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fd_The_Big_Bang_Theory_06x09 | fd_The_Big_Bang_Theory_06x09_0 | TEXT: Scene: The cafeteria. Leonard: They are not. Raj: They are, too. Leonard: Your hypothesis is completely disconfirmed by all the data. You're just clinging to it out of intellectual stubbornness. Raj: No, you're displaying a shocking ignorance of the subject matter. Mummies and zombies are the exact same thing. Leonard: Oh, yeah? Mummies are wrapped in bandages. Raj: That's called a fashion choice. Leonard: All right, you brought this on yourself. Sheldon, get him. Sheldon: If a zombie bites you, you turn into a zombie. However, if a mummy bites you, all you turn into is some schmo with a mummy bite. So, like a zombie, that's been eaten from the waist down, you, sir, have no leg to stand on. Leonard: Good boy. Here's a cookie. Sheldon: Oh, thank you. Howard: Hey, fellas, what's going on? Leonard: Oh, mummies and zombies again. Howard: Oh, they're not the same thing. Leonard: You get a cookie, too. Howard: Thanks. Guess who picked up his new car this morning? Raj: Congratulations. Does it have that new car smell? Howard: Yep. For as long as I can keep my mother out of it. If you want to check it out later, it's parked right out front, space 294. Sheldon: I'm sorry, 294? Howard: Yeah. Sheldon: That's my parking spot. Raj: Why do you have a parking spot? You don't have a car. You don't even drive. Sheldon: It doesn't matter. That's my spot. Leonard: Maybe they reassigned it because you never use it. Sheldon: Well, I'm not using my nipples, either. Maybe they should reassign those. Howard: Sheldon, someday, if you get a car, I'm sure they'll give you another parking space. Sheldon: I don't want another parking space. I want my parking space. It
SUMMARY: | Howard buys a new car from his space mission money and is assigned Sheldon's unused parking spot. Despite not owning a car or even knowing how to drive, Sheldon wants it back and begins a bitter feud with Howard. Sheldon takes Howard's Iron Man helmet and sits naked in his car; Howard takes Sheldon's framed diploma and sits naked on his spot, also using Sheldon's laptop to gloat. The feud eventually draws in their partners, Amy and Bernadette supporting Sheldon and Howard respectively. Amy helps Sheldon rename the parking spot and parks her car there; Bernadette scratches it and has it towed away. Penny is caught in the middle when Amy swings her heavy handbag at Bernadette (who ducks), accidentally breaking Penny's nose. Raj finally ends the feud by mediating an agreement that Howard keep the parking spot until Sheldon learns to drive or gets a Batmobile. Sheldon & Amy and Howard & Bernadette reconcile at The Cheesecake Factory, where a battered Penny retorts "Yeah, everybody's happy. Great!" Finally, Sheldon takes his cushion to the dry cleaner's, as a naked Howard sat on it during the feud; and also takes the opportunity to sell his laptop for the dry cleaner's son to use (since the laptop was on Howard's lap when he was on the couch). |
fd_Greek_01x09 | fd_Greek_01x09_0 | TEXT: ZBZ HOUSE - Living Room Casey : It's after 3:00 and no word. That's not good. Ashleigh : Our house is at the end of Greek Row. They have four other nominees to give roses to. I'm sure they'll show up any minute. Door opens. Frannie comes Frannie : Any word? Casey : No. I'm competing with every girl in the Greek system. Ashleigh : Case, maybe not being nominated or Omega Chi Sweetheart wouldn't be the end of the world. Or maybe it would? Frannie : No sister has ever been elected President of ZBZ without taking Sweetheart of Omega Chi first. Well, there was Vanessa Davis in '95, but she had scoliosis and played the "I've overcome obstacles" thing to gain sympathy votes. Casey : So, it's possible... without. Frannie : But not with your posture. Ashleigh : So, Casey's entire political future at Zeta Beta Zeta depends on this moment? OK, I'm just going to stop with the helping. Frannie : Being nominated Omega Chi Sweetheart is like running in the primaries. If you don't take New Hampshire... Casey : It's 3:05. Frannie : Maybe we should think of some obscure disease you could be suffering from. Let's plan a Grey's Anatomy marathon just in case. Omega Chi Boys : Omega Chi girl, she came from above Casey : Oh, my God! Yes! Omega Chi Boys : Omega Chi girl, it's you that I love Frannie : OK. God, this is so exciting! It's almost like it's happening to me again! Casey : OK. Casey opens the door. Evan : Casey Cartwright, it is my pleasure to announce your official nomination to the court of Sweetheart of Omega Chi. Casey : I accept! CRU - Rusty & Dale's room Rusty : Hey. Jen K : Hey. Sorry I'm late. I couldn't find my key. I realized it was in my room, which was locked.
SUMMARY: | Casey and Frannie compete with each other for the title of Omega Chi Sweetheart, forcing a rift in their already shaky relationship. This may have implications on Casey's presidential bid the following year, as Frannie is staying to complete a 5th year at CRU. Rusty is in the glow of his first sexual relationship, but it's dampened by Dale's jealousy. To make some quick cash, Cappie signs up for a psychology experiment and finds himself locked in a room with Rebecca for 30 hours. |
fd_The_Vampire_Diaries_07x06 | fd_The_Vampire_Diaries_07x06_0 | TEXT: [PREVIOUSLY_ON] What was the deal with you and Stefan? I was the first love of Stefan's life. Stefan, meet Julian. Julian was the man you were not supposed to fall for. Does Stefan Salvatore know that you are pregnant with his child? What? I wanted to tell you personally, but Julian made sure there was nothing to tell. Please don't tell anyone. I won't, I promise. Alaric: The Phoenix Stone brings people back from the dead. Bonnie: We made a mistake. Jo was never in that stone. I put someone else in her body. You're not my wife. I don't think I am. We'll figure this out together. Damon: Burying that b*st*rd's body would've been too good for Lily. I want to give her that man that she's missed for a hundred years, and then I want to rip his head off right in front of her. Valerie: Julian is the devil. I can't let Lily bring him back. If she does, I will kill Julian myself. [SCENE_BREAK] [ Three Years From Now ] [SCENE_BREAK] [Voices and laughter on TV] Damon: So tell me, what thoughts go through a man's mind before he decides, "I think I'll take the ones with the roosters"? Alaric: I didn't pick those out. Damon: Hang on. Glitter. Alaric: Yeah. Well, it goes with the territory. What the hell do you want, Damon? Damon: When's the last time you talked to your fiancee? Alaric: I see word travels fast. She texted earlier today. Why? Damon: What time was it, and what'd she say? Alaric: 12:18... "Do we need bread?" Damon: Well, she's not answering her phone now. Alaric: Yeah. Well, she doesn't like to answer the phone before a broadcast. Damon: I don't care. Get her on the horn. Stefan's being hunted again, and it's only a matter of time before
SUMMARY: | Lily and the Heretics throw a party at Salvatore manor which Stefan and Damon also attend. Bonnie arrives with Enzo and she tries to make Lily jealous for Enzo. Meanwhile, Rick deals with Jo and her suddenly declining health. Valerie and Caroline arrive there, where Valerie explains that Jo was human and the vampire soul is not compatible with her body which meant that she was as good as dead. Back in the manor, Julian and the Salvatore brothers get into an argument which brings them to fight until Lily intervenes and says she will never let her children suffer. Rick has to let go of Jo but Valerie finds out the twins are still alive. They then make a locator spell which seems to points nowhere but shockingly Valerie deduces that the twins are inside Caroline's body. Flashforward: Three years from now on, Damon arrives at Rick's home to talk about his twins. While they are in deep conversation, Caroline, who is now a production manager at a news channel and engaged to Alaric, appears on television bloodied announcing there is a message for Stefan Salvatore. |
fd_Doctor_Who_1963_05x31 | fd_Doctor_Who_1963_05x31_0 | TEXT: FURY FROM THE DEEP by VICTOR PEMBERTON first broadcast - 30th March 1968 running time - 25mins 34secs [SCENE_BREAK] 1. IMPELLER AREA (ROBSON enters the room and the CHIEF calls him over.) CHIEF: Chief! ROBSON: What's the matter? CHIEF: Mr Robson, that noise in the impeller, it's started again. I think we should go down and check the main valve. ROBSON: Oh, you do, do you? CHIEF: It's right where we think the blockage is. (ROBSON catches the "We".) ROBSON: We? CHIEF: Well, Mr Van Luty... ROBSON: Mr Van Lutyens. I thought he'd get his nose in. ENGINEER: Come on! ROBSON: You lot get back to work! (He spots VAN LUTYENS and starts to march up to him.) ROBSON: Van Lutyens, I want to talk to you. (VAN LUTYENS is standing by the actual pipeline.) VAN LUTYENS: Mr Robson, there is something alive in the pipeline. (It is clear that ROBSON is just holding onto his temper.) ROBSON: You're out of your mind, there's nothing down there. CHIEF: I promise you, sir, I did hear something. ROBSON: You've been unnerving my crew. Now you, get out! (The heartbeat starts up again.) VAN LUTYENS: Listen! (The CHIEF hears it too.) CHIEF: That's it! ROBSON: Did you hear what I said? VAN LUTYENS: Shut up and listen will you! Down there... in the darkness... waiting... [SCENE_BREAK] 2. HARRIS' QUARTERS (In the bedroom, the DOCTOR and his companions are looking at the seaweed on the floor while HARRIS is trying to wake his sleeping wife on the bed. JAMIE reaches out to pick up the seaweed...) DOCTOR: No, Jamie
SUMMARY: | While the Doctor begins his investigation into the weed creatures, Robson is attacked by one at the refinery. |
fd_Roswell_03x12 | fd_Roswell_03x12_0 | TEXT: 55th Episode of Roswell Production Code: 3ADA12 [SCENE_BREAK] Opens with Maria and Sheriff Valenti singing Meatloaf's song By the Dashboard light. With Kyle and Liz sitting at a table watching them. Kyle: Am I the only one who sees the creepiness in this? Liz: Get a grip. They sound amazing. Ah where's everybody else? Kyle: There's so many other duets out there. Clean duets. Aaron Neville And Linda Ronstat could keep their hands off each other. So can Elton John And Kee kee Dee. Liz: Elton John likes boys (slipping her coke) Kyle: Yeah well, did the captain ever grind on Tennille? Liz: What? Who? Kyle: Oh in the name of all that is holy (covers his eyes) Stay off each other! Liz laughs. Kyle: I gotta wash my eyes. He leaves disgusted. Max walks in. Max: Hey. (Kisses Liz on the head and sits down beside her) Liz: mmm. (Still sipping on her coke) Hi! You missed half the set. Max: (taking off his coat) Yeah I got held up at the library. Liz: Oh um, well isn't Isabel and Jesse coming? Max: Uh they're in Santa Fe tonight. Liz: What about Michael? Max: I dunno. Liz: This is a big thing for Maria. She's been practicing for like over a week, None of her friends showed up. Max watching Maria and Valenti. Max: I don't think she's gonna notice. (Puts his arm around Liz) Come on I'm sorry. Liz: I'm not the one you should be apologizing to. Max: What's wrong? Liz: Nothing, I think I'm coming down with something. Max: Well there is a bad flu going around. Liz: Ah perfect. Max: Yeah it's terrible. Fever, sore throat, nausea and an uncontrollable urge to dance. (Pulls Liz up out of her chair) Liz: No, Max. Please Max. Please, I don't, Oh She
SUMMARY: | When Liz begins to undergo some strange, alien-like changes to her body, she decides she needs to get as far from Max as she can. In order to separate from him she must leave Roswell to go to boarding school in Vermont. Meanwhile, Maria gets offered a recording contract in New York, but she isn't sure she likes what the record label people are doing to her music to make it "popular". |
fd_Doctor_Who_1963_09x12 | fd_Doctor_Who_1963_09x12_0 | TEXT: THE SEA DEVILS BY: MALCOLM HULKE 5:50pm - 6:15pm [SCENE_BREAK] 1: EXT. CLIFFS AND BEACH (The DOCTOR and JO run towards the water but from one side, the minimoke stops and the guards get out with their rifles raised. They look to the other side and see a line of barbed wire and a red sign reading "DANGER MINEFIELD". They are trapped on three sides with the sea on the fourth. To make matters more difficult, the MASTER switches on the device and points it at the waves. Almost immediately, a SEA DEVIL rises from the water and starts to make its way inland. One of the guards sees it and shouts to the others as he points.) CASTLE GUARD BARCLAY: Look! (The other guards see it and drop their rifles in amazement. JO also sees the creature.) JO: Doctor - look! (The DOCTOR looks at the approaching reptile as it gets nearer to the shoreline. Up on the cliff, TRENCHARD holds his hat up as shield against the light as he looks down on the creature in amazement.) TRENCHARD: What is it? MASTER: (Smiles.) One of the creatures that have been destroying the ships. TRENCHARD: You told me it was enemy agents. Why didn't you tell me the truth? MASTER: If I had, would you have believed me? (Down below, the DOCTOR and JO look round is desperation. They see that the guards are still diverted by the SEA DEVIL.) DOCTOR: There's only one thing for it - we'll have to go through the minefield. (He pulls her towards the barbed wire as the SEA DEVIL reaches the beach. It turns and looks at the guards who have lowered there weapons as they look on in shock. It raises its open weapon and a flame shoots out from the disc. A guard falls dead and another shot fires out. Another guard falls as the remaining take up defensive cover behind the minimok
SUMMARY: | The Sea Devils attack the island prison and rescue the Master, prompting the Doctor to venture underwater to try and contact them. |
fd_How_I_Met_Your_Mother_01x11 | fd_How_I_Met_Your_Mother_01x11_0 | TEXT: Ted from 2030: Kids, the thing about New Year's Eve is that it sucks. Sure, it looks great on TV, but in reality, it's always just a big let down, but in 2005, I attempted to do the impossible, to give my friends a great New Year's Eve. I had an idea of how to do it, too. And all it cost was half my Christmas bonus. Ted: Yeah, that's right...a limo. [3 hours before midnight] Robin: Oh, man, Ted, this is great. Ted: Okay, people, let's talk strategy. Last new years, we went our separate ways, and it sucked. This year we party together or not at all. Now, I sifted through your party submission and I narrowed them down to these five. Barney: Question? Ted: Yes, Barney, your submissions were received and no, we will not be attending any parties in your pants. Barney: But you enjoyed the e-vite, right? Thas an actual picture of my pants. Lily: Yeah. Ted: We will hit all five parties before midnight, and then narrow them down to one, the most awesome party in New York City and that is where we will ring, nay rock, in the new year. Lily: All right, and party number one that's where we get to meet Mary Beth? Robin: Mary Beth? Ted: Oh, she works in my office. She seems like she might be into me. She's always finding reasons to hug me. So tonight... Barney: People often ask me "Barney, how is it that you're so psyched so much of the time?" Lily: By who? Who asks you that? Barney: And the answer is right here... my own, personal "get psyched" mix. Now, people often think a good mix should rise and fall, but people are wrong. It should be all rise, baby. Now prepare yourselves for an audio journey into the white-hot center of adrenaline. Bam. Lily: It's working. Ted: I am definitely getting psyched. Marshall: Oh, God. I'm reaching dangerous levels of psychage. Must do robot. Barney
SUMMARY: | For New Year's Eve, Ted surprises his friends by hiring a limo to take them on an excursion through New York City's nightlife. Robin brings her new boyfriend, and the rest of the group each has a favored party that they each want to attend before the night is over. As the night progresses, the group picks up and loses people as the limo travels through the city. As the clock ticks closer to midnight, the limo gets stuck in traffic on the way to the last party. |
fd_Torchwood_1x04 | fd_Torchwood_1x04_0 | TEXT: Opening shots and series recap. JACK : (VO) Torchwood. Outside the government, beyond the police. Tracking down alien life on earth and arming the human race against the future. The 21st century is when everything changes and you gotta be ready. INT. TORCHWOOD LIFT Ianto stands in the lift, as it comes to a stop he adjusts his tie, tense - like he is about to atend a job interview. The door opens behind him into the central hub. Jack, Gwen, Owen and Tosh are playing basketball, screaming and shouting. Owen is on the balcony with the ball. OWEN : Ok, come on Gwen. Jack picks up Gwen to move her from in front of him. OWEN : Let 'im Gwen, let 'im Gwen. Ianto enters the hub, he stands by the entrance watching them play. OWEN : Gwen, this is for you, baby. Owen throws the ball down towards them and they all go for it. The pterodactyl flies between them but Jack manages to grab the ball; the advantage of height. OWEN : Just get it off him. Take it out his hands! Gwen hits it out of Jack's hands and throws it to Owen. OWEN : Oh come to daddy. Owen looks at the net below him and drops the ball through. OWEN : Yeah! Oh, first round's on you boss. Jack shrugs. OWEN : Girls get your handbags. JACK : Of course, that was an illegal move. TOSHIKO : Totally illegal! OWEN : Yeah. Keep telling yourself that, yeah. Owen makes an 'L' sign with his finger and thumb towards Jack and Tosh, walking backwards towards the lift behind Gwen. OWEN : Losers, bye. Jack makes a 'whatever' sign with his hands and throws the ball to Ianto as they enter the lift, leaving Ianto in the hub. Ianto watches them leave and then runs across the hub. EXT.
SUMMARY: | Ianto Jones has been hiding a very big secret at Torchwood - his half-converted girlfriend from the Canary Wharf Battle - down in the basement. He is quick to hire a Japanese doctor who believes he can "cure" her. But things soon go wrong, and the Cyberwoman's destructive powers are released to the whole of Torchwood. Upgrading is compulsory. |
fd_The_Big_Bang_Theory_05x19 | fd_The_Big_Bang_Theory_05x19_0 | TEXT: Scene: The stairwell Raj: Hey, want to spend some time playing the new Star Wars game this weekend? Leonard: Oh, I don't know. I kind of promised myself I'd get off the computer, be more physically active. Get some exercise. Howard: You're about to walk up three flights of stairs. Leonard: Good point, I'm in. Raj: You know what would be great? Let's do it like the old days. Leonard: You mean, are you talking gaming marathon? Raj: Yeah. Start Saturday morning, go 48 hours, sleeping bags, junk food. Howard: Turn off our phones so our moms can't call. Leonard: It would be like our World Of Warcraft a few years ago when the neighbours called the cops on us. Howard: They called the cops because of the smell. They thought we were dead. Raj: We were badass back in the day. Leonard: All right, let's do it. Howard: 48 hours of Star Wars gaming. Raj: It's on like Alderaan. Leonard: Hey, Sheldon, clear your weekend. Starting Saturday morning, Star Wars<unk> marathon Raj: Woo-hoo! Sheldon: Movies or video games? Or board game? Or trading card games? Or Lego's? Or dress up? Or comic books? Or dramatic readings of novelizations? Yes to all! Leonard: We are going to play the online game. Sheldon: The online game? Bully! Amy: Gentlemen, as much as I'm sure Sheldon would enjoy playing intergalactic make-believe, he and I have other plans. We are attending my Aunt Flora's 93rd birthday party. Sheldon: Just tell her I can't come. Amy: She'll be disappointed if we don't show up. Sheldon: She's 93. She won't be disappointed for very long. Amy: No, hang on. I followed all the protocols set forth by you in the relationship agreement. I made a written record request 72 hours in advance. I checked the tyre pressure on the car. I even contacted the Centres For Disease Control to find out what shots they recommend for travel to Orange County. FYI, it'
SUMMARY: | Raj suggests that he and the guys spend the entire weekend together engaging in a gaming marathon in which they would play the new Star Wars online game. However Sheldon already promised Amy that he would attend her Aunt Flora's 93rd birthday party and meet her family during the weekend and reluctantly decides not to take part in the marathon, but still tries to convince Penny to make Amy change her mind, to no avail. Sheldon eventually decides to go with Amy, but also brings his laptop so that he can play with the guys remotely. Amy gets peeved at Sheldon and tells him to return to his apartment if playing with the guys is more important than honoring his commitment to her, which he does. Later Raj gets furious at Howard when he brings Bernadette to the marathon after being forced to include her. Meanwhile, Amy, having returned from her aunt's birthday party, confides her feelings about Sheldon to Penny, who then tells her to create a scene at her boyfriend's apartment. She does this, with Penny too admonishing Sheldon for being a bad boyfriend. At this, Raj goes ballistic and yells about how different the group was before Leonard, Howard and Sheldon got girlfriends, how he is the only one in their group who does not have a girlfriend and adds that even if he gets a girlfriend, he has to face the shame of being the guy who got a girlfriend after Sheldon. The girls immediately leave the apartment and the guys get back to their marathon. The next morning, the marathon ends when Howard's mother bangs on the apartment door demanding an explanation for Howard's weekend-long absence and forcing him to return home. |
fd_The_Big_Bang_Theory_07x24 | fd_The_Big_Bang_Theory_07x24_0 | TEXT: Scene: The Apartment. Leonard: How's your mom holding up? Howard: She's doing okay, but we just lost another nurse. Amy: How many is that now? Howard: Two, and I know what you're thinking, she's eating them. Bernadette: She's just so impossible, they keep quitting. Sheldon: So, who's watching her now? Howard: A bowl full of M&M's with a few Ambien tossed in. Raj: What up, guys? All: Hello, hey! Leonard: Okay. Well, now that everyone's here, Penny and I have some big news. We're engaged. General cheering and congratulations. Raj: And I thought me having s*x with Emily was gonna be the big news. General cheering and congratulations. Leonard: Hey, hey, what the hell? Bernadette: You guys propose all the time. This never happens. Penny: You're right! Yay! Credits sequence. Scene: The cafeteria. Raj: Boy, I'm so hungry today. I wonder why? Howard: Because you had s*x the other night? Raj: You know what? That may be it. By the way, it isn't like riding a bike. Like, I fell off a few times. Leonard: Hey, buddy. Sheldon: Hello. Leonard: You okay? Sheldon: I just got called into President Siebert's office. The university won't let me switch my field of study to inflationary cosmology. They're forcing me to continue with string theory. Howard: Why? Sheldon: He said it's why they hired me, it's, it's what my grant was designated for, and that everybody has to do things they don't want to do. He then gave an example of something he had to do, even though he didn't want to, which was look at my stupid face. Leonard: That's a rude thing to say, out loud. Sheldon: It's an outrage. Honestly, I'm tempted to leave the university. Howard: You know, if you're really serious about that, I hear there are some exciting opportunities in home care for
SUMMARY: | Leonard and Penny tell the group they are engaged; all are happy, but make a bigger deal of Raj and Emily having had sex. Leonard's mother is unmoved by his engagement, but accepts Penny because Sheldon is very fond of her. Sheldon is angered the university will not let him change research fields and considers quitting. He is further upset that Leonard and Penny do not want to live with him when married. He is disturbed at Amy's suggestion they could live together, and his last nerve breaks on discovering Stuart's comic book store was destroyed by a fire. Sheldon decides to leave town to figure out what he wants. Leonard tracks him down at the train station and convince him to come home with them but Penny says they should let him go. Sheldon calls Amy to say he is all right, after which a distraught Amy attacks Leonard with a pillow for letting him go. Howard's mother drives away all nurses hired to look after her, even Penny. Howard offers Stuart the job, giving him money and a home while he gets back on his feet after losing his store. He loves the job, becoming surprisingly close to Howard's mother. |
fd_Merlin_03x09 | fd_Merlin_03x09_0 | TEXT: Kilgharrah : In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name: Merlin. EXT - NEAR CAMELOT -DAY A old woman is sitting in a cart. She is riding towards Camelot, singing. She reaches the doors of Camelot et she comes in a house. INT - OLD WOMAN'S HOUSE - LOWER TOWN OF CAMELOT - DAY The old woman settles and take a box off from a bag. She opens it et holds her hands in front of the box. The old woman: Gebeode ic pone feorhberendne paere ealdan ae. A strange creature gets out of it and begins to grumble, before to jump on her knees. The old woman: Calm yourself, my pretty. We're home now. The creature begins to grin. ***GENERIQUE*** INT - COUNCIL CHAMBER OF DOOM - CASTLE OF CAMELOT - DAY Uther was sitting with his son to his right, peeling reports. Gaius and Merlin make face to them. Uther: Gaius, there have been disturbing rumours from outlying villages. Gaius: Sire? Uther: Someone, some kind of physician is offering treatments. I fear magic may have been used. Gaius: What is it that makes you suspicious? Uther: There are reports of miracle cures. A boy thrown from a horse, a farmhand mauled by a boar. All hopeless cases it seems, and yet each and every one has made a full recovery. Uther writes some words, speaking. Gaius: It's very hard for me to comment, Sire. I'd have to examine the patients myself. Uther: That won't be necessary, as a new case has arisen here in Camelot. Gaius: Who? Arthur: The in nkeeper. He's returned to work. Gaius: That's not possible
SUMMARY: | When Alice, a physician and Gaius' old love, returns to Camelot, he is smitten again. However, she brings a Manticore with a plan to kill Uther with poison from its scorpion tail. Merlin tries to tell Gaius, but he won't listen. When Uther is poisoned, Merlin is forced to reveal Alice's participation to Arthur. Merlin and Gaius destroy the Manticore, which was controlling Alice, but Uther condemns Alice to death for using magic. In the end, Alice escapes, and its implied Gaius helped her. |
fd_Doctor_Who_1963_06x21 | fd_Doctor_Who_1963_06x21_0 | TEXT: The Krotons By Robert Holmes 5:15pm - 5:40pm [SCENE_BREAK] 1, INT: CONTROL-CENTRE (The Krotons watch impassively as Jamie convulses caught in the harsh halo of light from the thought-energy machine. The power swirls faster and faster, as if it were attempting to consume him.) KROTON: ITS MIND IS PRIMITIVE! KROTON-COMMANDER: THE POWER WILL KILL IT! (The Commander turns it off the machine and Jamie slumps.) KROTON: IT IS STILL OF VALUE, IT CAN GIVE INFORMATION ABOUT THE OTHER CREATURES. [SCENE_BREAK] 2, EXT: WASTELANDS ZOE: This isn't the way to the city. DOCTOR: No, it's the way to the TARDIS. ZOE: The TARDIS? But we can't leave Jamie behind. DOCTOR: Well don't worry about him, he's perfectly safe isn't he? Come on! (They walk up towards the cliffside path.) [SCENE_BREAK] 3, INT: CONTROL-CENTRE (Jamie rubs his head as slowly he recovers.) JAMIE: Oh my head. (The Krotons tower over him.) KROTON-COMMANDER: WHERE ARE YOU FROM? (He glances up at the two crystalline beings.) JAMIE: Oh it's you. I thought I'd dreamt you up. KROTON-COMMANDER: WHERE ARE YOU FROM?! (The Commander points a claw at the screen.) KROTON-COMMANDER: YOU ARE OF THE SAME RACE AS THESE BIPEDS? (As Jamie looks, the Kroton wobbles over to the panel, apparently uninterested in the interrogation.) JAMIE: Zoe and the Doctor... Where are they? KROTON-COMMANDER: YOU ARE SPACE TRAVELLERS? JAMIE: Got out. Good old Doctor! KROTON-COMMANDER: ANSWER! (
SUMMARY: | Jamie is held prisoner by the Krotons who intend to recapture the Doctor and Zoe for their mental energy. |
fd_FRIENDS_02x21 | fd_FRIENDS_02x21_0 | TEXT: Originally written by Sebastian Jones and Brian Buckner. Transcribed by Joshua Hodge. [Scene: Monica and Rachel's apartment. Everyone is there. Monica is watching stock prices on a business channel.] JOEY: Hey Monica, why are we watchin' the business channel? MONICA: 'Cause I was going by it the other day and I saw that there was a stock with my initials, MEG, on it and, well, sometimes I have to watch for two or three hours before it comes up again but when it does, it's pretty exciting. RACHEL: Ok honey, you really need a job. ROSS: Mon, speaking of which, dad says he knows someone you can call for an interview. MONICA: Really. PHOEBE: Ok, right there. That, that's the third sign today. Right there. ROSS: On behalf of everyone, I'd just like to say behuh. PHOEBE: No, 'cause you just said dad and everywhere I go today I keep getting signs telling me to go see my father. Like when I was walking over here and I passed a buffet...which is my father's last name. EVERYONE: Ahh. PHOEBE: And they were serving franks which is his first name minus the s at the end. And there was a rotisserie with spinning chicken. MONICA: His indian name? PHOEBE: No because I chickened out the last time when I tried to meet him. So I mean coincidences? I don't think so. ROSS: Freakish. MONICA: Wow. JOEY: Freaky. MONICA: Weird, weird. RACHEL: Ok, so uh, who wants the last hamburger? PHOEBE: Oh, alright, that's it, now I have to go see him. MONICA: Why? PHOEBE: Hamburger. McDonald's. Old MacDonald had a farm, my dad is a pharmacist. OPENING TITLES [Scene: Central Perk. Chandler and Ross enter in sweats carrying rackets.] CHANDLER
SUMMARY: | Chandler and Ross clash with two bullies at the coffee shop, one of whom steals Chandler's hat. Monica, down to her last few dollars, plays the stock market based solely on the ticker symbols to avoid taking a job at a tacky 1950s themed diner. Phoebe makes multiple attempts to visit her birth father, but instead meets her half-brother, Frank Buffay Jr.; she learns that her father left his second family four years earlier. Monica loses her savings due to her unwise investments, and is forced to take the job at the Moondance Diner , wearing a silly uniform and dancing on the counter to old songs. |
fd_The_Vampire_Diaries_04x16 | fd_The_Vampire_Diaries_04x16_0 | TEXT: [A road] (Elena is alone on the middle of the road. She lies on the road) [Salvatore's House] Stefan: We're gonna lose her, Damon Damon: She needs time. It's only been a couple of days Stefan: Her humanity is off. She's basically numb to everything that makes her who she is Damon: She's a vampire. The off switch is one of the biggest perks. When being undead gets you down, voila. Vampire Prozac Stefan: She burned down her family home with her brother's dead body still inside Damon: Saves us the trouble of having to do it ourselves. I call that a win. Worst-case scenario, I'll invoke the sire bond and tell her to turn it back on Stefan: No. Her brother just died. You force all that grief on her at once, it's gonna overwhelm her. We need to give her a reason to want to turn it on Damon: Fine. We'll show her a good time. I know it's controversial, Stefan, but people actually like to have fun Stefan: You really think that's gonna work? Damon: There's only one way to find out [A road] (Elena is still lying on the road. A woman stops her car, gets out and rushes toward her) Woman: Are you all right? Was there an accident? Where are you hurt? Are you in pain? Elena: I don't feel anything Woman: I have a blanket in my car. Try not to move. I'll call for help (She goes to her car. When she turns herself, Elena's standing next to her) Woman: What are you doing? (Elena bites her and drinks her blood. Damon intervenes) Damon: That's enough (She doesn't stop) Damon: I said that's enough. We agreed no killing Elena: This is the first person I've seen in days whose body isn't laced with vervain, and I'm hungry Damon: You leave a trail of bodies, people are gonna start asking questions Elena: I don't care (She resumes her meal)
SUMMARY: | Elena's new outlook has everyone concerned, leading Stefan and Damon to agree that going back to the normal routine of high school would be the best thing for her. Caroline is pleasantly surprised when Elena decides to rejoin the cheerleading squad, but her pleasure turns to shock when Elena's behavior proves dangerous. Not giving up on their search for the cure, Damon and Rebekah work together until his unwanted advice catches her off-guard. Klaus tries to use Hayley to get the information he's after and makes an intriguing discovery in the process. Meanwhile, a bored Elena throws a wild party and gets into an ugly fight. |
fd_Gilmore_Girls_05x21 | fd_Gilmore_Girls_05x21_0 | TEXT: ELDER GILMORE'S DINING ROOM [Lorelai, Rory and Emily are eating chocolate fondue.] EMILY: This feels so decadent. Isn't this decadent? RORY: Very decadent. LORELAI: Are there more marshmallows? EMILY: All you two have been dipping is the marshmallows! You haven't touched the kiwi, or the pineapple, or the tangelo slices. RORY: But it's fruit. EMILY: Fruit is good for you. RORY: We're fondue purists, Grandma. LORELAI: Yeah, we dip old school. EMILY: The government says you should have nine servings of fruit and vegetables per day. LORELAI: Imperialist propaganda. RORY: I think Noam Chomsky would agree. LORELAI: I bet Noam doesn't dip fruit. RORY: Or laugh. Ever seen that punim on him? LORELAI: Easter Island. EMILY: Luminista, please bring more marshmallows. LORELAI: Bless you. EMILY: So, I'd love to get your opinion on something. RORY: Sure. EMILY: The City Ballet is in trouble. We've given so much over the years, but it's never enough to cover everything they need. RORY: I hate that. EMILY: So, we're trying something new. Select patrons, such as myself, are sponsoring individual dancers. Help me pick one. [Emily opens up a blue folder next to her and hands Rory and Lorelai cards out of it.] LORELAI: Pick what? EMILY: My dancer! I get to take one home. Bios are on the back. LORELAI: And this is legal? EMILY: Of course it's legal. RORY [shrugs]: Do you want a boy or a girl, Grandma? EMILY: I'm thinking a little girl. Cute and petite. RORY: They're all petite. LORELAI: But not all cute. This
SUMMARY: | The magazine comes out and Luke and Lorelai get a little too enthusiastic when celebrating. Sookie goes into labor. Rory is given a surprising review by Mitchum Huntzberger and goes to extremes to unwind. Luke is upset when he finds out that Kirk has put in a competing offer on the Twickham house. Emily takes in a foreign ballerina. |
fd_The_Mentalist_01x16 | fd_The_Mentalist_01x16_0 | TEXT: Outside CBI. Jane is coming in his car. He stops to show his badge. Jane: Hey, Tommy. Tommy: Hey. Good morning, Mr. Jane. You're all set. Jane: Have a good one. Tommy: You, too. Have a good one. Jane parks his car and get out of it. He starts walking and he sees Van Pelt talking to a guy next to the coffee cart. He smiles. Inside CBI. Cho and Rigsby are getting out from Lisbon's office with files in hands. Van Pelts arrive. Van Pelt: Good morning everybody. Cho: What's so good about it? Lisbon: Here, have a file. The division's being audited again. Van Pelt: No problem. Let me just put milk in this, and I'll dig in. Cho: "No problem." What's with her? Rigsby: You mean, why isn't she cynical and jaded like you? Jane: Notice her relaxed body language? The general sense of emotional satisfaction. Rigsby: Yeah. Jane: Someone's engaged her romantic interest. Rigsby: Who? Jane: Well, I couldn't say. Rigsby: Nah, she's focused on her work,that's all. Jane: Well, then I have to assume that the man that kissed her outside was making an embarrassing mistake. Rigsby: Hmm? What? Who kissed her? Jane: Uh, I didn't catch his name. Rigsby: Ah, it's probably that knucklehead from payroll. He's been stalking her like a chicken. What did this man look like? Jane's phone rings. He takes it and read the text he received. Jane: Lisbon! Cho: How do you stalk a chicken? Rigsby: You know what I'm talking about. Lisbon: "There's a very large bomb nearby. Are you smart enough to find it?" Outside CBI. Everyone is getting out of the building. Minelli, Lisbon and Jane are talking. Minelli: Another bomb threat.That's the third this year. Jane: Not on my phone, it isn't.
