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durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |