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The Ghost Road | Pat Barker | 1,995 | Prior, despite his new-found peace of mind and engagement to munitions worker Sarah, has been affected by the war and therefore does not have a lot of concern for his safety. Prior has been cured of shell-shock and is preparing to return to France. Once in France, experiences numerous and risky sexual encounters; his only rule is that he never pays for sex - a rule he eventually breaks. Rivers, concerned for Prior's safety, finally recognises that his relationship with Prior, and his other patients for that matter, is deeply paternal. In contrast with upper-class officers like Sassoon, with whom Rivers has been able to form warm friendships, he has always found Prior to be a thorn in his side. As Prior returns to the front, Rivers continues to take care of his patients and his invalid sister, amid this he reminisces uncomfortably about his childhood and memories of his experience ten years earlier on an anthropological expedition to Melanesia (now Eddystone Island). There, he befriended Nijiru, the local priest-healer who took Rivers on his rounds to see sick villagers and also to the island's sacred Place of the Skulls. This episode is a symbolic capitulation to the inevitability of his death at the Western Front, a fate he shares with the poet, Wilfred Owen to which in a futile battle that takes place a few days before the Armistice, Billy and his friend Wilfred Owen are killed. |
Rosemary's Baby | Ira Levin | 1,967 | The book centers on Rosemary Woodhouse, a young woman who has just moved into the Bramford, an old Gothic Revival style New York City apartment building with her husband, Guy, a struggling actor. The pair is warned that the Bramford has a disturbing history involving witchcraft and murder, but they choose to overlook this. Rosemary has wanted children for some time, but Guy wants to wait until he is more established. Rosemary and Guy are quickly welcomed by Minnie and Roman Castevet, an eccentric elderly couple. Rosemary finds them meddlesome and absurd, but Guy begins paying them frequent visits. After a theatrical rival suddenly goes blind, Guy is given an important part in a stage play. Immediately following this event, Guy unexpectedly agrees with Rosemary that it is time to conceive their first child. Guy is noticed and cast in other, increasingly important roles, and he begins to talk about a career in Hollywood. After receiving a warning from a friend, who also becomes mysteriously ill, Rosemary investigates and confirms that her neighbors are the leaders of a Satanic coven, and she suspects they are after her child to use it as a sacrifice to the Devil. However, she is unable to convince anyone else to believe or help her and soon becomes certain that there is no one actually on her side, not even her own husband. In the end, Rosemary discovers she is wrong about the coven's reason for wanting the baby, but the truth is even more horrific than she could ever imagine. They plan to use Rosemary as a vessel to carry a child spawned from Satan himself. |
This Perfect Day | Ira Levin | 1,970 | Li RM35M4419, nicknamed "Chip" (as in "chip off the old block") by his nonconformist grandfather Jan, is a typical child Member who, through a mistake in genetic programming, has one green eye. Through his grandfather's encouragement, he learns how to play a game of "wanting things," including imagining what career he might pick if he had the choice. Chip is told by his adviser that "picking" and "choice" are manifestations of selfishness, and he tries to forget his dreams. As Chip grows up and begins his career, he is mostly a good citizen, but commits minor subversive acts, such as procuring art materials for another "nonconformist" member who was denied them. His occasional oddities attract the attention of a secret group of Members who, like Chip, are also nonconformists. There he meets King, a Medicenter chief who obtains members records for potential future recruitment to the group, King's beautiful girlfriend Lilac, a strong-willed and inquisitive woman with unusually dark skin, and Snowflake, a rare albino member. These members teach Chip how to get his treatments reduced so that he can feel more and stronger emotions. Chip begins an affair with Snowflake, but is really attracted to Lilac. Chip and Lilac begin to search through old museum maps and soon discover islands around the world that have disappeared from their modern map. They begin to wonder if perhaps other "incurable" members like themselves have escaped to these islands. King tells them that the idea is nonsense, but Chip soon learns that King has already interacted with some "incurables" and that they are indeed real. Before he can tell Lilac, Chip's ruse is discovered by his adviser. He and all the other members of the group are captured and treated back into docility. Some years later, Chip's regular treatment is delayed by an earthquake. In the meanwhile, he begins to "wake up" again and remembers Lilac and the islands. He is able to shield his arm from the treatment nozzle and becomes fully awake for the first time. He locates Lilac again and kidnaps her. At first she fights him, but as she too becomes more "awake," she remembers the islands and comes willingly. Finding a convenient abandoned boat on the beach, they head for the nearest island of incurables, Majorca. There they learn that UniComp, as a last resort, has planted failsafes that eventually lead all incurables to these islands, where they will be trapped forever away from the treated population. Chip conceives of a plan—destroy the computer, UniComp, by blowing up its refrigeration system. He recruits other incurables to join him, and they make their way to the mainland. Just as they reach UniComp, one of the incurables leads them to a secret luxurious underground city beneath UniComp, where they are met by Wei, one of the original planners of the Unification. Wei and the other "programmers" who live in UniComp have arranged this test so that the most daring and resourceful incurables will make their way to UniComp, where they, too, will live in luxury as programmers. Chip is initially wary, but after a time, he seems to settle into the programmers' society. But when a new group of incurables arrive, Chip steals their explosives and completes his mission to blow up UniComp, killing Wei in the process. Before he returns to Majorca, signs of a new life have already begun: rain begins to fall in the daytime, and members who were scheduled to die do not. |
The Boys from Brazil | Ira Levin | 1,988 | Yakov Liebermann is a Nazi hunter: he runs a center in Vienna that documents crimes against humanity perpetrated during the Holocaust. The waning interest of the Western nations in tracking down Nazi criminals has forced him to move the center to his lodgings. Then, in September 1974, Liebermann receives a phone call from a young man in Brazil who claims he has just finished eavesdropping on the so-called "Angel of Death," Dr. Josef Mengele, the concentration camp medical doctor who performed horrible experiments on camp victims during World War II. According to the young man, Mengele is activating the Kameradenwerk for a strange assignment: he is sending out six Nazis to kill 94 men, who share a few common traits. All men are civil servants, and all of them have to be killed on or about particular dates, spread over several years. All will be 65 years old at the time of their killing. Before the young man can finish the conversation, he is killed. Liebermann hesitates about what to do, and wonders if the call was a prank. But he investigates and discovers that the killings the young man spoke of are taking place. As he tries to determine why the seemingly unimportant men are being killed, he discovers by coincidence that the children of two of the men are identical. It eventually transpires each of the 94 targets has a son aged 13, a genetic clone of Adolf Hitler planted by Mengele. Mengele wishes to create a new Führer for the Nazi movement, and is trying to ensure that the lives of the clones follow a similar path to Hitler's. Each civil servant father is married to a woman about 23 years younger, and their killing is an attempt to mimic the death of Hitler's own father. Liebermann manages to work out who one of the intended targets is, and travels to warn him that his life may be in danger. However, Mengele reaches the man first, kills him, and then encounters Liebermann. Liebermann is shot but Mengele is killed by the targeted man's collection of dangerous dogs. The plan is halted, but 18 Hitler clones have already lost their fathers. The book ends with one of the Hitler clones developing delusions of grandeur. |
A Descent into the Maelstrom | Edgar Allan Poe | 1,841 | Inspired by the Moskstraumen, it is couched as a story within a story, a tale told at the summit of a mountain climb in Lofoten, Norway. The story is told by an old man who reveals that he only appears old—"You suppose me a very old man," he says, "but I am not. It took less than a single day to change these hairs from a jetty black to white, to weaken my limbs, and to unstring my nerves." The narrator, convinced by the power of the whirlpools he sees in the ocean beyond, is then told of the "old" man's fishing trip with his two brothers a few years ago. Driven by "the most terrible hurricane that ever came out of the heavens", their ship was caught in the vortex. One brother was pulled into the waves; the other was driven mad by the horror of the spectacle, and drowned as the ship was pulled under. At first the narrator only saw hideous terror in the spectacle. In a moment of revelation, he saw that the Maelström is a beautiful and awesome creation. Observing how objects around him were pulled into it, he deduced that "the larger the bodies, the more rapid their descent" and that spherical-shaped objects were pulled in the fastest. Unlike his brother, he abandoned ship and held on to a cylindrical barrel until he was saved several hours later. The old man tells the story to the narrator without any hope that the narrator will believe it. |
Sliver | Ira Levin | null | When working woman Kay Norris makes the acquaintance of a handsome and friendly young man who lives in the same "sliver" building, she does not know at first that he is the owner. While keeping a low profile himself, he turns out to know an awful lot about the other inhabitants including many of their secrets. It then turns out that he is a modern-day Peeping Tom who, unknown to everyone, has had surveillance cameras and microphones installed in every single apartment of the house, with his own place in the building serving as his headquarters. The novel is also a murder mystery, and the beautiful heroine soon becomes a damsel in distress herself. de:Sliver (Film) es:Sliver (película) fr:Sliver ja:硝子の塔 pl:Sliver ru:Щепка (фильм) sv:Sliver |
The Murders in the Rue Morgue | Edgar Allan Poe | 1,841 | The story surrounds the baffling double murder of Madame L'Espanaye and her daughter in the Rue Morgue, a fictional street in Paris. Newspaper accounts of the murder reveal that the mother's throat is so badly cut that her head is barely attached and the daughter, after being strangled, has been stuffed into the chimney. The murder occurs in an inaccessible room on the fourth floor locked from the inside. Neighbors who hear the murder give contradictory accounts, each claiming that he heard the murderer speaking a different language. The speech was unclear, the witnesses say and they admit to not knowing the language they are claiming to have heard. Paris natives Dupin and his friend, the unnamed narrator of the story, read these newspaper accounts with interest. The two live in seclusion and allow no visitors. They have cut off contact with "former associates" and venture outside only at night. "We existed within ourselves alone", the narrator explains. When a man named Adolphe Le Bon has been imprisoned though no evidence exists pointing to his guilt, Dupin is so intrigued that he offers his services to "G–", the prefect of police. Because none of the witnesses can agree on the language the murderer spoke, Dupin concludes they were not hearing a human voice at all. He finds a hair at the scene of the murder that is quite unusual; "this is no human hair", he concludes. Dupin puts an advertisement in the newspaper asking if anyone has lost an "Ourang-Outang". The ad is answered by a sailor who comes to Dupin at his home. The sailor offers a reward for the orangutan's return; Dupin asks for all the information the sailor has about the murders in the Rue Morgue. The sailor reveals that he had been keeping a captive orangutan obtained while ashore in Borneo. The animal escaped with the sailor's shaving straight razor. When he pursued the orangutan, it escaped by scaling a wall and climbing up a lightning rod, entering the apartment in the Rue Morgue through a window. Once in the room, the surprised Madame L'Espanaye could not defend herself as the orangutan attempted to shave her in imitation of the sailor's daily routine and in doing so accidentally slits the woman's throat with the razor. The bloody deed incited it to fury and it squeezed the daughter's throat until she died. The orangutan then became aware of its master's whip, which it feared, and it attempted to hide the body by stuffing it into the chimney. The sailor, aware of the "murder", panicked and fled, allowing the orangutan to escape. The prefect of police, upon hearing this story, mentions that people should mind their own business. Dupin responds that G– is "too cunning to be profound." |
The Purloined Letter | Edgar Allan Poe | 1,844 | The unnamed narrator is discussing with the famous Parisian amateur detective C. Auguste Dupin some of his most celebrated cases when they are joined by the Prefect of the Police, a man known as G—. The Prefect has a case he would like to discuss with Dupin. A letter has been stolen from the boudoir of an unnamed female by the unscrupulous Minister D—. It is said to contain compromising information. D— was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing his victim. The Prefect makes two deductions with which Dupin does not disagree: :1.) The contents of the letter have not been revealed, as this would have led to certain circumstances that have not arisen. Therefore Minister D— still has the letter in his possession. :2.) The ability to produce the letter at a moment’s notice is almost as important as possession of the letter itself. Therefore he must have the letter close at hand. The Prefect says that he and his police detectives have searched the Ministerial hotel where D— stays and have found nothing. They checked behind the wallpaper and under the carpets. His men have examined the tables and chairs with microscopes and then probed the cushions with needles but have found no sign of interference; the letter is not hidden in these places. Dupin asks the Prefect if he knows what he is looking for and the Prefect reads off a minute description of the letter, which Dupin memorizes. The Prefect then bids them good day. A month later, the Prefect returns, still bewildered in his search for the missing letter. He is motivated to continue his fruitless search by the promise of a large reward, recently doubled, upon the letter's safe return, and he will pay 50,000 francs to anyone who can help him. Dupin asks him to write that check now and he will give him the letter. The Prefect is astonished but knows that Dupin is not joking. He writes the check and Dupin produces the letter. The Prefect determines that it is genuine and races off to deliver it to the victim. Alone together, the narrator asks Dupin how he found the letter. Dupin explains the Paris police are competent within their limitations, but have underestimated who they are dealing with. The Prefect mistakes the Minister D— for a fool because he is a poet. For example, Dupin explains how an eight-year old boy made a small fortune from his friends at a game called "Odds and Evens." The boy was able to determine the intelligence of his opponents and play upon that to interpret their next move. He explains that D— knew the police detectives would have assumed that the blackmailer would have concealed the letter in an elaborate hiding place, and thus hid it in plain sight. Dupin says he had visited the minister at his hotel. Complaining of weak eyes he wore a pair of green spectacles, the true purpose of which was to disguise his eyes as he searched for the letter. In a cheap card rack hanging from a dirty ribbon, he saw a half-torn letter and recognized it as the letter of the story's title. Striking up a conversation with D— about a subject in which the minister is interested, Dupin examined the letter more closely. It did not resemble the letter the Prefect described so minutely; the writing was different and it was sealed not with the "ducal arms" of the S— family, but with D—'s monogram. Dupin noticed that the paper was chafed as if the stiff paper was first rolled one way and then another. Dupin concluded that D— wrote a new address on the reverse of the stolen one, re-folded it the opposite way and sealed it with his own seal. Dupin left a snuff box behind as an excuse to return the next day. Striking up the same conversation they had begun the previous day, D— was startled by a gunshot in the street. While he went to investigate, Dupin switched D—'s letter for a duplicate. Dupin explains that he left a duplicate to ensure his ability to leave the hotel without D— suspecting his actions. As a political supporter of the Queen and old enemy of the Minister, Dupin also hopes that D— will try to use the power he no longer has, to his political downfall, and at the end be presented with an insulting note that implies Dupin was the thief: Un dessein si funeste, S'il n'est digne d'Atrée, est digne de Thyeste (If such a sinister design isn't worthy of Atreus, it is worthy of Thyestes). (see Atree et Thyeste on French wikipedia) |
The Tale of Genji | Murasaki Shikibu | 1,021 | The work recounts the life of a son of the Japanese emperor, known to readers as Hikaru Genji, or "Shining Genji". For political reasons, Genji is relegated to commoner status (by being given the surname Minamoto) and begins a career as an imperial officer. The tale concentrates on Genji's romantic life and describes the customs of the aristocratic society of the time. Much is made of Genji's good looks. Genji was the second son of a certain ancient emperor ("Emperor Kiritsubo") and a low-ranking but beloved concubine (known to the readers as Lady Kiritsubo). Genji's mother dies when he is three years old, and the Emperor cannot forget her. The Emperor Kiritsubo then hears of a woman ("Lady Fujitsubo"), formerly a princess of the preceding emperor, who resembles his deceased concubine, and later she becomes one of his wives. Genji loves her first as a stepmother, but later as a woman. They fall in love with each other, but it is forbidden. Genji is frustrated because of his forbidden love for the Lady Fujitsubo and is on bad terms with his wife (Aoi no Ue). He also engages in a series of unfulfilling love affairs with other women. In most cases, his advances are rebuffed, his lover dies suddenly during the affair, or he finds his lover to be dull and his feelings change. In one case, he sees a beautiful young woman through an open window, enters her room without permission, and proceeds to seduce her. Recognizing him as a man of unchallengeable power, she makes no resistance. Genji visits Kitayama, the northern rural hilly area of Kyoto, where he finds a beautiful ten-year-old girl. He is fascinated by this little girl ("Murasaki"), and discovers that she is a niece of the Lady Fujitsubo. Finally he kidnaps her, brings her to his own palace and educates her to be his ideal lady; that is, like the Lady Fujitsubo. During this time Genji also meets the Lady Fujitsubo secretly, and she bears his son, Reizei. Everyone except the two lovers believes the father of the child is the Emperor Kiritsubo. Later, the boy becomes the Crown Prince and Lady Fujitsubo becomes the Empress, but Genji and Lady Fujitsubo swear to keep their secret. Genji and his wife, Lady Aoi, reconcile and she gives birth to a son but dies soon after. Genji is sorrowful, but finds consolation in Murasaki, whom he marries. Genji's father, the Emperor Kiritsubo, dies. He is succeeded by his son Suzaku, whose mother ("Kokiden"), together with Kiritsubo's political enemies (including the "Minister of the Right") takes power in the court. Then another of Genji's secret love affairs is exposed: Genji and a concubine of the Emperor Suzaku, Genji's brother, are discovered when they meet in secret. The Emperor Suzaku confides his personal amusement at Genji's exploits with the woman ("Oborozukiyo"), but is duty-bound to punish his half-brother. Genji is thus exiled to the town of Suma in rural Harima province (now part of Kobe in Hyōgo Prefecture). There, a prosperous man known as the Akashi Novice (because he is from Akashi in Settsu province) entertains Genji, and Genji has a love affair with Akashi's daughter. She gives birth to Genji's only daughter, who will later become the Empress. In the Capital, the Emperor Suzaku is troubled by dreams of his late father, Kiritsubo, and something begins to affect his eyes. Meanwhile, his mother, Kokiden, grows ill, which weakens her powerful sway over the throne. Thus the Emperor orders Genji pardoned, and he returns to Kyoto. His son by Lady Fujitsubo, Reizei, becomes the emperor, and Genji finishes his imperial career. The new Emperor Reizei knows Genji is his real father, and raises Genji's rank to the highest possible. However, when Genji turns 40 years old, his life begins to decline. His political status does not change, but his love and emotional life are slowly damaged. He marries another wife, the "Third Princess" (known as Onna san no miya in the Seidensticker version, or Nyōsan in Waley's). Genji's nephew, Kashiwagi, later forces himself on the "Third Princess" and she bears Kaoru (who, in a similar situation to that of Reizei, is legally known as the son of Genji). Genji's new marriage changes his relationship with Murasaki, who becomes a nun (bikuni). Genji's beloved Murasaki dies. In the following chapter, Maboroshi ("Illusion"), Genji contemplates how fleeting life is. Immediately after Maboroshi, there is a chapter entitled Kumogakure ("Vanished into the Clouds") which is left blank, but implies the death of Genji. The rest of the work is known as the "Uji Chapters". These chapters follow Kaoru and his best friend, Niou. Niou is an imperial prince, the son of Genji's daughter, the current Empress now that Reizei has abdicated the throne, while Kaoru is known to the world as Genji's son but is in fact fathered by Genji's nephew. The chapters involve Kaoru and Niou's rivalry over several daughters of an imperial prince who lives in Uji, a place some distance away from the capital. The tale ends abruptly, with Kaoru wondering if the lady he loves is being hidden away by Niou. Kaoru has sometimes been called the first anti-hero in literature. |
Master and Commander | Patrick O'Brian | 1,970 | The story starts out on April 18, 1800, in Port Mahon, Minorca, a base of the Royal Navy at that time. A shipless lieutenant wasting away in port, Jack Aubrey, meets Stephen Maturin, a poor half-Irish and half-Catalan physician and natural philosopher, at an evening concert at the Governor’s Mansion. The two of them do not quite get along during this first encounter. A duel almost occurs when Jack Aubrey gets elbowed by Maturin to stop beating the time while the string quartet is playing. Later that evening, on his way back to his living quarters, Jack Aubrey finds out that he has been promoted to the rank of Commander and has been given command of the brig Sophie. His joy overcomes his animosity towards Stephen Maturin and they quickly become good friends in part due to their shared love of music. The ship's surgeon having left with the previous captain, Maturin is asked by Aubrey to sign on in that post. Although Maturin is a physician, not just a mere surgeon, he agrees, since he is currently unemployed. Also introduced into the story are Master's Mates Thomas Pullings, William Mowett, midshipman William Babbington, and James Dillon, the Sophies first lieutenant. Dillon and Stephen both have secret backgrounds as members of the United Irishmen. Aubrey improves Sophies sailing qualities by adding a longer yard which allows him to spread a larger mainsail. She then is sent to accompany a small convoy of merchant ships. During their journey east, the new captain, Aubrey, takes the opportunity to get to know his sailors and work them into a fighting unit. As he does this, he and the crew explain many naval matters to Maturin (and to the reader) since the doctor has never served aboard a man-of-war. After the convoy duties, Lord Keith allows Aubrey to cruise independently, looking for French merchants. After a number of prizes are taken, they meet and defeat the Cacafuego, a Spanish frigate, losing a number of crew, including Dillon, in the bloody action and gaining the respect of other naval officers. However, Captain Harte, the commandant at Mahon, has a grudge against Aubrey, who has been having an affair with his wife. Harte's malevolence ensures that the victory brings Aubrey and his crew no official recognition, promotion, or significant prize money, although Aubrey gains a reputation among members of the British Navy as one of its great, young fighting captains. On her following escort duty, Sophie is captured by a squadron of four large French warships after a pursuit and a brave but hopeless resistance. The Battle of Algeciras begins, and after a short period as prisoners of war, they are exchanged, missing the fighting. Back at Gibraltar, Aubrey must undergo a court-martial over the loss of his ship, but he is cleared of the charges. |
The Devil and Daniel Webster | Stephen Vincent Benét | 1,937 | A local farmer, Jabez Stone, is plagued with unending bad luck, causing him to finally swear that "it's enough to make a man want to sell his soul to the devil!" Stone is visited the next day by a stranger, who later identifies himself as "Mr. Scratch" and makes such an offer (in exchange for seven years of prosperity), to which Stone agrees. After the seven years, Stone manages to bargain for an additional three years from Mr. Scratch. However, after the additional three years passes, Mr. Scratch refuses to grant Stone any further extension of time. Wanting out of the deal, Stone convinces famous lawyer and orator Daniel Webster to accept his case. At midnight of the appointed date, Mr. Scratch arrives and is greeted by Webster, who presents himself as Stone's attorney. Mr. Scratch tells Webster, "I shall call upon you, as a law-abiding citizen, to assist me in taking possession of my property," and so begins the argument. It goes poorly for Webster, since the signature and the contract are clear, and Mr. Scratch will not agree to a compromise. In desperation Webster thunders, "Mr. Stone is an American citizen, and no American citizen may be forced into the service of a foreign prince. We fought England for that in '12 and we'll fight all hell for it again!" To this Mr. Scratch insists on his citizenship citing his presence at the worst events of the USA, concluding that "though I don't like to boast of it, my name is older in this country than yours." A trial is then demanded by Daniel as the right of every American. Mr. Scratch agrees after Daniel says that he can select the judge and jury, "so it is an American judge and an American jury." A jury of the damned then enters, "with the fires of hell still upon them." They had all done evil, and had all played a part in the USA: *Walter Butler, a Loyalist *Simon Girty, a Loyalist *Indian chief Metacomet, referred to as "King Philip" *Governor Thomas Dale *Thomas Morton, a rival of the Plymouth Pilgrims *The pirate Edward Teach, also known as Blackbeard *Reverend John SmeetAnderson, Charles R. "Puzzles and Essays" from "The Exchange" - Trick Reference Questions, p. 122: "In 'The Devil and Daniel Webster' by Stephen Vincent Benét, there is a character named the Reverend John Smeet. Was this a real person? :Mrs. Stephen Vincent Benét (1960), in a letter to the New York Times Book Review, claimed that the good reverend was entirely imaginary. Mrs. Benet explained that her husband occasionally used to insert imaginary people into his writings. Benet even quoted from a made-up person named John Cleveland Cotton. He went so far as to write an apocryphal biographical note about Cotton that ended up in Marion King's Books and People (King, 1954). In this Benet anticipated authors Tim Powers and James Blaylock, who created a poet named William Ashbless." After five other unnamed jurors enter (Benedict Arnold not among them, he being out "on other business"), the "Judge" enters last – John Hathorne, the infamous and unrepentant executor of the Salem witch trials. The trial is rigged against Webster. Finally he is on his feet ready to rage, without care for himself or Stone, but catches himself before he begins to speak: he sees in the jurors' eyes that they want him to act thus. He calms himself, "for it was him they'd come for, not only Jabez Stone." Webster starts to orate on all of simple and good things—"the freshness of a fine morning...the taste of food when you're hungry...the new day that's every day when you're a child"—and how "without freedom, they sickened." He speaks passionately of how wonderful it is to be a man, and to be an American. He admits the wrongs done in the USA, but argues that something new and good had grown from it, "and everybody had played a part in it, even the traitors." Mankind "got tricked and trapped and bamboozled, but it was a great journey," something "no demon that was ever foaled" could ever understand. The jury announces its verdict: "We find for the defendant, Jabez Stone." They admit that, "Perhaps 'tis not strictly in accordance with the evidence, but even the damned may salute the eloquence of Mr. Webster." The judge and jury disappear with the break of dawn. Mr. Scratch congratulates Webster and the contract is torn up. Webster then grabs the stranger and twists his arm behind his back, "for he knew that once you bested anybody like Mr. Scratch in fair fight, his power on you was gone." Webster makes him agree "never to bother Jabez Stone nor his heirs or assigns nor any other New Hampshire man till doomsday!" Mr. Scratch offers to tell Webster's fortune in his palm. He foretells Webster's failure to ever become President, the death of Webster's sons, and the backlash of his last speech, warning "Some will call you Ichabod," as in John Greenleaf Whittier's poem in reaction to the speech. All the predictions the devil makes are based on actual events of Daniel Webster's life: he did have ambitions to become President, his sons died in war, and as a result of Webster's controversial "Seventh of March Speech", in which he supported the Compromise of 1850, many in the North considered him a traitor. Webster takes all the predictions in stride, and asks only if the Union will prevail. Scratch reluctantly admits that, though a war will be fought for it, the United States will remain united. Webster then laughs and kicks him out of the house. It is said that the devil never did come back to New Hampshire afterward. |
The Luck of Barry Lyndon | William Makepeace Thackeray | 1,844 | Redmond Barry of Bally Barry, born to a genteel but ruined Irish family, fancies himself a gentleman. At the prompting of his mother, he learns what he can of courtly manners and sword-play, but fails at more scholarly subjects like Latin. He is a hot-tempered, passionate lad, and falls madly in love with his cousin, Nora. Sadly, as she is a spinster a few years older than Redmond, she is seeking a prospect with more ready cash to pay family debts. The lad tries to engage in a duel with Nora's suitor, an English officer named John Quinn. He is made to think that he has assassinated the man, though his pistol was actually loaded with "tow" (a dummy load of heavy, knotted, fibers); Quinn was struck with the harmless load and fainted in his fright. Redmond flees to Dublin, where he quickly falls in with bad company in the way of con artists, and soon loses all his money. Pursued by creditors, he enlists as a common private in an infantry regiment headed for service in Germany. Once in Germany, despite a promotion to corporal, he hates the army and seeks to desert. When his Lieutenant is wounded, Redmond helps take him to a German village for treatment. The Irishman pretends to suffer from insanity, and after several days absconds with the Lieutenant's uniform, papers, and money. As part of his ruse, he convinces the locals that he is the real Lieutenant Fakenham, and the wounded man is the mad Corporal Barry. Redmond Barry rides off toward a neutral German territory, hoping for better fortune. His bad luck continues, though, as he is joined on the road by a Prussian officer. The German soon realizes that Redmond is a deserter, but rather than turn him over to the British to be hanged, impresses him into the Prussian army (for a bounty). Redmond hates Prussian service as much or more than he hated British service, but the men are carefully watched to prevent desertion. He is able to become the servant of Captain Potzdorff, and is involved in the intrigues of that gentleman. After several months have passed, a stranger travelling under Austrian protection arrives in Berlin. Redmond is asked to spy on the stranger, an older man called Chevalier de Balibari (sic. Ballybary). He immediately realizes that this is his uncle, the adventurer who disappeared many years ago. The uncle arranges to smuggle his nephew out of Prussia, and this is soon done. The two Irishmen and an accomplice wander around Europe, gambling and generally living it up. Eventually, the Barrys end up in a Rhineland Duchy, where they win considerable sums of money and Redmond cleverly sets up a plan to marry a young countess of some means. Again, fortune turns against him, and a series of circumstances undermines his complex plan. Both Uncle and Nephew are forced to leave Germany—both unmarried. While cooling their heels in France, Redmond comes into the acquaintance of the Countess of Lyndon, an extraordinarily wealthy noblewoman married to a much older man (who is in poor health). He has some success in seducing the Lady, but her husband clings to life. Eventually, she goes back to England. Redmond is upset, but bides his time. Upon hearing the following year that the husband has died, he strikes. Through a series of adventures, Redmond eventually bullies and seduces the Countess of Lyndon, almost forcing her to marry him. After the wedding, he moves into Hackton Castle, which he has completely remodelled at great expense. Redmond admits several times in the course of his narrative that he has no control over a budget, and spends his new bride's birthright freely. He looks after a few childhood benefactors in Ireland, his Cousin Ulick (who had often stood up for him as a boy), and makes himself over into the most fashionable man in the district. As the American War of Independence breaks out, Barry Lyndon (as he now calls himself) raises a company of soldiers to be sent to America. He also defeats his wife's cousins to win a seat in Parliament. His good fortunes begin to ebb again though. His stepson, Lord Bullingdon, goes off to the American war—and Barry is accused of trying to get the lad killed in battle. Then his own child—Bryan—dies in a tragic horse-riding accident. Combined with Barry's own profligate spending practices, he is ruined on many levels. As the "memoir" ends, (Redmond) Barry Lyndon is separated from his wife, and lodged in Fleet Prison. A small stipend allows him to live in moderate luxury, and his elderly mother lodges close by to tend to him. He spends the last nineteen years of his life in prison, dying of alcoholism-related illness. |
The End of Eternity | Isaac Asimov | 1,955 | The Eternity of the title is an organization and a place which exists outside time. It is staffed by male humans called Eternals who are recruited from different eras of human history commencing with the twenty-seventh century. The Eternals are capable of traveling “upwhen” and “downwhen” within Eternity and entering the conventional temporal world at almost any point of their choice, apart from a section of the far future which they cannot enter. Collectively they form a corps of Platonic guardians who carry out carefully calculated and planned strategic minimum actions, called Reality Changes, within the temporal world in order to minimize human suffering as integrated over the whole of (future) human history. As the plot unfolds, however, it is increasingly evident that Eternity itself suffers from serious maladjustments. The Eternals feel an unspoken collective guilt which causes them to scapegoat the "Technicians", the experts who actually execute Reality Changes by doing something that will alter the flow of events. The Eternals are also troubled that beyond a certain point in the future they are blocked by unknown means from entering Time. These are the "Hidden Centuries". Beyond the Hidden Centuries they can emerge, but find the earth devoid of human life. A key plot element which emerges quickly as the story unfolds is the relatively static nature of the human societies in the various future centuries, and the repeated failure of space travel in all accessible centuries. We later learn that Laban Twissell (Harlan’s superior and the leading figure on the governing Council) is from "a Century in the 30,000s", yet nothing much is different in that time. The protagonist is a Technician named Andrew Harlan, who finds himself involved in an ontological paradox orchestrated by his superiors. He is to secure the creation of Eternity by sending a young Eternal back in time with the mathematical knowledge to make it possible. To facilitate this Harlan's superiors in Eternity allow him to pursue his study of "prehistory", which is history prior to the Eternity's creation that, because Eternity had not yet been created then, cannot be traveled to nor changed. This intellectual pursuit is largely frowned upon by the Eternals, especially Harlan's superiors, but it becomes apparent his expert knowledge on the subject will be vital to Eternity's creation. Harlan himself is in trouble with the leaders of Eternity. He has been entrapped by one of them into entering into a relationship with a non-Eternal woman, Noÿs Lambent. This was intended merely to prove a point about the effect of Eternity on the individuals from real time who learn of it, but it has the unintended consequence of making Harlan besotted with the woman, so much so that he smuggles her into Eternity, since he has discovered that she will cease to exist in real time when the Eternals make their next Reality Change. Harlan’s whole scheme comes apart when it is revealed the leaders are fully aware of his activities. Normally the Eternals traverse from century to century within Eternity in a kind of temporal elevator called a kettle. A special version of the kettle has been built, however, for Harlan to dispatch a young Eternal, one Brinsley Sheridan Cooper, back to the 24th century, which lies “beyond the downwhen terminus” accessible via Eternity and its kettle system. Cooper is carefully instructed that he is to teach the principles and technology of time travel to its historic inventor, Vikkor Mallansohn, but unbeknownst to Cooper or Harlan, he will actually become Mallansohn himself. However Harlan, filled with malice after (erroneously) concluding that Twissell has trapped him and will deprive him of Noÿs, scrambles the time settings just as the special kettle departs. Cooper is trapped in the wrong time, so Eternity cannot be created. Unless something is done to change the past, Harlan’s reality, and Eternity, will be erased from existence. Twissell reveals that he too had once improperly loved a woman in Time, and manages to persuade Harlan that he sympathizes. Calming down, Harlan tries to think of a way that Cooper, also adept in the concept of Reality Change, could send him a message to return and retrieve him. Harlan believes that the apparently random target setting he chose on the kettle was the 20th century, and it occurs to him that Cooper was interested in his collection of artifacts from that time, particularly magazines. Perhaps the trapped Cooper would have found a way of leaving his SOS message in one of them. This is where Asimov’s mistaken “mushroom cloud” appears in the novel. Harlan comes upon an ad for stock tips—All the Talk Of the Market, concealing the acrostic A-T-O-M, accompanying a drawing of a mushroom cloud. The year on the masthead of the preserved publication is 1932. Since this predates the first atomic explosion, it must be a coded message from someone from the future—a reality change caused by Cooper. Before he reveals this discovery to the other Eternals, Harlan exacts a price, his lover is to be returned to him and both will go back to rescue Cooper. Once the couple arrive in 1932, Harlan reveals his last surprise. He has deduced that the woman, Noÿs Lambent, is herself an agent of Reality Change. She is from those centuries the Eternals cannot enter. She does not deny it. Instead she tells Harlan that her people, who prefer to watch past time rather than travel in it or change it, discovered that Eternity was, in choosing safety for humanity, suppressing creativity. In the end this has the effect of denying humanity's access to the stars, as alien species advance technologically and confine humanity to Earth. Eventually humanity will die out, millions of years in the future, leaving an empty Earth. However, if Eternity could be prevented from being created, humans would leave Earth and colonize the stars. Thus they cut themselves off from Eternity and began to plot its demise. It was not any specific Change but the very existence of any such organization as Eternity which had the deleterious effect, since when given the choice humanity would always choose safety. Noÿs Lambent reveals that in order to make Eternity improbable, Harlan needs only to decide to leave Cooper stranded in 1932. She also intends to send a carefully worded letter to Italy, causing a man (presumably Enrico Fermi) to "begin experimenting with the neutronic bombardment of uranium". This will start a chain of events which will lead to the first atom bomb in 1945. In the reality known up to that point, atomic power was discovered somewhat later (it is not explained when, but the 24th century had nuclear reactors, and no nuclear bombs were detonated until the 30th century). Acquiring the technology sooner, humanity will be diverted to focus more on the science of nucleonics and therefore develop interstellar space travel instead of time travel technology, and leading to a Galactic Empire instead of Eternity. Harlan at first intends to kill Noÿs and carry out his mission, but in comparing her story to that of the freakish and occasionally inhuman Eternals he has encountered, Harlan confirms his lingering suspicions that Eternity has been wrong for humanity. At the very moment he decides to help her, a Reality Change occurs and the 'kettle' linking them with Eternity vanishes into thin air. |
The Newcomes | William Makepeace Thackeray | 1,855 | The novel tells the story of Colonel Thomas Newcome, a virtuous and upstanding character. It is equally the story of Colonel Newcome's son, Clive, who studies and travels for the purpose of becoming a painter, although the profession is frowned on by some of his relatives and acquaintances — notably Clive's snobbish, backstabbing cousin Barnes Newcome. Colonel Newcome goes out to India for decades, then returns to England where Clive meets his cousin Ethel. After years in England, the colonel returns to India for another several years and while he is there, Clive travels Europe and his love for Ethel waxes and wanes. Dozens of background characters appear, fade, and reappear. The colonel and Clive are only the central figures in The Newcomes, the action of which begins before the colonel's birth. Over several generations the Newcome family rises into wealth and respectability as bankers and begin to marry into the minor aristocracy. A theme that runs throughout the novel is the practice of marrying for money. Herein we find first use of the coined word "capitalism", as reference an economic system. Religion is another theme, particularly Methodism. |
Little Dorrit | Charles Dickens | 1,857 | The novel begins in Marseilles "thirty years ago" (i.e. ca. 1826) with the notorious murderer Rigaud informing his cell mate that he has murdered his wife. There is also the character Arthur Clennam, who is returning to London to see his mother following the death of his father with whom he had lived for twenty years in China. As he died, his father had given Arthur a mysterious watch, murmuring, "Your mother." Naturally Arthur had assumed that it was intended for Mrs Clennam, whom he and the world supposed to be his mother. Inside the watch casing was an old silk paper with the initials D N F (Do Not Forget) worked into it in beads. It was a message, but when Arthur shows it to harsh and implacable Mrs Clennam, a religious fanatic, she refuses to reveal what it means, and the two become estranged. In London, William Dorrit, imprisoned as a debtor, has been a resident of Marshalsea debtor's prison for so long that his three children — snobbish Fanny, idle Edward (known as Tip), and Amy (known as Little Dorrit) — have all grown up there, though they are free to pass in and out of the prison as they please. Amy is devoted to her father and through her sewing, has been financially supporting the two of them. Once in London, Arthur is reacquainted with his former fiancée Flora Finching, who is now overweight and simpering. Arthur's mother, Mrs Clennam, although paralysed and a wheelchair user, still runs the family business with the help of her servant Jeremiah Flintwinch and his downtrodden wife Affery. When Arthur learns that Mrs Clennam has employed Little Dorrit as a seamstress, showing her unusual kindness, he wonders if the young girl might be connected with the mystery of the watch. Suspecting that his mother played a part in the misfortunes of the Dorrits, Arthur follows the girl to the Marshalsea. He vainly tries to inquire about William Dorrit's debt at the poorly run Circumlocution Office and acts as a benefactor to her father and brother. While at the Circumlocution Office, Arthur meets the struggling inventor Daniel Doyce, whom he decides to help by becoming his business partner. The grateful Little Dorrit falls in love with Arthur, much to the dismay of the son of the Marshalsea jailer, John Chivery, who has loved her since childhood; Arthur, however, fails to recognize Amy's interest. At last, aided by the indefatigable debt-collector Pancks, Arthur discovers that William Dorrit is the lost heir to a large fortune and he is finally able to pay his way out of prison. William Dorrit decides that as a now respectable family, they should go on a tour of Europe. They travel over the Alps and take up residence for a time in Venice, and finally in Rome, carrying, with the exception of Amy, an air of conceit at their new-found wealth. Eventually after a spell of delirium, Mr Dorrit dies in Rome, and his distraught brother Frederick, a kind-hearted musician, who has always stood by him, also passes away. Amy is left alone and returns to London to stay with newly married Fanny and her husband, the foppish Edmund Sparkler. The fraudulent dealings (similar to a Ponzi scheme) of Mr Merdle who is Edmund Sparkler's stepfather leads to the collapse of Merdle's bank after his suicide, taking with it the savings of both the Dorrits and Arthur Clennam, who is now himself imprisoned in the Marshalsea. While there, he is taken ill and is nursed back to health by Amy. The French villain Rigaud, now in London, discovers that Mrs Clennam has been hiding the fact that Arthur is not her real son, and Rigaud attempts to blackmail her. Arthur's biological mother was a beautiful young singer with whom his father had gone through a ceremony of sorts before being pressured by his wealthy uncle to marry the present Mrs Clennam. Mrs Clennam had agreed to bring up the child on condition that his mother never see him. Arthur's real mother died of grief at being separated from Arthur and Mr Clennam, but the wealthy uncle, stung by remorse, had left a bequest to Arthur's biological mother and to "the youngest daughter of her patron", a kindly musician who had taught and befriended her—and who happened to be Amy Dorrit's paternal uncle, Frederick. As Frederick Dorrit had no daughter, the legacy goes to the youngest daughter of Frederick's younger brother, who is William Dorrit, Amy's father. Mrs Clennam has been suppressing her knowledge that Amy is the heiress to an enormous fortune and estate. Overcome by passion, Mrs Clennam rises from her chair and totters out of her house to reveal the secret to Amy and to beg her forgiveness, which the kind-hearted girl freely grants. Mrs Clennam then falls down in the street—never to recover the use of her speech or limbs—as the house of Clennam literally collapses before her eyes, killing Rigaud. Rather than hurt Arthur, Amy chooses not to reveal what she has learned, though this means that she misses her legacy. When Arthur's business partner Daniel Doyce returns from Russia a wealthy man, Arthur is released with his fortunes revived, and Arthur and Amy are married. Like many of Dickens novels, Little Dorrit contains numerous subplots. One subplot concerns Arthur Clennam's friends, the kindhearted Meagles. They are upset when their daughter Pet marries an artist called Gowan and when their servant and foster daughter Tattycoram is lured away from them to the sinister Miss Wade, an acquaintance of the criminal Rigaud. Miss Wade hates men, and it turns out she is the jilted sweetheart of Gowan. The character Little Dorrit (Amy) was inspired by Mary Ann Cooper (née Mitton): Charles Dickens sometimes visited her and her family; they lived in The Cedars, a house on Hatton Road west of London; its site is now under the east end of London Heathrow Airport. |
A Man Called Horse | Dorothy M. Johnson | 1,968 | The protagonist is a Boston aristocrat who is captured by a Native American tribe. Initially enslaved, he comes to respect his captors' culture and gains their respect. He joins the tribe by showing his bravery and, later, gets back his dignity by marrying his owner's daughter, killing rival Indians and taking their horses. Taking the native name "Horse" (he was treated as a horse), he becomes a respected member of the tribe. es:Un hombre llamado Caballo nl:A Man Called Horse |
Where Angels Fear to Tread | E. M. Forster | 1,905 | On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and Gino, a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law Philip to Italy to prevent a misalliance, but he arrives too late. Lilia had already married the Italian and becomes pregnant again. While giving birth to her son, she dies. The Herritons send Philip again to Italy, this time to save the infant boy from an uncivilized life and to save the family's reputation. Not wanting to be outdone—or considered any less moral or concerned than Caroline for the child's welfare—Lilia's in-laws try to take the lead in traveling to Italy. In the public eye, they make it known that it is both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. Secretly, though, they have no regard for the child; only public appearances. Similarly to A Room with a View, both Italy and its inhabitants are presented as exuding an irresistible charm, to which eventually Caroline Abbott also succumbs. However, there is a tragic ending to the novel: the accidental death of Lilia's child, which spurs a series of drastic changes within the story. Gino's physical outburst toward Philip in response to the news makes Philip realize what it is like to truly be alive. The guilt felt by Lilia's sister-in-law Harriet causes her to lose her mind. Finally, in Forster's novel, Philip realizes that he is in love with Caroline Abbott but that he can never have her, because she admits, dramatically, to being in love with Gino. The film by contrast, adds a positive ending to the story by hinting that Caroline's love for Gino may be just a passing fancy, with love between herself and Philip being possible. * Forster, E.M., Where Angels Fear to Tread, ed. by Oliver Stallybrass (London, 1975). * Winkgens, Meinhard, ’Die Funktionalisierung des Italienbildes in den Romanen "Where Angels Fear to Tread" von E.M. Forster und "The Lost Girl" von D.H. Lawrence’, Arcadia, 21 (1986), 41-61.. |
Shame | Salman Rushdie | 1,983 | This story takes place in a town called, "Q" which is actually a fictitious version of Pakistan. In "Q" the 3 sisters (Chunni, Munnee, and Bunny Shakil) simultaneously pretend to give birth to Omar Khayyám Shakil. Therefore, it is impossible to know who Omar's true mother is. In addition, they are unsure of who Omar's father is as the three sisters got pregnant at a house party. While growing up, Omar becomes mischievous and learns hypnosis. As a birthday present, Omar Khayyám Shakil's "mothers" allow him to leave "Q." He enrolls in a school and is convinced by his tutor (Eduardo Rodriguez) to become a doctor. Over time, he comes in contact with both Iskander Harappa and General Raza Hyder. |
Trent's Last Case | E. C. Bentley | null | Trent's Last Case is actually the first novel in which gentleman sleuth Philip Trent appears. The novel is a whodunit with a place in detective fiction history because it is the first major sendup of that genre: Not only does Trent fall in love with one of the primary suspects—usually considered a no-no—he also, after painstakingly collecting all the evidence, draws all the wrong conclusions. Convinced that he has tracked down the murderer of a business tycoon who was shot in his mansion, he is told by the real perpetrator over dinner what mistakes in logical deduction he has made in trying to solve the case. On hearing what really happened, Trent vows that he will never again attempt to dabble in crime detection. |
Play | Samuel Beckett | 1,963 | The curtain rises on three identical grey funeral “urns”, about three feet tall by preference, arranged in a row facing the audience. They contain three stock characters. In the middle urn is a man (M). To his right is his wife (W1) or long-time partner. The third urn holds his mistress (W2). Their “[f]aces [are] so lost to age and aspect as to seem almost part of the urns.” Beckett has used similar imagery before, Mahood’s jar in The Unnameable, for example, or the dustbins occupied by Nell and Nagg in Endgame. At the beginning and end of the play, a spotlight picks out all three faces, and all three characters recite their own lines, in what Beckett terms a "chorus"; “He wrote each part separately, then interspersed them, working over the proper breaks in the speeches for a long time before he was satisfied.” One character speaks at a time and only when a strong spotlight shines in his or her face. The style is reminiscent of Mouth’s logorrhoea http://dictionary.reference.com/browse/logorrhea%20 in Not I, the obvious difference being that these characters constantly use first person pronouns. Clichés and puns abound. While one is talking the other two are silent and in darkness. They neither acknowledge the existence of the others around them (M: “To think we were never together”) nor appear aware of anything outside their own being and past (W2: “At the same time I prefer this to . . . the other thing. Definitely. There are endurable moments”). Beckett writes that this spotlight "provokes" the character's speech, and insists that whenever possible, a single, swivelling light should be used, rather than separate lights switching on and off. In this manner the spotlight is “expressive of a unique inquisitor”. Billie Whitelaw referred to it as “an instrument of torture.” The spotlight is in effect the play’s fourth character. In an almost fugal style the three obsess over the affair. Each presents his or her own version of the truth told in the past tense and each from his or her respective points of view. It is one of Beckett’s most ‘musical’ pieces with “a chorus for three voices, orchestration, stage directions concerning tempo, volume and tone, a da capo repeat of the entire action” and a short coda. Towards the end of the script, there is the concise instruction: "Repeat play." Beckett elaborates on this in the notes, by saying that the repeat might be varied. “[I]n the London production, variations were introduced: a weakening of light and voices in the first repeat, and more so in the second; an abridged second opening; increasing breathlessness; changes in the order of the opening words.” At the end of this second repeat, the play appears as if it is about to start again for a third time (as in Act Without Words II), but does not get more than a few seconds into it before it suddenly stops. “The affair was unexceptional. From the moment when the man tried to escape his tired marriage and odious professional commitments by taking a mistress, [events took a predictable enough course:] the wife soon began to ‘smell her off him’; there were painful recriminations when the wife accused the man, hired a private detective, threatened to kill herself, and confronted the mistress in an old rambling house reminiscent of Watt (and where the servant again is ‘Erskine’) … The man renounced the mistress, was forgiven by his wife who ‘suggested a little jaunt to celebrate, to the Riviera or … Grand Canary,’ and then, [true to form], returned to the mistress, this time to elope with her. [In time] their relationship too became jaded, and the man” abandons her as well. According to Knowlson and John Pilling in Frescoes of the Skull: the later prose and drama of Samuel Beckett, “[T]he three figures in Play … are not three-dimensional characters. Any attempt to analyse them as if they were would be absurd. The stereotype predominates … [They] belong … to the artificial world of melodrama and romance embodied in romanticized fiction.” |
Waverley | Walter Scott | 1,814 | The eponymous English protagonist, Edward Waverley, has been brought up in the family home by his uncle, Sir Everard Waverley, who maintains the family Tory and Jacobite sympathies, while Edward's Whig father works for the Hanoverian government in nearby London. Edward Waverley is given a commission in the Hanoverian army and is posted to Dundee, then promptly takes leave to visit Baron Bradwardine, a Jacobite friend of his uncle, and meets the Baron's lovely daughter Rose. When wild Highlanders visit the Baron's castle Waverley is intrigued and goes to the mountain lair of Clan Mac-Ivor, meeting the Chieftain Fergus and his sister Flora who turn out to be active Jacobites preparing for the '45 Rising. Waverley has overstayed his leave and is accused of desertion and treason, then arrested. Highlanders rescue him from his escort and take him to the Jacobite stronghold at Doune castle then on to Holyrood Palace where he meets Bonnie Prince Charlie himself. Encouraged by the beautiful Flora Mac-Ivor, Waverley goes over to the Jacobites and takes part in the Battle of Prestonpans, where he saves the life of a colonel who turns out to be a close friend of his uncle. Thus he escapes retribution and marries the Baron's daughter, Rose Bradwardine. |
The Vampire Lestat | Anne Rice | 1,985 | Set in the late 18th century to the late 1980s, the story follows the 200-year-long life of the vampire Lestat de Lioncourt, and his rise from humble beginnings as an impoverished aristocrat in the countryside of France to the city of Paris to become a vain and arrogant vampire. After escaping his family and running off to Paris with his friend and confidante Nicolas de Lenfent (nicknamed Nicki by Lestat), Lestat is kidnapped and bitten by the rogue elder vampire Magnus, who orphans him on the night he is made. Later, his dying mother, Gabrielle, arrives to say goodbye to him. In order to save her, Lestat bites her, transforming her into his first companion. Lestat abandons Nicki for fear of causing him harm and shuns contact with his loved ones. He later turns Nicki into a vampire after Armand kidnaps him and they begin to grow apart because of Nicki's sullenness; he later commits suicide by "going into the fire," from severe depression. Armand "shows" Lestat the history of how he was made by Marius. Compelled by the idea of Marius, Lestat leaves markings carved into rock in numerous places while traveling with Gabrielle, hoping that one day, Marius will see them and find Lestat. Whilst in Egypt, abandoned by Gabrielle, Lestat sleeps in the ground after being burned by the sun,and is recovered by Marius who takes him to his Mediterranean island. Then, Marius shares his past with him, and shows him Those Who Must Be Kept, Akasha and Enkil. Once Marius has given his warning to Lestat not to go see them again and leaves on a short outing, Lestat takes Nicolas's old violin and plays for the King and Queen, awakening them. Akasha feeds from Lestat as Lestat feeds from her. Then, Enkil, furious as ever, nearly kills Lestat, who is saved by Marius, and sent away. The book ends on a cliffhanger after Lestat's debut concert in San Francisco, and leads directly into the third volume, the Queen of the Damned. |
The Tale of the Body Thief | Anne Rice | 1,992 | At the beginning of the story, Lestat grows depressed and becomes remorseful because of his vampiric nature. Although he tries to limit his victims to murderers, serial killers and other criminals, he nonetheless caves into temptation once in a while and kills an "innocent" or someone who he feels does not necessarily deserve to die. Lestat also suffers from constant nightmares concerning his late "daughter," Claudia, for whose death he blames himself. The "coven" of vampires formed at the end of The Queen of the Damned has long since broken up, and Lestat has become extremely lonely. Among his only remaining friends is the mortal head of the Talamasca Caste, David Talbot, who is seventy-four years old. Although Lestat has repeatedly offered David the Dark Gift, David has always refused to become a vampire and keep Lestat company through eternity. Lonely and depressed, Lestat goes to the Gobi desert at dawn in a half-hearted suicide attempt. When he does not die, he goes to David's home in England to heal. A mysterious figure, Raglan James - the eponymous "Body Thief" of the story - approaches Lestat with what seems to be a cure for his ennui and depression. James sends Lestat several messages hinting that he has the ability to switch bodies. Eventually, he proposes to Lestat that the two of them trade bodies for a day. Against the advice of other vampires and David Talbot, Lestat jumps at the opportunity. Unfortunately, James has no intention of ever switching back, and Lestat is forced to scheme to regain his body. Lestat nearly dies after becoming human again - his new body is wracked by pneumonia, which he ignores during a tour of Washington D.C. in the middle of winter. He is saved by the care of a nun named Gretchen. He enjoys a short love affair with Gretchen before she returns to South America, where she works in a convent, and Lestat sets out in search of his body. Lestat seeks help from other vampires but is completely ostracized by them. Marius is extremely angry at him for leaving such a powerful body to a thief and refuses to help him. Likewise Louis turns him away when he asks Louis to make his new body into a vampire, arguing that Lestat ought to be happy to be human again and also calls him out on his previous writings, accusing him of altering his actual past in favor of one that portrays him heroically. Lestat's only ally is David Talbot. Drawing from the Talamasca's resources on the supernatural, Talbot reveals that James was a gifted psychic who once joined the order, but was kicked out for constant theft. He is a kleptomaniac who enjoys stealing for the thrill of it — it is revealed that every single thing he owns, from his house to his body, was stolen or schemed for. However, he also has major psychological problems, and his life is a series of cycles — he gets rich by theft, then often ends up in prison. Dying of cancer several years before, James tricked the inmate of a mental institution into switching bodies with him, allowing him a type of immortality. It is James' lack of imagination and petty thievery that allow Talbot and Lestat to track him down. Despite his newfound wealth and powerful new body, James continues to steal jewelry from people. He also makes a conspicuous show of his wealth, boarding the RMS Queen Elizabeth 2, and draining victims of their blood along the ship's path. The pattern allows his pursuers to easily find him. On the cruise ship, Lestat manages to regain his body with David's help, but the sun is rising as he performs the switch and he must immediately flee to a safe place in which to spend the day. When he awakes in the evening he finds that both James and Talbot have disappeared. Lestat finds David in Florida and is surprised to find that his friend, despite his earlier protestations, now wants to become a vampire. However, while taking his blood, Lestat discovers a final trick — when forced out of Lestat's body, James took over Talbot's body instead of returning to his own. Lestat angrily attacks James, crushing his skull. The blow proves fatal - the injury damages James' brain and prevents him from leaving the dying body or trying to switch bodies before his current one dies. At this point, Tale of the Body Thief reaches a false ending. Raglan James is dead. David has begun to enjoy life in his new, young body. Lestat returns to New Orleans, reunites with Louis, and begins to renovate his old house in the French Quarter. Above all, Lestat claims that he has finally come to accept his vampiric nature. However, Lestat then warns readers not to continue if they are happy with this ending. Lestat then resumes the narrative, claiming that he has regained his "evil" nature, and decides to make Talbot into a vampire against his wishes, and despite the role Talbot played in saving his life when everyone else abandoned him. After having immortality forced upon him, David again disappears. Lestat looks for him for a while, but upon having no luck he gives up and returns to New Orleans — where to his surprise he finds that David has already contacted Louis. David explains to Lestat that, in secret, this is what he always truly wanted. He tells Lestat that he is no longer angry with him, although he does usurp Lestat's position of leadership, despite the latters' protests. Having gotten rid of his old age, and now being immortal, David plans to visit Rio de Janeiro with Louis, and asks Lestat to join him. At the end, Lestat also realizes that, despite all that happened, he is still alone, has failed to regain his "humanity," and has thrown away his only chance to make amends for his past misdeeds. |
Memnoch the Devil | Anne Rice | 1,995 | After stalking and killing Roger, a ruthless but enthrallingly passionate mobster, Lestat is approached by Roger's ghost. Roger's ghost asks him to take care of his daughter Dora, a devout and popular television evangelist, whom he wants to spare from embarrassment. At the same time, Lestat has become increasingly paranoid that he's being stalked by a powerful force. Eventually, Lestat meets the Devil, who calls himself Memnoch. He takes Lestat on a whirlwind tour of Heaven, Hell and retells of the entirety of history from his own point of view in an effort to convince Lestat to join him as God's adversary. In his journey, Memnoch claims he is not evil, but merely working for God by ushering lost souls into Heaven. Lestat is left in confusion, unable to decide whether or not to cast his lot with the Devil. After the tour, Lestat believes himself to have had a major revelation. Among other things, he believes that he has seen Christ's crucifixion and that he has received Saint Veronica's Veil. He has also lost an eye in Hell. He tells his story to Armand, David Talbot and Dora, who have joined him in New York. Dora and Armand are deeply moved upon seeing the veil. Dora takes it and reveals it to the world, triggering a religious movement. Armand goes into the sunlight and immolates himself in order to convince people that a miracle has occurred. At the end of the novel, Lestat and David go to New Orleans. There, Maharet returns Lestat's eye to him, along with a note from Memnoch that reveals Memnoch may have been manipulating Lestat to serve his own agenda. Lestat then loses control of himself and Maharet is forced to chain him in the basement of the St. Elizabeth's convent, which is owned by the vampires, so that he will not hurt himself or others. Although the novel fits into the storyline of The Vampire Chronicles, the vast majority of it consists of Memnoch's account of cosmology and theology. The novel follows up on claims made by David Talbot in The Tale of the Body Thief that God and the Devil are on better terms than most Christians believe. It also reinterprets biblical stories to create a complete history of Earth, Heaven and Hell that fit neatly with the history of vampires given in The Queen of the Damned. |
The Further Adventures of Robinson Crusoe | Daniel Defoe | 1,719 | The book starts with the statement about Crusoe's marriage in England. He bought a little farm in Bedford and had three children: two sons and one daughter. Our hero suffered a distemper and a desire to see "his island." He could talk of nothing else, and one can imagine that no one took his stories seriously, except his wife. She told him, in tears, "I will go with you, but I won't leave you." But in the middle of this felicity, Providence unhinged him at once, with the loss of his wife. At the beginning of 1693, Crusoe made his nephew the commander of a ship. Around the beginning of January 1694, Crusoe and Friday went on board this ship in the Downs on the 8th, then arrived at Crusoe's Island via Ireland. They discovered that the English mutineers left on the island by Crusoe a decade earlier had been making trouble, but that when the island fell under attack by cannibals the various parties on the island were forced to work together under truce to meet the threat. Crusoe takes various steps to consolidate leadership on the island and assure the civility of the inhabitants, including leaving a quantity of needed supplies, setting up a sort of rule of law under an honour system and ensuring cohabitating couples are married. He also leaves additional residents with necessary skills. On the way to the mainland once again from Crusoe's island, the ship is attacked by the cannibals. Friday dies from three arrow shots during an attempt to negotiate, but the crew eventually wins the encounter without further serious casualty. After having buried Friday in the ocean, the same evening they set sail for Brazil. They stayed for a long period there, then went directly over to the Cape of Good Hope. They landed on Madagascar where their nine men were pursued by three hundred natives, because one of his mariners had carried off a young native girl among the trees. The natives hanged this person, so the crew massacred 32 persons and burned the houses of the native town. Crusoe opposed all these, therefore he was marooned, and settled at the Bay of Bengal for a long time. Finally, he bought a ship that later turned out to be stolen. Therefore they went to the river of Cambodia and Cochin-China or the bay of Tonquin, until they came to the latitude of 22 degrees and 30 minutes, and anchored at the island of Formosa (Taiwan). Then they arrived to the coast of China. They visited Nanking near the river of Kilam, and sailed southwards to a port called Quinchang. An old Portuguese pilot suggested them to go to Ningpo by the mouth of a river. This Ningpo was a canal that passed through the heart of that vast empire of China, crossed all the rivers and some hills by the help of sluices and gates, and went up to Peking, being near 270 leagues long. So they did, then it was the beginning of February, in the Old Style calendar, when they set out from Peking. Then they travelled through the following places: Changu, Naum (or Naun, a fortified city), Argun(a) on the Chinese-Russian border (April 13, 1703). Argun was the first town on the Russian border, then they went through Nertzinskoi (Nerchinsk), Plotbus, touched a lake called Schaks Ozer, Jerawena, the river Udda, Yeniseysk, and Tobolsk (from September 1703 to beginning of June 1704). They arrived into Europe around the source of the river Wirtska, south of the river Petrou, to a village called Kermazinskoy near Soloy Kamskoy (Solikamsk). They passed a little river called Kirtza, near Ozomoys (or Gzomoys), came to Veuslima (?) on the river Witzogda (Vychegda), running into the Dwina, then they stayed in Lawrenskoy (July 3–7, 1704; possibly Yarensk, known as Yerenskoy Gorodok at that time). Finally Crusoe arrived at the White Sea port town Arch-Angel (Archangelsk) on August 18, sailed into Hamburg (September 18), and Hague. He arrived at London on 10 January 1705, having been gone from England ten years and nine months. |
The 120 Days of Sodom, or the School of Libertinism | Donatien Alphonse François de Sade, Marquis de Sade | 1,905 | The 120 Days Of Sodom is set in a remote medieval castle, high in the mountains and surrounded by forests, detached from the rest of the world and not set at any specific point in time (although it is implied at the start that the events in the story take place either during or shortly after the Thirty Years' War, which lasted from 1618 to 1648). The novel takes place over five months, November to March. Four wealthy libertines lock themselves in a castle, the Château de Silling, along with a number of victims and accomplices. (The description of Silling matches de Sade's own castle, the Château de Lacoste.) They intend to listen to various tales of depravity from four veteran prostitutes, which will inspire them to engage in similar activities with their victims. It is not a complete novel. Only the first section is written in detail. After that, the remaining three parts are written as a draft, in note form, with Sade's footnotes to himself still present in most translations. Either at the outset, or during the writing of the work, Sade had evidently decided he would not be able to complete it in full and elected to write out the remaining three-quarters in brief and finish it later. The story does portray some black humor, and Sade seems almost lighthearted in his introduction, referring to the reader as "friend reader". In this introduction he contradicts himself, at one point insisting that one should not be horrified by the 600 passions outlined in the story because everybody has their own tastes, but at the same time going out of his way to warn the reader of the horrors that lay ahead, suggesting that the reader should have doubts about continuing. Consequently he glorifies as well as vilifies the four main protagonists, alternately declaring them freethinking heroes and debased villains, often in the same passage. |
War and Peace | Leo Tolstoy | 1,869 | War and Peace has a large cast of characters, the majority of whom are introduced in the first book. Some are actual historical figures, such as Napoleon and Alexander I. While the scope of the novel is vast, it is centered around five aristocratic families. The plot and the interactions of the characters take place in the era surrounding the 1812 French invasion of Russia during the Napoleonic wars. The novel begins in July 1805 in Saint Petersburg, at a soirée given by Anna Pavlovna Scherer — the maid of honour and confidante to the queen mother Maria Feodorovna. Many of the main characters and aristocratic families in the novel are introduced as they enter Anna Pavlovna's salon. Pierre (Pyotr Kirilovich) Bezukhov is the illegitimate son of a wealthy count, an elderly man who is dying after a series of strokes. Pierre is about to become embroiled in a struggle for his inheritance. Educated abroad at his father's expense following his mother's death, Pierre is essentially kindhearted, but socially awkward, and owing in part to his open, benevolent nature, finds it difficult to integrate into Petersburg society. It is known to everyone at the soirée that Pierre is his father's favorite of all the old count’s illegitimate children. Also attending the soireé is Pierre's friend, the intelligent and sardonic Prince Andrei Nikolayevich Bolkonsky, husband of Lise, the charming society favourite. Finding Petersburg society unctuous and disillusioned with married life after discovering his wife is empty and superficial, Prince Andrei makes the fateful choice to be an aide-de-camp to Prince Mikhail Ilarionovich Kutuzov in the coming war against Napoleon. The plot moves to Moscow, Russia's ancient city and former capital, contrasting its provincial, more Russian ways to the highly mannered society of Petersburg. The Rostov family are introduced. Count Ilya Andreyevich Rostov has four adolescent children. Thirteen-year-old Natasha (Natalia Ilyinichna) believes herself in love with Boris Drubetskoy, a disciplined young man who is about to join the army as an officer. Twenty-year-old Nikolai Ilyich pledges his love to Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, an orphan who has been brought up by the Rostovs. The eldest child of the Rostov family, Vera Ilyinichna, is cold and somewhat haughty but has a good prospective marriage in a Russian-German officer, Adolf Karlovich Berg. Petya (Pyotr Ilyich) is nine and the youngest of the Rostov family; like his brother, he is impetuous and eager to join the army when of age. The heads of the family, Count Ilya Rostov and Countess Natalya Rostova, are an affectionate couple but forever worried about their disordered finances. At Bald Hills, the Bolkonskys' country estate, Prince Andrei departs for war and leaves his terrified, pregnant wife Lise with his eccentric father Prince Nikolai Andreyevich Bolkonsky and devoutly religious sister Maria Nikolayevna Bolkonskaya. The second part opens with descriptions of the impending Russian-French war preparations. At the Schöngrabern engagement, Nikolai Rostov, who is now conscripted as ensign in a squadron of hussars, has his first taste of battle. He meets Prince Andrei, whom he insults in a fit of impetuousness. Even more than most young soldiers, he is deeply attracted by Tsar Alexander's charisma. Nikolai gambles and socializes with his officer, Vasily Dmitrich Denisov, and befriends the ruthless, and perhaps, psychopathic Fyodor Ivanovich Dolokhov. Book Two begins with Nikolai Rostov briefly returning on home leave to Moscow. Nikolai finds the Rostov family facing financial ruin due to poor estate management. He spends an eventful winter at home, accompanied by his friend Denisov, his officer from the Pavlograd Regiment in which he serves. Natasha has blossomed into a beautiful young girl. Denisov falls in love with her, proposes marriage but is rejected. Although his mother pleads with Nikolai to find himself a good financial prospect in marriage, Nikolai refuses to accede to his mother's request. He promises to marry his childhood sweetheart, the dowry-less Sonya. Pierre Bezukhov, upon finally receiving his massive inheritance, is suddenly transformed from a bumbling young man into the richest and most eligible bachelor in the Russian Empire. Despite rationally knowing that it is wrong, he is convinced into marriage with Prince Kuragin's beautiful and immoral daughter Hélène (Elena Vasilyevna Kuragina), to whom he is superficially attracted. Hélène, who is rumoured to be involved in an incestuous affair with her brother, the equally charming and immoral Anatol, tells Pierre that she will never have children with him. Hélène is rumoured to have an affair with Dolokhov, who mocks Pierre in public. Pierre loses his temper and challenges Dolokhov, a seasoned dueller and ruthless killer, to a duel. Unexpectedly, Pierre wounds Dolokhov. Hélène denies her affair, but Pierre is convinced of her guilt and, after almost being violent to her, leaves her. In his moral and spiritual confusion, Pierre joins the Freemasons, and becomes embroiled in Masonic internal politics. Much of Book Two concerns his struggles with his passions and his spiritual conflicts to be a better man. Now a rich aristocrat, he abandons his former carefree behavior and enters upon a philosophical quest particular to Tolstoy: how should one live a moral life in an ethically imperfect world? The question continually baffles and confuses Pierre. He attempts to liberate his serfs, but ultimately achieves nothing of note. Pierre is vividly contrasted with the intelligent and ambitious Prince Andrei Bolkonsky. At the Battle of Austerlitz, Andrei is inspired by a vision of glory to lead a charge of a straggling army. He suffers a near fatal artillery wound. In the face of death, Andrei realizes all his former ambitions are pointless and his former hero, Napoleon (who rescues him in a horseback excursion to the battlefield), is apparently as vain as himself. Prince Andrei recovers from his injuries in a military hospital and returns home, only to find his wife Lise dying in childbirth. He is stricken by his guilty conscience for not treating Lise better when she was alive and is haunted by the pitiful expression on his dead wife's face. His child, Nikolenka, survives. Burdened with nihilistic disillusionment, Prince Andrei does not return to the army but chooses to remain on his estate, working on a project that would codify military behavior to solve problems of disorganization responsible for the loss of life on the Russian side. Pierre visits him and brings new questions: where is God in this amoral world? Pierre is interested in panentheism and the possibility of an afterlife. Pierre's estranged wife, Hélène, begs him to take her back, and against his better judgment and in trying to abide by the Freemason laws of forgiveness, he does. Despite her vapid shallowness, Hélène establishes herself as an influential hostess in Petersburg society. Prince Andrei feels impelled to take his newly written military notions to Petersburg, naively expecting to influence either the Emperor himself or those close to him. Young Natasha, also in Petersburg, is caught up in the excitement of dressing for her first grand ball, where she meets Prince Andrei and briefly reinvigorates him with her vivacious charm. Andrei believes he has found purpose in life again and, after paying the Rostovs several visits, proposes marriage to Natasha. However, old Prince Bolkonsky, Andrei's father, dislikes the Rostovs, opposes the marriage, and insists on a year's delay. Prince Andrei leaves to recuperate from his wounds abroad, leaving Natasha initially distraught. She soon recovers her spirits, however, and Count Rostov takes her and Sonya to spend some time with a friend in Moscow. Natasha visits the Moscow opera, where she meets Hélène and her brother Anatol. Anatol has since married a Polish woman who he has abandoned in Poland. He is very attracted to Natasha and is determined to seduce her. Hélène and Anatol conspire together to accomplish this plan. Anatol kisses Natasha and writes her passionate letters, eventually establishing plans to elope. Natasha is convinced that she loves Anatol and writes to Princess Maria, Andrei's sister, breaking off her engagement. At the last moment, Sonya discovers her plans to elope and foils them. Pierre is initially horrified by Natasha's behavior, but realizes he has fallen in love with her. During the time when the Great Comet of 1811–2 streaks the sky, life appears to begin anew for Pierre. Prince Andrei accepts coldly Natasha's breaking of the engagement. He tells Pierre that his pride will not allow him to renew his proposal. Ashamed, Natasha makes a suicide attempt and is left seriously ill. With the help of her family, especially Sonya, and the stirrings of religious faith, Natasha manages to persevere in Moscow through this dark period. Meanwhile, the whole of Russia is affected by the coming confrontation between Napoleon's troops and the Russian army. Pierre convinces himself through gematria that Napoleon is the Antichrist of the Book of Revelation. Old prince Bolkonsky dies of a stroke while trying to protect his estate from French marauders. No organized help from any Russian army seems available to the Bolkonskys, but Nikolai Rostov turns up at their estate in time to help put down an incipient peasant revolt. He finds himself attracted to Princess Maria, but remembers his promise to Sonya. Back in Moscow, the war-obsessed Petya manages to snatch a loose piece of the Tsar's biscuit outside the Cathedral of the Assumption; he finally convinces his parents to allow him to enlist. Napoleon himself is a main character in this section of the novel and is presented in vivid detail, as both a thinker and would-be strategist. His toilette and his customary attitudes and traits of mind are depicted in detail. Also described are the well-organized force of over 400,000 French Army (only 140,000 of them actually French-speaking) which marches quickly through the Russian countryside in the late summer and reaches the outskirts of the city of Smolensk. Pierre decides to leave Moscow and go to watch the Battle of Borodino from a vantage point next to a Russian artillery crew. After watching for a time, he begins to join in carrying ammunition. In the midst of the turmoil he experiences firsthand the death and destruction of war. The battle becomes a hideous slaughter for both armies and ends in a standoff. The Russians, however, have won a moral victory by standing up to Napoleon's reputedly invincible army. For strategic reasons and having suffered grievous losses, the Russian army withdraws the next day, allowing Napoleon to march on to Moscow. Among the casualties are Anatol Kuragin and Prince Andrei. Anatol loses a leg, and Andrei suffers a grenade wound in the abdomen. Both are reported dead, but their families are in such disarray that no one can be notified. The Rostovs have waited until the last minute to abandon Moscow, even after it is clear that Kutuzov has retreated past Moscow and Muscovites are being given contradictory, often propagandistic, instructions on how to either flee or fight. Count Rostopchin is publishing posters, rousing the citizens to put their faith in religious icons, while at the same time urging them to fight with pitchforks if necessary. Before fleeing himself, he gives orders to burn the city. The Rostovs have a difficult time deciding what to take with them, but in the end, Natasha convinces them to load their carts with the wounded and dying from the Battle of Borodino. Unknown to Natasha, Prince Andrei is amongst the wounded. When Napoleon's Grand Army finally occupies an abandoned and burning Moscow, Pierre takes off on a quixotic mission to assassinate Napoleon. He becomes an anonymous man in all the chaos, shedding his responsibilities by wearing peasant clothes and shunning his duties and lifestyle. The only people he sees while in this garb are Natasha and some of her family, as they depart Moscow. Natasha recognizes and smiles at him, and he in turn realizes the full scope of his love for her. Pierre saves the life of a French officer who fought at Borodino, yet is taken prisoner by the retreating French during his attempted assassination of Napoleon, after saving a woman from being raped by soldiers in the French Army. He becomes friends with a fellow prisoner, Platon Karataev, a peasant with a saintly demeanor, who is incapable of malice. In Karataev, Pierre finally finds what he has been seeking: an honest person of integrity (unlike the aristocrats of Petersburg society) who is utterly without pretense. Pierre discovers meaning in life simply by living and interacting with him. After witnessing French soldiers sacking Moscow and shooting Russian civilians arbitrarily, Pierre is forced to march with the Grand Army during its disastrous retreat from Moscow in the harsh Russian winter. After months of trial and tribulation—during which the fever-plagued Karataev is shot by the French—Pierre is finally freed by a Russian raiding party, after a small skirmish with the French that sees the young Petya Rostov killed in action. Meanwhile, Andrei, wounded during Napoleon's invasion, has been taken in as a casualty and cared for by the Rostovs, fleeing from Moscow to Yaroslavl. He is reunited with Natasha and his sister Maria before the end of the war. Having lost all will to live, he forgives Natasha in a last act before dying. As the novel draws to a close, Pierre's wife Hélène dies from an overdose of abortion medication (Tolstoy does not state it explicitly but the euphemism he uses is unambiguous). Pierre is reunited with Natasha, while the victorious Russians rebuild Moscow. Natasha speaks of Prince Andrei's death and Pierre of Karataev's. Both are aware of a growing bond between them in their bereavement. With the help of Princess Maria, Pierre finds love at last and, revealing his love after being released by his former wife's death, marries Natasha. The first part of the epilogue begins with the wedding of Pierre and Natasha in 1813. It is the last happy event for the Rostov family, which is undergoing a transition. Count Rostov dies soon after, leaving his eldest son Nikolai to take charge of the debt-ridden estate. Nikolai finds himself with the task of maintaining the family on the verge of bankruptcy. His abhorrence at the idea of marrying for wealth almost gets in his way, but finally he marries the now-rich Maria Bolkonskaya and in so doing also saves his family from financial ruin. Nikolai and Maria then move to Bald Hills with his mother and Sonya, whom he supports for the rest of their life. Buoyed by his wife's fortune, Nikolai pays off all his family's debts. They also raise Prince Andrei's orphaned son, Nikolai Andreyevich (Nikolenka) Bolkonsky. As in all good marriages, there are misunderstandings, but the couples–Pierre and Natasha, Nikolai and Maria–remain devoted to their spouses. Pierre and Natasha visit Bald Hills in 1820, much to the jubilation of everyone concerned. There is a hint in the closing chapters that the idealistic, boyish Nikolenka and Pierre would both become part of the Decembrist Uprising. The first epilogue concludes with Nikolenka promising he would do something with which even his late father "would be satisfied..." (presumably as a revolutionary in the Decembrist revolt). The second part of the epilogue contains Tolstoy's critique of all existing forms of mainstream history. While most historians claim that historical events are the result of the actions of "heroes" and other great individuals, Tolstoy argues that this is impossible because of how rarely these actions result in great historical events. Rather, he argues, great historical events are the result of many smaller events driven by the thousands of individuals involved, (he compares this to Calculus, and the sum of infinitesimals). He then goes on to argue that these smaller events are the result of an inverse relationship between necessity and free-will, necessity being based on reason and therefore explainable by historical analysis, and free-will being based on "consciousness" and therefore inherently unpredictable. |
On the Beach | Nevil Shute | 1,957 | The story is set primarily in and around Melbourne, Australia, in 1963. World War III has devastated most of the populated world, polluting the atmosphere with nuclear fallout and killing all human and animal life in the northern hemisphere. The war began with a nuclear attack by Albania on Italy and then escalated with the bombing of the United States and the United Kingdom by Egypt. Because the aircraft used in these attacks were obtained from the Soviet Union, the Soviets were mistakenly blamed, triggering a retaliatory strike on the USSR by NATO. There is also an attack by the Soviets on the People's Republic of China, which may have been a response to a Chinese attack aimed at occupying Soviet industrial areas near the Chinese border. Most if not all of the bombs had cobalt that was included to enhance their radioactive properties. Global air currents are slowly carrying the lethal nuclear fallout across the Intertropical Convergence Zone to the southern hemisphere. The only parts of the planet still habitable are Australia and New Zealand, South Africa, and the southern parts of South America, although these areas are slowly succumbing to radiation poisoning as well. Life in Melbourne continues in a reasonably normal fashion, though the near-complete lack of motor fuels makes travel difficult. People in Australia detect a mysterious and incomprehensible Morse code radio signal originating from Seattle, Washington, in the United States. With hope that someone has survived in the contaminated regions, one of the last American nuclear submarines, USS Scorpion, placed by its captain, Commander Dwight Towers, under Australian naval command, is ordered to sail north from its port of refuge in Melbourne (Australia's southernmost major mainland city) to contact whoever is sending the signal. In preparation for this journey, the submarine makes a shorter trip to port cities in northern Australia, including Cairns, Queensland and Darwin, Northern Territory, but finds no survivors. Two Australians sail with the American crew: Peter Holmes, naval liaison officer to the Americans, and a scientist, John Osborne. Commander Towers has become attached to a young Australian woman distantly related to Osborne named Moira Davidson, who tries to cope with the impending end of human life through heavy drinking. Despite his attraction to Davidson, Towers remains loyal to his wife and children in the United States. He buys his children gifts and imagines their growing older. At one point, however, he makes it clear to Moira that he knows his family is almost certainly dead, and he asks her if she thinks he is insane for acting as if they were still alive. She replies that she does not think he is crazy. The Australian government provides citizens with free suicide pills and injections so that they can avoid prolonged suffering from radiation poisoning. Periodic reports show the steady southward progression of the deadly radiation. As communications are lost with a city it is referred to as being "out." One of the novel's poignant dilemmas is that of Peter Holmes, who has a baby daughter and a naive and childish wife, Mary, who is in denial about the impending disaster. Because he has been assigned to travel north with the Americans, Peter tries to explain, to Mary's fury and disbelief, how to euthanize their baby and kill herself with the pill should he not return from his mission in time to help. The bachelor Osborne spends much of his time restoring a Ferrari racing car which he had purchased (along with a fuel supply) for a nominal amount following the outbreak of the war. The submarine travels to the Gulf of Alaska in the northern Pacific Ocean, where the crew determines that radiation levels are not decreasing. This finding discredits the "Jorgensen Effect," a scientific theory positing that radiation levels will gradually decrease due to weather effects and potentially allow for human life to continue in southern Australia or at least Antarctica. The submarine approaches San Francisco, California, observing through the periscope that the city had been devastated and the Golden Gate Bridge has fallen. In contrast, the Puget Sound area, from which the strange radio signals come, is found to have avoided destruction due to missile defenses. One crew member, who is from Edmonds, Washington, which the expedition visits, jumps ship to spend his last days in his home town. The expedition members then sail to an abandoned Navy communications school south of Seattle. A crewman sent ashore with oxygen tanks and protective gear discovers that, although the city's residents have long since perished, some of the region's hydroelectric power is still working due to primitive automation technology. He finds that the mysterious radio signal is the result of a broken window sash swinging in the breeze and occasionally hitting a telegraph key. After a brief stop at Pearl Harbor, the remaining submariners return to Australia to live out what little time they have left. The characters make their best efforts to enjoy what time remains to them, speaking of small pleasures and continuing their customary activities. The Holmeses plant a garden that they will never see; Moira takes classes in typing and shorthand; Osborne and others organize a dangerous motor race that results in the violent deaths of several participants; elderly members of a "gentlemen's club" drink up the wine in the club's cellar, debate over whether to move the fishing season up, and fret about whether agriculturally-destructive rabbits will survive human beings. Towers goes on a fishing trip with Davidson but they do not become sexually involved, as he wants to remain loyal to his wife, a decision Moira accepts. Government services and the economy gradually grind to a halt. In the end, Towers chooses not to remain and die with Moira but rather to lead his crew on a final mission to scuttle the submarine outside Australian territorial waters. He refuses to allow his imminent demise to turn him aside from his duty to the U.S. Navy and he acts as a pillar of strength to his crew. Moira watches the departure of the submarine from an adjacent hilltop as she takes her suicide pill, imagining herself together with Towers as she dies. When Mary Holmes becomes very ill, Peter administers a lethal injection to their daughter. Even though he still feels relatively well, he and Mary take their pills simultaneously so they can die as a family. Osborne takes his suicide pill while sitting in his beloved racing car. Typically for a Shute novel, the characters avoid expressing intense emotions and do not mope or indulge in self-pity. The Australians do not, for the most part, flee southward as refugees but rather accept their fate once the lethal radiation levels reach the latitudes at which they live; most of them opt for the government-promoted alternative of suicide when the symptoms of radiation sickness appear. |
