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durom.1974.29.40 | 1974.29.40.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Naropa, who is the disciple of Tilopa. He is shown with a skull cup in one hand and wears a meditation band across his shoulder and over one knee. There are offerings in front of the throne he is seated upon. The Himalayas are depicted in the background to the left and right of the print | 161Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.40 | 1974.29.40.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Naropa, who is the disciple of Tilopa. He is shown with a skull cup in one hand and wears a meditation band across his shoulder and over one knee. There are offerings in front of the throne he is seated upon. The Himalayas are depicted in the background to the left and right of the print | 161Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.40 | 1974.29.40.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Naropa, who is the disciple of Tilopa. He is shown with a skull cup in one hand and wears a meditation band across his shoulder and over one knee. There are offerings in front of the throne he is seated upon. The Himalayas are depicted in the background to the left and right of the print | 161Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.40 | 1974.29.40.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Naropa, who is the disciple of Tilopa. He is shown with a skull cup in one hand and wears a meditation band across his shoulder and over one knee. There are offerings in front of the throne he is seated upon. The Himalayas are depicted in the background to the left and right of the print | 161Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.40 | 1974.29.40.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of Naropa, who is the disciple of Tilopa. He is shown with a skull cup in one hand and wears a meditation band across his shoulder and over one knee. There are offerings in front of the throne he is seated upon. The Himalayas are depicted in the background to the left and right of the print | 161Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1960.2323 | durom.1960.2323-ff.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | 281figures
| jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2323 | durom.1960.2323-ff.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | 281figures
| jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2323 | durom.1960.2323-ff.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | 281figures
| jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2323 | durom.1960.2323-ff.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | 281figures
| jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2323 | durom.1960.2323-ff.jpg | data/raw/images/oriental/1960 | Ceremonial jui carved with 5 bats, with lingzhi fungus and two sacred jewels. | 281figures
| jui | soapstone | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durma.2020.3.2311 | durma.2020.3.2311.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman copper-alloy Knee brooch dating to the late second or early third century AD. The fragment comprises a small portion of the head and bow of the brooch. The head is a flat, plain, semi-circular plate, on the reverse of which are two, semi-circular pierced lugs designed to accommodate the spring and pin. Both are missing. The bow is D-shaped in section and hollow. Where the break in the bow occurs, there are two apparently deliberate triangular notches. The foot and catchplate are missing. The fragment measures 23mm in length; the head plate measures 19mm in width. The brooch weighs 3.6g. Bayley and Butcher classify this as a Type 171 and note that it is more common in Britain and rare or missing on continental sites. It occurs on military sites including South Shields, but also on southern civilian sites. The only dated examples come from a drain at the the legionary fortress of Caerleon dating to AD 160-230 and from the Jewry Wall site at Leicester dating to about AD 220 (Bayley and Butcher 2004, 179-180)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55341 | 209brooches
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2311 | durma.2020.3.2311.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman copper-alloy Knee brooch dating to the late second or early third century AD. The fragment comprises a small portion of the head and bow of the brooch. The head is a flat, plain, semi-circular plate, on the reverse of which are two, semi-circular pierced lugs designed to accommodate the spring and pin. Both are missing. The bow is D-shaped in section and hollow. Where the break in the bow occurs, there are two apparently deliberate triangular notches. The foot and catchplate are missing. The fragment measures 23mm in length; the head plate measures 19mm in width. The brooch weighs 3.6g. Bayley and Butcher classify this as a Type 171 and note that it is more common in Britain and rare or missing on continental sites. It occurs on military sites including South Shields, but also on southern civilian sites. The only dated examples come from a drain at the the legionary fortress of Caerleon dating to AD 160-230 and from the Jewry Wall site at Leicester dating to about AD 220 (Bayley and Butcher 2004, 179-180)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55341 | 209brooches
