wanted them to be shed on my breast: now a senseless floor has received them, or your drenched handkerchief. But I err: you have not wept at all! I see a white cheek and a faded eye, but no trace of tears. I suppose, then, your heart has been weeping blood?" "Well, Jane! not a word of reproach? Nothing bitter--nothing poignant? Nothing to cut a feeling or sting a passion? You sit quietly where I have placed you, and regard me with a weary, passive look." "Jane, I never meant to wound you thus. If the man who had but one little ewe lamb that was dear to him as a daughter, that ate of his bread and drank of his cup, and lay in his bosom, had by some mistake slaughtered it at the shambles, he would not have rued his bloody blunder more than I now rue mine. Will you ever forgive me?" Reader, I forgave him at the moment and on the spot. There was such deep remorse in his eye, such true pity in his tone, such manly energy in his manner; and besides, there was such unchanged love in his whole look and mien--I forgave him all: yet not in words, not outwardly; only at my heart's core. "You know I am a scoundrel, Jane?" ere long he inquired wistfully--wondering, I suppose, at my continued silence and tameness, the result rather of weakness than of will. "Yes, sir." "Then tell me so roundly and sharply--don't spare me." "I cannot: I am tired and sick. I want some water." He heaved a sort of shuddering sigh, and taking me in his arms, carried me downstairs. At first I did not know to what room he had borne me; all was cloudy to my glazed sight: presently I felt the reviving warmth of a fire; for, summer as it was, I had become icy cold in my chamber. He put wine to my lips; I tasted it and revived; then I ate something he offered me, and was soon myself. I was in the library--sitting in his chair--he was quite near. "If I could go out of life now, without too sharp a pang, it would be well for me," I thought; "then I should not have to make the effort of cracking my heart-strings in rending them from among Mr. Rochester's. I must leave him, it appears. I do not want to leave him--I cannot leave him." "How are you now, Jane?" "Much better, sir; I shall be well soon." "Taste the wine again, Jane." I obeyed him; then he put the glass on the table, stood before me, and looked at me attentively. Suddenly he turned away, with an inarticulate exclamation, full of passionate emotion of some kind; he walked fast through the room and came back; he stooped towards me as if to kiss me; but I remembered caresses were now forbidden. I turned my face away and put his aside. "What!--How is this?" he exclaimed hastily. "Oh, I know! you won't kiss the husband of Bertha Mason? You consider my arms filled and my embraces appropriated?" "At any rate, there is neither room nor claim for me, sir." "Why, Jane? I will spare you the trouble of much talking; I will answer for you--Because I have a wife already, you would reply.--I guess rightly?" "Yes." "If you think so, you must have a strange opinion of me; you must regard me as a plotting profligate--a base and low rake who has been simulating disinterested love in order to draw you into a snare deliberately laid, and strip you of honour and rob you of self-respect. What do you say to that? I see you can say nothing in the first place, you are faint still, and have enough to do to draw your breath; in the second place, you cannot yet accustom yourself to accuse and revile me, and besides, the flood-gates of tears are opened, and they would rush out if you spoke much; and you have no desire to expostulate, to upbraid, to make a scene: you are thinking how _to act_--_talking_ you consider is of no use. I know you--I am on my guard." "Sir, I do not wish to act against you," I said; and my unsteady voice warned me to curtail my sentence. "Not in your sense of the word, but in mine you are scheming to destroy me. You have as good as said that I am a married man--as a married man you will shun me, keep out of my way: just now you have refused to kiss me. You intend to make yourself a complete stranger to me: to live under this roof only as Adele's governess; if ever I say a friendly word to you, if ever a friendly feeling inclines you again to me, you will say,--'That man had nearly made me his mistress: I must be ice and rock to him;' and ice and rock you will accordingly become." I cleared and steadied my voice to reply: "All is changed about me, sir; I must change too--there is no doubt of that; and to avoid fluctuations of feeling, and continual combats with recollections and associations, there is only one way--Adele must have a new governess, sir." "Oh, Adele will go to school--I have settled that already; nor do I mean to torment you with the hideous associations and recollections of Thornfield Hall--this accursed place--this tent of Achan--this insolent vault, offering the ghastliness of living death to the light of the open sky--this narrow stone hell, with its one real fiend, worse than a legion of such as we imagine. Jane, you shall not stay here, nor will I. I was wrong ever to bring you to Thornfield Hall, knowing as I did how it was haunted. I charged them to conceal from you, before I ever saw you, all knowledge of the curse of the place; merely because I feared Adele never would have a governess to stay if she knew with what inmate she was housed, and my plans would not permit me to remove the maniac elsewhere--though I possess an old house, Ferndean Manor, even more retired and hidden than this, where I could have lodged her safely enough, had not a scruple about the unhealthiness of the situation, in the heart of a wood, made my conscience recoil from the arrangement. Probably those damp walls would soon have eased me of her charge: but to each villain his own vice; and mine is not a tendency to indirect assassination, even of what I most hate. "Concealing the mad-woman's neighbourhood from you, however, was something like covering a child with a cloak and laying it down near a upas-tree: that demon's vicinage is poisoned, and always was. But I'll shut up Thornfield Hall: I'll nail up the front door and board the lower windows: I'll give Mrs. Poole two hundred a year to live here with _my wife_, as you term that fearful hag: Grace will do much for money, and she shall have her son, the keeper at Grimsby Retreat, to bear her company and be at hand to give her aid in the paroxysms, when _my wife_ is prompted by her familiar to burn people in their beds at night, to stab them, to bite their flesh from their bones, and so on--" "Sir," I interrupted him, "you are inexorable for that unfortunate lady: you speak of her with hate--with vindictive antipathy. It is cruel--she cannot help being mad." "Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?" "I do indeed, sir." "Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat--your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me.--But why do I follow that train of ideas? I was talking of removing you from Thornfield. All, you know, is prepared for prompt departure: to-morrow you shall go. I only ask you to endure one more night under this roof, Jane; and then, farewell to its miseries and terrors for ever! I have a place to repair to, which will be a secure sanctuary from hateful reminiscences, from unwelcome intrusion--even from falsehood and slander." "And take Adele with you, sir," I interrupted; "she will be a companion for you." "What do you mean, Jane? I told you I would send Adele to school; and what do I want with a child for a companion, and not my own child,--a French dancer's bastard? Why do you importune me about her! I say, why do you assign Adele to me for a companion?" "You spoke of a retirement, sir; and retirement and solitude are dull: too dull for you." "Solitude! solitude!" he reiterated with irritation. "I see I must come to an explanation. I don't know what sphynx-like expression is forming in your countenance. You are to share my solitude. Do you understand?" I shook my head: it required a degree of courage, excited as he was becoming, even to risk that mute sign of dissent. He had been walking fast about the room, and he stopped, as if suddenly rooted to one spot. He looked at me long and hard: I turned my eyes from him, fixed them on the fire, and tried to assume and maintain a quiet, collected aspect. "Now for the hitch in Jane's character," he said at last, speaking more calmly than from his look I had expected him to speak. "The reel of silk has run smoothly enough so far; but I always knew there would come a knot and a puzzle: here it is. Now for vexation, and exasperation, and endless trouble! By God! I long to exert a fraction of Samson's strength, and break the entanglement like tow!" He recommenced his walk, but soon again stopped, and this time just before me. "Jane! will you hear reason?" (he stooped and approached his lips to my ear); "because, if you won't, I'll try violence." His voice was hoarse; his look that of a man who is just about to burst an insufferable bond and plunge headlong into wild license. I saw that in another moment, and with one impetus of frenzy more, I should be able to do nothing with him. The present--the passing second of time--was all I had in which to control and restrain him--a movement of repulsion, flight, fear would have sealed my doom,--and his. But I was not afraid: not in the least. I felt an inward power; a sense of influence, which supported me. The crisis was perilous; but not without its charm: such as the Indian, perhaps, feels when he slips over the rapid in his canoe. I took hold of his clenched hand, loosened the contorted fingers, and said to him, soothingly-- "Sit down; I'll talk to you as long as you like, and hear all you have to say, whether reasonable or unreasonable." He sat down: but he did not get leave to speak directly. I had been struggling with tears for some time: I had taken great pains to repress them, because I knew he would not like to see me weep. Now, however, I considered it well to let them flow as freely and as long as they liked. If the flood annoyed him, so much the better. So I gave way and cried heartily. Soon I heard him earnestly entreating me to be composed. I said I could not while he was in such a passion. "But I am not angry, Jane: I only love you too well; and you had steeled your little pale face with such a resolute, frozen look, I could not endure it. Hush, now, and wipe your eyes." His softened voice announced that he was subdued; so I, in my turn, became calm. Now he made an effort to rest his head on my shoulder, but I would not permit it. Then he would draw me to him: no. "Jane! Jane!" he said, in such an accent of bitter sadness it thrilled along every nerve I had; "you don't love me, then? It was only my station, and the rank of my wife, that you valued? Now that you think me disqualified to become your husband, you recoil from my touch as if I were some toad or ape." These words cut me: yet what could I do or I say? I ought probably to have done or said nothing; but I was so tortured by a sense of remorse at thus hurting his feelings, I could not control the wish to drop balm where I had wounded. "I _do_ love you," I said, "more than ever: but I must not show or indulge the feeling: and this is the last time I must express it." "The last time, Jane! What! do you think you can live with me, and see me daily, and yet, if you still love me, be always cold and distant?" "No, sir; that I am certain I could not; and therefore I see there is but one way: but you will be furious if I mention it." "Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair--which is somewhat dishevelled; and bathe your face--which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester--both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error--to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical--is false." "Jane, I am not a gentle-tempered man--you forget that: I am not long- enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and--beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity--looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet--that I may have the evidence of touch as well as sight, to prove you are near me--and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will." "I ask only minutes. Jane, did you ever hear or know that I was not the eldest son of my house: that I had once a brother older than I?" "I remember Mrs. Fairfax told me so once." "And did you ever hear that my father was an avaricious, grasping man?" "I have understood something to that effect." "Well, Jane, being so, it was his resolution to keep the property together; he could not bear the idea of dividing his estate and leaving me a fair portion: all, he resolved, should go to my brother, Rowland. Yet as little could he endure that a son of his should be a poor man. I must be provided for by a wealthy marriage. He sought me a partner betimes. Mr. Mason, a West India planter and merchant, was his old acquaintance. He was certain his possessions were real and vast: he made inquiries. Mr. Mason, he found, had a son and daughter; and he learned from him that he could and would give the latter a fortune of thirty thousand pounds: that sufficed. When I left college, I was sent out to Jamaica, to espouse a bride already courted for me. My father said nothing about her money; but he told me Miss Mason was the boast of Spanish Town for her beauty: and this was no lie. I found her a fine woman, in the style of Blanche Ingram: tall, dark, and majestic. Her family wished to secure me because I was of a good race; and so did she. They showed her to me in parties, splendidly dressed. I seldom saw her alone, and had very little private conversation with her. She flattered me, and lavishly displayed for my pleasure her charms and accomplishments. All the men in her circle seemed to admire her and envy me. I was dazzled, stimulated: my senses were excited; and being ignorant, raw, and inexperienced, I thought I loved her. There is no folly so besotted that the idiotic rivalries of society, the prurience, the rashness, the blindness of youth, will not hurry a man to its commission. Her relatives encouraged me; competitors piqued me; she allured me: a marriage was achieved almost before I knew where I was. Oh, I have no respect for myself when I think of that act!--an agony of inward contempt masters me. I never loved, I never esteemed, I did not even know her. I was not sure of the existence of one virtue in her nature: I had marked neither modesty, nor benevolence, nor candour, nor refinement in her mind or manners--and, I married her:--gross, grovelling, mole-eyed blockhead that I was! With less sin I might have--But let me remember to whom I am speaking." "My bride's mother I had never seen: I understood she was dead. The honeymoon over, I learned my mistake; she was only mad, and shut up in a lunatic asylum. There was a younger brother, too--a complete dumb idiot. The elder one, whom you have seen (and whom I cannot hate, whilst I abhor all his kindred, because he has some grains of affection in his feeble mind, shown in the continued interest he takes in his wretched sister, and also in a dog-like attachment he once bore me), will probably be in the same state one day. My father and my brother Rowland knew all this; but they thought only of the thirty thousand pounds, and joined in the plot against me." "These were vile discoveries; but except for the treachery of concealment, I should have made them no subject of reproach to my wife, even when I found her nature wholly alien to mine, her tastes obnoxious to me, her cast of mind common, low, narrow, and singularly incapable of being led to anything higher, expanded to anything larger--when I found that I could not pass a single evening, nor even a single hour of the day with her in comfort; that kindly conversation could not be sustained between us, because whatever topic I started, immediately received from her a turn at once coarse and trite, perverse and imbecile--when I perceived that I should never have a quiet or settled household, because no servant would bear the continued outbreaks of her violent and unreasonable temper, or the vexations of her absurd, contradictory, exacting orders--even then I restrained myself: I eschewed upbraiding, I curtailed remonstrance; I tried to devour my repentance and disgust in secret; I repressed the deep antipathy I felt. "Jane, I will not trouble you with abominable details: some strong words shall express what I have to say. I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty. What a pigmy intellect she had, and what giant propensities! How fearful were the curses those propensities entailed on me! Bertha Mason, the true daughter of an infamous mother, dragged me through all the hideous and degrading agonies which must attend a man bound to a wife at once intemperate and unchaste. "My brother in the interval was dead, and at the end of the four years my father died too. I was rich enough now--yet poor to hideous indigence: a nature the most gross, impure, depraved I ever saw, was associated with mine, and called by the law and by society a part of me. And I could not rid myself of it by any legal proceedings: for the doctors now discovered that _my wife_ was mad--her excesses had prematurely developed the germs of insanity. Jane, you don't like my narrative; you look almost sick--shall I defer the rest to another day?" "No, sir, finish it now; I pity you--I do earnestly pity you." "Pity, Jane, from some people is a noxious and insulting sort of tribute, which one is justified in hurling back in the teeth of those who offer it; but that is the sort of pity native to callous, selfish hearts; it is a hybrid, egotistical pain at hearing of woes, crossed with ignorant contempt for those who have endured them. But that is not your pity, Jane; it is not the feeling of which your whole face is full at this moment--with which your eyes are now almost overflowing--with which your heart is heaving--with which your hand is trembling in mine. Your pity, my darling, is the suffering mother of love: its anguish is the very natal pang of the divine passion. I accept it, Jane; let the daughter have free advent--my arms wait to receive her." "Now, sir, proceed; what did you do when you found she was mad?" "Jane, I approached the verge of despair; a remnant of self-respect was all that intervened between me and the gulf. In the eyes of the world, I was doubtless covered with grimy dishonour; but I resolved to be clean in my own sight--and to the last I repudiated the contamination of her crimes, and wrenched myself from connection with her mental defects. Still, society associated my name and person with hers; I yet saw her and heard her daily: something of her breath (faugh!) mixed with the air I breathed; and besides, I remembered I had once been her husband--that recollection was then, and is now, inexpressibly odious to me; moreover, I knew that while she lived I could never be the husband of another and better wife; and, though five years my senior (her family and her father had lied to me even in the particular of her age), she was likely to live as long as I, being as robust in frame as she was infirm in mind. Thus, at the age of twenty-six, I was hopeless. "One night I had been awakened by her yells--(since the medical men had pronounced her mad, she had, of course, been shut up)--it was a fiery West Indian night; one of the description that frequently precede the hurricanes of those climates. Being unable to sleep in bed, I got up and opened the window. The air was like sulphur-steams--I could find no refreshment anywhere. Mosquitoes came buzzing in and hummed sullenly round the room; the sea, which I could hear from thence, rumbled dull like an earthquake--black clouds were casting up over it; the moon was setting in the waves, broad and red, like a hot cannon-ball--she threw her last bloody glance over a world quivering with the ferment of tempest. I was physically influenced by the atmosphere and scene, and my ears were filled with the curses the maniac still shrieked out; wherein she momentarily mingled my name with such a tone of demon-hate, with such language!--no professed harlot ever had a fouler vocabulary than she: though two rooms off, I heard every word--the thin partitions of the West India house opposing but slight obstruction to her wolfish cries. "'This life,' said I at last, 'is hell: this is the air--those are the sounds of the bottomless pit! I have a right to deliver myself from it if I can. The sufferings of this mortal state will leave me with the heavy flesh that now cumbers my soul. Of the fanatic's burning eternity I have no fear: there is not a future state worse than this present one--let me break away, and go home to God!' "I said this whilst I knelt down at, and unlocked a trunk which contained a brace of loaded pistols: I mean to shoot myself. I only entertained the intention for a moment; for, not being insane, the crisis of exquisite and unalloyed despair, which had originated the wish and design of self-destruction, was past in a second. "A wind fresh from Europe blew over the ocean and rushed through the open casement: the storm broke, streamed, thundered, blazed, and the air grew pure. I then framed and fixed a resolution. While I walked under the dripping orange-trees of my wet garden, and amongst its drenched pomegranates and pine-apples, and while the refulgent dawn of the tropics kindled round me--I reasoned thus, Jane--and now listen; for it was true Wisdom that consoled me in that hour, and showed me the right path to follow. "The sweet wind from Europe was still whispering in the refreshed leaves, and the Atlantic was thundering in glorious liberty; my heart, dried up and scorched for a long time, swelled to the tone, and filled with living blood--my being longed for renewal--my soul thirsted for a pure draught. I saw hope revive--and felt regeneration possible. From a flowery arch at the bottom of my garden I gazed over the sea--bluer than the sky: the old world was beyond; clear prospects opened thus:-- "'Go,' said Hope, 'and live again in Europe: there it is not known what a sullied name you bear, nor what a filthy burden is bound to you. You may take the maniac with you to England; confine her with due attendance and precautions at Thornfield: then travel yourself to what clime you will, and form what new tie you like. That woman, who has so abused your long- suffering, so sullied your name, so outraged your honour, so blighted your youth, is not your wife, nor are you her husband. See that she is cared for as her condition demands, and you have done all that God and humanity require of you. Let her identity, her connection with yourself, be buried in oblivion: you are bound to impart them to no living being. Place her in safety and comfort: shelter her degradation with secrecy, and leave her.' "I acted precisely on this suggestion. My father and brother had not made my marriage known to their acquaintance; because, in the very first letter I wrote to apprise them of the union--having already begun to experience extreme disgust of its consequences, and, from the family character and constitution, seeing a hideous future opening to me--I added an urgent charge to keep it secret: and very soon the infamous conduct of the wife my father had selected for me was such as to make him blush to own her as his daughter-in-law. Far from desiring to publish the connection, he became as anxious to conceal it as myself. "To England, then, I conveyed her; a fearful voyage I had with such a monster in the vessel. Glad was I when I at last got her to Thornfield, and saw her safely lodged in that third-storey room, of whose secret inner cabinet she has now for ten years made a wild beast's den--a goblin's cell. I had some trouble in finding an attendant for her, as it was necessary to select one on whose fidelity dependence could be placed; for her ravings would inevitably betray my secret: besides, she had lucid intervals of days--sometimes weeks--which she filled up with abuse of me. At last I hired Grace Poole from the Grimbsy Retreat. She and the surgeon, Carter (who dressed Mason's wounds that night he was stabbed and worried), are the only two I have ever admitted to my confidence. Mrs. Fairfax may indeed have suspected something, but she could have gained no precise knowledge as to facts. Grace has, on the whole, proved a good keeper; though, owing partly to a fault of her own, of which it appears nothing can cure her, and which is incident to her harassing profession, her vigilance has been more than once lulled and baffled. The lunatic is both cunning and malignant; she has never failed to take advantage of her guardian's temporary lapses; once to secrete the knife with which she stabbed her brother, and twice to possess herself of the key of her cell, and issue therefrom in the night-time. On the first of these occasions, she perpetrated the attempt to burn me in my bed; on the second, she paid that ghastly visit to you. I thank Providence, who watched over you, that she then spent her fury on your wedding apparel, which perhaps brought back vague reminiscences of her own bridal days: but on what might have happened, I cannot endure to reflect. When I think of the thing which flew at my throat this morning, hanging its black and scarlet visage over the nest of my dove, my blood curdles--" "And what, sir," I asked, while he paused, "did you do when you had settled her here? Where did you go?" "What did I do, Jane? I transformed myself into a will-o'-the-wisp. Where did I go? I pursued wanderings as wild as those of the March-spirit. I sought the Continent, and went devious through all its lands. My fixed desire was to seek and find a good and intelligent woman, whom I could love: a contrast to the fury I left at Thornfield--" "But you could not marry, sir." "I had determined and was convinced that I could and ought. It was not my original intention to deceive, as I have deceived you. I meant to tell my tale plainly, and make my proposals openly: and it appeared to me so absolutely rational that I should be considered free to love and be loved, I never doubted some woman might be found willing and able to understand my case and accept me, in spite of the curse with which I was burdened." "Well, sir?" "When you are inquisitive, Jane, you always make me smile. You open your eyes like an eager bird, and make every now and then a restless movement, as if answers in speech did not flow fast enough for you, and you wanted to read the tablet of one's heart. But before I go on, tell me what you mean by your 'Well, sir?' It is a small phrase very frequent with you; and which many a time has drawn me on and on through interminable talk: I don't very well know why." "I mean,--What next? How did you proceed? What came of such an event?" "Precisely! and what do you wish to know now?" "Whether you found any one you liked: whether you asked her to marry you; and what she said." "I can tell you whether I found any one I liked, and whether I asked her to marry me: but what she said is yet to be recorded in the book of Fate. For ten long years I roved about, living first in one capital, then another: sometimes in St. Petersburg; oftener in Paris; occasionally in Rome, Naples, and Florence. Provided with plenty of money and the passport of an old name, I could choose my own society: no circles were closed against me. I sought my ideal of a woman amongst English ladies, French countesses, Italian signoras, and German grafinnen. I could not find her. Sometimes, for a fleeting moment, I thought I caught a glance, heard a tone, beheld a form, which announced the realisation of my dream: but I was presently undeserved. You are not to suppose that I desired perfection, either of mind or person. I longed only for what suited me--for the antipodes of the Creole: and I longed vainly. Amongst them all I found not one whom, had I been ever so free, I--warned as I was of the risks, the horrors, the loathings of incongruous unions--would have asked to marry me. Disappointment made me reckless. I tried dissipation--never debauchery: that I hated, and hate. That was my Indian Messalina's attribute: rooted disgust at it and her restrained me much, even in pleasure. Any enjoyment that bordered on riot seemed to approach me to her and her vices, and I eschewed it. "Yet I could not live alone; so I tried the companionship of mistresses. The first I chose was Celine Varens--another of those steps which make a man spurn himself when he recalls them. You already know what she was, and how my liaison with her terminated. She had two successors: an Italian, Giacinta, and a German, Clara; both considered singularly handsome. What was their beauty to me in a few weeks? Giacinta was unprincipled and violent: I tired of her in three months. Clara was honest and quiet; but heavy, mindless, and unimpressible: not one whit to my taste. I was glad to give her a sufficient sum to set her up in a good line of business, and so get decently rid of her. But, Jane, I see by your face you are not forming a very favourable opinion of me just now. You think me an unfeeling, loose-principled rake: don't you?" "I don't like you so well as I have done sometimes, indeed, sir. Did it not seem to you in the least wrong to live in that way, first with one mistress and then another? You talk of it as a mere matter of course." "It was with me; and I did not like it. It was a grovelling fashion of existence: I should never like to return to it. Hiring a mistress is the next worse thing to buying a slave: both are often by nature, and always by position, inferior: and to live familiarly with inferiors is degrading. I now hate the recollection of the time I passed with Celine, Giacinta, and Clara." I felt the truth of these words; and I drew from them the certain inference, that if I were so far to forget myself and all the teaching that had ever been instilled into me, as--under any pretext--with any justification--through any temptation--to become the successor of these poor girls, he would one day regard me with the same feeling which now in his mind desecrated their memory. I did not give utterance to this conviction: it was enough to feel it. I impressed it on my heart, that it might remain there to serve me as aid in the time of trial. "Now, Jane, why don't you say 'Well, sir?' I have not done. You are looking grave. You disapprove of me still, I see. But let me come to the point. Last January, rid of all mistresses--in a harsh, bitter frame of mind, the result of a useless, roving, lonely life--corroded with disappointment, sourly disposed against all men, and especially against all womankind (for I began to regard the notion of an intellectual, faithful, loving woman as a mere dream), recalled by business, I came back to England. "On a frosty winter afternoon, I rode in sight of Thornfield Hall. Abhorred spot! I expected no peace--no pleasure there. On a stile in Hay Lane I saw a quiet little figure sitting by itself. I passed it as negligently as I did the pollard willow opposite to it: I had no presentiment of what it would be to me; no inward warning that the arbitress of my life--my genius for good or evil--waited there in humble guise. I did not know it, even when, on the occasion of Mesrour's accident, it came up and gravely offered me help. Childish and slender creature! It seemed as if a linnet had hopped to my foot and proposed to bear me on its tiny wing. I was surly; but the thing would not go: it stood by me with strange perseverance, and looked and spoke with a sort of authority. I must be aided, and by that hand: and aided I was. "When once I had pressed the frail shoulder, something new--a fresh sap and sense--stole into my frame. It was well I had learnt that this elf must return to me--that it belonged to my house down below--or I could not have felt it pass away from under my hand, and seen it vanish behind the dim hedge, without singular regret. I heard you come home that night, Jane, though probably you were not aware that I thought of you or watched for you. The next day I observed you--myself unseen--for half-an- hour, while you played with Adele in the gallery. It was a snowy day, I recollect, and you could not go out of doors. I was in my room; the door was ajar: I could both listen and watch. Adele claimed your outward attention for a while; yet I fancied your thoughts were elsewhere: but you were very patient with her, my little Jane; you talked to her and amused her a long time. When at last she left you, you lapsed at once into deep reverie: you betook yourself slowly to pace the gallery. Now and then, in passing a casement, you glanced out at the thick-falling snow; you listened to the sobbing wind, and again you paced gently on and dreamed. I think those day visions were not dark: there was a pleasurable illumination in your eye occasionally, a soft excitement in your aspect, which told of no bitter, bilious, hypochondriac brooding: your look revealed rather the sweet musings of youth when its spirit follows on willing wings the flight of Hope up and on to an ideal heaven. The voice of Mrs. Fairfax, speaking to a servant in the hall, wakened you: and how curiously you smiled to and at yourself, Janet! There was much sense in your smile: it was very shrewd, and seemed to make light of your own abstraction. It seemed to say--'My fine visions are all very well, but I must not forget they are absolutely unreal. I have a rosy sky and a green flowery Eden in my brain; but without, I am perfectly aware, lies at my feet a rough tract to travel, and around me gather black tempests to encounter.' You ran downstairs and demanded of Mrs. Fairfax some occupation: the weekly house accounts to make up, or something of that sort, I think it was. I was vexed with you for getting out of my sight. "Impatiently I waited for evening, when I might summon you to my presence. An unusual--to me--a perfectly new character I suspected was yours: I desired to search it deeper and know it better. You entered the room with a look and air at once shy and independent: you were quaintly dressed--much as you are now. I made you talk: ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor's face: there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me: I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquillised your manner: snarl as I would, you showed no surprise, fear, annoyance, or displeasure at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw: I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely. I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance: besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade--the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you--but you did not; you kept in the schoolroom as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, for you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me, or if you ever thought of me, and resolved to find this out. "I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed: I saw you had a social heart; it was the silent schoolroom--it was the tedium of your life--that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon: your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful happy accent. I used to enjoy a chance meeting with you, Jane, at this time: there was a curious hesitation in your manner: you glanced at me with a slight trouble--a hovering doubt: you did not know what my caprice might be--whether I was going to play the master and be stern, or the friend and be benignant. I was now too fond of you often to simulate the first whim; and, when I stretched my hand out cordially, such bloom and light and bliss rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart." "Don't talk any more of those days, sir," I interrupted, furtively dashing away some tears from my eyes; his language was torture to me; for I knew what I must do--and do soon--and all these reminiscences, and these revelations of his feelings only made my work more difficult. "No, Jane," he returned: "what necessity is there to dwell on the Past, when the Present is so much surer--the Future so much brighter?" I shuddered to hear the infatuated assertion. "You see now how the case stands--do you not?" he continued. "After a youth and manhood passed half in unutterable misery and half in dreary solitude, I have for the first time found what I can truly love--I have found you. You are my sympathy--my better self--my good angel. I am bound to you with a strong attachment. I think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wraps my existence about you, and, kindling in pure, powerful flame, fuses you and me in one. "It was because I felt and knew this, that I resolved to marry you. To tell me that I had already a wife is empty mockery: you know now that I had but a hideous demon. I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character. I feared early instilled prejudice: I wanted to have you safe before hazarding confidences. This was cowardly: I should have appealed to your nobleness and magnanimity at first, as I do now--opened to you plainly my life of agony--described to you my hunger and thirst after a higher and worthier existence--shown to you, not my _resolution_ (that word is weak), but my resistless _bent_ to love faithfully and well, where I am faithfully and well loved in return. Then I should have asked you to accept my pledge of fidelity and to give me yours. Jane--give it me now." A pause. "Why are you silent, Jane?" I was experiencing an ordeal: a hand of fiery iron grasped my vitals. Terrible moment: full of struggle, blackness, burning! Not a human being that ever lived could wish to be loved better than I was loved; and him who thus loved me I absolutely worshipped: and I must renounce love and idol. One drear word comprised my intolerable duty--"Depart!" "Jane, you understand what I want of you? Just this promise--'I will be yours, Mr. Rochester.'" "Mr. Rochester, I will _not_ be yours." Another long silence. "Jane!" recommenced he, with a gentleness that broke me down with grief, and turned me stone-cold with ominous terror--for this still voice was the pant of a lion rising--"Jane, do you mean to go one way in the world, and to let me go another?" "I do." "Jane" (bending towards and embracing me), "do you mean it now?" "I do." "And now?" softly kissing my forehead and cheek. "I do," extricating myself from restraint rapidly and completely. "Oh, Jane, this is bitter! This--this is wicked. It would not be wicked to love me." "It would to obey you." A wild look raised his brows--crossed his features: he rose; but he forebore yet. I laid my hand on the back of a chair for support: I shook, I feared--but I resolved. "One instant, Jane. Give one glance to my horrible life when you are gone. All happiness will be torn away with you. What then is left? For a wife I have but the maniac upstairs: as well might you refer me to some corpse in yonder churchyard. What shall I do, Jane? Where turn for a companion and for some hope?" "Do as I do: trust in God and yourself. Believe in heaven. Hope to meet again there." "Then you will not yield?" "No." "Then you condemn me to live wretched and to die accursed?" His voice rose. "I advise you to live sinless, and I wish you to die tranquil." "Then you snatch love and innocence from me? You fling me back on lust for a passion--vice for an occupation?" "Mr. Rochester, I no more assign this fate to you than I grasp at it for myself. We were born to strive and endure--you as well as I: do so. You will forget me before I forget you." "You make me a liar by such language: you sully my honour. I declared I could not change: you tell me to my face I shall change soon. And what a distortion in your judgment, what a perversity in your ideas, is proved by your conduct! Is it better to drive a fellow-creature to despair than to transgress a mere human law, no man being injured by the breach? for you have neither relatives nor acquaintances whom you need fear to offend by living with me?" This was true: and while he spoke my very conscience and reason turned traitors against me, and charged me with crime in resisting him. They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger--look at his state when left alone; remember his headlong nature; consider the recklessness following on despair--soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for _you_? or who will be injured by what you do?" Still indomitable was the reply--"_I_ care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot." I did. Mr. Rochester, reading my countenance, saw I had done so. His fury was wrought to the highest: he must yield to it for a moment, whatever followed; he crossed the floor and seized my arm and grasped my waist. He seemed to devour me with his flaming glance: physically, I felt, at the moment, powerless as stubble exposed to the draught and glow of a furnace: mentally, I still possessed my soul, and with it the certainty of ultimate safety. The soul, fortunately, has an interpreter--often an unconscious, but still a truthful interpreter--in the eye. My eye rose to his; and while I looked in his fierce face I gave an involuntary sigh; his gripe was painful, and my over-taxed strength almost exhausted. "Never," said he, as he ground his teeth, "never was anything at once so frail and so indomitable. A mere reed she feels in my hand!" (And he shook me with the force of his hold.) "I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage--with a stern triumph. Whatever I do with its cage, I cannot get at it--the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwelling-place. And it is you, spirit--with will and energy, and virtue and purity--that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence--you will vanish ere I inhale your fragrance. Oh! come, Jane, come!" As he said this, he released me from his clutch, and only looked at me. The look was far worse to resist than the frantic strain: only an idiot, however, would have succumbed now. I had dared and baffled his fury; I must elude his sorrow: I retired to the door. "You are going, Jane?" "I am going, sir." "You are leaving me?" "Yes." "You will not come? You will not be my comforter, my rescuer? My deep love, my wild woe, my frantic prayer, are all nothing to you?" What unutterable pathos was in his voice! How hard it was to reiterate firmly, "I am going." "Jane!" "Mr. Rochester!" "Withdraw, then,--I consent; but remember, you leave me here in anguish. Go up to your own room; think over all I have said, and, Jane, cast a glance on my sufferings--think of me." He turned away; he threw himself on his face on the sofa. "Oh, Jane! my hope--my love--my life!" broke in anguish from his lips. Then came a deep, strong sob. I had already gained the door; but, reader, I walked back--walked back as determinedly as I had retreated. I knelt down by him; I turned his face from the cushion to me; I kissed his cheek; I smoothed his hair with my hand. "God bless you, my dear master!" I said. "God keep you from harm and wrong--direct you, solace you--reward you well for your past kindness to me." "Little Jane's love would have been my best reward," he answered; "without it, my heart is broken. But Jane will give me her love: yes--nobly, generously." Up the blood rushed to his face; forth flashed the fire from his eyes; erect he sprang; he held his arms out; but I evaded the embrace, and at once quitted the room. "Farewell!" was the cry of my heart as I left him. Despair added, "Farewell for ever!" * * * * * That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come--watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart-- "My daughter, flee temptation." "Mother, I will." So I answered after I had waked from the trance-like dream. It was yet night, but July nights are short: soon after midnight, dawn comes. "It cannot be too early to commence the task I have to fulfil," thought I. I rose: I was dressed; for I had taken off nothing but my shoes. I knew where to find in my drawers some linen, a locket, a ring. In seeking these articles, I encountered the beads of a pearl necklace Mr. Rochester had forced me to accept a few days ago. I left that; it was not mine: it was the visionary bride's who had melted in air. The other articles I made up in a parcel; my purse, containing twenty shillings (it was all I had), I put in my pocket: I tied on my straw bonnet, pinned my shawl, took the parcel and my slippers, which I would not put on yet, and stole from my room. "Farewell, kind Mrs. Fairfax!" I whispered, as I glided past her door. "Farewell, my darling Adele!" I said, as I glanced towards the nursery. No thought could be admitted of entering to embrace her. I had to deceive a fine ear: for aught I knew it might now be listening. I would have got past Mr. Rochester's chamber without a pause; but my heart momentarily stopping its beat at that threshold, my foot was forced to stop also. No sleep was there: the inmate was walking restlessly from wall to wall; and again and again he sighed while I listened. There was a heaven--a temporary heaven--in this room for me, if I chose: I had but to go in and to say-- "Mr. Rochester, I will love you and live with you through life till death," and a fount of rapture would spring to my lips. I thought of this. That kind master, who could not sleep now, was waiting with impatience for day. He would send for me in the morning; I should be gone. He would have me sought for: vainly. He would feel himself forsaken; his love rejected: he would suffer; perhaps grow desperate. I thought of this too. My hand moved towards the lock: I caught it back, and glided on. Drearily I wound my way downstairs: I knew what I had to do, and I did it mechanically. I sought the key of the side-door in the kitchen; I sought, too, a phial of oil and a feather; I oiled the key and the lock. I got some water, I got some bread: for perhaps I should have to walk far; and my strength, sorely shaken of late, must not break down. All this I did without one sound. I opened the door, passed out, shut it softly. Dim dawn glimmered in the yard. The great gates were closed and locked; but a wicket in one of them was only latched. Through that I departed: it, too, I shut; and now I was out of Thornfield. A mile off, beyond the fields, lay a road which stretched in the contrary direction to Millcote; a road I had never travelled, but often noticed, and wondered where it led: thither I bent my steps. No reflection was to be allowed now: not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet--so deadly sad--that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank: something like the world when the deluge was gone by. I skirted fields, and hedges, and lanes till after sunrise. I believe it was a lovely summer morning: I know my shoes, which I had put on when I left the house, were soon wet with dew. But I looked neither to rising sun, nor smiling sky, nor wakening nature. He who is taken out to pass through a fair scene to the scaffold, thinks not of the flowers that smile on his road, but of the block and axe-edge; of the disseverment of bone and vein; of the grave gaping at the end: and I thought of drear flight and homeless wandering--and oh! with agony I thought of what I left. I could not help it. I thought of him now--in his room--watching the sunrise; hoping I should soon come to say I would stay with him and be his. I longed to be his; I panted to return: it was not too late; I could yet spare him the bitter pang of bereavement. As yet my flight, I was sure, was undiscovered. I could go back and be his comforter--his pride; his redeemer from misery, perhaps from ruin. Oh, that fear of his self-abandonment--far worse than my abandonment--how it goaded me! It was a barbed arrow-head in my breast; it tore me when I tried to extract it; it sickened me when remembrance thrust it farther in. Birds began singing in brake and copse: birds were faithful to their mates; birds were emblems of love. What was I? In the midst of my pain of heart and frantic effort of principle, I abhorred myself. I had no solace from self-approbation: none even from self-respect. I had injured--wounded--left my master. I was hateful in my own eyes. Still I could not turn, nor retrace one step. God must have led me on. As to my own will or conscience, impassioned grief had trampled one and stifled the other. I was weeping wildly as I walked along my solitary way: fast, fast I went like one delirious. A weakness, beginning inwardly, extending to the limbs, seized me, and I fell: I lay on the ground some minutes, pressing my face to the wet turf. I had some fear--or hope--that here I should die: but I was soon up; crawling forwards on my hands and knees, and then again raised to my feet--as eager and as determined as ever to reach the road. When I got there, I was forced to sit to rest me under the hedge; and while I sat, I heard wheels, and saw a coach come on. I stood up and lifted my hand; it stopped. I asked where it was going: the driver named a place a long way off, and where I was sure Mr. Rochester had no connections. I asked for what sum he would take me there; he said thirty shillings; I answered I had but twenty; well, he would try to make it do. He further gave me leave to get into the inside, as the vehicle was empty: I entered, was shut in, and it rolled on its way. Gentle reader, may you never feel what I then felt! May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonised as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love. Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute. Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, dusk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south--white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment--not a charm or hope calls me where my fellow-creatures are--none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose. I struck straight into the heath; I held on to a hollow I saw deeply furrowing the brown moorside; I waded knee-deep in its dark growth; I turned with its turnings, and finding a moss-blackened granite crag in a hidden angle, I sat down under it. High banks of moor were about me; the crag protected my head: the sky was over that. Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection. What was I to do? Where to go? Oh, intolerable questions, when I could do nothing and go nowhere!--when a long way must yet be measured by my weary, trembling limbs before I could reach human habitation--when cold charity must be entreated before I could get a lodging: reluctant sympathy importuned, almost certain repulse incurred, before my tale could be listened to, or one of my wants relieved! I touched the heath: it was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good; I thought she loved me, outcast as I was; and I, who from man could anticipate only mistrust, rejection, insult, clung to her with filial fondness. To-night, at least, I would be her guest, as I was her child: my mother would lodge me without money and without price. I had one morsel of bread yet: the remnant of a roll I had bought in a town we passed through at noon with a stray penny--my last coin. I saw ripe bilberries gleaming here and there, like jet beads in the heath: I gathered a handful and ate them with the bread. My hunger, sharp before, was, if not satisfied, appeased by this hermit's meal. I said my evening prayers at its conclusion, and then chose my couch. {I said my evening prayers: p311.jpg} Beside the crag the heath was very deep: when I lay down my feet were buried in it; rising high on each side, it left only a narrow space for the night-air to invade. I folded my shawl double, and spread it over me for a coverlet; a low, mossy swell was my pillow. Thus lodged, I was not, at least--at the commencement of the night, cold. My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords. It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both wings broken, it still quivered its shattered pinions in vain attempts to seek him. Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night: too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky- way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe; he was God's, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow. But next day, Want came to me pale and bare. Long after the little birds had left their nests; long after bees had come in the sweet prime of day to gather the heath honey before the dew was dried--when the long morning shadows were curtailed, and the sun filled earth and sky--I got up, and I looked round me. What a still, hot, perfect day! What a golden desert this spreading moor! Everywhere sunshine. I wished I could live in it and on it. I saw a lizard run over the crag; I saw a bee busy among the sweet bilberries. I would fain at the moment have become bee or lizard, that I might have found fitting nutriment, permanent shelter here. But I was a human being, and had a human being's wants: I must not linger where there was nothing to supply them. I rose; I looked back at the bed I had left. Hopeless of the future, I wished but this--that my Maker had that night thought good to require my soul of me while I slept; and that this weary frame, absolved by death from further conflict with fate, had now but to decay quietly, and mingle in peace with the soil of this wilderness. Life, however, was yet in my possession, with all its requirements, and pains, and responsibilities. The burden must be carried; the want provided for; the suffering endured; the responsibility fulfilled. I set out. Whitcross regained, I followed a road which led from the sun, now fervent and high. By no other circumstance had I will to decide my choice. I walked a long time, and when I thought I had nearly done enough, and might conscientiously yield to the fatigue that almost overpowered me--might relax this forced action, and, sitting down on a stone I saw near, submit resistlessly to the apathy that clogged heart and limb--I heard a bell chime--a church bell. I turned in the direction of the sound, and there, amongst the romantic hills, whose changes and aspect I had ceased to note an hour ago, I saw a hamlet and a spire. All the valley at my right hand was full of pasture- fields, and cornfields, and wood; and a glittering stream ran zig-zag through the varied shades of green, the mellowing grain, the sombre woodland, the clear and sunny lea. Recalled by the rumbling of wheels to the road before me, I saw a heavily-laden waggon labouring up the hill, and not far beyond were two cows and their drover. Human life and human labour were near. I must struggle on: strive to live and bend to toil like the rest. About two o'clock p.m. I entered the village. At the bottom of its one street there was a little shop with some cakes of bread in the window. I coveted a cake of bread. With that refreshment I could perhaps regain a degree of energy: without it, it would be difficult to proceed. The wish to have some strength and some vigour returned to me as soon as I was amongst my fellow-beings. I felt it would be degrading to faint with hunger on the causeway of a hamlet. Had I nothing about me I could offer in exchange for one of these rolls? I considered. I had a small silk handkerchief tied round my throat; I had my gloves. I could hardly tell how men and women in extremities of destitution proceeded. I did not know whether either of these articles would be accepted: probably they would not; but I must try. I entered the shop: a woman was there. Seeing a respectably-dressed person, a lady as she supposed, she came forward with civility. How could she serve me? I was seized with shame: my tongue would not utter the request I had prepared. I dared not offer her the half-worn gloves, the creased handkerchief: besides, I felt it would be absurd. I only begged permission to sit down a moment, as I was tired. Disappointed in the expectation of a customer, she coolly acceded to my request. She pointed to a seat; I sank into it. I felt sorely urged to weep; but conscious how unseasonable such a manifestation would be, I restrained it. Soon I asked her "if there were any dressmaker or plain-workwoman in the village?" "Yes; two or three. Quite as many as there was employment for." I reflected. I was driven to the point now. I was brought face to face with Necessity. I stood in the position of one without a resource, without a friend, without a coin. I must do something. What? I must apply somewhere. Where? "Did she know of any place in the neighbourhood where a servant was wanted?" "Nay; she couldn't say." "What was the chief trade in this place? What did most of the people do?" "Some were farm labourers; a good deal worked at Mr. Oliver's needle-factory, and at the foundry." "Did Mr. Oliver employ women?" "Nay; it was men's work." "And what do the women do?" "I knawn't," was the answer. "Some does one thing, and some another. Poor folk mun get on as they can." She seemed to be tired of my questions: and, indeed, what claim had I to importune her? A neighbour or two came in; my chair was evidently wanted. I took leave. I passed up the street, looking as I went at all the houses to the right hand and to the left; but I could discover no pretext, nor see an inducement to enter any. I rambled round the hamlet, going sometimes to a little distance and returning again, for an hour or more. Much exhausted, and suffering greatly now for want of food, I turned aside into a lane and sat down under the hedge. Ere many minutes had elapsed, I was again on my feet, however, and again searching something--a resource, or at least an informant. A pretty little house stood at the top of the lane, with a garden before it, exquisitely neat and brilliantly blooming. I stopped at it. What business had I to approach the white door or touch the glittering knocker? In what way could it possibly be the interest of the inhabitants of that dwelling to serve me? Yet I drew near and knocked. A mild-looking, cleanly-attired young woman opened the door. In such a voice as might be expected from a hopeless heart and fainting frame--a voice wretchedly low and faltering--I asked if a servant was wanted here? "No," said she; "we do not keep a servant." "Can you tell me where I could get employment of any kind?" I continued. "I am a stranger, without acquaintance in this place. I want some work: no matter what." But it was not her business to think for me, or to seek a place for me: besides, in her eyes, how doubtful must have appeared my character, position, tale. She shook her head, she "was sorry she could give me no information," and the white door closed, quite gently and civilly: but it shut me out. If she had held it open a little longer, I believe I should have begged a piece of bread; for I was now brought low. I could not bear to return to the sordid village, where, besides, no prospect of aid was visible. I should have longed rather to deviate to a wood I saw not far off, which appeared in its thick shade to offer inviting shelter; but I was so sick, so weak, so gnawed with nature's cravings, instinct kept me roaming round abodes where there was a chance of food. Solitude would be no solitude--rest no rest--while the vulture, hunger, thus sank beak and talons in my side. I drew near houses; I left them, and came back again, and again I wandered away: always repelled by the consciousness of having no claim to ask--no right to expect interest in my isolated lot. Meantime, the afternoon advanced, while I thus wandered about like a lost and starving dog. In crossing a field, I saw the church spire before me: I hastened towards it. Near the churchyard, and in the middle of a garden, stood a well-built though small house, which I had no doubt was the parsonage. I remembered that strangers who arrive at a place where they have no friends, and who want employment, sometimes apply to the clergyman for introduction and aid. It is the clergyman's function to help--at least with advice--those who wished to help themselves. I seemed to have something like a right to seek counsel here. Renewing then my courage, and gathering my feeble remains of strength, I pushed on. I reached the house, and knocked at the kitchen-door. An old woman opened: I asked was this the parsonage? "Yes." "Was the clergyman in?" "No." "Would he be in soon?" "No, he was gone from home." "To a distance?" "Not so far--happen three mile. He had been called away by the sudden death of his father: he was at Marsh End now, and would very likely stay there a fortnight longer." "Was there any lady of the house?" "Nay, there was naught but her, and she was housekeeper;" and of her, reader, I could not bear to ask the relief for want of which I was sinking; I could not yet beg; and again I crawled away. Once more I took off my handkerchief--once more I thought of the cakes of bread in the little shop. Oh, for but a crust! for but one mouthful to allay the pang of famine! Instinctively I turned my face again to the village; I found the shop again, and I went in; and though others were there besides the woman I ventured the request--"Would she give me a roll for this handkerchief?" She looked at me with evident suspicion: "Nay, she never sold stuff i' that way." Almost desperate, I asked for half a cake; she again refused. "How could she tell where I had got the handkerchief?" she said. "Would she take my gloves?" "No! what could she do with them?" Reader, it is not pleasant to dwell on these details. Some say there is enjoyment in looking back to painful experience past; but at this day I can scarcely bear to review the times to which I allude: the moral degradation, blent with the physical suffering, form too distressing a recollection ever to be willingly dwelt on. I blamed none of those who repulsed me. I felt it was what was to be expected, and what could not be helped: an ordinary beggar is frequently an object of suspicion; a well-dressed beggar inevitably so. To be sure, what I begged was employment; but whose business was it to provide me with employment? Not, certainly, that of persons who saw me then for the first time, and who knew nothing about my character. And as to the woman who would not take my handkerchief in exchange for her bread, why, she was right, if the offer appeared to her sinister or the exchange unprofitable. Let me condense now. I am sick of the subject. A little before dark I passed a farm-house, at the open door of which the farmer was sitting, eating his supper of bread and cheese. I stopped and said-- "Will you give me a piece of bread? for I am very hungry." He cast on me a glance of surprise; but without answering, he cut a thick slice from his loaf, and gave it to me. I imagine he did not think I was a beggar, but only an eccentric sort of lady, who had taken a fancy to his brown loaf. As soon as I was out of sight of his house, I sat down and ate it. I could not hope to get a lodging under a roof, and sought it in the wood I have before alluded to. But my night was wretched, my rest broken: the ground was damp, the air cold: besides, intruders passed near me more than once, and I had again and again to change my quarters; no sense of safety or tranquillity befriended me. Towards morning it rained; the whole of the following day was wet. Do not ask me, reader, to give a minute account of that day; as before, I sought work; as before, I was repulsed; as before, I starved; but once did food pass my lips. At the door of a cottage I saw a little girl about to throw a mess of cold porridge into a pig trough. "Will you give me that?" I asked. {"Will you give me that?" I asked: p316.jpg} She stared at me. "Mother!" she exclaimed, "there is a woman wants me to give her these porridge." "Well lass," replied a voice within, "give it her if she's a beggar. T' pig doesn't want it." The girl emptied the stiffened mould into my hand, and I devoured it ravenously. As the wet twilight deepened, I stopped in a solitary bridle-path, which I had been pursuing an hour or more. "My strength is quite failing me," I said in a soliloquy. "I feel I cannot go much farther. Shall I be an outcast again this night? While the rain descends so, must I lay my head on the cold, drenched ground? I fear I cannot do otherwise: for who will receive me? But it will be very dreadful, with this feeling of hunger, faintness, chill, and this sense of desolation--this total prostration of hope. In all likelihood, though, I should die before morning. And why cannot I reconcile myself to the prospect of death? Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living: and then, to die of want and cold is a fate to which nature cannot submit passively. Oh, Providence! sustain me a little longer! Aid!--direct me!" My glazed eye wandered over the dim and misty landscape. I saw I had strayed far from the village: it was quite out of sight. The very cultivation surrounding it had disappeared. I had, by cross-ways and by- paths, once more drawn near the tract of moorland; and now, only a few fields, almost as wild and unproductive as the heath from which they were scarcely reclaimed, lay between me and the dusky hill. "Well, I would rather die yonder than in a street or on a frequented road," I reflected. "And far better that crows and ravens--if any ravens there be in these regions--should pick my flesh from my bones, than that they should be prisoned in a workhouse coffin and moulder in a pauper's grave." To the hill, then, I turned. I reached it. It remained now only to find a hollow where I could lie down, and feel at least hidden, if not secure. But all the surface of the waste looked level. It showed no variation but of tint: green, where rush and moss overgrew the marshes; black, where the dry soil bore only heath. Dark as it was getting, I could still see these changes, though but as mere alternations of light and shade; for colour had faded with the daylight. My eye still roved over the sullen swell and along the moor-edge, vanishing amidst the wildest scenery, when at one dim point, far in among the marshes and the ridges, a light sprang up. "That is an _ignis fatuus_," was my first thought; and I expected it would soon vanish. It burnt on, however, quite steadily, neither receding nor advancing. "Is it, then, a bonfire just kindled?" I questioned. I watched to see whether it would spread: but no; as it did not diminish, so it did not enlarge. "It may be a candle in a house," I then conjectured; "but if so, I can never reach it. It is much too far away: and were it within a yard of me, what would it avail? I should but knock at the door to have it shut in my face." And I sank down where I stood, and hid my face against the ground. I lay still a while: the night-wind swept over the hill and over me, and died moaning in the distance; the rain fell fast, wetting me afresh to the skin. Could I but have stiffened to the still frost--the friendly numbness of death--it might have pelted on; I should not have felt it; but my yet living flesh shuddered at its chilling influence. I rose ere long. The light was yet there, shining dim but constant through the rain. I tried to walk again: I dragged my exhausted limbs slowly towards it. It led me aslant over the hill, through a wide bog, which would have been impassable in winter, and was splashy and shaking even now, in the height of summer. Here I fell twice; but as often I rose and rallied my faculties. This light was my forlorn hope: I must gain it. Having crossed the marsh, I saw a trace of white over the moor. I approached it; it was a road or a track: it led straight up to the light, which now beamed from a sort of knoll, amidst a clump of trees--firs, apparently, from what I could distinguish of the character of their forms and foliage through the gloom. My star vanished as I drew near: some obstacle had intervened between me and it. I put out my hand to feel the dark mass before me: I discriminated the rough stones of a low wall--above it, something like palisades, and within, a high and prickly hedge. I groped on. Again a whitish object gleamed before me: it was a gate--a wicket; it moved on its hinges as I touched it. On each side stood a sable bush-holly or yew. Entering the gate and passing the shrubs, the silhouette of a house rose to view, black, low, and rather long; but the guiding light shone nowhere. All was obscurity. Were the inmates retired to rest? I feared it must be so. In seeking the door, I turned an angle: there shot out the friendly gleam again, from the lozenged panes of a very small latticed window, within a foot of the ground, made still smaller by the growth of ivy or some other creeping plant, whose leaves clustered thick over the portion of the house wall in which it was set. The aperture was so screened and narrow, that curtain or shutter had been deemed unnecessary; and when I stooped down and put aside the spray of foliage shooting over it, I could see all within. I could see clearly a room with a sanded floor, clean scoured; a dresser of walnut, with pewter plates ranged in rows, reflecting the redness and radiance of a glowing peat-fire. I could see a clock, a white deal table, some chairs. The candle, whose ray had been my beacon, burnt on the table; and by its light an elderly woman, somewhat rough-looking, but scrupulously clean, like all about her, was knitting a stocking. I noticed these objects cursorily only--in them there was nothing extraordinary. A group of more interest appeared near the hearth, sitting still amidst the rosy peace and warmth suffusing it. Two young, graceful women--ladies in every point--sat, one in a low rocking-chair, the other on a lower stool; both wore deep mourning of crape and bombazeen, which sombre garb singularly set off very fair necks and faces: a large old pointer dog rested its massive head on the knee of one girl--in the lap of the other was cushioned a black cat. A strange place was this humble kitchen for such occupants! Who were they? They could not be the daughters of the elderly person at the table; for she looked like a rustic, and they were all delicacy and cultivation. I had nowhere seen such faces as theirs: and yet, as I gazed on them, I seemed intimate with every lineament. I cannot call them handsome--they were too pale and grave for the word: as they each bent over a book, they looked thoughtful almost to severity. A stand between them supported a second candle and two great volumes, to which they frequently referred, comparing them, seemingly, with the smaller books they held in their hands, like people consulting a dictionary to aid them in the task of translation. This scene was as silent as if all the figures had been shadows and the firelit apartment a picture: so hushed was it, I could hear the cinders fall from the grate, the clock tick in its obscure corner; and I even fancied I could distinguish the click-click of the woman's knitting-needles. When, therefore, a voice broke the strange stillness at last, it was audible enough to me. "Listen, Diana," said one of the absorbed students; "Franz and old Daniel are together in the night-time, and Franz is telling a dream from which he has awakened in terror--listen!" And in a low voice she read something, of which not one word was intelligible to me; for it was in an unknown tongue--neither French nor Latin. Whether it were Greek or German I could not tell. "That is strong," she said, when she had finished: "I relish it." The other girl, who had lifted her head to listen to her sister, repeated, while she gazed at the fire, a line of what had been read. At a later day, I knew the language and the book; therefore, I will here quote the line: though, when I first heard it, it was only like a stroke on sounding brass to me--conveying no meaning:-- "'Da trat hervor Einer, anzusehen wie die Sternen Nacht.' Good! good!" she exclaimed, while her dark and deep eye sparkled. "There you have a dim and mighty archangel fitly set before you! The line is worth a hundred pages of fustian. 'Ich wage die Gedanken in der Schale meines Zornes und die Werke mit dem Gewichte meines Grimms.' I like it!" Both were again silent. "Is there ony country where they talk i' that way?" asked the old woman, looking up from her knitting. "Yes, Hannah--a far larger country than England, where they talk in no other way." "Well, for sure case, I knawn't how they can understand t' one t'other: and if either o' ye went there, ye could tell what they said, I guess?" "We could probably tell something of what they said, but not all--for we are not as clever as you think us, Hannah. We don't speak German, and we cannot read it without a dictionary to help us." "And what good does it do you?" "We mean to teach it some time--or at least the elements, as they say; and then we shall get more money than we do now." "Varry like: but give ower studying; ye've done enough for to-night." "I think we have: at least I'm tired. Mary, are you?" "Mortally: after all, it's tough work fagging away at a language with no master but a lexicon." "It is, especially such a language as this crabbed but glorious Deutsch. I wonder when St. John will come home." "Surely he will not be long now: it is just ten (looking at a little gold watch she drew from her girdle). It rains fast, Hannah: will you have the goodness to look at the fire in the parlour?" The woman rose: she opened a door, through which I dimly saw a passage: soon I heard her stir a fire in an inner room; she presently came back. "Ah, childer!" said she, "it fair troubles me to go into yond' room now: it looks so lonesome wi' the chair empty and set back in a corner." She wiped her eyes with her apron: the two girls, grave before, looked sad now. "But he is in a better place," continued Hannah: "we shouldn't wish him here again. And then, nobody need to have a quieter death nor he had." "You say he never mentioned us?" inquired one of the ladies. "He hadn't time, bairn: he was gone in a minute, was your father. He had been a bit ailing like the day before, but naught to signify; and when Mr. St. John asked if he would like either o' ye to be sent for, he fair laughed at him. He began again with a bit of a heaviness in his head the next day--that is, a fortnight sin'--and he went to sleep and niver wakened: he wor a'most stark when your brother went into t' chamber and fand him. Ah, childer! that's t' last o' t' old stock--for ye and Mr. St. John is like of different soart to them 'at's gone; for all your mother wor mich i' your way, and a'most as book-learned. She wor the pictur' o' ye, Mary: Diana is more like your father." I thought them so similar I could not tell where the old servant (for such I now concluded her to be) saw the difference. Both were fair complexioned and slenderly made; both possessed faces full of distinction and intelligence. One, to be sure, had hair a shade darker than the other, and there was a difference in their style of wearing it; Mary's pale brown locks were parted and braided smooth: Diana's duskier tresses covered her neck with thick curls. The clock struck ten. "Ye'll want your supper, I am sure," observed Hannah; "and so will Mr. St. John when he comes in." And she proceeded to prepare the meal. The ladies rose; they seemed about to withdraw to the parlour. Till this moment, I had been so intent on watching them, their appearance and conversation had excited in me so keen an interest, I had half-forgotten my own wretched position: now it recurred to me. More desolate, more desperate than ever, it seemed from contrast. And how impossible did it appear to touch the inmates of this house with concern on my behalf; to make them believe in the truth of my wants and woes--to induce them to vouchsafe a rest for my wanderings! As I groped out the door, and knocked at it hesitatingly, I felt that last idea to be a mere chimera. Hannah opened. "What do you want?" she inquired, in a voice of surprise, as she surveyed me by the light of the candle she held. "May I speak to your mistresses?" I said. "You had better tell me what you have to say to them. Where do you come from?" "I am a stranger." "What is your business here at this hour?" "I want a night's shelter in an out-house or anywhere, and a morsel of bread to eat." Distrust, the very feeling I dreaded, appeared in Hannah's face. "I'll give you a piece of bread," she said, after a pause; "but we can't take in a vagrant to lodge. It isn't likely." "Do let me speak to your mistresses." "No, not I. What can they do for you? You should not be roving about now; it looks very ill." "But where shall I go if you drive me away? What shall I do?" "Oh, I'll warrant you know where to go and what to do. Mind you don't do wrong, that's all. Here is a penny; now go--" "A penny cannot feed me, and I have no strength to go farther. Don't shut the door:--oh, don't, for God's sake!" "I must; the rain is driving in--" "Tell the young ladies. Let me see them--" "Indeed, I will not. You are not what you ought to be, or you wouldn't make such a noise. Move off." "But I must die if I am turned away." "Not you. I'm fear'd you have some ill plans agate, that bring you about folk's houses at this time o' night. If you've any followers--housebreakers or such like--anywhere near, you may tell them we are not by ourselves in the house; we have a gentleman, and dogs, and guns." Here the honest but inflexible servant clapped the door to and bolted it within. This was the climax. A pang of exquisite suffering--a throe of true despair--rent and heaved my heart. Worn out, indeed, I was; not another step could I stir. I sank on the wet doorstep: I groaned--I wrung my hands--I wept in utter anguish. Oh, this spectre of death! Oh, this last hour, approaching in such horror! Alas, this isolation--this banishment from my kind! Not only the anchor of hope, but the footing of fortitude was gone--at least for a moment; but the last I soon endeavoured to regain. "I can but die," I said, "and I believe in God. Let me try to wait His will in silence." These words I not only thought, but uttered; and thrusting back all my misery into my heart, I made an effort to compel it to remain there--dumb and still. "All men must die," said a voice quite close at hand; "but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want." "Who or what speaks?" I asked, terrified at the unexpected sound, and incapable now of deriving from any occurrence a hope of aid. A form was near--what form, the pitch-dark night and my enfeebled vision prevented me from distinguishing. With a loud long knock, the new-comer appealed to the door. "Is it you, Mr. St. John?" cried Hannah. "Yes--yes; open quickly." "Well, how wet and cold you must be, such a wild night as it is! Come in--your sisters are quite uneasy about you, and I believe there are bad folks about. There has been a beggar-woman--I declare she is not gone yet!--laid down there. Get up! for shame! Move off, I say!" "Hush, Hannah! I have a word to say to the woman. You have done your duty in excluding, now let me do mine in admitting her. I was near, and listened to both you and her. I think this is a peculiar case--I must at least examine into it. Young woman, rise, and pass before me into the house." {Hush, Hannah; I have a word to say to the woman: p323.jpg} With difficulty I obeyed him. Presently I stood within that clean, bright kitchen--on the very hearth--trembling, sickening; conscious of an aspect in the last degree ghastly, wild, and weather-beaten. The two ladies, their brother, Mr. St. John, the old servant, were all gazing at me. "St. John, who is it?" I heard one ask. "I cannot tell: I found her at the door," was the reply. "She does look white," said Hannah. "As white as clay or death," was responded. "She will fall: let her sit." And indeed my head swam: I dropped, but a chair received me. I still possessed my senses, though just now I could not speak. "Perhaps a little water would restore her. Hannah, fetch some. But she is worn to nothing. How very thin, and how very bloodless!" "A mere spectre!" "Is she ill, or only famished?" "Famished, I think. Hannah, is that milk? Give it me, and a piece of bread." Diana (I knew her by the long curls which I saw drooping between me and the fire as she bent over me) broke some bread, dipped it in milk, and put it to my lips. Her face was near mine: I saw there was pity in it, and I felt sympathy in her hurried breathing. In her simple words, too, the same balm-like emotion spoke: "Try to eat." "Yes--try," repeated Mary gently; and Mary's hand removed my sodden bonnet and lifted my head. I tasted what they offered me: feebly at first, eagerly soon. "Not too much at first--restrain her," said the brother; "she has had enough." And he withdrew the cup of milk and the plate of bread. "A little more, St. John--look at the avidity in her eyes." "No more at present, sister. Try if she can speak now--ask her her name." I felt I could speak, and I answered--"My name is Jane Elliott." Anxious as ever to avoid discovery, I had before resolved to assume an _alias_. "And where do you live? Where are your friends?" I was silent. "Can we send for any one you know?" I shook my head. "What account can you give of yourself?" Somehow, now that I had once crossed the threshold of this house, and once was brought face to face with its owners, I felt no longer outcast, vagrant, and disowned by the wide world. I dared to put off the mendicant--to resume my natural manner and character. I began once more to know myself; and when Mr. St. John demanded an account--which at present I was far too weak to render--I said after a brief pause-- "Sir, I can give you no details to-night." "But what, then," said he, "do you expect me to do for you?" "Nothing," I replied. My strength sufficed for but short answers. Diana took the word-- "Do you mean," she asked, "that we have now given you what aid you require? and that we may dismiss you to the moor and the rainy night?" I looked at her. She had, I thought, a remarkable countenance, instinct both with power and goodness. I took sudden courage. Answering her compassionate gaze with a smile, I said--"I will trust you. If I were a masterless and stray dog, I know that you would not turn me from your hearth to-night: as it is, I really have no fear. Do with me and for me as you like; but excuse me from much discourse--my breath is short--I feel a spasm when I speak." All three surveyed me, and all three were silent. "Hannah," said Mr. St. John, at last, "let her sit there at present, and ask her no questions; in ten minutes more, give her the remainder of that milk and bread. Mary and Diana, let us go into the parlour and talk the matter over." They withdrew. Very soon one of the ladies returned--I could not tell which. A kind of pleasant stupor was stealing over me as I sat by the genial fire. In an undertone she gave some directions to Hannah. Ere long, with the servant's aid, I contrived to mount a staircase; my dripping clothes were removed; soon a warm, dry bed received me. I thanked God--experienced amidst unutterable exhaustion a glow of grateful joy--and slept.

Chapter 27-28

It is nearly the end of the day before Jane emerges from her room, but she is already resolved to leave Thornfield where she has been so happy. She fears that if she remains, she will be tempted to become Rochester's mistress. Rochester explains the circumstances behind the wedding - how he was tricked into marrying Bertha who was already showing signs of madness. He tried to end the marriage legally, but failed, so he brought his wife back from Jamaica to be housed in Thornfield, under the care of Grace Poole. He goes on to confess to Jane that he had spent most of his time in Europe and had had three mistresses. The next day, Jane leaves Thornfield with all the money she has, and her possessions. After two days of travel, she arrives at Whitcross district, hungry and exhausted. She wanders the streets for a few days trying to seek employment. Starved and exhausted, she ends up at the house of the family Rivers, a brother and two sisters called St. John, Mary and Diana. They also have a servant called Hannah.

Interpretation Although Jane is shocked at the revelation that Rochester is already married, she is not broken. As we have seen she has great fortitude and is a survivor, and although her love for Rochester is ailing, it can be revived although she does not see this. It is Rochester who is broken by these events - his last chance of happiness has been snatched away from him. Not only is he broken spiritually, he will also be broken physically. Briefly, Jane's love for God had been eclipsed by the passion she felt for Rochester. She now returns to God and hopes he will aid her. Bront' provides a graphic description of the days Jane spent as a homeless person. She makes a commentary on the plight of the homeless at this time, and if it were not for St. John Rivers, through Christian charity bringing her in from the rain, she might have met an untimely death.

bookwolf

all_chapterized_books/1260-chapters/volume_3_chapters_29_to_30.txt

finished_summaries/bookwolf/Jane Eyre/section_17_part_0.txt

Jane Eyre.volume 3.chapters 29-30

chapters 29-30

{"name": "Chapters 29-30", "summary": "It takes Jane a few days to recover and regain her strength. She is made at home in the Rivers household, and St. John soon discovers that she is an educated person. Not wishing to reveal her past, Jane calls herself 'Jane Elliott'. St. John is a parson and very handsome, but he is on a mission to do God's work and he hopes eventually to travel to India in order to be a servant of God and a Missionary. The Rivers are mourning the loss of their father, who died of a stroke three weeks ago. After a while, Jane advises her benefactors that she would like to obtain employment and St. John says that he will make enquiries for her. She soon becomes very close to the sisters, Mary and Diana. They are both well educated, and Diana teaches German to Jane while Jane gives Mary art instruction. Soon Diana and Mary prepare to travel down south in order to return to their jobs as Governesses. St. John plans to open a school at Morton Village for local girls, and would like Jane to be its Mistress at a rate of '30 per year. She agrees. She will have her own furnished cottage adjacent to the school. More sadness afflicts the Rivers family when they receive a letter that their Uncle John has died. They have been disinherited from their Uncle's estate due to a family quarrel. There is only one other relative who stands to inherit a fortune of '20,000.", "analysis": "Interpretation We are provided with clear details regarding the personalities of the Rivers household. St. John is fair-haired and handsome and receives great respect from his sisters. He is a parson to a small parish in Morton, but is dedicated to his duties, and exercises great pastoral care over his flock. His life is intrinsically linked with God. However, we suspect that he is not obtaining full satisfaction from his work. He feels he can do more, and eventually plans to become a missionary in India. Jane, meantime, sees hope in her future as a teacher as she considers this to be an advance on her previous role as a governess. Normally governesses were treated like any other servant, but as a teacher she will enjoy independence."}

The recollection of about three days and nights succeeding this is very dim in my mind. I can recall some sensations felt in that interval; but few thoughts framed, and no actions performed. I knew I was in a small room and in a narrow bed. To that bed I seemed to have grown; I lay on it motionless as a stone; and to have torn me from it would have been almost to kill me. I took no note of the lapse of time--of the change from morning to noon, from noon to evening. I observed when any one entered or left the apartment: I could even tell who they were; I could understand what was said when the speaker stood near to me; but I could not answer; to open my lips or move my limbs was equally impossible. Hannah, the servant, was my most frequent visitor. Her coming disturbed me. I had a feeling that she wished me away: that she did not understand me or my circumstances; that she was prejudiced against me. Diana and Mary appeared in the chamber once or twice a day. They would whisper sentences of this sort at my bedside-- "It is very well we took her in." "Yes; she would certainly have been found dead at the door in the morning had she been left out all night. I wonder what she has gone through?" "Strange hardships, I imagine--poor, emaciated, pallid wanderer?" "She is not an uneducated person, I should think, by her manner of speaking; her accent was quite pure; and the clothes she took off, though splashed and wet, were little worn and fine." "She has a peculiar face; fleshless and haggard as it is, I rather like it; and when in good health and animated, I can fancy her physiognomy would be agreeable." Never once in their dialogues did I hear a syllable of regret at the hospitality they had extended to me, or of suspicion of, or aversion to, myself. I was comforted. Mr. St. John came but once: he looked at me, and said my state of lethargy was the result of reaction from excessive and protracted fatigue. He pronounced it needless to send for a doctor: nature, he was sure, would manage best, left to herself. He said every nerve had been overstrained in some way, and the whole system must sleep torpid a while. There was no disease. He imagined my recovery would be rapid enough when once commenced. These opinions he delivered in a few words, in a quiet, low voice; and added, after a pause, in the tone of a man little accustomed to expansive comment, "Rather an unusual physiognomy; certainly, not indicative of vulgarity or degradation." "Far otherwise," responded Diana. "To speak truth, St. John, my heart rather warms to the poor little soul. I wish we may be able to benefit her permanently." "That is hardly likely," was the reply. "You will find she is some young lady who has had a misunderstanding with her friends, and has probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome." "She is so ill, St. John." "Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features." On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with relish: the food was good--void of the feverish flavour which had hitherto poisoned what I had swallowed. When she left me, I felt comparatively strong and revived: ere long satiety of repose and desire for action stirred me. I wished to rise; but what could I put on? Only my damp and bemired apparel; in which I had slept on the ground and fallen in the marsh. I felt ashamed to appear before my benefactors so clad. I was spared the humiliation. On a chair by the bedside were all my own things, clean and dry. My black silk frock hung against the wall. The traces of the bog were removed from it; the creases left by the wet smoothed out: it was quite decent. My very shoes and stockings were purified and rendered presentable. There were the means of washing in the room, and a comb and brush to smooth my hair. After a weary process, and resting every five minutes, I succeeded in dressing myself. My clothes hung loose on me; for I was much wasted, but I covered deficiencies with a shawl, and once more, clean and respectable looking--no speck of the dirt, no trace of the disorder I so hated, and which seemed so to degrade me, left--I crept down a stone staircase with the aid of the banisters, to a narrow low passage, and found my way presently to the kitchen. It was full of the fragrance of new bread and the warmth of a generous fire. Hannah was baking. Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones. Hannah had been cold and stiff, indeed, at the first: latterly she had begun to relent a little; and when she saw me come in tidy and well-dressed, she even smiled. "What, you have got up!" she said. "You are better, then. You may sit you down in my chair on the hearthstone, if you will." She pointed to the rocking-chair: I took it. She bustled about, examining me every now and then with the corner of her eye. Turning to me, as she took some loaves from the oven, she asked bluntly-- "Did you ever go a-begging afore you came here?" I was indignant for a moment; but remembering that anger was out of the question, and that I had indeed appeared as a beggar to her, I answered quietly, but still not without a certain marked firmness-- "You are mistaken in supposing me a beggar. I am no beggar; any more than yourself or your young ladies." After a pause she said, "I dunnut understand that: you've like no house, nor no brass, I guess?" "The want of house or brass (by which I suppose you mean money) does not make a beggar in your sense of the word." "Are you book-learned?" she inquired presently. "Yes, very." "But you've never been to a boarding-school?" "I was at a boarding-school eight years." She opened her eyes wide. "Whatever cannot ye keep yourself for, then?" "I have kept myself; and, I trust, shall keep myself again. What are you going to do with these gooseberries?" I inquired, as she brought out a basket of the fruit. "Mak' 'em into pies." "Give them to me and I'll pick them." "Nay; I dunnut want ye to do nought." "But I must do something. Let me have them." She consented; and she even brought me a clean towel to spread over my dress, "lest," as she said, "I should mucky it." "Ye've not been used to sarvant's wark, I see by your hands," she remarked. "Happen ye've been a dressmaker?" "No, you are wrong. And now, never mind what I have been: don't trouble your head further about me; but tell me the name of the house where we are." "Some calls it Marsh End, and some calls it Moor House." "And the gentleman who lives here is called Mr. St. John?" "Nay; he doesn't live here: he is only staying a while. When he is at home, he is in his own parish at Morton." "That village a few miles off? "Aye." "And what is he?" "He is a parson." I remembered the answer of the old housekeeper at the parsonage, when I had asked to see the clergyman. "This, then, was his father's residence?" "Aye; old Mr. Rivers lived here, and his father, and grandfather, and gurt (great) grandfather afore him." "The name, then, of that gentleman, is Mr. St. John Rivers?" "Aye; St. John is like his kirstened name." "And his sisters are called Diana and Mary Rivers?" "Yes." "Their father is dead?" "Dead three weeks sin' of a stroke." "They have no mother?" "The mistress has been dead this mony a year." "Have you lived with the family long?" "I've lived here thirty year. I nursed them all three." "That proves you must have been an honest and faithful servant. I will say so much for you, though you have had the incivility to call me a beggar." She again regarded me with a surprised stare. "I believe," she said, "I was quite mista'en in my thoughts of you: but there is so mony cheats goes about, you mun forgie me." "And though," I continued, rather severely, "you wished to turn me from the door, on a night when you should not have shut out a dog." "Well, it was hard: but what can a body do? I thought more o' th' childer nor of mysel: poor things! They've like nobody to tak' care on 'em but me. I'm like to look sharpish." I maintained a grave silence for some minutes. "You munnut think too hardly of me," she again remarked. "But I do think hardly of you," I said; "and I'll tell you why--not so much because you refused to give me shelter, or regarded me as an impostor, as because you just now made it a species of reproach that I had no 'brass' and no house. Some of the best people that ever lived have been as destitute as I am; and if you are a Christian, you ought not to consider poverty a crime." "No more I ought," said she: "Mr. St. John tells me so too; and I see I wor wrang--but I've clear a different notion on you now to what I had. You look a raight down dacent little crater." "That will do--I forgive you now. Shake hands." She put her floury and horny hand into mine; another and heartier smile illumined her rough face, and from that moment we were friends. Hannah was evidently fond of talking. While I picked the fruit, and she made the paste for the pies, she proceeded to give me sundry details about her deceased master and mistress, and "the childer," as she called the young people. Old Mr. Rivers, she said, was a plain man enough, but a gentleman, and of as ancient a family as could be found. Marsh End had belonged to the Rivers ever since it was a house: and it was, she affirmed, "aboon two hundred year old--for all it looked but a small, humble place, naught to compare wi' Mr. Oliver's grand hall down i' Morton Vale. But she could remember Bill Oliver's father a journeyman needlemaker; and th' Rivers wor gentry i' th' owd days o' th' Henrys, as onybody might see by looking into th' registers i' Morton Church vestry." Still, she allowed, "the owd maister was like other folk--naught mich out o' t' common way: stark mad o' shooting, and farming, and sich like." The mistress was different. She was a great reader, and studied a deal; and the "bairns" had taken after her. There was nothing like them in these parts, nor ever had been; they had liked learning, all three, almost from the time they could speak; and they had always been "of a mak' of their own." Mr. St. John, when he grew up, would go to college and be a parson; and the girls, as soon as they left school, would seek places as governesses: for they had told her their father had some years ago lost a great deal of money by a man he had trusted turning bankrupt; and as he was now not rich enough to give them fortunes, they must provide for themselves. They had lived very little at home for a long while, and were only come now to stay a few weeks on account of their father's death; but they did so like Marsh End and Morton, and all these moors and hills about. They had been in London, and many other grand towns; but they always said there was no place like home; and then they were so agreeable with each other--never fell out nor "threaped." She did not know where there was such a family for being united. Having finished my task of gooseberry picking, I asked where the two ladies and their brother were now. "Gone over to Morton for a walk; but they would be back in half-an-hour to tea." They returned within the time Hannah had allotted them: they entered by the kitchen door. Mr. St. John, when he saw me, merely bowed and passed through; the two ladies stopped: Mary, in a few words, kindly and calmly expressed the pleasure she felt in seeing me well enough to be able to come down; Diana took my hand: she shook her head at me. "You should have waited for my leave to descend," she said. "You still look very pale--and so thin! Poor child!--poor girl!" Diana had a voice toned, to my ear, like the cooing of a dove. She possessed eyes whose gaze I delighted to encounter. Her whole face seemed to me full of charm. Mary's countenance was equally intelligent--her features equally pretty; but her expression was more reserved, and her manners, though gentle, more distant. Diana looked and spoke with a certain authority: she had a will, evidently. It was my nature to feel pleasure in yielding to an authority supported like hers, and to bend, where my conscience and self-respect permitted, to an active will. "And what business have you here?" she continued. "It is not your place. Mary and I sit in the kitchen sometimes, because at home we like to be free, even to license--but you are a visitor, and must go into the parlour." "I am very well here." "Not at all, with Hannah bustling about and covering you with flour." "Besides, the fire is too hot for you," interposed Mary. "To be sure," added her sister. "Come, you must be obedient." And still holding my hand she made me rise, and led me into the inner room. "Sit there," she said, placing me on the sofa, "while we take our things off and get the tea ready; it is another privilege we exercise in our little moorland home--to prepare our own meals when we are so inclined, or when Hannah is baking, brewing, washing, or ironing." She closed the door, leaving me solus with Mr. St. John, who sat opposite, a book or newspaper in his hand. I examined first, the parlour, and then its occupant. The parlour was rather a small room, very plainly furnished, yet comfortable, because clean and neat. The old-fashioned chairs were very bright, and the walnut-wood table was like a looking-glass. A few strange, antique portraits of the men and women of other days decorated the stained walls; a cupboard with glass doors contained some books and an ancient set of china. There was no superfluous ornament in the room--not one modern piece of furniture, save a brace of workboxes and a lady's desk in rosewood, which stood on a side-table: everything--including the carpet and curtains--looked at once well worn and well saved. Mr. St. John--sitting as still as one of the dusty pictures on the walls, keeping his eyes fixed on the page he perused, and his lips mutely sealed--was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young--perhaps from twenty- eight to thirty--tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own being so harmonious. His eyes were large and blue, with brown lashes; his high forehead, colourless as ivory, was partially streaked over by careless locks of fair hair. This is a gentle delineation, is it not, reader? Yet he whom it describes scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature. Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager. He did not speak to me one word, nor even direct to me one glance, till his sisters returned. Diana, as she passed in and out, in the course of preparing tea, brought me a little cake, baked on the top of the oven. "Eat that now," she said: "you must be hungry. Hannah says you have had nothing but some gruel since breakfast." I did not refuse it, for my appetite was awakened and keen. Mr. Rivers now closed his book, approached the table, and, as he took a seat, fixed his blue pictorial-looking eyes full on me. There was an unceremonious directness, a searching, decided steadfastness in his gaze now, which told that intention, and not diffidence, had hitherto kept it averted from the stranger. "You are very hungry," he said. "I am, sir." It is my way--it always was my way, by instinct--ever to meet the brief with brevity, the direct with plainness. "It is well for you that a low fever has forced you to abstain for the last three days: there would have been danger in yielding to the cravings of your appetite at first. Now you may eat, though still not immoderately." "I trust I shall not eat long at your expense, sir," was my very clumsily- contrived, unpolished answer. "No," he said coolly: "when you have indicated to us the residence of your friends, we can write to them, and you may be restored to home." "That, I must plainly tell you, is out of my power to do; being absolutely without home and friends." The three looked at me, but not distrustfully; I felt there was no suspicion in their glances: there was more of curiosity. I speak particularly of the young ladies. St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage. "Do you mean to say," he asked, "that you are completely isolated from every connection?" "I do. Not a tie links me to any living thing: not a claim do I possess to admittance under any roof in England." "A most singular position at your age!" Here I saw his glance directed to my hands, which were folded on the table before me. I wondered what he sought there: his words soon explained the quest. "You have never been married? You are a spinster?" Diana laughed. "Why, she can't be above seventeen or eighteen years old, St. John," said she. "I am near nineteen: but I am not married. No." I felt a burning glow mount to my face; for bitter and agitating recollections were awakened by the allusion to marriage. They all saw the embarrassment and the emotion. Diana and Mary relieved me by turning their eyes elsewhere than to my crimsoned visage; but the colder and sterner brother continued to gaze, till the trouble he had excited forced out tears as well as colour. "Where did you last reside?" he now asked. "You are too inquisitive, St. John," murmured Mary in a low voice; but he leaned over the table and required an answer by a second firm and piercing look. "The name of the place where, and of the person with whom I lived, is my secret," I replied concisely. "Which, if you like, you have, in my opinion, a right to keep, both from St. John and every other questioner," remarked Diana. "Yet if I know nothing about you or your history, I cannot help you," he said. "And you need help, do you not?" "I need it, and I seek it so far, sir, that some true philanthropist will put me in the way of getting work which I can do, and the remuneration for which will keep me, if but in the barest necessaries of life." "I know not whether I am a true philanthropist; yet I am willing to aid you to the utmost of my power in a purpose so honest. First, then, tell me what you have been accustomed to do, and what you _can_ do." I had now swallowed my tea. I was mightily refreshed by the beverage; as much so as a giant with wine: it gave new tone to my unstrung nerves, and enabled me to address this penetrating young judge steadily. "Mr. Rivers," I said, turning to him, and looking at him, as he looked at me, openly and without diffidence, "you and your sisters have done me a great service--the greatest man can do his fellow-being; you have rescued me, by your noble hospitality, from death. This benefit conferred gives you an unlimited claim on my gratitude, and a claim, to a certain extent, on my confidence. I will tell you as much of the history of the wanderer you have harboured, as I can tell without compromising my own peace of mind--my own security, moral and physical, and that of others. "I am an orphan, the daughter of a clergyman. My parents died before I could know them. I was brought up a dependant; educated in a charitable institution. I will even tell you the name of the establishment, where I passed six years as a pupil, and two as a teacher--Lowood Orphan Asylum, ---shire: you will have heard of it, Mr. Rivers?--the Rev. Robert Brocklehurst is the treasurer." "I have heard of Mr. Brocklehurst, and I have seen the school." "I left Lowood nearly a year since to become a private governess. I obtained a good situation, and was happy. This place I was obliged to leave four days before I came here. The reason of my departure I cannot and ought not to explain: it would be useless, dangerous, and would sound incredible. No blame attached to me: I am as free from culpability as any one of you three. Miserable I am, and must be for a time; for the catastrophe which drove me from a house I had found a paradise was of a strange and direful nature. I observed but two points in planning my departure--speed, secrecy: to secure these, I had to leave behind me everything I possessed except a small parcel; which, in my hurry and trouble of mind, I forgot to take out of the coach that brought me to Whitcross. To this neighbourhood, then, I came, quite destitute. I slept two nights in the open air, and wandered about two days without crossing a threshold: but twice in that space of time did I taste food; and it was when brought by hunger, exhaustion, and despair almost to the last gasp, that you, Mr. Rivers, forbade me to perish of want at your door, and took me under the shelter of your roof. I know all your sisters have done for me since--for I have not been insensible during my seeming torpor--and I owe to their spontaneous, genuine, genial compassion as large a debt as to your evangelical charity." "Don't make her talk any more now, St. John," said Diana, as I paused; "she is evidently not yet fit for excitement. Come to the sofa and sit down now, Miss Elliott." I gave an involuntary half start at hearing the _alias_: I had forgotten my new name. Mr. Rivers, whom nothing seemed to escape, noticed it at once. "You said your name was Jane Elliott?" he observed. "I did say so; and it is the name by which I think it expedient to be called at present, but it is not my real name, and when I hear it, it sounds strange to me." "Your real name you will not give?" "No: I fear discovery above all things; and whatever disclosure would lead to it, I avoid." "You are quite right, I am sure," said Diana. "Now do, brother, let her be at peace a while." But when St. John had mused a few moments he recommenced as imperturbably and with as much acumen as ever. "You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my _charity_ (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?" "I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution." "Indeed you _shall_ stay here," said Diana, putting her white hand on my head. "You _shall_," repeated Mary, in the tone of undemonstrative sincerity which seemed natural to her. "My sisters, you see, have a pleasure in keeping you," said Mr. St. John, "as they would have a pleasure in keeping and cherishing a half-frozen bird, some wintry wind might have driven through their casement. I feel more inclination to put you in the way of keeping yourself, and shall endeavour to do so; but observe, my sphere is narrow. I am but the incumbent of a poor country parish: my aid must be of the humblest sort. And if you are inclined to despise the day of small things, seek some more efficient succour than such as I can offer." "She has already said that she is willing to do anything honest she can do," answered Diana for me; "and you know, St. John, she has no choice of helpers: she is forced to put up with such crusty people as you." "I will be a dressmaker; I will be a plain-workwoman; I will be a servant, a nurse-girl, if I can be no better," I answered. "Right," said Mr. St. John, quite coolly. "If such is your spirit, I promise to aid you, in my own time and way." He now resumed the book with which he had been occupied before tea. I soon withdrew, for I had talked as much, and sat up as long, as my present strength would permit. The more I knew of the inmates of Moor House, the better I liked them. In a few days I had so far recovered my health that I could sit up all day, and walk out sometimes. I could join with Diana and Mary in all their occupations; converse with them as much as they wished, and aid them when and where they would allow me. There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time--the pleasure arising from perfect congeniality of tastes, sentiments, and principles. I liked to read what they liked to read: what they enjoyed, delighted me; what they approved, I reverenced. They loved their sequestered home. I, too, in the grey, small, antique structure, with its low roof, its latticed casements, its mouldering walls, its avenue of aged firs--all grown aslant under the stress of mountain winds; its garden, dark with yew and holly--and where no flowers but of the hardiest species would bloom--found a charm both potent and permanent. They clung to the purple moors behind and around their dwelling--to the hollow vale into which the pebbly bridle-path leading from their gate descended, and which wound between fern-banks first, and then amongst a few of the wildest little pasture-fields that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy- faced lambs:--they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep--on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brilliant bracken, and mellow granite crag. These details were just to me what they were to them--so many pure and sweet sources of pleasure. The strong blast and the soft breeze; the rough and the halcyon day; the hours of sunrise and sunset; the moonlight and the clouded night, developed for me, in these regions, the same attraction as for them--wound round my faculties the same spell that entranced theirs. Indoors we agreed equally well. They were both more accomplished and better read than I was; but with eagerness I followed in the path of knowledge they had trodden before me. I devoured the books they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought fitted thought; opinion met opinion: we coincided, in short, perfectly. If in our trio there was a superior and a leader, it was Diana. Physically, she far excelled me: she was handsome; she was vigorous. In her animal spirits there was an affluence of life and certainty of flow, such as excited my wonder, while it baffled my comprehension. I could talk a while when the evening commenced, but the first gush of vivacity and fluency gone, I was fain to sit on a stool at Diana's feet, to rest my head on her knee, and listen alternately to her and Mary, while they sounded thoroughly the topic on which I had but touched. Diana offered to teach me German. I liked to learn of her: I saw the part of instructress pleased and suited her; that of scholar pleased and suited me no less. Our natures dovetailed: mutual affection--of the strongest kind--was the result. They discovered I could draw: their pencils and colour-boxes were immediately at my service. My skill, greater in this one point than theirs, surprised and charmed them. Mary would sit and watch me by the hour together: then she would take lessons; and a docile, intelligent, assiduous pupil she made. Thus occupied, and mutually entertained, days passed like hours, and weeks like days. As to Mr. St John, the intimacy which had arisen so naturally and rapidly between me and his sisters did not extend to him. One reason of the distance yet observed between us was, that he was comparatively seldom at home: a large proportion of his time appeared devoted to visiting the sick and poor among the scattered population of his parish. No weather seemed to hinder him in these pastoral excursions: rain or fair, he would, when his hours of morning study were over, take his hat, and, followed by his father's old pointer, Carlo, go out on his mission of love or duty--I scarcely know in which light he regarded it. Sometimes, when the day was very unfavourable, his sisters would expostulate. He would then say, with a peculiar smile, more solemn than cheerful-- "And if I let a gust of wind or a sprinkling of rain turn me aside from these easy tasks, what preparation would such sloth be for the future I propose to myself?" Diana and Mary's general answer to this question was a sigh, and some minutes of apparently mournful meditation. But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature. Zealous in his ministerial labours, blameless in his life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist. Often, of an evening, when he sat at the window, his desk and papers before him, he would cease reading or writing, rest his chin on his hand, and deliver himself up to I know not what course of thought; but that it was perturbed and exciting might be seen in the frequent flash and changeful dilation of his eye. I think, moreover, that Nature was not to him that treasury of delight it was to his sisters. He expressed once, and but once in my hearing, a strong sense of the rugged charm of the hills, and an inborn affection for the dark roof and hoary walls he called his home; but there was more of gloom than pleasure in the tone and words in which the sentiment was manifested; and never did he seem to roam the moors for the sake of their soothing silence--never seek out or dwell upon the thousand peaceful delights they could yield. Incommunicative as he was, some time elapsed before I had an opportunity of gauging his mind. I first got an idea of its calibre when I heard him preach in his own church at Morton. I wish I could describe that sermon: but it is past my power. I cannot even render faithfully the effect it produced on me. It began calm--and indeed, as far as delivery and pitch of voice went, it was calm to the end: an earnestly felt, yet strictly restrained zeal breathed soon in the distinct accents, and prompted the nervous language. This grew to force--compressed, condensed, controlled. The heart was thrilled, the mind astonished, by the power of the preacher: neither were softened. Throughout there was a strange bitterness; an absence of consolatory gentleness; stern allusions to Calvinistic doctrines--election, predestination, reprobation--were frequent; and each reference to these points sounded like a sentence pronounced for doom. When he had done, instead of feeling better, calmer, more enlightened by his discourse, I experienced an inexpressible sadness; for it seemed to me--I know not whether equally so to others--that the eloquence to which I had been listening had sprung from a depth where lay turbid dregs of disappointment--where moved troubling impulses of insatiate yearnings and disquieting aspirations. I was sure St. John Rivers--pure-lived, conscientious, zealous as he was--had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I with my concealed and racking regrets for my broken idol and lost elysium--regrets to which I have latterly avoided referring, but which possessed me and tyrannised over me ruthlessly. Meantime a month was gone. Diana and Mary were soon to leave Moor House, and return to the far different life and scene which awaited them, as governesses in a large, fashionable, south-of-England city, where each held a situation in families by whose wealthy and haughty members they were regarded only as humble dependants, and who neither knew nor sought out their innate excellences, and appreciated only their acquired accomplishments as they appreciated the skill of their cook or the taste of their waiting-woman. Mr. St. John had said nothing to me yet about the employment he had promised to obtain for me; yet it became urgent that I should have a vocation of some kind. One morning, being left alone with him a few minutes in the parlour, I ventured to approach the window-recess--which his table, chair, and desk consecrated as a kind of study--and I was going to speak, though not very well knowing in what words to frame my inquiry--for it is at all times difficult to break the ice of reserve glassing over such natures as his--when he saved me the trouble by being the first to commence a dialogue. Looking up as I drew near--"You have a question to ask of me?" he said. "Yes; I wish to know whether you have heard of any service I can offer myself to undertake?" "I found or devised something for you three weeks ago; but as you seemed both useful and happy here--as my sisters had evidently become attached to you, and your society gave them unusual pleasure--I deemed it inexpedient to break in on your mutual comfort till their approaching departure from Marsh End should render yours necessary." "And they will go in three days now?" I said. "Yes; and when they go, I shall return to the parsonage at Morton: Hannah will accompany me; and this old house will be shut up." I waited a few moments, expecting he would go on with the subject first broached: but he seemed to have entered another train of reflection: his look denoted abstraction from me and my business. I was obliged to recall him to a theme which was of necessity one of close and anxious interest to me. "What is the employment you had in view, Mr. Rivers? I hope this delay will not have increased the difficulty of securing it." "Oh, no; since it is an employment which depends only on me to give, and you to accept." He again paused: there seemed a reluctance to continue. I grew impatient: a restless movement or two, and an eager and exacting glance fastened on his face, conveyed the feeling to him as effectually as words could have done, and with less trouble. "You need be in no hurry to hear," he said: "let me frankly tell you, I have nothing eligible or profitable to suggest. Before I explain, recall, if you please, my notice, clearly given, that if I helped you, it must be as the blind man would help the lame. I am poor; for I find that, when I have paid my father's debts, all the patrimony remaining to me will be this crumbling grange, the row of scathed firs behind, and the patch of moorish soil, with the yew-trees and holly-bushes in front. I am obscure: Rivers is an old name; but of the three sole descendants of the race, two earn the dependant's crust among strangers, and the third considers himself an alien from his native country--not only for life, but in death. Yes, and deems, and is bound to deem, himself honoured by the lot, and aspires but after the day when the cross of separation from fleshly ties shall be laid on his shoulders, and when the Head of that church-militant of whose humblest members he is one, shall give the word, 'Rise, follow Me!'" St. John said these words as he pronounced his sermons, with a quiet, deep voice; with an unflushed cheek, and a coruscating radiance of glance. He resumed-- "And since I am myself poor and obscure, I can offer you but a service of poverty and obscurity. _You_ may even think it degrading--for I see now your habits have been what the world calls refined: your tastes lean to the ideal, and your society has at least been amongst the educated; but _I_ consider that no service degrades which can better our race. I hold that the more arid and unreclaimed the soil where the Christian labourer's task of tillage is appointed him--the scantier the meed his toil brings--the higher the honour. His, under such circumstances, is the destiny of the pioneer; and the first pioneers of the Gospel were the Apostles--their captain was Jesus, the Redeemer, Himself." "Well?" I said, as he again paused--"proceed." He looked at me before he proceeded: indeed, he seemed leisurely to read my face, as if its features and lines were characters on a page. The conclusions drawn from this scrutiny he partially expressed in his succeeding observations. "I believe you will accept the post I offer you," said he, "and hold it for a while: not permanently, though: any more than I could permanently keep the narrow and narrowing--the tranquil, hidden office of English country incumbent; for in your nature is an alloy as detrimental to repose as that in mine, though of a different kind." "Do explain," I urged, when he halted once more. "I will; and you shall hear how poor the proposal is,--how trivial--how cramping. I shall not stay long at Morton, now that my father is dead, and that I am my own master. I shall leave the place probably in the course of a twelve-month; but while I do stay, I will exert myself to the utmost for its improvement. Morton, when I came to it two years ago, had no school: the children of the poor were excluded from every hope of progress. I established one for boys: I mean now to open a second school for girls. I have hired a building for the purpose, with a cottage of two rooms attached to it for the mistress's house. Her salary will be thirty pounds a year: her house is already furnished, very simply, but sufficiently, by the kindness of a lady, Miss Oliver; the only daughter of the sole rich man in my parish--Mr. Oliver, the proprietor of a needle- factory and iron-foundry in the valley. The same lady pays for the education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?" He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich house, it was independent; and the fear of servitude with strangers entered my soul like iron: it was not ignoble--not unworthy--not mentally degrading, I made my decision. "I thank you for the proposal, Mr. Rivers, and I accept it with all my heart." "But you comprehend me?" he said. "It is a village school: your scholars will be only poor girls--cottagers' children--at the best, farmers' daughters. Knitting, sewing, reading, writing, ciphering, will be all you will have to teach. What will you do with your accomplishments? What, with the largest portion of your mind--sentiments--tastes?" "Save them till they are wanted. They will keep." "You know what you undertake, then?" "I do." He now smiled: and not a bitter or a sad smile, but one well pleased and deeply gratified. "And when will you commence the exercise of your function?" "I will go to my house to-morrow, and open the school, if you like, next week." "Very well: so be it." He rose and walked through the room. Standing still, he again looked at me. He shook his head. "What do you disapprove of, Mr. Rivers?" I asked. "You will not stay at Morton long: no, no!" "Why? What is your reason for saying so?" "I read it in your eye; it is not of that description which promises the maintenance of an even tenor in life." "I am not ambitious." He started at the word "ambitious." He repeated, "No. What made you think of ambition? Who is ambitious? I know I am: but how did you find it out?" "I was speaking of myself." "Well, if you are not ambitious, you are--" He paused. "What?" "I was going to say, impassioned: but perhaps you would have misunderstood the word, and been displeased. I mean, that human affections and sympathies have a most powerful hold on you. I am sure you cannot long be content to pass your leisure in solitude, and to devote your working hours to a monotonous labour wholly void of stimulus: any more than I can be content," he added, with emphasis, "to live here buried in morass, pent in with mountains--my nature, that God gave me, contravened; my faculties, heaven-bestowed, paralysed--made useless. You hear now how I contradict myself. I, who preached contentment with a humble lot, and justified the vocation even of hewers of wood and drawers of water in God's service--I, His ordained minister, almost rave in my restlessness. Well, propensities and principles must be reconciled by some means." He left the room. In this brief hour I had learnt more of him than in the whole previous month: yet still he puzzled me. Diana and Mary Rivers became more sad and silent as the day approached for leaving their brother and their home. They both tried to appear as usual; but the sorrow they had to struggle against was one that could not be entirely conquered or concealed. Diana intimated that this would be a different parting from any they had ever yet known. It would probably, as far as St. John was concerned, be a parting for years: it might be a parting for life. "He will sacrifice all to his long-framed resolves," she said: "natural affection and feelings more potent still. St. John looks quiet, Jane; but he hides a fever in his vitals. You would think him gentle, yet in some things he is inexorable as death; and the worst of it is, my conscience will hardly permit me to dissuade him from his severe decision: certainly, I cannot for a moment blame him for it. It is right, noble, Christian: yet it breaks my heart!" And the tears gushed to her fine eyes. Mary bent her head low over her work. "We are now without father: we shall soon be without home and brother," she murmured. At that moment a little accident supervened, which seemed decreed by fate purposely to prove the truth of the adage, that "misfortunes never come singly," and to add to their distresses the vexing one of the slip between the cup and the lip. St. John passed the window reading a letter. He entered. "Our uncle John is dead," said he. Both the sisters seemed struck: not shocked or appalled; the tidings appeared in their eyes rather momentous than afflicting. "Dead?" repeated Diana. "Yes." She riveted a searching gaze on her brother's face. "And what then?" she demanded, in a low voice. "What then, Die?" he replied, maintaining a marble immobility of feature. "What then? Why--nothing. Read." He threw the letter into her lap. She glanced over it, and handed it to Mary. Mary perused it in silence, and returned it to her brother. All three looked at each other, and all three smiled--a dreary, pensive smile enough. "Amen! We can yet live," said Diana at last. "At any rate, it makes us no worse off than we were before," remarked Mary. "Only it forces rather strongly on the mind the picture of what _might have been_," said Mr. Rivers, "and contrasts it somewhat too vividly with what _is_." He folded the letter, locked it in his desk, and again went out. For some minutes no one spoke. Diana then turned to me. "Jane, you will wonder at us and our mysteries," she said, "and think us hard-hearted beings not to be more moved at the death of so near a relation as an uncle; but we have never seen him or known him. He was my mother's brother. My father and he quarrelled long ago. It was by his advice that my father risked most of his property in the speculation that ruined him. Mutual recrimination passed between them: they parted in anger, and were never reconciled. My uncle engaged afterwards in more prosperous undertakings: it appears he realised a fortune of twenty thousand pounds. He was never married, and had no near kindred but ourselves and one other person, not more closely related than we. My father always cherished the idea that he would atone for his error by leaving his possessions to us; that letter informs us that he has bequeathed every penny to the other relation, with the exception of thirty guineas, to be divided between St. John, Diana, and Mary Rivers, for the purchase of three mourning rings. He had a right, of course, to do as he pleased: and yet a momentary damp is cast on the spirits by the receipt of such news. Mary and I would have esteemed ourselves rich with a thousand pounds each; and to St. John such a sum would have been valuable, for the good it would have enabled him to do." This explanation given, the subject was dropped, and no further reference made to it by either Mr. Rivers or his sisters. The next day I left Marsh End for Morton. The day after, Diana and Mary quitted it for distant B-. In a week, Mr. Rivers and Hannah repaired to the parsonage: and so the old grange was abandoned.

Chapters 29-30

It takes Jane a few days to recover and regain her strength. She is made at home in the Rivers household, and St. John soon discovers that she is an educated person. Not wishing to reveal her past, Jane calls herself 'Jane Elliott'. St. John is a parson and very handsome, but he is on a mission to do God's work and he hopes eventually to travel to India in order to be a servant of God and a Missionary. The Rivers are mourning the loss of their father, who died of a stroke three weeks ago. After a while, Jane advises her benefactors that she would like to obtain employment and St. John says that he will make enquiries for her. She soon becomes very close to the sisters, Mary and Diana. They are both well educated, and Diana teaches German to Jane while Jane gives Mary art instruction. Soon Diana and Mary prepare to travel down south in order to return to their jobs as Governesses. St. John plans to open a school at Morton Village for local girls, and would like Jane to be its Mistress at a rate of '30 per year. She agrees. She will have her own furnished cottage adjacent to the school. More sadness afflicts the Rivers family when they receive a letter that their Uncle John has died. They have been disinherited from their Uncle's estate due to a family quarrel. There is only one other relative who stands to inherit a fortune of '20,000.

Interpretation We are provided with clear details regarding the personalities of the Rivers household. St. John is fair-haired and handsome and receives great respect from his sisters. He is a parson to a small parish in Morton, but is dedicated to his duties, and exercises great pastoral care over his flock. His life is intrinsically linked with God. However, we suspect that he is not obtaining full satisfaction from his work. He feels he can do more, and eventually plans to become a missionary in India. Jane, meantime, sees hope in her future as a teacher as she considers this to be an advance on her previous role as a governess. Normally governesses were treated like any other servant, but as a teacher she will enjoy independence.

bookwolf

all_chapterized_books/1260-chapters/volume_3_chapters_31_to_32.txt

finished_summaries/bookwolf/Jane Eyre/section_18_part_0.txt

Jane Eyre.volume 3.chapters 31-32

chapters 31-32

{"name": "Chapters 31-32", "summary": "Jane moves into her cottage and a little orphan girl serves her as a handmaid. Her pupils at the school have very limited education. Only a few can read, and none can write or do arithmetic. She believes that she is in God's hands, for he has guided her away from a life as a mistress with Rochester, who said that they could live in France, to an honest vocation as a school mistress. Jane notices that St. John is deeply attracted to a local girl, Rosamond Oliver who is a benefactress of the school, but he suppresses his desire as he thinks it will interfere with the work he has obligated himself to do for God. As the months pass, Jane becomes an important member of the community who appreciate her devotion to their children, and their improvement is clear to see. Jane tries to encourage St. John to pursue his feelings for Rosamond, and she even suggests that she could paint a miniature for him. St. John decides that he can allow himself 15 minutes a day in which to dream about Rosamond. He tells Jane that although he has strong feelings for Rosamond, she would not be a suitable wife for a missionary. He looks over Jane's drawings and tears a strip from the edge of one of them and departs quickly.", "analysis": "Interpretation Whilst Jane was at Thornfield she slowly let her heart take over from her head when ruling her affairs. She has now reverted back to having her head dictate her actions, and she has subdued the feelings in her heart. In order to forget about the past, she immerses herself in her work to the benefit of the local children. She continues to enjoy her new friends Diana and Mary, but she is unable to break the shield that St. John has erected around himself. His denial of his true feelings clearly affects his personality, and he is often depressed and moody. Jane does not relish nighttimes, for she still allows her thoughts to drift back to Rochester. St. John is also in the same predicament. He doesn't allow his feelings for Rosamond to develop. These are suppressed, like Jane, and he busies himself about his parish and dreams of life as a missionary."}

My home, then, when I at last find a home,--is a cottage; a little room with whitewashed walls and a sanded floor, containing four painted chairs and a table, a clock, a cupboard, with two or three plates and dishes, and a set of tea-things in delf. Above, a chamber of the same dimensions as the kitchen, with a deal bedstead and chest of drawers; small, yet too large to be filled with my scanty wardrobe: though the kindness of my gentle and generous friends has increased that, by a modest stock of such things as are necessary. It is evening. I have dismissed, with the fee of an orange, the little orphan who serves me as a handmaid. I am sitting alone on the hearth. This morning, the village school opened. I had twenty scholars. But three of the number can read: none write or cipher. Several knit, and a few sew a little. They speak with the broadest accent of the district. At present, they and I have a difficulty in understanding each other's language. Some of them are unmannered, rough, intractable, as well as ignorant; but others are docile, have a wish to learn, and evince a disposition that pleases me. I must not forget that these coarsely-clad little peasants are of flesh and blood as good as the scions of gentlest genealogy; and that the germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best-born. My duty will be to develop these germs: surely I shall find some happiness in discharging that office. Much enjoyment I do not expect in the life opening before me: yet it will, doubtless, if I regulate my mind, and exert my powers as I ought, yield me enough to live on from day to day. Was I very gleeful, settled, content, during the hours I passed in yonder bare, humble schoolroom this morning and afternoon? Not to deceive myself, I must reply--No: I felt desolate to a degree. I felt--yes, idiot that I am--I felt degraded. I doubted I had taken a step which sank instead of raising me in the scale of social existence. I was weakly dismayed at the ignorance, the poverty, the coarseness of all I heard and saw round me. But let me not hate and despise myself too much for these feelings; I know them to be wrong--that is a great step gained; I shall strive to overcome them. To-morrow, I trust, I shall get the better of them partially; and in a few weeks, perhaps, they will be quite subdued. In a few months, it is possible, the happiness of seeing progress, and a change for the better in my scholars may substitute gratification for disgust. Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He _did_ love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour--suffocating with the bitterest tears of remorse and shame the next--or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance! Having brought my eventide musings to this point, I rose, went to my door, and looked at the sunset of the harvest-day, and at the quiet fields before my cottage, which, with the school, was distant half a mile from the village. The birds were singing their last strains-- "The air was mild, the dew was balm." While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in. "No, I cannot stay; I have only brought you a little parcel my sisters left for you. I think it contains a colour-box, pencils, and paper." I approached to take it: a welcome gift it was. He examined my face, I thought, with austerity, as I came near: the traces of tears were doubtless very visible upon it. "Have you found your first day's work harder than you expected?" he asked. "Oh, no! On the contrary, I think in time I shall get on with my scholars very well." "But perhaps your accommodations--your cottage--your furniture--have disappointed your expectations? They are, in truth, scanty enough; but--" I interrupted-- "My cottage is clean and weather-proof; my furniture sufficient and commodious. All I see has made me thankful, not despondent. I am not absolutely such a fool and sensualist as to regret the absence of a carpet, a sofa, and silver plate; besides, five weeks ago I had nothing--I was an outcast, a beggar, a vagrant; now I have acquaintance, a home, a business. I wonder at the goodness of God; the generosity of my friends; the bounty of my lot. I do not repine." "But you feel solitude an oppression? The little house there behind you is dark and empty." "I have hardly had time yet to enjoy a sense of tranquillity, much less to grow impatient under one of loneliness." "Very well; I hope you feel the content you express: at any rate, your good sense will tell you that it is too soon yet to yield to the vacillating fears of Lot's wife. What you had left before I saw you, of course I do not know; but I counsel you to resist firmly every temptation which would incline you to look back: pursue your present career steadily, for some months at least." "It is what I mean to do," I answered. St. John continued-- "It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it. "A year ago I was myself intensely miserable, because I thought I had made a mistake in entering the ministry: its uniform duties wearied me to death. I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. God had an errand for me; to bear which afar, to deliver it well, skill and strength, courage and eloquence, the best qualifications of soldier, statesman, and orator, were all needed: for these all centre in the good missionary. "A missionary I resolved to be. From that moment my state of mind changed; the fetters dissolved and dropped from every faculty, leaving nothing of bondage but its galling soreness--which time only can heal. My father, indeed, imposed the determination, but since his death, I have not a legitimate obstacle to contend with; some affairs settled, a successor for Morton provided, an entanglement or two of the feelings broken through or cut asunder--a last conflict with human weakness, in which I know I shall overcome, because I have vowed that I _will_ overcome--and I leave Europe for the East." He said this, in his peculiar, subdued, yet emphatic voice; looking, when he had ceased speaking, not at me, but at the setting sun, at which I looked too. Both he and I had our backs towards the path leading up the field to the wicket. We had heard no step on that grass-grown track; the water running in the vale was the one lulling sound of the hour and scene; we might well then start when a gay voice, sweet as a silver bell, exclaimed-- "Good evening, Mr. Rivers. And good evening, old Carlo. Your dog is quicker to recognise his friends than you are, sir; he pricked his ears and wagged his tail when I was at the bottom of the field, and you have your back towards me now." It was true. Though Mr. Rivers had started at the first of those musical accents, as if a thunderbolt had split a cloud over his head, he stood yet, at the close of the sentence, in the same attitude in which the speaker had surprised him--his arm resting on the gate, his face directed towards the west. He turned at last, with measured deliberation. A vision, as it seemed to me, had risen at his side. There appeared, within three feet of him, a form clad in pure white--a youthful, graceful form: full, yet fine in contour; and when, after bending to caress Carlo, it lifted up its head, and threw back a long veil, there bloomed under his glance a face of perfect beauty. Perfect beauty is a strong expression; but I do not retrace or qualify it: as sweet features as ever the temperate clime of Albion moulded; as pure hues of rose and lily as ever her humid gales and vapoury skies generated and screened, justified, in this instance, the term. No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a partial mood; and, forgetting her usual stinted step-mother dole of gifts, had endowed this, her darling, with a grand-dame's bounty. What did St. John Rivers think of this earthly angel? I naturally asked myself that question as I saw him turn to her and look at her; and, as naturally, I sought the answer to the inquiry in his countenance. He had already withdrawn his eye from the Peri, and was looking at a humble tuft of daisies which grew by the wicket. "A lovely evening, but late for you to be out alone," he said, as he crushed the snowy heads of the closed flowers with his foot. "Oh, I only came home from S-" (she mentioned the name of a large town some twenty miles distant) "this afternoon. Papa told me you had opened your school, and that the new mistress was come; and so I put on my bonnet after tea, and ran up the valley to see her: this is she?" pointing to me. "It is," said St. John. "Do you think you shall like Morton?" she asked of me, with a direct and naive simplicity of tone and manner, pleasing, if child-like. "I hope I shall. I have many inducements to do so." "Did you find your scholars as attentive as you expected?" "Quite." "Do you like your house?" "Very much." "Have I furnished it nicely?" "Very nicely, indeed." "And made a good choice of an attendant for you in Alice Wood?" "You have indeed. She is teachable and handy." (This then, I thought, is Miss Oliver, the heiress; favoured, it seems, in the gifts of fortune, as well as in those of nature! What happy combination of the planets presided over her birth, I wonder?) "I shall come up and help you to teach sometimes," she added. "It will be a change for me to visit you now and then; and I like a change. Mr. Rivers, I have been _so_ gay during my stay at S-. Last night, or rather this morning, I was dancing till two o'clock. The ---th regiment are stationed there since the riots; and the officers are the most agreeable men in the world: they put all our young knife-grinders and scissor merchants to shame." It seemed to me that Mr. St. John's under lip protruded, and his upper lip curled a moment. His mouth certainly looked a good deal compressed, and the lower part of his face unusually stern and square, as the laughing girl gave him this information. He lifted his gaze, too, from the daisies, and turned it on her. An unsmiling, a searching, a meaning gaze it was. She answered it with a second laugh, and laughter well became her youth, her roses, her dimples, her bright eyes. As he stood, mute and grave, she again fell to caressing Carlo. "Poor Carlo loves me," said she. "_He_ is not stern and distant to his friends; and if he could speak, he would not be silent." As she patted the dog's head, bending with native grace before his young and austere master, I saw a glow rise to that master's face. I saw his solemn eye melt with sudden fire, and flicker with resistless emotion. Flushed and kindled thus, he looked nearly as beautiful for a man as she for a woman. His chest heaved once, as if his large heart, weary of despotic constriction, had expanded, despite the will, and made a vigorous bound for the attainment of liberty. But he curbed it, I think, as a resolute rider would curb a rearing steed. He responded neither by word nor movement to the gentle advances made him. "Papa says you never come to see us now," continued Miss Oliver, looking up. "You are quite a stranger at Vale Hall. He is alone this evening, and not very well: will you return with me and visit him?" "It is not a seasonable hour to intrude on Mr. Oliver," answered St. John. "Not a seasonable hour! But I declare it is. It is just the hour when papa most wants company: when the works are closed and he has no business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very shy, and so very sombre?" She filled up the hiatus his silence left by a reply of her own. "I forgot!" she exclaimed, shaking her beautiful curled head, as if shocked at herself. "I am so giddy and thoughtless! _Do_ excuse me. It had slipped my memory that you have good reasons to be indisposed for joining in my chatter. Diana and Mary have left you, and Moor House is shut up, and you are so lonely. I am sure I pity you. Do come and see papa." "Not to-night, Miss Rosamond, not to-night." Mr. St. John spoke almost like an automaton: himself only knew the effort it cost him thus to refuse. "Well, if you are so obstinate, I will leave you; for I dare not stay any longer: the dew begins to fall. Good evening!" She held out her hand. He just touched it. "Good evening!" he repeated, in a voice low and hollow as an echo. She turned, but in a moment returned. "Are you well?" she asked. Well might she put the question: his face was blanched as her gown. "Quite well," he enunciated; and, with a bow, he left the gate. She went one way; he another. She turned twice to gaze after him as she tripped fairy-like down the field; he, as he strode firmly across, never turned at all. This spectacle of another's suffering and sacrifice rapt my thoughts from exclusive meditation on my own. Diana Rivers had designated her brother "inexorable as death." She had not exaggerated. I continued the labours of the village-school as actively and faithfully as I could. It was truly hard work at first. Some time elapsed before, with all my efforts, I could comprehend my scholars and their nature. Wholly untaught, with faculties quite torpid, they seemed to me hopelessly dull; and, at first sight, all dull alike: but I soon found I was mistaken. There was a difference amongst them as amongst the educated; and when I got to know them, and they me, this difference rapidly developed itself. Their amazement at me, my language, my rules, and ways, once subsided, I found some of these heavy-looking, gaping rustics wake up into sharp-witted girls enough. Many showed themselves obliging, and amiable too; and I discovered amongst them not a few examples of natural politeness, and innate self-respect, as well as of excellent capacity, that won both my goodwill and my admiration. These soon took a pleasure in doing their work well, in keeping their persons neat, in learning their tasks regularly, in acquiring quiet and orderly manners. The rapidity of their progress, in some instances, was even surprising; and an honest and happy pride I took in it: besides, I began personally to like some of the best girls; and they liked me. I had amongst my scholars several farmers' daughters: young women grown, almost. These could already read, write, and sew; and to them I taught the elements of grammar, geography, history, and the finer kinds of needlework. I found estimable characters amongst them--characters desirous of information and disposed for improvement--with whom I passed many a pleasant evening hour in their own homes. Their parents then (the farmer and his wife) loaded me with attentions. There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration--a scrupulous regard to their feelings--to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received. I felt I became a favourite in the neighbourhood. Whenever I went out, I heard on all sides cordial salutations, and was welcomed with friendly smiles. To live amidst general regard, though it be but the regard of working people, is like "sitting in sunshine, calm and sweet;" serene inward feelings bud and bloom under the ray. At this period of my life, my heart far oftener swelled with thankfulness than sank with dejection: and yet, reader, to tell you all, in the midst of this calm, this useful existence--after a day passed in honourable exertion amongst my scholars, an evening spent in drawing or reading contentedly alone--I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion. By nine o'clock the next morning I was punctually opening the school; tranquil, settled, prepared for the steady duties of the day. Rosamond Oliver kept her word in coming to visit me. Her call at the school was generally made in the course of her morning ride. She would canter up to the door on her pony, followed by a mounted livery servant. Anything more exquisite than her appearance, in her purple habit, with her Amazon's cap of black velvet placed gracefully above the long curls that kissed her cheek and floated to her shoulders, can scarcely be imagined: and it was thus she would enter the rustic building, and glide through the dazzled ranks of the village children. She generally came at the hour when Mr. Rivers was engaged in giving his daily catechising lesson. Keenly, I fear, did the eye of the visitress pierce the young pastor's heart. A sort of instinct seemed to warn him of her entrance, even when he did not see it; and when he was looking quite away from the door, if she appeared at it, his cheek would glow, and his marble-seeming features, though they refused to relax, changed indescribably, and in their very quiescence became expressive of a repressed fervour, stronger than working muscle or darting glance could indicate. Of course, she knew her power: indeed, he did not, because he could not, conceal it from her. In spite of his Christian stoicism, when she went up and addressed him, and smiled gaily, encouragingly, even fondly in his face, his hand would tremble and his eye burn. He seemed to say, with his sad and resolute look, if he did not say it with his lips, "I love you, and I know you prefer me. It is not despair of success that keeps me dumb. If I offered my heart, I believe you would accept it. But that heart is already laid on a sacred altar: the fire is arranged round it. It will soon be no more than a sacrifice consumed." And then she would pout like a disappointed child; a pensive cloud would soften her radiant vivacity; she would withdraw her hand hastily from his, and turn in transient petulance from his aspect, at once so heroic and so martyr-like. St. John, no doubt, would have given the world to follow, recall, retain her, when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise. Besides, he could not bind all that he had in his nature--the rover, the aspirant, the poet, the priest--in the limits of a single passion. He could not--he would not--renounce his wild field of mission warfare for the parlours and the peace of Vale Hall. I learnt so much from himself in an inroad I once, despite his reserve, had the daring to make on his confidence. Miss Oliver already honoured me with frequent visits to my cottage. I had learnt her whole character, which was without mystery or disguise: she was coquettish but not heartless; exacting, but not worthlessly selfish. She had been indulged from her birth, but was not absolutely spoilt. She was hasty, but good-humoured; vain (she could not help it, when every glance in the glass showed her such a flush of loveliness), but not affected; liberal-handed; innocent of the pride of wealth; ingenuous; sufficiently intelligent; gay, lively, and unthinking: she was very charming, in short, even to a cool observer of her own sex like me; but she was not profoundly interesting or thoroughly impressive. A very different sort of mind was hers from that, for instance, of the sisters of St. John. Still, I liked her almost as I liked my pupil Adele; except that, for a child whom we have watched over and taught, a closer affection is engendered than we can give an equally attractive adult acquaintance. She had taken an amiable caprice to me. She said I was like Mr. Rivers, only, certainly, she allowed, "not one-tenth so handsome, though I was a nice neat little soul enough, but he was an angel." I was, however, good, clever, composed, and firm, like him. I was a _lusus naturae_, she affirmed, as a village schoolmistress: she was sure my previous history, if known, would make a delightful romance. One evening, while, with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed with surprise, and then electrified with delight. "Had I done these pictures? Did I know French and German? What a love--what a miracle I was! I drew better than her master in the first school in S-. Would I sketch a portrait of her, to show to papa?" "With pleasure," I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. I took a sheet of fine card-board, and drew a careful outline. I promised myself the pleasure of colouring it; and, as it was getting late then, I told her she must come and sit another day. She made such a report of me to her father, that Mr. Oliver himself accompanied her next evening--a tall, massive-featured, middle-aged, and grey-headed man, at whose side his lovely daughter looked like a bright flower near a hoary turret. He appeared a taciturn, and perhaps a proud personage; but he was very kind to me. The sketch of Rosamond's portrait pleased him highly: he said I must make a finished picture of it. He insisted, too, on my coming the next day to spend the evening at Vale Hall. I went. I found it a large, handsome residence, showing abundant evidences of wealth in the proprietor. Rosamond was full of glee and pleasure all the time I stayed. Her father was affable; and when he entered into conversation with me after tea, he expressed in strong terms his approbation of what I had done in Morton school, and said he only feared, from what he saw and heard, I was too good for the place, and would soon quit it for one more suitable. "Indeed," cried Rosamond, "she is clever enough to be a governess in a high family, papa." I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers--of the Rivers family--with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond's union with St. John. Mr. Oliver evidently regarded the young clergyman's good birth, old name, and sacred profession as sufficient compensation for the want of fortune. It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright--scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would. The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver's miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips--a soft curl here and there to the tresses--a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers. "I am come to see how you are spending your holiday," he said. "Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace," and he laid on the table a new publication--a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days--the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell--the hell of your own meanness. While I was eagerly glancing at the bright pages of "Marmion" (for "Marmion" it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could. "With all his firmness and self-control," thought I, "he tasks himself too far: locks every feeling and pang within--expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk." I said first, "Take a chair, Mr. Rivers." But he answered, as he always did, that he could not stay. "Very well," I responded, mentally, "stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I'll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy." "Is this portrait like?" I asked bluntly. "Like! Like whom? I did not observe it closely." "You did, Mr. Rivers." He almost started at my sudden and strange abruptness: he looked at me astonished. "Oh, that is nothing yet," I muttered within. "I don't mean to be baffled by a little stiffness on your part; I'm prepared to go to considerable lengths." I continued, "You observed it closely and distinctly; but I have no objection to your looking at it again," and I rose and placed it in his hand. "A well-executed picture," he said; "very soft, clear colouring; very graceful and correct drawing." "Yes, yes; I know all that. But what of the resemblance? Who is it like?" Mastering some hesitation, he answered, "Miss Oliver, I presume." "Of course. And now, sir, to reward you for the accurate guess, I will promise to paint you a careful and faithful duplicate of this very picture, provided you admit that the gift would be acceptable to you. I don't wish to throw away my time and trouble on an offering you would deem worthless." He continued to gaze at the picture: the longer he looked, the firmer he held it, the more he seemed to covet it. "It is like!" he murmured; "the eye is well managed: the colour, light, expression, are perfect. It smiles!" "Would it comfort, or would it wound you to have a similar painting? Tell me that. When you are at Madagascar, or at the Cape, or in India, would it be a consolation to have that memento in your possession? or would the sight of it bring recollections calculated to enervate and distress?" He now furtively raised his eyes: he glanced at me, irresolute, disturbed: he again surveyed the picture. "That I should like to have it is certain: whether it would be judicious or wise is another question." Since I had ascertained that Rosamond really preferred him, and that her father was not likely to oppose the match, I--less exalted in my views than St. John--had been strongly disposed in my own heart to advocate their union. It seemed to me that, should he become the possessor of Mr. Oliver's large fortune, he might do as much good with it as if he went and laid his genius out to wither, and his strength to waste, under a tropical sun. With this persuasion I now answered-- "As far as I can see, it would be wiser and more judicious if you were to take to yourself the original at once." By this time he had sat down: he had laid the picture on the table before him, and with his brow supported on both hands, hung fondly over it. I discerned he was now neither angry nor shocked at my audacity. I saw even that to be thus frankly addressed on a subject he had deemed unapproachable--to hear it thus freely handled--was beginning to be felt by him as a new pleasure--an unhoped-for relief. Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all; and to "burst" with boldness and good-will into "the silent sea" of their souls is often to confer on them the first of obligations. "She likes you, I am sure," said I, as I stood behind his chair, "and her father respects you. Moreover, she is a sweet girl--rather thoughtless; but you would have sufficient thought for both yourself and her. You ought to marry her." "_Does_ she like me?" he asked. "Certainly; better than she likes any one else. She talks of you continually: there is no subject she enjoys so much or touches upon so often." "It is very pleasant to hear this," he said--"very: go on for another quarter of an hour." And he actually took out his watch and laid it upon the table to measure the time. "But where is the use of going on," I asked, "when you are probably preparing some iron blow of contradiction, or forging a fresh chain to fetter your heart?" "Don't imagine such hard things. Fancy me yielding and melting, as I am doing: human love rising like a freshly opened fountain in my mind and overflowing with sweet inundation all the field I have so carefully and with such labour prepared--so assiduously sown with the seeds of good intentions, of self-denying plans. And now it is deluged with a nectarous flood--the young germs swamped--delicious poison cankering them: now I see myself stretched on an ottoman in the drawing-room at Vale Hall at my bride Rosamond Oliver's feet: she is talking to me with her sweet voice--gazing down on me with those eyes your skilful hand has copied so well--smiling at me with these coral lips. She is mine--I am hers--this present life and passing world suffice to me. Hush! say nothing--my heart is full of delight--my senses are entranced--let the time I marked pass in peace." I humoured him: the watch ticked on: he breathed fast and low: I stood silent. Amidst this hush the quartet sped; he replaced the watch, laid the picture down, rose, and stood on the hearth. "Now," said he, "that little space was given to delirium and delusion. I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers. I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow--her offers false: I see and know all this." I gazed at him in wonder. "It is strange," pursued he, "that while I love Rosamond Oliver so wildly--with all the intensity, indeed, of a first passion, the object of which is exquisitely beautiful, graceful, fascinating--I experience at the same time a calm, unwarped consciousness that she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. This I know." "Strange indeed!" I could not help ejaculating. "While something in me," he went on, "is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to--co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary's wife? No!" "But you need not be a missionary. You might relinquish that scheme." "Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race--of carrying knowledge into the realms of ignorance--of substituting peace for war--freedom for bondage--religion for superstition--the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for." After a considerable pause, I said--"And Miss Oliver? Are her disappointment and sorrow of no interest to you?" "Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do." "You speak coolly enough; but you suffer in the conflict. You are wasting away." "No. If I get a little thin, it is with anxiety about my prospects, yet unsettled--my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six." "You tremble and become flushed whenever Miss Oliver enters the schoolroom." Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone. "You are original," said he, "and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. _That_ is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am--a cold hard man." I smiled incredulously. "You have taken my confidence by storm," he continued, "and now it is much at your service. I am simply, in my original state--stripped of that blood-bleached robe with which Christianity covers human deformity--a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer." "You would describe yourself as a mere pagan philosopher," I said. "No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher--a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:--From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master's kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated 'till this mortal shall put on immortality.'" Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait. "She _is_ lovely," he murmured. "She is well named the Rose of the World, indeed!" "And may I not paint one like it for you?" "_Cui bono_? No." He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was. "What is the matter?" I asked. "Nothing in the world," was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and "good-afternoon," he vanished. "Well!" I exclaimed, using an expression of the district, "that caps the globe, however!" I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.

Chapters 31-32

Jane moves into her cottage and a little orphan girl serves her as a handmaid. Her pupils at the school have very limited education. Only a few can read, and none can write or do arithmetic. She believes that she is in God's hands, for he has guided her away from a life as a mistress with Rochester, who said that they could live in France, to an honest vocation as a school mistress. Jane notices that St. John is deeply attracted to a local girl, Rosamond Oliver who is a benefactress of the school, but he suppresses his desire as he thinks it will interfere with the work he has obligated himself to do for God. As the months pass, Jane becomes an important member of the community who appreciate her devotion to their children, and their improvement is clear to see. Jane tries to encourage St. John to pursue his feelings for Rosamond, and she even suggests that she could paint a miniature for him. St. John decides that he can allow himself 15 minutes a day in which to dream about Rosamond. He tells Jane that although he has strong feelings for Rosamond, she would not be a suitable wife for a missionary. He looks over Jane's drawings and tears a strip from the edge of one of them and departs quickly.

Interpretation Whilst Jane was at Thornfield she slowly let her heart take over from her head when ruling her affairs. She has now reverted back to having her head dictate her actions, and she has subdued the feelings in her heart. In order to forget about the past, she immerses herself in her work to the benefit of the local children. She continues to enjoy her new friends Diana and Mary, but she is unable to break the shield that St. John has erected around himself. His denial of his true feelings clearly affects his personality, and he is often depressed and moody. Jane does not relish nighttimes, for she still allows her thoughts to drift back to Rochester. St. John is also in the same predicament. He doesn't allow his feelings for Rosamond to develop. These are suppressed, like Jane, and he busies himself about his parish and dreams of life as a missionary.

bookwolf

all_chapterized_books/1260-chapters/volume_3_chapters_33_to_34.txt

finished_summaries/bookwolf/Jane Eyre/section_19_part_0.txt

Jane Eyre.volume 3.chapters 33-34

chapters 33-34

{"name": "Chapters 33-34", "summary": "St. John and Jane have a long talk. He has discovered her true identity, for the strip of paper that he tore off one of her sketches had her name 'Jane Eyre' on it. He recounts Jane's life story and then continues the tale after she fled from Thornfield, saying that a lawyer, Mr. Briggs, is urgently seeking Jane concerning her uncle John Eyre of Madeira. He has died leaving her a legacy of '20,000 and he is the same Uncle John that the Rivers family recently mourned, so they are in fact cousins. Jane is excited, firstly because the Rivers are related to her, and secondly because she will be financially independent. She immediately declares that her inheritance can be easily shared four ways, and she wishes that her three cousins shared in her fortune. St. John is impressed with his new cousin's Christian attitude to this good fortune. She advises St. John that she will continue at the school until a substitute administrator can be found, and she presses ahead with the legal transfer of the inheritance to her cousins. Christmas approaches and Jane and Hannah the maid, work hard in preparing the house for the return of Diana and Mary. Jane takes it upon herself to carry out some renovation to the old house, and although St. John has reservations about this, Diana and Mary are delighted when they return home. Whilst the three young ladies and Hannah enjoy the holiday break, St. John continues his pastoral care often being out until late at night, visiting the sick and poor. They learn that Rosamond is to marry someone else. St. John wants Jane to stop her study of German and practice Hindustani. Spring arrives and Jane decides to write to Mrs. Fairfax and Mr. Briggs for news of Rochester, but she receives no reply. St. John wishes to marry Jane so that they can both work in India together. She agrees to go with him to India, but as his sister and not his wife. St. John is hurt by Jane's refusal to marry him, and he shuns her.", "analysis": "Interpretation We get further information concerning St. John's makeup. He is surprised at Jane's reaction to the letter concerning the death of her Uncle John. She shows sadness at the loss of a relative, delight that she has found new relatives in the Rivers family, and only then does she appreciate the inheritance she has received. He perhaps thinks he is the only one capable of leading a truly Christian life, but Jane's totally honest reaction to the revelation contained in Uncle John's letter contradicts this view. He starts to seriously consider Jane as a wife to share in his missionary duties. He regards her as being docile, diligent, disinterested, faithful, constant and courageous.\" He doesn't consider her independent spirit and his unfeeling description of her sounds as if he would treat her like a pet. He is aware that her love for Rochester is still apparent, but this is sinful and she can perhaps atone for this by devoting her life to God's work. Jane deals with St. John's proposal cleverly, offering to go with him as a helper rather than a wife, knowing that this would not suit St. John."}

