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The Difference Engine | Bruce Sterling | 1,990 | The action of the story follows Sybil Gerard, a political courtesan and daughter of an executed Luddite leader (she is borrowed from Disraeli's novel Sybil); Edward "Leviathan" Mallory, a paleontologist and explorer; and Laurence Oliphant, a historical figure with a real career, as portrayed in the book, as a travel writer whose work was a cover for espionage activities "undertaken in the service of Her Majesty". Linking all their stories is the trail of a mysterious set of reportedly very powerful computer punch cards and the individuals fighting to obtain them; as is the case with special objects in several novels by Gibson, the punch cards are to some extent a MacGuffin. During the story, many characters come to believe that the punch cards are a gambling "modus", a programme that would allow the user to place consistently winning bets. This is in line with Ada Lovelace's historically documented penchant for gambling. Only in the last chapter is it revealed that the punched cards represent a program which proves two theorems which in reality would not be discovered until 1931 by Kurt Gödel. Lovelace delivers a lecture on the subject in France. Defending the cards, Mallory gathers his brothers and Ebenezer Fraser – a secret police officer – to fight the revolutionary Captain Swing who leads a London riot during "the Stink", a major episode of pollution in which London swelters under an inversion layer (comparable to the London Smog of December 1952). After the abortive uprising, Oliphant and Sybil Gerard meet at a cafe in Paris. Oliphant informs her that he is aware of her true identity, but will not pursue it, although he does want information that would compromise her seducer, Charles Egremont MP, now regarded as an obstacle to the strategies and political ambitions of Lords Brunel and Babbage. Sybil has longed for an opportunity for vengeance against Egremont, and the resultant political scandal destroys his parliamentary career and aspirations for a merit lordship. Oliphant also encounters a Manhattan-based group of feminist pantomime artists. After several vignettes that elaborate on the alternate historical origins of the world of The Difference Engine, Ada Lovelace delivers her lecture on Gödel's Theorem, as its counterpart is known in our world. She is chaperoned by Fraser, and castigated by Sybil Gerard, who is still unable to forgive Ada's father, the late Lord Byron, for his role in her own father's death. At the very end of the novel, there is a dystopian depiction of an alternate 1991 from the vantage point of Ada Lovelace. Throughout the novel's latter sections, there are references to an "Eye". At the end of the novel, human beings appear to have become digitized, ephemeral ciphers at the mercy of an all-powerful artificial intelligence. |
Forever Amber | Kathleen Winsor | null | Forever Amber tells the story of orphaned Amber St. Clare, who makes her way up through the ranks of 17th century English society by sleeping with and/or marrying successively richer and more important men, while keeping her love for the one man she could never have. The novel includes portrayals of Restoration fashion, politics, and public disasters, including the plague and the Great Fire of London. |
Ethan of Athos | Lois McMaster Bujold | null | It tells the story of Dr. Ethan Urquhart, Chief of Biology at the Severin District Reproduction Centre on the planet of Athos, and his quest to Kline Station to find out what happened to a shipment of vital ovarian tissue cultures. Athos was founded and maintained as an exclusively male-populated planetary colony, and a planetary religion and ideology supports this single-sex structure. Their continuing reproduction relies on uterine replicator technology and ovarian tissue cultures. However, after 200 years of service, the ovarian cultures introduced by the original colonists are deteriorating into senescence. The Population Council orders new ovarian cultures from another planet, Jackson's Whole, but upon delivery discover they have received an unusable mixture of dead and animal tissues. The Council appoints Ethan their planetary ambassador and sends him offworld in search of a fresh batch of tissue cultures, and (if possible) a refund from the original supplier, House Bharaputra. This is considered to be a very daring assignment as it means contact with women, who Athosians are taught are demonic and terrifying. This impression is only reinforced by the men who periodically move to their planet from the wider galaxy and report upon the horrors of womankind. Ethan's first encounter with a woman occurs when he asks directions from Commander Elli Quinn, a rather unorthodox intelligence officer with the Dendarii Free Mercenary Fleet, who is on home leave for the first time in ten years. Many men stare at Quinn, though the reasons why are a mystery to Ethan (it turns out that Quinn's face was surgically reconstructed to be extremely beautiful). Ethan learns that women in general are not the monsters he was taught they were; they are as varied as men and range from honorable to devious to helpful to selfish. Ethan quickly gets embroiled in some trouble: he is attacked by military agents from Cetaganda who are seeking the fugitive Terrence Cee as well as the lost tissue cultures, but Elli rescues him. Terrence, who approaches Ethan with a request for asylum, turns out to be the last surviving creation (originally labelled as L-X-10-Terran-C) of a Cetagandan genetic project to create telepaths. Although his telepathy is reliable, it has a small range and can only be triggered for a short amount of time by ingesting large doses of the amino acid tyramine. Terrance’s female counterpart, Janine (J-9-X-Ceta-G), was killed in their escape, but he managed to preserve her body and convey it to Jackson's Whole, where he bribed House Bharaputra to splice her genes into the ovarian cultures that were purchased by Athos. Terrence had intended to escort the cultures to their destination on Athos but was delayed on his way to Kline Station, and is now horrified to learn that the cultures were stolen and replaced by the useless material that ultimately arrived on Athos. After Terrence's departure from Jackson's Whole, the Cetagandans attacked House Bharaputra, killed the researchers who had worked with him, and destroyed their records. These Cetagandans then followed him to Kline Station, and are the same agents who attacked Ethan. In turn, the Bharaputrans hired Elli to track down the Cetagandan agents, although she is also gathering information for the Dendarii. It turns out that for petty personal reasons, a minor official on Kline Station "threw out" the Bharaputran tissue cultures that contained Janine's genes. Elli defeats the Cetagandans and attempts to recruit Terrence to the Dendarii, but he is far more attracted to the isolated, uncomplicated life on Athos. He does give Elli a small genetic sample to take back to the Dendarii, but not before Ethan asks her for (and receives) one of her ovaries to create a new tissue culture. After her departure, the original Bharaputran shipment unexpectedly turns up intact and usable, not destroyed. Ethan buys a new set of ovarian cultures anyway as a cover, uses their packaging to relabel the cultures with Janine's genes, and returns with them and Terrence to Athos. Elli's donated ovary culture is an additional, 451st culture. [Note: The events of the novel are obliquely referred to in the novels Cetaganda and Borders of Infinity.] |
The Blind Assassin | Margaret Atwood | 2,000 | The novel centres on the protagonist, Iris Chase, and her sister Laura, who grow up well-off but motherless in a small town in Southern Ontario. As an old woman, Iris recalls the events and relationships of her childhood, youth and middle age, including her unhappy marriage to Toronto businessman Richard Griffen. The book includes a novel-within-a-novel, a roman à clef attributed to Laura but published by Iris. It's about Alex Thomas, a politically radical author of pulp science fiction who has an ambiguous relationship with the sisters. That embedded story itself contains a third tale, the eponymous Blind Assassin, a science fiction story told by Alex's fictional counterpart to the second novel's protagonist, believed to be Laura's fictional counterpart. The novel takes the form of a gradual revelation illuminating both Iris' youth and her old age before coming to the pivotal events of her and Laura's lives around the time of the Second World War. As the novel unfolds, and the novel-within-a-novel becomes ever more obviously inspired by real events, we learn that it is Iris, not Laura, who is the novel-within-a-novel's true author and protagonist. Though the novel-within-a-novel had long been believed to be inspired by Laura's romance with Alex, it is revealed that The Blind Assassin was written by Iris based on her extramarital affair with Alex. Iris later published the work in Laura's name after Laura committed suicide upon learning of their affair. The novel ends as Iris dies, leaving the truth to be discovered in her unpublished autobiography that she leaves to her sole surviving granddaughter. The book is set in the fictional Ontario town of Port Ticonderoga and in the Toronto of the 1930s and 1940s. It is a work of historical fiction with the major events of Canadian history forming an important backdrop. Greater verisimilitude is given by a series of newspaper articles commenting on events and on the novel's characters from a distance. |
Red Harvest | Dashiell Hammett | null | The Continental Op is called to Personville (known as "Poisonville" to the locals) by Donald Willsson, who is murdered before the Op has a chance to meet with him. The Op begins work on the murder and meets with Willsson's father, Elihu, a local industrialist who has found his control of the city threatened by several competing gangs he himself had originally invited into his city to "resolve" a labor dispute. The Op extracts a promise and a signed letter from Elihu that pays the Continental Detective Agency, the Op's employer, $10,000 in exchange for cleaning up the city. When the Op solves Donald's murder, Elihu tries to renege on the deal, but the Op won't allow him to do so. In the meantime, the Op finds himself spending time with Dinah Brand, a possible love interest of Donald Willsson's as well as a moll for the local gangster Max "Whisper" Thaler. Between Brand and the crooked chief of police, Noonan, the Op manages to extract and spread most of the information he needs to set off a gang war among the four major local factions. He wakes up the next morning to find Brand stabbed to death with the icepick the Op had used the previous evening, with no visible signs of forced entry. The Op ends up a suspect sought by the police for this murder, and one of his fellow operatives ends up leaving Personville because he is uncertain of the Op's innocence. The story ends as the Op finds Reno Starkey, the only one of the four main gangsters still alive, bleeding from a gunshot wound. Reno reveals that it was he who stabbed Brand, and that when she fell she collided with the semi-conscious Op, coincidentally landing in a position which made the Op look like the culprit. Reno has also just killed Whisper, and after he dies himself, Elihu can restore his control over the town. |
The Jealous God | John Braine | null | Vincent Dungarvan is a history teacher at a Catholic school for boys. Whereas his two brothers Matthew and Paul have been married with children for many years, Vincent is still single and living at home with his widowed mother, who is also a teacher. At 30 he is still a virgin. He has gone out with one or two nice Catholic girls but has rejected them when he found them too superficial and boring. One day, in the local library, he encounters Laura, a new librarian. Fascinated by her good looks and driven by, as he sees it, sinful desire, he is for once able to overcome his shyness and asks her out. Laura accepts, they immediately fall in love with each other and start dating on a regular basis. However, he prefers not to tell his possessive mother about her let alone invite her home. In the course of the following weeks Vincent's life is shattered by a number of revelations concerning Laura. He is disappointed when she tells him that she is a and that, on top of that, she has stopped going to church altogether. What is more, through a deliberate indiscretion by Laura's flatmate Ruth, he learns that Laura is divorced. For him as a Catholic, this means that he is seeing a married woman, and both his guilt and his helplessness about the situation increase enormously. Accordingly, they break up their relationship. Surprisingly, soon afterwards Vincent loses his virginity with Maureen, his sister-in-law, while his brother Matthew has gone out and the children are asleep. On the following morning, back at his mother's, he recollects what happened the previous evening: […] He had deliberately denied himself the one pleasure that had the power to transform his very notion of pleasure; he had committed all the other sins because of indolence or indifference, never stopping to calculate the price. He smiled; it was the same for the sin you enjoyed as the sin that you didn't. To spend the day talking to schoolboys about James I was, he reflected over his scrambled eggs, an anticlimax […]. He smiled to himself: if he had been a savage he'd have been entitled to wear some special insignia […]. "I'm glad you're so cheerful," his mother said. "It was something in the Guardian," he said. That very day, Vincent has an appointment with a senior clergyman about his vocation and once and for all makes up his mind not to become a priest. He also decides to see Laura again. In the meantime she has settled down in a flat of her own, and this is where they have sex for the first time, without Vincent confessing to Laura that he has recently made love to his own sister-in-law. When, some weeks later, Maureen announces that she is pregnant again, he is of course afraid that he might be the father of her baby. Out of jealousy, Maureen writes Laura's ex-husband Robert an anonymous letter, urging him to make up with his wife again. Vincent and Laura split up again as Laura is not certain about her husband's intentions. In the end two instances of deus ex machina resolve the complicated situation. First, Maureen has a miscarriage, freeing Vincent of any doubt that he might have fathered an illegitimate child. Then Robert commits suicide, paving the way for a Catholic wedding between Vincent and Laura, who are planning to leave the past behind and start a new life somewhere else. *"Muyah! There's no friendship between grown men and grown women, and no one can tell me different." (See also When Harry Met Sally....) |
Who Moved My Cheese? An Amazing Way to Deal with Change in Your Work and in Your Life | Spencer Johnson | 1,998 | Allegorically, Who Moved My Cheese? features four characters: two mice, "Sniff" and "Scurry," and two littlepeople, miniature humans in essence, "Hem" and "Haw." They live in a maze, a representation of one's environment, and look for cheese, representative of happiness and success. Initially without cheese, each group, the mice and humans, paired off and traveled the lengthy corridors searching for cheese. One day both groups happen upon a cheese-filled corridor at "Cheese Station C". Content with their find, the humans establish routines around their daily intake of cheese, slowly becoming arrogant in the process. One day Sniff and Scurry arrive at Cheese Station C to find no cheese left, but they are not surprised. Noticing the cheese supply dwindling, they have mentally prepared beforehand for the arduous but inevitable task of finding more cheese. Leaving Cheese Station C behind, they begin their hunt for new cheese together. Later that day, Hem and Haw arrive at Cheese Station C only to find the same thing, no cheese. Angered and annoyed, Hem demands, "Who moved my cheese?" The humans have counted on the cheese supply to be constant, and so are unprepared for this eventuality. After deciding that the cheese is indeed gone they get angry at the unfairness of the situation and both go home starved. Returning the next day, Hem and Haw find the same cheeseless place. Starting to realize the situation at hand, Haw thinks of a search for new cheese. But Hem is dead set in his victimized mindset and dismisses the proposal. Meanwhile, Sniff and Scurry have found "Cheese Station N", new cheese. Back at Cheese Station C, Hem and Haw are affected by their lack of cheese and blame each other for their problem. Hoping to change, Haw again proposes a search for new cheese. However, Hem is comforted by his old routine and is frightened about the unknown. He knocks the idea again. After a while of being in denial, the humans remain without cheese. One day, having discovered his debilitating fears, Haw begins to chuckle at the situation and stops taking himself so seriously. Realizing he should simply move on, Haw enters the maze, but not before chiseling "If You Do Not Change, You Can Become Extinct" on the wall of Cheese Station C for his friend to ponder. Still fearful of his trek, Haw jots "What Would You Do If You Weren't Afraid?" on the wall and, after thinking about that, he begins his venture. Still plagued with worry (perhaps he has waited too long to begin his search...), Haw finds some bits of cheese that nourishes him and he is able to continue his search. Haw realizes that the cheese has not suddenly vanished, but has dwindled from continual eating. After a stop at an empty cheese station, Haw begins worrying about the unknown again. Brushing aside his fears, Haw's new mindset allows him to again enjoy life. He has even begun to smile again! He is realizing that "When you move beyond your fear, you feel free." After another empty cheese station, Haw decides to go back for Hem with the few bits of new cheese he has managed to find. Uncompromising, Hem refuses the new cheese, to his friend's disappointment. With knowledge learned along the way, Haw heads back into the maze. Getting deeper into the maze, inspired by bits of new cheese here and there, Haw leaves a trail of writings on the wall ("The Handwriting On the Wall"). These clarify his own thinking and give him hope that his friend will find aid in them during his search for new cheese. Still traveling, Haw one day comes across Cheese Station N, abundant with cheese, including some varieties that are strange to him, and he realizes he has found what he is looking for. After eating, Haw reflects on his experience. He ponders a return to see his old friend. But Haw decides to let Hem find his own way. Finding the largest wall in Cheese Station N, he writes: :Change Happens :They Keep Moving The Cheese :Anticipate Change :Get Ready For The Cheese To Move :Monitor Change :Smell The Cheese Often So You Know When It Is Getting Old :Adapt To Change Quickly :The Quicker You Let Go Of Old Cheese, The Sooner You Can Enjoy New Cheese :Change :Move With The Cheese :Enjoy Change! :Savor The Adventure And Enjoy The Taste Of New Cheese! :Be Ready To Change Quickly And Enjoy It Again :They Keep Moving The Cheese. Cautious from past experience, Haw now inspects Cheese Station N daily and explores different parts of the maze regularly to prevent any complacency from setting in. After hearing movement in the maze one day, Haw realizes someone is approaching the station. Unsure, Haw hopes that it is his friend Hem who has found the way. |
The Odyssey: A Modern Sequel | null | null | Odysseus (Ulysses) returns to Ithaca and decides to undertake new adventures after he quickly becomes unsatisfied with his quiet family life. First he travels to Sparta to save Helen, the wife of the king of Sparta Menelaus, whose abduction by Paris had led to the Trojan War. He goes to Crete where a conspiracy dethrones the king. There he abandons Helen and continues to Egypt where again a workers' uprising takes place. He leaves again on a journey up the Nile eventually stopping at the lake-source. Upon arrival his companions set up camp and he climbs the mountain in order to concentrate on his god. Upon his return to the lake he sets up his city based on the commandments of his religion. The city is soon destroyed by an earthquake. Odysseus laments his failure to understand the true meaning of god with the sacrifice of his companions. His life transforms into that of an ascetic. Odysseus meets Motherth (an incarnation of the Buddha), Kapetan Enas (English: Captain Sole), alias Don Quixote, and an African village fisherman, alias Jesus. He travels further south in Africa while constantly spreading his religion and fighting the advances of death. Eventually he travels to Antarctica and lives with villagers for a year until an iceberg kills him. His death is glorious as it marks his rebirth and unification with the world. |
Lord Edgware Dies | Agatha Christie | null | Jane Wilkinson, an actress, is suspected of murdering her husband, the fourth Baron Edgware, so that she can marry the Duke of Merton. The plot begins with Jane asking Poirot to convince her husband to agree to a divorce. When Poirot reluctantly does so, Edgware says that he has already agreed to a divorce and written a letter to Jane informing her of the fact. When Poirot reports this to Jane, she denies ever having received such a letter. Lord Edgware is portrayed as a rather unsympathetic character. On the night of the murder, Wilkinson supposedly goes to the Edgware house, announces herself to the butler, and goes into her husband's study. The next day, Lord Edgware is found murdered and Chief Inspector Japp tells Poirot all about it. Numerous friends and acquaintances of Jane have described her as amoral, someone who only thinks of herself and would certainly commit a crime if it would help her get what she wants, without a care for others. But in that morning's newspaper, they discover an article about a dinner party that was held the previous evening where Wilkinson was a guest. At the party, there were thirteen guests at the dinner table. One guest mentioned that thirteen people at table means bad luck for the first guest to rise from the table (hence the alternative title of the book, Thirteen At Dinner) and Jane Wilkinson was the first to rise. Among the guests is an actor named Donald Ross, who spent a lot of the evening speaking with Jane. So the police are, at first, baffled with the case, as is Poirot. On the same morning Lord Edgware's murder is discovered, comedienne/actress Carlotta Adams, known for her uncanny impersonations, is found dead due to an overdose of Veronal. A mysterious gold case with the sleeping powder in it is found among her possessions. The case bears an inscription reading: "From D, Paris, November, 10th Sweet Dreams". Poirot tries to decode this and arranges the evidence together. A few days later, Jane makes an appearance at another dinner party where the guests talk about Paris of Troy. However, the Jane Wilkinson at this dinner party thinks that the guests, again including actor Donald Ross, are referring to the French capital. Ross can't understand this because, at the party on the night of the murder, Jane was speaking knowledgeably about the mythological Paris. Ross goes to ring up Poirot about his discovery, but before he can say what he discovered, he is stabbed to death at his home, but Poirot is on the verge of solving the case, anyway. Poirot gathers the suspects and details the trajectory of the crimes (the three murders): With Carlotta Adams impersonating Wilkinson, Jane simply takes a taxi to the Edgware house, where she murders her husband. She is overseen by her husband's secretary but the secretary's vision and impartiality were called into question at trial. Later, Jane (in the person of "Mrs Van Dusen", an elderly American widow) and Carlotta meet up in a hotel where they toast Carlotta's successful "performance" and ostensibly so Jane can pay Carlotta. However, Jane slips Veronal into Carlotta's drink, and Adams dies. Jane discovers a letter Carlotta has written to her sister and is panicked by how Carlotta talks openly in the letter about their arrangement. Rather than destroy the letter, Jane sees a way she can use the letter to her advantage. At the top left hand corner of the second page is the word "she" (referring to Jane); she tears off the "s", leaving the word "he", making it seem a man had hired Carlotta. Jane then puts the remaining Veronal inside the gold case to make it seem Carlotta was a Veronal addict. Jane ordered the gold case the week prior (as "Mrs Van Dusen"), which Poirot discovers when he questions the engravers. Poirot also realises that "November" was engraved on the case specifically to throw him off. Unbeknownst to Jane, Carlotta had been knowledgeable about Greek mythology, so she talked a lot about the subject with Donald Ross. At the second dinner party, Jane realizes she's made a potentially very serious mistake about Paris, leaves the party and heads to Ross's home to kill him before he can tell Poirot. Her motive for killing Lord Edgware was because the Duke of Merton was a staunch Anglo-Catholic and would not marry a divorced woman; a widow, however, is a different matter. In the last chapter, she writes a letter to Poirot, remarkably devoid of any animosity, which ends with her wondering why hangings are not done in public anymore. |
The Mirror Crack'd from Side to Side | Agatha Christie | null | Marina Gregg is a famous, temperamental, much loved movie star who has come to settle down in the village of St. Mary Mead after the death of Colonel Bantry, who used to live at Gossington Hall where Marina has taken up residence with her husband Jason Rudd. Heather Badcock, an ordinary albeit annoying woman, dies after drinking a cocktail at a party hosted by Marina. Shortly before her death, Heather was in conversation with Marina, giving her a long boring account of how she had met Marina many years ago - getting out of bed despite her illness and putting on lots of makeup, in order to seek Marina's autograph. Marina is seem with a 'frozen'look on her face for a moment while Heather talks to her; a look likened to the Lady of Shalott, as though 'doom has come upon her'. It then comes to light that Marina had handed her own drink to Heather after Heather's drink was spilled. Therefore it is surmised that Marina must be the intended victim. As a famous star who has married five times, she is a far more likely murder target. Suspicion is cast on many people including Marina's seemingly devoted husband, a big-shot American TV producer who is a former admirer, and an American actress who was previously Marina's rival in love. (Both Americans turn up unexpectedly at the party). It also comes to light that an arty photographer at the party is actually one of three children that Marina had adopted in the past for a while and then 'got tired of' (Marina does not recognize her as such at the party). It is known that 11-12 years before the events in the book, Marina desperately wanted children of her own but had difficulties conceiving. After adopting three children, she became pregnant but her baby was born mentally handicapped and abandoned to a lifetime of institutions, leaving Marina emotionally scarred. This misfortune was due to Marina contracting German measles in the early stages of her pregnancy. While police search for clues, two other murders take place - one of Marina's social secretary and the other of Marina's butler (both of whom were serving drinks at the party). Finally, Miss Marple deduces what Marina had instantly realised at the party, that Heather is the woman who was responsible for infecting Marina with German measles all those years previously when she put on make up to cover the rash and went to meet Marina for her autograph. Overcome by rage and grief at seeing her unwitting tormentor looking so happy and proud of her act, Marina impulsively poisons her own glass and hands it to Heather after making Heather spill her own drink. At the end of the book, Marina is found dead from a drug overdose. |
Captain Corelli's Mandolin | Louis de Bernières | 1,993 | *Dr. Iannis - The island's unofficial, unlicensed doctor, who spends much of his time writing about the history of Cephallonia. He is respected by the community, although regarded as a bit odd, and is thanked for his medical services by means of food and drink. *Pelagia - Dr. Iannis's daughter who is not like the other women on the island (she is well educated and has a lot of respect from her father), who at first falls in love with Mandras, then later with Corelli. *Antonio Corelli - An Italian captain with a love for music and life. He detests the war, and gradually falls in love with Pelagia; but the war inevitably tears them apart again. *Mandras - A young, handsome fisherman who falls in love with Pelagia, only to destroy their relationship by going to fight in the war, and ultimately humiliating himself. *Carlo Piero Guercio - A good-natured homosexual Italian soldier who falls in love with Francesco only to lose him to the war. He later falls in love with Corelli and sacrifices his life to save the Captain's. Captain Corelli's Mandolin explores many varieties of love. We see the initial lust-based love between Pelagia and Mandras, which burns out as a result of the war, and the change it prompts in both of them. Corelli and Pelagia's slow-developing love is the central focus of the novel. Love is described by Dr. Iannis as "what is left when the passion has gone", and it certainly appears that this criterion is fulfilled by the love of Corelli and Pelagia. The paternal love of Iannis for Pelagia is also strong and is heavily compared and contrasted to that of Corelli. The theme of music is predominant, offering a direct contrast to the horror and destruction that the war brings, showing how something beautiful can arise from something horrible. The war is described in graphic detail, particularly the death of Francesco. It is responsible for the fall of Mandras and Weber, the deaths of Carlo and Francesco, and the separation of Pelagia and Corelli. Throughout the novel, de Bernières takes a harsh view of all forms of totalitarianism, condemning Fascism, Nazism, and Communism alike. De Bernières described this as a novel about "what happens to the little people when megalomaniacs get busy." Another theme of the novel is the study of history. Dr. Iannis spends much of his spare time attempting to write a history of Cephallonia, but often finds his personal feelings and biases running through whatever he writes. There is also a strong feeling against 'professional' history which is suggested by Carlo Guercio's statement that "I know that if we [the axis] win then there will be stories about mass graves in London and vice versa". This is reinforced by De Bernières' quotation that: "history ought to be made up of the stories of ordinary people only." From this viewpoint it can be seen that de Bernières as very much a revisionist historian, considering social history superior to that of political. De Bernières takes an ambiguous attitude toward heroism and villainy in the novel: many of the characters, despite committing atrocities, are viewed as human victims of bad circumstances. For example, the character Günter Weber carries a great degree of sympathy from the writer, even though he fully engages with the Nazi ideology and is guilty of taking part in the killing of an entire Italian division. Despite having become friends with many of the men, he must follow orders. Similarly, Mandras is guilty of murder, torture and rape, yet the author portrays him sympathetically: "just another life tarnished... by war." |
The Hotel New Hampshire | John Irving | 1,981 | This novel is the story of the Berrys, a quirky New Hampshire family composed of a married couple, Win and Mary, and their five children. The parents, both from the small town of Dairy, New Hampshire, fall in love while working at a summer resort hotel in Maine as teenagers. There they meet a Viennese Jew named Freud who works at the resort as a handyman and entertainer, performing with his pet bear, State o' Maine; Freud comes to symbolize the magic of that summer for them. By summer's end the teens are engaged, and Win buys Freud's bear and motorcycle and travels the country performing to raise money to go to Harvard, which he subsequently attends while Mary starts their family. He then returns to Dairy and teaches at the local second-rate boys' prep school he attended, the Dairy School. But he is unsatisfied and dreaming of something better. The children are: Franny, self-confident and brash; John, the narrator, sweet, if naive, and enamored of Franny; Frank, physically awkward, reserved, and homosexual; Lilly, a small romantic girl who has "stopped growing"; and Egg, an immature little boy with a penchant for dressing up in costumes. John and Franny are companions, seeing themselves as the most normal of the children, aware that their family is rather strange. But, as John remarks, to themselves the family's oddness seems "right as rain." Win conceives the idea of turning an abandoned girls' school into a hotel. He names it the Hotel New Hampshire and the family moves in. This becomes the first part of Irving's Dickensian-style tale. Its chief plot elements are: Franny's rape at the hands of several members of the school football team, including the quarterback, a boy named Chipper Dove with whom she is in love, and her rescue, though somewhat late, by Junior Jones, a black member of the team; the death of the family dog, Sorrow, and its repeated resurrection via taxidermy, the first instance of which scares the grandfather literally to death; John's sexual initiation with the hotel housekeeper Ronda Ray; and a letter from Freud inviting the family to move to Vienna to help him (and his new "smart" bear) run his hotel there. Traveling separately from the rest of the family, the mother and Egg are killed in an airplane crash. The others take up life in Vienna at what is renamed the (second) Hotel New Hampshire, one floor of which is occupied by prostitutes and another floor by a group of radical communists. The family discover that Freud is now blind and the "smart bear" is actually a girl named Susie in a bear suit. Plot developments in this segment are: the father's decline following the death of his wife; the family's relationships with the prostitutes and the radicals; John and Franny falling in love with each other; John's relationship with a communist who commits suicide; Franny's sexual relationships with Susie and with the "quarterback" of the radicals, Ernst; Lilly developing as a writer and penning the story of the family; and the radicals' plot to blow up the opera house, using Freud and the family as hostages, which Freud and Win foil. The family becomes famous and, with Frank as Lilly's agent, her book is published for a large amount of money. The family (with Susie the bear) returns to the States, taking up residence in The Stanhope hotel in New York. The chief elements of the final part of the novel are: Franny and John's resolution of their love; Franny's revenge on her rapist; Franny's success as a movie actress and her marriage to Junior Jones; Lilly's suicide from her despair as a writer; John and Frank's purchase of the shut-down resort in Maine where their parents met; its function as a rape crisis center run by Susie; Susie and John finding happiness with each other; and a pregnant Franny asking them to raise her and Junior's impending baby. The novel is evocative of the New Hampshire of Irving's childhood. |
The Bridge | Iain Banks | 1,986 | "The road cleared the cutting through the hills. He could see South Queensferry, the marina at Port Edgar, the VAT 69 sign of the distillery there, the lights of Hewlett Packard’s factory; and the rail bridge, dark in the evening’s last sky-reflected light. Behind it, more lights; the Hound Point oil terminal they’d had a sub-contract on, and, further away, the lights of Leith. The old rail bridge’s hollow metal bones looked the colour of dried blood. You fucking beauty, he thought . . . What a gorgeous great device you are. So delicate from this distance, so massive and strong close-up. Elegance and grace; perfect form. A quality bridge; granite piers, the best ship-plate steel, and a never-ending paint job. . . The three main characters represent different elements of the protagonist. Alex (full name hinted to be Alexander Lennox, but never explicitly named), John Orr and The Barbarian are one. Alex is a real person, born in Glasgow, who studied geology and engineering at the University of Edinburgh, fell in love with Andrea Cramond while there, and has continued their (open) relationship ever since. He is embittered by his betrayal of his working class roots (he has become a manager and partner in his engineering firm), the Cold War, successive Thatcher governments, and the failure of his relationship under the pressure of Andrea's French lover's terminal illness. While returning from a sentimental reunion with an old friend in Fife, during which alcohol and cannabis are consumed, he becomes distracted by the power and beauty of the Forth Railway Bridge while driving on the neighbouring Forth Road Bridge and crashes his car. While in a coma in hospital, he relives his life up to the crash. "He glanced back at the roadway of the bridge as it rose slowly to its gentle, suspended summit. The surface was a little damp, but nothing to worry about. No problems. He wasn’t going all that fast anyway, staying in the nearside lane, looking over at the rail bridge downstream. A light winked at the far end of the island under the rail bridge’s middle-section. One day, though, even you’ll be gone. Nothing lasts. Maybe that’s what I want to tell her. Maybe I want to say, No, of course I don’t mind; you must go. I can’t grudge the man that; you’d have done the same for me and I would for you. Just a pity, that’s all. Go; we’ll all survive. Maybe some good- He was aware of the truck in front pulling out suddenly. He looked round to see a car in front of him. It was stopped, abandoned in the nearside lane. He sucked his breath in, stamped on the brakes, tried to swerve; but it was too late." John Orr is an amnesiac living on the Bridge, a massive simulacrum of the rail bridge, but hundreds of miles long and packed with people. The crash which precipitated his arrival on the bridge was semi-deliberate; as such, he is reluctant to return to the real world. That part of himself who wishes to wake is represented by Dr Joyce, Orr's psychoanalyst. Given Orr/Alex's desire to remain within the world of the Bridge, a world where he is well treated and lives a fairly pampered life, his attempts to stonewall and block the doctor's attempts to cure him are understandable. Eventually, he stows away on a train and leaves the Bridge. He finds that, in stark contrast to the very orderly, indeed totalitarian, life on The Bridge, the countryside beyond exists in militaristic chaos and warfare. The Barbarian is an id-ish warrior with a superego-esque familiar in tow (phallic symbolism is referenced by the familiar within a few pages of their first appearance) whose hack-and slash antics through various parodies of Greek legends and fairy tales are phonetically rendered in Scots dialect (seven years before Irvine Welsh used the technique in Trainspotting). The Barbarian (along with his loquacious familiar) are a deep expression of Alex's character; when Orr's dreams are not themed around threat and opposition he dreams he is the Barbarian. The Barbarian appears to be an expression of Alex's deepest feelings. A woman is his enemy in their first appearance (Metaphormosis, Four), showing how Andrea Cramond has made her influence felt in Alex's very core, and how his love for her has been eroded and has transmuted into anger and contempt through the rift that has opened in their relationship. In their second appearance (Metamorpheus, Four), a female character is mentioned in passing, with a certain level of affection. The third appearance of the Barbarian and familiar (Metamorphosis, Pliocene) sees them old, decrepit, bed-bound and heading inevitably towards death. In each successive chapter the Barbarian's Scottish accent becomes less and less pronounced, another indication of how far Alex has gone from his Glaswegian roots. The Barbarian talks of his grief over his dead wife and his memories of their life together. While comparisons have been drawn between Sigmund Freud's structural theory of personality, this is the only point where the Barbarian, Familiar and another individual get together in a three-way arrangement. If the Barbarian's wife represents Andrea Cramond, it is another example of how deeply she has penetrated his being. In a move mirroring Alex's suicide drive and anticipating the end of the book, he is placed in a situation likely to kill him, but triumphs and emerges (literally) rejuvenated and reinvigorated. His Glasgow accent also returns. The Bridge is an unconventional love story; the characters eschew fidelity and barely see each other for years at a time, but they keep returning to each other. There is no marriage, no ring, no happy ever after, just the knowledge that their lives are so deeply entwined it would be difficult or impossible for them to break away from each other. “You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would know she was part of you. |
Dhalgren | Samuel R. Delany | 1,975 | Beginning in a forest somewhere outside the city, the novel recounts the protagonist's meeting with a woman. After they make love, he tells her that he has "lost something"—he cannot remember his name. The woman leads him to a cave and tells him to enter. Inside, he finds long loops of chain fitted with miniature prisms, mirrors, and lenses. He dons the chain and leaves the cave to search for the woman who led him there, only to find her in the middle of a field, turning into a tree. Panicked, he flees. From time to time, he sees other characters in the novel wearing the same sort of “optic chain” (as it is called in the novel), suggesting they have been through a similar initiation, though its specific meaning is never fully explained and may have no real significance at all beyond the personal. Eventually, on a nearby road, a passing truck stops to pick him up. The trucker drops him off at the mouth of a suspension bridge, across the river from Bellona. As he crosses the bridge in the early morning darkness, the young man meets a group of women leaving the city. They ask him questions about the outside world and give him a weapon: a bladed “orchid,” worn around the wrist with its blades sweeping up in front of the hand. Once inside Bellona, an engineer, Tak Loufer, who was living a few miles outside of the city when the initial destruction happened, meets and befriends him. Tak has moved to Bellona and stayed there ever since. Upon learning that he cannot remember his name, Tak gives him a nickname—the Kid. Throughout the novel he is also referred to as "Kid", "Kidd", and often just "kid." Next Tak takes Kid on a short tour of the city. One stop is at a commune in the city park, where Kid sees two women reading a spiral notebook. When Kid looks at it, we see what he reads: The first page contains, word-for-word, the first sentences of Dhalgren. As he reads further, however, the text diverges from the novel's opening. In Chapter II, "The Ruins of Morning", Kid returns to the commune the next day and receives the notebook from Lanya Colson, one of the two women from the evening before. Shortly they become lovers. Their relationship lasts throughout the book. We meet or learn about several other characters, including George Harrison, a local cult hero and rumoured rapist; Ernest Newboy, a famous poet visiting Bellona by invitation of Roger Calkins, publisher and editor of the local newspaper, The Bellona Times; Madame Brown, a psychotherapist; and, later in the novel, Captain Michael Kamp, an astronaut who, some years before, was in the crew of a successful moon landing. The notebook Kid receives already has writing throughout, but only on the right hand pages. The left hand pages are blank. Glimpses of the text in the notebook, however, are extremely close to passages in Dhalgren itself, as if the notebook were an alternate draft of the novel. Other passages are verbatim from the final chapter of Dhalgren. It is here in Chapter II that Kid begins using the blank pages of the notebook to compose poems. The novel describes the process of creating the poems—the emotions and the mechanics of the writing itself—at length and several times. We never see the actual poems, however, in their final form. Kid soon corrects any line that appears to a form we do not read—or removes it entirely from the text. The third and longest chapter, "House of the Ax", involves Kid's interactions with the Richards family: Mr. Arthur Richards, his wife Mary Richards, their daughter June (who had been questionably raped publicly by George Harrison, whom she is now fixated on), and son Bobby. Through Madame Brown they hire Kid to help them move from one apartment to another in the all-but-abandoned building of co-ops, The Labry Apartments, in which they live. All-but-dysfunctional, they are nevertheless "keeping up appearances." Mr. Richards leaves every day to go to work—though no office or facility in the city seems to be in operation—while Mrs. Richards acts as though there's nothing truly disastrous happening in Bellona. By some force of will, she causes almost everyone who comes into contact with her to play along. Kid's interactions with the Richardses culminates in the death of one of the family members. The third chapter is also where Ernest Newboy, a well-known poet visiting Bellona, befriends Kid. Newboy takes an interest in Kid's poems and mentions them to Roger Calkins. By the end of the chapter, Calkins is about to publish Kid's poems. As the novel progresses, Kid falls in with the scorpions, a loose-knit gang, three of whom have severely beaten him earlier in the book. Almost accidentally, Kid becomes their leader. Denny, a 15 year old scorpion, becomes Kid's and Lanya's lover, so that the relationship with Lanya turns into a lasting three-way sexual linkage. Kid also begins writing things other than poems in the notebook, keeping a journal of events and his thoughts. In Chapter VI, "Palimpsest", the novel's penultimate chapter, Calkins throws a party for Kid and his book, Brass Orchids, at Calkins's sprawling estate. At Calkins's suggestion, Kid brings along twenty or thirty friends: the scorpion "nest." While Calkins himself is absent from the gathering, the descriptions of the various interactions between Bellona's high society (or, rather, what is left of it) and what can only be described as a street gang (the scorpions) is a section of the novel that often garners particular attention from reviewers and critics. This is also the part of the novel where Kid is interviewed by William (later passages of the book suggest William's last name is "Dhalgren," but it is never confirmed). In Chapter VII, "The Anathemeta: a plague journal", the novel's concluding chapter, bits of the whole now and again appear to be laid out. Shifting from the omniscient viewpoint of the first six chapters, this chapter comprises numerous journal entries from the notebook, all of which appear to be by Kid. Several passages from this chapter have, however, already appeared verbatim earlier in the novel when Kid reads what was already in the notebook—written when he received it. In this chapter rubrics run along beside many sections of the main text, mimicking the writing as it appears in the notebook. (In the middle of this chapter, a rubric running contains the following sentence: I have come to to wound the autumnal city.) Recalling Kid's entry into the city, the final section contains a near paragraph-for-paragraph echo of his initial confrontation with the women on the bridge. This time, however, the group leaving is almost all male, and the person entering is a young woman who says almost exactly what Kid did himself at the beginning of his stay in Bellona. The story ends: But I still hear them walking in the trees: not speaking. Waiting here, away from the terrifying weaponry, out of the halls of vapor and light, beyond holland into the hills, I have come to As with Finnegans Wake, the unclosed closing sentence can be read as leading into the unopened opening sentence, turning the novel into an enigmatic circle. |