La Fortune des Rougon | Émile Zola | 1,871 | After a stirring opening on the eve of the coup d'état, involving an idealistic young village couple joining up with the republican militia in the middle of the night, Zola then spends the next few chapters going back in time to pre-Revolutionary Provence, and proceeds to lay the foundations for the entire Rougon-Macquart cycle, committing himself to what would become the next twenty-two years of his life's work. The fictional town of Plassans (loosely based on the real city of Aix-en-Provence, where Zola grew up) is established as the setting for the novel and described in intimate detail, and then we are introduced to the eccentric heroine Adelaide Fouque, later known as "Tante Dide", who becomes the common ancestor for both the Rougon and Macquart families. Her legitimate son from her short marriage to her late husband, a labourer named Rougon who worked on Dide's land, is forced to grow up alongside two illegitimate children — a boy and a girl — from Dide's later romance with the smuggler, poacher and alcoholic Macquart, while the ageing Dide slides further and further into a state of mental illness and borderline senile dementia. From this premise, the next nineteen novels all get their central protagonists and to a certain extent their themes. The narrative continues along double lines, following both "branches" of the family. We see Pierre Rougon (the legitimate son) in his attempts to disinherit his Macquart half-siblings, his marriage to Felicité Puech, the voraciously ambitious daughter of a local merchant, and their continued failure to establish the fortune, fame and renown they seek, despite their greed and relatively comfortable lifestyles. Approaching old age, the Rougon couple finally admit defeat and settle, crushed, into their lower middle class destinies, until by a remarkable stroke of luck their eldest son Eugène reports from Paris that he has some news that they might find interesting. Eugène has become one of the closest allies of the future Emperor Napoleon III and informs his parents that a coup is imminent. Having been effectively given insider information about which side to back in the coming revolution, the Rougons then make a series of seemingly bold moves to show their loyal and steadfast support for Napoleon III, winning the admiration of the most influential people in the town, mostly royalists who are themselves afraid of showing too much commitment for fear of backing the "wrong horse" and losing their standing and fortune. The narrative then switches over to the Macquart side of the family, whose grim working-class struggles to survive are juxtaposed keenly with the Rougons' seemingly trivial quest for greater wealth and influence in genteel drawing-room society. Descended from a drunken ne'er-do-well and a madwoman, Zola effectively predestines the Macquarts to lives of toil and misery. Zola's theories of heredity, laid out in the original preface to this novel, were a cornerstone of his entire philosophy and a major reason for his embarking on the mammoth Rougon-Macquart project in the first place in order to illustrate them. Largely discredited nowadays, the theories are largely "present but unseen" in most of the novels in the Rougon-Macquart cycle, allowing those books to be enjoyed without the overshadowing effect of Zola's somewhat suspect scientific ideas. Due to the original story nature of La Fortune des Rougon, the theories are placed much more to the fore, and can appear somewhat heavy-handed as a result. A third branch of the family, the Mourets, descended from Macquart and Dide's daughter, are then introduced before the novel's focus is brought back to the "present", the night of the coup, via a quite brilliantly told love story. The idealistic but naïve Silvère Mouret falls madly in love with the innocent Miette Chantegreil, and after a long courtship they decide to join up with the republicans to fight the coup. The rest of the novel then picks up from where the opening chapter left off, and from then on is basically a dual narrative telling the story of the old Rougon couple and their increasingly Machiavellian machinations to get themselves into a position of fortune and respect in Plassans, juxtaposed with Silvère and Miette's continuing love story and the doomed republican militia's disastrous attempt to take the town back. Eventually, the Rougons exploit their half-brother Antoine Macquart into inadvertently helping crush the republican threat, and they achieve their life's ambition, fortune and favour. For Silvère and Miette, who committed themselves so completely to a doomed cause, there can be no such happy ending and Zola wisely leaves their half of the story at a bleak dead end. The title refers not only to the "fortune" chased by Pierre and Felicité Rougon, but also to the fortunes of the various disparate family members Zola introduces us to — their future lives, for which this novel is the starting point. The first English translation by Henry Vizetelly was published in 1886 and extensively revised (to meet Victorian standards of propriety and avoid prosecution for issuing an indecent publication) by Ernest Vizetelly in 1898, issued under the title The Fortune of the Rougons by Chatto and Windus. It is of reasonably poor quality, not helped by Vizetelly's boast that he had changed one in every three sentences in the course of his editing. No other translation was available until 2012, when Brian Nelson published one under the Oxford Worlds Classics imprint. |
Son Excellence Eugène Rougon | Émile Zola | 1,876 | The novel opens in 1857 with Rougon's career at a low ebb. In conflict with the Emperor over an inheritance claim involving a relative of the Empress, Rougon resigns from his position as premier of the Corps législatif before he can be dismissed. This puts the plans and dreams of Rougon's friends in limbo, as they are counting on his political influence to win various personal favors. His greatest ally and his greatest adversary is Clorinde Balbi, an Italian woman of dubious background and devious intent. Clorinde desires power as much as Rougon does but, because she is a woman, she is forced to act behind the scenes. Rougon refuses to marry her because he believes two such dominant personalities would inevitably destroy each other. Instead, he encourages her to marry M. Delestang, a man of great wealth who can easily be wheedled, while he himself takes a respectable nonentity of a wife who will not hinder his ambition. Rougon learns of an assassination plot against the Emperor, but decides to do nothing about it. In consequence, after the attempt is made (the Orsini incident of 1858), the Emperor makes him Minister of the Interior with power to maintain peace and national security at any cost. Rougon uses this as an opportunity to punish his political adversaries, deport anti-imperialists by the hundreds, and reward his loyal friends with honors, commissions, and political appointments. Through his influence, Delestang is made Minister of Agriculture and Commerce. As Rougon's power expands, however, his cronies begin to desert him despite his fulfilling their personal requests. They feel that he has not done enough for them and what he has done either has not been good enough or has had consequences so disastrous as to be no help at all. Moreover, they consider him ungrateful, given all the work they claim to have done to have him reinstated as Minister. Eventually, Rougon is involved in several great scandals based on the favors he has shown to his inner circle. At the center of all this conflict is Clorinde. As Rougon's power has grown, so has hers, until she has influence at the highest level and on an international scale, including as the Emperor's mistress. Now having the upper hand, she is able to punish Rougon for his refusal to marry her. To silence political and personal opposition, Rougon decides to submit his resignation to the Emperor, confident that it will not be accepted. However, it is accepted, and Delestang is made Minister of the Interior, the implication being that both actions are founded on Clorinde’s authority over the Emperor. The novel ends in 1862. The Emperor has returned Rougon to service as Minister without Portfolio, giving him unprecedented powers in the wake of Italian unification. Ostensibly, the appointment is meant to reconfigure the country on less imperialistic, more liberal lines, but in reality Rougon has a free hand to crush resistance, curtail opposition, and control the press. |
La Curée | Émile Zola | 1,871 | The book opens with scenes of astonishing opulence, beginning with Renée and Maxime lazing in a luxurious horse-drawn carriage, very slowly leaving a Parisian park (the Bois de Boulogne) in the 19th century-equivalent of a traffic jam. It is made clear very early on that these are staggeringly wealthy characters not subject to the cares faced by the public; they arrive at their mansion and spend hours being dressed by their servants prior to hosting a banquet attended by some of the richest people in Paris. There seems to be almost no continuity between this scene and the end of the previous novel, until the second chapter begins and Zola reveals that this opulent scene takes place almost fourteen years later. Zola then rewinds time to pick up the story practically minutes after La Fortune des Rougon ended. Following Eugene Rougon's rise to political power in Paris in La Fortune, his younger brother Aristide, featured in the first novel as a talentless journalist, a comic character unable to commit himself unequivocally to the imperial cause and thus left out in the cold when the rewards were being handed out, decides to follow Eugene to Paris to help himself to the wealth and power he now believes to be his birthright. Eugene promises to help Aristide achieve these things on the condition that he stay out of his way and change his surname to avoid the possibility of bad publicity from Aristide's escapades rubbing off on Eugene and damaging his political chances. Aristide chooses the surname Saccard and Eugene gets him a seemingly mundane job at the city planning permission office. The renamed Saccard soon realises that, far from the disappointment he thought the job would be, he is actually in a position to gain insider information on the houses and other buildings that are to be demolished to build Paris's bold new system of boulevards. Knowing that the owners of these properties ordered to be demolished by the city government were compensated handsomely, Saccard contrives to borrow money in order to buy up these properties before their status becomes public and then make massive profits. Saccard is at first unable to get the money to make his initial investments but then his wife falls victim to a terminal illness. Even while she lies dying in the next room, Saccard (in a brilliant scene of breathtaking callousness) is already making arrangements to marry rich girl Renée, who is pregnant and whose family wishes to avoid scandal by offering a huge dowry to any man who will marry her and claim the baby as his own. Saccard accepts and his career in speculation is born. He sends his youngest daughter back home to Plassans and packs his older son Maxime off to a Parisian boarding school; we meet Maxime again when he leaves school several years later and meets his new stepmother Renée, who is only a couple of years older. The flashback complete, the rest of the novel takes place after Saccard has made his fortune, against the backdrop of his luxurious mansion and his profligacy and is concerned with a three-cornered plot of sexual and political intrigue. Renée and Maxime begin a semi-incestuous love affair, which Saccard suspects but appears to tolerate, perhaps due to the commercial nature of his marriage to Renée. Saccard is trying to get Renée to part with the deeds to her family home, which would be worth millions but which she refuses to give up. The novel continues in this vein with the tensions continuing to mount and culminates in a series of bitter observations by Zola on the hypocrisy and immorality of the nouveau riche. A near-penniless journalist at the time of writing La Curée, Zola himself had no experience of the scenes he describes. In order to counter this lack, he toured a large number of stately homes around France, taking copious notes on subjects like architecture, ladies' and men's fashions, jewellery, garden design, greenhouse plants (a seduction scene takes place in Saccard's hothouse), carriages, mannerisms, servants' liveries; these notes (volumes of which are preserved) were time well spent, as many contemporary observers praised the novel for its realism. Roger Vadim updated the setting to modern-day Paris in a movie adaptation by Jean Cau, starring Jane Fonda, Michel Piccoli and Peter McEnery in 1966. The film was released in English-speaking markets as The Game is Over. |
L'Argent | Émile Zola | 1,891 | The novel takes place in 1864-1869, beginning a few months after the death of Saccard's second wife Renée (see La curée). Saccard is bankrupt and an outcast among the Bourse financiers. Searching for a way to reestablish himself, Saccard is struck by plans developed by his upstairs neighbor, the engineer Georges Hamelin, who dreams of restoring Christianity to the Middle East through great public works: rail lines linking important cities, improved roads and transportation, renovated eastern Mediterranean ports, and fleets of modern ships to move goods around the world. Saccard decides to institute a financial establishment to fund these projects. He is motivated primarily by the potential to make incredible amounts of money and reestablish himself on the Bourse. In addition, Saccard has an intense rivalry with his brother Eugène Rougon, a powerful Cabinet minister who refuses to help him after his bankruptcy and who is promoting a more liberal, less Catholic agenda for the Empire. Furthermore, Saccard, an intense anti-Semite, sees the enterprise as a strike against the Jewish bankers who dominate the Bourse. (In a footnote, Ernest A. Vizetelly, the first British translator of L'argent, draws a distinction between Zola's depiction of this aspect of Saccard's character and Zola's personal pro-Jewish beliefs as manifested in the later Dreyfus affair.) From the beginning, Saccard's Banque Universelle (Universal Bank) stands on shaky ground. In order to manipulate the price of the stock, Saccard and his confreres on the syndicate he has set up to jumpstart the enterprise buy their own stock and hide the proceeds of this illegal practice in a dummy account fronted by a straw man. While Hamelin travels to Constantinople to lay the groundwork for their enterprise, the Banque Universelle goes from strength to strength. Stock prices soar, going from 500 francs a share to more than 3,000 francs in three years. Furthermore, Saccard buys several newspapers which serve to maintain the illusion of legitimacy, promote the Banque, excite the public, and attack Rougon. The novel follows the fortunes of about 20 characters, cutting across all social strata, showing the effects of stock market speculation on rich and poor. The financial events of the novel are played against Saccard's personal life. Hamelin lives with his sister Caroline, who, against her better judgment, invests in the Banque Universelle and later becomes Saccard's mistress. Caroline learns that Saccard fathered a son, Victor, during his first days in Paris. She rescues Victor from his life of abject poverty, placing him in a charitable institution. But Victor is completely unredeemable, given over to greed, laziness, and thievery. After he attacks one of the women at the institution, he disappears into the streets, never to be seen again. Eventually, the Banque Universelle cannot sustain itself. Saccard's principal rival on the Bourse, the Jewish financier Gundermann, learns about Saccard's financial trickery and attacks, losing stock upon the market, devaluing its price, and forcing Saccard to buy millions of shares to keep the price up. At the final collapse, the Banque holds one-fourth of its own shares worth 200 million francs. The fall of the Banque is felt across the entire financial world. Indeed, all of France feels the force of its collapse. The effects on the characters of L'argent are disastrous, including complete ruin, suicide, and exile, though some of Saccard's syndicate members escape and Gundermann experiences a windfall. Saccard and Hamelin are sentenced to five years in prison. Through the intervention of Rougon, who doesn't want a brother in jail, their sentences are commuted and they are forced to leave France. Saccard goes to Belgium, and the novel ends with Caroline preparing to follow her brother to Rome. |
The Crying of Lot 49 | Thomas Pynchon | 1,966 | The novel follows Oedipa Maas, a Californian housewife who becomes entangled in a convoluted historical mystery when her ex-lover dies and designates her the co-executor of his estate. The catalyst of Oedipa's adventure is a set of stamps that may have been used by a secret underground postal delivery service, the Trystero (or Tristero). According to the historical narrative that Oedipa pieces together during her travels around the San Francisco Bay Area, the Trystero was defeated by Thurn und Taxis – a real postal system – in the 18th century but went underground and continued to exist into Oedipa's present day, the 1960s. Their mailboxes are disguised as regular waste-bins, often displaying their slogan W.A.S.T.E., an acronym for We Await Silent Tristero's Empire, and their symbol, a muted post horn. The existence and plans of this shadowy organization are revealed bit by bit; or, then again, it is possible that the Tristero does not exist at all. The novel's main character, Oedipa Maas, is buffeted back and forth between believing and not believing in them, without ever finding firm proof either way. The Tristero may be a conspiracy, it may be a practical joke, or it may simply be that Oedipa is hallucinating all the arcane references to the underground network that she seems to be discovering on bus windows, toilet walls, and everywhere in the Bay Area. Prominent among these references is the "Trystero symbol", a muted post horn with one loop. Originally derived, supposedly, from the Thurn and Taxis coat of arms, Oedipa finds this symbol first in a bar bathroom, where it decorates a graffito advertising a group of polyamorists. It later appears among an engineer's doodles, as part of a children's sidewalk jump rope game, amidst Chinese ideograms in a shop window, and in many other places. The post horn (in either original or Trystero versions) appears on the cover art of many TCL49 editions, as well as within artwork created by the novel's fans. Oedipa finds herself drawn into this shadowy intrigue when an old boyfriend, the California real estate mogul Pierce Inverarity, dies. Inverarity's will names her as his executor. Soon enough, she learns that although Inverarity "once lost two million dollars in his spare time [he] still had assets numerous and tangled enough to make the job of sorting it all out more than honorary." She leaves her comfortable home in Kinneret-Among-The-Pines, a northern California village, and travels south to the fictional town of San Narciso (Spanish for "Saint Narcissus"), near Los Angeles. Exploring puzzling coincidences she uncovers while parsing Inverarity's testament, Oedipa finds what might be evidence for the Trystero's existence. Sinking or ascending ever more deeply into paranoia, she finds herself torn between believing in the Trystero and believing that it is all a hoax established by Inverarity himself. Near the novel's conclusion, she reflects, He might have written the testament only to harass a one-time mistress, so cynically sure of being wiped out he could throw away all hope of anything more. Bitterness could have run that deep in him. She just didn't know. He might himself have discovered The Tristero, and encrypted that in the will, buying into just enough to be sure she'd find it. Or he might even have tried to survive death, as a paranoia; as a pure conspiracy against someone he loved. Along the way, Oedipa meets a wide range of eccentric characters. Her therapist in Kinneret, a Dr. Hilarius, turns out to have done his internship in Buchenwald, working to induce insanity in captive Jews. "Liberal SS circles felt it would be more humane," he explains. In San Francisco, she meets a man who claims membership in the IA, Inamorati Anonymous—a group founded to help people avoid falling in love, "the worst addiction of all". (Ironically, the anonymous inamorato wears a lapel pin shaped as the Trystero post horn, which Oedipa first saw on an advertisement for group sex.) And, in Berkeley, she meets John Nefastis, an engineer who believes he has built a working version of Maxwell's demon, a means for defeating entropy. The book ends with Oedipa attending an auction, waiting for bidding to begin on a set of a rare postage stamps, which she believes representatives of Tristero are trying to acquire. (Auction items are called "lots"; a lot is "cried" when the auctioneer is taking bids on it; the stamps in question are "Lot 49".) |
Jack of Shadows | Roger Zelazny | 1,971 | The novel is set in a world that is tidally locked. Thus one side of the planet is always in light, and the other in darkness. Science rules on the dayside, while magic holds sway in the night. Powerful magical entities live on the night side of the planet, and for the most part the entities' magical powers emanate from distinct loci. Jack of Shadows (a.k.a. Shadowjack), the main character, is unique among the magical beings in that he draws his power not from a physical location but from shadow itself. He is nearly incapacitated in complete light or complete darkness, but given access to even a small area of shadow, his potency is unmatched. Jack's only friend, the creature Morningstar, is punished by being trapped in stone at the edge of the night, to be released when dawn comes. His torso and head protrude from the rock, and he awaits the sun that will never rise. Jack seeks "The Key That Was Lost", Kolwynia. The Key itself and the consequences of its use parallel Jack's progress in his own endeavors. Ultimately, the Key will be responsible for Jack's salvation and his doom. Fleeing the dark side, Jack gets access to a computer and uses it to recover Kolwynia. This makes him unbeatable, but not all-powerful. Having made a mess of ruling with his new powers, he seeks the advice of Morningstar, who advises him to destroy The Machine at the Heart of the World, which maintains the world's stability, and set it rotating. The novel ends with Jack falling, perhaps to his death, but Morningstar has been freed by the world's turning and rushes to rescue him. The fate of this ambiguous hero is left untold, with Jack wondering, as he falls, if Morningstar will reach him in time. |
Whose Body? | Dorothy L. Sayers | 1,923 | Wimsey's mother, the Dowager Duchess of Denver, telephones to say that Thipps, an architect hired to do some work on her local church, has just found a dead body wearing nothing but a pair of pince-nez in the bath in his flat. The official investigator, Inspector Sugg, suspects Thipps and his servant; Wimsey starts his own enquiry. Sir Reuben Levy, a famous financier, has disappeared from his own bedroom, and there has been a flurry of trading in some Peruvian oil shares. Inspector Parker, Wimsey's friend, is investigating this. The corpse in the bath is not Levy, but Wimsey becomes convinced that the two are linked. The trail leads to the teaching hospital near the architect's flat, and to surgeon and neurologist Sir Julian Freke, who is based there. Wimsey discovers that Freke murdered Sir Reuben and staged his 'disappearance' from home, having borne a grudge for years over Lady Levy, who chose to marry Sir Reuben rather than him. He also engineered the trading in oil shares, to lure Sir Reuben to his death. He dismembered Sir Reuben and gave him to his students to dissect, substituting his body for that of a pauper donated to the hospital for that purpose, who bore a superficial resemblance to Sir Reuben. The pauper's body, washed, shaved and manicured, was then carried over the roofs and dumped in Thipps' bath as a joke. Freke's belief that conscience and guilt are inconvenient physiological aberrations, which may be cut out and discarded, are an explanation for his conduct. He attempts to murder both Parker and Wimsey, and finally tries suicide when his actions are discovered, but is arrested in time. The book establishes many of Wimsey's character traits - for example, his interest in rare books, the nervous problems associated with his wartime shell-shock, and his ambiguous feelings about catching criminals for a hobby - and also introduces many characters who recur in later novels, such as Parker, Bunter, Sugg, and the Dowager Duchess. There is a passing reference in the book to Freddy Arbuthnot, Wimsey's friend and contact for the stock market, being in love with Sir Reuben Levy's daughter Rachel and wanting to marry her. This theme is picked up in Strong Poison, taking place seven years later, when Freddy at last manages to convince Rachel's family to consent to the match despite his being a gentile - after Freddy compared his long wait with that of the Biblical Jacob for his Rachel. Whose Body? is now in the public domain in the United States, but may still be copyrighted elsewhere. |
Clouds of Witness | Dorothy L. Sayers | 1,926 | After the events of Whose Body?, Lord Peter Wimsey goes on an extended holiday in Corsica. Returning to Paris, he receives the news that his sister Mary's fiancé, Captain Denis Cathcart, has been found shot dead outside the Wimseys' shooting lodge at Riddlesdale in Yorkshire. His brother, Gerald, Duke of Denver, has been arrested for the murder. Cathcart was killed by a bullet from Denver's revolver, and Denver's only alibi is that he was out for a walk at the time Cathcart died. Gerald admits that he quarrelled with Cathcart earlier that night, having received a letter from a friend which told him that Cathcart had been in trouble in Paris for cheating at cards. Later that night, Mary went outside and found Gerald kneeling over Cathcart's body. Peter and his close friend, Inspector Charles Parker, investigate the grounds, and find several tantalizing clues: footprints belonging to a strange man, motorcycle tracks outside the grounds and a piece of jewellery, a lucky charm in the shape of a cat. They also agree that both Gerald and Mary are hiding something; Gerald stubbornly refuses to budge from his story that he was out for a walk, and Mary is faking a severe illness to avoid talking to anyone. In the course of the following weeks, Peter investigates several false avenues. The man with the footprints turns out to be Mary's secret fiancé, Goyles, a radical Socialist agitator considered "an unsuitable match" by her family, who was meeting Mary to elope with her. She had been covering for him on the assumption that he killed Cathcart, but when Goyles is caught, he admits that he simply ran away in fear when he discovered the body. Furious and humiliated, Mary breaks off their engagement. While investigating the surrounding countryside Peter meets a violent, homicidal farmer, Mr. Grimethorpe, with a stunningly beautiful wife. Grimethorpe seems a likely killer, but while investigating his alibi (and nearly being killed by stumbling into a bog pit), Peter confirms that Grimethorpe was elsewhere on the fatal night. However, he discovers Gerald's letter from his friend in Egypt wedged in the window of the Grimethorpes' bedroom, proving that Gerald was visiting Grimethorpe's wife. Gerald has refused to admit it, even to his family or his lawyers, being determined to shield his mistress even at the price of being wrongfully convicted of murder and going to the gallows. This chivalric defense only makes Gerald appear more stupid to his brother, given that he has left a letter with his name on it in Mrs. Grimethorpe's bedroom, making it virtually certain that she would be discovered and murdered by her husband, if Peter had not found the letter first. Eventually, the jewelled cat leads Wimsey to Cathcart's mistress of many years, who had left him for an American millionaire. Wimsey travels to New York to find her, and makes a trans-Atlantic flight - at the time, a very risky adventure which makes the headlines in all British papers - to return to London before Gerald's trial in the House of Lords ends. From her, Wimsey brings a letter that Cathcart wrote on the night of his death, after receiving her farewell letter. In it, Cathcart announces his intention to commit suicide. He took Gerald's revolver from the study, went out into the garden and shot himself, though he lived long enough to crawl back to the house. This simple sequence of events has been cluttered up by a series of bizarre coincidences: Cathcart's mistress's farewell arriving on the same night that news of his cheating reaches Gerald; his suicide happening on the same night that Gerald planned to meet Mrs. Grimethorpe; and Gerald arriving back to stumble over the body just as Mary comes out for her rendezvous with Goyles. In his closing statement, Gerald's lawyer comments that, had Cathcart's death been the only event of that night, the truth would have been immediately obvious and unquestioned. Gerald is acquitted. As he is leaving the House of Lords, Mr. Grimethorpe appears and shoots at him, then panics and flees, and is killed by a speeding car. Mrs. Grimethorpe, finally free of her husband, is not interested in continuing her affair with Gerald, and his gallant offer to help her falls flat. In the final scene, Inspector Sugg, last seen in Whose Body?, is startled to find Wimsey, Parker, and Freddy Arbuthnot on the street after midnight, all drunk as lords. Apparently they have been celebrating the end of the case. Sugg assists them into cabs, then reflects, "Thank God there weren't no witnesses." |
Unnatural Death | Dorothy L. Sayers | 1,927 | Overhearing a conversation in a restaurant between Wimsey and his friend Parker, a doctor tells the two of a death that affected his career. A terminal cancer patient, old and wealthy, died unexpectedly early; the doctor provoked outrage when he queried the cause, and local opinion forced him eventually to move away. Wimsey is moved to investigate. Wimsey discovers that the patient's great-niece - popular locally - had nursed her through her illness and was the intended heiress. The patient had a horror of contemplating death, however, and refused to listen to entreaties that she must make a will to be sure that her fortune would pass to her great-niece as she wished. A change in the law was imminent and meant that a great-niece would no longer inherit automatically and the estate would probably pass to the Crown. Killing her great-aunt before the legislation came in allowed the niece to secure the fortune intended for her. When Wimsey begins investigating, using the recurring character Miss Climpson as his intelligence agent, the great-niece is provoked into covering her trail. She kills a former servant, fakes a kidnap-murder and tries to frame a distant relative with an interest in the Dawson estate, and almost kills Miss Climpson. Lord Peter exposes the great-niece's motive and methods, including the false identity she has established in London, and she is eventually arrested and imprisoned on remand, where she commits suicide. The doctor from whom Lord Peter originally heard the anecdote has moved on and is not grateful to be vindicated. |
The Unpleasantness at the Bellona Club | Dorothy L. Sayers | 1,928 | Ninety-year old General Fentiman has been estranged for years from his sister, Lady Dormer. On the afternoon of 10 November, he is called to her deathbed for a reconciliation, and learns the terms of her will. If she dies first he will inherit a fortune, which his grandsons sorely need. But if he dies first, nearly all of the money will go to Ann Dorland, a distant relative of Lady Dormer's late husband. She is a young woman with artistic leanings who lives with Lady Dormer. Lady Dormer dies at 10:37 AM the next day, which is 11 November - Remembrance Day. That afternoon the General is found dead in his armchair at the club. This produces a hysterical outburst from his younger grandson, George Fentiman, a veteran of World War I still suffering from the effects of poison gas and shell shock. Due to the terms of Lady Dormer's will and the time of her death, it becomes necessary to establish the exact time of the General's death. Though the estate would provide amply for all three heirs, Ann Dorland refuses any compromise settlement. Wimsey is asked to help solve the puzzle by his friend Mr Murbles, the solicitor for the Fentiman family. Wimsey agrees, though he insists that he will pursue the exact truth, regardless of who benefits. The General was seated by an open fireplace, so the temperature of the body is of no help. The rigor mortis was well established, indicating death much earlier than the discovery of the body, but one knee was already limp - unusual as rigor usually eases head and neck muscles first. Dr Penberthy, a former army surgeon and club member, who was the first to see the body, certified death by natural causes. He was the General's personal physician, and was treating him for a weak heart. It would seem obvious that the General must have died sometime after arriving at the club on the morning of 11 November, since he was found later that day. But nobody saw him arrive. He went to the club at some point after visiting Lady Dormer the previous afternoon, but his whereabouts are unknown between those two events. His manservant says the General stayed out overnight, and that a certain Mr Oliver called to say that the General would spend the night with him. No one knows anything about Oliver, but the elder grandson, Robert Fentiman, says that he's seen him often at a popular Italian restaurant. Robert agrees to watch for Oliver, and Wimsey arranges for detectives to assist him. Robert thinks he sights Oliver, and follows him halfway across England, but the man is not Oliver at all. Wimsey also turns up a few clues - there was a fresh tear in the General's trouser cuff and a scraping of paint on the side of his shoe. Wimsey locates the taxi driver who picked up the General at Lady Dormer's house, and another who took him to the Bellona Club. The General went to see Dr Penberthy in between. Then, en route to the club, he had the taxi pick up George Fentiman. The two men had a long and angry discussion in the back of the taxi, and then George got out. Wimsey also inquires into the character of Ann Dorland, trying to learn why she won't compromise. He contacts his old friend, artist Marjorie Phelps, who is also a good friend of Ann Dorland. There is another sighting of Oliver, and this time Robert and the detectives follow him to Italy. Robert returns from Italy, and admits that Oliver does not exist. Wimsey has figured out what happened. There was no memorial poppy on the General's suitcoat - impossible if he had been on the streets on Remembrance Day. The General died at the club the evening before, shortly after seeing his sister. He had just told Robert the terms of Lady Dormer's will. A few minutes later, Robert found his grandfather dead in the club's library, apparently of natural causes. Piqued at losing the inheritance, he concealed the body overnight in the club's telephone booth behind an "Out of order" sign. (The General's cuff was torn by a nail inside the booth, and the paint was scraped from its floor. Also, the process broke the rigor mortis in one leg.) The next day, Robert moved the body to an armchair to be found later. He acted when all the other members had stepped outside for the two minutes' silence, observed on Remembrance Day at 11 AM. In the meantime, Wimsey has had the General exhumed and properly examined. The General was poisoned with an overdose of the heart medication digitalis. Suspicion falls on Ann Dorland, who was among the last persons to see the General, and who has an obvious motive. When she suddenly agrees to compromise with the Fentimans, it only adds to the suspicion. Then George Fentiman has a nervous breakdown. In an incoherent babble, he claims to have poisoned his grandfather, though this is clearly impossible. Wimsey eventually meets Ann Dorland, who is miserable. But it is not guilt that distresses her, it is callous and humiliating treatment by her former lover - Dr Penberthy. They had been secretly engaged, and he had insisted she fight for the whole estate and not compromise. Then after the autopsy, he broke off with her, giving highly insulting reasons. Penberthy had eyes on Ann Dorland's expected inheritance. When General Fentiman saw him, he spoke of Lady Dormer's will, and Penberthy realized that if the General didn't die at once, Ann Dorland wouldn't collect. So he gave the General a deliberate overdose of digitalis, to be taken later when Penberthy was not in attendance. He was present next day when the body was discovered, and so was able to certify a natural death, though Robert's intervention confused the time of death. When the poisoning was discovered, he panicked, and broke off with Ann Dorland - insulting her so that she would be too embarrassed to tell anyone. Wimsey confronts Penberthy and offers him the chance to behave like a gentleman. He cannot save himself, but he can exonerate Ann Dorland from suspicion. Penberthy writes a confession and shoots himself in the club library. In an epilogue, it is revealed that the three heirs have divided the estate equitably. In fact, Robert, a bluff soldier who expressed distaste for artistic and intellectual women, is now dating Ann Dorland. |
Strong Poison | Dorothy L. Sayers | 1,931 | Mystery author Harriet Vane has been accused of the murder of her former lover, Phillip Boyes. Boyes was a novelist and essayist who wrote in support of atheism, anarchy, and free love. Professing to disapprove of marriage, he persuaded a reluctant Harriet to live with him against her principles and they led a Bohemian life in the London art community. A year later he proposed, and Harriet, outraged at being deceived into giving up her public honour, broke off the relationship. During the year that followed, Boyes suffered from repeated bouts of gastric illness, while Harriet had bought several poisons under assumed names to test a plot point of her novel then in progress. Having returned from a holiday in North Wales in better health, Boyes dined with his cousin, the solicitor Norman Urquhart, before going to Harriet's flat to discuss reconciliation. That night he was taken fatally ill, apparently with gastritis. He died four days later after an agonising period of suffering. Although it was assumed at first that Boyes died of natural causes, an indiscreet nurse and some of Boyes' friends insisted that foul play was involved. A post-mortem revealed that Boyes' death was due to acute arsenic poisoning. Apart from the evening meal with his cousin, where every item was shared by two or more people, the only opportunity for poison to have been administered appeared to be in a cup of coffee, offered by Harriet Vane. Harriet is tried, but the result is a "hung" jury, thanks in no small part to the presence of Wimsey's aide, Miss Climpson, on the jury. With fewer than ten of the jury agreeing on a verdict, the judge must order a fresh trial to be held. Wimsey visits Harriet in prison, declares his conviction of her innocence, and promises to catch the real murderer. In the course of the interview he also openly admits his intention of marrying her, an offer which she politely but firmly declines. Working against time before the new trial, Wimsey first explores the possibility that Boyes took his own life. Wimsey's friend, Detective Inspector Charles Parker, conclusively disproves this notion, but Wimsey has planted a spy, Miss Joan Murchison, in Urquhart’s office and discovers the real culprit is Urquhart. Suspecting Urquhart's story that he, not Boyes, is in line to inherit the considerable fortune of their senile great aunt, Wimsey sends Miss Climpson to get hold of the great-aunt’s will, which she does in a comic scene exposing the practices of fraudulent mediums. Not only does the will name Boyes as the principal heir, but in Urquhart's office, Miss Murchison finds evidence that, misusing his position as his own family's solicitor, Urquhart embezzled the majority of the great aunt's holdings and subsequently lost them on the stock market. Urquhart knew that if his great aunt died, he would be exposed. Boyes, however, was unaware that he was heir to the money. With him dead, Urquhart would inherit the estate and hence his fraud would not be revealed. Miss Murchison also discovers a packet of arsenic hidden in Urquhart's office. Wimsey has now established motive and means, but not opportunity. But after re-examining the details of Boyes' famous last dinner (and perusing A.E. Housman's A Shropshire Lad, in which the poet likens reading dark poems to King Mithridates' self-immunization against poisons), he realizes that Urquhart laced an omelette with arsenic and shared it with Boyes after having built up an immunity to the poison with small doses over a long period. Wimsey tricks Urquhart into an admission before witnesses. At her retrial the prosecution presents no case and Harriet is set free. Exhausted by her ordeal, she again rejects Wimsey’s proposal of marriage. It is also in this novel that Peter finally persuades Parker to propose to Peter's sister, Mary. Also the Honourable Freddy Arbuthnot, Wimsey's friend and contact for the stock market, in this book finds a long-delayed domestic bliss with Rachel, the daughter of Sir Reuben Levy who was murdered in Whose Body?. |
Five Red Herrings | Dorothy L. Sayers | 1,931 | The story is set in Galloway, a part of Scotland popular with artists because of its landscapes. Sandy Campbell is a talented painter, but also a notoriously quarrelsome drunkard. When he is found dead in a stream, with a half-finished painting on the bank above, it is assumed at first that he fell in accidentally, fracturing his skull. Lord Peter Wimsey, who is in the region on a fishing holiday, points out the inconsistency which makes it impossible for Campbell himself to have worked on the painting. (Sayers is explicit in leaving the reader to work out what exactly the clue is.) Campbell's death is now a murder case. Whoever killed Campbell also executed the painting in Campbell's distinctive style, to contrive the appearance of an accident. Six other artists in the region are talented enough to have achieved this, and had also had public brawls with Campbell in the recent past. Now Wimsey has to figure out "who done it" and who the five red herrings are. The task is made difficult because almost all the suspects are behaving in a suspicious manner; some have left the district unexpectedly and without explanation, others have given statements which are obviously inaccurate, or are clearly concealing facts. The policemen investigating other aspects of the case come up against inexplicable dead ends. The Five Red Herrings is the Peter Wimsey story which is most obviously set as a puzzle for the reader. There is only a closed circle of suspects to deal with, and Wimsey has no emotional involvement, although, having alerted the Police to Campbell's murder, he subsequently reflects that Campbell was a man anyone might feel justified in killing, and that the six suspects are all generally decent people. He nevertheless resolves to uncover the truth, so that the five innocent artists should not live under lifelong suspicion. The plot is told through the viewpoint of Wimsey, and of the various police investigating the case (including Wimsey's brother-in-law Charles Parker, involved because a suspect is in hiding in London). Large parts of the book follow the various Scottish police officers, who are shown as highly intelligent and competent, and for time seem to overshadow Wimsey. In contrast, Bunter (Wimsey's valet) plays a smaller role in this than in other Wimsey novels. Wimsey works in close cooperation with the police throughout the book; indeed, in one episode a character angrily accuses him of "entering people's homes as a police spy". The six suspects are all eventually traced and give statements in which they deny killing Campbell. Some have convincing alibis, but others have none which can be verified. Finally, Wimsey, the Procurator Fiscal, the Chief Constable and the police officers involved in the investigation meet to review the evidence. Working from the knowledge the reader has been given, the police put forward several theories, implicating all of the suspects either as the killer or as accessories. Asked for his opinion, Wimsey finally reveals to the reader exactly what alerted him to the murder, and points the finger at the true killer. Although the police are sceptical, Wimsey offers to reconstruct the crime and over the course of twenty-four hours' strenuous activity, he demonstrates how the killer contrived the scene above the stream and established an alibi. The killer finally realises that the case against him is unbreakable and confesses, but pleads that he killed Campbell in self-defence. When the case is tried, the jury decide that he is guilty of manslaughter (which carries a lighter sentence) rather than premeditated murder. |
Have His Carcase | Dorothy L. Sayers | 1,932 | During a hiking holiday after her acquittal on murder charges in Strong Poison, Harriet Vane discovers the body of a man, with his throat cut and the blood still liquid, on an isolated rock on the shore. There are no footprints in the sand other than the man's and Harriet's. She takes photos and preserves some evidence, but the corpse is washed away before she can fetch help. Lord Peter arrives, and he and Harriet make investigations alongside the police. The dead man, Paul Alexis, a professional dancing partner at the local hotel, was of Russian extraction and engaged to a rich older widow. The death has been made to look like suicide, but Wimsey and Harriet discover that he was the victim of an ingenious and complex murder plot. The romantic Alexis believed himself a descendant of Russian royalty, and the widow's rather stupid son, appalled at the prospect of his mother's remarriage to a gigolo and the loss of his inheritance, conspired with a friend and his wife to play on Alexis's fantasies. Convinced that he was being called to return to Russia in triumph as the rightful Tsar, Alexis was lured to the rock and murdered by the son, who rode a horse along the beach through the incoming tide to avoid leaving tracks, whilst his friends supplied his alibi. The death was intended to look like suicide. However, Alexis suffers from haemophilia, and his unclotted blood leads to confusion over the time of death, which eventually assists with the unmasking of the conspirators. |
The Nine Tailors | Dorothy L. Sayers | 1,934 | Stranded in the Fenland village of Fenchurch St. Paul on New Year's Eve after a car accident, Wimsey helps ring a nine-hour peal of bells overnight after Will Thoday, one of the ringers, is stricken by influenza. Lady Thorpe, wife of Sir Henry Thorpe, the local squire, dies next morning and Wimsey hears how the Thorpe family has been blighted for 20 years by the unsolved theft of jewels from a house-guest by the butler, Deacon, and an accomplice, Cranton. Both men were imprisoned, but the jewels were never recovered. At Easter, Sir Henry himself dies and his wife's grave is opened for his burial. A body is found hidden in the grave, mutilated beyond recognition. It is first thought to be the body of a tramp labourer calling himself "Driver" who arrived and then vanished just after the New Year. An odd document found in the bell chamber by Hilary Thorpe, Sir Henry's daughter, proves to be a cipher. Acting on a hunch, Lord Peter enquires at the Post Office for any uncollected letters addressed to "Driver". Bunter, Wimsey's valet, inveigles a postmistress into handing over a letter posted in France, which confirms a link with the body, which was wearing French underclothes. The letter is addressed not to "Driver" but to "Paul Taylor", a reference to "Tailor Paul", the tenor (largest) bell in the ring at Fenchurch St. Paul. When the writer of the letter is traced, the dead man is assumed to be Arthur Cobbleigh, a British soldier listed as missing in action but who evidently deserted and stayed in France after the war. Cobbleigh appears to have known where the emeralds were hidden, and to have plotted to recover them, probably with "Driver". "Driver" is discovered to be an alias of Cranton, the accomplice in the original theft. Wimsey assumes the two men did recover the emeralds and Cranton then killed Cobbleigh for them, but cannot prove it. However, when he decodes the cipher (which requires knowledge of change-ringing) it leads him to the emeralds, still untouched in their hiding place in the church. Wimsey shows the cipher to Mary Thoday, Will's wife and Deacon's widow. The Thodays abscond to London. Wimsey guesses the true identity of Cobbleigh, and confirms this through the Sûreté in France. He also discovers the Thodays' whereabouts through the Archbishop of Canterbury. Cranton is interviewed by Wimsey and his brother in law, Detective Inspector Charles Parker. Much becomes clear when Cobbleigh turns out to have been Deacon, the thieving butler. In 1918 he murdered a warder and escaped from prison. A body, apparently his, was later found, but in fact Deacon had murdered a soldier and swapped identities with him. He married bigamously in France and waited several years to return for the emeralds, which he had hidden before his arrest. Since he risked hanging if caught, he finally asked Cranton to help, sending him the cipher as a clue to the hiding place as a token of good faith. Cranton could not solve it but knew it related to the bells, so he came to Fenchurch as "Driver" on New Year's Day. He went to the bell-chamber on the night of 4 January, but found Deacon's dead, bound body in the chamber and fled, dropping the cipher. Parker then places a hidden microphone in the interview room where Will Thoday and his sailor brother Jim are waiting. It becomes apparent that both brothers thought that the other was guilty of killing Deacon, but were willing to take the blame themselves or at least shield the other. When they are interviewed, Will relates that he encountered Deacon, who had come to retrieve the emeralds, in the church on 30 December. Will had married Mary after the war, believing her a widow. Now he realised Deacon was still alive, making his and Mary's marriage bigamous and their daughters illegitimate. Desperate to prevent Deacon exposing his family to pain and scandal, Will tied him up in the bell-chamber, planning to bribe him to leave, but became helpless with Spanish influenza next day. Will's delirious talk led Jim to find Deacon's body in the bell-chamber on 2 January. He assumed that Will had murdered him. Appalled but loyal, he waited until the night after Lady Thorpe's funeral on 4 January, made the body unrecognisable and hid it in the new grave, then left for sea. When the body was discovered, Will assumed Jim had killed Deacon. Neither can explain how Deacon died. Both are released. Will marries Mary again in Bloomsbury under Archbishop's licence, and returns to Fenchurch St. Paul. Deacon's death remains inexplicable. It is only when Wimsey returns to Fenchurch the following Christmas that he understands. Floods inundate the countryside, and Wimsey climbs the tower as the bells are ringing the alarm. The appalling noise in the bell-chamber convinces him that Deacon, tied there for hours between New Year's Eve and New Year's Day while Wimsey helped with the all-night peal, could not have survived. Deacon was killed by the ringers - or by the bells themselves. Will Thoday is drowned in the flood trying to save another man who has fallen from a failing sluice-gate. Wimsey speculates that Will may not have wanted to live, having guessed his part in killing Deacon. |