When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down "Marmion," and beginning-- "Day set on Norham's castled steep, And Tweed's fair river broad and deep, And Cheviot's mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone"-- I soon forgot storm in music. I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane--the howling darkness--and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night. "Any ill news?" I demanded. "Has anything happened?" "No. How very easily alarmed you are!" he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots. "I shall sully the purity of your floor," said he, "but you must excuse me for once." Then he approached the fire. "I have had hard work to get here, I assure you," he observed, as he warmed his hands over the flame. "One drift took me up to the waist; happily the snow is quite soft yet." "But why are you come?" I could not forbear saying. "Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel." He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say-- "I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health." "Not at all," said he: "I care for myself when necessary. I am well now. What do you see amiss in me?" This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced. He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him. "No, no!" he responded shortly and somewhat testily. "Well," I reflected, "if you won't talk, you may be still; I'll let you alone now, and return to my book." So I snuffed the candle and resumed the perusal of "Marmion." He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would. "Have you heard from Diana and Mary lately?" "Not since the letter I showed you a week ago." "There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?" "I fear not, indeed: such chance is too good to befall me." Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars. "Mary Garrett's mother is better, and Mary came back to the school this morning, and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow." "Indeed!" "Mr. Oliver pays for two." "Does he?" "He means to give the whole school a treat at Christmas." "I know." "Was it your suggestion?" "No." "Whose, then?" "His daughter's, I think." "It is like her: she is so good-natured." "Yes." Again came the blank of a pause: the clock struck eight strokes. It aroused him; he uncrossed his legs, sat erect, turned to me. "Leave your book a moment, and come a little nearer the fire," he said. Wondering, and of my wonder finding no end, I complied. "Half-an-hour ago," he pursued, "I spoke of my impatience to hear the sequel of a tale: on reflection, I find the matter will be better managed by my assuming the narrator's part, and converting you into a listener. Before commencing, it is but fair to warn you that the story will sound somewhat hackneyed in your ears; but stale details often regain a degree of freshness when they pass through new lips. For the rest, whether trite or novel, it is short. "Twenty years ago, a poor curate--never mind his name at this moment--fell in love with a rich man's daughter; she fell in love with him, and married him, against the advice of all her friends, who consequently disowned her immediately after the wedding. Before two years passed, the rash pair were both dead, and laid quietly side by side under one slab. (I have seen their grave; it formed part of the pavement of a huge churchyard surrounding the grim, soot-black old cathedral of an overgrown manufacturing town in ---shire.) They left a daughter, which, at its very birth, Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night. Charity carried the friendless thing to the house of its rich maternal relations; it was reared by an aunt-in- law, called (I come to names now) Mrs. Reed of Gateshead. You start--did you hear a noise? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom: it was a barn before I had it repaired and altered, and barns are generally haunted by rats.--To proceed. Mrs. Reed kept the orphan ten years: whether it was happy or not with her, I cannot say, never having been told; but at the end of that time she transferred it to a place you know--being no other than Lowood School, where you so long resided yourself. It seems her career there was very honourable: from a pupil, she became a teacher, like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess: there, again, your fates were analogous; she undertook the education of the ward of a certain Mr. Rochester." "Mr. Rivers!" I interrupted. "I can guess your feelings," he said, "but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester's character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone--no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?" "Just tell me this," said I, "and since you know so much, you surely can tell it me--what of Mr. Rochester? How and where is he? What is he doing? Is he well?" "I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess--the nature of the event which requires her appearance." "Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?" "I suppose not." "But they wrote to him?" "Of course." "And what did he say? Who has his letters?" "Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed 'Alice Fairfax.'" I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!" "He must have been a bad man," observed Mr. Rivers. "You don't know him--don't pronounce an opinion upon him," I said, with warmth. "Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord. Stay! I have it here--it is always more satisfactory to see important points written down, fairly committed to black and white." And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words "JANE EYRE"--the work doubtless of some moment of abstraction. "Briggs wrote to me of a Jane Eyre:" he said, "the advertisements demanded a Jane Eyre: I knew a Jane Elliott.--I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the _alias_?" "Yes--yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do." "Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you--what he wanted with you." "Well, what did he want?" "Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich--merely that--nothing more." "I!--rich?" "Yes, you, rich--quite an heiress." Silence succeeded. "You must prove your identity of course," resumed St. John presently: "a step which will offer no difficulties; you can then enter on immediate possession. Your fortune is vested in the English funds; Briggs has the will and the necessary documents." Here was a new card turned up! It is a fine thing, reader, to be lifted in a moment from indigence to wealth--a very fine thing; but not a matter one can comprehend, or consequently enjoy, all at once. And then there are other chances in life far more thrilling and rapture-giving: _this_ is solid, an affair of the actual world, nothing ideal about it: all its associations are solid and sober, and its manifestations are the same. One does not jump, and spring, and shout hurrah! at hearing one has got a fortune; one begins to consider responsibilities, and to ponder business; on a base of steady satisfaction rise certain grave cares, and we contain ourselves, and brood over our bliss with a solemn brow. Besides, the words Legacy, Bequest, go side by side with the words, Death, Funeral. My uncle I had heard was dead--my only relative; ever since being made aware of his existence, I had cherished the hope of one day seeing him: now, I never should. And then this money came only to me: not to me and a rejoicing family, but to my isolated self. It was a grand boon doubtless; and independence would be glorious--yes, I felt that--that thought swelled my heart. "You unbend your forehead at last," said Mr. Rivers. "I thought Medusa had looked at you, and that you were turning to stone. Perhaps now you will ask how much you are worth?" "How much am I worth?" "Oh, a trifle! Nothing of course to speak of--twenty thousand pounds, I think they say--but what is that?" "Twenty thousand pounds?" Here was a new stunner--I had been calculating on four or five thousand. This news actually took my breath for a moment: Mr. St. John, whom I had never heard laugh before, laughed now. "Well," said he, "if you had committed a murder, and I had told you your crime was discovered, you could scarcely look more aghast." "It is a large sum--don't you think there is a mistake?" "No mistake at all." "Perhaps you have read the figures wrong--it may be two thousand!" "It is written in letters, not figures,--twenty thousand." I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred. Mr. Rivers rose now and put his cloak on. "If it were not such a very wild night," he said, "I would send Hannah down to keep you company: you look too desperately miserable to be left alone. But Hannah, poor woman! could not stride the drifts so well as I: her legs are not quite so long: so I must e'en leave you to your sorrows. Good-night." He was lifting the latch: a sudden thought occurred to me. "Stop one minute!" I cried. "Well?" "It puzzles me to know why Mr. Briggs wrote to you about me; or how he knew you, or could fancy that you, living in such an out-of-the-way place, had the power to aid in my discovery." "Oh! I am a clergyman," he said; "and the clergy are often appealed to about odd matters." Again the latch rattled. "No; that does not satisfy me!" I exclaimed: and indeed there was something in the hasty and unexplanatory reply which, instead of allaying, piqued my curiosity more than ever. "It is a very strange piece of business," I added; "I must know more about it." "Another time." "No; to-night!--to-night!" and as he turned from the door, I placed myself between it and him. He looked rather embarrassed. "You certainly shall not go till you have told me all," I said. "I would rather not just now." "You shall!--you must!" "I would rather Diana or Mary informed you." Of course these objections wrought my eagerness to a climax: gratified it must be, and that without delay; and I told him so. "But I apprised you that I was a hard man," said he, "difficult to persuade." "And I am a hard woman,--impossible to put off." {And I am a hard woman,--impossible to put off: p369.jpg} "And then," he pursued, "I am cold: no fervour infects me." "Whereas I am hot, and fire dissolves ice. The blaze there has thawed all the snow from your cloak; by the same token, it has streamed on to my floor, and made it like a trampled street. As you hope ever to be forgiven, Mr. Rivers, the high crime and misdemeanour of spoiling a sanded kitchen, tell me what I wish to know." "Well, then," he said, "I yield; if not to your earnestness, to your perseverance: as stone is worn by continual dropping. Besides, you must know some day,--as well now as later. Your name is Jane Eyre?" "Of course: that was all settled before." "You are not, perhaps, aware that I am your namesake?--that I was christened St. John Eyre Rivers?" "No, indeed! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me; but I never asked for what name it stood. But what then? Surely--" I stopped: I could not trust myself to entertain, much less to express, the thought that rushed upon me--that embodied itself,--that, in a second, stood out a strong, solid probability. Circumstances knit themselves, fitted themselves, shot into order: the chain that had been lying hitherto a formless lump of links was drawn out straight,--every ring was perfect, the connection complete. I knew, by instinct, how the matter stood, before St. John had said another word; but I cannot expect the reader to have the same intuitive perception, so I must repeat his explanation. "My mother's name was Eyre; she had two brothers; one a clergyman, who married Miss Jane Reed, of Gateshead; the other, John Eyre, Esq., merchant, late of Funchal, Madeira. Mr. Briggs, being Mr. Eyre's solicitor, wrote to us last August to inform us of our uncle's death, and to say that he had left his property to his brother the clergyman's orphan daughter, overlooking us, in consequence of a quarrel, never forgiven, between him and my father. He wrote again a few weeks since, to intimate that the heiress was lost, and asking if we knew anything of her. A name casually written on a slip of paper has enabled me to find her out. You know the rest." Again he was going, but I set my back against the door. "Do let me speak," I said; "let me have one moment to draw breath and reflect." I paused--he stood before me, hat in hand, looking composed enough. I resumed-- "Your mother was my father's sister?" "Yes." "My aunt, consequently?" He bowed. "My uncle John was your uncle John? You, Diana, and Mary are his sister's children, as I am his brother's child?" "Undeniably." "You three, then, are my cousins; half our blood on each side flows from the same source?" "We are cousins; yes." I surveyed him. It seemed I had found a brother: one I could be proud of,--one I could love; and two sisters, whose qualities were such, that, when I knew them but as mere strangers, they had inspired me with genuine affection and admiration. The two girls, on whom, kneeling down on the wet ground, and looking through the low, latticed window of Moor House kitchen, I had gazed with so bitter a mixture of interest and despair, were my near kinswomen; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation. Glorious discovery to a lonely wretch! This was wealth indeed!--wealth to the heart!--a mine of pure, genial affections. This was a blessing, bright, vivid, and exhilarating;--not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight. I now clapped my hands in sudden joy--my pulse bounded, my veins thrilled. "Oh, I am glad!--I am glad!" I exclaimed. St. John smiled. "Did I not say you neglected essential points to pursue trifles?" he asked. "You were serious when I told you you had got a fortune; and now, for a matter of no moment, you are excited." "What can you mean? It may be of no moment to you; you have sisters and don't care for a cousin; but I had nobody; and now three relations,--or two, if you don't choose to be counted,--are born into my world full-grown. I say again, I am glad!" I walked fast through the room: I stopped, half suffocated with the thoughts that rose faster than I could receive, comprehend, settle them:--thoughts of what might, could, would, and should be, and that ere long. I looked at the blank wall: it seemed a sky thick with ascending stars,--every one lit me to a purpose or delight. Those who had saved my life, whom, till this hour, I had loved barrenly, I could now benefit. They were under a yoke,--I could free them: they were scattered,--I could reunite them: the independence, the affluence which was mine, might be theirs too. Were we not four? Twenty thousand pounds shared equally would be five thousand each, justice--enough and to spare: justice would be done,--mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin,--it was a legacy of life, hope, enjoyment. How I looked while these ideas were taking my spirit by storm, I cannot tell; but I perceived soon that Mr. Rivers had placed a chair behind me, and was gently attempting to make me sit down on it. He also advised me to be composed; I scorned the insinuation of helplessness and distraction, shook off his hand, and began to walk about again. "Write to Diana and Mary to-morrow," I said, "and tell them to come home directly. Diana said they would both consider themselves rich with a thousand pounds, so with five thousand they will do very well." "Tell me where I can get you a glass of water," said St. John; "you must really make an effort to tranquillise your feelings." "Nonsense! and what sort of an effect will the bequest have on you? Will it keep you in England, induce you to marry Miss Oliver, and settle down like an ordinary mortal?" "You wander: your head becomes confused. I have been too abrupt in communicating the news; it has excited you beyond your strength." "Mr. Rivers! you quite put me out of patience: I am rational enough; it is you who misunderstand, or rather who affect to misunderstand." "Perhaps, if you explained yourself a little more fully, I should comprehend better." "Explain! What is there to explain? You cannot fail to see that twenty thousand pounds, the sum in question, divided equally between the nephew and three nieces of our uncle, will give five thousand to each? What I want is, that you should write to your sisters and tell them of the fortune that has accrued to them." "To you, you mean." "I have intimated my view of the case: I am incapable of taking any other. I am not brutally selfish, blindly unjust, or fiendishly ungrateful. Besides, I am resolved I will have a home and connections. I like Moor House, and I will live at Moor House; I like Diana and Mary, and I will attach myself for life to Diana and Mary. It would please and benefit me to have five thousand pounds; it would torment and oppress me to have twenty thousand; which, moreover, could never be mine in justice, though it might in law. I abandon to you, then, what is absolutely superfluous to me. Let there be no opposition, and no discussion about it; let us agree amongst each other, and decide the point at once." "This is acting on first impulses; you must take days to consider such a matter, ere your word can be regarded as valid." "Oh! if all you doubt is my sincerity, I am easy: you see the justice of the case?" "I _do_ see a certain justice; but it is contrary to all custom. Besides, the entire fortune is your right: my uncle gained it by his own efforts; he was free to leave it to whom he would: he left it to you. After all, justice permits you to keep it: you may, with a clear conscience, consider it absolutely your own." "With me," said I, "it is fully as much a matter of feeling as of conscience: I must indulge my feelings; I so seldom have had an opportunity of doing so. Were you to argue, object, and annoy me for a year, I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying, in part, a mighty obligation, and winning to myself lifelong friends." "You think so now," rejoined St. John, "because you do not know what it is to possess, nor consequently to enjoy wealth: you cannot form a notion of the importance twenty thousand pounds would give you; of the place it would enable you to take in society; of the prospects it would open to you: you cannot--" "And you," I interrupted, "cannot at all imagine the craving I have for fraternal and sisterly love. I never had a home, I never had brothers or sisters; I must and will have them now: you are not reluctant to admit me and own me, are you?" "Jane, I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights." "Brother? Yes; at the distance of a thousand leagues! Sisters? Yes; slaving amongst strangers! I, wealthy--gorged with gold I never earned and do not merit! You, penniless! Famous equality and fraternisation! Close union! Intimate attachment!" "But, Jane, your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate: you may marry." "Nonsense, again! Marry! I don't want to marry, and never shall marry." "That is saying too much: such hazardous affirmations are a proof of the excitement under which you labour." "It is not saying too much: I know what I feel, and how averse are my inclinations to the bare thought of marriage. No one would take me for love; and I will not be regarded in the light of a mere money speculation. And I do not want a stranger--unsympathising, alien, different from me; I want my kindred: those with whom I have full fellow- feeling. Say again you will be my brother: when you uttered the words I was satisfied, happy; repeat them, if you can, repeat them sincerely." "I think I can. I know I have always loved my own sisters; and I know on what my affection for them is grounded,--respect for their worth and admiration of their talents. You too have principle and mind: your tastes and habits resemble Diana's and Mary's; your presence is always agreeable to me; in your conversation I have already for some time found a salutary solace. I feel I can easily and naturally make room in my heart for you, as my third and youngest sister." "Thank you: that contents me for to-night. Now you had better go; for if you stay longer, you will perhaps irritate me afresh by some mistrustful scruple." "And the school, Miss Eyre? It must now be shut up, I suppose?" "No. I will retain my post of mistress till you get a substitute." He smiled approbation: we shook hands, and he took leave. I need not narrate in detail the further struggles I had, and arguments I used, to get matters regarding the legacy settled as I wished. My task was a very hard one; but, as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention; and must, besides, have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration. The judges chosen were Mr. Oliver and an able lawyer: both coincided in my opinion: I carried my point. The instruments of transfer were drawn out: St. John, Diana, Mary, and I, each became possessed of a competency. It was near Christmas by the time all was settled: the season of general holiday approached. I now closed Morton school, taking care that the parting should not be barren on my side. Good fortune opens the hand as well as the heart wonderfully; and to give somewhat when we have largely received, is but to afford a vent to the unusual ebullition of the sensations. I had long felt with pleasure that many of my rustic scholars liked me, and when we parted, that consciousness was confirmed: they manifested their affection plainly and strongly. Deep was my gratification to find I had really a place in their unsophisticated hearts: I promised them that never a week should pass in future that I did not visit them, and give them an hour's teaching in their school. Mr. Rivers came up as, having seen the classes, now numbering sixty girls, file out before me, and locked the door, I stood with the key in my hand, exchanging a few words of special farewell with some half-dozen of my best scholars: as decent, respectable, modest, and well-informed young women as could be found in the ranks of the British peasantry. And that is saying a great deal; for after all, the British peasantry are the best taught, best mannered, most self-respecting of any in Europe: since those days I have seen paysannes and Bauerinnen; and the best of them seemed to me ignorant, coarse, and besotted, compared with my Morton girls. "Do you consider you have got your reward for a season of exertion?" asked Mr. Rivers, when they were gone. "Does not the consciousness of having done some real good in your day and generation give pleasure?" "Doubtless." "And you have only toiled a few months! Would not a life devoted to the task of regenerating your race be well spent?" "Yes," I said; "but I could not go on for ever so: I want to enjoy my own faculties as well as to cultivate those of other people. I must enjoy them now; don't recall either my mind or body to the school; I am out of it and disposed for full holiday." He looked grave. "What now? What sudden eagerness is this you evince? What are you going to do?" "To be active: as active as I can. And first I must beg you to set Hannah at liberty, and get somebody else to wait on you." "Do you want her?" "Yes, to go with me to Moor House. Diana and Mary will be at home in a week, and I want to have everything in order against their arrival." "I understand. I thought you were for flying off on some excursion. It is better so: Hannah shall go with you." "Tell her to be ready by to-morrow then; and here is the schoolroom key: I will give you the key of my cottage in the morning." He took it. "You give it up very gleefully," said he; "I don't quite understand your light-heartedness, because I cannot tell what employment you propose to yourself as a substitute for the one you are relinquishing. What aim, what purpose, what ambition in life have you now?" "My first aim will be to _clean down_ (do you comprehend the full force of the expression?)--to _clean down_ Moor House from chamber to cellar; my next to rub it up with bees-wax, oil, and an indefinite number of cloths, till it glitters again; my third, to arrange every chair, table, bed, carpet, with mathematical precision; afterwards I shall go near to ruin you in coals and peat to keep up good fires in every room; and lastly, the two days preceding that on which your sisters are expected will be devoted by Hannah and me to such a beating of eggs, sorting of currants, grating of spices, compounding of Christmas cakes, chopping up of materials for mince-pies, and solemnising of other culinary rites, as words can convey but an inadequate notion of to the uninitiated like you. My purpose, in short, is to have all things in an absolutely perfect state of readiness for Diana and Mary before next Thursday; and my ambition is to give them a beau-ideal of a welcome when they come." St. John smiled slightly: still he was dissatisfied. "It is all very well for the present," said he; "but seriously, I trust that when the first flush of vivacity is over, you will look a little higher than domestic endearments and household joys." "The best things the world has!" I interrupted. "No, Jane, no: this world is not the scene of fruition; do not attempt to make it so: nor of rest; do not turn slothful." "I mean, on the contrary, to be busy." "Jane, I excuse you for the present: two months' grace I allow you for the full enjoyment of your new position, and for pleasing yourself with this late-found charm of relationship; but _then_, I hope you will begin to look beyond Moor House and Morton, and sisterly society, and the selfish calm and sensual comfort of civilised affluence. I hope your energies will then once more trouble you with their strength." I looked at him with surprise. "St. John," I said, "I think you are almost wicked to talk so. I am disposed to be as content as a queen, and you try to stir me up to restlessness! To what end?" "To the end of turning to profit the talents which God has committed to your keeping; and of which He will surely one day demand a strict account. Jane, I shall watch you closely and anxiously--I warn you of that. And try to restrain the disproportionate fervour with which you throw yourself into commonplace home pleasures. Don't cling so tenaciously to ties of the flesh; save your constancy and ardour for an adequate cause; forbear to waste them on trite transient objects. Do you hear, Jane?" "Yes; just as if you were speaking Greek. I feel I have adequate cause to be happy, and I _will_ be happy. Goodbye!" Happy at Moor House I was, and hard I worked; and so did Hannah: she was charmed to see how jovial I could be amidst the bustle of a house turned topsy-turvy--how I could brush, and dust, and clean, and cook. And really, after a day or two of confusion worse confounded, it was delightful by degrees to invoke order from the chaos ourselves had made. I had previously taken a journey to S--- to purchase some new furniture: my cousins having given me _carte blanche_ to effect what alterations I pleased, and a sum having been set aside for that purpose. The ordinary sitting-room and bedrooms I left much as they were: for I knew Diana and Mary would derive more pleasure from seeing again the old homely tables, and chairs, and beds, than from the spectacle of the smartest innovations. Still some novelty was necessary, to give to their return the piquancy with which I wished it to be invested. Dark handsome new carpets and curtains, an arrangement of some carefully selected antique ornaments in porcelain and bronze, new coverings, and mirrors, and dressing-cases, for the toilet tables, answered the end: they looked fresh without being glaring. A spare parlour and bedroom I refurnished entirely, with old mahogany and crimson upholstery: I laid canvas on the passage, and carpets on the stairs. When all was finished, I thought Moor House as complete a model of bright modest snugness within, as it was, at this season, a specimen of wintry waste and desert dreariness without. The eventful Thursday at length came. They were expected about dark, and ere dusk fires were lit upstairs and below; the kitchen was in perfect trim; Hannah and I were dressed, and all was in readiness. St. John arrived first. I had entreated him to keep quite clear of the house till everything was arranged: and, indeed, the bare idea of the commotion, at once sordid and trivial, going on within its walls sufficed to scare him to estrangement. He found me in the kitchen, watching the progress of certain cakes for tea, then baking. Approaching the hearth, he asked, "If I was at last satisfied with housemaid's work?" I answered by inviting him to accompany me on a general inspection of the result of my labours. With some difficulty, I got him to make the tour of the house. He just looked in at the doors I opened; and when he had wandered upstairs and downstairs, he said I must have gone through a great deal of fatigue and trouble to have effected such considerable changes in so short a time: but not a syllable did he utter indicating pleasure in the improved aspect of his abode. This silence damped me. I thought perhaps the alterations had disturbed some old associations he valued. I inquired whether this was the case: no doubt in a somewhat crest-fallen tone. "Not at all; he had, on the contrary, remarked that I had scrupulously respected every association: he feared, indeed, I must have bestowed more thought on the matter than it was worth. How many minutes, for instance, had I devoted to studying the arrangement of this very room?--By-the-bye, could I tell him where such a book was?" I showed him the volume on the shelf: he took it down, and withdrawing to his accustomed window recess, he began to read it. Now, I did not like this, reader. St. John was a good man; but I began to feel he had spoken truth of himself when he said he was hard and cold. The humanities and amenities of life had no attraction for him--its peaceful enjoyments no charm. Literally, he lived only to aspire--after what was good and great, certainly; but still he would never rest, nor approve of others resting round him. As I looked at his lofty forehead, still and pale as a white stone--at his fine lineaments fixed in study--I comprehended all at once that he would hardly make a good husband: that it would be a trying thing to be his wife. I understood, as by inspiration, the nature of his love for Miss Oliver; I agreed with him that it was but a love of the senses. I comprehended how he should despise himself for the feverish influence it exercised over him; how he should wish to stifle and destroy it; how he should mistrust its ever conducting permanently to his happiness or hers. I saw he was of the material from which nature hews her heroes--Christian and Pagan--her lawgivers, her statesmen, her conquerors: a steadfast bulwark for great interests to rest upon; but, at the fireside, too often a cold cumbrous column, gloomy and out of place. "This parlour is not his sphere," I reflected: "the Himalayan ridge or Caffre bush, even the plague-cursed Guinea Coast swamp would suit him better. Well may he eschew the calm of domestic life; it is not his element: there his faculties stagnate--they cannot develop or appear to advantage. It is in scenes of strife and danger--where courage is proved, and energy exercised, and fortitude tasked--that he will speak and move, the leader and superior. A merry child would have the advantage of him on this hearth. He is right to choose a missionary's career--I see it now." "They are coming! they are coming!" cried Hannah, throwing open the parlour door. At the same moment old Carlo barked joyfully. Out I ran. It was now dark; but a rumbling of wheels was audible. Hannah soon had a lantern lit. The vehicle had stopped at the wicket; the driver opened the door: first one well-known form, then another, stepped out. In a minute I had my face under their bonnets, in contact first with Mary's soft cheek, then with Diana's flowing curls. They laughed--kissed me--then Hannah: patted Carlo, who was half wild with delight; asked eagerly if all was well; and being assured in the affirmative, hastened into the house. They were stiff with their long and jolting drive from Whitcross, and chilled with the frosty night air; but their pleasant countenances expanded to the cheerful firelight. While the driver and Hannah brought in the boxes, they demanded St. John. At this moment he advanced from the parlour. They both threw their arms round his neck at once. He gave each one quiet kiss, said in a low tone a few words of welcome, stood a while to be talked to, and then, intimating that he supposed they would soon rejoin him in the parlour, withdrew there as to a place of refuge. I had lit their candles to go upstairs, but Diana had first to give hospitable orders respecting the driver; this done, both followed me. They were delighted with the renovation and decorations of their rooms; with the new drapery, and fresh carpets, and rich tinted china vases: they expressed their gratification ungrudgingly. I had the pleasure of feeling that my arrangements met their wishes exactly, and that what I had done added a vivid charm to their joyous return home. Sweet was that evening. My cousins, full of exhilaration, were so eloquent in narrative and comment, that their fluency covered St. John's taciturnity: he was sincerely glad to see his sisters; but in their glow of fervour and flow of joy he could not sympathise. The event of the day--that is, the return of Diana and Mary--pleased him; but the accompaniments of that event, the glad tumult, the garrulous glee of reception irked him: I saw he wished the calmer morrow was come. In the very meridian of the night's enjoyment, about an hour after tea, a rap was heard at the door. Hannah entered with the intimation that "a poor lad was come, at that unlikely time, to fetch Mr. Rivers to see his mother, who was drawing away." "Where does she live, Hannah?" "Clear up at Whitcross Brow, almost four miles off, and moor and moss all the way." "Tell him I will go." "I'm sure, sir, you had better not. It's the worst road to travel after dark that can be: there's no track at all over the bog. And then it is such a bitter night--the keenest wind you ever felt. You had better send word, sir, that you will be there in the morning." But he was already in the passage, putting on his cloak; and without one objection, one murmur, he departed. It was then nine o'clock: he did not return till midnight. Starved and tired enough he was: but he looked happier than when he set out. He had performed an act of duty; made an exertion; felt his own strength to do and deny, and was on better terms with himself. I am afraid the whole of the ensuing week tried his patience. It was Christmas week: we took to no settled employment, but spent it in a sort of merry domestic dissipation. The air of the moors, the freedom of home, the dawn of prosperity, acted on Diana and Mary's spirits like some life-giving elixir: they were gay from morning till noon, and from noon till night. They could always talk; and their discourse, witty, pithy, original, had such charms for me, that I preferred listening to, and sharing in it, to doing anything else. St. John did not rebuke our vivacity; but he escaped from it: he was seldom in the house; his parish was large, the population scattered, and he found daily business in visiting the sick and poor in its different districts. One morning at breakfast, Diana, after looking a little pensive for some minutes, asked him, "If his plans were yet unchanged." "Unchanged and unchangeable," was the reply. And he proceeded to inform us that his departure from England was now definitively fixed for the ensuing year. "And Rosamond Oliver?" suggested Mary, the words seeming to escape her lips involuntarily: for no sooner had she uttered them, than she made a gesture as if wishing to recall them. St. John had a book in his hand--it was his unsocial custom to read at meals--he closed it, and looked up. "Rosamond Oliver," said he, "is about to be married to Mr. Granby, one of the best connected and most estimable residents in S-, grandson and heir to Sir Frederic Granby: I had the intelligence from her father yesterday." His sisters looked at each other and at me; we all three looked at him: he was serene as glass. "The match must have been got up hastily," said Diana: "they cannot have known each other long." "But two months: they met in October at the county ball at S-. But where there are no obstacles to a union, as in the present case, where the connection is in every point desirable, delays are unnecessary: they will be married as soon as S--- Place, which Sir Frederic gives up to them, can he refitted for their reception." The first time I found St. John alone after this communication, I felt tempted to inquire if the event distressed him: but he seemed so little to need sympathy, that, so far from venturing to offer him more, I experienced some shame at the recollection of what I had already hazarded. Besides, I was out of practice in talking to him: his reserve was again frozen over, and my frankness was congealed beneath it. He had not kept his promise of treating me like his sisters; he continually made little chilling differences between us, which did not at all tend to the development of cordiality: in short, now that I was acknowledged his kinswoman, and lived under the same roof with him, I felt the distance between us to be far greater than when he had known me only as the village schoolmistress. When I remembered how far I had once been admitted to his confidence, I could hardly comprehend his present frigidity. Such being the case, I felt not a little surprised when he raised his head suddenly from the desk over which he was stooping, and said-- "You see, Jane, the battle is fought and the victory won." Startled at being thus addressed, I did not immediately reply: after a moment's hesitation I answered-- "But are you sure you are not in the position of those conquerors whose triumphs have cost them too dear? Would not such another ruin you?" "I think not; and if I were, it does not much signify; I shall never be called upon to contend for such another. The event of the conflict is decisive: my way is now clear; I thank God for it!" So saying, he returned to his papers and his silence. As our mutual happiness (_i.e._, Diana's, Mary's, and mine) settled into a quieter character, and we resumed our usual habits and regular studies, St. John stayed more at home: he sat with us in the same room, sometimes for hours together. While Mary drew, Diana pursued a course of encyclopaedic reading she had (to my awe and amazement) undertaken, and I fagged away at German, he pondered a mystic lore of his own: that of some Eastern tongue, the acquisition of which he thought necessary to his plans. Thus engaged, he appeared, sitting in his own recess, quiet and absorbed enough; but that blue eye of his had a habit of leaving the outlandish- looking grammar, and wandering over, and sometimes fixing upon us, his fellow-students, with a curious intensity of observation: if caught, it would be instantly withdrawn; yet ever and anon, it returned searchingly to our table. I wondered what it meant: I wondered, too, at the punctual satisfaction he never failed to exhibit on an occasion that seemed to me of small moment, namely, my weekly visit to Morton school; and still more was I puzzled when, if the day was unfavourable, if there was snow, or rain, or high wind, and his sisters urged me not to go, he would invariably make light of their solicitude, and encourage me to accomplish the task without regard to the elements. "Jane is not such a weakling as you would make her," he would say: "she can bear a mountain blast, or a shower, or a few flakes of snow, as well as any of us. Her constitution is both sound and elastic;--better calculated to endure variations of climate than many more robust." And when I returned, sometimes a good deal tired, and not a little weather-beaten, I never dared complain, because I saw that to murmur would be to vex him: on all occasions fortitude pleased him; the reverse was a special annoyance. One afternoon, however, I got leave to stay at home, because I really had a cold. His sisters were gone to Morton in my stead: I sat reading Schiller; he, deciphering his crabbed Oriental scrolls. As I exchanged a translation for an exercise, I happened to look his way: there I found myself under the influence of the ever-watchful blue eye. How long it had been searching me through and through, and over and over, I cannot tell: so keen was it, and yet so cold, I felt for the moment superstitious--as if I were sitting in the room with something uncanny. "Jane, what are you doing?" "Learning German." "I want you to give up German and learn Hindostanee." "You are not in earnest?" "In such earnest that I must have it so: and I will tell you why." He then went on to explain that Hindostanee was the language he was himself at present studying; that, as he advanced, he was apt to forget the commencement; that it would assist him greatly to have a pupil with whom he might again and again go over the elements, and so fix them thoroughly in his mind; that his choice had hovered for some time between me and his sisters; but that he had fixed on me because he saw I could sit at a task the longest of the three. Would I do him this favour? I should not, perhaps, have to make the sacrifice long, as it wanted now barely three months to his departure. St. John was not a man to be lightly refused: you felt that every impression made on him, either for pain or pleasure, was deep-graved and permanent. I consented. When Diana and Mary returned, the former found her scholar transferred from her to her brother: she laughed, and both she and Mary agreed that St. John should never have persuaded them to such a step. He answered quietly-- "I know it." I found him a very patient, very forbearing, and yet an exacting master: he expected me to do a great deal; and when I fulfilled his expectations, he, in his own way, fully testified his approbation. By degrees, he acquired a certain influence over me that took away my liberty of mind: his praise and notice were more restraining than his indifference. I could no longer talk or laugh freely when he was by, because a tiresomely importunate instinct reminded me that vivacity (at least in me) was distasteful to him. I was so fully aware that only serious moods and occupations were acceptable, that in his presence every effort to sustain or follow any other became vain: I fell under a freezing spell. When he said "go," I went; "come," I came; "do this," I did it. But I did not love my servitude: I wished, many a time, he had continued to neglect me. One evening when, at bedtime, his sisters and I stood round him, bidding him good-night, he kissed each of them, as was his custom; and, as was equally his custom, he gave me his hand. Diana, who chanced to be in a frolicsome humour (_she_ was not painfully controlled by his will; for hers, in another way, was as strong), exclaimed-- "St. John! you used to call Jane your third sister, but you don't treat her as such: you should kiss her too." She pushed me towards him. I thought Diana very provoking, and felt uncomfortably confused; and while I was thus thinking and feeling, St. John bent his head; his Greek face was brought to a level with mine, his eyes questioned my eyes piercingly--he kissed me. There are no such things as marble kisses or ice kisses, or I should say my ecclesiastical cousin's salute belonged to one of these classes; but there may be experiment kisses, and his was an experiment kiss. When given, he viewed me to learn the result; it was not striking: I am sure I did not blush; perhaps I might have turned a little pale, for I felt as if this kiss were a seal affixed to my fetters. He never omitted the ceremony afterwards, and the gravity and quiescence with which I underwent it, seemed to invest it for him with a certain charm. As for me, I daily wished more to please him; but to do so, I felt daily more and more that I must disown half my nature, stifle half my faculties, wrest my tastes from their original bent, force myself to the adoption of pursuits for which I had no natural vocation. He wanted to train me to an elevation I could never reach; it racked me hourly to aspire to the standard he uplifted. The thing was as impossible as to mould my irregular features to his correct and classic pattern, to give to my changeable green eyes the sea-blue tint and solemn lustre of his own. Not his ascendancy alone, however, held me in thrall at present. Of late it had been easy enough for me to look sad: a cankering evil sat at my heart and drained my happiness at its source--the evil of suspense. Perhaps you think I had forgotten Mr. Rochester, reader, amidst these changes of place and fortune. Not for a moment. His idea was still with me, because it was not a vapour sunshine could disperse, nor a sand-traced effigy storms could wash away; it was a name graven on a tablet, fated to last as long as the marble it inscribed. The craving to know what had become of him followed me everywhere; when I was at Morton, I re-entered my cottage every evening to think of that; and now at Moor House, I sought my bedroom each night to brood over it. In the course of my necessary correspondence with Mr. Briggs about the will, I had inquired if he knew anything of Mr. Rochester's present residence and state of health; but, as St. John had conjectured, he was quite ignorant of all concerning him. I then wrote to Mrs. Fairfax, entreating information on the subject. I had calculated with certainty on this step answering my end: I felt sure it would elicit an early answer. I was astonished when a fortnight passed without reply; but when two months wore away, and day after day the post arrived and brought nothing for me, I fell a prey to the keenest anxiety. I wrote again: there was a chance of my first letter having missed. Renewed hope followed renewed effort: it shone like the former for some weeks, then, like it, it faded, flickered: not a line, not a word reached me. When half a year wasted in vain expectancy, my hope died out, and then I felt dark indeed. A fine spring shone round me, which I could not enjoy. Summer approached; Diana tried to cheer me: she said I looked ill, and wished to accompany me to the sea-side. This St. John opposed; he said I did not want dissipation, I wanted employment; my present life was too purposeless, I required an aim; and, I suppose, by way of supplying deficiencies, he prolonged still further my lessons in Hindostanee, and grew more urgent in requiring their accomplishment: and I, like a fool, never thought of resisting him--I could not resist him. One day I had come to my studies in lower spirits than usual; the ebb was occasioned by a poignantly felt disappointment. Hannah had told me in the morning there was a letter for me, and when I went down to take it, almost certain that the long-looked for tidings were vouchsafed me at last, I found only an unimportant note from Mr. Briggs on business. The bitter check had wrung from me some tears; and now, as I sat poring over the crabbed characters and flourishing tropes of an Indian scribe, my eyes filled again. St. John called me to his side to read; in attempting to do this my voice failed me: words were lost in sobs. He and I were the only occupants of the parlour: Diana was practising her music in the drawing-room, Mary was gardening--it was a very fine May day, clear, sunny, and breezy. My companion expressed no surprise at this emotion, nor did he question me as to its cause; he only said-- "We will wait a few minutes, Jane, till you are more composed." And while I smothered the paroxysm with all haste, he sat calm and patient, leaning on his desk, and looking like a physician watching with the eye of science an expected and fully understood crisis in a patient's malady. Having stifled my sobs, wiped my eyes, and muttered something about not being very well that morning, I resumed my task, and succeeded in completing it. St. John put away my books and his, locked his desk, and said-- "Now, Jane, you shall take a walk; and with me." "I will call Diana and Mary." "No; I want only one companion this morning, and that must be you. Put on your things; go out by the kitchen-door: take the road towards the head of Marsh Glen: I will join you in a moment." I know no medium: I never in my life have known any medium in my dealings with positive, hard characters, antagonistic to my own, between absolute submission and determined revolt. I have always faithfully observed the one, up to the very moment of bursting, sometimes with volcanic vehemence, into the other; and as neither present circumstances warranted, nor my present mood inclined me to mutiny, I observed careful obedience to St. John's directions; and in ten minutes I was treading the wild track of the glen, side by side with him. The breeze was from the west: it came over the hills, sweet with scents of heath and rush; the sky was of stainless blue; the stream descending the ravine, swelled with past spring rains, poured along plentiful and clear, catching golden gleams from the sun, and sapphire tints from the firmament. As we advanced and left the track, we trod a soft turf, mossy fine and emerald green, minutely enamelled with a tiny white flower, and spangled with a star-like yellow blossom: the hills, meantime, shut us quite in; for the glen, towards its head, wound to their very core. "Let us rest here," said St. John, as we reached the first stragglers of a battalion of rocks, guarding a sort of pass, beyond which the beck rushed down a waterfall; and where, still a little farther, the mountain shook off turf and flower, had only heath for raiment and crag for gem--where it exaggerated the wild to the savage, and exchanged the fresh for the frowning--where it guarded the forlorn hope of solitude, and a last refuge for silence. I took a seat: St. John stood near me. He looked up the pass and down the hollow; his glance wandered away with the stream, and returned to traverse the unclouded heaven which coloured it: he removed his hat, let the breeze stir his hair and kiss his brow. He seemed in communion with the genius of the haunt: with his eye he bade farewell to something. "And I shall see it again," he said aloud, "in dreams when I sleep by the Ganges: and again in a more remote hour--when another slumber overcomes me--on the shore of a darker stream!" Strange words of a strange love! An austere patriot's passion for his fatherland! He sat down; for half-an-hour we never spoke; neither he to me nor I to him: that interval past, he recommenced-- "Jane, I go in six weeks; I have taken my berth in an East Indiaman which sails on the 20th of June." "God will protect you; for you have undertaken His work," I answered. "Yes," said he, "there is my glory and joy. I am the servant of an infallible Master. I am not going out under human guidance, subject to the defective laws and erring control of my feeble fellow-worms: my king, my lawgiver, my captain, is the All-perfect. It seems strange to me that all round me do not burn to enlist under the same banner,--to join in the same enterprise." "All have not your powers, and it would be folly for the feeble to wish to march with the strong." "I do not speak to the feeble, or think of them: I address only such as are worthy of the work, and competent to accomplish it." "Those are few in number, and difficult to discover." "You say truly; but when found, it is right to stir them up--to urge and exhort them to the effort--to show them what their gifts are, and why they were given--to speak Heaven's message in their ear,--to offer them, direct from God, a place in the ranks of His chosen." "If they are really qualified for the task, will not their own hearts be the first to inform them of it?" I felt as if an awful charm was framing round and gathering over me: I trembled to hear some fatal word spoken which would at once declare and rivet the spell. "And what does _your_ heart say?" demanded St. John. "My heart is mute,--my heart is mute," I answered, struck and thrilled. "Then I must speak for it," continued the deep, relentless voice. "Jane, come with me to India: come as my helpmeet and fellow-labourer." The glen and sky spun round: the hills heaved! It was as if I had heard a summons from Heaven--as if a visionary messenger, like him of Macedonia, had enounced, "Come over and help us!" But I was no apostle,--I could not behold the herald,--I could not receive his call. "Oh, St. John!" I cried, "have some mercy!" I appealed to one who, in the discharge of what he believed his duty, knew neither mercy nor remorse. He continued-- "God and nature intended you for a missionary's wife. It is not personal, but mental endowments they have given you: you are formed for labour, not for love. A missionary's wife you must--shall be. You shall be mine: I claim you--not for my pleasure, but for my Sovereign's service." "I am not fit for it: I have no vocation," I said. He had calculated on these first objections: he was not irritated by them. Indeed, as he leaned back against the crag behind him, folded his arms on his chest, and fixed his countenance, I saw he was prepared for a long and trying opposition, and had taken in a stock of patience to last him to its close--resolved, however, that that close should be conquest for him. "Humility, Jane," said he, "is the groundwork of Christian virtues: you say right that you are not fit for the work. Who is fit for it? Or who, that ever was truly called, believed himself worthy of the summons? I, for instance, am but dust and ashes. With St. Paul, I acknowledge myself the chiefest of sinners; but I do not suffer this sense of my personal vileness to daunt me. I know my Leader: that He is just as well as mighty; and while He has chosen a feeble instrument to perform a great task, He will, from the boundless stores of His providence, supply the inadequacy of the means to the end. Think like me, Jane--trust like me. It is the Rock of Ages I ask you to lean on: do not doubt but it will bear the weight of your human weakness." "I do not understand a missionary life: I have never studied missionary labours." "There I, humble as I am, can give you the aid you want: I can set you your task from hour to hour; stand by you always; help you from moment to moment. This I could do in the beginning: soon (for I know your powers) you would be as strong and apt as myself, and would not require my help." "But my powers--where are they for this undertaking? I do not feel them. Nothing speaks or stirs in me while you talk. I am sensible of no light kindling--no life quickening--no voice counselling or cheering. Oh, I wish I could make you see how much my mind is at this moment like a rayless dungeon, with one shrinking fear fettered in its depths--the fear of being persuaded by you to attempt what I cannot accomplish!" "I have an answer for you--hear it. I have watched you ever since we first met: I have made you my study for ten months. I have proved you in that time by sundry tests: and what have I seen and elicited? In the village school I found you could perform well, punctually, uprightly, labour uncongenial to your habits and inclinations; I saw you could perform it with capacity and tact: you could win while you controlled. In the calm with which you learnt you had become suddenly rich, I read a mind clear of the vice of Demas:--lucre had no undue power over you. In the resolute readiness with which you cut your wealth into four shares, keeping but one to yourself, and relinquishing the three others to the claim of abstract justice, I recognised a soul that revelled in the flame and excitement of sacrifice. In the tractability with which, at my wish, you forsook a study in which you were interested, and adopted another because it interested me; in the untiring assiduity with which you have since persevered in it--in the unflagging energy and unshaken temper with which you have met its difficulties--I acknowledge the complement of the qualities I seek. Jane, you are docile, diligent, disinterested, faithful, constant, and courageous; very gentle, and very heroic: cease to mistrust yourself--I can trust you unreservedly. As a conductress of Indian schools, and a helper amongst Indian women, your assistance will be to me invaluable." My iron shroud contracted round me; persuasion advanced with slow sure step. Shut my eyes as I would, these last words of his succeeded in making the way, which had seemed blocked up, comparatively clear. My work, which had appeared so vague, so hopelessly diffuse, condensed itself as he proceeded, and assumed a definite form under his shaping hand. He waited for an answer. I demanded a quarter of an hour to think, before I again hazarded a reply. "Very willingly," he rejoined; and rising, he strode a little distance up the pass, threw himself down on a swell of heath, and there lay still. {He threw himself down on a swell of heath, and there lay still: p389.jpg} "I _can_ do what he wants me to do: I am forced to see and acknowledge that," I meditated,--"that is, if life be spared me. But I feel mine is not the existence to be long protracted under an Indian sun. What then? He does not care for that: when my time came to die, he would resign me, in all serenity and sanctity, to the God who gave me. The case is very plain before me. In leaving England, I should leave a loved but empty land--Mr. Rochester is not there; and if he were, what is, what can that ever be to me? My business is to live without him now: nothing so absurd, so weak as to drag on from day to day, as if I were waiting some impossible change in circumstances, which might reunite me to him. Of course (as St. John once said) I must seek another interest in life to replace the one lost: is not the occupation he now offers me truly the most glorious man can adopt or God assign? Is it not, by its noble cares and sublime results, the one best calculated to fill the void left by uptorn affections and demolished hopes? I believe I must say, Yes--and yet I shudder. Alas! If I join St. John, I abandon half myself: if I go to India, I go to premature death. And how will the interval between leaving England for India, and India for the grave, be filled? Oh, I know well! That, too, is very clear to my vision. By straining to satisfy St. John till my sinews ache, I _shall_ satisfy him--to the finest central point and farthest outward circle of his expectations. If I _do_ go with him--if I _do_ make the sacrifice he urges, I will make it absolutely: I will throw all on the altar--heart, vitals, the entire victim. He will never love me; but he shall approve me; I will show him energies he has not yet seen, resources he has never suspected. Yes, I can work as hard as he can, and with as little grudging. "Consent, then, to his demand is possible: but for one item--one dreadful item. It is--that he asks me to be his wife, and has no more of a husband's heart for me than that frowning giant of a rock, down which the stream is foaming in yonder gorge. He prizes me as a soldier would a good weapon; and that is all. Unmarried to him, this would never grieve me; but can I let him complete his calculations--coolly put into practice his plans--go through the wedding ceremony? Can I receive from him the bridal ring, endure all the forms of love (which I doubt not he would scrupulously observe) and know that the spirit was quite absent? Can I bear the consciousness that every endearment he bestows is a sacrifice made on principle? No: such a martyrdom would be monstrous. I will never undergo it. As his sister, I might accompany him--not as his wife: I will tell him so." I looked towards the knoll: there he lay, still as a prostrate column; his face turned to me: his eye beaming watchful and keen. He started to his feet and approached me. "I am ready to go to India, if I may go free." "Your answer requires a commentary," he said; "it is not clear." "You have hitherto been my adopted brother--I, your adopted sister: let us continue as such: you and I had better not marry." He shook his head. "Adopted fraternity will not do in this case. If you were my real sister it would be different: I should take you, and seek no wife. But as it is, either our union must be consecrated and sealed by marriage, or it cannot exist: practical obstacles oppose themselves to any other plan. Do you not see it, Jane? Consider a moment--your strong sense will guide you." I did consider; and still my sense, such as it was, directed me only to the fact that we did not love each other as man and wife should: and therefore it inferred we ought not to marry. I said so. "St. John," I returned, "I regard you as a brother--you, me as a sister: so let us continue." "We cannot--we cannot," he answered, with short, sharp determination: "it would not do. You have said you will go with me to India: remember--you have said that." "Conditionally." "Well--well. To the main point--the departure with me from England, the co-operation with me in my future labours--you do not object. You have already as good as put your hand to the plough: you are too consistent to withdraw it. You have but one end to keep in view--how the work you have undertaken can best be done. Simplify your complicated interests, feelings, thoughts, wishes, aims; merge all considerations in one purpose: that of fulfilling with effect--with power--the mission of your great Master. To do so, you must have a coadjutor: not a brother--that is a loose tie--but a husband. I, too, do not want a sister: a sister might any day be taken from me. I want a wife: the sole helpmeet I can influence efficiently in life, and retain absolutely till death." I shuddered as he spoke: I felt his influence in my marrow--his hold on my limbs. "Seek one elsewhere than in me, St. John: seek one fitted to you." "One fitted to my purpose, you mean--fitted to my vocation. Again I tell you it is not the insignificant private individual--the mere man, with the man's selfish senses--I wish to mate: it is the missionary." "And I will give the missionary my energies--it is all he wants--but not myself: that would be only adding the husk and shell to the kernel. For them he has no use: I retain them." "You cannot--you ought not. Do you think God will be satisfied with half an oblation? Will He accept a mutilated sacrifice? It is the cause of God I advocate: it is under His standard I enlist you. I cannot accept on His behalf a divided allegiance: it must be entire." "Oh! I will give my heart to God," I said. "_You_ do not want it." I will not swear, reader, that there was not something of repressed sarcasm both in the tone in which I uttered this sentence, and in the feeling that accompanied it. I had silently feared St. John till now, because I had not understood him. He had held me in awe, because he had held me in doubt. How much of him was saint, how much mortal, I could not heretofore tell: but revelations were being made in this conference: the analysis of his nature was proceeding before my eyes. I saw his fallibilities: I comprehended them. I understood that, sitting there where I did, on the bank of heath, and with that handsome form before me, I sat at the feet of a man, caring as I. The veil fell from his hardness and despotism. Having felt in him the presence of these qualities, I felt his imperfection and took courage. I was with an equal--one with whom I might argue--one whom, if I saw good, I might resist. He was silent after I had uttered the last sentence, and I presently risked an upward glance at his countenance. His eye, bent on me, expressed at once stern surprise and keen inquiry. "Is she sarcastic, and sarcastic to _me_!" it seemed to say. "What does this signify?" "Do not let us forget that this is a solemn matter," he said ere long; "one of which we may neither think nor talk lightly without sin. I trust, Jane, you are in earnest when you say you will serve your heart to God: it is all I want. Once wrench your heart from man, and fix it on your Maker, the advancement of that Maker's spiritual kingdom on earth will be your chief delight and endeavour; you will be ready to do at once whatever furthers that end. You will see what impetus would be given to your efforts and mine by our physical and mental union in marriage: the only union that gives a character of permanent conformity to the destinies and designs of human beings; and, passing over all minor caprices--all trivial difficulties and delicacies of feeling--all scruple about the degree, kind, strength or tenderness of mere personal inclination--you will hasten to enter into that union at once." "Shall I?" I said briefly; and I looked at his features, beautiful in their harmony, but strangely formidable in their still severity; at his brow, commanding but not open; at his eyes, bright and deep and searching, but never soft; at his tall imposing figure; and fancied myself in idea _his wife_. Oh! it would never do! As his curate, his comrade, all would be right: I would cross oceans with him in that capacity; toil under Eastern suns, in Asian deserts with him in that office; admire and emulate his courage and devotion and vigour; accommodate quietly to his masterhood; smile undisturbed at his ineradicable ambition; discriminate the Christian from the man: profoundly esteem the one, and freely forgive the other. I should suffer often, no doubt, attached to him only in this capacity: my body would be under rather a stringent yoke, but my heart and mind would be free. I should still have my unblighted self to turn to: my natural unenslaved feelings with which to communicate in moments of loneliness. There would be recesses in my mind which would be only mine, to which he never came, and sentiments growing there fresh and sheltered which his austerity could never blight, nor his measured warrior-march trample down: but as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--_this_ would be unendurable. "St. John!" I exclaimed, when I had got so far in my meditation. "Well?" he answered icily. "I repeat I freely consent to go with you as your fellow-missionary, but not as your wife; I cannot marry you and become part of you." "A part of me you must become," he answered steadily; "otherwise the whole bargain is void. How can I, a man not yet thirty, take out with me to India a girl of nineteen, unless she be married to me? How can we be for ever together--sometimes in solitudes, sometimes amidst savage tribes--and unwed?" "Very well," I said shortly; "under the circumstances, quite as well as if I were either your real sister, or a man and a clergyman like yourself." "It is known that you are not my sister; I cannot introduce you as such: to attempt it would be to fasten injurious suspicions on us both. And for the rest, though you have a man's vigorous brain, you have a woman's heart and--it would not do." "It would do," I affirmed with some disdain, "perfectly well. I have a woman's heart, but not where you are concerned; for you I have only a comrade's constancy; a fellow-soldier's frankness, fidelity, fraternity, if you like; a neophyte's respect and submission to his hierophant: nothing more--don't fear." "It is what I want," he said, speaking to himself; "it is just what I want. And there are obstacles in the way: they must be hewn down. Jane, you would not repent marrying me--be certain of that; we _must_ be married. I repeat it: there is no other way; and undoubtedly enough of love would follow upon marriage to render the union right even in your eyes." "I scorn your idea of love," I could not help saying, as I rose up and stood before him, leaning my back against the rock. "I scorn the counterfeit sentiment you offer: yes, St. John, and I scorn you when you offer it." He looked at me fixedly, compressing his well-cut lips while he did so. Whether he was incensed or surprised, or what, it was not easy to tell: he could command his countenance thoroughly. "I scarcely expected to hear that expression from you," he said: "I think I have done and uttered nothing to deserve scorn." I was touched by his gentle tone, and overawed by his high, calm mien. "Forgive me the words, St. John; but it is your own fault that I have been roused to speak so unguardedly. You have introduced a topic on which our natures are at variance--a topic we should never discuss: the very name of love is an apple of discord between us. If the reality were required, what should we do? How should we feel? My dear cousin, abandon your scheme of marriage--forget it." "No," said he; "it is a long-cherished scheme, and the only one which can secure my great end: but I shall urge you no further at present. To-morrow, I leave home for Cambridge: I have many friends there to whom I should wish to say farewell. I shall be absent a fortnight--take that space of time to consider my offer: and do not forget that if you reject it, it is not me you deny, but God. Through my means, He opens to you a noble career; as my wife only can you enter upon it. Refuse to be my wife, and you limit yourself for ever to a track of selfish ease and barren obscurity. Tremble lest in that case you should be numbered with those who have denied the faith, and are worse than infidels!" He had done. Turning from me, he once more "Looked to river, looked to hill." But this time his feelings were all pent in his heart: I was not worthy to hear them uttered. As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and despotic nature, which has met resistance where it expected submission--the disapprobation of a cool, inflexible judgment, which has detected in another feelings and views in which it has no power to sympathise: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance. That night, after he had kissed his sisters, he thought proper to forget even to shake hands with me, but left the room in silence. I--who, though I had no love, had much friendship for him--was hurt by the marked omission: so much hurt that tears started to my eyes. "I see you and St. John have been quarrelling, Jane," said Diana, "during your walk on the moor. But go after him; he is now lingering in the passage expecting you--he will make it up." I have not much pride under such circumstances: I would always rather be happy than dignified; and I ran after him--he stood at the foot of the stairs. "Good-night, St. John," said I. "Good-night, Jane," he replied calmly. "Then shake hands," I added. What a cold, loose touch, he impressed on my fingers! He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him. No happy reconciliation was to be had with him--no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended. And with that answer he left me. I would much rather he had knocked me down.

Chapters 33-34

St. John and Jane have a long talk. He has discovered her true identity, for the strip of paper that he tore off one of her sketches had her name 'Jane Eyre' on it. He recounts Jane's life story and then continues the tale after she fled from Thornfield, saying that a lawyer, Mr. Briggs, is urgently seeking Jane concerning her uncle John Eyre of Madeira. He has died leaving her a legacy of '20,000 and he is the same Uncle John that the Rivers family recently mourned, so they are in fact cousins. Jane is excited, firstly because the Rivers are related to her, and secondly because she will be financially independent. She immediately declares that her inheritance can be easily shared four ways, and she wishes that her three cousins shared in her fortune. St. John is impressed with his new cousin's Christian attitude to this good fortune. She advises St. John that she will continue at the school until a substitute administrator can be found, and she presses ahead with the legal transfer of the inheritance to her cousins. Christmas approaches and Jane and Hannah the maid, work hard in preparing the house for the return of Diana and Mary. Jane takes it upon herself to carry out some renovation to the old house, and although St. John has reservations about this, Diana and Mary are delighted when they return home. Whilst the three young ladies and Hannah enjoy the holiday break, St. John continues his pastoral care often being out until late at night, visiting the sick and poor. They learn that Rosamond is to marry someone else. St. John wants Jane to stop her study of German and practice Hindustani. Spring arrives and Jane decides to write to Mrs. Fairfax and Mr. Briggs for news of Rochester, but she receives no reply. St. John wishes to marry Jane so that they can both work in India together. She agrees to go with him to India, but as his sister and not his wife. St. John is hurt by Jane's refusal to marry him, and he shuns her.

Interpretation We get further information concerning St. John's makeup. He is surprised at Jane's reaction to the letter concerning the death of her Uncle John. She shows sadness at the loss of a relative, delight that she has found new relatives in the Rivers family, and only then does she appreciate the inheritance she has received. He perhaps thinks he is the only one capable of leading a truly Christian life, but Jane's totally honest reaction to the revelation contained in Uncle John's letter contradicts this view. He starts to seriously consider Jane as a wife to share in his missionary duties. He regards her as being docile, diligent, disinterested, faithful, constant and courageous." He doesn't consider her independent spirit and his unfeeling description of her sounds as if he would treat her like a pet. He is aware that her love for Rochester is still apparent, but this is sinful and she can perhaps atone for this by devoting her life to God's work. Jane deals with St. John's proposal cleverly, offering to go with him as a helper rather than a wife, knowing that this would not suit St. John.

novelguide

all_chapterized_books/1260-chapters/02.txt

finished_summaries/novelguide/Jane Eyre/section_0_part_1.txt

Jane Eyre.volume 1.chapter 1

chapter 1

{"name": "volume 1, Chapter 1", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/novel-summary", "summary": "Chapter one introduces Jane, the narrator of the story, her aunt Mrs. Reed, and her cousins, Eliza, John and Georgiana Reed. Ten-year old Jane lives at the Reed's Gateshead Hall. It becomes obvious that Jane's place in the household is not a comfortable one, and Mrs. Reed does not think highly of her. Jane tries to remain unnoticed in the drawing room reading on a rainy day, but John Reed, the fourteen-year-old son of Mrs. Reed, soon finds her. Jane lives in terror of John, as he bullies and punishes her without end. John becomes angry that Jane is reading one of their books, and says that she is a dependent there, has no money, and should not \"live with gentlemen's children like. John throws the book at Jane, causing her to fall and cut her head against the door. Jane then fights against him, and when Mrs. Reed enters the room she sends Jane to be locked in the red-room", "analysis": ""}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

volume 1, Chapter 1

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/novel-summary

Chapter one introduces Jane, the narrator of the story, her aunt Mrs. Reed, and her cousins, Eliza, John and Georgiana Reed. Ten-year old Jane lives at the Reed's Gateshead Hall. It becomes obvious that Jane's place in the household is not a comfortable one, and Mrs. Reed does not think highly of her. Jane tries to remain unnoticed in the drawing room reading on a rainy day, but John Reed, the fourteen-year-old son of Mrs. Reed, soon finds her. Jane lives in terror of John, as he bullies and punishes her without end. John becomes angry that Jane is reading one of their books, and says that she is a dependent there, has no money, and should not "live with gentlemen's children like. John throws the book at Jane, causing her to fall and cut her head against the door. Jane then fights against him, and when Mrs. Reed enters the room she sends Jane to be locked in the red-room

novelguide

all_chapterized_books/1260-chapters/03.txt

finished_summaries/novelguide/Jane Eyre/section_0_part_2.txt

Jane Eyre.volume 1.chapter 2

chapter 2

{"name": "volume 1, Chapter 2", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/novel-summary", "summary": "\"I resisted all the way: a new thing for me. Jane states as Bessie, the nurse, tries to take her away. She tells Jane that she should not act so, as she is in debt to Mrs. Reed and is not equal to the Misses or Mr. Reed. When Bessie leaves her alone, Jane wonders why it is that she is always thought to be bad no matter how she tries to please, and why John is not punished for hitting her. Jane thinks that Mr. Reed, her uncle who had died nine years before, would not treat her so. The red-room where Jane is locked is the room where Mr. Reed had died, and on thinking of this, Jane believes she sees something in the room with her and rushes to shake the locked door. Bessie soon comes running, but Mrs. Reed pushes Jane back into the room and locks the door. Jane falls unconscious", "analysis": ""}

I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

volume 1, Chapter 2

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/novel-summary

"I resisted all the way: a new thing for me. Jane states as Bessie, the nurse, tries to take her away. She tells Jane that she should not act so, as she is in debt to Mrs. Reed and is not equal to the Misses or Mr. Reed. When Bessie leaves her alone, Jane wonders why it is that she is always thought to be bad no matter how she tries to please, and why John is not punished for hitting her. Jane thinks that Mr. Reed, her uncle who had died nine years before, would not treat her so. The red-room where Jane is locked is the room where Mr. Reed had died, and on thinking of this, Jane believes she sees something in the room with her and rushes to shake the locked door. Bessie soon comes running, but Mrs. Reed pushes Jane back into the room and locks the door. Jane falls unconscious

novelguide

all_chapterized_books/1260-chapters/04.txt

finished_summaries/novelguide/Jane Eyre/section_1_part_1.txt

Jane Eyre.volume 1.chapter 3

chapter 3

{"name": "volume 1, Chapter 3", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap3-4", "summary": "The next thing Jane remembers is waking up in her own bed. Mr. Lloyd, the apothecary, comes to see her, and the next day she is up and about, though her nerves are still shaken. Bessie is especially nice to Jane, but Jane feels as if she cannot eat or read. Bessie sings to her, and Jane gets sad over her state and cries. When Mr. Lloyd comes again and asks why she has been crying, she states that she is miserable because she has no father or mother and that Gateshead is not her house. He asks if she has any other relations, and she answers that Mrs. Reed said that she might, but that they must be beggars. When asked, she admits that she would not like to belong to poor people. When asked if she would like to go to school, Jane says yes. While listening to Bessie talk when she thinks Jane is asleep, Jane learns that her father was a poor clergyman, and that her mother's grandfather disowned her when she married him. They both died of typhus fever", "analysis": ""}

The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went.

volume 1, Chapter 3

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap3-4

The next thing Jane remembers is waking up in her own bed. Mr. Lloyd, the apothecary, comes to see her, and the next day she is up and about, though her nerves are still shaken. Bessie is especially nice to Jane, but Jane feels as if she cannot eat or read. Bessie sings to her, and Jane gets sad over her state and cries. When Mr. Lloyd comes again and asks why she has been crying, she states that she is miserable because she has no father or mother and that Gateshead is not her house. He asks if she has any other relations, and she answers that Mrs. Reed said that she might, but that they must be beggars. When asked, she admits that she would not like to belong to poor people. When asked if she would like to go to school, Jane says yes. While listening to Bessie talk when she thinks Jane is asleep, Jane learns that her father was a poor clergyman, and that her mother's grandfather disowned her when she married him. They both died of typhus fever

novelguide

all_chapterized_books/1260-chapters/05.txt

finished_summaries/novelguide/Jane Eyre/section_1_part_2.txt

Jane Eyre.volume 1.chapter 4

chapter 4

{"name": "volume 1, Chapter 4", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap3-4", "summary": "Weeks pass without mention of Jane going to school. When Jane hears Mrs. Reed telling John not to talk to Jane, Jane replies that he and his sisters are not fit to associate with her. Mrs. Reed becomes angry and locks Jane in her room. Jane wonders to Mrs. Reed what her uncle, mother and father would say about her behavior towards her. November, December and half of January pass with Jane not being involved in any of the holiday activities, and then Jane is called downstairs to meet with Mrs. Reed and a stranger who has come. Jane nervously enters the room and meets Mr. Brocklehurst of Lowood School. It is decided that Jane will be sent to Lowood, and Mrs. Reed tells Mr. Brocklehurst that they should keep a strict eye on Jane, as she has a tendency to deceit. Jane realizes that Mrs. Reed is trying to sow aversion and unkindness upon Jane's new phase of life and obliterate hope of things being different there. Mr. Brocklehurst says that he will speak to Miss Temple and the teachers about Jane. When he is gone Jane tells Mrs. Reed that she is not deceitful, that she does not love her, and that in the entire world she only dislikes John more. She also says that Georgiana is the liar, not her. After the fight, Jane cannot read but takes a walk instead. Bessie comes to find her, and Jane finds a friend in her and is sorry that they have not reached an understanding such as this until Jane is about to leave", "analysis": ""}

From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

volume 1, Chapter 4

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap3-4

Weeks pass without mention of Jane going to school. When Jane hears Mrs. Reed telling John not to talk to Jane, Jane replies that he and his sisters are not fit to associate with her. Mrs. Reed becomes angry and locks Jane in her room. Jane wonders to Mrs. Reed what her uncle, mother and father would say about her behavior towards her. November, December and half of January pass with Jane not being involved in any of the holiday activities, and then Jane is called downstairs to meet with Mrs. Reed and a stranger who has come. Jane nervously enters the room and meets Mr. Brocklehurst of Lowood School. It is decided that Jane will be sent to Lowood, and Mrs. Reed tells Mr. Brocklehurst that they should keep a strict eye on Jane, as she has a tendency to deceit. Jane realizes that Mrs. Reed is trying to sow aversion and unkindness upon Jane's new phase of life and obliterate hope of things being different there. Mr. Brocklehurst says that he will speak to Miss Temple and the teachers about Jane. When he is gone Jane tells Mrs. Reed that she is not deceitful, that she does not love her, and that in the entire world she only dislikes John more. She also says that Georgiana is the liar, not her. After the fight, Jane cannot read but takes a walk instead. Bessie comes to find her, and Jane finds a friend in her and is sorry that they have not reached an understanding such as this until Jane is about to leave

novelguide

all_chapterized_books/1260-chapters/06.txt

finished_summaries/novelguide/Jane Eyre/section_2_part_1.txt

Jane Eyre.volume 1.chapter 5

chapter 5

{"name": "volume 1, Chapter 5", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap5-6", "summary": "On the morning of the nineteenth Jane is ready early for her carriage ride to Lowood. She does not wake Mrs. Reed or her children, as the night before Mrs. Reed had told her that there was no need for it. Jane is too excited to eat, and Bessie walks her to the coach stop. On the coach ride they pass through many towns, and when they stop for dinner, Jane again has no appetite. When they reach Lowood, Miss Miller and a woman who impresses Jane quite a bit welcome Jane. Jane is taken into a large room with about eighty girls ranging in age from nine or ten to twenty. She cannot eat much, and is then put to bed with Miss Miller. When Jane is awaken the next morning by a bell, all of the girls are up and dressing and washing in the basins, although it is not yet dawn. The Bible is read, and when breakfast comes, Jane is very hungry because she had eaten so little the day before. The porridge is burned, and all of the girls can eat hardly any of it. The girls then go into the schoolroom where they are separated into classes. Jane finds out that the woman who so impressed her the day before is named Miss Temple, and that she is the superintendent of Lowood. She tells the girls that she has ordered bread and cheese for them since they could not eat their breakfast, and when the other teachers look at her with surprise, she says that she will take responsibility for it. When talking to a girl later at break time, Jane learns that Lowood Institution is a charity school, and that all of the girls there have lost one or both parents. Mr. Brocklehurst is the treasurer and manager of the Institution, and Miss Temple has to answer to him for all of the food and clothes. Jane also learns who each of the teachers are, and after dinner, they go back to the schoolroom. Jane is surprised to see how calm her new friend is when she is made to stand in the middle of the room as punishment for something. Jane feels as if she would cry if it happened to her", "analysis": ""}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood.

volume 1, Chapter 5

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap5-6

On the morning of the nineteenth Jane is ready early for her carriage ride to Lowood. She does not wake Mrs. Reed or her children, as the night before Mrs. Reed had told her that there was no need for it. Jane is too excited to eat, and Bessie walks her to the coach stop. On the coach ride they pass through many towns, and when they stop for dinner, Jane again has no appetite. When they reach Lowood, Miss Miller and a woman who impresses Jane quite a bit welcome Jane. Jane is taken into a large room with about eighty girls ranging in age from nine or ten to twenty. She cannot eat much, and is then put to bed with Miss Miller. When Jane is awaken the next morning by a bell, all of the girls are up and dressing and washing in the basins, although it is not yet dawn. The Bible is read, and when breakfast comes, Jane is very hungry because she had eaten so little the day before. The porridge is burned, and all of the girls can eat hardly any of it. The girls then go into the schoolroom where they are separated into classes. Jane finds out that the woman who so impressed her the day before is named Miss Temple, and that she is the superintendent of Lowood. She tells the girls that she has ordered bread and cheese for them since they could not eat their breakfast, and when the other teachers look at her with surprise, she says that she will take responsibility for it. When talking to a girl later at break time, Jane learns that Lowood Institution is a charity school, and that all of the girls there have lost one or both parents. Mr. Brocklehurst is the treasurer and manager of the Institution, and Miss Temple has to answer to him for all of the food and clothes. Jane also learns who each of the teachers are, and after dinner, they go back to the schoolroom. Jane is surprised to see how calm her new friend is when she is made to stand in the middle of the room as punishment for something. Jane feels as if she would cry if it happened to her

novelguide

all_chapterized_books/1260-chapters/07.txt

finished_summaries/novelguide/Jane Eyre/section_2_part_2.txt

Jane Eyre.volume 1.chapter 6

chapter 6

{"name": "volume 1, Chapter 6", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap5-6", "summary": "The next day the girls get up and dress, but there is no washing, as the water in the basins had frozen overnight. It is very cold in the school, and when Jane gets her porridge, while it is not burnt, it is a small portion. Jane is enrolled in the fourth class, and at first finds it hard, as she is not used to learning by heart. Later when she is sewing, she notices that her new friend is under constant observation by the teacher, and is then hit with a bunch of twigs on her neck. During the play hour Jane finds her friend, whose name she learns is Helen Burns. Jane tells her that she would not be able to take the teachers' punishments so quietly, but Helen tells her that they are only trying to correct her faults, and that they should return good for evil, as the Bible says. They talk more of the teachers, and Jane tells Helen of her sufferings at Gateshead", "analysis": ""}

The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay.

volume 1, Chapter 6

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap5-6

The next day the girls get up and dress, but there is no washing, as the water in the basins had frozen overnight. It is very cold in the school, and when Jane gets her porridge, while it is not burnt, it is a small portion. Jane is enrolled in the fourth class, and at first finds it hard, as she is not used to learning by heart. Later when she is sewing, she notices that her new friend is under constant observation by the teacher, and is then hit with a bunch of twigs on her neck. During the play hour Jane finds her friend, whose name she learns is Helen Burns. Jane tells her that she would not be able to take the teachers' punishments so quietly, but Helen tells her that they are only trying to correct her faults, and that they should return good for evil, as the Bible says. They talk more of the teachers, and Jane tells Helen of her sufferings at Gateshead

novelguide

all_chapterized_books/1260-chapters/08.txt

finished_summaries/novelguide/Jane Eyre/section_3_part_1.txt

Jane Eyre.volume 1.chapter 7

chapter 7

{"name": "volume 1, Chapter 7", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap7-8", "summary": "The first quarter at Lowood passes, and it is so cold that the girls' feet get swollen from the walk in the cold to church. The girls do not have sufficient clothes for such weather, and they do not have enough food. One day Mr. Brocklehurst arrives, and Jane is scared that he will do as he had said and speak against her to Miss Temple and the other teachers. He asks Miss Temple why there was an expense for bread and cheese, and when she tells him that the girls had to go without breakfast, he says that they should have, and that he is trying not to accustom them to luxury but make them hardy and self-reliant. Jane tries to remain unnoticed by Mr. Brocklehurst, but when she accidentally drops her slate to the floor, he brings her up and makes her stand on a stool in front of the class. He tells the class and the teachers that Jane is a castaway, and that they should shun her example and exclude her, as he learned from her benefactress that she is deceitful. Mr. Brocklehurst leaves the room, and Jane is to stand on the stool for half an hour. She is only able to stand it because she sees Helen and her smile", "analysis": ""}

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

volume 1, Chapter 7

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap7-8

The first quarter at Lowood passes, and it is so cold that the girls' feet get swollen from the walk in the cold to church. The girls do not have sufficient clothes for such weather, and they do not have enough food. One day Mr. Brocklehurst arrives, and Jane is scared that he will do as he had said and speak against her to Miss Temple and the other teachers. He asks Miss Temple why there was an expense for bread and cheese, and when she tells him that the girls had to go without breakfast, he says that they should have, and that he is trying not to accustom them to luxury but make them hardy and self-reliant. Jane tries to remain unnoticed by Mr. Brocklehurst, but when she accidentally drops her slate to the floor, he brings her up and makes her stand on a stool in front of the class. He tells the class and the teachers that Jane is a castaway, and that they should shun her example and exclude her, as he learned from her benefactress that she is deceitful. Mr. Brocklehurst leaves the room, and Jane is to stand on the stool for half an hour. She is only able to stand it because she sees Helen and her smile

novelguide

all_chapterized_books/1260-chapters/09.txt

finished_summaries/novelguide/Jane Eyre/section_3_part_2.txt

Jane Eyre.volume 1.chapter 8

chapter 8

{"name": "volume 1, Chapter 8", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap7-8", "summary": "When the half-hour ends, the other girls have gone to tea, and Jane gets off the stool and weeps. Helen brings her coffee and bread, and tells her that the others will not scorn her because of what happened, as they do not like Mr. Brocklehurst. Soon Miss Temple arrives and asks them to her room where she gives them tea, bread and seed cake. Miss Temple asks for Jane's side of the story. She tells of her life at Gateshead, and when she mentions Mr. Lloyd, Miss Temple says that she knows him and will write to him to confirm her story, for while Miss Temple believes Jane, the others may want proof. In about a week, a return letter comes from Mr. Lloyd, and Miss Temple tells the school that Jane has been cleared of the charges against her. Jane does well at the school, is soon promoted to a higher class, and in two months starts French and drawing. She no longer goes to bed imagining a hot supper, but thinks about the work of her own hands in drawing. She realizes that she would not trade the privations of Lowood for the luxuries of Gateshead", "analysis": ""}

Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

volume 1, Chapter 8

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap7-8

When the half-hour ends, the other girls have gone to tea, and Jane gets off the stool and weeps. Helen brings her coffee and bread, and tells her that the others will not scorn her because of what happened, as they do not like Mr. Brocklehurst. Soon Miss Temple arrives and asks them to her room where she gives them tea, bread and seed cake. Miss Temple asks for Jane's side of the story. She tells of her life at Gateshead, and when she mentions Mr. Lloyd, Miss Temple says that she knows him and will write to him to confirm her story, for while Miss Temple believes Jane, the others may want proof. In about a week, a return letter comes from Mr. Lloyd, and Miss Temple tells the school that Jane has been cleared of the charges against her. Jane does well at the school, is soon promoted to a higher class, and in two months starts French and drawing. She no longer goes to bed imagining a hot supper, but thinks about the work of her own hands in drawing. She realizes that she would not trade the privations of Lowood for the luxuries of Gateshead

novelguide

all_chapterized_books/1260-chapters/10.txt

finished_summaries/novelguide/Jane Eyre/section_4_part_1.txt

Jane Eyre.volume 1.chapter 9

chapter 9

{"name": "volume 1, Chapter 9", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap9-10", "summary": "When spring comes, the hardships because of the weather are lessened at Lowood. However, typhus has struck the school, and the schoolroom and dormitory are transformed into a hospital. Forty-five of the eighty girls are sick, and many have left or died. Those who are not sick are often left to themselves, as is Jane. Helen has consumption, not fever, and Jane thinks that this is a mild sickness and will soon pass. She soon learns differently though, and is told that Helen may soon not be with them. When she is told that she cannot go and visit her, Jane sneaks to Miss Temple's room in the middle of the night. Helen and Jane talk, and Jane gets into bed with Helen. Helen tells her that she will be going to God and has no regrets. Jane asks her about God and Heaven, and they both fall asleep. In the morning Jane awakens to a nurse carrying her off, and later learns that Miss Temple had returned to her room to find Jane there sleeping with her arm around Helen, who had died", "analysis": ""}

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

volume 1, Chapter 9

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap9-10

When spring comes, the hardships because of the weather are lessened at Lowood. However, typhus has struck the school, and the schoolroom and dormitory are transformed into a hospital. Forty-five of the eighty girls are sick, and many have left or died. Those who are not sick are often left to themselves, as is Jane. Helen has consumption, not fever, and Jane thinks that this is a mild sickness and will soon pass. She soon learns differently though, and is told that Helen may soon not be with them. When she is told that she cannot go and visit her, Jane sneaks to Miss Temple's room in the middle of the night. Helen and Jane talk, and Jane gets into bed with Helen. Helen tells her that she will be going to God and has no regrets. Jane asks her about God and Heaven, and they both fall asleep. In the morning Jane awakens to a nurse carrying her off, and later learns that Miss Temple had returned to her room to find Jane there sleeping with her arm around Helen, who had died

novelguide

all_chapterized_books/1260-chapters/11.txt

finished_summaries/novelguide/Jane Eyre/section_4_part_2.txt

Jane Eyre.volume 1.chapter 10

chapter 10

{"name": "volume 1, Chapter 10", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap9-10", "summary": "While the first nine chapters cover Jane's life through age ten, the next chapter covers eight years in a page. When the public learns of how many had died from typhus at the school and how bad the food and clothes were, many wealthy individuals come forth and build a new building and make new regulations and improvements. While Mr. Brocklehurst is still the treasurer, a committee of more sympathetic men now aids him. Jane is there eight years, six and a student and two as a teacher. Miss Temple is there as superintendent the whole time, and while at first she is like a mother and governess to Jane, later they are companions. When Miss Temple is married and leaves Lowood, Jane suddenly realizes that there is a world outside of the school that she wishes to enter. She puts an ad in the paper saying that she is available as a governess, and receives a reply from a Mrs. Fairfax in Millcote. Mr. Brocklehurst says that they must first write to Mrs. Reed to ask her permission, and a letter is returned from Mrs. Reed saying that Jane may do as she pleases. The day before she is to go Jane gets a visit from Bessie, who wants to see her before she leaves. Bessie has married Robert, the coachman, and they have a young girl and boy. Bessie is glad to hear that Jane has done so well and has so many accomplishments, but Jane can see that Bessie still sees her as plain, and not a beauty. Bessie tells Jane that seven years before a Mr. Eyre came to Gateshead looking for her on his way to another country. She says that she thinks it was her father's brother and that he may be a wine merchant. The next morning Jane sees Bessie for a short while and then is off on the coach to her new life in Millcote", "analysis": ""}

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography. I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution. Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were intrusted to the management of a committee. Mr. Brocklehurst, who, from his wealth and family connections, could not be overlooked, still retained the post of treasurer; but he was aided in the discharge of his duties by gentlemen of rather more enlarged and sympathising minds: his office of inspector, too, was shared by those who knew how to combine reason with strictness, comfort with economy, compassion with uprightness. The school, thus improved, became in time a truly useful and noble institution. I remained an inmate of its walls, after its regeneration, for eight years: six as pupil, and two as teacher; and in both capacities I bear my testimony to its value and importance. During these eight years my life was uniform: but not unhappy, because it was not inactive. I had the means of an excellent education placed within my reach; a fondness for some of my studies, and a desire to excel in all, together with a great delight in pleasing my teachers, especially such as I loved, urged me on: I availed myself fully of the advantages offered me. In time I rose to be the first girl of the first class; then I was invested with the office of teacher; which I discharged with zeal for two years: but at the end of that time I altered. Miss Temple, through all changes, had thus far continued superintendent of the seminary: to her instruction I owed the best part of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and, latterly, companion. At this period she married, removed with her husband (a clergyman, an excellent man, almost worthy of such a wife) to a distant county, and consequently was lost to me. From the day she left I was no longer the same: with her was gone every settled feeling, every association that had made Lowood in some degree a home to me. I had imbibed from her something of her nature and much of her habits: more harmonious thoughts: what seemed better regulated feelings had become the inmates of my mind. I had given in allegiance to duty and order; I was quiet; I believed I was content: to the eyes of others, usually even to my own, I appeared a disciplined and subdued character. But destiny, in the shape of the Rev. Mr. Nasmyth, came between me and Miss Temple: I saw her in her travelling dress step into a post-chaise, shortly after the marriage ceremony; I watched the chaise mount the hill and disappear beyond its brow; and then retired to my own room, and there spent in solitude the greatest part of the half-holiday granted in honour of the occasion. I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils. I went to my window, opened it, and looked out. There were the two wings of the building; there was the garden; there were the skirts of Lowood; there was the hilly horizon. My eye passed all other objects to rest on those most remote, the blue peaks; it was those I longed to surmount; all within their boundary of rock and heath seemed prison-ground, exile limits. I traced the white road winding round the base of one mountain, and vanishing in a gorge between two; how I longed to follow it farther! I recalled the time when I had travelled that very road in a coach; I remembered descending that hill at twilight; an age seemed to have elapsed since the day which brought me first to Lowood, and I had never quitted it since. My vacations had all been spent at school: Mrs. Reed had never sent for me to Gateshead; neither she nor any of her family had ever been to visit me. I had had no communication by letter or message with the outer world: school-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies--such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!" Here a bell, ringing the hour of supper, called me downstairs. I was not free to resume the interrupted chain of my reflections till bedtime: even then a teacher who occupied the same room with me kept me from the subject to which I longed to recur, by a prolonged effusion of small talk. How I wished sleep would silence her. It seemed as if, could I but go back to the idea which had last entered my mind as I stood at the window, some inventive suggestion would rise for my relief. Miss Gryce snored at last; she was a heavy Welshwoman, and till now her habitual nasal strains had never been regarded by me in any other light than as a nuisance; to-night I hailed the first deep notes with satisfaction; I was debarrassed of interruption; my half-effaced thought instantly revived. "A new servitude! There is something in that," I soliloquised (mentally, be it understood; I did not talk aloud), "I know there is, because it does not sound too sweet; it is not like such words as Liberty, Excitement, Enjoyment: delightful sounds truly; but no more than sounds for me; and so hollow and fleeting that it is mere waste of time to listen to them. But Servitude! That must be matter of fact. Any one may serve: I have served here eight years; now all I want is to serve elsewhere. Can I not get so much of my own will? Is not the thing feasible? Yes--yes--the end is not so difficult; if I had only a brain active enough to ferret out the means of attaining it." I sat up in bed by way of arousing this said brain: it was a chilly night; I covered my shoulders with a shawl, and then I proceeded _to think_ again with all my might. "What do I want? A new place, in a new house, amongst new faces, under new circumstances: I want this because it is of no use wanting anything better. How do people do to get a new place? They apply to friends, I suppose: I have no friends. There are many others who have no friends, who must look about for themselves and be their own helpers; and what is their resource?" I could not tell: nothing answered me; I then ordered my brain to find a response, and quickly. It worked and worked faster: I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos; and no result came of its efforts. Feverish with vain labour, I got up and took a turn in the room; undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy, in my absence, had surely dropped the required suggestion on my pillow; for as I lay down, it came quietly and naturally to my mind.--"Those who want situations advertise; you must advertise in the _---shire Herald_." "How? I know nothing about advertising." Replies rose smooth and prompt now:-- "You must enclose the advertisement and the money to pay for it under a cover directed to the editor of the _Herald_; you must put it, the first opportunity you have, into the post at Lowton; answers must be addressed to J.E., at the post-office there; you can go and inquire in about a week after you send your letter, if any are come, and act accordingly." This scheme I went over twice, thrice; it was then digested in my mind; I had it in a clear practical form: I felt satisfied, and fell asleep. With earliest day, I was up: I had my advertisement written, enclosed, and directed before the bell rang to rouse the school; it ran thus:-- "A young lady accustomed to tuition" (had I not been a teacher two years?) "is desirous of meeting with a situation in a private family where the children are under fourteen" (I thought that as I was barely eighteen, it would not do to undertake the guidance of pupils nearer my own age). "She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music" (in those days, reader, this now narrow catalogue of accomplishments, would have been held tolerably comprehensive). "Address, J.E., Post-office, Lowton, --- shire." This document remained locked in my drawer all day: after tea, I asked leave of the new superintendent to go to Lowton, in order to perform some small commissions for myself and one or two of my fellow-teachers; permission was readily granted; I went. It was a walk of two miles, and the evening was wet, but the days were still long; I visited a shop or two, slipped the letter into the post-office, and came back through heavy rain, with streaming garments, but with a relieved heart. The succeeding week seemed long: it came to an end at last, however, like all sublunary things, and once more, towards the close of a pleasant autumn day, I found myself afoot on the road to Lowton. A picturesque track it was, by the way; lying along the side of the beck and through the sweetest curves of the dale: but that day I thought more of the letters, that might or might not be awaiting me at the little burgh whither I was bound, than of the charms of lea and water. My ostensible errand on this occasion was to get measured for a pair of shoes; so I discharged that business first, and when it was done, I stepped across the clean and quiet little street from the shoemaker's to the post-office: it was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands. "Are there any letters for J.E.?" I asked. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance--it was for J.E. "Is there only one?" I demanded. "There are no more," said she; and I put it in my pocket and turned my face homeward: I could not open it then; rules obliged me to be back by eight, and it was already half-past seven. Various duties awaited me on my arrival. I had to sit with the girls during their hour of study; then it was my turn to read prayers; to see them to bed: afterwards I supped with the other teachers. Even when we finally retired for the night, the inevitable Miss Gryce was still my companion: we had only a short end of candle in our candlestick, and I dreaded lest she should talk till it was all burnt out; fortunately, however, the heavy supper she had eaten produced a soporific effect: she was already snoring before I had finished undressing. There still remained an inch of candle: I now took out my letter; the seal was an initial F.; I broke it; the contents were brief. "If J.E., who advertised in the _---shire Herald_ of last Thursday, possesses the acquirements mentioned, and if she is in a position to give satisfactory references as to character and competency, a situation can be offered her where there is but one pupil, a little girl, under ten years of age; and where the salary is thirty pounds per annum. J.E. is requested to send references, name, address, and all particulars to the direction:-- "Mrs. Fairfax, Thornfield, near Millcote, ---shire." I examined the document long: the writing was old-fashioned and rather uncertain, like that of an elderly lady. This circumstance was satisfactory: a private fear had haunted me, that in thus acting for myself, and by my own guidance, I ran the risk of getting into some scrape; and, above all things, I wished the result of my endeavours to be respectable, proper, _en regle_. I now felt that an elderly lady was no bad ingredient in the business I had on hand. Mrs. Fairfax! I saw her in a black gown and widow's cap; frigid, perhaps, but not uncivil: a model of elderly English respectability. Thornfield! that, doubtless, was the name of her house: a neat orderly spot, I was sure; though I failed in my efforts to conceive a correct plan of the premises. Millcote, ---shire; I brushed up my recollections of the map of England, yes, I saw it; both the shire and the town. ---shire was seventy miles nearer London than the remote county where I now resided: that was a recommendation to me. I longed to go where there was life and movement: Millcote was a large manufacturing town on the banks of the A-; a busy place enough, doubtless: so much the better; it would be a complete change at least. Not that my fancy was much captivated by the idea of long chimneys and clouds of smoke--"but," I argued, "Thornfield will, probably, be a good way from the town." Here the socket of the candle dropped, and the wick went out. Next day new steps were to be taken; my plans could no longer be confined to my own breast; I must impart them in order to achieve their success. Having sought and obtained an audience of the superintendent during the noontide recreation, I told her I had a prospect of getting a new situation where the salary would be double what I now received (for at Lowood I only got 15 pounds per annum); and requested she would break the matter for me to Mr. Brocklehurst, or some of the committee, and ascertain whether they would permit me to mention them as references. She obligingly consented to act as mediatrix in the matter. The next day she laid the affair before Mr. Brocklehurst, who said that Mrs. Reed must be written to, as she was my natural guardian. A note was accordingly addressed to that lady, who returned for answer, that "I might do as I pleased: she had long relinquished all interference in my affairs." This note went the round of the committee, and at last, after what appeared to me most tedious delay, formal leave was given me to better my condition if I could; and an assurance added, that as I had always conducted myself well, both as teacher and pupil, at Lowood, a testimonial of character and capacity, signed by the inspectors of that institution, should forthwith be furnished me. This testimonial I accordingly received in about a month, forwarded a copy of it to Mrs. Fairfax, and got that lady's reply, stating that she was satisfied, and fixing that day fortnight as the period for my assuming the post of governess in her house. I now busied myself in preparations: the fortnight passed rapidly. I had not a very large wardrobe, though it was adequate to my wants; and the last day sufficed to pack my trunk,--the same I had brought with me eight years ago from Gateshead. The box was corded, the card nailed on. In half-an-hour the carrier was to call for it to take it to Lowton, whither I myself was to repair at an early hour the next morning to meet the coach. I had brushed my black stuff travelling-dress, prepared my bonnet, gloves, and muff; sought in all my drawers to see that no article was left behind; and now having nothing more to do, I sat down and tried to rest. I could not; though I had been on foot all day, I could not now repose an instant; I was too much excited. A phase of my life was closing to-night, a new one opening to-morrow: impossible to slumber in the interval; I must watch feverishly while the change was being accomplished. "Miss," said a servant who met me in the lobby, where I was wandering like a troubled spirit, "a person below wishes to see you." "The carrier, no doubt," I thought, and ran downstairs without inquiry. I was passing the back-parlour or teachers' sitting-room, the door of which was half open, to go to the kitchen, when some one ran out-- "It's her, I am sure!--I could have told her anywhere!" cried the individual who stopped my progress and took my hand. I looked: I saw a woman attired like a well-dressed servant, matronly, yet still young; very good-looking, with black hair and eyes, and lively complexion. "Well, who is it?" she asked, in a voice and with a smile I half recognised; "you've not quite forgotten me, I think, Miss Jane?" In another second I was embracing and kissing her rapturously: "Bessie! Bessie! Bessie!" that was all I said; whereat she half laughed, half cried, and we both went into the parlour. By the fire stood a little fellow of three years old, in plaid frock and trousers. "That is my little boy," said Bessie directly. "Then you are married, Bessie?" "Yes; nearly five years since to Robert Leaven, the coachman; and I've a little girl besides Bobby there, that I've christened Jane." "And you don't live at Gateshead?" "I live at the lodge: the old porter has left." "Well, and how do they all get on? Tell me everything about them, Bessie: but sit down first; and, Bobby, come and sit on my knee, will you?" but Bobby preferred sidling over to his mother. "You're not grown so very tall, Miss Jane, nor so very stout," continued Mrs. Leaven. "I dare say they've not kept you too well at school: Miss Reed is the head and shoulders taller than you are; and Miss Georgiana would make two of you in breadth." "Georgiana is handsome, I suppose, Bessie?" "Very. She went up to London last winter with her mama, and there everybody admired her, and a young lord fell in love with her: but his relations were against the match; and--what do you think?--he and Miss Georgiana made it up to run away; but they were found out and stopped. It was Miss Reed that found them out: I believe she was envious; and now she and her sister lead a cat and dog life together; they are always quarrelling--" "Well, and what of John Reed?" "Oh, he is not doing so well as his mama could wish. He went to college, and he got--plucked, I think they call it: and then his uncles wanted him to be a barrister, and study the law: but he is such a dissipated young man, they will never make much of him, I think." "What does he look like?" "He is very tall: some people call him a fine-looking young man; but he has such thick lips." "And Mrs. Reed?" "Missis looks stout and well enough in the face, but I think she's not quite easy in her mind: Mr. John's conduct does not please her--he spends a deal of money." "Did she send you here, Bessie?" "No, indeed: but I have long wanted to see you, and when I heard that there had been a letter from you, and that you were going to another part of the country, I thought I'd just set off, and get a look at you before you were quite out of my reach." "I am afraid you are disappointed in me, Bessie." I said this laughing: I perceived that Bessie's glance, though it expressed regard, did in no shape denote admiration. "No, Miss Jane, not exactly: you are genteel enough; you look like a lady, and it is as much as ever I expected of you: you were no beauty as a child." I smiled at Bessie's frank answer: I felt that it was correct, but I confess I was not quite indifferent to its import: at eighteen most people wish to please, and the conviction that they have not an exterior likely to second that desire brings anything but gratification. "I dare say you are clever, though," continued Bessie, by way of solace. "What can you do? Can you play on the piano?" "A little." There was one in the room; Bessie went and opened it, and then asked me to sit down and give her a tune: I played a waltz or two, and she was charmed. "The Miss Reeds could not play as well!" said she exultingly. "I always said you would surpass them in learning: and can you draw?" "That is one of my paintings over the chimney-piece." It was a landscape in water colours, of which I had made a present to the superintendent, in acknowledgment of her obliging mediation with the committee on my behalf, and which she had framed and glazed. "Well, that is beautiful, Miss Jane! It is as fine a picture as any Miss Reed's drawing-master could paint, let alone the young ladies themselves, who could not come near it: and have you learnt French?" "Yes, Bessie, I can both read it and speak it." "And you can work on muslin and canvas?" "I can." "Oh, you are quite a lady, Miss Jane! I knew you would be: you will get on whether your relations notice you or not. There was something I wanted to ask you. Have you ever heard anything from your father's kinsfolk, the Eyres?" "Never in my life." "Well, you know Missis always said they were poor and quite despicable: and they may be poor; but I believe they are as much gentry as the Reeds are; for one day, nearly seven years ago, a Mr. Eyre came to Gateshead and wanted to see you; Missis said you were at school fifty miles off; he seemed so much disappointed, for he could not stay: he was going on a voyage to a foreign country, and the ship was to sail from London in a day or two. He looked quite a gentleman, and I believe he was your father's brother." "What foreign country was he going to, Bessie?" "An island thousands of miles off, where they make wine--the butler did tell me--" "Madeira?" I suggested. "Yes, that is it--that is the very word." "So he went?" "Yes; he did not stay many minutes in the house: Missis was very high with him; she called him afterwards a 'sneaking tradesman.' My Robert believes he was a wine-merchant." "Very likely," I returned; "or perhaps clerk or agent to a wine-merchant." Bessie and I conversed about old times an hour longer, and then she was obliged to leave me: I saw her again for a few minutes the next morning at Lowton, while I was waiting for the coach. We parted finally at the door of the Brocklehurst Arms there: each went her separate way; she set off for the brow of Lowood Fell to meet the conveyance which was to take her back to Gateshead, I mounted the vehicle which was to bear me to new duties and a new life in the unknown environs of Millcote.

volume 1, Chapter 10

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap9-10

While the first nine chapters cover Jane's life through age ten, the next chapter covers eight years in a page. When the public learns of how many had died from typhus at the school and how bad the food and clothes were, many wealthy individuals come forth and build a new building and make new regulations and improvements. While Mr. Brocklehurst is still the treasurer, a committee of more sympathetic men now aids him. Jane is there eight years, six and a student and two as a teacher. Miss Temple is there as superintendent the whole time, and while at first she is like a mother and governess to Jane, later they are companions. When Miss Temple is married and leaves Lowood, Jane suddenly realizes that there is a world outside of the school that she wishes to enter. She puts an ad in the paper saying that she is available as a governess, and receives a reply from a Mrs. Fairfax in Millcote. Mr. Brocklehurst says that they must first write to Mrs. Reed to ask her permission, and a letter is returned from Mrs. Reed saying that Jane may do as she pleases. The day before she is to go Jane gets a visit from Bessie, who wants to see her before she leaves. Bessie has married Robert, the coachman, and they have a young girl and boy. Bessie is glad to hear that Jane has done so well and has so many accomplishments, but Jane can see that Bessie still sees her as plain, and not a beauty. Bessie tells Jane that seven years before a Mr. Eyre came to Gateshead looking for her on his way to another country. She says that she thinks it was her father's brother and that he may be a wine merchant. The next morning Jane sees Bessie for a short while and then is off on the coach to her new life in Millcote

novelguide

all_chapterized_books/1260-chapters/13.txt

finished_summaries/novelguide/Jane Eyre/section_5_part_2.txt

Jane Eyre.volume 1.chapter 12

chapter 12

{"name": "volume 1, Chapter 12", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap11-12", "summary": "Jane has been at Thornfield for a little while now, and still believes that she will have a smooth career there. She feels that she is making reasonable progress with Adele although the girl has no great talents. After working with her one day, Jane takes a walk alone up to the third story. There she looks out at the view and thinks about the world, wishing she could have more interactions with it, although she does enjoy the simple life at Thornfield. When she comes up to the third story such as this, she often hears Grace Poole's laugh, but when she actually sees her, her appearance acts as a damper to the curiosity raised by her laughing. October, November and December pass, and one day when Adele has a cold, Jane offers to walk to Hay, two miles a way, to post a letter for Mrs. Fairfax. It is a cold day, and when Jane sits down to rest, she hears a horse coming. A dog runs by her, and soon a man on a horse follows. The man passes her, and she looks when she hears a noise to see that the man and the horse have slipped on the ice. Jane offers her help, and the man her where she lives. She explains she is from Thornfield, and when he asks about her master, replies that she has never met him. She helps him onto the horse, and he continues on and she goes on to Hay. When Jane returns to Thornfield, she is surprised to see the dog in Mrs. Fairfax's room. She asks a servant where it came from, and she says that it came with Mr. Rochester, who had just arrived with a sprained ankle", "analysis": ""}

The promise of a smooth career, which my first calm introduction to Thornfield Hall seemed to pledge, was not belied on a longer acquaintance with the place and its inmates. Mrs. Fairfax turned out to be what she appeared, a placid-tempered, kind-natured woman, of competent education and average intelligence. My pupil was a lively child, who had been spoilt and indulged, and therefore was sometimes wayward; but as she was committed entirely to my care, and no injudicious interference from any quarter ever thwarted my plans for her improvement, she soon forgot her little freaks, and became obedient and teachable. She had no great talents, no marked traits of character, no peculiar development of feeling or taste which raised her one inch above the ordinary level of childhood; but neither had she any deficiency or vice which sunk her below it. She made reasonable progress, entertained for me a vivacious, though perhaps not very profound, affection; and by her simplicity, gay prattle, and efforts to please, inspired me, in return, with a degree of attachment sufficient to make us both content in each other's society. This, _par parenthese_, will be thought cool language by persons who entertain solemn doctrines about the angelic nature of children, and the duty of those charged with their education to conceive for them an idolatrous devotion: but I am not writing to flatter parental egotism, to echo cant, or prop up humbug; I am merely telling the truth. I felt a conscientious solicitude for Adele's welfare and progress, and a quiet liking for her little self: just as I cherished towards Mrs. Fairfax a thankfulness for her kindness, and a pleasure in her society proportionate to the tranquil regard she had for me, and the moderation of her mind and character. Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line--that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen--that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold. Who blames me? Many, no doubt; and I shall be called discontented. I could not help it: the restlessness was in my nature; it agitated me to pain sometimes. Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it--and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended--a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence. It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex. When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh. There were days when she was quite silent; but there were others when I could not account for the sounds she made. Sometimes I saw her: she would come out of her room with a basin, or a plate, or a tray in her hand, go down to the kitchen and shortly return, generally (oh, romantic reader, forgive me for telling the plain truth!) bearing a pot of porter. Her appearance always acted as a damper to the curiosity raised by her oral oddities: hard-featured and staid, she had no point to which interest could attach. I made some attempts to draw her into conversation, but she seemed a person of few words: a monosyllabic reply usually cut short every effort of that sort. The other members of the household, viz., John and his wife, Leah the housemaid, and Sophie the French nurse, were decent people; but in no respect remarkable; with Sophie I used to talk French, and sometimes I asked her questions about her native country; but she was not of a descriptive or narrative turn, and generally gave such vapid and confused answers as were calculated rather to check than encourage inquiry. October, November, December passed away. One afternoon in January, Mrs. Fairfax had begged a holiday for Adele, because she had a cold; and, as Adele seconded the request with an ardour that reminded me how precious occasional holidays had been to me in my own childhood, I accorded it, deeming that I did well in showing pliability on the point. It was a fine, calm day, though very cold; I was tired of sitting still in the library through a whole long morning: Mrs. Fairfax had just written a letter which was waiting to be posted, so I put on my bonnet and cloak and volunteered to carry it to Hay; the distance, two miles, would be a pleasant winter afternoon walk. Having seen Adele comfortably seated in her little chair by Mrs. Fairfax's parlour fireside, and given her her best wax doll (which I usually kept enveloped in silver paper in a drawer) to play with, and a story-book for change of amusement; and having replied to her "Revenez bientot, ma bonne amie, ma chere Mdlle. Jeannette," with a kiss I set out. The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o'clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop. This lane inclined up-hill all the way to Hay; having reached the middle, I sat down on a stile which led thence into a field. Gathering my mantle about me, and sheltering my hands in my muff, I did not feel the cold, though it froze keenly; as was attested by a sheet of ice covering the causeway, where a little brooklet, now congealed, had overflowed after a rapid thaw some days since. From my seat I could look down on Thornfield: the grey and battlemented hall was the principal object in the vale below me; its woods and dark rookery rose against the west. I lingered till the sun went down amongst the trees, and sank crimson and clear behind them. I then turned eastward. On the hill-top above me sat the rising moon; pale yet as a cloud, but brightening momentarily, she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys: it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote. A rude noise broke on these fine ripplings and whisperings, at once so far away and so clear: a positive tramp, tramp, a metallic clatter, which effaced the soft wave-wanderings; as, in a picture, the solid mass of a crag, or the rough boles of a great oak, drawn in dark and strong on the foreground, efface the aerial distance of azure hill, sunny horizon, and blended clouds where tint melts into tint. The din was on the causeway: a horse was coming; the windings of the lane yet hid it, but it approached. I was just leaving the stile; yet, as the path was narrow, I sat still to let it go by. In those days I was young, and all sorts of fancies bright and dark tenanted my mind: the memories of nursery stories were there amongst other rubbish; and when they recurred, maturing youth added to them a vigour and vividness beyond what childhood could give. As this horse approached, and as I watched for it to appear through the dusk, I remembered certain of Bessie's tales, wherein figured a North-of-England spirit called a "Gytrash," which, in the form of horse, mule, or large dog, haunted solitary ways, and sometimes came upon belated travellers, as this horse was now coming upon me. It was very near, but not yet in sight; when, in addition to the tramp, tramp, I heard a rush under the hedge, and close down by the hazel stems glided a great dog, whose black and white colour made him a distinct object against the trees. It was exactly one form of Bessie's Gytrash--a lion-like creature with long hair and a huge head: it passed me, however, quietly enough; not staying to look up, with strange pretercanine eyes, in my face, as I half expected it would. The horse followed,--a tall steed, and on its back a rider. The man, the human being, broke the spell at once. Nothing ever rode the Gytrash: it was always alone; and goblins, to my notions, though they might tenant the dumb carcasses of beasts, could scarce covet shelter in the commonplace human form. No Gytrash was this,--only a traveller taking the short cut to Millcote. He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation of "What the deuce is to do now?" and a clattering tumble, arrested my attention. Man and horse were down; they had slipped on the sheet of ice which glazed the causeway. The dog came bounding back, and seeing his master in a predicament, and hearing the horse groan, barked till the evening hills echoed the sound, which was deep in proportion to his magnitude. He snuffed round the prostrate group, and then he ran up to me; it was all he could do,--there was no other help at hand to summon. I obeyed him, and walked down to the traveller, by this time struggling himself free of his steed. His efforts were so vigorous, I thought he could not be much hurt; but I asked him the question-- "Are you injured, sir?" I think he was swearing, but am not certain; however, he was pronouncing some formula which prevented him from replying to me directly. "Can I do anything?" I asked again. "You must just stand on one side," he answered as he rose, first to his knees, and then to his feet. I did; whereupon began a heaving, stamping, clattering process, accompanied by a barking and baying which removed me effectually some yards' distance; but I would not be driven quite away till I saw the event. This was finally fortunate; the horse was re-established, and the dog was silenced with a "Down, Pilot!" The traveller now, stooping, felt his foot and leg, as if trying whether they were sound; apparently something ailed them, for he halted to the stile whence I had just risen, and sat down. I was in the mood for being useful, or at least officious, I think, for I now drew near him again. "If you are hurt, and want help, sir, I can fetch some one either from Thornfield Hall or from Hay." "Thank you: I shall do: I have no broken bones,--only a sprain;" and again he stood up and tried his foot, but the result extorted an involuntary "Ugh!" Something of daylight still lingered, and the moon was waxing bright: I could see him plainly. His figure was enveloped in a riding cloak, fur collared and steel clasped; its details were not apparent, but I traced the general points of middle height and considerable breadth of chest. He had a dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted just now; he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic- looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. If even this stranger had smiled and been good-humoured to me when I addressed him; if he had put off my offer of assistance gaily and with thanks, I should have gone on my way and not felt any vocation to renew inquiries: but the frown, the roughness of the traveller, set me at my ease: I retained my station when he waved to me to go, and announced-- "I cannot think of leaving you, sir, at so late an hour, in this solitary lane, till I see you are fit to mount your horse." He looked at me when I said this; he had hardly turned his eyes in my direction before. "I should think you ought to be at home yourself," said he, "if you have a home in this neighbourhood: where do you come from?" "From just below; and I am not at all afraid of being out late when it is moonlight: I will run over to Hay for you with pleasure, if you wish it: indeed, I am going there to post a letter." "You live just below--do you mean at that house with the battlements?" pointing to Thornfield Hall, on which the moon cast a hoary gleam, bringing it out distinct and pale from the woods that, by contrast with the western sky, now seemed one mass of shadow. "Yes, sir." "Whose house is it?" "Mr. Rochester's." "Do you know Mr. Rochester?" "No, I have never seen him." "He is not resident, then?" "No." "Can you tell me where he is?" "I cannot." "You are not a servant at the hall, of course. You are--" He stopped, ran his eye over my dress, which, as usual, was quite simple: a black merino cloak, a black beaver bonnet; neither of them half fine enough for a lady's-maid. He seemed puzzled to decide what I was; I helped him. "I am the governess." "Ah, the governess!" he repeated; "deuce take me, if I had not forgotten! The governess!" and again my raiment underwent scrutiny. In two minutes he rose from the stile: his face expressed pain when he tried to move. "I cannot commission you to fetch help," he said; "but you may help me a little yourself, if you will be so kind." "Yes, sir." "You have not an umbrella that I can use as a stick?" "No." "Try to get hold of my horse's bridle and lead him to me: you are not afraid?" I should have been afraid to touch a horse when alone, but when told to do it, I was disposed to obey. I put down my muff on the stile, and went up to the tall steed; I endeavoured to catch the bridle, but it was a spirited thing, and would not let me come near its head; I made effort on effort, though in vain: meantime, I was mortally afraid of its trampling fore-feet. The traveller waited and watched for some time, and at last he laughed. {I was mortally afraid of its trampling forefeet: p107.jpg} "I see," he said, "the mountain will never be brought to Mahomet, so all you can do is to aid Mahomet to go to the mountain; I must beg of you to come here." I came. "Excuse me," he continued: "necessity compels me to make you useful." He laid a heavy hand on my shoulder, and leaning on me with some stress, limped to his horse. Having once caught the bridle, he mastered it directly and sprang to his saddle; grimacing grimly as he made the effort, for it wrenched his sprain. "Now," said he, releasing his under lip from a hard bite, "just hand me my whip; it lies there under the hedge." I sought it and found it. "Thank you; now make haste with the letter to Hay, and return as fast as you can." A touch of a spurred heel made his horse first start and rear, and then bound away; the dog rushed in his traces; all three vanished, "Like heath that, in the wilderness, The wild wind whirls away." I took up my muff and walked on. The incident had occurred and was gone for me: it _was_ an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something; trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive. The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there: firstly, because it was masculine; and, secondly, because it was dark, strong, and stern. I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home. When I came to the stile, I stopped a minute, looked round and listened, with an idea that a horse's hoofs might ring on the causeway again, and that a rider in a cloak, and a Gytrash-like Newfoundland dog, might be again apparent: I saw only the hedge and a pollard willow before me, rising up still and straight to meet the moonbeams; I heard only the faintest waft of wind roaming fitful among the trees round Thornfield, a mile distant; and when I glanced down in the direction of the murmur, my eye, traversing the hall-front, caught a light kindling in a window: it reminded me that I was late, and I hurried on. I did not like re-entering Thornfield. To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,--to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a "too easy chair" to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his. I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house--from the grey-hollow filled with rayless cells, as it appeared to me--to that sky expanded before me,--a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side- door, and went in. The hall was not dark, nor yet was it lit, only by the high-hung bronze lamp; a warm glow suffused both it and the lower steps of the oak staircase. This ruddy shine issued from the great dining-room, whose two- leaved door stood open, and showed a genial fire in the grate, glancing on marble hearth and brass fire-irons, and revealing purple draperies and polished furniture, in the most pleasant radiance. It revealed, too, a group near the mantelpiece: I had scarcely caught it, and scarcely become aware of a cheerful mingling of voices, amongst which I seemed to distinguish the tones of Adele, when the door closed. I hastened to Mrs. Fairfax's room; there was a fire there too, but no candle, and no Mrs. Fairfax. Instead, all alone, sitting upright on the rug, and gazing with gravity at the blaze, I beheld a great black and white long-haired dog, just like the Gytrash of the lane. It was so like it that I went forward and said--"Pilot" and the thing got up and came to me and snuffed me. I caressed him, and he wagged his great tail; but he looked an eerie creature to be alone with, and I could not tell whence he had come. I rang the bell, for I wanted a candle; and I wanted, too, to get an account of this visitant. Leah entered. "What dog is this?" "He came with master." "With whom?" "With master--Mr. Rochester--he is just arrived." "Indeed! and is Mrs. Fairfax with him?" "Yes, and Miss Adele; they are in the dining-room, and John is gone for a surgeon; for master has had an accident; his horse fell and his ankle is sprained." "Did the horse fall in Hay Lane?" "Yes, coming down-hill; it slipped on some ice." "Ah! Bring me a candle will you Leah?" Leah brought it; she entered, followed by Mrs. Fairfax, who repeated the news; adding that Mr. Carter the surgeon was come, and was now with Mr. Rochester: then she hurried out to give orders about tea, and I went upstairs to take off my things.

volume 1, Chapter 12

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap11-12

Jane has been at Thornfield for a little while now, and still believes that she will have a smooth career there. She feels that she is making reasonable progress with Adele although the girl has no great talents. After working with her one day, Jane takes a walk alone up to the third story. There she looks out at the view and thinks about the world, wishing she could have more interactions with it, although she does enjoy the simple life at Thornfield. When she comes up to the third story such as this, she often hears Grace Poole's laugh, but when she actually sees her, her appearance acts as a damper to the curiosity raised by her laughing. October, November and December pass, and one day when Adele has a cold, Jane offers to walk to Hay, two miles a way, to post a letter for Mrs. Fairfax. It is a cold day, and when Jane sits down to rest, she hears a horse coming. A dog runs by her, and soon a man on a horse follows. The man passes her, and she looks when she hears a noise to see that the man and the horse have slipped on the ice. Jane offers her help, and the man her where she lives. She explains she is from Thornfield, and when he asks about her master, replies that she has never met him. She helps him onto the horse, and he continues on and she goes on to Hay. When Jane returns to Thornfield, she is surprised to see the dog in Mrs. Fairfax's room. She asks a servant where it came from, and she says that it came with Mr. Rochester, who had just arrived with a sprained ankle

novelguide

all_chapterized_books/1260-chapters/14.txt

finished_summaries/novelguide/Jane Eyre/section_6_part_1.txt

Jane Eyre.volume 1.chapter 13

chapter 13

{"name": "volume 1, Chapter 13", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap13-14", "summary": "The next day Mrs. Fairfax comes to tell Jane that Mr. Rochester would like Jane and Adele to have tea with him in the evening, and tells Jane that she should change her frock. Jane changes into a silk black frock instead of the drab black one she usually wears. When Adele and Jane enter for tea, Mr. Rochester does not seem to want to talk to them and keeps silent. Eventually he does talk and tells Jane that he can see improvement in Adele. They talk of Jane's past including Lowood School and her lack of family. He also tells Jane that Adele has shown him some of Jane's drawings, and he wonders if she had done them herself. She says that she had, and goes to get her portfolio when he asks her to. He looks through all of her drawings thoughtfully and asks her questions about them. After the meeting Jane tells Mrs. Fairfax that she finds Mr. Rochester changeful and abrupt, and Mrs. Fairfax alludes to some family problems he has had, but does not elaborate much", "analysis": ""}

Mr. Rochester, it seems, by the surgeon's orders, went to bed early that night; nor did he rise soon next morning. When he did come down, it was to attend to business: his agent and some of his tenants were arrived, and waiting to speak with him. Adele and I had now to vacate the library: it would be in daily requisition as a reception-room for callers. A fire was lit in an apartment upstairs, and there I carried our books, and arranged it for the future schoolroom. I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better. Adele was not easy to teach that day; she could not apply: she kept running to the door and looking over the banisters to see if she could get a glimpse of Mr. Rochester; then she coined pretexts to go downstairs, in order, as I shrewdly suspected, to visit the library, where I knew she was not wanted; then, when I got a little angry, and made her sit still, she continued to talk incessantly of her "ami, Monsieur Edouard Fairfax _de_ Rochester," as she dubbed him (I had not before heard his prenomens), and to conjecture what presents he had brought her: for it appears he had intimated the night before, that when his luggage came from Millcote, there would be found amongst it a little box in whose contents she had an interest. "Et cela doit signifier," said she, "qu'il y aura la dedans un cadeau pour moi, et peut-etre pour vous aussi, mademoiselle. Monsieur a parle de vous: il m'a demande le nom de ma gouvernante, et si elle n'etait pas une petite personne, assez mince et un peu pale. J'ai dit qu'oui: car c'est vrai, n'est-ce pas, mademoiselle?" I and my pupil dined as usual in Mrs. Fairfax's parlour; the afternoon was wild and snowy, and we passed it in the schoolroom. At dark I allowed Adele to put away books and work, and to run downstairs; for, from the comparative silence below, and from the cessation of appeals to the door-bell, I conjectured that Mr. Rochester was now at liberty. Left alone, I walked to the window; but nothing was to be seen thence: twilight and snowflakes together thickened the air, and hid the very shrubs on the lawn. I let down the curtain and went back to the fireside. In the clear embers I was tracing a view, not unlike a picture I remembered to have seen of the castle of Heidelberg, on the Rhine, when Mrs. Fairfax came in, breaking up by her entrance the fiery mosaic I had been piercing together, and scattering too some heavy unwelcome thoughts that were beginning to throng on my solitude. "Mr. Rochester would be glad if you and your pupil would take tea with him in the drawing-room this evening," said she: "he has been so much engaged all day that he could not ask to see you before." "When is his tea-time?" I inquired. "Oh, at six o'clock: he keeps early hours in the country. You had better change your frock now; I will go with you and fasten it. Here is a candle." "Is it necessary to change my frock?" "Yes, you had better: I always dress for the evening when Mr. Rochester is here." This additional ceremony seemed somewhat stately; however, I repaired to my room, and, with Mrs. Fairfax's aid, replaced my black stuff dress by one of black silk; the best and the only additional one I had, except one of light grey, which, in my Lowood notions of the toilette, I thought too fine to be worn, except on first-rate occasions. "You want a brooch," said Mrs. Fairfax. I had a single little pearl ornament which Miss Temple gave me as a parting keepsake: I put it on, and then we went downstairs. Unused as I was to strangers, it was rather a trial to appear thus formally summoned in Mr. Rochester's presence. I let Mrs. Fairfax precede me into the dining-room, and kept in her shade as we crossed that apartment; and, passing the arch, whose curtain was now dropped, entered the elegant recess beyond. Two wax candles stood lighted on the table, and two on the mantelpiece; basking in the light and heat of a superb fire, lay Pilot--Adele knelt near him. Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adele and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw--yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term--broad chested and thin flanked, though neither tall nor graceful. Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached. "Here is Miss Eyre, sir," said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child. "Let Miss Eyre be seated," said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, "What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her." I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on. He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual--and, as usual, rather trite--she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it. "Madam, I should like some tea," was the sole rejoinder she got. She hastened to ring the bell; and when the tray came, she proceeded to arrange the cups, spoons, &c., with assiduous celerity. I and Adele went to the table; but the master did not leave his couch. "Will you hand Mr. Rochester's cup?" said Mrs. Fairfax to me; "Adele might perhaps spill it." I did as requested. As he took the cup from my hand, Adele, thinking the moment propitious for making a request in my favour, cried out-- "N'est-ce pas, monsieur, qu'il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?" "Who talks of cadeaux?" said he gruffly. "Did you expect a present, Miss Eyre? Are you fond of presents?" and he searched my face with eyes that I saw were dark, irate, and piercing. "I hardly know, sir; I have little experience of them: they are generally thought pleasant things." "Generally thought? But what do _you_ think?" "I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature." "Miss Eyre, you are not so unsophisticated as Adele: she demands a 'cadeau,' clamorously, the moment she sees me: you beat about the bush." "Because I have less confidence in my deserts than Adele has: she can prefer the claim of old acquaintance, and the right too of custom; for she says you have always been in the habit of giving her playthings; but if I had to make out a case I should be puzzled, since I am a stranger, and have done nothing to entitle me to an acknowledgment." "Oh, don't fall back on over-modesty! I have examined Adele, and find you have taken great pains with her: she is not bright, she has no talents; yet in a short time she has made much improvement." "Sir, you have now given me my 'cadeau;' I am obliged to you: it is the meed teachers most covet--praise of their pupils' progress." "Humph!" said Mr. Rochester, and he took his tea in silence. "Come to the fire," said the master, when the tray was taken away, and Mrs. Fairfax had settled into a corner with her knitting; while Adele was leading me by the hand round the room, showing me the beautiful books and ornaments on the consoles and chiffonnieres. We obeyed, as in duty bound; Adele wanted to take a seat on my knee, but she was ordered to amuse herself with Pilot. "You have been resident in my house three months?" "Yes, sir." "And you came from--?" "From Lowood school, in ---shire." "Ah! a charitable concern. How long were you there?" "Eight years." "Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?" "I have none." "Nor ever had, I suppose: do you remember them?" "No." "I thought not. And so you were waiting for your people when you sat on that stile?" "For whom, sir?" "For the men in green: it was a proper moonlight evening for them. Did I break through one of your rings, that you spread that damned ice on the causeway?" I shook my head. "The men in green all forsook England a hundred years ago," said I, speaking as seriously as he had done. "And not even in Hay Lane, or the fields about it, could you find a trace of them. I don't think either summer or harvest, or winter moon, will ever shine on their revels more." Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was. "Well," resumed Mr. Rochester, "if you disown parents, you must have some sort of kinsfolk: uncles and aunts?" "No; none that I ever saw." "And your home?" "I have none." "Where do your brothers and sisters live?" "I have no brothers or sisters." "Who recommended you to come here?" "I advertised, and Mrs. Fairfax answered my advertisement." "Yes," said the good lady, who now knew what ground we were upon, "and I am daily thankful for the choice Providence led me to make. Miss Eyre has been an invaluable companion to me, and a kind and careful teacher to Adele." "Don't trouble yourself to give her a character," returned Mr. Rochester: "eulogiums will not bias me; I shall judge for myself. She began by felling my horse." "Sir?" said Mrs. Fairfax. "I have to thank her for this sprain." The widow looked bewildered. "Miss Eyre, have you ever lived in a town?" "No, sir." "Have you seen much society?" "None but the pupils and teachers of Lowood, and now the inmates of Thornfield." "Have you read much?" "Only such books as came in my way; and they have not been numerous or very learned." "You have lived the life of a nun: no doubt you are well drilled in religious forms;--Brocklehurst, who I understand directs Lowood, is a parson, is he not?" "Yes, sir." "And you girls probably worshipped him, as a convent full of religieuses would worship their director." "Oh, no." "You are very cool! No! What! a novice not worship her priest! That sounds blasphemous." "I disliked Mr. Brocklehurst; and I was not alone in the feeling. He is a harsh man; at once pompous and meddling; he cut off our hair; and for economy's sake bought us bad needles and thread, with which we could hardly sew." "That was very false economy," remarked Mrs. Fairfax, who now again caught the drift of the dialogue. "And was that the head and front of his offending?" demanded Mr. Rochester. "He starved us when he had the sole superintendence of the provision department, before the committee was appointed; and he bored us with long lectures once a week, and with evening readings from books of his own inditing, about sudden deaths and judgments, which made us afraid to go to bed." "What age were you when you went to Lowood?" "About ten." "And you stayed there eight years: you are now, then, eighteen?" I assented. "Arithmetic, you see, is useful; without its aid, I should hardly have been able to guess your age. It is a point difficult to fix where the features and countenance are so much at variance as in your case. And now what did you learn at Lowood? Can you play?" "A little." "Of course: that is the established answer. Go into the library--I mean, if you please.--(Excuse my tone of command; I am used to say, 'Do this,' and it is done: I cannot alter my customary habits for one new inmate.)--Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune." I departed, obeying his directions. "Enough!" he called out in a few minutes. "You play _a little_, I see; like any other English school-girl; perhaps rather better than some, but not well." I closed the piano and returned. Mr. Rochester continued--"Adele showed me some sketches this morning, which she said were yours. I don't know whether they were entirely of your doing; probably a master aided you?" "No, indeed!" I interjected. "Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don't pass your word unless you are certain: I can recognise patchwork." "Then I will say nothing, and you shall judge for yourself, sir." I brought the portfolio from the library. "Approach the table," said he; and I wheeled it to his couch. Adele and Mrs. Fairfax drew near to see the pictures. "No crowding," said Mr. Rochester: "take the drawings from my hand as I finish with them; but don't push your faces up to mine." He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him. "Take them off to the other table, Mrs. Fairfax," said he, "and look at them with Adele;--you" (glancing at me) "resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?" "Yes." "And when did you find time to do them? They have taken much time, and some thought." "I did them in the last two vacations I spent at Lowood, when I had no other occupation." "Where did you get your copies?" "Out of my head." "That head I see now on your shoulders?" "Yes, sir." "Has it other furniture of the same kind within?" "I should think it may have: I should hope--better." He spread the pictures before him, and again surveyed them alternately. While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived. These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn. The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,--a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was "the likeness of a kingly crown;" what it diademed was "the shape which shape had none." "Were you happy when you painted these pictures?" asked Mr. Rochester presently. "I was absorbed, sir: yes, and I was happy. To paint them, in short, was to enjoy one of the keenest pleasures I have ever known." "That is not saying much. Your pleasures, by your own account, have been few; but I daresay you did exist in a kind of artist's dreamland while you blent and arranged these strange tints. Did you sit at them long each day?" "I had nothing else to do, because it was the vacation, and I sat at them from morning till noon, and from noon till night: the length of the midsummer days favoured my inclination to apply." "And you felt self-satisfied with the result of your ardent labours?" "Far from it. I was tormented by the contrast between my idea and my handiwork: in each case I had imagined something which I was quite powerless to realise." "Not quite: you have secured the shadow of your thought; but no more, probably. You had not enough of the artist's skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth? And who taught you to paint wind? There is a high gale in that sky, and on this hill-top. Where did you see Latmos? For that is Latmos. There! put the drawings away!" I had scarce tied the strings of the portfolio, when, looking at his watch, he said abruptly-- "It is nine o'clock: what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed." Adele went to kiss him before quitting the room: he endured the caress, but scarcely seemed to relish it more than Pilot would have done, nor so much. "I wish you all good-night, now," said he, making a movement of the hand towards the door, in token that he was tired of our company, and wished to dismiss us. Mrs. Fairfax folded up her knitting: I took my portfolio: we curtseyed to him, received a frigid bow in return, and so withdrew. "You said Mr. Rochester was not strikingly peculiar, Mrs. Fairfax," I observed, when I rejoined her in her room, after putting Adele to bed. "Well, is he?" "I think so: he is very changeful and abrupt." "True: no doubt he may appear so to a stranger, but I am so accustomed to his manner, I never think of it; and then, if he has peculiarities of temper, allowance should be made." "Why?" "Partly because it is his nature--and we can none of us help our nature; and partly because he has painful thoughts, no doubt, to harass him, and make his spirits unequal." "What about?" "Family troubles, for one thing." "But he has no family." "Not now, but he has had--or, at least, relatives. He lost his elder brother a few years since." "His _elder_ brother?" "Yes. The present Mr. Rochester has not been very long in possession of the property; only about nine years." "Nine years is a tolerable time. Was he so very fond of his brother as to be still inconsolable for his loss?" "Why, no--perhaps not. I believe there were some misunderstandings between them. Mr. Rowland Rochester was not quite just to Mr. Edward; and perhaps he prejudiced his father against him. The old gentleman was fond of money, and anxious to keep the family estate together. He did not like to diminish the property by division, and yet he was anxious that Mr. Edward should have wealth, too, to keep up the consequence of the name; and, soon after he was of age, some steps were taken that were not quite fair, and made a great deal of mischief. Old Mr. Rochester and Mr. Rowland combined to bring Mr. Edward into what he considered a painful position, for the sake of making his fortune: what the precise nature of that position was I never clearly knew, but his spirit could not brook what he had to suffer in it. He is not very forgiving: he broke with his family, and now for many years he has led an unsettled kind of life. I don't think he has ever been resident at Thornfield for a fortnight together, since the death of his brother without a will left him master of the estate; and, indeed, no wonder he shuns the old place." "Why should he shun it?" "Perhaps he thinks it gloomy." The answer was evasive. I should have liked something clearer; but Mrs. Fairfax either could not, or would not, give me more explicit information of the origin and nature of Mr. Rochester's trials. She averred they were a mystery to herself, and that what she knew was chiefly from conjecture. It was evident, indeed, that she wished me to drop the subject, which I did accordingly.

volume 1, Chapter 13

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap13-14

The next day Mrs. Fairfax comes to tell Jane that Mr. Rochester would like Jane and Adele to have tea with him in the evening, and tells Jane that she should change her frock. Jane changes into a silk black frock instead of the drab black one she usually wears. When Adele and Jane enter for tea, Mr. Rochester does not seem to want to talk to them and keeps silent. Eventually he does talk and tells Jane that he can see improvement in Adele. They talk of Jane's past including Lowood School and her lack of family. He also tells Jane that Adele has shown him some of Jane's drawings, and he wonders if she had done them herself. She says that she had, and goes to get her portfolio when he asks her to. He looks through all of her drawings thoughtfully and asks her questions about them. After the meeting Jane tells Mrs. Fairfax that she finds Mr. Rochester changeful and abrupt, and Mrs. Fairfax alludes to some family problems he has had, but does not elaborate much

novelguide

all_chapterized_books/1260-chapters/15.txt

finished_summaries/novelguide/Jane Eyre/section_6_part_2.txt

Jane Eyre.volume 1.chapter 14

chapter 14

{"name": "volume 1, Chapter 14", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap13-14", "summary": "For the next several days Jane sees little of Mr. Rochester, but then he calls Adele and her to meet with him. He gives Adele the box of presents he had brought for her to keep her occupied. Then he calls Mrs. Fairfax in to talk to Adele so that she will not disturb him. Jane and Mr. Rochester talk, and he asks her if she thinks him handsome. When she replies 'no,' she instantly tries to say she spoke too quickly, but he says that she is no more pretty than he is handsome. They talk for quite a while, and Mr. Rochester tells Jane that he wishes he were a better man, to which she replies that if he tried hard enough he could be someone of whom he would approve. Mr. Rochester also tells Jane that he has only half a liking for Adele because of her roots, and says that he will explain more later", "analysis": ""}

For several subsequent days I saw little of Mr. Rochester. In the mornings he seemed much engaged with business, and, in the afternoon, gentlemen from Millcote or the neighbourhood called, and sometimes stayed to dine with him. When his sprain was well enough to admit of horse exercise, he rode out a good deal; probably to return these visits, as he generally did not come back till late at night. During this interval, even Adele was seldom sent for to his presence, and all my acquaintance with him was confined to an occasional rencontre in the hall, on the stairs, or in the gallery, when he would sometimes pass me haughtily and coldly, just acknowledging my presence by a distant nod or a cool glance, and sometimes bow and smile with gentlemanlike affability. His changes of mood did not offend me, because I saw that I had nothing to do with their alternation; the ebb and flow depended on causes quite disconnected with me. One day he had had company to dinner, and had sent for my portfolio; in order, doubtless, to exhibit its contents: the gentlemen went away early, to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but the night being wet and inclement, Mr. Rochester did not accompany them. Soon after they were gone he rang the bell: a message came that I and Adele were to go downstairs. I brushed Adele's hair and made her neat, and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch--all being too close and plain, braided locks included, to admit of disarrangement--we descended, Adele wondering whether the _petit coffre_ was at length come; for, owing to some mistake, its arrival had hitherto been delayed. She was gratified: there it stood, a little carton, on the table when we entered the dining-room. She appeared to know it by instinct. "Ma boite! ma boite!" exclaimed she, running towards it. "Yes, there is your 'boite' at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling it," said the deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the fireside. "And mind," he continued, "don't bother me with any details of the anatomical process, or any notice of the condition of the entrails: let your operation be conducted in silence: tiens-toi tranquille, enfant; comprends-tu?" Adele seemed scarcely to need the warning--she had already retired to a sofa with her treasure, and was busy untying the cord which secured the lid. Having removed this impediment, and lifted certain silvery envelopes of tissue paper, she merely exclaimed-- "Oh ciel! Que c'est beau!" and then remained absorbed in ecstatic contemplation. "Is Miss Eyre there?" now demanded the master, half rising from his seat to look round to the door, near which I still stood. "Ah! well, come forward; be seated here." He drew a chair near his own. "I am not fond of the prattle of children," he continued; "for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening _tete-a-tete_ with a brat. Don't draw that chair farther off, Miss Eyre; sit down exactly where I placed it--if you please, that is. Confound these civilities! I continually forget them. Nor do I particularly affect simple-minded old ladies. By-the-bye, I must have mine in mind; it won't do to neglect her; she is a Fairfax, or wed to one; and blood is said to be thicker than water." He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived, knitting-basket in hand. "Good evening, madam; I sent to you for a charitable purpose. I have forbidden Adele to talk to me about her presents, and she is bursting with repletion: have the goodness to serve her as auditress and interlocutrice; it will be one of the most benevolent acts you ever performed." Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her sofa, and there quickly filled her lap with the porcelain, the ivory, the waxen contents of her "boite;" pouring out, meantime, explanations and raptures in such broken English as she was mistress of. "Now I have performed the part of a good host," pursued Mr. Rochester, "put my guests into the way of amusing each other, I ought to be at liberty to attend to my own pleasure. Miss Eyre, draw your chair still a little farther forward: you are yet too far back; I cannot see you without disturbing my position in this comfortable chair, which I have no mind to do." I did as I was bid, though I would much rather have remained somewhat in the shade; but Mr. Rochester had such a direct way of giving orders, it seemed a matter of course to obey him promptly. We were, as I have said, in the dining-room: the lustre, which had been lit for dinner, filled the room with a festal breadth of light; the large fire was all red and clear; the purple curtains hung rich and ample before the lofty window and loftier arch; everything was still, save the subdued chat of Adele (she dared not speak loud), and, filling up each pause, the beating of winter rain against the panes. Mr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look before; not quite so stern--much less gloomy. There was a smile on his lips, and his eyes sparkled, whether with wine or not, I am not sure; but I think it very probable. He was, in short, in his after-dinner mood; more expanded and genial, and also more self- indulgent than the frigid and rigid temper of the morning; still he looked preciously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite- hewn features, and in his great, dark eyes; for he had great, dark eyes, and very fine eyes, too--not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling. He had been looking two minutes at the fire, and I had been looking the same length of time at him, when, turning suddenly, he caught my gaze fastened on his physiognomy. "You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware--"No, sir." "Ah! By my word! there is something singular about you," said he: "you have the air of a little _nonnette_; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-bye, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?" "Sir, I was too plain; I beg your pardon. I ought to have replied that it was not easy to give an impromptu answer to a question about appearances; that tastes mostly differ; and that beauty is of little consequence, or something of that sort." "You ought to have replied no such thing. Beauty of little consequence, indeed! And so, under pretence of softening the previous outrage, of stroking and soothing me into placidity, you stick a sly penknife under my ear! Go on: what fault do you find with me, pray? I suppose I have all my limbs and all my features like any other man?" "Mr. Rochester, allow me to disown my first answer: I intended no pointed repartee: it was only a blunder." "Just so: I think so: and you shall be answerable for it. Criticise me: does my forehead not please you?" He lifted up the sable waves of hair which lay horizontally over his brow, and showed a solid enough mass of intellectual organs, but an abrupt deficiency where the suave sign of benevolence should have risen. "Now, ma'am, am I a fool?" "Far from it, sir. You would, perhaps, think me rude if I inquired in return whether you are a philanthropist?" "There again! Another stick of the penknife, when she pretended to pat my head: and that is because I said I did not like the society of children and old women (low be it spoken!). No, young lady, I am not a general philanthropist; but I bear a conscience;" and he pointed to the prominences which are said to indicate that faculty, and which, fortunately for him, were sufficiently conspicuous; giving, indeed, a marked breadth to the upper part of his head: "and, besides, I once had a kind of rude tenderness of heart. When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?" "Hope of what, sir?" "Of my final re-transformation from India-rubber back to flesh?" "Decidedly he has had too much wine," I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed? "You looked very much puzzled, Miss Eyre; and though you are not pretty any more than I am handsome, yet a puzzled air becomes you; besides, it is convenient, for it keeps those searching eyes of yours away from my physiognomy, and busies them with the worsted flowers of the rug; so puzzle on. Young lady, I am disposed to be gregarious and communicative to-night." With this announcement he rose from his chair, and stood, leaning his arm on the marble mantelpiece: in that attitude his shape was seen plainly as well as his face; his unusual breadth of chest, disproportionate almost to his length of limb. I am sure most people would have thought him an ugly man; yet there was so much unconscious pride in his port; so much ease in his demeanour; such a look of complete indifference to his own external appearance; so haughty a reliance on the power of other qualities, intrinsic or adventitious, to atone for the lack of mere personal attractiveness, that, in looking at him, one inevitably shared the indifference, and, even in a blind, imperfect sense, put faith in the confidence. "I am disposed to be gregarious and communicative to-night," he repeated, "and that is why I sent for you: the fire and the chandelier were not sufficient company for me; nor would Pilot have been, for none of these can talk. Adele is a degree better, but still far below the mark; Mrs. Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled me the first evening I invited you down here. I have almost forgotten you since: other ideas have driven yours from my head; but to-night I am resolved to be at ease; to dismiss what importunes, and recall what pleases. It would please me now to draw you out--to learn more of you--therefore speak." Instead of speaking, I smiled; and not a very complacent or submissive smile either. "Speak," he urged. "What about, sir?" "Whatever you like. I leave both the choice of subject and the manner of treating it entirely to yourself." Accordingly I sat and said nothing: "If he expects me to talk for the mere sake of talking and showing off, he will find he has addressed himself to the wrong person," I thought. "You are dumb, Miss Eyre." I was dumb still. He bent his head a little towards me, and with a single hasty glance seemed to dive into my eyes. "Stubborn?" he said, "and annoyed. Ah! it is consistent. I put my request in an absurd, almost insolent form. Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is" (correcting himself), "I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience. This is legitimate, _et j'y tiens_, as Adele would say; and it is by virtue of this superiority, and this alone, that I desire you to have the goodness to talk to me a little now, and divert my thoughts, which are galled with dwelling on one point--cankering as a rusty nail." He had deigned an explanation, almost an apology, and I did not feel insensible to his condescension, and would not seem so. "I am willing to amuse you, if I can, sir--quite willing; but I cannot introduce a topic, because how do I know what will interest you? Ask me questions, and I will do my best to answer them." "Then, in the first place, do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe, while you have lived quietly with one set of people in one house?" "Do as you please, sir." "That is no answer; or rather it is a very irritating, because a very evasive one. Reply clearly." "I don't think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." "Humph! Promptly spoken. But I won't allow that, seeing that it would never suit my case, as I have made an indifferent, not to say a bad, use of both advantages. Leaving superiority out of the question, then, you must still agree to receive my orders now and then, without being piqued or hurt by the tone of command. Will you?" I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to forget that he pays me 30 pounds per annum for receiving his orders. "The smile is very well," said he, catching instantly the passing expression; "but speak too." "I was thinking, sir, that very few masters would trouble themselves to inquire whether or not their paid subordinates were piqued and hurt by their orders." "Paid subordinates! What! you are my paid subordinate, are you? Oh yes, I had forgotten the salary! Well then, on that mercenary ground, will you agree to let me hector a little?" "No, sir, not on that ground; but, on the ground that you did forget it, and that you care whether or not a dependent is comfortable in his dependency, I agree heartily." "And will you consent to dispense with a great many conventional forms and phrases, without thinking that the omission arises from insolence?" "I am sure, sir, I should never mistake informality for insolence: one I rather like, the other nothing free-born would submit to, even for a salary." "Humbug! Most things free-born will submit to anything for a salary; therefore, keep to yourself, and don't venture on generalities of which you are intensely ignorant. However, I mentally shake hands with you for your answer, despite its inaccuracy; and as much for the manner in which it was said, as for the substance of the speech; the manner was frank and sincere; one does not often see such a manner: no, on the contrary, affectation, or coldness, or stupid, coarse-minded misapprehension of one's meaning are the usual rewards of candour. Not three in three thousand raw school-girl-governesses would have answered me as you have just done. But I don't mean to flatter you: if you are cast in a different mould to the majority, it is no merit of yours: Nature did it. And then, after all, I go too fast in my conclusions: for what I yet know, you may be no better than the rest; you may have intolerable defects to counterbalance your few good points." "And so may you," I thought. My eye met his as the idea crossed my mind: he seemed to read the glance, answering as if its import had been spoken as well as imagined-- "Yes, yes, you are right," said he; "I have plenty of faults of my own: I know it, and I don't wish to palliate them, I assure you. God wot I need not be too severe about others; I have a past existence, a series of deeds, a colour of life to contemplate within my own breast, which might well call my sneers and censures from my neighbours to myself. I started, or rather (for like other defaulters, I like to lay half the blame on ill fortune and adverse circumstances) was thrust on to a wrong tack at the age of one-and-twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you--wiser--almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure--an inexhaustible source of pure refreshment: is it not?" "How was your memory when you were eighteen, sir?" "All right then; limpid, salubrious: no gush of bilge water had turned it to fetid puddle. I was your equal at eighteen--quite your equal. Nature meant me to be, on the whole, a good man, Miss Eyre; one of the better kind, and you see I am not so. You would say you don't see it; at least I flatter myself I read as much in your eye (beware, by-the-bye, what you express with that organ; I am quick at interpreting its language). Then take my word for it,--I am not a villain: you are not to suppose that--not to attribute to me any such bad eminence; but, owing, I verily believe, rather to circumstances than to my natural bent, I am a trite commonplace sinner, hackneyed in all the poor petty dissipations with which the rich and worthless try to put on life. Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know?--how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. You would say, I should have been superior to circumstances; so I should--so I should; but you see I was not. When fate wronged me, I had not the wisdom to remain cool: I turned desperate; then I degenerated. Now, when any vicious simpleton excites my disgust by his paltry ribaldry, I cannot flatter myself that I am better than he: I am forced to confess that he and I are on a level. I wish I had stood firm--God knows I do! Dread remorse when you are tempted to err, Miss Eyre; remorse is the poison of life." "Repentance is said to be its cure, sir." "It is not its cure. Reformation may be its cure; and I could reform--I have strength yet for that--if--but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I _will_ get it, cost what it may." "Then you will degenerate still more, sir." "Possibly: yet why should I, if I can get sweet, fresh pleasure? And I may get it as sweet and fresh as the wild honey the bee gathers on the moor." "It will sting--it will taste bitter, sir." "How do you know?--you never tried it. How very serious--how very solemn you look: and you are as ignorant of the matter as this cameo head" (taking one from the mantelpiece). "You have no right to preach to me, you neophyte, that have not passed the porch of life, and are absolutely unacquainted with its mysteries." "I only remind you of your own words, sir: you said error brought remorse, and you pronounced remorse the poison of existence." "And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing--I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart." "Distrust it, sir; it is not a true angel." "Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne--between a guide and a seducer?" "I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it." "Not at all--it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don't make yourself uneasy. Here, come in, bonny wanderer!" He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. "Now," he continued, again addressing me, "I have received the pilgrim--a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine." "To speak truth, sir, I don't understand you at all: I cannot keep up the conversation, because it has got out of my depth. Only one thing, I know: you said you were not as good as you should like to be, and that you regretted your own imperfection;--one thing I can comprehend: you intimated that to have a sullied memory was a perpetual bane. It seems to me, that if you tried hard, you would in time find it possible to become what you yourself would approve; and that if from this day you began with resolution to correct your thoughts and actions, you would in a few years have laid up a new and stainless store of recollections, to which you might revert with pleasure." "Justly thought; rightly said, Miss Eyre; and, at this moment, I am paving hell with energy." "Sir?" "I am laying down good intentions, which I believe durable as flint. Certainly, my associates and pursuits shall be other than they have been." "And better?" "And better--so much better as pure ore is than foul dross. You seem to doubt me; I don't doubt myself: I know what my aim is, what my motives are; and at this moment I pass a law, unalterable as that of the Medes and Persians, that both are right." "They cannot be, sir, if they require a new statute to legalise them." "They are, Miss Eyre, though they absolutely require a new statute: unheard-of combinations of circumstances demand unheard-of rules." "That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse." "Sententious sage! so it is: but I swear by my household gods not to abuse it." "You are human and fallible." "I am: so are you--what then?" "The human and fallible should not arrogate a power with which the divine and perfect alone can be safely intrusted." "What power?" "That of saying of any strange, unsanctioned line of action,--'Let it be right.'" "'Let it be right'--the very words: you have pronounced them." "_May_ it be right then," I said, as I rose, deeming it useless to continue a discourse which was all darkness to me; and, besides, sensible that the character of my interlocutor was beyond my penetration; at least, beyond its present reach; and feeling the uncertainty, the vague sense of insecurity, which accompanies a conviction of ignorance. "Where are you going?" "To put Adele to bed: it is past her bedtime." "You are afraid of me, because I talk like a Sphynx." "Your language is enigmatical, sir: but though I am bewildered, I am certainly not afraid." "You _are_ afraid--your self-love dreads a blunder." "In that sense I do feel apprehensive--I have no wish to talk nonsense." "If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer--I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother--or father, or master, or what you will--to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going?" "It has struck nine, sir." "Never mind,--wait a minute: Adele is not ready to go to bed yet. My position, Miss Eyre, with my back to the fire, and my face to the room, favours observation. While talking to you, I have also occasionally watched Adele (I have my own reasons for thinking her a curious study,--reasons that I may, nay, that I shall, impart to you some day). She pulled out of her box, about ten minutes ago, a little pink silk frock; rapture lit her face as she unfolded it; coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones. 'Il faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed out of the room. She is now with Sophie, undergoing a robing process: in a few minutes she will re-enter; and I know what I shall see,--a miniature of Celine Varens, as she used to appear on the boards at the rising of--But never mind that. However, my tenderest feelings are about to receive a shock: such is my presentiment; stay now, to see whether it will be realised." Ere long, Adele's little foot was heard tripping across the hall. She entered, transformed as her guardian had predicted. A dress of rose-coloured satin, very short, and as full in the skirt as it could be gathered, replaced the brown frock she had previously worn; a wreath of rosebuds circled her forehead; her feet were dressed in silk stockings and small white satin sandals. "Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes souliers? et mes bas? Tenez, je crois que je vais danser!" And spreading out her dress, she chasseed across the room till, having reached Mr. Rochester, she wheeled lightly round before him on tip-toe, then dropped on one knee at his feet, exclaiming-- "Monsieur, je vous remercie mille fois de votre bonte;" then rising, she added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?" "Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English gold out of my British breeches' pocket. I have been green, too, Miss Eyre,--ay, grass green: not a more vernal tint freshens you now than once freshened me. My Spring is gone, however, but it has left me that French floweret on my hands, which, in some moods, I would fain be rid of. Not valuing now the root whence it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom, especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great or small, by one good work. I'll explain all this some day. Good-night."

volume 1, Chapter 14

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap13-14

For the next several days Jane sees little of Mr. Rochester, but then he calls Adele and her to meet with him. He gives Adele the box of presents he had brought for her to keep her occupied. Then he calls Mrs. Fairfax in to talk to Adele so that she will not disturb him. Jane and Mr. Rochester talk, and he asks her if she thinks him handsome. When she replies 'no,' she instantly tries to say she spoke too quickly, but he says that she is no more pretty than he is handsome. They talk for quite a while, and Mr. Rochester tells Jane that he wishes he were a better man, to which she replies that if he tried hard enough he could be someone of whom he would approve. Mr. Rochester also tells Jane that he has only half a liking for Adele because of her roots, and says that he will explain more later

novelguide

all_chapterized_books/1260-chapters/16.txt

finished_summaries/novelguide/Jane Eyre/section_7_part_1.txt

Jane Eyre.volume 1.chapter 15

chapter 15

{"name": "volume 1, Chapter 15", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap15-16", "summary": "One afternoon when they happen to meet while walking, Rochester does tell Jane more of Adele. He says that she is the daughter of a French opera-dancer that he was in love with and whom he supplied with a hotel and money etc. When he saw her with another man making fun of him, he took all he had given away from her. She gave birth to a child she said was his, but he does not believe that Adele is really his child. Nevertheless, when he heard that her mother had abandoned her, Rochester took Adele in. After this discussion it seems to Jane that Rochester is happier to be with her, and now always has a word or a smile for her. Jane now says that she does not find him ugly any longer. That night Jane hardly slept thinking about Rochester and worrying that he may leave soon and be gone for a while. Just then Jane thinks she hears something brush against her door and walk down the hallway. She also hears a demonic laugh and someone walking up the third story staircase. Jane dresses hurriedly to go to talk to Mrs. Fairfax. When she enters the hall she sees a candle burning just outside her room, and she sees smoke coming from Rochester's room. When she enters his room she sees his bed on fire and tries to wake him. She throws the water from his basin onto the bed and runs to her room to get hers. Rochester wakes up with all of the water, and the fire is put out. Rochester tells Jane not to move or to call anyone, and goes to the staircase up to the third story. When he returns he asks Jane what she saw and heard, and implies that it was Grace Poole who set fire to his bed. When Jane goes to go back to bed, Mr. Rochester seems to want to have more interaction with her, and he holds her hands and tells her that he knew she would do him good in some way", "analysis": ""}

Mr. Rochester did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adele in the grounds: and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her. He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a "_grande passion_." This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "_taille d'athlete_" to the elegance of the Apollo Belvidere. "And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had--as I deserved to have--the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No,--I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur 'Mon ange'--in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel. "You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current--as I am now. "I like this day; I like that sky of steel; I like the sternness and stillness of the world under this frost. I like Thornfield, its antiquity, its retirement, its old crow-trees and thorn-trees, its grey facade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it, shunned it like a great plague-house? How I do still abhor--" He ground his teeth and was silent: he arrested his step and struck his boot against the hard ground. Some hated thought seemed to have him in its grip, and to hold him so tightly that he could not advance. We were ascending the avenue when he thus paused; the hall was before us. Lifting his eye to its battlements, he cast over them a glare such as I never saw before or since. Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow. Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance: he went on-- "During the moment I was silent, Miss Eyre, I was arranging a point with my destiny. She stood there, by that beech-trunk--a hag like one of those who appeared to Macbeth on the heath of Forres. 'You like Thornfield?' she said, lifting her finger; and then she wrote in the air a memento, which ran in lurid hieroglyphics all along the house-front, between the upper and lower row of windows, 'Like it if you can! Like it if you dare!' "'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily) "I will keep my word; I will break obstacles to happiness, to goodness--yes, goodness. I wish to be a better man than I have been, than I am; as Job's leviathan broke the spear, the dart, and the habergeon, hindrances which others count as iron and brass, I will esteem but straw and rotten wood." Adele here ran before him with her shuttlecock. "Away!" he cried harshly; "keep at a distance, child; or go in to Sophie!" Continuing then to pursue his walk in silence, I ventured to recall him to the point whence he had abruptly diverged-- "Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?" I almost expected a rebuff for this hardly well-timed question, but, on the contrary, waking out of his scowling abstraction, he turned his eyes towards me, and the shade seemed to clear off his brow. "Oh, I had forgotten Celine! Well, to resume. When I saw my charmer thus come in accompanied by a cavalier, I seemed to hear a hiss, and the green snake of jealousy, rising on undulating coils from the moonlit balcony, glided within my waistcoat, and ate its way in two minutes to my heart's core. Strange!" he exclaimed, suddenly starting again from the point. "Strange that I should choose you for the confidant of all this, young lady; passing strange that you should listen to me quietly, as if it were the most usual thing in the world for a man like me to tell stories of his opera-mistresses to a quaint, inexperienced girl like you! But the last singularity explains the first, as I intimated once before: you, with your gravity, considerateness, and caution were made to be the recipient of secrets. Besides, I know what sort of a mind I have placed in communication with my own: I know it is one not liable to take infection: it is a peculiar mind: it is a unique one. Happily I do not mean to harm it: but, if I did, it would not take harm from me. The more you and I converse, the better; for while I cannot blight you, you may refresh me." After this digression he proceeded-- "I remained in the balcony. 'They will come to her boudoir, no doubt,' thought I: 'let me prepare an ambush.' So putting my hand in through the open window, I drew the curtain over it, leaving only an opening through which I could take observations; then I closed the casement, all but a chink just wide enough to furnish an outlet to lovers' whispered vows: then I stole back to my chair; and as I resumed it the pair came in. My eye was quickly at the aperture. Celine's chamber-maid entered, lit a lamp, left it on the table, and withdrew. The couple were thus revealed to me clearly: both removed their cloaks, and there was 'the Varens,' shining in satin and jewels,--my gifts of course,--and there was her companion in an officer's uniform; and I knew him for a young roue of a vicomte--a brainless and vicious youth whom I had sometimes met in society, and had never thought of hating because I despised him so absolutely. On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Celine sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe. "They began to talk; their conversation eased me completely: frivolous, mercenary, heartless, and senseless, it was rather calculated to weary than enrage a listener. A card of mine lay on the table; this being perceived, brought my name under discussion. Neither of them possessed energy or wit to belabour me soundly, but they insulted me as coarsely as they could in their little way: especially Celine, who even waxed rather brilliant on my personal defects--deformities she termed them. Now it had been her custom to launch out into fervent admiration of what she called my '_beaute male_:' wherein she differed diametrically from you, who told me point-blank, at the second interview, that you did not think me handsome. The contrast struck me at the time and--" Adele here came running up again. "Monsieur, John has just been to say that your agent has called and wishes to see you." "Ah! in that case I must abridge. Opening the window, I walked in upon them; liberated Celine from my protection; gave her notice to vacate her hotel; offered her a purse for immediate exigencies; disregarded screams, hysterics, prayers, protestations, convulsions; made an appointment with the vicomte for a meeting at the Bois de Boulogne. Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew. But unluckily the Varens, six months before, had given me this filette Adele, who, she affirmed, was my daughter; and perhaps she may be, though I see no proofs of such grim paternity written in her countenance: Pilot is more like me than she. Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adele's part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e'en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but now you know that it is the illegitimate offspring of a French opera-girl, you will perhaps think differently of your post and protegee: you will be coming to me some day with notice that you have found another place--that you beg me to look out for a new governess, &c.--Eh?" "No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless--forsaken by her mother and disowned by you, sir--I shall cling closer to her than before. How could I possibly prefer the spoilt pet of a wealthy family, who would hate her governess as a nuisance, to a lonely little orphan, who leans towards her as a friend?" "Oh, that is the light in which you view it! Well, I must go in now; and you too: it darkens." But I stayed out a few minutes longer with Adele and Pilot--ran a race with her, and played a game of battledore and shuttlecock. When we went in, and I had removed her bonnet and coat, I took her on my knee; kept her there an hour, allowing her to prattle as she liked: not rebuking even some little freedoms and trivialities into which she was apt to stray when much noticed, and which betrayed in her a superficiality of character, inherited probably from her mother, hardly congenial to an English mind. Still she had her merits; and I was disposed to appreciate all that was good in her to the utmost. I sought in her countenance and features a likeness to Mr. Rochester, but found none: no trait, no turn of expression announced relationship. It was a pity: if she could but have been proved to resemble him, he would have thought more of her. It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman's passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master's manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength. And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say _former_, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it. Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield. "Why not?" I asked myself. "What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!" I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed. I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear. All at once I remembered that it might be Pilot, who, when the kitchen- door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough. This was a demoniac laugh--low, suppressed, and deep--uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside--or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, "Who is there?" Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still. "Was that Grace Poole? and is she possessed with a devil?" thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning. Something creaked: it was a door ajar; and that door was Mr. Rochester's, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. "Wake! wake!" I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God's aid, succeeded in extinguishing the flames which were devouring it. The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. "Is there a flood?" he cried. "No, sir," I answered; "but there has been a fire: get up, do; you are quenched now; I will fetch you a candle." "In the name of all the elves in Christendom, is that Jane Eyre?" he demanded. "What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?" "I will fetch you a candle, sir; and, in Heaven's name, get up. Somebody has plotted something: you cannot too soon find out who and what it is." "There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be--yes, here is my dressing-gown. Now run!" I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water. "What is it? and who did it?" he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,--the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on. {"What is it and who did it?" he asked: p140.jpg} He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded. "Shall I call Mrs. Fairfax?" I asked. "Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested." "Then I will fetch Leah, and wake John and his wife." "Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,--I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don't move, remember, or call any one." He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester's displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. "I hope it is he," thought I, "and not something worse." He re-entered, pale and very gloomy. "I have found it all out," said he, setting his candle down on the washstand; "it is as I thought." "How, sir?" He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone-- "I forget whether you said you saw anything when you opened your chamber door." "No, sir, only the candlestick on the ground." "But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?" "Yes, sir: there is a woman who sews here, called Grace Poole,--she laughs in that way. She is a singular person." "Just so. Grace Poole--you have guessed it. She is, as you say, singular--very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night's incident. You are no talking fool: say nothing about it. I will account for this state of affairs" (pointing to the bed): "and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:--in two hours the servants will be up." "Good-night, then, sir," said I, departing. He seemed surprised--very inconsistently so, as he had just told me to go. "What!" he exclaimed, "are you quitting me already, and in that way?" "You said I might go, sir." "But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!--snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands." He held out his hand; I gave him mine: he took it first in one, them in both his own. "You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;--I feel your benefits no burden, Jane." He paused; gazed at me: words almost visible trembled on his lips,--but his voice was checked. "Good-night again, sir. There is no debt, benefit, burden, obligation, in the case." "I knew," he continued, "you would do me good in some way, at some time;--I saw it in your eyes when I first beheld you: their expression and smile did not"--(again he stopped)--"did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!" Strange energy was in his voice, strange fire in his look. "I am glad I happened to be awake," I said: and then I was going. "What! you _will_ go?" "I am cold, sir." "Cold? Yes,--and standing in a pool! Go, then, Jane; go!" But he still retained my hand, and I could not free it. I bethought myself of an expedient. "I think I hear Mrs. Fairfax move, sir," said I. "Well, leave me:" he relaxed his fingers, and I was gone. I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy--a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned.

volume 1, Chapter 15

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap15-16

One afternoon when they happen to meet while walking, Rochester does tell Jane more of Adele. He says that she is the daughter of a French opera-dancer that he was in love with and whom he supplied with a hotel and money etc. When he saw her with another man making fun of him, he took all he had given away from her. She gave birth to a child she said was his, but he does not believe that Adele is really his child. Nevertheless, when he heard that her mother had abandoned her, Rochester took Adele in. After this discussion it seems to Jane that Rochester is happier to be with her, and now always has a word or a smile for her. Jane now says that she does not find him ugly any longer. That night Jane hardly slept thinking about Rochester and worrying that he may leave soon and be gone for a while. Just then Jane thinks she hears something brush against her door and walk down the hallway. She also hears a demonic laugh and someone walking up the third story staircase. Jane dresses hurriedly to go to talk to Mrs. Fairfax. When she enters the hall she sees a candle burning just outside her room, and she sees smoke coming from Rochester's room. When she enters his room she sees his bed on fire and tries to wake him. She throws the water from his basin onto the bed and runs to her room to get hers. Rochester wakes up with all of the water, and the fire is put out. Rochester tells Jane not to move or to call anyone, and goes to the staircase up to the third story. When he returns he asks Jane what she saw and heard, and implies that it was Grace Poole who set fire to his bed. When Jane goes to go back to bed, Mr. Rochester seems to want to have more interaction with her, and he holds her hands and tells her that he knew she would do him good in some way

novelguide

all_chapterized_books/1260-chapters/17.txt

finished_summaries/novelguide/Jane Eyre/section_7_part_2.txt

Jane Eyre.volume 2.chapter 16

chapter 16

{"name": "volume 1, Chapter 16", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap15-16", "summary": "The next day Jane is anxious to talk to Mr. Rochester about the night before. She is quite surprised when she sees Grace Poole in Rochester's room with another servant mending curtains. Jane questions Grace about what happened there the night before, putting her to a test, and Grace tells her that the master left a candle burning and it caught fire to his bed. Jane cannot believe that Grace is still there, and wonders what power she has over Rochester that he did not make her leave. That night Jane is sure Rochester will call for her, but when Mrs. Fairfax calls her to tea, she learns that Rochester had left for a journey that morning and will be gone a week or more. Mrs. Fairfax tells her that when these fine, fashionable people get together, they do not like to soon part company. Mrs. Fairfax then tells Jane about Miss Ingram, a beautiful, single woman that Rochester may have a fancy for. She says that it is not likely that Rochester will think of marrying her though, as he is almost forty, and Miss Ingram is but twenty-five. When Jane is at last alone and thinking of all that Mrs. Fairfax had told her, she thinks that she had been a fool to think that she had been a favorite of Mr. Rochester's. The next day she makes two drawings, one of herself with all her faults, and one of a beautiful woman as Mrs. Fairfax had described Miss Ingram. She decides that whenever she feels that Mr. Rochester may be taking a fancy to her, she will take out these pictures and compare them", "analysis": ""}

I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day. But the morning passed just as usual: nothing happened to interrupt the quiet course of Adele's studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester's chamber, Mrs. Fairfax's voice, and Leah's, and the cook's--that is, John's wife--and even John's own gruff tones. There were exclamations of "What a mercy master was not burnt in his bed!" "It is always dangerous to keep a candle lit at night." "How providential that he had presence of mind to think of the water-jug!" "I wonder he waked nobody!" "It is to be hoped he will not take cold with sleeping on the library sofa," &c. To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole. There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing. "I will put her to some test," thought I: "such absolute impenetrability is past comprehension." "Good morning, Grace," I said. "Has anything happened here? I thought I heard the servants all talking together a while ago." "Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer." "A strange affair!" I said, in a low voice: then, looking at her fixedly--"Did Mr. Rochester wake nobody? Did no one hear him move?" She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered-- "The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax's room and yours are the nearest to master's; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy." She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone--"But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?" "I did," said I, dropping my voice, so that Leah, who was still polishing the panes, could not hear me, "and at first I thought it was Pilot: but Pilot cannot laugh; and I am certain I heard a laugh, and a strange one." She took a new needleful of thread, waxed it carefully, threaded her needle with a steady hand, and then observed, with perfect composure-- "It is hardly likely master would laugh, I should think, Miss, when he was in such danger: You must have been dreaming." "I was not dreaming," I said, with some warmth, for her brazen coolness provoked me. Again she looked at me; and with the same scrutinising and conscious eye. "Have you told master that you heard a laugh?" she inquired. "I have not had the opportunity of speaking to him this morning." "You did not think of opening your door and looking out into the gallery?" she further asked. She appeared to be cross-questioning me, attempting to draw from me information unawares. The idea struck me that if she discovered I knew or suspected her guilt, she would be playing of some of her malignant pranks on me; I thought it advisable to be on my guard. "On the contrary," said I, "I bolted my door." "Then you are not in the habit of bolting your door every night before you get into bed?" "Fiend! she wants to know my habits, that she may lay her plans accordingly!" Indignation again prevailed over prudence: I replied sharply, "Hitherto I have often omitted to fasten the bolt: I did not think it necessary. I was not aware any danger or annoyance was to be dreaded at Thornfield Hall: but in future" (and I laid marked stress on the words) "I shall take good care to make all secure before I venture to lie down." "It will be wise so to do," was her answer: "this neighbourhood is as quiet as any I know, and I never heard of the hall being attempted by robbers since it was a house; though there are hundreds of pounds' worth of plate in the plate-closet, as is well known. And you see, for such a large house, there are very few servants, because master has never lived here much; and when he does come, being a bachelor, he needs little waiting on: but I always think it best to err on the safe side; a door is soon fastened, and it is as well to have a drawn bolt between one and any mischief that may be about. A deal of people, Miss, are for trusting all to Providence; but I say Providence will not dispense with the means, though He often blesses them when they are used discreetly." And here she closed her harangue: a long one for her, and uttered with the demureness of a Quakeress. I still stood absolutely dumfoundered at what appeared to me her miraculous self-possession and most inscrutable hypocrisy, when the cook entered. "Mrs. Poole," said she, addressing Grace, "the servants' dinner will soon be ready: will you come down?" "No; just put my pint of porter and bit of pudding on a tray, and I'll carry it upstairs." "You'll have some meat?" "Just a morsel, and a taste of cheese, that's all." "And the sago?" "Never mind it at present: I shall be coming down before teatime: I'll make it myself." The cook here turned to me, saying that Mrs. Fairfax was waiting for me: so I departed. I hardly heard Mrs. Fairfax's account of the curtain conflagration during dinner, so much was I occupied in puzzling my brains over the enigmatical character of Grace Poole, and still more in pondering the problem of her position at Thornfield and questioning why she had not been given into custody that morning, or, at the very least, dismissed from her master's service. He had almost as much as declared his conviction of her criminality last night: what mysterious cause withheld him from accusing her? Why had he enjoined me, too, to secrecy? It was strange: a bold, vindictive, and haughty gentleman seemed somehow in the power of one of the meanest of his dependants; so much in her power, that even when she lifted her hand against his life, he dared not openly charge her with the attempt, much less punish her for it. Had Grace been young and handsome, I should have been tempted to think that tenderer feelings than prudence or fear influenced Mr. Rochester in her behalf; but, hard-favoured and matronly as she was, the idea could not be admitted. "Yet," I reflected, "she has been young once; her youth would be contemporary with her master's: Mrs. Fairfax told me once, she had lived here many years. I don't think she can ever have been pretty; but, for aught I know, she may possess originality and strength of character to compensate for the want of personal advantages. Mr. Rochester is an amateur of the decided and eccentric: Grace is eccentric at least. What if a former caprice (a freak very possible to a nature so sudden and headstrong as his) has delivered him into her power, and she now exercises over his actions a secret influence, the result of his own indiscretion, which he cannot shake off, and dare not disregard?" But, having reached this point of conjecture, Mrs. Poole's square, flat figure, and uncomely, dry, even coarse face, recurred so distinctly to my mind's eye, that I thought, "No; impossible! my supposition cannot be correct. Yet," suggested the secret voice which talks to us in our own hearts, "you are not beautiful either, and perhaps Mr. Rochester approves you: at any rate, you have often felt as if he did; and last night--remember his words; remember his look; remember his voice!" I well remembered all; language, glance, and tone seemed at the moment vividly renewed. I was now in the schoolroom; Adele was drawing; I bent over her and directed her pencil. She looked up with a sort of start. "Qu' avez-vous, mademoiselle?" said she. "Vos doigts tremblent comme la feuille, et vos joues sont rouges: mais, rouges comme des cerises!" "I am hot, Adele, with stooping!" She went on sketching; I went on thinking. I hastened to drive from my mind the hateful notion I had been conceiving respecting Grace Poole; it disgusted me. I compared myself with her, and found we were different. Bessie Leaven had said I was quite a lady; and she spoke truth--I was a lady. And now I looked much better than I did when Bessie saw me; I had more colour and more flesh, more life, more vivacity, because I had brighter hopes and keener enjoyments. "Evening approaches," said I, as I looked towards the window. "I have never heard Mr. Rochester's voice or step in the house to-day; but surely I shall see him before night: I feared the meeting in the morning; now I desire it, because expectation has been so long baffled that it is grown impatient." When dusk actually closed, and when Adele left me to go and play in the nursery with Sophie, I did most keenly desire it. I listened for the bell to ring below; I listened for Leah coming up with a message; I fancied sometimes I heard Mr. Rochester's own tread, and I turned to the door, expecting it to open and admit him. The door remained shut; darkness only came in through the window. Still it was not late; he often sent for me at seven and eight o'clock, and it was yet but six. Surely I should not be wholly disappointed to-night, when I had so many things to say to him! I wanted again to introduce the subject of Grace Poole, and to hear what he would answer; I wanted to ask him plainly if he really believed it was she who had made last night's hideous attempt; and if so, why he kept her wickedness a secret. It little mattered whether my curiosity irritated him; I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in, and a sure instinct always prevented me from going too far; beyond the verge of provocation I never ventured; on the extreme brink I liked well to try my skill. Retaining every minute form of respect, every propriety of my station, I could still meet him in argument without fear or uneasy restraint; this suited both him and me. A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax's room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester's presence. "You must want your tea," said the good lady, as I joined her; "you ate so little at dinner. I am afraid," she continued, "you are not well to- day: you look flushed and feverish." "Oh, quite well! I never felt better." "Then you must prove it by evincing a good appetite; will you fill the teapot while I knit off this needle?" Having completed her task, she rose to draw down the blind, which she had hitherto kept up, by way, I suppose, of making the most of daylight, though dusk was now fast deepening into total obscurity. "It is fair to-night," said she, as she looked through the panes, "though not starlight; Mr. Rochester has, on the whole, had a favourable day for his journey." "Journey!--Is Mr. Rochester gone anywhere? I did not know he was out." "Oh, he set off the moment he had breakfasted! He is gone to the Leas, Mr. Eshton's place, ten miles on the other side Millcote. I believe there is quite a party assembled there; Lord Ingram, Sir George Lynn, Colonel Dent, and others." "Do you expect him back to-night?" "No--nor to-morrow either; I should think he is very likely to stay a week or more: when these fine, fashionable people get together, they are so surrounded by elegance and gaiety, so well provided with all that can please and entertain, they are in no hurry to separate. Gentlemen especially are often in request on such occasions; and Mr. Rochester is so talented and so lively in society, that I believe he is a general favourite: the ladies are very fond of him; though you would not think his appearance calculated to recommend him particularly in their eyes: but I suppose his acquirements and abilities, perhaps his wealth and good blood, make amends for any little fault of look." "Are there ladies at the Leas?" "There are Mrs. Eshton and her three daughters--very elegant young ladies indeed; and there are the Honourable Blanche and Mary Ingram, most beautiful women, I suppose: indeed I have seen Blanche, six or seven years since, when she was a girl of eighteen. She came here to a Christmas ball and party Mr. Rochester gave. You should have seen the dining-room that day--how richly it was decorated, how brilliantly lit up! I should think there were fifty ladies and gentlemen present--all of the first county families; and Miss Ingram was considered the belle of the evening." "You saw her, you say, Mrs. Fairfax: what was she like?" "Yes, I saw her. The dining-room doors were thrown open; and, as it was Christmas-time, the servants were allowed to assemble in the hall, to hear some of the ladies sing and play. Mr. Rochester would have me to come in, and I sat down in a quiet corner and watched them. I never saw a more splendid scene: the ladies were magnificently dressed; most of them--at least most of the younger ones--looked handsome; but Miss Ingram was certainly the queen." "And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls." "She was greatly admired, of course?" "Yes, indeed: and not only for her beauty, but for her accomplishments. She was one of the ladies who sang: a gentleman accompanied her on the piano. She and Mr. Rochester sang a duet." "Mr. Rochester? I was not aware he could sing." "Oh! he has a fine bass voice, and an excellent taste for music." "And Miss Ingram: what sort of a voice had she?" "A very rich and powerful one: she sang delightfully; it was a treat to listen to her;--and she played afterwards. I am no judge of music, but Mr. Rochester is; and I heard him say her execution was remarkably good." "And this beautiful and accomplished lady, she is not yet married?" "It appears not: I fancy neither she nor her sister have very large fortunes. Old Lord Ingram's estates were chiefly entailed, and the eldest son came in for everything almost." "But I wonder no wealthy nobleman or gentleman has taken a fancy to her: Mr. Rochester, for instance. He is rich, is he not?" "Oh! yes. But you see there is a considerable difference in age: Mr. Rochester is nearly forty; she is but twenty-five." "What of that? More unequal matches are made every day." "True: yet I should scarcely fancy Mr. Rochester would entertain an idea of the sort. But you eat nothing: you have scarcely tasted since you began tea." "No: I am too thirsty to eat. Will you let me have another cup?" I was about again to revert to the probability of a union between Mr. Rochester and the beautiful Blanche; but Adele came in, and the conversation was turned into another channel. When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned at my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her own quiet way a plain, unvarnished tale, showing how I had rejected the real, and rabidly devoured the ideal;--I pronounced judgment to this effect:-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "_You_," I said, "a favourite with Mr. Rochester? _You_ gifted with the power of pleasing him? _You_ of importance to him in any way? Go! your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to a dependent and a novice. How dared you? Poor stupid dupe!--Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night?--Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and, if discovered and responded to, must lead, _ignis-fatuus_-like, into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: to-morrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.' "Whenever, in future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them: say, 'Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indigent and insignificant plebeian?'" "I'll do it," I resolved: and having framed this determination, I grew calm, and fell asleep. I kept my word. An hour or two sufficed to sketch my own portrait in crayons; and in less than a fortnight I had completed an ivory miniature of an imaginary Blanche Ingram. It looked a lovely face enough, and when compared with the real head in chalk, the contrast was as great as self- control could desire. I derived benefit from the task: it had kept my head and hands employed, and had given force and fixedness to the new impressions I wished to stamp indelibly on my heart. Ere long, I had reason to congratulate myself on the course of wholesome discipline to which I had thus forced my feelings to submit. Thanks to it, I was able to meet subsequent occurrences with a decent calm, which, had they found me unprepared, I should probably have been unequal to maintain, even externally.

volume 1, Chapter 16

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap15-16

The next day Jane is anxious to talk to Mr. Rochester about the night before. She is quite surprised when she sees Grace Poole in Rochester's room with another servant mending curtains. Jane questions Grace about what happened there the night before, putting her to a test, and Grace tells her that the master left a candle burning and it caught fire to his bed. Jane cannot believe that Grace is still there, and wonders what power she has over Rochester that he did not make her leave. That night Jane is sure Rochester will call for her, but when Mrs. Fairfax calls her to tea, she learns that Rochester had left for a journey that morning and will be gone a week or more. Mrs. Fairfax tells her that when these fine, fashionable people get together, they do not like to soon part company. Mrs. Fairfax then tells Jane about Miss Ingram, a beautiful, single woman that Rochester may have a fancy for. She says that it is not likely that Rochester will think of marrying her though, as he is almost forty, and Miss Ingram is but twenty-five. When Jane is at last alone and thinking of all that Mrs. Fairfax had told her, she thinks that she had been a fool to think that she had been a favorite of Mr. Rochester's. The next day she makes two drawings, one of herself with all her faults, and one of a beautiful woman as Mrs. Fairfax had described Miss Ingram. She decides that whenever she feels that Mr. Rochester may be taking a fancy to her, she will take out these pictures and compare them

novelguide

all_chapterized_books/1260-chapters/20.txt

finished_summaries/novelguide/Jane Eyre/section_9_part_1.txt

Jane Eyre.volume 2.chapter 19

chapter 19

{"name": "volume 2, Chapter 19", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap19-20", "summary": "Jane enters the room and tells the gypsy that she can tell her fortune, but that she has no faith. They talk for a while, and the gypsy tells Jane that she knows that she sits with the rest of the party every night, and asks if she studies one person more than the others. Jane says that she looks at them all. The gypsy tells Jane that it is hard to tell her fortune, as one trait contradicts another. Their talk continues, until the gypsy gets closer to the fire and Jane realizes that it is Rochester. Jane is surprised and tries to remember if she had said anything absurd. She feels that she had not, and Rochester says that she had been very careful and correct. He wants to know what the others had said about him. Jane tells him, and then mentions that Mr. Mason had arrived. Mr. Rochester's smile leaves him and he gets quite white, leaning on Jane. Rochester asks Jane what she would do if all of his friends suddenly turned on him, and she says that she would not leave, but would stay and comfort him. He tells her to go and get him a glass of wine and for her to lead Mason to him. Later, after she had been in bed awhile, she hears Rochester lead Mason to a room", "analysis": ""}

