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Question: Does the following movie review have positive or negative in sentiment?
Review: Caught this film in about 1990 on video by chance and without knowing what i was in for. Many horror fans may have missed this thinking it was a typical prison film and the ones who did get it didn't like it as it was not what they wanted to see. The above mentioned factors are probably the reasons it is low rated but just ignore that and give it a whirl if you're a fan of the genre.<br /><br />It has strong suits in all departments from script and atmosphere to acting and the prison itself. <br /><br />An absolute diamond, a film i still have on video to this day. Check it out.
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Review: 52-Pick Up never got the respect it should have. It works on many levels, and has a complicated but followable plot. The actors involved give some of their finest performances. Ann-Margret, Roy Scheider, and John Glover are perfectly cast and provide deep character portrayals. Notable too are Vanity, who should have parlayed this into a serious acting career given the unexpected ability she shows, and Kelly Preston, who's character will haunt you for a few days. Anyone who likes action combined with a gritty complicated story will enjoy this.
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Review: I wasn't sure at first if I was watching a documentary, propaganda film or dramatic presentation. I guess given the time of production it was a mix of all three.<br /><br />Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.<br /><br />Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.<br /><br />The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I'm not usually one to slate a film . I try to see the good points and not focus on the bad ones, but in this case, there are almost no good points. In my opinion, if you're going to make something that bad, why bother? Part of the film is take up with shots of Anne's face while she breaths deeply, and violin music plays in the background. the other part is filled with poor and wooden acting. Rupert Penry Jones is expressionless. Jennifer Higham plays Anne's younger sister with modern mannerisms. Anne is portrayed as being meek and self effacing, which is fine at the beginning, but she stays the same all through the film, and you see no reason for captain Wentworth to fall in love with her. Overall the production lacks any sense of period, with too many mistakes to be overlooked, such as running out of the concert, kissing in the street, running about in the streets with no hat on (why was this scene in the film at all? the scene in the book was one of the most romantic scenes written.). To sum it up, a terrible film, very disappointing.
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Review: Full marks for Pacino's rendering of the speech over the dead kid's coffin; Shakespeare's Mark Antony would be put to shame!!<br /><br />Was it Paul Schrader or was it Ken Lipper who should be complimented on the remarkable dialogues? They are rich and intelligent and well worth your time if you like movies with good scripts. I found the story narrative developing quite well right up to the voice-over postscript.<br /><br />There is little else to talk about in this film; even John Cusack has done better roles than this one. Interestingly, the film is very male oriented--the women are mere appendages.
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Review: 7 if you're a kid- 6 if you claim to be an adult. This semi-sequel to the Lion King sees to spin off side characters Timone and Pumba, retelling the original story through their eyes, including the story of how they met. In the grand tradition of Disney, inferior sequels are made, and occasionally TV series featuring the adventures of minor characters from their biggest hits. You can be as sceptical as you want about this, but kids and fans of the series will likely not care; their are enough jokes and songs and interesting things to ensure that this is one of the few above average sequels. This works because of the charm of the much-loved central characters, the quick pace, the in-jokes involving the first film, and for older viewers there are some funny gags. The animation is as good as ever, if a little less flamboyant than the original, but the plot here is all about taking it easy, Hakuna Matata.<br /><br />Timone and Pumba decide to watch the events of the first film, frequently stopping mid-film to joke about parts of it, like a real audience. We see how Timone is a near outcast, he feels he does not fit in and decides to go looking beyond what he sees to find his ideal home. On the way he meets Pumba, another outcast and they become friends. Soon they meet Simba, a Lion cub, natural predator of T and P, but they form a trio. However, when Simba realises he must follow his own destiny and leave the group, it is up to the others to decide whether to help or not, and how. Of course the usual Disney elements and themes are here, friendship, good versus evil etc. The plot is simple but works on many levels, making it smarter than your average animated movie. As the CG movies appear, Disney's traditional form must become smarter, but not forget the roots which made them popular. Toy Story and all that have come since have been clever, with jokes to suit all ages, and it seems this is the way the market is shifting. However, there will always be a place for films like this, and you cannot go wrong buying this for the youngsters.<br /><br />7 out of 10
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Review: The summer has been so full of Blockbusters and comebacks of films, and not to mention some of the disappointments of those comebacks, that I was woe to find a film I could just sit down and enjoy. <br /><br />In case you don't want to read further down the page (there aren't any spoilers), I'll sum it up here: It's more mature than Ella Enchanted (there are some questionably violent parts, plenty of death, and a handful of scenes with a little blood, not for small children), but doesn't try to be overly corny or overstep its bounds. Think of it as a bit more serious, bit more magical Princess Bride, and you'll be close. <br /><br />-------------------------------------------------------------<br /><br />I am, perhaps, not as prodigious a movie goer as others... Maybe once or twice a month, if I feel active. I'm also a huge Sci-Fi/Fantasy fan. I get bored of remade repetitive story lines and films with more flash than filling faster than you can count to 10, and this film is the diamond in the rough.<br /><br />By the end here (August), I was tired enough of fractured expectations from the big hits that I averted seeing Bourne Ultimatum in favor of Stardust. Having had my hopes thoroughly muddied by Transformers for my Fiction addiction, the previews of Stardust seemed appealing, but I was certainly wary.<br /><br />As many others here, I was utterly surprised. I had gone in thinking to see another generic fantasy movie clichéd from here to breakfast. Don't be fooled, it is most definitely a fairy-tale, and it does indeed have witches, magic, and utterly requires suspension of disbelief... But the most refreshing thing I found, is that it's NOT based on anything I've seen or read in the past 15 years, and it's actually a really good movie.<br /><br />((Unlike 90% of the other movies which seem to persistently re-appear like thorns in a side, perhaps a sign that Hollywood is running out of ideas? I could read a book this year, and in two years the movie would be out as another "Epic fantasy tale, the likes of LotR and the rest" so says the NYT and such and such no doubt.))<br /><br />Stardust didn't have me bolted to my seat because of jam-packed action at every turn, nor was I sweating bullets because of plot-hook after plot-hook threatening to tear the dramatic tension apart and echo throughout the theater in a loud boom. It didn't even use enormous blasts of sound to grab my attention to what's happening on screen (Transformers, I'm looking at you). It's not trying to show off the latest CGI techniques, nor did it offend my intelligence with dimwitted dialogs and story lines that are simple enough I could've figured them out in 3rd grade (boy I hate those). <br /><br />I just... watched. Watched, and enjoyed a refreshingly CREATIVE storyline unfold before my eyes. Sure, I may have known what was going to happen throughout most of the film, but it makes you forget that. It even made my heart twinge at some parts, but the most important aspect I noticed is that I left the theater feeling better than when I'd gone in.<br /><br />It truly is a gem. After so much slush this summer with so many remakes and films that fell short of my expectations, this was like a cold sweet cup of tea to cap off all the hard work I'd done sitting through the others trying to come out of them with my money's worth.<br /><br />It's probably not for everyone, but do yourself a favor; If you enjoy fantasy films that stand the test of time alone (Princess Bride, Black Cauldron, The Dark Crystal, etc.) then you should really see this movie. This little diamond is finding its way into my DVD collection the moment it hits stores, you can trust me on this.<br /><br />Simply wonderful.
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Review: Michael Stearns plays Mike, a sexually frustrated individual with an interesting moral attitude towards sexuality. He has no problem ogling naked dancers but when women start having sex with men that's when he loses it. He believes that when women actually have sex that's when they lose any sense of "innocence" and/or "beauty". So he strolls through the Hollywood Hills stalking lovemaking couples at a distance, ultimately shooting the men dead with a high-powered rifle with a scope.<br /><br />The seeming primary reason for this movie's existence is to indulge in sexual activity over and over again. The "story" comes off as more of an afterthought. This is bound to make many a happily heterosexual male quite pleased as we're treated to enough protracted scenes of nudity (the ladies here look awfully good sans clothes) and sex to serve as a major dose of titillation. Of course, seeing a fair deal of it through a scope ups the creepiness factor considerably and illustrates the compulsion towards voyeurism. (For one thing, Mike eyes the couples through the scope for minutes at a time before finally pulling the trigger.) This is all underscored by awfully intrusive if somewhat atmospheric music on the soundtrack.<br /><br />Those with a penchant for lurid trash are bound to enjoy this to one degree or another. It even includes one lesbian tryst that confounds Mike and renders him uncertain *how* to react. It unfolds at a very slow pace, but wraps up with a most amusing ironic twist. It's a kinky and twisted rarity that if nothing else is going to definitely keep some viewers glued to the screen.<br /><br />7/10
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Question: Does the following movie review have positive or negative in sentiment?
Review: To summarize this movie: Without a real plot, this movie consists of 80 minutes of deranged characters either drinking or making bad jokes. The music is just awful, the humor isn't funny and all the female characters slutty idiots or total geeks. It seems to me, that the movie has actually been written by a 14 year old boy, who thinks that drinking is cool, women are designed to please men and all that oppose that view are geeks. Also, the movie has nothing to do with the original American Pie movies, other than a few names and Mr. Levenstein who is a minor character in this one. The only good thing about this movie are the nice looking girls. Don't watch this movie and don't be fooled by the 5.4 rating, because it obviously overrated and doesn't deserve anything above 2.
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Question: Does the following movie review have positive or negative in sentiment?
Review: Trailers of this movie may show scenes of violence or non mainstream sexuality, but these scenes are just rare fragments, picked out to attract audience. They are, of course showing the main message of the movie:<br /><br />People who are constantly kicked on their heads in their jobs and lives, using power, which they may have somewhere else, to notoriously oppress others. And at the low end of the oppression chain, mostly women.<br /><br />A movie showing this as brutally as Hundstage is surely tough to face, but having to endure such lives, is even tougher.<br /><br />Technically the film is much like Short Cuts, but consisting of documentary style episodes, featuring people like your neighbour, playing just the way they are. Without any glitter, and most disturbingly, without any hope. Its documentary style makes the movie even more disturbing, because you realize, such people are out there, and there are many of them, although our society focuses on the nice exterior looks. Somewhere the porn industry has to do its business, somewhere unreported domestic violence has to take place, somewhere hopes have to shatter. I sure do know such people.<br /><br />If you want to see a movie without any funny scenes (some may think the handicapped woman repeating the top ten supermarkets is funny, but this happens for real) and without any melodramatic, go watch this movie. However it will lose when you are focusing on subtitles I fear, as subtitles can´t transport accentuation.
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Review: Bogmeister and others have pretty much nailed this. Shore Leave is really TOS' first attempt at lightweight sci-fi (which they would later perfect with the classic Trouble with Tribbles). It gave both the crew of the Enterprise and its TV viewers a needed respite from the universe threatening consequences of, for example, The Corbomite Manouever.<br /><br />Looking for a place to chill out for a while, the Enterprise happens across a seemingly idyllic M Class planet, and sends an exploratory team down to take a closer look. Soon enough all kinds of absurdities begin to take place - some seemingly perilous - but it all seems a morass of human emotional extremities played out in a weird blend of fantastic mystery (McCoy has gone through the looking glass), psychological thriller (Kirk is stalked by an indefatigable bully from his past), and romantic comedy (no comment).<br /><br />TOS was the least serialized of all of the series in the Trek franchise, so it is easy to forget how many episodes in the first season focused on heavy-handed, potentially calamitous drama. Unlike later series franchise writers, TOS' production team was not afraid to literally go where no TV series had gone before. And Shore Leave, despite its occasional problems, is an example. My only criticism of this episode is that the cast (particularly Shatner - ironic given his legendary sense of humor) didn't seem to know how to handle this new wrinkle on ST's themes. The last scene is possibly one of the worst scenes I can remember from the entire TOS run - both compositionally and in terms of acting.<br /><br />'nuff said. My recommendation - see it while watching the entire first season as it was meant to be seen - it order.
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Review: Did HeidiJean really see this movie? A great Christmas movie? Not even close. Dull, bland and completely lacking in imagination and heart. I kept watching this movie wondering who the hell thought that Carly Pope could play the lead in this movie! The woman has no detectable personality and gives a completely lackluster performance. Baransky was great as usual and provided the only modicum of interesting the whole thing. Probably her involvement was the only reason this project was green lighted to begin with. Maybe I'm expecting too much for a Lifetime movie played 15 days from Christmas but I sat through this thing thinking that with a different director and a recasting JJ with an actress that at least could elicit sympathy this could have been quite a cute little movie.
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Question: Does the following movie review have positive or negative in sentiment?
Review: The film starts with a voice over telling the audience where they are, and who the characters are. And that is the moment i started to dislike the movie. With all the endless possibilities any film director have in hand, i really find it a very easy and cheap solution to express the situation with a voice over telling everything. I actually believe voice overs are betrayals to the film making concept.<br /><br />I hate to hear from a voice over saying where we are, which date we are at, and especially what the characters feel and think. I believe that a director has to find a visual way to transmit the feelings and the thoughts of the characters to the audience. <br /><br />But after the bad influencing intro, a very striking movie begins and keeps going for a fairly long enough time. The lives of a middle class family and all the members individually are depicted in a perfect realistic way. I think the director has a talent for capturing real life situations. For example, a father who has to make his private calls from the bathroom might seem abnormal at first, but life itself leads us some situations which might seem abnormal but also very normal as well. I think the director is a very good observer about real life.<br /><br />But that is it. After a while the realism in the movie begins to sacrifice the story-telling. I really felt like I'm having a big headache because of the non-stop talking characters. It was as if the actors and actresses were given the subject and were allowed to improvise the dialogs. It is realistic really, but characters always asking "really, is that so" etc. to each other, or characters saying "no" or "are you listening to me," ten times when saying it only once is just enough causes me to have a headache.<br /><br />I also think the play practicing and book reading scenes are more then they should be. I understand that the play and the book in the movie are very much related to the plot, but i think the director has missed the point where he should stop showing these scenes.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I didn't know it was possible to release a movie this bad. The labeling sounded so promising, but you would think that with a cast of 20, at least one of them would be able to act. My wife left me and went to bed after the first 20 minutes. She made a wise decision.
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Review: The film is very complete in what it is, keeping one continuously interested with the flashbacks to childhood and growing up with such a bizarre father, and interspersing it with the tails of serial murder, one simply cannot go wrong. The very plot in itself, the very story and essence of the film, is entertaining. It is the sort of story that the director (Bill Paxton) could do so much with, and in this case, he really did do a lot with it.<br /><br />From beginning to end you are kept anticipating more and more about what is happening and where the film is going, and the creativity that is behind this story is first class. I felt as if this film was exquisitely done from start to finish, and one of those rare gems that seemed to be without any boring lulls -- the action flowing neatly, quickly, and tightly from one scene to the next. <br /><br />It demonstrates just how far people can go: so as to do such horrible things to their loved ones, and to do such acts of evil, in the name of 'God' when they are disillusioned as in this case. It also is sometimes interesting in its' twists & takes on the concept of morality as a whole.<br /><br />Overall, this is the sort of film that one easily overlooks, but I would recommend you to not do likewise and to check this film out -- it is very much so worth your time.
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Review: I understand the jokes quite well, they just aren't good. The show is horrible. I understand it, and that's another horrible thing about it. The only cool character there EVER was on the show was that one hobo in that one episode, but then I see the other episode including that episode and the show is horrible. It's not funny, NOT funny! I don't want people to say "Only smart people get it" because if they're so smart why do they judge people they don't even know and say that they're not smart or intellectual enough to understand it? It's like saying "The sky is red" but never looking outside. But anyways, this is absolutely the worst show I have ever seen in my life, the jokes are terrible, I mean, you can understand them, they're just horrible, her controversy is very lame, her fart jokes and other jokes on bodily fluids are really dumb and usually consist of really bad acting. I'm not sure what these "smart" people see in this show, but judging others when they don't even know anything about any of us isn't exactly a smart comment.
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Review: There are too many new styles of the sitcom but the one that works best is the old fashioned way with an audience and indoor set. That 70's Show is a great example. When the show came on the air, nobody really heard of Kurtwood Smith and Debra Jo Rupp much less the adolescents played wonderfully by Topher Grace and Ashton Kushton (both of them are leaving the show this year to pursue other interests) I wish Topher would stay around because the show began about his character, Eric, and his close circle of friends. Ashton is already the John Travolta of our time. Remember when John was in love with Diana Hyland from Eight Is Enough, think of Ashton with Demi Moore. The cast of actors were never known to us which is a good thing because a celebrity cast member can spoil it. I miss Mo Gaffney who played Don's girlfriend Joanne. I miss Lisa Robin Kelly as the original Laurie, the replacement could not match her and I am sorry about that. I liked the casting of Tommy Chong as the wasted but beloved father figure to Steven Hyde. I loved watching Tanya Roberts besides Charlie's Angels. I loved Brooke Shields playing Jackie's mom. She really showed her acting talent before heading to Broadway. This show has been a delight with many surprises. I hope this show lasts longer even though 2 of their cast members are leaving but I hope they don't stay too far away too long. I wish the show's creators, Bonnie and Terry Turner, who also created my other favorite show, Third Rock from The Sun, is more successful on Fox than they were on NBC which sabotaged their show. The Turners are not dummies and I hope they create more shows like this in the future.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I'd give it a 2/10.<br /><br />I was really, really disappointed.<br /><br />The storyline was poorly developed, for instance, the incidents were too short and brief, hence the moral was not clearly brought out. I thought Brenda Song did a fine job, but Shin Koyamada seemed to have a difficult time handling his role. I could see the need to put in western elements in the show, however, there are certain parts, where Chinese elements were needed too! The villain for example. His physical appearance resembled a robot, instead of something out of the Chinese culture. The final and the worst flaw, were the incorrect, and distorted facts placed in the show.<br /><br />Others may point out that this is a 'Kid's show' and hence, there is no need for the such high standards. However, there are other Disney shows, such as Mu Lan, which have been much better in terms of story development and presentation.<br /><br />In conclusion, I feel that Disney movies should be better researched and better planned. A good show is not enough with just a series of martial arts moves to depend on.
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Review: Anyone who finds this film boring is a hopeless bonehead who should stick to car chase movies and romantic comedies. This film is riveting and doesn't have a boring moment. Why? Because it is comprised largely of intelligent dialogue between real people in a moment of crisis and details their efforts to survive that crisis. I repeat--intelligent dialogue! That is what characterizes nearly all of Rohmer's films, and that is why a lot of people don't like them. They prefer action. Fine, let them spend the rest of their lives watching action films, while those of us with taste and discrimination will continue to seek out films like this.<br /><br />Rohmer has always been accused of being "talky." Well, he is, but to me that's a compliment, not a criticism. Shakespeare was talky, too. Is there a talkier play than "Hamlet?" Whenever the subject, or theme, of a work of art consists of ideas and conflicts over values, there must of necessity be a discussion of these ideas and values, an that is largely what this film is all about. Aristocracy and noble birth vs. egalitarianism; loyalty to old friends that is put to the ultimate test when that friend takes what we believe to be a wrong path; the value of human life and the responsibility to help save that life, even if the person possessing that life is not so nice, or even despicable. (Anyone ever hear of Dostoyevsky, or "Crime and Punishment?") These are what this film is all about.<br /><br />The two leads in this film are impeccable, as if they were born to play these roles. Lucy Russell, who is English and speaks French as her second language, is especially brilliant. Do yourself a favor and see this riveting film. It may be the last film by this screen Master.
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Review: Without wishing to be a killjoy, Brad Sykes is responsible for at least two of the most dull and clichéd films i've ever seen - this being one of them, and Camp Blood being another. <br /><br />The acting is terrible, the print is shoddy, and everything about this film screams "seriously, you could do better yourself". Maybe this is a challenge to everyone to saturate youtube with our own zombie related crap?<br /><br />I bought this for £1, but remember, you can't put a price on 71 minutes of your life. You'd do well to avoid this turkey, even at a bargain basement price.
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Review: You've heard it said to live every moment as if it's your last? Whether it's your last day or not, I beg you not to waste any part of it watching this! Nichole Hiltz provides some nice moments of eye candy (that alas, stays wrapped) and David DeLuise shows why he should stick to the small screen or dog food commercials. A shallow, unrealistic plot with dreadful dialogue means there is no "Art" in the "Art of Revenge".<br /><br />
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Review: I saw a special advance screening of this today. I have to let you know, I'm not a huge fan of either Dane Cook or Steve Carell, so I really had no expectations going into this. I ended up enjoying it quite a bit.<br /><br />Dan in Real Life is the story of a widower with 3 daughters who goes to spend a weekend with his family. While at a bookstore, he meets the woman of his dreams, only to find out that she happens to be his brother's girlfriend.<br /><br />This movie is pretty well made- the soundtrack, cinematography, and acting are all top-notch, especially Steve Carell. My problem with it was mostly that there seemed to be a lack of character development, mostly with Dane Cook's character. We never really get a close look at the relationship between Dane and Steve's characters, and I felt that it could have helped a bit in showing what Dan's inner conflict about being in love with Dane's girlfriend was like. Other than this though, Dan in Real Life is definitely a solid, sweet film- definitely a nice break from all the horror and action movies we've been getting this year.
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Review: There is one good thing in this movie: Lola Glaudini's ass! Sorry to be so blunt but it's the truth. Too bad she didn't do a nude. It would at least have made this mess tolerable. We see another chick's boobs but she's nowhere near Lola. And man, is Armand Assante old or what? The man looks like crap! "Consequence" is the usual B-Movie you would expect. The story had potential. It's like they had good ideas but didn't know how to execute them. The cinematography is just plain awful. Ugly! The directing is uninspired and the end result is a bland thriller with lame twists and washed up actors. Lola Gaudini is great as the vixen in a cheap, slutty way but not even she saves "Consequence" from being trash and not funny trash, just plain old stinking trash.
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Review: I read the comment of Chris_m_grant from United States.<br /><br />He wrote : " A Fantastic documentary of 1924. This early 20th century geography of today's Iraq was powerful."<br /><br />I would like to thank Chris and people who are interested in Bakhtiari Nomads of Iran, the Zagros mountains and landscapes and have watched the movie Grass, A Nation's battle for life. These traditions you saw in the movie have endured for centuries and will go on as long as life endures. I am from this region of Iran myself. I am a Bakhtiari. <br /><br />Chris, I am sorry to bother you but Bakhtiari region of Zardkuh is in Iran not in Irak as you mentioned in your comment. Iran and Irak are two different and distinct countries. Taking an Iranian for an Irankian is almost like taking an American for an Mexican. Thanks,<br /><br />Ziba
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Review: Would someone tell shaq to stick to what he is good at basketball. This movie was not even entertaining on a stupid level. In this movie shaq plays a genie who lives in a boom box is that not orginal a genie in a boom box instead of a lamp. He is supposed to help a little boy played by the equally annoying francais cappra. This movie had the most flimsy storyline since water world, the acting was awful and I think that anyone who likes this flim would be afraid to admit it.
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Review: May and her husband go to visit their children and grandchildren. The visit is awkward because the grandchildren and "kids" don't really seem to know each other as one might expect. The warmth that should be there is missing. After dinner, May's husband says he doesn't feel well, blames it on his daughter's cooking, and irritably says he wants to go home. He dies that night.<br /><br />May, now a widow, is lost. She clearly did not have a passionate marriage or a very interesting one, but she had a purpose. She had someone who needed her, and even though her own needs had gone unmet for years, she had something to do with her days.<br /><br />She is depressed and unmotivated. She goes to stay with her daughter, Paula, who shortly after her mother's arrival, lets her mother know that she has never felt that her mother has given much of herself at all. She lets loose with anger over her mother's lack of nurturing. May seems disarmed and surprised, yet she also doesn't seem to have the energy or the desire to really make it right. "I'm your mother and I love you." What does really say? (I've heard this from my own mother way too many times and have yet to figure out what it means.) Paula is a bit (well, more than a bit) neurotic. Both women are needy, though they show it very differently.<br /><br />Paula has been involved with a friend of her son's, Darren, who is a handyman working on the house owned by her son. While Paula is working during the day, May begins to have conversations and lunches with Darren. Darren is a married man who has stayed with his wife because of their autistic son, Nicky, but supposedly doesn't live in the home with his wife.<br /><br />May becomes attracted to Darren because he is virile and she enjoys the connection they seem to have. Darren becomes attracted to May because she offers a kind of peace and understanding that he does not get from the other women in his life. (He also becomes too interested in money that May says she can give him to "get away from it all," though he is clearly not interested in her desire to join him on such a journey. They end up sleeping together in the spare room during the day, and May enjoys fulfillment as a woman that she has not known in years, nor had ever expected to know again. As her daughter Paula had often told her that she would leave the married Darren, this becomes part of May's rationalization that what she is doing is okay.<br /><br />At a writing group that Paula leads, May is introduced, rather forced to get together with a widower to whom she is not attracted. There is one scene where she has sex with the older man, who clearly can barely perform, and it truly painful and unsettling as we see the total disgust on May's face as she endures the one-time ghastly liaison.<br /><br />Eventually, Paula discovers through some very graphic sketches done by her mother, that indeed her mother and Darren have been having sex.<br /><br />This film will undoubtedly be seen by many in myriad ways. Sympathies will be divided. At one point, during Paula's writing group, May reveals through a short essay that she used to feel as though she hated her kids by the end of the day, and would leave for pubs after they were asleep, making sure to get back home before her husband.<br /><br />Clearly, a good mother does not think of leaving children alone while she goes off to the local pub. May, however, also had revealed earlier in the film that her husband didn't like her having any friends, so she didn't have any. She did what he wanted her to do. She was miserable but she put up with it because, as she said, "it was easier." So, while May was not the best mother, for those inclined to have any sympathy for her, one might see May's actions as the act of a woman just wanting to be sexual and to be a live for "a few minutes" in her lifetime. A woman who just wanted someone to listen to her, to know her as a human being, to have a friend and a lover.<br /><br />Paula, though neurotic and unhappy, perhaps has become that way because of the distant parents who raised her. Certainly, it is not difficult to understand why Paula feels completely betrayed by her mother.<br /><br />It is a well-done film, with more complexities than I have mentioned, and certainly one that will leave the viewer with many, perhaps conflicting, reactions. It is a film worth discussing and debating, and above all, worth seeing.<br /><br />One thing the film leaves us with is the horror and fear of a lonely life. No matter who is deemed "right" or who is deemed 'wrong" by each viewer, that theme of old age and loneliness, evoking a sense of dread in most of us, is inescapable.