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2311 | durma.2020.3.2311.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman copper-alloy Knee brooch dating to the late second or early third century AD. The fragment comprises a small portion of the head and bow of the brooch. The head is a flat, plain, semi-circular plate, on the reverse of which are two, semi-circular pierced lugs designed to accommodate the spring and pin. Both are missing. The bow is D-shaped in section and hollow. Where the break in the bow occurs, there are two apparently deliberate triangular notches. The foot and catchplate are missing. The fragment measures 23mm in length; the head plate measures 19mm in width. The brooch weighs 3.6g. Bayley and Butcher classify this as a Type 171 and note that it is more common in Britain and rare or missing on continental sites. It occurs on military sites including South Shields, but also on southern civilian sites. The only dated examples come from a drain at the the legionary fortress of Caerleon dating to AD 160-230 and from the Jewry Wall site at Leicester dating to about AD 220 (Bayley and Butcher 2004, 179-180)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55341 | 209brooches
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2311 | durma.2020.3.2311.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman copper-alloy Knee brooch dating to the late second or early third century AD. The fragment comprises a small portion of the head and bow of the brooch. The head is a flat, plain, semi-circular plate, on the reverse of which are two, semi-circular pierced lugs designed to accommodate the spring and pin. Both are missing. The bow is D-shaped in section and hollow. Where the break in the bow occurs, there are two apparently deliberate triangular notches. The foot and catchplate are missing. The fragment measures 23mm in length; the head plate measures 19mm in width. The brooch weighs 3.6g. Bayley and Butcher classify this as a Type 171 and note that it is more common in Britain and rare or missing on continental sites. It occurs on military sites including South Shields, but also on southern civilian sites. The only dated examples come from a drain at the the legionary fortress of Caerleon dating to AD 160-230 and from the Jewry Wall site at Leicester dating to about AD 220 (Bayley and Butcher 2004, 179-180)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55341 | 209brooches
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2311 | durma.2020.3.2311.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a Roman copper-alloy Knee brooch dating to the late second or early third century AD. The fragment comprises a small portion of the head and bow of the brooch. The head is a flat, plain, semi-circular plate, on the reverse of which are two, semi-circular pierced lugs designed to accommodate the spring and pin. Both are missing. The bow is D-shaped in section and hollow. Where the break in the bow occurs, there are two apparently deliberate triangular notches. The foot and catchplate are missing. The fragment measures 23mm in length; the head plate measures 19mm in width. The brooch weighs 3.6g. Bayley and Butcher classify this as a Type 171 and note that it is more common in Britain and rare or missing on continental sites. It occurs on military sites including South Shields, but also on southern civilian sites. The only dated examples come from a drain at the the legionary fortress of Caerleon dating to AD 160-230 and from the Jewry Wall site at Leicester dating to about AD 220 (Bayley and Butcher 2004, 179-180)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database - https://finds.org.uk/database/artefacts/record/id/55341 | 209brooches
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1962.159 | 1962.159-tt.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying aspects of Shri Nathji, a form of the Hindu god Krishna. The main image at the centre flanked by 2 smaller images on either side. A second register runs below and gives 3 further images of the god at the centre, flanked by a devotee on either side. The remaining area below is rendered as an architectural unit referring to the area in the temple where offerings are presented to the god. | 91Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.159 | 1962.159-tt.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying aspects of Shri Nathji, a form of the Hindu god Krishna. The main image at the centre flanked by 2 smaller images on either side. A second register runs below and gives 3 further images of the god at the centre, flanked by a devotee on either side. The remaining area below is rendered as an architectural unit referring to the area in the temple where offerings are presented to the god. | 91Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.159 | 1962.159-tt.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying aspects of Shri Nathji, a form of the Hindu god Krishna. The main image at the centre flanked by 2 smaller images on either side. A second register runs below and gives 3 further images of the god at the centre, flanked by a devotee on either side. The remaining area below is rendered as an architectural unit referring to the area in the temple where offerings are presented to the god. | 91Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.159 | 1962.159-tt.