The library looked tranquil enough as I entered it, and the Sibyl--if Sibyl she were--was seated snugly enough in an easy-chair at the chimney- corner. She had on a red cloak and a black bonnet: or rather, a broad- brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph. I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy's appearance to trouble one's calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf- locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. "Well, and you want your fortune told?" she said, in a voice as decided as her glance, as harsh as her features. "I don't care about it, mother; you may please yourself: but I ought to warn you, I have no faith." "It's like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold." "Did you? You've a quick ear." "I have; and a quick eye and a quick brain." "You need them all in your trade." "I do; especially when I've customers like you to deal with. Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly." The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you." She again put her short black pipe to her lips, and renewed her smoking with vigour. "You might say all that to almost any one who you knew lived as a solitary dependent in a great house." "I might say it to almost any one: but would it be true of almost any one?" "In my circumstances." "Yes; just so, in _your_ circumstances: but find me another precisely placed as you are." "It would be easy to find you thousands." "You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results." "I don't understand enigmas. I never could guess a riddle in my life." "If you wish me to speak more plainly, show me your palm." "And I must cross it with silver, I suppose?" "To be sure." I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it. "It is too fine," said she. "I can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written there." "I believe you," said I. "No," she continued, "it is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head." "Ah! now you are coming to reality," I said, as I obeyed her. "I shall begin to put some faith in you presently." I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined. "I wonder with what feelings you came to me to-night," she said, when she had examined me a while. "I wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance." "I feel tired often, sleepy sometimes, but seldom sad." "Then you have some secret hope to buoy you up and please you with whispers of the future?" "Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself." "A mean nutriment for the spirit to exist on: and sitting in that window- seat (you see I know your habits )--" "You have learned them from the servants." "Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole--" I started to my feet when I heard the name. "You have--have you?" thought I; "there is diablerie in the business after all, then!" "Don't be alarmed," continued the strange being; "she's a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?" "I like to observe all the faces and all the figures." "But do you never single one from the rest--or it may be, two?" "I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them." "What tale do you like best to hear?" "Oh, I have not much choice! They generally run on the same theme--courtship; and promise to end in the same catastrophe--marriage." "And do you like that monotonous theme?" "Positively, I don't care about it: it is nothing to me." "Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you--" "I what?" "You know--and perhaps think well of." "I don't know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me." "You don't know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!" "He is not at home." "A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintance--blot him, as it were, out of existence?" "No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced." "I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester's eyes that they overflow like two cups filled above the brim: have you never remarked that?" "Mr. Rochester has a right to enjoy the society of his guests." "No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?" "The eagerness of a listener quickens the tongue of a narrator." I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse. "Eagerness of a listener!" repeated she: "yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?" "Grateful! I cannot remember detecting gratitude in his face." "Detecting! You have analysed, then. And what did you detect, if not gratitude?" I said nothing. "You have seen love: have you not?--and, looking forward, you have seen him married, and beheld his bride happy?" "Humph! Not exactly. Your witch's skill is rather at fault sometimes." "What the devil have you seen, then?" "Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?" "Yes; and to the beautiful Miss Ingram." "Shortly?" "Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,--he's dished--" "But, mother, I did not come to hear Mr. Rochester's fortune: I came to hear my own; and you have told me nothing of it." "Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." {She did not stoop towards me, but only gazed, leaning back in her chair: p190.jpg} I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,-- "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,--to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' "Well said, forehead; your declaration shall be respected. I have formed my plans--right plans I deem them--and in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution--such is not my taste. I wish to foster, not to blight--to earn gratitude, not to wring tears of blood--no, nor of brine: my harvest must be in smiles, in endearments, in sweet--That will do. I think I rave in a kind of exquisite delirium. I should wish now to protract this moment _ad infinitum_; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; the play is played out'." Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glass--as the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from me--on the contrary, the bonnet was doffed, the bandage displaced, the head advanced. "Well, Jane, do you know me?" asked the familiar voice. "Only take off the red cloak, sir, and then--" "But the string is in a knot--help me." "Break it, sir." "There, then--'Off, ye lendings!'" And Mr. Rochester stepped out of his disguise. "Now, sir, what a strange idea!" "But well carried out, eh? Don't you think so?" "With the ladies you must have managed well." "But not with you?" "You did not act the character of a gipsy with me." "What character did I act? My own?" "No; some unaccountable one. In short, I believe you have been trying to draw me out--or in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir." "Do you forgive me, Jane?" "I cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right." "Oh, you have been very correct--very careful, very sensible." I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole--that living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester. "Well," said he, "what are you musing about? What does that grave smile signify?" "Wonder and self-congratulation, sir. I have your permission to retire now, I suppose?" "No; stay a moment; and tell me what the people in the drawing-room yonder are doing." "Discussing the gipsy, I daresay." "Sit down!--Let me hear what they said about me." "I had better not stay long, sir; it must be near eleven o'clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?" "A stranger!--no; who can it be? I expected no one; is he gone?" "No; he said he had known you long, and that he could take the liberty of installing himself here till you returned." "The devil he did! Did he give his name?" "His name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think." Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath. "Mason!--the West Indies!" he said, in the tone one might fancy a speaking automaton to enounce its single words; "Mason!--the West Indies!" he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing. "Do you feel ill, sir?" I inquired. "Jane, I've got a blow; I've got a blow, Jane!" He staggered. "Oh, lean on me, sir." "Jane, you offered me your shoulder once before; let me have it now." "Yes, sir, yes; and my arm." He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look. "My little friend!" said he, "I wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me." "Can I help you, sir?--I'd give my life to serve you." "Jane, if aid is wanted, I'll seek it at your hands; I promise you that." "Thank you, sir. Tell me what to do,--I'll try, at least, to do it." "Fetch me now, Jane, a glass of wine from the dining-room: they will be at supper there; and tell me if Mason is with them, and what he is doing." I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,--the supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library. Mr. Rochester's extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand. "Here is to your health, ministrant spirit!" he said. He swallowed the contents and returned it to me. "What are they doing, Jane?" "Laughing and talking, sir." "They don't look grave and mysterious, as if they had heard something strange?" "Not at all: they are full of jests and gaiety." "And Mason?" "He was laughing too." "If all these people came in a body and spat at me, what would you do, Jane?" "Turn them out of the room, sir, if I could." He half smiled. "But if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?" "I rather think not, sir: I should have more pleasure in staying with you." "To comfort me?" "Yes, sir, to comfort you, as well as I could." "And if they laid you under a ban for adhering to me?" "I, probably, should know nothing about their ban; and if I did, I should care nothing about it." "Then, you could dare censure for my sake?" "I could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do." "Go back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me." "Yes, sir." I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs. At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester's voice, and heard him say, "This way, Mason; this is your room." He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.

volume 2, Chapter 19

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap19-20

Jane enters the room and tells the gypsy that she can tell her fortune, but that she has no faith. They talk for a while, and the gypsy tells Jane that she knows that she sits with the rest of the party every night, and asks if she studies one person more than the others. Jane says that she looks at them all. The gypsy tells Jane that it is hard to tell her fortune, as one trait contradicts another. Their talk continues, until the gypsy gets closer to the fire and Jane realizes that it is Rochester. Jane is surprised and tries to remember if she had said anything absurd. She feels that she had not, and Rochester says that she had been very careful and correct. He wants to know what the others had said about him. Jane tells him, and then mentions that Mr. Mason had arrived. Mr. Rochester's smile leaves him and he gets quite white, leaning on Jane. Rochester asks Jane what she would do if all of his friends suddenly turned on him, and she says that she would not leave, but would stay and comfort him. He tells her to go and get him a glass of wine and for her to lead Mason to him. Later, after she had been in bed awhile, she hears Rochester lead Mason to a room

novelguide

all_chapterized_books/1260-chapters/21.txt

finished_summaries/novelguide/Jane Eyre/section_9_part_2.txt

Jane Eyre.volume 2.chapter 20

chapter 20

{"name": "volume 2, Chapter 20", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap19-20", "summary": "In the middle of the night Jane hears a shrill cry from the end of the hall. It is coming from the third story, and she can hear someone yelling 'Help,' and calling for Rochester. She hears someone running and the noise stopping, but soon all of the guests are awake and wondering what is going on. Rochester returns from the end of the hall and tells everyone that one of the servants had had a bad dream. All go back to bed except Jane, who dresses and waits in case she should be called. A while later there is a tap at the door and Rochester asks her to come with a sponge and some smelling salts. He takes her to Mason, whose arm is bleeding, and tells her to stay with him, wipe his blood, and use the smelling salts to keep him awake while he runs for the surgeon. He warns each of them not to talk to the other at all. It seems like a long time, and Jane is scared that someone will come out of the third story for them, but finally Rochester returns. When the surgeon unwraps Mason's arm it is seen that there are bite marks there. Mason says that she had bit him, and Rochester says that he had told him to be careful and not to see her alone. The surgeon patches up Mason and they leave Thornfield. Jane and Rochester are then walking out to get some fresh air until the others awaken. Jane wonders to Rochester why he keeps Grace Poole there, as she thinks it is she that causes the trouble. He tells Jane not to worry about her. Rochester asks Jane to suppose hypothetically that there is a boy who causes a capital error, the results of which had been bad, and that he takes unusual measures to rid himself of the error. When the boy meets a new friend, is he justified in overleaping this obstacle. Should the man risk the world's opinion to attach himself to this other. Jane answers that it should not be the world's opinion that he is worried about, but that he should look higher than his equals for solace. The guests start rising, and Jane and Rochester leave the garden in different directions", "analysis": ""}

I had forgotten to draw my curtain, which I usually did, and also to let down my window-blind. The consequence was, that when the moon, which was full and bright (for the night was fine), came in her course to that space in the sky opposite my casement, and looked in at me through the unveiled panes, her glorious gaze roused me. Awaking in the dead of night, I opened my eyes on her disk--silver-white and crystal clear. It was beautiful, but too solemn; I half rose, and stretched my arm to draw the curtain. Good God! What a cry! The night--its silence--its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. It came out of the third storey; for it passed overhead. And overhead--yes, in the room just above my chamber-ceiling--I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted-- "Help! help! help!" three times rapidly. "Will no one come?" it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster:-- "Rochester! Rochester! for God's sake, come!" A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence. I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and "Oh! what is it?"--"Who is hurt?"--"What has happened?"--"Fetch a light!"--"Is it fire?"--"Are there robbers?"--"Where shall we run?" was demanded confusedly on all hands. But for the moonlight they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable. "Where the devil is Rochester?" cried Colonel Dent. "I cannot find him in his bed." "Here! here!" was shouted in return. "Be composed, all of you: I'm coming." And the door at the end of the gallery opened, and Mr. Rochester advanced with a candle: he had just descended from the upper storey. One of the ladies ran to him directly; she seized his arm: it was Miss Ingram. "What awful event has taken place?" said she. "Speak! let us know the worst at once!" "But don't pull me down or strangle me," he replied: for the Misses Eshton were clinging about him now; and the two dowagers, in vast white wrappers, were bearing down on him like ships in full sail. "All's right!--all's right!" he cried. "It's a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous." And dangerous he looked: his black eyes darted sparks. Calming himself by an effort, he added-- "A servant has had the nightmare; that is all. She's an excitable, nervous person: she construed her dream into an apparition, or something of that sort, no doubt; and has taken a fit with fright. Now, then, I must see you all back into your rooms; for, till the house is settled, she cannot be looked after. Gentlemen, have the goodness to set the ladies the example. Miss Ingram, I am sure you will not fail in evincing superiority to idle terrors. Amy and Louisa, return to your nests like a pair of doves, as you are. Mesdames" (to the dowagers), "you will take cold to a dead certainty, if you stay in this chill gallery any longer." And so, by dint of alternate coaxing and commanding, he contrived to get them all once more enclosed in their separate dormitories. I did not wait to be ordered back to mine, but retreated unnoticed, as unnoticed I had left it. Not, however, to go to bed: on the contrary, I began and dressed myself carefully. The sounds I had heard after the scream, and the words that had been uttered, had probably been heard only by me; for they had proceeded from the room above mine: but they assured me that it was not a servant's dream which had thus struck horror through the house; and that the explanation Mr. Rochester had given was merely an invention framed to pacify his guests. I dressed, then, to be ready for emergencies. When dressed, I sat a long time by the window looking out over the silent grounds and silvered fields and waiting for I knew not what. It seemed to me that some event must follow the strange cry, struggle, and call. No: stillness returned: each murmur and movement ceased gradually, and in about an hour Thornfield Hall was again as hushed as a desert. It seemed that sleep and night had resumed their empire. Meantime the moon declined: she was about to set. Not liking to sit in the cold and darkness, I thought I would lie down on my bed, dressed as I was. I left the window, and moved with little noise across the carpet; as I stooped to take off my shoes, a cautious hand tapped low at the door. "Am I wanted?" I asked. "Are you up?" asked the voice I expected to hear, viz., my master's. "Yes, sir." "And dressed?" "Yes." "Come out, then, quietly." I obeyed. Mr. Rochester stood in the gallery holding a light. "I want you," he said: "come this way: take your time, and make no noise." My slippers were thin: I could walk the matted floor as softly as a cat. He glided up the gallery and up the stairs, and stopped in the dark, low corridor of the fateful third storey: I had followed and stood at his side. "Have you a sponge in your room?" he asked in a whisper. "Yes, sir." "Have you any salts--volatile salts?" "Yes." "Go back and fetch both." I returned, sought the sponge on the washstand, the salts in my drawer, and once more retraced my steps. He still waited; he held a key in his hand: approaching one of the small, black doors, he put it in the lock; he paused, and addressed me again. "You don't turn sick at the sight of blood?" "I think I shall not: I have never been tried yet." I felt a thrill while I answered him; but no coldness, and no faintness. "Just give me your hand," he said: "it will not do to risk a fainting fit." I put my fingers into his. "Warm and steady," was his remark: he turned the key and opened the door. I saw a room I remembered to have seen before, the day Mrs. Fairfax showed me over the house: it was hung with tapestry; but the tapestry was now looped up in one part, and there was a door apparent, which had then been concealed. This door was open; a light shone out of the room within: I heard thence a snarling, snatching sound, almost like a dog quarrelling. Mr. Rochester, putting down his candle, said to me, "Wait a minute," and he went forward to the inner apartment. A shout of laughter greeted his entrance; noisy at first, and terminating in Grace Poole's own goblin ha! ha! _She_ then was there. He made some sort of arrangement without speaking, though I heard a low voice address him: he came out and closed the door behind him. "Here, Jane!" he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face--the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood. "Hold the candle," said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: "Hold that," said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down. "Is there immediate danger?" murmured Mr. Mason. "Pooh! No--a mere scratch. Don't be so overcome, man: bear up! I'll fetch a surgeon for you now, myself: you'll be able to be removed by morning, I hope. Jane," he continued. "Sir?" "I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext--and--Richard, it will be at the peril of your life if you speak to her: open your lips--agitate yourself--and I'll not answer for the consequences." Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, "Remember!--No conversation," he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard. Here then I was in the third storey, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes--that was appalling--the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me. I must keep to my post, however. I must watch this ghastly countenance--these blue, still lips forbidden to unclose--these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dulness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite--whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each enclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ. According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St. John's long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor--of Satan himself--in his subordinate's form. Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr. Rochester's visit it seemed spellbound: all the night I heard but three sounds at three long intervals,--a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan. Then my own thoughts worried me. What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?--what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey? And this man I bent over--this commonplace, quiet stranger--how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr. Rochester assign him an apartment below--what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr. Rochester enforced? Why _did_ Mr. Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr. Mason was submissive to Mr. Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition of the one had been habitually influenced by the active energy of the other: whence then had arisen Mr. Rochester's dismay when he heard of Mr. Mason's arrival? Why had the mere name of this unresisting individual--whom his word now sufficed to control like a child--fallen on him, a few hours since, as a thunderbolt might fall on an oak? Oh! I could not forget his look and his paleness when he whispered: "Jane, I have got a blow--I have got a blow, Jane." I could not forget how the arm had trembled which he rested on my shoulder: and it was no light matter which could thus bow the resolute spirit and thrill the vigorous frame of Fairfax Rochester. "When will he come? When will he come?" I cried inwardly, as the night lingered and lingered--as my bleeding patient drooped, moaned, sickened: and neither day nor aid arrived. I had, again and again, held the water to Mason's white lips; again and again offered him the stimulating salts: my efforts seemed ineffectual: either bodily or mental suffering, or loss of blood, or all three combined, were fast prostrating his strength. He moaned so, and looked so weak, wild, and lost, I feared he was dying; and I might not even speak to him. The candle, wasted at last, went out; as it expired, I perceived streaks of grey light edging the window curtains: dawn was then approaching. Presently I heard Pilot bark far below, out of his distant kennel in the courtyard: hope revived. Nor was it unwarranted: in five minutes more the grating key, the yielding lock, warned me my watch was relieved. It could not have lasted more than two hours: many a week has seemed shorter. Mr. Rochester entered, and with him the surgeon he had been to fetch. "Now, Carter, be on the alert," he said to this last: "I give you but half-an-hour for dressing the wound, fastening the bandages, getting the patient downstairs and all." "But is he fit to move, sir?" "No doubt of it; it is nothing serious; he is nervous, his spirits must be kept up. Come, set to work." Mr. Rochester drew back the thick curtain, drew up the holland blind, let in all the daylight he could; and I was surprised and cheered to see how far dawn was advanced: what rosy streaks were beginning to brighten the east. Then he approached Mason, whom the surgeon was already handling. "Now, my good fellow, how are you?" he asked. "She's done for me, I fear," was the faint reply. "Not a whit!--courage! This day fortnight you'll hardly be a pin the worse of it: you've lost a little blood; that's all. Carter, assure him there's no danger." "I can do that conscientiously," said Carter, who had now undone the bandages; "only I wish I could have got here sooner: he would not have bled so much--but how is this? The flesh on the shoulder is torn as well as cut. This wound was not done with a knife: there have been teeth here!" "She bit me," he murmured. "She worried me like a tigress, when Rochester got the knife from her." "You should not have yielded: you should have grappled with her at once," said Mr. Rochester. "But under such circumstances, what could one do?" returned Mason. "Oh, it was frightful!" he added, shuddering. "And I did not expect it: she looked so quiet at first." "I warned you," was his friend's answer; "I said--be on your guard when you go near her. Besides, you might have waited till to-morrow, and had me with you: it was mere folly to attempt the interview to-night, and alone." "I thought I could have done some good." "You thought! you thought! Yes, it makes me impatient to hear you: but, however, you have suffered, and are likely to suffer enough for not taking my advice; so I'll say no more. Carter--hurry!--hurry! The sun will soon rise, and I must have him off." "Directly, sir; the shoulder is just bandaged. I must look to this other wound in the arm: she has had her teeth here too, I think." "She sucked the blood: she said she'd drain my heart," said Mason. I saw Mr. Rochester shudder: a singularly marked expression of disgust, horror, hatred, warped his countenance almost to distortion; but he only said-- "Come, be silent, Richard, and never mind her gibberish: don't repeat it." "I wish I could forget it," was the answer. "You will when you are out of the country: when you get back to Spanish Town, you may think of her as dead and buried--or rather, you need not think of her at all." "Impossible to forget this night!" "It is not impossible: have some energy, man. You thought you were as dead as a herring two hours since, and you are all alive and talking now. There!--Carter has done with you or nearly so; I'll make you decent in a trice. Jane" (he turned to me for the first time since his re-entrance), "take this key: go down into my bedroom, and walk straight forward into my dressing-room: open the top drawer of the wardrobe and take out a clean shirt and neck-handkerchief: bring them here; and be nimble." I went; sought the repository he had mentioned, found the articles named, and returned with them. "Now," said he, "go to the other side of the bed while I order his toilet; but don't leave the room: you may be wanted again." I retired as directed. "Was anybody stirring below when you went down, Jane?" inquired Mr. Rochester presently. "No, sir; all was very still." "We shall get you off cannily, Dick: and it will be better, both for your sake, and for that of the poor creature in yonder. I have striven long to avoid exposure, and I should not like it to come at last. Here, Carter, help him on with his waist-coat. Where did you leave your furred cloak? You can't travel a mile without that, I know, in this damned cold climate. In your room?--Jane, run down to Mr. Mason's room,--the one next mine,--and fetch a cloak you will see there." Again I ran, and again returned, bearing an immense mantle lined and edged with fur. "Now, I've another errand for you," said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do. Now, Jane, trip on before us away to the backstairs; unbolt the side-passage door, and tell the driver of the post-chaise you will see in the yard--or just outside, for I told him not to drive his rattling wheels over the pavement--to be ready; we are coming: and, Jane, if any one is about, come to the foot of the stairs and hem." It was by this time half-past five, and the sun was on the point of rising; but I found the kitchen still dark and silent. The side-passage door was fastened; I opened it with as little noise as possible: all the yard was quiet; but the gates stood wide open, and there was a post-chaise, with horses ready harnessed, and driver seated on the box, stationed outside. I approached him, and said the gentlemen were coming; he nodded: then I looked carefully round and listened. The stillness of early morning slumbered everywhere; the curtains were yet drawn over the servants' chamber windows; little birds were just twittering in the blossom-blanched orchard trees, whose boughs drooped like white garlands over the wall enclosing one side of the yard; the carriage horses stamped from time to time in their closed stables: all else was still. The gentlemen now appeared. Mason, supported by Mr. Rochester and the surgeon, seemed to walk with tolerable ease: they assisted him into the chaise; Carter followed. "Take care of him," said Mr. Rochester to the latter, "and keep him at your house till he is quite well: I shall ride over in a day or two to see how he gets on. Richard, how is it with you?" "The fresh air revives me, Fairfax." "Leave the window open on his side, Carter; there is no wind--good-bye, Dick." "Fairfax--" "Well what is it?" "Let her be taken care of; let her be treated as tenderly as may be: let her--" he stopped and burst into tears. "I do my best; and have done it, and will do it," was the answer: he shut up the chaise door, and the vehicle drove away. "Yet would to God there was an end of all this!" added Mr. Rochester, as he closed and barred the heavy yard-gates. This done, he moved with slow step and abstracted air towards a door in the wall bordering the orchard. I, supposing he had done with me, prepared to return to the house; again, however, I heard him call "Jane!" He had opened the portal and stood at it, waiting for me. "Come where there is some freshness, for a few moments," he said; "that house is a mere dungeon: don't you feel it so?" "It seems to me a splendid mansion, sir." "The glamour of inexperience is over your eyes," he answered; "and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark. Now _here_" (he pointed to the leafy enclosure we had entered) "all is real, sweet, and pure." He strayed down a walk edged with box, with apple trees, pear trees, and cherry trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies, mingled with southernwood, sweet-briar, and various fragrant herbs. They were fresh now as a succession of April showers and gleams, followed by a lovely spring morning, could make them: the sun was just entering the dappled east, and his light illumined the wreathed and dewy orchard trees and shone down the quiet walks under them. "Jane, will you have a flower?" He gathered a half-blown rose, the first on the bush, and offered it to me. "Thank you, sir." "Do you like this sunrise, Jane? That sky with its high and light clouds which are sure to melt away as the day waxes warm--this placid and balmly atmosphere?" "I do, very much." "You have passed a strange night, Jane." "Yes, sir." "And it has made you look pale--were you afraid when I left you alone with Mason?" "I was afraid of some one coming out of the inner room." "But I had fastened the door--I had the key in my pocket: I should have been a careless shepherd if I had left a lamb--my pet lamb--so near a wolf's den, unguarded: you were safe." "Will Grace Poole live here still, sir?" "Oh yes! don't trouble your head about her--put the thing out of your thoughts." "Yet it seems to me your life is hardly secure while she stays." "Never fear--I will take care of myself." "Is the danger you apprehended last night gone by now, sir?" "I cannot vouch for that till Mason is out of England: nor even then. To live, for me, Jane, is to stand on a crater-crust which may crack and spue fire any day." "But Mr. Mason seems a man easily led. Your influence, sir, is evidently potent with him: he will never set you at defiance or wilfully injure you." "Oh, no! Mason will not defy me; nor, knowing it, will he hurt me--but, unintentionally, he might in a moment, by one careless word, deprive me, if not of life, yet for ever of happiness." "Tell him to be cautious, sir: let him know what you fear, and show him how to avert the danger." He laughed sardonically, hastily took my hand, and as hastily threw it from him. "If I could do that, simpleton, where would the danger be? Annihilated in a moment. Ever since I have known Mason, I have only had to say to him 'Do that,' and the thing has been done. But I cannot give him orders in this case: I cannot say 'Beware of harming me, Richard;' for it is imperative that I should keep him ignorant that harm to me is possible. Now you look puzzled; and I will puzzle you further. You are my little friend, are you not?" "I like to serve you, sir, and to obey you in all that is right." "Precisely: I see you do. I see genuine contentment in your gait and mien, your eye and face, when you are helping me and pleasing me--working for me, and with me, in, as you characteristically say, '_all that is right_:' for if I bid you do what you thought wrong, there would be no light-footed running, no neat-handed alacrity, no lively glance and animated complexion. My friend would then turn to me, quiet and pale, and would say, 'No, sir; that is impossible: I cannot do it, because it is wrong;' and would become immutable as a fixed star. Well, you too have power over me, and may injure me: yet I dare not show you where I am vulnerable, lest, faithful and friendly as you are, you should transfix me at once." "If you have no more to fear from Mr. Mason than you have from me, sir, you are very safe." "God grant it may be so! Here, Jane, is an arbour; sit down." The arbour was an arch in the wall, lined with ivy; it contained a rustic seat. Mr. Rochester took it, leaving room, however, for me: but I stood before him. "Sit," he said; "the bench is long enough for two. You don't hesitate to take a place at my side, do you? Is that wrong, Jane?" I answered him by assuming it: to refuse would, I felt, have been unwise. "Now, my little friend, while the sun drinks the dew--while all the flowers in this old garden awake and expand, and the birds fetch their young ones' breakfast out of the Thornfield, and the early bees do their first spell of work--I'll put a case to you, which you must endeavour to suppose your own: but first, look at me, and tell me you are at ease, and not fearing that I err in detaining you, or that you err in staying." "No, sir; I am content." "Well then, Jane, call to aid your fancy:--suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your existence. Mind, I don't say a _crime_; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is _error_. The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor culpable. Still you are miserable; for hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of setting. Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure--I mean in heartless, sensual pleasure--such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance--how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates: you feel better days come back--higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in overleaping an obstacle of custom--a mere conventional impediment which neither your conscience sanctifies nor your judgment approves?" He paused for an answer: and what was I to say? Oh, for some good spirit to suggest a judicious and satisfactory response! Vain aspiration! The west wind whispered in the ivy round me; but no gentle Ariel borrowed its breath as a medium of speech: the birds sang in the tree-tops; but their song, however sweet, was inarticulate. Again Mr. Rochester propounded his query: "Is the wandering and sinful, but now rest-seeking and repentant, man justified in daring the world's opinion, in order to attach to him for ever this gentle, gracious, genial stranger, thereby securing his own peace of mind and regeneration of life?" "Sir," I answered, "a wanderer's repose or a sinner's reformation should never depend on a fellow-creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal." "But the instrument--the instrument! God, who does the work, ordains the instrument. I have myself--I tell it you without parable--been a worldly, dissipated, restless man; and I believe I have found the instrument for my cure in--" He paused: the birds went on carolling, the leaves lightly rustling. I almost wondered they did not check their songs and whispers to catch the suspended revelation; but they would have had to wait many minutes--so long was the silence protracted. At last I looked up at the tardy speaker: he was looking eagerly at me. "Little friend," said he, in quite a changed tone--while his face changed too, losing all its softness and gravity, and becoming harsh and sarcastic--"you have noticed my tender penchant for Miss Ingram: don't you think if I married her she would regenerate me with a vengeance?" He got up instantly, went quite to the other end of the walk, and when he came back he was humming a tune. "Jane, Jane," said he, stopping before me, "you are quite pale with your vigils: don't you curse me for disturbing your rest?" "Curse you? No, sir." "Shake hands in confirmation of the word. What cold fingers! They were warmer last night when I touched them at the door of the mysterious chamber. Jane, when will you watch with me again?" "Whenever I can be useful, sir." "For instance, the night before I am married! I am sure I shall not be able to sleep. Will you promise to sit up with me to bear me company? To you I can talk of my lovely one: for now you have seen her and know her." "Yes, sir." "She's a rare one, is she not, Jane?" "Yes, sir." "A strapper--a real strapper, Jane: big, brown, and buxom; with hair just such as the ladies of Carthage must have had. Bless me! there's Dent and Lynn in the stables! Go in by the shrubbery, through that wicket." As I went one way, he went another, and I heard him in the yard, saying cheerfully-- "Mason got the start of you all this morning; he was gone before sunrise: I rose at four to see him off."

volume 2, Chapter 20

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap19-20

In the middle of the night Jane hears a shrill cry from the end of the hall. It is coming from the third story, and she can hear someone yelling 'Help,' and calling for Rochester. She hears someone running and the noise stopping, but soon all of the guests are awake and wondering what is going on. Rochester returns from the end of the hall and tells everyone that one of the servants had had a bad dream. All go back to bed except Jane, who dresses and waits in case she should be called. A while later there is a tap at the door and Rochester asks her to come with a sponge and some smelling salts. He takes her to Mason, whose arm is bleeding, and tells her to stay with him, wipe his blood, and use the smelling salts to keep him awake while he runs for the surgeon. He warns each of them not to talk to the other at all. It seems like a long time, and Jane is scared that someone will come out of the third story for them, but finally Rochester returns. When the surgeon unwraps Mason's arm it is seen that there are bite marks there. Mason says that she had bit him, and Rochester says that he had told him to be careful and not to see her alone. The surgeon patches up Mason and they leave Thornfield. Jane and Rochester are then walking out to get some fresh air until the others awaken. Jane wonders to Rochester why he keeps Grace Poole there, as she thinks it is she that causes the trouble. He tells Jane not to worry about her. Rochester asks Jane to suppose hypothetically that there is a boy who causes a capital error, the results of which had been bad, and that he takes unusual measures to rid himself of the error. When the boy meets a new friend, is he justified in overleaping this obstacle. Should the man risk the world's opinion to attach himself to this other. Jane answers that it should not be the world's opinion that he is worried about, but that he should look higher than his equals for solace. The guests start rising, and Jane and Rochester leave the garden in different directions

novelguide

all_chapterized_books/1260-chapters/23.txt

finished_summaries/novelguide/Jane Eyre/section_10_part_2.txt

Jane Eyre.volume 2.chapter 22

chapter 22

{"name": "volume 2, Chapter 22", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap21-22", "summary": "Mr. Rochester had asked Jane to be gone only a week, but already she had been gone more than a month when she finally begins her return to Thornfield. She has heard from Mrs. Fairfax that the party at Thornfield had dispersed and that Mr. Rochester had gone to London for a few weeks to buy a new carriage in preparation for his upcoming marriage. Jane does not tell Mrs. Fairfax the exact date of her arrival home, as she wants to walk to Thornfield. As she nears the Hall, she sees Rochester writing in a book and he calls to her. Rochester shows Jane the carriage and walks with her to the Hall. Adele and Mrs. Fairfax are happy to see Jane, but Jane is full of grief at the upcoming separation when Rochester marries. A fortnight passes with calm, and while Jane notices that Rochester never goes to see Miss Ingram, she writes that he had never called her more frequently to him and had never been nicer to her", "analysis": ""}

Mr. Rochester had given me but one week's leave of absence: yet a month elapsed before I quitted Gateshead. I wished to leave immediately after the funeral, but Georgiana entreated me to stay till she could get off to London, whither she was now at last invited by her uncle, Mr. Gibson, who had come down to direct his sister's interment and settle the family affairs. Georgiana said she dreaded being left alone with Eliza; from her she got neither sympathy in her dejection, support in her fears, nor aid in her preparations; so I bore with her feeble-minded wailings and selfish lamentations as well as I could, and did my best in sewing for her and packing her dresses. It is true, that while I worked, she would idle; and I thought to myself, "If you and I were destined to live always together, cousin, we would commence matters on a different footing. I should not settle tamely down into being the forbearing party; I should assign you your share of labour, and compel you to accomplish it, or else it should be left undone: I should insist, also, on your keeping some of those drawling, half-insincere complaints hushed in your own breast. It is only because our connection happens to be very transitory, and comes at a peculiarly mournful season, that I consent thus to render it so patient and compliant on my part." At last I saw Georgiana off; but now it was Eliza's turn to request me to stay another week. Her plans required all her time and attention, she said; she was about to depart for some unknown bourne; and all day long she stayed in her own room, her door bolted within, filling trunks, emptying drawers, burning papers, and holding no communication with any one. She wished me to look after the house, to see callers, and answer notes of condolence. One morning she told me I was at liberty. "And," she added, "I am obliged to you for your valuable services and discreet conduct! There is some difference between living with such an one as you and with Georgiana: you perform your own part in life and burden no one. To-morrow," she continued, "I set out for the Continent. I shall take up my abode in a religious house near Lisle--a nunnery you would call it; there I shall be quiet and unmolested. I shall devote myself for a time to the examination of the Roman Catholic dogmas, and to a careful study of the workings of their system: if I find it to be, as I half suspect it is, the one best calculated to ensure the doing of all things decently and in order, I shall embrace the tenets of Rome and probably take the veil." I neither expressed surprise at this resolution nor attempted to dissuade her from it. "The vocation will fit you to a hair," I thought: "much good may it do you!" When we parted, she said: "Good-bye, cousin Jane Eyre; I wish you well: you have some sense." I then returned: "You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent. However, it is not my business, and so it suits you, I don't much care." "You are in the right," said she; and with these words we each went our separate way. As I shall not have occasion to refer either to her or her sister again, I may as well mention here, that Georgiana made an advantageous match with a wealthy worn-out man of fashion, and that Eliza actually took the veil, and is at this day superior of the convent where she passed the period of her novitiate, and which she endowed with her fortune. How people feel when they are returning home from an absence, long or short, I did not know: I had never experienced the sensation. I had known what it was to come back to Gateshead when a child after a long walk, to be scolded for looking cold or gloomy; and later, what it was to come back from church to Lowood, to long for a plenteous meal and a good fire, and to be unable to get either. Neither of these returnings was very pleasant or desirable: no magnet drew me to a given point, increasing in its strength of attraction the nearer I came. The return to Thornfield was yet to be tried. My journey seemed tedious--very tedious: fifty miles one day, a night spent at an inn; fifty miles the next day. During the first twelve hours I thought of Mrs. Reed in her last moments; I saw her disfigured and discoloured face, and heard her strangely altered voice. I mused on the funeral day, the coffin, the hearse, the black train of tenants and servants--few was the number of relatives--the gaping vault, the silent church, the solemn service. Then I thought of Eliza and Georgiana; I beheld one the cynosure of a ball-room, the other the inmate of a convent cell; and I dwelt on and analysed their separate peculiarities of person and character. The evening arrival at the great town of--scattered these thoughts; night gave them quite another turn: laid down on my traveller's bed, I left reminiscence for anticipation. I was going back to Thornfield: but how long was I to stay there? Not long; of that I was sure. I had heard from Mrs. Fairfax in the interim of my absence: the party at the hall was dispersed; Mr. Rochester had left for London three weeks ago, but he was then expected to return in a fortnight. Mrs. Fairfax surmised that he was gone to make arrangements for his wedding, as he had talked of purchasing a new carriage: she said the idea of his marrying Miss Ingram still seemed strange to her; but from what everybody said, and from what she had herself seen, she could no longer doubt that the event would shortly take place. "You would be strangely incredulous if you did doubt it," was my mental comment. "I don't doubt it." The question followed, "Where was I to go?" I dreamt of Miss Ingram all the night: in a vivid morning dream I saw her closing the gates of Thornfield against me and pointing me out another road; and Mr. Rochester looked on with his arms folded--smiling sardonically, as it seemed, at both her and me. I had not notified to Mrs. Fairfax the exact day of my return; for I did not wish either car or carriage to meet me at Millcote. I proposed to walk the distance quietly by myself; and very quietly, after leaving my box in the ostler's care, did I slip away from the George Inn, about six o'clock of a June evening, and take the old road to Thornfield: a road which lay chiefly through fields, and was now little frequented. It was not a bright or splendid summer evening, though fair and soft: the haymakers were at work all along the road; and the sky, though far from cloudless, was such as promised well for the future: its blue--where blue was visible--was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it--it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness. I felt glad as the road shortened before me: so glad that I stopped once to ask myself what that joy meant: and to remind reason that it was not to my home I was going, or to a permanent resting-place, or to a place where fond friends looked out for me and waited my arrival. "Mrs. Fairfax will smile you a calm welcome, to be sure," said I; "and little Adele will clap her hands and jump to see you: but you know very well you are thinking of another than they, and that he is not thinking of you." But what is so headstrong as youth? What so blind as inexperience? These affirmed that it was pleasure enough to have the privilege of again looking on Mr. Rochester, whether he looked on me or not; and they added--"Hasten! hasten! be with him while you may: but a few more days or weeks, at most, and you are parted from him for ever!" And then I strangled a new-born agony--a deformed thing which I could not persuade myself to own and rear--and ran on. They are making hay, too, in Thornfield meadows: or rather, the labourers are just quitting their work, and returning home with their rakes on their shoulders, now, at the hour I arrive. I have but a field or two to traverse, and then I shall cross the road and reach the gates. How full the hedges are of roses! But I have no time to gather any; I want to be at the house. I passed a tall briar, shooting leafy and flowery branches across the path; I see the narrow stile with stone steps; and I see--Mr. Rochester sitting there, a book and a pencil in his hand; he is writing. Well, he is not a ghost; yet every nerve I have is unstrung: for a moment I am beyond my own mastery. What does it mean? I did not think I should tremble in this way when I saw him, or lose my voice or the power of motion in his presence. I will go back as soon as I can stir: I need not make an absolute fool of myself. I know another way to the house. It does not signify if I knew twenty ways; for he has seen me. "Hillo!" he cries; and he puts up his book and his pencil. "There you are! Come on, if you please." I suppose I do come on; though in what fashion I know not; being scarcely cognisant of my movements, and solicitous only to appear calm; and, above all, to control the working muscles of my face--which I feel rebel insolently against my will, and struggle to express what I had resolved to conceal. But I have a veil--it is down: I may make shift yet to behave with decent composure. "And this is Jane Eyre? Are you coming from Millcote, and on foot? Yes--just one of your tricks: not to send for a carriage, and come clattering over street and road like a common mortal, but to steal into the vicinage of your home along with twilight, just as if you were a dream or a shade. What the deuce have you done with yourself this last month?" "I have been with my aunt, sir, who is dead." "A true Janian reply! Good angels be my guard! She comes from the other world--from the abode of people who are dead; and tells me so when she meets me alone here in the gloaming! If I dared, I'd touch you, to see if you are substance or shadow, you elf!--but I'd as soon offer to take hold of a blue _ignis fatuus_ light in a marsh. Truant! truant!" he added, when he had paused an instant. "Absent from me a whole month, and forgetting me quite, I'll be sworn!" I knew there would be pleasure in meeting my master again, even though broken by the fear that he was so soon to cease to be my master, and by the knowledge that I was nothing to him: but there was ever in Mr. Rochester (so at least I thought) such a wealth of the power of communicating happiness, that to taste but of the crumbs he scattered to stray and stranger birds like me, was to feast genially. His last words were balm: they seemed to imply that it imported something to him whether I forgot him or not. And he had spoken of Thornfield as my home--would that it were my home! He did not leave the stile, and I hardly liked to ask to go by. I inquired soon if he had not been to London. "Yes; I suppose you found that out by second-sight." "Mrs. Fairfax told me in a letter." "And did she inform you what I went to do?" "Oh, yes, sir! Everybody knew your errand." "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly; and whether she won't look like Queen Boadicea, leaning back against those purple cushions. I wish, Jane, I were a trifle better adapted to match with her externally. Tell me now, fairy as you are--can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feeling--he shed it over me now. "Pass, Janet," said he, making room for me to cross the stile: "go up home, and stay your weary little wandering feet at a friend's threshold." All I had now to do was to obey him in silence: no need for me to colloquise further. I got over the stile without a word, and meant to leave him calmly. An impulse held me fast--a force turned me round. I said--or something in me said for me, and in spite of me-- "Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home--my only home." I walked on so fast that even he could hardly have overtaken me had he tried. Little Adele was half wild with delight when she saw me. Mrs. Fairfax received me with her usual plain friendliness. Leah smiled, and even Sophie bid me "bon soir" with glee. This was very pleasant; there is no happiness like that of being loved by your fellow-creatures, and feeling that your presence is an addition to their comfort. I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adele, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable--when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adele was "prete a croquer sa petite maman Anglaise"--I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence. A fortnight of dubious calm succeeded my return to Thornfield Hall. Nothing was said of the master's marriage, and I saw no preparation going on for such an event. Almost every day I asked Mrs. Fairfax if she had yet heard anything decided: her answer was always in the negative. Once she said she had actually put the question to Mr. Rochester as to when he was going to bring his bride home; but he had answered her only by a joke and one of his queer looks, and she could not tell what to make of him. One thing specially surprised me, and that was, there were no journeyings backward and forward, no visits to Ingram Park: to be sure it was twenty miles off, on the borders of another county; but what was that distance to an ardent lover? To so practised and indefatigable a horseman as Mr. Rochester, it would be but a morning's ride. I began to cherish hopes I had no right to conceive: that the match was broken off; that rumour had been mistaken; that one or both parties had changed their minds. I used to look at my master's face to see if it were sad or fierce; but I could not remember the time when it had been so uniformly clear of clouds or evil feelings. If, in the moments I and my pupil spent with him, I lacked spirits and sank into inevitable dejection, he became even gay. Never had he called me more frequently to his presence; never been kinder to me when there--and, alas! never had I loved him so well.

volume 2, Chapter 22

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap21-22

Mr. Rochester had asked Jane to be gone only a week, but already she had been gone more than a month when she finally begins her return to Thornfield. She has heard from Mrs. Fairfax that the party at Thornfield had dispersed and that Mr. Rochester had gone to London for a few weeks to buy a new carriage in preparation for his upcoming marriage. Jane does not tell Mrs. Fairfax the exact date of her arrival home, as she wants to walk to Thornfield. As she nears the Hall, she sees Rochester writing in a book and he calls to her. Rochester shows Jane the carriage and walks with her to the Hall. Adele and Mrs. Fairfax are happy to see Jane, but Jane is full of grief at the upcoming separation when Rochester marries. A fortnight passes with calm, and while Jane notices that Rochester never goes to see Miss Ingram, she writes that he had never called her more frequently to him and had never been nicer to her

novelguide

all_chapterized_books/1260-chapters/24.txt

finished_summaries/novelguide/Jane Eyre/section_11_part_1.txt

Jane Eyre.volume 2.chapter 23

chapter 23

{"name": "volume 2, Chapter 23", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap23-24", "summary": "One evening while Jane is walking in the park she meets Rochester. He asks Jane if she will be sorry to leave Thornfield. She says that she will, and Rochester tells her that he must give her notice. He tells her that he has found her a position with a Mrs. Dionysius O'Gall in Ireland. Jane says that she will be sorry to be so far from Thornfield and from Rochester himself. They talk more about Jane's sorrow at leaving until Rochester swears that she must stay and gathers her to him and kisses her. He then offers her his hand in marriage. Jane is not sure what to think, as she believes he is playing a game with her, but he finally convinces her he is true, and she accepts. Mrs. Fairfax is surprised to see them embrace when they return to the house", "analysis": ""}

A splendid Midsummer shone over England: skies so pure, suns so radiant as were then seen in long succession, seldom favour even singly, our wave- girt land. It was as if a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between. On Midsummer-eve, Adele, weary with gathering wild strawberries in Hay Lane half the day, had gone to bed with the sun. I watched her drop asleep, and when I left her, I sought the garden. It was now the sweetest hour of the twenty-four:--"Day its fervid fires had wasted," and dew fell cool on panting plain and scorched summit. Where the sun had gone down in simple state--pure of the pomp of clouds--spread a solemn purple, burning with the light of red jewel and furnace flame at one point, on one hill-peak, and extending high and wide, soft and still softer, over half heaven. The east had its own charm or fine deep blue, and its own modest gem, a casino and solitary star: soon it would boast the moon; but she was yet beneath the horizon. I walked a while on the pavement; but a subtle, well-known scent--that of a cigar--stole from some window; I saw the library casement open a handbreadth; I knew I might be watched thence; so I went apart into the orchard. No nook in the grounds more sheltered and more Eden-like; it was full of trees, it bloomed with flowers: a very high wall shut it out from the court, on one side; on the other, a beech avenue screened it from the lawn. At the bottom was a sunk fence; its sole separation from lonely fields: a winding walk, bordered with laurels and terminating in a giant horse-chestnut, circled at the base by a seat, led down to the fence. Here one could wander unseen. While such honey-dew fell, such silence reigned, such gloaming gathered, I felt as if I could haunt such shade for ever; but in threading the flower and fruit parterres at the upper part of the enclosure, enticed there by the light the now rising moon cast on this more open quarter, my step is stayed--not by sound, not by sight, but once more by a warning fragrance. Sweet-briar and southernwood, jasmine, pink, and rose have long been yielding their evening sacrifice of incense: this new scent is neither of shrub nor flower; it is--I know it well--it is Mr. Rochester's cigar. I look round and I listen. I see trees laden with ripening fruit. I hear a nightingale warbling in a wood half a mile off; no moving form is visible, no coming step audible; but that perfume increases: I must flee. I make for the wicket leading to the shrubbery, and I see Mr. Rochester entering. I step aside into the ivy recess; he will not stay long: he will soon return whence he came, and if I sit still he will never see me. But no--eventide is as pleasant to him as to me, and this antique garden as attractive; and he strolls on, now lifting the gooseberry-tree branches to look at the fruit, large as plums, with which they are laden; now taking a ripe cherry from the wall; now stooping towards a knot of flowers, either to inhale their fragrance or to admire the dew-beads on their petals. A great moth goes humming by me; it alights on a plant at Mr. Rochester's foot: he sees it, and bends to examine it. "Now, he has his back towards me," thought I, "and he is occupied too; perhaps, if I walk softly, I can slip away unnoticed." I trode on an edging of turf that the crackle of the pebbly gravel might not betray me: he was standing among the beds at a yard or two distant from where I had to pass; the moth apparently engaged him. "I shall get by very well," I meditated. As I crossed his shadow, thrown long over the garden by the moon, not yet risen high, he said quietly, without turning-- "Jane, come and look at this fellow." I had made no noise: he had not eyes behind--could his shadow feel? I started at first, and then I approached him. "Look at his wings," said he, "he reminds me rather of a West Indian insect; one does not often see so large and gay a night-rover in England; there! he is flown." The moth roamed away. I was sheepishly retreating also; but Mr. Rochester followed me, and when we reached the wicket, he said-- "Turn back: on so lovely a night it is a shame to sit in the house; and surely no one can wish to go to bed while sunset is thus at meeting with moonrise." It is one of my faults, that though my tongue is sometimes prompt enough at an answer, there are times when it sadly fails me in framing an excuse; and always the lapse occurs at some crisis, when a facile word or plausible pretext is specially wanted to get me out of painful embarrassment. I did not like to walk at this hour alone with Mr. Rochester in the shadowy orchard; but I could not find a reason to allege for leaving him. I followed with lagging step, and thoughts busily bent on discovering a means of extrication; but he himself looked so composed and so grave also, I became ashamed of feeling any confusion: the evil--if evil existent or prospective there was--seemed to lie with me only; his mind was unconscious and quiet. "Jane," he recommenced, as we entered the laurel walk, and slowly strayed down in the direction of the sunk fence and the horse-chestnut, "Thornfield is a pleasant place in summer, is it not?" "Yes, sir." "You must have become in some degree attached to the house,--you, who have an eye for natural beauties, and a good deal of the organ of Adhesiveness?" "I am attached to it, indeed." "And though I don't comprehend how it is, I perceive you have acquired a degree of regard for that foolish little child Adele, too; and even for simple dame Fairfax?" "Yes, sir; in different ways, I have an affection for both." "And would be sorry to part with them?" "Yes." "Pity!" he said, and sighed and paused. "It is always the way of events in this life," he continued presently: "no sooner have you got settled in a pleasant resting-place, than a voice calls out to you to rise and move on, for the hour of repose is expired." "Must I move on, sir?" I asked. "Must I leave Thornfield?" "I believe you must, Jane. I am sorry, Janet, but I believe indeed you must." This was a blow: but I did not let it prostrate me. "Well, sir, I shall be ready when the order to march comes." "It is come now--I must give it to-night." "Then you _are_ going to be married, sir?" "Ex-act-ly--pre-cise-ly: with your usual acuteness, you have hit the nail straight on the head." "Soon, sir?" "Very soon, my--that is, Miss Eyre: and you'll remember, Jane, the first time I, or Rumour, plainly intimated to you that it was my intention to put my old bachelor's neck into the sacred noose, to enter into the holy estate of matrimony--to take Miss Ingram to my bosom, in short (she's an extensive armful: but that's not to the point--one can't have too much of such a very excellent thing as my beautiful Blanche): well, as I was saying--listen to me, Jane! You're not turning your head to look after more moths, are you? That was only a lady-clock, child, 'flying away home.' I wish to remind you that it was you who first said to me, with that discretion I respect in you--with that foresight, prudence, and humility which befit your responsible and dependent position--that in case I married Miss Ingram, both you and little Adele had better trot forthwith. I pass over the sort of slur conveyed in this suggestion on the character of my beloved; indeed, when you are far away, Janet, I'll try to forget it: I shall notice only its wisdom; which is such that I have made it my law of action. Adele must go to school; and you, Miss Eyre, must get a new situation." "Yes, sir, I will advertise immediately: and meantime, I suppose--" I was going to say, "I suppose I may stay here, till I find another shelter to betake myself to:" but I stopped, feeling it would not do to risk a long sentence, for my voice was not quite under command. "In about a month I hope to be a bridegroom," continued Mr. Rochester; "and in the interim, I shall myself look out for employment and an asylum for you." "Thank you, sir; I am sorry to give--" "Oh, no need to apologise! I consider that when a dependent does her duty as well as you have done yours, she has a sort of claim upon her employer for any little assistance he can conveniently render her; indeed I have already, through my future mother-in-law, heard of a place that I think will suit: it is to undertake the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge, Connaught, Ireland. You'll like Ireland, I think: they're such warm-hearted people there, they say." "It is a long way off, sir." "No matter--a girl of your sense will not object to the voyage or the distance." "Not the voyage, but the distance: and then the sea is a barrier--" "From what, Jane?" "From England and from Thornfield: and--" "Well?" "From _you_, sir." I said this almost involuntarily, and, with as little sanction of free will, my tears gushed out. I did not cry so as to be heard, however; I avoided sobbing. The thought of Mrs. O'Gall and Bitternutt Lodge struck cold to my heart; and colder the thought of all the brine and foam, destined, as it seemed, to rush between me and the master at whose side I now walked, and coldest the remembrance of the wider ocean--wealth, caste, custom intervened between me and what I naturally and inevitably loved. "It is a long way," I again said. "It is, to be sure; and when you get to Bitternutt Lodge, Connaught, Ireland, I shall never see you again, Jane: that's morally certain. I never go over to Ireland, not having myself much of a fancy for the country. We have been good friends, Jane; have we not?" "Yes, sir." "And when friends are on the eve of separation, they like to spend the little time that remains to them close to each other. Come! we'll talk over the voyage and the parting quietly half-an-hour or so, while the stars enter into their shining life up in heaven yonder: here is the chestnut tree: here is the bench at its old roots. Come, we will sit there in peace to-night, though we should never more be destined to sit there together." He seated me and himself. "It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because," he said, "I sometimes have a queer feeling with regard to you--especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you,--you'd forget me." "That I _never_ should, sir: you know--" Impossible to proceed. "Jane, do you hear that nightingale singing in the wood? Listen!" In listening, I sobbed convulsively; for I could repress what I endured no longer; I was obliged to yield, and I was shaken from head to foot with acute distress. When I did speak, it was only to express an impetuous wish that I had never been born, or never come to Thornfield. "Because you are sorry to leave it?" The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway, and asserting a right to predominate, to overcome, to live, rise, and reign at last: yes,--and to speak. "I grieve to leave Thornfield: I love Thornfield:--I love it, because I have lived in it a full and delightful life,--momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic and high. I have talked, face to face, with what I reverence, with what I delight in,--with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death." "Where do you see the necessity?" he asked suddenly. "Where? You, sir, have placed it before me." "In what shape?" "In the shape of Miss Ingram; a noble and beautiful woman,--your bride." "My bride! What bride? I have no bride!" "But you will have." "Yes;--I will!--I will!" He set his teeth. "Then I must go:--you have said it yourself." "No: you must stay! I swear it--and the oath shall be kept." "I tell you I must go!" I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!--I have as much soul as you,--and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!" "As we are!" repeated Mr. Rochester--"so," he added, enclosing me in his arms. Gathering me to his breast, pressing his lips on my lips: "so, Jane!" "Yes, so, sir," I rejoined: "and yet not so; for you are a married man--or as good as a married man, and wed to one inferior to you--to one with whom you have no sympathy--whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you--let me go!" "Where, Jane? To Ireland?" "Yes--to Ireland. I have spoken my mind, and can go anywhere now." "Jane, be still; don't struggle so, like a wild frantic bird that is rending its own plumage in its desperation." "I am no bird; and no net ensnares me; I am a free human being with an independent will, which I now exert to leave you." Another effort set me at liberty, and I stood erect before him. "And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." "You play a farce, which I merely laugh at." "I ask you to pass through life at my side--to be my second self, and best earthly companion." "For that fate you have already made your choice, and must abide by it." "Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said-- "Come to my side, Jane, and let us explain and understand one another." "I will never again come to your side: I am torn away now, and cannot return." "But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. "Come, Jane--come hither." "Your bride stands between us." He rose, and with a stride reached me. "My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?" Still I did not answer, and still I writhed myself from his grasp: for I was still incredulous. "Do you doubt me, Jane?" "Entirely." "You have no faith in me?" "Not a whit." "Am I a liar in your eyes?" he asked passionately. "Little sceptic, you _shall_ be convinced. What love have I for Miss Ingram? None: and that you know. What love has she for me? None: as I have taken pains to prove: I caused a rumour to reach her that my fortune was not a third of what was supposed, and after that I presented myself to see the result; it was coldness both from her and her mother. I would not--I could not--marry Miss Ingram. You--you strange, you almost unearthly thing!--I love as my own flesh. You--poor and obscure, and small and plain as you are--I entreat to accept me as a husband." "What, me!" I ejaculated, beginning in his earnestness--and especially in his incivility--to credit his sincerity: "me who have not a friend in the world but you--if you are my friend: not a shilling but what you have given me?" "You, Jane, I must have you for my own--entirely my own. Will you be mine? Say yes, quickly." "Mr. Rochester, let me look at your face: turn to the moonlight." "Why?" "Because I want to read your countenance--turn!" "There! you will find it scarcely more legible than a crumpled, scratched page. Read on: only make haste, for I suffer." His face was very much agitated and very much flushed, and there were strong workings in the features, and strange gleams in the eyes. "Oh, Jane, you torture me!" he exclaimed. "With that searching and yet faithful and generous look, you torture me!" "How can I do that? If you are true, and your offer real, my only feelings to you must be gratitude and devotion--they cannot torture." "Gratitude!" he ejaculated; and added wildly--"Jane accept me quickly. Say, Edward--give me my name--Edward--I will marry you." "Are you in earnest? Do you truly love me? Do you sincerely wish me to be your wife?" "I do; and if an oath is necessary to satisfy you, I swear it." "Then, sir, I will marry you." "Edward--my little wife!" "Dear Edward!" "Come to me--come to me entirely now," said he; and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, "Make my happiness--I will make yours." "God pardon me!" he subjoined ere long; "and man meddle not with me: I have her, and will hold her." "There is no one to meddle, sir. I have no kindred to interfere." "No--that is the best of it," he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting--called to the paradise of union--I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, "Are you happy, Jane?" And again and again I answered, "Yes." After which he murmured, "It will atone--it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment--I wash my hands thereof. For man's opinion--I defy it." But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master's face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. "We must go in," said Mr. Rochester: "the weather changes. I could have sat with thee till morning, Jane." "And so," thought I, "could I with you." I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr. Rochester's shoulder. The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs. Fairfax emerged from her room. I did not observe her at first, nor did Mr. Rochester. The lamp was lit. The clock was on the stroke of twelve. "Hasten to take off your wet things," said he; "and before you go, good- night--good-night, my darling!" He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. "Explanation will do for another time," thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling; and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours' duration, I experienced no fear and little awe. Mr. Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. Before I left my bed in the morning, little Adele came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

volume 2, Chapter 23

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap23-24

One evening while Jane is walking in the park she meets Rochester. He asks Jane if she will be sorry to leave Thornfield. She says that she will, and Rochester tells her that he must give her notice. He tells her that he has found her a position with a Mrs. Dionysius O'Gall in Ireland. Jane says that she will be sorry to be so far from Thornfield and from Rochester himself. They talk more about Jane's sorrow at leaving until Rochester swears that she must stay and gathers her to him and kisses her. He then offers her his hand in marriage. Jane is not sure what to think, as she believes he is playing a game with her, but he finally convinces her he is true, and she accepts. Mrs. Fairfax is surprised to see them embrace when they return to the house

novelguide

all_chapterized_books/1260-chapters/25.txt

finished_summaries/novelguide/Jane Eyre/section_11_part_2.txt

Jane Eyre.volume 2.chapter 24

chapter 24

{"name": "volume 2, Chapter 24", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap23-24", "summary": "The next day Rochester tells Jane that they will be married in four weeks and that they will travel to Paris, Rome and Naples. He then tells her to ask of him anything, and she says that she has been curious about something. Rochester gets quite serious and his demeanor changes, but he is relieved when Jane only asks why he had made her think that he meant to marry Miss Ingram. He replies that he wished to make her jealous to see how deep her love for him really ran. He tells her to ask of him more, and she says that she wishes Mrs. Fairfax to know of their marriage. Later, when Jane sees Rochester leave Mrs. Fairfax, Jane enters to find her disbelieving. She asks if it is true, and warns Jane to be on her guard, saying that she cannot be too careful, as men like Mr. Rochester \"are not accustomed to marry their governesses. Rochester calls for Jane to take her to town to buy some new gowns, and while they do buy some, Jane has to talk Rochester out of buying her so many and of buying her such fancy ones. She also has to talk him out of the jeweler's shop. With all of the excitement, Jane had forgotten all about her uncle's letter. She decides to write to him immediately, and feels that if her uncle tells her that she will get an inheritance later, she will feel better about Rochester supporting her now. Rochester is concerned about her not taking things from him, and she explains that she does not want to be like his French opera-dancer mistress, but would rather continue on as governess for her wages. Later in the evening Jane gets Rochester to sing and play the piano for her, and she is colder to him, remembering Mrs. Fairfax's warning", "analysis": ""}

As I rose and dressed, I thought over what had happened, and wondered if it were a dream. I could not be certain of the reality till I had seen Mr. Rochester again, and heard him renew his words of love and promise. While arranging my hair, I looked at my face in the glass, and felt it was no longer plain: there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition, and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pleased at my look; but I was sure I might lift my face to his now, and not cool his affection by its expression. I took a plain but clean and light summer dress from my drawer and put it on: it seemed no attire had ever so well become me, because none had I ever worn in so blissful a mood. I was not surprised, when I ran down into the hall, to see that a brilliant June morning had succeeded to the tempest of the night; and to feel, through the open glass door, the breathing of a fresh and fragrant breeze. Nature must be gladsome when I was so happy. A beggar-woman and her little boy--pale, ragged objects both--were coming up the walk, and I ran down and gave them all the money I happened to have in my purse--some three or four shillings: good or bad, they must partake of my jubilee. The rooks cawed, and blither birds sang; but nothing was so merry or so musical as my own rejoicing heart. Mrs. Fairfax surprised me by looking out of the window with a sad countenance, and saying gravely--"Miss Eyre, will you come to breakfast?" During the meal she was quiet and cool: but I could not undeceive her then. I must wait for my master to give explanations; and so must she. I ate what I could, and then I hastened upstairs. I met Adele leaving the schoolroom. "Where are you going? It is time for lessons." "Mr. Rochester has sent me away to the nursery." "Where is he?" "In there," pointing to the apartment she had left; and I went in, and there he stood. "Come and bid me good-morning," said he. I gladly advanced; and it was not merely a cold word now, or even a shake of the hand that I received, but an embrace and a kiss. It seemed natural: it seemed genial to be so well loved, so caressed by him. "Jane, you look blooming, and smiling, and pretty," said he: "truly pretty this morning. Is this my pale, little elf? Is this my mustard- seed? This little sunny-faced girl with the dimpled cheek and rosy lips; the satin-smooth hazel hair, and the radiant hazel eyes?" (I had green eyes, reader; but you must excuse the mistake: for him they were new-dyed, I suppose.) "It is Jane Eyre, sir." "Soon to be Jane Rochester," he added: "in four weeks, Janet; not a day more. Do you hear that?" I did, and I could not quite comprehend it: it made me giddy. The feeling, the announcement sent through me, was something stronger than was consistent with joy--something that smote and stunned. It was, I think almost fear. "You blushed, and now you are white, Jane: what is that for?" "Because you gave me a new name--Jane Rochester; and it seems so strange." "Yes, Mrs. Rochester," said he; "young Mrs. Rochester--Fairfax Rochester's girl-bride." "It can never be, sir; it does not sound likely. Human beings never enjoy complete happiness in this world. I was not born for a different destiny to the rest of my species: to imagine such a lot befalling me is a fairy tale--a day-dream." "Which I can and will realise. I shall begin to-day. This morning I wrote to my banker in London to send me certain jewels he has in his keeping,--heirlooms for the ladies of Thornfield. In a day or two I hope to pour them into your lap: for every privilege, every attention shall be yours that I would accord a peer's daughter, if about to marry her." "Oh, sir!--never rain jewels! I don't like to hear them spoken of. Jewels for Jane Eyre sounds unnatural and strange: I would rather not have them." "I will myself put the diamond chain round your neck, and the circlet on your forehead,--which it will become: for nature, at least, has stamped her patent of nobility on this brow, Jane; and I will clasp the bracelets on these fine wrists, and load these fairy-like fingers with rings." "No, no, sir! think of other subjects, and speak of other things, and in another strain. Don't address me as if I were a beauty; I am your plain, Quakerish governess." "You are a beauty in my eyes, and a beauty just after the desire of my heart,--delicate and aerial." "Puny and insignificant, you mean. You are dreaming, sir,--or you are sneering. For God's sake don't be ironical!" "I will make the world acknowledge you a beauty, too," he went on, while I really became uneasy at the strain he had adopted, because I felt he was either deluding himself or trying to delude me. "I will attire my Jane in satin and lace, and she shall have roses in her hair; and I will cover the head I love best with a priceless veil." "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes. I would as soon see you, Mr. Rochester, tricked out in stage-trappings, as myself clad in a court-lady's robe; and I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me." He pursued his theme, however, without noticing my deprecation. "This very day I shall take you in the carriage to Millcote, and you must choose some dresses for yourself. I told you we shall be married in four weeks. The wedding is to take place quietly, in the church down below yonder; and then I shall waft you away at once to town. After a brief stay there, I shall bear my treasure to regions nearer the sun: to French vineyards and Italian plains; and she shall see whatever is famous in old story and in modern record: she shall taste, too, of the life of cities; and she shall learn to value herself by just comparison with others." "Shall I travel?--and with you, sir?" "You shall sojourn at Paris, Rome, and Naples: at Florence, Venice, and Vienna: all the ground I have wandered over shall be re-trodden by you: wherever I stamped my hoof, your sylph's foot shall step also. Ten years since, I flew through Europe half mad; with disgust, hate, and rage as my companions: now I shall revisit it healed and cleansed, with a very angel as my comforter." I laughed at him as he said this. "I am not an angel," I asserted; "and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me--for you will not get it, any more than I shall get it of you: which I do not at all anticipate." "What do you anticipate of me?" "For a little while you will perhaps be as you are now,--a very little while; and then you will turn cool; and then you will be capricious; and then you will be stern, and I shall have much ado to please you: but when you get well used to me, you will perhaps like me again,--_like_ me, I say, not _love_ me. I suppose your love will effervesce in six months, or less. I have observed in books written by men, that period assigned as the farthest to which a husband's ardour extends. Yet, after all, as a friend and companion, I hope never to become quite distasteful to my dear master." "Distasteful! and like you again! I think I shall like you again, and yet again: and I will make you confess I do not only _like_, but _love_ you--with truth, fervour, constancy." "Yet are you not capricious, sir?" "To women who please me only by their faces, I am the very devil when I find out they have neither souls nor hearts--when they open to me a perspective of flatness, triviality, and perhaps imbecility, coarseness, and ill-temper: but to the clear eye and eloquent tongue, to the soul made of fire, and the character that bends but does not break--at once supple and stable, tractable and consistent--I am ever tender and true." "Had you ever experience of such a character, sir? Did you ever love such an one?" "I love it now." "But before me: if I, indeed, in any respect come up to your difficult standard?" "I never met your likeness. Jane, you please me, and you master me--you seem to submit, and I like the sense of pliancy you impart; and while I am twining the soft, silken skein round my finger, it sends a thrill up my arm to my heart. I am influenced--conquered; and the influence is sweeter than I can express; and the conquest I undergo has a witchery beyond any triumph I can win. Why do you smile, Jane? What does that inexplicable, that uncanny turn of countenance mean?" "I was thinking, sir (you will excuse the idea; it was involuntary), I was thinking of Hercules and Samson with their charmers--" "You were, you little elfish--" "Hush, sir! You don't talk very wisely just now; any more than those gentlemen acted very wisely. However, had they been married, they would no doubt by their severity as husbands have made up for their softness as suitors; and so will you, I fear. I wonder how you will answer me a year hence, should I ask a favour it does not suit your convenience or pleasure to grant." "Ask me something now, Jane,--the least thing: I desire to be entreated--" "Indeed I will, sir; I have my petition all ready." "Speak! But if you look up and smile with that countenance, I shall swear concession before I know to what, and that will make a fool of me." "Not at all, sir; I ask only this: don't send for the jewels, and don't crown me with roses: you might as well put a border of gold lace round that plain pocket handkerchief you have there." "I might as well 'gild refined gold.' I know it: your request is granted then--for the time. I will remand the order I despatched to my banker. But you have not yet asked for anything; you have prayed a gift to be withdrawn: try again." "Well then, sir, have the goodness to gratify my curiosity, which is much piqued on one point." He looked disturbed. "What? what?" he said hastily. "Curiosity is a dangerous petition: it is well I have not taken a vow to accord every request--" "But there can be no danger in complying with this, sir." "Utter it, Jane: but I wish that instead of a mere inquiry into, perhaps, a secret, it was a wish for half my estate." "Now, King Ahasuerus! What do I want with half your estate? Do you think I am a Jew-usurer, seeking good investment in land? I would much rather have all your confidence. You will not exclude me from your confidence if you admit me to your heart?" "You are welcome to all my confidence that is worth having, Jane; but for God's sake, don't desire a useless burden! Don't long for poison--don't turn out a downright Eve on my hands!" "Why not, sir? You have just been telling me how much you liked to be conquered, and how pleasant over-persuasion is to you. Don't you think I had better take advantage of the confession, and begin and coax and entreat--even cry and be sulky if necessary--for the sake of a mere essay of my power?" "I dare you to any such experiment. Encroach, presume, and the game is up." "Is it, sir? You soon give in. How stern you look now! Your eyebrows have become as thick as my finger, and your forehead resembles what, in some very astonishing poetry, I once saw styled, 'a blue-piled thunderloft.' That will be your married look, sir, I suppose?" "If that will be _your_ married look, I, as a Christian, will soon give up the notion of consorting with a mere sprite or salamander. But what had you to ask, thing,--out with it?" "There, you are less than civil now; and I like rudeness a great deal better than flattery. I had rather be a _thing_ than an angel. This is what I have to ask,--Why did you take such pains to make me believe you wished to marry Miss Ingram?" "Is that all? Thank God it is no worse!" And now he unknit his black brows; looked down, smiling at me, and stroked my hair, as if well pleased at seeing a danger averted. "I think I may confess," he continued, "even although I should make you a little indignant, Jane--and I have seen what a fire-spirit you can be when you are indignant. You glowed in the cool moonlight last night, when you mutinied against fate, and claimed your rank as my equal. Janet, by-the-bye, it was you who made me the offer." "Of course I did. But to the point if you please, sir--Miss Ingram?" "Well, I feigned courtship of Miss Ingram, because I wished to render you as madly in love with me as I was with you; and I knew jealousy would be the best ally I could call in for the furtherance of that end." "Excellent! Now you are small--not one whit bigger than the end of my little finger. It was a burning shame and a scandalous disgrace to act in that way. Did you think nothing of Miss Ingram's feelings, sir?" "Her feelings are concentrated in one--pride; and that needs humbling. Were you jealous, Jane?" "Never mind, Mr. Rochester: it is in no way interesting to you to know that. Answer me truly once more. Do you think Miss Ingram will not suffer from your dishonest coquetry? Won't she feel forsaken and deserted?" "Impossible!--when I told you how she, on the contrary, deserted me: the idea of my insolvency cooled, or rather extinguished, her flame in a moment." "You have a curious, designing mind, Mr. Rochester. I am afraid your principles on some points are eccentric." "My principles were never trained, Jane: they may have grown a little awry for want of attention." "Once again, seriously; may I enjoy the great good that has been vouchsafed to me, without fearing that any one else is suffering the bitter pain I myself felt a while ago?" "That you may, my good little girl: there is not another being in the world has the same pure love for me as yourself--for I lay that pleasant unction to my soul, Jane, a belief in your affection." I turned my lips to the hand that lay on my shoulder. I loved him very much--more than I could trust myself to say--more than words had power to express. "Ask something more," he said presently; "it is my delight to be entreated, and to yield." I was again ready with my request. "Communicate your intentions to Mrs. Fairfax, sir: she saw me with you last night in the hall, and she was shocked. Give her some explanation before I see her again. It pains me to be misjudged by so good a woman." "Go to your room, and put on your bonnet," he replied. "I mean you to accompany me to Millcote this morning; and while you prepare for the drive, I will enlighten the old lady's understanding. Did she think, Janet, you had given the world for love, and considered it well lost?" "I believe she thought I had forgotten my station, and yours, sir." "Station! station!--your station is in my heart, and on the necks of those who would insult you, now or hereafter.--Go." I was soon dressed; and when I heard Mr. Rochester quit Mrs. Fairfax's parlour, I hurried down to it. The old lady, had been reading her morning portion of Scripture--the Lesson for the day; her Bible lay open before her, and her spectacles were upon it. Her occupation, suspended by Mr. Rochester's announcement, seemed now forgotten: her eyes, fixed on the blank wall opposite, expressed the surprise of a quiet mind stirred by unwonted tidings. Seeing me, she roused herself: she made a sort of effort to smile, and framed a few words of congratulation; but the smile expired, and the sentence was abandoned unfinished. She put up her spectacles, shut the Bible, and pushed her chair back from the table. "I feel so astonished," she began, "I hardly know what to say to you, Miss Eyre. I have surely not been dreaming, have I? Sometimes I half fall asleep when I am sitting alone and fancy things that have never happened. It has seemed to me more than once when I have been in a doze, that my dear husband, who died fifteen years since, has come in and sat down beside me; and that I have even heard him call me by my name, Alice, as he used to do. Now, can you tell me whether it is actually true that Mr. Rochester has asked you to marry him? Don't laugh at me. But I really thought he came in here five minutes ago, and said that in a month you would be his wife." "He has said the same thing to me," I replied. "He has! Do you believe him? Have you accepted him?" "Yes." She looked at me bewildered. "I could never have thought it. He is a proud man: all the Rochesters were proud: and his father, at least, liked money. He, too, has always been called careful. He means to marry you?" "He tells me so." She surveyed my whole person: in her eyes I read that they had there found no charm powerful enough to solve the enigma. "It passes me!" she continued; "but no doubt, it is true since you say so. How it will answer, I cannot tell: I really don't know. Equality of position and fortune is often advisable in such cases; and there are twenty years of difference in your ages. He might almost be your father." "No, indeed, Mrs. Fairfax!" exclaimed I, nettled; "he is nothing like my father! No one, who saw us together, would suppose it for an instant. Mr. Rochester looks as young, and is as young, as some men at five-and- twenty." "Is it really for love he is going to marry you?" she asked. I was so hurt by her coldness and scepticism, that the tears rose to my eyes. "I am sorry to grieve you," pursued the widow; "but you are so young, and so little acquainted with men, I wished to put you on your guard. It is an old saying that 'all is not gold that glitters;' and in this case I do fear there will be something found to be different to what either you or I expect." "Why?--am I a monster?" I said: "is it impossible that Mr. Rochester should have a sincere affection for me?" "No: you are very well; and much improved of late; and Mr. Rochester, I daresay, is fond of you. I have always noticed that you were a sort of pet of his. There are times when, for your sake, I have been a little uneasy at his marked preference, and have wished to put you on your guard: but I did not like to suggest even the possibility of wrong. I knew such an idea would shock, perhaps offend you; and you were so discreet, and so thoroughly modest and sensible, I hoped you might be trusted to protect yourself. Last night I cannot tell you what I suffered when I sought all over the house, and could find you nowhere, nor the master either; and then, at twelve o'clock, saw you come in with him." "Well, never mind that now," I interrupted impatiently; "it is enough that all was right." "I hope all will be right in the end," she said: "but believe me, you cannot be too careful. Try and keep Mr. Rochester at a distance: distrust yourself as well as him. Gentlemen in his station are not accustomed to marry their governesses." I was growing truly irritated: happily, Adele ran in. "Let me go,--let me go to Millcote too!" she cried. "Mr. Rochester won't: though there is so much room in the new carriage. Beg him to let me go mademoiselle." "That I will, Adele;" and I hastened away with her, glad to quit my gloomy monitress. The carriage was ready: they were bringing it round to the front, and my master was pacing the pavement, Pilot following him backwards and forwards. "Adele may accompany us, may she not, sir?" "I told her no. I'll have no brats!--I'll have only you." "Do let her go, Mr. Rochester, if you please: it would be better." "Not it: she will be a restraint." He was quite peremptory, both in look and voice. The chill of Mrs. Fairfax's warnings, and the damp of her doubts were upon me: something of unsubstantiality and uncertainty had beset my hopes. I half lost the sense of power over him. I was about mechanically to obey him, without further remonstrance; but as he helped me into the carriage, he looked at my face. "What is the matter?" he asked; "all the sunshine is gone. Do you really wish the bairn to go? Will it annoy you if she is left behind?" "I would far rather she went, sir." "Then off for your bonnet, and back like a flash of lightning!" cried he to Adele. She obeyed him with what speed she might. "After all, a single morning's interruption will not matter much," said he, "when I mean shortly to claim you--your thoughts, conversation, and company--for life." Adele, when lifted in, commenced kissing me, by way of expressing her gratitude for my intercession: she was instantly stowed away into a corner on the other side of him. She then peeped round to where I sat; so stern a neighbour was too restrictive to him, in his present fractious mood, she dared whisper no observations, nor ask of him any information. "Let her come to me," I entreated: "she will, perhaps, trouble you, sir: there is plenty of room on this side." He handed her over as if she had been a lapdog. "I'll send her to school yet," he said, but now he was smiling. Adele heard him, and asked if she was to go to school "sans mademoiselle?" "Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat: you will starve her," observed Adele. "I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele." "She will want to warm herself: what will she do for a fire?" "Fire rises out of the lunar mountains: when she is cold, I'll carry her up to a peak, and lay her down on the edge of a crater." "Oh, qu' elle y sera mal--peu comfortable! And her clothes, they will wear out: how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adele, after musing some time: "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you." "She has consented: she has pledged her word." "But you can't get her there; there is no road to the moon: it is all air; and neither you nor she can fly." "Adele, look at that field." We were now outside Thornfield gates, and bowling lightly along the smooth road to Millcote, where the dust was well laid by the thunderstorm, and, where the low hedges and lofty timber trees on each side glistened green and rain-refreshed. "In that field, Adele, I was walking late one evening about a fortnight since--the evening of the day you helped me to make hay in the orchard meadows; and, as I was tired with raking swaths, I sat down to rest me on a stile; and there I took out a little book and a pencil, and began to write about a misfortune that befell me long ago, and a wish I had for happy days to come: I was writing away very fast, though daylight was fading from the leaf, when something came up the path and stopped two yards off me. I looked at it. It was a little thing with a veil of gossamer on its head. I beckoned it to come near me; it stood soon at my knee. I never spoke to it, and it never spoke to me, in words; but I read its eyes, and it read mine; and our speechless colloquy was to this effect-- "It was a fairy, and come from Elf-land, it said; and its errand was to make me happy: I must go with it out of the common world to a lonely place--such as the moon, for instance--and it nodded its head towards her horn, rising over Hay-hill: it told me of the alabaster cave and silver vale where we might live. I said I should like to go; but reminded it, as you did me, that I had no wings to fly. "'Oh,' returned the fairy, 'that does not signify! Here is a talisman will remove all difficulties;' and she held out a pretty gold ring. 'Put it,' she said, 'on the fourth finger of my left hand, and I am yours, and you are mine; and we shall leave earth, and make our own heaven yonder.' She nodded again at the moon. The ring, Adele, is in my breeches-pocket, under the disguise of a sovereign: but I mean soon to change it to a ring again." "But what has mademoiselle to do with it? I don't care for the fairy: you said it was mademoiselle you would take to the moon?" "Mademoiselle is a fairy," he said, whispering mysteriously. Whereupon I told her not to mind his badinage; and she, on her part, evinced a fund of genuine French scepticism: denominating Mr. Rochester "un vrai menteur," and assuring him that she made no account whatever of his "contes de fee," and that "du reste, il n'y avait pas de fees, et quand meme il y en avait:" she was sure they would never appear to him, nor ever give him rings, or offer to live with him in the moon. The hour spent at Millcote was a somewhat harassing one to me. Mr. Rochester obliged me to go to a certain silk warehouse: there I was ordered to choose half-a-dozen dresses. I hated the business, I begged leave to defer it: no--it should be gone through with now. By dint of entreaties expressed in energetic whispers, I reduced the half-dozen to two: these however, he vowed he would select himself. With anxiety I watched his eye rove over the gay stores: he fixed on a rich silk of the most brilliant amethyst dye, and a superb pink satin. I told him in a new series of whispers, that he might as well buy me a gold gown and a silver bonnet at once: I should certainly never venture to wear his choice. With infinite difficulty, for he was stubborn as a stone, I persuaded him to make an exchange in favour of a sober black satin and pearl-grey silk. "It might pass for the present," he said; "but he would yet see me glittering like a parterre." Glad was I to get him out of the silk warehouse, and then out of a jewellers shop: the more he bought me, the more my cheek burned with a sense of annoyance and degradation. As we re-entered the carriage, and I sat back feverish and fagged, I remembered what, in the hurry of events, dark and bright, I had wholly forgotten--the letter of my uncle, John Eyre, to Mrs. Reed: his intention to adopt me and make me his legatee. "It would, indeed, be a relief," I thought, "if I had ever so small an independency; I never can bear being dressed like a doll by Mr. Rochester, or sitting like a second Danae with the golden shower falling daily round me. I will write to Madeira the moment I get home, and tell my uncle John I am going to be married, and to whom: if I had but a prospect of one day bringing Mr. Rochester an accession of fortune, I could better endure to be kept by him now." And somewhat relieved by this idea (which I failed not to execute that day), I ventured once more to meet my master's and lover's eye, which most pertinaciously sought mine, though I averted both face and gaze. He smiled; and I thought his smile was such as a sultan might, in a blissful and fond moment, bestow on a slave his gold and gems had enriched: I crushed his hand, which was ever hunting mine, vigorously, and thrust it back to him red with the passionate pressure. "You need not look in that way," I said; "if you do, I'll wear nothing but my old Lowood frocks to the end of the chapter. I'll be married in this lilac gingham: you may make a dressing-gown for yourself out of the pearl-grey silk, and an infinite series of waistcoats out of the black satin." He chuckled; he rubbed his hands. "Oh, it is rich to see and hear her?" he exclaimed. "Is she original? Is she piquant? I would not exchange this one little English girl for the Grand Turk's whole seraglio, gazelle- eyes, houri forms, and all!" The Eastern allusion bit me again. "I'll not stand you an inch in the stead of a seraglio," I said; "so don't consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave- purchases some of that spare cash you seem at a loss to spend satisfactorily here." "And what will you do, Janet, while I am bargaining for so many tons of flesh and such an assortment of black eyes?" "I'll be preparing myself to go out as a missionary to preach liberty to them that are enslaved--your harem inmates amongst the rest. I'll get admitted there, and I'll stir up mutiny; and you, three-tailed bashaw as you are, sir, shall in a trice find yourself fettered amongst our hands: nor will I, for one, consent to cut your bonds till you have signed a charter, the most liberal that despot ever yet conferred." "I would consent to be at your mercy, Jane." "I would have no mercy, Mr. Rochester, if you supplicated for it with an eye like that. While you looked so, I should be certain that whatever charter you might grant under coercion, your first act, when released, would be to violate its conditions." "Why, Jane, what would you have? I fear you will compel me to go through a private marriage ceremony, besides that performed at the altar. You will stipulate, I see, for peculiar terms--what will they be?" "I only want an easy mind, sir; not crushed by crowded obligations. Do you remember what you said of Celine Varens?--of the diamonds, the cashmeres you gave her? I will not be your English Celine Varens. I shall continue to act as Adele's governess; by that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but--" "Well, but what?" "Your regard; and if I give you mine in return, that debt will be quit." "Well, for cool native impudence and pure innate pride, you haven't your equal," said he. We were now approaching Thornfield. "Will it please you to dine with me to-day?" he asked, as we re-entered the gates. "No, thank you, sir." "And what for, 'no, thank you?' if one may inquire." "I never have dined with you, sir: and I see no reason why I should now: till--" "Till what? You delight in half-phrases." "Till I can't help it." "Do you suppose I eat like an ogre or a ghoul, that you dread being the companion of my repast?" "I have formed no supposition on the subject, sir; but I want to go on as usual for another month." "You will give up your governessing slavery at once." "Indeed, begging your pardon, sir, I shall not. I shall just go on with it as usual. I shall keep out of your way all day, as I have been accustomed to do: you may send for me in the evening, when you feel disposed to see me, and I'll come then; but at no other time." "I want a smoke, Jane, or a pinch of snuff, to comfort me under all this, 'pour me donner une contenance,' as Adele would say; and unfortunately I have neither my cigar-case, nor my snuff-box. But listen--whisper. It is your time now, little tyrant, but it will be mine presently; and when once I have fairly seized you, to have and to hold, I'll just--figuratively speaking--attach you to a chain like this" (touching his watch-guard). "Yes, bonny wee thing, I'll wear you in my bosom, lest my jewel I should tyne." He said this as he helped me to alight from the carriage, and while he afterwards lifted out Adele, I entered the house, and made good my retreat upstairs. He duly summoned me to his presence in the evening. I had prepared an occupation for him; for I was determined not to spend the whole time in a _tete-a-tete_ conversation. I remembered his fine voice; I knew he liked to sing--good singers generally do. I was no vocalist myself, and, in his fastidious judgment, no musician, either; but I delighted in listening when the performance was good. No sooner had twilight, that hour of romance, began to lower her blue and starry banner over the lattice, than I rose, opened the piano, and entreated him, for the love of heaven, to give me a song. He said I was a capricious witch, and that he would rather sing another time; but I averred that no time was like the present. "Did I like his voice?" he asked. "Very much." I was not fond of pampering that susceptible vanity of his; but for once, and from motives of expediency, I would e'en soothe and stimulate it. "Then, Jane, you must play the accompaniment." "Very well, sir, I will try." I did try, but was presently swept off the stool and denominated "a little bungler." Being pushed unceremoniously to one side--which was precisely what I wished--he usurped my place, and proceeded to accompany himself: for he could play as well as sing. I hied me to the window-recess. And while I sat there and looked out on the still trees and dim lawn, to a sweet air was sung in mellow tones the following strain:-- "The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!" He rose and came towards me, and I saw his face all kindled, and his full falcon-eye flashing, and tenderness and passion in every lineament. I quailed momentarily--then I rallied. Soft scene, daring demonstration, I would not have; and I stood in peril of both: a weapon of defence must be prepared--I whetted my tongue: as he reached me, I asked with asperity, "whom he was going to marry now?" "That was a strange question to be put by his darling Jane." "Indeed! I considered it a very natural and necessary one: he had talked of his future wife dying with him. What did he mean by such a pagan idea? _I_ had no intention of dying with him--he might depend on that." "Oh, all he longed, all he prayed for, was that I might live with him! Death was not for such as I." "Indeed it was: I had as good a right to die when my time came as he had: but I should bide that time, and not be hurried away in a suttee." "Would I forgive him for the selfish idea, and prove my pardon by a reconciling kiss?" "No: I would rather be excused." Here I heard myself apostrophised as a "hard little thing;" and it was added, "any other woman would have been melted to marrow at hearing such stanzas crooned in her praise." I assured him I was naturally hard--very flinty, and that he would often find me so; and that, moreover, I was determined to show him divers rugged points in my character before the ensuing four weeks elapsed: he should know fully what sort of a bargain he had made, while there was yet time to rescind it. "Would I be quiet and talk rationally?" "I would be quiet if he liked, and as to talking rationally, I flattered myself I was doing that now." He fretted, pished, and pshawed. "Very good," I thought; "you may fume and fidget as you please: but this is the best plan to pursue with you, I am certain. I like you more than I can say; but I'll not sink into a bathos of sentiment: and with this needle of repartee I'll keep you from the edge of the gulf too; and, moreover, maintain by its pungent aid that distance between you and myself most conducive to our real mutual advantage." From less to more, I worked him up to considerable irritation; then, after he had retired, in dudgeon, quite to the other end of the room, I got up, and saying, "I wish you good-night, sir," in my natural and wonted respectful manner, I slipped out by the side-door and got away. The system thus entered on, I pursued during the whole season of probation; and with the best success. He was kept, to be sure, rather cross and crusty; but on the whole I could see he was excellently entertained, and that a lamb-like submission and turtle-dove sensibility, while fostering his despotism more, would have pleased his judgment, satisfied his common-sense, and even suited his taste less. In other people's presence I was, as formerly, deferential and quiet; any other line of conduct being uncalled for: it was only in the evening conferences I thus thwarted and afflicted him. He continued to send for me punctually the moment the clock struck seven; though when I appeared before him now, he had no such honeyed terms as "love" and "darling" on his lips: the best words at my service were "provoking puppet," "malicious elf," "sprite," "changeling," &c. For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear. It was all right: at present I decidedly preferred these fierce favours to anything more tender. Mrs. Fairfax, I saw, approved me: her anxiety on my account vanished; therefore I was certain I did well. Meantime, Mr. Rochester affirmed I was wearing him to skin and bone, and threatened awful vengeance for my present conduct at some period fast coming. I laughed in my sleeve at his menaces. "I can keep you in reasonable check now," I reflected; "and I don't doubt to be able to do it hereafter: if one expedient loses its virtue, another must be devised." Yet after all my task was not an easy one; often I would rather have pleased than teased him. My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.

volume 2, Chapter 24

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap23-24

The next day Rochester tells Jane that they will be married in four weeks and that they will travel to Paris, Rome and Naples. He then tells her to ask of him anything, and she says that she has been curious about something. Rochester gets quite serious and his demeanor changes, but he is relieved when Jane only asks why he had made her think that he meant to marry Miss Ingram. He replies that he wished to make her jealous to see how deep her love for him really ran. He tells her to ask of him more, and she says that she wishes Mrs. Fairfax to know of their marriage. Later, when Jane sees Rochester leave Mrs. Fairfax, Jane enters to find her disbelieving. She asks if it is true, and warns Jane to be on her guard, saying that she cannot be too careful, as men like Mr. Rochester "are not accustomed to marry their governesses. Rochester calls for Jane to take her to town to buy some new gowns, and while they do buy some, Jane has to talk Rochester out of buying her so many and of buying her such fancy ones. She also has to talk him out of the jeweler's shop. With all of the excitement, Jane had forgotten all about her uncle's letter. She decides to write to him immediately, and feels that if her uncle tells her that she will get an inheritance later, she will feel better about Rochester supporting her now. Rochester is concerned about her not taking things from him, and she explains that she does not want to be like his French opera-dancer mistress, but would rather continue on as governess for her wages. Later in the evening Jane gets Rochester to sing and play the piano for her, and she is colder to him, remembering Mrs. Fairfax's warning

novelguide

all_chapterized_books/1260-chapters/26.txt

finished_summaries/novelguide/Jane Eyre/section_12_part_1.txt

Jane Eyre.volume 2.chapter 25

chapter 25

{"name": "volume 2, Chapter 25", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap25-26", "summary": "The night before the wedding Jane feels anxious that Mr. Rochester is still away on his errands, and when the time of his supposed return far passes, she runs out into the wind and rain to meet him. She comes upon him riding home, and he takes her on the horse back to the house. They eat supper, and Jane tells Rochester why she is so anxious. The night before she dreamt that she was in the wind and rain caring for a crying infant and chasing Rochester who was riding away. Jane then tells of another dream where she saw Thornfield Hall as a dreary ruin. She tells him that when she awoke from this dream she saw a candle in her room and someone at her portmanteau looking at her garments. She says that she did not recognize the person, and that it was a woman with a discolored and savage face, who put on her wedding veil and then took it off and ripped it in two. She then came over and looked closely at Jane before leaving the room. Rochester says that he is sure she imagined it, but she says that the next morning she saw the veil ripped in two. He says that it must have been a half dream, where someone she knew entered her room, but that she dreamt the part about what kind of creature it was. He then asks her to sleep with Adele in the nursery that night and to have more pleasant dreams. Jane, however, does not sleep at all, and rises early in the morning to prepare for her wedding", "analysis": ""}

The month of courtship had wasted: its very last hours were being numbered. There was no putting off the day that advanced--the bridal day; and all preparations for its arrival were complete. _I_, at least, had nothing more to do: there were my trunks, packed, locked, corded, ranged in a row along the wall of my little chamber; to-morrow, at this time, they would be far on their road to London: and so should I (D.V.),--or rather, not I, but one Jane Rochester, a person whom as yet I knew not. The cards of address alone remained to nail on: they lay, four little squares, in the drawer. Mr. Rochester had himself written the direction, "Mrs. Rochester, --- Hotel, London," on each: I could not persuade myself to affix them, or to have them affixed. Mrs. Rochester! She did not exist: she would not be born till to-morrow, some time after eight o'clock a.m.; and I would wait to be assured she had come into the world alive before I assigned to her all that property. It was enough that in yonder closet, opposite my dressing-table, garments said to be hers had already displaced my black stuff Lowood frock and straw bonnet: for not to me appertained that suit of wedding raiment; the pearl-coloured robe, the vapoury veil pendent from the usurped portmanteau. I shut the closet to conceal the strange, wraith-like apparel it contained; which, at this evening hour--nine o'clock--gave out certainly a most ghostly shimmer through the shadow of my apartment. "I will leave you by yourself, white dream," I said. "I am feverish: I hear the wind blowing: I will go out of doors and feel it." It was not only the hurry of preparation that made me feverish; not only the anticipation of the great change--the new life which was to commence to-morrow: both these circumstances had their share, doubtless, in producing that restless, excited mood which hurried me forth at this late hour into the darkening grounds: but a third cause influenced my mind more than they. I had at heart a strange and anxious thought. Something had happened which I could not comprehend; no one knew of or had seen the event but myself: it had taken place the preceding night. Mr. Rochester that night was absent from home; nor was he yet returned: business had called him to a small estate of two or three farms he possessed thirty miles off--business it was requisite he should settle in person, previous to his meditated departure from England. I waited now his return; eager to disburthen my mind, and to seek of him the solution of the enigma that perplexed me. Stay till he comes, reader; and, when I disclose my secret to him, you shall share the confidence. I sought the orchard, driven to its shelter by the wind, which all day had blown strong and full from the south, without, however, bringing a speck of rain. Instead of subsiding as night drew on, it seemed to augment its rush and deepen its roar: the trees blew steadfastly one way, never writhing round, and scarcely tossing back their boughs once in an hour; so continuous was the strain bending their branchy heads northward--the clouds drifted from pole to pole, fast following, mass on mass: no glimpse of blue sky had been visible that July day. It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of the chestnut-tree; it stood up black and riven: the trunk, split down the centre, gasped ghastly. The cloven halves were not broken from each other, for the firm base and strong roots kept them unsundered below; though community of vitality was destroyed--the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree--a ruin, but an entire ruin. "You did right to hold fast to each other," I said: as if the monster- splinters were living things, and could hear me. "I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more--never more see birds making nests and singing idyls in your boughs; the time of pleasure and love is over with you: but you are not desolate: each of you has a comrade to sympathise with him in his decay." As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disk was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water, poured a wild, melancholy wail: it was sad to listen to, and I ran off again. Here and there I strayed through the orchard, gathered up the apples with which the grass round the tree roots was thickly strewn; then I employed myself in dividing the ripe from the unripe; I carried them into the house and put them away in the store-room. Then I repaired to the library to ascertain whether the fire was lit, for, though summer, I knew on such a gloomy evening Mr. Rochester would like to see a cheerful hearth when he came in: yes, the fire had been kindled some time, and burnt well. I placed his arm-chair by the chimney-corner: I wheeled the table near it: I let down the curtain, and had the candles brought in ready for lighting. More restless than ever, when I had completed these arrangements I could not sit still, nor even remain in the house: a little time-piece in the room and the old clock in the hall simultaneously struck ten. "How late it grows!" I said. "I will run down to the gates: it is moonlight at intervals; I can see a good way on the road. He may be coming now, and to meet him will save some minutes of suspense." The wind roared high in the great trees which embowered the gates; but the road as far as I could see, to the right hand and the left, was all still and solitary: save for the shadows of clouds crossing it at intervals as the moon looked out, it was but a long pale line, unvaried by one moving speck. A puerile tear dimmed my eye while I looked--a tear of disappointment and impatience; ashamed of it, I wiped it away. I lingered; the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud: the night grew dark; rain came driving fast on the gale. "I wish he would come! I wish he would come!" I exclaimed, seized with hypochondriac foreboding. I had expected his arrival before tea; now it was dark: what could keep him? Had an accident happened? The event of last night again recurred to me. I interpreted it as a warning of disaster. I feared my hopes were too bright to be realised; and I had enjoyed so much bliss lately that I imagined my fortune had passed its meridian, and must now decline. "Well, I cannot return to the house," I thought; "I cannot sit by the fireside, while he is abroad in inclement weather: better tire my limbs than strain my heart; I will go forward and meet him." I set out; I walked fast, but not far: ere I had measured a quarter of a mile, I heard the tramp of hoofs; a horseman came on, full gallop; a dog ran by his side. Away with evil presentiment! It was he: here he was, mounted on Mesrour, followed by Pilot. He saw me; for the moon had opened a blue field in the sky, and rode in it watery bright: he took his hat off, and waved it round his head. I now ran to meet him. "There!" he exclaimed, as he stretched out his hand and bent from the saddle: "You can't do without me, that is evident. Step on my boot-toe; give me both hands: mount!" I obeyed: joy made me agile: I sprang up before him. A hearty kissing I got for a welcome, and some boastful triumph, which I swallowed as well as I could. He checked himself in his exultation to demand, "But is there anything the matter, Janet, that you come to meet me at such an hour? Is there anything wrong?" "No, but I thought you would never come. I could not bear to wait in the house for you, especially with this rain and wind." "Rain and wind, indeed! Yes, you are dripping like a mermaid; pull my cloak round you: but I think you are feverish, Jane: both your cheek and hand are burning hot. I ask again, is there anything the matter?" "Nothing now; I am neither afraid nor unhappy." "Then you have been both?" "Rather: but I'll tell you all about it by-and-bye, sir; and I daresay you will only laugh at me for my pains." "I'll laugh at you heartily when to-morrow is past; till then I dare not: my prize is not certain. This is you, who have been as slippery as an eel this last month, and as thorny as a briar-rose? I could not lay a finger anywhere but I was pricked; and now I seem to have gathered up a stray lamb in my arms. You wandered out of the fold to seek your shepherd, did you, Jane?" "I wanted you: but don't boast. Here we are at Thornfield: now let me get down." He landed me on the pavement. As John took his horse, and he followed me into the hall, he told me to make haste and put something dry on, and then return to him in the library; and he stopped me, as I made for the staircase, to extort a promise that I would not be long: nor was I long; in five minutes I rejoined him. I found him at supper. "Take a seat and bear me company, Jane: please God, it is the last meal but one you will eat at Thornfield Hall for a long time." I sat down near him, but told him I could not eat. "Is it because you have the prospect of a journey before you, Jane? Is it the thoughts of going to London that takes away your appetite?" "I cannot see my prospects clearly to-night, sir; and I hardly know what thoughts I have in my head. Everything in life seems unreal." "Except me: I am substantial enough--touch me." "You, sir, are the most phantom-like of all: you are a mere dream." He held out his hand, laughing. "Is that a dream?" said he, placing it close to my eyes. He had a rounded, muscular, and vigorous hand, as well as a long, strong arm. "Yes; though I touch it, it is a dream," said I, as I put it down from before my face. "Sir, have you finished supper?" "Yes, Jane." I rang the bell and ordered away the tray. When we were again alone, I stirred the fire, and then took a low seat at my master's knee. "It is near midnight," I said. "Yes: but remember, Jane, you promised to wake with me the night before my wedding." "I did; and I will keep my promise, for an hour or two at least: I have no wish to go to bed." "Are all your arrangements complete?" "All, sir." "And on my part likewise," he returned, "I have settled everything; and we shall leave Thornfield to-morrow, within half-an-hour after our return from church." "Very well, sir." "With what an extraordinary smile you uttered that word--'very well,' Jane! What a bright spot of colour you have on each cheek! and how strangely your eyes glitter! Are you well?" "I believe I am." "Believe! What is the matter? Tell me what you feel." "I could not, sir: no words could tell you what I feel. I wish this present hour would never end: who knows with what fate the next may come charged?" "This is hypochondria, Jane. You have been over-excited, or over-fatigued." "Do you, sir, feel calm and happy?" "Calm?--no: but happy--to the heart's core." I looked up at him to read the signs of bliss in his face: it was ardent and flushed. "Give me your confidence, Jane," he said: "relieve your mind of any weight that oppresses it, by imparting it to me. What do you fear?--that I shall not prove a good husband?" "It is the idea farthest from my thoughts." "Are you apprehensive of the new sphere you are about to enter?--of the new life into which you are passing?" "No." "You puzzle me, Jane: your look and tone of sorrowful audacity perplex and pain me. I want an explanation." "Then, sir, listen. You were from home last night?" "I was: I know that; and you hinted a while ago at something which had happened in my absence:--nothing, probably, of consequence; but, in short, it has disturbed you. Let me hear it. Mrs. Fairfax has said something, perhaps? or you have overheard the servants talk?--your sensitive self-respect has been wounded?" "No, sir." It struck twelve--I waited till the time-piece had concluded its silver chime, and the clock its hoarse, vibrating stroke, and then I proceeded. "All day yesterday I was very busy, and very happy in my ceaseless bustle; for I am not, as you seem to think, troubled by any haunting fears about the new sphere, et cetera: I think it a glorious thing to have the hope of living with you, because I love you. No, sir, don't caress me now--let me talk undisturbed. Yesterday I trusted well in Providence, and believed that events were working together for your good and mine: it was a fine day, if you recollect--the calmness of the air and sky forbade apprehensions respecting your safety or comfort on your journey. I walked a little while on the pavement after tea, thinking of you; and I beheld you in imagination so near me, I scarcely missed your actual presence. I thought of the life that lay before me--_your_ life, sir--an existence more expansive and stirring than my own: as much more so as the depths of the sea to which the brook runs are than the shallows of its own strait channel. I wondered why moralists call this world a dreary wilderness: for me it blossomed like a rose. Just at sunset, the air turned cold and the sky cloudy: I went in, Sophie called me upstairs to look at my wedding-dress, which they had just brought; and under it in the box I found your present--the veil which, in your princely extravagance, you sent for from London: resolved, I suppose, since I would not have jewels, to cheat me into accepting something as costly. I smiled as I unfolded it, and devised how I would tease you about your aristocratic tastes, and your efforts to masque your plebeian bride in the attributes of a peeress. I thought how I would carry down to you the square of unembroidered blond I had myself prepared as a covering for my low-born head, and ask if that was not good enough for a woman who could bring her husband neither fortune, beauty, nor connections. I saw plainly how you would look; and heard your impetuous republican answers, and your haughty disavowal of any necessity on your part to augment your wealth, or elevate your standing, by marrying either a purse or a coronet." "How well you read me, you witch!" interposed Mr. Rochester: "but what did you find in the veil besides its embroidery? Did you find poison, or a dagger, that you look so mournful now?" "No, no, sir; besides the delicacy and richness of the fabric, I found nothing save Fairfax Rochester's pride; and that did not scare me, because I am used to the sight of the demon. But, sir, as it grew dark, the wind rose: it blew yesterday evening, not as it blows now--wild and high--but 'with a sullen, moaning sound' far more eerie. I wished you were at home. I came into this room, and the sight of the empty chair and fireless hearth chilled me. For some time after I went to bed, I could not sleep--a sense of anxious excitement distressed me. The gale still rising, seemed to my ear to muffle a mournful under-sound; whether in the house or abroad I could not at first tell, but it recurred, doubtful yet doleful at every lull; at last I made out it must be some dog howling at a distance. I was glad when it ceased. On sleeping, I continued in dreams the idea of a dark and gusty night. I continued also the wish to be with you, and experienced a strange, regretful consciousness of some barrier dividing us. During all my first sleep, I was following the windings of an unknown road; total obscurity environed me; rain pelted me; I was burdened with the charge of a little child: a very small creature, too young and feeble to walk, and which shivered in my cold arms, and wailed piteously in my ear. I thought, sir, that you were on the road a long way before me; and I strained every nerve to overtake you, and made effort on effort to utter your name and entreat you to stop--but my movements were fettered, and my voice still died away inarticulate; while you, I felt, withdrew farther and farther every moment." "And these dreams weigh on your spirits now, Jane, when I am close to you? Little nervous subject! Forget visionary woe, and think only of real happiness! You say you love me, Janet: yes--I will not forget that; and you cannot deny it. _Those_ words did not die inarticulate on your lips. I heard them clear and soft: a thought too solemn perhaps, but sweet as music--'I think it is a glorious thing to have the hope of living with you, Edward, because I love you.' Do you love me, Jane?--repeat it." "I do, sir--I do, with my whole heart." "Well," he said, after some minutes' silence, "it is strange; but that sentence has penetrated my breast painfully. Why? I think because you said it with such an earnest, religious energy, and because your upward gaze at me now is the very sublime of faith, truth, and devotion: it is too much as if some spirit were near me. Look wicked, Jane: as you know well how to look: coin one of your wild, shy, provoking smiles; tell me you hate me--tease me, vex me; do anything but move me: I would rather be incensed than saddened." "I will tease you and vex you to your heart's content, when I have finished my tale: but hear me to the end." "I thought, Jane, you had told me all. I thought I had found the source of your melancholy in a dream." I shook my head. "What! is there more? But I will not believe it to be anything important. I warn you of incredulity beforehand. Go on." The disquietude of his air, the somewhat apprehensive impatience of his manner, surprised me: but I proceeded. "I dreamt another dream, sir: that Thornfield Hall was a dreary ruin, the retreat of bats and owls. I thought that of all the stately front nothing remained but a shell-like wall, very high and very fragile-looking. I wandered, on a moonlight night, through the grass- grown enclosure within: here I stumbled over a marble hearth, and there over a fallen fragment of cornice. Wrapped up in a shawl, I still carried the unknown little child: I might not lay it down anywhere, however tired were my arms--however much its weight impeded my progress, I must retain it. I heard the gallop of a horse at a distance on the road; I was sure it was you; and you were departing for many years and for a distant country. I climbed the thin wall with frantic perilous haste, eager to catch one glimpse of you from the top: the stones rolled from under my feet, the ivy branches I grasped gave way, the child clung round my neck in terror, and almost strangled me; at last I gained the summit. I saw you like a speck on a white track, lessening every moment. The blast blew so strong I could not stand. I sat down on the narrow ledge; I hushed the scared infant in my lap: you turned an angle of the road: I bent forward to take a last look; the wall crumbled; I was shaken; the child rolled from my knee, I lost my balance, fell, and woke." "Now, Jane, that is all." "All the preface, sir; the tale is yet to come. On waking, a gleam dazzled my eyes; I thought--Oh, it is daylight! But I was mistaken; it was only candlelight. Sophie, I supposed, had come in. There was a light in the dressing-table, and the door of the closet, where, before going to bed, I had hung my wedding-dress and veil, stood open; I heard a rustling there. I asked, 'Sophie, what are you doing?' No one answered; but a form emerged from the closet; it took the light, held it aloft, and surveyed the garments pendent from the portmanteau. 'Sophie! Sophie!' I again cried: and still it was silent. I had risen up in bed, I bent forward: first surprise, then bewilderment, came over me; and then my blood crept cold through my veins. Mr. Rochester, this was not Sophie, it was not Leah, it was not Mrs. Fairfax: it was not--no, I was sure of it, and am still--it was not even that strange woman, Grace Poole." "It must have been one of them," interrupted my master. "No, sir, I solemnly assure you to the contrary. The shape standing before me had never crossed my eyes within the precincts of Thornfield Hall before; the height, the contour were new to me." "Describe it, Jane." "It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell." "Did you see her face?" "Not at first. But presently she took my veil from its place; she held it up, gazed at it long, and then she threw it over her own head, and turned to the mirror. At that moment I saw the reflection of the visage and features quite distinctly in the dark oblong glass." "And how were they?" "Fearful and ghastly to me--oh, sir, I never saw a face like it! It was a discoloured face--it was a savage face. I wish I could forget the roll of the red eyes and the fearful blackened inflation of the lineaments!" "Ghosts are usually pale, Jane." "This, sir, was purple: the lips were swelled and dark; the brow furrowed: the black eyebrows widely raised over the bloodshot eyes. Shall I tell you of what it reminded me?" "You may." "Of the foul German spectre--the Vampyre." "Ah!--what did it do?" "Sir, it removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them." {It removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them: p272.jpg} "Afterwards?" "It drew aside the window-curtain and looked out; perhaps it saw dawn approaching, for, taking the candle, it retreated to the door. Just at my bedside, the figure stopped: the fiery eyes glared upon me--she thrust up her candle close to my face, and extinguished it under my eyes. I was aware her lurid visage flamed over mine, and I lost consciousness: for the second time in my life--only the second time--I became insensible from terror." "Who was with you when you revived?" "No one, sir, but the broad day. I rose, bathed my head and face in water, drank a long draught; felt that though enfeebled I was not ill, and determined that to none but you would I impart this vision. Now, sir, tell me who and what that woman was?" "The creature of an over-stimulated brain; that is certain. I must be careful of you, my treasure: nerves like yours were not made for rough handling." "Sir, depend on it, my nerves were not in fault; the thing was real: the transaction actually took place." "And your previous dreams, were they real too? Is Thornfield Hall a ruin? Am I severed from you by insuperable obstacles? Am I leaving you without a tear--without a kiss--without a word?" "Not yet." "Am I about to do it? Why, the day is already commenced which is to bind us indissolubly; and when we are once united, there shall be no recurrence of these mental terrors: I guarantee that." "Mental terrors, sir! I wish I could believe them to be only such: I wish it more now than ever; since even you cannot explain to me the mystery of that awful visitant." "And since I cannot do it, Jane, it must have been unreal." "But, sir, when I said so to myself on rising this morning, and when I looked round the room to gather courage and comfort from the cheerful aspect of each familiar object in full daylight, there--on the carpet--I saw what gave the distinct lie to my hypothesis,--the veil, torn from top to bottom in two halves!" I felt Mr. Rochester start and shudder; he hastily flung his arms round me. "Thank God!" he exclaimed, "that if anything malignant did come near you last night, it was only the veil that was harmed. Oh, to think what might have happened!" He drew his breath short, and strained me so close to him, I could scarcely pant. After some minutes' silence, he continued, cheerily-- "Now, Janet, I'll explain to you all about it. It was half dream, half reality. A woman did, I doubt not, enter your room: and that woman was--must have been--Grace Poole. You call her a strange being yourself: from all you know, you have reason so to call her--what did she do to me? what to Mason? In a state between sleeping and waking, you noticed her entrance and her actions; but feverish, almost delirious as you were, you ascribed to her a goblin appearance different from her own: the long dishevelled hair, the swelled black face, the exaggerated stature, were figments of imagination; results of nightmare: the spiteful tearing of the veil was real: and it is like her. I see you would ask why I keep such a woman in my house: when we have been married a year and a day, I will tell you; but not now. Are you satisfied, Jane? Do you accept my solution of the mystery?" I reflected, and in truth it appeared to me the only possible one: satisfied I was not, but to please him I endeavoured to appear so--relieved, I certainly did feel; so I answered him with a contented smile. And now, as it was long past one, I prepared to leave him. "Does not Sophie sleep with Adele in the nursery?" he asked, as I lit my candle. "Yes, sir." "And there is room enough in Adele's little bed for you. You must share it with her to-night, Jane: it is no wonder that the incident you have related should make you nervous, and I would rather you did not sleep alone: promise me to go to the nursery." "I shall be very glad to do so, sir." "And fasten the door securely on the inside. Wake Sophie when you go upstairs, under pretence of requesting her to rouse you in good time to- morrow; for you must be dressed and have finished breakfast before eight. And now, no more sombre thoughts: chase dull care away, Janet. Don't you hear to what soft whispers the wind has fallen? and there is no more beating of rain against the window-panes: look here" (he lifted up the curtain)--"it is a lovely night!" It was. Half heaven was pure and stainless: the clouds, now trooping before the wind, which had shifted to the west, were filing off eastward in long, silvered columns. The moon shone peacefully. "Well," said Mr. Rochester, gazing inquiringly into my eyes, "how is my Janet now?" "The night is serene, sir; and so am I." "And you will not dream of separation and sorrow to-night; but of happy love and blissful union." This prediction was but half fulfilled: I did not indeed dream of sorrow, but as little did I dream of joy; for I never slept at all. With little Adele in my arms, I watched the slumber of childhood--so tranquil, so passionless, so innocent--and waited for the coming day: all my life was awake and astir in my frame: and as soon as the sun rose I rose too. I remember Adele clung to me as I left her: I remember I kissed her as I loosened her little hands from my neck; and I cried over her with strange emotion, and quitted her because I feared my sobs would break her still sound repose. She seemed the emblem of my past life; and here I was now to array myself to meet, the dread, but adored, type of my unknown future day.

volume 2, Chapter 25

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap25-26

The night before the wedding Jane feels anxious that Mr. Rochester is still away on his errands, and when the time of his supposed return far passes, she runs out into the wind and rain to meet him. She comes upon him riding home, and he takes her on the horse back to the house. They eat supper, and Jane tells Rochester why she is so anxious. The night before she dreamt that she was in the wind and rain caring for a crying infant and chasing Rochester who was riding away. Jane then tells of another dream where she saw Thornfield Hall as a dreary ruin. She tells him that when she awoke from this dream she saw a candle in her room and someone at her portmanteau looking at her garments. She says that she did not recognize the person, and that it was a woman with a discolored and savage face, who put on her wedding veil and then took it off and ripped it in two. She then came over and looked closely at Jane before leaving the room. Rochester says that he is sure she imagined it, but she says that the next morning she saw the veil ripped in two. He says that it must have been a half dream, where someone she knew entered her room, but that she dreamt the part about what kind of creature it was. He then asks her to sleep with Adele in the nursery that night and to have more pleasant dreams. Jane, however, does not sleep at all, and rises early in the morning to prepare for her wedding

novelguide

all_chapterized_books/1260-chapters/27.txt

finished_summaries/novelguide/Jane Eyre/section_12_part_2.txt

Jane Eyre.volume 3.chapter 26

chapter 26

{"name": "volume 2, Chapter 26", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap25-26", "summary": "As they walk to the church the next morning, Jane sees two strangers enter it. During the ceremony, when the clergyman asks them if either have any reason why they cannot be wed, one of the strangers steps forward and says that Mr. Rochester is already married. He states that he was married to Bertha Antoinetta Mason in the West Indies. Then Mason himself comes out of the shadows and confirms that it is true and that he is Bertha's brother and that his sister is alive and at Thornfield. Rochester says that it is true, but that Bertha is mad, and he takes them all to Thornfield. They go to the third story and there they see Grace Poole and another figure that may or may not be human. It acts like a wild animal, and it attacks Rochester when it sees him. He finally gets control over her and ties her up. He tells them all that this is his wife and asks if they could they blame him for trying to have another wife in Jane, telling them to compare the two. The men say that Jane is cleared of all blame, and that her uncle will be glad to hear of it. They tell her that her uncle was working with Mason when he received her letter that talked of her upcoming marriage. He told Mason about it, and he related Rochester's story. Jane's uncle begged Mason to travel and stop the wedding, and he himself fell so ill they are not sure whether he will survive or not. The men leave, and Jane goes to her room to think. She realizes that she must leave Thornfield and is dismayed", "analysis": ""}

Sophie came at seven to dress me: she was very long indeed in accomplishing her task; so long that Mr. Rochester, grown, I suppose, impatient of my delay, sent up to ask why I did not come. She was just fastening my veil (the plain square of blond after all) to my hair with a brooch; I hurried from under her hands as soon as I could. "Stop!" she cried in French. "Look at yourself in the mirror: you have not taken one peep." So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger. "Jane!" called a voice, and I hastened down. I was received at the foot of the stairs by Mr. Rochester. "Lingerer!" he said, "my brain is on fire with impatience, and you tarry so long!" He took me into the dining-room, surveyed me keenly all over, pronounced me "fair as a lily, and not only the pride of his life, but the desire of his eyes," and then telling me he would give me but ten minutes to eat some breakfast, he rang the bell. One of his lately hired servants, a footman, answered it. "Is John getting the carriage ready?" "Yes, sir." "Is the luggage brought down?" "They are bringing it down, sir." "Go you to the church: see if Mr. Wood (the clergyman) and the clerk are there: return and tell me." The church, as the reader knows, was but just beyond the gates; the footman soon returned. "Mr. Wood is in the vestry, sir, putting on his surplice." "And the carriage?" "The horses are harnessing." "We shall not want it to go to church; but it must be ready the moment we return: all the boxes and luggage arranged and strapped on, and the coachman in his seat." "Yes, sir." "Jane, are you ready?" I rose. There were no groomsmen, no bridesmaids, no relatives to wait for or marshal: none but Mr. Rochester and I. Mrs. Fairfax stood in the hall as we passed. I would fain have spoken to her, but my hand was held by a grasp of iron: I was hurried along by a stride I could hardly follow; and to look at Mr. Rochester's face was to feel that not a second of delay would be tolerated for any purpose. I wonder what other bridegroom ever looked as he did--so bent up to a purpose, so grimly resolute: or who, under such steadfast brows, ever revealed such flaming and flashing eyes. I know not whether the day was fair or foul; in descending the drive, I gazed neither on sky nor earth: my heart was with my eyes; and both seemed migrated into Mr. Rochester's frame. I wanted to see the invisible thing on which, as we went along, he appeared to fasten a glance fierce and fell. I wanted to feel the thoughts whose force he seemed breasting and resisting. At the churchyard wicket he stopped: he discovered I was quite out of breath. "Am I cruel in my love?" he said. "Delay an instant: lean on me, Jane." And now I can recall the picture of the grey old house of God rising calm before me, of a rook wheeling round the steeple, of a ruddy morning sky beyond. I remember something, too, of the green grave-mounds; and I have not forgotten, either, two figures of strangers straying amongst the low hillocks and reading the mementoes graven on the few mossy head-stones. I noticed them, because, as they saw us, they passed round to the back of the church; and I doubted not they were going to enter by the side-aisle door and witness the ceremony. By Mr. Rochester they were not observed; he was earnestly looking at my face from which the blood had, I daresay, momentarily fled: for I felt my forehead dewy, and my cheeks and lips cold. When I rallied, which I soon did, he walked gently with me up the path to the porch. We entered the quiet and humble temple; the priest waited in his white surplice at the lowly altar, the clerk beside him. All was still: two shadows only moved in a remote corner. My conjecture had been correct: the strangers had slipped in before us, and they now stood by the vault of the Rochesters, their backs towards us, viewing through the rails the old time-stained marble tomb, where a kneeling angel guarded the remains of Damer de Rochester, slain at Marston Moor in the time of the civil wars, and of Elizabeth, his wife. Our place was taken at the communion rails. Hearing a cautious step behind me, I glanced over my shoulder: one of the strangers--a gentleman, evidently--was advancing up the chancel. The service began. The explanation of the intent of matrimony was gone through; and then the clergyman came a step further forward, and, bending slightly towards Mr. Rochester, went on. "I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God's Word doth allow, are not joined together by God, neither is their matrimony lawful." He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, "Wilt thou have this woman for thy wedded wife?"--when a distinct and near voice said-- "The marriage cannot go on: I declare the existence of an impediment." The clergyman looked up at the speaker and stood mute; the clerk did the same; Mr. Rochester moved slightly, as if an earthquake had rolled under his feet: taking a firmer footing, and not turning his head or eyes, he said, "Proceed." Profound silence fell when he had uttered that word, with deep but low intonation. Presently Mr. Wood said-- "I cannot proceed without some investigation into what has been asserted, and evidence of its truth or falsehood." "The ceremony is quite broken off," subjoined the voice behind us. "I am in a condition to prove my allegation: an insuperable impediment to this marriage exists." Mr. Rochester heard, but heeded not: he stood stubborn and rigid, making no movement but to possess himself of my hand. What a hot and strong grasp he had! and how like quarried marble was his pale, firm, massive front at this moment! How his eye shone, still watchful, and yet wild beneath! Mr. Wood seemed at a loss. "What is the nature of the impediment?" he asked. "Perhaps it may be got over--explained away?" "Hardly," was the answer. "I have called it insuperable, and I speak advisedly." The speaker came forward and leaned on the rails. He continued, uttering each word distinctly, calmly, steadily, but not loudly-- "It simply consists in the existence of a previous marriage. Mr. Rochester has a wife now living." My nerves vibrated to those low-spoken words as they had never vibrated to thunder--my blood felt their subtle violence as it had never felt frost or fire; but I was collected, and in no danger of swooning. I looked at Mr. Rochester: I made him look at me. His whole face was colourless rock: his eye was both spark and flint. He disavowed nothing: he seemed as if he would defy all things. Without speaking, without smiling, without seeming to recognise in me a human being, he only twined my waist with his arm and riveted me to his side. "Who are you?" he asked of the intruder. "My name is Briggs, a solicitor of --- Street, London." "And you would thrust on me a wife?" "I would remind you of your lady's existence, sir, which the law recognises, if you do not." "Favour me with an account of her--with her name, her parentage, her place of abode." "Certainly." Mr. Briggs calmly took a paper from his pocket, and read out in a sort of official, nasal voice:-- "'I affirm and can prove that on the 20th of October A.D. --- (a date of fifteen years back), Edward Fairfax Rochester, of Thornfield Hall, in the county of ---, and of Ferndean Manor, in ---shire, England, was married to my sister, Bertha Antoinetta Mason, daughter of Jonas Mason, merchant, and of Antoinetta his wife, a Creole, at --- church, Spanish Town, Jamaica. The record of the marriage will be found in the register of that church--a copy of it is now in my possession. Signed, Richard Mason.'" "That--if a genuine document--may prove I have been married, but it does not prove that the woman mentioned therein as my wife is still living." "She was living three months ago," returned the lawyer. "How do you know?" "I have a witness to the fact, whose testimony even you, sir, will scarcely controvert." "Produce him--or go to hell." "I will produce him first--he is on the spot. Mr. Mason, have the goodness to step forward." Mr. Rochester, on hearing the name, set his teeth; he experienced, too, a sort of strong convulsive quiver; near to him as I was, I felt the spasmodic movement of fury or despair run through his frame. The second stranger, who had hitherto lingered in the background, now drew near; a pale face looked over the solicitor's shoulder--yes, it was Mason himself. Mr. Rochester turned and glared at him. His eye, as I have often said, was a black eye: it had now a tawny, nay, a bloody light in its gloom; and his face flushed--olive cheek and hueless forehead received a glow as from spreading, ascending heart-fire: and he stirred, lifted his strong arm--he could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his body--but Mason shrank away, and cried faintly, "Good God!" Contempt fell cool on Mr. Rochester--his passion died as if a blight had shrivelled it up: he only asked--"What have _you_ to say?" An inaudible reply escaped Mason's white lips. "The devil is in it if you cannot answer distinctly. I again demand, what have you to say?" "Sir--sir," interrupted the clergyman, "do not forget you are in a sacred place." Then addressing Mason, he inquired gently, "Are you aware, sir, whether or not this gentleman's wife is still living?" "Courage," urged the lawyer,--"speak out." "She is now living at Thornfield Hall," said Mason, in more articulate tones: "I saw her there last April. I am her brother." "At Thornfield Hall!" ejaculated the clergyman. "Impossible! I am an old resident in this neighbourhood, sir, and I never heard of a Mrs. Rochester at Thornfield Hall." I saw a grim smile contort Mr. Rochester's lips, and he muttered-- "No, by God! I took care that none should hear of it--or of her under that name." He mused--for ten minutes he held counsel with himself: he formed his resolve, and announced it-- "Enough! all shall bolt out at once, like the bullet from the barrel. Wood, close your book and take off your surplice; John Green (to the clerk), leave the church: there will be no wedding to-day." The man obeyed. Mr. Rochester continued, hardily and recklessly: "Bigamy is an ugly word!--I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me,--perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up:--what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago,--Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick!--never fear me!--I'd almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations! Her mother, the Creole, was both a madwoman and a drunkard!--as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner--pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole's patient, and _my wife_! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl," he continued, looking at me, "knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you--follow!" Still holding me fast, he left the church: the three gentlemen came after. At the front door of the hall we found the carriage. "Take it back to the coach-house, John," said Mr. Rochester coolly; "it will not be wanted to-day." At our entrance, Mrs. Fairfax, Adele, Sophie, Leah, advanced to meet and greet us. "To the right-about--every soul!" cried the master; "away with your congratulations! Who wants them? Not I!--they are fifteen years too late!" He passed on and ascended the stairs, still holding my hand, and still beckoning the gentlemen to follow him, which they did. We mounted the first staircase, passed up the gallery, proceeded to the third storey: the low, black door, opened by Mr. Rochester's master-key, admitted us to the tapestried room, with its great bed and its pictorial cabinet. "You know this place, Mason," said our guide; "she bit and stabbed you here." He lifted the hangings from the wall, uncovering the second door: this, too, he opened. In a room without a window, there burnt a fire guarded by a high and strong fender, and a lamp suspended from the ceiling by a chain. Grace Poole bent over the fire, apparently cooking something in a saucepan. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. "Good-morrow, Mrs. Poole!" said Mr. Rochester. "How are you? and how is your charge to-day?" "We're tolerable, sir, I thank you," replied Grace, lifting the boiling mess carefully on to the hob: "rather snappish, but not 'rageous." A fierce cry seemed to give the lie to her favourable report: the clothed hyena rose up, and stood tall on its hind-feet. "Ah! sir, she sees you!" exclaimed Grace: "you'd better not stay." "Only a few moments, Grace: you must allow me a few moments." "Take care then, sir!--for God's sake, take care!" The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognised well that purple face,--those bloated features. Mrs. Poole advanced. "Keep out of the way," said Mr. Rochester, thrusting her aside: "she has no knife now, I suppose, and I'm on my guard." "One never knows what she has, sir: she is so cunning: it is not in mortal discretion to fathom her craft." "We had better leave her," whispered Mason. "Go to the devil!" was his brother-in-law's recommendation. "'Ware!" cried Grace. The three gentlemen retreated simultaneously. Mr. Rochester flung me behind him: the lunatic sprang and grappled his throat viciously, and laid her teeth to his cheek: they struggled. She was a big woman, in stature almost equalling her husband, and corpulent besides: she showed virile force in the contest--more than once she almost throttled him, athletic as he was. He could have settled her with a well-planted blow; but he would not strike: he would only wrestle. At last he mastered her arms; Grace Poole gave him a cord, and he pinioned them behind her: with more rope, which was at hand, he bound her to a chair. The operation was performed amidst the fiercest yells and the most convulsive plunges. Mr. Rochester then turned to the spectators: he looked at them with a smile both acrid and desolate. "That is _my wife_," said he. "Such is the sole conjugal embrace I am ever to know--such are the endearments which are to solace my leisure hours! And _this_ is what I wished to have" (laying his hand on my shoulder): "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon, I wanted her just as a change after that fierce ragout. Wood and Briggs, look at the difference! Compare these clear eyes with the red balls yonder--this face with that mask--this form with that bulk; then judge me, priest of the gospel and man of the law, and remember with what judgment ye judge ye shall be judged! Off with you now. I must shut up my prize." We all withdrew. Mr. Rochester stayed a moment behind us, to give some further order to Grace Poole. The solicitor addressed me as he descended the stair. "You, madam," said he, "are cleared from all blame: your uncle will be glad to hear it--if, indeed, he should be still living--when Mr. Mason returns to Madeira." "My uncle! What of him? Do you know him?" "Mr. Mason does. Mr. Eyre has been the Funchal correspondent of his house for some years. When your uncle received your letter intimating the contemplated union between yourself and Mr. Rochester, Mr. Mason, who was staying at Madeira to recruit his health, on his way back to Jamaica, happened to be with him. Mr. Eyre mentioned the intelligence; for he knew that my client here was acquainted with a gentleman of the name of Rochester. Mr. Mason, astonished and distressed as you may suppose, revealed the real state of matters. Your uncle, I am sorry to say, is now on a sick bed; from which, considering the nature of his disease--decline--and the stage it has reached, it is unlikely he will ever rise. He could not then hasten to England himself, to extricate you from the snare into which you had fallen, but he implored Mr. Mason to lose no time in taking steps to prevent the false marriage. He referred him to me for assistance. I used all despatch, and am thankful I was not too late: as you, doubtless, must be also. Were I not morally certain that your uncle will be dead ere you reach Madeira, I would advise you to accompany Mr. Mason back; but as it is, I think you had better remain in England till you can hear further, either from or of Mr. Eyre. Have we anything else to stay for?" he inquired of Mr. Mason. "No, no--let us be gone," was the anxious reply; and without waiting to take leave of Mr. Rochester, they made their exit at the hall door. The clergyman stayed to exchange a few sentences, either of admonition or reproof, with his haughty parishioner; this duty done, he too departed. I heard him go as I stood at the half-open door of my own room, to which I had now withdrawn. The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded--not to weep, not to mourn, I was yet too calm for that, but--mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved--followed up and down where I was led or dragged--watched event rush on event, disclosure open beyond disclosure: but _now_, _I thought_. The morning had been a quiet morning enough--all except the brief scene with the lunatic: the transaction in the church had not been noisy; there was no explosion of passion, no loud altercation, no dispute, no defiance or challenge, no tears, no sobs: a few words had been spoken, a calmly pronounced objection to the marriage made; some stern, short questions put by Mr. Rochester; answers, explanations given, evidence adduced; an open admission of the truth had been uttered by my master; then the living proof had been seen; the intruders were gone, and all was over. I was in my own room as usual--just myself, without obvious change: nothing had smitten me, or scathed me, or maimed me. And yet where was the Jane Eyre of yesterday?--where was her life?--where were her prospects? Jane Eyre, who had been an ardent, expectant woman--almost a bride, was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway. My hopes were all dead--struck with a subtle doom, such as, in one night, fell on all the first-born in the land of Egypt. I looked on my cherished wishes, yesterday so blooming and glowing; they lay stark, chill, livid corpses that could never revive. I looked at my love: that feeling which was my master's--which he had created; it shivered in my heart, like a suffering child in a cold cradle; sickness and anguish had seized it; it could not seek Mr. Rochester's arms--it could not derive warmth from his breast. Oh, never more could it turn to him; for faith was blighted--confidence destroyed! Mr. Rochester was not to me what he had been; for he was not what I had thought him. I would not ascribe vice to him; I would not say he had betrayed me; but the attribute of stainless truth was gone from his idea, and from his presence I must go: _that_ I perceived well. When--how--whither, I could not yet discern; but he himself, I doubted not, would hurry me from Thornfield. Real affection, it seemed, he could not have for me; it had been only fitful passion: that was balked; he would want me no more. I should fear even to cross his path now: my view must be hateful to him. Oh, how blind had been my eyes! How weak my conduct! My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me."

volume 2, Chapter 26

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap25-26

As they walk to the church the next morning, Jane sees two strangers enter it. During the ceremony, when the clergyman asks them if either have any reason why they cannot be wed, one of the strangers steps forward and says that Mr. Rochester is already married. He states that he was married to Bertha Antoinetta Mason in the West Indies. Then Mason himself comes out of the shadows and confirms that it is true and that he is Bertha's brother and that his sister is alive and at Thornfield. Rochester says that it is true, but that Bertha is mad, and he takes them all to Thornfield. They go to the third story and there they see Grace Poole and another figure that may or may not be human. It acts like a wild animal, and it attacks Rochester when it sees him. He finally gets control over her and ties her up. He tells them all that this is his wife and asks if they could they blame him for trying to have another wife in Jane, telling them to compare the two. The men say that Jane is cleared of all blame, and that her uncle will be glad to hear of it. They tell her that her uncle was working with Mason when he received her letter that talked of her upcoming marriage. He told Mason about it, and he related Rochester's story. Jane's uncle begged Mason to travel and stop the wedding, and he himself fell so ill they are not sure whether he will survive or not. The men leave, and Jane goes to her room to think. She realizes that she must leave Thornfield and is dismayed

novelguide

all_chapterized_books/1260-chapters/29.txt

finished_summaries/novelguide/Jane Eyre/section_13_part_2.txt

Jane Eyre.volume 3.chapter 28

chapter 28

{"name": "volume 3, Chapter 28", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap27-28", "summary": "Two days have passed since Jane left Thornfield, and the money that she had could only allow the driver to take her as far as Whitcross, which is not even a town, but a crossroads. Jane had forgotten her parcel on the coach, so now realizes she is quite penniless and destitute. She spends the night outside, and the next morning, driven by hunger, walks to the nearest village. She stops at a shop to see if the woman knows of any work needed in the village. The woman does not, and neither does a woman at a small house Jane stops at. Jane continues on, her hunger getting stronger, until she sees the parsonage. She asks if the clergyman is in, but is told that he is not expected for another fortnight, as his father died and he had to leave town. She goes again to the shop, mastering her embarrassment to ask for some bread in exchange for her gloves, but the woman will not trade. Jane walks out of town and begs some bread from a man in a farmhouse and again sleeps outside. In the morning she passes a girl about to throw porridge to a pig, but the girl gives it to Jane when she asks for it. Jane wanders farther out of the town, and it gets darker. She sees a light in the distance, but feels too weak to approach it. She finally finds the strength and approaches a small house. Inside are an older woman and two, young graceful women, and Jane watches them through the window. When she knocks, the older woman tells her to go away. Jane tells her that she will die, and when the older woman closes the door, Jane collapses on the doorstep. Just then a man approaches and opens the door and tells the woman to let Jane in. Jane tells the people that her name is Jane Elliot and that she is too tired and famished to answer any questions. They give her some food and a bed for the night", "analysis": ""}

Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute. Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, dusk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south--white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment--not a charm or hope calls me where my fellow-creatures are--none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose. I struck straight into the heath; I held on to a hollow I saw deeply furrowing the brown moorside; I waded knee-deep in its dark growth; I turned with its turnings, and finding a moss-blackened granite crag in a hidden angle, I sat down under it. High banks of moor were about me; the crag protected my head: the sky was over that. Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection. What was I to do? Where to go? Oh, intolerable questions, when I could do nothing and go nowhere!--when a long way must yet be measured by my weary, trembling limbs before I could reach human habitation--when cold charity must be entreated before I could get a lodging: reluctant sympathy importuned, almost certain repulse incurred, before my tale could be listened to, or one of my wants relieved! I touched the heath: it was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good; I thought she loved me, outcast as I was; and I, who from man could anticipate only mistrust, rejection, insult, clung to her with filial fondness. To-night, at least, I would be her guest, as I was her child: my mother would lodge me without money and without price. I had one morsel of bread yet: the remnant of a roll I had bought in a town we passed through at noon with a stray penny--my last coin. I saw ripe bilberries gleaming here and there, like jet beads in the heath: I gathered a handful and ate them with the bread. My hunger, sharp before, was, if not satisfied, appeased by this hermit's meal. I said my evening prayers at its conclusion, and then chose my couch. {I said my evening prayers: p311.jpg} Beside the crag the heath was very deep: when I lay down my feet were buried in it; rising high on each side, it left only a narrow space for the night-air to invade. I folded my shawl double, and spread it over me for a coverlet; a low, mossy swell was my pillow. Thus lodged, I was not, at least--at the commencement of the night, cold. My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords. It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both wings broken, it still quivered its shattered pinions in vain attempts to seek him. Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night: too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky- way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe; he was God's, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow. But next day, Want came to me pale and bare. Long after the little birds had left their nests; long after bees had come in the sweet prime of day to gather the heath honey before the dew was dried--when the long morning shadows were curtailed, and the sun filled earth and sky--I got up, and I looked round me. What a still, hot, perfect day! What a golden desert this spreading moor! Everywhere sunshine. I wished I could live in it and on it. I saw a lizard run over the crag; I saw a bee busy among the sweet bilberries. I would fain at the moment have become bee or lizard, that I might have found fitting nutriment, permanent shelter here. But I was a human being, and had a human being's wants: I must not linger where there was nothing to supply them. I rose; I looked back at the bed I had left. Hopeless of the future, I wished but this--that my Maker had that night thought good to require my soul of me while I slept; and that this weary frame, absolved by death from further conflict with fate, had now but to decay quietly, and mingle in peace with the soil of this wilderness. Life, however, was yet in my possession, with all its requirements, and pains, and responsibilities. The burden must be carried; the want provided for; the suffering endured; the responsibility fulfilled. I set out. Whitcross regained, I followed a road which led from the sun, now fervent and high. By no other circumstance had I will to decide my choice. I walked a long time, and when I thought I had nearly done enough, and might conscientiously yield to the fatigue that almost overpowered me--might relax this forced action, and, sitting down on a stone I saw near, submit resistlessly to the apathy that clogged heart and limb--I heard a bell chime--a church bell. I turned in the direction of the sound, and there, amongst the romantic hills, whose changes and aspect I had ceased to note an hour ago, I saw a hamlet and a spire. All the valley at my right hand was full of pasture- fields, and cornfields, and wood; and a glittering stream ran zig-zag through the varied shades of green, the mellowing grain, the sombre woodland, the clear and sunny lea. Recalled by the rumbling of wheels to the road before me, I saw a heavily-laden waggon labouring up the hill, and not far beyond were two cows and their drover. Human life and human labour were near. I must struggle on: strive to live and bend to toil like the rest. About two o'clock p.m. I entered the village. At the bottom of its one street there was a little shop with some cakes of bread in the window. I coveted a cake of bread. With that refreshment I could perhaps regain a degree of energy: without it, it would be difficult to proceed. The wish to have some strength and some vigour returned to me as soon as I was amongst my fellow-beings. I felt it would be degrading to faint with hunger on the causeway of a hamlet. Had I nothing about me I could offer in exchange for one of these rolls? I considered. I had a small silk handkerchief tied round my throat; I had my gloves. I could hardly tell how men and women in extremities of destitution proceeded. I did not know whether either of these articles would be accepted: probably they would not; but I must try. I entered the shop: a woman was there. Seeing a respectably-dressed person, a lady as she supposed, she came forward with civility. How could she serve me? I was seized with shame: my tongue would not utter the request I had prepared. I dared not offer her the half-worn gloves, the creased handkerchief: besides, I felt it would be absurd. I only begged permission to sit down a moment, as I was tired. Disappointed in the expectation of a customer, she coolly acceded to my request. She pointed to a seat; I sank into it. I felt sorely urged to weep; but conscious how unseasonable such a manifestation would be, I restrained it. Soon I asked her "if there were any dressmaker or plain-workwoman in the village?" "Yes; two or three. Quite as many as there was employment for." I reflected. I was driven to the point now. I was brought face to face with Necessity. I stood in the position of one without a resource, without a friend, without a coin. I must do something. What? I must apply somewhere. Where? "Did she know of any place in the neighbourhood where a servant was wanted?" "Nay; she couldn't say." "What was the chief trade in this place? What did most of the people do?" "Some were farm labourers; a good deal worked at Mr. Oliver's needle-factory, and at the foundry." "Did Mr. Oliver employ women?" "Nay; it was men's work." "And what do the women do?" "I knawn't," was the answer. "Some does one thing, and some another. Poor folk mun get on as they can." She seemed to be tired of my questions: and, indeed, what claim had I to importune her? A neighbour or two came in; my chair was evidently wanted. I took leave. I passed up the street, looking as I went at all the houses to the right hand and to the left; but I could discover no pretext, nor see an inducement to enter any. I rambled round the hamlet, going sometimes to a little distance and returning again, for an hour or more. Much exhausted, and suffering greatly now for want of food, I turned aside into a lane and sat down under the hedge. Ere many minutes had elapsed, I was again on my feet, however, and again searching something--a resource, or at least an informant. A pretty little house stood at the top of the lane, with a garden before it, exquisitely neat and brilliantly blooming. I stopped at it. What business had I to approach the white door or touch the glittering knocker? In what way could it possibly be the interest of the inhabitants of that dwelling to serve me? Yet I drew near and knocked. A mild-looking, cleanly-attired young woman opened the door. In such a voice as might be expected from a hopeless heart and fainting frame--a voice wretchedly low and faltering--I asked if a servant was wanted here? "No," said she; "we do not keep a servant." "Can you tell me where I could get employment of any kind?" I continued. "I am a stranger, without acquaintance in this place. I want some work: no matter what." But it was not her business to think for me, or to seek a place for me: besides, in her eyes, how doubtful must have appeared my character, position, tale. She shook her head, she "was sorry she could give me no information," and the white door closed, quite gently and civilly: but it shut me out. If she had held it open a little longer, I believe I should have begged a piece of bread; for I was now brought low. I could not bear to return to the sordid village, where, besides, no prospect of aid was visible. I should have longed rather to deviate to a wood I saw not far off, which appeared in its thick shade to offer inviting shelter; but I was so sick, so weak, so gnawed with nature's cravings, instinct kept me roaming round abodes where there was a chance of food. Solitude would be no solitude--rest no rest--while the vulture, hunger, thus sank beak and talons in my side. I drew near houses; I left them, and came back again, and again I wandered away: always repelled by the consciousness of having no claim to ask--no right to expect interest in my isolated lot. Meantime, the afternoon advanced, while I thus wandered about like a lost and starving dog. In crossing a field, I saw the church spire before me: I hastened towards it. Near the churchyard, and in the middle of a garden, stood a well-built though small house, which I had no doubt was the parsonage. I remembered that strangers who arrive at a place where they have no friends, and who want employment, sometimes apply to the clergyman for introduction and aid. It is the clergyman's function to help--at least with advice--those who wished to help themselves. I seemed to have something like a right to seek counsel here. Renewing then my courage, and gathering my feeble remains of strength, I pushed on. I reached the house, and knocked at the kitchen-door. An old woman opened: I asked was this the parsonage? "Yes." "Was the clergyman in?" "No." "Would he be in soon?" "No, he was gone from home." "To a distance?" "Not so far--happen three mile. He had been called away by the sudden death of his father: he was at Marsh End now, and would very likely stay there a fortnight longer." "Was there any lady of the house?" "Nay, there was naught but her, and she was housekeeper;" and of her, reader, I could not bear to ask the relief for want of which I was sinking; I could not yet beg; and again I crawled away. Once more I took off my handkerchief--once more I thought of the cakes of bread in the little shop. Oh, for but a crust! for but one mouthful to allay the pang of famine! Instinctively I turned my face again to the village; I found the shop again, and I went in; and though others were there besides the woman I ventured the request--"Would she give me a roll for this handkerchief?" She looked at me with evident suspicion: "Nay, she never sold stuff i' that way." Almost desperate, I asked for half a cake; she again refused. "How could she tell where I had got the handkerchief?" she said. "Would she take my gloves?" "No! what could she do with them?" Reader, it is not pleasant to dwell on these details. Some say there is enjoyment in looking back to painful experience past; but at this day I can scarcely bear to review the times to which I allude: the moral degradation, blent with the physical suffering, form too distressing a recollection ever to be willingly dwelt on. I blamed none of those who repulsed me. I felt it was what was to be expected, and what could not be helped: an ordinary beggar is frequently an object of suspicion; a well-dressed beggar inevitably so. To be sure, what I begged was employment; but whose business was it to provide me with employment? Not, certainly, that of persons who saw me then for the first time, and who knew nothing about my character. And as to the woman who would not take my handkerchief in exchange for her bread, why, she was right, if the offer appeared to her sinister or the exchange unprofitable. Let me condense now. I am sick of the subject. A little before dark I passed a farm-house, at the open door of which the farmer was sitting, eating his supper of bread and cheese. I stopped and said-- "Will you give me a piece of bread? for I am very hungry." He cast on me a glance of surprise; but without answering, he cut a thick slice from his loaf, and gave it to me. I imagine he did not think I was a beggar, but only an eccentric sort of lady, who had taken a fancy to his brown loaf. As soon as I was out of sight of his house, I sat down and ate it. I could not hope to get a lodging under a roof, and sought it in the wood I have before alluded to. But my night was wretched, my rest broken: the ground was damp, the air cold: besides, intruders passed near me more than once, and I had again and again to change my quarters; no sense of safety or tranquillity befriended me. Towards morning it rained; the whole of the following day was wet. Do not ask me, reader, to give a minute account of that day; as before, I sought work; as before, I was repulsed; as before, I starved; but once did food pass my lips. At the door of a cottage I saw a little girl about to throw a mess of cold porridge into a pig trough. "Will you give me that?" I asked. {"Will you give me that?" I asked: p316.jpg} She stared at me. "Mother!" she exclaimed, "there is a woman wants me to give her these porridge." "Well lass," replied a voice within, "give it her if she's a beggar. T' pig doesn't want it." The girl emptied the stiffened mould into my hand, and I devoured it ravenously. As the wet twilight deepened, I stopped in a solitary bridle-path, which I had been pursuing an hour or more. "My strength is quite failing me," I said in a soliloquy. "I feel I cannot go much farther. Shall I be an outcast again this night? While the rain descends so, must I lay my head on the cold, drenched ground? I fear I cannot do otherwise: for who will receive me? But it will be very dreadful, with this feeling of hunger, faintness, chill, and this sense of desolation--this total prostration of hope. In all likelihood, though, I should die before morning. And why cannot I reconcile myself to the prospect of death? Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living: and then, to die of want and cold is a fate to which nature cannot submit passively. Oh, Providence! sustain me a little longer! Aid!--direct me!" My glazed eye wandered over the dim and misty landscape. I saw I had strayed far from the village: it was quite out of sight. The very cultivation surrounding it had disappeared. I had, by cross-ways and by- paths, once more drawn near the tract of moorland; and now, only a few fields, almost as wild and unproductive as the heath from which they were scarcely reclaimed, lay between me and the dusky hill. "Well, I would rather die yonder than in a street or on a frequented road," I reflected. "And far better that crows and ravens--if any ravens there be in these regions--should pick my flesh from my bones, than that they should be prisoned in a workhouse coffin and moulder in a pauper's grave." To the hill, then, I turned. I reached it. It remained now only to find a hollow where I could lie down, and feel at least hidden, if not secure. But all the surface of the waste looked level. It showed no variation but of tint: green, where rush and moss overgrew the marshes; black, where the dry soil bore only heath. Dark as it was getting, I could still see these changes, though but as mere alternations of light and shade; for colour had faded with the daylight. My eye still roved over the sullen swell and along the moor-edge, vanishing amidst the wildest scenery, when at one dim point, far in among the marshes and the ridges, a light sprang up. "That is an _ignis fatuus_," was my first thought; and I expected it would soon vanish. It burnt on, however, quite steadily, neither receding nor advancing. "Is it, then, a bonfire just kindled?" I questioned. I watched to see whether it would spread: but no; as it did not diminish, so it did not enlarge. "It may be a candle in a house," I then conjectured; "but if so, I can never reach it. It is much too far away: and were it within a yard of me, what would it avail? I should but knock at the door to have it shut in my face." And I sank down where I stood, and hid my face against the ground. I lay still a while: the night-wind swept over the hill and over me, and died moaning in the distance; the rain fell fast, wetting me afresh to the skin. Could I but have stiffened to the still frost--the friendly numbness of death--it might have pelted on; I should not have felt it; but my yet living flesh shuddered at its chilling influence. I rose ere long. The light was yet there, shining dim but constant through the rain. I tried to walk again: I dragged my exhausted limbs slowly towards it. It led me aslant over the hill, through a wide bog, which would have been impassable in winter, and was splashy and shaking even now, in the height of summer. Here I fell twice; but as often I rose and rallied my faculties. This light was my forlorn hope: I must gain it. Having crossed the marsh, I saw a trace of white over the moor. I approached it; it was a road or a track: it led straight up to the light, which now beamed from a sort of knoll, amidst a clump of trees--firs, apparently, from what I could distinguish of the character of their forms and foliage through the gloom. My star vanished as I drew near: some obstacle had intervened between me and it. I put out my hand to feel the dark mass before me: I discriminated the rough stones of a low wall--above it, something like palisades, and within, a high and prickly hedge. I groped on. Again a whitish object gleamed before me: it was a gate--a wicket; it moved on its hinges as I touched it. On each side stood a sable bush-holly or yew. Entering the gate and passing the shrubs, the silhouette of a house rose to view, black, low, and rather long; but the guiding light shone nowhere. All was obscurity. Were the inmates retired to rest? I feared it must be so. In seeking the door, I turned an angle: there shot out the friendly gleam again, from the lozenged panes of a very small latticed window, within a foot of the ground, made still smaller by the growth of ivy or some other creeping plant, whose leaves clustered thick over the portion of the house wall in which it was set. The aperture was so screened and narrow, that curtain or shutter had been deemed unnecessary; and when I stooped down and put aside the spray of foliage shooting over it, I could see all within. I could see clearly a room with a sanded floor, clean scoured; a dresser of walnut, with pewter plates ranged in rows, reflecting the redness and radiance of a glowing peat-fire. I could see a clock, a white deal table, some chairs. The candle, whose ray had been my beacon, burnt on the table; and by its light an elderly woman, somewhat rough-looking, but scrupulously clean, like all about her, was knitting a stocking. I noticed these objects cursorily only--in them there was nothing extraordinary. A group of more interest appeared near the hearth, sitting still amidst the rosy peace and warmth suffusing it. Two young, graceful women--ladies in every point--sat, one in a low rocking-chair, the other on a lower stool; both wore deep mourning of crape and bombazeen, which sombre garb singularly set off very fair necks and faces: a large old pointer dog rested its massive head on the knee of one girl--in the lap of the other was cushioned a black cat. A strange place was this humble kitchen for such occupants! Who were they? They could not be the daughters of the elderly person at the table; for she looked like a rustic, and they were all delicacy and cultivation. I had nowhere seen such faces as theirs: and yet, as I gazed on them, I seemed intimate with every lineament. I cannot call them handsome--they were too pale and grave for the word: as they each bent over a book, they looked thoughtful almost to severity. A stand between them supported a second candle and two great volumes, to which they frequently referred, comparing them, seemingly, with the smaller books they held in their hands, like people consulting a dictionary to aid them in the task of translation. This scene was as silent as if all the figures had been shadows and the firelit apartment a picture: so hushed was it, I could hear the cinders fall from the grate, the clock tick in its obscure corner; and I even fancied I could distinguish the click-click of the woman's knitting-needles. When, therefore, a voice broke the strange stillness at last, it was audible enough to me. "Listen, Diana," said one of the absorbed students; "Franz and old Daniel are together in the night-time, and Franz is telling a dream from which he has awakened in terror--listen!" And in a low voice she read something, of which not one word was intelligible to me; for it was in an unknown tongue--neither French nor Latin. Whether it were Greek or German I could not tell. "That is strong," she said, when she had finished: "I relish it." The other girl, who had lifted her head to listen to her sister, repeated, while she gazed at the fire, a line of what had been read. At a later day, I knew the language and the book; therefore, I will here quote the line: though, when I first heard it, it was only like a stroke on sounding brass to me--conveying no meaning:-- "'Da trat hervor Einer, anzusehen wie die Sternen Nacht.' Good! good!" she exclaimed, while her dark and deep eye sparkled. "There you have a dim and mighty archangel fitly set before you! The line is worth a hundred pages of fustian. 'Ich wage die Gedanken in der Schale meines Zornes und die Werke mit dem Gewichte meines Grimms.' I like it!" Both were again silent. "Is there ony country where they talk i' that way?" asked the old woman, looking up from her knitting. "Yes, Hannah--a far larger country than England, where they talk in no other way." "Well, for sure case, I knawn't how they can understand t' one t'other: and if either o' ye went there, ye could tell what they said, I guess?" "We could probably tell something of what they said, but not all--for we are not as clever as you think us, Hannah. We don't speak German, and we cannot read it without a dictionary to help us." "And what good does it do you?" "We mean to teach it some time--or at least the elements, as they say; and then we shall get more money than we do now." "Varry like: but give ower studying; ye've done enough for to-night." "I think we have: at least I'm tired. Mary, are you?" "Mortally: after all, it's tough work fagging away at a language with no master but a lexicon." "It is, especially such a language as this crabbed but glorious Deutsch. I wonder when St. John will come home." "Surely he will not be long now: it is just ten (looking at a little gold watch she drew from her girdle). It rains fast, Hannah: will you have the goodness to look at the fire in the parlour?" The woman rose: she opened a door, through which I dimly saw a passage: soon I heard her stir a fire in an inner room; she presently came back. "Ah, childer!" said she, "it fair troubles me to go into yond' room now: it looks so lonesome wi' the chair empty and set back in a corner." She wiped her eyes with her apron: the two girls, grave before, looked sad now. "But he is in a better place," continued Hannah: "we shouldn't wish him here again. And then, nobody need to have a quieter death nor he had." "You say he never mentioned us?" inquired one of the ladies. "He hadn't time, bairn: he was gone in a minute, was your father. He had been a bit ailing like the day before, but naught to signify; and when Mr. St. John asked if he would like either o' ye to be sent for, he fair laughed at him. He began again with a bit of a heaviness in his head the next day--that is, a fortnight sin'--and he went to sleep and niver wakened: he wor a'most stark when your brother went into t' chamber and fand him. Ah, childer! that's t' last o' t' old stock--for ye and Mr. St. John is like of different soart to them 'at's gone; for all your mother wor mich i' your way, and a'most as book-learned. She wor the pictur' o' ye, Mary: Diana is more like your father." I thought them so similar I could not tell where the old servant (for such I now concluded her to be) saw the difference. Both were fair complexioned and slenderly made; both possessed faces full of distinction and intelligence. One, to be sure, had hair a shade darker than the other, and there was a difference in their style of wearing it; Mary's pale brown locks were parted and braided smooth: Diana's duskier tresses covered her neck with thick curls. The clock struck ten. "Ye'll want your supper, I am sure," observed Hannah; "and so will Mr. St. John when he comes in." And she proceeded to prepare the meal. The ladies rose; they seemed about to withdraw to the parlour. Till this moment, I had been so intent on watching them, their appearance and conversation had excited in me so keen an interest, I had half-forgotten my own wretched position: now it recurred to me. More desolate, more desperate than ever, it seemed from contrast. And how impossible did it appear to touch the inmates of this house with concern on my behalf; to make them believe in the truth of my wants and woes--to induce them to vouchsafe a rest for my wanderings! As I groped out the door, and knocked at it hesitatingly, I felt that last idea to be a mere chimera. Hannah opened. "What do you want?" she inquired, in a voice of surprise, as she surveyed me by the light of the candle she held. "May I speak to your mistresses?" I said. "You had better tell me what you have to say to them. Where do you come from?" "I am a stranger." "What is your business here at this hour?" "I want a night's shelter in an out-house or anywhere, and a morsel of bread to eat." Distrust, the very feeling I dreaded, appeared in Hannah's face. "I'll give you a piece of bread," she said, after a pause; "but we can't take in a vagrant to lodge. It isn't likely." "Do let me speak to your mistresses." "No, not I. What can they do for you? You should not be roving about now; it looks very ill." "But where shall I go if you drive me away? What shall I do?" "Oh, I'll warrant you know where to go and what to do. Mind you don't do wrong, that's all. Here is a penny; now go--" "A penny cannot feed me, and I have no strength to go farther. Don't shut the door:--oh, don't, for God's sake!" "I must; the rain is driving in--" "Tell the young ladies. Let me see them--" "Indeed, I will not. You are not what you ought to be, or you wouldn't make such a noise. Move off." "But I must die if I am turned away." "Not you. I'm fear'd you have some ill plans agate, that bring you about folk's houses at this time o' night. If you've any followers--housebreakers or such like--anywhere near, you may tell them we are not by ourselves in the house; we have a gentleman, and dogs, and guns." Here the honest but inflexible servant clapped the door to and bolted it within. This was the climax. A pang of exquisite suffering--a throe of true despair--rent and heaved my heart. Worn out, indeed, I was; not another step could I stir. I sank on the wet doorstep: I groaned--I wrung my hands--I wept in utter anguish. Oh, this spectre of death! Oh, this last hour, approaching in such horror! Alas, this isolation--this banishment from my kind! Not only the anchor of hope, but the footing of fortitude was gone--at least for a moment; but the last I soon endeavoured to regain. "I can but die," I said, "and I believe in God. Let me try to wait His will in silence." These words I not only thought, but uttered; and thrusting back all my misery into my heart, I made an effort to compel it to remain there--dumb and still. "All men must die," said a voice quite close at hand; "but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want." "Who or what speaks?" I asked, terrified at the unexpected sound, and incapable now of deriving from any occurrence a hope of aid. A form was near--what form, the pitch-dark night and my enfeebled vision prevented me from distinguishing. With a loud long knock, the new-comer appealed to the door. "Is it you, Mr. St. John?" cried Hannah. "Yes--yes; open quickly." "Well, how wet and cold you must be, such a wild night as it is! Come in--your sisters are quite uneasy about you, and I believe there are bad folks about. There has been a beggar-woman--I declare she is not gone yet!--laid down there. Get up! for shame! Move off, I say!" "Hush, Hannah! I have a word to say to the woman. You have done your duty in excluding, now let me do mine in admitting her. I was near, and listened to both you and her. I think this is a peculiar case--I must at least examine into it. Young woman, rise, and pass before me into the house." {Hush, Hannah; I have a word to say to the woman: p323.jpg} With difficulty I obeyed him. Presently I stood within that clean, bright kitchen--on the very hearth--trembling, sickening; conscious of an aspect in the last degree ghastly, wild, and weather-beaten. The two ladies, their brother, Mr. St. John, the old servant, were all gazing at me. "St. John, who is it?" I heard one ask. "I cannot tell: I found her at the door," was the reply. "She does look white," said Hannah. "As white as clay or death," was responded. "She will fall: let her sit." And indeed my head swam: I dropped, but a chair received me. I still possessed my senses, though just now I could not speak. "Perhaps a little water would restore her. Hannah, fetch some. But she is worn to nothing. How very thin, and how very bloodless!" "A mere spectre!" "Is she ill, or only famished?" "Famished, I think. Hannah, is that milk? Give it me, and a piece of bread." Diana (I knew her by the long curls which I saw drooping between me and the fire as she bent over me) broke some bread, dipped it in milk, and put it to my lips. Her face was near mine: I saw there was pity in it, and I felt sympathy in her hurried breathing. In her simple words, too, the same balm-like emotion spoke: "Try to eat." "Yes--try," repeated Mary gently; and Mary's hand removed my sodden bonnet and lifted my head. I tasted what they offered me: feebly at first, eagerly soon. "Not too much at first--restrain her," said the brother; "she has had enough." And he withdrew the cup of milk and the plate of bread. "A little more, St. John--look at the avidity in her eyes." "No more at present, sister. Try if she can speak now--ask her her name." I felt I could speak, and I answered--"My name is Jane Elliott." Anxious as ever to avoid discovery, I had before resolved to assume an _alias_. "And where do you live? Where are your friends?" I was silent. "Can we send for any one you know?" I shook my head. "What account can you give of yourself?" Somehow, now that I had once crossed the threshold of this house, and once was brought face to face with its owners, I felt no longer outcast, vagrant, and disowned by the wide world. I dared to put off the mendicant--to resume my natural manner and character. I began once more to know myself; and when Mr. St. John demanded an account--which at present I was far too weak to render--I said after a brief pause-- "Sir, I can give you no details to-night." "But what, then," said he, "do you expect me to do for you?" "Nothing," I replied. My strength sufficed for but short answers. Diana took the word-- "Do you mean," she asked, "that we have now given you what aid you require? and that we may dismiss you to the moor and the rainy night?" I looked at her. She had, I thought, a remarkable countenance, instinct both with power and goodness. I took sudden courage. Answering her compassionate gaze with a smile, I said--"I will trust you. If I were a masterless and stray dog, I know that you would not turn me from your hearth to-night: as it is, I really have no fear. Do with me and for me as you like; but excuse me from much discourse--my breath is short--I feel a spasm when I speak." All three surveyed me, and all three were silent. "Hannah," said Mr. St. John, at last, "let her sit there at present, and ask her no questions; in ten minutes more, give her the remainder of that milk and bread. Mary and Diana, let us go into the parlour and talk the matter over." They withdrew. Very soon one of the ladies returned--I could not tell which. A kind of pleasant stupor was stealing over me as I sat by the genial fire. In an undertone she gave some directions to Hannah. Ere long, with the servant's aid, I contrived to mount a staircase; my dripping clothes were removed; soon a warm, dry bed received me. I thanked God--experienced amidst unutterable exhaustion a glow of grateful joy--and slept.

volume 3, Chapter 28

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap27-28

Two days have passed since Jane left Thornfield, and the money that she had could only allow the driver to take her as far as Whitcross, which is not even a town, but a crossroads. Jane had forgotten her parcel on the coach, so now realizes she is quite penniless and destitute. She spends the night outside, and the next morning, driven by hunger, walks to the nearest village. She stops at a shop to see if the woman knows of any work needed in the village. The woman does not, and neither does a woman at a small house Jane stops at. Jane continues on, her hunger getting stronger, until she sees the parsonage. She asks if the clergyman is in, but is told that he is not expected for another fortnight, as his father died and he had to leave town. She goes again to the shop, mastering her embarrassment to ask for some bread in exchange for her gloves, but the woman will not trade. Jane walks out of town and begs some bread from a man in a farmhouse and again sleeps outside. In the morning she passes a girl about to throw porridge to a pig, but the girl gives it to Jane when she asks for it. Jane wanders farther out of the town, and it gets darker. She sees a light in the distance, but feels too weak to approach it. She finally finds the strength and approaches a small house. Inside are an older woman and two, young graceful women, and Jane watches them through the window. When she knocks, the older woman tells her to go away. Jane tells her that she will die, and when the older woman closes the door, Jane collapses on the doorstep. Just then a man approaches and opens the door and tells the woman to let Jane in. Jane tells the people that her name is Jane Elliot and that she is too tired and famished to answer any questions. They give her some food and a bed for the night

novelguide

all_chapterized_books/1260-chapters/30.txt

finished_summaries/novelguide/Jane Eyre/section_14_part_1.txt

Jane Eyre.volume 3.chapter 29

chapter 29

{"name": "volume 3, Chapter 29", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap29-30", "summary": "For three days and nights Jane stays in bed and they tend to her. When she is finally able to arise, she finds her clothes have all be cleaned and are waiting for her, and she goes downstairs. She there sees Hannah, the older woman, and after a talk they come to an understanding and Jane forgives her for not letting her in, and they become friends. Soon the rest of the household return from their walk to Morton. The two sisters are Diana and Mary Rivers, and the brother is Mr. St. John Rivers. Jane learns that their father has recently died, and that that is why they are all at Moor House, as the house is called. Mr. St. John is the clergyman in Morton, where Jane had gone for help. The household tries to talk to Jane more. She tells them that she will not disclose where she had been before then, but she does tell much of her life, including her stay at Lowood School and that she had been a private governess. She also tells them that her name is an alias, but that she fears disclosure, so will not tell them her real name. She asks Mr. St. John to find her some work, no matter how humble, and he says he will try", "analysis": ""}

The recollection of about three days and nights succeeding this is very dim in my mind. I can recall some sensations felt in that interval; but few thoughts framed, and no actions performed. I knew I was in a small room and in a narrow bed. To that bed I seemed to have grown; I lay on it motionless as a stone; and to have torn me from it would have been almost to kill me. I took no note of the lapse of time--of the change from morning to noon, from noon to evening. I observed when any one entered or left the apartment: I could even tell who they were; I could understand what was said when the speaker stood near to me; but I could not answer; to open my lips or move my limbs was equally impossible. Hannah, the servant, was my most frequent visitor. Her coming disturbed me. I had a feeling that she wished me away: that she did not understand me or my circumstances; that she was prejudiced against me. Diana and Mary appeared in the chamber once or twice a day. They would whisper sentences of this sort at my bedside-- "It is very well we took her in." "Yes; she would certainly have been found dead at the door in the morning had she been left out all night. I wonder what she has gone through?" "Strange hardships, I imagine--poor, emaciated, pallid wanderer?" "She is not an uneducated person, I should think, by her manner of speaking; her accent was quite pure; and the clothes she took off, though splashed and wet, were little worn and fine." "She has a peculiar face; fleshless and haggard as it is, I rather like it; and when in good health and animated, I can fancy her physiognomy would be agreeable." Never once in their dialogues did I hear a syllable of regret at the hospitality they had extended to me, or of suspicion of, or aversion to, myself. I was comforted. Mr. St. John came but once: he looked at me, and said my state of lethargy was the result of reaction from excessive and protracted fatigue. He pronounced it needless to send for a doctor: nature, he was sure, would manage best, left to herself. He said every nerve had been overstrained in some way, and the whole system must sleep torpid a while. There was no disease. He imagined my recovery would be rapid enough when once commenced. These opinions he delivered in a few words, in a quiet, low voice; and added, after a pause, in the tone of a man little accustomed to expansive comment, "Rather an unusual physiognomy; certainly, not indicative of vulgarity or degradation." "Far otherwise," responded Diana. "To speak truth, St. John, my heart rather warms to the poor little soul. I wish we may be able to benefit her permanently." "That is hardly likely," was the reply. "You will find she is some young lady who has had a misunderstanding with her friends, and has probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome." "She is so ill, St. John." "Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features." On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with relish: the food was good--void of the feverish flavour which had hitherto poisoned what I had swallowed. When she left me, I felt comparatively strong and revived: ere long satiety of repose and desire for action stirred me. I wished to rise; but what could I put on? Only my damp and bemired apparel; in which I had slept on the ground and fallen in the marsh. I felt ashamed to appear before my benefactors so clad. I was spared the humiliation. On a chair by the bedside were all my own things, clean and dry. My black silk frock hung against the wall. The traces of the bog were removed from it; the creases left by the wet smoothed out: it was quite decent. My very shoes and stockings were purified and rendered presentable. There were the means of washing in the room, and a comb and brush to smooth my hair. After a weary process, and resting every five minutes, I succeeded in dressing myself. My clothes hung loose on me; for I was much wasted, but I covered deficiencies with a shawl, and once more, clean and respectable looking--no speck of the dirt, no trace of the disorder I so hated, and which seemed so to degrade me, left--I crept down a stone staircase with the aid of the banisters, to a narrow low passage, and found my way presently to the kitchen. It was full of the fragrance of new bread and the warmth of a generous fire. Hannah was baking. Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones. Hannah had been cold and stiff, indeed, at the first: latterly she had begun to relent a little; and when she saw me come in tidy and well-dressed, she even smiled. "What, you have got up!" she said. "You are better, then. You may sit you down in my chair on the hearthstone, if you will." She pointed to the rocking-chair: I took it. She bustled about, examining me every now and then with the corner of her eye. Turning to me, as she took some loaves from the oven, she asked bluntly-- "Did you ever go a-begging afore you came here?" I was indignant for a moment; but remembering that anger was out of the question, and that I had indeed appeared as a beggar to her, I answered quietly, but still not without a certain marked firmness-- "You are mistaken in supposing me a beggar. I am no beggar; any more than yourself or your young ladies." After a pause she said, "I dunnut understand that: you've like no house, nor no brass, I guess?" "The want of house or brass (by which I suppose you mean money) does not make a beggar in your sense of the word." "Are you book-learned?" she inquired presently. "Yes, very." "But you've never been to a boarding-school?" "I was at a boarding-school eight years." She opened her eyes wide. "Whatever cannot ye keep yourself for, then?" "I have kept myself; and, I trust, shall keep myself again. What are you going to do with these gooseberries?" I inquired, as she brought out a basket of the fruit. "Mak' 'em into pies." "Give them to me and I'll pick them." "Nay; I dunnut want ye to do nought." "But I must do something. Let me have them." She consented; and she even brought me a clean towel to spread over my dress, "lest," as she said, "I should mucky it." "Ye've not been used to sarvant's wark, I see by your hands," she remarked. "Happen ye've been a dressmaker?" "No, you are wrong. And now, never mind what I have been: don't trouble your head further about me; but tell me the name of the house where we are." "Some calls it Marsh End, and some calls it Moor House." "And the gentleman who lives here is called Mr. St. John?" "Nay; he doesn't live here: he is only staying a while. When he is at home, he is in his own parish at Morton." "That village a few miles off? "Aye." "And what is he?" "He is a parson." I remembered the answer of the old housekeeper at the parsonage, when I had asked to see the clergyman. "This, then, was his father's residence?" "Aye; old Mr. Rivers lived here, and his father, and grandfather, and gurt (great) grandfather afore him." "The name, then, of that gentleman, is Mr. St. John Rivers?" "Aye; St. John is like his kirstened name." "And his sisters are called Diana and Mary Rivers?" "Yes." "Their father is dead?" "Dead three weeks sin' of a stroke." "They have no mother?" "The mistress has been dead this mony a year." "Have you lived with the family long?" "I've lived here thirty year. I nursed them all three." "That proves you must have been an honest and faithful servant. I will say so much for you, though you have had the incivility to call me a beggar." She again regarded me with a surprised stare. "I believe," she said, "I was quite mista'en in my thoughts of you: but there is so mony cheats goes about, you mun forgie me." "And though," I continued, rather severely, "you wished to turn me from the door, on a night when you should not have shut out a dog." "Well, it was hard: but what can a body do? I thought more o' th' childer nor of mysel: poor things! They've like nobody to tak' care on 'em but me. I'm like to look sharpish." I maintained a grave silence for some minutes. "You munnut think too hardly of me," she again remarked. "But I do think hardly of you," I said; "and I'll tell you why--not so much because you refused to give me shelter, or regarded me as an impostor, as because you just now made it a species of reproach that I had no 'brass' and no house. Some of the best people that ever lived have been as destitute as I am; and if you are a Christian, you ought not to consider poverty a crime." "No more I ought," said she: "Mr. St. John tells me so too; and I see I wor wrang--but I've clear a different notion on you now to what I had. You look a raight down dacent little crater." "That will do--I forgive you now. Shake hands." She put her floury and horny hand into mine; another and heartier smile illumined her rough face, and from that moment we were friends. Hannah was evidently fond of talking. While I picked the fruit, and she made the paste for the pies, she proceeded to give me sundry details about her deceased master and mistress, and "the childer," as she called the young people. Old Mr. Rivers, she said, was a plain man enough, but a gentleman, and of as ancient a family as could be found. Marsh End had belonged to the Rivers ever since it was a house: and it was, she affirmed, "aboon two hundred year old--for all it looked but a small, humble place, naught to compare wi' Mr. Oliver's grand hall down i' Morton Vale. But she could remember Bill Oliver's father a journeyman needlemaker; and th' Rivers wor gentry i' th' owd days o' th' Henrys, as onybody might see by looking into th' registers i' Morton Church vestry." Still, she allowed, "the owd maister was like other folk--naught mich out o' t' common way: stark mad o' shooting, and farming, and sich like." The mistress was different. She was a great reader, and studied a deal; and the "bairns" had taken after her. There was nothing like them in these parts, nor ever had been; they had liked learning, all three, almost from the time they could speak; and they had always been "of a mak' of their own." Mr. St. John, when he grew up, would go to college and be a parson; and the girls, as soon as they left school, would seek places as governesses: for they had told her their father had some years ago lost a great deal of money by a man he had trusted turning bankrupt; and as he was now not rich enough to give them fortunes, they must provide for themselves. They had lived very little at home for a long while, and were only come now to stay a few weeks on account of their father's death; but they did so like Marsh End and Morton, and all these moors and hills about. They had been in London, and many other grand towns; but they always said there was no place like home; and then they were so agreeable with each other--never fell out nor "threaped." She did not know where there was such a family for being united. Having finished my task of gooseberry picking, I asked where the two ladies and their brother were now. "Gone over to Morton for a walk; but they would be back in half-an-hour to tea." They returned within the time Hannah had allotted them: they entered by the kitchen door. Mr. St. John, when he saw me, merely bowed and passed through; the two ladies stopped: Mary, in a few words, kindly and calmly expressed the pleasure she felt in seeing me well enough to be able to come down; Diana took my hand: she shook her head at me. "You should have waited for my leave to descend," she said. "You still look very pale--and so thin! Poor child!--poor girl!" Diana had a voice toned, to my ear, like the cooing of a dove. She possessed eyes whose gaze I delighted to encounter. Her whole face seemed to me full of charm. Mary's countenance was equally intelligent--her features equally pretty; but her expression was more reserved, and her manners, though gentle, more distant. Diana looked and spoke with a certain authority: she had a will, evidently. It was my nature to feel pleasure in yielding to an authority supported like hers, and to bend, where my conscience and self-respect permitted, to an active will. "And what business have you here?" she continued. "It is not your place. Mary and I sit in the kitchen sometimes, because at home we like to be free, even to license--but you are a visitor, and must go into the parlour." "I am very well here." "Not at all, with Hannah bustling about and covering you with flour." "Besides, the fire is too hot for you," interposed Mary. "To be sure," added her sister. "Come, you must be obedient." And still holding my hand she made me rise, and led me into the inner room. "Sit there," she said, placing me on the sofa, "while we take our things off and get the tea ready; it is another privilege we exercise in our little moorland home--to prepare our own meals when we are so inclined, or when Hannah is baking, brewing, washing, or ironing." She closed the door, leaving me solus with Mr. St. John, who sat opposite, a book or newspaper in his hand. I examined first, the parlour, and then its occupant. The parlour was rather a small room, very plainly furnished, yet comfortable, because clean and neat. The old-fashioned chairs were very bright, and the walnut-wood table was like a looking-glass. A few strange, antique portraits of the men and women of other days decorated the stained walls; a cupboard with glass doors contained some books and an ancient set of china. There was no superfluous ornament in the room--not one modern piece of furniture, save a brace of workboxes and a lady's desk in rosewood, which stood on a side-table: everything--including the carpet and curtains--looked at once well worn and well saved. Mr. St. John--sitting as still as one of the dusty pictures on the walls, keeping his eyes fixed on the page he perused, and his lips mutely sealed--was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young--perhaps from twenty- eight to thirty--tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own being so harmonious. His eyes were large and blue, with brown lashes; his high forehead, colourless as ivory, was partially streaked over by careless locks of fair hair. This is a gentle delineation, is it not, reader? Yet he whom it describes scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature. Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager. He did not speak to me one word, nor even direct to me one glance, till his sisters returned. Diana, as she passed in and out, in the course of preparing tea, brought me a little cake, baked on the top of the oven. "Eat that now," she said: "you must be hungry. Hannah says you have had nothing but some gruel since breakfast." I did not refuse it, for my appetite was awakened and keen. Mr. Rivers now closed his book, approached the table, and, as he took a seat, fixed his blue pictorial-looking eyes full on me. There was an unceremonious directness, a searching, decided steadfastness in his gaze now, which told that intention, and not diffidence, had hitherto kept it averted from the stranger. "You are very hungry," he said. "I am, sir." It is my way--it always was my way, by instinct--ever to meet the brief with brevity, the direct with plainness. "It is well for you that a low fever has forced you to abstain for the last three days: there would have been danger in yielding to the cravings of your appetite at first. Now you may eat, though still not immoderately." "I trust I shall not eat long at your expense, sir," was my very clumsily- contrived, unpolished answer. "No," he said coolly: "when you have indicated to us the residence of your friends, we can write to them, and you may be restored to home." "That, I must plainly tell you, is out of my power to do; being absolutely without home and friends." The three looked at me, but not distrustfully; I felt there was no suspicion in their glances: there was more of curiosity. I speak particularly of the young ladies. St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage. "Do you mean to say," he asked, "that you are completely isolated from every connection?" "I do. Not a tie links me to any living thing: not a claim do I possess to admittance under any roof in England." "A most singular position at your age!" Here I saw his glance directed to my hands, which were folded on the table before me. I wondered what he sought there: his words soon explained the quest. "You have never been married? You are a spinster?" Diana laughed. "Why, she can't be above seventeen or eighteen years old, St. John," said she. "I am near nineteen: but I am not married. No." I felt a burning glow mount to my face; for bitter and agitating recollections were awakened by the allusion to marriage. They all saw the embarrassment and the emotion. Diana and Mary relieved me by turning their eyes elsewhere than to my crimsoned visage; but the colder and sterner brother continued to gaze, till the trouble he had excited forced out tears as well as colour. "Where did you last reside?" he now asked. "You are too inquisitive, St. John," murmured Mary in a low voice; but he leaned over the table and required an answer by a second firm and piercing look. "The name of the place where, and of the person with whom I lived, is my secret," I replied concisely. "Which, if you like, you have, in my opinion, a right to keep, both from St. John and every other questioner," remarked Diana. "Yet if I know nothing about you or your history, I cannot help you," he said. "And you need help, do you not?" "I need it, and I seek it so far, sir, that some true philanthropist will put me in the way of getting work which I can do, and the remuneration for which will keep me, if but in the barest necessaries of life." "I know not whether I am a true philanthropist; yet I am willing to aid you to the utmost of my power in a purpose so honest. First, then, tell me what you have been accustomed to do, and what you _can_ do." I had now swallowed my tea. I was mightily refreshed by the beverage; as much so as a giant with wine: it gave new tone to my unstrung nerves, and enabled me to address this penetrating young judge steadily. "Mr. Rivers," I said, turning to him, and looking at him, as he looked at me, openly and without diffidence, "you and your sisters have done me a great service--the greatest man can do his fellow-being; you have rescued me, by your noble hospitality, from death. This benefit conferred gives you an unlimited claim on my gratitude, and a claim, to a certain extent, on my confidence. I will tell you as much of the history of the wanderer you have harboured, as I can tell without compromising my own peace of mind--my own security, moral and physical, and that of others. "I am an orphan, the daughter of a clergyman. My parents died before I could know them. I was brought up a dependant; educated in a charitable institution. I will even tell you the name of the establishment, where I passed six years as a pupil, and two as a teacher--Lowood Orphan Asylum, ---shire: you will have heard of it, Mr. Rivers?--the Rev. Robert Brocklehurst is the treasurer." "I have heard of Mr. Brocklehurst, and I have seen the school." "I left Lowood nearly a year since to become a private governess. I obtained a good situation, and was happy. This place I was obliged to leave four days before I came here. The reason of my departure I cannot and ought not to explain: it would be useless, dangerous, and would sound incredible. No blame attached to me: I am as free from culpability as any one of you three. Miserable I am, and must be for a time; for the catastrophe which drove me from a house I had found a paradise was of a strange and direful nature. I observed but two points in planning my departure--speed, secrecy: to secure these, I had to leave behind me everything I possessed except a small parcel; which, in my hurry and trouble of mind, I forgot to take out of the coach that brought me to Whitcross. To this neighbourhood, then, I came, quite destitute. I slept two nights in the open air, and wandered about two days without crossing a threshold: but twice in that space of time did I taste food; and it was when brought by hunger, exhaustion, and despair almost to the last gasp, that you, Mr. Rivers, forbade me to perish of want at your door, and took me under the shelter of your roof. I know all your sisters have done for me since--for I have not been insensible during my seeming torpor--and I owe to their spontaneous, genuine, genial compassion as large a debt as to your evangelical charity." "Don't make her talk any more now, St. John," said Diana, as I paused; "she is evidently not yet fit for excitement. Come to the sofa and sit down now, Miss Elliott." I gave an involuntary half start at hearing the _alias_: I had forgotten my new name. Mr. Rivers, whom nothing seemed to escape, noticed it at once. "You said your name was Jane Elliott?" he observed. "I did say so; and it is the name by which I think it expedient to be called at present, but it is not my real name, and when I hear it, it sounds strange to me." "Your real name you will not give?" "No: I fear discovery above all things; and whatever disclosure would lead to it, I avoid." "You are quite right, I am sure," said Diana. "Now do, brother, let her be at peace a while." But when St. John had mused a few moments he recommenced as imperturbably and with as much acumen as ever. "You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my _charity_ (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?" "I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution." "Indeed you _shall_ stay here," said Diana, putting her white hand on my head. "You _shall_," repeated Mary, in the tone of undemonstrative sincerity which seemed natural to her. "My sisters, you see, have a pleasure in keeping you," said Mr. St. John, "as they would have a pleasure in keeping and cherishing a half-frozen bird, some wintry wind might have driven through their casement. I feel more inclination to put you in the way of keeping yourself, and shall endeavour to do so; but observe, my sphere is narrow. I am but the incumbent of a poor country parish: my aid must be of the humblest sort. And if you are inclined to despise the day of small things, seek some more efficient succour than such as I can offer." "She has already said that she is willing to do anything honest she can do," answered Diana for me; "and you know, St. John, she has no choice of helpers: she is forced to put up with such crusty people as you." "I will be a dressmaker; I will be a plain-workwoman; I will be a servant, a nurse-girl, if I can be no better," I answered. "Right," said Mr. St. John, quite coolly. "If such is your spirit, I promise to aid you, in my own time and way." He now resumed the book with which he had been occupied before tea. I soon withdrew, for I had talked as much, and sat up as long, as my present strength would permit.

volume 3, Chapter 29

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap29-30

For three days and nights Jane stays in bed and they tend to her. When she is finally able to arise, she finds her clothes have all be cleaned and are waiting for her, and she goes downstairs. She there sees Hannah, the older woman, and after a talk they come to an understanding and Jane forgives her for not letting her in, and they become friends. Soon the rest of the household return from their walk to Morton. The two sisters are Diana and Mary Rivers, and the brother is Mr. St. John Rivers. Jane learns that their father has recently died, and that that is why they are all at Moor House, as the house is called. Mr. St. John is the clergyman in Morton, where Jane had gone for help. The household tries to talk to Jane more. She tells them that she will not disclose where she had been before then, but she does tell much of her life, including her stay at Lowood School and that she had been a private governess. She also tells them that her name is an alias, but that she fears disclosure, so will not tell them her real name. She asks Mr. St. John to find her some work, no matter how humble, and he says he will try

novelguide

all_chapterized_books/1260-chapters/31.txt

finished_summaries/novelguide/Jane Eyre/section_14_part_2.txt

Jane Eyre.volume 3.chapter 30

chapter 30

{"name": "volume 3, Chapter 30", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap29-30", "summary": "Jane's stay at Moor House is quite pleasant. Diana, Mary and she get along very well and have much in common. They loan her books, and she draws for them, and they converse much. Jane does not get along so well with Mr. St. John though, but she explains that he is not much at the house and that his disposition is not like the others'. A month passes since Jane's arrival, and soon the sisters are to return to their jobs as governesses. Jane asks St. John if he had found any work for her, and he says that he had. He tells her that he is opening a school for girls in Morton, and that if she were the mistress of it she would have a house and a housemaid and some money. He feels that it is beneath her station and she will not be very happy with it, but Jane accepts the position. That evening St. John brings home a letter that he had received. He says that their uncle John had died. They explain that they had never met him, but that he had come into a fortune that they thought they might have seen a part of as their uncle never married and had no children. His will however has left all his money to another who is no more closely related than they are. The next day Jane leaves for her house in Morton, and the day after Diana and Mary return to their jobs. Soon after St. John and Hannah close up the house and return to the parsonage", "analysis": ""}

The more I knew of the inmates of Moor House, the better I liked them. In a few days I had so far recovered my health that I could sit up all day, and walk out sometimes. I could join with Diana and Mary in all their occupations; converse with them as much as they wished, and aid them when and where they would allow me. There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time--the pleasure arising from perfect congeniality of tastes, sentiments, and principles. I liked to read what they liked to read: what they enjoyed, delighted me; what they approved, I reverenced. They loved their sequestered home. I, too, in the grey, small, antique structure, with its low roof, its latticed casements, its mouldering walls, its avenue of aged firs--all grown aslant under the stress of mountain winds; its garden, dark with yew and holly--and where no flowers but of the hardiest species would bloom--found a charm both potent and permanent. They clung to the purple moors behind and around their dwelling--to the hollow vale into which the pebbly bridle-path leading from their gate descended, and which wound between fern-banks first, and then amongst a few of the wildest little pasture-fields that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy- faced lambs:--they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep--on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brilliant bracken, and mellow granite crag. These details were just to me what they were to them--so many pure and sweet sources of pleasure. The strong blast and the soft breeze; the rough and the halcyon day; the hours of sunrise and sunset; the moonlight and the clouded night, developed for me, in these regions, the same attraction as for them--wound round my faculties the same spell that entranced theirs. Indoors we agreed equally well. They were both more accomplished and better read than I was; but with eagerness I followed in the path of knowledge they had trodden before me. I devoured the books they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought fitted thought; opinion met opinion: we coincided, in short, perfectly. If in our trio there was a superior and a leader, it was Diana. Physically, she far excelled me: she was handsome; she was vigorous. In her animal spirits there was an affluence of life and certainty of flow, such as excited my wonder, while it baffled my comprehension. I could talk a while when the evening commenced, but the first gush of vivacity and fluency gone, I was fain to sit on a stool at Diana's feet, to rest my head on her knee, and listen alternately to her and Mary, while they sounded thoroughly the topic on which I had but touched. Diana offered to teach me German. I liked to learn of her: I saw the part of instructress pleased and suited her; that of scholar pleased and suited me no less. Our natures dovetailed: mutual affection--of the strongest kind--was the result. They discovered I could draw: their pencils and colour-boxes were immediately at my service. My skill, greater in this one point than theirs, surprised and charmed them. Mary would sit and watch me by the hour together: then she would take lessons; and a docile, intelligent, assiduous pupil she made. Thus occupied, and mutually entertained, days passed like hours, and weeks like days. As to Mr. St John, the intimacy which had arisen so naturally and rapidly between me and his sisters did not extend to him. One reason of the distance yet observed between us was, that he was comparatively seldom at home: a large proportion of his time appeared devoted to visiting the sick and poor among the scattered population of his parish. No weather seemed to hinder him in these pastoral excursions: rain or fair, he would, when his hours of morning study were over, take his hat, and, followed by his father's old pointer, Carlo, go out on his mission of love or duty--I scarcely know in which light he regarded it. Sometimes, when the day was very unfavourable, his sisters would expostulate. He would then say, with a peculiar smile, more solemn than cheerful-- "And if I let a gust of wind or a sprinkling of rain turn me aside from these easy tasks, what preparation would such sloth be for the future I propose to myself?" Diana and Mary's general answer to this question was a sigh, and some minutes of apparently mournful meditation. But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature. Zealous in his ministerial labours, blameless in his life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist. Often, of an evening, when he sat at the window, his desk and papers before him, he would cease reading or writing, rest his chin on his hand, and deliver himself up to I know not what course of thought; but that it was perturbed and exciting might be seen in the frequent flash and changeful dilation of his eye. I think, moreover, that Nature was not to him that treasury of delight it was to his sisters. He expressed once, and but once in my hearing, a strong sense of the rugged charm of the hills, and an inborn affection for the dark roof and hoary walls he called his home; but there was more of gloom than pleasure in the tone and words in which the sentiment was manifested; and never did he seem to roam the moors for the sake of their soothing silence--never seek out or dwell upon the thousand peaceful delights they could yield. Incommunicative as he was, some time elapsed before I had an opportunity of gauging his mind. I first got an idea of its calibre when I heard him preach in his own church at Morton. I wish I could describe that sermon: but it is past my power. I cannot even render faithfully the effect it produced on me. It began calm--and indeed, as far as delivery and pitch of voice went, it was calm to the end: an earnestly felt, yet strictly restrained zeal breathed soon in the distinct accents, and prompted the nervous language. This grew to force--compressed, condensed, controlled. The heart was thrilled, the mind astonished, by the power of the preacher: neither were softened. Throughout there was a strange bitterness; an absence of consolatory gentleness; stern allusions to Calvinistic doctrines--election, predestination, reprobation--were frequent; and each reference to these points sounded like a sentence pronounced for doom. When he had done, instead of feeling better, calmer, more enlightened by his discourse, I experienced an inexpressible sadness; for it seemed to me--I know not whether equally so to others--that the eloquence to which I had been listening had sprung from a depth where lay turbid dregs of disappointment--where moved troubling impulses of insatiate yearnings and disquieting aspirations. I was sure St. John Rivers--pure-lived, conscientious, zealous as he was--had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I with my concealed and racking regrets for my broken idol and lost elysium--regrets to which I have latterly avoided referring, but which possessed me and tyrannised over me ruthlessly. Meantime a month was gone. Diana and Mary were soon to leave Moor House, and return to the far different life and scene which awaited them, as governesses in a large, fashionable, south-of-England city, where each held a situation in families by whose wealthy and haughty members they were regarded only as humble dependants, and who neither knew nor sought out their innate excellences, and appreciated only their acquired accomplishments as they appreciated the skill of their cook or the taste of their waiting-woman. Mr. St. John had said nothing to me yet about the employment he had promised to obtain for me; yet it became urgent that I should have a vocation of some kind. One morning, being left alone with him a few minutes in the parlour, I ventured to approach the window-recess--which his table, chair, and desk consecrated as a kind of study--and I was going to speak, though not very well knowing in what words to frame my inquiry--for it is at all times difficult to break the ice of reserve glassing over such natures as his--when he saved me the trouble by being the first to commence a dialogue. Looking up as I drew near--"You have a question to ask of me?" he said. "Yes; I wish to know whether you have heard of any service I can offer myself to undertake?" "I found or devised something for you three weeks ago; but as you seemed both useful and happy here--as my sisters had evidently become attached to you, and your society gave them unusual pleasure--I deemed it inexpedient to break in on your mutual comfort till their approaching departure from Marsh End should render yours necessary." "And they will go in three days now?" I said. "Yes; and when they go, I shall return to the parsonage at Morton: Hannah will accompany me; and this old house will be shut up." I waited a few moments, expecting he would go on with the subject first broached: but he seemed to have entered another train of reflection: his look denoted abstraction from me and my business. I was obliged to recall him to a theme which was of necessity one of close and anxious interest to me. "What is the employment you had in view, Mr. Rivers? I hope this delay will not have increased the difficulty of securing it." "Oh, no; since it is an employment which depends only on me to give, and you to accept." He again paused: there seemed a reluctance to continue. I grew impatient: a restless movement or two, and an eager and exacting glance fastened on his face, conveyed the feeling to him as effectually as words could have done, and with less trouble. "You need be in no hurry to hear," he said: "let me frankly tell you, I have nothing eligible or profitable to suggest. Before I explain, recall, if you please, my notice, clearly given, that if I helped you, it must be as the blind man would help the lame. I am poor; for I find that, when I have paid my father's debts, all the patrimony remaining to me will be this crumbling grange, the row of scathed firs behind, and the patch of moorish soil, with the yew-trees and holly-bushes in front. I am obscure: Rivers is an old name; but of the three sole descendants of the race, two earn the dependant's crust among strangers, and the third considers himself an alien from his native country--not only for life, but in death. Yes, and deems, and is bound to deem, himself honoured by the lot, and aspires but after the day when the cross of separation from fleshly ties shall be laid on his shoulders, and when the Head of that church-militant of whose humblest members he is one, shall give the word, 'Rise, follow Me!'" St. John said these words as he pronounced his sermons, with a quiet, deep voice; with an unflushed cheek, and a coruscating radiance of glance. He resumed-- "And since I am myself poor and obscure, I can offer you but a service of poverty and obscurity. _You_ may even think it degrading--for I see now your habits have been what the world calls refined: your tastes lean to the ideal, and your society has at least been amongst the educated; but _I_ consider that no service degrades which can better our race. I hold that the more arid and unreclaimed the soil where the Christian labourer's task of tillage is appointed him--the scantier the meed his toil brings--the higher the honour. His, under such circumstances, is the destiny of the pioneer; and the first pioneers of the Gospel were the Apostles--their captain was Jesus, the Redeemer, Himself." "Well?" I said, as he again paused--"proceed." He looked at me before he proceeded: indeed, he seemed leisurely to read my face, as if its features and lines were characters on a page. The conclusions drawn from this scrutiny he partially expressed in his succeeding observations. "I believe you will accept the post I offer you," said he, "and hold it for a while: not permanently, though: any more than I could permanently keep the narrow and narrowing--the tranquil, hidden office of English country incumbent; for in your nature is an alloy as detrimental to repose as that in mine, though of a different kind." "Do explain," I urged, when he halted once more. "I will; and you shall hear how poor the proposal is,--how trivial--how cramping. I shall not stay long at Morton, now that my father is dead, and that I am my own master. I shall leave the place probably in the course of a twelve-month; but while I do stay, I will exert myself to the utmost for its improvement. Morton, when I came to it two years ago, had no school: the children of the poor were excluded from every hope of progress. I established one for boys: I mean now to open a second school for girls. I have hired a building for the purpose, with a cottage of two rooms attached to it for the mistress's house. Her salary will be thirty pounds a year: her house is already furnished, very simply, but sufficiently, by the kindness of a lady, Miss Oliver; the only daughter of the sole rich man in my parish--Mr. Oliver, the proprietor of a needle- factory and iron-foundry in the valley. The same lady pays for the education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?" He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich house, it was independent; and the fear of servitude with strangers entered my soul like iron: it was not ignoble--not unworthy--not mentally degrading, I made my decision. "I thank you for the proposal, Mr. Rivers, and I accept it with all my heart." "But you comprehend me?" he said. "It is a village school: your scholars will be only poor girls--cottagers' children--at the best, farmers' daughters. Knitting, sewing, reading, writing, ciphering, will be all you will have to teach. What will you do with your accomplishments? What, with the largest portion of your mind--sentiments--tastes?" "Save them till they are wanted. They will keep." "You know what you undertake, then?" "I do." He now smiled: and not a bitter or a sad smile, but one well pleased and deeply gratified. "And when will you commence the exercise of your function?" "I will go to my house to-morrow, and open the school, if you like, next week." "Very well: so be it." He rose and walked through the room. Standing still, he again looked at me. He shook his head. "What do you disapprove of, Mr. Rivers?" I asked. "You will not stay at Morton long: no, no!" "Why? What is your reason for saying so?" "I read it in your eye; it is not of that description which promises the maintenance of an even tenor in life." "I am not ambitious." He started at the word "ambitious." He repeated, "No. What made you think of ambition? Who is ambitious? I know I am: but how did you find it out?" "I was speaking of myself." "Well, if you are not ambitious, you are--" He paused. "What?" "I was going to say, impassioned: but perhaps you would have misunderstood the word, and been displeased. I mean, that human affections and sympathies have a most powerful hold on you. I am sure you cannot long be content to pass your leisure in solitude, and to devote your working hours to a monotonous labour wholly void of stimulus: any more than I can be content," he added, with emphasis, "to live here buried in morass, pent in with mountains--my nature, that God gave me, contravened; my faculties, heaven-bestowed, paralysed--made useless. You hear now how I contradict myself. I, who preached contentment with a humble lot, and justified the vocation even of hewers of wood and drawers of water in God's service--I, His ordained minister, almost rave in my restlessness. Well, propensities and principles must be reconciled by some means." He left the room. In this brief hour I had learnt more of him than in the whole previous month: yet still he puzzled me. Diana and Mary Rivers became more sad and silent as the day approached for leaving their brother and their home. They both tried to appear as usual; but the sorrow they had to struggle against was one that could not be entirely conquered or concealed. Diana intimated that this would be a different parting from any they had ever yet known. It would probably, as far as St. John was concerned, be a parting for years: it might be a parting for life. "He will sacrifice all to his long-framed resolves," she said: "natural affection and feelings more potent still. St. John looks quiet, Jane; but he hides a fever in his vitals. You would think him gentle, yet in some things he is inexorable as death; and the worst of it is, my conscience will hardly permit me to dissuade him from his severe decision: certainly, I cannot for a moment blame him for it. It is right, noble, Christian: yet it breaks my heart!" And the tears gushed to her fine eyes. Mary bent her head low over her work. "We are now without father: we shall soon be without home and brother," she murmured. At that moment a little accident supervened, which seemed decreed by fate purposely to prove the truth of the adage, that "misfortunes never come singly," and to add to their distresses the vexing one of the slip between the cup and the lip. St. John passed the window reading a letter. He entered. "Our uncle John is dead," said he. Both the sisters seemed struck: not shocked or appalled; the tidings appeared in their eyes rather momentous than afflicting. "Dead?" repeated Diana. "Yes." She riveted a searching gaze on her brother's face. "And what then?" she demanded, in a low voice. "What then, Die?" he replied, maintaining a marble immobility of feature. "What then? Why--nothing. Read." He threw the letter into her lap. She glanced over it, and handed it to Mary. Mary perused it in silence, and returned it to her brother. All three looked at each other, and all three smiled--a dreary, pensive smile enough. "Amen! We can yet live," said Diana at last. "At any rate, it makes us no worse off than we were before," remarked Mary. "Only it forces rather strongly on the mind the picture of what _might have been_," said Mr. Rivers, "and contrasts it somewhat too vividly with what _is_." He folded the letter, locked it in his desk, and again went out. For some minutes no one spoke. Diana then turned to me. "Jane, you will wonder at us and our mysteries," she said, "and think us hard-hearted beings not to be more moved at the death of so near a relation as an uncle; but we have never seen him or known him. He was my mother's brother. My father and he quarrelled long ago. It was by his advice that my father risked most of his property in the speculation that ruined him. Mutual recrimination passed between them: they parted in anger, and were never reconciled. My uncle engaged afterwards in more prosperous undertakings: it appears he realised a fortune of twenty thousand pounds. He was never married, and had no near kindred but ourselves and one other person, not more closely related than we. My father always cherished the idea that he would atone for his error by leaving his possessions to us; that letter informs us that he has bequeathed every penny to the other relation, with the exception of thirty guineas, to be divided between St. John, Diana, and Mary Rivers, for the purchase of three mourning rings. He had a right, of course, to do as he pleased: and yet a momentary damp is cast on the spirits by the receipt of such news. Mary and I would have esteemed ourselves rich with a thousand pounds each; and to St. John such a sum would have been valuable, for the good it would have enabled him to do." This explanation given, the subject was dropped, and no further reference made to it by either Mr. Rivers or his sisters. The next day I left Marsh End for Morton. The day after, Diana and Mary quitted it for distant B-. In a week, Mr. Rivers and Hannah repaired to the parsonage: and so the old grange was abandoned.

volume 3, Chapter 30

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap29-30

Jane's stay at Moor House is quite pleasant. Diana, Mary and she get along very well and have much in common. They loan her books, and she draws for them, and they converse much. Jane does not get along so well with Mr. St. John though, but she explains that he is not much at the house and that his disposition is not like the others'. A month passes since Jane's arrival, and soon the sisters are to return to their jobs as governesses. Jane asks St. John if he had found any work for her, and he says that he had. He tells her that he is opening a school for girls in Morton, and that if she were the mistress of it she would have a house and a housemaid and some money. He feels that it is beneath her station and she will not be very happy with it, but Jane accepts the position. That evening St. John brings home a letter that he had received. He says that their uncle John had died. They explain that they had never met him, but that he had come into a fortune that they thought they might have seen a part of as their uncle never married and had no children. His will however has left all his money to another who is no more closely related than they are. The next day Jane leaves for her house in Morton, and the day after Diana and Mary return to their jobs. Soon after St. John and Hannah close up the house and return to the parsonage

novelguide

all_chapterized_books/1260-chapters/32.txt

finished_summaries/novelguide/Jane Eyre/section_15_part_1.txt

Jane Eyre.volume 3.chapter 31

chapter 31

{"name": "volume 3, Chapter 31", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap31-32", "summary": "Jane describes her home in Morton as a cottage, and says that her furniture is useful yet humble. It is the evening of the first day of class, and Jane relates that she has twenty students, only three of which can read. She sees challenges ahead, and though she feels that she may not enjoy her new life, she will try. Jane goes outside to look around and is met there by St. John who brings her a present from his sisters of some drawing materials. He asks how she likes her new position, and she says that she does. He tells her that a year ago he had become miserable and had thought it a mistake that he had joined the ministry. He had then decided to become a missionary and is happy in the planning for it and believes he will travel from Europe for the East. Just then Miss Oliver, an heiress and the patron of the school, arrives. Jane sees that she is quite beautiful and that she has an affect on St. John. She asks Jane how she likes the school and her house and says that she will come and help her teach sometimes. Miss Oliver tries to get St. John to return with her to the house so he can visit her father, but he makes up excuses and the three part ways", "analysis": ""}

My home, then, when I at last find a home,--is a cottage; a little room with whitewashed walls and a sanded floor, containing four painted chairs and a table, a clock, a cupboard, with two or three plates and dishes, and a set of tea-things in delf. Above, a chamber of the same dimensions as the kitchen, with a deal bedstead and chest of drawers; small, yet too large to be filled with my scanty wardrobe: though the kindness of my gentle and generous friends has increased that, by a modest stock of such things as are necessary. It is evening. I have dismissed, with the fee of an orange, the little orphan who serves me as a handmaid. I am sitting alone on the hearth. This morning, the village school opened. I had twenty scholars. But three of the number can read: none write or cipher. Several knit, and a few sew a little. They speak with the broadest accent of the district. At present, they and I have a difficulty in understanding each other's language. Some of them are unmannered, rough, intractable, as well as ignorant; but others are docile, have a wish to learn, and evince a disposition that pleases me. I must not forget that these coarsely-clad little peasants are of flesh and blood as good as the scions of gentlest genealogy; and that the germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best-born. My duty will be to develop these germs: surely I shall find some happiness in discharging that office. Much enjoyment I do not expect in the life opening before me: yet it will, doubtless, if I regulate my mind, and exert my powers as I ought, yield me enough to live on from day to day. Was I very gleeful, settled, content, during the hours I passed in yonder bare, humble schoolroom this morning and afternoon? Not to deceive myself, I must reply--No: I felt desolate to a degree. I felt--yes, idiot that I am--I felt degraded. I doubted I had taken a step which sank instead of raising me in the scale of social existence. I was weakly dismayed at the ignorance, the poverty, the coarseness of all I heard and saw round me. But let me not hate and despise myself too much for these feelings; I know them to be wrong--that is a great step gained; I shall strive to overcome them. To-morrow, I trust, I shall get the better of them partially; and in a few weeks, perhaps, they will be quite subdued. In a few months, it is possible, the happiness of seeing progress, and a change for the better in my scholars may substitute gratification for disgust. Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He _did_ love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour--suffocating with the bitterest tears of remorse and shame the next--or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance! Having brought my eventide musings to this point, I rose, went to my door, and looked at the sunset of the harvest-day, and at the quiet fields before my cottage, which, with the school, was distant half a mile from the village. The birds were singing their last strains-- "The air was mild, the dew was balm." While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in. "No, I cannot stay; I have only brought you a little parcel my sisters left for you. I think it contains a colour-box, pencils, and paper." I approached to take it: a welcome gift it was. He examined my face, I thought, with austerity, as I came near: the traces of tears were doubtless very visible upon it. "Have you found your first day's work harder than you expected?" he asked. "Oh, no! On the contrary, I think in time I shall get on with my scholars very well." "But perhaps your accommodations--your cottage--your furniture--have disappointed your expectations? They are, in truth, scanty enough; but--" I interrupted-- "My cottage is clean and weather-proof; my furniture sufficient and commodious. All I see has made me thankful, not despondent. I am not absolutely such a fool and sensualist as to regret the absence of a carpet, a sofa, and silver plate; besides, five weeks ago I had nothing--I was an outcast, a beggar, a vagrant; now I have acquaintance, a home, a business. I wonder at the goodness of God; the generosity of my friends; the bounty of my lot. I do not repine." "But you feel solitude an oppression? The little house there behind you is dark and empty." "I have hardly had time yet to enjoy a sense of tranquillity, much less to grow impatient under one of loneliness." "Very well; I hope you feel the content you express: at any rate, your good sense will tell you that it is too soon yet to yield to the vacillating fears of Lot's wife. What you had left before I saw you, of course I do not know; but I counsel you to resist firmly every temptation which would incline you to look back: pursue your present career steadily, for some months at least." "It is what I mean to do," I answered. St. John continued-- "It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it. "A year ago I was myself intensely miserable, because I thought I had made a mistake in entering the ministry: its uniform duties wearied me to death. I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. God had an errand for me; to bear which afar, to deliver it well, skill and strength, courage and eloquence, the best qualifications of soldier, statesman, and orator, were all needed: for these all centre in the good missionary. "A missionary I resolved to be. From that moment my state of mind changed; the fetters dissolved and dropped from every faculty, leaving nothing of bondage but its galling soreness--which time only can heal. My father, indeed, imposed the determination, but since his death, I have not a legitimate obstacle to contend with; some affairs settled, a successor for Morton provided, an entanglement or two of the feelings broken through or cut asunder--a last conflict with human weakness, in which I know I shall overcome, because I have vowed that I _will_ overcome--and I leave Europe for the East." He said this, in his peculiar, subdued, yet emphatic voice; looking, when he had ceased speaking, not at me, but at the setting sun, at which I looked too. Both he and I had our backs towards the path leading up the field to the wicket. We had heard no step on that grass-grown track; the water running in the vale was the one lulling sound of the hour and scene; we might well then start when a gay voice, sweet as a silver bell, exclaimed-- "Good evening, Mr. Rivers. And good evening, old Carlo. Your dog is quicker to recognise his friends than you are, sir; he pricked his ears and wagged his tail when I was at the bottom of the field, and you have your back towards me now." It was true. Though Mr. Rivers had started at the first of those musical accents, as if a thunderbolt had split a cloud over his head, he stood yet, at the close of the sentence, in the same attitude in which the speaker had surprised him--his arm resting on the gate, his face directed towards the west. He turned at last, with measured deliberation. A vision, as it seemed to me, had risen at his side. There appeared, within three feet of him, a form clad in pure white--a youthful, graceful form: full, yet fine in contour; and when, after bending to caress Carlo, it lifted up its head, and threw back a long veil, there bloomed under his glance a face of perfect beauty. Perfect beauty is a strong expression; but I do not retrace or qualify it: as sweet features as ever the temperate clime of Albion moulded; as pure hues of rose and lily as ever her humid gales and vapoury skies generated and screened, justified, in this instance, the term. No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a partial mood; and, forgetting her usual stinted step-mother dole of gifts, had endowed this, her darling, with a grand-dame's bounty. What did St. John Rivers think of this earthly angel? I naturally asked myself that question as I saw him turn to her and look at her; and, as naturally, I sought the answer to the inquiry in his countenance. He had already withdrawn his eye from the Peri, and was looking at a humble tuft of daisies which grew by the wicket. "A lovely evening, but late for you to be out alone," he said, as he crushed the snowy heads of the closed flowers with his foot. "Oh, I only came home from S-" (she mentioned the name of a large town some twenty miles distant) "this afternoon. Papa told me you had opened your school, and that the new mistress was come; and so I put on my bonnet after tea, and ran up the valley to see her: this is she?" pointing to me. "It is," said St. John. "Do you think you shall like Morton?" she asked of me, with a direct and naive simplicity of tone and manner, pleasing, if child-like. "I hope I shall. I have many inducements to do so." "Did you find your scholars as attentive as you expected?" "Quite." "Do you like your house?" "Very much." "Have I furnished it nicely?" "Very nicely, indeed." "And made a good choice of an attendant for you in Alice Wood?" "You have indeed. She is teachable and handy." (This then, I thought, is Miss Oliver, the heiress; favoured, it seems, in the gifts of fortune, as well as in those of nature! What happy combination of the planets presided over her birth, I wonder?) "I shall come up and help you to teach sometimes," she added. "It will be a change for me to visit you now and then; and I like a change. Mr. Rivers, I have been _so_ gay during my stay at S-. Last night, or rather this morning, I was dancing till two o'clock. The ---th regiment are stationed there since the riots; and the officers are the most agreeable men in the world: they put all our young knife-grinders and scissor merchants to shame." It seemed to me that Mr. St. John's under lip protruded, and his upper lip curled a moment. His mouth certainly looked a good deal compressed, and the lower part of his face unusually stern and square, as the laughing girl gave him this information. He lifted his gaze, too, from the daisies, and turned it on her. An unsmiling, a searching, a meaning gaze it was. She answered it with a second laugh, and laughter well became her youth, her roses, her dimples, her bright eyes. As he stood, mute and grave, she again fell to caressing Carlo. "Poor Carlo loves me," said she. "_He_ is not stern and distant to his friends; and if he could speak, he would not be silent." As she patted the dog's head, bending with native grace before his young and austere master, I saw a glow rise to that master's face. I saw his solemn eye melt with sudden fire, and flicker with resistless emotion. Flushed and kindled thus, he looked nearly as beautiful for a man as she for a woman. His chest heaved once, as if his large heart, weary of despotic constriction, had expanded, despite the will, and made a vigorous bound for the attainment of liberty. But he curbed it, I think, as a resolute rider would curb a rearing steed. He responded neither by word nor movement to the gentle advances made him. "Papa says you never come to see us now," continued Miss Oliver, looking up. "You are quite a stranger at Vale Hall. He is alone this evening, and not very well: will you return with me and visit him?" "It is not a seasonable hour to intrude on Mr. Oliver," answered St. John. "Not a seasonable hour! But I declare it is. It is just the hour when papa most wants company: when the works are closed and he has no business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very shy, and so very sombre?" She filled up the hiatus his silence left by a reply of her own. "I forgot!" she exclaimed, shaking her beautiful curled head, as if shocked at herself. "I am so giddy and thoughtless! _Do_ excuse me. It had slipped my memory that you have good reasons to be indisposed for joining in my chatter. Diana and Mary have left you, and Moor House is shut up, and you are so lonely. I am sure I pity you. Do come and see papa." "Not to-night, Miss Rosamond, not to-night." Mr. St. John spoke almost like an automaton: himself only knew the effort it cost him thus to refuse. "Well, if you are so obstinate, I will leave you; for I dare not stay any longer: the dew begins to fall. Good evening!" She held out her hand. He just touched it. "Good evening!" he repeated, in a voice low and hollow as an echo. She turned, but in a moment returned. "Are you well?" she asked. Well might she put the question: his face was blanched as her gown. "Quite well," he enunciated; and, with a bow, he left the gate. She went one way; he another. She turned twice to gaze after him as she tripped fairy-like down the field; he, as he strode firmly across, never turned at all. This spectacle of another's suffering and sacrifice rapt my thoughts from exclusive meditation on my own. Diana Rivers had designated her brother "inexorable as death." She had not exaggerated.

volume 3, Chapter 31

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap31-32

Jane describes her home in Morton as a cottage, and says that her furniture is useful yet humble. It is the evening of the first day of class, and Jane relates that she has twenty students, only three of which can read. She sees challenges ahead, and though she feels that she may not enjoy her new life, she will try. Jane goes outside to look around and is met there by St. John who brings her a present from his sisters of some drawing materials. He asks how she likes her new position, and she says that she does. He tells her that a year ago he had become miserable and had thought it a mistake that he had joined the ministry. He had then decided to become a missionary and is happy in the planning for it and believes he will travel from Europe for the East. Just then Miss Oliver, an heiress and the patron of the school, arrives. Jane sees that she is quite beautiful and that she has an affect on St. John. She asks Jane how she likes the school and her house and says that she will come and help her teach sometimes. Miss Oliver tries to get St. John to return with her to the house so he can visit her father, but he makes up excuses and the three part ways

novelguide

all_chapterized_books/1260-chapters/33.txt

finished_summaries/novelguide/Jane Eyre/section_15_part_2.txt

Jane Eyre.volume 3.chapter 32

chapter 32

{"name": "volume 3, Chapter 32", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap31-32", "summary": "Jane continues her work at the school, and she soon notices that some of the girls are polite and try to do their work well, and this encourages her. She relates that she has become a favorite in the community, and that she often gets salutations and smiles. While she is happier now, she does have dreams at night of Mr. Rochester. Miss Oliver keeps her word and comes to the school, usually timing her visits with when Mr. St. John is giving his lesson to the girls. She seems to know her power over him, but it seems as if he would not let it consume him, as he wants to be a missionary. One day when Miss Oliver is visiting Jane in her home, she finds her drawings and asks her to do one of her. The next day Mr. Oliver accompanies Miss Oliver on her visit to Jane, and Jane is invited to their home of Vale Hall. Through the conversation, Jane comes to understand that Mr. Oliver likes Mr. St. John and seemingly would not oppose a match between him and his daughter. Soon after, St. John visits Jane as she is finishing her picture of Miss Oliver. She shows it to him, asking if he would like her to make him a copy. She tells him that Miss Oliver seems to like him. He replies that he does love her, but that he feels she would not be a good wife for him, as he cannot give up the plan of being a missionary. As he looks at the picture again, he notices the piece of paper that Jane rests her hand on, tears a piece off of it and bids Jane good-bye. Jane looks at the paper but sees nothing but a few marks she has made", "analysis": ""}

I continued the labours of the village-school as actively and faithfully as I could. It was truly hard work at first. Some time elapsed before, with all my efforts, I could comprehend my scholars and their nature. Wholly untaught, with faculties quite torpid, they seemed to me hopelessly dull; and, at first sight, all dull alike: but I soon found I was mistaken. There was a difference amongst them as amongst the educated; and when I got to know them, and they me, this difference rapidly developed itself. Their amazement at me, my language, my rules, and ways, once subsided, I found some of these heavy-looking, gaping rustics wake up into sharp-witted girls enough. Many showed themselves obliging, and amiable too; and I discovered amongst them not a few examples of natural politeness, and innate self-respect, as well as of excellent capacity, that won both my goodwill and my admiration. These soon took a pleasure in doing their work well, in keeping their persons neat, in learning their tasks regularly, in acquiring quiet and orderly manners. The rapidity of their progress, in some instances, was even surprising; and an honest and happy pride I took in it: besides, I began personally to like some of the best girls; and they liked me. I had amongst my scholars several farmers' daughters: young women grown, almost. These could already read, write, and sew; and to them I taught the elements of grammar, geography, history, and the finer kinds of needlework. I found estimable characters amongst them--characters desirous of information and disposed for improvement--with whom I passed many a pleasant evening hour in their own homes. Their parents then (the farmer and his wife) loaded me with attentions. There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration--a scrupulous regard to their feelings--to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received. I felt I became a favourite in the neighbourhood. Whenever I went out, I heard on all sides cordial salutations, and was welcomed with friendly smiles. To live amidst general regard, though it be but the regard of working people, is like "sitting in sunshine, calm and sweet;" serene inward feelings bud and bloom under the ray. At this period of my life, my heart far oftener swelled with thankfulness than sank with dejection: and yet, reader, to tell you all, in the midst of this calm, this useful existence--after a day passed in honourable exertion amongst my scholars, an evening spent in drawing or reading contentedly alone--I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion. By nine o'clock the next morning I was punctually opening the school; tranquil, settled, prepared for the steady duties of the day. Rosamond Oliver kept her word in coming to visit me. Her call at the school was generally made in the course of her morning ride. She would canter up to the door on her pony, followed by a mounted livery servant. Anything more exquisite than her appearance, in her purple habit, with her Amazon's cap of black velvet placed gracefully above the long curls that kissed her cheek and floated to her shoulders, can scarcely be imagined: and it was thus she would enter the rustic building, and glide through the dazzled ranks of the village children. She generally came at the hour when Mr. Rivers was engaged in giving his daily catechising lesson. Keenly, I fear, did the eye of the visitress pierce the young pastor's heart. A sort of instinct seemed to warn him of her entrance, even when he did not see it; and when he was looking quite away from the door, if she appeared at it, his cheek would glow, and his marble-seeming features, though they refused to relax, changed indescribably, and in their very quiescence became expressive of a repressed fervour, stronger than working muscle or darting glance could indicate. Of course, she knew her power: indeed, he did not, because he could not, conceal it from her. In spite of his Christian stoicism, when she went up and addressed him, and smiled gaily, encouragingly, even fondly in his face, his hand would tremble and his eye burn. He seemed to say, with his sad and resolute look, if he did not say it with his lips, "I love you, and I know you prefer me. It is not despair of success that keeps me dumb. If I offered my heart, I believe you would accept it. But that heart is already laid on a sacred altar: the fire is arranged round it. It will soon be no more than a sacrifice consumed." And then she would pout like a disappointed child; a pensive cloud would soften her radiant vivacity; she would withdraw her hand hastily from his, and turn in transient petulance from his aspect, at once so heroic and so martyr-like. St. John, no doubt, would have given the world to follow, recall, retain her, when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise. Besides, he could not bind all that he had in his nature--the rover, the aspirant, the poet, the priest--in the limits of a single passion. He could not--he would not--renounce his wild field of mission warfare for the parlours and the peace of Vale Hall. I learnt so much from himself in an inroad I once, despite his reserve, had the daring to make on his confidence. Miss Oliver already honoured me with frequent visits to my cottage. I had learnt her whole character, which was without mystery or disguise: she was coquettish but not heartless; exacting, but not worthlessly selfish. She had been indulged from her birth, but was not absolutely spoilt. She was hasty, but good-humoured; vain (she could not help it, when every glance in the glass showed her such a flush of loveliness), but not affected; liberal-handed; innocent of the pride of wealth; ingenuous; sufficiently intelligent; gay, lively, and unthinking: she was very charming, in short, even to a cool observer of her own sex like me; but she was not profoundly interesting or thoroughly impressive. A very different sort of mind was hers from that, for instance, of the sisters of St. John. Still, I liked her almost as I liked my pupil Adele; except that, for a child whom we have watched over and taught, a closer affection is engendered than we can give an equally attractive adult acquaintance. She had taken an amiable caprice to me. She said I was like Mr. Rivers, only, certainly, she allowed, "not one-tenth so handsome, though I was a nice neat little soul enough, but he was an angel." I was, however, good, clever, composed, and firm, like him. I was a _lusus naturae_, she affirmed, as a village schoolmistress: she was sure my previous history, if known, would make a delightful romance. One evening, while, with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed with surprise, and then electrified with delight. "Had I done these pictures? Did I know French and German? What a love--what a miracle I was! I drew better than her master in the first school in S-. Would I sketch a portrait of her, to show to papa?" "With pleasure," I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. I took a sheet of fine card-board, and drew a careful outline. I promised myself the pleasure of colouring it; and, as it was getting late then, I told her she must come and sit another day. She made such a report of me to her father, that Mr. Oliver himself accompanied her next evening--a tall, massive-featured, middle-aged, and grey-headed man, at whose side his lovely daughter looked like a bright flower near a hoary turret. He appeared a taciturn, and perhaps a proud personage; but he was very kind to me. The sketch of Rosamond's portrait pleased him highly: he said I must make a finished picture of it. He insisted, too, on my coming the next day to spend the evening at Vale Hall. I went. I found it a large, handsome residence, showing abundant evidences of wealth in the proprietor. Rosamond was full of glee and pleasure all the time I stayed. Her father was affable; and when he entered into conversation with me after tea, he expressed in strong terms his approbation of what I had done in Morton school, and said he only feared, from what he saw and heard, I was too good for the place, and would soon quit it for one more suitable. "Indeed," cried Rosamond, "she is clever enough to be a governess in a high family, papa." I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers--of the Rivers family--with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond's union with St. John. Mr. Oliver evidently regarded the young clergyman's good birth, old name, and sacred profession as sufficient compensation for the want of fortune. It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright--scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would. The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver's miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips--a soft curl here and there to the tresses--a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers. "I am come to see how you are spending your holiday," he said. "Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace," and he laid on the table a new publication--a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days--the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell--the hell of your own meanness. While I was eagerly glancing at the bright pages of "Marmion" (for "Marmion" it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could. "With all his firmness and self-control," thought I, "he tasks himself too far: locks every feeling and pang within--expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk." I said first, "Take a chair, Mr. Rivers." But he answered, as he always did, that he could not stay. "Very well," I responded, mentally, "stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I'll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy." "Is this portrait like?" I asked bluntly. "Like! Like whom? I did not observe it closely." "You did, Mr. Rivers." He almost started at my sudden and strange abruptness: he looked at me astonished. "Oh, that is nothing yet," I muttered within. "I don't mean to be baffled by a little stiffness on your part; I'm prepared to go to considerable lengths." I continued, "You observed it closely and distinctly; but I have no objection to your looking at it again," and I rose and placed it in his hand. "A well-executed picture," he said; "very soft, clear colouring; very graceful and correct drawing." "Yes, yes; I know all that. But what of the resemblance? Who is it like?" Mastering some hesitation, he answered, "Miss Oliver, I presume." "Of course. And now, sir, to reward you for the accurate guess, I will promise to paint you a careful and faithful duplicate of this very picture, provided you admit that the gift would be acceptable to you. I don't wish to throw away my time and trouble on an offering you would deem worthless." He continued to gaze at the picture: the longer he looked, the firmer he held it, the more he seemed to covet it. "It is like!" he murmured; "the eye is well managed: the colour, light, expression, are perfect. It smiles!" "Would it comfort, or would it wound you to have a similar painting? Tell me that. When you are at Madagascar, or at the Cape, or in India, would it be a consolation to have that memento in your possession? or would the sight of it bring recollections calculated to enervate and distress?" He now furtively raised his eyes: he glanced at me, irresolute, disturbed: he again surveyed the picture. "That I should like to have it is certain: whether it would be judicious or wise is another question." Since I had ascertained that Rosamond really preferred him, and that her father was not likely to oppose the match, I--less exalted in my views than St. John--had been strongly disposed in my own heart to advocate their union. It seemed to me that, should he become the possessor of Mr. Oliver's large fortune, he might do as much good with it as if he went and laid his genius out to wither, and his strength to waste, under a tropical sun. With this persuasion I now answered-- "As far as I can see, it would be wiser and more judicious if you were to take to yourself the original at once." By this time he had sat down: he had laid the picture on the table before him, and with his brow supported on both hands, hung fondly over it. I discerned he was now neither angry nor shocked at my audacity. I saw even that to be thus frankly addressed on a subject he had deemed unapproachable--to hear it thus freely handled--was beginning to be felt by him as a new pleasure--an unhoped-for relief. Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all; and to "burst" with boldness and good-will into "the silent sea" of their souls is often to confer on them the first of obligations. "She likes you, I am sure," said I, as I stood behind his chair, "and her father respects you. Moreover, she is a sweet girl--rather thoughtless; but you would have sufficient thought for both yourself and her. You ought to marry her." "_Does_ she like me?" he asked. "Certainly; better than she likes any one else. She talks of you continually: there is no subject she enjoys so much or touches upon so often." "It is very pleasant to hear this," he said--"very: go on for another quarter of an hour." And he actually took out his watch and laid it upon the table to measure the time. "But where is the use of going on," I asked, "when you are probably preparing some iron blow of contradiction, or forging a fresh chain to fetter your heart?" "Don't imagine such hard things. Fancy me yielding and melting, as I am doing: human love rising like a freshly opened fountain in my mind and overflowing with sweet inundation all the field I have so carefully and with such labour prepared--so assiduously sown with the seeds of good intentions, of self-denying plans. And now it is deluged with a nectarous flood--the young germs swamped--delicious poison cankering them: now I see myself stretched on an ottoman in the drawing-room at Vale Hall at my bride Rosamond Oliver's feet: she is talking to me with her sweet voice--gazing down on me with those eyes your skilful hand has copied so well--smiling at me with these coral lips. She is mine--I am hers--this present life and passing world suffice to me. Hush! say nothing--my heart is full of delight--my senses are entranced--let the time I marked pass in peace." I humoured him: the watch ticked on: he breathed fast and low: I stood silent. Amidst this hush the quartet sped; he replaced the watch, laid the picture down, rose, and stood on the hearth. "Now," said he, "that little space was given to delirium and delusion. I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers. I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow--her offers false: I see and know all this." I gazed at him in wonder. "It is strange," pursued he, "that while I love Rosamond Oliver so wildly--with all the intensity, indeed, of a first passion, the object of which is exquisitely beautiful, graceful, fascinating--I experience at the same time a calm, unwarped consciousness that she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. This I know." "Strange indeed!" I could not help ejaculating. "While something in me," he went on, "is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to--co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary's wife? No!" "But you need not be a missionary. You might relinquish that scheme." "Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race--of carrying knowledge into the realms of ignorance--of substituting peace for war--freedom for bondage--religion for superstition--the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for." After a considerable pause, I said--"And Miss Oliver? Are her disappointment and sorrow of no interest to you?" "Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do." "You speak coolly enough; but you suffer in the conflict. You are wasting away." "No. If I get a little thin, it is with anxiety about my prospects, yet unsettled--my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six." "You tremble and become flushed whenever Miss Oliver enters the schoolroom." Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone. "You are original," said he, "and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. _That_ is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am--a cold hard man." I smiled incredulously. "You have taken my confidence by storm," he continued, "and now it is much at your service. I am simply, in my original state--stripped of that blood-bleached robe with which Christianity covers human deformity--a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer." "You would describe yourself as a mere pagan philosopher," I said. "No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher--a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:--From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master's kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated 'till this mortal shall put on immortality.'" Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait. "She _is_ lovely," he murmured. "She is well named the Rose of the World, indeed!" "And may I not paint one like it for you?" "_Cui bono_? No." He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was. "What is the matter?" I asked. "Nothing in the world," was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and "good-afternoon," he vanished. "Well!" I exclaimed, using an expression of the district, "that caps the globe, however!" I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.

volume 3, Chapter 32

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap31-32

Jane continues her work at the school, and she soon notices that some of the girls are polite and try to do their work well, and this encourages her. She relates that she has become a favorite in the community, and that she often gets salutations and smiles. While she is happier now, she does have dreams at night of Mr. Rochester. Miss Oliver keeps her word and comes to the school, usually timing her visits with when Mr. St. John is giving his lesson to the girls. She seems to know her power over him, but it seems as if he would not let it consume him, as he wants to be a missionary. One day when Miss Oliver is visiting Jane in her home, she finds her drawings and asks her to do one of her. The next day Mr. Oliver accompanies Miss Oliver on her visit to Jane, and Jane is invited to their home of Vale Hall. Through the conversation, Jane comes to understand that Mr. Oliver likes Mr. St. John and seemingly would not oppose a match between him and his daughter. Soon after, St. John visits Jane as she is finishing her picture of Miss Oliver. She shows it to him, asking if he would like her to make him a copy. She tells him that Miss Oliver seems to like him. He replies that he does love her, but that he feels she would not be a good wife for him, as he cannot give up the plan of being a missionary. As he looks at the picture again, he notices the piece of paper that Jane rests her hand on, tears a piece off of it and bids Jane good-bye. Jane looks at the paper but sees nothing but a few marks she has made

novelguide

all_chapterized_books/1260-chapters/34.txt

finished_summaries/novelguide/Jane Eyre/section_16_part_1.txt

Jane Eyre.volume 3.chapter 33

chapter 33

{"name": "volume 3, Chapter 33", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap33-34", "summary": "The next day Jane is surprised by a visit from St. John. He is very excited, but does not immediately tell her why he has come. Eventually he begins to tell her a story. He says that there was a clergyman and a woman who married and had a daughter. They died, and the girl was sent to a Mrs. Reed and then to Lowood School. Jane is startled, but he continues that the woman then went to live with a Mr. Rochester and was to marry him until it was found out that he was already married. She then ran off and is now missing. He says that he received a letter from a solicitor looking for this woman whose name was Jane Eyre, and bringing out the scrap of paper that he had taken from Jane's paper, she sees that she had absent-mindedly written Jane Eyre on it. He continues on to say that her uncle had died and left her all his money, a fortune of twenty thousand pounds. Jane is quite surprised at the large amount. She then asks why the solicitor should write to him, and he replies that he is her cousin, the son of her father's sister. Jane is so excited that she has family, especially family such as Diana and Mary, who she felt could have been sisters to her anyway. She instantly decides to split the money with them so that they will each have five thousand pounds and can all live together at Moor House. St. John believes that it is just the surprise and that she will really not want to split the money, but she convinces him. She tells him that she will keep the school open until he can find a replacement", "analysis": ""}

When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down "Marmion," and beginning-- "Day set on Norham's castled steep, And Tweed's fair river broad and deep, And Cheviot's mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone"-- I soon forgot storm in music. I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane--the howling darkness--and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night. "Any ill news?" I demanded. "Has anything happened?" "No. How very easily alarmed you are!" he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots. "I shall sully the purity of your floor," said he, "but you must excuse me for once." Then he approached the fire. "I have had hard work to get here, I assure you," he observed, as he warmed his hands over the flame. "One drift took me up to the waist; happily the snow is quite soft yet." "But why are you come?" I could not forbear saying. "Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel." He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say-- "I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health." "Not at all," said he: "I care for myself when necessary. I am well now. What do you see amiss in me?" This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced. He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him. "No, no!" he responded shortly and somewhat testily. "Well," I reflected, "if you won't talk, you may be still; I'll let you alone now, and return to my book." So I snuffed the candle and resumed the perusal of "Marmion." He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would. "Have you heard from Diana and Mary lately?" "Not since the letter I showed you a week ago." "There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?" "I fear not, indeed: such chance is too good to befall me." Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars. "Mary Garrett's mother is better, and Mary came back to the school this morning, and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow." "Indeed!" "Mr. Oliver pays for two." "Does he?" "He means to give the whole school a treat at Christmas." "I know." "Was it your suggestion?" "No." "Whose, then?" "His daughter's, I think." "It is like her: she is so good-natured." "Yes." Again came the blank of a pause: the clock struck eight strokes. It aroused him; he uncrossed his legs, sat erect, turned to me. "Leave your book a moment, and come a little nearer the fire," he said. Wondering, and of my wonder finding no end, I complied. "Half-an-hour ago," he pursued, "I spoke of my impatience to hear the sequel of a tale: on reflection, I find the matter will be better managed by my assuming the narrator's part, and converting you into a listener. Before commencing, it is but fair to warn you that the story will sound somewhat hackneyed in your ears; but stale details often regain a degree of freshness when they pass through new lips. For the rest, whether trite or novel, it is short. "Twenty years ago, a poor curate--never mind his name at this moment--fell in love with a rich man's daughter; she fell in love with him, and married him, against the advice of all her friends, who consequently disowned her immediately after the wedding. Before two years passed, the rash pair were both dead, and laid quietly side by side under one slab. (I have seen their grave; it formed part of the pavement of a huge churchyard surrounding the grim, soot-black old cathedral of an overgrown manufacturing town in ---shire.) They left a daughter, which, at its very birth, Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night. Charity carried the friendless thing to the house of its rich maternal relations; it was reared by an aunt-in- law, called (I come to names now) Mrs. Reed of Gateshead. You start--did you hear a noise? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom: it was a barn before I had it repaired and altered, and barns are generally haunted by rats.--To proceed. Mrs. Reed kept the orphan ten years: whether it was happy or not with her, I cannot say, never having been told; but at the end of that time she transferred it to a place you know--being no other than Lowood School, where you so long resided yourself. It seems her career there was very honourable: from a pupil, she became a teacher, like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess: there, again, your fates were analogous; she undertook the education of the ward of a certain Mr. Rochester." "Mr. Rivers!" I interrupted. "I can guess your feelings," he said, "but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester's character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone--no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?" "Just tell me this," said I, "and since you know so much, you surely can tell it me--what of Mr. Rochester? How and where is he? What is he doing? Is he well?" "I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess--the nature of the event which requires her appearance." "Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?" "I suppose not." "But they wrote to him?" "Of course." "And what did he say? Who has his letters?" "Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed 'Alice Fairfax.'" I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!" "He must have been a bad man," observed Mr. Rivers. "You don't know him--don't pronounce an opinion upon him," I said, with warmth. "Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord. Stay! I have it here--it is always more satisfactory to see important points written down, fairly committed to black and white." And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words "JANE EYRE"--the work doubtless of some moment of abstraction. "Briggs wrote to me of a Jane Eyre:" he said, "the advertisements demanded a Jane Eyre: I knew a Jane Elliott.--I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the _alias_?" "Yes--yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do." "Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you--what he wanted with you." "Well, what did he want?" "Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich--merely that--nothing more." "I!--rich?" "Yes, you, rich--quite an heiress." Silence succeeded. "You must prove your identity of course," resumed St. John presently: "a step which will offer no difficulties; you can then enter on immediate possession. Your fortune is vested in the English funds; Briggs has the will and the necessary documents." Here was a new card turned up! It is a fine thing, reader, to be lifted in a moment from indigence to wealth--a very fine thing; but not a matter one can comprehend, or consequently enjoy, all at once. And then there are other chances in life far more thrilling and rapture-giving: _this_ is solid, an affair of the actual world, nothing ideal about it: all its associations are solid and sober, and its manifestations are the same. One does not jump, and spring, and shout hurrah! at hearing one has got a fortune; one begins to consider responsibilities, and to ponder business; on a base of steady satisfaction rise certain grave cares, and we contain ourselves, and brood over our bliss with a solemn brow. Besides, the words Legacy, Bequest, go side by side with the words, Death, Funeral. My uncle I had heard was dead--my only relative; ever since being made aware of his existence, I had cherished the hope of one day seeing him: now, I never should. And then this money came only to me: not to me and a rejoicing family, but to my isolated self. It was a grand boon doubtless; and independence would be glorious--yes, I felt that--that thought swelled my heart. "You unbend your forehead at last," said Mr. Rivers. "I thought Medusa had looked at you, and that you were turning to stone. Perhaps now you will ask how much you are worth?" "How much am I worth?" "Oh, a trifle! Nothing of course to speak of--twenty thousand pounds, I think they say--but what is that?" "Twenty thousand pounds?" Here was a new stunner--I had been calculating on four or five thousand. This news actually took my breath for a moment: Mr. St. John, whom I had never heard laugh before, laughed now. "Well," said he, "if you had committed a murder, and I had told you your crime was discovered, you could scarcely look more aghast." "It is a large sum--don't you think there is a mistake?" "No mistake at all." "Perhaps you have read the figures wrong--it may be two thousand!" "It is written in letters, not figures,--twenty thousand." I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred. Mr. Rivers rose now and put his cloak on. "If it were not such a very wild night," he said, "I would send Hannah down to keep you company: you look too desperately miserable to be left alone. But Hannah, poor woman! could not stride the drifts so well as I: her legs are not quite so long: so I must e'en leave you to your sorrows. Good-night." He was lifting the latch: a sudden thought occurred to me. "Stop one minute!" I cried. "Well?" "It puzzles me to know why Mr. Briggs wrote to you about me; or how he knew you, or could fancy that you, living in such an out-of-the-way place, had the power to aid in my discovery." "Oh! I am a clergyman," he said; "and the clergy are often appealed to about odd matters." Again the latch rattled. "No; that does not satisfy me!" I exclaimed: and indeed there was something in the hasty and unexplanatory reply which, instead of allaying, piqued my curiosity more than ever. "It is a very strange piece of business," I added; "I must know more about it." "Another time." "No; to-night!--to-night!" and as he turned from the door, I placed myself between it and him. He looked rather embarrassed. "You certainly shall not go till you have told me all," I said. "I would rather not just now." "You shall!--you must!" "I would rather Diana or Mary informed you." Of course these objections wrought my eagerness to a climax: gratified it must be, and that without delay; and I told him so. "But I apprised you that I was a hard man," said he, "difficult to persuade." "And I am a hard woman,--impossible to put off." {And I am a hard woman,--impossible to put off: p369.jpg} "And then," he pursued, "I am cold: no fervour infects me." "Whereas I am hot, and fire dissolves ice. The blaze there has thawed all the snow from your cloak; by the same token, it has streamed on to my floor, and made it like a trampled street. As you hope ever to be forgiven, Mr. Rivers, the high crime and misdemeanour of spoiling a sanded kitchen, tell me what I wish to know." "Well, then," he said, "I yield; if not to your earnestness, to your perseverance: as stone is worn by continual dropping. Besides, you must know some day,--as well now as later. Your name is Jane Eyre?" "Of course: that was all settled before." "You are not, perhaps, aware that I am your namesake?--that I was christened St. John Eyre Rivers?" "No, indeed! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me; but I never asked for what name it stood. But what then? Surely--" I stopped: I could not trust myself to entertain, much less to express, the thought that rushed upon me--that embodied itself,--that, in a second, stood out a strong, solid probability. Circumstances knit themselves, fitted themselves, shot into order: the chain that had been lying hitherto a formless lump of links was drawn out straight,--every ring was perfect, the connection complete. I knew, by instinct, how the matter stood, before St. John had said another word; but I cannot expect the reader to have the same intuitive perception, so I must repeat his explanation. "My mother's name was Eyre; she had two brothers; one a clergyman, who married Miss Jane Reed, of Gateshead; the other, John Eyre, Esq., merchant, late of Funchal, Madeira. Mr. Briggs, being Mr. Eyre's solicitor, wrote to us last August to inform us of our uncle's death, and to say that he had left his property to his brother the clergyman's orphan daughter, overlooking us, in consequence of a quarrel, never forgiven, between him and my father. He wrote again a few weeks since, to intimate that the heiress was lost, and asking if we knew anything of her. A name casually written on a slip of paper has enabled me to find her out. You know the rest." Again he was going, but I set my back against the door. "Do let me speak," I said; "let me have one moment to draw breath and reflect." I paused--he stood before me, hat in hand, looking composed enough. I resumed-- "Your mother was my father's sister?" "Yes." "My aunt, consequently?" He bowed. "My uncle John was your uncle John? You, Diana, and Mary are his sister's children, as I am his brother's child?" "Undeniably." "You three, then, are my cousins; half our blood on each side flows from the same source?" "We are cousins; yes." I surveyed him. It seemed I had found a brother: one I could be proud of,--one I could love; and two sisters, whose qualities were such, that, when I knew them but as mere strangers, they had inspired me with genuine affection and admiration. The two girls, on whom, kneeling down on the wet ground, and looking through the low, latticed window of Moor House kitchen, I had gazed with so bitter a mixture of interest and despair, were my near kinswomen; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation. Glorious discovery to a lonely wretch! This was wealth indeed!--wealth to the heart!--a mine of pure, genial affections. This was a blessing, bright, vivid, and exhilarating;--not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight. I now clapped my hands in sudden joy--my pulse bounded, my veins thrilled. "Oh, I am glad!--I am glad!" I exclaimed. St. John smiled. "Did I not say you neglected essential points to pursue trifles?" he asked. "You were serious when I told you you had got a fortune; and now, for a matter of no moment, you are excited." "What can you mean? It may be of no moment to you; you have sisters and don't care for a cousin; but I had nobody; and now three relations,--or two, if you don't choose to be counted,--are born into my world full-grown. I say again, I am glad!" I walked fast through the room: I stopped, half suffocated with the thoughts that rose faster than I could receive, comprehend, settle them:--thoughts of what might, could, would, and should be, and that ere long. I looked at the blank wall: it seemed a sky thick with ascending stars,--every one lit me to a purpose or delight. Those who had saved my life, whom, till this hour, I had loved barrenly, I could now benefit. They were under a yoke,--I could free them: they were scattered,--I could reunite them: the independence, the affluence which was mine, might be theirs too. Were we not four? Twenty thousand pounds shared equally would be five thousand each, justice--enough and to spare: justice would be done,--mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin,--it was a legacy of life, hope, enjoyment. How I looked while these ideas were taking my spirit by storm, I cannot tell; but I perceived soon that Mr. Rivers had placed a chair behind me, and was gently attempting to make me sit down on it. He also advised me to be composed; I scorned the insinuation of helplessness and distraction, shook off his hand, and began to walk about again. "Write to Diana and Mary to-morrow," I said, "and tell them to come home directly. Diana said they would both consider themselves rich with a thousand pounds, so with five thousand they will do very well." "Tell me where I can get you a glass of water," said St. John; "you must really make an effort to tranquillise your feelings." "Nonsense! and what sort of an effect will the bequest have on you? Will it keep you in England, induce you to marry Miss Oliver, and settle down like an ordinary mortal?" "You wander: your head becomes confused. I have been too abrupt in communicating the news; it has excited you beyond your strength." "Mr. Rivers! you quite put me out of patience: I am rational enough; it is you who misunderstand, or rather who affect to misunderstand." "Perhaps, if you explained yourself a little more fully, I should comprehend better." "Explain! What is there to explain? You cannot fail to see that twenty thousand pounds, the sum in question, divided equally between the nephew and three nieces of our uncle, will give five thousand to each? What I want is, that you should write to your sisters and tell them of the fortune that has accrued to them." "To you, you mean." "I have intimated my view of the case: I am incapable of taking any other. I am not brutally selfish, blindly unjust, or fiendishly ungrateful. Besides, I am resolved I will have a home and connections. I like Moor House, and I will live at Moor House; I like Diana and Mary, and I will attach myself for life to Diana and Mary. It would please and benefit me to have five thousand pounds; it would torment and oppress me to have twenty thousand; which, moreover, could never be mine in justice, though it might in law. I abandon to you, then, what is absolutely superfluous to me. Let there be no opposition, and no discussion about it; let us agree amongst each other, and decide the point at once." "This is acting on first impulses; you must take days to consider such a matter, ere your word can be regarded as valid." "Oh! if all you doubt is my sincerity, I am easy: you see the justice of the case?" "I _do_ see a certain justice; but it is contrary to all custom. Besides, the entire fortune is your right: my uncle gained it by his own efforts; he was free to leave it to whom he would: he left it to you. After all, justice permits you to keep it: you may, with a clear conscience, consider it absolutely your own." "With me," said I, "it is fully as much a matter of feeling as of conscience: I must indulge my feelings; I so seldom have had an opportunity of doing so. Were you to argue, object, and annoy me for a year, I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying, in part, a mighty obligation, and winning to myself lifelong friends." "You think so now," rejoined St. John, "because you do not know what it is to possess, nor consequently to enjoy wealth: you cannot form a notion of the importance twenty thousand pounds would give you; of the place it would enable you to take in society; of the prospects it would open to you: you cannot--" "And you," I interrupted, "cannot at all imagine the craving I have for fraternal and sisterly love. I never had a home, I never had brothers or sisters; I must and will have them now: you are not reluctant to admit me and own me, are you?" "Jane, I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights." "Brother? Yes; at the distance of a thousand leagues! Sisters? Yes; slaving amongst strangers! I, wealthy--gorged with gold I never earned and do not merit! You, penniless! Famous equality and fraternisation! Close union! Intimate attachment!" "But, Jane, your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate: you may marry." "Nonsense, again! Marry! I don't want to marry, and never shall marry." "That is saying too much: such hazardous affirmations are a proof of the excitement under which you labour." "It is not saying too much: I know what I feel, and how averse are my inclinations to the bare thought of marriage. No one would take me for love; and I will not be regarded in the light of a mere money speculation. And I do not want a stranger--unsympathising, alien, different from me; I want my kindred: those with whom I have full fellow- feeling. Say again you will be my brother: when you uttered the words I was satisfied, happy; repeat them, if you can, repeat them sincerely." "I think I can. I know I have always loved my own sisters; and I know on what my affection for them is grounded,--respect for their worth and admiration of their talents. You too have principle and mind: your tastes and habits resemble Diana's and Mary's; your presence is always agreeable to me; in your conversation I have already for some time found a salutary solace. I feel I can easily and naturally make room in my heart for you, as my third and youngest sister." "Thank you: that contents me for to-night. Now you had better go; for if you stay longer, you will perhaps irritate me afresh by some mistrustful scruple." "And the school, Miss Eyre? It must now be shut up, I suppose?" "No. I will retain my post of mistress till you get a substitute." He smiled approbation: we shook hands, and he took leave. I need not narrate in detail the further struggles I had, and arguments I used, to get matters regarding the legacy settled as I wished. My task was a very hard one; but, as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention; and must, besides, have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration. The judges chosen were Mr. Oliver and an able lawyer: both coincided in my opinion: I carried my point. The instruments of transfer were drawn out: St. John, Diana, Mary, and I, each became possessed of a competency.

volume 3, Chapter 33

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap33-34

The next day Jane is surprised by a visit from St. John. He is very excited, but does not immediately tell her why he has come. Eventually he begins to tell her a story. He says that there was a clergyman and a woman who married and had a daughter. They died, and the girl was sent to a Mrs. Reed and then to Lowood School. Jane is startled, but he continues that the woman then went to live with a Mr. Rochester and was to marry him until it was found out that he was already married. She then ran off and is now missing. He says that he received a letter from a solicitor looking for this woman whose name was Jane Eyre, and bringing out the scrap of paper that he had taken from Jane's paper, she sees that she had absent-mindedly written Jane Eyre on it. He continues on to say that her uncle had died and left her all his money, a fortune of twenty thousand pounds. Jane is quite surprised at the large amount. She then asks why the solicitor should write to him, and he replies that he is her cousin, the son of her father's sister. Jane is so excited that she has family, especially family such as Diana and Mary, who she felt could have been sisters to her anyway. She instantly decides to split the money with them so that they will each have five thousand pounds and can all live together at Moor House. St. John believes that it is just the surprise and that she will really not want to split the money, but she convinces him. She tells him that she will keep the school open until he can find a replacement

novelguide

all_chapterized_books/1260-chapters/36.txt

finished_summaries/novelguide/Jane Eyre/section_17_part_1.txt

Jane Eyre.volume 3.chapter 35

chapter 35

{"name": "volume 3, Chapter 35", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap35-36", "summary": "St. John does not leave for Cambridge the next day as he said he was going to, but he stays another week. During this time Jane sees that he had not forgotten all she said to him. The night before he was to leave for Cambridge, Jane asks him to be friends with her. He says that he thought they were friends, but is not moved. When Jane asks if he will leave her to go to India like this, he is startled, and asks then if she does not mean to go with him. She tells him again that she will not marry him, and when again he asks for a reason, she says that he almost hates her and that he should kill her if they were to be married. She tries to explain what she means, but he does not understand. He continues to try to talk her into marrying him and leaving with him, but she refuses, saying that there are things in England that she must find out about. He understands that she is talking about Rochester, and says he will pray for her so that she does not become a castaway. Diana has seen them talking and asks Jane if St. John is in love with her. Jane tells her no, but that he has asked her to marry him and be a companion to him on his voyage. Diana agrees that it would be out of the question to marry a man who regarded her only as a useful tool. After supper they say their good-byes, and St. John tells Jane that she should reflect while he is gone. He lays his hand on Jane's head, and at that moment she feels such veneration for him that she almost yields to him and forgets her refusals. But just at the moment that she would perhaps tell him so, her heart beats faster, and she gets a strange feeling. Suddenly she hears someone calling \"Jane. Jane. Jane. She recognizes the voice and yells, \"I am coming. Where are you. Of course she does not find Rochester, but bids goodbye to St. John and goes to her room", "analysis": ""}

He did not leave for Cambridge the next day, as he had said he would. He deferred his departure a whole week, and during that time he made me feel what severe punishment a good yet stern, a conscientious yet implacable man can inflict on one who has offended him. Without one overt act of hostility, one upbraiding word, he contrived to impress me momently with the conviction that I was put beyond the pale of his favour. Not that St. John harboured a spirit of unchristian vindictiveness--not that he would have injured a hair of my head, if it had been fully in his power to do so. Both by nature and principle, he was superior to the mean gratification of vengeance: he had forgiven me for saying I scorned him and his love, but he had not forgotten the words; and as long as he and I lived he never would forget them. I saw by his look, when he turned to me, that they were always written on the air between me and him; whenever I spoke, they sounded in my voice to his ear, and their echo toned every answer he gave me. He did not abstain from conversing with me: he even called me as usual each morning to join him at his desk; and I fear the corrupt man within him had a pleasure unimparted to, and unshared by, the pure Christian, in evincing with what skill he could, while acting and speaking apparently just as usual, extract from every deed and every phrase the spirit of interest and approval which had formerly communicated a certain austere charm to his language and manner. To me, he was in reality become no longer flesh, but marble; his eye was a cold, bright, blue gem; his tongue a speaking instrument--nothing more. All this was torture to me--refined, lingering torture. It kept up a slow fire of indignation and a trembling trouble of grief, which harassed and crushed me altogether. I felt how--if I were his wife, this good man, pure as the deep sunless source, could soon kill me, without drawing from my veins a single drop of blood, or receiving on his own crystal conscience the faintest stain of crime. Especially I felt this when I made any attempt to propitiate him. No ruth met my ruth. _He_ experienced no suffering from estrangement--no yearning after reconciliation; and though, more than once, my fast falling tears blistered the page over which we both bent, they produced no more effect on him than if his heart had been really a matter of stone or metal. To his sisters, meantime, he was somewhat kinder than usual: as if afraid that mere coldness would not sufficiently convince me how completely I was banished and banned, he added the force of contrast; and this I am sure he did not by force, but on principle. The night before he left home, happening to see him walking in the garden about sunset, and remembering, as I looked at him, that this man, alienated as he now was, had once saved my life, and that we were near relations, I was moved to make a last attempt to regain his friendship. I went out and approached him as he stood leaning over the little gate; I spoke to the point at once. "St. John, I am unhappy because you are still angry with me. Let us be friends." "I hope we are friends," was the unmoved reply; while he still watched the rising of the moon, which he had been contemplating as I approached. "No, St. John, we are not friends as we were. You know that." "Are we not? That is wrong. For my part, I wish you no ill and all good." "I believe you, St. John; for I am sure you are incapable of wishing any one ill; but, as I am your kinswoman, I should desire somewhat more of affection than that sort of general philanthropy you extend to mere strangers." "Of course," he said. "Your wish is reasonable, and I am far from regarding you as a stranger." This, spoken in a cool, tranquil tone, was mortifying and baffling enough. Had I attended to the suggestions of pride and ire, I should immediately have left him; but something worked within me more strongly than those feelings could. I deeply venerated my cousin's talent and principle. His friendship was of value to me: to lose it tried me severely. I would not so soon relinquish the attempt to reconquer it. "Must we part in this way, St. John? And when you go to India, will you leave me so, without a kinder word than you have yet spoken?" He now turned quite from the moon and faced me. "When I go to India, Jane, will I leave you! What! do you not go to India?" "You said I could not unless I married you." "And you will not marry me! You adhere to that resolution?" Reader, do you know, as I do, what terror those cold people can put into the ice of their questions? How much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure? "No. St. John, I will not marry you. I adhere to my resolution." The avalanche had shaken and slid a little forward, but it did not yet crash down. "Once more, why this refusal?" he asked. "Formerly," I answered, "because you did not love me; now, I reply, because you almost hate me. If I were to marry you, you would kill me. You are killing me now." His lips and cheeks turned white--quite white. "_I should kill you_--_I am killing you_? Your words are such as ought not to be used: violent, unfeminine, and untrue. They betray an unfortunate state of mind: they merit severe reproof: they would seem inexcusable, but that it is the duty of man to forgive his fellow even until seventy-and-seven times." I had finished the business now. While earnestly wishing to erase from his mind the trace of my former offence, I had stamped on that tenacious surface another and far deeper impression, I had burnt it in. "Now you will indeed hate me," I said. "It is useless to attempt to conciliate you: I see I have made an eternal enemy of you." A fresh wrong did these words inflict: the worse, because they touched on the truth. That bloodless lip quivered to a temporary spasm. I knew the steely ire I had whetted. I was heart-wrung. "You utterly misinterpret my words," I said, at once seizing his hand: "I have no intention to grieve or pain you--indeed, I have not." Most bitterly he smiled--most decidedly he withdrew his hand from mine. "And now you recall your promise, and will not go to India at all, I presume?" said he, after a considerable pause. "Yes, I will, as your assistant," I answered. A very long silence succeeded. What struggle there was in him between Nature and Grace in this interval, I cannot tell: only singular gleams scintillated in his eyes, and strange shadows passed over his face. He spoke at last. "I before proved to you the absurdity of a single woman of your age proposing to accompany abroad a single man of mine. I proved it to you in such terms as, I should have thought, would have prevented your ever again alluding to the plan. That you have done so, I regret--for your sake." I interrupted him. Anything like a tangible reproach gave me courage at once. "Keep to common sense, St. John: you are verging on nonsense. You pretend to be shocked by what I have said. You are not really shocked: for, with your superior mind, you cannot be either so dull or so conceited as to misunderstand my meaning. I say again, I will be your curate, if you like, but never your wife." Again he turned lividly pale; but, as before, controlled his passion perfectly. He answered emphatically but calmly-- "A female curate, who is not my wife, would never suit me. With me, then, it seems, you cannot go: but if you are sincere in your offer, I will, while in town, speak to a married missionary, whose wife needs a coadjutor. Your own fortune will make you independent of the Society's aid; and thus you may still be spared the dishonour of breaking your promise and deserting the band you engaged to join." Now I never had, as the reader knows, either given any formal promise or entered into any engagement; and this language was all much too hard and much too despotic for the occasion. I replied-- "There is no dishonour, no breach of promise, no desertion in the case. I am not under the slightest obligation to go to India, especially with strangers. With you I would have ventured much, because I admire, confide in, and, as a sister, I love you; but I am convinced that, go when and with whom I would, I should not live long in that climate." "Ah! you are afraid of yourself," he said, curling his lip. "I am. God did not give me my life to throw away; and to do as you wish me would, I begin to think, be almost equivalent to committing suicide. Moreover, before I definitively resolve on quitting England, I will know for certain whether I cannot be of greater use by remaining in it than by leaving it." "What do you mean?" "It would be fruitless to attempt to explain; but there is a point on which I have long endured painful doubt, and I can go nowhere till by some means that doubt is removed." "I know where your heart turns and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?" It was true. I confessed it by silence. "Are you going to seek Mr. Rochester?" "I must find out what is become of him." "It remains for me, then," he said, "to remember you in my prayers, and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognised in you one of the chosen. But God sees not as man sees: _His_ will be done--" He opened the gate, passed through it, and strayed away down the glen. He was soon out of sight. On re-entering the parlour, I found Diana standing at the window, looking very thoughtful. Diana was a great deal taller than I: she put her hand on my shoulder, and, stooping, examined my face. "Jane," she said, "you are always agitated and pale now. I am sure there is something the matter. Tell me what business St. John and you have on hands. I have watched you this half hour from the window; you must forgive my being such a spy, but for a long time I have fancied I hardly know what. St. John is a strange being--" She paused--I did not speak: soon she resumed-- "That brother of mine cherishes peculiar views of some sort respecting you, I am sure: he has long distinguished you by a notice and interest he never showed to any one else--to what end? I wish he loved you--does he, Jane?" I put her cool hand to my hot forehead; "No, Die, not one whit." "Then why does he follow you so with his eyes, and get you so frequently alone with him, and keep you so continually at his side? Mary and I had both concluded he wished you to marry him." "He does--he has asked me to be his wife." Diana clapped her hands. "That is just what we hoped and thought! And you will marry him, Jane, won't you? And then he will stay in England." "Far from that, Diana; his sole idea in proposing to me is to procure a fitting fellow-labourer in his Indian toils." "What! He wishes you to go to India?" "Yes." "Madness!" she exclaimed. "You would not live three months there, I am certain. You never shall go: you have not consented, have you, Jane?" "I have refused to marry him--" "And have consequently displeased him?" she suggested. "Deeply: he will never forgive me, I fear: yet I offered to accompany him as his sister." "It was frantic folly to do so, Jane. Think of the task you undertook--one of incessant fatigue, where fatigue kills even the strong, and you are weak. St. John--you know him--would urge you to impossibilities: with him there would be no permission to rest during the hot hours; and unfortunately, I have noticed, whatever he exacts, you force yourself to perform. I am astonished you found courage to refuse his hand. You do not love him then, Jane?" "Not as a husband." "Yet he is a handsome fellow." "And I am so plain, you see, Die. We should never suit." "Plain! You? Not at all. You are much too pretty, as well as too good, to be grilled alive in Calcutta." And again she earnestly conjured me to give up all thoughts of going out with her brother. "I must indeed," I said; "for when just now I repeated the offer of serving him for a deacon, he expressed himself shocked at my want of decency. He seemed to think I had committed an impropriety in proposing to accompany him unmarried: as if I had not from the first hoped to find in him a brother, and habitually regarded him as such." "What makes you say he does not love you, Jane?" "You should hear himself on the subject. He has again and again explained that it is not himself, but his office he wishes to mate. He has told me I am formed for labour--not for love: which is true, no doubt. But, in my opinion, if I am not formed for love, it follows that I am not formed for marriage. Would it not be strange, Die, to be chained for life to a man who regarded one but as a useful tool?" "Insupportable--unnatural--out of the question!" "And then," I continued, "though I have only sisterly affection for him now, yet, if forced to be his wife, I can imagine the possibility of conceiving an inevitable, strange, torturing kind of love for him, because he is so talented; and there is often a certain heroic grandeur in his look, manner, and conversation. In that case, my lot would become unspeakably wretched. He would not want me to love him; and if I showed the feeling, he would make me sensible that it was a superfluity, unrequired by him, unbecoming in me. I know he would." "And yet St. John is a good man," said Diana. "He is a good and a great man; but he forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views. It is better, therefore, for the insignificant to keep out of his way, lest, in his progress, he should trample them down. Here he comes! I will leave you, Diana." And I hastened upstairs as I saw him entering the garden. But I was forced to meet him again at supper. During that meal he appeared just as composed as usual. I had thought he would hardly speak to me, and I was certain he had given up the pursuit of his matrimonial scheme: the sequel showed I was mistaken on both points. He addressed me precisely in his ordinary manner, or what had, of late, been his ordinary manner--one scrupulously polite. No doubt he had invoked the help of the Holy Spirit to subdue the anger I had roused in him, and now believed he had forgiven me once more. For the evening reading before prayers, he selected the twenty-first chapter of Revelation. It was at all times pleasant to listen while from his lips fell the words of the Bible: never did his fine voice sound at once so sweet and full--never did his manner become so impressive in its noble simplicity, as when he delivered the oracles of God: and to-night that voice took a more solemn tone--that manner a more thrilling meaning--as he sat in the midst of his household circle (the May moon shining in through the uncurtained window, and rendering almost unnecessary the light of the candle on the table): as he sat there, bending over the great old Bible, and described from its page the vision of the new heaven and the new earth--told how God would come to dwell with men, how He would wipe away all tears from their eyes, and promised that there should be no more death, neither sorrow nor crying, nor any more pain, because the former things were passed away. The succeeding words thrilled me strangely as he spoke them: especially as I felt, by the slight, indescribable alteration in sound, that in uttering them, his eye had turned on me. "He that overcometh shall inherit all things; and I will be his God, and he shall be my son. But," was slowly, distinctly read, "the fearful, the unbelieving, &c., shall have their part in the lake which burneth with fire and brimstone, which is the second death." Henceforward, I knew what fate St. John feared for me. A calm, subdued triumph, blent with a longing earnestness, marked his enunciation of the last glorious verses of that chapter. The reader believed his name was already written in the Lamb's book of life, and he yearned after the hour which should admit him to the city to which the kings of the earth bring their glory and honour; which has no need of sun or moon to shine in it, because the glory of God lightens it, and the Lamb is the light thereof. In the prayer following the chapter, all his energy gathered--all his stern zeal woke: he was in deep earnest, wrestling with God, and resolved on a conquest. He supplicated strength for the weak-hearted; guidance for wanderers from the fold: a return, even at the eleventh hour, for those whom the temptations of the world and the flesh were luring from the narrow path. He asked, he urged, he claimed the boon of a brand snatched from the burning. Earnestness is ever deeply solemn: first, as I listened to that prayer, I wondered at his; then, when it continued and rose, I was touched by it, and at last awed. He felt the greatness and goodness of his purpose so sincerely: others who heard him plead for it, could not but feel it too. The prayer over, we took leave of him: he was to go at a very early hour in the morning. Diana and Mary having kissed him, left the room--in compliance, I think, with a whispered hint from him: I tendered my hand, and wished him a pleasant journey. "Thank you, Jane. As I said, I shall return from Cambridge in a fortnight: that space, then, is yet left you for reflection. If I listened to human pride, I should say no more to you of marriage with me; but I listen to my duty, and keep steadily in view my first aim--to do all things to the glory of God. My Master was long-suffering: so will I be. I cannot give you up to perdition as a vessel of wrath: repent--resolve, while there is yet time. Remember, we are bid to work while it is day--warned that 'the night cometh when no man shall work.' Remember the fate of Dives, who had his good things in this life. God give you strength to choose that better part which shall not be taken from you!" He laid his hand on my head as he uttered the last words. He had spoken earnestly, mildly: his look was not, indeed, that of a lover beholding his mistress, but it was that of a pastor recalling his wandering sheep--or better, of a guardian angel watching the soul for which he is responsible. All men of talent, whether they be men of feeling or not; whether they be zealots, or aspirants, or despots--provided only they be sincere--have their sublime moments, when they subdue and rule. I felt veneration for St. John--veneration so strong that its impetus thrust me at once to the point I had so long shunned. I was tempted to cease struggling with him--to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment. So I think at this hour, when I look back to the crisis through the quiet medium of time: I was unconscious of folly at the instant. I stood motionless under my hierophant's touch. My refusals were forgotten--my fears overcome--my wrestlings paralysed. The Impossible--_i.e._, my marriage with St. John--was fast becoming the Possible. All was changing utterly with a sudden sweep. Religion called--Angels beckoned--God commanded--life rolled together like a scroll--death's gates opening, showed eternity beyond: it seemed, that for safety and bliss there, all here might be sacrificed in a second. The dim room was full of visions. "Could you decide now?" asked the missionary. The inquiry was put in gentle tones: he drew me to him as gently. Oh, that gentleness! how far more potent is it than force! I could resist St. John's wrath: I grew pliant as a reed under his kindness. Yet I knew all the time, if I yielded now, I should not the less be made to repent, some day, of my former rebellion. His nature was not changed by one hour of solemn prayer: it was only elevated. "I could decide if I were but certain," I answered: "were I but convinced that it is God's will I should marry you, I could vow to marry you here and now--come afterwards what would!" "My prayers are heard!" ejaculated St. John. He pressed his hand firmer on my head, as if he claimed me: he surrounded me with his arm, _almost_ as if he loved me (I say _almost_--I knew the difference--for I had felt what it was to be loved; but, like him, I had now put love out of the question, and thought only of duty). I contended with my inward dimness of vision, before which clouds yet rolled. I sincerely, deeply, fervently longed to do what was right; and only that. "Show me, show me the path!" I entreated of Heaven. I was excited more than I had ever been; and whether what followed was the effect of excitement the reader shall judge. All the house was still; for I believe all, except St. John and myself, were now retired to rest. The one candle was dying out: the room was full of moonlight. My heart beat fast and thick: I heard its throb. Suddenly it stood still to an inexpressible feeling that thrilled it through, and passed at once to my head and extremities. The feeling was not like an electric shock, but it was quite as sharp, as strange, as startling: it acted on my senses as if their utmost activity hitherto had been but torpor, from which they were now summoned and forced to wake. They rose expectant: eye and ear waited while the flesh quivered on my bones. "What have you heard? What do you see?" asked St. John. I saw nothing, but I heard a voice somewhere cry-- "Jane! Jane! Jane!"--nothing more. "O God! what is it?" I gasped. I might have said, "Where is it?" for it did not seem in the room--nor in the house--nor in the garden; it did not come out of the air--nor from under the earth--nor from overhead. I had heard it--where, or whence, for ever impossible to know! And it was the voice of a human being--a known, loved, well-remembered voice--that of Edward Fairfax Rochester; and it spoke in pain and woe, wildly, eerily, urgently. "I am coming!" I cried. "Wait for me! Oh, I will come!" I flew to the door and looked into the passage: it was dark. I ran out into the garden: it was void. "Where are you?" I exclaimed. The hills beyond Marsh Glen sent the answer faintly back--"Where are you?" I listened. The wind sighed low in the firs: all was moorland loneliness and midnight hush. "Down superstition!" I commented, as that spectre rose up black by the black yew at the gate. "This is not thy deception, nor thy witchcraft: it is the work of nature. She was roused, and did--no miracle--but her best." I broke from St. John, who had followed, and would have detained me. It was _my_ time to assume ascendency. _My_ powers were in play and in force. I told him to forbear question or remark; I desired him to leave me: I must and would be alone. He obeyed at once. Where there is energy to command well enough, obedience never fails. I mounted to my chamber; locked myself in; fell on my knees; and prayed in my way--a different way to St. John's, but effective in its own fashion. I seemed to penetrate very near a Mighty Spirit; and my soul rushed out in gratitude at His feet. I rose from the thanksgiving--took a resolve--and lay down, unscared, enlightened--eager but for the daylight.

volume 3, Chapter 35

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap35-36

St. John does not leave for Cambridge the next day as he said he was going to, but he stays another week. During this time Jane sees that he had not forgotten all she said to him. The night before he was to leave for Cambridge, Jane asks him to be friends with her. He says that he thought they were friends, but is not moved. When Jane asks if he will leave her to go to India like this, he is startled, and asks then if she does not mean to go with him. She tells him again that she will not marry him, and when again he asks for a reason, she says that he almost hates her and that he should kill her if they were to be married. She tries to explain what she means, but he does not understand. He continues to try to talk her into marrying him and leaving with him, but she refuses, saying that there are things in England that she must find out about. He understands that she is talking about Rochester, and says he will pray for her so that she does not become a castaway. Diana has seen them talking and asks Jane if St. John is in love with her. Jane tells her no, but that he has asked her to marry him and be a companion to him on his voyage. Diana agrees that it would be out of the question to marry a man who regarded her only as a useful tool. After supper they say their good-byes, and St. John tells Jane that she should reflect while he is gone. He lays his hand on Jane's head, and at that moment she feels such veneration for him that she almost yields to him and forgets her refusals. But just at the moment that she would perhaps tell him so, her heart beats faster, and she gets a strange feeling. Suddenly she hears someone calling "Jane. Jane. Jane. She recognizes the voice and yells, "I am coming. Where are you. Of course she does not find Rochester, but bids goodbye to St. John and goes to her room

novelguide

all_chapterized_books/1260-chapters/37.txt

finished_summaries/novelguide/Jane Eyre/section_17_part_2.txt

Jane Eyre.volume 3.chapter 36

chapter 36

{"name": "volume 3, Chapter 36", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap35-36", "summary": "Early in the morning Jane hears St. John leave while she is getting ready for her own journey. She tells Diana and Mary that she must go on a trip and in the afternoon goes to meet the coach. It takes thirty-six hours to get near Thornfield, and at the coach stop Jane starts to walk to the Hall. Jane is quite excited about being near Thornfield again, and walks so that her first view of the Hall will be from the front. She peeps out from the gates in case someone is looking from the windows, but then gapes at what she sees. Thornfield is no longer a stately house, but a blackened ruin. All of the walls are crashed in, and it had obviously happened a while ago. Jane returns to the inn at the coach stop to try to find out what happened. She learns from the waiter that there was a lunatic living at the Hall who was Rochester's wife, and she burned it down. He relates that Rochester tried to get her out, but that she jumped from the top of the house, killing herself. Rochester was injured in the fire, and has lost his left hand and is blind. He tells her that Mrs. Fairfax was sent away and that Adele was sent to school. He tells her that he now lives at Ferndean, a manor house that he owns about thirty miles from there. He lives there with John and his wife. Jane calls for a coach, and sets out for Ferndean", "analysis": ""}

The daylight came. I rose at dawn. I busied myself for an hour or two with arranging my things in my chamber, drawers, and wardrobe, in the order wherein I should wish to leave them during a brief absence. Meantime, I heard St. John quit his room. He stopped at my door: I feared he would knock--no, but a slip of paper was passed under the door. I took it up. It bore these words-- "You left me too suddenly last night. Had you stayed but a little longer, you would have laid your hand on the Christian's cross and the angel's crown. I shall expect your clear decision when I return this day fortnight. Meantime, watch and pray that you enter not into temptation: the spirit, I trust, is willing, but the flesh, I see, is weak. I shall pray for you hourly.--Yours, ST. JOHN." "My spirit," I answered mentally, "is willing to do what is right; and my flesh, I hope, is strong enough to accomplish the will of Heaven, when once that will is distinctly known to me. At any rate, it shall be strong enough to search--inquire--to grope an outlet from this cloud of doubt, and find the open day of certainty." It was the first of June; yet the morning was overcast and chilly: rain beat fast on my casement. I heard the front-door open, and St. John pass out. Looking through the window, I saw him traverse the garden. He took the way over the misty moors in the direction of Whitcross--there he would meet the coach. "In a few more hours I shall succeed you in that track, cousin," thought I: "I too have a coach to meet at Whitcross. I too have some to see and ask after in England, before I depart for ever." It wanted yet two hours of breakfast-time. I filled the interval in walking softly about my room, and pondering the visitation which had given my plans their present bent. I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in _me_--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body. "Ere many days," I said, as I terminated my musings, "I will know something of him whose voice seemed last night to summon me. Letters have proved of no avail--personal inquiry shall replace them." At breakfast I announced to Diana and Mary that I was going a journey, and should be absent at least four days. "Alone, Jane?" they asked. "Yes; it was to see or hear news of a friend about whom I had for some time been uneasy." They might have said, as I have no doubt they thought, that they had believed me to be without any friends save them: for, indeed, I had often said so; but, with their true natural delicacy, they abstained from comment, except that Diana asked me if I was sure I was well enough to travel. I looked very pale, she observed. I replied, that nothing ailed me save anxiety of mind, which I hoped soon to alleviate. It was easy to make my further arrangements; for I was troubled with no inquiries--no surmises. Having once explained to them that I could not now be explicit about my plans, they kindly and wisely acquiesced in the silence with which I pursued them, according to me the privilege of free action I should under similar circumstances have accorded them. I left Moor House at three o'clock p.m., and soon after four I stood at the foot of the sign-post of Whitcross, waiting the arrival of the coach which was to take me to distant Thornfield. Amidst the silence of those solitary roads and desert hills, I heard it approach from a great distance. It was the same vehicle whence, a year ago, I had alighted one summer evening on this very spot--how desolate, and hopeless, and objectless! It stopped as I beckoned. I entered--not now obliged to part with my whole fortune as the price of its accommodation. Once more on the road to Thornfield, I felt like the messenger-pigeon flying home. It was a journey of six-and-thirty hours. I had set out from Whitcross on a Tuesday afternoon, and early on the succeeding Thursday morning the coach stopped to water the horses at a wayside inn, situated in the midst of scenery whose green hedges and large fields and low pastoral hills (how mild of feature and verdant of hue compared with the stern North- Midland moors of Morton!) met my eye like the lineaments of a once familiar face. Yes, I knew the character of this landscape: I was sure we were near my bourne. "How far is Thornfield Hall from here?" I asked of the ostler. "Just two miles, ma'am, across the fields." "My journey is closed," I thought to myself. I got out of the coach, gave a box I had into the ostler's charge, to be kept till I called for it; paid my fare; satisfied the coachman, and was going: the brightening day gleamed on the sign of the inn, and I read in gilt letters, "The Rochester Arms." My heart leapt up: I was already on my master's very lands. It fell again: the thought struck it:-- "Your master himself may be beyond the British Channel, for aught you know: and then, if he is at Thornfield Hall, towards which you hasten, who besides him is there? His lunatic wife: and you have nothing to do with him: you dare not speak to him or seek his presence. You have lost your labour--you had better go no farther," urged the monitor. "Ask information of the people at the inn; they can give you all you seek: they can solve your doubts at once. Go up to that man, and inquire if Mr. Rochester be at home." The suggestion was sensible, and yet I could not force myself to act on it. I so dreaded a reply that would crush me with despair. To prolong doubt was to prolong hope. I might yet once more see the Hall under the ray of her star. There was the stile before me--the very fields through which I had hurried, blind, deaf, distracted with a revengeful fury tracking and scourging me, on the morning I fled from Thornfield: ere I well knew what course I had resolved to take, I was in the midst of them. How fast I walked! How I ran sometimes! How I looked forward to catch the first view of the well-known woods! With what feelings I welcomed single trees I knew, and familiar glimpses of meadow and hill between them! At last the woods rose; the rookery clustered dark; a loud cawing broke the morning stillness. Strange delight inspired me: on I hastened. Another field crossed--a lane threaded--and there were the courtyard walls--the back offices: the house itself, the rookery still hid. "My first view of it shall be in front," I determined, "where its bold battlements will strike the eye nobly at once, and where I can single out my master's very window: perhaps he will be standing at it--he rises early: perhaps he is now walking in the orchard, or on the pavement in front. Could I but see him!--but a moment! Surely, in that case, I should not be so mad as to run to him? I cannot tell--I am not certain. And if I did--what then? God bless him! What then? Who would be hurt by my once more tasting the life his glance can give me? I rave: perhaps at this moment he is watching the sun rise over the Pyrenees, or on the tideless sea of the south." I had coasted along the lower wall of the orchard--turned its angle: there was a gate just there, opening into the meadow, between two stone pillars crowned by stone balls. From behind one pillar I could peep round quietly at the full front of the mansion. I advanced my head with precaution, desirous to ascertain if any bedroom window-blinds were yet drawn up: battlements, windows, long front--all from this sheltered station were at my command. The crows sailing overhead perhaps watched me while I took this survey. I wonder what they thought. They must have considered I was very careful and timid at first, and that gradually I grew very bold and reckless. A peep, and then a long stare; and then a departure from my niche and a straying out into the meadow; and a sudden stop full in front of the great mansion, and a protracted, hardy gaze towards it. "What affectation of diffidence was this at first?" they might have demanded; "what stupid regardlessness now?" Hear an illustration, reader. A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses--fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty--warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter--by any movement he can make. He thought his love slept sweetly: he finds she is stone dead. I looked with timorous joy towards a stately house: I saw a blackened ruin. No need to cower behind a gate-post, indeed!--to peep up at chamber lattices, fearing life was astir behind them! No need to listen for doors opening--to fancy steps on the pavement or the gravel-walk! The lawn, the grounds were trodden and waste: the portal yawned void. The front was, as I had once seen it in a dream, but a well-like wall, very high and very fragile-looking, perforated with paneless windows: no roof, no battlements, no chimneys--all had crashed in. And there was the silence of death about it: the solitude of a lonesome wild. No wonder that letters addressed to people here had never received an answer: as well despatch epistles to a vault in a church aisle. The grim blackness of the stones told by what fate the Hall had fallen--by conflagration: but how kindled? What story belonged to this disaster? What loss, besides mortar and marble and wood-work had followed upon it? Had life been wrecked as well as property? If so, whose? Dreadful question: there was no one here to answer it--not even dumb sign, mute token. In wandering round the shattered walls and through the devastated interior, I gathered evidence that the calamity was not of late occurrence. Winter snows, I thought, had drifted through that void arch, winter rains beaten in at those hollow casements; for, amidst the drenched piles of rubbish, spring had cherished vegetation: grass and weed grew here and there between the stones and fallen rafters. And oh! where meantime was the hapless owner of this wreck? In what land? Under what auspices? My eye involuntarily wandered to the grey church tower near the gates, and I asked, "Is he with Damer de Rochester, sharing the shelter of his narrow marble house?" Some answer must be had to these questions. I could find it nowhere but at the inn, and thither, ere long, I returned. The host himself brought my breakfast into the parlour. I requested him to shut the door and sit down: I had some questions to ask him. But when he complied, I scarcely knew how to begin; such horror had I of the possible answers. And yet the spectacle of desolation I had just left prepared me in a measure for a tale of misery. The host was a respectable-looking, middle-aged man. "You know Thornfield Hall, of course?" I managed to say at last. "Yes, ma'am; I lived there once." "Did you?" Not in my time, I thought: you are a stranger to me. "I was the late Mr. Rochester's butler," he added. The late! I seem to have received, with full force, the blow I had been trying to evade. "The late!" I gasped. "Is he dead?" "I mean the present gentleman, Mr. Edward's father," he explained. I breathed again: my blood resumed its flow. Fully assured by these words that Mr. Edward--_my_ Mr. Rochester (God bless him, wherever he was!)--was at least alive: was, in short, "the present gentleman." Gladdening words! It seemed I could hear all that was to come--whatever the disclosures might be--with comparative tranquillity. Since he was not in the grave, I could bear, I thought, to learn that he was at the Antipodes. "Is Mr. Rochester living at Thornfield Hall now?" I asked, knowing, of course, what the answer would be, but yet desirous of deferring the direct question as to where he really was. "No, ma'am--oh, no! No one is living there. I suppose you are a stranger in these parts, or you would have heard what happened last autumn,--Thornfield Hall is quite a ruin: it was burnt down just about harvest-time. A dreadful calamity! such an immense quantity of valuable property destroyed: hardly any of the furniture could be saved. The fire broke out at dead of night, and before the engines arrived from Millcote, the building was one mass of flame. It was a terrible spectacle: I witnessed it myself." "At dead of night!" I muttered. Yes, that was ever the hour of fatality at Thornfield. "Was it known how it originated?" I demanded. "They guessed, ma'am: they guessed. Indeed, I should say it was ascertained beyond a doubt. You are not perhaps aware," he continued, edging his chair a little nearer the table, and speaking low, "that there was a lady--a--a lunatic, kept in the house?" "I have heard something of it." "She was kept in very close confinement, ma'am: people even for some years was not absolutely certain of her existence. No one saw her: they only knew by rumour that such a person was at the Hall; and who or what she was it was difficult to conjecture. They said Mr. Edward had brought her from abroad, and some believed she had been his mistress. But a queer thing happened a year since--a very queer thing." I feared now to hear my own story. I endeavoured to recall him to the main fact. "And this lady?" "This lady, ma'am," he answered, "turned out to be Mr. Rochester's wife! The discovery was brought about in the strangest way. There was a young lady, a governess at the Hall, that Mr. Rochester fell in--" "But the fire," I suggested. "I'm coming to that, ma'am--that Mr. Edward fell in love with. The servants say they never saw anybody so much in love as he was: he was after her continually. They used to watch him--servants will, you know, ma'am--and he set store on her past everything: for all, nobody but him thought her so very handsome. She was a little small thing, they say, almost like a child. I never saw her myself; but I've heard Leah, the house-maid, tell of her. Leah liked her well enough. Mr. Rochester was about forty, and this governess not twenty; and you see, when gentlemen of his age fall in love with girls, they are often like as if they were bewitched. Well, he would marry her." "You shall tell me this part of the story another time," I said; "but now I have a particular reason for wishing to hear all about the fire. Was it suspected that this lunatic, Mrs. Rochester, had any hand in it?" "You've hit it, ma'am: it's quite certain that it was her, and nobody but her, that set it going. She had a woman to take care of her called Mrs. Poole--an able woman in her line, and very trustworthy, but for one fault--a fault common to a deal of them nurses and matrons--she _kept a private bottle of gin by her_, and now and then took a drop over-much. It is excusable, for she had a hard life of it: but still it was dangerous; for when Mrs. Poole was fast asleep after the gin and water, the mad lady, who was as cunning as a witch, would take the keys out of her pocket, let herself out of her chamber, and go roaming about the house, doing any wild mischief that came into her head. They say she had nearly burnt her husband in his bed once: but I don't know about that. However, on this night, she set fire first to the hangings of the room next her own, and then she got down to a lower storey, and made her way to the chamber that had been the governess's--(she was like as if she knew somehow how matters had gone on, and had a spite at her)--and she kindled the bed there; but there was nobody sleeping in it, fortunately. The governess had run away two months before; and for all Mr. Rochester sought her as if she had been the most precious thing he had in the world, he never could hear a word of her; and he grew savage--quite savage on his disappointment: he never was a wild man, but he got dangerous after he lost her. He would be alone, too. He sent Mrs. Fairfax, the housekeeper, away to her friends at a distance; but he did it handsomely, for he settled an annuity on her for life: and she deserved it--she was a very good woman. Miss Adele, a ward he had, was put to school. He broke off acquaintance with all the gentry, and shut himself up like a hermit at the Hall." "What! did he not leave England?" "Leave England? Bless you, no! He would not cross the door-stones of the house, except at night, when he walked just like a ghost about the grounds and in the orchard as if he had lost his senses--which it is my opinion he had; for a more spirited, bolder, keener gentleman than he was before that midge of a governess crossed him, you never saw, ma'am. He was not a man given to wine, or cards, or racing, as some are, and he was not so very handsome; but he had a courage and a will of his own, if ever man had. I knew him from a boy, you see: and for my part, I have often wished that Miss Eyre had been sunk in the sea before she came to Thornfield Hall." "Then Mr. Rochester was at home when the fire broke out?" "Yes, indeed was he; and he went up to the attics when all was burning above and below, and got the servants out of their beds and helped them down himself, and went back to get his mad wife out of her cell. And then they called out to him that she was on the roof, where she was standing, waving her arms, above the battlements, and shouting out till they could hear her a mile off: I saw her and heard her with my own eyes. She was a big woman, and had long black hair: we could see it streaming against the flames as she stood. I witnessed, and several more witnessed, Mr. Rochester ascend through the sky-light on to the roof; we heard him call 'Bertha!' We saw him approach her; and then, ma'am, she yelled and gave a spring, and the next minute she lay smashed on the pavement." {The next minute she lay smashed on the pavement: p413.jpg} "Dead?" "Dead! Ay, dead as the stones on which her brains and blood were scattered." "Good God!" "You may well say so, ma'am: it was frightful!" He shuddered. "And afterwards?" I urged. "Well, ma'am, afterwards the house was burnt to the ground: there are only some bits of walls standing now." "Were any other lives lost?" "No--perhaps it would have been better if there had." "What do you mean?" "Poor Mr. Edward!" he ejaculated, "I little thought ever to have seen it! Some say it was a just judgment on him for keeping his first marriage secret, and wanting to take another wife while he had one living: but I pity him, for my part." "You said he was alive?" I exclaimed. "Yes, yes: he is alive; but many think he had better be dead." "Why? How?" My blood was again running cold. "Where is he?" I demanded. "Is he in England?" "Ay--ay--he's in England; he can't get out of England, I fancy--he's a fixture now." What agony was this! And the man seemed resolved to protract it. "He is stone-blind," he said at last. "Yes, he is stone-blind, is Mr. Edward." I had dreaded worse. I had dreaded he was mad. I summoned strength to ask what had caused this calamity. "It was all his own courage, and a body may say, his kindness, in a way, ma'am: he wouldn't leave the house till every one else was out before him. As he came down the great staircase at last, after Mrs. Rochester had flung herself from the battlements, there was a great crash--all fell. He was taken out from under the ruins, alive, but sadly hurt: a beam had fallen in such a way as to protect him partly; but one eye was knocked out, and one hand so crushed that Mr. Carter, the surgeon, had to amputate it directly. The other eye inflamed: he lost the sight of that also. He is now helpless, indeed--blind and a cripple." "Where is he? Where does he now live?" "At Ferndean, a manor-house on a farm he has, about thirty miles off: quite a desolate spot." "Who is with him?" "Old John and his wife: he would have none else. He is quite broken down, they say." "Have you any sort of conveyance?" "We have a chaise, ma'am, a very handsome chaise." "Let it be got ready instantly; and if your post-boy can drive me to Ferndean before dark this day, I'll pay both you and him twice the hire you usually demand."

volume 3, Chapter 36

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap35-36

Early in the morning Jane hears St. John leave while she is getting ready for her own journey. She tells Diana and Mary that she must go on a trip and in the afternoon goes to meet the coach. It takes thirty-six hours to get near Thornfield, and at the coach stop Jane starts to walk to the Hall. Jane is quite excited about being near Thornfield again, and walks so that her first view of the Hall will be from the front. She peeps out from the gates in case someone is looking from the windows, but then gapes at what she sees. Thornfield is no longer a stately house, but a blackened ruin. All of the walls are crashed in, and it had obviously happened a while ago. Jane returns to the inn at the coach stop to try to find out what happened. She learns from the waiter that there was a lunatic living at the Hall who was Rochester's wife, and she burned it down. He relates that Rochester tried to get her out, but that she jumped from the top of the house, killing herself. Rochester was injured in the fire, and has lost his left hand and is blind. He tells her that Mrs. Fairfax was sent away and that Adele was sent to school. He tells her that he now lives at Ferndean, a manor house that he owns about thirty miles from there. He lives there with John and his wife. Jane calls for a coach, and sets out for Ferndean

novelguide

all_chapterized_books/1260-chapters/39.txt

finished_summaries/novelguide/Jane Eyre/section_18_part_2.txt

Jane Eyre.volume 3.chapter 38

chapter 38

{"name": "volume 3, Chapter 38", "url": "https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap37-38", "summary": "Jane and Rochester have a quiet wedding three days after that. Diana and Mary are happy for her and say they will come to visit. St. John did not reply to the letter Jane sent to him regarding the wedding; however, he has since maintained a correspondence with her. Jane goes to see Adele and changes her school for a better and closer one. Jane then tells the reader that it has been ten years now that she has been married as she sits to write about her life. She and Rochester are always together, and after two years, he had regained sight in one of his eyes, enough to see his first-born son. Diana and Mary are both married and come to visit Jane, and she visits them. St. John went to India and is still there. He remained unmarried, and Jane relates that he feels that he will soon die and join God", "analysis": ""}

Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said-- "Mary, I have been married to Mr. Rochester this morning." The housekeeper and her husband were both of that decent phlegmatic order of people, to whom one may at any time safely communicate a remarkable piece of news without incurring the danger of having one's ears pierced by some shrill ejaculation, and subsequently stunned by a torrent of wordy wonderment. Mary did look up, and she did stare at me: the ladle with which she was basting a pair of chickens roasting at the fire, did for some three minutes hang suspended in air; and for the same space of time John's knives also had rest from the polishing process: but Mary, bending again over the roast, said only-- "Have you, Miss? Well, for sure!" A short time after she pursued--"I seed you go out with the master, but I didn't know you were gone to church to be wed;" and she basted away. John, when I turned to him, was grinning from ear to ear. "I telled Mary how it would be," he said: "I knew what Mr. Edward" (John was an old servant, and had known his master when he was the cadet of the house, therefore, he often gave him his Christian name)--"I knew what Mr. Edward would do; and I was certain he would not wait long neither: and he's done right, for aught I know. I wish you joy, Miss!" and he politely pulled his forelock. "Thank you, John. Mr. Rochester told me to give you and Mary this." I put into his hand a five-pound note. Without waiting to hear more, I left the kitchen. In passing the door of that sanctum some time after, I caught the words-- "She'll happen do better for him nor ony o't' grand ladies." And again, "If she ben't one o' th' handsomest, she's noan faal and varry good-natured; and i' his een she's fair beautiful, onybody may see that." I wrote to Moor House and to Cambridge immediately, to say what I had done: fully explaining also why I had thus acted. Diana and Mary approved the step unreservedly. Diana announced that she would just give me time to get over the honeymoon, and then she would come and see me. "She had better not wait till then, Jane," said Mr. Rochester, when I read her letter to him; "if she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mine." How St. John received the news, I don't know: he never answered the letter in which I communicated it: yet six months after he wrote to me, without, however, mentioning Mr. Rochester's name or alluding to my marriage. His letter was then calm, and, though very serious, kind. He has maintained a regular, though not frequent, correspondence ever since: he hopes I am happy, and trusts I am not of those who live without God in the world, and only mind earthly things. You have not quite forgotten little Adele, have you, reader? I had not; I soon asked and obtained leave of Mr. Rochester, to go and see her at the school where he had placed her. Her frantic joy at beholding me again moved me much. She looked pale and thin: she said she was not happy. I found the rules of the establishment were too strict, its course of study too severe for a child of her age: I took her home with me. I meant to become her governess once more, but I soon found this impracticable; my time and cares were now required by another--my husband needed them all. So I sought out a school conducted on a more indulgent system, and near enough to permit of my visiting her often, and bringing her home sometimes. I took care she should never want for anything that could contribute to her comfort: she soon settled in her new abode, became very happy there, and made fair progress in her studies. As she grew up, a sound English education corrected in a great measure her French defects; and when she left school, I found in her a pleasing and obliging companion: docile, good-tempered, and well-principled. By her grateful attention to me and mine, she has long since well repaid any little kindness I ever had it in my power to offer her. My tale draws to its close: one word respecting my experience of married life, and one brief glance at the fortunes of those whose names have most frequently recurred in this narrative, and I have done. I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest--blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character--perfect concord is the result. Mr. Rochester continued blind the first two years of our union; perhaps it was that circumstance that drew us so very near--that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature--he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam--of the landscape before us; of the weather round us--and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad--because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes. One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?" I had a gold watch-chain: I answered "Yes." "And have you a pale blue dress on?" {And have you a pale blue dress on?: p435.jpg} I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it. He and I went up to London. He had the advice of an eminent oculist; and he eventually recovered the sight of that one eye. He cannot now see very distinctly: he cannot read or write much; but he can find his way without being led by the hand: the sky is no longer a blank to him--the earth no longer a void. When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were--large, brilliant, and black. On that occasion, he again, with a full heart, acknowledged that God had tempered judgment with mercy. My Edward and I, then, are happy: and the more so, because those we most love are happy likewise. Diana and Mary Rivers are both married: alternately, once every year, they come to see us, and we go to see them. Diana's husband is a captain in the navy, a gallant officer and a good man. Mary's is a clergyman, a college friend of her brother's, and, from his attainments and principles, worthy of the connection. Both Captain Fitzjames and Mr. Wharton love their wives, and are loved by them. As to St. John Rivers, he left England: he went to India. He entered on the path he had marked for himself; he pursues it still. A more resolute, indefatigable pioneer never wrought amidst rocks and dangers. Firm, faithful, and devoted, full of energy, and zeal, and truth, he labours for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says--"Whosoever will come after me, let him deny himself, and take up his cross and follow me." His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth--who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful. St. John is unmarried: he never will marry now. Himself has hitherto sufficed to the toil, and the toil draws near its close: his glorious sun hastens to its setting. The last letter I received from him drew from my eyes human tears, and yet filled my heart with divine joy: he anticipated his sure reward, his incorruptible crown. I know that a stranger's hand will write to me next, to say that the good and faithful servant has been called at length into the joy of his Lord. And why weep for this? No fear of death will darken St. John's last hour: his mind will be unclouded, his heart will be undaunted, his hope will be sure, his faith steadfast. His own words are a pledge of this-- "My Master," he says, "has forewarned me. Daily He announces more distinctly,--'Surely I come quickly!' and hourly I more eagerly respond,--'Amen; even so come, Lord Jesus!'"

volume 3, Chapter 38

https://web.archive.org/web/20201020200836/https://www.novelguide.com/jane-eyre/summaries/chap37-38

Jane and Rochester have a quiet wedding three days after that. Diana and Mary are happy for her and say they will come to visit. St. John did not reply to the letter Jane sent to him regarding the wedding; however, he has since maintained a correspondence with her. Jane goes to see Adele and changes her school for a better and closer one. Jane then tells the reader that it has been ten years now that she has been married as she sits to write about her life. She and Rochester are always together, and after two years, he had regained sight in one of his eyes, enough to see his first-born son. Diana and Mary are both married and come to visit Jane, and she visits them. St. John went to India and is still there. He remained unmarried, and Jane relates that he feels that he will soon die and join God

gradesaver

all_chapterized_books/507-chapters/01.txt

finished_summaries/gradesaver/Adam Bede/section_0_part_1.txt

Adam Bede.book 1.chapter 1

book 1, chapter 1

{"name": "book 1, Chapter 1", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8", "summary": "On June 18, 1799, there are five workmen in the carpenter's shop of Mr. Jonathan Burge in the village of Hayslope. The tallest worker, Adam Bede, is singing. He is a fine, large man with Celtic blood. His brother, Seth, has a different aspect. He looks more shy and less robust. Seth says that he has finished the door that he is working on, and the rest laugh at him because he has forgotten the panels. They joke about hanging the door in the shop as a joke, but Adam persuades them to stop making fun of his brother. Wiry Ben jokes that Seth was absent-minded in finishing the door because he was dreaming about a female Methodist preacher. Seth invites Ben to come and see the preacher for himself so that he can get religion. Adam reveals that he is not so keen on women being allowed to preach, and he disputes Ben's suggestion that Parson Irwine will be upset at him for attending a Methodist meeting. Adam objects to Methodist philosophy, saying that it is too inward-looking; God put his spirit into the worker to build the tabernacle, and there is holiness in mills and aqueducts as well as in a church. Ben teases Seth once again about the unfinished doors, and Seth concedes that he has a good joke. Ben says that it is better that he does not bristle at every joke like his brother does. The clock strikes six, and all of the men prepare to go except Adam, who is indignant that the men give up work so quickly, as though they do not enjoy it. Seth says that he will be home late after the preaching, especially since he will see Dinah Morris home if she will allow it. Adam leaves the workshop with his dog Gyp and passes a nearby house, where an old woman named Dolly invites him in to dinner, saying that Miss Mary is there and that Mister Burge will be there soon as well. Adam declines and walks on. An elderly horseman turns around to look at Adam, but Adam does not see him", "analysis": "Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having \"Celtic blood.\" While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, \"What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman.\" Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to \"licking the French\" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that \"we can hardly think Dinah and Seth beneath our sympathy.\" In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a \"thorn in his side\" for many years to come. But when he finds his father dead, Eliot observes that \"when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.\" By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she \"immediately and with great gravity lifted up her frock and showed a tiny pink pocket.\" Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking."}

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799. The afternoon sun was warm on the five workmen there, busy upon doors and window-frames and wainscoting. A scent of pine-wood from a tentlike pile of planks outside the open door mingled itself with the scent of the elder-bushes which were spreading their summer snow close to the open window opposite; the slanting sunbeams shone through the transparent shavings that flew before the steady plane, and lit up the fine grain of the oak panelling which stood propped against the wall. On a heap of those soft shavings a rough, grey shepherd dog had made himself a pleasant bed, and was lying with his nose between his fore-paws, occasionally wrinkling his brows to cast a glance at the tallest of the five workmen, who was carving a shield in the centre of a wooden mantelpiece. It was to this workman that the strong barytone belonged which was heard above the sound of plane and hammer singing-- Awake, my soul, and with the sun Thy daily stage of duty run; Shake off dull sloth... Here some measurement was to be taken which required more concentrated attention, and the sonorous voice subsided into a low whistle; but it presently broke out again with renewed vigour-- Let all thy converse be sincere, Thy conscience as the noonday clear. Such a voice could only come from a broad chest, and the broad chest belonged to a large-boned, muscular man nearly six feet high, with a back so flat and a head so well poised that when he drew himself up to take a more distant survey of his work, he had the air of a soldier standing at ease. The sleeve rolled up above the elbow showed an arm that was likely to win the prize for feats of strength; yet the long supple hand, with its broad finger-tips, looked ready for works of skill. In his tall stalwartness Adam Bede was a Saxon, and justified his name; but the jet-black hair, made the more noticeable by its contrast with the light paper cap, and the keen glance of the dark eyes that shone from under strongly marked, prominent and mobile eyebrows, indicated a mixture of Celtic blood. The face was large and roughly hewn, and when in repose had no other beauty than such as belongs to an expression of good-humoured honest intelligence. It is clear at a glance that the next workman is Adam's brother. He is nearly as tall; he has the same type of features, the same hue of hair and complexion; but the strength of the family likeness seems only to render more conspicuous the remarkable difference of expression both in form and face. Seth's broad shoulders have a slight stoop; his eyes are grey; his eyebrows have less prominence and more repose than his brother's; and his glance, instead of being keen, is confiding and benign. He has thrown off his paper cap, and you see that his hair is not thick and straight, like Adam's, but thin and wavy, allowing you to discern the exact contour of a coronal arch that predominates very decidedly over the brow. The idle tramps always felt sure they could get a copper from Seth; they scarcely ever spoke to Adam. The concert of the tools and Adam's voice was at last broken by Seth, who, lifting the door at which he had been working intently, placed it against the wall, and said, "There! I've finished my door to-day, anyhow." The workmen all looked up; Jim Salt, a burly, red-haired man known as Sandy Jim, paused from his planing, and Adam said to Seth, with a sharp glance of surprise, "What! Dost think thee'st finished the door?" "Aye, sure," said Seth, with answering surprise; "what's awanting to't?" A loud roar of laughter from the other three workmen made Seth look round confusedly. Adam did not join in the laughter, but there was a slight smile on his face as he said, in a gentler tone than before, "Why, thee'st forgot the panels." The laughter burst out afresh as Seth clapped his hands to his head, and coloured over brow and crown. "Hoorray!" shouted a small lithe fellow called Wiry Ben, running forward and seizing the door. "We'll hang up th' door at fur end o' th' shop an' write on't 'Seth Bede, the Methody, his work.' Here, Jim, lend's hould o' th' red pot." "Nonsense!" said Adam. "Let it alone, Ben Cranage. You'll mayhap be making such a slip yourself some day; you'll laugh o' th' other side o' your mouth then." "Catch me at it, Adam. It'll be a good while afore my head's full o' th' Methodies," said Ben. "Nay, but it's often full o' drink, and that's worse." Ben, however, had now got the "red pot" in his hand, and was about to begin writing his inscription, making, by way of preliminary, an imaginary S in the air. "Let it alone, will you?" Adam called out, laying down his tools, striding up to Ben, and seizing his right shoulder. "Let it alone, or I'll shake the soul out o' your body." Ben shook in Adam's iron grasp, but, like a plucky small man as he was, he didn't mean to give in. With his left hand he snatched the brush from his powerless right, and made a movement as if he would perform the feat of writing with his left. In a moment Adam turned him round, seized his other shoulder, and, pushing him along, pinned him against the wall. But now Seth spoke. "Let be, Addy, let be. Ben will be joking. Why, he's i' the right to laugh at me--I canna help laughing at myself." "I shan't loose him till he promises to let the door alone," said Adam. "Come, Ben, lad," said Seth, in a persuasive tone, "don't let's have a quarrel about it. You know Adam will have his way. You may's well try to turn a waggon in a narrow lane. Say you'll leave the door alone, and make an end on't." "I binna frighted at Adam," said Ben, "but I donna mind sayin' as I'll let 't alone at your askin', Seth." "Come, that's wise of you, Ben," said Adam, laughing and relaxing his grasp. They all returned to their work now; but Wiry Ben, having had the worst in the bodily contest, was bent on retrieving that humiliation by a success in sarcasm. "Which was ye thinkin' on, Seth," he began--"the pretty parson's face or her sarmunt, when ye forgot the panels?" "Come and hear her, Ben," said Seth, good-humouredly; "she's going to preach on the Green to-night; happen ye'd get something to think on yourself then, instead o' those wicked songs you're so fond on. Ye might get religion, and that 'ud be the best day's earnings y' ever made." "All i' good time for that, Seth; I'll think about that when I'm a-goin' to settle i' life; bachelors doesn't want such heavy earnin's. Happen I shall do the coortin' an' the religion both together, as YE do, Seth; but ye wouldna ha' me get converted an' chop in atween ye an' the pretty preacher, an' carry her aff?" "No fear o' that, Ben; she's neither for you nor for me to win, I doubt. Only you come and hear her, and you won't speak lightly on her again." "Well, I'm half a mind t' ha' a look at her to-night, if there isn't good company at th' Holly Bush. What'll she take for her text? Happen ye can tell me, Seth, if so be as I shouldna come up i' time for't. Will't be--what come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess--a uncommon pretty young woman." "Come, Ben," said Adam, rather sternly, "you let the words o' the Bible alone; you're going too far now." "What! Are YE a-turnin' roun', Adam? I thought ye war dead again th' women preachin', a while agoo?" "Nay, I'm not turnin' noway. I said nought about the women preachin'. I said, You let the Bible alone: you've got a jest-book, han't you, as you're rare and proud on? Keep your dirty fingers to that." "Why, y' are gettin' as big a saint as Seth. Y' are goin' to th' preachin' to-night, I should think. Ye'll do finely t' lead the singin'. But I don' know what Parson Irwine 'ull say at his gran' favright Adam Bede a-turnin' Methody." "Never do you bother yourself about me, Ben. I'm not a-going to turn Methodist any more nor you are--though it's like enough you'll turn to something worse. Mester Irwine's got more sense nor to meddle wi' people's doing as they like in religion. That's between themselves and God, as he's said to me many a time." "Aye, aye; but he's none so fond o' your dissenters, for all that." "Maybe; I'm none so fond o' Josh Tod's thick ale, but I don't hinder you from making a fool o' yourself wi't." There was a laugh at this thrust of Adam's, but Seth said, very seriously. "Nay, nay, Addy, thee mustna say as anybody's religion's like thick ale. Thee dostna believe but what the dissenters and the Methodists have got the root o' the matter as well as the church folks." "Nay, Seth, lad; I'm not for laughing at no man's religion. Let 'em follow their consciences, that's all. Only I think it 'ud be better if their consciences 'ud let 'em stay quiet i' the church--there's a deal to be learnt there. And there's such a thing as being oversperitial; we must have something beside Gospel i' this world. Look at the canals, an' th' aqueduc's, an' th' coal-pit engines, and Arkwright's mills there at Cromford; a man must learn summat beside Gospel to make them things, I reckon. But t' hear some o' them preachers, you'd think as a man must be doing nothing all's life but shutting's eyes and looking what's agoing on inside him. I know a man must have the love o' God in his soul, and the Bible's God's word. But what does the Bible say? Why, it says as God put his sperrit into the workman as built the tabernacle, to make him do all the carved work and things as wanted a nice hand. And this is my way o' looking at it: there's the sperrit o' God in all things and all times--weekday as well as Sunday--and i' the great works and inventions, and i' the figuring and the mechanics. And God helps us with our headpieces and our hands as well as with our souls; and if a man does bits o' jobs out o' working hours--builds a oven for 's wife to save her from going to the bakehouse, or scrats at his bit o' garden and makes two potatoes grow istead o' one, he's doin' more good, and he's just as near to God, as if he was running after some preacher and a-praying and a-groaning." "Well done, Adam!" said Sandy Jim, who had paused from his planing to shift his planks while Adam was speaking; "that's the best sarmunt I've heared this long while. By th' same token, my wife's been a-plaguin' on me to build her a oven this twelvemont." "There's reason in what thee say'st, Adam," observed Seth, gravely. "But thee know'st thyself as it's hearing the preachers thee find'st so much fault with has turned many an idle fellow into an industrious un. It's the preacher as empties th' alehouse; and if a man gets religion, he'll do his work none the worse for that." "On'y he'll lave the panels out o' th' doors sometimes, eh, Seth?" said Wiry Ben. "Ah, Ben, you've got a joke again' me as 'll last you your life. But it isna religion as was i' fault there; it was Seth Bede, as was allays a wool-gathering chap, and religion hasna cured him, the more's the pity." "Ne'er heed me, Seth," said Wiry Ben, "y' are a down-right good-hearted chap, panels or no panels; an' ye donna set up your bristles at every bit o' fun, like some o' your kin, as is mayhap cliverer." "Seth, lad," said Adam, taking no notice of the sarcasm against himself, "thee mustna take me unkind. I wasna driving at thee in what I said just now. Some 's got one way o' looking at things and some 's got another." "Nay, nay, Addy, thee mean'st me no unkindness," said Seth, "I know that well enough. Thee't like thy dog Gyp--thee bark'st at me sometimes, but thee allays lick'st my hand after." All hands worked on in silence for some minutes, until the church clock began to strike six. Before the first stroke had died away, Sandy Jim had loosed his plane and was reaching his jacket; Wiry Ben had left a screw half driven in, and thrown his screwdriver into his tool-basket; Mum Taft, who, true to his name, had kept silence throughout the previous conversation, had flung down his hammer as he was in the act of lifting it; and Seth, too, had straightened his back, and was putting out his hand towards his paper cap. Adam alone had gone on with his work as if nothing had happened. But observing the cessation of the tools, he looked up, and said, in a tone of indignation, "Look there, now! I can't abide to see men throw away their tools i' that way, the minute the clock begins to strike, as if they took no pleasure i' their work and was afraid o' doing a stroke too much." Seth looked a little conscious, and began to be slower in his preparations for going, but Mum Taft broke silence, and said, "Aye, aye, Adam lad, ye talk like a young un. When y' are six-an'-forty like me, istid o' six-an'-twenty, ye wonna be so flush o' workin' for nought." "Nonsense," said Adam, still wrathful; "what's age got to do with it, I wonder? Ye arena getting stiff yet, I reckon. I hate to see a man's arms drop down as if he was shot, before the clock's fairly struck, just as if he'd never a bit o' pride and delight in 's work. The very grindstone 'ull go on turning a bit after you loose it." "Bodderation, Adam!" exclaimed Wiry Ben; "lave a chap aloon, will 'ee? Ye war afinding faut wi' preachers a while agoo--y' are fond enough o' preachin' yoursen. Ye may like work better nor play, but I like play better nor work; that'll 'commodate ye--it laves ye th' more to do." With this exit speech, which he considered effective, Wiry Ben shouldered his basket and left the workshop, quickly followed by Mum Taft and Sandy Jim. Seth lingered, and looked wistfully at Adam, as if he expected him to say something. "Shalt go home before thee go'st to the preaching?" Adam asked, looking up. "Nay; I've got my hat and things at Will Maskery's. I shan't be home before going for ten. I'll happen see Dinah Morris safe home, if she's willing. There's nobody comes with her from Poyser's, thee know'st." "Then I'll tell mother not to look for thee," said Adam. "Thee artna going to Poyser's thyself to-night?" said Seth rather timidly, as he turned to leave the workshop. "Nay, I'm going to th' school." Hitherto Gyp had kept his comfortable bed, only lifting up his head and watching Adam more closely as he noticed the other workmen departing. But no sooner did Adam put his ruler in his pocket, and begin to twist his apron round his waist, than Gyp ran forward and looked up in his master's face with patient expectation. If Gyp had had a tail he would doubtless have wagged it, but being destitute of that vehicle for his emotions, he was like many other worthy personages, destined to appear more phlegmatic than nature had made him. "What! Art ready for the basket, eh, Gyp?" said Adam, with the same gentle modulation of voice as when he spoke to Seth. Gyp jumped and gave a short bark, as much as to say, "Of course." Poor fellow, he had not a great range of expression. The basket was the one which on workdays held Adam's and Seth's dinner; and no official, walking in procession, could look more resolutely unconscious of all acquaintances than Gyp with his basket, trotting at his master's heels. On leaving the workshop Adam locked the door, took the key out, and carried it to the house on the other side of the woodyard. It was a low house, with smooth grey thatch and buff walls, looking pleasant and mellow in the evening light. The leaded windows were bright and speckless, and the door-stone was as clean as a white boulder at ebb tide. On the door-stone stood a clean old woman, in a dark-striped linen gown, a red kerchief, and a linen cap, talking to some speckled fowls which appeared to have been drawn towards her by an illusory expectation of cold potatoes or barley. The old woman's sight seemed to be dim, for she did not recognize Adam till he said, "Here's the key, Dolly; lay it down for me in the house, will you?" "Aye, sure; but wunna ye come in, Adam? Miss Mary's i' th' house, and Mester Burge 'ull be back anon; he'd be glad t' ha' ye to supper wi'm, I'll be's warrand." "No, Dolly, thank you; I'm off home. Good evening." Adam hastened with long strides, Gyp close to his heels, out of the workyard, and along the highroad leading away from the village and down to the valley. As he reached the foot of the slope, an elderly horseman, with his portmanteau strapped behind him, stopped his horse when Adam had passed him, and turned round to have another long look at the stalwart workman in paper cap, leather breeches, and dark-blue worsted stockings. Adam, unconscious of the admiration he was exciting, presently struck across the fields, and now broke out into the tune which had all day long been running in his head: Let all thy converse be sincere, Thy conscience as the noonday clear; For God's all-seeing eye surveys Thy secret thoughts, thy works and ways.

book 1, Chapter 1

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8

On June 18, 1799, there are five workmen in the carpenter's shop of Mr. Jonathan Burge in the village of Hayslope. The tallest worker, Adam Bede, is singing. He is a fine, large man with Celtic blood. His brother, Seth, has a different aspect. He looks more shy and less robust. Seth says that he has finished the door that he is working on, and the rest laugh at him because he has forgotten the panels. They joke about hanging the door in the shop as a joke, but Adam persuades them to stop making fun of his brother. Wiry Ben jokes that Seth was absent-minded in finishing the door because he was dreaming about a female Methodist preacher. Seth invites Ben to come and see the preacher for himself so that he can get religion. Adam reveals that he is not so keen on women being allowed to preach, and he disputes Ben's suggestion that Parson Irwine will be upset at him for attending a Methodist meeting. Adam objects to Methodist philosophy, saying that it is too inward-looking; God put his spirit into the worker to build the tabernacle, and there is holiness in mills and aqueducts as well as in a church. Ben teases Seth once again about the unfinished doors, and Seth concedes that he has a good joke. Ben says that it is better that he does not bristle at every joke like his brother does. The clock strikes six, and all of the men prepare to go except Adam, who is indignant that the men give up work so quickly, as though they do not enjoy it. Seth says that he will be home late after the preaching, especially since he will see Dinah Morris home if she will allow it. Adam leaves the workshop with his dog Gyp and passes a nearby house, where an old woman named Dolly invites him in to dinner, saying that Miss Mary is there and that Mister Burge will be there soon as well. Adam declines and walks on. An elderly horseman turns around to look at Adam, but Adam does not see him

Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having "Celtic blood." While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, "What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman." Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to "licking the French" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that "we can hardly think Dinah and Seth beneath our sympathy." In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a "thorn in his side" for many years to come. But when he finds his father dead, Eliot observes that "when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity." By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she "immediately and with great gravity lifted up her frock and showed a tiny pink pocket." Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking.