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Review: I wasn't really fond of the first "Cube" movie. It was a good idea, but the annoying acting and characters always kept me from liking it too much. Didn't really feel the need to see its sequel but when I heard they were making a third movie that would act as more of a prequel to the original. I was intrigued, thinking that maybe they would fix some of the original's problems and provide us with a memorable cast of characters. Well I thought wrong.<br /><br />"Cube Zero" starts well enough by introducing us with the two characters in charge of watching and maintaining the never-ending maze of traps that plagues the people in the Cube. The filmmakers succeed in providing a sense of mystery with the establishment of the two men's daily routine. Several questions are created from it, concerning the reason why people are send there and also the true nature of the ones who run the entire operation. All of which are left entirely to the viewer. The acting was a bit weak but all in all the movie's first half moved relatively well.<br /><br />With the story moving on, one of the two "watchers" begins to develop serious doubts about what he is doing. And later decides to go and help a group of the people trapped. Here is where everything rapidly starts to dissolve into dull cheese.<br /><br />Sent by the people who run the Cube program we are introduced to the character "Jax". Along with his two underlings play a major reason as to why this movie is failure. To start of "Jax" looks and talks more like a third rate villain taken directly from a James Bond movie complete with the ever "popular" glass eye, that alone ruins any atmosphere created by the first half's relatively nice pace. Whats more is that it begins to feel more like a comedy rather than a serious movie. With some incredibly corny lines, perhaps the screenwriter got bored and didn't care. The acting itself degrades to a further low when the former "watcher" meets the group in the Cube. The entire interaction is painful to watch as is everything else following it.<br /><br />Again failing to impress on anything but weak characters, dialog and acting "Cube Zero" is a waste of time for those searching for a good horror movie.
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Review: I missed the beginning of this film, which might account for why I disliked it so much. On the other hand I've studied the fall of the Roman republic for years so I know the story. Then again, that might also be the reason why I disliked this film.<br /><br />The film has more historical inaccuracies than extras. Though it's so inaccurate that I don't think they made an attempt for it to be correct, in which case it can be forgiven. The odd thing is that they sometimes go to great lengths to be historically accurate that it ends up getting confusing. Like throwing in Antonius' marriage to Octavia, and then pushing it aside two scenes later. Why even bring it up if it serves no purpose for the plot and Octavia is never even seen? And like calling Antonius by his actual name (Marcus Antonius) in some scenes, and by his strange English name Mark Antony in other scenes.<br /><br />Though historical inaccuracies aside, the film could still have been an entertaining watch if it wasn't for the leading lady. There isn't an ounce of dignity in her. She's hysterical, dramatical, and completely lacking control of herself. Instead of being a clever and composed queen Cleopatra turns into a hysterical teenager with a bad case of PMS. 95% of that comes from the poor acting, but 5% is also from poor script writing. Far too many stupid dramatic scenes are written into the script. Sometimes you weren't watching Antonius and Cleopatra, you were watching immature versions of Dawson and Joey from "Dawson's Creek".<br /><br />If you want to watch something about this period, watch... anything but this.
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Review: Hello. I am Paul Raddick, a.k.a. Panic Attack of WTAF, Channel 29 in Philadelphia. Let me tell you about this god awful movie that powered on Adam Sandler's film career but was digitized after a short time.<br /><br />Going Overboard is about an aspiring comedian played by Sandler who gets a job on a cruise ship and fails...or so I thought. Sandler encounters babes that like History of the World Part 1 and Rebound. The babes were supposed to be engaged, but, actually, they get executed by Sawtooth, the meanest cannibal the world has ever known. Adam Sandler fared bad in Going Overboard, but fared better in Big Daddy, Billy Madison, and Jen Leone's favorite, 50 First Dates. Man, Drew Barrymore was one hot chick. Spanglish is red hot, Going Overboard ain't Dooley squat! End of file.
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Review: This film takes you on one family's impossible journey, and makes you feel every step of their odyssey. Beautifully acted and photographed, heartbreakingly real. Its last line, with its wistful hope, is one of the more powerful in memory.
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Review: People, please don't bother to watch this movie! This movie is bad! It's totally waste of time. I don't see any point here. It's a Stupid film with lousy plot and the acting is poor. I rather get myself beaten than watch this movie ever again.
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Review: I grew up with this as my all-time favorite film. The special effects are incredible for the era, and won awards. I can remember the dialogue as if I'd heard it yesterday. It is simply a great, timeless adventure. The music is by Miklos Rosza, who is cinema history's best. Sabu is the Thief. Conrad Veidt is the grand villain. I have a copy within reach, for the next trip down memory lane. Whoa there! Rex Ingram wants out of his genii bottle!
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Review: ELVIRA, MISTRESS OF THE DARK (1988)<br /><br />directed by: James Signorelli<br /><br />starring: Cassandra Peterson, W. Morgan Sheppard, Daniel Greene, and Edie McClurg<br /><br />plot: Elvira (Cassandra Peterson) quits her TV show and heads to the small Christian town Fallwell, Massachusettes to collect on her dead aunt's inheritance, hoping to make big bucks to open up a show in Vegas. Unfortunately for her, all she gets is a creepy old house, a poodle, and a magic cookbook. While in Fallwell, Elvira tries to make money, breathe some life into the teenagers, win the heart of a stud (Daniel Greene), avoid being burned at the stake, and keep the cookbook from her creepy uncle (W. Morgan Sheppard), who is planning to use the book to end the world.<br /><br />my thoughts: I love both Cassandra Peterson and her alter-ego Elvira. She is a very successful, beautiful, and funny woman and as Elvira she's all that plus morbid and hilariously naive, not to mention she has an amazing pair of knockers. In this movie, her charms are put to good use.<br /><br />I loved the whole 'fish out of water' feel to the film. You got Elvira, with her low-cut black dress, her big black hair, and her enormous 'twins', and she's in a Christian town where most of the girls aren't even allowed to wear makeup. This also makes her love story with Bob (Daniel Greene) a lot more entertaining.<br /><br />W. Morgan Sheppard is equally great as Elvira's uncle/nemesis Vincent, out to steal the book to use it for evil. He has a lot of presence but still doesn't get in the way and steal scenes from Elvira.<br /><br />What really makes the film is not the plot, but the many jokes. Everything from boob jokes to horror spoofing is here and makes me laugh a lot more than anything from a SCARY MOVIE sequel. I hear there are about 56 boob jokes in this film, and any fan of Roger Corman B-horror flicks will love the spoofing in this film.<br /><br />If you love Elvira, you will love this flick. Also check out ELVIRA'S HAUNTED HILLS.
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Review: Ugly shot, poorly scripted and amateurishly paced sequel to Joe Dante's 1981 classic. "The Howling" is one of the two or three ONLY good werewolf-films ever made and yet it got 'rewarded' by a series of obnoxious and unendurable sequels like this one. If it's any consolation, "Stirba" is a sequel in name only and there's absolutely no connection with the characters or events that were introduced in Dante's film. The plot here revolves on a bloodthirsty cult of Transsylvanian werewolves primarily female ones led by Stirba. Stirba is played by Sybil Danning who transforms from a curvy old lady into a blond super-babe (with impressive bosom) in the blink of an eye and becomes all hairy when sexually aroused. Her arch-enemy is played by a seemly fatigue Christopher Lee. His character Stefan Crosscoe is an occult investigator who travels to Stirba's kingdom, accompanied by an American couple who lost their friend to the werewolf cult. In case you're exclusively looking for filthy gore and gratuitous nudity...this is your film. Even the smallest killing is shown in great detail and we're even treated to exploding eyeballs and the vile image of a dwarf who gets pierced on a pointy fence. However, if you want a little substance or depth, you'll be sorely disappointed. The dialogues are embarrassing and there's absolutely no tension to detect anywhere. The scriptwriters constantly seem to confuse werewolves with vampires (the Transsylvanian setting, garlic, wooden stakes...) and Danning's gorgeous balcony is shamelessly exploited as the film's only gimmick. During the end-credits, a shot in which she rips off her top, is re-edited repeatedly (according to my fellow reviewer Dr. Gore, no less than seventeen times!) which is pretty pathetic and pointless. The music is okay and some of the scenery is rather beautiful. I'm talking about the fierce-looking statues during the opening credits and the dark dungeons of Stirba's castle. The directing by Philippe Mora is a giant mess and as far as I'm concerned his only worthwhile film remains "The Beast Within", released three years earlier.
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Review: It is difficult to evaluate this or any other comparable film of the early sound era in terms that one might use for ordinary film commentary. At times there is almost a desperation, as many film personalities of the silent era try their wings at sound, surely fearing that they will be left by the wayside (as did happen to some), Rin-Tin-Tin. however, was pertfectly natural. In such a vaudeville of unrelated sequences, some were sure to stand out John Barrymore's soliloquy from Richard II is a moment certainly worth preserving. By and large, only those with earlier stage training exuded confidence. However, this is over all reasonably entertaining, and a must for "film buffs" especially interested in the silent to sound transition
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Review: I actually intended to see this movie in the theatre. It was actually sold out. I actually went to see Solaris instead, which actually was the worst movie to be released in 2002.<br /><br />Victor Rosa (John Leguizamo), a tough, streetwise 'street pharmacist', freaks out when he sees a kid get shot, so he decides to go clean and invest all of his money with Jack (Peter Sarsgaard). Things seem to be going pretty well until Jack skips town with his girlfriend Trish (Denise Richards). This happened very late in the movie, so had they not revealed this in the preview, it might have been an interesting twist. But they did, so it's not.<br /><br />In fact, there's not a single interesting thing about this movie; everything is given away in the preview. If you saw even one preview, you saw the whole movie, so you might just want to think really hard to fill in the gaps. Go to the website, download the preview, save yourself $3.99. There is not a single surprise or twist in the entire film, other than how terrible the soundtrack is.<br /><br />I hope that whoever was in charge of writing the soundtrack was fired. Twice. Most of it is what music would be like if the only songs allowed to be released were Ricky Martin and Gloria Estefan duets, and (I may shatter the fabric of the space-time continuum with a concept as mind-numbing as this) they both had less talent and musical ability.<br /><br />The acting is at best poor, the script is at best a crime against humanity, and Denise Richards is at best 67% styrofoam and 33% ziploc bag. You know things are bad when John Leguizamo (he was in The Pest!) upstages the rest of the cast with his acting abilities.
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Review: "The Cobweb" is an example of many examples of movies that feature strong, sometimes noteworthy performances and high points, but unfortunately are shattered and slowed down drastically by a murky plot and very little to interest the audience. It stars Richard Widmark as a doctor working at a mental institution whose life becomes in turmoil due to family problems and a rather ludicrous and overworked conflict that really seems like no big deal at all.<br /><br />The plot is preposterous. Its time for the institution to get new drapes for the library windows. One old woman wants to have her drapes put over them, but a lot of the patients want to make their own. And somehow, this ridiculous and unintentionally loony conflict breaks out into the point where lives are in danger and families start to fall apart. It sounds more like a conflict that would occur between very young children.<br /><br />The questioning of the logic of the plot and whether it could really happen is so massive that one wonders if only a real-like lunatic could buy it. Don't get me wrong, there's nothing wrong with the acting. The cast following Widmark is composed of other great actors, many of them Academy Award-nominees and winners. And there is occasionally a moment in the film that works out brilliantly, but it always excludes the stupid plot about window drapes. Unfortunately, there is too much about the doggone drapes and thus, the movie slows down. A lot of the takes are long and done from one camera viewpoint, adhering to the slow pacing and lack of viewing interest.<br /><br />In a short analysis, "The Cobweb" is an unrecognized film and it becomes obvious why to the viewers basically as soon as the plot comes into focus, which it does pretty quickly. It just really doesn't sound like much fun to watch and I tell you that it is not much fun to watch.
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Review: There was a genie played by Shaq His name was Kazaam, and he was whack His rhymes were corny, this lines were bad some stupid kid cryin over his stupid dad bad actin, bad casting, bad special effects whats next? this movie sucks Prolly didn't make 20 bucks he lives in a boombox not a lamp hurts like a cramp like a wet food stamp...<br /><br />Yeah, you get it, a stupid rhyming genie who can't act, in a stupid movie with horrible special effects. Oh, and its confusing as hell. I'm not even gonna go on. Let's just say, it belongs in the "its so bad, its funny" category. Watch it once with your buddies and get a good laugh. But don't expect anything spectacular.
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Review: The Dentist starts on the morning of Dr. Alan Feinstone (Corbin Bernsen) & his wife Brooke's (Linda Hoffman) wedding anniversary. On the surface Mr. & Mrs. Feinstone seem to have a nice life, a beautiful home in Los Angeles & he has a successful career with responsibility but beneath things are very wrong. Alan discovers that Brooke is having an affair with Matt (Michael Stadvec) the swimming pool cleaner, to add to his humiliation Alan then discovers that Matt is also having sex with Paula Roberts (Lise Simms) one of his next door neighbours & to top it all off he owes the IRS, who are breathing down his neck, a shed load of money. Alan starts to lose his mind, he convinces himself that everything is decayed & rotten, just like his patient's teeth, & it's up to him to fix it. That morning at work he begins to take his frustrations & anger out on his patients, first he injures a young boy named Jody (Brian McLaughlin), he sexual assault's a patient named April Reign (Christa Sauls) after he hallucinates that she is his wife & deliberately performs an unnecessary & painful procedure on another. Alan also begins to take drugs as he completely loses it & goes homicidal starting with his adulterous wife & pool cleaner...<br /><br />Directed by Brian Yuzna I thought The Dentist was a good film & tried something a bit different. The script by Dennis Paoli, Stuart Gordon & Charles Finch is more of a psycho thriller than straight slasher which came as a surprise to me as I was expecting the latter, it would have been easy to make a teenage slasher film like Friday the 13th (1980) with a high body count & a wise cracking dentist villain but what The Dentist actually turned out to be is very different. The Dentist is at heart a character study of one mans descent into madness & it does a fine job although having said that I'm not sure what he goes through is enough justification for his subsequent murderous actions. It moves along at a nice pace, has a nice narrative in which I liked the constant connection Alan makes between the decay he sees in his patients & the decay he sees in the world around him & is an entertaining way to pass 90 odd minutes. It goes without saying that anyone with a phobia about the dentist probably should give this one a miss or you'll never go again! I liked the ending too where the tables are turned, I'll say no more...<br /><br />Director Yuzna does his usual fine job here, in fact I don't think I've seen a Yuzna film that I didn't enjoy to some extent, he obviously & predictably takes the opportunity to play on our fear of the dentist with some nice dental torture set pieces including pulling people's teeth out, sexually molesting them, performing operations on drugs & torturing people with the dreaded dentist's drill. There are some other gore scenes as well, a dead dog, someone gorily slashed with a knife & cut out tongues. Yuzna gives the film a certain style on what was probably a low budget, he likes to tilt his camera which make for some nice angles & I liked the shot where the camera is above someone being knifed & huge sprays of blood splatter on the floor in a nice wide overhead angle.<br /><br />Technically The Dentist is fine, decent cinematography, music & production values although some of the special make-up effects look a little unconvincing. The acting is pretty strong from everyone involved with Corbin putting in a good crackpot performance. The ever cool & genre favourite Ken Foree turns up as Detective Gibbs one of Los Angeles finest.<br /><br />The Dentist didn't turn out like I had expected & all the better for it, if your a horror fan & perhaps want something a bit different then this is well worth checking out. I liked it & think it's definitely worth a watch.