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying aspects of Shri Nathji, a form of the Hindu god Krishna. The main image at the centre flanked by 2 smaller images on either side. A second register runs below and gives 3 further images of the god at the centre, flanked by a devotee on either side. The remaining area below is rendered as an architectural unit referring to the area in the temple where offerings are presented to the god. | 91Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.159 | 1962.159-tt.jpg | data/raw/images/oriental/1962 | Devotional roundel portraying aspects of Shri Nathji, a form of the Hindu god Krishna. The main image at the centre flanked by 2 smaller images on either side. A second register runs below and gives 3 further images of the god at the centre, flanked by a devotee on either side. The remaining area below is rendered as an architectural unit referring to the area in the temple where offerings are presented to the god. | 91Miniature Painting
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
eg4003 | eg4003-bb-d2.jpg | data/raw/images/egyptian/eg | Statue in black granite of the mayor of Thebes and vizier Paser. Paser kneels wearing a long plaited wig with lappets and the traditional vizier's archaic wrap gown, and sandals. The statue is inscribed on the right arm with the cartouche of Ramesses II (wesermaatre-setepenre) and the title 'Priest of Anubis'. On the left arm 'priest of…?' Paser's titles are given across the breast of the statue and there is a long inscription in three columns down the front, giving the offering formula and a hymn to Ptah with the information that Paser (via this statue/in life) would see ptah daily and be involved in the cult. The inscription ends with more titles, including 'Priest of Ma'at'. Paser holds with both hands to his left side a statuette of Ptah with the head missing, and a socket hole remaining. The front of the statue plinth is rounded. Paser's nose is broken off. | 456statues
| kneeling statue of the vizier Paser | granite | Ramesses II/Usermaatre-Setepenre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4003 | eg4003-bb-d2.jpg | data/raw/images/egyptian/eg | Statue in black granite of the mayor of Thebes and vizier Paser. Paser kneels wearing a long plaited wig with lappets and the traditional vizier's archaic wrap gown, and sandals. The statue is inscribed on the right arm with the cartouche of Ramesses II (wesermaatre-setepenre) and the title 'Priest of Anubis'. On the left arm 'priest of…?' Paser's titles are given across the breast of the statue and there is a long inscription in three columns down the front, giving the offering formula and a hymn to Ptah with the information that Paser (via this statue/in life) would see ptah daily and be involved in the cult. The inscription ends with more titles, including 'Priest of Ma'at'. Paser holds with both hands to his left side a statuette of Ptah with the head missing, and a socket hole remaining. The front of the statue plinth is rounded. Paser's nose is broken off. | 456statues
| kneeling statue of the vizier Paser | granite | Ramesses II/Usermaatre-Setepenre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4003 | eg4003-bb-d2.jpg | data/raw/images/egyptian/eg | Statue in black granite of the mayor of Thebes and vizier Paser. Paser kneels wearing a long plaited wig with lappets and the traditional vizier's archaic wrap gown, and sandals. The statue is inscribed on the right arm with the cartouche of Ramesses II (wesermaatre-setepenre) and the title 'Priest of Anubis'. On the left arm 'priest of…?' Paser's titles are given across the breast of the statue and there is a long inscription in three columns down the front, giving the offering formula and a hymn to Ptah with the information that Paser (via this statue/in life) would see ptah daily and be involved in the cult. The inscription ends with more titles, including 'Priest of Ma'at'. Paser holds with both hands to his left side a statuette of Ptah with the head missing, and a socket hole remaining. The front of the statue plinth is rounded. Paser's nose is broken off. | 456statues
| kneeling statue of the vizier Paser | granite | Ramesses II/Usermaatre-Setepenre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4003 | eg4003-bb-d2.jpg | data/raw/images/egyptian/eg | Statue in black granite of the mayor of Thebes and vizier Paser. Paser kneels wearing a long plaited wig with lappets and the traditional vizier's archaic wrap gown, and sandals. The statue is inscribed on the right arm with the cartouche of Ramesses II (wesermaatre-setepenre) and the title 'Priest of Anubis'. On the left arm 'priest of…?' Paser's titles are given across the breast of the statue and there is a long inscription in three columns down the front, giving the offering formula and a hymn to Ptah with the information that Paser (via this statue/in life) would see ptah daily and be involved in the cult. The inscription ends with more titles, including 'Priest of Ma'at'. Paser holds with both hands to his left side a statuette of Ptah with the head missing, and a socket hole remaining. The front of the statue plinth is rounded. Paser's nose is broken off. | 456statues