SUMMARY: | CBI is shaken up when a bomb threat sent to Jane turns out to be more than just a drill, and instead a gruesome murder of a stockbroker, James Medina. In the resulting explosion, Jane loses his sight, and realises that he is the next target. In finding out why, and who might be behind it, Jane and the team must look through his former clients; and confront some of the consequences of his actions. |
fd_Doctor_Who_1963_16x21 | fd_Doctor_Who_1963_16x21_0 | TEXT: THE ARMAGEDDON FACTOR BY: BOB BAKER AND DAVE MARTIN Part One Running time:24:39 [SCENE_BREAK] HEROINE: Darling. HERO: Oh, my love. HEROINE: Don't go. HERO: I must. HEROINE: But you'll be killed! HERO: Perhaps. HEROINE: I can't bear it. I love you. HERO: There is a greater love. Men out there, young men, are dying for it. Dying so that Atrios might live. [SCENE_BREAK] DOCTOR: Atrios? Do you know, I've never actually been to Atrios. ROMANA: Nor to Zeos? DOCTOR: Where? ROMANA: Atrios and Zeos. The twin planets on the edge of the helical galaxy. Didn't they teach you anything at the academy? DOCTOR: Yes, but we're not going to Zeos. ROMANA: No, we're going to Atrios. DOCTOR: Well why don't you get on with it then? ROMANA: Right. DOCTOR: Atrios, K9. Atrios. I wonder what the inhabitants are like there? [SCENE_BREAK] HERO (on screen): You must be strong. We must all be strong and play our parts until victory is won, evil vanquished, and peace restored. Then, and only then, my darling, can we love again. I must go. Kiss the children for me. Tell them their daddy will return before long. MERAK: It's all right, it's all right. [SCENE_BREAK] MAN (OOV.): Area six obliterated. MAN 2 (OOV.): Section seven, heavy damage. WOMAN (OOV.): District ten, no contact. MAN 3(OOV.): Level fourteen holding. MAN 4: Area two, no contact. WOMAN 2: Heavy casualties through all upper levels. MARSHAL: Any news of our counterattack? SHAPP: None, Marshal. MARSHA
SUMMARY: | In their search for the final segment of the 'Key To Time', the Doctor and Romana land the TARDIS on the world of Atrios who is at war with it's neighboring planet Zeos. Upon avoiding a missile attack right before landing, the Doctor and Time Lady Romana are then mistaken for spys from Zeos by the Marshall. |
fd_Charmed_01x21 | fd_Charmed_01x21_0 | TEXT: [Scene: A woman is walking really fast to a car and keeps looking over her shoulder. A car horn beeps and she drops her groceries. She picks the stuff up but cuts herself.] Daisy: Ow, damn it! Leo: It's alright, Daisy. Daisy: Oh, Leo, thank God it's you. I have been so scared. Leo: Look, you just have to stay strong a little longer and then you'll be safe. Daisy: He's out there, Leo. He's going to find me. I've seen what he can do, his powers. (Leo holds her hand and heals it.) How did you do that? Who are you people? Leo: You just have to trust me, Daisy. Daisy: Why me, Leo? I still don't understand. Leo: You have a very special future ahead of you. That's why I wanted you to come to San Francisco. I have powerful friends who can help you. Daisy: What if Alec finds me first? Leo: He won't be able to. I made you invisible to him. (Alec appears.) Alec: Hello, Leo. I've been looking all over for you. Figured you could only be here for one reason. Where are you Daisy? I know you're close by. Leo: (to Daisy) Don't worry, Daisy. He can't see you. Don't say a word, just leave quickly. Alec: Don't listen to him sweetie, don't do it. (She runs off.) Leo: She's already gone. Alec: I love her, Leo. Much like you love your little witch. What's her name? Piper? Leo: Dark lighters aren't capable of love, Alec. Alec: This one is. I love Daisy and you are keeping me from her. It's only a couple of days ago all I had to do was think about her and bang! I'd be there with her. Then suddenly she vanishes from my radar. Cloaked by a white lighter. By you. Leo: Then if you know I
SUMMARY: | A gravely hurt Leo appears at the manor, asking the Halliwell sisters to protect an innocent woman returning to San Francisco under his guidance. Daisy (Lisa Robin Kelly) is being stalked by a Darklighter who hunts and kills present and future Whitelighters with poisoned arrows. The Darklighter Alec (Michael Trucco) fell in love with her. Leo reveals that the Darklighter's poison is very deadly, and Piper finds an ability-switching spell in the Book of Shadows so she can use Leo's innate healing power on him. Unfortunately, this has the side-effect of switching everyone's respective abilities and they all have to try to learn to properly use them. While Prue and Phoebe manage to control each other's powers, Piper is unable to heal Leo and he dies. Afterwards, she admits her love for him and discovers that it is the trigger for his mystical ability and succeeds in healing him fully. She then tracks down Daisy, and Prue vanquishes Alec by utilizing his own magical ability against him. |
fd_The_Originals_03x02 | fd_The_Originals_03x02_0 | TEXT: [PREVIOUSLY_ON] Klaus: She is exquisite. Lucien: Yes. Um, as her brother is wicked. Lucien: The lord Tristan and his sister the lady Aurora. Cami: Right now, people like me are out there getting killed by people like you, conveniently timed with the arrival of your old acquaintance. Marcel: What happened? Davina: I was attacked. Davina: Kara, do not walk away from me. (Chanting) (Bones crack) Davina: But I'm regent. They should respect me. Marcel: The target on your back, it comes with the job. Marcel: You got to respond with a show of force. What are you doing to us? Klaus: The Crescent curse. Now you will be trapped in wolf form. Hunter: You're trespassing. This whole area is now property of kingmaker land development. Hunter: My team and I are animal control. [SCENE_BREAK] [ The Bayou ] [SCENE_BREAK] Elijah: Hayley! Hayley! Hayley! Jackson: Where is she? Where the hell is Hayley? [SCENE_BREAK] [ Lafayette Cemetery ] [SCENE_BREAK] (Hayley screaming) Hayley: Davina, let me out of here right now, or I swear I will kill you. Davina: You can try, or we could have a polite conversation. Hayley: You magically kidnapped me on the one night that I can see my daughter. Do not talk to me about polite. Davina: I drew you here to help you. Hayley: Elijah asked you months ago to break the curse, and you said no. Davina: The regent of witches can't be seen doing favors for the Mikaelsons, but maybe we can help each other. Look. I have access to the witch ancestors. I can channel the power of the one who created the spell used to curse you. You can be free, Hayley. Hayley: Under your terms, I'm guessing. Spill. Davina: There's a witch in the ninth ward who hates that I'
SUMMARY: | IMPENDING THREATS AND A DIRE PROPHECY - After discovering that poachers have begun taking out werewolves in the bayou, Elijah and Jackson grow concerned for Hayley's safety when she fails to show up during the full moon. Meanwhile, Davina, the only one with the answer to Hayley's whereabouts, plots ways to use that to her advantage. Elsewhere, Cami approaches Klaus with her theory on who is behind the series of murders in the French Quarter, while Lucien delivers to Elijah an unsettling warning about the war brewing among the sire lines. Finally, after receiving a dire prophecy about the future of the Mikaelson siblings, Klaus takes extreme measures to determine the validity of this potential impending threat. Marcel and Freya also appear. |
fd_How_I_Met_Your_Mother_02x01 | fd_How_I_Met_Your_Mother_02x01_0 | TEXT: Year 2030 Ted: OK, where was I? It was June 2006 and life had just taken an unexpected turn. Ted's daughter:Can't you just skip ahead to the part where you meet Mom? I feel you've been talking for like a year Ted: Honey, all this stuff I'm telling you is important. It's all part of the story. Ted's son: Can I go to the bathroom? Ted: No. The summer of 2006 was both wonderful and awful. For me, it started out great. (In 2006, Ted and Robin are kissing after the rain dance) In fact, day one was amazing. I'd finally gotten together with Robin. But while I'd been off having one of the best nights of my life, your Uncle Marshall had been having one of the worst nights of his (Ted finds Marshall on their stairs, holding in his hand Lily's engagement ring). Year 2006 (Before Ted arrives, Marshall and Lily are in the apartment, arguing) Marshall: So that's it? We're breaking up? Lily: Marshall, I'm sorry. I just... I just need to go to San Francisco and do this art program and figure out who I am outside of us. And the only way that I can do that is if we don't talk for a while. Marshall: For a while? Try never, OK? You walk out that door and we're done. You're never gonna hear my voice again. Later, Ted joined Marshall. Marshall: I should call her. Ted: No! No! If you call her, when she asked you not to, you're just gonna look weak and you're gonna regret it. Now, listen. Whenever you feel like calling her, you come find me first... and I will punch you in the face. Marshall: You're a good friend Ted. (Robin arrives.) Robin: Hey! So, did you hear the big news? Ted: You mean how Lily and Marshall broke up and Lily is gone and nothing else even remotely important happened last night? Yeah, I think he knows. Robin: Oh my god! I... I'm so sorry. What happened? Marshall: Well, she left. And I don't even know if she's coming
SUMMARY: | The gang tries to help Marshall get over Lily. Barney takes him to a strip club, and Ted takes him to a Yankees game. Marshall finds a credit card trail that leads to Lily's hotel in the city, but the guys try to keep him from going to see her. |
fd_One_Tree_Hill_02x12 | fd_One_Tree_Hill_02x12_0 | TEXT: LUCAS: (v.o) Previously on One Tree Hill. [INT. JAMES SCOTT APARTMENT - FRONT DOOR - EVENING] (The door opens to show Haley's sister, Taylor, soaking wet with a low-cut halter top on.) TAYLOR: (Hands on hips.) You're Nathan, right? NATHAN: (Squinting as he tries to recall.) Yeah, do I... do I know you? TAYLOR: Well you should; I'm your sister-in-law. [SCENE_BREAK] [EXT. THE RIVERCOURT - DAY] (Nathan is standing with Lucas on the court as they have a brotherly bonding session.) NATHAN: Dude, the thing is... when I saw her; I got that déjà vu thing. LUCAS: So you probably saw her around school. NATHAN: She was kinda the first girl I ever had s*x with. [SCENE_BREAK] [INT. JULES' HOUSE - LIVING ROOM - EVENING] (Jules and Dan have just finished listening to the recording of Keith declaring his love for Jules.) DAN: (Smiling smugly.) Nice work, Jules. Just like we planned. (Takes a sip of his lighter fluid *alcohol*.) [SCENE_BREAK] [INT. JULES' HOUSE - DINING ROOM - EVENING] (Lucas is sitting at the dining table. Jules is standing on the other side as Lucas grilles her about her connection to Dan.) LUCAS: What did Dan ask you to do? JULES: Make Keith fall in love with me; (Pause) TheN break his heart. [SCENE_BREAK] [INT. ROE RESIDENCE - LUCAS' BEDROOM - DAY] (Karen is standing in Lucas' bedroom having a screaming match with him as he refuses to take a test for a disease that could kill him
SUMMARY: | Nathan comes clean with Haley about his past relationship with Taylor, but Haley continues to email Chris without telling Nathan and Taylor finds out. Lucas and Karen remain at odds over his refusal to take the HCM test. Keith proposes to Jules. Brooke fights for better working conditions at her new job. Lucas decides to take the HCM test with Keith. This episode is named after a song by Shane Mills. |
fd_Doctor_Who_1963_02x15 | fd_Doctor_Who_1963_02x15_0 | TEXT: THE ROMANS DENNIS SPOONER 5:40pm - 6:05pm [SCENE_BREAK] 1: INT. GLADIATORIAL SCHOOL (IAN makes a lunge at DELOS but stumbles and falls to his knees. DELOS holds his sword over IAN'S neck. NERO holds his thumb down.) NERO: Cut off his head! (DELOS raises his sword in the air.) NERO: Kill him! (BARBARA cries out.) NERO: Kill him! (DELOS hesitates, then makes a run for NERO instead. The Emperor and BARBARA make a run to the back of the platform.) NERO: Guards! Guards! IAN: Look out Delos! (DELOS kicks one of the approaching guards to the ground and uses his shield to throw sand from the floor in the second one's face. IAN runs forward and covers him with his net. DELOS mounts the stage but before he can strike a blow at NERO, a third guard runs on the platform. They fight whilst IAN takes on SEVCHERIA and another guard. NERO laughs whilst BARBARA'S face shows panic.) NERO: That's better my dear, now they really are fighting for their lives! (DELOS overcomes his opponent with a sword thrust. He falls at NERO'S feet.) NERO: Get up you coward and fight! Get up! Your Caesar commands it! (NERO kicks at the dead guard who rolls off the platform. The way out, off to one side of the platform is now free.) DELOS: Ian! We can get out this way! (IAN jumps onto the stage.) IAN: Come on, Barbara! (But NERO holds her back as SEVCHERIA and a guard run for the platform. DELOS holds them back.) BARBARA: I can't, Ian! I can't! NERO: Kill them! Kill them! BARBARA: Run quickly! SEVCHERIA: After them! IAN: I'll come back for you somehow! (IAN and DELOS dive
SUMMARY: | Landing in Rome, A.D. 64 the travellers take a rare holiday. While Ian andBarbara are happy to relax, the Doctor and Vicki set off to pursue adventure. However, adventure soon finds Ian and Barbara too as they are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history... |
fd_FRIENDS_06x15 | fd_FRIENDS_06x15_0 | TEXT: [Scene: Central Perk, everyone is there as Rachel enters.] Rachel: Hey, you guys! Guess what? Barry and Mindy are getting a divorce! Monica: Oh my God! Phoebe: Wow! Joey: (To Ross) What is the matter with you?! Phoebe: No! Barry and Mindy. Joey: Oh sorry, I hear divorce I immediately go to Ross. (To Rachel) Who-who's Barry and Mindy? Rachel: Barry was the guy that I was almost married and Mindy was my best friend. Joey: Ohh-oh, wasn't he cheating on you with her? Rachel: Yeah, but that just means that he was falling asleep on top of her instead of me. Monica: Why did they get divorced? Rachel: Well, apparently she caught him cheating on her with someone else. Isn't that sad? (Giggles.) God, could you imagine if I actually married him?! I mean how different would my life be? Ross: I know what you mean, I've always wondered how different my life would be if-if I'd never gotten divorced. Phoebe: Which time? Ross: The first time! No seriously, imagine if Carol hadn't realized she was a lesbian. Joey: (starts to imagine it) I can't. I keep seeing it the good way. Ross: I'd bet I'd still be doing my kara-tay. (That's karate, he's just saying it that way.) Towards the end of our marriage I was doing a lot of kara-tay as a way of releasing the tension from y'know, not doing anything else physical. Chandler: Maybe the problem was you were pronouncing it kara-tay. Monica: And what if I was still fat? (To Chandler) Well, you wouldn't be dating me, that's for sure. Chandler: Sure I would! All: (simultaneously) Oh yeah! Come on! Yeah right! Chandler: What, you guys really think that I'm that shallow? Ross: No, I just think Monica was
SUMMARY: | The gang ponders what might have been if Ross and Carol had stayed married, Monica had never lost weight, Chandler had pursued being a writer, Joey still worked on Days of our Lives , Rachel had married Barry, and Phoebe had become a stockbroker. The story then takes place in an alternate reality. Struggling Chandler becomes Joey's assistant with mixed results. Monica plans to lose her virginity to her boyfriend, Roger, but Roger's busy schedule interferes. When Chandler attempts to comfort her, they end up in bed together. Ross attempts to spice up his marriage with Carol by suggesting a threesome, leading to his realization that Carol is a lesbian when he is left out of the action. Rachel instantly falls for Joey after seeing him for the first time in Central Perk, and the two nearly have an affair before Rachel discovers Barry is cheating on her. Phoebe lands in the hospital with a stress-induced heart attack and is subsequently fired after losing her firm millions of dollars. |
fd_Gilmore_Girls_01x15 | fd_Gilmore_Girls_01x15_0 | TEXT: 1.15 - Christopher Returns CUT TO GILMORE HOUSE [Rory's putting blankets on the couch for Christopher] RORY: He looks good don't you think? LORELAI: He looks good. RORY: I like his hair shorter. LORELAI: Short is nice. RORY: Do you think he'll stay long? LORELAI: Wouldn't bet a lot of money on it. RORY: Maybe we can get him to stay for a couple of weeks. LORELAI: Absolutely - by weighting him down with blankets. RORY: I just want him to be comfortable. LORELAI: He's gonna come and go as he pleases babe, you know that. RORY: Yeah, I know. LORELAI: And no amount of bedding is gonna change that. RORY: Yeah, but he's never been to Stars Hollow before. LORELAI: I know. RORY: Well that means something's gotta be different right? LORELAI: Why don't you just enjoy the time you've got ok? RORY: [pause] Yeah, ok. I still think something is different though. CHRISTOPHER: [coming down the stairs] That is the worst shower I have ever had. Water pressure keeps changing every two seconds. I'm fixing it tomorrow. LORELAI: Hey you stay away from my shower. RORY: We ordered chinese food. It should be here any minute. CHRISTOPHER: Good, I'm starving. LORELAI: Here [handing him a cup of coffee] RORY: Hey, how's Diane? CHRISTOPHER: Uh, Diane is ancient history. RORY: When I met her at Easter you said she could be the one. CHRISTOPHER: The one to be gone by Memorial Day. RORY: You're worse than mom. LORELAI: Low blow. CHRISTOPHER: Can't keep a feller happy? LORELAI: Oh I keep them happy. I keep them very happy. RORY: Ok, now. Don't get gross. CHRIST
SUMMARY: | Wanting to play a greater role in Rory's life, Christopher settles in for his visit and lets Rory give him the grand tour of Stars Hollow. When his parents arrive in Hartford for a visit, Emily invites everyone to Friday night dinner, which turns out to be an unqualified disaster after Richard nearly comes to blows with Christopher's father over critical comments about Lorelai. In the aftermath of the ruined dinner party, Richard retreats to his study to calm down, Emily makes a plate for Rory in the kitchen and reassures her how much she is loved and regarded, and Christopher finds Lorelai on the balcony of her old bedroom and comforts her by repeating a little romantic history. The next morning, Lorelai awakens with a start, horrified that she forgot to help Luke paint the diner after dinner on Friday night. Grabbing a jacket, she races to the diner still clad in her pajamas, and begs Luke's forgiveness. He shrugs it off at first, but appears somewhat wounded when he realizes that Lorelai was with Christopher the night before. When Lorelai returns to the house, Christopher asks her to marry him and she regretfully turns him down, claiming he's not ready for the responsibility of a family quite yet. Christopher returns to California with the promise of doing a better job of staying in touch. The next morning, Lorelai surprises Luke by having the diner completely repainted when he arrives to open up for the day. |
fd_Charmed_05x15 | fd_Charmed_05x15_0 | TEXT: [Scene: Manor. Backyard. Night time. Piper and Phoebe are sitting on chairs looking up at a green mist in the sky. Paige walks out.] Piper: It's even brighter than it was an hour ago. Phoebe: It's like magic and science and fairy tales all rolled up into one. Paige: Actually, it's ion speeding into the earth's magnetic field and then they collide with air molecules. Hm. (She sits down on a chair.) Do you guys think it's weird that the Aurora Borealis is happening the night before the Wiccan Festival of Lights? Piper: I've been so busy planning for the baby, I forgot tomorrow is a Sabbath. Paige: Yep, it's definitely a time for renewal and growth. Piper: Uh, please, don't say growth. If this little thing gets any bigger, I'll never be able to snap back. Paige: Hey, was that a shiver? I think I detected a shiver. Lady, you should go inside with that shiver. Piper: Shh, I'm fine, I'm feeling fine. Phoebe: You didn't look so fine when you were bent over the toilet puking your guts out today. Piper: Nausea, headaches, all a normal part of pregnancy. Along with gas, heartburn, constant need to pee. Phoebe: Sounds fun. (A goose squawks. They see a white goose in front of them lay a golden egg. It flies into the house. Paige gets up.) Paige: Uh, another golden goose. (Paige picks up the golden egg.) Piper: You'd think the magical community could find maybe something else to give to the baby. Phoebe: Well, that's the hot item this year. Piper: Clearly. Paige: Yeah, I could definitely melt this down and make a fashionable ring. Piper: You are not keeping that. (Inside, Leo walks past the door.) Leo: Goosy, go
SUMMARY: | Piper is due in six weeks and has to be on bed rest because of her high blood pressure. Phoebe, Paige, and Leo realize that all magic has stopped and that it has been foretold in the prophecy of the twice-blessed child, whom up until the time of its birth, magic will lay dormant. A sorcerer knows of this, and he plans to kill the sisters so he can raise Piper's baby as a powerful force of evil. Phoebe and Paige discover that Victor's new wife, Doris, is a demon who plans to aide the sorcerer in the kidnapping of Piper's baby. When Piper attempts to escape, she goes into labor. Phoebe and Paige arrive just in time and vanquish Doris and the sorcerer, Cronyn. Leo soon shows up and Piper gives birth to their baby, to the surprise of everyone, turns out to be a boy in a swirl of orbs. |
fd_How_I_Met_Your_Mother_04x08 | fd_How_I_Met_Your_Mother_04x08_0 | TEXT: Ted (2030): Children at the end of 2008, your Aunt Robin was unemployed and a little adrift, so his friendship with Lily was more important than ever. Lily and Robin are in McClaren's. Robin: So, it seems that Marshall has to work late on Friday.You know what that means, party girls. Lily: Well, a teacher at my school, Jillian, a birthday. What? Robin: It's just that... I have never heard of this before Jillian, and suddenly, it's your best friend. You do not stop talking about her. Lily: Do not be jealous. We hang out together all the time. Robin: Yeah, but Marshall is still there. There was not much time to talk, just us two. Lily: This is false. Flashback At the apartment Marshall and Lily, Lily and Robin are sitting on the couch. Robin: This is where the story gets really good. So it goes... Marshall: Hi. Robin:... place. And then this... guy talking about this thing with the stuff of which I spoke the other day about this place.Well, anyway... it happened. Marshall: My God. You and the guy the mayor's office did it to the UN under the office of Ambassador of Zaire? Cool. End flashback Robin: I wish we had time for girls. I love Marshall, but I am not free to express myself. Lily: Come with me and Jillian, then. Robin: OK, but I want to stay too late because... (Marshall and Ted joined them at the table) Do you remember... this thing last month after going there? You know who said it was going, but she gave me tips. Marshall: You always mycoses? GENERIC Barney: I want to take this moment. Marshall: Which one? Barney: The last time you and I are just competing for the title of best friend Ted. Ted: Marshall is my best friend. Barney: Exactly. Draw. But it's all about to change. Is it correct that you are an architect? Ted: My best friend does not, but still. Barney: You draw what now? Ted: Well, you renovate the library Nouillorc. Robin: That's great! Ted: No, not the New York Public Library
SUMMARY: | A depressed Robin joins a group of overindulging single party girls known as the "Woo Girls." Meanwhile, Barney receives a submission for design of the new company headquarters from Ted. |
fd_Doctor_Who_1963_20x21 | fd_Doctor_Who_1963_20x21_0 | TEXT: THE KING'S DEMONS BY: TERENCE DUDLEY Part One First Air Date: 15 March 1983 Running time: 24:48 [SCENE_BREAK] JOHN: Enough! JOHN: This is a poor welcome, my lord. RANULF: But sire JOHN: Hear us. We have come to ask but a pittance. Three marks per knight's fee. You obstruct the Crusade, my lord, with your parsimony. RANULF: But your Majesty already has my whole fortune willingly given but six month's since. There is no more. My coffers are empty. JOHN: Your words are more generous than your purse, Lord Ranulf. If you speak truth, if we have your whole fortune, you insult us. GILLES: You insult the King. RANULF: Your Majesty, I GILLES: You insult the King. GILLES: Are you so craven? HUGH: My father is of ill-health, Sir Gilles. ISABELLA: Hugh! HUGH: I pick up your gage. RANULF: I beg your Majesty. Take my lands, my goods, my chattels, even the robes I stand in, but spare me my surviving son. HUGH: Father, do not dishonour me. RANULF: My son, your Majesty. JOHN: We shall see, my lord, if your fealty is as slender as your fortune. Your son shall meet our champion on the morrow. We shall retire and dream sweet dreams. We bid you goodnight. RANULF: Goodnight, sire. [SCENE_BREAK] SOLDIER: Make way for the King. JOHN: Ah, friends, friends, calm yourselves. There's no cause for alarm. [SCENE_BREAK] TURLOUGH: Planet Earth. DOCTOR: So it seems. TURLOUGH: You didn't set the coordinates for here by any chance? DOCTOR: No. TEGAN: When is it? DOCTOR: March the
SUMMARY: | The Doctor lands the Tardis in 1215 England at the Castle of Ranulf Fitzwilliam in the middle of a jousting tournament and the Doctor is immediately hailed as a demon by the king. The Doctor finds this very suspicious. SPOILER ALERT: If you are watching this episode for the first time, wait until it is over to view the main cast as that will give some of the plot away. |
fd_Once_Upon_A_Time_02x04 | fd_Once_Upon_A_Time_02x04_0 | TEXT: -[Real World]- (Mr. Gold and Belle are in Mr. Gold's pawn shop. He takes out a small box and opens it, revealing a necklace.) Belle: It's, uh... It's very beautiful. So, what's the occasion? (He takes the necklace out of the box and goes to put it around her neck.) Mr. Gold: The occasion is us. We haven't really gotten out much since Storybrooke awakened. So, I thought we should see it together. (He finishes clasping the necklace.) Mr. Gold: Wow... Belle: Thank you. (The two of them hug.) Mr. Gold: Don't get your hopes up. The nightlife is extremely limited. Belle: No. That's not what I meant. Thank you for... For what you're doing. For how you're changing. (The moment is interrupted by the front bell ringing. Leroy enters.) Leroy: Okay, Stiltskin, I want my axe. Mr. Gold: I'm sorry, but we're closed. Leroy: It's mine. Give it to me. Mr. Gold: And yet, still closed. Leroy: Just cause you possess something, don't mean it's yours. Nothing in this shop belongs to you. And you? How can you be with such a monster? Or maybe, you're just another possession, too. Mr. Gold: How dare you? (Mr. Gold grabs Leroy by the neck and pins him against the wall.) Mr. Gold: You want your axe? Fine! (He begins to strangle him.) Belle: Rumpelstiltskin! Mr. Gold: You can have it... Buried in your chest! Belle: Stop! Stop! This isn't you anymore! (Mr. Gold turns into Rumpelstiltskin.) Rumpelstiltskin: Oh, it's me, dearie. Always has been, always will be. (Belle wakes up from her nightmare to find herself in one of Mr. Gold's rooms. She gets out of bed and goes downstairs, discovering that it's nighttime. She goes outside and lurk
SUMMARY: | Mr. Gold must change his ways of using magic to destroy people, or face the threat of Belle leaving him. After Belle talks to Ruby, she finds that she could be of some help to the library and sets off to see if she can work there, only to be kidnapped by her father. Mr. Gold, Ruby, and David go on a search for Belle, finding out that her father sent her into the mines so that she would cross the border of Storybrooke underground and because of that forget everything about her life in the Enchanted Forest. In flashbacks, Rumplestiltskin loses his wife to Killian Jones (Captain Hook) and his pirates. |
fd_Bones_02x13 | fd_Bones_02x13_0 | TEXT: "The Girl in the Gator" [SCENE_BREAK] TEASER (EXT. royal diner - day. AGENT SEELEY BOOTH: and DR. TEMPERANCE BRENNAN: walk out of the diner.) BOOTH: (on the phone) Florida? Today? BRENNAN: Is that work? BOOTH: (to Brennan) Yeah. (He holds the door open for a a few people entering the diner - then into phone again-) Hot, fun, Miama, Florida? Or sticky, you know, swampy Florida? (to customers he just held the door for) You're welcome, God! (An ice cream truck is heard in the background. They begin to walk down the same street as the ICE CREAM TRUCK.) BRENNAN: What's going on in Florida? BOOTH: (to Brennan) Wait a sec. (into phones) What flight? (The music gets louder.) Hold on a second. I can't hear you. (to the ice cream truck driver) Enough with the song already, all right? ICE CREAM MAN: I'm doing business here. Deal with it! BOOTH: (into phone) Hold on a second, now my pen's out of ink. BRENNAN: Here. (she hands Booth a pen) BOOTH: Oh, hold on. I can't hear anything. ICE CREAM MAN: The kids love the music! BRENNAN: Well, I don't see any kids. ICE CREAM MAN: The music attracts them! BOOTH: (into phone) Did you say the Everglades? Look, I can't hear anything because of this insane music! (Booth turns around and shoots the CLOWN-SPEAKER on top of the ice cream truck. People start screaming. Brennan looks at him - mouth agape) ICE CREAM MAN: You shot my clown! BOOTH: Great. Flight number? MAN: Move out of the way!!! ICE CREAM MAN: Hey! He shot
SUMMARY: | When Booth is ordered to go see a psychiatrist (guest star Stephen Fry ) after irrationally discharging his firearm (at the clown on the top of an ice cream truck), Brennan is paired up with Agent Tim Sullivan to investigate the apparent murder of a college student in the Everglades, and by the time the case is solved Sullivan and Brennan express their mutual interest in each other. |
fd_Buffy_the_Vampire_Slayer_01x07 | fd_Buffy_the_Vampire_Slayer_01x07_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. The Master's lair. Collin is tossing stones into the pool. He takes a few more from the Master's hand. Darla comes into the lair. Master: Zachary didn't return from the hunt last night. Darla: The Slayer. Master: Zachary was strong, and he was careful. And still the Slayer takes him... as she has taken so many of my family. (takes a breath) It wears thin. Collin, what would you do about it? Collin: I'd annihilate her. Master: (Inhales) Out of the mouths of babes... Darla: (makes her way down) Let me do it, Master. Let me kill her for you. Master: You have a personal interest in this. Darla: I don't get to have any fun. Master: I will send the Three. Darla: The Three? Cut to an alley. Three tough guys are lighting up cigarettes. The Three come around a corner at a steady, deliberate pace. The men see them coming and leave. Cut to the Bronze. A cockroach is being chased along the floor. Boy: Get it! Go get it, right there! Girl: I got it! She holds the roach up to the bartender and drops it into his jar. Girl: Free drink, please. The bartender nods his head and goes to get the drink. Willow: Ah, the fumigation party. Cut to Buffy and Willow sitting at a table. Buffy: Hmm? Willow: It's an annual tradition. The closing of the Bronze for a few days to nuke the cockroaches? Buffy: (not paying attention) Oh. Willow: It's a lot of fun... What's it like where *you* are? Buffy: (looks up and smiles) I'm... sorry, I was just... thinking about things... Willow: So, we're talking about a guy? Buffy: Not exactly a guy. For us
SUMMARY: | Sharing their first kiss, Buffy is horrified to discover that Angel is a vampire. Bent on slaying him, Buffy learns that Angel's soul was restored by a Gypsy curse, making him unique-and reviled-among his fellow undead. Angel stakes Darla, the vampire who made him, as she attempts to assassinate Buffy for the Master. |
fd_Degrassi_Next_Generation_04x06 | fd_Degrassi_Next_Generation_04x06_0 | TEXT: At the Dot (Paige as a waitress at the Dot, she's mixing up people's orders and spilling things.) Paige: Sixty seven pathetic cents. Spinner: Hey stop. Stop. You may be poor but at least you're pretty! Paige: Please just tell me I've made a dent in what I owe you. A ding? (The manager brings over the schedule.) Paige: Ooh the new schedule. The manager: Paige... Spinner: Crap I work Saturday? Paige: Um I don't...Friday or Sunday either...hello do I ever work? The manager: Sorry Paige, but you're fired. At Spinner's locker Manny: Hey. Nice sunburn. Looks pretty ouch. Spinner: Yeah it is ouch. Um where's yours? Manny: It's called sun block with a grease-free moisturizer follow. Spinner: Paige uses moisturizer but hers is lavender. (Spinner leans in to smell Manny as Craig walks around the corner.) Spinner: I'm close enough to know that yours isn't... lavender. Craig: Hey idiot! Nice sunburn! Manny: Library's at the other side of the school. Bye. Spinner: Am I the only one who got burned at this carwash? Craig: Are you and Paige still tight? Spinner: Yeah. Your point? Craig: You and Manny have been talking a lot lately. Spinner: Again, your point? Craig: Hey look I'm just warning you. Spinner: Hey it's none of your business. And neither is Manny. Not this year. In a classroom Mr. Simpson: Welcome to the tryouts for Degrassi's official trivia team! I want you to all partner off and we're going to start with a little warm-up. Toby: Partners Emma? Emma: Sorry I'm with Heather. Rick: Heartbreaking. I myself have Ms. Nelson pegged at number 3. I've got this list. It's not some kind of crass rating system. Let's see... ranking system. Toby: Your set. Rick: I
SUMMARY: | Paige gets a job working alongside her nemesis Alex at the movie theater concession stand to pay off the damages to Spinner's car. Meanwhile, Rick and Toby are partnered up in class, leading to a bet to see who can get more kisses from the girls at school. |
fd_Doctor_Who_02x06 | fd_Doctor_Who_02x06_0 | TEXT: Recap of 205 "Rise of the Cybermen". OPENING CREDITS EXT. TYLER'S MANSION, GROUNDS The Doctor points the power cell at the Cybermen, which expells a shoot of golden light which bounds off one of them and onto the others, they are all disintegrated. RICKY: What the hell was that? THE DOCTOR: We'll have that instead, run! And they run. Mrs Moore drives onto the scene in the blue van, hooting her horn. MRS MOORE: Everybody in! Pete tries to run back to the house. The Doctor grabs him and tries to restrain him. PETE: I've gotta go back, my wife's in there. THE DOCTOR: Anyone inside that house is dead. If you wanna help, then don't let her die for nothing. You've gotta come with us right now. Pete understands, and hurries back to the van. MRS MOORE: Come on, get a move on! Rose is still staring at the house. The Doctor goes to her. THE DOCTOR (with a quiet urgency): Rose, she's not your mother. ROSE: I know. THE DOCTOR: Come on. He pushes her in the direction of the van. They get in the back. MRS MOORE: Finished chatting?! Never seen a slower getaway in my life! They drive off. The Cybermen march ominously forwards. INT. TYLER'S MANSION, CELLAR A door in the basement of the Tyler's house creaks open a crack. Jackie peeks out with wide eyes. A Cyberman is walking away from her, its back turned. Very suddenly another steps out of a doorway about halfway along the corridor. Jackie gasps and hastily withdraws - but too late, it has seen her. INT. VAN The van is driving along at a steady speed now, relatively calm. Ricky, who is sitting in the front, glares through the grilling at the power cell, which the Doctor is still holding in his hand. RICKY: What was that thing? THE DOCTOR:
SUMMARY: | Escaping from the Cybermen, the group go to Battersea Power Station , where Lumic uses a transmitter to control London's EarPod-wearing population and send them to be converted into Cybermen. On the way, Ricky is killed by the Cybermen. The group splits into three smaller groups to stop the conversion. Eventually, Mrs Moore is killed and the Doctor, Rose and Pete are captured by the Cybermen and taken to Lumic, who has become the Cyber Controller. Mickey and Jake disable the transmitter on the zeppelin , freeing the humans who had not been converted. Mickey hacks Lumic's database to find the code to cancel every Cyberman's emotional inhibitor and sends it to Rose's phone; the Doctor plugs the phone into the computer systems which changes the signal and sends the Cybermen into despair. They escape the exploding factory on the zeppelin and Pete cuts the ladder Lumic is climbing up, sending him to his death. Mickey decides to stay and help fix the parallel universe with Jake, as he understands Rose prefers the Doctor. |
fd_The_O.C._03x09 | fd_The_O.C._03x09_0 | TEXT: Opening scene - Driving - the first thing we see is breathtaking aerial shots of the beach then of surfers out in the waves, after a few seconds of the water we then see a close up of Johnny. we cant see yet but he is in the back seat with Marissa. Ryan is driving and Seth is in the passenger seat. Johnny is looking out the window then looks in Ryan's direction Johnny: you guys seriously thankyou Marissa: sure, we're happy ta help Ryan: not a problem man Seth: I'm just along for the ride but your welcome (Ryan looks at him) Johnny: you didn't have'ta do this Marissa: (looks at Johnny) come on yeah we did (Johnny looks at her) I mean Chili's outta town, your moms at work, we weren't gonna let you take the bus Ryan: yep, takin a bus never seems ta end up well around here Johnny: (taps Ryan) it's this one up on the right (we see a few houses, one is noticeably smaller/plainer than the others) Marissa: aww the one with the white trim (smiles) Johnny: no it's...the one next to it (Marissa looks over and we see that Johnny's house is the small, plainer looking one. Ryan stops the car out the front) Johnny: (takes off seatbelt) the infinity pools in the back Seth: dude don't even worry about it you should see where (points) Ryan grew up Johnny: (embarrassed) we're movin soon, after I go pro, a year on the circuit (Ryan nods) save some money buy my mom a house in the flowered streets, it may seem a little optimistic now but Marissa: no Johnny: well thanks again Seth: yeah, see ya (Johnny opens the door) Marissa: here, let me help you Johnny: no I'm-I'm fine, you're all gonna be late for school (Johnny gets out of the car with his crutches. Marissa hands him his bag and what
SUMMARY: | Ryan takes an internship working for Sandy at the Newport Group, but he ends up working to save Matt's career. Summer and Seth are determined to get accepted into Brown . Johnny tells Marissa how he feels about her. Julie tries to adapt to her new living situation. |
fd_The_Office_08x20 | fd_The_Office_08x20_0 | TEXT: Pam: Hey Jim. Stanley's back from the hospital today. Can you sign his card? Jim: Oh, great. [reads] "Glad they didn't mix up your tonsillectomy with a moustachectomy." Oh that's not good. Phyllis: Oh, because your jokes are all hilarious. Pam: It's nice. It's funny. It mentions his tonsillectomy and makes a funny little joke about his moustache. Jim: Stanley doesn't have a moustache. Pam: Yeah he does. Oscar: Pam, hit the brakes. Stanley does not have a moustache. I misspoke. I'm not sure. I think he has one, now that- I think he has a moustache. Pam: Okay, Phyllis sits across from him every day. Phyllis, does he have a moustache or not? Phyllis: Oh, I don't know. Now I think he doesn't. Pam: Phyllis! What are you talking- The whole card depends on this! Jim: Okay, the man's worked here for 25 years. How can none of us picture his face? Angela: 'Cause we come here to do our jobs. We don't stick our noses in other people's business. Pam: Okay, which one of these looks more right? [holds up drawing of Stanley with and without a moustache] Dwight: Neither of those looks like any person that has ever existed or been dreamt of in the history of human insanity. That said, the one on the left. Gabe: [bell dings] Guys, that's the elevator. What if it's him? Jim: Okay, quick. Who says moustache? [Pam, Oscar, Dwight, and Creed raise their hands] Dwight: Yep. Jim: Who says no moustache? [Jim, Angela, and Phyllis raise their hands; Gabe enters, hiding Stanley's face] Gabe: [reveals Stanley's moustache] Ah! Ha ha ha! Phyllis: He does have a
SUMMARY: | California forces the office to prepare a welcome party for Nellie, but the party planners seek to sabotage it. Soon, Jim and Dwight learn tragic information about Nellie that makes them think twice about pranking her. Meanwhile, Erin helps Andy break up with his current girlfriend Jessica ( Eleanor Seigler ). |
fd_Frasier_05x12 | fd_Frasier_05x12_0 | TEXT: Act One Scene One - Int. Cafe Nervosa. Frasier is ordering his coffee at the counter. Bebe Glazer approaches. Bebe: Well, well, well, look who's here. It's KACL's Frasier Crane. Frasier: And Rosemary's Bebe. Pause. Frasier turns back to the counter. Bebe: So, quite a little shake-up going on down at the station. I hear the new owner wants to renegotiate everyone's contract. Frasier: [turning head] Mmm-hmm. And before you drop another gossamer hint, let me tell you that my feelings about you haven't changed. Bebe: Fine! Actually, I'm here to meet one of my newer clients, a rising star of the Seattle airwaves. Frasier: Oh, really, and what pathetic do-gooder have you lured into your web now? Roz enters, looking self-conscious. Bebe: [overly affectionate] Roz! Frasier: [surprised] Oh, dear God. Bebe walks over to Roz and points her toward a table. Bebe: You just get off your feet, little mother. I'll fetch you a nice, nourishing muffin. Roz begins to walk toward the table, still self-conscious, trying to keep her back to Frasier. Frasier follows her, glaring. Frasier: You signed with Bebe? Roz: [sitting] Okay, I know, I should've told you, I just wasn't in the mood for one of your lectures. Frasier: [sitting across from her] I'm not going to give you a lecture. You're entitled to choose whoever you wish to represent you. Someone who's honest, or a woman whose ethics would've raised eyebrows in the court of Caligula! Roz: Look, she's gotten me three voice-over jobs. She may be a little shifty, but she helps me put food on the table. Bebe approaches, muffin in hand, and places it before Roz Bebe: One muffin. Roz: See
SUMMARY: | Frasier has to choose whether to return to his heartless former agent, Bebe Glazer, or stick with his current representative, well-meaning but non-confrontational Ben. Maris' insistence that Niles fire their latest couples' therapist, and Niles' refusal to do so, put their weekly conjugal visits on hiatus. Ben brings Frasier the wrong sort of publicity and Niles has trouble controlling his pent-up urges, but Frasier insists that both he and Niles do the ethical thing: Frasier must stay with his ethical agent, and Niles must not fire a perfectly good counselor just to have sex. |
fd_FRIENDS_05x05 | fd_FRIENDS_05x05_0 | TEXT: [Scene: Chandler and Joey's, 3:02 A.M., Chandler is up. There's a knock on the door and Chandler answers it.] Monica: (quietly) Hi! Chandler: (quietly) Hi! (They both start kissing.) (Joey enters and Chandler pushes her away.) Joey: Monica? What time is it? Chandler: Uhh, 9. (He pushes the clock into the sink.) Joey: But it's dark out. Monica: Well that's because you always sleep to noon, silly! This is what 9 looks like. Joey: I guess I'll get washed up then. Watch that sunrise. (He goes into the bathroom.) Monica: I'm really getting tired of sneaking around. Chandler: I know, me too. Hey! Y'know what if we went away for a whole weekend? Y'know we'd have no interruptions and we could be naked the entire time. Monica: All weekend? That's a whole lotta naked. Chandler: Yeah, I can say that I have a conference and you can say you have a chef thing. Monica: Ohh, I've always wanted to go to this culinary fair that they have in Jersey! Chandler: Okay, y'know your not though. Let's go. (He starts for his bedroom.) Monica: Wait! What about Joey? (Chandler opens the bathroom door to reveal Joey passed out on the toilet with a toothbrush in his mouth.) Opening Credits [Scene: Monica and Rachel's, the next morning, Chandler, Joey, and Phoebe are eating breakfast.] Monica: (entering from her room) Hey, guess what I'm doing this weekend! I'm going to this culinary fair in New Jersey. Phoebe: Oh weird, Chandler just told us he's got a conference there! Monica: Oh now that-that-that's funny, it seems like Chandler's conference could've been in Connecticut or Vermont. Chandler: I'm not in charge of where the conference is held. Do you want people to think it's a fake conference? It'
SUMMARY: | Ross tells Rachel that Emily does not want him to see her anymore. Rachel then worries she will be phased out of the group entirely, much like Chandler's old roommate, Kip, and seeks advice from Phoebe. Monica and Chandler sneak away for a weekend together and end up fighting. Joey eventually figures out the truth about their relationship, though they swear him to secrecy. |
fd_Doctor_Who_1963_01x05 | fd_Doctor_Who_1963_01x05_0 | TEXT: 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. TARDIS. CONSOLE ROOM DOCTOR: Well, I suggest before we go outside and explore, let us clean ourselves up. SUSAN: Oh, yes! (The DOCTOR takes up his coat and points at an instrument on the console.) DOCTOR: Now, what does the radiation read, Susan? (SUSAN looks at a dial on the console.) SUSAN: It's reading normal, Grandfather. (The travellers walk off into another section of the ship. Behind them, the needle on the dial suddenly moves...into the "Danger" zone - a warning light begins to flash....) [SCENE_BREAK] 2: EXT. FOREST (The forest outside the ship seems to radiate heat.) (The strangely shaped trees have heavy rings round the trunks and rise from a white, ashy soil.) (Other foliage hangs from the upper branches and shrubs with stark tendril leaves adorn the forest floor. The travellers emerge from the TARDIS in fresh clothes although the DOCTOR would simply seem to be in a cleaned up version of his usual apparel. They all look round at their strange surroundings.) BARBARA: There's been a forest fire. Everything's sort of white and ashen. IAN: Funny mist. DOCTOR: The heat must have been indescribable. (He picks up a chunk of soil.) DOCTOR: Look at this soil here. Look at it! It's all turned to sand and ashes. (He hands a piece of soil each to BARBARA and SUSAN.) DOCTOR: Extraordinary. How can shrubs and trees grow in soil like that, hmm? (They brush the soil off their hands.) IAN: Something else that's strange. There's quite a breeze blowing. SUSAN: Well? IAN: Well, look at the branches and things. (A look at the branches reveals what IAN'S talking about.) SUSAN: (Surprised.) But, they don't seem to be moving. BARB
SUMMARY: | The TARDIS has brought the travellers to the planet Skaro where they meet two indigenous races - the Daleks, malicious mutant creatures encased in armoured travel machines, and the Thals, beautiful humanoids with pacifist principles. They convince the Thals of the need to fight for their own survival. Joining forces with them and braving Skaro's many dangers, they launch a two-pronged attack on the Dalek city. The Daleks are all killed when, during the course of the fighting, their power supply is cut off. |
fd_Doctor_Who_1963_03x38 | fd_Doctor_Who_1963_03x38_0 | TEXT: THE SAVAGES 5:35pm - 6:00pm [SCENE_BREAK] SCENE 1 - TARDIS INTERIOR (This scene appears at the conclusion of The Gunfighters episode 4. The Doctor, Steven and Dodo are standing next to the console, and staring up at the TARDIS scanner. The TARDIS appears to have landed in a rough, hilly landscape strewn with rocks and shrubs. The Doctor picks up a monitoring instrument and places the strap over his shoulder.) DOCTOR: We've now reached the distant horizon of an age - an age of peace and prosperity. Now I'm going to be off. (The Doctor opens the TARDIS doors. As he exits, he is unaware of the primitive man watching him nearby. The man is dressed in animal skins, and carrying a large club...) [SCENE_BREAK] SCENE 2 - OUTSIDE THE CITY (The Doctor follows a narrow path through layers of thick vegetation. At one point, he stops and takes a reading from his instrument. Chuckling to himself, the Doctor moves on.) [SCENE_BREAK] SCENE 3 - TARDIS EXTERIOR (Steven is pacing restlessly next to the TARDIS. Dodo stands nearby. Steven impatiently glances at his watch.) STEVEN: He said five minutes. DODO: The Doctor has no idea of time. For someone who's travelled about in time as much as he has, that's rather funny. (Dodo giggles..) STEVEN: This is nothing to laugh at, Dodo. DODO: Don't take it so seriously. If you're so worried about him, you shouldn't have let him go. STEVEN: All right - you try telling the Doctor what to do. DODO: Then you should have gone with him. STEVEN: You heard what he said. DODO: You don't have to do everything he tells you. You're a grown man. Or are you? (Dodo glares at Steven, who returns her glare with equal venom. But realising
SUMMARY: | Missing episode The TARDIS has arrived on a far-distant and seemingly idyllic world. Yet the Doctor, Steven and Dodo learn it hides a terrible secret: the apparently civilised Elders maintain their advanced society by draining and transferring to themselves the life-force of the defenceless Savages. Outraged at this exploitation, the Doctor is seemingly helpless to prevent it when some of his own life-force is tapped by the Elders' leader, Jano. In the process, however, Jano also acquires some of the Doctor's attitudes and conscience. Turning against his own people, he enlists the Savages to destroy the Elders' transference laboratory - a task with which the time travellers gladly assist. Steven agrees to remain behind on the planet to become leader of the newly united Elders and Savages. |
fd_One_Tree_Hill_01x02 | fd_One_Tree_Hill_01x02_0 | TEXT: [PLAYGROUND COURT. A boat passes by] MOUTH: Be Nice, be nice, put it in there. There you go. [Cut to LUCAS] SKILLS: Luke, Luke, what up dawg? Check this out. You shoot this one. See what you got. [LUCAS shoots and the ball goes in] SKILLS: Ahh! MOUTH: Come on, lets move! SKILLS: Time to go, baby. JIMMY: Six-thirty, Luke! LUCAS: Oh, come on guys, you don't gotta come. It's just a game. SKILLS: Right. Whitey asked you to play on the team. JUNK: And Nathan threatens you. MOUTH: You beat him right here one on one, you join the team. SKILLS: And now it's the first game and we aint gotta come? Um-um. We goin'. This game is for all of us. [SKILLS tosses LUCAS the ball. LUCAS catches it and looks at his friends] JIMMY: Go Luke! [A truck goes by KAREN'S CAFÉ. Everyone in it is chanting 'Ravens.' KAREN'S behind the counter and KEITH walks over] KEITH: Karen! You ready to go? KAREN: Oh. I'm not going. I decided to stay open. I could use the business. KEITH: You talk to Luke about this? KAREN: No. But he'll understand. KEITH: Karen- HALEY: [Interrupting, at the door] She doesn't want to go. She doesn't want to see her high school sweetheart slash your brother Dan slash the jerk who abandoned Lucas slash the father of Nathan, the team's star player slash my wrists if I hear this story again. Lets go. [KEITH looks at Karen as he steps backward toward HALEY] KEITH: I think you're making a mistake. [KEITH
SUMMARY: | Lucas blows his first varsity game and decides to quit the team. The wedge between Nathan and Peyton continues to grow after Peyton tires of Nathan's jabs at Lucas. Meanwhile, Keith forces Karen to deal with her feelings for Dan after she refuses to set foot in the high school gym to support her son. This episode is named after a song by Dashboard Confessional . |
fd_Gilmore_Girls_02x05 | fd_Gilmore_Girls_02x05_0 | TEXT: 2.05 - Nick & Nora, Sid & Nancy OPEN AT LUKE'S DINER [Lorelai and Rory are sitting at a table. Lorelai's eating breakfast while Rory watches her.] RORY: How are the eggs? LORELAI: Good. RORY: I'm glad. LORELAI: They're still good. RORY: I'm still glad. LORELAI: Look freak, we will not be late. RORY: It's the first day of school. I wanna get there early. LORELAI: We will be there early, I promise. RORY: I have different classes this year, my routes aren't the same. I haven't found the quickest path around. And my locker, they moved it, so I don't even know if it'll work properly and then I'll have to get a new one and God knows how long that'll take or where it'll be and that could send the whole day into chaos. I'm just excited. [Lane walks into the diner] LANE: Oh, thank God, you haven't left yet. RORY: Nope, what's up? LANE: Well, I found the greatest record store in the world. It's ten minutes from your school and I'm wondering how much you love me. RORY: Address. LANE: Record Breaker Incorporated, 2453 Berlin Turnpike. RORY: Got it. Place your order now. LANE: Okay, Charles Mingus, "The Black Saint and the Sinner Lady." LORELAI: Mm. RORY: Right. LANE: The Sonics, Here are the Sonics. RORY: Burn me a copy. Next. LANE: MC5, Kick Out the Jams. Fairport Convention, Leige and Lief. BeeGees, Odessa. RORY: BeeGees, really? LANE: Well, Mojo says. RORY: So it must be true. LANE: Okay, that's it. Now if I could just find a copy of Whistler, Chaucer, Detroit and Greenhill, I
SUMMARY: | Luke's sister Liz, afraid that her 17 year old son Jess is headed for trouble, puts him on a bus to Stars Hollow to live with Luke. Lorelai finds out and offers Luke some guidance on the care and feeding of a teenager, but is rebuffed. Undaunted, she hosts a dinner party for Jess, who is sullen and angry with everyone except Rory. At the first opportunity, he takes a beer from the fridge and sneaks out to the back porch. Lorelai finds him and gives him a lecture on how good he has it with Luke. Jess tells her what she can do with her little speech and then leaves. When Luke finds out about Lorelai's meddling, they quarrel and he goes to find Jess. Taylor calls Luke the next day to accuse Jess of stealing money from the bridge fund container at the market. Luke confronts Jess about this accusation, and becomes so frustrated at his response that he shoves him into the lake. Realizing that he needs Lorelai's help, he goes to her house to patch things up, only to find that one of Babette's gnomes is missing. He goes back to the diner, lays down the law to Jess and retrieves Babette's gnome. Paris is intent on making Rory's life miserable, so she sabotages her participation on "The Franklin" by giving Rory the wrong time for the staff meeting, and then assigning her to a story on the paving of the new faculty parking lot. Her plan is frustrated when the faculty advisor singles out Rory's article for praise. Undeterred, Paris assigns Rory the job of interviewing Max after she sees Rory and Max painfully avoid each other in the hall. Rory accepts the challenge, and after a few painful moments, Max and Rory express their regrets to each other about not being able to be stepfather and stepdaughter. |
fd_Trailer_Park_Boys_07x09 | fd_Trailer_Park_Boys_07x09_0 | TEXT: Julian: Okay, Randy's passed out hard boys. Wait now. Alright, he's down. He's out boys. I knew they'd f*ck up. Alright, let's move. Be quiet. Bubbles: Get down, dickweed. Ricky: Get the f*ck out of the way. Julian: Rick, Rick, Rick. Bubbles: Julian? Bubbles: Put the stick in and twist it. Use the propeller technique. Ricky: Got him. We f*cking got you now, don't we Lahey and Randy. You f*cking tunas. Bubbles; Torque the fucker. Mr. Lahey: You idiots are messing with an officer of the law. Ricky: More like an officer of the drunk. Mr. Lahey: f*ck off, Ricky. Ricky: Looks good on you, fuckers. Julian: Guess you should have been sleeping in shifts, eh Jim. There's something you forgot about. The liquor works for both sides buddy. Mr. Lahey: You might be sexy Julian, but you can't teach me anything about liquor. Julian: Cheers Jimmy. Randy: Mr. Lahey. Mr. Lahey: Randy. [music] Bubbles: Hey, Julian. Ricky, bring her in. Park her right here. Julian, I think I'm going to go maybe grab the Swayzie Express. Julian: Alright man. Hey Jacob. Good job, man. Jacob: Oh thanks Julian. Julian: As soon as I get back, I'm going to throw a huge barbeque party. Make sure you invite your boys, okay? Jacob: Julian, me and the boys have been talking and this whole thing's been really cool you know, we had your back in the woods, setting up the track and stuff and Julian: So what are you trying to say? Jacob: Me and the boys want to come with you guys. You know, we want to be there to finish this thing. Friends? Julian: Jacob, to be honest with ya, I felt pretty bad seeing you walking around with that I.V. okay so no, it's not going to happen. It's way too dangerous man. Rick
SUMMARY: | The boys begin the smuggling operation. After begging Julian, Jacob is allowed to rejoin the crew, which, much to Ricky's chagrin, also includes a newly-reconstructed Conky. Although the boys are still wary of the doll, Conky makes an effort to regain their trust by buying them food for camping and saving them from being arrested by two US forest rangers (one of whom played by country singer George Canyon ). At the end of the episode, while everyone else is asleep (possibly even Bubbles), Conky is seen phoning the operator and asking for the FBI , DEA and ATF . |
fd_Charmed_06x05 | fd_Charmed_06x05_0 | TEXT: [Scene: Building. Temp Agency. Paige and Carl are there. Carl is flipping through a rolodex.] Carl: Uh, mail clerk at Dutton and Houser, greeter at Yarn Mart, pre-school assistant... how are you at diapers? Paige: Maybe I'm not making myself clear. Carl: No, well, let's see, how about this. Bagger at Grocery Plus, cashier at Lucy's Landscaping, computer programmer... I don't think so. Paige: Listen, I was just curious. Why have all the temp jobs you've sent me out on been so unusual? Carl: Unusual? What's unusual about a fruit packer? Paige: Okay, well, maybe it's not the job, it's just kind of what happens you know, after I get there. Things just kind of go a little wonky. You wouldn't happen to know anything about that, would you? Carl: No. Paige: No. No, you wouldn't, okay. Well, maybe it's just a coincidence, although honestly, you know, I don't believe in coincidences. Okay, look, here's the thing. I'm not picky, I'll take anything as long as it's really, really normal. Carl: Oh, you want normal? I've got the perfect thing for you. (He pulls a card out of the rolodex.) [Scene: Callaway House. Bathroom. Paige is holding a bedpan. She flushes the toilet and walks out into the hallway.] Paige: This is not what I had in mind. (She pulls off her gloves. She looks over at Grandma Callaway who is sitting at a table near a window. She peeks at Paige's hand of cards.) Wasn't someone supposed to call a trump? (Paige walks over to her.) Grandma Callaway: Oh, yes, right, trump. (Paige sits down.) I was just waiting for you. Paige: Oh, I see. (Grandma Callaway laughs.) Grand
SUMMARY: | When Paige's latest temp job puts her in the middle of an ongoing feud between two magical families, the Montanas and the Callaways, she falls for Richard Montana and urges both families to consider a truce. Paige, Phoebe, and Piper hold a séance with both families and everyone is stunned to learn that Richard's first love, Olivia Callaway, is the one who has been escalating the feud to avenge her death. Paige becomes possessed by Olivia's spirit, and Phoebe and Piper must banish Olivia in order to save Paige and the two families. However, Paige's abduction of Richard while possessed and the near death of his mother, cause the families to end the feud, having decided they want no more death. Olivia's dad and Richard's mom lead Phoebe and Piper to Olivia's grave where Paige tries to attack, but is prevented by Piper. Phoebe and Piper go to vanquish her but are stopped by Paige who felt Olivia's intense pain while possessed by her and Paige and Richard are able to convince her to move on peacefully. Meanwhile, Leo is suspicious when Chris travels to The Underworld in search of a potion and trails him in secret. The potion turns out to be an empath blocking potion, and Piper and Paige are able to use it to block Phoebe's new power on them, however, when they are gone, Chris secretly uses it on himself too. |
fd_Doctor_Who_1963_11x05 | fd_Doctor_Who_1963_11x05_0 | TEXT: INVASION OF THE DINOSAURS BY: MALCOLM HULKE PART ONE 12th January, 1974 5:30pm - 5:55pm [SCENE_BREAK] 1: EXT. ALBERT EMBANKMENT (London: Bird song is the only sound that is heard along the pavement that runs down from St. Thomas's Hospital. In front of the Houses of Parliament, the Thames is devoid of moving river traffic.) [SCENE_BREAK] 2: EXT. WESTMINSTER BRIDGE (Slightly downstream, nothing crosses the Thames either. Westminster Bridge - normally a vital artery in the city - is utterly vacant of vehicles.) [SCENE_BREAK] 3: EXT. WHITEHALL (The hub of Government is silent, still and deserted. No civil servants come out of the Foreign and Commonwealth office and pass by the Cenotaph.) [SCENE_BREAK] 4: EXT. TRAFALGAR SQUARE (In Trafalgar Square, not a pedestrian or vehicle is seen to move. The fountains are switched off. ) [SCENE_BREAK] 5: EXT. MARGARET STREET (Margaret Street, running parallel and to the north of Oxford Street is as quiet as the grave.) [SCENE_BREAK] 6: EXT. HAYMARKET (Haymarket, on the cusp of theatreland and governmental London is bereft of the normal bustle of shoppers and tourists that are usually to be seen. A lone pigeon walks across the road, for once at no danger at all from the crush of vehicles.) [SCENE_BREAK] 7: EXT. BILLINGSGATE MARKET (The old Billingsgate Market off Lower Thames Street betrays its decay more than usual in this deserted silence, broken only when a dog barks.) [SCENE_BREAK] 8: EXT. LONG LANE (What should be another hive of activity - Smithfield Market - is equally deserted.) [SCENE_BREAK] 9: EXT
SUMMARY: | The Doctor and Sarah return to London in the present day only to find the city strangely deserted, while nearby UNIT are dealing with a series of monster appearances. |
fd_Glee_01x09 | fd_Glee_01x09_0 | TEXT: HIGH SCHOOL - GYMNASIUM - AFTERNOON The cheerleaders repeat as diligent eye of Sue. Captain : Go! Five, six, seven!....Five, six, seven! Five, six, seven! For his part, Quinn, unfortunately, is watching in the stands when the Finn joined. Captain : One, two, three, four!...Five, six, seven!....Five, six, seven, eight! Finn sitting next to Quinn. Finn : You shouldn't do this to yourself. Quinn : Do what? Finn :....I know how much it hurts to be off the team. You're just torturing yourself watching. Quinn : I need a good distraction. Finn : From what? Quinn out an envelope from her bag and hands it to Finn who reads it. Finn : $685? Quinn : That's how much a sonogram costs. This is just the beginning. There's gonna be more doctors' visits... vitamins, new clothes for when I explode. Finn : What are we gonna do? Quinn : What are you gonna do? Finn : Well, I'm looking for a job. I mean, no one's hiring. I almost got in at Olive Garden, but they said I was too tall to be a busboy. Quinn : Somewhere in that pea brain of yours... is a man. Access him and tell him to prove to me that I chose the right guy to have a baby with. Finn : I will. (Quinn rising) I'll...I'll find a job. You can count on me, I swear. (Quinn approve.) Where...Where are you goin'? Quinn : You were right. This does hurt too much. Quinn goes. For its part, Sue is interviewed by Jacob during his workout. Jacob : My blog has lit up with comments suggesting... you don't have a shot at nationals since you lost Quinn Fabray. Sue : No, the Cheerios are stronger than ever. We're gonna take nationals with this routine. Jacob : Oh!... Sue and Jacob laying Cheerleaders
SUMMARY: | The glee club holds a bake sale to raise money for a wheelchair-accessible bus, so that paraplegic club member Artie can travel with them to Sectionals. Quinn struggles with the medical expenses incurred by her pregnancy, and Puck offers to support her. Sue accepts a student with Down syndrome onto the cheerleading squad and pays the school to build new wheelchair ramps, leading Will to question her motives. It is revealed Sue has an older sister who also has Down syndrome. Kurt and Rachel compete for a solo performance, but Kurt sabotages his own performance when his father receives harassing phone calls about his sexuality. Artie and Tina go on a date and share a kiss, but Artie feels betrayed when Tina admits she has been faking her own disability, a speech impediment , since sixth grade. |
fd_The_Office_07x13 | fd_The_Office_07x13_0 | TEXT: Man: Next up, secretary Schrute will read the minutes from Sunday's meeting. Dwight: Minutes from previous meeting of Knights of the Night. No, Jim, hey! Jim: Oh. Dwight: This meeting is for Knights of the Night only. [SCENE_BREAK] Dwight: Knights of the Night are volunteer crime patrollers. We're often compared to the Guardian Angels, but we could not be more different from them. Seriously, we are nothing like the Guardian Angels. I mean, broad strokes purposes, sure. Think Guardian Angels. One of our many recent good deeds? We set out to capture the Scranton Strangler. Mission accomplished. Not by us. [SCENE_BREAK] Jim: I'm actually just looking for my Blackberry, so, carry on. Dwight: No, no, no, no, no. I see how this movie ends. You make fun of me, everyone laughs, ha, ha, ha... screw you! Man: Dwight, don't be bothered by your friend's presence. Dwight: What are you going to do now? Are you going to make fun of our leader's weird voice? Huh? [mimicking the leader's voice] Dwight, don't be bothered by the [mumbles]. Over the line, Jim. Jim: I'm just looking for my phone, so... pretend I'm not here. Dwight: Fine. Minutes from previous meeting of Knights of the Night. That's our official name, Jim. Jim: Sounds good. Dwight: Reflective strips were glued to patrol jackets. Knights went outside with flashlights to test them. Jim: Smart. Dwight: And the rest was just [mumbles]stuff. Man: Go ahead and read it, some people weren't here. Dwight: Okay. Knights stayed outside to play flashlight tag. Jim: Oh, come on, that sounds awesome. Member: It was pretty cool. Jim: Was it? Member: It was fun. Dwight: It was pretty awesome. Jim: [answers phone] Hey! Yeah. No, I got it. Just leaving now.
SUMMARY: | Michael anticipates the news regarding the status of Holly and A.J.'s relationship. In the office, Pam puts up a New Year's resolution board so everyone can post their resolutions but things get chaotic. Meanwhile, Darryl convinces Andy and Dwight to go with him to the library in hope of picking up women, to work on his secret resolution of reading more. |
fd_Once_Upon_A_Time_01x14 | fd_Once_Upon_A_Time_01x14_0 | TEXT: -[Fairy Tale World]- (In the clouds, the Blue Fairy waits for Nova. Nova clumsily flies towards her, carrying a bag of fairy dust, before coming to a stop.) Blue Fairy: Easy! Nova: Sorry. Blue Fairy: Careful. Careful. Fairy dust is the most precious substance in all the land. Its magic is what powers the world. This is the year's supply - we must be cautious. Nova: I know. Blue Fairy: Because, next year, you'll be doing this alone. Nova: I-I'll still be picking up dust? I thought I'd be a fairy godmother by then. Blue Fairy: Oh, Nova. You really are a dreamer. Your journey is just beginning. Can you make it home from the mines with all the dust safe? (Nova nods.) Blue Fairy: Okay. [SCENE_BREAK] (The fairy dust from Nova's bag falls from the sky and spirals to the ground. The dust reaches the mine, where there is a cluster of eggs. The dust is absorbed by one of the eggs, which then begins to move. Two dwarves, who are inspecting the eggs, notice.) Watchy: This one's ready. Bossy: No. It's too early, Watchy. This unit isn't scheduled to hatch till sundown. Watchy: Well, someone's eager to get out before the rest of his brothers. (A hand punches through the shell of the egg. The dwarf inside turns out to be Grumpy.) Bossy: Welcome to the world, dwarf. -[Real World]- (Leroy is eating breakfast at the counter in Granny's Diner. Mr. Clark and Walter enter.) Mr. Clark: Uh, excuse me, Leroy. Uh, do you mind scooting over a seat so Walter and I could sit together? Leroy: If I wanted to sit there, I would've sat there. You want this seat? Try dragging your sorry asses out of bed a little earlier. Mr. Clark: You're a real ray of sunshine as
SUMMARY: | Unlikely allies Mary Margaret and Leroy team together for a good cause to help the Storybrooke nuns sell their candles during the town's Miner's Day festival. But Leroy makes a promise to a nun, Astrid, that he may not be able to keep; and Emma looks into the mysterious disappearance of David's wife, Kathryn. Meanwhile, in the fairytale land that was, Grumpy finds forbidden love with beautiful but clumsy fairy Nova. |
fd_Buffy_the_Vampire_Slayer_02x17 | fd_Buffy_the_Vampire_Slayer_02x17_0 | TEXT: Prologue: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer. The Bronze. The camera extends out from the catwalk, looking straight down onto the people below. They are dancing to the slow, sensual rhythm of "Never an Easy Way" performed by Morcheeba. Lyrics: Think I slip the net / But I cut myself free Cut to the crowd below. Buffy and Xander are dancing together, but not close, and exchange a few words as they move around. Behind them Cordelia and Willow are sitting at a table and chatting. Lyrics: I'm not losing yet / So don't forget me / I'll say it, replay it... A man crosses in front of the camera, temporarily blocking the view, and when he's gone by Angelus is standing beyond the table near the base of the stairs. He watches them dance. His voice narrates throughout the scene. Angelus: Passion. Lyrics:...and try tomorrow Angelus: It lies in all of us. Lyrics: I'll say it, replay it... Angelus: Sleeping... Lyrics:...and live with sorrow Angelus:...waiting... And though unwanted... Lyrics: You'd think I'd learn by now Angelus:...unbidden... it will stir... Lyrics: There's never an easy way He begins to move around the room, all the while keeping his stare on Buffy. Angelus:...open its jaws, and howl. Lyrics: I'll get through somehow / I'm on my knees to pray Cut outside to the alley. Willow and Buffy come walking out of the Bronze. Buffy has her arm hooked into Willow's. Cordelia and Xander are behind them with their arms around each other. Lyrics: You'd think I'd learn by now / There's never an easy way They walk past a couple, apparently engaged in a kiss. The camera stops on the couple. Lyrics: I'll get through somehow... The man lifts his head from the woman, and it's Angel
SUMMARY: | Angelus kicks his terror campaign against Buffy and her friends into high gear, leading them to believe Joyce is his next target. Jenny makes progress rediscovering the Romani Ritual of Restoration and, with Buffy's terse blessing, gets back together with Giles. Jenny and Giles also work with Buffy and Willow to ritually revoke Angel's invitations into their various homes. Angelus takes his anger out on Jenny with tragic results. |
fd_Frasier_06x02 | fd_Frasier_06x02_0 | TEXT: ACT ONE CLASS OF '68 Scene One - Café Nerovsa. Niles is sat at his table and the waitress brings him his coffee, which he thanks her for. Firstly, Niles pours his milk. After pouring he wipes a droplet from the milk cup with his serviette. Then he takes his spoon, wipes that, and prepares it to receive just the right amount of sugar. Niles picks up the sugar and tips it - however the top falls off, covering the table in sugar. Some young girls laugh from the window seat. Niles is miffed. Niles: That was a very childish prank. Now you have ruined my coffee! If you can't behave like adults you shouldn't be coming to a grown-up café! Girl: It wasn't us! Two middle-aged men start laughing - obviously it was them. Girl: Aren't you going to yell at them? Niles: They'll have already heard me yell at you. The men get up and leave as Frasier enters. Frasier: Niles, thank you for agreeing to meet me on such short notice, I swear I am in a full-blown crisis. Niles: If you are talking about that garish belt, I have emergency suspenders in my car. Frasier: It's not the belt! My high-school reunion is tonight and you know my history. Niles: Oh, not this folderol again. Frasier: It's not folderol! Niles: It's folderol. Frasier: It is not folderol! Every time my reunion comes around, it coincides with a severe downturn in my life. Five years ago Lilith divorced me; five years before that I was left at the altar; five years before that I fell face first into the poison ivy! And here we are right on schedule, I'm freshly fired! Niles: I still don't know why you even went that poison ivy year. Frasier: The point is, in ten minutes I have an extremely important job interview - a job which I am eminently qualified for, but now
SUMMARY: | Frasier believes reunions are cursed as they always happen when he is at a low point in his life, such as his divorce with Lilith and being left at the altar by Diane. He is thus not keen to go on a reunion of the Bryce Academy, where he expects to be humiliated for being unemployed, single and living with his father. He reconsiders after a former classmate sees him looking shabby, fearing that rumors may spread at the reunion that he is homeless. |
fd_Alias_02x10 | fd_Alias_02x10_0 | TEXT: (Open to Irina's cell. She's sitting on the floor. A fly is on the glass. She watches as it takes off and flies around the room. Still sitting, she calmly catches it in her hand. Fade out to the surveillance monitor of her cell upstairs at the ops center. Sydney stands near the monitor.) SYDNEY: (voice over) When I found out my mother faked her death twenty years ago, after mourning her for most of my life, she was still alive. I tried to imagine what it would feel like to stand in a room with both of my parens again. (Jack walks in the ops center across the room. Sydney smiles at him.) SYDNEY: (voice over) It seemed impossible. (Jack nods once.) SYDNEY: (voice over) That two people with so much... deceit between them could ever find a way to breathe the same air. (Cut to Sydney, Will and Francie's house. Sydney and Will are sitting across from each other on the sofa. Continuing the conversation from the voice over.) SYDNEY: And all of a sudden there we were. Just the three of us... walking down a dirt road in the middle of Kashmir. When we were out there, working as a team, it was comforting. (Flashback to "Passage, Part 1" when the three Bristows are standing side-by-side, shooting the PRF rebels with rifles.) SYDNEY: (voice over) We were ambushed and we fought back. (Back to the sofa.) SYDNEY: And we survived. WILL: Yeah, my parents and I sort of went through the same thing. (Sydney looks at him. He gives her a look. They both start laughing and Sydney hits him with a pillow.) SYDNEY: Thanks. Thanks a lot. Oh! (She grabs her bookbag and takes out a book from inside. Wedged in the middle is a business envelope. She gives it to Will.) SYDNEY: Vaughn told me Devlin approved you to do research if you pass
SUMMARY: | Jack meets Alliance counterintelligence head Ariana Kane, who is sent in to investigate Emily's disappearance and to discover who is trying to blackmail Sloane. Meanwhile, Marshall is sent on his first mission with Sydney as his partner.Vaughn schedules Will to take a CIA psych test. Francie gets suspicious over Sydney and Will's secretive behavior. Ariana Kane is portrayed by special guest star Faye Dunaway |
fd_The_O.C._02x24 | fd_The_O.C._02x24_0 | TEXT: Opening scene - Sandy's office at home - the first thing we see is a close up of a brochure. we see a picture of some palm trees, a fountain and a beautiful view. along the bottom reads 'HOLISTIC DRUG REHAB HEALING AND WELLNESS PROGRAM. Sandy is on the phone while holding the brochure in his hand Sandy: I can meet you right away (Sandy turns the brochure over and we see that it is the SURIAK TREATMENT CENTER one from before) Sandy: I want to...I have a funeral to go to in a couple of hours so I gotta keep it brief but...the sooner the better...thankyou (hangs up) (we see an aerial shot of the houses and then we see Seth coming down the stairs in the Cohen house. Kirsten walks by just as he steps off the stairs. they both don't look so great) Seth: hey Kirsten: hi Seth: (worried) everything ok Kirsten: ben better (sad smile) Seth: (looks at Kirsten) I'm sorry about everything Kirsten: that's ok sweetie (touches Seth's cheek) he loved you very much Seth: yeah, I'm gonna miss him Kirsten: need anything Seth: no I'm jus looking for my cell phone charger an my batteries dead Kirsten: there might be a charger in your dad's office, I'm gonna get ready Seth: alright (Kirsten walks off - the next thing we see is Seth opening the drawers in Sandy's desk. he opens one and closes it, then another, he lifts up some papers and then closes it. he opens another and rests his finger on the blue SURIAK brochure. he picks it up and looks at it, frowning) CUT TO: The pool house - Ryan draws up a blind and then opens the door. Seth walks in the other door Ryan: (sees Seth) oo, hey Seth: hi Ryan: how you doin Seth: (frowns and looks at Ryan) well I
SUMMARY: | Caleb's death brings Kirsten to rock bottom, forcing Sandy to put his marriage at stake to help her. Marissa takes action when Ryan confronts Trey. Hailey and Jimmy return to Newport to comfort their families. Seth and Summer rekindle their relationship. |
fd_True_Blood_02x07 | fd_True_Blood_02x07_0 | TEXT: Scene 1: In the woods - Andy Andy: Pig! Scene 2: Outside Sookie's house - Sam, Daphne, Maryann, Eggs, Tara, Terry Tara: Just give in. It feels so good. Sam: What's she done to you? Andy arrives. Andy: What the...? Daphne: Stop. Sam kicks Daphne and runs. They all shout. Maryann runs after him. Maryann: I'm here, Sam. You're gonna be the one. Sam transforms in an owl and disappears. Maryann takes his tee-shirt. Credit Back at the party: Andy: Nobody move! (he has a gun) I said don't f*****' move! Terry? What the hell are you doin'? put on some goddamn pants. What the hell? Scene 3: The FotS's basement - Sookie, Hugo Sookie: Godric. Godric, can you hear me? Isabel and Eric sent us. Godric! I know he's down here somewhere. I heard the awful things they're plannin' to do to him. Hugo: Remember how I said I was claustrophobic? I wasn't makin' that part up. It's bad. Okay, I can't take elevators, walk-in closets. You know, hotels where they tuck the sheets in all tight? Just thinkin' about that makes me want to scream. Sookie: Jesus Christ, Vampire Exterminator? Silver and Stakes? Send'Em Back to Hell? So sick teachin' kids to hate like this. Hugo: Sookie, I don't have time for games right now. I need to get out of here. Sookie: Take a deep breath. Look at me. It's gonna be okay. We're gonna figure this out, all right? Hugo: Okay, I'm okay. Sookie: So the Newlins knew who we were the minute we walked in. Same way they knew to come after me at the airport. 'Cause someone at the nest is a traitor. Hugo: You think a vampire
SUMMARY: | Still drunk, Andy chases the pig through the woods and stumbles upon Maryann's orgy. He fires his pistol partially breaking the trance Maryann has induced and giving Sam the opportunity to escape. Andy breaks up the orgy, but his arm is broken by Terry, who is still under Maryann's influence. In the basement of the L.O.D.I., Sookie realizes someone must have tipped off the Fellowship about their mission. While at the hotel, Lorena will still not allow Bill to go to Sookie's rescue. Flashbacks show Bill tired of killing innocents, and he asks to be released from Lorena. She reluctantly complies after he threatens to stake himself. Outside the church, Eric asks Isabel what she likes about being with a human. She says it is because their mortality makes everything exciting, but that it is also a sort of science experiment to see Hugo age. Isabel accuses Eric of coveting Sookie, which he denies. Jason convinces Sarah not to tell her husband about their affair, and she agrees to wait. Hoyt and Jessica decide to be each other's first time. Stan confronts Eric about not dealing with the Fellowship more directly, and Eric accuses him of murdering Godric to claim his place as Sheriff. The next morning, Tara and Eggs wake up on Sookie's couch and neither can remember how they got there. As Steve and Gabe interrogate Sookie, a claustrophobic Hugo desperately reveals that her last name is Stackhouse. Deciding that Jason must be a vampire sympathizer, Steve tells Gabe to take care of it, but Jason manages to overpower him. Later, Sookie reads a weakened Hugo's mind and discovers he is the traitor. Sam confronts Daphne and she explains to him that Maryann is a Maenad , an immortal creature from ancient Greece that is a follower of Dionysus , the Greek god of wine and revelry. They have immense power, and Daphne likens her to both God and Satan. Church goers arrive at the Light of Day church for a "lock in." Arlene admits that she blacked out too, which causes Tara to become suspicious of Maryann. Andy tries to confront Terry at Merlotte's, raving about "devil-worshipers" and "devil-zombies" who turned Bon Temps into an "orgy from hell", but Sam is the only one who knows he is telling the truth. At the hotel, Hoyt and Jessica consummate their love. As Jason is fleeing the L.O.D.I. through the woods, Sarah shows up and shoots him with an unknown weapon. At the stream, Maryann thanks Daphne for her services, then makes Eggs kill her. Sookie reaches out to Barry telepathically, and he shows up at the hotel with her message. Eric overhears and races for the church. Gabe bursts into the basement, beats up Hugo and attempts to rape Sookie, but at the last second he is pulled off by none other than Godric. |
fd_Doctor_Who_1963_06x01 | fd_Doctor_Who_1963_06x01_0 | TEXT: The Dominators By Norman Ashby 5:15pm - 5:40pm [SCENE_BREAK] 1, MODEL SHOT: SPACE (A fleet of glowing dots fly across space in an arrowhead formation. The dots can be seen more clearly closer up - they are a space armada comprised of stubby little saucer-shaped craft with blinking lights. One of them breaks the formation and heads off towards a nearby world, the others ignoring the deviant.) [SCENE_BREAK] 2, MODEL SHOT: ISLAND (The topmost craggy peaks of an island can just be made out, wreathed in poisonous smoke. A glowing saucer moves above the sandy surface of the island and descends. No longer glowing, the saucer makes a final descent. Little landing stanchions pop out and the saucer blows dust away from its underside.) [SCENE_BREAK] 3, EXT: SAUCER (The underside of the saucer stretches around a pillar-like tubular base like a high ceiling. At the front of the tube, the flat metal face of an outer-door airlock slides open like a pair of lift doors; they reveal a silicon-black inner airlock inlaid with a network of filigree gold patterns like the spidery network of connections on a circuit board. Within the airlock, an inner door rises into the ceiling with a hum revealing a dark space within. A man with short raven-black hair steps boldly out onto the new world as if he owned it, his eyes emotionlessly glaring around at the barren island. The space-conqueror is dressed in a strange kind of space armour, a kind of modern chainmail comprised of fluttering flakes of dark plastic-like material. A large, ridged torso-plate with high rounded shoulders forms an arc at head-height giving him the appearance of a upright, humanoid tortoise devoid of all neck. Another, dressed identically, joins the first and for a moment they stand in silence like two cosmic hunchbacks as they take in their surroundings.)
SUMMARY: | The TARDIS arrives on the planet Dulkis where the Doctor, Zoe and Jamie decide to have a quiet holiday. Only to find the Evil Dominators and their robotic slaves, The Quarks have arrived on a radioactive island, where they plan to detonate a bomb in the planet's core, which will turn the entire planet as source of radioactive fuel for their invasion fleet. |
fd_FRIENDS_02x01 | fd_FRIENDS_02x01_0 | TEXT: Originally written by Jeff Astroff and Mike Sikowitz. Transcribed by Mindy Mattingly Phillips. PHOEBE: Ok, so this is pretty much what's happened so far. Ross was in love with Rachel since, you know, forever, but every time he tried to tell her, something kind of got in the way, like cats, and Italian guys. Finally Chandler was like "forget about her" but when Ross was in China on his dig, Chandler let it slip that Ross was in love with Rachel. She was like, "Oh my god." So she went to the airport to meet him when he came back, but what she didn't know was, that Ross was getting off the plane with another woman. Uh-Oh! So, that's pretty much everything you need to know. But, enough about us. So, how've you been? RACHEL: Oh my god. Oh my god. Excuse me. Emergency! Excuse me! ROSS: Rache! RACHEL: Oh, there you are! Hi! Oh, so, so, how was China, you? ROSS: It was, it was great. Oh, what happened? RACHEL: What? ROSS: You're bleeding. RACHEL: I am? Oh, look at that, yes I am. Enough about me, enough about me, Mr. Back from the Orient. I wanna hear everything! ROSS: Well, where do I start? This is Julie. Julie, this is Rachel. RACHEL: These are, these aren't for you. These are for you. Welcome to our country. JULIE: Thank you. I'm from New York. RACHEL: Ok, well, not a problem. We'll just use them to stop the bleeding. Ok. Baggage claim? Ok. MONICA: I'm telling you, she went to the airport, and she's gonna go for it with Ross. PHOEBE: Oh my god. This is huge. This is bigger than huge. This is like, all right, what's bigger than huge? JOEY: Um, this? PHOEBE: Yes. MONICA: Guys, you got your hair cut. CHANDLER: Yes, yes
SUMMARY: | At Rachel's birthday celebration, Chandler has accidentally revealed that Ross loves her. Rachel goes to the airport to meet Ross and tell him she cares for him, unaware he is returning with Julie ( Lauren Tom ), who he reconnected with in China and is now dating. Chandler then feels guilty for advising Ross to get over Rachel. When Phoebe gives Joey and Chandler haircuts, Monica wants one. Phoebe initially refuses, knowing Monica's obsessive perfectionism, but finally relents. She misunderstands Monica's wishes and gives her a haircut like Dudley Moore instead of Demi Moore. Joey takes Chandler to his tailor for a new suit, but while measuring his inseam, the man touches Chandler inappropriately. He tells Joey who naively believes that is the normal procedure. Ross' constant talk about Julie upsets Rachel, who spends the night with her old lover, Paolo. |
fd_One_Tree_Hill_06x06 | fd_One_Tree_Hill_06x06_0 | TEXT: [PREVIOUSLY_ON] Bobby : We could really use a good young coach like you. Nathan : I thought you wanted me to play. Bobby : Well Nathan your playing days are over. Come on. You must know that. Brooke : The magazine the line... You can have everything. Lindsey Do you know they didn't even want to do a book tour? What could possibly be more important than Chicago? Lucas My wedding. It's Peyton. Peyton : It's Mick. He's my father. He's coming over for dinner. Mick : Shut up and pour okay? Carrie : I'm not dead. Dan : Sure you are. LUCAS'S HOUSE Peyton : Why do guys insist on packing their bags at the last possible minute? Lucas : We do it to torture you. Peyton : Big day huh? Lucas : Yeah. Anyhow the first signing's always the most stressful. Peyton : Yeah. Lucas : But I get to see mouth today. Peyton : That'll be fun. I still don't understand why they're sending you to Omaha to launch the book tour. Lucas : Well they like to generate a little buzz before the bigger markets you know? Worked for the last book. Peyton : I wish I could go with you. Lucas : It's not too late. Peyton : Oh yeah. 'Cause that wouldn't be awkward. You, your fiancée, your ex-Fiancée. Lucas : Peyton. Peyton : I'm sorry. I know Lindsey is your editor. I just... I'm jealous that she gets you for the next week and I get Mick. Lucas : Great. Why do you think he's avoiding, admitting that he's your father? Peyton : I don't know. Maybe I'm wrong. Maybe he's not. Either way I will be all right. Don't worry about me. Lucas : You know I will. I'll call you when I land. Peyton : Yeah. Lucas : I love you. Peyton : I love you. Don
SUMMARY: | Lucas leaves for his book tour, and is surprised to see that the publishers have sent someone else other than Lindsey. Nathan is given an opportunity to play basketball again, but not in a way he expects. Haley tries to help a student in need. Brooke considers a life-changing proposition. Peyton and Mick have a confrontation over his identity. The episode ends with Mouth giving up his dream job for his dream girl, and he and Lucas drive home to Tree Hill. This episode is named after a song by Suicidal Tendencies . |
fd_Dawson_s_Creek_04x01 | fd_Dawson_s_Creek_04x01_0 | TEXT: Dawson: James Van Der Beek Joey: Katie Holmes Pacey: Joshua Jackson Jen: Michelle Williams Andie: Meredith Monroe Jack: Kerr Smith Grams: Mary Beth Peil Bessie: Nina Repeta Mitch: John Wesely Shipp Gail: Mary-Margaret Humes Gretchen: Sasha Alexander [Pacey and Joey on the boat heading home] Pacey: hey! Found us some dinner. Joey: Ah, seafood. Great change of pace, pace. Pacey: Was that a note of disgust I detected at our sustenance of the ocean born? Joey: After this trip, if I never eat another thing that breathes through gills again, it'll be too soon. [Joey kisses him on the neck] Pacey: So there she blows, huh? Capeside, Mass. Our first and last port of call. Joey: Doesn't look much different than when we left it, does it? Pacey: That's 'cause it isn't, Fraulein. Joey: I'm in no more of a race than you are to get back there, but it's not like we have another choice in the matter. Pacey: We don't have to go home. We survived for 3 months taking odd jobs. We can survive for as long as we want. As long as we're happy. Joey: Pacey, if you're so serious about this, then why bring this up now... 2 hours from home? Pacey: 12 hours from home. See, I think we should probably drop anchor here, have a bite to eat, and then we can debate whether or not to scrap this whole mission home. Joey: No. I don't believe you Pacey Witter. As truant as your natural instincts may be, you'd never really suggest us skipping our senior year entirely. Pacey: Just what would we be missing from the land of poorly scripted melodramas, huh? Recycled plot lines, tiresome self-realizations? [He's kissing her while he says this next part] You
SUMMARY: | Pacey and Joey return from their summer vacation on "True Love". Now they have to deal with Dawson's feelings, who has been deeply hurt over the past few months. At first, he doesn't want to talk with either one of them, but Jen convinces him to talk to Joey. Meanwhile, Pacey's older sister, Gretchen, arrives in Capeside and moves in with Doug, making Pacey homeless. He refuses to live with his parents anymore (going so far as to declare that he would rather sleep on death row), and after exhausting all other options, ends up back on his boat. Dawson tells Jack about his childhood crush on Gretchen. Andie meets two French boys, and she is attracted to both of them. Joey apologizes for hurting Dawson, but he tells her he isn't sure if he wants their friendship back. Everybody is wondering if Pacey and Joey had sex while on their trip, but both refuse to discuss it. However, when Dawson asks the same question, Joey tells him the answer wouldn't kill him, confirming that she and Pacey have not yet slept together. |
fd_NCIS_01x07 | fd_NCIS_01x07_0 | TEXT: MUSIC IN: EXT. LOADING DOCK - DAY (JEB LAUGHS B.G.) HOBIE: I cannot believe they lost. JEB: I can't believe you gave me six points. So what have you got for me today? HOBIE: Just these drums here. JEB: All righty, sweet cheeks. (MUSIC OVER ACTION/HOBIE LOADS THE DRUMS ONTO THE TRUCK) JEB: Whoa! Whoa! Whoa! Whoa! (MUSIC OVER ACTION/DRUM FALLS FROM THE TRUCK) (JEB COUGHS B.G.) HOBIE: Oh, man. I'm going to be cleaning up this mess for days! JEB: What the hell is that? (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY TONY: (INTO PHONE) No, the best thing is for you to do nothing. Okay, Agent McGee? Just secure the area and wait for us to get there. Okay. (TO KATE) Case Agent at Norfolk sounds pretty green. You look like hell. KATE: A woman loves to hear that, Tony. TONY: If you're coming down with something, don't sit next to me in the truck. KATE: Oh, there's an upside to having a cold. TONY: You want to tell the doctor about it? GIBBS: Are you guys ready to go? KATE: Uh... all set. Uh, yeah. And Ducky and Jackson are already on their way. (SFX: COFFEE SPILLS) KATE: Oh, God! Oh, god, I'm sorry. Uh... what do you put in your coffee? GIBBS: Coffee. KATE: Okay, I'll just go down the hall and get you another cup. GIBBS: That's not coffee. I'll meet you in the truck. (GIBBS WALKS O.S.) TONY:
SUMMARY: | NCIS Norfolk Case Agent Timothy McGee works on a case of a partially dissolved corpse found in a barrel of acid at the Norfolk Naval Base, and calls in the Major Case Response Team to help him. As the investigation continues, it soon becomes apparent that the killer took steps to prevent the body from being identified. Gibbs quickly comes to believe that the motive for the brutal murder was identity theft and his suspicions are further confirmed when it is revealed that although a submariner is dead, no one has been reported missing, leading Gibbs to believe that an impostor is on one of the submarines. Tony, Abby, and McGee are tasked with identifying the deceased, while Gibbs and Kate are sent underwater on a submarine to vet five possible suspects, one of whom might have been responsible for the murder and to also prevent a possible sarin attack from taking place. |
fd_Gilmore_Girls_05x01 | fd_Gilmore_Girls_05x01_0 | TEXT: ANNOUNCER: When Last Season ended, a long awaited romance began, a marriage began to fall apart, and an unexpected mistake. Now as the new season begins, a new love grows, a reckless desire continues, and the Gilmores' unbreakable bond lies in jeopardy. And now, we'll take you back to the moment that changed everything. OPEN IN LORELAI GILMORE FRONT YARD [Long view of Rory's bedroom window] DEAN: [OS] I love you, Rory. RORY: [OS] I love you, too, Dean. CUT TO RORY'S BEDROOM [Rory and Dean lie together in her single bed, following their lovemaking] RORY: Are you comfortable? Am I killing your arm? DEAN: My arm is fine. RORY: I could move. DEAN: Don't you dare move. RORY: This right here, is -- the textbook definition of a perfect moment. DEAN: Yeah, it is. RORY: And earlier? [pause] DEAN: That was pretty perfect too. However, as a guy, I was trying not to be a pig. [kisses her shoulder gently] RORY: And I'm happy, are you happy? DEAN: I'm very happy. RORY: [smiling] Happy, but not chatty? DEAN: I'm just... trying to make sure that all this is really happening. RORY: It is. [they kiss] Hey, you know what I think we need? DEAN: What? RORY: A song. Like a song that's "our song". DEAN: Okay. RORY: Something romantic, but not mushy, something that will make us remember this. DEAN: [chuckle] Ah, believe me, I'm remembering this. RORY: Oh, I know. [She reaches over to the nightstand and loads a nearby CD into her player and turns it on.] Okay. Perfect. So, from now on, no matter what you're doing, where you are, you'll stop and think of me when you hear this [clicks remote on. Sammy Davis Jr.
SUMMARY: | Things are still testy between Lorelai and Rory, and Rory's refusal to discuss the Dean situation causes Lorelai anguish; Emily announces that she and Richard have separated; Sookie is ecstatic when Kirk tells her that Luke and Lorelai kissed; Rory's attempt to meet Dean and discuss what happened leads to a lot of action, but no talk; Dean provokes an argument with Lindsay after leaving Rory's house; Emily decides to go to Europe and invites Rory to accompany her; Lorelai and Luke are very tentative with each other the day after until they are able to reassure each other that they're on the right path; Luke heads off to Maine for a week to help Liz and T.J. with their Ren Faire booth; Rory decides that she needs a break from both Dean and her mother, and decides to take her grandmother up on her invitation to go to Europe. |
fd_Doctor_Who_1963_16x01 | fd_Doctor_Who_1963_16x01_0 | TEXT: The Ribos Operation First broadcast 2nd September, 1978 5:45pm - 6:10pm [SCENE_BREAK] 1: INT. TARDIS CONSOLE ROOM (The Doctor is stretched out across the floor, his scarf trailing all the way across the room. Before him is his newest companion - K-9 Mark II, the replica of his recently departed robot dog. He blows a dog whistle at the robot experimentally. K-9 lifts his head...) K-9: Master. (The Doctor laughs heartily, pulling himself up.) DOCTOR: It works, K-9, it works! Listen, I've got a little surprise for you. K-9: Master? DOCTOR: You and I are going away on holiday. K-9: Affirmative. DOCTOR: A nice, long holiday. K-9: Affirmative. DOCTOR: Would you like that, K-9? K-9: (nodding his head) Affirmative, affirmative, affirmative... (The Doctor pats K-9's head, gets up and walks around the console.) DOCTOR: Shh, shh, shh, shh. Holligan three's lovely, K-9. Nothing like it - creatures, palm trees, sunshine all day, hot and... (At that point, the lights on the TARDIS go out. Even the ones on the console. The normal hum of the ship fades to silence. Suddenly, the TARDIS doors open of their own accord, and brilliant white light shines into the room. Somewhere, a harpsichord is playing a formal, noble tune. The Doctor squints as he gazes into the light.) DOCTOR: Yes? VOICE: (booming, echoing, male) YOUR PRESENCE IS REQUIRED. DOCTOR: Loo...l-l-listen, I-I-I-I don't wish to appear rude, but...who are you? VOICE: DO YOU REALLY NEED TO ASK, DOCTOR? DOCTOR: Well...only a Guardian... (A crack of thunder echoes through the TARDIS.) DOCTOR: Oh
SUMMARY: | The Guardian of Time gives the Doctor a difficult task,and a new assistant. Together they must search for the six segments of the Key to Time, to prevent the Universe from being plunged into eternal chaos. On their mission, the Doctor and Romana travel to the planet Ribos where the first segment of the key is protected by the monstrous Shrivenzale. |
fd_Charmed_01x01 | fd_Charmed_01x01_0 | TEXT: [Scene: Serena Fredrick's apartment. She puts down a bowl of food for her cat. (Later known as Kit.)] Serena Fredrick: Come on, baby. Good girl. (She walks over to her altar and lights the candles with just a touch of her finger. You see someone standing outside her window. She starts saying a spell.) Ancient one of the earth so deep, master of moon and sun. I shield you in my wiccan way, here in my circle round, asking you to protect this space, and offer your sun force down. (Someone walks up behind her. She turns around.) What are you doing here? (The man pulled out a knife and plunged it in her stomach.) [Scene: Halliwell manor. Piper walks through the front door.] Piper: Prue? Prue: In here, working on the chandelier. Piper: Sorry I'm late. Prue: What else is new? Piper, I would of been here to meet the electrician myself but you know I can't leave the museum until six. I didn't even have time to change. Piper: I just didn't realise how long I was in China town. Did Jeremy call? Prue: No, but he had some roses and a package delivered. What were you doing in China town? I thought that you had an interview in North Beach. Piper: I did but I went to Young Lee market after my interview to get the ingredients for my audition recipe tomorrow. Prue: So, that wolfgang-puck knock-off didn't hire you then? Piper: No, but this just may get me the job. Prue: Jeremy sent you port? Piper: The ultimate ingredient for my recipe. Oh my God, I don't believe it. Tell me that's not our old spirit board? Prue: Yeah, I found it in the basement when I was looking for the circuit tester. Piper: (Reading the inscription on the back) "To my three beautiful girls. May this give you the light to find the shadows. The power of three will set you free. Love, Mom." We never did figure out what this inscription meant. Prue: Well, maybe
SUMMARY: | The Halliwell sisters are reunited in the grand Victorian home of their childhood. Phoebe discovers the Book of Shadows in the attic and when she reads the spell on the first page, their inherent magical abilities are activated. The sisters must try to keep their newly developed powers secret, while Prue's ex-boyfriend, Inspector Andy Trudeau , is investigating a serial killer whose victims are all witches. Piper narrowly escapes death when she discovers that her boyfriend Jeremy, an evil warlock, is the killer. When the sisters try their first spell, Jeremy is vanquished, and they discover the ancient Power of Three. |
fd_One_Tree_Hill_08x18 | fd_One_Tree_Hill_08x18_0 | TEXT: HOSPITAL Jamie looks at babies who were born. Nathan joins him. JAMIE(voice-over): 353,015. That's how many babies will be born today. It seems weird to me that they weren't here yesterday...That they didn't have their parents and their parents didn't have them... That this is their first day ever. 353,015. NATHAN: Hey, buddy. How you holding up? JAMIE: Fine. How's mom? NATHAN: She's good. She's being prepped, and they're getting her her room, and pretty soon, you'll have a baby sister. JAMIE: How long does that take, dad? NATHAN: That's hard to say. But I'll be with her. You're gonna hang out with Clay and Aunt Quinn, okay? JAMIE: Okay. I want to stay, though. I don't want to go home until mom's okay, and Lydia, too. NATHAN: You sure? Could be all night. JAMIE: That's fine. I feel pretty strongly about it. NATHAN: All right. Well, then, I have respect that. You, my man, are not a baby anymore. JAMIE: Nope. But they are. Dad, do you remember when I was born? NATHAN: Yeah. I sure do. FLASHBACK, HOSPITAL Haley gives birth at Jamie. DOCTOR: It's a boy. HALEY: You're a dad! NATHAN: You did so good. We have a son. We have a son. HALEY: Here he is. Welcome to the world, James Lucas Scott. Oh. NATHAN: He's so beautiful. HOSPITAL Julian and Brooke arrives to see Chloe. BROOKE: Hi. We're having a baby. NURSE: Honey, you do understand it takes about nine months. JULIAN: Of course. What we meant to say is... BROOKE: We're adopting a baby, and the girl who's having it is having it. JULIAN: Yeah. BROOKE: Here. JUL
SUMMARY: | The big day has finally arrived and the gang gathers at the hospital to await the birth of Haley and Nathan's baby. While they wait, they reminisce about the memories they have shared over the years. Haley gives birth to a baby girl called Lydia Bob Scott, Whereas Julian and Brooke don't get a baby as the girl decides she wants to keep the baby. This episode is named after a song by We Were Promised Jetpacks . Opening theme song performed by Laura Veirs . |
fd_Gossip_Girl_1x15 | fd_Gossip_Girl_1x15_0 | TEXT: PREVIOUSLY Gossip Girl: "Gossip Girl here, your one and only source into the scandalous lives of Manhattan's elite..." (Constance/St. Jude's Courtyard) Delivery Man: I got three cases of champagne for Serena Van Der Woodsen. Serena: For me? (Bass Suite) Eric: Who's it from? Serena: p0rn and handcuffs? This is low, Chuck, even for you. (Palace Courtyard) Serena: What's this? Eric: Chuck said it came for you this morning. Whoa, is that coke? Serena: How do you like a brother who uses you as a drug mule? (Bass Suite) Lily: I can't believe you think Chuck is doing these things. Bart: What's he done now? Serena: I'll tell you what he's done. (Bass Suite) Serena: If we're gonna exist under the same roof, I am laying down some house rules. Chuck: No need, Princess. Bart already kicked me out. I'm moving back to my suite. (Blair's Bedroom) Blair: I love you, Nate Archibald. Always have, always will. (Archibald Library) Nate: I want nothing else to do with you, Blair. It's over. (MOMA Steps) Blair: Jenny, if you walk away from me now, I will ruin you. Jenny: How are you gonna do that? (Constance Billard School) Hazel: My mother's Valentino was stolen... (Jenny's Bedroom) Hazel: Oh my God. That's my mother's dress. (Humphrey Loft) Jenny: Dad, you think that you can just send me off to school with a plaid skirt and a Metrocard, and everything will be okay! (Chuck's Suite) Serena: I'm really sorry, Chuck. I know it wasn't you who sent me that stuff. (Shows him the letter.) S- Hope you like your presents! Coming back to town.?G Gossi
SUMMARY: | Serena's Upper East Side world is turned upside down when her former partner in all things bad, Georgina Sparks (Michelle Trachtenberg), returns to Manhattan to stir up trouble and Serena's past. When Dan notices that Serena seems preoccupied, he jumps to the conclusion that it must have something to do with Serena's new roomie and soon-to-be step-brother, Chuck. Nate finds romance with the last person he was expecting to connect with, Vanessa. Jenny meets a new guy, Asher Hornsby, who just might be her ticket to permanent popularity. Finally, Blair hatches a secret plan to sabotage her biggest rival, Nelly Yuki (Yin Chang). |
fd_How_I_Met_Your_Mother_02x21 | fd_How_I_Met_Your_Mother_02x21_0 | TEXT: Ted (2030): In May of 2007, Aunt Lily and Uncle Marshall got married at the historic Van Smoot House in upstate New York. Lily and Robin enter in a house... Robin: Wow, it's beautiful, Lily. Lily: Yeah. It's just how I always pictured it. Ted (2030)Well, that was a load of crap. You see, kids, when you get married, you learn a hard lesson. The wedding you set out to have is almost never the wedding you end up with. At the bar, 8 months before the wedding... Lily: So, we've decided on a small, outdoor wedding, just family and close friends. No more than 25 people in a beautiful garden somewhere, maybe an acoustic guitar playing while we walk down the aisle. Barney: And maybe you already know someone who went down to the courthouse and registered as an officiant so that he or she-- he-- could perform the ceremony. Robin: But you hate marriage. Why do you want to perform the ceremony? Barney: Because it subtly implants in the mind of every woman there that when I ask a question, you say, "I do." Yeah. Ted (2030): The closer you get to the big day, the more concessions you make. At the apartment, 6 months before the wedding... Lily: Great. Now my mom's making me invite the Lessners. This puts our numbers in the triple digits. Robin: Wow. I guess sometimes, Lessner is more... ner. You know how like sometimes less is more. Ted: Yeah. This is one of those times, sweetie? Marshall: You know what? That's okay. It'll be a slightly big outdoor wedding. At the bar, 5 months before the wedding... Lily: So it's not going to be an outdoor wedding anymore. Marshall's dad is convinced if we have an outdoor wedding in New York, he's going to get mugged, so it's going to be inside now. It'll be great. We're still going to have our acoustic guitar player. At the apartment, 3 months before the wedding... Lily: So now, instead of an acous
SUMMARY: | Lily and Marshall's wedding day arrives, but nothing goes as they had planned. Surprisingly, Barney steps in to save their once-in-a-lifetime moment. Meanwhile, Barney abuses the 'it's for the bride' superpower. |
fd_Frasier_11x06 | fd_Frasier_11x06_0 | TEXT: Skyline: Lightning flashes. ACT ONE Scene One - Apartment In the morning, Ronee and Martin are in the living room, wearing their bathrobes and getting breakfast. Ronee is at the piano. [To the tune of "Good Morning" from "Singing in the Rain."] Ronee: [singing] Good morning, good morning, I'd like a bagel too, and schmear it, with cream cheese, thank you... Martin sways appreciatively, but Frasier comes out in his bathrobe, bleary and irritable. Frasier: Excuse me, excuse me! Did it occur to you that some of us might still be trying to sleep? Martin: Oh, lighten up, Fras, Ronee was just showing me how she can change the lyrics to any song to suit the occasion. Frasier: Yes, very impressive. Does she take requests? Martin: Sure! Frasier: Stop it! Frasier goes to the table and pours himself coffee. Ronee: You know what you need, Grumpy? A nice hot breakfast. Marty, why don't you get Grumpy here some breakfast? Frasier: I don't want any breakfast, and please stop calling me that. [To the tune of John Denver's "Thank God he's a country boy."] Ronee: [singing] Got me some ham, and some cakes on the griddle/ Whoo! Good God, he's a grumpy boy! Martin laughs uproariously. Martin: You see what she just did? Frasier: Yes, it's mind-boggling. Listen, Dad, do you mind giving me a ride to work today? My car is in the shop. Martin: Again? Frasier: Well, yeah, my seat-warmer's stuck on high, so I tried to offset it by blasting the air conditioner, which resulted in sort of a fog bank on my dashboard. Ronee: I can give you a ride, Fras. I mean, it's just an old Caddy, so there's nothing fancy like butt warmers or seat belts. Fras
SUMMARY: | Martin's relationship with Ronee seems to be going well, although Frasier does not appreciate being woken up in the morning by Ronee's musical stylings. Then, quite accidentally, Frasier overhears Ronee arranging a date with another man in a phone call. He is at first not sure whether to tell Martin or not, but in the end is unable to stop himself. Martin's reaction is to chastise him for eavesdropping , despite his protestations that it was accidental. Later, when Martin asks Ronee to go with him to a doo-wop concert and she claims to have made plans, he elicits the truth from her, and she tells him she was not under the impression their relationship was exclusive. This leads Martin to pretend he also has another woman, called Sheila (a role that Roz finds herself cast in before long). Frasier overhears this conversation too, and suddenly finds this happening to him rather frequently. |
fd_Queer_As_Folk_04x13 | fd_Queer_As_Folk_04x13_0 | TEXT: [Brian sneakes his way past "sleeping" Justin. Justin hastily dresses and, in a noirishly shot scene, follows his elusive quarry through a dark and foggy alley to his covert destination. Brian is going to the friggin' gym. Justin finds him pedaling away in the empty spinning room.] Justin: Nice night for a ride! Brian: The f*ck you doing here? Justin: Following you to see where you've been going for the last three weeks. Brian: Now you know! Now you can go back home and go to bed. Justin: Do you know what time it is? Brian: Little hand's on the two, the big hand's on the three - quarter after two? Justin: Why are you doing this? Brian: Gotta get in shape. Justin: For what? Brian: The Liberty Ride. Justin: You're not still thinking of going. Brian: Because you and the rest of them disqualified me, doesn't mean that I did. Justin: We're just concerned. Brian: There are so many poor starving children who go to bed hungry every night. Be concerned about them. Justin: So why the secrecy? Brian: Because I don't want people like you saying, "You can't! You musn't!" I don't want every cunty faggot who goes to the gym saying, (in falsetto) "Poor Kinney! Told ya so!" Justin: I have to hand it to you. Your perseverance is surpassed only by your narcissism. Brian: There you have it. The secret to my success. Unless I'm proven wrong by the naysayers and I fail dismally. Justin: Oh, you're not gonna fail, dismally or otherwise. You're gonna be a big, fat f*cking success as always. We're gonna go on the ride together and at night, we'll pitch a tent and we'll have hot, passionate s*x under the stars. Brian: What the f*ck are you doing? Justin: I've heard that when achieving your goal, it's best to
SUMMARY: | When Emmett discovers Ted has decided not to participate in the Liberty Ride because he has no support system, Emmett signs up. Justin is invited to Hollywood to help pitch Rage to the studios. Lindsay goes to Brian for advice about Mel. The Liberty Ride leaves for Toronto. |
fd_Buffy_the_Vampire_Slayer_05x13 | fd_Buffy_the_Vampire_Slayer_05x13_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... Monks running in fear. Monk talking to Buffy. MONK: We had to hide the key... made it human... Monks chanting. MONK:...and sent it to you. Dawn looking sullen. BUFFY VOICEOVER: Dawn. Glory talking to Dawn in "Checkpoint." GLORY: Did you know your sister took my key, Dawnie? And she won't give it back! I bet you know where she put it, don't you? BUFFY: She doesn't know anything. Buffy kneeling on top of the knight (Orlando), pulling off his mask. BUFFY: Okay, let's see who you are. ORLANDO: The Knights of Byzantium, an ancient order. And now your enemy. So long as you protect the key, the brotherhood will never stop until we destroy it and you. SPIKE: Look at you. All afraid I'm hot for your honey. Spike in Buffy's darkened bedroom in "Into the Woods." Buffy asleep. RILEY VOICEOVER: Because you are. SPIKE: Well... yeah. Buffy in the magic shop in "Checkpoint
SUMMARY: | Dawn discovers that she is the Key, becomes depressed, and runs away. She tells her tale to Ben, who morphs into Glory. Glory, not remembering Ben's thoughts, decides Dawn doesn't know the Key's location, and Willow and Tara teleport Glory elsewhere. |
fd_Bones_06x07 | fd_Bones_06x07_0 | TEXT: (Open scene: A crowd is gathered in a large outdoor tent with a blue curtain drawn acrossed a stage. JIMMY WALPERT is standing on the stage in front of the curtain, holding a microphone.) JIMMY WALPERT: Welcome ladies and gentlemen, boys and girls. Is there anyone here today who happens to like chocolate? (Crowd cheers) WALPERT: Of course you do! Then as your purveyor of pleasure, your dean of delight, I have something very special for you today. But first, everybody close your eyes. Today, Walpert Chocolate is proud and pleased to bring you the world's largest chocolate bar! (WALPERT EMPLOYEE unveils chocolate bar from behind the curtain. Crowd applauds. WALPERT points to OFFICIALS, who nod) WALPERT: Yes! It's official. This is the biggest, best-tasting chocolate bar in the world. Six feet wide, 15 feet long, and you are all going to get a gigantic taste of it. (Crowd cheers. WALPERT EMPLOYEES start to saw into the chocolate bar) WALPERT: Named the best in the bunch by Chocolatiere Monthly, our new, gigantically good chocolate bars are the latest in a long-standing Walpert Chocolate tradition of award-winning confections. Since 1948, we've... (The saw has hit something in the chocolate, creating a grinding noise, and has stopped moving) WALPERT EMPLOYEE: Saw's...stuck (The crowd murmers while liquid starts to seep out of the chocolate bar) SCOTT KIMPER: Something's wrong WALPERT: Here, uh, let me give you a hand there. (WALPERT attempts to move the saw, more liquid splatters on the ground. He applied more pressure with a grunt, and the candy bar opens, with red liquid pouring out of the center of the bar. The crowd screams and cover their noses. KIMPER gags. It was a body inside of the bar) WALPERT: What is that? (Cut to: Later that day, in the tent.
SUMMARY: | When human remains are discovered in the world's largest chocolate bar, a "sweet" event for a candymaker quickly turns bitter. As eccentric chocolate factory owner Jimmy Walpert deals with the tragedy, the team soon discovers that the victim was a mysterious character whose past is full of secrets, lies and love affairs. Meanwhile, Cam struggles with her daughter's decision to attend a university that fails to meet her high standards, and Hodgins asks Angela to arrange a party to announce her not-so-secret pregnancy. |
fd_CSI__Crime_Scene_Investigation_02x23 | fd_CSI__Crime_Scene_Investigation_02x23_0 | TEXT: [EXT. LAS VEGAS (STOCK) - NIGHT] [SCENE_BREAK] [INT. BATHROOM - NIGHT] (A woman is preparing to take a bath. She wraps a towel around her naked body. She removes her underwear while the water in the tub fills with hot water and bubbles.) (She tests the temperature of the bath water with her foot.) (She adds bath oil/bath scent to the water.) [SCENE_BREAK] (Close up of a cosmetics kit being unrolled.) [SCENE_BREAK] (The woman is sitting in front of a dressing mirror. She is facing the mirror and her back is to us. We can't see her face. She puts her hair up and holds it in place with a hair clip.) (She selects a pair of tweezers from the cosmetics kit.) [SCENE_BREAK] (Top view shot of the bath tub filling with water.) (Cut to: The woman starts on her pre-bath ritual.) (Cut to: A top view of the bath tub with bath bubbles and a fashion magazine, "VEGAS" on the floor nearby. The water flows over the lip of the tub onto the floor. The water and bath bubbles cover the magazine completely from our view.) [SCENE_BREAK] [INT. WAITING ROOM -- NIGHT] (GRISSOM is reading a book. It's very quiet.) (The nurse looks up at GRISSOM. GRISSOM looks up at the nurse and we hear a cell phone ring. He answers his phone.) Grissom: (on phone) Grissom. (pause) I'll be right there. (GRISSOM stands and approaches the nurse.) Grissom: Please tell the doctor that I have to reschedule my appointment. Thanks. (GRISSOM doesn't wait for an answer. He leaves.) Nurse: She should be right with... you. [SCENE_BREAK] [EXT. UNDER THE BRIDGE - NIGHT] (BRASS is there talking with a man
SUMMARY: | Season Finale. The CSIs investigate when the body of an unidentified young woman is discovered stuffed in an overturned shopping cart near a freeway underpass. Her horribly disfigured and partially decomposed face is a nightmare of blood, scabs and scars, as if she'd been shoved into a fan. A huge circular hole dominates her left cheek. Someone not only wanted her dead, Grissom reasons, but "they wanted her ugly." Adding to the mystery are the cart's other contents: an expensive handbag, fashion magazines and a leather day planner with notes written in code. |
fd_The_Big_Bang_Theory_07x04 | fd_The_Big_Bang_Theory_07x04_0 | TEXT: Scene: The apartment. Sheldon: So what'd you think? Amy: It was good. Sheldon: That's it? Good" Amy: I enjoyed it. When you told me I was going to be losing my virginity, I didn't think you meant showing me Raiders of the Lost Ark for the first time. Sheldon: My apologies. I chose my words poorly. I should have said you were about to have your world rocked on my couch. Anyway, thank you for watching it. It's one of my all-time favourites. Amy: It was very entertaining despite the glaring story problem. Sheldon: Story problem? You, oh, Amy, what a dewy-eyed moon-calf you are. Raiders of the Lost Ark is the love child of Steven Spielberg and George Lucas, two of the most gifted filmmakers of our generation. I've watched it 36 times, except for the snake scene and the face-melting scene, which I can only watch when it's still light out, but, I defy you to find a story problem. Here's my jaw, drop it. Amy: All right. Indiana Jones plays no role in the outcome of the story. If he weren't in the film, it would turn out exactly the same. Sheldon: Oh, I see your confusion. You don't understand. Indiana Jones was the one in the hat with the whip. Amy: No, I do, and if he weren't in the movie, the Nazis would have still found the ark, taken it to the island, opened it up and all died, just like they did. Let me close that for ya. Credits sequence. Scene: The foyer. Leonard: Hey. Penny: Hi. I thought you went to the comic book store on Wednesdays. Leonard: Yeah, but Sheldon and Amy were having date night and they don't need me there to make it awkward. They have each other for that. So, how was school? Penny: Oh, good. Check it out, The Disappointing Child by Beverly Hofstadter. Leonard: You bought my mom's book? Penny: Yeah. It's on the recommended reading list
SUMMARY: | Amy and Sheldon watch Raiders of the Lost Ark. When he asks her what she thought of it, Amy considers Indiana Jones superfluous as the story's outcome would have been the same with or without him. After spoiling the movie for Sheldon, he tries to find something Amy loves and spoil it for her. Sheldon watches Amy's favorite TV show Little House on the Prairie with her and points out historical inaccuracies. Amy, realizing his purpose, says he should just let her know if he is angry, not seek revenge. He complies; Amy apologizes. For her psychology class, Penny buys The Disappointing Child (in which Leonard's mother wrote about his childhood problems), upsetting Leonard. Penny goes out of her way to comfort him; he takes advantage of her sympathy. Howard finds out and unsuccessfully tries it with Bernadette, who tells Penny about Howard's trick. Penny now sees through Leonard and takes revenge by wearing a babydoll outfit, only to leave a pantless Leonard skyping with his mother. Meanwhile, Raj and Stuart, depressed when women checking out their newly-uploaded online dating site profiles leave no messages, realize they don't need dating sites, and decide to move on. |
fd_Alias_05x14 | fd_Alias_05x14_0 | TEXT: LOS ANGELES. During the burial of Nadia, Sydney makes a speech in the church in front of members of the APO and the CIA. SYDNEY: Today, we shouldn't focus on what we lost, but what we gained by having Nadia in our lives. I not only gained a sister, but a friend. When I think of the years of loneliness she had, (At the mortuary, a man opens the file of Renee and puts her body out of the box) no family to speak of, not knowing where she truly belonged, I am so grateful for the warmth and affection she was surrounded by in the end. She taught me the meaning of family. (During the autopsy, the man finds an element inside the body of Renee) That it goes deeper than blood...that it starts with friendship...and it comforts me to know that although she was taken far too soon, what she left me with will stay with me forever. (The man finds that this is a microchip. Sydney puts a flower on the body of Nadia. Sydney starts to speek with Dixon). How could I have trusted him again? After everything? DIXON: You thought he'd changed. SYDNEY: Nadia didn't. I convinced her that he deserved a second chance. I showed him compassion. I won't make that mistake again. ZURICH, headquarter of prophet5. PEYTON: Has he asked for anything? GUARD: No, just a pitcher of water. Peyton enters in Sloane's room PEYTON: How's it coming? Page 47, have you decoded it yet? SLOANE: As I told you before, it's going to take time, more time if these interruptions continue. PEYTON: It's been almost a week already, Mr. Sloane. So when do you think we may see some results? This is isn't a crossword puzzle, Ms. Peyton. The key to Rambaldi's endgame is encoded within that manuscript where it has remained hidden for the past 500 years. I hardly think that a week is unreasonable. PEYTON: Perhaps you'd like
SUMMARY: | An autopsy of Renée Rienne reveals that she has a chip implanted in her body. The chip is engraved with Michael Vaughn's real name, Andre Micheaux, and contains what appears to be corrupted code. Sydney makes plans to travel to Nepal to meet with Vaughn. At the Nepal airfield, Anna-as-Sydney intercepts Sydney's contact and learns from him that Vaughn is still alive. A substitute contact intercepts Sydney and diverts her, almost killing her in a car crash. Anna meets with Vaughn and shows him the chip. Vaughn figures out that the other half of the chip is implanted in him and he and Anna remove it. The two halves of the chip snap together and reveal the location of a hidden bunker in Germany. Anna and Vaughn travel to Germany. Sydney, having escaped from the phony contact, follows. Anna and Vaughn locate the bunker and break in through the basement of an adjoining jewelry store. There they discover all of the intel gathered on Prophet Five by Vaughn and Rienne's fathers. Vaughn reveals that he knows Anna is not Sydney and they fight. Anna gains the upper hand but Sydney shoots her in the head, killing her. Vaughn is finally able to return home. Sloane is working to decode the recently revealed message on Page 47. As he works, an apparition of Nadia appears, taunting him. Sloane states to Peyton that he needs a certain book to complete his work and dispatches her with a message to the bookseller. The apparition of Nadia reveals that Sloane has already completed the decoding; indeed, the note to the bookseller is actually a protocol to contact Julian Sark. |
fd_Frasier_01x06 | fd_Frasier_01x06_0 | TEXT: Act One. Scene A - Frasier's booth at KACL. Frasier is on air. Frasier: You're listening to KACL 780 on your AM dial. This is Dr. Frasier Crane. All our lines are open, so please, give us a call. [silence] I'm just sitting here waiting. [silence] Hey, Seattle, c'mon, I know you're out there. Hey, look, I realise it's a sunny day but on all those rainy days, I was there for you. [silence] Well, alright then, if that's the way you want it, you leave me no recourse... [clears his throat; singing] "When the moon hits your eye like a big pizza pie-" His board lights up. Frasier: That seems to have gotten you going there, okay! Alright then, I knew you were out there. Okay, Roz, who do we have? Roz: We have Gary from Issiqua on line two. He and his wife had a big fight. Frasier: Sorry to hear that, Gar. I'm listening. Gary: [v.o.] Well, y'see, Dr. Crane, my wife is hell-bent on going to Italy this year. Frasier: Ahh, Italia - the rolling hills of Toscana, the art of Firenze, the passion that is Venizia... Gary: [over his head] Yeah, well, anyway - I like taking vacations as much as the next guy but I say that, if we dip into our savings, I think the first thing we should buy is a new sump-pump for the basement. At least with that- Frasier: [interrupting] Oh, listen, Gary. Let me stop you right there. I'm afraid I'm going to have to side with your wife on this one. Gary: But the trip to Italy costs eighteen hundred bucks, and that doesn't include the "Splendours of the Vatican" package. Frasier: Gary, there is more to life than sump-pumps. Whatever happened to feeding our souls?
SUMMARY: | Frasier throws a cocktail party to show off a new painting he has bought, but is humiliated when the artist appears and declares it's a forgery. When Frasier's attempts to return the painting to the gallery fail, he plots revenge against the gallery owner. |
fd_Haunted_Case_Files_01x05 | fd_Haunted_Case_Files_01x05_0 | TEXT: Narrator: America's top ghost hunters relive their most extreme assignments. (Woman screams) This house is beyond haunted. Hardened veterans of the paranormal, these are the cases that truly tested them. There was an evil presence in that house. Narrator: In Michigan, a family's tragedy and its aftermath ended up being too much for one investigator. You know, I just was taken over. Narrator: In Iowa, a father-daughter team comes face to face with a ghost of an ax murderer. It wasn't even a minute, and things started happening. Man: Are you shaking that? can you make it stop? Narrator: And in Massachusetts, the spirit of an old sea captain grapples with a lead investigator. You know something's about to happen that's not good. Narrator: An ordinary house in a quiet city in central Michigan, it's been home to Agnes broker for 20 years. She has raised her children and her grandchildren here. But recently, Agnes is being tormented by a threatening activity in her once-peaceful home. It starts with the sound of footsteps when no one else is home... (Tapping, whispering) Unexplained voices... Shadows that seem to have a mind of their own. Aah! Man on TV: We, as a village, are only asking for a few... Narrator: Then, one night... An unseen force starts hurling eggs at Agnes. Confused and terrified, she calls a paranormal investigation group for help. Karlo Zuzic is part of the Ohio researchers of banded spirits. Growing up in a haunted house ignited a burning passion for the paranormal. First paranormal experience was when I was sitting in my room. I was about 8 years old. You know, I would see these things walk around the house. I was terrified by everything that was happening. Narrator: Karlo is now a veteran of 300-plus investigations. Karlo: We're a paranormal investigator. We come in to help the client. We try to get a resolution. We validate what they're experiencing. And this is why I love doing this.
SUMMARY: | In Iowa, a father-daughter team comes face-to-face with the ghost of an ax-murderer. In Massachusetts, the spirit of an old sea captain grapples with lead investigator, Jack Kenna. |
fd_One_Tree_Hill_05x16 | fd_One_Tree_Hill_05x16_0 | TEXT: [PREVIOUSLY_ON] DAN : Look, I know I screwed up as a father, but I'd Like To Be A Good Grandfather. NATHAN : Well, you should have thought of that before you killed Jamie's great uncle. MOUTH : I passed on the Omaha job. MILLICENT : Marvin! MOUTH : I feel like I'm good at what I do, Millicent, and I'll just work hard and hope the station gives me another shot. MILLICENT : Are you sure? MOUTH : That I'm doing the right thing? I don't know. But about us? Yeah, I'm sure. QUENTIN : I trusted you, all right? SKILLS : Quentin, you needed this. QUENTIN : I needed this?! You know what?! I needed a scholarship! I needed you to keep your mouth shut! That's what I needed! BROOKE : Millicent... They're giving me a baby. LUCAS : Lindsey, I love you. LINDSEY : I love you, too, Luke, but it takes more than love to build a marriage. LUCAS : I'm willing to learn. DAN : This is for you. NATHAN : You're giving me the beach house? I don't want it. DAN : Son. I have a bad heart. I have six months to live. GRAVEYARD Dan is in front of Keith's grave when we see a tombstone being installed right beside Keith's, which says : Dan Scott, Loving Husband, Brother and Father LUCAS (voiceover) : There were many who couldn't understand, and sometimes he walked among them. But even in his darkest hours, he knew in his heart that someday it would return to him... and his world would be whole again NATHAN AND HALEY'S HOUSE In Jamie's room, Nathan is tying up Jamie's shoes JAMIE : Daddy, what's wrong with grandpa Dan? NATHAN : What do you mean? J
SUMMARY: | Brooke deals with the difficulties of being a parent. Peyton visits Lindsey in New York. Quentin makes up with his enemies. Mouth gets his big-time shot. Lucas, Nathan, and Haley deal with Dan's condition and whether or not to tell Jamie.[33] This episode is named after a song by Ben Harper . |
fd_FRIENDS_01x11 | fd_FRIENDS_01x11_0 | TEXT: [Scene: A Street: Monica and Phoebe are walking to a newsstand.] Phoebe: Do you think they have yesterday's daily news? Monica: Why? Phoebe: Just wanna check my horoscope, see if it was right. Monica: Oh my God. (Grabs Phoebe and turns her away) Phoebe. Don't look now, but behind us is a guy who has the potential to break our hearts and plunge us into a pit of depression. Phoebe: Where? (Turns to face him) Ooh, come to Momma. Monica: He's coming. Be cool, be cool, be cool. (The guy walks past them) Guy: Nice hat. Monica and Phoebe: (in unison) Thanks. (The guy walks on) Phoebe: We should do something. Whistle. Monica: We are not going to whistle. Phoebe: Come on, do it. Monica: No! Phoebe: Do it! Monica: No! Phoebe: Do it do it do it! Monica: (Shouts to the guy) Woo-woo! (The guy turns round, startled. Monica points to Phoebe. The guy gets hit by a truck) Phoebe: I can't believe you did that! Opening Credits [Scene: Hospital, the guy is in a coma and Mon and Pheebs are visiting.] Monica: Why did I 'woo-hoo'? I mean, what was I hoping would happen? That-that he'd turn round and say 'I love that sound, I must have you now'? Phoebe: I just wish there was something we could do. (Bends down and talks to him) Hello. Hello, Coma Guy. GET UP, YOU GIRL SCOUT! UP! UP! UP! Monica: Phoebe, what are you doing? Phoebe: Maybe nobody's tried this. Monica: I wish we at least knew his name... Look at that face. I mean, even sleeping, he looks smart
SUMMARY: | Chandler's flamboyant romance-novelist mother, Nora Bing ( Morgan Fairchild ), visits. At a restaurant with her and all the friends, Ross upset over Rachel and Paolo, drinks too much. He is comforted by Nora, who offers sage advice though it leads to them kissing. Joey sees them and later says that Ross has to tell Chander. Monica and Phoebe see an attractive guy in the street; when Monica shouts after him, the guy turns and is hit by a car. While he is hospitalized in a coma, the girls take turns caring for him, then begin competing. When he wakes up, he blows them both off. Ross tells Chandler that he kissed his mother. Chandler is upset, but forgives him, and finally confronts his mother about her behavior and other issues. Rachel tries writing her own romance novel. |
fd_Doctor_Who_1963_05x11 | fd_Doctor_Who_1963_05x11_0 | TEXT: THE ICE WARRIORS by Brian Hayles first broadcast - 11th November 1967 [SCENE_BREAK] 1. IONISER CONTROL ROOM (The Control Room is a circular room, with a ring of instruments set into four desks which face inwards, looking towards the COMPUTER. The COMPUTER contains a screen, and a keyboard, both of which are set into the circular outer. The computers around the outside of the room are patrolled by a group of people, mostly woman, who are reacting to an emergency. They are dressed in white tops, with random black designs on them, and black short skirts with black boots.) BASE ANNOUNCER: This is a preliminary warning. Preliminary warning. Prepare phase one base evacuation procedure. Phase one evacuation. COMPUTER:...determine the extent of breakdown factor in ionisation... (LEADER CLENT enters the room. He is middle aged, uses a stick for his right leg, and wears the same top as the other base members, but with the same randomly coloured pants. He talks to MISS GARRETT, a young woman, who wears a see-through apparatus on her head. She is sitting at one of the desks on the other side of the room.) CLENT: Why has the ioniser been allowed to deteriorate to danger level? GARRETT: There was a power stoppage. I've done all I can to boost it. CLENT: Well it can't be allowed to fall any lower. (He hobbles over to her.) GARRETT: We still have time to evacuate. CLENT: We will certainly not evacuate. We've beaten its tantrums before. GARRETT: It's falling again. CLENT: Well hold it... steady GARRETT: I can't. CLENT: Switch the stabilising circuits through to the computer. GARRETT: I have, it's still not holding! CLENT: All circuits, woman, all circuits! GARRETT: We're nearly there. CLENT: There's not enough power. COMPUTER: (In background.)... GARRETT:
SUMMARY: | The Doctor, Jamie and Victoria are brought to a base which is attempting to halt the flow of the Second Ice Age. |
fd_Gilmore_Girls_06x11 | fd_Gilmore_Girls_06x11_0 | TEXT: (OPEN in Luke's diner, morning. The place is busy but not too much. Kirk is sitting at a table. Suddenly he gets up, goes behind the counter, gets the coffee pot goes back to his table fills up his cup and then goes behind the counter again to put the coffee pot in it's place. Luke watches him.) LUKE: What in the hell do you think you're doing? KIRK: I was just getting some coffee. LUKE: You came behind my counter. KIRK: I saw Lorelai do it the other day. LUKE: Lorelai is my fiance. KIRK: So only people you're sleeping with are allowed to go behind the counter? LUKE: Yes. KIRK: Well...I don't really know you that well, Luke. I mean, I know what you do for a living, and I know you're a Scorpio, and you smell OK, but we've never really connected on a deeper level... LUKE: Get out from behind my counter, Kirk. KIRK: Well, now it's a definite "no". (goes back to his table as Lorelai and Rory enter the diner holding some bags) LORELAI: Oh, my God. Look who's back. RORY: Well, I believe it's those adorable Gilmore Girls. LORELAI: My, how we have missed them. RORY: I hear they're different now. (Luke comes up to them) A little sad. LORELAI: A little broke. LUKE: Don't you two believe in jet lag? LORELAI: No way. We're still flying on the Atlantic City buzz. Hey, (they kiss) handsome. Were you bad while I was gone? LUKE: I was. I went to bed every night at 10:15. LORELAI: Grandpa! what am I gonna do with you? RORY: Hey, Luke. (they hug) LUKE: Hey, Rory. (they all start walking over to a table to sit) LORELAI: We, on the other hand, have not been to bed at all
SUMMARY: | The perfect dress: elegant blush-silk tulle, in Lorelai's size and on sale - ideal for a wedding. The perfect mess: Lane, short tempered, belligerent and miserable since she broke up with Zach and moved back home. Luke goes to have a talk with his former girlfriend Anna Nardini, mother of his daughter April. |
fd_Mars_01x01 | fd_Mars_01x01_0 | TEXT: Robert: Retro rockets are about to fire in. Amelie Durand: 1, 2, 3, breathe. 1, 2, 3, breathe. Ben Sawyer: We dream. It's who we are. Down to our bones, our cells. That instinct to build. That drive to seek beyond what we know. It's in our DNA. We crossed the oceans, we conquered the skies. And when there were no more frontiers on Earth we launched ourselves among the stars. John F. Kennedy: We choose to go to the Moon in this decade and do the other things, not because they are easy, but because they are hard. Ben Sawyer: The heavens beckoned a new generation of innovators and explorers, seeking to take human kind even further. President Obama: We can push out into the solar system. Not just to visit but to stay. Ben Sawyer: That was when Mars became real for all of us. And for those of us who were around to see the first days, it was... electrifying. The world's leading space agencies united as the International Mars Science Foundation. And joined with private industry to accomplish one shared goal. To build a home for humankind on Mars. People weren't just talking about the red planet, they were making plans to go there. And after years of training in the Astronaut Corps I was chosen to command the first human mission to Mars. Ed Grann: Wonder, wonder. For as long as we've looked up at the night sky that is what we felt. We named the planets that hang among the stars after our gods. And gave them the same power to control our fate. With the support of the space-going nations of the IMSF the Mars Mission Corporation has overcome the most daunting engineering challenges our species has ever faced. This allows the brave pioneers standing before you today, to bring humanity into a new era. We will no longer stare and wonder at those planets we named for our gods. But take our place among them. Ben Sawyer: Ed Grann could sell anything, but he was more than a salesman. He was brilliant. Ed Grann: She's 14 stories base to nose. Javier: That's a fancy jacket you got today Ed. Ben Sawyer: And as much as any of us, he was a believer
SUMMARY: | In 2033, the first human mission to Mars enters the red planet's atmosphere but the crew of the Daedalus faces a life-threatening emergency when the ship's landing system goes offline. The crew's commander risks his life to fix the problem as mission control monitors back on Earth. In the present-day documentary, SpaceX attempts to land the world's first reusable rocket in order to pioneer the critical technology that will help humans reach Mars. |
fd_NCIS_02x17 | fd_NCIS_02x17_0 | TEXT: EXT. APARTMENT COMPLEX - DAY DONOVAN: (INTO PHONE) It's always about him. He called me at seven thirty last night, expecting me to drop whatever I was doing, just because he was available. No, I didn't have any plans, but that's not the point. I'm not crazy about his friends, either. None of them are married. The point is I know where this is leading. Nowhere. Yeah, I guess so. Give me a half hour to wash up. I'll meet you there. No, I'm listening. Somebody sent me a package. I don't know. Whatever it is... it's cold. (DONOVAN SCREAMS) (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. AUTOPSY ROOM - DAY DUCKY: My my... you are hypnotic, aren't you? No thank you, Mister Palmer. Better to poke around with these. Did you know the word autopsy comes from the Greek, meaning to see for one's self? JIMMY: They didn't offer Greek at my high school. DUCKY: Oh perhaps we should try Latin then. Are you familiar with the term keratoplasty? JIMMY: Ah, cornea transplant surgery. DUCKY: Oh, then your education did pay off. JIMMY: My mother will be pleased to hear that. (SFX: DOORS SLIDE OPEN) GIBBS: What do we know, Duck? DUCKY: I've only just started, Jethro. How did these come into our possession? GIBBS: They were in a package delivered to a Petty Officer. Mailman put them in the wrong box. Neighbor opened them up and scared the hell out of her. DUCKY: I should imagine so. Well, these have been enucleated, and preserved with skill and care by a surgeon. Assuming they're as healthy as they appear, transplantation would be the inevitable conclusion. I don't necessarily need
SUMMARY: | When a petty officer working in Intelligence receives a pair of cobalt blue eyeballs in the mail, the NCIS team starts investigating the case. The sailor commits suicide during the investigation and after Abby matches the eyes to a South American girl in a photo with the dead man's lecturer, Kate and Tony must travel to the Triple Frontier destination of Paraguay to discover the disturbing truth. |
fd_Charmed_02x11 | fd_Charmed_02x11_0 | TEXT: [Scene: Manor. Solarium. Piper's putting baby things in a basket. Prue comes in.] Prue: Piper, have you seen slides anywhere? Piper: By the TV. Prue: Thank God. I thought that I lost them. Jack would've killed me. (She gets the slides off the TV.) Piper: Jack? Prue: The boss is sending two employees with the best presentation to New York for a conference, all expenses paid and Jack and I are hoping he picks us. Piper: Are you gonna sleep with him? Prue: Piper, it is just a business trip, that is all. Who's the present for? Piper: Lisa Kreegers baby shower. Prue: I forgot. Piper: I know. So did Phoebe. But I'm making it from all of us. Prue: What's all in here? Piper: Stuff, and I just knitted her a little baby blanket, that's all. Prue: You knit? I didn't know that you knit. Piper: Yeah, and I even had some extra yarn left over and I made her a little bear to match. Kinda cute, huh? (Piper holds up a cute little blue bear.) Prue: Oh, hi, ooh, he's adorable. (She takes the bear off Piper.) I guess this is really good practice for you, huh? Piper: What are you talking about? Prue: You, Dan, little Dan. Piper: Whoa, slow down. Dan is the one that has our relationship on the fast track, not me. But don't get me wrong, he's great, but that doesn't mean I'm ready to move in with him or anything else of that nature. Prue: (Sarcastically) You know, I just hate guys who aren't afraid to commit, they are so atypical. Piper: It's not funny, Prue, it's a problem. Prue: Piper, I don't really see what the problem is. I mean, you and Dan are great together and you think that you love him, right? Pipe
SUMMARY: | When Phoebe has a powerful vision involving a ghost looking to exact revenge on an apparently abandoned baby, she talks Darryl into letting her take the baby back to the manor in order to protect him. Prue and Piper assist by tracking down the matriarch of the baby's family to discover the reason why the ghost is trying to harm the baby before he meets the same fate as the other male members of the family. While this is going on, Jack tries to convince Prue to go on a business trip with him, and Piper and Dan get a taste in what life would be like while watching over the baby. |
fd_The_Office_03x07 | fd_The_Office_03x07_0 | TEXT: Karen: Hey. Jim: Hey. Karen: Who are you faxing so early in the morning? Jim: Oh, umm... kinda hard to explain. [SCENE_BREAK] Jim: I don't have a ton of contact with the Scranton branch, but, before I left, I took a box of Dwight's stationery, so, from time to time, I send Dwight faxes. From himself. From the future. [reading fax] "Dwight, at 8 A.M. today, someone poisons the coffee. Do not drink the coffee. More instructions will follow. Cordially, Future Dwight." [SCENE_BREAK] Dwight: No![knocks coffee out of Stanley's hand.] You'll thank me later. [SCENE_BREAK] Michael: There she is - Jan Levinson. First... Jan: Michael. Michael:...thing in the morning. Love to start my morning with a hearty bowl of Jan. Jan: Michael. Michael: [singing] Just call me Levinson in the morning, baby. Jan: Michael. Michael: Yes. Jan: I am here to tell you that we are closing the Scranton branch. Michael: I don't understand. Jan: The board voted last night to close your branch. Michael: On whom's authority? Jan: The board's. Michael: What? Jan: I'm very sorry. I don't relish telling you this. You've been a big part of this company, and the board asked me to thank you for your years of service. Michael: You're welcome. Jan: A small number of people will be transferred to the Stamford branch, and the rest will be getting severance packages. Michael: Am I a small number person or a severance package person? Jan: Well, we haven't made final decisions about personnel yet. But you're a severance package person. Michael: Oh... [burrys head in hands] Oh, my god. Oh, my god! I don't really get it 'cause we're not doing that bad and our numbers are gonna come up. Jan: Well, it
SUMMARY: | Jan informs Michael that the Dunder Mifflin board has voted to close the Scranton branch, and for the Stamford branch to absorb the remnants of Scranton. Michael announces this to the office, leading the employees to plan for their futures. Michael, in a last-ditch effort to save his branch, leaves with Dwight to surprise CFO David Wallace at his home. They wait outside all day, but David never shows up, and they resign themselves to defeat. However, Josh, the regional manager of the Stamford branch, announces that he is leaving the company to take another job, and a decision is made for the Scranton branch to absorb the Stamford branch instead. Michael and Dwight celebrate, believing that they were the ones who brought about the change. |
fd_Bones_05x17 | fd_Bones_05x17_0 | TEXT: (Open: Barn - Night. Two girls enter, carrying blankets) ANNA: This is my favorite spot. DEDE: I've only been here with boys before. ANNA: Me too, but I love that Katy Perry song so much. It speaks to me, you know? DEDE: Totally. (They place a blanket on the ground and lay down, facing each other) ANNA: So.. Okay. Just kissing, not touching things or anything. DEDE: No. Just the stuff that's in the song. (They lean in and just as they're about to kiss, they hear a noise) ANNA: I hear something. DEDE: It's your heart beating. (They lean in again, and just as their about to kiss there's another noise) ANNA: No, really. There's something out there. (They turn to their right and look. A skull, covered in maggots, is flying towards them and hits Dede in the face, then lands on the blanket. They scream) (Cut to: Woods - Day. Booth and Brennan arrive at the crime scene) BOOTH: I can't believe you grew up in this area. BRENNAN: Yes, I am an alumna of Burtonsville High. BOOTH: Ever bring a boy out her and uh - BRENNAN: And what? Touch his genetalia? No. BOOTH: Whoa. 'Kay, I was thinking that maybe just a little smooching. BRENNAN: I used to come out here to find animals to dissect; I didn't have a boyfriend. BOOTH: Maybe because you were cutting up little woodland creatures, maybe? (They meet up with the local Sheriff, Rebecca Conway, in the barn) SHERIFF REBECCA CONWAY: I'm Sheriff Rebecca Conway. You the Federal backup? BOOTH: (hoding up his badge) FBI Special Agent Seeley Booth. SHERIFF CONWAY: Nice wheels. Nice face and bod. Very nice. BOOTH: (hesistantly) Thank you. BRENNAN: We know
SUMMARY: | An investigation leads Brennan back to her old high school, where a classmate of Brennan's is found murdered, similar to another girl in her class 15 years prior. Booth and Brennan go undercover as a married couple during the high school reunion to try to discover the killer, which includes several of her previous classmates. Brennan is helped by her only friend from high school, the janitor, Ray Buxley ( Robert Englund ), to help find the killer. Back at the lab, Wendell accidentally finds out from Hodgins that Angela believed she was pregnant and did not tell him. Wendell then tells her would have taken his share of the responsibility and consequences. Later, Angela ends their relationship as she felt his answer to the pregnancy was that it was his obligation. After the case, the team get together at the bar sharing their high school experience. Brennan expresses she was glad she attended the reunion and that she realizes how lucky she is to have the friendship she has today. |
fd_Degrassi_Next_Generation_03x02 | fd_Degrassi_Next_Generation_03x02_0 | TEXT: The nursing home, Shane's room Emma: But you were supposed to be a doctor, not a patient. *Backs away* This was such a mistake. Shane: Don't go! Please! Wait, don't go! *Feels Emma's hair* You have pretty blonde hair like Emma's. Emma: *Slaps his hand away* Stop it! Shane: *Picks up a photo of Spike and Emma* She's my daughter. But she doesn't love me. Emma: Why would you say that? Shane: She never comes to visit me, she doesn't care about me. Emma: *Beginning to cry* Maybe she couldn't find you until now. I'm Emma Shane: No, Emma's just little. She... *Looks into Emma's eyes* You're Emma. *He hugs Emma* Don't be sad. Everything's ok. Your daddy's here now. Daddy's here. -The skate park- Spinner: Still mad I stole your stupid MP3 player? Jimmy: No, it's ancient history. Spinner: Good, then let's just bury the hammer. Jimmy: Fine. Is that it? Spinner: No, well I... I kind of need your locker. Jimmy: You need my locker, or Paige does? Spinner: I just... I need it Jimmy: *Laughs* Ok. What you do need is a backbone. *In a funny voice* Oh, Paige I'd do anything... Spinner: *Shoves Jimmy* Hey, shut up ok? I'm not like that. Jimmy: You know what? Admit it and the locker's yours. Spinner: Ok, I have no backbone Jimmy: No. See, you're preaching to the converted. You need to tell everybody. Tomorrow by noon or no deal. *He skates away* *Spinner heaves a great sigh* -Shane's room- Emma: How long have you been here? Shane: *Eating his lunch* About since I fell and hit my head. Emma: You fell? Shane: Yep. *Emm
SUMMARY: | The Simpson-Nelson household prepares for the arrival of the new baby when Spike announces that she wants to have a home birth. On the first day of the new school year, Emma becomes irritated that people keep mistaking her as Snake's daughter, so she decides to ditch school with Craig and find her real father, Shane McKay. When she does ultimately find him, she is not prepared for what she sees. Meanwhile, Spinner is having a hard time finding the "perfect" gift for Paige and decides to get her a new locker. |
fd_Buffy_the_Vampire_Slayer_06x03 | fd_Buffy_the_Vampire_Slayer_06x03_0 | TEXT: •I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. •I prefer that you link to this transcript on the Psyche site rather than post it on your site, but you can post it on your site if you want, as long as you keep my name and email address on it. Please also keep my disclaimers intact. •You can use my transcripts in your fanfiction stories; you don't have to ask my permission. (However, if you use large portions of episode dialogue in your fanfic, I recommend you give credit to the person who wrote the episode.) •I apologize in advance for my lame transcription of the fight scenes. I don't know the names of different punches and kicks. Use your imagination. [SCENE_BREAK] Teaser GILES VOICEOVER: Previously on Buffy the Vampire Slayer... SPIKE: I love you. BUFFY: The only chance you had with me was when I was unconscious. Buffy running down the walkway atop the tower. DAWN: Buffy, no. Buffy jumping into the wormhole. The Scooby gang gathered around Buffy's dead body. DAWN: No! XANDER: You're talking about raising the dead. It feels wrong. TARA: It is wrong. WILLOW: She could be trapped! The foursome doing their resurrection spell. WILLOW: I'm not gonna leave her there. Willow pouring blood out of the jug, putting it on her face. WILLOW: Osiris, master of all fate, let her cross over. Buffy's corpse reviving. Shot of Buffy's gravestone. Buffy digging her way out of her grave. WILLOW: Buffy? ANYA: What's wrong with her? WILLOW: She's in shock. The Hellions destroying Sunnydale. DAWN: Who are they? SPIKE: Road pirates. They raid towns, use 'em up, burn 'em down. Buffy beating up demons. Dawn hugging Bu
SUMMARY: | Spike warns that the resurrection spell could have serious consequences, and his assessment proves to be correct as members of the gang are possessed by an unseen force. |
fd_Doctor_Who_05x02 | fd_Doctor_Who_05x02_0 | TEXT: EXT. SPACE A spaceship that looks like a city flies through the stars, a Union Flag painted on its side. Some of the buildings have lit letters on them designating counties. INT. SCHOOLROOM Young boys and girls are in line while one young boy remains at his desk. They are being praised by their as yet unseen teacher. COMPUTERISED MALE VOICE: Well done, Mabel. Well done, Alfie. Good girl, Tabitha. (one of the girls faces the boy and jerks her head) Very well done, Ranjit. Good girl, Chloe. (the boy picks up his book and gets in line) Well done, Ben. Well done, Mandy. (We see the 'teacher' is actually a figure inside a booth. MANDY hurries off) 'Bad boy, Timmy. (the head spins to reveal a frowning face) Zero. INT. CORRIDOR MANDY is waiting outside. MANDY: You got a zero, didn't you? TIMMY: Yeah. So? MANDY: You'll have to walk home, then. TIMMY: Walk to London? That's 20 decks! MANDY: You can't ride a Vator with a zero. You know what happens. You'll get sent below. (steps into lift) TIMMY tries to get on the lift but the operator, a hooded man wearing an old-fashioned clock key on a chain, glares down at him and he backs away. MANDY: I'll wait for you. The lift doors close. There is another book in the hall and its head swivels to show a frown as well. The second lift opens and TIMMY steps inside. There is a smaller version of the booth set into the wall of the lift. XOMPUTERISED MALE VOICE Welcome to Vator Verse, sponsored by McLintock's Candy Burgers. TIMMY: L-London, please. There is a small computer screen on the wall behind TIMMY. On it
SUMMARY: | The Doctor takes Amy to the distant future, where they explore the Starship UK : a spaceship holding the population of the United Kingdom (with the exception of Scotland) after they fled Earth due to dangerous solar flares. They discover that the ship is guided by a Star Whale , who is being tortured out of the fear that when left to make its own decisions it will abandon them. Believing that the future cannot go on this way, the Doctor prepares to render the Star Whale brain-dead so it will continue to operate the ship but not feel pain. Amy discovers that it is willing to serve the ship, since it could not stand the children crying because of the solar flares. |
fd_Frasier_02x16 | fd_Frasier_02x16_0 | TEXT: ACT ONE Scene One - KACL Frasier is finishing his show. He is standing while he speaks into the microphone. Frasier: Well, that's our show for today. Don't forget - Bob "Bulldog" Briscoe is up next. [Roz gestures for him to read a promo] Oh, yes. [reading] This is KACL Cash Call Week. $5,000 if you answer your phone with the phrase that pays. So when your phone rings, don't say hello, say... He looks up to see Sam Malone in the window. Frasier: WELL, BLOW ME DOWN!!! Uh...no, no, no. Say, uh... KACL is, uh... the talk of the town... talk of Seattle, whatever, Bye-bye. He goes off the air and gestures for Sam to come in. Frasier: Sam, Sam! [they hug] Oh my God! Well, what are you doing in town? Sam: Uh, well actually I'm here interviewing for a job. The Mariners need a pitching coach and they gave me a call. Frasier: They did? Sam: Yeah. Frasier: I mean, that's great, but... [off Sam's look] well, come on in. Sam: This is all right? You're off the air? Frasier: Oh, yeah, it's fine. Roz: [entering from her booth] Fras, I gotta go. Your messages are on my desk and... [sees Sam] whoa, who is this? Sam: I'm Sam Malone. I was a buddy of Frasier's in Boston. Frasier: This is Roz Doyle. Roz: [to Frasier] So this is the Sam Malone you've always talked about? The one who has no respect for women and treats them like dirt? [to Sam] Need anyone to show you around Seattle? Sam: Well, you know, to tell you the truth I'm all right with the city, but I get real lost in my hotel room. Frasier: Oh, boy. Just look at the two of you face to face. I imagine wild animals
SUMMARY: | Sam Malone ( Ted Danson ), Frasier's longtime friend from Cheers, visits Seattle to seek relationship advice from him. A seemingly straightforward counsel turns into an ethical dilemma when Frasier realizes that he has had an intimate encounter with Sam's fiancée ( Téa Leoni ). |
fd_The_Big_Bang_Theory_04x14 | fd_The_Big_Bang_Theory_04x14_0 | TEXT: Scene: A lecture hall. Sheldon: Good evening. I'm your guest lecturer, Dr. Sheldon Cooper. I was expecting applause, but I suppose stunned silence is equally appropriate. I agreed to speak to you this evening, because I was told that you're the best and the brightest of this university's doctoral candidates. Hmm. Of course, that's like saying you are the most important electron in a hydrogen atom. 'Cause, you see, there's only one electron in a hydrogen atom. Best and brightest, my sweet patootie. All right, let's begin. Show of hands, who here is familiar with the concept of topological insulators? Don't kid yourselves. Scene: The apartment. Leonard: I found another tweet from a student at Sheldon's lecture. Dr. Cooper has taken a relatively boring subject and managed to make it completely insufferable. Plus, he looks like a giant insect. Howard: Look. Listen to this one. Does Einstein's theory explain why time flies when you're having fun, but when you're listening to Dr. Cooper, it falls out of the sky, dead? Raj: Ooh, somebody took pictures and uploaded them to their Flickr account. Leonard: Wow. How do you get an entire lecture hall to flip you off at the same time? Howard: Apparently, if you're Sheldon, all you need to do is turn your back. Penny: Hey, Leonard, is your wi-fi down? I can't get on. Leonard: Oh, Sheldon changed the password. It's now Penny is a freeloader. No spaces. Penny: Thanks. What are you guys doing? Leonard: Sheldon gave a lecture at the university tonight. We're reading the reviews. Penny: Oh. How'd he do? Howard: Well, picture the Hindenburg meets Chernobyl meets Three Mile Island meets Tron 2. Penny: That bad, huh? Leonard: Read this woman's tweet. Penny: Listening to Dr. Cooper has made me want to start cutting myself again Leonard: Yeah. Sheldon: Good evening, Leonard, Howard,
SUMMARY: | When Sheldon is unsuccessful as a lecturer due to his condescending personality, Amy suggests that he take acting lessons from Penny. Instead of using a professional script, he insists that they use a Star Trek fanfiction script which he wrote as a child. Penny plays the role of Spock as she feels that Sheldon needs to come out of his comfort zone, while Sheldon plays the dual role of himself and his mother. However while acting out the script, Sheldon immerses himself so deeply in the part that he is brought to tears, because he does not want to be taken away from his mother by Spock. Penny then calls his mother and gives the phone to Sheldon so that his mother can console him. Meanwhile, Raj becomes infatuated with Bernadette and fantasizes about them getting together. |
fd_Lucifer_03x01 | fd_Lucifer_03x01_0 | TEXT: Lee is driving in the desert. He is trying to escape from cops. He curbs when he sees Lucifer on the road. Lucifer: Are you blind? Lucifer opens the truck. He wants to get in but he is stopped by his wings. He hides his wings and gets in the truck. Lucifer: The day I've had, I tell you. Right. I'd like a ride to Los Angeles, please. I... Oh. Dearie me. At least I'm healing fast. Do you have any aloe vera? Lee: I ain't going back to L.A. Lucifer: What... Hold on, you're not a real armoured truck driver, are you? Wait. Don't I know you from somewhere? Oh, yes, yes. You're that jewellery thief, the one who left in nothing but his manties. Lee: You! You got me put in jail! Lucifer: Uh, well, I think that one's on you, sir. I wasn't the one with the gun and the ski mask. Lee: I'm not gonna let you screw this up for me again. It's time for you to go. Lucifer: Well, you are a tenacious one, I'll give you that. Respect. Lee: You one crazy-ass bitch. Now, get out of the truck. Lee threatens Lucifer with his gun. Lee: Now. Lucifer: Look... I know you don't want to shoot me, Mr.... What's your name? Lee: Said out, bitch. Lucifer: Mr. Said Out Bitch, tell me, what is it you really desire? Lee: I just want to get out of here, man. Lucifer: Right, freedom, of course. That hasn't changed. They ears the siren's cops. Lucifer: Well, then we might be able to help each other. The cops are driving to the truck. Cop: Suspect heading towards us. Prepare the blockade. They park their cars and stop the truck. Cops: I can't see though. Eyes on. Easy, easy. Don't move! Lucifer: Hello, there. Cop:
SUMMARY: | Lucifer encounters a fleeing criminal and steals his clothes before getting the police to return him to Los Angeles. He asks Linda to remove his restored wings, but she refuses. Chloe brings him onto a new case, a dehydrated corpse found in the desert where Lucifer woke up, while overseen by her new lieutenant, Marcus Pierce. The body turns out to be that of a wealthy man and his close friend reveals that he paid "kidnappers" to prank the victim. While attempting to restore his own wings, Amenadiel discovers Lucifer's self-severed pair. Lucifer tries to show Chloe his true "devilface," but is unable. To lure out the "kidnappers," Pierce instructs Dan to get himself kidnapped, which Lucifer arranges. However, he makes himself the target at the last moment, suspecting the kidnappers to be behind his own abduction. He interrogates them and learns that the dead man was turned over to another kidnapper. The man reveals that he was hired by the Sinnerman, a mysterious crime boss, to abduct Lucifer. Lucifer, whose wings grew back after he cut them off again, initially suspects that God restored his wings as punishment for sending Charlotte to a void, but eventually comes to believe that it is "something darker" connected to Sinnerman. |
fd_The_Originals_01x09 | fd_The_Originals_01x09_0 | TEXT: Klaus (voiceover): My siblings and I are the first vampires in history, the Originals. 300 years ago, we helped build New Orleans. In our absence, a new king arose. Now I've returned and taken his kingdom as my own. I had hope this would bring our family together. I was wrong. French Quarter, The Abattoir Yard [A dinner table is set up in the yard and Marcel's closest people are gathered around it. Klaus calls for everyone's attention to give a speech by tapping his cup with a fork.] Klaus: Let us begin with a toast to our shared gift: immortality. After a thousand years, one might expect life to be less keenly felt, for its beauties and its sorrows do diminish with time. But, as vampires, we feel more deeply than humans could possibly imagine. (Klaus gestures toward a group of waiters and waitresses to have them join them at the table, one for each guest.) Klaus: Insatiable need, exquisite pain... [The servants slit their wrists with knives, filling the cups with blood for the vampires.] Klaus: Our victories, and our defeats. [He looks at Marcel.] FLASHBACK--MARCEL'S MEMORY Rebekah: You can't afford your wounded pride. With Klaus in control of your empire, you need to give him what he craves most: loyalty. Or, at least, the illusion of it. Marcel: I ambushed him, tried to bury him alive. He's not gonna trust me. Rebekah: He will, because he wants your allegiance. Speaking from my experience, I know that if you play the part, all is forgiven. But, if you give him any reason to doubt you, he will strike back. [Rebekah takes Marcel's hand in her own] Rebekah: Make me a promise, Marcel. You will do whatever it takes to stay alive. PRESENT DAY, DINNER AT THE ABBATOIR Klaus:...To my city, my home again. May the blood never cease to flow... Marcel:...and the party never end! DIEGO'
SUMMARY: | Marcel, deeply conflicted by recent events, is surprised when Klaus opens up to him about some of his past indiscretions. Cami tries to make sense of cryptic messages she's come across and is disturbed when she gains some insight into Klaus' past. Meanwhile, in a surprising turn of events, the human faction takes matters into their own hands, resulting in a violent confrontation. Elsewhere, when Hayley learns of a plan to harm the werewolves in the bayou, she turns to Elijah and Rebekah for help. After heading to the bayou, they run into a werewolf named Eve, who has information that leads them to a shocking discovery. |
fd_Doctor_Who_1963_08x09 | fd_Doctor_Who_1963_08x09_0 | TEXT: THE MIND OF EVIL BY: DON HOUGHTON 5:15pm - 5:40pm [SCENE_BREAK] 1: INT. STANGMOOR PRISON. MAIN GALLERY (VOSPER staggers out of the theatre, crying out in pain and firing at the machine. Again, there is a flare of light and the machine claims another victim.) [SCENE_BREAK] 2: INT. STANGMOOR PRISON. PROCESS THEATRE (The DOCTOR and JO remain in their hiding place. Through the doors of the theatre, the machine dematerialises. The DOCTOR whispers to JO. She nods and the two cautiously get up and slowly start to make for the door. Hardly have they gone a few steps when the DOCTOR holds her back - the machine is materialising on its stand next to the process chair. Holding his head in pain, MAILER runs out from his hiding place, fires a shot and runs out of the theatre. Left behind, the DOCTOR and JO feel the mental assault from the machine beginning on them, however the attack ends as soon as it starts as once again the machine dematerialises from the room.) JO: What happened! Why did it just...disappear? DOCTOR: Well, we couldn't have tempted its appetite. JO: Why not? DOCTOR: Well, I imagine it detected a higher concentration of evil in Mailer. There's something to be said for a pure mind, after all, eh Jo? JO: Look, I think we'd better get out of here before it gets back! (She runs for the door.) DOCTOR: Yes, all right, Jo! Jo! Wait a minute, wait! (He more cautiously walks out of the room...) [SCENE_BREAK] 3: INT. STANGMOOR PRISON. MAIN GALLERY (...checking to make sure that they are alone but JO is the first to spot a familiar figure, still dressed in pyjamas and dressing gown and holding his head in pain.) JO: Barnham! What are you doing here? BARN
SUMMARY: | The Doctor is forced to help the Master control the mind parasite while Yates finds out where the Thunderbolt has been taken only to be captured by the Master's men. |
fd_Charmed_01x17 | fd_Charmed_01x17_0 | TEXT: [Scene: Halliwell manor. Prue and Phoebe are looking through photo albums.] Phoebe: There aren't any pictures of me growing up. Prue: That seems impossible. I mean you weren't exactly camera shy. Phoebe: Yeah, well neither were you and Piper, or you and Grams, or you and Dad. Oh look, there's another one of you and Piper. Prue: Okay, there's a picture of you and Grams. Phoebe: Oh, wasn't I cute. Prue: Here's one of you and Mum. Phoebe: Wow, I don't even remember that. What was I, about two? (Prue nods) She died on us a year later. Prue: Phoebe. (Piper enters the room.) Piper: Okay, alright, I need a pen and paper. (She tries to open a drawer but it's stuck.) Quick, we don't have a lot of time. (Phoebe hits it twice and kicks it and the drawer opens.) I always wondered how you got into my candy drawer. Phoebe: Yeah, too bad all the candy's gone. Piper: I thought it would be easy for us to just write him a note. Prue: Who him? Piper: You know, what's his name. (The doorbell rings) Grandma's little friend comes every year, same day, same time. Says you know, the flowers are from a secret admirer when it's obvious he's the admirer. (She opens the door) Hi, come on in. (The clock chimes in the background) How are you? Man: Flowers for Miss Penny Halliwell. (He goes to hand them to Piper but he drops them and Piper freezes him and the flowers.) Every year. What a klutz. At least this year I can freeze him so I can spare myself the clean up. Phoebe: Why did you want to write him a note? Piper: To tell him Grams is dead. Prue: Oh, you
SUMMARY: | A powerful warlock, Nicholas, shows up claiming that he made a pact with the sisters' mother in which he spared her life in exchange for the girls' powers. Fleeing him, the three sisters go back in time to the 1970s when their mother was still alive and they try to prevent the pact. They manage to get Patty to break the pact and return to the future where he is no longer immune to their respective abilities and vanquish him with a very strong spell left for such a purpose by their late grandmother. |
fd_Gilmore_Girls_05x17 | fd_Gilmore_Girls_05x17_0 | TEXT: LUKE'S DINER [Kirk is sitting at a table in the center, yelling loudly. There is a bin half filled with pink and blue ribbons in front of him.] KIRK: Ribbons here! Return your ribbons here! That's right, folks! [A couple enters the diner and deposits their blue ribbons into the bin.] Thank you, sir. In the box, ma'am. Ribbons here, return your ribbons here! LUKE: Kirk, stop that. KIRK: Can't stop yet, Luke. Haven't got them all yet. LUKE: I mean it, put the box away. KIRK: Luke, you and Lorelai have reconciled. LUKE: I know, Kirk. I was there. KIRK: And since you two have reconciled, it's only appropriate that the citizens of Stars Hollow take off their pins and start to heal. In my case, literally. I caught about an inch of chest-flesh with this sharp little sucker. LUKE: Kirk - [Lulu walks past the diner. Kirk jumps out of his seat and yells at her through the window.] KIRK: Lulu! Hey! LULU: No, Kirk! I like my ribbon! It's pink! I like pink! KIRK: This is bigger than your love of pink! LULU [screams dramatically]: No! [Lulu takes off down the street.] KIRK: Lulu! Lulu, get back here! Lulu! [He leaves the diner to run after her. Lorelai enters.] LORELAI: Wow, did you see that? LUKE: You know, if someone opened a store in this town selling giant butterfly nets, they'd make a fortune. LORELAI: Come on, the crazy need love too. LUKE: Speaking of which - [they kiss] Welcome back. LORELAI: Nice to be here. LUKE: Want some coffee? LORELAI: Oh, say that again, slower and with your pants off. LUKE: What's that
SUMMARY: | Now that Luke and Lorelai are back together, Lorelai can come into the diner. They make a date to celebrate getting back together. Rory and Logan are still dating, however not exclusively. Rory and Lorelai see him with another girl while they are shopping in downtown New Haven, but when Rory goes to Finn's birthday party with Robert, Logan gets jealous. Emily and Richard assume that since Emily gave instructions to Luke to get back together with Lorelai everything must be all set now. However, they are surprised to see only Rory show up for Friday dinner. |
fd_Dawson_s_Creek_04x17 | fd_Dawson_s_Creek_04x17_0 | TEXT: [Scene: The School Cafeteria. Joey is sitting at a table alone when she notices Jen walking in carrying some books. She waves to Jen. Jen sees her and begins walking over to her.] Jen: Ugh. Joey: Uhh. Nice dramatic entrance. Jen: I aim to please. Thanks. Joey: Wow... are these all the colleges you got into? Jen: Well, the colleges that Jack and I both got accepted to. Now, all we have to do is narrow down the choices. Joey: There's, like, 5 colleges there. Jen: What can I say? He's really good at the application process, which means he can always resort to a career in civil service or education. So, how about you? You hear anything? Joey: No. Which means I can always resort to a career in waitressing. Jen: Hardly. [Someone walks up and hand Joey a note that says come to the administration office and call home.] Jen: Hmm. Something tells me you're wrong. [Scene: Inside a classroom. Dawson has just received the same kind of note that Joey received, and Jack looks over from the desk next to him and reads it.] Jack: Something tells me it's a sign. Dawson: You think? Jack: Well, would there be another reason to pull the respectable Dawson leery out of class? I think not. [Scene: The Administration office. Joey is in there waiting for the secretary when Dawson walks in. There is a boy on the phone and he hangs up and walks out of the office with a disappointed look on his face.] Dawson: Hey. This is a coincidence. Joey: Hopefully a good one. Secretary: I'll be glad when April's over. Parents should let you kids open your own college mail instead of torturing you over the phone. [The secretary pushes a phone over to each of them] Dial 9 to get out. Dawson: Well, I guess this is it. Another life-altering moment. Good luck. Joey: Same to you. [The both pick up the phone in front of them and dial home.] Dawson: Mom. Hey. Yeah, that
SUMMARY: | Joey receives some good college news, but while she glows, Dawson is forced to face a crushing rejection. Joey's elated mood, however, is tempered by a sobering revelation that her family's lack of savings may prevent her from achieving her dreams. Dawson offers her a financial solution but she feels she must confess to sleeping with Pacey before she can really consider Dawson's offer. Jen and Jack want to attend college together but hit a stumbling block when Jack decides that New York is the place to go and Jen isn't so sure she's ready to return to the Big Apple. A therapy session forces her to confront her past with the help of Drue. |
fd_NCIS_01x11 | fd_NCIS_01x11_0 | TEXT: MUSIC IN: EXT. SPACE - DAY (CAMERA CLOSE ON MONITOR) MUSICAL BRIDGE TO: INT. OFFICE - DAY (SFX: KEYBOARDING B.G.) (KNOCK ON DOOR) (DOOR OPENS/ CLOSES) BEN: I've got ten minutes before Ainsley comes looking for me, so what's the big emergency? JEREMY: No one can know about this. BEN: Okay. JEREMY: We haven't got much time. I was repositioning from Cuba up towards Quebec, guess it hit a glitch over Virginia - Little Creek Naval Base... BEN: (SIGHS) God bless America. JEREMY: She's really cold. BENJAMIN: Really. Cold. JEREMY: Better than monitoring ship movements in the Atlantic. BEN: As long as we don't get caught. JEREMY: Uh-oh. A problem. BEN: Someone else must be there. Damn. Oh, no no no, sweetie. Nobody's looking. All right. All right. Where'd she go? (CAMERA ANGLE ON MONITOR/ CLOSE ON BEACH SCENE) JEREMY: What just happened? BEN: Punch in. (MUSIC OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) [SCENE_BREAK] INT. SQUAD ROOM - DAY "EYE SPY"(ELEVATOR DOORS SLIDE OPEN) TONY: (MUMBLES) Good morning, Kate. KATE: I assume that was good morning. TONY: (MUMBLES re DOUGHNUT) Want one? KATE: No. Thanks. TONY: (MUMBLES) Really good. KATE: Not worth the price. I like keeping my belt notched exactly where it is. TONY: What's that supposed to mean? KATE: What mean? TONY: The whole sort of raised eyebrows winky thing. KATE: Nothing, really.