The Scar | China Miéville | 2,002 | The Scar opens with the journey of a small ship which has set out from the city New Crobuzon (the setting of Perdido Street Station). It is heading to the city's new colony, Nova Esperium, which lies across the Swollen Ocean of Bas-Lag. On board the ship are: *Bellis Coldwine, a cold, reserved linguist who is fleeing for her life for her alleged connection to the events in Perdido Street Station. *Johannes Tearfly, a scientist whose interests lie in megafauna and underwater sealife. *Tanner Sack, a Remade criminal (that is, he has had his body surgically and magically altered as punishment for his crime) who is bound for slavery. *Shekel, a young cabin boy who befriends Tanner. Before the ship reaches Nova Esperium, it is captured by pirates, and the passengers, crew and prisoners are all press-ganged into being citizens of Armada, a floating city made of thousands of ships. Tanner uses his newfound freedom to embrace his remaking. He has his body further remade and the earlier, rough work perfected, becoming an amphibious sea-creature. Treated now as an equal citizen rather than a prisoner or slave, Tanner's loyalties fiercely lie in Armada. Bellis meanwhile despises her new life as a librarian for the city's vast collection of stolen books, and yearns for home (somewhat ironically, as she was originally fleeing it). She gains the attention of the powerful Uther Doul, bodyguard to the Lovers, the mysterious, scarred leaders of Armada. Doul, for his own reasons, involves Bellis much more closely in the city's matters. She soon becomes privy to a plan formulated by the Lovers to raise a mythical sea creature known as the avanc. Simultaneously, she becomes involved with a New Crobuzonian spy named Silas Fennec, who reveals that the grindylow of the Cold Claw Sea are planning war on New Crobuzon. Silas was on his way home to warn his leaders of this war (thus saving the millions of innocents who might be slaughtered by the grindylow) when he was captured by Armada. Bellis and Silas find physical release in each other, and commiserate that they are powerless to save their home city. Soon enough Shekel, who is learning to read with Bellis's help, finds a strange book in the Armada's library. He brings it to Bellis, and she quickly realizes that it is the book the Lovers need to raise the avanc. Knowing that she must get a message home, Bellis destroys that information. This forces the Lovers to seek Krüach Aum, now the only person who knows how to summon the mythical creature. Armada mounts an expedition to his unnamed island home, which is the island of the dreaded Anophelii (a horrific and deadly race of mosquito-people). The Lovers find Aum and the information they need, while Bellis uses their time on the island, away from Armada, to get a message home, to warn of the impending grindylow invasion. Armada then successfully raises the avanc and captures it – no mean feat, as the avanc is an immense creature, several miles long. The Lovers' true plan is finally revealed: to use the great speed and pulling power of the avanc to find the fabled Scar, a place in the world where reality breaks down and anything is possible. The Lovers see this as a source of ultimate power. On the journey far into unmapped waters, numerous matters threaten the city. Silas Fennec's actions, which have been far from honest all along, single-handedly bring down the fury of the New Crobuzon navy and the inhuman wrath of the grindylows. Following this a civil war breaks out within the city. Then, terribly wounded, Armada finally nears the Scar, and faces the unsettling horrors that accompany the breakdown of possibility. They pick up a shipwrecked friend from a different train of possibilities, chances and choices, who warns them of The Scar and that he saw the city fall into the wound of the world and everybody was killed. Mutiny follows and the people of Armada finally force the city to turn around and head back to the Swollen Ocean, the life of quiet and piracy, that they all want. The last chapter of the book is another excerpt of Bellis's letter home, in which she realises how much she was being used by Doul. The reader is left with the question, how much Uther Doul actually was in control of the events in the book, what was chance and what was 'planned' possibility. |
Rhinoceros | Eugène Ionesco | null | The play starts in the town square of a small, unnamed French village. Two friends; the eloquent, intellectual but incredibly prideful Jean and the simplistic, shy, kind-hearted drunkard Berenger; meet up in a coffee house to talk about an unspecified urgent matter. Instead of talking about what they were supposed to, Jean becomes furious at Berenger's tardiness and drunken state and berates him until a rhinoceros rampages across the square, considerably startling the people there. The people there begin to discuss what has happened when another rhinoceros appears and crushes a woman's cat. This generates incredible outrage and people begin to band together to argue that the presence of these rhinos should not be allowed. The beginning of a mass movement is seen onstage. Berenger arrives late for work at the local newspaper office, but the newspaper's receptionist Daisy (with whom Berenger is in love), covers for him. At the office, an argument has broken out between the sensitive and logical Dudard and the violent, temperamental Botard; since Botard does not believe a rhinoceros could actually appear in France despite all the claims by eyewitnesses that one did. Suddenly, Mrs. Bœuf (the wife of a fellow employee) appears to say that her husband has turned into a rhinoceros and that streets are plagued with people who have turned into them. Botard argues against the existence of the so called rhinoceritis movement that Mrs. Bœuf claims is occurring, saying that the local people are too intelligent to be tricked by the empty rhetorics of a mass movement. Despite this, Mr. Bœuf (turned into a rhinoceros) arrives and destroys the staircase that leads out of the office, trapping all the workers and their boss, Mr. Papillion, inside. Mrs. Bœuf joins her husband by jumping down the stairwell while the office-workers escape through a window. Berenger goes to visit Jean in order to apologize for the previous day's argument they had, but finds him in bed, heavy with a sickness he has never had. The two friends begin to argue again, initially about the possibility of people actually turning into rhinos and then about the morality of the transformations. Jean is initially staunchly against the rhinos, but gradually grows lenient. As the scene progresses, Jean's skin turns greener and greener, the bumps in his head grow into a horn, his voice grows hoarse and he begins to pace around his apartment like a caged beast. Finally, he proclaims that rhinoceros have just as much of a right to life as humans and that "Humanism is dead, those who follow it are just old sentimentalists" before he turns into a rhino himself and chases Berenger out of his apartment. Everyone in town has succumbed to rhinoceritis save for Berenger, Dudard and Daisy. Berenger is locked up in his apartment, yelling at the rhinos that rush by for having destroyed civilization until Dudard arrives to check on him. Dudard trivializes the transformations by saying that people have the right to choose what they do, even transform; but Berenger insists that the transformations couldn't be voluntary since his friend Jean had initially hated the rhinos and that he was probably brainwashed. Dudard counterargues that people can change their minds and gradually grows more accepting until he concludes that he must "follow [his] peers and [his] leaders" before departing and turning into a rhino. Just before he departs, Daisy arrives. She and Berenger realize that they are left completely alone - the only humans left in a world of monsters. Berenger professes his love for Daisy and she seems to reciprocate. They attempt, albeit briefly, to have a normal life amongst the rhinoceroses. After Berenger suggests that they attempt to re-populate the human race, Daisy begins to move away from him, suggesting that Berenger doesn't understand love. She comes to believe the rhinoceroses are in the right - they who are truly passionate. Berenger slaps Daisy without thinking, immediately recanting his action. They consider their state with Berenger exclaiming that, "in just a few minutes we have gone through twenty-five years of married life!" They attempt to reconcile, but fail. As Berenger examines himself in a mirror for any evidence of transformation, Daisy quietly leaves to join the rhinoceroses. Discovering he is completely alone, Berenger laments his behavior with Daisy. In his solitude he begins to doubt his existence - his language, his appearance, and his mind. Alone, he finds himself in the wrong and attempts to change into a rhinoceros. He struggles and fails. He returns to the mirror, face-to-face with his fate and breaks down as he struggles to accept the place he has given himself. Suddenly, he snaps out of it and renews his vow to take on the rhinos. Berenger valiantly shouts "I'm not capitulating!" to the audience before returning to the window to hurl abuse at the passing rhinoceros. |
Harry Potter and the Prisoner of Azkaban | J. K. Rowling | 1,999 | The book opens on the night before Harry's thirteenth birthday, when he receives gifts by owl post from his friends at school. The next morning at breakfast, Harry sees on television that a man named Black is on the loose from prison. At this time, Aunt Marge comes to stay with the Dursleys, and she insults Harry's parents numerous times. Harry accidentally causes her to inflate, and leaves the Dursley's house and is picked up by the Knight Bus, but only after an alarming sighting of a large, black dog. The Knight Bus drops Harry off at Diagon Alley, where he is greeted by Cornelius Fudge, the Minister of Magic. Harry rents a room and awaits the start of school. In Diagon Alley, Harry finishes his schoolwork, admires a Firebolt broomstick in the window of a shop, and after some time, finds his friends Ron and Hermione. At a pet shop, Hermione buys a cat named Crookshanks, who chases Scabbers, Ron's aging pet rat. Ron is most displeased. The night before they all head off to Hogwarts, Harry overhears Ron's parents discussing the fact that Sirius Black is after Harry. Harry, Ron, Hermione, and the other students board the Hogwarts Express train and are stopped once by an entity called a Dementor. Harry faints and is revived by Professor Lupin, the new Defense Against the Dark Arts teacher. Soon afterward, the students arrive at Hogwarts and classes begin. In Divination class, Professor Trelawney foresees Harry's death by reading tealeaves and finding the representation of a Grim, a large black dog symbolising death. In the Care of Magical Creatures class, Hagrid introduces the students to Hippogriffs, large, deeply dignified crosses between a horse and an eagle. Malfoy insults one of these beasts, Buckbeak, and is attacked. Malfoy drags out the injury in an attempt to have Hagrid fired and Buckbeak put to death. In Defense Against the Dark Arts, Professor Lupin leads the class in a defeat of a Boggart, which changes shape to appear as the viewer's greatest fear. For Ron, a spider, for Neville, professor Snape. For Harry it turns into a dementor During a Hogwarts visit to Hogsmeade, a wizard village which Harry is unable to visit because he has no permission slip, Harry has tea with Professor Lupin. Harry discovers that professor lupin had worried about whether the boggart would take the shape of Voldemort. Snape brings Lupin a steaming potion, which Lupin drinks, much to Harry's alarm. Later that night, Sirius Black breaks into Hogwarts and destroys the Fat Lady portrait that guards Gryffindor Tower. The students spend the night sleeping in the Great Hall while the teachers search the castle. Soon afterwards, Quidditch moves into full swing, and Gryffindor House plays against Hufflepuff. During the game, Harry spies the large black dog, and seconds later he sees a hoard of Dementors. He loses consciousness and falls off his broomstick. Harry wakes to find that his trusty broomstick had flown into the Whomping Willow and been smashed in his fall, and the game itself had lost. Later, Harry learns from Lupin that the Dementors affect Harry so much because Harry's past is so horrible. During the next Hogsmeade visit, from which Harry is forbidden because he didn't get his permission slip signed, Fred and George Weasley give Harry the Marauder's Map, written by the mysterious quartet of Moony, Wormtail, Padfoot, and Prongs. This map leads Harry through a secret passageway into Hogsmeade, where he rejoins Ron and Hermione. Inside the Hogsmeade tavern, Harry overhears professor MC Gonagol ,and some other hogwart's teacher's discussing Sirius Black's responsibility for Harry's parents' deaths, as well as for the death of another Hogwarts student, Peter Pettigrew, who was blown to bits, leaving only a finger. Back at Hogwarts, Harry learns that Hagrid received a notice saying that Buckbeak, the hippogriff who attacked Malfoy, is going to be put on trial, and Hagrid is inconsolable. The winter holidays roll around. For Christmas, Harry receives a Firebolt, the most impressive racing broomstick in the world. Much to his and Ron's dismay, Hermione reports the broomstick to Professor McGonagall, who takes it away, fearing that it may have been sent (and cursed) by Sirius Black. After the holidays, Harry begins working with Professor Lupin to fight Dementors with the Patronus Charm; he is moderately successful, but still not entirely confident in his ability to ward them off. Soon before the game against Ravenclaw, Harry's broomstick is returned to him, and as Ron takes it up to the dormitory, he discovers evidence that Scabbers has been eaten by Crookshanks. Ron is furious at Hermione. Soon afterwards, Gryffindor plays Ravenclaw at Quidditch. Harry, on his Firebolt, triumphs, winning the game. Once all the students have gone to bed, Sirius Black breaks into Harry's dormitory and slashes the curtain around Ron's bed. Several days later, Hagrid invites Harry and Ron over for tea and scolds them for shunning Hermione on account of Scabbers and the Firebolt. They feel slightly guilty, but not terrible. Soon Harry, under his invisibility cloak, meets Ron during a Hogsmeade trip; when he returns, Snape catches him and confiscates his Marauder's Map. Lupin saves Harry from Snape's rage, but afterwards he reprimands him severely for risking his safety for "a bag of magic tricks." As Harry leaves Lupin's office, he runs into Hermione, who informs him that Buckbeak's execution date has been set. Ron, Hermione, and Harry are reconciled in their efforts to help Hagrid. Around this time, Hermione is exceptionally stressed by all of her work, and in a day she slaps Malfoy for picking on Hagrid and she quits Divination, concluding that Professor Trelawney is a great fraud. Days later, Gryffindor beats Slytherin in a dirty game of Quidditch, winning the Quidditch Cup. Exams roll around, and during Harry's pointless Divination exam, Professor Trelawney predicts the return of Voldemort's servant before midnight. Ron, Hermione, and Harry shield themselves in Harry's invisibility cloak and head off to comfort Hagrid before the execution. While at his cabin, Hermione discovers Scabbers in Hagrid's milk jug. They leave, and Buckbeak is executed. As Ron, Harry, and Hermione are leaving Hagrid's house and reeling from the sound of the axe, the large black dog approaches them, pounces on Ron, and drags him under the Whomping Willow. Harry and Hermione and Crookshanks dash down after them; oddly, Crookshanks knows the secret knob to press to still the flailing tree. They move through an underground tunnel and arrive at the Shrieking Shack. They find that the black dog has turned into Sirius Black and is in a room with Ron. Harry, Ron, and Hermione manage to disarm Black, and before Harry can kill Black, avenging his parents' deaths, Professor Lupin enters the room and disarms him. Harry, Ron, and Hermione are aghast as Lupin and Black exchange a series of nods and embrace. Once the three students calm down enough to listen, Lupin and Black explain everything. Lupin is a werewolf who remains tame through a special steaming potion made for him by Snape. While Lupin was a student at Hogwarts, his best friends, James Potter, Sirius Black, and Peter Pettigrew, became Animagi (humans able to take on animal forms) so that they could romp in the grounds with Lupin at the full moon. They explain how Snape once followed Lupin toward his transformation site in a practical joke set up by Sirius, and was rescued narrowly by James Potter. At this moment, Snape reveals himself from underneath Harry's dropped invisibility cloak, but Harry, Ron, and Hermione disarm him, rendering him unconscious. Lupin and Black then explain that the real murderer of Harry's parents is not Black, but Peter Pettigrew, who has been presumed dead but really hidden all these years disguised as Scabbers. Lupin transforms Scabbers into Pettigrew, who squeals and hedges but ultimately confesses, revealing himself to be Voldemort's servant, and Black to be innocent. They all travel back to Hogwarts, but at the sight of the full moon, Lupin, who has forgotten to take his controlling potion (the steaming liquid), turns into a werewolf. Sirius Black responds by turning into the large black dog in order to protect Harry, Ron, and Hermione from Lupin. As Black returns from driving the werewolf into the woods, a swarm of Dementors approaches, and Black is paralyzed with fear. One of the Dementors prepares to suck the soul out of Harry, whose patronus charm is simply not strong enough. Out of somewhere comes a patronus that drives the Dementors away. Harry faints. Harry awakens in the hospital wing to hear Snape and Cornelius Fudge discussing the fact that Sirius Black is about to be given the fatal Dementor's Kiss. Harry and Hermione protest, claiming Black's innocence, but to no avail; then Dumbledore enters the room, shoos out the others, and mysteriously suggests that Harry and Hermione travel back through Hermione's time-turning device, which she has been using from the starting of the school for her studies, and save both Black and Buckbeak. Hermione turns her hour-glass necklace back three turns, and Harry and Hermione are thrust into the past, where they rescue Buckbeak shortly before his execution. From a hiding place in the forest, Harry watches the Dementor sequence and discovers that he had been the one who conjured the patronus, and he is touched and confused to note that his patronus had taken the shape of a stag that he recognises instantly as Prongs, his father's animagi form. After saving his past self from the Dementors, Harry and Hermione fly to the tower where Black is imprisoned, and they rescue Black, sending him away to freedom on Buckbeak's back. The next day, Harry is saddened to learn that Professor Lupin is leaving Hogwarts because of the previous night's scare. Dumbledore meets with Harry and gives him wise fatherly advice on the events that have happened. On the train ride home, Harry receives an owl-post letter from Sirius that contains a Hogsmeade permission letter, words of confirmation that he is safe in hiding with Buckbeak and that he was, in fact, the sender of the Firebolt, and a small pet owl for Ron. Harry feels slightly uplifted as he returns to spend his summer with the Dursleys. |
Cold Comfort Farm | Stella Gibbons | 1,932 | Following the death of her parents, the book's heroine, Flora Poste, finds she is possessed "of every art and grace save that of earning her own living." She decides to take advantage of the fact that "no limits are set, either by society or one's own conscience, to the amount one may impose on one's relatives", and settles on visiting her distant relatives at the isolated Cold Comfort Farm in the fictional village of Howling in Sussex. The inhabitants of the farm - Aunt Ada Doom, the Starkadders, and their extended family and workers - feel obligated to take her in to atone for an unspecified wrong once done to her father. As is typical in a certain genre of romantic 19th-century and early 20th-century literature, each of the farm's inhabitants has some long-festering emotional problem caused by ignorance, hatred, or fear, and the farm is badly run. Flora, being a level-headed, urban woman, determines that she must apply modern common sense to their problems and help them adapt to the 20th century. |
Hatter's Castle | A. J. Cronin | 1,931 | The novel begins with some insight into the life of the Brodie household, where James Brodie seems to have everyone under his thumb. The main event that triggers the events in the novel is Mary Brodie's relationship with her first love, Dennis. Early in the story, Mary, who has occasionally met Dennis at the library, is invited by him to go to the fair in the town. She sneaks out without her family's knowledge and not only goes to the fair, but later on that night kisses and eventually makes love to Dennis, which we later learn, results in pregnancy. This event of her unwanted pregnancy is the main plot in the first third of the novel, titled "Section One". We realise that Mary is pregnant, and when she is six months pregnant she makes a plan with Dennis to run away and get married without her parents noticing. Even though Mary was only seventeen, there would have been no legal problem with her marriage since the English law which, until 1970, generally required people under twenty-one to have parental consent to marry, did not apply in Scotland. But three days before Dennis is due to whisk Mary away, there is a massive storm, and she begins to go into labour whilst carrying the child. Mrs. Brodie stumbles into Mary's room and begins to scream at the fact that her daughter is with child, and calls James himself to sort it out. After being kicked in the stomach repeatedly by her father and thrown out on her face into the pouring rain (whilst in labour), she tries to reach safety. Mary nearly drowns in a river before finding a barn where she gives birth to her premature child, which dies. Dennis, who was, travelling on a train to rescue Mary, is killed when the train derails and plunges into the River Tay below, a retelling of the actual Tay Bridge disaster of 1879. In the second part of the book, James Brodie's business as a hatter is destroyed. A rival company moves next door and attracts all his customers. Part of this is due to Brodie's pride, as the customers are driven away by his delusions of superiority. As his profits decrease, so does the weekly salary, so Mamma is left to deal with making the most of what little they have left for the family. Her illness, cancer of the womb, and the chronic stress of living with James Brodie hasten her death. After her death, Brodie's mistress, Nancy, moves in. Later she goes off abroad with Brodie's son Matt, and Brodie is left with only his younger daughter, Nessie, and his aged mother, Grandma Brodie. In the third part of the book, Brodie forces Nessie to study hard so as to win the "Latta", a valuable bursarship. He wants this not so much to provide a good future for his daughter, as to show that she is better than his rival's son, who is also entered for it. Under his threats and the dreadful fear of failure, she labours on with it, making herself mentally and physically ill. Nessie secretly writes to Mary asking her to come back, so she will have her company and comfort. Under pretext of coming to help with housework, Mary writes to her father, who initially refuses her return. After discovering that Nancy has deserted him, he writes again permitting Mary to come back, so she does. Nessie obtains notice of the Latta result before her father sees it. Finding that her rival has won it and fearing her father, she sends Mary out to the chemist on the pretext of getting some medicine, then dresses up and hangs herself. The story concludes with Dr. Renwick, who has been seeing Mary, taking her away with him to marry her. |
Gravity's Rainbow | Thomas Pynchon | 1,973 | The plot of the novel is complex, containing over 400 characters and involving many different threads of narrative which intersect and weave around one another. The recurring themes throughout the plot are the V-2 rocket, interplay between free will and Calvinistic predestination, breaking the cycle of nature, behavioral psychology, sexuality, paranoia and conspiracy theories such as the Phoebus cartel and the Illuminati. Gravity's Rainbow also draws heavily on themes that Pynchon had probably encountered at his work as a technical writer for Boeing, where he edited a support newsletter for the Bomarc Missile Program support unit. The Boeing archives are known to house a vast library of historical V-2 rocket documents, which were probably accessible to Pynchon. The novel is narrated by many distinct voices, a technique further developed in Pynchon's much later novel Against the Day. The style and tone of the voices vary widely: Some narrate the plot in a highly informal tone, some are more self-referential, and some might even break the fourth wall. Some voices narrate in drastically different formats, ranging from movie-script format to stream of consciousness prose. The narrative contains numerous descriptions of illicit sexual encounters and drug use by the main characters and supporting cast, sandwiched between dense dialogues or reveries on historic, artistic, scientific, or philosophical subjects, interspersed with whimsical nonsense-poems and allusions to obscure facets of 1940s pop culture. Many of the recurring themes will be familiar to experienced Pynchon readers, including the singing of silly songs, recurring appearances of kazoos, and extensive discussion of paranoia. According to Richard Locke, megalomaniac paranoia is the "operative emotion" behind the novel, and an increasingly central motivator for the many main characters. In many cases, this paranoia proves to be vindicated, as the many plots of the novel become increasingly interconnected, revolving around the identity and purpose of the elusive 00000 Rocket and Schwarzgerät. The novel becomes increasingly preoccupied with themes of Tarot, Paranoia, and Sacrifice. All three themes culminate in the novel's ending, and the epilogue of the many characters. The novel also features the character Pig Bodine, of Pynchon's novel V.. Pig Bodine would later become a recurring avatar of Pynchon's complex and interconnected fictional universe, making an appearance in nearly all of Pynchon's novels thereafter. The novel also shares many themes with Pynchon's much later Against the Day; Against The Day becomes increasingly dark as the plot approaches World War I, and Gravity's Rainbow takes these sentiments to their extreme in its highly pessimistic culmination of World War II. The opening pages of the novel follow Pirate Prentice, first in his dreams, and later around his house in wartime London. Pirate then goes to work at ACHTUNG, a top-secret military branch, with Roger Mexico and Pointsman, who both worked there at the time. It is here the reader is introduced to the possibly promiscuous US Army lieutenant named Tyrone Slothrop (at certain points in the book, Pynchon leads the reader to doubt the very existence of the women Slothrop claims to sleep with), whose erratic story becomes the main plot throughout most of the novel. In "Beyond The Zero", some of the other characters and organizations in the book note that each of Slothrop's sexual encounters in London precedes a V-2 rocket hit in the same place by several days. Both Slothrop's encounters and the rocket sites match the Poisson Distributions calculated by Roger Mexico, leading into reflections on topics as broad as Determinism, the reverse flow of time, and the sexuality of the rocket itself. Slothrop meets a woman named Katje, and they fall in love, maintaining a relationship until Slothrop's sudden removal to Germany in part three. Many characters not significant until later are introduced in "Beyond the Zero", including Franz and Leni Pökler, Roger Mexico and Jessica, and Thomas Gwenhidwy, some of whom don't appear until the closing pages of the novel. Many characters are introduced into the plot and then don't appear again at all. Indeed, most of the four hundred named characters only make singular appearances, serving merely to demonstrate the sheer scope of Pynchon's universe. Slothrop is also submitted to various psychological tests, many involving the drug Sodium Amytal. Pavlovian conditioning is a recurring topic, mostly explored through the character of Pavlovian researcher Pointsman. One of the more bizarre Pavlovian episodes involves the conditioning of octopus Grigori to respond to the girl Katje. Early in part two, the octopus attacks Katje on the beach, and Slothrop is "conveniently" at hand to rescue her. Their romance begins here, extending into Part Three and the events that follow. In part two, "Un Perm' au Casino Hermann Goering", Slothrop is studied covertly and sent away by superiors in mysterious circumstances to the Hermann Göring casino in recently liberated France, in which almost the entirety of Part Two takes place. There he learns of a rocket, with the irregular serial number 00000 (Slothrop comments that the numbering system doesn't allow for four zeroes in one serial, let alone five), and a component called the S-Gerät (short for Schwarzgerät, which translates to black device) which is made out of the hitherto unknown plastic Imipolex G. Several companions suddenly disappear or re-appear after extended amounts of time, including the two guards watching Slothrop and Katje. It is hinted at that Slothrop's prescience of rocket hits is due to being conditioned as an infant by the creator of Imipolex G, Laszlo Jamf. Later, the reality of this story is called into question in a similar fashion as the existence of Slothrop's original sexual exploits were. After getting this information, Slothrop escapes from the casino into the coalescing post-war wasteland of Europe, "The Zone", searching for the 00000 and S-Gerät. In the closing of Part Two, Katje is revealed to be safe in England, enjoying a day at the beach with Roger Mexico and Jessica, as well as Pointsman, who is in charge of Slothrop's furtive supervision. While unable to contact Slothrop (or prohibited from contacting him), Katje continues to follow his actions through Pointsman. Slothrop's quest continues for some time "In The Zone" as he is chased by other characters. Many of these characters are referred to as "shadows," and are only partially glimpsed by the protagonist. Much of the plot takes place on "The Anubis", a ferry on which many different characters travel at various times. Slothrop meets and has an extended relationship with Margherita Erdman, a pornographic film actress and masochist. Originally meeting her in an abandoned studio in The Zone, it is she who leads him on to the Anubis. Here, Slothrop later also has extended encounters with her twelve-year-old daughter Bianca, though it is unclear whether or not he has stopped his casual relationship with Margherita by this time. Margherita is later shown to know a great deal more about the 00000, S-Gerät, and Imipolex G than she lets on, even having spent many days in a mysterious and ambiguously described factory and being clothed in an outfit made from the "erotic" plastic. Towards the end of this section, several characters not seen since early in the novel make a return, including Pirate Prentice, in his first appearance since the novel's very start, as well as Roger Mexico. "In The Zone" also contains the longest episode of the book, a lengthy tale of Franz Pökler, a rocket engineer unwittingly set to assist on the S-Gerät's production. The story details Pökler's annual meetings with his daughter Ilse, and his growing paranoia that Ilse is really a series of impostors sent each year to mollify him. Through this story, we find out sparse details about the S-Gerät, including that it has an approximate weight of forty-five kilograms. The story ultimately reveals that the 00000 was fired in the spring of 1945, close to the end of the war. Slothrop spends much of the time as his invented alter-ego Rocketman, wearing an operatic Viking costume with the horns removed from the helmet, making it look like a rocket nose-cone. Rocketman completes various tasks for his own and others' purposes, including retrieving a large stash of hashish from the centre of the Potsdam Conference. This continues until he leaves the region for northern Germany, continuing his quest for the 00000, as well as answers to his past. It becomes steadily apparent that Slothrop is somehow connected to Dr. Laszlo Jamf, and a series of experiments performed on him as a child. Slothrop later returns to the Anubis to find Bianca dead, a possible trigger for his impending decline. He continues his pilgrimage through northern Germany, at various stages donning the identities of a Russian colonel and mythical Pig Hero in turn, in search of more information on his childhood and the 00000. Unfortunately, he is repeatedly sidetracked until his persona fragments totally in part four, despite the efforts of some to save him. Throughout "The Counterforce", there are several brief, hallucinatory stories, of superheroes, silly Kamikaze pilots, and immortal sentient lightbulbs. These are presumed to be the product of Slothrop's finally collapsed mind. The final identification of him of any certainty is his picture on the cover of an album by obscure English band "The Fool" (another allusion to Tarot, which becomes increasingly significant), where he is credited as playing the Harmonica and Kazoo. At the same time, other characters' narratives begin to collapse as well, with some characters taking a bizarre trip through Hell, and others flying into nothingness on Zeppelins. A variety of interpretations of this fact exist, including theories that all of the involved characters have a shared consciousness, or even that the other characters are part of Slothrop's mind, and thus disintegrate along with it. Slothrop's narrative ends a surprisingly long time before the novel's end, which focuses more on the 00000, and the people associated with its construction and launch (namely Blicero, Enzian, and Gottfried, amongst others). At this point, the novel also concludes many characters' stories, including those of Mexico, Pointsman, and Pirate, leaving only the 00000. As the novel closes, many topics are discussed by the various protagonists around the world, ranging from Tarot cards to Death itself. Towards the end of "The Counterforce", it transpires that the S-Gerät is actually a capsule crafted by Blicero to contain a human. The story of the 00000's launch is largely told in flashbacks by the narrator, while in the present Enzian is constructing and preparing its successor, the 00001 (which isn't fired within the scope of the novel), though it is unknown who is intended to be sacrificed in this model. In the flashbacks, the maniacal Captain Blicero prepares to assemble and fire the 00000, and asks Gottfried to sacrifice himself inside the rocket. He launches the rocket in a pseudo sexual act of sacrifice with his bound adolescent sex slave Gottfried captive within its S-Gerät. At the end of a final episode, told partially in second person, the rocket descends upon Britain. The text halts, in the middle of a song composed by Slothrop's ancestor, with a complete obliteration of narrative as the 00000 lands (or is about to land) on a cinema. Thus the novel opens and closes in wartime Britain, and opens and closes with the landing of a V-2 rocket. Many facts in the novel are based on technical documents relating to the V-2 rockets. Equations featured in the text are correct. References to the works of Pavlov, Ouspensky, and Jung are based on Pynchon's research. The firing command sequence in German that is recited at the end of the novel is also correct and is probably copied verbatim from the technical report produced by Operation Backfire. In reality, a V-2 rocket hit the Rex Cinema in Antwerp, where some 1200 people were watching the movie The Plainsman, on December 16, 1944, killing 567 people, the most killed by a single rocket during the entire war. The secret military organizations practicing occult warfare have an historical backdrop in the Ahnenerbe and other Nazi mysticism, whereas the allied counterparts were limited to certain individuals such as Louis de Wohls work for MI5. Additionally, the novel uses many actual events and locations as backdrops to establish chronological order and setting within the complex structure of the book. Examples include the appearance of a photograph of Wernher Von Braun in which his arm is in a cast. Historical documents indicate the time and place of an accident which broke Von Braun's arm, thereby providing crucial structural details around which the reader can reconstruct Slothrop's journey. Another example is the inclusion of a BBC Radio broadcast of a Benny Goodman performance, the contents of which, according to historical record, were broadcast only once during the period of the novel and by which the events immediately surrounding its mention are fixed. Further historical events, such as Allied bombing raids on Peenemünde and the city of Nordhausen (close to the V-2 producing concentration camp Mittelbau-Dora) also appear in the novel and help to establish the relation of the work's events to each other. |
Death in Venice | Thomas Mann | 1,912 | The main character is Gustav von Aschenbach, a famous author in his early fifties who has recently been ennobled in honor of his artistic achievement (and thus has acquired the aristocratic "von" to his name). He is a man dedicated to his art, disciplined and ascetic to the point of severity, who was widowed at a young age. As the story opens, while strolling outside a cemetery, he sees a coarse-looking red-haired foreigner who stares back at him belligerently. Aschenbach walks away, embarrassed but curiously stimulated. He has a vision of a primordial swamp-wilderness, fertile, exotic and full of lurking danger. Soon afterwards, he resolves to take a holiday. After a false start in traveling to Pula on the Yugoslav coast, Aschenbach realizes he "was meant" to go to Venice, and he takes a suite in the Grand Hôtel des Bains on the Lido island. While shipbound and en route to the island he sees an elderly man, in company with a group of high-spirited youths, who has tried hard to create the illusion of youth with a wig, false teeth, makeup, and foppish attire. Aschenbach turns away in disgust. Soon afterwards he has a disturbing encounter with an unlicensed gondolier—another red-haired, skull-faced foreigner—who repeats "I can row you well" when Aschenbach orders him to return to the wharf. Aschenbach checks into his hotel, where at dinner he sees an aristocratic Polish family at a nearby table. Among them is an adolescent boy of about fourteen years in a sailor suit; Aschenbach, startled, realizes that the boy is supremely beautiful, like a Greek sculpture. His older sisters, by contrast, are so severely dressed that they look like nuns. Soon afterward, after spying the boy and his family at a beach, Aschenbach overhears the lad's name, Tadzio, and conceives what he first experiences as an uplifting, artistic interest. Soon the hot, humid weather begins to affect Aschenbach's health, and he decides to leave early and move to a more salubrious location. On the morning of his planned departure, he sees Tadzio again, and a powerful feeling of regret sweeps over him. When he reaches the railway station and discovers his trunk has been misdirected, he pretends to be angry, but is really overjoyed; he decides to remain in Venice and wait for his lost luggage. He happily returns to the hotel, and thinks no more of leaving. Over the next days and weeks, Aschenbach's interest in the beautiful boy develops into an obsession. He watches him constantly, and secretly follows him around Venice. One evening, the boy directs a charming smile at him, looking, Aschenbach thinks, like Narcissus smiling at his own reflection. Disconcerted, Aschenbach rushes outside, and in the empty garden whispers aloud, "I love you!" Aschenbach next takes a trip into the city of Venice, where he sees a few discreetly worded notices from the Health Department warning of an unspecified contagion and advising people to avoid eating shellfish. He smells an unfamiliar strong odour everywhere, and later realises it is disinfectant. However, the authorities adamantly deny that the contagion is serious and the tourists continue to wander round the city, oblivious. Aschenbach at first ignores the danger because it somehow pleases him to think that the city's disease is akin to his own hidden, corrupting passion for the boy. During this period, a third red-haired, disreputable-looking man crosses Aschenbach's path; this one belongs to a troupe of street singers who entertain at the hotel one night. Aschenbach listens entranced to songs that, in his former life, he would have despised – all the while stealing glances at Tadzio, who is leaning on a nearby parapet in a classically beautiful pose. The boy eventually returns Aschenbach's glances and though the moment is brief it instills in the writer a sense that the attraction may be mutual. Next, Aschenbach rallies his self-respect and decides to discover the reason for the health notices posted in the city. After being repeatedly assured that the sirocco is the only health risk, he finds a British travel agent who reluctantly admits that there is a serious cholera epidemic in Venice. Aschenbach considers warning Tadzio's mother of the danger; however, he decides not to, knowing that if he does, Tadzio will leave the hotel and be lost to him. One night, a dream filled with orgiastic Dionysian imagery reveals to him the sexual nature of his feelings for Tadzio. Afterwards, he begins staring at the boy so openly and following him so persistently that Aschenbach feels the boy's guardians finally notice, and take to warning Tadzio whenever he approaches too near the strange, solitary man. But Aschenbach's feelings, though passionately intense, remain unvoiced; he never touches Tadzio, or even speaks to him; and while there is some indication that Tadzio is aware of his admiration, the two exchange nothing more than the occasional surreptitious glance. Aschenbach begins to fret about his aging face and body. In an attempt to look more attractive, he visits the hotel's barber shop almost daily, where the barber eventually persuades him to have his hair dyed and his face painted to look more youthful. The result is a fairly close approximation to the old man on the ship who had so appalled Aschenbach. Freshly dyed and rouged, he again shadows Tadzio through Venice in the oppressive heat. He loses sight of the boy in the heart of the city; then, exhausted and thirsty, he buys and eats some over-ripe strawberries and rests in an abandoned square, contemplating the Platonic ideal of beauty amidst the ruins of his own once-formidable dignity. A few days later, Aschenbach goes to the lobby in his hotel, feeling ill and weak, and discovers that the Polish family plan to leave after lunch. He goes down to the beach to his usual deck chair. Tadzio is there, unsupervised for once, and accompanied by an older boy, Jasiu. A fight breaks out between the two boys, and Tadzio is quickly bested; afterward, he angrily leaves his companion and wades over to Aschenbach's part of the beach, where he stands for a moment looking out to sea; then turns halfway around to look at his admirer. To Aschenbach, it is as if the boy is beckoning to him: he tries to rise and follow, only to collapse sideways into his chair. His body is discovered a few minutes later. |
Effi Briest | Theodor Fontane | 1,894 | The young, immature and carefree Effi, still practically a child, but attracted by notions of social honour, consents to live in the small Baltic town of Kessin, where she ends up in the throes of an emotional crisis. Her husband is away for weeks at a time and leaves her to her own devices in their home. Alienated from the local aristocracy and therefore miserably unhappy, Effi finds but one companion in the whole town. She suspects that their house may be haunted. Innstetten reassures her, but, perhaps on purpose, does not completely lay her fears to rest. When she voices her disquiet about the possible presence of a ghost, her husband angrily responds that her fears are insignificant when compared with the importance of his political career. His reply shows his worry that people may learn about Effi’s discomfort and subsequently censure them publicly. The mercurial and debonair Major Crampas finally announces his arrival in Kessin, and although he is married and notorious for his overt womanising, Effi cannot help but rejoice in the attention he shows to her. As the reader is only delicately told, a full extramarital relationship is consummated. Despite this, later in the novel Effi is relieved to move to Berlin, away from Crampas, and expresses shame at her adultery, although she also expresses shame at not feeling guilty enough. Innstetten, however, inwardly scorns Crampas and perceives him as a lecherous womanizer with a cavalier attitude to the laws, whereas Crampas is persuaded that Innstetten has a habit of educating and "edifying" his fellows in a slightly patronising way. Years later, Effi’s young daughter Annie is growing up and the family has relocated to Berlin as Innstetten has ascended the political hierarchy. All things appear to have turned out well for Effi. However, Instetten discovers her old correspondence with Crampas, and learns that his wife had become enamored of Crampas while they were living in Kessin. Innstetten challenges Crampas to a duel. Crampas agrees to the plan and is killed by Innstetten. Innstetten resolves to divorce Effi immediately. He is given custody of their daughter, in whom he successfully develops a feeling of disdain for her mother. Indeed, when Effi and Annie arrange a brief encounter a couple of years later, the tense atmosphere which dominates the reunion shows that they have grown further apart. In the aftermath of this meeting, Effi ceases to make any more endeavors to strike up an untroubled relationship with her daughter. Forlorn and disowned by her fellows, Effi adjusts to a reclusive life and suffers from ostracism for years, during which she plumbs the depths of despair. Since public opprobrium has been heaped upon her, her parents refuse to take her back, believing that it is not right for them to accept her in the midst of their family. (According to the prevailing values of the late nineteenth century, one's reputation would be besmirched by the acquaintance of someone whose marriage was annulled because of their own adultery.) In the meantime, Innstetten has second thoughts about his action. He finally has to acknowledge that the brighter days of his marriage are long past: he does not even delight in his gradual ascent within the country’s political hierarchy. Effi is eventually taken in by her parents, and temporarily seems to recover from the nervous disorder she has come down with. Her recovery is nonetheless temporary, as feelings of sorrow and repentance are deeply embedded in her soul. Shortly before she passes away, she summons her mother and pleads with her to inform Innstetten about her regrets about her actions, with which she has been bedevilled over the course of her declining years. The novel closes with Effi dying serenely at the parental estate of Hohen-Cremmen, in a very symmetrical ending that matches the beginning of the novel. In the novel’s final scene, her parents vaguely realise their responsibility for her intractable hardships, but ultimately they do not dare question the social constructs which caused the tragedy. |
Article 23 | William R. Forstchen | 1,998 | Academy plebe Justin Bell is excited about his new career in space. Unfortunately several colonies are agitating for independence. On top of this very dangerous political situation, contact has just been made with non-human life. |
The Day of the Jackal | Frederick Forsyth | 1,971 | The book begins with the historical, failed attempt on de Gaulle's life planned by Col. Jean-Marie Bastien-Thiry in the Paris suburb of Petit-Clamart. After Bastien-Thiry's arrest, the French security forces wage a short but extremely vicious "underground" war with the terrorists of the OAS, a militant right-wing group who have labeled de Gaulle a traitor to France after his grant of independence to Algeria. The French secret service, a.k.a. Action Service, is remarkably effective in infiltrating the terrorist organization with their own informants, allowing them to kidnap and neutralize the terrorists' chief of operations, Antoine Argoud. The failure of the Petit-Clamart assassination, and a subsequent attempt at the Ecole Militaire, coupled with Bastien-Thiry's eventual execution by firing squad, likewise cripples the morale of the terrorists. Argoud's deputy, Lt. Col. Marc Rodin, carefully examines their few remaining options and determines that the only way to succeed in killing de Gaulle is to hire a professional assassin from outside the organization, someone completely unknown to either the French authorities or the OAS itself. After inquiries, he contacts an Englishman (whose name is never given), who meets with Rodin and his two principal deputies in Vienna, and agrees to assassinate de Gaulle for the sum of $500,000 (about $2.4 million in 2012). The four men agree on his code name, "The Jackal." The remainder of Part One describes the Jackal's exhaustive preparations for the assassination. First, he acquires a legitimate British passport under a false name, under which he plans to operate for the majority of his mission. He also steals the passports of two foreign tourists visiting London who superficially resemble the Jackal, for use in an emergency. Using his primary false passport, the Jackal travels to Belgium, where he commissions a specialized sniper rifle of great slimness and an appropriate silencer from a master gunsmith, and a set of forged French identity papers from a master forger. When picking up his fake identity papers, the master forger attempts to blackmail the Jackal but the Jackal kills him and locks the body in a large trunk inside the forger's house, where he correctly deduces it won't be found for a long time. After exhaustively researching a series of books and articles by, and about, de Gaulle, the Jackal travels to Paris to reconnoiter the most favorable spot and the most likely day for the assassination. After orchestrating a series of armed robberies in France, the OAS is able to deposit the first half of the Jackal's fee in his bank in Switzerland. At the same time, the French secret service, curious about the actions of Rodin and his subordinates, fake a letter that lures one of Rodin's bodyguards to France, where he is captured and interrogated, before dying. Interpreting his incoherent ramblings, the secret service is able to piece together Rodin's plot, but without knowing the name or the exact description of the assassin. When told about the plot, de Gaulle (who was notoriously careless of his personal safety) refuses, absolutely, to cancel his public appearances, modify his normal routines, or even allow any kind of public inquiry into the assassin's whereabouts to be made. Any inquiry, he orders, must be done in absolute secrecy. Roger Frey, the French Minister of the Interior, convenes a meeting of the heads of the French security forces. Since Rodin and his men have taken refuge at a hotel in Rome under heavy guard, they cannot be captured and interrogated. The rest of the meeting is at a loss to suggest how to proceed, except a Commissioner of the Police Judiciare, who reasons that their first and most essential step is to establish the Jackal's identity, which is a job for a detective. When asked to name the best detective in France, he volunteers his own deputy commissioner, Claude Lebel. Granted special emergency powers to conduct his investigation, Lebel does everything he can to discover the Jackal's identity. He first calls upon his "old boy network" of foreign intelligence and police contacts to inquire if they have any records of a top-class political assassin. Most of the inquiries are fruitless, but in the United Kingdom, the inquiry is eventually passed on to the Special Branch of Scotland Yard, and another veteran detective, Superintendent Bryn Thomas. A search through Special Branch's records turns up nothing, however one of Thomas's subordinates suggests that if the assassin was an Englishman, but primarily operated abroad, he'd be more likely to come to the attention of the Secret Intelligence Service. Thomas makes an informal inquiry with a friend of his on the SIS's staff, who mentions hearing a rumor from an officer stationed in the Dominican Republic at the time of President Trujillo's assassination. The rumor states that a hired assassin stopped Trujillo's car with a rifle shot, allowing a gang of partisans to finish him off; and moreover, that the assassin was an Englishman, named Charles Calthrop. To his surprise, Thomas is summoned in person by the Prime Minister (unnamed, but likely intended to represent Harold Macmillan), who informs him that word of his inquiries has reached higher circles in the British government. Despite the enmity felt by much of the government against France in general and de Gaulle in particular, the Prime Minister informs Thomas that de Gaulle is his friend, and that the assassin must be identified and stopped at all costs. Thomas is handed a commission much similar to Lebel's, with temporary powers allowing him to override almost any other authority in the land. Checking out the name of Charles Calthrop, Thomas finds a match to a man living in London, said to be on holiday in Scotland. While Thomas confirms that this Calthrop was in the Dominican Republic at the time of Trujillo's death, he does not feel it is enough to inform Lebel. But then one of his junior detectives realizes that the first three letters of his Christian name and surname form the French (and Spanish) word for Jackal, Chacal. Thomas calls Lebel immediately. Unknown to any member of the council in France, the mistress of one of them (an arrogant Air Force colonel attached to de Gaulle's staff) is actually an OAS agent. Through pillow talk, the colonel unwittingly feeds the Jackal a constant stream of information as to Lebel's progress. The Jackal enters France by way of Italy, driving a rented Alfa Romeo sports car with his special gun hidden in the chassis. On receiving word from the OAS agent that the French are on the lookout for him, he decides his plan will succeed nevertheless, and forges ahead. In London, the Special Branch raids Calthrop's flat, finding his passport, and deduce that he must be travelling on a false one. When they work out the name of the Jackal's primary false identity, Lebel and the police come close to apprehending the Jackal in the south of France. But thanks to his OAS contact, the Jackal checks out of his hotel early and evades them by only an hour. With the police on the lookout for him, the Jackal takes refuge in the chateau of a woman whom he seduced while she was staying at the hotel the night before. When she goes through his things and finds the gun, he kills her and escapes again. The murder is not reported until much later that evening, allowing the Jackal to assume one of his two emergency identities and board the train for Paris. Lebel becomes suspicious of what the rest of the council label the Jackal's "good luck," and has the telephones of all the members wiretapped, which leads him to discover the OAS agent. The Air Force colonel withdraws from the meeting in disgrace and later resigns from his post. When Thomas checks out and identifies reports of stolen or missing passports in London in the preceding months, he closes in on the Jackal's remaining false identities. On the evening of August 22, 1963, Lebel deduces that the Jackal has decided to target de Gaulle on Liberation Day, on 25 August, the day commemorating the liberation of Paris during World War II. It is, he realizes, the one day of the year when de Gaulle can be counted on to be in Paris, and to appear in public. Considering the inquiry all but over, the Minister orchestrates a massive, city-wide manhunt for the Jackal under his false name(s), and dismisses Lebel with hearty congratulations. However, the Jackal has eluded them yet again. By pretending to be homosexual in one of his false guises, he allows himself to be "picked up" by another man and taken to his apartment, where he kills the man and remains hidden for the remaining three days, thus avoiding identification through hotel registrations, which are examined by the police. On the day before the 25th, the Minister summons Lebel again and tells him that the Jackal still cannot be found. Lebel listens to the details of the President's schedule and security arrangements, and can suggest nothing more helpful than that everyone "should keep their eyes open." On the day of the assassination, the Jackal, disguised as a one-legged French war veteran, passes through the police checkpoints, carrying his custom rifle concealed in the sections of a crutch. He makes his way to an apartment building overlooking the Place du 18 Juin 1940 (in front of the soon-to-be-demolished facade of the Gare Montparnasse), where de Gaulle is presenting medals to a small group of Resistance veterans. As the ceremony begins, Lebel is walking around the street on foot, questioning and re-questioning every police checkpoint. When he hears from one CRS officer about a one-legged veteran with a crutch, he realizes what the Jackal's plan is, and rushes into the apartment building, yelling for the CRS man to follow him. In his sniper's rest, the Jackal readies his rifle and takes aim at de Gaulle's head. Yet his first shot misses by a fraction of an inch, when de Gaulle unexpectedly leans forward to kiss the cheeks of the veteran he is honoring. The Jackal begins to reload. Outside the apartment, Lebel and the CRS officer arrive on the top floor in time to hear the sound of the first, silenced shot. The CRS man shoots off the lock of the door and bursts in. The Jackal turns and fires, killing the young policeman with a shot to the chest. At last, confronting each other, the assassin and the police detective — who had developed grudging, mutual respect for each other in the long chase — briefly look into each other's eyes, each recognizing the other for who he is. The Jackal scrambles to load his third and last rifle bullet, while Lebel, unarmed, snatches up the dead policeman's MAT-49 submachine-gun. Lebel is faster, and shoots the Jackal with half a magazine-load of bullets, instantly killing him. In London, the Special Branch are cleaning up Calthrop's apartment when the real Charles Calthrop storms in and demands to know what they are doing. Once it is established that Calthrop really has been on holiday in Scotland and has no connection whatsoever with the Jackal, the British are left to wonder "If the Jackal wasn't Calthrop, then who the hell was he?" The Jackal is buried in an unmarked grave in a Paris cemetery, officially recorded as "an unknown foreign tourist, killed in a car accident." Aside from the priest, the only person attending the burial is Police Inspector Claude Lebel, who then leaves the cemetery to return home to his family. |
Harry Potter and the Goblet of Fire | J. K. Rowling | 2,000 | The story begins in the 1940s in a small town called Little Hangleton, describing how the Riddle family was mysteriously killed at supper, and how their groundsman, Frank Bryce, was suspected of the crime, then declared innocent due to lack of evidence. In 1994, Bryce investigates a disturbance at the house and overhears Lord Voldemort and Peter Pettigrew (also known as Wormtail) plotting to kill a boy named Harry Potter. Voldemort's snake, Nagini, notices Bryce and informs Voldemort; Voldemort invites Bryce inside and kills him on the spot. The scene then shifts to Harry Potter as he wakes in the night with a throbbing pain in his scar. The next morning, Harry's Uncle Vernon receives a letter from the Weasleys asking Harry to join them at the Quidditch World Cup. Harry is brought to The Burrow the next day. Early the next morning, the Weasleys, Harry and Hermione head off to the Quidditch World Cup. They travel by Portkey, an object which wizards use to travel quickly to another linked destination. While traveling, they meet Cedric Diggory, another Hogwarts student. At their seat, Harry, Ron, and Hermione meet Winky, a house-elf who says she is saving a seat for her master, Bartemius 'Barty' Crouch. That night, after the game, a crowd of Voldemort's followers destroy the campground and torture its Muggle owners. Harry, Hermione and Ron escape by fleeing into the woods, where Harry discovers that his wand is missing. Moments later, someone fires Voldemort's symbol, using Harry's wand. Winky is found holding Harry's wand at the scene of the crime, and Mr Crouch fires her. Later at the Burrow, Cedric's father brings news that a man named Mad-Eye Moody attacked an intruder at his house. Upon arriving at Hogwarts, Professor Dumbledore announces that the Triwizard Tournament will take place at Hogwarts throughout the school year. The Tournament is a competition between three delegates, or "champions", one from each of the three great European schools of magic - Hogwarts, Beauxbatons, and Durmstrang. These champions compete in three tasks and they are given scores by the judges based on their performance; at the conclusion, one champion is chosen as the victor and given a thousand Galleons prize money. However, owing to the dangerous nature of the tournament, no one under seventeen years of age is allowed to enter. He also introduces Mad-Eye Moody as the new Defense Against the Dark Arts professor. Moody's unorthodox teaching methods cause controversy within the school, notably his use of Transfiguration as punishment and his lessons on the Unforgivable Curses. In late October, the delegations from Beauxbatons and Durmstrang arrive; the Triwizard Tournament is officially opened, and students who wish to compete submit their names to the Goblet of Fire. On Halloween, the Goblet of Fire chooses the champions; and to everyone's great surprise, Harry is selected to compete alongside Cedric Diggory, Fleur Delacour, and Viktor Krum. Though he did not enter himself, Harry is magically bound to compete as the fourth champion. Ron feels let down, refusing to speak to Harry. Harry's situation only worsens with the publication of a sappy, exaggerated article about his past, written by ruthless reporter Rita Skeeter. A few nights before the first task, Hagrid invites Harry for a late night walk, ultimately informing him that the task will somehow contain dragons. Back in the Gryffindor common room, Harry converses with Sirius; who informs Harry that Igor Karkaroff, the Headmaster of Durmstrang, was once a Death Eater and is not to be trusted. The next day, realizing that Fleur and Krum know about the dragons as well, Harry warns Cedric about the first task; Moody overhears, and drops hints that Harry should use his flying skills to best the dragon. Harry and Hermione then spend hours practising Summoning charms, which would allow him to retrieve his broom. During the task, Harry successfully Summons his broomstick and flies past the dragon, capturing the golden egg - a necessary clue to the nature of the second task - and receiving high marks. Ron and Harry reconcile shortly afterward. Professor McGonagall announces that the Yule Ball is approaching and that the champions must find partners as they will open the ball. Harry gathers his courage to ask his crush Cho Chang, but finds out that she is already going with Cedric. Harry and Ron eventually ask Parvati and Padma Patil. At the ball, Ron becomes jealous of Viktor Krum, who has brought Hermione as his date. Harry and Ron leave the ball and overhear Karkaroff confiding fearfully to Potions master Snape that something on his arm has become more prominent. At the end of the ball, Cedric tells Harry to take a bath with the golden egg. During a trip to Hogsmeade, Ludo Bagman mentions to Harry that Mr Crouch has stopped coming to work. Harry takes the egg into the bathtub. The egg sings that he will have an hour to reclaim something valuable that has been taken into the lake. As he returns to his dormitory, he notices Mr Crouch searching Snape's office, but is unable to investigate. Harry falls asleep in the library, searching for answers from the clue, and is awakened in the morning by the house-elf Dobby, who now works at Hogwarts, who gives him a ball of gillyweed. The gillyweed gives Harry gills and he swims easily through the lake, finding Hermione, Ron, Cho, and Fleur's sister Gabrielle asleep and tied together in a merpeople village. Harry waits to make sure all of the champions rescue their hostages before returning to the surface. When Fleur does not come, he returns with Gabrielle and Ron and comes up last, but gains high marks for his moral fibre in his completion of the task. The following day in Hogsmeade, Harry, Ron, and Hermione meet Sirius Black, disguised as his animagus, a dog. He informs them that Crouch's son was convicted as a Death Eater (Voldemort's followers). Later, the champions are taken to see the grounds to see a maze, the third task. On the way back, when Krum pulls Harry away to talk, they find a dishevelled Mr Crouch, who is speaking to trees and demanding to see Dumbledore. Harry runs to get Dumbledore while Krum waits with Crouch; when Harry returns, Krum has been stunned and Mr Crouch gone. In Divination class, Harry falls asleep and dreams about Voldemort, waking up screaming. Harry leaves class to discuss this with Dumbledore; as he waits for Dumbledore to return to his office, he peers into a Pensieve and enters Dumbledore's memories of various Death Eater trials, including that of Ludo Bagman, Karkaroff, and Mr Crouch's son. Dumbledore returns, pulls Harry from the memories and listens to his story. On the evening of the task, the four champions enter the maze, and Harry finds his path relatively manageable. Soon both Fleur and Krum are out of the running, and Harry and Cedric arrive at the trophy at the same time, agreeing to touch it together. The trophy turns out to be a Portkey, taking both to the graveyard in Little Hangleton, where a man in a hood quickly kills Cedric. Harry realises the man is Wormtail, who ties Harry to a gravestone. Wormtail drops the bundle he is carrying (Voldemort's current form) into a cauldron, as well as a bone from Voldemort's father, Wormtail's own right hand, and blood from Harry's arm. Voldemort resumes his body and rises from the cauldron. Voldemort presses a tattoo of the Dark Mark on Wormtail's arm, and suddenly Death Eaters begin appearing in a circle around them. Voldemort creates a silver hand for Wormtail and then challenges Harry to a duel. Harry tries to use the disarming spell on Voldemort just as Voldemort uses the Killing Curse. The lights from the two wands meet in midair and remain connected. Voldemort's past victims emerge from his wand and protect Harry once the wand connection is broken, giving him time to grab Cedric's body and touch the trophy, thus returning to Hogwarts. Once Harry returns, Moody carries him into the castle, where he reveals that he is a Death Eater, and that he was responsible for placing Harry's name in the Goblet and for turning the trophy into a portkey. Moody also informs Harry that Karkaroff has fled the castle. Soon after, Dumbledore and other teachers burst into the room, stunning Moody and saving Harry. Under the influence of a truth potion, Moody confessed that he was young Barty Crouch Jr. He has made the switch by using Moody's hair and drinking Polyjuice potion every hour. His father smuggled him out of prison and allowed him to live under an invisibility cloak, guarded by Winky, and how Ministry of Magic worker Bertha Jorkins discovered him and ultimately was relieved of her information by Voldemort, who then returned to find Crouch Jr in his father's house. He also says that he killed his father in the Forest the day he stumbled upon Harry and Krum, and that he was hoping to bring Voldemort back to power by bringing Harry to him. Cornelius Fudge, the Minister for Magic, refuses to believe that Voldemort is back. He gives Harry the tournament prize money and leaves quickly. After the term ends, Harry, Ron and Hermione return home on the Hogwarts Express. Hermione shows Harry and Ron a beetle in a jar — Rita Skeeter's animagus form, which she has been using to spy on people and acquire news about them — that she caught and warned not to write untrue things. Harry gives the gold he won in the Triwizard Tournament to the Weasley twins to help start their practical joke company. Harry then returns to the Dursleys for the summer. |
A Presumption of Death | Jill Paton Walsh | 2,002 | Harriet has evacuated her family to the Wimseys' country house, Talboys (in Hertfordshire), taking her two children, along with the three children of her sister-in-law, Lady Mary, and Peter's venerable old housekeeper, Mrs. Trapp. Peter and Bunter are away on an undercover assignment. During a practice air raid, a young woman is murdered in the village, and Superintendent Kirk recruits Harriet to help solve the murder, partly because the police are too busy organizing all the changes necessitated by the war and partly because as the wife of a detective, and as a crime novelist, she is the best qualified person to find the murderer. The murdered girl had come from the city as a "Land Girl", to do agricultural work and help the war effort. She was killed in the village street during an air raid drill, while most people were underground, and much of the investigation turns on the issue of who had been, or could have been, outside the shelter when the murder was committed. Many of the witnesses—and some of the possible suspects—are RAF pilots stationed at a nearby air base, who need to be questioned in between going out on missions. Gerald, Lord Peter's favourite nephew, who was first seen a decade earlier as a precocious boy playing a major role in solving "The Learned Adventure of the Dragon's Head" and appeared as an Oxford undergraduate in Gaudy Night; is now an RAF combat pilot. At least one character introduces the possibility that the murder is directly linked to German espionage. While conducting the investigation and riding herd on the five children under her charge, Harriet worried about her husband, whose life is in danger. She regrets the lost years when she had put him off before finally agreeing to marry him. Wimsey, realizing that the Germans had broken the code which he had been using, devises a new one which is unbreakable because of being based on things only he and Harriet knew. His Secret Service colleague brings her Peter's message and she shows considerable skill in decoding it. Eventually, Bunter comes back from the continent—uncharacteristically dirty, scruffy and so exhausted that he lets Lady Peter wait upon him and put him to bed—and is followed some days later by Peter, who arrived by a different route. It is never revealed where exactly they had been. Lord Peter is retired from active service and, while still involved in intelligence issues, would not be sent again behind enemy lines. Being presented with Harriet's record of her investigations—which, as he notes, already solved most of the mystery—he is able to add the last missing pieces. Finding the solution for the mystery does not mean, however, just handing the perpetrator to the police; rather, solving the mystery arouses a complicated new problem involving legal, military, ethical and moral issues—which Lord Peter manages to neatly tie up. |
A Tenured Professor | John Kenneth Galbraith | 1,990 | The book chronicles the rise to fame of one Montgomery Marvin, a professor of economics who, as an academic teacher, keeps a low profile but who nevertheless is given tenure quite early in his career. While outwardly concerning himself with unspectacular research focusing on "Mathematical Paradigms in an Approach to Refrigerator Pricing" (which is also the title of his Ph.D. thesis), Marvin's extracurricular activities centre on becoming very rich in a very short time. For that purpose, Marvin has devised a new formula—a stock forecasting model by means of which he and his wife can cash in on people's euphoria, greed and, as they call it, dementia. Eventually, while everyone loses money in the wake of the "Black Monday" stock market crash of October 19, 1987, the Marvins gain an awful lot. (See also Michael Milken and leveraged buyout.) They decide to spend their money wisely, according to their liberal agenda. Intent on strictly observing the code of business ethics, they start to make use of the "positive power of wealth" and embark on a life of philanthropy. They fund a number of chairs in peace studies to be established at, of all places, military academies. They also secure legislation by which companies are required to label their products according to the percentage of female executives employed by them. After they have launched several of their projects, their operations are increasingly considered un-American and officially put under surveillance. But whatever will happen - Marvin knows that he will be able to nourish his family, as he has been accorded tenure. A Tenured Professor was republished as paperback by Houghton Mifflin in 2001 (ISBN 0-618-15455-8). |
Trumps of Doom | Roger Zelazny | 1,985 | Merlin has spent the last several years on Earth learning computer science while building Ghostwheel, a trump- and pattern-based computer, elsewhere in Shadow. Having completed his project, he wishes to know who has been trying to kill him every April 30, and why some of the better attempts failed, before he leaves. He meets with his friend Lucas Reynard (Luke), a salesman, who tries to convince him to stay, and who tells him that Julia Barnes, Merlin's ex-girlfriend, may be in trouble. Merlin investigates and finds Julia slain by creatures from another shadow. Merlin investigates through shadow, and is given orders by king Random to shut down Ghostwheel. However, Ghostwheel has become sentient and capable of defending itself. Eventually, Luke - who, it turns out, is Brand's son - imprisons Merlin in a blue crystal cave so he can attempt to take control of Ghostwheel for himself. |
Dream of the Red Chamber | Tsao Hsueh-Chin | null | The novel provides a detailed, episodic record of the two branches of the wealthy and aristocratic Jia (賈) clan — the Rongguo House (榮國府) and the Ningguo House (寧國府) — who reside in two large, adjacent family compounds in the capital. Their ancestors were made Dukes and given imperial titles, and as the novel begins the two houses are among the most illustrious families in the city. One of the clan’s offspring was made an Imperial Consort, and a lush landscaped garden was built to receive her visit. The novel describes the Jias’ wealth and influence in great naturalistic detail, and charts the Jias’ fall from the height of their prestige, following some thirty main characters and over four hundred minor ones. Eventually the Jia clan falls into disfavor with the Emperor, and their mansions are raided and confiscated. In the novel's frame story, a sentient Stone, abandoned by the goddess Nüwa when she mended the heavens aeons ago, begs a Taoist priest and a Buddhist monk to bring it with them to see the world. The Stone, accompanied by a character named Divine Attendant-in-Waiting (神瑛侍者) (while in Cheng-Gao versions they are merged into the same character), was given a chance to learn from the human existence, and enters the mortal realm. The main character of the novel is the carefree adolescent male heir of the family Jia Baoyu. He was born with a magical piece of "jade" in his mouth. In this life he has a special bond with his sickly cousin Lin Daiyu, who shares his love of music and poetry. Baoyu, however, is predestined to marry another cousin, Xue Baochai, whose grace and intelligence exemplifies an ideal woman, but with whom he lacks an emotional connection. The romantic rivalry and friendship among the three characters against the backdrop of the family's declining fortunes forms the main story in the novel. |
We Wish to Inform You That Tomorrow We Will Be Killed with Our Families: Stories from Rwanda | Philip Gourevitch | 1,998 | The book describes Gourevitch's travels in Rwanda after the conflict, in which he interviews survivors and gathers information. Gourevitch retells survivors' stories, and reflects on the meaning of the genocide. The title comes from an April 15, 1994, letter written to Pastor Elizaphan Ntakirutimana, president of the Seventh-day Adventist Church's operations in western Rwanda, by several Adventist pastors who had taken refuge with other Tutsis in an Adventist hospital in the locality of Mugonero in Kibuye prefecture. Gourevitch accused Ntakirutimana of aiding the killings that happened in the complex the next day. Ntakirutimana was eventually convicted by the International Criminal Tribunal for Rwanda. The book not only explains the genocide's peak in 1994, but the history of Rwanda leading up to the major events |
Nice Work | David Lodge | 1,988 | The book describes encounters between Robyn Penrose, a feminist university teacher specialising in the industrial novel and women's writing, and Vic Wilcox, the manager of an engineering firm. The relationship that develops between the unlikely pair reveals the weaknesses in each character. Robyn's academic position is precarious because of budget cuts. Vic has to deal with industrial politics at his firm. The plot is a pastiche of the industrial novel genre, particularly referencing North and South by Elizabeth Gaskell. This gentle ribbing acts to undermine the postmodern and feminist position of Robyn, who accepts the hand of fate despite ridiculing its role as the sole restorative capable (in the minds of authors of industrial novels) of elevating the female to a serious social position. Robyn acquires insight into the pragmatic ethos whose encroachment on university culture she resents and Vic learns to appreciate the symbolic or semiotic dimension of his environment and discovers a romanticism within himself that he had previously despised in his everyday life. The story is set in the fictional city of Rummidge, a grey and dismal fictionalised Birmingham. It is part of the same series as the novels Changing Places, Small World, and Thinks .... In Nice Work, Philip Swallow is still head of the English Department from Small World and thus is Robyn Penrose's boss. Morris Zapp makes a cameo appearance in the last part of Nice Work, to add a plot twist where he tries to arrange for Robyn to have a job interview at his American university, Euphoric State (a fictionalized UC Berkeley), in order to stop his ex-wife from being a candidate for an open faculty position. Robyn Penrose makes a cameo appearance in Thinks .... |
The Haunted Mask | R. L. Stine | 1,993 | Carly Beth Caldwell is an 11-year-old girl who is a target for pranks and practical jokes, some of which are played by Chuck Greene and Steve Boswell, two of her friends at Walnut Avenue Middle School. Before Halloween, she is humiliated after the two boys trick her into eating a sandwich that contains a living worm. Disgusted, she flees home and discovers her mother has made a plaster of Paris model of Carly Beth's head. On Halloween day, after frowning at the duck costume her mother gave to her, she goes to a party store and discovers a room filled with hideous masks. The store owner unwillingly sells her one of the masks and Carly Beth goes home. Later that day, after she takes the mold of her head that her mother made, she puts on the mask and goes in search of Chuck and Steve, determined to avenge herself against them. She starts acting differently: she chokes her best friend, Sabrina Mason, throws apples at a house and steals a bag of candy from a boy. While at Sabrina's house, Carly Beth is shocked to find she is physically unable to remove the mask and that the mask has, in fact, become her face. She returns to the store and finds the owner waiting for her. The store owner tells her that the mask is a real face and it can only be removed by a "symbol of love", but if it attaches itself to her or another person again, it will be forever. Carly Beth screams in horror, and the other masks begin to pursue her. While running away from the masks, she realizes that the mold her mother made is a symbol of love. Carly Beth finds the mold and uses it to deter the masks and remove the mask from her face. She returns home to her mother, tossing the mask away. Noah, Carly Beth's kid brother, later bursts in and asks her, "How do I look in your mask?" |
The Little Engine That Could | Watty Piper | 1,930 | In the tale, a long train must be pulled over a high mountain. Larger engines, treated anthropomorphically, are asked to pull the train; for various reasons they refuse. The request is sent to a small engine, who agrees to try. The engine succeeds in pulling the train over the mountain while repeating its motto: "I-think-I-can". The story of the little engine has been told and retold many times. The underlying theme is the same — a stranded train is unable to find an engine willing to take it on over difficult terrain to its destination. Only the little blue engine is willing to try and, while repeating the mantra "I think I can, I think I can," overcomes a seemingly impossible task. An early version goes as follows: A little railroad engine was employed about a station yard for such work as it was built for, pulling a few cars on and off the switches. One morning it was waiting for the next call when a long train of freight-cars asked a large engine in the roundhouse to take it over the hill. "I can't; that is too much a pull for me," said the great engine built for hard work. Then the train asked another engine, and another, only to hear excuses and be refused. In desperation, the train asked the little switch engine to draw it up the grade and down on the other side. "I think I can," puffed the little locomotive, and put itself in front of the great heavy train. As it went on the little engine kept bravely puffing faster and faster, "I think I can, I think I can, I think I can." As it neared the top of the grade, which had so discouraged the larger engines, it went more slowly. However, it still kept saying, "I—think—I—can, I—think—I—can." It reached the top by drawing on bravery and then went on down the grade, congratulating itself by saying, "I thought I could, I thought I could." |
Naked Lunch | William S. Burroughs | 1,959 | Naked Lunch is a non-linear narrative that is difficult to describe in terms of plot. The following is a summary of some of the events in the book that could be considered the most relevant. The book begins with the adventures of William Lee (aka Lee the Agent), who is Burroughs' alter ego in the novel. His journey starts in the US where he is fleeing the police, in search of his next fix. There are short chapters here describing the different characters he travels with and meets along the way. Eventually he gets to Mexico where he is assigned to Dr. Benway; for what, he is not told. Benway appears and he tells about his previous doings in Annexia as a "Total Demoralizator". The story then moves to a state called Freeland – a form of limbo – where we learn of Islam Inc. Here, some new characters are introduced, such as Clem, Carl, and Joselito. A short section then jumps in space and time to a marketplace. The Black Meat is sold here and compared to "junk", i.e. heroin. The action then moves back to the hospital where Benway is fully revealed as a cruel, manipulative sadist. Time and space again shifts the narrative to a location known as Interzone. Hassan, one of the notable characters of the book and "a notorious liquefactionist", is throwing a violent orgy. AJ crashes the party and wreaks havoc, decapitating people and imitating a pirate. Hassan is enraged and tells AJ never to return, calling him a "factualist bitch" – a term which is enlarged much later when the apparently "clashing" political factions within Interzone are described. These include the Liquefactionists, the Senders, the Factualists, and the Divisionists (who occupy "a midway position"). A short descriptive section tells us of Interzone University, where a professor and his students are ridiculed; the book moves on to an orgy that AJ himself throws. The book then shifts back to the market place and a description of the totalitarian government of Annexia. Characters including the County Clerk, Benway, Dr Berger, Clem and Jody are sketched through heavy dialogue and their own sub-stories. After the description of the four parties of Interzone, we are then told more stories about AJ. After briefly describing Interzone, the novel breaks down into sub-stories and heavily cut-up influenced passages. In a sudden return to what seems to be Lee's reality, two police officers, Hauser and O'Brien, catch up with Lee, who kills both of them. Lee then goes out to a street phone booth and calls the Narcotics Squad, saying he wants to speak to O'Brien. A Lieutenant Gonzales on the other end of the line claims there's no one in their records called O'Brien. When Lee asks for Hauser instead, the reply is identical; Lee hangs up, and goes on the run once again. The book then becomes increasingly disjointed and impressionistic, and finally simply stops. |
Pattern Recognition | William Gibson | 2,003 | Advertising consultant Cayce Pollard, who reacts to logos and advertising as if to an allergen, arrives in London in August 2002. She is working on a contract with the marketing firm Blue Ant to judge the effectiveness of a proposed corporate logo for a shoe company. During the presentation, graphic designer Dorotea Benedetti becomes hostile towards Cayce as she rejects the first proposal. After dinner with some Blue Ant employees, the company founder Hubertus Bigend offers Cayce a new contract: to uncover who is responsible for distributing a series of anonymous, artistic film clips via the internet. Cayce had been following the film clips and participating in an online discussion forum theorizing on the clips’ meaning, setting, and other aspects. Wary of corrupting the artistic process and mystery of the clips, she reluctantly accepts. A friend from the discussion group, who uses the handle Parkaboy, privately emails her saying a friend of a friend has discovered an encrypted watermark on one clip. They concoct a fake persona, a young woman named Keiko, to seduce the Japanese man who knows the watermark code. Cayce, along with an American computer security specialist, Boone Chu, hired to assist her, travels to Tokyo to meet the man and retrieve the watermark code. Two men attempt to steal the code but Cayce escapes and travels back to London. Boone travels to Columbus, Ohio to investigate the company that he believes created the watermark. Meanwhile, Blue Ant hires Dorotea who reveals that she was previously employed by a Russian lawyer whose clients have been investigating Cayce. The clients wanted Cayce to refuse the job of tracking the film clips and it was Dorotea's responsibility to ensure this. Through a completely random encounter Cayce meets Voytek Biroshak and Ngemi; the former an artist using old ZX81 microcomputers as a sculpture medium, the latter a collector of rare technology (he mentions purchasing Stephen King's word processor, for example). Another collector, and sometime 'friend' of Ngemi's, Hobbs Baranov, is a retired cryptographer and mathematician with connections in the American National Security Agency. Cayce strikes a deal with him: she buys a Curta calculator for him and he finds the email address to which the watermark code was sent. Using this email address Cayce makes contact with Stella Volkova whose sister Nora is the maker of the film clips. Cayce flies to Moscow to meet Stella in person and watch Nora work. Nora is brain damaged from an assassination attempt and can only express herself through film. At her hotel, Cayce is intercepted and drugged by Dorotea and wakes up in a mysterious prison facility. Cayce escapes; exhausted, disoriented and lost, she nearly collapses as Parkaboy, who upon Cayce's request was flown to Moscow, retrieves her and brings her to the prison where the film is processed. There Hubertus, Stella and Nora's uncle Andrei, and the latter's security employees are waiting for her. Over dinner with Cayce, the Russians reveal that they have been spying on her since she posted to a discussion forum speculating that the clips may be controlled by the Russian Mafia. They had let her track the clips to expose any security breaches in their distribution network. The Russians surrender all the information they had collected on her father’s disappearance and the book ends with Cayce coming to terms with his absence while in Paris with Parkaboy, whose real name is Peter Gilbert. |
Desperation | null | null | Desperation is a story about several people who, while traveling along the desolated Highway 50 in Nevada, get abducted by Collie Entragian, the deputy of the fictional mining town of Desperation. Entragian uses various pretexts for the abductions, from an arrest for drug possession to "rescuing" a family from a nonexistent gunman. It becomes clear to the captives that Entragian has been possessed by an evil being named Tak, who has control over the surrounding desert wildlife and must change hosts to keep itself alive. They begin to fight for their freedom, sanity and lives before realizing that if they are ever to escape Desperation, they must trap Tak in the place from where he came. |
A Gift Upon the Shore | M. K. Wren | null | "Set in the near future, A Gift traces the first generations to survive nuclear war and its aftermath. Writer Mary Hope and painter Rachel Morrow scratch out a meager existence on a farm (called Amarna) on the Oregon coast. They are determined to collect and preserve for a new civilization all the great books of western culture. Farther down the coast lives the Arkites, a fundamentalist group that denies all knowledge not found in the Bible. After a plague strikes the Arkites Mary agrees to take in a few survivors on the condition that she be allowed to educate the children as she sees fit". From the back cover of the backinprint,com paperback edition: A Gift Upon the Shore is a lyrical, haunting story of two women, an artist and a writer, who survive pandemic, the collapse of civilization, and a deadly nuclear winter. Driven by rich and fully drawn characters, this is a powerful, compelling story of a friendship that endures the devastation and finds a purpose for survival: to preserve the books, the shards of a lost golden age, as a gift to an unknowable posterity. Yet this gift is threatened by the only other survivors the women encounter, the people of the Ark, who believe that except for the Bible, all books are evil. A Gift Upon the Shore is a story about remaining human under the worst of conditions, and the humanizing influence of books and art and love. |
The Chrysalids | John Wyndham | 1,955 | A few thousand years in the future, post-apocalypse rural Labrador has become a warmer and more hospitable place than it is at present. The inhabitants of Labrador have vague historical recollections of the "Old People", a technologically advanced civilization which existed long ago and which they believe was destroyed when God sent "Tribulation" to the world to punish their forebears' sins. The society that has survived in Labrador is loosely reminiscent of the American frontier during the 18th century. The inhabitants practise a form of fundamentalist Christianity with post-apocalyptic prohibitions. They believe that in order to follow God's word and prevent another Tribulation, they need to preserve absolute normality among the surviving humans, plants and animals. Genetic invariance has been elevated to the highest religious principle, and humans with even minor mutations are considered "Blasphemies" and the handiwork of the Devil. Individuals not conforming to a strict physical norm are either killed or sterilized and banished to the Fringes, a lawless and untamed area still rife with animal and plant mutations. Arguments occur over the keeping of a tailless cat or the possession of over sized horses. These are deemed by the government to be legitimate breeds either pre-existing or achieved through conventional breeding. The government's position is considered both cynical and heretical by many of the orthodox frontier community. The inland rural settlement of Waknuk is a frontier farming community, populated with hardy and pious individuals intent on reclaiming land from the Fringes. Ten-year-old David Strorm, the son of Waknuk's zealous religious patriarch, has inexplicably vivid dreams of brightly lit cities and horseless carts that are at odds with his pre-industrial experience. Despite David's rigorous religious training, he befriends Sophie, a girl carefully concealing the fact that she has six toes on each foot. With the nonchalance of childhood David keeps her secret. The subsequent discovery of Sophie's mutation and her family's attempted flight causes David to wonder at the brutal persecution of human "Blasphemies" and the ritual culling of animal and plant "Deviations". David and a few others of his generation harbour their own invisible mutation: they have strong telepathic abilities. David begins to question why all who are different must be banished or killed. As they mature, David and his fellow telepaths realize that their unusual mutation would be considered a "blasphemy" and they carefully conceal their abilities. That their mutation cannot be directly detected allows their unusual abilities to remain undiscovered for a time. Eventually some of the group are exposed and David, his half-cousin Rosalind and younger sister Petra flee to the Fringes. They are quickly pursued not only by a group of villagers bent on doing them harm but also by Michael, a fellow telepath who covertly assists their escape. Through the extremely strong telepathic abilities of Petra they make contact with a more advanced society in distant "Sealand". David, Rosalind and Petra elude their would-be captors and are rescued by a Sealand expedition sent to discover the source of Petra's telepathic transmissions. Due to limited space and fuel on the Sealand craft, Michael and his partner Rachel remain behind, their true nature undiscovered. Though the nature of "Tribulation" is not explicitly stated, it is implied that it was a nuclear holocaust, both by the mutations, and by the stories of sailors who report blackened, glassy wastes to the south-west where the remains of faintly glowing cities can be seen (presumably the east coast of the US). Sailors venturing too close to these ruins experience symptoms consistent with radiation sickness. A woman from Sealand, a character with evident knowledge of the Old People's technology, mentions "the power of gods in the hands of children". |
Who Goes There? | John W. Campbell | 1,938 | A group of scientific researchers, isolated in Antarctica by the nearly-ended winter, discover an alien spaceship buried in the ice, where it crashed twenty million years before. They try to thaw the inside of the spacecraft with a thermite charge, but end up accidentally destroying it when the ship's magnesium hull is ignited by the charge. However, they do recover the alien pilot from the ancient ice, which the researchers believe was searching for heat when it was frozen. Thawing revives the alien, a being which can assume the shape, memories, and personality of any living thing it devours, while maintaining its original body mass for further reproduction. Unknown to them, the alien immediately kills and then imitates the crew's physicist, a man named Connant; with some 90 pounds of its matter left over it tries to become a sled dog. The crew discovers the dog-Thing and kills it in the process of transformation. Pathologist Blair, who had lobbied for thawing the Thing, goes insane with paranoia and guilt, vowing to kill everyone at the base in order to save mankind; he is isolated within a locked cabin at their outpost. Connant is also isolated as a precaution and a "rule-of-four" is initiated in which all personnel must remain under the close scrutiny of three others. The crew realizes they must isolate themselves and therefore disable their airplanes and vehicles, while pretending things are normal over their radio transmissions to prevent any rescue attempt from civilization. The researchers try to figure out who may have been replaced by the alien (simply referred to as the Thing), in order to destroy the imitations before they can escape and take over the world. The task is almost impossibly difficult when they realize that the Thing is also telepathic, able to read minds and project thoughts. A sled dog is conditioned by human blood injections to provide a human-immunity serum test, as in rabbits. The initial test of Connant is inconclusive as they realize that the test animal received both human and alien blood, meaning that either Doctor Copper or expedition Commander Garry is actually an alien. Assistant commander McReady takes over and deduces that all the other animals at the station, save the test dog, have already become imitations; all are killed by electrocution and their corpses burned. Everyone suspects each other by now but must stay together for safety, deciding who will take turns sleeping and speculating when the patient monsters will finally have the upper hand. Tensions mount and some men begin to go mad thinking they are already the last human or wondering if they would even know if they weren't human any longer. Ultimately, one of the crew members is murdered and accidentally revealed to be a Thing. McReady realizes that even small pieces of the creature will behave as independent, selfish organisms. He then uses this weakness to test which men have been "converted" by taking blood samples from everyone and dipping a heated wire in the vial of blood. Each man's blood is tested, one at a time, and the donor is immediately killed if his blood recoils from the wire; fourteen in all, including Connant and Garry, are revealed as aliens. They go to test the isolated Blair and on the way see the first albatross of the Antarctic Spring flying overhead; they shoot the bird to prevent a Thing from taking it over and flying to civilization. When they reach Blair's cabin they discover he is a Thing. They realize that it has been left to its own devices for a week, coming and going as it pleased, able to transform itself by squeezing under doors. With the creatures inside the base destroyed, McReady and two others enter the cabin to kill the Thing that was once Blair. McReady systematically forces it out into the snow and methodically destroys it with a blowtorch. Afterwards the trio discover that the Thing was dangerously close to finishing construction of an atomic-powered anti-gravity device that would have allowed it to escape to the outside world. "No, by the grace of God, who evidently does hear very well, even down here, and the margin of half an hour, we keep our world, and the planets of the system too. Anti-gravity, you know, and atomic power. Because They came from another sun, a star beyond the stars. They came from a world with a bluer sun." |
Blood of Amber | Roger Zelazny | 1,986 | Merlin escapes from the crystal cave, and decides to gain leverage over Luke by rescuing his mother from the Keep of the Four Worlds. He spars with the sorcerer who now controls the keep, and who seems to know him. He escapes with the petrified Jasra, and returns to Amber where an unusual Trump summoning imprisons him in the Mad Hatter's tea party. |
Sign of Chaos | Roger Zelazny | 1,987 | Merlin realises that Wonderland, where he and Luke are trapped, is an LSD-induced hallucination made real by Luke's powers over shadow. As a Fire Angel (a vicious creature from Chaos) pursues them, he administers medicine to Luke. The Fire Angel is weakened in a fight with the Jabberwock and Merlin is able to finish it off with the vorpal sword. He leaves Luke to sober up. He seeks his stepbrother Mandor, who thinks that their half-brother Jurt may be trying to kill Merlin in order to take the throne of Chaos. Fiona contacts them, and they investigate a shadow-storm. Merlin and Mandor return to Amber, and then along with Jasra they wrest the Keep of the Four worlds from Jurt and the sorcerer, Mask. They learn that Jurt has (at least partially) turned himself into a living Trump, as Brand did, and that the sorcerer Mask is in fact Merlin's ex-girlfriend Julia. |
Porno | Irvine Welsh | 2,002 | The novel is divided into three sections, each of which comprises chapters with different narrators. Unlike Trainspotting which had more narrational diversity, Porno is reduced to just five narrators: Sick Boy, Renton, Spud, Begbie and Nikki. Another difference from the format of Trainspotting is that each character has a defined chapter heading. Sick Boy's chapters all begin with "Scam..." and then a number in front of a "#". Renton's all begin with "Whores of Amsterdam Pt..." depending on what chapter it is. Spud's chapters are just narrative, Begbie's are in capitals, and Nikki's are quotes from the chapter, for example "...A SIMON DAVID WILLIAMSON PRODUCTION...". Each narrator is associated with a distinctive prose style. Renton, Sick Boy, and Nikki's chapters are written almost entirely in "standard" English while Begbie and Spud's chapters are in Scots. For example, in Chapter 25, Spud narrates, "So ah'm downcast git intae the library, thinkin tae masel" ("So I'm downcast when I get into the library thinking to myself"). He also repeats certain words when talking such as "catboy" or "cat", "likes" or "likesay", and "ken?". Begbie often swears a lot during his chapters. Sick Boy's returning grandiose nature is featured in imagined interviews with John Gibson of the Evening News and Alex McLeish. Simon 'Sick Boy' Williamson leaves the London crack scene and returns to Leith when he comes into ownership of his aunt's pub. Convinced that the area is destined to become a social and cultural hub, Simon decides to focus his energy into making the pub a classier establishment. Nikki Fuller-Smith is a university student who works part-time in a massage parlour. Rab, a university acquaintance, introduces her to his friend Terry Lawson and his underground, home-made pornography operation. The scene interests Nikki. Danny 'Spud' Murphy has been regularly attending group sessions in an attempt to kick his drug habit. His relationship with his partner Alison is strained and Spud feels like he has become a burden on her. He considers his life insurance policy and contemplates suicide. Meanwhile, in Amsterdam, Mark Renton is co-owner of a successful nightclub. One night, a DJ from his hometown (Carl Ewart from Welsh's previous novel Glue) plays at one of his clubs and recognises him. When Sick Boy learns of Terry's operation, he offers the use of the upstairs bar to shoot some scenes. During their first meeting, the group begins planning to film a full length adult film. The first section concludes with "OOTSIDE", a chapter noting the release into society of Francis Begbie. While in prison, Begbie received packages of gay porn, sent from Sick Boy. Upon his release, he is determined to find the culprit. While accompanying an old friend on a debt collection errand he meets Kate and begins a relationship with her. When Alison begins working at Sick Boy's pub and Sick Boy deliberately attempts to sabotage her relationship with Spud, the friendship between Spud and Sick Boy is strained. During one thinly veiled argument, Spud reveals that he received his share of the money from Renton. He also unveils his recent ambition, to write a history of Leith. Begbie visits Sick Boy's pub. As the two converse, Sick Boy considers the duplicitous trait of opportunity and threat accompanying Begbie's release. Soon after, Terry, Rab and several other friends arrive and begin discussing their upcoming trip to Amsterdam, a bachelor celebration for Rab. Sick Boy is initially reluctant to attend but changes his mind after Carl, a DJ, mentions that Renton worked at a club there. Sick Boy's "Porno" shoot becomes a slow demolition of his so-called mates. Spud ends the friendship when Sick Boy tells him he was using him for the purpose of a scam, Nikki becomes disillusioned with him after realising that he really has no caring side and really is the nasty deceitful person that she tried desperately to ignore. Begbie grows tired of Sick Boy being 'smarmy', although Begbie becomes angry with everyone in due course. Spud tries to provoke Begbie into killing him so his wife Alison will profit from his life insurance (which, naturally, does not cover suicide). As Begbie is violently hitting Spud, Alison and the couple's young son burst in, stopping them. Spud is hurt, but his last narration implies that he can see things getting better. The biggest departure Sick Boy has from his life is Renton. After promising to meet Sick Boy in Cannes, Renton instead goes to Zurich to empty their joint account to start a new life in San Francisco. This deception is the biggest blow to Sick Boy as he obviously treasured their unconventional relationship and cannot believe he was duped by Renton again. Begbie later discovers Renton while visiting Leith and is hit by a car while running across the road to attack him. While Renton would have expected to feel pleased by this he is sad and comforts Begbie while he is taken to hospital. It is indicated that as Begbie slips into a coma he may be forgiving Renton After learning that Begbie has fallen into a coma, Renton flees the country with Nikki and Diane, as well as Sick Boy's £60,000 made from a financial fraud. The book ends with Begbie suddenly coming awake as Sick Boy confesses everything in hope that Begbie will resume his merciless hunt for Renton. |
Prince of Chaos | Roger Zelazny | 1,991 | Merlin returns to his birthplace in the Courts of Chaos in order to solve the existential riddle in which he is involved. He realizes he is but a pawn in the hands of the powerful and cynical superpowers that rule the universe. Merlin becomes the new king of Chaos and is reunited with his father, Corwin. In the Courts of Chaos, Merlin uses all his magical powers in the final fight for survival. fr:Prince du Chaos pl:Książę Chaosu ro:Prințul Haosului ru:Принц Хаоса |
The Love of the Last Tycoon | F. Scott Fitzgerald | 1,941 | According to Publishers Weekly's 1993 review of the edition reconstructed by Fitzgerald scholar Matthew J. Bruccoli, The Love of the Last Tycoon is "[g]enerally considered a roman a clef", inspired by the life of film producer Irving Thalberg, on whom protagonist Monroe Stahr is based. The story follows Stahr's rise to power in Hollywood, and his conflicts with rival Pat Brady, a character based on studio head Louis B. Mayer. |
Save Me the Waltz | Zelda Fitzgerald | 1,932 | Save Me the Waltz, according to its author, derives its title from a Victor record catalog, and it suggests the romantic glitter of the life which F. Scott Fitzgerald and Zelda Sayre Fitzgerald lived and which Scott’s novels have so indelibly written into American literary and cultural history. Divided into four chapters, each of which is further divided into three parts, the novel is a chronological narrative of four periods in the lives of Alabama and David Knight, names that are but thin disguises for their real-life counterparts. Save Me The Waltz is the story of Alabama Beggs, a Southern girl who marries a twenty-two-year-old artist, David Knight. As with Zelda and Scott, Alabama met David when he was in the South during World War I. Knight becomes a successful painter, and the family moves to the Riviera where Knight begins an affair with an actress. Determined to be successful in her own right, Alabama decides to become a ballet dancer and devotes herself relentlessly to the cause, eventually achieving success. Alabama dances her solo debut in the opera Faust. Though outwardly successful, Alabama and David are miserable. At the novel's end they return to the South when Alabama's father dies. Though she says otherwise, her friends from the South go on about how happy and lucky Alabama is. Alabama searches for meaning in her father's death, but finds none. While cleaning up after their final party before returning to their unhappy lives, Alabama remarks — an interesting contrast to the closing lines of The Great Gatsby — that emptying the ashtrays is "very expressive of myself. I just lump everything in a great heap which I have labeled 'the past,' and having thus emptied this deep reservoir that was once myself, I am ready to continue." |
It | Stephen King | 1,986 | In October 1957, an evil shape-shifting being, known only as "It", awakens in the town of Derry, Maine. Taking the form of a clown named Pennywise, It lives in the sewers under the town and comes up through places connected to the sewer system. It preys on children and takes the form which they are most scared of once they have been tempted to him with balloons. Because most children think a monster would eat them, It takes away one of their body parts and hides it in the sewers. When six year old George Denbrough's paper boat is swept into a storm drain, It tempts the boy by conjuring up a circus in the drain and murders him. The following June, a new resident arrives in Derry. Ben Hanscom is overweight, has no friends and is bullied by Henry Bowers, Belch Huggins and Victor Criss. On the last day of school he hides from his tormentors in the Barrens, where he meets and befriends Eddie Kaspbrak, whose mother has convinced him he has asthma, and Bill Denbrough, George's elder brother who has a terrible stutter. The three boys later befriend Richie Tozier, a smart alec; Stan Uris, who is an outcast because he's Jewish; Beverly Marsh, who is beaten by her father; and Mike Hanlon, who is an outcast because he's black. The children establish their circle as the "Losers Club". Gradually, they realize they have all encountered It in various forms (Ben as a mummy, Eddie as a leper, Bill as George, Richie as a werewolf, Stan as Its victims, Beverly as voices from the sink and Mike as a flesh eating bird) and link it with a series of child murders which began with George. Ben has read a book about American Indians using smokeholes to have visions, so he makes a makeshift smokehole out of the Loser's clubhouse. By use of this, the Losers discover how It came to Derry. Bill then discovers an American Indian ritual - The Ritual Of Chüd - which he hopes will kill It. A few days later, Eddie is hospitalized after being attacked by a gang of bullies led by Henry Bowers. Beverly stumbles across the Bowers gang in the landfill. While hiding, Beverly witnesses one of the bullies, Patrick Hockstetter, being attacked and kidnapped by It. When the Losers return to the landfill, they discover a message from It written in Patrick's blood, warning them to stop. After Eddie is released from the hospital, Ben makes two slugs out of silver, believing that It can be killed by silver bullets. The Losers return to the House on Neibolt street, where Eddie was attacked by the leper and Richie and Bill were chased away by Richie's werewolf, and It plays games with the interior to try to scare them. It attacks the Losers in werewolf form, primarily focusing on Bill. The Losers, however, are able to chase It away with Beverly's slingshot. It manipulates the mind of Henry Bowers, making him kill his father and providing him with a switchblade to kill the Losers with. Henry recruits the two other bullies, Victor Criss and Reginald "Belch" Huggins, and follow the Losers into the sewers. Under Derry, It attacks the Bowers gang in the form of Frankenstein's monster, killing Victor and Belch. Henry escapes and is arrested by the police, having been framed by It for the child murders. The Losers confront It. Bill enters the monster's mind through the Ritual of Chüd and comes to a darkness beyond the universe, where It's true form resides: a mass of floating orange light (or "deadlights"). Bill defeats It, forcing the monster to retreat. The Losers decide that It has been destroyed. In order to keep their bond, before escaping from the sewers, Beverly has sexual intercourse with each of the boys. The seven make a blood oath to return to Derry if It ever resurfaces. In July 1984, three youths throw a gay man, Adrian Mellon, off a bridge. They are arrested for murder when Mellon's mutilated corpse is found, though they didn't mutilate him. One of the murderers claims that he saw a clown kill him underneath the bridge. When a string of violent child-killings hits Derry, Mike—now the town’s librarian and the only one of the Losers’ Club to remain in Derry—calls up his six friends and reminds them of their childhood promise to return. Bill is now a successful horror writer living in England with his wife, Audra. Beverly is a fashion designer in Chicago, who has married an abusive man named Tom and is regularly beaten. Eddie has moved to New York City, where he runs a limousine rental company. Richie lives in Los Angeles and is a professional disc jockey using his talent for voice imitation. Ben is now thin and a successful architect, living in Nebraska. Stan is a wealthy accountant residing in Atlanta, Georgia. An account of each person's reception to the phone call is given. Stan kills himself out of fear of It (although he could have been killed by It, as It later says he has killed one of the gang and because Stan died in the bath). Tom refuses to let Beverly go and tries to beat her, so she lashes out at him before fleeing to her friends. The other's receptions are fairly uneventful. Five of them return to Derry with only the dimmest awareness of why they are doing so, having almost completely blocked out virtually every aspect of their childhood. The remaining Losers meet for lunch, where Mike enlightens them to the apparent nature of It: It awakens once roughly every twenty-seven years for twelve-to-sixteen months at a time, feeding on children before going into slumber again. The group decides to kill It once and for all. Later, many of them witness manifestations of It. Three other people are also converging on the town: Audra, who wants to help Bill; Tom, who plans to kill Beverly; and Henry Bowers, who has escaped a mental institution with help from It. Mike and Henry have a violent confrontation, but Henry escapes. Henry, with the guidance of It, is transported to a hotel to attack Eddie. In the ensuing fight, Henry is killed. It appears to Tom and orders him to capture Audra. Tom brings Audra to It's lair. Upon seeing It's true form (the dead lights), Audra becomes catatonic and Tom drops dead in shock. Audra is left alive in It's lair. Bill, Ben, Beverly, Richie, and Eddie, find out that Mike is near death and realize that they are being forced into another confrontation with It. They descend into the sewers. While in the sewers, the remaining Losers use their strength as a group to "send energy" to a hospitalized Mike, who fights off a nurse that is under the control of It. It appears as George but Bill overcomes the illusion. They reach It's lair and Bill and Richie engage It in the Ritual of Chüd again. Richie rescues Bill from the deadlights and manages to injure It. Eddie saves them, but is killed in the process. Beverly stays with Eddie and the traumatized Audra, who is found alive. Bill, Richie, and Ben follow It when It retreats due to injury. They discover that It has laid eggs, and they are about to hatch, which are all destroyed by Ben while Bill and Richie hunt down It. Bill crushes It's heart between his hands, finally killing It. At the same time, the worst storm in Maine's history sweeps through Derry and the downtown area collapses. Mike concludes that Derry is finally dying. The novel ends with the Losers returning home and forgetting about It, Derry and each other. As a sign that It really is dead, Mike’s memory of the events of that summer also begin to fade, much to his relief. Ben and Beverly leave together. Bill is the last to leave Derry. Before he goes, he takes Audra, still catatonic, for a ride on his bicycle Silver, hoping that they can beat her catatonia. They succeed, and the story ends. |
The Amazing Maurice and His Educated Rodents | Terry Pratchett | 2,001 | The Amazing Maurice is a sentient cat who leads his 'Educated Rodents', a group of sentient rats, as they go from town to town posing as a plague so that their accomplice, a teenage human piper named Keith, can "lure them all away" from the town, after which they share the money the piper receives. The rats had gained intelligence from eating the waste from the rubbish tip behind Unseen University; Maurice gained it after eating one of the rats, before he was capable of realizing that they were no longer normal rats. The group is not completely happy; the leader of the rats, Hamnpork, despises Maurice, while Dangerous Beans (they chose names based on the labels they could read before they could comprehend), a near-blind albino rat who guides them like a guru, wants to start a rat civilization - both he and Peaches, the group's scribe, find their trickery unethical. The rats are seeking the ideal of humans and rats living together, following the example of their sacred book Mr Bunnsy Has an Adventure. They agree to do one last job, in the town of Bad Blintz, in Überwald. The rats set about planning their offensive, led by Darktan, the head of the Trap Disposal Squad, while Maurice and Keith look around. They are surprised to find that while the buildings are expensively built, the people have little food, and rats are hunted far more viciously than anywhere else. Maurice and Keith meet Malicia, the mayor's daughter, who is a story teller. She soon discovers that Maurice can talk, and meets Sardines, a tap-dancing rat who is the most daring of the group. While talking to her, Maurice reveals that the rat catchers have been passing off bootlaces as rat tails. As they set off to look in the rat-catchers' house, the rats discover many rat tunnels, which are empty, save for traps and poison. The two groups meet in the rat catchers' den, where they have been storing the food the rats are thought to have eaten, and find cages where the rats are being bred for coursing. The rat catchers return, lock Keith and Malicia away, and take Hamnpork to be coursed. Maurice hides and feels a voice trying to enter his mind. The rats feel it too, and it returns many of them to being simple rats - to the dismay of Dangerous Beans. Darktan leads a group to rescue Hamnpork, while Peaches and Dangerous Beans free Keith and Malicia. Malicia lets slip that Mr Bunnsy Has an Adventure is a fictional children's book and Dangerous Beans and Peaches leave in despair. Darktan's group is successful in rescuing a severely injured Hamnpork, though Darktan finds himself in a trap. After a near-death experience, he escapes. Hamnpork dies, Darktan assumes leadership and sets out after Dangerous Beans and Peaches. Maurice gives in to his conscience and is also seeking them, but the voice drowns out his thoughts. Malicia and Keith, after gaining freedom, trick the rat catchers into revealing their secret. The rat catchers have created a powerful rat king named Spider – eight rats, tied together at the tail, who make a single mind with power over others. Spider is interested in Dangerous Beans; other rats he can control, but Dangerous Beans has a mind similar to his: one that thinks for others. Dangerous Beans refuses Spider's offer of jointly ruling, as Spider wants to wage war on humans. Spider tries to destroy Dangerous Beans' mind; this is felt by his army of rats and Maurice. Dangerous Beans is able to resist, but Maurice reverts to being a cat, and the cat instinct tells him to pounce... Darktan's army, who have been fighting Spider's rats, find Peaches in Spider's lair, which is on fire. Maurice emerges from the fire carrying the body of Dangerous Beans. When he is safely out, he collapses and dies. In ghostly form, he sees the Death of Rats coming for Dangerous Beans. He attacks the Death of Rats to save Dangerous Beans, but is picked up by Death, with whom he strikes a deal, exchanging two of his remaining lives so that Death will let Dangerous Beans live. Though Spider is defeated, there is still a problem remaining: the rat piper is due to arrive the next day. The rats set about rounding up the 'keekees' (non-intelligent rats). When the piper arrives, Keith challenges him to a duel. His pipe was broken by the rat catchers, so Keith uses a borrowed trombone in the duel and makes Sardines dance. When the piper starts to play his magical pipe, the rats avoid being charmed by keeping their ears stuffed and the keekees can't respond, being locked in their cages. The piper calls Keith aside, and tells him the tricks of the trade: the pipe contains a hidden slide position for a trick note that drives rats away, the stories about him are made up so people will be scared into paying. Keith and the piper then lead the keekees out of town – Keith wants to maintain the story of the piper and the rats want a convenient way to set the keekees free. Once that has been done, the rats emerge, offering to tell the humans where to find the stolen food and money, in return for living peacefully with them. Keith stays on as the town's piper and the town becomes a tourist attraction where everybody remarks on how 'clean' the place is and marvels at the 'well trained rats'. Maurice moves on, being unwilling to settle in one place at a time, and looks to find another human to 'coach'. |
Permutation City | Greg Egan | 1,994 | The plot of Permutation City follows the lives of several people in a near future reality where the Earth is ravaged by the effects of climate change, the economy and culture are largely globalised (the most commonly used denomination of currency is the ECU, the precursor to the euro in use at the time the book was written), and civilisation has accumulated vast amounts of cloud computing power and memory which is distributed internationally and is traded in a public market called the QIPS Exchange (QIPS from MIPS, where the Q is Quadrillions). Most importantly, from the perspective of the story, this great computing capacity is used to construct physiological models of patients for medical purposes, reducing the need for actual medical experimentation and enabling personalised medical treatments, but also enabling the creation of Copies, whole brain emulations of "scanned" humans which are detailed enough to allow for subjective conscious experience on the part of the emulation. Although not yet in widespread usage, scanning has become safe enough and common enough to allow for a few wealthy or dedicated humans to afford to create backups of themselves, generally with the intention of surviving the biological deaths of their bodies. A minority of Copies exist, though they are largely perceived (with some justification) as being a collection of the thanatophobic eccentric rich. Copies do not yet possess human rights under the laws of any nation or international body, although some of the wealthiest Copies, those still involved with their own estates or businesses, finance a powerful lobby and public relations effort to advance the Copy rights cause. To this effect, the legal status of Copies is viewed as somewhat farcical even by sceptics of the cause, and many expect full Copy rights to be granted in Europe within two decades. The plotline travels back and forth between the years of 2045 and 2050, and deals with events surrounding the life of a Sydney man named Paul Durham, who is obsessed, yet frustrated, with experimenting on Copies of himself (because he believes Copies of himself should be more willing to undergo experimentation). In the latter time frame, Durham is suspected to be a con artist of some type, who travels around the world visiting rich Copies and offering them prime real estate in some sort of advanced supercomputer which, according to his pitch, will never be shut down and will be powerful enough to support any number of Copies in VR environments of their own designing at no slowdown whatsoever, no matter how preposterously opulent those environments might be. He pitches this concept to the Copies, predicated upon the prediction that the Copy rights movement might run into resistance due to devastating climate change. As the world undergoes increasingly extreme and erratic weather, a variety of international bodies, especially the Association of Southeast Asian Nations, which has been particularly hard-hit by tropical storms, have proposed projects to use their vast computing resources to attempt to intervene, utilising chaotic effects to their advantage, in global weather patterns with such precision as to minimise weather-related destruction while also minimising the scale of the efforts necessary to do so. Durham predicts this will clash with the spread of Copy rights, as both Copies and weather simulations will demand increasing QIPS Exchange shares in the future. All that each Copy must do is to make the laughably small investment of two million ecus in order to bring Durham's fantasy computer into existence. As part of his plot, Durham hires Maria Deluca, an Autoverse enthusiast. She has recently become famous within the small community of Autoverse hobbyists for developing a variety of A. lamberti which evolved the capacity to metabolise an Autoverse toxin. Durham contacts her and offers to pay her thirty thousand dollars to design an Autoverse program which, given a large enough computer, could potentially evolve into a planet bearing Maria's own strain of evolvable Autoverse life. She desperately wants the money to have her dying mother scanned into a Copy. Since no such computer to fully evolve Autoverse life exists, Durham has to try to convince Maria that he is a wealthy Autoverse enthusiast interested in her evolvability results and looking for a proof of concept for a much larger system. He also clandestinely commissions a famous virtual reality architect, Malcolm Carter, to build a full scale, high resolution VR city, Permutation City, the largest VR environment ever conceived, complete with reactive crowds and a staggering variety of full scale, high resolution scenic views. As computer fraud investigators begin to close in on Durham's scheme, Maria is pressured by police into covertly gathering evidence in order to incriminate Durham, while continuing to work for him. She learns more about Durham himself, including his time spent in psychiatric care and his callous experimentation on his own Copies, as well as his assiduously reticent Copy backers. Meanwhile, two Slum-dwelling Solipsist Nation Copies, Peer and Kate, explore their post-human existences as well as their strained but loving relationship, until Kate's long-time friend Malcolm Carter offers to secretly hack them both, along with any moderately-sized software packages they wish, into Permutation City's machine code, guaranteeing them a place in the city were it ever to run, but permanently debarring them from manipulating the city's implementation for fear of being deleted as extraneous cruft by automated software. At the end of Part One, Durham reveals the full extent of his plan to Maria: after taking his earlier self-experiments to their logical conclusion, he became convinced of something he came to call the Dust Theory, which holds that there is no difference, even in principle, between physics and mathematics, and that all mathematically possible structures exist, among them our physics and therefore our spacetime. These structures are being computed, in the manner of a program on a universal Turing machine, using something Durham refers to as "dust" which is a generic, vague term describing anything which can be interpreted to represent information; and therefore, that the only thing that matters is that a mathematical structure be self-consistent and, as such, computable. As long as a mathematical structure is possibly computable, then it is being computed on some dust, though it does not matter what dust actually is, only that there be a possible interpretation where such a computation is taking place somehow. The dust theory implies, as such, that all possible universes exist and are equally real, emerging spontaneously from their own mathematical self-consistency. Due to the computability of consciousness and the function of consciousness as a matrix for interpretation, Copies hold the unique position of being the only conscious beings which themselves are not being computed by self-consistent mathematical rules (existing, of course, in virtual realities held together by heuristics merely for the sake of their experience). As such, in principle it should be the case that when a Copy is terminated and deleted, its own conscious experience will continue due to the fact that there is no precedent within the Copy's interpretive matrix by which the Copy should suddenly cease. Indeed, Durham himself claims to have been through such a process several times, each time finding himself back in "the real world" after deletion, with there existing some plausible explanation as to why he believed himself to have been a Copy who was deleted, though with each successive experience of Copying himself and being deleted, he gradually became increasingly confident that the experiences were actually the result of his consciousness finding a logical interpretation in which it had not actually ceased, rather than each successive experience being ultimately true and real. Because of this, Durham is staging a massive, momentary buyout of the world's processing power to simulate a minute or two of a "Garden of Eden" configuration of an infinitely-expanding, massively complex cellular automaton universe (similar to what is known as a "Spacefiller" configuration in Conway's Game of Life) based on a fictional, Turing-complete cellular automaton known as TVC ("Turing/Von Neumann/Chiang", named after its conceiver and designer), in which each iteration of the expansion serves to "manufacture" an extra layer of blocks of a computing configuration. Ultimately, if a Copy were to be run in such a self-consistent universe, and were to observe, via a series of pre-defined experiments, the cellular nature of its own processing implementation, then there would be precedent for that self-consistent "TVC universe" to persist in its own terms even after its termination and deletion in the universe it was designed and launched in. His and his investors' Copies would therefore persist indefinitely in the simulation, and since the "space" of the TVC universe would be made of self-reproducing cellular automaton computer processors, the simulation would not possess a finite number of states and the passengers would not, in principle, run out of interesting things to get up to. Implanting himself and his investors in this TVC universe, Durham believed he could prove or falsify his hypothesis that his experience of repeated termination and continuation was the result of his own interpreting himself into universes in which he might plausibly have believed he had had such an experience, as opposed to merely having inhabited such a universe all along. If he were to implant his Copy into the TVC universe, have the copy run a number of experiments to anchor itself in that universe, and then terminate it, only to find himself still in the TVC universe (indeed, the purpose of growing the TVC universe from a Garden of Eden configuration was to prove to his Copy that such a TVC universe as it found itself to inhabit must have been launched from a non-TVC universe, as opposed to merely having always existed and evolved towards this the current state in which he did not know whether it had) rather than back in "the real world" again, then he would be vindicated; if not, then his hypothesis would be falsified and he might consider himself crazy (his last several experiences of termination and subsequent continuation involved him finding himself in the position of having been recently cured of psychosis). The Autoverse planetary seed program designed by Maria was to be included in the TVC universe package for his investors to explore once life had evolved there after it had been run on a significantly large segment of the TVC universe. Though Maria believes Durham to be obviously rationalising his experiences while psychotic, she agrees to Durham's request to have herself scanned and inserted into the TVC launch as an on-hand Autoverse expert. The six-hundred thousand dollar fee will allow her mother to be scanned, and she is certain that her copy will never wake because she demands to be present at the launch to verify that her copy is not run during the launch period, and is subsequently deleted. After a successful launch, simulation, termination, and deletion of the TVC universe, Durham and Maria have uncomfortable sex in awkward celebration, and later that night, while Maria is asleep, Durham disembowels himself with a kitchen knife in his bathtub, believing his role as the springboard for his deleted TVC Copy to discover its true identity to be fulfilled. Maria wakes in Permutation City seven thousand years of subjective time after the launch, furious at Durham for being awoken and refusing to believe that the launch was successful. Durham eventually persuades her, however, by showing her the complexity of the Autoverse planet she had designed, Planet Lambert, which had then been running on a suitably large chunk of the TVC universe for several billion subjective years. Intelligent life in the form of complex swarms of insect-like eusocial beings had evolved on Lambert from Maria's original Autobacterium hydrophilus, and the citizens of Permutation City were on the verge of making contact with the creatures. However, a town hall vote restricted the Autoverse scholars from making contact until the creatures had independently hypothesized the existence of a creator. Meanwhile, Permutation City had flourished in the TVC universe, and the original inhabitants of a few hundred had exploded to a population of tens of thousands, with the descendants of the various founders sharing their founders' ever growing chunks of the TVC universe, with Permutation City acting as the central locus for interaction between populations located in different contiguous blocks of the universe. Durham, however, confides in Maria that he does not believe the insectoid creatures will ever seriously consider the concept of a creator and intends to use Maria's slice of the universe's processing power (as a founder of the world she was given de facto control of a continuously-growing zone of the processor network as well) to make forbidden first contact with the life of Planet Lambert. He believes this is necessary because he has seemingly lost the ability to pause the Autoverse simulation or slow it down past a constant multiple of the size of the processor network it occupies. Durham is worried that the rules of their simulated universe are breaking down. What they discover together is that the growing and intellectually voracious population of Planet Lambert has exceeded the combined intelligence of the inhabitants of the remainder of the TVC universe, and that Lambert in its Autoverse has ceased to be defined as the TVC universe's simulation. Rather, the Lambertians have been considering a new set of hypotheses, interpretations of the evidence present to them, which do not require their universe to have been created in Maria's original Garden of Eden configuration. As such, the TVC universe's processor networks, which had previously done the work of simulating the Autoverse for the inhabitants of Permutation City, were now progressively being redefined in ways which prevented them from interfering with the existence of the Autoverse in ways unprecedented under these newly self-consistent interpretations of its terms of existence – the TVC universe was being overwritten into a system existing solely as a byproduct of the self-perpetuation of the Autoverse, and its inhabitants on Planet Lambert had interpreted it to be so. Durham, Maria, and some other companions quickly launch an emergency expedition into the Autoverse to attempt to convince the Lambertians of the validity of the creator hypothesis and its methodological perferentiality over their own newly formulated theory. Unfortunately, the Lambertians reject their presentation of the creator theory of the Autoverse on the grounds that a system such as the TVC universe, capable of simulating their own universe, would have to be infinitely sized or infinitely expanding, which they consider to be unparsimonious. Shortly after failing to convince Planet Lambert of the creator theory, the Lambertians inform them of the discovery a set of field equations with a stable solution for each of their universe's elements; furthermore, initial studies on the equations show that they predict the spontaneous instantiation of matter at high temperatures, enabling their world to come into existence without requiring the Garden of Eden Maria had initially designed. To the alarm of its citizens, Permutation City and eventually the entire TVC processor-network begins to collapse into nothingness, interpreted out of existence by the Lambertians whose reality no longer requires a maker, there being a 'better' solution that has superseded its possibility. As Permutation City becomes corrupted and the TVC universe begins to suffer spontaneous systemic failures, Durham and Maria inform the inhabitants of the various founders' computing blocks of the situation while preparing a new TVC Garden of Eden based on the original to launch in their universe's final moments, though Durham initially declines to board it himself, saying he has become exhausted with the number of times he was awoken in new realities and would be unable to cope with experiencing it again. Ultimately, however, Maria convinces him to change his mind (literally reconfiguring it to desire escape) and together they leave, pledging to discover the underlying rules that governed the Autoverse's takeover of Permutation City. |