| kneeling statue of the vizier Paser | granite | Ramesses II/Usermaatre-Setepenre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg4003 | eg4003-bb-d2.jpg | data/raw/images/egyptian/eg | Statue in black granite of the mayor of Thebes and vizier Paser. Paser kneels wearing a long plaited wig with lappets and the traditional vizier's archaic wrap gown, and sandals. The statue is inscribed on the right arm with the cartouche of Ramesses II (wesermaatre-setepenre) and the title 'Priest of Anubis'. On the left arm 'priest of…?' Paser's titles are given across the breast of the statue and there is a long inscription in three columns down the front, giving the offering formula and a hymn to Ptah with the information that Paser (via this statue/in life) would see ptah daily and be involved in the cult. The inscription ends with more titles, including 'Priest of Ma'at'. Paser holds with both hands to his left side a statuette of Ptah with the head missing, and a socket hole remaining. The front of the statue plinth is rounded. Paser's nose is broken off. | 456statues
| kneeling statue of the vizier Paser | granite | Ramesses II/Usermaatre-Setepenre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2006.45.225 | 2006.45.225.jpg | data/raw/images/oriental/2006 | Black and white photograph of the members from a golf club. | 379photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.45.225 | 2006.45.225.jpg | data/raw/images/oriental/2006 | Black and white photograph of the members from a golf club. | 379photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.45.225 | 2006.45.225.jpg | data/raw/images/oriental/2006 | Black and white photograph of the members from a golf club. | 379photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.45.225 | 2006.45.225.jpg | data/raw/images/oriental/2006 | Black and white photograph of the members from a golf club. | 379photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.45.225 | 2006.45.225.jpg | data/raw/images/oriental/2006 | Black and white photograph of the members from a golf club. | 379photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
durom.1956.yetts40.40 | 1956.yetts40.40.jpg | data/raw/images/oriental/1950s | Text on photograph in copper plate handwriting on the mount: South view from marble bridge - Imperial skating pavilion on the lake - Nan Hai. | 379photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1950s |
|
durom.1956.yetts40.40 | 1956.yetts40.40.jpg | data/raw/images/oriental/1950s | Text on photograph in copper plate handwriting on the mount: South view from marble bridge - Imperial skating pavilion on the lake - Nan Hai. | 379photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1950s |
|
durom.1956.yetts40.40 | 1956.yetts40.40.jpg | data/raw/images/oriental/1950s | Text on photograph in copper plate handwriting on the mount: South view from marble bridge - Imperial skating pavilion on the lake - Nan Hai. | 379photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1950s |
|
durom.1956.yetts40.40 | 1956.yetts40.40.jpg | data/raw/images/oriental/1950s | Text on photograph in copper plate handwriting on the mount: South view from marble bridge - Imperial skating pavilion on the lake - Nan Hai. | 379photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1950s |
|
durom.1956.yetts40.40 | 1956.yetts40.40.jpg | data/raw/images/oriental/1950s | Text on photograph in copper plate handwriting on the mount: South view from marble bridge - Imperial skating pavilion on the lake - Nan Hai. | 379photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1950s |
|
durma.2020.3.2363 | durma.2020.3.2363.ff.jpg | data/raw/images/fulling_mill/2020 | An iron object, possibly a crudely manufactured needle dating to the Roman period. The object has a rectangular-section stem which tapers at one end to a point; at the other end, the stem expands and flattens to a flat trapezoidal plate. The head has been deliberately pierced, with a circular piercing punched through the plate. The stylus measures 100mm in length; the width of the stem is 3mm. The plate measures 17mm in length by 15mm in width. The perforation has a diameter of 3mm._x000D__x000D_
_x000D__x000D_
The identification as a possible needle was suggested by Owen Humphreys in his report on the ironwork from Piercebridge, with a classification as a Crummy Type 2 possible (Crummy 1983, 65). | 282figurines
| null | iron | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2363 | durma.2020.3.2363.ff.jpg | data/raw/images/fulling_mill/2020 | An iron object, possibly a crudely manufactured needle dating to the Roman period. The object has a rectangular-section stem which tapers at one end to a point; at the other end, the stem expands and flattens to a flat trapezoidal plate. The head has been deliberately pierced, with a circular piercing punched through the plate. The stylus measures 100mm in length; the width of the stem is 3mm. The plate measures 17mm in length by 15mm in width. The perforation has a diameter of 3mm._x000D__x000D_
_x000D__x000D_
The identification as a possible needle was suggested by Owen Humphreys in his report on the ironwork from Piercebridge, with a classification as a Crummy Type 2 possible (Crummy 1983, 65). | 282figurines
| null | iron | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2363 | durma.2020.3.2363.ff.jpg | data/raw/images/fulling_mill/2020 | An iron object, possibly a crudely manufactured needle dating to the Roman period. The object has a rectangular-section stem which tapers at one end to a point; at the other end, the stem expands and flattens to a flat trapezoidal plate. The head has been deliberately pierced, with a circular piercing punched through the plate. The stylus measures 100mm in length; the width of the stem is 3mm. The plate measures 17mm in length by 15mm in width. The perforation has a diameter of 3mm._x000D__x000D_