Busman's Honeymoon | Dorothy L. Sayers | 1,937 | After an engagement of some months following the events at the end of Gaudy Night, Lord Peter Wimsey and Harriet Vane marry. They plan to spend their honeymoon at Talboys, an old farmhouse in Harriet's native Hertfordshire which Wimsey has bought for her, and they abscond from the wedding reception, evading the assembled reporters. Arriving late at night, they are surprised to find the house locked up and not prepared for them. They gain access and spend their wedding night there, but next morning they discover the former owner, Noakes, dead in the cellar with head injuries. The quiet honeymoon is ruined as a murder investigation begins and the house fills with policemen, reporters, and brokers' men distraining Noakes's hideous furniture. Noakes was an unpopular man, a miser and (it turns out) a blackmailer. He was assumed to be well off, though it transpires that he was bankrupt, owed large amounts of money, and was planning to flee his creditors with the cash paid for Talboys. The house had been locked and bolted when the newly-weds arrived, and medical evidence seems to rule out an accident, so it seems he was attacked in the house and died later, having somehow locked up after his attacker. The suspects include Noakes's niece, Mrs. Ruddle (his neighbour and cleaning lady), Frank Crutchley, a local garage mechanic who also tended Noakes's garden and the local police constable, who was his blackmail victim. Peter's and Harriet's relationship, always complex and painfully negotiated, is resolved during the process of catching the murderer and bringing him to justice. In a final scene, in which almost the entire cast of characters is gathered in the front room of Talboys, reflecting the novel's origin as a work for the stage, the killer turns out to be Crutchley. He planned to marry Noakes' somewhat elderly niece and get his hands on the money he had left her in his will. He set a booby trap with a weighted plant pot on a chain, which was triggered by the victim opening the radio cabinet after locking up for the night. Wimsey's reaction to the case - his arrangement for the defendant to be represented by top defence counsel; his guilt at condemning a man to be hanged; the return of his shell-shock – dominate the final chapters of the book. It is mentioned that Wimsey had previously also suffered similar pangs of conscience when other murderers had been sent to the gallows. His deep remorse and guilt at having caused Crutchley to be executed leave doubt as to whether he would undertake further murder investigations - and in fact Sayers wrote no further Wimsey novels after this one. The 1942 short story "Talboys", the very last Wimsey fiction produced by Sayers, is both a sequel to the present book, in having the same location and some of the same village characters, and an antithesis in being lighthearted and having no crime worse the theft of some peaches from a neighbour's garden. |
Thrones, Dominations | Jill Paton Walsh | 1,998 | It is 1936. Lord and Lady Peter Wimsey, returned from a European honeymoon, are settling into their new home in London, where daily life is affected by the illness and then death of the king. The couple are personally happy, having resolved many of the problems in their relationship caused by character and circumstance, but must now tackle the practical details of bringing their lives together, including domestic and working arrangements, and social and family obligations. The couple become slightly acquainted with Laurence Harwell, a wealthy theatrical "angel", and his beautiful wife, whom he has rescued from poverty following her rich father's disgrace and imprisonment. After two years' marriage the Harwells are famously still devoted to one another, and when she is found dead at their weekend cottage in the country Wimsey is asked to help interview the distraught husband, and becomes involved with the investigation. (He is also asked to undertake sensitive diplomatic duties connected with the problematic behaviour of the new king, and as the 1936 abdication crisis looms, he gloomily predicts the coming war with Hitler's Germany.) Suspicion falls on a writer known to have been in love with Mrs Harwell, and a talented but bohemian painter who had been working on portraits of both Harriet and the murdered woman. Two men who knew Mrs Harwell's father in prison, and who have been blackmailing him with threats to harm her, are also suspected. Meanwhile Harriet straightens out her domestic situation, learning how to fulfill her new role whilst keeping her own identity, and finds a practical solution to allow Wimsey's devoted manservant Bunter to marry without having to leave the household. Harriet's unorthodox approach infuriates her sister-in-law (who believes Harriet has an obligation to abandon her career, do her duty to the family and produce an heir) but it allows her to solve most of the practical difficulties that might have stood in the way of a successful and happy marriage. She also discovers she is expecting a baby. After some plot twists, a second murder and a scene involving the hidden rivers and Victorian sewers that run under London, it is revealed that Harwell unintentionally killed his wife in a jealous rage, in the belief she was preparing to entertain a lover, although ironically her preparations had really been for him. Harwell might have gotten off with a manslaughter conviction, but except that he later committed the premeditated murder of an actress who was in a position to disprove his alibi and tried to blackmail him. Harriet visits Harwell in prison to comfort him with the knowledge that his wife had not, after all, been unfaithful. In doing so, she finally banishes the lingering ghosts of her own imprisonment and murder trial, and the effect they have had on her relationship with her own husband. |
Light in August | William Faulkner | 1,932 | The narrative structure consists of three connected plot-strands. The first strand tells the story of Lena Grove, a young pregnant woman from Doane's Mill, Alabama, who is trying to find Lucas Burch, the father of her unborn child. He has been fired from his job at Doane's Mill and moved to Mississippi, promising to "send for" her when he has a new job. Not hearing from Burch, and harassed by her older brother, Lena walks and hitch-hikes "a fur piece" to Jefferson, Mississippi, a town in Faulkner's fictional Yoknapatawpha County. There she expects to find Lucas working at another planing mill, ready to marry her. Those who help her along her four-week trek are skeptical that Lucas Burch will be found east of the Mississippi, or that he will keep his promise when she catches up with him. When she arrives in Jefferson, Lucas is there, but he has changed his name to Joe Brown. Looking for Lucas at the local planing mill, she meets Byron Bunch, who falls in love with Lena but scrupulously tries to give her a chance with Joe Brown. Byron is a puritanical workaholic who fears idleness as a snare of the devil. Joe Brown is a deceiving slacker. The narrative of Lena's story builds a framework around the two other plot-strands. One of these is the story of the enigmatic Joe Christmas. Christmas came to Jefferson three years before the novel's beginning, and got a job at the planing mill. The work at the planing mill is a cover up for his illegal alcohol business. He has a sexual relationship with Joanna Burden, an older woman who descended from a formerly powerful abolitionist family. Joanna Burden continues her ancestors' struggle for Black emancipation, which makes her an outsider in the society of Jefferson, much like Christmas. Her relationship with Christmas begins rather unusually, with Christmas sneaking into her house to steal food, for he has not eaten in twenty-four hours. As a result of sexual frustration and the beginning of menopause, Joanna turns to religion. Joanna's turn to religion is frustrating for Christmas, who as a child ran away from his abusive adoptive parents who were conservatively religious. At the end of her relationship to Christmas, Joanna tries to force him, at gunpoint, to kneel and pray. Joanna is murdered soon after: her throat is slit and she is nearly decapitated. The novel leaves readers uncertain whether Joe Christmas or Joe Brown is the murderer. Brown is Christmas' business partner in a moon-shining enterprise and is the father of Lena's child; Lena knew him as Lucas Burch. He is leaving Joanna's burning house when a passing farmer stops to investigate and pull Joanna's body from the fire. The sheriff at first suspects Joe Brown, but initiates a man-hunt for Christmas after Brown claims that Christmas is black. The man-hunt is fruitless, but then Christmas arrives undisguised in Mottstown, a neighboring town; he is on his way back to Jefferson, no longer running. In Mottstown, he is arrested and jailed, then moved to Jefferson. His grandmother visits him in the Jefferson jail and advises him to seek help from Gail Hightower. As police escort him to the local court, Christmas breaks free and runs to Hightower's house. A zealous national guardsman, Percy Grimm, follows him there and, over Hightower's protest, shoots and castrates Joe Christmas. The third plot strand tells the story of Reverend Gail Hightower. He is obsessed by the past adventures of his Confederate grandfather, who was killed while stealing chickens from a farmer's shed. Hightower's community dislikes him because of his sermons about his dead grandfather, and because of the scandal surrounding his personal life: his wife committed adultery, and later killed herself, turning the town against Hightower and effectively making him a pariah. The only character who does not turn his back on the Reverend Hightower is Byron Bunch, who visits Hightower from time to time. Bunch tries to convince Hightower to give the imprisoned Joe Christmas an alibi, but Hightower initially refuses. When Joe Christmas escapes from police custody he runs to Hightower's house, seeking to hide. Hightower then accepts Byron's suggestion, but it is too late as Percy Grimm is close behind. Hightower is then seen musing over his past alone in his house as he prepares for his own death. Before Christmas' escape attempt, Hightower delivered Lena's child in the cabin where Brown and Christmas had been staying before the murder, and Byron arranges for Brown/Burch to come and see her. However, when Brown gets there, he runs again, and Byron follows him, instigating a fight which he loses. Brown gets into a moving train and is not seen again. At the end of the story, an anonymous man is talking to his wife about two strangers he picked up on a trip to Tennessee, recounting that the woman had a child and the man was not the father. This was Lena and Byron, who were conducting a half-hearted search for Brown, and they are eventually dropped off in Tennessee. |
Harry Potter and the Order of the Phoenix | J. K. Rowling | 2,003 | Harry Potter is spending another summer with his dreadful Aunt Petunia and Uncle Vernon. when a pair of Dementors stage an unexpected attack on Harry and his cousin Dudley. After he uses magic to defend himself and Dudley, he is temporarily expelled from Hogwarts for using magic outside of the school, despite being legally allowed to do in self-defence, before it is rescinded. A few days afterwards, Harry is visited by a group of wizards and Mad-Eye Moody and is whisked off to Number 12, Grimmauld Place, London, the home of Harry's godfather, Sirius Black, and the headquarters of the Order of the Phoenix. As Harry learns from his best friends, Ron Weasley and Hermione Granger The Order is a group of witches and wizards, led by Hogwarts headmaster Albus Dumbledore, dedicated to fighting the evil Lord Voldemort and his followers. The Order is forced to operate in secrecy, outside of the jurisdiction of the Ministry of Magic, which is headed by the dense and corrupt Cornelius Fudge, who refuses to believe that Lord Voldemort has returned. In addition, Harry learns that he and Dumbledore have been made victims of a ministry smear campaign aimed at discrediting them and their beliefs about Voldemort. Because of his use of magic, Harry's fate is to be determined at a discipliniary hearing at the Ministry of Magic, which turns out to be an apparent show trial. With Dumbledore's help, Harry is cleared by the Wizengamot and permitted to return to Hogwarts School of Witchcraft and Wizardry. Reunited with his best friends, Ron Weasley and Hermione Granger, Harry returns to Hogwarts and learns that Dolores Umbridge, an employee of Fudge, will be his new Defense Against the Dark Arts teacher. The Sorting Hat, which traditionally sorts all new students into one of four houses, cautions the students against becoming too internally divided. Meanwhile, due to the smear campaign against him, Harry is the subject of unwanted gossip from the student body at large, and a number of people turn against him. Professor Umbridge and Harry soon clash, as she, like Fudge, refuses to believe that Voldemort has returned and punishes Harry when he points out Voldemort's return by forcing him to write lines with a special quill that carves "I must not tell lies" into the back of his hand. Umbridge refuses to teach her students how to perform defensive spells, and before long, Fudge appoints her High Inquisitor of Hogwarts, giving her the authority to inspect all faculty members and evaluate their skills. In desperation, Harry, Hermione, and Ron form their own Defense Against the Dark Arts group, also known as the D.A., or Dumbledore's Army. Twenty-five other students sign up, including several of Harry's friends as well as the eccentric Luna Lovegood, and they meet as often as possible to learn and practice Defense spells, and learn well from Harry. One night, Harry has a vision where he inhabits the body of a large snake, and attacks Ron's father. Harry wakes up horrified, and Professor McGonagall takes him to Dumbledore immediately. Dumbledore uses the portraits on the walls of his office to raise an alert, and Mr. Weasley is promptly rescued by two members of the Order. The Weasley family, accompanied by Harry and the Order, visit Arthur Weasley in St. Mungo's Hospital for Magical Maladies and Injuries. Afterwards, Dumbledore demands that Harry take Occlumency lessons with Professor Snape, for the purpose of protecting his mind against further invasions by Lord Voldemort. During the lessons, Harry learns that a corridor he has been repeatedly visiting in his dreams is part of the Department of Mysteries. Harry is unsuccessful at Occlumency because he has such difficulty clearing his mind of all thoughts, making it difficult for him to focus on closing his mind off to all outside influence, in addition to wanting to find out what they mean. Meanwhile, his scar (from the attack in which Voldemort killed Harry's parents) burns horribly every time Voldemort experiences a powerful emotion. The D.A. continues to meet regularly, and Harry's peers show great improvement until they are caught by Umbridge. Dumbledore takes full responsibility for the group and resigns as Headmaster, and Umbridge takes over his position. Shortly afterwards, Harry ends up viewing a memory of Snape's, showing him being bullied by Harry's father James and Sirius, back in their schooldays. Harry wishes desperately to contact his godfather to talk about his father, but Umbridge has been inspecting all owl posts and patrolling the fires of Hogwarts, preventing communication via the Floo Network. Ron's brothers, Fred and George Weasley agree to distract Umbridge so that Harry can use her fireplace to talk to Sirius, who clears up Harry's doubts about his father. Immediately afterwards, they leave Hogwarts, moving to London where they plan to open a joke shop in the wizarding town of Diagon Alley using the money Harry won the previous year in the Triwizard Tournament. The students begin taking their O.W.L. exams, and Harry has another vision, this time about Sirius being held captive and tortured by Voldemort. Horrified, Harry becomes determined to save him. Hermione warns Harry that Voldemort may be deliberately trying to lure Harry to the Department of Mysteries, but Harry is too concerned about Sirius to pay heed. Harry sneaks into Umbridge's office, and, using her fireplace, transports himself to 12, Grimmauld Place to look for Sirius. Kreacher, the House of Black's house elf, tells Harry that Sirius is at the Ministry of Magic. Harry returns to Hogwarts when he is pulled back through the fire by Umbridge to find that he and his friends have been caught in Umbridge's office. Ron, Luna, Ginny, and Neville, who tried to distract Umbridge so that Harry could use her fireplace, have all been seized by Slytherins and gagged. Hermione and Harry convince Umbridge to follow them into the forest, where they claim to be hiding a weapon for Dumbledore which they had just finished and wanted to tell him about. Once in the forest, Umbridge provokes the resident herd of centaurs, and is taken into the forest by them. Harry and his friends use the school's thestrals, winged skeletal horses to fly to the Ministry. Once they arrive, Harry cannot find Sirius and realises that Hermione was right. Harry also sees that one of the glass spheres has his name on it, as well as Voldemort's. Harry grabs the sphere, and Death Eaters led by Lucius Malfoy surround to attack, demanding that Harry hand over the prophecy. Employing all of their Defence skills, Harry, Ron, Hermione, Ginny, Luna, and Neville have moderate success fighting the Death Eaters, but they are ultimately helped enormously by the arrival of several members of the Order, including Dumbledore. In the midst of the fight, Harry drops the glass sphere and it shatters. Sirius is killed by his own cousin, Bellatrix Lestrange, when she blasts him through the veil. Harry tries to avenge his godfather and follows Bellatrix, but is met by Voldemort at the fountain. Dumbledore appears shortly after Voldemort and the two engage in an intense duel. Voldemort fights Dumbledore to stalemate, then possesses Harry in an attempt to get Dumbledore to sacrifice Harry in the hope of killing him. Voldemort and Lestrange escape, just as Fudge appears at the Ministry, finally faced with incontrovertible evidence that the Dark Lord has returned. Dumbledore sends Harry back to school, where, after Harry has a breakdown, screaming that "he's had enough" of all the pain and anguish and death and destruction, he explains that the sphere was a prophecy which stated that Harry has a power that Voldemort will never know: the power of love, given to him by his mother's sacrifice fifteen years earlier. The prophecy goes on to claim that neither Harry nor Voldemort can live while the other survives. Dumbledore takes this opportunity to tell Harry why he must spend his summers with the Dursleys in Little Whinging: because Harry's mother died to save him, he is blessed with her love, a blessing that can be sealed only by blood. Harry's Aunt Petunia, his mother's sister, makes that bond complete by taking Harry into her home. As long as he still calls Little Whinging home, Harry is safe. At the end of the year, the Order warn the Dursleys they will have to answer to them should they mistreat Harry, who returns to them for the summer. |
Consciousness Explained | Daniel Dennett | 1,991 | The book puts forward a "multiple drafts" model of consciousness, suggesting that there is no single central place (a "Cartesian Theater") where conscious experience occurs; instead there are "various events of content-fixation occurring in various places at various times in the brain". The brain consists of a "bundle of semi-independent agencies"; when "content-fixation" takes place in one of these, its effects may propagate so that it leads to the utterance of one of the sentences that make up the story in which the central character is one's "self". Dennett's view of consciousness is that it is the apparently serial account for the brain's underlying parallelism. One of the book's more controversial claims is that qualia do not (and cannot) exist. Dennett's main argument is that the various properties attributed to qualia by philosophers—qualia are supposed to be incorrigible, ineffable, private, directly accessible and so on—are incompatible, so the notion of qualia is incoherent. The non-existence of qualia would mean that there is no hard problem of consciousness, and "philosophical zombies", which are supposed to act like a human in every way while somehow lacking qualia, cannot exist. So, as Dennett wryly notes, he is committed to the belief that we are all zombies—adding that his remark is very much open to misinterpretation. Dennett claims that our brains hold only a few salient details about the world, and that this is the only reason we are able to function at all. Thus, we don't store elaborate pictures in short-term memory, as this is not necessary and would consume valuable computing power. Rather, we log what has changed and assume the rest has stayed the same, with the result that we miss some details, as demonstrated in various experiments and illusions, some of which Dennett outlines. Research subsequent to Dennett's book indicates that some of his postulations were more conservative than expected. A year after Consciousness Explained was published, Dennett noted "I wish in retrospect that I'd been more daring, since the effects are stronger than I claimed". And since then examples continue to accumulate of the illusory nature of our visual world. A key philosophical method is heterophenomenology, in which the verbal or written reports of subjects are treated as akin to a theorist's fiction—the subject's report is not questioned, but it is not assumed to be an incorrigible report about that subject's inner state. This approach allows the reports of the subject to be a datum in psychological research, thus circumventing the limits of classical behaviorism. Also Dennett says that only a theory that explained conscious events in terms of unconscious events could explain consciousness at all: «To explain is to explain away». |
The Clouds | Aristophanes | null | ;Short summary Faced with legal action for non-payment of debts, Strepsiades, an elderly Athenian, enrolls his son in the "thinkeria" (the "Phrontisterion") so that he might learn the rhetorical skills necessary to defeat their creditors in court. The son thereby learns cynical disrespect for social mores and contempt for authority and he subsequently beats his father up during a domestic argument, in return for which Strepsiades sets The Thinkery on fire. ;Detailed summary The play begins with Strepsiades suddenly sitting up in bed while his son, Pheidippides, remains blissfully asleep in the bed next to him. Strepsiades complains to the audience that he is too worried about household debts to get any sleep – his wife (the pampered product of an aristocratic clan) has encouraged their son's expensive interest in horses. Strepsiades, having thought up a plan to get out of debt, wakes the youth gently and pleads with him to do something for him. Pheidippides at first agrees to do as he's asked then changes his mind when he learns that his father wants to enroll him in The Thinkery, a school for nerds and intellectual bums that no self-respecting, athletic young man dares to be seen with. Strepsiades explains that students of The Thinkery learn how to turn inferior arguments into winning arguments and this is the only way he can beat their aggrieved creditors in court. Pheidippides however will not be persuaded and Strepsiades decides to enroll himself in The Thinkery in spite of his advanced age. There he meets a student who tells him about some of the recent discoveries made by Socrates, the head of The Thinkery, including a new unit of measurement for ascertaining the distance jumped by a flea (a flea's foot, created from a minuscule imprint in wax), the exact cause of the buzzing noise made by a gnat (its arse resembles a trumpet) and a new use for a large pair of compasses (as a kind of fishing-hook for stealing cloaks from pegs over the gymnasium wall). Impressed, Strepsiades begs to be introduced to the man behind these discoveries. The wish is soon granted: Socrates appears overhead, wafted in a basket at the end of a rope, the better to observe the Sun and other meteorological phenomena. The philosopher descends and quickly begins the induction ceremony for the new elderly student, the highlight of which is a parade of the Clouds, the patron goddesses of thinkers and other layabouts. The Clouds arrive singing majestically of the regions whence they arose and of the land they have now come to visit, loveliest in all Greece. Introduced to them as a new devotee, Strepsiades begs them to make him the best orator in Greece by a hundred miles. They reply with the promise of a brilliant future. Socrates leads him into the dingy Thinkery for his first lesson and The Clouds step forward to address the audience. Putting aside their cloud-like costumes, The Chorus declares that this is the author's cleverest play and that it cost him the greatest effort. It reproaches the audience for the play's failure at the festival, where it was beaten by the works of inferior authors, and it praises the author for originality and for his courage in lampooning influential politicians such as Cleon. The Chorus then resumes its appearance as clouds, promising divine favours if the audience punishes Cleon for corruption and rebuking Athenians for messing about with the calendar, since this has put Athens out of step with the moon. Socrates returns to the stage in a huff, protesting against the ineptitude of his new elderly student. He summons Strepsiades outside and attempts further lessons, including a form of meditative incubation in which the old man lies under a blanket while thoughts are supposed to arise in his mind naturally. The incubation results in Strepsiades masturbating under the blanket and finally Socrates refuses to have anything more to do with him. The Clouds advise him to find someone younger to do the learning for him. His son, Pheidippides, subsequently yields to threats by Strepsiades and reluctantly returns with him to the Thinkery, where they encounter the personified arguments Superior and Inferior, associates of Socrates. Superior Argument and Inferior Argument debate with each other over which of them can offer the best education. Superior Argument sides with Justice and the gods, offering to prepare Pheidippides for an earnest life of discipline, typical of men who respect the old ways; Inferior Argument, denying the existence of Justice, offers to prepare him for a life of ease and pleasure, typical of men who know how to talk their way out of trouble. At the end of the debate, a quick survey of the audience reveals that buggers - people schooled by Inferior Arguments - have got into the most powerful positions in Athens. Superior Argument accepts his inevitable defeat, Inferior Argument leads Pheidippides into the Thinkery for a life-changing education and Strepsiades goes home happy. The Clouds step forward to address the audience a second time, demanding to be awarded first place in the festival competition, in return for which they promise good rains - otherwise they'll destroy crops, smash roofs and spoil weddings. The story resumes with Strepsiades returning to The Thinkery to fetch his son. A new Pheidippides emerges, startlingly transformed into the pale nerd and intellectual bum that he had once feared to become. Rejoicing in the prospect of talking their way out of financial trouble, Strepsiades leads the youth home for celebrations, just moments before the first of their aggrieved creditors arrives with a witness to summon him to court. Strepsiades comes back on stage, confronts the creditor and dismisses him contemptuously. A second creditor arrives and receives the same treatment before Strepsiades returns indoors to continue the celebrations. The Clouds sing ominously of a looming debacle and Strepsiades again comes back on stage, now in distress, complaining of a beating that his new son has just given him in a dispute over the celebrations. Pheidippides emerges coolly and insolently debates with his father a father's right to beat his son and a son's right to beat his father. He ends by threatening to beat his mother also, whereupon Strepsiades flies into a rage against The Thinkery, blaming Socrates for his latest troubles. He leads his slaves, armed with torches and mattocks, in a frenzied attack on the disreputable school. The alarmed students are pursued offstage and the Chorus, with nothing to celebrate, quietly departs. |
The Knights | Aristophanes | null | The Knights is a satire on political and social life in 5th-century Athens, the characters are drawn from real life and Cleon is clearly intended to be the villain. However it is also an allegory, the characters are figures of fantasy and the villain in this context is Paphlagonian, a comic monstrosity responsible for almost everything that's wrong with the world. The identity Cleon=Paphlagonian is awkward and the ambiguities aren't easily resolved. This summary features the real-world names Cleon, Nicias and Demosthenes (though these names are never mentioned in the play). See Discussion for an overview of the ambiguous use of characterization in The Knights. Short summary: A sausage seller, Agoracritus, vies with Cleon for the confidence and approval of Demos ('The People' in Greek), an elderly man who symbolizes the Athenian citizenry. Agoracritus emerges triumphant from a series of contests and he restores Demos to his former glory. Detailed summary: Nicias and Demosthenes run from a house in Athens, complaining of a beating that they have just received from their master, Demos, and cursing their fellow slave, Cleon, as the cause of their troubles. They inform the audience that Cleon has wheedled his way into Demos's confidence and they accuse him of misusing his privileged position for the purpose of extortion and corruption. They advise us that even the mask-makers are afraid of Cleon and not one of them could be persuaded to make a caricature of him for this play. They assure us however that we are clever enough to recognize him even without a mask. Having no idea how to solve their problems, they pilfer some wine from the house, the taste of which inspires them to an even bolder theft - a set of oracles that Cleon has always refused to let anyone else see. On reading these stolen oracles, they learn that Cleon is one of several peddlers destined to rule the polis and that it is his fate to be replaced by a sausage seller. As chance would have it, a sausage seller passes by at that very moment, carrying a portable kitchen. Demosthenes informs him of his destiny. The sausage seller is not convinced at first but Demosthenes points out the myriads of people in the theatre and he assures him that his skills with sausages are all that is needed to govern them. Cleon's suspicions meanwhile have been aroused and he rushes from the house in search of trouble. He immediately finds an empty wine bowl and he loudly accuses the others of treason. Demosthenes calls upon the knights of Athens for assistance and a Chorus of them charges into the theatre. They converge on Cleon in military formation under instructions from their leader: ::Hit him, hit him, hit the villain hateful to the cavalry, ::Tax-collecting, all-devouring monster of a lurking thief! ::Villain, villain! I repeat it, I repeat it constantly, ::With good reason since this thief reiterates his villainy! Cleon is given rough handling and the Chorus leader accuses him of manipulating the political and legal system for personal gain. Cleon bellows to the audience for help and the Chorus urges the sausage-seller to outshout him. There follows a shouting match between Cleon and the sausage seller with vulgar boasts and vainglorious threats on both sides as each man strives to demonstrate that he is a more shameless and unscrupulous orator than the other. The knights proclaim the sausage-seller the winner of the argument and Cleon then rushes off to the Boule to denounce them all on a trumped-up charge of treason. The sausage seller sets off in pursuit and the action pauses for a parabasis, during which the Chorus steps forward to address the audience on behalf of the author. The Chorus informs us that Aristophanes has been very methodical and cautious in the way he has approached his career as a comic poet and we are invited to applaud him. The knights then deliver a speech in praise of the older generation, the men who made Athens great, and this is followed by a speech in praise of horses that performed heroically in a recent amphibious assault on Corinth, whither they are imagined to have rowed in gallant style. Returning to the stage, the sausage seller reports to the knights on his battle with Cleon for control of the Council - he has outbid Cleon for the support of the councillors with offers of meals at the state's expense. Indignant at his defeat, Cleon rushes onto the stage and challenges the sausage-seller to submit their differences to Demos. The sausage seller accepts the challenge. They call Demos outdoors and compete with each other in flattering him like rivals for the affections of an eromenos. He agrees to hear them debating their differences and he takes up his position on the Pnyx (here represented possibly as a bench). The sausage-seller makes some serious accusations in the first half of the debate: Cleon is indifferent to the war-time sufferings of ordinary people, he has used the war as an opportunity for corruption and he prolongs the war out of fear that he will be prosecuted when peace returns. Demos is won over by these arguments and he spurns Cleon's wheedling appeals for sympathy. Thereafter the sausage seller's accusations become increasingly absurd: Cleon is accused of waging a campaign against buggery in order to stifle opposition (because all the best orators are buggers) and he is said to have brought down the price of silphium so that jurors who bought it would suffocate each other with their flatulence. Cleon loses the debate but he doesn't lose hope and there are two further contests in which he competes with the sausage seller for Demos's favour - a) the reading of oracles flattering to Demos; b) a race to see which of them can best serve pampered Demos's every need. The sausage seller wins each contest by outdoing Cleon in shamelessness. Cleon makes one last effort to retain his privileged position in the household - he possesses an oracle that describes his successor and he questions the sausage seller to see if he matches the description in all its vulgar details. The sausage seller does match the description. In tragic dismay, Cleon at last accepts his fate and he surrenders his authority to the sausage-seller. Demos asks the sausage seller for his name and we learn that it is Agoracritus, confirming his lowly origin. The actors depart and the Chorus treats us to another parabasis. The knights step forward and they advise us that it is honourable to mock dishonourable people. They proceed to mock Ariphrades, an Athenian with a perverse appetite for female secretions. Next they recount an imaginary conversation between some respectable ships that have refused to carry the war to Carthage because the voyage was proposed by Hyperbolus, a man they despise. Then Agoracritus returns to the stage, calling for respectful silence and announcing a new development - he has rejuvenated Demos with a good boiling (just as if he were a piece of meat). The doors of Demos's house open to reveal impressive changes in Demos's appearance - he is now the very image of glorious 'violet-crowned' Athens, as once commemorated in a song by Pindar. Agoracritus presents his transformed master with the Peacetreaties - beautiful girls that Cleon had been keeping locked up in order to prolong the war. Demos invites Agoracritus to a banquet at the town hall and the entire cast exits in good cheer - all except Cleon, who is required to sell sausages at the city gate as punishment for his crimes. |
Romance of the Three Kingdoms | Luo Guanzhong | null | One of the greatest achievements of Romance of the Three Kingdoms is the extreme complexity of its stories and characters. The novel contains numerous secondary stories. The following consists of a summary of the central plot, and well-known highlights in the story. In the final years of the Han Dynasty, incompetent eunuchs deceive the emperor and persecute good officials, and the government becomes extremely corrupt on all levels, leading to widespread deterioration of the empire. During the reign of the penultimate Han sovereign, Emperor Ling, the Yellow Turban Rebellion breaks out under the leadership of Zhang Jue (a.k.a. Zhang Jiao). The rebellion is barely suppressed by troops under the command of He Jin, General-in-Chief of the imperial armies. Fearing his growing power, the eunuchs led by Zhang Rang lure He Jin into the palace and murder him. He Jin's stunned guards, led by Yuan Shao, respond by charging into the palace to kill all eunuchs for revenge, which turns into indiscriminate slaughter. In the ensuing chaos, the child Emperor Shao and the Prince of Chenliu disappear from the palace. The missing emperor and prince are found later by soldiers of the warlord Dong Zhuo, who proceeds to seize control of the imperial capital Luoyang under the pretext of protecting the emperor. Dong later deposes Emperor Shao and replaces him with the Prince of Chenliu, who becomes known as Emperor Xian. Dong usurps state power and starts a reign of terror in which innocents are persecuted and the common people suffer. Wu Fu and Cao Cao attempt to assassinate Dong Zhuo but both fail. Cao Cao manages to escape and issues an imperial edict in the emperor's name to all regional warlords and governors, calling them to rise up against Dong Zhuo. Under Yuan Shao's leadership, eighteen warlords form a coalition force in a campaign against Dong Zhuo, but undermined by poor leadership and conflict of interest, they only manage to drive Dong from Luoyang to Chang'an. Dong Zhuo is eventually betrayed and killed by his foster son Lü Bu in a dispute over the beautiful maiden Diaochan. In the meantime, the empire is already disintegrating into civil war. Sun Jian finds the Imperial Seal and keeps it secretly for himself, further weakening royal authority. Without a strong central government, warlords begin to rise and fight each other for land, plunging China into a state of anarchy. In the north, Yuan Shao and Gongsun Zan are at war, and in the south, Sun Jian and Liu Biao. Many others, even those without title or land, such as Cao Cao and Liu Bei, are also starting to build up power. Cao Cao rescues Emperor Xian from Dong Zhuo's followers and establishes the new imperial court in Xuchang. Cao Cao proceeds to defeat his rivals such as Lü Bu, Yuan Shu and Zhang Xiu before scoring a tactical victory over Yuan Shao in the Battle of Guandu despite being vastly outnumbered. Through his conquests, Cao unites the Central Plains and northern China under his rule, and the lands he controlled would serve as the foundation for the state of Cao Wei in the future. Meanwhile, an ambush had violently concluded Sun Jian's life in a war with Liu Biao, fulfilling Sun's own rash oath to heaven. His eldest son Sun Ce delivers the Imperial Seal as a tribute to the rising royal pretender, Yuan Shu of Huainan, in exchange for reinforcements. Sun secures himself a state in the rich riverlands of Jiangdong, on which the state of Eastern Wu will eventually be founded. Tragically, Sun Ce also dies at the pinnacle of his career from illness under stress of his terrifying encounter with the ghost of Yu Ji, a venerable magician whom he had falsely accused and executed in jealousy. However, his younger brother Sun Quan, who succeeds him, proves to be a capable and charismatic ruler. Sun, assisted by skilled advisors Zhou Yu and Zhang Zhao, inspires hidden talents such as Lu Su to join his service, and builds up a strong military force. Liu Bei, along with his sworn brothers Guan Yu and Zhang Fei, swear allegiance to the Han Dynasty in the famous Oath of the Peach Garden and pledge to do their best for the country. However, their goals and ambitions are not realized until the later part of the novel. Liu is not recognized for his efforts in quelling the Yellow Turban Rebellion and is merely appointed as a junior magistrate. They join Gongsun Zan and participate in the campaign against Dong Zhuo. Liu Bei becomes the governor of Xu Province after Tao Qian passes on the post to him. Liu loses the province when Lü Bu seizes control of it with the help of a defector and he joins Cao Cao in defeating Lü at the Battle of Xiapi. While Cao Cao subtly reveals his intention to usurp state power, Liu Bei is officially recognised by Emperor Xian as the Imperial Uncle and seen as a saviour to help the emperor deal with Cao Cao. Liu Bei leaves Cao Cao eventually and seizes Xu Province from Cao Cao's newly appointed governor Che Zhou. In retaliation, Cao Cao attacks Xu Province and defeats Liu, forcing Liu to seek refuge under Yuan Shao for a brief period of time. Liu finds a new base in Runan after leaving Yuan but is defeated by Cao Cao's forces once again. He retreats to Jing Province to join Liu Biao and is placed in charge of Xinye. At Xinye, Liu recruits the genius strategist Zhuge Liang personally and builds up his forces. Cao Cao declares himself chancellor and leads his troops to attack southern China after uniting the north. He is defeated twice at Xinye by Liu Bei's forces but Liu loses the city as well. Liu leads his men and the civilians of Xinye on an exodus southwards and they arrive at Jiangxia (present-day Yunmeng County, Hubei) where Liu establishes a foothold against Cao Cao. To resist Cao Cao, Liu Bei sends Zhuge Liang to persuade Sun Quan to form an alliance. Zhuge succeeds in his diplomatic mission and remains in Jiangdong as a temporary advisor to Sun Quan. Sun places Zhou Yu in command of the armies of Jiangdong (Eastern Wu) in preparation for an upcoming war with Cao Cao. Zhou feels that Zhuge will become a future threat to Eastern Wu and he tries to kill Zhuge on a few occasions but he fails and decides to co-operate with Zhuge for the time being. Cao Cao is defeated at the Battle of Red Cliffs by the allied forces of Sun Quan and Liu Bei and he is forced to retreat north. Sun Quan and Liu Bei begin vying for control of Jing Province after their victory and Liu seizes the province from Cao Cao after following Zhuge Liang's strategy. Sun Quan is unhappy and sends emissaries to ask Liu Bei for Jing Province, but Liu dismisses the envoys each time with different excuses. Sun uses some strategies proposed by Zhou Yu to take the land, of which the most famous is the "Beauty Scheme." Sun intends to lure Liu Bei to Jiangdong to marry his sister Lady Sun and hold Liu hostage to exchange his freedom for Jing Province, but the plot fails and the newlywed couple return home safely. Zhou Yu tries to take Jing Province repeatedly but his plans are foiled three times by Zhuge Liang. After Zhou Yu's death, relations between Liu Bei and Sun Quan gradually deteriorate but not to the point of open conflict. In accordance with Zhuge Liang's Longzhong Plan, Liu Bei leads his troops into Yi Province in the west and takes over the land from the incompetent noble Liu Zhang. By then, Liu Bei rules a vast area of land from Jing Province to Yi Province in the west, which will serve as the foundation for the future state of Shu Han. He proclaims himself "King of Hanzhong" after his victory over Cao Cao in the Hanzhong Campaign. At the same time, Cao has also been granted the title of "King of Wei" by the emperor and Sun Quan became known as the "Duke of Wu". In the east, Sun Quan and Cao Cao's forces clash at the Battle of Ruxukou and Battle of Xiaoyao Ford with victories and defeats for both sides. The situation among the three major powers reaches a stalemate after this until Cao Cao's death. Meanwhile, Sun Quan plots to take Jing Province after tiring of Liu Bei's repeated refusals to hand the land over. He makes peace with Cao Cao and becomes a vassal of Cao with the title of "King of Wu". Guan Yu, who is in charge of Jing Province, leads his troops to attack Cao Ren in the Battle of Fancheng. Sun Quan sends Lü Meng to lead his troops to seize Jing Province while Guan is away, as part of his secret agreement with Cao Cao. Guan is caught off guard and loses Jing Province before he realizes it. He retreats to Maicheng, where he is heavily surrounded by Sun Quan's forces, while his army gradually shrinks in size as many of his troops desert or surrender to the enemy. In desperation, Guan attempts to break out of the siege but fails and is captured in an ambush. He is executed on Sun Quan's orders after refusing to renounce his loyalty to Liu Bei. Shortly after Guan Yu's death, Cao Cao dies of a brain tumor and his son Cao Pi usurps the throne, effectively ending the Han Dynasty and Cao renames his new dynasty "Cao Wei". In response, Liu Bei proclaims himself emperor, to carry on the bloodline of the Han Dynasty. While Liu Bei is planning to avenge Guan Yu, his other sworn brother Zhang Fei is assassinated in his sleep by his subordinates, who have defected to Sun Quan. As Liu Bei leads a large army to attack Sun Quan to avenge Guan Yu, Sun attempts to appease Liu by offering him the return of Jing Province. Liu's advisers, including Zhuge Liang, urge him to accept Sun's tokens of peace, but Liu persists in vengeance. After initial victories, a series of strategic mistakes due to the impetuosity of Liu leads to the cataclysmic defeat of Shu Han in the Battle of Xiaoting. Lu Xun, the commander of Sun Quan's forces, refrains from pursuing the retreating Shu Han troops after encountering Zhuge Liang's Stone Sentinel Maze. Liu Bei dies in Baidicheng from illness shortly after his defeat. In a moving final conversation between Liu on his deathbed and Zhuge Liang, Liu grants Zhuge the authority to take the throne if his successor Liu Shan proves to be an inept ruler. Zhuge refuses and swears that he will remain faithful to the trust Liu Bei had placed in him. After Liu Bei's death, as advised by Sima Yi, Cao Pi induces several forces, including Sun Quan, turncoat Shu general Meng Da, Meng Huo of the Nanman and the Qiang tribes, to attack Shu Han, in coordination with a Cao Wei army. Zhuge Liang manages to send the five armies retreating without any bloodshed. An envoy from Shu Han named Deng Zhi subsequently persuades Sun Quan to renew the former alliance with Shu Han. Zhuge Liang personally leads a southern campaign against the Nanman barbarian king Meng Huo. Meng is defeated and captured seven times, but Zhuge releases him each time and allows him to come back for another battle, in order to win Meng over. The seventh time, Meng refuses to leave and decides to swear allegiance to Shu Han forever. After pacifying the south, Zhuge Liang leads the Shu Han army on five military expeditions to attack Cao Wei in order to restore the Han Dynasty. However, Zhuge's days are numbered as he had been suffering from chronic tuberculosis all along, and his condition worsens under stress from the campaigns. His last significant victory over Cao Wei is probably the defection of Jiang Wei, a promising young general who is well-versed in military strategy. Zhuge Liang dies of illness at the Battle of Wuzhang Plains while leading a stalemate battle against his nemesis, the Cao Wei commander Sima Yi. Before his death, Zhuge orders his trusted generals to build a statue of himself and use it to scare away the enemy in order to buy time for the Shu Han army to retreat safely. The long years of battle between Shu Han and Cao Wei sees many changes in the ruling Cao family in Cao Wei. The influence of the Caos weakens after the death of Cao Rui and the state power of Cao Wei eventually falls into the hands of the Sima clan, headed by Sima Yi's sons Sima Shi and Sima Zhao. In Shu Han, Jiang Wei inherits Zhuge Liang's legacy and continues to lead another nine campaigns against Cao Wei for a bitter three decades, but he fails to achieve any significant success. Moreover, the ruler of Shu Han, Liu Shan, is incompetent and places faith in treacherous officials, further leading to the decline of the kingdom. Shu Han is eventually conquered by Cao Wei. Jiang Wei attempts to restore Shu Han with the help of Zhong Hui but their plans are exposed and both of them are killed by Sima Zhao's troops. After the fall of Shu Han in 263, Sima Zhao's son Sima Yan forces the last Wei ruler, Cao Huan, to abdicate his throne in 265, officially ending the Cao Wei dynasty. Sima Yan, having already been proclaimed the Prince of Jin in the previous year, then formally establishes the Jin Dynasty. In Eastern Wu, there has been internal conflict among the nobles ever since the death of Sun Quan, with Zhuge Ke and Sun Lin making attempts to usurp state power. Although stability is restored temporarily, the last Wu ruler Sun Hao appears to be a tyrant who does not make any efforts to strengthen his kingdom. Eastern Wu, the last of the Three Kingdoms, is finally conquered by Jin after a long period of struggle in the year 280, thus marking the end of the near century-long era of civil strife known as the Three Kingdoms period. |
The Dragon in the Sea | Frank Herbert | 1,956 | Set in a near-future earth, the West and the East have been at war for more than a decade, and resources are running thin. The West is stealing oil from the East with specialized nuclear submarines ("subtugs") that sneak into the underwater oil fields of the East to secretly pump out the oil and bring it back. Each manned by a crew of four, these submarines undertake the most hazardous, stressful mission conceivable, and of late, the missions have been failing, with the last twenty submarines simply disappearing. The East has been very successful in planting sleepers in the West's military and command structures, and the suspicion is that sleepers are sabotaging the subs or revealing their positions once at sea. John Ramsey, a young psychologist from the Bureau of Psychology (BuPsych), is trained as an electronics operator and sent on the next mission, replacing the previous officer who went insane. His secret mission is to find the sleeper, or figure out why the crews are going insane. |