Quidditch Through the Ages | J. K. Rowling | null | In 2001 Rowling penned two companion books to the Harry Potter series, Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, for British charity and off-shoot of Live Aid, Comic Relief with all of her royalties going to the charity. As of July 2008, the books combined are estimated to have earned over $30 million for Comic Relief. The two books have since been made available in hardcover. Foreword Chapter 1: The Evolution of the Flying Broomstick Chapter 2: Ancient Broom Games Chapter 3: The Game From Queerditch Marsh Chapter 4: The Arrival of the Golden Snitch Chapter 5: Anti-Muggle Precautions Chapter 6: Changes in Quidditch Since the Fourteenth Century :::* Pitch :::* Balls :::* Players :::* Rules :::* Referees Chapter 7: Quidditch Teams of Britain and Ireland Chapter 8: The Spread of Quidditch Worldwide Chapter 9: The Development of the Racing Broom Chapter 10: Quidditch Today |
Key of Solomon | null | null | The Key of Solomon is divided into two books. It describes not the appearance or work of any spirit but only the necessary drawings to prepare each "experiment" or, in more modern language, magical operations. Unlike later grimoires such as the Pseudomonarchia Daemonum (16th century) or the Lemegeton (17th century ), the Key of Solomon does not mention the signature of the seventy-two spirits constrained by King Solomon in a bronze vessel. As in most medieval grimoires, all magical operations are ostensibly performed through the power of God, to whom all the invocations are addressed. Before any of these operations (termed "experiments") are performed, the operator must confess his sins and purge himself of evil, invoking the protection of God. Elaborate preparations are necessary, and each of the numerous items used in the operator's "experiments" must be constructed of the appropriate materials obtained in the prescribed manner, at the appropriate astrological time, marked with a specific set of magical symbols, and blessed with its own specific words. All substances needed for the magic drawings and amulets are detailed, as well as the means to purify and prepare them. Many of the symbols incorporate the Transitus Fluvii occult alphabet. |
The Wee Free Men | Terry Pratchett | 2,003 | An experienced witch named Miss Tick and her toad arrive on the chalk. She feels that something is not right, so she decides to find out what's going on. Her intuition is right. The Queen of the Elves has made another attempt at invading the Discworld, this time by stealing children and infesting dreams. With the help of the Wee Free Men, the Nac Mac Feegle, nine-year-old Tiffany Aching finds out that her grandmother used to be the witch of the Chalklands, and that she has inherited the trade. When her baby brother is stolen, Tiffany and the Nac Mac Feegle enter the elves' world to steal him back. The novel contains a scene inspired by the painting The Fairy Feller's Master-Stroke. |
Strata | Terry Pratchett | 1,981 | Kin Arad is a human planetary engineer working for the Company, a human organisation that "builds" habitable planets with techniques and equipment salvaged from the Spindle Kings, an extinct alien race, excelling in terraforming. The expressed aim of the Company's planet building is to create branches of humanity diverse enough to ensure the whole species' survival for eternity, since the Earth's population in the past has been decimated due to the lethal Mindquakes, epidemic mass deaths caused by too much homogeneity among the populace. All planets built by the Company are carefully crafted with artificial strata containing false fossils, indistinguishable from the real thing. On occasion, however, mischievous Company employees will attempt to place anomalous objects in the strata, like running shoes or other out-of-place-artefacts as practical jokes, hoping to cause confusion among future archaeologists when the planets' beginnings have been long forgotten. The Company does not allow this however, and secretly monitors the generated strata in order to detect this, fearing such actions may cause the collapse of entire civilizations when the artefacts are eventually unearthed. Kin and two aliens, the four-armed frog-like, paranoid and muscular Kung Marco and Silver, a bear-like Shand, historian and linguist by profession, are recruited by the mysterious Jago Jalo for an expedition. Jalo, a human who more than a thousand years ago embarked on a relativistic journey has made a stunning discovery - a flat Earth. However, when the team rendezvous on the Kung homeworld, the violent Jalo unexpectedly has an heart-attack and dies. Shocked by the large amounts of weapons on-board Jalo's spaceship, Kin has misgivings about the expedition, but Silver and Marco see the possibility of reaping great technological rewards and launch the vessel. When the expedition finally arrives at Jalo's pre-programmed coordinates, they find a flattened version of the mediaeval Eastern hemisphere of Earth, clearly artificial. It rotates around its hub inside a gigantic hollow sphere with tiny "stars" affixed to the interior, complete with a small sun, moon and fake planets revolving around it. After their ship is hit by one of the orbiting "planets", Kin, Marco and Silver are forced to abandon ship and land on the flat Earth with the help of their lift-belt equipped suits. A return from the flat Earth now seems impossible, unless they are able to find its mysterious builders, so they embark on a journey to a structure they have spotted at the hub of the Disc, the only thing which does not match geographically with the Earth they know. En route, they encounter the superstitious Medieval inhabitants of the Disc, who believe the end of the world is near, due to increasingly chaotic climate (caused by the Disc's machinery breaking down), the recent disappearance of one of their planets and the general devastation caused by the ship's crash. They also discover a number of other differences. What Kin Arad knows as Reme is called Rome on the Disc, and there is a strange Christos cult that is completely unfamiliar to Kin Arad. Also, Venus is conspicuously lacking its giant (lunar-sized) moon Adonis, which dominates the sunset sky on the Earth Kin knows, and led humanity to a heliocentric world view early on. Since only the Eastern hemisphere of Earth is represented, the continent of America is completely missing; the travellers rescue a party of Vikings in the process of searching for Vinland, when their ship is about to sail over the edge of the world. In addition, there are real "magical" creatures and objects on the Disc, demons and magic purses and flying carpets - all of them, the travellers realise, highly advanced and sophisticated technological constructs like the Disc itself. Indeed, the world itself is an extremely old and sophisticated automated system. At the very end of the story, Kin comes to suspect that the builders of the flat world in fact constructed the universe as a whole, with the evidence of previous races being hoaxes and the flat world being an inside joke, analogous to the false strata Kin and the Company themselves manufacture, and the occasional hoaxes put in these strata by rebellious employees. Kin and the others eventually reach the hub and Kin makes contact with the Disc's controlling systems. She is told that, despite advanced robotic maintenance, sheer entropy build-up threatens the Disc's further existence. The machines offer their advanced technology, in exchange for Kin's construction of a real replacement Earth for the flat planet's inhabitants. Kin agrees; the implication being that the world she will build is in fact our own Earth. Kin is excited about the massive task at hand; just like Ringworld's Louis Wu, whom she parallels, she is over two hundred years old, and thus constantly under the threat of growing tired of life. |
The Dark Side of the Sun | Terry Pratchett | 1,976 | Dominickdaniel "Dom" Sabalos IV is the son of the inventor of probability math, a science able to predict anything apart from anything to do with the Jokers, and the first person to have had his life fully quantified using p-math. Before being mysteriously assassinated, his father predicted that Dom too would be killed, on the day of his investiture as Chairman of his wealthy home planet of Widdershins. However, not having been told of his father's prediction, and against incalculably distant odds, Dom survives the assassination attempt. When the recording of his father's prediction is played back, a time delay added specifically for this unlikely eventuality plays a little more of the recording, in which his father makes a further prediction - that Dom will discover the Jokers' homeworld. Dom sets out, with Hrsh-Hgn (his tutor, a swamp-dwelling phnobe), Isaac (his robot, equipped with Man-Friday subcircuitry) and Ig (his pet swamp ig) in tow, on a picaresque adventure to find the Jokers' world. He visits many corners of the "life-bubble", encountering Joker artefacts, his god-father, who is a sentient planet, and the sexless, octopoid Creapii, among many other weird and diverse aliens and planets. At the same time he finds himself surviving - at increasingly improbable odds - numerous assassination attempts by a mysterious conspiracy which has long worked to prevent anybody from locating the Jokers, assassinating anybody deemed by p-math having a chance of doing so. |
Soul Music | Terry Pratchett | 1,994 | The story follows the short-lived but glamorous musical career of "The Band with Rocks In", a group of musicians who become famous after their leader, Imp Y Celyn a.k.a. 'Buddy' (Buddy Holly: the name is Welsh for "bud of the holly"), becomes possessed by the essence of an addictive new music dubbed 'Music With Rocks In'. The band is "discovered" by Cut-Me-Own-Throat Dibbler, who becomes the Disc's first manager. He tries to cash in on the band by any means possible while keeping them ignorant. He also hires the troll Asphalt as a roadie to accompany the band on its tour. Meanwhile, Death, in one of his philosophical moods, takes a holiday in search of a way to forget his more troubling memories, especially the recent demise of his adopted daughter Ysabell and her husband Mort. In the meantime, his granddaughter Susan discovers the truth about her heritage when she is forced to stand in for her missing grandfather. Complications ensue when she falls in love with Buddy, and tries to save him from his "live fast, die young" destiny as the Discworld's first rock star. Buddy wants to do a free concert, and after Dibbler figures out how much money he can make by selling T-shirts, sausages-in-a-bun etc. to the audience, he agrees. A large number of bands, all of whom have formed in response to the original "Band with Rocks In", participate in the largest concert of all time. Afterwards the band flees from their crazed fans, pursued by the angry Musicians Guild, C.M.O.T. Dibbler, Susan and Death. The cart in which the band is riding falls into a gorge, killing all its passengers, but Death intervenes to save them, afterward destroying the guitar which was the source of the new music. Thus the band is freed from their self-destructive destiny, and the spirit of the Music With Rocks in is driven from the Disc. |
Bluebeard | Kurt Vonnegut | 1,987 | At the opening of the book, the narrator, Rabo Karabekian, apologizes to the arriving guests: "I promised you an autobiography, but something went wrong in the kitchen..." He describes himself as a museum guard who answers questions from visitors coming to see his priceless collected art. He shares the lonely home with his live-in cook and her daughter, Celeste. One afternoon, Circe Berman wanders onto Karabekian's private beach. When he reaches out to greet her, she catches him by surprise with the forward statement "Tell me how your parents died." He tells her the story and proceeds to invite her back to his home for a drink. After a drink and supper, Karabekian invites her to stay with him, as Paul Slazinger does. After a time, he begins to find her charm "manipulative", as she typically gets her way. Mrs. Berman does not respect his abstract art collection, including works by Jackson Pollock. She explores every inch of Karabekian's home, constantly asking him questions. The only place that is off-limits to her is the potato barn. The potato barn is the home of Karabekian's studio and holds his "secret". The barn has no windows, and Karabekian has gone through the trouble of nailing one end shut and immobilizing the other with six padlocks. The secret of the potato barn has enticed collectors to make outrageous offers and to raise suspicions of stolen masterpieces. It is to remain locked until after Karabekian passes away. |
Tirant lo Blanc | null | null | Tirant lo Blanch tells the story of a medieval knight Tirant from Brittany who has a series of adventures across Europe in his quest. He joins in knightly competitions in England and France until the Emperor of the Byzantine Empire asks him to help in the war against the Ottoman Turks, an Islamic tribe of invaders threatening Constantinople, the capital and seat of the Empire. Tirant accepts and is made Megaduke of the Byzantine Empire and the captain of an army. He defeats the Turkish invaders and saves the Empire from destruction. Afterwards, he fights the Turks in many regions of the eastern Mediterranean and north Africa, but he dies just before he can marry the pretty heiress of the Byzantine Empire. The loss of Constantinople to the Ottoman Empire in 1453 was considered at the time to be a major blow to Christian Europe. In writing his novel, Martorell perhaps rewrote history to fit what he wanted it to be - which in a way makes it a precursor of the present-day genre of alternate history. |
Thunderball | Ian Fleming | 1,961 | Thunderball begins with a meeting between Bond and his superior, M, during which the agent is told that his latest physical assessment is poor because of excessive drinking and smoking (up to sixty cigarettes a day). M sends Bond on a two-week treatment at the Shrublands health clinic to improve his health. At the clinic Bond encounters Count Lippe, a member of the Red Lightning Tong criminal organisation from Macau. When Bond learns of the Tong connection, Lippe tries to kill him by tampering with a spinal traction machine. Bond, however, is saved by nurse Patricia Fearing and later retaliates against Lippe by trapping him in a steam bath, resulting in the Count's second-degree burns and a week's stay in hospital. The Prime Minister receives a communiqué from SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion) explaining that the organisation has hijacked a Villiers Vindicator and seized its two nuclear bombs, which it will use to destroy two major cities unless a £100,000,000 ransom is paid. This is SPECTRE's Plan Omega. SPECTRE is headed by criminal mastermind Ernst Stavro Blofeld. Count Lippe was dispatched to Shrublands to oversee Giuseppe Petacchi of the Italian Air Force, at the Boscombe Down Airfield, a bomber squadron base. Although Lippe was successful, Blofeld considered him unreliable, because of his childish clash with Bond and, as a consequence, Blofeld has Lippe killed. Acting as a NATO observer of Royal Air Force procedure, Petacchi is in SPECTRE's pay to hijack the bomber in mid-flight by killing its crew and flying it to the Bahamas. Once there, Petacchi is killed and the plane, with bombs, are taken by Emilio Largo (aka SPECTRE Number One) on board the cruiser yacht Disco Volante. The Americans and the British launch Operation Thunderball to foil SPECTRE and recover the two atomic bombs. On a hunch, M assigns Bond to the Bahamas to investigate. There, Bond meets Felix Leiter, seconded to the CIA from his usual role at Pinkertons because of the Thunderball crisis. While in Nassau, Bond meets Dominetta "Domino" Vitali, Largo's mistress and the sister of the dead pilot Giuseppe Petacchi. She is living on board the Disco Volante and believes Largo is on a treasure hunt, although Largo makes her stay ashore while he and his partners hunt hidden treasure. After seducing her, Bond informs her that Largo killed her brother; Bond then recruits her to spy on Largo. Domino re-boards the Disco Volante with a Geiger counter to ascertain if the yacht is where the two nuclear bombs are hidden. However, she is discovered and Largo tortures her for information. Bond and Leiter alert the Thunderball war room of their suspicions of Largo and join the crew of the American nuclear submarine Manta as the ransom deadline nears. The Manta chases the Disco Volante to capture it and recover the bombs en route to the first target. An undersea battle ensues between the crews, while Bond fights Largo. Bond, now very weak from his efforts to disable the bombs, tries to get away, but Largo corners him in an underwater cave and easily overpowers him. Before Largo can finish Bond off Domino shoots him with a spear gun. The bombs are recovered and Bond is sent to hospital with Domino. |
The Devil's Disciple | George Bernard Shaw | 1,901 | The setting is in the Fall of 1777, during the Saratoga Campaign. Richard "Dick" Dudgeon is an outcast from his family in colonial Websterbridge, New Hampshire. He returns their hatred with scorn. After the death of his father, Dick returns to his childhood home to hear the reading of his father's will, much to his family's dismay. Anthony Anderson, the local minister, treats him with courtesy despite Dick's self-proclaimed apostasy, but Dick's "wickedness" appalls Anderson's wife Judith. To everyone's surprise, it is revealed that Dick's father secretly changed his will just before he died, leaving the bulk of his estate to Dick. Dick promptly evicts his mother from her home, but also invites his cousin Essie (the illegitimate daughter of Dick's never-do-well uncle Peter), orphaned by the hanging of her father as a rebel by the British, to stay as long as she wants. At the end of the Act, Dick proclaims himself also a rebel against the British and scorns his family as cowards when they flee his home. He warns Anderson that the approaching army hanged his uncle in error, believing him to be a man of highest respect, unaware of his ill repute, and that Anderson will be the example set in Websterbridge. While visiting Anderson's home at the Reverend's invitation, Dick is left alone with Judith while Anderson is called out to Mrs. Dudgeon's deathbed. Perceiving Judith's distaste for him, Dick attempts to leave, but Judith insists he stay until Anderson returns. While they are waiting, British soldiers enter Anderson's home and arrest Dick, mistaking him for Anderson. Dick allows them to take him away without revealing his actual identity. He swears Judith to secrecy lest her husband give the secret away and expose himself to arrest. Anderson returns and finds his wife in a state of great agitation. He demands to know if Dick has harmed her. Breaking her promise to Dick, Judith reveals that soldiers came to arrest Anderson but Dick went in his place. Anderson is stunned. He grabs all his money and a gun and quickly rides away, ignoring Judith's appeals. Judith believes her husband to be a coward, while Dick, whom she despised, is a hero. Judith visits Dick and asks him if he has acted from love for her. He scornfully refutes the romantic notion, telling her that he has acted according to "the law of my own nature", which forbade him to save himself by condemning another. During the military trial, Dick is convicted and sentenced to be hanged. This scene introduces General Burgoyne, a Shavian realist, who contributes a number of sharp remarks about the conduct of the American Revolution. Judith interrupts the proceedings to reveal Dick's true identity – but to no avail: he will be hanged in any case. News reaches Burgoyne that American rebels have taken a nearby town, so he and his troops are in danger, especially since orders from London that would have sent reinforcements were never dispatched. The rebels will send an "officer of importance" to negotiate with the British. The final scene of the play is the public square where Dick will be hanged. Like Sydney Carton in Dickens's A Tale of Two Cities, Dick defies his executioners and prepares to meet his death. At the last minute, Burgoyne stops the hanging because the rebel officer has arrived. It is Anthony Anderson, who has become a man of action in his "hour of trial", just as Dick became a man of conscience in his. Anderson bargains for Dick's life, and Burgoyne agrees to free him. Anderson tells Dick that he (Anderson) is not suited to be a minister and says Dick should replace him. As the Americans rejoice, the British march to quarters, knowing that they face certain defeat. |
The Scarlet Letter | Nathaniel Hawthorne | 1,850 | The story starts in seventeenth century Boston in a Puritan settlement. A young woman, named Hester Prynne, has been led from the town prison with her infant child in her arms, and on the breast of her gown "a rag of scarlet cloth" that "assumed the shape of a letter." It is the uppercase letter "A." The Scarlet Letter "A" represents the act of adultery that she has committed and it is to be a symbol of her sin—a badge of shame—for all to see. A man, who is elderly and a stranger to the town, enters the crowd and asks another onlooker what's happening. The second man responds by explaining that Hester is being punished for adultery. Hester's husband, who is much older than she, and whose real name is unknown, has sent her ahead to America whilst settling affairs in Europe. However, her husband does not arrive in Boston and the consensus is that he has been lost at sea. It is apparent that, while waiting for her husband, Hester has had an affair, leading to the birth of her daughter. She will not reveal her lover's identity, however, and the scarlet letter, along with her subsequent public shaming, is the punishment for her sin and secrecy. On this day, Hester is led to the town scaffold and harangued by the town fathers, but she again refuses to identify her child's father. The elderly onlooker is Hester's missing husband, who is now practicing medicine and calling himself Roger Chillingworth. He reveals his true identity to Hester and medicates her daughter. They have a frank discussion where Chillingworth states that it was foolish and wrong for a cold, old intellectual like him to marry a young lively woman like Hester. He expressly states that he thinks that they have wronged each other and that he is even with her — her lover is a completely different matter. Hester refuses to divulge the name of her lover and Chillingworth does not press her stating that he will find out anyway. He does elicit a promise from her to keep his true identity as Hester's husband secret, though. He settles in Boston to practice medicine there. Several years pass. Hester supports herself by working as a seamstress, and her daughter, Pearl, grows into a willful, impish child, and is said to be the scarlet letter come to life as both Hester's love and her punishment. Shunned by the community, they live in a small cottage on the outskirts of Boston. Community officials attempt to take Pearl away from Hester, but with the help of Arthur Dimmesdale, an eloquent minister, the mother and daughter manage to stay together. Dimmesdale, however, appears to be wasting away and suffers from mysterious heart trouble, seemingly caused by psychological distress. Chillingworth attaches himself to the ailing minister and eventually moves in with him so that he can provide his patient with round-the-clock care. Chillingworth also suspects that there may be a connection between the minister's torments and Hester's secret, and he begins to test Dimmesdale to see what he can learn. One afternoon, while the minister sleeps, Chillingworth discovers something undescribed to the reader, supposedly an "A" burned into Dimmesdale's chest, which convinces him that his suspicions are correct. Dimmesdale's psychological anguish deepens, and he invents new tortures for himself. In the meantime, Hester's charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. One night, when she is about seven years old, Pearl and her mother are returning home from a visit to the deathbed of John Winthrop when they encounter Dimmesdale atop the town scaffold, trying to punish himself for his sins. Hester and Pearl join him, and the three link hands. Dimmesdale refuses Pearl's request that he acknowledge her publicly the next day, and a meteor marks a dull red "A" in the night sky as Dimmesdale sees Chillingworth in the distance. It is interpreted by the townsfolk to mean Angel, as a prominent figure in the community had died that night, but Dimmesdale sees it as meaning adultery. Hester can see that the minister's condition is worsening, and she resolves to intervene. She goes to Chillingworth and asks him to stop adding to Dimmesdale's self-torment. Chillingworth refuses. She suggests that she may reveal his true identity to Dimmesdale. As Hester walks through the forest, she is unable to feel the sunshine. Pearl, on the other hand, basks in it. They coincide with Dimmesdale, also on a stroll through the woods. Hester informs him of the true identity of Chillingworth. The former lovers decide to flee to Europe, where they can live with Pearl as a family. They will take a ship sailing from Boston in four days. Both feel a sense of relief, and Hester removes her scarlet letter and lets down her hair. The sun immediately breaks through the clouds and trees to illuminate her release and joy. Pearl, playing nearby, does not recognize her mother without the letter. She is unnerved and expels a shriek until her mother points out the letter on the ground. Hester beckons Pearl to come to her, but Pearl will not go to her mother until Hester buttons the letter back onto her dress. Pearl then goes to her mother. Dimmesdale gives Pearl a kiss on the forehead, which Pearl immediately tries to wash off in the brook, because he again refuses to make known publicly their relationship. However, he clearly feels a release from the pretense of his former life, and the laws and sins he has lived with. The day before the ship is to sail, the townspeople gather for a holiday in honor of an election and Dimmesdale preaches his most eloquent sermon ever. Meanwhile, Hester has learned that Chillingworth knows of their plan and has booked passage on the same ship. Dimmesdale, leaving the church after his sermon, sees Hester and Pearl standing before the town scaffold. He looks ill. Knowing his life is about to end, he mounts the scaffold with his lover and his daughter, and confesses publicly, exposing the mark supposedly seared into the flesh of his chest. He dies in Hester's arms after Pearl kisses him. Frustrated in his revenge, Chillingworth dies within the year. Hester and Pearl leave Boston, and no one knows what has happened to them. Many years later, Hester returns alone, still wearing the scarlet letter, to live in her old cottage and resumes her charitable work. She receives occasional letters from Pearl, who was rumored to have married a European aristocrat and established a family of her own. Pearl also inherits all of Chillingworth's money even though he knows she is not his daughter. There is a sense of liberation in her and the townspeople, especially the women, who had finally begun to forgive Hester of her tragic indiscretion. When Hester dies, she is buried in "a new grave near an old and sunken one, in that burial ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tombstone served for both." The tombstone was decorated with a letter "A", for Hester and Dimmesdale. |
The G-String Murders | Craig Rice | 1,941 | Gypsy Rose Lee narrates her way through a tale of a double murder, backstage at the "Old Opera" burlesque theatre on Forty-Second Street, New York. In a world populated by strippers, comics and costume salesman. A world where crime is part of the norm and where women struggle to earn a living and have gangster boyfriends. The narrative is a "wise-cracking" and humorous tale of murder in a burlesque house, and with the unusual weapon of the title. |
Live from Death Row | Mumia Abu-Jamal | null | Told as anecdotes, most of Live from Death Row details the prison system; in an additional end section titled "Musings, memories, and prophecies", Abu-Jamal discusses past events in his life and he remembers some prominent blacks in America. He delves into the purported purpose of prison, finding it hard to believe that "corrections" and deterrence are its true goals using the policy to block education of inmates and the psychological problems caused by isolation and non-contact visits as support for his argument of an ulterior motive, to "erode one's humanity". He describes the procedures of death row blocs where twenty-plus-hour solitary confinement is offset by a few hours of recreation and exercise "outside" on penned-in plots of land and minimal conversations with fellow inmates often regarding their attempts at appeal and their battles with the law. He details two suicides of fellow inmates, one by hanging and one death caused by self-inflicted burns, and the drugging of inmates to make them more sedate even at the expense of one epileptic's health. He reports the interactions between "urban" prisoners and "rural" guards in which prisoners are subject to brutal beatings, cavity searches, racial harassment, and human rights violations after insurgencies. In addition to prison conditions, he discusses social issues and their relevance to prison. He expresses dismay towards "three strikes" mandatory sentencing and politicians using "tough on crime" slogans as political gateways, offering the fact that the United States has the most incarcerated individuals in the world. He hints at racial discrimination, as proposed in the McCleskey v. Kemp case, by reciting statistics on America's death row population in comparison with America's population by race; the numbers are not proportional. He then looks at the elements of the judicial system, believing it is subject to racism; he mentions the choosing of "peers", often white jurors who are pro-death, as jury members and expert witnesses who suppress or distort evidence to suit the criminal justice system. He also explores the topic of uneven justice with examples of police officers being acquitted with compelling evidence against them and, more often than not, guards receiving minimal, if any, punishment for inappropriate actions against prisoners. * Political-rock band Rage Against the Machine is observed as a heavy supporter of Abu-Jamal. Singer Zack De La Rocha has spoken to Congress, condemning the U.S. government's treatment of him. Guitarist Tom Morello visited Abu-Jamal and has interviewed him. * Political hip hop artist Immortal Technique featured Abu-Jamal on his second album Revolutionary Vol. 2. * The punk band Anti-Flag has a speech from Mumia Abu Jamal in the intro to their song "The Modern Rome Burning" from their 2008 album The Bright Lights of America. The speech is actually on the end of their track "Vices", which precedes "The Modern Rome Burning". |
The Blue Lotus | Hergé | 1,936 | In Cigars of the Pharaoh (Book 4), Tintin pursued an international group of drug distributors through the Middle East and India. He managed to capture most of the cartel members, but not the mysterious leader, who fell down a ravine in the mountains. Some time after these events, his body has still not been found. Tintin though is shown to be enjoying a vacation with the Maharaja of Gaipajama. Then one day a Chinese man comes to meet him but he is hit by a dart dipped in a poison which causes madness (Rajaijah). He just had the time to tell him that someone going by the name of Mitsuhirato wants to meet him in Shanghai. Tintin travels to Shanghai, China, where he is awaited by the assassins of the opium consortium. However, two attempts on Tintin's life are foiled by a young Chinese stranger who arranges to meet Tintin in a secluded area. Once Tintin arrives for their rendezvous, he discovers that the young man has been struck by Rajaijah juice, the poison of madness, used by the drug cartel against their enemies. Tintin also defends a young Chinese rickshaw driver from a Western businessman and racist bully, Gibbons, a friend of Dawson, the corrupt police chief of the Shanghai International Settlement. Incensed, Gibbons and Dawson set about making life difficult for Tintin. Meanwhile in Shanghai, Tintin meets Mitsuhirato, a Japanese businessman, who urges him to return to India and protect his friend the Maharajah of Gaipajama. Having been persuaded by Mitsuhirato, Tintin is on his way back to India by ship when he is knocked unconscious by means of two unknown men chloroforming him and taken ashore along with Snowy. He wakes up outside Shanghai, in the home of Wang Chen-Yee, the leader of a resistance movement called "The Sons of the Dragon" dedicated to the fight against opium; Wang apologizes for the 'violent kidnapping' and begs Tintin to stay in China. Wang's son is the young man who helped save him from the two assassinations, but is now insane from Rajaijah poisoning. He goes about threatening to cut people's heads off with a sword (thinking it will "show them the way") and only his father's stern authority can keep him in check. Wang also reveals that Mitsuhirato is their chief opponent: a Japanese secret agent and drug smuggler. Tintin manages to track down Mitsuhirato and witnesses him blowing up a railway line (this is based on the real-life Mukden Incident). No one is killed and damage is minor, but the event is successfully portrayed by the Japanese government as a major Chinese terrorist incident and used as an excuse for a Japanese invasion of Manchuria. Tintin is captured by Mitsuhirato and is to be injected with the Rajaijah poison, but has a near escape when he is aided by one of the members from "The Sons of the Dragon", who had infiltrated Mitsuhirato's house earlier and switched the poison for colored water. Having obtained a sample of the poison of madness with the help of the member, Tintin returns to Shanghai, which has now been occupied by the Japanese Army, and tries to make contact with Doctor Fang Hsi-Ying, an expert on insanity, who may be able to cure Wang's son. However, Doctor Fang has been kidnapped by the drug cartel, presumably to prevent him developing an antidote to the poison. A note left by the kidnappers demands ransom money which must be paid at an old temple in the city of Hukow. After a brief period of imprisonment in Shanghai by the Japanese Army, Tintin escapes and rides a train to Hukow to visit the temple where the ransom is to be paid, but a flood washes out the tracks, and all the passengers must disembark. He rescues a young boy, Chang Chong-Chen, from drowning in the Yangtze River. They become fast friends, and Chang rescues Tintin from the Thompsons who had reluctantly arrested him under orders from Dawson (who is collaborating with Mitsuhirato to capture Tintin). They later travel to the area where the ransom money is to be left, and are able to confirm that Doctor Fang has been kidnapped on Mitsuhirato's orders. Tintin and Chang return to Shanghai, but not before Wang and his family are kidnapped by Mitsuhirato. In order to find them, Tintin travels to the Shanghai docks and hides in one of the barrels being unloaded from an opium ship. But it turns out that he was seen, and when he emerges he is confronted by Mitsuhirato armed with a gun, and soon finds himself a prisoner alongside Wang and his family. Then the boss of the opium cartel is revealed to be the film producer Rastapopoulos (see Cigars of the Pharaoh for back story). Tintin is appalled that a man he had thought to be a friend could be the gang leader until Rastapopoulos reveals the tattoo of Kih-Oskh on his forearm. Fortunately, before the cartel could kill Tintin and Wang, the Sons of the Dragon, who had previously overpowered Mitsuhirato's thugs and had hidden in the other barrels (as planned by Tintin), reveal themselves, and force Mitsuhirato and Rastapopoulos to surrender. With Rastapopoulos arrested, the cartel is finally brought down, and Mitsuhirato commits suicide. Fang Hsi-Ying finds an antidote to the poison of madness and Wang's son is cured (it is not mentioned whether the other victims of the poison are also cured). The ensuing political fallout over Tintin's involvement with the cartel and Japanese espionage leads to Japan's withdrawal from the League of Nations. The story ends with Chang being adopted by the Wang family and Tintin heading back to Europe. |
Mrs Craddock | W. Somerset Maugham | null | On her 21st birthday, when she comes into her deceased father's money, Bertha Ley announces, to the dismay of her former guardian, that she is going to marry 27 year-old Edward Craddock, her steward. Herself a member of the landed gentry, Bertha has been raised to cultivate an "immoderate desire for knowledge" and to understand, and enjoy, European culture of both past and present ages. In particular, during long stays on the Continent, she has learned to appreciate Italy's tremendous cultural heritage. A "virtuous" girl, her views on womanhood are thoroughly traditional. She has no doubts about her role in life, which will be to serve and obey her future husband. When Bertha encourages reluctant Edward Craddock, whom she has known since their childhood, to propose to her, she is certain that she will find absolute fulfillment and happiness in her marriage, even if it means abandoning city life and its pleasures for the Kentish coast "to live as her ancestors had lived, ploughing the land, sowing and reaping; but her children, the sons of the future, would belong to a new stock, stronger and fairer than the old. The Leys had gone down into the darkness of death, and her children would bear another name. […] She felt in herself suddenly the weariness of a family that had lived too long; she knew she was right to choose new blood to mix with the old blood of the Leys. It needed the freshness and youth, the massive strength of her husband, to bring life to the decayed race." (Ch.8) The man selected by Bertha in an almost Darwinian fashion to accomplish all this is described by the narrator as little more than a noble savage, "the unspoiled child of nature, his mind free from the million perversities of civilization" (Ch.7). Edward Craddock may be tall, strong, handsome, and practically free from sin ("He simply reeks of the Ten Commandments"), but at the same time he is hardly educated, unimaginative, and unnecessarily headstrong. Subconsciously justifying her decision to marry him, Bertha boosts his ego by constantly telling him that he will rise above himself if he is given the chance to do so, and accordingly transfers all powers to manage her estate to her husband. As time goes by, Craddock turns into the archetypal country squire, accepted, respected, even adored and envied by the community, who have no idea that in the meantime his wife has drawn her own, less favourable, conclusions about their married life. After their honeymoon, which they spend in London, Bertha soon realizes that her husband is a bore and, what is more, rather insensitive to her needs. Time and again she pokes fun at his inferior taste in music, his inability and unwillingness to read books, and his chauvinism. She is disappointed at the routine that dominates their marriage and at the lack of attentions he pays her. It gradually dawns upon her that Edward lives in a world of his own, in which the death of a cow causes him more grief than that of a beloved person. When, a bit more than a year into their marriage, Bertha is eight months pregnant and has a premonition that there might be complications during birth, he assures her that "it's nothing to make a fuss about", his insight stemming from his own experience: "He had bred animals for years, and was quite used to the process that supplied him with veal, mutton and beef for the local butchers. It was a ridiculous fuss that human beings made over a natural and ordinary phenomenon." (Ch.16) However, their son is stillborn, and Bertha is told that she will not be able to have children in future either. The ensuing crisis makes her doubt that God exists, while the vicar's sister, a friend of theirs, asserts that "we should be thankful for the cross we have to bear. It is, as it were, a measure of the confidence that God places in us." (Ch.18) Finding no solace in religion—at least that kind of religion—but at the same time unable to get over the loss of her son and also increasingly disgusted by her husband's matter-of-fact behaviour, Bertha escapes her dreary surroundings and finds refuge in London, where she moves into her aunt's flat. Mary Ley, in her late forties and unmarried, senses right from the start that Bertha means to leave her husband for good but, for the sake of her niece's peace of mind, is not prepared to broach the subject. Edward, on the other hand, is happily unaware of his wife's intentions, considering himself nothing more than a grass widower and urging his wife in several letters to come home as soon as she has fully recovered. After a prolonged trip with her aunt to Paris, made under the pretext of intending to buy dresses, Bertha, for want of any other reasonable course of action, returns to Kent and her husband, thus erroneously confirming Edward in his belief that her going away was just a passing phase. While his wife settles down to a life of quiet despair and excruciating boredom, Edward Craddock, who has become a stranger to her, embarks on a career in politics. Elected County Councillor for the Conservative Party, he immediately starts dreaming of climbing the ladder of success even further and becoming an MP. Five years after her wedding, aged only 26, Bertha not only feels that she has aged prematurely; she is also aware of the fact that in the eyes of the local community she has become a mere appendage to her husband. Never having had anyone to confide in, she at long last picks Dr Ramsay, the local GP and her former guardian, to tell him the truth about the passionate hatred she feels for Edward and to ask for the doctor's help. "I know him through and through", Bertha says of her husband, "and he's a fool. You can't conceive how stupid, how utterly brainless he is. He bores me to death. […] Oh, when I think that I'm shackled to him for the rest of my life I feel I could kill myself." (Ch.27) Again Bertha escapes to the Continent, again with her aunt, this time to Rome (while Edward Craddock has not once in his life been abroad). Claiming that her delicate health demands spending the winter in a warm climate, she is back in London in the following spring after having enjoyed six months of freedom but now must face reality again and no longer delay her return to her husband. This is when 19 year-old Gerald Vaudrey, a cousin of hers she has never met before, enters her life. Gerald, handsome and still looking like a schoolboy, is to stay in London for a couple of weeks to wait for his passage to the United States, where he has been assigned to go by his parents as a punishment for his misdemeanours. Visiting his—and Bertha's -- aunt, he is introduced to his cousin at Mary Ley's flat, and from the moment they first set eyes on each other Bertha and Gerald are curiously attracted to each other. They go off almost every day exploring the sights of London, and 26 year-old Bertha, unable as well as unwilling to face the facts, feels flattered by the youth's many attentions. She just does not really want to believe that Gerald has been expelled from his parental home after seducing the maid; she refuses to see a womanizer in Gerald and, although she tries hard to resist her feelings, genuinely falls in love with the boy. At the very last moment, on the eve of Gerald's departure, it occurs to Bertha that she might "give Gerald the inestimable gift of her body", as "there is one way in which a woman can bind a man to her for ever, there is one tie that is indissoluble; her very flesh cried out, and she trembled at the thought." (Ch.31) The young couple are already alone in their aunt's flat, but Mary Ley comes home early from a dinner to which she has been invited, suspecting that they could be meeting secretly, and prevents any sexual activity. Gerald Vaudrey leaves for the States on the following morning. When, two weeks later, Bertha receives a letter from America, she puts it on the mantelpiece, where she looks at it for a month. Only then does she burn it, without ever having opened it. To her, having achieved this means that she has got over her infatuation. Again Bertha Craddock returns to her husband and, after that "mere spring day of happiness" with Gerald, prepares for "the long winter of life". Four years later, when she is 30, Edward Craddock breaks his neck in a riding accident, and, seeing his body being carried into the house, Bertha, for the first time since her wedding, feels free. Similar to the old custom of damnatio memoriae in the Roman Empire, she destroys all of Edward's photographs and all of his letters to her. |