gradesaver

all_chapterized_books/507-chapters/03.txt

finished_summaries/gradesaver/Adam Bede/section_0_part_3.txt

Adam Bede.book 1.chapter 3

book 1, chapter 3

{"name": "book 1, Chapter 3", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8", "summary": "As Seth walks Dinah home, he wants to talk to her about their relationship, but he feels discouraged because she seems too holy to need a husband. She tells him that she has made up her mind to go back to Snowfield on Monday, although she would prefer not to leave, especially since she is worried about Hetty Sorrel, in whom Adam is interested. Seth again asks Dinah to marry him, arguing that the Bible says that this is natural; furthermore, he would be the only man in the world likely to leave her free to continue preaching. Dinah thanks him but says that the Bible also calls upon each man to walk as he will, and she has been called upon to be a minister rather than to have any joys or sorrows of her own. Seth says that he will have to pray to bear it--and his faith must be weak, because he cannot imagine life without her. Dinah counsels him not to follow her to Snowfield. Seth cries as he walks home, and Eliot observes that he is only twenty-three and that to love as he loves Dinah is almost like a religious feeling, because he feels that she is better than he is. Eliot writes that at this time, Methodism was still a rural, grassroots movement, rather than being associated with low-hanging churches and a hypocritical middle class. Seth and Dinah are still somewhat unthinking in their religious understanding: they believe in modern miracles, open the Bible at random for advice, and often misread and misquote the Bible. Even so, we read, they are still worth the reader's sympathy", "analysis": "Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having \"Celtic blood.\" While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, \"What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman.\" Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to \"licking the French\" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that \"we can hardly think Dinah and Seth beneath our sympathy.\" In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a \"thorn in his side\" for many years to come. But when he finds his father dead, Eliot observes that \"when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.\" By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she \"immediately and with great gravity lifted up her frock and showed a tiny pink pocket.\" Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking."}

IN less than an hour from that time, Seth Bede was walking by Dinah's side along the hedgerow-path that skirted the pastures and green corn-fields which lay between the village and the Hall Farm. Dinah had taken off her little Quaker bonnet again, and was holding it in her hands that she might have a freer enjoyment of the cool evening twilight, and Seth could see the expression of her face quite clearly as he walked by her side, timidly revolving something he wanted to say to her. It was an expression of unconscious placid gravity--of absorption in thoughts that had no connection with the present moment or with her own personality--an expression that is most of all discouraging to a lover. Her very walk was discouraging: it had that quiet elasticity that asks for no support. Seth felt this dimly; he said to himself, "She's too good and holy for any man, let alone me," and the words he had been summoning rushed back again before they had reached his lips. But another thought gave him courage: "There's no man could love her better and leave her freer to follow the Lord's work." They had been silent for many minutes now, since they had done talking about Bessy Cranage; Dinah seemed almost to have forgotten Seth's presence, and her pace was becoming so much quicker that the sense of their being only a few minutes' walk from the yard-gates of the Hall Farm at last gave Seth courage to speak. "You've quite made up your mind to go back to Snowfield o' Saturday, Dinah?" "Yes," said Dinah, quietly. "I'm called there. It was borne in upon my mind while I was meditating on Sunday night, as Sister Allen, who's in a decline, is in need of me. I saw her as plain as we see that bit of thin white cloud, lifting up her poor thin hand and beckoning to me. And this morning when I opened the Bible for direction, the first words my eyes fell on were, 'And after we had seen the vision, immediately we endeavoured to go into Macedonia.' If it wasn't for that clear showing of the Lord's will, I should be loath to go, for my heart yearns over my aunt and her little ones, and that poor wandering lamb Hetty Sorrel. I've been much drawn out in prayer for her of late, and I look on it as a token that there may be mercy in store for her." "God grant it," said Seth. "For I doubt Adam's heart is so set on her, he'll never turn to anybody else; and yet it 'ud go to my heart if he was to marry her, for I canna think as she'd make him happy. It's a deep mystery--the way the heart of man turns to one woman out of all the rest he's seen i' the world, and makes it easier for him to work seven year for HER, like Jacob did for Rachel, sooner than have any other woman for th' asking. I often think of them words, 'And Jacob served seven years for Rachel; and they seemed to him but a few days for the love he had to her.' I know those words 'ud come true with me, Dinah, if so be you'd give me hope as I might win you after seven years was over. I know you think a husband 'ud be taking up too much o' your thoughts, because St. Paul says, 'She that's married careth for the things of the world how she may please her husband'; and may happen you'll think me overbold to speak to you about it again, after what you told me o' your mind last Saturday. But I've been thinking it over again by night and by day, and I've prayed not to be blinded by my own desires, to think what's only good for me must be good for you too. And it seems to me there's more texts for your marrying than ever you can find against it. For St. Paul says as plain as can be in another place, 'I will that the younger women marry, bear children, guide the house, give none occasion to the adversary to speak reproachfully'; and then 'two are better than one'; and that holds good with marriage as well as with other things. For we should be o' one heart and o' one mind, Dinah. We both serve the same Master, and are striving after the same gifts; and I'd never be the husband to make a claim on you as could interfere with your doing the work God has fitted you for. I'd make a shift, and fend indoor and out, to give you more liberty--more than you can have now, for you've got to get your own living now, and I'm strong enough to work for us both." When Seth had once begun to urge his suit, he went on earnestly and almost hurriedly, lest Dinah should speak some decisive word before he had poured forth all the arguments he had prepared. His cheeks became flushed as he went on his mild grey eyes filled with tears, and his voice trembled as he spoke the last sentence. They had reached one of those very narrow passes between two tall stones, which performed the office of a stile in Loamshire, and Dinah paused as she turned towards Seth and said, in her tender but calm treble notes, "Seth Bede, I thank you for your love towards me, and if I could think of any man as more than a Christian brother, I think it would be you. But my heart is not free to marry. That is good for other women, and it is a great and a blessed thing to be a wife and mother; but 'as God has distributed to every man, as the Lord hath called every man, so let him walk.' God has called me to minister to others, not to have any joys or sorrows of my own, but to rejoice with them that do rejoice, and to weep with those that weep. He has called me to speak his word, and he has greatly owned my work. It could only be on a very clear showing that I could leave the brethren and sisters at Snowfield, who are favoured with very little of this world's good; where the trees are few, so that a child might count them, and there's very hard living for the poor in the winter. It has been given me to help, to comfort, and strengthen the little flock there and to call in many wanderers; and my soul is filled with these things from my rising up till my lying down. My life is too short, and God's work is too great for me to think of making a home for myself in this world. I've not turned a deaf ear to your words, Seth, for when I saw as your love was given to me, I thought it might be a leading of Providence for me to change my way of life, and that we should be fellow-helpers; and I spread the matter before the Lord. But whenever I tried to fix my mind on marriage, and our living together, other thoughts always came in--the times when I've prayed by the sick and dying, and the happy hours I've had preaching, when my heart was filled with love, and the Word was given to me abundantly. And when I've opened the Bible for direction, I've always lighted on some clear word to tell me where my work lay. I believe what you say, Seth, that you would try to be a help and not a hindrance to my work; but I see that our marriage is not God's will--He draws my heart another way. I desire to live and die without husband or children. I seem to have no room in my soul for wants and fears of my own, it has pleased God to fill my heart so full with the wants and sufferings of his poor people." Seth was unable to reply, and they walked on in silence. At last, as they were nearly at the yard-gate, he said, "Well, Dinah, I must seek for strength to bear it, and to endure as seeing Him who is invisible. But I feel now how weak my faith is. It seems as if, when you are gone, I could never joy in anything any more. I think it's something passing the love of women as I feel for you, for I could be content without your marrying me if I could go and live at Snowfield and be near you. I trusted as the strong love God has given me towards you was a leading for us both; but it seems it was only meant for my trial. Perhaps I feel more for you than I ought to feel for any creature, for I often can't help saying of you what the hymn says-- In darkest shades if she appear, My dawning is begun; She is my soul's bright morning-star, And she my rising sun. That may be wrong, and I am to be taught better. But you wouldn't be displeased with me if things turned out so as I could leave this country and go to live at Snowfield?" "No, Seth; but I counsel you to wait patiently, and not lightly to leave your own country and kindred. Do nothing without the Lord's clear bidding. It's a bleak and barren country there, not like this land of Goshen you've been used to. We mustn't be in a hurry to fix and choose our own lot; we must wait to be guided." "But you'd let me write you a letter, Dinah, if there was anything I wanted to tell you?" "Yes, sure; let me know if you're in any trouble. You'll be continually in my prayers." They had now reached the yard-gate, and Seth said, "I won't go in, Dinah, so farewell." He paused and hesitated after she had given him her hand, and then said, "There's no knowing but what you may see things different after a while. There may be a new leading." "Let us leave that, Seth. It's good to live only a moment at a time, as I've read in one of Mr. Wesley's books. It isn't for you and me to lay plans; we've nothing to do but to obey and to trust. Farewell." Dinah pressed his hand with rather a sad look in her loving eyes, and then passed through the gate, while Seth turned away to walk lingeringly home. But instead of taking the direct road, he chose to turn back along the fields through which he and Dinah had already passed; and I think his blue linen handkerchief was very wet with tears long before he had made up his mind that it was time for him to set his face steadily homewards. He was but three-and-twenty, and had only just learned what it is to love--to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor. That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon--elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters. That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists--not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still--if I have read religious history aright--faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible--thank Heaven!--to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour's child to "stop the fits," may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost. Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions. Poor Seth! He was never on horseback in his life except once, when he was a little lad, and Mr. Jonathan Burge took him up behind, telling him to "hold on tight"; and instead of bursting out into wild accusing apostrophes to God and destiny, he is resolving, as he now walks homewards under the solemn starlight, to repress his sadness, to be less bent on having his own will, and to live more for others, as Dinah does.

book 1, Chapter 3

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8

As Seth walks Dinah home, he wants to talk to her about their relationship, but he feels discouraged because she seems too holy to need a husband. She tells him that she has made up her mind to go back to Snowfield on Monday, although she would prefer not to leave, especially since she is worried about Hetty Sorrel, in whom Adam is interested. Seth again asks Dinah to marry him, arguing that the Bible says that this is natural; furthermore, he would be the only man in the world likely to leave her free to continue preaching. Dinah thanks him but says that the Bible also calls upon each man to walk as he will, and she has been called upon to be a minister rather than to have any joys or sorrows of her own. Seth says that he will have to pray to bear it--and his faith must be weak, because he cannot imagine life without her. Dinah counsels him not to follow her to Snowfield. Seth cries as he walks home, and Eliot observes that he is only twenty-three and that to love as he loves Dinah is almost like a religious feeling, because he feels that she is better than he is. Eliot writes that at this time, Methodism was still a rural, grassroots movement, rather than being associated with low-hanging churches and a hypocritical middle class. Seth and Dinah are still somewhat unthinking in their religious understanding: they believe in modern miracles, open the Bible at random for advice, and often misread and misquote the Bible. Even so, we read, they are still worth the reader's sympathy

Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having "Celtic blood." While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, "What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman." Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to "licking the French" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that "we can hardly think Dinah and Seth beneath our sympathy." In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a "thorn in his side" for many years to come. But when he finds his father dead, Eliot observes that "when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity." By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she "immediately and with great gravity lifted up her frock and showed a tiny pink pocket." Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking.

gradesaver

all_chapterized_books/507-chapters/06.txt

finished_summaries/gradesaver/Adam Bede/section_0_part_6.txt

Adam Bede.book 1.chapter 6

book 1, chapter 6

{"name": "book 1, Chapter 6", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8", "summary": "Neither the door nor the gate of the Hall farm has been opened in a great many years, and the inside contains rags and a big wooden doll with no nose. It used to be the home of a squire, but it is now reduced to a working farm. Mrs. Poyser keeps the kitchen spotless and the surfaces polished, and her niece, Hetty Sorrel, often looks at her reflection in these surfaces. Mrs. Poyser is ironing and scolding the maid, Hetty is making butter, and Dinah is sewing. A young, fair-haired child named Totty is ironing miniature rags. Mrs. Poyser says that Dinah looks like her mother's other sister, Judith, who brought her up after she was orphaned. She says that if Dinah marries she will give her a dowry. She is alarmed by the sight of the vicar and the Captain approaching, afraid that they have come to speak to Dinah about her preaching and that she will be thrown out of her house. But the men claim that they have come only to speak to her husband. The Captain compliments her farm and says that if he ever married and settled down, he would love to settle down on this farm. Mrs. Poyser hurriedly explains the farm's demerits, afraid that she will be kicked off of the land where she is a tenant. The Captain asks to see the dairy, and Mrs. Poyser takes him in", "analysis": "Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having \"Celtic blood.\" While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, \"What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman.\" Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to \"licking the French\" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that \"we can hardly think Dinah and Seth beneath our sympathy.\" In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a \"thorn in his side\" for many years to come. But when he finds his father dead, Eliot observes that \"when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.\" By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she \"immediately and with great gravity lifted up her frock and showed a tiny pink pocket.\" Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking."}

EVIDENTLY that gate is never opened, for the long grass and the great hemlocks grow close against it, and if it were opened, it is so rusty that the force necessary to turn it on its hinges would be likely to pull down the square stone-built pillars, to the detriment of the two stone lionesses which grin with a doubtful carnivorous affability above a coat of arms surmounting each of the pillars. It would be easy enough, by the aid of the nicks in the stone pillars, to climb over the brick wall with its smooth stone coping; but by putting our eyes close to the rusty bars of the gate, we can see the house well enough, and all but the very corners of the grassy enclosure. It is a very fine old place, of red brick, softened by a pale powdery lichen, which has dispersed itself with happy irregularity, so as to bring the red brick into terms of friendly companionship with the limestone ornaments surrounding the three gables, the windows, and the door-place. But the windows are patched with wooden panes, and the door, I think, is like the gate--it is never opened. How it would groan and grate against the stone floor if it were! For it is a solid, heavy, handsome door, and must once have been in the habit of shutting with a sonorous bang behind a liveried lackey, who had just seen his master and mistress off the grounds in a carriage and pair. But at present one might fancy the house in the early stage of a chancery suit, and that the fruit from that grand double row of walnut-trees on the right hand of the enclosure would fall and rot among the grass, if it were not that we heard the booming bark of dogs echoing from great buildings at the back. And now the half-weaned calves that have been sheltering themselves in a gorse-built hovel against the left-hand wall come out and set up a silly answer to that terrible bark, doubtless supposing that it has reference to buckets of milk. Yes, the house must be inhabited, and we will see by whom; for imagination is a licensed trespasser: it has no fear of dogs, but may climb over walls and peep in at windows with impunity. Put your face to one of the glass panes in the right-hand window: what do you see? A large open fireplace, with rusty dogs in it, and a bare boarded floor; at the far end, fleeces of wool stacked up; in the middle of the floor, some empty corn-bags. That is the furniture of the dining-room. And what through the left-hand window? Several clothes-horses, a pillion, a spinning-wheel, and an old box wide open and stuffed full of coloured rags. At the edge of this box there lies a great wooden doll, which, so far as mutilation is concerned, bears a strong resemblance to the finest Greek sculpture, and especially in the total loss of its nose. Near it there is a little chair, and the butt end of a boy's leather long-lashed whip. The history of the house is plain now. It was once the residence of a country squire, whose family, probably dwindling down to mere spinsterhood, got merged in the more territorial name of Donnithorne. It was once the Hall; it is now the Hall Farm. Like the life in some coast town that was once a watering-place, and is now a port, where the genteel streets are silent and grass-grown, and the docks and warehouses busy and resonant, the life at the Hall has changed its focus, and no longer radiates from the parlour, but from the kitchen and the farmyard. Plenty of life there, though this is the drowsiest time of the year, just before hay-harvest; and it is the drowsiest time of the day too, for it is close upon three by the sun, and it is half-past three by Mrs. Poyser's handsome eight-day clock. But there is always a stronger sense of life when the sun is brilliant after rain; and now he is pouring down his beams, and making sparkles among the wet straw, and lighting up every patch of vivid green moss on the red tiles of the cow-shed, and turning even the muddy water that is hurrying along the channel to the drain into a mirror for the yellow-billed ducks, who are seizing the opportunity of getting a drink with as much body in it as possible. There is quite a concert of noises; the great bull-dog, chained against the stables, is thrown into furious exasperation by the unwary approach of a cock too near the mouth of his kennel, and sends forth a thundering bark, which is answered by two fox-hounds shut up in the opposite cow-house; the old top-knotted hens, scratching with their chicks among the straw, set up a sympathetic croaking as the discomfited cock joins them; a sow with her brood, all very muddy as to the legs, and curled as to the tail, throws in some deep staccato notes; our friends the calves are bleating from the home croft; and, under all, a fine ear discerns the continuous hum of human voices. For the great barn-doors are thrown wide open, and men are busy there mending the harness, under the superintendence of Mr. Goby, the "whittaw," otherwise saddler, who entertains them with the latest Treddleston gossip. It is certainly rather an unfortunate day that Alick, the shepherd, has chosen for having the whittaws, since the morning turned out so wet; and Mrs. Poyser has spoken her mind pretty strongly as to the dirt which the extra number of men's shoes brought into the house at dinnertime. Indeed, she has not yet recovered her equanimity on the subject, though it is now nearly three hours since dinner, and the house-floor is perfectly clean again; as clean as everything else in that wonderful house-place, where the only chance of collecting a few grains of dust would be to climb on the salt-coffer, and put your finger on the high mantel-shelf on which the glittering brass candlesticks are enjoying their summer sinecure; for at this time of year, of course, every one goes to bed while it is yet light, or at least light enough to discern the outline of objects after you have bruised your shins against them. Surely nowhere else could an oak clock-case and an oak table have got to such a polish by the hand: genuine "elbow polish," as Mrs. Poyser called it, for she thanked God she never had any of your varnished rubbish in her house. Hetty Sorrel often took the opportunity, when her aunt's back was turned, of looking at the pleasing reflection of herself in those polished surfaces, for the oak table was usually turned up like a screen, and was more for ornament than for use; and she could see herself sometimes in the great round pewter dishes that were ranged on the shelves above the long deal dinner-table, or in the hobs of the grate, which always shone like jasper. Everything was looking at its brightest at this moment, for the sun shone right on the pewter dishes, and from their reflecting surfaces pleasant jets of light were thrown on mellow oak and bright brass--and on a still pleasanter object than these, for some of the rays fell on Dinah's finely moulded cheek, and lit up her pale red hair to auburn, as she bent over the heavy household linen which she was mending for her aunt. No scene could have been more peaceful, if Mrs. Poyser, who was ironing a few things that still remained from the Monday's wash, had not been making a frequent clinking with her iron and moving to and fro whenever she wanted it to cool; carrying the keen glance of her blue-grey eye from the kitchen to the dairy, where Hetty was making up the butter, and from the dairy to the back kitchen, where Nancy was taking the pies out of the oven. Do not suppose, however, that Mrs. Poyser was elderly or shrewish in her appearance; she was a good-looking woman, not more than eight-and-thirty, of fair complexion and sandy hair, well-shapen, light-footed. The most conspicuous article in her attire was an ample checkered linen apron, which almost covered her skirt; and nothing could be plainer or less noticeable than her cap and gown, for there was no weakness of which she was less tolerant than feminine vanity, and the preference of ornament to utility. The family likeness between her and her niece Dinah Morris, with the contrast between her keenness and Dinah's seraphic gentleness of expression, might have served a painter as an excellent suggestion for a Martha and Mary. Their eyes were just of the same colour, but a striking test of the difference in their operation was seen in the demeanour of Trip, the black-and-tan terrier, whenever that much-suspected dog unwarily exposed himself to the freezing arctic ray of Mrs. Poyser's glance. Her tongue was not less keen than her eye, and, whenever a damsel came within earshot, seemed to take up an unfinished lecture, as a barrel-organ takes up a tune, precisely at the point where it had left off. The fact that it was churning day was another reason why it was inconvenient to have the whittaws, and why, consequently, Mrs. Poyser should scold Molly the housemaid with unusual severity. To all appearance Molly had got through her after-dinner work in an exemplary manner, had "cleaned herself" with great dispatch, and now came to ask, submissively, if she should sit down to her spinning till milking time. But this blameless conduct, according to Mrs. Poyser, shrouded a secret indulgence of unbecoming wishes, which she now dragged forth and held up to Molly's view with cutting eloquence. "Spinning, indeed! It isn't spinning as you'd be at, I'll be bound, and let you have your own way. I never knew your equals for gallowsness. To think of a gell o' your age wanting to go and sit with half-a-dozen men! I'd ha' been ashamed to let the words pass over my lips if I'd been you. And you, as have been here ever since last Michaelmas, and I hired you at Treddles'on stattits, without a bit o' character--as I say, you might be grateful to be hired in that way to a respectable place; and you knew no more o' what belongs to work when you come here than the mawkin i' the field. As poor a two-fisted thing as ever I saw, you know you was. Who taught you to scrub a floor, I should like to know? Why, you'd leave the dirt in heaps i' the corners--anybody 'ud think you'd never been brought up among Christians. And as for spinning, why, you've wasted as much as your wage i' the flax you've spoiled learning to spin. And you've a right to feel that, and not to go about as gaping and as thoughtless as if you was beholding to nobody. Comb the wool for the whittaws, indeed! That's what you'd like to be doing, is it? That's the way with you--that's the road you'd all like to go, headlongs to ruin. You're never easy till you've got some sweetheart as is as big a fool as yourself: you think you'll be finely off when you're married, I daresay, and have got a three-legged stool to sit on, and never a blanket to cover you, and a bit o' oat-cake for your dinner, as three children are a-snatching at." "I'm sure I donna want t' go wi' the whittaws," said Molly, whimpering, and quite overcome by this Dantean picture of her future, "on'y we allays used to comb the wool for 'n at Mester Ottley's; an' so I just axed ye. I donna want to set eyes on the whittaws again; I wish I may never stir if I do." "Mr. Ottley's, indeed! It's fine talking o' what you did at Mr. Ottley's. Your missis there might like her floors dirted wi' whittaws for what I know. There's no knowing what people WONNA like--such ways as I've heard of! I never had a gell come into my house as seemed to know what cleaning was; I think people live like pigs, for my part. And as to that Betty as was dairymaid at Trent's before she come to me, she'd ha' left the cheeses without turning from week's end to week's end, and the dairy thralls, I might ha' wrote my name on 'em, when I come downstairs after my illness, as the doctor said it was inflammation--it was a mercy I got well of it. And to think o' your knowing no better, Molly, and been here a-going i' nine months, and not for want o' talking to, neither--and what are you stanning there for, like a jack as is run down, instead o' getting your wheel out? You're a rare un for sitting down to your work a little while after it's time to put by." "Munny, my iron's twite told; pease put it down to warm." The small chirruping voice that uttered this request came from a little sunny-haired girl between three and four, who, seated on a high chair at the end of the ironing table, was arduously clutching the handle of a miniature iron with her tiny fat fist, and ironing rags with an assiduity that required her to put her little red tongue out as far as anatomy would allow. "Cold, is it, my darling? Bless your sweet face!" said Mrs. Poyser, who was remarkable for the facility with which she could relapse from her official objurgatory to one of fondness or of friendly converse. "Never mind! Mother's done her ironing now. She's going to put the ironing things away." "Munny, I tould 'ike to do into de barn to Tommy, to see de whittawd." "No, no, no; Totty 'ud get her feet wet," said Mrs. Poyser, carrying away her iron. "Run into the dairy and see cousin Hetty make the butter." "I tould 'ike a bit o' pum-take," rejoined Totty, who seemed to be provided with several relays of requests; at the same time, taking the opportunity of her momentary leisure to put her fingers into a bowl of starch, and drag it down so as to empty the contents with tolerable completeness on to the ironing sheet. "Did ever anybody see the like?" screamed Mrs. Poyser, running towards the table when her eye had fallen on the blue stream. "The child's allays i' mischief if your back's turned a minute. What shall I do to you, you naughty, naughty gell?" Totty, however, had descended from her chair with great swiftness, and was already in retreat towards the dairy with a sort of waddling run, and an amount of fat on the nape of her neck which made her look like the metamorphosis of a white suckling pig. The starch having been wiped up by Molly's help, and the ironing apparatus put by, Mrs. Poyser took up her knitting which always lay ready at hand, and was the work she liked best, because she could carry it on automatically as she walked to and fro. But now she came and sat down opposite Dinah, whom she looked at in a meditative way, as she knitted her grey worsted stocking. "You look th' image o' your Aunt Judith, Dinah, when you sit a-sewing. I could almost fancy it was thirty years back, and I was a little gell at home, looking at Judith as she sat at her work, after she'd done the house up; only it was a little cottage, Father's was, and not a big rambling house as gets dirty i' one corner as fast as you clean it in another--but for all that, I could fancy you was your Aunt Judith, only her hair was a deal darker than yours, and she was stouter and broader i' the shoulders. Judith and me allays hung together, though she had such queer ways, but your mother and her never could agree. Ah, your mother little thought as she'd have a daughter just cut out after the very pattern o' Judith, and leave her an orphan, too, for Judith to take care on, and bring up with a spoon when SHE was in the graveyard at Stoniton. I allays said that o' Judith, as she'd bear a pound weight any day to save anybody else carrying a ounce. And she was just the same from the first o' my remembering her; it made no difference in her, as I could see, when she took to the Methodists, only she talked a bit different and wore a different sort o' cap; but she'd never in her life spent a penny on herself more than keeping herself decent." "She was a blessed woman," said Dinah; "God had given her a loving, self-forgetting nature, and He perfected it by grace. And she was very fond of you too, Aunt Rachel. I often heard her talk of you in the same sort of way. When she had that bad illness, and I was only eleven years old, she used to say, 'You'll have a friend on earth in your Aunt Rachel, if I'm taken from you, for she has a kind heart,' and I'm sure I've found it so." "I don't know how, child; anybody 'ud be cunning to do anything for you, I think; you're like the birds o' th' air, and live nobody knows how. I'd ha' been glad to behave to you like a mother's sister, if you'd come and live i' this country where there's some shelter and victual for man and beast, and folks don't live on the naked hills, like poultry a-scratching on a gravel bank. And then you might get married to some decent man, and there'd be plenty ready to have you, if you'd only leave off that preaching, as is ten times worse than anything your Aunt Judith ever did. And even if you'd marry Seth Bede, as is a poor wool-gathering Methodist and's never like to have a penny beforehand, I know your uncle 'ud help you with a pig, and very like a cow, for he's allays been good-natur'd to my kin, for all they're poor, and made 'em welcome to the house; and 'ud do for you, I'll be bound, as much as ever he'd do for Hetty, though she's his own niece. And there's linen in the house as I could well spare you, for I've got lots o' sheeting and table-clothing, and towelling, as isn't made up. There's a piece o' sheeting I could give you as that squinting Kitty spun--she was a rare girl to spin, for all she squinted, and the children couldn't abide her; and, you know, the spinning's going on constant, and there's new linen wove twice as fast as the old wears out. But where's the use o' talking, if ye wonna be persuaded, and settle down like any other woman in her senses, i'stead o' wearing yourself out with walking and preaching, and giving away every penny you get, so as you've nothing saved against sickness; and all the things you've got i' the world, I verily believe, 'ud go into a bundle no bigger nor a double cheese. And all because you've got notions i' your head about religion more nor what's i' the Catechism and the Prayer-book." "But not more than what's in the Bible, Aunt," said Dinah. "Yes, and the Bible too, for that matter," Mrs. Poyser rejoined, rather sharply; "else why shouldn't them as know best what's in the Bible--the parsons and people as have got nothing to do but learn it--do the same as you do? But, for the matter o' that, if everybody was to do like you, the world must come to a standstill; for if everybody tried to do without house and home, and with poor eating and drinking, and was allays talking as we must despise the things o' the world as you say, I should like to know where the pick o' the stock, and the corn, and the best new-milk cheeses 'ud have to go. Everybody 'ud be wanting bread made o' tail ends and everybody 'ud be running after everybody else to preach to 'em, istead o' bringing up their families, and laying by against a bad harvest. It stands to sense as that can't be the right religion." "Nay, dear aunt, you never heard me say that all people are called to forsake their work and their families. It's quite right the land should be ploughed and sowed, and the precious corn stored, and the things of this life cared for, and right that people should rejoice in their families, and provide for them, so that this is done in the fear of the Lord, and that they are not unmindful of the soul's wants while they are caring for the body. We can all be servants of God wherever our lot is cast, but He gives us different sorts of work, according as He fits us for it and calls us to it. I can no more help spending my life in trying to do what I can for the souls of others, than you could help running if you heard little Totty crying at the other end of the house; the voice would go to your heart, you would think the dear child was in trouble or in danger, and you couldn't rest without running to help her and comfort her." "Ah," said Mrs. Poyser, rising and walking towards the door, "I know it 'ud be just the same if I was to talk to you for hours. You'd make me the same answer, at th' end. I might as well talk to the running brook and tell it to stan' still." The causeway outside the kitchen door was dry enough now for Mrs. Poyser to stand there quite pleasantly and see what was going on in the yard, the grey worsted stocking making a steady progress in her hands all the while. But she had not been standing there more than five minutes before she came in again, and said to Dinah, in rather a flurried, awe-stricken tone, "If there isn't Captain Donnithorne and Mr. Irwine a-coming into the yard! I'll lay my life they're come to speak about your preaching on the Green, Dinah; it's you must answer 'em, for I'm dumb. I've said enough a'ready about your bringing such disgrace upo' your uncle's family. I wouldn't ha' minded if you'd been Mr. Poyser's own niece--folks must put up wi' their own kin, as they put up wi' their own noses--it's their own flesh and blood. But to think of a niece o' mine being cause o' my husband's being turned out of his farm, and me brought him no fortin but my savin's----" "Nay, dear Aunt Rachel," said Dinah gently, "you've no cause for such fears. I've strong assurance that no evil will happen to you and my uncle and the children from anything I've done. I didn't preach without direction." "Direction! I know very well what you mean by direction," said Mrs. Poyser, knitting in a rapid and agitated manner. "When there's a bigger maggot than usual in your head you call it 'direction'; and then nothing can stir you--you look like the statty o' the outside o' Treddles'on church, a-starin' and a-smilin' whether it's fair weather or foul. I hanna common patience with you." By this time the two gentlemen had reached the palings and had got down from their horses: it was plain they meant to come in. Mrs. Poyser advanced to the door to meet them, curtsying low and trembling between anger with Dinah and anxiety to conduct herself with perfect propriety on the occasion. For in those days the keenest of bucolic minds felt a whispering awe at the sight of the gentry, such as of old men felt when they stood on tiptoe to watch the gods passing by in tall human shape. "Well, Mrs. Poyser, how are you after this stormy morning?" said Mr. Irwine, with his stately cordiality. "Our feet are quite dry; we shall not soil your beautiful floor." "Oh, sir, don't mention it," said Mrs. Poyser. "Will you and the captain please to walk into the parlour?" "No, indeed, thank you, Mrs. Poyser," said the captain, looking eagerly round the kitchen, as if his eye were seeking something it could not find. "I delight in your kitchen. I think it is the most charming room I know. I should like every farmer's wife to come and look at it for a pattern." "Oh, you're pleased to say so, sir. Pray take a seat," said Mrs. Poyser, relieved a little by this compliment and the captain's evident good-humour, but still glancing anxiously at Mr. Irwine, who, she saw, was looking at Dinah and advancing towards her. "Poyser is not at home, is he?" said Captain Donnithorne, seating himself where he could see along the short passage to the open dairy-door. "No, sir, he isn't; he's gone to Rosseter to see Mr. West, the factor, about the wool. But there's Father i' the barn, sir, if he'd be of any use." "No, thank you; I'll just look at the whelps and leave a message about them with your shepherd. I must come another day and see your husband; I want to have a consultation with him about horses. Do you know when he's likely to be at liberty?" "Why, sir, you can hardly miss him, except it's o' Treddles'on market-day--that's of a Friday, you know. For if he's anywhere on the farm we can send for him in a minute. If we'd got rid o' the Scantlands, we should have no outlying fields; and I should be glad of it, for if ever anything happens, he's sure to be gone to the Scantlands. Things allays happen so contrairy, if they've a chance; and it's an unnat'ral thing to have one bit o' your farm in one county and all the rest in another." "Ah, the Scantlands would go much better with Choyce's farm, especially as he wants dairyland and you've got plenty. I think yours is the prettiest farm on the estate, though; and do you know, Mrs. Poyser, if I were going to marry and settle, I should be tempted to turn you out, and do up this fine old house, and turn farmer myself." "Oh, sir," said Mrs. Poyser, rather alarmed, "you wouldn't like it at all. As for farming, it's putting money into your pocket wi' your right hand and fetching it out wi' your left. As fur as I can see, it's raising victual for other folks and just getting a mouthful for yourself and your children as you go along. Not as you'd be like a poor man as wants to get his bread--you could afford to lose as much money as you liked i' farming--but it's poor fun losing money, I should think, though I understan' it's what the great folks i' London play at more than anything. For my husband heard at market as Lord Dacey's eldest son had lost thousands upo' thousands to the Prince o' Wales, and they said my lady was going to pawn her jewels to pay for him. But you know more about that than I do, sir. But, as for farming, sir, I canna think as you'd like it; and this house--the draughts in it are enough to cut you through, and it's my opinion the floors upstairs are very rotten, and the rats i' the cellar are beyond anything." "Why, that's a terrible picture, Mrs. Poyser. I think I should be doing you a service to turn you out of such a place. But there's no chance of that. I'm not likely to settle for the next twenty years, till I'm a stout gentleman of forty; and my grandfather would never consent to part with such good tenants as you." "Well, sir, if he thinks so well o' Mr. Poyser for a tenant I wish you could put in a word for him to allow us some new gates for the Five closes, for my husband's been asking and asking till he's tired, and to think o' what he's done for the farm, and's never had a penny allowed him, be the times bad or good. And as I've said to my husband often and often, I'm sure if the captain had anything to do with it, it wouldn't be so. Not as I wish to speak disrespectful o' them as have got the power i' their hands, but it's more than flesh and blood 'ull bear sometimes, to be toiling and striving, and up early and down late, and hardly sleeping a wink when you lie down for thinking as the cheese may swell, or the cows may slip their calf, or the wheat may grow green again i' the sheaf--and after all, at th' end o' the year, it's like as if you'd been cooking a feast and had got the smell of it for your pains." Mrs. Poyser, once launched into conversation, always sailed along without any check from her preliminary awe of the gentry. The confidence she felt in her own powers of exposition was a motive force that overcame all resistance. "I'm afraid I should only do harm instead of good, if I were to speak about the gates, Mrs. Poyser," said the captain, "though I assure you there's no man on the estate I would sooner say a word for than your husband. I know his farm is in better order than any other within ten miles of us; and as for the kitchen," he added, smiling, "I don't believe there's one in the kingdom to beat it. By the by, I've never seen your dairy: I must see your dairy, Mrs. Poyser." "Indeed, sir, it's not fit for you to go in, for Hetty's in the middle o' making the butter, for the churning was thrown late, and I'm quite ashamed." This Mrs. Poyser said blushing, and believing that the captain was really interested in her milk-pans, and would adjust his opinion of her to the appearance of her dairy. "Oh, I've no doubt it's in capital order. Take me in," said the captain, himself leading the way, while Mrs. Poyser followed.

book 1, Chapter 6

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8

Neither the door nor the gate of the Hall farm has been opened in a great many years, and the inside contains rags and a big wooden doll with no nose. It used to be the home of a squire, but it is now reduced to a working farm. Mrs. Poyser keeps the kitchen spotless and the surfaces polished, and her niece, Hetty Sorrel, often looks at her reflection in these surfaces. Mrs. Poyser is ironing and scolding the maid, Hetty is making butter, and Dinah is sewing. A young, fair-haired child named Totty is ironing miniature rags. Mrs. Poyser says that Dinah looks like her mother's other sister, Judith, who brought her up after she was orphaned. She says that if Dinah marries she will give her a dowry. She is alarmed by the sight of the vicar and the Captain approaching, afraid that they have come to speak to Dinah about her preaching and that she will be thrown out of her house. But the men claim that they have come only to speak to her husband. The Captain compliments her farm and says that if he ever married and settled down, he would love to settle down on this farm. Mrs. Poyser hurriedly explains the farm's demerits, afraid that she will be kicked off of the land where she is a tenant. The Captain asks to see the dairy, and Mrs. Poyser takes him in

Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having "Celtic blood." While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, "What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman." Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to "licking the French" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that "we can hardly think Dinah and Seth beneath our sympathy." In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a "thorn in his side" for many years to come. But when he finds his father dead, Eliot observes that "when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity." By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she "immediately and with great gravity lifted up her frock and showed a tiny pink pocket." Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking.

gradesaver

all_chapterized_books/507-chapters/07.txt

finished_summaries/gradesaver/Adam Bede/section_0_part_7.txt

Adam Bede.book 1.chapter 7

book 1, chapter 7

{"name": "book 1, Chapter 7", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8", "summary": "Hetty blushes when the Captain talks to her, and he is captivated by her kitten-like charm. The activity of butter-churning is perfectly suited to showing off her well-shaped arms. He invites the women to a dance on the 30th of June and asks for two dances from Hetty. Mrs. Poyser thinks that it will be much easier to be a tenant of the Captain than of his grandfather, because he is so good-natured that everyone will get new fences and good returns. The Captain gets Hetty alone by sending her mother off to look for Totty. The Captain asks Hetty if she ever goes out walking. Hetty says that she sometimes walks to see Mrs. Pomfret, the lady's maid, who is teaching her to mend lace. She adds that she is going to tea with Mrs. Pomfret next afternoon. Mrs. Poyser returns with Totty, and the Captain asks her if she has a pocket. Totty lifts up her dress to show him that she has one but that it is empty. The Captain gives her five sixpence and returns to find the vicar", "analysis": "Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having \"Celtic blood.\" While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, \"What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman.\" Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to \"licking the French\" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that \"we can hardly think Dinah and Seth beneath our sympathy.\" In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a \"thorn in his side\" for many years to come. But when he finds his father dead, Eliot observes that \"when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.\" By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she \"immediately and with great gravity lifted up her frock and showed a tiny pink pocket.\" Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking."}

THE dairy was certainly worth looking at: it was a scene to sicken for with a sort of calenture in hot and dusty streets--such coolness, such purity, such fresh fragrance of new-pressed cheese, of firm butter, of wooden vessels perpetually bathed in pure water; such soft colouring of red earthenware and creamy surfaces, brown wood and polished tin, grey limestone and rich orange-red rust on the iron weights and hooks and hinges. But one gets only a confused notion of these details when they surround a distractingly pretty girl of seventeen, standing on little pattens and rounding her dimpled arm to lift a pound of butter out of the scale. Hetty blushed a deep rose-colour when Captain Donnithorne entered the dairy and spoke to her; but it was not at all a distressed blush, for it was inwreathed with smiles and dimples, and with sparkles from under long, curled, dark eyelashes; and while her aunt was discoursing to him about the limited amount of milk that was to be spared for butter and cheese so long as the calves were not all weaned, and a large quantity but inferior quality of milk yielded by the shorthorn, which had been bought on experiment, together with other matters which must be interesting to a young gentleman who would one day be a landlord, Hetty tossed and patted her pound of butter with quite a self-possessed, coquettish air, slyly conscious that no turn of her head was lost. There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief--a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you. Hetty Sorrel's was that sort of beauty. Her aunt, Mrs. Poyser, who professed to despise all personal attractions and intended to be the severest of mentors, continually gazed at Hetty's charms by the sly, fascinated in spite of herself; and after administering such a scolding as naturally flowed from her anxiety to do well by her husband's niece--who had no mother of her own to scold her, poor thing!--she would often confess to her husband, when they were safe out of hearing, that she firmly believed, "the naughtier the little huzzy behaved, the prettier she looked." It is of little use for me to tell you that Hetty's cheek was like a rose-petal, that dimples played about her pouting lips, that her large dark eyes hid a soft roguishness under their long lashes, and that her curly hair, though all pushed back under her round cap while she was at work, stole back in dark delicate rings on her forehead, and about her white shell-like ears; it is of little use for me to say how lovely was the contour of her pink-and-white neckerchief, tucked into her low plum-coloured stuff bodice, or how the linen butter-making apron, with its bib, seemed a thing to be imitated in silk by duchesses, since it fell in such charming lines, or how her brown stockings and thick-soled buckled shoes lost all that clumsiness which they must certainly have had when empty of her foot and ankle--of little use, unless you have seen a woman who affected you as Hetty affected her beholders, for otherwise, though you might conjure up the image of a lovely woman, she would not in the least resemble that distracting kittenlike maiden. I might mention all the divine charms of a bright spring day, but if you had never in your life utterly forgotten yourself in straining your eyes after the mounting lark, or in wandering through the still lanes when the fresh-opened blossoms fill them with a sacred silent beauty like that of fretted aisles, where would be the use of my descriptive catalogue? I could never make you know what I meant by a bright spring day. Hetty's was a spring-tide beauty; it was the beauty of young frisking things, round-limbed, gambolling, circumventing you by a false air of innocence--the innocence of a young star-browed calf, for example, that, being inclined for a promenade out of bounds, leads you a severe steeplechase over hedge and ditch, and only comes to a stand in the middle of a bog. And they are the prettiest attitudes and movements into which a pretty girl is thrown in making up butter--tossing movements that give a charming curve to the arm, and a sideward inclination of the round white neck; little patting and rolling movements with the palm of the hand, and nice adaptations and finishings which cannot at all be effected without a great play of the pouting mouth and the dark eyes. And then the butter itself seems to communicate a fresh charm--it is so pure, so sweet-scented; it is turned off the mould with such a beautiful firm surface, like marble in a pale yellow light! Moreover, Hetty was particularly clever at making up the butter; it was the one performance of hers that her aunt allowed to pass without severe criticism; so she handled it with all the grace that belongs to mastery. "I hope you will be ready for a great holiday on the thirtieth of July, Mrs. Poyser," said Captain Donnithorne, when he had sufficiently admired the dairy and given several improvised opinions on Swede turnips and shorthorns. "You know what is to happen then, and I shall expect you to be one of the guests who come earliest and leave latest. Will you promise me your hand for two dances, Miss Hetty? If I don't get your promise now, I know I shall hardly have a chance, for all the smart young farmers will take care to secure you." Hetty smiled and blushed, but before she could answer, Mrs. Poyser interposed, scandalized at the mere suggestion that the young squire could be excluded by any meaner partners. "Indeed, sir, you are very kind to take that notice of her. And I'm sure, whenever you're pleased to dance with her, she'll be proud and thankful, if she stood still all the rest o' th' evening." "Oh no, no, that would be too cruel to all the other young fellows who can dance. But you will promise me two dances, won't you?" the captain continued, determined to make Hetty look at him and speak to him. Hetty dropped the prettiest little curtsy, and stole a half-shy, half-coquettish glance at him as she said, "Yes, thank you, sir." "And you must bring all your children, you know, Mrs. Poyser; your little Totty, as well as the boys. I want all the youngest children on the estate to be there--all those who will be fine young men and women when I'm a bald old fellow." "Oh dear, sir, that 'ull be a long time first," said Mrs. Poyser, quite overcome at the young squire's speaking so lightly of himself, and thinking how her husband would be interested in hearing her recount this remarkable specimen of high-born humour. The captain was thought to be "very full of his jokes," and was a great favourite throughout the estate on account of his free manners. Every tenant was quite sure things would be different when the reins got into his hands--there was to be a millennial abundance of new gates, allowances of lime, and returns of ten per cent. "But where is Totty to-day?" he said. "I want to see her." "Where IS the little un, Hetty?" said Mrs. Poyser. "She came in here not long ago." "I don't know. She went into the brewhouse to Nancy, I think." The proud mother, unable to resist the temptation to show her Totty, passed at once into the back kitchen, in search of her, not, however, without misgivings lest something should have happened to render her person and attire unfit for presentation. "And do you carry the butter to market when you've made it?" said the Captain to Hetty, meanwhile. "Oh no, sir; not when it's so heavy. I'm not strong enough to carry it. Alick takes it on horseback." "No, I'm sure your pretty arms were never meant for such heavy weights. But you go out a walk sometimes these pleasant evenings, don't you? Why don't you have a walk in the Chase sometimes, now it's so green and pleasant? I hardly ever see you anywhere except at home and at church." "Aunt doesn't like me to go a-walking only when I'm going somewhere," said Hetty. "But I go through the Chase sometimes." "And don't you ever go to see Mrs. Best, the housekeeper? I think I saw you once in the housekeeper's room." "It isn't Mrs. Best, it's Mrs. Pomfret, the lady's maid, as I go to see. She's teaching me tent-stitch and the lace-mending. I'm going to tea with her to-morrow afternoon." The reason why there had been space for this tete-a-tete can only be known by looking into the back kitchen, where Totty had been discovered rubbing a stray blue-bag against her nose, and in the same moment allowing some liberal indigo drops to fall on her afternoon pinafore. But now she appeared holding her mother's hand--the end of her round nose rather shiny from a recent and hurried application of soap and water. "Here she is!" said the captain, lifting her up and setting her on the low stone shelf. "Here's Totty! By the by, what's her other name? She wasn't christened Totty." "Oh, sir, we call her sadly out of her name. Charlotte's her christened name. It's a name i' Mr. Poyser's family: his grandmother was named Charlotte. But we began with calling her Lotty, and now it's got to Totty. To be sure it's more like a name for a dog than a Christian child." "Totty's a capital name. Why, she looks like a Totty. Has she got a pocket on?" said the captain, feeling in his own waistcoat pockets. Totty immediately with great gravity lifted up her frock, and showed a tiny pink pocket at present in a state of collapse. "It dot notin' in it," she said, as she looked down at it very earnestly. "No! What a pity! Such a pretty pocket. Well, I think I've got some things in mine that will make a pretty jingle in it. Yes! I declare I've got five little round silver things, and hear what a pretty noise they make in Totty's pink pocket." Here he shook the pocket with the five sixpences in it, and Totty showed her teeth and wrinkled her nose in great glee; but, divining that there was nothing more to be got by staying, she jumped off the shelf and ran away to jingle her pocket in the hearing of Nancy, while her mother called after her, "Oh for shame, you naughty gell! Not to thank the captain for what he's given you I'm sure, sir, it's very kind of you; but she's spoiled shameful; her father won't have her said nay in anything, and there's no managing her. It's being the youngest, and th' only gell." "Oh, she's a funny little fatty; I wouldn't have her different. But I must be going now, for I suppose the rector is waiting for me." With a "good-bye," a bright glance, and a bow to Hetty Arthur left the dairy. But he was mistaken in imagining himself waited for. The rector had been so much interested in his conversation with Dinah that he would not have chosen to close it earlier; and you shall hear now what they had been saying to each other.

book 1, Chapter 7

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8

Hetty blushes when the Captain talks to her, and he is captivated by her kitten-like charm. The activity of butter-churning is perfectly suited to showing off her well-shaped arms. He invites the women to a dance on the 30th of June and asks for two dances from Hetty. Mrs. Poyser thinks that it will be much easier to be a tenant of the Captain than of his grandfather, because he is so good-natured that everyone will get new fences and good returns. The Captain gets Hetty alone by sending her mother off to look for Totty. The Captain asks Hetty if she ever goes out walking. Hetty says that she sometimes walks to see Mrs. Pomfret, the lady's maid, who is teaching her to mend lace. She adds that she is going to tea with Mrs. Pomfret next afternoon. Mrs. Poyser returns with Totty, and the Captain asks her if she has a pocket. Totty lifts up her dress to show him that she has one but that it is empty. The Captain gives her five sixpence and returns to find the vicar

Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having "Celtic blood." While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, "What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman." Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to "licking the French" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that "we can hardly think Dinah and Seth beneath our sympathy." In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a "thorn in his side" for many years to come. But when he finds his father dead, Eliot observes that "when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity." By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she "immediately and with great gravity lifted up her frock and showed a tiny pink pocket." Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking.

gradesaver

all_chapterized_books/507-chapters/08.txt

finished_summaries/gradesaver/Adam Bede/section_0_part_8.txt

Adam Bede.book 1.chapter 8

book 1, chapter 8

{"name": "book 1, Chapter 8", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8", "summary": "The vicar converses with Dinah about her hometown of Snowfield, which has changed since a new mill was built there, which brought in more residents. Dinah says that she is a member of the Society , which does not prohibit women from preaching. The first time that she preached was in Hetton-Deeps, a mining town without a preacher or minister. Mr. Irwine feels that it would be useless to try to convince her not to preach, since it would be like telling a tree not to grow in its own shape. He asks her if she ever feels self-conscious knowing that so many young men are looking at her while she preaches, and Dinah says that she does not think that the men are aware of her appearance. She adds that Moses did not notice the burning bush but instead the brightness of God shining out of it. The vicar tells Dinah that Thias Bede has died. She starts to fold up her work to see if she can be of any assistance to Seth's mother. The Captain returns briefly, and the men leave. Dinah explains that the vicar was quite pleasant to her, and she tells the news about Thias Bede. Mrs. Poyser says that it is a good riddance to the Bede family, because he almost ruined them. Hetty does not look seriously affected when she hears the news", "analysis": "Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having \"Celtic blood.\" While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, \"What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman.\" Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to \"licking the French\" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that \"we can hardly think Dinah and Seth beneath our sympathy.\" In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a \"thorn in his side\" for many years to come. But when he finds his father dead, Eliot observes that \"when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.\" By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she \"immediately and with great gravity lifted up her frock and showed a tiny pink pocket.\" Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking."}

DINAH, who had risen when the gentlemen came in, but still kept hold of the sheet she was mending, curtsied respectfully when she saw Mr. Irwine looking at her and advancing towards her. He had never yet spoken to her, or stood face to face with her, and her first thought, as her eyes met his, was, "What a well-favoured countenance! Oh that the good seed might fall on that soil, for it would surely flourish." The agreeable impression must have been mutual, for Mr. Irwine bowed to her with a benignant deference, which would have been equally in place if she had been the most dignified lady of his acquaintance. "You are only a visitor in this neighbourhood, I think?" were his first words, as he seated himself opposite to her. "No, sir, I come from Snowfield, in Stonyshire. But my aunt was very kind, wanting me to have rest from my work there, because I'd been ill, and she invited me to come and stay with her for a while." "Ah, I remember Snowfield very well; I once had occasion to go there. It's a dreary bleak place. They were building a cotton-mill there; but that's many years ago now. I suppose the place is a good deal changed by the employment that mill must have brought." "It IS changed so far as the mill has brought people there, who get a livelihood for themselves by working in it, and make it better for the tradesfolks. I work in it myself, and have reason to be grateful, for thereby I have enough and to spare. But it's still a bleak place, as you say, sir--very different from this country." "You have relations living there, probably, so that you are attached to the place as your home?" "I had an aunt there once; she brought me up, for I was an orphan. But she was taken away seven years ago, and I have no other kindred that I know of, besides my Aunt Poyser, who is very good to me, and would have me come and live in this country, which to be sure is a good land, wherein they eat bread without scarceness. But I'm not free to leave Snowfield, where I was first planted, and have grown deep into it, like the small grass on the hill-top." "Ah, I daresay you have many religious friends and companions there; you are a Methodist--a Wesleyan, I think?" "Yes, my aunt at Snowfield belonged to the Society, and I have cause to be thankful for the privileges I have had thereby from my earliest childhood." "And have you been long in the habit of preaching? For I understand you preached at Hayslope last night." "I first took to the work four years since, when I was twenty-one." "Your Society sanctions women's preaching, then?" "It doesn't forbid them, sir, when they've a clear call to the work, and when their ministry is owned by the conversion of sinners and the strengthening of God's people. Mrs. Fletcher, as you may have heard about, was the first woman to preach in the Society, I believe, before she was married, when she was Miss Bosanquet; and Mr. Wesley approved of her undertaking the work. She had a great gift, and there are many others now living who are precious fellow-helpers in the work of the ministry. I understand there's been voices raised against it in the Society of late, but I cannot but think their counsel will come to nought. It isn't for men to make channels for God's Spirit, as they make channels for the watercourses, and say, 'Flow here, but flow not there.'" "But don't you find some danger among your people--I don't mean to say that it is so with you, far from it--but don't you find sometimes that both men and women fancy themselves channels for God's Spirit, and are quite mistaken, so that they set about a work for which they are unfit and bring holy things into contempt?" "Doubtless it is so sometimes; for there have been evil-doers among us who have sought to deceive the brethren, and some there are who deceive their own selves. But we are not without discipline and correction to put a check upon these things. There's a very strict order kept among us, and the brethren and sisters watch for each other's souls as they that must give account. They don't go every one his own way and say, 'Am I my brother's keeper?'" "But tell me--if I may ask, and I am really interested in knowing it--how you first came to think of preaching?" "Indeed, sir, I didn't think of it at all--I'd been used from the time I was sixteen to talk to the little children, and teach them, and sometimes I had had my heart enlarged to speak in class, and was much drawn out in prayer with the sick. But I had felt no call to preach, for when I'm not greatly wrought upon, I'm too much given to sit still and keep by myself. It seems as if I could sit silent all day long with the thought of God overflowing my soul--as the pebbles lie bathed in the Willow Brook. For thoughts are so great--aren't they, sir? They seem to lie upon us like a deep flood; and it's my besetment to forget where I am and everything about me, and lose myself in thoughts that I could give no account of, for I could neither make a beginning nor ending of them in words. That was my way as long as I can remember; but sometimes it seemed as if speech came to me without any will of my own, and words were given to me that came out as the tears come, because our hearts are full and we can't help it. And those were always times of great blessing, though I had never thought it could be so with me before a congregation of people. But, sir, we are led on, like the little children, by a way that we know not. I was called to preach quite suddenly, and since then I have never been left in doubt about the work that was laid upon me." "But tell me the circumstances--just how it was, the very day you began to preach." "It was one Sunday I walked with brother Marlowe, who was an aged man, one of the local preachers, all the way to Hetton-Deeps--that's a village where the people get their living by working in the lead-mines, and where there's no church nor preacher, but they live like sheep without a shepherd. It's better than twelve miles from Snowfield, so we set out early in the morning, for it was summertime; and I had a wonderful sense of the Divine love as we walked over the hills, where there's no trees, you know, sir, as there is here, to make the sky look smaller, but you see the heavens stretched out like a tent, and you feel the everlasting arms around you. But before we got to Hetton, brother Marlowe was seized with a dizziness that made him afraid of falling, for he overworked himself sadly, at his years, in watching and praying, and walking so many miles to speak the Word, as well as carrying on his trade of linen-weaving. And when we got to the village, the people were expecting him, for he'd appointed the time and the place when he was there before, and such of them as cared to hear the Word of Life were assembled on a spot where the cottages was thickest, so as others might be drawn to come. But he felt as he couldn't stand up to preach, and he was forced to lie down in the first of the cottages we came to. So I went to tell the people, thinking we'd go into one of the houses, and I would read and pray with them. But as I passed along by the cottages and saw the aged and trembling women at the doors, and the hard looks of the men, who seemed to have their eyes no more filled with the sight of the Sabbath morning than if they had been dumb oxen that never looked up to the sky, I felt a great movement in my soul, and I trembled as if I was shaken by a strong spirit entering into my weak body. And I went to where the little flock of people was gathered together, and stepped on the low wall that was built against the green hillside, and I spoke the words that were given to me abundantly. And they all came round me out of all the cottages, and many wept over their sins, and have since been joined to the Lord. That was the beginning of my preaching, sir, and I've preached ever since." Dinah had let her work fall during this narrative, which she uttered in her usual simple way, but with that sincere articulate, thrilling treble by which she always mastered her audience. She stooped now to gather up her sewing, and then went on with it as before. Mr. Irwine was deeply interested. He said to himself, "He must be a miserable prig who would act the pedagogue here: one might as well go and lecture the trees for growing in their own shape." "And you never feel any embarrassment from the sense of your youth--that you are a lovely young woman on whom men's eyes are fixed?" he said aloud. "No, I've no room for such feelings, and I don't believe the people ever take notice about that. I think, sir, when God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it was--he only saw the brightness of the Lord. I've preached to as rough ignorant people as can be in the villages about Snowfield--men that looked very hard and wild--but they never said an uncivil word to me, and often thanked me kindly as they made way for me to pass through the midst of them." "THAT I can believe--that I can well believe," said Mr. Irwine, emphatically. "And what did you think of your hearers last night, now? Did you find them quiet and attentive?" "Very quiet, sir, but I saw no signs of any great work upon them, except in a young girl named Bessy Cranage, towards whom my heart yearned greatly, when my eyes first fell on her blooming youth, given up to folly and vanity. I had some private talk and prayer with her afterwards, and I trust her heart is touched. But I've noticed that in these villages where the people lead a quiet life among the green pastures and the still waters, tilling the ground and tending the cattle, there's a strange deadness to the Word, as different as can be from the great towns, like Leeds, where I once went to visit a holy woman who preaches there. It's wonderful how rich is the harvest of souls up those high-walled streets, where you seemed to walk as in a prison-yard, and the ear is deafened with the sounds of worldly toil. I think maybe it is because the promise is sweeter when this life is so dark and weary, and the soul gets more hungry when the body is ill at ease." "Why, yes, our farm-labourers are not easily roused. They take life almost as slowly as the sheep and cows. But we have some intelligent workmen about here. I daresay you know the Bedes; Seth Bede, by the by, is a Methodist." "Yes, I know Seth well, and his brother Adam a little. Seth is a gracious young man--sincere and without offence; and Adam is like the patriarch Joseph, for his great skill and knowledge and the kindness he shows to his brother and his parents." "Perhaps you don't know the trouble that has just happened to them? Their father, Matthias Bede, was drowned in the Willow Brook last night, not far from his own door. I'm going now to see Adam." "Ah, their poor aged mother!" said Dinah, dropping her hands and looking before her with pitying eyes, as if she saw the object of her sympathy. "She will mourn heavily, for Seth has told me she's of an anxious, troubled heart. I must go and see if I can give her any help." As she rose and was beginning to fold up her work, Captain Donnithorne, having exhausted all plausible pretexts for remaining among the milk-pans, came out of the dairy, followed by Mrs. Poyser. Mr. Irwine now rose also, and, advancing towards Dinah, held out his hand, and said, "Good-bye. I hear you are going away soon; but this will not be the last visit you will pay your aunt--so we shall meet again, I hope." His cordiality towards Dinah set all Mrs. Poyser's anxieties at rest, and her face was brighter than usual, as she said, "I've never asked after Mrs. Irwine and the Miss Irwines, sir; I hope they're as well as usual." "Yes, thank you, Mrs. Poyser, except that Miss Anne has one of her bad headaches to-day. By the by, we all liked that nice cream-cheese you sent us--my mother especially." "I'm very glad, indeed, sir. It is but seldom I make one, but I remembered Mrs. Irwine was fond of 'em. Please to give my duty to her, and to Miss Kate and Miss Anne. They've never been to look at my poultry this long while, and I've got some beautiful speckled chickens, black and white, as Miss Kate might like to have some of amongst hers." "Well, I'll tell her; she must come and see them. Good-bye," said the rector, mounting his horse. "Just ride slowly on, Irwine," said Captain Donnithorne, mounting also. "I'll overtake you in three minutes. I'm only going to speak to the shepherd about the whelps. Good-bye, Mrs. Poyser; tell your husband I shall come and have a long talk with him soon." Mrs. Poyser curtsied duly, and watched the two horses until they had disappeared from the yard, amidst great excitement on the part of the pigs and the poultry, and under the furious indignation of the bull-dog, who performed a Pyrrhic dance, that every moment seemed to threaten the breaking of his chain. Mrs. Poyser delighted in this noisy exit; it was a fresh assurance to her that the farm-yard was well guarded, and that no loiterers could enter unobserved; and it was not until the gate had closed behind the captain that she turned into the kitchen again, where Dinah stood with her bonnet in her hand, waiting to speak to her aunt, before she set out for Lisbeth Bede's cottage. Mrs. Poyser, however, though she noticed the bonnet, deferred remarking on it until she had disburdened herself of her surprise at Mr. Irwine's behaviour. "Why, Mr. Irwine wasn't angry, then? What did he say to you, Dinah? Didn't he scold you for preaching?" "No, he was not at all angry; he was very friendly to me. I was quite drawn out to speak to him; I hardly know how, for I had always thought of him as a worldly Sadducee. But his countenance is as pleasant as the morning sunshine." "Pleasant! And what else did y' expect to find him but pleasant?" said Mrs. Poyser impatiently, resuming her knitting. "I should think his countenance is pleasant indeed! And him a gentleman born, and's got a mother like a picter. You may go the country round and not find such another woman turned sixty-six. It's summat-like to see such a man as that i' the desk of a Sunday! As I say to Poyser, it's like looking at a full crop o' wheat, or a pasture with a fine dairy o' cows in it; it makes you think the world's comfortable-like. But as for such creaturs as you Methodisses run after, I'd as soon go to look at a lot o' bare-ribbed runts on a common. Fine folks they are to tell you what's right, as look as if they'd never tasted nothing better than bacon-sword and sour-cake i' their lives. But what did Mr. Irwine say to you about that fool's trick o' preaching on the Green?" "He only said he'd heard of it; he didn't seem to feel any displeasure about it. But, dear aunt, don't think any more about that. He told me something that I'm sure will cause you sorrow, as it does me. Thias Bede was drowned last night in the Willow Brook, and I'm thinking that the aged mother will be greatly in need of comfort. Perhaps I can be of use to her, so I have fetched my bonnet and am going to set out." "Dear heart, dear heart! But you must have a cup o' tea first, child," said Mrs. Poyser, falling at once from the key of B with five sharps to the frank and genial C. "The kettle's boiling--we'll have it ready in a minute; and the young uns 'ull be in and wanting theirs directly. I'm quite willing you should go and see th' old woman, for you're one as is allays welcome in trouble, Methodist or no Methodist; but, for the matter o' that, it's the flesh and blood folks are made on as makes the difference. Some cheeses are made o' skimmed milk and some o' new milk, and it's no matter what you call 'em, you may tell which is which by the look and the smell. But as to Thias Bede, he's better out o' the way nor in--God forgi' me for saying so--for he's done little this ten year but make trouble for them as belonged to him; and I think it 'ud be well for you to take a little bottle o' rum for th' old woman, for I daresay she's got never a drop o' nothing to comfort her inside. Sit down, child, and be easy, for you shan't stir out till you've had a cup o' tea, and so I tell you." During the latter part of this speech, Mrs. Poyser had been reaching down the tea-things from the shelves, and was on her way towards the pantry for the loaf (followed close by Totty, who had made her appearance on the rattling of the tea-cups), when Hetty came out of the dairy relieving her tired arms by lifting them up, and clasping her hands at the back of her head. "Molly," she said, rather languidly, "just run out and get me a bunch of dock-leaves: the butter's ready to pack up now." "D' you hear what's happened, Hetty?" said her aunt. "No; how should I hear anything?" was the answer, in a pettish tone. "Not as you'd care much, I daresay, if you did hear; for you're too feather-headed to mind if everybody was dead, so as you could stay upstairs a-dressing yourself for two hours by the clock. But anybody besides yourself 'ud mind about such things happening to them as think a deal more of you than you deserve. But Adam Bede and all his kin might be drownded for what you'd care--you'd be perking at the glass the next minute." "Adam Bede--drowned?" said Hetty, letting her arms fall and looking rather bewildered, but suspecting that her aunt was as usual exaggerating with a didactic purpose. "No, my dear, no," said Dinah kindly, for Mrs. Poyser had passed on to the pantry without deigning more precise information. "Not Adam. Adam's father, the old man, is drowned. He was drowned last night in the Willow Brook. Mr. Irwine has just told me about it." "Oh, how dreadful!" said Hetty, looking serious, but not deeply affected; and as Molly now entered with the dock-leaves, she took them silently and returned to the dairy without asking further questions.

book 1, Chapter 8

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-1-8

The vicar converses with Dinah about her hometown of Snowfield, which has changed since a new mill was built there, which brought in more residents. Dinah says that she is a member of the Society , which does not prohibit women from preaching. The first time that she preached was in Hetton-Deeps, a mining town without a preacher or minister. Mr. Irwine feels that it would be useless to try to convince her not to preach, since it would be like telling a tree not to grow in its own shape. He asks her if she ever feels self-conscious knowing that so many young men are looking at her while she preaches, and Dinah says that she does not think that the men are aware of her appearance. She adds that Moses did not notice the burning bush but instead the brightness of God shining out of it. The vicar tells Dinah that Thias Bede has died. She starts to fold up her work to see if she can be of any assistance to Seth's mother. The Captain returns briefly, and the men leave. Dinah explains that the vicar was quite pleasant to her, and she tells the news about Thias Bede. Mrs. Poyser says that it is a good riddance to the Bede family, because he almost ruined them. Hetty does not look seriously affected when she hears the news

Chapter One mainly serves to introduce the namesake character of the book and to show off certain of his characteristics as he interacts with others. An interesting aspect of the author's description of the main character is her characterization of him as having "Celtic blood." While this might refer to Welsh or Scottish or Irish descent, by including this detail, Eliot signals to her audience that Adam might tend towards the poetic or towards the violent, both common stereotypes of the Celts at the time that she was writing this novel. Adam Bede and his brother, Seth, although they work at the same trade, are set up as opposites in many ways, especially with their divergent opinions about religion. Religion is first brought up by Wiry Ben, who paraphrases Matthew 11:9, saying, "What come ye out for to see? A prophetess? Yea, I say unto you, and more than a prophetess-an uncommon pretty young woman." Adam rebukes Ben for taking the Bible lightly in referring to a pretty young Methodist preacher in their town, showing that he is indeed a religious man. Yet, he follows this rebuke by extolling modern progress and technology, rather than the inward-looking practices of the Methodists. He mentions Arkwright's mills in particular, referring to the spinning frame which Sir Richard Arkwright invented. In some ways like Adam, Arkwright was a self-taught mechanic who, after working all day, at night studied the mathematics that was needed for his inventions. Chapter Two introduces Dinah as a very charismatic young woman. The view of the Methodist meeting on the Green is filtered through the eyes of the horseman, who has the advantages of being an outsider to the community and having some previous knowledge of Methodism. Given his ability to compare Dinah to other Methodist preachers, whom he has seen thump the Bible, mock holiness, or rant, the reader realizes that this is not the first Methodist meeting that he has attended. The reference to "licking the French" sets the novel in the time of the Napoleonic Wars, which began in February 1793. The French fought against the self-proclaimed emperor, Napoleon, to try to prevent his imperialistic sweep through Europe. It is possible that the horseman is a recruiter for the British Army. In her sermon, Dinah mentions the founding father of Methodism, John Wesley, as her inspiration. Methodism is a denomination of Christianity founded in Britain in the eighteenth century that emphasized the idea that anyone can be saved. Along with his younger brother Charles, John Wesley launched a religious movement known for its open-air revivals. The preachers at these revivals were often so animated that they were accused of fanaticism. We see in Chapter Three that the novel not only examines the working class but demonstrates a way to write a novel about the working class. In this chapter, for the first time, the voice of the narrator comes forth in first-person. The narrator seems to overlap enough with Eliot herself that this ClassicNote will refer to the narrator as Eliot, even though the narrator does not necessarily represent Eliot's views precisely. Eliot's strong voice in the novel is an acknowledgment of the fact that she is writing a new type of novel. Her heroes are not handsome horsemen, and her heroines do not languish in fancy dresses. Rather, Adam Bede is the beginning of a great tradition of social realism in novels. Eliot advocates strongly for this new type of novel, arguing that "we can hardly think Dinah and Seth beneath our sympathy." In Chapter Four, the night that Adam spends alone making the coffin involves elements of the gothic. First, when the rapping on the door first occurs, Gyp howls instead of barking as usual. Second, Eliot is careful to point out that Adam is uneasy and imagines a number of supernatural occurrences when he does not find anyone at the door. Eliot describes superstition as an unavoidable part of Adam's peasant nature. Although this may seem condescending, it is justified when Adam and Seth find their father dead the next morning--although it is as yet unclear what connection the two events might have. Although Adam Bede is quite clearly a novel, it also contains more direct commentary on human nature in general than is common in most fiction. This means that, at times, it reads rather more like a treatise than like a novel. This is another sign of Eliot's own views coming through. For example, when Adam stays up all night, he feels a great deal of resentment towards his father, and he thinks rather bitterly that the man will be a "thorn in his side" for many years to come. But when he finds his father dead, Eliot observes that "when death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity." By generalizing in this statement, Eliot indicates that a certain way of feeling not only applies to Adam but also to most humans. This is a successful way of convincing readers that a story about the working class can have implications for, or shed light on, their own lives as well. In Chapter Five, the vicar's powdered wig is a signal of old age and conservatism in his society. Eliot is careful to describe his place in the community precisely. He is well liked, but he has no burning immediate concern about the souls of his parishioners. He cannot, or will not, work himself up into an emotional state in the manner of some of the most famous Methodist preachers. By characterizing him in this way, Eliot demonstrates that there is a space left in the community for the role of leading some of the more thoughtful, religious townspeople. The scene between the vicar, his mother, and Mr. Rann has some qualities of a farce. Mr. Rann delays telling the most important news as a result of his eagerness to talk about what is most important to him. Mr. Rann wastes a great deal of time ranting and raving about the fact that a Methodist has insulted him by calling him irreligious, and he forgets to inform the vicar that a death has just occurred in his vicarage. As in a traditional farce, the characters are exaggerated according to stereotypes: the rigid, class-conscious matron; the jolly, accommodating vicar; the bumbling rustic, eager to show off his own holiness or intelligence to persons of higher position. Chapter Six shows some interesting similarities among members of the Poyser family. It draws a familial relationship between Dinah and Hetty of which the reader was not previously aware. Their relationship is not one of blood; Hetty is Mr. Poyser's niece, while Dinah is Mrs. Poyser's niece. The two girls, both love interests of the respective Bede brothers, act as foils for one another. Dinah is serious and unromantic, while Hetty is flighty and beautiful, using the surfaces that her aunt has polished to admire her own reflection. Mrs. Poyser's nervousness at seeing the grandson of her landlord approach reflects on her position in the social hierarchy. In late eighteenth-century England, the social hierarchy was quite rigid, and everyone from the poorest farmer to the richest aristocrat knew his place in the pecking order. The Poysers have been viewed in previous chapters as quite high-class given their large farm. It has even been suggested that a marriage between Dinah and Seth would not quite be acceptable given the difference in social status. Problems of love and marriage across socioeconomic boundaries constitute a common theme among early female novelists, including Jane Austen and the Bronte sisters, who influenced George Eliot. Chapter Seven begins a flirtation between the Captain and Hetty. The story of a beautiful milk-maid seduced by a squire dates back to the days of Chaucer, and Eliot updates it by making the unequal nature of the interest clear from the very start. It is obvious that the seduction will succeed if the Captain wants it to, not only because he is young and attractive, but also because he is coming from such a position of power over the Poyser family. It is in his power not only to invite the family to a ball, but also to evict them from his land if he so desires. That this unequal distribution of power might affect his relationship with Hetty is demonstrated by the unquestioning acquiescence of Totty to the Captain's questions. When he asks her if she has a pocket, she "immediately and with great gravity lifted up her frock and showed a tiny pink pocket." Totty's action has a distinctly sexual undertone of obedience, and it may foreshadow Hetty's future actions. In Chapter Eight the narrator's visible interjections become less visible. It is possible that Eliot is willing to generalize expansively about human nature, but she wants to keep her feelings about religion to herself. Critiquing religious thought and practice can be dangerous, but perhaps she is choosing to let the reader see for himself what is going on in Methodism and how it affects the rural poor. Eliot does not come down in favor of Methodism, but she gives it a very respectable and persuasive voice in the character of Dinah, which impresses even the local vicar. Although she only makes a brief appearance in this chapter, the reader must begin to wonder if Hetty is a suitable match for Adam. She is flirtatious and flighty in the previous chapters, which is forgivable in a pretty, young girl. But she now is thoughtless and uncaring to hear that Adam's father has died, which is somewhat shocking.

gradesaver

all_chapterized_books/507-chapters/09.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_1.txt

Adam Bede.book 1.chapter 9

book 1, chapter 9

{"name": "book 1, Chapter 9", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "Hetty has been extremely flattered by the Captain's attentions. She knows that many men like to look at her including Adam Bede, whom she finds quite manly, She also knows that her father would like her to marry Adam. Although Hetty did not like it when his attentions to her slipped, she is not in love with him-especially because he cannot provide her with any luxuries. She is aware that the Captain went to great trouble to see her, but she does not even conceive of marrying him. She is in awe of him and finds him \"as dazzling as an Olympian God. On the way home, the Captain confesses to the vicar that he finds Hetty attractive, but the vicar responds that the Captain should not give her airs because he therefore will spoil her for an honest man like Adam. The Captain says that Adam would make a better match with Mary Burge, because then he could take over her father's business. The vicar tells the Captain to look at Mary less, because then he will want her less", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

WHILE she adjusted the broad leaves that set off the pale fragrant butter as the primrose is set off by its nest of green I am afraid Hetty was thinking a great deal more of the looks Captain Donnithorne had cast at her than of Adam and his troubles. Bright, admiring glances from a handsome young gentleman with white hands, a gold chain, occasional regimentals, and wealth and grandeur immeasurable--those were the warm rays that set poor Hetty's heart vibrating and playing its little foolish tunes over and over again. We do not hear that Memnon's statue gave forth its melody at all under the rushing of the mightiest wind, or in response to any other influence divine or human than certain short-lived sunbeams of morning; and we must learn to accommodate ourselves to the discovery that some of those cunningly fashioned instruments called human souls have only a very limited range of music, and will not vibrate in the least under a touch that fills others with tremulous rapture or quivering agony. Hetty was quite used to the thought that people liked to look at her. She was not blind to the fact that young Luke Britton of Broxton came to Hayslope Church on a Sunday afternoon on purpose that he might see her; and that he would have made much more decided advances if her uncle Poyser, thinking but lightly of a young man whose father's land was so foul as old Luke Britton's, had not forbidden her aunt to encourage him by any civilities. She was aware, too, that Mr. Craig, the gardener at the Chase, was over head and ears in love with her, and had lately made unmistakable avowals in luscious strawberries and hyperbolical peas. She knew still better, that Adam Bede--tall, upright, clever, brave Adam Bede--who carried such authority with all the people round about, and whom her uncle was always delighted to see of an evening, saying that "Adam knew a fine sight more o' the natur o' things than those as thought themselves his betters"--she knew that this Adam, who was often rather stern to other people and not much given to run after the lasses, could be made to turn pale or red any day by a word or a look from her. Hetty's sphere of comparison was not large, but she couldn't help perceiving that Adam was "something like" a man; always knew what to say about things, could tell her uncle how to prop the hovel, and had mended the churn in no time; knew, with only looking at it, the value of the chestnut-tree that was blown down, and why the damp came in the walls, and what they must do to stop the rats; and wrote a beautiful hand that you could read off, and could do figures in his head--a degree of accomplishment totally unknown among the richest farmers of that countryside. Not at all like that slouching Luke Britton, who, when she once walked with him all the way from Broxton to Hayslope, had only broken silence to remark that the grey goose had begun to lay. And as for Mr. Craig, the gardener, he was a sensible man enough, to be sure, but he was knock-kneed, and had a queer sort of sing-song in his talk; moreover, on the most charitable supposition, he must be far on the way to forty. Hetty was quite certain her uncle wanted her to encourage Adam, and would be pleased for her to marry him. For those were times when there was no rigid demarcation of rank between the farmer and the respectable artisan, and on the home hearth, as well as in the public house, they might be seen taking their jug of ale together; the farmer having a latent sense of capital, and of weight in parish affairs, which sustained him under his conspicuous inferiority in conversation. Martin Poyser was not a frequenter of public houses, but he liked a friendly chat over his own home-brewed; and though it was pleasant to lay down the law to a stupid neighbour who had no notion how to make the best of his farm, it was also an agreeable variety to learn something from a clever fellow like Adam Bede. Accordingly, for the last three years--ever since he had superintended the building of the new barn--Adam had always been made welcome at the Hall Farm, especially of a winter evening, when the whole family, in patriarchal fashion, master and mistress, children and servants, were assembled in that glorious kitchen, at well-graduated distances from the blazing fire. And for the last two years, at least, Hetty had been in the habit of hearing her uncle say, "Adam Bede may be working for wage now, but he'll be a master-man some day, as sure as I sit in this chair. Mester Burge is in the right on't to want him to go partners and marry his daughter, if it's true what they say; the woman as marries him 'ull have a good take, be't Lady day or Michaelmas," a remark which Mrs. Poyser always followed up with her cordial assent. "Ah," she would say, "it's all very fine having a ready-made rich man, but mayhappen he'll be a ready-made fool; and it's no use filling your pocket full o' money if you've got a hole in the corner. It'll do you no good to sit in a spring-cart o' your own, if you've got a soft to drive you: he'll soon turn you over into the ditch. I allays said I'd never marry a man as had got no brains; for where's the use of a woman having brains of her own if she's tackled to a geck as everybody's a-laughing at? She might as well dress herself fine to sit back'ards on a donkey." These expressions, though figurative, sufficiently indicated the bent of Mrs. Poyser's mind with regard to Adam; and though she and her husband might have viewed the subject differently if Hetty had been a daughter of their own, it was clear that they would have welcomed the match with Adam for a penniless niece. For what could Hetty have been but a servant elsewhere, if her uncle had not taken her in and brought her up as a domestic help to her aunt, whose health since the birth of Totty had not been equal to more positive labour than the superintendence of servants and children? But Hetty had never given Adam any steady encouragement. Even in the moments when she was most thoroughly conscious of his superiority to her other admirers, she had never brought herself to think of accepting him. She liked to feel that this strong, skilful, keen-eyed man was in her power, and would have been indignant if he had shown the least sign of slipping from under the yoke of her coquettish tyranny and attaching himself to the gentle Mary Burge, who would have been grateful enough for the most trifling notice from him. "Mary Burge, indeed! Such a sallow-faced girl: if she put on a bit of pink ribbon, she looked as yellow as a crow-flower and her hair was as straight as a hank of cotton." And always when Adam stayed away for several weeks from the Hall Farm, and otherwise made some show of resistance to his passion as a foolish one, Hetty took care to entice him back into the net by little airs of meekness and timidity, as if she were in trouble at his neglect. But as to marrying Adam, that was a very different affair! There was nothing in the world to tempt her to do that. Her cheeks never grew a shade deeper when his name was mentioned; she felt no thrill when she saw him passing along the causeway by the window, or advancing towards her unexpectedly in the footpath across the meadow; she felt nothing, when his eyes rested on her, but the cold triumph of knowing that he loved her and would not care to look at Mary Burge. He could no more stir in her the emotions that make the sweet intoxication of young love than the mere picture of a sun can stir the spring sap in the subtle fibres of the plant. She saw him as he was--a poor man with old parents to keep, who would not be able, for a long while to come, to give her even such luxuries as she shared in her uncle's house. And Hetty's dreams were all of luxuries: to sit in a carpeted parlour, and always wear white stockings; to have some large beautiful ear-rings, such as were all the fashion; to have Nottingham lace round the top of her gown, and something to make her handkerchief smell nice, like Miss Lydia Donnithorne's when she drew it out at church; and not to be obliged to get up early or be scolded by anybody. She thought, if Adam had been rich and could have given her these things, she loved him well enough to marry him. But for the last few weeks a new influence had come over Hetty--vague, atmospheric, shaping itself into no self-confessed hopes or prospects, but producing a pleasant narcotic effect, making her tread the ground and go about her work in a sort of dream, unconscious of weight or effort, and showing her all things through a soft, liquid veil, as if she were living not in this solid world of brick and stone, but in a beatified world, such as the sun lights up for us in the waters. Hetty had become aware that Mr. Arthur Donnithorne would take a good deal of trouble for the chance of seeing her; that he always placed himself at church so as to have the fullest view of her both sitting and standing; that he was constantly finding reason for calling at the Hall Farm, and always would contrive to say something for the sake of making her speak to him and look at him. The poor child no more conceived at present the idea that the young squire could ever be her lover than a baker's pretty daughter in the crowd, whom a young emperor distinguishes by an imperial but admiring smile, conceives that she shall be made empress. But the baker's daughter goes home and dreams of the handsome young emperor, and perhaps weighs the flour amiss while she is thinking what a heavenly lot it must be to have him for a husband. And so, poor Hetty had got a face and a presence haunting her waking and sleeping dreams; bright, soft glances had penetrated her, and suffused her life with a strange, happy languor. The eyes that shed those glances were really not half so fine as Adam's, which sometimes looked at her with a sad, beseeching tenderness, but they had found a ready medium in Hetty's little silly imagination, whereas Adam's could get no entrance through that atmosphere. For three weeks, at least, her inward life had consisted of little else than living through in memory the looks and words Arthur had directed towards her--of little else than recalling the sensations with which she heard his voice outside the house, and saw him enter, and became conscious that his eyes were fixed on her, and then became conscious that a tall figure, looking down on her with eyes that seemed to touch her, was coming nearer in clothes of beautiful texture with an odour like that of a flower-garden borne on the evening breeze. Foolish thoughts! But all this happened, you must remember, nearly sixty years ago, and Hetty was quite uneducated--a simple farmer's girl, to whom a gentleman with a white hand was dazzling as an Olympian god. Until to-day, she had never looked farther into the future than to the next time Captain Donnithorne would come to the Farm, or the next Sunday when she should see him at church; but now she thought, perhaps he would try to meet her when she went to the Chase to-morrow--and if he should speak to her, and walk a little way, when nobody was by! That had never happened yet; and now her imagination, instead of retracing the past, was busy fashioning what would happen to-morrow--whereabout in the Chase she should see him coming towards her, how she should put her new rose-coloured ribbon on, which he had never seen, and what he would say to her to make her return his glance--a glance which she would be living through in her memory, over and over again, all the rest of the day. In this state of mind, how could Hetty give any feeling to Adam's troubles, or think much about poor old Thias being drowned? Young souls, in such pleasant delirium as hers are as unsympathetic as butterflies sipping nectar; they are isolated from all appeals by a barrier of dreams--by invisible looks and impalpable arms. While Hetty's hands were busy packing up the butter, and her head filled with these pictures of the morrow, Arthur Donnithorne, riding by Mr. Irwine's side towards the valley of the Willow Brook, had also certain indistinct anticipations, running as an undercurrent in his mind while he was listening to Mr. Irwine's account of Dinah--indistinct, yet strong enough to make him feel rather conscious when Mr. Irwine suddenly said, "What fascinated you so in Mrs. Poyser's dairy, Arthur? Have you become an amateur of damp quarries and skimming dishes?" Arthur knew the rector too well to suppose that a clever invention would be of any use, so he said, with his accustomed frankness, "No, I went to look at the pretty butter-maker Hetty Sorrel. She's a perfect Hebe; and if I were an artist, I would paint her. It's amazing what pretty girls one sees among the farmers' daughters, when the men are such clowns. That common, round, red face one sees sometimes in the men--all cheek and no features, like Martin Poyser's--comes out in the women of the family as the most charming phiz imaginable." "Well, I have no objection to your contemplating Hetty in an artistic light, but I must not have you feeding her vanity and filling her little noddle with the notion that she's a great beauty, attractive to fine gentlemen, or you will spoil her for a poor man's wife--honest Craig's, for example, whom I have seen bestowing soft glances on her. The little puss seems already to have airs enough to make a husband as miserable as it's a law of nature for a quiet man to be when he marries a beauty. Apropos of marrying, I hope our friend Adam will get settled, now the poor old man's gone. He will only have his mother to keep in future, and I've a notion that there's a kindness between him and that nice modest girl, Mary Burge, from something that fell from old Jonathan one day when I was talking to him. But when I mentioned the subject to Adam he looked uneasy and turned the conversation. I suppose the love-making doesn't run smooth, or perhaps Adam hangs back till he's in a better position. He has independence of spirit enough for two men--rather an excess of pride, if anything." "That would be a capital match for Adam. He would slip into old Burge's shoes and make a fine thing of that building business, I'll answer for him. I should like to see him well settled in this parish; he would be ready then to act as my grand-vizier when I wanted one. We could plan no end of repairs and improvements together. I've never seen the girl, though, I think--at least I've never looked at her." "Look at her next Sunday at church--she sits with her father on the left of the reading-desk. You needn't look quite so much at Hetty Sorrel then. When I've made up my mind that I can't afford to buy a tempting dog, I take no notice of him, because if he took a strong fancy to me and looked lovingly at me, the struggle between arithmetic and inclination might become unpleasantly severe. I pique myself on my wisdom there, Arthur, and as an old fellow to whom wisdom had become cheap, I bestow it upon you." "Thank you. It may stand me in good stead some day though I don't know that I have any present use for it. Bless me! How the brook has overflowed. Suppose we have a canter, now we're at the bottom of the hill." That is the great advantage of dialogue on horseback; it can be merged any minute into a trot or a canter, and one might have escaped from Socrates himself in the saddle. The two friends were free from the necessity of further conversation till they pulled up in the lane behind Adam's cottage.

book 1, Chapter 9

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

Hetty has been extremely flattered by the Captain's attentions. She knows that many men like to look at her including Adam Bede, whom she finds quite manly, She also knows that her father would like her to marry Adam. Although Hetty did not like it when his attentions to her slipped, she is not in love with him-especially because he cannot provide her with any luxuries. She is aware that the Captain went to great trouble to see her, but she does not even conceive of marrying him. She is in awe of him and finds him "as dazzling as an Olympian God. On the way home, the Captain confesses to the vicar that he finds Hetty attractive, but the vicar responds that the Captain should not give her airs because he therefore will spoil her for an honest man like Adam. The Captain says that Adam would make a better match with Mary Burge, because then he could take over her father's business. The vicar tells the Captain to look at Mary less, because then he will want her less

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/11.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_3.txt

Adam Bede.book 1.chapter 11

book 1, chapter 11

{"name": "book 1, Chapter 11", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "Dinah wakes up at half past four and goes downstairs quietly, joined by Gyp. Adam has also woken up and gone to the workshop to pick out the wood for his father's coffin. Adam hears a light footstep on the stairs and imagines that it might be Hetty. Dinah greets him, Adam looks at her closely for the first time, and she feels self-conscious under his gaze. Gyp appears friendly to Dinah, and she says that she likes dogs. Seth and his mother come downstairs, and they have breakfast together as Dinah serves them. Lisbeth says that Dinah has made the porridge well. Dinah says that she can stay for one more night, but after that she has to go back to Snowfield, where the people have harder lives and need her more. Lisbeth asks her sons to make their father's coffin, saying that the noise will not bother her; no one else could make the coffin as well. She says that she wants Adam to make it, not Seth. Dinah says goodbye to Seth, adding that she will be in his house when he gets home from work, but she will have to go home soon after that. He says that he will walk her home, maybe for the last time. Adam says that he cannot blame his brother for loving her, and Seth is relieved that his secret has been found out so that he does not have to tell it. Adam thinks that it is a mystery that strong men like his brother and himself can be made weak by a woman", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

IT was but half-past four the next morning when Dinah, tired of lying awake listening to the birds and watching the growing light through the little window in the garret roof, rose and began to dress herself very quietly, lest she should disturb Lisbeth. But already some one else was astir in the house, and had gone downstairs, preceded by Gyp. The dog's pattering step was a sure sign that it was Adam who went down; but Dinah was not aware of this, and she thought it was more likely to be Seth, for he had told her how Adam had stayed up working the night before. Seth, however, had only just awakened at the sound of the opening door. The exciting influence of the previous day, heightened at last by Dinah's unexpected presence, had not been counteracted by any bodily weariness, for he had not done his ordinary amount of hard work; and so when he went to bed; it was not till he had tired himself with hours of tossing wakefulness that drowsiness came, and led on a heavier morning sleep than was usual with him. But Adam had been refreshed by his long rest, and with his habitual impatience of mere passivity, he was eager to begin the new day and subdue sadness by his strong will and strong arm. The white mist lay in the valley; it was going to be a bright warm day, and he would start to work again when he had had his breakfast. "There's nothing but what's bearable as long as a man can work," he said to himself; "the natur o' things doesn't change, though it seems as if one's own life was nothing but change. The square o' four is sixteen, and you must lengthen your lever in proportion to your weight, is as true when a man's miserable as when he's happy; and the best o' working is, it gives you a grip hold o' things outside your own lot." As he dashed the cold water over his head and face, he felt completely himself again, and with his black eyes as keen as ever and his thick black hair all glistening with the fresh moisture, he went into the workshop to look out the wood for his father's coffin, intending that he and Seth should carry it with them to Jonathan Burge's and have the coffin made by one of the workmen there, so that his mother might not see and hear the sad task going forward at home. He had just gone into the workshop when his quick ear detected a light rapid foot on the stairs--certainly not his mother's. He had been in bed and asleep when Dinah had come in, in the evening, and now he wondered whose step this could be. A foolish thought came, and moved him strangely. As if it could be Hetty! She was the last person likely to be in the house. And yet he felt reluctant to go and look and have the clear proof that it was some one else. He stood leaning on a plank he had taken hold of, listening to sounds which his imagination interpreted for him so pleasantly that the keen strong face became suffused with a timid tenderness. The light footstep moved about the kitchen, followed by the sound of the sweeping brush, hardly making so much noise as the lightest breeze that chases the autumn leaves along the dusty path; and Adam's imagination saw a dimpled face, with dark bright eyes and roguish smiles looking backward at this brush, and a rounded figure just leaning a little to clasp the handle. A very foolish thought--it could not be Hetty; but the only way of dismissing such nonsense from his head was to go and see WHO it was, for his fancy only got nearer and nearer to belief while he stood there listening. He loosed the plank and went to the kitchen door. "How do you do, Adam Bede?" said Dinah, in her calm treble, pausing from her sweeping and fixing her mild grave eyes upon him. "I trust you feel rested and strengthened again to bear the burden and heat of the day." It was like dreaming of the sunshine and awaking in the moonlight. Adam had seen Dinah several times, but always at the Hall Farm, where he was not very vividly conscious of any woman's presence except Hetty's, and he had only in the last day or two begun to suspect that Seth was in love with her, so that his attention had not hitherto been drawn towards her for his brother's sake. But now her slim figure, her plain black gown, and her pale serene face impressed him with all the force that belongs to a reality contrasted with a preoccupying fancy. For the first moment or two he made no answer, but looked at her with the concentrated, examining glance which a man gives to an object in which he has suddenly begun to be interested. Dinah, for the first time in her life, felt a painful self-consciousness; there was something in the dark penetrating glance of this strong man so different from the mildness and timidity of his brother Seth. A faint blush came, which deepened as she wondered at it. This blush recalled Adam from his forgetfulness. "I was quite taken by surprise; it was very good of you to come and see my mother in her trouble," he said, in a gentle grateful tone, for his quick mind told him at once how she came to be there. "I hope my mother was thankful to have you," he added, wondering rather anxiously what had been Dinah's reception. "Yes," said Dinah, resuming her work, "she seemed greatly comforted after a while, and she's had a good deal of rest in the night, by times. She was fast asleep when I left her." "Who was it took the news to the Hall Farm?" said Adam, his thoughts reverting to some one there; he wondered whether SHE had felt anything about it. "It was Mr. Irwine, the clergyman, told me, and my aunt was grieved for your mother when she heard it, and wanted me to come; and so is my uncle, I'm sure, now he's heard it, but he was gone out to Rosseter all yesterday. They'll look for you there as soon as you've got time to go, for there's nobody round that hearth but what's glad to see you." Dinah, with her sympathetic divination, knew quite well that Adam was longing to hear if Hetty had said anything about their trouble; she was too rigorously truthful for benevolent invention, but she had contrived to say something in which Hetty was tacitly included. Love has a way of cheating itself consciously, like a child who plays at solitary hide-and-seek; it is pleased with assurances that it all the while disbelieves. Adam liked what Dinah had said so much that his mind was directly full of the next visit he should pay to the Hall Farm, when Hetty would perhaps behave more kindly to him than she had ever done before. "But you won't be there yourself any longer?" he said to Dinah. "No, I go back to Snowfield on Saturday, and I shall have to set out to Treddleston early, to be in time for the Oakbourne carrier. So I must go back to the farm to-night, that I may have the last day with my aunt and her children. But I can stay here all to-day, if your mother would like me; and her heart seemed inclined towards me last night." "Ah, then, she's sure to want you to-day. If mother takes to people at the beginning, she's sure to get fond of 'em; but she's a strange way of not liking young women. Though, to be sure," Adam went on, smiling, "her not liking other young women is no reason why she shouldn't like you." Hitherto Gyp had been assisting at this conversation in motionless silence, seated on his haunches, and alternately looking up in his master's face to watch its expression and observing Dinah's movements about the kitchen. The kind smile with which Adam uttered the last words was apparently decisive with Gyp of the light in which the stranger was to be regarded, and as she turned round after putting aside her sweeping-brush, he trotted towards her and put up his muzzle against her hand in a friendly way. "You see Gyp bids you welcome," said Adam, "and he's very slow to welcome strangers." "Poor dog!" said Dinah, patting the rough grey coat, "I've a strange feeling about the dumb things as if they wanted to speak, and it was a trouble to 'em because they couldn't. I can't help being sorry for the dogs always, though perhaps there's no need. But they may well have more in them than they know how to make us understand, for we can't say half what we feel, with all our words." Seth came down now, and was pleased to find Adam talking with Dinah; he wanted Adam to know how much better she was than all other women. But after a few words of greeting, Adam drew him into the workshop to consult about the coffin, and Dinah went on with her cleaning. By six o'clock they were all at breakfast with Lisbeth in a kitchen as clean as she could have made it herself. The window and door were open, and the morning air brought with it a mingled scent of southernwood, thyme, and sweet-briar from the patch of garden by the side of the cottage. Dinah did not sit down at first, but moved about, serving the others with the warm porridge and the toasted oat-cake, which she had got ready in the usual way, for she had asked Seth to tell her just what his mother gave them for breakfast. Lisbeth had been unusually silent since she came downstairs, apparently requiring some time to adjust her ideas to a state of things in which she came down like a lady to find all the work done, and sat still to be waited on. Her new sensations seemed to exclude the remembrance of her grief. At last, after tasting the porridge, she broke silence: "Ye might ha' made the parridge worse," she said to Dinah; "I can ate it wi'out its turnin' my stomach. It might ha' been a trifle thicker an' no harm, an' I allays putten a sprig o' mint in mysen; but how's ye t' know that? The lads arena like to get folks as 'll make their parridge as I'n made it for 'em; it's well if they get onybody as 'll make parridge at all. But ye might do, wi' a bit o' showin'; for ye're a stirrin' body in a mornin', an' ye've a light heel, an' ye've cleaned th' house well enough for a ma'shift." "Makeshift, mother?" said Adam. "Why, I think the house looks beautiful. I don't know how it could look better." "Thee dostna know? Nay; how's thee to know? Th' men ne'er know whether the floor's cleaned or cat-licked. But thee'lt know when thee gets thy parridge burnt, as it's like enough to be when I'n gi'en o'er makin' it. Thee'lt think thy mother war good for summat then." "Dinah," said Seth, "do come and sit down now and have your breakfast. We're all served now." "Aye, come an' sit ye down--do," said Lisbeth, "an' ate a morsel; ye'd need, arter bein' upo' your legs this hour an' half a'ready. Come, then," she added, in a tone of complaining affection, as Dinah sat down by her side, "I'll be loath for ye t' go, but ye canna stay much longer, I doubt. I could put up wi' ye i' th' house better nor wi' most folks." "I'll stay till to-night if you're willing," said Dinah. "I'd stay longer, only I'm going back to Snowfield on Saturday, and I must be with my aunt to-morrow." "Eh, I'd ne'er go back to that country. My old man come from that Stonyshire side, but he left it when he war a young un, an' i' the right on't too; for he said as there war no wood there, an' it 'ud ha' been a bad country for a carpenter." "Ah," said Adam, "I remember father telling me when I was a little lad that he made up his mind if ever he moved it should be south'ard. But I'm not so sure about it. Bartle Massey says--and he knows the South--as the northern men are a finer breed than the southern, harder-headed and stronger-bodied, and a deal taller. And then he says in some o' those counties it's as flat as the back o' your hand, and you can see nothing of a distance without climbing up the highest trees. I couldn't abide that. I like to go to work by a road that'll take me up a bit of a hill, and see the fields for miles round me, and a bridge, or a town, or a bit of a steeple here and there. It makes you feel the world's a big place, and there's other men working in it with their heads and hands besides yourself." "I like th' hills best," said Seth, "when the clouds are over your head and you see the sun shining ever so far off, over the Loamford way, as I've often done o' late, on the stormy days. It seems to me as if that was heaven where there's always joy and sunshine, though this life's dark and cloudy." "Oh, I love the Stonyshire side," said Dinah; "I shouldn't like to set my face towards the countries where they're rich in corn and cattle, and the ground so level and easy to tread; and to turn my back on the hills where the poor people have to live such a hard life and the men spend their days in the mines away from the sunlight. It's very blessed on a bleak cold day, when the sky is hanging dark over the hill, to feel the love of God in one's soul, and carry it to the lonely, bare, stone houses, where there's nothing else to give comfort." "Eh!" said Lisbeth, "that's very well for ye to talk, as looks welly like the snowdrop-flowers as ha' lived for days an' days when I'n gethered 'em, wi' nothin' but a drop o' water an' a peep o' daylight; but th' hungry foulks had better leave th' hungry country. It makes less mouths for the scant cake. But," she went on, looking at Adam, "donna thee talk o' goin' south'ard or north'ard, an' leavin' thy feyther and mother i' the churchyard, an' goin' to a country as they know nothin' on. I'll ne'er rest i' my grave if I donna see thee i' the churchyard of a Sunday." "Donna fear, mother," said Adam. "If I hadna made up my mind not to go, I should ha' been gone before now." He had finished his breakfast now, and rose as he was speaking. "What art goin' to do?" asked Lisbeth. "Set about thy feyther's coffin?" "No, mother," said Adam; "we're going to take the wood to the village and have it made there." "Nay, my lad, nay," Lisbeth burst out in an eager, wailing tone; "thee wotna let nobody make thy feyther's coffin but thysen? Who'd make it so well? An' him as know'd what good work war, an's got a son as is the head o' the village an' all Treddles'on too, for cleverness." "Very well, mother, if that's thy wish, I'll make the coffin at home; but I thought thee wouldstna like to hear the work going on." "An' why shouldna I like 't? It's the right thing to be done. An' what's liking got to do wi't? It's choice o' mislikings is all I'n got i' this world. One morsel's as good as another when your mouth's out o' taste. Thee mun set about it now this mornin' fust thing. I wonna ha' nobody to touch the coffin but thee." Adam's eyes met Seth's, which looked from Dinah to him rather wistfully. "No, Mother," he said, "I'll not consent but Seth shall have a hand in it too, if it's to be done at home. I'll go to the village this forenoon, because Mr. Burge 'ull want to see me, and Seth shall stay at home and begin the coffin. I can come back at noon, and then he can go." "Nay, nay," persisted Lisbeth, beginning to cry, "I'n set my heart on't as thee shalt ma' thy feyther's coffin. Thee't so stiff an' masterful, thee't ne'er do as thy mother wants thee. Thee wast often angered wi' thy feyther when he war alive; thee must be the better to him now he's gone. He'd ha' thought nothin' on't for Seth to ma's coffin." "Say no more, Adam, say no more," said Seth, gently, though his voice told that he spoke with some effort; "Mother's in the right. I'll go to work, and do thee stay at home." He passed into the workshop immediately, followed by Adam; while Lisbeth, automatically obeying her old habits, began to put away the breakfast things, as if she did not mean Dinah to take her place any longer. Dinah said nothing, but presently used the opportunity of quietly joining the brothers in the workshop. They had already got on their aprons and paper caps, and Adam was standing with his left hand on Seth's shoulder, while he pointed with the hammer in his right to some boards which they were looking at. Their backs were turned towards the door by which Dinah entered, and she came in so gently that they were not aware of her presence till they heard her voice saying, "Seth Bede!" Seth started, and they both turned round. Dinah looked as if she did not see Adam, and fixed her eyes on Seth's face, saying with calm kindness, "I won't say farewell. I shall see you again when you come from work. So as I'm at the farm before dark, it will be quite soon enough." "Thank you, Dinah; I should like to walk home with you once more. It'll perhaps be the last time." There was a little tremor in Seth's voice. Dinah put out her hand and said, "You'll have sweet peace in your mind to-day, Seth, for your tenderness and long-suffering towards your aged mother." She turned round and left the workshop as quickly and quietly as she had entered it. Adam had been observing her closely all the while, but she had not looked at him. As soon as she was gone, he said, "I don't wonder at thee for loving her, Seth. She's got a face like a lily." Seth's soul rushed to his eyes and lips: he had never yet confessed his secret to Adam, but now he felt a delicious sense of disburdenment, as he answered, "Aye, Addy, I do love her--too much, I doubt. But she doesna love me, lad, only as one child o' God loves another. She'll never love any man as a husband--that's my belief." "Nay, lad, there's no telling; thee mustna lose heart. She's made out o' stuff with a finer grain than most o' the women; I can see that clear enough. But if she's better than they are in other things, I canna think she'll fall short of 'em in loving." No more was said. Seth set out to the village, and Adam began his work on the coffin. "God help the lad, and me too," he thought, as he lifted the board. "We're like enough to find life a tough job--hard work inside and out. It's a strange thing to think of a man as can lift a chair with his teeth and walk fifty mile on end, trembling and turning hot and cold at only a look from one woman out of all the rest i' the world. It's a mystery we can give no account of; but no more we can of the sprouting o' the seed, for that matter."

book 1, Chapter 11

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

Dinah wakes up at half past four and goes downstairs quietly, joined by Gyp. Adam has also woken up and gone to the workshop to pick out the wood for his father's coffin. Adam hears a light footstep on the stairs and imagines that it might be Hetty. Dinah greets him, Adam looks at her closely for the first time, and she feels self-conscious under his gaze. Gyp appears friendly to Dinah, and she says that she likes dogs. Seth and his mother come downstairs, and they have breakfast together as Dinah serves them. Lisbeth says that Dinah has made the porridge well. Dinah says that she can stay for one more night, but after that she has to go back to Snowfield, where the people have harder lives and need her more. Lisbeth asks her sons to make their father's coffin, saying that the noise will not bother her; no one else could make the coffin as well. She says that she wants Adam to make it, not Seth. Dinah says goodbye to Seth, adding that she will be in his house when he gets home from work, but she will have to go home soon after that. He says that he will walk her home, maybe for the last time. Adam says that he cannot blame his brother for loving her, and Seth is relieved that his secret has been found out so that he does not have to tell it. Adam thinks that it is a mystery that strong men like his brother and himself can be made weak by a woman

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/12.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_4.txt

Adam Bede.book 1.chapter 12

book 1, chapter 12

{"name": "book 1, Chapter 12", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "Captain Donnithorne resolves to go to Eagledale to fish for a week. His character is such that he gets into predicaments but always resolves to let the burden fall solely on his own shoulders. Eliot writes that he is a \"nice\" young gentleman, but that one should not question the actions of such men too deeply when, for example, one is rich enough to pay to keep a woman after he has ruined her. He goes into his stables and notices with irritation that his grandfather does not spend enough on the horses to make them truly splendid. He takes pleasure in seeing his horse, Meg, however, until the stableman informs him that she has been made lame by the kick of another horse. He makes new plans, now to see Gawaine for lunch, so that he will be out of the house when Hetty visits his housekeeper. He changes his mind, however, and dashes back on his horse to see if Hetty is still around. He decides to loll in a tree grove that she will be sure to walk through, reading Dr. Moore's Zeluco. Hetty comes along the path, they both blush, and the Captain begins to walk with her. He asks her why she is learning mending from his housekeeper, and Hetty replies that she would like to be a lady's maid. The Captain asks if sometimes her gardener comes to walk her back, and Hetty says that she does not like the old man. She begins to cry. The Captain puts his arm around her, and they have a loving moment until she drops her basket. After she retrieves all of the yarn, he says that he should probably let her go and then hurries away, confusing her. He hurries back to the Hermitage, knowing that he is falling in love with her and feeling angry for letting himself see her again. He resolves not to see her again, but then he decides that he must meet her once again, if only to explain his conduct earlier. The Captain dresses for dinner", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

THAT same Thursday morning, as Arthur Donnithorne was moving about in his dressing-room seeing his well-looking British person reflected in the old-fashioned mirrors, and stared at, from a dingy olive-green piece of tapestry, by Pharaoh's daughter and her maidens, who ought to have been minding the infant Moses, he was holding a discussion with himself, which, by the time his valet was tying the black silk sling over his shoulder, had issued in a distinct practical resolution. "I mean to go to Eagledale and fish for a week or so," he said aloud. "I shall take you with me, Pym, and set off this morning; so be ready by half-past eleven." The low whistle, which had assisted him in arriving at this resolution, here broke out into his loudest ringing tenor, and the corridor, as he hurried along it, echoed to his favourite song from the Beggar's Opera, "When the heart of a man is oppressed with care." Not an heroic strain; nevertheless Arthur felt himself very heroic as he strode towards the stables to give his orders about the horses. His own approbation was necessary to him, and it was not an approbation to be enjoyed quite gratuitously; it must be won by a fair amount of merit. He had never yet forfeited that approbation, and he had considerable reliance on his own virtues. No young man could confess his faults more candidly; candour was one of his favourite virtues; and how can a man's candour be seen in all its lustre unless he has a few failings to talk of? But he had an agreeable confidence that his faults were all of a generous kind--impetuous, warm-blooded, leonine; never crawling, crafty, reptilian. It was not possible for Arthur Donnithorne to do anything mean, dastardly, or cruel. "No! I'm a devil of a fellow for getting myself into a hobble, but I always take care the load shall fall on my own shoulders." Unhappily, there is no inherent poetical justice in hobbles, and they will sometimes obstinately refuse to inflict their worst consequences on the prime offender, in spite of his loudly expressed wish. It was entirely owing to this deficiency in the scheme of things that Arthur had ever brought any one into trouble besides himself. He was nothing if not good-natured; and all his pictures of the future, when he should come into the estate, were made up of a prosperous, contented tenantry, adoring their landlord, who would be the model of an English gentleman--mansion in first-rate order, all elegance and high taste--jolly housekeeping, finest stud in Loamshire--purse open to all public objects--in short, everything as different as possible from what was now associated with the name of Donnithorne. And one of the first good actions he would perform in that future should be to increase Irwine's income for the vicarage of Hayslope, so that he might keep a carriage for his mother and sisters. His hearty affection for the rector dated from the age of frocks and trousers. It was an affection partly filial, partly fraternal--fraternal enough to make him like Irwine's company better than that of most younger men, and filial enough to make him shrink strongly from incurring Irwine's disapprobation. You perceive that Arthur Donnithorne was "a good fellow"--all his college friends thought him such. He couldn't bear to see any one uncomfortable; he would have been sorry even in his angriest moods for any harm to happen to his grandfather; and his Aunt Lydia herself had the benefit of that soft-heartedness which he bore towards the whole sex. Whether he would have self-mastery enough to be always as harmless and purely beneficent as his good-nature led him to desire, was a question that no one had yet decided against him; he was but twenty-one, you remember, and we don't inquire too closely into character in the case of a handsome generous young fellow, who will have property enough to support numerous peccadilloes--who, if he should unfortunately break a man's legs in his rash driving, will be able to pension him handsomely; or if he should happen to spoil a woman's existence for her, will make it up to her with expensive bon-bons, packed up and directed by his own hand. It would be ridiculous to be prying and analytic in such cases, as if one were inquiring into the character of a confidential clerk. We use round, general, gentlemanly epithets about a young man of birth and fortune; and ladies, with that fine intuition which is the distinguishing attribute of their sex, see at once that he is "nice." The chances are that he will go through life without scandalizing any one; a seaworthy vessel that no one would refuse to insure. Ships, certainly, are liable to casualties, which sometimes make terribly evident some flaw in their construction that would never have been discoverable in smooth water; and many a "good fellow," through a disastrous combination of circumstances, has undergone a like betrayal. But we have no fair ground for entertaining unfavourable auguries concerning Arthur Donnithorne, who this morning proves himself capable of a prudent resolution founded on conscience. One thing is clear: Nature has taken care that he shall never go far astray with perfect comfort and satisfaction to himself; he will never get beyond that border-land of sin, where he will be perpetually harassed by assaults from the other side of the boundary. He will never be a courtier of Vice, and wear her orders in his button-hole. It was about ten o'clock, and the sun was shining brilliantly; everything was looking lovelier for the yesterday's rain. It is a pleasant thing on such a morning to walk along the well-rolled gravel on one's way to the stables, meditating an excursion. But the scent of the stables, which, in a natural state of things, ought to be among the soothing influences of a man's life, always brought with it some irritation to Arthur. There was no having his own way in the stables; everything was managed in the stingiest fashion. His grandfather persisted in retaining as head groom an old dolt whom no sort of lever could move out of his old habits, and who was allowed to hire a succession of raw Loamshire lads as his subordinates, one of whom had lately tested a new pair of shears by clipping an oblong patch on Arthur's bay mare. This state of things is naturally embittering; one can put up with annoyances in the house, but to have the stable made a scene of vexation and disgust is a point beyond what human flesh and blood can be expected to endure long together without danger of misanthropy. Old John's wooden, deep-wrinkled face was the first object that met Arthur's eyes as he entered the stable-yard, and it quite poisoned for him the bark of the two bloodhounds that kept watch there. He could never speak quite patiently to the old blockhead. "You must have Meg saddled for me and brought to the door at half-past eleven, and I shall want Rattler saddled for Pym at the same time. Do you hear?" "Yes, I hear, I hear, Cap'n," said old John very deliberately, following the young master into the stable. John considered a young master as the natural enemy of an old servant, and young people in general as a poor contrivance for carrying on the world. Arthur went in for the sake of patting Meg, declining as far as possible to see anything in the stables, lest he should lose his temper before breakfast. The pretty creature was in one of the inner stables, and turned her mild head as her master came beside her. Little Trot, a tiny spaniel, her inseparable companion in the stable, was comfortably curled up on her back. "Well, Meg, my pretty girl," said Arthur, patting her neck, "we'll have a glorious canter this morning." "Nay, your honour, I donna see as that can be," said John. "Not be? Why not?" "Why, she's got lamed." "Lamed, confound you! What do you mean?" "Why, th' lad took her too close to Dalton's hosses, an' one on 'em flung out at her, an' she's got her shank bruised o' the near foreleg." The judicious historian abstains from narrating precisely what ensued. You understand that there was a great deal of strong language, mingled with soothing "who-ho's" while the leg was examined; that John stood by with quite as much emotion as if he had been a cunningly carved crab-tree walking-stick, and that Arthur Donnithorne presently repassed the iron gates of the pleasure-ground without singing as he went. He considered himself thoroughly disappointed and annoyed. There was not another mount in the stable for himself and his servant besides Meg and Rattler. It was vexatious; just when he wanted to get out of the way for a week or two. It seemed culpable in Providence to allow such a combination of circumstances. To be shut up at the Chase with a broken arm when every other fellow in his regiment was enjoying himself at Windsor--shut up with his grandfather, who had the same sort of affection for him as for his parchment deeds! And to be disgusted at every turn with the management of the house and the estate! In such circumstances a man necessarily gets in an ill humour, and works off the irritation by some excess or other. "Salkeld would have drunk a bottle of port every day," he muttered to himself, "but I'm not well seasoned enough for that. Well, since I can't go to Eagledale, I'll have a gallop on Rattler to Norburne this morning, and lunch with Gawaine." Behind this explicit resolution there lay an implicit one. If he lunched with Gawaine and lingered chatting, he should not reach the Chase again till nearly five, when Hetty would be safe out of his sight in the housekeeper's room; and when she set out to go home, it would be his lazy time after dinner, so he should keep out of her way altogether. There really would have been no harm in being kind to the little thing, and it was worth dancing with a dozen ballroom belles only to look at Hetty for half an hour. But perhaps he had better not take any more notice of her; it might put notions into her head, as Irwine had hinted; though Arthur, for his part, thought girls were not by any means so soft and easily bruised; indeed, he had generally found them twice as cool and cunning as he was himself. As for any real harm in Hetty's case, it was out of the question: Arthur Donnithorne accepted his own bond for himself with perfect confidence. So the twelve o'clock sun saw him galloping towards Norburne; and by good fortune Halsell Common lay in his road and gave him some fine leaps for Rattler. Nothing like "taking" a few bushes and ditches for exorcising a demon; and it is really astonishing that the Centaurs, with their immense advantages in this way, have left so bad a reputation in history. After this, you will perhaps be surprised to hear that although Gawaine was at home, the hand of the dial in the courtyard had scarcely cleared the last stroke of three when Arthur returned through the entrance-gates, got down from the panting Rattler, and went into the house to take a hasty luncheon. But I believe there have been men since his day who have ridden a long way to avoid a rencontre, and then galloped hastily back lest they should miss it. It is the favourite stratagem of our passions to sham a retreat, and to turn sharp round upon us at the moment we have made up our minds that the day is our own. "The cap'n's been ridin' the devil's own pace," said Dalton the coachman, whose person stood out in high relief as he smoked his pipe against the stable wall, when John brought up Rattler. "An' I wish he'd get the devil to do's grooming for'n," growled John. "Aye; he'd hev a deal haimabler groom nor what he has now," observed Dalton--and the joke appeared to him so good that, being left alone upon the scene, he continued at intervals to take his pipe from his mouth in order to wink at an imaginary audience and shake luxuriously with a silent, ventral laughter, mentally rehearsing the dialogue from the beginning, that he might recite it with effect in the servants' hall. When Arthur went up to his dressing-room again after luncheon, it was inevitable that the debate he had had with himself there earlier in the day should flash across his mind; but it was impossible for him now to dwell on the remembrance--impossible to recall the feelings and reflections which had been decisive with him then, any more than to recall the peculiar scent of the air that had freshened him when he first opened his window. The desire to see Hetty had rushed back like an ill-stemmed current; he was amazed himself at the force with which this trivial fancy seemed to grasp him: he was even rather tremulous as he brushed his hair--pooh! it was riding in that break-neck way. It was because he had made a serious affair of an idle matter, by thinking of it as if it were of any consequence. He would amuse himself by seeing Hetty to-day, and get rid of the whole thing from his mind. It was all Irwine's fault. "If Irwine had said nothing, I shouldn't have thought half so much of Hetty as of Meg's lameness." However, it was just the sort of day for lolling in the Hermitage, and he would go and finish Dr. Moore's Zeluco there before dinner. The Hermitage stood in Fir-tree Grove--the way Hetty was sure to come in walking from the Hall Farm. So nothing could be simpler and more natural: meeting Hetty was a mere circumstance of his walk, not its object. Arthur's shadow flitted rather faster among the sturdy oaks of the Chase than might have been expected from the shadow of a tired man on a warm afternoon, and it was still scarcely four o'clock when he stood before the tall narrow gate leading into the delicious labyrinthine wood which skirted one side of the Chase, and which was called Fir-tree Grove, not because the firs were many, but because they were few. It was a wood of beeches and limes, with here and there a light silver-stemmed birch--just the sort of wood most haunted by the nymphs: you see their white sunlit limbs gleaming athwart the boughs, or peeping from behind the smooth-sweeping outline of a tall lime; you hear their soft liquid laughter--but if you look with a too curious sacrilegious eye, they vanish behind the silvery beeches, they make you believe that their voice was only a running brooklet, perhaps they metamorphose themselves into a tawny squirrel that scampers away and mocks you from the topmost bough. It was not a grove with measured grass or rolled gravel for you to tread upon, but with narrow, hollow-shaped, earthy paths, edged with faint dashes of delicate moss--paths which look as if they were made by the free will of the trees and underwood, moving reverently aside to look at the tall queen of the white-footed nymphs. It was along the broadest of these paths that Arthur Donnithorne passed, under an avenue of limes and beeches. It was a still afternoon--the golden light was lingering languidly among the upper boughs, only glancing down here and there on the purple pathway and its edge of faintly sprinkled moss: an afternoon in which destiny disguises her cold awful face behind a hazy radiant veil, encloses us in warm downy wings, and poisons us with violet-scented breath. Arthur strolled along carelessly, with a book under his arm, but not looking on the ground as meditative men are apt to do; his eyes WOULD fix themselves on the distant bend in the road round which a little figure must surely appear before long. Ah! There she comes. First a bright patch of colour, like a tropic bird among the boughs; then a tripping figure, with a round hat on, and a small basket under her arm; then a deep-blushing, almost frightened, but bright-smiling girl, making her curtsy with a fluttered yet happy glance, as Arthur came up to her. If Arthur had had time to think at all, he would have thought it strange that he should feel fluttered too, be conscious of blushing too--in fact, look and feel as foolish as if he had been taken by surprise instead of meeting just what he expected. Poor things! It was a pity they were not in that golden age of childhood when they would have stood face to face, eyeing each other with timid liking, then given each other a little butterfly kiss, and toddled off to play together. Arthur would have gone home to his silk-curtained cot, and Hetty to her home-spun pillow, and both would have slept without dreams, and to-morrow would have been a life hardly conscious of a yesterday. Arthur turned round and walked by Hetty's side without giving a reason. They were alone together for the first time. What an overpowering presence that first privacy is! He actually dared not look at this little butter-maker for the first minute or two. As for Hetty, her feet rested on a cloud, and she was borne along by warm zephyrs; she had forgotten her rose-coloured ribbons; she was no more conscious of her limbs than if her childish soul had passed into a water-lily, resting on a liquid bed and warmed by the midsummer sun-beams. It may seem a contradiction, but Arthur gathered a certain carelessness and confidence from his timidity: it was an entirely different state of mind from what he had expected in such a meeting with Hetty; and full as he was of vague feeling, there was room, in those moments of silence, for the thought that his previous debates and scruples were needless. "You are quite right to choose this way of coming to the Chase," he said at last, looking down at Hetty; "it is so much prettier as well as shorter than coming by either of the lodges." "Yes, sir," Hetty answered, with a tremulous, almost whispering voice. She didn't know one bit how to speak to a gentleman like Mr. Arthur, and her very vanity made her more coy of speech. "Do you come every week to see Mrs. Pomfret?" "Yes, sir, every Thursday, only when she's got to go out with Miss Donnithorne." "And she's teaching you something, is she?" "Yes, sir, the lace-mending as she learnt abroad, and the stocking-mending--it looks just like the stocking, you can't tell it's been mended; and she teaches me cutting-out too." "What! are YOU going to be a lady's maid?" "I should like to be one very much indeed." Hetty spoke more audibly now, but still rather tremulously; she thought, perhaps she seemed as stupid to Captain Donnithorne as Luke Britton did to her. "I suppose Mrs. Pomfret always expects you at this time?" "She expects me at four o'clock. I'm rather late to-day, because my aunt couldn't spare me; but the regular time is four, because that gives us time before Miss Donnithorne's bell rings." "Ah, then, I must not keep you now, else I should like to show you the Hermitage. Did you ever see it?" "No, sir." "This is the walk where we turn up to it. But we must not go now. I'll show it you some other time, if you'd like to see it." "Yes, please, sir." "Do you always come back this way in the evening, or are you afraid to come so lonely a road?" "Oh no, sir, it's never late; I always set out by eight o'clock, and it's so light now in the evening. My aunt would be angry with me if I didn't get home before nine." "Perhaps Craig, the gardener, comes to take care of you?" A deep blush overspread Hetty's face and neck. "I'm sure he doesn't; I'm sure he never did; I wouldn't let him; I don't like him," she said hastily, and the tears of vexation had come so fast that before she had done speaking a bright drop rolled down her hot cheek. Then she felt ashamed to death that she was crying, and for one long instant her happiness was all gone. But in the next she felt an arm steal round her, and a gentle voice said, "Why, Hetty, what makes you cry? I didn't mean to vex you. I wouldn't vex you for the world, you little blossom. Come, don't cry; look at me, else I shall think you won't forgive me." Arthur had laid his hand on the soft arm that was nearest to him, and was stooping towards Hetty with a look of coaxing entreaty. Hetty lifted her long dewy lashes, and met the eyes that were bent towards her with a sweet, timid, beseeching look. What a space of time those three moments were while their eyes met and his arms touched her! Love is such a simple thing when we have only one-and-twenty summers and a sweet girl of seventeen trembles under our glance, as if she were a bud first opening her heart with wondering rapture to the morning. Such young unfurrowed souls roll to meet each other like two velvet peaches that touch softly and are at rest; they mingle as easily as two brooklets that ask for nothing but to entwine themselves and ripple with ever-interlacing curves in the leafiest hiding-places. While Arthur gazed into Hetty's dark beseeching eyes, it made no difference to him what sort of English she spoke; and even if hoops and powder had been in fashion, he would very likely not have been sensible just then that Hetty wanted those signs of high breeding. But they started asunder with beating hearts: something had fallen on the ground with a rattling noise; it was Hetty's basket; all her little workwoman's matters were scattered on the path, some of them showing a capability of rolling to great lengths. There was much to be done in picking up, and not a word was spoken; but when Arthur hung the basket over her arm again, the poor child felt a strange difference in his look and manner. He just pressed her hand, and said, with a look and tone that were almost chilling to her, "I have been hindering you; I must not keep you any longer now. You will be expected at the house. Good-bye." Without waiting for her to speak, he turned away from her and hurried back towards the road that led to the Hermitage, leaving Hetty to pursue her way in a strange dream that seemed to have begun in bewildering delight and was now passing into contrarieties and sadness. Would he meet her again as she came home? Why had he spoken almost as if he were displeased with her? And then run away so suddenly? She cried, hardly knowing why. Arthur too was very uneasy, but his feelings were lit up for him by a more distinct consciousness. He hurried to the Hermitage, which stood in the heart of the wood, unlocked the door with a hasty wrench, slammed it after him, pitched Zeluco into the most distant corner, and thrusting his right hand into his pocket, first walked four or five times up and down the scanty length of the little room, and then seated himself on the ottoman in an uncomfortable stiff way, as we often do when we wish not to abandon ourselves to feeling. He was getting in love with Hetty--that was quite plain. He was ready to pitch everything else--no matter where--for the sake of surrendering himself to this delicious feeling which had just disclosed itself. It was no use blinking the fact now--they would get too fond of each other, if he went on taking notice of her--and what would come of it? He should have to go away in a few weeks, and the poor little thing would be miserable. He MUST NOT see her alone again; he must keep out of her way. What a fool he was for coming back from Gawaine's! He got up and threw open the windows, to let in the soft breath of the afternoon, and the healthy scent of the firs that made a belt round the Hermitage. The soft air did not help his resolution, as he leaned out and looked into the leafy distance. But he considered his resolution sufficiently fixed: there was no need to debate with himself any longer. He had made up his mind not to meet Hetty again; and now he might give himself up to thinking how immensely agreeable it would be if circumstances were different--how pleasant it would have been to meet her this evening as she came back, and put his arm round her again and look into her sweet face. He wondered if the dear little thing were thinking of him too--twenty to one she was. How beautiful her eyes were with the tear on their lashes! He would like to satisfy his soul for a day with looking at them, and he MUST see her again--he must see her, simply to remove any false impression from her mind about his manner to her just now. He would behave in a quiet, kind way to her--just to prevent her from going home with her head full of wrong fancies. Yes, that would be the best thing to do after all. It was a long while--more than an hour before Arthur had brought his meditations to this point; but once arrived there, he could stay no longer at the Hermitage. The time must be filled up with movement until he should see Hetty again. And it was already late enough to go and dress for dinner, for his grandfather's dinner-hour was six.

book 1, Chapter 12

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

Captain Donnithorne resolves to go to Eagledale to fish for a week. His character is such that he gets into predicaments but always resolves to let the burden fall solely on his own shoulders. Eliot writes that he is a "nice" young gentleman, but that one should not question the actions of such men too deeply when, for example, one is rich enough to pay to keep a woman after he has ruined her. He goes into his stables and notices with irritation that his grandfather does not spend enough on the horses to make them truly splendid. He takes pleasure in seeing his horse, Meg, however, until the stableman informs him that she has been made lame by the kick of another horse. He makes new plans, now to see Gawaine for lunch, so that he will be out of the house when Hetty visits his housekeeper. He changes his mind, however, and dashes back on his horse to see if Hetty is still around. He decides to loll in a tree grove that she will be sure to walk through, reading Dr. Moore's Zeluco. Hetty comes along the path, they both blush, and the Captain begins to walk with her. He asks her why she is learning mending from his housekeeper, and Hetty replies that she would like to be a lady's maid. The Captain asks if sometimes her gardener comes to walk her back, and Hetty says that she does not like the old man. She begins to cry. The Captain puts his arm around her, and they have a loving moment until she drops her basket. After she retrieves all of the yarn, he says that he should probably let her go and then hurries away, confusing her. He hurries back to the Hermitage, knowing that he is falling in love with her and feeling angry for letting himself see her again. He resolves not to see her again, but then he decides that he must meet her once again, if only to explain his conduct earlier. The Captain dresses for dinner

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/13.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_5.txt

Adam Bede.book 1.chapter 13

book 1, chapter 13

{"name": "book 1, Chapter 13", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "Hetty wonders fearfully whether the Captain will meet her again on her way home. The housekeeper notices her beauty and worries for her, thinking that a sensible man would not take her on either as a servant or as a wife. Hetty walks home, delighting in the expectation of meeting the Captain not only because she finds him attractive, but also because of what he could give her in the future. She begins to cry when she thinks that he is not there. When the Captain sees her, he forgets his resolve to behave coldly. He asks her if something has frightened her, and then, before he knows what he is doing, he puts his arms around her and kisses her. The Captain leaves her quickly, very upset with himself. He thinks that the trees in the grove hold some sort of evil sway over him. He reminds himself that flirting with Hetty is not as uncomplicated as flirting with someone of his own class. The Captain tries to think of a way to regain control over his own actions as he always has done before, and he decides to go confess to the vicar, with whom he has a close relationship", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

IT happened that Mrs. Pomfret had had a slight quarrel with Mrs. Best, the housekeeper, on this Thursday morning--a fact which had two consequences highly convenient to Hetty. It caused Mrs. Pomfret to have tea sent up to her own room, and it inspired that exemplary lady's maid with so lively a recollection of former passages in Mrs. Best's conduct, and of dialogues in which Mrs. Best had decidedly the inferiority as an interlocutor with Mrs. Pomfret, that Hetty required no more presence of mind than was demanded for using her needle, and throwing in an occasional "yes" or "no." She would have wanted to put on her hat earlier than usual; only she had told Captain Donnithorne that she usually set out about eight o'clock, and if he SHOULD go to the Grove again expecting to see her, and she should be gone! Would he come? Her little butterfly soul fluttered incessantly between memory and dubious expectation. At last the minute-hand of the old-fashioned brazen-faced timepiece was on the last quarter to eight, and there was every reason for its being time to get ready for departure. Even Mrs. Pomfret's preoccupied mind did not prevent her from noticing what looked like a new flush of beauty in the little thing as she tied on her hat before the looking-glass. "That child gets prettier and prettier every day, I do believe," was her inward comment. "The more's the pity. She'll get neither a place nor a husband any the sooner for it. Sober well-to-do men don't like such pretty wives. When I was a girl, I was more admired than if I had been so very pretty. However, she's reason to be grateful to me for teaching her something to get her bread with, better than farm-house work. They always told me I was good-natured--and that's the truth, and to my hurt too, else there's them in this house that wouldn't be here now to lord it over me in the housekeeper's room." Hetty walked hastily across the short space of pleasure-ground which she had to traverse, dreading to meet Mr. Craig, to whom she could hardly have spoken civilly. How relieved she was when she had got safely under the oaks and among the fern of the Chase! Even then she was as ready to be startled as the deer that leaped away at her approach. She thought nothing of the evening light that lay gently in the grassy alleys between the fern, and made the beauty of their living green more visible than it had been in the overpowering flood of noon: she thought of nothing that was present. She only saw something that was possible: Mr. Arthur Donnithorne coming to meet her again along the Fir-tree Grove. That was the foreground of Hetty's picture; behind it lay a bright hazy something--days that were not to be as the other days of her life had been. It was as if she had been wooed by a river-god, who might any time take her to his wondrous halls below a watery heaven. There was no knowing what would come, since this strange entrancing delight had come. If a chest full of lace and satin and jewels had been sent her from some unknown source, how could she but have thought that her whole lot was going to change, and that to-morrow some still more bewildering joy would befall her? Hetty had never read a novel; if she had ever seen one, I think the words would have been too hard for her; how then could she find a shape for her expectations? They were as formless as the sweet languid odours of the garden at the Chase, which had floated past her as she walked by the gate. She is at another gate now--that leading into Fir-tree Grove. She enters the wood, where it is already twilight, and at every step she takes, the fear at her heart becomes colder. If he should not come! Oh, how dreary it was--the thought of going out at the other end of the wood, into the unsheltered road, without having seen him. She reaches the first turning towards the Hermitage, walking slowly--he is not there. She hates the leveret that runs across the path; she hates everything that is not what she longs for. She walks on, happy whenever she is coming to a bend in the road, for perhaps he is behind it. No. She is beginning to cry: her heart has swelled so, the tears stand in her eyes; she gives one great sob, while the corners of her mouth quiver, and the tears roll down. She doesn't know that there is another turning to the Hermitage, that she is close against it, and that Arthur Donnithorne is only a few yards from her, full of one thought, and a thought of which she only is the object. He is going to see Hetty again: that is the longing which has been growing through the last three hours to a feverish thirst. Not, of course, to speak in the caressing way into which he had unguardedly fallen before dinner, but to set things right with her by a kindness which would have the air of friendly civility, and prevent her from running away with wrong notions about their mutual relation. If Hetty had known he was there, she would not have cried; and it would have been better, for then Arthur would perhaps have behaved as wisely as he had intended. As it was, she started when he appeared at the end of the side-alley, and looked up at him with two great drops rolling down her cheeks. What else could he do but speak to her in a soft, soothing tone, as if she were a bright-eyed spaniel with a thorn in her foot? "Has something frightened you, Hetty? Have you seen anything in the wood? Don't be frightened--I'll take care of you now." Hetty was blushing so, she didn't know whether she was happy or miserable. To be crying again--what did gentlemen think of girls who cried in that way? She felt unable even to say "no," but could only look away from him and wipe the tears from her cheek. Not before a great drop had fallen on her rose-coloured strings--she knew that quite well. "Come, be cheerful again. Smile at me, and tell me what's the matter. Come, tell me." Hetty turned her head towards him, whispered, "I thought you wouldn't come," and slowly got courage to lift her eyes to him. That look was too much: he must have had eyes of Egyptian granite not to look too lovingly in return. "You little frightened bird! Little tearful rose! Silly pet! You won't cry again, now I'm with you, will you?" Ah, he doesn't know in the least what he is saying. This is not what he meant to say. His arm is stealing round the waist again; it is tightening its clasp; he is bending his face nearer and nearer to the round cheek; his lips are meeting those pouting child-lips, and for a long moment time has vanished. He may be a shepherd in Arcadia for aught he knows, he may be the first youth kissing the first maiden, he may be Eros himself, sipping the lips of Psyche--it is all one. There was no speaking for minutes after. They walked along with beating hearts till they came within sight of the gate at the end of the wood. Then they looked at each other, not quite as they had looked before, for in their eyes there was the memory of a kiss. But already something bitter had begun to mingle itself with the fountain of sweets: already Arthur was uncomfortable. He took his arm from Hetty's waist, and said, "Here we are, almost at the end of the Grove. I wonder how late it is," he added, pulling out his watch. "Twenty minutes past eight--but my watch is too fast. However, I'd better not go any further now. Trot along quickly with your little feet, and get home safely. Good-bye." He took her hand, and looked at her half-sadly, half with a constrained smile. Hetty's eyes seemed to beseech him not to go away yet; but he patted her cheek and said "Good-bye" again. She was obliged to turn away from him and go on. As for Arthur, he rushed back through the wood, as if he wanted to put a wide space between himself and Hetty. He would not go to the Hermitage again; he remembered how he had debated with himself there before dinner, and it had all come to nothing--worse than nothing. He walked right on into the Chase, glad to get out of the Grove, which surely was haunted by his evil genius. Those beeches and smooth limes--there was something enervating in the very sight of them; but the strong knotted old oaks had no bending languor in them--the sight of them would give a man some energy. Arthur lost himself among the narrow openings in the fern, winding about without seeking any issue, till the twilight deepened almost to night under the great boughs, and the hare looked black as it darted across his path. He was feeling much more strongly than he had done in the morning: it was as if his horse had wheeled round from a leap and dared to dispute his mastery. He was dissatisfied with himself, irritated, mortified. He no sooner fixed his mind on the probable consequences of giving way to the emotions which had stolen over him to-day--of continuing to notice Hetty, of allowing himself any opportunity for such slight caresses as he had been betrayed into already--than he refused to believe such a future possible for himself. To flirt with Hetty was a very different affair from flirting with a pretty girl of his own station: that was understood to be an amusement on both sides, or, if it became serious, there was no obstacle to marriage. But this little thing would be spoken ill of directly, if she happened to be seen walking with him; and then those excellent people, the Poysers, to whom a good name was as precious as if they had the best blood in the land in their veins--he should hate himself if he made a scandal of that sort, on the estate that was to be his own some day, and among tenants by whom he liked, above all, to be respected. He could no more believe that he should so fall in his own esteem than that he should break both his legs and go on crutches all the rest of his life. He couldn't imagine himself in that position; it was too odious, too unlike him. And even if no one knew anything about it, they might get too fond of each other, and then there could be nothing but the misery of parting, after all. No gentleman, out of a ballad, could marry a farmer's niece. There must be an end to the whole thing at once. It was too foolish. And yet he had been so determined this morning, before he went to Gawaine's; and while he was there something had taken hold of him and made him gallop back. It seemed he couldn't quite depend on his own resolution, as he had thought he could; he almost wished his arm would get painful again, and then he should think of nothing but the comfort it would be to get rid of the pain. There was no knowing what impulse might seize him to-morrow, in this confounded place, where there was nothing to occupy him imperiously through the livelong day. What could he do to secure himself from any more of this folly? There was but one resource. He would go and tell Irwine--tell him everything. The mere act of telling it would make it seem trivial; the temptation would vanish, as the charm of fond words vanishes when one repeats them to the indifferent. In every way it would help him to tell Irwine. He would ride to Broxton Rectory the first thing after breakfast to-morrow. Arthur had no sooner come to this determination than he began to think which of the paths would lead him home, and made as short a walk thither as he could. He felt sure he should sleep now: he had had enough to tire him, and there was no more need for him to think.

book 1, Chapter 13

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

Hetty wonders fearfully whether the Captain will meet her again on her way home. The housekeeper notices her beauty and worries for her, thinking that a sensible man would not take her on either as a servant or as a wife. Hetty walks home, delighting in the expectation of meeting the Captain not only because she finds him attractive, but also because of what he could give her in the future. She begins to cry when she thinks that he is not there. When the Captain sees her, he forgets his resolve to behave coldly. He asks her if something has frightened her, and then, before he knows what he is doing, he puts his arms around her and kisses her. The Captain leaves her quickly, very upset with himself. He thinks that the trees in the grove hold some sort of evil sway over him. He reminds himself that flirting with Hetty is not as uncomplicated as flirting with someone of his own class. The Captain tries to think of a way to regain control over his own actions as he always has done before, and he decides to go confess to the vicar, with whom he has a close relationship

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/14.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_6.txt

Adam Bede.book 1.chapter 14

book 1, chapter 14

{"name": "book 1, Chapter 14", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "Lisbeth watches Seth leave with Dinah and then admits that she is sorry to see Dinah go. She wishes that Dinah would marry Seth, although she can see that Dinah does not really care for Seth since she is moving so far away. Adam says that she will fall in love with Seth eventually, and Lisbeth notes that he always sticks up for his brother. Seth and Dinah part just as Hetty is coming up the lane. Hetty likes Dinah as much as she can like another woman, although she does not understand her. Dinah is always quick to put in a good word for her to her aunt, or to take care of Totty for her. Dinah says that she has enjoyed visiting the Bedes and seeing their good relationship with their mother, noting that Adam has worked hard for his family. Mr. Poyser meets them at the gate. He is a great combination of gentleness in family life and competitiveness as a famer. He asks after the Bedes, and Dinah explains the situation. Mrs. Poyser is trying to get Totty to go to sleep as the older Mr. Martin Poyser looks on, and she scolds the girls for being so late. She tells Hetty that she can eat supper in the pantry, but Hetty says that she is not hungry. Upon Mrs. Poyser's asking, Dinah says that Lisbeth, although she does not generally like having young women around, got used to her presence quite easily. Hetty says that she will take Totty to bed, but Totty slaps her away. Mrs. Poyser asks Dinah if she can take her, which she does quite easily and without protest from Totty. Hetty is quite unconcerned at this event. Everyone goes to bed, and Mr. Poyser gently scolds Hetty once again, saying that her aunt was worried when she was so late", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

WHILE that parting in the wood was happening, there was a parting in the cottage too, and Lisbeth had stood with Adam at the door, straining her aged eyes to get the last glimpse of Seth and Dinah, as they mounted the opposite slope. "Eh, I'm loath to see the last on her," she said to Adam, as they turned into the house again. "I'd ha' been willin' t' ha' her about me till I died and went to lie by my old man. She'd make it easier dyin'--she spakes so gentle an' moves about so still. I could be fast sure that pictur' was drawed for her i' thy new Bible--th' angel a-sittin' on the big stone by the grave. Eh, I wouldna mind ha'in a daughter like that; but nobody ne'er marries them as is good for aught." "Well, Mother, I hope thee WILT have her for a daughter; for Seth's got a liking for her, and I hope she'll get a liking for Seth in time." "Where's th' use o' talkin' a-that'n? She caresna for Seth. She's goin' away twenty mile aff. How's she to get a likin' for him, I'd like to know? No more nor the cake 'ull come wi'out the leaven. Thy figurin' books might ha' tould thee better nor that, I should think, else thee mightst as well read the commin print, as Seth allays does." "Nay, Mother," said Adam, laughing, "the figures tell us a fine deal, and we couldn't go far without 'em, but they don't tell us about folks's feelings. It's a nicer job to calculate THEM. But Seth's as good-hearted a lad as ever handled a tool, and plenty o' sense, and good-looking too; and he's got the same way o' thinking as Dinah. He deserves to win her, though there's no denying she's a rare bit o' workmanship. You don't see such women turned off the wheel every day." "Eh, thee't allays stick up for thy brother. Thee'st been just the same, e'er sin' ye war little uns together. Thee wart allays for halving iverything wi' him. But what's Seth got to do with marryin', as is on'y three-an'-twenty? He'd more need to learn an' lay by sixpence. An' as for his desarving her--she's two 'ear older nor Seth: she's pretty near as old as thee. But that's the way; folks mun allays choose by contrairies, as if they must be sorted like the pork--a bit o' good meat wi' a bit o' offal." To the feminine mind in some of its moods, all things that might be receive a temporary charm from comparison with what is; and since Adam did not want to marry Dinah himself, Lisbeth felt rather peevish on that score--as peevish as she would have been if he HAD wanted to marry her, and so shut himself out from Mary Burge and the partnership as effectually as by marrying Hetty. It was more than half-past eight when Adam and his mother were talking in this way, so that when, about ten minutes later, Hetty reached the turning of the lane that led to the farmyard gate, she saw Dinah and Seth approaching it from the opposite direction, and waited for them to come up to her. They, too, like Hetty, had lingered a little in their walk, for Dinah was trying to speak words of comfort and strength to Seth in these parting moments. But when they saw Hetty, they paused and shook hands; Seth turned homewards, and Dinah came on alone. "Seth Bede would have come and spoken to you, my dear," she said, as she reached Hetty, "but he's very full of trouble to-night." Hetty answered with a dimpled smile, as if she did not quite know what had been said; and it made a strange contrast to see that sparkling self-engrossed loveliness looked at by Dinah's calm pitying face, with its open glance which told that her heart lived in no cherished secrets of its own, but in feelings which it longed to share with all the world. Hetty liked Dinah as well as she had ever liked any woman; how was it possible to feel otherwise towards one who always put in a kind word for her when her aunt was finding fault, and who was always ready to take Totty off her hands--little tiresome Totty, that was made such a pet of by every one, and that Hetty could see no interest in at all? Dinah had never said anything disapproving or reproachful to Hetty during her whole visit to the Hall Farm; she had talked to her a great deal in a serious way, but Hetty didn't mind that much, for she never listened: whatever Dinah might say, she almost always stroked Hetty's cheek after it, and wanted to do some mending for her. Dinah was a riddle to her; Hetty looked at her much in the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow or the mounting of the lark; but she did not care to solve such riddles, any more than she cared to know what was meant by the pictures in the Pilgrim's Progress, or in the old folio Bible that Marty and Tommy always plagued her about on a Sunday. Dinah took her hand now and drew it under her own arm. "You look very happy to-night, dear child," she said. "I shall think of you often when I'm at Snowfield, and see your face before me as it is now. It's a strange thing--sometimes when I'm quite alone, sitting in my room with my eyes closed, or walking over the hills, the people I've seen and known, if it's only been for a few days, are brought before me, and I hear their voices and see them look and move almost plainer than I ever did when they were really with me so as I could touch them. And then my heart is drawn out towards them, and I feel their lot as if it was my own, and I take comfort in spreading it before the Lord and resting in His love, on their behalf as well as my own. And so I feel sure you will come before me." She paused a moment, but Hetty said nothing. "It has been a very precious time to me," Dinah went on, "last night and to-day--seeing two such good sons as Adam and Seth Bede. They are so tender and thoughtful for their aged mother. And she has been telling me what Adam has done, for these many years, to help his father and his brother; it's wonderful what a spirit of wisdom and knowledge he has, and how he's ready to use it all in behalf of them that are feeble. And I'm sure he has a loving spirit too. I've noticed it often among my own people round Snowfield, that the strong, skilful men are often the gentlest to the women and children; and it's pretty to see 'em carrying the little babies as if they were no heavier than little birds. And the babies always seem to like the strong arm best. I feel sure it would be so with Adam Bede. Don't you think so, Hetty?" "Yes," said Hetty abstractedly, for her mind had been all the while in the wood, and she would have found it difficult to say what she was assenting to. Dinah saw she was not inclined to talk, but there would not have been time to say much more, for they were now at the yard-gate. The still twilight, with its dying western red and its few faint struggling stars, rested on the farm-yard, where there was not a sound to be heard but the stamping of the cart-horses in the stable. It was about twenty minutes after sunset. The fowls were all gone to roost, and the bull-dog lay stretched on the straw outside his kennel, with the black-and-tan terrier by his side, when the falling-to of the gate disturbed them and set them barking, like good officials, before they had any distinct knowledge of the reason. The barking had its effect in the house, for, as Dinah and Hetty approached, the doorway was filled by a portly figure, with a ruddy black-eyed face which bore in it the possibility of looking extremely acute, and occasionally contemptuous, on market-days, but had now a predominant after-supper expression of hearty good-nature. It is well known that great scholars who have shown the most pitiless acerbity in their criticism of other men's scholarship have yet been of a relenting and indulgent temper in private life; and I have heard of a learned man meekly rocking the twins in the cradle with his left hand, while with his right he inflicted the most lacerating sarcasms on an opponent who had betrayed a brutal ignorance of Hebrew. Weaknesses and errors must be forgiven--alas! they are not alien to us--but the man who takes the wrong side on the momentous subject of the Hebrew points must be treated as the enemy of his race. There was the same sort of antithetic mixture in Martin Poyser: he was of so excellent a disposition that he had been kinder and more respectful than ever to his old father since he had made a deed of gift of all his property, and no man judged his neighbours more charitably on all personal matters; but for a farmer, like Luke Britton, for example, whose fallows were not well cleaned, who didn't know the rudiments of hedging and ditching, and showed but a small share of judgment in the purchase of winter stock, Martin Poyser was as hard and implacable as the north-east wind. Luke Britton could not make a remark, even on the weather, but Martin Poyser detected in it a taint of that unsoundness and general ignorance which was palpable in all his farming operations. He hated to see the fellow lift the pewter pint to his mouth in the bar of the Royal George on market-day, and the mere sight of him on the other side of the road brought a severe and critical expression into his black eyes, as different as possible from the fatherly glance he bent on his two nieces as they approached the door. Mr. Poyser had smoked his evening pipe, and now held his hands in his pockets, as the only resource of a man who continues to sit up after the day's business is done. "Why, lasses, ye're rather late to-night," he said, when they reached the little gate leading into the causeway. "The mother's begun to fidget about you, an' she's got the little un ill. An' how did you leave the old woman Bede, Dinah? Is she much down about the old man? He'd been but a poor bargain to her this five year." "She's been greatly distressed for the loss of him," said Dinah, "but she's seemed more comforted to-day. Her son Adam's been at home all day, working at his father's coffin, and she loves to have him at home. She's been talking about him to me almost all the day. She has a loving heart, though she's sorely given to fret and be fearful. I wish she had a surer trust to comfort her in her old age." "Adam's sure enough," said Mr. Poyser, misunderstanding Dinah's wish. "There's no fear but he'll yield well i' the threshing. He's not one o' them as is all straw and no grain. I'll be bond for him any day, as he'll be a good son to the last. Did he say he'd be coming to see us soon? But come in, come in," he added, making way for them; "I hadn't need keep y' out any longer." The tall buildings round the yard shut out a good deal of the sky, but the large window let in abundant light to show every corner of the house-place. Mrs. Poyser, seated in the rocking-chair, which had been brought out of the "right-hand parlour," was trying to soothe Totty to sleep. But Totty was not disposed to sleep; and when her cousins entered, she raised herself up and showed a pair of flushed cheeks, which looked fatter than ever now they were defined by the edge of her linen night-cap. In the large wicker-bottomed arm-chair in the left-hand chimney-nook sat old Martin Poyser, a hale but shrunken and bleached image of his portly black-haired son--his head hanging forward a little, and his elbows pushed backwards so as to allow the whole of his forearm to rest on the arm of the chair. His blue handkerchief was spread over his knees, as was usual indoors, when it was not hanging over his head; and he sat watching what went forward with the quiet OUTWARD glance of healthy old age, which, disengaged from any interest in an inward drama, spies out pins upon the floor, follows one's minutest motions with an unexpectant purposeless tenacity, watches the flickering of the flame or the sun-gleams on the wall, counts the quarries on the floor, watches even the hand of the clock, and pleases itself with detecting a rhythm in the tick. "What a time o' night this is to come home, Hetty!" said Mrs. Poyser. "Look at the clock, do; why, it's going on for half-past nine, and I've sent the gells to bed this half-hour, and late enough too; when they've got to get up at half after four, and the mowers' bottles to fill, and the baking; and here's this blessed child wi' the fever for what I know, and as wakeful as if it was dinner-time, and nobody to help me to give her the physic but your uncle, and fine work there's been, and half of it spilt on her night-gown--it's well if she's swallowed more nor 'ull make her worse i'stead o' better. But folks as have no mind to be o' use have allays the luck to be out o' the road when there's anything to be done." "I did set out before eight, aunt," said Hetty, in a pettish tone, with a slight toss of her head. "But this clock's so much before the clock at the Chase, there's no telling what time it'll be when I get here." "What! You'd be wanting the clock set by gentlefolks's time, would you? An' sit up burnin' candle, an' lie a-bed wi' the sun a-bakin' you like a cowcumber i' the frame? The clock hasn't been put forrard for the first time to-day, I reckon." The fact was, Hetty had really forgotten the difference of the clocks when she told Captain Donnithorne that she set out at eight, and this, with her lingering pace, had made her nearly half an hour later than usual. But here her aunt's attention was diverted from this tender subject by Totty, who, perceiving at length that the arrival of her cousins was not likely to bring anything satisfactory to her in particular, began to cry, "Munny, munny," in an explosive manner. "Well, then, my pet, Mother's got her, Mother won't leave her; Totty be a good dilling, and go to sleep now," said Mrs. Poyser, leaning back and rocking the chair, while she tried to make Totty nestle against her. But Totty only cried louder, and said, "Don't yock!" So the mother, with that wondrous patience which love gives to the quickest temperament, sat up again, and pressed her cheek against the linen night-cap and kissed it, and forgot to scold Hetty any longer. "Come, Hetty," said Martin Poyser, in a conciliatory tone, "go and get your supper i' the pantry, as the things are all put away; an' then you can come and take the little un while your aunt undresses herself, for she won't lie down in bed without her mother. An' I reckon YOU could eat a bit, Dinah, for they don't keep much of a house down there." "No, thank you, Uncle," said Dinah; "I ate a good meal before I came away, for Mrs. Bede would make a kettle-cake for me." "I don't want any supper," said Hetty, taking off her hat. "I can hold Totty now, if Aunt wants me." "Why, what nonsense that is to talk!" said Mrs. Poyser. "Do you think you can live wi'out eatin', an' nourish your inside wi' stickin' red ribbons on your head? Go an' get your supper this minute, child; there's a nice bit o' cold pudding i' the safe--just what you're fond of." Hetty complied silently by going towards the pantry, and Mrs. Poyser went on speaking to Dinah. "Sit down, my dear, an' look as if you knowed what it was to make yourself a bit comfortable i' the world. I warrant the old woman was glad to see you, since you stayed so long." "She seemed to like having me there at last; but her sons say she doesn't like young women about her commonly; and I thought just at first she was almost angry with me for going." "Eh, it's a poor look-out when th' ould folks doesna like the young uns," said old Martin, bending his head down lower, and seeming to trace the pattern of the quarries with his eye. "Aye, it's ill livin' in a hen-roost for them as doesn't like fleas," said Mrs. Poyser. "We've all had our turn at bein' young, I reckon, be't good luck or ill." "But she must learn to 'commodate herself to young women," said Mr. Poyser, "for it isn't to be counted on as Adam and Seth 'ull keep bachelors for the next ten year to please their mother. That 'ud be unreasonable. It isn't right for old nor young nayther to make a bargain all o' their own side. What's good for one's good all round i' the long run. I'm no friend to young fellows a-marrying afore they know the difference atween a crab an' a apple; but they may wait o'er long." "To be sure," said Mrs. Poyser; "if you go past your dinner-time, there'll be little relish o' your meat. You turn it o'er an' o'er wi' your fork, an' don't eat it after all. You find faut wi' your meat, an' the faut's all i' your own stomach." Hetty now came back from the pantry and said, "I can take Totty now, Aunt, if you like." "Come, Rachel," said Mr. Poyser, as his wife seemed to hesitate, seeing that Totty was at last nestling quietly, "thee'dst better let Hetty carry her upstairs, while thee tak'st thy things off. Thee't tired. It's time thee wast in bed. Thee't bring on the pain in thy side again." "Well, she may hold her if the child 'ull go to her," said Mrs. Poyser. Hetty went close to the rocking-chair, and stood without her usual smile, and without any attempt to entice Totty, simply waiting for her aunt to give the child into her hands. "Wilt go to Cousin Hetty, my dilling, while mother gets ready to go to bed? Then Totty shall go into Mother's bed, and sleep there all night." Before her mother had done speaking, Totty had given her answer in an unmistakable manner, by knitting her brow, setting her tiny teeth against her underlip, and leaning forward to slap Hetty on the arm with her utmost force. Then, without speaking, she nestled to her mother again. "Hey, hey," said Mr. Poyser, while Hetty stood without moving, "not go to Cousin Hetty? That's like a babby. Totty's a little woman, an' not a babby." "It's no use trying to persuade her," said Mrs. Poyser. "She allays takes against Hetty when she isn't well. Happen she'll go to Dinah." Dinah, having taken off her bonnet and shawl, had hitherto kept quietly seated in the background, not liking to thrust herself between Hetty and what was considered Hetty's proper work. But now she came forward, and, putting out her arms, said, "Come Totty, come and let Dinah carry her upstairs along with Mother: poor, poor Mother! she's so tired--she wants to go to bed." Totty turned her face towards Dinah, and looked at her an instant, then lifted herself up, put out her little arms, and let Dinah lift her from her mother's lap. Hetty turned away without any sign of ill humour, and, taking her hat from the table, stood waiting with an air of indifference, to see if she should be told to do anything else. "You may make the door fast now, Poyser; Alick's been come in this long while," said Mrs. Poyser, rising with an appearance of relief from her low chair. "Get me the matches down, Hetty, for I must have the rushlight burning i' my room. Come, Father." The heavy wooden bolts began to roll in the house doors, and old Martin prepared to move, by gathering up his blue handkerchief, and reaching his bright knobbed walnut-tree stick from the corner. Mrs. Poyser then led the way out of the kitchen, followed by the grandfather, and Dinah with Totty in her arms--all going to bed by twilight, like the birds. Mrs. Poyser, on her way, peeped into the room where her two boys lay; just to see their ruddy round cheeks on the pillow, and to hear for a moment their light regular breathing. "Come, Hetty, get to bed," said Mr. Poyser, in a soothing tone, as he himself turned to go upstairs. "You didna mean to be late, I'll be bound, but your aunt's been worrited to-day. Good-night, my wench, good-night."

book 1, Chapter 14

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

Lisbeth watches Seth leave with Dinah and then admits that she is sorry to see Dinah go. She wishes that Dinah would marry Seth, although she can see that Dinah does not really care for Seth since she is moving so far away. Adam says that she will fall in love with Seth eventually, and Lisbeth notes that he always sticks up for his brother. Seth and Dinah part just as Hetty is coming up the lane. Hetty likes Dinah as much as she can like another woman, although she does not understand her. Dinah is always quick to put in a good word for her to her aunt, or to take care of Totty for her. Dinah says that she has enjoyed visiting the Bedes and seeing their good relationship with their mother, noting that Adam has worked hard for his family. Mr. Poyser meets them at the gate. He is a great combination of gentleness in family life and competitiveness as a famer. He asks after the Bedes, and Dinah explains the situation. Mrs. Poyser is trying to get Totty to go to sleep as the older Mr. Martin Poyser looks on, and she scolds the girls for being so late. She tells Hetty that she can eat supper in the pantry, but Hetty says that she is not hungry. Upon Mrs. Poyser's asking, Dinah says that Lisbeth, although she does not generally like having young women around, got used to her presence quite easily. Hetty says that she will take Totty to bed, but Totty slaps her away. Mrs. Poyser asks Dinah if she can take her, which she does quite easily and without protest from Totty. Hetty is quite unconcerned at this event. Everyone goes to bed, and Mr. Poyser gently scolds Hetty once again, saying that her aunt was worried when she was so late

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/16.txt

finished_summaries/gradesaver/Adam Bede/section_1_part_8.txt

Adam Bede.book 1.chapter 16

book 1, chapter 16

{"name": "book 1, Chapter 16", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16", "summary": "The Captain sets out to see the vicar early in the morning, so that he can discuss the affair of Hetty with him over breakfast. He knows that the vicar takes his breakfast alone. He runs into Adam Bede along the way, and he makes Adam very happy by shaking his hand. Adam taught the Captain some carpentry when he was a boy, which made him love the older man very much. He, too, advises Adam to enter into a partnership with Mr. Burge, but Adam makes it clear that he wants nothing to do with Mary Burge. They part ways. When the Captain arrives at the vicar's house, he finds it harder than he thought it would be to bring up the subject of Hetty. He resolves to do it, however, especially because he performed his last resolution so poorly. When he turns the conversation to the question of love, the vicar asks him directly if he is infatuated with someone. The Captain denies it, and soon the possibility to talk about Hetty passes; the breakfast is over", "analysis": "Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally \"nice\" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. \"Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark.\" The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that \"devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.\" The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem \"The Rape of the Lock.\" Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty."}

ARTHUR DONNITHORNE, you remember, is under an engagement with himself to go and see Mr. Irwine this Friday morning, and he is awake and dressing so early that he determines to go before breakfast, instead of after. The rector, he knows, breakfasts alone at half-past nine, the ladies of the family having a different breakfast-hour; Arthur will have an early ride over the hill and breakfast with him. One can say everything best over a meal. The progress of civilization has made a breakfast or a dinner an easy and cheerful substitute for more troublesome and disagreeable ceremonies. We take a less gloomy view of our errors now our father confessor listens to us over his egg and coffee. We are more distinctly conscious that rude penances are out of the question for gentlemen in an enlightened age, and that mortal sin is not incompatible with an appetite for muffins. An assault on our pockets, which in more barbarous times would have been made in the brusque form of a pistol-shot, is quite a well-bred and smiling procedure now it has become a request for a loan thrown in as an easy parenthesis between the second and third glasses of claret. Still, there was this advantage in the old rigid forms, that they committed you to the fulfilment of a resolution by some outward deed: when you have put your mouth to one end of a hole in a stone wall and are aware that there is an expectant ear at the other end, you are more likely to say what you came out with the intention of saying than if you were seated with your legs in an easy attitude under the mahogany with a companion who will have no reason to be surprised if you have nothing particular to say. However, Arthur Donnithorne, as he winds among the pleasant lanes on horseback in the morning sunshine, has a sincere determination to open his heart to the rector, and the swirling sound of the scythe as he passes by the meadow is all the pleasanter to him because of this honest purpose. He is glad to see the promise of settled weather now, for getting in the hay, about which the farmers have been fearful; and there is something so healthful in the sharing of a joy that is general and not merely personal, that this thought about the hay-harvest reacts on his state of mind and makes his resolution seem an easier matter. A man about town might perhaps consider that these influences were not to be felt out of a child's story-book; but when you are among the fields and hedgerows, it is impossible to maintain a consistent superiority to simple natural pleasures. Arthur had passed the village of Hayslope and was approaching the Broxton side of the hill, when, at a turning in the road, he saw a figure about a hundred yards before him which it was impossible to mistake for any one else than Adam Bede, even if there had been no grey, tailless shepherd-dog at his heels. He was striding along at his usual rapid pace, and Arthur pushed on his horse to overtake him, for he retained too much of his boyish feeling for Adam to miss an opportunity of chatting with him. I will not say that his love for that good fellow did not owe some of its force to the love of patronage: our friend Arthur liked to do everything that was handsome, and to have his handsome deeds recognized. Adam looked round as he heard the quickening clatter of the horse's heels, and waited for the horseman, lifting his paper cap from his head with a bright smile of recognition. Next to his own brother Seth, Adam would have done more for Arthur Donnithorne than for any other young man in the world. There was hardly anything he would not rather have lost than the two-feet ruler which he always carried in his pocket; it was Arthur's present, bought with his pocket-money when he was a fair-haired lad of eleven, and when he had profited so well by Adam's lessons in carpentering and turning as to embarrass every female in the house with gifts of superfluous thread-reels and round boxes. Adam had quite a pride in the little squire in those early days, and the feeling had only become slightly modified as the fair-haired lad had grown into the whiskered young man. Adam, I confess, was very susceptible to the influence of rank, and quite ready to give an extra amount of respect to every one who had more advantages than himself, not being a philosopher or a proletaire with democratic ideas, but simply a stout-limbed clever carpenter with a large fund of reverence in his nature, which inclined him to admit all established claims unless he saw very clear grounds for questioning them. He had no theories about setting the world to rights, but he saw there was a great deal of damage done by building with ill-seasoned timber--by ignorant men in fine clothes making plans for outhouses and workshops and the like without knowing the bearings of things--by slovenly joiners' work, and by hasty contracts that could never be fulfilled without ruining somebody; and he resolved, for his part, to set his face against such doings. On these points he would have maintained his opinion against the largest landed proprietor in Loamshire or Stonyshire either; but he felt that beyond these it would be better for him to defer to people who were more knowing than himself. He saw as plainly as possible how ill the woods on the estate were managed, and the shameful state of the farm-buildings; and if old Squire Donnithorne had asked him the effect of this mismanagement, he would have spoken his opinion without flinching, but the impulse to a respectful demeanour towards a "gentleman" would have been strong within him all the while. The word "gentleman" had a spell for Adam, and, as he often said, he "couldn't abide a fellow who thought he made himself fine by being coxy to's betters." I must remind you again that Adam had the blood of the peasant in his veins, and that since he was in his prime half a century ago, you must expect some of his characteristics to be obsolete. Towards the young squire this instinctive reverence of Adam's was assisted by boyish memories and personal regard so you may imagine that he thought far more of Arthur's good qualities, and attached far more value to very slight actions of his, than if they had been the qualities and actions of a common workman like himself. He felt sure it would be a fine day for everybody about Hayslope when the young squire came into the estate--such a generous open-hearted disposition as he had, and an "uncommon" notion about improvements and repairs, considering he was only just coming of age. Thus there was both respect and affection in the smile with which he raised his paper cap as Arthur Donnithorne rode up. "Well, Adam, how are you?" said Arthur, holding out his hand. He never shook hands with any of the farmers, and Adam felt the honour keenly. "I could swear to your back a long way off. It's just the same back, only broader, as when you used to carry me on it. Do you remember?" "Aye, sir, I remember. It 'ud be a poor look-out if folks didn't remember what they did and said when they were lads. We should think no more about old friends than we do about new uns, then." "You're going to Broxton, I suppose?" said Arthur, putting his horse on at a slow pace while Adam walked by his side. "Are you going to the rectory?" "No, sir, I'm going to see about Bradwell's barn. They're afraid of the roof pushing the walls out, and I'm going to see what can be done with it before we send the stuff and the workmen." "Why, Burge trusts almost everything to you now, Adam, doesn't he? I should think he will make you his partner soon. He will, if he's wise." "Nay, sir, I don't see as he'd be much the better off for that. A foreman, if he's got a conscience and delights in his work, will do his business as well as if he was a partner. I wouldn't give a penny for a man as 'ud drive a nail in slack because he didn't get extra pay for it." "I know that, Adam; I know you work for him as well as if you were working for yourself. But you would have more power than you have now, and could turn the business to better account perhaps. The old man must give up his business sometime, and he has no son; I suppose he'll want a son-in-law who can take to it. But he has rather grasping fingers of his own, I fancy. I daresay he wants a man who can put some money into the business. If I were not as poor as a rat, I would gladly invest some money in that way, for the sake of having you settled on the estate. I'm sure I should profit by it in the end. And perhaps I shall be better off in a year or two. I shall have a larger allowance now I'm of age; and when I've paid off a debt or two, I shall be able to look about me." "You're very good to say so, sir, and I'm not unthankful. But"--Adam continued, in a decided tone--"I shouldn't like to make any offers to Mr. Burge, or t' have any made for me. I see no clear road to a partnership. If he should ever want to dispose of the business, that 'ud be a different matter. I should be glad of some money at a fair interest then, for I feel sure I could pay it off in time." "Very well, Adam," said Arthur, remembering what Mr. Irwine had said about a probable hitch in the love-making between Adam and Mary Burge, "we'll say no more about it at present. When is your father to be buried?" "On Sunday, sir; Mr. Irwine's coming earlier on purpose. I shall be glad when it's over, for I think my mother 'ull perhaps get easier then. It cuts one sadly to see the grief of old people; they've no way o' working it off, and the new spring brings no new shoots out on the withered tree." "Ah, you've had a good deal of trouble and vexation in your life, Adam. I don't think you've ever been hare-brained and light-hearted, like other youngsters. You've always had some care on your mind." "Why, yes, sir; but that's nothing to make a fuss about. If we're men and have men's feelings, I reckon we must have men's troubles. We can't be like the birds, as fly from their nest as soon as they've got their wings, and never know their kin when they see 'em, and get a fresh lot every year. I've had enough to be thankful for: I've allays had health and strength and brains to give me a delight in my work; and I count it a great thing as I've had Bartle Massey's night-school to go to. He's helped me to knowledge I could never ha' got by myself." "What a rare fellow you are, Adam!" said Arthur, after a pause, in which he had looked musingly at the big fellow walking by his side. "I could hit out better than most men at Oxford, and yet I believe you would knock me into next week if I were to have a battle with you." "God forbid I should ever do that, sir," said Adam, looking round at Arthur and smiling. "I used to fight for fun, but I've never done that since I was the cause o' poor Gil Tranter being laid up for a fortnight. I'll never fight any man again, only when he behaves like a scoundrel. If you get hold of a chap that's got no shame nor conscience to stop him, you must try what you can do by bunging his eyes up." Arthur did not laugh, for he was preoccupied with some thought that made him say presently, "I should think now, Adam, you never have any struggles within yourself. I fancy you would master a wish that you had made up your mind it was not quite right to indulge, as easily as you would knock down a drunken fellow who was quarrelsome with you. I mean, you are never shilly-shally, first making up your mind that you won't do a thing, and then doing it after all?" "Well," said Adam, slowly, after a moment's hesitation, "no. I don't remember ever being see-saw in that way, when I'd made my mind up, as you say, that a thing was wrong. It takes the taste out o' my mouth for things, when I know I should have a heavy conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow-creatures worse off instead o' better. But there's a difference between the things folks call wrong. I'm not for making a sin of every little fool's trick, or bit o' nonsense anybody may be let into, like some o' them dissenters. And a man may have two minds whether it isn't worthwhile to get a bruise or two for the sake of a bit o' fun. But it isn't my way to be see-saw about anything: I think my fault lies th' other way. When I've said a thing, if it's only to myself, it's hard for me to go back." "Yes, that's just what I expected of you," said Arthur. "You've got an iron will, as well as an iron arm. But however strong a man's resolution may be, it costs him something to carry it out, now and then. We may determine not to gather any cherries and keep our hands sturdily in our pockets, but we can't prevent our mouths from watering." "That's true, sir, but there's nothing like settling with ourselves as there's a deal we must do without i' this life. It's no use looking on life as if it was Treddles'on Fair, where folks only go to see shows and get fairings. If we do, we shall find it different. But where's the use o' me talking to you, sir? You know better than I do." "I'm not so sure of that, Adam. You've had four or five years of experience more than I've had, and I think your life has been a better school to you than college has been to me." "Why, sir, you seem to think o' college something like what Bartle Massey does. He says college mostly makes people like bladders--just good for nothing but t' hold the stuff as is poured into 'em. But he's got a tongue like a sharp blade, Bartle has--it never touches anything but it cuts. Here's the turning, sir. I must bid you good-morning, as you're going to the rectory." "Good-bye, Adam, good-bye." Arthur gave his horse to the groom at the rectory gate, and walked along the gravel towards the door which opened on the garden. He knew that the rector always breakfasted in his study, and the study lay on the left hand of this door, opposite the dining-room. It was a small low room, belonging to the old part of the house--dark with the sombre covers of the books that lined the walls; yet it looked very cheery this morning as Arthur reached the open window. For the morning sun fell aslant on the great glass globe with gold fish in it, which stood on a scagliola pillar in front of the ready-spread bachelor breakfast-table, and by the side of this breakfast-table was a group which would have made any room enticing. In the crimson damask easy-chair sat Mr. Irwine, with that radiant freshness which he always had when he came from his morning toilet; his finely formed plump white hand was playing along Juno's brown curly back; and close to Juno's tail, which was wagging with calm matronly pleasure, the two brown pups were rolling over each other in an ecstatic duet of worrying noises. On a cushion a little removed sat Pug, with the air of a maiden lady, who looked on these familiarities as animal weaknesses, which she made as little show as possible of observing. On the table, at Mr. Irwine's elbow, lay the first volume of the Foulis AEschylus, which Arthur knew well by sight; and the silver coffee-pot, which Carroll was bringing in, sent forth a fragrant steam which completed the delights of a bachelor breakfast. "Hallo, Arthur, that's a good fellow! You're just in time," said Mr. Irwine, as Arthur paused and stepped in over the low window-sill. "Carroll, we shall want more coffee and eggs, and haven't you got some cold fowl for us to eat with that ham? Why, this is like old days, Arthur; you haven't been to breakfast with me these five years." "It was a tempting morning for a ride before breakfast," said Arthur; "and I used to like breakfasting with you so when I was reading with you. My grandfather is always a few degrees colder at breakfast than at any other hour in the day. I think his morning bath doesn't agree with him." Arthur was anxious not to imply that he came with any special purpose. He had no sooner found himself in Mr. Irwine's presence than the confidence which he had thought quite easy before, suddenly appeared the most difficult thing in the world to him, and at the very moment of shaking hands he saw his purpose in quite a new light. How could he make Irwine understand his position unless he told him those little scenes in the wood; and how could he tell them without looking like a fool? And then his weakness in coming back from Gawaine's, and doing the very opposite of what he intended! Irwine would think him a shilly-shally fellow ever after. However, it must come out in an unpremeditated way; the conversation might lead up to it. "I like breakfast-time better than any other moment in the day," said Mr. Irwine. "No dust has settled on one's mind then, and it presents a clear mirror to the rays of things. I always have a favourite book by me at breakfast, and I enjoy the bits I pick up then so much, that regularly every morning it seems to me as if I should certainly become studious again. But presently Dent brings up a poor fellow who has killed a hare, and when I've got through my 'justicing,' as Carroll calls it, I'm inclined for a ride round the glebe, and on my way back I meet with the master of the workhouse, who has got a long story of a mutinous pauper to tell me; and so the day goes on, and I'm always the same lazy fellow before evening sets in. Besides, one wants the stimulus of sympathy, and I have never had that since poor D'Oyley left Treddleston. If you had stuck to your books well, you rascal, I should have had a pleasanter prospect before me. But scholarship doesn't run in your family blood." "No indeed. It's well if I can remember a little inapplicable Latin to adorn my maiden speech in Parliament six or seven years hence. 'Cras ingens iterabimus aequor,' and a few shreds of that sort, will perhaps stick to me, and I shall arrange my opinions so as to introduce them. But I don't think a knowledge of the classics is a pressing want to a country gentleman; as far as I can see, he'd much better have a knowledge of manures. I've been reading your friend Arthur Young's books lately, and there's nothing I should like better than to carry out some of his ideas in putting the farmers on a better management of their land; and, as he says, making what was a wild country, all of the same dark hue, bright and variegated with corn and cattle. My grandfather will never let me have any power while he lives, but there's nothing I should like better than to undertake the Stonyshire side of the estate--it's in a dismal condition--and set improvements on foot, and gallop about from one place to another and overlook them. I should like to know all the labourers, and see them touching their hats to me with a look of goodwill." "Bravo, Arthur! A man who has no feeling for the classics couldn't make a better apology for coming into the world than by increasing the quantity of food to maintain scholars--and rectors who appreciate scholars. And whenever you enter on your career of model landlord may I be there to see. You'll want a portly rector to complete the picture, and take his tithe of all the respect and honour you get by your hard work. Only don't set your heart too strongly on the goodwill you are to get in consequence. I'm not sure that men are the fondest of those who try to be useful to them. You know Gawaine has got the curses of the whole neighbourhood upon him about that enclosure. You must make it quite clear to your mind which you are most bent upon, old boy--popularity or usefulness--else you may happen to miss both." "Oh! Gawaine is harsh in his manners; he doesn't make himself personally agreeable to his tenants. I don't believe there's anything you can't prevail on people to do with kindness. For my part, I couldn't live in a neighbourhood where I was not respected and beloved. And it's very pleasant to go among the tenants here--they seem all so well inclined to me I suppose it seems only the other day to them since I was a little lad, riding on a pony about as big as a sheep. And if fair allowances were made to them, and their buildings attended to, one could persuade them to farm on a better plan, stupid as they are." "Then mind you fall in love in the right place, and don't get a wife who will drain your purse and make you niggardly in spite of yourself. My mother and I have a little discussion about you sometimes: she says, 'I'll never risk a single prophecy on Arthur until I see the woman he falls in love with.' She thinks your lady-love will rule you as the moon rules the tides. But I feel bound to stand up for you, as my pupil you know, and I maintain that you're not of that watery quality. So mind you don't disgrace my judgment." Arthur winced under this speech, for keen old Mrs. Irwine's opinion about him had the disagreeable effect of a sinister omen. This, to be sure, was only another reason for persevering in his intention, and getting an additional security against himself. Nevertheless, at this point in the conversation, he was conscious of increased disinclination to tell his story about Hetty. He was of an impressible nature, and lived a great deal in other people's opinions and feelings concerning himself; and the mere fact that he was in the presence of an intimate friend, who had not the slightest notion that he had had any such serious internal struggle as he came to confide, rather shook his own belief in the seriousness of the struggle. It was not, after all, a thing to make a fuss about; and what could Irwine do for him that he could not do for himself? He would go to Eagledale in spite of Meg's lameness--go on Rattler, and let Pym follow as well as he could on the old hack. That was his thought as he sugared his coffee; but the next minute, as he was lifting the cup to his lips, he remembered how thoroughly he had made up his mind last night to tell Irwine. No! He would not be vacillating again--he WOULD do what he had meant to do, this time. So it would be well not to let the personal tone of the conversation altogether drop. If they went to quite indifferent topics, his difficulty would be heightened. It had required no noticeable pause for this rush and rebound of feeling, before he answered, "But I think it is hardly an argument against a man's general strength of character that he should be apt to be mastered by love. A fine constitution doesn't insure one against smallpox or any other of those inevitable diseases. A man may be very firm in other matters and yet be under a sort of witchery from a woman." "Yes; but there's this difference between love and smallpox, or bewitchment either--that if you detect the disease at an early stage and try change of air, there is every chance of complete escape without any further development of symptoms. And there are certain alternative doses which a man may administer to himself by keeping unpleasant consequences before his mind: this gives you a sort of smoked glass through which you may look at the resplendent fair one and discern her true outline; though I'm afraid, by the by, the smoked glass is apt to be missing just at the moment it is most wanted. I daresay, now, even a man fortified with a knowledge of the classics might be lured into an imprudent marriage, in spite of the warning given him by the chorus in the Prometheus." The smile that flitted across Arthur's face was a faint one, and instead of following Mr. Irwine's playful lead, he said, quite seriously--"Yes, that's the worst of it. It's a desperately vexatious thing, that after all one's reflections and quiet determinations, we should be ruled by moods that one can't calculate on beforehand. I don't think a man ought to be blamed so much if he is betrayed into doing things in that way, in spite of his resolutions." "Ah, but the moods lie in his nature, my boy, just as much as his reflections did, and more. A man can never do anything at variance with his own nature. He carries within him the germ of his most exceptional action; and if we wise people make eminent fools of ourselves on any particular occasion, we must endure the legitimate conclusion that we carry a few grains of folly to our ounce of wisdom." "Well, but one may be betrayed into doing things by a combination of circumstances, which one might never have done otherwise." "Why, yes, a man can't very well steal a bank-note unless the bank-note lies within convenient reach; but he won't make us think him an honest man because he begins to howl at the bank-note for falling in his way." "But surely you don't think a man who struggles against a temptation into which he falls at last as bad as the man who never struggles at all?" "No, certainly; I pity him in proportion to his struggles, for they foreshadow the inward suffering which is the worst form of Nemesis. Consequences are unpitying. Our deeds carry their terrible consequences, quite apart from any fluctuations that went before--consequences that are hardly ever confined to ourselves. And it is best to fix our minds on that certainty, instead of considering what may be the elements of excuse for us. But I never knew you so inclined for moral discussion, Arthur? Is it some danger of your own that you are considering in this philosophical, general way?" In asking this question, Mr. Irwine pushed his plate away, threw himself back in his chair, and looked straight at Arthur. He really suspected that Arthur wanted to tell him something, and thought of smoothing the way for him by this direct question. But he was mistaken. Brought suddenly and involuntarily to the brink of confession, Arthur shrank back and felt less disposed towards it than ever. The conversation had taken a more serious tone than he had intended--it would quite mislead Irwine--he would imagine there was a deep passion for Hetty, while there was no such thing. He was conscious of colouring, and was annoyed at his boyishness. "Oh no, no danger," he said as indifferently as he could. "I don't know that I am more liable to irresolution than other people; only there are little incidents now and then that set one speculating on what might happen in the future." Was there a motive at work under this strange reluctance of Arthur's which had a sort of backstairs influence, not admitted to himself? Our mental business is carried on much in the same way as the business of the State: a great deal of hard work is done by agents who are not acknowledged. In a piece of machinery, too, I believe there is often a small unnoticeable wheel which has a great deal to do with the motion of the large obvious ones. Possibly there was some such unrecognized agent secretly busy in Arthur's mind at this moment--possibly it was the fear lest he might hereafter find the fact of having made a confession to the rector a serious annoyance, in case he should NOT be able quite to carry out his good resolutions? I dare not assert that it was not so. The human soul is a very complex thing. The idea of Hetty had just crossed Mr. Irwine's mind as he looked inquiringly at Arthur, but his disclaiming indifferent answer confirmed the thought which had quickly followed--that there could be nothing serious in that direction. There was no probability that Arthur ever saw her except at church, and at her own home under the eye of Mrs. Poyser; and the hint he had given Arthur about her the other day had no more serious meaning than to prevent him from noticing her so as to rouse the little chit's vanity, and in this way perturb the rustic drama of her life. Arthur would soon join his regiment, and be far away: no, there could be no danger in that quarter, even if Arthur's character had not been a strong security against it. His honest, patronizing pride in the good-will and respect of everybody about him was a safeguard even against foolish romance, still more against a lower kind of folly. If there had been anything special on Arthur's mind in the previous conversation, it was clear he was not inclined to enter into details, and Mr. Irwine was too delicate to imply even a friendly curiosity. He perceived a change of subject would be welcome, and said, "By the way, Arthur, at your colonel's birthday fete there were some transparencies that made a great effect in honour of Britannia, and Pitt, and the Loamshire Militia, and, above all, the 'generous youth,' the hero of the day. Don't you think you should get up something of the same sort to astonish our weak minds?" The opportunity was gone. While Arthur was hesitating, the rope to which he might have clung had drifted away--he must trust now to his own swimming. In ten minutes from that time, Mr. Irwine was called for on business, and Arthur, bidding him good-bye, mounted his horse again with a sense of dissatisfaction, which he tried to quell by determining to set off for Eagledale without an hour's delay. Book Two

book 1, Chapter 16

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-first-chapters-9-16

The Captain sets out to see the vicar early in the morning, so that he can discuss the affair of Hetty with him over breakfast. He knows that the vicar takes his breakfast alone. He runs into Adam Bede along the way, and he makes Adam very happy by shaking his hand. Adam taught the Captain some carpentry when he was a boy, which made him love the older man very much. He, too, advises Adam to enter into a partnership with Mr. Burge, but Adam makes it clear that he wants nothing to do with Mary Burge. They part ways. When the Captain arrives at the vicar's house, he finds it harder than he thought it would be to bring up the subject of Hetty. He resolves to do it, however, especially because he performed his last resolution so poorly. When he turns the conversation to the question of love, the vicar asks him directly if he is infatuated with someone. The Captain denies it, and soon the possibility to talk about Hetty passes; the breakfast is over

Although the narrator's opinions are not so evident in Chapter Nine, Eliot implicitly endorses some of the precepts of Methodism by showing Hetty's vanity in a negative light. All that she desires are material goods, and she prefers the Captain to Adam not because he is smarter or better-looking, but because he can provide her with these goods. This preference fits with her seeming vapidity in earlier chapters. The reader has not yet seen her interact with Adam, but it is becoming increasingly hard to believe that she is a good match for him. This chapter also connects the visual sense with attraction in a way that was common in the Victorian period. Sight was considered more of a masculine trait, while touch and smell were considered more feminine. This idea might help explain the vicar's logic in recommending that the Captain avoid looking at the object of his affections. In Chapter Ten, it is perhaps even more remarkable that Dinah is able to give spiritual guidance to one old lady in her own home than to preach to an entire village, because she now is in a personal setting that can hardly benefit from the stamp of authenticity given by an established audience. It is, therefore, a testament to her character that she is able to gain the trust of the old lady so quickly. This point is especially striking given Lisbeth's immediate mistrust of anyone who is Methodist. Adam's dream uses the literary device of foreshadowing to indicate a conflict that he believes to be beginning in his life. His dream superimposes the image of Hetty onto his everyday affairs, indicating that he would like to marry her. Yet, she always is quickly followed in his dream by the image of his mother, who seems to disapprove of her. This potential conflict is confirmed in his waking life, when his mother does indeed bemoan the idea that he might get married. Chapter Eleven foreshadows a number of possible avenues that the novel could follow. Dinah takes on the role of helping Lisbeth quite easily, making the porridge and cleaning the house to her satisfaction. This is in contradiction to the statement that Lisbeth has made on a number of occasions that her happiness and usefulness would be over if one of the boys brought another woman into the house by marrying. Eliot foreshadows the fact that Dinah could make a peaceful and harmonious addition to the Bede family, but this point raises the question of which Bede brother she might marry. Until this point, a reader could have assumed that Seth and Dinah are the right match because of their shared religion. But Adam seems to affect Dinah in a way that Seth cannot, and he expresses his interest in her, although the narrator claims that beholding her is like looking at moonlight after dreaming about sunlight. Chapter Twelve gives an unusual amount of depth to the usual tale of the squire seducing the milkmaid. Normally, the squire is careless if not evil, and he normally is aware of the power of his position over the milkmaid and is willing to take advantage of it. In this chapter, however, the fundamentally "nice" young man struggles with his conscience, aware of the fact that he could ruin Hetty's reputation or make her miserable. Still, his choice of reading while he waits for Hetty on the path is a subtle hint that his resolve to remain virtuous may not win out. Zeluco is a novel by Dr. John Moore about a rich Italian seducer. Despite his aspiration to have sound morals concerning Hetty, it is more than probable that the Captain will give in to temptation. In Chapter Thirteen, the Captain has a superstition regarding the fault of his actions--that the fault rests on the attractive grove of woods, rather than on himself. His idea is consistent with that of a spoiled aristocrat in that he looks to place responsibility on others before himself. Yet, superstition is a characteristic that Eliot has specifically identified with the peasantry . In any case, the Captain's lack of control over his actions should be cause for serious concern to Hetty, who is too wrapped up in her dreams of luxury to notice that she could be ruining her reputation. Eliot's main literary device for describing human nature is the extended metaphor. In Chapter Fourteen, she does not merely write that Hetty is much less intelligent than, or has a hard time comprehending her cousin Hetty, but she figuratively compares them to two different types of birds. "Hetty looked at in much the same way as one might imagine a little perching bird that could only flutter from bough to bough, to look at the swoop of the swallow, or the mounting of the lark." The purpose of this extended metaphor is not only to clarify the difference between the two women, but also to attach their relationship to the descriptions of the British countryside that often serve as preludes to the action in Adam Bede. The detail at the end of the chapter about Totty's preference for Dinah over Hetty once again shows the superiority of the slightly less traditionally attractive niece. The fact that Hetty does not feel offended by this preference shows her insensitivity. It also shows the extent to which she is preoccupied with her memories of the Captain. In Chapter Fifteen, Eliot ironically describes Hetty's discomfort in using her old looking glass, writing that "devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual." The idea of the female toilette as a pagan, pseudo-religious rite is not unique to Eliot. She perhaps borrowed it from Alexander Pope's mock-epic poem "The Rape of the Lock." Pope's poem describes the assault on a woman's lock of hair as tantamount to a rape, and the poem criticizes as almost irreligious the heroine Belinda's self-absorption. The dichotomy separating Dinah and Hetty into two opposite poles is reinforced in this chapter. When Dinah enters into Hetty's room, the two are compared as opposites: Hetty has a rosy face, while Dinah's is pale; Hetty wears showy glass earrings and green stays, while Dinah wears a simple white nightdress. The difference between the two girls, however, is heightened to a misunderstanding at the end of this chapter. In Chapter Sixteen, the Captain has two strong male role models that could keep him on the straight and narrow path in life, but he is impeded from telling either man about Hetty. Adam, on the one hand, is much beloved by the Captain, but the Captain rightly judges that he has iron resolution, so it would be useless for him to seek advice about how to control his own resolution. In addition he knows that, as a young man, Adam may be a rival in the case of Hetty. Nevertheless, there should be no impediment to his telling the vicar about his predicament. Their relationship is balanced by the fact that the vicar behaves paternally towards him, while acknowledging that he is at the mercy of the younger man because he is richer. The Captain is impeded from telling the vicar about Hetty because, since he has mentioned her on a previous occasion, he is worried that the vicar will think that he is more in love with Hetty than he actually is. Also, he wants the vicar to think well of him, and he seems worried that the vicar might think less of him if he knows about the attraction to the rather silly Hetty.

gradesaver

all_chapterized_books/507-chapters/17.txt

finished_summaries/gradesaver/Adam Bede/section_2_part_1.txt

Adam Bede.book 2.chapter 17

book 2, chapter 17

{"name": "book 2, Chapter 17", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second", "summary": "Eliot anticipates that her reader will be shocked by the dullness of the vicar, perhaps hoping that the vicar would be given a fine sermon to offer. She reminds the reader that her goal, however, is a faithful reprint of life as it actually is. Eliot does not want to represent people as more clearly good and evil than is the norm in real life. She admires the Dutch painters who are realists more than those who paint angels. She believes in beauty of form, but she also thinks that realism has its own type of beauty and that there are so few true heroes and heroines in the world that it would be a waste of time to devote too much written material to them. Besides, it does not matter so much that the vicar is sound in terms of his doctrine as that he is loved. So the vicar is better, although he is not a very good preacher. Eliot observes that heroes are often not what they are built up to be", "analysis": "Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: \"And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work.\" Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a \"woman,\" he does have some elements of a family after all."}

"THIS Rector of Broxton is little better than a pagan!" I hear one of my readers exclaim. "How much more edifying it would have been if you had made him give Arthur some truly spiritual advice! You might have put into his mouth the most beautiful things--quite as good as reading a sermon." Certainly I could, if I held it the highest vocation of the novelist to represent things as they never have been and never will be. Then, of course, I might refashion life and character entirely after my own liking; I might select the most unexceptionable type of clergyman and put my own admirable opinions into his mouth on all occasions. But it happens, on the contrary, that my strongest effort is to avoid any such arbitrary picture, and to give a faithful account of men and things as they have mirrored themselves in my mind. The mirror is doubtless defective, the outlines will sometimes be disturbed, the reflection faint or confused; but I feel as much bound to tell you as precisely as I can what that reflection is, as if I were in the witness-box, narrating my experience on oath. Sixty years ago--it is a long time, so no wonder things have changed--all clergymen were not zealous; indeed, there is reason to believe that the number of zealous clergymen was small, and it is probable that if one among the small minority had owned the livings of Broxton and Hayslope in the year 1799, you would have liked him no better than you like Mr. Irwine. Ten to one, you would have thought him a tasteless, indiscreet, methodistical man. It is so very rarely that facts hit that nice medium required by our own enlightened opinions and refined taste! Perhaps you will say, "Do improve the facts a little, then; make them more accordant with those correct views which it is our privilege to possess. The world is not just what we like; do touch it up with a tasteful pencil, and make believe it is not quite such a mixed entangled affair. Let all people who hold unexceptionable opinions act unexceptionably. Let your most faulty characters always be on the wrong side, and your virtuous ones on the right. Then we shall see at a glance whom we are to condemn and whom we are to approve. Then we shall be able to admire, without the slightest disturbance of our prepossessions: we shall hate and despise with that true ruminant relish which belongs to undoubting confidence." But, my good friend, what will you do then with your fellow-parishioner who opposes your husband in the vestry? With your newly appointed vicar, whose style of preaching you find painfully below that of his regretted predecessor? With the honest servant who worries your soul with her one failing? With your neighbour, Mrs. Green, who was really kind to you in your last illness, but has said several ill-natured things about you since your convalescence? Nay, with your excellent husband himself, who has other irritating habits besides that of not wiping his shoes? These fellow-mortals, every one, must be accepted as they are: you can neither straighten their noses, nor brighten their wit, nor rectify their dispositions; and it is these people--amongst whom your life is passed--that it is needful you should tolerate, pity, and love: it is these more or less ugly, stupid, inconsistent people whose movements of goodness you should be able to admire--for whom you should cherish all possible hopes, all possible patience. And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up in the morning to do our daily work, that you would be likely to turn a harder, colder eye on the dusty streets and the common green fields--on the real breathing men and women, who can be chilled by your indifference or injured by your prejudice; who can be cheered and helped onward by your fellow-feeling, your forbearance, your outspoken, brave justice. So I am content to tell my simple story, without trying to make things seem better than they were; dreading nothing, indeed, but falsity, which, in spite of one's best efforts, there is reason to dread. Falsehood is so easy, truth so difficult. The pencil is conscious of a delightful facility in drawing a griffin--the longer the claws, and the larger the wings, the better; but that marvellous facility which we mistook for genius is apt to forsake us when we want to draw a real unexaggerated lion. Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings--much harder than to say something fine about them which is NOT the exact truth. It is for this rare, precious quality of truthfulness that I delight in many Dutch paintings, which lofty-minded people despise. I find a source of delicious sympathy in these faithful pictures of a monotonous homely existence, which has been the fate of so many more among my fellow-mortals than a life of pomp or of absolute indigence, of tragic suffering or of world-stirring actions. I turn, without shrinking, from cloud-borne angels, from prophets, sibyls, and heroic warriors, to an old woman bending over her flower-pot, or eating her solitary dinner, while the noonday light, softened perhaps by a screen of leaves, falls on her mob-cap, and just touches the rim of her spinning-wheel, and her stone jug, and all those cheap common things which are the precious necessaries of life to her--or I turn to that village wedding, kept between four brown walls, where an awkward bridegroom opens the dance with a high-shouldered, broad-faced bride, while elderly and middle-aged friends look on, with very irregular noses and lips, and probably with quart-pots in their hands, but with an expression of unmistakable contentment and goodwill. "Foh!" says my idealistic friend, "what vulgar details! What good is there in taking all these pains to give an exact likeness of old women and clowns? What a low phase of life! What clumsy, ugly people!" But bless us, things may be lovable that are not altogether handsome, I hope? I am not at all sure that the majority of the human race have not been ugly, and even among those "lords of their kind," the British, squat figures, ill-shapen nostrils, and dingy complexions are not startling exceptions. Yet there is a great deal of family love amongst us. I have a friend or two whose class of features is such that the Apollo curl on the summit of their brows would be decidedly trying; yet to my certain knowledge tender hearts have beaten for them, and their miniatures--flattering, but still not lovely--are kissed in secret by motherly lips. I have seen many an excellent matron, who could have never in her best days have been handsome, and yet she had a packet of yellow love-letters in a private drawer, and sweet children showered kisses on her sallow cheeks. And I believe there have been plenty of young heroes, of middle stature and feeble beards, who have felt quite sure they could never love anything more insignificant than a Diana, and yet have found themselves in middle life happily settled with a wife who waddles. Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty--it flows with resistless force and brings beauty with it. All honour and reverence to the divine beauty of form! Let us cultivate it to the utmost in men, women, and children--in our gardens and in our houses. But let us love that other beauty too, which lies in no secret of proportion, but in the secret of deep human sympathy. Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pot-house, those rounded backs and stupid weather-beaten faces that have bent over the spade and done the rough work of the world--those homes with their tin pans, their brown pitchers, their rough curs, and their clusters of onions. In this world there are so many of these common coarse people, who have no picturesque sentimental wretchedness! It is so needful we should remember their existence, else we may happen to leave them quite out of our religion and philosophy and frame lofty theories which only fit a world of extremes. Therefore, let Art always remind us of them; therefore let us always have men ready to give the loving pains of a life to the faithful representing of commonplace things--men who see beauty in these commonplace things, and delight in showing how kindly the light of heaven falls on them. There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my every-day fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch, for whom I have to make way with kindly courtesy. Neither are picturesque lazzaroni or romantic criminals half so frequent as your common labourer, who gets his own bread and eats it vulgarly but creditably with his own pocket-knife. It is more needful that I should have a fibre of sympathy connecting me with that vulgar citizen who weighs out my sugar in a vilely assorted cravat and waistcoat, than with the handsomest rascal in red scarf and green feathers--more needful that my heart should swell with loving admiration at some trait of gentle goodness in the faulty people who sit at the same hearth with me, or in the clergyman of my own parish, who is perhaps rather too corpulent and in other respects is not an Oberlin or a Tillotson, than at the deeds of heroes whom I shall never know except by hearsay, or at the sublimest abstract of all clerical graces that was ever conceived by an able novelist. And so I come back to Mr. Irwine, with whom I desire you to be in perfect charity, far as he may be from satisfying your demands on the clerical character. Perhaps you think he was not--as he ought to have been--a living demonstration of the benefits attached to a national church? But I am not sure of that; at least I know that the people in Broxton and Hayslope would have been very sorry to part with their clergyman, and that most faces brightened at his approach; and until it can be proved that hatred is a better thing for the soul than love, I must believe that Mr. Irwine's influence in his parish was a more wholesome one than that of the zealous Mr. Ryde, who came there twenty years afterwards, when Mr. Irwine had been gathered to his fathers. It is true, Mr. Ryde insisted strongly on the doctrines of the Reformation, visited his flock a great deal in their own homes, and was severe in rebuking the aberrations of the flesh--put a stop, indeed, to the Christmas rounds of the church singers, as promoting drunkenness and too light a handling of sacred things. But I gathered from Adam Bede, to whom I talked of these matters in his old age, that few clergymen could be less successful in winning the hearts of their parishioners than Mr. Ryde. They learned a great many notions about doctrine from him, so that almost every church-goer under fifty began to distinguish as well between the genuine gospel and what did not come precisely up to that standard, as if he had been born and bred a Dissenter; and for some time after his arrival there seemed to be quite a religious movement in that quiet rural district. "But," said Adam, "I've seen pretty clear, ever since I was a young un, as religion's something else besides notions. It isn't notions sets people doing the right thing--it's feelings. It's the same with the notions in religion as it is with math'matics--a man may be able to work problems straight off in's head as he sits by the fire and smokes his pipe, but if he has to make a machine or a building, he must have a will and a resolution and love something else better than his own ease. Somehow, the congregation began to fall off, and people began to speak light o' Mr. Ryde. I believe he meant right at bottom; but, you see, he was sourish-tempered, and was for beating down prices with the people as worked for him; and his preaching wouldn't go down well with that sauce. And he wanted to be like my lord judge i' the parish, punishing folks for doing wrong; and he scolded 'em from the pulpit as if he'd been a Ranter, and yet he couldn't abide the Dissenters, and was a deal more set against 'em than Mr. Irwine was. And then he didn't keep within his income, for he seemed to think at first go-off that six hundred a-year was to make him as big a man as Mr. Donnithorne. That's a sore mischief I've often seen with the poor curates jumping into a bit of a living all of a sudden. Mr. Ryde was a deal thought on at a distance, I believe, and he wrote books, but as for math'matics and the natur o' things, he was as ignorant as a woman. He was very knowing about doctrines, and used to call 'em the bulwarks of the Reformation; but I've always mistrusted that sort o' learning as leaves folks foolish and unreasonable about business. Now Mester Irwine was as different as could be: as quick!--he understood what you meant in a minute, and he knew all about building, and could see when you'd made a good job. And he behaved as much like a gentleman to the farmers, and th' old women, and the labourers, as he did to the gentry. You never saw HIM interfering and scolding, and trying to play th' emperor. Ah, he was a fine man as ever you set eyes on; and so kind to's mother and sisters. That poor sickly Miss Anne--he seemed to think more of her than of anybody else in the world. There wasn't a soul in the parish had a word to say against him; and his servants stayed with him till they were so old and pottering, he had to hire other folks to do their work." "Well," I said, "that was an excellent way of preaching in the weekdays; but I daresay, if your old friend Mr. Irwine were to come to life again, and get into the pulpit next Sunday, you would be rather ashamed that he didn't preach better after all your praise of him." "Nay, nay," said Adam, broadening his chest and throwing himself back in his chair, as if he were ready to meet all inferences, "nobody has ever heard me say Mr. Irwine was much of a preacher. He didn't go into deep speritial experience; and I know there s a deal in a man's inward life as you can't measure by the square, and say, 'Do this and that 'll follow,' and, 'Do that and this 'll follow.' There's things go on in the soul, and times when feelings come into you like a rushing mighty wind, as the Scripture says, and part your life in two a'most, so you look back on yourself as if you was somebody else. Those are things as you can't bottle up in a 'do this' and 'do that'; and I'll go so far with the strongest Methodist ever you'll find. That shows me there's deep speritial things in religion. You can't make much out wi' talking about it, but you feel it. Mr. Irwine didn't go into those things--he preached short moral sermons, and that was all. But then he acted pretty much up to what he said; he didn't set up for being so different from other folks one day, and then be as like 'em as two peas the next. And he made folks love him and respect him, and that was better nor stirring up their gall wi' being overbusy. Mrs. Poyser used to say--you know she would have her word about everything--she said, Mr. Irwine was like a good meal o' victual, you were the better for him without thinking on it, and Mr. Ryde was like a dose o' physic, he gripped you and worreted you, and after all he left you much the same." "But didn't Mr. Ryde preach a great deal more about that spiritual part of religion that you talk of, Adam? Couldn't you get more out of his sermons than out of Mr. Irwine's?" "Eh, I knowna. He preached a deal about doctrines. But I've seen pretty clear, ever since I was a young un, as religion's something else besides doctrines and notions. I look at it as if the doctrines was like finding names for your feelings, so as you can talk of 'em when you've never known 'em, just as a man may talk o' tools when he knows their names, though he's never so much as seen 'em, still less handled 'em. I've heard a deal o' doctrine i' my time, for I used to go after the Dissenting preachers along wi' Seth, when I was a lad o' seventeen, and got puzzling myself a deal about th' Arminians and the Calvinists. The Wesleyans, you know, are strong Arminians; and Seth, who could never abide anything harsh and was always for hoping the best, held fast by the Wesleyans from the very first; but I thought I could pick a hole or two in their notions, and I got disputing wi' one o' the class leaders down at Treddles'on, and harassed him so, first o' this side and then o' that, till at last he said, 'Young man, it's the devil making use o' your pride and conceit as a weapon to war against the simplicity o' the truth.' I couldn't help laughing then, but as I was going home, I thought the man wasn't far wrong. I began to see as all this weighing and sifting what this text means and that text means, and whether folks are saved all by God's grace, or whether there goes an ounce o' their own will to't, was no part o' real religion at all. You may talk o' these things for hours on end, and you'll only be all the more coxy and conceited for't. So I took to going nowhere but to church, and hearing nobody but Mr. Irwine, for he said nothing but what was good and what you'd be the wiser for remembering. And I found it better for my soul to be humble before the mysteries o' God's dealings, and not be making a clatter about what I could never understand. And they're poor foolish questions after all; for what have we got either inside or outside of us but what comes from God? If we've got a resolution to do right, He gave it us, I reckon, first or last; but I see plain enough we shall never do it without a resolution, and that's enough for me." Adam, you perceive, was a warm admirer, perhaps a partial judge, of Mr. Irwine, as, happily, some of us still are of the people we have known familiarly. Doubtless it will be despised as a weakness by that lofty order of minds who pant after the ideal, and are oppressed by a general sense that their emotions are of too exquisite a character to find fit objects among their everyday fellowmen. I have often been favoured with the confidence of these select natures, and find them to concur in the experience that great men are overestimated and small men are insupportable; that if you would love a woman without ever looking back on your love as a folly, she must die while you are courting her; and if you would maintain the slightest belief in human heroism, you must never make a pilgrimage to see the hero. I confess I have often meanly shrunk from confessing to these accomplished and acute gentlemen what my own experience has been. I am afraid I have often smiled with hypocritical assent, and gratified them with an epigram on the fleeting nature of our illusions, which any one moderately acquainted with French literature can command at a moment's notice. Human converse, I think some wise man has remarked, is not rigidly sincere. But I herewith discharge my conscience, and declare that I have had quite enthusiastic movements of admiration towards old gentlemen who spoke the worst English, who were occasionally fretful in their temper, and who had never moved in a higher sphere of influence than that of parish overseer; and that the way in which I have come to the conclusion that human nature is lovable--the way I have learnt something of its deep pathos, its sublime mysteries--has been by living a great deal among people more or less commonplace and vulgar, of whom you would perhaps hear nothing very surprising if you were to inquire about them in the neighbourhoods where they dwelt. Ten to one most of the small shopkeepers in their vicinity saw nothing at all in them. For I have observed this remarkable coincidence, that the select natures who pant after the ideal, and find nothing in pantaloons or petticoats great enough to command their reverence and love, are curiously in unison with the narrowest and pettiest. For example, I have often heard Mr. Gedge, the landlord of the Royal Oak, who used to turn a bloodshot eye on his neighbours in the village of Shepperton, sum up his opinion of the people in his own parish--and they were all the people he knew--in these emphatic words: "Aye, sir, I've said it often, and I'll say it again, they're a poor lot i' this parish--a poor lot, sir, big and little." I think he had a dim idea that if he could migrate to a distant parish, he might find neighbours worthy of him; and indeed he did subsequently transfer himself to the Saracen's Head, which was doing a thriving business in the back street of a neighbouring market-town. But, oddly enough, he has found the people up that back street of precisely the same stamp as the inhabitants of Shepperton--"a poor lot, sir, big and little, and them as comes for a go o' gin are no better than them as comes for a pint o' twopenny--a poor lot."

book 2, Chapter 17

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second

Eliot anticipates that her reader will be shocked by the dullness of the vicar, perhaps hoping that the vicar would be given a fine sermon to offer. She reminds the reader that her goal, however, is a faithful reprint of life as it actually is. Eliot does not want to represent people as more clearly good and evil than is the norm in real life. She admires the Dutch painters who are realists more than those who paint angels. She believes in beauty of form, but she also thinks that realism has its own type of beauty and that there are so few true heroes and heroines in the world that it would be a waste of time to devote too much written material to them. Besides, it does not matter so much that the vicar is sound in terms of his doctrine as that he is loved. So the vicar is better, although he is not a very good preacher. Eliot observes that heroes are often not what they are built up to be

Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: "And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work." Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a "woman," he does have some elements of a family after all.

gradesaver

all_chapterized_books/507-chapters/18.txt

finished_summaries/gradesaver/Adam Bede/section_2_part_2.txt

Adam Bede.book 2.chapter 18

book 2, chapter 18

{"name": "book 2, Chapter 18", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second", "summary": "Mrs. Poyser criticizes Hetty for being late to Thias Bede's funeral, but she then sees how pretty she looks in her Sunday dress. The Poysers set off with Hetty, Totty, and their nine- and seven-year-old boys, Marty and Tommy. The grandfather stands by, and Mrs. Poyser remarks that the elderly are like babies, content with merely watching. As they walk to church, Mrs. Poyser comments on the quality of the cows, and Mr. Poyser delights in her knowledge and experience. They speculate about which side of the family Totty will look like, and then Mrs. Poyser says that if Dinah got some color in her cheeks and did not wear a Methodist's cap, people would think her as pretty as Hetty. But she cannot understand why her niece will not eat more and will not stop giving her money away. Mr. Poyser says that he dislikes Methodists; only tradespeople turn Methodist, never farmers. Mrs. Poyser notices that the boys are lagging behind, but she forgives them after Marty says that he has found a speckled turkey's nest. Mr. Poyser notices the fine weather and almost wishes that he could harvest his hay, but he knows that it is a Sabbath day. At the funeral the townspeople talk as much about local affairs as about the man to be buried. Hetty is crushed to see that the Captain is absent from the church, although she overhears that he is away at Eagledale, fishing", "analysis": "Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: \"And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work.\" Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a \"woman,\" he does have some elements of a family after all."}

"HETTY, Hetty, don't you know church begins at two, and it's gone half after one a'ready? Have you got nothing better to think on this good Sunday as poor old Thias Bede's to be put into the ground, and him drownded i' th' dead o' the night, as it's enough to make one's back run cold, but you must be 'dizening yourself as if there was a wedding i'stid of a funeral?" "Well, Aunt," said Hetty, "I can't be ready so soon as everybody else, when I've got Totty's things to put on. And I'd ever such work to make her stand still." Hetty was coming downstairs, and Mrs. Poyser, in her plain bonnet and shawl, was standing below. If ever a girl looked as if she had been made of roses, that girl was Hetty in her Sunday hat and frock. For her hat was trimmed with pink, and her frock had pink spots, sprinkled on a white ground. There was nothing but pink and white about her, except in her dark hair and eyes and her little buckled shoes. Mrs. Poyser was provoked at herself, for she could hardly keep from smiling, as any mortal is inclined to do at the sight of pretty round things. So she turned without speaking, and joined the group outside the house door, followed by Hetty, whose heart was fluttering so at the thought of some one she expected to see at church that she hardly felt the ground she trod on. And now the little procession set off. Mr. Poyser was in his Sunday suit of drab, with a red-and-green waistcoat and a green watch-ribbon having a large cornelian seal attached, pendant like a plumb-line from that promontory where his watch-pocket was situated; a silk handkerchief of a yellow tone round his neck; and excellent grey ribbed stockings, knitted by Mrs. Poyser's own hand, setting off the proportions of his leg. Mr. Poyser had no reason to be ashamed of his leg, and suspected that the growing abuse of top-boots and other fashions tending to disguise the nether limbs had their origin in a pitiable degeneracy of the human calf. Still less had he reason to be ashamed of his round jolly face, which was good humour itself as he said, "Come, Hetty--come, little uns!" and giving his arm to his wife, led the way through the causeway gate into the yard. The "little uns" addressed were Marty and Tommy, boys of nine and seven, in little fustian tailed coats and knee-breeches, relieved by rosy cheeks and black eyes, looking as much like their father as a very small elephant is like a very large one. Hetty walked between them, and behind came patient Molly, whose task it was to carry Totty through the yard and over all the wet places on the road; for Totty, having speedily recovered from her threatened fever, had insisted on going to church to-day, and especially on wearing her red-and-black necklace outside her tippet. And there were many wet places for her to be carried over this afternoon, for there had been heavy showers in the morning, though now the clouds had rolled off and lay in towering silvery masses on the horizon. You might have known it was Sunday if you had only waked up in the farmyard. The cocks and hens seemed to know it, and made only crooning subdued noises; the very bull-dog looked less savage, as if he would have been satisfied with a smaller bite than usual. The sunshine seemed to call all things to rest and not to labour. It was asleep itself on the moss-grown cow-shed; on the group of white ducks nestling together with their bills tucked under their wings; on the old black sow stretched languidly on the straw, while her largest young one found an excellent spring-bed on his mother's fat ribs; on Alick, the shepherd, in his new smock-frock, taking an uneasy siesta, half-sitting, half-standing on the granary steps. Alick was of opinion that church, like other luxuries, was not to be indulged in often by a foreman who had the weather and the ewes on his mind. "Church! Nay--I'n gotten summat else to think on," was an answer which he often uttered in a tone of bitter significance that silenced further question. I feel sure Alick meant no irreverence; indeed, I know that his mind was not of a speculative, negative cast, and he would on no account have missed going to church on Christmas Day, Easter Sunday, and "Whissuntide." But he had a general impression that public worship and religious ceremonies, like other non-productive employments, were intended for people who had leisure. "There's Father a-standing at the yard-gate," said Martin Poyser. "I reckon he wants to watch us down the field. It's wonderful what sight he has, and him turned seventy-five." "Ah, I often think it's wi' th' old folks as it is wi' the babbies," said Mrs. Poyser; "they're satisfied wi' looking, no matter what they're looking at. It's God A'mighty's way o' quietening 'em, I reckon, afore they go to sleep." Old Martin opened the gate as he saw the family procession approaching, and held it wide open, leaning on his stick--pleased to do this bit of work; for, like all old men whose life has been spent in labour, he liked to feel that he was still useful--that there was a better crop of onions in the garden because he was by at the sowing--and that the cows would be milked the better if he stayed at home on a Sunday afternoon to look on. He always went to church on Sacrament Sundays, but not very regularly at other times; on wet Sundays, or whenever he had a touch of rheumatism, he used to read the three first chapters of Genesis instead. "They'll ha' putten Thias Bede i' the ground afore ye get to the churchyard," he said, as his son came up. "It 'ud ha' been better luck if they'd ha' buried him i' the forenoon when the rain was fallin'; there's no likelihoods of a drop now; an' the moon lies like a boat there, dost see? That's a sure sign o' fair weather--there's a many as is false but that's sure." "Aye, aye," said the son, "I'm in hopes it'll hold up now." "Mind what the parson says, mind what the parson says, my lads," said Grandfather to the black-eyed youngsters in knee-breeches, conscious of a marble or two in their pockets which they looked forward to handling, a little, secretly, during the sermon. "Dood-bye, Dandad," said Totty. "Me doin' to church. Me dot my neklace on. Dive me a peppermint." Grandad, shaking with laughter at this "deep little wench," slowly transferred his stick to his left hand, which held the gate open, and slowly thrust his finger into the waistcoat pocket on which Totty had fixed her eyes with a confident look of expectation. And when they were all gone, the old man leaned on the gate again, watching them across the lane along the Home Close, and through the far gate, till they disappeared behind a bend in the hedge. For the hedgerows in those days shut out one's view, even on the better-managed farms; and this afternoon, the dog-roses were tossing out their pink wreaths, the nightshade was in its yellow and purple glory, the pale honeysuckle grew out of reach, peeping high up out of a holly bush, and over all an ash or a sycamore every now and then threw its shadow across the path. There were acquaintances at other gates who had to move aside and let them pass: at the gate of the Home Close there was half the dairy of cows standing one behind the other, extremely slow to understand that their large bodies might be in the way; at the far gate there was the mare holding her head over the bars, and beside her the liver-coloured foal with its head towards its mother's flank, apparently still much embarrassed by its own straddling existence. The way lay entirely through Mr. Poyser's own fields till they reached the main road leading to the village, and he turned a keen eye on the stock and the crops as they went along, while Mrs. Poyser was ready to supply a running commentary on them all. The woman who manages a dairy has a large share in making the rent, so she may well be allowed to have her opinion on stock and their "keep"--an exercise which strengthens her understanding so much that she finds herself able to give her husband advice on most other subjects. "There's that shorthorned Sally," she said, as they entered the Home Close, and she caught sight of the meek beast that lay chewing the cud and looking at her with a sleepy eye. "I begin to hate the sight o' the cow; and I say now what I said three weeks ago, the sooner we get rid of her the better, for there's that little yallow cow as doesn't give half the milk, and yet I've twice as much butter from her." "Why, thee't not like the women in general," said Mr. Poyser; "they like the shorthorns, as give such a lot o' milk. There's Chowne's wife wants him to buy no other sort." "What's it sinnify what Chowne's wife likes? A poor soft thing, wi' no more head-piece nor a sparrow. She'd take a big cullender to strain her lard wi', and then wonder as the scratchin's run through. I've seen enough of her to know as I'll niver take a servant from her house again--all hugger-mugger--and you'd niver know, when you went in, whether it was Monday or Friday, the wash draggin' on to th' end o' the week; and as for her cheese, I know well enough it rose like a loaf in a tin last year. And then she talks o' the weather bein' i' fault, as there's folks 'ud stand on their heads and then say the fault was i' their boots." "Well, Chowne's been wanting to buy Sally, so we can get rid of her if thee lik'st," said Mr. Poyser, secretly proud of his wife's superior power of putting two and two together; indeed, on recent market-days he had more than once boasted of her discernment in this very matter of shorthorns. "Aye, them as choose a soft for a wife may's well buy up the shorthorns, for if you get your head stuck in a bog, your legs may's well go after it. Eh! Talk o' legs, there's legs for you," Mrs. Poyser continued, as Totty, who had been set down now the road was dry, toddled on in front of her father and mother. "There's shapes! An' she's got such a long foot, she'll be her father's own child." "Aye, she'll be welly such a one as Hetty i' ten years' time, on'y she's got THY coloured eyes. I niver remember a blue eye i' my family; my mother had eyes as black as sloes, just like Hetty's." "The child 'ull be none the worse for having summat as isn't like Hetty. An' I'm none for having her so overpretty. Though for the matter o' that, there's people wi' light hair an' blue eyes as pretty as them wi' black. If Dinah had got a bit o' colour in her cheeks, an' didn't stick that Methodist cap on her head, enough to frighten the cows, folks 'ud think her as pretty as Hetty." "Nay, nay," said Mr. Poyser, with rather a contemptuous emphasis, "thee dostna know the pints of a woman. The men 'ud niver run after Dinah as they would after Hetty." "What care I what the men 'ud run after? It's well seen what choice the most of 'em know how to make, by the poor draggle-tails o' wives you see, like bits o' gauze ribbin, good for nothing when the colour's gone." "Well, well, thee canstna say but what I knowed how to make a choice when I married thee," said Mr. Poyser, who usually settled little conjugal disputes by a compliment of this sort; "and thee wast twice as buxom as Dinah ten year ago." "I niver said as a woman had need to be ugly to make a good missis of a house. There's Chowne's wife ugly enough to turn the milk an' save the rennet, but she'll niver save nothing any other way. But as for Dinah, poor child, she's niver likely to be buxom as long as she'll make her dinner o' cake and water, for the sake o' giving to them as want. She provoked me past bearing sometimes; and, as I told her, she went clean again' the Scriptur', for that says, 'Love your neighbour as yourself'; 'but,' I said, 'if you loved your neighbour no better nor you do yourself, Dinah, it's little enough you'd do for him. You'd be thinking he might do well enough on a half-empty stomach.' Eh, I wonder where she is this blessed Sunday! Sitting by that sick woman, I daresay, as she'd set her heart on going to all of a sudden." "Ah, it was a pity she should take such megrims into her head, when she might ha' stayed wi' us all summer, and eaten twice as much as she wanted, and it 'ud niver ha' been missed. She made no odds in th' house at all, for she sat as still at her sewing as a bird on the nest, and was uncommon nimble at running to fetch anything. If Hetty gets married, theed'st like to ha' Dinah wi' thee constant." "It's no use thinking o' that," said Mrs. Poyser. "You might as well beckon to the flying swallow as ask Dinah to come an' live here comfortable, like other folks. If anything could turn her, I should ha' turned her, for I've talked to her for a hour on end, and scolded her too; for she's my own sister's child, and it behoves me to do what I can for her. But eh, poor thing, as soon as she'd said us 'good-bye' an' got into the cart, an' looked back at me with her pale face, as is welly like her Aunt Judith come back from heaven, I begun to be frightened to think o' the set-downs I'd given her; for it comes over you sometimes as if she'd a way o' knowing the rights o' things more nor other folks have. But I'll niver give in as that's 'cause she's a Methodist, no more nor a white calf's white 'cause it eats out o' the same bucket wi' a black un." "Nay," said Mr. Poyser, with as near an approach to a snarl as his good-nature would allow; "I'm no opinion o' the Methodists. It's on'y tradesfolks as turn Methodists; you nuver knew a farmer bitten wi' them maggots. There's maybe a workman now an' then, as isn't overclever at's work, takes to preachin' an' that, like Seth Bede. But you see Adam, as has got one o' the best head-pieces hereabout, knows better; he's a good Churchman, else I'd never encourage him for a sweetheart for Hetty." "Why, goodness me," said Mrs. Poyser, who had looked back while her husband was speaking, "look where Molly is with them lads! They're the field's length behind us. How COULD you let 'em do so, Hetty? Anybody might as well set a pictur' to watch the children as you. Run back and tell 'em to come on." Mr. and Mrs. Poyser were now at the end of the second field, so they set Totty on the top of one of the large stones forming the true Loamshire stile, and awaited the loiterers Totty observing with complacency, "Dey naughty, naughty boys--me dood." The fact was that this Sunday walk through the fields was fraught with great excitement to Marty and Tommy, who saw a perpetual drama going on in the hedgerows, and could no more refrain from stopping and peeping than if they had been a couple of spaniels or terriers. Marty was quite sure he saw a yellow-hammer on the boughs of the great ash, and while he was peeping, he missed the sight of a white-throated stoat, which had run across the path and was described with much fervour by the junior Tommy. Then there was a little greenfinch, just fledged, fluttering along the ground, and it seemed quite possible to catch it, till it managed to flutter under the blackberry bush. Hetty could not be got to give any heed to these things, so Molly was called on for her ready sympathy, and peeped with open mouth wherever she was told, and said "Lawks!" whenever she was expected to wonder. Molly hastened on with some alarm when Hetty had come back and called to them that her aunt was angry; but Marty ran on first, shouting, "We've found the speckled turkey's nest, Mother!" with the instinctive confidence that people who bring good news are never in fault. "Ah," said Mrs. Poyser, really forgetting all discipline in this pleasant surprise, "that's a good lad; why, where is it?" "Down in ever such a hole, under the hedge. I saw it first, looking after the greenfinch, and she sat on th' nest." "You didn't frighten her, I hope," said the mother, "else she'll forsake it." "No, I went away as still as still, and whispered to Molly--didn't I, Molly?" "Well, well, now come on," said Mrs. Poyser, "and walk before Father and Mother, and take your little sister by the hand. We must go straight on now. Good boys don't look after the birds of a Sunday." "But, Mother," said Marty, "you said you'd give half-a-crown to find the speckled turkey's nest. Mayn't I have the half-crown put into my money-box?" "We'll see about that, my lad, if you walk along now, like a good boy." The father and mother exchanged a significant glance of amusement at their eldest-born's acuteness; but on Tommy's round face there was a cloud. "Mother," he said, half-crying, "Marty's got ever so much more money in his box nor I've got in mine." "Munny, me want half-a-toun in my bots," said Totty. "Hush, hush, hush," said Mrs. Poyser, "did ever anybody hear such naughty children? Nobody shall ever see their money-boxes any more, if they don't make haste and go on to church." This dreadful threat had the desired effect, and through the two remaining fields the three pair of small legs trotted on without any serious interruption, notwithstanding a small pond full of tadpoles, alias "bullheads," which the lads looked at wistfully. The damp hay that must be scattered and turned afresh to-morrow was not a cheering sight to Mr. Poyser, who during hay and corn harvest had often some mental struggles as to the benefits of a day of rest; but no temptation would have induced him to carry on any field-work, however early in the morning, on a Sunday; for had not Michael Holdsworth had a pair of oxen "sweltered" while he was ploughing on Good Friday? That was a demonstration that work on sacred days was a wicked thing; and with wickedness of any sort Martin Poyser was quite clear that he would have nothing to do, since money got by such means would never prosper. "It a'most makes your fingers itch to be at the hay now the sun shines so," he observed, as they passed through the "Big Meadow." "But it's poor foolishness to think o' saving by going against your conscience. There's that Jim Wakefield, as they used to call 'Gentleman Wakefield,' used to do the same of a Sunday as o' weekdays, and took no heed to right or wrong, as if there was nayther God nor devil. An' what's he come to? Why, I saw him myself last market-day a-carrying a basket wi' oranges in't." "Ah, to be sure," said Mrs. Poyser, emphatically, "you make but a poor trap to catch luck if you go and bait it wi' wickedness. The money as is got so's like to burn holes i' your pocket. I'd niver wish us to leave our lads a sixpence but what was got i' the rightful way. And as for the weather, there's One above makes it, and we must put up wi't: it's nothing of a plague to what the wenches are." Notwithstanding the interruption in their walk, the excellent habit which Mrs. Poyser's clock had of taking time by the forelock had secured their arrival at the village while it was still a quarter to two, though almost every one who meant to go to church was already within the churchyard gates. Those who stayed at home were chiefly mothers, like Timothy's Bess, who stood at her own door nursing her baby and feeling as women feel in that position--that nothing else can be expected of them. It was not entirely to see Thias Bede's funeral that the people were standing about the churchyard so long before service began; that was their common practice. The women, indeed, usually entered the church at once, and the farmers' wives talked in an undertone to each other, over the tall pews, about their illnesses and the total failure of doctor's stuff, recommending dandelion-tea, and other home-made specifics, as far preferable--about the servants, and their growing exorbitance as to wages, whereas the quality of their services declined from year to year, and there was no girl nowadays to be trusted any further than you could see her--about the bad price Mr. Dingall, the Treddleston grocer, was giving for butter, and the reasonable doubts that might be held as to his solvency, notwithstanding that Mrs. Dingall was a sensible woman, and they were all sorry for HER, for she had very good kin. Meantime the men lingered outside, and hardly any of them except the singers, who had a humming and fragmentary rehearsal to go through, entered the church until Mr. Irwine was in the desk. They saw no reason for that premature entrance--what could they do in church if they were there before service began?--and they did not conceive that any power in the universe could take it ill of them if they stayed out and talked a little about "bus'ness." Chad Cranage looks like quite a new acquaintance to-day, for he has got his clean Sunday face, which always makes his little granddaughter cry at him as a stranger. But an experienced eye would have fixed on him at once as the village blacksmith, after seeing the humble deference with which the big saucy fellow took off his hat and stroked his hair to the farmers; for Chad was accustomed to say that a working-man must hold a candle to a personage understood to be as black as he was himself on weekdays; by which evil-sounding rule of conduct he meant what was, after all, rather virtuous than otherwise, namely, that men who had horses to be shod must be treated with respect. Chad and the rougher sort of workmen kept aloof from the grave under the white thorn, where the burial was going forward; but Sandy Jim, and several of the farm-labourers, made a group round it, and stood with their hats off, as fellow-mourners with the mother and sons. Others held a midway position, sometimes watching the group at the grave, sometimes listening to the conversation of the farmers, who stood in a knot near the church door, and were now joined by Martin Poyser, while his family passed into the church. On the outside of this knot stood Mr. Casson, the landlord of the Donnithorne Arms, in his most striking attitude--that is to say, with the forefinger of his right hand thrust between the buttons of his waistcoat, his left hand in his breeches pocket, and his head very much on one side; looking, on the whole, like an actor who has only a mono-syllabic part entrusted to him, but feels sure that the audience discern his fitness for the leading business; curiously in contrast with old Jonathan Burge, who held his hands behind him and leaned forward, coughing asthmatically, with an inward scorn of all knowingness that could not be turned into cash. The talk was in rather a lower tone than usual to-day, hushed a little by the sound of Mr. Irwine's voice reading the final prayers of the burial-service. They had all had their word of pity for poor Thias, but now they had got upon the nearer subject of their own grievances against Satchell, the Squire's bailiff, who played the part of steward so far as it was not performed by old Mr. Donnithorne himself, for that gentleman had the meanness to receive his own rents and make bargains about his own timber. This subject of conversation was an additional reason for not being loud, since Satchell himself might presently be walking up the paved road to the church door. And soon they became suddenly silent; for Mr. Irwine's voice had ceased, and the group round the white thorn was dispersing itself towards the church. They all moved aside, and stood with their hats off, while Mr. Irwine passed. Adam and Seth were coming next, with their mother between them; for Joshua Rann officiated as head sexton as well as clerk, and was not yet ready to follow the rector into the vestry. But there was a pause before the three mourners came on: Lisbeth had turned round to look again towards the grave! Ah! There was nothing now but the brown earth under the white thorn. Yet she cried less to-day than she had done any day since her husband's death. Along with all her grief there was mixed an unusual sense of her own importance in having a "burial," and in Mr. Irwine's reading a special service for her husband; and besides, she knew the funeral psalm was going to be sung for him. She felt this counter-excitement to her sorrow still more strongly as she walked with her sons towards the church door, and saw the friendly sympathetic nods of their fellow-parishioners. The mother and sons passed into the church, and one by one the loiterers followed, though some still lingered without; the sight of Mr. Donnithorne's carriage, which was winding slowly up the hill, perhaps helping to make them feel that there was no need for haste. But presently the sound of the bassoon and the key-bugles burst forth; the evening hymn, which always opened the service, had begun, and every one must now enter and take his place. I cannot say that the interior of Hayslope Church was remarkable for anything except for the grey age of its oaken pews--great square pews mostly, ranged on each side of a narrow aisle. It was free, indeed, from the modern blemish of galleries. The choir had two narrow pews to themselves in the middle of the right-hand row, so that it was a short process for Joshua Rann to take his place among them as principal bass, and return to his desk after the singing was over. The pulpit and desk, grey and old as the pews, stood on one side of the arch leading into the chancel, which also had its grey square pews for Mr. Donnithorne's family and servants. Yet I assure you these grey pews, with the buff-washed walls, gave a very pleasing tone to this shabby interior, and agreed extremely well with the ruddy faces and bright waistcoats. And there were liberal touches of crimson toward the chancel, for the pulpit and Mr. Donnithorne's own pew had handsome crimson cloth cushions; and, to close the vista, there was a crimson altar-cloth, embroidered with golden rays by Miss Lydia's own hand. But even without the crimson cloth, the effect must have been warm and cheering when Mr. Irwine was in the desk, looking benignly round on that simple congregation--on the hardy old men, with bent knees and shoulders, perhaps, but with vigour left for much hedge-clipping and thatching; on the tall stalwart frames and roughly cut bronzed faces of the stone-cutters and carpenters; on the half-dozen well-to-do farmers, with their apple-cheeked families; and on the clean old women, mostly farm-labourers' wives, with their bit of snow-white cap-border under their black bonnets, and with their withered arms, bare from the elbow, folded passively over their chests. For none of the old people held books--why should they? Not one of them could read. But they knew a few "good words" by heart, and their withered lips now and then moved silently, following the service without any very clear comprehension indeed, but with a simple faith in its efficacy to ward off harm and bring blessing. And now all faces were visible, for all were standing up--the little children on the seats peeping over the edge of the grey pews, while good Bishop Ken's evening hymn was being sung to one of those lively psalm-tunes which died out with the last generation of rectors and choral parish clerks. Melodies die out, like the pipe of Pan, with the ears that love them and listen for them. Adam was not in his usual place among the singers to-day, for he sat with his mother and Seth, and he noticed with surprise that Bartle Massey was absent too--all the more agreeable for Mr. Joshua Rann, who gave out his bass notes with unusual complacency and threw an extra ray of severity into the glances he sent over his spectacles at the recusant Will Maskery. I beseech you to imagine Mr. Irwine looking round on this scene, in his ample white surplice that became him so well, with his powdered hair thrown back, his rich brown complexion, and his finely cut nostril and upper lip; for there was a certain virtue in that benignant yet keen countenance as there is in all human faces from which a generous soul beams out. And over all streamed the delicious June sunshine through the old windows, with their desultory patches of yellow, red, and blue, that threw pleasant touches of colour on the opposite wall. I think, as Mr. Irwine looked round to-day, his eyes rested an instant longer than usual on the square pew occupied by Martin Poyser and his family. And there was another pair of dark eyes that found it impossible not to wander thither, and rest on that round pink-and-white figure. But Hetty was at that moment quite careless of any glances--she was absorbed in the thought that Arthur Donnithorne would soon be coming into church, for the carriage must surely be at the church-gate by this time. She had never seen him since she parted with him in the wood on Thursday evening, and oh, how long the time had seemed! Things had gone on just the same as ever since that evening; the wonders that had happened then had brought no changes after them; they were already like a dream. When she heard the church door swinging, her heart beat so, she dared not look up. She felt that her aunt was curtsying; she curtsied herself. That must be old Mr. Donnithorne--he always came first, the wrinkled small old man, peering round with short-sighted glances at the bowing and curtsying congregation; then she knew Miss Lydia was passing, and though Hetty liked so much to look at her fashionable little coal-scuttle bonnet, with the wreath of small roses round it, she didn't mind it to-day. But there were no more curtsies--no, he was not come; she felt sure there was nothing else passing the pew door but the house-keeper's black bonnet and the lady's maid's beautiful straw hat that had once been Miss Lydia's, and then the powdered heads of the butler and footman. No, he was not there; yet she would look now--she might be mistaken--for, after all, she had not looked. So she lifted up her eyelids and glanced timidly at the cushioned pew in the chancel--there was no one but old Mr. Donnithorne rubbing his spectacles with his white handkerchief, and Miss Lydia opening the large gilt-edged prayer-book. The chill disappointment was too hard to bear. She felt herself turning pale, her lips trembling; she was ready to cry. Oh, what SHOULD she do? Everybody would know the reason; they would know she was crying because Arthur was not there. And Mr. Craig, with the wonderful hothouse plant in his button-hole, was staring at her, she knew. It was dreadfully long before the General Confession began, so that she could kneel down. Two great drops WOULD fall then, but no one saw them except good-natured Molly, for her aunt and uncle knelt with their backs towards her. Molly, unable to imagine any cause for tears in church except faintness, of which she had a vague traditional knowledge, drew out of her pocket a queer little flat blue smelling-bottle, and after much labour in pulling the cork out, thrust the narrow neck against Hetty's nostrils. "It donna smell," she whispered, thinking this was a great advantage which old salts had over fresh ones: they did you good without biting your nose. Hetty pushed it away peevishly; but this little flash of temper did what the salts could not have done--it roused her to wipe away the traces of her tears, and try with all her might not to shed any more. Hetty had a certain strength in her vain little nature: she would have borne anything rather than be laughed at, or pointed at with any other feeling than admiration; she would have pressed her own nails into her tender flesh rather than people should know a secret she did not want them to know. What fluctuations there were in her busy thoughts and feelings, while Mr. Irwine was pronouncing the solemn "Absolution" in her deaf ears, and through all the tones of petition that followed! Anger lay very close to disappointment, and soon won the victory over the conjectures her small ingenuity could devise to account for Arthur's absence on the supposition that he really wanted to come, really wanted to see her again. And by the time she rose from her knees mechanically, because all the rest were rising, the colour had returned to her cheeks even with a heightened glow, for she was framing little indignant speeches to herself, saying she hated Arthur for giving her this pain--she would like him to suffer too. Yet while this selfish tumult was going on in her soul, her eyes were bent down on her prayer-book, and the eyelids with their dark fringe looked as lovely as ever. Adam Bede thought so, as he glanced at her for a moment on rising from his knees. But Adam's thoughts of Hetty did not deafen him to the service; they rather blended with all the other deep feelings for which the church service was a channel to him this afternoon, as a certain consciousness of our entire past and our imagined future blends itself with all our moments of keen sensibility. And to Adam the church service was the best channel he could have found for his mingled regret, yearning, and resignation; its interchange of beseeching cries for help with outbursts of faith and praise, its recurrent responses and the familiar rhythm of its collects, seemed to speak for him as no other form of worship could have done; as, to those early Christians who had worshipped from their childhood upwards in catacombs, the torch-light and shadows must have seemed nearer the Divine presence than the heathenish daylight of the streets. The secret of our emotions never lies in the bare object, but in its subtle relations to our own past: no wonder the secret escapes the unsympathizing observer, who might as well put on his spectacles to discern odours. But there was one reason why even a chance comer would have found the service in Hayslope Church more impressive than in most other village nooks in the kingdom--a reason of which I am sure you have not the slightest suspicion. It was the reading of our friend Joshua Rann. Where that good shoemaker got his notion of reading from remained a mystery even to his most intimate acquaintances. I believe, after all, he got it chiefly from Nature, who had poured some of her music into this honest conceited soul, as she had been known to do into other narrow souls before his. She had given him, at least, a fine bass voice and a musical ear; but I cannot positively say whether these alone had sufficed to inspire him with the rich chant in which he delivered the responses. The way he rolled from a rich deep forte into a melancholy cadence, subsiding, at the end of the last word, into a sort of faint resonance, like the lingering vibrations of a fine violoncello, I can compare to nothing for its strong calm melancholy but the rush and cadence of the wind among the autumn boughs. This may seem a strange mode of speaking about the reading of a parish clerk--a man in rusty spectacles, with stubbly hair, a large occiput, and a prominent crown. But that is Nature's way: she will allow a gentleman of splendid physiognomy and poetic aspirations to sing woefully out of tune, and not give him the slightest hint of it; and takes care that some narrow-browed fellow, trolling a ballad in the corner of a pot-house, shall be as true to his intervals as a bird. Joshua himself was less proud of his reading than of his singing, and it was always with a sense of heightened importance that he passed from the desk to the choir. Still more to-day: it was a special occasion, for an old man, familiar to all the parish, had died a sad death--not in his bed, a circumstance the most painful to the mind of the peasant--and now the funeral psalm was to be sung in memory of his sudden departure. Moreover, Bartle Massey was not at church, and Joshua's importance in the choir suffered no eclipse. It was a solemn minor strain they sang. The old psalm-tunes have many a wail among them, and the words-- Thou sweep'st us off as with a flood; We vanish hence like dreams-- seemed to have a closer application than usual in the death of poor Thias. The mother and sons listened, each with peculiar feelings. Lisbeth had a vague belief that the psalm was doing her husband good; it was part of that decent burial which she would have thought it a greater wrong to withhold from him than to have caused him many unhappy days while he was living. The more there was said about her husband, the more there was done for him, surely the safer he would be. It was poor Lisbeth's blind way of feeling that human love and pity are a ground of faith in some other love. Seth, who was easily touched, shed tears, and tried to recall, as he had done continually since his father's death, all that he had heard of the possibility that a single moment of consciousness at the last might be a moment of pardon and reconcilement; for was it not written in the very psalm they were singing that the Divine dealings were not measured and circumscribed by time? Adam had never been unable to join in a psalm before. He had known plenty of trouble and vexation since he had been a lad, but this was the first sorrow that had hemmed in his voice, and strangely enough it was sorrow because the chief source of his past trouble and vexation was for ever gone out of his reach. He had not been able to press his father's hand before their parting, and say, "Father, you know it was all right between us; I never forgot what I owed you when I was a lad; you forgive me if I have been too hot and hasty now and then!" Adam thought but little to-day of the hard work and the earnings he had spent on his father: his thoughts ran constantly on what the old man's feelings had been in moments of humiliation, when he had held down his head before the rebukes of his son. When our indignation is borne in submissive silence, we are apt to feel twinges of doubt afterwards as to our own generosity, if not justice; how much more when the object of our anger has gone into everlasting silence, and we have seen his face for the last time in the meekness of death! "Ah! I was always too hard," Adam said to himself. "It's a sore fault in me as I'm so hot and out o' patience with people when they do wrong, and my heart gets shut up against 'em, so as I can't bring myself to forgive 'em. I see clear enough there's more pride nor love in my soul, for I could sooner make a thousand strokes with th' hammer for my father than bring myself to say a kind word to him. And there went plenty o' pride and temper to the strokes, as the devil WILL be having his finger in what we call our duties as well as our sins. Mayhap the best thing I ever did in my life was only doing what was easiest for myself. It's allays been easier for me to work nor to sit still, but the real tough job for me 'ud be to master my own will and temper and go right against my own pride. It seems to me now, if I was to find Father at home to-night, I should behave different; but there's no knowing--perhaps nothing 'ud be a lesson to us if it didn't come too late. It's well we should feel as life's a reckoning we can't make twice over; there's no real making amends in this world, any more nor you can mend a wrong subtraction by doing your addition right." This was the key-note to which Adam's thoughts had perpetually returned since his father's death, and the solemn wail of the funeral psalm was only an influence that brought back the old thoughts with stronger emphasis. So was the sermon, which Mr. Irwine had chosen with reference to Thias's funeral. It spoke briefly and simply of the words, "In the midst of life we are in death"--how the present moment is all we can call our own for works of mercy, of righteous dealing, and of family tenderness. All very old truths--but what we thought the oldest truth becomes the most startling to us in the week when we have looked on the dead face of one who has made a part of our own lives. For when men want to impress us with the effect of a new and wonderfully vivid light, do they not let it fall on the most familiar objects, that we may measure its intensity by remembering the former dimness? Then came the moment of the final blessing, when the forever sublime words, "The peace of God, which passeth all understanding," seemed to blend with the calm afternoon sunshine that fell on the bowed heads of the congregation; and then the quiet rising, the mothers tying on the bonnets of the little maidens who had slept through the sermon, the fathers collecting the prayer-books, until all streamed out through the old archway into the green churchyard and began their neighbourly talk, their simple civilities, and their invitations to tea; for on a Sunday every one was ready to receive a guest--it was the day when all must be in their best clothes and their best humour. Mr. and Mrs. Poyser paused a minute at the church gate: they were waiting for Adam to come up, not being contented to go away without saying a kind word to the widow and her sons. "Well, Mrs. Bede," said Mrs. Poyser, as they walked on together, "you must keep up your heart; husbands and wives must be content when they've lived to rear their children and see one another's hair grey." "Aye, aye," said Mr. Poyser; "they wonna have long to wait for one another then, anyhow. And ye've got two o' the strapping'st sons i' th' country; and well you may, for I remember poor Thias as fine a broad-shouldered fellow as need to be; and as for you, Mrs. Bede, why you're straighter i' the back nor half the young women now." "Eh," said Lisbeth, "it's poor luck for the platter to wear well when it's broke i' two. The sooner I'm laid under the thorn the better. I'm no good to nobody now." Adam never took notice of his mother's little unjust plaints; but Seth said, "Nay, Mother, thee mustna say so. Thy sons 'ull never get another mother." "That's true, lad, that's true," said Mr. Poyser; "and it's wrong on us to give way to grief, Mrs. Bede; for it's like the children cryin' when the fathers and mothers take things from 'em. There's One above knows better nor us." "Ah," said Mrs. Poyser, "an' it's poor work allays settin' the dead above the livin'. We shall all on us be dead some time, I reckon--it 'ud be better if folks 'ud make much on us beforehand, i'stid o' beginnin' when we're gone. It's but little good you'll do a-watering the last year's crop." "Well, Adam," said Mr. Poyser, feeling that his wife's words were, as usual, rather incisive than soothing, and that it would be well to change the subject, "you'll come and see us again now, I hope. I hanna had a talk with you this long while, and the missis here wants you to see what can be done with her best spinning-wheel, for it's got broke, and it'll be a nice job to mend it--there'll want a bit o' turning. You'll come as soon as you can now, will you?" Mr. Poyser paused and looked round while he was speaking, as if to see where Hetty was; for the children were running on before. Hetty was not without a companion, and she had, besides, more pink and white about her than ever, for she held in her hand the wonderful pink-and-white hot-house plant, with a very long name--a Scotch name, she supposed, since people said Mr. Craig the gardener was Scotch. Adam took the opportunity of looking round too; and I am sure you will not require of him that he should feel any vexation in observing a pouting expression on Hetty's face as she listened to the gardener's small talk. Yet in her secret heart she was glad to have him by her side, for she would perhaps learn from him how it was Arthur had not come to church. Not that she cared to ask him the question, but she hoped the information would be given spontaneously; for Mr. Craig, like a superior man, was very fond of giving information. Mr. Craig was never aware that his conversation and advances were received coldly, for to shift one's point of view beyond certain limits is impossible to the most liberal and expansive mind; we are none of us aware of the impression we produce on Brazilian monkeys of feeble understanding--it is possible they see hardly anything in us. Moreover, Mr. Craig was a man of sober passions, and was already in his tenth year of hesitation as to the relative advantages of matrimony and bachelorhood. It is true that, now and then, when he had been a little heated by an extra glass of grog, he had been heard to say of Hetty that the "lass was well enough," and that "a man might do worse"; but on convivial occasions men are apt to express themselves strongly. Martin Poyser held Mr. Craig in honour, as a man who "knew his business" and who had great lights concerning soils and compost; but he was less of a favourite with Mrs. Poyser, who had more than once said in confidence to her husband, "You're mighty fond o' Craig, but for my part, I think he's welly like a cock as thinks the sun's rose o' purpose to hear him crow." For the rest, Mr. Craig was an estimable gardener, and was not without reasons for having a high opinion of himself. He had also high shoulders and high cheek-bones and hung his head forward a little, as he walked along with his hands in his breeches pockets. I think it was his pedigree only that had the advantage of being Scotch, and not his "bringing up"; for except that he had a stronger burr in his accent, his speech differed little from that of the Loamshire people about him. But a gardener is Scotch, as a French teacher is Parisian. "Well, Mr. Poyser," he said, before the good slow farmer had time to speak, "ye'll not be carrying your hay to-morrow, I'm thinking. The glass sticks at 'change,' and ye may rely upo' my word as we'll ha' more downfall afore twenty-four hours is past. Ye see that darkish-blue cloud there upo' the 'rizon--ye know what I mean by the 'rizon, where the land and sky seems to meet?" "Aye, aye, I see the cloud," said Mr. Poyser, "'rizon or no 'rizon. It's right o'er Mike Holdsworth's fallow, and a foul fallow it is." "Well, you mark my words, as that cloud 'ull spread o'er the sky pretty nigh as quick as you'd spread a tarpaulin over one o' your hay-ricks. It's a great thing to ha' studied the look o' the clouds. Lord bless you! Th' met'orological almanecks can learn me nothing, but there's a pretty sight o' things I could let THEM up to, if they'd just come to me. And how are you, Mrs. Poyser?--thinking o' getherin' the red currants soon, I reckon. You'd a deal better gether 'em afore they're o'erripe, wi' such weather as we've got to look forward to. How do ye do, Mistress Bede?" Mr. Craig continued, without a pause, nodding by the way to Adam and Seth. "I hope y' enjoyed them spinach and gooseberries as I sent Chester with th' other day. If ye want vegetables while ye're in trouble, ye know where to come to. It's well known I'm not giving other folks' things away, for when I've supplied the house, the garden's my own spekilation, and it isna every man th' old squire could get as 'ud be equil to the undertaking, let alone asking whether he'd be willing I've got to run my calkilation fine, I can tell you, to make sure o' getting back the money as I pay the squire. I should like to see some o' them fellows as make the almanecks looking as far before their noses as I've got to do every year as comes." "They look pretty fur, though," said Mr. Poyser, turning his head on one side and speaking in rather a subdued reverential tone. "Why, what could come truer nor that pictur o' the cock wi' the big spurs, as has got its head knocked down wi' th' anchor, an' th' firin', an' the ships behind? Why, that pictur was made afore Christmas, and yit it's come as true as th' Bible. Why, th' cock's France, an' th' anchor's Nelson--an' they told us that beforehand." "Pee--ee-eh!" said Mr. Craig. "A man doesna want to see fur to know as th' English 'ull beat the French. Why, I know upo' good authority as it's a big Frenchman as reaches five foot high, an' they live upo' spoon-meat mostly. I knew a man as his father had a particular knowledge o' the French. I should like to know what them grasshoppers are to do against such fine fellows as our young Captain Arthur. Why, it 'ud astonish a Frenchman only to look at him; his arm's thicker nor a Frenchman's body, I'll be bound, for they pinch theirsells in wi' stays; and it's easy enough, for they've got nothing i' their insides." "Where IS the captain, as he wasna at church to-day?" said Adam. "I was talking to him o' Friday, and he said nothing about his going away." "Oh, he's only gone to Eagledale for a bit o' fishing; I reckon he'll be back again afore many days are o'er, for he's to be at all th' arranging and preparing o' things for the comin' o' age o' the 30th o' July. But he's fond o' getting away for a bit, now and then. Him and th' old squire fit one another like frost and flowers." Mr. Craig smiled and winked slowly as he made this last observation, but the subject was not developed farther, for now they had reached the turning in the road where Adam and his companions must say "good-bye." The gardener, too, would have had to turn off in the same direction if he had not accepted Mr. Poyser's invitation to tea. Mrs. Poyser duly seconded the invitation, for she would have held it a deep disgrace not to make her neighbours welcome to her house: personal likes and dislikes must not interfere with that sacred custom. Moreover, Mr. Craig had always been full of civilities to the family at the Hall Farm, and Mrs. Poyser was scrupulous in declaring that she had "nothing to say again' him, on'y it was a pity he couldna be hatched o'er again, an' hatched different." So Adam and Seth, with their mother between them, wound their way down to the valley and up again to the old house, where a saddened memory had taken the place of a long, long anxiety--where Adam would never have to ask again as he entered, "Where's Father?" And the other family party, with Mr. Craig for company, went back to the pleasant bright house-place at the Hall Farm--all with quiet minds, except Hetty, who knew now where Arthur was gone, but was only the more puzzled and uneasy. For it appeared that his absence was quite voluntary; he need not have gone--he would not have gone if he had wanted to see her. She had a sickening sense that no lot could ever be pleasant to her again if her Thursday night's vision was not to be fulfilled; and in this moment of chill, bare, wintry disappointment and doubt, she looked towards the possibility of being with Arthur again, of meeting his loving glance, and hearing his soft words with that eager yearning which one may call the "growing pain" of passion.

book 2, Chapter 18

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second

Mrs. Poyser criticizes Hetty for being late to Thias Bede's funeral, but she then sees how pretty she looks in her Sunday dress. The Poysers set off with Hetty, Totty, and their nine- and seven-year-old boys, Marty and Tommy. The grandfather stands by, and Mrs. Poyser remarks that the elderly are like babies, content with merely watching. As they walk to church, Mrs. Poyser comments on the quality of the cows, and Mr. Poyser delights in her knowledge and experience. They speculate about which side of the family Totty will look like, and then Mrs. Poyser says that if Dinah got some color in her cheeks and did not wear a Methodist's cap, people would think her as pretty as Hetty. But she cannot understand why her niece will not eat more and will not stop giving her money away. Mr. Poyser says that he dislikes Methodists; only tradespeople turn Methodist, never farmers. Mrs. Poyser notices that the boys are lagging behind, but she forgives them after Marty says that he has found a speckled turkey's nest. Mr. Poyser notices the fine weather and almost wishes that he could harvest his hay, but he knows that it is a Sabbath day. At the funeral the townspeople talk as much about local affairs as about the man to be buried. Hetty is crushed to see that the Captain is absent from the church, although she overhears that he is away at Eagledale, fishing

Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: "And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work." Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a "woman," he does have some elements of a family after all.

gradesaver

all_chapterized_books/507-chapters/20.txt

finished_summaries/gradesaver/Adam Bede/section_2_part_4.txt

Adam Bede.book 2.chapter 20

book 2, chapter 20

{"name": "book 2, Chapter 20", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second", "summary": "Adam wears his Sunday clothes the Monday after, and Lisbeth is upset because she guesses correctly that he is dressed up to visit Hetty. When he reaches the Poysers' farm, Mrs. Poyser asks him to go out where Hetty is picking currants with Totty and to fetch Totty in, because she is probably eating too many currants. Adam walks out and, when Hetty hears him approach, she imagines that it might be the Captain. She blushes deeply. Adam mistakes this blushing as her first sign of love for him. On the way back to the house, Hetty questions Adam about how far Eagledale is, and she is pleased to learn that the Captain could come back quickly if he wanted to. Adam is happy that she is asking him questions, and he picks a rose to give to her. She puts it in her hair. This displeases him slightly, knowing that Hetty's vanity could irritate his mother, and the flower in her hair reminds him slightly of the accessories of a prostitute. He mentions that Dinah looks very nice without adornment, and Hetty takes the flower out of her hair. Hetty puts on Dinah's Methodist cap when she gets back to the farm. Adam thinks that she looks nice, but Mrs. Poyser scolds her for making fun of Dinah, who has only just left. Her uncle makes her take off the cap. Adam lightens the mood at dinner by complimenting the homemade ale, and then he goes to fix the family's broken spinning wheel. Adam discusses his plans of setting up his own business and designing a movable kitchen cupboard which he would sell. He leaves to go to night school, saying that he only stays up late to work extra, not to eat and drink extra. After he leaves, Hetty's family comments that she should try to catch him as a husband, because one day she might ride in her own cart. But Hetty thinks that this would be a miserable fate given her new aspirations", "analysis": "Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: \"And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work.\" Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a \"woman,\" he does have some elements of a family after all."}

ADAM came back from his work in the empty waggon--that was why he had changed his clothes--and was ready to set out to the Hall Farm when it still wanted a quarter to seven. "What's thee got thy Sunday cloose on for?" said Lisbeth complainingly, as he came downstairs. "Thee artna goin' to th' school i' thy best coat?" "No, Mother," said Adam, quietly. "I'm going to the Hall Farm, but mayhap I may go to the school after, so thee mustna wonder if I'm a bit late. Seth 'ull be at home in half an hour--he's only gone to the village; so thee wutna mind." "Eh, an' what's thee got thy best cloose on for to go to th' Hall Farm? The Poyser folks see'd thee in 'em yesterday, I warrand. What dost mean by turnin' worki'day into Sunday a-that'n? It's poor keepin' company wi' folks as donna like to see thee i' thy workin' jacket." "Good-bye, mother, I can't stay," said Adam, putting on his hat and going out. But he had no sooner gone a few paces beyond the door than Lisbeth became uneasy at the thought that she had vexed him. Of course, the secret of her objection to the best clothes was her suspicion that they were put on for Hetty's sake; but deeper than all her peevishness lay the need that her son should love her. She hurried after him, and laid hold of his arm before he had got half-way down to the brook, and said, "Nay, my lad, thee wutna go away angered wi' thy mother, an' her got nought to do but to sit by hersen an' think on thee?" "Nay, nay, Mother," said Adam, gravely, and standing still while he put his arm on her shoulder, "I'm not angered. But I wish, for thy own sake, thee'dst be more contented to let me do what I've made up my mind to do. I'll never be no other than a good son to thee as long as we live. But a man has other feelings besides what he owes to's father and mother, and thee oughtna to want to rule over me body and soul. And thee must make up thy mind as I'll not give way to thee where I've a right to do what I like. So let us have no more words about it." "Eh," said Lisbeth, not willing to show that she felt the real bearing of Adam's words, "and' who likes to see thee i' thy best cloose better nor thy mother? An' when thee'st got thy face washed as clean as the smooth white pibble, an' thy hair combed so nice, and thy eyes a-sparklin'--what else is there as thy old mother should like to look at half so well? An' thee sha't put on thy Sunday cloose when thee lik'st for me--I'll ne'er plague thee no moor about'n." "Well, well; good-bye, mother," said Adam, kissing her and hurrying away. He saw there was no other means of putting an end to the dialogue. Lisbeth stood still on the spot, shading her eyes and looking after him till he was quite out of sight. She felt to the full all the meaning that had lain in Adam's words, and, as she lost sight of him and turned back slowly into the house, she said aloud to herself--for it was her way to speak her thoughts aloud in the long days when her husband and sons were at their work--"Eh, he'll be tellin' me as he's goin' to bring her home one o' these days; an' she'll be missis o'er me, and I mun look on, belike, while she uses the blue-edged platters, and breaks 'em, mayhap, though there's ne'er been one broke sin' my old man an' me bought 'em at the fair twenty 'ear come next Whissuntide. Eh!" she went on, still louder, as she caught up her knitting from the table, "but she'll ne'er knit the lad's stockin's, nor foot 'em nayther, while I live; an' when I'm gone, he'll bethink him as nobody 'ull ne'er fit's leg an' foot as his old mother did. She'll know nothin' o' narrowin' an' heelin', I warrand, an' she'll make a long toe as he canna get's boot on. That's what comes o' marr'in' young wenches. I war gone thirty, an' th' feyther too, afore we war married; an' young enough too. She'll be a poor dratchell by then SHE'S thirty, a-marr'in' a-that'n, afore her teeth's all come." Adam walked so fast that he was at the yard-gate before seven. Martin Poyser and the grandfather were not yet come in from the meadow: every one was in the meadow, even to the black-and-tan terrier--no one kept watch in the yard but the bull-dog; and when Adam reached the house-door, which stood wide open, he saw there was no one in the bright clean house-place. But he guessed where Mrs. Poyser and some one else would be, quite within hearing; so he knocked on the door and said in his strong voice, "Mrs. Poyser within?" "Come in, Mr. Bede, come in," Mrs. Poyser called out from the dairy. She always gave Adam this title when she received him in her own house. "You may come into the dairy if you will, for I canna justly leave the cheese." Adam walked into the dairy, where Mrs. Poyser and Nancy were crushing the first evening cheese. "Why, you might think you war come to a dead-house," said Mrs. Poyser, as he stood in the open doorway; "they're all i' the meadow; but Martin's sure to be in afore long, for they're leaving the hay cocked to-night, ready for carrying first thing to-morrow. I've been forced t' have Nancy in, upo' 'count as Hetty must gether the red currants to-night; the fruit allays ripens so contrairy, just when every hand's wanted. An' there's no trustin' the children to gether it, for they put more into their own mouths nor into the basket; you might as well set the wasps to gether the fruit." Adam longed to say he would go into the garden till Mr. Poyser came in, but he was not quite courageous enough, so he said, "I could be looking at your spinning-wheel, then, and see what wants doing to it. Perhaps it stands in the house, where I can find it?" "No, I've put it away in the right-hand parlour; but let it be till I can fetch it and show it you. I'd be glad now if you'd go into the garden and tell Hetty to send Totty in. The child 'ull run in if she's told, an' I know Hetty's lettin' her eat too many currants. I'll be much obliged to you, Mr. Bede, if you'll go and send her in; an' there's the York and Lankester roses beautiful in the garden now--you'll like to see 'em. But you'd like a drink o' whey first, p'r'aps; I know you're fond o' whey, as most folks is when they hanna got to crush it out." "Thank you, Mrs. Poyser," said Adam; "a drink o' whey's allays a treat to me. I'd rather have it than beer any day." "Aye, aye," said Mrs. Poyser, reaching a small white basin that stood on the shelf, and dipping it into the whey-tub, "the smell o' bread's sweet t' everybody but the baker. The Miss Irwines allays say, 'Oh, Mrs. Poyser, I envy you your dairy; and I envy you your chickens; and what a beautiful thing a farm-house is, to be sure!' An' I say, 'Yes; a farm-house is a fine thing for them as look on, an' don't know the liftin', an' the stannin', an' the worritin' o' th' inside as belongs to't.'" "Why, Mrs. Poyser, you wouldn't like to live anywhere else but in a farm-house, so well as you manage it," said Adam, taking the basin; "and there can be nothing to look at pleasanter nor a fine milch cow, standing up to'ts knees in pasture, and the new milk frothing in the pail, and the fresh butter ready for market, and the calves, and the poultry. Here's to your health, and may you allays have strength to look after your own dairy, and set a pattern t' all the farmers' wives in the country." Mrs. Poyser was not to be caught in the weakness of smiling at a compliment, but a quiet complacency over-spread her face like a stealing sunbeam, and gave a milder glance than usual to her blue-grey eyes, as she looked at Adam drinking the whey. Ah! I think I taste that whey now--with a flavour so delicate that one can hardly distinguish it from an odour, and with that soft gliding warmth that fills one's imagination with a still, happy dreaminess. And the light music of the dropping whey is in my ears, mingling with the twittering of a bird outside the wire network window--the window overlooking the garden, and shaded by tall Guelder roses. "Have a little more, Mr. Bede?" said Mrs. Poyser, as Adam set down the basin. "No, thank you; I'll go into the garden now, and send in the little lass." "Aye, do; and tell her to come to her mother in the dairy." Adam walked round by the rick-yard, at present empty of ricks, to the little wooden gate leading into the garden--once the well-tended kitchen-garden of a manor-house; now, but for the handsome brick wall with stone coping that ran along one side of it, a true farmhouse garden, with hardy perennial flowers, unpruned fruit-trees, and kitchen vegetables growing together in careless, half-neglected abundance. In that leafy, flowery, bushy time, to look for any one in this garden was like playing at "hide-and-seek." There were the tall hollyhocks beginning to flower and dazzle the eye with their pink, white, and yellow; there were the syringas and Guelder roses, all large and disorderly for want of trimming; there were leafy walls of scarlet beans and late peas; there was a row of bushy filberts in one direction, and in another a huge apple-tree making a barren circle under its low-spreading boughs. But what signified a barren patch or two? The garden was so large. There was always a superfluity of broad beans--it took nine or ten of Adam's strides to get to the end of the uncut grass walk that ran by the side of them; and as for other vegetables, there was so much more room than was necessary for them that in the rotation of crops a large flourishing bed of groundsel was of yearly occurrence on one spot or other. The very rose-trees at which Adam stopped to pluck one looked as if they grew wild; they were all huddled together in bushy masses, now flaunting with wide-open petals, almost all of them of the streaked pink-and-white kind, which doubtless dated from the union of the houses of York and Lancaster. Adam was wise enough to choose a compact Provence rose that peeped out half-smothered by its flaunting scentless neighbours, and held it in his hand--he thought he should be more at ease holding something in his hand--as he walked on to the far end of the garden, where he remembered there was the largest row of currant-trees, not far off from the great yew-tree arbour. But he had not gone many steps beyond the roses, when he heard the shaking of a bough, and a boy's voice saying, "Now, then, Totty, hold out your pinny--there's a duck." The voice came from the boughs of a tall cherry-tree, where Adam had no difficulty in discerning a small blue-pinafored figure perched in a commodious position where the fruit was thickest. Doubtless Totty was below, behind the screen of peas. Yes--with her bonnet hanging down her back, and her fat face, dreadfully smeared with red juice, turned up towards the cherry-tree, while she held her little round hole of a mouth and her red-stained pinafore to receive the promised downfall. I am sorry to say, more than half the cherries that fell were hard and yellow instead of juicy and red; but Totty spent no time in useless regrets, and she was already sucking the third juiciest when Adam said, "There now, Totty, you've got your cherries. Run into the house with 'em to Mother--she wants you--she's in the dairy. Run in this minute--there's a good little girl." He lifted her up in his strong arms and kissed her as he spoke, a ceremony which Totty regarded as a tiresome interruption to cherry-eating; and when he set her down she trotted off quite silently towards the house, sucking her cherries as she went along. "Tommy, my lad, take care you're not shot for a little thieving bird," said Adam, as he walked on towards the currant-trees. He could see there was a large basket at the end of the row: Hetty would not be far off, and Adam already felt as if she were looking at him. Yet when he turned the corner she was standing with her back towards him, and stooping to gather the low-hanging fruit. Strange that she had not heard him coming! Perhaps it was because she was making the leaves rustle. She started when she became conscious that some one was near--started so violently that she dropped the basin with the currants in it, and then, when she saw it was Adam, she turned from pale to deep red. That blush made his heart beat with a new happiness. Hetty had never blushed at seeing him before. "I frightened you," he said, with a delicious sense that it didn't signify what he said, since Hetty seemed to feel as much as he did; "let ME pick the currants up." That was soon done, for they had only fallen in a tangled mass on the grass-plot, and Adam, as he rose and gave her the basin again, looked straight into her eyes with the subdued tenderness that belongs to the first moments of hopeful love. Hetty did not turn away her eyes; her blush had subsided, and she met his glance with a quiet sadness, which contented Adam because it was so unlike anything he had seen in her before. "There's not many more currants to get," she said; "I shall soon ha' done now." "I'll help you," said Adam; and he fetched the large basket, which was nearly full of currants, and set it close to them. Not a word more was spoken as they gathered the currants. Adam's heart was too full to speak, and he thought Hetty knew all that was in it. She was not indifferent to his presence after all; she had blushed when she saw him, and then there was that touch of sadness about her which must surely mean love, since it was the opposite of her usual manner, which had often impressed him as indifference. And he could glance at her continually as she bent over the fruit, while the level evening sunbeams stole through the thick apple-tree boughs, and rested on her round cheek and neck as if they too were in love with her. It was to Adam the time that a man can least forget in after-life, the time when he believes that the first woman he has ever loved betrays by a slight something--a word, a tone, a glance, the quivering of a lip or an eyelid--that she is at least beginning to love him in return. The sign is so slight, it is scarcely perceptible to the ear or eye--he could describe it to no one--it is a mere feather-touch, yet it seems to have changed his whole being, to have merged an uneasy yearning into a delicious unconsciousness of everything but the present moment. So much of our early gladness vanishes utterly from our memory: we can never recall the joy with which we laid our heads on our mother's bosom or rode on our father's back in childhood. Doubtless that joy is wrought up into our nature, as the sunlight of long-past mornings is wrought up in the soft mellowness of the apricot, but it is gone for ever from our imagination, and we can only BELIEVE in the joy of childhood. But the first glad moment in our first love is a vision which returns to us to the last, and brings with it a thrill of feeling intense and special as the recurrent sensation of a sweet odour breathed in a far-off hour of happiness. It is a memory that gives a more exquisite touch to tenderness, that feeds the madness of jealousy and adds the last keenness to the agony of despair. Hetty bending over the red bunches, the level rays piercing the screen of apple-tree boughs, the length of bushy garden beyond, his own emotion as he looked at her and believed that she was thinking of him, and that there was no need for them to talk--Adam remembered it all to the last moment of his life. And Hetty? You know quite well that Adam was mistaken about her. Like many other men, he thought the signs of love for another were signs of love towards himself. When Adam was approaching unseen by her, she was absorbed as usual in thinking and wondering about Arthur's possible return. The sound of any man's footstep would have affected her just in the same way--she would have FELT it might be Arthur before she had time to see, and the blood that forsook her cheek in the agitation of that momentary feeling would have rushed back again at the sight of any one else just as much as at the sight of Adam. He was not wrong in thinking that a change had come over Hetty: the anxieties and fears of a first passion, with which she was trembling, had become stronger than vanity, had given her for the first time that sense of helpless dependence on another's feeling which awakens the clinging deprecating womanhood even in the shallowest girl that can ever experience it, and creates in her a sensibility to kindness which found her quite hard before. For the first time Hetty felt that there was something soothing to her in Adam's timid yet manly tenderness. She wanted to be treated lovingly--oh, it was very hard to bear this blank of absence, silence, apparent indifference, after those moments of glowing love! She was not afraid that Adam would tease her with love-making and flattering speeches like her other admirers; he had always been so reserved to her; she could enjoy without any fear the sense that this strong brave man loved her and was near her. It never entered into her mind that Adam was pitiable too--that Adam too must suffer one day. Hetty, we know, was not the first woman that had behaved more gently to the man who loved her in vain because she had herself begun to love another. It was a very old story, but Adam knew nothing about it, so he drank in the sweet delusion. "That'll do," said Hetty, after a little while. "Aunt wants me to leave some on the trees. I'll take 'em in now." "It's very well I came to carry the basket," said Adam "for it 'ud ha' been too heavy for your little arms." "No; I could ha' carried it with both hands." "Oh, I daresay," said Adam, smiling, "and been as long getting into the house as a little ant carrying a caterpillar. Have you ever seen those tiny fellows carrying things four times as big as themselves?" "No," said Hetty, indifferently, not caring to know the difficulties of ant life. "Oh, I used to watch 'em often when I was a lad. But now, you see, I can carry the basket with one arm, as if it was an empty nutshell, and give you th' other arm to lean on. Won't you? Such big arms as mine were made for little arms like yours to lean on." Hetty smiled faintly and put her arm within his. Adam looked down at her, but her eyes were turned dreamily towards another corner of the garden. "Have you ever been to Eagledale?" she said, as they walked slowly along. "Yes," said Adam, pleased to have her ask a question about himself. "Ten years ago, when I was a lad, I went with father to see about some work there. It's a wonderful sight--rocks and caves such as you never saw in your life. I never had a right notion o' rocks till I went there." "How long did it take to get there?" "Why, it took us the best part o' two days' walking. But it's nothing of a day's journey for anybody as has got a first-rate nag. The captain 'ud get there in nine or ten hours, I'll be bound, he's such a rider. And I shouldn't wonder if he's back again to-morrow; he's too active to rest long in that lonely place, all by himself, for there's nothing but a bit of a inn i' that part where he's gone to fish. I wish he'd got th' estate in his hands; that 'ud be the right thing for him, for it 'ud give him plenty to do, and he'd do't well too, for all he's so young; he's got better notions o' things than many a man twice his age. He spoke very handsome to me th' other day about lending me money to set up i' business; and if things came round that way, I'd rather be beholding to him nor to any man i' the world." Poor Adam was led on to speak about Arthur because he thought Hetty would be pleased to know that the young squire was so ready to befriend him; the fact entered into his future prospects, which he would like to seem promising in her eyes. And it was true that Hetty listened with an interest which brought a new light into her eyes and a half-smile upon her lips. "How pretty the roses are now!" Adam continued, pausing to look at them. "See! I stole the prettiest, but I didna mean to keep it myself. I think these as are all pink, and have got a finer sort o' green leaves, are prettier than the striped uns, don't you?" He set down the basket and took the rose from his button-hole. "It smells very sweet," he said; "those striped uns have no smell. Stick it in your frock, and then you can put it in water after. It 'ud be a pity to let it fade." Hetty took the rose, smiling as she did so at the pleasant thought that Arthur could so soon get back if he liked. There was a flash of hope and happiness in her mind, and with a sudden impulse of gaiety she did what she had very often done before--stuck the rose in her hair a little above the left ear. The tender admiration in Adam's face was slightly shadowed by reluctant disapproval. Hetty's love of finery was just the thing that would most provoke his mother, and he himself disliked it as much as it was possible for him to dislike anything that belonged to her. "Ah," he said, "that's like the ladies in the pictures at the Chase; they've mostly got flowers or feathers or gold things i' their hair, but somehow I don't like to see 'em; they allays put me i' mind o' the painted women outside the shows at Treddles'on Fair. What can a woman have to set her off better than her own hair, when it curls so, like yours? If a woman's young and pretty, I think you can see her good looks all the better for her being plain dressed. Why, Dinah Morris looks very nice, for all she wears such a plain cap and gown. It seems to me as a woman's face doesna want flowers; it's almost like a flower itself. I'm sure yours is." "Oh, very well," said Hetty, with a little playful pout, taking the rose out of her hair. "I'll put one o' Dinah's caps on when we go in, and you'll see if I look better in it. She left one behind, so I can take the pattern." "Nay, nay, I don't want you to wear a Methodist cap like Dinah's. I daresay it's a very ugly cap, and I used to think when I saw her here as it was nonsense for her to dress different t' other people; but I never rightly noticed her till she came to see mother last week, and then I thought the cap seemed to fit her face somehow as th 'acorn-cup fits th' acorn, and I shouldn't like to see her so well without it. But you've got another sort o' face; I'd have you just as you are now, without anything t' interfere with your own looks. It's like when a man's singing a good tune--you don't want t' hear bells tinkling and interfering wi' the sound." He took her arm and put it within his again, looking down on her fondly. He was afraid she should think he had lectured her, imagining, as we are apt to do, that she had perceived all the thoughts he had only half-expressed. And the thing he dreaded most was lest any cloud should come over this evening's happiness. For the world he would not have spoken of his love to Hetty yet, till this commencing kindness towards him should have grown into unmistakable love. In his imagination he saw long years of his future life stretching before him, blest with the right to call Hetty his own: he could be content with very little at present. So he took up the basket of currants once more, and they went on towards the house. The scene had quite changed in the half-hour that Adam had been in the garden. The yard was full of life now: Marty was letting the screaming geese through the gate, and wickedly provoking the gander by hissing at him; the granary-door was groaning on its hinges as Alick shut it, after dealing out the corn; the horses were being led out to watering, amidst much barking of all the three dogs and many "whups" from Tim the ploughman, as if the heavy animals who held down their meek, intelligent heads, and lifted their shaggy feet so deliberately, were likely to rush wildly in every direction but the right. Everybody was come back from the meadow; and when Hetty and Adam entered the house-place, Mr. Poyser was seated in the three-cornered chair, and the grandfather in the large arm-chair opposite, looking on with pleasant expectation while the supper was being laid on the oak table. Mrs. Poyser had laid the cloth herself--a cloth made of homespun linen, with a shining checkered pattern on it, and of an agreeable whitey-brown hue, such as all sensible housewives like to see--none of your bleached "shop-rag" that would wear into holes in no time, but good homespun that would last for two generations. The cold veal, the fresh lettuces, and the stuffed chine might well look tempting to hungry men who had dined at half-past twelve o'clock. On the large deal table against the wall there were bright pewter plates and spoons and cans, ready for Alick and his companions; for the master and servants ate their supper not far off each other; which was all the pleasanter, because if a remark about to-morrow morning's work occurred to Mr. Poyser, Alick was at hand to hear it. "Well, Adam, I'm glad to see ye," said Mr. Poyser. "What! ye've been helping Hetty to gether the curran's, eh? Come, sit ye down, sit ye down. Why, it's pretty near a three-week since y' had your supper with us; and the missis has got one of her rare stuffed chines. I'm glad ye're come." "Hetty," said Mrs. Poyser, as she looked into the basket of currants to see if the fruit was fine, "run upstairs and send Molly down. She's putting Totty to bed, and I want her to draw th' ale, for Nancy's busy yet i' the dairy. You can see to the child. But whativer did you let her run away from you along wi' Tommy for, and stuff herself wi' fruit as she can't eat a bit o' good victual?" This was said in a lower tone than usual, while her husband was talking to Adam; for Mrs. Poyser was strict in adherence to her own rules of propriety, and she considered that a young girl was not to be treated sharply in the presence of a respectable man who was courting her. That would not be fair-play: every woman was young in her turn, and had her chances of matrimony, which it was a point of honour for other women not to spoil--just as one market-woman who has sold her own eggs must not try to balk another of a customer. Hetty made haste to run away upstairs, not easily finding an answer to her aunt's question, and Mrs. Poyser went out to see after Marty and Tommy and bring them in to supper. Soon they were all seated--the two rosy lads, one on each side, by the pale mother, a place being left for Hetty between Adam and her uncle. Alick too was come in, and was seated in his far corner, eating cold broad beans out of a large dish with his pocket-knife, and finding a flavour in them which he would not have exchanged for the finest pineapple. "What a time that gell is drawing th' ale, to be sure!" said Mrs. Poyser, when she was dispensing her slices of stuffed chine. "I think she sets the jug under and forgets to turn the tap, as there's nothing you can't believe o' them wenches: they'll set the empty kettle o' the fire, and then come an hour after to see if the water boils." "She's drawin' for the men too," said Mr. Poyser. "Thee shouldst ha' told her to bring our jug up first." "Told her?" said Mrs. Poyser. "Yes, I might spend all the wind i' my body, an' take the bellows too, if I was to tell them gells everything as their own sharpness wonna tell 'em. Mr. Bede, will you take some vinegar with your lettuce? Aye you're i' the right not. It spoils the flavour o' the chine, to my thinking. It's poor eating where the flavour o' the meat lies i' the cruets. There's folks as make bad butter and trusten to the salt t' hide it." Mrs. Poyser's attention was here diverted by the appearance of Molly, carrying a large jug, two small mugs, and four drinking-cans, all full of ale or small beer--an interesting example of the prehensile power possessed by the human hand. Poor Molly's mouth was rather wider open than usual, as she walked along with her eyes fixed on the double cluster of vessels in her hands, quite innocent of the expression in her mistress's eye. "Molly, I niver knew your equils--to think o' your poor mother as is a widow, an' I took you wi' as good as no character, an' the times an' times I've told you...." Molly had not seen the lightning, and the thunder shook her nerves the more for the want of that preparation. With a vague alarmed sense that she must somehow comport herself differently, she hastened her step a little towards the far deal table, where she might set down her cans--caught her foot in her apron, which had become untied, and fell with a crash and a splash into a pool of beer; whereupon a tittering explosion from Marty and Tommy, and a serious "Ello!" from Mr. Poyser, who saw his draught of ale unpleasantly deferred. "There you go!" resumed Mrs. Poyser, in a cutting tone, as she rose and went towards the cupboard while Molly began dolefully to pick up the fragments of pottery. "It's what I told you 'ud come, over and over again; and there's your month's wage gone, and more, to pay for that jug as I've had i' the house this ten year, and nothing ever happened to't before; but the crockery you've broke sin' here in th' house you've been 'ud make a parson swear--God forgi' me for saying so--an' if it had been boiling wort out o' the copper, it 'ud ha' been the same, and you'd ha' been scalded and very like lamed for life, as there's no knowing but what you will be some day if you go on; for anybody 'ud think you'd got the St. Vitus's Dance, to see the things you've throwed down. It's a pity but what the bits was stacked up for you to see, though it's neither seeing nor hearing as 'ull make much odds to you--anybody 'ud think you war case-hardened." Poor Molly's tears were dropping fast by this time, and in her desperation at the lively movement of the beer-stream towards Alick's legs, she was converting her apron into a mop, while Mrs. Poyser, opening the cupboard, turned a blighting eye upon her. "Ah," she went on, "you'll do no good wi' crying an' making more wet to wipe up. It's all your own wilfulness, as I tell you, for there's nobody no call to break anything if they'll only go the right way to work. But wooden folks had need ha' wooden things t' handle. And here must I take the brown-and-white jug, as it's niver been used three times this year, and go down i' the cellar myself, and belike catch my death, and be laid up wi' inflammation...." Mrs. Poyser had turned round from the cupboard with the brown-and-white jug in her hand, when she caught sight of something at the other end of the kitchen; perhaps it was because she was already trembling and nervous that the apparition had so strong an effect on her; perhaps jug-breaking, like other crimes, has a contagious influence. However it was, she stared and started like a ghost-seer, and the precious brown-and-white jug fell to the ground, parting for ever with its spout and handle. "Did ever anybody see the like?" she said, with a suddenly lowered tone, after a moment's bewildered glance round the room. "The jugs are bewitched, I think. It's them nasty glazed handles--they slip o'er the finger like a snail." "Why, thee'st let thy own whip fly i' thy face," said her husband, who had now joined in the laugh of the young ones. "It's all very fine to look on and grin," rejoined Mrs. Poyser; "but there's times when the crockery seems alive an' flies out o' your hand like a bird. It's like the glass, sometimes, 'ull crack as it stands. What is to be broke WILL be broke, for I never dropped a thing i' my life for want o' holding it, else I should never ha' kept the crockery all these 'ears as I bought at my own wedding. And Hetty, are you mad? Whativer do you mean by coming down i' that way, and making one think as there's a ghost a-walking i' th' house?" A new outbreak of laughter, while Mrs. Poyser was speaking, was caused, less by her sudden conversion to a fatalistic view of jug-breaking than by that strange appearance of Hetty, which had startled her aunt. The little minx had found a black gown of her aunt's, and pinned it close round her neck to look like Dinah's, had made her hair as flat as she could, and had tied on one of Dinah's high-crowned borderless net caps. The thought of Dinah's pale grave face and mild grey eyes, which the sight of the gown and cap brought with it, made it a laughable surprise enough to see them replaced by Hetty's round rosy cheeks and coquettish dark eyes. The boys got off their chairs and jumped round her, clapping their hands, and even Alick gave a low ventral laugh as he looked up from his beans. Under cover of the noise, Mrs. Poyser went into the back kitchen to send Nancy into the cellar with the great pewter measure, which had some chance of being free from bewitchment. "Why, Hetty, lass, are ye turned Methodist?" said Mr. Poyser, with that comfortable slow enjoyment of a laugh which one only sees in stout people. "You must pull your face a deal longer before you'll do for one; mustna she, Adam? How come you put them things on, eh?" "Adam said he liked Dinah's cap and gown better nor my clothes," said Hetty, sitting down demurely. "He says folks looks better in ugly clothes." "Nay, nay," said Adam, looking at her admiringly; "I only said they seemed to suit Dinah. But if I'd said you'd look pretty in 'em, I should ha' said nothing but what was true." "Why, thee thought'st Hetty war a ghost, didstna?" said Mr. Poyser to his wife, who now came back and took her seat again. "Thee look'dst as scared as scared." "It little sinnifies how I looked," said Mrs. Poyser; "looks 'ull mend no jugs, nor laughing neither, as I see. Mr. Bede, I'm sorry you've to wait so long for your ale, but it's coming in a minute. Make yourself at home wi' th' cold potatoes: I know you like 'em. Tommy, I'll send you to bed this minute, if you don't give over laughing. What is there to laugh at, I should like to know? I'd sooner cry nor laugh at the sight o' that poor thing's cap; and there's them as 'ud be better if they could make theirselves like her i' more ways nor putting on her cap. It little becomes anybody i' this house to make fun o' my sister's child, an' her just gone away from us, as it went to my heart to part wi' her. An' I know one thing, as if trouble was to come, an' I was to be laid up i' my bed, an' the children was to die--as there's no knowing but what they will--an' the murrain was to come among the cattle again, an' everything went to rack an' ruin, I say we might be glad to get sight o' Dinah's cap again, wi' her own face under it, border or no border. For she's one o' them things as looks the brightest on a rainy day, and loves you the best when you're most i' need on't." Mrs. Poyser, you perceive, was aware that nothing would be so likely to expel the comic as the terrible. Tommy, who was of a susceptible disposition, and very fond of his mother, and who had, besides, eaten so many cherries as to have his feelings less under command than usual, was so affected by the dreadful picture she had made of the possible future that he began to cry; and the good-natured father, indulgent to all weaknesses but those of negligent farmers, said to Hetty, "You'd better take the things off again, my lass; it hurts your aunt to see 'em." Hetty went upstairs again, and the arrival of the ale made an agreeable diversion; for Adam had to give his opinion of the new tap, which could not be otherwise than complimentary to Mrs. Poyser; and then followed a discussion on the secrets of good brewing, the folly of stinginess in "hopping," and the doubtful economy of a farmer's making his own malt. Mrs. Poyser had so many opportunities of expressing herself with weight on these subjects that by the time supper was ended, the ale-jug refilled, and Mr. Poyser's pipe alight she was once more in high good humour, and ready, at Adam's request, to fetch the broken spinning-wheel for his inspection. "Ah," said Adam, looking at it carefully, "here's a nice bit o' turning wanted. It's a pretty wheel. I must have it up at the turning-shop in the village and do it there, for I've no convenence for turning at home. If you'll send it to Mr. Burge's shop i' the morning, I'll get it done for you by Wednesday. I've been turning it over in my mind," he continued, looking at Mr. Poyser, "to make a bit more convenence at home for nice jobs o' cabinet-making. I've always done a deal at such little things in odd hours, and they're profitable, for there's more workmanship nor material in 'em. I look for me and Seth to get a little business for ourselves i' that way, for I know a man at Rosseter as 'ull take as many things as we should make, besides what we could get orders for round about." Mr. Poyser entered with interest into a project which seemed a step towards Adam's becoming a "master-man," and Mrs. Poyser gave her approbation to the scheme of the movable kitchen cupboard, which was to be capable of containing grocery, pickles, crockery, and house-linen in the utmost compactness without confusion. Hetty, once more in her own dress, with her neckerchief pushed a little backwards on this warm evening, was seated picking currants near the window, where Adam could see her quite well. And so the time passed pleasantly till Adam got up to go. He was pressed to come again soon, but not to stay longer, for at this busy time sensible people would not run the risk of being sleepy at five o'clock in the morning. "I shall take a step farther," said Adam, "and go on to see Mester Massey, for he wasn't at church yesterday, and I've not seen him for a week past. I've never hardly known him to miss church before." "Aye," said Mr. Poyser, "we've heared nothing about him, for it's the boys' hollodays now, so we can give you no account." "But you'll niver think o' going there at this hour o' the night?" said Mrs. Poyser, folding up her knitting. "Oh, Mester Massey sits up late," said Adam. "An' the night-school's not over yet. Some o' the men don't come till late--they've got so far to walk. And Bartle himself's never in bed till it's gone eleven." "I wouldna have him to live wi' me, then," said Mrs. Poyser, "a-dropping candle-grease about, as you're like to tumble down o' the floor the first thing i' the morning." "Aye, eleven o'clock's late--it's late," said old Martin. "I ne'er sot up so i' MY life, not to say as it warna a marr'in', or a christenin', or a wake, or th' harvest supper. Eleven o'clock's late." "Why, I sit up till after twelve often," said Adam, laughing, "but it isn't t' eat and drink extry, it's to work extry. Good-night, Mrs. Poyser; good-night, Hetty." Hetty could only smile and not shake hands, for hers were dyed and damp with currant-juice; but all the rest gave a hearty shake to the large palm that was held out to them, and said, "Come again, come again!" "Aye, think o' that now," said Mr. Poyser, when Adam was out of on the causeway. "Sitting up till past twelve to do extry work! Ye'll not find many men o' six-an' twenty as 'ull do to put i' the shafts wi' him. If you can catch Adam for a husband, Hetty, you'll ride i' your own spring-cart some day, I'll be your warrant." Hetty was moving across the kitchen with the currants, so her uncle did not see the little toss of the head with which she answered him. To ride in a spring-cart seemed a very miserable lot indeed to her now.

book 2, Chapter 20

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second

Adam wears his Sunday clothes the Monday after, and Lisbeth is upset because she guesses correctly that he is dressed up to visit Hetty. When he reaches the Poysers' farm, Mrs. Poyser asks him to go out where Hetty is picking currants with Totty and to fetch Totty in, because she is probably eating too many currants. Adam walks out and, when Hetty hears him approach, she imagines that it might be the Captain. She blushes deeply. Adam mistakes this blushing as her first sign of love for him. On the way back to the house, Hetty questions Adam about how far Eagledale is, and she is pleased to learn that the Captain could come back quickly if he wanted to. Adam is happy that she is asking him questions, and he picks a rose to give to her. She puts it in her hair. This displeases him slightly, knowing that Hetty's vanity could irritate his mother, and the flower in her hair reminds him slightly of the accessories of a prostitute. He mentions that Dinah looks very nice without adornment, and Hetty takes the flower out of her hair. Hetty puts on Dinah's Methodist cap when she gets back to the farm. Adam thinks that she looks nice, but Mrs. Poyser scolds her for making fun of Dinah, who has only just left. Her uncle makes her take off the cap. Adam lightens the mood at dinner by complimenting the homemade ale, and then he goes to fix the family's broken spinning wheel. Adam discusses his plans of setting up his own business and designing a movable kitchen cupboard which he would sell. He leaves to go to night school, saying that he only stays up late to work extra, not to eat and drink extra. After he leaves, Hetty's family comments that she should try to catch him as a husband, because one day she might ride in her own cart. But Hetty thinks that this would be a miserable fate given her new aspirations

Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: "And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work." Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a "woman," he does have some elements of a family after all.

gradesaver

all_chapterized_books/507-chapters/21.txt

finished_summaries/gradesaver/Adam Bede/section_2_part_5.txt

Adam Bede.book 2.chapter 21

book 2, chapter 21

{"name": "book 2, Chapter 21", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second", "summary": "Adam reaches Bartle Massey's house thirty minutes later, just in time to catch the end of night school. The schoolmaster was helping Bill learn to read. The man has a double motivation to get up to speed--his cousin can read, as can a young boy who works in his stonecutter's shop. Another beginner is a bricklayer, previously notorious, now Methodist, who wants to learn to read so that he can better understand religion. The third beginner is a dyer who wants to improve his business. The schoolmaster is less patient with sixteen-year-olds who are not learning their sums well. The lesson finishes, and Adam helps the schoolmaster clean up. He checks on the two pups of his dog, Vixen. The two men have a supper of bread, cheese, and ale. Bartle says that he likes the Poysers, but that there are too many women there, and he argues that a man can keep his house as comfortably as a woman can. He is better at baking and the like because he knows to measure the ingredients and has figured out that the hotter the oven, the shorter the time to bake. It is a mystery whether Bartle has ever been married, because previous to living in Hayslope he lived in the South. Bartle says that he has some news for Adam, namely that the Squire has had a stroke. Bartle thinks that if he dies, Adam is likely to be appointed steward of the forest. Adam says that the Squire is not likely to hire him in any case because he made an intricate screen for Miss Lydia once, and the Squire begrudged him the price that he asked for it and told Lydia to pay less. Adam then made a present of it, because to be paid less would imply that he had asked an unreasonable amount. The Squire sent him the money afterward, but he hated him thereafter", "analysis": "Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: \"And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work.\" Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a \"woman,\" he does have some elements of a family after all."}

Bartle Massey's was one of a few scattered houses on the edge of a common, which was divided by the road to Treddleston. Adam reached it in a quarter of an hour after leaving the Hall Farm; and when he had his hand on the door-latch, he could see, through the curtainless window, that there were eight or nine heads bending over the desks, lighted by thin dips. When he entered, a reading lesson was going forward and Bartle Massey merely nodded, leaving him to take his place where he pleased. He had not come for the sake of a lesson to-night, and his mind was too full of personal matters, too full of the last two hours he had passed in Hetty's presence, for him to amuse himself with a book till school was over; so he sat down in a corner and looked on with an absent mind. It was a sort of scene which Adam had beheld almost weekly for years; he knew by heart every arabesque flourish in the framed specimen of Bartle Massey's handwriting which hung over the schoolmaster's head, by way of keeping a lofty ideal before the minds of his pupils; he knew the backs of all the books on the shelf running along the whitewashed wall above the pegs for the slates; he knew exactly how many grains were gone out of the ear of Indian corn that hung from one of the rafters; he had long ago exhausted the resources of his imagination in trying to think how the bunch of leathery seaweed had looked and grown in its native element; and from the place where he sat, he could make nothing of the old map of England that hung against the opposite wall, for age had turned it of a fine yellow brown, something like that of a well-seasoned meerschaum. The drama that was going on was almost as familiar as the scene, nevertheless habit had not made him indifferent to it, and even in his present self-absorbed mood, Adam felt a momentary stirring of the old fellow-feeling, as he looked at the rough men painfully holding pen or pencil with their cramped hands, or humbly labouring through their reading lesson. The reading class now seated on the form in front of the schoolmaster's desk consisted of the three most backward pupils. Adam would have known it only by seeing Bartle Massey's face as he looked over his spectacles, which he had shifted to the ridge of his nose, not requiring them for present purposes. The face wore its mildest expression: the grizzled bushy eyebrows had taken their more acute angle of compassionate kindness, and the mouth, habitually compressed with a pout of the lower lip, was relaxed so as to be ready to speak a helpful word or syllable in a moment. This gentle expression was the more interesting because the schoolmaster's nose, an irregular aquiline twisted a little on one side, had rather a formidable character; and his brow, moreover, had that peculiar tension which always impresses one as a sign of a keen impatient temperament: the blue veins stood out like cords under the transparent yellow skin, and this intimidating brow was softened by no tendency to baldness, for the grey bristly hair, cut down to about an inch in length, stood round it in as close ranks as ever. "Nay, Bill, nay," Bartle was saying in a kind tone, as he nodded to Adam, "begin that again, and then perhaps, it'll come to you what d-r-y spells. It's the same lesson you read last week, you know." "Bill" was a sturdy fellow, aged four-and-twenty, an excellent stone-sawyer, who could get as good wages as any man in the trade of his years; but he found a reading lesson in words of one syllable a harder matter to deal with than the hardest stone he had ever had to saw. The letters, he complained, were so "uncommon alike, there was no tellin' 'em one from another," the sawyer's business not being concerned with minute differences such as exist between a letter with its tail turned up and a letter with its tail turned down. But Bill had a firm determination that he would learn to read, founded chiefly on two reasons: first, that Tom Hazelow, his cousin, could read anything "right off," whether it was print or writing, and Tom had sent him a letter from twenty miles off, saying how he was prospering in the world and had got an overlooker's place; secondly, that Sam Phillips, who sawed with him, had learned to read when he was turned twenty, and what could be done by a little fellow like Sam Phillips, Bill considered, could be done by himself, seeing that he could pound Sam into wet clay if circumstances required it. So here he was, pointing his big finger towards three words at once, and turning his head on one side that he might keep better hold with his eye of the one word which was to be discriminated out of the group. The amount of knowledge Bartle Massey must possess was something so dim and vast that Bill's imagination recoiled before it: he would hardly have ventured to deny that the schoolmaster might have something to do in bringing about the regular return of daylight and the changes in the weather. The man seated next to Bill was of a very different type: he was a Methodist brickmaker who, after spending thirty years of his life in perfect satisfaction with his ignorance, had lately "got religion," and along with it the desire to read the Bible. But with him, too, learning was a heavy business, and on his way out to-night he had offered as usual a special prayer for help, seeing that he had undertaken this hard task with a single eye to the nourishment of his soul--that he might have a greater abundance of texts and hymns wherewith to banish evil memories and the temptations of old habit--or, in brief language, the devil. For the brickmaker had been a notorious poacher, and was suspected, though there was no good evidence against him, of being the man who had shot a neighbouring gamekeeper in the leg. However that might be, it is certain that shortly after the accident referred to, which was coincident with the arrival of an awakening Methodist preacher at Treddleston, a great change had been observed in the brickmaker; and though he was still known in the neighbourhood by his old sobriquet of "Brimstone," there was nothing he held in so much horror as any further transactions with that evil-smelling element. He was a broad-chested fellow with a fervid temperament, which helped him better in imbibing religious ideas than in the dry process of acquiring the mere human knowledge of the alphabet. Indeed, he had been already a little shaken in his resolution by a brother Methodist, who assured him that the letter was a mere obstruction to the Spirit, and expressed a fear that Brimstone was too eager for the knowledge that puffeth up. The third beginner was a much more promising pupil. He was a tall but thin and wiry man, nearly as old as Brimstone, with a very pale face and hands stained a deep blue. He was a dyer, who in the course of dipping homespun wool and old women's petticoats had got fired with the ambition to learn a great deal more about the strange secrets of colour. He had already a high reputation in the district for his dyes, and he was bent on discovering some method by which he could reduce the expense of crimsons and scarlets. The druggist at Treddleston had given him a notion that he might save himself a great deal of labour and expense if he could learn to read, and so he had begun to give his spare hours to the night-school, resolving that his "little chap" should lose no time in coming to Mr. Massey's day-school as soon as he was old enough. It was touching to see these three big men, with the marks of their hard labour about them, anxiously bending over the worn books and painfully making out, "The grass is green," "The sticks are dry," "The corn is ripe"--a very hard lesson to pass to after columns of single words all alike except in the first letter. It was almost as if three rough animals were making humble efforts to learn how they might become human. And it touched the tenderest fibre in Bartle Massey's nature, for such full-grown children as these were the only pupils for whom he had no severe epithets and no impatient tones. He was not gifted with an imperturbable temper, and on music-nights it was apparent that patience could never be an easy virtue to him; but this evening, as he glances over his spectacles at Bill Downes, the sawyer, who is turning his head on one side with a desperate sense of blankness before the letters d-r-y, his eyes shed their mildest and most encouraging light. After the reading class, two youths between sixteen and nineteen came up with the imaginary bills of parcels, which they had been writing out on their slates and were now required to calculate "off-hand"--a test which they stood with such imperfect success that Bartle Massey, whose eyes had been glaring at them ominously through his spectacles for some minutes, at length burst out in a bitter, high-pitched tone, pausing between every sentence to rap the floor with a knobbed stick which rested between his legs. "Now, you see, you don't do this thing a bit better than you did a fortnight ago, and I'll tell you what's the reason. You want to learn accounts--that's well and good. But you think all you need do to learn accounts is to come to me and do sums for an hour or so, two or three times a-week; and no sooner do you get your caps on and turn out of doors again than you sweep the whole thing clean out of your mind. You go whistling about, and take no more care what you're thinking of than if your heads were gutters for any rubbish to swill through that happened to be in the way; and if you get a good notion in 'em, it's pretty soon washed out again. You think knowledge is to be got cheap--you'll come and pay Bartle Massey sixpence a-week, and he'll make you clever at figures without your taking any trouble. But knowledge isn't to be got with paying sixpence, let me tell you. If you're to know figures, you must turn 'em over in your heads and keep your thoughts fixed on 'em. There's nothing you can't turn into a sum, for there's nothing but what's got number in it--even a fool. You may say to yourselves, 'I'm one fool, and Jack's another; if my fool's head weighed four pound, and Jack's three pound three ounces and three quarters, how many pennyweights heavier would my head be than Jack's?' A man that had got his heart in learning figures would make sums for himself and work 'em in his head. When he sat at his shoemaking, he'd count his stitches by fives, and then put a price on his stitches, say half a farthing, and then see how much money he could get in an hour; and then ask himself how much money he'd get in a day at that rate; and then how much ten workmen would get working three, or twenty, or a hundred years at that rate--and all the while his needle would be going just as fast as if he left his head empty for the devil to dance in. But the long and the short of it is--I'll have nobody in my night-school that doesn't strive to learn what he comes to learn, as hard as if he was striving to get out of a dark hole into broad daylight. I'll send no man away because he's stupid: if Billy Taft, the idiot, wanted to learn anything, I'd not refuse to teach him. But I'll not throw away good knowledge on people who think they can get it by the sixpenn'orth, and carry it away with 'em as they would an ounce of snuff. So never come to me again, if you can't show that you've been working with your own heads, instead of thinking that you can pay for mine to work for you. That's the last word I've got to say to you." With this final sentence, Bartle Massey gave a sharper rap than ever with his knobbed stick, and the discomfited lads got up to go with a sulky look. The other pupils had happily only their writing-books to show, in various stages of progress from pot-hooks to round text; and mere pen-strokes, however perverse, were less exasperating to Bartle than false arithmetic. He was a little more severe than usual on Jacob Storey's Z's, of which poor Jacob had written a pageful, all with their tops turned the wrong way, with a puzzled sense that they were not right "somehow." But he observed in apology, that it was a letter you never wanted hardly, and he thought it had only been there "to finish off th' alphabet, like, though ampusand (&) would ha' done as well, for what he could see." At last the pupils had all taken their hats and said their "Good-nights," and Adam, knowing his old master's habits, rose and said, "Shall I put the candles out, Mr. Massey?" "Yes, my boy, yes, all but this, which I'll carry into the house; and just lock the outer door, now you're near it," said Bartle, getting his stick in the fitting angle to help him in descending from his stool. He was no sooner on the ground than it became obvious why the stick was necessary--the left leg was much shorter than the right. But the school-master was so active with his lameness that it was hardly thought of as a misfortune; and if you had seen him make his way along the schoolroom floor, and up the step into his kitchen, you would perhaps have understood why the naughty boys sometimes felt that his pace might be indefinitely quickened and that he and his stick might overtake them even in their swiftest run. The moment he appeared at the kitchen door with the candle in his hand, a faint whimpering began in the chimney-corner, and a brown-and-tan-coloured bitch, of that wise-looking breed with short legs and long body, known to an unmechanical generation as turnspits, came creeping along the floor, wagging her tail, and hesitating at every other step, as if her affections were painfully divided between the hamper in the chimney-corner and the master, whom she could not leave without a greeting. "Well, Vixen, well then, how are the babbies?" said the schoolmaster, making haste towards the chimney-corner and holding the candle over the low hamper, where two extremely blind puppies lifted up their heads towards the light from a nest of flannel and wool. Vixen could not even see her master look at them without painful excitement: she got into the hamper and got out again the next moment, and behaved with true feminine folly, though looking all the while as wise as a dwarf with a large old-fashioned head and body on the most abbreviated legs. "Why, you've got a family, I see, Mr. Massey?" said Adam, smiling, as he came into the kitchen. "How's that? I thought it was against the law here." "Law? What's the use o' law when a man's once such a fool as to let a woman into his house?" said Bartle, turning away from the hamper with some bitterness. He always called Vixen a woman, and seemed to have lost all consciousness that he was using a figure of speech. "If I'd known Vixen was a woman, I'd never have held the boys from drowning her; but when I'd got her into my hand, I was forced to take to her. And now you see what she's brought me to--the sly, hypocritical wench"--Bartle spoke these last words in a rasping tone of reproach, and looked at Vixen, who poked down her head and turned up her eyes towards him with a keen sense of opprobrium--"and contrived to be brought to bed on a Sunday at church-time. I've wished again and again I'd been a bloody minded man, that I could have strangled the mother and the brats with one cord." "I'm glad it was no worse a cause kept you from church," said Adam. "I was afraid you must be ill for the first time i' your life. And I was particularly sorry not to have you at church yesterday." "Ah, my boy, I know why, I know why," said Bartle kindly, going up to Adam and raising his hand up to the shoulder that was almost on a level with his own head. "You've had a rough bit o' road to get over since I saw you--a rough bit o' road. But I'm in hopes there are better times coming for you. I've got some news to tell you. But I must get my supper first, for I'm hungry, I'm hungry. Sit down, sit down." Bartel went into his little pantry, and brought out an excellent home-baked loaf; for it was his one extravagance in these dear times to eat bread once a-day instead of oat-cake; and he justified it by observing, that what a schoolmaster wanted was brains, and oat-cake ran too much to bone instead of brains. Then came a piece of cheese and a quart jug with a crown of foam upon it. He placed them all on the round deal table which stood against his large arm-chair in the chimney-corner, with Vixen's hamper on one side of it and a window-shelf with a few books piled up in it on the other. The table was as clean as if Vixen had been an excellent housewife in a checkered apron; so was the quarry floor; and the old carved oaken press, table, and chairs, which in these days would be bought at a high price in aristocratic houses, though, in that period of spider-legs and inlaid cupids, Bartle had got them for an old song, where as free from dust as things could be at the end of a summer's day. "Now, then, my boy, draw up, draw up. We'll not talk about business till we've had our supper. No man can be wise on an empty stomach. But," said Bartle, rising from his chair again, "I must give Vixen her supper too, confound her! Though she'll do nothing with it but nourish those unnecessary babbies. That's the way with these women--they've got no head-pieces to nourish, and so their food all runs either to fat or to brats." He brought out of the pantry a dish of scraps, which Vixen at once fixed her eyes on, and jumped out of her hamper to lick up with the utmost dispatch. "I've had my supper, Mr. Massey," said Adam, "so I'll look on while you eat yours. I've been at the Hall Farm, and they always have their supper betimes, you know: they don't keep your late hours." "I know little about their hours," said Bartle dryly, cutting his bread and not shrinking from the crust. "It's a house I seldom go into, though I'm fond of the boys, and Martin Poyser's a good fellow. There's too many women in the house for me: I hate the sound of women's voices; they're always either a-buzz or a-squeak--always either a-buzz or a-squeak. Mrs. Poyser keeps at the top o' the talk like a fife; and as for the young lasses, I'd as soon look at water-grubs. I know what they'll turn to--stinging gnats, stinging gnats. Here, take some ale, my boy: it's been drawn for you--it's been drawn for you." "Nay, Mr. Massey," said Adam, who took his old friend's whim more seriously than usual to-night, "don't be so hard on the creaturs God has made to be companions for us. A working-man 'ud be badly off without a wife to see to th' house and the victual, and make things clean and comfortable." "Nonsense! It's the silliest lie a sensible man like you ever believed, to say a woman makes a house comfortable. It's a story got up because the women are there and something must be found for 'em to do. I tell you there isn't a thing under the sun that needs to be done at all, but what a man can do better than a woman, unless it's bearing children, and they do that in a poor make-shift way; it had better ha' been left to the men--it had better ha' been left to the men. I tell you, a woman 'ull bake you a pie every week of her life and never come to see that the hotter th' oven the shorter the time. I tell you, a woman 'ull make your porridge every day for twenty years and never think of measuring the proportion between the meal and the milk--a little more or less, she'll think, doesn't signify. The porridge WILL be awk'ard now and then: if it's wrong, it's summat in the meal, or it's summat in the milk, or it's summat in the water. Look at me! I make my own bread, and there's no difference between one batch and another from year's end to year's end; but if I'd got any other woman besides Vixen in the house, I must pray to the Lord every baking to give me patience if the bread turned out heavy. And as for cleanliness, my house is cleaner than any other house on the Common, though the half of 'em swarm with women. Will Baker's lad comes to help me in a morning, and we get as much cleaning done in one hour, without any fuss, as a woman 'ud get done in three, and all the while be sending buckets o' water after your ankles, and let the fender and the fire-irons stand in the middle o' the floor half the day for you to break your shins against 'em. Don't tell me about God having made such creatures to be companions for us! I don't say but He might make Eve to be a companion to Adam in Paradise--there was no cooking to be spoilt there, and no other woman to cackle with and make mischief, though you see what mischief she did as soon as she'd an opportunity. But it's an impious, unscriptural opinion to say a woman's a blessing to a man now; you might as well say adders and wasps, and foxes and wild beasts are a blessing, when they're only the evils that belong to this state o' probation, which it's lawful for a man to keep as clear of as he can in this life, hoping to get quit of 'em for ever in another--hoping to get quit of 'em for ever in another." Bartle had become so excited and angry in the course of his invective that he had forgotten his supper, and only used the knife for the purpose of rapping the table with the haft. But towards the close, the raps became so sharp and frequent, and his voice so quarrelsome, that Vixen felt it incumbent on her to jump out of the hamper and bark vaguely. "Quiet, Vixen!" snarled Bartle, turning round upon her. "You're like the rest o' the women--always putting in your word before you know why." Vixen returned to her hamper again in humiliation, and her master continued his supper in a silence which Adam did not choose to interrupt; he knew the old man would be in a better humour when he had had his supper and lighted his pipe. Adam was used to hear him talk in this way, but had never learned so much of Bartle's past life as to know whether his view of married comfort was founded on experience. On that point Bartle was mute, and it was even a secret where he had lived previous to the twenty years in which happily for the peasants and artisans of this neighbourhood he had been settled among them as their only schoolmaster. If anything like a question was ventured on this subject, Bartle always replied, "Oh, I've seen many places--I've been a deal in the south," and the Loamshire men would as soon have thought of asking for a particular town or village in Africa as in "the south." "Now then, my boy," said Bartle, at last, when he had poured out his second mug of ale and lighted his pipe, "now then, we'll have a little talk. But tell me first, have you heard any particular news to-day?" "No," said Adam, "not as I remember." "Ah, they'll keep it close, they'll keep it close, I daresay. But I found it out by chance; and it's news that may concern you, Adam, else I'm a man that don't know a superficial square foot from a solid." Here Bartle gave a series of fierce and rapid puffs, looking earnestly the while at Adam. Your impatient loquacious man has never any notion of keeping his pipe alight by gentle measured puffs; he is always letting it go nearly out, and then punishing it for that negligence. At last he said, "Satchell's got a paralytic stroke. I found it out from the lad they sent to Treddleston for the doctor, before seven o'clock this morning. He's a good way beyond sixty, you know; it's much if he gets over it." "Well," said Adam, "I daresay there'd be more rejoicing than sorrow in the parish at his being laid up. He's been a selfish, tale-bearing, mischievous fellow; but, after all, there's nobody he's done so much harm to as to th' old squire. Though it's the squire himself as is to blame--making a stupid fellow like that a sort o' man-of-all-work, just to save th' expense of having a proper steward to look after th' estate. And he's lost more by ill management o' the woods, I'll be bound, than 'ud pay for two stewards. If he's laid on the shelf, it's to be hoped he'll make way for a better man, but I don't see how it's like to make any difference to me." "But I see it, but I see it," said Bartle, "and others besides me. The captain's coming of age now--you know that as well as I do--and it's to be expected he'll have a little more voice in things. And I know, and you know too, what 'ud be the captain's wish about the woods, if there was a fair opportunity for making a change. He's said in plenty of people's hearing that he'd make you manager of the woods to-morrow, if he'd the power. Why, Carroll, Mr. Irwine's butler, heard him say so to the parson not many days ago. Carroll looked in when we were smoking our pipes o' Saturday night at Casson's, and he told us about it; and whenever anybody says a good word for you, the parson's ready to back it, that I'll answer for. It was pretty well talked over, I can tell you, at Casson's, and one and another had their fling at you; for if donkeys set to work to sing, you're pretty sure what the tune'll be." "Why, did they talk it over before Mr. Burge?" said Adam; "or wasn't he there o' Saturday?" "Oh, he went away before Carroll came; and Casson--he's always for setting other folks right, you know--would have it Burge was the man to have the management of the woods. 'A substantial man,' says he, 'with pretty near sixty years' experience o' timber: it 'ud be all very well for Adam Bede to act under him, but it isn't to be supposed the squire 'ud appoint a young fellow like Adam, when there's his elders and betters at hand!' But I said, 'That's a pretty notion o' yours, Casson. Why, Burge is the man to buy timber; would you put the woods into his hands and let him make his own bargains? I think you don't leave your customers to score their own drink, do you? And as for age, what that's worth depends on the quality o' the liquor. It's pretty well known who's the backbone of Jonathan Burge's business.'" "I thank you for your good word, Mr. Massey," said Adam. "But, for all that, Casson was partly i' the right for once. There's not much likelihood that th' old squire 'ud ever consent t' employ me. I offended him about two years ago, and he's never forgiven me." "Why, how was that? You never told me about it," said Bartle. "Oh, it was a bit o' nonsense. I'd made a frame for a screen for Miss Lyddy--she's allays making something with her worsted-work, you know--and she'd given me particular orders about this screen, and there was as much talking and measuring as if we'd been planning a house. However, it was a nice bit o' work, and I liked doing it for her. But, you know, those little friggling things take a deal o' time. I only worked at it in overhours--often late at night--and I had to go to Treddleston over an' over again about little bits o' brass nails and such gear; and I turned the little knobs and the legs, and carved th' open work, after a pattern, as nice as could be. And I was uncommon pleased with it when it was done. And when I took it home, Miss Lyddy sent for me to bring it into her drawing-room, so as she might give me directions about fastening on the work--very fine needlework, Jacob and Rachel a-kissing one another among the sheep, like a picture--and th' old squire was sitting there, for he mostly sits with her. Well, she was mighty pleased with the screen, and then she wanted to know what pay she was to give me. I didn't speak at random--you know it's not my way; I'd calculated pretty close, though I hadn't made out a bill, and I said, 'One pound thirteen.' That was paying for the mater'als and paying me, but none too much, for my work. Th' old squire looked up at this, and peered in his way at the screen, and said, 'One pound thirteen for a gimcrack like that! Lydia, my dear, if you must spend money on these things, why don't you get them at Rosseter, instead of paying double price for clumsy work here? Such things are not work for a carpenter like Adam. Give him a guinea, and no more.' Well, Miss Lyddy, I reckon, believed what he told her, and she's not overfond o' parting with the money herself--she's not a bad woman at bottom, but she's been brought up under his thumb; so she began fidgeting with her purse, and turned as red as her ribbon. But I made a bow, and said, 'No, thank you, madam; I'll make you a present o' the screen, if you please. I've charged the regular price for my work, and I know it's done well; and I know, begging His Honour's pardon, that you couldn't get such a screen at Rosseter under two guineas. I'm willing to give you my work--it's been done in my own time, and nobody's got anything to do with it but me; but if I'm paid, I can't take a smaller price than I asked, because that 'ud be like saying I'd asked more than was just. With your leave, madam, I'll bid you good-morning.' I made my bow and went out before she'd time to say any more, for she stood with the purse in her hand, looking almost foolish. I didn't mean to be disrespectful, and I spoke as polite as I could; but I can give in to no man, if he wants to make it out as I'm trying to overreach him. And in the evening the footman brought me the one pound thirteen wrapped in paper. But since then I've seen pretty clear as th' old squire can't abide me." "That's likely enough, that's likely enough," said Bartle meditatively. "The only way to bring him round would be to show him what was for his own interest, and that the captain may do--that the captain may do." "Nay, I don't know," said Adam; "the squire's 'cute enough but it takes something else besides 'cuteness to make folks see what'll be their interest in the long run. It takes some conscience and belief in right and wrong, I see that pretty clear. You'd hardly ever bring round th' old squire to believe he'd gain as much in a straightfor'ard way as by tricks and turns. And, besides, I've not much mind to work under him: I don't want to quarrel with any gentleman, more particular an old gentleman turned eighty, and I know we couldn't agree long. If the captain was master o' th' estate, it 'ud be different: he's got a conscience and a will to do right, and I'd sooner work for him nor for any man living." "Well, well, my boy, if good luck knocks at your door, don't you put your head out at window and tell it to be gone about its business, that's all. You must learn to deal with odd and even in life, as well as in figures. I tell you now, as I told you ten years ago, when you pommelled young Mike Holdsworth for wanting to pass a bad shilling before you knew whether he was in jest or earnest--you're overhasty and proud, and apt to set your teeth against folks that don't square to your notions. It's no harm for me to be a bit fiery and stiff-backed--I'm an old schoolmaster, and shall never want to get on to a higher perch. But where's the use of all the time I've spent in teaching you writing and mapping and mensuration, if you're not to get for'ard in the world and show folks there's some advantage in having a head on your shoulders, instead of a turnip? Do you mean to go on turning up your nose at every opportunity because it's got a bit of a smell about it that nobody finds out but yourself? It's as foolish as that notion o' yours that a wife is to make a working-man comfortable. Stuff and nonsense! Stuff and nonsense! Leave that to fools that never got beyond a sum in simple addition. Simple addition enough! Add one fool to another fool, and in six years' time six fools more--they're all of the same denomination, big and little's nothing to do with the sum!" During this rather heated exhortation to coolness and discretion the pipe had gone out, and Bartle gave the climax to his speech by striking a light furiously, after which he puffed with fierce resolution, fixing his eye still on Adam, who was trying not to laugh. "There's a good deal o' sense in what you say, Mr. Massey," Adam began, as soon as he felt quite serious, "as there always is. But you'll give in that it's no business o' mine to be building on chances that may never happen. What I've got to do is to work as well as I can with the tools and mater'als I've got in my hands. If a good chance comes to me, I'll think o' what you've been saying; but till then, I've got nothing to do but to trust to my own hands and my own head-piece. I'm turning over a little plan for Seth and me to go into the cabinet-making a bit by ourselves, and win a extra pound or two in that way. But it's getting late now--it'll be pretty near eleven before I'm at home, and Mother may happen to lie awake; she's more fidgety nor usual now. So I'll bid you good-night." "Well, well, we'll go to the gate with you--it's a fine night," said Bartle, taking up his stick. Vixen was at once on her legs, and without further words the three walked out into the starlight, by the side of Bartle's potato-beds, to the little gate. "Come to the music o' Friday night, if you can, my boy," said the old man, as he closed the gate after Adam and leaned against it. "Aye, aye," said Adam, striding along towards the streak of pale road. He was the only object moving on the wide common. The two grey donkeys, just visible in front of the gorse bushes, stood as still as limestone images--as still as the grey-thatched roof of the mud cottage a little farther on. Bartle kept his eye on the moving figure till it passed into the darkness, while Vixen, in a state of divided affection, had twice run back to the house to bestow a parenthetic lick on her puppies. "Aye, aye," muttered the schoolmaster, as Adam disappeared, "there you go, stalking along--stalking along; but you wouldn't have been what you are if you hadn't had a bit of old lame Bartle inside you. The strongest calf must have something to suck at. There's plenty of these big, lumbering fellows 'ud never have known their A B C if it hadn't been for Bartle Massey. Well, well, Vixen, you foolish wench, what is it, what is it? I must go in, must I? Aye, aye, I'm never to have a will o' my own any more. And those pups--what do you think I'm to do with 'em, when they're twice as big as you? For I'm pretty sure the father was that hulking bull-terrier of Will Baker's--wasn't he now, eh, you sly hussy?" (Here Vixen tucked her tail between her legs and ran forward into the house. Subjects are sometimes broached which a well-bred female will ignore.) "But where's the use of talking to a woman with babbies?" continued Bartle. "She's got no conscience--no conscience; it's all run to milk." Book Three

book 2, Chapter 21

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-second

Adam reaches Bartle Massey's house thirty minutes later, just in time to catch the end of night school. The schoolmaster was helping Bill learn to read. The man has a double motivation to get up to speed--his cousin can read, as can a young boy who works in his stonecutter's shop. Another beginner is a bricklayer, previously notorious, now Methodist, who wants to learn to read so that he can better understand religion. The third beginner is a dyer who wants to improve his business. The schoolmaster is less patient with sixteen-year-olds who are not learning their sums well. The lesson finishes, and Adam helps the schoolmaster clean up. He checks on the two pups of his dog, Vixen. The two men have a supper of bread, cheese, and ale. Bartle says that he likes the Poysers, but that there are too many women there, and he argues that a man can keep his house as comfortably as a woman can. He is better at baking and the like because he knows to measure the ingredients and has figured out that the hotter the oven, the shorter the time to bake. It is a mystery whether Bartle has ever been married, because previous to living in Hayslope he lived in the South. Bartle says that he has some news for Adam, namely that the Squire has had a stroke. Bartle thinks that if he dies, Adam is likely to be appointed steward of the forest. Adam says that the Squire is not likely to hire him in any case because he made an intricate screen for Miss Lydia once, and the Squire begrudged him the price that he asked for it and told Lydia to pay less. Adam then made a present of it, because to be paid less would imply that he had asked an unreasonable amount. The Squire sent him the money afterward, but he hated him thereafter