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Review: How The Grinch Stole Christmas instantly stole my heart and became my favorite movie almost from my very first viewing. Now, eight viewings later, it still has the same impact on me as it did the first time I saw it.<br /><br />Screenwriters Jeffery Price & Peter S. Seaman of Who Framed Roger Rabbit fame do a fantastic job of adapting the story of The Grinch to the screen. Ron Howard's direction brought the story to full life, and Jim Carrey's typically energetic performance as The Grinch steals the show.<br /><br />Some detractors of the film have claimed that it is not true to the spirit or principles of the original story. Having read the original story, I must say I cannot agree. The movie makes the very same point about Christmas and its true meaning as the original story. Indeed, it enhances the impact of the story by making it more personal by showing us how and why The Grinch became what he was.<br /><br />*MILD SPOILERS* (They probably wouldn't ruin the movie for you... but if you haven't seen it yet and you're one of those who wants to know NOTHING about a story until you've seen it, you should skip the next two paragraphs.)<br /><br />I think just about everyone can relate to The Grinch's terrible experiences in school. I think all of us, at one time or another, were the unpopular one in school who was always picked on. I know I was... and that's why I personally had so much sympathy for The Grinch and what he went through.<br /><br />And Cindy Lou Who's naive idealism, believing that nobody can be all bad, was heart rending. When everyone else had turned their backs on The Grinch out of fear and ignorance, Cindy Lou was determined to be his friend. If only everyone could have such an attitude.<br /><br />In fact, I think the only thing that might've made the film a little better would have been to further tone down the adult humor and content. It was already pretty restrained, but any of this adult humor (like when The Grinch slammed nose first into Martha May Whovier's cleavage) just doesn't fit in a story like this.<br /><br />This one's well on its way to being a Christmas classic, taking a richly deserved place alongside the book and the Chuck Jones cartoon as a must-see of every Christmas season.
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Review: i would like to comment the series as a great effort. The story line although requiring a few improvements was pretty well, especially in season 1. Season 2 however became more of a freak show, and lost DA's original charm. Season one story line was more interesting, a light side to the life at Jam pony while a focused serious plot with manticore chasing down the X-series. i was looking forward to new seasons, in fact i still am. I hope the FOX guys and DA production crew realize that a lot of ppl still wait for DA to make a comeback. Even after 2 yrs of it being cancelled, DA can make it big if worked on properly, and i think a name like James Cameron should take on this challenge.
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Review: Collusion Course is even worse than the typical "evil white male corporate capitalist" movie of the week. This movie is less pleasant than a toothache. Jay Leno can act. He's good in his underrated debut movie, The Silverbears, in which he gives a performance consist with the demands of his character. This movie is so bad Leno's character, a sanctimonious buffoon, is less annoying than Morita's character, a sanctimonious fool.
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Review: A chemist develops a fabric that never gets dirty or wears out, but it is seen as a threat to the survival of various industries. In this delightful Ealing Studios comedy, Guinness is marvelous as the mild-mannered but persistent chemist. Greenwood, with her sensual voice, plays the love interest; Parker is her harried father. Thesiger is amusing as a patriarch of the fabric industry. While telling an engaging story, the film also raises some intriguing questions about science, the economy, and politics. It is adeptly directed by Mackendrick, who would go on to make "The Ladykillers" and the sublime "Sweet Smell of Success" later in the 1950s.
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Review: How low can someone sink while trying to recapture an old glory? ST:HF will be glad to show you.<br /><br />If you are used to seeing what made for a good Star Trek show, do NOT watch this.<br /><br />The writing is hodge-podge, the actors' portrayals of their characters weak, and most of all, the design work is downright doggy.<br /><br />Like watching strong captains, don't look here! Like the strong Federation attitude? Forget about it here! Starfleet is mocked by ensigns wearing SPIKES in their hair.<br /><br />While a seemingly mentally feeble captain shuffles about and within two minutes of the opening show's credits, Ensign Spikey is attempting to arrange a tryst with an engineer. It just degrades from there. No, not even uniforms match, for goodness sake. They are too small or too big, collars down to their chests, and TNG Seasons One and Two Uniforms mixed in with Season Three and DS9 uniforms. The strict discipline and tradition of any of the originals in lacking in this production down to the treads! The only good thing about this show is its graphics, which seem to improve a bit with each season. OK, I take that back. Who uses CG that inexpertly? The designers of this show.<br /><br />Don't bother with it, it will offend your Star Trek sense, as it did mine. Not even the throw backs to previous shows can save this catastrophe.<br /><br />I wept openly when i watched this, probably because my eyes were bleeding and my head almost ruptured. That bad.
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Review: If Todd Sheets were to come out and admit that this movie was intended to spoof the zombie genre, I would change my rating to an eight. Try to imagine a movie where every scene, line, and even every acting nuance was designed to be a parody. I could probably crap out alphabet soup, rearrange what was left of the letters, and still have a better script. Two scenes in particular come to mind when I think of this movie. SPOILER ALERT! One is when Mike's dad and the other dad walk, I repeat walk down a staircase jam packed with zombies. This is a small staircase and even though they brush up against the flailing undead, nothing happens to them. When they reach the end, the ex-marine turns around, says "God you're a horny bastard", and shoots only one. The other is in the military complex. The girl stabs a zombie with a machete and is immediately surrounded. The camera moves around her for roughly forty seconds, while she is surrounded by zombies at an arm's length away. She then almost casually runs out from the crowd and joins the other humans. SPOILER ALERT OVER! These scenes must be seen to be believed. Still, I enjoy this movie as much as almost any comedy just because it's so damn funny. Kudos to Todd Sheets for getting so many people in his movie and having the drive to make it but not really for anything else.
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Review: Robert Wuhl is teaching a class of film students at New York University in Manhattan, New York.<br /><br />He covers fallacies of history and truths that are no longer generally known. I would like to see much more of this show. It is very entertaining. Mr. Wuhl uses examples and "show and tell" to get his points across. He explained that the person who actually rode the Midnight Ride of Paul Revere was not Paul Revere! Henry Wadsworth Longfellow used Revere's name because it sounded better.<br /><br />I've watched Robert Wuhl for many years, from the time he was doing stand-up comedy and all the way through "Arli$$" on HBO. He's a good actor and a good stand-up comedian, but he's an excellent teacher! I highly recommend that you watch an episode of this show. It is well worth your time.
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Review: A disappointing film.<br /><br />The story established our protagonist as Chrissy, a 'young', rather sullen individual drifting, not doing much. Actually she does very little to move the narrative along so it didn't surprise me to see the focus shifting on her relatives. It's a pity though, Chrissy seem like interesting character.<br /><br />Story was predictable and at times felt quite formulated. So the question now is, when are we going to see the Campions, Jacksons, and the Tamahori's breaking ground with compelling, cinematically-told stories that will inspire, rather than entertain for the toll of two hours?<br /><br />Technically, a disgusting shot film.
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Review: Someone(or, something thing..)is leaving puncture marks on the jugular and draining victims of their blood till dead. Police detective Karl Brettschneider(Melvyn Douglas, before slipping out of the B-movie horror genre for greater heights)is stumped at who..or what..is behind these notorious crimes. The village is overcome by hysteria and Karl depends on his trusted medical genius, Dr. Otto von Niemann(Lionel Atwill, in yet another effective mad scientist role)to provide some feedback as to what might be causing the deaths of innocents. He also fears for the safety of his beloved Ruth(the lovely Fay Wray who stars for the third time with Atwill after "Doctor X" & "The Mystery of the Wax Museum")who is Niemann's assistant.<br /><br />Dwight Frye steals the film as a rather loony village idiot who collects bats and carries a demented demeanor wherever he goes..it's easy to see why he becomes a suspect as local paranoia is at a fever pitch. Maude Eburne provides the film's humor as a very naive(..and easily influenced)patient of von Niemann's who believes she has ailments she reads about in books near the laboratory where he works. She's impressionable and often von Niemann just humors her and constant fictional illnesses she feels plagued with. Lionel Belmore returns as yet another frightened, superstitious Bürgermeister.<br /><br />Creaky, static, but rather entertaining nonetheless thanks to the cast. The film is obviously as low-budget as they come, but this doesn't hurt the film too much since it's put together rather well by director Frank R Strayer and his crew. I'm certain the film's print has seen better days, though. This is the kind of B-horror item you'd find packaged in with 50 other random cheesefests and poverty row programmers. The film's villain..and his motives for feeding a synthetically made biological creature..certainly provides a different take on the Frankenstein formula. Many might be disappointed with the end results as the film strays away from being an actual supernatural tale about a real vampire killer causing the murders.
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Review: I have not seen the first film and if it anything like this have no great desire to. <br /><br />Having just watched it a few hours ago I am struggling to remember a thing about it. <br /><br />From what I remember it's main plot seems to be a group of very annoying people stay at a house with that dodgy old woman from Friday the 13th and are stalked by plank of wood man.<br /><br />Some people die, the film ends, I am starting a law suit against the person who sold me this film as I want compensation for the missing time in my life. <br /><br />I will pay u £1 to take this film off my hands......oh wait I already gave it away to a "friend".
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Review: ...and even then, even they can live without seeing it. To be honest, this film (if one deigns to call it that) is of real interest only to bondage freaks. Bettie Page fans will learn absolutely nothing new (and I do mean *nothing*), nor will they enjoy the warm fuzzies of experiencing anything familiar, loved, or cherished.<br /><br />Nevermind the abysmal screenplay, the wooden, less-than-community-theater acting, the utter absence of direction, the crappy lighting, or any of the rest of the bargain basement production values. This is definitely "Hey, kids, let's make a movie!" movie-making of the lowest order. I suppose one could be thankful that at least they knew how to run the camera. No, I'm sorry to say that none of that is germane to why this thing is so outright *wrong*.<br /><br />It's wrong because the young lady playing Bettie Page, a somewhat zaftig girl whose only resemblance to the Queen of Curves is dark hair and the trademark bangs, utterly fails to bring anything to the role beyond a willingness to be bound and gagged. This is apparently a good thing for her film career before and since this wretched excess, but not for the wretched excess itself, which consists primarily of a number of lovingly re-enacted B&D set-pieces sandwiched between horrendously awful faux-biographical scenes delineating Ms. Page's fall from grace (so to speak). There's actually probably more information, per se, about Page's life in the opening and closing credits than the rest of the movie.<br /><br />Do not be fooled. This is not a worthy companion film to "The Notorious Bettie Page." This is not a worthy film at all. This is a fetish piece that trades on the allure of one of the greatest pin-ups of all time, and does it without class, without style, and without any real sense of understanding the character of Bettie Page whatsoever. No true Bettie Page fan will find it to be anything but a disappointment, I guarantee that.<br /><br />Avoid at all costs. If free, remember that time is money, too. Yours may not be worth much, but I'm betting it's worth enough that you'll be sorry you wasted time with this one. That's it, I'm done, you've been warned.
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Review: I just saw this movie the other day when I rented it, and I thought this was going to be just another movie with a girl trying to prove a point, but Diane joined boxing because she wanted to. I thought this movie was good. I gave it a 8/10. That's how good it is. Plus a movie with Michelle Rodriguez is always good. Even is she's been in only six.
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Review: This is a classic example of an increasing problem with films. Why is the background noise and the soundtrack dramatically louder than the dialogue? What sense does that make? This film isn't alone. Most films seem to do this now. For 2 years, I wondered if it was just something wrong with my TV, but then I got a new TV & there it is again. BACKGROUND noise that could be taking place a city block behind the actors drowns out the dialogue.<br /><br />It was even more distracting in this film because, in the English version anyway, the woman mumbles constantly. I kept hoping Jean Reno would say "Excuse me, would you speak up or get the marbles out of your mouth." If you watch it on DVD & you have even high-school French, I recommend the French version with subtitles.<br /><br />I give it 4 because Reno was so good in Leon. People rave about the scenery, but I saw it on a TV & I lived in the Rockies for a few years, so "Enh".