Hideous Kinky | Esther Freud | 1,992 | A young mother and her two daughters travel to Marrakech, Morocco, during the 1960s. The mother, Julia, is disenchanted by the dreary conventions of English life, hence the journey. They live in a low-rent Marrakesh hotel and make a living out of making hand-sewn dolls and with some money sent by the girls' father, a poet in London. Whilst the mother explores Sufism and quests for personal fulfilment, the daughters rebel. The elder, Bea, attempting to re-create her English life, wants to get an education and insists on going to school. The younger, Lucy, dreams of trivial things, like mashed potatoes, but also yearns for a father. Her hopes settle on a most unlikely candidate. The girls match their mother with Bilal, a Moroccan con man and acrobat; the relationship turns sexual and he moves in, becoming almost a surrogate father. However, Julia's friend encourages her to travel to Algiers and study with a Sufi master at a school that advocates the "annihilation of the ego." As money vanishes, Julia's response is to claim that "God will provide," albeit in the person of Bilal. |
Myra Breckinridge | Gore Vidal | 1,968 | Myra Breckinridge is an attractive young woman with a mission. She is a film buff with a special interest in the Golden Age of Hollywood—in particular the 1940s—and the writings of real-life film critic Parker Tyler. She comes to the Academy for Aspiring Young Actors and Actresses, owned by her deceased husband Myron's uncle, Buck Loner. Myra gets a job teaching, not just her regular classes (Posture and Empathy), but also, as part of the hidden curriculum, female dominance. Myra selects as her first victim one of the "studs" at the Academy, a straight young man called Rusty Godowsky, and sets out to alienate him from his beautiful girlfriend Mary-Ann Pringle. She lures Rusty to the school infirmary, where she verbally abuses him, ties him to an exam table and anally rapes him with a strap-on dildo. Later, after she is injured in a car crash, it is learned that Myra is Myron, still in the process of sexual reassignment surgery; unable to obtain hormones, Myra reverts to Myron, and, as a result of the injuries she has sustained, is forced to have her breast implants removed. Now a male eunuch, Myron decides to settle down with Mary-Ann. The subplot of Myra Breckinridge revolves around the character of Letitia Van Allen, an aging, sexually voracious talent scout whom Myra meets and befriends at the academy, whose office boasts a four-poster bed and whose kinky sexual practices ("Those small attentions a girl like me cherishes… a lighted cigarette stubbed out on my derrière, a complete beating with his great thick heavy leather belt…") landed her in hospital, "half paralyzed", at the same time Myra finds herself there towards the end of the novel. The spirit of the times is also well reflected in another, earlier chapter (Ch. 14) where Myra attends an orgy arranged by one of the students. She goes, intending only to be an observer, but suffers a "rude intrusion" by a member of the band The Four Skins, from which she derives a perverse, masochistic enjoyment. At an earlier regular party, after "mixing gin and marijuana", she eventually gets "stoned out of her head" and has a fit, then passes out in a bathroom. |
Operation Shylock: A Confession | Philip Roth | 1,993 | The novel follows narrator "Philip Roth" on a journey to Israel, where he attends the trial of accused war criminal John Demjanjuk and becomes involved in an intelligence mission—the "Operation Shylock" of the title. |
Virginia | Ellen Glasgow | 1,913 | Born in 1864 to a clergyman and his dutiful wife, Virginia grows up as a Southern belle in the town of Dinwiddie, Virginia. Her education is strictly limited to the bare minimum, with anything that might disturb her quiet and comfortable existence vigorously avoided. Thus prepared for life, Virginia falls for the first handsome young man who crosses her path—Oliver Treadwell, the black sheep of a family of capitalist entrepreneurs who, during the time of Reconstruction, brought industry and the railroad to the South. Oliver, who has been abroad and has only recently arrived in Dinwiddie, is a dreamer and an intellectual. An aspiring playwright, his literary ambitions are more important to him than money, and he refuses his uncle's offer to work in his bank. However, when Virginia falls in love with him he realizes that he must be able to support a family, and eventually accepts his uncle's offer to work for the railroad. The young couple get married and have three children, a boy and two girls. Gradually perfecting her household skills, Virginia is able to get by on very little money. When, after many years, Oliver's first play is put on the stage in New York, his expectations are high. However, the show is a complete failure as the play is far too intellectual and radical for a Broadway audience who wants to be entertained rather than reformed. Reading about the flop in the local newspaper, Virginia for the first time in her life leaves her children, asking her mother to take care of them for a day or two, and takes the night train to New York to be with, and console, her husband—only to be rejected by him, who is in a state of severe depression. When he has recovered from the shock, Oliver makes yet another concession to society and public taste and starts writing "trash". Throughout the years, Virginia leads a vicarious life: She is happy when her husband and children are happy; she makes sure their clothes are in perfect condition while neglecting her own outward appearance; and she is eager to provide for her children the education she herself has been denied. When, at one point, she realizes that the women her age whom she has known since childhood still look quite young while she has aged prematurely, she quickly persuades herself to believe that a life of altruistic subservience is more than worthwhile, that living and acting the way she does is her duty and God's will. Her father's sudden if honourable death—he unsuccessfully tries to prevent the lynching of an innocent young African American and is stabbed in the process by an angry and drunken young man—adds to the gloom that starts creeping into her life, especially when she sees that, as a widow, her mother suddenly loses all her will to live. When she dies only a few months after her husband, Virginia has a premonition that her own fate when losing Oliver could be a similar one. Meanwhile Oliver's first successful play—a trashy one—premières in New York, with some more to follow in quick succession, and, as the money keeps pouring in, the family move into a bigger house in Dinwiddie. They now employ a number of servants, including an African American butler. With the children gone—their son and one daughter are at college, while the other daughter has married a much older widower with two grown-up children and has also flown the nest—and Oliver frequently in New York to supervise the staging of his plays, Virginia's life becomes increasingly empty. Having "outlived her usefulness", the days seem endless to her, and with all the servants about the house there is absolutely no housework for her to do either. Now in her mid-forties, Virginia for the first time in her life spends Christmas alone at home. The biggest blow, however, is yet to come: When she accompanies Oliver to New York for a première, she finds out to her dismay that he has been betraying her with a famous actress who stars in one of his plays. For the last time summoning up all her courage, she takes a taxi and pays her an unexpected call but immediately realizes when talking to her that she has no chance of winning her husband back. Without many words, Oliver asks her to let him divorce her, but clinging to the only thing she has left in her life—her marriage—she refuses. The novel ends on a somewhat optimistic note when Virginia, again alone in the empty house in Dinwiddie, receives a letter from her son telling her that he is going to leave Oxford before he has completed his two-year course at the university in order to come back and stay with his mother. |
You Only Live Twice | Ian Fleming | 1,964 | After the wedding-day murder of his wife, Tracy (see On Her Majesty's Secret Service), Bond begins to let his life slide, drinking and gambling heavily, making mistakes and turning up late for work. His superior in the Secret Service, M, had been planning to dismiss Bond, but decides to give him a last-chance opportunity to redeem himself by assigning him to the diplomatic branch of the organisation. Bond is subsequently re-numbered 7777 and handed an "impossible" mission: convincing the head of Japan's secret intelligence service, Tiger Tanaka, to provide Britain with information from radio transmissions captured from the Soviet Union, codenamed Magic 44. In exchange, the Secret Service will allow the Japanese access to one of their own information sources. Bond is introduced to Tanaka—and to the Japanese lifestyle—by an Australian intelligence officer, Dikko Henderson. When Bond raises the purpose of his mission with Tanaka, it transpires that the Japanese have already penetrated the British information source and Bond has nothing left to bargain with. Instead, Tanaka asks Bond to kill Dr. Guntram Shatterhand, who operates a politically embarrassing "Garden of Death" in an ancient castle; people flock there to commit suicide. After examining photos of Shatterhand and his wife, Bond discovers that "Shatterhand" and his wife are Tracy's murderers, Ernst Stavro Blofeld and Irma Bunt. Bond gladly takes the mission, keeping his knowledge of Blofeld's identity a secret so that he can exact revenge for his wife's death. Made up and trained by Tanaka, and aided by former Japanese film star Kissy Suzuki, Bond attempts to live and think as a mute Japanese coal miner in order to penetrate Shatterhand's castle. Tanaka renames Bond "Taro Todoroki" for the mission. After infiltrating the Garden of Death and the castle where Blofeld spends his time dressed in the costume of a Samurai warrior, Bond is captured and Bunt identifies him as a British secret agent and not a Japanese coal miner. After surviving a near execution, Bond exacts revenge on Blofeld in a duel, Blofeld armed with a sword and Bond with a wooden staff. Bond eventually kills Blofeld by strangling him, then blows up the castle. Upon escaping, he suffers a head injury, leaving him an amnesiac living as a Japanese fisherman with Kissy, while the rest of the world believes him dead; his obituary appears in the newspapers. While Bond's health improves, Kissy conceals his true identity to keep him forever to herself. Kissy eventually sleeps with Bond and becomes pregnant, and hopes that Bond will propose marriage after she finds the right time to tell him about her pregnancy. Bond reads scraps of newspaper and fixates on a reference to Vladivostok, making him wonder if the far-off city is the key to his missing memory; he tells Kissy he must travel to Russia to find out. |
The Stand | Stephen King | 1,978 | The novel is divided into three parts, or books. The first is titled "Captain Trips" and takes place over nineteen days, with the escape and spread of a human-made superflu (influenza) virus known formally as "Project Blue", but most commonly as "Captain Trips". The virus is developed at a U.S. Army base, where it is accidentally released. While the base tries to shut down before any infected person can escape, a security malfunction allows a guard and his family to sneak out. Unfortunately, they are already infected, and set off a pandemic that kills an estimated 99.4% of the world's human population, as well as that of domesticated animals, such as horses and dogs. Through the perspectives of the multiple principal characters, and also from an omniscient third-party perspective, the narrative outlines the total breakdown and destruction of society through widespread violence, the failure of martial law to contain the outbreak, and eventually the death of virtually the entire population. The emotional toll is also dealt with, as the few survivors must care for their families and friends, dealing with confusion and grief as their loved ones succumb to the flu. The expanded edition opens with a prologue titled "The Circle Opens" that offers greater detail into the circumstances surrounding the development of the virus and the security breach that allowed its escape from the secret laboratory compound where it was created. Intertwining cross-country odysseys are undertaken by a small number of survivors in three parties, which are drawn together by both circumstances and their shared dreams of a 108-year-old woman from Hemingford Home, Nebraska, whom they see as a refuge and a representation of good in the struggle of good versus evil. This woman, Abagail Freemantle, or "Mother Abagail", becomes the spiritual leader for the survivors. Mother Abagail directs them to Boulder, Colorado, where they struggle to re-establish a democratic society. Meanwhile, another group of survivors are drawn to Las Vegas, Nevada by Randall Flagg, an evil being with supernatural powers who represents the Enemy, or the Adversary. Flagg’s governance is brutally tyrannical, using crucifixion, dismemberment and other forms of torture to quell dissent. Flagg's group is able to quickly reorganize its society, restore power to Las Vegas, and rebuild the city with the many technical professionals who have migrated there. Flagg's group launches a weapons program, searching the country for suitable arms. In Boulder, the democratic society of the "Free Zone" is beset with problems: Mother Abagail, feeling that she has become prideful due to her pleasure at being a public figure, disappears into the wilderness on a journey of spiritual reconciliation. The Free Zone leadership committee, consisting of seven men and women -- Frannie Goldsmith, Stu Redman, Nick Andros, Larry Underwood, Ralph Brenter, Glen Bateman, and Susan Stern -- decide to secretly send three people to Randall Flagg's territory to act as spies. Meanwhile, one of the survivors, Harold Lauder, builds a dynamite bomb in response to feelings of disconnection and revenge for his unrequited love for Fran Goldsmith, who had fallen for Stu Redman; another survivor, Nadine Cross, seduced despite herself by Flagg's dark attraction which first manifested itself to her years earlier via a ouija board, plants the bomb where it will effectively destroy the Free Zone's leadership. The explosion kills Nick and Susan and several other Free Zone inhabitants, but the other members of the leadership committee manage to avoid the explosion due to Mother Abagail's timely return. However, her body is ravaged with malnutrition, and she is dying. The stage is now set for the final confrontation as the two camps become aware of one another, and each recognizes the other as a threat to its survival, leading to the "stand" of good against evil. There is no pitched battle, however. Instead, at Mother Abagail's dying behest, four of the five surviving members of the Boulder governing committee -- Glen Bateman, Stu Redman, Ralph Brentner and Larry Underwood -- accompanied by the dog Kojak set off on foot towards Las Vegas on an expedition to confront Randall Flagg. Stu breaks his leg en route and convinces the others to go on without him as they promised, telling them that God will provide for him if that's what's meant to happen. The remaining three soon encounter Flagg's men, who take them prisoner. When Glen Bateman rejects an opportunity to be spared if he kneels and begs Flagg for his life, he is shot and killed on Flagg's orders by Lloyd Henreid, Flagg's right hand man. Flagg gathers his entire collective to witness the execution of the two prisoners, but just as it is about to take place the Trashcan Man, an insane follower of Flagg who is somehow able to search out weapons of death, arrives with a nuclear warhead. Flagg's magical attempt to silence a dissenter is transformed into a giant glowing hand — "The Hand of God" — which detonates the bomb, destroying Las Vegas and all of Flagg's followers, along with Larry and Ralph. The inhabitants of Boulder anxiously anticipate the birth of Frances Goldsmith's baby, aware of the implications to the human race if the baby lacks immunity to the superflu and dies. Soon after she gives birth to a live baby, Stu Redman returns to Boulder along with Kojak and Tom Cullen, one of the spies sent earlier by the Free Zone, who had rescued Stu while returning to the Free Zone. Although the baby, Peter, falls ill with the superflu, he is able to fight it off. The original edition of the novel ends with Fran and Stu questioning whether the human race can learn from its mistakes. The answer, given in the last line, is ambiguous: "I don’t know." The expanded edition follows this with a brief coda called "The Circle Closes", which leaves a darker impression and fits in with King’s ongoing "wheel of ka" theme. Randall Flagg, using the alias "Russell Faraday", wakes up on a beach somewhere in the South Pacific, having escaped the atomic blast in Vegas by using his dark magic (although Flagg does not remember how he got to the beach or what his real name is, and it is suggested that he does not even remember the events in America). There he begins recruiting adherents among a preliterate, dark-skinned people, who worship him as some sort of god. |
Henry IV, Part 1 | William Shakespeare | null | Henry Bolingbroke – now King Henry IV – is having an unquiet reign. His personal disquiet at the murder of his predecessor Richard II would be solved by a journey or crusade to the Holy Land to fight Muslims, but broils on his borders with Scotland and Wales prevent that. Moreover, his guilt causes him to mistreat the Earls Northumberland and Worcester, heads of the Percy family, and Edmund Mortimer, the Earl of March. The first two helped him to his throne, and the third claims to have been proclaimed by Richard, the former king, as his rightful heir. Adding to King Henry's troubles is the behaviour of his son and heir, the Prince of Wales. Hal (the future Henry V) has forsaken the Royal Court to waste his time in taverns with low companions. This makes him an object of scorn to the nobles and calls into question his royal worthiness. Hal's chief friend and foil in living the low life is Sir John Falstaff. Fat, old, drunk, and corrupt as he is, he has a charisma and a zest for life that captivates the Prince, born into a world of hypocritical pieties and mortal seriousness. The play has three groups of characters that interact slightly at first, and then come together in the Battle of Shrewsbury, where the success of the rebellion will be decided. First there is King Henry himself and his immediate council. He is the engine of the play, but usually in the background. Next there is the group of rebels, energetically embodied in Harry Percy – Hotspur – and including his father (Northumberland) and led by his uncle Thomas Percy (Worcester). The Scottish Earl of Douglas, Edmund Mortimer and the Welshman Owen Glendower also join. Finally, at the center of the play are the young Prince Hal and his companions Falstaff, Poins, Bardolph, and Peto. Streetwise and pound-foolish, these rogues manage to paint over this grim history in the colours of comedy. As the play opens, the king is angry with Hotspur for refusing him most of the prisoners taken in a recent action against the Scots at Holmedon (see the Battle of Humbleton Hill). Hotspur, for his part, would have the king ransom Edmund Mortimer (his wife's brother) from Owen Glendower, the Welshman who holds him. Henry refuses, berates Mortimer's loyalty, and treats the Percys with threats and rudeness. Stung and alarmed by Henry's dangerous and peremptory way with them, they proceed to make common cause with the Welsh and Scots, intending to depose "this ingrate and cankered Bolingbroke." By Act II, rebellion is brewing. As Henry Bolingbroke is mishandling the affairs of state, his son Hal is joking, drinking, and whoring with Falstaff and his associates. He likes Falstaff but makes no pretense at being like him. He enjoys insulting his dissolute friend and makes sport of him by joining in Poins’ plot to disguise themselves and rob and terrify Falstaff and three friends of loot they have stolen in a highway robbery, purely for the fun of watching Falstaff lie about it later, after which Hal returns the stolen money. Rather early in the play, in fact, Hal informs us that his riotous time will soon come to a close, and he will re-assume his rightful high place in affairs by showing himself worthy to his father and others through some (unspecified) noble exploits. Hal believes that this sudden change of manner will amount to a greater reward and acknowledgment of prince-ship, and in turn "earn" him respect from the members of the court. The revolt of Mortimer and the Percys very quickly gives him his chance to do just that. The high and the low come together when the Prince makes up with his father and is given a high command. He vows to fight and kill the rebel Hotspur, and orders Falstaff (who is, after all, a knight) to take charge of a group of "foot" - infantry and proceed to the battle site at Shrewsbury. Shrewsbury (see Battle of Shrewsbury) is crucial. If the rebels even achieve a standoff their cause gains greatly, as they have other powers awaiting under Northumberland, Glendower, Mortimer, and the Archbishop of York. Henry needs a decisive victory here. He outnumbers the rebels, but Hotspur, with the wild hope of despair, leads his troops into battle. The day wears on, the issue still in doubt, the king harried by the wild Scot Douglas, when Prince Hal and Hotspur, the two Harrys that cannot share one land, meet. Finally they will fight – for glory, for their lives, and for the kingdom. No longer a tavern brawler but a warrior, the future king prevails, ultimately killing Hotspur in single combat. On the way to this climax, we are treated to Falstaff, who has "misused the King's press damnably", not only by taking money from able-bodied men who wished to evade service but by keeping the wages of the poor souls he brought instead who were killed in battle ("food for powder, food for powder"). Now on his own Falstaff is attacked by the Douglas during Hal's battle with Hotspur, but plays possum and is presumed dead. After Hal leaves Hotspur's body on the field, Falstaff revives in a mock miracle. Seeing he is alone, he stabs Hotspur's corpse in the thigh and claims credit for the kill. Though incredulous at this report, Hal allows Sir John his disreputable tricks. Soon after being given grace by Hal, Falstaff states that he wants to amend his life and begin "to live cleanly as a nobleman should do". The play ends at Shrewsbury, after the battle. The death of Hotspur has taken the heart out of the rebels, and the king's forces prevail. Henry is pleased with the outcome, not least because it gives him a chance to execute Thomas Percy, the Earl of Worcester, one of his chief enemies (though previously one of his greatest friends). Meanwhile Hal shows off his kingly mercy in praise of valor; having taken the valiant Douglas prisoner, Hal orders his enemy released without ransom. But the war goes on; now the king's forces must deal with the Archbishop of York, who has joined with Northumberland, and with the forces of Mortimer and Glendower. This unsettled ending sets the stage for Henry IV, Part 2. |
The Man with the Golden Gun | Ian Fleming | 1,965 | A year after James Bond's final confrontation with Ernst Stavro Blofeld, while on a mission in Japan, a man claiming to be Bond appears in London and demands to meet the head of the Secret Service, M. Bond's identity is confirmed, but during his debriefing interview with M, Bond tries to kill him with a cyanide pistol; the attempt fails. The Service learns that after destroying Blofeld's castle in Japan, Bond suffered a head injury and developed amnesia. Having lived as a Japanese fisherman for several months, Bond travelled into the Soviet Union to learn his true identity. While there, he was brainwashed and assigned to kill M upon returning to England. Now de-programmed, Bond is given a chance to re-prove his worth as a member of the 00 section following the assassination attempt. M sends Bond to Jamaica and gives him the seemingly impossible mission of killing Francisco "Pistols" Scaramanga, a Cuban assassin who is believed to have killed several British secret agents. Scaramanga is known as "The Man with the Golden Gun" because his weapon of choice is a gold-plated Colt .45, which fires silver jacketed solid gold bullets. Bond locates Scaramanga in a Jamaican bordello and manages to become his temporary personal assistant under the name "Mark Hazard". He learns that Scaramanga is involved in a hotel development on the island with a group of investors that consists of a syndicate of American gangsters and the KGB. Scaramanga and the other investors are also engaged in a scheme to destabilise Western interests in the Caribbean's sugar industry and increase the value of the Cuban sugar crop, running drugs into America, smuggling prostitutes from Mexico into America and operating casinos in Jamaica that will cause friction between tourists and the local people. Bond discovers that he has an ally who is also working undercover at the half-built resort, Felix Leiter, who has been recalled to duty by the CIA and is working ostensibly as an electrical engineer while setting up bugs in Scaramanga's meeting room. However, they learn that Scaramanga plans to eliminate Bond when the weekend is over. Bond's true identity is confirmed by a KGB agent and Scaramanga makes new plans to entertain the gangsters and the KGB agent by killing Bond while they are riding a sight-seeing train to a marina. However, Bond manages to turn the tables on Scaramanga and, with the help of Leiter, kill most of the conspirators. Wounded, Scaramanga escapes into the swamps, where Bond pursues him. Scaramanga lulls Bond off-guard and shoots him with a golden derringer he had hidden behind his neck. Bond is hit but returns fire and shoots Scaramanga several times, killing him at last. |
Who Censored Roger Rabbit? | Gary Wolf | 1,981 | Eddie Valiant is a hard-boiled private eye, and Roger Rabbit is a second-banana cartoon character. The rabbit hires Valiant to find out why his employers, the DeGreasy Brothers, the sleazy owners of a cartoon syndicate, have reneged on a promise to give Roger his own strip. Soon after, Roger is mysteriously murdered in his home. His speech balloon, found on the crime scene, indicates his murder was a way of “censoring” the star, who apparently had just heard someone explain the source of his success. Valiant’s search for the killer takes him to a variety of suspects, including Roger’s widow Jessica Rabbit and his former co-star Baby Herman. |
The Magic School Bus at the Waterworks | Joanna Cole | 1,986 | The book begins by introducing the character of Ms. Frizzle and describing her unusual teaching methods. Soon, she decides to take the class on a field trip to the waterworks, which the kids are sure will be boring, especially compared to the trips the kids in other classes go on. However, after driving through a tunnel, the bus becomes plastered with images of octopuses and everyone inside finds themselves wearing scuba diving outfits. Once this occurs, the bus rises up into a cloud along with evaporating water. Ms. Frizzle makes all the kids get out of the bus by threatening to give them extra homework if they don't. However, the kids begin shrinking once they're outside and, once they're each the size of a raindrop, they rain down into a river, which carries them into the town's water purification system. After going through the waterworks, the pipes take the class back to the school. They come out in the girl's bathroom, where, once out of the faucet, they are instantly restored to their regular size and normal clothing. Ms. Frizzle, however, appears to have no memory of the strange trip and the class later sees the bus outside. They wonder how it returned from the cloud and even consider that they may have imagined their whole adventure. The book ends with Ms. Frizzle informing them that they will be studying volcanoes next. The main story is then followed by two pages listing things that couldn't happen in real life. |
The Magic School Bus Lost in the Solar System | Joanna Cole | 1,990 | Ms. Frizzle's class is learning about the solar system and Arnold's unpleasant cousin Janet, who constantly raves about herself, has joined them. The Friz decides to take the kids on a field trip to the planetarium, but, once they get there, they find the planetarium is closed. However, on the way back to school, Arnold reminds Mrs. Frizzle of the planetarium known as "the big one". Ms. Frizzle pushes a button that makes the bus transform into a rocket and blast off into outer space. Once in outer space, the bus flies to the Moon, where the kids make the most of the lesser gravity. Ms. Frizzle then takes them to the Sun and then Mercury, Venus and Mars before flying into the asteroid belt. However, while in the belt, the bus is damaged by an asteroid and the Friz flies out to fix the damage with a tether line connecting her to the bus. However, the bus's autopilot malfunctions, causing the bus to fly off, breaking Ms. Frizzle's tether line and leaving her stranded in the asteroid belt. Janet looks through the Friz's things and finds Ms. Frizzle's lesson book, which documents the information she is supposed to tell the kids during the field trip (complete with "Arnold, are you listening?" written into it.) Janet reads through the book as they pass the outer planets and until they pass Pluto, leaving the solar system. Janet then flips through the book and finds the instructions for the autopilot, so they can fly back to the asteroid belt and rescue Ms. Frizzle. After they rescue the Friz, they return to Earth. The kids try to tell everyone about their strange trip, but no one believes them. |
The Ugly Duckling | Hans Christian Andersen | 1,843 | When the tale begins, a mother duck's eggs hatch. One of the little birds is perceived by the duck’s surroundings as a homely little creature and suffers much verbal and physical abuse from the other birds and animals on the farm. He wanders sadly from the barnyard and lives with wild ducks and geese until hunters slaughter the flocks. He then finds a home with an old woman but her cat and hen tease him mercilessly and again he sets off on his own. He sees a flock of migrating wild swans; he is delighted and excited but he cannot join them for he is too young and cannot fly. Winter arrives. A farmer finds and carries the freezing little bird home, but the foundling is frightened by the farmer’s noisy children and flees the house. He spends a miserable winter alone in the outdoors mostly hiding in a cave on the lake that partly freezes over. When spring arrives a flock of swans descends on the now thawing lake. The ugly duckling, now having fully grown and matured cannot endure a life of solitude and hardship any more and decides to throw himself at the flock of swans deciding that it is better to be killed by such beautiful birds than to live a life of ugliness and misery. He is shocked when the swans welcome and accept him, only to realize by looking at his reflection in the water that he has grown into one of them. The flock takes to the air and the ugly duckling spreads his beautiful large wings and takes flight with the rest of his new family. |
Walden | Henry David Thoreau | 1,854 | Economy: In this first and longest chapter, Thoreau outlines his project: a two-year, two-month, and two-day stay at a cozy, "tightly shingled and plastered," English-style 10' × 15' cottage in the woods near Walden Pond. He does this, he says, to illustrate the spiritual benefits of a simplified lifestyle. He easily supplies the four necessities of life (food, shelter, clothing, and fuel) with the help of family and friends, particularly his mother, his best friend, and Mr. and Mrs. Ralph Waldo Emerson. The latter provided Thoreau with a work exchange – he could build a small house and plant a garden if he cleared some land on the woodlot and did other chores while there. Thoreau meticulously records his expenditures and earnings, demonstrating his understanding of "economy," as he builds his house and buys and grows food. For a home and freedom, he spent a mere $28.12½, in 1845 (about $863 in today's money). At the end of this chapter, Thoreau inserts a poem, "The Pretensions of Poverty," by seventeenth-century English poet Thomas Carew. The poem criticizes those who think that their poverty gives them unearned moral and intellectual superiority. Where I Lived, and What I Lived For: After playing with the idea of buying a farm, Thoreau describes his house's location. Then he explains that he took up his abode at Walden Woods so as to "live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." Although he criticizes the dedication of his neighbors to working, he himself is quite busy at Walden – building and maintaining his house, raising thousands of bean plants and other vegetables, making bread, clearing land, chopping wood, making repairs for the Emersons, going into town, and writing every day. His time at Walden was his most productive as a writer. Reading: Thoreau discusses the benefits of classical literature (preferably in the original Greek or Latin), and bemoans the lack of sophistication in Concord, evident in the popularity of unsophisticated literature. He also loved to read books by world travelers. He yearns for a utopian time when each New England village supports "wise men" to educate and thereby ennoble the population. Sounds: Thoreau opens this chapter by warning against relying too much on literature as a means of transcendence. Instead, one should experience life for oneself. Thus, after describing his house's beautiful natural surroundings and his casual housekeeping habits, Thoreau goes on to criticize the train whistle that interrupts his reverie. To him, the railroad symbolizes the destruction of the pastoral way of life. Following is a description of the sounds audible from his cabin: the church bells ringing, carriages rattling and rumbling, cows lowing, whip-poor-wills singing, owls hooting, frogs croaking, and cockerels crowing. Solitude: Thoreau rhapsodizes about the beneficial effects of living solitary and close to nature. He claims to love being alone, saying "I never found the companion that was so companionable as solitude." Visitors: Thoreau writes about the visitors to his house. Among the 25 or 30 visitors is a young French-Canadian woodchopper, Alec Thérien, whom Thoreau idealizes as approaching the ideal man, and a runaway slave, whom Thoreau helps on his journey to freedom in Canada. The Bean-Field: Thoreau relates his efforts to cultivate of beans. He plants in June and spends his summer mornings weeding the field with a hoe. He sells most of the crop, and his small profit of $8.71 covers his needs that were not provided by friends and family. The Village: Thoreau visits Concord every day or two to hear the news, which he finds "as refreshing in its way as the rustle of the leaves." Nevertheless, he fondly but rather contemptuously compares Concord to a gopher colony. In late summer, he is arrested for refusing to pay federal taxes, but is released the next day. He explains that he refuses to pay taxes to a government that supports slavery. The Ponds: In autumn, Thoreau discusses the countryside and writes down his observations about the geography of Walden Pond and its neighbors: Flint's Pond (or Sandy Pond), White Pond, and Goose Pond. Although Flint's is the largest, Thoreau's favorites are Walden and White ponds, which he describes as lovelier than diamonds. Baker Farm: While on an afternoon ramble in the woods, Thoreau gets caught in a rainstorm and takes shelter in the dirty, dismal hut of John Farmer, a penniless but hard-working Irish farmhand, and his wife and children. Thoreau urges Farmer to live a simple but independent and fulfilling life in the woods, thereby freeing himself of employers and creditors. But the Irishman won't give up his aspirations of luxury and the quest for the American dream. Higher Laws: Thoreau discusses whether hunting wild animals and eating meat is necessary. He concludes that the primitive, carnal sensuality of humans drives them to kill and eat animals, and that a person who transcends this propensity is superior to those who cannot. (Thoreau eats fish and occasionally salt pork and woodchuck.) In addition to vegetarianism, he lauds chastity, work, and teetotalism. He also recognizes that Indians need to hunt and kill moose for survival in "The Maine Woods," and ate moose on a trip to Maine while he was living at Walden. Here is a list of the laws that he mentions: * One must love that of the wild just as much as one loves that of the good. * What men already know instinctively is true humanity. * The hunter is the greatest friend of the animal which is hunted. * No human older than an adolescent would wantonly murder any creature which reveres its own life as much as the killer. * If the day and the night make one joyful, one is successful. * The highest form of self-restraint is when one can subsist not on other animals, but of plants and crops cultivated from the earth. Brute Neighbors: Thoreau briefly discusses the many wild animals that are his neighbors at Walden. A description of the nesting habits of partridges is followed by a fascinating account of a massive battle between red and black ants. Three of the combatants he takes into his cabin and examines under a microscope as the black ant kills the two smaller red ones. Later, Thoreau takes his boat and tries to follow a teasing loon about the pond. He also collects animal specimens and ships them to Harvard College for study. House-Warming: After picking November berries in the woods, Thoreau adds a chimney, and finally plasters the walls of his sturdy house to stave off the cold of the oncoming winter. He also lays in a good supply of firewood, and expresses affection for wood and fire. Former Inhabitants; and Winter Visitors: Thoreau relates the stories of people who formerly lived in the vicinity of Walden Pond. Then he talks about a few of the visitors he receives during the winter: a farmer, a woodchopper, and his best friend, the poet Ellery Channing. Winter Animals: Thoreau amuses himself by watching wildlife during the winter. He relates his observations of owls, hares, red squirrels, mice, and various birds as they hunt, sing, and eat the scraps and corn he put out for them. He also describes a fox hunt that passes by. The Pond in Winter: Thoreau describes Walden Pond as it appears during the winter. He claims to have sounded its depths and located an underground outlet. Then he recounts how 100 laborers came to cut great blocks of ice from the pond, the ice to be shipped to the Carolinas. Spring: As spring arrives, Walden and the other ponds melt with stentorian thundering and rumbling. Thoreau enjoys watching the thaw, and grows ecstatic as he witnesses the green rebirth of nature. He watches the geese winging their way north, and a hawk playing by itself in the sky. As nature is reborn, the narrator implies, so is he. He departs Walden on September 6, 1847. Conclusion: This final chapter is more passionate and urgent than its predecessors. In it, he criticizes conformity: "If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away." By doing so, men may find happiness and self-fulfillment. "I do not say that John or Jonathan will realize all this; but such is the character of that morrow which mere lapse of time can never make to dawn. The light which puts out our eyes is darkness to us. Only that day dawns to which we are awake. There is more day to dawn. The sun is but a morning star." |
Things My Girlfriend and I Have Argued About | Mil Millington | 2,002 | Pel lives with his German girlfriend Ursula and their two children, and works in the IT department of a university library (or "Learning Centre"). The story begins with Pel receiving an odd call from his boss, TSR, who quizzes him about extradition treaties; within a week he has vanished without a trace, and Pel promoted to TSR's former position, "Computer Team Administration, Software Acquisition and Training Manager" (though, in addition to his own job). The story follows both Pel's home and work lives; at home, there are the arguments with Ursula over the search for a new home, after the latest burglary of their current home; defrosting the fridge during the moving preparations; Ursula terrifying the builders working on the repairs of the new house; a skiing accident, leaving Ursula with a torn ligament in her shoulder. At work, Pel finds that taking on TSR's job involves more than it seemed at first; he has to pay off student recruiters from the Pacific Ring, who happen to be members of The Triads; he has to take care of the details of the building of a new Learning Centre building, which involves hiding the fact that skeletons from an ancient burial ground have been illegally dumped from the site, and a dangerous neurotoxin to be buried under it. These details lead him to become closely involved with the permanently hung over Vice Chancellor of the university, which leads to his receiving another promotion, to Learning Centre Manager; the previous holder of that position having left to pursue his fetish website. |
Ring for Jeeves | P. G. Wodehouse | 1,953 | Unlike most Jeeves and Wooster stories, which only occasional refer to events in the real world, Ring for Jeeves is explicitly set in post-World War II England, where social changes have forced some of those who were formerly members of the idle rich to dispense with their servants and seek employment. Although Bertie Wooster has not yet been reduced to such measures, he has enrolled, prior to the start of the story, in a school that teaches the upper classes how to fend for themselves. In his absence, Jeeves has offered his services to William Egerton Bamfylde Ossingham Belfry, the Earl of Rowcester, who is in poor fortune. The story (in the UK edition) opens with a chance encounter in a pub between the wealthy widow Rosalinda Spottsworth and the white hunter Captain Biggar. The two had met previously on a hunting expedition when Mr Spottsworth was killed. Mrs Spottsworth is on her way to meet the Earl of Rowcester at the invitation of his sister Lady Monica, with the intention of buying Rowcester Abbey. Captain Biggar is in pursuit of a dishonest bookie - he had placed a £5 bet on two horses at high odds and won £3,000, only to discover that the bookie had absconded. At Rowcester Abbey, Monica has arrived with her husband Sir Roderick to assist in the sale of the Abbey, and they are both surprised to find that the Earl is in better fortunes than they had last heard and now able even to afford servants. They are further surprised when they receive two phone calls; the first an anonymous inquiry regarding the Earl's car licence plate number, and the second from the police. When the Earl arrives (in his bookie disguise) he laments having ignored Jeeves' advice to lay off Captain Biggar's bet, and is shocked to find his sister and brother-in-law have come to visit. When told of the plan to sell, he is overjoyed, but thrown when it turns out that he had previously romanced Mrs Spottsworth (under her previous married name), and further thrown when Captain Biggar arrives and is invited to stay. After initial threats from Captain Biggar, he, the Earl and Jeeves hatch a plan to steal a pendant belonging to Mrs Spottsworth, intending to pawn it, and to place the proceeds on an outsider bet at the Derby; Captain Biggar requires the money to feel worthy of proposing to Mrs Spottsworth, bound by a code which frowns on gold digging. Though initial attempts to acquire the pendant serve only to alienate the Earl's fiancée, Jill Wyvern, and the sale of the house, which would have yielded deposit enough to recompense the Captain, are thwarted by the tactlessness of Sir Roderick; Jeeves comes up with a successful plan, which exploits Mrs Spottsworth's fascination in the supernatural. On the day of the Derby the theft of the pendant is discovered and the police called. Jill's father, the Chief Constable, having heard of Jill's suspicions goes to the Abbey intending to horse whip the Earl. Although still angry, Jill warns Jeeves who in turn explains to her the goings-on she had misinterpreted as an affair. The Captain is suspected of the theft because of his absence, and hopes are dashed when the Captain's racing tip comes second in a photo finish. But everything turns out for the best after the Captain returns, having failed to pawn the pendant. He professes his love and explains his code, which Mrs Spottsworth laughs off with the news that one of his friends, to whom he felt bound under this code, had married a richer woman. Jeeves steps in while announcing the engagement, with the suggestion that Mrs Spottsworth ship the house, brick by brick, to America and in doing so secures the sale. The tale ends with Jeeves handing in his notice, as Bertie Wooster has been expelled from the school for cheating. |