Chapter Seventeen is crucial to the literary philosophy of the book. Eliot steps back to explain why she has chosen the subject matter that she has. This chapter could be referred to as meta-literary, because it does not advance the plot at all but instead airs the author's literary theories. The style of writing that Eliot supports is a sort of working-class realism. The most famous line in the novel is in this chapter: "And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up early in the morning to do our daily work." Eliot holds that literary integrity stems from an exact replication of real life. The Dutch masters whose paintings she so appreciates almost undoubtedly mean people including Rembrandt and Van Eyck, who took peasants as their subjects. In Chapter Eighteen, it is interesting that Eliot often puts her comments on human nature in the mouths of various characters, considering that she has already given herself a strong narrative voice in the novel. The characters who most often seem to hold Eliot's points of view are the female characters, especially Mrs. Poyser, whose commentary on old age seems to come straight from the author. This can be chalked up to the fact that while Adam Bede is a novel, it is also a treatise on both literary style and human nature. In Chapter Nineteen, Eliot gives Adam a healthy variety of virtues. On the one hand he is a strong and noble laborer, sure of his craft, able to imagine perfection, able to give advice to others. On the other hand he has the moral strength of an honest artisan who makes the most of his potential each day, almost to the awe of those who can appreciate his hardworking character. Moreover, Adam has risen above the virtue of the simple worker. He has advanced himself through schooling and through reading good books. He can think thoughts that the average laborer cannot think. Even so, during his three-mile walk, he chooses to think dreamily about the future and how he will be able to become a success in order to be worthy of marrying Hetty, rather than about the ideas he might have found in the writings of Bunyan or Franklin. Also, it is not clear that these virtues are given merely from Adam's own perspective of self-esteem rather than from the narrator's honest assessment of his character. Eliot observes in Chapter Twenty that often men mistake the signs that a woman is in love with someone else as the signs that she is in love with him. While she claims to be a realist, opinions such as these occasionally cause Eliot to come off as more of a cynic. She also writes that Adam has no way of knowing this general truth because he has not had the opportunity to read many novels and see how women act when they are in love. This is an unsubtle self-promotion of her own work, in that she claims that her novel is not only entertaining but also educational. The theme of costuming arises in this chapter, with Hetty's quick switch from wearing a flower behind her ear to wearing Dinah's Methodist cap. She makes the switch when she sees that Adam is displeased with her vanity; although she is not in love with him, she cannot bear to lose the attentions of any man. As transgressive as wearing a flower in her hair is, being reminiscent of prostitution, wearing Dinah's cap as mere adornment is even more transgressive because it has definite religious implications. A lot of Eliot's novel is taken up with sorting the young Bedes and the relatives of the Poysers into various possible matches. Dinah could marry Seth or possibly Adam; Hetty could marry Adam or possibly the Captain. Chapter Twenty-One, therefore, pulls short the notion that such alliances are necessary or even advisable. By showing a bachelor whose home functions at least as well or better than that of a married man, Eliot hints at the possibility that none of the matches might work out in the end. But even her depiction of a happy unmarried man has some flaws. First, there is the possibility that Bartle was married at some point in his life before, leaving the question of whether it is more likely to reach a happy bachelorhood only after having been married. Second, he is now in possession of a family of his own, whether he likes it or not. His female dog has given birth to pups, and because he calls her a "woman," he does have some elements of a family after all.

gradesaver

all_chapterized_books/507-chapters/22.txt

finished_summaries/gradesaver/Adam Bede/section_3_part_1.txt

Adam Bede.book 3.chapter 22

book 3, chapter 22

{"name": "book 3, Chapter 22", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third", "summary": "The Captain's birthday is at the end of July. Hetty prepares herself in her room, looking at a lovely pair of garnet and pearl earrings that the Captain has given her, which she knows she cannot wear yet. She wears a locket with locks of hair in it hidden in her bosom. Everyone walks towards the Chase, where the great party is to be held. The oldest people all come in a wagon together. The great house was from the time of Queen Anne, but it was attached to the remnant of an old Abbey at one end. Hetty is sad that she has not seen Arthur yet. The Captain, preparing for dinner, thanks the vicar for his advice: only giving his tenants dinner and doing it earlier in the day, so that his house will not become a riot scene. He says that since Adam is handing out the alcohol, the party will not get out of hand. The Captain confides in the vicar that his grandfather has come around to having Adam manage the estate, although the Captain says that he still does not get along with his grandfather. Adam will dine with the large tenants, and the Captain will announce his new position at dinner", "analysis": "In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret."}

THE thirtieth of July was come, and it was one of those half-dozen warm days which sometimes occur in the middle of a rainy English summer. No rain had fallen for the last three or four days, and the weather was perfect for that time of the year: there was less dust than usual on the dark-green hedge-rows and on the wild camomile that starred the roadside, yet the grass was dry enough for the little children to roll on it, and there was no cloud but a long dash of light, downy ripple, high, high up in the far-off blue sky. Perfect weather for an outdoor July merry-making, yet surely not the best time of year to be born in. Nature seems to make a hot pause just then: all the loveliest flowers are gone; the sweet time of early growth and vague hopes is past; and yet the time of harvest and ingathering is not come, and we tremble at the possible storms that may ruin the precious fruit in the moment of its ripeness. The woods are all one dark monotonous green; the waggon-loads of hay no longer creep along the lanes, scattering their sweet-smelling fragments on the blackberry branches; the pastures are often a little tanned, yet the corn has not got its last splendour of red and gold; the lambs and calves have lost all traces of their innocent frisky prettiness, and have become stupid young sheep and cows. But it is a time of leisure on the farm--that pause between hay-and corn-harvest, and so the farmers and labourers in Hayslope and Broxton thought the captain did well to come of age just then, when they could give their undivided minds to the flavour of the great cask of ale which had been brewed the autumn after "the heir" was born, and was to be tapped on his twenty-first birthday. The air had been merry with the ringing of church-bells very early this morning, and every one had made haste to get through the needful work before twelve, when it would be time to think of getting ready to go to the Chase. The midday sun was streaming into Hetty's bedchamber, and there was no blind to temper the heat with which it fell on her head as she looked at herself in the old specked glass. Still, that was the only glass she had in which she could see her neck and arms, for the small hanging glass she had fetched out of the next room--the room that had been Dinah's--would show her nothing below her little chin; and that beautiful bit of neck where the roundness of her cheek melted into another roundness shadowed by dark delicate curls. And to-day she thought more than usual about her neck and arms; for at the dance this evening she was not to wear any neckerchief, and she had been busy yesterday with her spotted pink-and-white frock, that she might make the sleeves either long or short at will. She was dressed now just as she was to be in the evening, with a tucker made of "real" lace, which her aunt had lent her for this unparalleled occasion, but with no ornaments besides; she had even taken out her small round ear-rings which she wore every day. But there was something more to be done, apparently, before she put on her neckerchief and long sleeves, which she was to wear in the day-time, for now she unlocked the drawer that held her private treasures. It is more than a month since we saw her unlock that drawer before, and now it holds new treasures, so much more precious than the old ones that these are thrust into the corner. Hetty would not care to put the large coloured glass ear-rings into her ears now; for see! she has got a beautiful pair of gold and pearls and garnet, lying snugly in a pretty little box lined with white satin. Oh, the delight of taking out that little box and looking at the ear-rings! Do not reason about it, my philosphical reader, and say that Hetty, being very pretty, must have known that it did not signify whether she had on any ornaments or not; and that, moreover, to look at ear-rings which she could not possibly wear out of her bedroom could hardly be a satisfaction, the essence of vanity being a reference to the impressions produced on others; you will never understand women's natures if you are so excessively rational. Try rather to divest yourself of all your rational prejudices, as much as if you were studying the psychology of a canary bird, and only watch the movements of this pretty round creature as she turns her head on one side with an unconscious smile at the ear-rings nestled in the little box. Ah, you think, it is for the sake of the person who has given them to her, and her thoughts are gone back now to the moment when they were put into her hands. No; else why should she have cared to have ear-rings rather than anything else? And I know that she had longed for ear-rings from among all the ornaments she could imagine. "Little, little ears!" Arthur had said, pretending to pinch them one evening, as Hetty sat beside him on the grass without her hat. "I wish I had some pretty ear-rings!" she said in a moment, almost before she knew what she was saying--the wish lay so close to her lips, it WOULD flutter past them at the slightest breath. And the next day--it was only last week--Arthur had ridden over to Rosseter on purpose to buy them. That little wish so naively uttered seemed to him the prettiest bit of childishness; he had never heard anything like it before; and he had wrapped the box up in a great many covers, that he might see Hetty unwrapping it with growing curiosity, till at last her eyes flashed back their new delight into his. No, she was not thinking most of the giver when she smiled at the ear-rings, for now she is taking them out of the box, not to press them to her lips, but to fasten them in her ears--only for one moment, to see how pretty they look, as she peeps at them in the glass against the wall, with first one position of the head and then another, like a listening bird. It is impossible to be wise on the subject of ear-rings as one looks at her; what should those delicate pearls and crystals be made for, if not for such ears? One cannot even find fault with the tiny round hole which they leave when they are taken out; perhaps water-nixies, and such lovely things without souls, have these little round holes in their ears by nature, ready to hang jewels in. And Hetty must be one of them: it is too painful to think that she is a woman, with a woman's destiny before her--a woman spinning in young ignorance a light web of folly and vain hopes which may one day close round her and press upon her, a rancorous poisoned garment, changing all at once her fluttering, trivial butterfly sensations into a life of deep human anguish. But she cannot keep in the ear-rings long, else she may make her uncle and aunt wait. She puts them quickly into the box again and shuts them up. Some day she will be able to wear any ear-rings she likes, and already she lives in an invisible world of brilliant costumes, shimmering gauze, soft satin, and velvet, such as the lady's maid at the Chase has shown her in Miss Lydia's wardrobe. She feels the bracelets on her arms, and treads on a soft carpet in front of a tall mirror. But she has one thing in the drawer which she can venture to wear to-day, because she can hang it on the chain of dark-brown berries which she has been used to wear on grand days, with a tiny flat scent-bottle at the end of it tucked inside her frock; and she must put on her brown berries--her neck would look so unfinished without it. Hetty was not quite as fond of the locket as of the ear-rings, though it was a handsome large locket, with enamelled flowers at the back and a beautiful gold border round the glass, which showed a light-brown slightly waving lock, forming a background for two little dark rings. She must keep it under her clothes, and no one would see it. But Hetty had another passion, only a little less strong than her love of finery, and that other passion made her like to wear the locket even hidden in her bosom. She would always have worn it, if she had dared to encounter her aunt's questions about a ribbon round her neck. So now she slipped it on along her chain of dark-brown berries, and snapped the chain round her neck. It was not a very long chain, only allowing the locket to hang a little way below the edge of her frock. And now she had nothing to do but to put on her long sleeves, her new white gauze neckerchief, and her straw hat trimmed with white to-day instead of the pink, which had become rather faded under the July sun. That hat made the drop of bitterness in Hetty's cup to-day, for it was not quite new--everybody would see that it was a little tanned against the white ribbon--and Mary Burge, she felt sure, would have a new hat or bonnet on. She looked for consolation at her fine white cotton stockings: they really were very nice indeed, and she had given almost all her spare money for them. Hetty's dream of the future could not make her insensible to triumph in the present. To be sure, Captain Donnithorne loved her so that he would never care about looking at other people, but then those other people didn't know how he loved her, and she was not satisfied to appear shabby and insignificant in their eyes even for a short space. The whole party was assembled in the house-place when Hetty went down, all of course in their Sunday clothes; and the bells had been ringing so this morning in honour of the captain's twenty-first birthday, and the work had all been got done so early, that Marty and Tommy were not quite easy in their minds until their mother had assured them that going to church was not part of the day's festivities. Mr. Poyser had once suggested that the house should be shut up and left to take care of itself; "for," said he, "there's no danger of anybody's breaking in--everybody'll be at the Chase, thieves an' all. If we lock th' house up, all the men can go: it's a day they wonna see twice i' their lives." But Mrs. Poyser answered with great decision: "I never left the house to take care of itself since I was a missis, and I never will. There's been ill-looking tramps enoo' about the place this last week, to carry off every ham an' every spoon we'n got; and they all collogue together, them tramps, as it's a mercy they hanna come and poisoned the dogs and murdered us all in our beds afore we knowed, some Friday night when we'n got the money in th' house to pay the men. And it's like enough the tramps know where we're going as well as we do oursens; for if Old Harry wants any work done, you may be sure he'll find the means." "Nonsense about murdering us in our beds," said Mr. Poyser; "I've got a gun i' our room, hanna I? and thee'st got ears as 'ud find it out if a mouse was gnawing the bacon. Howiver, if thee wouldstna be easy, Alick can stay at home i' the forepart o' the day, and Tim can come back tow'rds five o'clock, and let Alick have his turn. They may let Growler loose if anybody offers to do mischief, and there's Alick's dog too, ready enough to set his tooth in a tramp if Alick gives him a wink." Mrs. Poyser accepted this compromise, but thought it advisable to bar and bolt to the utmost; and now, at the last moment before starting, Nancy, the dairy-maid, was closing the shutters of the house-place, although the window, lying under the immediate observation of Alick and the dogs, might have been supposed the least likely to be selected for a burglarious attempt. The covered cart, without springs, was standing ready to carry the whole family except the men-servants. Mr. Poyser and the grandfather sat on the seat in front, and within there was room for all the women and children; the fuller the cart the better, because then the jolting would not hurt so much, and Nancy's broad person and thick arms were an excellent cushion to be pitched on. But Mr. Poyser drove at no more than a walking pace, that there might be as little risk of jolting as possible on this warm day, and there was time to exchange greetings and remarks with the foot-passengers who were going the same way, specking the paths between the green meadows and the golden cornfields with bits of movable bright colour--a scarlet waistcoat to match the poppies that nodded a little too thickly among the corn, or a dark-blue neckerchief with ends flaunting across a brand-new white smock-frock. All Broxton and all Hayslope were to be at the Chase, and make merry there in honour of "th' heir"; and the old men and women, who had never been so far down this side of the hill for the last twenty years, were being brought from Broxton and Hayslope in one of the farmer's waggons, at Mr. Irwine's suggestion. The church-bells had struck up again now--a last tune, before the ringers came down the hill to have their share in the festival; and before the bells had finished, other music was heard approaching, so that even Old Brown, the sober horse that was drawing Mr. Poyser's cart, began to prick up his ears. It was the band of the Benefit Club, which had mustered in all its glory--that is to say, in bright-blue scarfs and blue favours, and carrying its banner with the motto, "Let brotherly love continue," encircling a picture of a stone-pit. The carts, of course, were not to enter the Chase. Every one must get down at the lodges, and the vehicles must be sent back. "Why, the Chase is like a fair a'ready," said Mrs. Poyser, as she got down from the cart, and saw the groups scattered under the great oaks, and the boys running about in the hot sunshine to survey the tall poles surmounted by the fluttering garments that were to be the prize of the successful climbers. "I should ha' thought there wasna so many people i' the two parishes. Mercy on us! How hot it is out o' the shade! Come here, Totty, else your little face 'ull be burnt to a scratchin'! They might ha' cooked the dinners i' that open space an' saved the fires. I shall go to Mrs. Best's room an' sit down." "Stop a bit, stop a bit," said Mr. Poyser. "There's th' waggin coming wi' th' old folks in't; it'll be such a sight as wonna come o'er again, to see 'em get down an' walk along all together. You remember some on 'em i' their prime, eh, Father?" "Aye, aye," said old Martin, walking slowly under the shade of the lodge porch, from which he could see the aged party descend. "I remember Jacob Taft walking fifty mile after the Scotch raybels, when they turned back from Stoniton." He felt himself quite a youngster, with a long life before him, as he saw the Hayslope patriarch, old Feyther Taft, descend from the waggon and walk towards him, in his brown nightcap, and leaning on his two sticks. "Well, Mester Taft," shouted old Martin, at the utmost stretch of his voice--for though he knew the old man was stone deaf, he could not omit the propriety of a greeting--"you're hearty yet. You can enjoy yoursen to-day, for-all you're ninety an' better." "Your sarvant, mesters, your sarvant," said Feyther Taft in a treble tone, perceiving that he was in company. The aged group, under care of sons or daughters, themselves worn and grey, passed on along the least-winding carriage-road towards the house, where a special table was prepared for them; while the Poyser party wisely struck across the grass under the shade of the great trees, but not out of view of the house-front, with its sloping lawn and flower-beds, or of the pretty striped marquee at the edge of the lawn, standing at right angles with two larger marquees on each side of the open green space where the games were to be played. The house would have been nothing but a plain square mansion of Queen Anne's time, but for the remnant of an old abbey to which it was united at one end, in much the same way as one may sometimes see a new farmhouse rising high and prim at the end of older and lower farm-offices. The fine old remnant stood a little backward and under the shadow of tall beeches, but the sun was now on the taller and more advanced front, the blinds were all down, and the house seemed asleep in the hot midday. It made Hetty quite sad to look at it: Arthur must be somewhere in the back rooms, with the grand company, where he could not possibly know that she was come, and she should not see him for a long, long while--not till after dinner, when they said he was to come up and make a speech. But Hetty was wrong in part of her conjecture. No grand company was come except the Irwines, for whom the carriage had been sent early, and Arthur was at that moment not in a back room, but walking with the rector into the broad stone cloisters of the old abbey, where the long tables were laid for all the cottage tenants and the farm-servants. A very handsome young Briton he looked to-day, in high spirits and a bright-blue frock-coat, the highest mode--his arm no longer in a sling. So open-looking and candid, too; but candid people have their secrets, and secrets leave no lines in young faces. "Upon my word," he said, as they entered the cool cloisters, "I think the cottagers have the best of it: these cloisters make a delightful dining-room on a hot day. That was capital advice of yours, Irwine, about the dinners--to let them be as orderly and comfortable as possible, and only for the tenants: especially as I had only a limited sum after all; for though my grandfather talked of a carte blanche, he couldn't make up his mind to trust me, when it came to the point." "Never mind, you'll give more pleasure in this quiet way," said Mr. Irwine. "In this sort of thing people are constantly confounding liberality with riot and disorder. It sounds very grand to say that so many sheep and oxen were roasted whole, and everybody ate who liked to come; but in the end it generally happens that no one has had an enjoyable meal. If the people get a good dinner and a moderate quantity of ale in the middle of the day, they'll be able to enjoy the games as the day cools. You can't hinder some of them from getting too much towards evening, but drunkenness and darkness go better together than drunkenness and daylight." "Well, I hope there won't be much of it. I've kept the Treddleston people away by having a feast for them in the town; and I've got Casson and Adam Bede and some other good fellows to look to the giving out of ale in the booths, and to take care things don't go too far. Come, let us go up above now and see the dinner-tables for the large tenants." They went up the stone staircase leading simply to the long gallery above the cloisters, a gallery where all the dusty worthless old pictures had been banished for the last three generations--mouldy portraits of Queen Elizabeth and her ladies, General Monk with his eye knocked out, Daniel very much in the dark among the lions, and Julius Caesar on horseback, with a high nose and laurel crown, holding his Commentaries in his hand. "What a capital thing it is that they saved this piece of the old abbey!" said Arthur. "If I'm ever master here, I shall do up the gallery in first-rate style. We've got no room in the house a third as large as this. That second table is for the farmers' wives and children: Mrs. Best said it would be more comfortable for the mothers and children to be by themselves. I was determined to have the children, and make a regular family thing of it. I shall be 'the old squire' to those little lads and lasses some day, and they'll tell their children what a much finer young fellow I was than my own son. There's a table for the women and children below as well. But you will see them all--you will come up with me after dinner, I hope?" "Yes, to be sure," said Mr. Irwine. "I wouldn't miss your maiden speech to the tenantry." "And there will be something else you'll like to hear," said Arthur. "Let us go into the library and I'll tell you all about it while my grandfather is in the drawing-room with the ladies. Something that will surprise you," he continued, as they sat down. "My grandfather has come round after all." "What, about Adam?" "Yes; I should have ridden over to tell you about it, only I was so busy. You know I told you I had quite given up arguing the matter with him--I thought it was hopeless--but yesterday morning he asked me to come in here to him before I went out, and astonished me by saying that he had decided on all the new arrangements he should make in consequence of old Satchell being obliged to lay by work, and that he intended to employ Adam in superintending the woods at a salary of a guinea a-week, and the use of a pony to be kept here. I believe the secret of it is, he saw from the first it would be a profitable plan, but he had some particular dislike of Adam to get over--and besides, the fact that I propose a thing is generally a reason with him for rejecting it. There's the most curious contradiction in my grandfather: I know he means to leave me all the money he has saved, and he is likely enough to have cut off poor Aunt Lydia, who has been a slave to him all her life, with only five hundred a-year, for the sake of giving me all the more; and yet I sometimes think he positively hates me because I'm his heir. I believe if I were to break my neck, he would feel it the greatest misfortune that could befall him, and yet it seems a pleasure to him to make my life a series of petty annoyances." "Ah, my boy, it is not only woman's love that is [two greek words omitted] as old AEschylus calls it. There's plenty of 'unloving love' in the world of a masculine kind. But tell me about Adam. Has he accepted the post? I don't see that it can be much more profitable than his present work, though, to be sure, it will leave him a good deal of time on his own hands. "Well, I felt some doubt about it when I spoke to him and he seemed to hesitate at first. His objection was that he thought he should not be able to satisfy my grandfather. But I begged him as a personal favour to me not to let any reason prevent him from accepting the place, if he really liked the employment and would not be giving up anything that was more profitable to him. And he assured me he should like it of all things--it would be a great step forward for him in business, and it would enable him to do what he had long wished to do, to give up working for Burge. He says he shall have plenty of time to superintend a little business of his own, which he and Seth will carry on, and will perhaps be able to enlarge by degrees. So he has agreed at last, and I have arranged that he shall dine with the large tenants to-day; and I mean to announce the appointment to them, and ask them to drink Adam's health. It's a little drama I've got up in honour of my friend Adam. He's a fine fellow, and I like the opportunity of letting people know that I think so." "A drama in which friend Arthur piques himself on having a pretty part to play," said Mr. Irwine, smiling. But when he saw Arthur colour, he went on relentingly, "My part, you know, is always that of the old fogy who sees nothing to admire in the young folks. I don't like to admit that I'm proud of my pupil when he does graceful things. But I must play the amiable old gentleman for once, and second your toast in honour of Adam. Has your grandfather yielded on the other point too, and agreed to have a respectable man as steward?" "Oh no," said Arthur, rising from his chair with an air of impatience and walking along the room with his hands in his pockets. "He's got some project or other about letting the Chase Farm and bargaining for a supply of milk and butter for the house. But I ask no questions about it--it makes me too angry. I believe he means to do all the business himself, and have nothing in the shape of a steward. It's amazing what energy he has, though." "Well, we'll go to the ladies now," said Mr. Irwine, rising too. "I want to tell my mother what a splendid throne you've prepared for her under the marquee." "Yes, and we must be going to luncheon too," said Arthur. "It must be two o'clock, for there is the gong beginning to sound for the tenants' dinners."

book 3, Chapter 22

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third

The Captain's birthday is at the end of July. Hetty prepares herself in her room, looking at a lovely pair of garnet and pearl earrings that the Captain has given her, which she knows she cannot wear yet. She wears a locket with locks of hair in it hidden in her bosom. Everyone walks towards the Chase, where the great party is to be held. The oldest people all come in a wagon together. The great house was from the time of Queen Anne, but it was attached to the remnant of an old Abbey at one end. Hetty is sad that she has not seen Arthur yet. The Captain, preparing for dinner, thanks the vicar for his advice: only giving his tenants dinner and doing it earlier in the day, so that his house will not become a riot scene. He says that since Adam is handing out the alcohol, the party will not get out of hand. The Captain confides in the vicar that his grandfather has come around to having Adam manage the estate, although the Captain says that he still does not get along with his grandfather. Adam will dine with the large tenants, and the Captain will announce his new position at dinner

In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret.

gradesaver

all_chapterized_books/507-chapters/23.txt

finished_summaries/gradesaver/Adam Bede/section_3_part_2.txt

Adam Bede.book 3.chapter 23

book 3, chapter 23

{"name": "book 3, Chapter 23", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third", "summary": "Adam is called to dine with the large tenants and feels uncomfortable leaving his family downstairs, but Seth encourages him to go. He walks up with Bartle. There was a small argument about who was to sit at the top of the table, because the butler felt strongly that the elder Mr. Poyser should. Bartle settles the matter with a joke: the broadest should sit at the head and the second-broadest at the foot. Thus, Mr. Poyser gets the head and Mr. Casson gets the foot. This has put Adam next to Mr. Casson, who thinks that he is too uppity. He asks if it is the first time that Adam has dined at this table. Adam says yes and that he hopes that it is agreeable to the others at the table. A few people say that of course it is. Adam is pleased, anyway, with his seat, because he can see Hetty. Hetty is preoccupied with scolding Totty for putting her feet up on the bench because she might get dust marks on her dress. Adam cannot see the cause of her vexation, but he thinks that she looks sweet, although the moment of anger would not have looked very good on someone less pretty. Mary Burge sees Adam looking at Hetty and is glad that he has seen her out of humor because he might like her less. Hetty, knowing that Mary Burge and Adam are both looking at her, looks up at Adam and smiles brightly", "analysis": "In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret."}

WHEN Adam heard that he was to dine upstairs with the large tenants, he felt rather uncomfortable at the idea of being exalted in this way above his mother and Seth, who were to dine in the cloisters below. But Mr. Mills, the butler, assured him that Captain Donnithorne had given particular orders about it, and would be very angry if Adam was not there. Adam nodded and went up to Seth, who was standing a few yards off. "Seth, lad," he said, "the captain has sent to say I'm to dine upstairs--he wishes it particular, Mr. Mills says, so I suppose it 'ud be behaving ill for me not to go. But I don't like sitting up above thee and mother, as if I was better than my own flesh and blood. Thee't not take it unkind, I hope?" "Nay, nay, lad," said Seth, "thy honour's our honour; and if thee get'st respect, thee'st won it by thy own deserts. The further I see thee above me, the better, so long as thee feel'st like a brother to me. It's because o' thy being appointed over the woods, and it's nothing but what's right. That's a place o' trust, and thee't above a common workman now." "Aye," said Adam, "but nobody knows a word about it yet. I haven't given notice to Mr. Burge about leaving him, and I don't like to tell anybody else about it before he knows, for he'll be a good bit hurt, I doubt. People 'ull be wondering to see me there, and they'll like enough be guessing the reason and asking questions, for there's been so much talk up and down about my having the place, this last three weeks." "Well, thee canst say thee wast ordered to come without being told the reason. That's the truth. And mother 'ull be fine and joyful about it. Let's go and tell her." Adam was not the only guest invited to come upstairs on other grounds than the amount he contributed to the rent-roll. There were other people in the two parishes who derived dignity from their functions rather than from their pocket, and of these Bartle Massey was one. His lame walk was rather slower than usual on this warm day, so Adam lingered behind when the bell rang for dinner, that he might walk up with his old friend; for he was a little too shy to join the Poyser party on this public occasion. Opportunities of getting to Hetty's side would be sure to turn up in the course of the day, and Adam contented himself with that for he disliked any risk of being "joked" about Hetty--the big, outspoken, fearless man was very shy and diffident as to his love-making. "Well, Mester Massey," said Adam, as Bartle came up "I'm going to dine upstairs with you to-day: the captain's sent me orders." "Ah!" said Bartle, pausing, with one hand on his back. "Then there's something in the wind--there's something in the wind. Have you heard anything about what the old squire means to do?" "Why, yes," said Adam; "I'll tell you what I know, because I believe you can keep a still tongue in your head if you like, and I hope you'll not let drop a word till it's common talk, for I've particular reasons against its being known." "Trust to me, my boy, trust to me. I've got no wife to worm it out of me and then run out and cackle it in everybody's hearing. If you trust a man, let him be a bachelor--let him be a bachelor." "Well, then, it was so far settled yesterday that I'm to take the management o' the woods. The captain sent for me t' offer it me, when I was seeing to the poles and things here and I've agreed to't. But if anybody asks any questions upstairs, just you take no notice, and turn the talk to something else, and I'll be obliged to you. Now, let us go on, for we're pretty nigh the last, I think." "I know what to do, never fear," said Bartle, moving on. "The news will be good sauce to my dinner. Aye, aye, my boy, you'll get on. I'll back you for an eye at measuring and a head-piece for figures, against any man in this county and you've had good teaching--you've had good teaching." When they got upstairs, the question which Arthur had left unsettled, as to who was to be president, and who vice, was still under discussion, so that Adam's entrance passed without remark. "It stands to sense," Mr. Casson was saying, "as old Mr. Poyser, as is th' oldest man i' the room, should sit at top o' the table. I wasn't butler fifteen year without learning the rights and the wrongs about dinner." "Nay, nay," said old Martin, "I'n gi'en up to my son; I'm no tenant now: let my son take my place. Th' ould foulks ha' had their turn: they mun make way for the young uns." "I should ha' thought the biggest tenant had the best right, more nor th' oldest," said Luke Britton, who was not fond of the critical Mr. Poyser; "there's Mester Holdsworth has more land nor anybody else on th' estate." "Well," said Mr. Poyser, "suppose we say the man wi' the foulest land shall sit at top; then whoever gets th' honour, there'll be no envying on him." "Eh, here's Mester Massey," said Mr. Craig, who, being a neutral in the dispute, had no interest but in conciliation; "the schoolmaster ought to be able to tell you what's right. Who's to sit at top o' the table, Mr. Massey?" "Why, the broadest man," said Bartle; "and then he won't take up other folks' room; and the next broadest must sit at bottom." This happy mode of settling the dispute produced much laughter--a smaller joke would have sufficed for that Mr. Casson, however, did not feel it compatible with his dignity and superior knowledge to join in the laugh, until it turned out that he was fixed on as the second broadest man. Martin Poyser the younger, as the broadest, was to be president, and Mr. Casson, as next broadest, was to be vice. Owing to this arrangement, Adam, being, of course, at the bottom of the table, fell under the immediate observation of Mr. Casson, who, too much occupied with the question of precedence, had not hitherto noticed his entrance. Mr. Casson, we have seen, considered Adam "rather lifted up and peppery-like": he thought the gentry made more fuss about this young carpenter than was necessary; they made no fuss about Mr. Casson, although he had been an excellent butler for fifteen years. "Well, Mr. Bede, you're one o' them as mounts hup'ards apace," he said, when Adam sat down. "You've niver dined here before, as I remember." "No, Mr. Casson," said Adam, in his strong voice, that could be heard along the table; "I've never dined here before, but I come by Captain Donnithorne's wish, and I hope it's not disagreeable to anybody here." "Nay, nay," said several voices at once, "we're glad ye're come. Who's got anything to say again' it?" "And ye'll sing us 'Over the hills and far away,' after dinner, wonna ye?" said Mr. Chowne. "That's a song I'm uncommon fond on." "Peeh!" said Mr. Craig; "it's not to be named by side o' the Scotch tunes. I've never cared about singing myself; I've had something better to do. A man that's got the names and the natur o' plants in's head isna likely to keep a hollow place t' hold tunes in. But a second cousin o' mine, a drovier, was a rare hand at remembering the Scotch tunes. He'd got nothing else to think on." "The Scotch tunes!" said Bartle Massey, contemptuously; "I've heard enough o' the Scotch tunes to last me while I live. They're fit for nothing but to frighten the birds with--that's to say, the English birds, for the Scotch birds may sing Scotch for what I know. Give the lads a bagpipe instead of a rattle, and I'll answer for it the corn 'll be safe." "Yes, there's folks as find a pleasure in undervallying what they know but little about," said Mr. Craig. "Why, the Scotch tunes are just like a scolding, nagging woman," Bartle went on, without deigning to notice Mr. Craig's remark. "They go on with the same thing over and over again, and never come to a reasonable end. Anybody 'ud think the Scotch tunes had always been asking a question of somebody as deaf as old Taft, and had never got an answer yet." Adam minded the less about sitting by Mr. Casson, because this position enabled him to see Hetty, who was not far off him at the next table. Hetty, however, had not even noticed his presence yet, for she was giving angry attention to Totty, who insisted on drawing up her feet on to the bench in antique fashion, and thereby threatened to make dusty marks on Hetty's pink-and-white frock. No sooner were the little fat legs pushed down than up they came again, for Totty's eyes were too busy in staring at the large dishes to see where the plum pudding was for her to retain any consciousness of her legs. Hetty got quite out of patience, and at last, with a frown and pout, and gathering tears, she said, "Oh dear, Aunt, I wish you'd speak to Totty; she keeps putting her legs up so, and messing my frock." "What's the matter wi' the child? She can niver please you," said the mother. "Let her come by the side o' me, then. I can put up wi' her." Adam was looking at Hetty, and saw the frown, and pout, and the dark eyes seeming to grow larger with pettish half-gathered tears. Quiet Mary Burge, who sat near enough to see that Hetty was cross and that Adam's eyes were fixed on her, thought that so sensible a man as Adam must be reflecting on the small value of beauty in a woman whose temper was bad. Mary was a good girl, not given to indulge in evil feelings, but she said to herself, that, since Hetty had a bad temper, it was better Adam should know it. And it was quite true that if Hetty had been plain, she would have looked very ugly and unamiable at that moment, and no one's moral judgment upon her would have been in the least beguiled. But really there was something quite charming in her pettishness: it looked so much more like innocent distress than ill humour; and the severe Adam felt no movement of disapprobation; he only felt a sort of amused pity, as if he had seen a kitten setting up its back, or a little bird with its feathers ruffled. He could not gather what was vexing her, but it was impossible to him to feel otherwise than that she was the prettiest thing in the world, and that if he could have his way, nothing should ever vex her any more. And presently, when Totty was gone, she caught his eye, and her face broke into one of its brightest smiles, as she nodded to him. It was a bit of flirtation--she knew Mary Burge was looking at them. But the smile was like wine to Adam.

book 3, Chapter 23

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third

Adam is called to dine with the large tenants and feels uncomfortable leaving his family downstairs, but Seth encourages him to go. He walks up with Bartle. There was a small argument about who was to sit at the top of the table, because the butler felt strongly that the elder Mr. Poyser should. Bartle settles the matter with a joke: the broadest should sit at the head and the second-broadest at the foot. Thus, Mr. Poyser gets the head and Mr. Casson gets the foot. This has put Adam next to Mr. Casson, who thinks that he is too uppity. He asks if it is the first time that Adam has dined at this table. Adam says yes and that he hopes that it is agreeable to the others at the table. A few people say that of course it is. Adam is pleased, anyway, with his seat, because he can see Hetty. Hetty is preoccupied with scolding Totty for putting her feet up on the bench because she might get dust marks on her dress. Adam cannot see the cause of her vexation, but he thinks that she looks sweet, although the moment of anger would not have looked very good on someone less pretty. Mary Burge sees Adam looking at Hetty and is glad that he has seen her out of humor because he might like her less. Hetty, knowing that Mary Burge and Adam are both looking at her, looks up at Adam and smiles brightly

In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret.

gradesaver

all_chapterized_books/507-chapters/24.txt

finished_summaries/gradesaver/Adam Bede/section_3_part_3.txt

Adam Bede.book 3.chapter 24

book 3, chapter 24

{"name": "book 3, Chapter 24", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third", "summary": "Everyone stands when Arthur enters, and he enjoys the sign of respect. Mr. Poyser makes a short speech thanking Arthur and calls for a toast to his health. The Captain feels only a small twinge of conscience for having feelings for Mr. Poyser's daughter and for acting on them. The Captain thanks his tenants for teaching him so much about farming and hopes that when he is in control, he can make their lives better. Arthur also proposes a toast to his grandfather, and the tenants are forced to drink it. The Captain also praises Adam, announces him as the new manager of the woods, and proposes a toast to him and the vicar together. The vicar makes a speech, saying that the townspeople's high hopes for the Captain as a landlord will certainly be fulfilled, and that Adam is worthy of his honor. The Captain toasts Adam by saying, \"may he live to have sons as faithful and clever as himself. Adam feels moved and says that he is taken by surprise by the public tribute. He makes a small speech saying that the townspeople must not be wrong if they have such a high opinion of him, though he has only done his duty. He says that rather than thanking the Captain now, he will try to do so in a lifetime of work for him. Some of the women think that this is a proud speech, but the men like it because it is straightforward. Arthur says hello to Mrs. Poyser and compliments her on her husband's speech. She says that it was good, especially because men are usually so tongue-tied. He cannot greet Hetty specially, and she feels neglected. He seems as far away \"as the hero of a great procession is separated from a small outsider in the crowd", "analysis": "In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret."}

WHEN the dinner was over, and the first draughts from the great cask of birthday ale were brought up, room was made for the broad Mr. Poyser at the side of the table, and two chairs were placed at the head. It had been settled very definitely what Mr. Poyser was to do when the young squire should appear, and for the last five minutes he had been in a state of abstraction, with his eyes fixed on the dark picture opposite, and his hands busy with the loose cash and other articles in his breeches pockets. When the young squire entered, with Mr. Irwine by his side, every one stood up, and this moment of homage was very agreeable to Arthur. He liked to feel his own importance, and besides that, he cared a great deal for the good-will of these people: he was fond of thinking that they had a hearty, special regard for him. The pleasure he felt was in his face as he said, "My grandfather and I hope all our friends here have enjoyed their dinner, and find my birthday ale good. Mr. Irwine and I are come to taste it with you, and I am sure we shall all like anything the better that the rector shares with us." All eyes were now turned on Mr. Poyser, who, with his hands still busy in his pockets, began with the deliberateness of a slow-striking clock. "Captain, my neighbours have put it upo' me to speak for 'em to-day, for where folks think pretty much alike, one spokesman's as good as a score. And though we've mayhappen got contrairy ways o' thinking about a many things--one man lays down his land one way an' another another--an' I'll not take it upon me to speak to no man's farming, but my own--this I'll say, as we're all o' one mind about our young squire. We've pretty nigh all on us known you when you war a little un, an' we've niver known anything on you but what was good an' honorable. You speak fair an' y' act fair, an' we're joyful when we look forrard to your being our landlord, for we b'lieve you mean to do right by everybody, an' 'ull make no man's bread bitter to him if you can help it. That's what I mean, an' that's what we all mean; and when a man's said what he means, he'd better stop, for th' ale 'ull be none the better for stannin'. An' I'll not say how we like th' ale yet, for we couldna well taste it till we'd drunk your health in it; but the dinner was good, an' if there's anybody hasna enjoyed it, it must be the fault of his own inside. An' as for the rector's company, it's well known as that's welcome t' all the parish wherever he may be; an' I hope, an' we all hope, as he'll live to see us old folks, an' our children grown to men an' women an' Your Honour a family man. I've no more to say as concerns the present time, an' so we'll drink our young squire's health--three times three." Hereupon a glorious shouting, a rapping, a jingling, a clattering, and a shouting, with plentiful da capo, pleasanter than a strain of sublimest music in the ears that receive such a tribute for the first time. Arthur had felt a twinge of conscience during Mr. Poyser's speech, but it was too feeble to nullify the pleasure he felt in being praised. Did he not deserve what was said of him on the whole? If there was something in his conduct that Poyser wouldn't have liked if he had known it, why, no man's conduct will bear too close an inspection; and Poyser was not likely to know it; and, after all, what had he done? Gone a little too far, perhaps, in flirtation, but another man in his place would have acted much worse; and no harm would come--no harm should come, for the next time he was alone with Hetty, he would explain to her that she must not think seriously of him or of what had passed. It was necessary to Arthur, you perceive, to be satisfied with himself. Uncomfortable thoughts must be got rid of by good intentions for the future, which can be formed so rapidly that he had time to be uncomfortable and to become easy again before Mr. Poyser's slow speech was finished, and when it was time for him to speak he was quite light-hearted. "I thank you all, my good friends and neighbours," Arthur said, "for the good opinion of me, and the kind feelings towards me which Mr. Poyser has been expressing on your behalf and on his own, and it will always be my heartiest wish to deserve them. In the course of things we may expect that, if I live, I shall one day or other be your landlord; indeed, it is on the ground of that expectation that my grandfather has wished me to celebrate this day and to come among you now; and I look forward to this position, not merely as one of power and pleasure for myself, but as a means of benefiting my neighbours. It hardly becomes so young a man as I am to talk much about farming to you, who are most of you so much older, and are men of experience; still, I have interested myself a good deal in such matters, and learned as much about them as my opportunities have allowed; and when the course of events shall place the estate in my hands, it will be my first desire to afford my tenants all the encouragement a landlord can give them, in improving their land and trying to bring about a better practice of husbandry. It will be my wish to be looked on by all my deserving tenants as their best friend, and nothing would make me so happy as to be able to respect every man on the estate, and to be respected by him in return. It is not my place at present to enter into particulars; I only meet your good hopes concerning me by telling you that my own hopes correspond to them--that what you expect from me I desire to fulfil; and I am quite of Mr. Poyser's opinion, that when a man has said what he means, he had better stop. But the pleasure I feel in having my own health drunk by you would not be perfect if we did not drink the health of my grandfather, who has filled the place of both parents to me. I will say no more, until you have joined me in drinking his health on a day when he has wished me to appear among you as the future representative of his name and family." Perhaps there was no one present except Mr. Irwine who thoroughly understood and approved Arthur's graceful mode of proposing his grandfather's health. The farmers thought the young squire knew well enough that they hated the old squire, and Mrs. Poyser said, "he'd better not ha' stirred a kettle o' sour broth." The bucolic mind does not readily apprehend the refinements of good taste. But the toast could not be rejected and when it had been drunk, Arthur said, "I thank you, both for my grandfather and myself; and now there is one more thing I wish to tell you, that you may share my pleasure about it, as I hope and believe you will. I think there can be no man here who has not a respect, and some of you, I am sure, have a very high regard, for my friend Adam Bede. It is well known to every one in this neighbourhood that there is no man whose word can be more depended on than his; that whatever he undertakes to do, he does well, and is as careful for the interests of those who employ him as for his own. I'm proud to say that I was very fond of Adam when I was a little boy, and I have never lost my old feeling for him--I think that shows that I know a good fellow when I find him. It has long been my wish that he should have the management of the woods on the estate, which happen to be very valuable, not only because I think so highly of his character, but because he has the knowledge and the skill which fit him for the place. And I am happy to tell you that it is my grandfather's wish too, and it is now settled that Adam shall manage the woods--a change which I am sure will be very much for the advantage of the estate; and I hope you will by and by join me in drinking his health, and in wishing him all the prosperity in life that he deserves. But there is a still older friend of mine than Adam Bede present, and I need not tell you that it is Mr. Irwine. I'm sure you will agree with me that we must drink no other person's health until we have drunk his. I know you have all reason to love him, but no one of his parishioners has so much reason as I. Come, charge your glasses, and let us drink to our excellent rector--three times three!" This toast was drunk with all the enthusiasm that was wanting to the last, and it certainly was the most picturesque moment in the scene when Mr. Irwine got up to speak, and all the faces in the room were turned towards him. The superior refinement of his face was much more striking than that of Arthur's when seen in comparison with the people round them. Arthur's was a much commoner British face, and the splendour of his new-fashioned clothes was more akin to the young farmer's taste in costume than Mr. Irwine's powder and the well-brushed but well-worn black, which seemed to be his chosen suit for great occasions; for he had the mysterious secret of never wearing a new-looking coat. "This is not the first time, by a great many," he said, "that I have had to thank my parishioners for giving me tokens of their goodwill, but neighbourly kindness is among those things that are the more precious the older they get. Indeed, our pleasant meeting to-day is a proof that when what is good comes of age and is likely to live, there is reason for rejoicing, and the relation between us as clergyman and parishioners came of age two years ago, for it is three-and-twenty years since I first came among you, and I see some tall fine-looking young men here, as well as some blooming young women, that were far from looking as pleasantly at me when I christened them as I am happy to see them looking now. But I'm sure you will not wonder when I say that among all those young men, the one in whom I have the strongest interest is my friend Mr. Arthur Donnithorne, for whom you have just expressed your regard. I had the pleasure of being his tutor for several years, and have naturally had opportunities of knowing him intimately which cannot have occurred to any one else who is present; and I have some pride as well as pleasure in assuring you that I share your high hopes concerning him, and your confidence in his possession of those qualities which will make him an excellent landlord when the time shall come for him to take that important position among you. We feel alike on most matters on which a man who is getting towards fifty can feel in common with a young man of one-and-twenty, and he has just been expressing a feeling which I share very heartily, and I would not willingly omit the opportunity of saying so. That feeling is his value and respect for Adam Bede. People in a high station are of course more thought of and talked about and have their virtues more praised, than those whose lives are passed in humble everyday work; but every sensible man knows how necessary that humble everyday work is, and how important it is to us that it should be done well. And I agree with my friend Mr. Arthur Donnithorne in feeling that when a man whose duty lies in that sort of work shows a character which would make him an example in any station, his merit should be acknowledged. He is one of those to whom honour is due, and his friends should delight to honour him. I know Adam Bede well--I know what he is as a workman, and what he has been as a son and brother--and I am saying the simplest truth when I say that I respect him as much as I respect any man living. But I am not speaking to you about a stranger; some of you are his intimate friends, and I believe there is not one here who does not know enough of him to join heartily in drinking his health." As Mr. Irwine paused, Arthur jumped up and, filling his glass, said, "A bumper to Adam Bede, and may he live to have sons as faithful and clever as himself!" No hearer, not even Bartle Massey, was so delighted with this toast as Mr. Poyser. "Tough work" as his first speech had been, he would have started up to make another if he had not known the extreme irregularity of such a course. As it was, he found an outlet for his feeling in drinking his ale unusually fast, and setting down his glass with a swing of his arm and a determined rap. If Jonathan Burge and a few others felt less comfortable on the occasion, they tried their best to look contented, and so the toast was drunk with a goodwill apparently unanimous. Adam was rather paler than usual when he got up to thank his friends. He was a good deal moved by this public tribute--very naturally, for he was in the presence of all his little world, and it was uniting to do him honour. But he felt no shyness about speaking, not being troubled with small vanity or lack of words; he looked neither awkward nor embarrassed, but stood in his usual firm upright attitude, with his head thrown a little backward and his hands perfectly still, in that rough dignity which is peculiar to intelligent, honest, well-built workmen, who are never wondering what is their business in the world. "I'm quite taken by surprise," he said. "I didn't expect anything o' this sort, for it's a good deal more than my wages. But I've the more reason to be grateful to you, Captain, and to you, Mr. Irwine, and to all my friends here, who've drunk my health and wished me well. It 'ud be nonsense for me to be saying, I don't at all deserve th' opinion you have of me; that 'ud be poor thanks to you, to say that you've known me all these years and yet haven't sense enough to find out a great deal o' the truth about me. You think, if I undertake to do a bit o' work, I'll do it well, be my pay big or little--and that's true. I'd be ashamed to stand before you here if it wasna true. But it seems to me that's a man's plain duty, and nothing to be conceited about, and it's pretty clear to me as I've never done more than my duty; for let us do what we will, it's only making use o' the sperrit and the powers that ha' been given to us. And so this kindness o' yours, I'm sure, is no debt you owe me, but a free gift, and as such I accept it and am thankful. And as to this new employment I've taken in hand, I'll only say that I took it at Captain Donnithorne's desire, and that I'll try to fulfil his expectations. I'd wish for no better lot than to work under him, and to know that while I was getting my own bread I was taking care of his int'rests. For I believe he's one o those gentlemen as wishes to do the right thing, and to leave the world a bit better than he found it, which it's my belief every man may do, whether he's gentle or simple, whether he sets a good bit o' work going and finds the money, or whether he does the work with his own hands. There's no occasion for me to say any more about what I feel towards him: I hope to show it through the rest o' my life in my actions." There were various opinions about Adam's speech: some of the women whispered that he didn't show himself thankful enough, and seemed to speak as proud as could be; but most of the men were of opinion that nobody could speak more straightfor'ard, and that Adam was as fine a chap as need to be. While such observations were being buzzed about, mingled with wonderings as to what the old squire meant to do for a bailiff, and whether he was going to have a steward, the two gentlemen had risen, and were walking round to the table where the wives and children sat. There was none of the strong ale here, of course, but wine and dessert--sparkling gooseberry for the young ones, and some good sherry for the mothers. Mrs. Poyser was at the head of this table, and Totty was now seated in her lap, bending her small nose deep down into a wine-glass in search of the nuts floating there. "How do you do, Mrs. Poyser?" said Arthur. "Weren't you pleased to hear your husband make such a good speech to-day?" "Oh, sir, the men are mostly so tongue-tied--you're forced partly to guess what they mean, as you do wi' the dumb creaturs." "What! you think you could have made it better for him?" said Mr. Irwine, laughing. "Well, sir, when I want to say anything, I can mostly find words to say it in, thank God. Not as I'm a-finding faut wi' my husband, for if he's a man o' few words, what he says he'll stand to." "I'm sure I never saw a prettier party than this," Arthur said, looking round at the apple-cheeked children. "My aunt and the Miss Irwines will come up and see you presently. They were afraid of the noise of the toasts, but it would be a shame for them not to see you at table." He walked on, speaking to the mothers and patting the children, while Mr. Irwine satisfied himself with standing still and nodding at a distance, that no one's attention might be disturbed from the young squire, the hero of the day. Arthur did not venture to stop near Hetty, but merely bowed to her as he passed along the opposite side. The foolish child felt her heart swelling with discontent; for what woman was ever satisfied with apparent neglect, even when she knows it to be the mask of love? Hetty thought this was going to be the most miserable day she had had for a long while, a moment of chill daylight and reality came across her dream: Arthur, who had seemed so near to her only a few hours before, was separated from her, as the hero of a great procession is separated from a small outsider in the crowd.

book 3, Chapter 24

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third

Everyone stands when Arthur enters, and he enjoys the sign of respect. Mr. Poyser makes a short speech thanking Arthur and calls for a toast to his health. The Captain feels only a small twinge of conscience for having feelings for Mr. Poyser's daughter and for acting on them. The Captain thanks his tenants for teaching him so much about farming and hopes that when he is in control, he can make their lives better. Arthur also proposes a toast to his grandfather, and the tenants are forced to drink it. The Captain also praises Adam, announces him as the new manager of the woods, and proposes a toast to him and the vicar together. The vicar makes a speech, saying that the townspeople's high hopes for the Captain as a landlord will certainly be fulfilled, and that Adam is worthy of his honor. The Captain toasts Adam by saying, "may he live to have sons as faithful and clever as himself. Adam feels moved and says that he is taken by surprise by the public tribute. He makes a small speech saying that the townspeople must not be wrong if they have such a high opinion of him, though he has only done his duty. He says that rather than thanking the Captain now, he will try to do so in a lifetime of work for him. Some of the women think that this is a proud speech, but the men like it because it is straightforward. Arthur says hello to Mrs. Poyser and compliments her on her husband's speech. She says that it was good, especially because men are usually so tongue-tied. He cannot greet Hetty specially, and she feels neglected. He seems as far away "as the hero of a great procession is separated from a small outsider in the crowd

In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret.

gradesaver

all_chapterized_books/507-chapters/25.txt

finished_summaries/gradesaver/Adam Bede/section_3_part_4.txt

Adam Bede.book 3.chapter 25

book 3, chapter 25

{"name": "book 3, Chapter 25", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third", "summary": "The official dancing does not begin until eight, but there is plenty of music around for the eager. There are contests including races and greased-pole-climbing, the prizes for which are handed out by the vicar's mother, who presides from under a marquee. The Captain talks to his godmother, who encourages him to get married--but to someone handsome and sensible. She asks who the young man helping his mother is, and the Captain says that he is Seth Bede, who may be sad because his father died in such a terrible way, although he has also heard that he was turned down by Dinah. Mrs. Irwine bows to Mrs. Poyser and asks who Hetty is. She says that it is a pity that she will be spoiled on a farmer husband who would not know the difference between her and a coarser woman, but the vicar says that the farmers do know the difference. Chad's Bess approaches the marquee, having just won the women's race. Her love of finery is similar to Hetty's, and she thinks that the prize will be a nice piece of clothing, but it is a staid flannel dress. Chad's Bess goes under a tree and cries. She is approached by a cousin, an older woman also named Bess, who tells her not to make a fool of herself and asks her if she can have some of the material to make clothes for her boys, and Chad's Bess gives it all to her. Wiry Ben decides to dance a hornpipe, accompanied by Joshua Rann on the fiddle, although Adam Bede tells him not to make a fool of himself. Despite the fact that many laugh at his dance, the Captain cries \"Bravo. and Mr. Poyser admires the dancing. Mrs. Poyser says that Wiry Ben must be quite light in his brain to be able to dance so well", "analysis": "In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret."}

THE great dance was not to begin until eight o'clock, but for any lads and lasses who liked to dance on the shady grass before then, there was music always at hand--for was not the band of the Benefit Club capable of playing excellent jigs, reels, and hornpipes? And, besides this, there was a grand band hired from Rosseter, who, with their wonderful wind-instruments and puffed-out cheeks, were themselves a delightful show to the small boys and girls. To say nothing of Joshua Rann's fiddle, which, by an act of generous forethought, he had provided himself with, in case any one should be of sufficiently pure taste to prefer dancing to a solo on that instrument. Meantime, when the sun had moved off the great open space in front of the house, the games began. There were, of course, well-soaped poles to be climbed by the boys and youths, races to be run by the old women, races to be run in sacks, heavy weights to be lifted by the strong men, and a long list of challenges to such ambitious attempts as that of walking as many yards possible on one leg--feats in which it was generally remarked that Wiry Ben, being "the lissom'st, springest fellow i' the country," was sure to be pre-eminent. To crown all, there was to be a donkey-race--that sublimest of all races, conducted on the grand socialistic idea of everybody encouraging everybody else's donkey, and the sorriest donkey winning. And soon after four o'clock, splendid old Mrs. Irwine, in her damask satin and jewels and black lace, was led out by Arthur, followed by the whole family party, to her raised seat under the striped marquee, where she was to give out the prizes to the victors. Staid, formal Miss Lydia had requested to resign that queenly office to the royal old lady, and Arthur was pleased with this opportunity of gratifying his godmother's taste for stateliness. Old Mr. Donnithorne, the delicately clean, finely scented, withered old man, led out Miss Irwine, with his air of punctilious, acid politeness; Mr. Gawaine brought Miss Lydia, looking neutral and stiff in an elegant peach-blossom silk; and Mr. Irwine came last with his pale sister Anne. No other friend of the family, besides Mr. Gawaine, was invited to-day; there was to be a grand dinner for the neighbouring gentry on the morrow, but to-day all the forces were required for the entertainment of the tenants. There was a sunk fence in front of the marquee, dividing the lawn from the park, but a temporary bridge had been made for the passage of the victors, and the groups of people standing, or seated here and there on benches, stretched on each side of the open space from the white marquees up to the sunk fence. "Upon my word it's a pretty sight," said the old lady, in her deep voice, when she was seated, and looked round on the bright scene with its dark-green background; "and it's the last fete-day I'm likely to see, unless you make haste and get married, Arthur. But take care you get a charming bride, else I would rather die without seeing her." "You're so terribly fastidious, Godmother," said Arthur, "I'm afraid I should never satisfy you with my choice." "Well, I won't forgive you if she's not handsome. I can't be put off with amiability, which is always the excuse people are making for the existence of plain people. And she must not be silly; that will never do, because you'll want managing, and a silly woman can't manage you. Who is that tall young man, Dauphin, with the mild face? There, standing without his hat, and taking such care of that tall old woman by the side of him--his mother, of course. I like to see that." "What, don't you know him, Mother?" said Mr. Irwine. "That is Seth Bede, Adam's brother--a Methodist, but a very good fellow. Poor Seth has looked rather down-hearted of late; I thought it was because of his father's dying in that sad way, but Joshua Rann tells me he wanted to marry that sweet little Methodist preacher who was here about a month ago, and I suppose she refused him." "Ah, I remember hearing about her. But there are no end of people here that I don't know, for they're grown up and altered so since I used to go about." "What excellent sight you have!" said old Mr. Donnithorne, who was holding a double glass up to his eyes, "to see the expression of that young man's face so far off. His face is nothing but a pale blurred spot to me. But I fancy I have the advantage of you when we come to look close. I can read small print without spectacles." "Ah, my dear sir, you began with being very near-sighted, and those near-sighted eyes always wear the best. I want very strong spectacles to read with, but then I think my eyes get better and better for things at a distance. I suppose if I could live another fifty years, I should be blind to everything that wasn't out of other people's sight, like a man who stands in a well and sees nothing but the stars." "See," said Arthur, "the old women are ready to set out on their race now. Which do you bet on, Gawaine?" "The long-legged one, unless they're going to have several heats, and then the little wiry one may win." "There are the Poysers, Mother, not far off on the right hand," said Miss Irwine. "Mrs. Poyser is looking at you. Do take notice of her." "To be sure I will," said the old lady, giving a gracious bow to Mrs. Poyser. "A woman who sends me such excellent cream-cheese is not to be neglected. Bless me! What a fat child that is she is holding on her knee! But who is that pretty girl with dark eyes?" "That is Hetty Sorrel," said Miss Lydia Donnithorne, "Martin Poyser's niece--a very likely young person, and well-looking too. My maid has taught her fine needlework, and she has mended some lace of mine very respectably indeed--very respectably." "Why, she has lived with the Poysers six or seven years, Mother; you must have seen her," said Miss Irwine. "No, I've never seen her, child--at least not as she is now," said Mrs. Irwine, continuing to look at Hetty. "Well-looking, indeed! She's a perfect beauty! I've never seen anything so pretty since my young days. What a pity such beauty as that should be thrown away among the farmers, when it's wanted so terribly among the good families without fortune! I daresay, now, she'll marry a man who would have thought her just as pretty if she had had round eyes and red hair." Arthur dared not turn his eyes towards Hetty while Mrs. Irwine was speaking of her. He feigned not to hear, and to be occupied with something on the opposite side. But he saw her plainly enough without looking; saw her in heightened beauty, because he heard her beauty praised--for other men's opinion, you know, was like a native climate to Arthur's feelings: it was the air on which they thrived the best, and grew strong. Yes! She was enough to turn any man's head: any man in his place would have done and felt the same. And to give her up after all, as he was determined to do, would be an act that he should always look back upon with pride. "No, Mother," and Mr. Irwine, replying to her last words; "I can't agree with you there. The common people are not quite so stupid as you imagine. The commonest man, who has his ounce of sense and feeling, is conscious of the difference between a lovely, delicate woman and a coarse one. Even a dog feels a difference in their presence. The man may be no better able than the dog to explain the influence the more refined beauty has on him, but he feels it." "Bless me, Dauphin, what does an old bachelor like you know about it?" "Oh, that is one of the matters in which old bachelors are wiser than married men, because they have time for more general contemplation. Your fine critic of woman must never shackle his judgment by calling one woman his own. But, as an example of what I was saying, that pretty Methodist preacher I mentioned just now told me that she had preached to the roughest miners and had never been treated with anything but the utmost respect and kindness by them. The reason is--though she doesn't know it--that there's so much tenderness, refinement, and purity about her. Such a woman as that brings with her 'airs from heaven' that the coarsest fellow is not insensible to." "Here's a delicate bit of womanhood, or girlhood, coming to receive a prize, I suppose," said Mr. Gawaine. "She must be one of the racers in the sacks, who had set off before we came." The "bit of womanhood" was our old acquaintance Bessy Cranage, otherwise Chad's Bess, whose large red cheeks and blowsy person had undergone an exaggeration of colour, which, if she had happened to be a heavenly body, would have made her sublime. Bessy, I am sorry to say, had taken to her ear-rings again since Dinah's departure, and was otherwise decked out in such small finery as she could muster. Any one who could have looked into poor Bessy's heart would have seen a striking resemblance between her little hopes and anxieties and Hetty's. The advantage, perhaps, would have been on Bessy's side in the matter of feeling. But then, you see, they were so very different outside! You would have been inclined to box Bessy's ears, and you would have longed to kiss Hetty. Bessy had been tempted to run the arduous race, partly from mere hedonish gaiety, partly because of the prize. Some one had said there were to be cloaks and other nice clothes for prizes, and she approached the marquee, fanning herself with her handkerchief, but with exultation sparkling in her round eyes. "Here is the prize for the first sack-race," said Miss Lydia, taking a large parcel from the table where the prizes were laid and giving it to Mrs. Irwine before Bessy came up, "an excellent grogram gown and a piece of flannel." "You didn't think the winner was to be so young, I suppose, Aunt?" said Arthur. "Couldn't you find something else for this girl, and save that grim-looking gown for one of the older women?" "I have bought nothing but what is useful and substantial," said Miss Lydia, adjusting her own lace; "I should not think of encouraging a love of finery in young women of that class. I have a scarlet cloak, but that is for the old woman who wins." This speech of Miss Lydia's produced rather a mocking expression in Mrs. Irwine's face as she looked at Arthur, while Bessy came up and dropped a series of curtsies. "This is Bessy Cranage, mother," said Mr. Irwine, kindly, "Chad Cranage's daughter. You remember Chad Cranage, the blacksmith?" "Yes, to be sure," said Mrs. Irwine. "Well, Bessy, here is your prize--excellent warm things for winter. I'm sure you have had hard work to win them this warm day." Bessy's lip fell as she saw the ugly, heavy gown--which felt so hot and disagreeable too, on this July day, and was such a great ugly thing to carry. She dropped her curtsies again, without looking up, and with a growing tremulousness about the corners of her mouth, and then turned away. "Poor girl," said Arthur; "I think she's disappointed. I wish it had been something more to her taste." "She's a bold-looking young person," observed Miss Lydia. "Not at all one I should like to encourage." Arthur silently resolved that he would make Bessy a present of money before the day was over, that she might buy something more to her mind; but she, not aware of the consolation in store for her, turned out of the open space, where she was visible from the marquee, and throwing down the odious bundle under a tree, began to cry--very much tittered at the while by the small boys. In this situation she was descried by her discreet matronly cousin, who lost no time in coming up, having just given the baby into her husband's charge. "What's the matter wi' ye?" said Bess the matron, taking up the bundle and examining it. "Ye'n sweltered yoursen, I reckon, running that fool's race. An' here, they'n gi'en you lots o' good grogram and flannel, as should ha' been gi'en by good rights to them as had the sense to keep away from such foolery. Ye might spare me a bit o' this grogram to make clothes for the lad--ye war ne'er ill-natured, Bess; I ne'er said that on ye." "Ye may take it all, for what I care," said Bess the maiden, with a pettish movement, beginning to wipe away her tears and recover herself. "Well, I could do wi't, if so be ye want to get rid on't," said the disinterested cousin, walking quickly away with the bundle, lest Chad's Bess should change her mind. But that bonny-cheeked lass was blessed with an elasticity of spirits that secured her from any rankling grief; and by the time the grand climax of the donkey-race came on, her disappointment was entirely lost in the delightful excitement of attempting to stimulate the last donkey by hisses, while the boys applied the argument of sticks. But the strength of the donkey mind lies in adopting a course inversely as the arguments urged, which, well considered, requires as great a mental force as the direct sequence; and the present donkey proved the first-rate order of his intelligence by coming to a dead standstill just when the blows were thickest. Great was the shouting of the crowd, radiant the grinning of Bill Downes the stone-sawyer and the fortunate rider of this superior beast, which stood calm and stiff-legged in the midst of its triumph. Arthur himself had provided the prizes for the men, and Bill was made happy with a splendid pocket-knife, supplied with blades and gimlets enough to make a man at home on a desert island. He had hardly returned from the marquee with the prize in his hand, when it began to be understood that Wiry Ben proposed to amuse the company, before the gentry went to dinner, with an impromptu and gratuitous performance--namely, a hornpipe, the main idea of which was doubtless borrowed; but this was to be developed by the dancer in so peculiar and complex a manner that no one could deny him the praise of originality. Wiry Ben's pride in his dancing--an accomplishment productive of great effect at the yearly Wake--had needed only slightly elevating by an extra quantity of good ale to convince him that the gentry would be very much struck with his performance of his hornpipe; and he had been decidedly encouraged in this idea by Joshua Rann, who observed that it was nothing but right to do something to please the young squire, in return for what he had done for them. You will be the less surprised at this opinion in so grave a personage when you learn that Ben had requested Mr. Rann to accompany him on the fiddle, and Joshua felt quite sure that though there might not be much in the dancing, the music would make up for it. Adam Bede, who was present in one of the large marquees, where the plan was being discussed, told Ben he had better not make a fool of himself--a remark which at once fixed Ben's determination: he was not going to let anything alone because Adam Bede turned up his nose at it. "What's this, what's this?" said old Mr. Donnithorne. "Is it something you've arranged, Arthur? Here's the clerk coming with his fiddle, and a smart fellow with a nosegay in his button-hole." "No," said Arthur; "I know nothing about it. By Jove, he's going to dance! It's one of the carpenters--I forget his name at this moment." "It's Ben Cranage--Wiry Ben, they call him," said Mr. Irwine; "rather a loose fish, I think. Anne, my dear, I see that fiddle-scraping is too much for you: you're getting tired. Let me take you in now, that you may rest till dinner." Miss Anne rose assentingly, and the good brother took her away, while Joshua's preliminary scrapings burst into the "White Cockade," from which he intended to pass to a variety of tunes, by a series of transitions which his good ear really taught him to execute with some skill. It would have been an exasperating fact to him, if he had known it, that the general attention was too thoroughly absorbed by Ben's dancing for any one to give much heed to the music. Have you ever seen a real English rustic perform a solo dance? Perhaps you have only seen a ballet rustic, smiling like a merry countryman in crockery, with graceful turns of the haunch and insinuating movements of the head. That is as much like the real thing as the "Bird Waltz" is like the song of birds. Wiry Ben never smiled: he looked as serious as a dancing monkey--as serious as if he had been an experimental philosopher ascertaining in his own person the amount of shaking and the varieties of angularity that could be given to the human limbs. To make amends for the abundant laughter in the striped marquee, Arthur clapped his hands continually and cried "Bravo!" But Ben had one admirer whose eyes followed his movements with a fervid gravity that equalled his own. It was Martin Poyser, who was seated on a bench, with Tommy between his legs. "What dost think o' that?" he said to his wife. "He goes as pat to the music as if he was made o' clockwork. I used to be a pretty good un at dancing myself when I was lighter, but I could niver ha' hit it just to th' hair like that." "It's little matter what his limbs are, to my thinking," re-turned Mrs. Poyser. "He's empty enough i' the upper story, or he'd niver come jigging an' stamping i' that way, like a mad grasshopper, for the gentry to look at him. They're fit to die wi' laughing, I can see." "Well, well, so much the better, it amuses 'em," said Mr. Poyser, who did not easily take an irritable view of things. "But they're going away now, t' have their dinner, I reckon. Well move about a bit, shall we, and see what Adam Bede's doing. He's got to look after the drinking and things: I doubt he hasna had much fun."

book 3, Chapter 25

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third

The official dancing does not begin until eight, but there is plenty of music around for the eager. There are contests including races and greased-pole-climbing, the prizes for which are handed out by the vicar's mother, who presides from under a marquee. The Captain talks to his godmother, who encourages him to get married--but to someone handsome and sensible. She asks who the young man helping his mother is, and the Captain says that he is Seth Bede, who may be sad because his father died in such a terrible way, although he has also heard that he was turned down by Dinah. Mrs. Irwine bows to Mrs. Poyser and asks who Hetty is. She says that it is a pity that she will be spoiled on a farmer husband who would not know the difference between her and a coarser woman, but the vicar says that the farmers do know the difference. Chad's Bess approaches the marquee, having just won the women's race. Her love of finery is similar to Hetty's, and she thinks that the prize will be a nice piece of clothing, but it is a staid flannel dress. Chad's Bess goes under a tree and cries. She is approached by a cousin, an older woman also named Bess, who tells her not to make a fool of herself and asks her if she can have some of the material to make clothes for her boys, and Chad's Bess gives it all to her. Wiry Ben decides to dance a hornpipe, accompanied by Joshua Rann on the fiddle, although Adam Bede tells him not to make a fool of himself. Despite the fact that many laugh at his dance, the Captain cries "Bravo. and Mr. Poyser admires the dancing. Mrs. Poyser says that Wiry Ben must be quite light in his brain to be able to dance so well

In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret.

gradesaver

all_chapterized_books/507-chapters/26.txt

finished_summaries/gradesaver/Adam Bede/section_3_part_5.txt

Adam Bede.book 3.chapter 26

book 3, chapter 26

{"name": "book 3, Chapter 26", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third", "summary": "The ball is held in the grand entrance room to the Chase. Lisbeth Bede objects to Adam being invited to the dancing because it causes him to leave his family, but when Adam says that he could apologize to the Captain and explain that his mother did not want him to attend, she says that he should go after all. Seth is happy to leave the party because all of the women in their finery remind him too strongly of Dinah, who never wears any ornaments at all. He finds the Poyser party, and Mr. Poyser encourages him to dance with Hetty. Adam, who had thought that he was not going to dance, engages her for the fourth dance, and he takes out Mary Burge for the first. The old Squire makes the rounds of the hall to say hello to his tenants, all of whom hate him. The Captain leads out Mrs. Poyser for the first dance, while Miss Lydia leads out Mr. Poyser. When he takes her to dance, Arthur squeezes Hetty's hand, which makes her pale with emotion. He imagines that she will look this way again when he breaks it off for good. Adam thinks that Hetty looks more serious and beautiful than ever and imagines marrying her. He goes to talk to her and collects the sleeping Totty from her arms. Totty wakes up and lashes out her arms, breaking the brown beads around Hetty's neck and popping the golden locket out of her dress. Adam picks it up from the floor, sees the two locks of hair, and becomes confused. As he dances with Hetty he realizes that they must have been given by some other, established, rich lover. He runs from the dance. As he walks home, he surmises that there could be nobody in her life whom he has not known about, so he concludes that she bought it with her own money and was ashamed of her vanity. Meanwhile, As Arthur dances with Hetty, he arranges to meet with her again", "analysis": "In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret."}

ARTHUR had chosen the entrance-hall for the ballroom: very wisely, for no other room could have been so airy, or would have had the advantage of the wide doors opening into the garden, as well as a ready entrance into the other rooms. To be sure, a stone floor was not the pleasantest to dance on, but then, most of the dancers had known what it was to enjoy a Christmas dance on kitchen quarries. It was one of those entrance-halls which make the surrounding rooms look like closets--with stucco angels, trumpets, and flower-wreaths on the lofty ceiling, and great medallions of miscellaneous heroes on the walls, alternating with statues in niches. Just the sort of place to be ornamented well with green boughs, and Mr. Craig had been proud to show his taste and his hothouse plants on the occasion. The broad steps of the stone staircase were covered with cushions to serve as seats for the children, who were to stay till half-past nine with the servant-maids to see the dancing, and as this dance was confined to the chief tenants, there was abundant room for every one. The lights were charmingly disposed in coloured-paper lamps, high up among green boughs, and the farmers' wives and daughters, as they peeped in, believed no scene could be more splendid; they knew now quite well in what sort of rooms the king and queen lived, and their thoughts glanced with some pity towards cousins and acquaintances who had not this fine opportunity of knowing how things went on in the great world. The lamps were already lit, though the sun had not long set, and there was that calm light out of doors in which we seem to see all objects more distinctly than in the broad day. It was a pretty scene outside the house: the farmers and their families were moving about the lawn, among the flowers and shrubs, or along the broad straight road leading from the east front, where a carpet of mossy grass spread on each side, studded here and there with a dark flat-boughed cedar, or a grand pyramidal fir sweeping the ground with its branches, all tipped with a fringe of paler green. The groups of cottagers in the park were gradually diminishing, the young ones being attracted towards the lights that were beginning to gleam from the windows of the gallery in the abbey, which was to be their dancing-room, and some of the sober elder ones thinking it time to go home quietly. One of these was Lisbeth Bede, and Seth went with her--not from filial attention only, for his conscience would not let him join in dancing. It had been rather a melancholy day to Seth: Dinah had never been more constantly present with him than in this scene, where everything was so unlike her. He saw her all the more vividly after looking at the thoughtless faces and gay-coloured dresses of the young women--just as one feels the beauty and the greatness of a pictured Madonna the more when it has been for a moment screened from us by a vulgar head in a bonnet. But this presence of Dinah in his mind only helped him to bear the better with his mother's mood, which had been becoming more and more querulous for the last hour. Poor Lisbeth was suffering from a strange conflict of feelings. Her joy and pride in the honour paid to her darling son Adam was beginning to be worsted in the conflict with the jealousy and fretfulness which had revived when Adam came to tell her that Captain Donnithorne desired him to join the dancers in the hall. Adam was getting more and more out of her reach; she wished all the old troubles back again, for then it mattered more to Adam what his mother said and did. "Eh, it's fine talkin' o' dancin'," she said, "an' thy father not a five week in's grave. An' I wish I war there too, i'stid o' bein' left to take up merrier folks's room above ground." "Nay, don't look at it i' that way, Mother," said Adam, who was determined to be gentle to her to-day. "I don't mean to dance--I shall only look on. And since the captain wishes me to be there, it 'ud look as if I thought I knew better than him to say as I'd rather not stay. And thee know'st how he's behaved to me to-day." "Eh, thee't do as thee lik'st, for thy old mother's got no right t' hinder thee. She's nought but th' old husk, and thee'st slipped away from her, like the ripe nut." "Well, Mother," said Adam, "I'll go and tell the captain as it hurts thy feelings for me to stay, and I'd rather go home upo' that account: he won't take it ill then, I daresay, and I'm willing." He said this with some effort, for he really longed to be near Hetty this evening. "Nay, nay, I wonna ha' thee do that--the young squire 'ull be angered. Go an' do what thee't ordered to do, an' me and Seth 'ull go whome. I know it's a grit honour for thee to be so looked on--an' who's to be prouder on it nor thy mother? Hadna she the cumber o' rearin' thee an' doin' for thee all these 'ears?" "Well, good-bye, then, Mother--good-bye, lad--remember Gyp when you get home," said Adam, turning away towards the gate of the pleasure-grounds, where he hoped he might be able to join the Poysers, for he had been so occupied throughout the afternoon that he had had no time to speak to Hetty. His eye soon detected a distant group, which he knew to be the right one, returning to the house along the broad gravel road, and he hastened on to meet them. "Why, Adam, I'm glad to get sight on y' again," said Mr. Poyser, who was carrying Totty on his arm. "You're going t' have a bit o' fun, I hope, now your work's all done. And here's Hetty has promised no end o' partners, an' I've just been askin' her if she'd agreed to dance wi' you, an' she says no." "Well, I didn't think o' dancing to-night," said Adam, already tempted to change his mind, as he looked at Hetty. "Nonsense!" said Mr. Poyser. "Why, everybody's goin' to dance to-night, all but th' old squire and Mrs. Irwine. Mrs. Best's been tellin' us as Miss Lyddy and Miss Irwine 'ull dance, an' the young squire 'ull pick my wife for his first partner, t' open the ball: so she'll be forced to dance, though she's laid by ever sin' the Christmas afore the little un was born. You canna for shame stand still, Adam, an' you a fine young fellow and can dance as well as anybody." "Nay, nay," said Mrs. Poyser, "it 'ud be unbecomin'. I know the dancin's nonsense, but if you stick at everything because it's nonsense, you wonna go far i' this life. When your broth's ready-made for you, you mun swallow the thickenin', or else let the broth alone." "Then if Hetty 'ull dance with me," said Adam, yielding either to Mrs. Poyser's argument or to something else, "I'll dance whichever dance she's free." "I've got no partner for the fourth dance," said Hetty; "I'll dance that with you, if you like." "Ah," said Mr. Poyser, "but you mun dance the first dance, Adam, else it'll look partic'ler. There's plenty o' nice partners to pick an' choose from, an' it's hard for the gells when the men stan' by and don't ask 'em." Adam felt the justice of Mr. Poyser's observation: it would not do for him to dance with no one besides Hetty; and remembering that Jonathan Burge had some reason to feel hurt to-day, he resolved to ask Miss Mary to dance with him the first dance, if she had no other partner. "There's the big clock strikin' eight," said Mr. Poyser; "we must make haste in now, else the squire and the ladies 'ull be in afore us, an' that wouldna look well." When they had entered the hall, and the three children under Molly's charge had been seated on the stairs, the folding-doors of the drawing-room were thrown open, and Arthur entered in his regimentals, leading Mrs. Irwine to a carpet-covered dais ornamented with hot-house plants, where she and Miss Anne were to be seated with old Mr. Donnithorne, that they might look on at the dancing, like the kings and queens in the plays. Arthur had put on his uniform to please the tenants, he said, who thought as much of his militia dignity as if it had been an elevation to the premiership. He had not the least objection to gratify them in that way: his uniform was very advantageous to his figure. The old squire, before sitting down, walked round the hall to greet the tenants and make polite speeches to the wives: he was always polite; but the farmers had found out, after long puzzling, that this polish was one of the signs of hardness. It was observed that he gave his most elaborate civility to Mrs. Poyser to-night, inquiring particularly about her health, recommending her to strengthen herself with cold water as he did, and avoid all drugs. Mrs. Poyser curtsied and thanked him with great self-command, but when he had passed on, she whispered to her husband, "I'll lay my life he's brewin' some nasty turn against us. Old Harry doesna wag his tail so for nothin'." Mr. Poyser had no time to answer, for now Arthur came up and said, "Mrs. Poyser, I'm come to request the favour of your hand for the first dance; and, Mr. Poyser, you must let me take you to my aunt, for she claims you as her partner." The wife's pale cheek flushed with a nervous sense of unwonted honour as Arthur led her to the top of the room; but Mr. Poyser, to whom an extra glass had restored his youthful confidence in his good looks and good dancing, walked along with them quite proudly, secretly flattering himself that Miss Lydia had never had a partner in HER life who could lift her off the ground as he would. In order to balance the honours given to the two parishes, Miss Irwine danced with Luke Britton, the largest Broxton farmer, and Mr. Gawaine led out Mrs. Britton. Mr. Irwine, after seating his sister Anne, had gone to the abbey gallery, as he had agreed with Arthur beforehand, to see how the merriment of the cottagers was prospering. Meanwhile, all the less distinguished couples had taken their places: Hetty was led out by the inevitable Mr. Craig, and Mary Burge by Adam; and now the music struck up, and the glorious country-dance, best of all dances, began. Pity it was not a boarded floor! Then the rhythmic stamping of the thick shoes would have been better than any drums. That merry stamping, that gracious nodding of the head, that waving bestowal of the hand--where can we see them now? That simple dancing of well-covered matrons, laying aside for an hour the cares of house and dairy, remembering but not affecting youth, not jealous but proud of the young maidens by their side--that holiday sprightliness of portly husbands paying little compliments to their wives, as if their courting days were come again--those lads and lasses a little confused and awkward with their partners, having nothing to say--it would be a pleasant variety to see all that sometimes, instead of low dresses and large skirts, and scanning glances exploring costumes, and languid men in lacquered boots smiling with double meaning. There was but one thing to mar Martin Poyser's pleasure in this dance: it was that he was always in close contact with Luke Britton, that slovenly farmer. He thought of throwing a little glazed coldness into his eye in the crossing of hands; but then, as Miss Irwine was opposite to him instead of the offensive Luke, he might freeze the wrong person. So he gave his face up to hilarity, unchilled by moral judgments. How Hetty's heart beat as Arthur approached her! He had hardly looked at her to-day: now he must take her hand. Would he press it? Would he look at her? She thought she would cry if he gave her no sign of feeling. Now he was there--he had taken her hand--yes, he was pressing it. Hetty turned pale as she looked up at him for an instant and met his eyes, before the dance carried him away. That pale look came upon Arthur like the beginning of a dull pain, which clung to him, though he must dance and smile and joke all the same. Hetty would look so, when he told her what he had to tell her; and he should never be able to bear it--he should be a fool and give way again. Hetty's look did not really mean so much as he thought: it was only the sign of a struggle between the desire for him to notice her and the dread lest she should betray the desire to others. But Hetty's face had a language that transcended her feelings. There are faces which nature charges with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations--eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes--perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. That look of Hetty's oppressed Arthur with a dread which yet had something of a terrible unconfessed delight in it, that she loved him too well. There was a hard task before him, for at that moment he felt he would have given up three years of his youth for the happiness of abandoning himself without remorse to his passion for Hetty. These were the incongruous thoughts in his mind as he led Mrs. Poyser, who was panting with fatigue, and secretly resolving that neither judge nor jury should force her to dance another dance, to take a quiet rest in the dining-room, where supper was laid out for the guests to come and take it as they chose. "I've desired Hetty to remember as she's got to dance wi' you, sir," said the good innocent woman; "for she's so thoughtless, she'd be like enough to go an' engage herself for ivery dance. So I told her not to promise too many." "Thank you, Mrs. Poyser," said Arthur, not without a twinge. "Now, sit down in this comfortable chair, and here is Mills ready to give you what you would like best." He hurried away to seek another matronly partner, for due honour must be paid to the married women before he asked any of the young ones; and the country-dances, and the stamping, and the gracious nodding, and the waving of the hands, went on joyously. At last the time had come for the fourth dance--longed for by the strong, grave Adam, as if he had been a delicate-handed youth of eighteen; for we are all very much alike when we are in our first love; and Adam had hardly ever touched Hetty's hand for more than a transient greeting--had never danced with her but once before. His eyes had followed her eagerly to-night in spite of himself, and had taken in deeper draughts of love. He thought she behaved so prettily, so quietly; she did not seem to be flirting at all she smiled less than usual; there was almost a sweet sadness about her. "God bless her!" he said inwardly; "I'd make her life a happy 'un, if a strong arm to work for her, and a heart to love her, could do it." And then there stole over him delicious thoughts of coming home from work, and drawing Hetty to his side, and feeling her cheek softly pressed against his, till he forgot where he was, and the music and the tread of feet might have been the falling of rain and the roaring of the wind, for what he knew. But now the third dance was ended, and he might go up to her and claim her hand. She was at the far end of the hall near the staircase, whispering with Molly, who had just given the sleeping Totty into her arms before running to fetch shawls and bonnets from the landing. Mrs. Poyser had taken the two boys away into the dining-room to give them some cake before they went home in the cart with Grandfather and Molly was to follow as fast as possible. "Let me hold her," said Adam, as Molly turned upstairs; "the children are so heavy when they're asleep." Hetty was glad of the relief, for to hold Totty in her arms, standing, was not at all a pleasant variety to her. But this second transfer had the unfortunate effect of rousing Totty, who was not behind any child of her age in peevishness at an unseasonable awaking. While Hetty was in the act of placing her in Adam's arms, and had not yet withdrawn her own, Totty opened her eyes, and forthwith fought out with her left fist at Adam's arm, and with her right caught at the string of brown beads round Hetty's neck. The locket leaped out from her frock, and the next moment the string was broken, and Hetty, helpless, saw beads and locket scattered wide on the floor. "My locket, my locket!" she said, in a loud frightened whisper to Adam; "never mind the beads." Adam had already seen where the locket fell, for it had attracted his glance as it leaped out of her frock. It had fallen on the raised wooden dais where the band sat, not on the stone floor; and as Adam picked it up, he saw the glass with the dark and light locks of hair under it. It had fallen that side upwards, so the glass was not broken. He turned it over on his hand, and saw the enamelled gold back. "It isn't hurt," he said, as he held it towards Hetty, who was unable to take it because both her hands were occupied with Totty. "Oh, it doesn't matter, I don't mind about it," said Hetty, who had been pale and was now red. "Not matter?" said Adam, gravely. "You seemed very frightened about it. I'll hold it till you're ready to take it," he added, quietly closing his hand over it, that she might not think he wanted to look at it again. By this time Molly had come with bonnet and shawl, and as soon as she had taken Totty, Adam placed the locket in Hetty's hand. She took it with an air of indifference and put it in her pocket, in her heart vexed and angry with Adam because he had seen it, but determined now that she would show no more signs of agitation. "See," she said, "they're taking their places to dance; let us go." Adam assented silently. A puzzled alarm had taken possession of him. Had Hetty a lover he didn't know of? For none of her relations, he was sure, would give her a locket like that; and none of her admirers, with whom he was acquainted, was in the position of an accepted lover, as the giver of that locket must be. Adam was lost in the utter impossibility of finding any person for his fears to alight on. He could only feel with a terrible pang that there was something in Hetty's life unknown to him; that while he had been rocking himself in the hope that she would come to love him, she was already loving another. The pleasure of the dance with Hetty was gone; his eyes, when they rested on her, had an uneasy questioning expression in them; he could think of nothing to say to her; and she too was out of temper and disinclined to speak. They were both glad when the dance was ended. Adam was determined to stay no longer; no one wanted him, and no one would notice if he slipped away. As soon as he got out of doors, he began to walk at his habitual rapid pace, hurrying along without knowing why, busy with the painful thought that the memory of this day, so full of honour and promise to him, was poisoned for ever. Suddenly, when he was far on through the Chase, he stopped, startled by a flash of reviving hope. After all, he might be a fool, making a great misery out of a trifle. Hetty, fond of finery as she was, might have bought the thing herself. It looked too expensive for that--it looked like the things on white satin in the great jeweller's shop at Rosseter. But Adam had very imperfect notions of the value of such things, and he thought it could certainly not cost more than a guinea. Perhaps Hetty had had as much as that in Christmas boxes, and there was no knowing but she might have been childish enough to spend it in that way; she was such a young thing, and she couldn't help loving finery! But then, why had she been so frightened about it at first, and changed colour so, and afterwards pretended not to care? Oh, that was because she was ashamed of his seeing that she had such a smart thing--she was conscious that it was wrong for her to spend her money on it, and she knew that Adam disapproved of finery. It was a proof she cared about what he liked and disliked. She must have thought from his silence and gravity afterwards that he was very much displeased with her, that he was inclined to be harsh and severe towards her foibles. And as he walked on more quietly, chewing the cud of this new hope, his only uneasiness was that he had behaved in a way which might chill Hetty's feeling towards him. For this last view of the matter must be the true one. How could Hetty have an accepted lover, quite unknown to him? She was never away from her uncle's house for more than a day; she could have no acquaintances that did not come there, and no intimacies unknown to her uncle and aunt. It would be folly to believe that the locket was given to her by a lover. The little ring of dark hair he felt sure was her own; he could form no guess about the light hair under it, for he had not seen it very distinctly. It might be a bit of her father's or mother's, who had died when she was a child, and she would naturally put a bit of her own along with it. And so Adam went to bed comforted, having woven for himself an ingenious web of probabilities--the surest screen a wise man can place between himself and the truth. His last waking thoughts melted into a dream that he was with Hetty again at the Hall Farm, and that he was asking her to forgive him for being so cold and silent. And while he was dreaming this, Arthur was leading Hetty to the dance and saying to her in low hurried tones, "I shall be in the wood the day after to-morrow at seven; come as early as you can." And Hetty's foolish joys and hopes, which had flown away for a little space, scared by a mere nothing, now all came fluttering back, unconscious of the real peril. She was happy for the first time this long day, and wished that dance would last for hours. Arthur wished it too; it was the last weakness he meant to indulge in; and a man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow. But Mrs. Poyser's wishes were quite the reverse of this, for her mind was filled with dreary forebodings as to the retardation of to-morrow morning's cheese in consequence of these late hours. Now that Hetty had done her duty and danced one dance with the young squire, Mr. Poyser must go out and see if the cart was come back to fetch them, for it was half-past ten o'clock, and notwithstanding a mild suggestion on his part that it would be bad manners for them to be the first to go, Mrs. Poyser was resolute on the point, "manners or no manners." "What! Going already, Mrs. Poyser?" said old Mr. Donnithorne, as she came to curtsy and take leave; "I thought we should not part with any of our guests till eleven. Mrs. Irwine and I, who are elderly people, think of sitting out the dance till then." "Oh, Your Honour, it's all right and proper for gentlefolks to stay up by candlelight--they've got no cheese on their minds. We're late enough as it is, an' there's no lettin' the cows know as they mustn't want to be milked so early to-morrow mornin'. So, if you'll please t' excuse us, we'll take our leave." "Eh!" she said to her husband, as they set off in the cart, "I'd sooner ha' brewin' day and washin' day together than one o' these pleasurin' days. There's no work so tirin' as danglin' about an' starin' an' not rightly knowin' what you're goin' to do next; and keepin' your face i' smilin' order like a grocer o' market-day for fear people shouldna think you civil enough. An' you've nothing to show for't when it's done, if it isn't a yallow face wi' eatin' things as disagree." "Nay, nay," said Mr. Poyser, who was in his merriest mood, and felt that he had had a great day, "a bit o' pleasuring's good for thee sometimes. An' thee danc'st as well as any of 'em, for I'll back thee against all the wives i' the parish for a light foot an' ankle. An' it was a great honour for the young squire to ask thee first--I reckon it was because I sat at th' head o' the table an' made the speech. An' Hetty too--she never had such a partner before--a fine young gentleman in reg'mentals. It'll serve you to talk on, Hetty, when you're an old woman--how you danced wi' th' young squire the day he come o' age." Book Four

book 3, Chapter 26

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-third

The ball is held in the grand entrance room to the Chase. Lisbeth Bede objects to Adam being invited to the dancing because it causes him to leave his family, but when Adam says that he could apologize to the Captain and explain that his mother did not want him to attend, she says that he should go after all. Seth is happy to leave the party because all of the women in their finery remind him too strongly of Dinah, who never wears any ornaments at all. He finds the Poyser party, and Mr. Poyser encourages him to dance with Hetty. Adam, who had thought that he was not going to dance, engages her for the fourth dance, and he takes out Mary Burge for the first. The old Squire makes the rounds of the hall to say hello to his tenants, all of whom hate him. The Captain leads out Mrs. Poyser for the first dance, while Miss Lydia leads out Mr. Poyser. When he takes her to dance, Arthur squeezes Hetty's hand, which makes her pale with emotion. He imagines that she will look this way again when he breaks it off for good. Adam thinks that Hetty looks more serious and beautiful than ever and imagines marrying her. He goes to talk to her and collects the sleeping Totty from her arms. Totty wakes up and lashes out her arms, breaking the brown beads around Hetty's neck and popping the golden locket out of her dress. Adam picks it up from the floor, sees the two locks of hair, and becomes confused. As he dances with Hetty he realizes that they must have been given by some other, established, rich lover. He runs from the dance. As he walks home, he surmises that there could be nobody in her life whom he has not known about, so he concludes that she bought it with her own money and was ashamed of her vanity. Meanwhile, As Arthur dances with Hetty, he arranges to meet with her again

In Chapter Twenty-Two, the Captain's behavior towards his tenants is interestingly old-fashioned. He seems to take an almost feudal responsibility for them, a fact enhanced by the setting of the tenants' dinner in a room in the old Abbey. The Captain in no way questions the established social order of his society, but he wants to be--and to appear--as benevolent a master as possible. He is constantly concerned about his image in the eyes of his tenants, and he uses a possible dip in their feelings toward him as a reason that he should not continue to see Hetty . The new position for Adam shakes up the established order of the book in the same way that his father's death did. It makes him somewhat more able to marry Hetty. This new development not only frees him economically, but also it increases his social status, bringing him level with large tenants like the Poysers. Chapter Twenty-Three shows the differences in character between Hetty and Adam once again, suggesting that they might not make a very good couple. Adam's humility is highlighted at the beginning of the chapter, showing that he does not want to be elevated above his family. One moral center in this novel concerns family values, and the fact that Adam does not want to move upward socially without bringing the rest of his family with him is an extremely positive quality in the context of the novel. Eliot has already remarked, however, that if Hetty were invited to make a great social leap, she would do so without a backward glance. Two of Hetty's most negative characteristics are highlighted at the end of this chapter. Her vanity, the most obvious of her sins, is irritated when Totty innocently does something that might spoil Hetty's careful toilette. Her groundless flirtation is also emphasized here; she smiles winningly at Adam not because she loves him, but because she knows that a competitor is watching. She wants to retain her hold over Adam even if she does not want him for herself. In Chapter Twenty-Four, all of the people in the village put on a good, happy, and unanimous face, while they are divided by social barriers and generally feel conflicted about their own troubles. The Captain is worried that if others learn about his relationship with Hetty, they will think less of him. Hetty is worried that he does not love her anymore. Adam is worried that he is letting down his family by moving into a new social sphere. There are several other worries here. What Eliot is trying to demonstrate is that, unlike natural events, social events can lend themselves to theatricality, leading people to play their expected roles instead of interacting and responding as they might do in a more natural way. The speeches of the men are weighed and judged, and despite the fact that all of the villagers know that Adam means well, some still judge his speech negatively. Chapter Twenty-Five steps back from the story of the love problems among the Bedes and Poyser nieces to view the community as a whole. Rather than use the narrator to comment, Eliot brings in Mrs. Irwine as an outsider who rather impartially surveys the community. The result of this outsider perspective is a more even distribution of praise where praise is deserved. For example, she notices Seth Bede's particularity, though he is usually overshadowed by his more charismatic older brother. The short episode of Chad's Bess's disappointment is almost more like a fable than a novel. Chad's Bess is persuaded to do something that she knows she should not be doing--heating herself up too much by racing--in pursuit of some sort of finery as a prize. She is quite disappointed when she ends up with a prize that is not to her taste. This fable might do well to instruct Hetty, who is carrying on a relationship that she knows she should not in pursuit of luxury and finery herself. Chad's Bess's disappointment may foreshadow her own. Formal dancing is used in Chapter Twenty-Six in a similar way compared with dancing in Victorian fiction. That is, it is a proxy for, or a prelude to, sexual relations. Certain rules regulate the way that balls, even those as informal as the country dance, are held. Men must ask women to dance, and people may survey their possible prizes with all of the leisure of someone shopping for vegetables in a market. Men must not dance too often with the same partner, or else it will be expected that he has serious designs on her and may even be ready to marry her. For this reason, neither Adam nor the Captain dances with Hetty more than once. The fact that Adam sees the locket, which is obviously so fine as to be a gift from the Captain, suggests that Hetty's secret cannot remain a secret for very much longer. Even though she tries to hide the signs of her love, and though she is fairly successful at making others believe that her emotions are linked to men other than the Captain, she ultimately will be unsuccessful at hiding such a big secret.

gradesaver

all_chapterized_books/507-chapters/27.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_1.txt

Adam Bede.book 4.chapter 27

book 4, chapter 27

{"name": "book 4, Chapter 27", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "In the middle of August, Adam performs twice as much work as before. He has begun his work on the Captain's estate, but he also has remained with Mr. Burge until Mr. Burge can find a replacement. His hopes about Hetty are high, because she has behaved more nicely than usual to him after the ball. One evening she goes to Treddleston to buy some things, so Adam is quite surprised to see her walking home out of her way near the Chase, but she explains that she wanted to remain outside a little longer. He walks her home, and she invites him in for a conversation with her family. He arrives at the Chase Farm late one evening and is occupied with making plans for a new farmhouse until late, so he decides to walk home by cutting through the grove. He thinks about Arthur's good qualities, which he enjoys partly because he has not read widely enough--so Adam must choose his heroes from among the people he knows. He stops to contemplate a beautiful beech at the turnoff to the Hermitage, and he sees Arthur kissing Hetty. Gyp barks, the couple see him, and Hetty hurries off. Arthur, who has had too much wine to drink, confronts Adam, red-faced. Adam understands the locket, everything, in a flash. Arthur tries to pass off the kiss as a casual encounter, but Adam says that he knows that it is not the first time. Adam calls him a scoundrel and will not let the point pass, saying that he has loved Hetty for many years and that Arthur is doing him a disservice by making love to her. Arthur has never been criticized before and does not like the feeling of it. They get in a fistfight. Adam is stronger, and he knocks Arthur to the ground. Adam waits in vain for Arthur to rise. He looks at Arthur's face and sees no sign of life. Adam feels the vanity of his own rage in that it has not solved anything or changed the past", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

IT was beyond the middle of August--nearly three weeks after the birthday feast. The reaping of the wheat had begun in our north midland county of Loamshire, but the harvest was likely still to be retarded by the heavy rains, which were causing inundations and much damage throughout the country. From this last trouble the Broxton and Hayslope farmers, on their pleasant uplands and in their brook-watered valleys, had not suffered, and as I cannot pretend that they were such exceptional farmers as to love the general good better than their own, you will infer that they were not in very low spirits about the rapid rise in the price of bread, so long as there was hope of gathering in their own corn undamaged; and occasional days of sunshine and drying winds flattered this hope. The eighteenth of August was one of these days when the sunshine looked brighter in all eyes for the gloom that went before. Grand masses of cloud were hurried across the blue, and the great round hills behind the Chase seemed alive with their flying shadows; the sun was hidden for a moment, and then shone out warm again like a recovered joy; the leaves, still green, were tossed off the hedgerow trees by the wind; around the farmhouses there was a sound of clapping doors; the apples fell in the orchards; and the stray horses on the green sides of the lanes and on the common had their manes blown about their faces. And yet the wind seemed only part of the general gladness because the sun was shining. A merry day for the children, who ran and shouted to see if they could top the wind with their voices; and the grown-up people too were in good spirits, inclined to believe in yet finer days, when the wind had fallen. If only the corn were not ripe enough to be blown out of the husk and scattered as untimely seed! And yet a day on which a blighting sorrow may fall upon a man. For if it be true that Nature at certain moments seems charged with a presentiment of one individual lot must it not also be true that she seems unmindful unconscious of another? For there is no hour that has not its births of gladness and despair, no morning brightness that does not bring new sickness to desolation as well as new forces to genius and love. There are so many of us, and our lots are so different, what wonder that Nature's mood is often in harsh contrast with the great crisis of our lives? We are children of a large family, and must learn, as such children do, not to expect that our hurts will be made much of--to be content with little nurture and caressing, and help each other the more. It was a busy day with Adam, who of late had done almost double work, for he was continuing to act as foreman for Jonathan Burge, until some satisfactory person could be found to supply his place, and Jonathan was slow to find that person. But he had done the extra work cheerfully, for his hopes were buoyant again about Hetty. Every time she had seen him since the birthday, she had seemed to make an effort to behave all the more kindly to him, that she might make him understand she had forgiven his silence and coldness during the dance. He had never mentioned the locket to her again; too happy that she smiled at him--still happier because he observed in her a more subdued air, something that he interpreted as the growth of womanly tenderness and seriousness. "Ah!" he thought, again and again, "she's only seventeen; she'll be thoughtful enough after a while. And her aunt allays says how clever she is at the work. She'll make a wife as Mother'll have no occasion to grumble at, after all." To be sure, he had only seen her at home twice since the birthday; for one Sunday, when he was intending to go from church to the Hall Farm, Hetty had joined the party of upper servants from the Chase and had gone home with them--almost as if she were inclined to encourage Mr. Craig. "She's takin' too much likin' to them folks i' the house keeper's room," Mrs. Poyser remarked. "For my part, I was never overfond o' gentlefolks's servants--they're mostly like the fine ladies' fat dogs, nayther good for barking nor butcher's meat, but on'y for show." And another evening she was gone to Treddleston to buy some things; though, to his great surprise, as he was returning home, he saw her at a distance getting over a stile quite out of the Treddleston road. But, when he hastened to her, she was very kind, and asked him to go in again when he had taken her to the yard gate. She had gone a little farther into the fields after coming from Treddleston because she didn't want to go in, she said: it was so nice to be out of doors, and her aunt always made such a fuss about it if she wanted to go out. "Oh, do come in with me!" she said, as he was going to shake hands with her at the gate, and he could not resist that. So he went in, and Mrs. Poyser was contented with only a slight remark on Hetty's being later than was expected; while Hetty, who had looked out of spirits when he met her, smiled and talked and waited on them all with unusual promptitude. That was the last time he had seen her; but he meant to make leisure for going to the Farm to-morrow. To-day, he knew, was her day for going to the Chase to sew with the lady's maid, so he would get as much work done as possible this evening, that the next might be clear. One piece of work that Adam was superintending was some slight repairs at the Chase Farm, which had been hitherto occupied by Satchell, as bailiff, but which it was now rumoured that the old squire was going to let to a smart man in top-boots, who had been seen to ride over it one day. Nothing but the desire to get a tenant could account for the squire's undertaking repairs, though the Saturday-evening party at Mr. Casson's agreed over their pipes that no man in his senses would take the Chase Farm unless there was a bit more ploughland laid to it. However that might be, the repairs were ordered to be executed with all dispatch, and Adam, acting for Mr. Burge, was carrying out the order with his usual energy. But to-day, having been occupied elsewhere, he had not been able to arrive at the Chase Farm till late in the afternoon, and he then discovered that some old roofing, which he had calculated on preserving, had given way. There was clearly no good to be done with this part of the building without pulling it all down, and Adam immediately saw in his mind a plan for building it up again, so as to make the most convenient of cow-sheds and calf-pens, with a hovel for implements; and all without any great expense for materials. So, when the workmen were gone, he sat down, took out his pocket-book, and busied himself with sketching a plan, and making a specification of the expenses that he might show it to Burge the next morning, and set him on persuading the squire to consent. To "make a good job" of anything, however small, was always a pleasure to Adam, and he sat on a block, with his book resting on a planing-table, whistling low every now and then and turning his head on one side with a just perceptible smile of gratification--of pride, too, for if Adam loved a bit of good work, he loved also to think, "I did it!" And I believe the only people who are free from that weakness are those who have no work to call their own. It was nearly seven before he had finished and put on his jacket again; and on giving a last look round, he observed that Seth, who had been working here to-day, had left his basket of tools behind him. "Why, th' lad's forgot his tools," thought Adam, "and he's got to work up at the shop to-morrow. There never was such a chap for wool-gathering; he'd leave his head behind him, if it was loose. However, it's lucky I've seen 'em; I'll carry 'em home." The buildings of the Chase Farm lay at one extremity of the Chase, at about ten minutes' walking distance from the Abbey. Adam had come thither on his pony, intending to ride to the stables and put up his nag on his way home. At the stables he encountered Mr. Craig, who had come to look at the captain's new horse, on which he was to ride away the day after to-morrow; and Mr. Craig detained him to tell how all the servants were to collect at the gate of the courtyard to wish the young squire luck as he rode out; so that by the time Adam had got into the Chase, and was striding along with the basket of tools over his shoulder, the sun was on the point of setting, and was sending level crimson rays among the great trunks of the old oaks, and touching every bare patch of ground with a transient glory that made it look like a jewel dropt upon the grass. The wind had fallen now, and there was only enough breeze to stir the delicate-stemmed leaves. Any one who had been sitting in the house all day would have been glad to walk now; but Adam had been quite enough in the open air to wish to shorten his way home, and he bethought himself that he might do so by striking across the Chase and going through the Grove, where he had never been for years. He hurried on across the Chase, stalking along the narrow paths between the fern, with Gyp at his heels, not lingering to watch the magnificent changes of the light--hardly once thinking of it--yet feeling its presence in a certain calm happy awe which mingled itself with his busy working-day thoughts. How could he help feeling it? The very deer felt it, and were more timid. Presently Adam's thoughts recurred to what Mr. Craig had said about Arthur Donnithorne, and pictured his going away, and the changes that might take place before he came back; then they travelled back affectionately over the old scenes of boyish companionship, and dwelt on Arthur's good qualities, which Adam had a pride in, as we all have in the virtues of the superior who honours us. A nature like Adam's, with a great need of love and reverence in it, depends for so much of its happiness on what it can believe and feel about others! And he had no ideal world of dead heroes; he knew little of the life of men in the past; he must find the beings to whom he could cling with loving admiration among those who came within speech of him. These pleasant thoughts about Arthur brought a milder expression than usual into his keen rough face: perhaps they were the reason why, when he opened the old green gate leading into the Grove, he paused to pat Gyp and say a kind word to him. After that pause, he strode on again along the broad winding path through the Grove. What grand beeches! Adam delighted in a fine tree of all things; as the fisherman's sight is keenest on the sea, so Adam's perceptions were more at home with trees than with other objects. He kept them in his memory, as a painter does, with all the flecks and knots in their bark, all the curves and angles of their boughs, and had often calculated the height and contents of a trunk to a nicety, as he stood looking at it. No wonder that, not-withstanding his desire to get on, he could not help pausing to look at a curious large beech which he had seen standing before him at a turning in the road, and convince himself that it was not two trees wedded together, but only one. For the rest of his life he remembered that moment when he was calmly examining the beech, as a man remembers his last glimpse of the home where his youth was passed, before the road turned, and he saw it no more. The beech stood at the last turning before the Grove ended in an archway of boughs that let in the eastern light; and as Adam stepped away from the tree to continue his walk, his eyes fell on two figures about twenty yards before him. He remained as motionless as a statue, and turned almost as pale. The two figures were standing opposite to each other, with clasped hands about to part; and while they were bending to kiss, Gyp, who had been running among the brushwood, came out, caught sight of them, and gave a sharp bark. They separated with a start--one hurried through the gate out of the Grove, and the other, turning round, walked slowly, with a sort of saunter, towards Adam who still stood transfixed and pale, clutching tighter the stick with which he held the basket of tools over his shoulder, and looking at the approaching figure with eyes in which amazement was fast turning to fierceness. Arthur Donnithorne looked flushed and excited; he had tried to make unpleasant feelings more bearable by drinking a little more wine than usual at dinner to-day, and was still enough under its flattering influence to think more lightly of this unwished-for rencontre with Adam than he would otherwise have done. After all, Adam was the best person who could have happened to see him and Hetty together--he was a sensible fellow, and would not babble about it to other people. Arthur felt confident that he could laugh the thing off and explain it away. And so he sauntered forward with elaborate carelessness--his flushed face, his evening dress of fine cloth and fine linen, his hands half-thrust into his waistcoat pockets, all shone upon by the strange evening light which the light clouds had caught up even to the zenith, and were now shedding down between the topmost branches above him. Adam was still motionless, looking at him as he came up. He understood it all now--the locket and everything else that had been doubtful to him: a terrible scorching light showed him the hidden letters that changed the meaning of the past. If he had moved a muscle, he must inevitably have sprung upon Arthur like a tiger; and in the conflicting emotions that filled those long moments, he had told himself that he would not give loose to passion, he would only speak the right thing. He stood as if petrified by an unseen force, but the force was his own strong will. "Well, Adam," said Arthur, "you've been looking at the fine old beeches, eh? They're not to be come near by the hatchet, though; this is a sacred grove. I overtook pretty little Hetty Sorrel as I was coming to my den--the Hermitage, there. She ought not to come home this way so late. So I took care of her to the gate, and asked for a kiss for my pains. But I must get back now, for this road is confoundedly damp. Good-night, Adam. I shall see you to-morrow--to say good-bye, you know." Arthur was too much preoccupied with the part he was playing himself to be thoroughly aware of the expression in Adam's face. He did not look directly at Adam, but glanced carelessly round at the trees and then lifted up one foot to look at the sole of his boot. He cared to say no more--he had thrown quite dust enough into honest Adam's eyes--and as he spoke the last words, he walked on. "Stop a bit, sir," said Adam, in a hard peremptory voice, without turning round. "I've got a word to say to you." Arthur paused in surprise. Susceptible persons are more affected by a change of tone than by unexpected words, and Arthur had the susceptibility of a nature at once affectionate and vain. He was still more surprised when he saw that Adam had not moved, but stood with his back to him, as if summoning him to return. What did he mean? He was going to make a serious business of this affair. Arthur felt his temper rising. A patronising disposition always has its meaner side, and in the confusion of his irritation and alarm there entered the feeling that a man to whom he had shown so much favour as to Adam was not in a position to criticize his conduct. And yet he was dominated, as one who feels himself in the wrong always is, by the man whose good opinion he cares for. In spite of pride and temper, there was as much deprecation as anger in his voice when he said, "What do you mean, Adam?" "I mean, sir"--answered Adam, in the same harsh voice, still without turning round--"I mean, sir, that you don't deceive me by your light words. This is not the first time you've met Hetty Sorrel in this grove, and this is not the first time you've kissed her." Arthur felt a startled uncertainty how far Adam was speaking from knowledge, and how far from mere inference. And this uncertainty, which prevented him from contriving a prudent answer, heightened his irritation. He said, in a high sharp tone, "Well, sir, what then?" "Why, then, instead of acting like th' upright, honourable man we've all believed you to be, you've been acting the part of a selfish light-minded scoundrel. You know as well as I do what it's to lead to when a gentleman like you kisses and makes love to a young woman like Hetty, and gives her presents as she's frightened for other folks to see. And I say it again, you're acting the part of a selfish light-minded scoundrel though it cuts me to th' heart to say so, and I'd rather ha' lost my right hand." "Let me tell you, Adam," said Arthur, bridling his growing anger and trying to recur to his careless tone, "you're not only devilishly impertinent, but you're talking nonsense. Every pretty girl is not such a fool as you, to suppose that when a gentleman admires her beauty and pays her a little attention, he must mean something particular. Every man likes to flirt with a pretty girl, and every pretty girl likes to be flirted with. The wider the distance between them, the less harm there is, for then she's not likely to deceive herself." "I don't know what you mean by flirting," said Adam, "but if you mean behaving to a woman as if you loved her, and yet not loving her all the while, I say that's not th' action of an honest man, and what isn't honest does come t' harm. I'm not a fool, and you're not a fool, and you know better than what you're saying. You know it couldn't be made public as you've behaved to Hetty as y' have done without her losing her character and bringing shame and trouble on her and her relations. What if you meant nothing by your kissing and your presents? Other folks won't believe as you've meant nothing; and don't tell me about her not deceiving herself. I tell you as you've filled her mind so with the thought of you as it'll mayhap poison her life, and she'll never love another man as 'ud make her a good husband." Arthur had felt a sudden relief while Adam was speaking; he perceived that Adam had no positive knowledge of the past, and that there was no irrevocable damage done by this evening's unfortunate rencontre. Adam could still be deceived. The candid Arthur had brought himself into a position in which successful lying was his only hope. The hope allayed his anger a little. "Well, Adam," he said, in a tone of friendly concession, "you're perhaps right. Perhaps I've gone a little too far in taking notice of the pretty little thing and stealing a kiss now and then. You're such a grave, steady fellow, you don't understand the temptation to such trifling. I'm sure I wouldn't bring any trouble or annoyance on her and the good Poysers on any account if I could help it. But I think you look a little too seriously at it. You know I'm going away immediately, so I shan't make any more mistakes of the kind. But let us say good-night"--Arthur here turned round to walk on--"and talk no more about the matter. The whole thing will soon be forgotten." "No, by God!" Adam burst out with rage that could be controlled no longer, throwing down the basket of tools and striding forward till he was right in front of Arthur. All his jealousy and sense of personal injury, which he had been hitherto trying to keep under, had leaped up and mastered him. What man of us, in the first moments of a sharp agony, could ever feel that the fellow-man who has been the medium of inflicting it did not mean to hurt us? In our instinctive rebellion against pain, we are children again, and demand an active will to wreak our vengeance on. Adam at this moment could only feel that he had been robbed of Hetty--robbed treacherously by the man in whom he had trusted--and he stood close in front of Arthur, with fierce eyes glaring at him, with pale lips and clenched hands, the hard tones in which he had hitherto been constraining himself to express no more than a just indignation giving way to a deep agitated voice that seemed to shake him as he spoke. "No, it'll not be soon forgot, as you've come in between her and me, when she might ha' loved me--it'll not soon be forgot as you've robbed me o' my happiness, while I thought you was my best friend, and a noble-minded man, as I was proud to work for. And you've been kissing her, and meaning nothing, have you? And I never kissed her i' my life--but I'd ha' worked hard for years for the right to kiss her. And you make light of it. You think little o' doing what may damage other folks, so as you get your bit o' trifling, as means nothing. I throw back your favours, for you're not the man I took you for. I'll never count you my friend any more. I'd rather you'd act as my enemy, and fight me where I stand--it's all th' amends you can make me." Poor Adam, possessed by rage that could find no other vent, began to throw off his coat and his cap, too blind with passion to notice the change that had taken place in Arthur while he was speaking. Arthur's lips were now as pale as Adam's; his heart was beating violently. The discovery that Adam loved Hetty was a shock which made him for the moment see himself in the light of Adam's indignation, and regard Adam's suffering as not merely a consequence, but an element of his error. The words of hatred and contempt--the first he had ever heard in his life--seemed like scorching missiles that were making ineffaceable scars on him. All screening self-excuse, which rarely falls quite away while others respect us, forsook him for an instant, and he stood face to face with the first great irrevocable evil he had ever committed. He was only twenty-one, and three months ago--nay, much later--he had thought proudly that no man should ever be able to reproach him justly. His first impulse, if there had been time for it, would perhaps have been to utter words of propitiation; but Adam had no sooner thrown off his coat and cap than he became aware that Arthur was standing pale and motionless, with his hands still thrust in his waistcoat pockets. "What!" he said, "won't you fight me like a man? You know I won't strike you while you stand so." "Go away, Adam," said Arthur, "I don't want to fight you." "No," said Adam, bitterly; "you don't want to fight me--you think I'm a common man, as you can injure without answering for it." "I never meant to injure you," said Arthur, with returning anger. "I didn't know you loved her." "But you've made her love you," said Adam. "You're a double-faced man--I'll never believe a word you say again." "Go away, I tell you," said Arthur, angrily, "or we shall both repent." "No," said Adam, with a convulsed voice, "I swear I won't go away without fighting you. Do you want provoking any more? I tell you you're a coward and a scoundrel, and I despise you." The colour had all rushed back to Arthur's face; in a moment his right hand was clenched, and dealt a blow like lightning, which sent Adam staggering backward. His blood was as thoroughly up as Adam's now, and the two men, forgetting the emotions that had gone before, fought with the instinctive fierceness of panthers in the deepening twilight darkened by the trees. The delicate-handed gentleman was a match for the workman in everything but strength, and Arthur's skill enabled him to protract the struggle for some long moments. But between unarmed men the battle is to the strong, where the strong is no blunderer, and Arthur must sink under a well-planted blow of Adam's as a steel rod is broken by an iron bar. The blow soon came, and Arthur fell, his head lying concealed in a tuft of fern, so that Adam could only discern his darkly clad body. He stood still in the dim light waiting for Arthur to rise. The blow had been given now, towards which he had been straining all the force of nerve and muscle--and what was the good of it? What had he done by fighting? Only satisfied his own passion, only wreaked his own vengeance. He had not rescued Hetty, nor changed the past--there it was, just as it had been, and he sickened at the vanity of his own rage. But why did not Arthur rise? He was perfectly motionless, and the time seemed long to Adam. Good God! had the blow been too much for him? Adam shuddered at the thought of his own strength, as with the oncoming of this dread he knelt down by Arthur's side and lifted his head from among the fern. There was no sign of life: the eyes and teeth were set. The horror that rushed over Adam completely mastered him, and forced upon him its own belief. He could feel nothing but that death was in Arthur's face, and that he was helpless before it. He made not a single movement, but knelt like an image of despair gazing at an image of death.

book 4, Chapter 27

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

In the middle of August, Adam performs twice as much work as before. He has begun his work on the Captain's estate, but he also has remained with Mr. Burge until Mr. Burge can find a replacement. His hopes about Hetty are high, because she has behaved more nicely than usual to him after the ball. One evening she goes to Treddleston to buy some things, so Adam is quite surprised to see her walking home out of her way near the Chase, but she explains that she wanted to remain outside a little longer. He walks her home, and she invites him in for a conversation with her family. He arrives at the Chase Farm late one evening and is occupied with making plans for a new farmhouse until late, so he decides to walk home by cutting through the grove. He thinks about Arthur's good qualities, which he enjoys partly because he has not read widely enough--so Adam must choose his heroes from among the people he knows. He stops to contemplate a beautiful beech at the turnoff to the Hermitage, and he sees Arthur kissing Hetty. Gyp barks, the couple see him, and Hetty hurries off. Arthur, who has had too much wine to drink, confronts Adam, red-faced. Adam understands the locket, everything, in a flash. Arthur tries to pass off the kiss as a casual encounter, but Adam says that he knows that it is not the first time. Adam calls him a scoundrel and will not let the point pass, saying that he has loved Hetty for many years and that Arthur is doing him a disservice by making love to her. Arthur has never been criticized before and does not like the feeling of it. They get in a fistfight. Adam is stronger, and he knocks Arthur to the ground. Adam waits in vain for Arthur to rise. He looks at Arthur's face and sees no sign of life. Adam feels the vanity of his own rage in that it has not solved anything or changed the past

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/28.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_2.txt

Adam Bede.book 4.chapter 28

book 4, chapter 28

{"name": "book 4, Chapter 28", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "After a few minutes, Arthur sits up and says that he fainted. Adam tends to him, putting water on his forehead. They walk to the Hermitage to get Arthur some brandy so that he can stand the walk home. It is a surprise to Adam that the Hermitage has become so well equipped as a hideaway for Arthur. Arthur revives himself by drinking brandy with water. Adam apologizes for perhaps being too hasty, especially because Arthur had no way of knowing about Adam's secret feelings for Hetty. Arthur wants to shake hands and say no more about the matter, but Adam will not agree to do so unless Arthur ends his relationship with Hetty. Arthur says that he is leaving on Saturday, which should be enough, but Adam insists that he must write a specific letter. Adam says that he will deliver the letter himself, and Arthur somewhat reluctantly agrees to have him pick it up the next day at five. Arthur promises that he will never see Hetty again", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

IT was only a few minutes measured by the clock--though Adam always thought it had been a long while--before he perceived a gleam of consciousness in Arthur's face and a slight shiver through his frame. The intense joy that flooded his soul brought back some of the old affection with it. "Do you feel any pain, sir?" he said, tenderly, loosening Arthur's cravat. Arthur turned his eyes on Adam with a vague stare which gave way to a slightly startled motion as if from the shock of returning memory. But he only shivered again and said nothing. "Do you feel any hurt, sir?" Adam said again, with a trembling in his voice. Arthur put his hand up to his waistcoat buttons, and when Adam had unbuttoned it, he took a longer breath. "Lay my head down," he said, faintly, "and get me some water if you can." Adam laid the head down gently on the fern again, and emptying the tools out of the flag-basket, hurried through the trees to the edge of the Grove bordering on the Chase, where a brook ran below the bank. When he returned with his basket leaking, but still half-full, Arthur looked at him with a more thoroughly reawakened consciousness. "Can you drink a drop out o' your hand, sir?" said Adam, kneeling down again to lift up Arthur's head. "No," said Arthur, "dip my cravat in and souse it on my head." The water seemed to do him some good, for he presently raised himself a little higher, resting on Adam's arm. "Do you feel any hurt inside sir?" Adam asked again "No--no hurt," said Arthur, still faintly, "but rather done up." After a while he said, "I suppose I fainted away when you knocked me down." "Yes, sir, thank God," said Adam. "I thought it was worse." "What! You thought you'd done for me, eh? Come help me on my legs." "I feel terribly shaky and dizzy," Arthur said, as he stood leaning on Adam's arm; "that blow of yours must have come against me like a battering-ram. I don't believe I can walk alone." "Lean on me, sir; I'll get you along," said Adam. "Or, will you sit down a bit longer, on my coat here, and I'll prop y' up. You'll perhaps be better in a minute or two." "No," said Arthur. "I'll go to the Hermitage--I think I've got some brandy there. There's a short road to it a little farther on, near the gate. If you'll just help me on." They walked slowly, with frequent pauses, but without speaking again. In both of them, the concentration in the present which had attended the first moments of Arthur's revival had now given way to a vivid recollection of the previous scene. It was nearly dark in the narrow path among the trees, but within the circle of fir-trees round the Hermitage there was room for the growing moonlight to enter in at the windows. Their steps were noiseless on the thick carpet of fir-needles, and the outward stillness seemed to heighten their inward consciousness, as Arthur took the key out of his pocket and placed it in Adam's hand, for him to open the door. Adam had not known before that Arthur had furnished the old Hermitage and made it a retreat for himself, and it was a surprise to him when he opened the door to see a snug room with all the signs of frequent habitation. Arthur loosed Adam's arm and threw himself on the ottoman. "You'll see my hunting-bottle somewhere," he said. "A leather case with a bottle and glass in." Adam was not long in finding the case. "There's very little brandy in it, sir," he said, turning it downwards over the glass, as he held it before the window; "hardly this little glassful." "Well, give me that," said Arthur, with the peevishness of physical depression. When he had taken some sips, Adam said, "Hadn't I better run to th' house, sir, and get some more brandy? I can be there and back pretty soon. It'll be a stiff walk home for you, if you don't have something to revive you." "Yes--go. But don't say I'm ill. Ask for my man Pym, and tell him to get it from Mills, and not to say I'm at the Hermitage. Get some water too." Adam was relieved to have an active task--both of them were relieved to be apart from each other for a short time. But Adam's swift pace could not still the eager pain of thinking--of living again with concentrated suffering through the last wretched hour, and looking out from it over all the new sad future. Arthur lay still for some minutes after Adam was gone, but presently he rose feebly from the ottoman and peered about slowly in the broken moonlight, seeking something. It was a short bit of wax candle that stood amongst a confusion of writing and drawing materials. There was more searching for the means of lighting the candle, and when that was done, he went cautiously round the room, as if wishing to assure himself of the presence or absence of something. At last he had found a slight thing, which he put first in his pocket, and then, on a second thought, took out again and thrust deep down into a waste-paper basket. It was a woman's little, pink, silk neckerchief. He set the candle on the table, and threw himself down on the ottoman again, exhausted with the effort. When Adam came back with his supplies, his entrance awoke Arthur from a doze. "That's right," Arthur said; "I'm tremendously in want of some brandy-vigour." "I'm glad to see you've got a light, sir," said Adam. "I've been thinking I'd better have asked for a lanthorn." "No, no; the candle will last long enough--I shall soon be up to walking home now." "I can't go before I've seen you safe home, sir," said Adam, hesitatingly. "No: it will be better for you to stay--sit down." Adam sat down, and they remained opposite to each other in uneasy silence, while Arthur slowly drank brandy-and-water, with visibly renovating effect. He began to lie in a more voluntary position, and looked as if he were less overpowered by bodily sensations. Adam was keenly alive to these indications, and as his anxiety about Arthur's condition began to be allayed, he felt more of that impatience which every one knows who has had his just indignation suspended by the physical state of the culprit. Yet there was one thing on his mind to be done before he could recur to remonstrance: it was to confess what had been unjust in his own words. Perhaps he longed all the more to make this confession, that his indignation might be free again; and as he saw the signs of returning ease in Arthur, the words again and again came to his lips and went back, checked by the thought that it would be better to leave everything till to-morrow. As long as they were silent they did not look at each other, and a foreboding came across Adam that if they began to speak as though they remembered the past--if they looked at each other with full recognition--they must take fire again. So they sat in silence till the bit of wax candle flickered low in the socket, the silence all the while becoming more irksome to Adam. Arthur had just poured out some more brandy-and-water, and he threw one arm behind his head and drew up one leg in an attitude of recovered ease, which was an irresistible temptation to Adam to speak what was on his mind. "You begin to feel more yourself again, sir," he said, as the candle went out and they were half-hidden from each other in the faint moonlight. "Yes: I don't feel good for much--very lazy, and not inclined to move; but I'll go home when I've taken this dose." There was a slight pause before Adam said, "My temper got the better of me, and I said things as wasn't true. I'd no right to speak as if you'd known you was doing me an injury: you'd no grounds for knowing it; I've always kept what I felt for her as secret as I could." He paused again before he went on. "And perhaps I judged you too harsh--I'm apt to be harsh--and you may have acted out o' thoughtlessness more than I should ha' believed was possible for a man with a heart and a conscience. We're not all put together alike, and we may misjudge one another. God knows, it's all the joy I could have now, to think the best of you." Arthur wanted to go home without saying any more--he was too painfully embarrassed in mind, as well as too weak in body, to wish for any further explanation to-night. And yet it was a relief to him that Adam reopened the subject in a way the least difficult for him to answer. Arthur was in the wretched position of an open, generous man who has committed an error which makes deception seem a necessity. The native impulse to give truth in return for truth, to meet trust with frank confession, must be suppressed, and duty was becoming a question of tactics. His deed was reacting upon him--was already governing him tyrannously and forcing him into a course that jarred with his habitual feelings. The only aim that seemed admissible to him now was to deceive Adam to the utmost: to make Adam think better of him than he deserved. And when he heard the words of honest retractation--when he heard the sad appeal with which Adam ended--he was obliged to rejoice in the remains of ignorant confidence it implied. He did not answer immediately, for he had to be judicious and not truthful. "Say no more about our anger, Adam," he said, at last, very languidly, for the labour of speech was unwelcome to him; "I forgive your momentary injustice--it was quite natural, with the exaggerated notions you had in your mind. We shall be none the worse friends in future, I hope, because we've fought. You had the best of it, and that was as it should be, for I believe I've been most in the wrong of the two. Come, let us shake hands." Arthur held out his hand, but Adam sat still. "I don't like to say 'No' to that, sir," he said, "but I can't shake hands till it's clear what we mean by't. I was wrong when I spoke as if you'd done me an injury knowingly, but I wasn't wrong in what I said before, about your behaviour t' Hetty, and I can't shake hands with you as if I held you my friend the same as ever till you've cleared that up better." Arthur swallowed his pride and resentment as he drew back his hand. He was silent for some moments, and then said, as indifferently as he could, "I don't know what you mean by clearing up, Adam. I've told you already that you think too seriously of a little flirtation. But if you are right in supposing there is any danger in it--I'm going away on Saturday, and there will be an end of it. As for the pain it has given you, I'm heartily sorry for it. I can say no more." Adam said nothing, but rose from his chair and stood with his face towards one of the windows, as if looking at the blackness of the moonlit fir-trees; but he was in reality conscious of nothing but the conflict within him. It was of no use now--his resolution not to speak till to-morrow. He must speak there and then. But it was several minutes before he turned round and stepped nearer to Arthur, standing and looking down on him as he lay. "It'll be better for me to speak plain," he said, with evident effort, "though it's hard work. You see, sir, this isn't a trifle to me, whatever it may be to you. I'm none o' them men as can go making love first to one woman and then t' another, and don't think it much odds which of 'em I take. What I feel for Hetty's a different sort o' love, such as I believe nobody can know much about but them as feel it and God as has given it to 'em. She's more nor everything else to me, all but my conscience and my good name. And if it's true what you've been saying all along--and if it's only been trifling and flirting as you call it, as 'll be put an end to by your going away--why, then, I'd wait, and hope her heart 'ud turn to me after all. I'm loath to think you'd speak false to me, and I'll believe your word, however things may look." "You would be wronging Hetty more than me not to believe it," said Arthur, almost violently, starting up from the ottoman and moving away. But he threw himself into a chair again directly, saying, more feebly, "You seem to forget that, in suspecting me, you are casting imputations upon her." "Nay, sir," Adam said, in a calmer voice, as if he were half-relieved--for he was too straightforward to make a distinction between a direct falsehood and an indirect one--"Nay, sir, things don't lie level between Hetty and you. You're acting with your eyes open, whatever you may do; but how do you know what's been in her mind? She's all but a child--as any man with a conscience in him ought to feel bound to take care on. And whatever you may think, I know you've disturbed her mind. I know she's been fixing her heart on you, for there's a many things clear to me now as I didn't understand before. But you seem to make light o' what she may feel--you don't think o' that." "Good God, Adam, let me alone!" Arthur burst out impetuously; "I feel it enough without your worrying me." He was aware of his indiscretion as soon as the words had escaped him. "Well, then, if you feel it," Adam rejoined, eagerly; "if you feel as you may ha' put false notions into her mind, and made her believe as you loved her, when all the while you meant nothing, I've this demand to make of you--I'm not speaking for myself, but for her. I ask you t' undeceive her before you go away. Y'aren't going away for ever, and if you leave her behind with a notion in her head o' your feeling about her the same as she feels about you, she'll be hankering after you, and the mischief may get worse. It may be a smart to her now, but it'll save her pain i' th' end. I ask you to write a letter--you may trust to my seeing as she gets it. Tell her the truth, and take blame to yourself for behaving as you'd no right to do to a young woman as isn't your equal. I speak plain, sir, but I can't speak any other way. There's nobody can take care o' Hetty in this thing but me." "I can do what I think needful in the matter," said Arthur, more and more irritated by mingled distress and perplexity, "without giving promises to you. I shall take what measures I think proper." "No," said Adam, in an abrupt decided tone, "that won't do. I must know what ground I'm treading on. I must be safe as you've put an end to what ought never to ha' been begun. I don't forget what's owing to you as a gentleman, but in this thing we're man and man, and I can't give up." There was no answer for some moments. Then Arthur said, "I'll see you to-morrow. I can bear no more now; I'm ill." He rose as he spoke, and reached his cap, as if intending to go. "You won't see her again!" Adam exclaimed, with a flash of recurring anger and suspicion, moving towards the door and placing his back against it. "Either tell me she can never be my wife--tell me you've been lying--or else promise me what I've said." Adam, uttering this alternative, stood like a terrible fate before Arthur, who had moved forward a step or two, and now stopped, faint, shaken, sick in mind and body. It seemed long to both of them--that inward struggle of Arthur's--before he said, feebly, "I promise; let me go." Adam moved away from the door and opened it, but when Arthur reached the step, he stopped again and leaned against the door-post. "You're not well enough to walk alone, sir," said Adam. "Take my arm again." Arthur made no answer, and presently walked on, Adam following. But, after a few steps, he stood still again, and said, coldly, "I believe I must trouble you. It's getting late now, and there may be an alarm set up about me at home." Adam gave his arm, and they walked on without uttering a word, till they came where the basket and the tools lay. "I must pick up the tools, sir," Adam said. "They're my brother's. I doubt they'll be rusted. If you'll please to wait a minute." Arthur stood still without speaking, and no other word passed between them till they were at the side entrance, where he hoped to get in without being seen by any one. He said then, "Thank you; I needn't trouble you any further." "What time will it be conven'ent for me to see you to-morrow, sir?" said Adam. "You may send me word that you're here at five o'clock," said Arthur; "not before." "Good-night, sir," said Adam. But he heard no reply; Arthur had turned into the house.

book 4, Chapter 28

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

After a few minutes, Arthur sits up and says that he fainted. Adam tends to him, putting water on his forehead. They walk to the Hermitage to get Arthur some brandy so that he can stand the walk home. It is a surprise to Adam that the Hermitage has become so well equipped as a hideaway for Arthur. Arthur revives himself by drinking brandy with water. Adam apologizes for perhaps being too hasty, especially because Arthur had no way of knowing about Adam's secret feelings for Hetty. Arthur wants to shake hands and say no more about the matter, but Adam will not agree to do so unless Arthur ends his relationship with Hetty. Arthur says that he is leaving on Saturday, which should be enough, but Adam insists that he must write a specific letter. Adam says that he will deliver the letter himself, and Arthur somewhat reluctantly agrees to have him pick it up the next day at five. Arthur promises that he will never see Hetty again

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/29.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_3.txt

Adam Bede.book 4.chapter 29

book 4, chapter 29

{"name": "book 4, Chapter 29", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "Arthur wakes up in the morning and decides to go for a ride on his horse. He hates to witness pain. Once he gave a gardener his favorite pencil case because he kicked over the man's supper of broth. If Arthur could gain back Adam's self-confidence with gifts, then he would try to do so, but he knows that he cannot. He also feels bad for Hetty, who, upon learning that he was going away, asked if she could come as his wife. He resolves to make everything up to her with future benefits. He takes a ride on his horse to try to ascertain whether he should write the letter after all, because in his room he is having the mad thought of carrying her away. Once on horseback, he decides to write it after all. When Adam arrives at five, the butler gives him a letter addressed to Adam. He opens it, and enclosed is a letter to Hetty. Arthur wrote that this is what Adam wanted, and he has left to Adam the decision whether to give the letter to Hetty or not. Adam hesitates. He decides to feel out what sort of state of mind Hetty is in before giving her the letter", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

ARTHUR did not pass a sleepless night; he slept long and well. For sleep comes to the perplexed--if the perplexed are only weary enough. But at seven he rang his bell and astonished Pym by declaring he was going to get up, and must have breakfast brought to him at eight. "And see that my mare is saddled at half-past eight, and tell my grandfather when he's down that I'm better this morning and am gone for a ride." He had been awake an hour, and could rest in bed no longer. In bed our yesterdays are too oppressive: if a man can only get up, though it be but to whistle or to smoke, he has a present which offers some resistance to the past--sensations which assert themselves against tyrannous memories. And if there were such a thing as taking averages of feeling, it would certainly be found that in the hunting and shooting seasons regret, self-reproach, and mortified pride weigh lighter on country gentlemen than in late spring and summer. Arthur felt that he should be more of a man on horseback. Even the presence of Pym, waiting on him with the usual deference, was a reassurance to him after the scenes of yesterday. For, with Arthur's sensitiveness to opinion, the loss of Adam's respect was a shock to his self-contentment which suffused his imagination with the sense that he had sunk in all eyes--as a sudden shock of fear from some real peril makes a nervous woman afraid even to step, because all her perceptions are suffused with a sense of danger. Arthur's, as you know, was a loving nature. Deeds of kindness were as easy to him as a bad habit: they were the common issue of his weaknesses and good qualities, of his egoism and his sympathy. He didn't like to witness pain, and he liked to have grateful eyes beaming on him as the giver of pleasure. When he was a lad of seven, he one day kicked down an old gardener's pitcher of broth, from no motive but a kicking impulse, not reflecting that it was the old man's dinner; but on learning that sad fact, he took his favourite pencil-case and a silver-hafted knife out of his pocket and offered them as compensation. He had been the same Arthur ever since, trying to make all offences forgotten in benefits. If there were any bitterness in his nature, it could only show itself against the man who refused to be conciliated by him. And perhaps the time was come for some of that bitterness to rise. At the first moment, Arthur had felt pure distress and self-reproach at discovering that Adam's happiness was involved in his relation to Hetty. If there had been a possibility of making Adam tenfold amends--if deeds of gift, or any other deeds, could have restored Adam's contentment and regard for him as a benefactor, Arthur would not only have executed them without hesitation, but would have felt bound all the more closely to Adam, and would never have been weary of making retribution. But Adam could receive no amends; his suffering could not be cancelled; his respect and affection could not be recovered by any prompt deeds of atonement. He stood like an immovable obstacle against which no pressure could avail; an embodiment of what Arthur most shrank from believing in--the irrevocableness of his own wrongdoing. The words of scorn, the refusal to shake hands, the mastery asserted over him in their last conversation in the Hermitage--above all, the sense of having been knocked down, to which a man does not very well reconcile himself, even under the most heroic circumstances--pressed on him with a galling pain which was stronger than compunction. Arthur would so gladly have persuaded himself that he had done no harm! And if no one had told him the contrary, he could have persuaded himself so much better. Nemesis can seldom forge a sword for herself out of our consciences--out of the suffering we feel in the suffering we may have caused: there is rarely metal enough there to make an effective weapon. Our moral sense learns the manners of good society and smiles when others smile, but when some rude person gives rough names to our actions, she is apt to take part against us. And so it was with Arthur: Adam's judgment of him, Adam's grating words, disturbed his self-soothing arguments. Not that Arthur had been at ease before Adam's discovery. Struggles and resolves had transformed themselves into compunction and anxiety. He was distressed for Hetty's sake, and distressed for his own, that he must leave her behind. He had always, both in making and breaking resolutions, looked beyond his passion and seen that it must speedily end in separation; but his nature was too ardent and tender for him not to suffer at this parting; and on Hetty's account he was filled with uneasiness. He had found out the dream in which she was living--that she was to be a lady in silks and satins--and when he had first talked to her about his going away, she had asked him tremblingly to let her go with him and be married. It was his painful knowledge of this which had given the most exasperating sting to Adam's reproaches. He had said no word with the purpose of deceiving her--her vision was all spun by her own childish fancy--but he was obliged to confess to himself that it was spun half out of his own actions. And to increase the mischief, on this last evening he had not dared to hint the truth to Hetty; he had been obliged to soothe her with tender, hopeful words, lest he should throw her into violent distress. He felt the situation acutely, felt the sorrow of the dear thing in the present, and thought with a darker anxiety of the tenacity which her feelings might have in the future. That was the one sharp point which pressed against him; every other he could evade by hopeful self-persuasion. The whole thing had been secret; the Poysers had not the shadow of a suspicion. No one, except Adam, knew anything of what had passed--no one else was likely to know; for Arthur had impressed on Hetty that it would be fatal to betray, by word or look, that there had been the least intimacy between them; and Adam, who knew half their secret, would rather help them to keep it than betray it. It was an unfortunate business altogether, but there was no use in making it worse than it was by imaginary exaggerations and forebodings of evil that might never come. The temporary sadness for Hetty was the worst consequence; he resolutely turned away his eyes from any bad consequence that was not demonstrably inevitable. But--but Hetty might have had the trouble in some other way if not in this. And perhaps hereafter he might be able to do a great deal for her and make up to her for all the tears she would shed about him. She would owe the advantage of his care for her in future years to the sorrow she had incurred now. So good comes out of evil. Such is the beautiful arrangement of things! Are you inclined to ask whether this can be the same Arthur who, two months ago, had that freshness of feeling, that delicate honour which shrinks from wounding even a sentiment, and does not contemplate any more positive offence as possible for it?--who thought that his own self-respect was a higher tribunal than any external opinion? The same, I assure you, only under different conditions. Our deeds determine us, as much as we determine our deeds, and until we know what has been or will be the peculiar combination of outward with inward facts, which constitutes a man's critical actions, it will be better not to think ourselves wise about his character. There is a terrible coercion in our deeds, which may first turn the honest man into a deceiver and then reconcile him to the change, for this reason--that the second wrong presents itself to him in the guise of the only practicable right. The action which before commission has been seen with that blended common sense and fresh untarnished feeling which is the healthy eye of the soul, is looked at afterwards with the lens of apologetic ingenuity, through which all things that men call beautiful and ugly are seen to be made up of textures very much alike. Europe adjusts itself to a _fait accompli_, and so does an individual character--until the placid adjustment is disturbed by a convulsive retribution. No man can escape this vitiating effect of an offence against his own sentiment of right, and the effect was the stronger in Arthur because of that very need of self-respect which, while his conscience was still at ease, was one of his best safeguards. Self-accusation was too painful to him--he could not face it. He must persuade himself that he had not been very much to blame; he began even to pity himself for the necessity he was under of deceiving Adam--it was a course so opposed to the honesty of his own nature. But then, it was the only right thing to do. Well, whatever had been amiss in him, he was miserable enough in consequence: miserable about Hetty; miserable about this letter that he had promised to write, and that seemed at one moment to be a gross barbarity, at another perhaps the greatest kindness he could do to her. And across all this reflection would dart every now and then a sudden impulse of passionate defiance towards all consequences. He would carry Hetty away, and all other considerations might go to.... In this state of mind the four walls of his room made an intolerable prison to him; they seemed to hem in and press down upon him all the crowd of contradictory thoughts and conflicting feelings, some of which would fly away in the open air. He had only an hour or two to make up his mind in, and he must get clear and calm. Once on Meg's back, in the fresh air of that fine morning, he should be more master of the situation. The pretty creature arched her bay neck in the sunshine, and pawed the gravel, and trembled with pleasure when her master stroked her nose, and patted her, and talked to her even in a more caressing tone than usual. He loved her the better because she knew nothing of his secrets. But Meg was quite as well acquainted with her master's mental state as many others of her sex with the mental condition of the nice young gentlemen towards whom their hearts are in a state of fluttering expectation. Arthur cantered for five miles beyond the Chase, till he was at the foot of a hill where there were no hedges or trees to hem in the road. Then he threw the bridle on Meg's neck and prepared to make up his mind. Hetty knew that their meeting yesterday must be the last before Arthur went away--there was no possibility of their contriving another without exciting suspicion--and she was like a frightened child, unable to think of anything, only able to cry at the mention of parting, and then put her face up to have the tears kissed away. He could do nothing but comfort her, and lull her into dreaming on. A letter would be a dreadfully abrupt way of awakening her! Yet there was truth in what Adam said--that it would save her from a lengthened delusion, which might be worse than a sharp immediate pain. And it was the only way of satisfying Adam, who must be satisfied, for more reasons than one. If he could have seen her again! But that was impossible; there was such a thorny hedge of hindrances between them, and an imprudence would be fatal. And yet, if he COULD see her again, what good would it do? Only cause him to suffer more from the sight of her distress and the remembrance of it. Away from him she was surrounded by all the motives to self-control. A sudden dread here fell like a shadow across his imagination--the dread lest she should do something violent in her grief; and close upon that dread came another, which deepened the shadow. But he shook them off with the force of youth and hope. What was the ground for painting the future in that dark way? It was just as likely to be the reverse. Arthur told himself he did not deserve that things should turn out badly. He had never meant beforehand to do anything his conscience disapproved; he had been led on by circumstances. There was a sort of implicit confidence in him that he was really such a good fellow at bottom, Providence would not treat him harshly. At all events, he couldn't help what would come now: all he could do was to take what seemed the best course at the present moment. And he persuaded himself that that course was to make the way open between Adam and Hetty. Her heart might really turn to Adam, as he said, after a while; and in that case there would have been no great harm done, since it was still Adam's ardent wish to make her his wife. To be sure, Adam was deceived--deceived in a way that Arthur would have resented as a deep wrong if it had been practised on himself. That was a reflection that marred the consoling prospect. Arthur's cheeks even burned in mingled shame and irritation at the thought. But what could a man do in such a dilemma? He was bound in honour to say no word that could injure Hetty: his first duty was to guard her. He would never have told or acted a lie on his own account. Good God! What a miserable fool he was to have brought himself into such a dilemma; and yet, if ever a man had excuses, he had. (Pity that consequences are determined not by excuses but by actions!) Well, the letter must be written; it was the only means that promised a solution of the difficulty. The tears came into Arthur's eyes as he thought of Hetty reading it; but it would be almost as hard for him to write it; he was not doing anything easy to himself; and this last thought helped him to arrive at a conclusion. He could never deliberately have taken a step which inflicted pain on another and left himself at ease. Even a movement of jealousy at the thought of giving up Hetty to Adam went to convince him that he was making a sacrifice. When once he had come to this conclusion, he turned Meg round and set off home again in a canter. The letter should be written the first thing, and the rest of the day would be filled up with other business: he should have no time to look behind him. Happily, Irwine and Gawaine were coming to dinner, and by twelve o'clock the next day he should have left the Chase miles behind him. There was some security in this constant occupation against an uncontrollable impulse seizing him to rush to Hetty and thrust into her hand some mad proposition that would undo everything. Faster and faster went the sensitive Meg, at every slight sign from her rider, till the canter had passed into a swift gallop. "I thought they said th' young mester war took ill last night," said sour old John, the groom, at dinner-time in the servants' hall. "He's been ridin' fit to split the mare i' two this forenoon." "That's happen one o' the symptims, John," said the facetious coachman. "Then I wish he war let blood for 't, that's all," said John, grimly. Adam had been early at the Chase to know how Arthur was, and had been relieved from all anxiety about the effects of his blow by learning that he was gone out for a ride. At five o'clock he was punctually there again, and sent up word of his arrival. In a few minutes Pym came down with a letter in his hand and gave it to Adam, saying that the captain was too busy to see him, and had written everything he had to say. The letter was directed to Adam, but he went out of doors again before opening it. It contained a sealed enclosure directed to Hetty. On the inside of the cover Adam read: "In the enclosed letter I have written everything you wish. I leave it to you to decide whether you will be doing best to deliver it to Hetty or to return it to me. Ask yourself once more whether you are not taking a measure which may pain her more than mere silence. "There is no need for our seeing each other again now. We shall meet with better feelings some months hence. "A.D." "Perhaps he's i' th' right on 't not to see me," thought Adam. "It's no use meeting to say more hard words, and it's no use meeting to shake hands and say we're friends again. We're not friends, an' it's better not to pretend it. I know forgiveness is a man's duty, but, to my thinking, that can only mean as you're to give up all thoughts o' taking revenge: it can never mean as you're t' have your old feelings back again, for that's not possible. He's not the same man to me, and I can't feel the same towards him. God help me! I don't know whether I feel the same towards anybody: I seem as if I'd been measuring my work from a false line, and had got it all to measure over again." But the question about delivering the letter to Hetty soon absorbed Adam's thoughts. Arthur had procured some relief to himself by throwing the decision on Adam with a warning; and Adam, who was not given to hesitation, hesitated here. He determined to feel his way--to ascertain as well as he could what was Hetty's state of mind before he decided on delivering the letter.

book 4, Chapter 29

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

Arthur wakes up in the morning and decides to go for a ride on his horse. He hates to witness pain. Once he gave a gardener his favorite pencil case because he kicked over the man's supper of broth. If Arthur could gain back Adam's self-confidence with gifts, then he would try to do so, but he knows that he cannot. He also feels bad for Hetty, who, upon learning that he was going away, asked if she could come as his wife. He resolves to make everything up to her with future benefits. He takes a ride on his horse to try to ascertain whether he should write the letter after all, because in his room he is having the mad thought of carrying her away. Once on horseback, he decides to write it after all. When Adam arrives at five, the butler gives him a letter addressed to Adam. He opens it, and enclosed is a letter to Hetty. Arthur wrote that this is what Adam wanted, and he has left to Adam the decision whether to give the letter to Hetty or not. Adam hesitates. He decides to feel out what sort of state of mind Hetty is in before giving her the letter

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/31.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_5.txt

Adam Bede.book 4.chapter 31

book 4, chapter 31

{"name": "book 4, Chapter 31", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "Hetty reads the letter from Arthur in her bedchamber. It is not easy for her to read the fancy handwriting, although Arthur has tried to write plainly. He says that he loves her and will always remember their love, but it would have been better had they not had it in the first place. He says that even if he married her, she would end up very unhappy, and that she would be happiest marrying someone of her own station. He says that if she ever has any misfortunes, he will try to help her in any way that he can. He tells her not to write him back unless she is in true distress, because they must try to forget about one another. Hetty cries, thinking Arthur cruel to write and cruel not to marry her. The candle goes out, and she throws herself on her bed without undressing. She wakes up at dawn, remembers her misery, reads the letter again, and fingers the trinkets that Arthur has given her. She thinks miserably that she must hide her sadness from her family. She at first thinks of running away, but that seems too difficult, so she plans on becoming a lady's maid. She asks her uncle for permission, but he says that farming is better for her health and that she is more likely to find a husband that way. The elder Mr. Poyser says that Hetty takes after her good-for-nothing mother. Mr. Poyser hints that she could marry Adam Bede, and Hetty begins to cry. After she goes to her room, the Poysers conclude that even the maid has more family feeling than she does. Hetty, in her room, considers why she should not marry Adam--after all, she does want a change in her life", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