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Review: The film starts out very slowly, with the lifestyle of Wallace Napalm, an attendant at a photo-service drop-off station. His wife has been restricted to her home with an ankle bracelet as the result of a sentence for arson. Wallace is a member of the volunteer fire department, and takes firefighting seriously.<br /><br />As we watch Wallace's rather dull life proceeding, suddenly there comes something new and jarring: a traveling carnival comes to town. One of its stars is Wilder Napalm, Wallace's brother. He's a clown, but he has a special talent.<br /><br />So does Wallace. They're both pyrokineticists or "pyrotics," people capable of starting fires through mental energy. Wallace keeps his powers secret; Wilder lets his acquaintances know what he can do.<br /><br />Spoiler: Some of their differences go back to a childhood incident where they inadvertently caused the death of a vagrant. Wallace holds back from using his powers; Wilder wants to go public on national TV.<br /><br />Complicating the matter, Wilder wants Wallace's wife, whom they both dated years earlier. She becomes a bone of contention, and becomes one of the reason that the brothers finally have a literal firefight.<br /><br />The film is entertaining, but not laugh-out-loud funny. I think enough of it to have a copy in my library. It's a good offbeat film.
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Review: First let me say I am not from the south but I am an American. I don't love Country music but I can stomach it. I would never wear a cowboy hat but I wear hats. I don't live in a trailer but I do eat tuna salad and own a home. What does that have to do with this comment? A lot if you are one of those people who say only "country" people love this movie. This movie is loosely based on the "They loved and lost" premise. James Bridges directs an American love story as real as it gets. In an era of Jerry Springer and "Lets put it out there" mentality, this film rings truer than ever. <br /><br />Bud is "coming of age" and embarks on a life of his own with a little help from his aunt and uncle so he moves to the big city with them. Bud finds himself drawn into the local honky tonk world for the only escape a blue collar man can afford. He quickly meets Sissy who is from a similar background and the two have a whirlwind romance filled with painful ups and downs. <br /><br />(*This plot takes so many turns that one has to just sit for a few minutes before they get hooked. Marriage is a focus here that is often missed. Early in the film they marry and we view the transition from being single to married. The film highlights some of the modern struggles a woman has when she marries an old fashioned man. It also brings into view the male ego with women and competition.)<br /><br />Bud is challenged and is excited when Micky's puts in an electronic bull. Sissy gets ideas of having fun on it too but is quickly reminded that she is married and need to start "acting like it." The emotion between the two characters is raw and expressive and the plot continues from there especially when they (NOTE THIS IS GIVING SOME OF THE STORYLINE AWAY) split and Sissy falls for an ex con with a penchant for abuse and cruelty. She soon realizes that the grass is not always greener on the other side.<br /><br />How anyone can compare Bud to Vinnie Barbirino is shocking to me. John Travolta gave an exceptional performance that was worthy recognition. He was believable and real. The scene where he shaves his beard and you first see him at the bar..still gives me goosebumps. Mind you I am not a huge Travolta fan, but come on, I see why Sissy was kicking of her boots so early in the film. Deb Winger was so real that you found yourself sympathizing with her as she pens a note of emotions to Bud, after sneaking in to clean his house during their break up. <br /><br />The supporting cast was incredible. Wes played by Scott Glenn gave a first rate performance that made you hate him and curse him as he abused Sissy. Madolyn Smith-Osborne, as Buds Mistress/girlfriend was so authentic that large chested girls across the U.S. prayed to wake up flat chested to wear the clothes she donned in the film. My biggest kudos's go to Barry Corbin and Brooke Anderson as Bud's aunt and uncle. They seemed like someone's aunt and uncle somewhere in Texas and however small their role, they made the film so much bigger and lifelike. Two memorable scenes were the Dolly Parton contest and the unforgettable scene where Bud and his aunt stand outside after one of the characters death. The dialog between them is touching.<br /><br />If you can watch this for what it is, a true American love story. Then I recommend that you take it for what it is...a film before it's time that gave us voyeurism into a world unlike our own but real enough for our enjoyment and entertainment. If this world sounds similar to yours then you will enjoy it so much more. Lastly, the music however dated, is sure to send you back in time if you are over 30 years of age.
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Review: Satan's Little Helper is one of the better B Horror movies I have seen. When I say better I mean the story. The film hatches a new plot, something that's not so cliché in the Horror genre - something fresh. But there are also some ridiculous questions that come along with it. Questions you will be asking yourself throughout the movie.<br /><br />The film first caught my attention while I was cruising the Horror section in HMV. I was tired of all the so called "terrifiying" Hollywood blockbusters and wanted something different. The cover art for Satan's Little Helper immediately caught my attention. As you can see, the image draws you in - it's chilling! I knew it was a straight to DVD release - but I took a chance. I mean, I just seen "Boogey Man" the night before - so It couldn't get any worse! After I watched the movie, I was semi-satisfied. I loved the plot of the movie. It was really creepy how the killer was pretending to be the little boys friend, so he could kill. In some sick deranged way, he actually thought he and the little boy would become partners - a duo of terror. It was a great idea to set the film on Halloween night. This way, no one would think anything of a masked man beside a little kid. They would simply think he was his guardian. But, this is also where the "plot holes" begin to surface.<br /><br />If your son came home with a "friend" he met trick or treating - that's fine. You wouldn't think anything of it - if he was 9!, or round about the same age as him. If however, he appeared with a strange man in a mask, you would be startled and protective of your child. You would ask the man to remove his mask and identify himself. You would ask why he is with your son. He doesn't know him. You would tell him to please leave. He isn't a family friend. He's a stranger. Now, we're supposed to teach our child not to talk to strangers. In this case, the mum is completely fine with it. Huh? They never seem to think it's a tad odd that the "man" doesn't speak - at all. Gruanted they think it's the daughters boyfriend, but after 10 minutes of not talking you would pull the mask off and ask him why he's not saying a word.<br /><br />The film goes down hill from there. The thing that got me the most was, all the mum said was "Do you want some cider?". I can't count how many times she says this in the movie. It's like, oh you're dying - we have cider though, it's all good!! The movie started promising, and failed to deliver. It was more of a horror/comedy, and even as that it fails to deliver. I guess you could call it a "Dud","Flop" etc..<br /><br />The best thing about the movie is the cover art. Though, something tells me that's not worth the 12 dollars!
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Review: Branagh is one of the few who understands the difference between a film and a play. Hamlet is probably the most faithful adaptation of Shakespeare to a film and yet is a very dynamic film, almost an action thriller. The scene of Hamlet's meeting with his father's ghost won't leave your mind.
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Review: Xizao is a rare little movie. It is simple and undemanding, and at the same time so rewarding in emotion and joy. The story is simple, and the theme of old and new clashing is wonderfully introduced in the first scenes. This theme is the essence of the movie, but it would have fallen flat if it wasn't for the magnificent characters and the actors portraying them.<br /><br />The aging patriarch, Master Liu, is a relic of China's pre-expansion days. He runs a bath house in an old neighbourhood. Every single scene set in the bath house is a source of jelaousy for us stressed out, unhappy people. Not even hardened cynics can find any flaws in this wonderful setting.<br /><br />Master Liu's mentally handicapped son Er Ming is the second truly powerful character in the movie, coupled with his modern-life brother. The interactions between these three people, and the various visitors to the bath house, are amazingly detailed and heart-felt, with some scenes packing so much emotion it's beyond almost everything seen in movies.<br /><br />With its regime-critical message, this movie was not only censored, but also given unreasonably small coverage. It could be a coincidence, but when a movie of this caliber is virtually impossible to find, even on the internet(!), you can't help getting suspicious.<br /><br />So help free speech and the movie world, buy, rent, copy this wonderful movie, and if you happen to own the DVD, if there even is one, then share share share!
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Review: This is the crappiest film I have ever seen but in all fairness it's watchable and rather funny. I don't think the film-makers intended it to be your typical Hollywood blockbuster quality. It's just a stupid film about a serial killer who gets doused in a load of toxic waste causing a reaction with him and the snow (as it's the middle of winter). He then turns into a killer snowman which is enough to to make you laugh on it's own. This film is really stupid but it's funny. The killings are hilarious.I wouldn't advise you to go and buy it (like I did -the cover looked good!)but if it happens to be on TV one night and you're up for a laugh then stick it on.
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Review: LOL! Not a bad way to start it. I thought this was original, but then I discovered it was a clone of the 1976 remake of KING KONG. I never saw KING KONG until I was 15. I saw this film when I was 9. The film's funky disco music will get stuck in your head! Not to mention the film's theme song by the Yetians. This is the worst creature effects I've ever seen. At the same time this film remains a holy grail of B-movies. Memorable quotes: "Take a tranquilizer and go to bed." "Put the Yeti in your tank and you have Yeti power." I remember seeing this film on MOVIE MACRABE hosted by Elvira. There is one scene where it was like KING KONG in reverse! In KING KONG he grabs the girl and climbs up the building, but in this film he climbs down the building and grabs the girl (who was falling)! Also around that year was another KONG clone MIGHTY PEKING MAN (1977) which came from Hong Kong. There is a lot of traveling matte scenes and motorized body parts. This film will leave you laughing. It is like I said, just another KING KONG clone. Rated PG for violence, language, thematic elements, and some scary scenes.
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Review: First I want to clarify that the average user's inability to appreciate imagination is appalling. What makes this show so unique is the hyper-reality it creates. You don't need to know why Ned can bring people back from the dead, or why it can only be for a minute. Where has the wonderment of childhood whimsical tales gone, much like A Wrinkle in Time.<br /><br />I say it is refreshingly original because it is a polar opposite to the masses of lay-it-all-out television that leaves no room for imagination or wonder.<br /><br />It's nice to add a bit of escapism to the television experience.<br /><br />The hyper-reality is my favorite aspect of the show. The 1950's-esque setting, the innocent and rare characters, and the scenery and physical setting which are not meant to be taken as pure reality.<br /><br />This show masks the morbid nature of death, while others embrace it. While entertaining, other television shows have taken a back shelf to this series. It truly has restored a sense of curiosity, imagination and wonder to television.<br /><br />Pushing Daisies quickly made it to the top of my list.
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Review: I saw this movie years ago, and I was impressed... but then again I was only 12 years old. I recently re-watched it and want that time back. This film is pretty bad. While I like Lee Majors, Chris Makepeace (watch My Bodyguard (1980)if you would like to see a GOOD movie that he was in... of Meatballs (also starring Bill Murray) for some laughs), and Burgess Meredith, this role does/did nothing for their careers.<br /><br />Anyway, Lee Majors character, Franklyn Hart, is an ex- race car driver who plans on driving his race car (which he had in storage) across the country to California. One Problem: The government has outlawed all private transportation. I thought the concept was OK (not the worse I've heard of), but the execution failed horribly.
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Review: This movie is a great example of how even some very funny jokes can go terribly wrong. i really expected at least something from this movie after seeing the add which was funny as hell but the movie wasn't half as good.<br /><br />The weird part is that the jokes are actually funny, the spoofs of the smoking ban, Jo Bole... etc. are genuinely good jokes but i don't know whom to blame this movie flop on.<br /><br />The prime candidates may be:- 1) The hammers ( actors) and hammeresses (actresses) and not even the funny kind 2) The director 3)The guy who cast the actors and/or the director Anyway if you are really really bored and i mean really see this movie, or else get a copy of each and every ad or teaser of this movie and laugh your butt of because those will be far funnier than the film.<br /><br />p.s the only saving grace of this film is mahesh manjrekar and the funny chappu bhai
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Review: A truly unpleasant film. While Rick Baker's special effects are quite impressive (if stomach-turning), it has no other redeeming features. Like many 70s movies, it leaves you feeling as if you need to take a long shower, and scrub the slime off of yourself. The characters are uniformly unpleasant, and plot makes no sense.
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Review: ***SPOILERS*** Like some evil Tinkers-to-Evers-to-Chance double-play combination we have in "Omen IV" the evil seed of the deceased AntiChrist Damien Thorn come back. Terrorizing his parents his schoolmates his neighbors and finally the entire world as a she named Delia York, Asia Vieila. After being given to a "deserving" couple the Yorks Karen & Gene, Fay Grant & Michael Woods,by the Catholic Church's St. Francis orphanage.<br /><br />Little Delia didn't waste any time making her peasants felt by scratching her mom at a house party. Later Delia almost get killed by a runaway truck only to have herself saved by this "Devil Dog" named Ryder. Going to school Delia takes care of the local bully by getting the big guy to wet himself in front of all his classmates. Later when his father threatens the Yorks with a law suit she has his head sliced off in a self-induced traffic accident! Delia is someone that you never mess with if you know what's good for you.<br /><br />Meanwhile Dalia's dad Gene becomes a big man in town on his own, or so he thinks, by getting elected to the congress as a champion of the clean air and green trees crowd instead of letting the smog and concrete boys take over the neighborhood with his eye now on he White House itself! Did his bratty and strange daughter Delia have anything to do with Gene York's sudden good fortune?<br /><br />It's only later when Jo, Ann Hearen, is hired as Delia's nanny that the truth's comes out about her strange and evil powers. Jo a New Age type realizes that Delia is a bit weird, after turning all her white crystals black, and calls her New Age Guru Noah, Jim Byrnes, to come over and check her out. Noah is so upset by what he sees in Delia Kirilian color vibrations ,all black and blue with a little pinch of red, that it flips him out so bad that he almost crashed into Delia's moms car.<br /><br />Taken on a trip to a psychic festival by Jo Delia turns the entire event into an inferno setting the place, through mental telepathy, on fire and heaving everyone there run for cover including poor Noah who was at the festival and ended up with his leg broken. The and shaken and battered Guru was so shook up by the whole experience that he later checked out of the country to become a hermit in the Tibetan wilderness. <br /><br />Jo herself is later thrown out, with the help of the sweet and cuddly family pet Ryder, of a second floor window to her death because she knew and talked too much. It's when Karen is again pregnant that she decides, finally, to find out the truth about the real parents of Delia. That's when she,and we in the audience, come face to face with the truth. She's not only the feared AntiChrist of Revelations she's his twin sister! Her brother the AntiChrist himself is about to come on the scene as her kid brother the sill unborn Alexander York!<br /><br />Three times were more then enough for the AntiChrist coming back to earth to bring about Armageddon. The movie going public were already getting a little tired of of him and his evil adventures. With a fourth really not necessary since Daimen Thorn, the original AntiChrist, had been dead and buried for years. Were put through the usual ringer with no one believing that little Delia is "Thee" AntiChrist until it was almost too late to stop her in her deadly rounds of destroying the entire human race. The movie as bad as it is is also far too long, 97 minutes, for a horror flick that could well have told it's story is as little as 80 minutes.<br /><br />Having a private eye Earl Knight, Mchael Learner,and later a former Catholic nun sister Yvonne,Megan Lehch,and now faith healer Felichy in the film only to be killed off didn't help the plot either. It only prolonged the suffering of those of us watching the movie. You could see the surprise ending coming almost as soon as the film "Omen IV" began with the bases being cleared for Delia's eventual takeover of the civilized as well as uncivilized world. What was a bit of a surprise was Delia doing it with a little help from friends.
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Review: There was not one original idea in this story. Themes were pulled from various sources; a few being The Ninth Gate, In the Mouth of Madness (another Carpenter film), and The Ring. It even went as far as featuring the same damn glowing circle from The Ring and using it as the film's namesake. The soundtrack by Cody Carpenter was all but lifted from Suspiria. Hopefully no one will oppose this comment by spewing the word HOMAGE around. Yes, I saw that the theater was playing Argento's Deep Red. Claiming an homage would be a bullshit cop-out. This was bottom-of-the-barrel. Throwing gore and "disturbing" imagery into the pot does not make a good horror film. Carpenter used to know that. He should fade into obscurity or acquire a time machine.
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Review: I caught this at a screening at the Sundance Film Festival and was in Awe over the absolute power this film has. It is an examination of the psychological effects on our brave soldiers who join the military with hopes that they will protect and serve our country with honor as well as be taken care of by our government for it. The film details the psychological changes that takes place in boot camp as the soldiers are turned into "killers for their country" and put into the war and the after effects once they return home. It also portrays the effect that killing has on the human psyche. It pays homage to the Soldiers and never ever criticizes the soldiers unlike other films, instead criticizes a system that is not prepared to and does not take care of all the physical and psychological needs of the returned Vets.<br /><br />This film is powerful, moving, emotional and thought provoking. It stands as a call to arms to support our troops not only by buying stickers and going to parades but by actually listening to them, and helping to support a change in the way their health and well being is taken care of after the killing ends.<br /><br />The best film of the Festival so far, ****/****
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Review: There was a stylish approach to this film on the part of director Vincenzo Natali with interesting camera angles and effective close-ups. It was also refreshing to see Jeremy Northam and Lucy Liu given leading roles and expanding their range as performers. This film also included one of the most imaginative "escape" scenes in recent years. The efforts of the director and the actors combined in an effective thriller.<br /><br />Although the plotting of the film was convoluted, the story progressed very clearly as the layers of corporate greed and skullduggery were revealed.<br /><br />In 1949, George Orwell suggested in his famous novel "1984" that the future would be ruled by the totalitarian State, which would control minds and diminish human liberty. It was interesting that in this intriguing futuristic film, it was not the State, but rather the corporate world that controlled and devalued the human worker.
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Review: I really think I should make my case and have every(horror and or cult)movie-buff go and see this movie...<br /><br />I did!<br /><br />It-is-excellent: Very atmospheric and unsettling and scary...<br /><br />Incridible how they could make such a gem of a film with the very low(read-"no"!)-budget they had....<br /><br />Synopsis taken from website: "One morning, an old man wanders out into the woods in search of his runaway cat. He finds instead a child without parents and a murder with no corpse..."<br /><br />On this website(IMDb) there is no trailer, but I will leave a link here to the site of the movie itself where there IS a trailer which is quite unsettling so please go and check it out...<br /><br />www.softfordigging.com
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Review: I actually didn't mind the Geico commercials the first 50 of so times I saw them and even found them to be a bit wry and amusing, BUT SERIOUSLY! This is the BEST thing that these people could come up with?!? This show sucks! It is bland and feels like watching an episode of "The Office" with the characters disguised as cavemen (I know a lot of you will hate me for saying that but "The Office" just does not do it for me). Okay, I get it: we have the poor slob just trying to keep his nose clean and he has a crappy boss who hates him; the pseudo-intellectual who really just has a barely-functioning intellect; and the dopey one who just wants to be accepted, but SO WHAT!!! I have worked with these people and found them just as annoying in real life as I do on TV...why would I want to waste another 1/336th of my week watching more of those type nominates?!? Please call your parents and ask them if they dropped you on your head if after thinking about it, you still delude yourself into believing that this is entertainment.
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Review: I noticed at once that this movie really wasn't based on Dodie Smith's novel. In any case, it was a nice idea that Pongo and Perdita's son now had his own puppies. The cutest of the Dalmatians was, of course, little Snowball who was completely spotless till the very end of the film. <br /><br />To be honest, I didn't know what to think when Cruella de Vil seemed to have changed completely kind. In fact I have often thought about the possibility that she could become friendly, but now that she so quickly changed into "herself" again and announced that she was Cruella once more, I almost began to be really worried about Chloe's Dalmatians.<br /><br />Actually, the scene in which the puppies watched Lady and the Tramp while Chloe and Kevin had their dinner, was much better than I had expected. I also was fond of the parrot who played to be a dog, and it was incredible that the dogs had learned so many tricks for this movie. <br /><br />Of course I was content that at the end the Dalmatians were saved again, but I would have liked to know what was going to happen to Cruella after she had lost her whole property. And what on earth could the dogs' home do with such a huge sum of money?<br /><br />Finally, it was quite touching that Snowball also had spots at the very end of the film.
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Review: Yes i'll say before i start commenting, this movie is incredibly underrated.<br /><br />Sharon Stone is great in her role of Catherine Trammell as is Morrissey as Dr glass. He is an analyst sent in to evaluate her after the death of a sports star. Glass is drawn into a seductive game that Trammel uses to manipulate his mind.<br /><br />The acting was good (apart from Thewlis)<br /><br />Stone really has a talent with this role. She's slick, naughty and seductive and doesn't look a day older than she did in the first.She really impressed me(like in Casino). Morrisey was also good. He showed much vunerablitity in a role that needed it. Thewlis however was lame. He ruined his character and was over-the-top the whole way. He really sucked.<br /><br />Overall, this movie not as good the first but Stone is a hoot to watch. Just ignore Thewlis.
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Question: Does the following movie review have positive or negative in sentiment?
Review: First of all, the big named actors must need the money... The surgical scenes were laughable.... and surely they must know that people who have a little knowledge of medicine would find this utterly absurd......Anesthesiologists do not leave the room during a heart transplant....nor do they do the surgery in a tiny room devoid of instruments, heart lung equipment and sterile techniques... just a joke... couldn't concentrate on the story line because of all the stupid surgery scenes... no blood, no personnel and then the hero doc coming in and taking over... it is not a film for thinking adults....Also the budget must have been limited... the street scenes were OK but who was the technical adviser....Seems like it was directed by a total idiot.. Save your money and wait until it comes out on DVD and Don't rent it..
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Question: Does the following movie review have positive or negative in sentiment?
Review: Halloween is the story of a boy who was misunderstood as a child. He takes out his problems on his older sister, whom he murders at the beginning of the film. This is just the start of things to come from Michael Myers.<br /><br />Donald Pleasance plays the doctor who's been studying Myers for years. He knows that something is different about him, something mysteriously evil. This evil will not be contained, and it cannot be stopped.<br /><br />After an escape from an institution, Myers tracks down his younger sister. If he kills her, there may be an end to the troubles of this misunderstood boy. But he seems to have problems in finishing his sister off as other people get in the way. He manages to take them out while still looking for that one girl he needs.<br /><br />There have been a lot of those horror movies involving teenagers getting hacked to pieces by a masked or gruesome killer. But this one started it all, sort of. If you think about it, most of those horror movies we all remember are the ones that have Freddy Kruger or Jason chasing around half naked girls. Well, if it wasn't for Halloween, those characters wouldn't have haunted our dreams when we were children.<br /><br />Halloween's director, John Carpenter, got a lot out of the horror movies of the '50s and combined everything he knew into one film that scared the hell out of a lot of people back in the late '70s. This films solidified him as a director to watch and also jump started the career of Jamie Lee Curtis, who plays the girl being stalked by the masked killer.<br /><br />This film may seem cliché today, but back then there wasn't much out there like this. It's been copied from and ripped off of, but Halloween will always remain the quintessential teenage horror movie. It still gives you chills listening to Carpenter's thrilling music while we see another victim get chased by that shadowy Michael Myers.
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Question: Does the following movie review have positive or negative in sentiment?
Review: For anyone who has seen and fallen in love with the stage musical A CHORUS LINE, the movie is a shoddy substitute. Not only are songs cut, but unnecessary plot twists added, new dance sequences choreographed, and, let's face it, Richard Attenborough just doesn't know how to film dancers.<br /><br />Onstage, Michael Bennett's A CHORUS LINE was just that: Michael Bennett. His idea, his choreography, his direction, his gift to Broadway and the rest of the world. It was two hours of hard-hitting, in-your-face realism that really made you feel for these "boys" and "girls." The movie, however, lacks empathy and depth: the actors look like they are auditioning for A CHORUS LINE rather than actually auditioning. Every move, every line of dialogue seems so weighted and planned; Michael Douglas, especially, as Zach is too in control for us to believe that he is this extraordinarily bitchy choreographer. Even when he throws his temper tantrums, you never quite believe him because every gesture, every accented word, every nuance is so obviously rehearsed. And as for him not dancing: Kevin Kline auditioned for the role of Zach on Broadway. Michael Bennett loved his reading, but Kline couldn't dance and ultimately lost the part. How I wish they had done the same for Douglas! A CHORUS LINE is supposed to be a show about nobodies, and aside from a few recognizable faces (Vicki Frederick, who played Cassie on Broadway, as Sheila and Khandi Alexander, of TV's NewsRadio, as one of the many auditioning dancers) you're not supposed to KNOW any of these people. Because you DO know these people. Having a star in any of the roles is a terrible decision: when you focus on Michael Douglas and his ranting instead of on the girls and boys on the line and their stories, you lose something.<br /><br />It is truly unfortunate that the best sequence in the show (Montage: Hello Twelve, Hello Thirteen, Hello Love) is cut drastically to make way for a terrible new song entitled "Surprise, Surprise" that surprisingly received a nomination at the Oscars. Cassie's "mirror dance" has a new song and tragically boring choreography -- one wonders why they bothered to shoot a movie version at all if they were going to mess with a working formula this much.<br /><br />For fans of musical theatre and those who enjoyed the stage version, this movie is a sad mockery of everything they cherished and loved. For those who never got to see the original production, either on Broadway or on tour, this movie is the only reference they will have to go by. And they'll have to wonder just how it got to be the longest-running musical in Broadway history -- until a little show called CATS overtook it in the late 1990's. But THAT is a different story, and don't even get me started there.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I own this movie. Not by choice, I do. I was really bored the other day and the box intrigued me. So i popped it in the old VCR and spent the next hour and a half of my life crying "why God why?". The story-line was not that bad, as an gamer I could appreciate bits of it. I think that maybe if you're into super geeky-cheese romantic scenes you'll enjoy this film. "I always thought of myself as a Vulcan you know like Dr.Spock...unable to love" There is very few good things to say about this film, truly it is awful. But if you're up to really badly made film this is the one for you!!! The real story's much more interesting though ;)<br /><br />If I had to sum up this film in one word it would be:<br /><br />LAME
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Question: Does the following movie review have positive or negative in sentiment?
Review: I fell in love with this silent action drama. Kurt Russell and only Kurt Russell could have played this so well. Raised from childhood to know nothing but war and fighting, Todd (Kurt Russell) is dumped on a planet after being made obsolete by genetically engineered soldiers.<br /><br />The stage is set and another classic icon of action movies was born - SOLDIER. Not Rambo, not Schwarzenegger, not Bruce Willis, not Mel Gibson, not Jason Statham - Kurt Russell owns this role and made it entirely his - original, daring, and all too human. I miss the fact that sequels were never made.<br /><br />10/10<br /><br />-LD<br /><br />_________<br /><br />my faith: http://www.angelfire.com/ny5/jbc33/
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Question: Does the following movie review have positive or negative in sentiment?