Water Margin | Shi Naian | null | The opening episode in the novel is the release of the 108 spirits, imprisoned under an ancient stele-bearing tortoise., which includes the English translation of the relevant excerpt from the novel. The original text of the chapter can be seen e.g. at 水滸傳/第001回, starting from "只中央一個石碑,約高五六尺,下面石龜趺坐 ..." The next chapter describes the rise of Gao Qiu, one of the primary antagonists of the story. Gao Qiu abuses his status as a grand marshal by bullying Wang Jin, whose father taught Gao a painful lesson when the latter was still a street roaming ruffian. Wang Jin flees from the capital with his mother and by chance he meets Shi Jin, who becomes his student. The next few chapters tell the story of Shi Jin's friend Lu Zhishen, followed by the story of Lu's sworn brother Lin Chong. Lin Chong is framed by Gao Qiu for attempted assassination and almost dies in a fire at a supply depot set by Gao's lackeys. He slays his foes and abandons the depot, eventually making his way to Liangshan Marsh, where he becomes an outlaw. Meanwhile, the "Original Seven", led by Chao Gai, rob a convoy of birthday gifts intended for the minister Cai Jing, another primary antagonist of the story. They flee to Liangshan Marsh after defeating a group of soldiers sent by the authorities to arrest them, and settle down there as outlaws as well, with Chao Gai as chief of the outlaw band. As the story progresses, more people come to join the outlaw band, among whom include army generals and civil servants who grew tired of serving the corrupt government, as well as men with special skills and talents. Stories of the outlaws are told in separate sections in the following chapters. Connections between characters are vague, but the individual stories are eventually pieced together by chapter 40 after Song Jiang succeeds Chao Gai as the leader of the outlaw band, after the latter dies in battle against the Zeng Family Fortress. The plot further develops by illustrating the conflicts between the outlaws and the Song government after the Grand Assembly. Song Jiang strongly advocates making peace with the government and seeking redress for the outlaws. After defeating the imperial armies, the outlaws are eventually granted amnesty by the Emperor Huizong. The emperor recruits them to form a military contingent and allows them to embark on campaigns against invaders from the Liao Dynasty and suppress the rebel forces of Tian Hu, Wang Qing and Fang La within the Song Dynasty's domain. The following outline of chapters is based on a 100 chapters edition. Yang Dingjian's 120 chapters edition includes other campaigns of the outlaws on behalf of Song Dynasty, while Jin Shengtan's 70 chapters edition omits the chapters on the outlaws' acceptance of amnesty and subsequent campaigns. {|class="wikitable" |- !Chapter !Main events |- |1 |Marshal Hong releases the 108 spirits |- |2 |The rise of Gao Qiu |- |2–3 |The story of Shi Jin |- |3–7 |The story of Lu Zhishen |- |7–12 |The story of Lin Chong |- |12–13 |The story of Yang Zhi |- |13–20 |The robbing of the birthday gifts by the "Original Seven" |- |20–22 |The story of Song Jiang |- |23–32 |The story of Wu Song |- |32–35 |The story of Hua Rong |- |36–43 |Song Jiang's encounters in Jiangzhou |- |44–47 |The story of Shi Xiu and Yang Xiong |- |47–50 |The three assaults on the Zhu Family Village |- |51–52 |The story of Lei Heng and Zhu Tong |- |53–55 |The outlaws attack Gaotangzhou; the search for Gongsun Sheng |- |55–57 |The first imperial assault on Liangshan Marsh (led by Huyan Zhuo) |- | 57–59 |The outlaws attack Qingzhou; Huyan Zhuo defects to Liangshan |- |59–60 |The outlaws led by Gongsun Sheng attack Mount Mangdang |- |60 |The first assault by the outlaws on the Zeng Family Village; the death of Chao Gai |- |60–67 |The story of Lu Junyi; the outlaws attack Daming Prefecture; the second imperial assault on Liangshan Marsh (led by Guan Sheng) |- |67 |Guan Sheng defects to Liangshan; The third imperial assault on Liangshan Marsh (led by Shan Tinggui and Wei Dingguo) |- |68 |The second assault by the outlaws on the Zeng Family Fortress; |- |69–70 |The outlaws attack Dongping and Dongchang prefectures |- |71–74 |The Grand Assembly; the funny and lethal antics of Li Kui |- |75–78 |The emperor offers amnesty for the first time; the fourth imperial assault on Liangshan Marsh (led by Tong Guan) |- |78–80 |The fifth imperial assault on Liangshan Marsh (led by Gao Qiu) |- |81–82 |The outlaws are granted amnesty |- |83–89 |The Liangshan heroes attack the Liao invaders |- |90–99 |The Liangshan heroes attack Fang La |- |100 |The tragic dissolution of the Liangshan heroes |} The extended version includes the Liangshan heroes' expeditions against other notable rebel leaders, Tian Hu in Hebei and Wang Qing in Sichuan, prior to the campaign against Fang La. Other stories tells such as the heroes fighting the Jurchen-ruled Jin Dynasty or moving to Siam. |
The Lazarus Effect | Bill Ransom | 1,983 | The Lazarus Effect continues the story of the planet Pandora that began in The Jesus Incident. The sentient kelp is almost extinct, Ship is gone, there is no more dry land, the majority of humanity is heavily mutated from the genetic experiments performed by Jesus Lewis, and a power-hungry mad man is attempting to control the planet. But the kelp is returning and this time Avata does not remain passive while people refuse to Worship. |
Oblomov | Ivan Goncharov | 1,859 | The novel evolved and expanded from an 1849 short story or sketch entitled "Oblomov's Dream. An Episode from an Unfinished Novel", later incorporated as "Oblomov's Dream" ("Son Oblomova") as Chapter 9 in the completed 1859 novel. The novel focuses on the midlife crisis of the main character, Ilya Ilyich Oblomov, an upper middle class son of a member of Russia's nineteenth century landed gentry. Oblomov's distinguishing characteristic is his slothful attitude towards life. While a common negative characteristic, Oblomov raises this trait to an art form, conducting his little daily business apathetically from his bed. While clearly comedic, the novel also seriously examines many critical issues that faced Russian society in the nineteenth century. Some of these problems included the uselessness of landowners and gentry in a feudal society that did not encourage innovation or reform, the complex relations between members of different classes of society such as Oblomov's relationship with his servant Zakhar, and courtship and matrimony by the elite. An excerpt from Oblomov's morning (from the beginning of the novel): :Therefore he did as he had decided; and when the tea had been consumed he raised himself upon his elbow and arrived within an ace of getting out of bed. In fact, glancing at his slippers, he even began to extend a foot in their direction, but presently withdrew it. :Half-past ten struck, and Oblomov gave himself a shake. "What is the matter?," he said vexedly. "In all conscience 'tis time that I were doing something! Would I could make up my mind to—to—" He broke off with a shout of "Zakhar!" whereupon there entered an elderly man in a grey suit and brass buttons—a man who sported beneath a perfectly bald pate a pair of long, bushy, grizzled whiskers that would have sufficed to fit out three ordinary men with beards. His clothes, it is true, were cut according to a country pattern, but he cherished them as a faint reminder of his former livery, as the one surviving token of the dignity of the house of Oblomov. The house of Oblomov was one which had once been wealthy and distinguished, but which, of late years, had undergone impoverishment and diminution, until finally it had become lost among a crowd of noble houses of more recent creation. :For a few moments Oblomov remained too plunged in thought to notice Zakhar's presence; but at length the valet coughed. :"What do you want?" Oblomov inquired. :"You called me just now, master?" :"I called you, you say? Well, I cannot remember why I did so. Return to your room until I have remembered." Oblomov spends the first part of the book in bed or lying on his sofa. He receives a letter from the manager of his country estate explaining that the financial situation is deteriorating and that he must visit the estate to make some major decisions, but Oblomov can barely leave his bedroom, much less journey a thousand miles into the country. A flashback reveals a good deal of why Oblomov is so slothful; the reader sees Oblomov's upbringing in the country village of Oblomovka. He is spoiled rotten and never required to work or perform household duties, and he is constantly pulled from school for vacations and trips or for trivial reasons. In contrast, his friend Andrey Stoltz, born to a German father and a Russian mother, is raised in a strict, disciplined environment, reflecting Goncharov's own view of the European mentality as dedicated and hard-working. As the story develops, Stoltz introduces Oblomov to a young woman, Olga, and the two fall in love. However, his apathy and fear of moving forward are too great, and she calls off their engagement when it is clear that he will keep delaying their wedding to avoid having to take basic steps like putting his affairs in order. :"Shall I tell you what you would have done had we married?" at length she said. "Day by day you would have relapsed farther and farther into your slough. And I? You see what I am—that I am not yet grown old, and that I shall never cease to live. But you would have taken to waiting for Christmas, and then for Shrovetide, and to attending evening parties, and to dancing, and to thinking of nothing at all. You would have retired to rest each night with a sigh of thankfulness that the day had passed so quickly; and each morning you would have awakened with a prayer that to-day might be exactly as yesterday. That would have been our future. Is it not so? Meanwhile I should have been fading away. Do you really think that in such a life you would have been happy?" :He tried to rise and leave the room, but his feet refused their office. He tried to say something, but his throat seemed dry, and no sound would come. All he could do was to stretch out his hand. :"Forgive me!" he murmured. :She too tried to speak, but could not. She too tried to extend her hand, but it fell back. Finally, her face contracted painfully, and, sinking forward upon his shoulder, she burst into a storm of sobbing. It was as though all her weapons had slipped from her grasp, and once more she was just a woman—a woman defenceless in her fight with sorrow. :"Good-bye, good-bye!" she said amid her spasms of weeping. He sat listening painfully to her sobs, but felt as though he could say nothing to check them. Sinking into a chair, and burying her face in her handkerchief, she wept bitter, burning tears, with her head bowed upon the table. :"Olga," at length he said, "why torture yourself in this way? You love me, and could never survive a parting. Take me, therefore, as I am, and love in me just so much as may be worthy of it." :Without raising her head, she made a gesture of refusal. During this period, Oblomov is swindled repeatedly by his "friend" Taranteyev and Ivan Matveyevich, his landlady's brother, and Stoltz has to undo the damage each time. The last time, Oblomov ends up living in penury because Taranteyev and Ivan Matveyevich are blackmailing him out of all of his income from the country estate, which lasts for over a year before Stoltz discovers the situation and reports Ivan Matveyevich to his supervisor. Olga leaves Russia and visits Paris, where she bumps into Stoltz on the street. The two strike up a romance and end up marrying. However, not even Oblomov could go through life without at least one moment of self-possession and purpose. When Taranteyev's behavior at last reaches insufferable lows, Oblomov confronts him, slaps him around a bit and finally kicks him out of the house, in a scene in which all the noble traits that his social class was supposed to symbolize shine through his then worn out being. Oblomov has a child with his widowed landlady, Agafia Pshenitsina, but they never marry. They name the child Andrey, after Stoltz, who adopts the boy upon Oblomov's death. Oblomov spends the rest of his life in a second Oblomovka, being taken care of by Agafia Pshenitsina like he used to be as a child. She can prepare many a succulent meal, and makes sure that Oblomov doesn't have a single worrisome thought. Sometime before his death he had been visited by Stoltz, who had promised to his wife a last attempt at bringing Oblomov back to the world, but without success. By then Oblomov had already accepted his fate, and during the conversation he mentions "Oblomovitis" as the real cause of his demise. Oblomov's end is quiet, much like the rest of his life. |
Diaspora | Greg Egan | 1,998 | Diaspora begins with a description of "orphanogenesis", the birthing of a citizen without any ancestors (most citizens descend from fleshers uploaded at some point), and the subsequent upbringing of the newborn Yatima within Konishi polis. Yatima matures within a few real-time days, because citizens' subjective time runs about 800 times as rapidly as flesher and gleisner time. Early on, Yatima and a friend, Inoshiro, use abandoned gleisner bodies to visit a Bridger colony near the ruins of Atlanta on Earth. Years later, the gleisner Karpal, using a gravitational-wave detector, determines that a binary neutron star system in the constellation of Lacerta has collapsed, releasing a huge burst of energy. Previous predictions portrayed the system's stable orbit as likely to last for another seven million years. By analysing irregularities in the orbit, Karpal discovers that the devastating burst of energy will reach Earth within the next four days. Yatima and Inoshiro return to Earth to urge the fleshers — gathered in a conference — either to migrate to the polises or at least to shelter themselves. Many fleshers reject this advice, or fail fully to appreciate its urgency quickly enough. Stirred up by a paranoid Static diplomat, many fleshers suspect that Yatima and Inoshiro have come to trick or coerce them into "Introdus", or mass-migration into the polises, involving masses of virus-sized nanomachines which dismantle a human body and record the brain's information states as it is chemically converted into a crystalline computer. The gamma ray burst reaches Earth shortly after the conference, destroying the atmosphere and causing a mass extinction. The gleisners and the Coalition of Polises survive the burst, thanks to cosmic radiation hardening. Over the next few years, Yatima and other citizens and gleisners attempt to rescue any surviving fleshers from slow suffocation, starvation, or poisoning by offering to upload them into the polises. The novel's title itself refers to a quest undertaken by most of the inhabitants of Carter-Zimmerman ("C-Z"), a polis devoted to physics and understanding the cosmos, along with volunteers from throughout the Coalition of Polises. The Diaspora consists of a collection of one thousand clones (digital copies) of C-Z polis, deployed toward stars in all directions in the hope of gathering as much data as possible in order to revise the long-held classical understanding of Kozuch Theory, which had failed to predict the Lacerta event. The bulk of the novel follows this expedition, rotating back and forth between different cloned instances of the same cast of main characters as different C-Z clones make discoveries along the way, relaying information to one another over hundreds of light years – and finally between universes. |
Schild's Ladder | Greg Egan | 2,002 | Twenty-thousand years in the future, Cass, a humanoid physicist from Earth, travels to Mimosa orbital station and begins a series of experiments to test the extremities of the fictitious Sarumpaet rules, a set of fundamental equations in "Quantum Graph Theory," which holds that physical existence is a manifestation of complex constructions of mathematical graphs. However, the experiments unexpectedly create a bubble of something more stable than ordinary vacuum, dubbed novo-vacuum, that expands outward at half the speed of light as ordinary vacuum collapses to this new state at the border, hinting at more general laws beyond the Sarumpaet rules. The local population is forced to flee to ever more distant star systems to escape the steadily approaching border, but since the expansion never slows, it is just a matter of time before the novo-vacuum encompasses any given region within the Local Group. Two factions develop as the expanding bubble swallows star after star: the Preservationists, who wish to stop the expansion and preserve the Milky Way at any cost; and the Yielders, who consider the novo-vacuum to be too important a discovery to destroy without understanding. Six hundred years after the initial experiment, aboard the Rindler, a vessel that has matched velocities with the border and is powered by multispectral light emitted as the ordinary vacuum collapses into its lower energy-state, a variety of refugees are probing the novo-vacuum in order to understand the physics that makes it possible. The novo-vacuum turns out to be more complicated than anyone suspects, however, and Egan's usual topics of simulation and quantum ontology are taken to the extreme when we learn that a whole ordered universe exists within this zone of apparent chaos, existing as direct elaborations of the quantum graph's lattice structure, of which elementary particles, fundamental interactions, and our spacetime itself are only special cases. |
Murder on the Links | Agatha Christie | 1,923 | Captain Hastings arrives in the flat that he now shares with Poirot in London, eager to tell the Belgian detective about a woman with whom he has fallen hopelessly in love on the train from Paris to Calais. But Poirot is busy sorting his mail, impatiently tossing aside bills and banal requests "recovering lost lap dogs for fashionable ladies". Then he finds an extraordinary letter from the south of France: "For God's sake, come!" writes Monsieur Paul Renauld. Poirot decides to investigate and he takes Hastings to France and the Villa Genevieve in Merlinville-sur-Mer on the northern French coast where Renauld wrote from. Asking for directions near the Villa Genevieve, they are watched by a young girl outside another smaller villa who has "anxious eyes". Arriving at Renauld's house, they find they are too late: Renauld is dead. He and his wife were attacked in their rooms at 2.00 in the night by two masked men. Madame Renauld was tied up and her husband taken away by the men wanting to know "the secret". They appear to have got in to the house through the open front door with no sign of forced entry. His body was found stabbed in a newly dug open grave on the edge of a nearby golf course which is under construction and next to the placing of a bunker which was due to be dug that day. The Renaulds' son, Jack, had just been sent away on business to South America and Renauld also gave the chauffeur an unexpected holiday leaving just three female servants in the house who heard nothing. The eldest of the three servants tells Poirot and the police that quite often, after Madame Renauld has retired to bed for the night, her husband has been visited by a neighbour, Madame Daubreuil, who is the mother of the girl with the "anxious eyes", Marthe Daubreuil. The dead man changed his will just two weeks before, leaving almost everything to his wife and nothing to his son. There is a smashed watch at the scene of the kidnap which is still running but has somehow gained two hours. The widow inspects the body to identify it. She loses her composure and collapses with grief at the sight of her dead husband. Poirot is puzzled by some of these findings—why is the watch running fast? Why did the servants hear nothing? Why was the body found somewhere where it was bound to be quickly discovered? Why is there a piece of lead piping near the body? Poirot is hampered in his investigations by the attitude of Monsieur Giraud of the Sûreté who plainly believes the elderly Belgian is too set in his old-fashioned ways to solve the mystery. The local Examining Magistrate, Monsieur Hautet, is more helpful and tells Poirot that he has found out that the Renaulds' neighbour at the Villa Marguerite, Madame Daubreuil, has paid two hundred thousand francs into her bank account in recent weeks: was she Monsieur Renauld's mistress? They visit the lady who is furious when the suggestion is put to her and throws them out. Having now met Madame Daubreuil for the first time, Poirot tells Hastings that he recognises her from a murder case going back some twenty years. Soon after, Jack Renauld arrives back; his trip to Santiago was delayed enabling him to return when he heard of his father's murder. Jack admits to rowing with his father over who he wanted to marry, hence the change of will. Poirot suspects that Marthe Daubreuil is the girl in question and feels that the answer to the problem lies in Paris. He goes there to investigate. Whilst he is away another body is found in a shed on the golf course. No one recognises the man who by his hands could be a tramp but is dressed in finer clothes. The strangest thing is that the man has been dead for forty-eight hours and thus died before Monsieur Renauld's murder. No one recognises the new corpse. Poirot returns from Paris and, without being told details beforehand, staggers Hastings by correctly guessing the age of the man, place of death, and manner of death, despite having been clearly shocked when Hastings originally told him of this new development. He examines the new corpse with the doctor. Poirot sees foam on his lips and the doctor realises the man died of an epileptic fit and was then stabbed after death. When alone, Poirot tells Hastings that his investigations in Paris have borne fruit and that Madame Daubreuil is in fact a Madame Beroldy who was put on trial twenty years previously for the death of her elderly husband. He too was murdered by, supposedly, two masked men who broke into their house at night wanting to know "the secret". Madame Beroldy had a young lover, Georges Conneau, who absconded from justice but wrote a letter to the police admitting to the crime; there were no masked men and he stabbed Monsieur Beroldy himself. Madame Beroldy managed a tearfully-convincing performance in the witness box, convincing the jury of her innocence, but leaving most people suspicious. She then disappeared herself. Poirot deduces that Paul Renauld was in fact Georges Conneau. He fled to Canada and then South America where he made his fortune and gained a wife and a son. When they returned to France, by great misfortune, the immediate neighbour of the house he bought was Madame Beroldy, now Madame Daubreuil, who started to blackmail him. When a tramp died on his grounds of an epileptic fit, Renauld saw a chance to duplicate the ruse of twenty years earlier by faking his own death and escaping his blackmailer with his wife's cooperation. His plan was to send his son away on business, give his chauffeur a holiday, and stage a kidnapping by tying his wife up and disappearing. After leaving the house he would go to the golf course and dig a grave where he knew it would be discovered; he would then put the tramp into the grave after destroying his features with the lead pipe. The plan was for this to happen at midnight, giving Renauld the chance to get away from the local station on the last train and use the smashed watch to create an alibi. Unfortunately, the smashing of the watch did not stop it, so the deception failed on Poirot at least. What then went wrong was that Renauld was stabbed by someone else after he finished digging the grave but before he could fetch the body of the tramp, hence his wife's faint when she saw that the body actually was her husband's. Jack is proven innocent by another girl he was also in love with and as far as Poirot is concerned that leaves only one suspect who had anything to gain by Renauld dying: Marthe Daubreuil, who did not know of the change of will disinheriting Jack and thought that by killing his father she would gain his fortune when she married his son. She overheard the Renaulds discussing using the dead tramp as a ruse and stabbed Renauld on the golf course after he had dug the grave. Poirot arranges for Madame Renauld to openly disinherit Jack in an attempt to force Marthe out.The attempt succeeds and Marthe dies when she tries to kill Madame Renauld. Her mother disappears again. Jack and his mother go to South America and Hastings ends up with Dulcie Duveen, the sister of the girl who was able to prove Jack's innocence. She is also the woman he met on the train at the beginning of the novel. |
The Hero with a Thousand Faces | Joseph Campbell | null | Campbell explores the theory that important myths from around the world which have survived for thousands of years all share a fundamental structure, which Campbell called the monomyth. In a well-known quote from the introduction to The Hero with a Thousand Faces, Campbell summarized the monomyth: : In laying out the monomyth, Campbell describes a number of stages or steps along this journey. The hero starts in the ordinary world, and receives a call to enter an unusual world of strange powers and events (a call to adventure). If the hero accepts the call to enter this strange world, the hero must face tasks and trials (a road of trials), and may have to face these trials alone, or may have assistance. At its most intense, the hero must survive a severe challenge, often with help earned along the journey. If the hero survives, the hero may achieve a great gift (the goal or "boon"), which often results in the discovery of important self-knowledge. The hero must then decide whether to return with this boon (the return to the ordinary world), often facing challenges on the return journey. If the hero is successful in returning, the boon or gift may be used to improve the world (the application of the boon). Very few myths contain all of these stages—some myths contain many of the stages, while others contain only a few; some myths may have as a focus only one of the stages, while other myths may deal with the stages in a somewhat different order. These stages may be organized in a number of ways, including division into three sections: Departure (sometimes called Separation), Initiation and Return. "Departure" deals with the hero venturing forth on the quest, "Initiation" deals with the hero's various adventures along the way, and "Return" deals with the hero's return home with knowledge and powers acquired on the journey. The classic examples of the monomyth relied upon by Campbell and other scholars include the stories of Osiris, Prometheus, the Buddha, Moses, and Christ, although Campbell cites many other classic myths from many cultures which rely upon this basic structure. While Campbell offers a discussion of the hero's journey by using the Freudian concepts popular in the 1940s and 1950s, the monomythic structure is not tied to these concepts. Similarly, Campbell uses a mixture of Jungian archetypes, unconscious forces, and Arnold van Gennep's structuring of rites of passage rituals to provide some illumination. However, this pattern of the hero's journey influences artists and intellectuals worldwide, suggesting a basic usefulness for Campbell's insights not tied to academic categories and mid-20th century forms of analysis. |
The Amethyst Ring | null | null | Julián Estaban, who is impersonating the Mayan god Kukulcán, fights and escapes from a powerful gold hungry conquistador, Hernán Cortés. Kukulcán’s followers captured Rodrigo Perdoza, a bishop carrying a message to Cortés to detain Julián. Julián wants to be a priest and asks the bishop many times to make him one, but in the end he lets the Mayan priest sacrifice him, and Julián takes the bishop's amethyst ring. Cortés attacks and captures Kukulcán’s city, the City of the Seven Serpents, but Julián escapes to a friendly large village and helps them harvest and trade pearls. He then goes to a smaller trading town and partners with Tzom Zambac and they have a successful feathered cloak business. Fearing betrayal from Tzom, he leaves and eventually finds Francisco Pizarro, a conquistador who is taking a band of Spaniards to get gold from the Inca. They capture the Incan king Atahualpa, who has a room filled with gold to pay his ransom. The Spaniards try and kill him anyway. Julián leaves the group because of his disagreements with the trial. He searches for Chima, a daughter of Atahualpa, whom he has fallen in love with. He finds her and she rejects him because he is a Spaniard. Julián then uses all of his gold to sail back to Seville. There he meets Cantú the Dwarf, who is now very wealthy from gold. Cantú gives Julián a lot of gold, but he joins the Brothers of the Poor and gives it all to them. |
Seven Days in May | Fletcher Knebel | null | The story is set several years into the continued cold war between the United States and the Soviet Union, not long after a stalemated conflict in Iran similar to the Korean War (the novel gives the date of May 1974, while the film shows a California license plate with a 1970 registration decal, a Texas 1970 license plate, and an electronic map of active military bases displaying the date of May 9, 1970). With the ever-present possibility of nuclear war and mutually assured destruction, U.S. President Jordan Lyman signs a nuclear disarmament treaty with the Soviet Union, with both nations simultaneously destroying their nuclear weapons under mutual international inspection. The ratification produces a wave of public dissatisfaction, especially among the President's opposition and the military, who believe the Soviets cannot be trusted. As the debate rages, a Pentagon insider, United States Marine Corps Colonel Martin "Jiggs" Casey, becomes aware of a conspiracy among the Joint Chiefs of Staff (JCS) led by his own superior officer, the charismatic Air Force General James Mattoon Scott. He uncovers a shocking secret: Scott and his JCS cohorts, along with allies in the United States Congress, led by Senator Frederick Prentice and influential media personality Harold McPherson, are plotting to stage a coup d'etat to remove President Lyman and his cabinet seven days hence. Under a procedure known as ECOMCON (Emergency COMmunications CONtrol), the nation's telephone, radio and television network infrastructure is to be seized by a secret United States Army combat unit secretly created by Scott and based near Fort Bliss, Texas. From their headquarters within a vast underground nuclear shelter called "Mount Thunder" (based on the actual continuity of government facility maintained by the U.S. at Mount Weather in Berryville, Virginia), the general will use the power of the media and the military to prevent the implementation of the treaty. Although personally opposed to President Lyman's position, Casey is appalled by the unconstitutional cabal. He alerts Lyman and his inner circle: Secret Service Director Art Corwin, Secretary of the Treasury Christopher Todd, presidential adviser Paul Girard, and United States Senator Raymond Clark of Georgia, a political and personal ally of the president. Lyman sends Casey to New York City to ferret out secrets that can be used against Scott, which forces Casey to cruelly deceive the general's former mistress, the vulnerable Ellie Holbrook. He leaves in possession of letters between her and General Scott which would compromise his moral credibility with the public. The president also sends the aging, alcoholic Clark to El Paso, Texas to see if he can locate the base (covertly known as "Site Y"). Girard leaves for the Mediterranean to obtain a confession from Vice Admiral Farley C. Barnswell, the 6th Fleet commander stationed on the USS Kitty Hawk, who knows of the plot but decides not to actively support or oppose it (responding through a code involving the Preakness Stakes horse race). Girard gains the admiral's written confession, and telephones the President before boarding a plane from Madrid back to Washington. Girard is killed when the passenger airliner he is on crashes into a mountain in Spain. Clark finds the secret base, but is taken captive by conspirator Colonel Broderick and held incommunicado. Clark is visited by the base's deputy commander, Colonel Mutt Henderson, a friend of Jiggs, and who knows nothing of the plot. The senator persuades Henderson to help him escape, but at the airport, while Clark makes a call to the president, Henderson is arrested by Scott's men. A showdown with Scott is scheduled in the Oval Office. The president confronts him and demands his resignation "along with the other members of the Joint Chiefs involved with this treason." Scott initially denies any guilt, claiming that the president had verbally approved the secret base in Texas. When Scott fails to convince the president of his innocence, he begins to talk freely and launches into a debate with Lyman, arguing that approval of the treaty would weaken the U.S. and lead to an attack by the Soviets. Lyman tries to reason with Scott, explaining that a military coup would send a signal that could result in a preemptive strike by Moscow. Scott is unmoved, stating that he feels the American people are behind him and his position. Lyman considers using the blackmail letters, but decides against it. Scott is allowed to leave. Shortly thereafter, Scott briefs the other three members of the JCS, who are close to panicking. He demands everyone stay in line, pointing out that the president does not seem to have the evidence he would need to bring charges of treason successfully. Somewhat reassured, the others agree to stick to the plan to appear on all television and radio networks simultaneously on Sunday to denounce the president. However, Lyman first holds a press conference where he demands the resignation of Scott and all members of the Joint Chiefs of Staff. The conference is interrupted when an attaché from the U.S. Embassy in Spain arrives. He has brought the handwritten confession that Girard obtained from Vice Admiral Barnswell, which survived the crash in Girard's cigarette case. A copy is given to Scott and the other officers in on the plot, who have no choice but to resign and call off the coup. The ending has Lyman addressing the American people on the country's future. |
The Years of Rice and Salt | Kim Stanley Robinson | 2,002 | The novel is set in various locations around the world, starting in 783 AH by the Islamic calendar (1405 AD by the Gregorian calendar) with the Black Death plague killing nearly 99% of the population of Europe. The story follows a group (jāti) of protagonists who are continually reborn throughout the centuries into various cultural and geographical settings, as well as their meetings in bardo between their lives. The book features Muslim, Chinese (Buddhist, Daoist, Confucianist), American Indian, and Hindu culture, philosophy and everyday life. It mixes sophisticated knowledge about these cultures in the real world with their imagined global development in a world without Western Christendom. The main characters, marked by identical first letters throughout their reincarnations, but changing in gender, culture-nationality and so on, struggle for progress in each life. Each chapter has a narrative style which reflects its setting. Within the novel's re-imagined world, many places are given unfamiliar names, mostly of Chinese or Arabic origin. For example, Europe becomes Firanja, Great Britain and Ireland become the Keltic Sultanate, and Spain becomes al-Andalus; while the Pacific Ocean and Australia are called by Chinese names Dahai (大海) and Aozhou (澳洲), respectively, and North America becomes Yingzhou (鄞州), a land from Chinese myth. The ten chapters are: * Book One - Awake to Emptiness - A plague in Christendom, Zheng He's explorations, feudal China. * Book Two - The Haj in the Heart - Mughal India and the colonization of Europe. * Book Three - Ocean Continents - The discovery of the New World by the Chinese military. * Book Four - The Alchemist - An Islamic renaissance in Samarqand. * Book Five - Warp and Weft - Native Americans align with Samurai. * Book Six - Widow Kang - The Qing dynasty meets Islam in western China. * Book Seven - The Age of Great Progress - Beginnings of industrialism in Southern India; Japanese diaspora to North America. * Book Eight - War of the Asuras - A worldwide "Long War", fought for over 60 years in trenches with pre-atomic weapons between the nations of Islam and an alliance of Chinese, Indian, and Native American nations. * Book Nine - Nsara - Science, urban life and feminism in Islamic Europe's surviving post-war metropolis. * Book Ten - The First Years - Globalization and sustainability, and recovery from the Long War. Several historical figures make appearances in this world, including Tamerlane, Chinese explorer Zheng He, Akbar the Great, and Kampaku Toyotomi Hideyoshi. The first chapter is written in a style reminiscent of the Chinese classic, the Journey to the West. In the last chapters the book becomes increasingly reflexive, citing fictional scientists and philosophers introduced in previous chapters as well as referring to Old Red Ink, who wrote a biography about a reincarnating jati group. |
The Fourth Protocol | Frederick Forsyth | 1,984 | On New Year's Eve 1986, professional thief Jim Rawlings breaks into the apartment of a senior civil servant, and unintentionally discovers stolen top secret documents. Although one of the most notorious crooks in London, he is enough of a patriot to send the documents, anonymously, to MI5 so that they might find the traitor. In Moscow, the British traitor Kim Philby drafts a memorandum for the General Secretary (Soviet president) stating that, if the Labour Party wins the next general election in the UK (scheduled for sometime in the subsequent eighteen months), the "hard left" of the party will oust the moderate, populist Neil Kinnock in favour of a radical new leader who will adopt a true Marxist-Leninist manifesto, including the expulsion of all American forces from England and the country's withdrawal from and repudiation of the North Atlantic Treaty Organization (NATO). In conjunction with a GRU general, an academic named Krilov and a master strategist, Philby devises "Plan Aurora" to ensure a Labour victory by exploiting the party's support for unilateral disarmament—although it is noted that Krilov has come up with most of the plan's strategy. MI5 officer John Preston, who was exploring hard left infiltration of the Labour party, investigates the stolen documents and finds that they were leaked by George Berenson, a passionate anti-communist and supporter of South Africa. Berenson passed on the documents to Jan Marais, a man he believes is a South African diplomat, but is in fact a Russian false flag agent. SIS chief Sir Nigel Irvine confronts Berenson with the truth and "turns him", using him to pass disinformation to the KGB. Preston is being pushed towards retirement by a his MI5 superior, but is worried about his retirement finances, wanting custody of his son. As part of Plan Aurora, Russian agent Valeri Petrofsky arrives under deep cover in England and sets up home in Ipswich. From there, he travels around the country collecting packages from various couriers who have smuggled them into the country as harmless-looking artefacts. One of the couriers, disguised as a sailor, is attacked by neds in Glasgow and taken to hospital, where he commits suicide rather than submit to questioning. Preston investigates and finds three out-of-place looking metal discs in a tobacco tin in his gunny sack. He shows the discs to a metallurgist who identifies the outer two as aluminum but the other as polonium, a key element in the initiator of an atomic bomb. Preston reports his findings to his MI5 superior, who ignores them and has Preston taken off the politically embarrassing case. Sir Nigel Irvine, however, suspects that a major intelligence operation is under way, and has Preston work unofficially for him to search for other Russian couriers. At the same time, he uses Berenson to pass a deliberate piece of disinformation to the KGB. In Moscow, the director of operations for the KGB, General Karpov, discovers Aurora's existence. He identifies that the General Secretary is responsible, and blackmails Krilov into revealing the plan; in contravention of the Fourth Protocol to the 1968 Nuclear Non-Proliferation Treaty a small atomic device is to be smuggled (via its component parts) into England, and be exploded near Bentwaters Air Force Base a week before the general election. Evidence will be left that the explosion was an accidental detonation of an American weapon, leading to a wave of anti-Americanism, support for unilateral disarmament and for the only major party committed to disarmament, the Labour Party. The day after they win the election, the hard left will take over and begin to dismantle the Western alliance in Europe. Meanwhile, Preston tries in vain to uncover other couriers connected to the operation. A month into the investigation, a bumbling Czech agent under the name Franz Winkler arrives at Heathrow with a forged passport and is followed to a house in Chesterfield. Preston's patience is rewarded when Petrofsky shows up to use the radio transmitter that is located there. He trails Petrofsky to his rented house, where the bomb has been assembled. An SAS team is called in to storm the house, and manage to wound Petrofsky before he can detonate the bomb. Against Preston's express wishes, the leader of the SAS team shoots the Russian agent in the head afterwards. Before dying Petrofsky manages to say one last word: “Philby”. Preston confronts Sir Nigel Irvine with his theory that the operation was deliberately blown by Philby. Philby did not know Petrofksy's location but instead, sent Franz Winkler, with an obviously forged passport, to the location of the transmitter, and ultimately, to Petrofsky. Sir Nigel admits to sabotaging the KGB's British operation by leaking disinformation through Berenson to General Karpov, that they were closing in on their suspect. In turn, Karpov (and not Philby) sent Winkler, sabotaging Plan Aurora. By sending Winkler, Karpov is thwarting a British publicity victory as Sir Nigel understood the implication, that Petrofsky must not be taken alive or exposed in the media. At the novel's end, Preston's MI5 superior and adversary is denied a senior leadership role due to his misjudgment in the case and subsequently resigns from MI5 altogether. Preston also resigns, but through Sir Nigel Irvine, finds lucrative private-sector employment that enables him to obtain full custody of his son. Marais is taken into custody by South African intelligence and Berenson's work is left unusable to the KGB, as Sir Nigel, using his own spy network, intends to plant the suspicion that Berenson was in fact a double agent, and so his information will be considered suspect. |
Artemis Fowl: The Eternity Code | Eoin Colfer | 2,003 | Artemis Fowl II, the 13-year-old criminal mastermind, has created a supercomputer which he calls the "C Cube", from stolen fairy technology. It far surpasses any human technology made so far. When Fowl meets Chicago businessman Jon Spiro to show him the Cube, Spiro ambushes Artemis and steals it. In the process, Butler, his bodyguard is killed by one of Spiro's staff. However, Artemis manages to revive him with the aid of cryogenics and fairy healing magic, courtesy of Captain Holly Short of the LEPrecon squad. After Butler is revived, Artemis convinces the LEP to track down the Cube. They agree on one condition: that Artemis' mind is to be wiped later. They head to The Spiro Needle, where Jon Spiro has held the Cube. The Cube is recovered with the aid of Butler's sister and Mulch Diggums, who is later incarcerated. Nearing the end of the book, Mulch discovers that Artemis has cleared him of all charges and tasked him with restoring Artemis' memory, which is wiped at the end. In the epilogue, it is revealed that the LEP questioned him to reveal any plans he had to retain his memory, but he managed to fool them, and his plans remained secret from the LEP. |
The Little Mermaid | Hans Christian Andersen | 1,837 | The Little Mermaid lives in an underwater kingdom with her father, the sea king; her grandmother and her five elder sisters, each born one year apart. When a mermaid turns 15, she is allowed to swim to the surface to watch the world above, and as the sisters become old enough, one of them visits the surface every year. As each of them returns, the Little Mermaid listens longingly to their various descriptions of the surface and of human beings. When the Little Mermaid's turn comes, she ventures to the surface, sees a ship with a handsome prince, and falls in love with him from a distance. A great storm hits and the Little Mermaid saves the prince from nearly drowning. She delivers him unconscious to the shore near a temple. Here she waits until a young girl from the temple finds him. The prince never sees the Little Mermaid. The Little Mermaid asks her grandmother whether humans can live forever if they do not drown. The grandmother explains that humans have a much shorter lifespan than merfolks' 300 years, but that when mermaids die they turn to sea foam and cease to exist, while humans have an eternal soul that lives on in Heaven. The Little Mermaid, longing for the prince and an eternal soul, eventually visits the Sea Witch, who sells her a potion that gives her legs in exchange for her tongue (as the Little Mermaid has the most intoxicating voice in the world). The Sea Witch warns, however, that once she becomes a human, she will never be able to return to the sea. Drinking the potion will make her feel as if a sword is being passed through her, yet when she recovers she will have two beautiful legs, and will be able to dance like no human has ever danced before. However, it will constantly feel like she is walking on sharp swords hard enough to make her bleed. In addition, she will only get a soul if she finds true love's kiss and if the prince loves her and marries her, for then a part of his soul will flow into her. Otherwise, at dawn on the first day after he marries another woman, the Little Mermaid will die brokenhearted and disintegrate into sea foam. The Little Mermaid drinks the potion and meets the prince, who is mesmorised by her beauty and grace even though she is mute. Most of all he likes to see her dance and she dances for him despite her suffering excruciating pain. When the prince's father orders his son to marry the neighboring king's daughter, the prince tells the Little Mermaid he will not because he does not love the princess. He goes on to say he can only love the young woman from the temple, who he believes rescued him. It turns out that the princess is the temple girl, who had been sent to the temple to be educated. The prince loves her and the wedding is announced. The prince and princess marry, and the Little Mermaid's heart breaks. She thinks of all that she has given up and of all the pain she has suffered. She despairs, thinking of the death that awaits her, but before dawn, her sisters bring her a knife that the Sea Witch has given them in exchange for their long hair. If the Little Mermaid slays the prince with the knife and lets his blood drip on her feet, she will become a mermaid again, all her suffering will end and she will live out her full life. However the Little Mermaid cannot bring herself to kill the sleeping prince lying with his bride and as dawn breaks she throws herself into the sea. Her body dissolves into foam, but instead of ceasing to exist, she feels the warmth of the sun; she has turned into a spirit, a daughter of the air. The other daughters of the air tell her she has become like them because she strove with all her heart to gain an eternal soul. She will earn her own soul by doing good deeds for 300 years; for each good child she finds, one year would be taken from her sentence while for each bad child, she would cry and each tear would mean one day more and she will eventually rise up into the kingdom of God. |
The Gods Themselves | Isaac Asimov | 1,972 | The main plotline is a project by aliens who inhabit a parallel universe (the para-Universe) with different physical laws from this one. By exchanging matter with Earth, they seek to exploit these differences in physical laws. The exchange of matter provides an alternative source of energy in their dying Universe. However, the exchange of physical laws will have the ultimate result of turning the Earth's Sun into a supernova, and possibly even turning a large part of the Milky Way into a quasar which, in turn, provides more energy for the para-Universe. The first part takes place on Earth. Frederick Hallam, a scientist of limited ability but with a fiercely protective ego, discovers that an old container's contents seem to have been altered. He initially accuses a colleague of tampering with his sample, and gets a snide remark in return. Hallam responds with a furious effort and eventually finds that the sample, originally tungsten, has been transformed into something that turns out to be plutonium 186—an isotope that cannot occur naturally in our universe. As this is investigated, Hallam makes the crucial suggestion that the matter has been swapped by beings in a parallel universe. This turns out to be correct and leads to the development of a cheap, clean, and apparently endless source of energy: the "Electron Pump", which trades matter between our universe (where plutonium 186 decays into tungsten 186) and a parallel one governed by slightly different physical laws (where tungsten 186 turns into plutonium 186), yielding a nuclear reaction in the process. The development process inextricably ties Hallam to the Pump in the minds of the people, vaulting him into an incredibly high position in public opinion and winning him power, position, and a Nobel Prize to boot. An idealistic young physicist, Lamont, while writing a history of the Pump, comes into conflict with Hallam and begins to question the official history of its discovery. Lamont is convinced that the development of the Pump was mainly due to the "para-men", who he believes are more intelligent; he notes the instructions they had sent early in the project (although only the diagrams, and not the linguistic parts, had been comprehensible). Hallam is infuriated by the suggestion that his role is secondary, and destroys Lamont's career. Lamont enlists the help of Bronowski, a linguist who had won renown for translating the Etruscan language and is looking for a new challenge. As Bronowski works on the para-men's old messages, Lamont discovers that the Pump is in fact creating a dangerous situation that could cause the Sun to become a nova (the pump increases the strong nuclear force inside the sun, causing the sun to fuse its hydrogen fuel more rapidly). This would, incidentally, also doom the para-world by accelerating the cooling of its own sun. Bronowski seems to be making some progress, receiving what appears to be an acknowledgment that the Pump may be dangerous. Lamont attempts to demonstrate this to a politician and several members of the scientific community, but they, seduced by the cheap, presumed clean energy source and unwilling to take Hallam on face-to-face for fear of suffering Lamont's own fate, are unwilling to listen to him. Lamont decides that the only option now is to tell the para-men that the Earth-side agrees to stop, arguing that even if he is killed for it, he will eventually be a hero who saved the world. But then Bronowski reveals his last message which shows that they have in fact been in contact not with the para-authorities but with para-dissidents like himself, who cannot persuade their para-Hallam, and are therefore - in a mirror-image way - begging him to stop the Pump. There seems to be no way out. The second part takes place in the parallel universe. The aliens consist of the "hard ones" and the amorphous "soft ones". The soft ones have three sexes with fixed roles for each sex: * Rationals - Called "lefts", rationals are the logical and scientific sex. Rationals are identified with masculine pronouns and produce a form of sperm. * Emotionals - Called "mids", emotionals are the intuitive sex. Emotionals are identified with the feminine pronouns and provide the energy needed for reproduction. * Parentals - Called "rights", parentals bear and raise the offspring. Parentals are identified with masculine pronouns. All three 'genders' are embedded in sexual and social norms of expected and acceptable behavior. The hard ones regulate much of soft one society, among other things creating families by allocating one of each of the sexes to a mating group, or "triad" in the novel's terminology, and acting as teachers and mentors to the Rationals. Little is shown of "hard one" society and Dua, the protagonist of this section of the book, suspects that the "hard ones" are a dying race since there are no "hard one" children. Her assumption is that the "hard ones" keep the "soft ones" as pets and toys, as a replacement for the children they do not have. This is dismissed by Odeen, the Rational of Dua's triad, who having the most contact with the "hard ones", has heard the "hard ones" speak of a new "hard one" called "Estwald". Dua is an oddball Emotional who exhibits traits normally associated with Rationals, leading her to be called a "left-em". Interestingly, the companions in her triad are also revealed to be unusual and they too behave differently than what is expected from their appropriate sex. She learns about her universe's end of the Pump. By engaging in teachings from Odeen, she also concludes on her own the supernova problem that Lamont uncovered in the first section; outraged that the Pump is allowed to continue to operate, despite the fact that it will eventually result in the destruction of another civilization, she attempts to put a stop to the project. She cannot persuade her own species to abandon the Pump, as they have no choice but to use it - their own sun as well as all the other stars in that universe are dying and can no longer provide the energy they need to continue to reproduce; their only other source of energy is the Pump. The majority decision is that, while their continued use of the Pump will destroy Earth and its solar system, abandoning it will result in their own extinction and thus cannot be done. While Lamont has assumed the destruction of Earth's sun would be fatal for the para-world, it turns out that in fact they would be able to draw energy off such a huge source directly without needing a Pump any more, and thus they would actually be safer once the Earth sun exploded. The differences in the laws of physics in the parallel universe mean that the aliens' bodies do not have the same material properties as living matter in this universe. Instead of consuming material that is then converted into energy, the aliens absorb it directly from sunlight. The different sexes can "melt" and merge physically, their analog of sex (the younger ones and some Emotionals can somehow overcome the repulsion between atoms and melt into walls, which is seen as a social taboo). Rationals and Parentals can do this to some extent independently, but in the presence of an Emotional, they can become essentially immaterial and the "melt" becomes total, the three bodies coming together into one (which causes orgasmic sensations, but also results in blackout and memory loss during the "melt"). Only during such a total "melt" can the Rational "impregnate" the Parental, with the Emotional providing the energy. Driven by an innate desire to procreate, Tritt, the "Parental" of the triad, at first asks Odeen to persuade Dua to facilitate the production of the third child. When this fails, Tritt steals an energy-battery from the Pump and rigs it to feed Dua. She accepts it, as it coincides with her finally being taught by Odeen about physics (which violates the gender norms of this society - Odeen consulted his hard-teacher about the problem of the third child, the teacher encouraged him to go with her abnormalities). Filled with this energy, the triad mates, and Tritt becomes pregnant with their last child. Dua discovers this betrayal and escapes from her family to the caves of the hard ones where she is able to melt through the walls (which is possible because she retained her thinness by eating little in general). Once there she begins a guerilla campaign to stop the Pump, transmitting the alternative messages that Lamont received in the first section. Eventually, her escape method of melting through walls and creating the metal messages cause her to lose too much of the energy needed to continue her existence. As she is about to expire, against all odds she is found by her triad. She is about to defy her triad by seeking to die anyway, but it is finally revealed that once a triad has produced at least one more triad of children to maintain a stable population, they are ready to fuse permanently into a single individual of the species's fully mature form - the hard ones. In fact, they temporarily form this same individual whenever they melt, but have no memory of it afterward. This fact is kept carefully concealed by the mature population from the semi-mature population, because the melt is also a mind-meld, and it is important that the Rational of a triad become mature enough to understand the conditions of their existence by themselves, before the final melt into a mature hard one. Afraid that they will lose the Hard one formed by Dua's triad, the hard ones have coached Odeen into realising the reality of the melt. All members of the triad are exceptional in their own way; Dua has learnt more about the other universe than any hard one, Odeen has shown greater intuition and empathy than a normal Rational, and Tritt has shown greater initiative and technical ability in stealing and setting up the lamp than any other Right. Odeen convinces Dua that the hard one that they will become will have influence with the hard ones to stop the Pump. As they are ready to "pass on", in between thoughts of the daughter she will not know, Dua realizes that in fact the fusion of her triad had produced Estwald himself, the original inventor of the Pump. The third part of the novel takes place on the Moon, centering around a cynical middle-aged physicist named Denison, briefly introduced in Part 1 as the colleague and rival of Hallam whose snide remark drove Hallam to invent the Pump. Denison, independently of Lamont, deduced the danger in the Electron Pump (although it was Lamont who discovered the final technical facts), and goes on to find a solution that harms no one and greatly benefits humanity: he taps into yet another parallel universe, that exists in a pre-big bang state (a cosmic egg or cosmeg), where physical laws are different and, in fact, opposite to the ones in Dua's universe. The exchange with the second parallel universe both produces more energy at little or no cost (which is a pleasant side effect for the Lunar residents, who had been unable to establish electron pumps), and balances out the changes from the use of the Electron Pump, resulting in a return to equilibrium. Denison is helped by a Lunarian tourist guide named Selene Lindstrom, who is secretly an Intuitionist (a genetically engineered human with superhuman intuition). In the end, Selene and Denison also foil a plot to use the new power source to move the moon out of earth orbit. |
Charlotte's Web | E. B. White | 1,952 | The book begins when John Arable's sow gives birth to a litter of piglets, and Mr. Arable discovers one of them is a runt and decides to kill it. However, his eight-year-old daughter Fern begs him to let it live. Therefore her father gives it to Fern as a pet, and she names the piglet Wilbur. Wilbur is hyperactive and always exploring new things. He lives with Fern for a few weeks and then is sold to her uncle, Homer Zuckerman. Although Fern visits him at the Zuckermans' farm as often as she can, her visits decrease as she grows older, and Wilbur gets lonelier day after day. Eventually, a warm and soothing voice tells him that she is going to be his friend. The next day, he wakes up and meets his new friend: Charlotte, the grey spider. Wilbur soon becomes a member of the community of animals who live in the cellar of Zuckerman's barn. However, he learns from an old sheep that he is going to be killed and eaten at Christmas, and turns to Charlotte for help. Charlotte has the idea of writing words in her web extolling Wilbur's excellence ("some pig," "terrific," "radiant," and eventually "humble"), reasoning that if she can make Wilbur sufficiently famous, he will not be killed. Thanks to Charlotte's efforts, and with the assistance of the gluttonous rat Templeton, Wilbur not only lives, but goes to the county fair with Charlotte and wins a prize. Having reached the end of her natural lifespan, Charlotte dies at the fair. Wilbur repays Charlotte by bringing home with him the sac of eggs (her "magnum opus") she had laid at the fair before dying. When Charlotte's eggs hatch at Zuckerman's farm, most of them leave to make their own lives elsewhere, except for three: Joy, Aranea, and Nellie, who remain there as friends to Wilbur. |
Howl's Moving Castle | Diana Wynne Jones | 1,986 | A young woman named Sophie Hatter is the eldest of three daughters living in the town of Market Chipping in the magical kingdom of Ingary, where many fairy-tale tropes are accepted ways of life. She is very deft with the needle and makes the most beautiful hats and dresses. She unknowingly talks life into objects. As the eldest, she is resigned to the "fact" that she will have no chance of finding her fortune, accepting that she will have a dull life running the family hat shop—until she is turned into an old crone by the Witch of the Waste, a powerful witch who was not satisfied by Sophie's hats. Sophie leaves the shop and finds work as a cleaning lady for the notorious Wizard Howl, famed in her town for eating the hearts of beautiful young women. Sophie strikes a bargain with Howl's resident fire demon, Calcifer: if Sophie can break the contract between Howl and Calcifer, then Calcifer will return Sophie to her original form. Part of the contract, however, stipulates that neither Howl nor Calcifer can disclose the main clause of the contract to any third party. Sophie tries to guess the specifics of the contract, while Calcifer supplies frequent hints which Sophie usually doesn't pick up. Sophie soon learns that Howl, a rather self-absorbed, dishonest and cavalier but ultimately good-natured person (and an extraordinary wizard), spreads these malicious rumours about himself to ensure his privacy and smear his own reputation to avoid work and responsibility. The door to his castle is actually a portal that opens onto four different places: the moving castle Sophie first encounters in the hills above Market Chipping, the seaside city of Porthaven, the royal capital of Kingsbury and Howl's boyhood home in Wales, where he was named Howell Jenkins. Howl realizes that Sophie is under a spell and secretly attempts to remove the curse; when met with failure, he comes to the conclusion that Sophie simply enjoys being in disguise. Howl's apprentice Michael Fisher runs most of the day-to-day affairs of Howl's business, while Howl chases his ever-changing paramours. Howl and Michael court Sophie's two younger sisters Lettie and Martha, respectively. Martha, the youngest, was sent to study magic, while the middle sister, Lettie, was apprenticed at a local bakery. Disguising herself as Lettie, Martha arranged for the two of them to switch places, as Fanny (Martha's mother and Sophie and Lettie's stepmother) did not take their wishes into account when arranging their apprenticeships. When Prince Justin (the King's younger brother) goes missing while searching for Wizard Suliman (Benjamin Sullivan, also from Wales), the King orders Howl to find Suliman and Justin and kill the Witch of the Waste. Howl, however, has his own reasons to avoid seeking a confrontation with the Witch of the Waste; the Witch, a jaded former lover, has laid a curse on him. Howl attempts to weasel out of it by having Sophie, pretending to be his mother, petition against the appointment— but to no avail. Instead of blackening Howl's name like he asked Sophie to do, she gets him appointed the new Royal Wizard, the post he has been trying to avoid for years. Howl continues to avoid the Witch of the Waste until she lures Sophie into a trap; believing that the Witch has taken Howl's current love interest, Lily Angorian, captive, Sophie goes to save her and is in turn captured by the Witch of the Waste. Howl comes to save Sophie and defeats the Witch of the Waste. He knew all along that Miss Angorian was actually the Witch's fire demon in disguise. The Witch's fire demon had, over the years, taken control of the Witch and, once the Witch is defeated, tries to take Howl's heart to stay alive. Howl is able to stop the demon but fails because Miss Angorian took hold of Calcifer and tried to squeeze Howl's heart out of him. Sophie uses her talent of talking things to life to break the contract between Howl and Calcifer without killing either of them. Sophie has been unconsciously retaining the spell on herself, but her concern for Howl weakens the spell, and with the death of the Witch of the Waste, who was a significant force behind the spell as well, Calcifer, as promised, breaks the spell the second she concludes the contract between him and Howl, and she returns to her proper age. When Howl awakens, he destroys the witch's fire demon. This breaks the curse on Wizard Suliman and Prince Justin, whom the Witch had fused together in an effort to create a 'perfect human' (Howl's head was meant to complete the being) to use as a puppet to rule Ingary. Calcifer returns under the condition that he can come and go as he wishes. Sophie and Howl admit they love each other (without actually saying it) and Howl suggests they live happily ever after. |
Joy | Marsha A. Hunt | 1,990 | The first person narrator of the novel is Palatine Ross, a 70 year-old cleaning woman originally from New Orleans whose childhood is dominated by poverty and loss. One of six children whose father left the family never to be seen again, she experiences even more hardship when three of her brothers, who work as farm hands, die in a burning barn. When, shortly afterwards, her mother also dies, it falls upon Palatine to raise her two remaining siblings, Caesar and Helen. After the end of the Second World War, Palatine marries, and the newlyweds decide to leave the South for good. They move to Oakland, California, with Caesar and Helen in tow, both of whom have by now become alcoholics. Palatine, who has had no formal education, and her husband start working as "apartment managers", a job which mainly consists in collecting the rent and scrubbing the floors of the building where they live. Their marriage remains childless though, and the couple find solace by becoming active members of one of the local churches. When, in 1956, a young widowed mother of three moves into the apartment next to theirs, Palatine recognizes in one of the girls, eight year-old Joy Bang, her "God-sent child", the one she could never have herself, especially when she notices that Joy's mother prefers Joy's sisters over her. For the next twenty years or so, Palatine keeps "sticking her two cents in". A do-gooder, she turns the other family's life upside down by showering Joy with her affection and meddling with her mother's way of bringing up her three children. However, for reasons yet unknown to Palatine (and the reader), Joy's mother is grateful for Palatine's interference, and no open conflict arises. Shutting her eyes to all the evil in the world and firmly relying on God and the words of the Bible as guidance, Palatine tries to raise Joy and her sisters to be educated, honest and religious members of society. The fact that, growing up in a rough neighbourhood, the not yet teenaged girls are very early in their lives confronted with sex willingly escapes her notice. It troubles Palatine a lot when Dagwood, her neighbour's new boyfriend, starts spending the night with the girls' mother. One morning during the summer vacation, while his girlfriend is at work and Palatine is taking care of the children, Dagwood stays on in the apartment. While he is hung over and still half asleep, ten year-old Brenda, the oldest, performs oral sex on him, with Joy watching. Briefly at a loss, Palatine, on learning about this unbelievable incident, talks to Dagwood and demands of him that he leave town immediately without even waiting for his girlfriend to return from work. Also, she makes Brenda and Joy "swear eternal secrecy" and never tell their mother about it. Some years later she arranges a secret backstreet abortion for Anndora, the youngest of the three sisters who is still in high school, which, though "successful", results in the girl never being able to become pregnant again. Right from the start, Palatine tries to take the three girls along to church, seeing that their blaspheming mother will never do so. It is there that, during choir practice, the girls' -- especially Brenda's -- singing talent is discovered. Eventually, after winning first prize in a gospel contest some time in the mid-1970s, the three sisters are offered a chance to go to a recording studio and release a single, "Chocolate Chip", a song specially written for them. Calling themselves Bang Bang Bang (after their family name), they immediately become popular with both black and white audiences and, in 1977, after their song has hit the charts, start touring both the United States and parts of Europe. While their mother stays behind, Palatine is on the road with them wherever they go ("Them times was the best I had in my life") as their "wardrobe mistress", "a cleaning woman who they'd drug along to make sure Brenda got up in the morning and Anndora came back at night", as the latter "went out with any Tom, Dick or Harry that invited her" and "couldn't go a whole day without sex". The entrance into the world of show business leaves some indelible marks on the girls' lives. Whereas Brenda, a big and violent girl generally considered ugly, puts on a lot of weight (especially during their stay in Germany), her sisters are quickly initiated into the world of drug use and abuse. What worries Palatine much more though is Joy's tendency to ignore her being black—without any chance ever of passing for white as she is far too dark-skinned. Time and again, in the course of more than twenty years, Palatine tries to convince Joy that finding herself a nice coloured boyfriend whom she could marry and have children with would be the right thing to do. ("Don't go falling in love with no limousine, 'cause it won't never propose to you.") However, Joy never listens to her. Rather, she tells Palatine to "think big" and "think white" and does not have a single African American lover. The attraction Joy feels towards WASP men culminates in her affair with an English lord who is married with four little children. One of the rare comic passages of the book is about the three sisters and 60 year-old Palatine going to a charity ball in Knightsbridge, London, where Joy meets her young lord while Palatine dances with an old Englishman (Ch.14): The fogyish man with the white hair that I'd shouted don't give yourself a cardiac to must of figured that I was making a pass at him, 'cause the next time that "Chocolate Chip" played he come over to me and pulled me out on the dance floor, and I thanked God that Joy Bang had taught me to do that dance 'cause with me supposed to be their manager that night, it wouldn't of looked right if I hadn't of known how to Chocolate Chip like them old white folks that was trying it. "Go 'head with your bad ass self," I said to get him hotted up. I don't know if he knew that was just meant to be friendly and get him dancing better, but it was as much as I could do to give him some encouragement. When he lifted up his leg like a dog ready to pee and stuck out what behind he had and shook it all over, I smiled like he was dancing real good, but not once was he in time with the rhythm. When he got tired of doing the Chocolate Chip he twisted for a while. I laughed to myself and thought if colored folks danced that bad we wouldn't never be allowed on no dance floor. However, "Chocolate Chip" remains a one hit wonder after an interview given by Brenda to some gay magazine in which she announces her coming out as a lesbian. She leaves the group and goes to Boston, where she takes some menial job at the post office. Anndora goes to Milan, Italy, never to be heard of again, and Joy moves to New York City to be close to Rex Hightower, a country and western singer who seems to be her new boyfriend, "a rednecked toothpick from Oklahoma" who wears "his hair in a ponytail like a woman's" and who arranges for Joy to do occasional backup vocals. Their mother moves to Richmond, Virginia and eventually marries a retired policeman. Palatine and Joy never lose touch completely: From time to time Palatine gets a letter with news from her favourite Bang sister with a few banknotes added; sometimes Joy phones her; and once or twice a year she comes to see Palatine and her husband, who have moved to San Francisco. In the mid-1980s, however, Palatine starts worrying about Joy as on two occasions she borrows money from her. In March 1987, while Palatine is looking forward to spending a weekend with Joy in Reno gambling, Joy dies, aged only 39, in Taos, New Mexico, allegedly of a massive heart attack. On hearing the bad news, Palatine flies to New York for Joy's funeral. There, in Joy's posh split level apartment, she encounters the whole family. However, rather than being able to mourn Joy's death, she for the first time learns things about Joy which finally force her to abandon her blinkered view of her "God-sent child" and admit that she was a sinner rather than a saint. |
Breakfast of Champions | Kurt Vonnegut | 1,973 | Kilgore Trout is a widely published, but otherwise unsung and virtually invisible writer who, by a fluke, is invited to deliver a keynote address at a local arts festival in distant Midland City. Dwayne Hoover is a wealthy businessman who owns much of Midland City, but is mentally unstable and is undergoing a gradual mental collapse. Kilgore arrives in Midland City and, by happenstance, piques the interest of Dwayne. A confused Dwayne demands a message from Kilgore, who hands over a copy of his novel. Dwayne reads the novel, which purports to be a message from the Creator of the Universe explaining that the reader - in this case Dwayne - is the only individual in the universe with free will. Everyone else is a robot. Dwayne believes the novel to be factual and immediately goes on a violent rampage, severely beating his son, his lover, and nine other people before being taken into custody. While Kilgore is walking the streets of Midland after Dwayne's rampage the narrator of the book approaches Kilgore. The narrator tells Kilgore of his existence, the narrator lets Kilgore be free and to be under his own will. |
Mother Night | Kurt Vonnegut | 1,961 | During the Nazi build-up after Adolf Hitler seized power in 1933, Campbell decides to stay in Germany despite his parents' decision to leave. He continues to write plays, his only associations being with members of the ruling Nazi party as his social contacts. Being of sufficiently Aryan parentage, Campbell becomes a member of the Nazis in name only. He is politically apathetic, caring only for his art and his wife Helga, who is also the starring actress in all of his plays. The first part of the book ends after Campbell has an encounter on a park bench in the Berlin Zoo. While sitting on the bench he is approached by a man calling himself Frank Wirtanen, an agent of the U.S. War Department. Wirtanen wants Campbell to spy for the U.S. in the upcoming war. Campbell immediately rejects the offer, but Wirtanen quickly adds that he wants Campbell to think about it. He tells him that Campbell's answer will come in the form of how he acts and what positions he assumes once the U.S. and Germany declare war on each other. Once World War II starts, Campbell begins to make his way up through Joseph Goebbels' propaganda organization, eventually becoming the "voice" of broadcasts aimed at converting Americans to the Nazi cause. The spy part of the job comes in when he is transmitting his vitriolic messages; unbeknownst to the Nazis, all of the idiosyncrasies of his speech (deliberate pauses, coughing, etc.) are part of the coded information he is passing to the American Office of Strategic Services (the predecessor of the Central Intelligence Agency). Campbell never discovers, nor is he ever told (except in one notable instance), the information that he is sending. About halfway through the war his wife goes to the eastern front to entertain the German troops. Campbell is extremely distraught when he hears that the camp where she had been entertaining in Crimea had been overrun and she was presumed dead. (In a much later exchange, Wirtanen reveals the sad truth; Campbell's wife's probable death was included in one of his own coded messages about a week before Campbell was told). Right before the Soviet Army invades Berlin, Campbell visits his in-laws one last time. Helga's father had been chief of police in Berlin and tells Campbell that he never liked him, and had always thought that Campbell was a spy. He goes on to say though that even if he had been a spy, he had been so good at the propaganda business that he never could have served the other side better than he had served Nazi Germany. Campbell then has an exchange with Helga's younger sister, Resi, that will resonate with him years later. Eventually, he is captured by U.S. forces. Wirtanen works a deal in which Campbell is set free and then given passage to New York City, whence the rest of the action of the book takes place. In New York City, Campbell lives a lonely, anonymous life, sustained only by memories of his wife and an indifferent curiosity about his eventual fate. His only friend is George Kraft, a similarly lonely neighbor—who, through an extraordinary coincidence, also happens to be a Soviet intelligence agent. He tries to trick Campbell into fleeing to Moscow by publicizing the fact that Campbell has been living in New York since the end of the war. A white supremacist organization learns of his existence and makes him a cause celebre, inviting him to speak to new recruits as a "true American patriot." The group's leader, a dentist named Lionel Jones, shows up at Campbell's apartment with a surprise: a woman claiming to be Helga, alive and well and professing her undying love. Campbell's will to live returns for the first time in years, and remains even after he finds out that she is not Helga, but rather her younger sister Resi. They plan to escape to Mexico City after attending one of Jones' fascist meetings. There, Wirtanen makes an appearance to warn Campbell of Kraft's plot, and of Resi's complicity in it. Heartbroken, Campbell decides to go along with the charade. He confronts Kraft and Resi, the latter swearing her feelings for him are genuine. The FBI then raids the meeting and takes Campbell into custody, while Resi commits suicide by taking a cyanide capsule. As before, Wirtanen uses his influence to get Campbell set free. Once Campbell returns to his apartment, however, he realizes that he has no real reason to continue living, and decides to turn himself in to the Israelis to stand trial. The book ends as it began, with Campbell sitting in his Israeli jail cell waiting for his trial. Coincidentally, he meets Adolf Eichmann and gives him advice on how to write an autobiography. He then is transferred to a different holding cell where he further awaits his trial. At the very end of the book Campbell inserts a letter that he has just received from Wirtanen. The corroborating evidence that he was indeed an American spy during World War II has finally arrived, and Wirtanen writes that he will testify to Campbell's true loyalties in court. Rather than being relieved, Campbell feels "nauseated" by the idea that he will be saved from death and granted freedom when he is no longer able to take pleasure in anything life has to offer. In the last lines Campbell tells us that he will hang himself not for crimes against humanity, but rather for "crimes against himself." "This is the only story of mine whose moral I know. I don't think it's a marvelous moral, I just happen to know what it is..." Vonnegut's "So-it-goes" nonchalance announces on the first page of the Introduction. "The moral of the story" appears again and throughout Mother Night from this point on, and Vonnegut periodically elaborates upon it after saying, "We are what we pretend to be, so we must be careful about what we pretend to be." As a minor adjunct to this moral, Vonnegut later offers the observation that "When you're dead, you're dead." The author then pauses and says, "And yet another moral occurs to me now; Make love when you can. It's good for you." |
Freedom Evolves | Daniel Dennett | 2,003 | As in Consciousness Explained, Dennett advertises the controversial nature of his views extensively in advance. He expects hostility from those who fear that a skeptical analysis of freedom will undermine people's belief in the reality of moral considerations; he likens himself to an interfering crow who insists on telling Dumbo he doesn't really need the feather he believes is allowing him to fly. Dennett's stance on free will is compatibilism with an evolutionary twist – the view that, although in the strict physical sense our actions might be pre-determined, we can still be free in all the ways that matter, because of the abilities we evolved. Free will, seen this way, is about freedom to make decisions without duress (and so is a version of Kantian positive practical free will, i.e., Kantian autonomy), as opposed to an impossible and unnecessary freedom from causality itself. To clarify this distinction, he coins the term 'evitability' as the opposite of 'inevitability', defining it as the ability of an agent to anticipate likely consequences and act to avoid undesirable ones. Evitability is entirely compatible with, and actually requires, human action being deterministic. Dennett moves on to altruism, denying that it requires acting to the benefit of others without gaining any benefit yourself. He argues that it should be understood in terms of helping yourself by helping others, expanding the self to be more inclusive as opposed to being selfless. To show this blend, he calls such actions 'benselfish', and finds the roots of our capacity for this in the evolutionary pressures that produced kin selection. In his treatment of both free will and altruism, he starts by showing why we should not accept the traditional definitions of either term. This strategy comes down to dissolving problems, instead of solving them. Rather than try to answer certain flawed questions, he questions the assumptions of the questions themselves and undermines them. Dennett also suggests that adherence to high ethical standards might pay off for the individual, because if others know your behaviour is restricted in these ways, the scope for certain beneficial mutual arrangements is enhanced. This is related to game theoretical considerations: in the famous Prisoner's Dilemma, 'moral' agents who cooperate will be more successful than 'non-moral' agents who do not cooperate. Cooperation wouldn't seem to naturally arise since agents are tempted to 'defect' and restore a Nash equilibrium, which is often not the best possible solution for all involved. Dennett concludes by contemplating the possibility that people might be able to opt in or out of moral responsibility: surely, he suggests, given the benefits, they would choose to opt in, especially given that opting out includes such things as being imprisoned or institutionalized. Daniel Dennett also argues that no clear conclusion about volition can be derived from Benjamin Libet's experiments supposedly demonstrating the non-existence of conscious volition. According to Dennett, ambiguities in the timings of the different events involved. Libet tells when the readiness potential occurs objectively, using electrodes, but relies on the subject reporting the position of the hand of a clock to determine when the conscious decision was made. As Dennett points out, this is only a report of where it seems to the subject that various things come together, not of the objective time at which they actually occur. Suppose Libet knows that your readiness potential peaked at millisecond 6,810 of the experimental trial, and the clock dot was straight down (which is what you reported you saw) at millisecond 7,005. How many milliseconds should he have to add to this number to get the time you were conscious of it? The light gets from your clock face to your eyeball almost instantaneously, but the path of the signals from retina through lateral geniculate nucleus to striate cortex takes 5 to 10 milliseconds — a paltry fraction of the 300 milliseconds offset, but how much longer does it take them to get to you. (Or are you located in the striate cortex?) The visual signals have to be processed before they arrive at wherever they need to arrive for you to make a conscious decision of simultaneity. Libet's method presupposes, in short, that we can locate the intersection of two trajectories: * the rising-to-consciousness of signals representing the decision to flick * the rising to consciousness of signals representing successive clock-face orientations so that these events occur side-by-side as it were in place where their simultaneity can be noted. Dennett spends a chapter criticising Robert Kane's theory of libertarian free will. Kane believes freedom is based on certain rare and exceptional events, which he calls self-forming actions or SFA's. Dennett notes that there is no guarantee such an event will occur in an individual's life. If it does not, the individual does not in fact have free will at all, according to Kane. Yet they will seem the same as anyone else. Dennett finds an essentially indetectable notion of free will to be incredible. |
Rainbow Six | Tom Clancy | 1,998 | Central Intelligence Agency operatives John Clark and Domingo Chavez join Special Air Service (SAS) officer Alistair Stanley in forming an elite multinational counter-terrorist unit known as Rainbow, based in Hereford, England. The unit consists of a highly effective and cohesive pair of operational squads, supplemented by intelligence and technological experts from the SAS. Clark is the commanding officer, while Chavez leads one of the two squads. Not long after the establishment of Rainbow, a bank in Bern, Switzerland, becomes the site of a hostage situation, eventually determined to be led by wanted terrorist Ernst Model. In an early and desperate show of resolve, the terrorists kill one of the hostages, leading the Swiss government to seek help from Rainbow. Chavez's Team-2 is deployed to the scene and, disguised as policemen, is able to successfully breach the bank and kill the terrorists with no further loss of civilian lives. Several weeks later, Chavez is deployed to Austria, where a group of left-wing German terrorists have taken over the schloss of a wealthy Austrian businessman, Erwin Ostermann, in order to obtain imaginary "special access codes" to the international trading markets. Through careful planning and negotiating, the terrorists are persuaded to take their hostages out to a waiting helicopter, presumably to make their getaway. On their way to the helicopter, Rainbow's disguised shooters ambush and kill them. Soon afterward, even more terrorists take over a Spanish theme park, demanding the release of Carlos the Jackal in exchange for the thirty-five children they have taken hostage. Due to the size and scope of the operation, Rainbow deploys both of its squads. During the stand-off, Rainbow is unable to prevent the terrorists' execution of a terminally ill Dutch girl. The squads manage to eliminate the terrorists without further loss of innocent life. Clark and his colleagues become suspicious about this flurry of activity from older terrorists. Unbeknownst to them, radical eco-terrorists from a biotechnology firm called the Horizon Corporation have orchestrated the previous attacks, having hired ex-KGB officer Dimitriy Popov to foment the incidents. The increase in terror attacks helps their security firm land a contract during the Olympic Games in Sydney, Australia. From within the Olympic security apparatus, they plan to launch a sophisticated bioweapon attack intended to wipe out the majority of the human race. Upon learning about Rainbow, Popov directs members of the Provisional Irish Republican Army to take over a local hospital in Hereford near Rainbow's base, take Clark and Chavez's wives hostage, and ambush one of Rainbow's squads. Rainbow and the SAS retake the hospital, capturing some of the terrorists. Interrogation reveals Popov's involvement in instigating the attack. Now the focus of a manhunt, Popov is kept hidden at Horizon's secret base in Kansas. Upon learning about the planned Olympic attack, an appalled Popov escapes the compound and contacts Clark. Fortunately, Chavez is present at the Olympics as a security consultant and manages to thwart the attack. Their plans destroyed, the eco-terrorists retreat to their refuge deep in the Brazilian rain forest, hoping to negotiate a deal to return to the United States. Clark, knowing that they may never be put on trial, tracks down the Brazilian hideout and deploys Rainbow to the location. After Rainbow defeats the eco-terrorists' militia force and destroys their facility and supplies, Clark has the survivors stripped naked and left to die, taunting them to "reconnect with nature." For his critical assistance, Popov is not charged for his role in the attacks. The Horizon Corporation continues as a legitimate pharmaceutical corporation, without their CEO and the other employees involved in the never-revealed plot. |
Jasmine | Bharati Mukherjee | 1,989 | The main backdrop of Jasmine, which was based on an earlier short story in The Middleman and Other Stories, is the mixing of the East and West through the story telling of a seventeen-year-old Hindu woman who leaves India for the U.S. after her husband's murder. Her husband dies due to a religious attack in India. In her path she faces many problems including rape and eventually returned to the position of a health professional through a series of jobs. Here in this context the unity between the First and Third World is shown to be in the treatment of women as subordinate in both countries. The story expanded as a story of a young widow suddenly widowed at seventeen. She uproots herself from her life in India and re-roots herself in search of a new life and the image of America as well. It is a story of dislocation and relocation as the protagonist continually sheds lives to move into other roles, moving further westward. The author in some parts of this novel shows some agony to the third world as she shows that Jasmine needs to travel to America to make something significant in her life. And in the third world she faced only despair and loss. |