_x000D__x000D_
The identification as a possible needle was suggested by Owen Humphreys in his report on the ironwork from Piercebridge, with a classification as a Crummy Type 2 possible (Crummy 1983, 65). | 282figurines
| null | iron | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2363 | durma.2020.3.2363.ff.jpg | data/raw/images/fulling_mill/2020 | An iron object, possibly a crudely manufactured needle dating to the Roman period. The object has a rectangular-section stem which tapers at one end to a point; at the other end, the stem expands and flattens to a flat trapezoidal plate. The head has been deliberately pierced, with a circular piercing punched through the plate. The stylus measures 100mm in length; the width of the stem is 3mm. The plate measures 17mm in length by 15mm in width. The perforation has a diameter of 3mm._x000D__x000D_
_x000D__x000D_
The identification as a possible needle was suggested by Owen Humphreys in his report on the ironwork from Piercebridge, with a classification as a Crummy Type 2 possible (Crummy 1983, 65). | 282figurines
| null | iron | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.2363 | durma.2020.3.2363.ff.jpg | data/raw/images/fulling_mill/2020 | An iron object, possibly a crudely manufactured needle dating to the Roman period. The object has a rectangular-section stem which tapers at one end to a point; at the other end, the stem expands and flattens to a flat trapezoidal plate. The head has been deliberately pierced, with a circular piercing punched through the plate. The stylus measures 100mm in length; the width of the stem is 3mm. The plate measures 17mm in length by 15mm in width. The perforation has a diameter of 3mm._x000D__x000D_
_x000D__x000D_
The identification as a possible needle was suggested by Owen Humphreys in his report on the ironwork from Piercebridge, with a classification as a Crummy Type 2 possible (Crummy 1983, 65). | 282figurines
| null | iron | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1960.4f.7 | 1960.4f.7.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of the interior of a church. Central aisle and pews visible. In the background a large window. | 140Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4f.7 | 1960.4f.7.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of the interior of a church. Central aisle and pews visible. In the background a large window. | 140Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4f.7 | 1960.4f.7.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of the interior of a church. Central aisle and pews visible. In the background a large window. | 140Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4f.7 | 1960.4f.7.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of the interior of a church. Central aisle and pews visible. In the background a large window. | 140Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4f.7 | 1960.4f.7.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of the interior of a church. Central aisle and pews visible. In the background a large window. | 140Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.2001.139.134 | 2001.139.134 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows the deity Kalki who is shown with blue skin, and is riding on top of a rearing white horse. He wears yellow trousers and tunic with a red belt, white bracelets, armlets, a Brahmin thread and yellow turban. In his hand he holds a gold handled sword | 386playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.139.134 | 2001.139.134 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows the deity Kalki who is shown with blue skin, and is riding on top of a rearing white horse. He wears yellow trousers and tunic with a red belt, white bracelets, armlets, a Brahmin thread and yellow turban. In his hand he holds a gold handled sword | 386playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.139.134 | 2001.139.134 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows the deity Kalki who is shown with blue skin, and is riding on top of a rearing white horse. He wears yellow trousers and tunic with a red belt, white bracelets, armlets, a Brahmin thread and yellow turban. In his hand he holds a gold handled sword | 386playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.139.134 | 2001.139.134 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows the deity Kalki who is shown with blue skin, and is riding on top of a rearing white horse. He wears yellow trousers and tunic with a red belt, white bracelets, armlets, a Brahmin thread and yellow turban. In his hand he holds a gold handled sword | 386playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.139.134 | 2001.139.134 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows the deity Kalki who is shown with blue skin, and is riding on top of a rearing white horse. He wears yellow trousers and tunic with a red belt, white bracelets, armlets, a Brahmin thread and yellow turban. In his hand he holds a gold handled sword | 386playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
