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fd_Queer_As_Folk_04x05 | fd_Queer_As_Folk_04x05_0 | TEXT: [In the opening scene, Brian arrives at the office, where his loyal employees are already bustling busily about. He's greeted by the indispensable Cynthia.] Cynthia: Your coffee. Your calls. Your advance copy of "Heat." Brian: Did Remsen see it yet? Cynthia: The fax just came. He's over the moon. Ted: Brian Kinney is back with a vengeance! Cynthia: This campaign is gonna start a revolution. The no more bullshit era of advertising! Ted: Next thing you know, there'll be soft drink jingles about rotting teeth and hyperactive kids. [Ted hands Brian a stack of papers and a pen.] Brian: What the f*ck is that? Ted: Oh, just a few thousand forms for you to sign. Insurance, pension and benefits, SSI - Brian: And I can think of so many more interesting things to do with my right hand. Ted: I'm sure you can. But in the meantime, I need to attend to the business of setting up your business. Oh - I also wanted to give you this. [He hands Brian a folded up piece of paper. Brian looks at it quizzically.] Brian: Who's it from? Ted: Actually, it's from me. It's part of the program. It's called making amends. Brian: (laughs) How sweet. A 12 step valentine. I'm touched, Theodore. But, um - where's the check? Ted: That's about the response I expected! [When Ted leaves, Brian speed-dials Justin's cell and gets a message.] Brian: The point of having a cell phone is that you leave it on! Where the f*ck are you? [Justin is at a firing range, watching Cody shoot at a paper target.] Justin: You're a really good shot. Cody: I practiced a lot when I was a kid. Tin cans in the backyard, rabbits - Justin: You had a gun when you were a kid? Cody: I had a six-shooter partner before I had a two-wheeler. Where I
SUMMARY: | Ted accepts Brian's offer of a job at Kinnetik. Cody takes Justin to the firing range. Melanie lends her support to the custody case after Ted helps her see what's important. Each now living alone, Emmett and Debbie find comfort in each other's company. |
fd_Frasier_11x10 | fd_Frasier_11x10_0 | TEXT: Act 1 Scene 1 - Frasier's Apartment [Fade in. Frasier is at the table, Eddie is laying on Martin's chair. Martin comes in from the bedrooms.] Martin: [to Eddie] Hey, you're lookin' a little under the weather. You all right? Frasier: He most certainly is not. He dined on that lovely can of bacon fat you've been hiding under the sink. Martin: Oh, geez. Poor little guy. [The doorbell rings, Frasier gets up to answer it.] Martin: You know, bacon grease is bad for dogs. Frasier: Ironic, considering its vast health benefits for humans. [He opens the door to reveal Niles and Daphne. They come in as everyone greets each other.] Niles: Sorry we're late. Frasier: Oh, that's all right, we're not having lunch until 1:15. Niles: Ah, great. [Niles yawns as Martin sits down at the table. Daphne and Niles sit on the couch.] Martin: Long night, Niles? Niles: Oh, a bit. We were out at a party last night. Daphne: At Bill Gates' house. [Frasier looks jealous.] Frasier: Really? Some sort of... charity event? Niles: No, no, just a few people over for dinner. His wife has been following Maris' case and she wanted to meet us. It seems the story's captured everyone's imagination and people want to get the inside scoop. Daphne: Their house is enormous. I got lost going to the loo, but a voice in the wall guided me back. Frasier: Sounds like fun. Anyway, I thought after lunch we might stop by the museum for the Goya exhibit. Niles: Actually, we're going tomorrow night with the Blenkinsops. Frasier: Tomorrow? But the museum's closed tomorrow. Niles: Uh, not for Bunny and Bruce. [Frasier looks put out.] Frasier: Well, with all the rarified elbows you've been rubbing lately, I'm surprised you could find the time for lunch with
SUMMARY: | Since Maris' murder case appeared in the news, Niles has acquired a certain celebrity status in Seattle, socializing with figures like Bill Gates . Frasier cannot help being annoyed by this, and he finds Roz in a similar position; she is receiving a visit from her "perfect" married sister, Denise. Frasier hopes to regain some notoriety when he is nominated twice for the Seattle broadcasting awards (the "SeaBees"), and Kenny arranges for a news reporter to shadow him on the day of the ceremony. Unusually, it takes place in the morning, and in the absence of a date, Frasier asks Denise to take the part just for presentation. Niles is also in attendance, and the reporter is keen to ask him questions - although this turns out to be the least of Frasier's problems. |
fd_Doctor_Who_1963_15x07 | fd_Doctor_Who_1963_15x07_0 | TEXT: THE INVISIBLE ENEMY BY BOB BAKER AND DAVE MARTIN Part Three Running time: 23:28 [SCENE_BREAK] Inside, the clones struggle through the maelstrom. At least they hold on to each other. Shortly they find themselves in a surprisingly dry area. DOCTOR 2: Well, what do you think? LEELA 2: I don't know what to think. I've never been inside anybody's head before. DOCTOR 2: No. LEELA 2: It's very interesting. DOCTOR 2: Thank you. LEELA 2: Hey, why aren't we wet? DOCTOR 2: Because we're too small to break the surface tension. LEELA 2: What was that? DOCTOR 2: Oh, just a passing thought. Electrochemical reaction in the synapses. Leg wants to move. [SCENE_BREAK] Back in the lab, the Doctor's leg kicks wildly into the air, breaking the straps. Marius and the others hold him down. MARIUS: I don't think he can hold out much longer. The virus is strengthening its grip. LOWE (on screen): Marius! You have not replied to my ultimatum. I shall destroy this centre. MARIUS: No, wait! I agree to your terms. I have no further use for the Doctor. He's yours whenever you want him. LOWE (on screen): A wise decision. Tell me, Professor, is the woman Leela with you? MARIUS: No. As you can see, there's simply myself and my two assistants. She is somewhere in the Foundation, but I have no idea where. LOWE (on screen): No matter. She will be destroyed. Stay where you are. We are on our way. The screen goes blank. Marius goes over to the door and opens it. MARIUS: Leela! He gestures for her to come over. They're coming now. We must hold them up for ten minutes. Can you do that? LEELA: Can I borrow K9? MARIUS: Yes, certainly, certainly. K9, cooperate with Leela. K9: Master. LEEL
SUMMARY: | The medical center mounts a defense against alien forces trying to take the comatose Doctor while clones of Leela and the Doctor go microscopic so they can hunt down the intelligent infection that's in his head. |
fd_Charmed_02x07 | fd_Charmed_02x07_0 | TEXT: [Scene: A museum. A tour guide is there talking to a bunch of people.] Tour Guide: Legends hold it buried somewhere near a rocky desert, is a fable book, penned by ancient mystics, known as the Akashic Records. Believed to be a written account of all significant events throughout time. Powerful stuff. If someone were to get their hands on that, they could win the lottery or at least get tender. To know the future brings, obviously, ultimate power. Which is why everyone from Hera to Hitler has been looking for the records. But to find them, to find them, one needs a map. This tablet found in the Ivory Colls last year, is believed to be the very map. Although the engravings are of a lost language so far and undecipherable, even for scholars like myself but we're close. Whoever can decipher them first will know the exact latitude and longitude of the Akashic Records. (You see a guy standing in front of it, writing something down on a notepad.) Guy: Oh my God, that's it. Tour Guide: Uh, excuse me? Guy: Uh, no, no. Excuse me. (He leaves.) Tour Guide: If you follow me this way, I'll show you the next exhibit which is quite interesting. [Scene: Bay Ridge Convalescent Hospital. The guy that was at the museum is there talking to his father.] Guy: I cracked it, dad. The rest of the map. It was a transposition sequence just like you said and it's all in here. (He points to his head.) The location of the Akashic Records. Now, they're gonna come after me, just like they came after you, and I'm gonna be ready for them, dad. (Phoebe enters holding a vase of flowers.) Phoebe: Hey. Guy: Hey. (She puts the flowers on a table.) Phoebe: How's he doing today? Guy: The same. Thanks for always keeping his room so cheerful, Phoebe. I really appreciate it. Phoebe: Oh, don't mention it
SUMMARY: | After fearing that the guys they're dating are warlocks, Piper and Prue decide to cast a mind reading spell to find out the truth. They then have to use their new power to help out a young man who translated ancient tablets that can foretell the future and ultimately became a target of a pair of brain-zapping warlocks called the Collectors. |
fd_Doctor_Who_1963_09x24 | fd_Doctor_Who_1963_09x24_0 | TEXT: THE TIME MONSTER BY: ROBERT SLOMAN 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. NEWTON INSTITUTE. LABORATORY. FIRST ROOM MASTER: Now...stand by to duck, for here comes the grand finale. (He makes further adjustments to his wrist device and TOMTIT. The ominous image of a V1 rocket appears on his screen.) [SCENE_BREAK] 2: INT. NEWTON INSTITUTE. STUART'S ROOM (The drone of the machine reaches STUART'S room.) DR. RUTH INGRAM: What's that? STUART HYDE: Sounds like a motorbike. (BENTON goes to the window.) SERGEANT BENTON: Yeah, but...it's coming from the sky. [SCENE_BREAK] 3: EXT. COUNTRY ROAD (The DOCTOR brakes, as does the BRIGADIER next to them. The DOCTOR listens.) DOCTOR: Oh no! (The BRIGADIER gets out of his jeep.) BRIGADIER LETHBRIDGE STEWART: What's up? DOCTOR: Listen. (They listen in silence.) BRIGADIER LETHBRIDGE STEWART: That sounds like...no, it can't be! JO: Look, there's the convoy. (She points across the fields. The convoy of three vehicles can be seen moving again beyond some trees. The BRIGADIER speaks urgently into his TM45 radio.) BRIGADIER LETHBRIDGE STEWART: Greyhound three, greyhound three, can you hear me, Captain Yates? Over. (CAPTAIN YATES' voice comes through but with a great deal of static.) CAPTAIN MIKE YATES: Greyhound three, I can only just hear you, over. BRIGADIER LETHBRIDGE STEWART: Yates, that thing is a bomb and its on its way to you - over! CAPTAIN MIKE
SUMMARY: | The Master prepares to travel back to Atlantis but the Doctor links his TARDIS to the Master's to try and stop him. |
fd_Roswell_01x19 | fd_Roswell_01x19_0 | TEXT: "Max to the Max" 20th Episode of Roswell Production Code: 1ADA19 [SCENE_BREAK] (Scene opens where Four Squared left off. Max just told Isabel and Michael that Tess was one of them.) Michael: What do you mean, she's one of us? Isabel: Max, what is it? Michael: Max. (They follow Max to the cave with the pods that he remembered. He opens the door.) Michael: How did you...? Max: I just knew. Isabel: Max, we can't... Max: We have to Isabel. We have to find out. Isabel: What is this place, Max? Tess: It's where we were all born. Isabel: No. No. No, I don't believe this. Max: Isabel wait. We can't leave her alone, Michael. Come on. (Isabel and Max leave the cave.) Tess: You want to know, don't you? You want all the answers. I can give them to you, but first you have to convince them that I'm not your enemy. Max didn't tell you about this, did he? Take it. It will prove to them that I don't want to hurt you. If you convince them then I can explain everything. (Michael leaves with the alien book. Nasedo materializes out of the wall.) Nasedo: How could you bring them up here like this? You know the Special Unit is close. You saw that camera. Who do you think put it on them in the first place? Our friend, Pierce. Tess: Oh yeah, so why don't you just kill him? According to Max, you've done that before. Nasedo: What has he been telling you? You're going to trust him over me? Listen, you and I have spent a lot of time together. Now I don't want to say we're family... Tess: You're not my family. You never will be. Max, Michael and Isabel are. Nasedo: Fine. Go have your little reunion. If I have to kill people, I kill people. Pierce is dangerous. You all still need me if you expect to survive him. Tess: You'
SUMMARY: | Harding finds the video camera hidden in his house and gives it to Valenti. The lawman then tells Max that his safety depends upon his willingness to share information. Isabel and Michael realize they are not brother and sister when they start having dreams about each other. |
fd_NCIS_02x01 | fd_NCIS_02x01_0 | TEXT: MUSIC IN: INT. LIVING ROOM - DAY (SFX: PIANO B.G.) JILL: We're running late. Let's get a move on, little lady. SANDY: There's someone at the front door, Mom. (DOOR BELL RINGS) JILL: Show off. Let's go. (DOOR OPENS) POLICE OFFICER: Mrs. Watson? JILL: Yes? POLICE OFFICER: There's been an accident, Ma'am. Your husband... he's been injured. I'm to transport you and your daughter to the hospital. [SCENE_BREAK] INT. OFFICE - DAY (DOOR OPENS) WIFE: Good morning, Captain Watson. WATSON: Good morning, Shirley. SHIRLEY: How'd the recital go last night? WATSON: Well, would it be wrong for me to say that I'm the father of the most talented little girl in the entire world? SHIRLEY: It'd be wrong if you didn't. Still on a diet, or should I put cream in your coffee? WATSON: I ran ten miles yesterday. SHIRLEY: Cream coming right up. (SHIRLEY WALKS O.S.) (DOOR CLOSES) COMPUTER VOICE: (MORPHED) Captain Watson. WATSON: Who's there? COMPUTER VOICE: Before Shirley returns with your coffee... know that we have your wife and daughter. If you want to see them alive again, you will do exactly as I say. (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. OFFICE - DAY COMPUTER VOICE: Look in your briefcase's back compartment. WATSON: Who are you? COMPUTER VOICE: Now, Captain Watson. Plug it in and place it on top of your computer screen. You will go about your day in the usual way. Only you will not leave your office. You will make no attempt to
SUMMARY: | When the eight-year-old blind daughter Sandy (played by Abigail Breslin ) and wife Jill of a Navy Captain ( David Keith ) are kidnapped by a mysterious hacker to blackmail him into transferring $2 million in government funds, Gibbs and his team are faced with a unique challenge. An unexpected twist is uncovered when Abby and McGee manage to trace the money. After helping them solve the case, Tim McGee who was on a brief transfer from Norfolk gets a surprise from Gibbs: he is promoted to a full-time field agent and as a result is transferred to the Navy Yard, becoming a permanent member of Gibbs' team in the process. |
fd_Gilmore_Girls_06x07 | fd_Gilmore_Girls_06x07_0 | TEXT: [PREVIOUSLY_ON] (OPEN on Lorelai front porch, night right after the last scene in the previous episode. Richard is standing outside with Lorelai's dollhouse and Lorelai walks out on the porch) LORELAI: What about Rory? RICHARD: I don't like what I see in that girl. LORELAI: My eyes? RICHARD: She's lost focus. She's drifting, aimless. You know she's joined the DAR? LORELAI: I saw the picture in the paper. RICHARD: She's running around, planning tea parties like she's the mad hatter. All she talks about are seating charts and canapes and fund-raisers and that boy. LORELAI: You mean Logan? RICHARD: She's heading in the wrong direction, and I don't like it. Now, I've thought long and hard about this, and I've come to a decision. We need a plan. LORELAI: But...(takes a deep breath) We...I had a plan. You changed the plan. Plan's gone, baby. RICHARD: I don't appreciate your tone. LORELAI: Apparently the proper tone went out with the plan. RICHARD: Do you understand what I'm saying? Rory's not headed back to school. LORELAI: Not yet, anyhow. RICHARD: Not yet? Not now, not ever. Listen to me for just a moment. We can fix this. First of all, I can change the terms of Rory's trust fund. Currently, she's set to receive it when she turns twenty-five, but I say we tell her it's contingent on her returning to Yale. LORELAI: Dad... RICHARD: Or we can use the opposite approach, if you think it's better. Maybe we offer her a car or the down payment on a town house. Or I'll buy her the town house. Don't you see? If there's something in it for her, maybe we can get her to change her mind. LORELAI: Thank you for the dollhouse, dad.
SUMMARY: | Since Rory was little, the Gilmore girls have planned her 21st birthday: in Atlantic City, sipping martinis, playing 21. But with the estrangement, Emily plans the birthday party - and it's not Atlantic City. Richard and Emily have their pastor over for dinner and Rory drops the news that she and Logan are having sex. Emily moves Rory back into the main house. At the birthday party, Lorelai and Rory finally talk. |
fd_Merlin_02x12 | fd_Merlin_02x12_0 | TEXT: The Great Dragon : In a land of myth and a time of magic, the destiny of a great kingdom on the shoulders of a young boy. His name... Merlin. [In an abandoned castle] Morgause : Cnihtas Medhires, eower sawlas sind min sawlas. Onwac ond cum her eft! Rid eft ond forsleah eft! Gedo Uther Pendragon! [Credits] [Camelot - Throne Room] A breeder : I'm a herder from the Northern plains, sire. Three nights back, we were camped beneath the walls of Idirsholas... Uther : I'm not sure I would have chosen such a place. Breeder : Good pasture is scarce, sire. Uther : What's up to you? The breeder: While we were there, we... We saw smoke rising from the citadel. Gaius : And did you see anything else? Breeder : No. Uther : Did you go inside? Breeder : Nobody has stepped over that threshold for 300 years. You must know the legend, sire. Gaius : When the fires of Idirsholas burn, the Knights of Medhir will ride again. Uther : See you there! [To Arthur] Take a ride out there. Arthur : Why? Uther : So we can put people's minds at rest. Arthur : Surely this is superstitious nonsense. Uther: Gather the guard and do I say. [Gaius Lab] Merlin : Why's Uther so worried? Gaius : Because the Knights of Medhir are a force to be reckoned with. Merlin : So you believe the story as well? Gaius : It's more than a story, Merlin. Some 300 years ago, seven of Camelot's knights were seduced by a sorcerer's call. One by one, they succumbed to her power. At her command,
SUMMARY: | Morgause uses her magic to re-awaken seven undead knights to attack Camelot. She seduces Morgana into being the source of a spell which puts everyone in Camelot to sleep and leaves the city vulnerable. When Merlin and Arthur return to the city to warn that the undead knights are awake, they are helpless to break the spell and begin to succumb to sleep themselves. After Merlin promises on his mother's life to free him, the Great Dragon advises Merlin to kill Morgana to stop the spell. Cornered into a desperate situation, Merlin is forced to poison Morgana, coercing Morgause to lift the spell in order to save her. Morgause takes Morgana away with her. Merlin fulfills his promise and frees the Great Dragon. |
fd_Doctor_Who_1963_19x24 | fd_Doctor_Who_1963_19x24_0 | TEXT: TIME-FLIGHT BY: PETER GRIMWADE Part Two Running time: 23:58 [SCENE_BREAK] (Plasmatons manifest themselves around the Doctor. He finds himself captivated by their bubble machines. Then it looks as if he's lying down in the bubbles. Stapley makes a move toward the bubbly mass but Nyssa stops him.) NYSSA: Stop! You mustn't fight it. The Doctor will be all right. CAPTAIN STAPLEY: But how could he-? NYSSA: I just know. BUBBLE VOICE: Doctor. Help. Help. Help Me... TEGAN: What's happening now? (The bubbles disappear. Tegan and Stapley help the Doctor to sit upright. He has a dazed look on his face.) DOCTOR: Captain Stapley, are you all right? CAPTAIN STAPLEY: Am I all right? Those were the creatures that got a hold of Bilton and Scobie. DOCTOR: What creatures? TEGAN: Those blobs. DOCTOR: Oh you mean the Plasmatons. CAPTAIN STAPLEY: Whatever you want to call them. DOCTOR: Protein agglomeration, random particles assembled from the atmosphere. Quite harmless I assure you. CAPTAIN STAPLEY: Doctor there's no technique that can make matter like that out of thin air. DOCTOR: Oh isn't there? Now what about the energy that telepathically generated the idea we were at Heathrow; you think that that can't operate on a physical level? NYSSA: Doctor. DOCTOR: It's simply a form of psychokinesis. CAPTAIN STAPLEY: You mean like that spoon bending nonsense. TEGAN: So it seems. NYSSA: Doctor those people were taking away the TARDIS. DOCTOR: What!? [SCENE_BREAK] (Back in the freaky silver Kalid dude's snow globe. Scobie and Bilton appear before Kalid, who has obviously never seen a dentist. Cut back to the high quality backdrop with the Doc, Nys
SUMMARY: | The Doctor's Tardis vanishes, while tracking it down the Doctor encounters a strange being named "Kalid" who seems to be in control of events. |
fd_True_Blood_01x01 | fd_True_Blood_01x01_0 | TEXT: Scene 1 opens with a teenage couple in a car -- speeding down a dark country lane. The music is blaring and the driver glances over at her sleeping date. Grinning wickedly she reaches over toward his lap. He quickly wakes up. Brad: (smiling): Wha' the hell you doing? Kelly: I'm bored. Brad: You get bored pretty easily. Kelly: (grinning): Only with you, darling. They continue to play around when the boy sees a lit sign on the side of the road. Brad: Holy <unk>snip>! V! Stop! The car screeches to a halt just past a sign reading "WE HAVE TRU BLOOD". They back up and park in the Grabb it Kwik mart parking lot. The scene cuts to inside the store and the television screen. Nan Flanagan, a spokesperson for the American Vampire League is a guest on the Bill Maher show. Nan Flanagan: We're citizens. We pay taxes.We deserve basic civil rights, just like everyone else. Bill Maher: Yeah but... come on. Doesn't your race have a rather sordid history of exploiting and feeding off innocent people?... For centuries? Nan Flanagan: Three points: Number one, show me documentation. It doesn't exist. Number two, doesn't your race have a history of exploitation? We never owned slaves, Bill, or... detonated nuclear weapons. And most importantly, point number three, now that the Japanese have perfected synthetic blood which satisfies all of our nutritional needs, there is no reason for anyone to fear us. The clerk behind the counter turns as a stocky man comes in and goes over to the refrigerated case. The clerk looks foreboding -- dressed in black, long black hair, tattoos, wearing a satanic-type necklace and a skeleton ring. Nan Flanagan: I can assure you that every member of our community is now drinking synthetic blood. That's why we decided to make our existence known. We just want to be part of mainstream society. (applause) The entry doorbell sounds -- Kelly and Brad (l
SUMMARY: | It has been two years since the invention of the synthetic plasma TruBlood that has allowed vampires to make their presence known to mankind. In the small town of Bon Temps, Louisiana, 25-year-old waitress Sookie Stackhouse struggles with being telepathic and not being able to control hearing the thoughts of everyone she sees. That is until 173-year-old vampire Bill Compton walks into Merlotte's bar where Sookie works. She is immediately drawn to him, and so are Mack and Denise Rattray, a couple of local thugs who later attack Bill with silver and try to drain his blood so that they can sell it on the black market. But Sookie rescues him and drives the Rattrays away, after which she learns that not only is Bill equally interested in her, but that she cannot read his thoughts as his brain is technically dead. Meanwhile, Sookie's hard-talking best friend Tara Thornton is fired from her job when she mouths off to her boss and a customer and Sam Merlotte hires her as the new bartender. Meanwhile, Sookie's brother Jason Stackhouse has a sexual interlude with a young woman named Maudette Pickens, who enjoys rough sex with vampires. She shows Jason a videotape of her with a bald-headed, tattooed vampire and later she videotapes them having rough sex. The next day, Jason is arrested by Sheriff Bud Dearborne and Detective Andy Bellefleur for murder of Maudette, who was killed the night before. Sookie's grandmother Adele asks if Sookie thinks she can get the vampire Bill to speak at her Descendants of the Glorious Dead meeting. And at Merlotte's that night, Bill agrees to meet her in the parking lot after work to discuss the favor. Sookie gets into a heated argument with Sam and Tara, who believe that getting involved with a vampire could be very dangerous and Sookie tells them both to stay out of her life. After work Sookie and Sam make amends with one another and alone in the parking lot, Sookie is suddenly and savagely attacked by the Rattrays, out for revenge. |
fd_FRIENDS_01x07 | fd_FRIENDS_01x07_0 | TEXT: Originally written by Jeffrey Astrof and Mike Sikowitz. Transcribed by Ruth Curran. Converted to HTML by Dan Silverstein. [Scene: Central Perk. Rachel is introducing Phoebe, who is playing her guitar for the crowd.] RACH: Everybody? Shh, shhh. Uhhh... Central Perk is proud to present the music of Miss Phoebe Buffay. [applause] PHOE: Hi. Um, I want to start with a song thats about that moment when you suddenly realize what life is all about. OK, here we go. [plays a chord, then the lights go out] OK, thank you very much. [Scene: The ATM vestibule of a bank. Chandler is inside. The lights go out, and he realizes he is trapped inside.] CHAN: Oh, great. This is just... [Chandler sees that there is a gorgeous model inside the vestibule with him. He makes a gesture of quiet exuberance.] Credits [Scene: Monica and Rachel's apartment. Monica is on the phone with her mother. Phoebe, Rachel, and Ross are there.] RACH: Wow, this is so cool, you guys. The entire city is blacked out! MNCA: Mom says it's all of Manhattan, parts of Brooklyn and Queens, and they have no idea when it's coming back on. RACH: Wow, you guys, this is big. MNCA: [into phone] Pants and a sweater? Why, mom? Who am I gonna meet in a blackout? Power company guys? Eligible looters? Could we talk about this later? OK. [hangs up] PHOE: Can I borrow the phone? I want to call my apartment and check on my grandma. [to Monica] What's my number? [Monica and Rachel look at Phoebe strangely.] PHOE: Well, I never call me. [Scene: ATM vestibule. Jill Goodacre is on the cellular phone. Chandler's thoughts are in italics.] CHAN: Oh my God, it
SUMMARY: | During a New York City-wide power outage, the gang hangs out at Monica and Rachel's apartment. Ross tries sharing his true feelings with Rachel but a stray cat interrupts their conversation. Rachel and Phoebe search the building for the cat's owner, but when Mr. Heckles from downstairs falsely claims it is his, he spooks it. The cat belongs to their neighbor, Paolo, a hunky, English-challenged Italian who Rachel falls for. Meanwhile, a nervous Chandler is trapped in an ATM vestibule with 'Victoria's Secret' model Jill Goodacre . (This episode was part of "Blackout Thursday", in which NBC tied three shows all set in New York City together and airing the same night, beginning with the Mad About You season 3 episode " Pandora's Box " which depicted the cause of the city-wide blackout, followed by this episode, and ending with an episode of the short-lived show Madman of the People . Seinfeld aired the same night but did not participate.) |
fd_Doctor_Who_1963_05x07 | fd_Doctor_Who_1963_05x07_0 | TEXT: THE ABOMINABLE SNOWMEN by MERVYN HAISMAN and HENRY LINCOLN first broadcast - 14th October 1967 [SCENE_BREAK] 1. MAIN GATE (The sphere at the Gate starts to beep and move again...) [SCENE_BREAK] 2. COURTYARD (...and inside, the sphere, on the statue, hearing the beeping of its brother starts to beep too and begins, purposefully, to roll off in the direction of the captured Yeti...) [SCENE_BREAK] 3. COUNCIL ROOM DOCTOR: Jamie, when you captured this creature, you must have dislodged it's control unit. JAMIE: Then it must still be lying out there. DOCTOR: Precisely! (They move towards the exit of the room but KHRISONG blocks their path.) KHRISONG: Where are you going? DOCTOR: To have a look outside the gates. I want that unit. Come on, Jamie. (KHRISONG stands his ground.) KHRISONG: No! I will not allow it. DOCTOR: But why not? KHRISONG: I trust no one to leave the monastery. You say this creature is not a real Yeti. DOCTOR: It's metal. It's been made. KHRISONG: And sent against us. Why? Why does someone wish harm to the monks of Detsen. I will trust no stranger until these questions are answered. JAMIE: Ah, but we're on your side! Have we not convinced you yet? KHRISONG: I am convinced of nothing. VICTORIA: The Doctor knows all about this sort of thing. Why not let him help you? DOCTOR: Well if you don't trust us at least send Thomni, or one of your other warriors. KHRISONG: No! I will not allow the gates to be opened! DOCTOR: If you want us to help... KHRISONG: I do not need your help! Thomni, guard them! (With that, KHRISONG storms out of the room.) DOCTOR: Oh dear, a very obstinate
SUMMARY: | While the Doctor and Jamie return to the TARDIS for equipment, the control sphere Jamie brought to the monastery is reactivated. |
fd_The_Big_Bang_Theory_04x02 | fd_The_Big_Bang_Theory_04x02_0 | TEXT: Scene: The apartment. Sheldon has a series of whiteboards across the room. Leonard: Whatcha doin' there? Working on a new plan to catch the roadrunner? Sheldon: The humorous implication being that I am Wile E. Coyote? Leonard: Yes. Sheldon: And this is a schematic for a bird-trapping device that will ultimately backfire and cause me physical injury? Leonard: Yes. Sheldon: What I'm doing here is trying to determine when I'm going to die. Leonard: A lot of people are working on that research. So what is all this? Sheldon: My family history factoring in longevity, propensity for disease, et cetera. Leonard: Interesting. Cause of death for Uncle Carl was KBB. What's KBB? Sheldon: Killed by badger. Leonard: How's that? Sheldon: It was Thanksgiving. Uncle Carl said, I think there's a badger living in our chimney. Hand me that flashlight. Those were the last words he ever spoke to us. Leonard: I don't think you need to worry about death by badgers being hereditary. Sheldon: Not true. The fight or flight instinct is coded genetically. Instead of fleeing, he chose to fight barehanded against a brawny member of the weasel family. Who's to say that I don't share that flawed DNA? Leonard: You can always get a badger and find out. Sheldon: But seriously, even if I disregard the Uncle Carl factor, at best I have 60 years left. Leonard: That long, huh? Sheldon: 60 only takes me to here. I need to get to here. Leonard: What's there? Sheldon: The earliest estimate of the singularity, when man will be able to transfer his consciousness into machines and achieve immortality. Leonard: So, you're upset about missing out on becoming some sort of freakish self-aware robot? Sheldon: By this much. Leonard: Tough break. You want eggs? Sheldon: You don't get it, Leonard. I'm going to miss so much, the unified
SUMMARY: | Sheldon worries that he will not live long enough to experience the technological singularity, so he tries to adopt a healthier lifestyle through diet and exercise. When that proves to be difficult, he hides in safety of his bedroom, interacting with the world through a remotely-controlled computer monitor on wheels (which Penny labels Shelbot). When Shelbot accompanies the men to the Cheesecake Factory, they see Steve Wozniak at another table, who offers to sign Sheldon's vintage Apple II computer. Sheldon emerges from his bedroom to rush the computer to the restaurant, but breaks the computer and an ankle falling down the stairs. |
fd_Buffy_the_Vampire_Slayer_06x15 | fd_Buffy_the_Vampire_Slayer_06x15_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] GILES VOICEOVER: Previously... Riley and Buffy in "Into the Woods" RILEY: They want me back, Buffy. The military. BUFFY: This is good-bye? RILEY: Unless you give me a reason to stay, I'm leaving tonight. Buffy walking away from Riley. Buffy running up to the helipad. BUFFY: Riley! Riley in the helicopter flying away as Buffy stands on the ground underneath. Spike and Buffy in the crypt. SPIKE: Are we having a conversation? BUFFY: What? No!...Maybe. Xander and Anya in the magic shop. XANDER: We're getting married. BUFFY: Congratulations. Xander and Anya kissing. Buffy in the Double Meat Palace. BUFFY: Double meat is double sweet. Enjoy. DAWN: Hey Buffy! ANYA: We're here to support your subsistence-level employment. Bravo. [SCENE_BREAK] Teaser [SCENE_BREAK] Open on exterior shot of the Double Meat Palace, night. TODD VOICEOVER: You see, Buffy... Cut to inside. Close shot of the grill. TODD VOICEOVER:...the thing you gotta learn about
SUMMARY: | It's the day of Xander and Anya's wedding. Emotions are running high with Xander's disfunctional family clashing with Anya's demon friends. The ceremony is disrupted when an old man claiming to be the future Xander shows up. |
fd_Bones_05x01 | fd_Bones_05x01_0 | TEXT: "Harbingers in the Fountain" [SCENE_BREAK] TEASER (Open: Garden. Day. AVALON, ANGELA, and BRENNAN are sitting at a stone picnic table. AVALON turns over a Temperance tarot card.) AVALON: Temperance ANGELA: First card she turns over is literally your name. Are you going to tell me this is a coincidence? BRENNAN: Yes, a 1 in 78 chance. AVALON: It was on top. It's not really speaking to me. (AVALON turns over anther card: IX with a man sitting weeping on a bed.) AVALON: Ok, I see a sick man in a hospital. He takes refuge in a dream life. (AVALON turns over the XI card with a couple on it.) You're there in the dream and you're helping him to create that dream life by tellin' him a story. (AVALON turns over a X card where a couple is walking happily together towards a building.) You're both so happy in the story, so happy it's almost sad when he wakens. BRENNAN: Ok, no offense to you and your psychic, but I just got off of a flight from Guatemala. I wanna go check in with Cam and then shower and change. (AVALON turns over the VI card, entitled "The Lovers.") ANGELA: Ohhh. AVALON: The man whose life you saved is really excited to see you again. BRENNAN: No, I don't save lives. People are already dead when I get to them. AVALON: I'm pretty sure you saved somebody's life. (AVALON turns over a VIII card entitled "Strength.") A man with a heart of a lion. ANGELA: Booth has a lion heart! BOOTH: (off screen) I do not like cats. (Cut to BOOTH and SWEETS in Sweet's office.) SWEETS: (sitting) Well that's consistent with the person you were before your brain
SUMMARY: | It's been six weeks since Booth and Brennan have seen each other. Booth has been recovering from brain surgery, and Brennan has been on a dig in Guatemala. Angela's psychic, Avalon Harmonia, reveals while reading Angela's tarot cards that there are multiple bodies buried under a Washington, DC fountain. Angela shares the information with Brennan and Booth, but they're both a little skeptical considering the source. The lead pans out, and the duo find the remains of 11 bodies exactly where the psychic said they would be. Meanwhile, Sweets has certified Booth mentally fit to return to duty after his brain surgery, but Booth is still experiencing some side effects from the coma. |
fd_CSI__Crime_Scene_Investigation_03x18 | fd_CSI__Crime_Scene_Investigation_03x18_0 | TEXT: [EXT. LAS VEGAS CITY - TROPICANA/MGM (STOCK) - DAY] [EXT. LAS VEGAS CITY (STOCK) - DAY] [SCENE_BREAK] [EXT. -- DAY] (Camera close up of an old rusty toy truck, a turned over shopping cart and an abandoned toilet.) (Two racers on their quad-bikes ride in and out of the area, each pacing with the other.) (BILLIE, the rider in BLUE, on the red bike hits a large metal canister and falls to the ground. The rider in RED on the blue bike stops to render aid.) Rider In Red: Billie! (The RIDER gets off her bike. BILLIE takes off her helmet and looks at the canister.) Rider In Red: My God, Billie, are you okay? What did you hit? (They both look at the canister #3077 with a large yellow sticker on it labeled "HAZARDOUS WASTE / HANDLE WITH CARE". Camera cuts to a white sticker labeled: POISON.) [SCENE_BREAK] [EXT. - (RAINY) NIGHT] (BRASS shows GRISSOM and CATHERINE the body in the canister.) Brass: So, according to the girl, one minute she's blasting through the mud and having fun, everything's great, the next thing she knows, she's lying upside down in the dirt, staring at chemical waste. She called Hazmat. Now, it's not toxic. They saw the barrel was buckling, they thought it might explode, so they opened it. (They approach the barrel and immediately smell the body.) Catherine: Ugh! Grissom: Yeah, whoa-ho. Catherine: Soap mummy. Grissom: Adipocere, a.k.a. Mortuary wax. This is what you get when fatty tissue decomposes in an alkaline environment with limited oxygen. Catherine: All you need
SUMMARY: | Catherine, Nick, and Sara investigate a seemingly months old body found in the mountains. Discovery of the man's identity lead the team to the world of robot wars. Warrick and Grissom look into the case of a man found murdered in an alley. Complicating their efforts, the medical examiner "lost" the body for 11 days. Greg helps this case by doing some undercover work. |
fd_Once_Upon_A_Time_05x16 | fd_Once_Upon_A_Time_05x16_0 | TEXT: [PREVIOUSLY_ON] Hades: Our secret remains safe. Regina: The author's pen? Henry: I'm gonna write the stories as they are, and I'll start with Hades. Hades: She's pregnant. You two had a contract, which he just signed over to me. At any time, I can cash in and take... your... baby. You work for me. [SCENE_BREAK] [ Land of Oz - Past ] [SCENE_BREAK] (It's Zelena's birthday, and she is spending it alone with a cupcake. Through a mirror, she is watching Cora abandon her as a baby) Cora: Poor babe. Now I must give you away to give me... (Voice breaking) my best chance. Wicked Witch: (Angrily stops the scene in the mirror) You gave away the wrong child, Mother. Soon, you'll see. Soon. (Blows out the candle.) (The door suddenly bangs open and a flying monkey enters, carrying the scarecrow as a prisoner. Zelena turns to face them.) Scarecrow: Aaaah! Whoa! No, no, no, no, no! Unh! (Lands on the ground with a thud) Wicked Witch: (Walks towards him) Well, isn't this nice? Scarecrow: (Stands up) W-W-What do you want?! Wicked Witch: Why, you, of course. You're going to help me create a very special spell, one that no sorcerer has yet to achieve... a time-travel spell. I just need the ingredients... symbols of innocence and love and courage and wisdom. A symbol of innocence could be a baby, for instance, and a symbol of wisdom... could be a brain. (Chuckles evilly Scarecrow: (Gasps in fear) Wicked Witch: Your brain, to be exact. (Moves to take his brain) Scarecrow: (Cowers in fear) Oh, no! No, no, no, no,
SUMMARY: | In the past in Oz, Zelena's plot to create a time travel portal is derailed by the return of Dorothy Gale. When Hades arrives to help Zelena with her plan to steal the Scarecrow's brain, the two find romantic feelings for each other but, after they succeed, Zelena turns on Hades, believing that he is using her in order to get even with Zeus. In the Underworld, Hades forces Gold to create a portal that brings Zelena, Belle, and Zelena's baby to the Underworld. Unfortunately, when they arrive, Zelena discovers that Hades is behind the plot and that her magic is too weak to protect her child, while Belle learns the truth from Gold about his reclaiming his powers and her pregnancy, as well as the contract now with Hades. Zelena gives up her daughter to those who can better protect her, determined to keep Hades from using her to enact the time-travel portal, only to discover his love for her is unchanged. Meanwhile, Snow and David find a way to contact their son, and Henry starts to write stories in his sleep. |
fd_The_Big_Bang_Theory_08x21 | fd_The_Big_Bang_Theory_08x21_0 | TEXT: [ The cafeteria ] [SCENE_BREAK] Sheldon: Hey, would you like to hear some songs I've rewritten to get children interested in the hard sciences? Howard: Sure. Leonard: Really? Howard: Yeah. Well, I like music, I like science, I like making fun of Sheldon. Hit it. Sheldon: <unk> There was a scientist who had a theory <unk> <unk> And James Clerk Maxwell was his name-o <unk> <unk> J-A-M-E-S <unk> <unk> C-L-E-R-K <unk> <unk> Space M-A-X-W-E-L-L <unk> <unk> And James Clerk Maxwell was his name-o <unk> <unk> There was a scientist who had a theory <unk> <unk> And James Clerk Maxwell was his name-o <unk> <unk> A-M-E-S <unk> Leonard: Uh, okay, okay. Uh, we, we get it. Sheldon: Perhaps you'd prefer this one. (clears throat) <unk> The itsy bitsy spider is not an insect at all <unk> <unk> Because it has eight legs <unk> <unk> And two body parts <unk> Leonard: That's pretty cool, Sheldon. Sheldon: Thank you. Do either of you know Beyoncé? I'd love her to get behind it. Raj: Hey. Leonard: Hey. Howard: Hey. Sheldon: Hello. Raj: You guys know the new Discovery class missions that NASA's been working on? Leonard: Yeah. Raj: Well, they're looking to include a message from Earth in case one of them is encountered by alien life. Leonard: Oh. When I encountered alien life, I discovered that the key thing was not to sit in its spot. Sheldon: All right, you can't breathe our air without an inhaler, he's allergic to Earth nuts, but I'm the alien. Raj: Anyway, I'm among a handful of scientists that have been asked to submit a design proposal for the message and its delivery system. Sheldon: Excellent. Howard: Good for you. Leonard: Congratulations. Raj: And I was wondering if any of you guys would like
SUMMARY: | Raj is working on a proposal for NASA to design a method of communicating with extraterrestrial intelligent beings. He asks the guys for advice and Sheldon and Howard try to take control, so Raj invites only Leonard to work with him. The two realize Sheldon and Howard's ideas were good and ask them to work with them after all. The guys talk about times where they have individually felt excluded from fun group activities while working together. Penny is unsure whether she should risk her new career for a chance at acting again and goes to Sheldon for advice. At first Sheldon will not tell her what to do because people think he is too controlling. Penny uses his love of trains in an analogy to get him to say she should go to the audition, but not decide on any major career change yet. An optimistic Penny goes to the audition only to be reminded of the petty environment around other actresses. Penny thanks Bernadette for getting her the good pharmaceutical job and takes her and Amy on a special dinner after Bernadette's prodding. |
fd_Doctor_Who_1963_06x40 | fd_Doctor_Who_1963_06x40_0 | TEXT: The War Games By Malcolm Hulke and Terrance Dicks 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: LANDING BAY (The Doctor, Zoe and Carstairs crouch in a dark corner and watch as a SIDRAT appears. On the ramp above the Landing Bay a squad of guards also watch, their weapons in their hands. The door to the green box scrapes open and Jamie, Russell and the resistance soldiers cautiously wander out into the Landing Bay not seeing the guards. Zoe turns to the Doctor and whispers.) ZOE: It's an ambush! (But they can do nothing but watch as the guards discharge their stun-guns with deadly accuracy into the unsuspecting crowd of resistance fighters. One by one they all drop, and the last to fall under the lethal onslaught is Jamie. The guards rush down the ramp.) ZOE: Oh Jamie... Doctor we've got to help them! DOCTOR: No there's nothing we can do! CARSTAIRS: We must get away from here. ZOE: But we can't. Jamie... We... CARSTAIRS: D-do you want us all to get killed? Now go on! (The Doctor, Zoe and Carstairs scramble off as the guards drag the prisoners away.) [SCENE_BREAK] 2, INT: CENTRAL QUADRANT ZOE: Oh Doctor, what about Jamie? Have they killed him? DOCTOR: I don't know! CARSTAIRS: Let's go this way. DOCTOR: No-no, this way to the processing room. CARSTAIRS: Why do you wanna go to the processing room? DOCTOR: Please don't ask questions, just follow me. ZOE: Oh! [SCENE_BREAK] 3, INT: SECURITY ROOM SECURITY-CHIEF: I believe that amongst this resistance group that attacked this base are people who have arrived on this planet without being brought here by us. SCIENTIST: That's impossible! SECURITY-CHIEF: Is it? What about that girl,
SUMMARY: | The scientist examines the captured resistance fighters and realises Jamie is a new arrival on the planet while the Doctor, Zoe and Carstairs try to rescue their friends. |
fd_How_I_Met_Your_Mother_06x23 | fd_How_I_Met_Your_Mother_06x23_0 | TEXT: Ted from 2030: Kids, this is a story of landmarks. There are certain moments in life when you have to decide which things you can stand to see torn down, and which things you have to preserve, no matter what. Such a moment came for all of us in May of 2011, at a special meeting of the New York City Landmarks Preservation Commission, where the fate of The Arcadian would be decided once and for all. New York City Landmarks Preservation Commission Marshall: A symbol of strength and constancy, the stone lion of The Arcadian has watched over New Yorkers for generations. So remember: if the lion head stonework is regal, then tearing it down should be illegal. Well. Did you like that? All right, uh... We must make sure the lion is always there. Destroy The Arcadian? Oh, no, don't you dare. Yeah? Yeah? Okay. Try this one on for size... If you want New York's history at your beck and call... Chairman: All right, thank you, Mr. Eriksen. Marshall: I just have... Chairman: We will now hear from the architect of the proposed GNB Tower, Ted Mosby. Now, uh, Mr. Mosby, let's just cut right to the chase. Do you think The Arcadian should be a landmark?...Okay, it's killing me. What rhymes with "beck and call?" Marshall: Wrecking ball. Don't go swinging no wrecking ball. Audience: Ah... Marshall: Thank you. [OPENING CREDITS] Chairman: Mr. Mosby, do you think The Arcadian should be a landmark? It's not a difficult question. Ted from 2030: Actually, it a difficult question. Of course, had he asked me a few days earlier, I would have immediately said... [Two days earlier...] Ted: "Yes. The Arcadian should be a landmark." And then the crowd gasps: "Oh, my God! Did he really just say that? Oh, heavens! Oh, my stars! I must clutch my pearls!" Zoey: So these things are generally attended by old Southern ladies? Ted: Almost exclusively.
SUMMARY: | When Ted is faced with an important decision that might affect his future with Zoey, the gang expresses their true feelings about her. |
fd_Charmed_05x03 | fd_Charmed_05x03_0 | TEXT: [Scene: Manor. Attic. Piper is there reading a story from a fairy tales book out loud.] Piper: "A year after the death of Snow White's mother, the king remarried, but his new bride was in fact a wicked witch. (Paige walks in.) One consumed by..." Paige: What are you still doing up? Piper: Not sleeping as usual. First trimester nonsense I guess. Paige: You want me to mix you up a potion? Piper: Oh, no thanks. I don't wanna turn my baby into a guinea pig. I've got enough to worry about. Paige: Like I'd ever risk turning my future niece into a rodent, please. Piper: No, I was speaking figuratively. And it's not a knock at your super witch kick, it's just I don't want to subject her to anything that could be remotely bad for her, that's all. Paige: Well, then maybe you should put away those silly fairy tales. Piper: Silly? You think fairy tales are silly? Paige: Yeah, they're all about helpless women needing big, strong men to come and rescue them. Plus, they're filled with evil witches. Do you really wanna teach your kid that? Piper: No, I want to teach her values and that's what fairy tales are best at, you know, good overcomes evil. It's how Grams taught us. Paige: Well, my grandmother taught me vales just fine without big wolves devouring little girls. You want my advice? Piper: Not really. (Paige walks over to the Book Of Shadows.) Paige: You should ditch the fiction and do what all other mums-to-be do and that is to rely on your natural instincts. (Paige picks up the Book Of Shadows and takes it to Piper.) Piper: Well, my natural instincts are to panic and besides, every other mother-to-be doesn't have to worry about their child orbing out to Tahiti when they are sent to their room. I don't
SUMMARY: | A wicked witch breaks free of the confines of the mirror after she kills the Keeper of the Fairy Tales and sets her sights on destroying Piper, Phoebe, and Paige. As a result, Piper and Grams fall victims to Wolf from Little Red Riding Hood, Phoebe to the glass slippers found in Cinderella, and Paige to the poison apple from Snow White. It takes Cole and Leo working together to find a way to vanquish the wicked witch, break the evil spell over the fairy tales, save the sisters, and set the fairy tales back to how they were originally written. |
fd_Doctor_Who_1963_12x03 | fd_Doctor_Who_1963_12x03_0 | TEXT: ROBOT By: Terrance Dicks First Air Date: 11 January 1975 Running time: 24:29 [SCENE_BREAK] DOCTOR: Professor Kettlewell? Professor Kettlewell? Professor? ROBOT: You are the Doctor? DOCTOR: How do you do? I've been so looking forward to meeting you. ROBOT: Please confirm your identity. There must be no mistake. You are the Doctor? DOCTOR: Yes, yes, of course. ROBOT: You are an enemy of the human race. I must destroy you. Please do not resist. I do not wish to cause you unnecessary pain. DOCTOR: How very kind of you. Prime directive. What is your prime directive? ROBOT: I must serve humanity and never harm it. DOCTOR: Then you mustn't harm me. I'm a friend of humanity. ROBOT: No, you are an enemy. You must be destroyed. DOCTOR Mouths silently.: Extraordinary. [SCENE_BREAK] SARAH: No! No, you mustn't harm him! ROBOT: He is an enemy of humanity. SARAH: No, he isn't. He's a good man. A friend. ROBOT: You were at the laboratory. You were concerned for me. You felt sorrow. SARAH: That's right. And you refused to harm me even when you were ordered to. Those people are evil. They're lying to you. they've altered your programming to make you act all wrongly. ROBOT: I am confused. I do not understand. I feel pain. BENTON: Miss Smith, get down! SARAH: No! No, don't shoot! [SCENE_BREAK] BENTON: He okay, miss? SARAH: Yes, yes, I think so. BENTON: We just couldn't stop it. SARAH: What did you have to start shooting for? He wouldn't have harmed you. BENTON: You could have fooled me. It was trying to kill the Doctor, wasn't it? SARAH: Yes, but that was because... Well, it doesn't matter. It wasn't your
SUMMARY: | Sarah and Kettlewell infiltrate an SRS meeting to try and find out what Miss Winters is up to but there is a surprise in store. |
fd_Gilmore_Girls_01x03 | fd_Gilmore_Girls_01x03_0 | TEXT: (The scene opens at the Gilmores' weekly dinner.) RICHARD: Dinner was lovely, Emily. EMILY: Mira does make a perfect cassoulet. LORELAI: Who's Mira? EMILY: Our cook. LORELAI: I thought the cook was Heidi. EMILY: Oh, no, we let Heidi go months ago. She had a problem closing things -- the door, the refrigerator -- RICHARD: The liquor bottle. EMILY: Then it was Trina, then Sophia. RICHARD: Oh, I liked Sophia. EMILY: You did not. RICHARD: I didn't? EMILY: She was the one who sang. RICHARD: That's right -- terrible woman. EMILY: And after Sophia we had Anton. RICHARD: That's right. Anton was the one that I liked. LORELAI: I'm sorry, Dad, how do you mix up Anton and Sophia? RICHARD: What do you mean? LORELAI: Well, one is a man and one is a woman. RICHARD: And your point being? LORELAI: That one is a man and one is a woman. RICHARD: I have a lot to do in a day, Lorelai, I don't have time to keep up with a multitude of people that your mother employs. LORELAI: But one is a man and one is a woman. (The cook brings in a cake.) LORELAI: The dinner was so wonderful, Mira. SARAH: It's Sarah. LORELAI: Oh, I'm sorry. (Sarah leaves.) LORELAI: Mom! Her name is Sarah! EMILY: I thought she said Mira. LORELAI: Ugh! RORY: Hey, Grandma, these plates are really pretty. EMILY: Thank you, Rory. They were your great-grandmother's. RICHARD: Lorelai the first. RORY: I thought Mom was the first. EMILY: Not in the name. LORELAI: No, but in so many other things I was
SUMMARY: | When Rory announces at Friday night dinner that she has to pick a team sport to play at Chilton, Emily insists that Richard take Rory to the club and teach her golf. Although Rory tees off to a rocky start, she soon gets into the swing of things and has a great time walking and talking with Richard. Later, Lorelai's mixed feelings as Rory tells her how much she enjoyed being with Richard at the club provokes her into an intensely stupid argument with Rory, which is soon patched up when Lorelai realizes that she's not losing Rory to her parents. At the Inn, Lorelai has her hands full overseeing all the preparations for an ornate double wedding ceremony and contending with a pair of spoiled and quarrelsome twin brides, their exhausted mother, their twin grooms, Michel, and the rest of her staff. |
fd_FRIENDS_06x03 | fd_FRIENDS_06x03_0 | TEXT: [Scene: Monica and Rachel's, Joey, Monica, and Phoebe are there as Chandler enters.] Chandler: (entering) Hey! Phoebe: Hey! Check it out! This is unbelievable! Joey has been holding his breath for almost four minutes! (We see Joey who has puffed up his cheeks and Chandler nonchalantly reaches down and pinches Joey's nose shut. In a few seconds, Joey has to move because he's now forced to actually hold his breath.) Joey: (To Chandler) Dude! What are yo-you trying to kill me?! Rachel: (entering from her room) Pheebs, I wanna ask you something. Phoebe: Uh-huh, what? Rachel: Well since I'm movin' out and-and you're so beautiful... Phoebe: Oh! Rachel:...how about I move in with you? Phoebe: Well, that would be great but then what do we do about Denise? Monica: Who's Denise? Phoebe: My roommate. Rachel: You have a roommate?! Phoebe: Yes, Denise. Denise! Joey: Hey, what is with the secrecy Phoebe? Huh? And what about this Denise, is she cute? Chandler: Pheebs, I don't understand. How can you have a roommate that none of us know anything about? Phoebe: Maybe because you never listen to anything that I say. I talk about her all the time! DENISE!!!!! Joey: Hey Rach, listen I was thinkin' uh, I'm gonna have an extra room over at my place... Rachel: Oh, that's true. Joey: Yeah, why don't you move in with me? It'll be great! We could stay up late, watch movies, and you know about Naked Thursday's right? Rachel: Yeah, yeah I think I'm gonna find my own place. Chandler: Hey-hey! I thought Naked Thursday's was just our thing man! Opening Credits [Scene:
SUMMARY: | Ross denies to Phoebe that he loves Rachel, yet invites her to move in with him, all while Rachel is unaware they are still legally married. Monica flatly dismisses Chandler's idea to turn the spare bedroom into a game room. Chandler claims Monica still considers it only her apartment, resulting in a fight. Meanwhile, Joey has trouble finding a new roommate. |
fd_The_Vampire_Diaries_02x09 | fd_The_Vampire_Diaries_02x09_0 | TEXT: [Bulgaria] (Katherine is delivering a baby. She's with her mother) Mother: A little more dearest, a little more (She pushes and screams. She delivers her baby. Her mother takes it. Her father is watching) Mother: It's a girl Katherine: A girl. Please mother, let me see her Father: Woman, don't! What are you doing? (She gives the baby to her husband) Katherine: Let me at least hold her once... just once Father: Forget it! You have disgraced this family (He leaves the room with the baby. Katherine cries and screams) Katherine: Father, please! No, father, no! Mother: No Katerina, it's better for her! (Her mother embraces her. Katherine is still crying) Katherine: No mother, please Mother: Let her go... let her go Katerina Katherine: Please, mama... Nowadays [Salvatore's house] (Elena is knocking on the door. Damon opens it) Damon: Hello, Elena Elena: Stefan's here? He called. He said it was important Damon: Right this way (She enters the house. Stefan arrives) Stefan: Hey Elena: What is this about? (Rose arrives) Elena: You (They go in the living room. Elena is sitting on the couch) Rose: Okay, you have to understand I only know what I've picked up over the years and I don't know what's true and what's not true. It's the problem with all this vampire crap but Klaus, I know he's real Elena: Who is he? Damon: He's one of the originals, he's a legend Stefan: from the first generation of vampires Elena: Like Elijah Rose: No. Elijah was the least of any compared to Klaus. He's a felsojah. Klaus is a real deal Stefan: Klaus is known to be the oldest Elena: Okay, so you're saying that the oldest vampire in the history of time is coming after me? Rose: Yes Stefan: No Damon: What they're saying is, I mean if what she's saying is
SUMMARY: | In Bulgaria in 1490 Katherine gives birth to a baby girl only to have her father take the baby away. Back in the present, Elena offers Katherine blood for the truth. Elena learns that as a descendant of Katherine, she is a doppelgänger from the Petrova line. Katherine reveals that she became a vampire so that she could not be used to break the curse. Katherine came to Mystic Falls to try to save herself from Klaus by offering him what he needed to lift the curse: the current doppelgänger, a witch, a werewolf, a vampire, and the moonstone. Bonnie meets a warlock named Luka and his father. Damon and Rose seek information about Klaus from Rose's vampire friend, Slater, but a healed Elijah overhears them. Elijah compels Slater to stake himself. It is revealed that Luka and his father are working for Elijah. |
fd_One_Tree_Hill_02x04 | fd_One_Tree_Hill_02x04_0 | TEXT: LUCAS: (v.o) Previously on One Tree Hill. [INT. TREE HILL HOSPITAL - DAN'S ROOM - DAY] (Lucas pushes the door to Dan's hospital room open.) DAN: (o.s) I'm glad you came son. I wanna do something I shoulda done a long time ago. LUCAS: (v.o) Went to go see Dan. [SCENE_BREAK] [INT. ROE RESIDENCE - KITCHEN - DAY] KAREN: What did he say this time? LUCAS: That he was sorry. [SCENE_BREAK] [INT. KAREN'S CAFÉ - EVENING] (Karen and Keith stand in the empty café.) KAREN: Before the proposal we were friends Keith, I mean can't we at least try to go back to the way we were then? KEITH: I don't think so. [SCENE_BREAK] [INT. TREE HILL HOSPITAL - DAN'S ROOM - DAY] (Dan is signing some papers.) DAN: My doctor's put me through some cardiovascular rehab; I thought you might like to join me. LUCAS: (Smiling sardonically.) So you wanna be workout buddies? DAN: Give us a chance to spend some time together. Get to know you. LUCAS: You had my whole life to do that. [SCENE_BREAK] [INT. KAREN'S CAFÉ - EVENING] (Karen and Deb are in the café enjoying some alcohol.) KAREN: I thought the divorce went through. DEB: Well technically no, Dan had the heart attack before signing the papers. While signing the papers actually. [SCENE_BREAK] [INT. DAN SCOTT MOTORS - DAN'S OFFICE - DAY] (Lucas opens the lockbox and sees pictures of himself at various ages.) DAN: (v.o) Look, would you do me a favour and put a copy
SUMMARY: | Brooke's new neighbor quickly makes his presence felt among the Tree Hill gang and even comes to Brooke's rescue when she is caught shoplifting. Nathan and Haley have their first post-wedding argument when he buys her a gift rather than a much-needed car. Lucas' attempt to help Dan with rehab ends in disaster when Dan reverts to his old ways. Peyton tries to organize an all-ages club and is tempted to try cocaine to seal the deal. This episode is named after a song by The Rolling Stones . |
fd_Frasier_05x04 | fd_Frasier_05x04_0 | TEXT: [ACT ONE Scene One - KACL Frasier comes into his booth. Roz, standing in the other booth, sees him come in, but turns away.] Frasier: Oh, Roz... how are you? Roz: Still pregnant. Frasier: Look, I-I'm sorry about last night. I tried to apologize, but you ran out of the party so fast. Roz: Oh, I'm sorry! Was that rude? You know more about etiquette that I do. What is the proper length of time you should stay after someone announces to a hundred strangers that you got knocked up? Frasier: I tried to call. Roz: I know, I wasn't answering. I was up all night thinking about what I want to do. Frasier: Yes, I suppose a decision of that magnitude would take many sleepless- Roz: I'm having the baby. Frasier: -hours to make. Are you sure, Roz? Roz: I know it seems quick. But even when I was hoping I wasn't pregnant, I knew if I was, I was keeping the baby. Frasier: Well, then let me be the first to congratulate you! Roz: Oh, thanks. [They hug.] Frasier: Oh, Roz, oh God, that's so wonderful! You're gonna make a great mom! Roz: Well, I did the first part pretty well, and I wasn't even trying. Frasier: So, have you told the father? Roz: Yes, I called him at nine o'clock this morning, which was seven o'clock at night, Cairo time. Frasier: Is that a pertinent fact, or are you just trying to impress me with your mastery of time zones? Roz: I mean he moved to Cairo, working on a project. He's an architect. Frasier: Oh. Well, when's he coming back? Roz: He isn't. [off his surprised look] But that's perfectly fine with me. I'm perfectly comfortable raising this baby by myself. Frasier: And... I'm sure everyone around here will give
SUMMARY: | Following the events of the Halloween party, Frasier and Niles are full of contrition. Roz decides that she will keep the baby, but after initially claiming to have done so, admits that she has not told the father. Frasier finds the answer by chance at Café Nervosa , while being served by a cheerful young waiter called Rick. When Roz finally tells Rick, he is prepared to drop out of college and marry her, but Roz insists that he not ruin his life and sends him away gently. |
fd_Alias_01x16 | fd_Alias_01x16_0 | TEXT: (Washington, DC. White House. Inside, meeting with the Senate Select Committee of Intelligence. Many senators have gathered around a table. One senator in particular, Sen. Townsend, reads several pages and looks up.) TOWNSEND: Exactly who is this Sydney Bristow and why should this committee's time be spent on her? EVANS: She's a double agent, Senator. A CIA asset, working undercover as an operative of SD-6. (Sydney runs through a forest, constantly looking back over her shoulder.) (Meeting.) EVANS: Last week we came into possession of that drawing from a manuscript belonging to Milo Rambaldi. TOWNSEND: Rambaldi. Ms. Evans, we've been all over this. (Sydney runs. Dogs barking, men shouting behind her. Coming closer. She runs faster.) (Meeting.) EVANS: Look at the partially decoded text, Senator. It's written by Rambaldi in reference to that woman in the drawing. (Townsend reads it.) (Man shouting, dogs barking, Sydney running. She scrambles over a fallen tree as they shoot at her. She runs and runs. At the edge of the cliff, she yanks on a rope on her backpack and jumps off. A parachute inflates. Sydney floats above the Cristo Redentor.) (Meeting.) EVANS: Sir, I understand your reluctance to invest our resources in this matter but I strongly suggest-- (Townsend looks up from the text he was reading, his face serious.) TOWNSEND: Dr. Evans. What do you need? (Los Angeles. Sydney sits in a park, writing on a paper bag to Vaughn.) SYDNEY: (voice over) Vaughn, I'm back from Brazil. I did what SD-6 wanted - got surveillance photos of someone they think might be The Man. (She walks and throws the paper bag in a garbage can.) SYDNEY: (voice over) I
SUMMARY: | Sydney is tested by the Department of Special Research to discover her mysterious link to a chilling 500-year-old picture and prophecy foretold in the Rambaldi manuscript. A drawing of a woman who bears an eerie resemblance to her appears in a blank page of the manuscript thanks to the revealing substance in the vial that McKenas Cole had tried to steal from SD-6. Meanwhile, after uncovering the identity of the rogue group leader, "The Man," Sloane learns through fellow Alliance of Twelve member Edward Poole that a close friend may be working with the enemy. |
fd_The_O.C._01x22 | fd_The_O.C._01x22_0 | TEXT: Opening scene - Seth and Ryan are at the Mermaid Inn. Ryan left his watch there and he is picking it up Seth: so then did you take your watch off during the deed or...what exactly Ryan: you wanna wait in the car? I can pick this up at the front desk myself Seth: no its cool I got more questions so then I don't understand did you take it off during foreplay, was it before foreplay now that would seem presumptuous but Ryan: no seriously, seriously you can stay in there turn the radio on, leave the windows up Seth: cause I like to leave the watch on Ryan an I like to leave it on an know how i'm doing...if i'm beating my old time (Ryan turns around and groans while opening the door) the thing is its sort of a s*x marathon not a s*x sprint Ryan: (to desk guy) excuse me, hi i'm the guy that called earlier about the watch that was left here Guy: uh room 204 right, yeah such a nice girl was stayin in there beautiful too (nods) your girlfriend? (Ryan doesn't say anything) Seth: ok that's a little awkward Ryan: no, no she's not but thankyou Guy: a girl like that you would be a lucky guy if you could (holds up watch) Seth: ok thankyou for your time, or his time. the timepiece thanks, thanks alot (they walk out) one day we're gonna look back on that an we're jus gonna laugh an we're gonna laugh some more we're gonna have a good laugh not at my timepiece joke, but at uh y'know the situation Ryan: i'm fine really I mean Theresa's back with Eddie where she should be right Seth: yes, absolutely listen man this is a good time for you ok Ryan Atwood this is 'clean slate Ryan', finally you have no women ta protect from violent goateed factory workers or pill poppin manic depressives Ryan: (frowns) I guess your right I guess I
SUMMARY: | Ryan, Marissa, Seth and Summer head down to L.A. and find Hailey working as a stripper. Jimmy and Sandy approach Caleb for business help. Meanwhile, Ryan tries to keep Luke and Julie's affair a secret from Marissa. |
fd_Doctor_Who_02x10 | fd_Doctor_Who_02x10_0 | TEXT: EXT. BUILDING SITE A man, standing in a disused building site, sees a faint shape in the distance. He looks quickly around him, then runs frantically up a hill, presumably following the faint sound of the TARDIS engines. He reaches the top, panting, and comes across a series of deserted but identical outbuildings, looking very run-down, with the TARDIS parked in the middle of it all, looking extremely out of place and unusual. The man stops, staring at the TARDIS. Slowly, he walks towards it. As he places a hand on the TARDIS door, he hears a voice. ROSE: Doctor! Doctor, the trap! He runs quickly towards the source of the shouting. INT. WAREHOUSE He enters one of the outbuildings that now appears to be some sort of warehouse, from which various echoing shouts and scuffling sounds are emanating from above him. THE DOCTOR: Where's he gone? Can you see him? ROSE: There he is! Stop, no! Watch out! There! THE DOCTOR: Where? ROSE: There! Over there! The man enters the warehouse, and runs towards the noise, up several flights of metal stairs. He slowly approaches a door at the end of a long corridor, which has ominous banging and growling sounds coming from it. There is a bright light coming from it. He walks cautiously up to the door, and opens it to reveal a ferocious snarling monster, who roars at him. INT. HOME VIDEO, ELTON'S BEDROOM Cut to the same man, Elton, at home in front of his home video camera. ELTON (to the camera): That's what it did. It went RRROOOOAAAAAAAAARRR! And if you think that was the most exciting day of my life, wait 'til you hear the rest. Oh boy... OPENING CREDITS INT. HOME VIDEO, ELTON'S BEDROOM ELTON: So there I was, with that thing going RAAAAH!
SUMMARY: | Through his video diary, Elton Pope tells how he first saw the Doctor in his living room when he was a boy, and that he plans to find the Doctor again. Through Internet searches he finds Ursula Blake, who has also had past experiences with the Doctor. Elton, Ursula, and three other members who have had encounters with the Doctor, form a group called LINDA to discuss these encounters, but their meetings soon become more social. One day a man known as Victor Kennedy interrupts one of the group's meetings and reinvigorates LINDA's purpose to locate the Doctor. Later, two members of the group mysteriously go missing, and one day Ursula and Elton return to the meeting room to retrieve Ursula's phone. There Kennedy reveals himself to be an Abzorbaloff , who has absorbed the other three LINDA members. Ursula receives the same fate and the Abzorbaloff corners Elton, but the TARDIS appears and the Doctor discovers the Abzorbaloff's cane is a field generator and Elton breaks it, destroying the creature. The Doctor manages to preserve Ursula in a paving slab, which Elton takes home. |
fd_The_Big_Bang_Theory_03x06 | fd_The_Big_Bang_Theory_03x06_0 | TEXT: Scene: The stairwell. The guys are carrying kites. Leonard: Kites, ho! Howard: Kites ho! Raj: Kites ho! All three: Kites, ho! Sheldon: Excuse me. You're misusing the word ho. It's an interjection used to call attention to a destination, not an object, as in, uh, Land, ho! Or, uh, Westward, ho! The three guys: Kites, ho! Penny: Hey, guys. What you doing? Going out to discover electricity? Leonard: If you're referring to the work of Benjamin Franklin, he did not discover electricity, he merely used a kite to determine that lightning consists of electricity. He also invented the Franklin stove, bifocals and the flexible urinary catheter. Kites, ho. Leonard: We're heading out for some kite fighting. Penny: Kite fighting? Leonard: Oh, yeah. It's an extremely competitive, cutthroat sport. Sheldon: Well, actually, the risk of throat cutting is very low. On the other hand, severe string burn is a real and ever-Present danger. Leonard: You want to come watch? Penny: Oh, gee, sounds amazing, but, um, I've got some friends coming over. Not a big thing, we're just gonna watch the Nebraska game. Leonard: Oh. Football, sure. Howard: Good guess. Penny: I would've invited you, but I know you're not a football fan. Leonard: No, no, I'm not, so, great. You've got plans doing something you like, I've got plans doing something I like, so it's good. Penny: Well, maybe we'll hang out later, you know, after everybody's gone. Leonard: Yeah, great. Penny: See ya. Leonard: Well, this sucks. Sheldon: I'm sorry, I got bored and drifted off. Where exactly in the interaction did the sucking lie? Raj: Leonard just realized that Penny's been hiding him from her friends because he's a tiny, little man who f
SUMMARY: | Leonard attempts to fit in with Penny's football-loving friends, despite initially knowing nothing about the game. However, it is Sheldon who surprises him with a large amount of football knowledge (forced on him by his father in his childhood), which Leonard later brings to Penny's football party. When Leonard refuses to fly kites with Sheldon, upsetting him as he never got to experience a normal childhood, Penny feels bad and allows Leonard to go, especially after pointing out how he is boring everyone at the party. Howard upsets Raj by repeatedly abandoning him during activities to pursue women. |
fd_Veronica_Mars_03x08 | fd_Veronica_Mars_03x08_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars... In the Food Court, Veronica takes a swig of her drink in 307 "Of Vice and Men." She later tries to get to her car, under the influence of the drug with which her drink has been spiked. She collapses by her car and her keys slip out of her hand. As a dark figure approaches her, she reaches out for them. The car alarm sounds briefly. Logan gallops along the line of cars, searching for her. Having found her, he cradles her in his arms, noting as he does the lock of hair left on the parking garage floor. He checks the back of her head, exposing that a patch has been shaved, leaving a bloody balk spot. Cut to Veronica walking across campus towards the Take Back the Night Rally in 301 "Welcome Wagon." NANCY: How many women like me have to be raped, have to end up like this, their heads shaved, before this administration listens to our demands? Shut down the fraternity houses! Many in the crowd cheer. Cut to the Theta Beta Zeta sorority house in 302 "My Big Fat Greek Rush Week." Hallie enthuses at the undercover sorority prospect. HALLIE: Welcome to Zeta Theta Beta. I'm Hallie. What's your name? VERONICA: Veronica. The dean tears into Claire and her lawyer, in the presence of Veronica and Nish, in 306 "Hi, Infidelity." DEAN O'DELL: There's no question Claire lied about the rape. You're expelled from Hearst College as of this moment. Veronica is caught by a couple of Pi Sigma Sigma fraternity brothers at their sexual conquest scoreboard in the basement in 216 "The Rapes of Graff." CHIP: What the hell are you doing here? VERONICA: Three hundred points? Nice work. Chip attempts to steer Veronica away. CHIP: Look, this is our business. I don't have to apologize- VERONICA: For being a
SUMMARY: | Keith and Veronica are hired to find the missing granddaughter of the founder of Hearst College. They learn that the granddaughter's swing vote could spell the end of fraternities and sororities at Hearst. Logan fears for Veronica's safety as she continues to investigate the campus rapes. The girls at Lilith House explain that they faked Claire's rape to help shut down the Greek houses on campus, which they believed were responsible for the real rapes. Patty Hearst guest stars as a Hearst College trustee called "Selma Hearst Rose". |
fd_Buffy_the_Vampire_Slayer_01x11 | fd_Buffy_the_Vampire_Slayer_01x11_0 | TEXT: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. Sunnydale High School. Cordelia: I just love springtime. Cut to the halls. Cordelia has her arms around her current boyfriend Mitch, and they and Harmony are walking down the hall. Cordelia: Me and bright spring fashions! Mitch: Spring training. Cordelia: Me at the end of school dance. Harmony: The end of school. Cordelia: Definitely. My favorite time of year. (giggles) I am, of course, having my dress specially made. Off the rack gives me hives. Mitch: Lemme guess: blue, like your eyes! (laughs) Cordelia: (laughs) My eyes are hazel, Helen Keller. Harmony: You two will look so fine together in the May Queen photo. Cordelia: Well, I haven't been elected May Queen yet. They've reached the library doors, and Buffy comes barging out. She bumps into Mitch and drops her bag, spilling out its contents: a couple of stakes, a couple of crosses, a mace and other stuff. Cordelia: Uhhh! Behold, the weirdness! Buffy: (looks up) You're probably wondering what I'm doing with this stuff, huh? Cordelia: Wow, I'm not! Buffy: Uh, for history class. Mr. Giles has this, like, hobby of collecting stuff... which he lent me... for show and tell. D-did I mention it's for history class? Harmony: She is always hanging with that creepy librarian in that creepy library. Cordelia and company continue down the hall. Cordelia: (to Mitch) Hey, did I ever tell you about the time that she attacked me? At the Bronze? I don't know why this school admits mentals like her. They laugh. Buffy watches them go with a depressed look on her face. Cut to English class. They are discussing 'The Merchant of Venice'. Ms. Miller: 'If you prick us, do we not bleed? If you tickle us, do we
SUMMARY: | Ignored by students and teachers alike, Marcie literally becomes invisible, then uses her affliction to terrorize Cordelia and her friends. Sympathetic at first, Buffy nevertheless stops Marcie when she goes too far. Men in black come to take Marcie away. |
fd_Degrassi_Next_Generation_04x10 | fd_Degrassi_Next_Generation_04x10_0 | TEXT: At Craig's place. The band is rehearsing Craig: Ok that sounded a bit tighter? Spinner: Keyboard was a bit off on the bridge though. Ashley: Really? Cause the drums threw me off, only it was more in the verse Marco: Ok, it sounded like this tape of whales my aunt Pea has. Craig: We have to do better. Spinner: Dude. We only have three days! Craig: Well we aren't going to win $10, 000 worth of free recording again and we have to use it now and we have to be better. Marco: Yeah and we could be if... if Jimmy could play with us. Craig: I wish he could too. Ashley: Well, what if we tried 'Everything's Dust'? Spinner: Sure the song that just so happens to be all about you. Marco: I think what Spinner means is that uh we've come a long way since that song. Craig: But it's how we won the contest. I mean we know it works for us. Spinner: Yeah it worked for you anyway. Craig: What?! Let's just try it. Spinner: Yeah alright. So what? (Starts to play) One, two, crap, four. In Mr. Simpson's class Paige: Ew! Ok there is gum on this chair! Excuse me, Mr. Simpson but gum on chairs is disgrossting and illegal. Mr. Simpson: Just find another seat Paige. It's not the end of the world. Paige: Hello! It's watermelon. Hazel: Yeah you definitely need to come with me to yoga. They offer it after school in the gym. Paige: Yeah I prefer retail therapy. Hazel: Honestly. It's the only thing keeping me sane since...well you know. Paige: I'm so sorry. I haven't even asked about Jimmy today. Or you. Hazel: It's okay. Me, I'm just glad the school gave us a way to de-stress that doesn't involve more talking. Paige: Do not let the cult of yoga suck you in. You'll end up wearing
SUMMARY: | The recording deal Downtown Sasquatch won is about to expire, but the band is nowhere near good enough. When Craig asks Ashley to join the band, it angers the other members. Meanwhile, Paige develops a crush on Matt Oleander, the teaching assistant. |
fd_CSI__Crime_Scene_Investigation_06x21 | fd_CSI__Crime_Scene_Investigation_06x21_0 | TEXT: [EXT. HOTEL - FRONT DRIVE -- DAY] (SLOW MOTION. The bride and groom sit on back of the open convertible as it slowly passes the wedding party and guests cheering them on.) (As the convertible passes, the horrified guests in the back yell for them to Guests: Stop! Guests: Stop! Crowd: Stop! (The camera moves to the tail end of the car where normally cans are tied to the bumper. The car passes and we see a woman in a white dress dragged behind the car, leaving a streak of blood on the driveway.) (The crowd continues to scream.) (Close-up of Diane Chase being dragged on the driveway.) WHITE FLASH TO: [EXT. FRANK'S COFFEE SHOP -- PARKING LOT -- DAY] (Nick pulls up his SUV and parks. He gets out and heads for the diner.) [INT. FRANK'S COFFEE SHOP -- DAY - CONTINUOUS] (Sara and Greg are in a booth eating. Through the window, we see Nick head for the diner.) Sara: Why do we always come here? Greg: Open 24 hours. Sara: Everything in Vegas is open 24 hours. Greg: It's cheap. (Nick enters and sits next to Sara.) Nick: Smells like bacon in here. (to Sara) Slide over. That scene took forever. We were there like, what, nine hours? Sara: Eleven. Greg: A dead lawyer and two hundred eyewitnesses -- it's going to take awhile. Nick: Come for a wedding, stay for the funeral. Why do we always eat here? Greg: It's tradition. Sara: Ah, tradition. Like becoming property exchange between your father and your husband? Nick: Oh, that's not what a wedding is. It's a public declaration of love. Greg: I'm with Vince Vaughn on this one. Dozens of horny, single women with access to an open bar and coupling on their mind. (The waitress appears and puts a cup down on the table in front of Nick. She fills
SUMMARY: | A wealthy but disagreeable prosecutor is murdered at her son's wedding, and the CSI are called in to investigate. However, Nick's car is stolen with all the evidence inside it, and the case becomes compromised. The CSIs must think back to their investigations as well as search for new evidence to find the killer. |
fd_Bones_02x05 | fd_Bones_02x05_0 | TEXT: "The Truth in the Lye" [SCENE_BREAK] TEASER (Open: Hallway of house. We hear moaning; mattress bouncing. Pan to bed.) BOOTH: [Out of breath] Wow! [Sighs] God, that was- Yeah, that was- REBECCA STINSON, Booth's ex: Amazing. BOOTH: And a huge mistake. REBECCA: Huge. BOOTH: Huge. [Both start to put clothes on] REBECCA: Why do we keep doing this? BOOTH: Well, you know, we don't. I mean, what's it been? Twice in the past year? REBECCA: Three. Four, if you count that stakeout. BOOTH, putting on underwear: Okay, you know what? That wasn't s*x. REBECCA: Maybe not for you. But... this is it. BOOTH: You know what? You're right. But, I mean... it's not like we're doing anything wrong. I mean, you and Drew are- REBECCA: We needed to take a break. To gain...perspective. But, um, this isn't helping. BOOTH: And that's why it's over. [looking at each other] REBECCA: Done. [Cell phone ringing] BOOTH: That's mine. REBECCA: Yeah. [Booth climbs over her, giving us a nice shot of Booth in his tightie-whities.] [climbing over her-] BOOTH: Ow. Oh. Ow! [Booth falls off bed, picking up phone-] [Rebecca begins to make the bed] BOOTH: Booth. Yeah. Address. [picks up paper] Hey, you know, I, uh- REBECCA: Oh, no, no, no. Me too. I have to pick up Parker from school. [Rebecca gets off bed] [Booth stands up, begins dressing-] BOOTH: Oh, you know what? Make sure that you bring him the comic that I got him. He
SUMMARY: | Gruesome remains of a man dissolving in a bathtub of corrosive chemicals are found in a construction site. In a search of the man's identity, they realize he was living a double life with two different families. In what first appears to be a straightforward case of jealousy and insurance money, new clues send Brennan and Booth in a completely different direction and a third suspect is brought to light. Meanwhile, Brennan, curious, confronts Rebecca about her recent antics with Booth and her rejection of Booth's marriage proposal. |
fd_The_Office_04x15 | fd_The_Office_04x15_0 | TEXT: Pam: What's wrong Michael? Michael: I got gum in my hair. Pam: You do. Michael: This just stinks. Don't touch it, please don't touch it. Dwight: You've got a ton of dandruff. Michael: OK, let me be. Jim: How'd you get gum in your hair? Michael: I was walking in and I noticed something shinny under Stanley's car and I got under to see what it was and I messed up my hair, all for a stupid piece of tinfoil. Jim: But best case scenario, you thought it was a quarter. Michael: Kill me... right now. Pam: We have peanut butter in the kitchen. Michael: I don't feel like peanut butter. Get me an ice cream sandwich. Jim: Nope. Not for you it's for your hair, and it is 9 am. Pam: No Dwight, not the good peanut butter. People are going to get mad. Michael: Hey, hey, hey. This is my hair we're talking about. [SCENE_BREAK] Michael: Smells good. Dwight: Taste good too. Michael: Oh don't. That's disgusting. Dwight: Wow! Lot of calories. Michael: Well just don't leave it on too long. Keep massaging please. Ah yeah, that's nice. [SCENE_BREAK] Dwight: Hey Michael, how was your date last night? Michael: [sighs] [SCENE_BREAK] Michael: I will be honest; the dating has not been going well. Look, men are visual creatures. We crave beauty, like a piece of fine art by any number of renowned artists, or an arty photograph of Cindy Crawford nude... that, but the women I'm getting fixed up with are, egh! Not that they aren't nice, or that have great personalities, they just... They just lack a certain... Crawfordness. [SCENE_BREAK] Oscar: I am livid, Absolutely livid. Angela: It's ridiculous. [SCENE_BREAK] Ryan: Yes, I'm having the Scranton branch come
SUMMARY: | Michael and Dwight decide to surprise Ryan in New York and to meet his friends. They find him clubbing and join him for the night. Ryan is surprisingly friendly, though it could be a side effect of his cocaine habit. Meanwhile, the Scranton branch is upset when they find out they have to come in on a Saturday for Ryan's website project. Jim suggests that everyone work late instead. The plan goes well - until they find they are locked in on the grounds with no way to escape. Toby lets slip his affection for Pam and impulsively announces he will be moving to Costa Rica . |
fd_Doctor_Who_1963_11x13 | fd_Doctor_Who_1963_11x13_0 | TEXT: DEATH TO THE DALEKS BY: TERRY NATION PART THREE 5:30pm - 5:55pm [SCENE_BREAK] 1: INT. TUNNEL FORK (Still waiting, SARAH hears a noise behind her. She calls quietly into the darkness...) SARAH: Somebody there? (Receiving no answer, she goes back to waiting near the DOCTOR'S tunnel. She suddenly turns round and gasps in fright. The creature that has been following them hangs out of a crack in the rock wall observing her. Somewhat like an Exxilon, it is far smaller and with a grey skin rather than a brown one. It still has the round opaque eyes of the Exxilons which look down upon SARAH.) [SCENE_BREAK] 2: INT. SIDE TUNNEL (The DOCTOR makes his way down his chosen tunnel. Suddenly he stops. Something lies on the floor of the tunnel in front of him. Metallic and long, it winds like a gigantic snake into the distance. Its head lifts off the floor of the tunnel and a glowing light appears on the front. It roars at the DOCTOR as it rears up and then dives towards him. He jumps out of the way as the nose of the probe touches the rock wall where he was stood, causing it to explode. The DOCTOR lies on the floor where he fell. The probe rears up again and comes down, just as the DOCTOR rolls out of the way. It touches the floor of the tunnel and again there is an explosion of fire.) [SCENE_BREAK] 3: INT. TUNNEL FORK (SARAH panics as the watching creature steps down and walks towards her.) SARAH: Oh...keep away from me! Keep back! (She backs off as the little creature holds up an arm and speaks in a pleading, somewhat aged voice. The effect is that of a wizened old man.) BELLAL: Please! SARAH: (Nervously.) Who are you? BELLAL: I am called Bellal. I mean you no harm. I will help
SUMMARY: | The Doctor and Sarah meet up with Bellal, who helps them escape from the Daleks and explains the origin of the City. |
fd_Gilmore_Girls_02x13 | fd_Gilmore_Girls_02x13_0 | TEXT: 2.13 - A-Tisket, A-Tasket OPEN IN STARS HOLLOW [We see several signs near the gazebo promoting the upcoming Stars Hollow "Bid on a Basket" Fundraiser before we see Lorelai and Rory inside Doose's Market looking at baskets.] LORELAI: So I've decided I'm saving myself for William Holden. RORY: Wow, it's nice out here in left field. LORELAI: Hey, I'm sorry. Sunset Boulevard was on last night, and I don't know I've known him for years <unk> Sabrina, Stalag 17 <unk> and yet last night something snapped. RORY: I'll say. LORELAI: I think it was the monkey scene. RORY: You know he's dead, don't you? LORELAI: The monkey? RORY: William Holden! LORELAI: Ugh, every great relationship has its obstacles. You'd know that if you weren't dating Andy Hardy. RORY: This one? LORELAI: Hm, no. RORY: Why? LORELAI: It's too big, it raises expectations. RORY: Like there's actually a home-cooked lunch in there? LORELAI: Instead of whatever is leftover in our refrigerator - exactly. RORY: Okay, going back on the pile now. LORELAI: Oh, it's quaint, isn't it? The women get to make a nice lunch basket, the men get to bid on it, and the world rotates backwards on its axis. RORY: I think it's fun. LORELAI: That's because you have a pretty boy to bid on your basket. RORY: Yes I do. LORELAI: Did you tell him to eat lunch first? RORY: Hi, I love him, of course. Hey, I'm gonna look in the back. LORELAI: All right, I'll hit the front. [walks up front] Hey Patty. Shopping for baskets? MISS PATTY: Oh please,
SUMMARY: | The annual Stars Hollow charity picnic basket lunch auction sparks controversies among couples throughout town; Jess outbids Dean for Rory's basket, causing Dean and Rory to quarrel when Rory abides by tradition and shares the lunch with Jess; Jackson refuses to bid on Sookie's basket after she leads him to believe that she doesn't want to move in together; Luke comes to Lorelai's rescue, bids on her basket, and feeds them both at the diner after Miss Patty sets Lorelai up with a trio of unsuitable bidders; Henry tires of the end runs around Mrs. Kim, and calls it quits with Lane; Rory and Jess hit it off at lunch and Jess leaves with a secret souvenir -- the bracelet that Dean gave Rory, which he picks it up and holds on to after Rory drops it; Sookie and Jackson work things out so well that he proposes and she accepts; Lorelai and Rory quarrel when Rory finds out that her mother lent a sympathetic ear to Dean's concerns about Jess; after Emily agrees with her daughter's distrust of Jess, Lorelai realizes that they're both wrong, and apologizes to her daughter. |
fd_Dawson_s_Creek_03x13 | fd_Dawson_s_Creek_03x13_0 | TEXT: [Scene: Interior of Joey's House. Pace and Joey are there and have been going through the lines of his play together] Pacey: Tomorrow night will be your night. We'll do whatever you want. Joey: Something wild, insane, and crazy? Pacey: I promise. Joey: Like what? Pacey: Like I'll come home from work early and we'll wallpaper each other. Joey: No way. Sorry, we're done. Pacey: We can't stop now. I don't know this stuff at all. Joey: Sorry, master thespian, but the whole next page consists solely of cooing, tickling, and lap-sitting, 3 things definitely not in my range as an actress. Pacey: Ok. Let me tell you, you're gonna be sorry tomorrow night when I get up on that stage, panic, draw a complete blank, then just start ad-libbing obscenities to the crowd. Joey: Actually, Pacey, I kind of thought I'd go on Saturday. Pacey: Saturday? Joey: Yeah. Pacey: No, no, you don't want to come on Saturday. You gotta come on Friday. It's opening night. Much better chance you'll get to witness some amusing disaster. You know, like scenery falling on my head, or perhaps my co-star hyperventilating from one of my intoxicating stage kisses Joey: Yeah, you're known for those. Pacey: So what do you say? Front row center? Joey: I can't. I kind of have this thing I have to do on Friday night. Pacey: What thing? Joey: It's just this thing. This guy. Pacey: What guy? Joey: A.J. Pacey: College guy? Joey: He's coming out to the cape for a party, and he invited me to go with him. Pacey: You're going to a frat party? Joey: He's not that kind of a college guy, Pacey. Have you ever heard of the aurora borealis? Pacey
SUMMARY: | Dawson, lacking inspiration, makes the radical move of dropping out of film class to spend some time re-evaluating his life. Back at the bed and breakfast, Joey is torn between attending Pacey's opening night and her date with A.J., who has come to Capeside for the evening. At the play, Andie must take over as director when Mr. Broderick falls ill. Jen agrees to meet Henry, but she throws him another block by bringing Grams as her date. |
fd_Heartland_07x02 | fd_Heartland_07x02_0 | TEXT: [PREVIOUSLY_ON] Lou: Where do you think you're gonna put them? Tim: Right there, as soon as I get rid of those old wrecks. Lou: Grandpa's trucks?! No, dad, no way! So this dance at school, you going? Oh, wait, it's a father/daughter dance. I guess that could be problem seeing as you don't have a father. I do so have a father. His name is Peter. Lou: Grandpa, you are back! You know, you were gone a long time! (Sheep bleat) Jack: Lou! Where are my trucks?! (Cell phone rings) Jack: What do you mean you can't get in touch with Stumpy? You're supposed to track down the junkyard he took my trucks to! Tim: Now, Jack, take it easy. Don't get all wound up. Stumpy's at his fishing camp. He's off the grid. There's nothing I can do about that, but I'm trying. Well, you better try harder. (Cell beeps off) Do you believe that guy? Paying Stumpy to tow away my trucks. My trucks! Who does he think he is to make that call? We're gonna find 'em, Jack, okay? We're gonna find 'em. I'm away for a month. A month, that's all. And everything goes to hell in a hand-basket! (Truck rumbles) Lou: Okay, Katie, let's see what we have in the mail right here. We have... (Gasps) something mommy's been waiting for. (Paper rips) (Sighs emotionally) Peter! It's Georgie's adoption notice. It's official. That's great. That's fantastic! Lou: I can't wait to tel her! (Crying happily) (Phoenix's hooves thud in the dirt) (Phoenix snorts) Amy: (Clapping) You cleared those jumps by
SUMMARY: | Lou pressures Jack into going to the doctor after a scary accident, and Amy and Ty discuss buying a ranch together. Georgie gets fed up with Olivia picking on her and throws a punch, leading to her to be grounded by Peter, and almost missing the Spring Classic. Georgie wins the Spring Classic. Lou and Peter have officially adopted Georgie. |
fd_One_Tree_Hill_01x14 | fd_One_Tree_Hill_01x14_0 | TEXT: [Surgery Room] (Lucas is lying with doctors working all around him) Nurse: We got a code blue. We are losing him. DOCTOR: Charge the paddles to 200. NURSE: Charging DOCTOR: Clear (his heart starts just for a second then is flat again) Charge the paddles to 300. Clear. (His heart rate goes back up to 60) He's a go. DOCTOR 2: Okay lets go in. [Another hospital room] (Keith is being patched up) KEITH: How long will this take? DOCTOR: We're just about done here now. KEITH: I don't mean me I'm talking about my nephew, Lucas. How long will he be in surgery? DOCTOR: Well it depends on how serious his injuries are. (Keith gets out his phone and dials a number) [Haley's Room] (Picking up where they left off talking in bed) HALEY: I'm sorry what did you just say? NATHAN: About what? HALEY: About the way that we started. (Her phone is ringing in the background) NATHAN: Nothing. Just when I first came to you for tutoring, I figured the easiest way to mess with Lucas was to hook up with you, but... HALEY: So everything between us has been a lie? NATHAN: No that's not. HALEY: I cannot believe this, Lucas was right about you all along. (Her answering machine picks up) KEITH: (voice) Haley, pick up. There's been an accident. Lucas is hurt pretty bad. Haley? HALEY: (Picks up the phone) Keith, hey. He's going to make it right? Okay, thanks. NATHAN: Come on, I'll take you to the hospital. HALEY: I can't talk to you right now, Nathan. NATHAN: Haley, look I'm sorry I didn't mean it like that. HALEY: Just go. Just go. (Dials a number on the phone and Nathan leaves) [Peyton'
SUMMARY: | While holding a vigil at Lucas' bedside as he lies in a coma, Karen meets her son's new girlfriend, and learns that Deb and Dan are divorcing. Most shocking of all, Karen is horrified to discover that Keith was drinking while driving at the time of the accident. Meanwhile, Nathan tries to win Haley back after she gets to know that he was dating her just to mess with Lucas. This episode is named after a song by Sheryl Crow . |
fd_The_Vampire_Diaries_01x19 | fd_The_Vampire_Diaries_01x19_0 | TEXT: [Mystic Fall's high school] (Stefan is parking his car; Elena sees him and rejoins him) Elena: Nice car Stefan: That was a waste to leaves it in the garage (She smiles, they kiss) Elena: I didn't know we were coming back today Stefan: You know, I woke up this morning and I was feeling great and I figured it was time for me to get back in the things Elena: Is that mean you're okay now, with all the cravings? Stefan: Yeah, I mean the worst part is over so... now what I want to do is just spent as much time with you as possible Elena: I'm okay with that (They kiss) Stefan: Hey, thank you for helping me get through the rough patch Elena: You're welcome (pause, they look each other). We are going to be late Stefan: Okay, uh, you know what? I'll catch up with you, I'm gonna grab my stuff. I'll be right behind you Elena: Okay (She leaves; he goes to the trunk and opens it. There's a lot of blood pouch from mystic falls hospital. He grabs his stuff and clothes the trunk) [Founders hall] (Damon, John and Sheriff Forbes are talking) Sheriff Forbes: There was a disturbance at the hospital blood bank last night; some of the supply was compromised Damon: Compromised? You mean stolen? Sheriff Forbes: We almost missed it. The inventory records were altered but when the night manager was questioned he had no recollection of changing them John: That means that the vampire who stole the blood used mind control to hide the theft Damon (looking at John): I know what you meant Sheriff Forbes: We wouldn't noticed if John hadn't alerted us to recent discrepancies in other hospital blood banks in the county Damon: How lucky for us, we have John (He looks at John) Sheriff Forbes: We're stepping up security at the hospital, giving the guard vervain to prevent this from happening again John: Sheriff, may I offer a suggestion? Why don't Damon and I put our hands together? We can track down whoever is doing this Sheriff Forbes: Truthfully I can use the extra hands. I
SUMMARY: | The episode begins with Stefan going back to school. Elena approaches him, surprised to see him there, but he claims that his cravings for human blood are over. At the Founder's Day Gala, Elena and Caroline compete in the "Miss Mystic Falls" contest. Bonnie returns to town and Elena is very happy to have her back, but Bonnie is cold and distant. Bonnie reveals that she feels angry and alienated with Elena because of her association with the Salvatore brothers. At the Miss Mystic Falls contest, Damon tells Elena that Stefan has been drinking human blood again. Stefan is angry when Elena confronts him with this information, and breaks a mirror. One of the Miss Mystic Falls contestants, Amber Daly, sees him do this, so Stefan takes her. Anna shows up at the dance, and Jeremy attempts to apologize for using her to become a vampire. Jeremy tells Anna that he knows that the only reason Anna wanted to be friends with him was so she could use his blood to revive her mother. Anna asks Jeremy how much he knows and he says he knows everything. Anna and Jeremy make up and Anna says she would never do anything to hurt him. Back at the dance, Damon poses as Elena's escort, since Stefan is not there. Later Elena and Damon, with help from Bonnie, locate and subdue Stefan after seeing him in the woods feeding off of Amber. Meanwhile, John Gilbert tries unsuccessfully to intimidate Damon. The episode ends with Elena injecting vervain into Stefan. She and Damon lock him in the cellar in an attempt to help him control his blood urges. |
fd_FRIENDS_05x13 | fd_FRIENDS_05x13_0 | TEXT: Teleplay by: Seth Kirkland Story by: Michael Curtis [Scene: Chandler's bedroom, he is giving Monica a massage.] Monica: I can't believe we've never done this before! It's sooo good! So good for Monica! (Chandler picks up the timer being used and turns it to zero at which it chimes.) Chandler: Oh! Look at that, time's up! My turn! Monica: That was a half an hour? Chandler: It's your timer. (They change places.) Monica: Y'know, I don't like to brag about it, but I give the best massages! Chandler: All right, then massage me up right nice! (She starts the massage, only she is doing extremely hard and Chandler is gasping in pain.) Chandler: Ah! Ahh!! Ahh!! Monica: It's so good, isn't it? Chandler: It's so good I don't know what I've done to deserve it! Monica: Say good-bye to sore muscles! Chandler: Good-bye muscles!! Opening Credits [Scene: Central Perk, Chandler and Joey are sitting on the couch.] Chandler: I'm telling you, she gives the worst massages ever!! Okay, it was like she was torturing me for information. And I wanted to give it up I just-I didn't know what it was! Joey: Chandler, if it really hurts that bad you should just tell her. Chandler: Look, for the first time in my life I'm in a real relationship. Okay, I'm not gonna screw that up by y'know, telling the truth. Ross: (walking up with Rachel and carrying coffee) Hey. Joey: Whoa, dude, look out! You almost crushed my hat! (He picks a hat up from the floor. It's one of those magician stovepipe hats.) Ross: Sorry. Chandler: (examining the hat) And the bunny got away. (Turns and starts looking for the bunny as Joey puts the hat on.) Ross: (glaring at Joey) This would
SUMMARY: | Phoebe's grandmother dies, and she is shocked when her father, Frank, comes to the funeral. Wanting to know more about him, she arranges an encounter without revealing her identity. Joey wants to look stylish for an upcoming audition, so Rachel helps out, styling him with a "man's bag" as an accessory. Joey loves the bag, but everyone else considers it a purse. Monica is upset that Chandler dislikes her massages, which he finds extremely painful. |
fd_Doctor_Who_1963_01x13 | fd_Doctor_Who_1963_01x13_0 | TEXT: First Broadcast: 15.02.64 Running Time: 25 minutes 04 seconds [SCENE_BREAK] 1: INT. TARDIS. CONSOLE ROOM (The DOCTOR enters from the living quarters and crosses over to the control panel. He looks at a set of controls and his hands falter in mid air. Suddenly, he turns around and a pair of hands grips his neck. It is IAN who looks as if he is in a trance. The DOCTOR thrusts him off and IAN falls to the floor with a wide-eyed cry. BARBARA enters, wearing a long black dressing gown and rushes over to IAN who is lying unconscious on the floor.) DOCTOR: So it was you? BARBARA: Ian! DOCTOR: It's no use pretending. BARBARA: Well help him. DOCTOR: Help him? You saw him. You saw trie... what he tried to do. BARBARA: But now he's fainted just like Susan did. DOCTOR: She didn't faint. It was you that told me she fainted, and I very nearly believed you. BARBARA: Oh, what does it matter? DOCTOR: Matter? Matter? Young lady, he very nearly tried to strangle me! BARBARA: But he has fainted, look at him. DOCTOR: (Dismissive.) Oh, he's play-acting. (The DOCTOR walks away. BARBARA stands up and trails him.) BARBARA: No he isn't! (Quieter.) Oh Doctor, don't you see? Something terrible's happening to all of us. DOCTOR: Not to me, nothing's happened to me. This is a plot between the two of you to get control of my ship. BARBARA: Oh, that isn't true! DOCTOR: Can't you see I've found you out? Why won't you admit it? Hmm? (While they are arguing, SUSAN has come in unnoticed.) SUSAN: (To BARBARA, coldly.) Yes,
SUMMARY: | As they slowly recover from the shock of being thrown to the TARDIS floor,the Doctor, Susan, Ian and Barbara all seem to be acting strangely. Unexplained events occur and suspicions are raised that an alien force may have entered the ship. The Doctor even accuses Ian and Barbara of sabotage. It gradually dawns on the travellers that what they have been experiencing is an attempt by the TARDIS itself to warn them of something. The Doctor finally realises the fast return switch he used when leaving Skaro has stuck, and the ship has been plunging back to the beginning of time and its own destruction. Once the problem - a faulty spring - is corrected, the TARDIS returns to normal and the Doctor has to make some apologies for his behaviour. |
fd_Alias_02x06 | fd_Alias_02x06_0 | TEXT: (Sydney and Vaughn meet on a rooftop of a building, both wearing sunglasses.) VAUGHN: Your mother's trial starts this morning. SYDNEY: How long do you think it'll last? VAUGHN: Could be a while. With eighty-six counts of espionage against her, the prosecution alone could take months just to present their case. SYDNEY: I want to see the opening arguments. VAUGHN: I'll arrange for a closed-circuit feed into the ops center. SYDNEY: Thanks. You know any jokes? 'Cause I could use one. VAUGHN: This grasshopper walks into a bar and the bartender says, "Hey, we have a drink named after you!" And the grasshopper says-- SYDNEY: "You have a drink named Doug?" VAUGHN: Well, I was going to use Phil. SYDNEY: Well, Phil is certainly no funnier than Doug. VAUGHN: No, I know, I'm sorry. It's a non-humorous, uh... (They giggle together.) (SD-6 briefing with Sloane, Jack, Sydney and Marshall.) SLOANE: Mr. Sark. As you know, he's proven himself to be a key player in the world of international organized crime. Now he may be developing a bioweapon systemized form a virus that we've never seen before. This is Klaus Richter, a former employee of Sark's whom we've recently taken into custody. A routine medical workup revealed that Richter may have been exposed to the virus before we picked him up. Marshall? MARSHALL: Thank you, sir. Okay, now, take a look on your screen here. These little squiggly things -- that's just a normal flue anti-body, something that you might have if you got a common cold, or cough, something. Now let's take a look at Richter's blood work. Now this shows antibodies one thousand per cent above normal levels. Very similiar to the Ebola virus
SUMMARY: | Sydney's trust in her father begins to fade. Meanwhile, Sydney and Vaughn may have been exposed to a deadly virus while in Taipei. Sloane, haunted by Emily's death, begins to unravel. Vaughn enlists Will to help research a case. |
fd_Frasier_06x14 | fd_Frasier_06x14_0 | TEXT: Act 1 A VALENTINE FOR NILES Scene 1 - Frasier's Apartment Fade in. The apartment is set up for a romantic dinner. Niles is on the phone, Eddie is sitting on the ottoman. Niles: Francois. It's Niles Crane. You delivered some champagne earlier for Valentine's Day? Well, you brought over the '88 and I asked for the '85. Yes, my date will know the difference, she happens to be the president of my wine club. Thank you, thank you. Yes, remember, I won't be at home. No, I'm not entertaining at the Shangri-La, my brother was kind enough to let me use his apartment. He crosses the apartment and puts a hand on Martin's chair. Niles: Well, what could I do? I threw a blanket over it. All right. Now, hurry, please, this woman is very particular. [He hangs up and looks at Eddie.] Lucky for you she loves dogs. [N.B. Throughout the rest of this scene, all of Niles's dialogue is mutters or mumbles as he deals with the situation.] He starts a CD of Mozart's "The Marriage of Figaro" on the stereo, then sits on the couch. He examines a crease on his pant leg, then adjusts it. He then uncrosses his legs and compares the creases. He stands up and fluffs his pants legs out, then sits again. He looks at his watch, examines his crease again, then gets up. He goes to the kitchen and brings back the ironing board and a cloth. He sets up the board and plugs the iron in. He removes his shoes, then his trousers, turning his back nervously on Eddie to do so. Laying them on the board, he covers the crease with the cloth and begins pressing them. After glancing at his watch, he begins pressing faster. Reaching for the cuff, he notices a loose thread. He tries to pull it off, then bite it off, but is unsuccessful. He rushes over to the desk and gets a pair of scissors from the drawer. He starts
SUMMARY: | It is Valentine's Day . In preparation for a date whom Niles has invited over to Frasier's apartment for dinner, Niles attempts to iron a crease out of his trousers, and disaster ensues when they catch fire and he loses control of the extinguisher . Frasier is meeting with Cassandra Stone, the station's new marketing manager, but is unsure as to whether it is a romantic date or just a business meeting. Meanwhile, both without dates, Martin and Daphne decide to have a meal together and discover what it is like to be dateless. |
fd_Tyrant_01x04 | fd_Tyrant_01x04_0 | TEXT: [PREVIOUSLY_ON] Barry: I'm an Al Fayeed. That means I'm a powerful man here. Molly: Are you saying you want to stay? Barry: Jamal, it's, uh, it's me, Bassam. What would you think if I hung around for a while? Jamal: Yes. I would like to make Bassam special counsel to the president. Sammy: My name's Sammy, by the way. Abdul: Abdul. Sammy: And I thought maybe we could hang out? Abdul: I'd be disappointed if we didn't. Nusrat: Ahmed. Stop. Please. Fauzi: What the hell were you doing with those men? Ihab Rashid? Samira: I was trying to make a difference. Something you wouldn't understand. Tariq: We have captured Ihab Rashid and ten of his followers. Fauzi: Well, I'm not sure if it matters to you, but you're about to execute the wrong man. Jamal: What would you have me do? Open the jails and set everyone free? Barry: Yeah. Let's start with that. (panting) (pop song playing faintly) (panting) (song playing faintly) (keys jingle) (door opens) (panting) <unk> it's my own desire <unk> <unk> it's my own remorse <unk> <unk> help me to decide <unk> <unk> help me make the most of freedom and of pleasure <unk> <unk> nothing ever lasts forever <unk> <unk> everybody wants to rule the world <unk> <unk> there's a room where the lights... <unk> (music stops) (panting) (call to prayer playing) [SCENE_BREAK] Kazim: Allahu akbar. (whispering) Allahu akbar. [SCENE_BREAK] Leila: It might work. Jamal: Don't talk about it. Leila: The doctor suggested... Jamal: That's talking about it. Leila: We could try again, that's all. Jamal: If we try and I fail, I will feel worse. Change the subject. Molly:
SUMMARY: | Tensions boil as the 20th anniversary of the chemical attack ordered by Barry's father, President Khaled Al-Fayeed looms. Barry's plan to defuse the situation runs into heavy resistance. Meanwhile, Jamal struggles to regain confidence in the bedroom. |
fd_Bones_01x15 | fd_Bones_01x15_0 | TEXT: "Two Bodies in the Lab" [SCENE_BREAK] [Open in Brennan's office at the Jeffersonian with Brennan sitting at her computer chatting online. Pan to a shot of her computer screen showing a site called sensiblepartners.com. She is online as Doc206 talking to Firstimer34551 and we see the text below] <unk>Firsttimer34551>: It's been two weeks of typing; I think we're ready to have a meal, if only to give our fingers a rest. <unk>Doc206>: I'm enjoying the anonymity. <unk>Firsttimer34551>: Oh God, don't tell me your picture was a fake. <unk>Doc206>: Just carefully lit. How about yours? <unk>Firsttimer34551>: I Photoshopped out my third eye. I'll meet you at 7 at Nolita's on K Street. [Brennan pauses thinking about what to say.] <unk>Firsttimer34551>: Still there? [Dr. Goodman enters her office.] DR. GOODMAN: Temperance. BRENNAN: [startled] Oh... DR. GOODMAN: I startled you... BRENNAN: Yeah, I was just chatting with a friend online. DR. GOODMAN: Sorry but we have a new delivery, top priority. [Brennan turns back to her computer to type in "I'll be there. 7." Then ends the conversation while Dr. Goodman waits.] DR. GOODMAN: Sounds like a good friend. BRENNAN: Yes, it's fascinating how interests and intimacy can be cultivated online. DR. GOODMAN: So you've never met this friend? BRENNAN: I've done enough Googling to schedule a dinner. You said there was a delivery? [Cut to the Lab Platform. There is skeleton on the exam table with Hodgins and Zack looking at it. The skeleton has what appears to be cement blocks on its feet. Brennan and Dr. Goodman walk up and she puts her hair up.] ZACK: The bones washe
SUMMARY: | When Brennan is about to meet an online date for the first time at a local restaurant, she only barely escapes being the target of a shooting and she and Booth are trying to track down her attempted killer. Was it the man she met online? Or is it someone connected to one of the two bodies she's investigating - the victim of a mob hit and the victim of a serial killer? Brennan is not deterred and insists on continuing all the investigations, while Booth sticks close by her side - until he's the victim of a bomb explosion, rigged to Brennan's refrigerator. With Booth hospitalized, Brennan gets protection from Agent Kenton of the FBI, but FBI protection is not enough and Booth must race to save Brennan's life. |
fd_Buffy_the_Vampire_Slayer_02x01 | fd_Buffy_the_Vampire_Slayer_02x01_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. The cemetery. The camera pans across it and over to the sidewalk along the border. Willow and Xander are on their way home. Xander has an ice cream cone and takes an occasional lick. Willow: Okay, um... Xander: It's your turn. Willow: I, alright, okay, uh... 'In the few hours that we had together, we loved a lifetime's worth.' Xander: Terminator. Willow: Good! Great. Xander: Um, oh, okay, I got one. (imitating Charlton Heston) 'It's a madhouse! A mad...' Willow: (interrupts) Planet of the Apes. Xander: Can I finish, please? Willow: Oh! Sorry, go ahead. Xander: '...house!' (indicates she may answer) Willow: Planet of the Apes. Okay, good. Me. Uh... Xander: Well? Willow: I'm thinking. 'Use the Force, Luke.' Xander: Do I even have to dignify that with a guess? Willow: I couldn't think of anything. It's a dumb game anyway. Xander: Well, what else do you wanna do? We already played rock, paper, scissors. My hands cramped up. Willow: Well, yes, if you're always scissors of course your tendons are gonna strain... Xander: (interrupts) Y'know, I just gotta say that this has been the most boring summer ever. Willow: Yeah, but on the plus side no monsters or stuff. She steps over to the wall and hops up to sit on it. Xander: I'm just so restless! I'm actually looking forward to school startin' up again. Willow: Yeah, and that wouldn't have anything to do with a certain girl we both know who is a Vampire Slayer? Xander: Please, I'm so over her. Did
SUMMARY: | Buffy suffers a vision in which the Master , undead, kills her once again. The Anointed One plans to resurrect the slain Master in a ritual using his exhumed skeleton, with kidnapped Scooby Gang members as blood sacrifices. Buffy rescues her friends, then deals with her residual fear and anger by obliterating the Master entirely. |
fd_Once_Upon_A_Time_01x02 | fd_Once_Upon_A_Time_01x02_0 | TEXT: -[Real World]- (Henry is watching the clock tower, when it suddenly moves. The next day, Mary Margaret, while eating breakfast, notices that the clock is working again. Emma looks out the window in her room at the inn. Archie is walking his dog, Mr. Gold walks past, and Ruby is putting out the sign for Granny's Diner. Regina is reading Henry's book and notices that the end pages are torn out.) Regina: The missing pages - where are they? Henry: It's an old book. Stuff's missing. Why do you care? Regina: I care because you think I'm some evil queen. And that hurts me, Henry. I'm your mother. Henry: No, you're not. Regina: Well, then who is? That woman you brought here? I don't like what she and this book are doing to you. Thankfully, both are no longer an issue. What? (The clock chimes, causing Regina to look up. Henry leaves while she's distracted.) [SCENE_BREAK] (Regina heads to the town square. Archie is out walking his dog.) Archie: Hey, how about that? Guess those rusty ol' innards finally straightened themselves out, huh? (Regina sees Emma's car parked on the side of the road.) Regina: Yes, how about that, indeed. [SCENE_BREAK] (Regina knocks on the door of Emma's room. She has a basket of apples.) Regina: Did you know the Honeycrisp tree is the most vigorous and hearty of all apple trees? It can survive temperatures as low as forty below and keep growing. It can weather any storm. I have one that I've tended to since I was a little girl. And to this day, I have yet to taste anything more delicious than the fruit it offers. (Regina hands Emma an apple.) Emma: Thanks. Regina: I'm sure you'll enjoy them on your drive home. Emma: Actually, I'm going to stay for a while. Regina: I'm not sure that's such a good idea. Henry has enough issues. He doesn't
SUMMARY: | Regina does everything in her power to force Emma out of Storybrooke and out of her and Henry's lives forever while the events surrounding the completion of the Dark Curse are revealed along with a revelation that forces the Evil Queen to choose between exacting her revenge or protecting the thing she loves most. |
fd_The_Office_07x05 | fd_The_Office_07x05_0 | TEXT: Michael: Look at that. Oscar: Huh? Michael: Nice! Oscar: I love cycling. Andy, I feel like a tourist in my own city. I literally can't wait to wake up every morning. Pam: Okay. Michael: She is a beaut! Dwight: Can't beat a horse. A horse is a bike that peddles itself. Oscar: Yes, it is. Michael: Oh, look at that. [pushing bike] Smooth roll. Oscar: Yeah. Kevin: You got it! Lance Armstrong's Bike! Oscar: Yes. Meredith: His ass was on that seat? All right! Kevin: Nice. Oscar: No, Meredith, that's not his actual bicycle, but it is the same exact model he uses. Kelly: I'm on Sheryl Crow's side in that whole thing, so I feel really weird right now. Pam: [crashing sound] Michael! Michael: Oh, god! Oscar: Oh... [SCENE_BREAK] Michael: Yes, I can ride a bike. I take spinning classes three times a month. I think I know how to ride a bike. [SCENE_BREAK] Jim: Are you sure you once knew how to do this? Michael: I did, yes! I had those extra wheels on the back...that support you. [Pam and Jim begin wheeling him] Mi-chael! Mi-chael! All: [chanting] Mi-chael! Mi-chael! Mi-chael! Mi-chael! Dwight: Yeah! Pam: Come on, Michael! Yeah! Jim: Just steer more now. Michael: [crashes into Jim and Pam's parked car] Oh, my god! Pam: Not the car! Jim: No! No! Michael: Ow! [grunts, stumbles to his feet] You never forget. Whoo! [SCENE_BREAK] Dwight: How do I look? Jim: Amazing. How do I look? Dwight: Normal. Ugly. Jim: Well, I do the best with what I've got. Let's go. Dwight: Alright. Wait, wait, wait, wait for me! It'
SUMMARY: | When a Dunder Mifflin client is stolen by a rival salesman named Danny ( Timothy Olyphant ), Michael, Dwight and Jim decide to set up a sting in order to uncover his sales secret. Meredith who pretends to be the manager of the fake company tanks the plan due her attraction to Danny, resulting in Michael hiring him to appear victorious. Andy starts a band with Darryl when he learns that one of his old college friends has a successful music career. |
fd_The_Office_02x10 | fd_The_Office_02x10_0 | TEXT: Dwight: Go. Get the door. Michael: Here we are. Dwight: Go. Push! Michael: Oh god. Dwight: Push! Michael: No, no, turn it around. Dwight: Really shove it. Michael: You'll break it. Dwight: Shove it through! Break it! Michael: You shove it. Shove it back! Here we go. Don't break the branches, Dwight. Michael: All right. Dwight: I got a splinter. Michael: Well, suck it up. We all have problems. Hey, everybody, look what we have! [laughs] Nice, huh? Dwight: I've got it leveraged. Push. Straight up. Michael: On three. Ready? Big, one, two, three. Dwight: One, two, three. [they push the tree up and it breaks through a ceiling tile.] Michael: Merry Christmas! [SCENE_BREAK] Michael: Did it work? Kevin: [holds up the piece of tree he just cut off with a paper cutter] Well, sort of. Why did you get it so big? Michael: A, that's what she said, and B, I wanted it to be impressive. The biggest day of the year deserves the biggest tree of the year. Kevin: But what are we going to do with this hacked off part? Michael: Well, that is a perfectly good mini-tree, Kevin. And we are going to sell that to charity. That's what Christmas is all about. [SCENE_BREAK] Jim: So this year, for the first time ever, I got Pam in Secret Santa. And I got her this teapot, which I know she really wants, so she can make tea at her desk. But I'm also going to stuff it with some inside jokes. Like, this is my high school yearbook photo. She saw it at the party, and it really makes her laugh. Not sure why. What else.. ooh. This is a hot sauce packet. She put this on a hot dog a couple years ago because she thought it was ketchup. And it was really funny, so I kept the other two. [holds up
SUMMARY: | The office Christmas party turns into a disaster when Michael decides to give all of the employees the ability to steal each other's Secret Santa gifts . While Michael attempts to procure a better gift, the rest of the staff all attempt to win the iPod that Michael originally bought for Ryan. Seeing that his idea has ruined the party, Michael buys alcohol for everyone. |
fd_Once_Upon_A_Time_04x17 | fd_Once_Upon_A_Time_04x17_0 | TEXT: SCENE: The Enchanted Forest. Before the first curse. [SCENE_BREAK] [Birds chirping] [Panting] Prince Charming: What is it? Did the trail go cold? Snow White: Shh. [Unicorn grunts] [Sighs] Snow White: Well, come on. Let's get this over with. Prince Charming: Snow... I know you're worried about Maleficent's protections. Snow White: Aren't you? If she's right, our child could end up with a dark heart. Prince Charming: Or it could grow to be a powerful hero. She said that, too, and who's to say we can even trust her? Snow White: Let's find out. [Unicorn grunts] Snow White: According to legend, all we need to do is touch its horn... And we'll get a glimpse of our child's future. [Crunching] [Twinkle] [Insects chirping] [Fussing] Prince Charming: Ohh. Yes. Look at you. You are so beautiful. [Chuckles] [Gasps] Prince Charming: Snow, it's all right. Our baby's gonna be all right! Snow? Snow White: Look at you. You're so beautiful. [Gasps] [Grunts] [Young Emma takes Snow's heart] Snow White: What are you doing?! Please! I'm your mother! Young Emma: I don't care. [Heart shatters] [Gasps] Prince Charming: Did you see? Our child's gonna be just fine. Snow White: No. No, it's not. It's evil. [SCENE_BREAK] SCENE: Storybrooke. [SCENE_BREAK] Regina: How the hell is The Author trapped inside the book? Emma: Don't ask me. You're the magic expert. Henry: Mom. Regina: Well, this is insane. What are we supposed to do, draw a key? Emma: What we need to do is figure it out before Gold does. Henry: Mom! Regina
SUMMARY: | Emma, still upset upon learning the truth from her parents, searches for the Author, who is later found by Gold. Nine weeks earlier, while in New York City, Gold confronts Robin Hood, who is about to move into Baelfire/Neal's apartment with Marian and Roland. When Gold experiences a heart attack, he enlists Robin to steal an elixir to save him, in exchange for letting Robin stay in the apartment, but after Robin completes the task, Gold discovers that the elixir was switched by Zelena. Following her apparent death, Zelena had traveled back in time (along with Emma and Hook, via her spirited soul) and killed Marian, before using the Six-Leaf Clover of Oz to take on her current form. She then returned and has been posing as Marian, to steal away Robin from Regina, and to make Gold suffer. Now, she wants Gold to have the Author released to give her a happy ending, in exchange for the real elixir. In the present, Zelena reveals on the phone that she is alive to Regina, who is left with no choice but to have Emma become dark in order to save Robin. Back in the past in Sherwood Forest, Rumplestiltskin enlists Robin Hood to travel to Oz to steal the same elixir from Zelena. |
fd_Degrassi_Next_Generation_02x15 | fd_Degrassi_Next_Generation_02x15_0 | TEXT: In science class Ms. Hatzilakos: The physics of attraction and repulsion is what we're going to explore today using static electricity. So I want all of you to pay careful attention to your experiments and please make sure that you take detailed notes. (JT is playing with the mastodon skeletons and talking in a funny voice.) JT: Will you be my friend Toby Isaacs? Toby: Will you shut up and do your work? JT: Hello! (He pops up, scaring Emma and Manny.) Emma: JT! Manny: Ugh! You idiot. JT: I'm a mastodon and I died ten thousand years ago. Emma: You ruined this! JT: Will you be my friend? Emma and Manny: No! JT: You have the cutest little bones. I bet you say that to all the skeletal mastodons. No, just you. I'm going to kissy kissy you all over. (JT starts making the mastodons hump each other and everyone else laughs.) Ms. Hatzilakos: JT Yorke! JT: Uh sorry Ms. Hatzilakos. (He speaks as the mastodons again) Uh I'm sorry too. No, don't listen to him. He's lying! Ms. Hatzilakos: One week guinea pig duty. Everyday before and after school. Right here with me. The next morning, JT is walking up to the school before it opens JT: Thanks. (He walks into the classroom.) JT: Good morning Ms. Hatzilakos. Ms. Hatzilakos: Oh good morning JT. Okay let's get started. Right this way. So we mainly feed the guinea pigs dried Timothy grass, supplemented with pellets, fresh vegetables. Of course they always need a fresh supply of water. (JT stands in front of the cupboard.) Ms. Hatzilakos: Do you mind? JT: Oh sorry. (Ms. Hatzilakos and JT purposely drops his pen on the ground.) JT: Oh is that your pen
SUMMARY: | J.T. earns two weeks' detention with Mrs. Hatzilakos, taking care of her pet guinea pigs. While doing his job he develops a bond with her over the class's guinea pigs which leads to a crush. Meanwhile, Jimmy and Spinner agree to an "all honesty" pact but are soon at each other's throats. |
fd_CSI__Crime_Scene_Investigation_02x19 | fd_CSI__Crime_Scene_Investigation_02x19_0 | TEXT: [EXT. LAS VEGAS (STOCK) - NIGHT] (Off Screen, a phone rings.) [EXT. LAS VEGAS (STOCK) - NIGHT] (Off Screen, the phone continues to ring.) [EXT. LAS VEGAS (STOCK) - NIGHT] Answering Machine: No one is available. Please leave a message. [CLOSED CAPTION READS: ANSWERING MACHINE: This is 469-5256. Please leave a message at the beep.] WHITE FLASH TO: [SCENE_BREAK] [INT JANE HALLOWAY'S RESIDENCE -- NIGHT] (The answering machine beeps.) (Camera close up of a telephone. There are 64 messages on the answering machine.) Man: (over phone) Jane, you there? Pick up. Okay... I'll call back later. (JANE GALLOWAY, a blond-haired woman, sits crouched and cowering on the floor against the hallway wall next to the answering machine table. She clutches a baseball bat tightly. The person on the answering machine hangs up. The phone begins ringing immediately. It rings once. The answering machine picks up.) Answering Machine: No one is available. Please leave a message. [CLOSED CAPTION: ANSWERING MACHINE: This is 469-5256. Please leave a message at the beep.] (The answering machine beeps.) Man: (over phone) Slut. You can't hide from me, bitch. Jane, you there? (JANE GALLOWAY is terrorized by the sudden change of message. She looks at her front door. The three locks on her door don't move. She clutches her baseball bat and nervously chews on her fingernails.) Man: (over phone) Now, didn't I tell you... not to bite your nails?! (JANE GALLOWAY freezes. She realizes that this person over the phone can see her. She gets up and rips the
SUMMARY: | Jane Galloway is a nervous breakdown waiting to happen. She has completely shielded herself from the outside world, but that doesn't stop a stalker in her attic from killing her. When CSI arrives, they find her hair dyed and her face shoved in the toilet. This image has a heavy impact on Nick, and they soon realize that this stalker is well acquainted with Nick, which makes the CSI the next target. |
fd_The_Big_Bang_Theory_05x03 | fd_The_Big_Bang_Theory_05x03_0 | TEXT: Scene: The apartment. Leonard: Who wants the last dumpling? Penny: Ooh, me. Sheldon: Penny, a moment. We just had Thai food. In that culture, the last morsel is called the krengjai piece, and it is reserved for the most important and valued member of the group. Penny: Thank you all for this high honour. Sheldon: I've seen pictures of your mother, keep eating. Howard: All right, honey, if we're gonna make the movie, we should go. (Raj stands) This may be hard for you to hear, but when I say honey, I mean my fiancée. (Raj whispers to him) Yeah, well, now it means her. Bernadette: It's okay if he wants to come. Howard: Fine. But next time, we get a sitter. Penny: All right, I got to go to work. I'll walk down with you. Sheldon: Wait. Uh, which is closer to the new train store in Monrovia, the movie theatre or the Cheesecake Factory? Howard: Neither of them are close. Sheldon: Oh, well, then I guess it doesn't matter which one of you drives me. Let's play a fun guessing game to see who gets to take me. All right, this four-letter word describes either a printer's type size or a compulsion to eat dirt. Penny: Okay, I'm not driving him. Sheldon: No, Penny, don't give up, you can get this. Leonard: Aren't you going with Sheldon? Amy: No, I have no interest in model trains, stores that sell them, nor their heartbreaking clientele. Leonard: Oh. Well, I have some work to do, so... Amy: I can't imagine that would disturb me. Carry on. Leonard: Okay. Wouldn't you be more comfortable at home? Amy: Not really, no. Leonard: All righty then. Guess I'll just get started. Amy: Leonard, please. I don't need the running commentary. Credits sequence. Scene: The apartment. Amy is staring into
SUMMARY: | Sheldon goes to the model train store to hear a lecture on model trains, and is convinced into buying an HO gauge model train set. Amy decides to take Leonard instead of Sheldon as her date to a wedding for two scientists. Meanwhile, Howard and Bernadette's relationship hits a snag when Bernadette tells Howard that she would not move in with him and his mother after they get married. Howard asks her to stay with him and his mother for the weekend as a "trial", to which she agrees. |
fd_Greek_02x03 | fd_Greek_02x03_0 | TEXT: CRU - Street Cappie is down car. Pledges are busy to push it... Little girl : Move out of the way! Cappie : Speed kills! She's getting away. Put your backs into it. Ben Bennett : What's a hernia feel like? Gonzo : When's Cappy gonna realize that the Broncosaurus isn't gonna start again ever. Cappie : I heard that. Rusty : I know you love her. But maybe it's time extinction ran its course? Cappie : I didn't give up on her when the engine blew, when the backseat caught on fire or when I crashed her into a bog. Rusty : There's bogs in Ohio? Cappie : I'm not giving up on her now. Besides, I'm assuming you pledges will be needing her for your monthly supply run to Cost Club, since none of you have cars of your own. Rusty : But it's 15 miles. Cappie : The house is woefully low on essentials like moisturizer and butt paper, and I'm sick of stealing it from the sorities. Powder fresh scent makes me chafe. Ben Bennett : Dude, borrow your sister's car. Rusty : She'll never go for it. Gonzo : Why not? Rusty : When I was 16, I borrowed her car for my DMV test, and I ended up in a grocery store parking lot and I ran over one of the coin-operated horse rides. Gonzo : Was there a kid on it? Rusty : No. Ben Bennett : Then who cares? Rusty : Casey cared. She doesn't trust me. She never will. I'm also not allowed to install her software or touch her dolls. It's a long story. Pickle : But you're her brother. Rusty : Her little brother and she's likely to never see me as anything but that. Cappie : Less chat, more push. We need more momentum for the hill. Rust
SUMMARY: | Ashleigh's bill for her credit card is much higher than she expected, and enlists Casey to help her learn to count cards, who in turn enlists Rusty and Max to teach them how to count cards in an effort to win at 21 during Omega Chi's Casino Night. Meanwhile, Evan receives his trust fund , while Rebecca offers to buy Cappie a new car. |
fd_Frasier_03x01 | fd_Frasier_03x01_0 | TEXT: ACT ONE Scene One - Apartment Daphne is eating breakfast at the table. The door opens and she hears two dogs barking at each other. Martin drags Eddie through the door. Martin: Come on in! Come on, it's all over! He won't mess with you! [closes door; to Eddie] Are you nuts? That was a Doberman! Daphne: Oh dear, what happened? Martin: Oh, get the first aid kit. Eddie got into a fight. We were on the elevator with that Doberman from upstairs. Eddie took a perfectly innocent sniff, and wham! Daphne brings the first aid kit from the powder room. Frasier enters. Frasier: Morning, all. What's all this? Daphne: Eddie was viciously attacked. Frasier: Oh. [then] Is that coffee cake I smell? Martin: Well, now that I look at it, it's just a scratch. But I probably should take him to the vet's anyway. Daphne: What are you doing up so early? Frasier: Oh, the new station manager's taking over today. She wanted to meet with all of us. Martin: "She?" Oh, working for a woman, huh? Frasier: Yes, why? Martin: Well, it's tough on guys, taking orders from a woman. We resent it! Frasier: That's absurd. If I had trouble taking orders from a woman, Frederick would never have been conceived! Doorbell. Daphne: My brothers couldn't stand taking orders from me. I was forever telling them, "Billy, clean your room," "Reginald, get your elbow out of the gravy," "Nigel, take that thing back to the hospital, the whole house is full of flies!" Frasier opens the door to Niles. Frasier: Morning, Niles. Niles: Hello, Frasier. Dad, Daphne. Uh, I can't stay, I just wanted to ask a favor. Dad, can I borrow your gun? Martin: Maris taking singing lessons again? Niles: No. Our home security system is down for repairs, and with no electric
SUMMARY: | New station manager at KACL Kate Costas (Mercedes Ruehl) has a reputation for being a fearsome perfectionist, and everyone at her last radio station was afraid of her. Frasier refuses her demands to change his show in various sensationalist ways (such as themed shows and giving priority to "juicier calls"). His show is moved to the graveyard shift as a result, spoiling his sleep patterns and making Roz bitterly resentful. |
fd_Lucifer_02x16 | fd_Lucifer_02x16_0 | TEXT: Lucifer is on a gurney, in a hospital. Lucifer: I'm not the Devil, I'm just a man who's delusional. I made it all up. I made it all... Up. 36 hours earlier, Lucifer has a session with Linda. Lucifer: I'm doing great. Linda: Great. Great is... Good... Lucifer: Okay, good talk. Same time next week? Linda: Uh, sorry, it's just that... Some of the things that you said in our last session raised some issues for me. Lucifer: Do tell. Linda: So this secret plan to cut through the Gates of Heaven... Lucifer: Well, actually, we've hit a bit of a snag with that. The Flaming Sword's kaput. Now, we can't work out what's wrong with it, and until we can, we're in a bit of a holding pattern. Linda: Ah, that's a relief. Lucifer: Well, why would you say that? Linda: God and His ex having a fight to the death? Sounds kind of bad for, you know, humanity. Lucifer: Oh, you'll probably be fine. Linda: Probably? That's not exactly reassuring. What does Maze think of your plan? Lucifer: Well, I don't know. I haven't told her. Hence the secret part of the secret plan. Linda: She's your best friend. Lucifer: Yes, well, as much as I love my little s*x thug, Maze can do things that she thinks are in my best interest that turn out to be, well, disastrous. And I can't afford that. Linda: Hmm. Lucifer: But the good news is she's busy focusing on her new bestie right now. The Detective. They're practically inseparable. Chloe tries to avoid Maze. Maze: Hey, roomie. Where you going? Chloe: Maze, hey. Um, I'm on my way to work. I'm running late. Maze: Oh, no, but you haven't had breakfast,
SUMMARY: | Lucifer and Chloe investigate the murder of an orderly at a mental institution. The suspect is a patient calling himself "God Johnson" who proves to be immune to Lucifer's powers and knows to call him Samael . Ella identifies the man as Earl Johnson, a businessman who was committed after giving away all his wealth. Lucifer feigns insanity to get himself committed. Upon seeing Johnson heal a woman that would have been the killer's second victim, Lucifer believes that he is God. Learning that Johnson has no knowledge of Charlotte escaping Hell, Lucifer and Linda break him out and set up a surprise date between the two. Amenadiel reveals to Maze that Lucifer is returning to Heaven, leaving her behind. Johnson and Charlotte begin to reconcile, but Chloe takes him and Lucifer back to the hospital. Lucifer and Johnson are then abducted by the real killer, one of the nurses, and make peace with one another. After being rescued, Lucifer discovers that Johnson's belt buckle was part of Azrael 's Blade and that Johnson was filled with the knowledge and power of God while wearing it. Realizing that his real Father would never reconcile with him, his hatred becomes even stronger. |
fd_Merlin_03x13 | fd_Merlin_03x13_0 | TEXT: Camelot dungeons Guards escort Sir Leon, he looks dazed. [SCENE_BREAK] Council Chamber They enter the Council Chamber; the guards throw Sir Leon at Morgana's feet. She wears the crown and she is seated on the throne. Morgana: Tell me, Sir Leon, how have you enjoyed the first week of my reign? Sir Leon remains silent. Morgana: Speak up. Are you and your fellow knights ready to honour and serve me? Sir Leon: I would rather die. Morgause: That can be arranged. Sir Leon: My loyalty is to the king and Prince Arthur. There is nothing you can do to change that. Morgana: We shall see. Morgana nods and two guards drag Sir Leon out of the room. [SCENE_BREAK] Forest Merlin is running, he is chased by Morgana's soldiers He manages to reach a cave. Gwaine defends the entrance. [SCENE_BREAK] Cave Merlin enters the cave. Elyan holds him a flask. Merlin tries to drink but there is no water left. Elyan: I'll get some more. Merlin: It's too dangerous. Gaius: What happened? Merlin: Nothing... (Whispering to Gaius) We need to do something. Morgana's men are everywhere. Merlin and Gaius give a look at Arthur, who is sitting on the floor, his stare is vacant. [SCENE_BREAK] Castle Courtyard Morgana addresses the people gathered in the courtyard from the castle balcony. Camelot knights are standing in a line. Morgana: I will give you one more chance to pledge your allegiance to me. Morgana's soldiers threaten the Camelot knights with their crossbows. Sir Leon and Morgana stare at each other. He smiles. Sir Leon: Long live the king! Knights: Long live the king! Morgana: Perhaps this will help you change your mind. She gives a signal. Soldiers turn towards the crowd and they use their crossbows. You can hear screams. People start running to escape the arrows. Sir Leon: No! - Opening
SUMMARY: | Morgana has taken Uther's place on the throne, while Uther sits defenseless and alone in the castle dungeons. Gwen and Sir Leon escape from Camelot to join up with Arthur and his friends in exile. Freya appears to Merlin, urging him to get Excalibur. After finding the Round Table, Arthur knights Lancelot, Gwain, Elyan and Percival and they plan a counter attack. While Arthur and the others free the imprisoned knights and the King, Merlin and Lancelot fight their way to the Cup of Life. With Gaius' help, they manage to empty it of blood and the immortal knights explode. They take Camelot back, but Morgana manages to escape with Morgause. Merlin embeds Excalibur into a rock. |
fd_Doctor_Who_1963_04x06 | fd_Doctor_Who_1963_04x06_0 | TEXT: THE TENTH PLANET BY KIT PEDLER first broadcast - 15th October 1966 [SCENE_BREAK] 1. POLAR LANDSCAPE (A Cyberman is inspecting the body of a dead guard. The Cyberman's hands are human.) [SCENE_BREAK] 2. TRACKING ROOM (Cutler is talking to the Doctor and Ben in the observations room. Polly and a Guard are watching.) CUTLER: That's the most fantastic story I've ever heard. DOCTOR: I can only repeat, sir, what I have already told you. You will get visitors from that other planet. CUTLER: Nonsense. (Cutler walks into the tracking room. Barclay is looking at a clipboard and various technicians are milling about.) CUTLER: What's the position on the capsule, Dr Barclay? BARCLAY: Full instructions have been issued, General. (Cutler walks over to the radar screen.) CUTLER: What's the range? TECHNICIAN: 1250 miles, sir. CUTLER: How much off course? TECHNICIAN: About 230 miles. (The Technician indicates a blip on the radar screen.) CUTLER: I don't like it. (Cutler walks over to a nearby monitor and takes a radio from underneath it. He speaks into it.) CUTLER: Hello, Zeus 4. Cutler, Snowcap here. Now look gentlemen, everything's under control, there's nothing to worry about. We're going to get you down here soon as God makes a little effort. (On the monitor screens Glyn and Bluey can be seen.) GLYN: (Over radio.) OK. CUTLER: We'll be seeing ya. (Cutler puts the radio back and moves away. He sees Barclay drinking something.) CUTLER: All right, Dr Barclay, this isn't a convalescent home. BARCLAY: Right. DYSON: Are you all right. BARCLAY: Yes. Ready? DYSON: Ready. [SCENE_BREAK] 3. POLAR LANDSCAPE (The three Cybermen put
SUMMARY: | The Doctor's warnings are ignored and the Cybermen take over the base, hampering the crew's efforts to help Zeus IV. |
fd_One_Tree_Hill_04x01 | fd_One_Tree_Hill_04x01_0 | TEXT: [Molina Bridge-River (underwater)-Day] NATHAN, in the limo, gasping for air in the only air bubble that is left on the roof of the limo) NATHAN: (in panic/gasping) HELP! Help me! HALEY! (to himself) Oh, God [Molina Bridge-Day] HALEY, in panic, is on her knees on the bridge looking down at the river) HALEY: (crying) NATHAN! Cooper! (Cut to NATHAN underwater: HALEY's voice can be heard as he still stays by the air bubble on the roof but it starts filling up) HALEY's voice: (crying) Nathan! (Cut to HALEY) HALEY: (looks at road) HEEEEELP! (Cut to NATHAN who goes down as he's running out of air) HALEY's voice: SOMEBODY PLEASE... (Cut to HALEY: She is standing up jumping and looking at the river) HALEY: HEEEEEEELP! (Cut to the river, underwater: The bracelet HALEY put on NATHAN right hand before the limo fell, is floating in the water as NATHAN's hand tries to reach it but the hand and the bracelet separate Cut to NATHAN's face underwater, all the air he has left is running out as he lets out a bunch of air bubbles that transcend into water bubbles from a gallon of water that is being used to get some water at the Tree Hill Memorial Hospital) (LUCAS is standing by the gallon, looking at it) LUCAS: (v.o) My name is Lucas Scott (walks away) I'm a senior at Tree Hill high school (walks down the hospital hall) Tree Hill is just a place somewhere in the world... maybe it's a lot like your world (stands still and looks ahead) maybe it's nothing like it... (LUCAS looks at the hospital door open automatically and HALEY is standing by it looking down, her dress is a mess and so is she, mentally) LUCAS:
SUMMARY: | The residents of Tree Hill must deal with the aftermath of the shocking accident. Nathan and Rachel are okay while Cooper still remains in a coma. In the midst of all the chaos, Dan extends his help to Karen now that she is pregnant. Lucas and Peyton's friendship continues to grow stronger. Previously rivals, Brooke and Rachel move past their differences and manage to become good friends. Brooke has a difficult decision to make about her relationship with Lucas. Skills decides to try out for the Ravens.[2] This episode is named after a song by The Cure . |
fd_Dawson_s_Creek_06x06 | fd_Dawson_s_Creek_06x06_0 | TEXT: [Scene: The Movie Set. They are shooting a shot that takes place in the bedroom, while Dawson and Todd are watching on from the Director's chair. Natasha, and some guy come into the bedroom, and sit on the bed and begin to kiss and make out.] Guy: hey... you sure about this? Natasha: As sure as about anything in my entire life. Guy: Groovy. [They begin to get making out even more. Natasha's shirt is coming up and his hands are sliding all over her body. When a man dressed up as the killer comes into the room and raises an axe above his head, and a monitor from above comes crashing down onto the floor next to him] Andrew: Cut! Todd: Excuse me, Andrew. Must be my trick ear. Did you just yell cut? Yelling cut is one of the few bright spots in an otherwise bleak existence. And I will not allow some hack stuntman to deny me the pleasure. You do not break character until I yell cut. Do you understand me? Good. [Andrew nods and walks off] That was fun. Sometimes I forget how much I like yelling at people. Dawson: You're a sick man, Todd Carr. Todd: Great. Now I'm not gonna make my day. This is what I get for shooting on a bloody haunted soundstage the day before bloody Halloween. Dawson: What do you mean haunted? Todd: You don't know? Dawson: What? Todd: About the bird who died here-- Melanie Ray? You've heard of Melanie Ray? Dawson: No. Todd: And you call yourself a film geek. Shame on you, leery. [Natasha comes over to them and stands behind Todd and begins giving Todd a massage. You can see the twinge of jealousy in Dawson's eyes.] Todd: You've heard of Melanie Ray, right, darling? Natasha: Of course. Todd: Melanie ray was the Jamie Lee Curtis of her day. The original scream queen. She was shooting this b-movie here in Boston. What was it called again? Natasha: Uh, kiss the
SUMMARY: | When Dawson assists Todd in throwing a blow-out Halloween party, Todd and Natasha have Dawson believing he is seeing the ghost of a legendary film actress. Jen becomes suspicious about C.J., and Joey gets stuck taking Professor Heston's daughter to a haunted house with Eddie. |
fd_Gilmore_Girls_07x06 | fd_Gilmore_Girls_07x06_0 | TEXT: LORELAI'S HOUSE - LIVING ROOM [Lorelai is sitting on the couch, she has called Emily, who is at home] EMILY: Hello? Gilmore residence. LORELAI: Hey, mom, it's me. I just wanted to leave you a message letting you know that unfortunately I will not be able to come by tonight to take a look at your new curtains. EMILY: Lorelai, it's me. LORELAI: So, sorry I missed you, but... EMILY: You didn't miss me. For heaven's sakes, I'm right here. LORELAI: Hello? EMILY: Hello? Lorelai? LORELAI: Hello? EMILY: Hello? LORELAI: Huh. That's weird. I don't know if your machine just cut me off. EMILY: [Shaking the cordless phone] Is something wrong with this phone? LORELAI: Anyway, uh, something came up, and I just have to take a rain check on the curtain check. I'm sure they're beautiful. No one knows how to pick out curtains like you. You're the curtain queen. [Meanwhile Emily was also talking "Rain check, Lorelai I'm right here, I'm on the phone, Lorelai"] EMILY: Hello? Lorelai, can you hear me? LORELAI: Anyway, have a good night, curtain queen. Give my best to dad. Bye. EMILY: Lorelai? Hello? Hello? LORELAI: [Too Chris as he puts his arm around her] See? I told you it would work. CHRISTOPHER: Wow. How did you even think to... LORELAI: Well, it's natural instincts honed by years of experience. CHRISTOPHER: Wow. LORELAI: Yeah. Fight or flight, you know. Fight or flight and I just did my nails, so... CHRISTOPHER & LORELAI: Flight. [They Kiss] CHRISTOPHER
SUMMARY: | Christopher talks Lorelai into visiting Rory at Yale during Parents' Weekend, and Lorelai is surprised to find that Richard and Emily are also there. Christopher invites all of Rory's co-workers on the "Yale Daily News" to an expensive lunch where they all drink too much. The meal ends abruptly when Rory insists they leave to cover a breaking story. Meanwhile, Luke meets April's swimming coach, who convinces him to take her adult swimming class. When the coach flirts with him, Luke asks her out on a date. |
fd_Charmed_03x06 | fd_Charmed_03x06_0 | TEXT: [Scene: Manor. Kitchen. Prue is there. She is trying to move a fork using her power but it's not moving. Phoebe comes in.] Phoebe: Look at me. I am a fashion blunder. A mademoiselle don't. Oh my god, you lost your powers? Prue: Can't lose what you never had. (Prue astral projects out of the room.) Phoebe: I hate when she plays astral games. Marco. Prue: (from the attic) Polo. [Cut to the attic. Prue is sitting in a chair reading a book on telekinesis. Phoebe walks in.] Phoebe: What were you doing down there? Prue: Practicing. Trying to use telekinesis in astral mode. Phoebe: Hmm, witch exercises. Since when? Prue: Since I studied up on Belthazor. The triad couldn't have sent us a worst demon. Phoebe: Or one with worse skin. I would hate to find myself alone with this guy. Prue: Yeah, well, you wouldn't last long. None of us would. That's why I'm trying to teach my astral self how to fight. (Phoebe flops down into a chair.) Phoebe: I have a date wit Cole. Prue: You say that like it's a bad thing. Phoebe: It's a lunch date. Prue: So? Phoebe: So, it's not a good sign. Lunch is a cheap imitation of dinner. That's why it has it's own special menu. And, you know, we kissed last week. We should be onto dinner and candle light by now. Prue: Well, may-- ohh! (She holds her hand against her jaw.) Phoebe: I can't believe you haven't taken care of that tooth. Prue: Yeah, well, I have a dentist appointment in an hour. Phoebe: Good. I hate to see you so miserable
SUMMARY: | Unwittingly following the signs laid out by Cole, Prue comes into contact with a seemingly innocent shut-in, Vinceres, who refuses to leave his apartment that is about to be demolished. The man is faced with unendurable pain caused by his ability of feeling all of the emotions of the city. After learning the man is an Empath, she casts a spell to relieve him of his power, but it is transferred to her. Prue is later told he is a demon given this power to serve as a curse, causing him the inability to prey on witches or innocents. She nearly goes insane from bearing this gift that she was not meant to have. But Prue eventually overcomes it, intensifying the pain Vinceres felt by finally astral-projecting into his body and destroying him. |
fd_Doctor_Who_1963_08x25 | fd_Doctor_Who_1963_08x25_0 | TEXT: THE D<unk> MONS BY: GUY LEOPOLD 6:10pm - 6:35pm [SCENE_BREAK] 1: INT. CHURCH. CAVERN (JO watches in horror.) MASTER: Atanee Bmaltlttiladahy ram! (He raises the dagger. JO has seen enough and runs forward.) JO: No! Stop it! It's evil - don't you see that? It's evil! MASTER: You are too late, my dear! Eko, eko, Azal! COVEN: Eko, eko, Azal! (A cold wind starts to blow through the cavern. The air turns red and the MASTER holds his arms aloft, laughing. A rumble sounds behind them and the MASTER and JO spin round and look down at the painted stone on the floor of the back of the cavern behind them. From it, a creature growing in size appears and steps forward turning round to face the group as it continues to grow to an enormous height. With cloven feet, the legs of an animal, horns on its head and a cruel face with a slavering mouth made up of sharp pointed teeth, AZAL is the epitome of the devil!) MASTER: (Laughs.) Azal! (JO looks up in horror as AZAL reaches its full height. The D<unk> mon has made its final appearance.) [SCENE_BREAK] 2: EXT. COUNTRY ROAD (The BRIGADIER lowers his binoculars after observing the latest disturbance over at the village. SGT. OSGOOD walks past with a length of cable in his hands.) BRIGADIER LETHBRIDGE STEWART: The last appearance, that's what the Doctor said. SGT. OSGOOD: Well, I'm working as fast as I can. BRIGADIER LETHBRIDGE STEWART: Well, it doesn't seem to be fast enough. You have five minutes, sergeant. (OSGOOD fixes the cable to one of the metal supports in the ground. The BRIGADIER
SUMMARY: | The Master decides to sacrifice Jo to Azal and when the Doctor and his friends try to intervene they come under attack from Bok. |
fd_FRIENDS_10x06 | fd_FRIENDS_10x06_0 | TEXT: Produced by: Robert Carlock and Wendy Knoller Final check by Kim [Scene: Central Perk, everyone except Phoebe is there] Phoebe: (she enters) Hey... All: Hey! Rachel: Hi! Ross: Pheebs, what's wrong? Phoebe: Oh, I'm just so exhausted from dragging around this... (she shows her ring) HUGE engagement ring! All: OH! Rachel: My God! Joey: Hey! Rachel: Congratulations! Wow!! Ross: So, did he get on one knee, did he have a speech prepared, or (in a tender way) did he cry? (the guys look at him) Yeah, big surprise, I like proposals! Phoebe: Well, it was really sweet, and like the most romantic thing ever. Joey: Well, hey! Well... (he takes his mug to toast Phoebe) Here's to Phoebe, who's found the greatest guy in the world! To Phoebe and... (a bit uncertain) I wanna say Mike? (pause) To Phoebe and Mike! All: Whoo! Phoebe: Thank you! (to Rachel) Oh, and I have something for you! Rachel: Mmh-mmh! Phoebe: It's, yes, my little black book. It's got the numbers of all the guys I've dated. Rachel: Oh, Pheebs, baby, that's nice but, you know what, I think I'm ok. Why don't you give it to one of your other single girlfriends? Phoebe: I would, but you're the last one. Rachel: (angrily) GIVE ME THE BOOK! (she takes it and start reading) Pablo Diaz, Brady Smith, huh, "Guy-in-van"? Phoebe: Oh, my first love! Rachel: Oh! Monica: What does the red X next to Bob Greenmore's name mean? Phoebe: Dead. (everyone is a bit upset) Oh, it's OK, no, he was old,
SUMMARY: | Ross applies for a paleontology grant - and finds out Charlie's ex-boyfriend - Benjamin Hobart ( Greg Kinnear ) reviews the applications. Ross and Charlie have dinner with him and it becomes obvious that Benjamin still has feelings for her. During the interview, Benjamin sabotages Ross' application by not asking him any paleontological questions. Ross is upset so he informs Charlie. Benjamin confesses his feelings to Charlie and his ploy to get her back. Charlie reveals she still has feelings for Benjamin and gets back together with him, ending her and Ross' relationship. Phoebe is getting rid of things so Mike can move in but is sad to part with her disturbing artwork, Gladys. Monica pretends to like it but secretly hates it. Phoebe gives it to her but Monica and Rachel fight over who should have it since Phoebe thinks they both want it. She makes another even more disturbing artwork Glynnis which Monica keeps while Rachel keeps Gladys. Joey wants Chandler to get him a job in a commercial Chandler is working on but Chandler doesn't think he's right for the part. Chandler lies to Joey, but Joey realises when Chandler doesn't comment on the bizarre Japanese male lipstick commercial from his audition tape. Chandler makes it up to Joey by wearing the lipstick from the commercial. |
fd_Doctor_Who_1963_14x06 | fd_Doctor_Who_1963_14x06_0 | TEXT: THE HAND OF FEAR BY: BOB BAKER AND DAVE MARTIN Part Two Running time: 24:48 [SCENE_BREAK] WATSON: Driscoll, can we lose some of this noise. DRISCOLL: With you in a minute, sir. WATSON: Lose some of this noise. I can't hear myself think in here. WATSON: I want this damned racket stopped! JACKSON: I'm doing my best, sir. [SCENE_BREAK] MAN (OOV.): Repeat, this is not an exercise. MAN (OOV.): I will repeat that. Emergency, emergency. All personnel proceed immediately to your safe areas. MAN (OOV.): Proceed immediately to your safe areas. GUARD: Where did they go? MAN (OOV.): Repeat, this is not an exercise. CARTER: This way out. DOCTOR: No, no, this way in. CARTER: But we could have been shot. DOCTOR: But we weren't, were we. Come on, let's find the control centre. [SCENE_BREAK] MAN (OOV.): All personnel proceed immediately to your safe areas. Proceed immediately to your safe area. SARAH: Yes. Yes. I understand. MAN (OOV.): Repeat, this is not an exercise. MAN (OOV.): I will repeat that. Emergency, emergency. [SCENE_BREAK] WATSON: Will you shut up! MAN (OOV.): Proceed immediately to your safe areas. WATSON: Thank you. Now listen, all of you. Miss Jackson, start emergency shutdown procedures. JACKSON: Yes, sir. WATSON: Attention all personnel. Attention all personnel. An emergency exists in the neutron fission reactor in sector four. Now this is a deliberate act of sabotage. Some idiot, some suicidal maniac, a young woman, has infiltrated the complex. Now she has already knocked out two of our personnel and has locked herself in the outer chamber of the reactor core. [SCENE_BREAK] WATSON (OOV
SUMMARY: | The Doctor and Carter attempt to gain the trust of the Nunton staff before Sarah takes the hand into the reactor. |
fd_Blood_Feuds_01x03 | fd_Blood_Feuds_01x03_0 | TEXT: Our nation is built upon a history of battles, fought over honor, family and power. These bloody and iconic chapters, define what it truly means to be an American. These are Blood Feuds. In the backwoods of Appalachia, two families, the Hatfields and McCoys, are locked in an epic battle. Told you I'd be paying you a visit. This is one of the most violent episodes in American history. Get away from her. You had bitter, bitter rivalries between figures that we will never forget. Narrator: It's the most notorious feud in U.S. history, the quintessential story of Americans taking justice into their own hands. "Devil Anse" Hatfield will kill to protect his family from slander and attack. I want to hear you beg for your life. Randall McCoy is dead set on revenge for his kin who were murdered in cold blood. [Gunshots] All of you Hatfields are a bunch of thieving killers. Potter: They just become more and more violent and vicious. The worst of human nature came out of these men. Get off my brother. Narrator: Born from deep divisions from the Civil War, this feud lives on in infamy as one of the bloodiest chapters in American history. [Man grunting] It's a war so savage that these two family names will be forever stained in blood. Potter: This feud was so powerful, it just wouldn't go away. McCoys, you're about to reap what you sow. My name is Randall McCoy. I'm a peaceable man. But them Hatfields, they've been like a curse to us McCoys, going after me and my kin, killing my family. By God, I'm here to stop them. I'm Anderson Hatfield. Folks call me "Devil Anse." Seems like Randall McCoy blames us Hatfields for everything bad that happens. Hell, we're just like everybody else. And we'll do anything to protect our family from Randall McCoy. Randall McCoy, you are surrounded. You
SUMMARY: | Civil War hostility between the Hatfields of West Virginia and the McCoys of Kentucky escalates to kidnapping, illicit love affairs, murder, and a legendary turf war. |
fd_One_Tree_Hill_08x22 | fd_One_Tree_Hill_08x22_0 | TEXT: KAREN'S CAFE Haley is ready to open again the cafe. JAMIE (Voiceover): I was born and raised in a magic time, in a magic town among magicians. Most everybody else didn't realize we lived in a web of magic. But I knew it all along. NALEY'S HOUSE Nathan is in the swimming with Lydia. Jamie comes to asks something. JAMIE: Hey, dad, is it safe to have the baby in the water like that? NATHAN: Are you kidding me? She's practically a fish. Why don't you join us? JAMIE: I was thinking I would go to the Rivercourt. NATHAN: Yeah, buddy, we can do that. JAMIE: Well, I was thinking...I could go by myself. NATHAN: Hmm. JAMIE: Chuck and some of the guys are there. And I'd go straight there and straight home. I promise. NATHAN: Straight there then straight home, huh? JAMIE: NUh-hu. For sure. NATHAN: Hmm. All right. Take your cellphone, stay on the sidewalks, and do not talk to strangers. JAMIE: Cool. Thanks, dad. Promise. NATHAN: Jamie. You're my son. I love you. I need you to be safe. JAMIE: I understand. Love you. Love you, too, Lydia. NATHAN: See ya! JAMIE: Bye! (Jamie leaves) NATHAN: You don't get to leave the house alone until you're at least 30, okay? Maybe even 40. Discuss it with your mom. BRULIAN'S HOUSE Julian is sleeping. Brooke wakes him up. BROOKE: I think I'm showing. JULIAN: That's awesome, baby. BROOKE: Do you want to see? JULIAN: Is there a chance I can see after 9:00 a.m.? BROOKE: Julian. JULIAN: Okay, baby, let me see. (She shows him) JULIAN: Okay. You look skinny as ever. BROOKE: You don't see it?
SUMMARY: | Haley and Brooke prepare to re-open Karen's Café, and Nathan and Clay travel in search of new clients. Alex and Chuck are disappointed after Chase leaves for the Air Force, and Mouth and Millie start their new morning show together. Brooke gives birth to twin boys, Davis and Jude. Nathan also visits Dan. This episode is named after a song by We Were Promised Jetpacks . Opening theme song performed by Gavin DeGraw . |
fd_Salem_02x05 | fd_Salem_02x05_0 | TEXT: [PREVIOUSLY_ON] Anne: Cotton! Aah! Mary: John was the only man I ever loved. And the saddest part is, he died not knowing it. Cotton: But you're dead. [Grunts] Hathorne: You cannot hide behind your husband anymore, Mary Sibley. George: What do you want from me? Mary: Silence your bitter enemy, Hathorne. Wainwright: I'll try and be gentle. Mary: Don't bother. [Gasps] Von Marburg: We will meet again, little owl. Until then, tell no one that we have met. Mary: [Muffled scream] Von Marburg: Their time for knowing me is not yet. Mary: I shall use the young Anne Hale to make a water charm to warn me if it draws near. Von Marburg: [Chuckles] Sebastian: I have been feeling something nearly new. Von Marburg: What is it, my love? Sebastian: Excitement. Von Marburg: Mmm. What wind fills your jaded sails? Sebastian: Mary Sibley. You have been most selfish and cruel. Days ago, your hag kissed her, and you tasted her very essence. Von Marburg: Well, I have told you everything. Sebastian: Told me, yes. But I want to taste her. You let me taste Anne Hale. Why not her? Von Marburg: I'm still swirling it myself for insight. Sebastian: These are simple folk. What could possibly elude you? Von Marburg: We're not all as obvious as you, my dear son. Unlike men, women keep their most sensitive parts hidden within. And our beautiful Mary Sibley... now, she has more and deeper secrets than most. Sebastian: Such as? Von Marburg: It's clear that she has launched the grand rite. But how can she hope to complete the consecration without a sacrificial lamb? Sebastian: Perhaps you give her too much credit. Perhaps she is merely ignorant of what a true consecration demands. Von Marburg: I doubt it. She's hardly what I'd call a wise woman, but she's no fool
SUMMARY: | Following Mary's public chastening, the recently minted Magistrate Hathorne steps up his bid to wrest power over the citizenry of Salem from her, forcing Mary to once again compel her bewitched husband to take action. When Hathorne threatens against Anne Hale-giving her the choice of marriage to him or be accused of witchcraft-it prompts the young Witch to seek Mary's council. She receives sound advice to either marry Hathorne or Cotton. But it comes at a fearful and unappealing cost. Mercy Lewis' grisly preparations to enact her revenge reach new heights, drawing Dollie and her Reverend Lewis closer in the process, and forcing the hand of one of her increasingly tenuous allies. Meanwhile, as John Alden continues to pursue his righteous task, his search for answers yields valuable results, and Mary takes the fight directly to her newest foes, Countess Marburg and her son, Sebastian, with surprising results. |
fd_Frasier_10x11 | fd_Frasier_10x11_0 | TEXT: [N.B. This episode originally had a subplot about Daphne trying to expand her physical therapy clientele, featuring actress Ana Gasteyer as a physical therapist observing the techniques Daphne used with Martin. Director David Lee later said the subplot hadn't turned out as well as hoped, so the subplot was scrapped. Gasteyer returned to play housekeeper Trish Haney in [10.07] "Bristle While You Work," which was filmed after this episode.] [Act 1 Scene 1 -Frasier's Apartment Martin is lying prone on a gurney. Daphne massages his hip.] Martin: Ow! All right, all right, I'll talk! Just make the pain stop. Daphne: Oh, shut up. I'm just trying to get the blood flowing. Martin: Oh, more like make me hemorrhage. Daphne: Don't tempt me. Martin: Oh, God, you broke something! Daphne: Too bad it wasn't your bloody pie hole! There, we're done, you big baby. Martin: [genuinely disappointed] What, already? [rising] Oh, that felt great! Oh! I feel like a new man. I love your new table. Daphne: Oh, you're sweet. Can I make you a sandwich? Martin: Oh, that'd be great. Yeah. Oh, by the way, Daph, you know, they're showing the first-ever episode of Rockford today. If you're really serious about becoming an American citizen, maybe you ought to watch it. [Martin sits in his chair. Frasier and Niles enter. Frasier is holding an envelope.] Niles: Well, now you've opened it. That's mail theft. Frasier: Nonsense. Martin: What's going on? Frasier: Nothing. Just another piece of Cam Winston's mail has found its way into our box. It's been happening a lot since we switched mailboxes. Even after I gave the postman a stern lecture. Martin: Especially after. Frasier: Anyway, it was an honest mistake. Cam and I are on all the same
SUMMARY: | Owing to an item of misdirected mail, Frasier learns of a very exclusive new spa in Seattle called La Porte d'Argent . When he discovers that membership is strictly by invitation only, he persuades Niles to masquerade as Cam Winston (whose name is on the list) so they can get past the receptionist. Once inside, they find the service expensive but excellent, and are quite contented until they discover that there is an even more exclusive gold membership. Roz calls in a favor to get the brothers admitted, and they enjoy the luxurious pampering - until they notice yet another door, this one completely unguarded. Believing it to be the entrance to an even higher level of membership, they sneak through only to find themselves locked out of the spa in its garbage-strewn back alley. At the same time, Martin and Daphne are struggling to bond after she became his daughter-in-law, finding a common fondness of old television shows like M*A*S*H . |
fd_Queer_As_Folk_05x04 | fd_Queer_As_Folk_05x04_0 | TEXT: [We're beginning with the favourite sport of Justin and Brian - but they're not alone. They have another couple in their bed. Justin get's f*cked by the other man and Brian f*cks the 4th man.] Music: # Personal Jesus - Marilyn Manson [After the s*x the other couple lies arm in arm while Justin take pot from Brian.] Man: How much time you're together? Brian and Justin: 4 years. Man#1: You get straight. Justin: It's complicated. Man#1: Obviously. Justin: What about you? Man#2: Goin on 10 years. Justin: sh1t! It's amazing. How do you do that? Brian: I'm not sure if I'm gonna do hear this. Man#1: Communication... Man#2: Honesty... Man#1: Respect... Man#2: And a lot f*cking around. Man#1: A couple of place together, a couple stays together. Brian: That's what I'm always said - nothing kill marriage faster than monogomy. Man#1: Yeah, try that for 6 months. He stop lying, sneaking around. Man#2: Yeah, he call me a f*cking neighbour. I thoughed those guys are hot, so I'm join them. Man#1: It solved all our problems. Man#2: So how you got hook up again? Brian: Oh, we have a strict rule - not to see anyone twice. But since you two of you... [Melanie gets the mail. She opens a mail and say nothing. Cut to Lindsay. She also open a envelope and, the 3rd member of the party Michael gets the mail.] Ben: OK, I'm a lonely writing professor, for christ sakes. But I'm not gonna take that crip together. Michael: You must finish onced JR arrives. It's official. I have 1/4 of my daughter. [Ben umbrace him.] Ben: Oh, congratulations! Michael: Could have more - but Brian stucks his nose in. Ben: Hey, hey, it's not his fault. Michael: He
SUMMARY: | Brian remains steadfast in his belief that marriage is the death of a relationship. Debbie has a difficult time accepting her role as a lady of leisure-especially when she discovers that Loretta has stolen her act including the button-clad vest right down to the wisecracks. Ted decides to undergo an extreme makeover. |
fd_CSI__Crime_Scene_Investigation_01x09 | fd_CSI__Crime_Scene_Investigation_01x09_0 | TEXT: [EXT. VARIOUS LAS VEGAS CITY (STOCK) - DAY] BLUR TO: [EXT. AIRPLANE (MOVING) - SUNSET] (Through various cuts and dissolve shots, the camera follows the aircraft in flight as we overhear the conversation between the PILOT and the TOWER.) Pilot: (V.O.) McCarren approach Las Vegas nine-zero-nine, thirty-thousand. Request emergency personnel. Over. Tower: (V.O.) Las vegas nine-zero-nine, McCarren tower. Specify request. Over. Pilot: (V.O.) Negative, McCarren. Advise on runway. Tower: (V.O.) Las Vegas nine-zero-nine cleared for V-O-R runway one-five approach. Over Pilot: (V.O.) V-O-R runway one-five approach. Roger. Request Las Vegas police. (The camera moves in through the clouds and pushes up close to the aircraft window. From the outside, we see darkened figures inside and a lot of movement. We hear thumping. We see the shadows of a commotion happening on the plane.) Tower: (V.O.) Understand "police." Roger. Emily Berhle: (V.O.) Mommy! (Inside the moving aircraft, through the darkened window, we hear a little girl's screams. Something is happening inside that plane.) [SCENE_BREAK] [EXT. MCCARRAN INTERNATIONAL AIRPORT - TARMAC - NIGHT] [SCENE_BREAK] [EXT. MCCARRAN INTERNATIONAL AIRPORT - NIGHT] (The plane sits on the runway surrounded by police cars and emergency personnel.) (BRASS instructs his officers on what to do at the scene.) Brass: The luggage stays in the plane. We're going to treat this like a crime scene until we're told otherwise. Tim, Sam, talk to the coach passengers. See what you can't learn. (GRISSOM walks up to
SUMMARY: | Grissom and his team investigate the death of a first class passenger on a flight to Las Vegas. Their investigation is a race against time, because after 12 hours the F.B.I. will take over. To make matters worse, the other first class passengers are very reluctant to co-operate, leading the team to consider that they had some involvement in their fellow passenger's death. |
fd_Buffy_the_Vampire_Slayer_04x04 | fd_Buffy_the_Vampire_Slayer_04x04_0 | TEXT: [PREVIOUSLY_ON] Buffy: "Parker, did I do something wrong?" Parker: "Didn't you have fun?" Buffy: "Is that all it was?" Parker: "What else was it supposed to be?" Buffy: "He's manipulative and shallow, and why doesn't he want me?" Willow: "I think you're missing something about the whole poop-head principle." Xander: "Hi again." Anya drops her dress and Xander squeezes the juice box. Xander and Anya getting dressed. Xander(voice over): "So, college not so scary after all, huh?" Three masked commando guys with weapons drawn walking up to a vamp laying on the ground. Buffy (voice over): "It's turning out a lot like high school, which I can handle." Xander in his basement with a knife in his hand. Xander: "I don't know, I was going for ferocious, scary, but it's coming out more dryly sardonic." Willow: "It does appear to be mocking you with its eye holes." Oz: "The nose hole seems sad and full of self-loathing." Xander turns the jack-o-lantern around to show to Buffy who's laying on his bed: "What do you think, Buff?" Buffy: "I was just thinking about the life of a pumpkin. Grow up in the sun - happily entwined with others, then someone comes along, cuts you open and - rips your guts out." Xander: "Okay, and on that happy note, I've got a treat for tomorrow nights second annual Halloween screening. People - prepare to have your spines tingled, your gooses bumped by the terrifying (Pulls out a video and reads the title) Fantasia. Fantasia?" Oz: "Maybe it's because of all the - horrific things we've seen, but hippos wearing tutus just don't unnerve me the way they used to." Xander: "Phantasm.
SUMMARY: | The gang find themselves in a real-life house of horrors while at a Halloween frat party, in which a fear demon feeds on their individual fears. Meanwhile, Anya needs Giles to help her save Xander when she realizes something is amiss. |
fd_Doctor_Who_07x05 | fd_Doctor_Who_07x05_0 | TEXT: INT.??? Someone types away on an old-fashioned typewriter as a MAN speaks in film noir style with a New York accent. MAN: (V.O.) New York, the city of a million stories. Half of them are true. The other half? Just haven't happened yet. EXT. NEW YORK CITY, NIGHT We see a number of statues throughout Manhattan as thunder sounds. As the rain starts, we see a statue of a mother and child in a park across from a row of fine houses. MAN: (V.O.) Statues, the man said. Living statues that moved in the dark. INT. GRAYLE MANSION, STUDY, NIGHT GRAYLE: So, will you take the case, Mr. Garner? (throws a packet of money on the desk) GARNER: Sure. Why not? GRAYLE: Because you don't believe me. GARNER: For $25 a day, plus expenses, I'll believe any damn thing you like. GRAYLE: But you don't believe that statues can move. (chuckles) And you're right, Mr. Garner, they can't. Of course they can't. (looks out the window at the statue) When you're looking. GARNER: Goodnight, Mr. Grayle. GARNER takes the money from the desk and heads for the door, putting on his fedora as he does. He is followed out by one of GRAYLE'S men. GRAYLE looks out the window and watches GARNER as he crosses the street to his car. He closes the curtain, takes a few steps, then turns back and looks out. The woman part of the statue is missing. INT.??? The typewriter is superimposed over EXT. NEW YORK CITY, NIGHT GARNER drives to the address GRAYLE gave him. GARNER: (V.O.) The address Grayle gave me was an apartment block near Battery Park. (gets out of the car) He said it where the statues lived. I asked him why he didn't go look himself. He didn
SUMMARY: | The Doctor takes Amy and Rory to Central Park. While the Doctor is reading Amy a novel about Melody Malone, Rory is taken by a Weeping Angel on his way back from getting coffee. In 1938 New York City, Rory meets River Song, the author of the novel. The Doctor and Amy use the novel to break their way into 1938 and find Rory, while he and River investigate the Angels' takeover of Manhattan. At the Winter Quay hotel, they find an aged Rory on his deathbed. The Angels created the hotel in order to keep their victims and maintain a constant source of potential energy. To escape his fate, Rory and Amy jump off the top of the building to their deaths, creating a paradox. Waking up in a graveyard with the TARDIS, Rory is transported by a surviving Angel. As the Doctor begs Amy to come back into the TARDIS, she bids him a tearful farewell and allows the Angel to send her back to Rory. Later, the devastated Doctor reads an afterword by Amy in the novel, telling him all is well, as well as requesting he visit young Amelia Pond as she waits for him. |
fd_Alias_04x03 | fd_Alias_04x03_0 | TEXT: Black Screen, then: BA(H)AMAS Cut to daytime establishing shot of a tropical beach. Cut to Sydney and Marshall walking into a bank. Sydney is dressed in a knee length geometric print dress w/ expensive looking glasses. She reeks of money. Marshall is wearing a smarmy thin fake mustache, his hair slicked back, light tan suit with a black shirt, smacking gum, and carrying a briefcase. A bank manager comes out to meet them. A glance at Sydney shows she's also smacking on some gum. The bank manager puts out his hand and Sydney shakes it. Bank Manager: Mrs. DeMarco, it's a pleasure. I'm the bank manager; we spoke on the phone. Sydney (in nasal voice with heavy Noo Yawk accent (think Marissa Tomei from "My Cousin Vinny"): Yeah... My jet got bouncy outta Newark... Not to be a pain in the shaker, but can we cut to this, aight? Bank Manager: By all means. They start walking. Sydney offhandedly introduces, Sydney (pointing to Marshall with her sunglasses): This is Leon... The bank manager turns and shakes Marshall's hand as he says, Marshall (also in New York accent): Hey, how ya doin'? Leon Frost... CPA, MBA, Phd...That's a nice suit. Bank Manager: Thank you. Sydney: So...can we do business? They walk by a desk where a very disgruntled Vaughn is talking with his voice raised to the bank worker helping him. Vaughn (in an Australian/British accent): Yes, I'm sure this is the right bank. Please check it again: Roger Fonseca. You've never heard of the Fonseca vineyards!? Bank Associate: No. Vaughn: Please, check it again. F O N S E C A...like it says on the passport. Cut back to Syd, Marshall and the bank manager as they enter his office. Sydney: You guarantee...my name can't be traced to my account number? Not that I've got anything to hide or
SUMMARY: | Sydney seduces an arms dealer in order to locate a stolen National Security Agency code-breaking device. Team members rescue each other and Sydney and Jack argue about telling Nadia the truth about her mother's death. Jack manipulates Nadia into killing someone by leading her to believe that the person killed her mother. |
fd_Greek_01x13 | fd_Greek_01x13_0 | TEXT: CRU - Doblers Ashleigh : Check out the yummy boy buffet. Casey : I don't have much of an appetite. Ashleigh : Casey, we are two newly-single college girls in a room full of boys and two-for-one drinks. It will never get better than this. Casey : Please, god, don't let that be true. Ashleigh : Come on, a little flirtation might do you some good. Casey : I'm just not ready to dive back into the cru dating pool. Not to mention the water's pretty icy for ZBZS. Ashleigh : Okay. Casey : But I can be a great wing woman. The goose to your Maverick. Ashleigh : Well, lock and load. We got two bogeys at 12:00. Casey : What are you doing? Ashleigh : I am waving at cute boys. Casey : There are two guys over there. One of them will have to talk to me. Ashleigh : Okay, Goose, I'm about to eject you from the cockpit. And I just got this top, so I'm gonna take it for a spin. Waitress : Hey, ladies, these are from the guys at the bar. Ashleigh : Well, thank you very much, forever 21. Casey : We can't accept these. Wing woman. Right. Waitress : Sorry. My mistake. These aren't for you. Casey : Looks like they've got the top guns. KT HOUSE - Living room Cappie : Roll call! All those present, say aye. All : Aye. Cappie : Great. Okay. First order of business. There appears to have been an unfortunate incident in the upstairs bathroom that involved corn. We're gonna need a pledge to clean that up. Spitter, hey, thanks for volunteering. Rusty : I didn't volunteer. I'm just the only one here. Cappie : Wherefore art thou pledges? Tell me you've come bearing gifts. Ben Bennett : Sorry, cap. No gifts. However, we did bring
SUMMARY: | Rebecca and Casey's rivalry intensifies during Big Sister/Little Sister week after Casey learns of Rebecca and Cappie's relationship, and hooks up with a 16-year-old. Meanwhile, Rusty feels alienated by his fellow Kappa Tau pledges. Dale attempts to "cure" Calvin of his homosexuality . |
fd_One_Tree_Hill_07x11 | fd_One_Tree_Hill_07x11_0 | TEXT: [PREVIOUSLY_ON] Clay : What's wrong? Nathan : What's wrong is I don't have a job. I asked you to do two things for me... make sure I play for the Bobcats and stay away from Quinn. You're fired. Haley : Maybe something went wrong because Clay got careless. Quinn : You mean with me? If that's what he got fired for, then I'm happy he's not in Nathan's life anymore. Julian : All right, so there's this sports-coordination company called Sportsarc... they want to talk to you. Skills : That's good looking out. Rachel : We do a live broadcast. Dan : From the hallway where I murdered my brother? Where one of your classmates committed suicide? Julian : It's not happening for the script. Alex : So it's really over? Julian : Yeah. I'm sorry. Millicent : It's Millicent. I got arrested, and I need your help. Brooke : I can't help you. Doctor : I am sorry, but the test came back negative. Julian : You can't have children? They told you that? Brooke : I'm sorry. Julian : Brooke. AT CLAY'S BEACH HOUSE Quinn : You're kind of nicely dressed for a guy who just got fired. Clay : Well, an agent should wear a suit. Plus, I don't want to get drowned again. Quinn : So which clients are staying with you? Clay : None. ISC got to everyone. Quinn : Every single one? Clay : Everyone they know about. But there is a kid in Arkansas that agreed to sign with me not too long ago. They don't know about him. And there's a little secret that only I know about him. Quinn : And what's that? Clay : In four years, he is gonna be the best quarterback in the NFL. Quinn : That's so great. You can do this. I'm so proud of you. Clay : Thanks. That means a lot. It means everything, actually. AT
SUMMARY: | Nathan and Haley's careers bring about a tough decision for the family, and Julian divulges a secret to Alex that leads to a confrontation with Brooke. Meanwhile, Clay tries to resuscitate his career as an agent, and Jamie learns the truth about Skills' new job. And a fresh-from-jail Millie finds an unlikely supporter in Victoria. After a shocking conversation with Julian, Alex leaves her suicide note on his voice mail. This episode is named after a song by Howard Jones . |
fd_The_Vampire_Diaries_05x21 | fd_The_Vampire_Diaries_05x21_0 | TEXT: [Salvatore's House] (A man is tied up and gagged in the living room. Damon is looking at him) Damon: Wakey, wakey. Mr...Sikes, head of corporate accounts. Oops. Sorry about that. Yeah. Can't have you mumbling any of those annoying Traveler ditties.It's a sure migraine. So here's the deal. My brother and my girl have both been kidnapped by Travelers, and I can't seem to find them anywhere. I mean, like, poof, gone, right? So besides a completely clueless hybrid in my basement and a cave full of sleeping Travelers, I've got nothing to go on except you, so I'm gonna need you to tell me where I can find your leader Markos (Caroline enters) Damon: What's up, blondie? Caroline: Liv and Luke aren't answering any of my... oh, my God! Mr. Sikes? Damon: You know him? Caroline: Yeah. He helped me open my first savings account. He gave me a lollipop Damon: Well, unfortunately, Mr. Sikes here is occupied by some low-life Traveler. I saw him and his buddies chanting in the town square last week. I also know that Markos and your passengered comrades are planning some big flashy spell to undo some super boring ancient witch curse, and where that sucks for us, it just happens to undo all witch magic, i.e. kill me and my sexy, blond frenemy here Caroline: If you know where Markos took Stefan and Elena, you need to tell us Damon: Yep. Sorry. You're gonna have to speak up. Mmm. Nope, nope. Didn't catch that either. I think he's trying to say something to me. Come here, sweetie pie Man: It doesn't matter where Markos is. Nothing you do can stop him now [A Room] (Elena wakes up. She's tied up. Markos enters) Elena: You have...en
SUMMARY: | With the other side collapsing around them, everyone must work together to survive. With Stefan and Elena captured by Markos and being drained of blood, their saviour comes from an unlikely source. Enzo, who is determined to find a way back from the other side permanently, continues tormenting Bonnie to make her do the spell she's promised to bring him back, not knowing that she's lied and has no way of doing it. Meanwhile with the help of Jeremy and Matt, Damon takes and hides the bodies of all those who the travelers are occupying, trying to gain some leverage over Markos. This comes to no avail as Markos makes it clear that there are more travelers amongst them who they haven't yet seen. On their way back to Mystic Falls, Elena and Stefan are picked up by Maria. She reveals it was she who helped them escape. On entering the town, they are abruptly stopped by Liv and Luke who are determined to kill Elena or Stefan to stop the spell, killing Maria in the process. In a last ditch attempt to gain control of the situation, Damon releases Julian who is occupying Tyler's body, but it all comes too late. The spell to rid the world of all magic gets set into motion. Elena, Damon, and Stefan's daylight rings start to fail as does Liv and Luke's magic against them, giving them the opportunity to escape, and they take refuge to stay alive with the help of Matt. Everyone regroups to discuss ways to out run the spell in order to stay alive. Stefan and Caroline are left with Julian who is still occupying Tyler's body. Stefan breaks the news that Maria is dead and Julian, who is angry and determined to make someone pay, lashes out and rips Stefan's heart out killing him. |
fd_True_Blood_03x10 | fd_True_Blood_03x10_0 | TEXT: Scene 1: Sookie and Bill in Jason's house Sookie: I'am a fairy? How f*cking lame. Bill: Fairy is but one of the names. Sookie: What other names are there? Bill: Finodrerr. Ellyllon. The Old People. (Bill hesitates). Aliens. Sookie: God f*cking damn it. I really am an alien. Bill: Only part. You're mostly human. Apparently, a Fae coupled with one of your female ancestors. Sookie: Coupled? Bill: The Fae were known for breeding with humans. Sometimes against the human's will. Sookie: My people are rapists? How do you know all this? Bill: One of them called. Claudine told me. Sookie: Claudine? Where were you when you...? Bill: Bon Temps Cemetery. Only it... It was someplace else. And it was day. But it wasn't painful, it was beautiful. Sookie: What there a pond? Bill: Yes, that's how I got there. Sookie: I was there too. Claudine told me you would take my light. Bill: She's afraid for you, and with good reason. Sookie: What reason is that? Bill: Every supernatural I have ever met believes the Fae were wiped out of existence by vampires. Générique Scene 2: Tara and Jason in Merlotte's parking lot Jason: Oh, f*ck me (he sees the death of Eggs and Eddie) [/ i]. Whoa! [I] (He picks up the remains of Franklin). Tara, we gotta hide this. Tara: I need you to dig. Jason: What? Tara: Dig (He begins to dig, she picks up the remains and then gives him) [/ i]. Start up the truck. Put this in back. We'll find a place to burn 'em. I got this. [I] (Jason puts the remains of Franklin in the car. Tara covered with earth the blood and spit Franklin) [/ i]. I hope you rot in hell, you psycho piece of sh1t. [I
SUMMARY: | Bill reveals to Sookie that she is part faerie . Eric makes a will, leaving his fortune to Pam. Sam ponders his dark past when he was a jewel thief. Arlene struggles with what to do with her unborn child. Jesús and Lafayette do V together and share hallucinations involving their grandparents. Jason confesses to Sookie that he killed Eggs, and then has to reveal it to Tara. Sookie confronts Eric about not trusting Bill. Hoyt tells Jessica that he broke up with Summer, and wants to be with her again. Russell picks up a male prostitute who resembles Talbot and stakes him to recreate his dying moments so he can say goodbye. Crystal reveals to Jason that she is a were-panther . Eric detains Sookie. |
fd_Doctor_Who_1963_07x16 | fd_Doctor_Who_1963_07x16_0 | TEXT: The Ambassadors of Death 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. SIR JAMES QUINLAN'S OFFICE (QUINLAN gets up and starts to back round the desk but the ASTRONAUT reaches up and kills the civil servant with a touch on the chest and a red flash of power. QUINLAN falls back across his desk.. The ASTRONAUT moves to a safe in the corner by the door. It touches the safe, there is an explosion and the door opens. It touches the top shelf and there is a flash. It then touches the lower shelf and there is a similar flash as the contents are destroyed. Suddenly the door opens and the DOCTOR enters, noticing QUINLAN, but not the ASTRONAUT behind the door.) DOCTOR: Sir James! [SCENE_BREAK] 2: INT. SIR JAMES QUINLAN'S OFFICE (The ASTRONAUT comes up behind the DOCTOR, reaching for him. The DOCTOR sees the ASTRONAUT but its hand is too close for him to move. He cringes as its fingers come closer. The BRIGADIER enters the office, sees what is happening and pulls out his gun, firing several shots.) DOCTOR: No, don't! (The unharmed ASTRONAUT turns and heads for the BRIGADIER.) DOCTOR: Brigadier, don't try and stop him! (An armed soldier runs into the room.) DOCTOR: Keep back, man, keep back! (The warning is too late. The ASTRONAUT touches the soldier who is blasted to the wall by a touch and a red flare. The ASTRONAUT calmly leaves, closing the door behind him as the DOCTOR bends down to help the soldier. There is an explosion in the door handle. The BRIGADIER carefully tries the door but it has been welded shut.) DOCTOR: No, there's no point in trying to follow him, there's nothing we can do. [SCENE_BREAK
SUMMARY: | The Doctor decides to take Recovery 7 back into space to search for the missing astronauts but Reegan sabotages the launch. |
fd_FRIENDS_03x16 | fd_FRIENDS_03x16_0 | TEXT: Joey: (Voice Over) Previously on Friends. [A montage of scenes from The One Where Ross and Rachel Take A Break follows.] [Scene: Monica and Rachel's, Ross is eating the picnic as Rachel comes home from work.] Ross: I mean, I don't feel like I even have a girlfriend anymore. Rachel: You want me to just quit my job so that you can feel like you've got a girlfriend? Ross: Is this about Mark? Rachel: (shocked) Oh my God. Ross: Okay, it's not, it's not. Rachel: Oh my God. I cannot keep having this same fight with you Ross! Look, urrgh, maybe we should take a break. Ross: Fine, you're right. Let's ah, let's take a break, (goes to the door) let's cool off, okay, let's get some frozen yoghurt, or something.. (opens the door) Rachel: No. A break from us. (Ross looks at her, then leaves slamming the door behind him.) [Scene: Monica and Rachel's, Mark is there, opening Chinese food boxes.] Rachel: Then, we had this big, stupid fight, and I said I wanted to take a break, I don't want to take a break. Ross: (on the phone) I've been thinking, this is crazy, I mean don't, don't you think we can work on this? Mark: Hey, what do you want to drink? Ross: Who's that? Rachel: Nobody. Ross: Is that Mark? Rachel: Umm, honey, look he just came over to.... Ross: Yeah! Got it! (slams down the phone) [Scene: The Philly.] Chloe: Hey, come dance. What? Are you married? 'Cause that's okay. [Cut to Chloe and Ross dancing, and their kiss.] The Next Morning [Scene: Monica and Rachel's, Monica is making a fruit drink in the blender, Rachel has just finished her shower and is coming
SUMMARY: | Rachel calls Ross the next morning saying she wants to get back together. Ross rushes Chloe out of his apartment before Rachel arrives, then frantically runs around trying to cover up the trail leading to his and Chloe's tryst. Rachel discovers the truth (from Gunther), and she and Ross have a huge fight as the other four friends listen in from Monica's bedroom. Ross is desperate for forgiveness, but Rachel refuses and ends the relationship, leaving both devastated. |
fd_Gilmore_Girls_04x16 | fd_Gilmore_Girls_04x16_0 | TEXT: OPEN AT ELDER GILMORE RESIDENCE [The four Gilmores are seated at the table. The maid serves dinner.] LORELAI: Don't tell me this is what it looks like. EMILY: It's escargot. LORELAI: Ugh. That's what it looks like. RORY: Snails? EMILY: Escargot. LORELAI: Slimy thing by any other name... RICHARD: They taste like garlic and butter. LORELAI: Don't say "they." Food should not have pronouns. RICHARD: Give it a try. LORELAI: But if I do and we're having road kill for the main course, then I will already have used up my allotment of gross-out food for the day, so I'll abstain. RICHARD: I guess we should strike escargot off the list of Friday night dinner foods. EMILY: Sweetie loved escargot. That's funny how we remember those things. RICHARD: Hm. LORELAI: Sweetie? RORY: Sweetie who? EMILY: Sweetie Nelson, one of my oldest friends. She passed away yesterday. RORY: Oh, I'm sorry, Grandma. LORELAI: Yeah, I've heard you mention her. RORY: Was she sick? EMILY: She'd been ill for some time, but still... RICHARD: The family is pretty overwhelmed. EMILY: By the way, Davis called late today. The funeral is going to be Sunday. LORELAI: Was that her real name -- Sweetie? EMILY: No, her name was Melinda. Sweetie was a nickname. LORELAI: Why? EMILY: What do you mean, why? LORELAI: I mean, how did they get Sweetie from Melinda? EMILY: They didn't get Sweetie from Melinda. Sweetie is a nickname. LORELAI: Yes, I know Sweetie was a nickname, but usually, a nickname comes from a
SUMMARY: | The rift between Emily and Richard widens when he goes on a golf date with clients instead of accompanying his wife to the funeral of her best friend. Doyle goes on a theft and plagiarism rant; Trix dies suddenly and stricken with grief and guilt, Richard is inconsolable; Emily calls it quits on arranging Trix's funeral and drops everything in her daughter's lap after finding a letter in which her mother-in-law pleads with her son on the eve of his wedding to Emily to marry Pennilyn instead; Luke and Nicole have all of Stars Hollow listening in and reading lips as they quarrel; worried about her parents and frantic over fulfilling Trix's exacting requirements for her funeral, Lorelai has a meltdown while shopping for Trix's funereal undies; after the service, cousin Marilyn regales family and friends with tales of Lorelai the First; Emily and Richard finally reach out to each other as he defies one of his mother's last wishes for the sake of his wife. |
fd_The_Office_04x05-06 | fd_The_Office_04x05-06_0 | TEXT: Michael: And the same thing goes for quarterly reports. They are unreadable. They're just numbers and boring and blech. So what I was thinking is that maybe we should have some sort of graphic, like if we have a bad quarter, put in a storm cloud? And... when we have a good quarter, fireworks? Or a racecar? [everyone groans] Doesn't have to be a racecar. Use your imagination. [SCENE_BREAK] Jim: There's this cube on the screen, and it bounces around all day, and sometimes it looks like it's heading right into the corner of the screen, and at the last minute it hits a wall and bounces away. And we are all just dying to see it go right into the corner. Pam claims that she saw it one day when she was alone in the conference room. Okay. I believe she thinks she saw it. [SCENE_BREAK] Pam: I saw it. I saw it, and it was amazing! Who said I didn't see it? Did Jim say that I didn't see it? I saw it! [SCENE_BREAK] Michael: We have a lot of colored paper here... why oh why do we keep printing this on white? [screen saver box hits the wall] Andy: Dah! Come on! Michael: Yeah! I know. I know. It's bland. Oscar: It's never gonna happen. Kevin: Dude, you gotta believe. Michael: Maybe, we could have some sort of riddle? Jim: [to Pam] Wait for it. Michael: Like, something that you have to look for. Sort of a "Where's Waldo." [screensaver box hits the corner of the screen] Everyone: Oh! Yes! Michael: [everyone gets up and leaves the conference room] Alright. Alright. Let's quit while we're ahead. Kevin: That was so awesome. Michael: That was awesome. Thank you. [SCENE_BREAK] Michael: Some days I am just on fire. What can I say? [SCENE_BREAK] Meredith: Hey... there he is. Jim: Hey Meredith, how you feelin'? Mer
SUMMARY: | As the new brainchild of Ryan, the new Dunder Mifflin Infinity website, is about to be released, the staff of Dunder Mifflin Scranton prepare to host a party as part of a company-wide video chat room. Dwight, wanting to prove to Angela that he can beat technology, tries to outsell the new computer, which he ultimately does. Michael misunderstands an invite to the digital party as an invite to the actual party in New York. Later, at the party, Dwight and Michael kidnap a pizza delivery boy, although they later release him. At the end of the chat room, Michael humiliates Ryan in front of every branch of Dunder Mifflin. Andy decides to pursue Angela, to Dwight's dismay. |
fd_Dawson_s_Creek_05x16 | fd_Dawson_s_Creek_05x16_0 | TEXT: [Scene: Joey's Dorm room. The camera starts off aimed at the back of a television, and it pulls around the TV so that we can see Joey sitting on the floor at the foot of her bed watching TV, and a little further to see Dawson sitting next to her.] [Movie playing on TV] [Turns TV off] Dawson: So... what did you think? Joey: Mm. I don't know. It's so... so... boring. Dawson: Bo<unk>boring. What are they teaching you at Worthington? Joey: Well, do you want me to lie and say I got it? Dawson: Oh, it's not about getting it. Pauline Kael said that you could find Goddard incomprehensible and still be shattered by his brilliance. Joey: Does Jen know about you and this Pauline person you're always referring to? Dawson: Jen understands my need to see other film critics. Joey: So this is really your homework? You just sit around and watch movies all night. Dawson: Yeah, and I'll be doing it again tomorrow if you'd like to join me. They're showing this, uh, Nicholas ray film at school that I need to see. Joey: And Nicholas ray would be? Dawson: He directed rebel without a cause. Huge influence on the French new wave to the point where Truffaut wanted people who couldn't appreciate his work banned from movie going entirely, which is why you should go. [Dawson takes the tape and puts it back into it's case.] Joey: So are you guys doing this baby-sitting thing in shifts or what's the pattern here? Dawson: [Sighs] Your friends just wanna spend some time with you. Is it a problem? Joey: No, but it's unnecessary. Dawson: Good, then I'll pick you up tomorrow at 7:00. Joey: Fine. Do you want me to walk you out? Dawson: Nah, it's fine. You just stay right here. Joey: Dawson... I'm fine. Really I am. Dawson: I know. I know. I just think--
SUMMARY: | Jen and Audrey are tempted to risk their new relationships with Dawson and Pacey after interviewing a couple of cute musicians. Meanwhile, Pacey is caught by surprise when Jack takes him to a gay bar, and Dawson and Joey spend the evening together. |
fd_Roswell_03x08 | fd_Roswell_03x08_0 | TEXT: 51st Episode of Roswell Production Code: 3ADA08 [SCENE_BREAK] [Max and Liz are in Mr. Evan's office looking at the conspiracy board] LIZ: You ok? MAX: I can't believe this. My whole life is up here. LIZ: Yeah. So is mine. He knows that I'm a part of this. MAX: My own father. "Tess." LIZ: he's got cards up here for everything... Los Angeles, Utah... The jeep. MAX: I got rid of it. LIZ: Yeah, because you thought you'd never need it again. MAX: I was going home. LIZ: Max, maybe you should tell your father. You know, let him in on the secret. MAX: No. No, I can't. Not ever. LIZ: Max- MAX: these are my parents. I can't--I can't put them in this kind of danger. They can't ever know the truth. LIZ: So, what are you gonna do? MAX: The necklace I gave you when I thought I was leaving... LIZ: Yeah, what about it? MAX: I need it back. [Liz and Maria are talking in the Crashdown] MARIA: So he didn't take it well, huh? LIZ: Alien Defcon 5. MARIA: It'll be ok, I hope. LIZ: Let Max talk to Michael. MARIA: Right. [Sighs] MICHAEL: so, when does Billy get here? MARIA: I don't know. I thought he'd be here by now. LIZ: Billy who? MARIA: Billy Darden. LIZ: First-kiss Billy? He's coming here? MARIA: Yes. He's on his way to New York. KYLE: Wait a minute. Wait a minute. Your ex-boyfriend's coming to visit? That's not legal. MARIA: He's not my ex-boyfriend. We kissed once 4 years ago. I was 13, and Michael knows all about it. MICHAEL: Yeah, we're all going to dinner. LIZ: No
SUMMARY: | When an old love visits Maria her passion for music resurfaces, which jeopardizes her relationship with Michael. Meanwhile, while Max's father is still trying to put together all the pieces of his investigation, Isabel joins Max in the quest to stop him. |
fd_Doctor_Who_1963_09x08 | fd_Doctor_Who_1963_09x08_0 | TEXT: THE CURSE OF PELADON BY: BRIAN HAYLES 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. PIT (ALPHA CENTAURI screams and PELADON and the DOCTOR both look round sharply to see what is wrong. SSORG fires his sonic gun and ARCTURUS explodes. JO and PELADON look at what remains of the twitching skull-like creature underneath the shattered globe. HEPESH and the GUARD CAPTAIN exchange a hurried glance at each other and quietly move away. JO, looking at the destroyed alien, realises what this means...) JO: So, Arcturus was behind everything. [SCENE_BREAK] 2: INT. THRONE ROOM (The DOCTOR, JO, PELADON, GRUN and the remaining delegates have returned to the citadel where the DOCTOR takes up the story...) DOCTOR: Arcturus and Hepesh. PELADON: But what about the attack on Arcturus? DOCTOR: Faked, your Majesty. He told Hepesh what to do. IZLYR: That is what I suspected. JO: And the things I found on the balcony and in Izlyr's room? DOCTOR: Planted by Hepesh...or one of his agents. (The DOCTOR glances at GRUN who lowers his eyes, almost in shame. PELADON doesn't notice this.) PELADON: (To the DOCTOR.) An...and the manifestation of Aggedor? DOCTOR: Well, that's simple, your Majesty. Hepesh found that on a high mountain a few still existed. So he captured one, trained it and kept it hidden in the tunnels beneath the citadel. Ready to pop out whenever he needed a bit of haunting. PELADON: (Astounded.) But why did he do all this? What did he hope to gain? DOCTOR: The entire planet of Peladon - or
SUMMARY: | Hepesh's plan has been exposed but he is still determined to prevent Peladon joining the Galactic Federation by leading a rebellion against the King. |
fd_Veronica_Mars_01x19 | fd_Veronica_Mars_01x19_0 | TEXT: VERONICA VOICEOVER: Previously on Veronica Mars Veronica and Leo kissing outside the Mars apartment (from 118 "Weapons of Class Destruction"). VERONICA: Later, Deputy. Veronica and Keith in the apartment from the same episode. VERONICA: Have you met someone? KEITH: Alicia and I talked about it- VERONICA: Wallace's mom! Veronica kisses Logan and is kissed by Logan on the balcony at the Camelot from the same episode. Cut to Aaron and Logan in their funeral suits (from 113 "Lord of the Bling"). AARON: I know you blame me for your mother's death. Cut to Logan and Trina at the Sunset Regent (from 115 "Ruskie Business"). TRINA: She was your mom, my stepmom. LOGAN: Dad could have used you there. TRINA: So now you're worried about Dad's welfare. Cut to Aaron throwing Logan onto the sofa (from 106 "Return of the Kane"). Then back to Veronica's reaction to what Trina is saying to Logan (from 115 "Ruskie Business"). TRINA: [Offscreen] Isn't he the big bad wolf? Cigarette burns, broken noses Cut to Weevil in Rebecca's James office and Veronica listening in her car (from 112 "Clash of the Tritons"). WEEVIL: I never would have hurt her. VERONICA VOICEOVER: Lilly and Weevil? Cut to Duncan and Veronica in the journalism classroom (from 118 "Weapons of Class Destruction"). DUNCAN: Lilly is dead. Her killer is in jail. VERONICA: Abel Koontz didn't kill Lilly. DUNCAN: You think I killed Lilly. Cut to Meg talking to Veronica in the school hallway from the same episode. MEG: You haven't seen Duncan tonight, have you? He's missing. End previouslies. Open in Mars Investigations. Veronica is pacing behind Weevil who is sitting on the visitor's side of her desk. VER
SUMMARY: | When Mandy's dog vanishes, Veronica agrees to investigate and ventures into Neptune's seedy underbelly of dognapping rings. Weevil breaks into Lilly's room to steal a pink "spy pen", which she used to hold secret messages. Keith secretly takes hair samples from Veronica and sends them in for a DNA test. Veronica and Logan begin secretly dating. |
fd_Frasier_07x15 | fd_Frasier_07x15_0 | TEXT: Act One. Scene One - Frasier's Apartment. Martin enters the apartment with Eddie. Daphne is on the sofa with some video tapes. Roz enters from the kitchen with a tray of wine. Roz: Hey, Martin. Happy Valentine's Day. Martin: Oh thanks, Roz. So you're with us tonight, huh? Roz: Yeah, we rented a couple of sad chick movies. Martin: Oh, it's not like you not to have a date on Valentine's Day. Roz: Tell me, I usually try for a second seating! [Martin laughs] Daphne: And you'd think that being engaged, I'd have a guaranteed date. But no! Donny had to go to Florida, his grandmother. She'd do anything to come between us. Martin: Oh, what did she do this time? Daphne: She died. Frasier enters in his suit. Frasier: Good Lord, where is Niles? I don't want to be late for the opera. Roz: Are you going out with Niles on Valentine's Day? Frasier: Well, it's a subscription series, you see. We got these tickets months ago, we had no idea what day this fell on. Daphne: [hopeful] So Dr. Crane's not spending tonight with Mel? Frasier: No, she's going out of town, some sort of medical conference. [doorbell sounds] You know, actually I'm sorry for Niles, but I'm rather glad to be having an old-fashioned boy's night out. Frasier opens the door to Niles on his cell phone. Niles: [into phone] I can't wait either, I'll see you in twenty minutes, Valentine. [kisses into phone and hangs up] Frasier: That had better be the seat duster in our opera box! Niles: No, it was Mel. At the last minute she decided to skip her conference. Frasier: So, I'll be going to the opera by myself? Niles: Oh, well here's a thought. If you give Mel your opera ticket then you won't have to be alone. You
SUMMARY: | It is Valentine's Day . Niles cancels a night out with Frasier at the opera to be with his girlfriend Mel. Frasier persuades Martin to go instead, and at the opera they meet Emily ( Marg Helgenberger ) and her mother Helen ( Mary Louise Wilson ), during intermission. Helen tries to ask Martin out on a date, but tells her he is gay to let her down gently. That evening, Emily brings her gay uncle, Edward ( Brian Bedford ), to Frasier's apartment, hoping to set him up with Martin. When Martin realises, he pretends that he and Niles are an item. |
fd_FRIENDS_04x12 | fd_FRIENDS_04x12_0 | TEXT: [Scene: Monica and Rachel's, it's 0-Dark:30, in other words it's really, really early. Everyone's asleep, and all through the apartments not a creature was stirring, not even a mouse. That is except for the chick, who turns out to be a rooster and is crowing in the sun. Needless to say, this awakens Monica and Rachel who rush into their living room, searching for the cause of the sound.] Rachel: What the hell is that?!! (to Monica) What the hell is that? Is that you? (Monica nods her head no, and Rachel realizes what is making that sound.) Ohhhhhhh! (storms over to Chandler and Joey's with Monica in trail.) Monica: Boy, you are really not a morning person. Rachel: (angrily) BACK OFF!!! (She starts banging on their door.) Get up! Get up! Get up! God damn it! Get up, get up, get up, get up, get up!! (Chandler opens the door, finally.) Rachel: What is that noise? Chandler: You! Joey: It's the chick! She's...going through some changes. Monica: What kind of changes? Chandler: Well the vet seems to think that's she's becoming a rooster. (The rooster crows.) We're getting a second opinion. OPENING CREDITS [Scene: Monica and Rachel's, it's later that morning, everybody has gotten up and Ross and Phoebe has joined them for breakfast. Rachel is returning from shopping.] Phoebe: Hey! Ross: Hey, what are you doing shopping at eight in the morning? Rachel: Well, I've been up since six. Thanks to somebody's dumb-ass rooster. Phoebe: You guys you really should get rid of those animals. They shouldn't be living in an apartment. Rachel: Yeah! Especially not with all of these knives and cookbooks around... Phoebe: All right. I'm gonna go to the fertility doctor and um, see
SUMMARY: | Rachel and Monica demand that Chandler and Joey get rid of the birds when the rooster starts crowing every morning. Joey and Chandler argue with Monica and Rachel over who knows whom better, so Ross designs a trivia quiz with high stakes: if the men lose, they give up the chick and duck, but if the women lose, they switch apartments with the men. The result comes down to a tie breaker, which the girls lose, forcing them to move. Frank and Alice's embryos are implanted into Phoebe's uterus, leading to a tense wait that results in her pregnancy. In 2009, TV Guide ranked this episode #21 on its list of the 100 Greatest Episodes. [3] |
fd_Gilmore_Girls_03x12 | fd_Gilmore_Girls_03x12_0 | TEXT: 3.12 - Lorelai Out of Water OPEN IN LORELAI'S FRONT YARD [Lorelai and Rory are staring at their garage] RORY: Well. LORELAI: I'd say three years. RORY: I'd say more like four. LORELAI: What? It has not been four years since we've stepped foot inside our own garage. RORY: It was when we got the Jeep. LORELAI: That wasn't...yes, it was. RORY: And even then, I think we only got as far as opening the door before something flew out and scared you. LORELAI: Yes, it scared me while you stood by calmly like Dr. Dolittle chatting with the bat. RORY: It was a bat, wasn't it? LORELAI: Wearing an OzzFest T-shit, I believe. RORY: Will the man never be able to live that down? LORELAI: Well, Joe Namath will forever be wearing pantyhose. RORY: True, very true. LORELAI: So, uh, what do we do about the bat cave? RORY: Well, we did promise Lane that her band could rehearse here. LORELAI: Yes, we did. RORY: And they'll probably need to actually get in there to do so. LORELAI: So I guess we're going in. RORY: I guess we are. LORELAI: All right. On three <unk> one, two, three. [They open the garage doors] RORY: Ah! LORELAI: What, what is it? RORY: Those are the boxes from our attic that you were supposed to give away two years ago. LORELAI: What? RORY: I spent three days boxing all the stuff in the attic and you were going to call a charity and get someone to pick them up. LORELAI: I made an appointment, the guy didn't show. RORY: He didn't? LORELAI: No, I don't think. RORY: Unbelievable. LORELAI: Look
SUMMARY: | Luke is opposed to having Taylor's attorney Nicole oversee the paperwork for the construction of the new soda shop until he meets the attractive redhead, who takes as immediate a shine to Luke as he does to her; Lane's clever scheme to get her mother's permission to attend the prom horribly backfires; Luke offers to teach Lorelai the fine art of angling after Alex invites her to go fishing; Rory and Lorelai clear out their garage for Lane's band and Lorelai gains a new admirer from the band; Lane and Rory have some hearts-to-hearts about the men in their lives; Paris's ratcheting up the conflict between her and Rory when she calls for Rory's impeachment by the student council is brought to a swift end by Headmaster Charleston, who threatens to revoke the glowing letters he wrote to Harvard for each of them. |
fd_Charmed_07x12 | fd_Charmed_07x12_0 | TEXT: [Scene: Manor. Attic. Paige is at the Book of Shadows writing something down. Kyle knocks at the door and walks in.] Kyle: Hey. I let myself in, if that's okay? Paige: Yeah, yeah, absolutely. Sure. (She walks over to him.) Of course. Hey. (She gives him a quick kiss.) Kyle: Hey. Paige: How are you? (She walks over to the potion table.) Kyle: So, uh, what's going on here? Paige: Just scrambling. We've been on quite a roll knocking off these demons, thanks to the Avatars. Kyle: The Avatars. Paige: Yeah. They've been great helping us find these demons. Can't pick 'em off fast enough. Kyle: I guess that's why you haven't returned any of my phone calls? Paige: I'm sorry, I just assumed that you knew. Kyle: Knew what? Paige: Well, that I was helping them. Kyle: Creating Utopia. Right. Paige: Is that a bad thing? (He gives her a look.) Look, I thought when we figured out they didn't kill your parents... Kyle: Look, it still doesn't mean they're still not a threat, Paige. Paige: Come on. Kyle: It doesn't change the ten years I spent learning who they really are, or why people fought them off for thousands of years before us. Paige: Haven't we been over this? Kyle: Obviously not enough. Paige: Actually, you know what, Kyle? I think we have. I'm sorry that you don't or won't understand. But my sisters and I, we actually do. Everything... Everything the Avatars have said or done has been totally legit. They didn't force this on us. It's something we really want for everybody. Kyle: All right. All right. So how's this gonna happen? The change, I mean. Paige: Well, they, uh... They're gonna help us write a spell. Kyle: What kind of
SUMMARY: | While the Avatars prepare to transform the world into a Utopia, the Charmed Ones work overtime eliminating demons as part of the alliance. Kyle remains skeptical and quarrels with Paige stimulating questions in which they inform the Charmed Ones that the human world must be put to sleep so that they can kill any remaining demons. Although Kyle now knows the Avatars didn't murder his parents, he still doubts their good intentions. He calls the Elders for help but is instead kidnapped by Zankou. In order to convince Kyle to help him stop the Avatars, Zankou summons and vanquishes the demons who murdered Kyle's parents. In return, Kyle reluctantly agrees to help Zankou stop the change by placing a paranoia spell on Piper, Phoebe and Paige. During the Utopian transformation, Kyle uses Paige's paranoia to lure and kill an Avatar. However, he pays a high price for his actions as he's killed by Beta as he kills her. As a result of his death, the Avatars include the Charmed Ones in the sleep spell so they can't interfere. |
fd_Doctor_Who_1963_10x12 | fd_Doctor_Who_1963_10x12_0 | TEXT: FRONTIER IN SPACE BY: MALCOLM HULKE 5:50pm - 6:15pm [SCENE_BREAK] 1: INT. MOON. LUNAR PENAL COLONY. CORRIDOR OUTSIDE AIRLOCK (CROSS turns the dial further. A pressure gauge on the wall starts to rise.) [SCENE_BREAK] 2: INT. MOON. LUNAR PENAL COLONY. AIRLOCK (Within the airlock, the noise of escaping air gets louder. The DOCTOR crosses to the door and tries to turn an unlocking wheel.) DOCTOR: The door - it's locked! (They hear the escaping air.) DOCTOR: They're depressurising. (DALE hears it too.) PROFESSOR DALE: Listen. DOCTOR: Don't you understand, man! They're pumping out the air! PROFESSOR DALE: Well...we're going to suffocate! DOCTOR: Of course we're not. (He rushes and grabs one of the empty cylinders. He then uses it to try and bring their plight to anyone's attention by banging it against the locked door.) PROFESSOR DALE: That's no good. They...they'll never hear us. DOCTOR: Well, they certainly won't if we don't try. PROFESSOR DALE: (Breathlessly.) Help! Help! Help! DOCTOR: Professor, don't shout! You'll just waste oxygen. (With the air getting thinner, the old PROFESSOR starts to slump on the floor. The DOCTOR gives up his attempt and bends down to help him.) DOCTOR: Come on, Professor, come on. Come on, up you get. [SCENE_BREAK] 3: INT. MOON. LUNAR PENAL COLONY. CORRIDOR OUTSIDE AIRLOCK (The gauge outside is almost at the highest level. Beneath it, a black gloved hand reaches out for the air dial and starts to
SUMMARY: | The Master rescues the Doctor from the lunar penal colony, aiming to take him and Jo to the Ogrons' planet, and the Doctor's attempt to escape leaves him stranded in space. |
fd_Once_Upon_A_Time_03x13 | fd_Once_Upon_A_Time_03x13_0 | TEXT: SCENE: The Enchanted Forest. Past, last year. The Evil Queen's room at the Dark Palace. A green hand searches through the Queen's jewelry. [SCENE_BREAK] Wicked Witch of the West: Look at all her things. Onyx, black pearl... diamond. (She looks into the mirror to see how the earrings look on herself.) A family could live off what this is worth. (Drops the earring in the jewelry box) She just left it all behind. (Walks to the Queen's wardrobe. A flying monkey looks her, making some noises. The Wicked Witch looks around the room.) Such pretty things. All wasted on her. (She opens the wardrobe and searches through the outfits; picking out a dress.) Ahh. Now, this could work. (She walks to the mirror where green smoke envelopes her. The smoke clears; showing she is now wearing the dress. She studies herself in the mirror.) Now, that's how you wear a dress. (Turns her head to the flying monkey. The creature looks her, with a kind of admiration.) I know I look lovely. Now go find the Evil Queen and let her know that I'm here. And no... there's no need to be gentle. (The flying monkey obeys and flies away.) [SCENE_BREAK] SCENE: The Enchanted Forest. Past, last year. Snow White and company make their way across the land. The Evil Queen stops and looks at her former palace in the distance. Red Riding Hood approaches Snow White. [SCENE_BREAK] Red Riding Hood: Seems like old times, doesn't it? Except, not running from Regina, but with her. Snow White: She's changed. I have to believe for the better. Red Riding Hood: I hope it sticks. But regardless, she doesn't look too good. If she hadn't tried to hurt us so many times, I might be worried about her. Snow White: I'll talk to her. (walks away and approaches the Evil Queen.) You're ready to make camp soon, Regina? (The Evil Queen remains silent.) You're thinking about Henry, aren't you? Evil Queen:
SUMMARY: | Emma arrives in Storybrooke with Henry and reunites with her friends and family, only to discover that no one remembers how they were transported back - or the past year they had spent back in Fairy Tale Land. But Emma is sure that someone in town is responsible for this new curse and teams up with Regina in an attempt to uncover their identity. Meanwhile, in the Fairy Tale Land that was during the past year, Regina, with the aid of Robin Hood, attempts to break into her castle, which has been overtaken by the Wicked Witch. |
fd_Queer_As_Folk_01x10 | fd_Queer_As_Folk_01x10_0 | TEXT: [Liberty Diner. As Mike and David exit and walk down the street.] David: Michael, I have this fantasy... Michael: Uh, huh. David: It's sunday morning and I'm lying in bed. And I hear the thumb of the newspaper at the door and the sun coming through the window... Michael: Yeah? David: And in the distance I hear the sound of someones singing very quietly, because they one won't wake me up. Michael: Well, that's considering, I think. David: And as I look across the room I see through the frosty glass of the shower the shape of the guy that I love. Michael: Am I conditioning my hair at the time? David: I've beenin' serious, Mike! Michael: I know, I'm sorry. Sounds nice. David: It is nice. It can be nice. It will be nice when you movin' in with me. Michael: Hey, do you know X-Men is out on DVD? David: You haven't given me an answer yet. Michael: I've been thinking about it. David: And? Michael: Well, it's a big step. David: Yes, it's a big step. Of course it's a big step and I don't wanna pressure on you but I just believe that when somebody knows what they want, they should go after it. I want you to be coming out of that shower. And I want to know that you're not going to run out. Wouldn't you like that to? Michael: Well, sure. David: So when did I get an answer? Michael: Soon. I promised. Are you still coming to lunch tomorrow? David: I can't handly wait. Michael: David? David: Yeah? Michael: No one's ever put me in a fantasy before. David: That you know of. [The Happy Fun House. Lindsay's raking leaves as Melanie stands by, holding the baby. They wave to a straight couple pushing a stroller in front of the house.] Lindsay: They have the most beautiful baby. Mel: Second most beautiful. Lindsay: Do you know he's an stay-home dad? Mel: Really? So, who's payin' for the
SUMMARY: | Dr. David pressures Michael to move in with him; Brian's loft is burglarized; Justin runs away to New York City; Lindsay and Melanie begin to drift apart. |
fd_Degrassi_Next_Generation_05x11 | fd_Degrassi_Next_Generation_05x11_0 | TEXT: Outside Degrassi, eTalk Daily is interviewing Kevin Smith and Jason Mewes Tanya: Hey I'm Tanya Kim from eTalk Daily. I'm here with Kevin Smith and his co-star Jason Mewes. Jay: Tell me what a great guy I am 'cause I have two tickets to the party of the year. Check it out. Alex: Who'd you steal those from? Jay: I was invited. I worked on the movie remember? I was gonna ask you to be my +1. Alex: Too bad going with you is a -20. Jay: Lexie! Let's raise hell together like we used to huh? Alex: I'm going with Paige Michalchuk. Jay: You're kidding me. The queen of Degrassi is taking the queen of the trailer park to the premiere? Alex: I prefer to be known as queen of don't need Jay. I never did. Tanya: Hey are you guys happy to be back in Canada? Kevin: I am insanely happy to be back in Canada. Canada's motherland, Toronto! Cradle of civilization. Jason: Toronto is where they have that poutine crap that lunchbox loves so much. Kevin: Really sir in front of everybody do you... Jay: Yo yo, listen! He chose a Toronto premiere over an LA premiere based on food. (Alex watches them with a smile.) Kevin: Toronto is where we cast the play. Toronto is where we shot the play... Manny: Kevin Smith is being interviewed right there. What do you think he's saying? Paige: That tonight is gonna be the greatest, most magical movie premiere ever. Manny: It better be. It's not every night we get to have our professional acting debut. Craig: Yeah or have my music featured in a big Hollywood movie, which is why we are all going first class tonight. I'm talking stretch limo. Alex: You guys got a limo? Dibs on sticking my head out the sunroof! (Nobody says anything.) Alex: I am coming, right Paige? Paige: I'm sorry hun, but they only gave me two tickets and I'm taking Hazel. (
SUMMARY: | At the premiere of Jay and Silent Bob Go Canadian, Eh! Paige and Alex discover they enjoy each others' company a lot more than they probably should. Meanwhile, Emma, on a date with her new secret boyfriend Peter, discovers another secret couple at the premiere--Snake and Ms. Hatzilakos. |
fd_Veronica_Mars_02x09 | fd_Veronica_Mars_02x09_0 | TEXT: VERONICA VOICEOVER: Previously, on Veronica Mars... Veronica looks for Meg's room and is surprised to find Duncan waiting, from 204 Green-Eyed Monster. VERONICA: Duncan? Veronica cuddles with Duncan. VERONICA: Why didn't you tell me how often you'd visited Meg since the accident? Veronica and Celeste have a showdown at Mars Investigations in 119 Hot Dogs. CELESTE: What did you say to Duncan? VERONICA: Let's start with what I didn't tell him. I didn't tell him that his mother drove my mother out of town. As the other bikers leave, Weevil questions Thumper in 208 Ahoy, Mateys! WEEVIL: The night Felix got killed. Did you see the guy who called the cops? THUMPER: No, man. WEEVIL: I'm getting to the bottom of this. A masked man interrogates a bound Logan. MASKED MAN: What happened to Felix? LOGAN: I can't remember, okay? Logan is thrown down a bank. A cell phone rings. The phone is in Weevil's hand and he brings it up to his ear. WEEVIL: Is it done? Logan is on the other end. LOGAN: You have no idea the hell you've just brought on yourself. End previouslies. EXT - NEPTUNE HIGH SCHOOL (NHS) - DAY. Students head into the school through the entrance past the flagpole. MS HAUSER: [offscreen] Since you all had such a raucous... INT - NHS, CLASSROOM - DAY. Ms Hauser is standing in front of her s*x education class. On her desk is a box. On a table to her left, there are baby dolls lying on top of similar boxes. MS HAUSER:...good time with venereal diseases... Amongst the bored students are Veronica and Duncan. MS HAUSER:...I'm sure you'll be thrilled with phase two of s*x Ed. Ladies and gentlemen... M
SUMMARY: | After reading her mother's high school permanent record, Veronica investigates her mother's suspension for spreading "malicious lies" and a possible relation to Neptune High's deaf cafeteria lady. Weevil tells Logan that he no longer believes that Logan killed Felix, and they agree to work together in secret while publicly continuing their feud. Cassidy uses his trust fund money to start a real estate holding company, Phoenix Land Trust, with Kendall as the figurehead CEO. Veronica surreptitiously visits Meg in the hospital and discovers her still comatose and visibly pregnant. |