Destination: Void | Frank Herbert | 1,966 | In the future, humankind has tried to develop artificial intelligence, succeeding only once, and then disastrously. A transmission from the project site on an island in the Puget Sound, "rogue consciousness!", was followed by slaughter and destruction, culminating in the island vanishing from the face of the earth. The current project is being run on the moon, and the book tells the story of the seventh attempt in a series of experiments to create an artificial consciousness. For each attempt the scientists raise a group of clones. These clones are kept isolated and raised to believe that they will be the crew of a spaceship that will colonize a planet in the Tau Ceti solar system (Tau Ceti has no habitable planet, its choice - should they manage to reach it - is part of the planned frustration of the crew). The spaceship will take hundreds of years to reach the system and the crew will spend most of their time in hibernation. Along with the crew of six, the ship carries thousands of other clones in hibernation, intended to populate the new colony and, if necessary, provide replacements for any crew members who die along the way. The crew are just caretakers: the ship is controlled by a disembodied human brain, called "Organic Mental Core" or "OMC", that runs the complex operations of the vessel and keeps it moving in space. But the first two OMC's (Myrtle and Little Joe) become catatonic, while the third OMC goes insane and kills two of the umbilicus crew members. The crew are left with only one choice: to build an artificial consciousness that will enable the ship to continue. The crew knows that if they attempt to turn back they will be ordered to abort (self destruct). The clones have been bred and carefully selected for psychological purposes to reinforce each other, as well as to provide various specialized skills that will give them the best chance of success. The crew includes a chaplain-psychiatrist, Raja Flattery, who knows their real purpose, and that the breakdown of the "OMC"s was planned. He's aware that six other ships have gone out before theirs, each one failing. He understands the nature of the test: create a high pressure environment in which brilliance may break through out of necessity, and create in the safety of the void what humans couldn't safely create on Earth. Space Ship Earthling number Seven ultimately succeeds, and the consequences of their success form the basis of the plot for the novels which follow. fr:Destination vide he:Destination: Void |
Whipping Star | Frank Herbert | 1,970 | In the far future, humankind has made contact with numerous other species: Gowachin, Laclac, Wreaves, Pan Spechi, Taprisiots, and Caleban (among others) and has helped to form the ConSentiency to govern among the species. After suffering under a tyrannous pure democracy which had the power to create laws so fast that no thought could be given to the effects, the sentients of the galaxy found the need for a Bureau of Sabotage (BuSab) to slow the wheels of government, thereby preventing it from legislating recklessly. In Whipping Star, Jorj X. McKie is a saboteur extraordinary, a born troublemaker who has naturally become one of BuSab's best agents. As the novel opens, it is revealed that Calebans, who are beings visible to other sentient species as stars, have been disappearing one by one. Each disappearance is accompanied by millions of sentient deaths and instances of incurable insanity. Ninety years prior to the setting of Whipping Star, the Calebans appeared and offered jumpdoors to the collective species, allowing sentients to travel instantly to any point in the universe. Gratefully accepting, the sentiency didn't question the consequences. Now Mliss Abnethe, a psychotic human female with immense power and wealth, has bound a Caleban (called Fannie Mae) in a contract that allows the Caleban to be whipped to death; when the Caleban dies, everyone who has ever used a jumpdoor (which is almost every adult in the sentient world and many of the young) will die as well. The Calebans begin to disappear one at a time, leaving our plane of existence (or exiting "our wave") to save themselves. As all Calebans are connected, if all were to remain in our existence, when Fannie Mae died, all Calebans would die. As each Caleban exits, millions of the ConSentiency are killed or rendered insane. McKie has to find Mliss and stop her before Fannie Mae reaches, in her words, "ultimate discontinuity", but he is constrained by the law protecting private individuals by restricting the ministrations of BuSab to public entities. McKie succeeds in saving Fannie Mae by opening a jumpdoor into space which shunts a large interstellar cloud of (presumably) hydrogen into her stellar body, rejuvenating her from her torture at the hands of the Palenki henchmen hired by Mliss Abnethe. |
The Dosadi Experiment | Frank Herbert | 1,977 | The novel is set in a distant future when humans are part of an interstellar civilization called the ConSentiency composed of many species. One, the Taprisiots, provide instant mind-to-mind communication between two sentient minds anywhere in the universe, and the Caleban provide jump-doors which allow instantaneous travel between any two points in the universe. This is the glue that holds the far-flung ConSentiency together. Unfortunately, one consequence of jump-door technology is the possibility that large numbers of unsuspecting sentients can be diverted to destinations unknown for nefarious purposes. A government saboteur attempts to expose one such plot. Jorj X. McKie is a Saboteur Extraordinary, one of the principals of the Bureau of Sabotage, and the only human admitted to practice law before the Gowachin bar as a legum (lawyer). While meditating in a park in BuSab headquarters McKie is mentally contacted by the Caleban Fannie Mae, a female member of a species of unparalleled power from another dimension whose visible manifestation in this universe is the star Thyone in the Pleiades cluster Generations ago, a secret, unauthorized experiment by the Gowachins was carried out with the help of a contract with the Calebans. They isolated the planet Dosadi behind an impenetrable barrier called "The God Wall". On the planet were placed humans and Gowachin, with an odd mix of modern and old technology. The planet itself is massively poisonous except for a narrow valley, containing the city "Chu", into which nearly 89 million humans and Gowachin are crowded under terrible conditions. It is ruled by a dictator, many other forms of government having been tried previously, but without the ability to remove such things as the DemoPol, a computer system used to manipulate populaces without their consent or knowledge. The culture of ordinary day to day power in Dosadi is very violent. Among other tools, addictive psychotropes are used for handling power among hierarchies in organisations. Senior Liator Keila Jedrik starts a war that will change Dosadi forever. Jorj travels to Dosadi and escapes with Keila after engaging in ego sharing. This gives them the ability to swap bodies and thus by using a hole in the contract sealing Dosadi they can escape via jump gate. Once free, by legal manoeuvring the Dosadi population is unleashed upon the ConSentiency for good or ill, whilst the people who set the project in motion try to deal with the consequences, having sent McKie there hoping a solution more in their interest could be found. |
The Transparent Society | David Brin | 1,998 | Brin argues that a core level of privacy - protecting our most intimate interactions - may be preserved, despite the rapid proliferation of cameras that become ever-smaller, cheaper and more numerous faster than Moore's law. He feels that this core privacy can be saved simply because that is what humans deeply need and want. Hence, Brin explains that "...the key question is whether citizens will be potent, sovereign and knowing enough to enforce this deeply human want. This means they must not only have rights, but also the power to use them and the ability to detect when they are being abused. Ironically, that will only happen in a world that is mostly open, in which most citizens know most of what is going on, most of the time. It is the only condition under which citizens may have some chance of catching the violators of their freedom and privacy. Privacy is only possible if freedom (including the freedom to know) is protected first. Brin thus maintains that privacy is a "contingent right," one that grows out of the more primary rights, e.g. to know and to speak. He admits that such a mostly-open world will seem more irksome and demanding; people will be expected to keep negotiating the tradeoffs between knowing and privacy. It will be tempting to pass laws that restrict the power of surveillance to authorities, entrusting them to protect our privacy -- or a comforting illusion of privacy. By contrast, a transparent society destroys that illusion by offering everyone access to the vast majority of information out there. Brin argues that it will be good for society if the powers of surveillance are shared with the citizenry, allowing "sousveillance" or "viewing from below," enabling the public to watch the watchers. According to Brin, this only continues the same trend promoted by Adam Smith, John Locke, the US Constitutionalists and the western enlightenment, who held that any elite (whether commercial, governmental, or aristocratic) should experience constraints upon its power. And there is no power-equalizer greater than knowledge. |
The Poisoned Chocolates Case | Anthony Berkeley Cox | null | After arriving at his London club at 10:30 am precisely,which he has been doing every morning for many years, Sir Eustace Pennefather, a known womanizer whose divorce from his current wife is pending, receives a complimentary box of chocolates through the post. Disapproving of such modern marketing techniques, Sir Eustace is about to throw away the chocolates in disgust but changes his mind when he learns that Graham Bendix, another member of the club whom he hardly knows, has lost a bet with his wife Joan and now owes her a box of chocolates. Bendix takes the box home and, after lunch, tries out the new confectionery together with his wife. A few hours later Joan Bendix is dead, whereas her husband, who has eaten far less of the chocolate, is taken seriously ill and hospitalized (but later recovers). The police can establish a few facts beyond any doubt: that the parcel was posted the previous evening near The Strand; that the poison that was injected into each of the chocolates is nitrobenzene; and that the accompanying letter was typewritten on a piece of stationery from the manufacturers of the chocolates but not composed or sent by them. Quite soon in the police investigations it becomes evident that the intended victim was Sir Eustace himself rather than the innocent Joan Bendix: No criminal could have predicted Sir Eustace giving away the box of chocolates to a man he hardly knew who just happened to be present when it was delivered. However, at a loss as to the further details of the crime, Scotland Yard conclude that the sender must have been some maniac or a fanatic trying to rid society of one of its most immoral members. Worthy pillars of society including a barrister, a writer of detective novels, and a female author, the members of Roger Sheringham's Crimes Circle go about individually solving the case. After a week has passed, they present their findings on consecutive nights to their colleagues. Not surprisingly, they come up with various suspects: Sir Eustace's estranged wife; the father of a young lady whom Sir Eustace intended to marry after his divorce got through; one of Sir Eustace's discarded mistresses; and some more. While these discussions are going on, the murderer seems to feel safe with no need to cover up their tracks any further. At the very end of the novel, however, there is no doubt as to the identity of the perpetrator. |
Oedipus at Colonus | Sophocles | null | Led by Antigone, Oedipus enters the village of Colonus and sits down on a stone. They are approached by a villager, who demands that they leave, because that ground is sacred to the Furies, or Erinyes. Oedipus recognizes this as a sign, for when he received the prophecy that he would kill his father and marry his mother, Apollo also revealed to him that at the end of his life he would die at a place sacred to the Furies, and be a blessing for the land in which he is buried. The chorus of old men from the village enters, and persuades Oedipus to leave the holy ground. They then question him about his identity, and are horrified to learn that he is the son of Laius. Although they promised not to harm Oedipus, they wish to expel him from their city, fearing that he will curse it. Oedipus answers by explaining that he is not morally responsible for his crimes, since he killed his father in self-defence. Furthermore, he asks to see their king, Theseus, saying, "I come as someone sacred, someone filled with piety and power, bearing a great gift for all your people." The chorus is amazed, and decides to reserve their judgment of Oedipus until Theseus, king of Athens, arrives. Ismene arrives on horse, rejoicing to see her father and sister. She brings the news that Eteocles has seized the throne of Thebes from his elder brother, Polyneices, while Polyneices is gathering support from the Argives to attack the city. Both sons have heard from an oracle that the outcome of the conflict will depend on where their father is buried. Ismene tells her father that it is Creon's plan to come for him and bury him at the border of Thebes, without proper burial rites, so that the power which the oracle says his grave will have will not be granted to any other land. Hearing this, Oedipus curses both of his sons for not treating him well, contrasting them with his devoted daughters. He pledges allegiance with neither of his feuding sons, but with the people of Colonus, who thus far have treated him well, and further asks them for protection from Creon. Because Oedipus trespassed on the holy ground of the Euminides, the villagers tell him that he must perform certain rites to appease them. Ismene volunteers to go perform them for him and departs, while Antigone remains with Oedipus. Meanwhile, the chorus questions Oedipus once more, desiring to know the details of his incest and patricide. After he relates his sorrowful story to them, Theseus enters, and in contrast to the prying chorus states, "I know all about you, son of Laius." He sympathizes with Oedipus, and offers him unconditional aid, causing Oedipus to praise Theseus and offer him the gift of his burial site, which will ensure victory in a future conflict with Thebes. Theseus protests, saying that the two cities are friendly, and Oedipus responds with what is perhaps the most famous speech in the play. "Oh Theseus, dear friend, only the gods can never age, the gods can never die. All else in the world almighty Time obliterates, crushes all to nothing..." Theseus makes Oedipus a citizen of Athens, and leaves the chorus to guard him as he departs. The chorus sings about the glory and beauty of Athens. Creon, who is the representative of Thebes, comes to Oedipus and feigns pity for him and his children, telling him that he should return to Thebes. Oedipus is horrified, and recounts all of the harms Creon has inflicted on him. Creon becomes angry and reveals that he has already captured Ismene; he then instructs his guards to forcibly seize Antigone. His men begin to carry them off toward Thebes, perhaps planning to use them as blackmail to get Oedipus to follow, out of a desire to return Thebans to Thebes, or simply out of anger. The chorus attempts to stop him, but Creon threatens to use force to bring Oedipus back to Thebes. The chorus then calls for Theseus, who comes from sacrificing to Poseidon to condemn Creon, telling him, "You have come to a city that practices justice, that sanctions nothing without law." Creon replies by condemning Oedipus, saying "I knew [your city] would never harbor a father-killer...worse, a creature so corrupt, exposed as the mate, the unholy husband of his own mother." Oedipus, infuriated, declares once more that he is not morally responsible for what he did. Theseus leads Creon away to retake the two girls. The Athenians overpower the Thebans and return both girls to Oedipus. Oedipus moves to kiss Theseus in gratitude, then draws back, acknowledging that he is still polluted. Theseus then informs Oedipus that a suppliant has come to the temple of Poseidon and wishes to speak with him; it is Oedipus' son Polynices, who has been banished from Thebes by his brother Eteocles. Oedipus does not want to talk to him, saying that he loathes the sound of his voice, but Antigone persuades him to listen, saying, "Many other men have rebellious children, quick tempers too...but they listen to reason, they relent." Oedipus gives in to her, and Polynices enters, lamenting Oedipus' miserable condition and begging his father to speak to him. He tells Oedipus that he has been driven out of the Thebes unjustly by his brother, and that he is preparing to attack the city. He knows that this is the result of Oedipus' curse on his sons, and begs his father to relent, even going so far as to say "We share the same fate" to his father. Oedipus tells him that he deserves his fate, for he cast his father out. He foretells that his two sons will kill each other in the coming battle. "Die! Die by your own blood brother's hand—die!—killing the very man who drove you out! So I curse your life out!" Antigone tries to restrain her brother, telling him that he should not attack Thebes and avoid dying at his brother's hand. Polyneices refuses to be dissuaded, and exits. Following their conversation there is a fierce thunderstorm, which Oedipus interprets as a sign from Zeus of his impending death. Calling for Theseus, he tells him that it is time for him to give the gift he promised to Athens. Filled with strength, the blind Oedipus stands and walks, calling for his children and Theseus to follow him. A messenger enters and tells the chorus that Oedipus is dead. He led his children and Theseus away, then bathed himself and poured libations, while his daughters grieved. He told them that their burden of caring for him was gone, and asked Theseus to swear not to forsake his daughters. Then he sent his children away, for only Theseus could know the place of his death, and pass it on to his heir. When the messenger turned back to look at the spot where Oedipus last stood, he says that "We couldn't see the man- he was gone- nowhere! And the king, alone, shielding his eyes, both hands spread out against his face as if- some terrible wonder flashed before his eyes and he, he could not bear to look." Theseus enters with Antigone and Ismene, who are weeping and mourning their father. Antigone longs to see her father's tomb, even to be buried there with him rather than live without him. The girls beg Theseus to take them, but he reminds them that the place is a secret, and that no one may go there. "And he said that if I kept my pledge, I'd keep my country free of harm forever." Antigone agrees, and asks for passage back to Thebes, where she hopes to stop the Seven Against Thebes from marching. Everyone exits toward Athens. |
Vurt | Jeff Noon | 1,993 | Vurt tells the story of Scribble and his "gang", the Stash Riders, as they search for his missing sister/lover Desdemona. The novel is set in an alternate version of Manchester, England, in which society has been shaped by Vurt, a hallucinogenic drug/shared alternate reality, accessed by sucking on colour-coded feathers. Through some (never explained) mechanism, the dreams, mythology, and imaginings of humanity have achieved objective reality in the Vurt and become "real". Before the novel begins, Scribble and his sister-lover take a shared trip into a vurt called English Voodoo, but upon awakening Scribble finds his sister has been replaced by an amorphous blob that Mandy, a fellow Stash Rider, nicknames "The Thing from Outer Space". From that point on, Scribble is on a mission to find another copy of the rare and contraband Curious Yellow feather (found within English Voodoo), so that he can exchange The Thing for Desdemona. |
Fast Food Nation: The Dark Side of the All-American Meal | Eric Schlosser | 2,001 | Schlosser opens the book with the ironic delivery of a pizza to the top secret military base, Cheyenne Mountain in Colorado. He describes various high-tech capabilities of the base and its extensive defensive system, speculating that if the worst were to happen and the entire base were entombed in the mountain, anthropologists of the future would discover random fast food wrappers scattered amongst military hardware. Both, suggests Schlosser, would provide important clues about the nature of American society. The book continues with an account of the evolution of fast food and how it has coincided with the advent of the automobile. Schlosser explains the transformation from countless independent restaurants to a few uniform franchises. This shift led to a production-line kitchen prototype, standardization, self-service, and a fundamental change in marketing demographics: from teenager to family-oriented. Regarding the topic of child-targeted marketing, Schlosser explains how the McDonald's Corporation modeled its marketing tactics on The Walt Disney Company, which inspired the creation of advertising icons such as Ronald McDonald and his sidekicks. Marketing executives intended that this marketing shift would result not only in attracting children, but their parents and grandparents as well. More importantly, the tactic would instill brand loyalty that would persist through adulthood through nostalgic associations to McDonald's. Schlosser also discusses the tactic's ills: the exploitation of children's naïveté and trusting nature. He sees that reductions in corporate taxation have come at the expense of school funding, thereby presenting many corporations with the opportunity for sponsorship with those same schools. According to his sources, 80% of sponsored textbooks contain material that is biased in favor of the sponsors, and 30% of high schools offer fast foods in their cafeterias. In his examination of the meat packing industry, Schlosser finds that it is now dominated by casual, easily exploited immigrant labor and that levels of injury are among the highest of any occupation in the United States. Schlosser discusses his findings on meat packing companies IBP, Inc. and on Kenny Dobbins. Schlosser also recounts the steps involved in meat processing and reveals several hazardous practices unknown to many consumers, such as the practice of rendering dead pigs and horses and chicken manure into cattle feed. Schlosser notes that practices like these were responsible for the spread of bovine spongiform encephalopathy (BSE, aka Mad Cow Disease, p. 202-3), as well as for introducing harmful bacteria into the food supply, such as E. coli O157:H7 (ch. 9, "What's In The Meat"). A later section of the book discusses the fast food industry's role in globalization, linking increased obesity in China and Japan with the arrival of fast food. The book also includes a summary of the McLibel Case. In later editions, Schlosser provided an additional section that included reviews of his book, counters to critics who emerged since its first edition, and discussion of the effect that the threat of BSE had on US Federal Government policy towards cattle farming. He concluded that, given the swift, decisive and effective action that took place as a result of this interest and intervention, many of the problems documented in the book are solvable, given enough political will. |
The Dice Man | George Cockcroft | 1,971 | The book tells the story of a psychiatrist named Luke Rhinehart who, feeling bored and unfulfilled in life, starts making decisions about what to do based on a roll of a dice. Along the way, there is sex, rape, murder, "dice parties", breakouts by psychiatric patients, and various corporate and governmental machines being put into a spin. There is also a description of the cult that starts to develop around the man, and the psychological research he initiates, such as the "Fuck without Fear for Fun and Profit" program. |
The Search for the Dice Man | George Cockcroft | 1,993 | The book is set 20 years after the end of The Dice Man, and Luke's dicechild, Larry Rhinehart, has grown up to become a hotshot investor on the stock market. He has totally rejected his father's reverence for chance: he sees it as an adversary to be overcome, and has managed to create a stable, normal life for himself, in spite of his early abandonment. Indeed, he is due to wed the daughter of his boss, and live wealthily ever after. This state of affairs would make a dull story and soon his father's ghostly presence intervenes. He gets approached by the FBI, who are trying to trace his father's location, and find out whether he's alive or dead. Though Larry naturally refuses to have anything to do with the FBI, he soon starts to pursue his own investigations. He is financed in this by his fiancée's father, who wants to put the whole dice business to rest, and is accompanied by his fiancée's cousin, an unreformed hippy. It takes a long time - a whole book in fact, but Larry eventually does complete his quest. Along the way, what he sees and hears change his views somewhat; by the end of the book it is he who is trying to convince Luke, his father, to accept more chance into his life, rather than the other way round. |
Anna Karenina | Leo Tolstoy | 1,877 | The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn is quoting from Deuteronomy 32:35. The novel begins with one of its most quoted lines: The novel opens with a scene introducing Prince Stepan Arkadyevitch Oblonsky ("Stiva"), a Moscow aristocrat and civil servant who has been unfaithful to his wife Darya Alexandrovna, ("Dolly"). Dolly has discovered his affair—with the family's governess—and the house and family are in turmoil. Stiva's affair and his reaction to his wife's distress show an amorous personality that he cannot seem to suppress. In the midst of the turmoil, Stiva reminds the household that his married sister, Anna Arkadyevna Karenina, is coming to visit from Saint Petersburg. Meanwhile, Stiva's childhood friend, Konstantin Dmitrievich Levin ("Kostya"), arrives in Moscow with the aim of proposing to Dolly's youngest sister, Princess Katerina Alexandrovna Shcherbatskaya ("Kitty"). Levin is a passionate, restless, but shy aristocratic landowner who, unlike his Moscow friends, chooses to live in the country on his large estate. He discovers that Kitty is also being pursued by Count Alexei Kirillovich Vronsky, an army officer. Whilst at the railway station to meet Anna, Stiva bumps into Vronsky; he is there to meet his mother, the Countess Vronskaya. Anna and Vronskaya have traveled and talked together in the same carriage. As the family members are reunited, and Vronsky sees Anna for the first time, a railway worker accidentally falls in front of a train and is killed. Anna interprets this as an "evil omen." Vronsky, however, is infatuated with her. Anna is uneasy about leaving her young son, Seryozha, alone for the first time. She also talks openly and emotionally to Dolly about Stiva's affair, convincing her that Stiva stills loves her despite the infidelity. Dolly is moved by Anna's speeches and decides to forgive Stiva. Kitty comes to visit Dolly and Anna. Kitty, just eighteen, is in her first season as a debutante and is expected to make an excellent match with a man of her social standing. Vronsky has been paying her considerable attention, and she expects to dance with him at a ball that evening. Kitty is very struck by Anna's beauty and personality, and becomes infatuated with her just as Vronsky is. When Levin proposes to Kitty at her home, she clumsily turns him down, believing she is in love with Vronsky and that he will propose to her. At the ball, Vronsky dances with Anna, choosing her as a partner over a shocked and heartbroken Kitty. Kitty realises that Vronsky has fallen in love with Anna, and has no intention of marrying her despite his overt flirtations; Vronsky has regarded his interactions with Kitty merely as a source of amusement, and assumes that Kitty has acted for the same reasons. Anna, shaken by her emotional and physical response to Vronsky, returns at once to Saint Petersburg. Vronsky travels on the same train. During the overnight journey, the two meet and Vronsky confesses his love. Anna refuses him, although she is deeply affected by his attentions to her. Levin, crushed by Kitty's refusal, returns to his estate farm, abandoning any hope of marriage. Anna returns to her husband Alexei Alexandrovich Karenin, a senior government official, and their son Sergei ("Seryozha") in Saint Petersburg. On seeing her husband for the first time since her encounter with Vronsky, Anna realises that she finds him repulsive. The Shcherbatskys consult doctors over Kitty's health, which has been failing since Vronsky's rejection. A specialist advises that Kitty should go abroad to a health spa to recover. Dolly speaks to Kitty and understands she is suffering because of Vronsky and Levin, whom she cares for and had hurt in vain. Kitty, humiliated by Vronsky and tormented by her rejection of Levin, upsets her sister by referring to Stiva's infidelity, saying she could never love a man who betrayed her. Meanwhile, Stiva visits Levin on his country estate while selling a nearby plot of land. In Saint Petersburg, Anna begins to spend more time in the inner circle of Princess Betsy, a fashionable socialite and Vronsky's cousin. Vronsky continues to pursue Anna. Although she initially tries to reject him, she eventually succumbs to his attentions. Karenin reminds his wife of the impropriety of paying too much attention to Vronsky in public, which is becoming the subject of gossip. He is concerned about the couple's public image, although he believes that Anna is above suspicion. Vronsky – a keen horseman – takes part in a steeplechase event, during which he rides his mare Frou-Frou too hard and she falls and breaks her back. Anna is unable to hide her distress during the accident. Later, Anna tells Vronsky that she is pregnant with his child. Karenin is also present at the races, and remarks to Anna that her behaviour is improper. Anna, in a state of extreme distress and emotion, confesses her affair to her husband. Karenin asks her to break it off to avoid further gossip, believing that their marriage will be preserved. Kitty and her mother travel to a German spa to recover from her ill health. There, they meet the Pietist Madame Stahl and the saintly Varenka, her adopted daughter. Influenced by Varenka, Kitty becomes extremely pious, but becomes disillusioned by her father's criticism. She then returns to Moscow. Levin continues working on his estate, a setting closely tied to his spiritual thoughts and struggles. He wrestles with the idea of falseness, wondering how he should go about ridding himself of it, and criticising what he feels is falseness in others. He develops ideas relating to agriculture, and the unique relationship between the agricultural labourer and his native land and culture. He comes to believe that the agricultural reforms of Europe will not work in Russia because of the unique culture and personality of the Russian peasant. When Levin visits Dolly, she attempts to understand what happened between him and Kitty and to explain Kitty's behaviour. Levin is very agitated by Dolly's talk about Kitty, and he begins to feel distant from Dolly as he perceives her loving behaviour towards her children as false. Levin resolves to forget Kitty, and contemplates the possibility of marriage to a peasant woman. However, a chance sighting of Kitty in her carriage makes Levin realise he still loves her. Meanwhile, in Saint Petersburg, Karenin refuses to separate from Anna, insisting that their relationship will continue. He threatens to take away Seryozha if she persists in her affair with Vronsky. When Anna and Vronsky continue seeing each other, Karenin consults with a lawyer about obtaining a divorce. During the time period, a divorce in Russia could only be requested by the innocent party in an affair, and required either that the guilty party confessed — which would ruin Anna's position in society and bar her from re-marrying — or that the guilty party be discovered in the act of adultery. Karenin forces Anna to hand over some of Vronsky's love letters, which the lawyer deems insufficient as proof of the affair. Stiva and Dolly argue against Karenin's drive for a divorce. Karenin changes his plans after hearing that Anna is dying after the difficult birth of her daughter, Annie. At her bedside, Karenin forgives Vronsky. However, Vronsky, embarrassed by Karenin's magnanimity, unsuccessfully attempts suicide by shooting himself. As Anna recovers, she finds that she cannot bear living with Karenin despite his forgiveness and his attachment to Annie. When she hears that Vronsky is about to leave for a military posting in Tashkent, she becomes desperate. Anna and Vronsky reunite and elope to Europe, leaving Seryozha and leaving Karenin's offer of divorce unaccepted. Meanwhile, Stiva acts as a matchmaker with Levin: he arranges a meeting between him and Kitty, which results in their reconciliation and betrothal. Levin and Kitty marry and start their new life on his country estate. Although the couple are happy, they undergo a bitter and stressful first three months of marriage. Levin feels dissatisfied at the amount of time Kitty wants to spend with him, and dwells on his ability to be productive as he was as a bachelor. When the marriage starts to improve, Levin learns that his brother, Nikolai, is dying of consumption. Kitty offers to accompany Levin on his journey to see Nikolai, and proves herself a great help in nursing Nikolai. Seeing his wife take charge of the situation in an infinitely more capable manner than if he were without her, Levin's love for Kitty grows. Kitty eventually learns that she is pregnant. In Europe, Vronsky and Anna struggle to find friends who will accept them. Whilst Anna is happy to be finally alone with Vronsky, he feels suffocated. They cannot socialize with Russians of their own class, and find it difficult to amuse themselves. Vronsky, who believed that being with Anna was the key to his happiness, finds himself increasingly bored and unsatisfied. He takes up painting and makes an attempt to patronize an émigré Russian artist of genius. However, Vronsky cannot see that his own art lacks talent and passion, and that his conversation about art is really pretentious. Increasingly restless, Anna and Vronsky decide to return to Russia. In Saint Petersburg, Anna and Vronsky stay in one of the best hotels, but take separate suites. It becomes clear that whilst Vronsky is still able to move freely in Russian society, Anna is barred from it. Even her old friend, Princess Betsy — who has had affairs herself — evades her company. Anna starts to become anxious that Vronsky no longer loves her. Meanwhile, Karenin is comforted by Countess Lidia Ivanovna, an enthusiast of religious and mystic ideas fashionable with the upper classes. She advises him to keep Seryozha away from Anna and to tell him his mother is dead. However, Seryozha refuses to believe that this is true. Anna visits Seryozha uninvited on his ninth birthday, but is discovered by Karenin. Anna, desperate to regain at least some of her former position in society, attends a show at the theatre at which all of Saint Petersburg's high society are present. Vronsky begs her not to go, but is unable to bring himself to explain to her why she cannot attend. At the theatre, Anna is openly snubbed by her former friends, one of whom makes a deliberate scene and leaves the theatre. Anna is devastated. Unable to find a place for themselves in Saint Petersburg, Anna and Vronsky leave for Vronsky's own country estate. Dolly, her mother the Princess Scherbatskaya, and Dolly's children spend the summer with Levin and Kitty. The Levins' life is simple and unaffected, although Levin is uneasy at the "invasion" of so many Scherbatskys. He becomes extremely jealous when one of the visitors, Veslovsky, flirts openly with the pregnant Kitty. Levin tries to overcome his feelings, but eventually succumbs to them and makes Veslovsky leave his house in an embarrassing scene. Veslovsky immediately goes to stay with Anna and Vronsky at their nearby estate. When Dolly visits Anna, she is struck by the difference between the Levins' aristocratic-yet-simple home life and Vronsky's overtly luxurious and lavish country estate. She is also unable to keep pace with Anna's fashionable dresses or Vronsky's extravagant spending on a hospital he is building. In addition, all is not quite well with Anna and Vronsky. Dolly notices Anna's anxious behaviour and her uncomfortable flirtations with Veslovsky. Vronsky makes an emotional request to Dolly, asking her to convince Anna to divorce Karenin so that the two might marry and live normally. Anna has become intensely jealous of Vronsky, and cannot bear it when he leaves her even for short excursions. When Vronsky leaves for several days of provincial elections, Anna becomes convinced that she must marry him in order to prevent him from leaving her. After Anna writes to Karenin, she and Vronsky leave the countryside for Moscow. While visiting Moscow for Kitty's confinement, Levin quickly gets used to the city's fast-paced, expensive and frivolous society life. He accompanies Stiva to a gentleman's club, where the two meet Vronsky. Levin and Stiva pay a visit to Anna, who is occupying her empty days by being a patroness to an orphaned English girl. Levin is initially uneasy about the visit, but Anna easily puts him under her spell. When he admits to Kitty that he has visited Anna, she accuses him of falling in love with her. The couple are later reconciled, realising that Moscow society life has had a negative, corrupting effect on Levin. Anna cannot understand why she can attract a man like Levin, who has a young and beautiful new wife, but cannot attract Vronsky as she did once. Her relationship with Vronsky is under increasing strain, as he can move freely in Russian society while she remains excluded. Her increasing bitterness, boredom, and jealousy cause the couple to argue. Anna uses morphine to help her sleep, a habit she had begun while living with Vronsky at his country estate. She has become dependent on it. Meanwhile, after a long and difficult labour, Kitty gives birth to a son, Dmitri, nicknamed "Mitya". Levin is both horrified and profoundly moved by the sight of the tiny, helpless baby. Stiva visits Karenin to seek his commendation for a new post. During the visit he asks him to grant Anna a divorce (which would require him to confess to a non-existent affair), but Karenin's decisions are now governed by a French "clairvoyant" recommended by Lidia Ivanovna. The clairvoyant apparently had a vision in his sleep during Stiva's visit and gives Karenin a cryptic message which is interpreted that Karenin must decline the request for divorce. Anna becomes increasingly jealous and irrational towards Vronsky, whom she suspects of having love affairs with other women. She is also convinced that he will give in to his mother's plans to marry him off to a rich society woman. They have a bitter row and Anna believes the relationship is over. She starts to think of suicide as an escape from her torments. In her mental and emotional confusion, she sends a telegram to Vronsky asking him to come home to her, and then pays a visit to Dolly and Kitty. Anna's confusion and vengeful anger overcome her, and in a parallel to the railway worker's accidental death in part 1, she commits suicide by throwing herself in the path of an oncoming train. Levin's brother's latest book is ignored by readers and critics and he joins the new pan-Slavic movement. Stiva gets the post he desired so much, and Karenin takes custody of Vronsky's and Anna's baby Annie. A group of Russian volunteers, including the suicidal Vronsky, depart from Russia to fight in the Orthodox Serbian revolt that has broken out against the Turks. Meanwhile, a lightning storm occurs at Levin's estate while his wife and newborn son are outside, and in his fear for their safety Levin realizes that he does indeed love his son as much he loves Kitty. Kitty's family is concerned that a man as altruistic as her husband does not consider himself to be a Christian, but after speaking at length to a peasant, Levin decides that devotion to living righteously is the only justifiable reason for living. Unable to tell anyone about this revelation, Levin is initially displeased that this change of thought does not bring with it a complete transformation to righteousness. However, at the end of the story Levin comes to the conclusion that his new beliefs are acceptable and that other non-Christian religions contain similar views on goodness that are also entirely credible. His life can now be meaningfully and truthfully oriented toward goodness. |
Adventures of Wim | George Cockcroft | null | The book takes Luke's style to its logical conclusion, as the entire book is made up of sections taken from other, fictional books. The preface to the book claims that it was written in Deya, Majorca, in 2326. According to the book, an entire industry has grown up publishing books about a Montauk named Wim - including The Gospel According to Luke (Luke Forth, not Luke Rhinehart) and the screenplay of a movie. The screenplay is possibly in there as a result of Luke Rhinehart's continuing frustration in trying to get The Dice Man turned into a good movie. Adventures of Wim, then, is an effort to create a new interpretation of the story of Wim, drawing on the many previous efforts, and so providing a multi-faceted and whimsical account of 'one of the greatest figures in the 20th and 21st Century'. A boy is born of a virgin mother and is named "Wim" (in Adventures of Wim) or "Whim" (in The Book of the Die and Whim): Montauk for "Wave Rider". He is pronounced to be the saviour of the Montauk nation by his tribe's navigator, and educated in their ways. Sadly, the humans steal him away and attempt to educate him in more useful skills, such as American Football. Wim, also known as "He of Many Chances", proves to be an inefficient saviour, as God sends him on a quest for Ultimate Truth. This does not seem to be something that will benefit his tribe terribly, but the navigator isn't one to stare down the barrel of a lightning gun, and sends him on his way. After a long and arduous search, Wim finds ultimate truth (in a tomato), and with it the cure for the sickness of the human condition. |
High Fidelity | Nick Hornby | 1,995 | Rob Fleming is a London record store owner in his mid-thirties whose girlfriend, Laura, has just left him. At the record shop — named Championship Vinyl — Rob and his employees Dick and Barry spend their free moments discussing mix-tape aesthetics and constructing "top-five" lists of anything that demonstrates their knowledge of music. Rob, recalling his five most memorable breakups, sets about getting in touch with the former girlfriends. Eventually, Rob's re-examination of his failed relationships and the death of Laura's father bring the two back together. Their relationship is cemented by the launch of a new purposefulness to Rob's life in the revival of his disc jockey career. Also, realizing that his fear of commitment (a result of his fear of death of those around him) and his tendency to act on emotion are responsible for his continuing desires to pursue new women, Rob makes a symbolic commitment to Laura. |
The Red House Mystery | A. A. Milne | 1,922 | The setting is an English country house, where Mark Ablett has been entertaining a house party consisting of a widow and her marriageable daughter, a retired major, a wilful actress, and Bill Beverley, a young man about town. Mark's long-lost brother Robert, the black sheep of the family, arrives from Australia and shortly thereafter is found dead, shot through the head. Mark Ablett has disappeared, so Tony Gillingham, a stranger who has just arrived to call on his friend Bill, decides to investigate. Gillingham plays Sherlock Holmes to his younger counterpart's Doctor Watson; they progress almost playfully through the novel while the clues mount up and the theories abound. |
Hans Brinker, or The Silver Skates | Mary Mapes Dodge | null | In Holland, poor-but-industrious and honorable 15-year-old Hans Brinker and his younger sister Gretel, yearn to participate in December's great ice-skating race on the canal. They have little chance of doing well on their handmade wooden skates, but the prospect of the race and the prize of the Silver Skates excite them and fire their dreams. Hans' father, Raff Brinker, is sick and amnesiac, with violent episodes, because of a head injury caused by a fall from a dike, and he cannot work. Mrs. Brinker, Hans, and Gretel must all work to support the family and are looked down upon in the community because of their low income and poor status. Hans has a chance meeting with the famous surgeon Dr. Boekman and begs him to treat their father, but the doctor is expensive and gruff in nature following the loss of his wife and disappearance of his son. Eventually, Dr. Boekman is persuaded to examine the Brinkers' father. He diagnoses pressure on the brain, which can be cured by a risky and expensive operation involving trephining. Hans offers his own money, saved in the hope of buying steel skates, to the doctor to pay for his father's operation. Touched by this gesture, Dr. Boekman provides the surgery for free, and Hans is able to buy good skates for both himself and Gretel to skate in the race. Gretel wins the girls' race, but Hans lets a friend — who needs it more — win the precious prize, the Silver Skates, in the boys' race. Mr. Brinker's operation is successful, and he is restored to health and memory. Dr. Boekman is also changed, losing his gruff ways, thanks in part to being able to be reunited with his lost son through the unlikely aid of Mr. Brinker. The Brinkers' fortunes are changed further by the almost miraculous recovery of Mr. Brinker's savings, thought lost or stolen ten years ago. The Brinker parents live a long and happy life. Dr. Boekman helps Hans go to medical school, and Hans becomes a successful doctor. Gretel also grows up to enjoy a happy adult life. |