IT was no longer light enough to go to bed without a candle, even in Mrs. Poyser's early household, and Hetty carried one with her as she went up at last to her bedroom soon after Adam was gone, and bolted the door behind her. Now she would read her letter. It must--it must have comfort in it. How was Adam to know the truth? It was always likely he should say what he did say. She set down the candle and took out the letter. It had a faint scent of roses, which made her feel as if Arthur were close to her. She put it to her lips, and a rush of remembered sensations for a moment or two swept away all fear. But her heart began to flutter strangely, and her hands to tremble as she broke the seal. She read slowly; it was not easy for her to read a gentleman's handwriting, though Arthur had taken pains to write plainly. "DEAREST HETTY--I have spoken truly when I have said that I loved you, and I shall never forget our love. I shall be your true friend as long as life lasts, and I hope to prove this to you in many ways. If I say anything to pain you in this letter, do not believe it is for want of love and tenderness towards you, for there is nothing I would not do for you, if I knew it to be really for your happiness. I cannot bear to think of my little Hetty shedding tears when I am not there to kiss them away; and if I followed only my own inclinations, I should be with her at this moment instead of writing. It is very hard for me to part from her--harder still for me to write words which may seem unkind, though they spring from the truest kindness. "Dear, dear Hetty, sweet as our love has been to me, sweet as it would be to me for you to love me always, I feel that it would have been better for us both if we had never had that happiness, and that it is my duty to ask you to love me and care for me as little as you can. The fault has all been mine, for though I have been unable to resist the longing to be near you, I have felt all the while that your affection for me might cause you grief. I ought to have resisted my feelings. I should have done so, if I had been a better fellow than I am; but now, since the past cannot be altered, I am bound to save you from any evil that I have power to prevent. And I feel it would be a great evil for you if your affections continued so fixed on me that you could think of no other man who might be able to make you happier by his love than I ever can, and if you continued to look towards something in the future which cannot possibly happen. For, dear Hetty, if I were to do what you one day spoke of, and make you my wife, I should do what you yourself would come to feel was for your misery instead of your welfare. I know you can never be happy except by marrying a man in your own station; and if I were to marry you now, I should only be adding to any wrong I have done, besides offending against my duty in the other relations of life. You know nothing, dear Hetty, of the world in which I must always live, and you would soon begin to dislike me, because there would be so little in which we should be alike. "And since I cannot marry you, we must part--we must try not to feel like lovers any more. I am miserable while I say this, but nothing else can be. Be angry with me, my sweet one, I deserve it; but do not believe that I shall not always care for you--always be grateful to you--always remember my Hetty; and if any trouble should come that we do not now foresee, trust in me to do everything that lies in my power. "I have told you where you are to direct a letter to, if you want to write, but I put it down below lest you should have forgotten. Do not write unless there is something I can really do for you; for, dear Hetty, we must try to think of each other as little as we can. Forgive me, and try to forget everything about me, except that I shall be, as long as I live, your affectionate friend, "ARTHUR DONNITHORNE." Slowly Hetty had read this letter; and when she looked up from it there was the reflection of a blanched face in the old dim glass--a white marble face with rounded childish forms, but with something sadder than a child's pain in it. Hetty did not see the face--she saw nothing--she only felt that she was cold and sick and trembling. The letter shook and rustled in her hand. She laid it down. It was a horrible sensation--this cold and trembling. It swept away the very ideas that produced it, and Hetty got up to reach a warm cloak from her clothes-press, wrapped it round her, and sat as if she were thinking of nothing but getting warm. Presently she took up the letter with a firmer hand, and began to read it through again. The tears came this time--great rushing tears that blinded her and blotched the paper. She felt nothing but that Arthur was cruel--cruel to write so, cruel not to marry her. Reasons why he could not marry her had no existence for her mind; how could she believe in any misery that could come to her from the fulfilment of all she had been longing for and dreaming of? She had not the ideas that could make up the notion of that misery. As she threw down the letter again, she caught sight of her face in the glass; it was reddened now, and wet with tears; it was almost like a companion that she might complain to--that would pity her. She leaned forward on her elbows, and looked into those dark overflooding eyes and at the quivering mouth, and saw how the tears came thicker and thicker, and how the mouth became convulsed with sobs. The shattering of all her little dream-world, the crushing blow on her new-born passion, afflicted her pleasure-craving nature with an overpowering pain that annihilated all impulse to resistance, and suspended her anger. She sat sobbing till the candle went out, and then, wearied, aching, stupefied with crying, threw herself on the bed without undressing and went to sleep. There was a feeble dawn in the room when Hetty awoke, a little after four o'clock, with a sense of dull misery, the cause of which broke upon her gradually as she began to discern the objects round her in the dim light. And then came the frightening thought that she had to conceal her misery as well as to bear it, in this dreary daylight that was coming. She could lie no longer. She got up and went towards the table: there lay the letter. She opened her treasure-drawer: there lay the ear-rings and the locket--the signs of all her short happiness--the signs of the lifelong dreariness that was to follow it. Looking at the little trinkets which she had once eyed and fingered so fondly as the earnest of her future paradise of finery, she lived back in the moments when they had been given to her with such tender caresses, such strangely pretty words, such glowing looks, which filled her with a bewildering delicious surprise--they were so much sweeter than she had thought anything could be. And the Arthur who had spoken to her and looked at her in this way, who was present with her now--whose arm she felt round her, his cheek against hers, his very breath upon her--was the cruel, cruel Arthur who had written that letter, that letter which she snatched and crushed and then opened again, that she might read it once more. The half-benumbed mental condition which was the effect of the last night's violent crying made it necessary to her to look again and see if her wretched thoughts were actually true--if the letter was really so cruel. She had to hold it close to the window, else she could not have read it by the faint light. Yes! It was worse--it was more cruel. She crushed it up again in anger. She hated the writer of that letter--hated him for the very reason that she hung upon him with all her love--all the girlish passion and vanity that made up her love. She had no tears this morning. She had wept them all away last night, and now she felt that dry-eyed morning misery, which is worse than the first shock because it has the future in it as well as the present. Every morning to come, as far as her imagination could stretch, she would have to get up and feel that the day would have no joy for her. For there is no despair so absolute as that which comes with the first moments of our first great sorrow, when we have not yet known what it is to have suffered and be healed, to have despaired and to have recovered hope. As Hetty began languidly to take off the clothes she had worn all the night, that she might wash herself and brush her hair, she had a sickening sense that her life would go on in this way. She should always be doing things she had no pleasure in, getting up to the old tasks of work, seeing people she cared nothing about, going to church, and to Treddleston, and to tea with Mrs. Best, and carrying no happy thought with her. For her short poisonous delights had spoiled for ever all the little joys that had once made the sweetness of her life--the new frock ready for Treddleston Fair, the party at Mr. Britton's at Broxton wake, the beaux that she would say "No" to for a long while, and the prospect of the wedding that was to come at last when she would have a silk gown and a great many clothes all at once. These things were all flat and dreary to her now; everything would be a weariness, and she would carry about for ever a hopeless thirst and longing. She paused in the midst of her languid undressing and leaned against the dark old clothes-press. Her neck and arms were bare, her hair hung down in delicate rings--and they were just as beautiful as they were that night two months ago, when she walked up and down this bed-chamber glowing with vanity and hope. She was not thinking of her neck and arms now; even her own beauty was indifferent to her. Her eyes wandered sadly over the dull old chamber, and then looked out vacantly towards the growing dawn. Did a remembrance of Dinah come across her mind? Of her foreboding words, which had made her angry? Of Dinah's affectionate entreaty to think of her as a friend in trouble? No, the impression had been too slight to recur. Any affection or comfort Dinah could have given her would have been as indifferent to Hetty this morning as everything else was except her bruised passion. She was only thinking she could never stay here and go on with the old life--she could better bear something quite new than sinking back into the old everyday round. She would like to run away that very morning, and never see any of the old faces again. But Hetty's was not a nature to face difficulties--to dare to loose her hold on the familiar and rush blindly on some unknown condition. Hers was a luxurious and vain nature--not a passionate one--and if she were ever to take any violent measure, she must be urged to it by the desperation of terror. There was not much room for her thoughts to travel in the narrow circle of her imagination, and she soon fixed on the one thing she would do to get away from her old life: she would ask her uncle to let her go to be a lady's maid. Miss Lydia's maid would help her to get a situation, if she knew Hetty had her uncle's leave. When she had thought of this, she fastened up her hair and began to wash: it seemed more possible to her to go downstairs and try to behave as usual. She would ask her uncle this very day. On Hetty's blooming health it would take a great deal of such mental suffering as hers to leave any deep impress; and when she was dressed as neatly as usual in her working-dress, with her hair tucked up under her little cap, an indifferent observer would have been more struck with the young roundness of her cheek and neck and the darkness of her eyes and eyelashes than with any signs of sadness about her. But when she took up the crushed letter and put it in her drawer, that she might lock it out of sight, hard smarting tears, having no relief in them as the great drops had that fell last night, forced their way into her eyes. She wiped them away quickly: she must not cry in the day-time. Nobody should find out how miserable she was, nobody should know she was disappointed about anything; and the thought that the eyes of her aunt and uncle would be upon her gave her the self-command which often accompanies a great dread. For Hetty looked out from her secret misery towards the possibility of their ever knowing what had happened, as the sick and weary prisoner might think of the possible pillory. They would think her conduct shameful, and shame was torture. That was poor little Hetty's conscience. So she locked up her drawer and went away to her early work. In the evening, when Mr. Poyser was smoking his pipe, and his good-nature was therefore at its superlative moment, Hetty seized the opportunity of her aunt's absence to say, "Uncle, I wish you'd let me go for a lady's maid." Mr. Poyser took the pipe from his mouth and looked at Hetty in mild surprise for some moments. She was sewing, and went on with her work industriously. "Why, what's put that into your head, my wench?" he said at last, after he had given one conservative puff. "I should like it--I should like it better than farm-work." "Nay, nay; you fancy so because you donna know it, my wench. It wouldn't be half so good for your health, nor for your luck i' life. I'd like you to stay wi' us till you've got a good husband: you're my own niece, and I wouldn't have you go to service, though it was a gentleman's house, as long as I've got a home for you." Mr. Poyser paused, and puffed away at his pipe. "I like the needlework," said Hetty, "and I should get good wages." "Has your aunt been a bit sharp wi' you?" said Mr. Poyser, not noticing Hetty's further argument. "You mustna mind that, my wench--she does it for your good. She wishes you well; an' there isn't many aunts as are no kin to you 'ud ha' done by you as she has." "No, it isn't my aunt," said Hetty, "but I should like the work better." "It was all very well for you to learn the work a bit--an' I gev my consent to that fast enough, sin' Mrs. Pomfret was willing to teach you. For if anything was t' happen, it's well to know how to turn your hand to different sorts o' things. But I niver meant you to go to service, my wench; my family's ate their own bread and cheese as fur back as anybody knows, hanna they, Father? You wouldna like your grand-child to take wage?" "Na-a-y," said old Martin, with an elongation of the word, meant to make it bitter as well as negative, while he leaned forward and looked down on the floor. "But the wench takes arter her mother. I'd hard work t' hould HER in, an' she married i' spite o' me--a feller wi' on'y two head o' stock when there should ha' been ten on's farm--she might well die o' th' inflammation afore she war thirty." It was seldom the old man made so long a speech, but his son's question had fallen like a bit of dry fuel on the embers of a long unextinguished resentment, which had always made the grandfather more indifferent to Hetty than to his son's children. Her mother's fortune had been spent by that good-for-nought Sorrel, and Hetty had Sorrel's blood in her veins. "Poor thing, poor thing!" said Martin the younger, who was sorry to have provoked this retrospective harshness. "She'd but bad luck. But Hetty's got as good a chance o' getting a solid, sober husband as any gell i' this country." After throwing out this pregnant hint, Mr. Poyser recurred to his pipe and his silence, looking at Hetty to see if she did not give some sign of having renounced her ill-advised wish. But instead of that, Hetty, in spite of herself, began to cry, half out of ill temper at the denial, half out of the day's repressed sadness. "Hegh, hegh!" said Mr. Poyser, meaning to check her playfully, "don't let's have any crying. Crying's for them as ha' got no home, not for them as want to get rid o' one. What dost think?" he continued to his wife, who now came back into the house-place, knitting with fierce rapidity, as if that movement were a necessary function, like the twittering of a crab's antennae. "Think? Why, I think we shall have the fowl stole before we are much older, wi' that gell forgetting to lock the pens up o' nights. What's the matter now, Hetty? What are you crying at?" "Why, she's been wanting to go for a lady's maid," said Mr. Poyser. "I tell her we can do better for her nor that." "I thought she'd got some maggot in her head, she's gone about wi' her mouth buttoned up so all day. It's all wi' going so among them servants at the Chase, as we war fools for letting her. She thinks it 'ud be a finer life than being wi' them as are akin to her and ha' brought her up sin' she war no bigger nor Marty. She thinks there's nothing belongs to being a lady's maid but wearing finer clothes nor she was born to, I'll be bound. It's what rag she can get to stick on her as she's thinking on from morning till night, as I often ask her if she wouldn't like to be the mawkin i' the field, for then she'd be made o' rags inside and out. I'll never gi' my consent to her going for a lady's maid, while she's got good friends to take care on her till she's married to somebody better nor one o' them valets, as is neither a common man nor a gentleman, an' must live on the fat o' the land, an's like enough to stick his hands under his coat-tails and expect his wife to work for him." "Aye, aye," said Mr. Poyser, "we must have a better husband for her nor that, and there's better at hand. Come, my wench, give over crying and get to bed. I'll do better for you nor letting you go for a lady's maid. Let's hear no more on't." When Hetty was gone upstairs he said, "I canna make it out as she should want to go away, for I thought she'd got a mind t' Adam Bede. She's looked like it o' late." "Eh, there's no knowing what she's got a liking to, for things take no more hold on her than if she was a dried pea. I believe that gell, Molly--as is aggravatin' enough, for the matter o' that--but I believe she'd care more about leaving us and the children, for all she's been here but a year come Michaelmas, nor Hetty would. But she's got this notion o' being a lady's maid wi' going among them servants--we might ha' known what it 'ud lead to when we let her go to learn the fine work. But I'll put a stop to it pretty quick." "Thee'dst be sorry to part wi' her, if it wasn't for her good," said Mr. Poyser. "She's useful to thee i' the work." "Sorry? Yes, I'm fonder on her nor she deserves--a little hard-hearted hussy, wanting to leave us i' that way. I can't ha' had her about me these seven year, I reckon, and done for her, and taught her everything wi'out caring about her. An' here I'm having linen spun, an' thinking all the while it'll make sheeting and table-clothing for her when she's married, an' she'll live i' the parish wi' us, and never go out of our sights--like a fool as I am for thinking aught about her, as is no better nor a cherry wi' a hard stone inside it." "Nay, nay, thee mustna make much of a trifle," said Mr. Poyser, soothingly. "She's fond on us, I'll be bound; but she's young, an' gets things in her head as she can't rightly give account on. Them young fillies 'ull run away often wi'-ou knowing why." Her uncle's answers, however, had had another effect on Hetty besides that of disappointing her and making her cry. She knew quite well whom he had in his mind in his allusions to marriage, and to a sober, solid husband; and when she was in her bedroom again, the possibility of her marrying Adam presented itself to her in a new light. In a mind where no strong sympathies are at work, where there is no supreme sense of right to which the agitated nature can cling and steady itself to quiet endurance, one of the first results of sorrow is a desperate vague clutching after any deed that will change the actual condition. Poor Hetty's vision of consequences, at no time more than a narrow fantastic calculation of her own probable pleasures and pains, was now quite shut out by reckless irritation under present suffering, and she was ready for one of those convulsive, motiveless actions by which wretched men and women leap from a temporary sorrow into a lifelong misery. Why should she not marry Adam? She did not care what she did, so that it made some change in her life. She felt confident that he would still want to marry her, and any further thought about Adam's happiness in the matter had never yet visited her. "Strange!" perhaps you will say, "this rush of impulse to-wards a course that might have seemed the most repugnant to her present state of mind, and in only the second night of her sadness!" Yes, the actions of a little trivial soul like Hetty's, struggling amidst the serious sad destinies of a human being, are strange. So are the motions of a little vessel without ballast tossed about on a stormy sea. How pretty it looked with its parti-coloured sail in the sunlight, moored in the quiet bay! "Let that man bear the loss who loosed it from its moorings." But that will not save the vessel--the pretty thing that might have been a lasting joy.

book 4, Chapter 31

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

Hetty reads the letter from Arthur in her bedchamber. It is not easy for her to read the fancy handwriting, although Arthur has tried to write plainly. He says that he loves her and will always remember their love, but it would have been better had they not had it in the first place. He says that even if he married her, she would end up very unhappy, and that she would be happiest marrying someone of her own station. He says that if she ever has any misfortunes, he will try to help her in any way that he can. He tells her not to write him back unless she is in true distress, because they must try to forget about one another. Hetty cries, thinking Arthur cruel to write and cruel not to marry her. The candle goes out, and she throws herself on her bed without undressing. She wakes up at dawn, remembers her misery, reads the letter again, and fingers the trinkets that Arthur has given her. She thinks miserably that she must hide her sadness from her family. She at first thinks of running away, but that seems too difficult, so she plans on becoming a lady's maid. She asks her uncle for permission, but he says that farming is better for her health and that she is more likely to find a husband that way. The elder Mr. Poyser says that Hetty takes after her good-for-nothing mother. Mr. Poyser hints that she could marry Adam Bede, and Hetty begins to cry. After she goes to her room, the Poysers conclude that even the maid has more family feeling than she does. Hetty, in her room, considers why she should not marry Adam--after all, she does want a change in her life

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/32.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_6.txt

Adam Bede.book 4.chapter 32

book 4, chapter 32

{"name": "book 4, Chapter 32", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "Mr. Casson sees the stranger in top-boots ride by again. He says good morning to ascertain the man's accent, and he says that it is foreign and cannot compare to his own refined accent. Bartle makes fun of him, saying that despite the fact that he has worked with gentlefolks, his accent is still terrible. The old Squire visits the Poysers, a rare event. He looks at the dairy and says that he has a new tenant coming in who would like more space for his farm. He proposes a trade of some of the Poysers' farmland for some more dairy land and the exclusive right to sell butter, cream, and cheese to his family. Mrs. Poyser says that she will not consent to do more dairy work. The old Squire offers to have his servants help her with the fetching and carrying, but she refuses, saying that they would only make trouble with the girls. The old Squire changes tactics and threatens not to renew their lease in a year when it is up, because he is sure that Thurtle, his new tenant, would be happy to enlarge his farm. Despite the fact that the Squire addresses himself to Mr. Poyser, Mrs. Poyser continues to answer, following the Squire out the door as she tells him that few tenants would live with no repairs as she and Mr. Poyser have done, and she adds that everyone in the village hates him. He will do little to save his soul if he does not help his tenants. All of the Squire's own servants listen, grinning. Mr. Poyser is both worried and amused by his wife's outspokenness. She says that she could not have continued bottling it up inside of her for the rest of her life. He says that she will not be so happy when they have to move at Michaelmas when their rent is up, but Mrs. Poyser says that a lot could happen before then. Mr. Poyser says that they would be like a plant that left their roots behind them if they moved. They would never be able to thrive again", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

THE next Saturday evening there was much excited discussion at the Donnithorne Arms concerning an incident which had occurred that very day--no less than a second appearance of the smart man in top-boots said by some to be a mere farmer in treaty for the Chase Farm, by others to be the future steward, but by Mr. Casson himself, the personal witness to the stranger's visit, pronounced contemptuously to be nothing better than a bailiff, such as Satchell had been before him. No one had thought of denying Mr. Casson's testimony to the fact that he had seen the stranger; nevertheless, he proffered various corroborating circumstances. "I see him myself," he said; "I see him coming along by the Crab-tree Meadow on a bald-faced hoss. I'd just been t' hev a pint--it was half after ten i' the fore-noon, when I hev my pint as reg'lar as the clock--and I says to Knowles, as druv up with his waggon, 'You'll get a bit o' barley to-day, Knowles,' I says, 'if you look about you'; and then I went round by the rick-yard, and towart the Treddles'on road, and just as I come up by the big ash-tree, I see the man i' top-boots coming along on a bald-faced hoss--I wish I may never stir if I didn't. And I stood still till he come up, and I says, 'Good morning, sir,' I says, for I wanted to hear the turn of his tongue, as I might know whether he was a this-country man; so I says, 'Good morning, sir: it 'll 'old hup for the barley this morning, I think. There'll be a bit got hin, if we've good luck.' And he says, 'Eh, ye may be raight, there's noo tallin',' he says, and I knowed by that"--here Mr. Casson gave a wink--"as he didn't come from a hundred mile off. I daresay he'd think me a hodd talker, as you Loamshire folks allays does hany one as talks the right language." "The right language!" said Bartle Massey, contemptuously. "You're about as near the right language as a pig's squeaking is like a tune played on a key-bugle." "Well, I don't know," answered Mr. Casson, with an angry smile. "I should think a man as has lived among the gentry from a by, is likely to know what's the right language pretty nigh as well as a schoolmaster." "Aye, aye, man," said Bartle, with a tone of sarcastic consolation, "you talk the right language for you. When Mike Holdsworth's goat says ba-a-a, it's all right--it 'ud be unnatural for it to make any other noise." The rest of the party being Loamshire men, Mr. Casson had the laugh strongly against him, and wisely fell back on the previous question, which, far from being exhausted in a single evening, was renewed in the churchyard, before service, the next day, with the fresh interest conferred on all news when there is a fresh person to hear it; and that fresh hearer was Martin Poyser, who, as his wife said, "never went boozin' with that set at Casson's, a-sittin' soakin' in drink, and looking as wise as a lot o' cod-fish wi' red faces." It was probably owing to the conversation she had had with her husband on their way from church concerning this problematic stranger that Mrs. Poyser's thoughts immediately reverted to him when, a day or two afterwards, as she was standing at the house-door with her knitting, in that eager leisure which came to her when the afternoon cleaning was done, she saw the old squire enter the yard on his black pony, followed by John the groom. She always cited it afterwards as a case of prevision, which really had something more in it than her own remarkable penetration, that the moment she set eyes on the squire she said to herself, "I shouldna wonder if he's come about that man as is a-going to take the Chase Farm, wanting Poyser to do something for him without pay. But Poyser's a fool if he does." Something unwonted must clearly be in the wind, for the old squire's visits to his tenantry were rare; and though Mrs. Poyser had during the last twelvemonth recited many imaginary speeches, meaning even more than met the ear, which she was quite determined to make to him the next time he appeared within the gates of the Hall Farm, the speeches had always remained imaginary. "Good-day, Mrs. Poyser," said the old squire, peering at her with his short-sighted eyes--a mode of looking at her which, as Mrs. Poyser observed, "allays aggravated me: it was as if you was a insect, and he was going to dab his finger-nail on you." However, she said, "Your servant, sir," and curtsied with an air of perfect deference as she advanced towards him: she was not the woman to misbehave towards her betters, and fly in the face of the catechism, without severe provocation. "Is your husband at home, Mrs. Poyser?" "Yes, sir; he's only i' the rick-yard. I'll send for him in a minute, if you'll please to get down and step in." "Thank you; I will do so. I want to consult him about a little matter; but you are quite as much concerned in it, if not more. I must have your opinion too." "Hetty, run and tell your uncle to come in," said Mrs. Poyser, as they entered the house, and the old gentleman bowed low in answer to Hetty's curtsy; while Totty, conscious of a pinafore stained with gooseberry jam, stood hiding her face against the clock and peeping round furtively. "What a fine old kitchen this is!" said Mr. Donnithorne, looking round admiringly. He always spoke in the same deliberate, well-chiselled, polite way, whether his words were sugary or venomous. "And you keep it so exquisitely clean, Mrs. Poyser. I like these premises, do you know, beyond any on the estate." "Well, sir, since you're fond of 'em, I should be glad if you'd let a bit o' repairs be done to 'em, for the boarding's i' that state as we're like to be eaten up wi' rats and mice; and the cellar, you may stan' up to your knees i' water in't, if you like to go down; but perhaps you'd rather believe my words. Won't you please to sit down, sir?" "Not yet; I must see your dairy. I have not seen it for years, and I hear on all hands about your fine cheese and butter," said the squire, looking politely unconscious that there could be any question on which he and Mrs. Poyser might happen to disagree. "I think I see the door open, there. You must not be surprised if I cast a covetous eye on your cream and butter. I don't expect that Mrs. Satchell's cream and butter will bear comparison with yours." "I can't say, sir, I'm sure. It's seldom I see other folks's butter, though there's some on it as one's no need to see--the smell's enough." "Ah, now this I like," said Mr. Donnithorne, looking round at the damp temple of cleanliness, but keeping near the door. "I'm sure I should like my breakfast better if I knew the butter and cream came from this dairy. Thank you, that really is a pleasant sight. Unfortunately, my slight tendency to rheumatism makes me afraid of damp: I'll sit down in your comfortable kitchen. Ah, Poyser, how do you do? In the midst of business, I see, as usual. I've been looking at your wife's beautiful dairy--the best manager in the parish, is she not?" Mr. Poyser had just entered in shirt-sleeves and open waistcoat, with a face a shade redder than usual, from the exertion of "pitching." As he stood, red, rotund, and radiant, before the small, wiry, cool old gentleman, he looked like a prize apple by the side of a withered crab. "Will you please to take this chair, sir?" he said, lifting his father's arm-chair forward a little: "you'll find it easy." "No, thank you, I never sit in easy-chairs," said the old gentleman, seating himself on a small chair near the door. "Do you know, Mrs. Poyser--sit down, pray, both of you--I've been far from contented, for some time, with Mrs. Satchell's dairy management. I think she has not a good method, as you have." "Indeed, sir, I can't speak to that," said Mrs. Poyser in a hard voice, rolling and unrolling her knitting and looking icily out of the window, as she continued to stand opposite the squire. Poyser might sit down if he liked, she thought; she wasn't going to sit down, as if she'd give in to any such smooth-tongued palaver. Mr. Poyser, who looked and felt the reverse of icy, did sit down in his three-cornered chair. "And now, Poyser, as Satchell is laid up, I am intending to let the Chase Farm to a respectable tenant. I'm tired of having a farm on my own hands--nothing is made the best of in such cases, as you know. A satisfactory bailiff is hard to find; and I think you and I, Poyser, and your excellent wife here, can enter into a little arrangement in consequence, which will be to our mutual advantage." "Oh," said Mr. Poyser, with a good-natured blankness of imagination as to the nature of the arrangement. "If I'm called upon to speak, sir," said Mrs. Poyser, after glancing at her husband with pity at his softness, "you know better than me; but I don't see what the Chase Farm is t' us--we've cumber enough wi' our own farm. Not but what I'm glad to hear o' anybody respectable coming into the parish; there's some as ha' been brought in as hasn't been looked on i' that character." "You're likely to find Mr. Thurle an excellent neighbour, I assure you--such a one as you will feel glad to have accommodated by the little plan I'm going to mention, especially as I hope you will find it as much to your own advantage as his." "Indeed, sir, if it's anything t' our advantage, it'll be the first offer o' the sort I've heared on. It's them as take advantage that get advantage i' this world, I think. Folks have to wait long enough afore it's brought to 'em." "The fact is, Poyser," said the squire, ignoring Mrs. Poyser's theory of worldly prosperity, "there is too much dairy land, and too little plough land, on the Chase Farm to suit Thurle's purpose--indeed, he will only take the farm on condition of some change in it: his wife, it appears, is not a clever dairy-woman, like yours. Now, the plan I'm thinking of is to effect a little exchange. If you were to have the Hollow Pastures, you might increase your dairy, which must be so profitable under your wife's management; and I should request you, Mrs. Poyser, to supply my house with milk, cream, and butter at the market prices. On the other hand, Poyser, you might let Thurle have the Lower and Upper Ridges, which really, with our wet seasons, would be a good riddance for you. There is much less risk in dairy land than corn land." Mr. Poyser was leaning forward, with his elbows on his knees, his head on one side, and his mouth screwed up--apparently absorbed in making the tips of his fingers meet so as to represent with perfect accuracy the ribs of a ship. He was much too acute a man not to see through the whole business, and to foresee perfectly what would be his wife's view of the subject; but he disliked giving unpleasant answers. Unless it was on a point of farming practice, he would rather give up than have a quarrel, any day; and, after all, it mattered more to his wife than to him. So, after a few moments' silence, he looked up at her and said mildly, "What dost say?" Mrs. Poyser had had her eyes fixed on her husband with cold severity during his silence, but now she turned away her head with a toss, looked icily at the opposite roof of the cow-shed, and spearing her knitting together with the loose pin, held it firmly between her clasped hands. "Say? Why, I say you may do as you like about giving up any o' your corn-land afore your lease is up, which it won't be for a year come next Michaelmas, but I'll not consent to take more dairy work into my hands, either for love or money; and there's nayther love nor money here, as I can see, on'y other folks's love o' theirselves, and the money as is to go into other folks's pockets. I know there's them as is born t' own the land, and them as is born to sweat on't"--here Mrs. Poyser paused to gasp a little--"and I know it's christened folks's duty to submit to their betters as fur as flesh and blood 'ull bear it; but I'll not make a martyr o' myself, and wear myself to skin and bone, and worret myself as if I was a churn wi' butter a-coming in't, for no landlord in England, not if he was King George himself." "No, no, my dear Mrs. Poyser, certainly not," said the squire, still confident in his own powers of persuasion, "you must not overwork yourself; but don't you think your work will rather be lessened than increased in this way? There is so much milk required at the Abbey that you will have little increase of cheese and butter making from the addition to your dairy; and I believe selling the milk is the most profitable way of disposing of dairy produce, is it not?" "Aye, that's true," said Mr. Poyser, unable to repress an opinion on a question of farming profits, and forgetting that it was not in this case a purely abstract question. "I daresay," said Mrs. Poyser bitterly, turning her head half-way towards her husband and looking at the vacant arm-chair--"I daresay it's true for men as sit i' th' chimney-corner and make believe as everything's cut wi' ins an' outs to fit int' everything else. If you could make a pudding wi' thinking o' the batter, it 'ud be easy getting dinner. How do I know whether the milk 'ull be wanted constant? What's to make me sure as the house won't be put o' board wage afore we're many months older, and then I may have to lie awake o' nights wi' twenty gallons o' milk on my mind--and Dingall 'ull take no more butter, let alone paying for it; and we must fat pigs till we're obliged to beg the butcher on our knees to buy 'em, and lose half of 'em wi' the measles. And there's the fetching and carrying, as 'ud be welly half a day's work for a man an' hoss--that's to be took out o' the profits, I reckon? But there's folks 'ud hold a sieve under the pump and expect to carry away the water." "That difficulty--about the fetching and carrying--you will not have, Mrs. Poyser," said the squire, who thought that this entrance into particulars indicated a distant inclination to compromise on Mrs. Poyser's part. "Bethell will do that regularly with the cart and pony." "Oh, sir, begging your pardon, I've never been used t' having gentlefolks's servants coming about my back places, a-making love to both the gells at once and keeping 'em with their hands on their hips listening to all manner o' gossip when they should be down on their knees a-scouring. If we're to go to ruin, it shanna be wi' having our back kitchen turned into a public." "Well, Poyser," said the squire, shifting his tactics and looking as if he thought Mrs. Poyser had suddenly withdrawn from the proceedings and left the room, "you can turn the Hollows into feeding-land. I can easily make another arrangement about supplying my house. And I shall not forget your readiness to accommodate your landlord as well as a neighbour. I know you will be glad to have your lease renewed for three years, when the present one expires; otherwise, I daresay Thurle, who is a man of some capital, would be glad to take both the farms, as they could be worked so well together. But I don't want to part with an old tenant like you." To be thrust out of the discussion in this way would have been enough to complete Mrs. Poyser's exasperation, even without the final threat. Her husband, really alarmed at the possibility of their leaving the old place where he had been bred and born--for he believed the old squire had small spite enough for anything--was beginning a mild remonstrance explanatory of the inconvenience he should find in having to buy and sell more stock, with, "Well, sir, I think as it's rether hard..." when Mrs. Poyser burst in with the desperate determination to have her say out this once, though it were to rain notices to quit and the only shelter were the work-house. "Then, sir, if I may speak--as, for all I'm a woman, and there's folks as thinks a woman's fool enough to stan' by an' look on while the men sign her soul away, I've a right to speak, for I make one quarter o' the rent, and save another quarter--I say, if Mr. Thurle's so ready to take farms under you, it's a pity but what he should take this, and see if he likes to live in a house wi' all the plagues o' Egypt in't--wi' the cellar full o' water, and frogs and toads hoppin' up the steps by dozens--and the floors rotten, and the rats and mice gnawing every bit o' cheese, and runnin' over our heads as we lie i' bed till we expect 'em to eat us up alive--as it's a mercy they hanna eat the children long ago. I should like to see if there's another tenant besides Poyser as 'ud put up wi' never having a bit o' repairs done till a place tumbles down--and not then, on'y wi' begging and praying and having to pay half--and being strung up wi' the rent as it's much if he gets enough out o' the land to pay, for all he's put his own money into the ground beforehand. See if you'll get a stranger to lead such a life here as that: a maggot must be born i' the rotten cheese to like it, I reckon. You may run away from my words, sir," continued Mrs. Poyser, following the old squire beyond the door--for after the first moments of stunned surprise he had got up, and, waving his hand towards her with a smile, had walked out towards his pony. But it was impossible for him to get away immediately, for John was walking the pony up and down the yard, and was some distance from the causeway when his master beckoned. "You may run away from my words, sir, and you may go spinnin' underhand ways o' doing us a mischief, for you've got Old Harry to your friend, though nobody else is, but I tell you for once as we're not dumb creatures to be abused and made money on by them as ha' got the lash i' their hands, for want o' knowing how t' undo the tackle. An' if I'm th' only one as speaks my mind, there's plenty o' the same way o' thinking i' this parish and the next to 't, for your name's no better than a brimstone match in everybody's nose--if it isna two-three old folks as you think o' saving your soul by giving 'em a bit o' flannel and a drop o' porridge. An' you may be right i' thinking it'll take but little to save your soul, for it'll be the smallest savin' y' iver made, wi' all your scrapin'." There are occasions on which two servant-girls and a waggoner may be a formidable audience, and as the squire rode away on his black pony, even the gift of short-sightedness did not prevent him from being aware that Molly and Nancy and Tim were grinning not far from him. Perhaps he suspected that sour old John was grinning behind him--which was also the fact. Meanwhile the bull-dog, the black-and-tan terrier, Alick's sheep-dog, and the gander hissing at a safe distance from the pony's heels carried out the idea of Mrs. Poyser's solo in an impressive quartet. Mrs. Poyser, however, had no sooner seen the pony move off than she turned round, gave the two hilarious damsels a look which drove them into the back kitchen, and unspearing her knitting, began to knit again with her usual rapidity as she re-entered the house. "Thee'st done it now," said Mr. Poyser, a little alarmed and uneasy, but not without some triumphant amusement at his wife's outbreak. "Yes, I know I've done it," said Mrs. Poyser; "but I've had my say out, and I shall be th' easier for't all my life. There's no pleasure i' living if you're to be corked up for ever, and only dribble your mind out by the sly, like a leaky barrel. I shan't repent saying what I think, if I live to be as old as th' old squire; and there's little likelihood--for it seems as if them as aren't wanted here are th' only folks as aren't wanted i' th' other world." "But thee wutna like moving from th' old place, this Michaelmas twelvemonth," said Mr. Poyser, "and going into a strange parish, where thee know'st nobody. It'll be hard upon us both, and upo' Father too." "Eh, it's no use worreting; there's plenty o' things may happen between this and Michaelmas twelvemonth. The captain may be master afore them, for what we know," said Mrs. Poyser, inclined to take an unusually hopeful view of an embarrassment which had been brought about by her own merit and not by other people's fault. "I'm none for worreting," said Mr. Poyser, rising from his three-cornered chair and walking slowly towards the door; "but I should be loath to leave th' old place, and the parish where I was bred and born, and Father afore me. We should leave our roots behind us, I doubt, and niver thrive again."

book 4, Chapter 32

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

Mr. Casson sees the stranger in top-boots ride by again. He says good morning to ascertain the man's accent, and he says that it is foreign and cannot compare to his own refined accent. Bartle makes fun of him, saying that despite the fact that he has worked with gentlefolks, his accent is still terrible. The old Squire visits the Poysers, a rare event. He looks at the dairy and says that he has a new tenant coming in who would like more space for his farm. He proposes a trade of some of the Poysers' farmland for some more dairy land and the exclusive right to sell butter, cream, and cheese to his family. Mrs. Poyser says that she will not consent to do more dairy work. The old Squire offers to have his servants help her with the fetching and carrying, but she refuses, saying that they would only make trouble with the girls. The old Squire changes tactics and threatens not to renew their lease in a year when it is up, because he is sure that Thurtle, his new tenant, would be happy to enlarge his farm. Despite the fact that the Squire addresses himself to Mr. Poyser, Mrs. Poyser continues to answer, following the Squire out the door as she tells him that few tenants would live with no repairs as she and Mr. Poyser have done, and she adds that everyone in the village hates him. He will do little to save his soul if he does not help his tenants. All of the Squire's own servants listen, grinning. Mr. Poyser is both worried and amused by his wife's outspokenness. She says that she could not have continued bottling it up inside of her for the rest of her life. He says that she will not be so happy when they have to move at Michaelmas when their rent is up, but Mrs. Poyser says that a lot could happen before then. Mr. Poyser says that they would be like a plant that left their roots behind them if they moved. They would never be able to thrive again

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/33.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_7.txt

Adam Bede.book 4.chapter 33

book 4, chapter 33

{"name": "book 4, Chapter 33", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "The barley crop is in, and it is already Michaelmas. Mr. Thurle did not come to the Chase, so the old Squire was obliged to find a steward. The whole town knows that this is because Mrs. Poyser refused to be put upon. Mrs. Irwine approves highly, and she wishes that she were rich enough to give the lady a pension. Hetty's attitude toward her work improves, and she does not complain when her aunt puts a stop to her lessons at the Chase. Adam begins to be hopeful because she looks happy when she sees him. Eliot observes that it is not the weakness in Adam that is attracted to Hetty, but rather his strength. It is no more shameful to be attracted to a beautiful woman than to be moved by beautiful music. The appearance of a change in Hetty's affections has made Adam more inclined to be less hard on Arthur. It looks like Adam's fortunes are on the upswing in every way now that Mr. Burge, despairing of ever having Adam as a son-in-law, has made him his partner anyway because he is irreplaceable. Now his prospects allow him to marry very soon and perhaps to build a house away from his mother's. His mother might be reconciled to this circumstance if Seth married Dinah. He is excited to tell the Poysers the news", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

THE barley was all carried at last, and the harvest suppers went by without waiting for the dismal black crop of beans. The apples and nuts were gathered and stored; the scent of whey departed from the farm-houses, and the scent of brewing came in its stead. The woods behind the Chase, and all the hedgerow trees, took on a solemn splendour under the dark low-hanging skies. Michaelmas was come, with its fragrant basketfuls of purple damsons, and its paler purple daisies, and its lads and lasses leaving or seeking service and winding along between the yellow hedges, with their bundles under their arms. But though Michaelmas was come, Mr. Thurle, that desirable tenant, did not come to the Chase Farm, and the old squire, after all, had been obliged to put in a new bailiff. It was known throughout the two parishes that the squire's plan had been frustrated because the Poysers had refused to be "put upon," and Mrs. Poyser's outbreak was discussed in all the farm-houses with a zest which was only heightened by frequent repetition. The news that "Bony" was come back from Egypt was comparatively insipid, and the repulse of the French in Italy was nothing to Mrs. Poyser's repulse of the old squire. Mr. Irwine had heard a version of it in every parishioner's house, with the one exception of the Chase. But since he had always, with marvellous skill, avoided any quarrel with Mr. Donnithorne, he could not allow himself the pleasure of laughing at the old gentleman's discomfiture with any one besides his mother, who declared that if she were rich she should like to allow Mrs. Poyser a pension for life, and wanted to invite her to the parsonage that she might hear an account of the scene from Mrs. Poyser's own lips. "No, no, Mother," said Mr. Irwine; "it was a little bit of irregular justice on Mrs. Poyser's part, but a magistrate like me must not countenance irregular justice. There must be no report spread that I have taken notice of the quarrel, else I shall lose the little good influence I have over the old man." "Well, I like that woman even better than her cream-cheeses," said Mrs. Irwine. "She has the spirit of three men, with that pale face of hers. And she says such sharp things too." "Sharp! Yes, her tongue is like a new-set razor. She's quite original in her talk too; one of those untaught wits that help to stock a country with proverbs. I told you that capital thing I heard her say about Craig--that he was like a cock, who thought the sun had risen to hear him crow. Now that's an AEsop's fable in a sentence." "But it will be a bad business if the old gentleman turns them out of the farm next Michaelmas, eh?" said Mrs. Irwine. "Oh, that must not be; and Poyser is such a good tenant that Donnithorne is likely to think twice, and digest his spleen rather than turn them out. But if he should give them notice at Lady Day, Arthur and I must move heaven and earth to mollify him. Such old parishioners as they are must not go." "Ah, there's no knowing what may happen before Lady day," said Mrs. Irwine. "It struck me on Arthur's birthday that the old man was a little shaken: he's eighty-three, you know. It's really an unconscionable age. It's only women who have a right to live as long as that." "When they've got old-bachelor sons who would be forlorn without them," said Mr. Irwine, laughing, and kissing his mother's hand. Mrs. Poyser, too, met her husband's occasional forebodings of a notice to quit with "There's no knowing what may happen before Lady day"--one of those undeniable general propositions which are usually intended to convey a particular meaning very far from undeniable. But it is really too hard upon human nature that it should be held a criminal offence to imagine the death even of the king when he is turned eighty-three. It is not to be believed that any but the dullest Britons can be good subjects under that hard condition. Apart from this foreboding, things went on much as usual in the Poyser household. Mrs. Poyser thought she noticed a surprising improvement in Hetty. To be sure, the girl got "closer tempered, and sometimes she seemed as if there'd be no drawing a word from her with cart-ropes," but she thought much less about her dress, and went after the work quite eagerly, without any telling. And it was wonderful how she never wanted to go out now--indeed, could hardly be persuaded to go; and she bore her aunt's putting a stop to her weekly lesson in fine-work at the Chase without the least grumbling or pouting. It must be, after all, that she had set her heart on Adam at last, and her sudden freak of wanting to be a lady's maid must have been caused by some little pique or misunderstanding between them, which had passed by. For whenever Adam came to the Hall Farm, Hetty seemed to be in better spirits and to talk more than at other times, though she was almost sullen when Mr. Craig or any other admirer happened to pay a visit there. Adam himself watched her at first with trembling anxiety, which gave way to surprise and delicious hope. Five days after delivering Arthur's letter, he had ventured to go to the Hall Farm again--not without dread lest the sight of him might be painful to her. She was not in the house-place when he entered, and he sat talking to Mr. and Mrs. Poyser for a few minutes with a heavy fear on his heart that they might presently tell him Hetty was ill. But by and by there came a light step that he knew, and when Mrs. Poyser said, "Come, Hetty, where have you been?" Adam was obliged to turn round, though he was afraid to see the changed look there must be in her face. He almost started when he saw her smiling as if she were pleased to see him--looking the same as ever at a first glance, only that she had her cap on, which he had never seen her in before when he came of an evening. Still, when he looked at her again and again as she moved about or sat at her work, there was a change: the cheeks were as pink as ever, and she smiled as much as she had ever done of late, but there was something different in her eyes, in the expression of her face, in all her movements, Adam thought--something harder, older, less child-like. "Poor thing!" he said to himself, "that's allays likely. It's because she's had her first heartache. But she's got a spirit to bear up under it. Thank God for that." As the weeks went by, and he saw her always looking pleased to see him--turning up her lovely face towards him as if she meant him to understand that she was glad for him to come--and going about her work in the same equable way, making no sign of sorrow, he began to believe that her feeling towards Arthur must have been much slighter than he had imagined in his first indignation and alarm, and that she had been able to think of her girlish fancy that Arthur was in love with her and would marry her as a folly of which she was timely cured. And it perhaps was, as he had sometimes in his more cheerful moments hoped it would be--her heart was really turning with all the more warmth towards the man she knew to have a serious love for her. Possibly you think that Adam was not at all sagacious in his interpretations, and that it was altogether extremely unbecoming in a sensible man to behave as he did--falling in love with a girl who really had nothing more than her beauty to recommend her, attributing imaginary virtues to her, and even condescending to cleave to her after she had fallen in love with another man, waiting for her kind looks as a patient trembling dog waits for his master's eye to be turned upon him. But in so complex a thing as human nature, we must consider, it is hard to find rules without exceptions. Of course, I know that, as a rule, sensible men fall in love with the most sensible women of their acquaintance, see through all the pretty deceits of coquettish beauty, never imagine themselves loved when they are not loved, cease loving on all proper occasions, and marry the woman most fitted for them in every respect--indeed, so as to compel the approbation of all the maiden ladies in their neighbourhood. But even to this rule an exception will occur now and then in the lapse of centuries, and my friend Adam was one. For my own part, however, I respect him none the less--nay, I think the deep love he had for that sweet, rounded, blossom-like, dark-eyed Hetty, of whose inward self he was really very ignorant, came out of the very strength of his nature and not out of any inconsistent weakness. Is it any weakness, pray, to be wrought on by exquisite music? To feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibres of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration, melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow and your present sorrow with all your past joy? If not, then neither is it a weakness to be so wrought upon by the exquisite curves of a woman's cheek and neck and arms, by the liquid depths of her beseeching eyes, or the sweet childish pout of her lips. For the beauty of a lovely woman is like music: what can one say more? Beauty has an expression beyond and far above the one woman's soul that it clothes, as the words of genius have a wider meaning than the thought that prompted them. It is more than a woman's love that moves us in a woman's eyes--it seems to be a far-off mighty love that has come near to us, and made speech for itself there; the rounded neck, the dimpled arm, move us by something more than their prettiness--by their close kinship with all we have known of tenderness and peace. The noblest nature sees the most of this impersonal expression in beauty (it is needless to say that there are gentlemen with whiskers dyed and undyed who see none of it whatever), and for this reason, the noblest nature is often the most blinded to the character of the one woman's soul that the beauty clothes. Whence, I fear, the tragedy of human life is likely to continue for a long time to come, in spite of mental philosophers who are ready with the best receipts for avoiding all mistakes of the kind. Our good Adam had no fine words into which he could put his feeling for Hetty: he could not disguise mystery in this way with the appearance of knowledge; he called his love frankly a mystery, as you have heard him. He only knew that the sight and memory of her moved him deeply, touching the spring of all love and tenderness, all faith and courage within him. How could he imagine narrowness, selfishness, hardness in her? He created the mind he believed in out of his own, which was large, unselfish, tender. The hopes he felt about Hetty softened a little his feeling towards Arthur. Surely his attentions to Hetty must have been of a slight kind; they were altogether wrong, and such as no man in Arthur's position ought to have allowed himself, but they must have had an air of playfulness about them, which had probably blinded him to their danger and had prevented them from laying any strong hold on Hetty's heart. As the new promise of happiness rose for Adam, his indignation and jealousy began to die out. Hetty was not made unhappy; he almost believed that she liked him best; and the thought sometimes crossed his mind that the friendship which had once seemed dead for ever might revive in the days to come, and he would not have to say "good-bye" to the grand old woods, but would like them better because they were Arthur's. For this new promise of happiness following so quickly on the shock of pain had an intoxicating effect on the sober Adam, who had all his life been used to much hardship and moderate hope. Was he really going to have an easy lot after all? It seemed so, for at the beginning of November, Jonathan Burge, finding it impossible to replace Adam, had at last made up his mind to offer him a share in the business, without further condition than that he should continue to give his energies to it and renounce all thought of having a separate business of his own. Son-in-law or no son-in-law, Adam had made himself too necessary to be parted with, and his headwork was so much more important to Burge than his skill in handicraft that his having the management of the woods made little difference in the value of his services; and as to the bargains about the squire's timber, it would be easy to call in a third person. Adam saw here an opening into a broadening path of prosperous work such as he had thought of with ambitious longing ever since he was a lad: he might come to build a bridge, or a town hall, or a factory, for he had always said to himself that Jonathan Burge's building business was like an acorn, which might be the mother of a great tree. So he gave his hand to Burge on that bargain, and went home with his mind full of happy visions, in which (my refined reader will perhaps be shocked when I say it) the image of Hetty hovered, and smiled over plans for seasoning timber at a trifling expense, calculations as to the cheapening of bricks per thousand by water-carriage, and a favourite scheme for the strengthening of roofs and walls with a peculiar form of iron girder. What then? Adam's enthusiasm lay in these things; and our love is inwrought in our enthusiasm as electricity is inwrought in the air, exalting its power by a subtle presence. Adam would be able to take a separate house now, and provide for his mother in the old one; his prospects would justify his marrying very soon, and if Dinah consented to have Seth, their mother would perhaps be more contented to live apart from Adam. But he told himself that he would not be hasty--he would not try Hetty's feeling for him until it had had time to grow strong and firm. However, tomorrow, after church, he would go to the Hall Farm and tell them the news. Mr. Poyser, he knew, would like it better than a five-pound note, and he should see if Hetty's eyes brightened at it. The months would be short with all he had to fill his mind, and this foolish eagerness which had come over him of late must not hurry him into any premature words. Yet when he got home and told his mother the good news, and ate his supper, while she sat by almost crying for joy and wanting him to eat twice as much as usual because of this good-luck, he could not help preparing her gently for the coming change by talking of the old house being too small for them all to go on living in it always.

book 4, Chapter 33

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

The barley crop is in, and it is already Michaelmas. Mr. Thurle did not come to the Chase, so the old Squire was obliged to find a steward. The whole town knows that this is because Mrs. Poyser refused to be put upon. Mrs. Irwine approves highly, and she wishes that she were rich enough to give the lady a pension. Hetty's attitude toward her work improves, and she does not complain when her aunt puts a stop to her lessons at the Chase. Adam begins to be hopeful because she looks happy when she sees him. Eliot observes that it is not the weakness in Adam that is attracted to Hetty, but rather his strength. It is no more shameful to be attracted to a beautiful woman than to be moved by beautiful music. The appearance of a change in Hetty's affections has made Adam more inclined to be less hard on Arthur. It looks like Adam's fortunes are on the upswing in every way now that Mr. Burge, despairing of ever having Adam as a son-in-law, has made him his partner anyway because he is irreplaceable. Now his prospects allow him to marry very soon and perhaps to build a house away from his mother's. His mother might be reconciled to this circumstance if Seth married Dinah. He is excited to tell the Poysers the news

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/34.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_8.txt

Adam Bede.book 4.chapter 34

book 4, chapter 34

{"name": "book 4, Chapter 34", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "On the second of November, Mrs. Poyser does not go to church because she has a serious cold. Mr. Poyser decides to keep her company. Adam walks Hetty home from church and tells her that he has been made partners with Mr. Burge. Hetty thinks that this goes together with him marrying Mary Burge, and that Adam is doing so because of what he saw between her and Arthur. She starts to cry, thinking of Arthur, and Adam hopefully thinks that she is crying because she is jealous that he will probably marry Mary Burge. Adam sweeps all caution away and asks her to marry him. She does not speak, but she presses her cheek against his. She agrees that he may tell her uncle and aunt. Adam and Hetty tell the aunt and uncle, who agree to help with some furniture and a dowry. Adam kisses Hetty goodnight, and there is some discussion of what house he will move to. Mr. Poyser worries that he will be turned out of his own house, but Mrs. Poyser says that the Captain will come home and make everything all right with the Squire", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

IT was a dry Sunday, and really a pleasant day for the 2d of November. There was no sunshine, but the clouds were high, and the wind was so still that the yellow leaves which fluttered down from the hedgerow elms must have fallen from pure decay. Nevertheless, Mrs. Poyser did not go to church, for she had taken a cold too serious to be neglected; only two winters ago she had been laid up for weeks with a cold; and since his wife did not go to church, Mr. Poyser considered that on the whole it would be as well for him to stay away too and "keep her company." He could perhaps have given no precise form to the reasons that determined this conclusion, but it is well known to all experienced minds that our firmest convictions are often dependent on subtle impressions for which words are quite too coarse a medium. However it was, no one from the Poyser family went to church that afternoon except Hetty and the boys; yet Adam was bold enough to join them after church, and say that he would walk home with them, though all the way through the village he appeared to be chiefly occupied with Marty and Tommy, telling them about the squirrels in Binton Coppice, and promising to take them there some day. But when they came to the fields he said to the boys, "Now, then, which is the stoutest walker? Him as gets to th' home-gate first shall be the first to go with me to Binton Coppice on the donkey. But Tommy must have the start up to the next stile, because he's the smallest." Adam had never behaved so much like a determined lover before. As soon as the boys had both set off, he looked down at Hetty and said, "Won't you hang on my arm, Hetty?" in a pleading tone, as if he had already asked her and she had refused. Hetty looked up at him smilingly and put her round arm through his in a moment. It was nothing to her, putting her arm through Adam's, but she knew he cared a great deal about having her arm through his, and she wished him to care. Her heart beat no faster, and she looked at the half-bare hedgerows and the ploughed field with the same sense of oppressive dulness as before. But Adam scarcely felt that he was walking. He thought Hetty must know that he was pressing her arm a little--a very little. Words rushed to his lips that he dared not utter--that he had made up his mind not to utter yet--and so he was silent for the length of that field. The calm patience with which he had once waited for Hetty's love, content only with her presence and the thought of the future, had forsaken him since that terrible shock nearly three months ago. The agitations of jealousy had given a new restlessness to his passion--had made fear and uncertainty too hard almost to bear. But though he might not speak to Hetty of his love, he would tell her about his new prospects and see if she would be pleased. So when he was enough master of himself to talk, he said, "I'm going to tell your uncle some news that'll surprise him, Hetty; and I think he'll be glad to hear it too." "What's that?" Hetty said indifferently. "Why, Mr. Burge has offered me a share in his business, and I'm going to take it." There was a change in Hetty's face, certainly not produced by any agreeable impression from this news. In fact she felt a momentary annoyance and alarm, for she had so often heard it hinted by her uncle that Adam might have Mary Burge and a share in the business any day, if he liked, that she associated the two objects now, and the thought immediately occurred that perhaps Adam had given her up because of what had happened lately, and had turned towards Mary Burge. With that thought, and before she had time to remember any reasons why it could not be true, came a new sense of forsakenness and disappointment. The one thing--the one person--her mind had rested on in its dull weariness, had slipped away from her, and peevish misery filled her eyes with tears. She was looking on the ground, but Adam saw her face, saw the tears, and before he had finished saying, "Hetty, dear Hetty, what are you crying for?" his eager rapid thought had flown through all the causes conceivable to him, and had at last alighted on half the true one. Hetty thought he was going to marry Mary Burge--she didn't like him to marry--perhaps she didn't like him to marry any one but herself? All caution was swept away--all reason for it was gone, and Adam could feel nothing but trembling joy. He leaned towards her and took her hand, as he said: "I could afford to be married now, Hetty--I could make a wife comfortable; but I shall never want to be married if you won't have me." Hetty looked up at him and smiled through her tears, as she had done to Arthur that first evening in the wood, when she had thought he was not coming, and yet he came. It was a feebler relief, a feebler triumph she felt now, but the great dark eyes and the sweet lips were as beautiful as ever, perhaps more beautiful, for there was a more luxuriant womanliness about Hetty of late. Adam could hardly believe in the happiness of that moment. His right hand held her left, and he pressed her arm close against his heart as he leaned down towards her. "Do you really love me, Hetty? Will you be my own wife, to love and take care of as long as I live?" Hetty did not speak, but Adam's face was very close to hers, and she put up her round cheek against his, like a kitten. She wanted to be caressed--she wanted to feel as if Arthur were with her again. Adam cared for no words after that, and they hardly spoke through the rest of the walk. He only said, "I may tell your uncle and aunt, mayn't I, Hetty?" and she said, "Yes." The red fire-light on the hearth at the Hall Farm shone on joyful faces that evening, when Hetty was gone upstairs and Adam took the opportunity of telling Mr. and Mrs. Poyser and the grandfather that he saw his way to maintaining a wife now, and that Hetty had consented to have him. "I hope you have no objections against me for her husband," said Adam; "I'm a poor man as yet, but she shall want nothing as I can work for." "Objections?" said Mr. Poyser, while the grandfather leaned forward and brought out his long "Nay, nay." "What objections can we ha' to you, lad? Never mind your being poorish as yet; there's money in your head-piece as there's money i' the sown field, but it must ha' time. You'n got enough to begin on, and we can do a deal tow'rt the bit o' furniture you'll want. Thee'st got feathers and linen to spare--plenty, eh?" This question was of course addressed to Mrs. Poyser, who was wrapped up in a warm shawl and was too hoarse to speak with her usual facility. At first she only nodded emphatically, but she was presently unable to resist the temptation to be more explicit. "It ud be a poor tale if I hadna feathers and linen," she said, hoarsely, "when I never sell a fowl but what's plucked, and the wheel's a-going every day o' the week." "Come, my wench," said Mr. Poyser, when Hetty came down, "come and kiss us, and let us wish you luck." Hetty went very quietly and kissed the big good-natured man. "There!" he said, patting her on the back, "go and kiss your aunt and your grandfather. I'm as wishful t' have you settled well as if you was my own daughter; and so's your aunt, I'll be bound, for she's done by you this seven 'ear, Hetty, as if you'd been her own. Come, come, now," he went on, becoming jocose, as soon as Hetty had kissed her aunt and the old man, "Adam wants a kiss too, I'll warrant, and he's a right to one now." Hetty turned away, smiling, towards her empty chair. "Come, Adam, then, take one," persisted Mr. Poyser, "else y' arena half a man." Adam got up, blushing like a small maiden--great strong fellow as he was--and, putting his arm round Hetty stooped down and gently kissed her lips. It was a pretty scene in the red fire-light; for there were no candles--why should there be, when the fire was so bright and was reflected from all the pewter and the polished oak? No one wanted to work on a Sunday evening. Even Hetty felt something like contentment in the midst of all this love. Adam's attachment to her, Adam's caress, stirred no passion in her, were no longer enough to satisfy her vanity, but they were the best her life offered her now--they promised her some change. There was a great deal of discussion before Adam went away, about the possibility of his finding a house that would do for him to settle in. No house was empty except the one next to Will Maskery's in the village, and that was too small for Adam now. Mr. Poyser insisted that the best plan would be for Seth and his mother to move and leave Adam in the old home, which might be enlarged after a while, for there was plenty of space in the woodyard and garden; but Adam objected to turning his mother out. "Well, well," said Mr. Poyser at last, "we needna fix everything to-night. We must take time to consider. You canna think o' getting married afore Easter. I'm not for long courtships, but there must be a bit o' time to make things comfortable." "Aye, to be sure," said Mrs. Poyser, in a hoarse whisper; "Christian folks can't be married like cuckoos, I reckon." "I'm a bit daunted, though," said Mr. Poyser, "when I think as we may have notice to quit, and belike be forced to take a farm twenty mile off." "Eh," said the old man, staring at the floor and lifting his hands up and down, while his arms rested on the elbows of his chair, "it's a poor tale if I mun leave th' ould spot an be buried in a strange parish. An' you'll happen ha' double rates to pay," he added, looking up at his son. "Well, thee mustna fret beforehand, father," said Martin the younger. "Happen the captain 'ull come home and make our peace wi' th' old squire. I build upo' that, for I know the captain 'll see folks righted if he can."

book 4, Chapter 34

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

On the second of November, Mrs. Poyser does not go to church because she has a serious cold. Mr. Poyser decides to keep her company. Adam walks Hetty home from church and tells her that he has been made partners with Mr. Burge. Hetty thinks that this goes together with him marrying Mary Burge, and that Adam is doing so because of what he saw between her and Arthur. She starts to cry, thinking of Arthur, and Adam hopefully thinks that she is crying because she is jealous that he will probably marry Mary Burge. Adam sweeps all caution away and asks her to marry him. She does not speak, but she presses her cheek against his. She agrees that he may tell her uncle and aunt. Adam and Hetty tell the aunt and uncle, who agree to help with some furniture and a dowry. Adam kisses Hetty goodnight, and there is some discussion of what house he will move to. Mr. Poyser worries that he will be turned out of his own house, but Mrs. Poyser says that the Captain will come home and make everything all right with the Squire

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/35.txt

finished_summaries/gradesaver/Adam Bede/section_4_part_9.txt

Adam Bede.book 4.chapter 35

book 4, chapter 35

{"name": "book 4, Chapter 35", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth", "summary": "It is a busy time for Adam, but one that he enjoys, because it takes him closer to March, when he will at last be married to Hetty. It was decided that Adam and Hetty should live with Lisbeth and Seth, as Hetty had agreed. Also, Seth comes back from visiting Dinah and says that her mind is not turned toward marrying at all. Adam worries that Hetty looks unhappy sometimes, but she assures him that she is not-she is only tired because she has to do more work now that her aunt has a cold. Hetty goes to buy something in Treddleston and takes the long way home so that nobody will see her unhappy face. She sees a cold lake and considers jumping into it, but she worries that those left behind might guess the reason for an action as desperate as this. She had trusted that something would come to save her from her misery, but her marriage is almost upon her and nothing has come to the rescue. When she gets home she sees a letter from Dinah congratulating her on her engagement. Her uncle encourages her to pick up Dinah from Snowfield, but Hetty argues that it is too far off. She thinks for a bit, however, and decides to undertake the journey so that instead of seeing Dinah she can throw herself at Arthur's mercy at Windsor", "analysis": "The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side."}

IT was a busy time for Adam--the time between the beginning of November and the beginning of February, and he could see little of Hetty, except on Sundays. But a happy time, nevertheless, for it was taking him nearer and nearer to March, when they were to be married, and all the little preparations for their new housekeeping marked the progress towards the longed-for day. Two new rooms had been "run up" to the old house, for his mother and Seth were to live with them after all. Lisbeth had cried so piteously at the thought of leaving Adam that he had gone to Hetty and asked her if, for the love of him, she would put up with his mother's ways and consent to live with her. To his great delight, Hetty said, "Yes; I'd as soon she lived with us as not." Hetty's mind was oppressed at that moment with a worse difficulty than poor Lisbeth's ways; she could not care about them. So Adam was consoled for the disappointment he had felt when Seth had come back from his visit to Snowfield and said "it was no use--Dinah's heart wasna turned towards marrying." For when he told his mother that Hetty was willing they should all live together and there was no more need of them to think of parting, she said, in a more contented tone than he had heard her speak in since it had been settled that he was to be married, "Eh, my lad, I'll be as still as th' ould tabby, an' ne'er want to do aught but th' offal work, as she wonna like t' do. An' then we needna part the platters an' things, as ha' stood on the shelf together sin' afore thee wast born." There was only one cloud that now and then came across Adam's sunshine: Hetty seemed unhappy sometimes. But to all his anxious, tender questions, she replied with an assurance that she was quite contented and wished nothing different; and the next time he saw her she was more lively than usual. It might be that she was a little overdone with work and anxiety now, for soon after Christmas Mrs. Poyser had taken another cold, which had brought on inflammation, and this illness had confined her to her room all through January. Hetty had to manage everything downstairs, and half-supply Molly's place too, while that good damsel waited on her mistress, and she seemed to throw herself so entirely into her new functions, working with a grave steadiness which was new in her, that Mr. Poyser often told Adam she was wanting to show him what a good housekeeper he would have; but he "doubted the lass was o'erdoing it--she must have a bit o' rest when her aunt could come downstairs." This desirable event of Mrs. Poyser's coming downstairs happened in the early part of February, when some mild weather thawed the last patch of snow on the Binton Hills. On one of these days, soon after her aunt came down, Hetty went to Treddleston to buy some of the wedding things which were wanting, and which Mrs. Poyser had scolded her for neglecting, observing that she supposed "it was because they were not for th' outside, else she'd ha' bought 'em fast enough." It was about ten o'clock when Hetty set off, and the slight hoar-frost that had whitened the hedges in the early morning had disappeared as the sun mounted the cloudless sky. Bright February days have a stronger charm of hope about them than any other days in the year. One likes to pause in the mild rays of the sun, and look over the gates at the patient plough-horses turning at the end of the furrow, and think that the beautiful year is all before one. The birds seem to feel just the same: their notes are as clear as the clear air. There are no leaves on the trees and hedgerows, but how green all the grassy fields are! And the dark purplish brown of the ploughed earth and of the bare branches is beautiful too. What a glad world this looks like, as one drives or rides along the valleys and over the hills! I have often thought so when, in foreign countries, where the fields and woods have looked to me like our English Loamshire--the rich land tilled with just as much care, the woods rolling down the gentle slopes to the green meadows--I have come on something by the roadside which has reminded me that I am not in Loamshire: an image of a great agony--the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in the midst of this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish--perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behind a small bush, would be mingled for your ear with a despairing human sob. No wonder man's religion has much sorrow in it: no wonder he needs a suffering God. Hetty, in her red cloak and warm bonnet, with her basket in her hand, is turning towards a gate by the side of the Treddleston road, but not that she may have a more lingering enjoyment of the sunshine and think with hope of the long unfolding year. She hardly knows that the sun is shining; and for weeks, now, when she has hoped at all, it has been for something at which she herself trembles and shudders. She only wants to be out of the high-road, that she may walk slowly and not care how her face looks, as she dwells on wretched thoughts; and through this gate she can get into a field-path behind the wide thick hedgerows. Her great dark eyes wander blankly over the fields like the eyes of one who is desolate, homeless, unloved, not the promised bride of a brave tender man. But there are no tears in them: her tears were all wept away in the weary night, before she went to sleep. At the next stile the pathway branches off: there are two roads before her--one along by the hedgerow, which will by and by lead her into the road again, the other across the fields, which will take her much farther out of the way into the Scantlands, low shrouded pastures where she will see nobody. She chooses this and begins to walk a little faster, as if she had suddenly thought of an object towards which it was worth while to hasten. Soon she is in the Scantlands, where the grassy land slopes gradually downwards, and she leaves the level ground to follow the slope. Farther on there is a clump of trees on the low ground, and she is making her way towards it. No, it is not a clump of trees, but a dark shrouded pool, so full with the wintry rains that the under boughs of the elder-bushes lie low beneath the water. She sits down on the grassy bank, against the stooping stem of the great oak that hangs over the dark pool. She has thought of this pool often in the nights of the month that has just gone by, and now at last she is come to see it. She clasps her hands round her knees, and leans forward, and looks earnestly at it, as if trying to guess what sort of bed it would make for her young round limbs. No, she has not courage to jump into that cold watery bed, and if she had, they might find her--they might find out why she had drowned herself. There is but one thing left to her: she must go away, go where they can't find her. After the first on-coming of her great dread, some weeks after her betrothal to Adam, she had waited and waited, in the blind vague hope that something would happen to set her free from her terror; but she could wait no longer. All the force of her nature had been concentrated on the one effort of concealment, and she had shrunk with irresistible dread from every course that could tend towards a betrayal of her miserable secret. Whenever the thought of writing to Arthur had occurred to her, she had rejected it. He could do nothing for her that would shelter her from discovery and scorn among the relatives and neighbours who once more made all her world, now her airy dream had vanished. Her imagination no longer saw happiness with Arthur, for he could do nothing that would satisfy or soothe her pride. No, something else would happen--something must happen--to set her free from this dread. In young, childish, ignorant souls there is constantly this blind trust in some unshapen chance: it is as hard to a boy or girl to believe that a great wretchedness will actually befall them as to believe that they will die. But now necessity was pressing hard upon her--now the time of her marriage was close at hand--she could no longer rest in this blind trust. She must run away; she must hide herself where no familiar eyes could detect her; and then the terror of wandering out into the world, of which she knew nothing, made the possibility of going to Arthur a thought which brought some comfort with it. She felt so helpless now, so unable to fashion the future for herself, that the prospect of throwing herself on him had a relief in it which was stronger than her pride. As she sat by the pool and shuddered at the dark cold water, the hope that he would receive her tenderly--that he would care for her and think for her--was like a sense of lulling warmth, that made her for the moment indifferent to everything else; and she began now to think of nothing but the scheme by which she should get away. She had had a letter from Dinah lately, full of kind words about the coming marriage, which she had heard of from Seth; and when Hetty had read this letter aloud to her uncle, he had said, "I wish Dinah 'ud come again now, for she'd be a comfort to your aunt when you're gone. What do you think, my wench, o' going to see her as soon as you can be spared and persuading her to come back wi' you? You might happen persuade her wi' telling her as her aunt wants her, for all she writes o' not being able to come." Hetty had not liked the thought of going to Snowfield, and felt no longing to see Dinah, so she only said, "It's so far off, Uncle." But now she thought this proposed visit would serve as a pretext for going away. She would tell her aunt when she got home again that she should like the change of going to Snowfield for a week or ten days. And then, when she got to Stoniton, where nobody knew her, she would ask for the coach that would take her on the way to Windsor. Arthur was at Windsor, and she would go to him. As soon as Hetty had determined on this scheme, she rose from the grassy bank of the pool, took up her basket, and went on her way to Treddleston, for she must buy the wedding things she had come out for, though she would never want them. She must be careful not to raise any suspicion that she was going to run away. Mrs. Poyser was quite agreeably surprised that Hetty wished to go and see Dinah and try to bring her back to stay over the wedding. The sooner she went the better, since the weather was pleasant now; and Adam, when he came in the evening, said, if Hetty could set off to-morrow, he would make time to go with her to Treddleston and see her safe into the Stoniton coach. "I wish I could go with you and take care of you, Hetty," he said, the next morning, leaning in at the coach door; "but you won't stay much beyond a week--the time 'ull seem long." He was looking at her fondly, and his strong hand held hers in its grasp. Hetty felt a sense of protection in his presence--she was used to it now: if she could have had the past undone and known no other love than her quiet liking for Adam! The tears rose as she gave him the last look. "God bless her for loving me," said Adam, as he went on his way to work again, with Gyp at his heels. But Hetty's tears were not for Adam--not for the anguish that would come upon him when he found she was gone from him for ever. They were for the misery of her own lot, which took her away from this brave tender man who offered up his whole life to her, and threw her, a poor helpless suppliant, on the man who would think it a misfortune that she was obliged to cling to him. At three o'clock that day, when Hetty was on the coach that was to take her, they said, to Leicester--part of the long, long way to Windsor--she felt dimly that she might be travelling all this weary journey towards the beginning of new misery. Yet Arthur was at Windsor; he would surely not be angry with her. If he did not mind about her as he used to do, he had promised to be good to her. Book Five

book 4, Chapter 35

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fourth

It is a busy time for Adam, but one that he enjoys, because it takes him closer to March, when he will at last be married to Hetty. It was decided that Adam and Hetty should live with Lisbeth and Seth, as Hetty had agreed. Also, Seth comes back from visiting Dinah and says that her mind is not turned toward marrying at all. Adam worries that Hetty looks unhappy sometimes, but she assures him that she is not-she is only tired because she has to do more work now that her aunt has a cold. Hetty goes to buy something in Treddleston and takes the long way home so that nobody will see her unhappy face. She sees a cold lake and considers jumping into it, but she worries that those left behind might guess the reason for an action as desperate as this. She had trusted that something would come to save her from her misery, but her marriage is almost upon her and nothing has come to the rescue. When she gets home she sees a letter from Dinah congratulating her on her engagement. Her uncle encourages her to pick up Dinah from Snowfield, but Hetty argues that it is too far off. She thinks for a bit, however, and decides to undertake the journey so that instead of seeing Dinah she can throw herself at Arthur's mercy at Windsor

The first chapter of Book Fourth is crucial. Matters come to a head in Chapter Twenty-Seven when Adam finds out Arthur's and Hetty's secret. Moreover, despite the fact that they are isolated in the woods, class differences come to bear on the friendship between Arthur and Adam once again. When Arthur at first refuses to fight Adam, Adam worries that Arthur thinks that he does not have to pay for the wrong that he has done to Adam because he is of a nobler rank. When the two men do fight, the fact that Adam is a laborer gives him the decisive advantage in strength against Arthur, against whom he is in other respects well-matched. Class would also become an issue if, as Adam suspects, Arthur dies. To kill any man would be a large problem in their small community, but to kill the only heir of his landlord would be a crisis for Adam Bede. There is a decided role reversal in terms of class structure in Chapter Twenty-Eight. In previous parts of the book, Adam was all too glad to shake Arthur's hand, especially because the Captain did not deign to shake the hands of his other tenants. Now, however, Adam is in the moral right in this chapter, and he thus is in a position to refuse his social superior's condescension. Eliot illustrates her contention that even in their society, it is not the social hierarchy but the moral hierarchy that matters after all. Arthur is sufficiently penitent to realize that he has made a particularly damaging mistake, so he will agree to whatever Adam asks him to do as a result of the mistake, despite the fact that the social order dictates that it is he who should be telling Adam what to do, not the other way around. In Chapter Twenty-Nine, Eliot uses the common literary device of a misplaced or misdirected letter. This device is famous in Shakespeare's Romeo and Juliet and has long roots in literature. In Shakespeare's play, both lovers die because of the crucial misplacement of a letter. It is not a good sign, therefore, that Adam is second-guessing whether he should deliver the letter or not. When a communication goes awry, terrible results can ensue. Arthur's character is looking still less appealing in this chapter. He cannot face reproaches to himself comfortably. He tries to place some of the blame on Adam, and he ends up placing the burden of whether to hurt Hetty by giving her the letter or not also squarely on Adam's shoulders. This is unfair because it puts two of Adam's best characteristics in opposition to one another: his love of truth, and his desire to protect those whom he loves. Chapter Thirty reminds readers that besides the socioeconomic aspects of marriage, there is a stricly social aspect to it as well. The Bede boys need not think only of whether a potential marriage partner is within their socio-economic reach, but also they must consider who will fit well in their existing family. While class plays a role in social acceptance, it is important that their future wives will get along with their mother in more fundamental ways, because they all will live in the same house together. Hetty is the only character in the novel who does not seem to be old enough or perceptive enough to understand the obvious workings of the class structure in her society. In Chapter Thirty-One, she thinks that Arthur is being cruel in refusing to marry her, rather than pragmatic. She is also not wise enough to know that whatever choices she will make now will continue to affect her for a very long time. She is desperately unhappy, so she wants a change quickly, but she does not understand that a choice to run away, to become a lady's maid, or to marry Adam will have far-reaching, perhaps lifelong, effects. By Chapter Thirty-Two, Mrs. Poyser has been planning her diatribe against the old Squire for a long time, but she has never been able to muster the courage to tell him what she thinks until this very moment. She is incensed by his arbitrary use of his powers over the family, and she is sufficiently angry to cross class lines in venting this anger. Eliot engages an interesting point of view about privacy in this novel. Adam Bede focuses so much on the community that it does not seem that any feeling or action can remain private for very long. Hetty's locket bursts out of her dress, where she tried to keep it secret, just as the words burst out of Mrs. Poyser's mouth. Mrs. Poyser thinks that it is unhealthy to avoid giving vent to her feelings. This strong community and lack of privacy has also been reflected in Adam's assumption that Hetty could have no lover he did not know about because she scarcely ever leaves the farm and because he knows all of her acquaintances. By Chapter Thirty-Three, Adam's life, which has been rather hard throughout the course of the novel, finally begins to look easier. Eliot interposes her own voice yet again in defense of Adam's sentimentality in continuing to love Hetty despite what she has done in the past. Eliot claims that it is a positive feature of Adam's personality that he can be played upon by Hetty's delicate beauty; this virtue seems to correspond to Adam's artistic, rather than his peasant qualities. Recall that Eliot ditinguished such qualities in a previous chapter. The fact that Hetty's outer beauty does not correspond to her inner beauty is something that Eliot seems to propose that Adam has no way of knowing, although one ought to be able to infer moral beauty from one's external words and actions. Adam's inability to see Hetty's flaws clearly is likely to give him great trouble in the future. Chapter Thirty-Four contains a great deal of dramatic irony, a literary device in which readers have more knowledge about a situation than the characters themselves and can appreciate seeing the drama play itself out. Adam is extremely happy with his engagement, little knowing, as the reader does, that he is completely misinterpreting Hetty's feelings. His misunderstanding seems to work out for the best however, because it emboldens Adam to ask Hetty to marry him, something that the entire novel has led up to. Hetty's suicidal thoughts at the pond, in Chapter Thirty-Five, recall the suicidal attempt of another famous literary heroine from the 18th century: Richardson's Pamela. In Richardson's novel, he depicts the struggles of a virtuous servant girl to fend off the sexual attempts of her handsome gentleman master. The aristocrat kidnaps the young girl, shutting her up in a country estate. Rather than give in to his advances, the young heroine attempts to drown herself in a small pond on the estate, but her religious convictions are too strong to allow her to do so. It is the knowledge of this suicide attempt which reforms the master, making him repent of his advances to her. Eventually the two marry and are quite happy, despite their difference in class. Henry Fielding published a satirical response to Pamela , called Shamela . Purportedly told from Pamela's own point of view, it is the tale of how a sexually voracious servant girl entraps her master by acting innocent. The episode of the suicide is a cleverly engineered prank on Shamela's part, designed to make her master think that she has religious sentiments. Hetty's suicidal attempts lie strangely between these two extremes. Unlike Pamela, she has not fended off the sexual attempts of her social superior with the greatest of success. As will be shown by her later contemplation of suicide, it is not religious sentiments that keep her from taking the plunge. Still, she is not at the extreme of Shamela; she has no sexual relationship with other members of the small town, and she does not think that a mock suicide on her part would bring Arthur running back to her side.

gradesaver

all_chapterized_books/507-chapters/36.txt

finished_summaries/gradesaver/Adam Bede/section_5_part_1.txt

Adam Bede.book 5.chapter 36

book 5, chapter 36

{"name": "book 5, Chapter 36", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth", "summary": "Hetty is terrified at the beginning of her journey, because the coachman jokes with her about the beau whom she is traveling to find, and she assumes that he actually knows about her affairs. She is alarmed further when she finds out how much the trip will actually cost. She tells everyone that she is looking for her brother. She can no longer afford coaches, so she travels on foot, waiting for a cart to give her a lift. She stops to cry, then gets up and walks on. A round-faced man allows her to ride in his cart to Leicester, and a friendly person writes down the names of the stops on the way to Windsor for her. She goes to Stratford-on-Avon instead of Stratford by mistake. She takes a coach to Windsor. The landlord of a pub sees how forlorn she looks when she alights, so he takes her to his wife, who gives her some supper. After eating, Hetty asks the landlord where she can find the address that Arthur has given her. He says that the house is shut up and that the soldiers have gone to Ireland. Hetty faints away. The landlord's wife says that it is plain what kind of business this is, since she is a pretty, young country girl", "analysis": "Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes \"presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed.\" Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them."}

A LONG, lonely journey, with sadness in the heart; away from the familiar to the strange: that is a hard and dreary thing even to the rich, the strong, the instructed; a hard thing, even when we are called by duty, not urged by dread. What was it then to Hetty? With her poor narrow thoughts, no longer melting into vague hopes, but pressed upon by the chill of definite fear, repeating again and again the same small round of memories--shaping again and again the same childish, doubtful images of what was to come--seeing nothing in this wide world but the little history of her own pleasures and pains; with so little money in her pocket, and the way so long and difficult. Unless she could afford always to go in the coaches--and she felt sure she could not, for the journey to Stoniton was more expensive than she had expected--it was plain that she must trust to carriers' carts or slow waggons; and what a time it would be before she could get to the end of her journey! The burly old coachman from Oakbourne, seeing such a pretty young woman among the outside passengers, had invited her to come and sit beside him; and feeling that it became him as a man and a coachman to open the dialogue with a joke, he applied himself as soon as they were off the stones to the elaboration of one suitable in all respects. After many cuts with his whip and glances at Hetty out of the corner of his eye, he lifted his lips above the edge of his wrapper and said, "He's pretty nigh six foot, I'll be bound, isna he, now?" "Who?" said Hetty, rather startled. "Why, the sweetheart as you've left behind, or else him as you're goin' arter--which is it?" Hetty felt her face flushing and then turning pale. She thought this coachman must know something about her. He must know Adam, and might tell him where she was gone, for it is difficult to country people to believe that those who make a figure in their own parish are not known everywhere else, and it was equally difficult to Hetty to understand that chance words could happen to apply closely to her circumstances. She was too frightened to speak. "Hegh, hegh!" said the coachman, seeing that his joke was not so gratifying as he had expected, "you munna take it too ser'ous; if he's behaved ill, get another. Such a pretty lass as you can get a sweetheart any day." Hetty's fear was allayed by and by, when she found that the coachman made no further allusion to her personal concerns; but it still had the effect of preventing her from asking him what were the places on the road to Windsor. She told him she was only going a little way out of Stoniton, and when she got down at the inn where the coach stopped, she hastened away with her basket to another part of the town. When she had formed her plan of going to Windsor, she had not foreseen any difficulties except that of getting away, and after she had overcome this by proposing the visit to Dinah, her thoughts flew to the meeting with Arthur and the question how he would behave to her--not resting on any probable incidents of the journey. She was too entirely ignorant of traveling to imagine any of its details, and with all her store of money--her three guineas--in her pocket, she thought herself amply provided. It was not until she found how much it cost her to get to Stoniton that she began to be alarmed about the journey, and then, for the first time, she felt her ignorance as to the places that must be passed on her way. Oppressed with this new alarm, she walked along the grim Stoniton streets, and at last turned into a shabby little inn, where she hoped to get a cheap lodging for the night. Here she asked the landlord if he could tell her what places she must go to, to get to Windsor. "Well, I can't rightly say. Windsor must be pretty nigh London, for it's where the king lives," was the answer. "Anyhow, you'd best go t' Ashby next--that's south'ard. But there's as many places from here to London as there's houses in Stoniton, by what I can make out. I've never been no traveller myself. But how comes a lone young woman like you to be thinking o' taking such a journey as that?" "I'm going to my brother--he's a soldier at Windsor," said Hetty, frightened at the landlord's questioning look. "I can't afford to go by the coach; do you think there's a cart goes toward Ashby in the morning?" "Yes, there may be carts if anybody knowed where they started from; but you might run over the town before you found out. You'd best set off and walk, and trust to summat overtaking you." Every word sank like lead on Hetty's spirits; she saw the journey stretch bit by bit before her now. Even to get to Ashby seemed a hard thing: it might take the day, for what she knew, and that was nothing to the rest of the journey. But it must be done--she must get to Arthur. Oh, how she yearned to be again with somebody who would care for her! She who had never got up in the morning without the certainty of seeing familiar faces, people on whom she had an acknowledged claim; whose farthest journey had been to Rosseter on the pillion with her uncle; whose thoughts had always been taking holiday in dreams of pleasure, because all the business of her life was managed for her--this kittenlike Hetty, who till a few months ago had never felt any other grief than that of envying Mary Burge a new ribbon, or being girded at by her aunt for neglecting Totty, must now make her toilsome way in loneliness, her peaceful home left behind for ever, and nothing but a tremulous hope of distant refuge before her. Now for the first time, as she lay down to-night in the strange hard bed, she felt that her home had been a happy one, that her uncle had been very good to her, that her quiet lot at Hayslope among the things and people she knew, with her little pride in her one best gown and bonnet, and nothing to hide from any one, was what she would like to wake up to as a reality, and find that all the feverish life she had known besides was a short nightmare. She thought of all she had left behind with yearning regret for her own sake. Her own misery filled her heart--there was no room in it for other people's sorrow. And yet, before the cruel letter, Arthur had been so tender and loving. The memory of that had still a charm for her, though it was no more than a soothing draught that just made pain bearable. For Hetty could conceive no other existence for herself in future than a hidden one, and a hidden life, even with love, would have had no delights for her; still less a life mingled with shame. She knew no romances, and had only a feeble share in the feelings which are the source of romance, so that well-read ladies may find it difficult to understand her state of mind. She was too ignorant of everything beyond the simple notions and habits in which she had been brought up to have any more definite idea of her probable future than that Arthur would take care of her somehow, and shelter her from anger and scorn. He would not marry her and make her a lady; and apart from that she could think of nothing he could give towards which she looked with longing and ambition. The next morning she rose early, and taking only some milk and bread for her breakfast, set out to walk on the road towards Ashby, under a leaden-coloured sky, with a narrowing streak of yellow, like a departing hope, on the edge of the horizon. Now in her faintness of heart at the length and difficulty of her journey, she was most of all afraid of spending her money, and becoming so destitute that she would have to ask people's charity; for Hettv had the pride not only of a proud nature but of a proud class--the class that pays the most poor-rates, and most shudders at the idea of profiting by a poor-rate. It had not yet occurred to her that she might get money for her locket and earrings which she carried with her, and she applied all her small arithmetic and knowledge of prices to calculating how many meals and how many rides were contained in her two guineas, and the odd shillings, which had a melancholy look, as if they were the pale ashes of the other bright-flaming coin. For the first few miles out of Stoniton, she walked on bravely, always fixing on some tree or gate or projecting bush at the most distant visible point in the road as a goal, and feeling a faint joy when she had reached it. But when she came to the fourth milestone, the first she had happened to notice among the long grass by the roadside, and read that she was still only four miles beyond Stoniton, her courage sank. She had come only this little way, and yet felt tired, and almost hungry again in the keen morning air; for though Hetty was accustomed to much movement and exertion indoors, she was not used to long walks which produced quite a different sort of fatigue from that of household activity. As she was looking at the milestone she felt some drops falling on her face--it was beginning to rain. Here was a new trouble which had not entered into her sad thoughts before, and quite weighed down by this sudden addition to her burden, she sat down on the step of a stile and began to sob hysterically. The beginning of hardship is like the first taste of bitter food--it seems for a moment unbearable; yet, if there is nothing else to satisfy our hunger, we take another bite and find it possible to go on. When Hetty recovered from her burst of weeping, she rallied her fainting courage: it was raining, and she must try to get on to a village where she might find rest and shelter. Presently, as she walked on wearily, she heard the rumbling of heavy wheels behind her; a covered waggon was coming, creeping slowly along with a slouching driver cracking his whip beside the horses. She waited for it, thinking that if the waggoner were not a very sour-looking man, she would ask him to take her up. As the waggon approached her, the driver had fallen behind, but there was something in the front of the big vehicle which encouraged her. At any previous moment in her life she would not have noticed it, but now, the new susceptibility that suffering had awakened in her caused this object to impress her strongly. It was only a small white-and-liver-coloured spaniel which sat on the front ledge of the waggon, with large timid eyes, and an incessant trembling in the body, such as you may have seen in some of these small creatures. Hetty cared little for animals, as you know, but at this moment she felt as if the helpless timid creature had some fellowship with her, and without being quite aware of the reason, she was less doubtful about speaking to the driver, who now came forward--a large ruddy man, with a sack over his shoulders, by way of scarf or mantle. "Could you take me up in your waggon, if you're going towards Ashby?" said Hetty. "I'll pay you for it." "Aw," said the big fellow, with that slowly dawning smile which belongs to heavy faces, "I can take y' up fawst enough wi'out bein' paid for't if you dooant mind lyin' a bit closish a-top o' the wool-packs. Where do you coom from? And what do you want at Ashby?" "I come from Stoniton. I'm going a long way--to Windsor." "What! Arter some service, or what?" "Going to my brother--he's a soldier there." "Well, I'm going no furder nor Leicester--and fur enough too--but I'll take you, if you dooant mind being a bit long on the road. Th' hosses wooant feel YOUR weight no more nor they feel the little doog there, as I puck up on the road a fortni't agoo. He war lost, I b'lieve, an's been all of a tremble iver sin'. Come, gi' us your basket an' come behind and let me put y' in." To lie on the wool-packs, with a cranny left between the curtains of the awning to let in the air, was luxury to Hetty now, and she half-slept away the hours till the driver came to ask her if she wanted to get down and have "some victual"; he himself was going to eat his dinner at this "public." Late at night they reached Leicester, and so this second day of Hetty's journey was past. She had spent no money except what she had paid for her food, but she felt that this slow journeying would be intolerable for her another day, and in the morning she found her way to a coach-office to ask about the road to Windsor, and see if it would cost her too much to go part of the distance by coach again. Yes! The distance was too great--the coaches were too dear--she must give them up; but the elderly clerk at the office, touched by her pretty anxious face, wrote down for her the names of the chief places she must pass through. This was the only comfort she got in Leicester, for the men stared at her as she went along the street, and for the first time in her life Hetty wished no one would look at her. She set out walking again; but this day she was fortunate, for she was soon overtaken by a carrier's cart which carried her to Hinckley, and by the help of a return chaise, with a drunken postilion--who frightened her by driving like Jehu the son of Nimshi, and shouting hilarious remarks at her, twisting himself backwards on his saddle--she was before night in the heart of woody Warwickshire: but still almost a hundred miles from Windsor, they told her. Oh what a large world it was, and what hard work for her to find her way in it! She went by mistake to Stratford-on-Avon, finding Stratford set down in her list of places, and then she was told she had come a long way out of the right road. It was not till the fifth day that she got to Stony Stratford. That seems but a slight journey as you look at the map, or remember your own pleasant travels to and from the meadowy banks of the Avon. But how wearily long it was to Hetty! It seemed to her as if this country of flat fields, and hedgerows, and dotted houses, and villages, and market-towns--all so much alike to her indifferent eyes--must have no end, and she must go on wandering among them for ever, waiting tired at toll-gates for some cart to come, and then finding the cart went only a little way--a very little way--to the miller's a mile off perhaps; and she hated going into the public houses, where she must go to get food and ask questions, because there were always men lounging there, who stared at her and joked her rudely. Her body was very weary too with these days of new fatigue and anxiety; they had made her look more pale and worn than all the time of hidden dread she had gone through at home. When at last she reached Stony Stratford, her impatience and weariness had become too strong for her economical caution; she determined to take the coach for the rest of the way, though it should cost her all her remaining money. She would need nothing at Windsor but to find Arthur. When she had paid the fare for the last coach, she had only a shilling; and as she got down at the sign of the Green Man in Windsor at twelve o'clock in the middle of the seventh day, hungry and faint, the coachman came up, and begged her to "remember him." She put her hand in her pocket and took out the shilling, but the tears came with the sense of exhaustion and the thought that she was giving away her last means of getting food, which she really required before she could go in search of Arthur. As she held out the shilling, she lifted up her dark tear-filled eyes to the coachman's face and said, "Can you give me back sixpence?" "No, no," he said, gruffly, "never mind--put the shilling up again." The landlord of the Green Man had stood near enough to witness this scene, and he was a man whose abundant feeding served to keep his good nature, as well as his person, in high condition. And that lovely tearful face of Hetty's would have found out the sensitive fibre in most men. "Come, young woman, come in," he said, "and have adrop o' something; you're pretty well knocked up, I can see that." He took her into the bar and said to his wife, "Here, missis, take this young woman into the parlour; she's a little overcome"--for Hetty's tears were falling fast. They were merely hysterical tears: she thought she had no reason for weeping now, and was vexed that she was too weak and tired to help it. She was at Windsor at last, not far from Arthur. She looked with eager, hungry eyes at the bread and meat and beer that the landlady brought her, and for some minutes she forgot everything else in the delicious sensations of satisfying hunger and recovering from exhaustion. The landlady sat opposite to her as she ate, and looked at her earnestly. No wonder: Hetty had thrown off her bonnet, and her curls had fallen down. Her face was all the more touching in its youth and beauty because of its weary look, and the good woman's eyes presently wandered to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed. "Why, you're not very fit for travelling," she said, glancing while she spoke at Hetty's ringless hand. "Have you come far?" "Yes," said Hetty, roused by this question to exert more self-command, and feeling the better for the food she had taken. "I've come a good long way, and it's very tiring. But I'm better now. Could you tell me which way to go to this place?" Here Hetty took from her pocket a bit of paper: it was the end of Arthur's letter on which he had written his address. While she was speaking, the landlord had come in and had begun to look at her as earnestly as his wife had done. He took up the piece of paper which Hetty handed across the table, and read the address. "Why, what do you want at this house?" he said. It is in the nature of innkeepers and all men who have no pressing business of their own to ask as many questions as possible before giving any information. "I want to see a gentleman as is there," said Hetty. "But there's no gentleman there," returned the landlord. "It's shut up--been shut up this fortnight. What gentleman is it you want? Perhaps I can let you know where to find him." "It's Captain Donnithorne," said Hetty tremulously, her heart beginning to beat painfully at this disappointment of her hope that she should find Arthur at once. "Captain Donnithorne? Stop a bit," said the landlord, slowly. "Was he in the Loamshire Militia? A tall young officer with a fairish skin and reddish whiskers--and had a servant by the name o' Pym?" "Oh yes," said Hetty; "you know him--where is he?" "A fine sight o' miles away from here. The Loamshire Militia's gone to Ireland; it's been gone this fortnight." "Look there! She's fainting," said the landlady, hastening to support Hetty, who had lost her miserable consciousness and looked like a beautiful corpse. They carried her to the sofa and loosened her dress. "Here's a bad business, I suspect," said the landlord, as he brought in some water. "Ah, it's plain enough what sort of business it is," said the wife. "She's not a common flaunting dratchell, I can see that. She looks like a respectable country girl, and she comes from a good way off, to judge by her tongue. She talks something like that ostler we had that come from the north. He was as honest a fellow as we ever had about the house--they're all honest folks in the north." "I never saw a prettier young woman in my life," said the husband. "She's like a pictur in a shop-winder. It goes to one's 'eart to look at her." "It 'ud have been a good deal better for her if she'd been uglier and had more conduct," said the landlady, who on any charitable construction must have been supposed to have more "conduct" than beauty. "But she's coming to again. Fetch a drop more water."

book 5, Chapter 36

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth

Hetty is terrified at the beginning of her journey, because the coachman jokes with her about the beau whom she is traveling to find, and she assumes that he actually knows about her affairs. She is alarmed further when she finds out how much the trip will actually cost. She tells everyone that she is looking for her brother. She can no longer afford coaches, so she travels on foot, waiting for a cart to give her a lift. She stops to cry, then gets up and walks on. A round-faced man allows her to ride in his cart to Leicester, and a friendly person writes down the names of the stops on the way to Windsor for her. She goes to Stratford-on-Avon instead of Stratford by mistake. She takes a coach to Windsor. The landlord of a pub sees how forlorn she looks when she alights, so he takes her to his wife, who gives her some supper. After eating, Hetty asks the landlord where she can find the address that Arthur has given her. He says that the house is shut up and that the soldiers have gone to Ireland. Hetty faints away. The landlord's wife says that it is plain what kind of business this is, since she is a pretty, young country girl

Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes "presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed." Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them.

gradesaver

all_chapterized_books/507-chapters/37.txt

finished_summaries/gradesaver/Adam Bede/section_5_part_2.txt

Adam Bede.book 5.chapter 37

book 5, chapter 37

{"name": "book 5, Chapter 37", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth", "summary": "Hetty is too ill for the rest of the day to realize just how bad her predicament is. The next morning she realizes that she is friendless and that all of her money is gone. She yearns to be back at home, where everything is familiar. She decides to try to sell the jewelry that Arthur has given her. But now that all of her money is gone, she cannot bear the thought of going back to Hayslope in shame. She remembers Dinah's offer to help her in case of an emergency, and she decides to consider this option if her renewed plan to commit suicide fails. She asks the landlord and his wife for help selling her jewelry, and they worry that a jeweler will give her too little, thinking that she has stolen it. They offer to keep the jewels for Hetty, giving her an advance of three guineas. If she does not write to them in two months to get them back, they will sell them. Hetty accepts this \"deal,\" which is to her decided disadvantage. Hetty returns the way that she came, hoping to find a nice field to commit suicide in. She feels no religious compunction about contemplating this choice. She eventually finds a dark pool and stays overnight contemplating it, but she cannot bring herself to do the deed. She sleeps overnight in a hovel. A farmer wakens her and gives her directions to the nearest village. She makes up her mind to find Dinah", "analysis": "Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes \"presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed.\" Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them."}

HETTY was too ill through the rest of that day for any questions to be addressed to her--too ill even to think with any distinctness of the evils that were to come. She only felt that all her hope was crushed, and that instead of having found a refuge she had only reached the borders of a new wilderness where no goal lay before her. The sensations of bodily sickness, in a comfortable bed, and with the tendance of the good-natured landlady, made a sort of respite for her; such a respite as there is in the faint weariness which obliges a man to throw himself on the sand instead of toiling onward under the scorching sun. But when sleep and rest had brought back the strength necessary for the keenness of mental suffering--when she lay the next morning looking at the growing light which was like a cruel task-master returning to urge from her a fresh round of hated hopeless labour--she began to think what course she must take, to remember that all her money was gone, to look at the prospect of further wandering among strangers with the new clearness shed on it by the experience of her journey to Windsor. But which way could she turn? It was impossible for her to enter into any service, even if she could obtain it. There was nothing but immediate beggary before her. She thought of a young woman who had been found against the church wall at Hayslope one Sunday, nearly dead with cold and hunger--a tiny infant in her arms. The woman was rescued and taken to the parish. "The parish!" You can perhaps hardly understand the effect of that word on a mind like Hetty's, brought up among people who were somewhat hard in their feelings even towards poverty, who lived among the fields, and had little pity for want and rags as a cruel inevitable fate such as they sometimes seem in cities, but held them a mark of idleness and vice--and it was idleness and vice that brought burdens on the parish. To Hetty the "parish" was next to the prison in obloquy, and to ask anything of strangers--to beg--lay in the same far-off hideous region of intolerable shame that Hetty had all her life thought it impossible she could ever come near. But now the remembrance of that wretched woman whom she had seen herself, on her way from church, being carried into Joshua Rann's, came back upon her with the new terrible sense that there was very little now to divide HER from the same lot. And the dread of bodily hardship mingled with the dread of shame; for Hetty had the luxurious nature of a round soft-coated pet animal. How she yearned to be back in her safe home again, cherished and cared for as she had always been! Her aunt's scolding about trifles would have been music to her ears now; she longed for it; she used to hear it in a time when she had only trifles to hide. Could she be the same Hetty that used to make up the butter in the dairy with the Guelder roses peeping in at the window--she, a runaway whom her friends would not open their doors to again, lying in this strange bed, with the knowledge that she had no money to pay for what she received, and must offer those strangers some of the clothes in her basket? It was then she thought of her locket and ear-rings, and seeing her pocket lie near, she reached it and spread the contents on the bed before her. There were the locket and ear-rings in the little velvet-lined boxes, and with them there was a beautiful silver thimble which Adam had bought her, the words "Remember me" making the ornament of the border; a steel purse, with her one shilling in it; and a small red-leather case, fastening with a strap. Those beautiful little ear-rings, with their delicate pearls and garnet, that she had tried in her ears with such longing in the bright sunshine on the 30th of July! She had no longing to put them in her ears now: her head with its dark rings of hair lay back languidly on the pillow, and the sadness that rested about her brow and eyes was something too hard for regretful memory. Yet she put her hands up to her ears: it was because there were some thin gold rings in them, which were also worth a little money. Yes, she could surely get some money for her ornaments: those Arthur had given her must have cost a great deal of money. The landlord and landlady had been good to her; perhaps they would help her to get the money for these things. But this money would not keep her long. What should she do when it was gone? Where should she go? The horrible thought of want and beggary drove her once to think she would go back to her uncle and aunt and ask them to forgive her and have pity on her. But she shrank from that idea again, as she might have shrunk from scorching metal. She could never endure that shame before her uncle and aunt, before Mary Burge, and the servants at the Chase, and the people at Broxton, and everybody who knew her. They should never know what had happened to her. What could she do? She would go away from Windsor--travel again as she had done the last week, and get among the flat green fields with the high hedges round them, where nobody could see her or know her; and there, perhaps, when there was nothing else she could do, she should get courage to drown herself in some pond like that in the Scantlands. Yes, she would get away from Windsor as soon as possible: she didn't like these people at the inn to know about her, to know that she had come to look for Captain Donnithorne. She must think of some reason to tell them why she had asked for him. With this thought she began to put the things back into her pocket, meaning to get up and dress before the landlady came to her. She had her hand on the red-leather case, when it occurred to her that there might be something in this case which she had forgotten--something worth selling; for without knowing what she should do with her life, she craved the means of living as long as possible; and when we desire eagerly to find something, we are apt to search for it in hopeless places. No, there was nothing but common needles and pins, and dried tulip-petals between the paper leaves where she had written down her little money-accounts. But on one of these leaves there was a name, which, often as she had seen it before, now flashed on Hetty's mind like a newly discovered message. The name was--Dinah Morris, Snowfield. There was a text above it, written, as well as the name, by Dinah's own hand with a little pencil, one evening that they were sitting together and Hetty happened to have the red case lying open before her. Hetty did not read the text now: she was only arrested by the name. Now, for the first time, she remembered without indifference the affectionate kindness Dinah had shown her, and those words of Dinah in the bed-chamber--that Hetty must think of her as a friend in trouble. Suppose she were to go to Dinah, and ask her to help her? Dinah did not think about things as other people did. She was a mystery to Hetty, but Hetty knew she was always kind. She couldn't imagine Dinah's face turning away from her in dark reproof or scorn, Dinah's voice willingly speaking ill of her, or rejoicing in her misery as a punishment. Dinah did not seem to belong to that world of Hetty's, whose glance she dreaded like scorching fire. But even to her Hetty shrank from beseeching and confession. She could not prevail on herself to say, "I will go to Dinah": she only thought of that as a possible alternative, if she had not courage for death. The good landlady was amazed when she saw Hetty come downstairs soon after herself, neatly dressed, and looking resolutely self-possessed. Hetty told her she was quite well this morning. She had only been very tired and overcome with her journey, for she had come a long way to ask about her brother, who had run away, and they thought he was gone for a soldier, and Captain Donnithorne might know, for he had been very kind to her brother once. It was a lame story, and the landlady looked doubtfully at Hetty as she told it; but there was a resolute air of self-reliance about her this morning, so different from the helpless prostration of yesterday, that the landlady hardly knew how to make a remark that might seem like prying into other people's affairs. She only invited her to sit down to breakfast with them, and in the course of it Hetty brought out her ear-rings and locket, and asked the landlord if he could help her to get money for them. Her journey, she said, had cost her much more than she expected, and now she had no money to get back to her friends, which she wanted to do at once. It was not the first time the landlady had seen the ornaments, for she had examined the contents of Hetty's pocket yesterday, and she and her husband had discussed the fact of a country girl having these beautiful things, with a stronger conviction than ever that Hetty had been miserably deluded by the fine young officer. "Well," said the landlord, when Hetty had spread the precious trifles before him, "we might take 'em to the jeweller's shop, for there's one not far off; but Lord bless you, they wouldn't give you a quarter o' what the things are worth. And you wouldn't like to part with 'em?" he added, looking at her inquiringly. "Oh, I don't mind," said Hetty, hastily, "so as I can get money to go back." "And they might think the things were stolen, as you wanted to sell 'em," he went on, "for it isn't usual for a young woman like you to have fine jew'llery like that." The blood rushed to Hetty's face with anger. "I belong to respectable folks," she said; "I'm not a thief." "No, that you aren't, I'll be bound," said the landlady; "and you'd no call to say that," looking indignantly at her husband. "The things were gev to her: that's plain enough to be seen." "I didn't mean as I thought so," said the husband, apologetically, "but I said it was what the jeweller might think, and so he wouldn't be offering much money for 'em." "Well," said the wife, "suppose you were to advance some money on the things yourself, and then if she liked to redeem 'em when she got home, she could. But if we heard nothing from her after two months, we might do as we liked with 'em." I will not say that in this accommodating proposition the landlady had no regard whatever to the possible reward of her good nature in the ultimate possession of the locket and ear-rings: indeed, the effect they would have in that case on the mind of the grocer's wife had presented itself with remarkable vividness to her rapid imagination. The landlord took up the ornaments and pushed out his lips in a meditative manner. He wished Hetty well, doubtless; but pray, how many of your well-wishers would decline to make a little gain out of you? Your landlady is sincerely affected at parting with you, respects you highly, and will really rejoice if any one else is generous to you; but at the same time she hands you a bill by which she gains as high a percentage as possible. "How much money do you want to get home with, young woman?" said the well-wisher, at length. "Three guineas," answered Hetty, fixing on the sum she set out with, for want of any other standard, and afraid of asking too much. "Well, I've no objections to advance you three guineas," said the landlord; "and if you like to send it me back and get the jewellery again, you can, you know. The Green Man isn't going to run away." "Oh yes, I'll be very glad if you'll give me that," said Hetty, relieved at the thought that she would not have to go to the jeweller's and be stared at and questioned. "But if you want the things again, you'll write before long," said the landlady, "because when two months are up, we shall make up our minds as you don't want 'em." "Yes," said Hetty indifferently. The husband and wife were equally content with this arrangement. The husband thought, if the ornaments were not redeemed, he could make a good thing of it by taking them to London and selling them. The wife thought she would coax the good man into letting her keep them. And they were accommodating Hetty, poor thing--a pretty, respectable-looking young woman, apparently in a sad case. They declined to take anything for her food and bed: she was quite welcome. And at eleven o'clock Hetty said "Good-bye" to them with the same quiet, resolute air she had worn all the morning, mounting the coach that was to take her twenty miles back along the way she had come. There is a strength of self-possession which is the sign that the last hope has departed. Despair no more leans on others than perfect contentment, and in despair pride ceases to be counteracted by the sense of dependence. Hetty felt that no one could deliver her from the evils that would make life hateful to her; and no one, she said to herself, should ever know her misery and humiliation. No; she would not confess even to Dinah. She would wander out of sight, and drown herself where her body would never be found, and no one should know what had become of her. When she got off this coach, she began to walk again, and take cheap rides in carts, and get cheap meals, going on and on without distinct purpose, yet strangely, by some fascination, taking the way she had come, though she was determined not to go back to her own country. Perhaps it was because she had fixed her mind on the grassy Warwickshire fields, with the bushy tree-studded hedgerows that made a hiding-place even in this leafless season. She went more slowly than she came, often getting over the stiles and sitting for hours under the hedgerows, looking before her with blank, beautiful eyes; fancying herself at the edge of a hidden pool, low down, like that in the Scantlands; wondering if it were very painful to be drowned, and if there would be anything worse after death than what she dreaded in life. Religious doctrines had taken no hold on Hetty's mind. She was one of those numerous people who have had godfathers and godmothers, learned their catechism, been confirmed, and gone to church every Sunday, and yet, for any practical result of strength in life, or trust in death, have never appropriated a single Christian idea or Christian feeling. You would misunderstand her thoughts during these wretched days, if you imagined that they were influenced either by religious fears or religious hopes. She chose to go to Stratford-on-Avon again, where she had gone before by mistake, for she remembered some grassy fields on her former way towards it--fields among which she thought she might find just the sort of pool she had in her mind. Yet she took care of her money still; she carried her basket; death seemed still a long way off, and life was so strong in her. She craved food and rest--she hastened towards them at the very moment she was picturing to herself the bank from which she would leap towards death. It was already five days since she had left Windsor, for she had wandered about, always avoiding speech or questioning looks, and recovering her air of proud self-dependence whenever she was under observation, choosing her decent lodging at night, and dressing herself neatly in the morning, and setting off on her way steadily, or remaining under shelter if it rained, as if she had a happy life to cherish. And yet, even in her most self-conscious moments, the face was sadly different from that which had smiled at itself in the old specked glass, or smiled at others when they glanced at it admiringly. A hard and even fierce look had come in the eyes, though their lashes were as long as ever, and they had all their dark brightness. And the cheek was never dimpled with smiles now. It was the same rounded, pouting, childish prettiness, but with all love and belief in love departed from it--the sadder for its beauty, like that wondrous Medusa-face, with the passionate, passionless lips. At last she was among the fields she had been dreaming of, on a long narrow pathway leading towards a wood. If there should be a pool in that wood! It would be better hidden than one in the fields. No, it was not a wood, only a wild brake, where there had once been gravel-pits, leaving mounds and hollows studded with brushwood and small trees. She roamed up and down, thinking there was perhaps a pool in every hollow before she came to it, till her limbs were weary, and she sat down to rest. The afternoon was far advanced, and the leaden sky was darkening, as if the sun were setting behind it. After a little while Hetty started up again, feeling that darkness would soon come on; and she must put off finding the pool till to-morrow, and make her way to some shelter for the night. She had quite lost her way in the fields, and might as well go in one direction as another, for aught she knew. She walked through field after field, and no village, no house was in sight; but there, at the corner of this pasture, there was a break in the hedges; the land seemed to dip down a little, and two trees leaned towards each other across the opening. Hetty's heart gave a great beat as she thought there must be a pool there. She walked towards it heavily over the tufted grass, with pale lips and a sense of trembling. It was as if the thing were come in spite of herself, instead of being the object of her search. There it was, black under the darkening sky: no motion, no sound near. She set down her basket, and then sank down herself on the grass, trembling. The pool had its wintry depth now: by the time it got shallow, as she remembered the pools did at Hayslope, in the summer, no one could find out that it was her body. But then there was her basket--she must hide that too. She must throw it into the water--make it heavy with stones first, and then throw it in. She got up to look about for stones, and soon brought five or six, which she laid down beside her basket, and then sat down again. There was no need to hurry--there was all the night to drown herself in. She sat leaning her elbow on the basket. She was weary, hungry. There were some buns in her basket--three, which she had supplied herself with at the place where she ate her dinner. She took them out now and ate them eagerly, and then sat still again, looking at the pool. The soothed sensation that came over her from the satisfaction of her hunger, and this fixed dreamy attitude, brought on drowsiness, and presently her head sank down on her knees. She was fast asleep. When she awoke it was deep night, and she felt chill. She was frightened at this darkness--frightened at the long night before her. If she could but throw herself into the water! No, not yet. She began to walk about that she might get warm again, as if she would have more resolution then. Oh how long the time was in that darkness! The bright hearth and the warmth and the voices of home, the secure uprising and lying down, the familiar fields, the familiar people, the Sundays and holidays with their simple joys of dress and feasting--all the sweets of her young life rushed before her now, and she seemed to be stretching her arms towards them across a great gulf. She set her teeth when she thought of Arthur. She cursed him, without knowing what her cursing would do. She wished he too might know desolation, and cold, and a life of shame that he dared not end by death. The horror of this cold, and darkness, and solitude--out of all human reach--became greater every long minute. It was almost as if she were dead already, and knew that she was dead, and longed to get back to life again. But no: she was alive still; she had not taken the dreadful leap. She felt a strange contradictory wretchedness and exultation: wretchedness, that she did not dare to face death; exultation, that she was still in life--that she might yet know light and warmth again. She walked backwards and forwards to warm herself, beginning to discern something of the objects around her, as her eyes became accustomed to the night--the darker line of the hedge, the rapid motion of some living creature--perhaps a field-mouse--rushing across the grass. She no longer felt as if the darkness hedged her in. She thought she could walk back across the field, and get over the stile; and then, in the very next field, she thought she remembered there was a hovel of furze near a sheepfold. If she could get into that hovel, she would be warmer. She could pass the night there, for that was what Alick did at Hayslope in lambing-time. The thought of this hovel brought the energy of a new hope. She took up her basket and walked across the field, but it was some time before she got in the right direction for the stile. The exercise and the occupation of finding the stile were a stimulus to her, however, and lightened the horror of the darkness and solitude. There were sheep in the next field, and she startled a group as she set down her basket and got over the stile; and the sound of their movement comforted her, for it assured her that her impression was right--this was the field where she had seen the hovel, for it was the field where the sheep were. Right on along the path, and she would get to it. She reached the opposite gate, and felt her way along its rails and the rails of the sheep-fold, till her hand encountered the pricking of the gorsy wall. Delicious sensation! She had found the shelter. She groped her way, touching the prickly gorse, to the door, and pushed it open. It was an ill-smelling close place, but warm, and there was straw on the ground. Hetty sank down on the straw with a sense of escape. Tears came--she had never shed tears before since she left Windsor--tears and sobs of hysterical joy that she had still hold of life, that she was still on the familiar earth, with the sheep near her. The very consciousness of her own limbs was a delight to her: she turned up her sleeves, and kissed her arms with the passionate love of life. Soon warmth and weariness lulled her in the midst of her sobs, and she fell continually into dozing, fancying herself at the brink of the pool again--fancying that she had jumped into the water, and then awaking with a start, and wondering where she was. But at last deep dreamless sleep came; her head, guarded by her bonnet, found a pillow against the gorsy wall, and the poor soul, driven to and fro between two equal terrors, found the one relief that was possible to it--the relief of unconsciousness. Alas! That relief seems to end the moment it has begun. It seemed to Hetty as if those dozen dreams had only passed into another dream--that she was in the hovel, and her aunt was standing over her with a candle in her hand. She trembled under her aunt's glance, and opened her eyes. There was no candle, but there was light in the hovel--the light of early morning through the open door. And there was a face looking down on her; but it was an unknown face, belonging to an elderly man in a smock-frock. "Why, what do you do here, young woman?" the man said roughly. Hetty trembled still worse under this real fear and shame than she had done in her momentary dream under her aunt's glance. She felt that she was like a beggar already--found sleeping in that place. But in spite of her trembling, she was so eager to account to the man for her presence here, that she found words at once. "I lost my way," she said. "I'm travelling--north'ard, and I got away from the road into the fields, and was overtaken by the dark. Will you tell me the way to the nearest village?" She got up as she was speaking, and put her hands to her bonnet to adjust it, and then laid hold of her basket. The man looked at her with a slow bovine gaze, without giving her any answer, for some seconds. Then he turned away and walked towards the door of the hovel, but it was not till he got there that he stood still, and, turning his shoulder half-round towards her, said, "Aw, I can show you the way to Norton, if you like. But what do you do gettin' out o' the highroad?" he added, with a tone of gruff reproof. "Y'ull be gettin' into mischief, if you dooant mind." "Yes," said Hetty, "I won't do it again. I'll keep in the road, if you'll be so good as show me how to get to it." "Why dooant you keep where there's a finger-poasses an' folks to ax the way on?" the man said, still more gruffly. "Anybody 'ud think you was a wild woman, an' look at yer." Hetty was frightened at this gruff old man, and still more at this last suggestion that she looked like a wild woman. As she followed him out of the hovel she thought she would give him a sixpence for telling her the way, and then he would not suppose she was wild. As he stopped to point out the road to her, she put her hand in her pocket to get the six-pence ready, and when he was turning away, without saying good-morning, she held it out to him and said, "Thank you; will you please to take something for your trouble?" He looked slowly at the sixpence, and then said, "I want none o' your money. You'd better take care on't, else you'll get it stool from yer, if you go trapesin' about the fields like a mad woman a-thatway." The man left her without further speech, and Hetty held on her way. Another day had risen, and she must wander on. It was no use to think of drowning herself--she could not do it, at least while she had money left to buy food and strength to journey on. But the incident on her waking this morning heightened her dread of that time when her money would be all gone; she would have to sell her basket and clothes then, and she would really look like a beggar or a wild woman, as the man had said. The passionate joy in life she had felt in the night, after escaping from the brink of the black cold death in the pool, was gone now. Life now, by the morning light, with the impression of that man's hard wondering look at her, was as full of dread as death--it was worse; it was a dread to which she felt chained, from which she shrank and shrank as she did from the black pool, and yet could find no refuge from it. She took out her money from her purse, and looked at it. She had still two-and-twenty shillings; it would serve her for many days more, or it would help her to get on faster to Stonyshire, within reach of Dinah. The thought of Dinah urged itself more strongly now, since the experience of the night had driven her shuddering imagination away from the pool. If it had been only going to Dinah--if nobody besides Dinah would ever know--Hetty could have made up her mind to go to her. The soft voice, the pitying eyes, would have drawn her. But afterwards the other people must know, and she could no more rush on that shame than she could rush on death. She must wander on and on, and wait for a lower depth of despair to give her courage. Perhaps death would come to her, for she was getting less and less able to bear the day's weariness. And yet--such is the strange action of our souls, drawing us by a lurking desire towards the very ends we dread--Hetty, when she set out again from Norton, asked the straightest road northwards towards Stonyshire, and kept it all that day. Poor wandering Hetty, with the rounded childish face and the hard, unloving, despairing soul looking out of it--with the narrow heart and narrow thoughts, no room in them for any sorrows but her own, and tasting that sorrow with the more intense bitterness! My heart bleeds for her as I see her toiling along on her weary feet, or seated in a cart, with her eyes fixed vacantly on the road before her, never thinking or caring whither it tends, till hunger comes and makes her desire that a village may be near. What will be the end, the end of her objectless wandering, apart from all love, caring for human beings only through her pride, clinging to life only as the hunted wounded brute clings to it? God preserve you and me from being the beginners of such misery!

book 5, Chapter 37

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth

Hetty is too ill for the rest of the day to realize just how bad her predicament is. The next morning she realizes that she is friendless and that all of her money is gone. She yearns to be back at home, where everything is familiar. She decides to try to sell the jewelry that Arthur has given her. But now that all of her money is gone, she cannot bear the thought of going back to Hayslope in shame. She remembers Dinah's offer to help her in case of an emergency, and she decides to consider this option if her renewed plan to commit suicide fails. She asks the landlord and his wife for help selling her jewelry, and they worry that a jeweler will give her too little, thinking that she has stolen it. They offer to keep the jewels for Hetty, giving her an advance of three guineas. If she does not write to them in two months to get them back, they will sell them. Hetty accepts this "deal," which is to her decided disadvantage. Hetty returns the way that she came, hoping to find a nice field to commit suicide in. She feels no religious compunction about contemplating this choice. She eventually finds a dark pool and stays overnight contemplating it, but she cannot bring herself to do the deed. She sleeps overnight in a hovel. A farmer wakens her and gives her directions to the nearest village. She makes up her mind to find Dinah

Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes "presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed." Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them.

gradesaver

all_chapterized_books/507-chapters/38.txt

finished_summaries/gradesaver/Adam Bede/section_5_part_3.txt

Adam Bede.book 5.chapter 38

book 5, chapter 38

{"name": "book 5, Chapter 38", "url": "https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth", "summary": "The ten days after Hetty leaves pass quietly at the farm, but after two weeks, everyone starts to worry. Adam decides to set out on Sunday to find her and to bring her home on Monday. Seth walks with Adam for the first two miles, saying that he will probably be a bachelor and fuss over Adam's children. Adam is so happy with thinking about Hetty that he feels almost reverent. He reaches Snowfield and finds the cottage where Dinah has lodged with an elderly couple. The old woman tells Adam that Dinah has gone on to Leeds. He is even more alarmed when she tells him that she has not seen Hetty. He inquires where the coach lets off, but nobody has seen Dinah and nothing has happened to the coach. Adam feels agonized by the thought that Dinah has realized that Hetty cannot love him. He wonders if Arthur has perhaps lured her away to Ireland. Adam tracks down the coachman who joked with Hetty, and the coachman tells him about the joke that did not make her laugh. Adam thinks that he will not betray her secret when he goes back to town in case she returns, but he might even follow Arthur to Ireland to see if he lured her there. It never occurs to him that Hetty would travel unbidden to Windsor, knowing as he does that Arthur is not there anymore. Adam returns home and lets himself into the workshop. Seth comes down and sees his brother looking terrible. He sobs and tells Seth that Hetty has run away. He keeps Hetty's secret, saying that she has probably run away because she could not reconcile herself to the thought of marriage. He goes to tell the Poysers and is relieved to see Mr. Poyser out for a walk as well. He tells her that he cannot figure out what Hetty did after taking the coach to Stoniton. Mr. Poyser apologizes, saying that she is not good enough to marry Adam. He says that she has probably gone after a place as a lady's maid. Adam asks Seth to explain to everyone that he has had to go on a journey quite suddenly, and he sets off to speak to Mr. Irwine", "analysis": "Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes \"presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed.\" Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them."}

THE first ten days after Hetty's departure passed as quietly as any other days with the family at the Hall Farm, and with Adam at his daily work. They had expected Hetty to stay away a week or ten days at least, perhaps a little longer if Dinah came back with her, because there might then be something to detain them at Snowfield. But when a fortnight had passed they began to feel a little surprise that Hetty did not return; she must surely have found it pleasanter to be with Dinah than any one could have supposed. Adam, for his part, was getting very impatient to see her, and he resolved that, if she did not appear the next day (Saturday), he would set out on Sunday morning to fetch her. There was no coach on a Sunday, but by setting out before it was light, and perhaps getting a lift in a cart by the way, he would arrive pretty early at Snowfield, and bring back Hetty the next day--Dinah too, if she were coming. It was quite time Hetty came home, and he would afford to lose his Monday for the sake of bringing her. His project was quite approved at the Farm when he went there on Saturday evening. Mrs. Poyser desired him emphatically not to come back without Hetty, for she had been quite too long away, considering the things she had to get ready by the middle of March, and a week was surely enough for any one to go out for their health. As for Dinah, Mrs. Poyser had small hope of their bringing her, unless they could make her believe the folks at Hayslope were twice as miserable as the folks at Snowfield. "Though," said Mrs. Poyser, by way of conclusion, "you might tell her she's got but one aunt left, and SHE'S wasted pretty nigh to a shadder; and we shall p'rhaps all be gone twenty mile farther off her next Michaelmas, and shall die o' broken hearts among strange folks, and leave the children fatherless and motherless." "Nay, nay," said Mr. Poyser, who certainly had the air of a man perfectly heart-whole, "it isna so bad as that. Thee't looking rarely now, and getting flesh every day. But I'd be glad for Dinah t' come, for she'd help thee wi' the little uns: they took t' her wonderful." So at daybreak, on Sunday, Adam set off. Seth went with him the first mile or two, for the thought of Snowfield and the possibility that Dinah might come again made him restless, and the walk with Adam in the cold morning air, both in their best clothes, helped to give him a sense of Sunday calm. It was the last morning in February, with a low grey sky, and a slight hoar-frost on the green border of the road and on the black hedges. They heard the gurgling of the full brooklet hurrying down the hill, and the faint twittering of the early birds. For they walked in silence, though with a pleased sense of companionship. "Good-bye, lad," said Adam, laying his hand on Seth's shoulder and looking at him affectionately as they were about to part. "I wish thee wast going all the way wi' me, and as happy as I am." "I'm content, Addy, I'm content," said Seth cheerfully. "I'll be an old bachelor, belike, and make a fuss wi' thy children." They turned away from each other, and Seth walked leisurely homeward, mentally repeating one of his favourite hymns--he was very fond of hymns: Dark and cheerless is the morn Unaccompanied by thee: Joyless is the day's return Till thy mercy's beams I see: Till thou inward light impart, Glad my eyes and warm my heart. Visit, then, this soul of mine, Pierce the gloom of sin and grief-- Fill me, Radiancy Divine, Scatter all my unbelief. More and more thyself display, Shining to the perfect day. Adam walked much faster, and any one coming along the Oakbourne road at sunrise that morning must have had a pleasant sight in this tall broad-chested man, striding along with a carriage as upright and firm as any soldier's, glancing with keen glad eyes at the dark-blue hills as they began to show themselves on his way. Seldom in Adam's life had his face been so free from any cloud of anxiety as it was this morning; and this freedom from care, as is usual with constructive practical minds like his, made him all the more observant of the objects round him and all the more ready to gather suggestions from them towards his own favourite plans and ingenious contrivances. His happy love--the knowledge that his steps were carrying him nearer and nearer to Hetty, who was so soon to be his--was to his thoughts what the sweet morning air was to his sensations: it gave him a consciousness of well-being that made activity delightful. Every now and then there was a rush of more intense feeling towards her, which chased away other images than Hetty; and along with that would come a wondering thankfulness that all this happiness was given to him--that this life of ours had such sweetness in it. For Adam had a devout mind, though he was perhaps rather impatient of devout words, and his tenderness lay very close to his reverence, so that the one could hardly be stirred without the other. But after feeling had welled up and poured itself out in this way, busy thought would come back with the greater vigour; and this morning it was intent on schemes by which the roads might be improved that were so imperfect all through the country, and on picturing all the benefits that might come from the exertions of a single country gentleman, if he would set himself to getting the roads made good in his own district. It seemed a very short walk, the ten miles to Oakbourne, that pretty town within sight of the blue hills, where he break-fasted. After this, the country grew barer and barer: no more rolling woods, no more wide-branching trees near frequent homesteads, no more bushy hedgerows, but greystone walls intersecting the meagre pastures, and dismal wide-scattered greystone houses on broken lands where mines had been and were no longer. "A hungry land," said Adam to himself. "I'd rather go south'ard, where they say it's as flat as a table, than come to live here; though if Dinah likes to live in a country where she can be the most comfort to folks, she's i' the right to live o' this side; for she must look as if she'd come straight from heaven, like th' angels in the desert, to strengthen them as ha' got nothing t' eat." And when at last he came in sight of Snowfield, he thought it looked like a town that was "fellow to the country," though the stream through the valley where the great mill stood gave a pleasant greenness to the lower fields. The town lay, grim, stony, and unsheltered, up the side of a steep hill, and Adam did not go forward to it at present, for Seth had told him where to find Dinah. It was at a thatched cottage outside the town, a little way from the mill--an old cottage, standing sideways towards the road, with a little bit of potato-ground before it. Here Dinah lodged with an elderly couple; and if she and Hetty happened to be out, Adam could learn where they were gone, or when they would be at home again. Dinah might be out on some preaching errand, and perhaps she would have left Hetty at home. Adam could not help hoping this, and as he recognized the cottage by the roadside before him, there shone out in his face that involuntary smile which belongs to the expectation of a near joy. He hurried his step along the narrow causeway, and rapped at the door. It was opened by a very clean old woman, with a slow palsied shake of the head. "Is Dinah Morris at home?" said Adam. "Eh?...no," said the old woman, looking up at this tall stranger with a wonder that made her slower of speech than usual. "Will you please to come in?" she added, retiring from the door, as if recollecting herself. "Why, ye're brother to the young man as come afore, arena ye?" "Yes," said Adam, entering. "That was Seth Bede. I'm his brother Adam. He told me to give his respects to you and your good master." "Aye, the same t' him. He was a gracious young man. An' ye feature him, on'y ye're darker. Sit ye down i' th' arm-chair. My man isna come home from meeting." Adam sat down patiently, not liking to hurry the shaking old woman with questions, but looking eagerly towards the narrow twisting stairs in one corner, for he thought it was possible Hetty might have heard his voice and would come down them. "So you're come to see Dinah Morris?" said the old woman, standing opposite to him. "An' you didn' know she was away from home, then?" "No," said Adam, "but I thought it likely she might be away, seeing as it's Sunday. But the other young woman--is she at home, or gone along with Dinah?" The old woman looked at Adam with a bewildered air. "Gone along wi' her?" she said. "Eh, Dinah's gone to Leeds, a big town ye may ha' heared on, where there's a many o' the Lord's people. She's been gone sin' Friday was a fortnight: they sent her the money for her journey. You may see her room here," she went on, opening a door and not noticing the effect of her words on Adam. He rose and followed her, and darted an eager glance into the little room with its narrow bed, the portrait of Wesley on the wall, and the few books lying on the large Bible. He had had an irrational hope that Hetty might be there. He could not speak in the first moment after seeing that the room was empty; an undefined fear had seized him--something had happened to Hetty on the journey. Still the old woman was so slow of speech and apprehension, that Hetty might be at Snowfield after all. "It's a pity ye didna know," she said. "Have ye come from your own country o' purpose to see her?" "But Hetty--Hetty Sorrel," said Adam, abruptly; "Where is she?" "I know nobody by that name," said the old woman, wonderingly. "Is it anybody ye've heared on at Snowfield?" "Did there come no young woman here--very young and pretty--Friday was a fortnight, to see Dinah Morris?" "Nay; I'n seen no young woman." "Think; are you quite sure? A girl, eighteen years old, with dark eyes and dark curly hair, and a red cloak on, and a basket on her arm? You couldn't forget her if you saw her." "Nay; Friday was a fortnight--it was the day as Dinah went away--there come nobody. There's ne'er been nobody asking for her till you come, for the folks about know as she's gone. Eh dear, eh dear, is there summat the matter?" The old woman had seen the ghastly look of fear in Adam's face. But he was not stunned or confounded: he was thinking eagerly where he could inquire about Hetty. "Yes; a young woman started from our country to see Dinah, Friday was a fortnight. I came to fetch her back. I'm afraid something has happened to her. I can't stop. Good-bye." He hastened out of the cottage, and the old woman followed him to the gate, watching him sadly with her shaking head as he almost ran towards the town. He was going to inquire at the place where the Oakbourne coach stopped. No! No young woman like Hetty had been seen there. Had any accident happened to the coach a fortnight ago? No. And there was no coach to take him back to Oakbourne that day. Well, he would walk: he couldn't stay here, in wretched inaction. But the innkeeper, seeing that Adam was in great anxiety, and entering into this new incident with the eagerness of a man who passes a great deal of time with his hands in his pockets looking into an obstinately monotonous street, offered to take him back to Oakbourne in his own "taxed cart" this very evening. It was not five o'clock; there was plenty of time for Adam to take a meal and yet to get to Oakbourne before ten o'clock. The innkeeper declared that he really wanted to go to Oakbourne, and might as well go to-night; he should have all Monday before him then. Adam, after making an ineffectual attempt to eat, put the food in his pocket, and, drinking a draught of ale, declared himself ready to set off. As they approached the cottage, it occurred to him that he would do well to learn from the old woman where Dinah was to be found in Leeds: if there was trouble at the Hall Farm--he only half-admitted the foreboding that there would be--the Poysers might like to send for Dinah. But Dinah had not left any address, and the old woman, whose memory for names was infirm, could not recall the name of the "blessed woman" who was Dinah's chief friend in the Society at Leeds. During that long, long journey in the taxed cart, there was time for all the conjectures of importunate fear and struggling hope. In the very first shock of discovering that Hetty had not been to Snowfield, the thought of Arthur had darted through Adam like a sharp pang, but he tried for some time to ward off its return by busying himself with modes of accounting for the alarming fact, quite apart from that intolerable thought. Some accident had happened. Hetty had, by some strange chance, got into a wrong vehicle from Oakbourne: she had been taken ill, and did not want to frighten them by letting them know. But this frail fence of vague improbabilities was soon hurled down by a rush of distinct agonizing fears. Hetty had been deceiving herself in thinking that she could love and marry him: she had been loving Arthur all the while; and now, in her desperation at the nearness of their marriage, she had run away. And she was gone to him. The old indignation and jealousy rose again, and prompted the suspicion that Arthur had been dealing falsely--had written to Hetty--had tempted her to come to him--being unwilling, after all, that she should belong to another man besides himself. Perhaps the whole thing had been contrived by him, and he had given her directions how to follow him to Ireland--for Adam knew that Arthur had been gone thither three weeks ago, having recently learnt it at the Chase. Every sad look of Hetty's, since she had been engaged to Adam, returned upon him now with all the exaggeration of painful retrospect. He had been foolishly sanguine and confident. The poor thing hadn't perhaps known her own mind for a long while; had thought that she could forget Arthur; had been momentarily drawn towards the man who offered her a protecting, faithful love. He couldn't bear to blame her: she never meant to cause him this dreadful pain. The blame lay with that man who had selfishly played with her heart--had perhaps even deliberately lured her away. At Oakbourne, the ostler at the Royal Oak remembered such a young woman as Adam described getting out of the Treddleston coach more than a fortnight ago--wasn't likely to forget such a pretty lass as that in a hurry--was sure she had not gone on by the Buxton coach that went through Snowfield, but had lost sight of her while he went away with the horses and had never set eyes on her again. Adam then went straight to the house from which the Stonition coach started: Stoniton was the most obvious place for Hetty to go to first, whatever might be her destination, for she would hardly venture on any but the chief coach-roads. She had been noticed here too, and was remembered to have sat on the box by the coachman; but the coachman could not be seen, for another man had been driving on that road in his stead the last three or four days. He could probably be seen at Stoniton, through inquiry at the inn where the coach put up. So the anxious heart-stricken Adam must of necessity wait and try to rest till morning--nay, till eleven o'clock, when the coach started. At Stoniton another delay occurred, for the old coachman who had driven Hetty would not be in the town again till night. When he did come he remembered Hetty well, and remembered his own joke addressed to her, quoting it many times to Adam, and observing with equal frequency that he thought there was something more than common, because Hetty had not laughed when he joked her. But he declared, as the people had done at the inn, that he had lost sight of Hetty directly she got down. Part of the next morning was consumed in inquiries at every house in the town from which a coach started--(all in vain, for you know Hetty did not start from Stonition by coach, but on foot in the grey morning)--and then in walking out to the first toll-gates on the different lines of road, in the forlorn hope of finding some recollection of her there. No, she was not to be traced any farther; and the next hard task for Adam was to go home and carry the wretched tidings to the Hall Farm. As to what he should do beyond that, he had come to two distinct resolutions amidst the tumult of thought and feeling which was going on within him while he went to and fro. He would not mention what he knew of Arthur Donnithorne's behaviour to Hetty till there was a clear necessity for it: it was still possible Hetty might come back, and the disclosure might be an injury or an offence to her. And as soon as he had been home and done what was necessary there to prepare for his further absence, he would start off to Ireland: if he found no trace of Hetty on the road, he would go straight to Arthur Donnithorne and make himself certain how far he was acquainted with her movements. Several times the thought occurred to him that he would consult Mr. Irwine, but that would be useless unless he told him all, and so betrayed the secret about Arthur. It seems strange that Adam, in the incessant occupation of his mind about Hetty, should never have alighted on the probability that she had gone to Windsor, ignorant that Arthur was no longer there. Perhaps the reason was that he could not conceive Hetty's throwing herself on Arthur uncalled; he imagined no cause that could have driven her to such a step, after that letter written in August. There were but two alternatives in his mind: either Arthur had written to her again and enticed her away, or she had simply fled from her approaching marriage with himself because she found, after all, she could not love him well enough, and yet was afraid of her friends' anger if she retracted. With this last determination on his mind, of going straight to Arthur, the thought that he had spent two days in inquiries which had proved to be almost useless, was torturing to Adam; and yet, since he would not tell the Poysers his conviction as to where Hetty was gone, or his intention to follow her thither, he must be able to say to them that he had traced her as far as possible. It was after twelve o'clock on Tuesday night when Adam reached Treddleston; and, unwilling to disturb his mother and Seth, and also to encounter their questions at that hour, he threw himself without undressing on a bed at the "Waggon Overthrown," and slept hard from pure weariness. Not more than four hours, however, for before five o'clock he set out on his way home in the faint morning twilight. He always kept a key of the workshop door in his pocket, so that he could let himself in; and he wished to enter without awaking his mother, for he was anxious to avoid telling her the new trouble himself by seeing Seth first, and asking him to tell her when it should be necessary. He walked gently along the yard, and turned the key gently in the door; but, as he expected, Gyp, who lay in the workshop, gave a sharp bark. It subsided when he saw Adam, holding up his finger at him to impose silence, and in his dumb, tailless joy he must content himself with rubbing his body against his master's legs. Adam was too heart-sick to take notice of Gyp's fondling. He threw himself on the bench and stared dully at the wood and the signs of work around him, wondering if he should ever come to feel pleasure in them again, while Gyp, dimly aware that there was something wrong with his master, laid his rough grey head on Adam's knee and wrinkled his brows to look up at him. Hitherto, since Sunday afternoon, Adam had been constantly among strange people and in strange places, having no associations with the details of his daily life, and now that by the light of this new morning he was come back to his home and surrounded by the familiar objects that seemed for ever robbed of their charm, the reality--the hard, inevitable reality of his troubles pressed upon him with a new weight. Right before him was an unfinished chest of drawers, which he had been making in spare moments for Hetty's use, when his home should be hers. Seth had not heard Adam's entrance, but he had been roused by Gyp's bark, and Adam heard him moving about in the room above, dressing himself. Seth's first thoughts were about his brother: he would come home to-day, surely, for the business would be wanting him sadly by to-morrow, but it was pleasant to think he had had a longer holiday than he had expected. And would Dinah come too? Seth felt that that was the greatest happiness he could look forward to for himself, though he had no hope left that she would ever love him well enough to marry him; but he had often said to himself, it was better to be Dinah's friend and brother than any other woman's husband. If he could but be always near her, instead of living so far off! He came downstairs and opened the inner door leading from the kitchen into the workshop, intending to let out Gyp; but he stood still in the doorway, smitten with a sudden shock at the sight of Adam seated listlessly on the bench, pale, unwashed, with sunken blank eyes, almost like a drunkard in the morning. But Seth felt in an instant what the marks meant--not drunkenness, but some great calamity. Adam looked up at him without speaking, and Seth moved forward towards the bench, himself trembling so that speech did not come readily. "God have mercy on us, Addy," he said, in a low voice, sitting down on the bench beside Adam, "what is it?" Adam was unable to speak. The strong man, accustomed to suppress the signs of sorrow, had felt his heart swell like a child's at this first approach of sympathy. He fell on Seth's neck and sobbed. Seth was prepared for the worst now, for, even in his recollections of their boyhood, Adam had never sobbed before. "Is it death, Adam? Is she dead?" he asked, in a low tone, when Adam raised his head and was recovering himself. "No, lad; but she's gone--gone away from us. She's never been to Snowfield. Dinah's been gone to Leeds ever since last Friday was a fortnight, the very day Hetty set out. I can't find out where she went after she got to Stoniton." Seth was silent from utter astonishment: he knew nothing that could suggest to him a reason for Hetty's going away. "Hast any notion what she's done it for?" he said, at last. "She can't ha' loved me. She didn't like our marriage when it came nigh--that must be it," said Adam. He had determined to mention no further reason. "I hear Mother stirring," said Seth. "Must we tell her?" "No, not yet," said Adam, rising from the bench and pushing the hair from his face, as if he wanted to rouse himself. "I can't have her told yet; and I must set out on another journey directly, after I've been to the village and th' Hall Farm. I can't tell thee where I'm going, and thee must say to her I'm gone on business as nobody is to know anything about. I'll go and wash myself now." Adam moved towards the door of the workshop, but after a step or two he turned round, and, meeting Seth's eyes with a calm sad glance, he said, "I must take all the money out o' the tin box, lad; but if anything happens to me, all the rest 'll be thine, to take care o' Mother with." Seth was pale and trembling: he felt there was some terrible secret under all this. "Brother," he said, faintly--he never called Adam "Brother" except in solemn moments--"I don't believe you'll do anything as you can't ask God's blessing on." "Nay, lad," said Adam, "don't be afraid. I'm for doing nought but what's a man's duty." The thought that if he betrayed his trouble to his mother, she would only distress him by words, half of blundering affection, half of irrepressible triumph that Hetty proved as unfit to be his wife as she had always foreseen, brought back some of his habitual firmness and self-command. He had felt ill on his journey home--he told her when she came down--had stayed all night at Tredddleston for that reason; and a bad headache, that still hung about him this morning, accounted for his paleness and heavy eyes. He determined to go to the village, in the first place, attend to his business for an hour, and give notice to Burge of his being obliged to go on a journey, which he must beg him not to mention to any one; for he wished to avoid going to the Hall Farm near breakfast-time, when the children and servants would be in the house-place, and there must be exclamations in their hearing about his having returned without Hetty. He waited until the clock struck nine before he left the work-yard at the village, and set off, through the fields, towards the Farm. It was an immense relief to him, as he came near the Home Close, to see Mr. Poyser advancing towards him, for this would spare him the pain of going to the house. Mr. Poyser was walking briskly this March morning, with a sense of spring business on his mind: he was going to cast the master's eye on the shoeing of a new cart-horse, carrying his spud as a useful companion by the way. His surprise was great when he caught sight of Adam, but he was not a man given to presentiments of evil. "Why, Adam, lad, is't you? Have ye been all this time away and not brought the lasses back, after all? Where are they?" "No, I've not brought 'em," said Adam, turning round, to indicate that he wished to walk back with Mr. Poyser. "Why," said Martin, looking with sharper attention at Adam, "ye look bad. Is there anything happened?" "Yes," said Adam, heavily. "A sad thing's happened. I didna find Hetty at Snowfield." Mr. Poyser's good-natured face showed signs of troubled astonishment. "Not find her? What's happened to her?" he said, his thoughts flying at once to bodily accident. "That I can't tell, whether anything's happened to her. She never went to Snowfield--she took the coach to Stoniton, but I can't learn nothing of her after she got down from the Stoniton coach." "Why, you donna mean she's run away?" said Martin, standing still, so puzzled and bewildered that the fact did not yet make itself felt as a trouble by him. "She must ha' done," said Adam. "She didn't like our marriage when it came to the point--that must be it. She'd mistook her feelings." Martin was silent for a minute or two, looking on the ground and rooting up the grass with his spud, without knowing what he was doing. His usual slowness was always trebled when the subject of speech was painful. At last he looked up, right in Adam's face, saying, "Then she didna deserve t' ha' ye, my lad. An' I feel i' fault myself, for she was my niece, and I was allays hot for her marr'ing ye. There's no amends I can make ye, lad--the more's the pity: it's a sad cut-up for ye, I doubt." Adam could say nothing; and Mr. Poyser, after pursuing his walk for a little while, went on, "I'll be bound she's gone after trying to get a lady's maid's place, for she'd got that in her head half a year ago, and wanted me to gi' my consent. But I'd thought better on her"--he added, shaking his head slowly and sadly--"I'd thought better on her, nor to look for this, after she'd gi'en y' her word, an' everything been got ready." Adam had the strongest motives for encouraging this supposition in Mr. Poyser, and he even tried to believe that it might possibly be true. He had no warrant for the certainty that she was gone to Arthur. "It was better it should be so," he said, as quietly as he could, "if she felt she couldn't like me for a husband. Better run away before than repent after. I hope you won't look harshly on her if she comes back, as she may do if she finds it hard to get on away from home." "I canna look on her as I've done before," said Martin decisively. "She's acted bad by you, and by all of us. But I'll not turn my back on her: she's but a young un, and it's the first harm I've knowed on her. It'll be a hard job for me to tell her aunt. Why didna Dinah come back wi' ye? She'd ha' helped to pacify her aunt a bit." "Dinah wasn't at Snowfield. She's been gone to Leeds this fortnight, and I couldn't learn from th' old woman any direction where she is at Leeds, else I should ha' brought it you." "She'd a deal better be staying wi' her own kin," said Mr. Poyser, indignantly, "than going preaching among strange folks a-that'n." "I must leave you now, Mr. Poyser," said Adam, "for I've a deal to see to." "Aye, you'd best be after your business, and I must tell the missis when I go home. It's a hard job." "But," said Adam, "I beg particular, you'll keep what's happened quiet for a week or two. I've not told my mother yet, and there's no knowing how things may turn out." "Aye, aye; least said, soonest mended. We'n no need to say why the match is broke off, an' we may hear of her after a bit. Shake hands wi' me, lad: I wish I could make thee amends." There was something in Martin Poyser's throat at that moment which caused him to bring out those scanty words in rather a broken fashion. Yet Adam knew what they meant all the better, and the two honest men grasped each other's hard hands in mutual understanding. There was nothing now to hinder Adam from setting off. He had told Seth to go to the Chase and leave a message for the squire, saying that Adam Bede had been obliged to start off suddenly on a journey--and to say as much, and no more, to any one else who made inquiries about him. If the Poysers learned that he was gone away again, Adam knew they would infer that he was gone in search of Hetty. He had intended to go right on his way from the Hall Farm, but now the impulse which had frequently visited him before--to go to Mr. Irwine, and make a confidant of him--recurred with the new force which belongs to a last opportunity. He was about to start on a long journey--a difficult one--by sea--and no soul would know where he was gone. If anything happened to him? Or, if he absolutely needed help in any matter concerning Hetty? Mr. Irwine was to be trusted; and the feeling which made Adam shrink from telling anything which was her secret must give way before the need there was that she should have some one else besides himself who would be prepared to defend her in the worst extremity. Towards Arthur, even though he might have incurred no new guilt, Adam felt that he was not bound to keep silence when Hetty's interest called on him to speak. "I must do it," said Adam, when these thoughts, which had spread themselves through hours of his sad journeying, now rushed upon him in an instant, like a wave that had been slowly gathering; "it's the right thing. I can't stand alone in this way any longer."

book 5, Chapter 38

https://web.archive.org/web/20180310100656/http://www.gradesaver.com/adam-bede/study-guide/summary-book-fifth

The ten days after Hetty leaves pass quietly at the farm, but after two weeks, everyone starts to worry. Adam decides to set out on Sunday to find her and to bring her home on Monday. Seth walks with Adam for the first two miles, saying that he will probably be a bachelor and fuss over Adam's children. Adam is so happy with thinking about Hetty that he feels almost reverent. He reaches Snowfield and finds the cottage where Dinah has lodged with an elderly couple. The old woman tells Adam that Dinah has gone on to Leeds. He is even more alarmed when she tells him that she has not seen Hetty. He inquires where the coach lets off, but nobody has seen Dinah and nothing has happened to the coach. Adam feels agonized by the thought that Dinah has realized that Hetty cannot love him. He wonders if Arthur has perhaps lured her away to Ireland. Adam tracks down the coachman who joked with Hetty, and the coachman tells him about the joke that did not make her laugh. Adam thinks that he will not betray her secret when he goes back to town in case she returns, but he might even follow Arthur to Ireland to see if he lured her there. It never occurs to him that Hetty would travel unbidden to Windsor, knowing as he does that Arthur is not there anymore. Adam returns home and lets himself into the workshop. Seth comes down and sees his brother looking terrible. He sobs and tells Seth that Hetty has run away. He keeps Hetty's secret, saying that she has probably run away because she could not reconcile herself to the thought of marriage. He goes to tell the Poysers and is relieved to see Mr. Poyser out for a walk as well. He tells her that he cannot figure out what Hetty did after taking the coach to Stoniton. Mr. Poyser apologizes, saying that she is not good enough to marry Adam. He says that she has probably gone after a place as a lady's maid. Adam asks Seth to explain to everyone that he has had to go on a journey quite suddenly, and he sets off to speak to Mr. Irwine

Anyone reading the novel at the time that it was published would have understood the delicate position of Hetty in traveling alone. As uncommon as it was for unmarried women to travel long distances alone at that time, it was even more scandalous at the time period in which Eliot sets the novel. Young women who traveled unprotected on the road risked the ruin of their reputations, assault, or even being pressed into service as a prostitute by older women who would gain their confidence by giving them some kind of help. To make matters worse, in Chapter Thirty-Seven, Hetty's sale of her jewelry shows a pitiful combination of basic worldliness and naA-vetA. She has the minimum savvy to realize that her ornaments are of some value, but as an unprotected young girl, she cannot receive their full value because she does not know how to go about selling them. She is glad just to get the bad deal that the landlord offers, because it means that she can avoid going to a shop where a jeweler might ask her uncomfortable, probing questions. Hetty's main concern at this point seems to be to try to get away from people who know anything about her as fast as possible, and she regrets the fact that she has told the landlord the name of the man whom she was looking for. This anxiety to cover her tracks illustrates that Hetty knows that she is doing something quite dangerous and wrong. It also suggests that she might realize that someone might try to find her by trailing her. Therefore, she tries to leave behind as few clues as possible. Chapter Thirty-Eight repeats the pattern of crisis that has been established in the novel. The first small crisis was the relationship between Hetty and Arthur. The prelude to its resolution occurred when Adam found out about it. The crisis of Hetty running away is a greater one, however, and it remains to be seen how Adam's knowledge of this situation will help as it did in the other situation. Adam's guesses about his fiancAe's whereabouts and her possible thoughts reveal once again how little he knows about her. He assumes that she has also heard that Arthur was sent to Ireland. More importantly, he assumes that Hetty would never travel so far without a specific invitation from Arthur. Angrily, Adam assumes that Arthur inveigled away his bride-to-be, an assumption that the reader knows to be far from the truth. Hetty's offstage infanticide is the crisis point that serves as the crux of the novel. Up to this point, we might have wondered where Hetty could possibly turn after her various disappointments and humiliations. There are very few references to her possibly being pregnant, so the fact will have escaped most readers' attention by Chapter Thirty-Nine. The sudden accusation of infanticide will surprise many. The one concrete reference to her condition is when the landlady's eyes "presently returned to her figure, which in her hurried dressing on her journey she had taken no pains to conceal; moreover, the stranger's eye detects what the familiar unsuspecting eye leaves unnoticed." Read backwards, this is a clear indication that Hetty is pregnant, but in the regular course of the narrative, it could just as easily have been read as her being careless in showing more of her figure than was advisable on her trip. In Chapter Forty, despite the fact that Methodists have been reviled in the novel for their religion, Dinah is the first person who the people tend to turn to in times of trouble. Part of this choice has to do with the fact that they find Dinah immensely personally appealing, and they know that to gain part or all of her attention, they need only tell her of their great trouble. She enjoys sacrifice, so she sometimes only attends to her neighbors or family if their need is very great. Bartle's threat to his female dog foreshadows the harsh judgment that will come upon Hetty. Women who committed misdeeds of a sexual nature in that period were utterly ruined, since sexual chastity was the primary source of a woman's honor. No one thinks to reproach Arthur in this situation, because it has been assumed that sexual activity is something for men to pursue and women to defend against. In Chapter Forty-One, for the first time at this late stage in the novel, Mr. Irwine acts as a spiritual advisor. His advice is sound: to seek revenge is useless and hurtful to the community. Wrongs tend to multiply; he compares wrongs to the air that men share by breathing in and out. Adam's agreement to do no bodily harm to Arthur demonstrates that he does hold some religious principles, despite the fact that he is not as devout as the Methodists portrayed in the novel. This activity also relieves a plot tension. Given that Hetty's kiss with Arthur ultimately led to her trial, the reader must have also wondered about the results of Adam's initial knocking down of Arthur. In Chapter Forty-Two, due to the great stress that has been put upon him, Adam is behaving somewhat erratically. He goes to the trouble and expense of moving to Stoniton for the duration of the trial, but until this point he has not even seen or tried to speak to Hetty. It is strange that he has not attended the first portion of the trial, if not to comfort Hetty, at least to sate his curiosity about the proceedings and the question of her guilt. The effect that Eliot creates by Bartle telling the story of the beginning of the trial heightens the drama. Adam has to pull the information out of him, wanting him to describe the action in minute detail. Bartle believes that it is Adam's duty to come to the courthouse, and he throws out subtle hints in his description of the scene that this is what Adam should do. In Chapter Forty-Three, the narrative of Hetty's murder of her child is horrifying. This chapter reads almost like a sensationalist news article telling a gruesome tale. Elements of the gothic, which were also used in the chapter about the night before Thias died, are more fully realized in this chapter. Even the wording of the testimony is inclined to make the event sound more gruesome, if possible, than it is. When John Olding says that the first thing that he found when he went back to investigate was a baby hand, the crowd gasps. They, along with the reader, imagine a chopped off, disembodied hand. This is not the case, however, because when Olding continues, it becomes clear that the hand is still attached to the body of the baby, which is partially buried. Adam's unsuccessful action at the end of the trial epitomizes his relationship with Hetty. Even after Hetty has committed the worst crime imaginable, Adam is willing to stay at her side, supporting her. Still, he cannot control Hetty's desire to do wayward things, and they cannot change the past. Thus, when she falls, she must fall unsupported by Adam-as painful as that may feel to him. Arthur's optimistic return home in Chapter Forty-Four is another example of Eliot's use of dramatic irony. The reader knows the news that awaits him, waiting for the other shoe to drop. Arthur, by meandering around his house, seems to prolong this process even more. His servants, knowing more than their master, are in a state similar to that of the reader, following Arthur around his home and reminding him that he has letters to read. Arthur looks shocked when he hears the news, but what he plans to do upon reaching Stoniton remains unclear. The scene of Hetty's confession in Chapter Forty-Five is perhaps the most Gothic in the entire book. The women are in a hostile environment, a prison so damp and dark that they can barely see one another's face. Hetty's experience, like Adam's impressions on the night that his father died, has a supernatural tinge transmitted through noises. It is impossible that Hetty could have heard her buried infant crying from such a distance when she buried it. It is instead the sound of her guilt that creates the crying sound in her ears, Hetty asks God to take from her the sound of the crying; she seems to be literally haunted by her dead child. Hetty's confession also contains distinct undertones of the moral novels that some of Eliot's predecessors wrote. The confessions of former sinners, often former prostitutes , constituted a common genre of fiction in the 18th and 19th centuries. They formed a tragic counterpart to the comedies of manners. Through such tales, women learned how to behave or not to behave. In Chapter Forty-Six, Adam has refused to visit Hetty until he has seen that no pardon is likely to come. Only then does he make his final goodbyes. Hetty seems to be completely dependent on Dinah now, and Hetty can hardly seem to stand without her help. Bartle's approval of Dinah is surprising in that he is a confirmed misogynist, but it is unsurprising in that Eliot portrays Dinah as separate from, and perhaps above, other women. A crowd gathering to watch the execution of a criminal was a common occurrence in early England. Especially in such a small, rural area, a hanging was an uncommon event. Even in larger towns and cities, it was quite normal to treat a hanging as a social gathering. Women would bring their knitting and often their children, who would watch and learn their lessons. Charles Dickens ironically describes these scenes in London and Paris in A Tale of Two Cities. Here, in Chapter Forty-Seven, the crowd adds drama to the Hollywood moment when Arthur arrives with his pardon, shouting with surprise as he rides up on horseback. The meeting between Arthur and Adam in Chapter Forty-Eight shows that their fraternal bond is stronger than the love that either of them had for Hetty. Perhaps it is easier for them to make up and shake hands, but for whatever reason, they decide to drop their enmity for one another. The resolution of their argument has an important effect on the community at large, because Arthur proceeds to convince Adam to stay in Hayslope, which has a ripple effect on the others, who have thought that they should move away because Hetty has shamed them.