eg1257 | eg1257-rr.jpg | data/raw/images/egyptian/eg | unglazed steatite mini obelisk decorated on all four sides, incised. The two narrow sides have ureai. Recto: one or two cartouches, the lower of which may be the throne name of Tuthmosis III, and there may be a wadjet eye below tis. Verso: top has the name 'Ptah', then two loines ('tawy?') and below a representation of a man standing before Ptah mummiform in a kiosk. There are some remains of blue glaze and there may have been a tang attached to the base, now broken off. No suspension loop. | 169amulets
| obelisk amulet | Steatite/Soap Stone | Tuthmosis III/Menkheperre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1257 | eg1257-rr.jpg | data/raw/images/egyptian/eg | unglazed steatite mini obelisk decorated on all four sides, incised. The two narrow sides have ureai. Recto: one or two cartouches, the lower of which may be the throne name of Tuthmosis III, and there may be a wadjet eye below tis. Verso: top has the name 'Ptah', then two loines ('tawy?') and below a representation of a man standing before Ptah mummiform in a kiosk. There are some remains of blue glaze and there may have been a tang attached to the base, now broken off. No suspension loop. | 169amulets
| obelisk amulet | Steatite/Soap Stone | Tuthmosis III/Menkheperre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1257 | eg1257-rr.jpg | data/raw/images/egyptian/eg | unglazed steatite mini obelisk decorated on all four sides, incised. The two narrow sides have ureai. Recto: one or two cartouches, the lower of which may be the throne name of Tuthmosis III, and there may be a wadjet eye below tis. Verso: top has the name 'Ptah', then two loines ('tawy?') and below a representation of a man standing before Ptah mummiform in a kiosk. There are some remains of blue glaze and there may have been a tang attached to the base, now broken off. No suspension loop. | 169amulets
| obelisk amulet | Steatite/Soap Stone | Tuthmosis III/Menkheperre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1257 | eg1257-rr.jpg | data/raw/images/egyptian/eg | unglazed steatite mini obelisk decorated on all four sides, incised. The two narrow sides have ureai. Recto: one or two cartouches, the lower of which may be the throne name of Tuthmosis III, and there may be a wadjet eye below tis. Verso: top has the name 'Ptah', then two loines ('tawy?') and below a representation of a man standing before Ptah mummiform in a kiosk. There are some remains of blue glaze and there may have been a tang attached to the base, now broken off. No suspension loop. | 169amulets
| obelisk amulet | Steatite/Soap Stone | Tuthmosis III/Menkheperre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1257 | eg1257-rr.jpg | data/raw/images/egyptian/eg | unglazed steatite mini obelisk decorated on all four sides, incised. The two narrow sides have ureai. Recto: one or two cartouches, the lower of which may be the throne name of Tuthmosis III, and there may be a wadjet eye below tis. Verso: top has the name 'Ptah', then two loines ('tawy?') and below a representation of a man standing before Ptah mummiform in a kiosk. There are some remains of blue glaze and there may have been a tang attached to the base, now broken off. No suspension loop. | 169amulets
| obelisk amulet | Steatite/Soap Stone | Tuthmosis III/Menkheperre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1439 | eg1439-rr.jpg | data/raw/images/egyptian/eg | cylinder jar with rim, flat bottomed, in hard pink ware, not coated or polished. Decorated with vertical criss-cross pattern in dark pink/pale red paint. Slight wavy handled indentation near rim | 327jars
| predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1439 | eg1439-rr.jpg | data/raw/images/egyptian/eg | cylinder jar with rim, flat bottomed, in hard pink ware, not coated or polished. Decorated with vertical criss-cross pattern in dark pink/pale red paint. Slight wavy handled indentation near rim | 327jars
| predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1439 | eg1439-rr.jpg | data/raw/images/egyptian/eg | cylinder jar with rim, flat bottomed, in hard pink ware, not coated or polished. Decorated with vertical criss-cross pattern in dark pink/pale red paint. Slight wavy handled indentation near rim | 327jars
| predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1439 | eg1439-rr.jpg | data/raw/images/egyptian/eg | cylinder jar with rim, flat bottomed, in hard pink ware, not coated or polished. Decorated with vertical criss-cross pattern in dark pink/pale red paint. Slight wavy handled indentation near rim | 327jars
| predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1439 | eg1439-rr.jpg | data/raw/images/egyptian/eg | cylinder jar with rim, flat bottomed, in hard pink ware, not coated or polished. Decorated with vertical criss-cross pattern in dark pink/pale red paint. Slight wavy handled indentation near rim | 327jars
| predynastic pot | pottery | Naqada II | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.689 | 1969.689-uu.jpg | data/raw/images/oriental/1969 | Set of 2 brass wedding bowls. Tea bowls. One is lined with silver, the other with silver gilt. | 204bowls
| null | brass | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.689 | 1969.689-uu.jpg | data/raw/images/oriental/1969 | Set of 2 brass wedding bowls. Tea bowls. One is lined with silver, the other with silver gilt. | 204bowls
| null | brass | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.689 | 1969.689-uu.jpg | data/raw/images/oriental/1969 | Set of 2 brass wedding bowls. Tea bowls. One is lined with silver, the other with silver gilt. | 204bowls