Review: I watched this film not really expecting much, I got it in a pack of 5 films, all of which were pretty terrible in their own way for under a fiver so what could I expect? and you know what I was right, they were all terrible, this movie has a few (and a few is stretching it) interesting points, the occasional camcorder view is a nice touch, the drummer is very like a drummer, i.e damned annoying and, well thats about it actually, the problem is that its just so boring, in what I can only assume was an attempt to build tension, a whole lot of nothing happens and when it does its utterly tedious (I had my thumb on the fast forward button, ready to press for most of the movie, but gave it a go) and seriously is the lead singer of the band that great looking, coz they don't half mention how beautiful he is a hell of a lot, I thought he looked a bit like a meercat, all this and I haven't even mentioned the killer, I'm not even gonna go into it, its just not worth explaining. Anyway as far as I'm concerned Star and London are just about the only reason to watch this and with the exception of London (who was actually quite funny) it wasn't because of their acting talent, I've certainly seen a lot worse, but I've also seen a lot better. Best avoid unless your bored of watching paint dry.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I sought out this film for one reason--Al Adamson. He is among the worst directors of all time--right up there with Ed Wood, Jr. and Ray Dennis Steckler and the pantheon of awfulness. However, I was a tad disappointed because although the film was indeed bad, it never approached the levels of awfulness of some of his earlier schlocky movies. Because of that, this film wasn't particularly fun to watch for us bad movie fans.<br /><br />Now I was wary about watching this film, as the title "Naughty Stewardesses" makes the film sound like a pornographic film--something I wouldn't be reviewing on IMDb. However, this film appeared to be this at times--particularly the first 10 minutes. But, you could tell that the script underwent many changes, as for much of the film there isn't any titillation at all and towards the end of the movie there is a plot that comes out of no where that is violent and certainly NOT sexy! The result of all this is total confusion.<br /><br />Sadly, none of the many parts are even good. For example, as a porn video, it shows surprisingly little AND it's incomprehensible why they would put a 71 year-old guy in some of the love scenes. Sure, for a 71 year-old Mr. Livingston looked pretty good--but he was still an old man and no one would want to see him getting it on with young nymphet! Then, when the final 20 minutes becomes very violent, as Livingston became a Rambo-like guy! Talk about weird and inappropriate.<br /><br />Overall, there is little to recommend this sad movie. It's not bad enough or sexy enough to care about and the film manages to be rather boring even with such a crazy title like "Naughty Stewardesses".
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Question: Does the following movie review have positive or negative in sentiment?
Review: this independent film was one of the best films at the tall grass film festival that i have ever seen there i loved it there are so many things that was great about the film on top of all that the cast and crew that i had the opportunity to meet were absolutely phenomenal.I thought that Avi did a great job in his role. and Ricky Ullman was absolutely true to his role for a Disney actor i was amazed at his talent to be able to go from cheesy teen comedy to such an adult role with no problems the talent in the film was just amazing the cinematography was just great if you want to see an independent film this is one really that you should see.I think that Mr Gruver would have been so proud to have such a submission in his festival and his parents loved the movie so much when it won the audience favorite they went and saw it again. this truly was a great film it was dark and funny and sad and truly emotional it was just fabulous. I am honestly just so enthused by this film and i really don't want to spoil it for any one just see it and truly be amazed at it i think that these film makers really have what it takes to go places and I hope to see more work from them in the future.
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Question: Does the following movie review have positive or negative in sentiment?
Review: Enormous fun for both adults and children, this film works on numerous levels: there is everything from car crashes and cake in the face to some very good (yet subtle) jokes for adults.<br /><br />Glenn Close is at her sublimely evil best as Cruella (`call me Ella') De Ville.<br /><br />After three years in Dr. Pavlov's Behaviour Modification Clinic she is cured of her desire for fur even the puppy-skin fur she had so intensely desired. She even has all of her fur coats placed in the dungeon of the extraordinary castle she inhabits.<br /><br />But it wouldn't be a Dalmatian' movie without the subterfuge and machinations of Cruella and you know that something will change her behaviour modification. And now she needs one extra puppy (hence 102 Dalmatians) to complete her nefarious scheme this time round.<br /><br />Ioan Gruffudd is instantly appealing as the hero of the film that runs the `Second Chance' dog shelter. Though he was in `Titanic' and in last year's television version (as Pip) of `Great Expectations' I didn't recognize him; well, he was Fifth Officer Lowe' in `Titanic' and I didn't see `Great Expectations' so I am not terribly surprised.<br /><br />Gerard Depardieu does a delightful turn as the furrier-pawn of Cruella. He prances and postures in the most outlandish and outrageous of fur clothing you have ever seen and does it well. His 'Wicked Witch of the West' homage is hilarious.<br /><br />Tim McInnerny is superb is Cruella's not-so-evil henchman he was also Alonzo,' Cruella's butler, in `101 Dalmatians' and you may also recognize him from all of the `Black Adder' Brit-Coms. He plays his usual bumbling, good-hearted, somewhat dim-witted character to great effect.<br /><br />Oscars for costuming are generally given for the entirety of the costuming in a film. This is unfortunate as the clothing worn by Glenn Close is amazing it is incredibly detailed (note her handcuffs when she is being released from the Behaviour Modification Clinic) and worthy of such an over-the-top character. Her clothing alone deserves at least an Oscar nomination.<br /><br />Animation holds a special place in my heart but comparing this film to the original animated film is like comparing apples to orangutans: it can't be done. Suffice it to say that `102 Dalmatians' is even better than the film version of `101 Dalmatians' that came out in 1996. There is a lot to like here: from the sight gags, the dialogue, and the costumes to the casting - it is a good film for the whole family.
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Question: Does the following movie review have positive or negative in sentiment?
Review: In a time when Hollywood is making money by showing our weaknesses, despair, crime, drugs, and war, along comes this film which reminds us the concept of the "Indomitable Spirit". If you are feeling beaten down, this movie will free your mind and set you soaring. We all know how tough life can be, sometime we need to be reminded that persistence and courage will get us through. That's what this film did for me and I hope it will for you.
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Question: Does the following movie review have positive or negative in sentiment?
Review: I still have grainy, late night, no-cable, cheap VHS dubs of this show from waaaaaayyyy back when, late-night-commercials and all, when I would stay up to whatever weird hour they would slap this show on -- just so I could tape it.<br /><br />The series wasn't really ABOUT Freddy Kreuger - only the first couple of episodes actually involved him as anything but a Rod Serling-esquire announcer. Instead, each episode was a distinct nightmare, using the traditional horror themes of horrific childhood, dating, cannibalism, dating, money, death, dating, and... hmm... dating.<br /><br />From the episode where a teenage boy accidentally says "I will love you forever" to the wrong girl, and is stuck with her (literally, at least for a moment, they grow together...), to the one where a young stewardess goes home with a strange man, only to find herself in his cabin, where he has a trophy room full of other stewardesses, and one I only vaguely remember which compared blind dates to hockey (and the injuries and penalties that go with it) - dating was definitely the scariest thing in the series.<br /><br />One episode had Jeffrey Combs (Re-Animator, etc.) as a motivated pizza merchant with a tasty new secret ingredient. Not original, but still creepy and fun....<br /><br />Even so, some of the episodes were great. My personal favorite was "It's a Miserable Life" where a young man is trapped working in his parents' burger joint, when he wants to go off to college. Stuck talking to himself and doing little puppet shows with old cheeseburgers - until one late night when a weird guy comes through the drive through and suddenly his life is not the same. No, not Freddy, just a thug with a gun - turns out the whole mind-blowing episode is just that - the last thoughts that pass through the kid's head... along with a bullet.<br /><br />The second half of the same episode (many of the Freddie's Nightmares episodes were essentially two vaguely connected short stories) followed his girlfriend, who was also wounded, but not killed in the drive-by, and who is taken to "the hospital from heck" - they cram in all the most creepy hospital nightmare clichés, and then some - from accidentally having your mouth sewn shut - or waking up during an operation - to having your dead boyfriend try and lure you into the morgue for a little cuddle.<br /><br />Again, that was my favorite.<br /><br />Some of the episodes were much dumber, like ALMOST ALL OF THE ONES THEY'VE MADE AVAILABLE ON VIDEO. They put the crummy ones out as representative of the series, and then nobody likes them, thinks the show stunk, and then they don't put any more on video. It's a Miserable Life is only available on PAL DVD in England - but I'm still gonna buy it.
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Review: Deliriously romantic comedy with intertwining subplots that mesh beautifully and actors who bounce lines off each other with precise comic timing, a feat that is beautiful to behold. When Cher's spineless fiancé asks her to help him make peace with his estranged, moody younger brother, no one could dream the consequences which follow. Operatic symbolism, Catholic church confessions, love bites and falling snow..."Moonstruck" is timeless and smooth. It takes about 15 minutes for the picture's rhythm to kick in (there's an early sequence with the grandfather and his dogs at the cemetery that's a little rough, and a following scene with Cosmo and the elderly man at the gate that seems obtuse), but the patchwork of the plot is interwoven with nimble skill, and the movie's wobbly tone and kooky spirit are both infectious. ***1/2 from ****
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Review: John Boorman's "Deliverance" concerns four suburban Atlanta dwellers who take a ride down the swift waters of the Cahulawassee
The river is about to disappear for a dam construction and the flooding of the last untamed stretches of land
<br /><br />The four friends emphasize different characters: a virile sports enthusiast who has never been insured in his life since there is no specific risk in it (Burt Reynolds); a passionate family man and a guitar player (Ronny Cox); an overweight bachelor insurance salesman (Ned Beatty); and a quiet, thoughtful married man with a son who loves to smoke his pipe (Jon Voight).<br /><br />What follows is the men's nightmarish explorations against the hostile violence of nature
It is also an ideal code of moral principle about civilized men falling prey to the dark laws of the wilderness
<br /><br />Superbly shot, this thrilling adult adventure certainly contains some genuinely gripping scenes
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Review: Just a note to add to the above comment. Fear of a Black Hat doesn't have the criminal who's image has been ripped off by the band, that's in CB4. Easily confused as the two films are so similar, but Black Hat is vastly the superior of the two..... yeah.
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Review: how can you take her hard-living, glamorously violent bounty hunter story serious with *that* accent? It's absurd. Apart from that, the visual style of the directer is nauseating and gimmicky, the plot is a shallow, boring, confused gangster-movie rehash and the acting is unconvincing. The film introduces new characters all the way throughout the film and is told in fragmented flashback - mostly out of sequence - seemingly just to keep you nice and confused. The film ever shows you THINGS THAT DON'T REALLY HAPPEN and then later says "that didn't really happen, this happened" - see the (apparent) killing of the (fake) 'first ladies'. What have we seen the first, wrong, sequence of events for then?<br /><br />Terrible choice in casting, a convoluted, messy plot and a headache-inducing directorial style. 1/5.
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Review: First saw this half a lifetime ago on a black-and-white TV in a small Samoan village and thought it was hilarious. Now, having seen it for the second time, so much later, I don't find it hilarious. I don't find ANYTHING hilarious anymore. But this is a witty and light-hearted comedy that moves along quickly without stumbling and I thoroughly enjoyed it.<br /><br />It's 1945 and Fred MacMurray is a 4F who's dying to get into one of the armed forces. He rubs a lamp in the scrapyard he's managing and a genie appears to grant him a few wishes. (Ho hum, right? But though the introduction is no more than okay, the fantasies are pretty lively.) MacMurray tells the genie that he wants to be in the army. Poof, and he is marching along with Washington's soldiers into a particularly warm and inviting USO where June Haver and Joan Leslie are wearing lots of lace doilies or whatever they are, and lavender wigs. Washington sends MacMurray to spy on the enemy -- red-coating, German-speaking Hessians, not Brits. The Hessians are jammed into a Bierstube and singing a very amusing drinking song extolling the virtues of the Vaterland, "where the white wine is winier/ and the Rhine water's Rhinier/ and the bratwurst is mellower/ and the yellow hair is yellower/ and the Frauleins are jucier/ and the goose steps are goosier." Something like that. The characterizations are fabulous, as good as Sig Rumann's best. Otto Preminger is the suspicious and sinister Hessian general. "You know, Heidelberg, vee are 241 to 1 against you -- but vee are not afraid." <br /><br />I can't go on too long with these fantasies but they're all quite funny, and so are the lyrics. When he wishes he were in the Navy, MacMurray winds up with Columbus and the fantasy is presented as grand opera. "Don't you know that sailing west meant/ a terrifically expensive investment?/ And who do you suppose provides the means/ but Isabella, Queen of Queens." When they sight the New World, someone remarks that it looks great. "I don't care what it looks like," mutters Columbus, "but that place is going to be called Columbusland."<br /><br />Anyway, everything is finally straightened out, though the genie by this time is quite drunk, and MacMurray winds up in the Marine Corps with the right girl.<br /><br />I've made it sound too cute, maybe, but it IS cute. The kids will enjoy the puffs of smoke and the magic and the corny love story. The adults will get a kick out of the more challenging elements of the story (who are the Hessians?) unless they happen to be college graduates, in which case they might want to stick with the legerdemain and say, "Wow! Awesome!"
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Review: This movie is great. If you enjoy watching B-class movies, that is. This is a classic college 80's slasher movie, in which one song is played throughout the entire soundtrack. A horrible film, but worth renting to make fun of, or just to watch old men pop out of closets with knives. Kinda funny, if you ask me.
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Review: This movie is inspiring to anyone who is or has been in a tough jam, whether financially or emotionally. You will definitely laugh, which is the best medicine! :) Left in a bad financial situation when her husband dies, Grace has to find a new way to make some money and it's not exactly legal which adds to the humour. Even my boyfriend liked it so don't think that it's a chick-flic.
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Review: Two houses, one street, one phone booth, one car, a girl next door, a boy next door and a zombie. This list of ingredients should suffice for a great horror movie. All you need is some blue light, ambient music and...done. Not in the hands of Dutch director van Rouveroy though! <br /><br />I like to organize "bad movie evenings" from time to time. The concept is really simple: get some booze, get some film-loving friends, and immerse yourself in the worst cinema can offer. For such an evening this peace of filth is one of the best. Laughs guaranteed!<br /><br />The bizarre thing is, van Rouveroy is still defending her film as if it were a great achievement. To be a witness to this you'll have to listen to the DVD's commentary track. Again: disbelieve and laughs guaranteed!
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Review: I usually steer clear of TV movies because of the many ways you know that it's TV movies five seconds into the picture. This one got my attention because of the unusual title and its gloomy, well-crafted mood that is established from the very start. While the ever present rain confirmed my suspicions of a misplaced story (even if claiming to be set in California the movie was largely shot around a stormy Vancouver, B.C.), the dark and oppressive outdoors beautifully complement Olmos' excellent acting.