Dreamcatcher | Stephen King | 2,001 | Dreamcatcher is set near the fictional town of Derry, Maine. It is the story of four lifelong friends: Gary Ambrose "Jonesy" Jones, Pete Moore, Joe "Beaver" Clarendon and Henry Devlin, who save Douglas "Duddits" Cavell, a young teen with Down syndrome, from a group of sadistic bullies. The four friends grow up and away from Duddits, but maintain close bonds with each other, sharing memories of Duddits and their good times together. Each has his own troubles: Beaver is terrible in relationships, Pete is an alcoholic, Henry is suicidal (unknown to his friends), and Jonesy almost died from a severe car accident from when he walked into open traffic, having seen a vision of Duddits calling to him. The four go on a hunting trip together each year, and plan to visit Duddits on their return from this year's trip to the Hole-in-the-Wall (a cabin in the woods). While on the trip, Jonesy finds a disoriented and delirious stranger wandering in the woods during a blizzard, and talking about lights in the sky. The man exhibits dyspepsia and extremely foul flatulence but claims that these are the result of eating berries and lichen while he was lost; he has a reddish discoloration on his face, which he dismisses as an allergic rash. Beaver and Jonesy notice large numbers of animals, all with a similar reddish discoloration, migrating. Henry and Pete, driving back to the cabin, lose control of the car and crash when avoiding a woman sitting in the road. Pete's knee is badly injured while Henry only suffers minor injuries. They approach the woman, who mumbles about lights, mentions the man found by Jonesy, and displays the same foul flatulence and burps. Henry and Pete drag her to a safe clearing; Henry goes to find help and tells Pete to stay with the woman and not to go back to the car for the beer. Beaver attracts the attention of rescuers in helicopters, and is told that the entire area has been put under quarantine. The army quarantine is headed by Colonel Abraham Kurtz. On returning to the cabin, Beaver and Jonesey find the man dead on the toilet, and the floor covered with his blood. They hear the toilet water splashing; Beaver sits on the toilet lid, trapping something inside it. Jonesy rushes to the garage to find duct tape to seal off the toilet while Beaver holds the lid down with his body weight; the creature trapped inside keeps trying to escape. Beaver has a nervous habit of chewing on toothpicks; as he tries to take one from his pocket, the creature hits the seat, and Beaver spills all the toothpicks on the blood-covered floor. One toothpick lands on a clean tile, and Beaver bends down to retrieve it. The trapped creature hits the lid from inside the toilet; Beaver loses his balance and falls to the floor, freeing the creature, which then attacks him. The lost man, his hunting companion the woman, and the stampeding animals all have similar symptoms caused by infection with an extraterrestrial macro virus. Army scientists named this The Ripley, after the protagonist of the Alien series, partly because of its extreme resilience to destruction. The friends discover that eating or inhaling the red mold causes large worm-like aliens, called byrum (derived from the name of the alien mold, byrus) to infest the host. Byrum are red, lamprey-like creatures with multiple rows of razor-sharp teeth; a second form of byrus grows on open wounds and mucous membranes. When an infestation is sufficiently established, the host develops a form of telepathy with other infested individuals. The friends name the byrum "shit weasel" because it exits the body through the anus, killing the host. Byrum are highly aggressive and, although small are more than capable of killing a human. The byrum matures into a form called a Gray; in their normal environment they would maintain a symbiotic relationship with their host, but the cold environment causes them to react badly and kill their earthly hosts. Once outside the host they die quickly in the cold, as does the byrus fungus. Colonel Kurtz states that the Grays have tried several times over the past century to attack and gain control of earth, but have failed. This time the Grays are outside a crashed spacecraft, sending radio messages stating that they come in peace and are helpless, to try to fool the Army. Several helicopters are sent to wipe out the Grays; they mainly succeed, but many of the soldiers are exposed to the byrus in the attack. Meanwhile, all people in the area who have been affected by the byrus fungus are rounded up by the Army, with the intention that they will later be executed. Jonesy returns to the bathroom, to discover Beaver being killed by the byrum. Beaver uses the last of his strength to hold onto the byrum to prevent it attacking Jonesy, who closes and bolts the door. The byrum begins to break through the door, and one of the escaped Grays appears behind Jonesy, takes over his body and controls itwith difficulty as the human body is so different to its own. Back in Derry, their childhood friend, Duddits, cries and screams to his mother, "Beaver's Dead! Beaver's dead!" Pete, who had returned to the car for the beer, makes his way back to the woman but finds her dead; the shit weasel has made its escape from her body and attacks Pete, who defeats it by throwing it into a fire they had built for warmth. His battle with the byrum exposes him to the byrus fungus, which begins to cover his body. Henry, meanwhile, gets to Hole-in-the-Wall, and discovers Jonesy taken over by the alien, Mr. Gray. Mr. Gray uses Jonesy's body to leave on a snowmobile. Inside the house, Henry finds Beaver's dead body and the shit weasel that killed him in the bedroom. The byrum is weak from the cold; Henry shoots it and burns a clutch of eggs which it had laid. Henry leaves to seek help, but is captured by the army and placed in quarantine. Flashbacks to their childhood reveal that each man gained a certain degree of telepathy from being in contact with Duddits, who has special powers. Through their friendship and Duddits' powers they find a missing girl, trapped from falling down a hole. Jonesy battles Mr. Gray in his mind, stealing and locking away his memories of Derry and Duddits from Mr. Gray. While Mr. Gray is in control, Jonesy can see everything happening, but can do nothing. Pete finds Jonesy/Mr. Gray who forces him to direct and accompany him to Derry, after which Mr. Gray makes Byrus fungus constrict and kill Pete. Henry convinces Army officer Owen Underhill to help him, revealing deep memories of the man through the telepathy gained from Duddits. Henry tells Underhill about Jonesy, that he thinks the alien is planning to infect the town's water supply with byrus, and that cold is fatal to the byrus, therefore infected people do not need to be executed. They form a plan. Henry communicates telepathically with the byrus-infected captives, showing them that the Army intends to execute them. They panic and riot; many are killed attempting to escape, but most flee into the woods. Kurtz discovers the plan formulated by Henry and Underhill; he gathers a few of his men, and an officer infected with a byrum, and pursues Henry and the "rogue" officer Underhill. Mr. Gray loses his way in the town, following old memories in place of the new ones stolen by Jonesy. Mr. Gray eventually becomes weak from hunger, not recognising what it is; Jonesy guides him to a diner to buy time. Henry and Underhill make their way to Duddits, as Henry believes he is the only hope to defeat Mr. Gray; they find Duddits already packed up and ready to go as he knew they were coming. Duddits is very sick with leukemia; his mother is reluctant to let him go, but she accepts that Duddits needs to help his friends, and that he would be much happier dying in their company than dying alone in his room. Mr. Gray eventually gets to the water supply for several cities in the area; Henry and Duddits confront him. Duddits uses his powers to force Henry and Jonesy into a place in which Mr. Gray, inside of Jonesy, will be vulnerable; he and Henry kill Mr. Gray. As Henry and Jonesy make their way back to their original bodies they find that Duddits has died from the combination of overusing his powers and leukemia. Outside, Kurtz finds Underhill and they are both killed. The byrum from the infected officer escapes but dies in the fire. The last of the alien byrus on earth dies. |
Long Voyage Back | null | null | : "In a nuclear war, the USSR will win. This is because the average Russian doesn't have a gun, so they can't all shoot each other and the army for food" The story concerns a hypothetical World War III between the USSR and the United States, and graphically depicts the ensuing carnage. One family and some friends try to run away in a sailboat, and the story describes their battles with nuclear winter and fallout, and with the ensuing collapse of civilization. |
Foucault's Pendulum | Umberto Eco | 1,988 | The plot of Foucault's Pendulum revolves around three friends, as relevant to the rule of three, named Belbo, Diotallevi and Casaubon, who work for a vanity publisher in Milan. After reading one too many manuscripts about occult conspiracy theories, they decide they can do better, and set out to invent their own conspiracy for fun. They call this satirical intellectual game "The Plan". As Belbo, Diotallevi and Casaubon become increasingly obsessed with The Plan, they sometimes forget that it's just a game. Worse still, when adherents of other conspiracy theories learn about The Plan, they take it seriously. Belbo finds himself the target of a very real secret society that believes he possesses the key to the lost treasure of the Knights Templar. A number of sub-plots are woven into the grand theme of The Plan. Belbo's obsession with the plan is justified by his experiences as a child in Italy during World War II, his unrequited love for the mercurial Lorenza Pellegrini, and his desire to absolve himself from a constant sense of failure. Against the backdrop of the Templar Plan for world domination, the novel brings out the credulity inherent in all people. The book opens with the narrator, Casaubon (his name refers to classical scholar Isaac Casaubon, and also evokes a scholar character in George Eliot's Middlemarch) hiding in fear after closing time in the Parisian technical museum Musée des Arts et Métiers. He believes that members of a secret society have kidnapped Belbo and are now after him. Most of the novel is then told in flashback as Casaubon waits in the museum. Casaubon had been a student in 1970s Milan, working on a thesis on the history of the Knights Templar while taking in the revolutionary and counter-revolutionary activities of the students around him. During this period he meets Belbo, who works as an editor in a publishing house. Belbo invites Casaubon to review the manuscript of a supposedly non-fiction book about the Templars. Casaubon also meets Belbo's colleague Diotallevi, a cabalist. The book, by a Colonel Ardenti, claims a hidden coded manuscript has revealed a secret plan of the medieval Templars to take over the world. This supposed conspiracy is meant as revenge for the deaths of the Templar leaders when their order was disbanded by the King of France. Ardenti postulates that the Templars were the guardians of a secret treasure, perhaps the Holy Grail of legend, which he suspects was a radioactive energy source. According to Ardenti's theory, after the French monarchy and the Catholic Church disbanded the Templars on the grounds of heresy, some knights escaped and established cells throughout the world. These cells have been meeting at regular intervals in distinct places to pass on information about the Grail. Ultimately, these cells will reunite to rediscover the Grail's location and achieve world domination. According to Ardenti's calculations, the Templars should have taken over the world in 1944; evidently the plan has been interrupted. Ardenti mysteriously vanishes after meeting with Belbo and Casaubon to discuss his book. A police inspector, De Angelis, interviews both men. He hints that his job as a political department investigator leads him to investigate not only revolutionaries but also people who claim to be linked to the Occult. Casaubon has a romance with a Brazilian woman named Amparo. He leaves Italy to follow her and spends a few years in Brazil. While living there, he learns about South American and Caribbean spiritualism, and meets Agliè, an elderly man who implies that he is the mystical Comte de Saint-Germain. Agliè has a seemingly infinite supply of knowledge about things concerning the Occult. While in Brazil, Casaubon receives a letter from Belbo about attending a meeting of occultists. At the meeting Belbo was reminded of the Colonel's conspiracy theory by the words of a young woman who was apparently in a trance. Casaubon and Amparo also attend an occult event in Brazil, an Umbanda rite. During the ritual Amparo falls into a trance herself, an experience she finds deeply disturbing and embarrassing, as she is Marxist by ideology and as such disbelieves and shuns spiritual and religious experiences. Her relationship with Casaubon falls apart, and he returns to Italy. On his return to Milan, Casaubon begins working as a freelance researcher. At the library he meets a woman named Lia; the two fall in love and eventually have a child together. Meanwhile, Casaubon is hired by Belbo's boss, Mr. Garamond (his name refers to French publisher Claude Garamond), to research illustrations for a history of metals the company is preparing. Casaubon learns that as well as the respectable Garamond publishing house, Mr. Garamond also owns Manuzio, a vanity publisher that charges incompetent authors large sums of money to print their work (rendered "Manutius" in the English translation, a reference to the 15th century printer Aldus Manutius). Mr. Garamond soon has the idea to begin two lines of occult books: one intended for serious publication by Garamond; the other, Isis Unveiled (a reference to the theosophical text by Blavatsky), to be published by Manutius in order to attract more vanity authors. Belbo, Diotallevi and Casaubon quickly become submerged in occult manuscripts that draw all sorts of flimsy connections between historical events. They nickname the authors the "Diabolicals", and engage Agliè as a specialist reader. The three editors start to develop their own conspiracy theory, "The Plan", as part satire and part intellectual game. Starting from Ardenti's "secret manuscript", they develop an intricate web of mystical connections. They also make use of Belbo's small personal computer, which he has nicknamed Abulafia. Belbo mainly uses Abulafia for his personal writings (the novel contains many excerpts of these, discovered by Casaubon as he goes through Abulafia's files), but it came equipped with a small program that can rearrange text in random. (Compare with the game of Dissociated Press and Ramon Llull's Ars Magna.) They use this program to create the "connections" which inspire their Plan. They enter randomly selected words from the Diabolicals' manuscripts, logical operators ("What follows is not true", "If", "Then", etc.), truisms (such as "The Templars have something to do with everything") and "neutral data" (such as "Minnie Mouse is Mickey Mouse's fiancée") and use Abulafia to create new text. Their first attempt ends up recreating (after a liberal interpretation of the results) the Mary Magdalene conspiracy theory central to The Holy Blood and the Holy Grail. Casaubon jokingly suggests that to create something truly new Belbo must look for occult connections in non-obvious contexts, such as by linking the Kabbalah to a car's spark plugs. (Belbo actually does this, and after some research concludes that the powertrain is a metaphor for the Tree of life.) Pleased with the results of the random text program, the three continue resorting to Abulafia whenever they reach a dead-end with their game. "The Plan" evolves slowly, but the final version involves the Knights Templar's coming into possession of an ancient secret knowledge of energy flows called telluric currents during the Crusades. The original Knights Templar organization is destroyed after the execution of Jacques de Molay, but the members split into independent cells located in several corners of Europe and the Middle East. As in Ardenti's original theory, each cell is given part of the Templar "Plan" and information about the secret discovery. They are to meet periodically at different locations to share sections of the Plan, gradually reconstructing the original. Then they will reunite and take over the world using the power of the telluric currents. The crucial instruments involved in their plan are a special map and the Foucault pendulum. While the Plan is far-fetched, the editors become increasingly involved in their game. They even begin to think that there might really be a secret conspiracy after all. Ardenti's disappearance, and his original "coded manuscript", seem to have no other explanation. However, when Casaubon's girlfriend Lia asks to see the coded manuscript, she comes up with a mundane interpretation. She suggests that the document is simply a delivery list, and encourages Casaubon to abandon the game as she fears it is having a negative effect on him. When Diotallevi is diagnosed with cancer, he attributes this to his participation in The Plan. He feels that the disease is a divine punishment for involving himself in mysteries he should have left alone and creating a game that mocked something larger than them all. Belbo meanwhile retreats even farther into the Plan to avoid confronting problems in his personal life. The three had sent Agliè their chronology of secret societies in the Plan, pretending it was not their own work but rather a manuscript they had been presented with. Their list includes historic organizations such as the Templars, Rosicrucians, Paulicians and Synarchists, but they also invent a fictional secret society called the Tres (Templi Resurgentes Equites Synarchici, Latin for the nonsensical "Synarchic Knights of Templar Rebirth"). The Tres is introduced to trick Agliè. Upon reading the list, he claims not to have heard of the Tres before. (The word was first mentioned to Casaubon by the policeman De Angelis. De Angelis had asked Casaubon if he has ever heard of the Tres.) Belbo goes to Agliè privately and describes The Plan to him as though it were the result of serious research. He also claims to be in possession of the secret Templar map. Agliè becomes frustrated with Belbo's refusal to let him see this (non-existent) map. He frames Belbo as a terrorist suspect in order to force him to come to Paris. Agliè has cast himself as the head of a secret spiritual brotherhood, which includes Mr. Garamond, Colonel Ardenti and many of the Diabolical authors. Belbo tries to get help from De Angelis, but he has just transferred to Sardinia after an attempted car bombing, and refuses to get involved. Casaubon receives a call for help; he goes to Belbo's apartment, and reads all the documents that Belbo stored in his computer, then decides to follow Belbo to Paris himself. He decides that Agliè and his associates must intend to meet at the museum where Foucault's Pendulum is housed, as Belbo had claimed that the Templar map had to be used in conjunction with the pendulum. Casaubon hides in the museum, where he was when the novel opened. At the appointed hour, a group of people gather around the pendulum for an arcane ritual. Casaubon sees several ectoplasmic forms appear, one of which claims to be the real Comte de Saint-Germain and discredits Agliè in front of his followers. Belbo is then brought out to be questioned. Agliè's group are, or have deluded themselves to be, the Tres society in the Plan. Angry that Belbo knows more about The Plan than they do, they try to force him to reveal the secrets he knows, even going so far as to try to coerce him using Lorenza. Refusing to satisfy them or reveal that the Plan was a nonsensical concoction, his refusal incites a riot during which Lorenza is stabbed and Belbo is hanged by wire connected to Foucault's Pendulum. (The act of his hanging actually changes the act of the pendulum, causing it to oscillate from his neck instead of the fixed point above him, ruining any chance of displaying any correct location the Tres meant to find.) Casaubon escapes the museum through the Paris sewers, eventually fleeing to the countryside villa where Belbo had grown up. It is unclear by this point how reliable a narrator Casaubon has been, and to what extent he has been inventing, or deceived by, conspiracy theories. Casaubon soon learns that Diotallevi succumbed to his cancer at midnight on St. John’s Eve, coincidentally the same time Belbo died. The novel ends with Casaubon meditating on the events of the book, apparently resigned to the (possibly delusional) idea that the Tres will capture him soon. And when they do, he will follow Belbo's lead, refusing to give them any clues, refusing to create a lie. While waiting, holed up in a farmhouse where Belbo lived years before, he finds an old manuscript by Belbo, a sort of diary. He discovers that Belbo had a mystical experience at the age of twelve, in which he perceived ultimate meaning beyond signs and semiotics. He realizes that much of Belbo's behavior and possibly his creation of the Plan and even his death was inspired by Belbo's desire to recapture that lost meaning. |
Chitty Chitty Bang Bang | Ian Fleming | 1,964 | Commander Caractacus Pott is an inventor who buys and renovates an old car after gaining money from inventing and selling whistle-like sweets to Lord Skrumshus, the wealthy owner of a local confectionery factory. The car, a "Paragon Panther," was the sole production of the Paragon motor-car company before it went bankrupt. It is a four-seat touring car with an enormous bonnet. After the restoration is complete, the car is named for the noises made by its starter motor and the characteristic two loud backfires it makes when it starts. At first Chitty-Chitty-Bang-Bang is just a big and powerful car, but as the book progresses the car surprises the family by beginning to exhibit independent actions. This first happens while the family is caught in a traffic jam on their way to the beach for a picnic. The car suddenly instructs Commander Pott to pull a switch which causes Chitty-Chitty-Bang-Bang to sprout wings and take flight over the stopped cars on the road. Commander Pott flies them to Goodwin Sands in the English Channel where the family picnics, swims, and sleeps. While the family naps, the tide comes in threatening to drown them. Chitty-Chitty-Bang-Bang wakes them just in time with a hiss of steam. At the car's direction, Commander Pott pulls another switch which causes it to transform into a hovercraft-like vehicle. They make for the French coast and land on a beach near Calais. They explore along the beach and find a cave boobytrapped with some devices intended to scare off intruders. At the back of the cave is a store of armaments and explosives. The family detonate the cache of explosives and flee the cave. The gangsters/gun-runners who own the ammunition dump arrive and block the road in front of Chitty-Chitty-Bang-Bang. The gangsters threaten the family, but Commander Pott throws the switch which transforms the car into an aeroplane and they take off, leaving the gangsters in helpless fury. The Potts stay overnight in a hotel in Calais. While the family sleeps, the gangsters break into the children's room and kidnap them and drive off towards Paris. Chitty tracks the gangsters' route, wakes Commander and Mrs. Pott, and they drive off in pursuit. The gangsters are planning to rob a famous chocolate shop in Paris using the children as decoys. The Pott children overhear this and manage to warn the shop owner, Monsieur Bon-Bon. Chitty arrives in time to prevent the gangsters from fleeing. The police arrive and the gangsters are taken away. As a reward Monsieur Bon-Bon's wife shares the secret recipe of her world famous fudge with the Potts and the two families become good friends. Chitty flies the family away to parts unknown, and the book implies that the car has yet more secrets. |
Oliver Twist | Charles Dickens | 1,839 | Oliver Twist is born into a life of poverty and misfortune in a workhouse in an unnamed town (although when originally published in Bentley's Miscellany in 1837 the town was called Mudfog and said to be within 70 miles north of London - in reality this is the location of the town of Northampton). Orphaned almost from his first breath by his mother’s death in childbirth and his father’s unexplained absence, Oliver is meagerly provided for under the terms of the Poor Law, and spends the first nine years of his life at a baby farm in the 'care' of a woman named Mrs. Mann. Oliver is brought up with little food and few comforts. Around the time of Oliver's ninth birthday, Mr. Bumble, a parish beadle, removes Oliver from the baby farm and puts him to work picking oakum at the main workhouse. Oliver, who toils with very little food, remains in the workhouse for six months. One day, the desperately hungry boys decide to draw lots; the loser must ask for another portion of gruel. The task falls to Oliver, who at the next meal tremblingly comes forward, bowl in hand, and makes his famous request: "Please, sir, I want some more." A great uproar ensues. The board of well-fed gentlemen who administer the workhouse hypocritically offer five pounds to any person wishing to take on the boy as an apprentice. A brutal chimney sweep almost claims Oliver, however, when he begs despairingly not to be sent away with "that dreadful man", a kindly old magistrate refuses to sign the indentures. Later, Mr. Sowerberry, an undertaker employed by the parish, took Oliver into his service. He treats Oliver better, and because of the boy's sorrowful countenance, uses him as a mourner at children’s funerals. However, Mr. Sowerberry is in an unhappy marriage, and his wife takes an immediate dislike to Oliver — primarily because her husband seems to like him — and loses few opportunities to underfeed and mistreat him. He also suffers torment at the hands of Noah Claypole, an oafish but bullying fellow apprentice and "charity boy" who is jealous of Oliver’s promotion to mute, and Charlotte, the Sowerberrys' maidservant, who is in love with Noah. One day, in an attempt to bait Oliver, Noah insults Oliver's biological mother, calling her "a regular right-down bad ‘un". Oliver flies into a rage, attacking and even beating the much bigger boy. Mrs. Sowerberry takes Noah’s side, helps him to subdue, punching, and beating Oliver, and later compels her husband and Mr. Bumble, who has been sent for in the aftermath of the fight, into beating Oliver again. Once Oliver is sent to his room for the night, he does something that he hadn't done since babyhood — he breaks down and weeps. Alone that night, Oliver finally decides to run away, and, "He remembered to have seen the waggons, as they went out, toiling up the hill. He took the same route," until a well-placed milestone sets his wandering feet towards London. During his journey to London, Oliver encounters Jack Dawkins, a pickpocket more commonly known by the nickname the "Artful Dodger", although Oliver's innocent nature prevents him from recognising this hint that the boy may be dishonest. Dodger provides Oliver with a free meal and tells him of a gentleman in London who will "give him lodgings for nothing, and never ask for change". Grateful for the unexpected assistance, Oliver follows Dodger to the "old gentleman"'s residence. In this way, Oliver unwittingly falls in with an infamous Jewish criminal known as Fagin, the so-called gentleman of whom the Artful Dodger spoke. Ensnared, Oliver lives with Fagin and his gang of juvenile pickpockets in their lair at Saffron Hill for some time, unaware of their criminal occupations. He believes they make wallets and handkerchiefs. Later, Oliver naïvely goes out to "make handkerchiefs" because of no income coming in, with two of Fagin’s underlings: The Artful Dodger and a boy of a humorous nature named Charley Bates. Oliver realises too late that their real mission is to pick pockets. Dodger and Charley steal the handkerchief of an old gentleman named Mr. Brownlow, and promptly flee. When he finds his handkerchief missing, Mr. Brownlow turns round, sees Oliver, and pursues him. Others join the chase and Oliver is caught and taken before the magistrate. Curiously, Mr. Brownlow has second thoughts about the boy—he seems reluctant to believe he is a pickpocket. To the judge's evident disappointment, a bookstall holder who saw Dodger commit the crime clears Oliver, who, by now actually ill, faints in the courtroom. Mr. Brownlow takes Oliver home and, along with his housekeeper Mrs. Bedwin, cares for him. Oliver stays with Mr. Brownlow, recovers rapidly, and blossoms from the unaccustomed kindness. His bliss, however, is interrupted when Fagin, fearing Oliver might "peach" on his criminal gang, decides that Oliver must be brought back to his hideout. When Mr. Brownlow sends Oliver out to pay for some books, one of the gang, a young girl named Nancy, whom Oliver had previously met at Fagin's, accosts him with help from her abusive lover, a brutal robber named Bill Sikes, and Oliver is quickly bundled back to Fagin's lair. The thieves take the five-pound note Mr. Brownlow had entrusted to him, and strip him of his fine new clothes. Oliver, dismayed, flees and attempts to call for police assistance, but is ruthlessly dragged back by the Dodger, Charley and Fagin. Nancy, however, is sympathetic towards Oliver and saves him from beatings by Fagin and Sikes. In a renewed attempt to draw Oliver into a life of crime, Fagin forces him to participate in a burglary. Nancy reluctantly assists in recruiting him, all the while assuring the boy that she will help him if she can. Sikes, after threatening to kill him if he does not cooperate, sends Oliver through a small window and orders him to unlock the front door. The robbery goes wrong, however, and Oliver is shot and wounded in his left arm. After being abandoned by Sikes, the wounded Oliver ends up under the care of the people he was supposed to rob: Miss Rose and her guardian Mrs. Maylie Meanwhile, a mysterious man named Monks has found Fagin and is plotting with him to destroy Oliver's reputation. Monks denounces Fagin's failure to turn Oliver into a criminal and the two of them agree on a plan to make sure he does not find out about his past. Monks is apparently related to Oliver in some manner, although it's not mentioned until later. Back in Oliver's hometown, Mr. Bumble married Ms. Corney, the wealthy matron of the workhouse, only to find himself in an unhappy marriage constantly arguing with his domineering wife. After one such argument, Mr. Bumble walks over to a pub, where he meets Monks, who questions him about Oliver. Bumble informs Monks that he knows someone who can give Monks more information for a price, and later Monks meets secretly with the Bumbles. After Mrs. Bumble has told Monks all she knows, the three arrange to take a locket and ring which had once belonged to Oliver's mother and toss them into a nearby river. Monks relates this to Fagin as part of the plot to destroy Oliver, unaware that Nancy has eavesdropped on their conversation and gone ahead to inform Oliver's benefactors. Nancy, by this time ashamed of her role in Oliver's kidnapping, and fearful for the boy's safety, goes to Rose Maylie and Mr. Brownlow to warn them. She knows that Monks and Fagin are plotting to get their hands on the boy again and holds some secret meetings on the subject with Oliver's benefactors. One night Nancy tries to leave for one of the meetings, but Sikes refuses permission when she doesn't state exactly where she's going. Fagin realizes that Nancy is up to something and resolves to find out what her secret is. Meanwhile, Noah has fallen out with the undertaker Mr. Sowerberry, stolen money from him and fled to London. Charlotte has accompanied him — they are now in a relationship. Using the name "Morris Bolter", he joins Fagin's gang for protection and becomes a practicer of "the kinchen lay" (robbing children) while it is implied that Charlotte becomes a prostitute. During Noah's stay with Fagin, the Artful Dodger is caught with a stolen silver snuff box, convicted (in a very humorous courtroom scene) and transported to Australia. Later, Noah is sent by Fagin to "dodge" (spy on) Nancy, and discovers her secret: she has been meeting secretly with Rose and Mr. Brownlow to discuss how to save Oliver from Fagin and Monks. Fagin angrily passes the information on to Sikes, twisting the story just enough to make it sound as if Nancy had informed on him. Believing Nancy to be a traitor, Sikes beats her to death in a fit of rage and later flees to the countryside to escape from the police. There, Sikes is haunted by visions of Nancy's ghost and increasingly alarmed by news of her murder spreading across the countryside. He flees back to London to find a hiding place, only to be killed when he accidentally hangs himself while attempting to flee across a rooftop from an angry mob. Monks is forced by Mr. Brownlow to divulge his secrets: his real name is Edward Leeford, and he is Oliver's paternal half-brother and, although he is legitimate, he was born of a loveless marriage. Oliver's mother, Agnes, was their father's true love. Mr. Brownlow has a picture of her, and began making inquiries when he noticed a marked resemblance between her face and the face of Oliver. Monks has spent many years searching for his father's child—not to befriend him, but to destroy him (see Henry Fielding's Tom Jones for similar circumstances). Brownlow asks Oliver to give half his inheritance (which proves to be meagre) to Monks because he wants to give him a second chance; and Oliver, being prone to giving second chances, is more than happy to comply. Monks then moves to America, where he squanders his money, reverts to crime, and ultimately dies in prison. Fagin is arrested and condemned to the gallows. On the eve of his hanging, in an emotional scene, Oliver, accompanied by Mr. Brownlow, goes to visit the old reprobate in Newgate Gaol, where Fagin's terror at being hanged has caused him to come down with fever. As Mr. Brownlow and Oliver leave the prison, Fagin screams in terror and despair as a crowd gathers to see his hanging. On a happier note, Rose Maylie turns out to be the long-lost sister of Agnes; she is therefore Oliver's aunt. She marries her long-time sweetheart Harry, and Oliver lives happily with his saviour, Mr. Brownlow. Noah becomes a paid, semi-professional informer to the police. The Bumbles lose their jobs and are reduced to great poverty, eventually ending up in the same workhouse where they originally had lorded it over Oliver and the other boys; and Charley Bates, horrified by Sikes's murder of Nancy, becomes an honest citizen, moves to the country, and works his way up to prosperity. |
East of Eden | John Steinbeck | 1,952 | The story is primarily set in the Salinas Valley, California, between the beginning of the 20th century and the end of World War I, though some chapters are in Connecticut and Massachusetts, and the story goes as far back as the American Civil War. In the beginning of East of Eden, before introducing his characters, John Steinbeck carefully establishes the setting with a description of the Salinas Valley in Central California. Then he outlines the story of the warmhearted inventor and farmer Samuel Hamilton and his wife Liza, immigrants from Ireland. He describes how they raise their nine children on a rough, infertile piece of land. As the Hamilton children begin to grow up and leave the nest, a wealthy stranger, Adam Trask, purchases the best ranch in the Valley. Adam Trask's life is seen in a long, intricate flashback. We see his tumultuous childhood on a farm in Connecticut and the brutal treatment he endured from his younger but stronger half-brother, Charles. As a young man, Adam spent his time first in the military and then wandering the country. He was caught for vagrancy, escaped from a chain gang and burgled a store for clothing to use as a disguise. Later he wired Charles for 100 dollars to pay for the clothes he stole. After Adam finally made his way home to their farm, Charles revealed that their father had died and left them an inheritance of $50,000 each. Charles is torn with fear that his father did not come by the money honestly. A parallel story introduces a girl named Cathy Ames, who grows up in a town not far from the brothers' family farm. Cathy is described as having a "malformed soul"; she is cold, cruel, and utterly incapable of feeling for anyone but herself. She leaves home one evening after setting fire to her family's home, killing both of her parents. Finally, she is viciously beaten by a pimp and is left close to death on the brothers' doorstep. Although Charles is repulsed by her, Adam, unaware of her past, falls in love with and marries her. Adam Trask – newly wed and newly rich – now arrives in California and settles with the pregnant Cathy in the Salinas Valley, near the Hamilton family ranch. Cathy does not want to be a mother or to stay in California, but Adam is so ecstatically happy with his new life that he does not realize there is any problem. Shortly after Cathy gives birth to twin boys, she shoots Adam in the shoulder and flees. Adam recovers, but remains in a deep and terrible depression. He is roused out of it enough to name and raise his sons with the help of his Cantonese cook, Lee, and his neighbor Samuel Hamilton. Lee becomes a good friend and adopted family member. Lee, Adam, and Samuel Hamilton have long philosophical talks, particularly about the story of Cain and Abel, which Lee maintains has been incorrectly translated in English-language Bibles. Lee tells about how his relatives in San Francisco, a group of Chinese scholars, spent two years studying Hebrew so they might discover what the moral of the Cain and Abel story actually was. Their discovery that the Hebrew word "Timshel" means "thou mayest" becomes an important symbol in the novel, meaning that mankind is neither compelled to pursue sainthood nor doomed to sin, but rather has the power to choose. Meanwhile, Cathy has become a prostitute at the most respectable brothel in the city of Salinas. She renames herself "Kate" and embarks on a devious – and successful – plan to ingratiate herself with the owner, murder her and inherit the business. She makes her new brothel infamous as a den of sexual sadism. She is not concerned that Adam Trask might ever look for her, and she has no feelings whatsoever about the children she abandoned. Adam's sons, Caleb and Aron – echoing Cain and Abel – grow up oblivious of their mother's situation. At a very early age, Aron meets a girl named Abra from a well-to-do family, and the two fall in love. Although there are rumors around town that Caleb and Aron's mother is not dead but is actually still in Salinas, the boys do not yet know that she is Kate. The popular and beloved Samuel Hamilton finally passes away and is mourned. Adam becomes inspired by the memory of Samuel Hamilton's inventiveness and loses almost all of the family fortune in an ill-fated business venture. The boys, particularly Aron, are horrified that their father is now a town laughingstock. As the boys reach the end of their school days, Caleb decides to pursue a career in farming and Aron goes to college to become an Episcopalian priest. Caleb, restless and tortured by guilt about his very human failings, shuns everyone around him and takes to wandering around town late at night. During one of these ramblings, he discovers that his mother is alive and the head of a brothel. Caleb decides to "buy his father's love" by going into business with one of Samuel Hamilton's children, Will Hamilton, who is now a successful automobile dealer. Caleb's plan is to make his father's money back, capitalizing on World War I by selling beans grown in the Salinas Valley to nations in Europe for a considerable premium. He succeeds beyond his wildest expectations and wraps up a gift of $15,000 in cash which he plans to give Adam Trask at Thanksgiving. Aron returns from Stanford for the holiday. There is tension in the air, because Aron has not yet told their father that he intends to drop out of college. Rather than let Aron steal the moment, Caleb gives Adam the money at dinner, expecting his father to be proud of him. But Adam refuses to accept it. Instead, he tells Caleb to give it back to the poor farmers he exploited. Adam explains by saying, In a fit of jealousy, Caleb takes his brother Aron to see their mother, knowing it will be a shock to him. Sure enough, Aron immediately sees Kate for who she is, and recoils from her in disgust. Wracked with self-hatred, Kate signs her estate over to Aron and commits suicide. Aron, his idealistic worldview shattered, enlists in the army to fight in World War I. He is killed in battle in the last year of the war, and Adam suffers a stroke upon hearing the news from Lee. Caleb, who begins to develop a relationship with Abra after Aron leaves for war, tells her why Aron left and tries to convince her to run away with him. She instead persuades him to return home. The novel ends with Lee pleading with a bedridden Adam to forgive his only remaining son. Adam responds by giving Caleb his blessing in the form of the word Timshel. |
The Old Man and the Sea | Ernest Hemingway | 1,952 | The Old Man and the Sea is the story of a battle between an old, experienced Cuban fisherman and a large marlin. The novel opens with the explanation that the fisherman, who is named Santiago, has gone 84 days without catching a fish. Santiago is considered "salao", the worst form of unlucky. In fact, he is so unlucky that his young apprentice, Manolin, has been forbidden by his parents to sail with the old man and been ordered to fish with more successful fishermen. Still dedicated to the old man, however, the boy visits Santiago's shack each night, hauling back his fishing gear, getting him food and discussing American baseball and his favorite player Joe DiMaggio. Santiago tells Manolin that on the next day, he will venture far out into the Gulf to fish, confident that his unlucky streak is near its end. Thus on the eighty-fifth day, Santiago sets out alone, taking his skiff far onto the Gulf. He sets his lines and, by noon of the first day, a big fish that he is sure is a marlin takes his bait. Unable to pull in the great marlin, Santiago instead finds the fish pulling his skiff. Two days and two nights pass in this manner, during which the old man bears the tension of the line with his body. Though he is wounded by the struggle and in pain, Santiago expresses a compassionate appreciation for his adversary, often referring to him as a brother. He also determines that because of the fish's great dignity, no one will be worthy of eating the marlin. On the third day of the ordeal, the fish begins to circle the skiff, indicating his tiredness to the old man. Santiago, now completely worn out and almost in delirium, uses all the strength he has left in him to pull the fish onto its side and stab the marlin with a harpoon, ending the long battle between the old man and the tenacious fish. Santiago straps the marlin to the side of his skiff and heads home, thinking about the high price the fish will bring him at the market and how many people he will feed. While Santiago continues his journey back to the shore, sharks are attracted to the trail of blood left by the marlin in the water. The first, a great mako shark, Santiago kills with his harpoon, losing that weapon in the process. He makes a new harpoon by strapping his knife to the end of an oar to help ward off the next line of sharks; in total, five sharks are slain and many others are driven away. But the sharks keep coming, and by nightfall the sharks have almost devoured the marlin's entire carcass, leaving a skeleton consisting mostly of its backbone, its tail and its head. Finally reaching the shore before dawn on the next day, Santiago struggles on the way to his shack, carrying the heavy mast on his shoulder. Once home, he slumps onto his bed and falls into a deep sleep. A group of fishermen gather the next day around the boat where the fish's skeleton is still attached. One of the fishermen measures it to be from nose to tail. Tourists at the nearby café mistakenly take it for a shark. Manolin, worried during the old man's endeavor, cries upon finding him safe asleep. The boy brings him newspapers and coffee. When the old man wakes, they promise to fish together once again. Upon his return to sleep, Santiago dreams of his youth—of lions on an African beach. |
The Children of Men | P. D. James | 1,992 | The narrative voice for the novel alternates between the third person and the first person, the latter in the form of a diary kept by Dr. Theodore "Theo" Faron, an Oxford don. The novel opens with the first entry in Theo's diary. It is the year 2021, but the novel's events have their origin in 1995, which is referred to as "Year Omega". In 1994, the sperm counts of human males plummeted to zero and mankind now faces imminent extinction. The last people to be born are now called "Omegas". "A race apart," they enjoy various prerogatives. Theo writes that the last human being to be born on Earth has been killed in a pub brawl. In 2006, a man called Xan Lyppiatt, Theo's rich and charismatic cousin, appointed himself Warden of England in the last general election. As people have lost all interest in politics, Lyppiatt abolishes democracy. He is called a despot and a tyrant by his opponents, but officially the new society is referred to as egalitarian. Theo is approached by a woman called Julian, a member of a group of dissidents calling themselves the Five Fishes. He meets with them at an isolated church. Rolf, their leader and Julian's husband, is hostile, but the others — Miriam (a former midwife), Gascoigne (a man from a military family), Luke (a former priest), and Julian — are more personable. The group wants Theo to approach Xan on their behalf and ask for various reforms, including a return to a more democratic system. During their discussions, and as Theo prepares to meet with Xan, the reader learns how the UK is in 2021: * The youngest generation, the "Omegas", are described as spoiled, over-entitled and egotistical due to their youth and the luxurious lifestyle they are treated to. They are violent, remote and unstable, and regard non-Omegas (elders) with undisguised contempt, yet are spared punishment due to their age. According to rumour, outside of Britain some countries sacrifice Omegas in fertility rituals. *Due to the global infertility of mankind, newborn animals (such as kittens and puppies) are doted upon and treated as infants, being pushed in prams and dressed in children's clothing. The latest trend in London is to have elaborate christening ceremonies for newborn pets. * The country is governed by decree of the Council of England, which consists of five people. Parliament has been reduced to an advisory role. The aims of the Council are (1) protection and security, (2) comfort, and (3) pleasure—corresponding to the Warden's promises of (1) freedom from fear, (2) freedom from want, and (3) freedom from boredom. * The Grenadiers — formerly an elite regiment in the British armed forces — are the Warden's private army. The State Secret Police (SSP) ensures the Council's decrees are executed. * The courts still exist, but juries have been abolished. Under the "new arrangements", defendants are tried by a judge and two magistrates. All convicted criminals are dumped at a penal colony on the Isle of Man. There is no remission, escape is almost impossible, visitors are forbidden and prisoners may not write or receive letters. * Every citizen is required to learn skills, such as husbandry, which they might need to help them survive if they happen to be among the last human beings in Britain. * Foreign workers are lured into the country and then exploited. Young people, preferably Omegas, from poorer countries come to England to work there. These "foreign Omegas" or, generally, "Sojourners" are imported to do undesirable work. At 60, which is the age limit, they are sent back ("forcibly repatriated"). British Omegas are not allowed to emigrate so as to prevent further loss of labor. * Elderly/infirm citizens have become a burden; nursing homes are for the privileged few. The rest are expected and sometimes forced to commit suicide by taking part in a "Quietus" (Council-sanctioned mass drownings) at the age of 60. * The state has opened "pornography centres". Twice a year, healthy women under 45 must submit to a gynecological examination, and most men must have their sperm tested, to keep hope alive. Theo's meeting with Xan, which turns out to be a meeting with the full Council of England, does not go well. Some of the members resent him because he resigned as Xan's advisor rather than share the responsibility of governing the UK. Xan guesses that Theo's suggestions came from others and makes clear to Theo that he will take action against dissidents. The Five Fishes distribute a leaflet detailing their demands. Theo is visited by the SSP and, shortly afterwards, sees Julian in the market. He tells her of the SSP visit, then tells her that if ever she needs him she only has to send for him. That night, however, Theo decides to leave England for the summer and visit the continent before nature overruns it. Soon after Theo's return, Miriam tells him that Gascoigne was arrested as he was trying to rig a Quietus landing stage to explode. The other Fishes are about to go on the run, and Julian wants him. Miriam reveals why Julian did not come herself—she is pregnant. Theo believes that Julian is deceiving herself, but when the two meet, Julian invites Theo to listen to her baby's heartbeat. During the group's flight, Luke is killed while trying to protect Julian during a confrontation with a wild gang of Omegas. Julian confesses that the father of her child is not Rolf, but the deceased Luke. Rolf, who believes he should rule the UK in Xan's place, is angered at the discovery; he abandons the group to notify the Warden. The group heads to a shack Theo knows of. Miriam delivers Julian's baby — a boy, not a girl as Julian had thought. Miriam goes to find more supplies; after she is gone too long Theo investigates. He finds Miriam dead, garrotted in a nearby house. Theo returns to Julian, but soon after Julian hears a noise outside — Xan. Theo and Xan confront each other and both fire one shot. The sudden wailing of the baby startles Xan, causing him to miss as Rolf had thought the baby would not be born for another month. Theo does not miss. He removes the Coronation Ring, which Xan had taken to wearing as a symbol of authority, from Xan's finger and seems poised to become the new leader of the UK — at least temporarily. The other members of the Council are introduced to the baby, and Theo baptises him. |
The Spy Who Came in from the Cold | John le Carré | 1,963 | The West Berlin office of the British Secret Intelligence Service under the command of Station Head Alec Leamas, has been performing poorly. At the commencement of the novel, Karl Riemeck – his last and best double agent, a high-ranking East German political officer – is shot dead at the last moment whilst defecting to West Berlin. Without any agents left, the disgraced Leamas is recalled to the Circus in London by Control, chief of the Circus. There, Control asks Leamas to stay "in the cold" for one last mission: to turn (defect) and provide false information to the East German Communists that would implicate Mundt as a British double agent — what his second-in-command, Fiedler, already suspects — to result in Mundt being executed by his own people. Control tells Leamas that Fiedler, due to his paranoia about Mundt, would be the best man to depose Mundt. George Smiley and his former assistant Peter Guillam brief Leamas for his crucial mission. Control tells Leamas that Smiley had not returned to the Circus after the events of Call for the Dead because of moral qualms about unethical Circus operations. To make the East Germans believe him ripe for defection, the Circus sacks Leamas, with a pittance of a pension, and he gets a miserable job in a run-down library, and loses it. At the library, he meets co-worker Liz Gold, an unworldly young Jewish woman, who is the secretary of her local cell of the Communist Party of Britain. Despite her politics, they become lovers. Before taking the "final plunge" into Control's scheme, Leamas makes Liz promise not to look for him, no matter what she hears, and says good-bye to her. Leamas also tells Control to leave Liz alone and Control agrees. Then, as planned, Leamas lands in jail after he assaults a local grocer. After jail, an East German recruiter in England approaches Leamas. He is taken abroad, first to the Netherlands, then to East Germany, en route meeting higher echelons of the Abteilung, the East German Intelligence Service. During his debriefing, he drops casual hints that point to British payments to a double agent in the Abteilung, whilst pretending not to see the implications. Meanwhile, in England, George Smiley and Peter Guillam appear at Liz Gold's apartment claiming to be friends of Alec, question her about him, and offer her financial help. In East Germany, Leamas meets Fiedler. They have many conversations in a hut in a forest clearing, where Fiedler seeks conclusive proof against Mundt and engages in ideological and philosophic discussions with the pragmatic Leamas. As observed by Leamas, Fiedler seems content to live in Mundt's shadow, but is relatively young and brilliant. To Leamas, Fiedler is sympathetic: a Jew who spent the Second World War in Canada, and a Communist idealist who considers the morality of his actions. In contrast, Leamas sees Mundt as a brutal, opportunist mercenary, who was a Nazi before 1945 and then joined the Communists simply because they were the new bosses, and remained an anti-Semite. Leamas believes helping Fiedler destroy Mundt is a worthy act. Meanwhile, Liz Gold is invited to East Germany for a Communist Party information exchange. The power struggle in the Abteilung comes into the open when Mundt orders Fiedler and Leamas arrested and tortured. However, the leaders of the East German régime intervene because Fiedler had earlier applied for an arrest warrant for Mundt on the same day that Mundt arrested Fiedler and Leamas. They are released, and Fiedler and Mundt are summoned to present their cases to a tribunal convened in camera, in the town of Görlitz. At the trial, Alec Leamas documents a series of secret bank account payments that Fiedler matches to the movements of Mundt. Fiedler also shows that Karl Riemeck passed to Leamas information to which he had no formal access but to which Mundt did. Fiedler also presents to the Tribunal other proofs implicating Mundt as a British double agent and explains that Mundt was captured in England and allowed to escape only after agreeing to work as a double agent for the British. Mundt’s attorney calls the unsuspecting Liz Gold as a surprise witness for the defence. Although not wanting to testify against Alec Leamas, she admits that George Smiley paid for her apartment lease after visiting her and that she had promised Leamas to not look for him when he disappeared. She also admits that he had said good-bye to her the night before he assaulted the grocer. Realising that the operation is now blown, Leamas offers to tell all in return for Liz's freedom. He admits that Control gave him the mission to frame Mundt as a double agent, but adds that Fiedler was not a participant. In cross-examination, Fiedler asks Mundt how he knew that someone had paid off Liz's lease, because, Fiedler insists, Liz never would have spoken about it. Mundt hesitates before answering ("a second too long, Leamas thought"), then the Tribunal halts the trial and arrests Fiedler. Then, and only then, does Leamas understand the true nature of Control and Smiley's operation. Liz is sent to a cell but Mundt places her in a car with Leamas at the wheel. During their drive to Berlin, where an exit route from East Berlin awaits, he explains the operation to her, including the parts of which he was unaware until the end of the trial. The fake bank account payments were real, and Hans-Dieter Mundt is a double agent reporting to George Smiley and Peter Guillam. The operation was against Fiedler, not Mundt, as Leamas was deceived to believe, because Fiedler was close to exposing Mundt as a British double agent. Fiedler was too powerful for Mundt to eliminate alone. Therefore, Control and Smiley did it for him. They placed him and her as co-workers to provide Mundt with the means of discrediting Leamas and consequently discrediting Fiedler. By falling in love, Leamas and Liz made it easy for them. Liz is horrified that British Intelligence planned the death of Fiedler, an intelligent, considerate and thoughtful man, in order to protect the despicable Mundt. Fiedler's fate is unrevealed, but Leamas, in answer to Liz's question, says that he would most likely be shot. Despite her moral disgust, Liz accompanies Leamas to the break in the wire fronting the Berlin Wall, where they are to climb the wall and escape to West Berlin. In the concluding chapter, after Leamas climbs to the top of the Berlin Wall and reaches down to pull Liz up, East German spotlights suddenly turn on them, and she is shot. Her fingers slip from his grasp and she falls. From the Western side of the Wall, Leamas hears a Western agent calling to him, "Jump, Alec! Jump, man!" and among other voices, George Smiley's. Seeing Liz dead, Alec Leamas climbs back down the Eastern side of the Berlin Wall. The border guards then shoot him dead. |
The Heart Is a Lonely Hunter | Carson McCullers | 1,940 | The struggles of four of John Singer's acquaintances make up the majority of the narrative. They are: Mick Kelly, a tomboyish young girl who loves music and dreams of buying a piano; Jake Blount, an alcoholic labor agitator; Biff Brannon, the observant owner of a diner; and Dr. Benedict Copeland, an idealistic African American doctor. |
The Great White Hope | Howard Sackler | null | The Great White Hope tells a fictional idealized life story of boxing champion Jack Johnson, here called Jack Jefferson. Acting as a lens focused on a racist society, The Great White Hope explores how segregation and prejudice created the demand for a "great white hope" who would defeat Johnson and how this, in turn, affected the boxer's life and career. While the play is often described as being thematically about racism, this is not, it seems, entirely how Sackler viewed his work. Though certainly not denying the racist issues confronted in the play, Sackler once said in an interview, "What interested me was not the topicality but the combination of circumstances, the destiny of a man pitted against society. It's a metaphor of struggle between man and the outside world. Some people spoke of the play as if it were a cliché of white liberalism, but I kept to the line straight through, of showing that it wasn't a case of blacks being good and whites being bad. I was appalled at the first reaction." In a comment, reflecting on both the racist theme dealt with in the play and Sackler's notion that the play is about a man fighting society, Muhammad Ali, greatly impressed with James Earl Jones' performance in the play, apparently commented to the actor, "That's my story. You take out the issue of white women and replace it with the issue of religion. That's my story!" Ali was fighting being drafted into the army at the time on grounds of being a conscientious objector. |
The Postman | David Brin | 1,985 | Despite the post-apocalyptic scenario, and several action sequences, the book is largely about civilization and symbols. Each of the three sections deals with a different symbol. The first is the Postman himself, Gordon Krantz, who takes the uniform solely for warmth after he loses everything but his sleeping clothes. He wanders without establishing himself anywhere, and acts in scenes of William Shakespeare for supplies. Originally from Minnesota, he has traveled as far West as Oregon. Taking shelter in a long-abandoned postal van, he finds a sack of mail and takes it to a nearby community to barter for food and shelter. His reputation as a real postman builds not because of a deliberate fraud (at least initially) but because people are desperate to believe. Later, in the second section, he encounters a community (Corvallis, Oregon) led by Cyclops, apparently a sentient artificial intelligence created at Oregon State University which miraculously survived the cataclysm. In reality, however, the machine had ceased functioning during a battle; a group of scientists merely maintain the pretense of it working to try and keep hope, order, and knowledge alive. Eventually, in the third section, as the Postman joins forces with the Cyclops scientists in a war against an influx of "hypersurvivalists", he begins to find that the hypersurvivalists are being pressed from the Rogue River area to the south as well. The hypersurvivalists are more commonly referred to as Holnists, after the founder of their ideal, Nathan Holn. Many times through the book, curses are uttered which damn Holn for his actions. Nathan Holn was an author who championed an extreme, violent, misogynistic and hypersurvivalist society. Holn is said to have himself been hanged in the novel, but in the time following what should have been a brief period of civil disorder, followers of Holn prevented the United States from recovering from the limited war, and the plagues that followed. As the story ends, and he comes close to the hypersurvivalist's southern enemy, he begins to find traces of them, primarily in the symbol that they rally behind: the Bear Flag of California. The final scenes give the impression that the three symbols may rally together in an effort to revive civilization. Another message of the plot deals with the backstory of the post-apocalyptic world: specifically, that it was not the electronics-destroying electromagnetic pulses, nor the destruction of major cities, nor the release of various bio-engineered plagues that actually destroyed society: rather, it was the hypersurvivalists themselves, those who maintained stockpiles of weapons and ammunition and who preyed on humanitarian workers and other forces of order. |
The Phantom of the Opera | Gaston Leroux | null | The novel opens with a prologue in which Gaston Leroux claims that Erik, the "Phantom of the Opera", was a real person. We are then introduced to Christine Daaé who with her father, a famous fiddler, travelled all over Europe playing folk and religious music. Her father was known to be the best wedding-fiddler in the land. When Christine is six, her mother dies and her father is brought to rural France by a patron, Professor Valerius. During Christine's childhood (which is described retrospectively in the early chapters of the book), her father tells her many stories featuring an "Angel of Music", who, like a muse, is the personification of musical inspiration. Christine meets and befriends the young Raoul, Viscount of Chagny, who also enjoys her father's many stories. One of Christine and Raoul's favourite stories is one of Little Lotte, a girl with golden hair and blue eyes who is visited by the Angel of Music and possesses a heavenly voice. On his deathbed, Christine's father tells her that he will send the Angel of Music to her from Heaven. Christine now lives with Mamma Valerius, the elderly widow of her father's benefactor. Christine is eventually given a position in the chorus at the Paris Opera House (Palais Garnier). Not long after she arrives there, she begins hearing a beautiful, unearthly voice which sings to her and speaks to her. She believes this must be the Angel of Music and asks him if he is. The Voice agrees and offers to teach her "a little bit of heaven's music". The Voice, however, belongs to Erik, a physically-deformed and mentally-disturbed charismatic genius who was one of the architects who took part in the construction of the opera and who secretly built a home for himself in the cellars. He has been extorting money from the Opera's management for many years. Unknown to Christine, at least at first, he falls in love with her. With the help of the Voice, Christine triumphs at the gala on the night of the old managers' retirement. Her old childhood friend Raoul hears her and remembers his love for her. A time after the gala, the Paris Opera performs Faust, with the prima donna Carlotta playing the lead. In response to a refused surrender of Box Five to the Opera Ghost, Carlotta loses her voice and the Opera's grand chandelier plummets into the audience. After the chandelier accident, Erik kidnaps Christine to his home in the cellars and reveals his true identity. He plans to keep her there only a few days, hoping she will come to love him, and Christine begins to find herself attracted to her abductor. But she causes Erik to change his plans when she unmasks him and, to the horror of both, beholds his face, which according to the book, resembles the face of a rotting corpse. Erik goes into a frenzy, stating she probably thinks his face is another mask, and whilst digging her fingers in to show it was really his face he shouts, "I am Don Juan Triumphant!" before crawling away, crying. Fearing that she will leave him, he decides to keep her with him forever, but when Christine requests release after two weeks, he agrees on condition that she wear his ring and be faithful to him. Up on the roof of the Opera, Christine tells Raoul of Erik taking her to the cellars. Raoul promises to take Christine away where Erik can never find her and to take her even if she resists. Raoul tells Christine he shall act on his promise the following day, to which Christine agrees, but she pities Erik and will not go until she has sung for him one last time. Christine then realizes the ring has slipped off her finger and fallen into the streets somewhere, and begins to panic. The two leave. But neither is aware that Erik has been listening to their conversation or that it has driven him to jealous frenzy. During the week and that night, Erik has been terrorising anyone who stood in his way or in that of Christine's career, including the managers. The following night, Erik kidnaps Christine during a production of Faust (by drugging the gas men and switching the lights off, he spirits Christine off the stage before anyone turned the lights on). Back in the cellars, Erik tries to force Christine into marriage. If she refuses he threatens to destroy the entire Opera using explosives he has planted in the cellars, killing them and everyone in the floors above. Christine continues to refuse, until she realizes that Raoul and an old acquaintance of Erik's known only as "The Persian", in an attempt to rescue her, have been trapped in Erik's hot torture chamber. To save them and the people above, Christine agrees to marry Erik. At first, Erik tries to drown Raoul and the Persian in the water used to douse the explosives, stating that Christine doesn't need another. But Christine begs and offers to be his "living bride", promising him not to kill herself after becoming his bride, as she had both contemplated and attempted earlier in the novel. Erik rescues the Persian and the young Raoul from his torture chamber thereafter. When Erik is alone with Christine, he lifts his mask a little to kiss her on the forehead, and Christine allows him to do this. Erik, who admits that he has never before in his life received or been allowed to give a kiss – not even from his own mother – is overcome with emotion. Christine gives him a kiss back. He lets Christine go and tells her "Go and marry the boy whenever you wish," explaining, "I know you love him". She leaves on the condition that when he dies she will come back and bury him. Being an old acquaintance, The Persian is told of all these secrets by Erik himself, and upon his express request, the Persian advertises Erik's death in the newspaper about three weeks later. The cause of death is revealed to be a broken heart, and as promised, Christine returns to bury Erik and give his ring back to him. |
Murder on the Orient Express | Agatha Christie | null | Hercule Poirot boards the Orient Express in Constantinople. The train is unusually crowded for the time of year. Poirot secures a berth only with the help of his friend M. Bouc, a director of the Compagnie Internationale des Wagons-Lits. When a Mr. Harris fails to show up, Poirot takes his place. On the second night, Poirot gets a compartment to himself. That night, in Vinkovci, at about twenty-three minutes before 1:00 am, Poirot wakes to the sound of a loud noise. It seems to come from the compartment next to his, which is occupied by Mr. Ratchett. When Poirot peeks out his door, he sees the conductor knock on Mr. Ratchett's door and ask if he is all right. A man replies in French "Ce n'est rien. Je me suis trompé", which means "It's nothing. I was mistaken", and the conductor moves on to answer a bell down the passage. Poirot decides to go back to bed, but he is disturbed by the fact that the train is unusually still and his mouth is dry. As he lies awake, he hears a Mrs. Hubbard ringing the bell urgently. When Poirot then rings the conductor for a bottle of mineral water, he learns that Mrs. Hubbard claimed that someone had been in her compartment. He also learns that the train has stopped due to a snowstorm. Poirot dismisses the conductor and tries to go back to sleep, only to be awakened again by a thump on his door. This time when Poirot gets up and looks out of his compartment, the passage is completely silent, and he sees nothing except the back of a woman in a scarlet kimono retreating down the passage in the distance. The next day he awakens to find that Ratchett is dead, having been stabbed twelve times in his sleep. M. Bouc suggests that Poirot take the case, being that it is so obviously his kind of case; nothing more is required than for him to sit, think, and take in the available evidence. However, the clues and circumstances of Ratchett's death are very mysterious. Some of the stab wounds are very deep, only three are lethal, and some are glancing blows. Furthermore, some of them appear to have been inflicted by a right-handed person and some by a left-handed person. Poirot finds several more clues in the victim's cabin and on board the train, including a linen handkerchief embroidered with the initial "H", a pipe cleaner, and a button from a conductor's uniform. All of these clues suggest that the murderer or murderers were somewhat sloppy. However, each clue seemingly points to different suspects, which suggests that some of the clues were planted. By reconstructing parts of a burned letter, Poirot discovers that Mr. Ratchett was a notorious fugitive from the U.S. named Cassetti. Five years earlier, Cassetti kidnapped three-year-old American heiress Daisy Armstrong. Though the Armstrong family paid a large ransom, Cassetti murdered the little girl and fled the country with the money. Daisy's mother, Sonia, was pregnant when she heard of Daisy's death. The shock sent her into premature labour, and both she and the baby died. Her husband, Colonel Armstrong, shot himself out of grief. Daisy's nursemaid, Susanne, was suspected of complicity in the crime by the police, despite her protests. She threw herself out of a window and died, after which she was proved innocent. Although Cassetti was caught, his resources allowed him to get himself acquitted on an unspecified technicality, although he still fled the country to escape further prosecution for the crime. As the evidence mounts, it continues to point in wildly different directions and it appears that Poirot is being challenged by a mastermind. A critical piece of missing evidence–the scarlet kimono worn the night of the murder by an unknown woman–turns up in Poirot's own luggage. After meditating on the evidence, Poirot assembles the thirteen suspects, M. Bouc and Dr. Constantine in the restaurant car. He lays out two possible explanations of Ratchett's murder. The first explanation is that a stranger–some gangster enemy of Ratchett–boarded the train at Vinkovci, the last stop, murdered Ratchett for reasons unknown, and escaped unnoticed. The crime occurred an hour earlier than everyone thought, because the victim and several others failed to note that the train had just crossed into a different time zone. The other noises heard by Poirot on the coach that evening were unrelated to the murder. However, Dr. Constantine says that Poirot must surely be aware that this does not fully explain the circumstances of the case. Poirot's second explanation is rather more sensational: all of the suspects are guilty. Poirot's suspicions were first aroused by the fact that all the passengers on the train were of so many different nationalities and social classes, and that only in the "melting pot" of the United States would a group of such different people form some connection with each other. Poirot reveals that the twelve other passengers on the train and the train conductor were all connected to the Armstrong family in some way: *Hector MacQueen, Ratchett/Cassetti's secretary, devoted to Sonia Armstrong; MacQueen's father was the district attorney for the kidnapping case. He knew from his father the details of Cassetti's escape from justice. *Masterman, Ratchett/Cassetti's valet, was Colonel Armstrong's batman during the war and later his valet; *Colonel Arbuthnot was Colonel Armstrong's comrade and best friend; *Mrs. Hubbard in actuality is Linda Arden (née Goldenberg), the most famous tragic actress of the New York stage, and was Sonia Armstrong's mother and Daisy's grandmother; *Countess Andrenyi (née Helena Goldenberg) was Sonia Armstrong's sister; *Count Andryeni was the husband of Helena Andrenyi; *Princess Natalia Dragomiroff was Sonia Armstrong's godmother as she was a friend of her mother; *Miss Mary Debenham was Sonia Armstrong's secretary and Daisy Armstrong's governess; *Fräulein Hildegarde Schmidt, Princess Dragomiroff's maid, was the Armstrong family's cook; *Antonio Foscarelli, a car salesman based in Chicago, was the Armstrong family's chauffeur; *Miss Greta Ohlsson, a Swedish missionary, was Daisy Armstrong's nurse; *Pierre Michel, the train conductor, was the father of Susanne, the Armstrong's nursemaid who committed suicide; *Cyrus Hardman, a private detective ostensibly retained as a bodyguard by Ratchett/Cassetti, was a policeman in love with Susanne. All these friends and relations had been gravely affected by Daisy's murder and outraged by Cassetti's subsequent escape. They took it into their own hands to serve as Cassetti's executioners, to avenge a crime the law was unable to punish. Each of the suspects stabbed Ratchett once, so that no one could know who delivered the fatal blow. Twelve of the conspirators participated to allow for a "twelve-person jury", with Count Andrenyi acting for his wife, as she–Daisy's aunt–would have been the most likely suspect. One extra berth was booked under a fictitious name–Harris–so that no one but the conspirators and the victim would be on board the coach, and this fictitious person would subsequently disappear and become the primary suspect in Ratchett's murder. (The only person not involved in the plot would be M. Bouc, for whom the cabin next to Ratchett was already reserved.) The main inconvenience for the murderers was the occurrence of a snowstorm and the presence of a detective, which caused complications to the conspirators that resulted in several crucial clues being left behind. Poirot summarizes that there was no other way the murder could have taken place, given the evidence. Several of the suspects have broken down in tears as he has revealed their connection to the Armstrong family, and Mrs. Hubbard/Linda Arden confesses that the second theory is correct and that Colonel Arbuthnot and Mary Debenham are in love. She then appeals to Poirot, M. Bouc, and Dr. Constantine, not to turn them in to the police. Fully in sympathy with the Armstrong family, and feeling nothing but disgust for the victim, Bouc pronounces the first explanation as correct, and Poirot and Dr. Constantine agree, Dr. Constantine suggesting that he will edit his original report of Cassetti's body to comply with Poirot's first deduction as he now 'recognizes' some mistakes he has made. His task completed, Poirot states he has "the honour to retire from the case." Arrangement of the Calais Coach: {| width="1450" cellpadding="0" cellspacing="0" style="margin:0 0; background-color: #FFFFFF" style="text-align: center; font-size: 80%" |-bgcolor="#F5F5DC" |style="border-right: 1px solid black; background:#C0C0C0"| || style="background:#98FB98" width="50"| || colspan="12" width="1200" style="text-align: center;"| Corridor ||style="border-left: 1px solid black; background:#C0C0C0"| |-style="height:60px" |style="border-right: 1px solid black; background:#C0C0C0"| Athens-Paris Coach ||style="border-right: 1px solid black;background:#98FB98" width="50"| Michel ||style="border-right: 1px solid black; background:#DA70D6" width="100"| 16. Hardman||style="border-right: 1px solid black; background:#DA70D6" width="100"| 15. Arbuthnot || style="border-right: 1px solid black; background:#DA70D6" width="100"| 14. Dragomiroff ||style="border-right: 1px solid black; background:#DA70D6" width="100"| 13. R. Andrenyi || style="border-right: 1px solid black; background:#DA70D6" width="100"| 12. H. Andrenyi ||style="border-right: 1px solid black;background:#DA70D6" width="100"| 3. Hubbard || style="border-right: 1px solid black;background:#FF7F50" width="100"| 2. Ratchett || style="background:#DA70D6" width="100"| 1. Poirot ||style="border-left: 1px solid black;background:#7B68EE" width="100"| 10. Ohlsson11. Debenham ||style="border-left: 1px solid black;background:#7B68EE" width="100"| 8. Schmidt9. ||style="border-left: 1px solid black; background:#7B68EE" width="100"| 6. MacQueen7. ||style="border-left: 1px solid black;background:#7B68EE" width="100"| 4. Masterman5. Foscarelli ||style="border-left: 1px solid black; background:#C0C0C0"| Dining Car |} |
Harry Potter and the Chamber of Secrets | J. K. Rowling | 1,998 | Harry Potter and the Chamber of Secrets begins as Harry spends a miserable summer with his only remaining family, the Dursleys. During a dinner party hosted by his uncle and aunt, Harry is visited by Dobby, a house-elf. Dobby warns Harry not to return to Hogwarts, the magical school for wizards that Harry attended the previous year, explaining that terrible things will happen there. Harry politely disregards the warning, and Dobby wreaks havoc in the kitchen, infuriating the Dursleys. The Dursleys angrily imprison Harry in his room for a while after they find from a letter that Harry is not allowed to use magic away from Hogwarts. Harry is rescued by his friend Ron Weasley and his brothers Fred and George in a flying car, and spends the rest of the summer at the Weasley home. When Harry uses Floo Powder to get to Diagon Alley he accidentally ends up in a dark-arts dealing end of town, Knockturn Alley. Fortunately, he meets Hagrid who gets him back to Diagon Alley. While shopping for school supplies there with the Weasleys, Harry encounters Gilderoy Lockhart, a wizard famous for all manner of deeds, who announces he is the new Defense Against the Dark Arts teacher, and demands to be in a photo shoot with Harry. Harry then encounters Lucius Malfoy, a Hogwarts governor and the father of the school bully, Draco, who gets into an argument with Ron's father when he insults the Weasley family. As Harry prepares to return to Hogwarts, he finds that he and Ron are unable to go through the secret entrance to Platform 9 ¾, so they fly the Weasley's car to Hogwarts. They land messily, and both boys are detained for obvious reasons. Next day Molly Weasley sends a Howler to Ron, a letter that berates him with her much louder voice, and threatens to send him home if he gets into trouble again. Lockhart quickly proves to be an incompetent teacher, more concerned with students learning about his personal accomplishments. On Halloween, something petrifies the school caretaker's cat and writes a message declaring that "The Chamber of Secrets" has been opened. Before the cat is attacked, Harry twice hears an eerie voice. He hears it first during his detention and second during a party, moments before the cat is attacked, and third before a Quidditch match. Everybody in the school is alarmed. Harry, Ron and their other friend, Hermione Granger, learn that during the founding of Hogwarts one of the founders, Salazar Slytherin, left the school, disagreeing with the decision to teach magic to Muggle-born students. According to legend, Slytherin secretly built the Chamber of Secrets, which supposedly houses a monster only Slytherin's heir can control. Suspecting that Draco is the heir of Slytherin, the trio start making Polyjuice Potion, a brew which allows them to take on another's form. During the school's first game of Quidditch, Harry is pursued continually by a Bludger, an enchanted ball that knocks players off their brooms, despite their purpose being to unseat as many players as possible. As a result, Harry's arm is broken, and Lockhart then proceeds to unintentionally remove the broken bones. That night, as he recovers from the injury, Harry is visited by Dobby, who admits to having orchestrated the platform incident and the rogue Bludger, both of which were attempts to keep Harry away from Hogwarts. Soon after, a first year student, Colin Creevy, is attacked and petrified. Lockhart begins a dueling club; and during the first meeting Harry unknowingly speaks Parseltongue to persuade a snake from attacking a student. Harry's ability frightens the others because Salazar Slytherin was also able to speak Parseltongue, and his heir would also have this ability. Harry comes under further suspicion when he stumbles upon the petrified bodies of Justin Finch-Fletchley and Nearly Headless Nick. At Christmas, Harry and Ron use the finished Polyjuice Potion to disguise themselves as Draco's friends Crabbe for Ron and Goyle for Harry. Hermione was going to be Millicent Bulstrode, another Slytherin student, but was instead given some features of a cat, so does not joins them. Harry and Ron find out that Draco is not the heir of Slytherin, but he does reveal that the Chamber was opened before. No more attacks occur for a while, and right before Valentine's Day, Harry finds a diary in a flooded bathroom and takes it. He writes in the diary, which responds by writing back. Through this dialogue, Harry meets Tom Riddle, a boy who many years before had accused Hagrid, the Hogwarts gamekeeper, of first opening the Chamber of Secrets. Some time later, Harry's room is ransacked and the diary is taken. Later on, Hermione and a Ravenclaw girl, Penolope Clearwater, are petrified. Harry and Ron venture out of the castle to question Hagrid. Before they can question him, however, the Minister of Magic, Cornelius Fudge, takes Hagrid to Azkaban as the supposed previous culprit; while at the same time Lucius Malfoy orchestrates the removal of Hogwarts Headmaster Albus Dumbledore for his failure to stop the attacks. As Hagrid is led away, he instructs the boys to "follow the spiders", as they will be able to provide more information. Harry and Ron then sneak into the Forbidden Forest to follow the spiders. They encounter Aragog who reveals the monster who killed the girl fifty years before was not a spider, that the girl's body was found in a bathroom, and that Hagrid is innocent. The boys are almost eaten by the colony of giant spiders. After they escape, Harry and Ron realize that Moaning Myrtle, the ghost who haunts the bathroom where they made the Polyjuice Potion, must have been the girl killed by the monster. A few days later, Ron and Harry discover a piece of paper with a description of a Basilisk, a giant serpent that kills all who look it directly in the eye, in Hermione's petrified hand. They deduce that the Chamber's monster is indeed a Basilisk, since as a snake Harry can understand what it was saying when it travelled through the schools pipes. As for the petrifications, these were due to the victims looking at the Basilisk's eyes indirectly. Before the boys can act on their knowledge, the teachers announce that Ron's sister Ginny Weasley has been taken into the Chamber. Lockhart arrives, and is pressured by the other teachers into venturing into the Chamber and dealing with the monster unknown to them and to him. Harry and Ron go to give him their information, only to discover that he is a fraud. Regardless, they force him to accompany them to the Chamber. The trio discovers that the entrance to the Chamber is in Myrtle's bathroom, and Harry's Parseltongue is able to open it. Inside the Chamber, Lockhart steals Ron's wand, and attempts to wipe the memories of the other two, in order to keep his secrets safe. However, Ron's wand, which has been broken since the car crash at the start of the year, deflects the spell back at Lockhart, wiping his memory. A cave-in then separates him and Ron from Harry, who is forced to proceed alone. Harry finds Ginny's unconscious body, as well as the almost-physical form of Riddle. Riddle explains that Ginny has been talking with him via his diary. Through this, Riddle was able to possess Ginny, and use her to control the Basilisk. Ginny eventually became suspicious of the diary and tried to dispose of it in a toilet, where it was picked up by Harry, but stole it back for fear Harry would find out her role in the attacks. Riddle forced her to enter the Chamber, and possessing her soul was able to obtain a physical form. Riddle reveals that Tom Marvolo Riddle is an anagram although it is his real name for I am Lord Voldemort, who is the wizard who murdered Harry's parents eleven years ago, and sets the Basilisk on Harry. Just when it seems Harry will be killed by the Basilisk, Fawkes, Dumbledore's pet phoenix, appears and blinds the Basilisk, depriving it of its deadly stare. Fawkes also drops the school Sorting Hat, from which Harry draws a sword and uses it to kill the Basilisk. As he does so, one of the Basilisk's fangs pierce Harry's arm and Harry is saved by Fawkes, as phoenix tears have immense healing powers. Harry then stabs the diary with a Basilisk fang, defeating Riddle and saving Ginny. The five of them later leave the Chamber. Back at Hogwarts, they discover that Dumbledore has been reinstated as Headmaster. After Harry finishes explaining things to Dumbledore, Lucius Malfoy suddenly bursts in to Dumbledore's office. It is implied that he had planted Riddle's diary on Ginny in the first place, in the hopes of discrediting Dumbledore and the Weasleys. Discovering that Mr. Malfoy is Dobby's master, Harry then tricks him into freeing Dobby by concealing a sock in the diary (clothing being the only object able to free a house elf). All the petrified people are revived by a Mandrake Draught potion, Lockhart is sent to the wizarding hospital where he tries to regain his memories, and Hagrid returns to the school. |
Equus | Peter Shaffer | null | Martin Dysart is a psychiatrist in a psychiatric hospital. He begins with a monologue in which he outlines Alan Strang's case. He also divulges his feeling that his occupation is not all that he wishes it to be and his feelings of dissatisfaction and disappointment about his barren life. Dysart finds that there is a never-ending supply of troubled young people for him to "adjust" back into "normal" living; but he doubts the value of treating these youths, since they will simply return to a dull, normal life that lacks any commitment and "worship" (a recurring theme). He comments that Alan Strang's crime was extreme but adds that just such extremity is needed to break free from the chains of existence. A court magistrate, Hesther Salomon, visits Dysart, believing that he has the skills to help Alan come to terms with his violent acts. Dysart has a great deal of difficulty making any kind of headway with Alan, who at first responds to questioning by singing advertising jingles. Slowly, however, Dysart makes contact with Alan by playing a game where each of them asks a question, which must be answered honestly. He learns that, from an early age, Alan has been receiving conflicting viewpoints on religion from his parents. Alan's mother, Dora Strang, is a devout Christian who has read to him daily from the Bible. This practice has antagonized Alan's atheist father, Frank Strang, who, concerned that Alan has taken far too much interest in the more violent aspects of the Bible, destroyed a violent picture of the Crucifixion that Alan had hung at the foot of his bed. Alan replaced the picture with one of a horse, with large, staring eyes. Moreover, during his youth, Alan had established his attraction to horses by way of his mother's biblical tales, a horse story that she had read to him, western movies, and his grandfather's interest in horses and riding. Dysart reveals a dream he has had, in a Grecian/Homeric setting, in which he is a public official presiding over a mass ritual sacrifice. Dysart slices open the viscera of hundreds of children, and pulls out their entrails. He becomes disgusted with what he is doing, but desiring to "look professional" to the other officials, does not stop. Alan's sexual training began with his mother, who told him that the sexual act was dirty, but that he could find true love and contentment by way of religious devotion and marriage. During this time he also begins to show a sexual attraction to horses, desiring to pet their thick coats, feel their muscular bodies and smell their sweat. Alan reveals to Dysart that he had first encountered a horse at age six, on the beach. A rider approached him, and took him up on the horse. Alan was visibly excited, but his parents found him and his father pulled him violently off the horse. The horse rider scoffed at the father and rode off. In another key scene, Dysart hypnotizes Alan, and during the hypnosis, Dysart reveals elements of his terrifying dream of the ritual murder of children. This is only one of numerous "confessions" that take place in the play. Dysart begins to jog Alan's memory by filling in blanks of the dialogue, and asking questions. Alan reveals that he wants to help the horses by removing the bit, which enslaves them. Enslaved and tortured "like Jesus?" asks Dysart, and Alan replies "Yes." Alan has a job working in a shop selling electrical goods, where he meets Jill Mason. She visits the shop wanting blades for horse-clippers. Alan is instantly interested when he discovers that Jill has such close contact with horses. Jill suggests that Alan work for the owner of the stables, Harry Dalton, and Alan agrees. Alan is held by Dalton to be a model worker, since he keeps the stables immaculately clean and grooms the horses, including one named "Nugget". Through Dysart's questioning, it becomes clear that Alan is fixated on Nugget (or Equus) and secretly takes him for midnight rides, bareback and naked. Alan also envisions himself as a king, on the godhead Equus, both destroying their enemies. Dysart gives Alan a placebo "truth pill" and revealing a tryst with Jill, begins to enact the event. Jill, who had taken an interest in Alan, had asked him to take her to an adult movie theater. While there, they ran into Frank. Alan was traumatized, particularly when he realized that his father was lying when he tried to justify his presence in the theater. However, this occurrence allows Alan to realize that sex is a natural thing for all men—even his father. Alan walks Jill home after they leave. She convinces Alan to come to the stables with her. Once there, she seduces Alan and the two start having sex. However, Alan breaks this off when he hears the horses making noises in the stables beneath. Jill tries to ask Alan what the problem is, but he shouts at her to leave. He begs the horses for forgiveness, as he sees the horses as God-like figures. "Mine!...You're mine!...I am yours and you are mine!" cries Equus through Dysart, but then he becomes threatening. "The Lord thy God is a Jealous God", Equus/Dysart seethes, "He sees you, He sees you forever and ever, Alan. He sees you!...He sees you!" Alan screams, "God seest!" Then he says, "No more. No more, Equus." With that he blinds the horses, whose eyes have "seen" his very soul, with a hoof pick. The play concludes with Dysart questioning the fundamentals of his practice and whether or not what he does will actually help Alan, as the effect of his treatment will remove Alan's intense sexual and religious commitment, and his worship of the horses. Earlier, Dysart had asked Hesther Salomon what it would be like to be robbed of the ability to worship. He also reflects again on his own life, his envy of Alan's passion, and what he imagines is a bit in his mouth. |
American Psycho | Bret Easton Ellis | 1,991 | Set in Manhattan during the Wall Street boom of the late 1980s, American Psycho is about the daily life of wealthy young investment banker Patrick Bateman. Bateman, in his late 20s when the story begins, narrates his everyday activities, from his recreational life among the Wall Street elite of New York to his forays into murder by nightfall. Through present tense stream-of-consciousness narrative, Bateman describes his daily life, ranging from a series of Friday nights spent at nightclubs with his colleagues — where they snort cocaine, critique fellow club-goers' clothing, trade fashion advice, and question one another on proper etiquette — to his loveless engagement to fellow yuppie Evelyn and his contentious relationship with his brother and senile mother. Bateman's stream of consciousness is occasionally broken up by chapters in which he directly addresses the reader in order to critique the work of 1980s Pop music artists. The novel maintains a high level of ambiguity through mistaken identity and contradictions that introduce the possibility that Bateman is an unreliable narrator. Characters are consistently introduced as people other than themselves, and people argue over the identities of others they can see in restaurants or at parties. Whether any of the crimes depicted in the novel actually happened or whether they were simply the fantasies of a delusional psychotic is deliberately left open. After killing Paul Owen, one of his colleagues, Bateman appropriates his apartment as a place to kill and store more victims. Bateman's control over his violent urges deteriorates. His murders become increasingly sadistic and complex, progressing from simple stabbings to drawn out sequences of torture, rape, mutilation, cannibalism, and necrophilia, and the separation between his two lives begins to blur. He introduces stories about serial killers into casual conversations and on several occasions openly confesses his murderous activities to his coworkers, who never take him seriously, do not hear what he says, or misunderstand him completely—for example, hearing the words "murders and executions" as "mergers and acquisitions." Bateman begins to experience bizarre hallucinations such as seeing a Cheerio interviewed on a talk show, being stalked by an anthropomorphic park bench, and finding a bone in his Dove Bar. These incidents culminate in a shooting spree during which he kills several random people in the street, resulting in a SWAT team being dispatched in a helicopter. Bateman flees on foot and hides in his office, where he phones his attorney, Harold Carnes, and confesses all his crimes to the answering machine. Later, Bateman confronts Carnes about the message only to find Carnes is amused at what he considers to be a good joke. Carnes tells Bateman that he is too much of a coward to have committed such acts and claims that he had dinner in London with Paul Owen a few days before. Bateman revisits Paul Owen's apartment, where he had killed and mutilated two prostitutes. Bateman enters the perfectly clean, refurbished apartment, which shows no trace of decomposing bodies but is filled with strong-smelling flowers, as though meant to hide a bad odor. He runs into a real estate agent showing the apartment to prospective buyers; the real-estate agent appears suspicious of Bateman. The book ends as it began, with Bateman and his colleagues in a club on a Friday night, engaging in banal conversation. |
Kalimantaan | C. S. Godshalk | 1,998 | In 1839, an English adventurer arrived on the northwest coast of Borneo, commissioned to deliver a letter of gratitude to the Sultan of Brunei for having safely returned the crew of a British merchantman, lost on his coast. It was a region full of headhunters, pirate tribes, and slave traders. Most Europeans with the temerity to enter the region had never been heard from again. This particular adventurer, however, seems to know how to play one power against another and manages to keep his balance in the midst of chaos. After performing a service for the Sultan (resolving a local tribal conflict through the use of his schooner's guns and leading an organized assault on a small native river fort), he is named governor of Sarawak, subject to the Sultan of Brunei. Within a few years, he has become the Rajah of Sarawak, an independent state, and established a dynasty that will last one hundred years. Godshalk has changed names and details while evoking a sense of the time, place, and atmosphere of the real events. The real adventurer was James Brooke; Ms. Godshalk's is named Gideon Barr. James Brooke's schooner was named the Royalist; Gideon Barr's is the Carolina (named after his mother). James Brooke was succeeded by his nephew, Charles Johnson, who took the last name Brooke. Gideon Barr is succeeded by his nephew Richard Hogg (Ms. Godshalk does not deal with the change of last name since her story focuses on Gideon's life and ends with his death). Although many of the events described actually took place, one cannot simply change the names and read the novel as history. James Brooke's mother died in 1844, two years after he became Rajah. Gideon's mother dies in Borneo much earlier while he is in grade school in England, providing him an emotional link to Borneo James Brooke did not have. James Brooke never married a European, although there is evidence that he was married to a Malay woman. Gideon Barr marries an Englishwoman to provide himself an "air of permanence" as Rajah and we see much of the later portion of the story through Amelia Barr's eyes. Amelia Barr is fictional, but largely based on Margaret Brooke, wife of the second Rajah, and her book "My Life in Sarawak". Gideon also maintains a Malayan mistress who provides a note of tragedy in the way her presence poisons Gideon and Amelia's relationship. On the other hand, the 30,000 pounds that Brooke/Barr inherited at his father's death which enabled him to acquire his schooner, the massacre of the sons of the Sultan of Brunei, the Chinese insurrection of 1857, and the commission of inquiry in Singapore all took place as described. The inquiry in Singapore was concerned with the battle of Labuan in which Brooke/Barr led British warships in a pre-emptive strike against a pirate fleet, breaking the power of the Bugis for the next twenty years. Brooke/Barr's enemies attempted to use this against him by claiming he had used British naval power to slaughter innocent natives. Godshalk uses Malay words extensively in the book. While she provides a brief Malay glossary as an appendix, it does not cover all the words she uses. Enjoyment of Kalimantaan will be enhanced if one knows the following Malay words which are not in the glossary provided by the author: {| class="wikitable" ! Malay ! English |- | abang | elder brother |- | adat | tradition, custom |- | ajar | to teach |- | berani, brani | brave, bold |- | besar | big, great |- | bulan | moon, month |- | bujang | bachelor |- | buaya | crocodile |- | bulbul | nightingale |- | datin | wife of a datu |- | datu | minister in traditional Malay government |- | dayang | woman of high rank |- | hantu, antu | ghost, spirit |- | hati | liver (as the seat of emotion, typically translated "heart") |- | ikan | fish |- | ikat | tie, knot |- | jaga | guard |- | jalan | street, road |- | kain | cloth (in the story, it describes a cloth belt) |- | kaya | wealthy, rich |- | kongsi | association, partnership |- | kris | stabbing dagger with flaming, or wavy, blade |- | kuli | unskilled laborer |- | lalang | a variety of long-bladed grass |- | lida | tongue |- | kecelakaan | misfortune, accident |- | merah | red |- | mudah | young, junior |- | orang | person |- | padang | field |- | padi | ricefield |- | pagi | morning |- | parang | cutlass, machete |- | payung (payong) | umbrella, parasol |- | pikul (picul) | 1) a unit of weight of 133 lb (60 kg); 2) to carry on one's shoulder |- | puasa | fast, to abstain from eating |- | rajput | princeling, diminutive of rajah |- | sakit | sick |- | selamat hari | literally, "good day". Typically, the expression selamat siang (good mid-day) is used |- | selamat pagi | good morning |- | seluar | trousers, pants |- | si | generic honorific, e.g. Si Tundo |- | stengah | half |- | sudah | already, denotes past tense |- | tahun | year |- | tanah | earth, soil |- | tiba | to arrive |- | tuah | old, elder, senior |- | tuak | toddy, palm-wine |- | tuan | lord, used as an honorific, as in Tuan Barr |- | tunku | overlord, governor |} Kampilan, actually a Filipino word, designates a long native sword. |
Creatures of Light and Darkness | Roger Zelazny | 1,969 | The Universe was once ruled by the god Thoth, who administered the different forces in the Universe to keep things in balance. In time, he delegated this administration to his "Angels" (other god-like beings), who were each in charge of different "stations", or forces in the Universe. Such stations included the House of the Dead, the House of Life, the House of Fire, and so on. At some point, Thoth had awakened a dormant, malevolent force on a distant planet. This dark force, called the Thing That Cries In The Night, is so powerful and malevolent that it nearly obliterated Thoth's wife and threatens to consume the galaxy. Thoth works to contain and destroy the creature, and in so doing, neglects his duties in maintaining the Universe. The Angels become rebellious and use the power vacuum to fight amongst themselves for dominance Thoth's son Set, who through an anomaly in Time is also his father, fights the creature across a devastated planet. Just as Set is about to destroy the creature, he is attacked by the Angel Osiris, who unleashes the Hammer That Smashes Suns, a powerful weapon that nearly kills Set and the creature. Thoth's brother, Typhon, who was helping Set in the battle, vanishes without a trace and is presumed dead. (Typhon appears as a black horse-shadow, without a horse to cast it. He contains within himself something called Skagganauk Abyss, which resembles a black hole, not a term in common use at the time.) The Thing That Cries In The Night survived the blast, and so Thoth, who has meanwhile been utterly overthrown by his Angels, has no choice but to contain the dark force until he can find a way to destroy it. He also revives the personality of his wife and keeps her safe on a special world known only to him, where the seas are above the atmosphere, not below them. He also scatters Set's weapons and armor across the Universe for safe-keeping in the event that Set can ever be found. Having been overthrown, he is now dubbed The Prince Who Was A Thousand by all in the Universe. Some of the surviving Angels either hide among the peoples of the Universe as mysterious "immortals", but others—Osiris and Anubis—take over the House of Life and the House of Death, respectively. Other stations are abandoned, and Osiris and Anubis are the only two powers in the Universe now. Osiris cultivates life where he can, while Anubis works to destroy it. Plenty and famine, proliferation and plague, overpopulation and annihilation, alternate in the Worlds of Life between the two Stations, much to the detriment of those who inhabit them. The geography of this universe contains several curious places: * The House of Life, ruled by Osiris, contains a room in which Osiris has reduced various people in his past into furnishings. These furnishings can speak (or scream) via wall-mounted speakers. ** A skull (with brain) for a paperweight. ** An enemy whose nervous system is woven into a rug. Osiris enjoys jumping on the rug. *In the House of the Dead, numerous dead people of the Six Intelligent Races lie on invisible catafalques until Anubis requires them to go through the motions of pleasure—eating, drinking, dancing, making love—without any real enjoyment. Anubis likes to watch. He also stages fights between champions from the Six Races: sometimes the victor gets a job—and a name. * The planet Blis is filled to bursting with people who are inexhaustibly fertile and do not know death: the whole planet is covered with 14 interlocking cities. Indeed, one man agrees to commit suicide in front of an audience, for money to be given to his family, because most people on Bliss have never seen a death. He does so by self-immolation, after receiving the Possibly Proper Death Litany (also called the Agnostic's Prayer). * On fog-shrouded D'donori, warlords raid each others solely to capture prisoners, who will be vivisected by the town scrier, or augur. By examining their entrails, he predicts the future and answers questions. * On an unnamed planet, the sea is above the atmosphere. Here, the Prince Who Was a Thousand keeps Nephthys, his wife, who was disembodied and cannot survive on a normal planet. * In a cave, a dog worries a glove that has seen better centuries. The three-headed canine is apparently Cerberus. * On another planet, drug-maddened spearmen protect and castrated priests worship a pair of old shoes. |
The Handmaid's Tale | Margaret Atwood | 1,985 | The Handmaid's Tale is set in the near future in the Republic of Gilead, a country formed within the borders of what was formerly the United States of America. It was founded by a racist, homophobic, christian, nativist, theocratic-organized military coup as an ideologically driven response to the pervasive ecological, physical and social degradation of the country. Beginning with a staged terrorist attack (blamed on Islamic extremist terrorists) that kills the President and most of Congress, a movement calling itself the "Sons of Jacob" launches a revolution and suspends the United States Constitution under the pretext of restoring order. Taking advantage of electronic banking, they were quickly able to freeze the assets of all women and other "undesirables" in the country, stripping them of their rights. The new theocratic military dictatorship, styled "The Republic of Gilead", moved quickly to consolidate its power and reorganize society along a new militarized, hierarchical, compulsorily Christian regime of Old Testament-inspired social and religious orthodoxy among its newly created social classes. In this society, almost all women are forbidden to read. The story is presented from the point of view of a woman called Offred (literally Of-Fred, however not a patronymic as some critics claim). The character is one of a class of individuals kept as concubines ("handmaids") for reproductive purposes by the ruling class in an era of declining births. The book is told in the first person by Offred, who describes her life during her third assignment as a handmaid, in this case to Fred (referred to as "The Commander"). If Offred fails to become pregnant on this, her third attempt, she will be declared an "unwoman" and discarded. Interspersed in flashbacks are portions of her life from before and during the beginning of the revolution, when she finds she has lost all autonomy to her husband, through her failed attempt to escape with her husband and daughter to Canada, to her indoctrination into life as a handmaid. Through her eyes, the structure of Gilead's society is described, including the several different categories of women and their circumscribed lives in the new theocracy. The Commander is a high-ranking official in Gilead. Although he is only supposed to have sexual intercourse with Offred during the period called "the Ceremony," a ritual at which his wife is present, he begins an illegal and ambiguous relationship with her, exposing Offred to many hidden or contraband aspects of the new society, such as fashion magazines and cosmetics. He takes her to a secret brothel run by the government, and he furtively meets with her in his study, where he allows her the contraband activity of reading. The Commander's wife also had secret interactions with Offred—she arranges for Offred to secretly have sex with her driver Nick in an effort to get her pregnant. The Commander's wife believes the Commander to be sterile, a subversive belief as official Gilead policy is that only women can be sterile. In exchange for Offred's cooperation, the Commander's wife gives her news of her daughter, whom Offred has not seen since she and her family were captured trying to escape Gilead. After Offred's initial meeting with Nick, they begin to rendezvous more frequently. Offred finds herself enjoying sex with Nick despite her indoctrination and her memories of her husband, and even goes as far as to divulge potentially dangerous information about her past. Through another handmaid, Ofglen, Offred learns of the Mayday resistance, an underground network with the intent of overthrowing Gilead. Shortly after Ofglen's disappearance (later discovered to be a suicide), the Commander's wife finds evidence of the relationship between Offred and the Commander, and Offred contemplates suicide. As the novel concludes, she is being taken away by men from the secret police, known as the Eyes, in a large black van under orders from Nick. Before she is taken away, Nick tells her that the men are part of the Mayday resistance and that Offred must trust him. Offred does not know if Nick is truly a member of the Mayday resistance or if he is a government agent posing as one, and she does not know if going with the men will result in her escape or her capture. She enters the van with a final thought on her uncertain future. The novel concludes with a metafictional epilogue that explains that the events of the novel occurred shortly after the beginning of what is called "the Gilead Period." The epilogue itself is a "transcription of a Symposium on Gileadean Studies written some time in the distant future (2195)", and according to the symposium's "keynote speaker" Professor Pieixoto, he and "a colleague", Professor Knotly Wade, discovered Offred's narrative recorded onto thirty cassette tapes. They created a "probable order" for these tapes and transcribed them, calling them collectively "the handmaid's tale". The epilogue implies that, following the collapse of the theocratic Republic of Gilead, a more equal society re-emerged with a return of the legal rights of women and also Native Americans. It is further suggested that freedom of religion was also re-established. |
My Left Foot | Christy Brown | null | Brown begins his book by telling the reader about his early childhood. When he was four months old, Brown's mother was the first to notice that there was something wrong with his health. He could not hold his head upright or control his body movements. After seeking medical advice, the family's worst fears were confirmed: Christy was physically handicapped and suffered from an incurable affliction called cerebral palsy. His family, besides his mother, think he's an idiot. They tell his mother to give up. Although the doctors did not believe in Brown's mental intelligence, his mother did not lose faith in her son and supported him as a full member of the family. A transforming moment occurs in the young boy's life that proves him to be intelligent. He discovers that he can control his left foot and toes. At the age of five, he snatches a piece of yellow chalk from his sister with his left foot. He marks the letter "A" on the floor with his foot and the help of his mother. He had wanted to make, what he described as, "a wild sort of scribble with it on the slate". It is from this incident that the book received its title. In this moment, Brown had found a way to express himself since he could not speak like a healthy child. Throughout his childhood, Brown played with local children and with his siblings, assisted by a small cart that he called "Henry". As time went on, he became more introverted, as he began to realize that his handicap made him different from his family and friends and impeded his enjoyment of life. Through this struggle, he discovered his creative and artistic talents, becoming devoted to literature, writing and painting. He used his left foot to carry out these tasks. At the age of 18, Brown went to Lourdes in France. Here, he met individuals whose handicaps were even worse than his. For the first time in his life, he begins to experience energy and hope. He begins to accept himself as the person he is and do the best with what he has. He starts a new treatment for cerebral palsy, which led to the improvement of his speech and physical condition. In his teenage years, he met the Irish doctor Robert Collis. Collis had established a clinic for cerebral palsy patients and Brown was his very first patient at this clinic. Collis was also a noted author so he provided supervision of Brown's writing. This included two first drafts of this book and its final version. The autobiography makes reference to its own creation. The final pages tell of Collis reading the first chapter of the book to the audience at a fundraising event. The chapter was warmly received by those in attendance. |
Lady Windermere's Fan | Oscar Wilde | null | The play opens in the morning room of the Windermeres' residence in London. It is tea time and Lady Windermere—who is preparing for her coming of age birthday ball that evening—has a visit from a friend, Lord Darlington. She shows off her new fan: a present from her husband. She explains to Lord Darlington that she is upset over the compliments he continues to pay to her, revealing that she is a Puritan and has very particular views about what is acceptable in society. The Duchess of Berwick calls and Lord Darlington leaves shortly thereafter. The Duchess informs Lady Windermere that her husband may be betraying her marriage by making repeated visits to another woman, a Mrs Erlynne, and possibly giving her large sums of money. These rumours have been gossip among London society for quite a while, though seemingly this is the first Lady Windermere has heard about. Following the departure of the Duchess, Lady Windermere decides to check her husband's bank book. She finds the book in a desk and sees that nothing appears amiss, though on returning she discovers a second bank book: one with a lock. After prying the lock open, she finds it lists large sums of money given to Mrs Erlynne. At this point, Lord Windermere enters and she confronts him. Though he cannot deny that he has had dealings with Mrs Erlynne, he states that he is not betraying Lady Windermere. He requests that she send Mrs Erlynne an invitation to her birthday ball that evening in order to help her back into society. When Lady Windermere refuses, he writes out an invitation himself. Lady Windermere makes clear her intention to cause a scene if Mrs Erlynne appears, to which Lord Windermere responds that it would be in her best interest not to do so. Lady Windermere leaves in disgust to prepare for the party, and Lord Windermere reveals in soliloquy that he is protecting Mrs Erlynne's true identity to save his wife extreme humiliation. Act II opens in the Windermeres' drawing room during the birthday ball that evening. Various guests enter, and make small-talk. Lord Windermere enters and asks Lady Windermere to speak with him, but she brushes him off. A friend of Lord Windermere's, Lord Augustus Lorton ("Tuppy"), pulls him aside to inquire about Mrs Erlynne, with whom he is enamoured. Lord Windermere reveals that there is nothing untoward in his relationship with Mrs Erlynne, and that she will be attending the ball, which comes as a great relief to Lord Augustus as he was worried about her social standing. After an unsuccessful attempt to make peace with his wife, Lord Windermere summons the courage to tell the truth to her, but at that moment Mrs Erlynne arrives at the party, where she is greeted coldly by Lady Windermere, spoiling his plan. Alone, Lady Windermere and Lord Darlington discuss Mrs Erlynne's attendance. Lady Windermere is enraged and confused and asks Lord Darlington to be her friend. Instead of friendship, Lord Darlington takes advantage of Lady Windermere's tragic state and professes his love to her, offering her his life, and inviting her to risk short-term social humiliation for a new life with him. Lord Darlington sets her an ultimatum to try to convince her to take action immediately, while still in a state of shock. Lady Windermere is shocked by the revelation, and finds she does not have the courage to take the offer. Heartbroken, Lord Darlington announces that he will be leaving the country the next day and that they will never meet again, and leaves. The guests begin to leave, and say their goodnights to Lady Windermere—some remarking positively about Mrs Erlynne. On the other side of the room Mrs Erlynne is discussing her plans with Lord Windermere; she intends to marry Lord Augustus and will require some money from Lord Windermere. Later, Lady Windermere, in spite of her earlier reluctance, decides to leave the house at once for Lord Darlington, and leaves a note to that effect for Lord Windermere. Mrs Erlynne discovers the note and that Lady Windermere has gone, and is curiously worried by this. While reading the note, a brief monologue reveals that she is in fact Lady Windermere's mother and made a similar mistake herself twenty years previously. She takes the letter and exits to locate Lady Windermere. Lady Windermere is alone in Lord Darlington's rooms unsure if she has made the right decision. Eventually, she resolves to return to her husband, but then Mrs Erlynne appears. Despite Mrs Erlynne's honest attempts to persuade her to return home to her husband, Lady Windermere is convinced her appearance is part of some plot conceived by her and Lord Windermere. Mrs Erlynne finally breaks Lady Windermere's resistance by imploring her to return for the sake of her young child, but as they begin to exit they hear Lord Darlington entering with friends. The two women hide. The men — who include Lord Windermere and Lord Augustus — have been evicted from their gentlemen's club at closing time and talk about women: mainly Mrs Erlynne. One of them takes notice of a fan lying on a table (Lady Windermere's) and presumes that Lord Darlington presently has a woman visiting. As Lord Windermere rises to leave, the fan is pointed out to him, which he instantly recognises as his wife's. He demands to know if Lord Darlington has her hidden somewhere. Lord Darlington refuses to co-operate, believing that Lady Windermere has come to him. Just as Lord Windermere is about to discover Lady Windermere's hiding place, Mrs Erlynne reveals herself instead, shocking all the men and allowing Lady Windermere to slip away unnoticed. The following quote is quite a popular tattoo among rebellious college freshmen with origins stemming from the Chicago region of the United States. The specific purpose of the tattoo is not known, but it is commonly placed on the spinal region in a vertical fashion. The next day, Lady Windermere is lying on the couch of the morning room anxious about whether to tell her husband what actually happened, or whether Mrs Erlynne will have already betrayed her secret. Her husband enters. He is sympathetic towards her and they discuss the possibility of taking a holiday to forget the recent incident. Lady Windermere apologises for her previous suspicion of her husband and behaviour at the party, and Lord Windermere makes clear his new contempt for Mrs Erlynne — warning his wife to stay away from her. Mrs Erlynne's arrival is announced along with the return of the fan, and despite her husband's protestations, Lady Windermere insists on seeing her. Mrs Erlynne enters and states that she shall be going abroad, but asks that Lady Windermere give her a photograph of herself and her son. Whilst Lady Windermere leaves the room to find one, the story is revealed: Mrs Erlynne left her husband for a lover shortly after Lady Windermere's birth. When her new lover abandoned her, Mrs Erlynne was left alone and in disrepute. More recently, using the assumed name of Mrs Erlynne, she has begun blackmailing Lord Windermere in order to regain her lifestyle and status, by threatening to reveal her true identity as Lady Windermere's shameful mother — not dead, as Lady Windermere believes. Lord Windermere laments not having told his wife the whole story at once and resolves to tell her the truth now. Mrs Erlynne forbids him to do so, threatening to spread shame far and wide if he does. Lady Windermere returns with the photograph which she presents to Mrs Erlynne, and requests that Lord Windermere check for the return of Mrs Erlynne's coach. Now that they are alone, and being owed a favour, Mrs Erlynne demands that she does not reveal the truth revealed the night before to her husband, and Lady Windermere promises to keep the secret. After Lord Windermere's return, Lord Augustus enters. He is shocked to see Mrs Erlynne after the events of the night before, but she requests his company as she heads to her carriage, and he soon returns to the Windermeres with news that she has satisfactorily explained the events of the evening, and that they are to marry and live out of England. Their marriage is restored, but both Lord and Lady Windermere keep their secrets. |
The Pearl | Gregory McElwain | 1,947 | Kino, a young, strong, poor pearl diver, lives in a small town, La Paz, with his wife Juana, and his baby son, Coyotito. When the baby, Coyotito, is stung by a scorpion, Kino must find a way to pay the town doctor so he will cure him. Shortly thereafter, Kino discovers an enormous pearl while out diving with Juana and he is ready to sell it for money to pay the doctor. Sadly, other forces work against Kino. Nearly as soon as he returns from sea, the whole town knows of the pearl. Everyone calls it "the pearl of the world," and many people begin to crave it. That very night Kino is attacked in his own home. Determined to get rid of the pearl, the following morning he takes it to the pearl buyers in town. Nevertheless, the pearl buyers all collude and refuse to pay him what he wants, so he decides to go to the capital city over the mountains to find a better price. However, Juana, seeing that the pearl brings darkness and greed, sneaks out of the house late at night to throw it back into the ocean. When Kino catches her, furious, he attacks her and leaves her on the beach. Returning to the house with the pearl, Kino is attacked by an unknown man whom he stabs and kills. The pearl is dropped and hidden from view. He thinks the men have taken the pearl, but Juana shows him that she has found it. When they go back to the town, they find their home has been set on fire. Kino and Juana spend the day hiding in the house of Kino's brother Juan Tomás and his wife and gathering provisions for their trip to the capital city. Only there can they hope to sell the pearl for a decent price and finally help Coyotito with the scorpion sting. Kino, Juana, and Coyotito leave in the dark of the night. After a brief rest in the morning, Kino spots trackers who are following them. Well aware that they will be unable to hide from the trackers, they begin hiking into the mountains. They find a cave near a natural water hole, where the exhausted family hides and waits for the trackers to catch up to them. The trackers find the water hole and decided to rest there for the night. Kino realizes that he must get rid of the trackers if they are to survive the trip to the capital. He's getting ready to attack when the men hear a cry like a baby's though they decide it's more like a coyote with a litter. One of the men fires his rifle in the direction of the crying, where Juana and Coyotito lie. Kino tackles the man down, takes the gun and kills all of the trackers. Kino then realizes that something is wrong, he climbs back up to the cave to discover that the man's shot had killed Coyotito. Kino and Juana then return to La Paz, mourning, no longer wanting the pearl, with Coyotito's dead body. Kino throws the pearl back into the ocean and it then sinks to the bottom of the sea. |
Barchester Towers | Anthony Trollope | 1,857 | Barchester Towers concerns the leading clergy of the imaginary cathedral city of Barchester. The much loved bishop having died, all expectations are that his son, Archdeacon Grantly, will succeed him. Instead, owing to the passage of the power of patronage to a new Prime Minister, a newcomer, the far more Evangelical Bishop Proudie, gains the see. His wife, Mrs Proudie, exercises an undue influence over the new bishop, making herself as well as the bishop unpopular with most of the clergy of the diocese. Her interference to veto the reappointment of the universally popular Mr Septimus Harding (protagonist of Trollope's earlier novel, The Warden) as warden of Hiram's Hospital is not well received, even though she gives the position to a needy clergyman, Mr Quiverful, with 14 children to support. Even less popular than Mrs Proudie is the bishop's newly appointed chaplain, the hypocritical and sycophantic Mr Obadiah Slope, who decides it would be expedient to marry Harding's wealthy widowed daughter, Eleanor Bold, and hopes to win her favour by interfering in the controversy over the wardenship. The Bishop, or rather Mr Slope under the orders of Mrs Proudie, also orders the return of the prebendary Dr Vesey Stanhope from Italy. Dr Stanhope has been there, recovering from a sore throat, for 12 years and has spent his time catching butterflies. With him to the Cathedral Close come his wife and his three adult children. The younger of Dr Stanhope's two daughters causes consternation in the Palace and threatens the plans of Mr Slope: Signora Madeline Vesey Neroni is a crippled serial flirt with a young daughter and a mysterious Italian husband whom she has left. Mrs Proudie is appalled by her and considers her an unsafe influence on her daughters, her servants and Mr Slope. Mr Slope is drawn like a moth to a flame and cannot keep away. Dr Stanhope's son Bertie is skilled at spending money but not at making it: his two sisters think marriage to rich Eleanor Bold will provide financial security for him. Summoned by Archdeacon Grantly to assist in the war against the Proudies and Mr Slope is the brilliant Reverend Francis Arabin. Mr Arabin is a considerable scholar, Fellow of Lazarus College at Oxford, who nearly followed his mentor John Henry Newman into the Roman Catholic Church. A massive misunderstanding occurs between Eleanor and her father, brother-in-law, sister and Mr Arabin: they all believe she intends to marry the oily chaplain Mr Slope. Mr Arabin is attracted to Eleanor but the efforts of Grantly and his wife to stop her marrying Slope also interfere with any relationship that might develop. At the Ullathorne garden party of the Thornes, matters come to a head. Mr Slope proposes to Mrs Bold and is slapped for his presumption; Bertie goes through the motions of a proposal to Eleanor and is refused with good grace, and the Signora has a chat with Mr Arabin. Mr Slope's double-dealings are now revealed and he is dismissed by Mrs Proudie and the Signora. The Signora drops a delicate word in several ears and with the removal of their misunderstanding Mr Arabin and Eleanor become engaged. The old Dean of the Cathedral having died, Mr Slope campaigns to become Dean, but Mr Harding is offered the preferment, with a beautiful house in the Close and of garden. However Mr Harding considers himself unsuitable and, with the help of the archdeacon, arranges that Mr Arabin be made Dean. With the Stanhopes' return to Italy, life in the Cathedral Close returns to its previous quiet and settled ways and Mr Harding continues his life of gentleness and music. |
Our Man in Havana | Graham Greene | 1,958 | The novel, a black comedy, is set in Havana during the Fulgencio Batista regime. James Wormold, a vacuum cleaner retailer, is approached by Hawthorne, who offers him work for the British secret service. Wormold's wife had divorced him and now he lives with his sixteen year-old beautiful and devoutly Catholic daughter Milly. Since Wormold does not make enough money to pay Milly's extravagances, he accepts the offer. Because he has no information to send to London, Wormold fakes his reports using information found in newspapers and invents a fictitious network of agents. Some of the names in his network are those of real people (most of whom he has never met) and some are made up. Wormold only tells his friend and World War I veteran Dr. Hasselbacher about his spy work, hiding the truth from Milly. At one point, he decides to make his reports "exciting" and sends to London sketches of vacuum cleaner parts, telling them that those are sketches of a secret military installation in the mountains. In London nobody except Hawthorne, who alone knows Wormold sells vacuum cleaners, doubts this report. But Hawthorne does not report his doubts for fear of losing his job. In the light of the new developments, London sends Wormold a secretary, Beatrice Severn, and a radio assistant codenamed "C" with much spy paraphernalia. On arriving, Beatrice tells Wormold she has orders to take over his contacts. Her first request is to contact the pilot Raúl. Under pressure, Wormold develops an elaborate plan for his fictitious agent "Raúl" and then coincidentally, a real person with the same name is killed in a car accident. From this point, Wormold's manufactured universe overlaps with reality, with threats made to his "contacts". Together, Beatrice (who doesn't realise the contacts are imaginary) and Wormold try to save the real people who share names with his fictional agents. Meanwhile, London passes on the information that an unspecified enemy intends to poison Wormold at a trade association luncheon where Wormold is the speaker. It would seem that his information has worried local operatives who now seek to remove him - London is pleased by this, as it validates his work. Wormold goes to the function and sees Dr. Hasselbacher who loudly warns him of the threat. Wormold continues to dinner where he refuses the meal offered, and eats a second one. Across the table sits a fellow vacuum cleaner salesman, a man he'd met earlier called Carter, who offers him whiskey - suspicious, Wormold knocks over the glass, which is then drunk by a stray dog, which soon dies. In retaliation for the failure, Carter kills Dr. Hasselbacher at the club bar. Captain Segura, a military strongman who is in love with Milly and intends to marry her, has a list of all of the spies in Havana - a list that Wormold would like to send to London to partially redeem his employment. He tells Segura that he's going to his house to discuss Segura's plans about Milly. Once there, Wormold proposes they play a game of draughts using miniature bottles of Scotch and Bourbon as the game pieces, where each piece taken has to be drunk at once. Eventually, Segura (who is the much better player) ends up drunk and falls asleep. Wormold takes his gun and photographs the list using a microdot camera. To avenge the murder of Dr. Hasselbacher, Wormold follows Carter to a local brothel and kills him with Segura's pistol. Wormold sends the agent list as a microdot photograph on a postage stamp to London but it proves blank when processed. Wormold confesses everything to Beatrice, who reports him to London. They are summoned back to headquarters where Beatrice is posted to Jakarta and Wormold's situation is considered - despite the deception, some of his information is valuable and he needs to be silenced from speaking to the press so they offer Wormold a teaching post at headquarters and recommend him for an OBE. Afterwards, Beatrice comes to Wormold's hotel and they decide to marry. Milly is surprisingly accepting of their decision, and is to go to a Swiss finishing school paid for by Wormold's scam earnings. |
East Wind: West Wind | Pearl S. Buck | 1,930 | Kwei-lan is put into an arranged marriage, but her husband is not what she expects. They do not live in her parents' courts (which was expected in China then). He is a medical doctor and does not seem to take interest in her until after she asks him to unbind her feet. After they bond, they have a son together. Kwei-lan has an older brother who has been living in [[United States for a few years. He has a friend write back to his family that he has married an American woman (his parents have already selected a Chinese woman for him to marry when he returns to China). Kwei-lan's brother and his wife Mary go to China to see if they can convince his family to accept her. The family will not accept her, and tell him to give her money and send her back to America. Kwei-lan's brother has not fulfilled his duty in his parents' eyes, and soon his wife Mary is pregnant with their first child. The climax is when Kwei-lan's mother dies, and the family tells him that if he does not send Mary back to America and marry his betrothed, then he will be disinherited. He refuses, leaves his family's courts for good, and live in an apartment near to Kwei-lan's house. The baby is born, and ties together his parents' hearts (and two cultures). pt:East Wind: West Wind |
On Numbers and Games | null | null | A game in the sense of Conway is a position in a contest between two players, Left and Right. Each player has a set of games called options to choose from in turn. Games are written {L|R} where L is the set of Left's options and R is the set of Right's options. At the start there are no games at all, so the empty set (i.e., the set with no members) is the only set of options we can provide to the players. This defines the game {|}, which is called 0. We consider a player who must play a turn but has no options to have lost the game. Given this game 0 there are now two possible sets of options, the empty set and the set whose only element is zero. The game {0|} is called 1, and the game {|0} is called -1. The game {0|0} is called , and is the first game we find that is not a number. All numbers are positive, negative, or zero, and we say that a game is positive if Left will win, negative if Right will win, or zero if the second player will win. Games that are not numbers have a fourth possibility: they may be fuzzy, meaning that the first player will win. * is a fuzzy game. A more extensive introduction to On Numbers and Games is available online. |
P.S. Your Cat Is Dead | James Kirkwood, Jr. | null | Abandoned by his girlfriend on New Year's Eve, and still unaware that his beloved cat Tennessee (named after the playwright Tennessee Williams) has died in an animal clinic, hopeless New York actor Jimmy Zoole is feeling depressed and unstable when he happens across a cat burglar, Vito, in his apartment. Furious, he beats the stranger unconscious and ties him to his kitchen sink. Jimmy begins to torment his terrified captive; however, the unlikely pair soon establish a certain bond. Vito once had a wife who left him after she discovered he was gay, and took their child with her. Jimmy questions his own orientation as his relationship to Vito takes on a homosexual dimension, and decides to use his prisoner to exact revenge on his former lover. In the end, Jimmy and Vito, now working as a team, are able to sell a stash of stolen drugs and run away together. |
Treasure Island | Robert Louis Stevenson | null | The novel is divided into 6 parts and 34 chapters: Jim Hawkins is the narrator of all except for chapters 16-18, which are narrated by Doctor Livesey. The novel opens in the seaside village of Black Hill Cove in south-west England (to Stevenson, in his letters and in the related fictional play Admiral Guinea, near Barnstaple, Devon) in the mid-18th century. The narrator, James "Jim" Hawkins, is the young son of the owners of the Admiral Benbow Inn. An old drunken seaman named Billy Bones becomes a long-term lodger at the inn, only paying for about the first week of his stay. Jim quickly realizes that Bones is in hiding, and that he particularly dreads meeting an unidentified seafaring man with one leg. Some months later, Bones is visited by a mysterious sailor named Black Dog. Their meeting turns violent, Black Dog flees and Bones suffers a stroke. While Jim cares for him, Bones confesses that he was once the mate of the late notorious pirate, Captain Flint, and that his old crewmates want Bones' sea chest. Some time later, another of Bones' crew mates, a blind man named Pew, appears at the inn and forces Jim to lead him to Bones. Pew gives Bones a paper. After Pew leaves, Bones opens the paper to discover it is marked with the Black Spot, a pirate summons, with the warning that he has until ten o'clock to meet their demands. Bones drops dead of apoplexy (in this context, a stroke) on the spot. Jim and his mother open Bones' sea chest to collect the amount due to them for Bones' room and board, but before they can count out the money that they are owed, they hear pirates approaching the inn and are forced to flee and hide, Jim taking with him a mysterious oilskin packet from the chest. The pirates, led by Pew, find the sea chest and the money, but are frustrated that there is no sign of "Flint's fist". Customs men approach and the pirates escape to their vessel (all except for Pew, who is accidentally run down and killed by the agents' horses).p. 27-8: "...{Pew} made another dash, now utterly bewildered, right under the nearest of the coming horses. The rider tried to save him, but in vain. Down went Pew with a cry that rang high into the night; and the four hoofs trampled and spurned him and passed by. He fell on his side, then gently collapsed upon his face, and moved no more." —Stevenson, R.L. Jim takes the mysterious oilskin packet to Dr. Livesey, as he is a "gentleman and a magistrate", and he, Squire Trelawney and Jim Hawkins examine it together, finding it contains a logbook detailing the treasure looted during Captain Flint's career, and a detailed map of an island with the location of Flint's treasure marked on it. Squire Trelawney immediately plans to commission a sailing vessel to hunt for the treasure, with the help of Dr. Livesey and Jim. Livesey warns Trelawney to be silent about their objective. Going to Bristol docks, Trelawney buys a schooner named the Hispaniola, hires a captain, Alexander Smollett to command her, and retains Long John Silver, a former sea cook and now the owner of the dock-side "Spy-Glass" tavern, to run the galley. Silver helps Trelawney to hire the rest of his crew. When Jim arrives in Bristol and visits Silver at the Spy-Glass, his suspicions are aroused: Silver is missing a leg, like the man Bones warned Jim about, and Black Dog is sitting in the tavern. Black Dog runs away at the sight of Jim, and Silver denies all knowledge of the fugitive so convincingly that he wins Jim's trust. Despite Captain Smollett's misgivings about the mission and Silver's hand-picked crew, the Hispaniola sets sail for the Caribbean. As they near their destination, Jim crawls into the ship's near-empty apple barrel to get an apple. While inside, he overhears Silver talking secretly with some of the crewmen. Silver admits that he was Captain Flint's quartermaster, that several others of the crew were also once Flint's men, and that he is recruiting more men from the crew to his own side. After Flint's treasure is recovered, Silver intends to murder the Hispaniolas officers, and keep the loot for himself and his men. When the pirates have returned to their berths, Jim warns Smollett, Trelawney and Livesey of the impending mutiny. On reaching Treasure Island, the majority of Silver's men go ashore immediately. Although Jim is not yet aware of this, Silver's men have demanded they seize the treasure immediately, discarding Silver's own more careful plan to postpone any open mutiny or violence until after the treasure is safely aboard. Jim lands with Silver's men, but runs away from them almost as soon as he is ashore. Hiding in the woods, Jim sees Silver murder Tom, a crewman loyal to Smollett. Running for his life, he encounters Ben Gunn, another ex-crewman of Flint's who has been marooned for three years on the island, but who treats Jim kindly. Meanwhile, Trelawney, Livesey and their loyal crewmen surprise and overpower the few pirates left aboard the Hispaniola. They row ashore and move into an abandoned, fortified stockade where they are joined by Jim Hawkins, who has left Ben Gunn behind. Silver approaches under a flag of truce and tries to negotiate Smollett's surrender; Smollett rebuffs him utterly, and Silver flies into a rage, promising to attack the stockade. "Them that die'll be the lucky ones," he famously threatens as he storms off. The pirates assault the stockade, but in a furious battle with losses on both sides, they are driven off. During the night Jim sneaks out, takes Ben Gunn's coracle and approaches the Hispaniola under cover of darkness. He cuts the ship's anchor cable, setting her adrift and out of reach of the pirates on shore. After daybreak, he manages to approach the schooner and board her. Of the two pirates left aboard, only one is still alive: the coxswain, Israel Hands, who has murdered his comrade in a drunken brawl and been badly wounded in the process. Hands agrees to help Jim helm the ship to a safe beach in exchange for medical treatment and brandy, but once the ship is approaching the beach Hands tries to murder Jim. Jim escapes by climbing the rigging, and when Hands tries to skewer him with a thrown dagger, Jim reflexively shoots Hands dead. Having beached the Hispaniola securely, Jim returns to the stockade under cover of night and sneaks back inside. Because of the darkness, he does not realize until too late that the stockade is now occupied by the pirates, and he is captured. Silver, whose always-shaky command has become more tenuous than ever, seizes on Jim as a hostage, refusing his men's demands to kill him or torture him for information. Silver's rivals in the pirate crew, led by George Merry, give Silver the Black Spot and move to depose him as captain. Silver answers his opponents eloquently, rebuking them for defacing a page from the Bible to create the Black Spot and revealing that he has obtained the treasure map from Dr. Livesey, thus restoring the crew's confidence. The following day, the pirates search for the treasure. They are shadowed by Ben Gunn, who makes ghostly sounds to dissuade them from continuing, but Silver forges ahead and locates where Flint's treasure is buried. The pirates discover that the cache has been rifled and the treasure is gone. The enraged pirates turn on Silver and Jim, but Ben Gunn, Dr. Livesey and Abraham Gray attack the pirates, killing two and dispersing the rest. Silver surrenders to Dr. Livesey, promising to return to his duty. They go to Ben Gunn's cave where Gunn has had the treasure hidden for some months. The treasure is divided amongst Trelawney and his loyal men, including Jim and Ben Gunn, and they return to England, leaving the surviving pirates marooned on the island. Silver, through the help of the fearful Ben Gunn, escapes with a small part of the treasure, three or four hundred guineas. Remembering Silver, Jim reflects that "I dare say he met his old Negress [wife], and perhaps still lives in comfort with her and Captain Flint [his parrot]. It is to be hoped so, I suppose, for his chances of comfort in another world are very small." |
Seven Brothers | Aleksis Kivi | null | At first, the brothers are not a particularly peaceful lot and end up quarreling with the local constable, jury, vicar, churchwarden, and teachers—not to mention their neighbours in Toukola village. No wonder young girls' mothers do not regard them as good suitors. When they are required to learn to read before they can accept church confirmation and therefore official adulthood—and marry—they escape. Eventually they end up moving to distant Impivaara in the middle of relative wilderness, but their first efforts are shoddy—one Christmas Eve they end up burning down their new house. Next spring they try again and manage to kill a hostile herd of bulls. Ten years of clearing forest for fields, hard work and hard drinking—and Simeoni’s delirium tremens—eventually make them change their ways. They learn to read on their own and eventually return to Jukola. In the end most of them become pillars of the community and family men. Still, the tone of the tale is not particularly moralistic. |
Steppenwolf | Hermann Hesse | 1,927 | The book is presented as a manuscript by its protagonist, a middle-aged man named Harry Haller, who leaves it to a chance acquaintance, the nephew of his landlady. The acquaintance adds a short preface of his own and then has the manuscript published. The title of this "real" book-in-the-book is Harry Haller's Records (For Madmen Only). As it begins, the hero is beset by reflections on his being ill-suited for the world of everyday, regular people, specifically for frivolous bourgeois society. In his aimless wanderings about the city he encounters a person carrying an advertisement for a magic theatre who gives him a small book, Treatise on the Steppenwolf. This treatise, cited in full in the novel's text as Harry reads it, addresses Harry by name and strikes him as describing himself uncannily. It is a discourse of a man who believes himself to be of two natures: one high, the spiritual nature of man; while the other is low, animalistic, a "wolf of the steppes". This man is entangled in an irresolvable struggle, never content with either nature because he cannot see beyond this self-made concept. The pamphlet gives an explanation of the multifaceted and indefinable nature of every man's soul, which Harry is either unable or unwilling to recognize. It also discusses his suicidal intentions, describing him as one of the "suicides"; people who, deep down, knew they would take their own life one day. But to counter that, it hails his potential to be great, to be one of the "Immortals". The next day Harry meets a former academic friend with whom he had often discussed Oriental mythology, and who invites Harry to his home. While there, Harry is disgusted by the nationalistic mentality of his friend, who inadvertently criticizes a column Harry wrote. In turn, Harry offends the man and his wife by criticizing the wife's picture of Goethe, which Harry feels is too thickly sentimental and insulting to Goethe's true brilliance. This episode confirms to Harry that he is, and will always be, a stranger to his society. Trying to postpone returning home (where he has planned suicide), Harry walks aimlessly around the town for most of the night, finally stopping to rest at a dance hall where he happens on a young woman, Hermine, who quickly recognizes his desperation. They talk at length; Hermine alternately mocks Harry's self-pity and indulges him in his explanations regarding his view of life, to his astonished relief. Hermine promises a second meeting, and provides Harry with a reason to live (or at least a substantial excuse to continue living) that he eagerly embraces. During the next few weeks, Hermine introduces Harry to the indulgences of what he calls the "bourgeois". She teaches Harry to dance, introduces him to casual drug use, finds him a lover (Maria), and, more importantly, forces him to accept these as legitimate and worthy aspects of a full life. Hermine also introduces Harry to a mysterious saxophonist named Pablo, who appears to be the very opposite of what Harry considers a serious, thoughtful man. After attending a lavish masquerade ball, Pablo brings Harry to his metaphorical "magic theatre," where concerns and notions that plagued his soul disintegrate while he interacts with the ethereal and phantasmal. The Magic Theatre is a place where he experiences the fantasies that exist in his mind. They are described as a long horseshoe-shaped corridor that is a mirror on one side and a great many doors on the other. Then, Harry enters five of these labeled doors, each of which symbolizes a fraction of his life. |
Goldfinger | Ian Fleming | 1,959 | Fleming structured the novel in three sections—"Happenstance", "Coincidence" and" Enemy action"—which was how Goldfinger described Bond's three seemingly coincidental meetings with him. ;Happenstance Whilst changing planes in Miami after closing down a Mexican heroin smuggling operation, British Secret Service operative James Bond is asked by Junius Du Pont, a rich American businessman (whom he briefly met and gambled with in Casino Royale), to watch Auric Goldfinger, with whom Du Pont is playing Canasta in order to discover if he is cheating. Bond quickly realises that Goldfinger is indeed cheating with the aid of his female assistant, Jill Masterton, who is spying on DuPont's cards. Bond blackmails Goldfinger into admitting it and paying back DuPont's lost money; he also has a brief affair with Masterton. Back in London, Bond's superior, M, tasks him with determining how Goldfinger is smuggling gold out of the country: M also suspects Goldfinger of being connected to SMERSH and financing their western networks with his gold. Bond visits the Bank of England for a briefing with Colonel Smithers on the methods of gold smuggling. ;Coincidence Bond contrives to meet and have a round of golf with Goldfinger; Goldfinger attempts to win the golf match by cheating, but Bond turns the tables on him, beating him in the process. He is subsequently invited back to Goldfinger's mansion near Reculver where he narrowly escapes being caught on camera looking over the house. Goldfinger introduces Bond to his factotum, a Korean named Oddjob. Issued by MI6 with an Aston Martin DB Mark III, Bond trails Goldfinger as he takes his vintage Rolls-Royce Silver Ghost (adapted with armour plating and armour-plated glass) via air ferry to Switzerland, driven by Oddjob. Bond manages to trace Goldfinger to a warehouse in Geneva where he finds that the armour of Goldfinger's car is actually white-gold, cast into panels at his Kent refinery. When the car reaches Goldfinger's factory in Switzerland (Enterprises Auric AG), he recasts the gold from the armour panels into aircraft seats and fits them to the Mecca Charter Airline, in which he holds a large stake. The gold is finally sold in India at a vast profit. Bond foils an assassination attempt on Goldfinger by Jill Masterton's sister, Tilly, to avenge Jill's death at Goldfinger's hands: he had painted her body with gold paint, which killed her. Bond and Tilly attempt to escape when the alarm is raised, but are captured. ;Enemy action Bond is tortured by Oddjob when he refuses to confess his role in trailing Goldfinger. In a desperate attempt to survive being cut in two by a circular saw, Bond offers to work for Goldfinger, a ruse that Goldfinger initially refuses, but then accepts. Bond and Tilly are subsequently taken to Goldfinger's operational headquarters in a warehouse in New York City. They are put to work as secretaries for a meeting between Goldfinger and several gangsters (including the Spangled Mob and the Mafia), who have been recruited to assist in "Operation Grand Slam" – the stealing of the United States gold reserves from Fort Knox. One of the gang leaders, Helmut Springer, refuses to join the operation and is killed by Oddjob. Learning that the operation includes the killing of the inhabitants of Fort Knox by introducing poison into the water supply, Bond manages to conceal a capsule containing a message to Felix Leiter into the toilet of Goldfinger's private plane, where he hopes it will be found and sent to Pinkertons, where his friend and ex-counterpart Felix Leiter now works. Operation Grand Slam commences, and it turns out that Leiter has indeed found and acted on Bond's message. A battle commences, but Goldfinger escapes. Tilly, a lesbian, hopes that one of the gang leaders, Pussy Galore (leader of a gang of lesbian burglars), will protect her, but she is killed by Oddjob. Goldfinger, Oddjob and the mafia bosses all escape in the melee. Bond is drugged before his flight back to England and wakes to find he has been captured by Goldfinger, who has managed to hijack a BOAC jetliner. Bond manages to break a window, causing a depressurisation that sucks Oddjob out of the plane; he then fights and strangles Goldfinger. At gunpoint, he forces the crew to ditch in the sea near the Canadian coast, where they are rescued by a nearby weathership. |
Ironweed | William Kennedy | 1,983 | Ironweed is set during the Great Depression and tells the story of Francis Phelan, an alcoholic vagrant originally from Albany, New York, who left his family after accidentally killing his infant son while he may have been drunk. The novel focuses on Francis's return to Albany, and the narrative is complicated by Phelan's hallucinations of the three people, other than his son, whom he killed in the past. The novel features characters that return in some of Kennedy's other books. |
Girl, Interrupted | Susanna Kaysen | 1,993 | In April 1967, 18-year-old Susanna Kaysen is admitted to McLean Hospital, in Belmont, Massachusetts, after attempting suicide. She denies that it was a suicide attempt to a psychiatrist, who suggests she take time to regroup in McLean, a private mental hospital. Susanna is diagnosed with borderline personality disorder, and her stay extends to 18 months. Fellow patients Polly, Cynthia, Lisa, Lisa Cody, Georgina and Daisy contribute to Susanna’s experiences at McLean as she describes their personal issues and how they come to cope with the time they must spend in the hospital. Susanna also introduces the reader to particular staff members, including Valerie, Dr. Wick and Mrs. McWeeney. Susanna reflects on the nature of her illness, including difficulty making sense of visual patterns, and suggests that sanity is a falsehood constructed to help the "healthy" feel "normal." She also questions how doctors treat mental illness, and whether they are treating the brain or the mind. During her stay, Susanna undergoes a period of depersonalization, where she bites open the flesh on her hand after she becomes terrified that she has "lost her bones." Also, during a trip to the dentist, Susanna becomes frantic after she wakes from the general anesthesia, when no one will tell her how long she was unconscious, and she fears that she has lost time. After leaving McLean, Susanna mentions that she kept in touch with Georgina and saw Lisa, who was about to board the subway with her son. |