| null | brass | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.689 | 1969.689-uu.jpg | data/raw/images/oriental/1969 | Set of 2 brass wedding bowls. Tea bowls. One is lined with silver, the other with silver gilt. | 204bowls
| null | brass | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.689 | 1969.689-uu.jpg | data/raw/images/oriental/1969 | Set of 2 brass wedding bowls. Tea bowls. One is lined with silver, the other with silver gilt. | 204bowls
| null | brass | Qing | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1969 |
|
durom.2001.32.69 | 2001.32.69-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 224cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.69 | 2001.32.69-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 224cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.69 | 2001.32.69-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 224cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.69 | 2001.32.69-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 224cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.32.69 | 2001.32.69-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 224cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2010.48 | 2010.48.1-2-d2.jpg | data/raw/images/oriental/2010 | Porcelain cup on stand, decorated with greenish-white glaze, Qingbai ware; the cup and stand are thinnly potted, transparent under transmitted light; rim and base of cup unglazed; the stand, raised on high ring foot, the glaze crackled; probably not the original set. | 254cups
| 青白釉盏托 | ceramic | Northern Song | Yonghe | data/processed/OM_images_white/oriental/2010 |
|
durom.2010.48 | 2010.48.1-2-d2.jpg | data/raw/images/oriental/2010 | Porcelain cup on stand, decorated with greenish-white glaze, Qingbai ware; the cup and stand are thinnly potted, transparent under transmitted light; rim and base of cup unglazed; the stand, raised on high ring foot, the glaze crackled; probably not the original set. | 254cups
| 青白釉盏托 | ceramic | Northern Song | Yonghe | data/processed/OM_images_white/oriental/2010 |
|
durom.2010.48 | 2010.48.1-2-d2.jpg | data/raw/images/oriental/2010 | Porcelain cup on stand, decorated with greenish-white glaze, Qingbai ware; the cup and stand are thinnly potted, transparent under transmitted light; rim and base of cup unglazed; the stand, raised on high ring foot, the glaze crackled; probably not the original set. | 254cups
| 青白釉盏托 | ceramic | Northern Song | Yonghe | data/processed/OM_images_white/oriental/2010 |
|
durom.2010.48 | 2010.48.1-2-d2.jpg | data/raw/images/oriental/2010 | Porcelain cup on stand, decorated with greenish-white glaze, Qingbai ware; the cup and stand are thinnly potted, transparent under transmitted light; rim and base of cup unglazed; the stand, raised on high ring foot, the glaze crackled; probably not the original set. | 254cups
| 青白釉盏托 | ceramic | Northern Song | Yonghe | data/processed/OM_images_white/oriental/2010 |
|
durom.2010.48 | 2010.48.1-2-d2.jpg | data/raw/images/oriental/2010 | Porcelain cup on stand, decorated with greenish-white glaze, Qingbai ware; the cup and stand are thinnly potted, transparent under transmitted light; rim and base of cup unglazed; the stand, raised on high ring foot, the glaze crackled; probably not the original set. | 254cups
| 青白釉盏托 | ceramic | Northern Song | Yonghe | data/processed/OM_images_white/oriental/2010 |
|
durom.1969.495.63 | 1969.495.63 uu.jpg | data/raw/images/oriental/1969 | Five segments of incised inscriptions; one block on top with 10 oracle characters; one on top right with 12 oracle characters; one on bottom right with 9 oracle characters; one on top left with 12 oracle characters; one on bottom left with 9 oracle characters; all fake. | 104Oracle Bone
| 甲骨残片 | tortoise shell | null | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.495.63 | 1969.495.63 uu.jpg | data/raw/images/oriental/1969 | Five segments of incised inscriptions; one block on top with 10 oracle characters; one on top right with 12 oracle characters; one on bottom right with 9 oracle characters; one on top left with 12 oracle characters; one on bottom left with 9 oracle characters; all fake. | 104Oracle Bone
| 甲骨残片 | tortoise shell | null | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.495.63 | 1969.495.63 uu.jpg | data/raw/images/oriental/1969 | Five segments of incised inscriptions; one block on top with 10 oracle characters; one on top right with 12 oracle characters; one on bottom right with 9 oracle characters; one on top left with 12 oracle characters; one on bottom left with 9 oracle characters; all fake. | 104Oracle Bone
| 甲骨残片 | tortoise shell | null | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.495.63 | 1969.495.63 uu.jpg | data/raw/images/oriental/1969 | Five segments of incised inscriptions; one block on top with 10 oracle characters; one on top right with 12 oracle characters; one on bottom right with 9 oracle characters; one on top left with 12 oracle characters; one on bottom left with 9 oracle characters; all fake. | 104Oracle Bone
| 甲骨残片 | tortoise shell | null | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.495.63 | 1969.495.63 uu.jpg | data/raw/images/oriental/1969 | Five segments of incised inscriptions; one block on top with 10 oracle characters; one on top right with 12 oracle characters; one on bottom right with 9 oracle characters; one on top left with 12 oracle characters; one on bottom left with 9 oracle characters; all fake. | 104Oracle Bone