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Review: Caution: May contain spoilers...<br /><br />I've seen this movie 3 times & I've liked it every time. Upon seeing it again, I'm always reminded of how good it is. An HBO TV movie- very well done like most of their movies are- this would've gotten Oscars for it's performances had it been released for general distribution instead of made for TV.<br /><br />As I'm sure anyone knows from reading other reviews here, this is the story of serial murderer, Andrei Chikatilo. He murdered 56 people over 8 years in the former Soviet Union. (3 victims were buried & couldn't be found so he was only convicted of 52 out of 53 of his murders.) The story actually focuses more on the forensic analyst, Victor Burakov played to perfection by Stephen Rea. A man that becomes tortured and obsessed with finding this killer despite the additional obstacles placed by party hacks, his part is essential to be sure. There is a very touching scene towards the end of the movie that mentions how in America, investigators are routinely taken off serial killer cases after 18 months whether they want to or not due to the mental strain & frustration. According to this acct, Burakov worked for over 5 years before getting his first break from it. He followed the case to its conclusion, 3 years later. In this scene, his superior, General Fetisov, played by Donald Sutherland, actually tells him he admires his dedication and apologizes for not knowing he should've given him a break sooner.<br /><br />Rea's performance is so well done, he doesn't overact, chew up the scenery or do anything that distracts from his portrayal of a man who is hell bent on finding his killer. He is a man with passion, but doesn't show it in the same manner as is so usually portrayed in detective movies. He only occasionally gives outbursts after quietly putting up with more than most could stand under such circumstances. Rea does so much with his face, his eyes, he doesn't need to overact. He just *is* - His character, so frustrated after so long, at one point, driven to frustration, he actually says he'd rather find 3 at one time than none in a year. Of course what he means is not that he wants more people to die, he just wants some clues to catch this man. Rea makes us feel for this man. He makes us understand but a glimpse of what it is to live with such horror and futility.<br /><br />A mutant to be sure, Chikatilo's childhood was one which produces such "monsters." The character of Chikatilo is very well done by Jeffrey DeMunn. He somehow (impossible though it may seem) elicits some modicum of sympathy for himself. Perhaps he is the worst of us gone terribly wrong? Either way, his performance is very well done.<br /><br />Donald Sutherland as Colonel Fetisov (later promoted to General) also does a great job. He starts out seeming to be a cynical worldly official that doesn't seem much more interested in helping the investigation than anyone else blocking Burakov. But he eventually becomes more than just an assistant, he actually actively participates in helping Burakov. There is also a very nice turn by Max Von Sydow as the psychiatrist brought in to help profile and figure out what kind of deviant they are looking for.<br /><br />Although this movie deals with a morbid, grotesque and violent story, it really is more about what it takes to catch a killer than the killer himself. All around a very well done movie with fine performances and a great screenplay. The screenplay manages to do what the best of this type of movie does: give factual events & place them meaningfully inside a dramatic framework that makes you feel like you know the people *behind* the facts.<br /><br />9 out of 10 stars
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Review: With one of my very favorite actors, James Spader, I expected this film to be at least tolerable. It wasn't. After the first half hour I watched the rest of it with the remote control in my hand so the fast forward was at the ready. So trite, so standard, one knows what's going to happen in each scene. One can even predict the dialogue word for word. This is one of those movies that makes one scratch ones head and say, "How did this movie ever get made?" In an effort to say something positive, I'll add that there are some mildly entertaining special effects. But, on the whole, if you've seen 5 Sci/fi movies, or you are over 9 years old, do yourself a favor and skip this one.
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Review: Alan Alda plays real-life "Sports Illustrated" writer George Plimpton, who was once invited to join the Detroit Lions football team as an honorary member. Rather wan, uncompelling drama curiously tempered with fantasy. Director Alex March takes an interesting tack on this material, shooting it in a quasi-documentary fashion (with macho commentary) and yet giving the tale a touch of Capraesque whimsy; still, by bringing out the cinematic flashiness in this set-up, he turns the main narrative into a jumble. Alda's smug, uncharismatic performance is another handicap, though the supporting cast is filled with real-life pro-athletes (and scintillating Lauren Hutton as Alda's girlfriend--how's that for a fantasy?). *1/2 from ****
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Review: Short synopsis <br /><br />This film opens with soldiers being released from the company of men. One of them pursues another with a weird scheme the other repeatedly refuses. Later they both get trapped in an office building in which they want to crack a safe during the Christmas holidays. Hostility turns into playful banter and then into a desperate fight for survival (during the bantering they lose all drinkable liquids, so it is really serious). With exposed, well built and well oiled torsos they ram a hole into a wall and finally manage to escape only to find out that they have been betrayed and set up by women. One gets caught, the other remains free and is not given away by his companion. A last encounter, a last light for a cigarette, adieu l'ami, farewell, friend.<br /><br />I found it hard not to see closet homosexuals in the two main characters, played by classical he-man superstars Alain Delon and Charles Bronson. They are obviously attracted to each other, their treatment of women is abominable and marked by contempt throughout. The whole story seems to have a strong symbolic undertow, a little like Deliverance. It is also very stylish. The safe the two men want to crack is in a for the time ultra modern glass and aluminum tower. It is the seat of a publicity firm, so there are many fancy posters and wall coverings around. The wardrobe is also very good. The ultra stylish Citroen DS (maybe the most modern and elegant car of all times) features large in this movie perhaps a subtle kind of product placement.<br /><br />I can recommend this movie for the actor's performances alone. Delon and Bronson are really sharing the top billing, in a manner that struck me as very fair and sporting. Both do a considerable amount of acrobatics. I have never seen Bronson better than here, he really acts - and speaks French throughout, with a heavy accent buy very passably indeed. And it is certainly the man himself we hear. (So the French language version is highly recommended). The police inspector who pursues the two is played by on of my favorite Franch character actors, Bernard Fresson who was Gene Hackman's partner in French Connection II. He is the best brainy police inspector I know. Also very good is former child actress Brigitte Fossey as the young ingénue who, as it turns out, is not so Innocent as it first seems.<br /><br />Anyone who expects the old in-an-out" of classical heist movies might be disappointed with this film. For those with a little patience this will be a rewarding experience, full of novel and original ideas and directorial quirks, although it my be a little too brutal and sadistic for its own sake.
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Review: I saw this a couple of nights back, not expecting too much and unsurprisingly it didn't deliver anything too exciting. The plot set up of a crew of vampire hunters (V-San, for vampire sanitation), going around in their spaceship periodically killing space vamps and rescuing people, is quite sound and had the film been handled better it might well have been something quite ace. Unfortunately after a fairly decent opening the sense of actual quality starts to drain away from the film, leaving something behind that, though vacantly watchable, is quite laughably bad. I don't expect anything too special from these films that pop up on the Sci Fi Channel and at least this wasn't one of their creature features with an atrocious cgi beast shambling about, but it was still pretty bad, mostly due to the writing and acting, but with a sterling contribution to the overall badness made by the horrible music. When the film opted just for a typical science fiction sounding weird noises approach to the soundtrack it did OK, but all too often hilariously bad soft rock intruded and pitched scenes into silliness. I would have tolerated the general cheesy acting and writing more were it not for the choice of music, which was a serious miscalculation, turning things from cheesy to lamely comical. Of the acting, Dominic Zamprogna was OK but bland as the nominal hero, whilst Leanne Adachi was pretty irritating as the tough girl of the vamp busting team and Aaron Pearl played another member who wasn't well written or interesting enough to make an impression. Though she didn't seem that good at the acting lark Natassia Malte did well through having a less irritating character than the others, and the fact that she is seriously nice to look at. The only serious name in the cast is Michael Ironside and he is underused though he does nicely, pretty amusing in a manner one suspects was intentional. He seems to have fun and earn his paycheck and his role is entertaining. The effects are OK on the whole, they are at least of the standards of the average science fiction TV show, and there are also a few scenes of blood splatter and a bit of fun gore as well. Things move along nicely, and I almost feel harsh rating this film badly, but then I remember bursting into laughter at regular intervals and realising that unless the film is an intentional comedy, which I don't think it is, then it simply doesn't succeed. Too much is lame, daft, unconvincing, its an OK effort I guess but it didn't appeal to me. Only give it a go if you really dig Sci Fi trash or unintended chuckles I'd say.
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Review: I've never seen many online movies in most of my life, but if I'd pick any of them, I'd pick Spatula Madness, A clever reference to most movies like star trooper (etc.), using a camera, and wits of steel, Jason Steele mastered the art of turning a normal image into a painting, and then putting it all together with frame-by-frame animation to get a world inhabited by spatulas. the story begins at the middle, hows that for directors delight? then the middle is at the beginning, and so on, when I first watched it, I expected a soggy pixely look, but Jason, Like me, Loves looks, so took every detail to the max. although I don't recommend it for children, or would anybody besides me like it, but please search it up on the net (its a short film, look up film cow), its style reminds me of south park, but less violent. 10 for the look, 6 for the laughs, and 6 for the story, it all comes to a 10/10, good work<br /><br />Jason Steele, I'm anxious to see the movie.
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Review: Hello. This movie is.......well.......okay. Just kidding! ITS AWESOME! It's NOT a Block Buster smash hit. It's not meant to be. But its a big hit in my world. And my sisters. We are rockin' Rollers. GO RAMONES!!!! This is a great movie.............. For ME!
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Review: Before we begin, I have a fear of dentists. This movie gives me the creeps and even makes me cringe. That is what I love about this film. The movie is kind of boring. For that, I take 3 stars off!<br /><br />*Spoiler Alert*<br /><br />The movie revolves around Dr. Alan Feinstone who has just found out his wife has been cheating on him. Soon, he begins to have hallucinations and begins torturing his patients, killing co-workers, and he has even tortured his wife to death and killed the man he was having an affair with.<br /><br />*End Spoiler* <br /><br />The movie is very bloody and gory. I would recommend it if you are into gore.<br /><br />I give this film 7 stars out of 10. Dr. Alan Feinstein Is Not Your Normal Everyday Dentist!
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Review: An independent feature can now be seen as both a work of film art and a video resume. Enter Broken, and aggressively promoted, twenty minute short with style and enthusiams to spare. But is it any good as a film, or does it only work as a demo piece? Ah, there in lies the rub.<br /><br />Broken is the story of Bonnie Clayton who is abducted after awakening from a reoccurring nightmare one night by "a sadistic stranger and his colorful entourage" (quote from the video box). As she's held captive, it becomes obvious that her abductors know things about her that even she didn't know about herself. While they question her, a black-clad soldier guns his way into their hideout in an attempt to rescue her. Mayhem ensues.<br /><br />Fortunately for us, director Alex Ferrari seems to know what he's doing, or at least he's very good at faking it. Broken does not suffer from any lack of visual flair, which is especially commendable considering its budget and the inexperience of all involved. What it does suffer from is weak and kind of derivative writing. Think Long Kiss Goodnight meets The Matrix, written ten minutes after reading Fight Club. The good news for Ferrari and producer/writer Jorge Rodriguez is that the story elements are easily ignored for the oodles of eye candy on display. Does the plot really matter that much in a twenty minute short meant to show off the technical skills of its creators? No, not really.<br /><br />Though it would be unfair of me to overlook any negative aspects in light of the films budget and length. Broken is no genre classic. The biggest problem was that it actually would have worked better as a full-length feature. The final "twist" doesn't get enough build up time to be shocking. If Ferrari were allowed the time to slow burn the feature as needed, plot elements would seem less random, and the film more complete. Here's to knowing he's getting the chance.<br /><br />Audio Broken's Dolby Digital 5.1 presentation is second to none in the indie world. I've never heard such aggressive surround from such a small feature. The Matrix inspired soundtrack is very rich and deep, gunshots have punch, and even the dialogue gets in on the surround effects. Of everything presented on this disc, it is the audio that speaks the praise for modern independent DVD production. Also included is an equally impressive Dolby 2.0 surround track, which is the menu default.<br /><br />Extras There are literally hours of making of features to be found on this disc. There are so many extras, in fact, that I find it unrealistic to list and describe each of them here, while still expecting my readers to continue reading. Whatever shortcomings the actual short may have, the DVD is unprecedented in its informational resources. People who enjoyed the film can learn all there is to know about its production, including everything from the conceptual art to the promotional campaign. Those with plans to make an indie film of their own can learn just about everything they need to know from these features.<br /><br />The extras are broken down into categorical menus. These include: pre-production, production, post-production, after the short, and cast and crew bios. From a critical standpoint, I found that some of the sections were quite short. Had they been edited into one featurette per menu option, they would've been less frustrating to navigate, as the curser defaults to the top selection with every return to the main section menu. This is, of course, just nitpicking, but perhaps for future DVD releases the filmmakers will take my advice to heart.<br /><br />It has six audio commentaries and hours of interview footage and talented people, and despite the consonant salesmanship, their true colours do shine through.<br /><br />The willingness to share their film-making secrets with anyone who picks up this DVD is quite generous. From the extras I learned what editing and effects software is most reliable and effective, what brand of camera creates the most professional look for the lowest price, even where to get cheap air soft weaponry. On top of this, I was given several alternate options, in case I found myself unable to locate any products used on this particular production. Wannabe filmmakers unwilling to read a book on the subject would do well to watch this DVD.<br /><br />Overall I've scored the actual short as a 6 out of 10, but wish there was an option for feature length potential and effort, because I'd have scored it an 8 or 9 in these fields. I recommend the DVD for its features and as a perfect example of what can be done with a mere eight thousand American dollars. Those who purchase the DVD can think of themselves as ghost producers for a larger project, as the more attention these guys get, the more funding the feature-length version will get.
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