SUMMARY: | NCIS is called in to investigate the murder of a naval officer at Little Creek Naval Base following an anonymous tip-off. McGee manages to track the tip-off to Langley , suggesting that the CIA has been spying on the base. Gibbs and Kate follow the tip-off, coming across a witness who leads the team to several possible suspects. At first the murder seems to be tied in with work the officer was involved in, but Gibbs soon begins to suspect that the motive for the death might not actually be espionage-related and that someone else might be the true killer. |
fd_Roswell_02x09 | fd_Roswell_02x09_0 | TEXT: "Max in the City" 31st Episode of Roswell Production Code: 2ADA09 [SCENE_BREAK] (Episode begins with a shot of Earth from space. Gradually, we zoom in on New York City. We see Max and Tess in an elevator on the way to the top of the Empire State Building) Max: This was a mistake. Tess: You've been looking forward to it all day. Max: I mean this whole thing. Coming here. The city. Rath. Lonnie. It's a mistake. Tess: Max... Max: What do I know about war and peace and politics? I'm gonna blow it. I'm gonna sit down at this meeting and I'm gonna meet these people, and they're gonna look at me and they're gonna see this kid from New Mexico who hasn't got a clue...is this car slowing down? Are we slowing down? Tess: Relax, relax. We're almost there. (The elevator arrives at the top) Tess: This is where you belong, Max...up here with the world at your feet. Like a king. Max: I'm the king of the world. Tess: Yes, you are...just...not of this one. (Scene switches to the streets of New York. Roth and Lonnie walk through a restaurant) Roth: Ooh! Yo, pastrami. Lonnie: Yo, when he gets here...if he gets here...we're puttin' him in his place, 'cause I'm sick of gettin' attitude from him. Roth: Mayo! Who puts mayo on pastrami? Hey, you! What kinda sick mother puts mayo on pastrami, huh? I oughta bust your head open for... Lonnie: Drop it! He's here. (Nicholas walks up the stairs from a subway station. He's holding a map) Lonnie: Took you long enough. Where the hell have you been? Nicholas: God, I hate this town. (Opening credits) Nicholas: So where are they? Lonnie: They're doing the tourist thing
SUMMARY: | Max and Tess depart for the interstellar summit in New York City with Rath and Lonnie, Michael and Isabel's duplicates, who both harbor a secret agenda for their future king and an alliance with Nicholas, the Skin. Ava reveals to Liz that Rath & Lonnie murdered Zan. Tess is kidnapped by the dupes after Max learns of their true intentions. When Max finally finds Tess she reveals that they tried to read her mind to find the Granolith but she resisted. She then says that they're gone -- but did they die or are they still out there? Ava says goodbye to Liz and leaves Roswell. |
fd_One_Tree_Hill_06x10 | fd_One_Tree_Hill_06x10_0 | TEXT: [PREVIOUSLY_ON] Nathan : Hey, I'm fine, you see? Jamie : Don't play slamball anymore, daddy. Sam : What's your version of grounded? Brooke : One week for letting some skeevy fratvestite ruin Peyton's wedding dress. And we're gonna take another week for throwing an underage keg party in your foster parent's upscale boutique. Peyton : How about we do that USO show? Derek : You'd do that? Peyton : Sure. That's what family does, right? Gigi : Don't. Mouth : Gigi, I have a girlfriend. Gigi : And she doesn't have to know. Julian : You've gotten even more beautiful. Peyton : What are you doing here, Julian? Julian : Haven't you heard I'm optioning your fiance's book. Peyton : Like hell you are... Julian : Actually, it's already done. I'm quite charming. But you know that, baby. Peyton : I need to tell you something... Lucas : Does it involve this? Peyton : We were in love. ONE TREE HILL. At USO show. Peyton : Hey marines! How's everybody doing tonight? The crowd screams. Peyton : All right, that's fantastic! It is so great to be here tonight! Now, I'm so pumped to introduce our first act tonight. She's a very dear friend of mine, and also an amazing talent! Please, give it up for Haley James Scott! Haley enters the stage, but keeps quiet. She finally wakes up in her bed. Views of Brooke & Sam & Millie, Gigi & Mouth. Back to Nathan & Haley's house. Nathan : Haley? Haley : Hey, I'm in here. How'd it go at the doctor's? She finds Nate in his wheelchair. But he laughs and gets down. Haley :
SUMMARY: | Nathan wrestles with his former self as to whether to give up basketball to be a family-man only or pursue his dream, as he encourages Haley to perform at a USO concert for the armed forces. Lucas punches Julian in the face but must reconsider collaborating on the movie he already sold the rights to. Angels and Airwaves also performs. This episode is named after a song by PlayRadioPlay! |
fd_Doctor_Who_1963_06x17 | fd_Doctor_Who_1963_06x17_0 | TEXT: "THE INVASION" BY DERRICK SHERWIN FROM A STORY BY KIT PEDLER First broadcast - 14th December 1968 Running time - 24 minutes 44 seconds [SCENE_BREAK] 1. LONDON. DAY (A storm of electronic noise floods London. Cybermen fling open manhole covers and climb from the sewers. A phalanx of Cybermen advance down the steps in front of Saint Paul's Cathedral.) [SCENE_BREAK] 2. INT. LAB, TRAVERS' HOUSE. DAY (The DOCTOR lies on the floor, just coming around from the unconsciousness induced by the Cybermen's hypnotic signal. ZOE and ISOBEL are by his side whilst JAMIE gently slaps the side of his face. Professor WATKINS and Captain TURNER are also gathered around, looking on.) DOCTOR: Oh! ISOBEL: Oh, are you all right Doctor? DOCTOR: (Painfully coming to.) Oh... Oh... Oh, wha... Oh! Oh, my! (The DOCTOR is helped to a sitting position, and still in pain, puts his fingers to his ears.) JAMIE: Doctor! The invasion, it's begun. DOCTOR: Yes Jamie, I'd rather gathered that. I... is everyone else all right? TURNER: (Together.) Yes. ISOBEL: (Together.) Yes, we're fine. DOCTOR: Oh, what about the Brigadier, and... and the rest of the men? TURNER: I'll check. (TURNER stands and goes into the next room to the R/T unit.) DOCTOR: (OOV, still in discomfort.) Oh! Oh! (JAMIE and ZOE mutter something, out of sight, as TURNER goes over to the radio.) TURNER: (Into the R/T microphone.) Captain Turner calling UNIT control, Captain Turner calling UNIT control. Are you receiving me, over? (There is no response. ZOE, JAMIE, and the others gather around where TURNER is seated.)
SUMMARY: | With the entire world unconscious apart from the Doctor and his friends, the Cybermen are poised to invade and only Zoe, the Brigadier and a missile crew can stop them. |
fd_FRIENDS_02x17 | fd_FRIENDS_02x17_0 | TEXT: Originally written by Adam Chase. Transcribed by Joshua Hodge. [Scene: Joey's new apartment. Everyone but Chandler is there. Joey has decorated the place with tons of tacky stuff.] JOEY: Huh? So whaddya think? Casa de Joey. Huh? I decorated it myself. ROSS: Get out. ALL: No. MONICA: [looking at some kind of glass sculpture thing] Wow Joey, this is, uhh... JOEY: Art. MONICA: Art it is. ROSS: [looking at a glass table with a panther shaped base] Look, check this out. Is it a coffee table, is it a panther? There's no need to decide. RACHEL: [holding a pillow made out of 4 inch red fur] Hey, nice pillow. So now tell me, is this genuine Muppet skin? PHOEBE: [looking at a water sculpture that looks like a window with rain running down it] Hey, excellent, excellent water-table thing. JOEY: Thanks, yeah. I love this but ya know what, it makes me wanna pee. PHOEBE: Yeah, well me too, yeah. I think that's the challenge. JOEY: Hey, how come, uhh, Chandler didn't come? ROSS: Well uh, it's cause he had a thing with, wi-, with the thing. JOEY: Right, I go-, I got it. PHOEBE: So why don't ya show us the rest of your casa? JOEY: Yeah. Uh, oh, OH, the best part, c'mon. [leads them to the bathroom, gestures towards toilet, everyone stares, uncomprehending] Heh? RACHEL: Hey, nice toilet. JOEY: No no no, behind it. ROSS: Wha-, you have a phone in here? JOEY: That's right, I have a phone in here. MONICA: Joey, promise me something. JOEY: Yeah. MONICA: Never
SUMMARY: | A record producer discovers Phoebe and wants to make her song "Smelly Cat" as a music video. The producer secretly dubs a more talented (but less attractive) woman's voice over Phoebe's, though Phoebe initially believes she is the one singing. Ross' new relationship with Rachel causes friction with Monica who resents her brother being around all the time. Joey finds he does not like living alone and wants to move back in with Chandler. However Chandler already has a new roommate, Eddie. Chandler soon realizes he does not really click with Eddie (who refuses to play foosball and dislikes Baywatch ) like he did with Joey. |
fd_True_Blood_02x11 | fd_True_Blood_02x11_0 | TEXT: Scene 1: The queen's place - Bill, Sophie-Anne, hadley Bill: Your majesty. Is this a bad time? The queen is feeding on Hadley. Sophie-Anne: A bad time? There's no such thing as bad. Or time, for that matter. Want to join me? Scene 2: Bill's house - Jessica, Hoyt, Maxine Hoyt: Get up! Have you lost your mind? Jessica: Didn't you hear all the nasty things she said about you? And me. Hoyt: She's my mama! She gets to! The hell are you from? Mama? Jessica: I'm sorry. Hoyt: Mama, you all right? Maxine: Oh, yeah. Jessica: Hoyt? Hoyt: I should have listened to vampire Bill when he warned me about you. (To Maxine) Now, come on. Come on, mama. Maxine: Do we have to? I think I actually enjoyed that. Hoyt: You see what you did to her? Come on. Hoyt leaves with Maxine. Jessica cries and screams. Scene 3: The queen's place - Bill, Sophie-Anne Sophie-Anne: What gives you the right to say no to the femoral blood of a good woman? You know what your problem is, William? You are a snob. I hate snobs. Tiny, tiny souls, or penises. Or both. (To Hadley) Get out. (To Bill) Have you eaten? Bill: Not tonight, but... Sophie-Anne: I have several new members of court. A Latvian boy. Has to be tasted to be believed. Not polluted like most humans. Tastes exactly the way they used to taste just after I was turned, before the Industrial Revolution f*cked everything to hell. Should I summon him? Bill: No, thank you. There are a pressing matters at hand I need your help with. I need to know how to kill a maenad. Sophie-Anne: A maenad? In Bon Temps? That's random. Bill: Yes. She seems to have caused some
SUMMARY: | Bill walks in on Sophie-Anne, the Vampire Queen of Louisiana, feeding from the femoral artery of a young girl. Bill asks her advice on how to defeat Maryann, but Sophie-Anne makes Bill reluctantly spend the entire day lounging with her and playing Yahtzee before she will tell him what she knows. She eventually reveals to Bill that Maryann is waiting for her god to come and bring her "true death" and that she can be killed only when she believes her god has come for her. Bill departs for Bon Temps, running into Eric on the way out. He threatens to reveal to Sophie-Anne that Eric is making Lafayette sell vampire blood unless he stays away from Sookie. Hoyt takes his mother Maxine away from Jessica after seeing her more violent side, and says he should have listened to Bill's warnings about her. Jessica, heartbroken, screams in rage and hurt. Tara proves difficult for Sookie, Lafayette and Lettie Mae to handle as she insists on going after Eggs. Tara manages to convince her mother that God wants her to let her go. Lettie Mae holds Sookie and Lafayette at gunpoint while Tara makes her getaway. Sookie and Lafayette manage to liberate themselves from Lettie Mae and go after Tara, who goes to Sookie's house and finds Eggs in the kitchen. Tara shows Maryann that she can no longer be convinced through words and also that she refuses to let herself be influenced by Maryann's "vibrating" energy, so Maryann resorts to punching her in the face which has the effect of once again putting Tara under her influence. Sam finds Coby and Lisa Fowler - Arlene's young children - wandering around the woods hiding from their mother and the rest of the townspeople. Sam takes them in and feeds them lunch as they tell him they have not eaten in a couple of days. Jason and Andy, meanwhile, decide to take action against Maryann and, ignoring Sam's advice that Maryann cannot be stopped with violence, they go to the police station to arm themselves. All of the staff at the police department are under Maryann's influence and behave obnoxiously and dangerously, but Andy and Jason still manage to arm themselves with plenty of guns and ammo. Jason and Andy put aside their differences and decide to work together to defeat Maryann. Sam takes the kids to Fangtasia and reluctantly asks Eric for help. The Viking vampire agrees to ask Sophie-Anne's advice about stopping Maryann. The townspeople tell Maryann that the god came and smote Sam, but Maryann deduces that the mob has been tricked by Sam's shape-shifting and angrily orders them out. Hoyt tries to deal with Maxine on his own, but she continues to insult him and even reveals that his father killed himself because he was weak, and that he was not shot by burglars as Hoyt believed. Sookie and Lafayette arrive at her house and, while Lafayette distracts Terry and Arlene with drugs, Sookie sneaks inside. After a brief and disturbing encounter with Mike Spencer, she makes her way upstairs. Lafayette runs into Maryann and Carl. He attempts to shoot Maryann; however, she effortlessly deflects the bullet into Carl who dies as a result. Sookie finds Tara and Eggs in her Gran's old room, building a large nest on the bed in which sits a large, unhatched egg. Sookie screams for help as Lafayette, now also under Maryann's influence, advances on her. |
fd_Merlin_01x02 | fd_Merlin_01x02_0 | TEXT: "In a land of myth and a time of magic, the destiny of a great kingdom rests on the shoulders of a young boy. His name: Merlin." Western isles, shop Knight Valiant enters a shady shop. Valiant: I understand you have a shield for me. The merchant, Devlin, motions for him to come behind the counter. Devlin: With your sword craft and this shield, I guarantee you will win. Valiant: Show me how it works. Devlin: Certainly. Tharanai im bis entra ofra honra stolle. Snakes slither out of the shield. Devlin: When you're competing in the tournament, you pin your opponent under the shield, a snake strikes. Your opponent will be paralysed. Devlin hands him the shield. Devlin: The snakes are now under your command. They will do anything that you tell them to do. Valiant: Anything? Devlin: Just say the word. They both laugh darkly. Valiant: Kill him. A snake strikes Devlin. Valiant rides for Camelot and places his helmet and seal on the registration table. Valiant: Knight Valiant of the Western Isles. I'm here for the tournament. Steward: Welcome to Camelot. Outside castle ramparts Arthur trains in his standard armour with no helmet. Merlin wears armour with a helmet and shield. Arthur: Ready? Merlin: Would it make any difference if I said no? Arthur: Not really. Merlin draws his sword. Arthur attacks. Arthur: Body. Shield. Body. Shield. Merlin: Shield. Arthur: Head. Merlin: Head? Ow. Arthur: Come on, Merlin. You're not even trying. Arthur tags Merlin in the back. Merlin: I know. Ah. Arthur: Once more. Merlin: Oh, no. Arthur: To the left. To the right. And left. Head. Merlin: Ow! Arthur: Come on, Merlin! I've got a tournament to win. Merlin: Can we stop now, please? Ow! Shield. Body. Arthur: Shield. Merlin: Shield. Ah. Arthur hits him in
SUMMARY: | Uther holds an annual tournament for the knights, in which Arthur is the defending champion. Sir Valiant has a magic secret weapon: a shield from which the poisonous serpents can come to life and attack. Merlin finds out and tells Arthur. Arthur accuses Valiant of cheating, but the only 'worthy' witness has died and a servant's word is useless against a knight. Arthur is furious to be humiliated and fires Merlin. He prepares for his own match with Valiant, expecting to die. After enigmatic encouragement from the Great Dragon, Merlin decides against giving up and resorts to a magic book Gaius gave him. |
fd_Haunted_Case_Files_01x13 | fd_Haunted_Case_Files_01x13_0 | TEXT: Narrator: America's top ghost hunters relive their most extreme assignments. (Woman screams) This house is beyond haunted. Narrator: Hardened veterans of the paranormal, these are the cases that truly tested them. There was an evil presence in that house. Woman: Oh, (bleep) what the hell? Man: Dude, I got goose bumps. It's in here. Narrator: In Arizona, a friendly spirit of a little girl turns out to be something much more threatening. Demonic activity's different. It's sneaky. Marie: I felt like somebody was putting 100 pounds of weights on my chest. Narrator: In a former Ohio rectory, a group of ghost hunters become the victims of a disturbing haunting. Bielski: There was some very negative energy at the location. I started to feel this sense of dread. Narrator: And in Texas, things get personal when a sinister entity terrorizes and attacks an investigator's sister and mother. The psychic told me, "that picture is evil." Narrator: In a quiet suburb of phoenix, Arizona, Rachel and Matthew Campbell and their three daughters have a rather unusual house guest. Ever since moving in, the family regularly saw an apparition of a young girl wearing old-fashioned clothes running through their home. Aside from the occasional slammed door, the playful ghost causes no harm, and the family get used to having her around. (Child laughing) But one day, the activity takes a darker turn. One of the daughters started to draw these images of these demonic eyes and demonic beings that she was actually seeing herself inside of her closet. They were dark. I mean, they were very sinister. Marie: She would draw pictures of them, and then she'd post them all over her wall. The mother was terrified something bad was going to happen to her children. Narrator: The little girl ghost vanishes, and the family is terrorized by a new entity. Marie: What the family was experiencing was dark shadows. Like, this dark figure with long fingers. (Screaming) Narrator: The encounters leave the family fearing for their lives. The mother was
SUMMARY: | During an investigation of a Chicago cemetery, Ursula endures the most terrifying time of her life; George is asked to remove a spirit that's attacking a young boy. |
fd_Doctor_Who_06x04 | fd_Doctor_Who_06x04_0 | TEXT: INT. PLANET, TUNNELS, NIGHT An OLDER WOMAN is leading a YOUNG WOMAN through the tunnels. The OLDER WOMAN'S clothes are cobbled together and the YOUNG WOMAN is wearing a worn Victorian gown. The tunnels are lit by a sickly green glow and are cluttered with flotsam and jetsam. They arrive in a large cavern where a MAN is waiting. YOUNG WOMAN: Will it be me, Uncle? UNCLE: Yes, it's going to be you. I only wish I could go in your place, Idris. Nah, I don't, cos it's really going to hurt. An OOD with green eyes grips IDRIS' arm. IDRIS: It's starting. The OOD helps IDRIS up two steps to a small platform. Underneath the grate glows green. IDRIS: What will happen? OLDER WOMAN: Oh. Um, er, Nephew will drain your mind and your soul from your body and leave your body empty. The OOD places a hand on either side of her head. IDRIS: I'm scared! Smoke begins to rise from the grate and IDRIS gasps for breath, falling to her knees. OLDER WOMAN: I expect so, dear. But soon you'll have a new soul. There'll be a Time Lord coming! INT. TARDIS, CONSOLE ROOM The DOCTOR is regaling RORY with an adventure. DOCTOR: Then we discovered it wasn't the robot king after all, it was the real one. Fortunately, I was able to re-attach the head. RORY looks to AMY as she comes down the stairs. RORY: Do you believe any of this stuff? AMY: I was there. DOCTOR: Oh, it's the warning lights. I'm getting rid of those, they never stop! (slaps the console) RORY catches up with AMY as she heads down another set of stairs. RORY: Hey. You're still thinking about it, aren't you?
SUMMARY: | A distress signal from a Time Lord sends the Doctor, Amy and Rory outside the universe to a junkyard on an asteroid. They are introduced to the place's strange inhabitants - Auntie, Uncle, an Ood known as Nephew, and an excited woman named Idris, who seems attracted to the Doctor. An intelligence called "House" is controlling the asteroid. The Doctor discovers that other Time Lords have been lured to the asteroid and killed so House could feed off the energy. Upon learning that the Doctor is the last of the Time Lords, House takes possession of the TARDIS to escape to the regular universe, with Amy and Rory trapped inside. The Doctor learns that House has trapped the personality of the TARDIS inside Idris, causing her body to fail quickly. The two decide to build a makeshift TARDIS out of the scraps in the junkyard to pursue Amy, Rory and House. As they materialise inside the TARDIS, Idris releases the TARDIS's matrix, destroying House and liberating the TARDIS. |