| 甲骨残片 | tortoise shell | null | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1997.146 | 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | 327jars
| null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
|
durom.1997.146 | 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | 327jars
| null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
|
durom.1997.146 | 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | 327jars
| null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
|
durom.1997.146 | 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | 327jars
| null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
|
durom.1997.146 | 1997.146 d2.jpg | data/raw/images/oriental/1997 | Storage vessel, slightly hollow base, splayed foot tapering spherical body, ridge about 2 cm from top, wide open mouth with out turned rim. Brown glaze outside from below rim to 2 cm from base. Concrete adhesions and traces of seashells and marine life. | 327jars
| null | pottery | null | South East Asia | data/processed/OM_images_white/oriental/1997 |
|
durom.2006.53.52 | 2006.53.52-d2.jpg | data/raw/images/oriental/2006 | Glazed ceramic dish painted brown. From a model Japanese doll's house. | 108Part
| null | ceramic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.52 | 2006.53.52-d2.jpg | data/raw/images/oriental/2006 | Glazed ceramic dish painted brown. From a model Japanese doll's house. | 108Part
| null | ceramic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.52 | 2006.53.52-d2.jpg | data/raw/images/oriental/2006 | Glazed ceramic dish painted brown. From a model Japanese doll's house. | 108Part
| null | ceramic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.52 | 2006.53.52-d2.jpg | data/raw/images/oriental/2006 | Glazed ceramic dish painted brown. From a model Japanese doll's house. | 108Part
| null | ceramic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.53.52 | 2006.53.52-d2.jpg | data/raw/images/oriental/2006 | Glazed ceramic dish painted brown. From a model Japanese doll's house. | 108Part
| null | ceramic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
eg5214 | eg5214-uu.jpg | data/raw/images/egyptian/eg | osiris flanked by isis and horus as a hawk-headed man. The three are standing on a base with a loop at one end and linked across the top too | 169amulets
| Osiris, Isis and Horus triad amulet | bronze | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5214 | eg5214-uu.jpg | data/raw/images/egyptian/eg | osiris flanked by isis and horus as a hawk-headed man. The three are standing on a base with a loop at one end and linked across the top too | 169amulets
| Osiris, Isis and Horus triad amulet | bronze | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5214 | eg5214-uu.jpg | data/raw/images/egyptian/eg | osiris flanked by isis and horus as a hawk-headed man. The three are standing on a base with a loop at one end and linked across the top too | 169amulets
| Osiris, Isis and Horus triad amulet | bronze | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5214 | eg5214-uu.jpg | data/raw/images/egyptian/eg | osiris flanked by isis and horus as a hawk-headed man. The three are standing on a base with a loop at one end and linked across the top too | 169amulets
| Osiris, Isis and Horus triad amulet | bronze | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg5214 | eg5214-uu.jpg | data/raw/images/egyptian/eg | osiris flanked by isis and horus as a hawk-headed man. The three are standing on a base with a loop at one end and linked across the top too | 169amulets
| Osiris, Isis and Horus triad amulet | bronze | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1857 | eg1857-n1797-tt.jpg | data/raw/images/egyptian/eg | heart scarab in a polished serpentine, the legs marked as incised lines, with an oval base incised with 9 lines of hieroglyphs (ch. 30, BD), and a blank line for the name | 74Heart Scarab
| heart scarab | serpentine | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1857 | eg1857-n1797-tt.jpg | data/raw/images/egyptian/eg | heart scarab in a polished serpentine, the legs marked as incised lines, with an oval base incised with 9 lines of hieroglyphs (ch. 30, BD), and a blank line for the name | 74Heart Scarab
| heart scarab | serpentine | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1857 | eg1857-n1797-tt.jpg | data/raw/images/egyptian/eg | heart scarab in a polished serpentine, the legs marked as incised lines, with an oval base incised with 9 lines of hieroglyphs (ch. 30, BD), and a blank line for the name | 74Heart Scarab
| heart scarab | serpentine | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1857 | eg1857-n1797-tt.jpg | data/raw/images/egyptian/eg | heart scarab in a polished serpentine, the legs marked as incised lines, with an oval base incised with 9 lines of hieroglyphs (ch. 30, BD), and a blank line for the name | 74Heart Scarab
| heart scarab | serpentine | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg1857 | eg1857-n1797-tt.jpg | data/raw/images/egyptian/eg | heart scarab in a polished serpentine, the legs marked as incised lines, with an oval base incised with 9 lines of hieroglyphs (ch. 30, BD), and a blank line for the name | 74Heart Scarab
| heart scarab | serpentine | null | Egypt | data/processed/OM_images_white/egyptian/eg |